text:
Wikiquote:Votes for deletion archive/Gorilla Monsoon

 * The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review).  No further edits should be made to this page.

The result was: Delete.. Fys. “Ta fys aym”. 17:54, 17 December 2006 (UTC)

Gorilla Monsoon
This is apparently (judging by the category) another pro wrestler—but this one is even more unoriginal than most. If you deleted all the unoriginal "quotes", this article would be completely empty. 121a0012 23:24, 9 December 2006 (UTC)

 * Vote closed: Result: Delete. Fys. “Ta fys aym”.
 * Delete. Fys. “Ta fys aym”. 19:07, 10 December 2006 (UTC)
 * Delete. ~ UDScott 15:58, 11 December 2006 (UTC)
 * Delete. - InvisibleSun 23:31, 11 December 2006 (UTC)
 * Delete unless pithy, original, sourced quotes added. ~ Jeff Q (talk) 03:44, 12 December 2006 (UTC)
 * Delete. —LrdChaos (talk) 15:17, 12 December 2006 (UTC)

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text:
Wikiquote:Votes for deletion archive/Gotti

 * The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review).  No further edits should be made to this page.

The result was: Keep.. Fys. “Ta fys aym”. 17:55, 17 December 2006 (UTC)

Gotti
I think there was a film of this title, and probably also a book. Which one was this (unsourced) soliloquy taken from? In any case, I think it's much too long. This article has been marked for cleanup since the day it was created, several months ago, with no apparent interest from its (anonymous) creator in actually improving it. 121a0012 23:30, 9 December 2006 (UTC)

 * Vote closed: Result: Keep. Fys. “Ta fys aym”. 17:50, 17 December 2006 (UTC)
 * Delete, as it stands, but if this page (which is from the HBO movie) is thoroughly cleaned up and sourced it could survive. ~ UDScott 16:00, 11 December 2006 (UTC)
 * Keep, now that I have cleaned up the page. ~ UDScott 16:23, 11 December 2006 (UTC)
 * Keep. - InvisibleSun 23:32, 11 December 2006 (UTC)
 * Keep. Fys. “Ta fys aym”. 23:33, 11 December 2006 (UTC)
 * Keep now. Thanks, UDScott! ~ Jeff Q (talk) 04:53, 12 December 2006 (UTC)
 * Keep. —LrdChaos (talk) 15:16, 12 December 2006 (UTC)

 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/


text:
Wikiquote:Votes for deletion archive/Clifford the Big Red Dog

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The result was: Delete.. Fys. “Ta fys aym”. 17:56, 17 December 2006 (UTC)

Clifford the Big Red Dog
Notable subject, but nothing remotely quotable here. (I'm not familiar enough with the show to know if any of the dialogue is quotable.) 121a0012 00:26, 10 December 2006 (UTC)

 * Vote closed: Result: Delete. Fys. “Ta fys aym”. 17:50, 17 December 2006 (UTC)
 * Delete. Fys. “Ta fys aym”. 19:07, 10 December 2006 (UTC)
 * Delete, unless valid, sourced quotes are added. ~ UDScott 16:01, 11 December 2006 (UTC)
 * Delete. - InvisibleSun 23:33, 11 December 2006 (UTC)
 * Delete per UDScott --Sefringle 02:43, 12 December 2006 (UTC)
 * Delete per UDScott. ~ Jeff Q (talk) 04:54, 12 December 2006 (UTC)
 * Delete. Children's books and television shows rarely make for good Wikiquote pages; for one thing, the dialogue usually isn't particularly quotable, as it's kept simple for the target audience, not to mention that the most of the people who enjoy such shows aren't editing Wikiquote. —LrdChaos (talk) 15:15, 12 December 2006 (UTC)

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text:
Wikiquote:Votes for deletion archive/Jadakiss

 * The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review).  No further edits should be made to this page.

The result was: Delete.. Fys. “Ta fys aym”. 17:57, 17 December 2006 (UTC)

Jadakiss
Has been marked for cleanup for nine months. No sources, and nothing particularly original or quotable. 121a0012 02:54, 10 December 2006 (UTC)

 * Vote closed: Result: Delete. Fys. “Ta fys aym”. 17:50, 17 December 2006 (UTC)
 * Delete. Fys. “Ta fys aym”. 19:07, 10 December 2006 (UTC)
 * Delete, per nom. ~ UDScott 16:01, 11 December 2006 (UTC)
 * Delete. - InvisibleSun 23:34, 11 December 2006 (UTC)
 * Delete. —LrdChaos (talk) 15:11, 12 December 2006 (UTC)

 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.


text:
Wikiquote:Votes for deletion archive/Jock Jams

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The result was: Delete.. Fys. “Ta fys aym”. 17:58, 17 December 2006 (UTC)

Jock Jams
This doesn't seem to have anything to do with the WP article it references. Indeed, it doesn't seem to have anything to do with much of anything, and very little if any of it is quotable. We generally have not looked kindly on theme articles without a single sourced quote. 121a0012 03:10, 10 December 2006 (UTC)

 * Vote closed: Result: Delete. Fys. “Ta fys aym”. 17:50, 17 December 2006 (UTC)
 * Delete. Fys. “Ta fys aym”. 14:56, 11 December 2006 (UTC)
 * Delete. ~ UDScott 16:02, 11 December 2006 (UTC)
 * Delete. - InvisibleSun 23:35, 11 December 2006 (UTC)
 * Delete. As an aside, I really hate "fill in the blanks" quotes. —LrdChaos (talk) 15:10, 12 December 2006 (UTC)

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text:
Wikiquote:Votes for deletion archive/Ludwig von Mises Institute

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The result was: Delete.. Fys. “Ta fys aym”. 17:58, 17 December 2006 (UTC)

Ludwig von Mises Institute
Reads like spam to me. 121a0012 03:47, 10 December 2006 (UTC)

 * Vote closed: Result: Delete. Fys. “Ta fys aym”. 17:50, 17 December 2006 (UTC)
 * Delete. WQ:NOT a place for sales brochure-style endorsements. Fys. “Ta fys aym”. 14:53, 11 December 2006 (UTC)
 * Delete. ~ UDScott 16:02, 11 December 2006 (UTC)
 * Delete. - InvisibleSun 23:44, 11 December 2006 (UTC)
 * Delete. —LrdChaos (talk) 15:09, 12 December 2006 (UTC)

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text:
Wikiquote:Votes for deletion archive/No Room For Dreamers

 * The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review).  No further edits should be made to this page.

The result was: Delete.. Fys. “Ta fys aym”. 17:59, 17 December 2006 (UTC)

No Room For Dreamers
I'm not convinced that this play (or this author) is notable. Both do seem to exist, and show up in one directory of plays and playwrights; there's no WP article for either. 121a0012 04:28, 10 December 2006 (UTC)

 * Vote closed: Result: Delete. Fys. “Ta fys aym”. 17:50, 17 December 2006 (UTC)
 * Delete, unless evidence of notability is provided. ~ UDScott 16:04, 11 December 2006 (UTC)
 * Delete. - InvisibleSun 00:34, 12 December 2006 (UTC)
 * Delete. —LrdChaos (talk) 15:09, 12 December 2006 (UTC)

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text:
Wikiquote:Votes for deletion archive/Slashdot.org

 * The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review).  No further edits should be made to this page.

The result was: Delete.. Fys. “Ta fys aym”. 17:59, 17 December 2006 (UTC)

Slashdot.org
Ignoring the issue of source reliability for this sort of source (which Jeff Q and I can argue all day), none of the people quoted here appear to be notable. 121a0012 06:17, 10 December 2006 (UTC)

 * Vote closed: Result: Delete. Fys. “Ta fys aym”. 17:50, 17 December 2006 (UTC)
 * Delete. I'd like to nominate this for 'worst page on Wikiquote' due to the confusing formatting, lack of intro and context, in-jokes that no-one else will ever understand, and continuous jargon. Fys. “Ta fys aym”. 00:08, 11 December 2006 (UTC)
 * Delete. ~ UDScott 16:06, 11 December 2006 (UTC)
 * Delete. - InvisibleSun 00:36, 12 December 2006 (UTC)
 * Delete. While I'm sure there are notable people who post/have posted to Slashdot, some remain hidden behind usernames and for others, it's difficult, if not impossible, to prove that a particular Slashdot user is actually who they claim to be. However, I don't think that any of the people quoted on that page are notable (certainly not provably so). —LrdChaos (talk) 15:08, 12 December 2006 (UTC)
 * Delete. It's a mess, and no one has touched it in four months (except to VfD it). --Ubiquity 19:49, 16 December 2006 (UTC)

 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.


text:
Wikiquote:Votes for deletion archive/Speed of Sound

 * The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review).  No further edits should be made to this page.

