text:
The Karate Kid

The Karate Kid is a 1984 film about a troubled boy who, after being beaten by local bullies using karate, becomes a student of a mild-mannered handyman who also happens to be a karate master.
 * Directed by John G. Avildsen. Written by Robert Mark Kamen.

Only the Old One could teach him the secrets of the masters. Taglines

Mr. Hideo Miyagi

 * Daniel-san, you much humor!
 * Daniel-san, you look revenge that way you start by digging two grave!
 * [repeated line to Daniel] Look eye! Always look eye!
 * To make honey, young bee need young flower, not old prune.
 * First learn balance. Balance good, karate good, everything good. Balance bad, might as well pack up, go home.
 * [about Kreese's methods] That is not karate. That bad man teach bad things.

Dialogue

 * Lucille: California, here we come! California...oh, what is the matter, Daniel? You don't like my singing?
 * Daniel: I don't like the song, Ma.
 * [Lucille halts her station wagon in front of the South Seas apartment complex]
 * Lucille: This is it, Daniel, end of the line!
 * Daniel: You're telling me.
 * Lucille: Will you look at those palm trees? Damn Daniel! You know what this means?
 * Daniel: Yeah. Watch out for falling coconuts.
 * [Lucille unpacks the car while Daniel looks around new apartment complex]
 * Freddy: Hey, are you new here?
 * Daniel: Yeah, I came from Newark, New Jersey. My name's Daniel LaRusso.
 * Freddy: I'm Freddy Fernandez. Welcome to California. [offers a handshake to Daniel] Hey, we were having an end-of-summer clambake on the beach tomorrow night, want to come?
 * Daniel: Sure!
 * [Daniel looks for an apartment, while passing a woman holding a small dog]
 * Woman: This place is a dump. You should return to Newark!
 * Daniel: How did you know I was from Newark?
 * Woman: I overheard your conversation with Freddy. I'm a Jersey girl myself, from Parsippany. I never should have left.
 * Daniel: Parsippany? I got an Uncle Louie from Parsippany!
 * Woman: Louis Fontini?
 * Daniel: No, Louie LaRusso.
 * Woman: Don't know him.

 * [The Cobra Kai gang, all in skeleton costumes, are viciously beating Daniel up, after he soaked Johnny in a toilet, for rolling what looked like cannabis]
 * Bobby Brown: (to Dutch) Leave him (Daniel) alone man, he's had enough!
 * Dutch: Shut up, Bobby!
 * Bobby Brown: Look at him, Dutch. He can't even stand up!
 * Tommy: SO WHAT?!
 * Dutch: THAT DON'T MEAN SQUAT!
 * Bobby Brown: Johnny! (still to Johnny and pointing at Johnny) Leave him (Daniel) alone, man, he's had enough!
 * Johnny Lawrence: I'll decide when he's had enough, man!
 * Bobby Brown: What is wrong with you, Johnny!
 * Johnny Lawrence: AN ENEMY DESERVES NO MERCY!
 * Dutch: (to Johnny) RIGHT!
 * Johnny Lawrence: RIGHT?!
 * Dutch: RIGHT!
 * Bobby Brown: (to Johnny, Tommy and Dutch) You're crazy, men!
 * [The Cobra Kai gang do not see Mr. Miyagi climbing over the fence.Johnny launches an attack on Daniel, only for Mr. Miyagi to drop down from the fence, knocking Daniel down to safety. Johnny flies through the air, towards where Daniel was standing, and breaks a sign on the fence]
 * Bobby Brown: Tommy! [slaps him with his hand]
 * Tommy: Bobby! [also slaps him with his hand] Get him!
 * [Tommy and Bobby grab Mr Miyagi by his shoulders, but he frees himself and knocks them both down, before making short work of all the Cobra Kai gang]

 * [Daniel checks out Cobra Kai, where Kreese is in the midst of teaching a class]
 * John Kreese: Fear does not exist in this dojo, does it?
 * Cobra Kai students: NO, SENSEI!
 * John Kreese: Pain does not exist in this dojo, does it?
 * Cobra Kai students: NO, SENSEI!
 * John Kreese: Defeat does not exist in this dojo, does it?
 * Cobra Kai students: NO, SENSEI!
 * John Kreese: Prepare! What do we study here?
 * Cobra Kai students: THE WAY OF THE FIST, SIR!
 * John Kreese: And what is that Way?
 * Cobra Kai students: STRIKE FIRST, STRIKE HARD, NO MERCY, SIR!
 * John Kreese: I CAN'T HEAR YOU!
 * Cobra Kai: STRIKE FIRST, STRIKE HARD, NO MERCY, SIR!

 * [Daniel is bicycling home when Johnny's gang ambush him]
 * Dutch: Looking for a shortcut back to Newark, Daniel?
 * Johnny: No, he wants to learn karate! Well, here's your first lesson: how to take a fall!
 * Dutch: Don't think about the pain.
 * ''[Cobras shove Daniel into a ravine then ride away laughing uproariously. Daniel trudges home then throws the bike in a dumpster. At the same time, Lucille returns to the apartment complex to witness Daniel's breakdown]
 * Daniel: This damn bike. I hate this bike. I hate this frigging bike. This stupid bike! I hate it! Stupid bike.
 * Lucille: Daniel! What's the matter?
 * Daniel: NOTHING!
 * Lucille: Why did you throw your bike away?
 * Daniel: Because I felt like it, Mum.
 * Lucille: Please look at me when I'm talking to you (sees Daniel's bruises) Oh my god! Can you tell me what's going on? And don't tell me about another bike accident!
 * Daniel: What do you want to hear, ma?
 * Lucille: The truth is-
 * Daniel: No you don't want to hear the truth. All you want to hear is how great it is. Well, it may be great to you but it SUCKS for me! I hate this place! I HATE IT!! I just want to go home! Why can't we just go back home?
 * Lucille: Listen to me, I cannot help you unless you tell me what's wrong!
 * Daniel: I gotta take karate lessons.
 * Lucille: You took karate!
 * Daniel: No, not at the Y at a good school.
 * Lucille: But, fighting doesn't solve anything Daniel.
 * Daniel: Well, neither does palm trees, ma.
 * Lucille: That's not fair!
 * Daniel: Like it was fair coming over here without asking me how I felt about it. Right, that was really fair.
 * Lucille: You're right. I should've asked.
 * Daniel: Yeah, well, I just wanna go home. That's it. I don't understand the rules here and I want to go home.
 * Lucille: Let's clean you up and maybe we can figure out the rules here together. What about your bike?
 * Daniel: It's safer taking a bus. Why can't we just go home? Why can't we just go home and forget this place?
 * [He and his mother go upstairs. Their argument was overheard by Mr. Miyagi, who emerges from his office, troubled over Daniel's problem]

 * Daniel: How come you didn't tell me?
 * Mr. Miyagi: Tell you what?
 * Daniel: That you knew karate?
 * Mr. Miyagi: You never ask?
 * Daniel: Well, where did you learn it?
 * Mr. Miyagi: Father.
 * Daniel: But I thought he was a fisherman.
 * Mr. Miyagi: In Okinawa, all Miyagi know two things: fish and karate. Karate come from China, sixteenth century, called te, "hand". Hundred year later, Miyagi ancestor bring to Okinawa, call karate. "empty hand".
 * Daniel: I always thought it came from Buddhist temples and stuff like that.
 * Mr. Miyagi: You watch too much TV.
 * Daniel: That what my mother tells me.

