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Etna

Mount Etna is an active volcano on the east coast of Sicily.

Etna or ETNA may also refer to:

United States

 * Etna, California, a city
 * Etna, Georgia, a village
 * Etna, Illinois, an unincorporated community
 * Etna, Indiana, an unincorporated town
 * Etna, Kentucky, an unincorporated community
 * Etna, Maine, a town
 * Etna, Minnesota, an unincorporated community
 * Etna, Missouri, an unincorporated community
 * Etna, Nebraska, an unincorporated community
 * Etna, Lincoln County, Nevada, a ghost town
 * Etna, Pershing County, Nevada, a former townsite
 * Etna, New Hampshire, a village
 * Emerson, New Jersey, a borough originally named the Borough of Etna
 * Etna, New York, an unincorporated community
 * Etna, Lawrence County, Ohio, an unincorporated community
 * Etna Township, Licking County, Ohio
 * Etna, Licking County, Ohio, an unincorporated community
 * Etna, Oklahoma, an unincorporated community
 * Etna, Pennsylvania, a borough
 * Whiteside, Tennessee, an unincorporated community formerly named Etna
 * Etna, Texas, a ghost town
 * Etna, Washington, an unincorporated community
 * Etna, Wisconsin, an unincorporated community
 * Etna, Wyoming, a census-designated place

Elsewhere

 * Etna (river), in the traditional district of Valdres, Norway
 * Etna Island, off the northeastern tip of the Antarctic Peninsula
 * 11249 Etna, an asteroid
 * Mount Etna, Queensland, a Mountain and a National Park in Australia

Ships

 * HMS Aetna, a list of ships including those named Etna
 * Etna-class corvette, six sailing ships of the French Navy
 * Etna-class cruiser, four ships built for the Royal Italian Navy in the late 1880s
 * Etna-class cruiser (1941), two ships ordered in Italy for the Royal Thai Navy in 1938, but never completed
 * Etna-class replenishment oiler, one ship built for Italy and one ship for Greece
 * Italian ship Etna (A 5326), the Italian Navy lead ship of the replenishment oiler class
 * Italian ship Etna (A 5328), an attack cargo ship, originally built for the United States

Other uses

 * École des technologies numériques appliquées, a French private university in computer science
 * Etna DOC, an Italian wine region designation
 * Etna (Disgaea), a main character in the Disgaea series of console role playing games
 * Etna Iron Works, a New York marine engine manufacturer active during the American Civil War
 * Lotus Etna, a one-off concept car
 * Etna, a steam locomotive of the Carmarthen and Cardigan Railway in Wales
 * LG KS360, LG Etna, also known as LG KS360, a mobile phone model
 * Obsolete name for the Bunsen burner or spirit lamp

title: Etna


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Enki

Enki ( DEN-KI) is the Sumerian god of water, knowledge (gestú), crafts (gašam), and creation (nudimmud), and one of the Anunnaki. He was later known as Ea or Ae in Akkadian (Assyrian-Babylonian) religion, and is identified by some scholars with Ia in Canaanite religion. The name was rendered Aos in Greek sources (e.g. Damascius).

He was originally the patron god of the city of Eridu, but later the influence of his cult spread throughout Mesopotamia and to the Canaanites, Hittites and Hurrians. He was associated with the southern band of constellations called stars of Ea, but also with the constellation AŠ-IKU, the Field (Square of Pegasus). Beginning around the second millennium BCE, he was sometimes referred to in writing by the numeric ideogram for "40", occasionally referred to as his "sacred number". The planet Mercury, associated with Babylonian Nabu (the son of Marduk) was, in Sumerian times, identified with Enki.

Many myths about Enki have been collected from various sites, stretching from Southern Iraq to the Levantine coast. He is mentioned in the earliest extant cuneiform inscriptions throughout the region and was prominent from the third millennium down to the Hellenistic period.

Etymology
The exact meaning of Enki's name is uncertain: the common translation is "Lord of the Earth". The Sumerian En is translated as a title equivalent to "lord" and was originally a title given to the High Priest. Ki means "earth", but there are theories that ki in this name has another origin, possibly kig of unknown meaning, or kur meaning "mound". The name Ea is allegedly Hurrian in origin while others claim that his name 'Ea' is possibly of Semitic origin and may be a derivation from the West-Semitic root *hyy meaning "life" in this case used for "spring", "running water". In Sumerian E-A means "the house of water", and it has been suggested that this was originally the name for the shrine to the god at Eridu.

It has also been suggested that the original non-anthropomorphic divinity at Eridu was not Enki but Abzu. The emergence of Enki as the divine lover of Ninhursag, and the divine battle between the younger Igigi divinities and Abzu, saw the Abzu, the underground waters of the Aquifer, becoming the place in which the foundations of the temple were built. With some Sumerian deity names as Enlil there are variations like Elil. En means "Lord" and E means "temple". It is likely that E-A is the Sumerian short form for "Lord of Water", as Enki is a god of water. Ab in Abzu also means water.

Worship
The main temple to Enki was called E-abzu, meaning "abzu temple" (also E-en-gur-a, meaning "house of the subterranean waters"), a ziggurat temple surrounded by Euphratean marshlands near the ancient Persian Gulf coastline at Eridu. It was the first temple known to have been built in Southern Iraq. Four separate excavations at the site of Eridu have demonstrated the existence of a shrine dating back to the earliest Ubaid period, more than 6,500 years ago. Over the following 4,500 years, the temple was expanded 18 times, until it was abandoned during the Persian period. On this basis Thorkild Jacobsen has hypothesized that the original deity of the temple was Abzu, with his attributes later being taken by Enki over time. P. Steinkeller believes that, during the earliest period, Enki had a subordinate position to a goddess (possibly Ninhursag), taking the role of divine consort or high priest, later taking priority. The Enki temple had at its entrance a pool of fresh water, and excavation has found numerous carp bones, suggesting collective feasts. Carp are shown in the twin water flows running into the later God Enki, suggesting continuity of these features over a very long period. These features were found at all subsequent Sumerian temples, suggesting that this temple established the pattern for all subsequent Sumerian temples. "All rules laid down at Eridu were faithfully observed".

Iconography

Enki was the keeper of the divine powers called Me, the gifts of civilization. He is often shown with the horned crown of divinity.

On the Adda Seal, Enki is depicted with two streams of water flowing into each of his shoulders: one the Tigris, the other the Euphrates. Alongside him are two trees, symbolizing the male and female aspects of nature. He is shown wearing a flounced skirt and a cone-shaped hat. An eagle descends from above to land upon his outstretched right arm. This portrayal reflects Enki's role as the god of water, life, and replenishment.

Considered the master shaper of the world, god of wisdom and of all magic, Enki was characterized as the lord of the Abzu (Apsu in Akkadian), the freshwater sea or groundwater located within the earth. In the later Babylonian epic Enûma Eliš, Abzu, the "begetter of the gods", is inert and sleepy but finds his peace disturbed by the younger gods, so sets out to destroy them. His grandson Enki, chosen to represent the younger gods, puts a spell on Abzu "casting him into a deep sleep", thereby confining him deep underground. Enki subsequently sets up his home "in the depths of the Abzu." Enki thus takes on all of the functions of the Abzu, including his fertilising powers as lord of the waters and lord of semen.

Early royal inscriptions from the third millennium BCE mention "the reeds of Enki". Reeds were an important local building material, used for baskets and containers, and collected outside the city walls, where the dead or sick were often carried. This links Enki to the Kur or underworld of Sumerian mythology. In another even older tradition, Nammu, the goddess of the primeval creative matter and the mother-goddess portrayed as having "given birth to the great gods," was the mother of Enki, and as the watery creative force, was said to preexist Ea-Enki. Benito states "With Enki it is an interesting change of gender symbolism, the fertilising agent is also water, Sumerian "a" or "Ab" which also means "semen". In one evocative passage in a Sumerian hymn, Enki stands at the empty riverbeds and fills them with his 'water'".

Creation of life and sickness
The cosmogenic myth common in Sumer was that of the hieros gamos, a sacred marriage where divine principles in the form of dualistic opposites came together as male and female to give birth to the cosmos. In the epic Enki and Ninhursag, Enki, as lord of Ab or fresh water, is living with his wife in the paradise of Dilmun where

Despite being a place where "the raven uttered no cries" and "the lion killed not, the wolf snatched not the lamb, unknown was the kid-killing dog, unknown was the grain devouring boar", Dilmun had no water and Enki heard the cries of its goddess, Ninsikil, and orders the sun-god Utu to bring fresh water from the Earth for Dilmun. As a result,

Dilmun was identified with Bahrain, whose name in Arabic means "two seas", where the fresh waters of the Arabian aquifer mingle with the salt waters of the Persian Gulf. This mingling of waters was known in Sumerian as Nammu, and was identified as the mother of Enki.

The subsequent tale, with similarities to the Biblical story of the forbidden fruit, repeats the story of how fresh water brings life to a barren land. Enki, the Water-Lord then "caused to flow the 'water of the heart" and having fertilised his consort Ninhursag, also known as Ki or Earth, after "Nine days being her nine months, the months of 'womanhood'... like good butter, Nintu, the mother of the land, ...like good butter, gave birth to Ninsar, (Lady Greenery)". When Ninhursag left him, as Water-Lord he came upon Ninsar (Lady Greenery). Not knowing her to be his daughter, and because she reminds him of his absent consort, Enki then seduces and has intercourse with her. Ninsar then gave birth to Ninkurra (Lady Fruitfulness or Lady Pasture), and leaves Enki alone again. A second time, Enki, in his loneliness finds and seduces Ninkurra, and from the union Ninkurra gave birth to Uttu (weaver or spider, the weaver of the web of life).

A third time Enki succumbs to temptation, and attempts seduction of Uttu. Upset about Enki's reputation, Uttu consults Ninhursag, who, upset at the promiscuous wayward nature of her spouse, advises Uttu to avoid the riverbanks, the places likely to be affected by flooding, the home of Enki. In another version of this myth, Ninhursag takes Enki's semen from Uttu's womb and plants it in the earth where eight plants rapidly germinate. With his two-faced servant and steward Isimud, "Enki, in the swampland, in the swampland lies stretched out, 'What is this (plant), what is this (plant).' His messenger Isimud, answers him; 'My king, this is the tree-plant', he says to him. He cuts it off for him and he (Enki) eats it". And so, despite warnings, Enki consumes the other seven fruit. Consuming his own semen, he falls pregnant (ill with swellings) in his jaw, his teeth, his mouth, his hip, his throat, his limbs, his side and his rib. The gods are at a loss to know what to do; chagrined they "sit in the dust". As Enki lacks a birth canal through which to give birth, he seems to be dying with swellings. The fox then asks Enlil, King of the Gods, "If I bring Ninhursag before thee, what shall be my reward?" Ninhursag's sacred fox then fetches the goddess.

