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Dejima

Dejima (出島) or Deshima, in the 17th century also called Tsukishima ( 築島, "built island"), was an artificial island off Nagasaki, Japan that served as a trading post for the Portuguese (1570–1639) and subsequently the Dutch (1641–1854). For 220 years, it was the central conduit for foreign trade and cultural exchange with Japan during the isolationist Edo period (1600–1869), and the only Japanese territory open to Westerners.

Spanning 120 × or 9000 m2, Dejima was created in 1636 by digging a canal through a small peninsula and linking it to the mainland with a small bridge. The island was constructed by the Tokugawa shogunate, whose isolationist policies sought to preserve the existing sociopolitical order by forbidding outsiders from entering Japan while prohibiting most Japanese from leaving. Dejima housed Portuguese merchants and separated them from Japanese society while still facilitating lucrative trade with the West.

Following a rebellion by mostly Catholic converts, all Portuguese were expelled in 1639. The Dutch were moved to Dejima in 1641, albeit under stricter control: the open practice of Christianity was banned, and interactions between Dutch and Japanese traders were tightly regulated. Until the mid-19th century, the Dutch were the only Westerners with exclusive access to Japanese goods, and, to a lesser extent, society and culture. Dejima consequently played a key role in the Japanese movement of rangaku (蘭學, "Dutch learning"), an organized scholarly effort to learn the Dutch language in order to understand Western science, medicine, and technology.

After the Treaty of Kanagawa in 1854, which fully opened Japan to foreign trade and diplomatic relations, Dejima was abolished and later integrated into Nagasaki city through land reclamation. In 1922, the "Dejima Dutch Trading Post" was designated a Japanese national historic site, and there are ongoing efforts in the 21st century to restore Dejima as an island.

History
In 1543, the history of direct contact between Japan and Europe began with the arrival of storm-blown Portuguese merchants on Tanegashima. Six years later the Jesuit missionary Francis Xavier landed in Kagoshima. At first Portuguese traders were based in Hirado, but they moved in search of a better port. In 1570 daimyō Ōmura Sumitada converted to Catholicism (choosing Bartolomeu as his Christian name) and made a deal with the Portuguese to develop Nagasaki; soon the port was open for trade.

In 1580 Sumitada gave the jurisdiction of Nagasaki to the Jesuits, and the Portuguese obtained the de facto monopoly on the silk trade with China through Macau. The shōgun Iemitsu ordered the construction of the artificial island in 1634, to accommodate the Portuguese traders living in Nagasaki and prevent the propagation of their religion. This was one of the many edicts put forth by Iemitsu between 1633 and 1639 moderating contact between Japan and other countries. However, in response to the uprising of the predominantly Christian population in the Shimabara-Amakusa region, the Tokugawa government decided to expel the Portuguese in 1639.

Since 1609, the Dutch East India Company had run a trading post on the island of Hirado. The departure of the Portuguese left the Dutch employees of the "Vereenigde Oostindische Compagnie" ("VOC") as the sole Westerners with trade access to Japan. For 33 years they were allowed to trade relatively freely. At its maximum, the Hirado trading post (平戸オランダ商館, Hirado Oranda Shōkan) covered a large area. In 1637 and 1639 stone warehouses were constructed within the ambit of this Hirado trading post. Christian-era year dates were used on the stonework of the new warehouses and these were used in 1640 as a pretext to demolish the buildings and relocate the trading post to Nagasaki.

With the expulsion of the last Portuguese in 1639, Dejima became a failed commercial post and without the annual trading with Portuguese ships from Macau, the economy of Nagasaki suffered greatly. The Dutch were forced by government officials to move from Hirado to Dejima in Nagasaki. From 1641 on, only Chinese and Dutch ships were allowed to come to Japan, and Nagasaki harbor was the only harbor they were allowed to enter.

Organization
On the administrative level, the island of Dejima was part of the city of Nagasaki. The 25 local Japanese families who owned the land received an annual rent from the Dutch. Dejima was a small island, 120 m by 75 m, linked to the mainland by a small bridge, guarded on both sides, and with a gate on the Dutch side. It contained houses for about twenty Dutchmen, warehouses, and accommodation for Japanese officials.

The Dutch were watched by several Japanese officials, gatekeepers, night watchmen, and a supervisor (otona 乙名) with about fifty subordinates. Numerous merchants supplied goods and catering, and about 150 interpreters (tsūji 通詞) served. They all had to be paid by the VOC. As the city of Nagasaki, Dejima was under the direct supervision of Edo through a governor (Nagasaki bugyō).

Every ship that arrived in Dejima was inspected. Its sails were held by the Japanese until they released the ship to leave. They confiscated religious books and weapons. Christian churches were banned on the island and the Dutch were not allowed to hold any religious services.

Despite the financial burden of maintaining the isolated outpost on Dejima, the trade with Japan was very profitable for the Dutch, initially yielding profits of 50% or more. Trade declined in the 18th century, as only two ships per year were allowed to dock at Dejima. After the bankruptcy of the East-India Company in 1795, the Dutch government took over the exchange with Japan. Times were especially hard when the Netherlands, then called the Batavian Republic, was under French Napoleonic rule. All ties with the homeland were severed at Dejima, and for a while, it was the only place in the world where the Dutch flag was flown.

The chief VOC trading post officer in Japan was called the Opperhoofd by the Dutch, or Kapitan (from Portuguese capitão) by the Japanese. This descriptive title did not change when the VOC went bankrupt and trade with Japan was continued by the Dutch Indies government at Batavia. According to the Sakoku rules of the Tokugawa shogunate, the VOC had to transfer and replace the opperhoofd every year with a new one. And each opperhoofd was expected to travel to Edo to offer tribute to the shogun.

Trade
Originally, the Dutch mainly traded in silk, cotton, and materia medica from China and India. Sugar became more important later. Deer pelts and shark skin were transported to Japan from Formosa, as well as books, scientific instruments and many other rarities from Europe. In return, the Dutch traders bought Japanese copper, silver, camphor, porcelain, lacquer ware, and rice.

To this was added the personal trade of VOC employees on Dejima, which was an important source of income for them and their Japanese counterparts. They sold more than 10,000 foreign books on various scientific subjects to the Japanese from the end of the 18th to the early 19th century. These became the basis of knowledge and a factor in the Rangaku movement, or Dutch studies.

Ships
In all, 606 Dutch ships arrived at Dejima during its two centuries of settlement, from 1641 to 1847.
 * The first period, from 1641 to 1671, was rather free and saw an average of seven Dutch ships every year (12 sank during this period).
 * From 1671 to 1715, about five Dutch ships were allowed to visit Dejima every year.
 * From 1715, only two ships were permitted every year, which was reduced to one ship in 1790, and again increased to two ships in 1799.
 * During the Napoleonic Wars (1803–1815), in which the Netherlands was occupied by (and a satellite of) France, Dutch ships abstained from sailing to Japan directly due to the possibility of being captured by Royal Navy ships. They relied on "neutral" American and Danish ships. The Netherlands was annexed by Napoleon Bonaparte (1810–1813), while Britain captured several Dutch colonial possessions and after the 1811 invasion of Java, Dejima was the only place in the world where the Dutch flag still flew, as ordered by commissioner Hendrik Doeff.
 * In 1815 the Dutch East Indies was returned to the control of the Netherlands and regular Dutch trading traffic was reestablished.