 * [Daniel and Mr. Miyagi visit Cobra Kai to talk to Kreese, who is teaching a class]
 * John Kreese: We do not train to be merciful here. Mercy is for the weak. Here, in the streets, in competition. A man confronts you, he is the enemy. An enemy deserves no mercy-[notices Johnny staring at Daniel and Mr. Miyagi] what is the problem, Mr. Lawrence?
 * Johnny Lawrence: [whispering] The guys at the door? They're the ones who jumped us last night.
 * Daniel LaRusso: [nervously, to Mr. Miyagi] Hey come on, let's forget this.
 * Mr. Miyagi: Wait. Not yet.
 * John Kreese: [to his students] Class, we have visitors. Fall in behind me.
 * [The students fall in. Kreese and Johnny approach Daniel and Mr. Miyagi]
 * John Kreese: I hear you jumped some of my students last night.
 * Mr. Miyagi: Afraid the facts mixed up.
 * John Kreese: Are you calling Mr. Lawrence a liar?
 * Mr. Miyagi: No call no one nothing.
 * John Kreese: What are you here for, old man?
 * Mr. Miyagi: Come ask leave boy alone.
 * John Kreese: What's the matter? The boy can't take care of his own problems?
 * Mr. Miyagi: One to one problem, yes. Five to one problem, too much ask anyone.
 * John Kreese: Is that what's bothering you? The odds? Well, we can fix that. [to Johnny] You like matching, Mr. Lawrence?
 * Johnny Lawrence: [eagerly] Yes, Sensei!
 * Mr. Miyagi: [groans] No more fighting.
 * John Kreese: [getting angry] This is a karate dojo, not a knitting class! You don't come into my dojo and drop a challenge and leave, old man. Now, you get your boy on the mat or you and I will have a major problem.
 * Mr. Miyagi: Too much advantage, your dojo.
 * John Kreese: Name a place.
 * Mr. Miyagi: [gestures with his head to the poster behind him for the All-Valley Under-18 Karate Tournament] Tournament.
 * John Kreese: [chuckles] You've got real nerve, old man. Real nerve. But I think we can accommodate you. Can't we, Mr. Lawrence?
 * Johnny Lawrence: Yes, Sensei.
 * John Kreese: Fall in. [Johnny gets back in line]
 * Mr. Miyagi: Ask one more small request.
 * John Kreese: [stops, annoyed] Make it fast.
 * Mr. Miyagi: Ask leave boy alone, to train.
 * John Kreese: [chuckles] You're a pushy little bastard, ain't ya? But I like that. I like that! [to his students] All right, no one touches the prima donna until the tournament. Is that understood?
 * Cobra Kai students: YES, SENSEI!
 * John Kreese: [menacingly approaches Miyagi and Daniel again] But you don't show, and it's open season, on him [points at Daniel]... and you [points at Miyagi].

 * Mr. Miyagi: Fighting always last answer to problem.
 * Daniel: No offense, Mr Miyajee, but I don't think you understand my problem...
 * Mr. Miyagi: [interrupting] Mi... ya... gi... understand problem perfect. Your friend, all karate student, eh?
 * Daniel: Friend? Oh, yeah, those guys.
 * Mr. Miyagi: Problem: attitude.
 * Daniel: No the problem is, I'm getting my ass kicked every other day, that's the problem.
 * Mr. Miyagi: Because boys have bad attitude. Karate for defense only.
 * Daniel: That's not what these guys are taught.
 * Mr. Miyagi: Hai - can see. No such thing as bad student, only bad teacher. Teacher say, student do.
 * Daniel: Oh, great, that solves everything for me. I'll just go down to the school and straighten it out with the teacher, no problem.
 * Mr. Miyagi: Now use head for something other than target, Daniel-san.
 * Daniel: I was only kidding.
 * Mr. Miyagi: Why?
 * Daniel: Because I'd get killed if I showed up there.
 * Mr. Miyagi: Get killed anyway.
 * Daniel: Would you go with me?
 * Mr. Miyagi: No can do.
 * Daniel: Why? You said it was a good idea.
 * Mr. Miyagi: For you, good idea. For me, good idea no get involved.
 * Daniel: But you're already involved.
 * Mr. Miyagi: Very sorry.
 * Daniel: Well thanks for nothing then! Thanks for nothing. Like I didn't have enough problems already. Now I gotta carry your weight too. Thanks. Don't do me any more favors pal alright?
 * Mr. Miyagi: Daniel-san.
 * Daniel: What?
 * Mr. Miyagi: OK, I go.
 * Daniel: Oh thanks! Thanks Mr. Miyajee.
 * Mr. Miyagi: Miyagi.
 * Daniel: Miyagi. Hey, what kind of belt do you have?
 * Mr. Miyagi: Canvas. J.C. Penney. $3.98. You like? [laughs]
 * Daniel: No, I meant...
 * Mr. Miyagi: In Okinawa, belt mean no need rope to hold up pants. [laughs; then, seriously] Daniel-san, karate here. [taps his head] Karate here. [taps his heart] Karate never here. [points to his belt] Understand?
 * Daniel: I think so.
 * Mr. Miyagi: Good night, Daniel-san.
 * Daniel: Good night, Mr. Miyajee. Miyagi! Miyagi. Tomorrow morning?
 * Mr. Miyagi: Ten o'clock.

 * Mr. Miyagi: Now, ready?
 * Daniel: Yeah, I guess so.
 * Mr. Miyagi: [sighs] Daniel-san, must talk. [they both kneel] Walk on road, hm? Walk left side, safe. Walk right side, safe. Walk middle, sooner or later, [makes squish gesture] get squished, just like grape. Here, karate, same thing. Either you karate do "yes", or karate do "no". You karate do "guess so", [makes squish gesture] just like grape. Understand?
 * Daniel: Yeah, I understand.
 * Mr. Miyagi: Now, ready?
 * Daniel: Yeah, I'm ready. [he and Mr Miyagi stand up again]
 * Mr. Miyagi: First make sacred pact. [Daniel scratches his nose, whilst Miyagi puts the bandana on Daniel's forehead] I promise teach karate. That my part. [turns Daniel around] You promise learn. [ties one knot in the bandana] I say, you do, [ties another knot in the bandana] no questions. That your part. [Daniel turns around again] Deal?
 * Daniel: It's a deal. [he holds his right hand out, as though expecting Miyagi to shake it. Instead, Miyagi bends down, takes the sponge out of the bucket, straightens up and thrusts the sponge into Daniel's outstretched hand]
 * Mr. Miyagi: First, wash all the car. Then wax. Wax on...
 * Daniel: Hey, why do I have to...?
 * Mr. Miyagi: Ah ah! Remember deal! No questions!
 * Daniel: Yeah, but...
 * Mr. Miyagi: Hai! [makes circular gestures with each hand] Wax on, right hand. Wax off, left hand. Wax on, wax off. Breathe in through nose, out of mouth. Wax on, wax off. Don't forget to breathe, very important. [walks away, still making circular motions with hands] Wax on... wax off. Wax on... wax off.
 * Daniel: Hey, where did these cars come from?
 * Mr. Miyagi: [stops walking, turns around] Detroit! [turns around, resumes walking away, still muttering "Wax on, wax off" to himself and making circular gestures with his hands as he walks]

 * Daniel: Wouldn't a fly swatter be easier?
 * Mr. Miyagi: Man who catch fly with chopsticks accomplish anything.
 * Daniel: Ever catch one?
 * Mr. Miyagi: Not yet.

