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Over the Hedge (film)

Over the Hedge is a 2006 computer-animated film based on the United Media comic strip of the same name. It follows a raccoon who cons a group of woodland animals to help him pay a debt to a homicidal bear.
 * ''Directed by Tim Johnson and Karey Kirkpatrick. Written by Len Blum, Lorne Cameron, David Hoselton and Karey Kirkpatrick.

Get over it. (taglines)

R.J.

 * Didn't you see it? It was in a box. They always got food with them. We eat to live, these guys live to... eat! Let me show you what I'm talking about. [as he speaks he shows the other animals what humans do] The human mouth is called a "pie hole". The human being is called a "couch potato". [signifies a telephone] That is a device to summon food. [signifies the doorbell; a woman running and into a door] That is one of the many voices of food. [signifies the front door; a deliverer carrying pizza box with a woman] That is the portal for the passing of food. [signifies a motorcycle] That is one of the many food transportation vehicles. Humans bring the food, take the food, ship the food, they drive the food, they wear the food! [signifies the grill] That gets the food hot! [signifies the cooler] That keeps the food cold! [signifies "turtle piñata"...with candy inside it] That...I'm not sure what that is. [kids break the turtle piñata and Verne yells in horror] Well, what do you know?! Food! [signifies table where family prays before dinner] That is the altar where they worship food. [signifies advert for Seltzer] That's what they eat when they've too much food. [signifies treadmill] That gets rid of the guilt so they can eat more food! Food, food, food, food! FOOD! So, you think they have enough? [everybody nods] Well, they don't. For humans, enough is never enough! And what do they do with the stuff they don't eat? They put it in gleaming, silver cans just for us. [opens the trash cans and knocks them over] Dig in! [the animals laugh and cheer while running into the garbage] Hmm? Good, ain't it?
 * ...And there they are. America's most coveted cookies. Love Handles, Skinny Mints, Neener-Neeners and Smackeroons! And guess what?! They're all yours! [Hammy jumps, but RJ stops him] Whoa, Hamilton! Hold on there, fella. I love your energy, but you just can't take them.

Verne

 * [eats the bark; with mouthful] Okay. This is great. [eats the bark again, starts chewing and crunching] [mouthful] Granted, it takes some time to chew. But that... [swallows it] That was very satisfying. And, by the way, lots of fiber in there too. Mmm! [eats the bark, chewing] Lots.
 * You know, R.J. Uh, just for the record, if you had told us that all that food you were trying to get was to pay back an angry bear, we would've given it to you.

Dialogue

 * Penny: [referring to the hedge] I'd be a lot less afraid if I just knew what it was called.
 * Hammy: Let's call it Steve!
 * Verne: Steve?
 * Hammy: It's a pretty name.
 * Heather: Steve sounds nice.
 * Penny: I'm a lot less scared of Steve.
 * Ozzie: [kneeling before the hedge] Oh, great and powerful Steve...what do you want?
 * Verne: I... I don't think it can speak.
 * Debbie: [barely audible] I heard that, young man! [everybody screams, Ozzie faints] You get over here right now!

 * R.J.: [as he enters] I gotta admit, that does look tasty.
 * Verne: [spits out his bark] What are you doing here?
 * R.J.: I'm here to help you with your... foraging thing. [Verne looks at him still] Look, Verne, you said a word yesterday about your little gang here. It starts with an F, do you remember what it was?
 * Verne: [confused] Family?
 * R.J.: Right, right, that. You know, that got me right here. You see, Verne, I used to have all of that. My own place, surrounded by loved ones, universal remote. But then all that went away with... the weed hacker incident. [starts breaking down] Oh, God.
 * Hammy: [runs to hug RJ] Oh, come here!
 * Lou: Yeah, that feels good, doesn't it?
 * Verne: Oh, brother.
 * Penny: We could always use the extra hand there, you know.
 * Hammy: The weed hacker, Verne. The weed hacker.
 * R.J.: [gently pushes Hammy away] OK. Not your problem. I'll just go. [turns to leave sadly] This is me... going. Really nice getting to know you. Hey, I'm sure I'll see you around the forest. Take care.
 * Penny: [Bucky hits Spike] Don't hit.
 * Hammy: [breaks down] Oh...
 * Verne: All right, all right. Hey, uh, RJ? [RJ stops] You... You can stay.
 * RJ: WOO-HOO! [joyfully hugs Verne] Come here, ya big lug! I knew beneath this hard, crispy outside there was a soft, nougat-y center in there. Do you mind if I call you Uncle Verne?
 * Verne: [sternly] With every bone in my body.
 * RJ: Great. Hey, can I work with Hammy?
 * Hammy: Wanna help me find my nuts?
 * R.J.: Very tempting, Hammy. Very tempting, but first, I wanna show you... this! [shows Hammy a cookie] You like this cookie?
 * Hammy: Oh, ho, ho!
 * R.J.: Well, this cookie's junk! [throws the cookie out]
 * Hammy: [mournfully] But I like a cookie.
 * R.J.: Easy, easy, don't worry. I know where to find cookies so great, they'll hand delivered by personal owners.

 * Hammy: But you just said they're mine!
 * R.J.: They will be, if we successfully marry your manic energy to my brilliant plan. You with me, kid?
 * Hammy: I-I-I-I-I-I-
 * R.J.: The 'ayes' have it. Let's ride.

 * R.J.: Now listen up. What we're going for here is a vicious, man-eating rabid squirrel. Can you handle that?
 * Hammy: [raises hand] Um, excuse me.
 * R.J.: Yes...Hammy?
 * Hammy: Rabbits aren't vicious, they're all cute and cuddly, so...
 * R.J.: Rabi-d, not rabbi-t.
 * Hammy: Oh... [confused] What?

 * Verne: [picks up the blue cooler] You're dangerous! You're insane!
 * Ozzie: Sweet mother, I'm going HOME! [coughs] Goodbye, cruel world! [notices the flowerpot on the sidewalk] OHH! OHH! [whispers] Rosebud. [groans as he spins around, then falls on the ground and passes out]
 * Skeeter: Now can I poke him?
 * Debbie: No!
 * Gladys: You see? This is exactly why I called the exterminator, to kill them before they get hurt like this.

 * Dwayne: I believe someone phoned about an animal problem? The solution is standing before you. Dwayne LaFontaine is here.
 * Gladys: Where have you been? I am throwing a Welcome to the Neighborhood party tomorrow, and so far, Debbie's car has killed more animals than you have.
 * Dwayne: Stand down, sister. I personally guarantee that there won't be a living thing at this party. The Verminator is on the job.
 * Verne: Leave it. Leave it!
 * Dwayne: Now, what do we have here? [Inhale] Didelphis marsupialis virginianus. Approximately ten pounds. [Inhale] Male.
 * Debbie: I think he's dead.
 * Dwayne: Oh, really? Do you in fact have a associates degree from VermTech? I think he wants you to think he's dead.

 * [The animals, except Verne, shows R.J. a surprise; his new home]
 * Stella: Check it out. [R.J. looks around at some random objects of his new home] Your new home!
 * Hammy: [gestures at the baby car seat] And look, we got a place for you right here!
 * R.J.: That's for me?
 * Lou: Yeah, is this anything like what you had, RJ?
 * R.J.: This isn't anything like what I had, Lou.
 * Hammy: [hands RJ a can of caffeine] Here, I'm not supposed to drink this.
 * R.J.: Thanks. [to Heather, who sits on RJ's bag] Oh. [clears his throat] Is that my bag?
 * Heather: Yeah, we brought it in here so you wouldn't have to sleep in that old tree.
 * R.J.: Really? Wow.
 * Bucky: Hey, RJ, check this out! We totally hooked up the TV.
 * Quillo: I hot-wired the HD converter.
 * Spike: We get like 1,000 channels!
 * Heather: Here, can you take the remote before my dad does?
 * R.J.: Wow. A universal remote? This is nice, guys. Really nice. [turns on the TV]
 * TV Announcer: And now, we return to "A Scoundrel Among Us".
 * Woman: You should be ashamed of yourself! We let you into our family, and you deceived us!
 * [R.J. changes the channel]
 * Man: I gave you my heart, and then you ripped it into a milion pieces!
 * [R.J. changes the channel again]
 * Dr. Dennis: Get real, Kevin. Because when you feel like a dirtbag, it's because you're a dirtbag, right? So just say it out loud: "I am a dirtbag."
 * Lou: "Dirtbag"? I don't think that guy's a real doctor. What've you think there, R.J.? [notices R.J. has gone] R.J.?

