text:
Algernon Charles Swinburne

Algernon Charles Swinburne (5 April 1837 – 10 April 1909) was an English poet.

Quotes

 * Rhyme is the native condition of lyric verse in English; a rhymeless lyric is a maimed thing.
 * Essays and Studies (1875), p. 162.

 * I can truly say with Shelley I have been fortunate in friendships: that I have been no less fortunate in my enemies than in my friends.
 * From his own Dedicatory Epistle to his Poems & Ballads 1904.
 * Life is the lust of a lamp for the light that is dark till the dawn of the day that we die.
 * "Nephelidia", line 16, from The Heptalogia (1880); Swinburne intended "Nephelidia" as a self-parody.

 * A crown and justice? Night and day Shall first be yoked together.
 * Marino Faliero (1885).

 * God by God flits past in thunder, till His glories turn to shades; God to God bears wondering witness how His gospel flames and fades. More was each of these, yet they were, than man their servant seemed: Dead are all of these, and man survives who made them while he dreamed.
 * "The Altar of Righteousness" in Harper's Monthly (June 1904).

Atalanta in Calydon (1865)

 * Before the beginning of years There came to the making of man Time with a gift of tears, Grief with a glass that ran, Pleasure with pain for leaven, Summer with flowers that fell, Remembrance fallen from heaven, And Madness risen from hell, Strength without hands to smite, Love that endures for a breath; Night, the shadow of light, And Life, the shadow of death.
 * Second chorus, lines 1-12.

 * His speech is a burning fire.
 * Second chorus, line 51.

 * His life is a watch or a vision Between a sleep and a sleep.
 * Second chorus, lines 57-58.

 * When the hounds of spring are on winter's traces, The mother of months in meadow or plain Fills the shadows and windy places With lisp of leaves and ripple of rain.
 * First chorus, line 65.

Poems and Ballads (1866-89)

 * Wilt thou fear that, and fear not my desire?
 * "Anactoria", line 8.

 * Ah, ah, thy beauty! like a beast it bites, Stings like an adder, like an arrow smites.
 * "Anactoria", line 115.

 * Thou hast conquered, O pale Galilean; the world has grown grey from thy breath; We have drunken of things Lethean, and fed on the fullness of death.
 * "Hymn to Proserpine", line 35.

 * If love were what the rose is, And I were like the leaf, Our lives would grow together In sad or singing weather, Blown fields or flowerful closes, Green pasture or gray grief; If love were what the rose is, And I were like the leaf.
 * "A Match", line 1.

 * Despair the twin-born of devotion.
 * "Dolores (Notre-Dame des Sept Douleurs)", line 107.

 * She hath wasted with fire thine high places, She hath hidden and marred and made sad The fair limbs of the Loves, the fair faces Of gods that were goodly and glad. She slays, and her hands are not bloody; She moves as a moon in the wane, White-robed, and thy raiment is ruddy, Our Lady of Pain.
 * "Dolores (Notre-Dame des Sept Douleurs)", line 353.

 * Villon, our sad bad glad mad brother's name.
 * "A Ballad of Francois Villon", lines 10, 20 and 30.

 * Forget that I remember And dream that I forget.
 * "Rococo", lines 15-16.

 * Time found our tired love sleeping, And kissed away his breath; But what should we do weeping, Though light love sleep to death? We have drained his lips at leisure, Till there's not left to drain A single sob of pleasure, A single pulse of pain.
 * "Rococo", lines 17-24.

 * Dream that the lips once breathless Might quicken if they would; Say that the soul is deathless; Dream that the gods are good; Say March may wed September, And time divorce regret; But not that you remember, And not that I forget.
 * "Rococo", lines 25-32.