Trade policy
For two hundred years, foreign merchants were generally not allowed to cross from Dejima to Nagasaki. Japanese civilians were likewise banned from entering Dejima, except interpreters, cooks, carpenters, clerks and yūjo ("women of pleasure") from the Maruyama teahouses. The yūjo were handpicked from 1642 by the Japanese, often against their will. From the 18th century, there were some exceptions to this rule, especially following Tokugawa Yoshimune's doctrine of promoting European practical sciences. A few Oranda-yuki ("those who stay with the Dutch") were allowed to stay for longer periods, but they had to report regularly to the Japanese guard post. Once a year the Europeans were allowed to attend the festivities at the Suwa-Shrine under escort. Sometimes physicians such as Engelbert Kaempfer, Carl Peter Thunberg, and Philipp Franz von Siebold were called to high-ranking Japanese patients with the permission of the authorities. Starting in the 18th century, Dejima became known throughout Japan as a center of medicine, military science, and astronomy. Many samurai traveled there for "Dutch studies" (Rangaku).

The Opperhoofd was treated like the representative of a tributary state, which meant that he had to pay a visit of homage to the shōgun in Edo. The Dutch delegation traveled to Edo yearly between 1660 and 1790, and once every four years thereafter. This prerogative was denied to the Chinese traders. The lengthy travel to the shogunal court broke the boredom of the Dutch stay, but it was a costly affair. Government officials told them in advance and in detail which (expensive) gifts were expected at the court, such as astrolabes, a pair of glasses, telescopes, globes, medical instruments, medical books, or exotic animals and tropical birds.

In return, the Dutch delegation received some gifts from the shōgun. On arrival in Edo, the Opperhoofd and his retinue, usually his scribe and the factory physician, had to wait in the Nagasakiya (長崎屋), their mandatory residence, until they were summoned at the court. During the reign of the somewhat eccentric shōgun Tokugawa Tsunayoshi, they were expected to perform Dutch dances and songs for the amusement of the shōgun after their official audience, according to Engelbert Kaempfer. But they also used the opportunity of their stay of about two to three weeks in the capital to exchange knowledge with learned Japanese and, under escort, to visit the town.

Allegations published in the late 17th and early 18th century that Dutch traders were required by the Shogunate to renounce their Christian faith and undergo the test of treading on a fumi-e, an image of Jesus or Mary, are thought by modern scholars to be propaganda arising from the Anglo-Dutch Wars.

New introductions to Japan

 * Photography, first lessons in photography given to Japanese in 1856 by the physician of the island, Dr. J. K. van den Broek.
 * Badminton, a sport that originated in India, was introduced by the Dutch during the 18th century; it is mentioned in the Sayings of the Dutch.
 * Billiards were introduced in Japan on Dejima in 1764; it is noted as "Ball striking table" (玉突の場) in the paintings of Kawahara Keiga (川原慶賀).
 * Beer seems to have been introduced as imports during the period of isolation. The Dutch governor Doeff made his own beer in Nagasaki, following the disruption of trade during the Napoleonic Wars. Local production of beer started in Japan in 1880.
 * Clover was introduced in Japan by the Dutch as packing material for fragile cargo. The Japanese called it "White packing herb" (シロツメクサ), in reference to its white flowers.
 * Coffee was introduced in Japan by the Dutch under the name Moka and koffie. The latter name appears in 18th-century Japanese books. Siebold refers to Japanese coffee amateurs in Nagasaki around 1823.
 * Japan's oldest piano was introduced by Siebold in 1823, and later given to a tradesperson in the name of Kumaya (熊谷). The piano is today on display in the Kumaya Art Museum (熊谷美術館), Hagi City.
 * Paint (Tar), used for ships, was introduced by the Dutch. The original Dutch name (pek) was also adopted in Japanese (Penki/ペンキ).
 * Cabbage and tomatoes were introduced in the 17th century by the Dutch.
 * Chocolate was introduced between 1789 and 1801; it is mentioned as a drink in the pleasure houses of Maruyama.
 * A diving bell with air supply by a pump was bought from Hugh Morton & Co. at Leith Docks near Edinburgh in 1834.

Nagasaki Naval Training Center

Following the forced opening of Japan by US Navy Commodore Perry in 1854, the Bakufu suddenly increased its interactions with Dejima in an effort to build up knowledge of Western shipping methods. The Nagasaki Naval Training Center (長崎海軍伝習所), a naval training institute, was established in 1855 by the government of the shōgun at the entrance of Dejima, to enable maximum interaction with Dutch naval know-how. The center was equipped with Japan's first steamship, the Kankō Maru, given by the government of the Netherlands the same year. The future Admiral Enomoto Takeaki was one of the students of the Training Center.

Reconstruction
The Dutch East India Company's trading post at Dejima was abolished when Japan concluded the Treaty of Kanagawa with the United States in 1858. This ended Dejima's role as Japan's only window on the Western world during the era of national isolation. Since then, the island was expanded by reclaimed land and merged into Nagasaki. Extensive redesigning of Nagasaki Harbor in 1904 obscured its original location. The original footprint of Dejima Island has been marked by rivets; but as restoration progresses, the ambit of the island will be easier to see at a glance.

Dejima today is a work in progress. The island was designated a national historic site in 1922, but further steps were slow to follow. Restoration work was started in 1953, but that project languished. In 1996, restoration of Dejima began with plans for reconstructing 25 buildings in their early 19th-century state. To better display Dejima's fan-shaped form, the project anticipated rebuilding only parts of the surrounding embankment wall that had once enclosed the island. Buildings that remained from the Meiji period were to be used.

In 2000, five buildings including the Deputy Factor's Quarters were completed and opened to the public. In the spring of 2006, the finishing touches were put on the Chief Factor's Residence, the Japanese Officials' Office, the Head Clerk's Quarters, the No. 3 Warehouse, and the Sea Gate. Currently, some 10 buildings throughout the area have been restored.

In 2017, six new buildings, as well as the Omotemon Bridge (the old bridge to the mainland), were restored. The bridge was officially opened in attendance of members of the Japanese and Dutch royal families.

Long-term planning intends that Dejima will again be surrounded by water on all four sides; its characteristic fan-shaped form and all of its embankment walls will be fully restored. This long-term plan will include large-scale urban redevelopment in the area. To make Dejima an island again will require rerouting the Nakashima River and moving a part of Route 499.

Chronology

 * 1550: Portuguese ships visit Hirado.
 * 1561: Following the murder of foreigners in the area of the Hirado clan, the Portuguese began to look for other ports to trade.
 * 1570: Christian daimyō Ōmura Sumitada make a deal with the Portuguese to develop Nagasaki, six town blocks are built.
 * 1571: Nagasaki Harbor is opened for trade, the first Portuguese ships enter.
 * 1580: Ōmura Sumitada cedes jurisdiction over Nagasaki and Mogi to the Jesuits.
 * 1588: Toyotomi Hideyoshi exerts direct control over Nagasaki, Mogi, and Urakami from the Jesuits.
 * 1609: The Dutch East India Company opens a factory in Hirado. It closes in 1641 when it is moved to Dejima.
 * 1612: Japan's feudal government decrees that Christian proselytizing on Bakufu lands is forbidden.
 * 1616: All trade with foreigners except that with China is confined to Hirado and Nagasaki.
 * 1634: The construction of Dejima begins.
 * 1636: Dejima is completed; the Portuguese are interned on Dejima (Fourth National Isolation Edict).
 * 1638: Shimabara Rebellion of Christian peasants is repressed with Dutch support, Christianity in Japan is repressed.
 * 1639: Portuguese ships are prohibited from entering Japan. Consequently, the Portuguese are banished from Dejima.
 * 1641: The Dutch East India Company Trading Post in Hirado is moved to Nagasaki.
 * 1649: German surgeon Caspar Schamberger comes to Japan. Beginning of a lasting interest in Western style medicine.
 * 1662: A shop is opened on Dejima to sell Imari porcelain.
 * 1673: The English ship Return enters Nagasaki, but the shogunate refuses its request for trade.
 * 1678: A bridge connecting Dejima with the shore is replaced with a stone bridge.
 * 1690: German physician Engelbert Kaempfer comes to Dejima.
 * 1696: Warehouses for secondary cargo reach completion on Dejima.
 * 1698: The Nagasaki Kaisho (trade association) is founded.
 * 1699: The Sea Gate is built at Dejima.
 * 1707: Water pipes are installed on Dejima.
 * 1775: Carl Thunberg starts his term as physician on Dejima.
 * 1779: Surgeon Isaac Titsingh arrives for his first tour of duty as "Opperhoofd".
 * 1798: Many buildings, including the Chief Factor's Residence, are destroyed by the Great Kansei Fire of Dejima.
 * 1804: Russian Ambassador Nikolai Rezanov visits Nagasaki to request an exchange of trade between Japan and Imperial Russia.
 * 1808: The Phaeton Incident occurs.
 * 1823: German physician Philipp Franz von Siebold posted to Dejima.

