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Judo

Judo (柔道) is an unarmed modern Japanese martial art, combat sport, Olympic sport (since 1964), and the most prominent form of jacket wrestling competed internationally. Judo was created in 1882 by Kanō Jigorō (嘉納 治五郎) as an eclectic martial art, distinguishing itself from its predecessors (primarily Tenjin Shinyo-ryu jujutsu and Kitō-ryū jujutsu) due to an emphasis on "randori" (乱取り, lit. 'free sparring') instead of kata (形) alongside its removal of striking and weapon training elements. Judo rose to prominence for its dominance over established jujutsu schools in tournaments hosted by the Tokyo Metropolitan Police Department (警視庁武術大会, Keishicho Bujutsu Taikai), resulting in its adoption as the department's primary martial art. A judo practitioner is called a "judoka" (柔道家), and the judo uniform is called "judogi" (柔道着).

The objective of competitive judo is to throw an opponent, immobilize them with a pin, or force an opponent to submit with a joint lock or a choke. While strikes and use of weapons are included in some pre-arranged forms (kata), they are not frequently trained and are illegal in judo competition or free practice. Judo's international governing body is the International Judo Federation, and competitors compete in the international IJF professional circuit.

Judo's philosophy revolves around two primary principles: "Seiryoku-Zenyo" (精力善用) and "Jita-Kyoei" (自他共栄). The philosophy and subsequent pedagogy developed for judo became the model for other modern Japanese martial arts that developed from Ko-ryū. Judo also spawned a number of derivative martial arts around the world, such as Brazilian jiu-jitsu, Krav Maga, sambo, and ARB. Judo also influenced other combat styles such as close-quarters combat (CQC), mixed martial arts (MMA), shoot wrestling and submission wrestling.

Early life of its founder

The early history of judo is inseparable from its founder, Japanese polymath and educator Jigoro Kano (嘉納 治五郎), born Jigorō Shinnosuke (新之助 治五郎). Kano was born into a relatively affluent family. His father, Jirosaku, was the second son of the head priest of the Shinto Hiyoshi shrine in Shiga Prefecture. He married Sadako Kano, daughter of the owner of Kiku-Masamune sake brewing company and was adopted by the family, changing his name to Kano. He ultimately became an official in the Shogunate government.

Jigoro Kano had an academic upbringing and, from the age of seven, he studied English, Japanese calligraphy (書道) and the Four Confucian Texts (四書) under a number of tutors. When he was fourteen, Kano began boarding at an English-medium school, Ikuei-Gijuku in Shiba, Tokyo. The culture of bullying endemic at this school was the catalyst that caused Kano to seek out a Jujutsu (柔術) dōjō (道場) at which to train.

Early attempts to find a jujutsu teacher who was willing to take him on met with little success. Jujutsu had become unfashionable in an increasingly westernized Japan. Many of those who had once taught the art had been forced out of teaching or become so disillusioned with it that they had simply given up. Nakai Umenari, an acquaintance of Kanō's father and a former soldier, agreed to show him kata, but not to teach him. The caretaker of Jirosaku's second house, Katagiri Ryuji, also knew jujutsu, but would not teach it as he believed it was no longer of practical use. Another frequent visitor, Imai Genshiro of Kyushin-ryū school of jujutsu, also refused. Several years passed before he finally found a willing teacher.

In 1877, as a student at the University of Tokyo, Kano learned that many jujutsu teachers had been forced to pursue alternative careers, frequently opening Seikotsu-in (整骨院). After inquiring at a number of these, Kano was referred to Fukuda Hachinosuke (c. 1828–1880), a teacher of the Tenjin Shin'yō-ryū of jujutsu, who had a small nine mat dōjō where he taught five students. Fukuda is said to have emphasized technique over formal exercise, sowing the seeds of Kano's emphasis on randori (乱取り) in judo.

On Fukuda's death in 1880, Kano, who had become his keenest and most able student in both randori and kata, was given the densho (伝書) of the Fukuda dōjō. Kano chose to continue his studies at another Tenjin Shin'yō-ryū school, that of Iso Masatomo (c. 1820–1881). Iso placed more emphasis on the practice of "kata", and entrusted randori instruction to assistants, increasingly to Kano. Iso died in June 1881 and Kano went on to study at the dōjō of Iikubo Tsunetoshi (1835–1889) of Kitō-ryū (起倒流). Like Fukuda, Iikubo placed much emphasis on randori, with Kitō-ryū having a greater focus on nage-waza (投げ技).

Founding of the Kodokan
In February 1882, Kano founded a school and dōjō at the Eisho-ji (永昌寺), a Buddhist temple in what was then the Shitaya ward of Tokyo (now the Higashi Ueno district of Taitō ward). Iikubo, Kano's Kitō-ryū instructor, attended the dōjō three days a week to help teach and, although two years would pass before the temple would be called by the name Kodokan (講道館), and Kano had not yet received his Menkyo (免許) in Kitō-ryū, this is now regarded as the Kodokan founding.

The Eisho-ji dōjō was originally shoin. It was a relatively small affair, consisting of a 12 jo (214 sq ft) training area. Kano took in resident and non-resident students, the first two being Tomita Tsunejirō and Shiro Saigo. In August, the following year, the pair were granted shodan (初段) grades, the first that had been awarded in any martial art.

Judo versus jujutsu
Central to Kano's vision for judo were the principles of seiryoku zen'yō (精力善用) and jita kyōei (自他共栄). He illustrated the application of seiryoku zen'yō with the concept of jū yoku gō o seisu (柔能く剛を制す - 柔能剛制): "In short, resisting a more powerful opponent will result in your defeat, whilst adjusting to and evading your opponent's attack will cause him to lose his balance, his power will be reduced, and you will defeat him. This can apply whatever the relative values of power, thus making it possible for weaker opponents to beat significantly stronger ones. This is the theory of ju yoku go o seisu."

Kano realised that seiryoku zen'yō, initially conceived as a jujutsu concept, had a wider philosophical application. Coupled with the Confucianist-influenced jita kyōei, the wider application shaped the development of judo from a martial art (武術) to a martial way (武道). Kano rejected techniques that did not conform to these principles and emphasized the importance of efficiency in the execution of techniques. He was convinced that practice of jujutsu while conforming to these ideals was a route to self-improvement and the betterment of society in general. He was, however, acutely conscious of the Japanese public's negative perception of jujutsu:

"At the time a few bujitsu (martial arts) experts still existed but bujitsu was almost abandoned by the nation at large. Even if I wanted to teach jujitsu most people had now stopped thinking about it. So I thought it better to teach under a different name principally because my objectives were much wider than jujitsu."

Kano believed that "jūjutsu was insufficient to describe his art: although jutsu (術) means "art" or "means", it implies a method consisting of a collection of physical techniques. Accordingly, he changed the second character to dō (道), meaning "way", "road" or "path", which implies a more philosophical context than jutsu and has a common origin with the Chinese concept of tao. Thus Kano renamed it judo (柔道).

Judo waza (techniques)
There are three basic categories of waza (技) in judo: nage-waza (投げ技), katame-waza (固技) and atemi-waza (当て身技). Judo is mostly known for nage-waza and katame-waza.

Judo practitioners typically devote a portion of each practice session to ukemi (受け身), in order that nage-waza can be practiced without significant risk of injury. Several distinct types of ukemi exist, including ushiro ukemi (後ろ受身); yoko ukemi (横受け身); mae ukemi (前受け身); and zenpo kaiten ukemi (前方回転受身)

The person who performs a Waza is known as tori (取り) and the person to whom it is performed is known as uke (受け).

Nage-waza (throwing techniques)
Nage-waza include all techniques in which tori attempts to throw or trip uke, usually with the aim of placing uke on their back. Each technique has three distinct stages:

 * Kuzushi (崩し): the opponent becoming off balanced;
 * Tsukuri (作り): turning in and fitting into the throw;
 * Kake (掛け): execution and completion of the throw.

Nage-waza are typically drilled by the use of uchi-komi (内込), repeated turning-in, taking the throw up to the point of kake.