The result was: Delete.. Fys. “Ta fys aym”. 18:00, 17 December 2006 (UTC)

Speed of Sound
Obvious copyvio of the Coldplay song lyrics. 121a0012 06:24, 10 December 2006 (UTC)

 * Vote closed: Result: Delete. Fys. “Ta fys aym”. 17:50, 17 December 2006 (UTC)

 * Delete. There's already a Coldplay page. Selected extracts from this page could be moved there, if anyone is interested. --Ubiquity 12:31, 10 December 2006 (UTC)
 * Delete, concur with Ubiquity. ~ UDScott 16:06, 11 December 2006 (UTC)
 * Delete as Ubiquity says. Fys. “Ta fys aym”. 23:06, 11 December 2006 (UTC)
 * Delete per Ubiquity. - InvisibleSun 00:38, 12 December 2006 (UTC)
 * Delete. —LrdChaos (talk) 14:59, 12 December 2006 (UTC)

 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.


text:
Wikiquote:Votes for deletion archive/Static Shock

 * The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review).  No further edits should be made to this page.

The result was: Delete.. Fys. “Ta fys aym”. 18:01, 17 December 2006 (UTC)

Static Shock
No quotes. (Well, there were three "quotes" before I deleted them, all on the order of "Hey".) 121a0012 06:33, 10 December 2006 (UTC)

 * Vote closed: Result: Delete. Fys. “Ta fys aym”. 17:50, 17 December 2006 (UTC)

 * Delete as it currently stands. This could be a decent page — there's a serious WP page and IMDB has a long page of "Memorable" Quotes (none of which include "Whoa" or "Hey" by themselves), so there's probably something out there worth quoting. But I have a feeling the page was the original author's idea of a joke. --Ubiquity 12:47, 10 December 2006 (UTC)
 * Delete, unless valid, sourced quotes are added; concur with Ubiquity. ~ UDScott 16:07, 11 December 2006 (UTC)
 * Delete. - InvisibleSun 00:38, 12 December 2006 (UTC)
 * Delete. —LrdChaos (talk) 14:57, 12 December 2006 (UTC)

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text:
Wikiquote:Votes for deletion archive/Omega Delta Phi

 * The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review).  No further edits should be made to this page.

The result was: Delete.. Fys. “Ta fys aym”. 18:01, 17 December 2006 (UTC)

Omega Delta Phi
No quotes; probably spam. 121a0012 07:00, 10 December 2006 (UTC)

 * Vote closed: Result: Delete. Fys. “Ta fys aym”. 17:50, 17 December 2006 (UTC)

 * Delete: not notable, no quotes. --Ubiquity 12:49, 10 December 2006 (UTC)
 * Delete. ~ UDScott 16:07, 11 December 2006 (UTC)
 * Delete. - InvisibleSun 00:39, 12 December 2006 (UTC)
 * Delete. —LrdChaos (talk) 14:57, 12 December 2006 (UTC)

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text:
Talk:Gotti

This article was preserved after a vote for its deletion. See its archived VfD entry for details.. Fys. “Ta fys aym”. 18:03, 17 December 2006 (UTC)

title: Talk:Gotti


text:
The Man in the Iron Mask

The Man in the Iron Mask is a 1998 action/adventure film, directed by Randall Wallace, The movie circles around the aging Musketeers, Athos, Porthos and Aramis, and the reign of King Louis XIV of France, the son of the now-deceased Louis XIII.

For the honor of a king. And the destiny of a country. All for one. taglines

Aramis

 * You are surrounded by beauty, by intrigue, by danger, what more can a man want?
 * Athos. If we fail in this attempt... and we probably will... I'll be honored to die beside you.
 * This is not for me, Athos. This is for everything we once were, and might be again!
 * It's judgement day.
 * This secrecy is regrettable but necessary.
 * We will replace the king.
 * I am the general of the Order of the Jesuits.
 * I need you. All for one, one for all.
 * But now Louis was King. He was afraid to kill you. His whole claim of power rested on the sancitity of Royal blood. So, instead, he devised a way to keep you forever hidden. For my country... for my king... I bought peace... with your life... and my soul.
 * Well I'm a genius, not a engineer.

Philippe

 * I wear the mask; it does not wear me.
 * However I have wronged you, I will make amends.
 * You were the one in the mask.
 * Put this man away where no one will hear his insanity. Let him be fed by a deaf-mute but feed him well.

D'Artagnan

 * You take my king, and I shall take yours.
 * For a moment, I thought you had become the king I had always wanted you to be.
 * Anne! I know that loving you is treason against France, but not loving you is treason against my heart.
 * Your people are most anxious to love you, but they are eating rotten food and sometimes none at all.
 * Even if I could give up my king, I could never give up my son. I loved your mother. I love her still. I never knew you existed, and I have never felt pride as a father until now.
 * I was told, each time I drew my sword, I should consider not what I killed, but what I allowed to live.
 * All that you have suffered... I would gladly have borne myself to keep it from you.
 * when all the sky is dark the night is light and will light the way

Athos

 * Yes, Raoul is my reason for being here, but not in the way you think. Once I, once all of us believed in spending our lives in the service of something greater than ourselves. Aramis had his faith, Porthos his lust for life, D'Artagnan his devotion and I had Raoul. But we all had a common dream; that one day, we would finally be able to serve a king worthy of the throne. It is what we dreamt, what we bled for and what we have spent a lifetime waiting to see. I taught Raoul to believe in this dream... and now my son is dead. So I am here to find out if his life was in vain, and the only one who can answer that question is you.
 * It has everything to do with it. The king is a dog. A dog and a coward.
 * It's a prison. Of course, there's no trouble getting in. The problems will come when we want to get out.
 * You're the traitor.
 * One for all. All for one.
 * Whatever the plan, I am with you.
 * The next time we meet, one of us will die.
 * Your eyes ask too much.

Porthos

 * "My friend", returned Porthos sententiously, "there is always time when one chooses to find it".
 * I love life!
 * We're in a tomb?
 * I am Porthos! I defy the king!
 * I'd rather die covered in blood than an old man lying in my own piss.
 * If you can name me one thing, one single thing, that is more sublime than a plump pink nipple between my lips... I will build you a new cathedral.

King Louis XIV

 * [He's] my twin. My blood. A fact which has kept him alive until now.
 * No, my love. You will burn in hell. I will not. For I am king, ordained by God!
 * Of all the wonders I have seen, I have never looked upon anything as beautiful as you.
 * As for you my brother, back to the prison you shall go, and into the mask you hate. Wear it until you love it! And die in it!

Lt. André

 * Magnificent valor.
 * All my life, all I EVER wanted to be... was him [D'Artagnan]
 * The corridor nullifies our numbers, and no one has the stomach to fight the Captain.

Dialogue

 * Philippe: I'm sorry I failed you.
 * Athos: We failed you.

 * Porthos: Aramis, is this the way to hell?
 * Aramis: Hell may be our destination, but not this trip.

 * Louis: Who is that?
 * Francois: Raoul, son of Athos.
 * Louis: Francois, your tastes may run to young soldiers, but I was referring to the beauty next to him.
 * Francois: Her name is Christine.

 * Aramis: When we were young men and we saw injustice, we fought it.
 * D'Artagnan: Now we know that some problems cannot be solved with a sword.
 * Athos: And some cannot be solved without one.

 * Advisor: There are riots in Paris.
 * Louis: Riots? But Paris is the most beautiful city in the world. Why should my people feel anything but pride and contentment?
 * Advisor: Well, I'm sure they are content - and proud - but they are also starving.

 * Aramis: Louis has ordered me to discover the true identity of the General of the Jesuit order and to kill him.
 * Porthos: You should let the secret general worry about that.
 * Aramis: Problem is that I am he.

 * Athos: What do you propose to do?
 * Aramis: Replace the king.

