text:
August 9

Pre-1600

 * 48 BC – Caesar's Civil War: Battle of Pharsalus: Julius Caesar decisively defeats Pompey at Pharsalus and Pompey flees to Egypt.
 * 378 – Gothic War: Battle of Adrianople: A large Roman army led by Emperor Valens is defeated by the Visigoths. Valens is killed along with over half of his army.
 * 1173 – Construction of the campanile of the Cathedral of Pisa (now known as the Leaning Tower of Pisa) begins; it will take two centuries to complete.
 * 1329 – Quilon, the first Indian Christian Diocese, is erected by Pope John XXII; the French-born Jordanus is appointed the first Bishop.
 * 1428 – Sources cite biggest caravan trade between Podvisoki and Republic of Ragusa. Vlachs committed to Ragusan lord Tomo Bunić, that they will with 600 horses deliver 1,500 modius of salt. Delivery was meant for Dobrašin Veseoković, and Vlachs price was half of delivered salt.
 * 1500 – Ottoman–Venetian War (1499–1503): The Ottomans capture Methoni, Messenia.

1601–1900

 * 1610 – The First Anglo-Powhatan War begins in colonial Virginia.
 * 1810 – Napoleon annexes Westphalia as part of the First French Empire.
 * 1814 – American Indian Wars: The Creek sign the Treaty of Fort Jackson, giving up huge parts of Alabama and Georgia.
 * 1830 – Louis Philippe becomes the king of the French following abdication of Charles X.
 * 1842 – The Webster–Ashburton Treaty is signed, establishing the United States–Canada border east of the Rocky Mountains.
 * 1854 – American Transcendentalist philosopher Henry David Thoreau publishes his memoir Walden.
 * 1855 – Åland War: The Battle of Suomenlinna begins.
 * 1862 – American Civil War: Battle of Cedar Mountain: At Cedar Mountain, Virginia, Confederate General Stonewall Jackson narrowly defeats Union forces under General John Pope.
 * 1877 – American Indian Wars: Battle of the Big Hole: A small band of Nez Percé Indians clash with the United States Army.
 * 1892 – Thomas Edison receives a patent for a two-way telegraph.
 * 1897 – The first International Congress of Mathematicians is held in Zürich, Switzerland.

1901–present

 * 1902 – Edward VII and Alexandra of Denmark are crowned King and Queen of the United Kingdom of Great Britain and Ireland.
 * 1907 – The first Boy Scout encampment concludes at Brownsea Island in southern England.
 * 1925 – A train robbery takes place in Kakori, near Lucknow, India, by the Indian independence revolutionaries, against British government.
 * 1936 – Summer Olympics: Jesse Owens wins his fourth gold medal at the games.
 * 1942 – World War II: Battle of Savo Island: Allied naval forces protecting their amphibious forces during the initial stages of the Battle of Guadalcanal are surprised and defeated by an Imperial Japanese Navy cruiser force.
 * 1942  – Dmitri Shostakovich's 7th symphony is premiered in a besieged Leningrad.
 * 1944 – The United States Forest Service and the Wartime Advertising Council release posters featuring Smokey Bear for the first time.
 * 1944  – World War II: Continuation War: The Vyborg–Petrozavodsk Offensive, the largest offensive launched by Soviet Union against Finland during the Second World War, ends to a strategic stalemate. Both Finnish and Soviet troops at the Finnish front dug to defensive positions, and the front remains stable until the end of the war.
 * 1945 – World War II: Nagasaki is devastated when an atomic bomb, Fat Man, is dropped by the United States B-29 Bockscar. Thirty-five thousand people are killed outright, including 23,200–28,200 Japanese war workers, 2,000 Korean forced workers, and 150 Japanese soldiers.
 * 1945  – The Red Army invades Japanese-occupied Manchuria.
 * 1960 – South Kasai secedes from the Congo.
 * 1965 – Singapore is expelled from Malaysia and becomes the only country to date to gain independence unwillingly.
 * 1969 – Tate–LaBianca murders: Followers of Charles Manson murder pregnant actress Sharon Tate (wife of Roman Polanski), coffee heiress Abigail Folger, Polish actor Wojciech Frykowski, men's hairstylist Jay Sebring and recent high-school graduate Steven Parent.
 * 1970 – LANSA Flight 502 crashes after takeoff from Alejandro Velasco Astete International Airport in Cusco, Peru, killing 99 of the 100 people on board, as well as two people on the ground.
 * 1971 – The Troubles: In Northern Ireland, the British authorities launch Operation Demetrius. The operation involves the mass arrest and internment without trial of individuals suspected of being affiliated with the Irish Republican Army (PIRA). Mass riots follow, and thousands of people flee or are forced out of their homes.
 * 1973 – Mars 7 is launched from the USSR.
 * 1974 – As a direct result of the Watergate scandal, Richard Nixon becomes the first President of the United States to resign from office. Vice President Gerald Ford becomes president.
 * 1991 – The Italian prosecuting magistrate Antonino Scopelliti is murdered by the 'Ndrangheta on behalf of the Sicilian Mafia while preparing the government's case in the final appeal of the Maxi Trial.
 * 1993 – The Liberal Democratic Party of Japan loses a 38-year hold on national leadership.
 * 1995 – Aviateca Flight 901 crashes into the San Vicente volcano in El Salvador, killing all 65 people on board.
 * 1999 – Russian President Boris Yeltsin fires his Prime Minister, Sergei Stepashin, and for the fourth time fires his entire cabinet.
 * 2006 – At least 21 suspected terrorists are arrested in the 2006 transatlantic aircraft plot that happened in the United Kingdom. The arrests are made in London, Birmingham, and High Wycombe in an overnight operation.
 * 2007 – Air Moorea Flight 1121 crashes after takeoff from Moorea Airport in French Polynesia, killing all 20 people on board.
 * 2012 – Shannon Eastin becomes the first woman to officiate an NFL game.
 * 2013 – Gunmen open fire at a Sunni mosque in the city of Quetta killing at least ten people and injuring 30.
 * 2014 – Michael Brown, an 18-year-old African American male in Ferguson, Missouri, is shot and killed by a Ferguson police officer after reportedly assaulting the officer and attempting to steal his weapon, sparking protests and unrest in the city.
 * 2021 – The Tampere light rail officially starts operating.

Pre-1600

 * 1201 – Arnold Fitz Thedmar, English historian and merchant (d. 1274)
 * 1537 – Francesco Barozzi, Italian mathematician and astronomer (d. 1604)
 * 1544 – Bogislaw XIII, Duke of Pomerania (d. 1606)
 * 1590 – John Webster, colonial settler and governor of Connecticut (d. 1661)

1601–1900

 * 1603 – Johannes Cocceius, German-Dutch theologian and academic (d. 1669)
 * 1611 – Henry of Nassau-Siegen, German count, officer in the Dutch Army, diplomat for the Dutch Republic (b. 1611)
 * 1648 – Johann Michael Bach, German composer (d. 1694)
 * 1653 – John Oldham, English poet and translator (d. 1683)
 * 1674 – František Maxmilián Kaňka, Czech architect, designed the Veltrusy Mansion (d. 1766)
 * 1696 – Joseph Wenzel I, Prince of Liechtenstein (d. 1772)
 * 1722 – Prince Augustus William of Prussia (d. 1758)
 * 1726 – Francesco Cetti, Italian priest, zoologist, and mathematician (d. 1778)
 * 1748 – Bernhard Schott, German music publisher (d. 1809)
 * 1757 – Elizabeth Schuyler Hamilton, American humanitarian; wife of Alexander Hamilton (d. 1854)
 * 1757  – Thomas Telford, Scottish architect and engineer, designed the Menai Suspension Bridge (d. 1834)
 * 1776 – Amedeo Avogadro, Italian physicist and chemist (d. 1856)
 * 1783 – Grand Duchess Alexandra Pavlovna of Russia (d. 1801)
 * 1788 – Adoniram Judson, American missionary and lexicographer (d. 1850)
 * 1797 – Charles Robert Malden, English lieutenant and surveyor (d. 1855)
 * 1805 – Joseph Locke, English engineer and politician (d. 1860)
 * 1845 – André Bessette, Canadian saint (d. 1937)
 * 1847 – Maria Vittoria dal Pozzo, French-Italian wife of Amadeo I of Spain (d. 1876)
 * 1848 – Alfred David Benjamin, Australian-born businessman and philanthropist. (d. 1900)
 * 1861 – Dorothea Klumpke, American astronomer and academic (d. 1942)
 * 1867 – Evelina Haverfield, Scottish nurse and activist (d. 1920)
 * 1872 – Archduke Joseph August of Austria (d. 1962)
 * 1874 – Reynaldo Hahn, Venezuelan composer and conductor (d. 1947)
 * 1875 – Albert Ketèlbey, English pianist, composer, and conductor (d. 1959)
 * 1878 – Eileen Gray, Irish architect and furniture designer (d. 1976)
 * 1879 – John Willcock, Australian politician, 15th Premier of Western Australia, (d. 1956)
 * 1881 – Prince Antônio Gastão of Orléans-Braganza, Brazilian prince (d. 1918)
 * 1890 – Eino Kaila, Finnish philosopher and psychologist, attendant of the Vienna circle (d. 1958)
 * 1896 – Erich Hückel, German physicist and chemist (d. 1980)
 * 1896  – Jean Piaget, Swiss psychologist and philosopher (d. 1980)
 * 1899 – P. L. Travers, Australian-English author and actress (d. 1996)
 * 1900 – Charles Farrell, American actor and singer (d. 1990)