 * [Mr. Miyagi comes home from fishing and finds Daniel close to finishing painting his house.]
 * Mr. Miyagi: Oop. Miss spot.
 * Daniel: What spot? Hey, how come you didn't tell me you were going fishing?
 * Mr. Miyagi: You not here when I go.
 * Daniel: Maybe I would've like to have gone. You ever think about that?
 * Mr. Miyagi: You karate training.
 * Daniel: I'm WHAT?! I'm being your goddamn slave man is what I'm being! Now we made a deal here.
 * Mr. Miyagi: So?
 * Daniel: So? So you're supposed to teach and I'm supposed to learn remember? For four days, I've been busting my ass and I haven't learned a goddamn thing!
 * Mr. Miyagi: Hah, learn plenty!
 * Daniel: I've learned plenty! I've learned how to sand your decks maybe! How about wash your cars, paint your house, paint your fence. I've learned plenty!
 * Mr. Miyagi: Oh, Daniel-san not everything is as seems.
 * Daniel: Oh bullshit! I'm going home man!
 * Mr. Miyagi: Daniel-san! DANIEL-SAN!!
 * Daniel: What?
 * Mr. Miyagi: Show me sand-the-floor.
 * Daniel: I can't move my arm, alright? [Mr. Miyagi claps then rubs his hands quickly] What are you doing? What? [Mr. Miyagi starts massaging Daniel's arm] Ow! Ow, what are you doing?
 * Mr. Miyagi: Now show me sand-the-floor.
 * [Daniel's pain has been suppressed]
 * Daniel: How did you do that?
 * Mr. Miyagi: SHOW!

 * [Daniel and Mr. Miyagi are leaving a beach, after Daniel had been told to train in the sea, to learn balance]
 * Daniel: What were you doing on those stumps over there?
 * Mr. Miyagi: Called crane technique.
 * Daniel: Does it work?
 * Mr. Miyagi: If do right, no can defense.
 * Daniel: Could you teach me?
 * Mr. Miyagi: First learn stand, then learn fly. Nature rule, Daniel-san, not mine.
 * Daniel: Where did you learn it from?
 * Mr. Miyagi: Father teach.
 * Daniel: You must have had some father, man
 * Mr. Miyagi: Oh, yes.
 * [They return to Mr. Miyagi's truck, only to find two drunkards there, leaving their beer bottles on the hood.]
 * Mr. Miyagi: Excuse me, please. Boy cold. Must leave. Kindly remove bottles.
 * Drunk: Kindly do it yourself, Mr. Moto!
 * [Mr. Miyagi karate-chops the tops of the beer bottles, making the drunks leave in fear]
 * Daniel: How did you do that? How did you do that?
 * Mr. Miyagi: Don't know. First time.

 * Mr. Miyagi: [on Daniel's birthday, after having already given him his present, the karate gi he will wear at the tournament] Go outside. Something show you.
 * Daniel: What?
 * Mr. Miyagi: Number two present. [leads Daniel outside]
 * Daniel: [walking and talking] Number two present? You don't have to give me anything. You've given me enough already. [Miyagi keeps walking, silently] No really, I'm serious.
 * Mr. Miyagi: [stops and points to his fleet of antique cars] Choose.
 * Daniel: [surprised and hesitant] Oh, no...
 * Mr. Miyagi: Hai! Hurt old man feeling. [points again] Choose.

 * Daniel: I'm just scared. You know, the tournament and everything...
 * Mr. Miyagi: You remember lesson about balance?
 * Daniel: Yeah.
 * Mr. Miyagi: Lesson not just karate only. Lesson for whole life. Whole life have a balance. Everything be better.

 * Daniel: You're the best friend I've ever had!
 * Mr. Miyagi: You... pretty OK, too. Go, find balance. [chuckles]
 * [Daniel starts to drive away]
 * Mr. Miyagi: Banzai, Daniel-san!
 * Daniel: Hey, banzai!
 * Mr. Miyagi: [beat; then; louder] Banzai!
 * Daniel: [louder] Banzai!
 * Mr. Miyagi: [shouts] Banzai!
 * Daniel: [shouts back] Banzai!

 * [Daniel, Mr. Miyagi and Ali go out onto the tournament quadrangle, where they are stopped by an official.]
 * Official: Hold it. Only teachers and students on the competition floor. I'm sorry.
 * Daniel: Oh, but he doesn't speak English and I can't understand his instructions without her. She's his translator.
 * [Mr. Miyagi says something unintelligible.]
 * Official: What did he say?
 * Ali: He said you reminded him of an uncle of his in Tokyo.
 * Official: [flattered] Well, I guess it is all right.
 * [Mr. Miyagi says something unintelligible.]
 * Official: What's that?
 * Ali: He says you're very kind.
 * Official: Thank you.
 * Mr. Miyagi: Welcome.

 * [For the semifinal, Daniel is to face off against Bobby Brown]
 * John Kreese: Bobby, I want him out of commission.
 * Bobby Brown: But, Sensei, I can beat this guy!
 * John Kreese: I don't want him beaten.
 * Bobby Brown: But I'll be disqualified!
 * John Kreese: Out of commission.

 * [A timeout is called so Kreese can clean up Johnny's nosebleed]
 * John Kreese: [about Daniel's injured leg] Sweep the leg.
 * [Johnny stares at him in shock]
 * John Kreese: Do you have a problem with that?
 * Johnny Lawrence: No, Sensei.
 * John Kreese: No mercy.

<hr width="50%"/>
 * Score is tied 2-2. The next point will mean the end of the tournament. Daniel assumes the crane kick position. As Johnny advances, Daniel does the crane kick to his head.
 * Referee: Winner!
 * Ring Announcer: The new champion! Daniel LaRusso!
 * Audience cheers. Both Mrs. LaRusso and Ali rush out to the mat hug Daniel
 * Lucille: Oh, Daniel!
 * Ali: All right!
 * [everyone hoists up Daniel; Johnny hands Daniel the trophy]
 * Johnny: You're all right, Larusso, Good match!
 * Daniel: Thanks a lot! [whoops] Hey! Hey, Mr. Miyagi! We did it, We did it! All right! [whoops victoriously]
 * [Mr. Miyagi nods and smiles]

Taglines

 * He taught him the secret to karate lies in the mind and heart. Not in the hands.
 * Only the "Old One" could teach him the secrets of masters.