Ninhursag relents and takes Enki's Ab (water, or semen) into her body, and gives birth to gods of healing of each part of the body: Abu for the jaw, Nanshe for the throat, Nintul for the hip, Ninsutu for the tooth, Ninkasi for the mouth, Dazimua for the side, Enshagag for the limbs. The last one, Ninti (Lady Rib), is also a pun on Lady Life, a title of Ninhursag herself. The story thus symbolically reflects the way in which life is brought forth through the addition of water to the land, and once it grows, water is required to bring plants to fruit. It also counsels balance and responsibility, nothing to excess.

Ninti, the title of Ninhursag, also means "the mother of all living", and was a title later given to the Hurrian goddess Kheba. This is also the title given in the Bible to Eve, the Hebrew and Aramaic Ḥawwah (חוה), who was made from the rib of Adam, in a strange reflection of the Sumerian myth, in which Adam – not Enki – walks in the Garden of Paradise.

Making of man
After six generations of gods, in the Babylonian Enûma Eliš, in the seventh generation, (Akkadian "shapattu" or sabath), the younger Igigi gods, the sons and daughters of Enlil and Ninlil, go on strike and refuse their duties of keeping creation working. Abzu, god of fresh water, co-creator of the cosmos, threatens to destroy the world with his waters, and the gods gather in terror. Enki promises to help and puts Abzu to sleep, confining him in irrigation canals and places him in the Kur, beneath his city of Eridu. But the universe is still threatened, as Tiamat, angry at the imprisonment of Abzu and at the prompting of her son and vizier Kingu, decides to take back creation herself. The gods gather again in terror and turn to Enki for help, but Enki – who harnessed Abzu, Tiamat's consort, for irrigation – refuses to get involved. The gods then seek help elsewhere, and the patriarchal Enlil, their father, god of Nippur, promises to solve the problem if they make him King of the Gods. In the Babylonian tale, Enlil's role is taken by Marduk, Enki's son, and in the Assyrian version it is Ashur. After dispatching Tiamat with the "arrows of his winds" down her throat and constructing the heavens with the arch of her ribs, Enlil places her tail in the sky as the Milky Way, and her crying eyes become the source of the Tigris and Euphrates. But there is still the problem of "who will keep the cosmos working". Enki, who might have otherwise come to their aid, is lying in a deep sleep and fails to hear their cries. His mother Nammu (creatrix also of Abzu and Tiamat) "brings the tears of the gods" before Enki and says

Enki then advises that they create a servant of the gods, humankind, out of clay and blood. Against Enki's wish, the gods decide to slay Kingu, and Enki finally consents to use Kingu's blood to make the first human, with whom Enki always later has a close relationship, the first of the seven sages, seven wise men or "Abgallu" (ab = water, gal = great, lu = man), also known as Adapa. Enki assembles a team of divinities to help him, creating a host of "good and princely fashioners". He tells his mother:

Adapa, the first man fashioned, later goes and acts as the advisor to the King of Eridu, when in the Sumerian King-List, the me of "kingship descends on Eridu".

Samuel Noah Kramer believes that behind this myth of Enki's confinement of Abzu lies an older one of the struggle between Enki and the Dragon Kur (the underworld).

The Atrahasis-Epos has it that Enlil requested from Nammu the creation of humans. And Nammu told him that with the help of Enki (her son) she can create humans in the image of gods.

Uniter of languages
In the Sumerian epic entitled Enmerkar and the Lord of Aratta, in a speech of Enmerkar, an introductory spell appears, recounting Enki having had mankind communicate in one language (following Jay Crisostomo 2019); or, in other accounts, it is a hymn imploring Enki to do so. In either case, Enki "facilitated the debates between [the two kings] by allowing the world to speak one language," the presumed superior language of the tablet, i.e. Sumerian.

Jay Crisostomo's 2019 translation, based on the recent work of C. Mittermayer is:

S.N. Kramer's 1940 translation is as follows:

The deluge
In the Sumerian version of the flood myth, the causes of the flood and the reasons for the hero's survival are unknown due to the fact that the beginning of the tablet describing the story has been destroyed. Nonetheless, Kramer has stated that it can probably be reasonably inferred that the hero Ziusudra survives due to Enki's aid because that is what happens in the later Akkadian and Babylonian versions of the story.

In the later Legend of Atrahasis, Enlil, the King of the Gods, sets out to eliminate humanity, whose noise is disturbing his rest. He successively sends drought, famine and plague to eliminate humanity, but Enki thwarts his half-brother's plans by teaching Atrahasis how to counter these threats. Each time, Atrahasis asks the population to abandon worship of all gods except the one responsible for the calamity, and this seems to shame them into relenting. Humans, however, proliferate a fourth time. Enraged, Enlil convenes a Council of Deities and gets them to promise not to tell humankind that he plans their total annihilation. Enki does not tell Atrahasis directly, but speaks to him in secret via a reed wall. He instructs Atrahasis to build a boat in order to rescue his family and other living creatures from the coming deluge. After the seven-day deluge, the flood hero frees a swallow, a raven and a dove in an effort to find if the flood waters have receded. Upon landing, a sacrifice is made to the gods. Enlil is angry his will has been thwarted yet again, and Enki is named as the culprit. Enki explains that Enlil is unfair to punish the guiltless, and the gods institute measures to ensure that humanity does not become too populous in the future. This is one of the oldest of the surviving Middle Eastern deluge myths.

Enki and Inanna
The myth Enki and Inanna tells the story of how the young goddess of the É-anna temple of Uruk feasts with her father Enki. The two deities participate in a drinking competition; then, Enki, thoroughly inebriated, gives Inanna all of the mes. The next morning, when Enki awakes with a hangover, he asks his servant Isimud for the mes, only to be informed that he has given them to Inanna. Upset, he sends Galla to recover them. Inanna sails away in the boat of heaven and arrives safely back at the quay of Uruk. Eventually, Enki admits his defeat and accepts a peace treaty with Uruk.

Politically, this myth would seem to indicate events of an early period when political authority passed from Enki's city of Eridu to Inanna's city of Uruk.

In the myth of Inanna's Descent, Inanna, in order to console her grieving sister Ereshkigal, who is mourning the death of her husband Gugalana (gu 'bull', gal 'big', ana 'sky/heaven'), slain by Gilgamesh and Enkidu, sets out to visit her sister. Inanna tells her servant Ninshubur ('Lady Evening', a reference to Inanna's role as the evening star) to get help from Anu, Enlil or Enki if she does not return in three days. After Inanna has not come back, Ninshubur approaches Anu, only to be told that he knows the goddess's strength and her ability to take care of herself. While Enlil tells Ninshubur he is busy running the cosmos, Enki immediately expresses concern and dispatches his Galla (Galaturra or Kurgarra, sexless beings created from the dirt from beneath the god's finger-nails) to recover the young goddess. These beings may be the origin of the Greco-Roman Galli, androgynous beings of the third sex who played an important part in early religious ritual.

In the story Inanna and Shukaletuda, Shukaletuda, the gardener, set by Enki to care for the date palm he had created, finds Inanna sleeping under the palm tree and rapes the goddess in her sleep. Awaking, she discovers that she has been violated and seeks to punish the miscreant. Shukaletuda seeks protection from Enki, whom Bottéro believes to be his father. In classic Enkian fashion, the father advises Shukaletuda to hide in the city where Inanna will not be able to find him. Enki, as the protector of whoever comes to seek his help, and as the empowerer of Inanna, here challenges the young impetuous goddess to control her anger so as to be better able to function as a great judge.

Eventually, after cooling her anger, she too seeks the help of Enki, as spokesperson of the "assembly of the gods", the Igigi and the Anunnaki. After she presents her case, Enki sees that justice needs to be done and promises help, delivering knowledge of where the miscreant is hiding.

Influence
Enki and later Ea were apparently depicted, sometimes, as a man covered with the skin of a fish, and this representation, as likewise the name of his temple E-apsu, "house of the watery deep", points decidedly to his original character as a god of the waters (see Oannes). Around the excavation of the 18 shrines found on the spot, thousands of carp bones were found, consumed possibly in feasts to the god. Of his cult at Eridu, which goes back to the oldest period of Mesopotamian history, nothing definite is known except that his temple was also associated with Ninhursag's temple which was called Esaggila, "the lofty head house" (E, house, sag, head, ila, high; or Akkadian goddess = Ila), a name shared with Marduk's temple in Babylon, pointing to a staged tower or ziggurat (as with the temple of Enlil at Nippur, which was known as E-kur (kur, hill)), and that incantations, involving ceremonial rites in which water as a sacred element played a prominent part, formed a feature of his worship. This seems also implicated in the epic of the hieros gamos or sacred marriage of Enki and Ninhursag (above), which seems an etiological myth of the fertilisation of the dry ground by the coming of irrigation water (from Sumerian a, ab, water or semen). The early inscriptions of Urukagina in fact go so far as to suggest that the divine pair, Enki and Ninki, were the progenitors of seven pairs of gods, including Enki as god of Eridu, Enlil of Nippur, and Su'en (or Sin) of Ur, and were themselves the children of An (sky, heaven) and Ki (earth). The pool of the Abzu at the front of his temple was adopted also at the temple to Nanna (Akkadian Sin) the Moon, at Ur, and spread from there throughout the Middle East. It is believed to remain today as the sacred pool at Mosques, or as the holy water font in Catholic or Eastern Orthodox churches.

