text:
User talk:Mikeyb789

Welcome
Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos (talk) 13:54, 26 September 2006 (UTC)
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title: User talk:Mikeyb789


text:
User talk:84.64.204.116

Thanks for experimenting with the page David Beckham on Wikiquote. Your test worked, and has been reverted or removed. Please use the sandbox for any other tests you want to do. Please see the welcome page if you would like to learn more about contributing to our compendium of quotations. Thanks. --Muchness 14:31, 26 September 2006 (UTC)

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: User talk:84.64.204.116


text:
Talk:Thief (series)

"Come The Time Of Peril, Did The Ground Gape, And Did The Dead Rest Unquiet 'Gainst Us. Our Bands Of Iron And Hammers Of Stone Prevailed Not, And Some Did Doubt The Builder's Plan. But The Seals Held Strong, And The Few Did Triumph, And The Doubters Were Lain Into The Foundations Of The New Sanctum." -Collected Letters Of The Smith-In-Exile

- this was in Thief 2 miscellanneous section, but it is already in Thief 1 miscellaneous section, and as a player of the game i know it belongs to Thief 1, quite certainly not Thief 2. I deleted it. - Haigejobu(Haigejobu 15:21, 26 September 2006 (UTC))

I added the following to the miscellanneous section for The Dark Project. It exists as a plaque on the wall outside the thieves guild in the Gold Edition. I think it sums up the overal theme of the game nicely:

"We chose our profession in defiance of the greed of the monarchy. We will not live for the sake of taxes to fatten the nobles pockets. We choose to live the only life available to those who would be truly free. We are thieves." -Wall Plaque in the Thieves Guild

You can see a screen shot of it here:

http://www.3dactionplanet.com/thief/walk/thiefg/guild/walk.shtml

title: Talk:Thief (series)


text:
Wings of Desire

Wings of Desire (Der Himmel über Berlin [The Sky over Berlin or Heaven over Berlin]) is a 1987 German film about an angel who tires of overseeing human activity and wishes to become human when he falls in love with a mortal. It was partially inspired by the poetry of Rainer Maria Rilke.
 * Directed by Wim Wenders. Written by Wim Wenders and Peter Handke.

There are angels on the streets of Berlin.

Damiel

 * Als das Kind Kind war, ging es mit hängenden Armen, wollte der Bach sei ein Fluß, der Fluß sei ein Strom, und diese Pfütze das Meer. Als das Kind Kind war, wußte es nicht, daß es Kind war, alles war ihm beseelt, und alle Seelen waren eins. Als das Kind Kind war, hatte es von nichts eine Meinung, hatte keine Gewohnheit, saß oft im Schneidersitz, lief aus dem Stand, hatte einen Wirbel im Haar und machte kein Gesicht beim fotografieren.
 * When the child was a child it walked with its arms swinging, wanted the brook to be a river, the river to be a torrent, and this puddle to be the sea. When the child was a child, it didn’t know that it was a child, to it, everything had a soul, and all souls were one.

When the child was a child, it had no opinion about anything, had no habits, it often sat cross-legged, took off running, had a cowlick in its hair, and made no faces when photographed.
 * Lied Vom Kindsein (Song of Childhood) – Peter Handke.
 * Als das Kind Kind war, war es die Zeit der folgenden Fragen: Warum bin ich ich und warum nicht du? Warum bin ich hier und warum nicht dort? Wann begann die Zeit und wo endet der Raum? Ist das Leben unter der Sonne nicht bloß ein Traum? Ist was ich sehe und höre und rieche nicht bloß der Schein einer Welt vor der Welt? Gibt es tatsächlich das Böse und Leute, die wirklich die Bösen sind? Wie kann es sein, daß ich, der ich bin, bevor ich wurde, nicht war, und daß einmal ich, der ich bin, nicht mehr der ich bin, sein werde?
 * When the child was a child, It was the time for these questions: Why am I me, and why not you? Why am I here, and why not there? When did time begin, and where does space end? Is life under the sun not just a dream? Is what I see and hear and smell not just the reflection of a world before the world? Is there really such a thing as evil, and people who really are the Bad Guys?

How can it be that the I, who I am, didn’t exist before I came to be, and that, someday, the I who I am, will no longer be who I am?
 * Lied Vom Kindsein (Song of Childhood) – Peter Handke.
 * First, I'll have a bath. Then I'll be shaved by a Turkish barber who will massage me down to the fingertips. Then I'll buy a newspaper and read it from headlines to horoscope. On the first day, I'll be waited upon... For requests, ask the neighbor. If someone stumbles over my legs, he'll have to apologize. I'll be pushed around, and I'll push back. In the crowded bar, the bartender will find me a table. A service car will stop, and the mayor will take me aboard. I'll be known to everyone, and suspect to no one. I won't say a word, and will understand every language. That will be my first day.

Marion

 * Now it's serious. At last it's becoming serious. So I've grown older. Was I the only one who wasn't serious? Is it our times that are not serious? I was never lonely neither when I was alone, nor with others. But I would have liked to be alone at last. Loneliness means I'm finally whole. Now I can say it as tonight, I'm at last alone. I must put an end to coincidence. The new moon of decision. I don't know if there's destiny but there's a decision. Decide! We are now the times. Not only the whole town - the whole world is taking part in our decision. We two are now more than us two. We incarnate something. We're representing the people now. And the whole place is full of those who are dreaming the same dream. We are deciding everyone's game. I am ready. Now it's your turn. You hold the game in your hand. Now or never. You need me. You will need me. There's no greater story than ours, that of man and woman. It will be a story of giants... invisible... transposable... a story of new ancestors. Look. My eyes. They are the picture of necessity, of the future of everyone in the place. Last night I dreamt of a stranger... of my man. Only with him could I be alone, open up to him, wholly open, wholly for him. Welcome him wholly into me. Surround him with the labyrinth of shared happiness. I know... it's you.
 * Longing. Longing for a wave of love that would stir in me. That's what makes me clumsy. The absence of pleasure. Desire for love. Desire to love.

Homer, the aged poet

 * Tell me, muse, of the storyteller who has been thrust to the edge of the world, both an infant and an ancient, and through him reveal everyman. With time, those who listened to me became my readers. They no longer sit in a circle, bur rather sit apart. And one doesn't know anything about the other. I'm an old man with a broken voice, but the tale still rises from the depths, and the mouth, slightly opened, repeats it as clearly, as powerfully. A liturgy for which no one needs to be initiated to the meaning of words and sentences.
 * What is wrong with peace that its inspiration doesn't endure?
 * Where are my heroes? Where are you, my children? Where are my own, the curious ones, the first, the original ones? Name me, muse, the immortal singer who, abandoned by those who listened to him, lost his voice. He who, from the angel of poetry that he was, became a poet, ignored or mocked outside on the threshold of no-man's land.
 * [in German] Tell me of the men, women, and children who will look for me - me, their storyteller, their bard, their choirmaster - because they need me more than anything in the world. [in French] We have embarked.

Driver

 * Are there still borders? More than ever! Every street has its borderline. Between each plot, there's a strip of no-man's-land disguised as a hedge or a ditch. Whoever dares, will fall into booby traps or be hit by laser rays. The trout are really torpedoes. Every home owner, or even every tenant nails his name plate on the door, like a coat of arms and studies the morning paper as if he were a world leader. Germany has crumbled into as many small states as there are individuals. And these small states are mobile. Everyone carries his own state with him, and demands a toll when another wants to enter. A fly caught in amber, or a leather bottle. So much for the border. But one can only enter each state with a password. The German soul of today can only be conquered and governed by one who arrives at each small state with the password. Fortunately, no one is currently in a position to do this. So... everyone migrates, and waves his one-man-state flag in all earthly directions. Their children already shake their rattles and drag their filth around them in circles.

Peter Falk

 * To smoke, and have coffee - and if you do it together, it's fantastic.
 * [sketching an female extra, who is waiting on the set] What a dear face! Interesting. What a nostril. A dramatic nostril. These people are extras. Extra people. Extras are so patient. They just sit. Extras. These humans are extras. Extra humans.

Dialogue

 * Damiel: It's great to live by the spirit, to testify day by day for eternity, only what's spiritual in people's minds. But sometimes I'm fed up with my spiritual existence. Instead of forever hovering above I'd like to feel a weight grow in me to end the infinity and to tie me to earth. I'd like, at each step, each gust of wind, to be able to say "Now." Now and now" and no longer "forever" and "for eternity." To sit at an empty place at a card table and be greeted, even by a nod. Every time we participated, it was a pretense. Wrestling with one, allowing a hip to be put out in pretense, catching a fish in pretense, in pretense sitting at tables, drinking and eating in pretense. Having lambs roasted and wine served in the tents out there in the desert, only in pretense. No, I don't have to beget a child or plant a tree but it would be rather nice coming home after a long day to feed the cat, like Philip Marlowe, to have a fever and blackended fingers from the newspaper, to be excited not only by the mind but, at last, by a meal, by the line of a neck by an ear. To lie! Through one's teeth. As you're walking, to feel your bones moving along. At last to guess, instead of always knowing. To be able to say "ah" and "oh" and "hey" instead of "yea" and "amen."
 * Cassiel: Yeah, to be able, once in a while, to enthuse for evil. To draw all the demons of the earth from passers-by and to chase them out into the world. To be a savage.
 * Damiel: Or at last to feel how it is to take off shoes under a table and wriggle your toes barefoot, like that.
 * Cassiel: Stay alone! Let things happen! Keep serious! We can only be savages in as much as we keep serious. Do no more than look! Assemble, testify, preserve! Remain spirit! Keep your distance. Keep your word.

 * The Dying Man: [thinking to himself while lying on the side of a road after a motorcycle accident] You never saw anyone die? I stink of gasoline. I saw it all clearly - the Mercedes, the pool of oil. Karin, I should have told you. It can't be that simple. I've still so much to do.
 * Damiel: [placing his hands on the Dying Man's head] As I came up the mountain, out of the misty valley into the sun. The fire on the cattle range, the potatoes in the ashes, the boathouse floating in the lake. The Southern Cross.
 * The Dying Man: The Far East. The Great North. The Wild West. The Great Bear Lake. Tristan da Cunha. The Mississippi Delta. Stromboli. The old houses of Charlottenburg. Albert Camus. The morning light. The child's eyes. The swim in the waterfall. The spots of the first drops of rain. The sun. The bread and wine. Hopping. Easter. The veins of leaves. The blowing grass. The color of stones. The pebbles on the stream's bed. The white tablecloth outdoors. The dream of the house in the house. The dear one asleep in the next room. The peaceful Sundays. The horizon. The light from the room in the garden. The night flight. Riding a bicycle with no hands. The beautiful stranger. My father. My mother. My wife. My child.