Trading post chiefs (Opperhoofden)
Opperhoofd is a Dutch word (plural opperhoofden) which literally means 'supreme head'. The Japanese used to call the trading post chiefs kapitan which is derived from Portuguese capitão (cf. Latin caput, head). In its historical usage, the word is a gubernatorial title, comparable to the English Chief factor, for the chief executive officer of a Dutch factory in the sense of trading post, as led by a Factor, i.e. agent.

Notable opperhoofden at Hirado

 * François Caron: 03.02.1639 – 13.02.1641 [Caron was last Opperhoofd at Hirado.]

Notable opperhoofden at Dejima

 * François Caron: 03.02.1639 – 13.02.1641 [Caron was the first Opperhoofd in Dejima following the forced move from Hirado.]
 * Zacharias Wagenaer [Wagener]: 01.11.1656 – 27.10.1657
 * Zacharias Wagenaer [Wagener]: 22.10.1658 – 04.11.1659
 * Andreas Cleyer [Andries]: 20.10.1682 -08.11.1683
 * Andreas Cleyer: 17.10.1685 – 05.11.1686
 * Hendrik Godfried Duurkoop: 23.11.1776 – 11.11.1777
 * Isaac Titsingh: 29.11.1779 – 05.11.1780
 * Isaac Titsingh: 24.11.1781 – 26.10.1783
 * Isaac Titsingh: _.08.1784 – 30.11.1784
 * Hendrik Doeff: 14.11.1803 – 06.12.1817
 * Jan Cock Blomhoff: 06.12.1817 – 20.11.1823
 * Janus Henricus Donker Curtius: 02.11.1852 – 28.02.1860

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Dejima


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Talk:Dejima

Spelling of name
As this google Ngram shows, the spelling "Deshima" was historically far more common than "Dejima". Please keep it in the intro. —  AjaxSmack 15:25, 23 April 2023 (UTC)

Dutch Flag
Only Dutch flag? Depends on if East-Indies (current day Indonesia) was onder French rule too or was still Dutch ruled. As was still Dutch ruled, guess in Batavia (now Jakarta) also Dutch flags where used. 2001:1C03:4918:A100:B1D7:57B2:A9:ADE6 (talk) 17:38, 18 January 2024 (UTC)

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Descriptive statistics

A descriptive statistic (in the count noun sense) is a summary statistic that quantitatively describes or summarizes features from a collection of information, while descriptive statistics (in the mass noun sense) is the process of using and analysing those statistics. Descriptive statistics is distinguished from inferential statistics (or inductive statistics) by its aim to summarize a sample, rather than use the data to learn about the population that the sample of data is thought to represent. This generally means that descriptive statistics, unlike inferential statistics, is not developed on the basis of probability theory, and are frequently nonparametric statistics. Even when a data analysis draws its main conclusions using inferential statistics, descriptive statistics are generally also presented. For example, in papers reporting on human subjects, typically a table is included giving the overall sample size, sample sizes in important subgroups (e.g., for each treatment or exposure group), and demographic or clinical characteristics such as the average age, the proportion of subjects of each sex, the proportion of subjects with related co-morbidities, etc.

Some measures that are commonly used to describe a data set are measures of central tendency and measures of variability or dispersion. Measures of central tendency include the mean, median and mode, while measures of variability include the standard deviation (or variance), the minimum and maximum values of the variables, kurtosis and skewness.

Use in statistical analysis
Descriptive statistics provide simple summaries about the sample and about the observations that have been made. Such summaries may be either quantitative, i.e. summary statistics, or visual, i.e. simple-to-understand graphs. These summaries may either form the basis of the initial description of the data as part of a more extensive statistical analysis, or they may be sufficient in and of themselves for a particular investigation.

For example, the shooting percentage in basketball is a descriptive statistic that summarizes the performance of a player or a team. This number is the number of shots made divided by the number of shots taken. For example, a player who shoots 33% is making approximately one shot in every three. The percentage summarizes or describes multiple discrete events. Consider also the grade point average. This single number describes the general performance of a student across the range of their course experiences.

The use of descriptive and summary statistics has an extensive history and, indeed, the simple tabulation of populations and of economic data was the first way the topic of statistics appeared. More recently, a collection of summarisation techniques has been formulated under the heading of exploratory data analysis: an example of such a technique is the box plot.

In the business world, descriptive statistics provides a useful summary of many types of data. For example, investors and brokers may use a historical account of return behaviour by performing empirical and analytical analyses on their investments in order to make better investing decisions in the future.

Univariate analysis
Univariate analysis involves describing the distribution of a single variable, including its central tendency (including the mean, median, and mode) and dispersion (including the range and quartiles of the data-set, and measures of spread such as the variance and standard deviation). The shape of the distribution may also be described via indices such as skewness and kurtosis. Characteristics of a variable's distribution may also be depicted in graphical or tabular format, including histograms and stem-and-leaf display.

Bivariate and multivariate analysis
When a sample consists of more than one variable, descriptive statistics may be used to describe the relationship between pairs of variables. In this case, descriptive statistics include:

 * Cross-tabulations and contingency tables
 * Graphical representation via scatterplots
 * Quantitative measures of dependence
 * Descriptions of conditional distributions

The main reason for differentiating univariate and bivariate analysis is that bivariate analysis is not only a simple descriptive analysis, but also it describes the relationship between two different variables. Quantitative measures of dependence include correlation (such as Pearson's r when both variables are continuous, or Spearman's rho if one or both are not) and covariance (which reflects the scale variables are measured on). The slope, in regression analysis, also reflects the relationship between variables. The unstandardised slope indicates the unit change in the criterion variable for a one unit change in the predictor. The standardised slope indicates this change in standardised (z-score) units. Highly skewed data are often transformed by taking logarithms. The use of logarithms makes graphs more symmetrical and look more similar to the normal distribution, making them easier to interpret intuitively.

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Demographic statistics

Demographic statistics are measures of the characteristics of, or changes to, a population. Records of births, deaths, marriages, immigration and emigration and a regular census of population provide information that is key to making sound decisions about national policy.

A useful summary of such data is the population pyramid. It provides data about the sex and age distribution of the population in an accessible graphical format.

Another summary is called the life table. For a cohort of persons born in the same year, it traces and projects their life experiences from birth to death. For a given cohort, the proportion expected to survive each year (or decade in an abridged life table) is presented in tabular or graphical form.

The ratio of males to females by age indicates the consequences of differing mortality rates on the sexes. Thus, while values above one are common for newborns, the ratio dwindles until it is well below one for the older population.

Collection
National population statistics are usually collected by conducting a census. However, because these are usually huge logistical exercises, countries normally conduct censuses only once every five to 10 years. Even when a census is conducted it may miss counting everyone (known as undercount). Also, some people counted in the census may be recorded in a different place than where they usually live, because they are travelling, for example (this may result in overcounting). Consequently, raw census numbers are often adjusted to produce census estimates that identify such statistics as resident population, residents, tourists and other visitors, nationals and aliens (non-nationals). For privacy reasons, particularly when there are small counts, some census results may be rounded, often to the nearest ten, hundred, thousand and sometimes randomly up, down or to another small number such as within 3 of the actual count.

