text:
John Sedgwick

General John Sedgwick (September 13, 1813 – May 9, 1864) was a teacher, a career military officer, and a Union Army general in the American Civil War, killed by a Confederate sharp-shooter at the Battle of Spotsylvania Court House.

Quotes

 * What? Men dodging this way for single bullets? What will you do when they open fire along the whole line? I am ashamed of you. They couldn't hit an elephant at this distance.
 * Allegedly these were among General John Sedgwick's final words. He was serving as a Union commander in the American Civil War, and was hit by a sharpshooter's fire a few minutes after saying them, at the battle of Spotsylvania to his men who were ducking for cover, on May 9, 1864. The words have often been portrayed as if they were absolutely his last statement, with the sentence being presented as if he did not even finish it, and altered into the form:  "They couldn't hit an elephant at this dist..." . Though it may be a slightly more striking version of events, it is unlikely to be true.
 * Civil War Home site: eye-witness account

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: John Sedgwick


text:
Maya Angelou

Maya Angelou (4 April, 1928 – 28 May, 2014), born Marguerite Annie Johnson, was an American poet, author, memoirist, actress, director, producer, writer, singer, dancer, and civil rights activist.

Quotes

 * We delight in the beauty of butterfly, rarely admit the changes it has gone through to achieve that beauty*

 * I don't trust people who don't love themselves and tell me "I love you." … There is an African saying which is: "Be careful when a naked person offers you a shirt."
 * The Distinguished Annie Clark Tanner Lecture, 16th-annual Families Alive Conference, Weber State University, May 8, 1997 - Full text online at weber.edu

 * Self-pity in its early stages is as snug as a feather mattress. Only when it hardens does it become uncomfortable.
 * Gather Together in My Name (1974), p. 17.

 * A bizarre sensation pervades a relationship of pretense. No truth seems true. A simple morning's greeting and response appear loaded with innuendo and fraught with implications. ... Each nicety becomes more sterile and each withdrawal more permanent.
 * Singin' and Swingin' and Gettin' Merry Like Christmas (1976), chapter 5.

 * Without courage we cannot practice any other virtue with consistency. We can't be kind, true, merciful, generous, or honest.
 * As quoted in USA Today (5 March 1988)
 * Variant:
 * Courage is the most important of all the virtues, because without courage you can't practice any other virtue consistently. You can practice any virtue erratically, but nothing consistently without courage.
 * As quoted in Diversity : Leaders Not Labels (2006) by Stedman Graham, p. 224

 * Perhaps travel cannot prevent bigotry, but by demonstrating that all peoples cry, laugh, eat, worry, and die, it can introduce the idea that if we try and understand each other, we may even become friends.
 * Wouldn't Take Nothing for My Journey Now (1993) p. 12.

 * There is nothing so pitiful as a young cynic because he has gone from knowing nothing to believing nothing.
 * As quoted in The Truth in Words (2005) by Neal Zero

 * I am capable of what every other human is capable of. This is one of the great lessons of war and life.
 * As quoted in Goal Mapping : How to Turn Your Dreams into Realities (2006) by Brian Mayne, p. 84

 * My life has been long, and believing that life loves the liver of it, I have dared to try many things, sometimes trembling, but daring, still…You may not control all the events that happen to you, but you can decide not to be reduced by them. Try to be a rainbow in someone's cloud. Do not complain. Make every effort to change things you do not like. If you cannot make a change, change the way you have been thinking. You might find a new solution. Never whine. Whining lets a brute know that a victim is in the neighborhood. Be certain that you do not die without having done something wonderful for humanity. I gave birth to one child, a son, but I have thousands of daughters. You are Black and White, Jewish and Muslim, Asian, Spanish-speaking, Native American and Aleut. You are fat and thin and pretty and plain, gay and straight, educated and unlettered, and I am speaking to you all. Here is my offering to you.
 * Letter to My Daughter (2009) p xi-xii

 * There are certain artists who belong to all the people, everywhere, all the time. The list of singers, musicians, and poets must include David the harpist from the Old Testament, Aesop the Storyteller, Omar Khayyam the Tent Maker, Shakespeare the Bard of Avon, Louis Armstrong the genius of New Orleans, Om Kalsoum the soul of Egypt, Frank Sinatra, Mahalia Jackson, Dizzy Gillespie, Ray Charles...Celia Cruz...All great artists draw from the same resource: the human heart, which tells us all that we are more alike than we are unalike.
 * Maya Angelou Letter to My Daughter (2009)

 * My dear, when people show you who they are, why don't you believe them? Why must you be shown 29 times before you can see who they really are? Why can't you get it the first time?
 * As quoted by Oprah Winfrey.
 * Oprah Winfrey's paraphrase:
 * When people show you who they are, believe them.