 * Damiel: [as Falk is led away] Wait! I want to know everything.
 * Peter Falk: You need to figure that out for yourself. That's the fun of it.

Cast

 * Bruno Ganz - Damiel
 * Solveig Dommartin - Marion
 * Otto Sander - Cassiel
 * Curt Bois - Homer, the aged poet
 * Peter Falk - himself (credited as "Der Filmstar")
 * Nick Cave and the Bad Seeds - themselves
 * Crime & the City Solution - themselves

title: Wings of Desire


text:
User talk:Mxiongi~enwikiquote

Welcome
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Mxiongi. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Mxiongi~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:31, 17 March 2015 (UTC)

Renamed
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title: User talk:Mxiongi~enwikiquote


text:
User talk:Luckykrrish~enwikiquote

Welcome
Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos (talk) 18:38, 26 September 2006 (UTC)
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Luckykrrish. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Luckykrrish~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:28, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:52, 19 April 2015 (UTC)

title: User talk:Luckykrrish~enwikiquote


text:
User talk:Littledrummergurl

Welcome
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title: User talk:Littledrummergurl


text:
User talk:MFlet1

Welcome
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title: User talk:MFlet1


text:
User talk:WolfgangRieger

Welcome
Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos (talk) 18:38, 26 September 2006 (UTC)
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title: User talk:WolfgangRieger


text:
User talk:Chinwag3

Welcome
Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos (talk) 18:38, 26 September 2006 (UTC)
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title: User talk:Chinwag3


text:
User talk:DASELLINCARS

Welcome
Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos (talk) 18:38, 26 September 2006 (UTC)
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title: User talk:DASELLINCARS


text:
User talk:Stemc

Welcome
Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos (talk) 18:38, 26 September 2006 (UTC)
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title: User talk:Stemc


text:
User talk:198.7.249.145

Thanks for experimenting with the page Pulp Fiction on Wikiquote. Your test worked, and has been reverted or removed. Please use the sandbox for any other tests you want to do. Please see the welcome page if you would like to learn more about contributing to our compendium of quotations. Thanks. —LrdChaos (talk) 19:11, 26 September 2006 (UTC)

title: User talk:198.7.249.145


text:
Dummy (film)

Dummy is a 2002 film about an aspiring singer in a dysfunctional household who finds her niche in Yiddish music, while her friend tries to make it as a ventriloquist, saddled with a dummy who embodies his inner doubts.
 * Written and directed by Greg Pritikin.

The story of a dummy and his man. Taglines

Fangoria "Fanny" Gurkel

 * D'you know our high school reunion's comin' up? Ten years... D'you know how depressing that is? D'you think I don't wanna slash my fucking wrists when I think about that? Goddamn it!
 * Steven, you drive like my fucking grandma! Wait... that's actually an insult because my grandma drives better than you do!
 * [Being thrown out for throwing a tantrum in a mall.] Fucking suburbanized shit!

Others

 * Steven Schoichet: I look both ways when I cross the street.
 * Heidi Schoichet: [seeing Steven in his underwear, with his dummy dressed as a child] Steven? Gross! You look like a child molester.

Dialogue

 * Heidi Schoichet: Because every klezmer band in town is booked and I desperately need a band. But if I hire you, you have to be willing to "hora". Is that a problem?
 * Fangoria "Fanny" Gurkel: Oh man, at this point, I'd fuck anyone.

 * Heidi Schoichet: What're you apologizing to her? She's an unwed mother.
 * Fern Schoichet: Better an unwed mother than just plain unwed.

 * Fangoria "Fanny" Gurkel: I bought a gift for you.
 * Steven Schoichet: Oh, no.
 * Fangoria "Fanny" Gurkel: Actually, I lifted it from Borders. But it's perfect for your date. It's classical music.
 * Steven Schoichet: Oh, thanks!
 * Fangoria "Fanny" Gurkel: Yeah, when you get Lorena alone, put this on. Classical music makes women horny. Just trust me on this one.
 * Steven Schoichet: Thanks. "Best of John Philip Sousa".
 * Fangoria "Fanny" Gurkel: Yeah. Chicks dig it.

 * Fangoria "Fanny" Gurkel: You can fuck me if I'm wrong!
 * Steven Schoichet: No. That's okay.

 * Heidi Schoichet: [about Michael going in jail] Serves him right! I hope you rot in there, fucking loser!
 * Fern Schoichet: Heidi! That loser was almost your husband!
 * Heidi Schoichet: Why can't you get it into your head, he's a psychopath?
 * Fern Schoichet: I'm sure he is. But he's also a very successful accountant.

Taglines

 * The story of a dummy and his man.
 * Sometimes you need a little help finding yourself.
 * A comedy about finding your voice before you lose your mind.
 * Some people can say a lot without moving their lips.

Cast

 * Adrian Brody - Steven Schoichet
 * Milla Jovovich - Fangoria "Fannie" Gurkel
 * Illeana Douglas - Heidi Schoichet
 * Vera Farmiga - Lorena Fanchetti
 * Jessica Walter - Fern Schoichet
 * Ron Leibman - Lou Schoichet
 * Jared Harris - Michael Foulicker

title: Dummy (film)


text:
Wikiquote:Votes for deletion archive/Police Heroes

 * The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review).  No further edits should be made to this page.

The result was: delete. —LrdChaos (talk) 20:00, 26 September 2006 (UTC)

Police Heroes
Not notable. No Wikipedia page for this, and a Google search of "'Police Heroes' 3dmm" turns up only 335 results (removing "3dmm" returns many more, but most are irrelevant). The quotes themselves also don't seem rather memorable or quotable. —LrdChaos (talk) 20:03, 11 September 2006 (UTC)
 * Vote closed. Result: delete (four votes to delete, no dissent). —LrdChaos (talk) 19:53, 26 September 2006 (UTC)

 * Delete. —LrdChaos (talk) 20:03, 11 September 2006 (UTC)
 * Delete. The WP article was deleted several months ago. 3DMM Studio is a movie-making software package. Add to that a number of links similar to this "Police Heroes Series" discussion board posting, and it seems clear that "Police Heroes" is a relatively unknown work by an unnotable person. ~ Jeff Q (talk) 23:08, 11 September 2006 (UTC)
 * Delete. - InvisibleSun 03:34, 12 September 2006 (UTC)
 * Delete. ~ UDScott 12:40, 12 September 2006 (UTC)

 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.


text:
Wikiquote:Votes for deletion archive/The Pebble and the Penguin

 * The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review).  No further edits should be made to this page.

The result was: delete. —LrdChaos (talk) 20:01, 26 September 2006 (UTC)

The Pebble and the Penguin
This movie synopsis has no quotes. - InvisibleSun 03:30, 12 September 2006 (UTC)

 * Vote closed. Result: delete (five votes to delete (one implicit), no dissent). —LrdChaos (talk) 19:54, 26 September 2006 (UTC)
 * Delete. 121a0012 04:42, 12 September 2006 (UTC)
 * Delete unless this verbatim copy of the Wikipedia article is replaced with at least a minimally useful quote article. ~ Jeff Q (talk) 07:40, 12 September 2006 (UTC)
 * Delete, unless valid quotes are added, and the page is cleaned up. ~ UDScott 12:42, 12 September 2006 (UTC)
 * Delete unless valid quotes are added. —LrdChaos (talk) 14:21, 12 September 2006 (UTC)

 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.


text:
Wikiquote:Votes for deletion archive/An All Dogs Christmas Carol

 * The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review).  No further edits should be made to this page.

The result was: delete. —LrdChaos (talk) 20:01, 26 September 2006 (UTC)

An All Dogs Christmas Carol
No quotes. - InvisibleSun 03:42, 12 September 2006 (UTC)

 * Vote closed. Result: delete (five votes to delete (one implicit), no dissent). —LrdChaos (talk) 19:55, 26 September 2006 (UTC)
 * Delete. 121a0012 04:43, 12 September 2006 (UTC)
 * Delete unless turned into a proper quote article. This is another Wikpedia stub transfer from, although in this case, the "original" WP article seems to be missing. (It doesn't currently exist on WP, and it didn't go through an AfD that I see, but it was clearly intended for WP as it has (broken) links to images that are on en:Wikipedia but not here or in Commons.) I've asked the anon user not to create these stubs without quotes, and to review the templates to see what a quote article should contain. ~ Jeff Q (talk) 07:56, 12 September 2006 (UTC)
 * Delete, unless valid quotes are added and the page is cleaned up. ~ UDScott 12:41, 12 September 2006 (UTC)
 * Delete unless valid quotes are added. —LrdChaos (talk) 14:24, 12 September 2006 (UTC)

 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.


text:
Wikiquote:Votes for deletion archive/Leo the Lion (MGM)

 * The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review).  No further edits should be made to this page.

The result was: delete. —LrdChaos (talk) 20:01, 26 September 2006 (UTC)

Leo the Lion (MGM)
Directly taken from the Wikipedia article, there is no point in having this quoteless page reproduced here on WQ. - InvisibleSun 03:49, 12 September 2006 (UTC)

 * Vote closed. Result: delete (five votes to delete (one implicit), no dissent). —LrdChaos (talk) 19:58, 26 September 2006 (UTC)
 * Delete. 121a0012 04:43, 12 September 2006 (UTC)
 * Comment: InvisibleSun left out the vfd tag; I put it in. 121a0012 04:45, 12 September 2006 (UTC)
 * Delete. As far as I recall, the MGM lion roars but never speaks in his appearances at the start or end of films, so this seems a highly improbable subject for a quote article, anyway. I suspect creator is the registered version of the creator of our other two recent WP-copy articles up for deletion, based on the related themes (MGM films), the style (full copies with broken MGM image links), and the timing (although it's odd that the registered user created this before the MGM films were created by an anon). ~ Jeff Q (talk) 08:09, 12 September 2006 (UTC)
 * Delete. ~ UDScott 12:42, 12 September 2006 (UTC)
 * Delete. This is a copy of a Wikipedia article for a subject who can never provide a quote. —LrdChaos (talk) 14:25, 12 September 2006 (UTC)

 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.


text:
User talk:86.140.42.67

- InvisibleSun 21:36, 26 September 2006 (UTC)

title: User talk:86.140.42.67


text:
Stanley Unwin (comedian)

Stanley Unwin (7 June 1911 – 12 January 2002) was a British comedian and comic writer, famous for his idiosyncratic brand of English known as "Unwinese".