1901–present

 * 1902 – Zino Francescatti, French violinist (d. 1991)
 * 1902  – Panteleimon Ponomarenko, Russian general and politician (d. 1984)
 * 1905 – Leo Genn, British actor and barrister (d. 1978)
 * 1909 – Vinayaka Krishna Gokak, Indian scholar, author, and academic (d. 1992)
 * 1909  – Willa Beatrice Player, American educator, first Black woman college president (d. 2003)
 * 1909  – Adam von Trott zu Solz, German lawyer and diplomat (d. 1944)
 * 1911 – William Alfred Fowler, American astronomer and astrophysicist, Nobel Laureate (d. 1996)
 * 1911  – Eddie Futch, American boxer and trainer (d. 2001)
 * 1911  – John McQuade, Northern Irish soldier, boxer, and politician (d. 1984)
 * 1913 – Wilbur Norman Christiansen, Australian astronomer and engineer (d. 2007)
 * 1914 – Ferenc Fricsay, Hungarian-Austrian conductor and director (d. 1963)
 * 1914  – Tove Jansson, Finnish author and illustrator (d. 2001)
 * 1914  – Joe Mercer, English footballer and manager (d. 1990)
 * 1915 – Mareta West, American astronomer and geologist (d. 1998)
 * 1918 – Kermit Beahan, American colonel (d. 1989)
 * 1918  – Giles Cooper, Irish soldier and playwright (d. 1966)
 * 1918  – Albert Seedman, American police officer (d. 2013)
 * 1919 – Joop den Uyl, Dutch journalist, economist, and politician, Deputy Prime Minister of the Netherlands (d. 1987)
 * 1919  – Ralph Houk, American baseball player and manager (d. 2010)
 * 1920 – Enzo Biagi, Italian journalist and author (d. 2007)
 * 1921 – Ernest Angley, American evangelist and author (d. 2021)
 * 1921  – J. James Exon, American soldier and politician, 33rd Governor of Nebraska (d. 2005)
 * 1922 – Philip Larkin, English poet and novelist (d. 1985)
 * 1924 – Mathews Mar Barnabas, Indian metropolitan (d. 2012)
 * 1924  – Frank Martínez, American soldier and painter (d. 2013)
 * 1925 – David A. Huffman, American computer scientist, developed Huffman coding (d. 1999)
 * 1926 – Denis Atkinson, Barbadian cricketer (d. 2001)
 * 1927 – Daniel Keyes, American short story writer and novelist (d. 2014)
 * 1927  – Robert Shaw, English actor and screenwriter (d. 1978)
 * 1928 – Bob Cousy, American basketball player and coach
 * 1928  – Camilla Wicks, American violinist and educator (d. 2020)
 * 1928  – Dolores Wilson, American soprano and actress (d. 2010)
 * 1929 – Abdi İpekçi, Turkish journalist and activist (d. 1979)
 * 1930 – Milt Bolling, American baseball player and scout (d. 2013)
 * 1930  – Jacques Parizeau, Canadian economist and politician, 26th Premier of Quebec (d. 2015)
 * 1931 – Chuck Essegian, American baseball player and lawyer
 * 1931  – James Freeman Gilbert, American geophysicist and academic (d. 2014)
 * 1931  – Paula Kent Meehan, American businesswoman, co-founded Redken (d. 2014)
 * 1931  – Mário Zagallo, Brazilian footballer and coach (d. 2024)
 * 1932 – Tam Dalyell, Scottish academic and politician (d. 2017)
 * 1932  – John Gomery, Canadian lawyer and jurist (d. 2021)
 * 1933 – Tetsuko Kuroyanagi, Japanese actress, talk show host, and author
 * 1935 – Beverlee McKinsey, American actress (d. 2008)
 * 1936 – Julián Javier, Dominican-American baseball player
 * 1936  – Patrick Tse, Chinese-Hong Kong actor, director, producer, and screenwriter
 * 1938 – Leonid Kuchma, Ukrainian engineer and politician, 2nd President of Ukraine
 * 1938  – Rod Laver, Australian tennis player and coach
 * 1938  – Otto Rehhagel, German footballer, coach, and manager
 * 1939 – Hércules Brito Ruas, Brazilian footballer
 * 1939  – Vincent Hanna, Northern Irish journalist (d. 1997)
 * 1939  – The Mighty Hannibal, American singer-songwriter and producer (d. 2014)
 * 1939  – Billy Henderson, American singer (d. 2007)
 * 1939  – Bulle Ogier, French actress and screenwriter
 * 1939  – Romano Prodi, Italian academic and politician, 52nd Prime Minister of Italy
 * 1939  – Butch Warren, American bassist (d. 2013)
 * 1940 – Linda Keen, American mathematician and academic
 * 1942 – David Steinberg, Canadian actor, director, producer, and screenwriter
 * 1943 – Ken Norton, American boxer and actor (d. 2013)
 * 1944 – George Armstrong, English footballer (d. 2000)
 * 1944  – Patrick Depailler, French racing driver (d. 1980)
 * 1944  – Sam Elliott, American actor and producer
 * 1944  – Patricia McKissack, American soldier, engineer, and author (d. 2017)
 * 1945 – Barbara Delinsky, American author
 * 1945  – Aleksandr Gorelik, Russian figure skater and sportscaster (d. 2012)
 * 1945  – Posy Simmonds, English author and illustrator
 * 1946 – Rinus Gerritsen, Dutch rock bass player
 * 1947 – Roy Hodgson, English footballer and manager
 * 1947  – Barbara Mason, American R&B/soul singer-songwriter
 * 1947  – John Varley, American author
 * 1948 – Bill Campbell, American baseball player and coach (d. 2023)
 * 1949 – Jonathan Kellerman, American psychologist and author
 * 1949  – Ted Simmons, American baseball player and coach
 * 1951 – James Naughtie, Scottish journalist and radio host
 * 1951  – Steve Swisher, American baseball player and manager
 * 1952 – Prateep Ungsongtham Hata, Thai activist and politician
 * 1953 – Kay Stenshjemmet, Norwegian speed skater
 * 1953  – Jean Tirole, French economist and academic, Nobel Prize laureate
 * 1954 – Ray Jennings, South African cricketer and coach
 * 1954  – Pete Thomas, English drummer
 * 1955 – John E. Sweeney, American lawyer and politician
 * 1956 – Gordon Singleton, Canadian Olympic cyclist (d. 2024)
 * 1957 – Melanie Griffith, American actress and producer
 * 1958 – Amanda Bearse, American actress, comedian and director
 * 1958  – Calie Pistorius, South African engineer and academic
 * 1959 – Kurtis Blow, American rapper, producer, and actor
 * 1959  – Michael Kors, American fashion designer
 * 1961 – Brad Gilbert, American tennis player and sportscaster
 * 1961  – John Key, New Zealand businessman and politician, 38th Prime Minister of New Zealand
 * 1962 – Louis Lipps, American football player and radio host
 * 1962  – Kevin Mack, American football player
 * 1962  – John "Hot Rod" Williams, American basketball player (d. 2015)
 * 1963 – Whitney Houston, American singer-songwriter, producer, and actress (d. 2012)
 * 1963  – Jay Leggett, American actor, director, producer, and screenwriter (d. 2013)
 * 1963  – Barton Lynch, Australian surfer
 * 1964 – Brett Hull, Canadian-American ice hockey player and manager
 * 1964  – Hoda Kotb, American journalist and television personality
 * 1965 – Nitin Chandrakant Desai, Indian art director, production designer, and film and television producer (d. 2023)
 * 1966 – Vinny Del Negro, American basketball player and coach
 * 1966  – Linn Ullmann, Norwegian journalist and author
 * 1967 – Deion Sanders, American football and baseball player
 * 1968 – Gillian Anderson, American-British actress, activist and writer
 * 1968  – Eric Bana, Australian actor, comedian, producer, and screenwriter
 * 1968  – Sam Fogarino, American drummer
 * 1968  – McG, American director and producer
 * 1969 – Troy Percival, American baseball player and coach
 * 1970 – Rod Brind'Amour, Canadian ice hockey player and coach
 * 1970  – Chris Cuomo, American lawyer and journalist
 * 1970  – Thomas Lennon, American actor and comedian
 * 1972 – Juanes, Colombian singer and songwriter
 * 1973 – Filippo Inzaghi, Italian footballer and manager
 * 1973  – Kevin McKidd, Scottish actor and director
 * 1973  – Gene Luen Yang, American author and illustrator
 * 1974 – Derek Fisher, American basketball player and coach
 * 1974  – Stephen Fung, Hong Kong actor, singer, director, and screenwriter
 * 1974  – Lesley McKenna, Scottish snowboarder
 * 1974  – Matt Morris, American baseball player
 * 1974  – Kirill Reznik, American lawyer and politician
 * 1974  – Raphaël Poirée, French biathlete
 * 1975 – Mahesh Babu, Indian actor and producer
 * 1975  – Valentin Kovalenko, Uzbek football referee
 * 1975  – Mike Lamb, American baseball player
 * 1975  – Robbie Middleby, Australian soccer player
 * 1976 – Rhona Mitra, English actress and singer
 * 1976  – Audrey Tautou, French model and actress
 * 1976  – Jessica Capshaw, American actress
 * 1977 – Jason Frasor, American baseball player
 * 1977  – Chamique Holdsclaw, American basketball player
 * 1977  – Ravshan Irmatov, Uzbek football referee
 * 1977  – Adewale Ogunleye, American football player
 * 1977  – Ime Udoka, American basketball player and coach
 * 1977  – Mikaël Silvestre, French footballer
 * 1978 – Dorin Chirtoacă, Moldavian lawyer and politician, Mayor of Chișinău
 * 1978  – Ana Serradilla, Mexican actress and producer
 * 1978  – Wesley Sonck, Belgian footballer
 * 1979 – Michael Kingma, Australian basketball player
 * 1979  – Lisa Nandy, British politician
 * 1979  – Tony Stewart, American football player
 * 1981 – Jarvis Hayes, American basketball player
 * 1981  – Li Jiawei, Singaporean table tennis player
 * 1982 – Joel Anthony, American basketball player
 * 1982  – Tyson Gay, American sprinter
 * 1982  – Yekaterina Samutsevich, Russian singer and activist
 * 1982  – Kanstantsin Sivtsov, Belarusian cyclist
 * 1983 – Dan Levy, Canadian actor and comedian
 * 1983  – Hamilton Masakadza, Zimbabwean cricketer
 * 1983  – Shane O'Brien, Canadian ice hockey player
 * 1983  – Alicja Smietana, Polish-English violinist
 * 1984 – Paul Gallagher, Scottish footballer
 * 1985 – Luca Filippi, Italian racing driver
 * 1985  – Filipe Luís, Brazilian footballer
 * 1985  – Anna Kendrick, American actress and singer
 * 1985  – Hayley Peirsol, American swimmer
 * 1985  – JaMarcus Russell, American football player
 * 1985  – Chandler Williams, American football player (d. 2013)
 * 1986 – Michael Lerchl, German footballer
 * 1986  – Daniel Preussner, German rugby player
 * 1986  – Tyler Smith, American singer-songwriter and bass player
 * 1987 – Marek Niit, Estonian sprinter
 * 1988 – Anthony Castonzo, American football player
 * 1988  – Willian, Brazilian footballer
 * 1988  – Vasilios Koutsianikoulis, Greek footballer
 * 1989 – Jason Heyward, American baseball player
 * 1989  – Stefano Okaka, Italian footballer
 * 1989  – Kento Ono, Japanese actor and model
 * 1990 – İshak Doğan, Turkish footballer
 * 1990  – Sarah McBride, American LGBT activist
 * 1990  – Stuart McInally, Scottish rugby player
 * 1990  – Brice Roger, French skier
 * 1990  – D'Arcy Short, Australian cricketer
 * 1990  – Bill Skarsgård, Swedish actor
 * 1991 – Alice Barlow, English actress
 * 1991  – Alexa Bliss, American bodybuilder and wrestler
 * 1991  – Hansika Motwani, Indian actress
 * 1992 – Farahnaz Forotan, Afghan journalist
 * 1993 – Jun.Q, South Korean singer and actor
 * 1993  – Dipa Karmakar, Indian gymnast
 * 1994 – Kelli Hubly, American soccer player
 * 1994  – King Von, American rapper (d. 2020)
 * 1995 – Eli Apple, American football player
 * 1995  – Justice Smith, American actor
 * 1996 – Sanya Lopez, Filipino actress and model
 * 1999 – Deniss Vasiļjevs, Latvian figure skater
 * 2000 – Arlo Parks, British singer-songwriter
 * 2005 – Victoria Jiménez Kasintseva, Andorran tennis player