The Triumph of Time

 * Full text online, with links to related essays - Full text with line numbers

 * Before our lives divide for ever, While time is with us and hands are free, (Time, swift to fasten and swift to sever Hand from hand, as we stand by the sea) I will say no word that a man might say Whose whole life's love goes down in a day; For this could never have been; and never, Though the gods and the years relent, shall be. Is it worth a tear, is it worth an hour, To think of things that are well outworn? Of fruitless husk and fugitive flower, The dream foregone and the deed forborne? Though joy be done with and grief be vain, Time shall not sever us wholly in twain; Earth is not spoilt for a single shower; But the rain has ruined the ungrown corn.

 * In the change of years, in the coil of things, In the clamour and rumour of life to be, We, drinking love at the furthest springs, Covered with love as a covering tree, We had grown as gods, as the gods above, Filled from the heart to the lips with love, Held fast in his hands, clothed warm with his wings, O love, my love, had you loved but me!

 * We had stood as the sure stars stand, and moved As the moon moves, loving the world; and seen Grief collapse as a thing disproved, Death consume as a thing unclean. Twain halves of a perfect heart, made fast Soul to soul while the years fell past; Had you loved me once, as you have not loved; Had the chance been with us that has not been. I have put my days and dreams out of mind, Days that are over, dreams that are done. Though we seek life through, we shall surely find There is none of them clear to us now, not one.

 * The loves and hours of the life of a man, They are swift and sad, being born of the sea. Hours that rejoice and regret for a span, Born with a man's breath, mortal as he; Loves that are lost ere they come to birth, Weeds of the wave, without fruit upon earth. I lose what I long for, save what I can, My love, my love, and no love for me!

 * It is not much that a man can save On the sands of life, in the straits of time, Who swims in sight of the great third wave That never a swimmer shall cross or climb. Some waif washed up with the strays and spars That ebb-tide shows to the shore and the stars; Weed from the water, grass from a grave, A broken blossom, a ruined rhyme. There will no man do for your sake, I think, What I would have done for the least word said. I had wrung life dry for your lips to drink, Broken it up for your daily bread: Body for body and blood for blood, As the flow of the full sea risen to flood That yearns and trembles before it sink, I had given, and lain down for you, glad and dead.

 * I had grown pure as the dawn and the dew, You had grown strong as the sun or the sea. But none shall triumph a whole life through: For death is one, and the fates are three. At the door of life, by the gate of breath, There are worse things waiting for men than death; Death could not sever my soul and you, As these have severed your soul from me. You have chosen and clung to the chance they sent you, Life sweet as perfume and pure as prayer. But will it not one day in heaven repent you? Will they solace you wholly, the days that were? Will you lift up your eyes between sadness and bliss, Meet mine, and see where the great love is, And tremble and turn and be changed? Content you; The gate is strait; I shall not be there.

 * The pulse of war and passion of wonder, The heavens that murmur, the sounds that shine, The stars that sing and the loves that thunder, The music burning at heart like wine, An armed archangel whose hands raise up All senses mixed in the spirit's cup Till flesh and spirit are molten in sunder — These things are over, and no more mine.  These were a part of the playing I heard Once, ere my love and my heart were at strife; Love that sings and hath wings as a bird, Balm of the wound and heft of the knife. Fairer than earth is the sea, and sleep Than overwatching of eyes that weep, Now time has done with his one sweet word, The wine and leaven of lovely life.

 * I shall go my ways, tread out my measure, Fill the days of my daily breath With fugitive things not good to treasure, Do as the world doth, say as it saith; But if we had loved each other — O sweet, Had you felt, lying under the palms of your feet, The heart of my heart, beating harder with pleasure To feel you tread it to dust and death — Ah, had I not taken my life up and given All that life gives and the years let go, The wine and honey, the balm and leaven, The dreams reared high and the hopes brought low? Come life, come death, not a word be said; Should I lose you living, and vex you dead? I never shall tell you on earth; and in heaven, If I cry to you then, will you hear or know?

Under the Microscope (1872)

 * It is long since Mr. Carlyle expressed his opinion that if any poet or other literary creature could really be "killed off by one critique" or many, the sooner he was so despatched the better; a sentiment in which I for one humbly but heartily concur.