Rotatey Diskers with Unwin (1960)

 * This is a very good question and topicold. I would say that if the forward line have a symmetrical teamworkers and that they can from the first passit of the ball... take in mind  the measured beat of a one, two, throo or fido... so that the ball can falollop out to the wingers and a very fine trittly how in a run and drop-kick and carry one  and shooting in the goal if they can get by without an offsiger which is known on the ref and don't throw the bottload because he's only doing his best.  But, er, it'll be hard on their halfbackers because I don't think they'll get a chance to do a falolloper shooty on account of the front line with their deep joy of, shall we say, an express in their enthusiasm to the first who to clop falollop in the goalmouth.  Oh yes.  Anyway it's a very good question, sir.  It's not much about music excepting that half-time in the band falolloped huffalo-dowd.
 * Asked about Tottenham Hotspur's chances of winning the FA Cup

 * Goldyloppers trittly-how in the early mordy, and she falolloped down the steps. Oh unfortunade for cracking of the eggers and the sheebs and the buttery full-falollop and graze the knee-clappers. So she had a Vaselubrious, rub it on and a quick healy huff and that was that.
 * His version of "Goldilocks and the Three Bears"

 * With your Elvis Presley and wasp-waist and swivel-hippy, show you had, and I must say it showed it first self in pictures with the rhythmic contrapole of the wobbling of the hipper, sideways with the head and tilty, gave him that expression both also with a little doggy-lublike in the eyebold which he conveyed to the smaller femailode of the specie, coupled with his music because he did trittly-how fine on the strims, helped him along the roamer [....] I heard it first of all on a record in the early mordy: I was doing the shavit-huff with my razor blade, which of course is a safety one, and suddenly, suddenly he did a little syncopole or a drop-it and how, or something he did and caused a jerkit over a pimplode and I've been suffering ever since!
 * On Elvis

Ogden's Nut Gone Flake (Small Faces album, 1968)

 * Are you all sitty comftybold two-square on your botty? Then I'll begin.

 * Now, of cause like all real-life experience storie, this also begins once a polly tito.

And Happiness Stan, whose life evolved ni ephemeral colour dreamy most, had his pure existence and this being a deep joy of the multi-colour of the rainbold.

Oh yes. His home’s a Victoriana Chari bold, this is a four-wheel folloped ft-ft-ft out the back grove.

Now, as eved on his deep approachy, his eye on the moon.

All-time sometime deep joy of a full moon scintyladen dangly in the heavenly bode.

But now only half!

Oh blow your cool man he do this deep thocus, what is the folly of this half diapering of the moony most

And as the light d discintyladen changed through timely most, stop it still and he did a deep thocus.

What absolutely smash and flaked he was

So, gathering all behind in the hintermost, he ploddy-ploddy forward into the deep fundermold of the complicadent forry to sort ni this one out matey

Where at mand he thocus where at mand. Oh Dear

title: Stanley Unwin (comedian)


text:
YuYu Hakusho

YuYu Hakusho (1992-1995) is an anime and manga series by Yoshihiro Togashi. The story is set in a fictional universe based on modern-day Tokyo, Japan. YuYu Hakusho is about a young man and his encounters with supernatural entities from a parallel, sometimes overlapping world, called the Spirit World.

Surprised to be Dead [1.01]

 * Narrator: "And so it all begins. This boy's name is Yusuke. He's 14 years old and is supposed to be the hero of the story...but oddly enough, he's dead."

 * Yusuke: "Well, that wasn't normal. Okay Yusuke, just think; it's not like this is the first time you've been in a jam. Today did start off different. I went to school..."

 * Yusuke: "Hey, nice skirt."
 * Keiko: "All the girls have to wear these." [Yusuke throws a piece of gum up to catch it in his mouth, but Keiko catches it] "Just like all the boys have to wear blue jumpsuits, which I notice you're not."
 * Yusuke: "Oh gimme a break Keiko; I look better in green."
 * Keiko: "Maybe I'd be more tolerant, Yusuke, if I could see you in school more than once every ten days! You give our class a horrible attendance average, which gets me in trouble as a class representative, and plus you won't even be able to graduate middle school! Sometimes I think you don't care about anyone but yourself, and then you don't even do that right. You hear me?"
 * [Yusuke is behind Keiko, lifting up her skirt]
 * Yusuke: "Nice uniform. It's lacy."
 * [Keiko slaps Yusuke, sending him flying]
 * Keiko: [yelling] "Yusuke, you perv! People like you should be strung up in the street! Dumb boy! Hasn't grown up a bit since he was 4 years old!"

 * Keiko's Friend 1: "Aren't you just terrified of what he might do to you? Or even worse, what people might say of it?"
 * Keiko: "Not really. He just wants you to think he's dangerous. On the inside he's more like a lamb."
 * Keiko's Friend 2: "Yeah, but you haven't heard the latest news about him, Keiko. He's super tough, and he kills for fun!"
 * Keiko's Friend 1: "Yeah, and if you cross him, he'll whistle for 2,000 bad guys...with guns!"
 * Keiko: "C'mon, Yusuke doesn't even know how to whistle."
 * Keiko's Friend 2: "What?"
 * Keiko: "Besides, Yusuke couldn't order around two people, let alone 2,000. He doesn't have many friends."
 * Keiko's Friend 1: "Not what I heard."
 * Keiko's Friend 2: "Yeah, I think we would know."

 * Yusuke: "It figures that the one day I feel like going to school everyone wants to push on me and give me their stupid lectures! I hate that school. I hate this town!" [walks into his apartment and sees his mother, smoking in her pajamas] "Oh great, Mother of the Year."
 * Atsuko: "Get me coffee."

 * Yusuke: "Hey Kuwabara, you're conscious. I'm not used to that!"
 * Kuwabara: "That was a cheap shot last time and I was only knocked out for a little bit, okay? Now I'm back and I'm gonna beat your face up so bad even kittens won't look at you!"

 * Yusuke: "Plus, if you were a real messenger of death, you'd take this more seriously. Like, how grim can you be when you say 'bingo?' You're supposed to wear a big black robe and look like a skeleton!"
 * Botan: "Now I understand what kind of person you are; it's in my guidebook! Rather than be scared or surprised, you yell a lot and tell me I don't know what I'm talking about."

 * Botan: "It's funny, Yusuke...none of us were expecting you to die today; you've thrown us all for a loop. Run someone with your credentials through that scenario a thousand times and they never would've saved a kid like that. No one saw it coming and quite frankly, we haven't prepared a place for you yet."
 * Yusuke: "Oh, gimme a freakin' break! Are you telling me you guys were expecting that little boy to die?"
 * Botan: "Well, I wasn't going to tell you this because I knew it would make you even more irritable, but without the confusion caused by you running into the street, that boy would've actually missed the car and escaped with one less scrape on his right shoulder."
 * Yusuke: "What? But he was headed right for him!"
 * Botan: "Yes...well, the driver would have veered to the left. In other words, your death was a complete and utter waste!"

 * Yusuke: [attending his own wake] "Whoa, all my classmates are here. Just like I thought, look at 'em laughing!  They probably just came over here 'cause they were getting extra credit!"

 * [at Yusuke's wake]
 * Komada: "Come on, let's go back! This isn't right!"
 * Kuwabara: "Shut up! Let go of me, wouldja?"
 * Yusuke: "What? Kuwabara?!"
 * Kuwabara: [entering Yusuke's apartment while being restrained by his friends and screaming at his picture]"Damn you! You think you can just back out 'cause you're scared!"
 * Okubo: "Kuwabara, this place is for mourning!"
 * Kuwabara: "I'm not gonna leave! Not until he comes out here and lets me fight him!"
 * Okubo: "He can't do that!"
 * Kuwabara: "I'm gonna beat you down, you punk! You hear me?" [his voice breaks as he tries to hit the picture]  "Who do you think you are, huh?  Dirty punk!  Who am I gonna fight now?  Who am I gonna fight?"
 * Okubo: "He's gone!"
 * Kuwabara: "No!" [throws a punch at the picture, but stops inches before he hits it, sobbing] "You're supposed to be here...for me."

 * Takenaka: "At first I was so surprised, Yusuke...to hear you'd saved a kid at the cost of your own life. You've always acted more selfishly than that.  Darn.  Yusuke, I don't know why I don't feel like speaking well of you." [begins to cry] "Why didn't you stay?  You could have made something great out of yourself!"

 * Little Boy: "Mommy, do you think it'd be okay if I played with that boy tomorrow, if I'm good?"
 * Mother: "No, son."
 * Little Boy: "I know some people sounded angry at him, but he's really nice. He made really funny faces at me too, and he got me my ball!  I don't know why those people were crying like that.  It was probably because they wanted to play with him, too."

Koenma Appears [1.02]

 * Botan: "This is Yusuke Urameshi, and he's honored to meet you."
 * Koenma: "Mm-hmm."
 * Botan: [hitting Yusuke] "Hey, are you trying to make me look stupid? Tell him how honored you are!"
 * Yusuke: [laughing] "That's a good one, Botan, but let's be serious, okay?"
 * Botan: "Why would I lie about something like this, you moron?"
 * Yusuke: [still laughing, pointing at Koenma] "Why would the Spirit World be run by a toddler?"
 * Botan: [slapping Yusuke's hand] "Don't point your finger at him!"
 * Yusuke: "And to think I was scared of the mighty King Yama!"
 * Koenma: [clearing his throat] "Well to be more exact, I am the mighty Koenma, and I am the son of King Yama. Even though I appear to be a child, I have been around over fifty times longer than you have, so watch your mouth when you speak to me."
 * Yusuke: "So it takes hundreds of years to move past a diaper?"
 * Botan: [punching Yusuke in the head] "Can't you show an ounce of decency?!"
 * Koenma: "Actually, I'm proud to say that in addition to knowing the greatest secrets of the universe, I am also quite potty-trained."