Traditionally, nage-waza are further categorised into tachi-waza (立ち技), throws that are performed with tori maintaining an upright position, and sutemi-waza (捨身技), throws in which tori sacrifices his upright position in order to throw uke.

Tachi-waza are further subdivided into te-waza (手技), in which tori predominantly uses their arms to throw uke; koshi-waza (腰技) throws that predominantly use a lifting motion from the hips; and ashi-waza (足技), throws in which tori predominantly utilises their legs.

Katame-waza (grappling techniques)
Katame-waza is further categorised into osaekomi-waza (抑込技), in which tori traps and pins uke on their back on the floor; shime-waza (絞技), in which tori attempts to force a submission by choking or strangling uke; and kansetsu-waza (関節技), in which tori attempts to submit uke by painful manipulation of their joints.

A related concept is that of ne-waza (寝技), in which waza are applied from a non-standing position.

In competitive judo, Kansetsu-waza is currently limited to elbow joint manipulation. Manipulation and locking of other joints can be found in various kata, such as Katame-no-kata and Kodokan goshin jutsu.

Atemi-waza (striking techniques)
Atemi-waza are techniques in which tori disables uke with a strike to a vital point. Atemi-waza are not permitted outside of kata.

Randori (free practice)
Judo pedagogy emphasizes randori (乱取り). This term covers a variety of forms of practice, and the intensity at which it is carried out varies depending on intent and the level of expertise of the participants. At one extreme, is a compliant style of randori, known as Yakusoku geiko (約束稽古), in which neither participant offers resistance to their partner's attempts to throw. A related concept is that of Sute geiko (捨稽古), in which an experienced judoka allows himself to be thrown by his less-experienced partner. At the opposite extreme from yakusoku geiko is the hard style of randori that seeks to emulate the style of judo seen in competition. While hard randori is the cornerstone of judo, over-emphasis of the competitive aspect is seen as undesirable by traditionalists if the intent of the randori is to "win" rather than to learn.

Kata (forms)

kata (形) are pre-arranged patterns of techniques and in judo, with the exception of elements of the Seiryoku-Zen'yō Kokumin-Taiiku, they are all practised with a partner. Their purposes include illustrating the basic principles of judo, demonstrating the correct execution of a technique, teaching the philosophical tenets upon which judo is based, allowing for the practice of techniques that are not allowed in randori, and to preserve ancient techniques that are historically important but are no longer used in contemporary judo.

There are ten kata that are recognized by the Kodokan today:

 * Randori-no-kata (乱取りの形), comprising two kata:
 * Nage-no-kata (投の形) Fifteen throws, practiced both left- and right-handed, three each from the five categories of nage waza: te waza, koshi waza, ashi waza, ma sutemi waza and yoko sutemi waza.
 * Katame-no-kata (固の形). Fifteen techniques in three sets of five, illustrating the three categories of katame waza: osaekomi waza, shime waza and kansetsu waza.
 * Kime-no-kata (極の形). Twenty techniques, illustrating the principles of defence in a combat situation, performed from kneeling and standing positions. Attacks are made unarmed and armed with a dagger and a sword. This kata utilises atemi waza, striking techniques, that are forbidden in randori.
 * Kōdōkan goshinjutsu (講道館護身術). The most recent recognised kata, comprising twenty-one techniques of defence against attack from an unarmed assailant and one armed with a knife, stick and pistol. This kata incorporates various jujutsu techniques such as wrist locks and atemi waza.
 * Jū-no-kata (柔の形). Fifteen techniques, arranged in three sets of five, demonstrating the principle of Jū and its correct use in offence and defence.
 * Gō-no-kata (剛の形). One of the oldest kata, comprising ten forms that illustrate the efficient use of force and resistance. Now rarely practiced.
 * Itsutsu-no-kata (五の形). An advanced kata, illustrating the principle of seiryoku zen'yō and the movements of the universe. The kata predates the creation of Kodokan and originated in Tenjin Shinyō-ryū.
 * Koshiki-no-kata (古式の形). Derived from Kitō-ryū Jujutsu, this kata was originally intended to be performed wearing armour. Kano chose to preserve it as it embodied the principles of judo.
 * Seiryoku Zen'yō Kokumin Taiiku (精力善用国家体育). A series of exercises designed to develop the physique for judo.
 * Joshi-goshinhō (女子護身法). An exercise completed in 1943, and of which the development was ordered by Jirō Nangō, the second Kodokan president.

In addition, there are a number of commonly practiced kata that are not recognised by the Kodokan. Some of the more common kata include:

 * Go-no-sen-no-kata (後の先の形) A "kata" of pre-emptive counter techniques that some claim has a heritage from Waseda University in Tokyo. The form is little more than standard counters, bookended by some protocol. Moreover, there is no universal standard nor accepted reference text.  The exercise is unknown of in Japan, and was  popularised in the West by Mikinosuke Kawaishi.
 * Nage-waza-ura-no-kata (投げ技裏の形) A much more elegant and coherent kata of counter techniques, created by Kyuzo Mifune.
 * Katame-waza ura-no-kata (固め技裏の形) a kata of counter-attacks to controlling techniques, attributed to Kazuo Itō

Tandoku-renshu (practice by oneself!)

 * Personal work.

History
Contest (試合) is a vitally important aspect of judo. In 1899, Kano was asked to chair a committee of the Dai Nippon Butoku Kai to draw up the first formal set of contest rules for jujutsu. These rules were intended to cover contests between different various traditional schools of jujutsu as well as practitioners of Kodokan judo. Contests were 15 minutes long and were judged on the basis of nage waza and katame waza, excluding atemi waza. Wins were by two ippons, awarded in every four-main different path of winning alternatives, by "Throwing", where the opponent's back strikes flat onto the mat with sufficient force, by "Pinning" them on their back for a "sufficient" amount of time, or by "Submission", which could be achieved via Shime-waza or Kansetsu-waza, in which the opponent was forced to give himself or herself up or summon a referee's or corner-judge's stoppage. Finger, toe and ankle locks were prohibited. In 1900, these rules were adopted by the Kodokan with amendments made to prohibit all joint locks for kyu grades and added wrist locks to the prohibited kansetsu-waza for dan grades. It was also stated that the ratio of tachi-waza to ne-waza should be between 70% and 80% for kyu grades and between 60% and 70% for dan grades.

In 1916, additional rulings were brought in to further limit kansetsu waza with the prohibition of ashi garami and neck locks, as well as do jime. These were further added to in 1925.

Jigoro Kano for a long time wished to see judo as an Olympic discipline. The first time judo was seen in the Olympic Games was in an informal demonstration hosted by Kano at the 1932 Games. However, Kano was ambivalent about judo's potential inclusion as an Olympic sport: "I have been asked by people of various sections as to the wisdom and possibility of judo being introduced with other games and sports at the Olympic Games. My view on the matter, at present, is rather passive. If it be the desire of other member countries, I have no objection. But I do not feel inclined to take any initiative. For one thing, judo in reality is not a mere sport or game. I regard it as a principle of life, art and science. In fact, it is a means for personal cultural attainment. Only one of the forms of judo training, so-called randori or free practice can be classed as a form of sport. Certainly, to some extent, the same may be said of boxing and fencing, but today they are practiced and conducted as sports. Then the Olympic Games are so strongly flavored with nationalism that it is possible to be influenced by it and to develop 'Contest Judo', a retrograde form as ju-jitsu was before the Kodokan was founded. Judo should be free as art and science from any external influences, political, national, racial, and financial or any other organized interest. And all things connected with it should be directed to its ultimate object, the 'Benefit of Humanity'. Human sacrifice is a matter of ancient history."

Use of judo at the Summer Olympic Games
At the 57th general session of the International Olympic Committee, held in Rome on 22 August 1960, the IOC members formally decided to include Judo among the events to be contested at the Olympic Games. The proposal, which was placed before the session by the Japanese delegation, was welcomed by all participants. The few who opposed had nothing against Judo itself but against increasing the number of Olympic events as a whole. There were only two dissenting votes in the final poll. For the first time in history a traditional Japanese sport has been included in the Olympic competition.

