text:
User talk:Funetikahl~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy! -- Robert 22:14, 16 April 2006 (UTC)
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Funetikahl. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Funetikahl~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:22, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:47, 19 April 2015 (UTC)

title: User talk:Funetikahl~enwikiquote


text:
Clay Aiken

Clay Aiken (born November 30, 1978) American singer, US Fund for UNICEF Ambassador, co-founder of the Bubel Aiken Foundation (BAF).

He lives comfortably with his partner in North Carolina.

Sourced

 * "I think I've broken three (tha-ree) cameras today!" —Rolling Stone photo shoot

 * "I'm being trained to shake the bon-bon appropriately.." —Access Hollywood'' interview about his JukeBox Tour

 * "Clive [Davis] tried to tell me that saying certain words in a song- or as he says, ‘putting some balls into it'- isn't bad, it's just strong emotion. Well, there are certain words and emotions I don't want kids hearing, and I'm not changing because they think it's going to sell better. This is going to sound horrible, but I got 12 million votes doing what I did." —Time'', 10/5/03 - describing pressure he got from RCA to "edge-up" his songs to boost sales.

On Celebrity

 * "I know this is going to sound cheesy and like I'm trying to be Miss America, but the most important responsibility a celebrity has is to set an example and be a role model. I want to make sure that no matter how long I go through this, I don't fall into the trap of changing and modifying how I do things that aren't a positive example. I want to remain somebody that the entire family can listen to or watch." —Reuters'', February 22, 2004.

On Charity

 * "In my ideal world, no child would suffer. Charitable instincts would prevail.  There would be global acceptance of all different types of people." —Learning To Sing, Page 240

 * "Service, and the learning that goes with it, fosters citizenship, knowledge, and personal development in everyone, young and old, with disabilities and without. Our partnership with Youth Service America will bring awareness to the fact that youth with disabilities are great assets and can serve as volunteers too." —U.S. Newswire

 * UNICEF does amazing work. I thought I was a worldly person, and then I started working with them and realized I don’t know as much of my world as I need to. And if I don’t know as much about my world as I need to, then many, many, many people don’t. So I’m thrilled to be in a position to be able to talk about it. And so I’m gonna. —FLY'' (online) magazine, November, 2005 issue

On Christianity

 * I think there is a predisposition among Christians that Hollywood is anti-Jesus or anti-Christianity. I was warned I'd have to fight to maintain the freedom to express my beliefs. It's an unfair stereotype, and so far that's been the farthest from the truth. While everyone I work with may not share my beliefs, I have been surrounded by nothing but support." —Clay Aiken - Today's Christian Magazine

Learning to Sing
Random House, 2004 by Clay Aiken with Allison Glock An inspirational memoir about the influences that shaped Aiken's life from childhood to pop star.

Quotes about Clay Aiken

 * In the last ten years, as editor in chief of Today's Caregiver Magazine, I have interviewed many people who are living in the public eye, all of them having something of importance to say to family caregivers. Most times they've become caregivers after becoming famous, usually due to themselves or a family member taking ill. Our keynote speaker today is unique in that he is a professionally trained caregiver before he became known to all of us. And through the unbelievable constraints that have been placed on his time, he's never lost sight of his goal of becoming a teacher and helping children living with developmental disabilities. Only his classroom has become a whole lot larger than he ever expected.
 * One other positive effect of his personal dedication is that as he increases the awareness of children with developmental disabilities and their need for inclusion, he's also created a dedicated and knowledgeable group of child advocates, also known as his fans. I've spoken with many of Clay's fans here, at the Hawaiian Voices for Change Gala, online and through our support of the Florida Voices for Change Gala, and I've got to tell you, they've become true ambassadors for inclusion, driven and knowledgeable in all aspects of inclusion. The bell has rung and Mr. Aiken's classroom is now truly in session across the world.
 * It's also our true privilege to present the Robert M. Barg Memorial Achievement Award to Clay. This award is very special to our hearts as it is named after the kindest man that we have ever met, our dad. It's rarely given and only presented to those who share that special brand of kindness and who work hard to truly make a difference in the lives of those in need. Ladies and gentlemen, may I present Mr. Clay Aiken.
 * Gary Barg, speech at the Today's Caregiver Convention in Florida, 2005

 * To be fair to all, nobody from the show can tell a finalist whether a song choice is good or bad, no matter how much they want to know. Byrd remembers Clay Aiken: He'd say, 'Byrd, if this is a great song choice, blink your left eye.
 * Debra Byrd, (talking about American Idol)

 * When I review the tape [of the show] the next day, there's lots of screaming and crying,..."hen I recover the same way I do anytime I'm injured: ice, elevation and my Clay Aiken CD.
 * Ellen DeGeneres, US Weekend Magazine

 * What a dear young man.It was like watching magic. Absolute pure song. The boy stopped being there and there was nothing but singing. It was like watching magic...this young man unzipped himself and emerged like a butterfly.He did it so naturally and so beautifully that I think all of our jaws dropped and we thought "wow." Clay Aiken. What a great kid.
 * Ken Jenkins, Scrubs backstage interview

 * I always like the idea that you can turn on the radio and say, 'Oh, that's Clay Aiken. Oh, that's Barbra Streisand. Oh, that's Frank Sinatra, Oh, that's Tony Bennett.' They're a star if you can identify them immediately by their sound. That kid has his own sound. He's got energy. He's got soul. He's got it all. That voice pours out of him.
 * Merv Griffin

 * We have someone here today, from the smash hit show American Idol, we're thrilled to have him joining us today, because when it was made known that he would appear on this Telethon, the emails and the fan clubs that this young man has have sent us $30,000.00 just at the fact that he was here.

 * And I can honestly say I have never, in all of my life, seen a theatrical groundswell that this kid has motivated, that it makes us all come right back to the bobby sox and Frank. And isn't it nice to live through that magnificence again? Here is Clay Aiken
 * Jerry Lewis introducing Clay Aiken at the 2003 MDA Telethon

From American Idol Judges

 * Clay, you sing like Andre Agassi plays tennis, perfection, perfection. And I would kill to write and produce your first CD."
 * Neil Sedaka, American Idol 2 guest judge

 * "And Clay, I want to say something to you. I think you are one of the few people I've met throughout this competition who can take criticism like a grown up. Learn, You definitely got better, You've lost some of this facial thing which I think was distracting, and You just did a really grown up, fantastic performance. Congratulation." - Simon Cowell on "Solitaire" -

 * "Clay I think, without a doubt, this performance, that song, is the best performance of the entire competition that I've ever known. Unbelievable, unbelievable. - Paula Abdul on "Unchained Melody" -

 * "Clay, I think this is the third pop idol, or American idol have done, if you include the english one. Probably one of the best performance I've ever heard through the entire competition. - Simon Cowell on "To Love Somebody" -

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Clay Aiken


text:
Talk:Karen Blixen

Before my recent edit there had only been 3 attributed quotes on the page:

 * "What is man but an ingenious machine for turning red wine into urine?"
 * This seems to have been a paraphrase of the more extensive statement from Seven Gothic Tales (1934) : "What is man, when you come to think upon him, but a minutely set, ingenious machine for turning, with infinite artfulness, the red wine of Shiraz into urine?"

 * "I'll rather live in a lantern" commenting on Radisson SAS Royal Hotel in Copenhagen, by Arne Jacobsen
 * It is unclear that this is even a quote by Blixen.

 * "Before then, switcherland will become a lowland"
 * This seems to have no noteworthiness without context, if it actually is a quote of Blixen's. ~ Kalki 01:45, 17 April 2006 (UTC)

All the quotes above are from the book ("Den Døve øgle") (2001), ISBN 87-595-1234-2. by Jurij Moskvitin who was a personal friend of Blixen in the 1950's. -Aza 19:39, 31 August 2008 (UTC)

Unsourced

 * Difficult times have helped me to understand better than before, how infinitely rich and beautiful life is in every way, and that so many things that one goes worrying about are of no importance whatsoever...
 * Variants: Difficult times have helped me to understand better than before how infinitely rich and beautiful life is in every way and that so many things that one goes around worrying about are of no importance whatsoever. I think these difficult times have helped me understand better than before how infinitely rich and beautiful life is in every way and that so many things that one goes around worrying about are of no importance whatsoever.