Between censuses, administrative data collected by various agencies about population events such as births, deaths, and cross-border migration may be used to produce intercensal estimates.

Population estimates and projections
Population estimates are usually derived from census and other administrative data. Population estimates are normally produced after the date the estimate is for.

Some estimates, such as the Usually resident population estimate who usually lives in a locality as at the census date, even though the census did not count them within that locality. Census questions usually include a questions about where a person usually lives, whether they are a resident or visitor, or also live somewhere else, to allow these estimates to be made.

Other estimates are concerned with estimating population on a particular date that is different from the census date, for example the middle or end of a calendar or financial year. These estimates often use birth and death records and migration data to adjust census counts for the changes that have happened since the census.

Population projections are produced in advance of the date they are for. They use time series analysis of existing census data and other sources of population information to forecast the size of future populations. Because there are unknown factors that may affect future population changes, population projections often incorporate high and low as well as expected values for future populations. Population projections are often recomputed after a census has been conducted. It depends on how the area is adjusted in a particular demarcation.

History
While many censuses were conducted in antiquity, there are few population statistics that survive. One example though can be found in the Bible, in chapter 1 of the Book of Numbers. Not only are the statistics given, but the method used to compile those statistics is also described. In modern-day terms, this metadata about the census is probably of as much value as the statistics themselves as it allows researchers to determine not only what was being counted but how and why it was done.

Metadata
Modern population statistics are normally accompanied by metadata that explains how the statistics have been compiled and adjusted to compensate for any collection issues.

Statistical sources
Most countries have a census bureau or government agency responsible for conducting censuses. Many of these agencies publish their country's census results and other population statistics on their agency's website.

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Talk:Dual space

"Topologies on the dual"
If there are no objections I would delete this section, because it is extra now, the necessary information is given before. Eozhik (talk) 11:51, 29 February 2020 (UTC)

Add simple, concrete example(s)
The article may serve as a handy reference for pure mathematicians, but for a wider audience I recommend that you add simple, concrete example(s). For example, "In the 2D Cartesian plane, one mapping of point P is (0,1), but the consequence of 'dual vector spaces' is ....", or whatever actually matches what this article is trying to say. —DIV (137.111.13.4 (talk) 01:36, 9 February 2021 (UTC))

Some simple examples of topological duals
This article contains some useful examples of topological duals which come up in practice.

Cardinal arithmetic 1.2
The last part of the proof is incorrect. In the case where V=R as a vector space over R the last inequality becomes |R|<|R^1|=|R|, which is clearly false. 130.237.243.13 (talk) 11:45, 21 September 2022 (UTC)

"Double dual" listed at Redirects for discussion
The redirect [//en.wikipedia.org/w/index.php?title=Double_dual&redirect=no Double dual] has been listed at redirects for discussion to determine whether its use and function meets the redirect guidelines. Readers of this page are welcome to comment on this redirect at  until a consensus is reached. 1234qwer1234qwer4 18:21, 14 July 2024 (UTC)

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Detective fiction

Detective fiction is a subgenre of crime fiction and mystery fiction in which an investigator or a detective—whether professional, amateur or retired—investigates a crime, often murder. The detective genre began around the same time as speculative fiction and other genre fiction in the mid-nineteenth century and has remained extremely popular, particularly in novels. Some of the most famous heroes of detective fiction include C. Auguste Dupin, Sherlock Holmes, and Hercule Poirot. Juvenile stories featuring The Hardy Boys, Nancy Drew, and The Boxcar Children have also remained in print for several decades.

Ancient
Some scholars, such as R. H. Pfeiffer, have suggested that certain ancient and religious texts bear similarities to what would later be called detective fiction. In the Old Testament story of Susanna and the Elders (the Protestant Bible locates this story within the apocrypha), the account told by two witnesses broke down when Daniel cross-examines them. In response, author Julian Symons has argued that "those who search for fragments of detection in the Bible and Herodotus are looking only for puzzles" and that these puzzles are not detective stories. In the play Oedipus Rex by Ancient Greek playwright Sophocles, Oedipus investigates the unsolved murder of King Laius and discovers the truth after questioning various witnesses that he himself is the culprit. Although "Oedipus's enquiry is based on supernatural, pre-rational methods that are evident in most narratives of crime until the development of Enlightenment thought in the seventeenth and eighteenth centuries", this narrative has "all of the central characteristics and formal elements of the detective story, including a mystery surrounding a murder, a closed circle of suspects, and the gradual uncovering of a hidden past."

Early Arabic
One Thousand and One Nights contains several of the earliest detective stories, anticipating modern detective fiction. The oldest known example of a detective story was "The Three Apples", one of the tales narrated by Scheherazade in the One Thousand and One Nights (Arabian Nights). In this story, a fisherman discovers a heavy, locked chest along the Tigris river, which he then sells to the Abbasid Caliph, Harun al-Rashid. When Harun breaks open the chest, he discovers the body of a young woman who has been cut into pieces. Harun then orders his vizier, Ja'far ibn Yahya, to solve the crime and to find the murderer within three days, or be executed if he fails in his assignment. Suspense is generated through multiple plot twists that occur as the story progressed. With these characteristics this may be considered an archetype for detective fiction. It anticipates the use of reverse chronology in modern detective fiction, where the story begins with a crime before presenting a gradual reconstruction of the past.

The main difference between Ja'far ("The Three Apples") and later fictional detectives, such as Sherlock Holmes and Hercule Poirot, is that Ja'far has no desire to solve the case. The whodunit mystery is solved when the murderer himself confessed his crime. This in turn leads to another assignment in which Ja'far has to find the culprit who instigated the murder within three days or else be executed. Ja'far again fails to find the culprit before the deadline, but owing to chance, he discovers a key item. In the end, he manages to solve the case through reasoning in order to prevent his own execution.

On the other hand, two other Arabian Nights stories, "The Merchant and the Thief" and "Ali Khwaja", contain two of the earliest fictional detectives, who uncover clues and present evidence to catch or convict a criminal known to the audience, with the story unfolding in normal chronology and the criminal already known to the audience. The latter involves a climax where the titular detective protagonist Ali Khwaja presents evidence from expert witnesses in a court.

Early Chinese
Gong'an fiction (公案小说, literally："case records of a public law court") is an early genre of Chinese detective fiction.

Some well-known stories include the Yuan dynasty story Circle of Chalk (Chinese: 灰闌記), the Ming dynasty story collection Bao Gong An (Chinese: 包公案) and the 18th century Di Gong An (Chinese: 狄公案) story collection. The latter was translated into English as Celebrated Cases of Judge Dee by Dutch sinologist Robert Van Gulik, who then used the style and characters to write the original Judge Dee series.

The hero/detective of these novels was typically a traditional judge or similar official based on historical personages such as Judge Bao (Bao Qingtian) or Judge Dee (Di Renjie). Although the historical characters may have lived in an earlier period (such as the Song or Tang dynasty) most stories are written in the later Ming or Qing dynasty period.

These novels differ from the Western tradition in several points as described by Van Gulik:
 * The detective is the local magistrate who is usually involved in several unrelated cases simultaneously;
 * The criminal is introduced at the very beginning of the story and his crime and reasons are carefully explained, thus constituting an inverted detective story rather than a "puzzle";
 * The stories have a supernatural element with ghosts telling people about their death and even accusing the criminal;
 * The stories are filled with digressions into philosophy, the complete texts of official documents, and much more, resulting in long books; and
 * The novels tend to have a huge cast of characters, typically in the hundreds, all described with their relation to the various main actors in the story.

Van Gulik chose Di Gong An to translate because in his view it was closer to the Western literary style and more likely to appeal to non-Chinese readers.

A number of Gong An works may have been lost or destroyed during the Literary Inquisitions and the wars in ancient China. In traditional Chinese culture, this genre was not prestigious, and was therefore considered less worthy of preservation than works of philosophy or poetry. Mainly incomplete case volumes can be found; for example, a copy of Di Gong An was found at a second-hand book store in Tokyo, Japan.

