text:
Jerry Springer

Gerald Norman "Jerry" Springer (February 13, 1944 – April 27, 2023) was a British-born American broadcaster. He hosted The Jerry Springer Show television program and a talk radio program called Springer on the Radio on Air America Radio. He was Democratic mayor of Cincinnati, Ohio, United States from 1977 to 1978.

Quotes

 * Good luck to all of our guests, hope you can find some happiness in your future endeavours..., ...until next time, take care of yourself and each other.
 * Springer's common beginning and ending to his lectures

 * ...yes, because back in my day, Abraham Lincoln was president and sex was just being invented. ''[A sarcastic response to a guest in an episode seen c. 2009

 * The GNP by itself is no mark of our national achievement. For it includes smokestacks that pollute, drugs that destroy, and ambulances which clear our highways of human wreckage. It includes a mugger's knife, a rioter's bomb, and Oswald's rifle, but if the GNP tells us all this, there is much that it does not tell us. It says nothing about the health of our families, the quality of their education, or the joy of their play.
 * from a speech given circa 1970 to citizens in Cincinnati Ohio.
 * This American Life, Ep. 258, (January 30, 2004), Leaving the Fold; Act One.
 * PLEASE NOTE that this quote borrows very heavily, in substance and form, from a 1968 speech by Robert F. Kennedy.

 * My campaign is based upon the proposition that the answers to the problems which currently plague our cities, our towns, and our homes, are not to be found in the decisions in Washington. They are instead to be found in the hearts, minds and resources of our own people here at home.
 * from a speech given circa 1970 to citizens in Cincinnati Ohio.
 * This American Life, Ep. 258, (January 30, 2004), Leaving the Fold; Act One.

 * Okay bear with me this'll be a little tough. You should know this isn't the first time I thought about leaving. I thought about it some twenty years ago when a check that would soon become a part of Cincinnati folklore, made me see life from the bottom. To be honest, a thought about ending it all crossed my mind, but a more reasonable alternative seemed to be 'hey how about just leaving town? Running away? Starting life over, some place else?' You see, in political terms as well as human, here in Cincinnati, I was dead. But then in the, probably, the luckiest decision I ever made, I decided 'No! I'm staying put!' I would withstand all the jokes, all the ridicule. I'd pretend it didn't hurt, and I would give every ounce of my being to Cincinnati. 'Why in time,' I was thinking, 'you'd have to like me. Or if not like me, at least respect me.' And I'd run for council even unendorsed. And I'd prove to you I could be the best public servant you ever had, or I'd die trying. Be it as a mayor, an anchor, or a commentator, whatever it took, I was determined to have you know that I was more than a check and a hooker on a one night stand. But something happened along the way. Maybe it's God's way of teaching us. I don't know, but you see? In trying to prove something to you, I learned something about me. I learned that I had fallen in love with you. With Cincinnati. With you who taught me more about life, and caring, and forgiving, and also most importantly, giving. Giving something back. Which is part of the reason... I have been... Excuse me. So sad this week. why... Why it's so hard to say goodbye. God bless you, and goodbye.
 * his final commentary at NBC's WLWT in Ohio, January 1993
 * This American Life, Ep. 258, (January 30, 2004), Leaving the Fold; Act One.

 * I still do politics but I do it behind the scenes now. So that's still my passion. It's what I believe most strongly in, and I love that. Do I miss being in elective politics? Sometimes. This show is fun to do, my American show, and it's obviously silly, sometimes stupid. It gives me a good living and I enjoy it but I'm not passionate about it like I am about politics.
 * Chatshow Net interview with Lara Lewington (July 13, 2001)

 * Hi, do you me? My face is seen around Cincinnati constantly. But when I travel, say across state lines people don’t know me, Jerry Springer, from Jerry Ford. That’s way I carry this, the American Express Card. It’s the card that good at thousands of clubs and motels across the river. I can even get hassle free check approval. For quick and enjoyable entertainment it can’t be beat, just like me.
 * WEBN spoof ad recored by Jerry Springer
 * This American Life, Ep. 258, (January 30, 2004) Leaving the Fold; Act One.

 * The overarching issue, as I see it, is the elitism of America's political system; the fact that regular, ordinary Americans aren't considered in policy debates or legislation, and regularly get shafted by the powers-that-be in Washington.
 * Democratic Veteran, interview with Jo Fish (June 23, 2003)

 * I opposed the war in Iraq because I did not believe it was in our national security interest, and I still don't. What we did was akin to taking a baseball bat to a beehive. Our primary security threat right now is terrorism ---and by doing what we did in Iraq, we've managed to alienate a good part of the world and most of the allies whose intelligence and other help we need to combat and defeat terrorism.
 * Democratic Veteran, interview with Jo Fish (June 23, 2003)

 * I'm not conflicted. Because I know. There's me, and there's the show.
 * This American Life, Ep. 258, (January 30, 2004), Leaving the Fold; Act One.

 * I create this persona for the show. And that's what it is. I'm an act.
 * This American Life, Ep. 258, (January 30, 2004), Leaving the Fold; Act One.

 * Life is what it is, and you take what's handed, and you work as hard as you can, and hopefully you'll be successful, but I just don't spend too much time worrying about that. I do my show and I've always said it's a stupid show, and I've had a wonderful life because of it and all that, but I've never for a second thought that it's important. It's trivial. It's chewing gum. I recognize that. Once you do something that's significant in life, all this other stuff is just a way to eat.
 * This American Life, Ep. 258, (January 30, 2004), Leaving the Fold; Act One.

 * The Statue of Liberty means everything. We take it for granted today. We take it for granted. Remember the Statue of Liberty stands for what America is. We as Democrats have to remind ourselves and remind the country the great principles we stand for. This is a place of protection. This is not a country of bullies. We are not an empire. We are the light. We are the Statue of Liberty.
 * Speech (January 2003).
 * This American Life, Ep. 258, 01/30/04, Leaving the Fold; Act One.

 * Country comes before politics.
 * Springer On The Radio for Air America Radio (July 15, 2005)

 * I should get a weekend show where all I do is play country music.
 * Springer On The Radio for Air America Radio (July 22, 2005)

 * Showbiz is a job. I never take it too seriously. I work hard, but I never pretend it’s life or death. I’m just incredibly lucky.
 * Interview with Rebecca Hardy, Daily Mail 'Weekend' magazine (June 27, 2009)

 * The bias against the show is purely elitist. We’re all like the people on the show – the difference is that some of us speak better, or were born richer. There’s nothing that happens on my show that rich people don’t experience.
 * Interview with Rebecca Hardy, Daily Mail ‘Weekend’ magazine (June 27, 2009) commenting on The Jerry Springer Show.

title: Jerry Springer


text:
User:195.64.95.116

ah, they've erased my wonderful and logical redirect. wikipedia police at its stupidest.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: User:195.64.95.116


text:
Johnny English

Johnny English is a 2003 comedy film, a James Bond-inspired spy spoof, in which the title character tries to stop a French-born royal outcast from becoming King of England. Directed by Peter Howitt and written by Neal Purvis, Robert Wade and William Davies. He knows no fear. He knows no danger. He knows nothing.Taglines

Johnny English

 * (first lines) Ah, the Heckler and Koch G-36. Quite deadly in the right hands.
 * A good agent doesn't need gadgets. The only gadgets I've ever needed are a sharp eye, a finely tuned ear and a slightly bigger brain than is strictly necessary.
 * [After climbing into a castle via the sewage system] Oh, pull yourself together, it's only a little bit of poo!
 * The word 'mistake' sir is not one that appears in my dictionary.
 * [Addressing the Archbishop of Canterbury, who he believes to be an impostor] Do you or do you not have tattooed on your bottom the words, "Jesus is coming – look busy"?
 * You might have taken me, but you'll never take England. Not as long as I have breath in my body or a bullet in my gun. [English pulls the trigger, but poo splurts out instead of a bullet]
 * I've been dropped into the Kalahari desert, carrying nothing but a toothbrush and a packet of Sherbet Lemons, and I still found my way to Bulawayo before Ramadan.
 * Good morning, gentlemen! MI7 at your service.
 * [after accidentally being crowned king; points to Sauvage after a pause] Arrest that man... and lock him away! [the crowd cheers as four guards take Sauvage away]
 * [speaking to Bough] Have you heard of the chanting of the Bedouin monks of the Almaghreb mountains?
 * [speaking to Lorna] Are you familiar with the shaman throat warblers of the Guatemalan Delta?

Pascal Sauvage

 * Clearly, the aptly-named English is a fool.
 * [furious because his coronation has been interrupted by English, pulls a gun on crowd] Shut up! All this stupid little country has to do is stand in line and do what it's told for one miserable day! But can it do that? My fragrant French Ass it can!

Dialogue

 * Lorna Campbell: What are you going to do, Johnny? Sit in this grotty flat feeling sorry for yourself, or are you gonna get out there and save your country?
 * Johnny English: I'm gonna sit in the flat.

 * Funeral Officer: Everything in order, English?
 * Johnny English: I think you'll find it's more than just in order, sir. You are now entering the most secure location in the whole of England. [a bomb explodes in the distance, killing all the British agents]

 * Pegasus: It's an unmitigated disaster, English!
 * Johnny English: I couldn't agree more, sir.
 * Pegasus: Well, we need to get those jewels back, English, and fast! [English is momentarily distracted by the sight of Pegasus's secretary (who he accidentally tranquilized earlier) scooting past the doors outside in a wheelchair, glaring at him] Now tell me about this assailant. Because when they searched the room later, there was no sign of him.
 * Johnny English: [Uncomfortable; the 'assailant' was made up by him to account for him accidentally knocking a man out] Well, the man was clearly a professional. He must have escaped while the Queen was being sedated.
 * Pegasus: But he's the only lead we've got, English! We have to find him. [A man with a laptop walks into the room] Oh, come in. This is-this is Roger from Data Support. He'll produce a likeness based on your description. So tell us, what did this man look like?
 * Johnny English: Well, he was... big.
 * Roger: Hair colour?
 * Johnny English: [looks around the room for ideas and spots a fruitbowl] Umm... orange.
 * Pegasus: [skeptical] Orange?
 * Johnny English: Mmh. And curly. Well, frizzy, actually. Frizzy sort of thing.
 * Roger [writing down into his laptop] Frizzy.
 * Johnny English: An eye patch, broken nose, very few teeth. Two, I would say at the most. And a scar on his cheek... in the shape... of a banana.
 * Roger: Which cheek?
 * Johnny English: Both cheeks. They sort of met in the middle.
 * Pegasus: Are you sure about this, English?
 * [Pegasus shows him the likeness, accompanied with a scare chord: it resembles a cross between a toothless pirate and a clown]
 * Johnny English: [surprised by made-up appearance] AH! Oh, that's him, An uncanny resemblance. Why, it's just as if he's in the room with us.