Cast

 * Ralph Macchio - Daniel LaRusso
 * Pat Morita - Mr. Hideo Miyagi
 * Elisabeth Shue - Ali Mills
 * William Zabka - Johnny Lawrence
 * Martin Kove - John Kreese
 * Randee Heller - Lucille LaRusso
 * Chad McQueen - Dutch
 * Ron Thomas - Bobby Brown
 * Tony O'Dell - Jimmy
 * Rob Garrison - Tommy

title: The Karate Kid


text:
Talk:The Karate Kid

Wow, I should totally borrow it on DVD and add quotes :) In other news, how does one source taglines? Ads? ~ MosheZadka (Talk) 04:52, 5 September 2005 (UTC)
 * If they are widely quoted in secondary sources then you can cite those sources. If they are not quoted anywhere then they may not be quoteworthy. Ningauble (talk) 20:58, 17 January 2020 (UTC)

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Talk:The Karate Kid


text:
User talk:220.245.178.134

~ MosheZadka (Talk) 10:09, 5 September 2005 (UTC)

title: User talk:220.245.178.134


text:
Talk:Tony Buzan

I've taken a section of malformatted maybe quotes out, and am putting it here. Please add it back if you can find it in the source:

For over 300 years, there were absolutely no other major advances until the middle of the 20th century, when Mind Maps were created by me.

Mind Maps are an incredibly powerful memory tool that have been compared to having a ‘Swiss army knife for the brain’. Dr John La Tourrette

Thanks ~ MosheZadka (Talk) 10:11, 5 September 2005 (UTC)

Unsourced

 * Marketing is called a hard skill, accountancy a hard skill.....that’s, if I may use this phrase, bullshit! The soft skills are marketing etc – they’ve got it backwards.
 * We teach mental literacy and radiant thinking; a revolution in human thought.
 * We damage so many kids and so many lives by saying "you're thick".

 * My view is that evolution will continue to evolve!
 * "mens sana in corpore sano" - a healthy mind in a healthy body, or a healthy body in a healthy mind.
 * The Internet will be the evolutionary mechanism that allows us to play an eternal game of intelligence ‘Leap-Frog’. I look forward to leap frogging with you" (Introduction to the Buzan Centres and the Brain Trust Charity, 2003) by : Krishmitha

 * Research is increasingly showing that the faster you read, the better your comprehension. So if you read at 1000 wpm, learn to read at 2000 wpm and your comprehension will soar like a dolphin.  This is because information is organized into meaningful chunks that make immediate sense to your brain.  This increased ability to understand in turn helps you to remember better.
 * Acting in harmony, your super genius light-receivers can decode in less than a second, a scene containing billions of pieces of information, with super-photographic accuracy, just like a security camera.
 * If you want to learn to communicate, remember, and use your brain more effectively, learn to exaggerate. It will make you richer.

title: Talk:Tony Buzan


text:
User talk:Damseleen

I've added a no-intro tag to your Dr John La Tourrette article. Please consult Templates/People to see proper formatting of people's quote pages. Thanks ~ MosheZadka (Talk) 10:12, 5 September 2005 (UTC)

title: User talk:Damseleen


text:
No One Lives Forever

 is a series developed by. As of 2007, the series consists of two installments (' and ') and one (). In the core games, set in 1967-68, the player assumes the role of Cate Archer, a of the fictional British anti-terror organization UNITY, as she combats the international terrorist network H.A.R.M.. The spin-off concerns John Jack, a professional killer recruited by H.A.R.M., and is chronologically set between the two core games. The games include a lot of humor and have been described as a mixture of Austin Powers and James Bond with the lead character resembling from The Avengers.

No One Lives Forever

 * Directed by .

Who wants to LIVE FOREVER?

Dialogue

 * Random thug 2: What's in all those kegs, anyway?
 * Random thug 1: Beer! We supply H.A.R.M.'s entire staff with the finest Deutsch brews.
 * Thug 2: Really? That must be a lot of beer.
 * Thug 1: Indeed. Our studies show that criminals drink three times as much alcohol as law abiding citizens.
 * Thug 2: So beer turns people into criminals?
 * Thug 1: A correlation doesn't imply causality. Just because criminals drink a lot of beer doesn't mean that beer causes crime. It's possible that people with criminal tendencies enjoy beer because it helps to soothe their conscience. Or perhaps criminal behavior is caused in part by a genetic predisposition that also, coincidentally, makes criminals like the taste of beer more than the average person. Who knows?
 * Thug 2: You're very knowledgeable about these things.
 * Thug 1: Criminal sociology is a hobby of mine. I think it's important to understand not just the individual, psychological roots of one's behavior, but also the social circumstances that foster that behavior. Whether we like it or not, we are shaped by our environment.
 * Thug 2: Surely you're not suggesting that individuals aren't accountable for their actions?
 * Thug 1: Oh, no, of course not. Just because we are products of the societies we're born into doesn't absolve us of personal responsibility. Our religions and laws teach us what is right and what is wrong. Frequently, the right choice is the more difficult path to take. It requires sacrifice, self-discipline, patience … virtues that many of us find somewhat lacking in our natures.
 * Thug 2: But what if you're born into a hedonistic culture?
 * Thug 1: Look across history. The reason hedonism is discouraged by most religions and governments is that it weakens a civilization. It breeds sloth, petulance, degeneracy, and selfishness. A divided nation is a fragile nation, waiting to be conquered. Unity is strength. Humans instinctively fashion order out of chaos. It is a natural, probably genetic impulse. Therefore, even an individual born into troubled times has the capacity, and even the duty, to behave in a manner that promotes unity, however difficult it may be.
 * Thug 2: Then what about us?
 * Thug 1: I can only speak for myself. I am a product of a broken household, which introduced a general lack of self confidence in me at a very early age. These feelings of inadequacy blossomed into anger as I matured that the rigors of adolescence, with the teasing and abuse and awkwardness we must all endure, only exacerbated. But even though I've identified the source of my problems, I'm still too childish and petty to become a responsible, mature citizen.
 * Thug 2: Well, admitting you have a problem is the first step, I suppose.
 * Thug 1: I like to think so.

(A Tenuous Lead, Scene 4)

 * Sailor 1: You okay? You look terrible.
 * Sailor 2: I have a really bad headache. I went to this club last night? It took me two hours to get in.
 * Sailor 1: Popular, eh?
 * Sailor 2: I guess so, although I don't know why. The music, it was the most horrible thing I've ever heard.
 * Sailor 1: Hey, I've been to places like that.
 * Sailor 2: No, you don't understand. I thought I understood what bad music was. This place... imagine that bad music is its own art form. The woman who was singing would be the Beethoven of bad music.
 * Sailor 1: Come on.
 * Sailor 2: First of all, it was operetta, which is bad enough.
 * Sailor 1: Ugh.
 * Sailor 2: What made it truly painful wasn't that it was completely out of key, although that was certainly unpleasant. It was that it was so... vicious. Like she was trying to kill the audience with her voice.
 * Sailor 1: Maybe she was.
 * Sailor 2: No, if you'd seen her you would know. She didn't realize how bad she was.
 * Sailor 1: What did she look like, anyway?
 * Sailor 2: Very large with bright, rosy cheeks. Dressed kind of like a milk maid.
 * Sailor 1: You're kidding.
 * Sailor 2: No, I'm not kidding.
 * Sailor 1: Was her name Inge Wagner?
 * Sailor 2: How did you know?
 * Sailor 1: She came aboard an hour ago.
 * Sailor 2: What?!
 * Sailor 1: It's true! Didn't you read the memo in the galley?
 * Sailor 2: I never read those!
 * Sailor 1: We're supposed to assemble on deck after breakfast tomorrow. For a motivational concert.
 * Sailor 2: I get it. Very funny! You really had me going for a moment there.
 * Sailor 1: I'm not joking.
 * Sailor 2: Please tell me that you are... I have to get off this ship. Maybe I can hide somewhere? Do you think they'll notice if I'm not there?
 * Sailor 1: I doubt it. Hell, I'll join you.

