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Charlotte Brontë

Charlotte Brontë (, commonly ; 21 April 1816 – 31 March 1855) was an English novelist and poet, the eldest of the three Brontë sisters who survived into adulthood and whose novels became classics of English literature. She is best known for her novel Jane Eyre, which she published under the androgynous name Currer Bell. Jane Eyre went on to become a success in publication, and is widely held in high regard in the gothic fiction genre of literature.

Brontë enlisted in school at Roe Head, Mirfield, in January 1831, aged 14 years. She left the year after to teach her sisters, Emily and Anne, at home, returning in 1835 as a governess. In 1839, she undertook the role of governess for the Sidgwick family, but left after a few months to return to Haworth, where the sisters opened a school but failed to attract pupils. Instead, they turned to writing and they each first published in 1846 under the pseudonyms of Currer, Ellis, and Acton Bell. Although her first novel, The Professor, was rejected by publishers, her second novel, Jane Eyre, was published in 1847. The sisters admitted to their Bell pseudonyms in 1848, and by the following year were celebrated in London literary circles.

Brontë was the last to die of all her siblings. She became pregnant shortly after her wedding in June 1854 but died on 31 March 1855, almost certainly from hyperemesis gravidarum, a complication of pregnancy which causes excessive nausea and vomiting.

Early years and education
Charlotte Brontë was born on 21 April 1816 in Market Street, Thornton (in a house now known as the Brontë Birthplace), west of Bradford in the West Riding of Yorkshire, the third of the six children of Maria (née Branwell) and Patrick Brontë (formerly surnamed Brunty), an Irish Anglican clergyman. In 1820 her family moved a few miles to the village of Haworth, on the edge of the moors, where her father had been appointed perpetual curate of St Michael and All Angels Church. Maria died of cancer on 15 September 1821, leaving five daughters, Maria, Elizabeth, Charlotte, Emily and Anne, and a son, Branwell, to be taken care of by her sister, Elizabeth Branwell.

In August 1824, Patrick sent Charlotte, Emily, Maria, and Elizabeth to the Clergy Daughters' School at Cowan Bridge in Lancashire. Charlotte maintained that the school's poor conditions permanently affected her health and physical development, and hastened the deaths of Maria (born 1814) and Elizabeth (born 1815), who both died of tuberculosis in May (Maria) and June (Elizabeth) 1825. After the deaths of his older daughters, Patrick removed Charlotte and Emily from the school. Charlotte used the school as the basis for Lowood School in Jane Eyre, which is similarly affected by tuberculosis that is exacerbated by the poor conditions.

At home in Haworth Parsonage, Brontë acted as "the motherly friend and guardian of her younger sisters". Brontë wrote her first known poem at the age of 13 in 1829, and was to go on to write more than 200 poems in the course of her life. Many of her poems were "published" in their homemade magazine Branwell's Blackwood's Magazine, and concerned the fictional world of Glass Town. She and her surviving siblings – Branwell, Emily and Anne – created this shared world, and began chronicling the lives and struggles of the inhabitants of their imaginary kingdom in 1827. Charlotte, in private letters, called Glass Town "her 'world below', a private escape where she could act out her desires and multiple identities". Charlotte's "predilection for romantic settings, passionate relationships, and high society is at odds with Branwell's obsession with battles and politics and her young sisters' homely North Country realism, none the less at this stage there is still a sense of the writings as a family enterprise".

However, from 1831 onwards, Emily and Anne 'seceded' from the Glass Town Confederacy to create a 'spin-off' called Gondal, which included many of their poems. After 1831, Charlotte and Branwell concentrated on an evolution of the Glass Town Confederacy called Angria. Christine Alexander, a Brontë juvenilia historian, wrote "both Charlotte and Branwell ensured the consistency of their imaginary world. When Branwell exuberantly kills off important characters in his manuscripts, Charlotte comes to the rescue and, in effect, resurrects them for the next stories [...]; and when Branwell becomes bored with his inventions, such as the Glass Town magazine he edits, Charlotte takes over his initiative and keeps the publication going for several more years". The sagas the siblings created were episodic and elaborate, and they exist in incomplete manuscripts, some of which have been published as juvenilia. They provided them with an obsessive interest during childhood and early adolescence, which prepared them for literary vocations in adulthood. Between 1831 and 1832, Brontë continued her education at a boarding school twenty miles away in Mirfield, Roe Head (now part of Hollybank Special School ), where she met her lifelong friends and correspondents Ellen Nussey and Mary Taylor. In 1833 she wrote a novella, The Green Dwarf, using the name Wellesley. Around about 1833, her stories shifted from tales of the supernatural to more realistic stories. She returned to Roe Head as a teacher from 1835 to 1838. Unhappy and lonely as a teacher at Roe Head, Brontë took out her sorrows in poetry, writing a series of melancholic poems. In "We wove a Web in Childhood" written in December 1835, Brontë drew a sharp contrast between her miserable life as a teacher and the vivid imaginary worlds she and her siblings had created. In another poem "Morning was its freshness still" written at the same time, Brontë wrote "Tis bitter sometimes to recall/Illusions once deemed fair". Many of her poems concerned the imaginary world of Angria, often concerning Byronic heroes, and in December 1836 she wrote to the Poet Laureate Robert Southey asking him for encouragement of her career as a poet. Southey replied, famously, that "Literature cannot be the business of a woman's life, and it ought not to be. The more she is engaged in her proper duties, the less leisure will she have for it even as an accomplishment and a recreation." This advice she respected but did not heed.

In 1839 Brontë took up the first of many positions as governess to families in Yorkshire, a career she pursued until 1841. In particular, from May to July 1839 she was employed by the Sidgwick family at their summer residence, Stone Gappe, in Lothersdale, where one of her charges was John Benson Sidgwick (1835–1927), an unruly child who on one occasion threw the Bible at Charlotte, an incident that may have been the inspiration for a part of the opening chapter of Jane Eyre in which John Reed throws a book at the young Jane. Brontë did not enjoy her work as a governess, noting her employers treated her almost as a slave, constantly humiliating her. She was of slight build and was less than five feet tall.

Brussels and Haworth
In 1842 Charlotte and Emily travelled to Brussels to enrol at the boarding school run by Constantin Héger (1809–1896) and his wife Claire Zoé Parent Héger (1804–1887). During her time in Brussels, Brontë, who favoured the Protestant ideal of an individual in direct contact with God, objected to the stern Catholicism of Madame Héger, which she considered a tyrannical religion that enforced conformity and submission to the Pope. In return for board and tuition Charlotte taught English and Emily taught music. Their time at the school was cut short when their aunt Elizabeth Branwell, who had joined the family in Haworth to look after the children after their mother's death, died of internal obstruction in October 1842. Charlotte returned alone to Brussels in January 1843 to take up a teaching post at the school. Her second stay was not happy: she was homesick and deeply attached to Constantin Héger. She returned to Haworth in January 1844 and used the time spent in Brussels as the inspiration for some of the events in The Professor and Villette.

After returning to Haworth, Charlotte and her sisters made headway with opening their own boarding school in the family home. It was advertised as "The Misses Brontë's Establishment for the Board and Education of a limited number of Young Ladies" and inquiries were made to prospective pupils and sources of funding. But none were attracted and in October 1844, the project was abandoned.

First publication
In May 1846, Charlotte, Emily, and Anne self-financed the publication of a joint collection of poems under their assumed names Currer, Ellis and Acton Bell. The pseudonyms veiled the sisters' sex while preserving their initials; thus Charlotte was Currer Bell. "Bell" was the middle name of Haworth's curate, Arthur Bell Nicholls whom Charlotte later married, and "Currer" was the surname of Frances Mary Richardson Currer who had funded their school (and maybe their father). Of the decision to use noms de plume, Charlotte wrote: "Averse to personal publicity, we veiled our own names under those of Currer, Ellis and Acton Bell; the ambiguous choice being dictated by a sort of conscientious scruple at assuming Christian names positively masculine, while we did not like to declare ourselves women, because – without at that time suspecting that our mode of writing and thinking was not what is called 'feminine' – we had a vague impression that authoresses are liable to be looked on with prejudice; we had noticed how critics sometimes use for their chastisement the weapon of personality, and for their reward, a flattery, which is not true praise." Although only two copies of the collection of poems were sold, the sisters continued writing for publication and began their first novels, continuing to use their noms de plume when sending manuscripts to potential publishers.