Whether Eridu at one time also played an important political role in Sumerian affairs is not certain, though not improbable. At all events the prominence of "Ea" led, as in the case of Nippur, to the survival of Eridu as a sacred city, long after it had ceased to have any significance as a political center. Myths in which Ea figures prominently have been found in Assurbanipal's library, and in the Hattusas archive in Hittite Anatolia. As Ea, Enki had a wide influence outside of Sumer, being equated with El (at Ugarit) and possibly Yah (at Ebla) in the Canaanite 'ilhm pantheon. He is also found in Hurrian and Hittite mythology as a god of contracts, and is particularly favourable to humankind. It has been suggested that etymologically the name Ea comes from the term *hyy (life), referring to Enki's waters as life-giving. Enki/Ea is essentially a god of civilization, wisdom, and culture. He was also the creator and protector of man, and of the world in general. Traces of this version of Ea appear in the Marduk epic celebrating the achievements of this god and the close connection between the Ea cult at Eridu and that of Marduk. The correlation between the two rises from two other important connections: (1) that the name of Marduk's sanctuary at Babylon bears the same name, Esaggila, as that of a temple in Eridu, and (2) that Marduk is generally termed the son of Ea, who derives his powers from the voluntary abdication of the father in favour of his son. Accordingly, the incantations originally composed for the Ea cult were re-edited by the priests of Babylon and adapted to the worship of Marduk, and, similarly, the hymns to Marduk betray traces of the transfer to Marduk of attributes which originally belonged to Ea.

It is, however, as the third figure in the triad (the two other members of which were Anu and Enlil) that Ea acquires his permanent place in the pantheon. To him was assigned the control of the watery element, and in this capacity he becomes the shar apsi; i.e. king of the Apsu or "the abyss". The Apsu was figured as the abyss of water beneath the earth, and since the gathering place of the dead, known as Aralu, was situated near the confines of the Apsu, he was also designated as En -Ki; i.e. "lord of that which is below", in contrast to Anu, who was the lord of the "above" or the heavens. The cult of Ea extended throughout Babylonia and Assyria. We find temples and shrines erected in his honour, e.g. at Nippur, Girsu, Ur, Babylon, Sippar, and Nineveh, and the numerous epithets given to him, as well as the various forms under which the god appears, alike bear witness to the popularity which he enjoyed from the earliest to the latest period of Babylonian-Assyrian history. The consort of Ea, known as Ninhursag, Ki, Uriash Damkina, "lady of that which is below", or Damgalnunna, "big lady of the waters", originally was fully equal with Ea, but in more patriarchal Assyrian and Neo-Babylonian times plays a part merely in association with her lord. Generally, however, Enki seems to be a reflection of pre-patriarchal times, in which relations between the sexes were characterised by a situation of greater gender equality. In his character, he prefers persuasion to conflict, which he seeks to avoid if possible.

Ea and West Semitic deities
In 1964, a team of Italian archaeologists under the direction of Paolo Matthiae of the University of Rome La Sapienza performed a series of excavations of material from the third-millennium BCE city of Ebla. Much of the written material found in these digs was later translated by Giovanni Pettinato. Among other conclusions, he found a tendency among the inhabitants of Ebla, after the reign of Sargon of Akkad, to replace the name of El, king of the gods of the Canaanite pantheon (found in names such as Mikael and Ishmael), with Ia (Mikaia, Ishmaia).

Jean Bottéro (1952) and others suggested that Ia in this case is a West Semitic (Canaanite) way of pronouncing the Akkadian name Ea. Scholars largely reject the theory identifying this Ia with the Israelite theonym YHWH, while explaining how it might have been misinterpreted. Ia has also been compared by William Hallo with the Ugaritic god Yamm ("Sea"), (also called Judge Nahar, or Judge River) whose earlier name in at least one ancient source was Yaw or Ya'a.

Ea was also known as Dagon and Uanna (Grecised Oannes), the first of the Seven Sages.

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title: Enki


text:
Eli Wallach

Eli Herschel Wallach (December 7, 1915 – June 24, 2014) was an American film, television, and stage actor from New York City. Known for his character actor roles, his entertainment career spanned over six decades. He received a BAFTA Award, a Tony Award, and an Emmy Award. He also was inducted into the American Theater Hall of Fame in 1988 and received the Academy Honorary Award in 2010.

Originally trained in stage acting, he garnered over 90 film credits. He and his wife Anne Jackson often appeared together on stage, eventually becoming a notable acting couple in American theater. Wallach initially studied method acting under Sanford Meisner and later became a founding member of the Actors Studio, where he studied under Lee Strasberg. He played a wide variety of roles throughout his career, primarily as a supporting actor. He won the Tony Award for Best Featured Actor in a Play for The Rose Tattoo (1951).

For his debut screen performance in Baby Doll (1956), he won a BAFTA Award for Best Newcomer and a Golden Globe Award nomination. Among his other most famous roles are Calvera in The Magnificent Seven (1960), Guido in The Misfits (1961), and Tuco ("The Ugly") in The Good, the Bad and the Ugly (1966) and Don Altobello in The Godfather Part III (1990). Other notable films include How the West Was Won (1962), Tough Guys (1986), The Two Jakes (1990), The Associate (1996), The Holiday (2006), Wall Street: Money Never Sleeps, and The Ghost Writer (both 2010). He received Primetime Emmy Award nominations for Studio 60 on the Sunset Strip (2007) and Nurse Jackie (2011).

Early life and education
Eli Herschel Wallach was born on December 7, 1915, at 156 Union Street in Red Hook, Brooklyn, a son of Polish Jewish immigrants Abraham and Bertha (Schorr) Wallach from Przemyśl. He had a brother and two sisters. He and his family were one of a few Jews in an otherwise Italian American neighborhood. His parents owned Bertha's Candy Store. Wallach graduated in 1936 from the University of Texas with a degree in history. In a later interview, Wallach said that he learned to ride horses while in Texas, explaining that he liked Texas because "It opened my eyes to the word friendship... You could rely on people. If they gave you their word, that was it ... It was an education."

Two years later he earned a master of arts degree in education from the City College of New York. He gained his first method acting experience at the Neighborhood Playhouse School of the Theatre in New York City, where he studied under Sanford Meisner. There, according to Wallach, actors were forced to "unlearn" all their physical and vocal mannerisms, while traditional stage etiquette and "singsong" deliveries were "utterly excised" from his classroom.

Military service
Wallach's education was cut short when he was drafted into the United States Army in 1940. He served as a staff sergeant and medic in a military hospital in Hawaii and later was sent to Officer Candidate School (OCS) in Abilene, Texas, to train as a medical administrative officer. Commissioned as a second lieutenant, he was ordered to Casablanca. Later, when he was serving in France, a senior officer noticed his acting career and asked him to create a show for the patients. He and his unit wrote a play called Is This the Army?, which was inspired by Irving Berlin's This Is the Army. In the comedy, Wallach and the other actors mocked Axis dictators, with Wallach portraying Adolf Hitler. Wallach was discharged as a captain following the war's end in 1945. He was awarded the Army Good Conduct Medal, the American Defense Service Medal, the American Campaign Medal, the Asiatic–Pacific Campaign Medal, the European–African–Middle Eastern Campaign Medal and the World War II Victory Medal.

Stage actor
Wallach took classes in acting at the Dramatic Workshop of the New School in New York City with the influential German director Erwin Piscator. He later became a founding member of the Actors Studio, taught by Lee Strasberg. There, he studied more method acting technique with founding member Robert Lewis, and with other students including Marlon Brando, Montgomery Clift, Herbert Berghof, Sidney Lumet, and his soon-to-be wife, Anne Jackson. Wallach became Marilyn Monroe's first new friend when she became a student at the Actors Studio, once insisting on watching him perform in The Teahouse of the August Moon from the backstage wings, simply to see up close how experienced actors perform a two-hour play. She also became friends with his wife, Anne Jackson, also studying at the Studio, and would visit the couple at their home and sometimes babysit their new child.

In 1945 Wallach made his Broadway debut and he won a Tony Award in 1951 for his performance alongside Maureen Stapleton in the Tennessee Williams play The Rose Tattoo. His other theater credits include Mister Roberts, The Teahouse of the August Moon, Camino Real, Major Barbara (in which director Charles Laughton discouraged Wallach's established method acting style), Luv, and Staircase, co-starring Milo O'Shea, which was a serious depiction of an aging homosexual couple. He also played a role in a tour of Antony and Cleopatra, produced by the actress Katharine Cornell in 1946. He exposed Americans to the work of playwright Eugène Ionesco in plays including The Chairs and The Lesson in 1958, and in 1961 Rhinoceros opposite Zero Mostel. He last starred on stage as the title character in Visiting Mr. Green.

The stage was where Wallach focused his early career. From 1945 to 1950 he and his wife, Anne Jackson, worked together acting in various plays by Tennessee Williams. The five years following, he continued only working on stage, not becoming involved in film work until 1956. During those years, however, they were generally having a hard time making ends meet. He recalls they were getting along on unemployment insurance and living in a one-room, $35 a month apartment on lower Fifth Avenue in the Village. When he did get offered early movie parts, he turned them down with no regrets, and very early in his career he explained his reasoning:

"What do I need a movie for? The stage is on a higher level in every way, and a more satisfying medium. Movies, by comparison, are like calendar art next to great paintings. You can't really do very much in movies or in television, but the stage is such an anarchistic medium."

He said that the stage was what attracted him most and what he "needed" to do. "Acting is the most alive thing I can do, and the most joyous", he stated.

Wallach and Jackson became one of the best-known acting couples in the American theater, as iconic as Alfred Lunt and Lynn Fontanne, and Jessica Tandy and Hume Cronyn, and they looked for opportunities to work together. During an interview, he said of Jackson, "I have tremendous respect and admiration for her as an actress . . . we have a terrific working compatibility when we're in the same play, especially when the play means something important to us." When he did gravitate toward accepting parts in films, he did so to "help pay the bills", he said, adding, "for actors, movies are a means to an end."

Despite the fact that he eventually acted in over 90 films and almost as many television dramas, he continued to accept stage parts throughout his career, often with Jackson. They played in comedies like The Typists and The Tiger in 1963, and acted together in Waltz of the Toreadors in 1973. In 1978 they played in a revival of The Diary of Anne Frank, along with their daughters, and in 1984 they acted in Nest of the Wood Grouse, directed by Joseph Papp. Four years later, in 1988, they acted in a revival of Cafe Crown, a portrait of the Yiddish theatre scene during its prime. They continued acting together as late as 2000, while he also took on roles alone throughout all those years.