 * D'Artagnan: You cannot ask me to betray my king. I have sworn an oath.
 * Athos: When a king is dishonorable, you are removed from your oath of honor.
 * D'Artagnan: An oath is an oath precisely because it cannot be removed.
 * Athos: Why do you follow him, D'Artagnan? Why? What we fought for is greater than king or rank or reward! What do you fight for now?
 * D'Artagnan: I fight for the belief that every man can be better, even Louis.

 * Porthos: [he puts the rope around his neck and prepares to jump] Farewell cruel world... farewell to useless Porthos. [jumps]
 * Athos: [Aramis and Athos are watching the building from the outside] What was that?
 * Aramis: It's all right; I sawed the beam. [the building promptly collapses, and Athos stares at Aramis in disbelief]
 * Aramis: Well, I'm a genius, not an engineer! [the pair run over and pull Porthos out of the rubble]
 * Porthos: [furious] ARAMIS! You did this! You knew I would try hanging myself and you sawed the beam! Admit it! Admit it!
 * Aramis: Of course I knew! You've been moping around for months! Well maybe now you've gotten the idea of killing yourself out of your head, you can stop boring everyone and be useful for a change! [pause] And put some clothes on!

 * Louis: I hear there was an incident at the Musketeers' gate, where a man came intent on killing me. Is it our policy now to let would-be assassins go free, d'Artagnan?
 * D'Artagnan: He wished to kill his own pain. His son is dead. I can think of nothing worse.
 * Louis: What about losing your king?
 * D'Artagnan: That depends on the king

 * Athos: What gives you the right to judge me, to play God with the lives of others? Is it because you're so much holier than everyone else?
 * Aramis: Well yes, there is that. But also because I'm more intelligent than anybody else.

 * D'Artagnan: You're constantly surrounded by beautiful women. Do you love any of them?
 * Louis: Quite frequently, actually.

 * Aramis: We're offering you a chance...to be king.
 * Philippe: No. You're offering me a chance to pretend to be king. A king that you hate.

 * Athos: No, wait. With a king it is so. [pinches the goblet between thumb and forefinger] Servants have touched the goblet of the King, therefor he will touch it as little as possible. Again.
 * [Phillippe tries it and the goblet slips from his fingers, crashing onto his plate and spilling onto everything]
 * Phillippe: I am sorry!
 * Athos: No. No! Do not be sorry! There are no mistakes when you are the King! You must never apologize. The King cares for nothing and for no one.
 * Phillippe: Is that the kind of king you wish me to be? Or do you say this to me because your son is dead?
 * [Athos is silent, he shoves back from the table and turns away]
 * Phillippe: Forgive me, I would never mean to disrespect...
 * Athos: I am not... I am not angry with you. Do you understand? Good. Of course we wish you to be a good king. But first you must pass as Louis, and Louis is cold and cruel. The eyes of this King say that he cares for nothing at all but himself. Your eyes ask too much. You shouldn't care about... about me... you shouldn't care... [his voice breaks] You mustn't ask about my son...

 * Christine: I shall burn in Hell. So will you.
 * Louis: No, no my love. You shall burn in hell. But I will not. For I am King... ordained by God!

 * Aramis: Perhaps you should take his offer. We're dead anyway.
 * Porthos: He's right, D'Artagnan.
 * Phillippe: Wait. Bargain me to Louis for all your lives. You've done your best. Please let me go.
 * D'Artagnan: No, I cannot do it. Even if I could give up my king, I could never give up my son.
 * [they all look at him, thunderstruck]
 * Phillippe: Your son?
 * D'Artagnan: I loved your mother. I love her still. You are my son. I never knew you existed. And I never felt pride as a father. Until this moment.

 * Aramis: D'Artagnan... They're young Musketeers. They've been weaned on our legends. They revere us. It is an advantage.
 * Porthos: Yes. Why don't we charge them?
 * D'Artagnan: I trained these men. They will fight to the death. But if we must die - if we must die - let it be like this.
 * [He draws his sword and points it at the floor. Aramis, Porthos, and Athos, join their swords with his]
 * Athos: One for all. All for one.

<hr width="50%"/>
 * [As Philippe, Porthos, Athos and Aramis mourns D'Artagnan's death, Louis tries to stand up. Lt. Andre draws his sword on the latter and pins him in his place, angered over the death of his mentor.]
 * Lt. Andre: All my life, all I ever wanted to be was him.
 * [Louis is angered as Andre meant D'Artagnan. Later on, the guards ram the door open and Philippe appears dressed in Louis' clothes. Lt. Andre, Porthos, Athos and Aramis appear in the Musketeers uniform with the real Louis in the iron mask.]
 * Lt. Andre: We have recaptured the prisoner.
 * Louis: No. I'm....
 * [Athos punches him in the neck to silence him. He falls down and Lt. Andre picks him up by the arms.]
 * Phillippe:(posing as Louis) You'll put this mad man where no one will hear his insanity. Let him be fed by a deaf mute. Feed him well and let him find redemption in a tainted place among others. Take him.
 * [Lt. Andre takes Louis away as he's screaming his real identity. One of the lead guards stare at Porthos, Athos and Aramis.]
 * Guard: And them?
 * Phillippe: They are my royal council and truest friends.

Taglines

 * (from the trailer) In a turbulent time, power ruled, injustice reigned, and a tyrant took whatever he desired. He thought no one could take his place. But he was wrong.

Cast

 * Leonardo DiCaprio — King Louis/Phillipe
 * Jeremy Irons — Aramis
 * John Malkovich — Athos
 * Gabriel Byrne — D'Artagnan
 * Gérard Depardieu — Porthos
 * Peter Sarsgaard — Raoul
 * Judith Godrèche — Christine Bellefort
 * Anne Parillaud — Anne of Austria (also known as Queen Anne)
 * Edward Atterton — Lt. Andre
 * Hugh Laurie — Pierre, King's Advisor

title: The Man in the Iron Mask


text:
Mohamed Al-Fayed

Mohamed Anwar Fayed (27 January 1929 – 1 September 2023) was an Egyptian-born businessman who formerly owned the Harrods department store in Knightsbridge and the English Premiership football team. Fulham Football Club. Al-Fayed was involved in spreading Conspiracy theories about the death of Diana, Princess of Wales, who died in a car accident while traveling with his son Dodi Fayed.

Quotes

 * If this planet lasts for another thousand years people will still be talking about the terrible event we are now living through.
 * On the Death of Diana, Princess of Wales and Dodi Fayed, as quoted in

 * I am not resting until I die. I am not doing this for myself, but for the country.
 * Quoted in

 * I am not talking to you, you are bloody idiot, you are part of the establishment, you work for MI6.
 * Asked by a BBC reporter about his evidence at the Inquest into the Death of Diana, Princess of Wales, as cited in "Outspoken Thoughts of Al Fayed", The Independent (23 October 2008), p. 4

title: Mohamed Al-Fayed


text:
User talk:LoneGunmen

Welcome
Hi. Welcome to English Wikiquote. Enjoy! ~ Jeff Q (talk) 08:58, 18 December 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

title: User talk:LoneGunmen


text:
User:LoneGunmen

My Other Wikimedia User Pages

 * My WikiQuote Userpage -
 * My Wikipedia Userpage -
 * My WikiBooks Userpage -
 * My WikiNews Userpage -

My Main Pages

 * User:LoneGunmen/Quotes
 * User:LoneGunmen/Battlefield 2 Information

Article Pages I've Contributed To
 * CSI: Miami
 * NCIS

title: User:LoneGunmen


text:
User:Xania

Hi I'm Xania. I'm an Irishman living and working in Poland. I'm a computer technician come English teacher! I am an Administrator over on Wikibooks. I'm mostly interested in languages, history and technology.

My Activity on Other Wikis:

I am most active on Wikibooks but you may also find me on these Wiki projects (especially Wikitravel, Wikibooks Simple English and Wikipedia Simple English):

 * Wikibooks (username: Xania)
 * Wikitravel (username: Xania)
 * Wiktionary (username: xanucia)
 * Wikipedia (Manx Gaelic) (username: Xania)
 * Wikiversity (username: Xania)
 * WikiSimpsons (username: Xania)
 * Wikinews (username: Xania)
 * Wikibooks (Simple English) (username: Xania)
 * Wikisource (username: Xania)
 * Wikipedia (Simple English) (username: Xania)
 * Wikipedia (username: Xanucia)

title: User:Xania


text:
User:D0minique

I've added quotes to..