 * When you have a great and difficult task, something perhaps almost impossible, if you only work a little at a time, every day a little, suddenly the work will finish itself.

title: Talk:Karen Blixen


text:
Deism

Deism is a range of religious belief which asserts that God is reliably discovered by reason and logic (not by revelation or mysticism), and includes beliefs that God created a "clockwork universe" which operates entirely without God's active intervention.

Quotes

 * Prior to the 17th century the terms ["deism" and "deist"] were used interchangeably with the terms "theism" and "theist", respectively. … Theologians and philosophers of the seventeenth century began to give a different signification to the words.... Both [theists and deists] asserted belief in one supreme God, the Creator.... and agreed that God is personal and distinct from the world. But the theist taught that god remained actively interested in and operative in the world which he had made, whereas the deist maintained that God endowed the world at creation with self-sustaining and self-acting powers and then abandoned it to the operation of these powers acting as second causes.
 * John Orr, English Deism: Its Roots and Its Fruits (1934) p. 13.

 * There are many who confess that while they believe like the Turks and the Jews that there is some sort of God and some sort of deity, yet with regard to Jesus Christ and to all that to which the doctrine of the Evangelists and the Apostles testify, they take all that to be fables and dreams.... I have heard that there are of this band those who call themselves Deists, an entirely new word, which they want to oppose to Atheist. For in that atheist signifies a person who is without God, they want to make it understood that they are not at all without God, since they certainly believe there is some sort of God, whom they even recognize as creator of heaven and earth, as do the Turks; but as for Jesus Christ, they only know that he is and hold nothing concerning him nor his doctrine.
 * Pierre Viret, Instruction Chrestienne (1564).

 * I have generally been denominated a Deist, the reality of which I never disputed, being conscious I am no Christian, except mere infant baptism make me one; and as to being a Deist, I know not, strictly speaking, whether I am one or not, for I have never read their writings; mine will therefore determine the matter; for I have not in the least disguised my sentiments, but have written freely without any conscious knowledge of prejudice for, or against any man, sectary or party whatever; but wish that good sense, truth and virtue may be promoted and flourish in the world, to the detection of delusion, superstition, and false religion; and therefore my errors in the succeeding treatise, which may be rationally pointed out, will be readily rescinded.
 * Ethan Allen, Reason: The Only Oracle Of Man (1784) ~ Preface

 * Let reason count the stars, weigh the mountains, fathom the depths — the employment becomes her, and the success is glorious. But when the question is, "How shall man be just with God?" reason must be silent, revelation must speak; and he who will not hear it assimilates himself to the first deist, Cain; he may not kill a brother, he certainly destroys himself.
 * Henry Melvill, reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 488.

 * As to the Christian system of faith, it appears to me as a species of Atheism — a sort of religious denial of God. It professes to believe in a man rather than in God. It is a compound made up chiefly of Manism with but little Deism, and is as near to Atheism as twilight is to darkness. It introduces between man and his Maker an opaque body, which it calls a Redeemer, as the moon introduces her opaque self between the earth and the sun, and it produces by this means a religious, or an irreligious, eclipse of light. It has put the whole orbit of reason into shade.
 * Thomas Paine, The Age of Reason Part I (1793)

 * My parents had early given me religious impressions, and brought me through my childhood piously in the Dissenting way. But I was scarce fifteen, when, after doubting by turns of several points, as I found them disputed in the different books I read, I began to doubt of Revelation itself. Some books against Deism fell into my hands; they were said to be the substance of sermons preached at Boyle's Lectures. It happened that they wrought an effect on me quite contrary to what was intended by them; for the arguments of the Deists, which were quoted to be refuted, appeared to me much stronger than the refutations; in short, I soon became a thorough Deist.
 * Benjamin Franklin, The Autobiography (1817)

 * [T]he Rev. R. Taylor, A.M., the Deist, now in gaol, infamously persecuted by the Whigs for his religious opinions, in his learned defense of Deism called the Diegesis, has clearly proved all the heirarchical institutions of the Christians to be a close copy of those of the Essenians of Egypt.
 * Godfrey Higgins, Anacalypsis (1833) pg. 787

 * Just as AR [absolute perfection in some respects, relative perfection in all others] is the whole positive content of perfection, so CW, or the conception of the Creator-and-the-Whole-of-what-he-has-created as constituting one life, the super-whole which in its everlasting essence is uncreated (and does not necessitate just the parts which the whole has) but in its de facto concreteness is created - this panentheistic doctrine contains all of deism and pandeism except their arbitrary negations. Thus ARCW, or absolute-relative panentheism, is the one doctrine that really states the whole of what all theists, if not all atheists as/well, are implicitly talking about.
 * Charles Hartshorne, Man's Vision of God and the Logic of Theism - (1964) p. 348 ISBN: 020800498X

 * Pantheism is sexed-up atheism. Deism is watered-down theism.
 * Richard Dawkins, The God Delusion (2006), "A deeply religious non-believer", p. 40.

 * Who ever heard of a devout deist? Who ever heard of one who was willing to spend his life in missionary labor for the good of others? It is not according to the constitution of the mind that such a system should awaken the affections. And what is true of this system is true of every false system. All such systems leave the heart cold, and, accordingly, exert very little genuine, transforming power over the life.
 * Mark Hopkins, reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 504.

 * There is probably no argument by which the case for theism, or for, deism, or for pantheism in either its pancosmic or acosmic form, can be convincingly proved.
 * Aldous Huxley, The Perennial Philosophy, page 14, (1945)

 * A less important point which needs to be made in this piece is that although the index of The God Delusion notes six references to Deism it provides no definition of the word ‘deism’. This enables Dawkins in his references to Deism to suggest that Deists are a miscellany of believers in this and that. The truth, which Dawkins ought to have learned before this book went to the printers, is that Deists believe in the existence of a God but not the God of any revelation. In fact the first notable public appearance of the notion of Deism was in the American Revolution.
 * Antony Flew's review of The God Delusion

 * Some will say Thomas Jefferson was a deist, not an atheist. Atheism, however, simply involves having no theism, and deism — belief that a celestial Clockmaker wound up the universe and set it ticking — is too watery a theism to count. Any religion worthy of the name explains, enjoins and consoles; undemanding deism merely explains, and does this minimally.
 * George Will, George Will: Thin skins and prayer in Supreme Court case, The Washington Post, 7th May 2014

title: Deism


text:
Talk:Deism

Likely redirects done. BD2412 T 04:04, 17 April 2006 (UTC)

title: Talk:Deism


text:
User talk:Msmizmeg

Welcome
Hi. Welcome to English Wikiquote. Enjoy! ~ Jeff Q (talk) 05:06, 17 April 2006 (UTC)
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title: User talk:Msmizmeg


text:
User talk:Shadowy Crafter~enwikiquote

Welcome
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Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Shadowy Crafter. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Shadowy Crafter~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:35, 17 March 2015 (UTC)

Renamed
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title: User talk:Shadowy Crafter~enwikiquote


text:
User talk:CarrieD18

Welcome
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title: User talk:CarrieD18


text:
User talk:Cooper~enwikiquote

Welcome
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Cooper. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Cooper~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:20, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:44, 19 April 2015 (UTC)

title: User talk:Cooper~enwikiquote


text:
User talk:Dbickford

Welcome
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title: User talk:Dbickford


text:
User talk:Lionsxxden~enwikiquote

Welcome
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Lionsxxden. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Lionsxxden~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:28, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:52, 19 April 2015 (UTC)

title: User talk:Lionsxxden~enwikiquote


text:
Iron Chef

Iron Chef is a television series, originating in Japan, in which two chefs have one hour to prepare several dishes, each incorporating the "secret ingredient" chosen for the "battle." In the United States, the show, dubbed into English, airs on Food Network.

 * Kaga (dubbed by Duncan Hamilton): If my memory serves me correctly ...

 * Kaga Watashi no kioku ga tashikanaraba ... (subtitled / dubbed by Kent Frick): If memory serves me right ...

