text:
User talk:Tommy walker

Welcome
Hi. Welcome to English Wikiquote. Enjoy! ~ Jeff Q (talk) 10:11, 10 March 2007 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * Also see What Wikiquote is not for common activities that Wikiquote does not support.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Please remember to use edit summaries when editing pages.
 * When posting to a discussion, please sign with a date by writing four tildes (~~) and saving.
 * Be bold.

 * By the way, please note that Wikiquote talk pages are provided to discuss article content, not to post personal messages, as you appear to have done at Talk:AnnaSophia Robb. Thank you for your cooperation. ~ Jeff Q (talk) 10:14, 10 March 2007 (UTC)

title: User talk:Tommy walker


text:
User talk:Wq

Welcome
Hi. Welcome to English Wikiquote. Enjoy! ~ Jeff Q (talk) 10:11, 10 March 2007 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * Also see What Wikiquote is not for common activities that Wikiquote does not support.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Please remember to use edit summaries when editing pages.
 * When posting to a discussion, please sign with a date by writing four tildes (~~) and saving.
 * Be bold.

Juliette Binoche blanked until...
Hi! I blanked the above article until we can fix it. As it was, it violated copyright since the quotes were brought directly from Wikipedia without attribution.  To fix the problem we need to pick remarkable quotes, find sources for the remarkable quotes and rearrange them in a manner that makes sense, like in chrono order. I'm not a movie buff so your help is appreciated in advance. Take care, FloNight 14:45, 6 August 2007 (UTC)

Alice Evans
Thank you for your good work in cleaning up the format of Alice Evans. Using a standard layout helps to improve Wikiquote, even if it seems arbitrary. ~ Ningauble 17:44, 7 March 2009 (UTC)

Barbra Streisand
I declined your db tag on Barbra Streisand because it does not meet the specific criteria for speedy deletion. Instead, I converted it to a proposed deletion using the prod tag. ~ Ningauble 12:02, 13 June 2009 (UTC)

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: User talk:Wq


text:
User talk:Optigan13

Welcome
Hi. Welcome to English Wikiquote. Enjoy! ~ Jeff Q (talk) 10:11, 10 March 2007 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * Also see What Wikiquote is not for common activities that Wikiquote does not support.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Please remember to use edit summaries when editing pages.
 * When posting to a discussion, please sign with a date by writing four tildes (~~) and saving.
 * Be bold.

title: User talk:Optigan13


text:
User talk:Benya

Welcome
Hi. Welcome to English Wikiquote. Enjoy! ~ Jeff Q (talk) 10:11, 10 March 2007 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * Also see What Wikiquote is not for common activities that Wikiquote does not support.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Please remember to use edit summaries when editing pages.
 * When posting to a discussion, please sign with a date by writing four tildes (~~) and saving.
 * Be bold.

title: User talk:Benya


text:
Wikiquote:Good articles

Note: This page is experimental and rules may be altered. You are encouraged to propose for rule revisions at the talk page. See also Featured article.

English Wikiquote has entries. You may know some good entries and would like to share them. Please submit your recommendations to this page.

To avoid self-advertisements, we invite only experienced editors. Please note that:
 * You may not nominate an article that is about you (or an organization you are part of) or that was created by you.
 * You are invited to participate if:
 * You are a registered user
 * You have made a number of edits outside of the article being discussed
 * Your account was not created to vote here
 * Discussions of articles of obviously poor quality will be closed immediately

If you do not have an account, please consider creating one today.

Currently there is no poll to determine whether an entry should be listed. You are invited to make a comment if you think a certain entry should be removed by listing that entry in the section. As with deletion votes, these reviews are open open for community discussion for at least a week.

Good entries of English Wikiquote
You may list your recommendation as following:
 * Example --~

 * Latter Days -- Dev920 21:10, 13 March 2007 (UTC)
 * Proof -- Dev920 21:10, 13 March 2007 (UTC)
 * Lord of the Rings --Aphaia 06:57, 14 March 2007 (UTC)
 * Rainer Maria Rilke -- UDScott 12:35, 14 March 2007 (UTC)
 * Tony Blair -- Fys. “Ta fys aym”. 10:05, 15 March 2007 (UTC)
 * Plato --Aphaia 03:26, 21 September 2007 (UTC)

title: Wikiquote:Good articles


text:
Wikiquote talk:Good articles

Organization
I am not sure I understand how this works. As I think of the concept of listing "good" articles, I would think that there should be two lists and three actions for articles under consideration for "good" status:

 * Lists
 * Approved as "good"
 * Suggested for "good" status

 * Actions
 * Suggest an article
 * Discuss an article
 * Approve an article

I don't quite see how to sort these out with the current process description and groupings. For instance, "Good entries of English Wikiquote" is where we say "You may list your recommendation", so it would seem to be a candidate list, not an approved list — the place to start, not to discuss or finish. The "Review" section is said to be where we would discuss articles. So where is our list of approved articles? Is it intended that the first section include both articles that have successfully survived discussion and brand-new candidate articles? That seems confusing to me. Or maybe I'm missing something. ~ Jeff Q (talk) 11:07, 10 March 2007 (UTC)
 * I agree. Should there not be a good entry candidates? And also guidelines as to what composes a good entry? Dev920 21:22, 10 March 2007 (UTC)
 * And if we are going to develop guidelines, I suggest they be based on the principles at Wikiquote: Comprehensive, accurate, and notable. Dev920 21:56, 10 March 2007 (UTC)
 * They should also be well-formatted and well-sourced, per our guidelines. ~ Jeff Q (talk) 23:10, 10 March 2007 (UTC)
 * Yeah, definitely. Shall we create a draft at What is a Good Entry? or just create a section on top of Good Entry candidates? Does anyone disagree with this (as it occurs to me that it's just me and Jeff holding this convo)? Dev920 12:38, 11 March 2007 (UTC)
 * Well there are three reasons of my first draft structure: 1) we were once stucked to build a review system two years before. 2) there is no detailed proposal of review system on VP. 3) In Japanese Wikipedia I experienced this kind of list "without review/vote" aside of FAs with strict vote process. So in my intention it would be mere a pile of recommendations from one editor to another. If you are interested in building a review system, it would be nice. On my part, I take it not serious as you might take it. But I think on the other hand it would be nice to have a system which allows us to remove miserable entries (just as below. I think "Speedy remove" might another solution).  That is why the page started in this way. But it is still a draft, and your merciless edits will be welcome :)--Aphaia 08:28, 12 March 2007 (UTC)
 * How about we just list articles our ourselves, and debate any that seem inappropriate here, and then when we have an arbitrary number, say, 100, we then rethink implementing a review system? What do people think of that? Dev920 07:52, 13 March 2007 (UTC)

 * I'm not sure I'm going to be able to put in much time here any time soon, even to comment or object to candidates. I'm always uncomfortable about adding whole new mini-projects requiring a lot of attention, especially as I was just reminded that we have some basic issues affecting all our editors that are still overdue for that kind of attention. On the other hand, I don't want to stand in the way of something that might help us provide editors will good examples, since we have so many articles that aren't. ☺ ~ Jeff Q (talk) 14:36, 13 March 2007 (UTC)

I was just over at Wikibooks and saw their Good books criteria, their version of Featured. It might be more helpful than looking at featured criteria. Dev920 20:38, 11 March 2007 (UTC)
 * Thanks for your information! --Aphaia 08:28, 12 March 2007 (UTC)

Rules
I combined the rules on having a account and being an editor for at least a month since they are redundant (you can't be a registered editor for a month without having an account).

Why do we even have these rules? We should be judging good entries on their own merits, not the status of the nominator. Koweja 16:06, 10 March 2007 (UTC)

 * I think Aphaia was trying to avoid a spate of self-nominations for new articles involving obvious unnotables or otherwise poor articles. In principle, I think Koweja is correct. We might phrase the text to emphasize this, but we would probably also want to be able to "speedy-remove" candidates that are obviously not in line with the general guidelines, so as not to waste time discussing extremely unlikely "good" article candidates. One obvious guideline: any deleted article can be immediately removed. ☺ ~ Jeff Q (talk) 23:15, 10 March 2007 (UTC)
 * Speedy remove sounds good to me - we have speedy close for VFD afterall. However the rules as they currently are strike me as way to elitist (which I realize was not the goal). Koweja 01:04, 11 March 2007 (UTC)
 * My original intention is well explained by Jeffq and somehow sophiscated (Thanks!). I myself think it redundant ... but I would have liked to stress "no anon vote". Improvement of wording is welcome.
 * Speedy remove sounds good to me too. As for the rule, elitism is not our way, but I thought a metric criteria could be help kicking out some people who make only to vote. Imagine a TV show staff makes an article about it and submit it to this page ... I think we avoid this kind of promotion carefully. The requirements could be reduced but "anyone can edit" wouldn't be okay now, sadly. --Aphaia 08:34, 12 March 2007 (UTC)
 * Self-promotion by notable subjects seems to be more of a problem with Wikipedia than here - our problems involving self-promotion are with pages about non-notable people (high-school teachers, garage band members, and so on). These types of pages get deleted very quickly, meaning they would never reach good article status anyway, so it isn't really an issue. I think my biggest problem with the rules as they are right now is that we are saying a group of editors can't participate because they cause problems when they haven't caused a problem yet. Why not just make these our rules:
 * You are not allowed to nominate an article that is either about you (or an organization you are part of) or that was created by you.
 * Your vote will be discounted if:
 * You are not a registered user
 * You have made few edits outside of the article being discussed
 * Your account was created to vote here
 * Discussions of articles of obviously poor quality will be closed immediately
 * That should help prevent self-promotion and joke noms without assuming bad faith on the part of new editors. I belive we are going to have more of a problem with people nominating bad articles than self-promotion and speedy closing obviously bad articles will solve that problem. Koweja 16:29, 13 March 2007 (UTC)

Thank you Koweja for your version. I seconded. If you don't mind a minor modification, I prefer to say "you are invited to make a comment, if:". Thank you for your consideration. --Aphaia 07:09, 14 March 2007 (UTC)
 * That's fine with me. It sounds a bit more positive that way. Koweja 16:20, 14 March 2007 (UTC)

Standards of what is a "Good Article"
We should have guidelines on what makes an article good so people can be clear on what articles they should [not] be nominating. For example: These are just just suggestions for standards that I'm throwing out, but I think we need to decide what makes an article "good" rather than "we like it" and "it looks nice". Koweja 16:39, 13 March 2007 (UTC)
 * Television shows: At least one quote for each episodes, all quotes tied to a specific episode (so no "unknown episode" blocks), no copyright violations from too many quotes
 * Political/social issues: balanced quotes from both sides
 * People no (or at least few) unsourced quotes
 * I would add our sister project policy as suggestion. German Wikiquote is now going to restrict unsourced quotes. In their rule it was/is proposed to limit the number of unsourced quotes in an article up to five. --Aphaia 07:06, 14 March 2007 (UTC)
 * I'm not sure I like putting an absolute value on the number of unsourced quotes. Five unsourced quotes on a page with 15 quotes in total is a lot, but on a page with 200 quotes then even 15 unsourced quotes isn't excessive. Perhaps at relative limit, like 5% or 10% instead. The exception would be on articles about people, especially living ones, where we might want to more tightly control the number of unsourced quotes (in the case of living people maybe it should be no unsourced quotes at all). Koweja 16:27, 14 March 2007 (UTC)

Starting ball rolling
Ok, I've just put up two film articles I've worked on - do these meet what we were thinking by good entries? Dev920 21:11, 13 March 2007 (UTC)
 * Good idea. We have four articles nominated now, so I would suggest that nobody else nominate another article until we a)figure out the rules, standards, and project title and b)decide if these four are what we want to consider good articles/entries. Koweja 16:23, 14 March 2007 (UTC)

Renaming
I believe this project page should be moved to Good articles, for two reasons: I'd like to do this before it gets too popular. Are there any objections, or other preferred titles? ~ Jeff Q (talk) 15:35, 14 March 2007 (UTC)
 * The idea concerns quote articles, not just any page on Wikiquote.
 * "Entries", in a Wikiquote context, has a connotation of "cited quotation", whereas "article" is unambiguously about a quote collection on a titled subject. (I suspect the "entries" term is inherited from Wiktionary, where such a term makes more sense for its articles.)