 * You did in your twenties what you knew how to do, and when you knew better you did better. And you should not be judged for the person that you were, but for the person that you're trying to be and the woman that you are now.
 * As quoted by Oprah Winfrey.
 * Oprah Winfrey quoted this from a personal conversation with her friend, Maya Angelou.
 * Often misquoted as "Do the best you can until you know better. Then, when you know better, do better.", "When you know better, do better." and "When you know better, you do better."

 * All information belongs to everybody all the time. It should be available. It should be accessible to the child, to the woman, to the man, to the old person, to the semiliterate, to the presidents of universities, to everyone. It should be open.
 * As quoted in Interview: How Libraries Changed Maya Angelou's Life, by Angela Montefinise, October 29, 2010

 * My mission in life is not merely to survive, but to thrive; and to do so with some passion, some compassion, some humor, and some style.
 * Shared on her Facebook page, July 4, 2011

 * How important it is to recognise and consider our heroes and she-roes.
 * Quoted in: Kabir, Hajara Muhammad (2010). Northern women development. [Nigeria]. ISBN 978-978-906-469-4. OCLC 890820657.

 * I'm an American, and most of the time proud of it. Even when I am displeased with what my country is doing, I am still an American who is displeased. And fortunately, being an American, I don't have to whimper, I don't have to whine, I have the right to protest, and I like that.

 *  You develop courage, the most important of all the virtues, because without courage, you can't practice any other virtue consistently. If you've seen another truth and had enough courage to change your way of thinking, to say "Hey everybody, you know what I said last week? I don't believe that anymore. A little child just straightened me out."

 * This a wonderful day. I've never seen this one before
 * A Tweet from May 17, 2013 mentioned in her obituary in the Christian Science Monitor.

 * Develop enough courage so that you can stand up for yourself and then stand up for somebody else.
 * in Rainbow in the Cloud: The Wisdom and Spirit of Maya Angelou (2014), p. 68

 * I want to write so that the reader in Des Moines, Iowa, in Kowloon, China, in Cape Town, South Africa, can say, "You know, that's the truth. I wasn't there, and wasn't a six-foot black girl, but that's the truth."
 * quoted in Every Day a Word Surprises Me & Other Quotes by Writers by Phaidon (2018) with citation

I Know Why the Caged Bird Sings (1969)

 * The needs of a society determine its ethics.
 * often misquoted as "The needs of society determine its ethics", and with less context than the full statement: "The needs of a society determine its ethics, and in the Black American ghettos the hero is that man who is offered only the crumbs from his country's table but by ingenuity and courage is able to take for himself a Lucullan feast." The title of Angelou's book comes from the poem "Sympathy" by Paul Laurence Dunbar.

 * You don't have to think about doing the right thing. If you're for the right thing, then you do it without thinking.
 * Quoting her mother's statement after her son's birth

 * At fifteen life had taught me undeniably that surrender, in its place, was as honorable as resistance, especially if one had no choice.
 * p. 212. ISBN 978-0-375-50789-2

 * I believe most plain girls are virtuous because of the scarcity of opportunity to be otherwise.
 * Ch. 35

 * Children's talent to endure stems from their ignorance of alternatives.
 * Ch. 17. ISBN 978-0-375-50789-2

 * Life is going to give you just what you put in it. Put your whole heart in everything you do, and pray, then you can wait.

