text:
User talk:Elanor inglorion

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title: User talk:Elanor inglorion


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User talk:ANNE.WY~enwikiquote

Welcome
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called ANNE.WY. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name ANNE.WY~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:16, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:40, 19 April 2015 (UTC)

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: User talk:ANNE.WY~enwikiquote


text:
User talk:Alania Flamestar~enwikiquote

Welcome
Hi. Welcome to English Wikiquote. Enjoy! ~ Jeff Q (talk) 07:08, 25 November 2006 (UTC)
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Alania Flamestar. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Alania Flamestar~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:16, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:41, 19 April 2015 (UTC)

title: User talk:Alania Flamestar~enwikiquote


text:
User talk:Cshin9

Welcome
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title: User talk:Cshin9


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User talk:Pshin9

Welcome
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title: User talk:Pshin9


text:
User talk:Vaniba12

Welcome
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title: User talk:Vaniba12


text:
User talk:Nihiltres

Welcome
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title: User talk:Nihiltres


text:
User talk:Pizzapie

Welcome
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title: User talk:Pizzapie


text:
Stuart Davis

Stuart Davis (December 7, 1892 – June 24, 1964), was an early American modernist painter. He was well known for his jazz-influenced, proto pop art paintings of the 1940s and 1950s, bold, brash, and colorful, as well as his ashcan pictures in the early years of the 20th century.

Quotes of Stuart Davis

 * I think of Abstract Art in the same way I think of all Art, Past and Present. I see it as divided into two Major categories, Objective and Subjective. Objective Art is Absolute Art. Subjective Art is Illustration, or communication by Symbols, Replicas, and Oblique Emotional Passes. They are both Art, but their Content has no Identity. Their difference cannot be defined as a difference of Idiom, because all Paintings have the Laws of Design as a common denominator. Design exists as an Idiom of Color-Space Logic, and it also exists in an Idiom of Representational Likenesses. Objective Art and Subjective Art exist in both Idioms. Their difference can only be defined in terms of what the Artist thinks his Purpose means-its Content as a Design Image.
 * In: George L. K. Morris, Willem De Kooning, Alexander Calder, Fritz Glarner, Robert Motherwell, Stuart Davis. "What Abstract Art Means to Me," in: The Bulletin of the Museum of Modern Art, Vol. 18, No. 3, (Spring, 1951), pp. 2-15

 * I paint what I see in America, in other words I paint the American scene.
 * Cited in: Ian Chilvers, "Davis, Stuart," in: The Oxford Dictionary of Art, (2994). p. 195

Quotes about Stuart Davis

 * Stuart Davis.. ..is one of but few, who realized his canvas as a..  .. two-dimensional surface plane.
 * Arshile Gorky, in Stuart Davis, Creative Art 9, September 1931, p. 213

 * For a brief time, roughly between 1912 and 1918, The Masses became the rallying center-as sometimes also a combination of circus, nursery, and boxing ring-for almost everything that was then alive and irreverent in American culture. In its pages you could find brilliant artists and cartoonists, like John Sloan, Stuart Davis, and Art Young; one of the best journalists in our history, John Reed (journalist), a writer full of an indignation against American injustice that was itself utterly American; a shrewd and caustic propagandist like Max Eastman; some gifted writers of fiction, like Sherwood Anderson; and one of the few serious theoretical minds American socialism has produced, William English Walling. All joined in a rumpus of revolt, tearing to shreds the genteel tradition that had been dominant in American culture, poking fun at moral prudishness and literary timidity, mocking the deceits of bourgeois individualism, and preaching a peculiarly uncomplicated version of the class struggle. There has never been, and probably never will again be, another radical magazine in the U. S. quite like The Masses, with its slapdash gathering of energy, youth, hope.
 * Irving Howe Introduction to Echoes of Revolt: The Masses, 1911-1917 by William L. O'Neill (1989)

 * We all grasped on everything new, and despite the atmosphere of New York [ in the 1930's] worked on everything but our own identities. I make exceptions for Graham and Davis, especially Davis, who though at his least recognized or exhibited stage was the solid citizen for a group a bit younger who were trying to find their stride.
 * David Smith, in a note-and-sketchbook that Smith kept c. 1952; as quoted in 'Atmosphere of the early Thirties, website David Smith State

title: Stuart Davis


text:
Penn & Teller: Bullshit!

Penn & Teller: Bullshit! (2003 – 2010), also known as Penn & Teller: Bullsh*t!, Penn & Teller: Bullsh**!, Penn & Teller: BS!, and informally as Bullshit!, is an American Emmy-nominated television series on the premium cable channel Showtime. It is hosted by professional magicians/comedians Penn & Teller, and inherits their characteristically blunt, aggressive presentation. The show aims to debunk an array of popular misconceptions, sometimes supernatural in nature. It criticizes proponents of such things, often citing ulterior or financial motives. The stated aim of the show is to apply critical thinking to misconceptions.

Talking to the Dead [1.01]

 * [First lines]
 * Penn: [Posing over a fake grave of Harry Houdini] Harry, can you believe it? The same bullshit you so thoroughly debunked almost a century ago is continuing, and even enjoying a resurgence. [To camera] See? Anyone can talk to the dead. Getting an answer, that's the hard part.
 * Teller: [Through the plastic gravestone] Bullshit!

 * Penn: [Penn explains why there is so much vulgarity on the show] You'll notice much more obscenity than we usually use. That's not just because it's on Showtime, and we want to get some attention. It's also a legal matter. If one calls people liars and quacks, one can be sued and lose a lot of one's money. But "motherfuckers" and "assholes" is pretty safe. If we said it was all scams, we could also be in trouble. But "bullshit", oddly, is safe. So forgive all the bullshit language. We're trying to talk about the truth without spending the rest of our lives in court because of litigious motherfuckers!

 * Penn: Before we bust up this party- and god dammit we're gonna bust it up- we have to make it very clear where our hearts are. We have nothing but empathy for the people who are experiencing the loss and grief of the death of a loved one. That guy who lost his mom rips my heart out. I'm a momma's boy whose mom died a couple of years ago, and I'll never get over it, and my dad died at around the same time, and I was very close to both of them. I loved them so much there isn't a moment that goes by that I don't miss them. Houdini didn't really go nuts busting these mediums until he lost his mom. Once you've felt that pure grief, seeing it exploited can take away your sense of humor. Once a loved one has died, all we have is our memories of them. There is nothing more precious to me than my memories of my mom and dad. We don't give a rat's ass about the money these bastards are taking from the grief stricken; what we do care about deeply is the desecration of memories. These "performance artists" are, in a very real sense, mother-fuckers. That poor guy's grieving memories of his mother are now all fucked up by somebody else's images. All he will ever have left of his mom are memories, and this pig has pissed on those for a buck and a little un-earned fame. I'm sure these lame fucks tell themselves that they're easing the grief, but skits for money can not replace loving memories. How low do you have to be to exploit someone's true grief to sell some bullshit book?

 * Penn: One of the weird things Houdini discovered is that some of these mediums actually slip into believing their own bullshit. They forget their own misses, or as John Edward, the Biggest Douche in the Universe, does, rewrite them as hits that we're just not able to recognize. Cold reading can be done accidentally. That doesn't mean the psychic is a better person. Lying to themselves does not make lying to others OK. It can make intellectually lazy scumbags more convincing and dangerous. But even if these fucks know they're just making this shit up and pushing people's buttons, they tell themselves, "At least I'm comforting the bereaved." Who the fuck are they to decide that lying about the universe and a dead loved one is what the bereaved needs!? That's condescending bullshit!

 * Penn: You don't heal a broken heart by pretending it's not broken.

Alternative Medicine [1.02]

 * [Opening lines. Teller is said to have a number of heartbreaking symptoms]
 * Penn: We're gonna see if we can cure him without the bother of going to a doctor... let's try some bullshit!

 * [After hearing that magnet therapy could be addictive if a patient puts magnets on their head at all times]
 * Penn: So magnets are a cheap, legal high. Why is anyone using crack?!

 * Doctor Brickerhoff: Let me hear you say "Hallelujah!"
 * Trucker: Hallelujah!
 * Penn: A lot of real scientists make you say "Hallelujah!"

Alien Abductions [1.03]

 * Penn: Ahh, yes! The famous alien probe! So versatile it works into any orifice. No matter how it looks, abductees all love the probe!

 * David Icke: If we could see beyond the limitations of our five senses, we would see George Bush the Father and George Bush the Son as reptilian entities.
 * Penn: You know, this is the first thing anyone's said that makes sense.

End of the World [1.04]

 * Penn: So when does Bruce believe the bombs will start dropping?
 * Bruce Beech: The date which a lot of people feel right at this moment is about the 8th of December.
 * Penn: Relax! He's talking about 2002 [which had passed]. You can start breathing again!
 * [Bruce Beech laughs hysterically]

 * Penn: You know, when you hear about people predicting the end of the world...they're always predicting 60 to 90 % of the world's population is going to get killed. It's odd how they're always planning on what they're gonna do when everyone else is dead. Teller and I have always played the odds, so, we're betting we're gonna die. You should see our credit card bills. They're higher than our cholesterol! Good thing we don't plan on paying 'em! [microphone appears] I'm sure that we...
 * Cameraman: Cut! Cut. The mic was in the shot. We have to go again.
 * Penn: Fuck you, it's the end of the world! If you live, you can fix it in post.

 * John Hogue: John Hogue; rogue scholar!
 * Penn: Get it? Hogue! Rogue! It rhymes! And scholar, well...not a chance.

 * Cameraman: Do you think that this tape will ever air?
 * Bruce Beach: I don't give that a very high rate of probability.

 * [on the subject of decoding Nostradamus' writings]
 * John Hogue: Quatrain 97 of century, Volume 6 reads, "At 45 degrees latitude, the sky will burn. Fire approaches the great New City." At latitude 45 degrees the only new city since Nostradamus' time that you could call great and new and vast is the city that rests between 40 degrees and 41 degrees latitude, which is Manhattan and New York. Now...that's a little off.
 * James Randi: Then, he's way off in Canada or some place. When [Nostradamus] said 'New City', he was referring to Naples [Italy]. He refers to it several times throughout his writings and makes it clear that he's talking about Naples. Not New York City.