 * Johnny English: [picks up a snazzy-looking golden ballpoint pen on the secretary's desk] Oh, reminds me of the old service-issue ballpoint. I remember every agent would carry a pen that looked just like this. Completely innocent to the untrained eye, but, click it twice-- [clicks the pen twice, accidentally firing a mini-dart, which hits the secretary in the buttocks. She collapses]

 * [After falling down a hole]
 * Bough: Are you all right, sir?
 * Johnny English: Yes, I landed on something quite soft.
 * Bough: That was me, sir.
 * Johnny English: Oh, good.

 * [Johnny and Bough are in a dark tunnel]
 * Johnny English: It may be pitch black, but we can still see.
 * Bough: How?
 * Johnny English: The Bedouin monks of the Al Magreb Mountains developed a system of sonic chanting.
 * Bough: I see, sir.
 * Johnny English: The sound of their chanting would bounce back off any obstacles, and using their highly tuned ears they could paint a mental picture of the path ahead.
 * Bough: Brilliant, sir.
 * Johnny English: However, you must always sing in E-flat. [singing] E-E-E-E flat, E-E-E flat, E-flaaaaaaat! Thaaaaank you for the music, the songs I'm singing--
 * Bough: Is it working, sir?
 * Johnny English: Extremely well, thank you, Bough. [singing] Thanks for all the joy they're-- [Johnny hits the tunnel wall] Ow!

 * Lorna Campbell: [watching Sauvage, who Johnny thinks is a waiter, standing just behind him] You obviously haven't met our host, Monsieur Sauvage.
 * Johnny English: No, thank God! You know, I think I'd rather have my bottom impaled on a giant cactus than exchange pleasantries with that jumped-up Frenchman. As far as I'm concerned, the only thing the French should be allowed to host is an invasion.
 * [he chuckles, then notices Sauvage standing behind him]
 * Johnny English: Sorry, can I help?
 * Pascal Sauvage: Pascal Sauvage, jumped-up Frenchman.
 * Lorna Campbell: Lorna Campbell. I've been so looking forward to meeting you.
 * Pascal Sauvage: Enchanté.
 * [Johnny stammers in embarrassment]
 * Pascal Sauvage: But of course, you're Johnny English. I've heard all about you.

 * [English has infiltrated a hospital, mistakenly believing it to be Sauvage's HQ; finds an old man in a bed]
 * Johnny English: My God, what have they done to you?
 * Elderly Man: They've taken some of my blood.
 * Johnny English: Bastards.
 * Elderly Man: It's only for tests
 * Johnny English: Of course it is, come on my friend, lets get you out of here before they take anything else

 * [after landing on the wrong building, which happens to be a hospital, and taking the medical staff hostage]
 * Johnny English: Now, perhaps you could direct me to your evil paymaster.
 * Doctor: What are you talking about?
 * Johnny English: You know exactly what I'm talking about. Where is the office of Pascal Sauvage?
 * [Everyone looks out of the window; Johnny turns to see a giant "SAUVAGE" sign on the next building with Bough staring at him from the window]
 * Bough: [over com-link] Are you coming over here in a minute, sir?

 * Archbishop: [preparing to coronate Sauvage] I crown you--
 * [Johnny swings on the chandelier and snatches the crown]
 * Johnny English: [fails to grab the banner] Dammit! [swings back and forth on the wire]
 * Pascal Sauvage: [hands the orb and scepter back to the Archbishop and then springs up from the throne] Give it back!
 * Johnny English: No!
 * Pascal Sauvage: That is my crown!
 * Johnny English: Never!
 * Pascal Sauvage: GIVE IT BACK!!!
 * Johnny English: Never in a million years, Sauvage!

 * [the Archbishop re-prepares to coronate Sauvage]
 * Archbishop: I crown you...
 * ''[Johnny drops from the chandelier and knocks Sauvage out of the throne, causing the Archbishop to place the crown on his head instead]
 * Archbishop: ...King.

Taglines

 * He knows no fear. He knows no danger. He knows nothing.
 * Prepare for British Intelligence.
 * The star of Mr. Bean is now Her Majesty's most trusted agent.
 * He's the kind of secret agent the Secret Service keeps secret.
 * When it comes to secret agents, there's the smooth, there's the sophisticated... and there's Johnny English.

Cast

 * Rowan Atkinson as Johnny English
 * John Malkovich as Pascal Sauvage
 * Natalie Imbruglia as Lorna Campbell
 * Ben Miller as Bough
 * Greg Wise as Agent One
 * Douglas McFerran as Carlos Vendetta
 * Steve Nicolson as Dieter Klein
 * Kevin McNally as Tony Blair
 * Tim Pigott-Smith as Pegasus
 * Oliver Ford Davies as the Archbishop of Canterbury

title: Johnny English


text:
Talk:Trailer Park Boys

I'd just like to say that TPB rules fools !

Hop on the bandwagon...consult your local Torrent site for episode downloads if you are unable to see/purchase the episodes...

Regards !

'''The Following is the edit history of Quotes from Bubbles from Wikipedia. The article was nominated for AfD.''' (cur) (last) 01:41, 21 June 2006 KsprayDad m (Reverted edits by 142.176.13.19 to last version  by TigerShark) (cur) (last) 01:39, 21 June 2006 142.176.13.19 (cur) (last) 23:28, 18 June 2006 TigerShark (Move to Wikiquote) (cur) (last) 23:25, 18 June 2006 TigerShark (rm AfD - discussion closed - Transwiki -   Wikipedia:Articles for deletion/Quotes from Bubbles) (cur) (last) 13:31, 13 June 2006 142.167.202.110 (→Quotes) (cur) (last) 10:48, 13 June 2006 Lotusland (→Quotes) (cur) (last) 10:47, 13 June 2006 Lotusland (→Quotes - added bubbles' rap) (cur) (last) 22:58, 12 June 2006 142.176.13.19 (→Quotes) (cur) (last) 22:54, 12 June 2006 142.176.13.19 (→Quotes) (cur) (last) 16:26, 11 June 2006 142.167.203.146 (→Quotes) (cur) (last) 16:23, 11 June 2006 142.167.203.146 (→Quotes) (cur) (last) 06:15, 11 June 2006 Kevadian (→Quotes) (cur) (last) 23:15, 10 June 2006 142.167.203.146 (→Quotes) (cur) (last) 23:11, 10 June 2006 142.167.203.146 (→Quotes) (cur) (last) 23:10, 10 June 2006 142.167.203.146 (→Quotes) (cur) (last) 16:38, 10 June 2006 69.197.153.58 (→Quotes) (cur) (last) 18:37, 9 June 2006 Uncle J (→Quotes) (cur) (last) 18:36, 9 June 2006 Uncle J (→Quotes) (cur) (last) 18:36, 9 June 2006 Uncle J (→Quotes) (cur) (last) 18:35, 9 June 2006 Hetar (afd) (cur) (last) 18:34, 9 June 2006 Uncle J (→Quotes) (cur) (last) 18:34, 9 June 2006 Yanksox m (cleanup) (cur) (last) 18:31, 9 June 2006 Uncle J  (cur) (last)  18:30, 9 June 2006 Hetar (nocontext) (cur) (last) 18:30, 9 June 2006 Uncle J Yanksox 16:42, 23 June 2006 (UTC)