And Still I Rise (1978)

 * You were a precious pearl How I loved to see you shine, You were the perfect girl. And you were mine. For a time. For a time. Just for a time.
 * "Just for a Time"

 * You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I'll rise.
 * "Still I Rise" - Full text online at poets.org

 * You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise.
 * "Still I Rise"

 * Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs?
 * "Still I Rise"

 * Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide.
 * "Still I Rise"

 * Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise  Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise  I rise.
 * "Still I Rise"

 * I went to sleep last night And I arose with the dawn, I know that there are others Who're still sleeping on, They've gone away, You've let me stay, I want to thank You.
 * "Thank You, Lord"

Conversations with Maya Angelou (1989)

 * You can’t use up creativity. The more you use, the more you have. (1982; quoted in the Introduction by Jeffrey M. Elliot)

 * I asked if she had any hard feelings about life. "No, I don't. There are many things I wish were better for a number of people for all of us really. We could have such a great time, sharing, laughing, growing, teaching, learning, dying. Coretta King said the greatest violence is seeing a child go to bed hungry. These are the great violences: assaults on the body and soul. Hunger, poverty, fear, dirt, and guilt and I will not have it. That is what my life is about highlighting these things and, hopefully, encouraging others to help make things better. But bitterness about life, no. Life is like electricity; it's just there. You can plug into that electricity and light up a synagogue, or a church, or keep a heart machine going; or you can electrocute a man. Life is the same way. It says, 'Okay, I'm going to be in your unit for a bit. Want to use me? Want to walk around drugged or sick? All right. It's your business. No value judgments! I'm here for you to use.' Life! When it's through with me, I hope to be through with it. I'll tip my hat, and split." (1974)

 * I think there is always a need in any struggle for sensationalists. They get the headlines, they get the ear of the public, they take the race horse chances. Ofttimes they are the martyrs, but often they're not even right. You hear them speaking in your behalf and you say, "Yuch. You're not qualified. You know the rhetoric, but you're unprepared." But I don't put them down-except to their faces. If we meet somewhere quietly, say in this room, I'm ruthless. I'll say, "How dare you not take four hours to read up on W.E.B. Du Bois? What makes you talk such bullshit?" But that's privately. If I'm asked publicly, I'll say, "God bless them in their struggle." (1975)

 * I can become quite angry and burning in anger, but I have never been bitter. Bitterness is a corrosive, terrible acid. It just eats you and makes you sick. (1977)

 * I tell you one of the most aggravating things of all is to pick up a review of a work of mine and have a reviewer say, "She is a natural writer." That sometimes will make me so angry that I will cry, really, because my intent is to write so it seems to flow. I think it's Alexander Pope who says, "Easy writing is damn hard reading," and vice versa, easy reading is damn hard writing. Sometimes I will stay up in my room for a day trying to get two sentences that will flow, that will just seem as if they were always there. (1977)

 * There were two men who probably formed my writing ambition more than any others. They were Paul Laurence Dunbar and William Shakespeare. I love them. I love the rhythm and sweetness of Dunbar's dialect verse. I love "Candle Lighting Time" and "Little Brown Baby." I also love James Weldon Johnson's "Creation." I am also impressed by living writers. I'm impressed with James Baldwin. I continue to see not only his craftsmanship but his courage. That means a lot to me. Courage may be the most important of all the virtues because without it one cannot practice any other virtue with consistency. I'm impressed by Toni Morrison a great deal. I long for her new works. I'm impressed by the growth of Rosa Guy. I'm impressed by Ann Petry. I'm impressed by the work of Joan Didion ... I would walk fifty blocks in high heels to buy the works of any of these writers. I'm a country girl, so that means a lot. (1983)

 * There are some young Black women, however, that I particularly want to talk about, younger than I in any case, young Black women who are writing, who are inspirational to me. For example, a group of young women in Atlanta have a magazine called Sage. I'm impressed with Gloria Naylor's continuing to work. I'm impressed certainly with Alice Walker. I was hopeful and am still hopeful of Ellease Southerland who wrote a book many years ago called Let the Lion Eat Straw. A wonderful book. Lucille Clifton and Carolyn Rodgers and those younger Black women who have not become well known. That they continue to struggle and write is inspirational.
 * From a 1988 interview in Conversations with Maya Angelou (1989)

 * I started writing when I was mute. I always thought I could write because I loved to read so much. I loved the melody of Poe and I loved Paul Laurence Dunbar. I had memorized so much of Dunbar, Poe, Shakespeare, James Weldon Johnson, Longfellow. When my son was able to be quiet enough to listen, I taught him those poets. A few years ago he gave a reading of his poetry and he started the reading by saying "First, let me recite to you some of the poets my mother raised me on . . ." In the contemporary world, I confess to having been impressed by Ann Petry. I had The Street in my hand, I used to carry it around… (1988)