Film and television roles
Wallach's film debut was in Elia Kazan's controversial 1956 Baby Doll, for which he won the British Academy Film Awards (BAFTA) as "Most Promising Newcomer." Baby Doll was controversial because of its underlying sexual theme. Director Elia Kazan however, set explicit limits on Wallach's scenes, telling him not to actually seduce Carroll Baker, but instead to create an unfulfilled erotic tension. Kazan later explained his reasoning: "What is erotic about sex to me is the seduction, not the act ... The scene on the swing with Eli Wallach and Carroll Baker in Baby Doll is my exact idea of what eroticism in films should be."

Wallach went on to a prolific career as "one of the greatest 'character actors' ever to appear on stage and screen", notes Turner Classic Movies, acting in over 90 films. Having grown up on the "mean streets" of an Italian American neighborhood, and his versatility as a method actor, Wallach developed the ability to play a wide variety of different roles, although he tried to not get pinned down to any single type of character. "Right now I'm playing an old man", he said at age 84. But "I've been through all the ethnic groups, from Mexican bandits to Italian Mafia heads to Okinawans to half-breeds, and now I'm playing old Jews. Who knows?"

Noting this versatility as a character actor, the Academy of Motion Picture Arts and Sciences called him "the quintessential chameleon", with the ability to play different characters "effortlessly", and L.A. Times theater critic Charles McNulty saw Wallach's "power to illuminate" his various screen or stage personas as being "radioactive." The Guardian has written that "Wallach was made for character acting", and includes movie clips from some of his most memorable roles in a tribute to him.

In 1961, Wallach co-starred with Marilyn Monroe, Montgomery Clift and Clark Gable in The Misfits, Monroe's and Gable's last film before their deaths. Wallach never learned why he was cast in the film, although he suspected that Monroe had something to do with it. Its screenwriter, Arthur Miller, who was married to Monroe at the time, said that "Eli Wallach is the happiest good actor I've ever known. He really enjoys the work."

Some of his other films included The Lineup (1958); Lord Jim (1965) with Peter O'Toole; a comic role in How to Steal a Million (1966), again with O'Toole, and Audrey Hepburn; and as Tuco (the "Ugly") in Sergio Leone's The Good, the Bad and the Ugly (1966) with Clint Eastwood and Lee Van Cleef, followed by other Spaghetti Westerns, such as Ace High. At one point, Henry Fonda had asked Wallach whether he himself should accept a part offered to him to act in a similar Western, Once Upon a Time in the West (1968), which would also be directed by Leone. Wallach said "Yes, you'll enjoy the challenge", and Fonda later thanked Wallach for that advice.

Wallach and Eastwood became friends during the filming of The Good, the Bad and the Ugly and he recalled their off-work time together: "Clint was the tall, silent type. He's the kind where you open up and do all the talking. He smiles and nods and stores it all away in that wonderful calculator of a brain." In 2003 Wallach acted in Mystic River, produced and directed by Eastwood, who once said "working with Eli Wallach has been one of the great pleasures of my life."

A pivotal moment in Wallach's career came in 1953, when he, along with Frank Sinatra and Harvey Lembeck, tried out for the role of Maggio in the film From Here to Eternity. Sinatra biographer Kitty Kelly notes that while Sinatra's test was good, it had none of the "consummate acting ability" of Wallach. Producer Harry Cohn and director Fred Zinnemann were "dazzled" by Wallach's screen test and wanted him to play the part. However, Wallach had previously been offered an important role in another Tennessee Williams play, Camino Real, to be directed by Elia Kazan, and turned down the movie role. Wallach said that when he learned that the play had finally received financing, he "grabbed" the opportunity: "It was a remarkable piece of writing by the leading playwright in America and it was going to be directed by the country's best. There really wasn't much of a choice for me." The film, however, went on to win eight Academy Awards, including one for Sinatra, which revived his career. Wallach recalled afterwards, "Whenever Sinatra saw me, he'd say, 'Hello, you crazy actor!'" Wallach, however, said he had no regrets.

Film historian James Welsh states that during Wallach's career, he appeared in most of the "prestige" television dramas during the "Golden Age" of the 1950s, including Studio One, The Philco Television Playhouse, The Armstrong Circle Theatre, Playhouse 90, and The Hallmark Hall of Fame, among others. He won the 1966–1967 Emmy Award for his role in the telefilm The Poppy is Also a Flower. In 2006 Wallach appeared on NBC's Studio 60 on the Sunset Strip, playing a former writer who was blacklisted in the 1950s. His character was a writer on The Philco Comedy Hour, a show that aired on a fictional NBS network. This is a reference to The Philco Television Playhouse, in several episodes of which Wallach actually appeared in 1955. Wallach earned a 2007 Emmy nomination for his work on the show.

During the filming of The Good, the Bad and the Ugly, Wallach nearly died three times. Once, he accidentally drank a bottle of acid which was placed next to his pop bottle; another time was in a scene where he was about to be hanged, someone fired a pistol which caused the horse underneath him to bolt and run while Wallach's hands were still tied behind his back; in a different scene with him lying on a railroad track, he was close to being decapitated by steps jutting out from the train.

Wallach appeared as DC Comics' supervillain Mr. Freeze in the 1960s Batman television series. He said that he received more fan mail about his role as Mr. Freeze than for all his other roles combined. He played Gus Farber in the television miniseries Seventh Avenue in 1977, and 10 years later, at the age of 71, he starred alongside Michael Landon in Highway to Heaven episode "A Father's Faith". Three years later, he played aging mob boss Don Altobello in Francis Ford Coppola's The Godfather Part III.

On November 13, 2010, at the age of 94, Wallach received an Academy Honorary Award for his contribution to the film industry from the Academy of Motion Picture Arts and Sciences. A few years prior to that event, Kate Winslet told another audience that Wallach, with whom she acted in The Holiday in 2006, was one of the "most charismatic men" she'd met, and her "very own sexiest man alive."

Wallach's final performance was in the short film The Train (2015). Wallach plays a Holocaust survivor who, in a meeting, teaches a self-consumed and preoccupied young man that life can change in a moment. The short was shot in early 2014 and premiered on August 6, 2015, at the Rhode Island International Film Festival.

Between 1984 and 1997, he also performed voiceovers in a series of television commercials for the Toyota Pickup.

Personal life
Wallach was married to actress Anne Jackson, with whom he frequently shared the screen, from March 5, 1948, until his death on June 24, 2014. They had three children: Peter, Katherine, and Roberta.

A few years before 2005, Wallach lost sight in his left eye as the result of a stroke.

His niece is historian Joan Wallach Scott (daughter of his brother Sam). A. O. Scott, a film critic for The New York Times, is his great-nephew.

Wallach's grandson is Tracy Wallach, bass player for Arizona metal band Icon.

Death
Wallach died on June 24, 2014, of natural causes at the age of 98. His body was cremated.

Katherine Wallach told The New York Times that Anne Jackson died on April 12, 2016, aged 90, at her home in Manhattan.

Filmography
Selected filmography: • Baby Doll (1956)

• Seven Thieves (1960)

• The Magnificent Seven (1960)

• The Misfits (1961)

• How the West Was Won (1962)

• The Victors (1963)

• Genghis Khan (1965)

• The Poppy Is Also a Flower (1966)

• How to Steal a Million (1966)

• The Good, the Bad and the Ugly (1966)

• The Tiger Makes Out (1967)

• How to Save a Marriage and Ruin Your Life (1968)

• A Lovely Way to Die (1968)

• Ace High (1968)

• Mackenna's Gold (1969)

• Le Cerveau (1969)

• The People Next Door (1970)

• Cinderella Liberty (1973)

• The Domino Principle (1977)

• The Deep (1977)

• Circle of Iron (1978)

• Movie Movie (1978)

• The Hunter (1980)

• Our Family Honor (1985)

• The Two Jakes (1990)

• The Godfather Part III (1990)

• Night and the City (1992)

• The Associate (1996)

• Keeping the Faith (2000)

• The Holiday (2006)

• New York, I Love You (2008)

• The Ghost Writer (2010)

• Wall Street: Money Never Sleeps (2010)

title: Eli Wallach


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Electric Light Orchestra

The Electric Light Orchestra (ELO) are an English rock band formed in Birmingham in 1970 by songwriters and multi-instrumentalists Jeff Lynne and Roy Wood with drummer Bev Bevan. Their music is characterised by a fusion of pop and classical arrangements with futuristic iconography. After Wood's departure in 1972, Lynne became the band's sole leader, arranging and producing every album while writing nearly all of their original material. From this point until their first break-up in 1986, Lynne, Bevan, and keyboardist Richard Tandy were the group's only consistent members.

The group's name is a pun that references both electric light and "light orchestral music", a popular style featured in places such as the BBC Light Programme between the 1940s and 1960s. ELO was formed out of Lynne's and Wood's desire to create modern rock and pop songs with classical influences. It derived as an offshoot of Wood's previous band, the Move, of which Lynne and Bevan were also members. During the 1970s and 1980s, ELO released a string of top 10 albums and singles, including the band's most commercially successful album, the double album Out of the Blue (1977). Two ELO albums reached the top of the British charts: the disco-inspired Discovery (1979) and the science-fiction-themed concept album Time (1981). In 1986 Lynne lost interest in the band and disbanded the group. Bevan responded by forming his own band, ELO Part II, which later became The Orchestra. Apart from a brief reunion in the early 2000s, ELO remained largely inactive until 2014, when Lynne re-formed the band with Tandy as Jeff Lynne's ELO. Tandy died in May 2024.

During ELO's original 13-year period of active recording and touring, they sold over 50 million records worldwide. They collected 19 CRIA, 21 RIAA, and 38 BPI awards. From 1972 to 1986 ELO accumulated 27 Top 40 songs on the UK Singles Chart, and fifteen Top 20 songs on the US Billboard Hot 100. The band also holds the record for having the most Billboard Hot 100 Top 40 hits (20) without a number one. In 2017, four key members of ELO (Wood, Lynne, Bevan, and Tandy) were inducted into the Rock and Roll Hall of Fame.

1970–1973: Formation and early albums
In 1968, Roy Wood—guitarist, vocalist and songwriter of the Move—had an idea to form a new band that would use violins, cellos, string basses, horns and woodwinds to give their music a classical sound, allowing rock music to "pick up where the Beatles left off..." in a new direction. The orchestral instruments would be the main focus, rather than the guitars. Jeff Lynne, frontman of fellow Birmingham group The Idle Race, was excited by the concept. When Trevor Burton left the Move in February 1969, Lynne was asked by Wood to join, only to say no, as he was still focused on finding success with his band. But in January 1970, when Carl Wayne quit the band, Lynne accepted Wood's second invitation to join, on the condition that they focus their energy on the new project.