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(last)  20:33, 31 May 2006 142.167.199.238 (Minor Correction) •	(cur) (last)  18:02, 31 May 2006 142.176.166.138 •	(cur) (last)  18:01, 31 May 2006 142.176.166.138 •	(cur) (last)  15:15, 31 May 2006 Uncle J •	(cur) (last)   14:43, 31 May 2006 Uncle J •	(cur) (last)   14:40, 31 May 2006 Uncle J •	(cur) (last)   14:37, 31 May 2006 Uncle J •	(cur) (last)   14:35, 31 May 2006 Uncle J •	(cur) (last)   14:34, 31 May 2006 Uncle J •	(cur) (last)   13:43, 31 May 2006 Uncle J •	(cur) (last)   13:23, 31 May 2006 Uncle J •	(cur) (last)   13:23, 31 May 2006 Yanksox (merge) •	(cur) (last)  13:22, 31 May 2006 Uncle J '''The Following is the edit history of Laheyisms from Wikipedia. The article was nominated for .''' Laheyisms •	(cur) (last)  19:05, 23 June 2006 Yanksox (listing w/ Rickyisms) •	(cur) (last)  14:44, 23 June 2006 71.206.100.233 •	(cur) (last)  16:52, 22 June 2006 72.142.101.91 •	(cur) (last)  17:23, 19 June 2006 72.142.101.91 •	(cur) (last)  14:15, 19 June 2006 72.142.101.91 •	(cur) (last)  14:08, 19 June 2006 72.142.101.91 •	(cur) (last)  14:05, 19 June 2006 72.142.101.91 •	(cur) (last)  07:33, 19 June 2006 72.142.101.91 •	(cur) (last)  15:23, 15 June 2006 72.142.101.91 •	(cur) (last)  15:21, 15 June 2006 72.142.101.91 •	(cur) (last)  15:19, 15 June 2006 72.142.101.91 •	(cur) (last)  03:20, 11 June 2006 Jamelyn (→Examples) •	(cur) (last)  03:17, 11 June 2006 Jamelyn (→See also) •	(cur) (last)  03:17, 11 June 2006 Jamelyn (→See also) •	(cur) (last)  22:56, 9 June 2006 FrankCostanza (→See also) •	(cur) (last)  19:52, 9 June 2006 72.142.101.91 •	(cur) (last)  18:35, 9 June 2006 Falkaholic m (→Examples) •	(cur) (last)  18:03, 9 June 2006 Bluebot (Fixing header errors per the Manual of Style using AWB) •	(cur) (last)  10:38, 8 June 2006 84.51.144.147 (→Examples) •	(cur) (last)  22:19, 6 June 2006 142.176.166.138 (→Examples) •	(cur) (last)  21:22, 6 June 2006 70.28.102.157 (→Examples - shitquakes, julian. shitquakes.) •	(cur) (last)  17:55, 6 June 2006 142.167.202.126 (→Examples) •	(cur) (last)  17:37, 6 June 2006 142.167.202.126 (→Examples) •	(cur) (last)  17:35, 6 June 2006 142.167.202.126 (→Examples) •	(cur) (last)  22:49, 3 June 2006 142.167.203.49 (→Examples) •	(cur) (last)  16:32, 3 June 2006 202.173.206.74 •	(cur) (last)  15:02, 3 June 2006 142.167.208.130 (→Examples) •	(cur) (last)  00:55, 3 June 2006 142.167.206.47 (→Examples) •	(cur) (last)  15:12, 2 June 2006 Uncle J (→Examples) •	(cur) (last)  15:12, 2 June 2006 Uncle J •	(cur) (last)   23:47, 1 June 2006 142.167.206.102 (→Examples) •	(cur) (last)  23:28, 1 June 2006 142.167.206.102 (→Examples) •	(cur) (last)  22:31, 1 June 2006 Yanksox (merge proposal) •	(cur) (last)  22:07, 1 June 2006 142.167.206.102 •	(cur) (last)  22:03, 1 June 2006 142.167.206.102 (→Examples) •	(cur) (last)  22:03, 1 June 2006 Yanksox (prod) •	(cur) (last)  22:02, 1 June 2006 Yanksox •	(cur) (last)  22:02, 1 June 2006 142.167.206.102 (→Examples) •	(cur) (last)  21:58, 1 June 2006 Yanksox m (fix) •	(cur) (last)  21:57, 1 June 2006 Yanksox m (bold) •	(cur) (last)  21:55, 1 June 2006 142.167.206.102 (→See Also) •	(cur) (last)  21:54, 1 June 2006 142.167.206.102 (→See Also) •	(cur) (last)  21:54, 1 June 2006 142.167.206.102 (→See Also) •	(cur) (last)  21:53, 1 June 2006 142.167.206.102 •	(cur) (last)  21:49, 1 June 2006 142.167.206.102 (→See Also) •	(cur) (last)  21:32, 1 June 2006 142.167.206.102 •	(cur) (last)  21:28, 1 June 2006 142.167.206.102 (→Examples) •	(cur) (last)  21:27, 1 June 2006 142.167.206.102 (→Examples) •	(cur) (last)  21:26, 1 June 2006 142.167.206.102 (→Examples) •	(cur) (last)  21:25, 1 June 2006 142.167.206.102 (→Examples) •	(cur) (last)  21:23, 1 June 2006 142.167.206.102 (→Examples) •	(cur) (last)  21:22, 1 June 2006 142.167.206.102 (→Examples) •	(cur) (last)  19:55, 1 June 2006 Uncle J (→Examples) •	(cur) (last)  19:40, 1 June 2006 Uncle J •	(cur) (last)   19:38, 1 June 2006 Uncle J •	(cur) (last)   19:36, 1 June 2006 Uncle J	(cur) (last)   19:35, 1 June 2006 Uncle J	(cur) (last)   19:27, 1 June 2006 Uncle J	(cur) (last)   14:30, 1 June 2006 Captain Disdain (#REDIRECT Trailer Park Boys) (cur) (last)  14:04, 1 June 2006 Uncle J (→Laheyisms) (cur) (last)  14:03, 1 June 2006 Uncle J Yanksox 04:37, 10 July 2006 (UTC)

Changed Check to Cheque
as the show is set in Canada so they would yse the canadian spelling of cheque Zoobtoob 21:37, 25 December 2006 (UTC)

Should this page be deleted or we keep the page?(StarWarsFanBoy 16:40, 26 January 2010 (UTC))

title: Talk:Trailer Park Boys


text:
Thomas A. Bailey

Thomas Andrew Bailey (December 14, 1902 – July 26, 1983) was an American historian based at Stanford University, who specialised in diplomatic history. His best-known work may be The American Pageant.

Quotes

 * The teacher asked us to write an essay based on an artist's visual version of the cold and other hardships endured by Washington's men at Valley Forge. I dashed off a page or so of commentary, which brought from the teacher public commendation for my historical empathy and perception.  This juvenile effort may have influenced my instructor when he gave me a grade on my report card of 100 percent in history.  I thought then, and still think, that no pupil is worth 100 percent in history.
 * The American Pageant Revisited, p. 9

 * Vietnam is the dead albatross around Johnson's neck that may pull him down.
 * As quoted in The New York Times (November 6, 1966)

 * The two-thirds rule [of the Senate], which can be changed only by constitutional amendment, will no doubt continue for a long time to come. Like monogamy, it is not completely satisfactory, but, like monogamy, it has won general if somewhat grudging acquiescence.
 * A Diplomatic History of the American People, 7th ed., p. 17

 * Too many so-called historians are really 'hysterians'; their thinking is more visceral than cerebral. When their duties as citizens clash with their responsibilities as scholars, Clio frequently takes a back seat.
 * Essays Diplomatic and Undiplomatic of Thomas A. Bailey (1969), p. 10

 * Too many historical writers are the votaries of cults, which, by definition are dedicated to whitewashing warts and hanging halos.
 * Essays Diplomatic and Undiplomatic of Thomas A. Bailey (1969), p. 15

title: Thomas A. Bailey


text:
User:Thunderbrand

My user page is over here.

title: User:Thunderbrand


text:
Beetlejuice (TV series)

Beetlejuice is an animated television series loosely based on the Beetlejuice film, and ran from 1989 to 1991.

Beetlejuice

 * It's showtime!
 * Hi, how are ya?
 * Hmm, something's rotten in the Neitherworld... (smells himself) besides me.
 * (Disguised as a witch) Fellow babes! I just flew in for the ball and boy is my broom tired! But seriously I'm gonna liven up this party if it kills me, again!
 * (After going through a car wash) Lyds, I'm... clean! AAH!
 * I can't believe it! He [Doomie] didn't cheat! Oh, where did I go right?!
 * It's Good Neighbor Day and the law says everyone has to be... NICE!
 * Don't ya hate it when that happens?
 * The last laugh, you know I love it!
 * Now I can go back to being as gross and disgusting as I like!
 * Moral dilemmas, you know I hate 'em!
 * If anyone thanks me again, I'll SCREAM!
 * (asking the audience to give him their money) Come on, it's for a good cause: ME!
 * Low ratings, you know I hate 'em!
 * Now here's something you don't see everyday.
 * So long, suckers!
 * Whoa! So that's why cowboys have bow legs.
 * Hmm... uh, listen, Lyds. I got to go. I, uh, have to feed my fish... to my piranha! Ha! Squeeze ya later.
 * So, c'mon, kid. Get on the ball.
 * Responsibility, you know I hate it!
 * Look, I've got a problem, maybe you could help me out. I've got these friends I said I'd meet and it's the kind'a thing where I got to be there in person…
 * NO! I'VE BEEN TURNED INTO A LEAN, MEAN, CLEANING MACHINE! HELP!
 * Check this out... a mid-summer night scream.
 * Oh, that Claire, she really gets my dandruf up.
 * She's got to be outta my mind by now.
 * Hey, they can't keep us apart.
 * Got you, babes!
 * Hey, now, wait a minute! This skunk really bugs me.
 * Rule number one for pulling pranks without getting caught is... be invisible!
 * What? How come you always think I have somethin' up my sleeve?
 * Oh, the magic B-word! Say it again. C'mon, c'mon, c'mon... I dare ya!
 * SANDWORM!
 * Now all I need are some cute little suckers to sell my cookies to some big dumb suckers!
 * When I get my hands on that cricket, IT'S SNACK TIME!
 * NO! (when asked if he ever changes his underwear)
 * HEY, BRAINLESS! OVER HERE! (to his body while his head is separate from it)
 * We're gonna take our cause to the people! And not just for the people. We'll take it to the downtrodden! The vegetable! The mineral! The disgusting! The failed science experiments! Four-legged creepies! The birds! The bees! The trees! The knees!
 * Not yet?! We're already halfway through this story, and you still haven't introduced the bad guy!! (when playing Captain Ahab in Moby Dick)
 * I know! Couldn't they find a better picture [for my wanted poster]? I'm smiling!
 * (to Lydia) Babes, his music stinks worse than I do! (smells himself) Well, not quite.
 * Not only will I be revered, I'LL BE FILTHY, STINKIN' RICH! As opposed to just being filthy and stinkin. Heh heh heh..

Lydia Deetz

 * Though I know I should be wary
 * Still I venture someplace scary
 * Ghostly haunting I turn loose.
 * Beetlejuice, Beetlejuice, BEETLEJUICE!

 * Deadly Vu!
 * Beetlejuice! Beetlejuice! BEETLEJUICE!
 * Alright, Beetlejuice, what' s the scam?
 * (referring to Delia) Dad and I are the only ones who like her art-and I'm not too sure about Dad!
 * Do I have to join the Neitherworld club?
 * I'm gonna spook Beetlejuice with the ultimate scare scheme! As soon as I can think of it.
 * Hey, that's not a good idea, BJ.
 * They're wrecking the whole house! Duck!
 * They say 'practice makes pukey'!
 * Beetlejuice! I've never seen you look this bad!
 * Come on, you guys. There's no monster in this tree. That's just a story the kids in school made up. This is a great tree. I love this tree.
 * Beetlejuice, Father was half-asleep... thank goodness.
 * That isn't funny! That tree is alive... and those men are going to kill it!
 * Miss Shannon, can I be excused?
 * Beetlejuice, have you seen a doctor about this problem of yours?
 * Romeo, don't step on my spiders!
 * I'm really babysitting now... AND IT'S NOT WORTH TWO DOLLARS AN HOUR!!