 * I'll give you my support, Good articles is fine as a title for me. Fys. “Ta fys aym”. 23:56, 14 March 2007 (UTC)
 * Though I started this page in the current name, it was a compromise; personally I prefer "articles" to "entries", but there was a proposal to name it "entry". So it is equal to me, but if we choose one of them, I am for naming it "article". It also matches our current tab naming convention imo - main name space is tagged as "article" not as "entry". --Aphaia 07:32, 15 March 2007 (UTC)
 * Done. --Aphaia 19:35, 21 March 2007 (UTC)

title: Wikiquote talk:Good articles


text:
Guy Browning

Guy Browning (born 1964) is a humorist and after-dinner speaker. He writes the How to... column in the Guardian.

Sourced

 * Libraries are brothels for the mind. Which means that librarians are the madames, greeting the punters, understanding their strange tastes and needs and then pimping their books.
 * How to... use a Library, Never Push When It Says Pull: Small Rules for Little Problems (2005).

 * What makes a date so dreadful is the weight of expectation attached to it. There is every chance that you may meet your soulmate, get married, have children and be buried side by side. There is an equal chance that the person you meet will look as if they’ve already been buried for some time.
 * How to... Date, Never Hit a Jellyfish with a Spade: How to Survive Life’s Smaller Challenges (2004).

 * Men love women because they are the loveliest things on God's earth. Women love men because chocolate can't mow the lawn. Some men prefer to love other men. Equally, some women prefer to love other women. There is a word to describe this kind of behaviour. Love.
 * How to... Love, Never Hit a Jellyfish with a Spade: How to Survive Life’s Smaller Challenges (2004).

 * People who get to the top of any organisation are generally dysfunctional human beings who are overachieving, overcompensating or overbearing.
 * The board, Office Politics (2006).

 * Never work for a company that says people are its most important asset. If you wanted to get a mortgage and you said that your only asset was people you would end up living in a tent.
 * People, Office Politics (2006).

title: Guy Browning


text:
Louis MacNeice

Frederick Louis MacNeice (12 September 1907 – 3 September 1963) was a poet and playwright of Northern Irish birth. Though not a dogmatically political writer, he is often associated with his close friends, the left-wing thirties poets: W. H. Auden, Stephen Spender and C. Day Lewis.

Quotes

 * In my own prejudice ... I would have of a poet ... whose worlds would not be too esoteric ... fond of talking ... capable of pity and laughter ... appreciative of women ... involved in personal relationships ... susceptible to physical impressions...
 * Qualities of a poet from Modern Poetry 1938.

 * It’s no go the Yogi-Man, it’s no go Blavatsky, All we want is a bank balance and a bit of skirt in a taxi.
 * "Bagpipe Music", line 9, from The Earth Compels (1938)

 * It’s no go my honey love, it’s no go my poppet; Work your hands from day to day, the winds will blow the profit. The glass is falling hour by hour, the glass will fall for ever, But if you break the bloody glass you won’t hold up the weather.
 * "Bagpipe Music", line 31

 * Some on commission, some for the love of learning, Some because they have nothing better to do Or because they hope these walls of books will deaden The drumming of the demon in their ears.
 * "The British Museum Reading Room", line 4, from Plant and Phantom (1941)

 * Though patriotism includes a sentimental, as it were a family, feeling for place, we can distinguish the ethical motive from the sentimental. At certain times in certain countries there has been a moral urgency to be patriotic when the actual or ideal policy of a man’s nation has been a sine qua non for his conscience. But to-day patriotism, in so far as it means subordination to a specifically national policy, is superannuated. This war, we assume, is not being fought-not by most of us-for any merely national end; we are fighting it, primarily and clearly, for our lives, and secondarily, and, alas! vaguely, for a new international order.
 * "Traveller's Return", in Horizon, February 1941, Reprinted in David Pierce Irish Writing in the Twentieth Century: A Reader. Cork University Press, 2000.

 * I am not yet born; O hear me. Let not the bloodsucking bat or the rat or the stoat or the clubfooted ghoul come near me.
 * "Prayer Before Birth", line 1, from Springboard (1944)

 * I am not yet born; forgive me For the sins that in me the world shall commit, my words When they speak me, my thoughts when they think me, My treason engendered by traitors beyond me, My life when they murder by means of my Hands, my death when they live me.
 * "Prayer Before Birth", line 11

 * O early one morning I walked out like Agag, Early one morning to walk through the fire Dodging the pythons that leaked on the pavements With tinkle of glasses and tangle of wire.
 * "The Streets of Laredo", line 1, from Holes in the Sky (1948)
 * MacNeice’s poem, a grotesque vision of the London Blitz, is not to be confused with the cowboy ballad "The Streets of Laredo".

 * Then twangling their bibles with wrath in their nostrils From Bonehill Fields came Bunyan and Blake: "Laredo the golden is fallen, is fallen; Your flame shall not quench nor your thirst shall not slake."
 * "The Streets of Laredo", line 21

 * Politics: distrust all parties but consider capitalism must go.
 * MacNeice interview in Twentieth Century Authors, a biographical dictionary of modern literature, edited by Stanley J. Kunitz and Howard Haycraft; (Third Edition). New York: The H.W. Wilson Company (1950), p. 889.

Quotes about MacNeice

 * The difference between loneliness and mere solitariness, after all, is that the lonely sensibility wants to be otherwise. There is a reaching out that never quite touches. In MacNeice’s best work, the ingeniousness and inevitable failure of that reaching indicates the depth of the longing. He is a superb love poet, for instance, yet his love poems often foreground their own ephemerality, like ice sculptures in the summertime.
 * ̣̣̣̣̺ David Orr "Free Range", The New York Times (August 30, 2013)
 * From a review of Louis MacNeice Collected Poems, ed Peter McDonald (Faber, 2007 (UK); Wake Forest University Press (US), 2013)

title: Louis MacNeice


text:
User talk:89.179.244.54

~ Kalki 13:08, 10 March 2007 (UTC)

title: User talk:89.179.244.54


text:
User talk:81.213.196.194

- InvisibleSun 13:58, 10 March 2007 (UTC)

title: User talk:81.213.196.194


text:
User talk:69.201.221.222

- InvisibleSun 21:18, 10 March 2007 (UTC)

title: User talk:69.201.221.222


text:
Wanda Toscanini

Wanda Giorgina Toscanini (December 7, 1907 – August 21, 1998) was the daughter of the Italian conductor Arturo Toscanini and the wife of Ukrainian–American pianist Vladimir Horowitz.

Quotes

 * You married an angel and a devil mixed together there, mrs. Horowitz.
 * No. He married an angel, and I married a devil.
 * Source: The Last Romantic, television documentary on Vladimir Horowitz

title: Wanda Toscanini


text:
Campaign finance

Campaign finance refers to the means by which money is raised for election campaigns. As campaigns have many expenditures, ranging from the cost of travel for the candidate and others to the purchasing of air time for TV advertisements, candidates often spend a great deal of time and effort raising money to finance their cause.

Quotes

 * Groups like ours are potentially very dangerous to the political process. We could be a menace, yes. Ten independent expenditure groups, for example, could amass this great amount of money and defeat the point of accountability in politics. We could say whatever we want about an opponent of a Senator Smith and the senator wouldn't have to say anything. A group like ours could lie through its teeth and the candidate it helps stays clean.
 * John Terry Dolan, in The Washington Post (August 10, 1980), p. F1. Dolan, chairman of the National Conservative Political Action Committee (NCPAC), later claimed this remark was taken out of context, since he was speaking of a hypothetical situation.

 * I am deeply touched—not as deeply touched as you have been coming to this dinner, but nevertheless it is a sentimental occasion.
 * John F. Kennedy, remarks at a fund-raising dinner, Salt Lake City, Utah (September 23, 1960); reported in Freedom of Communications, final report of the Committee on Commerce, United States Senate (1961), part 1, p. 355; Senate Rept. 87–994.

 * When citizens are relatively equal, politics has tended to be fairly democratic. When a few individuals hold enormous amounts of wealth, democracy suffers. The reason for this pattern is simple. Through campaign contributions, lobbying, influence over public discourse, and other means, wealth can be translated into political power. When wealth is highly concentrated—that is, when a few individuals have enormous amounts of money—political power tends to be highly concentrated, too. The wealthy few tend to rule. Average citizens lose political power. Democracy declines.
 * Benjamin I. Page and Martin Gilens, Democracy in America?: What Has Gone Wrong and What We Can Do About It (University of Chicago Press: 2017), p. 19

 * The need for collecting large campaign funds would vanish if Congress provided an appropriation for the proper and legitimate expenses of each of the great national parties, an appropriation ample enough to meet the necessity for thorough organization and machinery, which requires a large expenditure of money. Then the stipulation should be made that no party receiving campaign funds from the Treasury should accept more than a fixed amount from any individual subscriber or donor; and the necessary publicity for receipts and expenditures could without difficulty be provided.
 * Theodore Roosevelt, annual message to Congress (December 3, 1907); reported in State Papers as Governor and President, 1899–1909 (vol. 17 of The Works of Theodore Roosevelt, national ed., 1926), p. 461.