Sex, Sex, Sex [1.06]

 * Penn: Naked people are their own reward.

Feng Shui/Bottled Water [1.07]

 * [After identical twins get the same exact haircut, one from a barber, the second one from a Feng Shui hairstylist]
 * Penn: Conclusion: it's bullshit! Save your money and go see Joe... and we'll tell you you're sexay for free!

 * [Teller is on a stack of chairs, which fall over]
 * Penn: [on the subject of Feng Shui] You know, Teller, I find it silly that some people think that how you arrange your furniture can affect your health. It seems so...so...so...hmmm, stupid. [drinks out of Penn & Teller: Bullshit bottled water]

 * Penn: [on the subject of bottled water] Consumers are offered water with names conveying pure and pristine water sources. Ever hear of Alaskan Falls water? That must come from the crystal-clear glacial waters of our 49th state, right? Sorry, folks. Alaskan flows from this liqui-box corporation building in Worthington, Ohio. Does the brand Yosemite conjure up visions of the cool, pristine waters rushing through California's high sierras? Well, then the marketers have done their jobs. The source of Yosemite bottled water is actually 400 miles away in Northwest Los Angeles. How about Everest Water? Could our piddly show possibly afford to send a camera crew to Nepal? NOT NECESSARY. Everest comes from the industrial section of Corpus Cristi, Texas! In fact if you read the fine print on the FUCKING LABEL, they even admit that the water comes from a MUNICIPAL SOURCE! THAT IS TAP WATER, brothers and sisters of the cult of the bottle!

 * Penn: In much of the rest of the world, [drinking] tap water equals rapid and severe weight loss, with the introduction of new, probably harmful, friends to your intestines and other organs. Are we so ashamed of our wonderful tap water, that we have to disguise it?

ESP [1.10]

 * [Teller is acting as a pet psychic by finding out what a turtle is thinking through ESP]
 * Penn: I'm a pet psychic... psychic! I can tell you what your pet psychic is thinking and feeling. Your pet psychic is thinking "This is safe. No one can contradict me and realize I'm lying. I don't even have the balls to be a human psychic. I feel like such a pile of bullshit!"

Eat This! [1.11]

 * Penn: When he [Norman Borlaug] won the Nobel Prize in 1970, they said he had saved a billion people. That's BILLION! "BUH!" That's Carl Sagan billion with a "B". And most of them were of different race from him. Norman is the greatest human being. And you've probably never heard of him.

 * Penn: Throughout history there's never been an abundance of food. All food is the product of technology; apples, corn, tomatoes, all modified.  Every food has been changed through selective breeding or grafting.  For ten thousand years each attempt at improvement has changed the DNA of the plant.  Now some people are up-in-arms about changes in DNA.  You know what?  If you’re able to get up and have food you should celebrate.  We should all dance about how much food we have.  Why is anyone fighting food advance?  A very small percentage of the world's population is fortunate enough to have the luxury of turning down food. The rest of the world spends most of its time trying to get any food.  You know why?  Technological problems.  They got dirt, they got water, they got sun.  They lack the technical ability to till or enrich the soil.  They lack the machines to plant enough to feed their families.  They lack the hybrid plants that produce more food per acre.  We need to spread all the technology all we can, so all people everywhere can deal with the problem of too much food. We can't start getting picky because we've got enough food- that's just self-centered and racist.  Unless you and yours are starving, you need to SHUT THE FUCK UP!

 * Norman Borlaug: [on the possibility of a world-wide switch to organic farming] We are almost 6.6 billion people, now. We can only feed about two-thirds of them. I don't see 2 billion volunteers to disappear.

 * [after some raw-foodists try to foist their food on other people, being rejected in the process]
 * Penn: We're pretty sure that if you live in a beach-house in the US, you probably shouldn't be trying to tell starving people in the rest of the world that you're fighting the technology that could feed their children.

 * Norman Borlaug: You can't build a peaceful world on empty stomachs and human misery.

Ouiji Board - Near Death Experiences [1.12]

 * Penn: There are two things you say for sure about the Ouiji board. One, it'll set you back about twenty bucks. Two, it's bullshit!

P.E.T.A. [2.01]

 * Penn: We're not gonna tease or abuse the bull. He doesn't have a cute name like Elsie, or Moo-Moo, or Heiferlips. His name is Dave. Nothing funny about that. We wouldn't do anything to this animal that we wouldn't do to ourselves.
 * [Penn applies a branding iron to Teller's right buttock.].
 * Teller: [off-camera] Mother-FUCKER!
 * Penn: Hey! Cool, Dave, he can talk!

 * Penn: Ethical means moral or proper which differs for every person, it's something to discuss. It's not an absolute. It just sounds nice, it's like 'pro-choice' and 'pro-life', I mean- c'mon! Everyone is pro-choice and pro-life. It's for or against abortion that your group is about. And who wouldn't wanna treat animals ethically, anyway. Nobody gets off slapping their monkey or choking their chicken or roughing up their clam.

 * Penn: What shows like this!? Is HBO running a show called “Horse Shit” or “Crocka Shit”? What other shit shows are there out there? We rule shit!

 * Penn: In just a month after animals were released, they would be back in animal prison for trespassing, failure to pay their taxes, assaulting people- and each other, and for fucking and shitting all over the shitty, fuckin' place!

 * Jerry Vlasak: I think that violence and non-violence are not moral principles - they're tactics.
 * Penn: WHAT?!
 * Jerry Vlasak: Violence and non-violence are not moral principles - they're tactics.
 * Penn: Sweet evil Jesus! What did he say?
 * Jerry Vlasak: Violence and non-violence are not moral principles - they're tactics.
 * Penn: "Ethical," my achin' ass!

 * Penn: These are folks who don't want animals killed, hurt, exploited, or...embarrassed.

 * Penn: The PETA you don't know would outlaw fishing, circuses, dog shows, horseback riding and zoos. They even oppose using service animals like eye-dogs for the blind. Fucking blind bastards torturing those dogs! In PETA, there's no room for Kentucky Fried Chicken, or the Kentucky Derby. See you, Shamu! And forget about smearing honey all over your fuck buddy, because even bees are persecuted by the man. And pets are forbidden in PETA's world too. That's right! No pets. Hey all you pet lovers who donate to PETA, feel like a sucker yet?

 * [On PETA's usage of Holocaust footage for its campaigns].
 * Dennis Prager: We have a generation here in America, of young people, who don't know what evil is [cf. generations past]. They've never suffered. They don't know Nazism. They don't know Communism. They don't know torture, concentration camps, or death squads. And so they're so naive, that they think the worst evil is done to animals and the environment.

War on Drugs [2.04]

 * Penn: [Teller shows a pan] This is drugs. [Teller shows some eggs, with the description of several types of civil liberties written on them] These are your liberties. [cut to Penn on a steamroller] AND THIS IS THE GOVERNMENT.
 * [Penn runs a steamroller ("the government") over the pan ("drugs") and the eggs ("civil liberties"), crushing them.]
 * Penn: Any questions?

Recycling [2.05]

 * [On recycling jobs, watching workers sort through garbage on a conveyor belt]
 * Penn: [sarcastically, shouting over the roaring machinery] Man! These are GREAT FUCKING JOBS! If only we didn't have to be LAS VEGAS ENTERTAINERS and TV HOSTS!

The Bible: Fact or Fiction? [2.06]

 * Penn: It's fair to say that the Bible contains equal amounts of fact, history, and pizza.

 * Penn: Now why wouldn't God just appear to Pharaoh, and say it himself? Because God works in mysterious, inefficient, and breathtakingly cruel ways.

 * Penn: Monty Python's Life of Brian was more historically accurate than Mel Gibson's The Passion of the Christ.

 * Penn [repeatedly]: Elvis didn't do no drugs!

 * Penn: God works in mysterious, inefficient, and breathtakingly cruel ways.
 * this statement is a rebuke to the famous assertion by William Cowper: "God moves in a mysterious way, His wonders to perform He plants his footsteps in the sea, And rides upon the storm."

 * Penn: Take some time and put the Bible on your summer reading list. Try and stick with it cover to cover. Not because it teaches history; we've shown you it doesn't. Read it because you'll see for yourself what the Bible is all about. It sure isn't great literature. If it were published as fiction, no reviewer would give it a passing grade. There are some vivid scenes and some quotable phrases, but there's no plot, no structure, there's a tremendous amount of filler, and the characters are painfully one-dimensional. Whatever you do, don't read the Bible for a moral code: it advocates prejudice, cruelty, superstition, and murder. Read it because: we need more atheists — and nothin'  will get you there faster than readin' the damn Bible.

New Age [2.07]

 * Penn: Sedona, Arizona. Home of beautiful red rock ass canyons, scenic desert landscapes... and every crystal-sucking, vortex-fucking asshole out to make a few bucks off of New Age hippie bullshit!

 * [After Sasha Lessin "explained" the tantric sex.]
 * Penn: See, even he doesn't believe it, he can't explain it, he just likes to FUCK!.

Profanity [2.10]

 * [Penn and Teller return after a segment on anti-profanity advocate Ginny Foster, who suggests saying "Santa vaca!" instead.]
 * Penn: "Saint cow". So she is literally saying, "Holy cow!", in Spanish. But "holy cow" is a derogatory reference to the Hindu belief in the sacredness of cows. Ginny certainly doesn't believe in the holiness of cows, so taking that Lord's name in vain is perfectly acceptable. She doesn't buy the holy-cow myth. Therefore, if you didn't actually believe that Jesus is God — and most of the world doesn't — if you were, for example, a Hindu, shouting…
 * [Teller drops a bowling ball on Penn's foot.]
 * Penn: … JESUS CHRIST'S!… name… in a situation where you… or someone you know, somehow, accidentally… dropped a bowling ball on your FOOT… would be, by Ginny's standards… perfectly polite. [Penn looks like he wants to smack Teller.]