 * Kaga: Kyo no tema wa, kore des! (subtitle: We unveil the ingredient!)

 * Kaga: Kyo no tema wa ... (subtitle: Today's theme ingredient ...)

 * Kenji Fukui: We are set -- let's get it on!

 * Kaga: Allez Cuisine!

 * Kenji Fukui: Bang a gong, we are on!

 * Kenji Fukui: And our commentator, Doctor Yukio Hattori.
 * Dr. Yukio Hattori: Always a pleasure.

 * Shinichiro Ohta: Fukui-san! (preceding a comment from the floor)

 * Kenji Fukui: FLAME-OLAAH!

 * Kenji Fukui: And that's it!  The [ingredient] battle is O-VAH!

 * Kenji Fukui: Who takes it? Whose cuisine reigns supreme?

 * Kenji Fukui: Five years ago [or Nearly a decade ago], a man's fantasy became a reality in a forum never seen before: Kitchen Stadium, a giant cooking arena [a giant cooking arena the Kitchen Stadium]. The motivation for spending his fortune to create Kitchen Stadium was to encounter new original cuisines which could be called true artistic creations. To realize his dream, he first secretly started choosing [selecting] the top chefs of various styles of cooking, and he named his men the Iron Chefs: the invincible men of culinary skills. Iron Chef Japanese is Rokusabaru Michiba/Komei Nakamura/Masaharu Morimoto. Iron Chef French is Hiroyuki Sakai. Iron Chef Chinese is Chen Kenichi. And Masahiko Kobe is Iron Chef Italian. The Kitchen Stadium is the arena where Iron Chefs await the challenges of master chefs from around the world. Both the Iron Chef and challenger have one hour to tackle the theme ingredient of the day. Using all their senses, skill, creativity, they are to prepare artistic dishes never tasted before. And if ever a challenger wins over the Iron Chef, he or she will gain the people's ovation and fame forever. [But this man has even bigger dreams. Yes he’s on the quest to see and experience for more around the world. In Paris. In Beijing. In Hong Kong and other exotic locals.] Every battle, reputations are on the line in Kitchen Stadium, where master chefs pit their artistic creations against each other [Kitchen Stadium is the arena where you’ll meet Iron Chefs from around the world and the artistic creations]. What inspiration does today's challenger bring? And how will the Iron Chef fight back? The heat will be on!

 * Brillat-Savarin: Tell me what you eat and I'll tell you what you are.
 * Quote shown on screen at the beginning of each show

 * Kenji Fukui: And now the moment of truth...tasting and judgement. Sitting on today's panel are...

title: Iron Chef


text:
User talk:68.253.178.218

~ Kalki 06:23, 17 April 2006 (UTC)

title: User talk:68.253.178.218


text:
Talk:Pope Pius XII

Einstein's Statement about the Church in Germany is originally from November 1940. It is mainly about the catholic church in Germany. So there is no connection to the Holocaust or the Pope either. In this quote Pius XII isn't mentionend.

Im Dezember 1940 schrieb der große jüdische Naturwissenschaftler Albert Einstein im amerikanischen Time Magazine: „Da ich ein Liebhaber der Freiheit bin, schaute ich mit Vertrauen auf die Universitäten, als in Deutschland die Revolution (der Nationalsozialisten, d.R.) ausbrach, wissend, daß sie sich immer ihres Einsatzes für die Freiheit gerühmt hatten. Aber die Universitäten wurden zum Schweigen gebracht. Danach schaute ich auf die großen Herausgeber der Tageszeitungen, die in brennenden Leitartikeln ihre Liebe für die Freiheit verkündeten. Aber auch sie, gleich wie die Universitäten, wurden zum Schweigen verurteilt, erstickt in einem Zeitraum von wenigen Wochen. Nur die Kirche stellte sich voll und ganz gegen die Kampagne Hitlers, die darauf zielte, die Wahrheit zu unterdrücken. Ich habe nie ein besonderes Interesse für die Kirche gehabt, aber jetzt fühle ich für sie eine große Liebe und Bewunderung, denn nur die Kirche hat den Mut und die Beharrlichkeit gehabt, die intellektuelle Freiheit und die moralische Freiheit zu verteidigen. Ich muß zugeben, daß ich das, was ich früher verachtet hatte, nun bedingungslos lobe“

http://www.ik-augsburg.de/ikw/6-2001.pdf

Einstein's statement is from 1940, one year before the Holocaust began. In this quote he only talks about the situation in Germany. But not only the pope isn't mentioned, Einstein did not make clear whether he meant the Catholic or the Protestant churches in Germany.

By the same token, we must respect the voice of Settimia Spizzichino, the sole Roman Jewish woman survivor from the death camps. Speaking in a BBC interview in 1995 she said."1 came back from Auschwitz on my own. . I lost my mother, two sisters and one brother. Pius XII could have warned us about what was going to happen. We might have escaped from Rome and joined the partisans. He played right into the Germans' hands. It all happened right under his nose. But he was an anti-Semitic pope, a pro-German pope. He didn't take a single risk. And when they say the Pope is like Jesus Christ, it is not true. He did not save a single child." http://www.cc.utah.edu/~rfs4/jkm26.htm

 * Anyone familiar with the facts of history will have no hard time discerning what church Einstein was talking about. Certainly not the Protestant church. However, the date should be corrected.

If a source can be found this quote might be of interest

Misquote
" * "No rebuke has come to Nazism from Pope Pius XI and his successor, Pope Pius XII."

- **Rabbi Louis Finkelstein, chancellor, Jewish Theological Seminary of America in the New York Times, March, 1940."

This was not what Rabbi Finkelstein wrote; in fact, he said the exact opposite. See below:

"No keener rebuke has come to Nazism than from Pope Pius XI and his successor, Pope Pius XII.

~ Rabbi Louis Finkelstein, chancellor, Jewish Theological Seminary of America (N.Y. Times, March 31, 1940, p. 8, 7) My source gives a page number and an exact date. Look at the charlatan's reference.

Why would someone post this malignant error? It has to be deliberate. Further, this is the only negative quote provided prior to year 2000, while all most of the positive quotes are from 1940 through the 60's.

Look for a negative statement about Pius XII and the Jews prior to 1990, and you'll find none.

__________________________________________________________________

I thought I should point out that this quote was listed in the section "Quotes about Pius XII" when it is actually a quote that Pope Pius XII himself said:

"The Nazis are in reality only miserable plagiarists who dress up old errors with new tinsel. It does not make any difference whether they flock to the banners of social revolution, whether they are guided by a false concept of the world and of life, or whether they are possessed by the superstition of a race and blood cult."

Quote not by Pope Pius XII?
The following quote was on the page, but does not appear to by Pope Pius XII nor is it directly about him. If deemed worthy of keeping, perhaps it belongs elsewhere, such as Nazism)? UDScott (talk) 15:33, 20 September 2023 (UTC)
 * The Nazis are in reality only miserable plagiarists who dress up old errors with new tinsel. It does not make any difference whether they flock to the banners of social revolution, whether they are guided by a false concept of the world and of life, or whether they are possessed by the superstition of a race and blood cult.
 * Eugenio Pacelli, quoted in Frankfurter Allgemeine Zeitung, March 4, 1963, quoted in the Catholic League for Religious and Civil Rights, Pius XII and the Holocaust (Milwaukee, Wisc.: The Catholic League for Religious and Civil Rights, 1988), 106–107.

title: Talk:Pope Pius XII


text:
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User:The Advocate~enwikiquote

First Sgt. Edward Welsh: 'What difference do you think you can make, one single man in all this madness?' ~ The Thin Red Line (film, 1998)  Wanda: 'To call you stupid would be an insult to stupid people.' ~ A Fish Called Wanda  Honduran proverb: Un indio menos, una tortilla mas. = One indian less, one extra tortilla.  "Come on you miserable fat-head, get that fat-ass truck outta my way!" ~ Mr Mann in 'Duel'  "Now comes the part where I relieve you, the little people, of the burden of your failed and useless lives." ~ The Joker, in Batman (1989) Vicki Vale: You must be joking. The Joker: Do I look like I'm joking?