 * Each nation has its own pet sins to which it is merciful, and also sins which it treats as most abhorrent. In America, we are peculiarly sensitive about big money contributions for which the donors expect any reward. In England, where in some ways the standard is higher than here, such contributions are accepted as a matter of course, nay, as one of the methods by which wealthy men obtain peerages. It would be well-neigh an impossibility for a man to secure a seat in the United States Senate by mere campaign contributions, in the way that seats in the British House of Lords have often been secured without any scandal being caused thereby.
 * Theodore Roosevelt, Theodore Roosevelt: An Autobiography (1913, Charles Schribner's Sons; 1941, Edith K. Carow Roosevelt; 1985, Da Capo Press, Inc.)

 * In response to your enquiry, a donation was made in error and is being returned in its entirety
 * email from the office of Lynn Beyak  Canadian Senator Lynn Beyak Illegally Donated to Trump Reelection Using a Fake U.S. Address

title: Campaign finance


text:
Digimon: The Movie

 is a 2000 American-Japanese film adaptation produced by Saban Entertainment and distributed by 20th Century Fox as part of the Digimon franchise. It was composed from three films that are edited to create a flowing storyline: The prequel to Digimon Adventure, Digimon Adventure: Our War Game and the two-part Digimon Adventure 02 film Digimon Hurricane Touchdown!! and ''Transcendent Evolution!! The Golden Digimentals''.

Dialogue

 * Sora: [over the phone] This is Sora! Mimi told me you were the one who threw up in my hat! [phone cuts out]
 * Tai: There's something wrong with her phone! Perfect timing!

 * Mrs. Kamiya: Kids, I made your favorite: liver sticks!
 * Tai: Great... In a minute!
 * Kari: So, do you have a name?
 * Koromon: Koromon!
 * Tai: [sniffs the air] We're in luck! She burned them!
 * Kari: Tai, his name is Koromon!
 * Tai: Whose name?

 * [Agumon destroys a vending machine, Kari is on his back in a Koloa-like outfit]
 * Kari: Mom usually just puts money in, but I guess that works too. [Kari takes two of the beverages that came from the destroyed machines] Just one each!

 * [Agumon jumps to avoid an oncoming truck]
 * Passenger: Did you see that?
 * Driver: [tired sounding] No, I was sleeping.
 * Passenger: But you're driving!

 * Tai: "Dear Sora, I'm sorry about what happened. I haven't this bad since the time I accidentally threw up in your hat and didn't tell you about it before you put it on. I know our relationship has been a little stormy lately. You say you love thunder showers, so what's a few raindrops between friends? Love, Tai." Love? I mean from! I mean... [changes "love" to "from"]
 * Kari: Who are you writing to, Tai?
 * Tai: [Tai shouts in surprise and hides the email from Kari] It's just an email joke! What are you doing in here anyway, Kari?
 * Kari: I wanted to show you my new dress! I'm going to a birthday party! I got my friend a Pink Power Ranger!
 * Kari (Narrator): [As Tai tries to take the present from Kari] My brother and I had a 'give-and-take' relationship. I would give, and he would take.
 * Tai: Ah, who cares?
 * Kari: If you want to send an email, you have to click this. [grabs the mouse] Click!
 * Tai: I wasn't going to send that letter!
 * Kari: Then what did you write it for?
 * Tai: Aww, Go to your party!
 * Kari: [depressed] OK...
 * Tai: [dejected] I can't believe Sora's gonna read my letter. [notices it failed to send] Wait a minute, 'unable to deliver'? [angrily] I can't believe she's not gonna read my letter! You try and tell a girl you're sorry and your computer shuts you do- [shouts as he falls off the chair]

 * [Tentomon and Agumon have arrived on the Internet to find Keramon eating data]
 * Izzy: There he is! Go get him!
 * Tentomon: He doesn't know we're here yet!
 * Agumon: Let's sneak up on him quietly.
 * Tentomon: [shouts] Super Shocker!
 * Agumon: That's quietly?

 * Agumon: We're going back in!
 * Tentomon: I assume Izzy and Tai were unsuccessful in finding anyone else.
 * Agumon: Then you and I will just have to beat that thing by ourselves!
 * Gabumon: Sorry we're late!
 * Patamon: I was surfing the web, but I wiped out!
 * Tentomon: Gabumon and Patamon!
 * Patamon: Is T.K. on this ride?
 * Gabumon: He's not tall enough.

 * Infermon: I'm looking for the programmer. Don't interfere!
 * Matt: He's teasing us!
 * Tai: Oh yeah? Then let's get him!
 * Matt: It's time to Digivolve!

 * [Wargreymon and Metalgarurumon are merging to become Omnimon]
 * Izzy: Part WarGreymon...
 * T.K.: Part MetalGarurumon!
 * Izzy: They Digivolved together to become...
 * Omnimon: Omnimon!

 * Izzy: YOU'VE... GOT... MAIL!!! [presses enter]

 * [Diaboromon has been killed by Omnimon]
 * Omnimon: Connection... Terminated.
 * Diaboromon: [splits apart] Willis...

 * Izzy: I'm... about... to barf.
 * Tai: Wait 'till you try the cake.

 * [Terriermon lands on Willis' head and stretches his ears to shade him]
 * Willis: Oh! Well, that's better! I don't suppose you could turn into a glass of lemonade too, could ya?

 * [After Terriermon Digivolves for the first time]
 * Willis: Huh? He's got pants now!

 * Terriermon: If Davis eats it all... [Inflates Stomach]
 * DemiVeemon: [Laughing]
 * Davis: There's not an ounce of fat below my neck!
 * Willis: Now, you're gonna deliver that pizza to my house, right? Well, would you mind doing me a favor and pick us up on the way?
 * Davis: Tell them to forget the whole thing, I'm in the mood for Chinese.
 * Willis: Shut up! [Into phone] Oh! No, I said 'line up'! We'll line up on the side of the road with a sign so we're easy to spot!

 * [Davis and Willis need a ride so Veemon digivolves to Raidramon to give them one]
 * Davis: Did somebody call for a ride?
 * Terriermon: Wow, that's cool!
 * Willis: Couldn't you done that before?
 * [They ride through a meadow and a bunch of kids run alongside]
 * Kid: Hey, can we get a ride too?
 * Davis: Sorry, but we're on a mission!
 * [The three approach where the others are appearing as a cloud of dust]
 * Upamon: Hey, its a big gust of wind!
 * Cody: No, it's Davis!
 * Yolei: Same difference.

 * [After Willis share his back story]
 * Davis: [crying] That's the saddest story I have ever heard.
 * Willis: Hey, I'm the one with the problem, not you. Get over it.
 * Davis: [Stops crying] OK.
 * Willis: Wow, that was fast.

 * Cody: Armadillomon!
 * Armadillomon: Cody, you're back! I've been digging all over for you.

 * [Wendigomon has just been destroyed by Magnamon and Rapidmon, causing Kerpymon to revert to his 'good' form]
 * Kerpymon: Willis...
 * Willis: Kokomon?
 * Kerpymon Thank you... [Kerpymon disintegrates]
 * Willis: [Crying] Now I've lost... both of them...
 * Terriermon: You'll never lose me, Willis! I told you! I'm your friend! Friends are always there for each other.
 * Willis: [happily] Terriermon!

Voice Cast

 * Joshua Seth - Tai Kamiya
 * Michael Reisz - Matt Ishida
 * Mona Marshall - Izzy Izumi, Terriermon
 * Colleen O'Shaughnessey - Sora Takenouchi
 * Michael Lindsay - Joe Kido, Greymon
 * Philece Sampler - Mimi Tachikawa, Cody Hida
 * Wendee Lee - T.K. Takaishi ("Eight Years Ago" & "Four Years Later"), little Kokomon
 * Doug Erholtz - T.K. Takaishi ("Present Day")
 * Lara Jill Miller - Kari Kamiya
 * Tom Fahn - Agumon, Digmon
 * Joseph Pilato - MetalGreymon
 * Lex Lang - WarGreymon, Omnimon (shared), Rapidmon
 * Kirk Thornton - Gabumon, MetalGarurumon, Omnimon (shared)
 * Jeff Nimoy - Tentomon, Kabuterimon
 * Tifanie Christun - Biyomon, Yolei Inoue
 * R. Martin Klein - Gomamon
 * Anna Garduno - Palmon
 * Laura Summer - Patamon
 * Dave Mallow - Angemon, Seraphimon, Upamon
 * Edie Mirman - Gatomon, Angewomon, Magnadramon
 * Brian Donovan - Davis Motomiya
 * Bob Glouberman - Willis
 * Derek Stephen Prince - Veemon
 * Steven Jay Blum - Flamedramon, Raidramon, Magnamon, Poromon
 * Neil Kaplan - Hawkmon
 * Robert Axelrod - Armadillomon
 * Michael Sorich - Gargomon
 * Bob Papenbrook - Red Greymon
 * Peggy O'Neal - Botamon
 * Brianne Siddall - Koromon
 * Michael Sorich - Big Agumon
 * David Lodge - Parrotmon
 * Paul St. Peter - Keramon, Infermon, Diaboromon, Kokomon
 * Brianne Siddall - Kuramon
 * Mike Reynolds - Gennai

title: Digimon: The Movie


text:
Sai Baba of Shirdi

Sri Sai of Shirdi (in the Ahmednagar district) or Shirdi Sai Baba (c.1838 - 15 October 1918). His teachings included living a simple life. Sai devotees revere him as the supreme being.

Quotes

 * Sabka Malik Ek Hai.
 * One God governs all.
 * As translated in Shirdi Sai The Supreme (1997) by S. P. Ruhela, p. 188
 * Everyone's God is One.
 * As translated in Follow The Wind Of Your Soul (2006), by George C. Kottis, p. 345
 * Mukti is impossible to person addicted to lust.
 * Laziness is man's own enemy, and it takes toward inertia, which is a downward tendency. Inertia can neither lead to devotion, nor to material advancement. The lazy one's downfall is assured. One gets nothing free in the world. If we labour hard we exist. Labour alone shall triumph is a truism in itself.
 * As translated in Shirdi Sai Baba Life: Life-philosophy and Devotion (2011) by O.P. Jha

Eleven important sayings

 * Whoever puts his feet on Shirdi soil, his sufferings would come to an end.
 * The wretched and the miserable would rise to plenty of joy and happiness.
 * I shall be ever active and vigorous even after leaving this earthly body.
 * My tomb shall bless and speak to the needs of the devotees.
 * I shall be active and vigorous even from my tomb.
 * My mortal remains would speak from the tomb.
 * I am ever living to help and guide all who come to me, who surrender to me and who seek refuge in me.
 * If you look to me I look to you.
 * If you cast your burden on me, I shall surely bear it.
 * If you seek my advice and help, it will be given at once.
 * There shall be no want in the house of my devotee.