 * A blatant Bassarid of Boston, a rampant Maenad of Massachusetts.
 * Referring to Harriet Beecher Stowe

 * To wipe off the froth of falsehood from the foaming lips of inebriated virtue, when fresh from the sexless orgies of morality and reeling from the delirious riot of religion, may doubtless be a charitable office.

 * The more congenial page of some tenth-rate poeticule worn out with failure after failure and now squat in his hole like the tailless fox, he is curled up to snarl and whimper beneath the inaccessible vine of song.

 * The tadpole poet will never grow into anything bigger than a frog; not though in that stage of development he should puff and blow himself till he bursts with windy adulation at the heels of the laureled ox.

Bothwell : A Tragedy (1874)

 * Sins are sin-begotten, and their seed Bred of itself and singly procreative; Nor is God served with setting this to this For evil evidence of several shame, That one may say, Lo now! so many are they; But if one, seeing with God-illumined eyes In his full face the encountering face of sin, Smite once the one high-fronted head, and slay, His will we call good service. For myself, If ye will make a counsellor of me, I bid you set your hearts against one thing To burn it up, and keep your hearts on fire, Not seeking here a sign and there a sign, Nor curious of all casual sufferances, But steadfast to the undoing of that thing done Whereof ye know the being, however it be, And all the doing abominable of God. Who questions with a snake if the snake sting? Who reasons of the lightning if it burn? While these things are, deadly will these things be; And so the curse that comes of cursed faith.
 * John Knox as portrayed in Bothwell : A Tragedy (1874) Act I, Sc. 2.

 * Fear that makes faith may break faith; and a fool Is but in folly stable.
 * Queen Mary Stuart as portrayed in Bothwell. Act I. Sc. 3.

 *  I have no remedy for fear; there grows No herb of help to heal a coward heart.
 * Queen Mary Stuart as portrayed in Bothwell. Act II, Sc. 13.

Marino Faliero (1885)

 * A play based upon the life of Marino Faliero

 * God's own hand Holds fast all issues of our deeds: with him The end of all our ends is, but with us Our ends are, just or unjust: though our works Find righteous or unrighteous judgment, this At least is ours, to make them righteous. Go.
 * Faliero, Act III, Sc. 1.

 * What sentence shall be given on mine? Of man, As ill or well God means me, well or ill Shall judgment pass upon me : but of God, If God himself be righteous or be God, Who being unrighteous were but god of hell, The sentence given shall judge me just...
 * Faliero, Act III, Sc. 1.

 * A poor man's wrong and mine and all the world's, Diverse and individual, many and one, Insufferable of long-suffering less than God's, Of all endurance unendurable else, Being come to flood and fullness now, the tide Is risen in mine as in the sea's own heart To tempest and to triumph. Not for nought Am I that wild wife's bridegroom — old and hoar, Not sapless yet nor soulless.
 * Faliero, Act III, Sc. 1.

 * So be it the wind and sun That reared thy limbs and lit thy veins with life Have blown and shone upon thee not for nought— If these have fed and fired thy spirit as mine With love, with faith that casts out fear, with joy, With trust in truth and pride in trust — if thou Be theirs indeed as theirs am I, with me Shalt thou take part and with my sea-folk — aye, Make thine eyes wide and give God wondering thanks That grace like ours is given thee — thou shalt bear Part of our praise for ever.
 * Faliero, Act III, Sc. 1.

 * Friends, citizens, and brethren. This our friend Hath given you by my charge to know of me Thus much, that if your ends and mine be one, As one our wrongs are, and this people's need One, toward the goal forefelt of our desire No heart shall beat, no foot shall press, no hand Strain, strive, and strike with steadier will than mine And faith more strenuous toward the purpose. This If ye believe not, here our hope hath end; If ye believe, here under happier stars Begins the date of Venice.
 * Faliero, Act III, Sc. 1.

