text:
User talk:Hietanbs~enwikiquote

Welcome
Hi. Welcome to English Wikiquote. Enjoy! ~ Jeff Q (talk) 04:42, 25 October 2006 (UTC)
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Hietanbs. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Hietanbs~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:24, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:49, 19 April 2015 (UTC)

title: User talk:Hietanbs~enwikiquote


text:
User talk:Xcatxearsx

Welcome
Hi. Welcome to English Wikiquote. Enjoy! ~ Jeff Q (talk) 04:42, 25 October 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: User talk:Xcatxearsx


text:
User talk:C8H10N4O2~enwikiquote

Welcome
Hi. Welcome to English Wikiquote. Enjoy! ~ Jeff Q (talk) 04:42, 25 October 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

 * P.S. Considering your "formula", I'm guessing you'll be an energetic participant here. ☺ ~ Jeff Q (talk) 05:03, 25 October 2006 (UTC)

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called C8H10N4O2. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name C8H10N4O2~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:20, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:44, 19 April 2015 (UTC)

title: User talk:C8H10N4O2~enwikiquote


text:
User talk:61.68.29.158

Wikiquote exists for the collecting of notable quotations of famous people and famous works. When people are not interested in responsibly contributing to the development of the project incidents of their deliberate vandalism can result in IP addresses being blocked from editing. ~ Kalki 10:43, 25 October 2006 (UTC)

title: User talk:61.68.29.158


text:
X-Men (TV series)

X-Men: The Animated Series is based on the X-men comic book series, which centers on the X-Men, a team of superheroes called mutants, who fight against threats such as Magneto and anti-mutant organizations.

Night of the Sentinels [1.1-2]

 * [Gambit throws a handful of charged playing card at a Sentinel]
 * Jubilee: How did you do that?
 * Gambit: With style, petite. With style.

 * [Jubilee tries to "save" Gambit from Wolverine when she sees them training and zaps him. Storm, Beast and Morph enter the room]
 * Storm: Is the child all right?
 * Wolverine: Not for long!

 * Wolverine: I go where I wanna go!

 * [Beast is mixing chemicals while hanging upside down]
 * Beast: It would be quite disconcerting if this were to detonate. . . disconcerting, yet provocative.

 * [Morph, Beast, and Wolverine are sneaking up to a fence]
 * Morph: Can you guys boost me over the fence, Beast?
 * [Wolverine flashes Beast a thumbs-up, while Beast gives an OK sign. Suddenly Morph screams as he's flung over the fence]
 * Wolverine: Looks like we can.

 * Rogue: You look as nervous as a long-tailed cat in a room full of rocking chairs.

 * Rogue: Come on boys, let's go for a little moonlight swim. Don't get a moonburn!

 * Gambit: Huh huh, you wanna play wit Gambit? Here, take a card. House wins.

 * Gambit: Life don't get much beddah dan dis!

 * [Wolverine destroys Cyclops's car, and Jean walks in]
 * Wolverine: Tell Cyclops, I made him a convertible.

Deadly Reunions [1.4]

 * Wolverine: You always did like pushing around people smaller than you. Well I'm smaller; try pushing me!

 * Wolverine: You always were second best. And in this business bub [brandishing claws] ...second best just don't cut it.

 * Magneto: When I was a child, my people talked while others prepared for war! They used reason when others used tanks, and they were destroyed for their troubles. I won't stand by and watch it happen again, I WON'T!

Cold Vengeance [1.6]

 * Wolverine: Let'em go, Sabretooth! I don't wanna fight you anymore! I don't care who started it. It's time to bury it.

Days of Future Past [1.11-12]

 * Cyclops: Kelly's gone, Professor! There must've been more mutants in that gang than we knew about!
 * Professor X: I don't believe this is the work of the same gang.
 * Jean Grey: Why not, Professor?
 * Professor X: Because my watch has stopped.
 * Cyclops: I don't understand. Why is that important?
 * Professor X: [drops his watch, which sticks to his chair] Because it's been magnetized.

 * Rogue: All right, Mama. We're safe now.
 * Mystique: You may be, but I have failed Apocalypse. He wanted Kelly assassinated to ensure the human race the future it deserves.
 * Rogue: Leave him!
 * Mystique: He made me what I am, gave me purpose. Just like Professor Xavier did with you.
 * Rogue: It ain't the same, Mama. Apocalypse wants slaves, like you tried to turn me into back on Muir Island. Why?
 * Mystique: It seemed like the only way to get you back.

The Final Decision [1.13]

 * Trask: You can't make me do this! You were designed to protect humans from mutants!
 * Mastermold: That is not logical. Mutants are humans. [Trask gasps] Therefore, humans must be protected from themselves.
 * Trask: No... you misunderstood!

 * [Wolverine and Gambit find themselves surrounded by Sentinels]
 * Wolverine: Get out of here, Cajun!
 * [They both run for the door, but Wolverine shuts it between them. Gambit pounds on the door]
 * Gambit: Wolverine!
 * [Wolverine defeats some Sentinels before getting blasted. Gambit blows the door open]
 * Wolverine: I'm not finished yet...
 * [Later, the two of them are standing atop a pile of destroyed Sentinels]
 * Wolverine: Next time I try to save your life, have sense enough to let me do it.

'Till Death Do Us Part [2.1-2]

 * Cyclops: So, you'll like play God with mutants' lives? Well just... KEEP AWAY FROM MY FRIENDS! [Parts half of his sunglasses to zap Mr. Sinister away]

X-Ternally Yours [2.6]

 * Wolverine: I don't care which Spirit Ladies did what to which Cajuns; I'm here to stop a wedding.

 * Gambit: I'm not a thief, I'm not an assassin. I'm an X-Man; I am never coming back.

Time Fugitives [2.7-8]

 * Cable: You're pretty fast... but a bit outdated.
 * Wolverine: Outdated?

 * Cable: We have the cure, Apocalypse! Your virus is USELESS!

Beauty & the Beast [2.10]

 * Beast: Now that you see what my life is like, you’ll understand what I have to tell you.
 * Carly: Hank, please don’t.
 * Beast: We have to face it. I am a mutant in a world that fears and despises my kind. I thought for a moment we could live in that world together, but I know now that we cannot. Someday with work and hope the world will change. Until then if you care for me as much as I care for you, you will understand why we must part.
 * Jubilee: Weird. Wolverine using his head, and Beast going berserk! What's the world coming to?

The Phoenix Saga, Part I: Sacrifice [3.3]

 * Wolverine: [Unsheathes claws] Someone call for a surgeon?

The Phoenix Saga, Part II: The Dark Shroud [3.4]

 * Jean Grey: [possessed by the Phoenix Force] I AM PHOENIX!

The Phoenix Saga, Part V: Child of Light [3.7]

 * D'Ken: No! You cannot contain the power of the crystal! You cannot! Noooooooo!

The Dark Phoenix, Part II: The Inner Circle [3.15]

 * ''[Wolverine confronts a lone mercenary aiming a laser gun at him]
 * Wolverine: I know what you're thinking, punk. Question is, "Can I get Wolverine before he turns me into with those claws?" [extracts his right-hand claws as he walks up to the mercenary] Well, bub, seeing as how these claws are, the strongest metal known, and can slice through vanadium steel like a hot knife through butter, buddy, you gotta ask yourself, "Do I feel lucky?"

 * Wolverine: [cuts through two guards' staves, then throws them down the staircase] Here, go play pick up sticks!

The Dark Phoenix, Part III: The Dark Phoenix [3.16]

 * Gambit: Gambit can't help but notice you saved him chère and not Wolverine, must be my way with women.
 * Rogue: Don't flatter yourself swamp boy. [Rogue drops Gambit in a pond]
 * Wolverine: Little piece of advice cajun, never make that woman mad atcha.