Delia "Mama" Deetz

 * You like it!
 * Don't be ridiculous, Charles!
 * Rubbish! Don't be such a stupid baby, just eat your soup and then you will be excused.
 * Why Charles! Whatever is the matter?
 * Really, Charles. I suggest you phone a proper repair man.
 * That's Beetleman, Dear. I'm taking your father for a nice, relaxing walk. Now, don't you bother Mr. Beetleman.
 * Well, pay the man, Charles.

Charles "Chuck" Deetz

 * What is that thing?
 * Lydia, dinner!
 * Lydia, go to your room, right now!
 * Sweety, I'm home.
 * Being nervous makes me nervous!
 * It's the whole darn town!

Mr. Monitor

 * Monitor Head 2: What do you mean commercials can't be released on the video unless you are the one with the people's voices!
 * Monitor Head 1: I'm not a fat looser like you!
 * Monitor Head 4: It's all about ratings.
 * All Monitor Heads: Get a move on!

Bartholomew Batt

 * Yuk! That's Disgustin'!
 * Did I win or did I lose?
 * Nyah - ha - ha - haa!
 * Oh No you don't! You will not turn me into warewolf!
 * That blonde haired ghoul is gonna cut off my head.

Little Miss Warden

 * That wasn't very cute!
 * Wanna buy some cookies!
 * Eeeeeeeeeeeeeeee!

Doomie

 * Beep! Beep! Beep!

Jacques LaLean

 * Hello Mon Ami, ya lookin' for a nice preeetty girl?
 * Ooh La La! Look at that preeeeeetty looking ladeeeee!
 * Sacre Bleu!
 * Alouette jogging Alouette...
 * Are you Beeeeetlejuice?
 * It is 'azar-dous to your 'ealth.

Scuzzo the Clown

 * Hey, kids! Are we gonna have some fun?
 * Okay, boys and girls, are we ready for some jokes?
 * Whoa! That's the hottest cold I've ever seen!
 * Food fight!
 * Hey, what happened?! I hope it was funny! Ha! Ha! Ha! Ha!
 * Hey Beetlejuice! Your burgers are so bad, they oughta be spanked!

Lipscum

 * What is your favourite color? Tell me!
 * Huh! Is my name Lipscum spelled backwards Mucspil?
 * What is your name? Answer me!
 * Hey. Beetlejuice spelled backwards is Eciujelteeb!
 * Can I huh? Can I Can I Can I?

Captain Kidder

 * Ba dum-bum!
 * Arrrr! Look who what we've got, Ed.
 * Cross the river bridge, mate.

Prudence/Prune

 * What do you mean the library's closed?
 * That's not funny, Claire.
 * Uh, does this mean we'll be closing the play?
 * You're getting dangerous, kid!
 * But Lydia, I think you should try out for the part of Juliette.
 * Miss Shannon! I don't feel so good.
 * I've always wanted to be a rock star!
 * Relax, Bertha. You know why Miss Shannon wants you to do homework.

Claire Brewster

 * Looks like the best girl won, honey.
 * I am going to get that Lydia Deetz.
 * Uh, like, it's about time! You are ten second late. Now, get lost!
 * Shut up! I am not a sore loser.
 * Well, you can find yourself another Julia.
 * Like, aren't I just the most?
 * What kind of a name is BEETLEJUICE?
 * I mean, really have you ever heard of such a ridiculous name as Beetlejuice?
 * Like, thanks for the invitation, Lydia. Perhaps the ingroup and I will drop by your party early, for a good laugh.
 * Anyone who isn't in your group.

Percy

 * Miaow!
 * Reeeeeeeeeeeeeeeeowwwwwwww!

Miss Shannon

 * All right, girls, our very first science fair today. Guess who's forgotten.
 * Can I help you, Prudence?
 * Now off to your classes, ladies.
 * I want you to keep staging it the rest of the week, just as you did it last night.
 * Okay, girls, we're going to have show and tell.
 * How improper.
 * Bertha, I am not satisfied with you. You did not share with any of your friends.

Judge Mental

 * Beetleguts! You're fired!
 * Would you please stand on that X over there?
 * Oh, all right. You're free to go… as far away as possible!
 * What are you, some kind of sicko? We can get rid of this disgusting creep forever.
 * If you do not follow those rules, I will let you get away from the Neitherworld forever!

Bertha/Burp

 * Gross!
 * Miss Shannon! Somebody is bothering me!
 * What's so funny?!
 * Stop laughing! That's ridiculous!
 * Prudence, of course it'll be scary. It's Lydia's party.
 * Miss Shannon! Can I wash my hands please?
 * Put a sock in it, you idiot!
 * Is there anything new other than comic books?
 * Someone used this ruler to throw your beehive on stage.

Funny scenes

 * Lydia: (miserably) No one understands me.
 * Beetlejuice: What am I garbage?
 * Lydia: (smiles) You wish!

 * Lydia: (after arriving to Tombstone, Scarazona) I Love this town! Does it have a saloon?
 * Beetlejuice: (in Western Clothes) Not in this time slot, babes!

 * Bully the Crud: (after Beetlejuice stops his "wedding" to Lydia) Nobody cuts off MY nuptuals and gets away with it!!!

 * [When Lydia and Beetlejuice are laughing after he successfully pranked Claire Brewster.]
 * Lydia: Beetlejuice, you're terrible!
 * Beetlejuice: Awww, thanks, babes!

 * Bertha: Hey, where's Betty?
 * Lydia: She had to leave. Her mother was calling her.
 * Bertha: Calling her what? (Bertha and Prudence snicker.)

 * [When Lydia wishes she had a car]
 * Lydia: In the Neitherworld I could drive myself crazy.
 * Beetlejuice: In the Neitherworld you can drive us both crazy... of course for me it's a much shorter trip!

 * [When Lydia has to go on vacation with her parents]
 * Lydia: (hugs him) Oh, Beetlejuice! If we can't be together this summer, I'll scream!
 * Beetlejuice: Scream anyway, babes. I like having that effect on people!

 * [When Claire is making a speech to run for class president.]
 * Bertha: Did you hear that? She called us creepy!
 * Betty Juice: I don't care how much she flatters us. She's not getting my vote!

 * [When Beetlejuice pranked Lydia's parents after he promised he wouldn't anymore]
 * Beetlejuice: Ah, what's so important about keeping a... uh... what'd you call it again?
 * Lydia: (furious) A PROMISE! And it's important to me! Beetlejuice, I want you to say you're sorry.
 * Beetlejuice: You're sorry.
 * Lydia: Beetlejuice! Just say it!
 * Beetlejuice: It.

 * Beetlejuice: (to the audience) Rules, there ought to be a law against 'em.
 * Goody Two Shoes: And another thing, Mr. Beetlejuice... NO TALKING TO CAMERA!

 * [When Goody Two Shoes has made the Neitherworld a sickly sweet place.]
 * Lydia: It's like we're trapped in some... nightmare!!
 * (She, Beetlejuice, Jacques and Ginger scream in horror)
 * Beetlejuice: WAIT A MINUTE! I forget, what're we screaming for again?
 * (Everyone looks down at their horrible cutesy clothes.)
 * Beetlejuice: Oh... yeah. YAAARRGGGHHHH!

 * [When Beetlejuice temporarily lived with the Deetzs' disguised as a dog.]
 * Lydia: Thanks for being Mom's best friends for a while.
 * Beetlejuice: Hey, she's the only one that's ever spent all night looking for me... who wasn't a police officer!

 * TruAnt Officer: Your licence to drive people crazy is hereby suspended.
 * Beetlejuice: On what grounds?
 * TruAnt Officer: On the grounds that you NEVER FINISHED SCHOOL!!!!!!
 * Beetlejuice: Oh. School grounds.

 * Lydia: (laughing) Oh, Beetlejuice. You always know how to crack me up!
 * Beetlejuice: Yeah, I always bring down the house.

 * [When Beetlejuice and Lydia disguise themselves as witches]
 * Lydia: How do I look?
 * Beetlejuice: Fabulously freaky, I must say! And how about moi?
 * Lydia: (laughing) Gorgeously ghastly!

 * [Lydia receives a phone call from the Neither World.]
 * Neither World Operator: This is the Neither World Operator. I have an emergency call from a Mr. Beetlejuice. Will you accept the charge?
 * Lydia: Yes, Operator. I'll accept the charge.
 * [She screams as she receives an electrical shock.]
 * Neither World Operator: Now that that's out of the way, will you also pay for the call?
 * Lydia: YES!!

 * [When Lydia is forced to join the Happy Face Girls]
 * Lydia: (miserably) Tell me the truth, Beetlejuice. How do I look?
 * Beetlejuice: You look pretty as a picture, neat as a pin, cute as a button, soooo there! (Bursts out laughing.)
 * Lydia: (annoyed) That's right, go ahead and laugh.
 * Beetlejuice: Ok. (Falls to the floor in a laughing fit.)

 * Beetlejuice's father: Junior! When are you gonna get a job?
 * Beetlejuice: I have a job, Pops. I'm a waiter... I wait around for people to gimme their money!