 *  Angel (TV series)
 *  Aqua Teen Hunger Force
 *  Battlestar Galactica (2003)
 *  Bones (TV series)
 *  Boston Legal
 *  Buffy the Vampire Slayer
 *  Burn Notice (TV series)
 *  Dexter (TV series)
 *  The Dispossessed
 *  Doctor Who
 *  Harlan Ellison
 *  The End of the Affair
 *  Firefly (TV series)
 *  The Fountainhead
 *  Graham Greene
 *  House (TV series)
 *  Audre Lorde
 *  Lost (TV series)
 *  NCIS (TV series)
 *  Queer as Folk (US TV series)
 *  Tenth Doctor
 *  The Sorrows of Young Werther
 *  What Dreams May Come
 *  Yevgeny Zamyatin

I created..

 *  Bones (TV series)
 *  The End of the Affair
 *  Person of Interest (TV series)
 *  What Dreams May Come
 *  Yevgeny Zamyatin

title: User:D0minique


text: User:Aude

title: User:Aude


text:
Yevgeny Zamyatin

Yevgeny Ivanovich Zamyatin [Евге́ний Ива́нович Замя́тин — also romanized as Eugene Zamiatin, as well as Evgeny, Evgenij; Ivenovitch, Evenovitch, and Zamjatin] (February 1, 1884 – March 10, 1937) was a Russian author famous for his dystopian novel, We, which influenced and inspired later dystopian works such as Aldous Huxley's Brave New World and George Orwell's Nineteen Eighty-Four.

Quotes

 * True literature can exist only when it is created, not by diligent and reliable officials, but by madmen, hermits, heretics, dreamers, rebels and skeptics.
 * "I Am Afraid" (1921) p. 57, in: A Soviet Heretic. trans. Mirra Ginsberg (London: Quartet Books, 1991). p. 53-58

Today is doomed to die — because yesterday died, and because tomorrow will be born. Such is the wise and cruel law. Cruel, because it condemns to eternal dissatisfaction those who already today see the distant peaks of tomorrow; wise, because eternal dissatisfaction is the only pledge of eternal movement forward, eternal creation. He who has found his ideal today is, like Lot's wife, already turned to a pillar of salt, has already sunk into the earth and does not move ahead. '''The world is kept alive only by heretics: the heretic Christ, the heretic Copernicus, the heretic Tolstoy. Our symbol of faith is heresy: tomorrow is an inevitable heresy of today, which has turned into a pillar of salt, and to yesterday, which has scattered to dust. Today denies yesterday, but is a denial of denial tomorrow.''' This is the constant dialectic path which in a grandiose parabola sweeps the world into infinity. Yesterday, the thesis; today, the antithesis, and tomorrow, the synthesis.
 * Every today is at the same time both a cradle and a shroud: a shroud for yesterday, a cradle for tomorrow. Today, yesterday, and tomorrow are equally near to one another, and equally far. They are generations, they are grandfathers, fathers, and grandsons. And grandsons invariably love and hate the fathers; the fathers invariably hate and love the grandfathers.
 * "Tomorrow" (1919), as translated in A Soviet Heretic: Essays by Yevgeny Zamyatin (1970) edited and translated by Mirra Ginsberg

The only weapon worthy of man — of tomorrows's man — is the word.'''
 * Yesterday, there was a tsar, and there were slaves; today there is no tsar, but the slaves remain; tomorrow there will be only tsars. We march in the name of tomorrow's free man — the royal man. We have lived through the epoch of suppression of the masses; we are living in an epoch of suppression of the individual in the name of the masses; tomorrow will bring the liberation of the individual — in the name of man. Wars, imperialist and civil, have turned man into material for warfare, into a number, a cipher. Man is forgotten, for the sake of the sabbath. '''We want to recall something else to mind: that the sabbath is for man.
 * "Tomorrow" (1919), as translated in A Soviet Heretic : Essays by Yevgeny Zamyatin (1970) edited and translated by Mirra Ginsburg

We (1921)

 * I turned. She was in a light, saffron-yellow dress of the ancient model. This was a thousand times more cruel than if she had worn nothing.
 * D-503

 * It has never occurred to me before, but this is truly how it is: all of us on earth walk constantly over a seething, scarlet sea of flame, hidden below, in the belly of the earth. We never think of it. But what if the thin crust under our feet should turn into glass and we should suddenly see. I became glass. I saw — within myself.
 * D-503

 * At night numbers must sleep; it is their duty, just as it is their duty to work in the daytime. Not sleeping at night is a criminal offense.
 * D-503

 * Knowledge, absolutely sure of its infallibility, is faith.
 * D-503

 * Those two, in paradise, were given a choice: happiness without freedom, or freedom without happiness. There was no third alternative.
 * R-13

 * The ancient God created the old man, capable of erring — thus he erred himself.
 * D-503

 * She moved nearer, leaned her shoulder against me- and we were one, and something flowed from her into me, and I knew: this is how it must be. I knew it with every nerve, and every hair, and every heartbeat, so sweet it verged on pain. And what joy to submit to this "must." A piece of iron must feel such joy as it submits to the precise, inevitable law that draws it to a magnet. Or a stone, thrown up, hesitating for a moment, then plunging headlong back to earth. Or a man, after the final agony, taking a last deep breath — and dying.
 * D-503

 * "Fog.. So very.." "Do you like fog" She used the ancient, long-forgotten "thou" — the "thou" of the master to the slave. It entered into me slowly, sharply. Yes, I was a slave, and this, too, was necessary, was good. "Yes, good.." I said aloud to myself. And then to her," I hate fog. I am afraid of it." "That means you love it. You are afraid of it because it is stronger than you; you hate it because you are afraid of it: you love it because you cannot subdue it to your will. Only the unsubduable can be loved."
 * D-503 and I-330

On Literature, Revolution, Entropy and Other Matters (1923)

 * As translated by Mirra Ginsburg, in A Soviet Heretic : Essays by Yevgeny Zamyatin (1970) edited and translated by Mirra Ginsburg

Some people will answer, paraphrasing Louis XIV: We are the revolution. Others will answer by the calendar, naming the month and the day. Still others will give you an ABC answer. But if we are to go on from the ABC to syllables, the answer will be this: Two dead, dark stars collide with an inaudible, deafening crash and light a new star: this is revolution. A molecule breaks away from its orbit and, bursting into a neighboring atomic universe, gives birth to a new chemical element: this is revolution. Lobachevsky cracks the walls of the millennia old Euclidean world with a single book, opening a path to innumerable non-Euclidean spaces: this is revolution. '''Revolution is everywhere, in everything. It is infinite. There is no final revolution, no final number. '''The social revolution is only one of an infinite number of numbers: the law of revolution is not a social law, but an immeasurably greater one. It is a cosmic, universal law — like the laws of the conservation of energy and of the dissipation of energy (entropy).
 * Ask point blank: What is revolution?

The flame will cool tomorrow, or the day after tomorrow (in the Book of Genesis days are equal to years, ages). But someone must see this already today, and speak heretically today about tomorrow. Heretics are the only (bitter) remedy against the entropy of human thought.
 * The law of revolution is red, fiery, deadly; but this death means the birth of new life, a new star. And the law of entropy is cold, ice blue, like the icy interplanetary infinities. The flame turns from red to an even, warm pink, no longer deadly, but comfortable. The sun ages into a planet, convenient for highways, stores, beds, prostitutes, prisons: this is the law. And if the planet is to be kindled into youth again, it must be set on fire, it must be thrown off the smooth highway of evolution: this is the law.

Explosions are not very comfortable. And therefore the exploders, the heretics, are justly exterminated by fire, by axes, by words. To every today, to every evolution, to the laborious, slow, useful, most useful, creative, coral-building work, heretics are a threat. Stupidly, recklessly, they burst into today from tomorrow; they are romantics.
 * When the flaming, seething sphere (in science, religion, social life, art) cools, the fiery magma becomes coated with dogma—a rigid, ossified, motionless crust. Dogmatization in science, religion, social life, or art is the entropy of thought. What has become dogma no longer burns; it only gives off warmth — it is tepid, it is cool. Instead of the Sermon on the Mount, under the scorching sun, to up-raised arms and sobbing people, there is drowsy prayer in a magnificent abbey. Instead of Galileo's "But still, it turns!" there are dispassionate computations in a well-heated room in an observatory. On the Galileos, the epigones build their own structures, slowly, bit by bit, like corals. This is the path of evolution — until a new heresy explodes the crush of dogma and all the edifices of the most enduring stone which have been raised upon it.