Love in Vain [3.19]

 * Wolverine: Playtime's over.

 * Beast: Rogue, is this gentleman your guest?
 * Gambit: So that's Cody... This is what's so personal?
 * Rogue: It's none of your blame business, Mr. Ladies' Man! Or any of ya!
 * Professor X: Rogue!

 * Wolverine: Let him go, roach, or your head is shish kebab.
 * Storm: Be gone, hissing vermin!

 * Cody: We will be together! You can't stop this!
 * [Cody whips Wolverine with his tail after he turns into the brood roach alien]
 * Wolverine: Wanna bet, pal?
 * Rogue: Wolverine, don't hurt him!

 * Wolverine: The ship's moving! They're leaving. Rogue, we gotta hustle! Out of my way, roaches!

 * Brood Queen: Secure them!
 * [Wolverine puts down Storm]
 * Wolverine: Secure this!

Nightcrawler [4.8]

 * Wolverine: [unsheathes claws] Don't tell ME about God! What kind of God would let men do THIS to me?
 * Nightcrawler: Our ability to understand God's purpose is limited. But we take comfort in the fact that His love... is limitless!
 * Wolverine: Huh. I used to buy into all of that. But I've lived too long... and I done too much.
 * Nightcrawler: Life will ALWAYS be hard. I understand this better than most. Yet, despite it all, people of EVERY faith believe there is a God who LOVES them. Can so many be wrong? Open your heart, Herr Logan. Would it hurt so much to see the world... through different eyes?

 * Nightcrawler: Thank you, my friends. Your presence here was a great blessing.
 * Wolverine: What do you mean, blessing? Look at this place! We blew it!
 * Nightcrawler: I disagree. Brother Reinhardt understands his tragic mistake and has repented. The townspeople no longer look at me with fear in their hearts. There was no loss of life. All are reasons to be thankful.
 * Rogue: What about the monastery?
 * Nightcrawler: A great tragedy. But it was only stone and mortar. The foundation God has built in our hearts can never be destroyed.
 * Wolverine: Man, I don't get you.
 * Nightcrawler: [hands Logan a Bible] Here, I've marked a few passages you may find rewarding. Remember, Herr Logan, "Different eyes."

 * Wolverine: [reading from the Bible Nightcrawler gave him] I will give thanks to you, oh Lord. For though You are angry with me, Your anger turned away, and You comforted me. I will trust, and I will not be afraid.

Weapon X, Lies, and Video Tape [4.16]

 * Wolverine: What does it all mean, Hank? I came here to find answers and now I know less than I did before. I can't even trust my own memories!

 * Beast: A lie which is half a truth is ever the blackest of lies.

Have Yourself a Morlock Little X-Mas [4.17]

 * Jean Grey: You did what?!
 * Gambit: I just gave da ham a little juicin' up.
 * Jean Grey: I want this... this- this swamp-rat out of my kitchen! Now!

 * [Cyclops zaps the broccoli while Jean Grey is throwing the broccoli at Gambit, and Rogue catches it]
 * Cyclops: Stop it! You're both acting like children! This is Christmas Eve, remember?

 * Gambit: What do you mean not eatin'?! Gambit has spent days on dis meal! My oyster loaf! My daube glace!
 * Jean Grey: We can warm it up tomorrow.
 * Gambit: Warm it up?! You do not warm up such a meal! Gambit does not make TV dinners.

Beyond Good and Evil, Part 4: End and Beginning [4.21]

 * Wolverine: That's some fancy shooting, Cable. REALLY brought the house down.

Graduation Day [5.10]

 * Jean Grey: How much do you love Charles Xavier?
 * Magneto: How dare you ask me such a question? He was my only equal. I owe him my life!
 * Jean Grey: What would you do if you knew you were the only one on Earth who could save his life?
 * Magneto: Do not play games with me!
 * Jean Grey: Listen to me. A telepathic message to Lilandra is Xavier's only hope. You may be able to supercharge his mind just like you did mine. His brainwaves are electromagnetic.
 * Magneto: You lie to torture me. My legions await my command, pledging body and soul to me. With a single word I can remake the world. I cannot leave!
 * Cyclops: You know what you should do.
 * Magneto: Why NOW? My greatest enemy, and perhaps my only friend... but I have waited all my life for this moment!
 * Cyclops: Wouldn't he do it for you?

 * Professor X: Hello, Magnus. Surely you have more pressing business than nursing an old friend.
 * Magneto: Nothing more important.
 * Professor X: Thank you. It seems I have quite an audience. Thank you all. I'm grateful to have the chance, to say goodbye.

 * Professor X: Morph: it's nice to see you home. In facing your fears, you have truly proven yourself an X-Man. Gambit: how often must a scoundrel prove himself a hero, before he believes it himself? Jubilee: you are the future. When I look at your face, I see hope. Storm: my beautiful Storm, mighty as a hurricane, gentle as a summer rain. You honor me with your friendship. Wolverine: loner, you have found a family. Wild savage, you have found dignity. Cynic, you have found faith. Rogue: unable to touch, yet look around you. You will find that you have touched us all. Jean: first in my heart. Your courage allowed you to see things no other human ever has, yet remain the same innocent child I met so very long ago.

 * Professor X: Scott: were I your father, I would tell you that no son could ever be truer.

 * [Final lines of the series]
 * Jubilee: Can he ever come back?
 * Professor X: Perhaps not in body, my children, but my spirit will remain among you, where it was always meant to be.

About

 * Cal Dodd: I'll never forget one day with Norm Spencer, who was Cyclops. Norm and I decided that when you could get an extra part in an episode, it was great, because when you can get another line as another character, you got an extra half of what they paid for Wolverine. So there was always competition. There's an episode where Wolverine is playing pool and a bunch of punks came in. For one of the voices, the director said, "Does anyone do Jack Nicholson?" Of course Norm puts his hand up right away. And I just looked at him and said, "Really?" So they let him read. Then I said, "Can I read this line, too?" I don't remember the line, but it was like, [doing a Nicholson voice], "I wonder if this is as good as it gets." Norm just went, "bugger off!" I do a great Jack Nicholson and no one knew that. I got the line.
 * Q: What was it like saying goodbye to this show?
 * Cal Dodd: I hated the fact that it was gone. Then I heard they started a new production in L.A. X-Men: Evolution and I wondered, "Why wouldn't I do that?" It was a younger version, younger X-Men. It was a huge gap in my life. I was doing it for five years and I became him. I created this guy, I created this voice. It was so a part of me that it was unbelievable. I just bought the whole five-year series and I started to watch it bit by bit. It's so good. It was like losing my right arm. I loved the guy. Because it was like me. He was like a brother.
 * Q: What comes to mind when you think of the show's legacy?
 * Cal Dodd: [Executive story editor] Eric [Lewald] has this great story in his book he just got finished about the making of X-Men. A fan of the show, who was now maybe in his 30s, sent in this letter explaining his life and what the show meant at the time. He was overweight and was being picked on and he was considering suicide, but he was so in love with the X-Men Saturday morning cartoon and Wolverine. They were mutants and they were picked on and not liked by the general public. He identified totally with that. He was about to jump off this roof, but then he said, "I can't do this, I'm going to miss the Saturday morning X-Men episode." That's the kind of impact it had on kids.
 * Cal Dodd in "'90s 'X-Men' Animated Series Star on His Long Struggle to Let Go of Wolverine" by Aaron Couch, Hollywood Reporter, (March 07, 2017).