The Professor and Jane Eyre
Brontë's first manuscript, 'The Professor', did not secure a publisher, although she was heartened by an encouraging response from Smith, Elder & Co. of Cornhill, who expressed an interest in any longer works Currer Bell might wish to send. Brontë responded by finishing and sending a second manuscript in August 1847. Six weeks later, Jane Eyre was published. It tells the story of a plain governess, Jane, who, after difficulties in her early life, falls in love with her employer, Mr Rochester. They marry, but only after Rochester's insane first wife, of whom Jane initially has no knowledge, dies in a dramatic house fire. The book's style was innovative, combining Romanticism, naturalism with gothic melodrama, and broke new ground in being written from an intensely evoked first-person female perspective. Brontë believed art was most convincing when based on personal experience; in Jane Eyre she transformed the experience into a novel with universal appeal.

Jane Eyre had immediate commercial success and initially received favourable reviews. G. H. Lewes wrote that it was "an utterance from the depths of a struggling, suffering, much-enduring spirit", and declared that it consisted of "suspiria de profundis!" (sighs from the depths). Speculation about the identity and gender of the mysterious Currer Bell heightened with the publication of Wuthering Heights by Ellis Bell (Emily) and Agnes Grey by Acton Bell (Anne). Accompanying the speculation was a change in the critical reaction to Brontë's work, as accusations were made that the writing was "coarse", a judgement more readily made once it was suspected that Currer Bell was a woman. However, sales of Jane Eyre continued to be strong and may even have increased as a result of the novel developing a reputation as an "improper" book. A talented amateur artist, Brontë personally did the drawings for the second edition of Jane Eyre and in the summer of 1834 two of her paintings were shown at an exhibition by the Royal Northern Society for the Encouragement of the Fine Arts in Leeds.

Shirley and bereavements
In 1848 Brontë began work on the manuscript of her second novel, Shirley. It was only partially completed when the Brontë family suffered the deaths of three of its members within eight months. In September 1848 Branwell died of chronic bronchitis and marasmus, exacerbated by heavy drinking, although Brontë believed that his death was due to tuberculosis. Branwell may have had a laudanum addiction. Emily became seriously ill shortly after his funeral and died of pulmonary tuberculosis in December 1848. Anne died of the same disease in May 1849. Brontë was unable to write at this time.

After Anne's death Brontë resumed writing as a way of dealing with her grief, and Shirley, which deals with themes of industrial unrest and the role of women in society, was published in October 1849. Unlike Jane Eyre, which is written in the first person, Shirley is written in the third person and lacks the emotional immediacy of her first novel, and reviewers found it less shocking. Brontë, as her late sister's heir, suppressed the republication of Anne's second novel, The Tenant of Wildfell Hall, an action which had a deleterious effect on Anne's popularity as a novelist and has remained controversial among the sisters' biographers ever since.

In society
In view of the success of her novels, particularly Jane Eyre, Brontë was persuaded by her publisher to make occasional visits to London, where she revealed her true identity and began to move in more exalted social circles, becoming friends with Elizabeth Gaskell and Harriet Martineau whose sister Rachel had taught Gaskell's daughters. Brontë sent an early copy of Shirley to Martineau whose home  at Ambleside she   visited. The two friends shared an interest in racial relations and the abolitionist movement; recurrent themes in their writings. Brontë was also acquainted with William Makepeace Thackeray and G. H. Lewes. She never left Haworth for more than a few weeks at a time, as she did not want to leave her ageing father. Thackeray's daughter, writer Anne Isabella Thackeray Ritchie, recalled a visit to her father by Brontë: "…two gentlemen come in, leading a tiny, delicate, serious, little lady, with fair straight hair and steady eyes. She may be a little over thirty; she is dressed in a little barège dress with a pattern of faint green moss. She enters in mittens, in silence, in seriousness; our hearts are beating with wild excitement. This then is the authoress, the unknown power whose books have set all London talking, reading, speculating; some people even say our father wrote the books – the wonderful books. …The moment is so breathless that dinner comes as a relief to the solemnity of the occasion, and we all smile as my father stoops to offer his arm; for, genius though she may be, Miss Brontë can barely reach his elbow. My own personal impressions are that she is somewhat grave and stern, specially to forward little girls who wish to chatter. …Everyone waited for the brilliant conversation which never began at all. Miss Brontë retired to the sofa in the study, and murmured a low word now and then to our kind governess… the conversation grew dimmer and more dim, the ladies sat round still expectant, my father was too much perturbed by the gloom and the silence to be able to cope with it at all… after Miss Brontë had left, I was surprised to see my father opening the front door with his hat on. He put his fingers to his lips, walked out into the darkness, and shut the door quietly behind him… long afterwards… Mrs Procter asked me if I knew what had happened. …It was one of the dullest evenings [Mrs Procter] had ever spent in her life… the ladies who had all come expecting so much delightful conversation, and the gloom and the constraint, and how finally, overwhelmed by the situation, my father had quietly left the room, left the house, and gone off to his club." Brontë's friendship with Elizabeth Gaskell, while not particularly close, was significant in that Gaskell wrote the first biography of Brontë after her death in 1855.

Villette
Brontë's third novel, the last published in her lifetime, was Villette, which appeared in 1853. Its main themes include isolation, how such a condition can be borne, and the internal conflict brought about by social repression of individual desire. Its main character, Lucy Snowe, travels abroad to teach in a boarding school in the fictional town of Villette, where she encounters a culture and religion different from her own and falls in love with a man (Paul Emanuel) whom she cannot marry. Her experiences result in a breakdown but eventually, she achieves independence and fulfilment through running her own school. A substantial amount of the novel's dialogue is in the French language. Villette marked Brontë's return to writing from a first-person perspective (that of Lucy Snowe), the technique she had used in Jane Eyre. Another similarity to Jane Eyre lies in the use of aspects of her own life as inspiration for fictional events, in particular her reworking of the time she spent at the pensionnat in Brussels. Villette was acknowledged by critics of the day as a potent and sophisticated piece of writing although it was criticised for "coarseness" and for not being suitably "feminine" in its portrayal of Lucy's desires.

Marriage
Before the publication of Villette, Brontë received an expected proposal of marriage from Irishman Arthur Bell Nicholls, her father's curate, who had long been in love with her. She initially refused him and her father objected to the union at least partly because of Nicholls's poor financial status. Elizabeth Gaskell, who believed that marriage provided "clear and defined duties" that were beneficial for a woman, encouraged Brontë to consider the positive aspects of such a union and tried to use her contacts to engineer an improvement in Nicholls's finances. According to James Pope-Hennessy in The Flight of Youth, it was the generosity of Richard Monckton Milnes that made the marriage possible. Brontë, meanwhile, was increasingly attracted to Nicholls and by January 1854, she had accepted his proposal. They gained the approval of her father by April and married on 29 June. Her father Patrick had intended to give Charlotte away, but at the last minute decided he could not, and Charlotte had to make her way to the church without him. Because her father did not attend it was Miss Wooler (Charlotte's former teacher at Roe Head School, and life-long friend), as "friend", who “gave away” Charlotte (Gaskell: Vol II, Chap XIII). The married couple took their honeymoon in Banagher, County Offaly, Ireland. By all accounts, her marriage was a success and Brontë found herself very happy in a way that was new to her.

Death
Brontë became pregnant soon after her wedding, but her health declined rapidly and, according to Gaskell, she was attacked by "sensations of perpetual nausea and ever-recurring faintness". She died, with her unborn child, on 31 March 1855, three weeks before her 39th birthday. Her death certificate gives the cause of death as phthisis, but biographers including Claire Harman and others suggest that she died from dehydration and malnourishment due to vomiting caused by severe morning sickness or hyperemesis gravidarum. Brontë was buried in the family vault in the Church of St Michael and All Angels at Haworth.

The Professor, the first novel Brontë had written, was published posthumously in 1857. The fragment of a new novel she had been writing in her last years has been twice completed by recent authors, the more famous version being Emma Brown: A Novel from the Unfinished Manuscript by Charlotte Brontë by Clare Boylan in 2003. Most of her writings about the imaginary country Angria have also been published since her death. In 2018, The New York Times published a belated obituary for her.

Religion
The daughter of an Irish Anglican clergyman, Brontë was herself an Anglican. In a letter to her publisher, she claims to "love the Church of England. Her Ministers indeed, I do not regard as infallible personages, I have seen too much of them for that – but to the Establishment, with all her faults – the profane Athanasian Creed excluded – I am sincerely attached."

In a letter to Ellen Nussey she wrote: "If I could always live with you, and daily read the bible with you, if your lips and mine could at the same time, drink the same draught from the same pure fountain of Mercy – I hope, I trust, I might one day become better, far better, than my evil wandering thoughts, my corrupt heart, cold to the spirit, and warm to the flesh will now permit me to be."