Saying stated to his disciples

 * Know that my soul is immortal. Know this for yourself
 * My eye is ever on those who love me.
 * Whatever you do, wherever you may be, ever bear this in mind that I am always aware of everything you do
 * If one meditates on me, repeats my name, and sings about my deeds – He is transformed and his karma is destroyed. I stay by his side always.
 * In whatever faith one worships me, even so I render to them.
 * If one perpetually thinks of me, and makes me his sole refuge, I become his debtor and will give my life to save him.
 * I am the bond slave of my devotee. I love devotion. He who withdraws his heart from the world and loves me is my true lover and he merges in Me like a river in the sea.
 * If you make the sole object of your thoughts and aims you will get paramatma
 * Look up to me and I will look after you. Not vain is my promise that I shall ever lighten your burden.
 * Trust is  sadguru fully. This is the only sadhana. Sadguru is all the gods.
 * Though I be no more in flesh and blood, I shall ever protect my devotees. I shall be with you the moment you think of me.

Brahma Jnana

 * Oh friend! Brahma Jnana means realisation of Self (Atma). There is no difference between Atma and God. If you want to realise Atma in your body, then you have to surrender to God the following five things: five pranas, five senses, mind, intellect and ego. All these are inside a person. It is easy to surrender the external things. But to surrender those which are inside a person is very difficult. It is like walking on the edge of a sharp knife. Those who cannot surrender even the external things are deemed to be fully under delusion. Such persons cannot understand the five inside matters.
 * To a rich man Gulzar from Malegaon (Life History of Shirdi Sai Baba - Ammula Sambasiva Rao, 1998)

About Sai Baba of Shirdi

 * More over, Sai Baba was a celibate, remaining in one place, performing miracles, admonishing his disciples, and keeping a fire perpetually burning at Shirdi. The functions of a Guru, ascetic and saint, Sai Baba adds that of Avatar as many of his devotees and followers consider him as major incarnation of this age.
 * Stated by Charles S. J. White.

 * Sai Baba is exemplary among the great saints of Maharashtra in western India for the ways in which he drew upon and surpassed the categories, concepts, and styles of a variety of conventionally competing religious traditions. Maharashtra is well-known for the integrative spirituality of its foremost figures, and among them Sai Baba is particularly important. The author “locates” Sai Baba in the contexts of both Hindi and Islamic traditions.

title: Sai Baba of Shirdi


text:
Benny Andersson

Göran Bror 'Benny' Andersson (born 16 December 1946) is a Swedish composer, songwriter, and keyboardist who is known for being one of the former members of ABBA and composing "Chess", "Kristina från Duvemåla", "Mamma Mia!,"

Quotes

 * I don't get it... did we look like transvestites or something?
 * Regarding: Drag queens often performing ABBA songs
 * ABBA documentary, "Super Troupers: 30 Years of ABBA"

 * I'd hate the sound of thirty thousand people booing.
 * After being asked if he ever gets stage fright
 * Interview during the 1977 Australian tour, included in "ABBA: The Movie"

title: Benny Andersson


text:
Dracula A.D. 1972

Dracula A.D. 1972 is a 1972 film starring Christopher Lee and Peter Cushing; the seventh film of the Dracula series from Hammer Horror films. In 1972, Johnny Alucard brings Count Dracula back from the dead in London. The Count goes after the descendents of his nemesis Lawrence Van Helsing.
 * Directed by Alan Gibson. Written by Don Houghton.

Past, present or future, never count out the Count! Taglines

Professor Van Helsing

 * [writing Johnny Alucard's name backwards] A disciple of Dracula. Oh my God!
 * Do old ideas rest comfortably in an open mind?
 * Jessica, don't go near him! In God's name, don't touch him!
 * My grandfather died fighting a vampire. The most terrible, most dangerous vampire of all time.

Count Dracula

 * [to Van Helsing] You would play your brains against mine? Against me who has commanded nations?
 * [to Johnny] I have returned to destroy the house of Van Helsing forever, the old through the young. You and your line have been chosen.

Johnny Alucard

 * Dig the music, kids. Let it flow into you. Give yourself up to it.
 * Look, just to show I'm sorry, I got two tickets for the Jazz spectacular at the Albert Hall.

Dialogue

 * Joe Mitcham: Okay, okay. But if we do get to summon up the big daddy with the horns and the tail, he gets to bring his own liquor, his own bird, and his own pot.
 * Bob Tepper: Well, I don't know.
 * Laura Bellows: Oh, come on, Bob. You're not gonna chicken out now, are you?
 * Bob Tepper: No, I didn't say that.

 * Bob Tepper: Okay, so Johnny went too far.
 * Jessica Van Helsing: Too far? It was revolting.
 * Bob Tepper: Well, Laura was smashed. You know what happened when she touches that stuff. She can't handle it.
 * Jessica Van Helsing: Bob, she was not that smashed!
 * Bob Tepper: Okay, okay, so we'll go to the cavern tomorrow, usual time. Laura will be there. A bit drained, but she'll be there. And I'll have a few words to say to Johnny.

 * Johnny Alucard: Master, I did it, I summoned you!
 * Count Dracula: It was my will.

 * Count Dracula: She is not the one. You have not learnt to obey. She is not the one!
 * Johnny Alucard: But, Master, you promised me.
 * Count Dracula: I promised you nothing!

 * Gaynor Keating: Is this your place, Johnny?
 * Johnny Alucard: Come in for a bite.

 * Professor Van Helsing: There is an evil in the world. There are dark, awful things. Occasionally, we get a glimpse of them. But there are dark corners; horrors almost impossible to imagine... even in our worst nightmares. There is a Satan.
 * Inspector Murray: Of course. Otherwise we wouldn't need a police force, would we?

 * Jessica Van Helsing: I wish someone would tell me what all this is about.
 * Professor Van Helsing: Murder, Jessica. That's what all this is about. Ghastly, horrible, obscene murder!

 * Joe Mitcham: Don't look now, but Charley baby's gonna call the fuzz.
 * Anna Bryant: Oh, wow!

 * Joe Mitcham: Is there anybody down there wishing to talk to anyone up here? Ooh, it's for you, Sapphire!
 * Gaynor Keating: That gig went out with miniskirts, you schlep.

 * Professor Van Helsing: Treatise on the Black Mass. What do you want with this?
 * Jessica Van Helsing: Oh, just a quiet bit of mind blowing.
 * Professor Van Helsing: Jessica, this is not a subject to mess around with. These are scientific works.
 * Jessica Van Helsing: You can buy that sort of stuff almost any shady bookshop in Soho. I think it's all kinky.
 * Professor Van Helsing: What's that?
 * Jessica Van Helsing: Weird, man. Way out. I mean, spooks, hobgoblins, black magic. All that jazz.

 * Jessica Van Helsing: Why don't we go in the front way?
 * Bob Tepper: That's full of geeks and newspaper men.

 * Inspector Murray: Van Helsing?
 * Detective Sergeant: Her grandfather is Professor Lorrimer Van Helsing, London University. He helped us once.
 * Inspector Murray: Oh, yes, that extortion mob. Money by blackmail. Something to do with witchcraft. Some cult or other.
 * Detective Sergeant: Yes, he's a specialist in that sort of thing.
 * Inspector Murray: Witchcraft. Occult. Churchyards. [plays with an executive toy]

 * Detective Sergeant: Any chance of a cup of coffee and a cheese roll, sir. I'm starving!
 * Inspector Murray: Don't know if they're serving coffee and cheese rolls at Joe's party, but I'll see what I can do for you. Let's get over there and find what they are doing... before it's all over.
 * Detective Sergeant: It's going to be a bit heavy going, sir, don't you think? Trying to interview a bunch of kids while there's a party going on?
 * Inspector Murray: Sergeant, I'll bet you a pound to a pince of shit... that there's a little piece of hash at that party... and if there is, I've got them. Means I can hold them. If I can hold them, I can talk to them, and I'll settle for that, for the moment.

Taglines

 * Past, present or future, never count out the Count!
 * The count is back, with an eye for London's hot pants... and a taste for everything.
 * The time: now. The place: Kings Road, Chelsea. The killer: Count Dracula.

Main cast

 * Christopher Lee - Count Dracula
 * Peter Cushing - Lorrimer Van Helsing
 * Stephanie Beacham - Jessica Van Helsing
 * Christopher Neame - Johnny Alucard
 * Michael Coles - Inspector Murray
 * Marsha Hunt - Gaynor Keating
 * Caroline Munro - Laura Bellows

title: Dracula A.D. 1972


text:
User talk:131.181.251.66

- InvisibleSun 01:37, 11 March 2007 (UTC)

title: User talk:131.181.251.66


text:
User talk:76.169.240.89

- InvisibleSun 05:23, 11 March 2007 (UTC)

title: User talk:76.169.240.89


text:
Simon Phipps

Simon Phipps is a computer scientist and web and open source advocate. Phipps was instrumental in IBM's involvement in the Java programming language, founding IBM's Java Technology Center. He left IBM for Sun Microsystems in 2000, taking leadership of Sun's open source programme. Under Phipps, most of Sun's core software was released under open source licenses, including Solaris and Java.

Phipps was not hired into Oracle as part of the acquisition of Sun Microsystems and his final day was March 8, 2010 when the two entities combined. Following Sun, he spent a year as Chief Strategy Officer of identity startup ForgeRock before becoming an independent consultant.

Quotes

 * The way that big software companies used to make software was hiring all the smart people, locking them in a room, and sliding pizza under the door, until they had written whatever needed writing. And then selling tickets to get into the room.
 * Keynote Speech at FOSDEM 2007: Liberating Java

 * Sun is one of many US companies that file software patents regularly, the reason we file software patents regularly is the same reason that Americans buy guns. Americans buy guns, because Americans buy guns. American corporations file software patents because American corporations file software patents."
 * Keynote Speech at FOSDEM 2007: Liberating Java

title: Simon Phipps


text:
Talk:Siegfried Sassoon

"On Passing the New Menin Gate" and "Revisitation" may still be under copyright. Jayvdb 08:13, 11 March 2007 (UTC)

 * Quotes should not comprise a substantial amount of the entire work, regardless of copyright. It's a little harder to be succinct with poetry, which is itself typically quite succinct, but we should definitely avoid quoting entire poems that have more than a few lines. ~ Jeff Q (talk) 09:16, 11 March 2007 (UTC)

 * That was in part my mistake. I found this page with a lot of complete poems, so I added two more here, including "Revisitation".  I've since been moving them all over to Wikisource, but I dont want to copy them across if there is copyright issues. Jayvdb 11:14, 11 March 2007 (UTC)

title: Talk:Siegfried Sassoon


text:
User talk:Mmnaderi~enwikiquote

با حلوا حلوا کردن دهن شيرين نمي شه

Welcome
Hi. Welcome to English Wikiquote. Enjoy! ~ Jeff Q (talk) 05:30, 14 March 2007 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * Also see What Wikiquote is not for common activities that Wikiquote does not support.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Please remember to use edit summaries when editing pages.
 * When posting to a discussion, please sign with a date by writing four tildes (~~) and saving.
 * Be bold.