In a storm, you must have a man aloft. We are in the midst of storm today, and SOS signals come from every side.
 * A literature that is alive does not live by yesterday's clock, nor by today's but by tomorrow's. It is a sailor sent aloft: from the masthead he can see foundering ships, icebergs, and maelstroms still invisible from the deck. He can be dragged down from the mast and put to tending the boilers or working the capstan, but that will not change anything: the mast will remain, and the next man on the masthead will see what the first has seen.

This is what children ask. But then children are the boldest philosophers.''' They enter life naked, not covered by the smallest fig leaf of dogma, absolutes, creeds. This is why every question they ask is so absurdly naive and so frighteningly complex. The new men entering life today are as naked and fearless as children; and they, too, like children, like Schopenhauer, Dostoevsky, Nietzsche, ask "Why?" and "What next?" Philosophers of genius, children, and the people are equally wise — because they ask equally foolish questions. Foolish to a civilized man who has a well-furnished European apartment with an excellent toilet and a well-furnished dogma.
 * '''What we need in literature today are vast philosophic horizons — horizons seen from mastheads, from airplanes; we need the most ultimate, the most fearsome, the most fearless "Why?" and "What next?"

The same is true of what we write: it walks and it talks, but it can be dead-alive or alive-alive. What is truly alive stops before nothing and ceaselessly seeks answers to absurd, "childish" questions. Let the answers be wrong, let the philosophy be mistaken — errors are more valuable than truths: truth is of the machine, error is alive; truth reassures, error disturbs. And if answers be impossible of attainment, all the better! Dealing with answered questions is the privilege of brains constructed like a cow's stomach, which, as we know, is built to digest cud.
 * It is an error to divide people into the living and the dead: there are people who are dead-alive, and people who are alive-alive. The dead-alive also write, walk, speak, act. But they make no mistakes; only machines make no mistakes, and they produce only dead things. The alive-alive are constantly in error, in search, in questions, in torment.

This truth (the only one) is for the strong alone. Weak-nerved minds insist on a finite universe, a last number; they need, in Nietzsche's words, "the crutches of certainty." The weak-nerved lack the strength to include themselves in the dialectic syllogism.
 * If there were anything fixed in nature, if there were truths, all of this would, of course, be wrong. But fortunately, all truths are erroneous. This is the very essence of the dialectical process: today's truths become errors tomorrow; there is no final number.

 * The formal character of a living literature is the same as its inner character: it denies verities; it denies what everyone knows and what I have known until this moment. It departs from the canonical tracks, from the broad highway. … To literature today the plane surface of daily life is what the earth is to an airplane — a mere runway from which to take off, in order to rise aloft, from daily life to the realities of being, to philosophy, to the fantastic. Let yesterday's cart creak along the well-paved highways. The living have strength enough to cut away their yesterday.

 * The old, slow, creaking descriptions are a thing of the past; today the rule is brevity — but every word must be supercharged, high-voltage. We must compress into a single second what was held before in a sixty-second minute.

 * Science and art both project the world along certain coordinates. Differences in form are due only to differences in the coordinates. All realistic forms are projections along the fixed, plane coordinates of Euclid's world. These coordinates do not exist in nature. Nor does the finite, fixed world; this world is a convention, an abstraction, an unreality. And therefore Realism — be it "socialist" or "bourgeois" — is unreal. Far closer to reality is projection along speeding, curved surfaces — as in the new mathematics and the new art. Realism that is not primitive, not realia but realiora, consists in displacement, distortion, curvature, non-objectivity. Only the camera lens is objective.
 * Zamyatin here references a statement in Latin created by the poet Vyacheslav Ivanov: a realibus ad realiora ["from the real to the more real" or “from reality toward a higher reality"]

The same disease often afflicts artists and writers: they sink into satiated slumber in forms once invented and twice perfected. And they lack the strength to wound themselves, to cease loving what they once loved, to leave their old, familiar apartments filled with the scent of laurel leaves and walk away into the open field, to start anew. '''Of course, to wound oneself is difficult, even dangerous. But for those who are alive, living today as yesterday and yesterday as today is still more difficult.'''
 * A new form is not intelligible to everyone; many find it difficult. Perhaps. The ordinary, the banal is, of course, simpler, more pleasant, more comfortable. Euclid's world is very simple, and Einstein's world is very difficult — but it is no longer possible to return to Euclid. No revolution, no heresy is comfortable or easy. For it is a leap, it is a break in the smooth evolutionary curve, and a break is a wound, a pain. But the wound is necessary: most of mankind suffers from hereditary sleeping sickness, and victims of this sickness (entropy) must not be allowed to sleep, or it will be their final sleep, death.

Quotes about Zamyatin

 * There were a lot of utopias in the nineteenth century, wonderful societies that we might possibly construct. Those went pretty much out of fashion after World War I. And almost immediately one of the utopias that people were trying to construct, namely the Soviet Union, threw out a writer called Zamyatin who wrote a seminal book called We, which contains the seeds of Orwell and Huxley. Writers started doing dystopias after we saw the effects of trying to build utopias that required, unfortunately, the elimination of a lot of people before you could get to the perfect point, which never arrived.
 * Margaret Atwood, in "A Progressive Interview With Margaret Atwood" by Matthew Rothschild, in The Progressive (2 December 2010)

'We'' is a novel whose ironic ambiguity is relentless. The reader is made aware of powerful and significant symbols, but every major symbol, besides its primary signification, retains the potential for representing its exact opposite.'''
 * Zamyatin adds to our understanding of the form for forcing contradiction into outright paradox. We is clearly anti-utopian, but it is also very different from Wells's work in the way it generates and negotiates conflict. However intricate the Wellsian logical system may become, it is not confusing; Zamyatin's, even at its most simple, baffles complacent understanding.
 * John Huntington, in The Logic of Fantasy : H.G. Wells and Science Fiction (1982), Ch. 7 : Utopian and Anti-Utopian Logic, § Zamyatin's Anti-Utopia, p. 150

title: Yevgeny Zamyatin


text:
The End of the Affair

The End of the Affair is a 1999 film about a novelist who has an affair with his friend's wife and becomes obsessed with her after she suddenly and inexplicably ends their affair.
 * Directed by Neil Jordan. Screenplay written by Neil Jordan, based on the novel by Graham Greene.

The end was just the beginning.

Maurice Bendrix

 * I hate you, God. I hate you as though you existed.
 * To be is to be perceived.
 * I am a jealous man.
 * You have to understand. I'm jealous of everything that moves. I'm jealous of the rain!
 * Pain is easy to write. In pain we're all drably individual. But what can one write about happiness?

Sarah

 * I had tempted fate, and fate had accepted.
 * Tell Him I'm sorry. I'm too human. Too weak. Tell Him I can't keep my promises. I'm tired of being without you.
 * You see I never stopped loving you, even though I couldn't see you.
 * I've only made two promises in my life. One was to marry Henry, the other is to stop seeing you. And I'm too weak to keep either.

Dialogue

 * Maurice Bendrix: I'm jealous of this stocking.
 * Sarah Miles: Why?
 * Maurice Bendrix: Because it does what I can't. Kisses your whole leg. And I'm jealous of this button.
 * Sarah Miles: Poor, innocent button.
 * Maurice Bendrix: It's not innocent at all. It's with you all day. I'm not.
 * Sarah Miles: I suppose you're jealous of my shoes?
 * Maurice Bendrix: Yes.
 * Sarah Miles: Why?
 * Maurice Bendrix: Because they'll take you away from me.

 * Sarah: Love doesn't end, just because we don't see each other.
 * Maurice Bendrix: Doesn't it?
 * Sarah: People go on loving God, don't they? All their lives. Without seeing him.
 * Maurice Bendrix: That's not my kind of love.
 * Sarah: Maybe there is no other kind.

 * Sarah: Are you on a new book?
 * Maurice Bendrix: Of course.
 * Sarah: It's not about us, is it? The one you threatened to write?
 * Maurice Bendrix: A book takes a year to write. It's too hard work for revenge.
 * Sarah: If only you knew how little you had to revenge.
 * Maurice Bendrix: I'm joking. We are adults. We knew it had to end some time. Now we can have lunch and talk about your husband.