Hypnosis [2.13]

 * [Opening lines. Teller swings a clock on a string in front of Penn's face.]
 * Teller (off-screen): Your eyes are so heavy now, so heavy, they burn! Close them! Close them, and feel yourself sinking down... down! [Teller puts the clock in his pocket, and lays a cinder block on Penn's body] Feel your body tingling, and becoming absolutely rigid, rigid as a heavy wooden beam! [Teller then grabs a sledgehammer] And now, the tingling resumes, and you are feeling no... pain-
 * [As Teller is about to smash the cinder block, Penn interrupts.]
 * Penn: Hold the phone! Before we do this, let's make sure hypnotism isn't bullshit.

Family Values [3.02]

 * Penn: The most frequent question we get asked about this show is, why would assholes like Brian Brown and Michael Medved come on a show called Bullshit! to get called "assholes"? We do not lie to them; we make sure they know all about the show. We give them copies of past shows, and it's always pretty clear which side of the issue we're gonna be on. The long answer is that people who come on this show generally consider themselves to be bulletproof. Most have never talked to anyone with a dissenting view, and certainly no one with a real research team, like ours. If you say something on our show, we check it. If you lie or make something up, we know. But we're fair — we never take people out of context. We're biased as all fuck, but we try to be honest. Now, that's the long answer. The short answer? [Penn and Teller shrug.]

Conspiracy Theories [3.03]

 * [Penn speaks of the deaths during the September 11, 2001 attacks.]
 * Penn: And that's something we should never forget. But to conspiracy nuts, death and suffering… are just heart-pounding entertainment. They whack to tragedy!

 * Eric Hoffschmidt: My first reaction to Flight 93, was that the Military, after the towers had been hit, said "Uh-oh...wait a minute. That's not part of the plan! What is that plane gonna do? Shoot it!"

 * Jimmy Walter: I firmly believe that most of the alleged passengers on the alleged hijacked planes are still alive and quite frankly, I think they were all probably working for the government.
 * Penn: Fuck you! We really hope this fuck-up runs into a family member of someone who's died. They may not take kindly to the idea that Daddy's faking his death somewhere.

 * [Penn & Teller are mocking the Moon Landing Hoax Conspiracy on a stage set w/ Penn as director]
 * Penn: CUT! Jesus fucking Christ, Neil! How many times do we have to try this? "One small step for A man", not man. A man! And that's YOU! Everybody take five. Neil, practice your fucking lines! Ooh yeah, let's use real pilots. I wanna use real pilots! [to the camera] Faking the Moon Landing is easy. You need dirt, wardrobe, a sound stage, a lot of black paints, and some stupid suits. The hard part is shutting people up. It's been 36 years! You'd think the technicians, and prop people, camera people, directors, everyone who works at NASA, and the Jet Propulsion Lab in Pasadena, and all the nice folks at Cape Carnaval in Florida, plus members of the US Congress and the White House all shut up about this amazing cover-up for all that time? The Government couldn't even fucking cover up a break-in to a psychiatrist's office in a fucking cheesy hotel! Watergate is the answer to all this shit. If they couldn't cover that up, they fucking can't do anything.

 * Clyde Lewis: Do you really think that one morning in November, 1963, Lee Oswald just got up and said "I'm gonna shoot the President today"?
 * Penn: Yes, but that's not a very sexy answer!

 * Penn: If the conspiracy [to kill President Kennedy] is so big and evil, why hasn't it killed Jim [Marrs]? And how did crazy Oliver Stone's movie [JFK (1991)] ever come out?

 * Vincent Bugliosi: Instinctively, people find it incongruous that this could all happen as the result of the coincidental meeting of the President and a lone nut. They feel that a greater conspiracy has to be involved.

 * Penn: Second gunman my aching ass!

Life Coaching [3.04]

 * Penn: We don't know what the "center of our being" really is, but we hope it's chocolate cream!

Holier than Thou [3.05]

 * Penn: I sure hope Hell is bullshit, too, 'cause if not, we are going there for this one.

 * [Penn compares Tibet under Chinese rule vs. the Tenzin Gyatso, 14th Dalai Lama's rule.]
 * Penn: "Since Mr. Lama has been run out of Tibet, the Chinese have introduced secular education, running water and electricity so maybe life is a bit better on the ground there. Of course the Chinese have also thrown thousands in labor camps and prisons, stomped out as much free speech as possible, and there's that whole fucked up Communism thing. But if you ask Tenzin Gyatso, dba Lama-- what is it with these holy people and their aliases? His Holiness will tell you that he must return to power for the good of his people. In this case, "good" may translate into his people living in squalor and his government condoning slavery. Remember, the lesser of two evils… is still evil. And the enemy of my enemy... is not my friend."

College [3.06]

 * Penn: We're all offended, all the time, and we don't have a fucking right not to be offended! A free country is a marketplace of ideas, and college should be more free, not less.

 * Penn: Americans believe everybody deserves freedom to move up in the world. That's a great thing. But if moving up means spending four years in a beer commercial run by politeness police, maybe you should think twice.

 * Alan Kors: What unversities are saying by these codes, special protections and double standards to women, to blacks, to hispanics, to gay and lesbian students, is: "You are too weak to live with freedom. You are too weak to live with the First Amendment." If someone tells you you are too weak to live with freedom, they have turned you into a child.

Big Brother [3.07]

 * [Penn discusses the 2001 Patriot Act.]
 * Penn: The lawmakers didn't even read the law before they passed it. Assholes! All that protects us from their evil is their incompetence.

 * [Penn discusses the 2001 Patriot Act.]
 * Penn (voiceover): We can get more federal agents. Wow. What do we have to give in return?
 * [cut to penn and teller]
 * Penn: We have to give the government more power, but what power? The patriot act is "an act to deter and punish terrorist acts in the United States and around the world, to enhance law enforcement investigatory tools, and for other purposes". Other purposes? What the fuck is that all about? Other purposes. You shouldn't even allow that kind of loose language in a fucking gym membership contract.

Gun Control [3.09]

 * Penn: You can't stop an insane person from doing insane things by passing insane laws.
 * Penn: You see maybe Mr. Smug can call the police against a gang banger, but who does he call against the police?

Ghostbusters [3.10]

 * [Penn tells a campfire ghost-story version of the Texas ghost investigators' hotel experience.]
 * Penn: And then, the pseudo-scientists dressed in leather stumbled clumsily around the well-lit bedroom. One of them said, the night before, she felt a presence. And the other two… believed her! A battery… went dead. And then the video screen got… got a little weird for a few seconds. They took lots and lots of pictures, and weeks later, when they were developed, a couple of them had lens flare, and they didn't remember fucking up the pictures! And then, the electromagnetic gizmo, that they hadn't calibrated at all… (Dramatic voice) WENT FROM "3" TO "7"! (Teller faints)

Boy Scouts [4.01]

 * Penn: You'd think our Bullshit! experiment would settle the whole "gay" thing. But then there's this asshole!
 * Hans Zyger: As the homosexual movement became much more entrenched into American culture starting in the late 60's...it really became an opportunity for pedophiles to make a mass assault on the Boy Scouts.
 * Penn: Fuck you in the neck, mother fucker!

Cryptozoology [4.04]

 * [Penn introduces the subject after mentioning a few examples.]
 * Penn: These people call what they do "cryptozoology" — "-zoology" meaning "the study of animals", and "crypto-" meaning "shit we made up".

Pet Love [4.06]

 * Penn: Our pal Dino has a Woman/Cat theory. With each additional cat over two, the crazy increases exponentially. 3 cats, 27 times as crazy. 4 cats, 256 times. By the time you get to 78 cats, you have all the crazy in the free world.

 * [Penn closes the show.]
 * Penn: There are so many people in the world who need our help, that it's sickening to spend all this money on pets. What about people? Couldn't all the money spent for fake dog balls, diamond collars, and cat food be spent to help people? Sure it could! But I have original mono copies of Bob Dylan's early albums […] Teller has an original bondage cross and handcuffs that Houdini owned […] We both spend three bucks for a cup of coffee, and live in houses that are way more than our families need. All that money could certainly go to helping people, too. Pets are more bullshit that people waste money on. But fuck, we're in glass houses on this one.

Reparations [4.07]

 * [In the segment on American Indians, Penn reviews past wrongs.]
 * Penn: The white man gave Indians blankets laced with smallpox, massacred them, broke every treaty they signed, and stole their land. And let's not forget F Troop.

Manners [4.08]

 * [Teller entertains diner guests with a floating bread roll trick while Penn continues.]
 * Penn: Manners are habits we can cultivate to help us remain considerate of others, even when we're not thinking about it. Of course, real thoughtful consideration for others can easily replace manners. Teller considers that our guests might like to see how the trick works. Thank you, Teller.

 * Penn: In a recent poll, eight out of ten Americans said rudeness is a serious problem. The other two told our pollster to fuck off!

 * Dr. John Mayer: My postulate is that people are rude---
 * Penn: Oh! There it is! Thank you, folks! Good night everybody!
 * [The credits roll, but then cut back to the show]
 * Penn: What? There's more show? Damn!

 * Gloria: If you're in a restaurant with a tablecloth, you do not eat a hamburger with your fingers. Rather, you take your knife, cut it in half, and eat one half.
 * Penn: (voice over) Have some self respect Gloria. If the chef at this world-class restaurant thought his hamburger would be better eaten in halves, he would have cut the fucking sandwich himself!! You ignorant, self-serving, kill-joy, nit-picking, burger-cutting bitch!! Whore! Asshole! Cunt.

Abstinence [4.10]

 * [The scene cuts to a woman walking through a parking lot carrying large manila shipping envelopes.]
 * Penn: To learn about abstinence, we told our producer we wanted to talk to a woman with really… huge… envelopes. He's foreign.  He didn't know that in America, every plural noun means "tits".

 * Joycelyn Elders: I'm against abstinence programs because I really consider "abstinence only" child abuse.
 * Penn: Oh, SNAP.

 * Penn: Today, a disturbing 35% of our school districts require that abstinence be taught as the only option for teens. Even worse, these programs prohibit the discussion of contraception, unless it's about that stupid small percentage of time when it doesn't work. Fuck! When did Washington turn into the Vatican?