Finally, judo was first contested as an Olympic sport for men in the 1964 Games in Tokyo. The Olympic Committee initially dropped judo for the 1968 Olympics, meeting protests. Dutchman Anton Geesink won the first Olympic gold medal in the open division of judo by defeating Akio Kaminaga of Japan. The women's event was introduced at the Olympics in 1988 as a demonstration event, and an official medal event in 1992.

Use of judo at the Summer Paralympic Games
Judo was introduced as a Paralympic sport at the 1988 Summer Paralympics in Seoul, with women's events contested for the first time at 2004 Summer Paralympics.

Use of judo at the Commonwealth Games
Judo was an optional sport included in the three editions of the Commonwealth Games: 1990 Commonwealth Games in Auckland, 2002 Commonwealth Games in Manchester and 2014 Commonwealth Games in Glasgow. From 2022, judo will become a core sport in the 22nd edition of the Commonwealth Games, in Birmingham.

Current international contest rules

Penalties may be given for: passivity or preventing progress in the match; for safety infringements for example by using prohibited techniques, or for behavior that is deemed to be against the spirit of judo. Fighting must be stopped if a participant is outside the designated area on the mat.

Weight divisions
There are currently seven weight divisions, subject to change by governing bodies, and may be modified based on the age of the competitors:

Competition scoring
A throw that places the opponent on their back with impetus and control scores an ippon (一本), winning the contest. A lesser throw, where the opponent is thrown onto his back, but with insufficient force to merit an ippon, scores a waza-ari (技あり). Two scores of waza-ari equal an ippon waza-ari awasete ippon (技あり合わせて一本). This rule was cancelled in 2017, but it was resumed in 2018. Formerly, a throw that places the opponent onto his side scores a yuko (有効).

In 2017, the International Judo Federation announced changes in evaluation of points. There will only be ippon and waza-ari scores given during a match with yuko scores now included within waza-ari.

Ippon is scored in ne-waza for pinning an opponent on his back with a recognised osaekomi-waza for 20 seconds or by forcing a submission through shime-waza or kansetsu-waza. A submission is signalled by tapping the mat or the opponent at least twice with the hand or foot, or by saying maitta (まいった). A pin lasting for less than 20 seconds, but more than 10 seconds scores waza-ari (formerly waza-ari was awarded for holds of longer than 15 seconds and yuko for holds of longer than 10 seconds).

Formerly, there was an additional score that was lesser to yuko, that of Koka (効果). This has since been removed.

If the scores are identical at the end of the match, the contest is resolved by the Golden Score rule. Golden Score is a sudden death situation where the clock is reset to match-time, and the first contestant to achieve any score wins. If there is no score during this period, then the winner is decided by Hantei (判定), the majority opinion of the referee and the two corner judges.

There have been changes to the scoring. In January 2013, the Hantei was removed and the "Golden Score" no longer has a time limit. The match would continue until a judoka scored through a technique or if the opponent is penalised (Hansoku-make).

Penalties
Two types of penalties may be awarded. A shido (指導 – literally "guidance") is awarded for minor rule infringements. A shido can also be awarded for a prolonged period of non-aggression. Recent rule changes allow for the first shidos to result in only warnings. If there is a tie, then and only then, will the number of shidos (if less than three) be used to determine the winner. After three shidos are given, the victory is given to the opponent, constituting an indirect hansoku-make (反則負け – literally "foul-play defeat"), but does not result in expulsion from the tournament. Note: Prior to 2017, the 4th shido was hansoku-make. If hansoku-make is awarded for a major rule infringement, it results not just in loss of the match, but in the expulsion from the tournament of the penalized player.

In mixed martial arts
A number of judo practitioners have made an impact in mixed martial arts. Notable judo-trained MMA fighters include Olympic medalists Hidehiko Yoshida (Gold, 1992), Naoya Ogawa (Silver, 1992), Paweł Nastula (Gold, 1996), Makoto Takimoto (Gold, 2000), Satoshi Ishii (Gold, 2008), Ronda Rousey (Bronze, 2008), and Kayla Harrison (Gold, 2012 and 2016), former Russian national judo championship bronze medalist Fedor Emelianenko, Yoshihiro Akiyama, Don Frye, Rick Hawn, Daniel Kelly, Hector Lombard, Karo Parisyan, Ayaka Hamasaki, Antônio Silva, Oleg Taktarov, Rhadi Ferguson, Dong-Sik Yoon, and Khabib Nurmagomedov.

Alternative styles and derivative martial arts
Kano Jigoro's Kodokan judo is the most popular and well-known style of judo, but is not the only one. The terms judo and jujutsu were quite interchangeable in the early years, so some of these forms of judo are still known as jujutsu or jiu-jitsu either for that reason, or simply to differentiate them from mainstream judo. From Kano's original style of judo, several related forms have evolved—some now widely considered to be distinct arts:

Kosen judo
Commonly described as a separate style of Judo, Kosen judo is a competition rules set of Kodokan judo that was popularized in the early 20th century for use in Japanese Special High Schools Championships held at Kyoto Imperial University. The word "Kosen" is an acronym of Koto Senmon Gakko (高等専門学校). Currently, competitions are organized between Japan's seven former Imperial Universities and referred to as Nanatei Judo (ja:七帝柔道, literally "Seven Emperors Judo"). Kosen judo's focus on newaza has drawn comparisons with Brazilian jiu-jitsu.

Freestyle Judo
Freestyle Judo is a form of competitive judo practiced primarily in the United States that retains techniques that have been removed from mainstream IJF rules. Freestyle Judo is currently backed by the International Freestyle Judo Alliance (IFJA). The Amateur Athletic Union (AAU) officially sanctions Freestyle Judo in the United States of America.

Georgian Judo
Georgian Judo is influenced by Chidaoba (Georgian cultural jacket wrestling). Chidaoba's major influence on the Georgian style of judo is in its unorthodox grips as well as its throws and takedowns. Georgian Judo is also known for its countering techniques through the use of power moves such as bear hugs and double underhooks into throws and takedowns. It is represented by various olympic winners and World Champions, such as Lasha Bekauri, Lukhumi Chkhvimiani, Shota Chochishvili, Tato Grigalashvili, Zaza Kedelashvili, David Khakhaleishvili, Luka Maisuradze,Lasha Shavdatuashvili and others.

Russian Judo
This distinctive style of judo was influenced by the Soviet martial art of Sambo. It is represented by well-known coaches such as Alexander Retuinskih and Igor Yakimov, and mixed martial arts fighters such as Fedor Emelianenko, Oleg Taktarov, Khabib Nurmagomedov, and Karo Parisyan. In turn, Russian judo has influenced mainstream judo, with techniques such as the flying armbar being accepted into Kodokan judo.

Mongolian Judo
Unlike other Far East styles of Judo, Mongolian Judo focuses much more on power rather than technique. The influence of Bokh on Mongolian Judo can be seen in its grips and body positioning. Judo grips such as the over under, double underhooks and the heavy use of grips on the belt. It is represented by various world champions, such as Khaliuny Boldbaatar, Tsendiin Damdin, Boldyn Gankhaich, Naidangiin Tüvshinbayar, Mönkhbatyn Urantsetseg, Ganbatyn Boldbaatar.

Korean Judo
Korean Judo is also very technical but what really separates it from other styles is the speed at which its techniques are performed. Korean Judo it is not powerful in terms of using strength but instead, the practitioners use speed, movement and technique in order to create fast and powerful snaps. This styles produced various olympic champions, like Ahn Byeong-keun, Cho Min-sun, Choi Min-ho, Ha Hyung-joo, Jeon Ki-young, Kim Jae-bum, Kim Jae-yup, Lee Kyung-keun, Lee Won-hee, Song Dae-nam and others.

French Judo
French Judo is based on tactical Kumi Kata and focuses on breaking the posture of the opponent as well as preventing opponents from attaining a proper grip. This style does not use a huge amount of power, it prefer to use technique, tactics and timing. Many French judo practitioners have become World and Olympic champions, like Clarisse Agbegnenou, Émilie Andéol, Marc Alexandre, Djamel Bouras, Amandine Buchard, Guillaume Chaine, Axel Clerget, Sarah-Léonie Cysique, Lucie Décosse, Romane Dicko, David Douillet, Catherine Fleury-Vachon, Alexandre Iddir and many others.