 * Eric Lewald: Haim Saban didn't own any of the property. He was getting a fee. Whether we spent $1 million making an episode or $200,000, he was getting a certain fee. If the budget went up, it came out of his pocket. So, from the beginning, he was looking to economize. Fox wanted the shows to be glorious and Marvel wanted them to be glorious. Saban was going, "I know you want a great show, but I'm not going to lose money on this thing. Let's keep costs down." For years, his reaction to just about any creative decision was, "What's that going to cost?"
 * Will Meugniot: There was merchandise threat that almost shut down the production. They had made a deal with a fast food franchise to do some X-Men giveaway toys in Australia. And whoever had negotiated the deal had promised the Australian food franchisee that those toys would appear in the show. They were some of the most God awful designs possible. So I said no, and the situation festered for a few days. At home one night I got a call from Jim Graziano, who was the head of Graz, the production company I was working for. Jim just said, "Look, Marvel is threatening to pull the show from us if you don't cave on this." He goes, "If you think it's important, we'll back you. But think very carefully, because there will probably be consequences." I said, "We can't cave on this, or we are going to have to cave on everything." And Jim backed me and it was a really tense few days and we prevailed.
 * Eric Lewald: There was incredible pressure to change it around and make it younger, sillier, or give them a pet dog. To dumb it down or make it younger. Luckily, everybody on the creative side banded together and had, "No, you'll have to fire me" moments. [Marvel would say],  "Put toys in or give Wolverine some Wolverine curtains." "No we're not going to do that." If you were a 30-something serious defender of right and justice in your world, would you be wearing pajamas of yourself or would you be calling yourself on your Wolverine phone? No, you wouldn't. He's a serious guy. This is not a toy show. Sorry. "You'll have to fire me to change it."
 * Sidney Iwanter: Serialized storytelling had never been attempted before on Saturday morning or if it had, certainly not on this level. A story arc that extends over weeks adds all sorts of new wrinkles to the mix. Will the shows be able to run in sequence? What happens if there is a production problem and show five is ready before show two? How would our young demographic deal with an episode that doesn’t clearly end but leaves the viewer in suspense for a week? How does one bring in a viewer who might have missed the first several episodes into the show’s storyline? Hence the now quite ubiquitous invention of the X-Men’s "Previously on…" recap.
 * Eric and Julia Lewald, Will Meugniot and Sidney Iwanter in "'X-Men' at 25: The Unlikely Story of the Animated Hit No Network Wanted", by Aaron Couch, Byron Burton, Hollywood Reporter, (October 30, 2017).

 * "X-Men" is different from most animated action adventure shows you may have seen or written. It is more about the lives of our characters -- heroes and villains alike -- than ingenious plots or non-stop, death-defying physical jeopardy. It's not important whether or not a bad guy succeeds in blowing up the Pentagon. What matters most is how Wolverine deals with the pain of losing a friend while trying to stop it. Use plot to showcase character, not the other way around. Which is not to say that "X-Men" will lack action, pace, or intensity. We want these shows to move fast and be dense with dramatic crises. Action scenes will play like "Terminator 2" on speed. But more often than not the crisis is personal, not physical. Think of the famous Star Trek scene where Kirk has to let the woman he loves get killed for the sake of future lives. There was matchless dramatic tension created by a man watching a woman slowly walking across a street. The drama was inside the character. "X-Men" is a show of grey areas. We understand most of our villains, even sympathize with some. X-Men victories tend to be mixed blessings and are never achieved without a loss of some kind. "Good guys" fight each other, have bad days, and are capable of being petty and intolerant. One might even leave the X-Men in disgust and join the enemy. Through it all, however, our X-Men distinguish themselves by maintaining their values of friendship, loyalty, and personal sacrifice. Whatever the cost, they must do what must be done.
 * Executive story producer Eric Lewald, memo to writers, as quoted on ''Marvel Animated Wikia".

 * We always get crap out here when we're doing shows, 'This is for boys. Don't have any girl characters.' Margaret was probably the main reason. It was her show. Storm and Rogue's toys didn't sell as well. [Usually] they would tell you no matter how good Storm is in the episode, the toys will sell half as many as the male characters. But it was a time when there were no toys selling well for Marvel. We didn't have the pressure from the toy companies.
 * Eric Lewald in "X-Men: The Animated Series Helped Set the Template for Today’s Comic-Book Movies" by Matt Patches, Vulture, (May 27, 2014); as quoted on ''Marvel Animated Wikia"

 * The robots’ destructive power also made it easy for X-Men: The Animated Series to sidestep broadcast censors. “Thank God for Sentinels, in terms of action, what action we can have,” Julia Lewald says. “If action’s going to be big, it’s going to involve Sentinels getting bits torn off and thrown about. You couldn’t do that with living things on the shows.” There were times when the networked tugged on the show’s reigns; When the writing process found itself rubbing shoulders with the L.A. riots, Fox made requests to scale back any script containing city-in-flames set pieces (despite the animation process taking nine months). Eric Lewald adds, “The rules for Saturday morning are so restrictive that to make something intense, with a lot at stake, and people who really wanted to slaughter each other … it was a real balancing act.”
 * Eric Lewald in "X-Men: The Animated Series Helped Set the Template for Today’s Comic-Book Movies" by Matt Patches, Vulture, (May 27, 2014)

 * Eric: There were no trades. I didn't know about the Phoenix Saga. There was no book compilation of it. The way I handled it, was through the help of Mark Edens and Michael Edens, my two writing partners since college who were a third of the writing staff on the show (20 credits, much more uncredited). They sat down with Julia and me at our dining room table, sometimes with producer-director Larry Houston on the phone (Larry knows the characters inside and out - great guy) and we figured the first season out. We went through all the characters and their relationships. For villains, we focused on sentinels because they were animation friendly and destroyable. Being a kid’s show, we couldn't even scratch actual people.
 * Eric: We had to introduce them, which is hard to imagine now. We had to introduce what a mutant is to an audience between the ages of 4- and 40-year-olds. Why are the people together? What's their problem? Why X-Men? What are they fighting for? Why aren't these other mutants with them? Why are some mutants against them? That's why we chose to focus them on fighting intolerant people and having more human problems than the books, which were much more fighting against super-villain of the week. We were learning it too. We’d highlight what it meant to be a mutant and why they'd chosen to be X-Men and through doing that we kept putting them up against more bad people than bad mutants.
 * Eric: To be honest, Stan wasn't that involved. Marvel told me he hadn’t been involved in the books for 20 years. This was 1992. The books had changed a lot in two decades. Most of the X-Men were different (thanks, Len Wein, and Chris and John). Still, Stan wanted to be more involved, and he was close friends with Margaret Loesch, whose baby this was. Stan loves to be involved creatively. He wants to be part of everything. He's an indefatigable, voracious guy. He never stops. He's 93 (94?) now, and he hasn’t slowed down. He's intense. The problem with us was that when he had done the book in 1963 with Kirby, it was about "extraordinary youngsters!" To us, that was like a Pat Boone record, when we were trying to do metal / rock. I was told that he never liked the direction that the books had gone since 1975, and since we liked the newer books, he fought us on the tone and direction of the show.
 * Eric: Margaret Loesch wanted a more adult edgy show. The books in the 90's were tough, edgy, and adult. They weren't paddy-cake books. They weren't playing at it. They were intense. So we had that.

 * Eric: There had been dozens of X-Men team members by 1992. Which of them do you pick? People don't understand that some of that evolved as we wrote it. Beast wasn't going to be part of the team. The reason we put him in prison in the beginning was so that we wouldn't see him for seven or eight episodes and there would be a reason for it. And, by the time we got to the end of the first 13, we loved writing for him so much; he became part of the team.
 * Eric: The money and the interest and the people all seemed to balance. As the years went on, from the late 90's into the early 2000's, for whatever reason, the money for shows kept going down. Even X-Men was a low to moderate budget show, half of what Batman was. It was still expensive compared to many of the modern simpler animated shows. To make X-Men look as good as it did took a lot of effort. More and more people stopped doing ambitious shows. We tried to pitch ambitious shows. Production companies would look at the scripts and say, screw this, we're just going to have a couple of close ups and be out of the scene. The money went down. Now it's become more affordable and people are making more spectacular animated shows again. So, there's money again for quality action-adventure shows.
 * Eric and Julia Lewald in "X-Men: The Animated Series - 24th Anniversary Interview" by Joshua Sky, Geeks.media, (2016).