 * I believe Not more in God's word than in yours; and this Not for your station's sake, nor yet your fame's, How high soe'er the wind of war have blown The splendour of your standard: but, my lord, Your face and heart and speech, being one, require Of any not base-born and servile-souled Faith: and my faith I give you.
 * Calendaro, Act III, Sc. 1.

 * Farewell, and peace be with you if it may. I have lost, ye have won this hazard: yet perchance My loss may shine yet goodlier than your gain When time and God give judgment. If there be Truth, true is this, that I desired the right And ye with hands as red sustain the wrong As mine had been in triumph. Have your will: And God send each no bitterer end than mine.
 * Faliero, Act V. Sc. 2.

 * They do not ill, being lords of ours, to slay Me; nay, they could not spare: but thee to slay, To spill thy strong young life for truth to me, In all men's eyes would mark them monstrous: thou Must live, and serve my slayers, and serving them Sustain my memory by the proof — if God Shall give thee grace to prove it — that thy name, Thy father's name and mine, in true men's ears Rings truth, and means not treason.
 * Faliero, Act V. Sc. 3.

 * Though they be Ill rulers of this household, be not thou Too swift to strike ere time be ripe to strike, Nor then by darkling stroke, against them: I Have erred, who thought by wrong to vanquish wrong, To smite by violence violence, and by night Put out the power of darkness: time shall bring A better way than mine, if God's will be — As how should God's will be not? — to redeem Venice. I was not worthy — nor may man, Till one as Christ shall come again, be found Worthy to think, speak, strike, foresee, foretell, The thought, the word, the stroke, the dawn, the day, That verily and indeed shall bid the dead Live, and this old dear land of all men's love Arise and shine for ever: but if Christ Came, haply such an one may come, and do With hands and heart as pure as his a work That priests themselves may mar not.
 * Faliero, Act V. Sc. 3.

Astrophel and Other Poems (1894)

 * Not from without us, only from within, Comes or can ever come upon us light Whereby the soul keeps ever truth in sight. No truth, no strength, no comfort man may win, No grace for guidance, no release from sin, Save of his own soul's giving.
 * "The Monument of Giordano Bruno", inspired by the statue in memory of Giordano Bruno at the place where he was burned as a heretic.

Rosamund, Queen of the Lombards (1899)

 * Did I bid thee Mock, and forget me for thy friend — I say not, King? Is thy heart so light and lean a thing, So loose in faith and faint in love? I bade thee Stand to me, help me, hold my hand in thine And give my heart back answer. This it is, Old friend and fool, that gnaws my life in twain — The worm that writhes and feeds about my heart — The devil and God are crying in either ear One murderous word for ever, night and day, Dark day and deadly night and deadly day, Can she love thee who slewest her father? I Love her.
 * Alboine, Act 1, Scene 1.

 * I. But he hears not. Now, my warrior guests, I drink to the onward passage of his soul Death. Had my hand turned coward or played me false, This man that is my hand, and less than I And less than he bloodguilty, this my death Had been my husband's: now he has left it me. [Drinks] How innocent are all but he and I No time is mine to tell you. Truth shall tell. I pardon thee, my husband: pardon me. [Dies]
 * Rosamund, Act 5, Scene 1.

The Age of Shakespeare (1908)