Pre-1600

 * 378 – Traianus, Roman general
 * 378  – Valens, Roman emperor (b. 328)
 * 803 – Irene of Athens, Byzantine ruler (b. 752)
 * 833 – Al-Ma'mun, Iraqi caliph (b. 786)
 * 1048 – Pope Damasus II
 * 1107 – Emperor Horikawa of Japan (b. 1079)
 * 1173 – Najm ad-Din Ayyub, Kurdish soldier and politician
 * 1211 – William de Braose, 4th Lord of Bramber, exiled Anglo-Norman baron (b. 1144/53)
 * 1260 – Walter of Kirkham, Bishop of Durham
 * 1296 – Hugh, Count of Brienne, French crusader
 * 1341 – Eleanor of Anjou, queen consort of Sicily (b. 1289)
 * 1354 – Stephen, Duke of Slavonia, Hungarian prince (b. 1332)
 * 1420 – Pierre d'Ailly, French theologian and cardinal (b. 1351)
 * 1516 – Hieronymus Bosch, Early Netherlandish painter (b. circa 1450)
 * 1534 – Thomas Cajetan, Italian cardinal and philosopher (b. 1470)
 * 1580 – Metrophanes III of Constantinople (b. 1520)

1601–1900

 * 1601 – Michael the Brave, Romanian prince (b. 1558)
 * 1634 – William Noy, English lawyer and judge (b. 1577)
 * 1720 – Simon Ockley, English orientalist and academic (b. 1678)
 * 1744 – James Brydges, 1st Duke of Chandos, English academic and politician, Lord Lieutenant of Radnorshire (b. 1673)
 * 1816 – Johann August Apel, German jurist and author (b. 1771)
 * 1861 – Vincent Novello, English composer and publisher (b. 1781)
 * 1886 – Samuel Ferguson, Irish lawyer and poet (b. 1810)