Taglines

 * The end was just the beginning.

Cast

 * Ralph Fiennes — Maurice Bendrix
 * Julianne Moore — Sarah Miles
 * Stephen Rea — Henry Miles

title: The End of the Affair


text:
What Dreams May Come (film)

What Dreams May Come is a 1998 film about a man who dies and finds himself in a heaven more amazing than he could have ever dreamed of, but without his wife, who killed herself after he died. He decides to risk eternity in hell for the small chance that he will be able to bring her back to heaven.
 * Directed by Vincent Ward. Screenplay written by Ronald Bass, based on the novel by Richard Matheson.

After life there is more. The end is just the beginning. Taglines

Chris Nielsen

 * When I was young, I met this beautiful girl by a lake.
 * Boy, I screwed up. I'm in dog Heaven!
 * After meeting his dog in the afterlife
 * A place where we all go can't be bad, can it girl?
 * To his dog
 * Annie, I'm here. I still exist.
 * Is that a kind of occupational hazard of soul mates — one's not much without the other?
 * What some folks call impossible, is just stuff they haven't seen before.
 * A whole human life is just a heartbeat here in Heaven. Then we'll all be together forever.
 * That's when I realized I'm part of the problem. Not because I remind you. But because I couldn't join you. So I left you alone. Don't give up, okay?
 * There's a man Ian never got to know, the man he was growing up to be. He's a good-looking clear-eyed fella... about 25. I can see him. He's the type of guy men want to be around, because he has integrity, you know? He has character. You can't fake that. And he's a guy women want to be around, too. Because there's tenderness in him... respect... and loyalty, and courage. And women respond to that. Makes him a terrific husband, this guy. I see him as a father. That's where he really shines. See, when he looks in his kid's eyes and that kid knows that his dad really, really sees him... he sees who he is. Then that child knows that he is an amazing person. He's quite a guy... that he'll never get to meet. I wish I had.
 * If I was going through fucking HELL, I'd only want one person in the whole goddamn world by my side.
 * To Ian
 * What's true in our minds is true, whether some people know it or not.
 * Good people end up in Hell because they can't forgive themselves. I know I can't. But I can forgive you.
 * I found you in Hell, don't you think I can find you in Jersey!?
 * Sometimes, when you win, you lose.
 * He was a coward! Being strong, not giving up, it was just his place to hide. He pushed away the pain so hard, disconnected himself from the person he loved the most... Sometimes, when you win, you lose.
 * I'm sorry, babe, but there's some things I have to say. I've only got a few moments left. I'm sorry for all the things I'll never give you. I'll never buy you another meatball sub with extra sauce — that was a big one! I'll never make you smile. I just wanted us to be old together, just two old farts laughin' at each other as our bodies fell apart, together at the end by that lake in your painting. That was our Heaven, see? There's lots of things to miss: books, naps, kisses, and fights! God, we had some great ones. Thank you for those. Thank you for every kindness. Thank you for our children. For the first time I saw them. Thank you for being someone I was always proud to be with. For your guts. For your sweetness. For how you always looked, for how I always wanted to touch you. You were my life. I apologize for every time I failed you. Especially this one.

Annie Nielsen

 * Well, that's my role. To bring adventure to your life.
 * A whole family lost to car crashes. Enough to make a person buy a bike.
 * Dear Diary, I am writing in your bullshit pages because my shrink is crazier than I am. He thinks you're therapy. He figures if two babies can hammer me into a Psycho ward, what will I do with this? He is so stupid. He's so stupid that he thinks he pulled me through the breakdown when it was Christy. Always. Only Chris. I was looking through his postcards. Paintings were his obsession. He used art as another way to love me, to help me. To keep us always together.

Albert Lewis

 * Chris, "here" is big enough for everyone to have their own private universe.
 * Thought is real. Physical is the illusion. Ironic, huh?
 * Your brain is meat, and rots and disappears. Do you really think that's all there was to you? Like you're in your house right now.  You're in your house, that doesn't mean you are your house.  House falls down, you get out and walk away.

The Tracker

 * You were expecting physical danger? What could it do, kill ya, huh? No, in Hell there's real danger. Of losing your mind.
 * Elevator to Hell. Going up.
 * This is the guy who doesn't give up?

Dialogue

 * Annie: Can I sit here?
 * Chris: Actually, no. Two years ago, I reserved this specific area.
 * Annie: What if I say please?
 * Chris: That's the one exception.

 * [Flashback — Chris and Marie are playing chess]
 * Marie: [looks at a cardboard cutout of Heaven] Is this where we go when we die?
 * Chris: It's a dream, baby. It's a beautiful one, but you know dreams...
 * Marie: I know, aren't real. I know.
 * Chris: [glances at his watch] It's after midnight.
 * Marie: I haven't won yet.
 * Chris: It's your first time.
 * Marie: No, I like that I haven't won yet. Means you're not cheating. And when I win, I win. I just want to play 'til I do. Unless you want to stop.
 * Chris: No. Let's play 'til you win.
 * [back to the present…]
 * Chris: She died three months later. We played every night. Meant the world to me. But she never won.

 * Leona: Where were you just now? Your mind's been wondering all afternoon.
 * Chris: Thinking of someone.
 * Leona: Your wife must have loved her children very much.
 * Chris: Very much. But you don't have to break in half to love somebody.

 * Leona: Do you wanna see others? Perhaps the city?
 * Chris: I would, but travel makes me nauseous.

 *  Albert: So what is the "me"?
 *  Chris: My brain I suppose.
 *  Albert : Your brain? Your brain is a body part. Like your fingernail or your heart. Why is that the part that's you?
 *  Chris: Because I have sort of a voice in my head, the part of me that thinks, that feels, that is aware that I exist at all.
 *  Albert : So if you're aware you exist, then you do. That's why you're still here.

 *  Chris: I need Annie.
 *  Albert : That'll change in time.
 *  Chris: Oh, come on Einstein! Time's not on my watch anymore. Time does not exist here. And wherever it went, it's not going to make me need Annie any less.

 *  Albert:Each of us has an instinct that there is a natural order to our journey. And Annie's violated that. She won't face it. She won't realize, accept, what she's done. And she will spend eternity playing that out.
 *  Chris: You're still saying she's in Hell...
 *  Albert: Everyone's Hell is different. It's not all fire and pain. The real Hell is your life gone wrong.

 *  Albert: You don't understand.
 *  Chris: It's not about understanding! It's about not giving up!

 * Chris: Where is God in all of this?
 * Albert: Oh, He's up there. Somewhere... shouting down that He loves us. Wondering why we can't hear Him. You think?

 * The Tracker: Anyone ever tell you too much persistence can get kind of stupid?
 * Chris: Constantly.
 * The Tracker: I hear the same thing.

 * The Tracker: We'll find her. But when you find her, nothing will make her recognize you. Nothing will break her denial. It's stronger than her love. In fact, reinforced by her love. You can say everything you long to say, including goodbye, even if she can't understand it, and you'll have the satisfaction that you didn't give up.  That has to be enough.
 * Chris: You just get me there, I'll decide what's enough.

 * The Tracker: You called your son Albert. Who is that?
 * Chris: First doctor I interned under. He was like a father to me.
 * The Tracker: Ah. His words were gold. A brilliant mind. Do you recall what he practiced before he turned to pediactrics?
 * Chris: Child psychia-...
 * The Tracker: ...psychiatry. Yeah. And he always was a slow reader. But these... [indicating his glasses] used to be rimless, and the rest of me... used to be black. Do you know why we choose to look so different, me and the children?
 * Chris: Package doesn't count? One's as good as the other?
 * The Tracker: Oh, no. The old baggage, old roles of authority, who's the teacher, who's the father, gets in the way of who we really are to each other.

 * Annie: So you reconciled. That's very romantic. But she still killed herself. In the end she gave up.
 * Chris: There's nothing wrong with that.
 * Annie: Her husband didn't think so.
 * Chris: He was a coward! Being strong, not giving up, it was just his place to hide. He pushed away the pain so hard he disconnected himself from the person he loved most. [pause] Sometimes when you win, you lose.

Taglines

 * After life there is more. The end is just the beginning.