 * Full text online

 * Æschylus is above all things the poet of righteousness. "But in any wise, I say unto thee, revere thou the altar of righteousness": this is the crowning admonition of his doctrine, as its crowning prospect is the reconciliation or atonement of the principle of retribution with the principle of redemption, of the powers of the mystery of darkness with the coeternal forces of the spirit of wisdom, of the lord of inspiration and of light. The doctrine of Shakespeare, where it is not vaguer, is darker in its implication of injustice, in its acceptance of accident, than the impression of the doctrine of Æschylus. Fate, irreversible and inscrutable, is the only force of which we feel the impact, of which we trace the sign, in the upshot of Othello or King Lear. The last step into the darkness remained to be taken by "the most tragic" of all English poets. With Shakespeare — and assuredly not with Æschylus — righteousness itself seems subject and subordinate to the masterdom of fate: but fate itself, in the tragic world of Webster, seems merely the servant or the synonym of chance. The two chief agents in his two great tragedies pass away — the phrase was, perhaps, unconsciously repeated — "in a mist": perplexed, indomitable, defiant of hope and fear bitter and sceptical and bloody in penitence or impenitence alike. And the mist which encompasses the departing spirits of these moody and mocking men of blood seems equally to involve the lives of their chastisers and their victims. Blind accident and blundering mishap — "such a mistake", says one of the criminals, "as I have often seen in a play" — are the steersmen of their fortunes and the doomsmen of their deeds. The effect of this method or the result of this view, whether adopted for dramatic objects or ingrained in the writer's temperament, is equally fit for pure tragedy and unfit for any form of drama not purely tragic in evolution and event.

Undated

 * These quotes need further sourcing and sorting by publication dates

 * And lo, between the sundawn and the sun His day's work and his night's work are undone: And lo, between the nightfall and the light, He is not, and none knoweth of such an one.
 * Laus Veneris.

 * Ah, yet would God this flesh of mine might be Where air might wash and long leaves cover me; Where tides of grass break into foam of flowers, Or where the wind's feet shine along the sea.
 * Laus Veneris.

 * Marvellous mercies and infinite love.
 * Les Noyades.

 * Our way is where God knows And Love knows where: We are in Love's hand to-day.
 * Love at Sea.

 * From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods may be That no man lives forever, That dead men rise up never; That even the weariest river Winds somewhere safe to sea.
 * The Garden of Proserpine.

 * For in the days we know not of Did fate begin Weaving the web of days that wove Your doom.
 * Faustine.

 * I remember the way we parted, The day and the way we met; You hoped we were both broken-hearted And knew we should both forget.
 * An Interlude.

 * And the best and the worst of this is That neither is most to blame, If you have forgotten my kisses And I have forgotten your name.
 * An Interlude.

 * Change lays not her hand upon truth.
 * Dedication.

 * Stately, kindly, lordly friend Condescend Here to sit by me.
 * To a Cat.

 * Not with dreams, but with blood and with iron, Shall a nation be moulded at last.
 * A Word for the Country.

 * Who knows but on their sleep may rise Such light as never heaven let through To lighten earth from Paradise?
 * A Baby's Death.

 * A baby's feet, like sea-shells pink Might tempt, should heaven see meet, An angel's lips to kiss, we think, A baby's feet.
 * Étude Réaliste.

 * Like rose-hued sea-flowers toward the heat, They stretch and spread and wink Their ten soft buds that part and meet.
 * Étude Réaliste.

 * The sweetest flowers in all the world— A baby's hands.
 * Étude Réaliste.

 * Is not Precedent indeed a King of men?
 * A Word from the Psalmist.

 * The thorns he spares when the rose is taken; The rocks are left when he wastes the plain; The wind that wanders, the weeds wind-shaken, These remain.
 * A forsaken Garden.

 * Though one were fair as roses His beauty clouds and closes.
 * The Garden of Proserpine.

 * Gone deeper than all plummets sound. {cf. Shak.: I'll seek him deeper than e'er plummet sounded… (The Tempest)}
 * Félise.

 * Ah that such sweet things should be fleet, Such fleet things sweet!
 * Félise.

 * Those eyes the greenest of things blue The bluest of things grey.
 * Félise.

Quotes about Swinburne

 * Alphabetized by author

 * I attempt to describe Mr. Swinburne; and lo! the Bacchanal screams, the sterile Dolores sweats, serpents dance, men and women wrench, wriggle and foam in an endless alliteration of heated and meaningless words, the veriest garbage of Baudelaire flowered over with the epithets of the Della Cruscans.
 * Robert Buchanan, Contemporary Review (October 1871).