The Life of Charlotte Brontë
Elizabeth Gaskell's biography The Life of Charlotte Brontë was published in 1857. It was an important step for a leading female novelist to write a biography of another, and Gaskell's approach was unusual in that, rather than analysing her subject's achievements, she concentrated on private details of Brontë's life, emphasising those aspects that countered the accusations of "coarseness" that had been levelled at her writing. The biography is frank in places, but omits details of Brontë's love for Héger, a married man, as being too much of an affront to contemporary morals and a likely source of distress to Brontë's father, widower, and friends. Mrs. Gaskell also provided doubtful and inaccurate information about Patrick Brontë, claiming that he did not allow his children to eat meat. This is refuted by one of Emily Brontë's diary papers, in which she describes preparing meat and potatoes for dinner at the parsonage. It has been argued that Gaskell's approach transferred the focus of attention away from the 'difficult' novels, not just Brontë's, but all the sisters', and began a process of sanctification of their private lives.

Nussey letters
Brontë held lifelong correspondence with her former schoolmate Ellen Nussey. 350 of the some 500 letters sent by Brontë to Nussey survive, whereas all of Nussey's letters to Brontë were burned at Nicholls's request. The surviving letters provide most of the information known on Charlotte Brontë's life and are the backbone of her autobiographies.

Brontë's letters to Nussey seem to have romantic undertones: "What shall I do without you? How long are we likely to be separated? Why are we to be denied each other's society- I long to be with you. Why are we to be divided? Surely, Ellen, it must be because we are in danger of loving each other too well-" "Ellen, I wish I could live with you always. I begin to cling to you more fondly than ever I did. If we had but a cottage and a competency of our own, I do think we might live and love on till Death without being dependent on any third person for happiness..." "how sorely my heart longs for you I need not say... Less than ever can I taste or know pleasure till this work is wound up. And yet I often sit up in bed at night, thinking of and wishing for you."

Some scholars believe it is possible that Charlotte Brontë was in a romantic or sexual relationship with Ellen Nussey. Brontë would certainly have been aware of female same-sex attraction as she lived near Anne Lister.

Héger letters
On 29 July 1913 The Times of London printed four letters Brontë had written to Constantin Héger after leaving Brussels in 1844. Written in French except for one postscript in English, the letters broke the prevailing image of Brontë as an angelic martyr to Christian and female duties that had been constructed by many biographers, beginning with Gaskell. The letters, which formed part of a larger and somewhat one-sided correspondence in which Héger frequently appears not to have replied, reveal that she had been in love with a married man, although they are complex and have been interpreted in numerous ways, including as an example of literary self-dramatisation and an expression of gratitude from a former pupil.

In 1980 a commemorative plaque was unveiled at the Centre for Fine Arts, Brussels, on the site of the Madam Heger's school, in honour of Charlotte and Emily.

Legacy
Kazuo Ishiguro, when asked to name is favourite novelist, answered "Charlotte Brontë's recently edged out Dostoevsky...I owe my career, and a lot else besides, to Jane Eyre and Villette."

Juvenilia

 * The Young Men's Magazine, Number 1 – 3 (August 1830)
 * A Book of Ryhmes (1829)
 * The Spell
 * The Secret
 * Lily Hart
 * The Foundling
 * Albion and Marina
 * Tales of the Islanders
 * Tales of Angria (written 1838–1839 – a collection of childhood and young adult writings including five short novels)
 * Mina Laury
 * Stancliffe's Hotel
 * The Duke of Zamorna
 * Henry Hastings
 * Caroline Vernon
 * The Roe Head Journal Fragments
 * Farewell to Angria

The Green Dwarf, A Tale of the Perfect Tense was written in 1833 under the pseudonym Lord Charles Albert Florian Wellesley. It shows the influence of Walter Scott, and Brontë's modifications to her earlier gothic style have led Christine Alexander to comment that, in the work, "it is clear that Brontë was becoming tired of the gothic mode per se".

"At the end of 1839, Brontë said goodbye to her fantasy world in a manuscript called Farewell to Angria. More and more, she was finding that she preferred to escape to her imagined worlds over remaining in reality – and she feared that she was going mad. So she said goodbye to her characters, scenes and subjects. [...] She wrote of the pain she felt at wrenching herself from her 'friends' and venturing into lands unknown".

Novels

 * Jane Eyre, published in 1847
 * Shirley, published in 1849
 * Villette, published in 1853
 * The Professor, written before Jane Eyre, was first submitted together with Wuthering Heights by Emily Brontë and Agnes Grey by Anne Brontë. Subsequently, The Professor was resubmitted separately, and rejected by many publishing houses. It was published posthumously in 1857
 * Emma, unfinished; Brontë wrote only 20 pages of the manuscript, published posthumously in 1860. In recent decades at least two continuations of this fragment have appeared:
 * Emma, by "Charlotte Brontë and Another Lady", published 1980; although this has been attributed to Elizabeth Goudge, the actual author was Constance Savery.
 * Emma Brown, by Clare Boylan, published 2003

Poetry

 * Selected Poems of the Brontës, Everyman Poetry (1997)
 * Selected Poems of the Brontës, Everyman Poetry (1997)

Media portrayals

 * In the 1946 Curtis Bernhardt film Devotion, a fictionalized biography of the Brontë sisters, Olivia de Havilland plays Charlotte.
 * A November 15, 1953 episode of the Loretta Young Show, "The Bronte Story", features Loretta Young as Charlotte.
 * The 2018 comic Die features a fictionalised version of Charlotte within the Brontes' fictional kingdom of Angria.
 * In the 2022 Frances O'Connor film Emily, about Emily Brontë, Alexandra Dowling plays Charlotte.

title: Charlotte Brontë


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Charles Williams (British writer)

Charles Walter Stansby Williams (20 September 1886 – 15 May 1945) was an English poet, novelist, playwright, theologian and literary critic. Most of his life was spent in London, where he was born, but in 1939 he moved to Oxford with the university press for which he worked and was buried there following his early death.

Early life and education
Charles Williams was born in London in 1886, the only son of (Richard) Walter Stansby Williams (1848–1929) and Mary (née Wall). His father Walter was a journalist and foreign business correspondent for an importing firm, writing in French and German, who was a 'regular and valued' contributor of verse, stories and articles to many popular magazines. His mother Mary, the sister of the ecclesiologist and historian J. Charles Wall, was a former milliner (hatmaker), of Islington. He had one sister, Edith, born in 1889. The Williams family lived in 'shabby-genteel' circumstances, owing to Walter's increasing blindness and the decline of the firm by which he was employed, in Holloway. In 1894 the family moved to St Albans in Hertfordshire, where Williams lived until his marriage in 1917.

Educated at St Albans School, Williams was awarded a scholarship to University College London, but he left in 1904 without attempting to gain a degree due to an inability to pay tuition fees.

Williams began work in 1904 in a Methodist bookroom. He was employed by the Oxford University Press (OUP) as a proofreading assistant in 1908 and quickly climbed to the position of editor. He continued to work at the OUP in various positions of increasing responsibility until his death in 1945. One of his greatest editorial achievements was the publication of the first major English-language edition of the works of Søren Kierkegaard. His work was part of the literature event in the art competition at the 1924 Summer Olympics.

Although chiefly remembered as a novelist, Williams also published poetry, works of literary criticism, theology, drama, history, biography, and a voluminous number of book reviews. Some of his best-known novels are War in Heaven (1930), Descent into Hell (1937), and All Hallows' Eve (1945). T. S. Eliot, who wrote an introduction for the last of these, described Williams's novels as "supernatural thrillers" because they explore the sacramental intersection of the physical with the spiritual while also examining the ways in which power, even spiritual power, can corrupt as well as sanctify.

All of Williams's fantasies, unlike those of J. R. R. Tolkien and most of those of C. S. Lewis, are set in the contemporary world. Williams has been described by Colin Manlove as one of the three main writers of "Christian fantasy" in the twentieth century (the other two being C. S. Lewis and T. F. Powys). More recent writers of fantasy novels with contemporary settings, notably Tim Powers, cite Williams as a model and inspiration.

W. H. Auden, one of Williams's greatest admirers, reportedly re-read Williams's extraordinary and highly unconventional history of the church, The Descent of the Dove (1939), every year. Williams's study of Dante entitled The Figure of Beatrice (1944) was very highly regarded at its time of publication and continues to be consulted by Dante scholars today. His work inspired Dorothy L. Sayers to undertake her translation of The Divine Comedy. Williams, however, regarded his most important work to be his extremely dense and complex Arthurian poetry, of which two books were published, Taliessin through Logres (1938) and The Region of the Summer Stars (1944), and more remained unfinished at his death. Some of Williams's essays were collected and published posthumously in Image of the City and Other Essays (1958), edited by Anne Ridler.

Williams gathered many followers and disciples during his lifetime. He was, for a period, a member of the Salvator Mundi Temple of the Fellowship of the Rosy Cross. He met fellow Anglican Evelyn Underhill in 1937 and would later write the introduction to her published Letters in 1943.