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title: User:The Advocate~enwikiquote


text:
Mick Jagger

Sir Michael Philip "Mick" Jagger (born 26 July 1943) is an English singer, songwriter, actor, and film producer who has achieved international fame as the lead vocalist and one of the founder members of The Rolling Stones. His songwriting partnership with Keith Richards is one of the most successful in history. Jagger's career has spanned over six decades, and he has been described as "one of the most popular and influential frontmen in the history of rock & roll".

Quotes

 * There's not many Americans, certainly not many of the teenagers I met when I first went to America, knew anything about [blues musicians] at all. …  They do now, which is very groovy.
 * Pop Chronicles: Show 30 - The British Are Coming! The British Are Coming!: The U.S.A. is invaded by a wave of long-haired English rockers. (Part 4) interviewed 2.6.1968.

 * We have not had any disagreements about clothes, smoking or L'Wren, and this is all very hurtful for her... It is completely untrue to say that L'Wren has caused a rift between myself and the rest of the band. This is all nonsense, everyone has their own style.
 * Statement released in response to media reports of a rift in the band attributed to Jagger's new girlfriend at the time. "Jagger: No 'Yoko' girlfriend rift", CNN (October 5, 2005).

 * I'm pleased that the Ministry of Culture is protecting the morals of the expat bankers and their girlfriends that are going to be coming.
 * Deriding the Chinese government's prohibition on the Rolling Stones playing four songs from their catalog. "Toned-down Rolling Stones rock China", CNN (April 8, 2006).

Lyrics

 * I see a red door and I want it painted black No colors anymore, I want them to turn black I see the girls walk by dressed in their summer clothes I have to turn my head until my darkness goes I see a line of cars and they're all painted black With flowers and my love, both never to come back I see people turn their heads and quickly look away Like a new born baby, it just happens every day  I look inside myself and see my heart is black I see my red door, I must have it painted black Maybe then I'll fade away and not have to face the facts It's not easy facing up, when your whole world is black
 * , 7 May 1966, co-written with Keith Richards

 * Let's drink to the hard working peopleLet's drink to the salt of the earth...Raise your glass to the hard working people...Who need leaders but get gamblers instead
 * "Salt of the Earth"  (co-written with  Keith Richards)  on the Rolling Stones' 1968 album Beggars Banquet (1968).

The things you wanted, I bought them for you Graceless lady, you know who I am You know I can't let you slide through my hands '''Wild horses couldn't drag me away Wild, wild horses, couldn't drag me away.'''
 * Childhood living is easy to do
 * "Wild Horses (The Rolling Stones song)" (co-written with Keith Richards), on Sticky Fingers (1971).

I have my freedom but I don't have much time Faith has been broken, tears must be cried Let's do some living, after we die '''Wild horses couldn't drag me away Wild, wild horses, we'll ride them some day…'''
 * I know I've dreamed you, a sin and a lie
 * "Wild Horses" (co-written with Keith Richards), on Sticky Fingers (1971).

 * Yes, star-crossed in pleasure, the stream flows on byYes, as we're sated in leisure, we watch it fly, yesAnd time waits for no one, and it won't wait for me... Hours are like diamonds, don't let them waste...Drink in your summer, gather your corn... The dreams of the nighttime will vanish by dawn
 * Time Waits for No One (co-written with  Keith Richards) on the Rolling Stones'  1974 album It's Only Rock 'n Roll   (1973).

Quotes about Jagger

 * If you think that Mick Jagger will still be doing the whole rock star thing at age fifty, well, then, you are sorely, sorely mistaken.
 * Dennis Hope (Jimmy Fallon) in Almost Famous (2000).

 * I thought it was ludicrous to take one of those gongs from the establishment... it's not what the Stones is about, is it? I don't want to step out on stage with someone wearing a fucking coronet and sporting the old ermine. I told Mick, 'It's a fucking paltry honour.'
 * Keith Richards, 2003, on Jagger receiving knighthood, reported in In quotes: Keith Richards, BBC (April 4, 2007).

title: Mick Jagger


text:
Matthew Arnold

Matthew Arnold (December 24 1822 – April 15 1888) was an English poet, essayist and cultural critic. He also pursued a career as an inspector of schools.

Quotes

 * I keep saying, Shakspeare, Shakspeare, you are as obscure as life is.
 * Letter to Arthur Hugh Clough (ca. 6 December 1847)
 * Note: Alternate spelling used

 * Had Shakespeare and Milton lived in the atmosphere of modern feeling, had they had the multitude of new thoughts and feelings to deal with a modern has, I think it likely the style of each would have been far less curious and exquisite. For in a man style is the saying in the best way what you have to say. The what you have to say depends on your age. In the 17th century it was a smaller harvest than now, and sooner to be reaped; and therefore to its reaper was left time to stow it more finely and curiously. Still more was this the case in the ancient world. The poet's matter being the hitherto experience of the world, and his own, increases with every century.
 * Letter to Arthur Hugh Clough (December 1847/early 1848)

He much, the old man, who, clearest-souled of men, Saw The Wide Prospect, and the Asian Fen, And Tmolus hill, and Smyrna bay, though blind.
 * Who prop, thou ask'st in these bad days, my mind?'
 * "To a Friend" (1849), line 1

My special thanks, whose even-balanced soul, From first youth tested up to extreme old age, Business could not make dull, nor passion wild; Who saw life steadily, and saw it whole.
 * But be his
 * "To a Friend" (1849), line 9-12

We ask and ask — Thou smilest and art still, Out-topping knowledge.
 * Others abide our question. Thou art free.
 * "Shakespeare" (1849, st. 1)

Self-school'd, self-scann'd, self-honour'd, self-secure, Didst tread on earth unguess'd at. — Better so! All pains the immortal spirit must endure, All weakness which impairs, all griefs which bow, Find their sole speech in that victorious brow.
 * And thou, who didst the stars and sunbeams know,
 * "Shakespeare" (1849)

Strong is the soul, and wise, and beautiful; The seeds of god-like power are in us still; Gods are we, bards, saints, heroes, if we will!'''
 * '''The will is free;
 * "Written in Emerson's Essays" (1849)

By contemplation of diviner things.
 * Ennobling this dull pomp, the life of kings,
 * "Mycerinus" (1849)

The fire that in the heart resides''', The spirit bloweth and is still, In mystery our soul abides; — But tasks, in hours of insight willed, Can be through hours of gloom fulfilled.
 * '''We cannot kindle when we will
 * "Morality" (1852), st. 1

To feel, amid the city’s jar, That there abides a peace of thine, Man did not make, and cannot mar.'''
 * '''Calm soul of all things! make it mine
 * "Lines Written in Kensington Gardens" (1852), st. 10

With echoing straits between us thrown, Dotting the shoreless watery wild, We mortal millions live alone.
 * Yes: in the sea of life enisl’d,
 * "To Marguerite, in Returning a Volume of the Letters of Ortis" (1852), stanza 1

We dig and heap, lay stone on stone; We bear the burden and the heat Of the long day and wish’t were done. '''Not till the hours of light return All we have built do we discern.'''
 * With aching hands and bleeding feet
 * "Morality" (1852), lines 7-12

To unlock the heart, and let it speak?''' Are even lovers powerless to reveal To one another what indeed they feel? I knew the mass of men conceal'd Their thoughts, for fear that if reveal'd They would by other men be met With blank indifference, or with blame reproved; '''I knew they lived and moved Trick'd in disguises, alien to the rest Of men, and alien to themselves — and yet The same heart beats in every human breast!'''
 * '''Alas! is even love too weak
 * "The Buried Life" (1852), st. 2

But often, in the din of strife, There rises an unspeakable desire After the knowledge of our buried life; A thirst to spend our fire and restless force In tracking out our true, original course; A longing to inquire Into the mystery of this heart which beats So wild, so deep in us, to know Whence our lives come and where they go.
 * But often, in the world’s most crowded streets,
 * "The Buried Life" (1852), st. 6

Our hidden self, and what we say and do Is eloquent, is well — but ’tis not true!
 * And long we try in vain to speak and act
 * "The Buried Life" (1852), st. 6