 * I loved Swinburne and Masefield and all the other great sea poets.
 * Rachel Carson 1954 speech included in Lost Woods: The Discovered Writing of Rachel Carson (1998)

 * Swinburne was perpetually talking shop: the bookish spirit in which he looked on nature and mankind, with his head full of his own trade, is essentially the same as the spirit in which The Tailor and Cutter annually criticises the portraits in the Royal Academy, interested, not in the artist, not in the subject, but in the cut of the subject's clothes.
 * A. E. Housman, "Swinburne", a lecture delivered at University College, London in 1910, published posthumously in the Cornhill Magazine (Autumn 1969).

 * Mr. Swinburne … expresses in verse what he finds in books as passionately as a poet expresses what he finds in life.
 * George Bernard Shaw, Saturday Review (11 September 1896).

 * Mr. Swinburne is already the Poet Laureate of England. The fact that his appointment to this high post has not been degraded by official confirmation renders his position all the more unassailable. He whom all poets love is the Laureate Poet always.
 * Oscar Wilde, The Idler (April 1895).

 * I must say that in my judgment Swinburne's claims are immeasurably superior to those of any Englishman now living... Please read in the Volume I send, published two years ago, the 'Seamew,' the 'Jacobite's Exile,' the 'Threnody on Inchbold,' and 'The Commonweal,' his Jubilee Ode, and then consider whether any can touch him as a Poet. I believe that in the long run Public opinion will be more shocked by his neglect than by his recognition.
 * George Wyndham to Mrs. Drew (October 1892), quoted in Letters of George Wyndham 1877–1913, Vol. I (1915), pp. 283-284

title: Algernon Charles Swinburne


text:
Alfred Jarry

Alfred Jarry (September 8, 1873 – November 1, 1907) was a French writer born in Laval, Mayenne, France, not far from the border of Brittany.

Quotes

 * Merdre!
 * Translation: Crapr/Shittr! (merde is French for shit, and the deliberate misspelling is part of Jarry's humour)
 * Opening line of Ubu Roi.

 * Clichés are the armature of the Absolute. (Source: Alfred Jarry, Selected Works, edited by Roger Shattuck and Simon Watson Taylor. Cape, London, 1965).

 * The work of art, by definition, is a stuffed crocodile. [L'objet d'art, par définition, est le crocodile empaillé.] (Source: Alfred Jarry, Selected Works, edited by Roger Shattuck and Simon Watson Taylor. Cape, London, 1965).

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Alfred Jarry


text:
Talk:Fran Lebowitz

I have corrected the spelling of her last name, which is Lebowitz

Correct Spelling
Am going to move the page to reflect the correct spelling and update the linking pages.

Chapter
I have added a quote to the section, "Social Studies". Could someone who has the book add the "chapter" or "section" that the quote is in? I've noticed that the other quotes state this information. Currently it's last in the list and starts, "Education television should be absolutely forbidden." Thanks!

Query...
Isn't Fran Lebowitz the person who said something to the effect that “Trump is the poor man’s idea of a rich man, the weak man’s idea of a strong man, and the stupid man’s idea of a smart man.” ? I keep seeing it used as "anonymous", but I believe it was Ms Lebowitz. Thank you, wordreader 2603:7000:D202:6D25:AD28:85BD:92B5:7C08 03:27, 22 May 2024 (UTC)

title: Talk:Fran Lebowitz


text:
Dora Russell

Dora Russell, Countess Russell (3 April 1894 – 31 May 1986), born Dora Black, was a British feminist, social activist and writer. She was the second wife of philosopher Bertrand Russell.