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Mmnaderi. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Mmnaderi~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:31, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:53, 19 April 2015 (UTC)

title: User talk:Mmnaderi~enwikiquote


text:
User talk:64.192.69.239

An editor using this IP address has been claiming to be User:TPO, which does not currently existing in Wikiquote. Please do not "sign" this username to your posts, as it is considered a forged signature. You are, however, welcome to register with this username if you wish. Also, the correct way to sign a post is by adding four tildes ( ~ ) to the end of your posts. When you save your edit, this will automatically be converted to your IP address or username (if logged in) and an accurate UTC timestamp (to avoid timezone confusion). Thank you for your cooperation. ~ Jeff Q (talk) 09:13, 11 March 2007 (UTC)

 * I also recommend you to sign in. --Aphaia 05:16, 13 March 2007 (UTC)

title: User talk:64.192.69.239


text:
David Edgar

David Edgar (born May 19, 1987) is a Canadian soccer player who plays as a defender for the Canadian national team, and for the English club Newcastle United.

Quotes

 * When I heard I was up for it, obviously I wanted to win. It's really an honour. I love playing for my country.
 * After being named Canadian youth soccer player of the year.

title: David Edgar


text:
User:AquafireGal~enwikiquote

Hi! To see my official profile visit my official Wikipedia one.

title: User:AquafireGal~enwikiquote


text:
Underworld: Evolution

Underworld: Evolution is a 2006 action/horror film, directed by Len Wiseman. It is a sequel to the 2003 film Underworld, and follows on from about half-an-hour from the plot of the first film, continuing the conflict between vampires and lycans, also highlighting the beginnings of the feud.

Selene

 * (Voiceover, Opening Narration): For six-centuries, I was a loyal soldier of the Vampire clan; but I was betrayed:  The war was not as it had seemed:  In one night, the lies that had united our kind had been exposed.  Kraven, our second in command, had formed a secret alliance with Lucian, ruler of the werewolf clan, to overthrow Viktor, our leader; but Kraven's lust for power and domination had failed.  Viktor was not the savior I had been led to believe; he had betrayed us all.  Soon, the hunt will be on for his killer.  I have but one ally left; Michael... the human descendant of Corvinus; neither Vampire nor Lycan, but a hybrid.  Its only a matter of time before we're found...
 * (Voiceover): My only hope now is to awaken Marcus, our last remaining Elder, and expose the truth, before Kraven tries to murder him while he's still in hibernation.  Kraven knows he's no match for him awake.
 * (About Lycans) They do. This one's been given a serum to stop regression so it can be studied.
 * (About Lycans) I just killed them. I didn't pay much attention to their anatomy.
 * These safehouses are all linked together on one mainframe with motion sensors revealing which ones are active. Someone could have picked us up already.
 * ...If I can plead my case, there's a chance you'll be granted sanctuary. Right now, you'll be killed on sight.  I'm not prepared to risk it.
 * You're not as strong as you might think.
 * Michael, You're unique. There's never been a Hybrid before.  However ambivalent you might feel about it, the truth is your powers could be limitless...  But you depend on blood.  You need to feed.  Without it, you'll be growing weaker by the second.  Use the time for that.
 * Normal food could be lethal. If you don't anticipate your cravings, you will attack Humans...  And, believe me, you don't want that on your conscience.  There really is no going back, Michael.  I'm sorry.
 * (Sees that Michael has been shot, repeatedly) Michael? Oh, Shit!
 * (To Marcus) Viktor deserved his fate... and Kraven was no better.
 * (In Russian) Mind if I drive?
 * (About Sonja's Pendent being open) I've seen this before, when I was a child. I've held it.  When it was open like this.
 * Andreas Tanis; he was the Official Historian of the Covens. He fell from favor after documenting what Viktor considered "Malicious Lies".  Of course, as it turns out, he was probably telling the truth.  ...  He was Exiled over Three-hundred years ago.  ...  I was the one who exiled him.
 * (About Tanis' prison being a Monastery) It used to be. More like a prison now.  Tanis has been hiding there since Viktor's order.  We'll be the first people he's seen in centuries.
 * Tanis, I see your aim hasn't improved.
 * (To Tanis) Your exile seems a bit more comfortable that I remember.
 * (About Viktor) Betrayal was something he did very well. Viktor's dead.  I killed him!
 * (To Tanis) Viktor put you here for a reason, but I doubt it was because you had moral qualms. What do you know?
 * (To Tanis) Oh. Well, then, perhaps I'm mistaken and there's no use for you at all.
 * So, the legend is true?
 * So in Viktor's mind... William's death would mean the end for all Lycans... his slaves.
 * (About Tanis) He's not brave enough to set me up.
 * (In French) We're here to see Lorenz Macaro.
 * (In French) So you want to see my hands, do you? (Holds up Sonja's Pendent)
 * (Recognizes the emblem on Lorenz Macaro's signet ring) You're Alexander Corvinus!
 * You know what Marcus will do. If he finds me, he finds William's Prison.  You need to help us stop him.
 * -Anything I've done can be laid at your feet. Hundreds of thousands have died because of you inability to accept that your sons are monsters, that they create monsters.  You could have stopped this.
 * You know the devastation William caused before he was captured. He cannot be set free.
 * (Selene's Blood Memory) Father. No.  (Starts sobbing)
 * No. No.  Michael.  Look at me.  Michael.  Shit.  Please.  Please.  Come on.  Come on.  Fuck!  (Starts sobbing)
 * (To Samuel, about Michael) Don't leave him here.
 * (To Alexander) You are the only one Older than he is... the only one Stronger... you could have killed him yourself.
 * What will I become.
 * (Voiceover): An unknown chapter lies ahead.  The lines that had divided the Clans have now been blurred.  Chaos and infighting are inevitable.  All that is certain is that Darkness is still ahead.  But for now, for the first time... I look into the light with New Hope...

Michael

 * I thought Lycans went back to their Human form when they die.
 * Ah. Not quite your department, I guess.
 * There's only about an hour 'till daylight. Can you even make it back to the mansion before sunrise.
 * What am I supposed to do, wait here and wait for you? No!  Kraven may still have his men with him.  You're not going alone!
 * Look, I understand what you did. I'm grateful.  You saved my life.  I wasn't ready to die.  I don't know.  Everything's changed.  I probably need just a minute to make it all fit in my head.  It's a lot to process all at once.
 * Look, go. I'll be here.  You just make sure you come back.
 * You've got to get away from me!
 * Get away from me!
 * I said get the fuck away from me!
 * Three hundred years. What makes you think we're gonna find him now?
 * How does a Vampire have Lycan bodyguards?
 * (To Tanis) Why would Lucian wanna protect you?
 * (To Tanis) Marcus was after this. Why?  (Throws Tanis Sonja's Pendent)
 * (To Tanis) Why is Marcus looking for him now... after all this time?
 * How do we know Tanis isn't setting us up?

Marcus

 * My God! Brother, what have you done?
 * Viktor, he must not be harmed.
 * I will stay and fight, you need my help!
 * [seeing William attacked by vampires] No! Leave him be!
 * STOP THIS, YOU'RE KILLING HIM!
 * (To Viktor) He was not to be harmed! Place him in my charge, as we agreed, or you will pay for your deceit.
 * What is thy will, my lord?
 * [to Kraven, after being awakened by the blood of the lycan Singe] The blood memories of this... wretched creature... have shown me that your treachery knows no bounds.
 * (To Kraven) Why would I listen to your lies... when the journey to the truth... is so much sweeter...
 * (To Selene) I know what you've done, Selene.
 * Kraven has already reaped the rewards of his own misdeeds. And Viktor:  Viktor deserved his fate, many times over...
 * [to Selene] A terrible business, the slaying of your family. Yet so much effort was spent to conceal this matter from me. What do you suppose Viktor had to hide? Or perhaps, it is you, Selene, as the last of your wretched family, who has something to hide.
 * Dead or alive, you will give me what I want!
 * (Greets Tanis) Tanis. You seem anxious.  Why do you flee the very sight of me?  (Sits down)  Please... sit.  There's no need for this to be unpleasent.  I've always rather enjoyed your company.  (Tanis glances over to his armory, Marcus looks over at the weapons)  Now you're being rude.
 * Viktor struck two keys. What do you know of them?
 * Soon, Brother.
 * Hello, Father.
 * Ah. The predictable heart, that never thaws.  Pity it beats within such a fool.  The Eldest of the Immortals... yet you have made no attempt to seize your Destiny.
 * And that Petty Sentiment explains why you rejected your sons? Why you stood by for over half-a-millenium... while William suffered alone, in darkness?  No, Father.  I have respect for your petty sentiment.  Viktor's key.  Where is it?
 * -Oh, I am stronger now. And the bond between us is greater than you have ever wanted to acknowledge.
 * Oh, not Lycans, Father... or Vampires. A new race, created in the image of their maker... their New God.  Me.
 * (Last words to his Father) ...And a True God... has no Father.

Viktor

 * [to Marcus, referring to a destroyed village] Yet again we arrived to witness this monster's aftermath. I will not tolerate this any longer, Marcus. Your brother must be stopped. It ends tonight!
 * Your brother, is he still here?
 * (To his men) Burn the bodies. Search the outbuildings.
 * Marcus, stay with me.
 * I need you alive. If you die, we all die.  Go!  GO!
 * Find Amelia.
 * Your sympathy for this beast is foolish. Your brother is entirely beyond control. It will be done my way.
 * If you so much as speak his name again, you will have chosen that fate for him!
 * [to Marcus, referring to his brother, William] Imprisonment for all time. Far from you.
 * (In Selene's Blood Memory) They've gone. There, there, My Child.  You are safe now.