 * I still feel you should rock the boat. And if you're not in it, you should turn it over. But not unthinkingly. Protest without serious consideration is dangerous. You have to back up what you say. But once you find the truth, you ought to be prepared to stand on the street corner and use all your gifts to right the wrong. (1986)

I Shall Not Be Moved (1990)

 * Glory falls around us as we sob a dirge of desolation on the Cross and hatred is the ballast of the rock
 * which lies upon our necks and underfoot.
 * "Glory Falls"

 * We grow despite the horror that we feed upon our own tomorrow. We grow.
 * "Glory Falls"

 * Petulant priests, greedy centurions, and one million incensed gestures stand between your love and me.
 * "Savior"

 * Visit us again, Savior. Your children, burdened with disbelief, blinded by a patina of wisdom, carom down this vale of fear. We cry for you although we have lost your name.
 * "Savior"

 * I have need of a friend. There is one and only one who will give the air from his failing lungs for my body's mend.  And that one is my love.
 * "Many and More"

Paris Review Interview (1990)

 * Issue 116, Interviewed by George Plimpton

 * Nathaniel Hawthorne says, "Easy reading is damn hard writing." I try to pull the language into such a sharpness that it jumps off the page. It must look easy, but it takes me forever to get it to look so easy.

 * I know when it's the best I can do. It may not be the best there is. Another writer may do it much better. But I know when it’s the best I can do. I know that one of the great arts that the writer develops is the art of saying, No. No, I’m finished. Bye. And leaving it alone. I will not write it into the ground. I will not write the life out of it. I won’t do that.

 * Years ago I read a man named Machado de Assis who wrote a book called Dom Casmurro. Machado de Assis is a South American writer — black father, Portuguese mother — writing in 1865, say. I thought the book was very nice. Then I went back and read the book and said, Hmm. I didn’t realize all that was in that book. Then I read it again, and again, and I came to the conclusion that what Machado de Assis had done for me was almost a trick: he had beckoned me onto the beach to watch a sunset. And I had watched the sunset with pleasure. When I turned around to come back in I found that the tide had come in over my head. That’s when I decided to write.

 * Yes. When I’m writing, I am trying to find out who I am, who we are, what we’re capable of, how we feel, how we lose and stand up, and go on from darkness into darkness.

A Brave and Startling Truth (1995)

 * Written for the 50th Anniversary of the United Nations

 * We, unaccustomed to courage exiles from delight  live coiled in shells of loneliness  until love leaves its high holy temple  and comes into our sight  to liberate us into life.

 * If we are bold, love strikes away the chains of fear from our souls.

 * Love costs all we are and will ever be. Yet it is only love which sets us free. A Brave and Startling Truth.

 * It is possible and imperative that we discover A brave and startling truth.

 * When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety And without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonders of this world That is when, and only when We come to it.

We Had Him (2009)

 * A poetic tribute to Michael Jackson - Full text online at official site - Poem and video at MTV (recited by Queen Latifah )

 * Though we are many, each of us is achingly alone, piercingly alone. Only when we confess our confusion can we remember that he was a gift to us and we did have him. He came to us from the creator, trailing creativity in abundance. Despite the anguish, his life was sheathed in mother love, family love, and survived and did more than that. He thrived with passion and compassion, humor and style. We had him whether we know who he was or did not know, he was ours and we were his.
 * We are missing Michael. But we do know we had him, and we are the world.

Misattributed

 * A bird doesn't sing because it has an answer, it sings because it has a song
 * Although it appears on U.S. postage featuring Angelou, this is actually a variant quote from the work of poet Joan Walsh Anglund.

 * There is no greater agony than bearing an untold story inside you.
 * This is actually from Zora Neale Hurston, Dust Tracks On the Road, though it is widely attributed to Ms. Angelou's book, I Know Why the Caged Bird Sings.
 * Hate, it has caused a lot of problems in the world, but has not solved one yet.
 * Nearly identical quote attributed to a 1995 TV show, Touched by an Angel : Tess: No, hate has caused a lot of problems in this world, but it's never solved one yet.