1901–present

 * 1910 – Huo Yuanjia, Chinese martial artist, co-founded the Chin Woo Athletic Association (b. 1868)
 * 1919 – Ruggero Leoncavallo, Italian composer and educator (b. 1857)
 * 1920 – Samuel Griffith, Welsh-Australian politician, 9th Premier of Queensland (b. 1845)
 * 1932 – John Charles Fields, Canadian mathematician, founder of the Fields Medal (b. 1863)
 * 1941 – Richard Goss, Executed Irish Republican (b. 1915)
 * 1942 – Edith Stein, German nun and saint (b. 1891)
 * 1943 – Chaïm Soutine, Belarusian-French painter and educator (b. 1893)
 * 1945 – Robert Hampton Gray, Canadian lieutenant and pilot, Victoria Cross recipient (b. 1917)
 * 1945  – Harry Hillman, American runner and coach (b. 1881)
 * 1946 – Bert Vogler, South African cricketer (b. 1876)
 * 1948 – Hugo Boss, German fashion designer, founded Hugo Boss (b. 1885)
 * 1949 – Edward Thorndike, American psychologist and academic (b. 1874)
 * 1957 – Carl Clauberg, German Nazi physician (b. 1898)
 * 1962 – Hermann Hesse, German-born Swiss poet, novelist, and painter, Nobel Prize laureate (b. 1877)
 * 1963 – Patrick Bouvier Kennedy, American son of John F. Kennedy (b. 1963)
 * 1967 – Joe Orton, English author and playwright (b. 1933)
 * 1969 – Wojciech Frykowski, Polish-American actor and author (b. 1936)
 * 1969  – Sharon Tate, American model and actress (b. 1943)
 * 1969  – C. F. Powell, English physicist and academic, Nobel Prize laureate (b. 1903)
 * 1970 – Jimmy Steele (Irish republican), lifelong militant and editor (b. 1907)
 * 1972 – Sıddık Sami Onar, Turkish lawyer and academic (b. 1897)
 * 1974 – Bill Chase, American trumpet player and bandleader (b. 1934)
 * 1975 – Dmitri Shostakovich, Russian pianist and composer (b. 1906)
 * 1978 – James Gould Cozzens, American novelist and short story writer (b. 1903)
 * 1979 – Walter O'Malley, American businessman (b. 1903)
 * 1979  – Raymond Washington, American gang leader, founded the Crips (b. 1953)
 * 1980 – Jacqueline Cochran, American pilot (b. 1906)
 * 1980  – Ruby Hurley, American civil rights activist (b. 1909)
 * 1981 – Max Hoffman, Austrian-born car importer and businessman (b. 1904)
 * 1985 – Clive Churchill, Australian rugby league player and coach (b. 1927)
 * 1986 – Eoin McNamee (Irish republican), Chief of Staff of the Irish Republican Army (b. 1914)
 * 1988 – M. Carl Holman, American author, educator, poet, and playwright (b. 1919)
 * 1988 – Giacinto Scelsi, Italian composer (b. 1905)
 * 1990 – Joe Mercer, English footballer and manager (b. 1914)
 * 1992 – Fereydoun Farrokhzad, Iranian singer and actor (b. 1938)
 * 1995 – Jerry Garcia, American singer-songwriter and guitarist (b. 1942)
 * 1996 – Frank Whittle, English soldier and engineer, invented the jet engine (b. 1907)
 * 1999 – Helen Rollason, English sports journalist and sportscaster (b. 1956)
 * 1999  – Fouad Serageddin, Egyptian journalist and politician (b. 1910)
 * 2000 – John Harsanyi, Hungarian-American economist and academic, Nobel Prize laureate (b. 1920)
 * 2000  – Nicholas Markowitz, American murder victim (b. 1984)
 * 2002 – Paul Samson, English guitarist (b. 1953)
 * 2003 – Jacques Deray, French director and screenwriter (b. 1929)
 * 2003  – Ray Harford, English footballer and manager (b. 1945)
 * 2003  – Gregory Hines, American actor, dancer, and choreographer (b. 1946)
 * 2003  – R. Sivagurunathan, Sri Lankan lawyer, journalist, and academic (b. 1931)
 * 2004 – Robert Lecourt, French lawyer and politician, Lord Chancellor of France (b. 1908)
 * 2004  – Tony Mottola, American guitarist and composer (b. 1918)
 * 2004  – David Raksin, American composer and educator (b. 1912)
 * 2005 – Judith Rossner, American author (b. 1935)
 * 2006 – Philip E. High, English author (b. 1914)
 * 2006  – James Van Allen, American physicist and academic (b. 1914)
 * 2007 – Joe O'Donnell, American photographer and journalist (b. 1922)
 * 2008 – Bernie Mac, American comedian, actor, screenwriter, and producer (b. 1957)
 * 2008  – Mahmoud Darwish, Palestinian author and poet (b. 1941)
 * 2010 – Calvin "Fuzz" Jones, American singer and bass player (b. 1926)
 * 2010  – Ted Stevens, American soldier, lawyer, and politician (b. 1923)
 * 2012 – Carl Davis, American record producer (b. 1934)
 * 2012  – Gene F. Franklin, American engineer, theorist, and academic (b. 1927)
 * 2012  – Al Freeman, Jr., American actor, director, and educator (b. 1934)
 * 2012  – David Rakoff, Canadian-American actor and journalist (b. 1964)
 * 2012  – Carmen Belen Richardson, Puerto Rican-American actress (b. 1930)
 * 2012  – Mel Stuart, American director and producer (b. 1928)
 * 2013 – Harry Elliott, American baseball player and coach (b. 1923)
 * 2013  – Eduardo Falú, Argentinian guitarist and composer (b. 1923)
 * 2013  – William Lynch, Jr., American lawyer and politician (b. 1947)
 * 2014 – J. F. Ade Ajayi, Nigerian historian and academic (b. 1929)
 * 2014  – Andriy Bal, Ukrainian footballer and coach (b. 1958)
 * 2014  – Arthur G. Cohen, American businessman and philanthropist, co-founded Arlen Realty and Development Corporation (b. 1930)
 * 2014  – Ed Nelson, American actor (b. 1928)
 * 2015 – Frank Gifford, American football player, sportscaster, and actor (b. 1930)
 * 2015  – John Henry Holland, American computer scientist and academic (b. 1929)
 * 2015  – Walter Nahún López, Honduran footballer (b. 1977)
 * 2015  – David Nobbs, English author and screenwriter (b. 1935)
 * 2015  – Kayyar Kinhanna Rai, Indian journalist, author, and poet (b. 1915)
 * 2015  – Fikret Otyam, Turkish painter and journalist (b. 1926)
 * 2016 – Gerald Grosvenor, 6th Duke of Westminster, third-richest British citizen (b. 1951)
 * 2021 – Pat Hitchcock, English actress and producer (b. 1928)
 * 2021  – Killer Kau, South African rapper, dancer and record producer (b. 1998)
 * 2021  – Zairaini Sarbini, Malaysian voice actress (b. 1972)
 * 2023 – Robbie Robertson, Canadian singer-songwriter, guitarist, producer, and actor (b. 1943)

Holidays and observances

 * Battle of Gangut Day (Russia)
 * Christian feast day:
 * Candida Maria of Jesus
 * Edith Stein (St Teresa Benedicta of the Cross)
 * Firmus and Rusticus
 * Herman of Alaska (Russian Orthodox Church and related congregations; Episcopal Church (USA))
 * John Vianney (1950s – currently August 4)
 * Mary Sumner (Church of England)
 * Nath Í of Achonry
 * Romanus Ostiarius
 * Secundian, Marcellian and Verian
 * August 9 (Eastern Orthodox liturgics)
 * International Day of the World's Indigenous Peoples (United Nations)
 * Meyboom (Brussels and Leuven, Belgium)
 * National Day, celebrates the independence of Singapore from Malaysia in 1965.
 * National Peacekeepers' Day, celebrated on Sunday closest to the day (Canada)
 * National Women's Day (South Africa)

title: August 9


text:
Aristophanes

Aristophanes (Ἀριστοφάνης, ; c. 446) was an Ancient Greek comic playwright from Athens and a poet of Old Attic Comedy. He wrote in total forty plays, of which eleven survive virtually complete today. These provide the most valuable examples of a genre of comic drama known as Old Comedy and are used to define it, along with fragments from dozens of lost plays by Aristophanes and his contemporaries.

Also known as "The Father of Comedy" and "the Prince of Ancient Comedy", Aristophanes has been said to recreate the life of ancient Athens more convincingly than any other author. His powers of ridicule were feared and acknowledged by influential contemporaries; Plato singled out Aristophanes' play The Clouds as slander that contributed to the trial and subsequent condemning to death of Socrates, although other satirical playwrights had also caricatured the philosopher.

Aristophanes' second play, The Babylonians (now lost), was denounced by Cleon as a slander against the Athenian polis. It is possible that the case was argued in court, but details of the trial are not recorded and Aristophanes caricatured Cleon mercilessly in his subsequent plays, especially The Knights, the first of many plays that he directed himself. "In my opinion," he says through that play's Chorus, "the author-director of comedies has the hardest job of all."

Etymology
The English name Aristophanes comes from the Ἀριστοφάνης meaning one who appears best, from ἄριστος (áristos, lit. 'best') and φανής (phanḗs) from the verb φαίνω, lit. 'to appear'.