 * Koenma: [presenting a golden egg] "Yusuke Urameshi, I present you...your ordeal."
 * Yusuke: "My ordeal is a golden chicken egg?"
 * Koenma: "Your ordeal will be what is inside of it, and I assure you, it won't be a chicken. Hatch this egg, and face what comes out."
 * Yusuke: "So what's the trick? Do I do something to hatch it?"
 * Koenma: "No, no, not at all. You only have to keep it with you.  This is a Spirit Beast, and it feeds off the energy emitted from your soul.  This will be a true and constant test of your character.  The things you do and feel will change the monster inside for better...or for worse.  If, as would be expected from your files, your spirit is wicked and cruel, then the beast that hatches will be the same way.  It will devour you, and you'll be lost forever.  This, as you might imagine, is a very painful experience.  However, if the energy you emit is good and true, then so will be the Spirit Beast.  It will take care of you and guide you back into your living body.  Of course, if it sounds too risky, you can opt out and remain as a ghost.  The choice, Yusuke Urameshi, is yours."
 * [Yusuke reaches out, hesitates, then takes the proffered egg]

 * Keiko: [dreaming that Yusuke's leaving and she's running to catch up with him] "Yusuke! Yusuke, wait!"
 * [Outside Keiko's dream, Yusuke watches her crying in her sleep]
 * Keiko: "Wait. Yusuke, wait."
 * Yusuke: [his ghost sitting on Keiko's chest] "Listen to me, Keiko. I need you to pull yourself together.  I'm coming back!  It's hard to explain, but I'm a ghost right now and I have to take care of this egg, and then I--"
 * Keiko: [mumbling] "Yusuke..."
 * Yusuke: "Hey, are you hearing me? This is important!"
 * Keiko: "You're heavy."
 * [Yusuke floats off of her in surprise]
 * Yusuke: [in Keiko's dream] "I need you to take care of my body until I come back. You've got to tell them not to cremate me.  And tell my mom not to waste her life away because we're gonna be fine!"
 * Keiko: [nods, teary-eyed] "Mm-hmm."
 * Yusuke: "Well...I guess that's it, Keiko. I'm coming back." [wipes tears off of Keiko's cheek] "I don't wanna see you crying anymore."
 * Keiko: [waking up] "Oh, Yusuke!" [realizes he's not there] "But he was...I thought...was all that really just a dream?"
 * [Keiko gasps and places a hand on the cheek Yusuke touched]
 * Keiko: "No...I'm sure I felt him."

 * Botan: "This dream your mother had seems to give her comfort, and Keiko doesn't want to take that from her."
 * Yusuke: "Well, while she's being comforted, I'm gonna be a barbecue!"

 * Yusuke: [yelling at Botan and pointing at Kuwabara] "You can forget it, Botan! There is no way I'm taking control of that lamebrain!"
 * Botan: "Here's my impression of Yusuke: 'Look at me, I'm burning!'"

 * Yusuke: [after beating up some thugs while possessing Kuwabara's body] "Darn, I'm giving Kuwabara a good name."

 * Yusuke: [while possessing Kuwabara's body] "Pull it together, Yusuke! You found her, but now you've gotta convince her quick that you're not just some ugly weird guy with bruises on his face!  No time, no time...okay, I've known her all my life.  There's got to be something between us that only I would do!" [realizes what needs to be done] "Yeah!"
 * [Yusuke, still in possession of Kuwabara's body, sneaks up behind Keiko]
 * Yusuke: "Keiko! Nice uniform!" [grabs her breasts from behind] "They're so squishy!"
 * Keiko: Yusuke you jerk! [slaps Yusuke]

 * Keiko: "Whether or not I believe isn't the question. I knew it was you from the first time you spoke!  I know!  And it's not just your stupid gags or how you laugh.  There's ways you move and speak that in a hundred years I wouldn't forget!"

 * Yusuke: [while possessing Kuwabara's body] "I know I've been a bum to you at times, but please wait for me!"
 * Keiko: "I will! I'd wait forever, Yusuke!"

 * Keiko: "Atsuko! Please, open the door!"
 * [Yusuke's mother opens the door, dressed in a black kimono]
 * Keiko: "Atsuko! I have to tell you about Yusuke!  He...he might be coming back!"
 * Atsuko: "He already has."
 * Keiko: "Huh?"
 * Atsuko: "I opened his coffin again because, well, I was going to smack him one more time for leaving me, but then I saw...Yusuke's cheeks have some color! His skin is slightly warm!  His heart is beating.  It's slow, but...my boy's alive!"

Kuwabara: A Promise Between Men [1.03]

 * Akashi: [addressing Kuwabara and his gang] "Mm-hmm! As far as causing trouble's concerned, you boys keep topping yourselves!  Attacking a trio of older boys from Kazenaga Junior High who, according to their mothers, were quite harmless!" [slamming his hand down on the desk] "Unacceptable!  Here at Sarayashiki Junior High we have a thing called accountability!"

 * Komada: [after Akashi tells them that they cannot fight for one full week or Okubo will lose his part-time job] "Can you make it shorter? How about two hours?" [is pushed back by Kuwabara] "That seems fair, right?"
 * Kuwabara: "If you want one week, then you got it!"
 * Kirishima: "But can you do that, Kuwabara?"
 * Komada: "Three hours! Ask for three!"

 * Akashi: "I don't know which boost to the school's reputation I like best: kicking out Kuwabara or having Yusuke die on his own!"
 * Yusuke: "I always said those teachers were out to get me! I'm surprised they didn't run me over themselves!"

 * Botan: "Kuwabara's so loyal to his friends; I'll have to make a note."
 * Yusuke: [mocking Botan] "Oh yes, he's so brave." [normally] "You just wait, Botan. This little promise of his won't last for long."
 * Botan: "You don't think that Kuwabara--"
 * Yusuke: "Huh?"
 * [the pair see Akashi trailing Kuwabara on his way home]
 * Akashi: "Those boys should be arriving any minute now."
 * Yusuke: "Mr. Akashi? Gee, doesn't this guy have a life besides tormenting kids?"
 * [the three punks from Kazenaga accost Kuwabara]
 * Kazenaga Punk 1: "Kuwabara, we've been waiting!"
 * Kuwabara: "Now's really not the time!" [starts running away]
 * Kazenaga Punk 1: "What is this, Kuwabara? Are you actually running away like a sissy?"
 * Kuwabara: [stopping and turning to face them] "Oh, no. I'm not goin' anywhere!"
 * Kazenaga Punk 2: "He does have the guts to face us without his slave boys!"
 * Kazenaga Punk 1: "Especially with the ass-kicking we're about to give him!"
 * Kuwabara: [running back over to them] "Talk all you want! Let's see what you can do!"
 * Yusuke: "See? What'd I tell ya?"
 * Botan: "Hmm..."
 * Akashi: [laughing] "It couldn't be more perfect!"
 * Kuwabara: "But I'm not gonna fight back, so you just hit me as much as you're gonna and let me get out of here!"
 * Yusuke and Akashi: "What did he say?!"
 * Botan: [admiringly] "He's so cool!"
 * [the three thugs from Kazenaga clobber Kuwabara without resistance]

 * Akashi: "Kuwabara! Are those new bruises today?"
 * Kuwabara: "I got piled on by those guys you said were harmless, but I didn't touch 'em!"
 * Akashi: "I'm so impressed. But I talked to some of the other teachers yesterday about our arrangement, and they said I was too easy on you."
 * Kuwabara, Komada, Kirishima and Okubo: "What?!"
 * Akashi: "I was just as surprised as you are, but they were convinced! So, in addition to not fighting, you must all score fifty percent or higher on the Physical Science test!"
 * Okubo: "Hey! You can't just keep adding conditions!"
 * Akashi: "I'm afraid I just did...and if one of you fails, Okubo's job goes out the window." [walks away]
 * Kirishima: [scoffing] "Please! We can pass that test easy if we study a little!  I got, like, a forty-five on my last Physical Science test!"
 * Komada: "No worries here; I scored a fifty-seven. How 'bout you, Okubo?"
 * Okubo: "Yeah, I got a thirty-nine, so if I try a little harder I'll be good. We're gonna be okay, right Kuwabara?  What did you get?"
 * Kuwabara: "I got a...A SEVEN!"
 * [the other boys fall over in shock]
 * Yusuke: "Well what do you know, Kuwabara is stupider than I am!"
 * Botan: "What did you make on your last test?"
 * Yusuke: [proudly] "I got a twelve."

 * Yusuke: [perched on the back of Kuwabara's chair] "It's a good thing I came over to check on him; he's fallen asleep in the final inning!" [gently shaking him] "Hey, Kuwabara! Kuwabara!  Wake up and study, doofus!  Your test is tomorrow!  Ah, seems he's out for good...guess I'll have to show up in his dream."
 * [inside Kuwabara's dream]
 * Kuwabara: [seeing Yusuke] "Urameshi! You've come back for a fight, huh?  Well, I'm gonna make cat food out of you!"
 * Yusuke: "Hey, whoa whoa whoa whoa!" [picking up Kuwabara's textbook] "You've gotta pass this test first!"
 * Kuwabara: [yanking the book out of Yusuke's hands] "Gimme! I was just studying this before you showed up."
 * [time passes, and Yusuke is holding the book now, quizzing Kuwabara]
 * Yusuke: "Why is the color of blood red?"
 * Kuwabara: "Because of all the red blood cells! They color it.  That's easy."
 * Yusuke: "But what's the pigment?"
 * Kuwabara: "Hemoglobin! I forgot!"
 * [outside Kuwabara's dream]
 * Yusuke: "And what causes your blood to clot?"
 * Kuwabara: [mumbling in his sleep] "Plate...lets..."
 * Yusuke: [nodding] "Yes...good, good."

 * Akashi: [grading Kuwabara's test] "This can't be right! That garbage-brain actually scored more than fifty points!" [to himself] "If that brat had only missed one more question...!  Now he's thrown the whole plan into the sewer!"
 * Iwamoto: [tapping Akashi on the shoulder] "Let me show you a different method of grading." [erasing one of Kuwabara's answers] "You see, Mr. Akashi? There really wasn't an answer written there.  You've made a mistake."
 * Akashi: "Yes, I see."