 * People will forget what you said. People will forget what you did. But people will never forget how you made them feel.
 * This is a very close paraphrase of a quotation attributed to Carl Buehner in a book published many years earlier - “They may forget what you said — but they will never forget how you made them feel.” quoted in Richard Evans' Quote Book, 1971, Publisher's Press, ASIN: B000TV5WBW, although it is widely (mis)attributed to Angelou in her book Worth Repeating: More Than 5,000 Classic and Contemporary Quotes (2003) by Bob Kelly, p. 263,

Quotes about Maya Angelou

 * silence can also enrich you very much. Maya Angelou talks about a long period in her childhood when she was silent, and during those years she turned evil into action. All the evil that had happened to her she was raped-was turned into a positive strength, into energy, because of those years of silence. She reinterpreted the world, recreated reality. In a way, I think, that happened to me, too. Not as dramatically as it happened to her, but those years of silence were very necessary.
 * 1991 interview in Conversations with Isabel Allende (1999)

 * I remember a kind of paraphrase, a quote from Maya Angelou; I don't recall the exact words, but paraphrased it kind of goes like this: if you have to hang by your feet and smear honey on your legs to get yourself writing, then do it. You know whatever works.
 * 1997 interview in Conversations with Octavia Butler (2009)

 * Angelou as a child...She'd often quote Shakespeare or Langston Hughes and now adds Gwendolyn Brooks, Mark Twain and Edna St. Vincent Millay to that list. But those writers, those dreamers, gave her a chance to develop Maya Angelou from Marguerite Johnson.
 * Curt Davis in Conversations with Maya Angelou (1989)

 * To me, the great writers who come from ethnic minorities writing in English come from America. I think the deep, the real deep thinkers now writing in the English language are the black women, such as Toni Morrison, Gloria Naylor, Alice Walker, etc. (F.J.: Where they are using black English in a certain kind of way to signify their difference?) Emecheta: Exactly...Or Maya Angelou-she's another good writer, isn't she? You can understand what she is saying.
 * Buchi Emecheta In Interviews with Writers of the Post-Colonial World edited by Feroza Jussawalla and Reed Way Dasenbrock (1992)

 * In remembering Maya Angelou, it is important to recall her commitment to the struggle for equality, not just for herself, or for women, or for African Americans. She was committed to peace and justice for all.
 * Amy Goodman with Denis Moynihan "Maya Angelou, Still She Rises" (2014)

 * While some schools and libraries still censor her work for unflinchingly depicting the life she led, it was through my hometown library, while in my early teens, that I first saw Maya Angelou. The library invited her to speak, and speak she did—and danced, and sang, in a display of talent that made us laugh, cry and gasp as she moved her black and white audience of hundreds…together.
 * Amy Goodman with Denis Moynihan "Maya Angelou, Still She Rises" (2014)

 * "She has become, now a legend," he said...Miss Angelou has a presence that commands attention. Haley called it "Hollywood energy. "When she walks into the room, you know she's there," Haley said. "It's a palpable thing."
 * Alex Haley in Conversations with Maya Angelou (1989)

 * This night she breathes life into works of Langston Hughes, June Jordan, Richard Wright and Paul Laurence Dunbar, as well as poems of her own. But it is her voice, as much as the words, that engages the crowd. Burnished and full, the voice is a theatrical blend of city sass and back-country molasses.
 * Greg Hitt in Conversations with Maya Angelou (1989)

 * Most great instigators of social change have intimate personal knowledge of trauma. Oprah Winfrey comes to mind, as do Maya Angelou, Nelson Mandela, and Elie Wiesel. Read the life history of any visionary, and you will find insights and passions that came from having dealt with devastation.
 * Bessel van der Kolk The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma (2014)

 * The day I received a hand written note from Maya Angelou, stating that she had read The Margarita Poems and I should consider her another Margarita, was a private moment of recognition.
 * Luz María Umpierre I'm Still Standing: Treinta años de poesía/Thirty Years of Poetry (2011)

 * Singer, teacher, dancer, poet, authoress, actress, editor, songwriter, playwright. Someone has said Maya Angelou's career has touched more bases than Henry Aaron. Yet all these categories fail to do justice to the scope of her life.
 * Bill Moyers in Conversations with Maya Angelou (1989)