Early Western

One of the earliest examples of detective fiction in Western literature is Voltaire's Zadig (1748), which features a main character who performs feats of analysis. Things as They Are; or, The Adventures of Caleb Williams (1794) by William Godwin portrays the law as protecting the murderer and destroying the innocent. Thomas Skinner Sturr's anonymous Richmond, or stories in the life of a Bow Street officer was published in London in 1827; the Danish crime story The Rector of Veilbye by Steen Steensen Blicher was written in 1829; and the Norwegian crime novel Mordet paa Maskinbygger Roolfsen ("The Murder of Engine Maker Roolfsen") by Maurits Hansen was published in December 1839.

"Das Fräulein von Scuderi" is an 1819 short story by E. T. A. Hoffmann, in which Mlle de Scudery establishes the innocence of the police's favorite suspect in the murder of a jeweller. This story is sometimes cited as the first detective story and as a direct influence on Edgar Allan Poe's "The Murders in the Rue Morgue" (1841). Also suggested as a possible influence on Poe is 'The Secret Cell', a short story published in September 1837 by William Evans Burton. It has been suggested that this story may have been known to Poe, who worked for Burton in 1839. The story was about a London policeman who solves the mystery of a kidnapped girl. Burton's fictional detective relied on practical methods such as dogged legwork, knowledge of the underworld and undercover surveillance, rather than brilliance of imagination or intellect.

English genre establishment
Detective fiction in the English-language literature is considered to have begun in 1841 with the publication of Poe's "The Murders in the Rue Morgue", featuring "the first fictional detective, the eccentric and brilliant C. Auguste Dupin". When the character first appeared, the word detective had not yet been used in English; however, the character's name, "Dupin", originated from the English word dupe or deception. Poe devised a "plot formula that's been successful ever since, give or take a few shifting variables." Poe followed with further Auguste Dupin tales: "The Mystery of Marie Rogêt" in 1842 and "The Purloined Letter" in 1844.

Poe referred to his stories as "tales of ratiocination". In stories such as these, the primary concern of the plot is ascertaining truth, and the usual means of obtaining the truth is a complex and mysterious process combining intuitive logic, astute observation, and perspicacious inference. "Early detective stories tended to follow an investigating protagonist from the first scene to the last, making the unravelling a practical rather than emotional matter." "The Mystery of Marie Rogêt" is particularly interesting because it is a barely fictionalized account based on Poe's theory of what happened to the real-life Mary Cecilia Rogers.

William Russell (1806–1876) was among the first English authors to write fictitious 'police memoirs', contributing an irregular series of stories (under the pseudonym 'Waters') to Chambers's Edinburgh Journal between 1849 and 1852. Unauthorised collections of his stories were published in New York City in 1852 and 1853, entitled The Recollections of a Policeman. Twelve stories were then collated into a volume entitled Recollections of a Detective Police-Officer, published in London in 1856.

Literary critic Catherine Ross Nickerson credits Louisa May Alcott with creating the second-oldest work of modern detective fiction, after Poe's Dupin stories, with the 1865 thriller "V.V., or Plots and Counterplots." A short story published anonymously by Alcott, the story concerns a Scottish aristocrat who tries to prove that a mysterious woman has killed his fiancée and cousin. The detective on the case, Antoine Dupres, is a parody of Auguste Dupin who is less concerned with solving the crime than he is in setting up a way to reveal the solution with a dramatic flourish. Ross Nickerson notes that many of the American writers who experimented with Poe's established rules of the genre were women, inventing a subgenre of domestic detective fiction that flourished for several generations. These included Metta Fuller Victor's two detective novels The Dead Letter (1867) and The Figure Eight (1869). The Dead Letter is noteworthy as the first full-length work of American crime fiction.

Émile Gaboriau was a pioneer of the detective fiction genre in France. In Monsieur Lecoq (1868), the title character is adept at disguise, a key characteristic of detectives. Gaboriau's writing is also considered to contain the first example of a detective minutely examining a crime scene for clues.

Another early example of a whodunit is a subplot in the novel Bleak House (1853) by Charles Dickens. The conniving lawyer Tulkinghorn is killed in his office late one night, and the crime is investigated by Inspector Bucket of the Metropolitan police force. Numerous characters appeared on the staircase leading to Tulkinghorn's office that night, some of them in disguise, and Inspector Bucket must penetrate these mysteries to identify the murderer. Dickens also left a novel unfinished at his death, The Mystery of Edwin Drood.

Dickens's protégé, Wilkie Collins (1824–1889)—sometimes called the "grandfather of English detective fiction"—is credited with the first great mystery novel, The Woman in White. T. S. Eliot called Collins's novel The Moonstone (1868) "the first, the longest, and the best of modern English detective novels... in a genre invented by Collins and not by Poe", and Dorothy L. Sayers called it "probably the very finest detective story ever written". The Moonstone contains a number of ideas that have established in the genre several classic features of the 20th century detective story:

 * English country house robbery
 * An "inside job"
 * red herrings
 * A celebrated, skilled, professional investigator
 * Bungling local constabulary
 * Detective inquiries
 * Large number of false suspects
 * The "least likely suspect"
 * A rudimentary "locked room" murder
 * A reconstruction of the crime
 * A final twist in the plot

Although The Moonstone is usually seen as the first detective novel, there are other contenders for the honor. A number of critics suggest that the lesser known Notting Hill Mystery (1862–63), written by the pseudonymous "Charles Felix" (later identified as Charles Warren Adams ), preceded it by a number of years and first used techniques that would come to define the genre.

Literary critics Chris Willis and Kate Watson consider Mary Elizabeth Braddon's first book, the even earlier The Trail of the Serpent (1861), to be the first British detective novel. The Trail of the Serpent "features an innovative detective figure, Mr. Peters, who is lower class and mute, and who is initially dismissed both by the text and its characters." Braddon's later and better-remembered work, Aurora Floyd (printed in 1863 novel form, but serialized in 1862–63 ), also features a compelling detective in the person of Detective Grimstone of Scotland Yard.

Tom Taylor's melodrama The Ticket-of-Leave Man, an adaptation of Léonard by Édouard Brisbarre and Eugène Nus, appeared in 1863, introducing Hawkshaw the Detective. In short, it is difficult to establish who was the first to write the English-language detective novel, as various authors were exploring the theme simultaneously.

Anna Katharine Green, in her 1878 debut The Leavenworth Case and other works, popularized the genre among middle-class readers and helped to shape the genre into its classic form as well as developed the concept of the series detective.

In 1887, Arthur Conan Doyle created Sherlock Holmes, arguably the most famous of all fictional detectives. Although Sherlock Holmes is not the first fictional detective (he was influenced by Poe's Dupin and Gaboriau's Lecoq), his name has become synonymous for the part. Conan Doyle stated that the character of Holmes was inspired by Dr. Joseph Bell, for whom Doyle had worked as a clerk at the Edinburgh Royal Infirmary. Like Holmes, Bell was noted for drawing large conclusions from the smallest observations. A brilliant London-based "consulting detective" residing at 221B Baker Street, Holmes is famous for his intellectual prowess and is renowned for his skillful use of astute observation, deductive reasoning, and forensic skills to solve difficult cases. Conan Doyle wrote four novels and fifty-six short stories featuring Holmes, and all but four stories are narrated by Holmes's friend, assistant, and biographer, Dr. John H. Watson.

Golden Age novels
The period between World War I and World War II (the 1920s and 1930s) is generally referred to as the Golden Age of Detective Fiction. During this period, a number of very popular writers emerged, including mostly British but also a notable subset of American and New Zealand writers. Female writers constituted a major portion of notable Golden Age writers. Agatha Christie, Dorothy L. Sayers, Josephine Tey, Margery Allingham, and Ngaio Marsh were particularly famous female writers of this time. Apart from Marsh (a New Zealander), they were all British.