Biography
An Athenian citizen, Aristophanes came from the deme of Kydathenaion. His father was Philippus from the Attic phyle (clan) of Pandionis and his mother was Zenodora. His family was believed to have owned property on the island of Aegina. Little is known about Aristophanes' life, his plays being the main source of biographical information. It was conventional in Old Comedy for the chorus to speak on behalf of the author during an address called the parabasis, where some biographical facts can usually be found. These facts, however, relate almost entirely to his career as a dramatist and the plays contain few clear and unambiguous clues about his personal beliefs or his private life. He was a comic poet in an age when it was conventional for a poet to assume the role of teacher (didaskalos), and though this specifically referred to his training of the chorus in rehearsal, it also covered his relationship with the audience as a commentator on significant issues.

Aristophanes claimed to be writing for a clever and discerning audience, yet he also declared that "other times" would judge the audience according to its reception of his plays. He sometimes boasts of his originality as a dramatist yet his plays consistently espouse opposition to radical new influences in Athenian society. He caricatured leading figures in the arts (notably Euripides, whose influence on his own work however he once grudgingly acknowledged), in politics (especially the populist Cleon), and in philosophy/religion (where Socrates was the most obvious target). Such caricatures seem to imply that Aristophanes was an old-fashioned conservative, yet that view of him leads to contradictions.

It has been argued that Aristophanes produced plays mainly to entertain the audience and to win prestigious competitions. His plays were written for production at the great dramatic festivals of Athens, the Lenaia and City Dionysia, where they were judged and awarded prizes in competition with the works of other comic dramatists. An elaborate series of lotteries, designed to prevent prejudice and corruption, reduced the voting judges at the City Dionysia to just five. These judges probably reflected the mood of the audiences yet there is much uncertainty about the composition of those audiences. The theatres were certainly huge, with seating for at least 10,000 at the Theatre of Dionysus. The day's program at the City Dionysia for example was crowded, with three tragedies and a satyr play ahead of a comedy, but it is possible that many of the poorer citizens (typically the main supporters of demagogues like Cleon) occupied the festival holiday with other pursuits. The conservative views expressed in the plays might therefore reflect the attitudes of the dominant group in an unrepresentative audience.

The production process might also have influenced the views expressed in the plays. Throughout most of Aristophanes' career, the Chorus was essential to a play's success and it was recruited and funded by a choregus, a wealthy citizen appointed to the task by one of the archons. A choregus could regard his personal expenditure on the Chorus as a civic duty and a public honour, but Aristophanes showed in The Knights that wealthy citizens might regard civic responsibilities as punishment imposed on them by demagogues and populists like Cleon. Thus the political conservatism of the plays may reflect the views of the wealthiest section of Athenian society, on whose generosity all dramatists depended for putting on their plays.

When Aristophanes' first play The Banqueters was produced, Athens was an ambitious, imperial power and the Peloponnesian War was only in its fourth year. His plays often express pride in the achievement of the older generation (the victors at Marathon) yet they are not jingoistic, and they are staunchly opposed to the war with Sparta. The plays are particularly scathing in criticism of war profiteers, among whom populists such as Cleon figure prominently. By the time his last play was produced (around 386 BC) Athens had been defeated in war, its empire had been dismantled and it had undergone a transformation from being the political to the intellectual centre of Greece. Aristophanes was part of this transformation and he shared in the intellectual fashions of the period—the structure of his plays evolves from Old Comedy until, in his last surviving play, Wealth II, it more closely resembles New Comedy. However it is uncertain whether he led or merely responded to changes in audience expectations.

Aristophanes won second prize at the City Dionysia in 427 BC with his first play The Banqueters (now lost). He won first prize there with his next play, The Babylonians (also now lost). It was usual for foreign dignitaries to attend the City Dionysia, and The Babylonians caused some embarrassment for the Athenian authorities since it depicted the cities of the Delian League as slaves grinding at a mill. Some influential citizens, notably Cleon, reviled the play as slander against the polis and possibly took legal action against the author. The details of the trial are unrecorded but, speaking through the hero of his third play The Acharnians (staged at the Lenaia, where there were few or no foreign dignitaries), the poet carefully distinguishes between the polis and the real targets of his acerbic wit:

Aristophanes repeatedly savages Cleon in his later plays. But these satirical diatribes appear to have had no effect on Cleon's political career—a few weeks after the performance of The Knights—a play full of anti-Cleon jokes—Cleon was elected to the prestigious board of ten generals. Cleon also seems to have had no real power to limit or control Aristophanes: the caricatures of him continued up to and even beyond his death.

In the absence of clear biographical facts about Aristophanes, scholars make educated guesses based on interpretation of the language in the plays. Inscriptions and summaries or comments by Hellenistic and Byzantine scholars can also provide useful clues. We know from a combination of these sources, and especially from comments in The Knights and The Clouds, that Aristophanes' first three plays were not directed by him; they were instead directed by Callistratus and Philoneides, an arrangement that seemed to suit Aristophanes since he appears to have used these same directors in many later plays as well (Philoneides for example later directed The Frogs and he was also credited, perhaps wrongly, with directing The Wasps). Aristophanes's use of directors complicates our reliance on the plays as sources of biographical information, because apparent self-references might have been made with reference to his directors instead. Thus, for example, a statement by the chorus in The Acharnians seems to indicate that the "poet" had a close, personal association with the island of Aegina. Similarly, the hero in The Acharnians complains about Cleon "dragging me into court" over "last year's play."

Comments made by the Chorus referring to Aristophanes in The Clouds have been interpreted as evidence that he can hardly have been more than 18 years old when his first play The Banqueters was produced. The second parabasis in Wasps appears to indicate that he reached some kind of temporary accommodation with Cleon following either the controversy over The Babylonians or a subsequent controversy over The Knights. It has been inferred from statements in The Clouds and Peace that Aristophanes was prematurely bald.

Aristophanes was probably victorious at least once at the City Dionysia, with Babylonians in 427, and at least three times at the Lenaia, with The Acharnians in 425, Knights in 424, and Frogs in 405. Frogs in fact won the unique distinction of a repeat performance at a subsequent festival. A son of Aristophanes, Araros, was also a comic poet and he could have been heavily involved in the production of his father's play Wealth II in 388. Araros is also thought to have been responsible for the posthumous performances of the now lost plays Aeolosicon II and Cocalus, and it is possible that the last of these won the prize at the City Dionysia in 387. It appears that a second son, Philippus, was twice victorious at the Lenaia and he could have directed some of Eubulus' comedies. A third son was called either Nicostratus or Philetaerus, and a man by the latter name appears in the catalogue of Lenaia victors with two victories, the first probably in the late 370s.

Plato's The Symposium appears to be a useful source of biographical information about Aristophanes, but its reliability is open to doubt. It purports to be a record of conversations at a dinner party at which both Aristophanes and Socrates are guests, held some seven years after the performance of The Clouds, the play in which Socrates was cruelly caricatured. One of the guests, Alcibiades, even quotes from the play when teasing Socrates over his appearance and yet there is no indication of any ill-feeling between Socrates and Aristophanes. Plato's Aristophanes is in fact a genial character and this has been interpreted as evidence of Plato's own friendship with him (their friendship appears to be corroborated by an epitaph for Aristophanes, reputedly written by Plato, in which the playwright's soul is compared to an eternal shrine for the Graces). Plato was only a boy when the events in The Symposium are supposed to have occurred and it is possible that his Aristophanes is in fact based on a reading of the plays. For example, conversation among the guests turns to the subject of Love and Aristophanes explains his notion of it in terms of an amusing allegory, a device he often uses in his plays. He is represented as suffering an attack of hiccups and this might be a humorous reference to the crude physical jokes in his plays. He tells the other guests that he is quite happy to be thought amusing but he is wary of appearing ridiculous. This fear of being ridiculed is consistent with his declaration in The Knights that he embarked on the career of comic playwright warily after witnessing the public contempt and ridicule that other dramatists had incurred.

Aristophanes survived The Peloponnesian War, two oligarchic revolutions and two democratic restorations; this has been interpreted as evidence that he was not actively involved in politics, despite his highly political plays. He was probably appointed to the Council of Five Hundred for a year at the beginning of the fourth century, but such appointments were very common in democratic Athens.

Use of language
The language of Aristophanes' plays, and in Old Comedy generally, was valued by ancient commentators as a model of the Attic dialect. The orator Quintilian believed that the charm and grandeur of the Attic dialect made Old Comedy an example for orators to study and follow, and he considered it inferior in these respects only to the works of Homer. A revival of interest in the Attic dialect may have been responsible for the recovery and circulation of Aristophanes' plays during the fourth and fifth centuries AD, resulting in their survival today. In Aristophanes' plays, the Attic dialect is couched in verse and his plays can be appreciated for their poetic qualities.