 * [Steve Trombley, Chicago president/CEO of Planned Parenthood, talks about "abstinence only" programs.]
 * Steve Trombley: I think, in fact, we should really call it "ignorance only" education.
 * Steve Trombley: We teach abstinence in every course we do…
 * Penn: [voiceover] Yeah! Planned Parenthood tells kids not having sex is okay, too! The difference is they realize that kids don't fucking listen.
 * Steve Trombley: But we also live in the real world, and we know that over half of teenagers in this country engage in sexual activity.
 * [Cut back to Elders.]
 * Joycelyn Elders: We've tried ignorance for a thousand years. It's time we try education.
 * Joycelyn Elders: We've tried ignorance for a thousand years. It's time we try education.

 * Penn: Now, we're not saying you should have sex because so many other people are. We're saying you should make your own rules, decide what's good for you, based on what you think is important. And don't let anything be thrust into you against your will — not a dick, and not someone else's psycho-religious kink.

 * Penn: So what have we learned? The U.S. government continues to dump hundreds of millions of our dollars a year into misleading, religion-based, anti-sex education. The only good thing about the program? It doesn't work. Most kids just ignore it. Sure, we're throwing away money, but only really religious kids are hurt by it. Our religion-based government can't fuck us up on this because bullshit detection is written into our genes. The sex switch gets turned on at puberty, and no matter how much government or religion twists the truth, they're fighting the honest beauty of love and sex. That's like bringing a knife to a gun fight.

Obesity [5.01]

 * [Penn talks about how people should not try to stop eating because we are wired to eat.]
 * Penn: If you have the willpower to overcome several billion years of evolution, cool, more for the rest of us. And you can stop fucking too, cool, more for the rest of us. Thanks.

 * Penn: You know, our pal Marvin Minsky, pioneer of Artificial Intelligence at MIT, says: "I don't work out because we don't know yet enough about the long-term effects. It appears that each hour of exercise may add two hours to one's life - but I don't know of any evidence that this leads to getting better ideas."

Wal-Mart [5.02]

 * [A hippie scene, while Teller is painting a Wal-Mart vest on a woman's otherwise bared torso]
 * Penn: Now hold on, this isn't some Wal-Mart lovefest. Sometimes, they're really assholes.  In 2000, Wal-Mart reportedly paid $50 million to settle a lawsuit filed in Colorado by 69,000 workers who had been forced to work off the clock.  In December 2005, Wal-Mart had to pay $172 million to 116,000 California employees for not giving them their legally-mandated 30-minute lunch breaks.  So that's at least, uhh... 185,000 people who had a legitimate beef.  And, uhh...don't spread it around, but I'm kinda-sort've a Target guy myself.

 * Penn: The fight to stop Wal-Mart has happened in small towns and big cities alike, all across the country. We went to one of those towns: Greenfield, Massachusetts, population 18,000.  Greenfield is not just "Everyone's Hometown". It is, most importantly, my hometown.

Detoxing [5.04]

 * [Penn stresses the importance of colon cancer screening, while displaying images from his own colonoscopy.]
 * Penn: And then there's this asshole... Sometimes it must seem like I'm talking out my asshole. This time, I literally am.

 * [After hearing a colonic irrigation "therapist" say that a colonic irrigation treatment cleans out junk that lodges in a subject's colon]
 * Penn: That's bullshit. Your colon is not an English muffin. It doesn't have nooks and crannies. If we didn't put Chris through all this stupid shit today, he would've simply shat out all that shit tomorrow. It's as easy as that.

Exorcism [5.05]

 * [A videotape of an exorcism is shown. On video, the minister prays over the subject, pours oil on his head, and then throws a bucket of water over him.]
 * Penn: (Voiceover) Apparently these demons are vulnerable to a splash of olive oil. Maybe they're made of low density lipoproteins?
 * Subject: [on video] Ugggh! Get away from me! You motherfucking asshole!
 * Penn: (Voiceover) Took the words right out of my mouth.

Immigration [5.06]

 * [Two Hispanic men looking like Penn & Teller come up to the camera. The subtitles are in the corresponding (inaccurate) translation of the language - English subtitles for spoken Spanish, Spanish subtitles for spoken English]
 * Faux Penn: Me llamo Penn Jillette, y éste es mi socio Teller. ¿Qué chingados está pensando este güey? Los inmigrantes tomamos los trabajos que nadie quiere hacer y eso mejora--
 * [Translation: My name is Penn Jillette and this is my partner, Teller. What the fuck is that asshole thinking? "Illegal" immigrants are taking the jobs that no one wants to do and that's quickly improving our way of life.]
 * Penn: What the fuck? What the fucking fuck? What the f-- get the fuck out of here! These are our jobs! What the-- what the fuck? Star! These are our jobs!
 * [Translation: ¡Largate de aqui! ¡Estos son nos trabajos! ¡Star! ¡Estos son nos trabajos!]
 * Star: [off camera] But the other guys are cheaper!
 * [Translation: Pero los otros tipos son mas baratos.]
 * Penn: You are so fucking fired. And turn off this subtitle shit! This is America!
 * [Translation: Estas tan despedido, pendejo. ¡Apaga ese pinche subtitulo. Estamos en los Estados Unidos!]
 * [Teller kicks the subtitle header, it veers off view]

 * Faux Penn: Mientras América ofrezca la libertad y la oportunidad, las personas vendrán aquí con las rodillas manchadas de sangre. ¡Simón, güey! Como sus abuelos o bisabuelos lo hicieron. Una persona valiente para dejar su casa, la tradición, y la familia, para venir a América y trabajar para una mejor vida, para él o para ella misma y su familia, deberán de recibirlos con los pinches brazos abiertos.
 * [Translation: As long as America offers freedom and opportunity, people will come here on bloodied knees. Fuck yeah! Just like your parents or great grandparents did. A person brave enough to leave home, tradition, and family, to come to America and work for a better life, for him or herself and his or her family, should be welcomed with open fucking arms.]
 * Penn: And if you can mow lawn, or build fences, or juggle, or do tricks, or write comedy better or cheaper than what we've got, we'll hire your fucking ass. And will use all the time and money and effort you're saving us to-- to live a little. And you know, it's still our names on the fucking show. See, I told you we'd get tits in the show somehow.
 * [Translation: Y si tu corta cespedes o costruye las cercas, o juegos malabares o, hace las artimanas o escribe la comedia mejor o mas barata que lo que hemos obtenido, emplearemos la bola de cabrones. Y utilizaremos todo el tiempo y el dinero el esfuerzo que salvas, a vivir un poco. Y tu sabes, todavia estan nuestros nombres en el show. Ya ves, que de alguna manera los agaramos.]

Handicap Parking [5.07]

 * Penn: "Provide a Clear and Comprehensive National Mandate for the Elimination of Discrimination Against Individuals with Disablities." That's what the Americans with Disabilities Act says it's gonna do. What the fucking fuck? What is wrong with us? Have we all gone fucking crazy? We think the government is so good at what it does, the war on drugs, the war on poverty, the war on war. The government is so fucking good at that, they can fucking do anything? They can make us all physically equal, they can heal the lame, they can make the fucking blind fucking see! How about the government sticks to courts, police, defense, and corruption, and leaves compassion to people that fucking have that! Motherfuckers!

Mount Rushmore [5.08]

 * Penn: Decadence is a freedom with a smile.

Anger Management [5.10]

 * Howard Richmond: It sounds a little pompous, but I do believe that I have a gift to tune into people. Some people would refer to it like I'm the psychic pianist.
 * Penn: It's not pompous to say you're psychic. It's BULLSHIT TO SAY YOU'RE PSYCHIC!! But I digress. I'm not angry.

Orgasms [7.01]

 * [talking to an orgasm session participant who just met his partner 20 minutes ago]
 * Participant: We can get very intimate very quickly by doing this without going through long conversation and the usual uh, challenge that people, you know, through words.
 * Penn: Ahhh, wait. I have a Dickwad to English dictionary here... he means, uh, "who actually wants to go through the hassle of having to actually talk to the bitch?"

 * Penn: Uh-oh. Looks like there's trouble at Orgasmo University.

 * Penn: It takes a woman twenty minutes to reach orgasm. It takes a man two minutes. What other fucking proof do you need that there's no god?

Astrology [7.02]

 * Penn: Astrology is a 4000 year old form of bullshit that postulates a mystical correspondence between your destiny and the position the sun and moon were in when you were born.

 * Penn: Just because Charles didn't help her doesn't mean astrology is always wrong.
 * Phil Plait: No matter how you slice it, astrology is wrong.
 * Penn: Oh.

Video Games [7.03]

 * [Teller, wearing a high school letter jacket, plays on a computer while a group of students and cheerleaders cheer him on.]
 * Penn: Next time you feel like worrying about fake violent video games, try a little gedankenexperiment: imagine that video games were invented 100 years before football. Picture school video game teams and uniforms and hot-ass cheerleaders with big, bouncing pom-poms.  Now imagine after 100 years of extracurricular video game fun, football is invented and introduced to schools.  Thousands of kids get real, no kidding, no fantasy, no make-believe broken knees, legs, ankles, cervical trauma, heatstroke, and concussions! [Throughout Penn's injury list, the crowd quiets, eventually becoming totally silent.]  ...What would parents do?  From 1931 to 2007, 650 kids died... from injuries they suffered playing football. This is not video game violence - this is real violence done to real children by other real children, all encouraged by schools and society. Every parent worries about his or her kids; every adult worries about all children, but you need to pick what you think is worth worrying about.

title: Penn & Teller: Bullshit!


text:
User talk:68.183.172.16

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title: User talk:68.183.172.16


text:
User:Tangotango

See w:User:Tangotango and m:User:Tangotango for more information about me.

simple:User:Tangotango

title: User:Tangotango


text:
Tom DeLonge

Tom Delonge (born December 13, 1975) is the former guitarist and vocalist of and Box Car Racer. He is currently a member of Angels and Airwaves and the re-united blink-182 as of 8th of February 2009.

Sourced

 * I didn’t quit that band because I wanted to. I quit that band because I had to. Because when people give you an ultimatum about your family, what are you going to do? But the problem was no one was being truthful at the time.
 * In interview for Absolutepunk.net about quitting his old band Blink-182.