 * R.J.: Down, boy! Sit! Roll over!
 * Nugent: Play!
 * R.J.: Play dead!
 * Nugent: Play!
 * Verne: AAAAAAAAAAHHHHHHHHHH!
 * R.J.: That-a-boy, Verne! Save the food! I'll loses the dog!
 * Nugent: Play!
 * Verne: Huh?
 * Nugent: Play! Play! Play! Play! Play! Play! Play!
 * Verne: Aggghh! Ooggghhh! Agh! No! No! No! No! No! No! Agh! Agh!
 * R.J.: You're dropping all the food, man! Here, catch!
 * Verne: Agh!
 * R.J.: Are you hungry? Look, food! [Nugent barks]
 * BBQ Barry: What-?! Whoa! Oh! My back!
 * Verne: Agh! Agh, agh, agh! Woah!
 * R.J.: Look, people! Play with him! [screaming]
 * Lunch Table Larry: Look out!
 * Woman: Stop! What's he doing?
 * Lunch Table Larry: What was that?
 * Nugent: Play, play, play, play, play, play!
 * Verne: Ugh! I'm all right. I'm fine. I'm okay. Agh! Whoo!
 * Nugent: Huh?
 * R.J.: Verne, unhook the chain!
 * Nugent: [whines] Play!
 * R.J.: Woah! No! Yes!
 * Verne: Ugh!
 * R.J.: Bad!
 * Verne: Oh, boy!
 * R.J.: Woah!
 * Verne: Agh!
 * [tank splutters]
 * R.J.: Verne, I told you to unhook the chain!
 * Verne: Oh!
 * R.J.: Ah. [rustling]
 * Gladys: Garbage cans are not to be on the kerb before eight... Oh! Agghhh!
 * [R.J. and Verne gasp, and try to blow out the flames, but the umbrella burns completely. Verne frowns angrily at R.J.]
 * Verne: You're the devil. [They screams as they fall to the ground. The animals cleared the way as R.J. and Verne fell to the ground. The wagon lands in the front of R.J., then the Spuddies all float down in the wagon, stacked on each other, only to be crushed by the cooler. R.J. was devastated]
 * R.J.: No...! [covers his mouth] No...!
 * Lou: Verne! You alright there? Give me a hand, Ozzie!
 * Ozzie: [gets up] Oh, sure, sure.
 * Penny: What the heck happened?
 * Heather: What happened?
 * R.J.: It's gone. The food! GOOOOOOOONE!
 * Stella: What?
 * Heather: Gone?
 * Stella: How's it gone?
 * R.J.: Ask... HIM! [points at Verne]
 * Penny: Verne?
 * Verne: [annoyed and resigned] I returned it to its rightful owners.
 * Lou and Ozzie: 'WHAT?!' [they drop Verne]
 * Heather: We, like, worked our tails off, y'know? Like a lot! And the food we gathered was totally...you know! And you're...you're all whatever!
 * Ozzie: Yeah, Verne, What were you thinking?! The log was full!
 * Verne: Full of junk.
 * [Ozzie is appalled as are the others]
 * Lou: Oh, so what're ya saying there? That the food we gathered our way isn't as good as the food we gathered your way? [he and Ozzie walk away]
 * Verne: Your way? [referring to R.J.] You mean his way. Can't you see RJ's just using you?
 * Penny: [gasps] Verne! Shame on you! R.J. wouldn't do that!
 * Verne: You've gotta trust me on this! Don't you understand that there is something wrong with this guy? My tail tingles every time I get near him!
 * Stella: Oh, so we're supposed to go all hungry 'cause your butt's vibratin'? I'm startin' to think that tingle of yours is just you bein' jealous!
 * Verne: Jealous? Of him?!
 * Lou: Yeah! He's embracing the future there, and now you're just holding us back!
 * Verne: [talks back to Lou] Oh, I hold you back all right; from extinction! [turns to R.J.] Do you see what you've done here? If they listen to half the stuff you're telling them, they'll be dead within a week! You are only interested in taking of them because they are too stupid and naive to know any better!
 * Hammy: [having heard what Verne said, he was heartbroken] I'm not stupid.
 * Verne: [he turns to the animals, who are shocked and appalled] Okay, I didn't mean, um… I mean ignorant. To the ways over-over there. C'mon, you guys. You know I didn't mean it like that. [the animals start to walk away] Don't-Don't do this. Stella? Ozzie? [turns to Hammy] Hammy, you know I didn't... [Hammy pushes Verne's hand away] Hammy?
 * Hammy: I'm not stupid. [walks away]
 * Verne: [shocked] Please.
 * [Hammy takes R.J.'s hand and R.J. shakes his head at Verne. as Verne witnessed that, he sighs with grief and sadly begins to walk the other direction]

 * Gladys: [after installing a lot of traps] What about this one, this Depelter Turbo?
 * Dwayne: That's a contraband item, ma'am, as it is illegal in every state, [with his hand over his heart] except Texas.
 * Gladys: I don't care if this violates the Geneva Conventions, I want it.
 * Dwayne: I thought you might, so I took the liberty of installing it for you. [as he tosses a stuffed bear in it] Adios, animal infestation.
 * R.J.: [Horrified at the sight before him] AHHHHH!! OH!!!
 * Gladys: [we see it in a cage, with outside burned off] Oh my. [chuckles, impressed]

 * Verne: I shouldn't have taken all that food.
 * R.J.: What?
 * Verne: I shouldn't have taken all that food. I was just trying to return things to the way they were. That's all. I was just being cautious, 'cause that's what I am. I'm naturally tentative. There's even places in my shell I haven't been. You, on the other hand. You're, like, cool and crazy and fearless. [sits down next to R.J.] I think they're right. I think I'm just jealous.
 * R.J.: [sighs] Verne, believe me. You should not be jealous of me. You... You got a good thing here. You're just trying to do what's best for your family.
 * Verne: And I think you're what's best for them now.
 * R.J.: What about your tail?
 * Verne: Eh... My head says "listen to my tail," and my tail says "just listen to my head," and I just... end up with an upset stomach. That's why you need to be in charge now.
 * R.J.: You don't really know what's going on here.
 * Verne: And you do! So... what's the problem?
 * R.J.: [hands Verne his crumpled-up list] This, Verne, is the problem. You see this? [hears the sound of a vehicle backing up]
 * Verne: I'm listening.
 * R.J.: Just...
 * Verne: Uh-huh?
 * R.J.: Just hang on a second.
 * Verne: Alright.
 * [R.J. climbs up a tree to see Gladys having food delivered to her house]
 * Delivery Man: Hey, uh, you the lady throwing the party?
 * Gladys: Yes. Just to the right. There are protected booties to put on over your shoes.
 * [R.J. sees a container of Spuddies in one of the boxes]
 * R.J.: Yes! Yes!
 * Verne: [appears behind R.J. with the list] Um, uh, what is this?
 * R.J.: What? Oh. That...
 * Verne: Mmm-hmm?
 * R.J.: ...is a... list...
 * Verne: Of?
 * R.J.: ...of all the stuff that you've lost, Verne.
 * Verne: Really?
 * R.J.: Well, it's a big, long list. You can see that.
 * Verne: Well, you're an organized little guy, aren't ya? Nice job.
 * R.J.: But, you know what? I know place that's so chockful of food, we can get it all back in one night.
 * Verne: Great. Let's go. Where is it?
 * R.J.: Inside that house.
 * Verne: [leans over to get a view] What? [falls off the branch; R.J. tries to catch him, but only grabs his shell]
 * R.J.: What is the point of this thing?
 * Verne: Just send it down.
 * [scene switches to R.J. talking to the other animals about Verne]
 * R.J.: What Verne's trying to say is... I mean, it's hard to really sum it all in just one word...
 * Verne: [quietly stops R.J.] I'm sorry.
 * Hammy: Aww, come here!
 * [the animals all huddle up for a big group hug]

 * R.J.: [getting out Monopoly game pieces] Okay, this is us.
 * Hammy: Can I be the car?
 * Bucky: I wanna be the car!
 * Spike: I'm the car! You be the shoe.
 * Bucky: Shoe is lame.
 * Lou: Why don't you be that snazzy lookin' iron there?
 * R.J.: Hey, it's not important! Besides, I'm the car! I'm always the car.