 * Lewald: We were completely aware of how different X-Men:TAS was regarding women. First, the series existed because Fox Kids Network president Margaret Loesch willed it into being. Second, everyone on the creative side had been working in the TV animation business for years, and we were tired of putting up with its many stupid, constraining rules, one of which was that in “boys’ adventure” series, the audience is almost all boys and they won’t watch female heroes. No one was consciously trying to make stories featuring the female characters, we simply were trying to tell the most intense stories we could – and it happened that half of these featured the women. We could have tried making the team eight guys and a girl (as other TV networks probably would have insisted), but that just weakens the stories, limits variety, and is just plain stupid. Looking back, it seems that few series have followed our lead on this. Even the X-Men movies, which I respect and enjoy, have seemed to had trouble featuring the women as action heroes central to the stories. Storm and Rogue were our two most powerful X-Men: not in the movies.
 * Dar: It’s not unusual to see elements of comic book television to be incorporated into the comics themselves like Harley Quinn from Batman:TAS. Though some specific details changed, the basic premise of the ep “One Man’s Worth” basically inspired the big X-Men “Age of Apocalypse” publishing event. What was it like to see something from animation influence the comics as opposed to the other way around?
 * Lewald: Of course it was gratifying. “One Man’s Worth” was a story I came up with and one of the ones I was most proud of. But it’s also a reminder – most good stories have been told many times in many different forms. Writers of all ages and all times “borrow” plot points from each other. I “borrowed” from It’s a Wonderful Life and City on the Edge of Forever for the central idea: “What would the world have been like without this one crucial man.” It’s all in the execution. “One Man’s Worth” came out well; so did “Age of Apocalypse.” If we or the comics’ writers had done weaker work, using a good idea wouldn’t have helped us. That’s a reason I never had a prejudice for “original” material over “adaptations.” There are so many hundreds of creative decisions to make in any story, by the end, you’ve made it personal.

 * Dar: I’d be remiss if we didn’t discuss writer Len Wein who recently passed away and not only helped redefine the X-Men but also created everyone’s favorite Canadian mutant, WOLVERINE! What kind of influence did he have on the animated series?
 * Lewald: Quite simply, X-Men:TAS would not have existed without Len. The 1960s X-Men book was discontinued in 1970 for a reason – it was an interesting idea that wasn’t right yet. When Len was entrusted with reinventing the book in 1975, he and Dave Cockrum and Chris Claremont and the others made it what it is today: international cast, serious, adult. So in that way, his presence was crucial. As to the actual writing of the series, I didn’t speak to Len until after we had done the first season. I simply didn’t know he was in LA doing animation. Almost all comics people were back in New York busy writing comics. We started the first season in a hurry, and I grabbed the best TV animation people I knew, which didn’t include Len.
 * Dar: I only recently realized that Wein wrote a few episodes of the cartoon, and that the majority of them were Wolverine-centric. Was that intentional? What did Wein think about the cartoon?
 * Lewald: When the first season was an unexpected success and the series was renewed, writer Bob Skir said: “You ought to call Len Wein. He’s out here.” I owe the intro to Bob. And yes, of course we wanted to have Len as a writer for Wolverine as much as we could. He told me he liked the cartoon a lot. He appreciated that we respected the original material. You will see in his interview in the book (the longest?) that he above anyone understood the need to adapt characters and storytelling to the medium you are working in – in this case, from comics to TV animation. I never heard a word of dissent from him about how we treated any of his characters – Wolverine, Storm, Nightcrawler, Colossus. I believe that he was pleased at most of the efforts, over the past 25 years, to use his characters in movies and TV.
 * Eric Lewald in [“INTERVIEW: X-Men: TAS story editor & writer Eric Lewald on X-Men:TAS Book” https://www.comicsbeat.com/interview-x-men-tas-story-editor-writer-eric-lewald-on-x-mentas-book/] by TAIMUR DAR, ‘‘THE BEAT’’, (10/02/2017).

 * Eric & Julia Lewald: While we’re proud of many of the episodes, I think adapting “Days of Future Past” and “The Phoenix Saga” for television were among the biggest challenges, since X-Men fans had preconceived ideas about these classics. The pilot story, “Night of the Sentinels,” was a real challenge, since we had to introduce this strange world to an audience, 90% of whom knew nothing about it. “Nightcrawler” dealt with faith in a way we’d never seen on Saturday Morning TV. And “One Man’s Worth,” my favorite of our dozens of original stories, was so satisfying that Marvel used it later as the basis for “Age of Apocalypse.”
 * AiPT!: I’m curious about Jean Grey’s role on the series. While her Phoenix storylines dominated season 3, she was less prominent in the show’s early episodes. Was there a reason why she took a backseat to other characters early on in the series?
 * Eric & Julia Lewald: There are a few reasons I can think of. First, Marvel listed her as a “secondary character” (Beast too!), so we didn’t plan big things for her. Second, we discovered that she meant so much to each of the characters, was so central to the team, that we tended to use her support and focus on everyone else. Everyone could talk to Jean. Finally, we were focused on personal and origin stories, which for many of the other characters were more involved and dramatic than hers.

 * Eric and Julia Lewald in “X-Men: The Animated Series’ Eric & Julia Lewald reflect on the show that created a generation of X-Fans” by Chris Hassan, ''Advent4res(November 19, 2018).

 * Q: I read that you guys were fighting executives about dumbing down and goofing up X-Men: TAS. Can you recall more vividly some of the more ridiculous requests you got, and how you had to defend your vision?
 * A: Interestingly, the usual source of dumb-it-down pressure, the TV network, was 100 percent behind our vision. Pressure instead came from secondary people with self-interests. A fast-food company with a deal with Marvel insisted that their kids-meal toys of the characters be shown in every episode. Haim Saban [whose Saban Entertainment was contracted to produce the show], who was paid the same fee whether we spent $50,000 or $500,000 per episode making it, suggested on day one that the show be focused on Xavier and Cerebro in a van driving around, Scooby-like, solving mysteries (less to draw). Advertisers and affiliate stations were freaked out at the "adult" storytelling. Stan Lee, of all people, pushed me to take out "all those big words" that Beast was saying. And he was sure that the audience would forget who everybody was and what their powers were, so he pushed to narrate all the episodes so he could tell the kids who and what they were watching.
 * Q: How did you know that the Saturday morning cartoon crowd could keep up with more grown-up fare? What did kids understand about X-men that the execs never got?
 * A: We, the creative core group, remembered being children and yearning to be challenged. Many of us had children of our own and were constantly surprised and pleased to discover what they could enjoy and grasp intuitively, even if they didn't understand everything. We knew older audiences would like it and younger audiences would aspire to it. Still, 25 years later, most TV executives don't get this.
 * Eric Lewald in “HAIM SABAN WANTED TO MAKE X-MEN: THE ANIMATED SERIES LIKE SCOOBY-DOO” by Adam Pockross, SYFY, (Nov 30, 2017).