Who finds himself, loses his misery.'''
 * '''Resolve to be thyself; and know, that he
 * "Self-Dependence" (1852), lines 31-32

What leisure to grow wise?
 * What shelter to grow ripe is ours?
 * "Stanzas in Memory of the Author of "Obermann"" (1852), st. 18

The poet's feverish blood; One drives him to the world without, And one to solitude.
 * Ah! two desires toss about
 * "Stanzas in Memory of the Author of "Obermann"" (1852), st. 24

Move on a rigorous line'''; Can neither, when we will, enjoy, Nor, when we will, resign.
 * '''We, in some unknown Power's employ,
 * "Stanzas in Memory of the Author of "Obermann"" (1852), st. 34

 * What actions are the most excellent? Those, certainly, which most powerfully appeal to the great primary human affections: to those elementary feelings which subsist permanently in the race, and which are independent of time. These feelings are permanent and the same; that which interests them is permanent and the same also.
 * "Preface to Poems" (1853)

A heart ever new: To all always open; To all always true.'''
 * '''To thee only God granted
 * "Switzerland", IV. "Parting" (1853)

And never a spray of yew. In quiet she reposes: Ah! would that I did too.
 * Strew on her roses, roses,
 * "Requiescat" (1853), st. 1

It flutter’d and fail’d for breath. To-night it doth inherit The vasty Hall of Death.
 * Her cabin’d, ample Spirit,
 * "Requiescat" (1853), st. 4

Again — thou hearest? Eternal passion! Eternal pain!
 * How thick the bursts come crowding through the leaves!
 * "Philomela" (1853), st. 3

And falsehood, while I lived, was far from mine.'''
 * '''Truth sits upon the lips of dying men,
 * "Sohrab and Rustum" (1853), lines 656-657

 * I am past thirty, and three parts iced over.
 * Letter to Arthur Hugh Clough (12 February 1853)

 * Sanity — that is the great virtue of the ancient literature; the want of that is the great defect of the modern, in spite of its variety and power.
 * "Preface to Poems" (1854)

 * How fair a lot to fill Is left to each man still.
 * "A Summer Night," Poems: Second Series, (1855), last stanza

Our soon-chok’d souls to fill, And we forget because we must, And not because we will.
 * But each day brings its petty dust
 * "Absence" (1857), st. 3

‘Thou hast been, shalt be, art, alone.’
 * This truth—to prove, and make thine own:
 * "Isolation" (1857)

Endless extinction of unhappy hates.'''
 * '''Peace, peace is what I seek and public calm,
 * "Merope" (1858), line 100

 * With women the heart argues, not the mind.
 * "Merope" (1858), line 341

 * Nations are not truly great solely because the individuals composing them are numerous, free, and active; but they are great when these numbers, this freedom, and this activity are employed in the service of an ideal higher than that of an ordinary man, taken by himself.
 * "Democracy" (1861)

 * It is a very great thing to be able to think as you like; but, after all, an important question remains: what you think.
 * "Democracy" (1861)

When we are frozen up within, and quite The phantom of ourselves, To hear the world applaud the hollow ghost Which blamed the living man.'''
 * '''It is — last stage of all —
 * " Growing Old" (1867), st. 7

Dumb, inscrutable and grand, So Tiberius might have sat, Had Tiberius been a cat.
 * Cruel, but composed and bland,
 * "Poor Matthias" (1867)

 * Style…is a peculiar recasting and heightening, under a certain condition of spiritual excitement, of what a man has to say, in such a manner as to add dignity and distinction to it.
 * "On the Study of Celtic Literature" (1867), Pt. 6

 * The Celts certainly have it in a wonderful measure.
 * Referring to style, in On the Study of Celtic Literature (1867), Pt. 6

 * The power of the Latin classic is in character, that of the Greek is in beauty. Now character is capable of being taught, learnt, and assimilated: beauty hardly.
 * "Schools and Universities on the Continent" (1868)

Of what we say and feel — below the stream, As light, of what we think we feel, there flows With noiseless current, strong, obscure and deep, The central stream of what we feel indeed.
 * Below the surface stream, shallow and light,
 * "St. Paul and Protestantism" (1870)

The Gods exact for song; To become what we sing.'''
 * '''Such a price
 * "The Strayed Reveller to Ulysses"

 * At the present moment two things about the Christian religion must surely be clear to anybody with eyes in his head. One is, that men cannot do without it; the other, that they cannot do with it as it is.
 * Preface to God and the Bible (1875)

 * The free-thinking of one age is the common sense of the next.
 * God and the Bible (1875)

 * Choose equality.
 * "Mixed Essays, Equality" (1879)

 * Inequality has the natural and necessary effect, under the present circumstances, of materializing our upper class, vulgarizing our middle class, and brutalizing our lower class.
 * "Mixed Essays, Equality" (1879)

 * For poetry the idea is everything; the rest is a world of illusion, of divine illusion. Poetry attaches its emotion to the idea; the idea is the fact. The strongest part of our religion today is its unconscious poetry.
 * Introduction to Ward's English Poets (1880)

 * Eutrapelia. "A happy and gracious flexibility," Pericles calls this quality of the Athenians...lucidity of thought, clearness and propriety of language, freedom from prejudice and freedom from stiffness, openness of mind, amiability of manners.
 * "Irish Essays. A Speech at Eton" (1882)

 * English civilization — the humanizing, the bringing into one harmonious and truly humane life, of the whole body of English society — that is what interests me.
 * "Irish Essays. Ecce, Convertimur ad Gentes" (1882)

 * That which in England we call the middle class is in America virtually the nation.
 * "A Word More About America" (1885)

 * What really dissatisfies in American civilisation is the want of the interesting, a want due chiefly to the want of those two great elements of the interesting, which are elevation and beauty.
 * "Civilization in the United States" (1888)

 * If one were searching for the best means to efface and kill in a whole nation the discipline of self-respect, the feeling for what is elevated, he could do no better than take the American newspapers.
 * Civilization in the United States (1888), p. 177

And in that more lie all his hopes of good.
 * Know, man hath all which Nature hath, but more,
 * To An Independent Preacher

 * The East bowed low before the blast,  In patient deep disdain;    She let the legions thunder past,    And plunged in thought again.
 * Quoted from S.R. Goel, (1994) Heroic Hindu resistance to Muslim invaders, 636 AD to 1206 AD.

The Forsaken Merman (1849)

 * Full text online

Down and away below.''' Now my brothers call from the bay; Now the great winds shoreward blow; Now the salt tides seaward flow; '''Now the wild white horses play, Champ and chafe and toss in the spray.''' Children dear, let us away. This way, this way!
 * '''Come, dear children, let us away;
 * St. 1

Where the winds are all asleep.
 * Sand-strewn caverns, cool and deep,
 * St. 3

Sail and sail, with unshut eye, Round the world for ever and aye? When did music come this way? Children dear, was it yesterday?
 * Where great whales come sailing by,
 * St. 3

But faithless was she: And alone dwell for ever The kings of the sea."
 * Singing, "Here came a mortal,
 * St. 7

Resignation (1849)

His sad lucidity of soul.'''
 * '''Fate gave, what Chance shall not control,
 * l. 197

Outlasts aversion, outlasts love: Outlasts each effort, interest, hope, Remorse, grief, joy.
 * The World in which we live and move
 * l. 215-218

No gifts from Chance, have conquer’d Fate.'''
 * '''Yet they, believe me, who await
 * l. 248-249

Memorial Verses (1852)
Long since, saw Byron’s struggle cease.
 * Goethe in Weimar sleeps, and Greece,
 * St. 1

Goethe has done his pilgrimage. He took the suffering human race, He read each wound, each weakness clear — And struck his finger on the place, And said — Thou ailest here, and here.
 * Physician of the Iron Age,
 * St. 3

Ah, may ye feel his voice as we! He too upon a wintry clime Had fallen — on this iron time Of doubts, disputes, distractions, fears.
 * Wordsworth has gone from us — and ye,
 * St. 4

Goethe’s sage mind and Byron’s force; But where will Europe’s latter hour Again find Wordsworth’s healing power?
 * Time may restore us in his course
 * St. 6

Empedocles on Etna (1852)