Quotes

 * We want better reasons for having children than not knowing how to prevent them. Nor should we represent motherhood as something so common and easy that everyone can go through it without harm or suffering and rear her children competently and well.
 * Hypatia (1925), Ch. 4

 * Nothing whatever is to be gained by driving the timorous and weak by lies or compulsion into pain which they will resent and responsibility which they will evade. Everything is to be gained by training a woman in knowledge, courage, and physical strength, and leaving it then to her own instinct and her mind to tell her that to create new human beings is worth the discomfort and the suffering she must necessarily undergo. Those in whom the courage to create survives when choice is free and all the facts are known are those best fitted to bring children into the world, and breed in them eagerness and intrepidity. The others will only pass on fear and distaste for life from which individuals and the community suffer far too much already.
 * Hypatia (1925), Ch. 4

 * Feminists have emphasized for a long time the importance of each woman’s individual entity and the necessity of economic independence. Perhaps it was necessary. But now I think we need some emphasis on the instinctive side of life, sex and motherhood.... Life isn’t all earning your living. Unfortunately we fall in love and Feminism must take that into consideration.
 * "Who is Dora Black?" Equal Rights (5 June 1926)

 * Humanity will ever seek but never attain perfection. Let us at least survive and go on trying.
 * The Religion of the Machine Age (1983)

 * We have never yet had a Labour Government that knew what taking power really means; they always act like second-class citizens.
 * As quoted in The Observer (30 January 1983)

 * We do not want our world to perish. But in our quest for knowledge, century by century, we have placed all our trust in a cold, impartial intellect which only brings us nearer to destruction. We have heeded no wisdom offering guidance. Only by learning to love one another can our world be saved. Only love can conquer all.
 * Challenge to the Cold War (1985) Vol. 3, Ch. 14

The Right to Be Happy (1927)

 * It has taken us centuries of thought and mockery to shake the medieval system; thought and mockery here and now are required to prevent the mechanists from building another. Without falling into a mystical vitalism that reverences organic nature as sacred, we can at least try rather to serve than to subdue the prancing seas of life. With this in view I have taken as impulses, instincts, or needs certain driving forces in the human species as we know it at present, and argued for such social and economic changes as will give them new, free, and varied expression. To take even this first step towards a happy society is a herculean task. After it has been accomplished, generations to come will see what the creature will do next. We none of us know; and we should be thoroughly on our guard against all those who pretend that they do.
 * Preface

 * Strictly speaking, no person who believes that wars between classes and nations are inevitable is fit to be in charge of the destiny of children. To believe in the unity of the human race and get children to believe it in early youth would mean the creation of that unity and the end of war.
 * Ch. V, p. 205

 * Art that means anything in the life of a community must bear some relation to current interpretations of the mystery of the universe. Our rigid separation of the humanities and the sciences has temporarily left our art stranded or stammering and incoherent. Both art and science ought to be blended in our early education of our children's emotions and powers of observation, and that harmony carried forward in later education.
 * Ch. V, p. 235

 * Marriage laws, the police, armies and navies are the mark of human incompetence. We have not yet found the right road to conquering ourselves and our environment.
 * p. 241

The Tamarisk Tree (1975)

 * All my life I have tried to do too many different things. I wonder if this is not a perpetual dilemma for women. A man enters on a job or profession, needs to stick to it to earn his living, and is unlikely to have to change it on marriage. For a woman marriage presents not only practical problems, but she finds herself emotionally pulled all ways, and tends by tradition and impulse to put the needs of others before her own. What is more, opening her eyes on the world, she feels intensely responsible for setting it to rights.
 * Ch. IX

 * Women must not merely imitate men. Women have more to give than performing any job in society like neutered robots. Those who talk today of rousing the 'consciousness' of women contribute an idea of real importance. It was such a grievous mistake to leave out women. For whence can come love, compassion and understanding if not out of the relations of men and women and of them to their children?
 * Ch. XIV

Quotes about Dora Russell

 * I think, if England had had a Lucy Stone League she might still be Dora Black.
 * Crystal Eastman on Women and Revolution

title: Dora Russell