Various conventions of the detective genre were standardized during the Golden Age, and in 1929, some of them were codified by the English Catholic priest and author of detective stories Ronald Knox in his 'Decalogue' of rules for detective fiction. One of his rules was to avoid supernatural elements so that the focus remained on the mystery itself. Knox has contended that a detective story "must have as its main interest the unravelling of a mystery; a mystery whose elements are clearly presented to the reader at an early stage in the proceedings, and whose nature is such as to arouse curiosity, a curiosity which is gratified at the end." Another common convention in Golden Age detective stories involved an outsider–sometimes a salaried investigator or a police officer, but often a gifted amateur—investigating a murder committed in a closed environment by one of a limited number of suspects.

The most widespread subgenre of the detective novel became the whodunit (or whodunnit, short for "who done it?"). In this subgenre, great ingenuity may be exercised in narrating the crime, usually a homicide, and the subsequent investigation. This objective was to conceal the identity of the criminal from the reader until the end of the book, when the method and culprit are both revealed. According to scholars Carole Kismaric and Marvin Heiferman, "The golden age of detective fiction began with high-class amateur detectives sniffing out murderers lurking in rose gardens, down country lanes, and in picturesque villages. Many conventions of the detective-fiction genre evolved in this era, as numerous writers—from populist entertainers to respected poets—tried their hands at mystery stories."

John Dickson Carr—who also wrote as Carter Dickson—used the “puzzle” approach in his writing which was characterized by including a complex puzzle for the reader to try to unravel. He created ingenious and seemingly impossible plots and is regarded as the master of the "locked room mystery". Two of Carr's most famous works are The Case of Constant Suicides (1941) and The Hollow Man (1935). Another author, Cecil Street—who also wrote as John Rhode—wrote of a detective, Dr. Priestley, who specialised in elaborate technical devices. In the United States, the whodunit subgenre was adopted and extended by Rex Stout and Ellery Queen, along with others. The emphasis on formal rules during the Golden Age produced great works, albeit with highly standardized form. The most successful novels of this time included “an original and exciting plot; distinction in the writing, a vivid sense of place, a memorable and compelling hero and the ability to draw the reader into their comforting and highly individual world.”

Agatha Christie
Agatha Christie is not only the most famous Golden Age writer, but also considered one of the most famous authors of all genres of all time. At the time of her death in 1976, “she was the best-selling novelist in history.”

Many of the most popular books of the Golden Age were written by Agatha Christie. She produced long series of books featuring detective characters like Hercule Poirot and Miss Marple, among others. Her use of basing her stories on complex puzzles, “combined with her stereotyped characters and picturesque middle-class settings”, is credited for her success. Christie's best-known works include Murder on the Orient Express (1934), Death on the Nile (1937), Three Blind Mice (1950) and And Then There Were None (1939).

China
Through China's Golden Age of crime fiction (1900–1949), translations of Western classics, and native Chinese detective fictions circulated within the country.

Cheng Xiaoqing had first encountered Sir Aruthur Conan Doyle's highly popular stories as an adolescent. In the ensuing years, he played a major role in rendering them first into classical and later into vernacular Chinese. Cheng Xiaoqing's translated works from Conan Doyle introduced China to a new type of narrative style. Western detective fiction that was translated often emphasized “individuality, equality, and the importance of knowledge”, appealing to China that it was the time for opening their eyes to the rest of the world.

This style began China's interest in popular crime fiction, and is what drove Cheng Xiaoqing to write his own crime fiction novel, Sherlock in Shanghai. In the late 1910s, Cheng began writing detective fiction inspired by Conan Doyle's style, with Bao as the Watson-like narrator; a rare instance of such a direct appropriation from foreign fiction. Famed as the “Oriental Sherlock Holmes”, the duo Huo Sang and Bao Lang become counterparts to Doyle's Sherlock Holmes and Dr. Watson characters.

Iran
"Sadiq Mamquli, The Sherlock Holmes of Iran, The Sherriff of Isfahan" is the first major detective fiction in Persian, written by Kazim Musta'an al-Sultan (Houshi Daryan). It was first published in 1925. There was no biographical account of the author of the book for over 70 years until being identified after the book was reprinted in 2017.

Japan
Edogawa Rampo is the first major Japanese modern mystery writer and the founder of the Detective Story Club in Japan. Rampo was an admirer of western mystery writers. He gained his fame in the early 1920s, when he began to bring to the genre many bizarre, erotic and even fantastic elements. This is partly because of the social tension before World War II. In 1957, Seicho Matsumoto received the Mystery Writers of Japan Award for his short story The Face (顔 kao). The Face and Matsumoto's subsequent works began the "social school" (社会派 shakai ha) within the genre, which emphasized social realism, described crimes in an ordinary setting and sets motives within a wider context of social injustice and political corruption. Since the 1980s, a "new orthodox school" (新本格派 shin honkaku ha) has surfaced. It demands restoration of the classic rules of detective fiction and the use of more self-reflective elements. Famous authors of this movement include Soji Shimada, Yukito Ayatsuji, Rintaro Norizuki, Alice Arisugawa, Kaoru Kitamura and Taku Ashibe.

India
Kottayam Pushpanath, a prolific writer, brought to life a vivid array of characters and mysteries. Pushpanath practiced teaching history for several years before becoming a full time writer. It was in the last 1960s that he made his literary debut with Chuvanna Manushyan. Pushpanath authored more than 350 detective novels.

Pakistan
Ibn-e-Safi is the most popular Urdo detective fiction writer. He started writing his famous Jasoosi Dunya Series spy stories in 1952 with Col. Fareedi & Captain. Hameed as main characters. In 1955 he started writing Imran Series spy novels with Ali Imran as X2 the chief of secret service and his companions. After his death many other writers accepted Ali Imran character and wrote spy novels.

Another popular spy novel writer was Ishtiaq Ahmad who wrote Inspector Jamsheed, Inspector Kamran Mirza and Shooki brother's series of spy novels.

Russia
Stories about robbers and detectives were very popular in Russia since old times. A famous hero in the eighteenth century was Ivan Osipov (1718–after 1756), nicknamed Ivan Kain. Other examples of early Russian detective stories include: "Bitter Fate" (1789) by M. D. Chulkov (1743–1792), "The Finger Ring" (1831) by Yevgeny Baratynsky, "The White Ghost" (1834) by Mikhail Zagoskin, Crime and Punishment (1866) and The Brothers Karamazov (1880) by Fyodor Dostoevsky. Detective fiction in modern Russian literature with clear detective plots started with The Garin Death Ray (1926–1927) and The Black Gold (1931) by Aleksey Nikolayevich Tolstoy, Mess-Mend by Marietta Shaginyan, The Investigator's Notes by Lev Sheinin. Boris Akunin is a famous Russian writer of historical detective fiction in modern-day Russia.

United States
In the United States, detective fiction emerged in the 1920s, and flourished with stories in pulp magazines. The genre gained prominence in later decades, as the detective character was refined, and became familiar through movies. Detective fiction was also a way for authors to bring stories about various subcultures to mainstream audiences. One scholar wrote about the detective novels of Tony Hillerman, set among the Native American population around New Mexico, "many American readers have probably gotten more insight into traditional Navajo culture from his detective stories than from any other recent books." Other notable writers who have explored regional and ethnic communities in their detective novels are Harry Kemelman, whose Rabbi Small series were set in the Conservative Jewish community of Massachusetts; Walter Mosley, whose Easy Rawlins books are set in the African American community of 1950s Los Angeles; and Sara Paretsky, whose V. I. Warshawski books have explored the various subcultures of Chicago.

Hardboiled
Martin Hewitt, created by British author Arthur Morrison in 1894, is one of the first examples of the modern style of fictional private detective. This character is described as an "'Everyman' detective meant to challenge the detective-as-superman that Holmes represented."