External links [1.1]

 * X-Men: Animated Series

title: X-Men (TV series)


text:
User talk:71.205.109.198

Wikiquote exists for the collecting of notable quotations of famous people and famous works. When people are not interested in responsibly contributing to the development of the project incidents of their deliberate vandalism can result in IP addresses being blocked from editing. ~ Kalki 11:28, 25 October 2006 (UTC)

title: User talk:71.205.109.198


text:
Ashlee Simpson

Ashlee Nicole Simpson (born October 3, 1984) is an American pop rock singer–songwriter and an occasional actress. She is the sister of pop singer Jessica Simpson.

Quotes

 * I feel so bad. My band started playing the wrong song and I didn't know what to do so I thought I'd do a hoedown. I'm sorry.
 * Quoted in: Newsweek. Vol. 145, Nr. 1-13, (2005), p. xxxv
 * Ashlee Simpson, on her "Saturday Night Live" performance in which a voice track was miscued, revealing that she was lip-syncing, due to what she alleged later was acid reflux.

 * As long as there are girls, we need guy bands. However, in this day, it is not good enough to just sing great. You have to write, sing and play. We want it all.
 * Quoted in: Billboard. Vol. 117, nr. 37 (10 September 2005), p. 64

 * I can make $4 million somewhere else. My body is for me and for whoever my love interest is at that moment, and that's the only person who gets to see it.
 * Ashlee Simpson in Popdirt, quoted in: ashlee-star.com, 2006/07
 * On Why she did not pose nude for.

title: Ashlee Simpson


text:
Private Parts (1997 film)

Private Parts is a 1997 film about the rise to fame of radio personality Howard Stern.
 * Directed by Betty Thomas. Written by Len Blum and Michael Kalesniko, based on Stern's 1993 book.

He turned on everyone who tuned in! taglines

Howard Stern

 * My name is Howard Stern, and welcome to the new morning show. And we have a new feature for you. This is, uh, something special. We have a traffic copter now here at WWWW. Let's go up to Mama Look-a boo boo day in the traffic copter. Mama, you there? Hello? Mama? Uh. [Helicopter sound effect] Hello? [In Mama's voice] Yes, hello. This is Mama Look-a boo boo day, the only black traffic reporter in the Detroit area, I'm proud to say. [in his normal voice] Pleasure to make your acquaintance this morning, Mama. Tell me, uh, what's going on in the traffic? [in Mama's voice] First, a political statement, if I may. Kill, Kill, Kill... The White Man, by Eugene Mama Look-a boo boo day. Eugene is my pen name 'cause I wrote this while I was in the pen. OK, here we go. Kill, kill, kill the white man. Kill him until he is dead. Kill the white man. Thank you.
 * [while playing country music] Howdy, cowpokes. Uh, I know I shouldn't be interrupting in the middle of a song, but I got to tell you something. I know a lot of you out there really love this music, but I just don't get it. Explain it to me. And maybe it's 'cause I went to college, and I never drove a truck and had sex with my daddy's sister, but...I guess what I'm trying to say is, I...I don't think I'm the man for this job. So this is your old pal Hopalong Howie saying I quit. I... I think I quit.
 * It was then that I made a startling discovery...Lesbians equal ratings.
 * I am the hero of the lesbian community, am I not, Robin?
 * I am Officer Howie, and there's a new law in town. We're taking it over.
 * [to Alison] It's unbelievable. I got a job offer today from WNBC in New York. Afternoon drive, the most powerful radio station in their chain, $150,000 a year. And they said if I do really well, they're gonna syndicate my program all over the country. This is it. This is everything I want. It's like...It's the dream, the Big Apple.
 * I was in the program director's office. His name is Pig Vomit. Yes, because he looks like a pig, and he makes you want to vomit. He's Pig Vomit.
 * I want to pray to God right now. Jesus Christ, who I love so much, more than anything in the whole world, I am begging you, please...send a hit man to the United States of America to kill Pig Vomit finally. Thank you. I love you, God. I'll do whatever you say if you just make that come true.
 * You know, I could get this girl. I know I could get her. And this is the hell that's my life. I mean, think about it. What would it be like to have sex with her? It would be amazing. But I'm not going to act on it. You know why? Because I'd be a schmuck. No, because I love Alison. She stuck with me through the whole thing, you know? You gotta respect that. I think you have to respect that. You have to respect that.
 * So occasionally I make a fool of myself in public, and the FCC wants me off the air, and every fundamentalist group in this country hates my guts, and, yeah, most of the things I do are misunderstood. Hey, after all, being misunderstood is the fate of all true geniuses, is it not? But my life isn't bad at all. I'm still on the air, I've got my kids, and I've got Alison. Alison... She's the best friend I could ever have. And who knows? With a little time, the right energy...I think I could talk her into some hot lesbo action.

Kenny 'Pig Vomit' Rushton

 * This little puppy's finally gonna get housebroken.
 * You are the Mother-fucking Antichrist!
 * Howard Stern can kiss my ass in hell!

Other

 * Stuttering John: Wait! Wait! Is that it? What, the movie's over? Oh, yeah? That's bullshit! Hi. You know who I am? Yeah, I'm Stuttering John. And you know why I'm pissed? I'll tell you why. I've been getting up at 4:00 every morning to work for Howard. I've been pissing off every publicist, burning every freakin' bridge in the industry, And y-y-you'd figure Howard would pay me back by putting me in his movie! No, he doesn't! I'm not in the movie! I've been in here for 8 years, cuttin' his friggin' potato! I've been smacked around by Morton Downey, punched in the nose by Raquel Welch, and what do I get? I get fucking nothing! That's what I get! I'm not even in this fucking movie! He's says I'll be in the sequel! Yeah? What sequel? Suppose the movie sucks? Th-th-th-there won't even be any sequel!

Dialogue

 * Howard: Irene...the weather girl. Irene, are you there?
 * Irene: It's cold, real cold, but your ass is gonna be plenty hot when I give you a good, hard butt-whipping. Tongue. What do you think about that? Turns you on, doesn't it, you little maggot?
 * Howard: Yeah. Irene, thank you for the weather forecast.
 * Irene: Shut up.
 * Howard: We hope to hear from you tomorrow...Give us some more weather.
 * Irene: Bite me, you loser.

 * Alison: Howard...I'm willing to believe you didn't sleep with that girl. OK? And I understand you're a somewhat abnormal person with a somewhat abnormal job. That I can accept. I deal with abnormality every single day. I don't need everything in my life to be normal. And on the air, you do what you do. That's your job. But off the air, for me to be in this marriage...I need to know I'm the only one. And I'm not saying that to pressure you. I'm saying it because it's just something I know about myself. So... if you need more time or whatever...
 * Howard: I don't need any more time. I am just so madly in love with you. I don't... I don't need anyone else in my life. I never wanted anyone else in my life. All I want is you. I just want you to forgive me. Thanks for coming back.

 * Howard: I feel like such a loser.
 * Alison: It's not your fault. It was a lame station.
 * Howard: Yeah, it was my fault.
 * Alison: You can't blame a radio station.
 * Howard: It's my screwup.
 * Alison: In what way?
 * Howard: In a way that I gotta figure out what I'm gonna be. I mean, I don't want to be one of these disc jockeys that runs around the country, you know, looking for work all the time. I don't want to end up like that. It's so sad. It's so apparent to me now what I should be doing. I should be talking about my personal life. I've got to get intimate. And every time I feel like I shouldn't say something, maybe I should just say it, just blurt it out, you know? I just got to let things fly. I got to go all the way.
 * Alison: You didn't go all the way before?
 * Howard: No. I mean...No. A lot of times, I'm just holding back.
 * Alison: Then I guess you should go all the way.