On 12 July 1970, when Wood added multiple cellos to a Lynne-penned song intended to be a Move B-side, the new concept became a reality and "10538 Overture" became the first Electric Light Orchestra song. The original plan was to end The Move following the release of the Looking On album at the end of 1970, crossing over to the new unit in the new year. But to help finance the fledgling band, one further Move album, Message from the Country, was recorded during the lengthy ELO recordings and released in mid-1971. The resulting debut album The Electric Light Orchestra was released in December 1971. Only the trio of Wood, Lynne and Bevan played on all songs, with Bill Hunt supplying the French Horn parts and Steve Woolam playing violin. It was released in the United States in March 1972 as No Answer. The name was chosen after a U.S. record company secretary had tried to ring the UK company to get the name of the album. They were unavailable so she left a note reading "No answer". "10538 Overture" became a UK top-ten hit. With both bands' albums in the stores simultaneously, the Move and ELO both appeared on television during this period.

ELO's debut concert took place on 16 April 1972 at the Greyhound Pub in Croydon, Surrey, with a line-up of Wood, Lynne, Bevan, Bill Hunt (keyboards/French horn), Andy Craig (cello), Mike Edwards (cello), Wilfred Gibson (violin), Hugh McDowell (cello), and Richard Tandy (bass). However, this line-up did not last for long. First Craig departed, and then Wood, during the recordings for the band's second LP. Taking Hunt and McDowell with him, Wood left the band to form Wizzard. Both cited problems with their manager, Don Arden, who Wood felt failed in his role, and an unsatisfactory tour of Italy. However, Arden would manage Wizzard, despite Wood's negative comments towards Arden. Despite predictions from the music press that the band would fold without Wood, who had been the driving force behind the creation of ELO, Lynne stepped up to lead the band, with Bevan, Edwards, Gibson and Tandy (who had switched from bass to keyboards to replace Hunt) remaining from the previous line-up, and new recruits Mike de Albuquerque and Colin Walker joining the band on bass and cello, respectively.

The new line-up performed at the 1972 Reading Festival on 12 August 1972. Barcus Berry instrument pick-ups, now sported by the band's string trio, allowed them to have proper amplification on stage for their instruments, which had previously been all but drowned out by the electrified instruments. The band released their second album ELO 2 in early 1973, which produced their second UK top 10 and their first US chart single, an elaborate version of the Chuck Berry classic "Roll Over Beethoven" (which also incorporated the first 2 or 3 lines from the first movement of Beethoven's own Fifth Symphony). ELO also made their first appearance on American Bandstand. During the recording of the third album, Gibson was let go after a dispute over money, Mik Kaminski joined as violinist, and Walker left since touring was keeping him away from his family too much. Remaining cellist Edwards finished the cello parts for the album. The resulting album, On the Third Day, was released in late 1973, with the American version featuring the popular single "Showdown". After leaving Wizzard, Hugh McDowell returned as the group's second cellist, also in late 1973, in time to appear on the On the Third Day cover in some regions, despite not having played on the album.

1974–1982: Global success and concept albums
For the band's fourth album, Eldorado, a concept album about a daydreamer, Lynne stopped multi-tracking strings and hired Louis Clark as string arranger with an orchestra and choir. ELO's string players still continued to perform on recordings, however. The first single off the album, "Can't Get It Out of My Head", became their first US top 10 hit, and Eldorado, A Symphony became ELO's first gold album. Mike de Albuquerque departed the band during the recording sessions as he wished to spend more time with his family, and consequently much of the bass on the album was performed by Lynne.

Following the release of Eldorado, Kelly Groucutt was recruited as bassist and in early 1975, Melvyn Gale replaced Edwards on cello. The line-up stabilised as the band took to a decidedly more accessible sound. ELO had become successful in the US at this point and the group was a star attraction on the stadium and arena circuit, and appeared on The Midnight Special more than any other band in that show's history with four appearances (in 1973, 1975, 1976, and 1977).

Face the Music was released in 1975, producing the hit singles "Evil Woman", their third UK top 10, and "Strange Magic". The opening instrumental "Fire on High", with its mix of strings and acoustic guitars, saw heavy exposure as the theme music for the American television programme CBS Sports Spectacular in the mid-1970s. The group toured extensively from 3 February to 13 April 1976, playing 68 shows in 76 days in the US.

Their sixth album, the platinum selling A New World Record, became their first UK top 10 album when it was released in 1976. It contained the hit singles "Livin' Thing", "Telephone Line", "Rockaria!" and "Do Ya", the last a re-recording of The Move's final single. The band toured in support in the US only from September 1976 to April 1977 with a break in December, then an American Music Awards show appearance on 31 January 1977, plus a one-off gig in San Diego in August 1977.

A New World Record was followed by a multi-platinum selling album, the double-LP Out of the Blue, in 1977. Out of the Blue featured the singles "Turn to Stone", "Sweet Talkin' Woman", "Mr. Blue Sky", and "Wild West Hero", each becoming a hit in the United Kingdom. The band then set out on a nine-month, 92-date world tour, with an enormous set and a hugely expensive spaceship stage with fog machines and a laser display. In the United States the concerts were billed as The Big Night and were their largest to date, with 62,000 people seeing them at Cleveland Stadium. The Big Night went on to become the highest-grossing live concert tour in music history up to that point (1978). The band played at London's Wembley Arena for eight straight sold-out nights during the tour, another record at the time.

During an Australian tour in early 1978, Electric Light Orchestra were presented with 9 platinum awards for the albums Out of the Blue and New World Record.

In 1979, the multi-platinum album Discovery was released, reaching number one on the UK Albums Chart. Although the biggest hit on the album (also ELO's biggest hit overall) was the rock song "Don't Bring Me Down", the album was noted for its heavy disco influence. Discovery also produced the hits "Shine a Little Love" (their only No. 1 hit on a US singles chart---Radio & Records (R&R)), "Last Train to London", "Confusion", and "The Diary of Horace Wimp". Another song, "Midnight Blue", was released as a single in southeast Asia. The band recorded promotional videos for all the songs on the album.

By the end of 1979, ELO had reached the peak of their stardom, selling millions of albums and singles, and even inspiring a parody/tribute song on the Randy Newman album Born Again, titled "The Story of a Rock and Roll Band". During 1979, Jeff Lynne also turned down an invitation for ELO to headline the August 1979 Knebworth Festival concerts. That allowed Led Zeppelin the chance to headline instead.

In 1980, Jeff Lynne was asked to write for the soundtrack of the musical film Xanadu and provided half of the songs, with the other half written by John Farrar and performed by the film's star Olivia Newton-John. The film performed poorly at the box office, but the soundtrack did exceptionally well, eventually going double platinum. The album spawned hit singles from both Newton-John ("Magic", a No. 1 hit in the United States, and "Suddenly" with Cliff Richard) and ELO ("I'm Alive", which went gold, "All Over the World" and "Don't Walk Away"). The title track, performed by both Newton-John and ELO, is ELO's only song to top the UK singles chart. More than a quarter of a century later, Xanadu, a Broadway musical based on the film, opened on 10 July 2007 at the Helen Hayes Theatre to uniformly good reviews. It received four Tony Award nominations. The musical received its UK premiere in London in October 2015.

In 1981, ELO's sound changed again with the science fiction concept album Time, a throwback to earlier, more progressive rock albums like Eldorado. With the string section now departed, synthesisers took a dominating role, as was the trend in the larger music scene of the time; although studio strings were present on some of the tracks conducted by Rainer Pietsch, the overall soundscape had a more electronic feel in keeping with the futuristic nature of the album. Time topped the UK charts for two weeks and was the last ELO studio album to be certified platinum in the United Kingdom until Alone in the Universe in 2015. Singles from the album included "Hold On Tight", "Twilight", "The Way Life's Meant to Be", "Here Is the News" and "Ticket to the Moon". However, the release of the single for "Rain Is Falling" in 1982 was the band's first single in the US to fail to reach the Billboard Top 200 since 1975, and the release of "The Way Life's Meant to Be" similarly was their first single in the UK to fail to chart since 1976. The band embarked on their last world tour to promote the LP. For the tour, Kaminski returned to the line-up on violin, whilst Louis Clark (synthesizers) and Dave Morgan (guitar, keyboards, synthesizers, vocals) also joined the on stage lineup. Clark had previously handled string arrangements for the band.

1983–1986: Secret Messages, Balance of Power, disbanding

Jeff Lynne wanted to follow Time with a double album, but CBS blocked his plan on the grounds that a double vinyl album would be too expensive and not sell as well as a single record, so as a result, the new album was edited down to a single disc and released as Secret Messages in 1983; many of the out-takes were later released on Afterglow or as B-sides of singles. The album was a hit in the UK reaching the top 5, but its release was undermined by a string of bad news that there would be no tour to promote the LP. Lynne, discouraged by the dwindling crowds on the Time tour, CBS's order to cut Secret Messages down to one disc, and his falling out with manager Don Arden, decided to end ELO in late 1983.

Drummer Bevan moved on to play drums for Black Sabbath, and bassist Groucutt, unhappy with no touring income that year, decided to sue Lynne and Jet Records in November 1983, eventually resulting in a settlement for the sum of £300,000 (equivalent to £994,300 in 2018). While Secret Messages debuted at number four in the United Kingdom, it subsequently performed poorly in the charts, with a lack of hit singles (though "Rock 'n' Roll Is King" was a sizeable hit in UK, the US and Australia) and a lukewarm media response.

That same year, Lynne moved into production work: having already produced two tracks for the Dave Edmunds album Information, he would go on to produce six cuts for his next, Riff Raff in 1984, and one cut on the Everly Brothers reunion album EB 84. He also composed a track for former ABBA member Agnetha Fältskog's 1985 album Eyes of a Woman.