When World War II broke out in 1939, Oxford University Press moved its offices from London to Oxford. Williams was reluctant to leave his beloved city, and his wife Florence refused to go. From the nearly 700 letters he wrote to his wife during the war years, a generous selection has been published — "primarily… love letters," the editor calls them.

But the move to Oxford did allow him to participate regularly in Lewis's literary society known as the Inklings. In this setting Williams was able to read (and improve) his final published novel, All Hallows' Eve, as well as to hear J. R. R. Tolkien read aloud to the group some of his early drafts of The Lord of the Rings. In addition to meeting in Lewis's rooms at Oxford, they also regularly met at The Eagle and Child pub in Oxford (better known by its nickname "The Bird and Baby"). During this time Williams also gave lectures at Oxford on John Milton, William Wordsworth, and other authors, and received an honorary M.A. degree.

Williams is buried in Holywell Cemetery in Oxford. His headstone bears the word "poet" followed by the words "Under the Mercy", a phrase often used by Williams himself.

Personal life

In 1917 Williams married his first sweetheart, Florence Conway, following a long courtship during which he presented her with a sonnet sequence that would later become his first published book of poetry, The Silver Stair. Their son Michael was born in 1922.

Williams was an unswerving and devoted member of the Church of England, reputedly with a tolerance of the scepticism of others and a firm belief in the necessity of a "doubting Thomas" in any apostolic body.

Although Williams attracted the attention and admiration of some of the most notable writers of his day, including T. S. Eliot and W. H. Auden, his greatest admirer was probably C. S. Lewis, whose novel That Hideous Strength (1945) has been regarded as partially inspired by his acquaintance with both the man and his novels and poems. Williams came to know Lewis after reading Lewis's then-recently published study The Allegory of Love; he was so impressed he jotted down a letter of congratulation and dropped it in the mail. Coincidentally, Lewis had just finished reading Williams's novel The Place of the Lion and had written a similar note of congratulation. The letters crossed in the mail and led to an enduring and fruitful friendship.

Theology
Williams developed the concept of co-inherence and gave rare consideration to the theology of romantic love. Falling in love for Williams was a form of mystical envisioning in which one saw the beloved as he or she was seen through the eyes of God. Co-inherence was a term used in Patristic theology to describe the relationship between the human and divine natures of Jesus Christ and the relationship between the persons of the blessed Trinity. Williams extended the term to include the ideal relationship between the individual parts of God's creation, including human beings. It is our mutual indwelling: Christ in us and we in Christ, interdependent. It is also the web of interrelationships, social and economic and ecological, by which the social fabric and the natural world function. But especially for Williams, co-inherence is a way of talking about the Body of Christ and the communion of saints. For Williams, salvation was not a solitary affair: "The thread of the love of God was strong enough to save you and all the others, but not strong enough to save you alone." He proposed an order, the Companions of the Co-inherence, who would practice substitution and exchange, living in love-in-God, truly bearing one another's burdens, being willing to sacrifice and to forgive, living from and for one another in Christ. According to Gunnar Urang, co-inherence is the focus of all Williams's novels.

Fiction
"He is writing that sort of book in which we begin by saying, let us suppose that this everyday world were at some one point invaded by the marvellous."
 * 1930: War in Heaven (London: Victor Gollancz) – The Holy Grail surfaces in an obscure country parish and becomes variously a sacramental object to protect or a vessel of power to exploit.
 * 1930: Many Dimensions (London: Victor Gollancz) – An evil antiquarian illegally purchases the fabled Stone of Suleiman (Williams uses this Muslim form rather than the more familiar King Solomon) from its Islamic guardian and returns to England to discover not only that the Stone can multiply itself infinitely without diminishing the original, but that it also allows its possessor to transcend the barriers of space and time.
 * "Et in Sempiternum Pereant," a short story first published in The London Mercury, December 1935, in which Lord Arglay (protagonist in Many Dimensions) has his life put at risk encountering a ghost on the path to damnation. Later included in The Oxford Book of English Ghost Stories (London: Oxford University Press, 1986)
 * 1931: The Place of the Lion (London: Mundanus) – Platonic archetypes begin to appear around an English country town, wreaking havoc and drawing to the surface the spiritual strengths and flaws of individual characters.
 * 1932: The Greater Trumps (London: Victor Gollancz) – The original Tarot deck is used to unlock enormous metaphysical powers by allowing the possessors to see across space and time, create matter, and raise powerful natural storms.
 * 1933: Shadows of Ecstasy (London: Victor Gollancz) – A humanistic adept has discovered that by focusing his energies inward he can extend his life almost indefinitely. He undertakes an experiment using African lore to die and resurrect his own body thereby assuring his immortality. His followers begin a revolutionary movement to supplant European civilisation. The first of Williams's novels to be written, though not the first published.
 * 1937: Descent into Hell (London: Faber & Faber) – Generally thought to be Williams's best novel, Descent deals with various forms of selfishness, and how the cycle of sin brings about the necessity for redemptive acts. In it, an academic becomes so far removed from the world that he fetishises a woman to the extent that his perversion takes the form of a succubus. Other characters include a doppelgänger, the ghost of a suicidal Victorian labourer, and a playwright modelled in some ways on the author. Illustrates Williams's belief in the replacement of sin and substitutional love.
 * 1945: All Hallows' Eve (London: Faber & Faber) – Follows the fortunes of two women after death and their interactions with those they knew before, contrasting the results of action based either on selfishness or an accepting love.
 * 1970–72: The Noises That Weren't There. Unfinished. First three chapters published in Mythlore 6 (Autumn 1970), 7 (Winter 1971) and 8 (Winter 1972).

Plays

 * c. 1912: The Chapel of the Thorn (edited by Sørina Higgins; Berkeley: Apocryphile Press, 2014)
 * 1930: A Myth of Shakespeare (London: Oxford University Press)
 * 1930: A Myth of Francis Bacon (Published in the Charles Williams Society Newsletter, 11, 12, and 14)
 * 1929–31: Three Plays (London: Oxford University Press)
 * The Rite of the Passion (1929)
 * The Chaste Wanton (1930)
 * The Witch (1931)
 * 1963: Collected Plays by Charles Williams (edited by John Heath-Stubbs; London: Oxford University Press)
 * Thomas Cranmer of Canterbury (1936). Canterbury Festival play, following T. S. Eliot's Murder in the Cathedral in the preceding (inaugural) year.
 * Seed of Adam (1937)
 * Judgement at Chelmsford (1939)
 * The Death of Good Fortune (1939)
 * The House by the Stable (1939)
 * Terror of Light (1940)
 * Grab and Grace (1941)
 * The Three Temptations (1942)
 * House of the Octopus (1945)
 * 2000: The Masques of Amen House (edited by David Bratman. Mythopoeic Press).
 * The Masque of the Manuscript (1927)
 * The Masque of Perusal (1929)
 * The Masque of the Termination of Copyright (1930)

Poetry

 * 1912: The Silver Stair (London: Herbert and Daniel)
 * 1917: Poems of Conformity (London: Oxford University Press)
 * 1920: Divorce (London: Oxford University Press)
 * 1924: Windows of Night (London: Oxford University Press)
 * 1930: Heroes and Kings (London: Sylvan Press)
 * 1954: Taliessin through Logres (1938) and The Region of the Summer Stars (1944) (London: Oxford University Press)
 * 1991: Charles Williams, ed. David Llewellyn Dodds (Woodbridge and Cambridge, UK: Boydell & Brewer: Arthurian Poets series). Part II, Uncollected and unpublished poems (pp. 149–281).