 * Howard: Good morning. This is Howard Stern. Welcome to the show. I have a confession to make. I did not get, uh, laid last night. In fact, I haven't gotten laid in a really long time. Now, give me a call here at DC 101 if you have the same kind of problem. Having trouble with your woman? Give me a call. I'll help you out. Let me introduce, over here to my right, my beautiful new newswoman Robin Quivers, who looks so beautiful, I'm sure she doesn't have any of these sexual problems. But I must tell you, my life is, um, very odd. I get hornier and hornier. My wife, she comes home from work, she goes to sleep. The whole week goes by, she never gets horny. Robin, as a woman, what is it? Do women get horny?
 * Robin: Sometimes.

 * Howard: Hi, honey. Robin Leach says we should move to Antigua.
 * Alison: [taking off her clothes] Oh, yeah? Come on, hurry up. Snap to it. I'm ovulating.
 * Howard: I'm in the middle of important show research.
 * Alison: Howard, seriously, come on.
 * Howard: You know what? You're getting baby fever here. And you know, maybe it's a little premature. I'm about two days away from being fired, the way I figure it. And do you want to know something? You got to think about the economics of this.
 * Alison: You're gonna be the best morning man in the history of radio. At any minute, you're gonna be number one.
 * Howard: Is that so?
 * Alison: Yeah! Strip!
 * Howard: Let me tell you something. Look at yourself. You're completely on fire about having a baby. You don't understand. I'm not a piece of meat. I mean, I have to be romanced.
 * Alison: Oh, yeah. Please.
 * Howard: Ooh, look at that bra. Where did you get that?
 * Alison: You like this?
 * Howard: OK. That's it. That's it! I am making a baby! It's baby time! I'm ready to give you a baby.
 * Alison: Thank you.
 * Howard: Hold on. [pulls pants down and hops towards her]
 * Alison: OK. Now I'm hot. Now I actually want to have sex. I didn't before and now I do.

 * Howard: Robin, watch this. What am I doing?
 * Robin: Uh, having a seizure?
 * Howard: No, that's not a seizure. That's me dancing because I'm happy 'cause I got laid last night.
 * Robin: Oh!
 * Howard: Yeah, I really did. In fact, it was not for lust. It was 'cause I was making a kid.
 * Robin: Oh.
 * Howard: In fact, my wife's eggs are very old. They're very, you know, she's getting older. But my sperm is like supersperm, so I'm pretty sure everything was delivered in one shot.
 * Robin: Oh, yeah. Your sperm are fine.
 * Howard: My sperm are fantastic. I'm fantastic. I'm in a good mood.

 * Caller: I was calling because I have a really big problem.
 * Howard: What's your problem?
 * Caller: Well, every morning I lie in bed, and the only thing I can do is think of you.
 * Howard: Oh, really? Well, let's see if we can't help you with your problem. What do you look like?
 * Caller: Well, I've got blond hair, and I've got blue eyes, and my measurements are about 38-24-34. Some people tell me I look a lot like Farrah Fawcett.
 * Howard: I can help you. Robin, I can help this girl.
 * Robin: You know, we have the most beautiful audience.
 * Howard: We certainly do. We're very fortunate that way. You know what we're gonna do to solve your problem? I'm gonna have sex with you right now over the radio.
 * Robin: How are we gonna do that?
 * Howard: Very simple. I've thought this through, Robin. First of all, what kind of radio are you listening to us on? You have a transistor radio, or you have one of those big sound systems?
 * Caller: I have one of those big sound systems.
 * Howard: Good. OK. Could you turn the treble all the way down and put the bass all the way up?
 * Caller: OK. The treble's down, and the bass is up.
 * Howard: Take your speaker...You got a big speaker?
 * Caller: Yes, I do.
 * Howard: Lay it flat on the floor. And I want you to sort of straddle the speaker.
 * Robin: Howard!
 * Caller: Do what?
 * Robin: A woman cannot be aroused in that way.
 * Howard: No. This is really wrong, Robin. You're absolutely wrong. In fact, my father was a radio engineer, and he proved this theory years ago. You've got to believe. Now, what I need you to do is put your private area over the woofer.
 * Caller: I can't believe you're really making me to do this.
 * Howard: Come on, do it. Right up against it so you can feel me.
 * Caller: I'm on.
 * Robin: Oh, I have to ask her a question. What kind of a woman are you to have sex this way on the radio?
 * Howard: Don't answer that question. Bad question. You're gonna ruin this woman's mood. She might start second-guessing. Are you ready to have sex?
 * Caller: [Giggling] Oh, my God.
 * Howard: Hummmmmmmmmmmmmmmmmmmm
 * Caller: Ooh!
 * Howard: Hummmmmmmmmmmmmmmmmmmm
 * Caller: Oohh! Ooh. It kinda tingles.
 * Howard: See? It tingles. She likes it.
 * Robin: Yeah, sure.
 * Howard: Hummmmmmmmmmmmmmmmmmmm
 * Caller: Ohh! Oh...
 * Robin: She's full of it.
 * Caller: Aahh! Ohh! Oh, God! Oh!
 * Howard: Listen to her. She's going wild.
 * Robin: You got me moaning.
 * Howard: Hummmmmmmmmmmmmmmmmmmm
 * Caller: Ohhhhhhhh! Oh, my goodness. Ohhh!
 * Howard: [laughs] This is the best sex I ever had.

 * Alison: How could you do that? Do you think that was funny? You think it's funny to make jokes about our personal life like that? You're an asshole!
 * Howard: What are you talking about? Alison, I love you. What are you talking about?
 * Alison: Howard, not everything is for your audience. I need a life that is ours, that belongs to us.
 * Howard: I'm on the air 6 hours a day. I'm trying to come up with material. I hate going out.
 * Alison: Too bad!
 * Howard: I said when we came here, if I was gonna win on the radio, I'd have to talk about everything. I couldn't hold back.
 * Alison: Howard...
 * Howard: Come on, last night we were laughing about this. I just assumed you thought it was funny.
 * Alison: It was funny for us last night. Privately, for us.
 * Howard: Alison, if I don't talk about you and me on the air...
 * Alison: Shut up. Shut up.
 * Howard: The audience isn't gonna be there.
 * Alison: Shut up! Shut up!
 * Howard: I won't make any money.
 * Alison: Shut up! You disgust me! I can't even look at you, idiot!

 * Kenny: Uh, Mr. Erlick, if I may? Put me in charge of the Stern show. Let me ride herd on him, and I'll mold that son of a bitch into another Don Imus. When I'm through whipping him, that boy will be asking permission to wipe his ass.
 * Vin: You want to tame him?
 * Kenny: Well, either I'll tame him, or I'll make him so crazy...he'll quit. So either way, we win.

 * Howard: I gotta tell you something, Kenny. I always saw myself sort of something different than lmus. That's why you hired me.
 * Kenny: You are original. You are original, but... You say a lot of offensive things, and occasionally you are real funny, but you've got to learn to do what Imus does. See, he doesn't actually say the bad thing himself. He says it through a character.
 * Howard: Yeah, well, I don't do character...
 * Kenny: How about you go on the air 3 A.M. This morning, show us some characters. OK? Good.

 * Imus: You are interrupting me.
 * Kenny: I have, uh, Howard Stern outside.
 * Imus: You have who outside?
 * Kenny: The young man from Washington that we...
 * Imus: You have Howard Stern outside my fucking office? How did Howard Stern get outside my fucking office?
 * Kenny: I brought him down...
 * Imus: Well, I'm not gonna meet that stupid fuck. He's nothing.
 * [Imus sticks his head out his door to see Howard]
 * Imus: [to Howard] Fuck off!