Lynne and Tandy went on to record tracks for the 1984 Electric Dreams soundtrack under Lynne's name; however, Lynne was contractually obliged to make one more ELO album. So Lynne, Bevan and Tandy returned to the studio in 1984 and 1985 as a three-piece (with Christian Schneider playing saxophone on some tracks and Lynne again doubling on bass in addition to his usual guitar in the absence of an official bass player) to record Balance of Power, released early in 1986 after some delays. Though the single "Calling America" placed in the Top 30 in the United Kingdom (number 28) and Top 20 in the States, subsequent singles failed to chart. The album lacked actual classical strings, which were replaced once again by synthesizers, played by Tandy and Lynne. However, despite being a 3-piece, much of the album was made by Lynne alone, with Tandy and Bevan giving their additions later.

The band was then rejoined by Kaminski, Clark and Morgan, adding Martin Smith on bass guitar, and proceeded to perform a small number of live ELO performances in 1986, including shows in England and Germany along with US appearances on American Bandstand, Solid Gold, then at Disneyland that summer. ELO performed at the Heart Beat 86 charity concert organised by Bevan in the band's hometown of Birmingham on 15 March 1986; a hint of Lynne's future was seen when George Harrison appeared onstage during the encore, joining in the all-star jam of "Johnny B. Goode". ELO's last performance for several years occurred on 13 July 1986 in Stuttgart, Germany playing as opening act to Rod Stewart. With Lynne no longer under contractual obligation to attend further scheduled performances, ELO effectively disbanded after that final show in Stuttgart in 1986, but there was no announcement made of it for the next two years, during which George Harrison's Lynne-produced album Cloud Nine and the pair's follow-up (with Roy Orbison, Bob Dylan and Tom Petty as Traveling Wilburys) Traveling Wilburys Vol. 1 were released.

1989–1999: ELO Part II
Bev Bevan (under an agreement with Lynne, who co-owned the ELO name with him) continued on in 1989 as ELO Part II, initially with no other former ELO members, but with ELO's main orchestra conductor, Louis Clark. Bevan also recruited Eric Troyer, Pete Haycock, and Neil Lockwood. ELO Part II released their debut album Electric Light Orchestra Part Two in May 1991. Mik Kaminski, Kelly Groucutt and Hugh McDowell, at the time working in a group called OrKestra, joined the group for their first tour in 1991. While McDowell did not stay, Groucutt and Kaminski became fully-fledged members.

In 1994, after the departure of Haycock and Lockwood, the remaining five recorded Moment of Truth with their newest member, Phil Bates. This lineup toured extensively up to 1999. Bevan retired from the lineup in 1999 and sold his share of the ELO name to Jeff Lynne in 2000, after Lynne had expressed his dismay that in certain areas the band were billed as 'ELO', rather than with '...Part II' added, suggesting it was the original outfit. After Bevan left, the band continued after they changed its name to The Orchestra. In 2001 The Orchestra released their debut album No Rewind.

2000–2001: Reformation
Lynne's comeback with ELO began in 2000 with the release of a retrospective box set, Flashback, containing three CDs of remastered tracks and a handful of out-takes and unfinished works, most notably a new version of ELO's only UK number one hit "Xanadu". In 2001 Zoom, ELO's first album since 1986, was released. Though billed and marketed as an ELO album, the only returning member other than Lynne was Tandy, who performed on one track. Guest musicians included former Beatles Ringo Starr and George Harrison. Upon completion of the album, Lynne reformed the band with completely new members, including his then-girlfriend Rosie Vela (who had released her own album, Zazu, in 1986) and announced that ELO would tour again. Tandy rejoined the band a short time afterwards for two television live performances: VH1 Storytellers and a PBS concert shot at CBS Television City, later titled Zoom Tour Live and released on DVD. Besides Lynne, Tandy and Vela, the new live ELO lineup included Gregg Bissonette (drums, backing vocals), Matt Bissonette (bass guitar, backing vocals), Marc Mann (guitars, keyboards, backing vocals), Peggy Baldwin (cello), and Sarah O'Brien (cello). However, the planned tour was cancelled, reportedly due to poor ticket sales.

2001–2013: Non-performing work, reissues and miniature reunions
From 2001 to 2007, Harvest and Epic/Legacy reissued ELO's back catalogue. Included amongst the remastered album tracks were unreleased songs and outtakes, including two new singles. The first was "Surrender" which registered on the lower end of the UK Singles Chart at number 81, some 30 years after it was written in 1976. The other single was "Latitude 88 North".

In August 2010, Eagle Rock Entertainment released Live – The Early Years in the UK as a DVD compilation that included Fusion – Live in London (1976) along with previously unreleased live performances at Brunel University (1973) and on the German TV show Rockpalast (1974). The Essential Electric Light Orchestra artwork was re-jigged to feature two different covers. The US and Australian releases shared one design, while the rest of the world featured the other for a new double album release in October 2011.

Mr. Blue Sky: The Very Best of Electric Light Orchestra was released on 8 October 2012. It is an album of re-recordings of ELO's greatest hits, performed by Lynne exclusively, along with a new song titled "Point of No Return". Released to coincide with Lynne's second solo album release Long Wave, these new albums contained advertisement cards, announcing the re-release of expanded and remastered versions of both the 2001 album Zoom and Lynne's debut solo album Armchair Theatre, originally released in 1990. Both albums were re-released in April 2013 with various bonus tracks. Also released was the live album, Electric Light Orchestra Live, showcasing songs from the Zoom tour. All three releases also featured new studio recordings as bonus tracks.

Lynne and Tandy reunited again on 12 November 2013 to perform, under the name Jeff Lynne and Friends, "Livin' Thing" and "Mr. Blue Sky" at the Children in Need Rocks concert at Hammersmith Eventim Apollo, London. The backing orchestra was the BBC Concert Orchestra, with Chereene Allen on lead violin.

2014–present: Jeff Lynne's ELO

The success of the Children in Need performance was followed by support from BBC Radio 2 DJ Chris Evans, who had Lynne as his on-air guest and asked his listeners if they wanted to see ELO perform. The 50,000 tickets for the resulting BBC Radio 2's "Festival in a Day" in Hyde Park on 14 September 2014 sold out in 15 minutes. Billed as "Jeff Lynne's ELO", Lynne and Richard Tandy were backed by the Take That/Gary Barlow band from the Children in Need concert, led by Mike Stevens and the BBC Concert Orchestra. Lynne chose to use the name as a response to ELO offshoots ELO Part II and The Orchestra. Chereene Allen was again the lead violinist for the band. The development of modern digital processing added a smoother finish to the work, which led Lynne to reconsider his preference for studio work, hinting at a UK tour in 2015.

On 8 February 2015, Jeff Lynne's ELO played at the Grammy Awards for the first time. They performed a medley of "Evil Woman" and "Mr. Blue Sky" with Ed Sheeran, who introduced them as "A man and a band who I love".

On 10 September 2015, it was announced that a new ELO album would be released. The album was to be under the moniker of Jeff Lynne's ELO, with the band signed to Columbia Records. Alone in the Universe was released on 13 November 2015. The album was ELO's first album of new material since 2001's Zoom. The first track, and single, "When I Was a Boy" was made available for streaming on the same day and a music video for the song was also released. A small promotional tour followed the album's release which saw Jeff Lynne's ELO perform a full concert for BBC Radio 2 along with their first two shows in the United States in 30 years, both which sold out very quickly. Jeff Lynne's ELO also made rare US television appearances on The Tonight Show Starring Jimmy Fallon, Jimmy Kimmel Live and CBS This Morning. A 19-date European tour was announced for 2016, with the band playing the Pyramid Stage at Glastonbury Festival on 26 June 2016.

In 2017 they played their "Alone in the Universe" tour. That same year, on 7 April, they played at the Rock and Roll Hall of Fame as they were inducted during the 32nd Annual Induction Ceremony.

The band continued to tour in 2018 in North America and Europe. A video was created for the City of Birmingham which used the original recording of "Mr. Blue Sky" as its music; this was played at the Gold Coast 2018 Commonwealth Games Closing Ceremony during the handover presentation of Birmingham 2022.

On 3 August 2018, Secret Messages was reissued "as originally conceived" as a double album. It included several cut tracks, such as the CD exclusive bonus track "Time After Time", B-side exclusives "Buildings Have Eyes" and "After All", the Afterglow exclusives "Mandalay" and "Hello My Old Friend", and the 2001 reissue exclusives "Endless Lies" and "No Way Out".

On 22 October 2018, Lynne announced that Jeff Lynne's ELO would embark on a 2019 North American tour from June to August 2019.

ELO released their 14th album, From Out of Nowhere, on 1 November 2019. While a tour from the album was announced to begin in October 2020, the official Jeff Lynne's ELO Twitter page then later announced that the tour was cancelled due to the COVID-19 pandemic.

On 18 March 2024, Jeff Lynne's ELO announced the Over And Out Tour, a final tour of North America that would span from August to October 2024.

Tandy died in 2024, at the age of 76. Lynne announced his death on social media on 1 May 2024, and memorialised Tandy as "a remarkable musician and friend."

Legacy and influence
According to music journalist Simon Price, ELO are "arguably the most uncool, even defiantly anti-cool, of the lot and have been the slowest to be rehabilitated since ... They've been sampled by dozens upon dozens of acts, from Company Flow to the Pussycat Dolls, if you go looking. Every now and then in my journalistic career, it's been possible to coax a contemporary band to admit to an ELO influence; the Flaming Lips and Super Furry Animals being two examples. But the band in whom I perceive the greatest amount of ELO DNA are outside the rock genre altogether: Daft Punk.'"

In November 2016, Jeff Lynne's ELO won Band of the Year at the Classic Rock Roll of Honour Awards. In October 2016, ELO were nominated for the 2017 class of the Rock and Roll Hall of Fame for the first time. It was the first time the Hall had announced in advance the members of bands who would be inducted; the members of ELO listed were Jeff Lynne, Roy Wood, Bev Bevan and Richard Tandy. On 20 December 2016, it was announced ELO had been elected to the Rock and Roll Hall of Fame Class of 2017.