Theology

 * 1938: He Came Down from Heaven (London: Heinemann).
 * 1939: The Descent of the Dove: A Short History of the Holy Spirit in the Church (London: Longmans, Green)
 * 1941: Witchcraft (London: Faber & Faber)
 * 1942: The Forgiveness of Sins (London: G. Bles)
 * 1958: The Image of the City and Other Essays (edited by Anne Ridler; London: Oxford University Press). Parts II through V
 * 1990: Outlines of Romantic Theology (Grand Rapids, Mich.: Eerdmans)

Literary criticism

 * 1930: Poetry at Present (Oxford: Clarendon Press).
 * 1932: The English Poetic Mind (Oxford: Clarendon Press).
 * 1933: Reason and Beauty in the Poetic Mind (Oxford: Clarendon Press)
 * 1940: Introduction to Milton (based on a lecture at Oxford University), in The English Poems of John Milton (Oxford University Press)
 * 1941: Religion and Love in Dante: The Theology of Romantic Love (Dacre Press, Westminster).
 * 1943: The Figure of Beatrice (London: Faber & Faber)
 * 1948: The Figure of Arthur (unfinished), in Arthurian Torso, ed. C. S. Lewis (London: Oxford University Press)
 * 1958: The Image of the City and Other Essays (edited by Anne Ridler; London: Oxford University Press). Parts I and VI
 * 2003: The Detective Fiction Reviews of Charles Williams (edited by Jared C. Lobdell; McFarland)
 * 2017: The Celian Moment and Other Essays (edited by Stephen Barber; Oxford: The Greystones Press)

Biography

 * 1933: Bacon (London: Arthur Barker)
 * 1933: A Short Life of Shakespeare (Oxford: Clarendon Press). Abridgment of the 2-volume work by Sir Edmund Chambers
 * 1934: James I (London: Arthur Barker)
 * 1935: Rochester (London: Arthur Barker)
 * 1936: Queen Elizabeth (London: Duckworth)
 * 1937: Henry VII (London: Arthur Barker)
 * 1937: Stories of Great Names (London: Oxford University Press). Alexander, Julius Caesar, Charlemagne, Joan of Arc, Shakespeare, Voltaire, John Wesley
 * 1946: Flecker of Dean Close (London: Canterbury Press)

Other works

 * 1931: Introduction, Poems of Gerard Manley Hopkins (Ed. Robert Bridges; 2nd ed.; London: Oxford University Press; )
 * 1936: The Story of the Aeneid (London: Oxford University Press; )
 * 1939: The Passion of Christ (Oxford University Press, New York, London )
 * 1940: Introduction, Søren Kierkegaard's The Present Age (trans. Dru and Lowrie; Oxford University Press; )
 * 1943: Introduction, The Letters of Evelyn Underhill (Longmans, Green and Co.)
 * 1958: The New Christian Year (Oxford University Press )
 * 1989: Letters to Lalage: The Letters of Charles Williams to Lois Lang-Sims (Kent State University Press)
 * 2002: To Michal from Serge: Letters from Charles Williams to His Wife, Florence, 1939–1945 (edited by Roma King Jr.; Kent State University Press)

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Charles Williams (British writer)


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Talk:Computer-generated music

This is a subject which needs some work. Brian Eno's work with Koan generators might be a good starting point for someone. sjc

Lauri Gröhn
I wonder who continuosly deletes Synethesia from here. The software creates whole composition from pictures in a few seconds. MAX/MPX doesn't belong here. It is just a tool for composers! - —The preceding unsigned comment was added by LauriGrohn (talk • contribs) 07:48, 28 October 2006 (UTC)

 * Don't add links to your own website. See WP:EL. If you think it's worth mentioning, put it here on the talk page and see if the rest of us think it's worth putting on the page. As for MAX/MSP, it's a very, very widely used tool in computer music (maybe even the most widely used software in this field). There is really no grounds for ommitting it. Also, please sign your posts by typing four tildes ( ~ ) at the end of your talk page posts, which will automatically be converted into your name and date the entry. - Rainwarrior 17:11, 28 October 2006 (UTC)

Bob Fink
Could someone who knows about these things have a glance at Talk:Bob Fink? Someone there is arguing the toss about what seems to me an indefensible claim (even with qualifications about the defintion) that one Bob Fink "was among the first to write a computer program that could compose melodies by itself" - in 1995! Tearlach 03:10, 8 February 2006 (UTC)

title: Talk:Computer-generated music


text:
Celery

Celery (Apium graveolens Dulce Group or Apium graveolens var. dulce) is a cultivated plant belonging to the species Apium graveolens in the family Apiaceae that has been used as a vegetable since ancient times. Celery has a long fibrous stalk tapering into leaves. Celery seed powder is used as a spice. Celeriac and leaf celery are different groups of cultivars of Apium graveolens.

Description
Celery leaves are pinnate to bipinnate with rhombic leaflets 3 – long and 2 – broad. The flowers are creamy-white, 2 – in diameter, and are produced in dense compound umbels. The seeds are broad ovoid to globose, 1.5 – long and wide. Modern cultivars have been selected for either solid petioles, leaf stalks, or a large hypocotyl. A celery stalk readily separates into "strings" which are bundles of angular collenchyma cells exterior to the vascular bundles.

Etymology
First attested and printed in English as "sellery" by John Evelyn in 1664, the modern English word "celery" derives from the French céleri, in turn from Italian seleri, the plural of selero, which comes from Late Latin selinon, the latinisation of the σέλινον, "celery". The earliest attested form of the word is the Mycenaean Greek se-ri-no, written in Linear B syllabic script.

Taxonomy
The species Apium graveolens was described by Carl Linnaeus in Volume One of his Species Plantarum in 1753. Cultivated celery has been called Apium graveolens var. dulce or Apium graveolens Dulce Group.

Cultivation
The plants are raised from seed, sown either in a hot bed or in the open garden according to the season of the year, and, after one or two thinnings and transplantings, they are, on attaining a height of 15 –, planted out in deep trenches for convenience of blanching, which is effected by earthing up to exclude light from the stems. Development of self-blanching varieties of celery, which do not need to be earthed up, dominate both the commercial and amateur market.

Celery was first grown as a winter and early spring vegetable. It was considered a cleansing tonic to counter the deficiencies of a winter diet based on salted meats without fresh vegetables. By the 19th century, the season for celery in England had been extended, to last from the beginning of September to late in April.

In North America, commercial production of celery is dominated by the cultivar called 'Pascal' celery. Gardeners can grow a range of cultivars, many of which differ from the wild species, mainly in having stouter leaf stems. They are ranged under two classes, white and red. The stalks grow in tight, straight, parallel bunches, and are typically marketed fresh that way. They are sold without roots and only a small amount of green leaf remaining.

The stalks can be eaten raw, or as an ingredient in salads, or as a flavoring in soups, stews, and pot roasts.

Harvesting and storage
Harvesting occurs when the average size of celery in a field is marketable; due to extremely uniform crop growth, fields are harvested only once. The petioles and leaves are removed and harvested; celery is packed by size and quality (determined by color, shape, straightness and thickness of petiole, stalk and midrib length and absence of disease, cracks, splits, insect damage and rot). During commercial harvesting, celery is packaged into cartons which contain between 36 and 48 stalks and weigh up to 27 kg. Under optimal conditions, celery can be stored for up to seven weeks from 0 - 2 C. Inner stalks may continue growing if kept at temperatures above 0 °C. Shelf life can be extended by packaging celery in anti-fogging, micro-perforated shrink wrap. Freshly cut petioles of celery are prone to decay, which can be prevented or reduced through the use of sharp blades during processing, gentle handling, and proper sanitation.

Celery stalk may be preserved through pickling by first removing the leaves, then boiling the stalks in water before finally adding vinegar, salt, and vegetable oil.

Sulfites
In the past, restaurants used to store celery in a container of water with powdered vegetable preservative, but it was found that the sulfites in the preservative caused allergic reactions in some people. In 1986, the U.S. Food and Drug Administration banned the use of sulfites on fruits and vegetables intended to be eaten raw.

Culinary

Celery is eaten around the world as a vegetable. In North America and Europe the crisp petiole (leaf stalk) is used. In Europe the hypocotyl is also used as a root vegetable. The leaves are strongly flavored and are used less often, either as a flavoring in soups and stews or as a dried herb. Celery, onions, and bell peppers are the "holy trinity" of Louisiana Creole and Cajun cuisine. Celery, onions, and carrots make up the French mirepoix, often used as a base for sauces and soups. Celery is a staple in many soups. It is used in the Iranian stew khoresh karafs.

Leaves
Celery leaves are frequently used in cooking to add a mild spicy flavor to foods, similar to, but milder than black pepper. Celery leaves are suitable dried and sprinkled on baked, fried or roasted fish or meats, or as part of a blend of fresh seasonings suitable for use in soups and stews. They may also be eaten raw, mixed into a salad or as a garnish.

Seeds
In temperate countries, celery is also grown for its seeds. Actually very small fruit, these "seeds" yield a valuable essential oil that is used in the perfume industry. The oil contains the chemical compound apiole. Celery seeds can be used as flavoring or spice, either as whole seeds or ground.

Celery salt
Celery seeds can be ground and mixed with salt to produce celery salt. Celery salt can be made from an extract of the roots or by using dried leaves. Celery salt is used as a seasoning, in cocktails (commonly to enhance the flavor of Bloody Mary cocktails), on the Chicago-style hot dog, and in Old Bay Seasoning. Similarly, combinations of celery powder and salt are used to flavor and preserve cured pork and other processed meats as an alternative to industrial curing salt. The naturally occurring nitrates in celery work synergistically with the added salt to cure food.

Celery juice
In 2019, a trend of drinking celery juice was reported in the United States, based on "detoxification" claims posted on a blog. The claims have no scientific basis, but the trend caused a sizable spike in celery prices.