 * But really we wanted to do something that was more kind of different than what most punk rock bands are doing right now, where they are all dressing in black and acting pissed or sad or wearing make-up. Its just not what we are into.
 * In interview for Absolutepunk.net about his band Angels and Airwaves. (January 2008).

 * I'm going to usher in this entire new culture of the youth, obsessed with the future.
 * http://www.mtv.com/news/articles/1517749/20051208/delonge_tom.jhtml

 * Every breath I take is a tribute to John Kerry.
 * http://www.musicradar.com/news/guitars/tom-delonge-talks-guitar-tones-growing-up-and-blink-565422.

title: Tom DeLonge


text:
User:Steschke

de:Benutzer:Steschke

title: User:Steschke


text:
Little Miss Sunshine

Little Miss Sunshine is a 2006 Academy Award-winning dramatic comedy film about a dysfunctional family going to a childrens' beauty pageant for one of the children, Olive. Traveling together in a Volkswagen Type 2 mini-bus each of them discover certain aspects of their lives that they could not see beforehand and how to relate to one another.

This 2006 film was directed by Jonathan Dayton and Valerie Faris. It was written by Michael Arndt.

A family on the verge of a breakdown taglines

Dialogue

 * Sheryl: [after Frank tried to commit suicide] I'm so glad you're still here.
 * Frank: Well, that makes one of us.

 * [Dwayne fetches Frank for dinner and, with sign language, instructs him to come]
 * Frank: What, dinner? What you don't talk anymore?
 * [Dwayne shakes his head]
 * Frank: Why not?
 * [Dwayne rolls his eyes]
 * Frank: You can talk, but you choose not to.
 * [Dwayne points to painting of Nietzsche]
 * Frank: Is that Nietzsche? You don't speak because of Friedrich Nietzsche?
 * [Dwayne walks off unemotionally]
 * Frank: Far out.

 * Frank: Who do you hang out with? [long pause] No one?
 * [Dwayne writes "I hate everyone" on his notepad]
 * Frank: What about your family?
 * [Dwayne underlines "everyone"]

 * Olive: Hi, Uncle Frank!
 * Frank: Oh, hey, Olive. Wow, you're getting big, almost like a real person.

 * [Edwin is complaining about the family having chicken for dinner]
 * Edwin: What’s that? Chicken? Every night it's the fucking chicken! Holy God Almighty! Is it possible, just once, we could get something to eat for dinner around here that's not the goddamned fucking chicken?
 * Richard: Whenever you are ready to cook your own food, you're more than welcome to it.
 * Edwin: Well, at Sunset Manor, ya know...
 * Richard: If you liked Sunset Manor so much, you shouldn't have gotten yourself kicked out of there, right?

 * [Discussing Frank’s attempted suicide]
 * Olive: Why did you want to kill yourself?
 * Richard: No don’t answer the question Frank.
 * Sheryl: Richard..
 * Richard: Don’t answer it. He’s not going to answer the question.
 * Frank: I wanted to kill myself because I was very unhappy..
 * Richard: He’s sick! He is a sick man! He’s sick in his head!
 * Sheryl: Richard!
 * Richard: I’m sorry I don’t think it’s an appropriate conversation for a seven year-old.
 * Sheryl: Well she’s going to find out anyway.
 * Richard: Okay.
 * Sheryl: Go on Frank.
 * Olive: Why were you unhappy?
 * Frank: There were a lot of reasons, mainly though I fell in love with someone who didn't love me back.
 * Olive: Who?
 * Frank: One of my grad students. I was very much in love with him.
 * Olive: Him? It was a boy? You fell in love with a boy?
 * Frank: Yes, I did. Very much so.
 * Olive: That's silly.
 * Frank: Yes you're right. It was very, very silly.
 * Edwin: [under his breath] There's another word for it.
 * Richard: Dad.
 * Olive: So that's when you tried to kill yourself.
 * Frank: Well, no, the boy that I was in love with fell in love with another man: Larry Sugarman.
 * Sheryl: Who's Larry Sugarman?
 * Frank: Larry Sugarman is perhaps the second most highly regarded Proust scholar in the U.S.
 * Richard: Who's number one?
 * Frank: That would be me, Rich.
 * Olive: So that’s when..
 * Frank: No, uh, what happened was I was a bit upset so I said somethings that I shouldn’t have said, and did some things that I shouldn’t have done and subsequently I was fired from my job and forced to move out of my apartment and into a motel.
 * Edwin: [blows his nose]
 * Olive: And that’s when you..
 * Frank: Well, no. Actually all of that was okay what happened was two days ago the MacArthur Foundation in its infinite wisdom awarded a genius grant to Larry Sugarman. And that’s when I..
 * Edwin: Decided to check-out early.
 * Frank: Yes. Yes. And I failed at that as well.

 * Frank: [speaking about Richards obsessiveness with winning] Is he always like this?
 * [Dwayne nods head]
 * Frank: How can you stand it?

 * Olive: I practice everyday.
 * Frank: Well, then, good luck.
 * Richard: It's not about luck, Frank. Luck is the name losers give to their own failings. It's about wanting to win.

 * Cindy: [Sheryl's sister on answering machine] The girl who won had to forfeit her crown. I don't know why, something about diet pills. But anyway, now she has a place in the state contest.

 * [after being persuaded to go on the trip, Dwayne writes]
 * Frank: [reading Dwayne's writing] "Ok, but I'm not going to have any fun." Yeah, well, we're all with you on that one, Dwayne.

 * Edwin: I'm not driving.
 * Sheryl: Well, Grandpa doesn't have to come.
 * Edwin: What? I coached her. I gave her the moves.

 * Dwayne [writes] Please don't kill yourself tonight.
 * Frank: Not on your watch; I wouldn't do that to you.
 * Dwayne [writes] Welcome to Hell.
 * Frank: Thank you, Dwayne. Coming from you, that means a lot. Goodnight.

 * Edwin: Jesus, I'm tired. I'm so fucking tired. Do you know how tired I am? If some girl came up to me, begged me to fuck her, I couldn't do it. That's how tired I am.
 * Richard: Dad? Uh, watch the language, huh?
 * Edwin: She's listening to music. Olive, I'll give you a million dollars if you turn around. [Olive is still listening to music while Richard and Sheryl looked at her] See?
 * Richard: All right. But the rest of us.
 * Edwin: Oh, the rest of you. [turns to Dwayne] Can I give you some advice?
 * Dwayne: [shakes head "no"]
 * Edwin: Well, I'm going to give it to you, anyway. I don't want you making the same mistakes I made when I was young.
 * Richard: Can't wait to hear this.
 * Edwin: Dwayne, that's your name, right? Dwayne? This is the voice of experience talking. Are you listening? Fuck a lot of women, Dwayne.
 * Richard: Hey. Dad!
 * Edwin: Not just one woman. A lot of women.
 * Richard: That's enough, all right?
 * Edwin: Are you getting any?
 * Richard: Dad!
 * Edwin: You can tell me, Dwayne. Are you getting any?
 * Richard: Come on, please.
 * Dwayne: [shakes his head no]
 * Grandpa: No? Jesus. You're what, 15? My God, man!
 * Richard: Dad!
 * Edwin: You should be getting that young stuff.
 * Richard: Dad. Dad! Hey!
 * Edwin: That young stuff is the best in the world. That young stuff is the best stuff in the whole world!
 * Richard: Hey, Dad, that's enough! Stop it!
 * Edwin: Will you kindly not interrupt me, Richard?! [turns to Dwayne] See, right now you're jailbait. They're jailbait. It's perfect. I mean, you hit 18, man, you're talking about three to five.
 * Richard: Hey, I will pull this truck over right now!
 * Edwin: So pull the truck over! You’re not going to shut me up! Fuck you! I can say what I want. I still got Nazi bullets in my ass!
 * Richard: Ah, the Nazi bullets!
 * Edwin: You're as bad as those fuckers at Sunset Manor.
 * [Richard smacks his hand on the steering wheel and the horn toots]
 * Frank: What happened at Sunset Manor?
 * Sheryl: Frank, don't encourage him.
 * Edwin: What happened? I'll tell you what happened. I paid my money. They took my money. I should be able to do what the fuck I want!
 * Sheryl: [to Frank] He started snorting heroin.
 * Frank: [to Edwin] You started snorting heroin?
 * Edwin: [in response to Frank] I'm old!
 * Frank: Well, that stuff will kill you.
 * Edwin: What am I, an idiot? [to Dwayne] And don't you start taking that shit. When you're young, you're crazy to do that stuff.
 * Frank: [to Edwin] Well, what about you?
 * Edwin: [to Frank] What about me? I'm old! When you're old, you're crazy not to do it.
 * Sheryl: We've tried. Believe me. The intervention was a fiasco. He's worse than a two-year-old.
 * Richard: Can we please talk about something else?
 * Frank: I take it you didn't like it at Sunset Manor?
 * Sheryl: Frank.
 * Edwin: Are you kidding me? It was a fucking paradise. They got a pool, they got golf; now I'm stuck with Mr. Happy here, sleeping on a fucking sofa. Look, I know you're a homo and all, but maybe you can appreciate this. You go to one of those places, there's four women for every guy. Can you imagine what that's like?
 * Frank: You must have been very busy.
 * Edwin: Whoa. I had second degree burns on my Johnson, I kid you not.
 * Frank: Really?
 * Edwin: Forget about it.
 * Olive: [takes off her headphones] What are you talking about?
 * Edwin: Politics.
 * Olive: Oh. [Puts her headphones back on]
 * Edwin: [to Dwayne] Fuck a lotta women, kid. I've got no reason to lie to you. Not just one woman. A lotta women.

 * Frank: Actually, Olive, "a la mode" in French translates as "in the fashion". A la mode. "Mode" is derived from latin "modus" do or proper...
 * Richard: Frank, shut up.

 * Frank: No one gets left behind! No one gets left behind! Outstanding soldier! [saluting Dwayne] Outstanding!