By the late 1920s, Al Capone and the American mafia inspired not only fear, but piqued mainstream curiosity about the American criminal underworld. Popular pulp fiction magazines like Black Mask capitalized on this, as authors such as Carrol John Daly published violent stories that focused on the mayhem and injustice surrounding the criminals, not the circumstances behind the crime. Very often, no actual mystery even existed: the books simply revolved around justice being served to those who deserved harsh treatment, which was described in explicit detail." The overall theme these writers portrayed reflected "the changing face of America itself."

In the 1930s, the private eye genre was adopted wholeheartedly by American writers. One of the primary contributors to this style was Dashiell Hammett with his famous private investigator character, Sam Spade. His style of crime fiction came to be known as "hardboiled", a genre that "usually deals with criminal activity in a modern urban environment, a world of disconnected signs and anonymous strangers." "Told in stark and sometimes elegant language through the unemotional eyes of new hero-detectives, these stories were an American phenomenon."

In the late 1930s, Raymond Chandler updated the form with his private detective Philip Marlowe, who brought a more intimate voice to the detective than the more distanced "operative's report" style of Hammett's Continental Op stories. Chandler's stories were noted for their evokations of the American criminal underworld, including dark alleys and tough thugs, rich women and powerful men. Several feature and television movies have been made about the Philip Marlowe character. James Hadley Chase wrote a few novels with private eyes as the main heroes, including Blonde's Requiem (1945), Lay Her Among the Lilies (1950), and Figure It Out for Yourself (1950). The heroes of these novels are typical private eyes, very similar to or plagiarizing Raymond Chandler's work.

Ross Macdonald, pseudonym of Kenneth Millar, updated the form again with his detective Lew Archer. Archer, like Hammett's fictional heroes, was a camera eye, with hardly any known past. "Turn Archer sideways, and he disappears," one reviewer wrote. Critics praised Macdonald's use of psychology and his prose, which was full of imagery. Like other 'hardboiled' writers, Macdonald aimed to give an impression of realism in his work through violence, sex and confrontation. The 1966 movie Harper starring Paul Newman was based on the first Lew Archer story The Moving Target (1949). Newman reprised the role in The Drowning Pool in 1976.

Michael Collins, pseudonym of Dennis Lynds, is generally considered the author who led the form into the Modern Age. Like Hammett, Chandler, and Macdonald, Collins' protagonist was a private investigator, Dan Fortune. However, Collins stories also involved an element of sociological reflection, exploring the meaning of his characters' places in society and the impact society had on people. Full of commentary and clipped prose, his books were more intimate than those of his predecessors, dramatizing that crime can happen in one's own living room.

The'hardboiled' novel was a male-dominated field in which female authors seldom found publication until Marcia Muller, Sara Paretsky, and Sue Grafton were finally published in the late 1970s and early 1980s. Each author's detective, also female, was brainy and physical and could hold her own. Their acceptance, and success, caused publishers to seek out other female authors.

Inverted
An inverted detective story, also known as a "howcatchem", is a murder mystery fiction structure in which the commission of the crime is shown or described at the beginning, usually including the identity of the perpetrator. The story then describes the detective's attempt to solve the mystery. There may also be subsidiary puzzles, such as why the crime was committed, and they are explained or resolved during the story. This format is the inversion of the more typical "whodunit", in which the perpetrator of the crime is not revealed until the story's climax.

Police procedural
Many detective stories have police officers as the main characters. These stories may take a variety of forms, but many authors try to realistically depict the routine activities of a group of police officers who are frequently working on more than one case simultaneously. Some of these stories are whodunits; in others, the criminal is well known, and the detective must gather enough evidence to charge them with the crime.

In the 1940s the police procedural evolved as a new style of detective fiction. Unlike the heroes of Christie, Chandler, and Spillane, the police detective was subject to error and was constrained by rules and regulations. As Gary Huasladen writes in Places for Dead Bodies, "not all the clients were insatiable bombshells, and invariably there was life outside the job." The detective in the police procedural does the things police officers do to catch a criminal. Prominent writers in the genre include Ed McBain, P. D. James, and Bartholomew Gill.

Historical mystery

Historical mystery is set in a time period considered historical from the author's perspective, and the central plot involves the solving of a mystery or crime (usually murder). Though works combining these genres have existed since at least the early 20th century, many credit Ellis Peters's Cadfael Chronicles (1977–1994) for popularizing what would become known as the historical mystery.

A variation on this is Josephine Tey's The Daughter of Time. In it, Scotland Yard Inspector Alan Grant—who considers himself a good judge of faces—is surprised to find that what he considers to be the portrait of a sensitive man is in reality a portrait of Richard III, who murdered his brother's children in order to become king. The story details his attempt to get to the historical truth of whether Richard III is the villain he has been made out to be by history. The novel was awarded the top spot in the Top 100 Crime Novels of All Time by the UK Crime Writers' Association and the number 4 spot in The Top 100 Mystery Novels of All Time Mystery Writers of America

Cozy mystery
Cozy mystery began in the late 20th century as a reinvention of the Golden Age whodunit; these novels generally shy away from violence and suspense and frequently feature female amateur detectives. Modern cozy mysteries are frequently, though not necessarily, humorous and thematic. Variations of the subgenre include culinary mystery, animal mystery, and quilting mystery, among others.

Cozy mysteries feature minimal violence, sex, and social relevance; a solution achieved by intellect or intuition rather than police procedure, with order restored in the end; honorable characters; and a setting in a closed community. Writers include Agatha Christie, Dorothy L. Sayers, and Elizabeth Daly.

Serial killer mystery
Serial killer mystery might be thought of as a variation of the police procedural. There are early mystery novels in which a police force attempts to contend with the type of criminal known in the 1920s as a homicidal maniac, such as a few of the early novels of Philip Macdonald and Ellery Queen's Cat of Many Tails. However, this sort of story became much more popular after the coining of the phrase "serial killer" in the 1970s and the publication of The Silence of the Lambs in 1988. These stories frequently show the activities of many members of a police force or government agency in their efforts to apprehend a killer who is selecting victims on some obscure basis. They are also often much more violent and suspenseful than other mysteries.

Legal thriller
The legal thriller, or courtroom novel, is also related to detective fiction. The system of justice itself is always a major part of these works, at times almost functioning as one of the characters. In this way, the legal system provides the framework for the legal thriller as much as the system of modern police work does for the police procedural. The legal thriller usually begins with the court proceedings following the closure of an investigation, often resulting in a new angle on the investigation, so as to bring about a outcome different from the one originally devised by the investigators. In the legal thriller, court proceedings play a very active, if not to say decisive part in a case reaching its ultimate solution. Erle Stanley Gardner popularized the courtroom novel in the 20th century with his Perry Mason series. Contemporary authors of legal thrillers include Michael Connelly, Linda Fairstein, John Grisham, John Lescroart, Paul Levine, Lisa Scottoline, and Scott Turow.

Locked room mystery
The locked room mystery is a subgenre of detective fiction in which a crime—almost always murder—is committed under circumstances which it was seemingly impossible for the perpetrator to commit the crime and/or evade detection in the course of getting in and out of the crime scene. The genre was established in the 19th century. Edgar Allan Poe's "The Murders in the Rue Morgue" (1841) is considered the first locked-room mystery; since then, other authors have used the scheme. The crime in question typically involves a crime scene with no indication as to how the intruder could have entered or left, i.e., a locked room. Following other conventions of classic detective fiction, the reader is normally presented with the puzzle and all of the clues, and is encouraged to solve the mystery before the solution is revealed in a dramatic climax.

Occult
Occult detective fiction is a subgenre of detective fiction that combines the tropes of detective fiction with those of supernatural horror fiction. Unlike the traditional detective, the occult detective is employed in cases involving ghosts, demons, curses, magic, monsters and other supernatural elements. Some occult detectives are portrayed as knowing magic or being themselves psychic or in possession of other paranormal powers.