(Rendezvous in Hamburg, Scene 2)

 * [Two Scientists are testing an intercom]
 * Scientist 1: Test, 1, 2, 3, Test.
 * Scientist 2: Turn it down!
 * Scientist 1: How's this? Over.
 * Scientist 2: I can't tell! I'm deaf!
 * Scientist 1: Proceed with the experiment, over!
 * Scientist 2: You don't have to say over! It's not a radio!
 * Scientist 1: I like to say it, over.
 * Scientist 2: Fine!
 * Scientist 1: How is the goat? Over.
 * Scientist 2: The goat is nervous, how do you think the goat is?!
 * Scientist 1: You don't have to shout! Over.
 * Scientist 2: Would you come down here for a second?
 * Scientist 1: Why...? [pause] Over.
 * Scientist 2: I have to tell you something.
 * Scientist 1: I don't trust you! I think you're planning to hurt me! Over.
 * Scientist 2: I'm not going to hurt you, I just want to tell you... a secret!
 * Scientist 1: What kind of secret? Over.
 * Scientist 2: A good one. About Bettina, something she said about you!
 * Scientist 1: I don't believe you... over.
 * Scientist 2: Suit yourself!
 * Scientist 1: What did she say? Over.
 * Scientist 2: If you want to know, you have to come down here!

(Berlin By Night, Scene 3)

 * [Magnus Armstrong is in the galley of the ship, getting drunk]
 * Inge Wagner: [From down the hall] Armstrong! Where are you?
 * [Inge enters the galley]
 * Inge Wagner: I demand an explanation.
 * Magnus Armstrong: [Drunk] 'splanation for what?
 * Inge Wagner: Heinrich tells me the girl is still alive. Perhaps you did not understand my orders.
 * Magnus Armstrong: Yer orders? Ha! You don't give me orders.
 * Inge Wagner: She was to be liquidated! Why did you spare her?
 * Magnus Armstrong: I'll not slay a countryman without a fair fight. The girl's just doing her job.
 * Inge Wagner: She's a threat to our operation. I'm sure the Director would agree with me.
 * Magnus Armstrong: Then, you kill her.
 * Inge Wagner: Coward.
 * Magnus Armstrong: Fatty!
 * Inge Wagner: Drunk.
 * Magnus Armstrong: ... Fatty!
 * Inge Wagner: You disgust me!
 * [A large explosion rocks the ship]
 * Inge Wagner: What was that?!
 * Magnus Armstrong: That's an explosion.
 * Inge Wagner: [To a sailor] Find out what's going on!
 * Sailor: Jawohl Fraulein Wagner!
 * [Over the intercom] Abandon ship, abandon ship!!!
 * Sailor 1: Did he say 'ship', or 'sheep'?
 * Sailor 2: Ship I think, why?
 * Sailor 1: Uh, no reason.

(A Tenuous Lead, Scene 5)

 * Magnus Armstrong: Well, let's go.
 * Inge Wagner: What about the cargo?!
 * Magnus Armstrong: You're welcome to fetch it, fatty! As for me, I'm gettin' off this boat before she sinks.
 * Inge Wagner: But the operation!
 * Magnus Armstrong: We can replace the cargo, but I'm one of a kind, if you take my meaning.
 * Inge Wagner: The Director will not be pleased.
 * Magnus Armstrong: Then stay here and show your devotion. I'll nail up a commerative plaque for you in the ladies room o' that wretched nightclub of yours.
 * Inge Wagner: I can't help it if my beautiful cabaret is infested with beatniks. I've tried to get rid of them, but they're like roaches.
 * Magnus Armstrong: Probably because they think you sing like that on purpose. Experimental jazz or some such shite.
 * Inge Wagner: Cretin.
 * Magnus Armstrong: Enough of this jabbering! Get out of my way, your hideous mass is blocking the bulkhead!

(A Tenuous Lead, Scene 5)

 * Inge Wagner: [Singing] Send in the divers!
 * Magnus Armstrong: Make sure you get the shipping manifest and the Captain's log. Oh, and if you see a half empty bottle of Laphroaig floating about in my quarters, I'd be much obliged if you'd retrieve her for me.
 * Inge Wagner: You disgust me.
 * Magnus Armstrong: So?
 * Inge Wagner: You are a drunk and a coward.
 * Magnus Armstrong: You can say what you please about my hobbies and my hygiene, but I swear if you ever cast aspersions on my manhood again, I'll pound you. I'm not a coward.
 * Inge Wagner: Your threats don't frighten me.
 * Magnus Armstrong: A good beating might knock some of that ugly out of you. Care to find out?
 * Inge Wagner: I will be in my quarters rehearsing, I am not to be disturbed.
 * Magnus Armstrong: That's right. It's the rest of us who'll be disturbed you bloody great banshee. I've heard cats in heat that sing prettier than you.
 * Inge Wagner: Criticism is the refuge of those without the talent or discipline for the pursuit of art. I pity you.
 * Magnus Armstrong: And well you should. You call that bellowing of yours art? Fart is more like it.
 * Inge Wagner: Imbecile.
 * Magnus Armstrong: [Singing] Fatty fatty fatty, fattitty fat, fatty fatty.
 * Inge Wagner: Hmph!

(The Dive, Scene 3)

 * [Archer and Goodman are discussing the plan on infiltrating the cargo freighter. Archer is annoyed that Goodman doesn't think that Archer is capable of performing a "Man's Job" She asks him why he can't be subtle]
 * Tom Goodman: I can be subtle.
 * Cate Archer: Then explain that shirt. (The shirt is a light green colour with a strange pattern all around)

(A Tenuous Lead, Scene 3)

Terrible Spy Code Phrases

 * [Standing outside the East German Research Facility]
 * Berlin contact: I seem to have lost my phone number. Can I have yours?
 * Cate Archer: I'm in the book. Just look under "police department".
 * Berlin contact: Why must I be made to say such stupid things?

 * [Standing in the street]
 * 1st Contact: Guten Abend Fraulein, do you make love to strangers?
 * Cate Archer: Certainly not!
 * Contact: Then allow me to introduce myself.
 * Cate Archer: Why not introduce yourself to a police officer and spare me the trouble?

 * [Answering Payphone]
 * 2nd Contact: Are you free tonight, or will it cost me?
 * Cate Archer: More than you can afford!

 * [Ringing doorbell of apartment 205]
 * 3rd Contact: Want to come in for a game of twister?
 * Cate Archer: I'd rather run over you with my car!

 * [In a bar]
 * 4th Contact: You are the most beautiful girl I have ever seen. Can you cook and clean too?
 * Cate Archer: No, but I can put you in the hospital if you want. Maybe you can find someone to take care of you there, maybe.

(Berlin by Night, Scenes 1 and 2)

 * [On the Train]
 * UNITY Agent: Is it just you or is it hot in here?
 * Cate Archer: Either way I think you need a cold shower!