Cuban Judo
Cuban Judo is characterized by an explosive and high athletic style that puts an emphasis on body conditioning and calculated planning mixed with raw power. In terms of training the athletes use a particularly methodical and intellectual approach to the sport.

Azerbaijani Judo
Judo in Azerbaijan has developed over the years and has become deep rooted and considered a top sport in the country. It's very similar to Georgian Judo, as its mostly focused on the practitioner's strength during throws. It's a hybrid of the original Kodokan Judo and the traditional Azerbaijan style of wrestling called Azeri, whose techniques consist of unorthodox grips and positioning during counter-attacks.

Israeli Judo
Judo has become a top sport in Israel only recently. Israeli Judo is characterized by a particular emphasis on hip throws, which are executed with a mix of technique and aggression, with the practitioner that has to adjust his sleeves before powerfully gripping and throwing the opponent away.

Sambo
Sambo is influenced by judo combined with wrestling techniques, and striking in case of combat sambo. Vasili Oshchepkov was one of the first European judo black belts under Kano. Oshchepkov went on to contribute his knowledge of judo as one of the three founders of Sambo, which also integrated various international and Soviet bloc wrestling styles and other combative techniques. Oshchepkov was executed during the political purges of 1937 and judo was banned for decades until its inclusion in the 1964 Olympics, where sambists won 4 bronze medals. In their History of Sambo, Brett Jacques and Scott Anderson wrote that in Russia "judo and SOMBO were considered to be the same thing"—albeit with a different uniform and some differences in the rules.

Brazilian jiu-jitsu
An adoption of Kano jiu jitsu (a common name for judo at the time) in Brazil attributed to Mitsuyo Maeda's students, most notably the Gracie family. 10th Planet Jiu Jitsu and other wrestling-influenced systems without the gi have also become popular.

Other styles
Judo also influenced other combat styles such as close-quarters combat (CQC), mixed martial arts (MMA), shoot wrestling and submission wrestling.

Safety
Kano's vision for judo was one of a martial way that could be practiced realistically. Randori (free practice) was a central part of judo pedagogy and shiai (competition) a crucial test of a judoka's understanding of judo. Safety necessitated some basic innovations that shaped judo's development. Atemi waza (striking techniques) were entirely limited to kata (prearranged forms) early in judo's history. Kansetsu waza (joint manipulation techniques) were limited to techniques that focused on the elbow joint. Various throwing techniques that were judged to be too dangerous to practice safely at full force, such as all joint-locking throws from Jujutsu, were also prohibited in shiai. To maximise safety in nage waza (throwing techniques), judoka trained in ukemi (break falls) and practiced on tatami (rice straw mats).

Kansetsu and shime waza
The application of joint manipulation and strangulation/choking techniques is generally safe under controlled conditions typical of judo dōjō and in competition. It is usual for there to be age restrictions on the practice and application of these types of techniques, but the exact nature of these restrictions will vary from country to country and from organization to organization.

Nage waza
Safety in the practice of throwing techniques depends on the skill level of both tori and uke. Inexpertly applied throws have the potential to injure both tori and uke, for instance when tori compensates for poor technique by powering through the throw. Similarly, poor ukemi can result in injury, particularly from more powerful throws that uke lacks the skill to breakfall from. For these reasons, throws are normally taught in order of difficulty for both tori and uke. This is exemplified in the Gokyo (五教), a traditional grouping of throws arranged in order of difficulty of ukemi. Those grouped in Dai ikkyo (第一教) are relatively simple to breakfall from whereas those grouped in dai gokyo (第五教) are difficult to breakfall from.

Mental training
Mental training is an emerging modality of training in judo that aims to improve the performance of high-performance athletes in training and competition and also to promote health and well-being in the daily life of athletes and their entourage through the learning and application of psychological skills. The first publication of a judo-specific practical mental training approach based on sports training principles was in 2005 with the work of Boris Blumenstein, Ronnie Lidor and Gershon Tenenbaum. In 2022, Caio Gabriel published the first article on mental training that appeared in the scientific journal of the International Judo Federation, "The Arts and Sciences of Judo".

Judoka (practitioner)

A practitioner of judo is known as a judoka (柔道家). The modern meaning of "judoka" in English is a judo practitioner of any level of expertise, but traditionally those below the rank of 4th dan were called kenkyu-sei (研究生); and only those of 4th dan or higher were called "judoka". (The suffix -ka (家), when added to a noun, means a person with expertise or special knowledge on that subject).

A judo teacher is called sensei (先生). Traditionally, that title was reserved for instructors of 4th dan and above.

Judogi (uniform)

Judo practitioners traditionally wear white uniforms called keikogi or judogi (柔道着) sometimes abbreviated in the west as "gi". It comprises a heavy cotton kimono-like jacket called an uwagi (上衣), similar to traditional hanten (半纏) fastened by an obi (帯), coloured to indicate rank, and cotton draw-string zubon (ズボン). Early examples of keikogi had short sleeves and trouser legs and the modern long-sleeved judogi was adopted in 1906.

The modern use of the blue judogi for high level competition was first suggested by Anton Geesink at the 1986 Maastricht IJF DC Meeting. For competition, a blue judogi is worn by one of the two competitors for ease of distinction by judges, referees, and spectators. In Japan, both judoka use a white judogi and the traditional red obi (based on the colors of the Japanese flag) is affixed to the belt of one competitor. Outside Japan, a colored obi may also be used for convenience in minor competitions, the blue judogi only being mandatory at the regional or higher levels, depending on organization. Japanese practitioners and traditionalists tend to look down on the use of blue because judo is considered a pure sport, and replacing the pure white judogi with the impure blue is an offense.

For events organized under the auspices of the International judo Federation (IJF), judogi have to bear the IJF Official Logo Mark Label. This label demonstrates that the judogi has passed a number of quality control tests to ensure it conforms to construction regulations ensuring it is not too stiff, flexible, rigid or slippery to allow the opponent to grip or to perform techniques.

Organizations
'' The international governing body for judo is the International Judo Federation (IJF), founded in 1951. Members of the IJF include the African Judo Union (AJU), the Pan-American Judo Confederation (PJC), the Judo Union of Asia (JUA), the European Judo Union (EJU) and the Oceania Judo Union (OJU), each comprising a number of national judo associations. The IJF is responsible for organising international competition and hosts the World Judo Championships and is involved in running the Olympic Judo events.

Rank and grading
Judo is a hierarchical art, where seniority of judoka is designated by what is known as the kyū (級) -dan (段) ranking system. This system was developed by Jigoro Kano and was based on the ranking system in the board game Go.

Beginning students progress through kyu grades towards dan grades.

A judoka's position within the kyu-dan ranking system is displayed by the color of their belt. Beginning students typically wear a white belt, progressing through descending kyu ranks until they are deemed to have achieved a level of competence sufficient to be a dan grade, at which point they wear the kuro obi (黒帯). The kyu-dan ranking system has since been widely adopted by modern martial arts.

The highest black belt ranks have no formal requirements and are decided by the president of the Kodokan. Kano Jigoro's grandson Kano Yukimitsu served as the fourth president from 1980 until 2009. As an educator by profession, Kanō believed that there should be no end to an individual's learning, and therefore no limit to the number of dan ranks. As of 2011, fifteen Japanese men have been promoted to jūdan (十段) by the Kodokan; the IJF and Western and Asian national federations have promoted another eleven who are not recognized at that level of rank by the Kodokan. On 28 July 2011, the promotion board of USA Judo awarded Keiko Fukuda the rank of 10th dan, who was the first woman to be promoted to judo's highest level, albeit not a Kodokan-recognized rank.