For Aristophanes' contemporaries the works of Homer and Hesiod formed the cornerstones of Hellenic history and culture. Thus poetry had a moral and social significance that made it an inevitable topic of comic satire. Aristophanes was very conscious of literary fashions and traditions and his plays feature numerous references to other poets. These include not only rival comic dramatists such as Eupolis and Hermippus and predecessors such as Magnes, Crates and Cratinus, but also tragedians, notably Aeschylus, Sophocles and Euripides, all three of whom are mentioned in e.g. The Frogs. Aristophanes was the equal of these great tragedians in his subtle use of lyrics. He appears to have modelled his approach to language on that of Euripides in particular, so much so that the comic dramatist Cratinus labelled him a 'Euripidaristophanist' addicted to hair-splitting niceties.

A full appreciation of Aristophanes' plays requires an understanding of the poetic forms he employed with virtuoso skill, and of their different rhythms and associations. There were three broad poetic forms: iambic dialogue, tetrameter verses and lyrics:
 * Iambic dialogue: Aristophanes achieves an effect resembling natural speech through the use of the iambic trimeter (corresponding to the effects achieved by English poets such as Shakespeare using iambic pentameters). His realistic use of the meter makes it ideal for both dialogue and soliloquy, as for instance in the prologue, before the arrival of the Chorus, when the audience is introduced to the main issues in the plot. The Acharnians opens with these three lines by the hero, Dikaiopolis (rendered here in English as iambic pentameters):

 * How many are the things that vex my heart!
 * Pleasures are few, so very few – just four –
 * But stressful things are manysandthousandsandheaps!

 * Here Aristophanes employs a frequent device, arranging the syntax so that the final word in a line comes as a comic climax. The hero's pleasures are so few he can number them (τέτταρα, four) but his causes for complaint are so many they beggar numerical description and he must invent his own word for them (ψαμμακοσιογάργαρα, literally "sandhundredheaps", here paraphrased "manysandthousandsandheaps"). The use of invented compound words is another comic device frequently found in the plays.

 * Tetrameter catalectic verses: These are long lines of anapests, trochees or iambs (where each line is ideally measured in four dipodes or pairs of feet), used in various situations within each play such as:
 * formal debates or agons between characters (typically in anapestic rhythm);
 * excited dialogue or heated argument (typically trochaic rhythm, the same as in early tragedy);
 * long speeches declaimed by the Chorus in parabases (in either anapestic or trochaic rhythms);
 * informal debates barely above the level of ordinary dialogue (typically iambic).
 * Anapestic rhythms are naturally jaunty (as in many limericks) and trochaic meter is suited to rapid delivery (the word "trochee" is in fact derived from trechein, "to run", as demonstrated for example by choruses who enter at speed, often in aggressive mood) However, even though both these rhythms can seem to "bowl along" Aristophanes often varies them through use of complex syntax and substituted meters, adapting the rhythms to the requirements of serious argument. In an anapestic passage in The Frogs, for instance, the character Aeschylus presents a view of poetry that is supposed to be serious but which leads to a comic interruption by the god, Dionysus:

 * AES.:It was Orpheus singing who taught us religion and how wrong people are when they kill,
 * And we learned from Musaeus medicinal cures and the science of divination.
 * If it's farming you want, Hesiod knows it all, when to plant, when to harvest. How godlike
 * Homer got to be famous, I'll tell if you ask: he taught us what all good men should know,
 * Discipline, fortitude, battle-readiness. DIO.: But no-one taught Pantocles – yesterday
 * He was marching his men up and down on parade when the crest of his helmet fell off!

The rhythm begins at a typical anapestic gallop, slows down to consider the revered poets Hesiod and Homer, then gallops off again to its comic conclusion at the expense of the unfortunate Pantocles. Such subtle variations in rhythm are common in the plays, allowing for serious points to be made while still whetting the audience's appetite for the next joke.  Though to myself I often seem
 * Lyrics: Almost nothing is known about the music that accompanied Greek lyrics, and the meter is often so varied and complex that it is difficult for modern readers or audiences to get a feel for the intended effects, yet Aristophanes still impresses with the charm and simplicity of his lyrics. Some of the most memorable and haunting lyrics are dignified hymns set free of the comic action. In the example below, taken from The Wasps, the lyric is merely a comic interlude and the rhythm is steadily trochaic. The syntax in the original Greek is natural and unforced and it was probably accompanied by brisk and cheerful music, gliding to a concluding pun at the expense of Amynias, who is thought to have lost his fortune gambling.
 * A bright chap and not awkward,

None comes close to Amynias,
 * Son of Sellos of the Bigwig

Clan, a man I once saw
 * Dine with rich Leogorus.

Now as poor as Antiphon,
 * He lives on apples and pomegranates

Yet he got himself appointed
 * Ambassador to Pharsalus,

Way up there in Thessaly,
 * Home of the poor Penestes:

Happy to be where everyone
 * Is as penniless as he is!

 * The pun here in English translation (Penestes–penniless) is a weak version of the Greek pun Πενέσταισι-πενέστης, Penéstaisi-penéstĕs, "destitute". Many of the puns in the plays are based on words that are similar rather than identical, and it has been observed that there could be more of them than scholars have yet been able to identify. Others are based on double meanings. Sometimes entire scenes are constructed on puns, as in The Acharnians with the Megarian farmer and his pigs: the Megarian farmer defies the Athenian embargo against Megarian trade, and tries to trade his daughters disguised as pigs, except "pig" was ancient slang for "vagina". Since the embargo against Megara was the pretext for the Peloponnesian War, Aristophanes naturally concludes that this whole mess happened because of "three cunts".

It can be argued that the most important feature of the language of the plays is imagery, particularly the use of similes, metaphors and pictorial expressions. In The Knights, for example, the ears of a character with selective hearing are represented as parasols that open and close. In The Frogs, Aeschylus is said to compose verses in the manner of a horse rolling in a sandpit. Some plays feature revelations of human perfectibility that are poetic rather than religious in character, such as the marriage of the hero Pisthetairos to Zeus's paramour in The Birds and the "recreation" of old Athens, crowned with roses, at the end of The Knights.

Rhetoric
It is widely believed that Aristophanes condemned rhetoric on both moral and political grounds. He states, "a speaker trained in the new rhetoric may use his talents to deceive the jury and bewilder his opponents so thoroughly that the trial loses all semblance of fairness" He is speaking to the "art" of flattery, and evidence points towards the fact that many of Aristophanes' plays were actually created with the intent to attack the view of rhetoric. The most noticeable attack can be seen in his play Banqueters, in which two brothers from different educational backgrounds argue over which education is better. One brother comes from a background of "old-fashioned" education while the other brother appears to be a product of the sophistic education

The chorus was mainly used by Aristophanes as a defense against rhetoric and would often talk about topics such as the civic duty of those who were educated in classical teachings. In Aristophanes' opinion it was the job of those educated adults to protect the public from deception and to stand as a beacon of light for those who were more gullible than others. One of the main reasons why Aristophanes was so against the sophists came into existence from the requirements listed by the leaders of the organization. Money was essential, which meant that roughly all of the pupils studying with the sophists came from upper-class backgrounds and excluded the rest of the polis. Aristophanes believed that education and knowledge was a public service and that anything that excluded willing minds was nothing but an abomination. He concludes that all politicians that study rhetoric must have "doubtful citizenships, unspeakable morals, and too much arrogance".