 * Richard: I feel sorry for you.
 * Frank: [sarcastically] You do?
 * Richard: Sarcasm is the refuge of losers.
 * Frank: [sarcastically] It is? Really?
 * Richard: Sarcasm is losers trying to bring winners down to their level and that's step four in the program.
 * Frank: [sarcastically] Thank you for opening my eyes to what a loser I am! How much do I owe you for those pearls of wisdom?
 * Richard: Oh, that one's on the house!
 * Sheryl: Guys, stop it, stop it!
 * Frank: He started it!

 * Sheryl: What happened?
 * Richard: I'll tell you when I regain consciousness.

 * Olive: Grandpa, am I pretty?
 * Edwin: Olive, you are the most beautiful girl in the whole world.
 * Olive: You're just saying that.
 * Edwin: No! I'm madly in love with you and it's not because of your brains or your personality. It's because you're beautiful, inside and out.

 * Olive: Grandpa?
 * Edwin: Yeah?
 * Olive: [tearfully] I don't wanna be a loser.
 * Edwin: You're not a loser. Where'd you get the idea you're a loser?
 * Olive: [breaking down] Because... Daddy hates losers.
 * Grandpa: Whoa whoa whoa, back up a minute. D'you know what a loser is? A real loser is someone who's so afraid of not winning, they don't even try. Now you're trying, right?
 * Olive: [tearfully] Yeah?
 * Edwin: Well then you're not a loser! We're gonna have fun tomorrow, right?
 * Olive: [more cheerfully] Yeah. [takes her glasses off; wipes her eyes]
 * Edwin: We can tell 'em all to go to hell.

 * Olive: Mom? Dad?
 * Richard: [half asleep] What is it, hon?
 * Olive: Grandpa won't wake up.

 * Olive: [going over eye test pamphlets] Mom, Dwayne's got 20/20 vision!
 * Sheryl: I bet he does.
 * Olive: Now, let's see if you're colorblind.
 * [Olive opens the pamphlet]
 * Olive: What's the letter in the circle?
 * [Dwayne looks confused]
 * Olive: The letter in the circle?
 * Frank: Can you see a letter, Dwayne?
 * Olive: It's an A. See? Right there?
 * Frank: It's bright green.
 * [Dwayne scribbles anxiously on his notepad - "What?"]
 * Frank: Dwayne, I think you might be colorblind.
 * [pause, Dwayne holds up his notepad again - "What?"]
 * Frank: You can't fly jets if you're colorblind.
 * ''[Dwayne immediately falls into an emotional breakdown; Frank, Olive and Sheryl all yell for Richard to pull over the vehicle; Dwayne springs from the stopped van into an empty field]
 * Dwayne: [yelling] FUCK!!!!!! FUCK!!!!! [he collapses, screaming and sobbing, after breaking his nine-month vow of silence]
 * Sheryl: What happened?
 * Frank: He's colorblind. He can't fly.
 * Sheryl: Oh, Jesus. Oh, no. [waits several moments, then approaches Dwayne] Dwayne? Dwayne, honey, I'm sorry. Dwayne, come on. We have to go.
 * Dwayne: I'm not going.
 * Sheryl: Dwayne.
 * Dwayne: I said I'm not, okay? I don't care, I'm not getting on that bus again.
 * Sheryl: Dwayne, for better or worse, we're your family.
 * Dwayne: [stands up] No, you're not my family, okay? I don't want to be your family! I hate you fucking people! I hate you! [points to Sheryl, Richard, and Frank as he shouts] Divorce, bankrupt, suicide?! You're fucking losers! You are losers!
 * Sheryl: [whispers] Dwayne.
 * Dwayne: [begins to cry again] No, please just leave me here, Mom. Okay? Please, please. Please just leave me here.

 * Olive: Do you eat ice cream?
 * Miss California: Yes. My favorite is Cherry Chocolate Garcia, except technically I think it's a frozen yogurt.

 * Dwayne: I wish I could just sleep until I was eighteen and skip all of this, high school, everything.
 * Frank: Do you know who Marcel Proust is?
 * Dwayne: He's the guy you teach.
 * Frank: Yeah. French writer. Total loser. Never had a real job. Unrequited love affairs. Gay. Spent 20 years writing a book almost no one reads. But he's also probably the greatest writer since Shakespeare. Anyway, he, uh, he gets down to the end of his life, and he looks back and decides that all those years he suffered, those were the best years of his life, 'cause they made him who he was. All those years he was happy? You know, total waste. Didn't learn a thing. So, if you sleep until you're 18-- ah, think of the suffering you're gonna miss. I mean high school? High school-- those are your prime suffering years. You don't get better suffering than that. "

 * Pageant Assistant Pam: [Dwayne walks swiftly by] Are you authorized to be backstage?
 * Dwayne: [emotionless; without stopping] No.

 * Dwayne: Hey, where are the dressing rooms?
 * Contestant: Are you even allowed back here?
 * Dwayne: Just tell me where the dressing rooms are!

 * Olive: I'd like to dedicate this to my grandpa, who showed me these moves.
 * Pageant MC: Aww, that is so sweet.
 * [Audience applauds]
 * Pageant MC: Is he here? Where's your grandpa right now?
 * Olive: In the trunk of our car.

 * Pageant Official Jenkins: [outraged at Olive's talent act] What is your daughter doing?
 * Richard: She's kickin' ass, that's what she's doing.

 * Frank: Do you want to go back?
 * Dwayne: Not really. [long pause] Yeah, we should go back.

 * Sheryl: "We have to let Olive be Olive."

 * Audience member: [once Olive is done dancing] YEAH! ALRIGHT!

 * Officer Martinez: Okay, you're out. On the condition that you never enter your daughter in a beauty pageant in the state of California, ever again... ever.
 * Frank: I think we can live with that.

Taglines

 * Welcome to hell
 * Where's Olive?
 * A family on the verge of a breakdown
 * Everyone just pretend to be normal

Cast

 * Abigail Breslin - Olive
 * Greg Kinnear - Richard
 * Paul Dano - Dwayne
 * Alan Arkin - Edwin (Grandpa)
 * Toni Collette - Sheryl
 * Steve Carell - Frank

title: Little Miss Sunshine


text:
User talk:85.96.255.160

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title: User talk:85.96.255.160


text:
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Thanks for experimenting with Wikiquote. Your test worked, and has now been reverted or removed. Please use Sandbox for any other tests you want to do, since testing in articles will normally be reverted quickly. Please see the welcome page if you would like to learn more about contributing to our compendium of quotations. Thanks. Fys. “Ta fys aym”. 18:56, 25 November 2006 (UTC)

title: User talk:71.50.172.159


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User talk:24.247.135.38

Please stop. If you continue to vandalize pages, you will be blocked from editing Wikiquote. Fys. “Ta fys aym”. 19:04, 25 November 2006 (UTC)

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title: User talk:24.247.135.38


text:
Buffy the Vampire Slayer/Season 1

 * Seasons: 1 2 3 4 5 6 7 | Main

Buffy the Vampire Slayer (1997–2003), created by Joss Whedon, was a television series about Buffy Summers, a teenage girl chosen by fate to battle against vampires, demons, and other supernatural foes. She is often aided by her Watcher and her loyal circle of misfit friends. Season 1 aired on The WB in 1997.

Welcome to the Hellmouth

 * Buffy: I'm Buffy. I'm new.
 * Xander: Xander. Is - is me. Hi.
 * Buffy: Um, thanks.
 * Xander: Well, uh, maybe I'll see you around... maybe at school... since we... both... go there.
 * Buffy: Great! It was nice to meet you. [walks away]
 * Xander: We both go to school. Very suave. Very not pathetic.

 * Buffy: [to Giles] To make you a vampire they have to suck your blood. And then you have to suck their blood. It's like a whole big sucking thing. Mostly they're just gonna kill you. Why am I still talking to you?

 * Giles: The influx of the undead, the... supernatural occurrences, it's been building for years. There's a reason why you're here and a reason why it's now!
 * Buffy: Because now is the time my mom moved here.
 * Giles: Something's coming, something, something, something is - is gonna happen here. Soon!
 * Buffy: Gee, can you vague that up for me?

 * Willow: Well... when I'm with a boy I like, it's hard for me to say anything cool, or, or witty. Or at all. I-I can usually make a few vowel sounds, and then I have to go away.
 * Buffy: It's not that bad.
 * Willow: No, i-it is. I think boys are more interested in a girl who can talk.
 * Buffy: You really haven't been dating lately.

 * Buffy: [about the mausoleum] Well, this is nice. I-it's a little bare, but a dash of paint, a few throw pillows... call it home!
 * Darla: Who the hell are you?
 * Buffy: You mean there's actually someone in this town who doesn't know already? Whew, that's a relief! I'm telling you, having a secret identity in this town is a job of work.
 * Xander: Buffy, we bail now, right?
 * Thomas: Not yet!
 * Buffy: Okay, first of all, what's with the outfit? Live in the now, okay? You look like DeBarge!
 * [The vampires close in on Buffy. She turns to Darla.]
 * Buffy: Now, we can do this the hard way, or... well, actually there's just the hard way.
 * Darla: That's fine with me!
 * Buffy: Are you sure? Now, this is not gonna be pretty. We're talking violence, strong language, adult content...

The Harvest

 * Giles: For as long as there have been vampires, there has been the Slayer. One girl in all the world, a Chosen One...
 * Buffy: He loves doing this part.
 * Giles: Alright. The Slayer hunts vampires, Buffy is a Slayer, don't tell anyone. Well, I think that's all the vampire information you need.

 * The Master: A Slayer... Have you any proof?
 * Luke: Only that she fought me and yet lives.
 * The Master: Very nearly proof enough. I can't remember the last time that happened.
 * Luke: 1843. Madrid. He caught me sleeping.

 * Giles: [To Willow] Well then help me in researching this Harvest affair. It seems to be some sort of preordained massacre. Rivers of blood, hell on Earth. Quite charmless. I'm a bit fuzzy, however, on the details. [about a computer] It may be that you can wrest some information from that dread machine. [everyone stares] That was a bit, um, British, wasn't it?
 * Buffy: Welcome to the New World.

 * Xander: This is just too much. I mean, yesterday my life's like, 'Uh-oh, pop quiz.' Today it's 'Rain of Toads'.
 * Willow: I know. And everyone else thinks it's just a normal day.
 * Xander: Nobody knows. It's like we've got this big secret.
 * Willow: We do. That's what a secret is, when you know something other guys don't.