 * [Akashi has just given back Kuwabara's doctored test]
 * Kuwabara: [in disbelief] "No! That's wrong!"
 * Akashi: "And what's really painful is that you were so close! But I'm afraid a promise is a promise, young man.  I'll go notify Okubo's employers."
 * Kuwabara: "But I checked it!"
 * Akashi: "Oh well. I guess there are many things you can't do right."  [walks away]
 * Kuwabara: [thinking] "I know this isn't right! I checked all the answers myself!" [notices the answer that Akashi erased] "I...I don't believe it!  That no-good teacher erased my last answer!  Who does he think he is?!" [runs after Akashi in a rage] "I'll show you!"
 * [Kuwabara charges Akashi and grabs him by his collar, cocking his fist back to strike]
 * Yusuke: [yelling and grabbing Kuwabara's wrist] "Kuwabara, stop! I don't know if you can hear me, but I'm gonna say this!  Just remember Okubo!  All the poundings you took for him!  Punch this teacher, and all that's erased!  Kuwabara!"
 * [Kuwabara hesitates, then lets go of Akashi]

 * [Akashi is laughing on the floor as Kuwabara trudges away, disappointed at his test score]
 * Takenaka: [walking up behind Akashi] "Find something funny, Mr. Akashi?"
 * Akashi: [hurriedly standing up] "Did you see that, Mr. Takenaka? That hoodlum nearly wrung my neck!"
 * Takenaka: "Yes, and I think if someone had corrupted my answer sheet the way that you and Mr. Iwamoto did to that boy, I would've wrung your neck too!"
 * Akashi: [taken aback] "But wait! I don't know what you mean!"
 * Takenaka: [grabbing Akashi by the collar] "I'm sure that you know how precious the honor system is at this junior high so I'd appreciate it greatly if you didn't lie to my face! Now, you're going to correct that score immediately!"
 * Akashi: Of course!

 * [After Kuwabara's test is corrected and Takenaka lets Okubo keep his job, Yusuke and Botan watch the four boys walk away]
 * Yusuke: "I tried to stop him from hittin' that teacher as a reflex. I didn't think he'd hear me."
 * Botan: "Kuwabara didn't really hear what you said to him, you know."
 * Yusuke: "Say what?"
 * Botan: "They can't hear words unless they're asleep, but you can communicate feelings to living people when they're on the same emotional wavelength. See?  You reached Kuwabara with your feelings."
 * Yusuke: "Hey, gimme a break! Everything's going fine and then you have to get mushy!"
 * Botan: [amused] "You don't have to be embarrassed."
 * [the pair notice Kuwabara looking up in their direction]
 * Yusuke: "Shut up, will you? I think he can hear us talking about him!"
 * Botan: "Don't worry Yusuke, he definitely can't see us or hear us, though there's a good chance he can feel you after what you went through together."
 * Kuwabara: [quietly] "Thank you, man."

Requirements for Lovers [1.04]

 * Sayaka: "Now are we absolutely certain that Keiko wants Yusuke to come back to life again? After all, there's a great deal of manpower involved in making one of these life recoveries run smoothly.  There's no point in doing it if the people closest to you don't care!"
 * Yusuke: "Hey, look. This ordeal thing wasn't my idea, so don't throw me a guilt trip.  And as for Keiko, how am I supposed to know?  It's clear that if she had any sense she'd want me gone."
 * Botan: "She wants you back."
 * Yusuke: "You think so?" [squishes his face with his hands, mocking Keiko] "She always looks at me like this. 'Hey Yusuke, come to school!'  'Hey Yusuke, that's not the right uniform!'" [takes his hands away] "Yeah, she probably just wants me around so she can yell at me and get a better reputation with her teachers."
 * Botan: "Why do you say things you don't mean? You know she only scolds you because she actually cares about you.  Sayaka, I've learned not to listen to him most of the time.  He's just embarrassed, is all.  He's got the cutest crush on Keiko!"
 * Yusuke: "Botan! Why don't you nail your stupid mouth shut?!"
 * Botan: "Why don't you get over your stupid cuties and admit that you like her, Yusuke?!"

 * Sayaka: "Hmm...smart, athletic, friendly but stern with her friends...her scores are next to perfect! This attraction between Yusuke and Keiko must obviously be one-sided."
 * Yusuke: "I can hear you."

 * Sayaka: "The house is on fire."
 * Botan: "Yes, it seems so."
 * Yusuke: "My house is on fire! My mom didn't even have the decency to lock the windows for me!"
 * Botan: "Yusuke, uh, maybe we should focus on other things."

 * Yusuke: "Keiko, forget about me! You're a lot more important to this world than I am!  Don't be stupid!  Go back!"
 * Sayaka: "You do know that without your body you can't come back, don't you?"
 * Yusuke: "What's the point of being alive if Keiko has to get killed for it?"

 * Yusuke: "Botan! Please, there's gotta be something I can do!"
 * Botan: "I'm sorry, Yusuke. I've tried everything in my power."
 * Sayaka: "There is one way...but you may not be willing to do it."
 * Yusuke: "I'll decide that for myself! Tell me!"
 * Sayaka: "You can save her life by using the power that's been gathered by the Spirit Beast you've been carrying with you."
 * Yusuke: "What?" [pulls out the egg] "You mean this little guy?"
 * Sayaka: "Throw it in the fire, and it will unleash from the egg and save her."
 * Yusuke: "And that's all I have to do? Why didn't you say so?"
 * Sayaka: "But if you hatch the Spirit Beast now, before it's ready, it won't be able to perform its usual duties."
 * Botan: "So does that mean...if he saves Keiko's life, the beast won't be able to bring Yusuke back?"
 * Sayaka: "Right. Yusuke will never have a chance to be alive in this world again."

 * Yusuke: "So my life for hers, huh? I wish someone had told me this morning that I'd make this kind of choice."
 * Sayaka: "Your time is short, I'm afraid."
 * Yusuke: [looking at the egg in his hand] "Oh well...it was a good dream." [turns and throws the egg into the fire] "KEIKO!!"

 * Kuwabara: "WHAT ARE YOU DOING WITH YUSUKE'S BODY?!"
 * Keiko: "I promise I'll tell you everything, but not right now. We've got to get him somewhere safe."
 * Kuwabara: "ARE YOU SOME TYPE OF SICK GRAVE-ROBBER?!" [throws Yusuke's body over his shoulder and grabs Keiko's hand, running down the street] "Well, come on! We can't let the police get a hold of you!"

 * Botan: "Yusuke...things aren't going to be so easy on you for a while. You can't just wander around here anymore; I'll have to take you back.  I don't know who Keiko will love in the future, but you cannot interfere.  There's no point in her saving her heart for someone she will never have...like you."

 * [After Yusuke gives up his Spirit Beast, his mother and his friends are talking to his body, thinking he's coming back]
 * Yusuke: [angrily] "This is so stupid! Isn't someone gonna tell them that they're just talking to a dead body?  Stop apologizing, Mom, I'll never be around to say it's okay!  I'm dead for good!"
 * Botan: "It's so sad."
 * Sayaka: "It can't be helped. He made this decision on his own."
 * Yusuke: "Okay Botan, just take me to Heaven or Hell or wherever it is I'm going. I'm tired of being here."

 * Koenma: "Yusuke, you've shown to have more character than I thought. I've been trying to figure out whether people around you really want you back.  Contrary to my personal opinion, they actually do.  More importantly, you've exhibited astounding potential to be a decent human being.  Because this trait is so rare, I've decided to give you another chance.  In retrospect, it was a very good thing you threw this egg into the fire.  If you had allowed it to hatch, the Spirit Beast, which had been feeding off your constant negative energy, would not have been a pretty sight.  It would have bitten your head off.  But as you and I know, that's not what happened.  You threw the egg into the fire without hesitation, saving Keiko's life at the cost of your own.  You have a special quality buried underneath all that crap, and your added experience with death could make you very useful."
 * Yusuke: [flabbergasted] "You think I'm useful?!"

Yusuke's Back [1.05]

 * [in Yusuke's new apartment]
 * Yusuke: "Nice pad. My mom must've had good fire insurance.  So are you going to put me back in my body now?"
 * Koenma: "Not just yet. Energy of the body and energy of the soul have their own wavelengths.  Unless the two are perfectly aligned, they cannot join, which won't happen until tomorrow."
 * Yusuke: [excitedly] "Wow! Starting tomorrow I'll be a human with real fists and everything!"
 * Koenma: "Well, that's the best case scenario. There is a small problem: the frequencies of your wavelengths, interestingly enough, are lower than most people.  If you miss this chance tomorrow, you'll have to wait awhile to realign."
 * Yusuke: "What are we talking about, like weeks or months?"
 * Koenma: "Fifty-two years."
 * Yusuke: [aghast] "Fifty-two years?!"
 * Koenma: "Yes, but I think it would be wise if you tried to do it tomorrow instead, and in order for that to happen you'll need someone in the Living World who cares about you at least a little bit to donate their life energy."
 * Yusuke: "You mean like a human sacrifice?"
 * Koenma: "Are you kidding? I'm not evil.  They must give it to you...through the lips!" [seeing Yusuke's horrified expression] "I don't see what's surprising about that; haven't you heard of mouth-to-mouth resuscitation?"

 * Kuwabara: [waking up screaming] "It's terrifying! I didn't know nightmares could be so bad!"
 * [in his dream, Kuwabara held Yusuke's glowing body and kissed him]
 * Kuwabara: [screaming again] "GAH!"

 * Yusuke: "Come on Kuwabara, get your head out of that damn game and listen to me! I don't want you to think I'm weird or anything, but please please please just kiss me!"

 * Koenma: "Five more minutes. What will you do if she doesn't make it in time?"
 * Yusuke: "The only thing I can do: wait around another fifty years. Then I'll go see Keiko when she's an old hag!"

 * [Keiko has kissed Yusuke just as the clock struck twelve, but he doesn't wake up]
 * Keiko: "Please come back. I need you. Yusuke, please!" [starts crying] "Yusuke!  No, don't go!  No!  Yusuke!"
 * Koenma: "She didn't make it."
 * Botan: [looking around in confusion] "Huh?"
 * [Keiko is still crying at Yusuke's bedside when he takes a breath, opens his eyes and slowly sits up, looking at her]
 * Yusuke: "Hey, nice kiss."
 * Keiko: [throwing her arms around Yusuke, tears of joy running down her cheeks] "Oh, Yusuke!"