 * R.J.: Alright, gorgeous, you're on. [pushes Stella out of the bushes]
 * Stella: Man, this better be one stupid cat.
 * R.J.: Audio, go!
 * [the animals activate a Fisher Price barnyard animal toy, but makes a cow noise instead of a cat noise]
 * Verne: She's supposed to be a cat. Put it on cat. Maybe the cat likes the cow. Let's hope the cat likes the cow.
 * Tiger: [busts out of his pet door] Who goes there?!
 * R.J.: [to Stella] You're a cat! You're a cat!
 * Stella: [to Tiger] You're a cat! [R.J. facepalm] I mean, I'm a cat. Uh, meow!
 * Tiger: Yeah. Right. Shoo. Scurry off! Go on! Get away from here! My owner does not give scraps to common strays.
 * Stella: Common strays? Alright, you asked for it! [gets ready to spray Tiger]
 * R.J.: Get the collar!
 * Stella: Gee, that's a nice collar you got on. Mind if I have a look?
 * Tiger: No, no, no! Come no closer! I must not be so near a creature of the outdoor woods! [sneezes into his arm and wipes it onto his face] Away with your filth!
 * Stella: My filth? [The animals gasp] My filth?!
 * Penny: Oh, jeepers, here we go!
 * Stella: Okay, that's it! I am so sick and tired of everybody taking one look at me and running away because they think I'm filthy! Well, I've got news for you, I didn't get all primped and preened to have some overfed pompous puffball tell me he's too good for me! I got makeup on my butt, dude, and you don't even want to know about the cork!
 * Tiger: Stop! No one has ever spoken to me like that! [the animals gasp, then the scene shows Stella startled] It is bold. I like it. [R.J. and Verne smile at each other, and Stella is shown surprised]

 * Spike: [turns the THX Logo on] Uh-oh!
 * Gladys: Just a minute, I'll be right there.
 * Tiger: What was that?
 * Stella: It... That's just the sound of my heart. Can't you hear it?

 * Ozzie: This my girl.
 * R.J.: Come...to Papa.
 * Ozzie: We better hurry. We don't have much time. [R.J. struggles to retrieve Gladys' Spuddies can from the cabinet as Verne tries to stop him with grabs RJ's tail.]
 * Verne: What's going on up there, RJ?
 * R.J.: Nothing!
 * Verne: Well then, let's get out of here, because we have what we need!
 * R.J.: No, we don't!
 * Verne: What are you talking about? [he pulls on RJ's tail] We have more than enough!
 * R.J.: [snaps] Hey! Listen, I've got about this long to hand over that wagon load of food to a homicidal bear! [the other animals gasp at R.J.'s confession] And if these Spuddies aren't on the menu, then I will be! Now let go of my tail!
 * Verne: [becomes horrified] What...?
 * R.J.: [growling, angrily kicks Verne's arm off] Let GO! [As RJ grabs the Spuddies, Verne and RJ began to falls down makes the objects crashed letting Stella hear them]
 * Stella: Huh? Uh, I'm sorry, I've gotta go! [leaves]
 * Tiger: Stella! Stella, where are you going?! STELLAAAAAAAAAAAAAAAAAAAAAAAA!
 * [Gladys runs into the kitchen and screams with the animals are inside and runs away as Stella returns to the kitchen as Tiger follows her]
 * Tiger: Stella!
 * Stella: Look, it's not you! It won't work, OK, because I'm a... [Gladys sees Stella as a skunk]
 * Gladys: [screams; lifts her leg] SKUNK!
 * Stella: Yeah, that. [Gladys runs] Sorry you have to see this. FIRE IN THE HOLE!

 * Bucky: What's he gonna do to us, Mama?
 * Penny: I...I don't know, baby.
 * Heather: [clutches her arms around Ozzie while locked in a cage, about to be driven off for extermination] I don't wanna dies, Dad. Not for real.
 * Ozzie: There, there, sweetheart. We'll be okay.
 * [Stella, from her cage holds Hammy's hand, who is in his own cage, scared]
 * Lou: [to Verne referring to R.J.] You were right about him, Verne. We should've listened. Sorry back there.
 * Verne: No. [sits down] I knew we wouldn't trust him, and I got us into this. I should have known better.

 * Vincent: Wow.
 * R.J.: Vincent?
 * Vincent: So, I was just on my way down here to kill you, but I stopped to watch the show and I gotta say... [gives R.J. his binoculars and shows Verne and his family being taken away by Dwayne] that right there is a thing of beauty. That is the most vicious, deceitful, self-serving thing I've ever seen. [chuckles] Classic, R.J. You take the food and they take the fall. You keep this up, you're gonna end up just like me, having everything you ever wanted.
 * R.J.: But I already had that.
 * Vincent: What, them? Who are you kidding? You said it yourself, you're a family of one. Always will be. It's how guys like you and me survive. So, a few saps got hurt in the process. Tough, that's life. Trust me, you don't need them.
 * R.J.: Actually...I do. And right now, they really need me. So I really need this! [takes the wagon with all the food]
 * Vincent: [enraged] RJ!

 * Verne: [beneath the window] Bear!
 * R.J.: What's that?
 * Verne: Bear!
 * R.J.: Hair?
 * Verne: Bear!
 * R.J.: Dare?
 * Verne: Bear!
 * R.J.: [looks back at Vincent] Oh! BEAR!

<hr width="50%"/>
 * R.J.: Thank you! Yes, Yes! Hey! Let me in, let me in!
 * Ozzie: No! Ring-tailed charlatan!
 * R.J.: Ozzie!
 * Verne: He's just trying to help us. Just let him in!
 * Stella: After what he did to us?!
 * Verne: But he came back.
 * [Vincent's roar is heard]
 * Lou: And he brought a bear!
 * Spike: [while driving the van, the others are arguing] Hey, no fighting while we're driving!
 * Quillo: We will turn this van around, mister!
 * [The animals were shocked and stunned]
 * Lou: [points at Verne] He started it.
 * Verne: I'm telling he's trying to help us, really.
 * Ozzie: But, Verne, you're the one who always says trust your tail.
 * Verne: But it's not tingling.
 * All: Ohhh!
 * Stella: Why didn't you say so?

<hr width="50%"/>
 * Gladys: That's the-
 * Dwayne: The Depelter Turbo. Prepare for a lot of stinging! Oh, no! No, no! No, no! Ogh!
 * [shouting]
 * [shouting continues]
 * [popcorn pops]
 * [clanging]
 * [they all moan]
 * All: Whoo-hoo!
 * Heather: Yeah!
 * Stella: We did it!
 * All: Whoo-hoo-hoo! Whoo-hoo!
 * Stella: Nice teamwork.
 * R.J.: Come here, Hammy. Come here. You are a genius, my boy.
 * Hammy: Oh, thank [burping] you!
 * Verne: Eegh!
 * R.J.: And, Verne, don't you ever fix this shell!
 * Verne: Yeah. Glad it's working for ya. Take it off, give it back.

<hr width="50%"/>
 * [Vincent groans]
 * Ranger: Here we go. Off to the Rockies for you, Smokey.
 * Police Officer: Now you do realize that was a Depelter Turbo.
 * Gladys: Officer, please! It was the Verminator! He sold it to me! This has nothing to do with me!
 * Police Officer: Hey, hey, it was in your yard, your name's on the contract, so you can tell it to the judge.
 * Gladys: No, it's not my fault, let go of me...
 * Police Officer: Ma'am...
 * Gladys: [yelling] I can't be arrested! I'm president of the Homeowners Association! [kicking the police officer]
 * Cop: Take her down!
 * Dwayne: She's getting away! [quietly as she is fights the police] Get her. [sneaks away]
 * Gladys: [last words; barely audible] Stop that!
 * Police Officer: [faintly] Can I get a little help over here? [as Dwayne climbs over a fence] Somebody get a hold of her legs! [Dwayne then accidentally steps on a squeak toy]
 * Nugent: Play?
 * Dwayne: [last words] Oh, no. No, no! No, no! [a bite was heard, resulting Dwayne to scream in pain]

<hr width="50%"/>
 * R.J.: Really?
 * Verne: Yeah, that's what families do. They look out for each other.
 * R.J.: I never really had anything like that.
 * Verne: I know, but believe me, this...This is the gateway to the good life.
 * R.J.: Really wish you've told me that sooner.
 * Verne: Well, that's bad communication. Also something families do. So, what do ya say? Wanna be part of it?