Although dan ranks tend to be consistent between national organizations there is more variation in the kyū grades, with some countries having more kyū grades. Although initially kyū grade belt colours were uniformly white, today a variety of colours are used. The first black belts to denote a dan rank in the 1880s, initially the wide obi was used; as practitioners trained in kimono, only white and black obi were used. It was not until the early 1900s, after the introduction of the judogi, that an expanded colored belt system of awarding rank was created. Written accounts from the archives of London's Budokwai judo club, founded in 1918, record the use of coloured judo belts at the 1926 9th annual Budokwai Display, and a list of ranked colored judokas appears in the Budokwai Committee Minutes of June 1927. Kawaishi visited London and the Budokwai in 1928, and was probably inspired to bring the coloured belt system to France.

World Judo Day
On October 28 of every year, the judo community celebrates the World Judo Day in the honor of the birth of Judo's founder, Jigoro Kano. The theme of the World Judo Day changes from year to year, but the goal is always to highlight the moral values of Judo. The first celebration was held in 2011. Past themes for the celebration have included:

 * Bring a Friend (2023)
 * Inclusion (2022)
 * Solidarity (2021)
 * Stronger Together (2020)
 * Plant a Tree (2019)
 * Friendship (2018)
 * Courage (2017)

Filmography

 * Akira Kurosawa, Sanshiro Sugata (姿三四郎), 1943.
 * Akira Kurosawa, Sanshiro Sugata Part II (續姿三四郎), 1945.
 * Johnnie To, Throw Down (柔道龍虎榜), 2004.

title: Judo


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James Bond

The James Bond series focuses on the titular character, a fictional British Secret Service agent created in 1953 by writer Ian Fleming, who featured him in twelve novels and two short-story collections. Since Fleming's death in 1964, eight other authors have written authorised Bond novels or novelisations: Kingsley Amis, Christopher Wood, John Gardner, Raymond Benson, Sebastian Faulks, Jeffery Deaver, William Boyd, and Anthony Horowitz. The latest novel is With a Mind to Kill by Anthony Horowitz, published in May 2022. Additionally Charlie Higson wrote a series on a young James Bond, and Kate Westbrook wrote three novels based on the diaries of a recurring series character, Moneypenny.

The character—also known by the code number 007 (pronounced "double-oh-seven")—has also been adapted for television, radio, comic strip, video games and film. The films are one of the longest continually running film series and have grossed over US$7.04 billion in total at the box office, making it the fifth-highest-grossing film series to date, which started in 1962 with Dr. No, starring Sean Connery as Bond. , there have been twenty-five films in the Eon Productions series. The most recent Bond film, No Time to Die (2021), stars Daniel Craig in his fifth portrayal of Bond; he is the sixth actor to play Bond in the Eon series. There have also been two independent Bond film productions: Casino Royale (a 1967 spoof starring David Niven) and Never Say Never Again (a 1983 remake of an earlier Eon-produced film, 1965's Thunderball, both starring Connery). The James Bond franchise is one of the highest-grossing media franchises of all time. Casino Royale has also been adapted for television, as a one-hour show in 1954 as part of the CBS series Climax!.

The Bond films are renowned for a number of features, including their soundtracks, with the theme songs having received Academy Award nominations on several occasions, and three wins. Other important elements which run through most of the films include Bond's cars, his guns, and the gadgets with which he is supplied by Q Branch. The films are also noted for Bond's relationships with various women, who are popularly referred to as "Bond girls".

Creation and inspiration
Ian Fleming created the fictional character of James Bond as the central figure for his works. Bond is an intelligence officer in the Secret Intelligence Service, commonly known as MI6. Bond is known by his code number, 007, and was a Royal Naval Reserve Commander. Fleming based his fictional creation on a number of individuals he came across during his time in the Naval Intelligence Division and 30 Assault Unit during the Second World War, admitting that Bond "was a compound of all the secret agents and commando types I met during the war". Among those types were his brother, Peter, who had been involved in behind-the-lines operations in Norway and Greece during the war. Aside from Fleming's brother, a number of others also provided some aspects of Bond's make up, including Conrad O'Brien-ffrench, Patrick Dalzel-Job, Bill "Biffy" Dunderdale and Duško Popov.

The name James Bond came from that of the American ornithologist James Bond, a Caribbean bird expert and author of the definitive field guide Birds of the West Indies. Fleming, a keen birdwatcher himself, had a copy of Bond's guide and he later explained to the ornithologist's wife that "It struck me that this brief, unromantic, Anglo-Saxon and yet very masculine name was just what I needed, and so a second James Bond was born". He further explained that:

"When I wrote the first one in 1953, I wanted Bond to be an extremely dull, uninteresting man to whom things happened; I wanted him to be a blunt instrument ... when I was casting around for a name for my protagonist I thought by God, [James Bond] is the dullest name I ever heard."

On another occasion, Fleming said: "I wanted the simplest, dullest, plainest-sounding name I could find, 'James Bond' was much better than something more interesting, like 'Peregrine Carruthers'. Exotic things would happen to and around him, but he would be a neutral figure—an anonymous, blunt instrument wielded by a government department."

Fleming decided that Bond should resemble both American singer Hoagy Carmichael and himself and in Casino Royale, Vesper Lynd remarks, "Bond reminds me rather of Hoagy Carmichael, but there is something cold and ruthless." Likewise, in Moonraker, Special Branch officer Gala Brand thinks that Bond is "certainly good-looking ... Rather like Hoagy Carmichael in a way. That black hair falling down over the right eyebrow. Much the same bones. But there was something a bit cruel in the mouth, and the eyes were cold."

Fleming endowed Bond with many of his own traits, including sharing the same golf handicap, the taste for scrambled eggs, and using the same brand of toiletries. Bond's tastes are also often taken from Fleming's own as was his behaviour, with Bond's love of golf and gambling mirroring Fleming's own. Fleming used his experiences of his career in espionage and all other aspects of his life as inspiration when writing, including using names of school friends, acquaintances, relatives and lovers throughout his books.

It was not until the penultimate novel, You Only Live Twice, that Fleming gave Bond a sense of family background. The book was the first to be written after the release of Dr. No in cinemas, and Sean Connery's depiction of Bond affected Fleming's interpretation of the character, henceforth giving Bond both a dry sense of humour and Scottish antecedents that were not present in the previous stories. In a fictional obituary, purportedly published in The Times, Bond's parents were given as Andrew Bond, from the village of Glencoe, Scotland, and Monique Delacroix, from the canton of Vaud, Switzerland. Fleming did not provide Bond's date of birth, but John Pearson's fictional biography of Bond, James Bond: The Authorized Biography of 007, gives Bond a birth date on 11 November 1920, while a study by John Griswold puts the date at 11 November 1921.

Ian Fleming novels
Whilst serving in the Naval Intelligence Division, Fleming had planned to become an author and had told a friend, "I am going to write the spy story to end all spy stories." On 17 February 1952, he began writing his first James Bond novel, Casino Royale, at his Goldeneye estate in Jamaica, where he wrote all his Bond novels during the months of January and February each year. He started the story shortly before his wedding to his pregnant girlfriend, Ann Charteris, in order to distract himself from his forthcoming nuptials.

After completing the manuscript for Casino Royale, Fleming showed it to his friend (and later editor) William Plomer to read. Plomer liked it and submitted it to the publishers, Jonathan Cape, who did not like it as much. Cape finally published it in 1953 on the recommendation of Fleming's older brother Peter, an established travel writer. Between 1953 and 1966, two years after his death, twelve novels and two short-story collections were published, with the last two books—The Man with the Golden Gun and Octopussy and The Living Daylights—published posthumously. All the books were published in the UK through Jonathan Cape.

Post-Fleming novels
After Fleming's death, a continuation novel, Colonel Sun, was written by Kingsley Amis (as Robert Markham) and published in 1968. Amis had already written a literary study of Fleming's Bond novels in his 1965 work The James Bond Dossier. Although novelisations of two of the Eon Productions Bond films appeared in print, James Bond, The Spy Who Loved Me and James Bond and Moonraker, both written by screenwriter Christopher Wood, the series of novels did not continue until the 1980s. In 1981, the thriller writer John Gardner picked up the series with Licence Renewed. Gardner went on to write sixteen Bond books in total; two of the books he wrote were novelisations of Eon Productions films of the same name: Licence to Kill and GoldenEye. Gardner moved the Bond series into the 1980s, although he retained the ages of the characters as they were when Fleming had left them. In 1996, Gardner retired from writing James Bond books due to ill health.