 * Buffy: What exactly were you expecting?
 * Xander: I don't know. Something. I mean, the dead rose. We should have at least had an assembly.
 * Giles: People have a tendency to rationalize what they can and forget what they can't.
 * Buffy: Believe me, I've seen it happen.
 * Willow: Well, I'll never forget it. None of it.
 * Giles: Good. Next time you'll be prepared.
 * Xander: Next time?
 * Willow: Next time is why?
 * Giles: We prevented the master from freeing himself and opening the mouth of hell. That's not to say he's going to stop trying. I'd say the fun is just beginning.
 * Willow: More vampires?
 * Giles: Not just vampires. The next threat we face maybe something quite different.
 * Buffy: I can hardly wait.
 * Giles: We're at the center of a mystical convergence here. We may, in fact, stand between the earth and it's total destruction.
 * Buffy: Well, I gotta look on the bright side. Maybe I can still get kicked out of school.
 * Xander: Oh, yeah. That's a plan, 'cause lots of schools aren't on Hellmouths.
 * Willow: Maybe you could blow something up. They're really strict about that.
 * Buffy: I was thinking of a more subtle approach, you know, like, excessive not studying.
 * Giles: [to himself as the others are walking away] The Earth is doomed.

Witch

 * Giles: This is madness. What could you have been thinking? You are the Slayer. Lives depend upon you. I make allowances for your youth, but I expect a certain amount of responsibility, instead of which you enslave yourself to this-this... cult?
 * [Buffy is wearing a cheerleading outfit]
 * Buffy: You don’t like the color?
 * Giles: I don't... Do you, um... do you ignore everything I say, as-as a rule?
 * Buffy: No. I believe that's your trick. I told you, I'm trying out for the cheerleading squad.
 * Giles: You have a sacred birthright, Buffy. You were chosen to destroy vampires, not to... wave pom poms at people. And as the Watcher, I forbid it.
 * Buffy: And you'll be stopping me how?
 * Giles: Well, I... By appealing to your common sense, if such a creature exists.
 * Buffy: I will still have time to fight the forces of evil, okay? I just... want to have a life. I want to do something normal. Something safe.

 * Giles: Why should someone want to harm Cordelia?
 * Willow: Maybe because they met her? Did I say that?

 * Willow: You're the Slayer, and we're, like, the Slayerettes.

 * Xander: I laugh in the face of danger. Then I hide until it goes away.

 * Joyce: Look what I found. It's my yearbook from junior year. [finds her picture] Oh, look! There I am.
 * Buffy: Mom, I've accepted that you've had sex. I am not ready to know that you had Farrah hair.
 * Joyce: This is Gidget hair. Don't they teach you anything in history?

Teacher's Pet

 * Giles: God, every day here is the same.
 * Buffy: Bright, sunny, beautiful. However can we escape this torment?

 * Xander: It's funny how the Earth never opens up and swallows you when you want it to.

 * Giles: This computer invasion that Willow's performing on the coroner's office... One assumes it is entirely legal?
 * Buffy: [in unison] Of course.
 * Willow: [in unison] Entirely.
 * Giles: Right. Wasn't here. Didn't see it. Couldn't have stopped you.

 * Principal Flutie: We all need help with our feelings. Otherwise we bottle them up, and before you know it, powerful laxatives are involved. I really believe if we all reach out to one another we can beat this thing. I'm always here if you need a hug, [jumps back] but not a real hug! Because there's no touching, this school is sensitive to wrong touching.

 * Cordelia: I'm just saying when tragedy strikes, we have to look on the bright side. You know? Like how even used Mercedes still have leather seats.

Never Kill a Boy on the First Date

 * The Master: [reading from the writing of Aurelius] "And there will be a time of crisis, of worlds hanging in the balance. And in this time shall come, The Anointed, the Master's Great Warrior. And the Slayer will not know him, will not stop him, and he will lead her into Hell." As it is written, so shall it be. "Five will die, and from their ashes, The Anointed shall rise. The Brethren of Aurelius, shall greet him, and usher him to his immortal destiny." As it is written, so shall it be. "And one of the Brethren shall go out hunting the night before and get himself killed, because he couldn't wait to finish his job before he ate." Oh, wait. [grabs one of the Brethren by the throat] That's not written anywhere. The Anointed will be my greatest weapon against the Slayer. If you fail to bring him to me, if you allow that girl to stop you... [throws the vampire into a coffin] Here endeth the lesson.

 * Giles: [about Owen's book selection] Oh, Emily Dickinson.
 * Buffy: We're both fans.
 * Giles: Yes, she's quite a good poet. I mean for a...
 * Buffy: [defensively] A girl?
 * Giles: For an American.

 * Willow: Buffy has a really important date.
 * Buffy: Owen!
 * Giles: All right, I-I'll just jump in my time machine, go back to the twelfth century and ask the vampires to postpone their ancient prophecy for a few days while you take in dinner and a show.
 * Buffy: Okay, at this point you're abusing sarcasm.

 * Giles: Well, you know what they say; ninety percent of the vampire slaying game is, is waiting.
 * Buffy: You couldn't have told me that ninety percent ago?

 * Buffy: If the apocalypse comes, beep me.

The Pack

 * Xander: We just saw the zebras mating. Thank you, very exciting!
 * Willow: It was like the Heimlich... with stripes!

 * Buffy: What is it with those guys?
 * Willow: They're obnoxious. Professionally.
 * Xander: Well, every school has 'em. See, you start a new school, you get your desks, some blackboards and some mean kids.

 * Willow: [to Xander] You remember, you fail math, you flunk out of school, you end up being the guy at the pizza place that sweeps the floor and says, "Hey, kids, where's the cool parties this weekend?" We've been through this.

 * Giles: Xander's taken to teasing the less fortunate?
 * Buffy: Uh-huh.
 * Giles: And, there's been a noticeable change in both clothing and demeanor?
 * Buffy: Yes.
 * Giles: And, well, otherwise all his spare time is spent lounging about with imbeciles.
 * Buffy: It's bad, isn't it?
 * Giles: It's devastating. He's turned into a sixteen-year-old boy. Of course you'll have to kill him.

 * [While researching in the library]
 * Buffy: Wow. Apparently, Noah rejected the hyenas from the Ark because he thought they were an evil impure mixture of dogs and cats.
 * Willow: Hyenas aren't well liked.
 * Buffy: They do seem to be the schmoes of the animal kingdom.
 * Willow: Why couldn't Xander be possessed by a puppy, or... or some ducks?

Angel

 * Willow: [about Angel] So he is a good vampire? I mean on a scale of one to ten. Ten being someone who's killing and maiming every night, one being someone who's... not.

 * Xander: I know you have feelings for this guy, but it's not like you're in love with him, right? [Buffy looks away] You’re in love with a vampire?! What are you, outta your mind?
 * Cordelia: What?!?
 * Xander: [to Cordelia] Not 'vampire' ... [to Buffy] How could you love an umpire? Everyone hates 'em!

 * Angel: Come on. Don't go soft on me now. A little wide.
 * Buffy: Why? Why didn't you just attack me when you had the chance? Was it a joke? To make me feel for you and then... I've killed a lot of vampires. I've never hated one before.
 * Angel: Feels good, doesn't it? Feels simple.
 * Buffy: I invited you into my home, and then you attacked my family.
 * Angel: Why not? I killed mine. I killed their friends... and their friends' children. For 100 years, I offered an ugly death to everyone I met. And I did it with a song in my heart.
 * Buffy: What changed?
 * Angel: Fed on a girl about your age. Beautiful. Dumb as a post, but a favorite among her clan.
 * Buffy: Her clan?
 * Angel: The Romany. Gypsies. The elders conjured the perfect punishment for me. They restored my soul.
 * Buffy: What, they were all out of boils and blinding torment?
 * Angel: When you become a vampire, the demon takes your body, but it doesn't get your soul. That's gone. No conscience, no remorse. It's an easy way to live. You have no idea what it's like to have done the things I'm done... and to care. I haven't fed on a living human being since that day.
 * Buffy: So you started with my mom?
 * Angel: I didn't bite her.
 * Buffy: Then why didn't you say something?
 * Angel: But I wanted to. I can walk like a man, but I'm not one. I wanted to kill you tonight.
 * Buffy: Go ahead. Not as easy as it looks.
 * Darla: Sure it is.

 * Darla: Do you know what the saddest thing in the world is?
 * Buffy: Bad hair on top of that outfit?
 * Darla: To love someone who used to love you.
 * Buffy: You guys were involved?
 * Darla: For several generations.
 * Buffy: Well, you've been around since Columbus. You are bound to pile up a few exes. You're older than him, right? Just between us girls, you are looking a little worn around the eyes.
 * Darla: [about Angel] I made him. There was a time when we shared everything, wasn't there, Angelus? You had a chance to come home, to rule with me in the Master's court for 1,000 years. But you threw that away because of her. You love someone who hates us. You're sick, and you'll always be sick. And you'll always remember what it was like to watch her die. You don't think I came alone, do you?
 * Buffy: I know I didn't.
 * Darla: [chuckles] Scary. Scarier.

I, Robot... You, Jane

 * Giles: I'm just going to stay and clean up a little. I'll be back in the Middle Ages.
 * Jenny: Did you ever leave?

 * Jenny: You kids really dig the library, don't you?
 * Buffy: We're literary.
 * Xander: To read makes our speaking English good.

 * Xander: Are we over-reacting? He's in a computer, what can he do?
 * Buffy: You mean besides convince a perfectly nice kid to try and kill me? I don't know. How about mess up all the medical equipment in the world?
 * Giles: Randomize traffic signals.
 * Buffy: Access launch codes for our nuclear missiles.
 * Giles: Destroy the world's economy.
 * Buffy: I think I pretty much capped it with that nuclear missile thing.
 * Giles: ...Alright, yours was best.