 * [When Lydia tries to stop Beetlejuice hurting a monster, who initially kidnapped Lydia until she made friends with it.]
 * Beetlejuice: Don't worry, Babes! I'll save you from that overgrown zoo exhibit!
 * Lydia: Beetlejuice!
 * Beetlejuice: Don't try to talk, Lyds. Save your strength!
 * Lydia: Thing Thong is my friend.
 * Beetlejuice: Oh, no, she's delerious.
 * Lydia: Beetlejuice, I'm perfectly fine! And he's definitely my friend!
 * Beetlejuice: Friend?! That ugly thing?!
 * Lydia: He's not ugly, he's beautiful!
 * Beetlejuice: I don't get it, Lyds. You see something beautiful?
 * Lydia: Well... I think you're beautiful.
 * Beetlejuice: (Disgusted) YUCK! EURGH! YUCK! (Big eyes) D'you really think so?
 * Lydia: Uh-huh.
 * Beetlejuice: YUCK! EURGH!

 * Lydia: Locked deep in Goody's self conscious is this need to correct, to adjust, to regulate.
 * Beetlejuice: Er, babes, you're psychoanalysing the antagonist again.

 * [When Lydia decides it's safer for Beetlejuice to watch the stage show from the Neither World after she accidently sends him there.]
 * Lydia: Sorry, Beetlejuice.
 * Claire: (Overhearing) Beetlejuice?!
 * Beetlejuice: That's my name! Go ahead! Wear it out! Wear it out!
 * Claire: That is the most disgusting word I've ever heard! Beetlejuice?!
 * Beetlejuice: Now say it one more time, ya stuck up little ham!
 * Claire: Eurgh, only Lydia could come up with something as totally gross as... as...
 * Beetlejuice: SAY IT!!
 * Claire: ... Beetlejuice...
 * Beetlejuice: (emerging into the real world) It's show time!

 * [When Uncle Clyde is doing ventriloquism.]
 * Uncle Clyde: Why did the chicken cross the road?
 * Beetlejuice: (to Lydia) This guy oughta throw his voice... out!
 * (Uses his magic on the dummy and his voice comes out of it.)
 * Dummy: (with Beetlejuice's voice) Wanna know why the chicken crossed the road? COZ HE WAS PINNED TO THE PUNK ROCKER'S EAR! THAT'S WHY!

 * [When Lydia's family are dancing to music.]
 * Lydia: They look like they're having fun, but it's just your magic.
 * Beetlejuice: That's how much you know, babes. I stopped using my magic twenty seconds ago.

 * Beetlejuice: Your relatives sure are a bunch of wakkos!
 * Lydia: I'd like to meet some of your wakko relatives! Your parents have got to be totally freaky and gross!
 * Beetlejuice: I wish! My Mom and Dad are so dull their pictures are in the Neitherworld dictionary... next to the word 'boring'!

 * [When Lydia, Bertha, Prudence and Beetlejuice- as Betty Juice are preparing for their rock band.]
 * Lydia: (to Prudence) First, I'll tease your hair.
 * Beetlejuice: Let me tease it, Lyds. Neeah, Neeah, Neeah, Neeah, Neeah! You call yourself hair! You look more like a red hat!

 * [When Beetlejuice pops out of Lydia's desk drawer as a jack-in-the box.]
 * Beetlejuice: Pop goes the beetle! (Laughs.)
 * Lydia: (Yawns) Really, Beetlejuice. This Scary Fools Day stuff is so childish... good thing I'm still a child.

 * [When Lydia dresses as a Sandworm in attempt to scare Beetlejuice.]
 * Beetlejuice: Nice try, Lyds! I'll give you an Eeeeee, for 'effort'!
 * Lydia: Humph! I have not yet begun to fright!

 * Beetlejuice: You could let me move back into that filthy dump you live in.
 * Ginger: But ya gotta promise to stop being a good neighbour.
 * Beetlejuice: Neighbours! I'm home!
 * Jacques: Oui, oui. Stop trying to be something you are not. Just be your old tummy-turning self.

 * [When Merlin challenges Beetlejuice to a jousting tournament.]
 * Beetlejuice: A joust? A joust? Surely you jest. It would be an unjust gesture for a jester to joust. A jester just jests. Get the gist?
 * Merlin: Only just...

 * [When Beetlejuice is running for Mayor.]
 * Beetlejuice: And unlike my opponent who will lie and make promises he won't keep, I'll tell you right upfront that I won't keep any of my promises!

 * Spooky: Why does everyone think I'm spooky?
 * Beetlejuice: Ah, humans are the weirdest people. Most of them think I'm spooky too.
 * Spooky: Really? I guess they just don't see you as the generous, tender-hearted being you are.
 * Beetlejuice: No need to insult me, bark face.

 * Lydia: Beetlejuice!
 * Beetlejuice: Lyds! This is no time to panic!
 * Lydia: Then when is?!
 * Beetlejuice:..... NOW!!

title: Beetlejuice (TV series)


text:
User talk:205.235.119.31

In reverting some changes prior to your edits of Apocalypse Now some of your additions were removed, but you can add these again, or I will, if you wish. ~ Kalki 22:06, 15 July 2005 (UTC)

title: User talk:205.235.119.31


text:
User talk:68.63.168.46

Deliberate vandalism can result in IP numbers being blocked from editing. ~ Kalki 22:12, 15 July 2005 (UTC)

title: User talk:68.63.168.46


text:
Denise Richards

Denise Lee Richards (born 17 February 1971) is an American film actress and former fashion model.

Red Book interview
Online text
 * As a mom, I can't imagine how hard it would be to hear hurtful, untrue things being said about my daughters.

 * I'm in a no-win situation. If I have my kids in the show, I'm exploiting them. If I don't, people will think I'm not a hands-on mom.
 * On having her young daughters on her TV program

 * Everyone says I'm exploiting the kids, but they haven't even seen one episode.

 * I didn't go into this marriage with the idea of just trying it out. I fell in love and wanted to make a new life with him. A lot of people said to me, "How could you go out with someone with his past?" But I've always believed that everyone deserves a second chance. I fell in love with who he was when I met him: a strong man who could admit his weaknesses and work through them.
 * Of her ex-husband, Charlie Sheen

title: Denise Richards


text:
User talk:Jxn

--Aphaia 05:27, 16 July 2005 (UTC)

title: User talk:Jxn


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User talk:69.225.141.218

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title: User talk:69.225.141.218


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User talk:NeoAmsterdam

--Aphaia 05:28, 16 July 2005 (UTC)

title: User talk:NeoAmsterdam


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User talk:59.167.87.171

I reverted most of your edits and got rid of all links you added. Wikiquote is not a place to advertise your site, and your contribution with "one quote, no reference and link to another website" isn't welcome here according to our policies including What Wikiquote is not. Wikiquote is run by a non-profit organisation, and not a place for any advertisement. If you repeat your actions, you will be blocked from editing. Thank you. --Aphaia 05:45, 16 July 2005 (UTC)

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User talk:Jasoni22

--Aphaia 11:22, 16 July 2005 (UTC)

title: User talk:Jasoni22


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Oriana Fallaci

 (June 29, 1929 – September 15, 2006) was an Italian journalist, author and political interviewer. She was a partisan in the during World War II.

Quotes

 * The first thought a Western woman has when she arrives in a rigorously Muslim country like Pakistan is that she appears to be the only woman to have survived a tsunami that has washed away all the others.
 * Quoted in De, S. C., & Harss, M. (2017). Oriana Fallaci: The journalist, the agitator, the legend.

 * What's the point anyway — Of suffering, dying? It teaches us to live, boy. A man who does not struggle does not live, he survives.
 * A Man (1979)

 * People like me who have passion are derided: 'Ha ha ha! She's hysterical!' 'She's very passionate!' Listen how the Americans speak about me: 'A very passionate Italian.'
 * Gurley, George. "The Rage of Oriana Fallaci",  (27 January 2003)

 * "Americans," she said, repeating for me something she told the, "you have taught me this stupid word: cool. Cool, cool, cool! Coolness, coolness, you've got to be cool. Coolness! When I speak like I speak now, with passion, you smile and laugh at me! I've got passion. They've got passion. They have such passion and such guts that they are ready to die for it."
 * "The Rage of Oriana Fallaci", in The New York Observer (27 January 2003)

 * Our weakness in the West is born of the fact of so-called "objectivity." Objectivity does not exist. The word is a hypocrisy which is sustained by the lie that the truth stays in the middle. No, sir: Sometimes truth stays on one side only.
 * "The Rage of Oriana Fallaci", in The New York Observer (27 January 2003)

 * Europe is no longer Europe, it is Eurabia, a colony of Islam, where the Islamic invasion does not proceed only in a physical sense, but also in a mental and cultural sense.
 * As quoted in "Prophet of Decline" by Tunku Varadarajan, in The Wall Street Journal (23 June 2005)

 * Whether it comes from a despotic sovereign or an elected president, from a murderous general or a beloved leader, I see power as an inhuman and hateful phenomenon... I have always looked on disobedience toward the oppressive as the only way to use the miracle of having been born.
 * As quoted in "The Agitator: Oriana Fallaci directs her fury toward Islam" by Margaret Talbot, in The New Yorker (5 June 2006)

 * If you put a pistol against my head and ask which I think is worse, Muslims or Mexicans, I'd have to think a moment, then I'd say the Muslims because they've broken my balls.
 * As quoted in "The Agitator: Oriana Fallaci directs her fury toward Islam" by Margaret Talbot, in The New Yorker (5 June 2006)

 * It's been four years since I spoke about Islamic Nazism, the war with the West, the cult of death, the suicide of Europe. A Europe which is no longer Europe but Eurabia, which with its softness, its inertia, its creed and its enslavement to the enemy, is digging his own grave. (Sono quattr' anni che parlo di nazismo islamico, di guerra all' Occidente, di culto della morte, di suicidio dell' Europa. Un' Europa che non è più Europa ma Eurabia e che con la sua mollezza, la sua inerzia, la sua cecità, il suo asservimento al nemico si sta scavando la propria tomba.)
 * "Il nemico che trattiamo da amico", in  Corriere della Sera (15 September 2006)