 * Thug 1: "Pardon us sir. Could we borrow a little cash?"
 * Thug 2: "You see, we've lost our wallets and we need to call our moms."
 * Thug 1: "You remember how the Golden Rule works, don'tcha?"
 * Thug 2: "Just give us all the money you've got on, okay?"
 * Yusuke: "Are you guys talking...to me?"
 * Thug 1: "Eh?"
 * Yusuke: "I mean, you see me?"
 * Thug 2: [clenches one hand into a fist] "Who else would we be threatening, buddy?"
 * [Yusuke gets misty-eyed and holds Thug 2's fist in his hands]
 * Yusuke: "I can talk trash to people and even touch them! To be alive is a wonderful thing!" [sighs happily and walks off]
 * Thug 2: "How dare you! You can't touch me!"
 * Thug 1: "Leave 'im alone; it ain't right to mess with the crazies."

 * [Kuwabara has been blackmailed into stealing merchandise, which goes against his honor code]
 * Kuwabara: [entering the coffee shop with his gang] "Eikichi! Eikichi, where are you?"
 * Sakamoto: "She's safe here with me. Now let's see what you've got there."
 * [Kuwabara takes three comic books out of a bag and throws them on the table]
 * Kuwabara: "There. I got you several kinds; I didn't know what you liked."
 * Sakamoto: "Well isn't that very interesting, Kuwabara." [holds up a small piece of paper] "Didn't know they gave receipts for stealing!"
 * Kuwabara: "What difference does it make? I gave you the comic books, now give me Eikichi!"
 * Sakamoto: "Fool. You've missed the point entirely. I was trying to teach you the thrill of stealing things.  This is not what we agreed upon!  Now apologize.  You heard me.  Get on your knees and apologize for being wrong."
 * Okubo: "Never!"
 * Komada: "Don't push it, Sakamoto!"
 * Kuwabara: "Quiet!" [falls to his hands and knees]
 * Okubo: "Kuwabara, don't!"
 * Kuwabara: "I'm...sorry, Sakamoto. I was wrong."
 * Rugafuji Punk 1: "What's that? You were mumbling."
 * Kuwabara: "I'm sorry I was wrong!"
 * [the Rugafuji punks laugh]
 * Yusuke: [in another booth, thinking to himself] "Whoa! This Eikichi girl must be something special to make him sink that low."
 * Rugafuji Punk 1: "You're pathetic."
 * Rugafuji Punk 2: "You might as well give us your backbone, too."
 * Rugafuji Punk 3: [pulling a kitten out of a bag] "I just can't believe you're doing all that for a retarded fuzzball!"
 * Kuwabara: "Eikichi!"
 * [Yusuke falls over in shock]

 * Rugafuji Punk 1: "It's...that guy! It's Yusuke Urameshi!"
 * Kuwabara: "You...you've really come back from the dead!"
 * Yusuke: "That's right, and I'm in the mood for a relaxing throwdown!"

 * Yusuke: [handing Eikichi to Kuwabara] "Here! Hold this guy, wouldja?"
 * Kuwabara: "Hey! It's a she!"

 * Mysterious Fortuneteller: "You have all that's required to be detective of the Spirit World."
 * Yusuke: "That's a fancy title. What do they do?"
 * Mysterious Fortuneteller: "You'll learn soon enough, Yusuke. The appointment is mandatory."
 * Yusuke: "Whoa, slow down! How the hell do you know my name?"
 * Mysterious Fortuneteller: "Don't get fussy! I hope you know mine, too!" [takes off her hood, revealing herself to be Botan]

 * Yusuke: [after being told that his first case as Spirit Detective starts tomorrow] "Well, so much for the good old R and R."

Three Monsters [1.6]

 * Kurama: [after Yusuke appears to arrest him, Gouki, and Hiei] Sorry, I don't have time to be arrested.

The Three Eyes of Hiei [1.8]

 * Hiei: [to Yusuke] You're a team player. A save-the-day superhero. I hate people like you.

Kuwabara's Spirit Sword [1.10]

 * Yusuke: Tell me. Is that hunch coming from one of those guys?
 * Kuwabara: Hard to say. I think the feeling is hidden really good. It's just hanging in the air and I can't tell where it's coming from. Sort of like a...a...
 * Yusuke: Sort of like a fart in a crammed elevator?

 * Kuwabara: [about his spirit sword] Pretty cool. But how am I supposed to turn it off?

Genbu, the Stone Beast [1.15]

 * Hiei: The only reason I saved you is because I might need your help.
 * Kurama: [laughs softly] It's his way of saying "you're welcome". You will learn.

 * Genbu: I am Genbu, of the Four Saint Beasts. Do you have a request before you die?
 * Yusuke: Yeah, tell me how a beast is a saint. I'm lost.

 * Kuwabara: He's a rock, Urameshi! How are we supposed to fight against a talking rock!?

 * Hiei: [to Yusuke] Obviously, you are underestimating Kurama. Do you know why I chose him to be my partner? To avoid fighting him myself. Watch. He's more cutthroat than I am when it comes to battle and unbelivably precise.

 * Yusuke [upon seeing Kurama's Rose Whip for the first time] Well, everything's coming up roses.

_____________________________________________________________________________________________________

Kurama's Stand [2.13]

 * Hiei: I don't give a damn about their internal disputes. The only important thing is how strong they are. I've fought my share of Ice Warriors. Seriyu, the Blue Dragon fell to my sword quickly enough, but he was no master; he was a fool who thought he could get by on half of his lessons. But if there is any true Ice Master, anyone who completed the full training that his master intended and knows the art of ice...it is Touya.
 * Touya: [thinking] This doesn't make sense. No one can survive all those direct hits from my ice attack, not unless...[gasps, then speaks aloud to Kurama] You really are dangerous, aren't you? I haven't been making direct hits. You've been blocking your vital points with your own body. You must be very old...experienced...perhaps as I am.

Jin, the Wind Master [2.15]

 * Jin: I thought I was crazy, Urameshi, but you take the prize. The hell was that? You don't make bombs go BOOM in your face!

Reverse Decisions [2.16]

 * Touya: [walking forward] Risho! [painfully climbs into the ring] This deceit has gone too far. Don't you see we'll make a mockery of their sacrifices? [flashes back to Gama's death] Gama willfully gave his life for us to win...not cheat our way out.
 * Risho: [scoffs] Spare me your romantic drivel, Touya. [Touya hisses under his breath] He fought for the light. Now we're going to enjoy it.
 * Touya: But honor!
 * Risho: [forms a wristband of earth] Nonsense! [strikes Touya, sending him flying out of the ring and onto the grass] We must always keep our eye on the final goal, Touya. That's why I am the leader...and you are the grunt. [Touya gives Risho a disgusted look before passing out]]

Toguro's Full Power [2.37]

 * Yusuke narrates: "Genkai is it time yet?"
 * Genkai "One more thing before I give you your test. Give me your hands I have to prepare your body."
 * Yusuke "This isn't another trick is it?"
 * Genkai "Hold still and try not to cry. non omnis moriar abdura dolar ____ prefer doleen" [Need help but I think this generally means Not all of me will die, this will go to you,Be patient and tough; some day this pain will be useful. )
 * Yusuke "I don't know what your trying to pull but I am not into this kinky stuff, and your way too old!"
 * Genkai: "In your dreams, Yusuke."

 * Younger Toguro: "I consider myself a good judge of humankind. Having formerly been one, I can say there's something missing in your eyes. And that something is fear. It used to be one of your strengths, without fear you'll never grow stronger as a fighter. I know I've told you that before.

Yusuke's Despair [2.38]

 * Kuwabara: "A mulberry is a tree, and Kuwabara is a man. And I'll prove it. We all have to die when our time comes, but if we do our duty we don't got regrets, so taste a little piece of my sword, Toguro!

Kuwabara: Awakening [3.10]

 * Kurama: "The footage must be provocative. I confess there was even a time when I wanted to see it." [seeing Yusuke's look] "Was, was."
 * Yusuke: [thinking] "Geez, he's making me paranoid."

 * Kurama: "Koenma knows the exact identity of our foe."
 * Yusuke: "He WHAT?!"
 * Kurama: "I've planned a formal meeting to..." [trails off when he notices Yusuke is gone]
 * Yusuke: [into Botan's briefcase] "Earth to toddler bitch! You better speak now before I forever put that pacifier 10 inches down your throat!"
 * Kurama: [thinking] "Not quite what I planned."

 * Mitarai: "Have you ever seen hundreds of frightened people, waiting in line to be killed in a camp? Have you seen horsemen raid and destroy a village, dancing on the bodies of their victims while singing happy songs? Have you ever seen a gigantic bomb wipe away millions who have never even picked up a weapon?! A civil war, where a mom is hacked down in front of her child, or a child in front of his mom. And the soldier...breaking up a family who loves each other, leading them into a fire...and his eyes enjoying the torture."

 * Shizuru: [to a teary-eyed Keiko] "C'mon, kid. I think you're way past your sympathy limit."

 * Kuwabara: "When men do what they're supposed to do, it's not always about what they want."

 * Mitarai: "You're Yusuke..."
 * Yusuke: "That's right, Goldie. And that's my bed you're sleepin' in, thanks to the human freight train there, dragging you in so we could stitch you back up."

Sensui's Fall [3.11]

 * Yusuke: What I wouldn't give to know what stupid bedazzled forehead was saying...

 * Yusuke: [to Kuwabara] You're like an ugly singer with a good voice; best for back-up!

Divide and Conquer [3.12]

 * Yusuke: No more running away from me, Sensui! This is the place where I end your damn life!
 * Sensui: 3, 2, 1.
 * Kuwabara: [screaming]
 * Yusuke: Kuwabara!

The Human Race [3.13]

 * Kurama: [to Mitarai] It's never too late to reform one's ways.

 * Yusuke: Well, don't I feel special? My own private, personal, localized meteor shower.

Others

 * Atsuko: You fool! Why?  What were you thinking, Yusuke?  No one gave you permission to die!  You got hit by a car, strong people live through that!  Were you mad at me, Yusuke, were you mad?  Didn't I raise you good enough?

 * Atsuko: I just had the strangest dream about Yusuke. Yusuke was living in some other world full of ogres and he kept knocking them down until he became their leader.  Sounds like him, doesn't it?

 * Jin: I thought I was crazy, Urameshi, but you take the prize!

 * The hell was that?! You don't make bombs go boom in your face!

 * Shizuru: If you know, then why don't you act on it before you're a deadbeat loser like me?! I didn't help raise you for nothing, and if you keep fighting demons, you're on your own! So decide, the exam for the Kaiji High School is coming up! You pass, or you get out! The window is coming out of your allowance.

 * Kuwabara: That's what I think of that. alright, Kuwabara, you're 15. Mayne it is time to start thinking about your future, you know? Stop fighting all the time, focus on your schoolwork, and apply yourself. And oh darn it, I hate it when she's right about something.