 * It is such a profound honor — truly a profound honor — to be here today on behalf of myself and my husband as we celebrate one of the greatest spirits our world has ever known, our dear friend Dr. Maya Angelou. In the Book of Psalms it reads, “I praise you for I am fearfully and wonderfully made; wonderful are your works, my soul knows very well. My frame was not hidden from you when I was being made in secret, intricately woven in the depths of the earth.” What a perfect description of Maya Angelou and the gift she gave to her family and all who loved her. She taught us that we are each wonderfully made, intricately woven and put on this earth for purpose far greater than we could ever imagine. When I think about Maya Angelou I think about the affirming power of her words. The first time I read “Phenomenal Woman” I was struck by how she celebrated black women’s beauty like no one had ever dared to before. Our curves, our stride, our strength, our grace. Her words were clever, and sassy. They were powerful and sexual and boastful. And in that one singular poem, Maya Angelou spoke to the essence of black women but she also graced us with an anthem for all women, a call for all of us to embrace our God-given beauty. And oh, how desperately black girls needed that message. As a young woman I needed that message. As a child, my first doll was Malibu Barbie — that was the standard for perfection. That was what the world told me to aspire to. But then I discovered Maya Angelou, and her words lifted me right out of my own little head. Her message was very simple: She told us that our worth has nothing to do with what the world might say. Instead she said, “Each of us comes from the creator trailing wisps of glory.” She reminded us that we must each find our own voice, decide our own value, and then announce it to the world with all the pride and joy that is our birthright as members of the human race...at a time when there were such stifling constraints on how black women could exist in the world, she serenely disregarded all the rules with fiercely passionate, unapologetic self. She was comfortable in every inch of her glorious brown skin. But for Dr. Angelou her own transition was never enough. You see, she didn’t just want to be phenomenal herself. She wanted us all to be phenomenal right alongside her. So that’s what she did throughout her lifetime. She gathered so many of us under her wing...in so many ways Maya Angelou knew us. She knew our hope, our pain, our ambition, our fear, our anger, our shame. And she assured us that in spite of it all — in fact, because of it all — we were good. And in doing so, she paved the way for me, and Oprah and so many others just to be our good ol’ black women selves. She showed us that eventually, if we stayed true to who we are, then the world would embrace us. And she did this not just for black women but for all women. For all human beings. She taught us all that it is okay to be your regular old self, whatever that is. Your poor self, your broken self, your brilliant, bold, phenomenal self. That was Maya Angelou’s reach.
 * Michelle Obama speaking at her memorial service (June 07, 2014)

 * "Gratitude Pillow" ("Let gratitude be the pillow upon which you kneel" -Maya Angelou) ...if anyone told her they were going/to Gloomy Street,/she'd say, What? Lift those eyes. Take a look at the/sea to your right, buildings full of mysteries, schools/crackling with joy, open porches,/watch the world whirl by,/all we are given without having to own, and shake/that gloom right out of your system!
 * Naomi Shihab Nye Voices in the Air: Poems for Listeners (2018)

title: Maya Angelou


text:
Richard Rumbold

Richard Rumbold (1622–1685) was an English soldier and revolutionary who took part in the Rye House Plot to assassinate Charles II of England and his brother James.

Quotes

 * I may say this is a deluded generation, veiled with ignorance, that tho popery and slavery be riding in upon them, do not perceive it; tho I am sure there was no man born marked of God above another, for none comes into the world with a saddle on his back, neither any booted and spurred to ride him.
 * "Speech on the Scaffold", 1685

title: Richard Rumbold


text:
Hanif Kureishi

Hanif Kureishi (born 5 December 1954) is an English-born playwright, author, and director on topics of race, nationalism, immigration, and sexuality.

Quotes

 * They gave us the language but it is only we who know how to use it
 * The Black Album, Uncle Asif, Chapter One, (1995).

title: Hanif Kureishi


text:
Dolly Parton

Dolly Rebecca Parton (born 19 January 1946) is an American singer-songwriter, instrumentalist, actress, author, and philanthropist, known primarily for her work in country music.