Nutrition
Raw celery is 95% water, 3% carbohydrates, 0.7% protein, and contains negligible fat (table). A 100 g reference serving provides 16 calories of food energy, and is a rich source of selenium and vitamin K, providing 73% and 24% of the Daily Value, respectively, with no other micronutrients in significant content (table).

Allergies
Celery is among a small group of foods that may provoke allergic reactions; for people with celery allergy, exposure can cause potentially fatal anaphylactic shock. Cases of allergic reaction to ingestion of celery root have also been reported in pollen-sensitive individuals resulting in gastrointestinal disorders and other symptoms, although in most cases, celery sensitivity is not considered clinically significant. In the European Union and the United Kingdom, foods that contain or may contain celery, even in trace amounts, must be clearly marked.

The Apium graveolens plant has an OPALS allergy scale rating of 4 out of 10, indicating moderate potential to cause allergic reactions, exacerbated by over-use of the same plant throughout a garden. Celery has caused skin rashes and cross-reactions with carrots and ragweed.

Chemistry
The main chemicals responsible for the aroma and taste of celery are butylphthalide and sedanolide.

History
Daniel Zohary and Maria Hopf note that celery leaves and inflorescences were part of the garlands found in the tomb of pharaoh Tutankhamun (died 1323 BC), and celery mericarps dated to the seventh century BC were recovered in the Heraion of Samos. However, they note A. graveolens grows wild in these areas, it is hard to decide whether these remains represent wild or cultivated forms." Only by classical antiquity is it thought that celery was cultivated.

M. Fragiska mentions an archeological find of celery dating to the 9th century BC, at Kastanas; however, the literary evidence for ancient Greece is far more abundant. In Homer's Iliad, the horses of the Myrmidons graze on wild celery that grows in the marshes of Troy, and in Odyssey, there is mention of the meadows of violet and wild celery surrounding Calypso's Cave.

In the Capitulary of Charlemagne, compiled c. 800, apium appears, as does olisatum, or alexanders, among medicinal herbs and vegetables the Frankish emperor desired to see grown. At some later point in medieval Europe, celery displaced alexanders.

The name "celery" retraces the plant's route of successive adoption in European cooking, as the English "celery" (1664) is derived from the French céleri coming from the Lombard term, seleri, from the Latin selinon, borrowed from Greek.

Celery's late arrival in the English kitchen is an end-product of the long tradition of seed selection needed to reduce the sap's bitterness and increase its sugars. By 1699, John Evelyn could recommend it in his ''Acetaria. A Discourse of Sallets'': "Sellery, apium Italicum, (and of the Petroseline Family) was formerly a stranger with us (nor very long since in Italy) is a hot and more generous sort of Macedonian Persley or Smallage... and for its high and grateful Taste is ever plac'd in the middle of the Grand Sallet, at our Great Men's tables, and Praetors feasts, as the Grace of the whole Board".

Celery makes a minor appearance in colonial American gardens; its culinary limitations are reflected in the observation by the author of A Treatise on Gardening, by a Citizen of Virginia that it is "one of the species of parsley". Its first extended treatment in print was in Bernard M'Mahon's American Gardener's Calendar (1806).

After the mid-19th century, continued selections for refined crisp texture and taste brought celery to American tables, where it was served in celery vases to be salted and eaten raw. Celery was so popular in the United States during the 19th century and early 20th century that the New York Public Library's historical menu archive shows that it was the third most popular dish in New York City menus during that time, behind only coffee and tea. In those days, celery cost more than caviar, as it was difficult to cultivate. There were also many varieties of celery back then that are no longer around because they are difficult to grow and do not ship well.

Cultural depictions

A chthonian symbol among the ancient Greeks, celery was said to have sprouted from the blood of Kadmilos, father of the Cabeiri, chthonian divinities celebrated in Samothrace, Lemnos, and Thebes. The spicy odor and dark leaf color encouraged this association with the cult of death. In classical Greece, celery leaves were used as garlands for the dead, and the wreaths of the winners at the Isthmian Games were first made of celery before being replaced by crowns made of pine. According to Pliny the Elderin Achaea, the garland worn by the winners of the sacred Nemean Games was also made of celery. The Ancient Greek colony of Selinous (Σελινοῦς, Selinous), on Sicily, was named after wild parsley that grew abundantly there; Selinountian coins depicted a parsley leaf as the symbol of the city.

The fifth incarnation of the Doctor in the British science fiction show Doctor Who wore a decorative stick of celery on his lapel. In the show, the Doctor would state that the celery would turn purple when exposed to certain gases in the praxis range, in which case he would eat the celery. Ironically, Peter Davison did not like celery.

title: Celery


text:
CPM

CPM may refer to:

Advertising

 * Cost per mille, the advertising cost per thousand views
 * Cost per thousand impressions, the online advertising equivalent

Management

 * Certified practising marketer, a qualification for Australian marketers
 * Certified Property Manager
 * Certified Public Manager
 * Comparable Profits Method, a commonly used transfer pricing method for managing internal sales between two divisions of the same company
 * Corporate performance management is another name for business performance management used in Gartner reports on software systems
 * Critical path method, an algorithm for scheduling project activities

Asia

 * The Pentecostal Mission (formerly Ceylon Pentecostal Mission), Sri Lanka
 * Communist Party of India (Marxist)
 * Communist Party of Malaya, the Malayan Communist Party

Europe

 * Coalition for Melilla (Coalición por Melilla), a political party in Melilla
 * Party of Communists of the Republic of Moldova
 * Congregatio Presbyterorum a Misericordia or Fathers of Mercy, a Catholic order in France

North America

 * Central Park Media, a U.S. entertainment company
 * Chicago Public Media, a National Public Radio member organization
 * Chosen People Ministries, a Messianic Jewish evangelical organization
 * Clement Payne Movement, a Barbadian political party
 * Content Planning Module, a component of the U.S. Navy's Authoring Instructional Materials

Biology and medicine

 * Carboxypeptidase M, an enzyme
 * Cellular Potts model, a computer simulation of cellular structures
 * Central pontine myelinolysis, a neurological disease
 * Certified Professional Midwife, a direct-entry midwife certification
 * Chinese patent medicine, herbal medicines in Traditional Chinese medicine
 * Chlorphenamine, an antihistamine drug
 * Confined placental mosaicism, a condition of pregnancy
 * Continuous passive motion, a physical therapy technique
 * CPM (gene), the human gene to encode carboxypeptidase M
 * Cucurbit powdery mildew, a fungal infection of melons and cucumbers
 * Cyclopropylmescaline, a psychedelic drug

Computing

 * CP/M, an early microcomputer operating system
 * Compressed pattern matching, string searches within uncompressed text

 * Communications Processor Module, a networking engine in Motorola/Freescale QUICC processors
 * Characters per minute, the speed of a typist; WPM (words per minute) is CPM divided by five
 * Cloud management platform software, in cloud computing
 * Combinatorial pattern matching, a research area (and a conference) for algorithms

Other uses in science and technology

 * Clique percolation method, a clustering algorithm for networks
 * Continuous phase modulation, a data modulation method commonly used in wireless modems
 * Counts per minute, a unit of radioactivity
 * Cpm, a process capability index
 * Crucible Particle Metallurgy, a steel-making process developed by Crucible Industries
 * Cycle per minute, a unit similar to revolution per minute

Other uses

 * Challenge ProMode Arena, a modification to the game Quake III Arena
 * Church planting movement
 * Colonial Police Medal
 * Communication privacy management theory, a theory of privacy in interpersonal communication
 * Compton/Woodley Airport (IATA code CPM)

title: CPM


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Celestines

The Celestines were a Roman Catholic monastic order, a branch of the Benedictines, founded in 1244. At the foundation of the new rule, they were called Hermits of St Damiano, or Moronites (or Murronites), and did not assume the appellation of Celestines until after the election of their founder, Peter of Morone (Pietro Murrone), to the Papacy as Celestine V. They used the post-nominal initials O.S.B. Cel. The last house closed in 1785.

Founding
The fame of the holy life and the austerities practised by Pietro Morone in his solitude on the Mountain of Majella, near Sulmona, attracted many visitors, several of whom were moved to remain and share his mode of life. They built a small convent on the spot inhabited by the holy hermit, which became too small for the accommodation of those who came to share their life of privations. Peter of Morone (later Pope Celestine V), their founder, built a number of other small oratories in that neighborhood.