Current

 * Jeff Lynne – lead and backing vocals, guitars, bass, piano, keyboards, cello, drums, percussion (1970–1986, 2000–2001, 2014–present)

Former

 * Bev Bevan – drums, percussion, backing vocals (1970–1986)
 * Bill Hunt – French horn, keyboard (1970–1972)
 * Roy Wood – lead and backing vocals, guitars, bass, cello, oboe, bassoon (1970–1972)
 * Rick Price – bass (1970–1971)
 * Steve Woolam – violin (1970–1971)
 * Richard Tandy – piano, keyboards, synthesizer, bass, guitar, backing vocals (1971–1986, 2000–2001, 2014–2024; his death)
 * Andy Craig – cello (1971–1972)
 * Mike Edwards – cello (1972–1974)
 * Hugh McDowell – cello (1972, 1973–1980)
 * Wilfred Gibson – violin (1972–1973)
 * Mike de Albuquerque – bass, backing vocals (1972–1974)
 * Colin Walker – cello (1972–1973)
 * Mik Kaminski – violin (1973–1980)
 * Kelly Groucutt – bass, lead and backing vocals (1974–1983)
 * Melvyn Gale – cello (1975–1980)

Discography

 * The Electric Light Orchestra (1971)
 * ELO 2 (1973)
 * On the Third Day (1973)
 * Eldorado (1974)
 * Face the Music (1975)
 * A New World Record (1976)
 * Out of the Blue (1977)
 * Discovery (1979)
 * Xanadu (1980) (with Olivia Newton-John) (soundtrack album)
 * Time (1981) (credited as ELO)
 * Secret Messages (1983)
 * Balance of Power (1986)
 * Zoom (2001)
 * Alone in the Universe (2015) (credited as Jeff Lynne's ELO)
 * From Out of Nowhere (2019) (credited as Jeff Lynne's ELO)

title: Electric Light Orchestra


text:
Elo

Elo or ELO may refer to:

Music

 * Electric Light Orchestra, a British rock music group
 * The Electric Light Orchestra (album), the group's debut album
 * ELO 2, the group's second album
 * ELO Part II, an offshoot band of Electric Light Orchestra

Biology

 * ELO (gene) also known as very-long-chain 3-oxoacyl-CoA synthase, an enzyme
 * Eleorchis, an orchid genus abbreviated Elo in trade journals

People

 * Elo (name), a surname and given name

Other uses

 * Elo, a member magazine for the Tuglas Society
 * Elo, Wisconsin, an unincorporated community in the U.S.
 * East Liverpool, Ohio, a city in the U.S.
 * Elo rating system, a system for measuring the relative strength of players in chess and other two-player games
 * World Football Elo Ratings, a ranking system for men's national teams in football, based on Elo rating system
 * Eurolot, an airline, by ICAO airline designator
 * Electronic Literature Organization, a nonprofit organisation promoting electronic literary works
 * Saveasi'uleo, also known as Elo, a Samoan god who presides over Pulotu (the underworld)
 * Elo (card association), a Brazilian payment card brand

title: Elo


text:
Evil Dead II

Evil Dead II (also known in publicity materials as Evil Dead 2: Dead by Dawn) is a 1987 American comedy horror film directed by Sam Raimi, who co-wrote it with Scott Spiegel. The second installment in the Evil Dead film series, it is considered both a remake and sequel (or "re-quel") to The Evil Dead (1981). It stars Bruce Campbell as Ash Williams, who vacations with his girlfriend to a remote cabin in the woods. He discovers an audio tape of recitations from a book of ancient texts, and when the recording is played, it unleashes a number of demons which possess and torment him.

After the critical and commercial failure of Crimewave (1985), Raimi, producer Robert Tapert, and Campbell began work on a sequel to The Evil Dead at the insistence of their publicist Irvin Shapiro. Having endorsed the original film, author Stephen King brought the project to the attention of producer Dino De Laurentiis, with whom he had been making his directorial debut Maximum Overdrive (1986). De Laurentiis agreed to provide financial backing, and assigned the filmmakers a considerably larger budget than they had worked with on the original film. Although Raimi had devised a premise set in the Middle Ages and involving time travel, De Laurentiis requested that the film be similar to its predecessor.

Evil Dead II was shot in Wadesboro, North Carolina and Detroit, Michigan in 1986, and featured extensive stop-motion animation and prosthetic makeup effects created by a team of artists that included Mark Shostrom, Greg Nicotero, Robert Kurtzman and Tom Sullivan, the latter of whom returned from the original film. The finished film was released in the United States on March 13, 1987; due to its high level of violence, it was released through a pseudonymous distributor to curb an anticipated X rating from the Motion Picture Association of America. Much like The Evil Dead, it was widely acclaimed by critics, who praised its humor, Raimi's direction, and Campbell's performance; many have considered it superior to its predecessor and similarly as one of the greatest horror films ever made. Despite being given a somewhat limited release, it was a minor box office success, grossing just under $6 million.

As with the first film, Evil Dead II has accumulated a large, international cult following. In 1992, it was followed by the direct sequel Army of Darkness, which utilized Raimi's original premise; in 2013, it was followed by the soft reboot and continuation Evil Dead; and in 2015, it was followed by the television series Ash vs Evil Dead. A fifth film in the series, Evil Dead Rise, was released on April 21, 2023.

Plot
Ash Williams and his girlfriend, Linda, take a romantic vacation to a seemingly abandoned cabin in the woods. While in the cabin, Ash plays a tape of archaeologist Raymond Knowby, the cabin's previous inhabitant, reciting passages from the "Book of the Dead", Necronomicon Ex-Mortis, which he has discovered during an archaeological dig. The recorded incantation unleashes an evil force (also known as the Kandarian Demon) that kills and later possesses Linda, turning her into a "deadite". Ash is then forced to decapitate her with a shovel and bury her in a shallow grave near the cabin. At dawn, the evil force throws Ash through the woods. He briefly becomes possessed by the demon, but when day breaks, he is inexplicably returned to normal.

He attempts to flee the area but finds that the bridge to the cabin has been destroyed. The spirit chases him back to the cabin, where Linda's revived head attacks him and bites his hand. He runs to the shed, where her headless body attacks him with a chainsaw, but he overpowers and slashes the deadite Linda to death. His right hand becomes possessed and tries to kill him, and he severs it with the chainsaw before attempting to shoot it with a shotgun, but the hand mocks him and ultimately escapes. Meanwhile, Knowby's daughter Annie, and her research partner, Ed Getley, return from the dig with the missing pages of the Necronomicon, only to find the destroyed bridge. They enlist repairman Jake and his girlfriend Bobby Joe to show them another route to the cabin, where they find an embattled Ash covered in blood. Thinking that he murdered Annie's parents, Annie and the others lock him in the cellar.

The four new arrivals listen to the rest of Knowby's recording, detailing how his wife Henrietta was possessed by the Kandarian Demon, and that he killed her and buried her in the cellar. Henrietta, now a deadite, possesses Ed; Ash dismembers him with an axe. Bobby Joe tries to escape, but demonically possessed trees attack and drag her to her death. Annie translates two of the Necronomicon's pages before Jake turns on them and throws the pages into the cellar, forcing them at gunpoint to find Bobby Joe. Ash becomes possessed once again and attacks Jake. Annie retreats to the cabin and accidentally stabs Jake (mistaking him for the possessed Ash) before Henrietta kills him. Deadite Ash tries to kill Annie, but returns to his normal self upon seeing Linda's necklace.

With Annie's help, Ash modifies the chainsaw, attaches it to the stump of his right arm, and cuts the shotgun's barrel. After finding the missing pages of the Necronomicon in the cellar, Ash kills Henrietta. The trees outside begin to destroy the cabin. Annie reveals that she has only read the first half of the incantation and attempts to finish the second half. As she reads it, Ash's severed hand uses a Kandarian dagger to stab her in the back. She manages to complete the incantation before succumbing to her wound. The incantation opens up a whirling temporal vortex which not only draws in the demon, but also Ash and his Oldsmobile Delta 88.

Ash and his Oldsmobile land in the Middle Ages. A group of knights confront him and initially mistake him for a deadite, but are quickly distracted when a real harpy-like deadite appears. Ash blasts it with his shotgun and they hail him as a hero who has come to save them, causing him to break down and scream in anguish.

Development
The concept of a sequel to The Evil Dead was discussed during location shooting on the first film. Irvin Shapiro, the film's publicist, pushed writer/director Sam Raimi to devise a premise for such a film. Working with screenwriter Sheldon Lettich, Raimi settled on a story in which Ash was sucked through a time portal to the Middle Ages, where he would encounter more deadites. Shapiro was enticed by the concept, and took out advertisements in trade magazines to promote the project, then titled Evil Dead II: Evil Dead and the Army of Darkness, in May 1984. After Universal Pictures and 20th Century Fox passed on it, the sequel was shelved in favor of Raimi's next film, Crimewave (1985), a comedy/crime film co-written with Joel and Ethan Coen.

After Crimewave was released to critical and audience disinterest, Raimi and his partners at Renaissance Pictures, producer Robert Tapert and actor/co-producer Bruce Campbell, took Shapiro up on his sequel offer, knowing that another flop would further stall their already-lagging careers. Development of Evil Dead II initially began in collaboration with Embassy Pictures, which had co-financed and distributed Crimewave, but the filmmakers eventually felt that they were being stalled after five months' pre-production work, and began conducting interviews with prospective cast and crew members. Around this time, producer Dino De Laurentiis, the owner of production and distribution company De Laurentiis Entertainment Group (DEG), asked Raimi if he would be interested in directing an adaptation of the Stephen King novel Thinner. Raimi turned down the offer, but De Laurentiis remained in touch with the young filmmaker.

The Thinner adaptation was part of a deal between De Laurentiis and King to produce several adaptations of King's successful horror novels and short stories. At the time, King was directing the first such adaptation, Maximum Overdrive (1986), based on his short story "Trucks". He had dinner with a crew member who had been among those interviewed by Raimi and his colleagues about Evil Dead II, and told King that the film was having trouble attracting funding. Upon hearing this, King, who had written a glowing review of the first film that helped it become an audience favorite at Cannes, called De Laurentiis and asked him to fund the film. While he was initially skeptical, De Laurentiis met with Renaissance, who highlighted the first film's extremely high revenue in the Italian market. Within twenty minutes, De Laurentiis agreed to finance Evil Dead II for $3.6 million. Raimi and Tapert had desired $4 million for the production, but De Laurentiis requested a film that was similar to its predecessor instead of their original medieval-themed proposal, which was instead used for the second sequel, Army of Darkness (1992).