 * Europe is no longer Europe, it is Eurabia, a colony of Islam, where the Islamic invasion does not proceed only in a physical sense, but also in a mental and cultural sense... I am an atheist, and if an atheist and a pope think the same things, there must be something true. There must be some human truth that is beyond religion... I am disgusted by the anti-Semitism of many Italians, of many Europeans... Look at the school system of the West today. Students do not know history! They don't know who Churchill was! In Italy, they don't even know who Cavour was!... Servility to the invaders has poisoned democracy, with obvious consequences for the freedom of thought, and for the concept itself of liberty... State-run television stations contribute to the resurgent anti-Semitism, crying only over Palestinian deaths while playing down Israeli deaths, glossing over them in unwilling tones... The increased presence of Muslims in Italy and in Europe is directly proportional to our loss of freedom... The Muslims refuse our culture and try to impose their culture on us. I reject them, and this is not only my duty toward my culture-it is toward my values, my principles, my civilization... The struggle for freedom does not include the submission to a religion which, like the Muslim religion, wants to annihilate other religions... The West reveals a hatred of itself, which is strange and can only be considered pathological; it now sees only what is deplorable and destructive... These charlatans care about the Palestinians as much as I care about the charlatans. That is not at all... When I was given the news, I laughed. The trial is nothing else but a demonstration that everything I've written is true... President Bush has said, 'We refuse to live in fear.'...Beautiful sentence, very beautiful. I loved it! But inexact, Mr. President, because the West does live in fear. People are afraid to speak against the Islamic world. Afraid to offend, and to be punished for offending, the sons of Allah. You can insult the Christians, the Buddhists, the Hindus, the Jews. You can slander the Catholics, you can spit on the Madonna and Jesus Christ. But, woe betide the citizen who pronounces a word against the Islamic religion.
 * A Sermon for the West">From "A Sermon for the West" By Oriana Fallaci – Oct. 22, 2002 Address to an audience at the American Enterprise Institute

 * The problem is that the solution does not depend upon the death of Osama bin Laden. Because the Osama bin Ladens are too many, by now: as cloned as the sheep of our research laboratories. In fact, the best trained and the more intelligent do not stay in the Muslim countries... They stay in our own countries, in our cities, our universities, our business companies. They have excellent bonds with our churches, our banks, our televisions, our radios, our newspapers, our publishers, our academic organizations, our unions, our political parties. Worse, they live in the heart of a society that hosts them without questioning their differences, without checking their bad intentions, without penalizing their sullen fanaticism.
 * A Sermon for the West">From "A Sermon for the West" By Oriana Fallaci – Oct. 22, 2002 Address to an audience at the American Enterprise Institute

Interview with History (1976)

 * This too famous, too important, too lucky man, whom they call Superman, Superstar, Superkraut, and who stitches together paradoxical alliances, reaches impossible agreements, keeps the world holding its breath as though the world were his students at Harvard.
 * On Henry Kissinger, in: Interview With History, New York: Liveright Publishing Corporation, 1976 (translated from the original Italian edition Intervista con la storia, Milan, Rizzoli, 1975), Chapter 1: Henry Kissinger, p. 17.

Intervista con la Storia (2011, 6th edition)

 * Among today's Italians, when treading upon Haile Selassie's memory, the sense of guilt and shame is such that they react by seeing only his positive traits: the merits of his past actions. His portrayals always brim with excessive deferance, unwarranted admiration and delusion. They go on and on about his priestly composure, his regal dignity, his great intelligence and his generosity towards former adversaries. They never explain who this sovereign, who we made into a victim, really was. They never dare tell us if he was something more, or less, than a victim. For example, that he was an old man hardened in principles which were centuries out of date; that he was the absolute ruler of a nation which has never heard the words rights and democracy, which lives in a near prehistoric fashion in the suburbs, oppressed by hunger, disease, ignorance and the squallor of a feudal regime which even we did not experience during the darkest years of the Medieval period.
 * On Haile Selassie, (June 1972), as quoted in Intervista con la Storia (sixth edition, 2011) p. 509

 * Hearing him speak is so fun, reassuring I dare say. You can say all you like about Sihanouk: that he's an atrocious liar, a madman, a fraud, a swashbuckler, an international blot. You may think that, but you cannot deny how in this age in which the political arena seems to generate only dull, obtuse and boring characters with no imagination, he's a kind of miracle.
 * On Norodom Sihanouk, (June 1973), as quoted in Intervista con la Storia (sixth edition, 2011) p. 100

The Rage and the Pride (2002)

 * Maybe they [women who were executed by the Taliban] were guilty of the worst of all crimes: to laugh. Yes. Laughing. I said laughter. Didn't you know that with the Taliban in Afghanistan women can't laugh, that they are even forbidden to laugh?.

 * To make you cry I’ll tell you about the twelve young impure men I saw executed at Dacca at the end of the Bangladesh war. They executed them on the field of Dacca stadium, with bayonet blows to the torso or abdomen, in the presence of twenty thousand faithful who applauded in the name of God from the bleachers. They thundered "Allah akbar, Allah akbar." Yes, I know: the ancient Romans, those ancient Romans of whom my culture is so proud, entertained themselves in the Coliseum by watching the deaths of Christians fed to the lions. I know, I know: in every country of Europe the Christians, those Christians whose contribution to the History of Thought I recognize despite my atheism, entertained themselves by watching the burning of heretics. But a lot of time has passed since then, we have become a little more civilized, and even the sons of Allah ought to have figured out by now that certain things are just not done. After the twelve impure young men they killed a little boy who had thrown himself at the executioners to save his brother who had been condemned to death. They smashed his head with their combat boots. And if you don’t believe it, well, reread my report or the reports of the French and German journalists who, horrified as I was, were there with me. Or better: look at the photographs that one of them took. Anyway this isn’t even what I want to underline. It’s that, at the conclusion of the slaughter, the twenty thousand faithful (many of whom were women) left the bleachers and went down on the field. Not as a disorganized mob, no. In an orderly manner, with solemnity. They slowly formed a line and, again in the name of God, walked over the cadavers. All the while thundering Allah–akbar, Allah–akbar. They destroyed them like the Twin Towers of New York. They reduced them to a bleeding carpet of smashed bones.

 * I am not speaking, obviously, to the laughing hyenas who enjoy seeing images of the wreckage and snicker good–it–serves–the–Americans–right. I am speaking to those who, though not stupid or evil, are wallowing in prudence and doubt. And to them I say: "Wake up, people. Wake up!!" Intimidated as you are by your fear of going against the current—that is, appearing racist (a word which is entirely inapt as we are speaking not about a race but about a religion)—you don’t understand or don’t want to understand that a reverse–Crusade is in progress. Accustomed as you are to the double–cross, blinded as you are by myopia, you don’t understand or don’t want to understand that a war of religion is in progress. Desired and declared by a fringe of that religion, perhaps, but a war of religion nonetheless. A war which they call Jihad. Holy War. A war that might not seek to conquer our territory, but that certainly seeks to conquer our souls. That seeks the disappearance of our freedom and our civilization. That seeks to annihilate our way of living and dying, our way of praying or not praying, our way of eating and drinking and dressing and entertaining and informing ourselves. You don’t understand or don’t want to understand that if we don’t oppose them, if we don’t defend ourselves, if we don’t fight, the Jihad will win. And it will destroy the world that for better or worse we’ve managed to build, to change, to improve, to render a little more intelligent, that is to say, less bigoted—or even not bigoted at all. And with that it will destroy our culture, our art, our science, our morals, our values, our pleasures...Christ! Don’t you realize that the Osama Bin Ladens feel authorized to kill you and your children because you drink wine or beer, because you don’t wear your beard long or a chador, because you go to the theater or the movies, because you listen to music and sing pop songs, because you dance in discos or at home, because you watch TV, wear miniskirts or short–shorts, because you go naked or half naked to the beach or the pool, because you *** when you want and where you want and who you want? Don’t you even care about that, you fools? I am an atheist, thank God. And I have no intention of letting myself be killed for it.
 * "Rage and the Pride">Oriana Fallaci – The Rage and the Pride – Universe Publishing; Intl edition, 2002, ISBN 978-0-8478-2599-8

 * There are moments in Life when keeping silent becomes a fault, and speaking an obligation. A civic duty, a moral challenge, a categorical imperative from which we cannot escape.
 *  (2001). Editor Random House Incorporated, 2002 ISBN 0847825043, 9780847825042. p. 17.

 * I have informed myself better about Buddhism and I found that, unlike Muslims, with their an-eye-for-an-eye and a-tooth-for-a-tooth, and unlike Christians who speak of forgiveness but invented Hell, Buddhists never use the word "enemy". I have found that they have never made converts with violence, they have never made territorial conquests through the pretext of religion, and they don't have the concept of Holy War. Some deny this. They deny that Buddhism is a peaceful religion... Each family includes people of bad character. But even they recognize that the bad character of those warrior monks was not used to proselytize, and admit that the history of Buddhism does not record a ferocious Saladin or popes like Leo IX or Urban II or Innocent II or Pius II or Julius II... Yet the children of Allah also fight the Buddhists. They blow up their statues, they prevent them from practising their religion.

 * My heart is also tightening for the way in which they have killed them [the Buddhas of Bamiyan]... They have not acted with the irrationality and bestiality of the Chinese Maoists who destroyed Lhasa in 1951, broke into monasteries and into the palace of the Dalai Lama and like drunken buffalo razed to the ground the monuments of a civilization... The destruction of Lhasa was not preceded by a trial... But in the case of the Buddhas of Bamiyan, there was a real process. There was a real sentence, then an execution was decided based on legal norms or presumed legal norms. It was therefore, a premeditated crime.

The Force of Reason (2004)

 * Europe becomes more and more a province of Islam, a colony of Islam. And Italy is an outpost of that province, a stronghold of that colony...In each of our cities lies a second city: a Muslim city, a city run by the Quran. A stage in the Islamic expansionism.
 *  (2004). Editor Random House Incorporated, 2006. ISBN 0847827534, 9780847827534. p. 34.