Around the year 1254, Peter of Morone gave the order a rule formulated in accordance with his own practices. In 1264 the new institution was approved as a branch of the Benedictines by Urban IV; however, the next pope Pope Gregory X had commanded that all orders founded since the prior Lateran Council should not be further multiplied. Hearing a rumor that the order was to be suppressed, the reclusive Peter traveled to Lyon, where the Pope was holding a council. There he persuaded Gregory to approve his new order, making it a branch of the Benedictines and following the rule of Saint Benedict, but adding to it additional severities and privations. Gregory took it under the Papal protection, assured to it the possession of all property it might acquire, and endowed it with exemption from the authority of the ordinary. Nothing more was needed to ensure the rapid spread of the new association and Peter the hermit of Morone lived to see himself "Superior-General" to thirty-six monasteries and more than six hundred monks. As soon as he had seen his new order thus consolidated he gave up the government of it to a certain Robert, and retired once again to an even more remote site to devote himself to solitary penance and prayer. Shortly afterwards, in a chapter of the order held in 1293, the original monastery of Majella being judged to be too desolate and exposed to too rigorous a climate, it was decided that the Abbey of the Holy Spirit at Monte Morrone, located in Sulmona, should be the headquarters of the order and the residence of the General-Superior, where it continued for centuries. The next year Peter of Morrone, despite his reluctance, was elected Pope by the name of Celestine V. From there on, the order he had founded took the name of Celestines. During his short reign as Pope, the former hermit confirmed the rule of the order, which he had himself composed, and conferred on the society a variety of special graces and privileges. In the only creation of cardinals promoted by him, among the twelve raised to the purple, there were two monks of his order. He also visited personally the Benedictine monastery on Monte Cassino, where he persuaded the monks to accept his more rigorous rule. He sent fifty monks of his order to introduce it, who remained there, however, for only a few months.

After the death of the founder the order was favoured and privileged by Benedict XI, and rapidly spread through Italy, Germany, Flanders, and France, where they were received by Philip the Fair in 1300.

The administration of the order was carried on somewhat after the pattern of Cluny, that is all monasteries were subject to the Abbey of the Holy Ghost at Sulmona, and these dependent houses were divided into provinces. The Celestines had ninety-six houses in Italy, twenty-one in France, and a few in Germany.

Subsequently, the French Celestines, with the consent of the Italian superiors of the order, and of Pope Martin V in 1427, obtained the privilege of making new constitutions for themselves, which they did in the 17th century in a series of regulations accepted by the provincial chapter in 1667. At that time the French congregation of the order was composed of twenty-one monasteries, the head of which was that of Paris, and was governed by a Provincial with the authority of General. Paul V was a notable benefactor of the order. The order became extinct in the eighteenth century.

Description of order
According to their special constitutions the Celestines were bound to say matins in the choir at two o'clock in the morning, and always to abstain from eating meat, save in illness. The distinct rules of their order with regard to fasting are numerous, but not more severe than those of similar congregations, though much more so than is required by the old Benedictine rule. In reading their minute directions for divers degrees of abstinence on various days, it is impossible to avoid being struck by the conviction that the great object of the framers of these rules was the general purpose of ensuring an ascetic mode of life.

The Celestines wore a white woollen cassock bound with a linen band, and a leathern girdle of the same colour, with a scapular unattached to the body of the dress, and a black hood. It was not permitted to them to wear any shirt save of serge. Their dress in short was very like that of the Cistercians. But it is a tradition in the order that in the time of the founder they wore a coarse brown cloth. The church and monastery of San Pietro in Montorio originally belonged to the Celestines in Rome; but they were turned out of it by Sixtus IV to make way for Franciscans, receiving from the Pope in exchange the Church of St Eusebius of Vercelli with the adjacent mansion for a monastery.

title: Celestines


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Cessna

Cessna is an American brand of general aviation aircraft owned by Textron Aviation since 2014, headquartered in Wichita, Kansas. Originally, it was a brand of the Cessna Aircraft Company, an American general aviation aircraft manufacturing corporation also headquartered in Wichita. The company produced small, piston-powered aircraft, as well as business jets. For much of the mid-to-late 20th century, Cessna was one of the highest-volume and most diverse producers of general aviation aircraft in the world. It was founded in 1927 by Clyde Cessna and Victor Roos and was purchased by General Dynamics in 1985, then by Textron, Inc. in 1992. In March 2014, when Textron purchased the Beechcraft and Hawker Aircraft corporations, Cessna ceased operations as a subsidiary company, and joined the others as one of the three distinct brands produced by Textron Aviation.

Throughout its history, and especially in the years following World War II, Cessna became best-known for producing small, high-wing, piston aircraft. Its most popular and iconic aircraft is the Cessna 172, delivered since 1956 (with a break from 1986–1996), with more sold than any other aircraft in history. Since the first model was delivered in 1972, the brand has also been well known for its Citation family of low-wing business jets which vary in size.

Origins
Clyde Cessna, a farmer in Rago, Kansas, built his own aircraft and flew it in June 1911. He was the first person to do so between the Mississippi River and the Rocky Mountains. Cessna started his wood-and-fabric aircraft ventures in Enid, Oklahoma, testing many of his early planes on the salt flats. When bankers in Enid refused to lend him more money to build his planes, he moved to Wichita.

Cessna Aircraft was formed when Clyde Cessna and Victor Roos became partners in the Cessna-Roos Aircraft Company in 1927. Roos resigned just one month into the partnership, selling back his interest to Cessna. Shortly afterward, Roos's name was dropped from the company name.

The Cessna DC-6 earned certification on the same day as the stock market crash of 1929, October 29, 1929.

In 1932, the Cessna Aircraft Company closed due to the Great Depression.

However, the Cessna CR-3 custom racer made its first flight in 1933. The plane won the 1933 American Air Race in Chicago and later set a new world speed record for engines smaller than 500 cubic inches by averaging 237 mph.

Cessna's nephews, brothers Dwane and Dwight Wallace, bought the company from Cessna in 1934. They reopened it and began the process of building it into what would become a global success.

The Cessna C-37 was introduced in 1937 as Cessna's first seaplane when equipped with Edo floats. In 1940, Cessna received their largest order to date, when they signed a contract with the U.S. Army for 33 specially equipped Cessna T-50s, their first twin engine plane. Later in 1940, the Royal Canadian Air Force placed an order for 180 T-50s.

Postwar boom
Cessna returned to commercial production in 1946, after the revocation of wartime production restrictions (L-48), with the release of the Model 120 and Model 140. The approach was to introduce a new line of all-metal aircraft that used production tools, dies and jigs, rather than the hand-built tube-and-fabric construction process used before the war.

The Model 140 was named by the US Flight Instructors Association as the "Outstanding Plane of the Year" in 1948.

Cessna's first helicopter, the Cessna CH-1, received FAA type certification in 1955.

Cessna introduced the Cessna 172 in 1956. It became the most produced airplane in history. During the post-World War II era, Cessna was known as one of the "Big Three" in general aviation aircraft manufacturing, along with Piper and Beechcraft.

In 1959, Cessna acquired Aircraft Radio Corporation (ARC), of Boonton, New Jersey, a leading manufacturer of aircraft radios. During these years, Cessna expanded the ARC product line, and rebranded ARC radios as "Cessna" radios, making them the "factory option" for avionics in new Cessnas. However, during this time, ARC radios suffered a severe decline in quality and popularity. Cessna kept ARC as a subsidiary until 1983, selling it to avionics-maker Sperry.

In 1960, Cessna acquired McCauley Industrial Corporation, of Ohio, a leading manufacturer of propellers for light aircraft. McCauley became the world's leading producer of general aviation aircraft propellers, largely through their installation on Cessna airplanes.

In 1960, Cessna affiliated itself with Reims Aviation of Reims, France. In 1963, Cessna produced its 50,000th airplane, a Cessna 172.

Cessna's first business jet, the Cessna Citation I, performed its maiden flight on September 15, 1969.

Cessna produced its 100,000th single-engine airplane in 1975.

In 1985, Cessna ceased to be an independent company. It was purchased by General Dynamics Corporation and became a wholly owned subsidiary. Production of the Cessna Caravan began. General Dynamics in turn sold Cessna to Textron in 1992.

Late in 2007, Cessna purchased the bankrupt Columbia Aircraft company for US$26.4M and would continue production of the Columbia 350 and 400 as the Cessna 350 and Cessna 400 at the Columbia factory in Bend, Oregon. However, production of both aircraft had ended by 2018.

Chinese production controversy
On November 27, 2007, Cessna announced the then-new Cessna 162 would be built in China by Shenyang Aircraft Corporation, which is a subsidiary of the China Aviation Industry Corporation I (AVIC I), a Chinese government-owned consortium of aircraft manufacturers. Cessna reported that the decision was made to save money and also that the company had no more plant capacity in the United States at the time. Cessna received much negative feedback for this decision, with complaints centering on the recent quality problems with Chinese production of other consumer products, China's human rights record, exporting of jobs and China's less than friendly political relationship with the United States. The customer backlash surprised Cessna and resulted in a company public relations campaign. In early 2009, the company attracted further criticism for continuing plans to build the 162 in China while laying off large numbers of workers in the United States. In the end, the Cessna 162 was not a commercial success and only a small number were delivered before production was cancelled.