 * Howard: I was not saying the call letters right. It's a big problem, so in order to rectify this, I brought in a cup of Blackswell's semen.
 * Robin: Semen?
 * Fred: I squoze it myself. I hope it's not too tangy.
 * Robin: And what are you gonna do with it?
 * Howard: I'm gonna gargle with this and say the call letters over and over again until I get it right.
 * Robin: You think that'll work?
 * Howard: I don't care, 'cause I love the taste of a man. Ooga.
 * Fred: There she blows.
 * Howard: Oh. Can you believe it?
 * Robin: You just swallowed.
 * Howard: I swallowed. Oh, my God.
 * Fred: Waste not, want not, Robin.
 * Howard: Oh! I wanna say I love W N BC. See? It worked. I can say it.
 * Howard: Oh! I wanna say I love W N BC. See? It worked. I can say it.

 * Kenny: You goddamn motherfuckers. You fucking waltz in here, and you think you know everything, don't you? Well, I fucking worked my fucking ass off to get to New York City, and you sure as fuck are not gonna fucking blow it for me!
 * Howard: I was just doing character...
 * Kenny: Barry, Jerry, clarify the situation for him, please.
 * Barry: Page 108, paragraph 3: "No jokes dealing with flatulence, excretion, urination, ejaculation, or other bodily functions."
 * Jerry: Also note paragraph 2: "No use of the so-called seven dirty words. These are cocksucker, motherfucker, fuck, shit, cunt, cock, and pussy."
 * Kenny: Now, from now on, all your little bits are gonna be under 2 minutes in duration, and all scripts...and I do mean all scripts...require my personal approval. Welcome to NBC, Howard.

 * Howard: Hi, everybody. My name is Gene Sternburn, and welcome to Match Game. We have a lot of excitement in the air today because we have some great panelists.
 * Howard: Let's play our game now, OK? Shall we? And what we're gonna do is ask you to fill in the blank, OK? Now, I want you to listen carefully. Our first clue up is...blank willow. Blank willow. [Music Plays] Let's go over to Miss Brett Somers right now. Now, Brett, what did you have for us? Blank willow.
 * Robin; The only thing on my mind, Gene, was pussy.
 * Howard: Uh-oh. Pussy. Hey, all right. Hey, that's kind of wild. Pussy willow, that's what I would have said. All right, let's go over to Dick Nixon, former president of the United States. What did you have? Blank willow.
 * Fred: In any language, pussy.
 * Howard: All right! Now let's go to our newest member of the panel, Mr. Jackie "Jokeman" Martling. Blank willow.
 * Jackie: Well, Gene, I didn't write it too neat, so I have a sloppy pussy.
 * Howard: Sloppy pussy! We had a sloppy and a fuzzy pussy and a very big one.
 * Fred: Are we talking about Brett again?
 * Howard: All right, now, Let's keep going. Now it's gonna get a little rougher, OK? Everybody ready? Blank a-doodle-doo. Blank a-doodle-doo. [Music Plays] Blank a-doodle-doo. Think about that while the celebrities are writing. Here we are. Let's go over to our Dick Nixon, our own ex-president. What do you got there, Dick?
 * Fred: Well, it takes a Dick to know a cock, and that's what I wrote.
 * Howard: Cock-a-doodle-doo. Now, that's what I would have said. That seemed like the obvious answer. OK, let's go to our own Jackie "The Jokeman" Martling. Jackie The Jokeman?
 * Jackie: Gene, I have cock, and I wrote it big. I have a big cock.
 * Howard: Uh, I don't think you can say "big cock" on the radio. I think that's a no-no.
 * Robin: But I just said pussy.
 * Jackie: Yeah, she just said pussy.
 * Howard: Yes, pussy is OK. It's the way he says it. "Big cock" coming out of your mouth sounds awfully dirty.
 * Jackie: So I can't say "big cock," but you can say "big cock coming out of my mouth"?
 * Howard: That's correct.
 * Jackie: That sucks.
 * Fred: Did you just say, "big cock coming out of your mouth sucks"?
 * Howard: All right, enough of this nonsense. We gotta move to Miss Brett Somers.
 * Robin: Just like the boys, Gene, I've got cock.
 * Howard: There it is, cock-a-doo...do me a favor and hold that up so I can see your cock.
 * Jackie: Aw, Gene, don't have...
 * Howard: All right, there it is. Cock, cock, cock. I must tell you, though, we have to end this fun right now.
 * Howard: All right, there it is. Cock, cock, cock. I must tell you, though, we have to end this fun right now.

 * Howard: Hi. Is this Betty Jean Rushton?
 * Betty Jean: Yes, it is.
 * Howard: Betty Jean, hi. It's Howard Stern, W N BC. I work with your husband Kenny.
 * Betty Jean: Yes. Kenny's mentioned you.
 * Howard: Oh, I bet Kenny has. The reason I'm calling is because your husband has been very bitchy around here lately, and I'm thinking that maybe if you gave him some more sex...
 * Betty Jean: More sex?
 * Howard: Yeah. He's backed up. Isn't he backed up, Ross?

 * Howard: That is the first naked lady in the history of radio. Sans panties, sans bra.
 * Robin: I am shocked.
 * Howard: So am I. This is disgraceful. We should be taken off the air.
 * Robin: You've finally done it.
 * Howard: Ohh! Beautiful. You're a work of art. Did you know that?
 * Mandy: Thank you, Howard.
 * Howard: Let me tell you something. Now, to ensure our place in the history of radio, Mandy has agreed to actually get on the floor with me and give me a massage while she is nude.
 * Robin: What does a massage have to do with making it into history?
 * Howard: Who knows? I don't know. Massage, schmas. I just gotta get touched.

 * Howard: Let me soak you in. Holy cow, are you naked. You know what I like about you?
 * Mandy: What?
 * Howard: I like that you're the perfect height. I could have sex with you standing up. Look at that. Ooh.
 * Robin: Howard! You're married.
 * Howard: I am? I mean, I am. Well, I'm not really married anymore.
 * Mandy: What do you mean?
 * Howard: Take a seat. I'll tell you what happened. My wife was suffering from cancer...I never told you this...and she died last night. I've been single for exactly 24 hours. Honey, if you're up there now, I know you can hear me, and you're at God's side, but I want you to cover your ears and eyes. Besides, you're married to God now...

<hr width="50%"/>
 * Howard: Let me ask you something. You have the look of love in your eyes, but I'm an ugly man. I know this. You couldn't be physically attracted to me, could you?
 * Mandy: Physically, I am. I mean, you're smart, you're sexy.
 * Howard: Wait. Excuse me for one minute. Robin...
 * Robin: I didn't say a thing.
 * Howard: Robin, go up to the cafeteria and get some lunch. Yeah, go ahead. Tell me more about me.
 * Mandy: You're funny.
 * Howard: You know what I would do to you physically?
 * Mandy: What would you do?
 * Howard: I don't know what I'd do, but let me just say something. Whatever it is, it would last 10 seconds. 10 seconds, I'd be finished. We would have sex, like, 10 times a day. You would love it.

<hr width="50%"/>
 * Researcher: The average radio listener listens for eighteen minutes a day. The average Howard Stern fan listens for - are you ready for this? - an hour and twenty minutes.
 * Kenny: How could this be?
 * Researcher: Answer most commonly given: "I want to see what he'll say next."
 * Kenny: : All right, fine. But what about the people who hate Stern?
 * Researcher: Good point. The average Stern hater listens for two and a half hours a day.
 * Kenny: : But... if they hate him, why do they listen?
 * Researcher: Most common answer: "I want to see what he'll say next."

Taglines

 * He turned on everyone who tuned in!
 * Never before has a man done so much with so little.