In 1996, the American author Raymond Benson became the author of the Bond novels. Benson had previously been the author of The James Bond Bedside Companion, first published in 1984. By the time he moved on to other, non-Bond related projects in 2002, Benson had written six Bond novels, three novelisations and three short stories.

After a gap of six years, Sebastian Faulks was commissioned by Ian Fleming Publications to write a new Bond novel, which was released on 28 May 2008, the 100th anniversary of Fleming's birth. The book—titled Devil May Care—was published in the UK by Penguin Books and by Doubleday in the US. American writer Jeffery Deaver was then commissioned by Ian Fleming Publications to produce Carte Blanche, which was published on 26 May 2011. The book turned Bond into a post-9/11 agent, independent of MI5 or MI6. On 26 September 2013, Solo by William Boyd, set in 1969, was published. In October 2014, it was announced that Anthony Horowitz was to write a Bond continuation novel. Set in the 1950s two weeks after the events of Goldfinger, it contains material written, but previously unreleased, by Fleming. Trigger Mortis was released on 8 September 2015. Horowitz's second Bond novel, Forever and a Day, tells the origin story of Bond as a 00 agent prior to the events of Casino Royale. The novel, also based on unpublished material from Fleming, was released on 31 May 2018. Horowitz's third Bond novel, With a Mind to Kill, was published on 26 May 2022. Charlie Higson's first adult Bond novel, On His Majesty's Secret Service, was published on 4 May 2023 to celebrate the Coronation of King Charles III and support the National Literacy Trust.

Young Bond
The Young Bond series of novels was started by Charlie Higson and, between 2005 and 2009, five novels and one short story were published. The first Young Bond novel, SilverFin was also adapted and released as a graphic novel on 2 October 2008 by Puffin Books. In October 2013 Ian Fleming Publications announced that Stephen Cole would continue the series, with the first edition scheduled to be released in Autumn 2014.

The Moneypenny Diaries
The Moneypenny Diaries are a trilogy of novels chronicling the life of Miss Moneypenny, M's personal secretary. The novels are written by Samantha Weinberg under the pseudonym Kate Westbrook, who is depicted as the book's "editor". The first instalment of the trilogy, subtitled Guardian Angel, was released on 10 October 2005 in the UK. A second volume, subtitled Secret Servant was released on 2 November 2006 in the UK, published by John Murray. A third volume, subtitled Final Fling was released on 1 May 2008.

Television
In 1954, CBS paid Ian Fleming $1,000 ($0 in dollars) to adapt his novel Casino Royale into a one-hour television adventure, "Casino Royale", as part of its Climax! series. The episode aired live on 21 October 1954 and starred Barry Nelson as "Card Sense" James Bond and Peter Lorre as Le Chiffre. The novel was adapted for American audiences to show Bond as an American agent working for "Combined Intelligence", while the character Felix Leiter—American in the novel—became British onscreen and was renamed "Clarence Leiter".

In 1973, a BBC documentary Omnibus: The British Hero featured Christopher Cazenove playing a number of such title characters (e.g. Richard Hannay and Bulldog Drummond). The documentary included James Bond in dramatised scenes from Goldfinger—notably featuring 007 being threatened with the novel's circular saw, rather than the film's laser beam—and Diamonds Are Forever. In 1991, a spin-off animated series, James Bond Jr., was produced with Corey Burton in the role of Bond's nephew, James Bond Jr. In 2022, a reality competition show based on the franchise, 007: Road to a Million, was released on Amazon Prime Video.

Radio
In 1958, the novel Moonraker was adapted for broadcast on South African radio, with Bob Holness providing the voice of Bond. According to The Independent, "listeners across the Union thrilled to Bob's cultured tones as he defeated evil master criminals in search of world domination".

The BBC have adapted five of the Fleming novels for broadcast: in 1990 You Only Live Twice was adapted into a 90-minute radio play for BBC Radio 4 with Michael Jayston playing James Bond. The production was repeated a number of times between 2008 and 2011. On 24 May 2008 BBC Radio 4 broadcast an adaptation of Dr. No. The actor Toby Stephens, who played Bond villain Gustav Graves in the Eon Productions version of Die Another Day, played Bond, while Dr. No was played by David Suchet. Following its success, a second story was adapted and on 3 April 2010 BBC Radio 4 broadcast Goldfinger with Stephens again playing Bond. Sir Ian McKellen was Goldfinger and Stephens' Die Another Day co-star Rosamund Pike played Pussy Galore. The play was adapted from Fleming's novel by Archie Scottney and was directed by Martin Jarvis. In 2012, the novel From Russia, with Love was dramatised for Radio 4; it featured a full cast again starring Stephens as Bond. In May 2014 Stephens again played Bond, in On Her Majesty's Secret Service, with Alfred Molina as Blofeld, and Joanna Lumley (who appeared in the 1969 film adaptation) as Irma Bunt.

Comics
In 1957, the Daily Express approached Ian Fleming to adapt his stories into comic strips, offering him £1,500 per novel and a share of takings from syndication. After initial reluctance, Fleming, who felt the strips would lack the quality of his writing, agreed. To aid the Daily Express in illustrating Bond, Fleming commissioned an artist to create a sketch of how he believed James Bond looked. The illustrator, John McLusky, however, felt that Fleming's 007 looked too "outdated" and "pre-war" and changed Bond to give him a more masculine look. The first strip, Casino Royale was published from 7 July 1958 to 13 December 1958 and was written by Anthony Hern and illustrated by John McLusky.

Most of the Bond novels and short stories have since been adapted for illustration, as well as Kingsley Amis's Colonel Sun; the works were written by Henry Gammidge or Jim Lawrence (except for the adaptation of Dr. No which was written by future Modesty Blaise creator Peter O'Donnell) with Yaroslav Horak replacing McClusky as artist in 1966. After the Fleming and Amis material had been adapted, original stories were produced, continuing in the Daily Express and Sunday Express until May 1977.

Several comic book adaptations of the James Bond films have been published through the years: at the time of Dr. No's release in October 1962, a comic book adaptation of the screenplay, written by Norman J. Nodel, was published in Britain as part of the Classics Illustrated anthology series. It was later reprinted in the United States by DC Comics as part of its Showcase anthology series, in January 1963. This was the first American comic book appearance of James Bond and is noteworthy for being a relatively rare example of a British comic being reprinted in a fairly high-profile American comic. It was also one of the earliest comics to be censored on racial grounds (some skin tones and dialogue were changed for the American market).

With the release of the 1981 film For Your Eyes Only, Marvel Comics published a two-issue comic book adaptation of the film. When Octopussy was released in the cinemas in 1983, Marvel published an accompanying comic; Eclipse also produced a one-off comic for Licence to Kill, although Timothy Dalton refused to allow his likeness to be used. New Bond stories were also drawn up and published from 1989 onwards through Marvel, Eclipse Comics, Dark Horse Comics and Dynamite Entertainment.

Eon Productions films
Eon Productions, the company of Canadian Harry Saltzman and American Albert R. "Cubby" Broccoli, released the first cinema adaptation of an Ian Fleming novel, Dr. No (1962), based on the eponymous 1958 novel and featuring Sean Connery as 007. Connery starred in a further four films before leaving the role after You Only Live Twice (1967), which was taken up by George Lazenby for On Her Majesty's Secret Service (1969). Lazenby left the role after just one appearance and Connery was brought back for his last Eon-produced film Diamonds Are Forever.

Roger Moore was appointed to the role of 007 for Live and Let Die (1973). He played Bond a further six times over twelve years, before being replaced by Timothy Dalton for two films. After a six-year hiatus, during which a legal wrangle threatened Eon's productions of the Bond films, Irish actor Pierce Brosnan was cast as Bond in GoldenEye (1995); he remained in the role for a total of four films through 2002. In 2006, Daniel Craig was given the role for Casino Royale (2006), which rebooted the series. Craig appeared for a total of five films. The series has grossed well over $7 billion to date, making it the fifth-highest-grossing film series.