<hr width="50%"/>
 * [During the credits, When "Rocking the Suburbs" plays in the background]
 * R.J.: That, my friends, is the object of all human attention and devotion, and they call it...a TV.
 * Quillo: Wicked cool!
 * R.J.: Humans feel an inner need to connect with the world around them.
 * Lou: That is super-duper.
 * R.J.: They also feel a need to sit on their fat butts, watching TV fulfills both needs at the same time.
 * Stella: Wow. Interesting.
 * Penny: Come on, kids! Family time there, in front of the TV! Got your snack food?
 * Hammy: Buy a vowel! BUY A VOWEL! Buy a "Y", Please buy a "Y"!
 * Ozzie: I can't find the remote.
 * Lou: Hey, Spikey, Race Ya!
 * Ozzie: Has anybody seen the remote?
 * Heather: Dad, chill.
 * Stella: I could do a little TV. Today's the day we find out if the baby is gifted or if Saxon is really an alien.
 * Hammy: Just Like Khan in Star Trek II! The Genesis Project was in the hands of the Enterprise, but Khan had his plan to steal the invention and redo all the life!
 * Verne:: Well, that was specific.
 * Hammy: I saw it on TNT, a retrospective.
 * Heather: Gummy Worm, anybody?
 * R.J.: Let me have one.
 * Stella: Bucky, pass this to Lou.
 * Lou: Taste this.
 * Spike: Don't you take that.
 * Verne: This is the perfect food.
 * R.J.: Fat-free cookies? Might as well just be eating dirt.
 * Hammy: I've had dirt, I don't like dirt, it tastes like dirt!
 * Heather: Shh! The Show is starting!
 * [The last part of "Rocking the Suburbs" by Ben Folds continues on the credits]

<hr width="50%"/>
 * [Last lines, after the end credits, R.J. is fixing the vending machine]
 * R.J.: [in a post-credit scene] Wait! Hang on a minute. [all the chip bags fall down and everyone laughs and cheers] Yes, here we go! [as he tries to get all the chips out, the lid is stuck, and the machine doesn't budge]
 * Hammy: Kinda anticlimactic.
 * R.J.: Shoot!

Taglines

 * From the creators of Shrek and Madagascar.
 * Get over it.
 * Taking back the neighborhood one snack at a time.
 * Ring Leader (RJ tagline)
 * Shell Shocked (Verne tagline)
 * Nuts! (Hammy tagline)
 * Master Blaster. (Stella tagline)

Voice cast

 * Bruce Willis — R.J. the Raccoon
 * Garry Shandling — Verne the Turtle
 * Steve Carell — Hammy the Squirrel
 * Wanda Sykes — Stella the Skunk
 * Bill Shatner — Ozzie the Possum
 * Nick Nolte — Vincent the Bear
 * Thomas Haden Church — Dwayne LaFontant the Verminator
 * Allison Janney — Gladys Sharp the President of the Homeowners Association
 * Eugene Levy — Lou the Porcupine
 * Catherine O'Hara — Penny the Porcupine
 * Avril Lavigne — Heather the Possum
 * Omid Djalili — Tiger the Cat
 * Shane Baumel — Spike the Porcupine
 * Sami Kirkpatrick — Bucky the Porcupine
 * Madison Davenport — Qullio the Porcupine
 * Brian Stepanek — Nugent the Dog

Teaser Trailer (Work In Progress)

 * Hammy: Psst. Hey, Steve.
 * Steve Carell: Hi. I'm Steve Carell.
 * Hammy: Steve.
 * Carell: Hammy, not now. I'm about to tell the people about our new movie.
 * Hammy: One little nut. I'll be your best friend. Please?
 * Carell: OK, here we go. Go.
 * Hammy: Yahoo!
 * Carell: Take it, mooch. I'm here to talk about DreamWorks Animation's new movie called Over the Hedge. We have scenes to share with you in various stages of animation. "Over the Hedge." It's about a bunch of woodland creatures who wake up from five months of winter hibernation to discover a giant hedge running right through the middle of their forest.
 * Ozzie: No.
 * Carell: And on the other side of it, a hundred brand-new homes. Now, they totally freak out worrying about how they'll survive when along comes R.J. Now, R.J. is this super-cool raccoon and he is played by none other than the big action star Bruce Willis. Yeah. Yeah. I know. Bruce has been in the studio all week recording some very funny lines that, well, why don't I let him explain? Bruce, bet you're really excited.
 * Bruce Willis: Hey, I'm excited. I'm very excited, OK? My voice is coming out of a furry computer-generated raccoon.
 * R.J.: You, my friend, are a natural.
 * Willis: So here's how this whole thing works: I say a funny line in here, like this. "Now listen, champ. What we're going for here is a vicious, man-eating, rabid squirrel." Then the directors take it over to the sketch artists. And then they take it to the animation wizards. And it comes out just like this.
 * R.J.: What we're going for here is a vicious, man-eating, rabid squirrel. Can you handle that?
 * Willis: It's pretty cool, right?
 * Carell: That's Bruce Willis. I was talking to Bruce Willis. Wow. OK, then there's Verne.
 * Verne: We want nothing to do with anything that's over that hedge!
 * Carell: Voiced by Garry Shandling. Verne's the leader of all the animals in the forest. Now, everyone likes Verne, but he's a little cautious, a little slow. So everyone's just starting to adjust to life in the suburbs when suddenly, RJ gets his big idea. RJ sees a treasure of goodies to be had from his unsuspecting new neighbors and convinces his reluctant pals to join him on his mission. Clearly, the guy has seen too many spy movies. Lucky for him, he's got a lot of animal friends in this movie. Like Stella the skunk, played by the always funny Wanda Sykes.
 * Wanda Sykes/Stella: Why did you let him sneak up on me like that, Verne? I was this close.
 * Carell: And Ozzie the possum, played by William Shatner. I play an opossum.
 * Ozzie: Must move toward the light.
 * Carell: And there's Ozzie's teenage daughter played by Avril Lavigne. Penny and Lou are played by the wonderfully funny Eugene Levy and Catherine O'Hara. They have their hands full with porcupine triplets.
 * Lou: Shape up, there.
 * Carell: And the irrepressible squirrel Hammy is played by none other than me.
 * Carell/Hammy: Dig a hole, bury it, take it out, bury it somewhere else. Forget where it is.
 * Carell: I am adorable. Well, that's all we're gonna tell you right now 'cause we're saving up a whole bunch of surprises. So, from the whole gang...
 * Hammy: Excuse me.
 * Carell: and Hammy, we'll see you...
 * Carell/Hammy: Over the hedge.
 * Hammy: Right?
 * Carell: Anything else from you, Hammy?
 * Hammy: Oh, I can burp my ABC's. A, B, C...
 * Carell: Well, like I was saying, from me and Hammy and all the other guys, we'll see you over the hedge.
 * Announcer: Over the Hedge. It may be your backyard, but it's their world.
 * Hammy: ...Y, Z.
 * [Summer 2006]

Theatrical Trailer #1

 * Verne: Half the forest is gone.
 * Announcer: Their land has been developed.
 * Verne: These humans don't want us around!
 * R.J.: Run!
 * Verne: No!
 * Announcer: Their survival is at stake.
 * Stella: What will we do for food?
 * R.J.: That's easy. I know where the food is. Right over that hedge.
 * Announcer: And the most important decision they'll have to make
 * Verne: We want nothing to do with anything that's over that hedge!
 * Announcer: is who to follow.
 * Hammy: I, I, I, I, I, I...
 * R.J.: I have it. Let's ride. Welcome to paradise.
 * All: Wow.
 * Announcer: So he can do a couple of tricks. It's not like he can walk on water.
 * R.J.: Hey, everybody.
 * ["Wild Wild Life" by Talking Heads playing]
 * Announcer: Bruce Willis.
 * R.J.: That is an SUV.
 * Penny: It's so big.
 * Lou: How many humans fit in there?
 * R.J.: Usually one.
 * Announcer: Garry Shandling.
 * Verne: Hey there, little fella.
 * R.J.: Stop it. Fluffier. Liking that a lot. Done!
 * Announcer: Steve Carell.
 * Hammy: I am a crazy rabid squirrel.
 * Girl Scouts: Rabies!
 * R.J.: Behind you!
 * Announcer: William Shatner.
 * Ozzie: Playing possum is what we do. Rosebud.
 * Skeeter: Can I poke him?
 * Debbie: No!
 * Announcer: And Wanda Sykes.
 * Stella: Fire in the hole!
 * Gladys: Skunk!
 * Verne: Thank you, Stella.
 * Stella: Oh, I can clear a room.
 * Announcer: This summer...
 * Hammy: Want me to show you what I do with my nuts?
 * R.J.: Very tempting, Hammy. Very tempting.
 * Announcer: ...from DreamWorks, the creators of Shrek and Madagascar.
 * Verne: I'm putting my foot down.
 * R.J.: No, no.
 * Nugent: Play?
 * Verne: Oh, boy.
 * R.J.: Woah!
 * Announcer: Over the Hedge.
 * Verne: You're the devil.