Aristophanes and Old Comedy

The plays of Aristophanes are among the defining examples of Old Comedy. Aristophanes' plays are also the only full length Old Comedy plays that have survived from antiquity. Thus making them literally among the most defining elements, for defining Old Comedy... For this reason, an understanding of Old Comedy and Aristophanes' place in it is useful to comprehend his plays in their historical and cultural context. The themes of Old Comedy included:

 * Inclusive comedy: Old Comedy provided a variety of entertainments for a diverse audience. It accommodated a serious purpose, light entertainment, hauntingly beautiful lyrics, the buffoonery of puns and invented words, obscenities, disciplined verse, wildly absurd plots and a formal, dramatic structure.
 * Fantasy and absurdity: Fantasy in Old Comedy is unrestricted and impossibilities are ignored. Situations are developed logically to absurd conclusions, an approach to humour that is echoed for instance in the works of Lewis Carroll and Eugène Ionesco (the Theatre of the Absurd). The crazy costume worn by Dionysus in The Frogs is typical of an absurd result obtained on logical grounds—he wears a woman's saffron-coloured tunic because effeminacy is an aspect of his divinity, buskin boots because he is interested in reviving the art of tragedy, and a lion skin cape because, like Heracles, his mission leads him into Hades. Absurdities develop logically from initial premises in a plot. In The Knights for instance, Cleon's corrupt service to the people of Athens is originally depicted as a household relationship in which the slave dupes his master. The introduction of a rival, who is not a member of the household, leads to an absurd shift in the metaphor, so that Cleon and his rival become erastai competing for the affections of an eromenos, hawkers of oracles competing for the attention of a credulous public, athletes in a race for approval and orators competing for the popular vote.
 * The resourceful hero: In Aristophanic comedy, the hero is an independent-minded and self-reliant individual. He has something of the ingenuity of Homer's Odysseus and much of the shrewdness of the farmer idealized in Hesiod's Works and Days, subjected to corrupt leaders and unreliable neighbours. Typically he devises a complicated and highly fanciful escape from an intolerable situation. Thus Dikaiopolis in The Acharnians contrives a private peace treaty with the Spartans; Bdelucleon in The Wasps turns his own house into a private law court in order to keep his jury-addicted father safely at home; Trygaeus in Peace flies to Olympus on a giant dung beetle to obtain an end to the Peloponnesian War; Pisthetairus in Birds sets off to establish his own colony and becomes instead the ruler of the bird kingdom and a rival to the gods.
 * The resourceful cast: The numerous surprising developments in an Aristophanic plot, the changes in scene, and the farcical comings and goings of minor characters towards the end of a play, were managed according to theatrical convention with only three principal actors (a fourth actor, often the leader of the chorus, was permitted to deliver short speeches). Songs and addresses to the audience by the Chorus gave the actors hardly enough time off-stage to draw breath and to prepare for changes in scene.
 * Complex structure: The action of an Aristophanic play obeyed a crazy logic of its own and yet it always unfolded within a formal, dramatic structure that was repeated with minor variations from one play to another. The different, structural elements are associated with different poetic meters and rhythms and these are generally lost in English translations.

Dramatic structure of Aristophanes' plots
The structural elements of a typical Aristophanic plot can be summarized as follows: The rules of competition did not prevent a playwright arranging and adjusting these elements to suit his particular needs. In The Acharnians and Peace, for example, there is no formal agon whereas in The Clouds there are two agons.
 * prologue – an introductory scene with a dialogue and/or soliloquy addressed to the audience, expressed in iambic trimeter and explaining the situation that is to be resolved in the play;
 * parodos – the arrival of the chorus, dancing and singing, sometimes followed by a choreographed skirmish with one or more actors, often expressed in long lines of tetrameters;
 * symmetrical scenes – passages featuring songs and declaimed verses in long lines of tetrameters, arranged symmetrically in two sections such that each half resembles the other in meter and line length; the agon and parabasis can be considered specific instances of symmetrical scenes:
 * parabasis – verses through which the Chorus addresses the audience directly, firstly in the middle of the play and again near the end (see the section below, Parabasis);
 * agon – a formal debate that decides the outcome of the play, typically in anapestic tetrameter, though iambs are sometimes used to delineate inferior arguments;
 * episodes – sections of dialogue in iambic trimeter, often in a succession of scenes featuring minor characters towards the end of a play;
 * songs ('strophes'/'antistrophes' or 'odes'/'antodes') – often in symmetrical pairs where each half has the same meter and number of lines as the other, used as transitions between other structural elements, or between scenes while actors change costume, and often commenting on the action;
 * exodus – the departure of the Chorus and the actors, in song and dance celebrating the hero's victory and sometimes celebrating a symbolic marriage.

Parabasis
The parabasis is an address to the audience by the chorus or chorus leader while the actors leave or have left the stage. In this role, the chorus is sometimes out of character, as the author's voice, and sometimes in character, although these capacities are often difficult to distinguish. Generally the parabasis occurs somewhere in the middle of a play and often there is a second parabasis towards the end. The elements of a parabasis have been defined and named by scholars but it is probable that Aristophanes' own understanding was less formal. The selection of elements can vary from play to play and it varies considerably within plays between first and second parabasis. The early plays (The Acharnians to The Birds) are fairly uniform in their approach however and the following elements of a parabasis can be found within them.
 * kommation: This is a brief prelude, comprising short lines and often including a valediction to the departing actors, such as ἴτε χαίροντες (Go rejoicing!).
 * parabasis proper: This is usually a defense of the author's work and it includes criticism of the audience's attitude. It is declaimed in long lines of 'anapestic tetrameters'. Aristophanes himself refers to the parabasis proper only as 'anapests'.
 * pnigos: Sometimes known as 'a choker', it comprises a few short lines appended to the parabasis proper as a kind of rapid patter (it has been suggested that some of the effects achieved in a pnigos can be heard in "The Lord Chancellor's Nightmare Song", in act 2 of Gilbert and Sullivan's Iolanthe).
 * epirrhematic syzygies: These are symmetrical scenes that mirror each other in meter and number of lines. They form part of the first parabasis and they often comprise the entire second parabasis. They are characterized by the following elements:
 * strophe or ode: These are lyrics in a variety of meters, sung by the Chorus in the first parabasis as an invocation to the gods and as a comic interlude in the second parabasis.
 * epirrhema: These are usually long lines of trochaic tetrameters. Broadly political in their significance, they were probably spoken by the leader of the Chorus in character.
 * antistrophe or antode: These are songs that mirror the strophe/ode in meter, length and function.
 * antepirrhema. This is another declaimed passage and it mirrors the epirrhema in meter, length and function.

The Wasps is thought to offer the best example of a conventional approach and the elements of a parabasis can be identified and located in that play as follows.

 * {| class="wikitable" style="margin: 1em auto 1em auto; background-color: #ffffff"

! Elements in The Wasps ! 1st parabasis ! 2nd parabasis
 * kommation
 * lines 1009–1014
 * parabasis proper
 * lines 1015–1050
 * pnigos
 * lines 1051–1059
 * strophe
 * lines 1060–1070
 * lines 1265–1274
 * epirrhema
 * lines 1071–1090
 * lines 1275–1283
 * antistrophe
 * lines 1091–1101
 * missing
 * antepirrhema
 * lines 1102–1121
 * lines 1284–1291
 * }
 * lines 1275–1283
 * antistrophe
 * lines 1091–1101
 * missing
 * antepirrhema
 * lines 1102–1121
 * lines 1284–1291
 * }
 * lines 1284–1291
 * }

Textual corruption is probably the reason for the absence of the antistrophe in the second parabasis. However, there are several variations from the ideal even within the early plays. For example, the parabasis proper in The Clouds (lines 518–562) is composed in eupolidean meter rather than in anapests and the second parabasis includes a kommation but it lacks strophe, antistrophe and antepirrhema (The Clouds lines 1113–1130). The second parabasis in The Acharnians lines 971–999 can be considered a hybrid parabasis/song (i.e. the declaimed sections are merely continuations of the strophe and antistrophe) and, unlike the typical parabasis, it seems to comment on actions that occur on stage during the address. An understanding of Old Comedy conventions such as the parabasis is necessary for a proper understanding of Aristophanes' plays; on the other hand, a sensitive appreciation of the plays is necessary for a proper understanding of the conventions.

Influence and legacy
The tragic dramatists Sophocles and Euripides died near the end of the Peloponnesian War, and the art of tragedy thereafter ceased to develop, yet comedy continued to evolve after the defeat of Athens, and it is possible that it did so because, in Aristophanes, it had a master craftsman who lived long enough to help usher it into a new age. Indeed, according to one ancient source (Platonius, c. 9th century AD), one of Aristophanes's last plays, Aioliskon, had neither a parabasis nor any choral lyrics (making it a type of Middle Comedy), while Kolakos anticipated all the elements of New Comedy, including a rape and a recognition scene. Aristophanes seems to have had some appreciation of his formative role in the development of comedy, as indicated by his comment in Clouds that his audience would be judged by other times according to its reception of his plays. Clouds was awarded third (i.e. last) place after its original performance and the text that has come down to the modern age was a subsequent draft that Aristophanes intended to be read rather than acted. The circulation of his plays in manuscript extended their influence beyond the original audience, over whom in fact they seem to have had little or no practical influence: they did not affect the career of Cleon, they failed to persuade the Athenians to pursue an honourable peace with Sparta and it is not clear that they were instrumental in the trial and execution of Socrates, whose death probably resulted from public animosity towards the philosopher's disgraced associates (such as Alcibiades), exacerbated of course by his own intransigence during the trial. The plays, in manuscript form, have been put to some surprising uses—as indicated earlier, they were used in the study of rhetoric on the recommendation of Quintilian and by students of the Attic dialect in the Fourth and Fifth Centuries AD. It is possible that Plato sent copies of the plays to Dionysius of Syracuse so that he might learn about Athenian life and government.