Non-Eon films
In 1967, Casino Royale was adapted into a parody Bond film starring David Niven as Sir James Bond and Ursula Andress as Vesper Lynd. Niven had been Fleming's preference for the role of Bond. The result of a court case in the High Court in London in 1963 allowed Kevin McClory to produce a remake of Thunderball titled Never Say Never Again in 1983. The film, produced by Jack Schwartzman's Taliafilm production company and starring Sean Connery as Bond, was not part of the Eon series of Bond films. In 1997, the Sony Corporation acquired all or some of McClory's rights in an undisclosed deal, which were then subsequently acquired by MGM, whilst on 4 December 1997, MGM announced that the company had purchased the rights to Never Say Never Again from Taliafilm. , Eon holds the full adaptation rights to all of Fleming's Bond novels.

Music
The "James Bond Theme" was written by Monty Norman and was first orchestrated by the John Barry Orchestra for 1962's Dr. No, although the actual authorship of the music has been a matter of controversy for many years. In 2001, Norman won £30,000 in libel damages from The Sunday Times newspaper, which suggested that Barry was entirely responsible for the composition. The theme, as written by Norman and arranged by Barry, was described by another Bond film composer, David Arnold, as "bebop-swing vibe coupled with that vicious, dark, distorted electric guitar, definitely an instrument of rock 'n' roll ... it represented everything about the character you would want: It was cocky, swaggering, confident, dark, dangerous, suggestive, sexy, unstoppable. And he did it in two minutes." Barry composed the scores for eleven Bond films and had an uncredited contribution to Dr. No with his arrangement of the Bond Theme.

A Bond film staple are the theme songs heard during their title sequences sung by well-known popular singers. Shirley Bassey performed three Bond theme songs, with her 1964 song "Goldfinger" inducted into the Grammy Hall of Fame in 2008. Several of the songs produced for the films have been nominated for Academy Awards for Original Song, including Paul McCartney's "Live and Let Die", Carly Simon's "Nobody Does It Better", Sheena Easton's "For Your Eyes Only", Adele's "Skyfall", Sam Smith's "Writing's on the Wall", and Billie Eilish's "No Time to Die". Adele won the award at the 85th Academy Awards, Smith won at the 88th Academy Awards, and Eilish won at the 94th Academy Awards. For the non-Eon produced Casino Royale, Burt Bacharach's score included "The Look of Love" (sung by Dusty Springfield), which was nominated for an Academy Award for Best Original Song.

Video games
In 1983, the first Bond video game, developed and published by Parker Brothers, was released for the Atari 2600, Atari 5200, Atari 8-bit computers, Commodore 64, and ColecoVision. Since then, there have been numerous video games either based on the films or using original storylines. In 1997, the first-person shooter video game GoldenEye 007 was developed by Rare for the Nintendo 64, based on GoldenEye. The game received highly positive reviews, won the BAFTA Interactive Entertainment Award for UK Developer of the Year in 1998, and sold over eight million copies worldwide, grossing $250 million, making it the third-best-selling Nintendo 64 game. It is frequently cited as one of the greatest video games of all time.

In 1999, Electronic Arts acquired the licence and released Tomorrow Never Dies on 16 December 1999. In October 2000, they released The World Is Not Enough for the Nintendo 64 followed by 007 Racing for the PlayStation on 21 November 2000. In 2003, the company released James Bond 007: Everything or Nothing, which included the likenesses and voices of Pierce Brosnan, Willem Dafoe, Heidi Klum, Judi Dench and John Cleese, amongst others. In November 2005, Electronic Arts released a video game adaptation of 007: From Russia with Love, which involved Sean Connery's image and voice-over for Bond. In 2006, Electronic Arts announced a game based on then-upcoming film Casino Royale: the game was cancelled because it would not be ready by the film's release in November of that year. With MGM losing revenue from lost licensing fees, the franchise was moved from EA to Activision. Activision subsequently released the 007: Quantum of Solace game on 31 October 2008, based on the film of the same name.

A new version of GoldenEye 007 featuring Daniel Craig was released for the Wii and a handheld version for the Nintendo DS in November 2010. A year later a new version was released for Xbox 360 and PlayStation 3 under the title GoldenEye 007: Reloaded. In October 2012 007 Legends was released, which featured one mission from each of the Bond actors of the Eon Productions' series. In November 2020, IO Interactive announced Project 007, an original James Bond video game, working closely with licensors MGM and Eon Productions.

Role-playing game
From 1983 to 1987, a licensed tabletop role-playing game, James Bond 007: Role-Playing In Her Majesty's Secret Service, was published by Victory Games (a branch of Avalon Hill) and designed by Gerard Christopher Klug. It was the most popular espionage role-playing game for its time. In addition to providing materials for players to create original scenarios, the game also offered players the opportunity to have adventures modelled after many of the Eon Productions film adaptations, albeit with modifications to provide challenges by preventing players from slavishly imitating Bond's actions in the stories.

Guns
For the first five novels, Fleming armed Bond with a Beretta 418 until he received a letter from a thirty-one-year-old Bond enthusiast and gun expert, Geoffrey Boothroyd, criticising Fleming's choice of firearm for Bond, calling it "a lady's gun—and not a very nice lady at that!" Boothroyd suggested that Bond should swap his Beretta for a 7.65mm Walther PPK and this exchange of arms made it to Dr. No. Boothroyd also gave Fleming advice on the Berns-Martin triple draw shoulder holster and a number of the weapons used by SMERSH and other villains. In thanks, Fleming gave the MI6 Armourer in his novels the name Major Boothroyd and, in Dr. No, M, the Chief of the Secret Intelligence Service, introduces him to Bond as "the greatest small-arms expert in the world". Bond also used a variety of rifles, including the Savage Model 99 in "For Your Eyes Only" and a Winchester .308 target rifle in "The Living Daylights". Other handguns used by Bond in the Fleming books included the Colt Detective Special and a long-barrelled Colt .45 Army Special.

The first Bond film, Dr. No, saw M ordering Bond to leave his Beretta behind and take up the Walther PPK, which Bond used in eighteen films. In Tomorrow Never Dies and the two subsequent films, Bond's main weapon was the Walther P99 semi-automatic pistol.

Vehicles
In the early Bond stories Fleming gave Bond a battleship-grey Bentley $4 1/2$ Litre with an Amherst Villiers supercharger. After Bond's car was written off by Hugo Drax in Moonraker, Fleming gave Bond a Mark II Continental Bentley, which he used in the remaining books of the series. During Goldfinger, Bond was issued an Aston Martin DB Mark III with a homing device, which he used to track Goldfinger across France. Bond returned to his Bentley for the subsequent novels.

The Bond of the films has driven a number of cars, including the Aston Martin V8 Vantage, during the 1980s, the V12 Vanquish and DBS during the 2000s, as well as the Lotus Esprit; the BMW Z3, BMW 750iL and the BMW Z8. He has, however, also needed to drive a number of other vehicles, ranging from a Citroën 2CV to a Routemaster Bus, amongst others.

Bond's most famous car is the silver grey Aston Martin DB5, first seen in Goldfinger; it later featured in Thunderball, GoldenEye, Tomorrow Never Dies, Casino Royale, Skyfall and Spectre. The films have used a number of different Aston Martins for filming and publicity, one of which was sold in January 2006 at an auction in the US for $2.1 million to an unnamed European collector. In 2010, another DB5 used in Goldfinger was sold at auction for $4.6m million (£2.6 million).

Gadgets
Fleming's novels and early screen adaptations presented minimal equipment such as the booby-trapped attaché case in From Russia, with Love, although this situation changed dramatically with the films. However, the effects of the two Eon-produced Bond films Dr. No and From Russia with Love had an effect on the novel The Man with the Golden Gun, through the increased number of devices used in Fleming's final story.