Writing
Despite Raimi's crew having only recently received the funding necessary to produce the film, the script had been written for some time, having been composed largely during the production of Crimewave. Raimi contacted his old friend Scott Spiegel, who had collaborated with Campbell and others on the Super 8 mm films they had produced during their childhood in Michigan. Most of these films had been comedies, and Spiegel felt that Evil Dead II should be less straight horror than the first. Initially, the opening sequence included all five of the original film's characters; however, in an effort to save time and money, all but Ash and Linda were cut from the final draft. The film went through several other drafts, including a group of escaped convicts holding Ash captive in the cabin while searching for buried treasure.

Spiegel and Raimi wrote most of the film in their house in Silver Lake, Los Angeles, California, where they were living with the aforementioned Coen brothers, as well as actors Frances McDormand, Kathy Bates, and Holly Hunter (the primary inspiration for the Bobby Joe character). Due both to the distractions of their house guests and the films they were involved with, Crimewave and Josh Becker's Thou Shalt Not Kill... Except, the script took a long time to finish.

Among the film's many inspirations include the Three Stooges and slapstick comedy films. Ash's fights with his disembodied hand come from a film made by Spiegel as a teenager titled Attack of the Helping Hand, which was itself inspired by television commercials advertising Hamburger Helper. The "laughing room" scene, where all the objects in the room seemingly come to life and begin to cackle maniacally along with Ash, came about after Spiegel jokingly used a gooseneck lamp to visually demonstrate a Popeye-esque laugh. Spiegel's humorous influence can be seen throughout the film, perhaps most prominently in certain visual jokes. For instance, when Ash traps his rogue hand under a pile of books, on top is A Farewell to Arms.

While Raimi and Campbell have stated that Evil Dead II was intended as a direct sequel, there are differences between the first installment and the recap at the beginning of the second: for example, the Necronomicon is destroyed in a fire by Ash during the conclusion of The Evil Dead, but remains intact in Evil Dead II. The corpses of Ash's friends from the first are absent, and are never mentioned. The cabin itself remains perfectly intact until the events of this film, despite much of it having been destroyed in the original film.

Filming
With the script completed and a production company secured, principal photography began on Evil Dead II. The production commenced in Wadesboro, North Carolina, not far from De Laurentiis' offices in Wilmington. De Laurentiis had wanted them to film in his elaborate Wilmington studio, but the production team felt uneasy being so close to the producer, so they moved to Wadesboro, approximately three hours away. Steven Spielberg had previously filmed The Color Purple in Wadesboro, and the large white farmhouse used as an exterior location in that film became the production office for Evil Dead II. Most of the film was shot in the woods near that farmhouse, or J.R. Faison Junior High School, where the interior cabin set was located.

Mark Shostrom served as the film's makeup effects supervisor, and delegated work to Robert Kurtzman, Greg Nicotero, and Howard Berger of KNB EFX Group. The shot of undead Henrietta's flying eyeball was accomplished using a ping pong ball provided and painted by KNB EFX. Effects artist Verne Hyde, who joined the North Carolina unit in 1986 after filming had already begun, experimented with various rigs in order to achieve the effect Raimi desired. It was ultimately achieved by mounting the eyeball on a small, spinning motor, attached to a wand bolted directly onto the camera.

Ted Raimi, director Sam's younger brother, had been briefly involved in the first film, acting as a fake Shemp. However, in Evil Dead II, he plays a larger role as the undead Henrietta. Raimi wore a full-body, latex costume, and was also made to crouch in a small hole in the floor acting as a "cellar"; on one day, he did both. Raimi became extremely overheated to the point that his costume was filled with liters of sweat; Nicotero describes pouring the fluid into several Dixie cups so as to get it out of the costume. The sweat is also visible on-screen, dripping out of the costume's ear, in the scene where Henrietta spins around over Annie's head.

For Ash's chainsaw hand, effects artist Verne Hyde modified a real chainsaw, replacing its gasoline engine with a small, 12-volt electric motor, leaving space for Campbell to insert his hand into the body of the saw. The teeth of the saw were filed down for safety purposes, and tobacco smoke was pumped through a plastic tube that ran up Campbell's leg to simulate chainsaw smoke.

The crew sneaked various in-jokes into the film itself, such as the clawed glove of Freddy Krueger (the primary antagonist of Wes Craven's A Nightmare on Elm Street series of slasher films) which hangs in the cabin's basement and tool shed. This was, at least partially, a reference to a scene in the original A Nightmare on Elm Street, where the character Nancy Thompson (portrayed by Heather Langenkamp) dozes off watching the original Evil Dead on a television set in her room. In turn, that scene was a reference to the torn The Hills Have Eyes poster seen in the original Evil Dead film, which was itself a reference to a torn Jaws poster in The Hills Have Eyes. The real life clawed glove appearing in Evil Dead II has been attributed to Shostrom, who was also working on A Nightmare on Elm Street 3: Dream Warriors at around the same time as Evil Dead II, suggesting he borrowed it from the Dream Warriors set for a day. The rat seen in the cellar was nicknamed "Señor Cojones" by the crew ("cojones" is Spanish slang for "testicles").

At the film's wrap party, the crew held a talent contest where Raimi and Campbell sang the Byrds' "Eight Miles High", with Nicotero on guitar.

Music
The score was composed by Joseph LoDuca, who also composed the other two scores in the Evil Dead trilogy. In 2017, Waxwork Records released the soundtrack on vinyl for the film's 30th anniversary.

Pre-release
Like the original film, Evil Dead II had censorship difficulties due to its high level of violence. Because DEG was a member of the Motion Picture Association of America (MPAA), Raimi was contractually obliged to shoot the film with the intention of it earning an R rating. Upon reviewing the completed film, DEG's executives felt that Evil Dead II would almost certainly receive an X rating, which would limit its commercial prospects. Lawrence Gleason, the company's president of marketing and distribution, felt that if it were to be cut for an R, the film "would have been about 62 minutes long" and that both Raimi's vision and the audience's enjoyment would have been sabotaged as a result.

Ultimately, DEG decided not to submit Evil Dead II to the MPAA for review or be credited onscreen for their involvement in it. Instead, Rosebud Releasing Corporation, a shell company run by De Laurentiis' son-in-law Alex De Benedetti, was set up to handle the film's US release, allowing it to be shown unrated. Although Rosebud technically did not have a distribution network, DEG had already booked the film in 340 cinemas across the country, and had created and paid for the film's advertising campaign. Rosebud's logo, a rose blooming in time-lapse photography against a painted sky backdrop, was designed and shot by Raimi himself.

Home media
The film was released on VHS by Vestron Video in 1987. Another VHS release came from Anchor Bay Entertainment on February 17, 1998. In a similar fashion to the first Evil Dead film and Army of Darkness, there have been numerous DVD releases of Evil Dead II. The film was released on DVD by Anchor Bay on August 29, 2000, in the form of a limited edition tin, and was re-released by Anchor Bay on September 27, 2005, designed to resemble the Necronomicon. On October 2, 2007, the film was released on Blu-ray, and on November 15, 2011, it was re-released on Blu-ray and DVD by Lionsgate Home Entertainment for its 25th anniversary. On September 13, 2016, the film was re-released on Blu-ray by Lionsgate. A 4K Ultra HD Blu-ray version of the film was released on December 11, 2018.

The film was released on DVD in the United Kingdom in 2003 as part of a region 2 Evil Dead trilogy box set. In 2013, the trilogy saw another UK release on Blu-ray, released by StudioCanal. A 25th Anniversary Wood Edition was released in Germany by StudioCanal in 2007. The film was released on Blu-ray in Australia in 2014, alongside The Evil Dead, Army of Darkness, and the 2013 reboot, as part of an Evil Dead Anthology box set. The film has been released together with the first Evil Dead film by Green Nara Media in South Korea in region A.

Box office
Evil Dead II opened on March 13, 1987, to an unimpressive weekend gross of $807,260, due to its limited release in 310 theaters at the time. However, after spending a little over a month in theaters, it ultimately grossed $5,924,421 worldwide.

Critical response
Empire magazine praised the film, saying "the gaudily gory, virtuoso, hyper-kinetic horror sequel uses every trick in the cinematic book" and confirms that "Bruce Campbell and Raimi are gods". Caryn James of The New York Times called it "genuine, if bizarre, proof of Sam Raimi's talent and developing skill." Leonard Maltin originally rated the film with two stars, but later increased the rating to three stars.

Roger Ebert of the Chicago Sun-Times gave the film three stars out of four, describing it as "a fairly sophisticated satire, that makes you want to get up and shuffle." He praised the film's sense of surrealism, comedic timing, and "grubby, low-budget intensity." Ebert states that "if you know it's all special effects, and if you've seen a lot of other movies and have a sense of humor, you might have a great time at Evil Dead 2." Richard Harrington of The Washington Post wrapped up his review stating that "the acting is straight out of '50s B-movies. The exposition is clumsy, the sound track corny, the denouement silly. Then again, who said bad taste was easy?" Conversely, Pat Graham of Chicago Reader disliked the mix of horror and comedy, writing in his review that "the pop-up humor and smirkiness suggest Raimi's aspiring to the fashionable company of the brothers Coen, though on the basis of this strained effort I'd say he's overshot the mark."

Entertainment Weekly ranked the film #19 on their list of the "Top 50 Cult Films".

Sight and Sound ranked it #34 on their 50 Funniest Films of All Time list. In 2008, Empire magazine included Evil Dead II on their list of The 500 Greatest Movies of All Time, ranked #49.

J.C. Maçek III of PopMatters wrote, "Equal parts remake and sequel, the second film brought back Bruce Campbell as Ash and was every bit as gory and horrific as the first film with more tree rape and dismemberment and blood splatters than ever. On the other hand, Evil Dead II is also an absolutely hilarious and uproarious intentional comedy."

In 2016, James Charisma of Playboy ranked the film #12 on a list of 15 Sequels That Are Way Better Than The Originals.

In popular culture
The Elvis Dead, an English comic stage show, retells Evil Dead II in the style of Elvis Presley.

The 1993 hit first-person shooter video game Doom was inspired by Evil Dead II. The game's programmer John Carmack came up with the game's concept about using technology to fight demons, inspired by the Dungeons & Dragons campaigns the team played, combining the styles of Evil Dead II and Aliens.

The 1991 hit song "People Are Still Having Sex" by LaTour contains a dialogue sample of the, "... hello lover!" line from the film.

The 2023 music video for "Bogus Operandi" by The Hives is heavily inspired by Evil Dead 2, featuring a demonic tape, forest point-of-view shots and white eyed zombies.

title: Evil Dead II