Latin translations of the plays by Andreas Divus (Venice 1528) were circulated widely throughout Europe in the Renaissance and these were soon followed by translations and adaptations in modern languages. Racine, for example, drew Les Plaideurs (1668) from The Wasps. Goethe (who turned to Aristophanes for a warmer and more vivid form of comedy than he could derive from readings of Terence and Plautus) adapted a short play Die Vögel from The Birds for performance in Weimar. Aristophanes has appealed to both conservatives and radicals in the nineteenth and twentieth centuries—Anatoly Lunacharsky, first Commissar of Enlightenment for the USSR in 1917, declared that the ancient dramatist would have a permanent place in proletarian theatre and yet conservative, Prussian intellectuals interpreted Aristophanes as a satirical opponent of social reform. The avant-gardist stage-director Karolos Koun directed a version of The Birds under the Acropolis in 1959 that established a trend in modern Greek history of breaking taboos through the voice of Aristophanes.

The plays have a significance that goes beyond their artistic function, as historical documents that open the window on life and politics in classical Athens, in which respect they are perhaps as important as the writings of Thucydides. The artistic influence of the plays is immeasurable. They have contributed to the history of European theatre and that history in turn shapes our understanding of the plays. Thus for example the operettas of Gilbert and Sullivan can give us insights into Aristophanes' plays and similarly the plays can give us insights into the operettas. The plays are a source of famous sayings, such as "By words the mind is winged."

Listed below are some of the many works influenced (more or less) by Aristophanes.

Drama

 * 1909: Wasps, original Greek, Cambridge University undergraduate production, music by Vaughan Williams;
 * 2004, July–October: The Frogs (musical), adapted by Nathan Lane, music and lyrics by Stephen Sondheim, performed at The Vivian Beaumont Theater Broadway;
 * 1962–2006: various plays by students and staff, King's College London, in the original Greek: Frogs 1962, 1971, 1988; Thesmophoriazusae 1965, 1974, 1985; The Acharnians 1968, 1992, 2004; Clouds 1977, 1990; Birds 1982, 2000; Ecclesiazusae 2006; Peace 1970; Wasps 1981
 * 2002: Lysistrata, adapted by Robert Brustein, music by Galt MacDermot, performed by American Repertory Theatre, Boston US;
 * 2008, May–June: Frogs, adapted by David Greenspan, music by Thomas Cabaniss, performed by Classic Stage Company, New York, US.
 * 2023, May: The Wasps, adapted by the NSW Arts Unit Drama Company, directed by Genevieve de Souza, NIDA

Literature

 * The romantic poet, Percy Shelley, wrote a comic, lyrical drama (Swellfoot the Tyrant) in imitation of Aristophanes' play The Frogs after he was reminded of the Chorus in that play by a herd of pigs passing to market under the window of his lodgings in San Giuliano, Italy.
 * Aristophanes (particularly in reference to The Clouds) is mentioned frequently by the character Menedemos in the Hellenic Traders series of novels by H. N. Turteltaub.
 * A liberal version of the comedies have been published in comic book format, initially by "Agrotikes Ekdoseis" during the 1980s and republished over the years by other companies. The plot was written by Tasos Apostolidis and the sketches were of George Akokalidis. The stories feature either Aristophanes narrating them, directing the play, or even as a character inside one of his stories.

Radio shows

 * Acropolis Now is a comedy radio show for the BBC set in Ancient Greece. It features Aristophanes, Socrates and many other famous Greeks. (Not to be confused with the Australian sitcom of the same name.) Aristophanes is characterised as a celebrity playwright, and most of his plays have the title formula: One of Our [e.g] Slaves has an Enormous Knob (a reference to the exaggerated appendages worn by Greek comic actors)
 * Aristophanes Against the World was a radio play by Martyn Wade and broadcast on BBC Radio 4. Loosely based on several of his plays, it featured Clive Merrison as Aristophanes.
 * The Wasps, radio play adapted by David Pountney, music by Vaughan Williams, recorded 26–28 July 2005, Albert Halls, Bolton, in association with BBC, under Halle label

Music

 * Satiric Dances for a Comedy by Aristophanes is a three-movement piece for concert band composed by Norman Dello Joio. It was commissioned in commemoration of the Bicentennial of 19 April 1775 (the start of the American Revolutionary War) by the Concord (Massachusetts) Band. The commission was funded by the Town of Concord and assistance was given by the Eastern National Park and Monument Association in cooperation with the National Park Service.
 * Ralph Vaughan Williams wrote The Wasps for a 1909 Cambridge University production of the play.

Translation of Aristophanes
Alan H. Sommerstein believes that although there are good translations of Aristophanes' comedies, none could be flawless, "for there is much truth in the paradox that the only really perfect translation is the original." Nevertheless, there are competent, respectable translations in many languages. Despite the fact that translations of Aristophanes may not be perfect, "the reception of Aristophanes has gained extraordinary momentum as a topic of academic interest in the last few years."

Surviving plays
Most of these are traditionally referred to by abbreviations of their Latin titles; Latin remains a customary language of scholarship in classical studies.
 * The Acharnians (Ἀχαρνεῖς Akharneis; Attic Ἀχαρνῆς; Acharnenses), 425 BC
 * The Knights (Ἱππεῖς Hippeis; Attic Ἱππῆς; Latin: Equites), 424 BC
 * The Clouds (Νεφέλαι Nephelai; Latin: Nubes), original 423 BC, uncompleted revised version from 419 to 416 BC survives
 * The Wasps (Σφῆκες Sphekes; Latin: Vespae), 422 BC
 * Peace (Εἰρήνη Eirene; Latin: Pax), first version, 421 BC
 * The Birds (Ὄρνιθες Ornithes; Latin: Aves), 414 BC
 * Lysistrata (Λυσιστράτη Lysistrate), 411 BC
 * Thesmophoriazusae or The Women Celebrating the Thesmophoria (Θεσμοφοριάζουσαι Thesmophoriazousai), first version c. 411 BC
 * The Frogs (Βάτραχοι Batrakhoi; Latin: Ranae), 405 BC
 * Ecclesiazusae or The Assemblywomen; (Ἐκκλησιάζουσαι Ekklesiazousai), c. 392 BC
 * Wealth (Πλοῦτος Ploutos; Latin Plutus) second version, 388 BC

Datable non-surviving (lost) plays
The standard modern edition of the fragments is Rudolf Kassel and Colin François Lloyd Austin's, Poetae Comici Graeci III.2.

 * Banqueters (Δαιταλεῖς Daitaleis, 427 BC)
 * Babylonians (Βαβυλώνιοι Babylonioi, 426 BC)
 * Farmers (Γεωργοί Georgoi, 424 BC)
 * Merchant Ships (Ὁλκάδες Holkades, 423 BC)
 * Clouds (first version, 423 BC)
 * Proagon (Προάγων, 422 BC)
 * Amphiaraus (Ἀμφιάραος, 414 BC)
 * Plutus (Wealth, first version, 408 BC)
 * Gerytades (Γηρυτάδης, uncertain, probably 407 BC)
 * Cocalus (Κώκαλος, 387 BC)
 * Aiolosicon (Αἰολοσίκων, second version, 386 BC)

Undated non-surviving (lost) plays

 * Aiolosicon (first version)
 * Anagyrus (Ἀνάγυρος)
 * Frying-Pan Men (Ταγηνισταί Tagenistai)
 * Daedalus (Δαίδαλος)
 * Danaids (Δαναΐδες Danaides)
 * Centaur (Κένταυρος Kentauros)
 * Heroes (Ἥρωες)
 * Lemnian Women (Λήμνιαι Lemniai)
 * Old Age (Γῆρας Geras)
 * Peace (second version)
 * Phoenician Women (Φοίνισσαι Phoinissai)
 * Polyidus (Πολύιδος)
 * Seasons (Ὧραι Horai)
 * Storks (Πελαργοί Pelargoi)
 * Telmessians (Τελμησσεῖς Telmesseis)
 * Triphales (Τριφάλης)
 * Thesmophoriazusae (Women at the Thesmophoria Festival, second version)
 * Women in Tents (Σκηνὰς Καταλαμβάνουσαι Skenas Katalambanousai)

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title: Aristophanes