About

 * I believe that anyone who draws has a desire to attract people with their art, but this is an ambition that I had suppressed for a long time. This is because back when I had just had my debut, my editor at the time had shown me a manga page by Hagiwara Kazushi (BASTARD!!). I felt that if I were honest with myself, my art would never be able to compete with something like this. But I was never able to throw away my ideal of being able to draw manga without help from other people. A few times during the run of YYH, I finished my manuscripts all by myself. All of these instances were when my stress levels were at their highest. I don't know if anyone will understand, but when I was stressed because I wasn't satisfied with my manga, the only way for me to relieve this stress was to draw all my manga by myself.
 * As a result, those chapters ended up horrible. Both the characters and the backgrounds were messy. The one shot Two Shots, Karasu vs. Kurama, Yusuke vs. Sensui, the scene where Yusuke meets Raizen, I drew most of those alone. The latter two were finished in half a day before my deadline, as a reader guessed and criticized in a letter. This might mean I fail as a professional, but I was satisfied. I had already started to think that no matter what anyone says, no matter how messy the finished pages are, I just wanted to draw this by myself, and I had no reason not to go through with it.
 * It saddens me to say this, but I had explored every possible direction for the YYH characters that I could in the context of a professional publication. All I could do at this point was to start deconstructing the characters, or go on repeating the same storylines over and over until the readers got bored. My attempts to deconstruct the characters were, of course, turned down by Jump. I didn't have the strength, physically and mentally, to keep doing the same thing over and over.
 * Yoshihiro Togashi, YuYu Hakusho introduction to vol. 19.

Cast
Yusuke Urameshi- Justin Cook [voice]

Kazuma Kuwabara- Christopher Sabat [voice]

Kurama- John Burgmeier [voice]

Hiei- Chuck Huber [voice]

Keiko Yukimura- Laura Bailey [voice]

Botan- Cynthia Cranz [voice]

Koenma- Sean Michael Teague [voice]

Roto- Sean Schemmel [voice]

Younger Toguro- Dameon Clarke [voice]

Suzaku- Jerry Jewell [voice]

title: YuYu Hakusho


text:
The Paper Chase (TV series)

The Paper Chase (1978–1979) was a one-hour drama series directed by James Bridges. The show was based on the 1973 movie which, in turn, had been based on the 1970 novel written by John Jay Osborn. The book tells the story of an idealistic first-year law student from rural Minnesota attending an unnamed New England law school, clearly reminiscent of Harvard, and his experiences with the brilliant, demanding professor of contract law whom he both idolizes and finds intimidating.

Opening credits

 * Professor Kingsfield: The study of law is something new and unfamiliar to most of you -- unlike any other schooling you've ever known before. You teach yourselves the law, but I train your minds. You come in here with a skull full of mush, and, if you survive, you leave thinking like a lawyer.

title: The Paper Chase (TV series)


text:
Cats & Dogs

Cats & Dogs is a 2001 film directed by Lawrence Guterman about the ancient relationship between cats and dogs. It has a 2010 sequel Cats & Dogs: The Revenge of Kitty Galore.

Dialogue

 * Butch: How could this have happened?!
 * Control: It was an accident. He slipped through.
 * Butch: You promised me a professional! And what do I get?! A puppy! I mean, he's still got his you-know-whats, for crying out loud!
 * Control: There's no time, Butch. The puppy stays. End of discussion. Out.

 * Lou: I was just thinking - if I'm gonna to be a secret agent, I should have a better name. I was thinking, "Toto Annihilation".
 * Peek: Nah, he's a pro-wrestler. Sorry, that name's taken.
 * Lou: All right, then. "Doom Machine" it is.
 * Butch: Hey! You can call yourself "Squicky the Space-Dog" for all I care. [Sam and Peak snicker] But that don't make your behind a rocket pack! You are not an agent, but you are gonna help us.

 * Ninja Cat Leader: On my mark! 3! 2! 1!
 * Ninja Cat Team and Leader: BANZAI!
 * [The Ninjas drop from the planes and deploy their parachutes after several seconds of freefall]

 * Mr. Tinkles: [after Sophie leaves; angrily] Evil does not wear a BONNET!!
 * Calico: [emerging from trash bin] Comin' out, is she gone?
 * Mr. Tinkles: [shakes his head] Urgh! Did Genghis Khan ever wear a bonnet? No. Attila the Hun? I don't think so. But he did wear a furry hat. Maybe a black bonnet? Uh, yes? Huh? No? Okay. Ahem. [lifts top of serving plate] The ninjas failed, and failure is unacceptable! [drops top of serving plate] If they ever show their faces again, [examines a roll] you know what to do.
 * Calico: Yes. Tell them to wash with a loofah sponge. Kidding. Hello? Joke?
 * Mr. Tinkles: [annoyed] This can't be happening. [angrily] I want them ELIMINATED! [slams his fist on the end table]
 * Calico: Bu-but they, they did manage to bug the phone. You know, maybe we can look at the glass as half-full. [Mr. Tinkles growls and throws the roll at Calico] Ow! Th-that's what I like to do.
 * Mr. Tinkles: Huh, putting a happy face on things, I see. What an interesting philosophy. At what point did you forget that WE'RE TRYING TO TAKE OVER THE WORLD?! [thunder claps loudly] The clock is ticking, and our margin for error is slight! Tomorrow, you will send in...the Russian.

 * Lou: [After Mrs. Brody brings home a Russian Blue kitten] I'm onto you kitty, and you're in big trouble.
 * Russian Blue: [Deep, male Russian voice] I think not, baby puppy. It is you who is in trouble.
 * [Lou barks. The Russian Blue then hacks up a large metal fur ball.]
 * Lou: Ugh, yuck!
 * [The Russian Blue opens the ball, dropping a pile of dog feces.]
 * Russian Blue: From Russia with love...
 * Lou: Uh-oh...
 * Russian Blue: ...stealth poop.
 * [Mrs. Brody walks in and gasps at the sight. Cut to the outside of the backyard, where she drops him off.]
 * Mrs. Brody: I don't have time for this. Bad dog!

 * Mr. Brody: [on tape] Hi. Uh, doctor, the cure for dog allergies? Success, done!
 * Doctor: [sneezes] Fantastic. Send it to me tomorrow, and I'll have our guys verify it.
 * Mr. Brody: I will. I'll send it, [Doctor sneezes] first thing in the morning. God bless you.
 * Mr. Tinkles: [stops the tape] This is unacceptable! If we do not act immediately, that work will be out of my reach forever! You know what that means?
 * Calico: [confused] Huh? What? Oh. Who, me?
 * Mr. Tinkles: [annoyed] Were you not paying attention?
 * Calico: Not really. Are you mad?
 * Mr. Tinkles: YES! I AM MAD!
 * Calico: [ducks from Mr. Tinkles' paw] Whoa!
 * Mr. Tinkles You little bug of an imbecile!

 * Mr. Tinkles: As for you, Brody herd, I have a very, very, special...[Reaches into a box on the desk, and pulls out cork gun] gift! [angrily] WHAT?!
 * Scott: Whoa!
 * Mr. Tinkles: I thought I told you to buy a real gun!
 * Calico: Yeah, that's what I was thinking.
 * Mr. Tinkles: Ohh! What possible use could I have for this?! [Throws the cork gun, firing the cork, breaking things and setting the room on fire] Hey. I'm so clever. [Starts to leave] You know this is? Yeah, this is just plain fun, yeah. [to Calico] I want you to stay here.
 * Calico: Why?
 * Mr. Tinkles: Because I hate you. [Closes the door, leaving Calico locked inside]
 * Calico: [Begins pawing desperately at the door] No! NO! NOOO! HELP! NO! LET ME OUT!

 * Sam: Sir, request permission to pant heavily, sir!
 * Butch: Granted.

 * Lou: Hey, you stupid cat!
 * Peek: That'll get his attention.

 * Peek: The book says cut the red wire.
 * Butch: We're dogs. We're color blind!

 * Scotty: Loser.
 * Lou: Cat person.

 * Butch: Hold on a second, kid.
 * Lou: No!
 * Butch: Hold it!
 * Lou: Hey, they can't do this! You should've fought for me! For my family!
 * Butch: Why? What good would it do?
 * Lou: What about "Man's Best Friend"? History 101, remember?
 * Butch: Okay, well, here's lesson number 2: We protect them. We work for them. We tolerate their stupid "boochy-boochy" baby-talk crap. AND FOR WHAT?! So when they go off to college, they dump you with some old lady who can't throw a ball without so much as BREAKING HER HIP! [He starts walking away]
 * Lou: Is that what happened to you? [Butch stops] You gonna blame my family for what some boy did to you?
 * Butch: [looks at Lou, shocked; walks to the fence-door] Look, kid, I'm sorry it played out like this, but it's over. We're shut down. [fence-door closes]

 * Ivy: Hey, Butch, I heard what happened. How's Lou?
 * Butch: I told him not to get attached to the boy.
 * Ivy: Sure. An agent keeps his mind on the mission and nothing else. That's why my family didn't love me, Butch.
 * Butch: We all have our sob stories. Now, he has his.

 * [Sophie is taking Mr. Tinkles home after his failed attempt to take over the world.]
 * Sophie: That's right, Mr. Tinkles, you have been a very bad kitty. I'm just going to have to teach you how to behave. Now, you'll just have to live with me... [Entering the house...] ...and my sisters!
 * [All of Sophie's sisters, who are also all maids, excitedly scream and run to the door to see Mr. Tinkles. The movie ends with them dressing him up in ridiculous little outfits, much to his humiliation.]
 * Mr. Tinkles: [Closing line] This can't be happening.

Cast

 * Jeff Goldblum - Professor Brody
 * Elizabeth Perkins - Mrs. Brody
 * Alexander Pollock - Scotty Brody

Voices

 * Tobey Maguire - Lou
 * Alec Baldwin - Butch
 * Joe Pantoliano - Peek
 * Michael Clarke Duncan - Sam
 * Susan Sarandon - Ivy
 * Sean Hayes - Mr. Tinkles
 * Jon Lovitz - Calico

title: Cats & Dogs


text:
User:Likemine

-it's coming back-

For the moment i thought i can make it. But one night, sanity came. I'm alone, and so tired of sleplessness. Again, you won't stop hunting me - in my mind, filling the whole night.