title: Over the Hedge (film)


text:
User talk:62.135.70.87

Do not removed the vfd tag from articles nominated for deletion. This is considered disruptive and will result in this address being temporarily blocked from editing. Discussion about an article's nomination for deletion should take place at Votes for deletion. Thank you for your cooperation. ~ Jeff Q (talk) 17:56, 17 June 2006 (UTC)

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Do not removed the vfd tag from articles nominated for deletion. This is considered disruptive and will result in this address being temporarily blocked from editing. Discussion about an article's nomination for deletion should take place at Votes for deletion. Thank you for your cooperation. ~ Jeff Q (talk) 17:56, 17 June 2006 (UTC)

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Do not removed the vfd tag from articles nominated for deletion. This is considered disruptive and will result in this address being temporarily blocked from editing. Discussion about an article's nomination for deletion should take place at Votes for deletion. Thank you for your cooperation. ~ Jeff Q (talk) 17:56, 17 June 2006 (UTC)

title: User talk:62.135.70.250


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User talk:Willypedia is Communisim

This user has been permanently blocked for page-move vandalism. ~ Jeff Q (talk) 18:00, 17 June 2006 (UTC)

title: User talk:Willypedia is Communisim


text:
Category:Australian Broadcasting Corporation shows

These articles feature original television shows from the Australian Broadcasting Corporation.


text:
Category:ITV shows

These articles feature original programmes from ITV in the United Kingdom.

title: Category:ITV shows


text:
Cool and the Crazy

Cool and the Crazy is a 1994 made-for-cable film about an unhappily married couple who lead separate affairs that have repercussions for all involved.
 * Written and directed by Ralph Bakshi.

Young... Beautiful... Deadly. Taglines

Michael

 * What a bunch of saps we are.

Joannie

 * [to Roslyn] No nooky again, huh?

Joey

 * Women are dumb. Dumber than corn.

Dialogue

 * Lorraine: So, how's it going over in Burbank with you guys?
 * Michael': Well, it got real exciting one night - Sullivan had Presley on. It could be worse... I guess.
 * Lorraine': Well, Michael, hardly any of my friends - probably none -were married at 18 and had a kid at 19. That's got to be hard.
 * Michael: You live with those sick beatniks in Venice. Most of my friends who grew up with me are married. That's how we all became men.
 * Lorraine: We're not sick. We're just horny.
 * Michael: Well, maybe I'll come and visit you one day... if you promise me that you won't play that record.
 * Lorraine: You don't like Chet Baker?
 * Michael: I don't understand it. It has no beat. I mean, how do you dance to it?
 * Lorraine: Try listening to the feelings, Michael.

 * Joannie: Listen, Roslyn, I've been thinking.
 * Roslyn: After what I just heard, you were not thinking.
 * Joannie: Come on, come on. This is serious. This is our lives, not some dress rehearsal. I'm tired of being some slave. I spent my whole life watching my mother cook and clean, never leave the house, never leave the valley. She died looking a hundred. She was only 45. She started out just like us - love in Hollywood High. Next thing you know, there's no money, no love, nothing. She raised all of us. So what? She broke her ass like a Mexican maid, and maybe every two weeks, she'd scrape together a few pennies for a hair set and wash, reading her Hollywood magazines for her high on Hollywood boulevard next to the studios. Big deal.
 * Roslyn: You're having an affair, aren't you?
 * Joannie: We have to live before we die. We're kids playing mothers to kids... and that includes our so-called husbands.

 * [Michael is watching TV when the phone rings]
 * Michael: Hello?
 * Joey: I'm gonna take her clothes off real slow... till she's begging for it. And then I'm only going to give it to her... when she admits that you're a piece of shit -
 * [Michael hangs the phone up]

 * Michael: [after seeing her sniff a line of cocaine] What kind of dinner is that?
 * Lorraine: Expensive.

 * Michael: What are you doing?
 * Lorraine: I'm going to New York to open a whorehouse, Michael.
 * Michael: Look, Lorraine, I'm sorry. I didn't mean what I said before.
 * Lorraine: I know you didn't, Michael. But I'm going to New York with Jack. It got too stuffy here.
 * Michael: I don't get it, Lorraine.
 * Lorraine: You really want to know?
 * Michael: Yeah.
 * Lorraine: You've got these rules, Michael... but whose rules are they? Whose dream are you buying into? You've been angry for so long you don't even know it. We're all scared... but somehow we don't believe that babies, TV sets, two-car garages and McCarthy are going to make us happy. You think Roslyn did something wrong. Maybe in your world she did, but in our world she's just fighting for some sort of freedom - freedom from slavery she can't even explain. Don't you see, Michael? Life is not wall-to-wall carpeting with half down and the rest of your life to pay. You and I had a good time, some tenderness... but you can't even enjoy it because somewhere in your mind it was dirty... un-American. Figure out what you want, Michael. I'm not sure time is on your side. At any rate... adios. I'll send you the bill.

Taglines

 * Young... Beautiful... Deadly.
 * "You have to live before you die........"

title: Cool and the Crazy


text:
Category:Disney Channel shows

These articles feature original television shows from Walt Disney's Disney Channel.

title: Category:Disney Channel shows


text:
Category:CBC shows

These articles feature original television shows from the Canadian Broadcasting Corporation (CBC).

title: Category:CBC shows


text:
Heavy Traffic

Heavy Traffic is a 1973 animated film about a Jewish-Italian cartoonist with a black girlfriend who tries to make it in New York City.
 * Written and directed by Ralph Bakshi.

The amorous life and misadventures of a virginal young pinball player...his Chicks...his Chums and a host of assorted weirdos in all colors Taglines

Michael

 * [first lines] What makes you happy? What makes you happy? Where do you go? Where do you go? Where do you hide? Where do you hide? Who do you see? Who do you see? Who do you trust? Who do you trust? Who do you screw? Who do you screw? What kills the pain? What kills the pain? Game up, game win. Bug around, set it straight. Transaction. Play it hard, hurts so bad. Gotta win. Everyone loses. Everything loses. Gotta win big. Sick and tired of losing. Where does it all go? Where does it all go? Where does it lead us? Where does it lead us? Tilt City, Pinball Alley. Blinkin' lights shot to Hell, fuck it all!
 * [after accidentally knocking Rosalyn off the roof] She had it coming.
 * Mick Jagger I'm not!

Others

 * Rosalyn Schecter: What do you think of my tits, Michael?
 * Bongo: Sonofabitch... this broad's got a hard-on!

Dialogue

 * God: Hey, Warren! This is the voice of God!
 * Warren: What's up?

 * Carole: Listen, Michael. Uh, first thing in the morning, we will take them big-ass drawings of yours up to one of them big cartoon syndicates. You can sell 'em, we'll get some bread, get our clothes out of Angie's house and split for San Francisco. And Shorty can't roll that far.
 * Michael: I'm gonna tell you, Carole, I don't wanna sell my cartoons to one of them places. They, uh - they ain't gonna buy that crap anyway. I'm an underground cartoonist. That's - that's where I belong.
 * Carole: So why don't you sell your stuff to your underground friends?
 * Michael: They don't wanna buy any.
 * Carole: Now, why that, Mr. Underground?
 * Michael: 'Cause, well, uh... [in whisper to Carole] I still jack off.
 * Carole: [Laughing] You are cool!
 * [Both laughing]

 * Carole: What the hell is all this racket about?
 * Angie: [referring to Carole] What'd your Jewish momma do now, hire a cleaning lady?
 * Michael: Pop, this is my girlfriend.
 * Angie: [in shock] Get that nigger out of my house! [Carole thrusts her behind in the air and pops it out revealing her enormous backside before backing out of the room]

 * [a hand comes into the screen and onto Michael's neck in a choking fashion]
 * Michael: Moe?
 * [the scene pulls back to reveal Ollie]
 * Ollie: Hey, man, do I look like a nigger to you? I mean- I mean, like, take a good, clean look.
 * Michael: A good, clean look would be refreshing, Ollie.