(Rescue Attempt, Scene 1)

Baroness Dumas
[Baroness Dumas is windowshopping...]
 * Dreadful
 * Pathetic
 * I'd sooner swallow a kitten than spend money here
 * Well isn't that provincial
 * Here comes Miss Fancypants again

 * Baroness Dumas: What's your name?
 * Hans: Hans Gierchna, at your service.
 * Baroness Dumas: You're fired.
 * Hans: Huh? Why?
 * Baroness Dumas: Because if I were to shoot you it would cause a scene

(Alpine Intrigue, Scene 1)

 * Guard: Are you going on up to the chateau Baroness Dumas?
 * Baroness Dumas: Of course I am you simpering oaf! Did you think I was planning on sitting around here playing pinochle with you IDIOTS?!?

(Alpine Intrigue, Scene 2)

 * "I SAID NO INTERUPTIONS!!! SOMEBODY SHOOT THIS MAN!" (Gunshot)
 * "Well aren't you a righteous little bitch. Maybe it'll get you into heaven. I suppose you'll find out soon enough"

 * Baroness Dumas: Get Armstrong up here. I want someone competent guarding this door.
 * Guard: That's not a very nice thing to say.
 * Baroness Dumas: Is that so? Well after you fetch him how would you like to take yourself outside and have yourself shot? That'll give you something to complain about.

(The Indomitable Cate Archer, Scene 2)

 * Baroness Dumas: I'll be in my lair
 * Guard: Yes Ma'am
 * Baroness Dumas: Do I even need to mention that I don't want to be interupted?
 * Guard: No Ma'am
 * Baroness Dumas: Good.

(The Indomitable Cate Archer, Scene 3)

Memorable Humour

 * Street vendor in Morocco: "You look like you need a monkey." [There is a cheat code reads "mpyoulooklikeyouneedamonkey", which grants the player full armor]

(Misfortune in Morocco, Scene 2)

 * HARM Agent: "Yes sir!  I mean, no sir!  I mean, yes to the first part and no to second part...sir!"

(Misfortune in Morocco, Scene 2)

 * [A Hotel maid emerges from a room to find the hallway full of thugs' bodies]
 * Maid: I'm not cleaning up this mess!

(The Dive, Scene 2)

Thugs

 * [When hearing suspicious noises]

 * Why is anyone there? Eh Hello?
 * Who's there?
 * Look I'm going to find you!
 * Will ya do us all a favour and come out?
 * Come out of there, NOW!
 * I must stop drinking myself to sleep!
 * Is anyone there?
 * Huh?
 * Don't think you're hiding you're fooling me! I know exactly where you are!
 * Don't try to get away from me! I will track you down like a dog!
 * I will sniff you out like a bloodhound!

 * [When in action]

 * This, hard rain is falling everyone down!
 * I do not like being shot at!
 * Incoming fire!
 * Bullets are crap!
 * Aw, your goin' down there mate!
 * I'm not going anywhere!
 * Be careful of the bullets!
 * Call for back up, eh!
 * I don't care if it is friendly fire, I don't want any of it!
 * Kill her!
 * Toten sie ihr! (These are German words but translated it would mean: "(You go) kill her!")
 * Be a good chap and call for back up would you?

Cate Archer

 * "You ever swallow a lit cigar?"
 * "Maybe you need your arse kicked!"

Magnus Armstrong

 * "So where do I sign up for this shindig?"
 * "Come on, ya jessies, ya ain't even tryin'!"
 * "I'm long overdue for a pint or two."

Dialogue

 * Cate Archer: You really impressed me back there.
 * Magnus Armstrong: Listen to you cry.
 * Cate Archer: All you had to do was grab him, you dumb ox!
 * Magnus Armstrong: Cry, cry, cry.
 * Cate Archer: Well, at least you got his coat. Maybe he'll freeze to death!
 * Magnus Armstrong [mock sobbing]: Oh-oh, oh-h-h...boohoo!
 * Cate Archer: Shut up.
 * Magnus Armstrong: Make me.

Other characters

 * Melvin Blitzny: "She wasn't good looking and she smelled like a horse, but she was woman enough for me!"
 * "Crazy" Harij: "I realize that you find me irresistible... but, I'm tired of talking to you!"
 * Guard in Soviet compound: "This is the Union of the Socialist Soviet Republics, people do not disappear for no reason!" (on talking with another guard about the missing comrade Mikhail)

Contract J.A.C.K.

 * Dr. Harij: You are making Dr. Harij very, very angry!
 * Czechoslovakian Soldier: This conversation is causing me physical pain.
 * Il Pazzo: I don't know when. I don't know how. I don't even know where. But some day, I'm gonna kill you!
 * John Jack: I wouldn't want to work for you sons of bitches anyway.

Cast

 * - Cate Archer (NOLF only), Inge Wagner
 * - Cate Archer (NOLF2 and J.A.C.K.), Isako
 * - Bruno Lawrie
 * - Mr. Jones
 * - Mr. Smith
 * - Tom Goodman, Melvin Blitzny
 * - Santa, Gen. Morgan Hawkins, Dr. Harij
 * - Magnus Armstrong (NOLF)
 * - Magnus Armstrong (NOLF2)
 * - John Jack, Dmitri Volkov
 * - Baroness Dumas
 * - Dr. Schenker, Baron Dumas
 * - Isaac Barnes
 * - Il Pazzo
 * - Louie Franco

title: No One Lives Forever


text:
User talk:Koveras

~ MosheZadka (Talk) 12:32, 5 September 2005 (UTC)

title: User talk:Koveras


text:
User talk:Conch Shell~enwikiquote

Thanks for your work on the Father Ted article. I have restored the tv-cleanup tag, since it is still does not comply with the standard TV formatting. Please see Templates/TV shows for an example. Thanks ~ MosheZadka (Talk) 12:35, 5 September 2005 (UTC)
 * hopefully it should be OK now Conch Shell 09:35, 7 September 2005 (UTC)

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Conch Shell. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Conch Shell~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:20, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:44, 19 April 2015 (UTC)

title: User talk:Conch Shell~enwikiquote


text:
User talk:24.87.241.57

Hurricane movie
A person using this IP address made a number of edits to List of films, including adding the title Hurricane. Unfortunately, there are many movies by that title. The currently best-known "Hurricane" film is actually titled The Hurricane (1999), so if this is the movie meant, please correct its entry. (If you mean the 1937 film directed by John Ford and starring Dorothy Lamour, please correct the title and add the year as well.)

If the requested film is indeed titled Hurricane, please note which of the following is intended by adding the appropriate year and/or alternate title: There are also several non-English films whose English titles are Hurricane, so if one of these is meant, please add the original title in the appropriate place and include its English title in that entry. Thank you for your assistance. ~ Jeff Q (talk) 16:34, 5 September 2005 (UTC)
 * The Morgan Freeman-penned 1997 film also known as Hurricane Streets
 * The 1979 Timothy Bottoms film
 * The 1974 star-studded TV-movie also known as Hurricane Hunters
 * The 1961 Joy Harington-directed film
 * The 1930 Ralph Ince-directed film

title: User talk:24.87.241.57


text:
User:Tickle me

really, please do...!

I'm a programmer and wikipedian.

title: User:Tickle me


text:
Wikiquote:Replies to common objections

Can't vandalism damage pages?
Sure, but it is easier to revert vandalism than to vandalise.