Andreas Tanis

 * [Selene has just fallen into one of his traps] Gotcha!
 * I knew it was you, Selene. The stench of Viktor's blood still lingers in your veins.
 * I've done what's necessary to survive. My decision was made easy the day your precious Viktor betrayed me.
 * Some history is based on truth, and others on deception. Viktor was not the first of our kind, as you were led to believe.  He was once human... the ruler of these lands.  Marcus... he's the one. The source.  The first true Vampire...
 * (About Viktor) Toward the end of his ruthless life, when the next breath meant more to Viktor than silver or gold, Marcus came with a offer: a reprieve from sickness and death. Immortality. And in return, Viktor was to use his army, turned immortal, to help him.
 * (Answering Selene's question) To defeat the very first Werewolves, a dangerous and infectious breed, created from Marcus's own flesh and blood: his twin brother, William. But these weren't the Lycans we know. (To Michael) Disgusting though your brethren may be, they at least have evolved. No, these were raging monsters, never able to take Human form again. It was only these later generations that learned to channel their rage.  And William's appetite for destruction and rampage was insatiable.  He had to be stopped.  And so once Viktor's army was turned... the legions of Vampires under his control... tracked down and destroyed the animals... then captured William... and locked him away.  Viktor's prisoner for all time.
 * (Answering Selene's next question) For the same reason that Viktor never conspired against Marcus: Fear.  He was warned that should Marcus ever killed... all those in his bloodline would follow him to the grave.
 * Yes. Yes, a clever deception... but one Viktor was hardly willing to put to the test.  And so Marcus was protected... at all costs.
 * You should know. It's William's Prison.  The prison your Father was commissioned to build.
 * The Winter of Lucian's Escape. Your Father knew too much.  Or too much for Viktor to risk... especially when Lucian... had the key, (holds up Sonja's Pendent,) to William's cell.
 * Yes. The only one still living who has seen its location.  Oh, Viktor realized you'd be too young to remember explicitly... but Marcus knows that the memory... and therefore the exact location of William's Prison... is hidden away in your blood.
 * Well, one was... one was kept in plain sight... draped around his daughter's neck... right there for you to see.
 * Kept with Viktor at all times.
 * Within him. Beneath the flesh.
 * (Blood Memory) I know who could stop him. Perhaps I could arrange a meeting.  Go to pier 17.  Ask for Lorenz Macaro.

Alexander Corvinus

 * (To Samuel) The Innocent who witnessed, they've been silenced?
 * (To Samuel) Show me what you have.
 * And no trace of Marcus amongst the ashes?
 * It was never his Coven.
 * (To Samuel) Remain airborne for the moment. I'm sure they'll reappear in good time.
 * There was a time that I was known by that name. (To Michael)  But by any name, I am still your forefather.
 * For centuries I have stood by and watched the havoc my sons have wrought upon each other, and upon Humanity. Not the legacy I prayed for the morning I watched them enter this world. And a tiresome duty... keeping the war contained, cleaning up the mess... hiding my family's unfortunate history.
 * Could you kill your own sons?
 * You are asking me to help you kill my son? You?  A Death Dealer?  How many innocents have you killed... in your six-century quest to avenge your family?  Spare me your self-righteous declarations.  You are no different than Marcus, and even less noble than William.  At least he cannot control his savagery-.
 * (To Marcus) You are unwelcome in my presence.
 * We are oddities of Nature, you and I. Nothing more.  This a world for Humanity.
 * What ever you have planned for William is futile. You cannot control your Brother.
 * You're wrong. Soon you'll be drowning in Lycans, just like before-
 * (Last words to Marcus) You will Fail!
 * (To Samuel) The time has come, my friend. Find the Girl.  Bring her to me.
 * No matter what he's become... he is my son. You are the only hope left.  There is only one way to defeat him.  (Slits his wrist open and offers her it)  Quickly now... before there is no-more Legacy left in my veins.
 * (Cryptically) The Future.
 * (Last words) Go now.

Samuel

 * (To Alexander Corvinus/Lorenz Macaro) Sir.
 * But otherwise unharmed, as ordered.
 * Yes Sir.
 * Two Death Dealers were killed. We found no Lycan bodies.  Apparently they were using a new kind of ammunition... some sort of UV round.
 * (About Amelia and her ontourage) No one survived. It seems Kraven's men might have been present... but they did nothing to prevent it.
 * (About Marcus) It seems he destroyed his own Coven, Sir.
 * ...Supplies were taken. Used weapons were left behind.  The tavern incident occurred before dawn, so they couldn't have gotten far.
 * (Sees Alexander bleeding to death) Get the kit!
 * (Looks at Alexander's blood pooling on the floor) Please, Sir. Let us help you.
 * (To Selene) No, wait. Wait...  If you want Marcus, you'll need Alexander's help.
 * (About William Corvinus' prison) We're getting close.
 * I don't see a way inside.
 * (To his men) Looks like we're getting wet.
 * (Offers Selene a scuba mask) Selene?
 * (To Selene) Which way?
 * (To Selene) Is this it?
 * (To Selene, about the faded childlike painting on the dungeon wall) What is that?
 * (About William Corvinus) He went right through there.
 * (To Selene) All we have are UV rounds. They won't take him down.
 * (Last Words, to one of his fellow Cleaners) You all right? (Right then is attacked by William Corvinus from behind)

Others

 * (Pre-Title Scrolling Text Sequence): EIGHT CENTURIES AGO, UNKNOWN TO HUMANITY, A BLOOD FEUD RAGED BETWEEN A RULING CLASS OF VAMPIRES AND A REBELLIOUS LEGION OF WEREWOLVES KNOWN AS LYCANS.  LEGEND TELLS THAT THE WAR BEGAN WITH TWO BROTHERS, THE IMMORTAL SONS OF ALEXANDER CORVINUS:  MARKUS, BITTEN BY BAT, BECAME THE BLOOD LEADER OF THE VAMPIRES.  WILLIAM BITTEN BY WOLF, BECAME THE FIRST AND MOST POWERFUL LYCAN.
 * (Vampire Soldier in Background): Form two groups.  You, douse them in fuel.
 * (Vampire Soldier in Background):(Shouting out) they’re turning!!!
 * (Dead Lycans Tag): -subject injected 850ml THASARINE :to arrest regression
 * (Cleaner): Area secure, Sir.
 * (Selene's father): So you're the one keeping a watch over this, for me, have you? I've been searching everywhere for this, My-Darling.
 * (Cleaner Pilot): What are you waiting for?  Shoot them.
 * (Cleaner Gunner): I can't.  Not without taking her out.  I can't get a shot.
 * (Cleaner Pilot): (Helicopter being pulled down by Marcus) (To Cleaner Gunner) Cut us loose!
 * (Cleaner Pilot): (Marcus pulls harder) (To Cleaner Gunner) We're going down!

Dialogue

 * Marcus: [looking at the aftermath of William's attack on a village] My God! Brother, what have you done?
 * Viktor: Yet again, we arrived to witness this monster's aftermath. I will not tolerate this any longer, Marcus. Your brother must be stopped! It ends tonight.
 * Amelia: We must move quickly before they turn.
 * Viktor: [to Marcus] Is he still here?
 * Marcus: Yes. Viktor, he must not be harmed.
 * Viktor: I gave you my word, did I not? But William must be controlled! [to his men] Burn the bodies! Search the outbuildings. [to Marcus] Marcus, stay with me.

 * Viktor: Marcus, retreat to the woods!
 * Marcus: I will stay and fight, you need my help!
 * Viktor: I need you alive. If you die, we all die. Now, go! GO!

 * [Realizing that William has been found, Marcus follows Amelia's forces from a distance. As he approaches William's location, Marcus hears William's roars of pain. Marcus comes across the sight of William surrounded by Vampire soldiers, being nailed through by silver grappling hooks on chains being fired from customized crossbows]
 * Marcus: No! [to the soldiers] Leave him be! [the Vampire soldiers did not listen and continue to shoot down William] STOP THIS! YOU'RE KILLING HIM!
 * [The soldiers continue until William falls to the ground, incapacitated]
 * Marcus: [distraught] William...
 * Viktor: [outraged] Marcus!
 * Marcus: He was not to be harmed! Place him in my charge as we agreed, or you will pay for your deceit.
 * Viktor: And you will learn your place. Your sympathy for this beast is foolish. Your brother is entirely beyond control. It will be done my way!
 * Marcus: You know well the consequences if you murder me or William.
 * Viktor: If you so much as speak his name again, you will have chosen that fate for him!
 * ''[Marcus looks around for support for his brother's plight, only to see that the soldiers are pointing their crossbows at him)
 * Marcus: [grudgingly] What is thy will, my Lord?
 * Viktor: Imprisonment for all time, far from you.

 * [Entering the safehouse, Selene and Michael are greeted by the sight of a dead Werewolf]
 * Selene: This thing's been dead for weeks.
 * Michael: I thought Lycans went back to their human form when they die.
 * Selene: They do. This one's been given a serum to stop regression so it can be studied.
 * Michael: How can you tell? [Selene shows a tag attached to the apparatus to Michael] Ah. Not quite your department, I guess.
 * Selene: I just killed them. I didn't pay much attention to their anatomy.
 * Michael: How long can we stay here?
 * Selene: Not long. These safe houses are all linked together on one mainframe with motion sensors revealing which ones are active. Someone could have picked us up already. [Selene moves over to a weapons cabinet to stock up on weapons, ammo and other supplies. Michael looks at the computer read-out which shows the time left until sunrise]
 * Michael: There's only about an hour 'till daylight. Can you even make it back to the mansion before sunrise?
 * Selene: Just.
 * Michael: Okay, let's get what we need and go.
 * Selene: No, I'm going alone.

 * [An awakened Marcus kills Kraven's men and pins Kraven to the wall with his wings]
 * Kraven: Marcus?
 * Marcus: The blood memories of this wretched creature [motions towards Singe's body] have shown me that your treachery knows no bounds.
 * Kraven: My lord, I can explain.
 * Marcus: Why would I listen to your lies when the journey to the truth is so much sweeter.
 * [Marcus bites Kraven to sees Kraven's memories of what had transpired]
 * Kraven: Please... I can assist you.
 * Marcus: [enraged] Oh, you already have. [removes his wings and decapitates Kraven with it]

 * Selene: If I can plead my case, there's a chance you'll be granted sanctuary. Right now, you'll be killed on sight. I'm not prepared to risk it.
 * Michael: What am I supposed to do? Just sit here and wait for you? No! Kraven may still have his men with him. You're not going alone!
 * Selene: You're not as strong as you might think.
 * Michael: What?
 * Selene: Michael, you're unique. There's never been a Hybrid before. However ambivalent you might feel about it, the truth is your powers could be limitless but you depend on blood. You need to feed. Without it, you'll be growing weaker by the second. [hands over a bag of cloned blood to Michael] Use the time for that.
 * Michael: [unsettled] Jesus Christ! What if I don't? What if I can't...?
 * Selene: Normal food could be lethal. If you don't anticipate your cravings, you will attack humans. And believe me, you don't want that on your conscience. There really is no going back, Michael. I'm sorry.
 * Michael: Look, I understand what you did. I'm grateful, you saved my life. I wasn't ready to die. I don't know, everything's changed. I probably need just a minute to make it all fit in my head. It's a lot to process all at once. Look, go. I'll be here. You just make sure you come back.
 * [Selene leaves the bunker, closing the door behind her]

 * Samuel: Sir.
 * Lorenz Macaro: The Innocent who witnessed, they've been silenced?
 * Samuel: But otherwise unharmed, as ordered.
 * Lorenz: Show me what you have.
 * Samuel: Yes, sir.
 * [They look at the computer and watch a footage of the Subway station, showing a team of Cleaners securing the scene of a shootout between Vampires and Lycans during the first film]
 * Samuel: Two Death Dealers were killed. We found no Lycan bodies. Apparently they were using a new kind of ammunition, some sort of UV round.
 * Lorenz: Amelia?
 * [Samuel changes to another footage, showing the inside of a luxury train interior, containing the bodies of the Vampires Council and Lady Amelia]
 * Samuel: No one survived. It seems Kraven's men might have been present but they did nothing to prevent it.
 * Lorenz: And Viktor?
 * [Samuel changes the footage which shows Viktor's body being bagged-up by Cleaners]
 * Lorenz: And no trace of Marcus amongst the ashes?
 * Samuel: It seems he destroyed his own Coven, Sir.
 * Lorenz: It was never his Coven.