Quotes

 * I hope life treats you kind And I hope you have all you've dreamed of. And I wish to you, joy and happiness. But above all this, I wish you love.
 * I Will Always Love You from the album Jolene

 * If I should stay, I would only be in your way. So I'll go, but I know I'll think of you ev'ry step of the way. And I will always love you. I will always love you.
 * I Will Always Love You from the album Jolene

 * Now Momma's done away with the old black kettle she used to cook in when I was just little And the door ain't sprung on her electric range That little old farm and home we had it ain't there no more and that's too bad Folks are doing away with the simple things...
 * Old Black Kettle from the Tennessee Mountain Home album

 * They didn't understand it and I tried to make them see That one is only poor only if they choose to be Now I know we had no money but I was rich as I could be In my coat of many colors that Momma made for me Made just for me...
 * Coat of Many Colors from the album of the same name

 * You can have your choice of men but I could never love again He's the only one for me Jolene I have to have this talk with you My happiness depends on you and whatever You decide to do Jolene...
 * Jolene from the album of the same name

1980s

 * A lot of people get all turned off by the wig, the heels, the fingernails, the whole artificial bit. I do dress kinda pretty but old-fashioned. I think maybe I dress this way partly because of the image, you know, and partly because when I was a little girl growing up in a big old poor family, this was the way that the rich folks' wives dressed, when we'd see them drivin' through in their big old cars. As for the 'real me.' Well, under this wig, my own hair is about the same length and color, and I wear it about the same. But sometimes I'll dress up in a baggy old shirt and go out with my husband in a camper or something, just havin' ourselves a good time, and nobody recognizes me.
 * As quoted in "Dolly Parton: Gee, She’s So Nice" (7 December 1980), by Roger Ebert, Roger Ebert

 * I just depend on a lot of prayer and meditation. I believe that without God I am nobody, but that with God, I can do anything.
 * As quoted in "Dolly Parton: Gee, She’s So Nice" (7 December 1980), by Roger Ebert, Roger Ebert

 * My nails are my rhythm section, when I'm writing a song all alone. Some day, I may cut an album, just me and my nails.
 * As quoted in "Dolly Parton: Gee, She’s So Nice" (7 December 1980), by Roger Ebert, Roger Ebert

2000s

 * The way I dress, for the most part, is how most people would dress for a costume party. It would scare most people to death to look this cheap or whore-y, but to me, I’m comfortable. The way I look was really a country girl’s idea of what glamour was. I patterned my look after the town tramp. I thought she was the prettiest thing in the world, with all that bleached hair and bright-red lipstick. People would say, ‘Oh, she’s just trash,’ and I’d think, ‘That’s what I want to be when I grow up.'
 * Interview with Rolling Stone (30 October 2003), as quoted in "Dolly Parton: At 57, the Country Legend Still Brims With Vitality" (28 August 2015), by Jancee Dunn, Rolling Stone

 * Even when I’m writing a modern song, I’ll find myself pulling stuff from those days before I ever left home, the days of Mama and Daddy and my grandmas and grandpas, and church days. All I ever have to do is close my eyes and just kind of go inside.
 * Interview with Rolling Stone (30 October 2003), as quoted in "Dolly Parton: At 57, the Country Legend Still Brims With Vitality" (28 August 2015), by Jancee Dunn, Rolling Stone

 * I look so totally artificial, but I’ve always been the simplest person in the world.
 * Interview with Rolling Stone (30 October 2003), as quoted in "Dolly Parton: At 57, the Country Legend Still Brims With Vitality" (28 August 2015), by Jancee Dunn, Rolling Stone

 * I think that if I am smart in business, it’s just that I’m smart about who I am. I know what I can, can’t, will and won’t do, and if I have to be strict about that, I will.
 * Interview with Rolling Stone (30 October 2003), as quoted in "Dolly Parton: At 57, the Country Legend Still Brims With Vitality" (28 August 2015), by Jancee Dunn, Rolling Stone

 * Do not confuse dreams with wishes. There is a difference. Dreams are where you visualize yourself being successful at what's important to you to accomplish. Now, dreams build convictions because you work hard to pay the price to make sure that they come true. Wishes are are hoping good things will happen to you, but there's no fire in your gut that causes you to put everything forth to overcome all the obstacles. So you have to dream more and never, ever, ever blame somebody else if it doesn't happen. That is in your department.
 * "Dolly Parton Delivers Commencement Address at the University of Tennessee 2009" (at 6m35s), University of Tennessee, Knoxville on YouTube.