The wind-borne mirroring soul, A thousand glimpses wins, And never sees a whole.'''
 * '''Hither and thither spins
 * Act I, sc. ii

Thy pleasure, right or wrong! The pious wail: Forsake A world these sophists throng! Be neither saint nor sophist-led, but be a man.
 * The sophist sneers: Fool, take
 * Act I, sc. ii

 * Thou hast no right to bliss.
 * Act I, sc. ii

What we ought not, we do, And lean upon the thought That chance will bring us through.'''
 * '''We do not what we ought,
 * Act I, sc. ii

Sees all her sons at play Sees man control the wind, The wind sweep man away.
 * Nature, with equal mind,
 * Act I, sc. ii

We, peopling the void air, Make Gods to whom to impute The ills we ought to bear.
 * So, loath to suffer mute.
 * Act I, sc. ii

To have enjoy’d the sun''', To have lived light in the spring, To have loved, to have thought, to have done; To have advanc’d true friends, and beat down baffling foes?
 * '''Is it so small a thing
 * Act I, sc. ii

The strife with the palm; The night in her silence, The stars in their calm.
 * The day in his hotness,
 * Act II

The Scholar Gypsy (1853)

 * Full text online at Wikisource

Returning home on summer-nights, have met Crossing the stripling Thames at Bab-lock-hithe, Trailing in the cool stream thy fingers wet, As the punt’s rope chops round.
 * Thee at the ferry Oxford riders blithe,
 * St. 8

Light half-believers of our casual creeds, Who never deeply felt, nor clearly will’d, Whose insight never has borne fruit in deeds, Whose vague resolves never have been fulfill’d; For whom each year we see Breeds new beginnings, disappointments new; Who hesitate and falter life away, And lose to-morrow the ground won to-day— '''Ah! do not we, wanderer! await it too?'''
 * Thou waitest for the spark from heaven! and we,
 * St. 18

Who most has suffer’d, takes dejectedly His seat upon the intellectual throne.
 * And amongst us one,
 * St. 19

And life ran gaily as the sparkling Thames; Before this strange disease of modern life, With its sick hurry, its divided aims, Its heads o’ertax’d, its palsied hearts, was rife.
 * O born in days when wits were fresh and clear,
 * St. 21

Still clutching the inviolable shade, With a free, onward impulse brushing through, By night, the silver’d branches of the glade.
 * Still nursing the unconquerable hope,
 * St. 22

Stanzas from the Grande Chartreuse (1855)

 * Written c. 1850 while at the Grande Chartreuse; First published in Fraser’s Magazine (April 1855) · Full text online at the Poetry Foundation & Bartleby.com

The House, the Brotherhood austere! — And what am I, that I am here? For rigorous teachers seized my youth, And purged its faith, and trimm'd its fire, Show'd me the high, white star of Truth, There bade me gaze, and there aspire. Even now their whispers pierce the gloom: What dost thou in this living tomb?
 * All are before me! I behold

At whose behest I long ago So much unlearnt, so much resign'd — I come not here to be your foe!''' I seek these anchorites, not in ruth, To curse and to deny your truth; Not as their friend, or child, I speak! But as, on some far northern strand, Thinking of his own Gods, a Greek In pity and mournful awe might stand Before some fallen Runic stone — For both were faiths, and both are gone.
 * '''Forgive me, masters of the mind!

The other powerless to be born, With nowhere yet to rest my head, Like these, on earth I wait forlorn.'''
 * '''Wandering between two worlds, one dead,

Ye solemn seats of holy pain! Take me, cowl'd forms, and fence me round, Till I possess my soul again; Till free my thoughts before me roll, Not chafed by hourly false control!
 * Oh, hide me in your gloom profound,

Last of the race of them who grieve Here leave us to die out with these Last of the people who believe! Silent, while years engrave the brow; Silent — the best are silent now. Achilles ponders in his tent, The kings of modern thought are dumb, Silent they are though not content, And wait to see the future come. They have the grief men had of yore, But they contend and cry no more.
 * But — if you cannot give us ease —

On Translating Homer (1861)

 * Full text online

 * The translator of Homer should above all be penetrated by a sense of four qualities of his author: — that he is eminently rapid; that he is eminently plain and direct both in the evolution of his thought and in the expression of it, that is, both in his syntax and in his words; that he is eminently plain and direct in the substance of his thought, that is, in his matter and ideas; and, finally, that he is eminently noble.

 * Of these two literatures, as of the intellect of Europe in general, the main effort, for now many years, has been a critical effort; the endeavour, in all branches of knowledge — theology, philosophy, history, art, science — to see the object as in itself it really is.

 * The grand style arises in poetry, when a noble nature, poetically gifted, treats with simplicity or with severity a serious subject.

The Functions of Criticism at the Present Time (1864)

 * Full text online

 * For the creation of a masterwork of literature two powers must concur, the power of the man and the power of the moment, and the man is not enough without the moment.

 * Critical power...tends to make an intellectual situation of which the creative power can profitably avail itself. It tends to establish an order of ideas, if not absolutely true, yet true by comparison with that which it displaces; to make the best ideas prevail.

 * There is the world of ideas and there is the world of practice; the French are often for suppressing the one and the English the other; but neither is to be suppressed.

 * Burke is so great because, almost alone in England, he brings thought to bear upon politics, he saturates politics with thought.

 * The notion of the free play of the mind upon all subjects being a pleasure in itself, being an object of desire, being an essential provider of elements without which a nation's spirit, whatever compensations it may have for them, must, in the long run, die of inanition, hardly enters into an Englishman's thoughts.

 * I am bound by my own definition of criticism: a disinterested endeavour to learn and propagate the best that is known and thought in the world.

Essays in Criticism (1865)

 * Full text online at Internet Archive

 * It is not in my nature, some of my critics would rather say, not in my power, to dispute on behalf of any opinion, even my own, very obstinately. To try and approach truth on one side after another, not to strive or cry, nor to persist in pressing forward, on any one side, with violence and self-will, — it is only thus, it seems to me, that mortals may hope to gain any vision of the mysterious Goddess, whom we shall never see except in outline, but only thus even in outline. He who will do nothing but fight impetuously towards her on his own, one, favourite, particular line, is inevitably destined to run his head into the folds of the black robe in which she is wrapped.
 * Preface to the Second Edition (1869)

 * Steeped in sentiment as she lies, spreading her gardens to the moonlight, and whispering from her towers the last enchantments of the Middle Age, who will deny that Oxford, by her ineffable charm, keeps ever calling us nearer to the true goal of all of us, to the ideal, to perfection, — to beauty, in a word, which is only truth seen from another side? — nearer, perhaps, than all the science of Tübingen. Adorable dreamer, whose heart has been so romantic who hast given thyself so prodigally, given thyself to sides and to heroes not mine, only never to the Philistines! home of lost causes, and forsaken beliefs, and unpopular names, and impossible loyalties!
 * Preface to the Second Edition (1869)

 * On the breast of that huge Mississippi of falsehood called History, a foam-bell more or less is no consequence.
 * Literary Influence of Academies, p. 69

 * Poetry is simply the most beautiful, impressive and wisely effective mode of saying things, and hence its importance.
 * Heinrich Heine, p. 144

 *  Philistine must have originally meant, in the mind of those who invented the nickname, a strong, dogged, unenlightened opponent of the children of the light.
 * Heinrich Heine, p. 146

 * The great apostle of the Philistines, Lord Macaulay
 * Joubert, pp. 234–5

 * Homer is rapid in his movement, Homer is plain in his words and style, Homer is simple in his ideas, Homer is noble in his manner. Cowper renders him ill because he is slow in his movement, and elaborate in his style; Pope renders him ill because he is artificial both in his style and in his words; Chapman renders him ill because he is fantastic in his ideas; Mr. Newman renders him ill because he is odd in his words and ignoble in his manner.
 * On Translating Homer, p. 336

Thyrsis (1866)

 * Full text online at Bartleby

See, ’tis no foot of unfamiliar men Tonight from Oxford up your pathway strays! Here came I often, often, in old days; Thyrsis and I; we still had Thyrsis then.
 * Are ye too changed, ye hills?
 * St. 1