 * Selene: Marcus.
 * Marcus: I know what you've done, Selene.
 * Selene: Viktor deserved his fate, and Kraven was no better.
 * Marcus: Kraven has already reaped the rewards of his own misdeeds. And Viktor, Viktor deserved his fate, many times over. A terrible business, the slaying of your family. Yet so much effort was spent to conceal this matter from me. What do you suppose Viktor had to hide?  Or perhaps, it is you, Selene, as the last of your wretched family, who has something to hide.

 * Selene: [to Tanis] Your exile seems a bit more comfortable than I remember.
 * Michael: How does a Vampire like you have Lycan bodyguards?
 * Tanis: A gift, from a very persuasive client.
 * [Selene notices a familiar blue light shining through the rips of a tapestry]
 * Selene: Lucian.
 * Michael: [to Tanis] Why would Lucian want to protect you?
 * Selene: Because he was trading with them. [holds up a UV round] UV rounds. [to Tanis] How long have you been in the business of killing your own kind?
 * Tanis: I've done what is necessary to survive. My decision was made easy the day your precious Viktor betrayed me.
 * Selene: Betrayal was something he did very well. Viktor's dead, I killed him.
 * Tanis: You? Killed Viktor?  No, I think not. Oh, unless you've learned the truth. So your eyes are finally open. Isn't it interesting how the truth is even harder to absorb than light? You know, I tried to stop him, of course. A travesty, committing such a horrible crime, and then turning you. That was too much to take. My protests are why he put me here.

 * Selene: Viktor put you here for a reason, but I doubt it was because you had moral qualms. What do you know?
 * Tanis: [pouring himself a glass of wine] Very little of anything, I'm afraid. [a silver-headed arrow suddenly hits the glass in Tanis' hand, spilling the wine]
 * Selene: [to Tanis] Well, then, perhaps I'm mistaken and there's no use for you at all.
 * Michael: Marcus was after this. Why? [tosses over Sonja's Pendant to Tanis]
 * Tanis: Some history is based on truth, and others on deception. Viktor was not the first of our kind, as you were led to believe. He was once human, the ruler of these lands. Marcus, he's the one. The Source. The First True Vampire.
 * Selene: So the legend is true?
 * Tanis: [referring to Viktor] Towards the end of his ruthless life, when the next breath meant more to Viktor than silver or gold, Marcus came with an offer: a reprieve from sickness and death. Immortality. And in return, Viktor was to use his 'Army-Turned-Immortal' to help him.
 * Selene: To do what?
 * Tanis: To defeat the very first Werewolves, a dangerous and infectious breed created from Marcus' own flesh and blood: his twin brother William. But these weren't the Lycans we know. [To Michael] Disgusting though your brethren may be. They, at least, are evolved. [pulls away a curtain tapestry to reveal more books] No, these were raging monsters, [pulls out one of the books] never able to take human form again. It was only these later generations that learned to channel their rage. And William's appetite for destruction and rampage was insatiable. He had to be stopped. And so once Viktor's army was turned, the legions of Vampires under his control, tracked down and destroyed the animals, then they captured William, and locked him away. Viktor's prisoner for all time. [sets a book down on the table]
 * Selene: Why let him live?
 * Tanis: For the same reason that Viktor never conspired against Marcus: Fear. He was warned that should Marcus ever die, all those in his bloodline would follow him to the grave.
 * Selene: So in Viktor's mind, William's death would mean the death of all Lycans, his slaves?
 * Tanis: Yes. Yes, a clever deception but one Viktor was hardly willing to put to the test. And so Marcus was protected, at all costs.
 * [Tanis unfastens the book's latches, opening it, and he starts flicking through the pages until he finds what he is looking for]
 * Tanis: Yes, here we are. [he turns the book to Selene and Michael who both see a woodcut of an army of horsemen, riding over a pile of corpses]
 * Michael: Vampires?
 * Tanis: Mortals. Men loyal to Alexander Corvinus. [to Selene] The Father of us all.
 * [Tanis then flicks more pages until they reach a page that shows familiar designs that catches Selene's attention]
 * Selene: What's this?
 * Tanis: You should know. It's William's Prison. The prison your fathee was commissioned to build.
 * [Flash back to when Selene was six-years-old. Her father is overseeing the excavation of a dungeon underneath a fortress. Six-year-old Selene is holding up the pendant as she and her older sister are painting on the new walls. Selene's father sees her with the pendant]
 * Selene's Father: [chuckling] Oh, so you're the one keeping a watch over this. I've been searching everywhere for this, my darling.
 * [More images matching the sketches flash in her mind. Selene becomes visibly upset]
 * Michael: [To Selene] What is it? What's wrong?
 * Tanis: She now understands why her family was killed.
 * Selene: [to Tanis] But that was many years later.
 * Tanis: The Winter of Lucian's Escape. Your Father knew too much. Or too much for Viktor to risk, especially when Lucian had the key, [holds up Sonja's Pendant] to William's cell.
 * Selene: [realizing] And I'm the map.
 * Tanis: Yes. The only one still living who has seen its location. Oh, Viktor realized you'd be too young to remember explicitly. But Marcus knows that the memory, and therefore the exact location of William's Prison is hidden away in your blood.
 * Michael: Why is Marcus looking for him now? After all this time?
 * Tanis: That I cannot answer. [Selene cocks her new gun] But I do know someone who could stop him. Perhaps I could arrange a meeting, in exchange for your discretion, of course.
 * Selene: Of course.

 * [Selene and Michael have been brought before Lorenz Macaro. He looks over the pendant]
 * Selene: [to Lorenz] So you're familiar with this, then?
 * Lorenz: Intimately.
 * [As Marcaro's hand moves over Sonja's Pendant, Selene sees his ring. Selene recognises its emblem from the woodcut of Alexander Corvinus' army of mortals that Tanis showed them]
 * Selene: [realizing] You're Alexander Corvinus.
 * [having been revealed, Alexander Corvinus walks towards Michael]
 * Alexander Corvinus: There was a time that I was known by that name. [to Michael] But by any name, I am still your forefather. [gives Michael a smile of paternal pride, as he hands the pendent back to him]
 * Selene: How have you stayed hidden all these years?
 * Alexander: For centuries, I've stood back and watched the havoc my sons have wrought upon each other, and upon humanity. Not the legacy I prayed for, the morning I watched them enter this world. And a tiresome duty; keeping the war contained, cleaning up the mess. Hiding my family's unfortunate history.
 * Michael: [to Alexander] Couldn't you have stopped it?
 * Selene: Yes.
 * Alexander: Could you kill your own sons?
 * Selene: You know what Marcus will do! If he finds me, he finds William's prison! You have to help us stop him.
 * Alexander: You are asking me to help you kill my son? You? A Death Dealer? How many innocents have you slain in your six-century quest to avenge your family? Spare me your self-righteous declarations. You are no different from Marcus and even less noble than William. At least he cannot control his savagery.
 * Selene: Anything I've done can be laid at your feet. Hundreds of thousands have died because of your inability to accept that your sons are monsters, that they created monsters! You could have stopped all of this.
 * Alexander: Do not come groveling to me because you are weaker than your adversary-
 * Selene: You know the devastation William caused before he was captured. He cannot be set free.

 * Marcus: Hello, father.
 * Alexander Corvinus: You are unwelcome in my presence.
 * Marcus: A predictable heart that never falls. Pity it beats within such a fool. The eldest of the immortals, yet you have made no attempt to seize your destiny.
 * Alexander: We are oddities of nature, you and I. Nothing more! This is a world for humanity.
 * Marcus: And that petty sentiment explains why you rejected your sons? Why you stood by for half a millennium as William suffered alone in darkness!? No, father. I have no respect for your petty sentiment. Viktor's key, where is it?
 * Alexander: Whatever plan you have for William is futile. You cannot control you brother.
 * Marcus: Oh, I am stronger now. And our bond is greater than you have ever wanted to acknowledge.
 * Alexander: You're wrong. Soon you'll be drowning in Lycans, just like before.
 * Marcus: Oh, not Lycans, father, or vampires. A new race, created in the image of their maker, their New God. Me. And a True God has no father.

title: Underworld: Evolution


text:
User:Crime Busters~enwikiquote

HI, I'm Crime Busters. I little bit of information about me!

Gender: Female Lives: In England.

title: User:Crime Busters~enwikiquote


text:
Kyuzo Mifune

Kyuzo Mifune (April 21, 1883- January 27, 1965) has been categorized as one of the greatest exponents of the art of judo after the founder, Jigoro Kano.

The Canon of Judo (1956, 1960)

 * The weed crushed and pressed by the heavy rock may slowly and gently grow up anew helped by the fresh air, sunshine, and sympathetic rain. On the other hand, the rock is often broken through exposure to nature and weathering. Life is a strong power to grow in tenderness; this fact may be considered as having a close relation with human life. At the same time tenderness has sometimes stronger power against stiffness or hardening due to extreme strain.

 * A good Judoka never anticipates his action in a match, but his mind is as clever as a polished mirror which enables him to foresee precisely anything to happen and he displays freedom of his physique to cope with any change. Such mental state and physical action are called sei or tranquility and do or action, sometimes they are called ju and go or tenderness and sturdiness, in and yo or negative and positive, etc.

 * Of course the strong are strong and the weak weak.

 * A chance to try your technique is in one instant never to be regained, so try it without hesitation.

title: Kyuzo Mifune


text:
Kanō Jigorō

Jigoro Kano (28 October 1860 – 4 May 1938) was the founder of the Japanese martial art of judo.