Cast

 * Robin Williams — Chris Nielsen
 * Annabella Sciorra — Annie Nielsen
 * Cuba Gooding, Jr. — Albert Lewis
 * Max von Sydow - The Tracker
 * Jessica Brooks Grant - Marie Nielsen
 * Josh Paddock - Ian Nielsen
 * Rosalind Chao - Leeona

title: What Dreams May Come (film)


text:
User talk:24.34.221.17

- InvisibleSun 01:57, 18 December 2006 (UTC)

title: User talk:24.34.221.17


text:
Talk:Blue Heelers

Trying to get a pup
So I am just trying to get a pup out of my dog? —The preceding unsigned comment was added by 4.245.54.73 (talk • contribs) 02:11, 18 December 2006 (UTC)

 * What exactly do you mean? - Sam —The preceding unsigned comment was added by 124.176.81.80 (talk • contribs) 09:52, 9 January 2007 (UTC)

 * I'd venture a guess that the person who posted that odd question believes they were adding a quote from the show. I am, however, completely ignorant of this show, so I have no real idea. ~ Jeff Q (talk) 17:30, 2 February 2007 (UTC)

Cleanup
The two major cleanup issues I see for this article are: Both of these are shown in Templates/TV shows, which the cleanup message points to by the link for the phrase "standard format of TV show articles". The reason we try to cleanup-tag articles quickly is to avoid having folks invest a ton of effort that will have to be completely redone in a different format later. Unfortunately, we didn't catch this one soon enough. ~ Jeff Q (talk) 17:40, 2 February 2007 (UTC)
 * 1) Changing the heading format from
 * to
 * where "s" is the season and "nn" is the 2-digit episode number within the season.
 * 1) Changing the double-spaced, unindented quote lines to single-spaced, indented lines.
 * where "s" is the season and "nn" is the 2-digit episode number within the season.
 * 1) Changing the double-spaced, unindented quote lines to single-spaced, indented lines.

title: Talk:Blue Heelers


text:
User talk:Darklich14

Welcome
Hi. Welcome to English Wikiquote. Enjoy! ~ Jeff Q (talk) 08:57, 18 December 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
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title: User talk:Darklich14


text:
User talk:Zoolfoos~enwikiquote

Welcome
Hi. Welcome to English Wikiquote. Enjoy! ~ Jeff Q (talk) 08:57, 18 December 2006 (UTC)
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Zoolfoos. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Zoolfoos~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:39, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 06:01, 19 April 2015 (UTC)

title: User talk:Zoolfoos~enwikiquote


text:
User talk:PitchBlack~enwikiquote

Welcome
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called PitchBlack. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name PitchBlack~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:32, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:54, 19 April 2015 (UTC)

title: User talk:PitchBlack~enwikiquote


text:
User talk:Jai~enwikiquote

Welcome
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Jai. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Jai~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:26, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:49, 19 April 2015 (UTC)

title: User talk:Jai~enwikiquote


text:
User talk:Xania

Welcome
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title: User talk:Xania


text:
User talk:Buwaleed~enwikiquote

Welcome
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Buwaleed. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Buwaleed~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:20, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:43, 19 April 2015 (UTC)

title: User talk:Buwaleed~enwikiquote


text:
User talk:Fatkat~enwikiquote

Welcome
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Fatkat. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Fatkat~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:22, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:47, 19 April 2015 (UTC)

title: User talk:Fatkat~enwikiquote


text:
User talk:Aude

Welcome
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title: User talk:Aude


text:
User talk:DagnyB

Welcome
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title: User talk:DagnyB


text:
User talk:Froglars

Welcome
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title: User talk:Froglars


text:
User talk:Fallenleaves~enwikiquote

Welcome
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Fallenleaves. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Fallenleaves~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:22, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:47, 19 April 2015 (UTC)

title: User talk:Fallenleaves~enwikiquote


text:
User talk:Davedrh~enwikiquote

Welcome
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Davedrh. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Davedrh~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:20, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:46, 19 April 2015 (UTC)

title: User talk:Davedrh~enwikiquote


text:
User talk:Btzalel91

Welcome
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title: User talk:Btzalel91


text:
User talk:Pmmusale~enwikiquote

Welcome
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Pmmusale. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Pmmusale~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:32, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:54, 19 April 2015 (UTC)

title: User talk:Pmmusale~enwikiquote


text:
Louisa Lytton

Louisa Claire Lytton (born 7 February 1989) is an English actress from Camden, London. She is most famous for playing Ruby Allen, in the BBC One soap opera EastEnders.

Quotes

 * I don’t feel I have to look or act a certain way. But this might change, as I get older. I’m not worrying about it right now. I’m enjoying myself.
 * "Louisa Lytton exclusive interview : Heart of glass" at Teens first for health at Great Ormond Street Hospital

title: Louisa Lytton


text:
Arrian

 Lucius Flavius Arrianus 'Xenophon' (c. 86/89–c. after 146/160 CE), known in English as Arrian, was a Greek historian and philosopher.

Quotes

 * He also buried the Persian commanders and the Greek mercenaries who were killed fighting on the side of the enemy. But as many of them as he took prisoners he bound in fetters and sent them away to Macedonia to till the soil, because, though they were Greeks, they were fighting against Greece on behalf of the foreigners in opposition to the decrees which the Greeks had made in their federal council. To Athens also he sent 300 suits of Persian armour to be hung up in the Acropolis as a votive offering to Athena, and ordered this inscription to be fixed over them, "Alexander, son of Philip, and all the Greeks except the Lacedaemonians, present this offering from the spoils taken from the foreigners inhabiting Asia
 * Anabasis Alexandri I, 16, 7.

 * Your ancestors invaded Macedonia and the rest of Greece and did us great harm, though we had done them no prior injury; … [and] I have been appointed leader of the Greeks …
 * Anabasis Alexandri II, 14, 4.

 * This also is remarkable in India, that all Indians are free, and no Indian at all is a slave. In this the Indians agree with the Lacedaemonians. Yet the Lacedaemonians have Helots for slaves, who perform the duties of slaves; but the Indians have no slaves at all, much less is any Indian a slave.
 * Arrian, Anabasis Alexandri, Book VII : Indica, as translated by Edgar Iliff Robson (1929), p. 335

 * No Indian ever went outside his own country on a warlike expedition, so righteous were they.
 * Arrian, Anabasis Alexandri, Book VII : Indica, as translated by Edgar Iliff Robson (1929), p. 18

 * Alexander sacrificed to the gods to whom it was his custom to sacrifice, and gave a public banquet, seated all the Persians, and then any persons from the other peoples who took precedence for rank or any other high quality, and he himself and those around him drank from the same bowl and poured the same libations, with the Greek soothsayers and Magi initiating the ceremony. Alexander prayed for various blessings and especially that the Macedonians and Persians should enjoy harmony as partners in government. The story prevails that those who shared the banquet were nine thousand and that they all poured the same libation and gave the one victory cry as they did.
 * Anabasis Alexandri, 7.2.6-9

 * They (Indians) are remarkably brave, and superior in war to all Asiatics; they are remarkable for integrity; they are so reasonable as seldom to have recourse to law suits, and so honest as to require neither locks to their doors nor writings to bind their agreements. They are in the highest degree truthful.
 * in :Sunderland, Rev. Jabez T. Indza in Bondage. Her Right to Freedom Lewis Copeland Company New York 1929p. 178. Quoted and attributed in Londhe, S. (2008). A tribute to Hinduism: Thoughts and wisdom spanning continents and time about India and her culture

About Arrian

 * Arrian mentions with admiration that every Indian is free. With them, as with the Lacedemonians, he says, no native can be a slave; but unlike the Lacedemonians, they keep no other people in servitude.
 * The History of India, by Mountstuart Elphinstone (Indica, ch. X and Ephinstone's India p. 239).

title: Arrian


text:
Pausanias

Pausanias (c. AD 110 – AD 180) was a Greek traveller and geographer of the 2nd century A.D.

Quotes

 * They say that these were the tribes collected by Amphiktyon himself in the Greek Assembly: … the Macedonians joined and the entire Phocian race … In my day there were thirty members: six each from Nikopolis, Macedonia and Thessaly...
 * Description of Greece, Phokis VIII, 2 & 4 [Loeb, W. Jones].

 * The Phocians were deprived of their share in the Delphic sanctuary and in the Greek assembly, and their votes were given by the Amphictyons to the Macedonians.
 * Description of Greece, Phocis and Ozolian Locri, 10.3.3.