2010s

 * It takes a lot of money to look this cheap.
 * Interview with Vanity Fair magazine (November 2012)

 * We [at Dollywood] don’t try to shove anything down anybody’s throat. We are very open. So many of my businesspeople and my best friends are different faiths, and I work with them, live with them, love them. The gays and lesbians, they come to our parks. I think people just know I’m a very open and accepting person. And in any religion we’re supposed to be that—we’re supposed to be kind...we’re not supposed to pass judgment. Our Bible says, ‘Judge not, lest ye be judged,’ and I believe in all those kinds of things. We’re all God’s children. No matter how we try to get to heaven, we all wanna go there. We just have our own routes to take, and that’s how I look at it.
 * As quoted in "Dolly Parton talks about her ‘Judge not, lest you be judged’ philosophy" (28 August 2015), by Victoria Bekiempis, Newsweek

2020s

 * Now, that's some lines from the song that you and I did together. I know usually, at a memorial, people talk about somebody. Well, I'm gonna talk to you. 'Cause there is that place on the other side, and I'm certainly gonna see you there, little brother. You left a lot of people here with a lot of precious, precious memories. Everybody loved you. But I doubt that many of 'em loved you more than I did. Anyhow, I just want you to know that we all love you, we all miss you and I bet you're having a big laugh over all of us being sad and sorrowful and I know that would be the last thing you would want us to be. So, anyway, you made us happy while you were here, and we're happy that you're at peace. And I just want you to know that I will always love you. Goodbye, my sweet Leslie. See you over there.
 * Call Me Philliam from Call Me Kat

Quotes about Parton

 * Dolly’s big in Iceland. Her voice is immaculate, really powerful. Her character is so warm and human, and she has a great sense of humor. All my friends love Dolly, and most of them are people who would never listen to country music. It doesn’t happen very often when you get a character that is sort of larger than life. I don’t like rock music, but I like Kurt Cobain. He could be playing any style of music and I would have been interested. You know? And I think Dolly is like that. She is an incredible singer, an incredible songwriter.
 * Bjork, as quoted in "Interview: Dolly Parton" (28 August 2015), by Janice Dunn, Rolling Stone

 * I met Dolly Parton in Tennessee; her titties were filled with Hennessy. That country music really drove me crazy, but I rode that ass and said, "Yes, Miss Daisy!"
 * Joseph Foreman, "Crazy Rap" (2000)

 * it takes guts to be a woman under patriarchy. I mean, Dolly Parton is like an image of a super-femme, but she has this certain brassiness, she just has to have total guts to survive around men and to have her image be so female. She's the kind of person that a drag queen would emulate, because she is using that female, or femme facade, which is like Marlene Dietrich or Mae West or Dolly Parton or any of those gutsy women over the years who drag queens have chosen to emulate, especially the ones who do female impersonation. There's the other edge to them besides the femme facade that is totally gutsy and a real survivor of the world
 * Tede Matthews interview in Another Mother Tongue: Gay Words, Gay Worlds by Judy Grahn (1985)

 * This will sound crazy, but when I was interviewing Dolly Parton, I almost felt like she had healing powers.
 * Gene Siskel, as quoted in "Dolly Parton: Gee, She’s So Nice" (7 December 1980), by Roger Ebert, Roger Ebert

 * She seemed astonishingly unaffected. It was a bizarre contrast. She looks like a totally artificial creation, with the amazing blond wig and the 6-inch skyscraper heels and the bosom that makes her, no doubt, the unchallenged record holder and defending champion at Frederick's of Hollywood. Then she walks up to you and says, "Hi! I'm Dolly Parton!" The introduction is as unnecessary as if, say, John Wayne had walked up and said, "Hi! I'm John Wayne!" What is the proper response? "Yes, of course you are”? Dolly Parton spent about half an hour shaking everybody's hand and leaving behind a wake of people telling each other, "Gee, she's really nice," as if, well, as if somehow she shouldn't have been. There is a way in which we behave in public, in situations with a lot of strangers that implies a level of polite, subtle hostility. We are reserved. We check out the room for traps and hazards. We are uncomfortable, confronted with a hundred unfamiliar faces. What Dolly did was to come in with her brash, unaffected personality and sweep away all that paranoia in a rush of good will. It left everybody standing around afterward feeling a little goofy.
 * Roger Ebert, "Dolly Parton: Gee, She’s So Nice" (7 December 1980), Roger Ebert

title: Dolly Parton