How accurate are the quotes?
This is one of the few quote sites that takes the trouble to find sources for quotes, those which can be independently verified. This significantly raises the accuracy of the quotes.

title: Wikiquote:Replies to common objections


text:
Honoré Mercier

Honoré Mercier (October 15 1840 - October 30 1894) was a lawyer, journalist and politician in Quebec, Canada. He was the Premier of Quebec from January 27, 1887 to December 21, 1891, as leader of the Parti national or Liberal Party of Quebec.

Quotes

 * This province of Quebec is catholic and French and shall remain catholic and French. All the while asserting our friendship and our respect for the representatives of the other races and religions, all the while claiming our eagerness for giving them their fair share in every aspect [...] we solemnly declare that we shall never renounce our rights that are garanteed by treatees, by law and by the constitution [...] Let us cease our fratricidal struggles and let us unite!
 * Cette province de Québec est catholique et française et restera catholique et française. Tout en affirmant notre amitié et notre respect pour les représentants des autres races et religions, tout en déclarant notre empressement de leur donner leur juste part en tout et partout (...) nous déclarons solennellement que nous ne renoncerons jamais aux droits qui nous sont garantis par les traités, par la loi et la constitution (...) Cessons nos luttes fratricides et unissons-nous!
 * Speech given of the Saint-Jean-Baptiste Day of 1889.

 * Riel, our brother, is dead, victim of his devotion to the cause of the Métis of which he was leader, victim of fanatism and treason; of the fanatism of Sir John and of some other friends of his; of the treason of three of our own who, in order to keep their wallet, have sold their brother.
 * Riel, notre frère, est mort, victime de son dévouement à la cause des Métis dont il était le chef, victime du fanatisme et de la trahison; du fanatisme de Sir John et de quelques-uns de ses amis; de la trahison de trois des nôtres qui, pour garder leur portefeuille, ont vendu leur frère.
 * Speech of 1885 about the hanging of Louis Riel, at the Champs de Mars of Montreal.

 * When I say that we owe nothing to England, I speak in regards of politics, for I am convinced, and I shall die with this conviction, that the Union of Upper and Lower Canada as well as Confederation were imposed to us with a purpose hostile to the French element and with the hope of making it disappear in a more or less distant future. I wanted to show you what our homeland could be. I have made my best to open yourselves up to new horizons and, as I let you glimpse at them, push your hearts towards the fulfilment of our national destinies. You have colonial dependence, I offer you independence; you have shame and misery, I offer you fortune and prosperity; you are but a colony ignored by the whole world, I offer you becoming a great people, respected and recognized amongst free nations. Men, women and children, the choice is yours; you can remain slaves in the state of colony, or become independent and free, amongst the other peoples that, with their powerful voices beckon you to the banquet of nations.
 * Quand je dis que nous ne devons rien à l'Angleterre, je parle au point de vue politique car je suis convaincu, et je mourrai avec cette conviction, que l'union du Haut et du Bas Canada ainsi que la Confédération nous ont été imposées dans un but hostile à l'élément français et avec l'espérance de le faire disparaître dans un avenir plus ou moins éloigné. J'ai voulu vous démontrer ce que pouvait être notre patrie. J'ai fait mon possible pour vous ouvrir de nouveaux horizons et, en vous les faisant entrevoir, pousser vos coeurs vers la réalisation de nos destinées nationales. Vous avez la dépendance coloniale, je vous offre l'indépendance; vous avez la gêne et la misère, je vous offre la fortune et la prospérité; vous n'êtes qu'une colonie ignorée du monde entier, je vous offre de devenir un grand peuple, respecté et reconnu parmi les nations libres. Hommes, femmes et enfants, à vous de choisir; vous pouvez rester esclaves dans l'état de colonie, ou devenir indépendant et libre, au milieu des autres peuples qui, de leurs voix toutes puissantes vous convient au banquet des nations.
 * Speech of April 4, 1893.

title: Honoré Mercier


text:
Talk:I Love Bees

~ MosheZadka (Talk) 05:16, 6 September 2005 (UTC)

title: Talk:I Love Bees


text:
User talk:Pjohn13~enwikiquote

Please see Templates/People for the standard formatting of people pages. ~ MosheZadka (Talk) 06:19, 6 September 2005 (UTC)

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Pjohn13. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Pjohn13~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:32, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:54, 19 April 2015 (UTC)

title: User talk:Pjohn13~enwikiquote


text:
User talk:Preschooler.at.heart

To Do.

 * Constantin Stanislavski
 * i need to finish reading "an actor prepares" first

 * The Far Side Gallery (gary larson)

 * Richard Wurmbrand

Welcome
~ MosheZadka (Talk) 13:24, 21 October 2005 (UTC)

Conan O'Brien
I have added a "" template to the article Conan O'Brien, suggesting that it be deleted according to the proposed deletion process. All contributions are appreciated, but it may not satisfy Wikiquote's criteria for inclusion, for the reasons given in the deletion notice (see also "What Wikiquote is not" and Wikiquote's deletion policy). You may contest the proposed deletion by removing the  notice, but please explain why you disagree with the proposed deletion in your edit summary or on its talk page. Also, please consider improving the article to address the issues raised. Even though removing the deletion notice will prevent deletion through the proposed deletion process, the article may still be deleted if it matches any of the speedy deletion criteria or it can be sent to Votes for deletion, where it may be deleted if consensus to delete is reached. Ole.Holm 18:22, 23 January 2010 (UTC)
 * We do need a verifiable source. I do not doubt that you heard and transcribed that quote but nobody can verify it unless there is a copy of the broadcast online.  Was it not reported in a web site or a newspaper?--Ole.Holm 22:22, 23 January 2010 (UTC)
 * OK, I've sorted it all out.--Ole.Holm 23:18, 23 January 2010 (UTC)

title: User talk:Preschooler.at.heart


text:
Pierre Boulez

Pierre Boulez (IPA: [pjɛʁ bulɛz]) (March 26, 1925 – January 5, 2016) was a French composer and conductor of contemporary classical music.

Quotes

 * [A]ny musician who has not experienced - I do not say understood, but truly experienced - the necessity of dodecaphonic music is USELESS. For his whole work is irrelevant to the needs of his epoch.
 * Emphasis in the original. From "Eventuellement..." (1952), translated as "Possibly..." in Stocktakings from an Apprenticeship, Oxford: Oxford University Press, 1991, p. 113. ISBN 0193112108

 * Creation exists only in the unforeseen made necessary.
 * From "Éventuellement..." (1952), translated as "Possibly..." in Stocktakings from an Apprenticeship, Oxford: Oxford University Press, 1991, p. 133 ISBN 0193112108

 * Stupid, stupid, stupid!
 * On the music of Giuseppe Verdi. Quoted in Boulez: Composer, Conductor, Enigma by Joan Peyser, New York: Schirmer Books, 1976.

title: Pierre Boulez


text:
User talk:192.91.75.30

Please do not arbitrarily remove notices from articles, like you did on The Godfather, Part III. Thanks ~ MosheZadka (Talk) 12:41, 6 September 2005 (UTC)

title: User talk:192.91.75.30


text:
User talk:Gordi~enwikiquote

~ MosheZadka (Talk) 13:16, 6 September 2005 (UTC)