She needs not June for beauty’s heightening.
 * And that sweet city with her dreaming spires,
 * St. 2

Of storms that rage outside our happy ground; He could not wait their passing, he is dead!
 * He went; his piping took a troubled sound
 * St. 5

 * The bloom is gone, and with the bloom go I.
 * St. 6

In ever-nearing circle weaves her shade.''' I see her veil draw soft across the day, I feel her slowly chilling breath invade The cheek grown thin, the brown hair sprent with grey; I feel her finger light Laid pausefully upon life’s headlong train; — The foot less prompt to meet the morning dew, '''The heart less bounding at emotion new, And hope, once crush’d, less quick to spring again.'''
 * '''Yes, thou art gone! and round me too the night
 * St. 14

Ah, vain! These English fields, this upland dim, These brambles pale with mist engarlanded, That lone, sky-pointing tree, are not for him; To a boon southern country he is fled, And now in happier air, Wandering with the great Mother’s train divine (And purer or more subtle soul than thee, I trow, the mighty Mother doth not see) Within a folding of the Apennine.
 * Hear it, O Thyrsis, still our tree is there!—
 * St. 18

Roam on! The light we sought is shining still. Dost thou ask proof? Our tree yet crowns the hill, Our Scholar travels yet the loved hillside.
 * Why faintest thou! I wander’d till I died.
 * St, 24

Dover Beach (1867)
The tide is full, the moon lies fair Upon the straits;—on the French coast the light Gleams and is gone; the cliffs of England stand, Glimmering and vast, out in the tranquil bay. Come to the window, sweet is the night-air!
 * The sea is calm tonight.
 * St. 1

Where the sea meets the moon-blanch'd land,Listen! you hear the grating roar Of pebbles which the waves draw back, and fling, At their return, up the high strand, Begin, and cease, and then again begin, With tremulous cadence slow, and bring The eternal note of sadness in.'''
 * '''Only, from the long line of spray
 * St. 1

Was once, too, at the full, and round earth’s shore Lay like the folds of a bright girdle furled. But now I only hear Its melancholy, long, withdrawing roar, Retreating, to the breath Of the night-wind, down the vast edges drear And naked shingles of the world.
 * The sea of faith
 * St. 3

To one another!''' for the world, which seems To lie before us like a land of dreams, So various, so beautiful, so new, Hath really neither joy, nor love, nor light, Nor certitude, nor peace, nor help for pain; '''And we are here as on a darkling plain Swept with confused alarms of struggle and flight, Where ignorant armies clash by night.'''
 * '''Ah, love, let us be true
 * St. 4

The Last Word (1867)
Creep, and let no more be said!
 * Creep into thy narrow bed,
 * St. 1

Geese are swans, and swans are geese.'''
 * '''Let the long contention cease!
 * St. 2

Let the victors, when they come, When the forts of folly fall, Find thy body by the wall.
 * Charge once more, then, and be dumb!
 * St. 4

Rugby Chapel (1867)

The autumn evening. The Field Strewn with its dank yellow drifts Of wither’d leaves, and the elms, Fade into dimness apace, Silent;—hardly a shout From a few boys late at their play!
 * Coldly, sadly descends
 * St. 1

Tarriest thou now? For that force, Surely, has not been left vain!
 * O strong soul, by what shore
 * St. 4

Of mortal men on the earth?— Most men eddy about Here and there—eat and drink, Chatter and love and hate, Gather and squander, are raised Aloft, are hurl’d in the dust, Striving blindly, achieving Nothing; and, then they die— Perish; and no one asks Who or what they have been, More than he asks what waves In the moonlit solitudes mild Of the midmost Ocean, have swell’d, Foam’d for a moment, and gone.
 * What is the course of the life
 * St. 6

Many to save with thyself; And, at the end of thy day, O faithful shepherd! to come, Bringing thy sheep in thy hand.
 * Therefore to thee it was given
 * St. 9

Beacons of Hope ye appear! Languor is not in your heart, Weakness is not in your word, Weariness not on your brow.'''
 * '''Radiant with ardour divine!
 * St. 12

Culture and Anarchy (1869)

 * Full text online

 * Because without order there can be no society, and without society there can be no human perfection.
 * p. 41
 * The whole scope of the essay is to recommend culture as the great help out of our present difficulties; culture being a pursuit of our total perfection by means of getting to know, on all the matters which most concern us, the best which has been thought and said in the world; and through this knowledge, turning a stream of fresh and free thought upon our stock notions and habits, which we now follow staunchly but mechanically, vainly imagining that there is a virtue in following them staunchly which makes up for the mischief of following them mechanically.
 * Preface

 * Our society distributes itself into Barbarians, Philistines, and Populace; and America is just ourselves, with the Barbarians quite left out, and the Populace nearly.
 * Preface

 * One must, I think, be struck more and more the longer one lives, to find how much in our present society a man's life of each day depends for its solidity and value upon whether he reads during that day, and far more still on what he reads during it.
 * Preface, 1st Ed

 * I am a Liberal, yet I am a Liberal tempered by experience, reflexion, and renouncement, and I am, above all, a believer in culture.
 * Introduction

 * Culture is then properly described not as having its origin in curiosity, but as having its origin in the love of perfection; it is a study of perfection.
 * Ch. I, Sweetness and Light

 * Greatness is a spiritual condition worthy to excite love, interest, and admiration; and the outward proof of possessing greatness is that we excite love, interest, and admiration.
 * Ch. I, Sweetness and Light

 * The pursuit of perfection, then, is the pursuit of sweetness and light. He who works for sweetness and light, works to make reason and the will of God prevail. He who works for machinery, he who works for hatred, works only for confusion. Culture looks beyond machinery, culture hates hatred; culture has one great passion, the passion for sweetness and light.
 * Ch. I, Sweetness and Light

 * The men of culture are the true apostles of equality.
 * Ch. I, Sweetness and Light

 * The people who believe most that our greatness and welfare are proved by our being very rich, and who most give their lives and thoughts to becoming rich, are just the very people whom we call the Philistines. Culture says: “Consider these people, then, their way of life, their habits, their manners, the very tones of their voice; look at them attentively; observe the literature they read, the things which give them pleasure, the words which come forth out of their mouths, the thoughts which make the furniture of their minds; would any amount of wealth be worth having with the condition that one was to become just like these people by having it?”
 * Ch. I, Sweetness and Light

 * Everything in our political life tends to hide from us that there is anything wiser than our ordinary selves.
 * Ch. III, Barbarians, Philistines, Populace

 * The governing idea of Hellenism is spontaneity of consciousness; that of Hebraism, strictness of conscience.
 * Ch. IV, Hebraism and Hellenism

Literature and Dogma (1873)

 * Literature and Dogma : An Essay Towards a Better Apprehension of the Bible (1873) Full text online at GoogleBooks

And this aim we cannot seek without coming in sight of another aim, too, which we have often and often pointed out, and tried to recommend: culture, the acquainting ourselves with the best that has been known and said in the world, and thus with the history of the human spirit.
 * This is the aim of the following essay: to show that, when we come to put the right construction on the Bible, we give to the Bible a real experimental basis, and keep on this basis throughout; instead of any basis of unverifiable assumption to start with, followed by a string of other unverifiable assumptions of the like kind, such as the received theology necessitates.
 * Preface

 * Conduct is three-fourths of our life and its largest concern.
 * Ch. 1

 * And as long as the world lasts, all who want to make progress in righteousness will come to Israel for inspiration, as to the people who have had the sense for righteousness most glowing and strongest; and in hearing and reading the words Israel has uttered for us, carers for conduct will find a glow and a force they could find nowhere else.
 * Ch. 1

Essays in Criticism, second series (1888)

 * The best poetry will be found to have a power of forming, sustaining, and delighting us, as nothing else can.
 * The Study of Poetry

 * Coleridge, poet and philosopher wrecked in a mist of opium.
 * Byron

 * A beautiful and ineffectual angel, beating in the void his luminous wings in vain.
 * On Percy Bysshe Shelley, Byron