 * I also saw the cement-quarry where a couple of days earlier the Muslims had massacred eight hundred Hindus. Many women included. And where their corpses lay abandoned to the appetite of the vultures. Hundreds and hundreds of vultures unrolling long paper-streamers which were not paper-streamers: they were the Hindu bowels torn out by their beaks and carried up in the sky. Yes, I rediscovered that world in Dacca.
 * The Force of Reason, 2006

Quotes about Fallaci

 * With Oriana Fallaci's demise at 77 from a host of cancers, in September, in her beloved Florence, there also died something of the art of the interview. Her absolutely heroic period was that of the 1970s, probably the last chance we had of staving off the complete triumph of celebrity culture.
 * Christopher Hitchens, "Oriana Fallaci and the Art of the Interview", Vanity Fair (December 2006)

These tendencies were given impetus by an interview I granted to the Italian journalist Oriana Fallaci, without doubt the single most disastrous conversation I ever had with any member of the press. I saw her briefly on Nov. 2 and 4, 1972, in my office. I did so largely out of vanity. She had interviewed leading personalities all over the world. '''Fame was sufficiently novel for me to be flattered by the company I would be keeping. I had not bothered to read her writings; her evisceration of other victims was thus unknown to me.''' I paid the price for my naiveté. The quotes ascribed to me, statements of marginal taste gathered together in what she presented as a conversation, were the most self-serving utterances of my entire public career.
 * Ever since the secret trip to China, my own relationship with Nixon had grown complicated. Until then I had been an essentially anonymous White House assistant. But now his associates were unhappy, and not without reason, that some journalists were giving me perhaps excessive credit for the more appealing aspects of our foreign policy while blaming Nixon for the unpopular moves..
 * Henry Kissinger, as quoted in "Special Section: Chagrined Cowboy" in TIME magazine, 8 October 1979

 * Even though you are on the blacklist of my authorities, I'll add you to the whitelist of my heart.
 * Muhammad Reza Pahlavi (October 1973), as quoted in Intervista con la Storia (sixth edition, 2011) p. 563

 * Who is this woman? Where does she come from? What does she want? Enough, go away, ça suffit! ça suffit!!
 * Haile Selassie, as quoted in Interviewed by Oriana Fallaci, Chicago Tribune, Sunday, June 24, 1973

 * L’Europeo considers her its star reporter. She covers the Indo-Pakistani War and the Maoist uprising in Hong Kong. Then she travels to the Middle East to cover the Israeli-Palestinian conflict and to South America to write about guerrilla groups fighting against various dictatorships. She quickly becomes famous for her courage and her combative spirit. A colleague remembers: “During the war between India and Pakistan, while we were following the Sikh troops and the Gurkhas, she took a different route. She got on a rickety boat and sailed up the Brahmaputra and arrived in Dacca at the moment the dictator’s troops were killing their prisoners and burying them in common graves. Some were still alive. She made such a fuss that it was a miracle they didn’t shoot her.”
 * Cristina De Stefano, Oriana Fallaci: The Journalist, the Agitator, the Legend, New York: Other Press, 2017 (translated by Marina Harss from the original Italian edition Oriana, una donna, Milan, Rizzoli, 2013).

 * Oriana Fallaci is not only a great journalist: for me she is "the" journalism. And I underline "is" (wasn't) for many reasons. One of which lies in the fact that its pages will long remain the best school of journalism, but above all a formidable breath of intellectual freedom, a vaccine against all idiots, variously placed in the hierarchies of power, and against the lazy cowardice of conformism.
 * Antonio Socci, From the preface to Oriana Fallaci, Intervista con il potere.

title: Oriana Fallaci


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The Village

The Village is a 2004 film about the population of a small, isolated countryside village who believe that their alliance with the mythical creatures that inhabit the forest around them is coming to an end. The film was released July 30, 2004 in United States.
 * Written and directed by M. Night Shyamalan.

Run. The truce is ending. Taglines

Lucius Hunt

 * There are different types of love.
 * [reading a letter to the elders] My mother is unaware of reasons of my visit today. She did not give her consent or consult me in any form. The passing of little Daniel Nicholson, from illness, and other events have weighed on my thoughts. I ask permission to cross into the forbidden woods and travel to the nearest town. I will gather new medicines, and I will return. With regards to those we don't speak of, I am certain they will let me pass. Creatures can sense emotion and fear. They will see I am pure of intention and not afraid. The end.

Ivy Walker

 * [singing to her sister Kitty] Baby sleep, gently sleep / Life is long and love is deep. / Time will be sweet for thee / All the world to see. / Time to look around and know / How the shadows come and go, / How the breeze stirs the tree, / How the blossoms grow.
 * [to Lucius] My sister cried a lot. You wonder how I recognize you? Some people - just a handful, mind you - give off the tiniest color. It's faint. Like a haze. It's the only thing I ever see in the darkness. Papa has it, too. Do you wonder what your color is? Well, that I won't tell you. It's not ladylike to speak of such things. You shouldn't even have asked.
 * [to Lucius] I know why you denied my sister. When I was younger, you used to hold my arm when I walked. Then suddenly you stopped. One day, I even tripped in your presence and nearly fell. I was faking, of course, but still you did not hold me. Sometimes we don't do things we want to do so that others will not know we want to do them.
 * Papa, I cannot see his color.
 * If he dies, all that is left of me will die with him.
 * I'm not going to tell you what your color is, so stop asking.
 * We'll be safe, we have the magic rocks.
 * My sister has found love... again.
 * I'm back, Lucius.

Edward Walker

 * [approaching students who have found slain animal] What manner of spectacle has attracted your attention so splendidly I ought carry it in my pocket to help me teach?
 * His will to live is very strong.
 * [part of a table grace] We are grateful for the time we have been given.
 * The moment I heard my daughter's vision had finally failed her, and that she'd forever be blind, I was sitting in that chair. I was so ashamed.
 * You are fearless in a way that I shall never know.
 * Yes, I have risked. I hope I am always able to risk everything for the just and right cause.
 * We have always had a gentle understanding with the creatures that live in the woods.
 * The world moves for love; it kneels before it in awe.

August Nicholson

 * Who'll pinch me to wake me up? Who will laugh at me when I fall? Whose breath will I listen for so that I may sleep? Whose hand will I hold so that I may walk?
 * I often wondered if you and my son bonded because neither of you was fond of speaking. You're very kind. You must pardon my manners; I haven't slept in many nights.

Alice Hunt

 * What goes on in that head of yours? Say something Lucius.
 * What we seem to have amongst us is a predator of some type. Most likely a coyote, or a wolf. It's manner of killing and removing the fur, but leaving the flesh torn, may be a sign that this animal suffers from madness; and for the next fortnight we should be vigilant for sightings of this coyote. Keep careful watch over our little ones as they play on the hills.

Others

 * Noah Percy: They're coming.
 * Noah Percy: [near-hysterical, laughing and sobbing] ... Bad color! Bad, bad color! Bad c-color...!
 * Kitty Walker: [whispering] Don't let them in!
 * Brown-Eyed Girl: Heed the warning bell, for they are coming.
 * Finton Coin: Thank you, Lucius. You're a good friend.
 * Jay (M. Night Shyamalan): Do not get into conversations.
 * Beatrice: It is amazing what two people love chooses to unite. It follows no rules.

Dialogue

 * Kitty: I'm in love! I want your permission to marry, Papa!
 * Edward: There's a proper manner in which these things are supposed to happen, such as the boy would normally be standing next to you, in a moment such as this! Where is the boy in all this, Kitty?!
 * Kitty: I haven't spoken to him as of yet.
 * Edward: The young man is unaware of your intentions?!

 * Ivy: Noah Percy come here this minute. You must go into the quiet room.
 * Noah: No, no I'll cry quarts.
 * Ivy: If you will not go into the quiet room we must strike a deal.
 * Noah: Capital idea.
 * Ivy: You must promise never to hit anyone ever again.
 * Noah: No, no hitting.
 * Ivy: Do you promise to keep this deal secret?
 * Noah: Like a church mouse.
 * [They shake hands. Ivy points to her cheek. Noah kisses it]
 * Ivy: The deal is struck.

 * Ivy: [after Noah hands her some red berries] Oh, berries! What a splendid present!
 * Lucius: Be cautious. You are holding the bad color.
 * Ivy: [becomes worried, covers the berries with her hands] This color attracts Those We Don't Speak Of. [to Noah] You ought not pick that color berry anymore.
 * [Noah nods]
 * Lucius: [in a hushed whisper] He picked it from his pocket.
 * Ivy: Your breathing has changed. What's wrong?
 * Lucius: [to Noah] If you did not pick this now, where did you get it?
 * Lucius: [to the elders] Today at Resting Rock, Noah Percy handed Ivy Walker berries of the bad color. When asked where he found these berries, for they were not like others I have seen, he pointed to the drawing upon Resting Rock. It is my belief that Noah Percy has entered the woods, and has done so on many occasions. It is also my belief that because of his innocence those creatures who reside in the woods did not harm him. This strengthens my feeling that they will let me pass if the sense I am not a threat.
 * Lucius: [to the elders] Today at Resting Rock, Noah Percy handed Ivy Walker berries of the bad color. When asked where he found these berries, for they were not like others I have seen, he pointed to the drawing upon Resting Rock. It is my belief that Noah Percy has entered the woods, and has done so on many occasions. It is also my belief that because of his innocence those creatures who reside in the woods did not harm him. This strengthens my feeling that they will let me pass if the sense I am not a threat.

 * Lucius: You run like a boy.
 * Ivy: Thank you.

 * Lucius: It is cold outside. You ought to go in.
 * Ivy: Why are you on this porch?
 * Lucius: It is not safe.
 * Ivy: There are other porches...Do you find me too much of a tomboy? I do long to do boy things. Like that game the boys play at the stump. They put their backs to the woods, and see how long they can wait before getting scared. It's so exciting. I understand you hold the record. It will never be broken, they say.
 * Lucius: It's just children's games.
 * Ivy: How is it you are brave when all the rest of us shake in our boots?
 * Lucius: I do not worry about what will happen, only what needs to be done.

 * Lucius: Do you not wish you had your sight?
 * Ivy: I see the world, Lucius Hunt. Just not as you see it.