How i'd wish to be strong like you, doing well, has a high pride indeed; and like a stone. Can't find a way how you'll consider my appology..That i am really, really sorry.. And i'm only Human. I don't know why, but i still feel alone even you were with me.

I'm trying my best to move out from where i am right now - starting to make steps. TO STOP MY SELF AND CHEAT DEATH!

title: User:Likemine


text:
User:Doc glasgow

__NOINDEX__

title: User:Doc glasgow


text:
User talk:86.141.227.219

~ Rumour 10:04, 27 September 2006 (UTC)

title: User talk:86.141.227.219


text:
User talk:210.202.79.1

~ UDScott 13:07, 27 September 2006 (UTC)

title: User talk:210.202.79.1


text:
User talk:205.188.116.133

Please stop adding nonsense to Wikiquote. It is considered vandalism. This pertains to your continued adding of the page Mangrove Alley, which may be a fine restaurant, but the page has no place here since it has no quotes. If you want to experiment, please use the sandbox. Thank you. ~ UDScott 13:38, 27 September 2006 (UTC)

- InvisibleSun 21:55, 10 May 2009 (UTC)

title: User talk:205.188.116.133


text:
User talk:203.131.174.162

- InvisibleSun 13:50, 27 September 2006 (UTC)

title: User talk:203.131.174.162


text:
User talk:203.177.130.82

~ UDScott 14:24, 27 September 2006 (UTC)

title: User talk:203.177.130.82


text:
User talk:211.237.218.159

~ UDScott 14:39, 27 September 2006 (UTC)

title: User talk:211.237.218.159


text:
User talk:201.13.114.205

- InvisibleSun 14:39, 27 September 2006 (UTC)

title: User talk:201.13.114.205


text:
Keshub Chunder Sen

Keshub Chunder Sen (19th November 1838 - 8th January 1884) was an Indian religious and social reformer.

Quotes

 * Her (India’s) great curse is caste; but English education has already proved a tremendous power in levelling the injurious distinctions of caste.
 * Speech at Hannover Square Rooms on the occasion of a Soiree held to welcome him on 12th April 1870.

 * Prayer simply means a longing of the heart, it is the wish felt, - it may be expressed, or not expressed. It may take the form of human language or it may never be uttered at all; still it is a prayer, if God only hears it in the secret recess of the heart.
 * Sermon at Hackney Unitarian Church, London, on 24th April 1870.

 * My brothers and my sisters, do always persevere in true and earnest prayer, and the Lord will hear you. Believe that the highest revelations of science are conformable to the doctrine of the efficacy of prayer; that in this doctrine the highest philosophy harmonizes with the purest devotion.
 * Sermon at Hackney Unitarian Church, London, on 24th April 1870.

 * In carrying out the work of female education great impediments, some of them of an almost insuperable character, had to be overcome, and many defects had to be rectified.
 * Speech delivered at the East India Association, London, on 13th May 1870. See Female Education in India for full speech.
 * Bombay is far ahead of Bengal in the matter of female education. I have visited some of the best schools in Bengal and Bombay, and I can say from my own experience that there are a larger number of girls receiving public education in Bombay than in Bengal; but while Bengal has not come up to Bombay as far as regarded extent of education, Bengal is not behind Bombay in the matter of solidarity and depth.
 * Speech delivered at the East India Association, London, on 13th May 1870. See Female Education in India for full speech.

 * Look at that young, active, energetic Hindu who has received education in some English school or college. Yesterday what was he? An ignorant Indian. To-day what is he? An active, intelligent, fine-looking, educated man. Tomorrow what is he? He has English books on one side, he has the dangerous bottle of whisky on the other side. What is he the next day? Oh sad catastrophe! The whole house mourns the death of the promising young man.
 * Speech at St. Jame’s Hall, Picadilly, London, on 19th May 1870.

 * Education is the chief remedy for all those great evils which afflict the country. Education will not only cultivate and improve the intellect of the nation, but will also purify its character.
 * Speech delivered at the Metropolitan Tabernacle, Newington Butts, London on 24th May 1870. See Education in India for major portion of the speech.

 * The education that you give to the upper classes will not uproot idolatry and prejudice, for it is amongst the masses that the error and prejudice will always maintain their power, and while you do not uproot those prejudices from the hearts of the masses, a handful of educated Hindus will never be able successfully to reform the country.
 * Speech delivered at the Metropolitan Tabernacle, Newington Butts, London on 24th May 1870. See Education in India for major portion of the speech.

 * If merit is not recognised, still it is merit, and it ought to be honoured as such; but if it is rewarded, it becomes valuable in the eyes of all, and everybody is encouraged to pursue that course in which merit obtains its due reward.
 * Speech delivered at the Metropolitan Tabernacle, Newington Butts, London on 24th May 1870. See Education in India for major portion of the speech.

 * The true object of religion is to bind mankind together, and to bind them all to God. If we see that in the name of religion, men, instead of promoting peace on earth and good-will among men, are trying to show their antagonism and animosity towards each other, then certainly we must stand forward with our voice of protest, and say that religion is defeating its own legitimate object.
 * Speech delivered at Freemasons’ Hall, Great Queen Street, London, in a meeting held to constitute a Theistic Association in London on 20th July 1870. See Universal Religion for full speech.

 * Religion is essentially universal. If God is our common Father, His truth is our common property. But the religious world may be likened to a vast market, where every religious sect sells only a portion of truth. Religion is many-sided; but each individual, each nation, oftentimes adopts and represents only one side of religion. In different times and in different countries, therefore, we see not the entire religious life of humanity, but only partial religious life.
 * Speech delivered at Freemasons’ Hall, Great Queen Street, London, in a meeting held to constitute a Theistic Association in London on 20th July 1870. See Universal Religion for full speech.

 * The movement had likewise for its object the abolition of polygamy and premature marriages, the promotion of the remarriage of widows, the introduction of better ideas about marriage, its duties, and its responsibilities.
 * Speech after reception in the City Hall, Glasgow on 22nd August 1870.

 * Let brothers and sisters from one end of the world, speak in all brotherly love, all affection, and one sweetness, to their brothers and sisters in the other extremity of the world. Then we shall succeed in rearing up one vast cathedral in this world, where men of all nations and races shall glorify the Supreme Ruler of the Universe.
 * Sermon preached at Mill-hill Chapel, Leeds on 28th August 1870.

 * I was also pained to notice an institution which I certainly did not expect to find in this country – I mean caste. Your rich people are really Brahmins, and your poor people are Sudras.
 * Speech at Hannover Square Rooms on the occasion of a Soiree held to bid him farewell on 12th September 1870.

 * The truths which are represented in England and Western countries generally, are those which refer to force of character, earnestness of purpose, conscientious strictness, noble charity, practical duty, whilst the truths which I find peculiarly developed in India – developed to a greater extent than anywhere else, - and in the Eastern countries generally, are those which have reference to sweetness of communion, sweetness of temper, meekness and resignation unto God.
 * Parting words at Southampton on 17th September 1870.

 * Those of you among our readers, who are farmers or artisans, do ye unite and stand up. Exert yourselves to the utmost to improve your condition, to forcibly stop outrage, cruelty and oppression to the tenantry. It is for your good, consider, that we publish this little journal. Sleep no more. It is time, wake up. No one is there to speak for you.
 * ''Published in Sulava Samacharon 28th November 1870. Translated from Bengali by Dr. Prem Sundar Basu.

 * It is impossible to establish unanimity of opinion among mankind, and those who have tried to bring about such unanimity have always failed. I hope, therefore, the friends and promoters of this movement will not commit that great mistake. Let individual liberty be recognised: let individual rights be fully vindicated and respected; but still at the same time, while we recognise differences of opinion, let us feel, and let us declare, that it is possible to have a common platform of action, where we can exchange our sympathies with each other as brethren.
 * Speech delivered on July 20th, 1870 at Freemasons’ Hall, Great Queen Street, London, in a meeting held to constitute a Theistic Association in London. See Universal Religion

About Keshub Chandra Sen

 * An anonymous rhyme of the nineteenth century bemoaned in Bengali:

 * jat marley tin seney,
 * keshub seney wil-seney isti-seney

Caste, this declared, has been destroyed by three ‘Sens’: Keshub Sen, the Brahmo leader, ‘wil-sen’ or Wilson’s Hotel, where the Hindus guzzled ‘forbidden food’; and the ‘isti-sen’ or station, as the niceties of caste could not be observed on railway journeys.
 * Quoted from the Lost World of the Babus by Subir Roy Choudhuri, in Calcutta The Living City Vol I, Oxford University Press.

 * Chittaranjan Das: I believe that Bengal has a message for the world. Keshub Chunder Sen delivered that message. Again and again that message has been delivered on the banks of the Ganges, and again and again will that message be delivered and redelivered in a fuller and yet fuller manner till we listen, till the world listens.
 * Speech delivered at the Overtoun Hall, Kolkata in January 1917.

 * It is only when we move to modem times that we find the first traces of sarva-dharma-samabhâva surfacing in India in the form of the Brahmo Samaj.... Even Keshub Chunder Sen cannot be called a votary of sarva-dharma-samabhâva, strictly speaking. The man fancied himself as the prophet of a New Dispensation (Nababidhâna) which had not only equated all religions but also gone beyond them. He ended by becoming a bag of nauseating nonsense... The trail blazed by Keshub Chander Sen, however, did not go in vain. It was followed by the first disciples of Sri Ramakrishna who took over the Mission after the death of its founder, Swami Vivekananda...
 * S.R.Goel, Preface, in Goel, Sita Ram (ed.) (1998). Freedom of expression: Secular theocracy versus liberal democracy.
 * Romain Rolland: His journey to England was a triumphal progress… During his six months’ stay he addressed seventy meetings of 40,000 persons and fascinated his audiences by the simplicity of his English and his musical voice.
 * The Life of Ramakrishna by Romain Rolland, translated by E.F. Malcolm-Smith, Advaita Ashrama.

 * Swami Vivekananda: The genuine orator exercises a sort of hypnotism over his audience. I have listened to many orators, Indian, English and American; but Keshub Chunder Sen is easily the greatest of all.
 * Quoted by Charu Chandra Banerjee in a speech at Dhaka Purva Bangla Brahmo Samaj. Published in the Prabashi, Pous 1340 (1933). Reprinted in Brahmananda Keshub Chunder Sen “Testimonies in Memoriam”. Compiled by G.C.Banerji, Allahabad, 1934

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