2008–2010 economic crisis
The company's business suffered notably during the late-2000s recession, laying off more than half its workforce between January 2009 and September 2010.

On November 4, 2008, Cessna's parent company, Textron, indicated that Citation production would be reduced from the original 2009 target of 535 "due to continued softening in the global economic environment" and that this would result in an undetermined number of lay-offs at Cessna.

On November 8, 2008, at the Aircraft Owners and Pilots Association (AOPA) Expo, CEO Jack Pelton indicated that sales of Cessna aircraft to individual buyers had fallen, but piston and turboprop sales to businesses had not. "While the economic slowdown has created a difficult business environment, we are encouraged by brisk activity from new and existing propeller fleet operators placing almost 200 orders for 2009 production aircraft," Pelton stated.

Beginning in January 2009, a total of 665 jobs were cut at Cessna's Wichita and Bend, Oregon plants. The Cessna factory at Independence, Kansas, which builds the Cessna piston-engined aircraft and the Cessna Mustang, did not see any layoffs, but one third of the workforce at the former Columbia Aircraft facility in Bend was laid off. This included 165 of the 460 employees who built the Cessna 350 and 400. The remaining 500 jobs were eliminated at the main Cessna Wichita plant.

In January 2009, the company laid off an additional 2,000 employees, bringing the total to 4,600. The job cuts included 120 at the Bend, Oregon, facility reducing the plant that built the Cessna 350 and 400 to fewer than half the number of workers that it had when Cessna bought it. Other cuts included 200 at the Independence, Kansas, plant that builds the single-engined Cessnas and the Mustang, reducing that facility to 1,300 workers.

On April 29, 2009, the company suspended the Citation Columbus program and closed the Bend, Oregon, facility. The Columbus program was finally cancelled in early July 2009. The company reported, "Upon additional analysis of the business jet market related to this product offering, we decided to formally cancel further development of the Citation Columbus". With the 350 and 400 production moving to Kansas, the company indicated that it would lay off 1,600 more workers, including the remaining 150 employees at the Bend plant and up to 700 workers from the Columbus program.

In early June 2009, Cessna laid off an additional 700 salaried employees, bringing the total number of lay-offs to 7,600, which was more than half the company's workers at the time.

The company closed its three Columbus, Georgia, manufacturing facilities between June 2010 and December 2011. The closures included the new 100000 sqft facility that was opened in August 2008 at a cost of US$25M, plus the McCauley Propeller Systems plant. These closures resulted in total job losses of 600 in Georgia. Some of the work was relocated to Cessna's Independence, Kansas, or Mexican facilities.

Cessna's parent company, Textron, posted a loss of US$8M in the first quarter of 2010, largely driven by continuing low sales at Cessna, which were down 44%. Half of Cessna's workforce remained laid-off and CEO Jack Pelton stated that he expected the recovery to be long and slow.

In September 2010, a further 700 employees were laid off, bringing the total to 8,000 jobs lost. CEO Jack Pelton indicated this round of layoffs was due to a "stalled [and] lackluster economy" and noted that while the number of orders cancelled for jets had been decreasing, new orders had not met expectations. Pelton added, "our strategy is to defend and protect our current markets while investing in products and services to secure our future, but we can do this only if we succeed in restructuring our processes and reducing our costs."

2010s
On May 2, 2011, CEO Jack J. Pelton retired. The new CEO, Scott A. Ernest, started on May 31, 2011. Ernest joined Textron after 29 years at General Electric, where he had most recently served as vice president and general manager, global supply chain for GE Aviation. Ernest previously worked for Textron CEO Scott Donnelly when both worked at General Electric.

In September 2011, the Federal Aviation Administration (FAA) proposed a US$2.4 million fine against the company for its failure to follow quality assurance requirements while producing fiberglass components at its plant in Chihuahua, Mexico. Excess humidity meant that the parts did not cure correctly and quality assurance did not detect the problems. The failure to follow procedures resulted in the delamination in flight of a 7 ft section of one Cessna 400's wing skin from the spar while the aircraft was being flown by an FAA test pilot. The aircraft was landed safely. The FAA also discovered 82 other aircraft parts that had been incorrectly made and not detected by the company's quality assurance. The investigation resulted in an emergency Airworthiness Directive that affected 13 Cessna 400s.

Since March 2012, Cessna has been pursuing building business jets in China as part of a joint venture with Aviation Industry Corporation of China (AVIC). The company stated that it intends to eventually build all aircraft models in China, saying "The agreements together pave the way for a range of business jets, utility single-engine turboprops and single-engine piston aircraft to be manufactured and certified in China."

In late April 2012, the company added 150 workers in Wichita as a result of anticipated increased demand for aircraft production. Overall, they have cut more than 6000 jobs in the Wichita plant since 2009.

In March 2014, Cessna ceased operations as a company and instead became a brand of Textron Aviation.

Marketing initiatives
During the 1950s and 1960s, Cessna's marketing department followed the lead of Detroit automakers and came up with many unique marketing terms in an effort to differentiate its product line from their competitors.

Other manufacturers and the aviation press widely ridiculed and spoofed many of the marketing terms, but Cessna built and sold more aircraft than any other manufacturer during the boom years of the 1960s and 1970s.

Generally, the names of Cessna models do not follow a theme, but there is usually logic to the numbering: the 100 series are the light singles, the 200s are the heftier, the 300s are light to medium twins, the 400s have "wide oval" cabin-class accommodation and the 500s are jets. Many Cessna models have names starting with C for the sake of alliteration (e.g. Citation, Crusader, Chancellor).

Company terminology
Cessna marketing terminology includes:

 * Para-Lift Flaps – Large Fowler flaps Cessna introduced on the 170B in 1952, replacing the narrow chord plain flaps then in use.
 * Land-O-Matic – In 1956, Cessna introduced sprung-steel tricycle landing gear on the 172. The marketing department chose "Land-O-Matic" to imply that these aircraft were much easier to land and take off than the preceding conventional landing gear equipped Cessna 170. They even went as far as to say pilots could do "drive-up take-offs and drive-in landings", implying that flying these aircraft was as easy as driving a car. In later years, some Cessna models had their steel sprung landing gear replaced with steel tube gear legs. The 206 retains the original spring steel landing gear today.
 * Omni-Vision – The rear windows on some Cessna singles, starting with the 182 and 210 in 1962 and followed by the 172 and 150 in 1963 and 1964 respectively. The term was intended to make the pilot feel visibility was improved on the notably poor-visibility Cessna line. The introduction of the rear window caused in most models a loss of cruise speed due to the extra drag, while not adding any useful visibility.
 * Cushioned Power – The rubber mounts on the cowling of the 1967 model 150, in addition to the rubber mounts isolating the engine from the cabin.
 * Omni-Flash – The flashing beacon on the tip of the fin that could be seen all around.
 * Open-View – This referred to the removal of the top section of the control wheel in 1967 models. These had been rectangular, they now became "ram's horn" shaped, thus not blocking the instrument panel as much.
 * Quick-Scan – Cessna introduced a new instrument panel layout in the 1960s and this buzzword was to indicate Cessna’s panels were ahead of the competition.
 * Nav-O-Matic – The name of the Cessna autopilot system, which implied the system was relatively simple.
 * Camber-Lift – A marketing name used to describe Cessna aircraft wings starting in 1972 when the aerodynamics designers at Cessna added a slightly drooped leading edge to the standard NACA 2412 airfoil used on most of the light aircraft fleet. Writer Joe Christy described the name as "stupid" and added "Is there any other kind [of lift]?"
 * Stabila-Tip – Cessna started commonly using wingtip fuel tanks, carefully shaped for aerodynamic effect rather than being tubular-shaped. Tip tanks do have an advantage of reducing free surface effect of fuel affecting the balance of the aircraft in rolling maneuvers.

Aircraft

In October 2020, Textron Aviation was producing the following Cessna-branded models:

 * Cessna 172 Skyhawk – high-wing, single piston-engined, four-seat aircraft in production since 1956
 * Cessna 182 Skylane – high-wing, single piston-engined, four-seat aircraft in production since 1956
 * Cessna 206 Stationair – high-wing, single piston-engined, six-seat utility aircraft in production since 1962
 * Cessna 208 Caravan – high-wing single-turboprop utility aircraft in production since 1984
 * Cessna 408 SkyCourier – high-wing twin-turboprop utility aircraft in production since 2022
 * Cessna Citation family – twin-engined business jets
 * Cessna Citation 525 M2/CJ series – in production since 1991
 * Cessna Citation 560XL Excel – in production since 1996
 * Cessna Citation 680 Sovereign – out of production since 2021
 * Cessna Citation 680A Latitude – in production since 2014
 * Cessna Citation 700 Longitude – in production since 2019

title: Cessna