 * Belistiche, a woman from the coast of Macedonia, won with the pair of foals … at the hundred and twenty-ninth Olympics.
 * Description of Greece, Eleia VIII, 11 [Loeb].

title: Pausanias


text: Category:Geographers

title: Category:Geographers


text:
Stargate (film)

Stargate is a 1994 film that follows an Egyptologist named Daniel Jackson, who joins a group of military specialists in deciphering and activating a device found in Egypt in the 1920s. The device, they discover, is called a Stargate, and is a transportation device able to take the team to another world on the other side of the known universe.
 * ''Directed by Roland Emmerich. Written by Dean Devlin and Roland Emmerich

( It Will Take You A Million Light Years From Home)

Col. Jonathan "Jack" O'Neil

 * [Referring to his son Tyler, who accidentally killed himself with his father's service weapon] No one should ever have to outlive their own child.
 * [Asking the Abydonians if they've seen Daniel anywhere] I don't suppose the word "dweeb" means anything to you guys.
 * [Looking for Daniel] I'm on Planet X looking for a dweeb who wears green fatigues.
 * [Skaara attempts to touch O'Neil's weapon] NO! Dangerous…
 * (to a Jaffa (Anubis) who he's fighting) Give my regards to King Tut, asshole! (activates the teleport rings, crushing Anubis)
 * If anyone has anything to say, now is the time to say it. [Daniel sneezes]
 * [Last line of the film] I'll be seeing you around… Doctor Jackson.
 * [An enemy pulls off his hood, revealing him to a room full of enemies, he winks] How ya doin'? Hmm? [Shoots the enemy several times, killing him and starting a battle]

Dr. Daniel Jackson
...because he is saying "come with us"...
 * [The audience abruptly and indignantly files out of Dr. Jackson's lecture.] Is there a lunch or something...?
 * [Dr. Jackson is correcting other scientists' translations from the cover stone.] It's not "Door to Heaven", it's... "STARGATE".
 * (On a recording of his notes about the symbols after two weeks of no progress) I'm never gonna get paid.
 * (to Col. O'Neill) I don't want to die. And your men don't want to die, and these people certainly don't want to die. It's a shame you're in such a hurry to.
 * HEEEEEEEEEELLLLLLLLLLLP MEEEEEEEEEEEEEEEEEEEEEE!!!!!! AAAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHH!
 * [Eats a cooked alien creature] It tastes like chicken.. That [Points towards the food] tastes like [Makes childish chicken noises]
 * Here, look at this. It says, "A traveler from distant stars escaped from a dying world, looking for a way to extend his own life. His body decaying and weak, he couldn't prevent his own demise." Apparently his whole species was becoming extinct. So he traveled or searched the galaxies, looking for a way to cheat death. Look here: "He came to a world rich with life, where he encountered a primitive race." Humans, heh. A species which with all his powers and knowledge he'd maintain indefinitely. He realized, within a human body, he had a chance for a new life. Now, apparently he found a young boy. It says, "As the frightened villagers ran, night became day. Curious and without fear, he walked towards the light." Ra took him and possessed his body, like some kind of a... parasite looking for a host. Inhabiting this human form, he appointed himself ruler. He used the Stargate to bring thousands of people here to this planet as workers... for the mines. (...) Now, something happened back on Earth. A rebellion or uprising and the Stargate was buried there. Fearful of a rebellion here, Ra outlawed reading and writing. He didn't want the people to remember the truth...
 * Well, the translation of the inner track is wrong. Must've used Budge. I don't know why they keep reprinting his books.

Other

 * General West: [to Daniel] So, you think you've solved in 14 days what they couldn't solve in two years?
 * Ra: There can only be one Ra.

Dialogue

 * [Defeated, Ra leaves the planet. Daniel rushes to where O'Neil is desperately attempting to disarm a nuclear bomb]
 * Daniel: He's leaving turn it off!
 * O'Neil: I'm trying to, I can't disarm it.
 * Daniel: What?!
 * O'Neil: I can't stop it, they got it rigged!
 * [The room shakes and O'Neil and Daniel suddenly look at each other, Ra's teleport ring control (on the arm of the deceased Anubis) and back at each other]
 * O'Neil and Daniel: I've got an idea!
 * [On Ra's ship, the rings activate. Confused, Ra goes to the rings to investigate. The bomb rings on board counting down from less then ten seconds. Ra, retaking his true shape, looks on in horror and shock as the bomb detonates, destroying his ship and killing him. On the planet below, everyone witnesses the explosion and cheers]

 * Colonel O'Neil: I wouldn't feed that thing.
 * Daniel: It's got a harness, it's domesticated.
 * [Daniel pats the animal, which starts and runs off, dragging Daniel through the desert.]

 * [Daniel and Sha'uri are both speaking in Sha'uri's native language.]
 * Daniel: Married?
 * Sha'uri: Don't worry, I didn't tell them.
 * Daniel: Tell them what?
 * Sha'uri: That... that you didn't want me.
 * [Daniel leans over and kisses Sha'uri]

 * Catherine: Why are you here, Colonel?
 * O'Neil: I'm here in case you succeed.

 * Soldier: I don't understand, why don't we just turn the gate back on ourselves?
 * Soldier 2: Yeah, how hard it can be?
 * Soldier 3: That would be great! Yeah, we could turn the thing in the wrong order and materialize in the vacuum of outer space. Do you have any idea how many possible combinations there are on that thing?
 * Soldier 4: No. How many?
 * Soldier 3: Shut up. Hmm? (everybody laughs)

 * Feretti: I can't believe we're stuck here.
 * Soldier: Don't be such a doomsayer, Feretti!
 * Soldier 2: Yeah, give it a rest!
 * Brown: Yes, please! If we're not back soon, they'll just turn it back on from the other side, no?
 * Feretti: It doesn't work that way. You see, if we don't turn the gate on from here, we're screwed! So what I'm telling you guys, we're not going anywhere!

 * O'Neil: You job here is to realign the Stargate. Can you do that or not?
 * Daniel: I can't.
 * O'Neil: You can't or you won't?
 * Daniel: I can decipher the symbols on the Stargate but I need an order of alignment. Those coordinates were marked on tablets back on Earth, there's must be something like that here. I just need to find it.
 * (O'Neil walks away, visibly upset)
 * Kawalsky: "Find it"? What do you mean "find it"? You didn't say about finding anything.
 * Daniel: Well, I assumed the tablet would be here, right here.
 * O'Neil: You assumed?
 * Kawalsky: YOU'RE A LYING SON OF A BITCH! (knocks Daniel over) YOU DIDN'T SAY A WORD ABOUT FINDING ANYTHING!
 * O'Neil: Kawalsky, set up a base camp down here. Organize our supplies.
 * Kawalsky: Sir-
 * O'Neil: You've got your orders.

 * (two soldiers and several natives are pinned down by aircraft)
 * Feretti: We're dead!
 * Kawalsky: Quit talking like that!
 * Feretti: What are we gonna do?!
 * Kawalsky: Cover me! (runs out into the open and immediately gets under fire)
 * Feretti: COVER YOU?!?

Taglines

 * Sealed and buried for all time is the key to mankind's future.
 * It will take you a million light years from home. But will it bring you back?
 * They were prepared for danger. They expected the unknown. But they could never have imagined...what was THERE.
 * Behold. Beware. Believe.
 * An amazing find. An extraordinary journey.

Cast

 * Kurt Russell – Col. Jonathan "Jack" O'Neil
 * James Spader – Dr. Daniel Jackson
 * Jaye Davidson as Ra
 * Viveca Lindfors – Catherine Langford, Ph.D.
 * Leon Rippy – General West
 * John Diehl – Lieutenant Kawalsky
 * Mili Avital – Sha'uri
 * Alexis Cruz – Skaara
 * Erick Avari – 'Good Father' Kasuf
 * French Stewart – Lieutenant Ferretti
 * Richard Kind - Dr. Gary Meyers.
 * Rae Allen - Dr. Barbara Shore
 * Derek Webster - Lieutenant Brown
 * Gianin Loffler – Nabeh
 * Christopher John Fields – Freeman
 * Carlos Lauchu - Anubis
 * Djimon Hounsou - Horus
 * Jack Moore - Senior Airman Reilly
 * Steve Giannelli - Lieutenant Porro

title: Stargate (film)