 * Ivy: No, I won't tell you your color, stop asking. When we are married, will you dance with me? I find dancing very agreeable. Why can you not say what is in your head?
 * Lucius: Why can you not stop saying what is in yours? Why must you lead, when I want to lead? If I want to dance, I will ask you to dance. If I want to speak I will open my mouth and speak. Everyone is forever plaguing me to speak further. Why? What good is it to tell you you are in my every thought from the time I wake? What good can come from my saying that I sometimes cannot think clearly or do my work properly? What gain can rise of my telling you the only time I feel fear as others do is when I think of you in harm? That is why I am on this porch, Ivy Walker. I fear for your safety before all others. And yes, I will dance with you on our wedding night.

 * Beatrice: I beg your pardon. Is it true? About Lucius and Ivy? There are whispers all over the village.
 * Alice Hunt: We were informed early this morning of their intentions.
 * Beatrice: It is amazing to witness what love two people unite. It follows no rules.

 * Alice: And what makes you think that he has feelings for me?
 * Lucius: The way he never touches you.

 * Lucius: Sometimes we don't do things, yet others know we want to do things so we don't do them.
 * Alice: What nonsense do you speak?
 * Lucius: You needn't worry. Nothing will happen to me.
 * Alice: You remind me of a colt sometimes.

 * Lucius: I am not the one with secrets.
 * Alice: What is your meaning?
 * Lucius: There are secrets in every corner of this village. Do you not feel it? Do you not see it?

 * Edward: It is all that I can give you... It is all that I can give you.
 * Alice: I accept.

 * Mrs. Clack: [after Edward Walker tells the group he has sent Ivy to the towns to fetch medicines] What have you done?
 * Edward: He is the victim of a crime.
 * Mrs. Clack: We have agreed never to go back. Never
 * Edward: What was the purpose of our leaving? Don't forget, it was out of hope of something good and right.
 * Robert: You should not have made decisions without us!
 * Edward: I'm guilty, Robert! I made a decision of a heart, I cannot look into another's eyes and see the same look I see in August's without justification! It is too painful, I cannot bear it!
 * Mrs. Clack: You have jeopardized everything we have made.
 * Edward: Who do you think will continue this place, this life? Do you plan to live forever? It is in them that our future lies, it is in Ivy and Lucius that this way of life will continue. Yes I have risked, I hope I am always able to risk everything for the just and right cause. If we did not make this decision, we could never again call ourselves innocent, and that in the end is what we have protected here, innocence! That I'm not ready to give up.
 * August: Let her go. If it ends, it ends. We can move towards hope, that's what's beautiful about this place. We cannot run from heartache. My brother was slain in the Towns, the rest of my family died here. Heartache is a part of life, we know that now. Ivy is running toward hope, let her run. If this place is worthy, she'll be successful in her quest.
 * Mrs. Clack: How could you have sent her. She is blind.
 * Edward: She is more capable than most in this village. And she is led by love. The world moves for love. It kneels before it in awe.

 * Edward: Ivy...
 * Ivy: Yes, father.
 * Edward: Do your very best not to scream.

 * Edward: What do you know about your grandfather?
 * Ivy: He was the wealthiest man in the Towns?
 * Edward: That he was, he had a gift for that. If he was given one dollar, in less than a fortnight, he would have turned it into five. You do not know of money. It is not part of our life here. Money can be a wicked thing. It can turn men's hearts black. Good men's hearts. My father could not see this, for all his gifts. He was a poor judge of a man's character. Your grandfather was a good man, Ivy. He had a laugh that could be heard three houses away. He used to hold my hand as I hold yours. He taught me strength, and showed me love, and told me to lead when others would only follow. Your grandfather, James Walker, died in his sleep. A man put a gun to his head and shot him while he dreamed. I tell you this so you will understand some of the reasons for my actions, and the actions of others. You are a strong one, Ivy. You lead when others would only follow. You see light, when there is only darkness. I trust you. I trust you among all others.

 * Edward: There did exist rumours of creatures in these woods. It is one of the history books I used to teach in the Towns.
 * Ivy: The screams? From the woods?
 * Edward: We created those sounds.
 * Ivy: The Ceremony of Meat?
 * Edward: We remove it ourselves. An elder is always assigned.
 * Ivy: The drills... They are farce, too?
 * Edward: We did not want anyone to go to the Towns, Ivy.
 * Ivy: What about the animals.... the skinned ones? Are the elders responsible for that, too?
 * Edward: I believe one of the elders is responsible. It will not happen again. There is no one in this village who has not lost someone irreplaceable, who has not felt loss so deeply that they questioned the very merit of living at all. It is a darkness I wished... You would never know. Forgive us our silly lies, Ivy. They were not meant to harm.
 * Ivy: I am... Sad for you, Papa. For all the elders.
 * Edward: On this paper has been written a tool of medicine. It is common in the Towns. You will go... With two escorts. Follow the sounds of a stream. A half-day's journey will bring you to a hidden road. At this hidden road, the two escorts will wait as you continue. You alone will follow the road... And leave Covington Woods. You are to tell no one in the Towns where we are... and return with haste. I cannot come with you. You gave your heart to this boy. He is in need. Are you ready to take this burden, which by right, is yours and yours alone?

 * Kevin: You're not allowed to go in there. Please return to your vehicle.
 * Ivy: What was that noise?
 * Kevin: What are you doing out here? How did you get here?
 * Ivy: Are you from the Towns?
 * Kevin: Um, Where are you from?
 * Ivy: The woods.

<hr width="50%"/>
 * Ivy: What is your name?
 * Kevin: Kevin.
 * Ivy: Kevin, you have kindness in your voice. I did not expect that.

Taglines

 * Run. The truce is ending.
 * I: Let the bad color not be seen. It attracts them. II: Never enter the woods. That is where they wait. III: Heed the warning bell, for they are coming.
 * There is no turning back.

Cast

 * Bryce Dallas Howard - Ivy Walker
 * Joaquin Phoenix - Lucius Hunt
 * Adrien Brody - Noah Percy
 * William Hurt - Edward Walker
 * Sigourney Weaver - Alice Hunt
 * Brendan Gleeson - August Nicholson
 * Cherry Jones - Mrs. Clack
 * Celia Weston - Vivian Percy
 * John Christopher Jones - Robert Percy
 * Frank Collison - Victor
 * Jayne Atkinson - Tabitha Walker
 * Judy Greer - Kitty Walker
 * Fran Kranz - Christop Crane
 * Michael Pitt - Finton Coin
 * Jesse Eisenberg - Jamison
 * M. Night Shyamalan - Guard at Desk

title: The Village


text:
Category:2004 films

This category contains films with Wikiquote pages released in the year 2004.

See also: Wikipedia's 2004 in film article.

title: Category:2004 films


text:
User talk:203.218.235.251

—Jeremy Hanson 20:02, 16 July 2005 (UTC)

title: User talk:203.218.235.251


text:
James Marsters

James Wesley Marsters (born August 20, 1962) is an actor, best known for playing the popular character Spike, a vampire, in the television series Buffy the Vampire Slayer and its spinoff series Angel.

Quotes

 * Spike's was a very simple philosophy when we met him. I think that now he is forming one, and I think that the best thing that he has come up with so far is that a lot of being human is about degradation and pain and humiliation. I think he's starting to understand that for the first time. I think he got away from that by becoming a vampire and that's why he was so keen to stop being human, but he's getting back to being human now.
 * Spike's philosophies about life

 * I was uncomfortable with smoking too much because a lot of young kids watch and I didn't want to make that cool.
 * James Marsters on Life After Buffy

 * I have turned roles down because they are rapists. It's something I don't even want to watch. If I even click on it on TV, I have to click it off or I'll put my foot through the screen... What you see on that screen is just my terror at having to do that scene.
 * James Marsters on Life After Buffy, on the rape scene in Buffy the Vampire Slayer "Seeing Red"

 * I don't really feel sexy when I do love scenes because when I kiss a girl or a guy I want to be the one to decide to do that. And if someone says "OK, kiss him!" and you are getting paid for it, what is your profession? I don't want to be a prostitute being told stuff like "Show us your boob!", you know. So for me it really is a very uncomfortable day whenever you shoot that stuff. And so what you really is someone that you trust and feel comfortable with and someone who you really think has your back as a friend.
 * James Marsters talks kissing Sarah and John at Phoenix Comic Con (May 29 '10)

 * It's just not sexy. It doesn't matter how cute the girl is… When I kiss somebody in life, I decide to kiss somebody in life. But when someone says "Do it, or…" And when you're kissing somebody, the word action for me translates to that statement. So I don't ever feel that, you know, manly about it. Plus whenever you got two people people facing each other it's always hard for the light to get into the eyes. They're always trying to get light into the eyes so you can see what's going on. And the closer the people stand the harder that lighting becomes and the more specific you have to be about where your head is which is particularly hard for me. So when you're kissing somebody it really is surgical. When you go in there and if you go in there like this as opposed to like that [minor head movement] you blow the take! Plus, if you kiss somebody with pleasure, it doesn't look good. If it feels good, it looks terrible. So you've got to kiss for camera which means you're feeling almost nothing anyway. So it is a very strange situation especially for me.
 * Hallowhedon – James Marsters Talks Kissing (Nov 7 '09)

 * He (Spike) probably fell in love with Buffy when he first saw her, but didn't admit it to himself because he was already in love with Dru...
 * James Marsters, 2002''

 * I'm a psychopath, but I don't have a problem with that.
 * Interview With The Vampires: Shedding light on the tough triangle that gives Buffy The Vampire Slayer its bite. by Tim Appello (Jul 25 '98)''

 * [Spike] is a sadist and he is never happier than when he is hurting people or killing people, but he is truly, sincerely, deeply in love with Drusilla.
 * Vampire Bytes by Sue Schneider (Feb '99)

 * I'm really interested with the way light plays on images and one of the artists that really reawakened my interest in comic books was Frank Miller and his treatment of Daredevil, and then Wolverine and, of course, Batman.
 * Worlds Of Westfield James Marsters Interview (Feb '99)

title: James Marsters