Quotes

 * In Randori we teach the pupil to act on the fundamental principles of Judo, no matter how physically inferior his opponent may seem to him, and even if by sheer strength he can easily overcome him; because if he acts contrary to principle his opponent will never be convinced of defeat, no matter what brute strength he may have used.
 * "Judo: The Japanese Art of Self Defense", as translated in A Complete Guide to Judo : It's Story and Practice (1958) by Robert W. Smith

 * Judo is the way to the most effective use of both physical and spiritual strength. By training you in attacks and defenses it refines your body and your soul and helps you make the spiritual essence of Judo a part of your very being. In this way you are able to perfect yourself and contribute something of value to the world. This is the final goal of Judo discipline.
 * As quoted in Dynamic Judo (1967) by Kazuzo Kudo; also in Chasing Dragons : An Introduction to the Martial Arts Film (2006) by David West, p. 10

 * Generally speaking, if we look at sports we find that their strong point is that because they are competitive they are interesting, and young people are likely to be attracted to them. No matter how valuable the method of physical education, if it is not put into practice, it will serve no purpose — therein lies the advantage of sports. But, in this regard there are matters to which we must also give a great deal of consideration. First, so-called sports were not created for the purpose of physical education; one competes for another purpose, namely, to win. Accordingly, the muscles are not necessarily developed in a balanced way, and in some cases the body is pushed too far or even injured. For that reason, while there is no doubt that sports are a good thing, serious consideration must be given to the selection of the sport and the training method. Sports must not be undertaken carelessly, over-zealously, or without restraint. However, it is safe to say that competitive sports are a form of physical education that should be promoted with this advice in mind. The reason I have worked to popularize sports for more than twenty years and that I have strived to bring the Olympic Games to Japan is entirely because I recognize these merits. However, in times like these, when many people are enthusiastic about sports, I would like to remind them of the adverse effects of sports as well. I also urge them to keep in mind the goals of physical education—to develop a sound body that is useful to you in your daily life — and be sure to consider whether or not the method of training is in keeping with the concept of seiryoku zenyo.
 * "Judo and Physical Training" in Mind Over Muscle : Writings from the Founder of Judo (2006) edited by Naoki Murata, p. 57

 * If there is effort, there is always accomplishment.
 * As quoted in Black Belt : Judo Skills and Techniques (2006) by Neil Ohlenkamp, p. 36

Kodokan Judo (1882)

 * Kodokan Judo : The Essential Guide to Judo by Its Fouder Jigoro Kano (1986 translation, page numbers from 1994 edition); some quotes also in "Principles and Aims of Kodokan Judo" at yoshinjujitsu.com

 * In randori, one must search out the opponent's weaknesses and be ready to attack with all the resources at his disposal the moment the opportunity presents itself, without violating the rules of judo.
 * p. 22

 * In randori we learn to employ the principle of maximum efficiency even when we could easily overpower an opponent. Indeed, it is much more impressive to beat an opponent with proper technique than with brute force. This lesson is equally applicable in daily life: the student realized persuasion backed up by sound logic is ultimately more effective than coercion.
 * p. 23

 * Another tenet of randori is to apply just the right amount of force — never too much, never too little. All of us know of people who have failed to accomplish what they set out to do because of not properly gauging the amount of effort required. At one extreme, they fall short of the mark; at the other, they do not know when to stop.
 * p. 23

 * There are people who are excitable by nature and allow themselves to become angry for the most trivial of reasons. Judo can help such people learn to control themselves. Through training, they quickly realize that anger is a waste of energy, that it has only negative effects on the self and others.
 * p. 23

 * Judo teaches us to look for the best possible course of action, whatever the individual circumstances, and helps us to understand that worry is a waste of energy. Paradoxically, the man who has failed and one who is at the peak of success are in exactly the same position. Each must decide what he will do next, choose the course that will lead him to the future. The teachings of judo give each the same potential for success, in the former instance guiding a man out of lethargy and disappointment to a state of vigorous activity.
 * p. 23

 * One more type who can benefit from the practice of judo are the chronically discontented, who readily blame others for what is really their own fault. These people come to realize that their negative frame of mind runs counter to the principle of maximum efficiency and that living in conformity with the principle is the key to a forward-looking mental state.
 * p. 24

 * Walk a single path, becoming neither cocky with victory nor broken with defeat, without forgetting caution when all is quiet or becoming frightened when danger threatens.
 * p. 25

 * Before and after practicing Judo or engaging in a match, opponents bow to each other. Bowing is an expression of gratitude and respect. In effect, you are thanking your opponent for giving you the opportunity to improve your technique.
 * P. 31

Budokwai Bulletin (1947)

 * Jigaro Kano, as quoted by Gunji Koizumi in the Budokwai Bulletin (April 1947)

 * I have been asked by people of various sections as to the wisdom and possibility of Judo being introduced with other games and sports at the Olympic Games. My view on the matter, at present, is rather passive. If it be the desire of other member countries, I have no objection. But I do not feel inclined to take any initiative. For one thing, Judo in reality is not a mere sport or game. I regard it as a principle of life, art and science. In fact, it is a means for personal cultural attainment. Only one of the forms of Judo training, so-called randori or free practice can be classed as a form of sport. Certainly, to some extent, the same may be said of boxing and fencing, but today they are practiced and conducted as sports. Then the Olympic Games are so strongly flavored with nationalism that it is possible to be influenced by it and to develop "Contest Judo", a retrograde form as ju-jitsu was before the Kodokan was founded.

 * Judo should be free as art and science from any external influences, political, national, racial, and financial or any other organized interest. And all things connected with it should be directed to its ultimate object, the "Benefit of Humanity". Human sacrifice is a matter of ancient history.

 * Another point is the meaning of professionalism. With Judo, we have no professionals in the same sense as other sports. No one is allowed to take part in public entertainment for personal gain. Teachers certainly receive remuneration for their services, but that is in no way degrading. The professional is held in high regard like the officers of a religious organization or a professor in the educational world. Judo itself is held by us all in a position at the high altar. To reconcile this point of view with the Western idea is difficult. Success or a satisfactory result of joining the Olympic Games would much depend on the degree of understanding of Judo by the other participating countries.

Kodokan Magazine (1974)

 * Statements of Jigoro Kano (circa 1934), quoted in "Mission of Kodokan Judo", by D. Risei Kano, in Kodokan Magazine (February 1974)

 * Recently in our country, there has been a steadily increasing number of people who dislike work and pursue leisure and extravagance. Almost everywhere individuals and organizations are fighting with resultant loss of energy that is needed for positive action. In order to save them from this situation, a principle of judo, based on the maximum efficiency concept should be applied as one aspect of modern society and as a natural result of the application of the principle of maximum efficiency, a mutual welfare and prosperity is believed to be the only effective way to ease and neutralize the forces among these individuals and organizations.
 * Also quoted in "Hints For Judo" by D. Risei Kano, at usadojo.com

 * In our society today, when we teach the righteous way of life based upon the Theory of judo which embodies the principles of continuous improvement of society, then this righteous life provides a basis of definite proof of this principle and unifies the peoples' way of thinking. Various religious and learned points of view are then made abundantly clear.

Budo Secrets (2002)

 *  Budo Secrets: Teachings of the Martial Arts Masters (2002) by John Stevens

 * Jigoro Kano's Five Principles of Judo: 1. Carefully observe oneself and one's situation, carefully observe others, and carefully observe one's environment, 2. Seize the initiative in whatever you undertake, 3. Consider fully, act decisively, 4. Know when to stop, 5. Keep to the middle.

Misattributed

 * To ask may be but a moment's shame, not to ask and remain ignorant is a lifelong shame.
 * This is quoted in several published books as a Japanese proverb, without any mention of Jigoro Kano as author.

title: Kanō Jigorō


text:
User:Trampikey~enwikiquote

Hi, I'm Trampikey, and I usually contribute to Wikipedia, where I am a member of WikiProject EastEnders. I joined Wikiquote to edit the EastEnders article.

title: User:Trampikey~enwikiquote


text:
User talk:221.128.138.252

- InvisibleSun 20:56, 11 March 2007 (UTC)

title: User talk:221.128.138.252


text:
User talk:202.127.109.190

- InvisibleSun 21:03, 11 March 2007 (UTC)

title: User talk:202.127.109.190


text:
Hastings Banda

Hastings Kamuzu Banda (1896? – 25 November 1997) was the President of Malawi from 1966 to 1994. His date of birth is uncertain but he trained as a doctor in the United States and in Scotland in the 1930s. After representing Nyasaland at the Pan-Africanist Congress he became known as a politician and returned to his homeland in 1958; he then led the Malawi Congress Party to victory in elections and became Prime Minister in 1963. When Malawi obtained independence, his rule became dictatorial, kleptocratic and corrupt; he was forced from office by foreign investors who demanded a referendum on democracy, which Banda lost.

Quotes

 * Douglas Brown: Dr Banda, what is the purpose of your visit? Hastings Banda: Well, I've been asked by the Secretary of State to come here. Brown: Have you come here to ask the Secretary of State a firm date for Nyasaland's independence? Banda: I won't tell you that. Brown: When do you hope to get independence? Banda: I won't tell you that. Brown: Dr Banda, when you get independence, are you as determined as ever to break away from the Central African Federation? Banda: Need you ask me that question at this stage? Brown: Well, this stage is as good as any other stage. Why do you ask me why I shouldn't ask you this question at this stage? Banda: Haven't I said that enough for everybody to be convinced that I mean just that? Brown: Dr Banda, if you break with the Central African Federation, how will you make out economically? After all, your country isn't really a rich country. Banda: Don't ask me that, leave that to me. Brown: In which way is your mind working? Banda: Which way? I won't tell you that. Brown: Where do you hope to get economic aid from? Banda: I won't tell you that. Brown: Are you going to tell me anything? Banda: Nothing. Brown: Are you going to tell me why you've been to Portugal? Banda: That's my business. Brown: In fact you're going to tell me nothing at all. Banda: Nothing at all. Brown: So it's a singularly fruitless interview? Banda: Well, it's up to you. Brown: Thank you very much.
 * BBC Training "Interviews from hell". BBC INFAX
 * BBC Interview, 21 June 1962

 * Our talks were very pleasant, as usual. Remember I used to vote Labour when I was here.
 * "Dr. Banda Denies Civil War", The Times, 12 December 1964, p. 6.
 * Remarks to the press after talks with Harold Wilson, 11 December 1964.

title: Hastings Banda


text:
User:Nysalor

I'm a Finnish student, and I live in Helsinki, Finland. I have also studied Finnish Literature, because I read quite a lot, and I also write something myself. My hobby is role-playing, especially RuneQuest and the fantasy world Glorantha.

In Wikiquote, I only add Finnish texts, but I often add interlanguage links.

Look at my Finnish page for more information (if you understand Finnish :)).

fi:Käyttäjä:Nysalor sv:Användare:Nysalor

title: User:Nysalor


text:
User:Astraboy

Astraboy, Bang Face Scholar.

title: User:Astraboy


text:
User talk:Essjay loves sticking his willy up the anus of babies~enwikiquote

- InvisibleSun 00:16, 12 March 2007 (UTC)

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Essjay loves sticking his willy up the anus of babies. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Essjay loves sticking his willy up the anus of babies~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:22, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:47, 19 April 2015 (UTC)


text:
User:Essjay loves sticking his willy up the anus of babies~enwikiquote

- InvisibleSun 00:16, 12 March 2007 (UTC)


text:
User talk:65.12.228.216

- InvisibleSun 01:40, 12 March 2007 (UTC)

title: User talk:65.12.228.216