It is important, therefore, to hold fast to this: that poetry is at bottom a criticism of life; that the greatness of a poet lies in his powerful and beautiful application of ideas to life — to the question, How to live. Morals are often treated in a narrow and false fashion, they are bound up with systems of thought and belief which have had their day, they are fallen into the hands of pedants and professional dealers, they grow tiresome to some of us. We find attraction, at times, even in a poetry of revolt against them; in a poetry which might take for its motto Omar Khayam's words: "Let us make up in the tavern for the time which we have wasted in the mosque." Or we find attractions in a poetry indifferent to them, in a poetry where the contents may be what they will, but where the form is studied and exquisite. We delude ourselves in either case; and the best cure for our delusion is to let our minds rest upon that great and inexhaustible word life, until we learn to enter into its meaning. A poetry of revolt against moral ideas is a poetry of revolt against life; a poetry of indifference towards moral ideas is a poetry of indifference towards life.
 * If what distinguishes the greatest poets is their powerful and profound application of ideas to life, which surely no good critic will deny, then to prefix to the word ideas here the term moral makes hardly any difference, because human life itself is in so preponderating a degree moral.
 * Wordsworth, originally published as "Preface to the Poems of Wordsworth" in Macmillan's Magazine (July 1879)

 * The crown of literature is poetry.
 * Count Leo Tolstoi

Matthew Arnold's Notebooks (1902)

 * However, if I shall live to be eighty I shall probably be the only person left in England who reads anything but newspapers and scientific publications.
 * In a letter to his sister, New Year's Day, 1882. Quoted in the Preface

 * Weep bitterly over the dead, for he is worthy, and then comfort thyself; drive heaviness away: thou shall not do him good, but hurt thyself.
 * Diary entry for the day he died (15 April 1888); from Ecclesiasticus, xxxviii

Attributed

 * People think that I can teach them style. What stuff it all is! Have something to say, and say it as clearly as you can. That is the only secret of style.
 * G.W.E. Russell, Collections and Recollections, ch. XIV, Harper & brothers, 1898, p. 136. Russell states that was said to him by Arnold himself.

Misattributed

 * Things and actions are what they are, and the consequences of them will be what they will be: why, then, should we desire to be deceived?
 * Joseph Butler, Human Nature and Other Sermons, "Sermon VII" as quoted in Arnold's "St. Paul and Protestantism" (1870).

Quotes about Arnold

 * But whatever the deity which satisfied Arnold's personal experience may have been, the religion which he gives us in Literature and Dogma and God and the Bible is neither Deism nor bare Pan-Deism, but a diluted Positivism. As an ethical system it is in theory admirable, but its positive value is in the highest degree questionable. Pascal's judgment upon the God who emerged from the philosophical investigations of Rene Descartes was that He was a God who was unnecessary. And one may with even greater truth say that the man who is able to receive and live by the religion which Arnold offers him is no longer in need of its help and stimulus. To be able to appreciate an ethical idealism a man must himself be already an ethical idealist.
 * William Harbutt Dawson, Matthew Arnold and His Relation to the Thought of Our Time (1904, republished 1977), p. 256 (1977 ed.) ISBN: 0849206480; (1904 ed.) ASIN: B0006ADKGA

 * A democrat by conviction rather than by temperament, urging democracy as 'the only method consistent with human instinct toward expansion,' he was yet an educator, and believed in equality upon a high, not upon a low plane. Like Ruskin, he demanded of men their best, and with less than their best refused to be satisfied.
 * Philadelphia poet Florence Earle Coates on Arnold — who both encouraged and inspired Mrs. Coates' writing, and was a guest on several occasions at the Coates' Germantown, Philadelphia, Pennsylvania home during his stays in Philadelphia; from The Critic (31 March 1894)

 * So full of power, yet blithe and debonair, Rallying his friends with pleasant banter gay, Or half a-dream chaunting with jaunty air Great words of Goethe, catch of Béranger.
 * John Campbell Shairp, "Balliol Scholars 1840–1843: A Remembrance", stanza 26, line 1, in Glen Desseray and Other Poems, edited by Francis T. Palgrave (London: Macmillan and Co., 1888), p. 218

title: Matthew Arnold


text:
User talk:72.68.106.28

Please stop adding nonsense to Wikiquote. It is considered vandalism. If you want to experiment, please use the sandbox. Thank you. — refers to edits and  of Star wars episode vi: the return of the jedi ~ Jeff Q (talk) 21:32, 17 April 2006 (UTC)

Please stop. If you continue to vandalize pages, you will be blocked from editing Wikiquote. — refers to creation of article on non-existent film "Pangea" ~ Jeff Q (talk) 12:41, 25 April 2006 (UTC)

Welcome
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Cdctmom6712 (talk) 17:15, 30 January 2013 (UTC)

title: User talk:72.68.106.28


text:
Talk:Pick-up lines

I don't know if some of these should be considered pick-up lines:

 * Does this rag smell like chloroform to you?
 * Scream and I will kill the kitten!

I suppose they were posted to be humourous, but they really aren't pick-up lines. They're something someone would say before committing a sex crime. I think they should be removed. Thoughts? —This unsigned comment is by 23:07, 17 April 2006 (UTC) (talk • contribs) 216.165.67.43.

 * My thought is that this entire article is questionable. Not a single current quote has a source. As far as verifiability goes, "Scream and I will kill the kitten" has as much value to Wikiquote as "If I said you had a nice body would you hold it against me?" What makes Wikiquote rise above the hundreds of other quote sites is its focus on provided real sources for quotes, just as Wikipedia does for its material. In the case of "beautiful body", for instance, citing the eponymous country song, including its artist and first album appearance (all easily fetched from All-Music Guide), would help establish at least some source. (From there, we could attempt to find earlier sources, as this was a well-known pick-up line before the song came out.)

 * Another problem with an article like this is that people assume that they can make up new lines, which is totally unacceptable. Again, this abuse of the editing ease of wiki projects is addressed by deleting anything that doesn't have a source. Right now, that means everything in the entire article.

YOU ARE A N00B. IT IS A JOKE. N00B. YOU ARE A N00B. ENJOY BEING A N00B, N00B.

 * For anyone who cares about this article, I recall reading several groaners of pick-up lines (from Ozzie Isaacs, as he gives pseudo-sage advice to eager adolescent Orion while they walk the Silfen paths) in Peter F. Hamilton's science fiction novels Pandora's Star and the just-released Judas Unchained. Citing the specific lines, the author, book, and page numbers would also be considered valid (starting) sources. ~ Jeff Q (talk) 02:05, 18 April 2006 (UTC)

Cleaned up
I have removed all sections that are unreferenced or do not specifically indicate that they are a quote of a particular person. This is, after all, Wikiquote, not Wiki-pickup-line. Risker 04:53, 7 September 2008 (UTC)

title: Talk:Pick-up lines


text:
User:TBC

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Hello, I'm TBC. Currently I have an account on the regular English Wikipedia, which is used more often.

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User talk:Neilj

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User talk:Boblarice

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User talk:Amrit~enwikiquote

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User talk:Abraham varghese

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Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called WWEWhoseLine48. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name WWEWhoseLine48~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:38, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 06:00, 19 April 2015 (UTC)

title: User talk:WWEWhoseLine48~enwikiquote


text:
User talk:Mr kamranch

Hi. Welcome to English Wikiquote. Enjoy! -- Robert 03:03, 18 April 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

title: User talk:Mr kamranch


text:
User talk:Kimmyhasbangs

Hi. Welcome to English Wikiquote. Enjoy! -- Robert 03:03, 18 April 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

title: User talk:Kimmyhasbangs


text:
User talk:Chandu vrs~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy! -- Robert 03:03, 18 April 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Chandu vrs. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Chandu vrs~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:19, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:44, 19 April 2015 (UTC)

title: User talk:Chandu vrs~enwikiquote


text:
User talk:Intoblivion~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy! -- Robert 03:03, 18 April 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Intoblivion. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Intoblivion~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:26, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:49, 19 April 2015 (UTC)

title: User talk:Intoblivion~enwikiquote


text:
User talk:Antlertail

Hi. Welcome to English Wikiquote. Enjoy! -- Robert 03:03, 18 April 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

title: User talk:Antlertail