 * [Angie comes home to find Ida praying]
 * Angie: Hey, I thought you'd be sleepin'. Hey, Ida, what are you doin' up?
 * Ida: Praying for the dead.
 * Angie: Who died?
 * Ida: Someone close.
 * Angie: Anyone I know?
 * Ida: YOU die!
 * [knocks him out with a frying pan]
 * Ida: Twenty three years of suffering! So go marry an Italian. Stays out all night with some dumb whore. Catholics don't get divorced! Big deal. I died the day I married a goy! Now it's your turn Angie! Roast in Hell!
 * [starts shoving his head into the oven]
 * Ida: I got one left over!
 * [shoves him inside and turns on the gas]
 * Ida: Go meet your Marys and Josephs!

 * [after escaping Ida's oven]
 * Angie: Your mother is a goddamn crazy bitch, Michael!
 * [Ida throws a meat cleaver from O.S. that hits between Angie's legs]
 * Angie: Mother of God-!
 * [looks down his pants]
 * Angie: Thank God she needs glasses!

 * Moe: Hey, It's Michael Corleone! What's you doin' now?
 * [makes pigeon noises]
 * Moe: What's you doin' now?
 * Michael: Hey, crazy man! How come you're not down in your basement?
 * Moe: Well, I, I came to kill your pigeon, boy.
 * Michael: Ah, that's bullshit, Moe, you're probably peekin' down at the ladies.
 * Moe: Yeah! My peekin' days long shut down, Michael.
 * [sadly]
 * Moe: I ain't there no more. I just ain't there.
 * [plays his harmonica]
 * Michael: Ah, you're just a crazy nigger, Moe. Just a goddamn crazy nigger.
 * Moe: We's all niggers, boy! Ha ha! You an' me, just goddamn crazy niggers! We's all niggers boy. Most of us don't know it yet.
 * Michael: [passing a joint to Moe] Hey, listen, you want some of this shit?
 * Moe: Even your pigeon's a nigger! Ha ha ha ha ha! That's why I'm gonna kill him.
 * Michael: Moe, you ain't gonna do shit!
 * Moe: Moe: I just ain't there. Every- Everybody plays like they there, but they ain't there. I ain't there. Your pigeon ain't there! He flies high like he there, but he don't fly 'less you open that cage. And he got to come back 'cause he's trained to! He ain't there.

 * Ollie: [pressuring Michael to have sex with a naked girl] Say hello to Rosalyn, Mike.
 * Rosalyn: Hiya, Mike. I've heard a lot about you.
 * Ollie: She's good, Mike! She's good!
 * Rosalyn: Everyone says you're a virgin, Michael.
 * Michael: Wait a minute! Don't even believe that! You know, everybody talks, they think they know everything. Well, nobody knows nothing. I mean, do I look like a virgin to you?
 * [Ollie and his friends laugh]

 * Michael: Uh, are you serious about stayin' with me? Cause, I mean, it's really okay with me. I mean, if I could... I could sleep on the floor, and you could... I mean...
 * Carole: Listen here, white boy, don't hand me that honky shit. "Stay with you." You ain't got nothin' goin' for you. Damn, man! First you help me get my ass kicked out of a good gig, then, cause you think I need you for a few goddamn minutes, you try to jive-ass me for a quick lay? Now, listen here, boy! [pats her behind, watching it jiggle] As long as Carole got this here good thing, [taps her head] and this here left, ha ha ha! She don't need ANYTHING else unless she wants it, and child, I don't want it.

 * [Carole shows up at Michael's apartment after being stalked by Shorty]
 * Carole: Surprise, Sugar. You're on. What you gonna do about it? I mean, you're on for a few days 'til I hook it up?
 * Michael: Uh, yeah, sure, of course. Right on.
 * Carole: Right on!
 * [removing her top and showing her breasts]
 * Carole: Sugar, don't you mean right OFF?
 * [Michael faints]
 * Carole: Well, ain't this some shit.

Taglines

 * The amorous life and misadventures of a virginal young pinball player...his Chicks...his Chums and a host of assorted weirdos in all colors.
 * Heavy Entertainment!
 * More Spice from the makers of Fritz the Cat!
 * It's animated, but it's not a cartoon. It's funny, but it's not a comedy. It's real. It's unreal. It's heavy. Heavy Traffic.

title: Heavy Traffic


text:
Roy Lichtenstein

Roy Lichtenstein (27 October 1923 – 29 September 1997) was a prominent American pop artist, whose work borrowed heavily from popular advertising and comic book styles, which he himself described as being "as artificial as possible."

Quotes of Roy Lichtenstein

 * sorted chronologically, after date of the quotes of Roy Lichtenstein

1960's

 * What interests me is to paint the kind of anti-sensitivity that impregnates modern civilization. I think art since Cezanne has become extremely romantic and unrealistic, feeding on art. It is Utopian. It has less and less to do with the world. It looks inward — neo-Zen and all that. Pop Art looks out into the world. It doesn't look like a painting of something, it looks like the thing itself.
 * Quote of Lichtenstein in: Interview by G.R. Swenson (1963); as quoted in Painters on Painting, Eric Protter (1971) p. 263

'What is Pop Art? Interviews with eight painters' (1963)

 * Quotes from: 'What is Pop Art? Interviews with eight painters', G. R. Swenson 'Art News 67', November 1963

 * Pop Art is the use of commercial art as a subject matter in painting, I suppose. It was hard to get a painting that was despicable enough so that no one would hang it – everybody was hanging everything. It was almost acceptable to hang a dripping paint rag, everybody [in America, mainly in New York, 1950s] was accustomed to this. The one thing everyone hated was commercial art; and apparently they didn’t hate that enough either.
 * pp. 25-27

 * Well, it [ (Pop Art ] is an involvement with what I think to be the most brazen and threatening characteristics of our culture, things we hate, but which are also powerful in their impingement on us. I think art since Paul Cezanne has become extremely romantic and unrealistic, feeding on art; it is utopian. It has had less and less to do with the world, it looks inward – neo Zen and all that. This is not so much a criticism as an obvious observation. Outside is the world; it’s there. Pop Art looks out into the world; it appears to accept its environment, which is not good or bad, but different – another state of mind.
 * pp. 25-27

 * 'How can you [accept] exploitation?' 'How can you like the complete mechanization of work?' 'How can you like bad art?' I have to answer that I accept it as being there, in the world.
 * pp. 25-27

 * I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comics are interesting as subject matter. There are certain things that are usable, forceful, and vital about commercial art. We’re using those things – but we're not really advocating stupidity, international teenagerism and terrorism.
 * pp. 25-27

 * Organized perception is what is art all about.. .It is a process. It has nothing to do with any external form the painting takes, it has to do with a way of building a unified pattern of seeing...
 * pp. 25-27

 * In Abstract Expressionism the paintings symbolize the idea of ground-directedness as opposed to object-directedness. You put something down, react to it, put something else down, and the painting itself becomes a symbol of this. The difference is that rather than symbolize this ground-directedness I do an object-directed appearing thing. There is humor here. The work is still ground-directed; the fact that it's an eyebrow or an almost direct copy of something is unimportant. The ground-directedness is in the painter's mind and not immediately in apparent in the painting. Pop Art makes the statement that ground-directedness is not a quality that the painting has because of what it looks like...
 * pp. 25-27

 * Artists have never worked with the model – just with the painting. What you [G. R. Swenson, the interviewer] are really saying is that an artist like Cézanne transforms what we think the painting ought to look like into something he thinks it ought to look like. He’s working with paint, not nature; he’s making a painting, he's forming. I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art. What I do is form, whereas the comic strip is not formed in the sense I’m using the word; the comics have shapes but there has been no effort to make them intensely unified. The purpose is different, one intends to depict and I intend to unify.
 * pp. 25-27

 * my work is actually different from comic strips in that every mark is really in a different place, however slight the difference seems to some. The difference is often not great, but it is crucial.
 * pp. 25-27

 * I paint directly – then it's said to be an exact copy; and not art, probably because there's no perspective or shading. It doesn't look like a painting of something, it looks like the thing itself. Instead of looking like a painting of a billboard – the way a Reginald Marsh would look – Pop Art seems to be the actual thing. It is intensification, a stylistic intensification of the excitement which the subject matter has for me; but the style is, as you said, cool.
 * pp. 25-27