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Gordi. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Gordi~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:24, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:48, 19 April 2015 (UTC)

title: User talk:Gordi~enwikiquote


text: User talk:Splintax

title: User talk:Splintax


text:
Talk:Pierre Boulez

For standard formatting of articles, see Templates and Templates/People. Thanks ~ MosheZadka (Talk) 17:34, 6 September 2005 (UTC)

I have restored the cleanup template. This still uses quote marks in quotes and has no attributed/sourced sections. ~ MosheZadka (Talk) 07:54, 7 September 2005 (UTC)

 * Quotes belong in quotation marks. See Quotation_marks. David Sneek 14:01, 7 September 2005 (UTC)

Unsourced

 * Proceeding from the simple fact that I think, I tried to find out how a musical language could be built from scratch.
 * The most elegant way of solving the opera problem would be to blow up the opera houses.
 * The aim of music is not to express feelings but to express music. It is not a vessel into which the composer distills his soul drop by drop, but a labyrinth with no beginning and no end, full of new paths to discover, where mystery remains eternal.
 * Revolutions are celebrated when they are no longer dangerous.

title: Talk:Pierre Boulez


text:
Killer Klowns from Outer Space

Killer Klowns From Outer Space is a 1988 film about aliens, who look like clowns, that come from outer space in their circus-tent shaped spaceship to terrorize a small town.
 * Directed by Stephen Chiodo. Written by Charles Chiodo, Edward Chiodo, and Stephen Chiodo.

In Space, No One Can Eat Ice Cream! Taglines

Farmer Gene Green

 * [after just witnessing the blinding light] Well I'll be hornswaggled! Did you see that little ole sky doggy zip down there, Pooh? [Looks at his comic]] Haley's Comet! And it's landed in our backyard! [Excitedly runs into his house to get his shovel, axe, and pick]] This is out lucky day! We gonna be rich! Pooh, we gonna be rich! Thousands of people are comin'! Gonna have hot dogs and helicopters and airplanes and tacos! This is our lucky day! Pooh, we gonna be rich!

 * [Encountering the Big Top] Well I'll be greased and fried! What in blue blazes is the circus doing here in these parts? I love the circus! Come on! Maybe we can get some free passes. [Noticing the purple lights on the tent's cables] I've never seen one that looked like this 'un before. Well... I don't know Pooh, you know there's something kinda peculiar around here. Where is everybody? There's nobody around. Where's the dang ticket booth? [A shadow from inside the tent follows them] How are we supposed to get in and see the show?

 * [Discovering Pooh has been dognapped] What in tarnation is going on here! Where's my dog?! Where's my Pooh Bear?! I'LL TEAR THIS THING APART WITH MY BARE HANDS!!!

Curtis Mooney

 * They took your wife away in a balloon? Well you don't need the police, pal, you need a psychiatrist!

 * I made it through Korea I can make it through this bullshit!

 * I'm supposed to read you your rights. But you're in Mooney's jail, and you ain't got no rights!

Others

 * Amusement Park Guard: What are ya gonna do with those pies, boys?

 * Paul Terenzi: [as Jo-Jo The Ice Cream Clown] I'm Jo-Jo the ice cream clown with the bestest ice cream in town! We'll give you a stick, you'll give it a lick. And it'll tickle you all the way down. Ice cream! ice cream! We brought our goodies here to you! A tasty treat for while you screw! Let's take a break! Cool off those hot lips with our frozen fruity bars! Icy-Wicies, Fudgy-Wudgy bars. And everyone's frozen delight, the Lick-a-Stick!

 * Debbie Stone: Nobody's gonna put me in a balloon again!

Dialogue

 * [Watching the stars, suddenly a bright light appears and disappears]
 * Mike Tobacco: Did you see that?
 * Debbie Stone: Yeah I saw that! That was incredible!

 * [Mike and Debbie are inside the alien's "circus tent"]
 * Mike Tobacco: God, is this place great, or what? I mean, it looks like it was decorated by "Clowns R Us"!
 * Debbie Stone: [Feeling a little uneasy] I don't know...
 * Mike Tobacco: Hey, didn't you ever want to run away and join the circus?
 * Debbie Stone: I wanted to run away from the circus.
 * Mike Tobacco: How come?
 * Debbie Stone: When I was five years old, my mom and my dad took me to the circus for the first time. Lion tamers, acrobats, tightrope walkers... I guess they were okay. But then, this little car drove up... and stopped right in front of me. Out jumped this huge clown. He jumped over to me... he lifted me right up out of my seat. Everybody was laughing, even my parents. Then he threw me up on his shoulders and he... he ran me out in the center ring. And all the other clowns started dancing around me... honking their horns and squeaking their noses. Their cakey white faces, and yellow eyes and dingy teeth, were tormenting me. I was terrified. I will never forget those horrible smiling faces as long as I live. Ugh!
 * Mike Tobacco: Hey, don't worry. Nothing in here is going to hurt you.

 * Debbie Stone: We were up at "the top of the world" and we saw this shooting star and we decided to go look for it! But instead of finding the shooting star we saw this... this circus tent! And that's when we went inside and that is when we saw those people in those... those pink, cotton candy cocoons! Dave, it was not a circus tent! It was something else!
 * Dave Hanson: What?! What?!
 * Mike Tobacco: It was a spaceship! And there was these things! These killer clowns! And they shot popcorn at us! We barely got away!
 * Curtis Mooney: Killer clowns from outer space? Holy shit!

 * Paul Terenzi: Mike, what do you want us to do? We've got ice cream to sell tonight.
 * Mike Tobacco: Paul, this is more serious than selling ice cream. There's clowns going around killing people. We're all in danger.

 * Slug: [to Tricycle Klown] Mean bike you got there.
 * [bikers laugh mockingly]
 * Slug: Can I take a ride... pal?
 * [Klown shakes head no]
 * Slug: Can I beep the horn?
 * [Klown shakes head yes]
 * Slug: [sarcastically joyous] Oh, thank you!
 * [proceeds to smash Klown's bike, bikers laugh uproariously]
 * Black Biker: Shoulda' let the man ride his bike.
 * [more laughter]
 * Slug: [sarcastically remorseful] I'm sorry, I... I seem to have broken your bike. [as Tricycle Klown raises his fists] What are you gonna do... knock my block off?
 * [Klown knocks Slug's head into a trash can]
 * Black Biker: [amid screams from bikers] Damn!

 * Debbie Stone: Do you think it's over?
 * Mike Tobacco: Yeah, sure.

Taglines

 * In Space, No One Can Eat Ice Cream!

 * Alien Bozos With An Appetite For Close Encounters.

 * Horrific Harlequins With An Appetite For Close Encounters!

 * Big Top...Big Shoes...Big Teeth!!

 * (from trailer) Killer Klowns From Outer Space...It's Crazy!

Cast

 * Grant Cramer - Mike Tobacco
 * Suzanne Snyder - Debbie Stone
 * John Allen Nelson - Dave Hanson
 * John Vernon - Curtis Mooney
 * Michael Siegel - Rich Terenzi
 * Peter Licassi - Paul Terenzi
 * Royal Dano - Farmer Gene Green
 * Christopher Titus - Bob McReed
 * Charles Chiodo - 'Klownzilla' the King Klown

title: Killer Klowns from Outer Space