Cast

 * Howard Stern - Howard Stern
 * Robin Quivers - Robin Quivers
 * Mary McCormack - Alison Stern
 * Fred Norris - Fred Norris
 * Paul Giamatti - Kenny 'Pig Vomit' Rushton
 * Gary Dell'Abate - Himself
 * Jackie Martling - Himself
 * Carol Alt - Gloria
 * Richard Portnow - Ben Stern
 * Kelly Bishop - Ray Stern
 * Allison Janney - Dee Dee
 * Michael Murphy - Roger Erlick
 * Reni Santoni - Vin Vallesecca
 * Amber Smith - Julie
 * Jenna Jameson - Mandy
 * Leslie Bibb - NBC Tour Guide
 * John Stamos - Himself
 * Chris Barron - Himself
 * Flavor Flav - Himself
 * M.C. Hammer - Himself
 * Ted Nugent - Himself
 * Ozzy Osbourne - Himself
 * John Popper - Himself
 * Slash (musician) - Himself
 * Renee Suran - Herself
 * Dee Snider - Himself
 * Tiny Tim - Himself
 * David Letterman - Himself

title: Private Parts (1997 film)


text:
User talk:204.11.191.254

Wikiquote exists for the collecting of notable quotations of famous people and famous works. When people are not interested in responsibly contributing to the development of the project incidents of their deliberate vandalism can result in IP addresses being blocked from editing. ~ Kalki 13:04, 25 October 2006 (UTC)

~ UDScott 13:08, 26 October 2006 (UTC)

- InvisibleSun 13:37, 31 October 2006 (UTC)

New vandalism
~ UDScott 19:40, 16 March 2007 (UTC)

- InvisibleSun 17:36, 17 April 2007 (UTC)

Incidents of deliberate vandalism have resulted in this IP address being temporarily blocked from editing. ~ Kalki 18:03, 21 May 2007 (UTC)

Oct. 2007
Please stop adding nonsense to Wikiquote, as you did to Help talk:Contents. It is considered vandalism. If you would like to experiment, use the sandbox. Wikiquote exists for the collecting of notable quotations of famous people and famous works. For a quick overview of what Wikiquote is, read Wikiquote, and also What Wikiquote is not for a list of common activities that Wikiquote does not support. When people are not interested in responsibly contributing to the development of the project incidents of their deliberate vandalism can result in IP addresses being blocked from editing. Thank you. —LrdChaos (talk) 16:32, 10 October 2007 (UTC)

title: User talk:204.11.191.254


text:
User talk:Jromano123

Joe Romano is god.

Welcome
Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos (talk) 13:56, 25 October 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

title: User talk:Jromano123


text:
Wikiquote:Votes for deletion archive/Andy Serkis

 * The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review).  No further edits should be made to this page.

The result was: delete. —LrdChaos (talk) 13:43, 25 October 2006 (UTC)

Andy Serkis
No quotes. This page also seems to have an identity crisis; while the subject is an actor, most of the content of the page is about The Lord of the Rings films and the character he played. —LrdChaos (talk) 18:43, 17 October 2006 (UTC)
 * Vote closed. Result: delete (five votes to delete, no dissent, one late delete vote discounted). —LrdChaos (talk) 13:41, 25 October 2006 (UTC)

 * Delete unless valid, sourced quotes are added. —LrdChaos (talk) 18:43, 17 October 2006 (UTC)
 * Delete. 121a0012 03:27, 18 October 2006 (UTC)
 * Delete. - InvisibleSun 05:33, 18 October 2006 (UTC)
 * Delete. ~ UDScott 12:13, 18 October 2006 (UTC)
 * Delete. Concur with LrdChaos. ~ Jeff Q (talk) 04:03, 24 October 2006 (UTC)
 * Delete. --LHollister 00:15, 25 October 2006 (UTC)
 * This vote struck, as it was added after the specified close date/time. —LrdChaos (talk) 13:41, 25 October 2006 (UTC)

 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.


text:
Wikiquote:Votes for deletion archive/Template:Secretorg-stub

 * The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review).  No further edits should be made to this page.

The result was: delete. —LrdChaos (talk) 13:44, 25 October 2006 (UTC)

Template:Secretorg-stub
This (just-created, presently-unused) template isn't really necessary here at Wikiquote; we don't really have very many "secret organization" pages here, certainly not enough to warrant their own stub template. —LrdChaos (talk) 02:00, 18 October 2006 (UTC)
 * Vote closed. Result: delete (six votes to delete, no dissent). —LrdChaos (talk) 13:41, 25 October 2006 (UTC)

 * Delete. —LrdChaos (talk) 02:00, 18 October 2006 (UTC)
 * Delete. 121a0012 03:28, 18 October 2006 (UTC)
 * Delete. - InvisibleSun 05:34, 18 October 2006 (UTC)
 * Delete; I would say most "secret organisation" quotes could probably go on the topic page Espionage. Fys. “Ta fys aym”. 08:53, 18 October 2006 (UTC)
 * Delete. ~ UDScott 12:14, 18 October 2006 (UTC)
 * Delete. Even Wikipedia doesn't have this template. We certainly don't need it. ~ Jeff Q (talk) 05:35, 24 October 2006 (UTC)

 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.


text:
User talk:Sonia (usurped)~enwikiquote

Welcome
Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos (talk) 13:55, 25 October 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

Usurpation
Hello, I have made a request at this page to usurp (take over) your account.

Because your account has not been used, policy says that if you don't object within seven days I can use it.

This doesn't mean that you cannot edit anymore. You will instead be renamed to a different name.

If you do object, please leave a message here to say so. If you don't object, I would recommend that you leave a note here saying so, and saying what you would like to be renamed to.

Thanks for your time. Cheers, Singlish speaker

 * Hi, Sonia, since you haven't respond the inquiry on the above, your account name is about to be changed. Please feel free to request for renaming it again on WQ:RENAME. Cheers, --Aphaia 07:34, 21 May 2010 (UTC)

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Sonia (usurped). To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Sonia (usurped)~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:36, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:58, 19 April 2015 (UTC)

title: User talk:Sonia (usurped)~enwikiquote


text:
User talk:LiliNoisette

Welcome
Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos (talk) 13:55, 25 October 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

title: User talk:LiliNoisette


text:
User talk:CsPeter

Welcome
Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos (talk) 13:55, 25 October 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

title: User talk:CsPeter


text:
User talk:Shripad~enwikiquote

Welcome
Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos (talk) 13:55, 25 October 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Shripad. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Shripad~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:34, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:58, 19 April 2015 (UTC)

title: User talk:Shripad~enwikiquote


text:
User talk:FoxySa

Welcome
Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos (talk) 13:56, 25 October 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

Writing, and inline external links in general
Please do not add external links to words in the middle of a quote, as you did with Writing, without a very good reason (e.g., linking to a specific organization that someone is talking about, though Wikiquote or Wikipedia links are generally preferred). It can be considered to be linkspam and/or vandalism. —LrdChaos (talk) 17:04, 25 October 2006 (UTC)

 * Please stop adding irrelevant links to the "bestessays.com" site to the Writing page or its talk page. This is considered spamming, and if you continue to do it, you may be blocked from editing Wikiquote. —LrdChaos (talk) 18:22, 6 November 2006 (UTC)

title: User talk:FoxySa


text:
User talk:RedMatrix~enwikiquote

Welcome
Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos (talk) 13:56, 25 October 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called RedMatrix. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name RedMatrix~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:33, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:55, 19 April 2015 (UTC)

title: User talk:RedMatrix~enwikiquote


text:
User talk:Kent Allard~enwikiquote

Welcome
Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos (talk) 13:56, 25 October 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Kent Allard. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Kent Allard~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:28, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:51, 19 April 2015 (UTC)

title: User talk:Kent Allard~enwikiquote


text:
User talk:213.240.225.101

Wikiquote exists for the collecting of notable quotations of famous people and famous works. When people are not interested in responsibly contributing to the development of the project incidents of their deliberate vandalism can result in IP addresses being blocked from editing. ~ Kalki 16:53, 25 October 2006 (UTC)

title: User talk:213.240.225.101