 * One of the things a cartoon does is to express violent emotion and passion in a completely mechanical and removed style. To express this thing in a painterly style would dilute it; the techniques I use are not commercial, they only appear to be commercial – and the ways of seeing and composing and unifying are different and have different ends.
 * pp. 25-27

 * Everybody has called Pop Art 'American' painting, but it's actually industrial painting. America was hit by industrialism and capitalism harder and sooner and its values see more askew.. .I think the meaning of my work is that it’s industrial; it’s what all the world will soon become. Europe will be the same way, soon, so it [Pop Art] won’t be American; it will be universal.
 * pp. 25-27

1970's

 * I think my work is different from comic strip – but I wouldn't call it transformation.. .What I do is form, whereas the comic strip is not formed in the sense I'm using the word; the comics have shapes, but there has been no effort to make them intensely unified. The purpose is different, one intends to depict and I intend to unify. And my work is actually different form comic strips in that every mark is really in a different place. However slight the difference seems to some.
 * In: Movements in art since 1945, Edward Lucie-Smith, Thames and Hudson 1975, p. 153

1990's

 * There is a relationship between cartooning and people like Miro and Picasso which may not be understood by the cartoonist, but it definitely is related even in the early Disney.
 * Quoted in Robert Andrews, Dictionary of Contemporary Quotations (1996), p. 66

 * Art doesn't transform. It just plain forms.
 * Quoted in Jonathon Green, The Macmillan Dictionary of Contemporary Quotations (1996) p. 179

Quotes about Roy Lichtenstein

 * sorted chronologically, after date of the quotes about Roy Lichtenstein

 * If an artist can't do anymore, then he should just quit; and an artist ought to be able to change his style without feeling bad. I heard that [Roy] Lichtenstein said he might not be painting comic strips a year of two from now [1963]. I think that would be so great, to be able to change styles. And I think that's what's going to happen; that’s going to be the whole new scene.
 * Quote of Andy Warhol, in an interview with Gene Swenson 'What Is Pop Art? Interviews with Eight Painters (Part 1)', Art News, New York, November 1963; reprinted in Pop Art Redefined, John Russell and Suzi Gablik (eds.), London, 1969, pp. 116-19

 * This Neo-Dada, which they call New Realism, Pop Art, Assemblage etc. [Duchamp is referring to Andy Warhol and Roy Lichtenstein ] is an easy way out and lives on what Dada did. When I discovered ready-mades I thought to discourage aesthetics. In Neo-Dada they have taken my ready-made's and found aesthetic beauty in them. I threw the bottle-rack and the urinal in their faces as a challenge and now they admire them for their aesthetic beauty.
 * Quote of Marcel Duchamp, in his letter to Hans Richter, in 1962; as quoted in Hans Richter, Dada Art and Anti-Art - New York: McGraw-Hill, 1965, pp. 207-8

title: Roy Lichtenstein


text:
Category:Food Network shows

These articles feature original television shows from the Food Network.

title: Category:Food Network shows


text: Category:Films based on novels

title: Category:Films based on novels


text:
Category:Mockumentary TV shows

This is a list of articles featuring quotes from mockumentaries (fictional documentries) that aired on television, either as a series or miniseries.

title: Category:Mockumentary TV shows


text: Category:Western TV shows

title: Category:Western TV shows


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Talk:Paul McCartney

This is a poor collection of quotes. Most are from the same song. I would also suggest splitting into 'Lyrics' and 'Quotes'. --HappyDog 02:40, 18 June 2006 (UTC)

Unsourced
Wikiquote no longer allows unsourced quotations, and they are in process of being removed from our pages (see Wikiquote:Limits on quotations); but if you can provide a reliable and precise source for any quote on this list please move it to.

 * By the time we made "Abbey Road", John and I were openly critical of each other's music, and I felt John wasn't much interested in performing anything he hadn't written himself

 * I am alive and well and unconcerned about the rumors of my death. But if I were dead, I would be the last to know.

 * I love to hear a choir. I love the humanity — to see the faces of real people devoting themselves to a piece of music. I like the teamwork. It makes me feel optimistic about the human race when I see them cooperating like that.

 * I now realize that taking drugs was like taking an aspirin without having a headache.

 * I used to think anyone doing anything weird was weird. Now I know that it is the people that call others weird that are weird.

 * I have no problem with bootlegs, although every time I say that, my lawyer says, "Oh yes you do."

 * It [LSD] opened my eyes. We only use one-tenth of our brain. Just think of what we could accomplish if we could only tap that hidden part! It would mean a whole new world if the politicians would take LSD. There wouldn't be any more war or poverty or famine.

 * It was Elvis who really got me hooked on beat music. When I heard "Heartbreak Hotel" I thought, this is it.

 * She's absolutely gorgeous. Heather and I are having a wonderful time. I could go on for hours and drag the photographs out, but I'd never get back to the studio.
 * about his daughter, Beatrice McCartney

 * Somebody said to me,"But the Beatles were anti-materialistic." That's a huge myth. John and I literally used to sit down and say, "Now, let's write a swimming pool".

 * "The first thing I remember was flying back from America with our road manager Mal Evans. Over our meal we were talking about salt and pepper which was misheard as Sgt. Pepper. I then had the idea for the song "Sgt. Pepper's Lonely Hearts Club Band" and thought it would be interesting for us to pretend, during the making of the album, that we were members of his band rather than The Beatles, in order to give us a fresh slant.With this in mind, I suggested to the guys that we each create an alter ego for ourselves and have uniforms made by a costumier. To help this process, we would all make a list of the people that our newly created characters might have admired. Everyone seemed to like the idea and with this in mind, we made the album. Our attitude now was that of a completely different set of individuals and not the attitude that we would normally have had as The Beatles. The making of the record became a wild, colourful fairground ride where all things were possible. I remember clearly a music critic surmising that because no one had heard from us for a while, The Beatles had dried up! We worked on happily in the knowledge that this one gentleman was about to be proved well and truly wrong! I could go on and on about that period and the fun we had but I think it's better for now to say no more and simply let the album speak for itself."

 * We did it this way because both John and I had a number of songs which were great as they were but which we'd never finished.
 * referring to the side two medley on Abbey Road

 * We don't eat anything that has to be killed for us. We've been through a lot and we've reached a stage where we really value life.

 * Dear Mailbag, In order to put out of its misery the limping dog of a news story which has been dragging itself across your pages for the past year, my answer to the question "will the Beatles get together again... is no. - Paul McCartney.
 * Letter to New Musical Express magazine

title: Talk:Paul McCartney


text: Category:News shows

title: Category:News shows


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Category:ESPN shows

These articles feature original television shows from ESPN.

title: Category:ESPN shows


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User:Tawkerbot2~enwikiquote

Yes, Tawkerbot2 is now a vandalbot!

title: User:Tawkerbot2~enwikiquote


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Talk:3rd Rock From The Sun

Copyright
The is a straight copy of the first half of IMDB's quote page. Not sure if it's a violation of IMDB's copyrights or not. Koweja 03:25, 18 June 2006 (UTC)

title: Talk:3rd Rock From The Sun


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User talk:Rabbi-m~enwikiquote

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User talk:Mosesroth

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User talk:Izalithium

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Kiss Kiss Bang Bang

Kiss Kiss Bang Bang is a 2005 murder mystery thriller/comedy film set in Los Angeles that brings together a private eye, a struggling actress, and a thief masquerading as an actor.
 * Written and directed by Shane Black.

A bad week in a tough town. taglines

Harry

 * [voiceover] I was wetter than Drew Barrymore at a grunge club.
 * It was the first time I felt how pitying someone and wanting to fuck them can get all tangled up in your head. Overwhelming sadness, meanwhile you got a Rodney.  Is that sick?  I think… yeah… I think that's sick.
 * I tell him about destiny; he's shaking his head. About dream girls; he doesn't care. I mention the underwear thing? He has a fucking conniption. And you? How 'bout it, filmgoer? Have you solved the case of the - the dead people in L.A.? Times Square audiences, please don't shout at the screen, and stop picking at that, it'll just get worse.
 * Don't worry, I saw Lord of the Rings. I'm not going to end this 17 times.
 * Wow, I feel sore. I mean physically, not like a guy who's angry in a movie in the 1950's.
 * Anyway, by now you may wonder how I wound up here. Or, maybe not. Maybe you wonder how silly putty picks shit up from comic books. The point is, I don't see another Goddamn narrator, so pipe down.