For the film adaptations of Bond, the pre-mission briefing by Q Branch became one of the motifs that ran through the series. Dr. No provided no spy-related gadgets, but a Geiger counter was used; industrial designer Andy Davey observed that the first ever onscreen spy-gadget was the attaché case shown in From Russia with Love, which he described as "a classic 007 product". The gadgets assumed a higher profile in the 1964 film Goldfinger. The film's success encouraged further espionage equipment from Q Branch to be supplied to Bond, although the increased use of technology led to an accusation that Bond was over-reliant on equipment, particularly in the later films.

Davey noted that "Bond's gizmos follow the zeitgeist more closely than any other ... nuance in the films" as they moved from the potential representations of the future in the early films, through to the brand-name obsessions of the later films. It is also noticeable that, although Bond uses a number of pieces of equipment from Q Branch, including the Little Nellie autogyro, a jet pack and the exploding attaché case, the villains are also well-equipped with custom-made devices, including Scaramanga's golden gun, Rosa Klebb's poison-tipped shoes, Oddjob's steel-rimmed bowler hat and Blofeld's communication devices in his agents' vanity case.

Cultural impact
Cinematically, Bond has been a major influence within the spy genre since the release of Dr. No in 1962, with 22 secret agent films released in 1966 alone attempting to capitalise on the Bond franchise's popularity and success. The first parody was the 1964 film Carry On Spying, which shows the villain Dr. Crow being overcome by agents who included James Bind (Charles Hawtry) and Daphne Honeybutt (Barbara Windsor). One of the films that reacted against the portrayal of Bond was the Harry Palmer series, whose first film, The Ipcress File, starring Michael Caine, was released in 1965. The eponymous hero is a rough-edged, petty crook turned spy, and was what academic Jeremy Packer called an "anti-Bond", or what Christoph Lindner calls "the thinking man's Bond". The Palmer series were produced by Harry Saltzman, who also used key crew members from the Bond series, including designer Ken Adam, editor Peter R. Hunt and composer John Barry. The four "Matt Helm" films starring Dean Martin (released between 1966 and 1969), the "Flint" series starring James Coburn (comprising two films, one each in 1966 and 1969), while The Man from U.N.C.L.E. also moved onto the cinema screen, with eight films released: all were testaments to Bond's prominence in popular culture. More recently, the Austin Powers series by writer, producer and comedian Mike Myers, and other parodies such as the Johnny English trilogy of films, have also used elements from or parodied the Bond films.

Following the release of the film Dr. No in 1962, the line "Bond ... James Bond", became a catch phrase that entered the lexicon of Western popular culture: writers Cork and Scivally said of the introduction in Dr. No that the "signature introduction would become the most famous and loved film line ever". In 2001, it was voted as the "best-loved one-liner in cinema" by British cinema goers, and in 2005, it was honoured as the 22nd greatest quotation in cinema history by the American Film Institute as part of their 100 Years Series. The 2005 American Film Institute's '100 Years' series recognised the character of James Bond himself as the third greatest film hero. He was also placed at number 11 on a similar list by Empire and as the fifth greatest movie character of all time by Premiere. In 1965, Time magazine observed "James Bond has developed into the biggest mass-cult hero of the decade".

The 25 James Bond films produced by Eon are the longest continually running film series of all time, and including the two non Eon produced films, the 27 Bond films have grossed over $7.04 billion in total, making it the sixth-highest-grossing franchise to date. It is estimated that since Dr. No, a quarter of the world's population have seen at least one Bond film. The UK Film Distributors' Association have stated that the importance of the Bond series of films to the British film industry cannot be overstated, as they "form the backbone of the industry".

Television also saw the effect of Bond films, with the NBC series The Man from U.N.C.L.E., which was described as the "first network television imitation" of Bond, largely because Fleming provided advice and ideas on the development of the series, even giving the main character the name Napoleon Solo. Other 1960s television series inspired by Bond include I Spy, and Get Smart.

Considered a British cultural icon, James Bond had become such a symbol of the United Kingdom that the character, played by Craig, appeared in the opening ceremony of the 2012 London Olympics as Queen Elizabeth II's escort. From 1968 to 2003, and since 2016, the Cadbury chocolate box Milk Tray has been advertised by the 'Milk Tray Man', a tough James Bond–style figure who undertakes daunting 'raids' to surreptitiously deliver a box of Milk Tray chocolates to a lady. Bond has been commemorated numerous times on a UK postage stamp issued by the Royal Mail, most recently in their March 2020 series to mark the 25th Bond film release.

Throughout the life of the film series, a number of tie-in products have been released. "Bondmania", a term deriving from the adjacent "Beatlemania" and initiated in 1964 following the enormous success of Goldfinger, described the clamour for Bond films and their related products, from soundtrack LPs to children's toys, board games, alarm clocks playing the Bond theme, and 007-branded shirts. In 2018, a James Bond museum opened atop the Austrian Alps. The futuristic museum is constructed on the summit of Gaislachkogl Mountain in Sölden at 10,000 ft (3,048 m) above sea level.

The real MI6 has an ambiguous relationship with Bond. The films may attract job applicants who may be unsuited for espionage, while dissuading more-qualified candidates. While serving as Chief of SIS, Alex Younger said that were Bond to apply for a MI6 job "he would have to change his ways". Younger said, however, that the franchise had "created a powerful brand for MI6 ... Many of our counterparts envy the sheer global recognition of our acronym", and that being depicted to global audiences as a "ubiquitous intelligence presence" was "quite a force multiplier". The Russian Federal Security Service so envied Bond that it created an annual award for fictional depictions of Russian spies.

Public reception
The James Bond franchise enjoys widespread popularity across the world. In 2014, it was estimated that approximately 20% of the world's population has watched at least one Bond film.

In 2012, the polling organisation YouGov conducted a survey of American Bond fans, categorising responses by age, sex and political affiliation. All groups selected Sean Connery as their favourite Bond actor. A 2018 poll found that 47% of American adults had seen at least one Bond film, with 27% having seen every film.

Queen Elizabeth II met the first six actors to play James Bond on the screen. She met Connery at the world premiere of You Only Live Twice in 1967, and, according to the royal biographer Gyles Brandreth: "She really did love all the early James Bond films", preferring the earlier films, "before they got so loud". Several prominent politicians have also been fans of the franchise, including John F. Kennedy, Ronald Reagan and Kim Jong Il.

Criticisms
The James Bond character and related media have received a number of criticisms and reactions across the political spectrum, and are still highly debated in popular culture studies. Some observers accuse the Bond novels and films of misogyny and sexism. In September 2021, No Time to Die director Cary Fukunaga described Sean Connery's version of Bond as 'basically a rapist'. The franchise has on occasion also been a target of religious criticism. In 1962, Vatican City's official newspaper L'Osservatore Romano condemned the film Dr. No, referring to it as "a dangerous mixture of violence, vulgarity, sadism and sex". However, in 2012, the newspaper went on to give positive reviews to the film Skyfall.

Geographers have considered the role of exotic locations in the movies in the dynamics of the Cold War, with power struggles among blocs playing out in the peripheral areas. Other critics claim that the Bond films reflect imperial nostalgia.

Bans and censorship by country
Several James Bond novels, films, and video games have been banned, censored, or altered in several countries.

2023 changes
In February 2023, Ian Fleming Publications (which administers all Fleming's literary works), edited the Bond series as part of a sensitivity review. The April 2023 re-releases of the series are planned to tie into the 70th anniversary of Casino Royale. The new editions remove a number of references to race, including some slurs, along with some disparagements of women and homosexuality. They include a disclaimer added at the beginning of each book, reading:

"'This book was written at a time when terms and attitudes which might be considered offensive by modern readers were commonplace. A number of updates have been made in this edition, while keeping as close as possible to the original text and the period in which it is set.'"

The decision was met with strong criticism by media outlets and public commentators, who condemned the changes as literary censorship. The View host Whoopi Goldberg expressed her opposition, arguing that offensive historical literature should be left unaltered; while National Review contributors Charles C. W. Cooke and Douglas Murray attacked the changes as excessive political correctness. Fleming biographer Andrew Lycett also opposed the changes, writing that "what an author commits to paper is sacrosanct and shouldn't be altered...The only changes to the text should come from the author."

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title: James Bond