'Whodunit'
A whodunit or whodunnit (a colloquial elision of "Who [has] done it?" or "Who did it?") is a complex, plot-driven variety of the detective story in which the audience is given the opportunity to engage in the same process of deduction as the protagonist throughout the investigation of a crime. The reader or viewer is provided with the clues from which the identity of the perpetrator may be deduced before the story provides the revelation itself at its climax. The "whodunit" flourished during the so-called "Golden Age" of detective fiction, between 1920 and 1950, when it was the predominant mode of crime writing.

Preserving story secrets
Even if they do not mean to, advertisers, reviewers, scholars and aficionados sometimes give away details or parts of the plot, and sometimes—for example in the case of Mickey Spillane's novel I, the Jury—even the solution. After the credits of Billy Wilder's film Witness for the Prosecution, the cinemagoers are asked not to talk to anyone about the plot so that future viewers will also be able to fully enjoy the unravelling of the mystery.

Plausibility and coincidence
For series involving amateur detectives, their frequent encounters with crime often test the limits of plausibility. The character Miss Marple appears in twelve novels and twenty short stories, William L. De Andrea has described Marple's home town, the quiet little village of St. Mary Mead, as having "put on a pageant of human depravity rivaled only by that of Sodom and Gomorrah". Similarly, TV heroine Jessica Fletcher of Murder, She Wrote was confronted with bodies wherever she went, but most notably in her small hometown of Cabot Cove, Maine; The New York Times estimated that, by the end of the series' 12-year run, nearly 2% of the town's residents had been killed. It is arguably more convincing if police, forensic experts or similar professionals are made the protagonist of a series of crime novels.

The television series Monk has often made fun of this implausible frequency. The main character, Adrian Monk, is frequently accused of being a "bad luck charm" and a "murder magnet" as the result of the frequency with which murder happens in his vicinity.

Likewise Kogoro Mori of the manga series Detective Conan earned a similat reputation. Although Mori is actually a private investigator with his own agency, the police never intentionally consult him as he stumbles from one crime scene to another.

The role and legitimacy of coincidence has frequently been the topic of heated arguments ever since Ronald A. Knox categorically stated that "no accident must ever help the detective" (Commandment No. 6 in his "Decalogue").

Effects of technology
Technological progress has also rendered many plots implausible and antiquated. For example, the predominance of mobile phones, pagers, and PDAs has significantly altered the previously dangerous situations in which investigators traditionally might have found themselves.

One tactic that avoids the issue of technology altogether is the historical detective genre. As global interconnectedness makes legitimate suspense more difficult to achieve, several writers—including Elizabeth Peters, P. C. Doherty, Steven Saylor, and Lindsey Davis—have eschewed fabricating convoluted plots in order to manufacture tension, instead opting to set their characters in some former period. Such a strategy forces the protagonist to rely on more inventive means of investigation, lacking as they do the technological tools available to modern detectives.

Conversely, some detective fiction embraces networked computer technology and deals in cybercrime, like the Daemon novel series by Daniel Suarez.

Detective Commandments
Several authors have attempted to set forth a sort of list of “Detective Commandments” for prospective authors of the genre.

According to "Twenty Rules for Writing Detective Stories," by Van Dine in 1928: "The detective story is a kind of intellectual game. It is more—it is a sporting event. And for the writing of detective stories there are very definite laws—unwritten, perhaps, but nonetheless binding; and every respectable and self-respecting concocter of literary mysteries lives up to them. Herewith, then, is a sort of credo, based partly on the practice of all the great writers of detective stories, and partly on the promptings of the honest author's inner conscience." Ronald Knox wrote a set of Ten Commandments or Decalogue in 1929, see article on the Golden Age of Detective Fiction.

A general consensus among crime fiction authors is there is a specific set of rules that must be applied for a novel to truly be considered part of the detective fiction genre. As noted in "Introduction to the Analysis of Crime Fiction", crime fiction from the past 100 years has generally contained the following key rules to be a detective novel:
 * A crime, most often murder, is committed early in the narrative
 * There are a variety of suspects with different motives
 * A central character formally or informally acts as a detective
 * The detective collects evidence about the crimes and its victim
 * Usually the detective interviews the suspects, as well as the witnesses
 * The detective solves the mystery and indicates the real criminal
 * Usually this criminal is now arrested or otherwise punished

Sherlock Holmes
Sherlock Holmes is the British fictional detective created by Sir Arthur Conan Doyle. After first appearing in A Study in Scarlet, the Sherlock Holmes stories were not an immediate success. However, after being published in the Strand Magazine in 1891, the detective became unquestionably popular. Following the success of Sherlock Holmes, many mystery writers imitated Conan Doyle's structure in their own detective stories and included aspects of Sherlock Holmes's personalities in their own detectives.

Sherlock Holmes as a series is perhaps the most popular form of detective fiction. Conan Doyle attempted to kill the character off after twenty-three stories, but after popular request, he continued to write stories featuring the character. The popularity of Sherlock Holmes extends beyond the written medium. For example, the BBC-produced TV series Sherlock gained a very large following after first airing in 2010, imbuing a renewed interest in the character in the general public. Because of the popularity of Holmes, Conan Doyle was often regarded as being “as well known as Queen Victoria”.

Hercule Poirot
Hercule Poirot is a fictional Belgian private detective, created by Agatha Christie. As one of Christie's most famous and long-lived characters, Poirot appeared in 33 novels, one play (Black Coffee), and more than 50 short stories, published between 1920 and 1975. Hercule Poirot first appeared in The Mysterious Affair at Styles, published in 1920, and died in Curtain, published in 1975, which is Agatha Christie's last work. On August 6, 1975, The New York Times published the obituary of Poirot's death with the cover of the newly published novel on their front page.

C. Auguste Dupin
Le Chevalier C. Auguste Dupin is a fictional character created by Edgar Allan Poe. Dupin made his first appearance in Poe's "The Murders in the Rue Morgue" (1841), widely considered the first detective fiction story. He reappears in "The Mystery of Marie Rogêt" (1842) and "The Purloined Letter" (1844).

C. Auguste Dupin is generally acknowledged as the prototype for many fictional detectives that were created later, including Sherlock Holmes by Arthur Conan Doyle and Hercule Poirot by Agatha Christie. Conan Doyle once wrote, "Each [of Poe's detective stories] is a root from which a whole literature has developed... Where was the detective story until Poe breathed the breath of life into it?"

Ellery Queen
Ellery Queen is a fictional detective created by American writers Manfred Bennington Lee and Frederic Dannay, as well as the joint pseudonym for the cousins Dannay and Lee. He first appeared in The Roman Hat Mystery (1929), and starred in more than 30 novels and several short story collections. During the 1930s and much of the 1940s, Ellery Queen was possibly the best known American fictional detective.

Detective debuts and swan songs
Many detectives appear in more than one novel or story. Here is a list of a few debut stories and final appearances.

Books

 * Bloody Murder: From the Detective Story to the Crime Novel – A History by Julian Symons ISBN 0571094651
 * Stacy Gillis and Philippa Gates (Editors), The Devil Himself: Villainy in Detective Fiction and Film, Greenwood, 2001. ISBN 0313316554
 * The Manichean Investigators: A Postcolonial and Cultural Rereading of the Sherlock Holmes and Byomkesh Bakshi Stories by Pinaki Roy, New Delhi: Sarup and Sons, 2008, ISBN 978-8176258494
 * Killer Books by Jean Swanson & Dean James, Berkley Prime Crime edition 1998, Penguin Putnam Inc. New York ISBN 0425162184
 * Delightful Murder: A Social History of the Crime Story by Ernest Mandel, 1985. Univ. of Minnesota Press.
 * Clifford's War: The Bluegrass Battleground by J. Denison Reed ISBN 978-1737164029

title: Detective fiction