Dialogue

 * Harry: Still gay?
 * Gay Perry: Me? No, I'm knee-deep in pussy. I just love the name so much I can't get rid of it.

 * [Harry catches Agent Type feeling up Harmony, who's passed out.]
 * Harry: You know what? You'd better be her doctor.
 * [Agent Type looks up, busted.]
 * Harry: Walk away, don't think, just do it.
 * Agent Type: What are you, her brother or something? It's none of your business, man. I will fuck you up.
 * Harry: [coolly] No. You'll try, and that little experiment will end in tears, my friend. So, again for the cheap seats, do not think, walk the fuck away - or let's you and me go outside right now. It's past my bedtime. Make a choice.
 * [Cut to Agent Type beating Harry up.]

 * Harry:Umm, clearly I'm interrupting. I feel badly. Let me... What are you drinking?
 * Harmony: Bad.
 * Harry: Bad? Sorry... feel...?
 * Harmony: You feel bad.
 * Harry: Bad?
 * Harmony: Badly is an adverb. So to say you feel badly would be saying that the mechanism which allows you to feel is broken.

 * Harmony: [about the blonde woman in the room] She's been fucked more times than she's had hot meals.
 * Harry: Mmmm, I heard about that. It was neck and neck until she skipped lunch.

 * Harry: Oh Wow. Woo. It's tiny. Is this real?
 * Gay Perry: Yeah, it's a Derringer. It's loaded. I call it my faggot gun.
 * Harry: Because...
 * Gay Perry: Because its only good for a couple shots, then you gotta drop it for something better. You asked, Chief.

 * Gay Perry: Merry Christmas, sorry I fucked you over.
 * Harry: No problem. Don't quit your gay job.

 * Perry: How about you, Harry, did your father love you?
 * Harry: Ah, sometimes, you know - like when I dressed up like a bottle. How about yours?
 * Perry: Well, he used to beat me in Morse code, so it's possible, but he never actually said the words.

 * Harry: Do you think I'm stupid?
 * Gay Perry: I don't think you'd know how to feed yourself, if you didn't flap your mouth so much. Yes I think you're stupid.

 * Gay Perry: Look up idiot in the dictionary. You know what you'll find?
 * Harry: A picture of me?
 * Gay Perry: No! The definition of the word "idiot"! Which you fucking are!

 * Gay Perry: Go. Sleep badly. Any questions, hesitate to call.
 * Harry: Bad.
 * Gay Perry: Excuse me?
 * Harry: Sleep bad. Otherwise it makes it seem like the mechanism that allows you to sleep...
 * Gay Perry: What, fuckhead? Badly's an adverb. Who taught you grammar? Get out. Vanish.

 * Harry:Perry?
 * Gay Perry:Yeah?
 * Harry: I peed on it.
 * Gay Perry:What? You peed on what?
 * Harry:I peed on the corpse. Can they do, like, ID from that?
 * Gay Perry: I'm sorry, you peed on...?
 * Harry: On the corpse. My question is...
 * Gay Perry:No, my question, I get to go first: Why in pluperfect hell would you pee on a corpse?
 * Harry: I didn't intend to! It's not like I did it for kicks!

 * Harry: What is it out here with these women?
 * Harmony: Oh please, Harry, they're no different from anywhere else.
 * Harry: Yes, they are. These are damaged goods, every one of them, from way back. I'm telling you, you take a guy who sleeps with 100 women a year, go into his childhood - dollars to doughnuts, it's relatively unspectacular... Now, you take one of these... gals, who sleeps with 100 guys a year, and I bet you if you look in their childhood, there's something rotten in Denver.
 * Harmony: Denmark.
 * Harry: That too! But it's abandonment, it's abuse, it's, "My uncle put his ping-ping in my papa!"... and then they all come out here! I swear to God, it's like somebody took America by the East Coast, and shook it, and all the normal girls managed to hang on.
 * Harmony: OK, everyone who hates Harry raise your hand!
 * [All the girls in the club raise their hands.]
 * Gay Perry: See that? Obedient little bitches too.
 * [Off-screen girl shouts "Fuck you!" and tosses a glass at Perry which he dodges]

 * Gay Perry: I want you to picture a bullet inside your head right now. Can you do that for me?
 * Gunman: Fuck you. Anyway, that's ambiguous.
 * Gay Perry: Ambiguous. No, no, I don't think so.
 * Harry: No, I think what he means is that when you say "Picture it inside your head", okay, is that that a bullet will be inside your head. Or picture it in your head.
 * Gay Perry: Harry will you shut up.
 * Harry: Well, he's got a point.
 * Gunman: Look, I don't know anything about a girl, seriously. I was bluffing.
 * [Harry begins unloading his revolver]
 * Harry: Oh okay, you know what? I think you are bluffing right now.
 * Gay Perry: Harry, what are you doing?
 * Harry: [sticks one bullet in the cylinder and spins it] Well what I am doing for the guy who likes to bluff, is I am playing a little game called "Am I bluffing?" Where is she? Where the fuck is Harmony?
 * Gay Perry: Harry...
 * Harry: You want to play hard ball, I can do that. Where [spins the cylinder again] is [closes the cylinder]the girl!
 * [The gun unexpectedly fires into the gunman's head]
 * Gay Perry: What...did you just do!?!?!
 * Harry: There was only one bullet in that right?
 * Gay Perry: You put a live round into that gun?
 * Harry: Well I didn't know, I thought there was like an...eight percent chance.
 * Gay Perry: Eight?
 * Harry: Eight...
 * Gay Perry: Eight!? Who taught you math!?

 * Gay Perry: Is that the body?
 * Harry: No, that's the other corpse, from the last guy who stayed here.
 * Gay Perry: Fuck off.

 * [Perry confronts Harmony's sexually abusive father]
 * Harmony's Dad: Do I know you?
 * Gay Perry: No. Just in town for the funeral.
 * Harmony's Dad: What do you want?
 * Gay Perry: Well, I was going to go to the zoo, but it was closed, so I thought I'd come here and look at an animal.
 * Harmony's Dad: Son of a... Who do you think you're talking to? I buried my daughter today!
 * Gay Perry: No. You buried her twenty years ago. Harmony was right, her sister was murdered. You pulled the trigger. It just took this long for the bullet to hit.
 * Harmony's Dad: Who are you? I loved my girl.
 * [Perry backhands him]
 * Harmony's Dad: You fucker! If I could get out of this bed...
 * Gay Perry: Yeah? Well, you can't.
 * [Perry backhands him again]
 * Harmony's Dad: You bastard! Old man that can't defend himself. Big tough guy.
 * Gay Perry: Yeah, that's right. Big tough guy.

 * Harry: That's it. That's the true story of what happened last Christmas. [Lights a cigarette] That was some pretty harsh shit. The old guy back there, right? [Mimics the slapping] But, whatever, he's creepy, fuck him, don't worry 'bout him. Uh, anyhow, so, um, thanks for coming. Thanks for taking the trip to L.A. with me. Uh...I mean, if I have to-to sum it up, and I do, cause it's like, you know, the end, I would say this movie is...is about friendship. Friendship is...is...is sacred.
 * Gay Perry: What are you doing?
 * Harry: I'm just trying to wrap up the movie, and leave the people a message.
 * Gay Perry: Oh. Well, I got a message for ya: Get your feet off my fucking desk.
 * Harry: Sorry. I work for Perry now–
 * Gay Perry: [Covers Harry's mouth] And stop narrating. [to the audience] That's it, please stay for the end credits. If you're wondering who the best boy is, it's somebody's nephew. Um, don't forget to validate your parking, and to all you good people in the Midwest, sorry we said "fuck" so much. Say "Good night". [Uncovers Harry's mouth]
 * Harry: Thanks, again.
 * Gay Perry: Now go. Vanish. [Turns off the camera]

Taglines

 * A bad week in a tough town.
 * Sex. Murder. Mystery. Welcome to the party.

title: Kiss Kiss Bang Bang


text:
Talk:Dinosaucers

The quote for the "Unknown episode" is a real quote, but it's not accurate at all. I forget what episode it's from, or else I would correct it. 69.157.4.92 12:33, 18 June 2006 (UTC)

title: Talk:Dinosaucers