 * [keyboard clacking and computer beeping]
 * Giles: [clears throat]
 * Jenny: Well, look who's here. Welcome to my world. You scared?
 * Giles: I'm remaining calm, thank you. I just wanted to, uh, return this. I found it among the new books and naturally, I though of you.
 * Jenny: Cool. Thanks.
 * Giles: Uh, well, I'll-I'll see you anon.
 * Jenny: Can't get out of here fast enough, can you?
 * Giles: Truthfully, I'm even less anxious to be around computers than I used to be.
 * Jenny: Well, it was your book that started all the trouble, not a computer.
 * Giles: [sighs]
 * Jenny: Honestly, what is it about them that bothers you so much?
 * Giles: The smell.
 * Jenny: Computers don't smell, Rupert.
 * Giles: I know. Smell is the most powerful trigger to the memory there is. A certain flower or a whiff of smoke can bring up experiences long forgotten. Books smell musty and-and rich. The knowledge gained from a computer is-is... it has no-no texture, no-no context. It's there and then it's gone. If it's to last, then the getting of knowledge should be, uh, tangible. It should be, um... smelly.
 * Jenny: Well, you really are an old-fashioned boy, aren't you?
 * Giles: Well, I-I don't dangle a corkscrew from my ear.
 * Jenny: That's not where I dangle it.

 * Xander: We going to go to the Bronze tonight, we three?
 * Buffy: It'll be fun.
 * Xander: Yeah. Willow, fun? Remember fun? That thing where you smile?
 * Willow: Oh, I'm sorry, guys. I'm just thinking about...
 * Buffy: Malcolm?
 * Willow: Malcolm, Moloch, whatever he's called. The one boy that's really liked me, and he's a demon robot. What does that say about me?
 * Buffy: It doesn't say anything about you.
 * Willow: I mean, I thought I was really falling...
 * Buffy: Hey, did you forget? The one boy I've had the hots for since I've moved here turned out to be a vampire.
 * Xander: Right. And the teacher I had a crush on: giant praying mantis.
 * Willow: That's true.
 * Xander: Yeah, it's life on the Hellmouth.
 * Buffy: Let's face it. None of us are ever going to have a happy, normal relationship.
 * Xander: We're doomed.
 * Willow: Yeah.
 * [They laugh, but it quickly stops as they look uneasy]

The Puppet Show

 * Giles: He thought it would behoove me to have more contact with the students. I did try to explain that my vocational choice of librarian was a deliberate attempt to minimize said contact, but he would have none of it.

 * Principal Snyder: My predecessor, Mr. Flutie, may have gone in for all that touchy-feely relating nonsense, but he was eaten. You're in my world now. And Sunnydale has touched and felt for the last time.

 * Sid (the dummy): [about his present condition] Let's just say there was me, there was a really mean demon, there was a curse, and the next thing I know, I'm not me any more. I'm sitting on some guy's knee, with his hand up my shirt.

 * [Marc has tricked Giles into getting into a craftily disguised guillotine.]
 * Giles: Shouldn't it be aimed at my neck?
 * Marc: No, no this way your scalp gets sliced off and your brains just come pouring out.
 * Giles: What exactly is the trick?
 * Marc: What trick?

 * Buffy: What about the whole "it's a demon" theory?
 * Giles: I'm looking into that, but my investigation is somewhat... hampered by our life in the theater.
 * Buffy: Uh, priority check, Giles? (holding up her hands) Talent show, murder.
 * Xander: Yeah, we can't do the talent show, it's unthinkable. I'm not able to think it!
 * Giles: Principal Snyder is watching us all very closely. Now, if he chooses, he can make all our lives extremely difficult. A Slayer cannot afford that! We will find this murderer, but in the meantime... the show must go on.
 * Buffy: This is so unfair.

Nightmares

 * Joyce: You want to go to school?
 * Buffy: Sure! Why not?
 * Joyce: Okay. Good day to buy that lottery ticket.

 * Xander: Well, the Hellmouth, the center of mystical convergence, supernatural monsters: been there.
 * Buffy: Little blasé there, aren't you?
 * Xander: I'm not worried. If there's something bad out there we'll find, you'll slay, we'll party!
 * Buffy: Thanks for having confidence in me.
 * Xander: You da man, Buff!

 * Xander: Our dreams are coming true?
 * Giles: Dreams? That would be a musical comedy version of this. Nightmares, our--our nightmares are coming true.

 * The Master: [to Buffy] What's the fun of burying someone if they're already dead?

 * Buffy: Glad you showed up. You see, I'm having a really bad day.
 * Ugly Man: Lucky 19.
 * Buffy: Scary. I'll tell you something, though. There are a lot of scarier thing than you. And I'm one of them.

Out of Mind, Out of Sight

 * [The class is discussing 'The Merchant of Venice'.]
 * Ms. Miller: But has Shylock suffered? What's his place in Venice society?
 * Willow: Well, everyone looked down on him.
 * Cordelia: That is such a twinkie defense. Shylock should get over himself. People who think their problems are so huge craze me. Like this time I sort of ran over this girl on her bike. It was the most traumatizing event of my life, and she's trying to make it about her leg! Like my pain meant nothing.

 * Principal Snyder: There are no dead students here. This week.

 * Giles: Buffy told me you don't feed from humans anymore.
 * Angel: Not for a long while.
 * Giles: Is that why you're here? To see her?
 * Angel: I can't. It's, uh... It's too hard for me to be around her.
 * Giles: A vampire in love with a Slayer. It's rather poetic... in a maudlin sort of way.

 * Willow: 'Have a nice summer', 'Have a nice summer'. This girl had no friends at all.
 * Giles: Once again I teeter at the precipice of the generational gap.
 * Buffy: 'Have a nice summer' is what you write when you have nothing to say.
 * Xander: It's the kiss of death.

 * Cordelia: So, are you saying she's invisible because she's so unpopular?
 * Buffy: That about sums it up.
 * Cordelia: Bummer for her. It's awful to feel that lonely.
 * Buffy: Hmm. So you've read something about the feeling?
 * Cordelia: Hey! You think I'm never lonely because I'm so cute and popular? I can be surrounded by people and be completely alone. It's not like any of them really know me. I don't even know if they like me half the time. People just want to be in a popular zone. Sometimes when I talk, everyone's so busy agreeing with me, they don't hear a word I say.
 * Buffy: Well, if you feel so alone, then why do you work so hard at being popular?
 * Cordelia: Well, it beats being alone all by yourself.

Prophecy Girl

 * Buffy: Giles, you're not gonna believe this.
 * Giles: It's clear, it's what's gonna happen. It's happening now.
 * Buffy: Angel?
 * Angel: It can't be. You've-you've gotta be wrong.
 * Giles: I've checked it against all my other volumes. It's very real.
 * Angel: [about the prophecy] Well, there's gotta be some way around it.
 * Giles: Listen, some prophecies are a bit dodgy. They're-they're mutable. Buffy herself has-has thwarted them time and time again, but this is the Codex. There is nothing in it that does not come to pass.
 * Angel: Then you're reading it wrong.
 * Giles: I wish to God I were, but it's very plain. Tomorrow night, Buffy will face the Master, and she will die.

 * Angel: Well, have you verified the text?
 * Buffy: [laughing and about the prophecy in which she will die] So that's it, huh? I remember the drill. One Slayer dies, next one's called. Wonder who she is? Will you train her... or will they send someone else?
 * Giles: Buffy, I...
 * Buffy: [whimpering] Does it say how he's gonna kill me? Do you think it'll hurt? [as Angel steps close to her] Don't touch me! Were you even gonna tell me?
 * Giles: I was hoping I wouldn't have to, that there was some way around it.
 * Buffy: I've got a way around it. I quit.
 * Angel: It's not that simple.
 * Buffy: I'm making it that simple. I quit. I resign, I-I'm fired. You can find someone else to stop The Master from taking over.
 * Giles: I'm not sure that anyone else can. All the... the signs indicate...
 * Buffy: [enraged, throwing books at Giles] The signs? Read me the signs! Tell me my fortune! You're so useful, sitting here with all of your books! You're really a lot of help!
 * Giles: No, I don't suppose I am.
 * Angel: I know this is hard.
 * Buffy: What do you know about this? You're never gonna die.
 * Angel: You think I want anything to happen to you? Do you think I could stand it? We just gotta figure out a way...
 * Buffy: I already did. I quit, remember? Pay attention!
 * Giles: Buffy, if the Master rises...
 * Buffy: I don't care! I don't care. Giles, I'm 16 years old. I... I don't wanna die.

 * The Master: Yes. Come forth, my child. Come into my world.
 * Buffy: I don't think it's yours just yet.
 * The Master: You're dead.
 * Buffy: I may be dead, but I'm still pretty. Which is more than I can say for you.
 * The Master: You were destined to die. It was written.
 * Buffy: What can I say? I flunked the written.
 * The Master: Come here.

 * The Master: Where are your jibes now? Will you laugh when my Hell is on Earth?
 * Buffy: You're that amped about Hell? Go there.

 * Giles: The vampires?
 * Cordelia: Gone.
 * Angel: The Master?
 * Giles: Dead. The Hellmouth is closed. Buffy? Buffy?
 * Buffy: Um, sorry. It's just... been a really weird day.
 * Xander: Yeah. Buffy died and everything.
 * Willow: Wow. Harsh.
 * Giles: I should've known that wouldn't stop you.
 * Jenny: Well, what do we do now?
 * Giles: I don't know about the rest of you, but I'd like to get out of this place. I don't like the library very much anymore.
 * Xander: Hey, I hear there's a dance at the Bronze tonight. Could be fun.
 * Cordelia: Yeah.
 * Willow: Buffy?
 * Buffy: Sure. We saved the world. I say we party. I mean, I got all pretty.
 * Jenny: What about him?
 * Buffy: He's not going anywhere. Loser.
 * Giles: I'm not dancing, though.
 * Jenny: We'll see. You can come with us, though.
 * Xander: So, what's the story with the car?
 * Cordelia: Oh, that was me.
 * Buffy: I'm really, really hungry.
 * Willow: [laughing]
 * Angel: By the way, I really like your dress.
 * Buffy: Yeah, yeah. It's a big hit with everyone.

title: Buffy the Vampire Slayer/Season 1


text:
User talk:129.174.54.32

An editor using this IP address deleted the Votes for deletion discussion on "Link Starbureiy". This has been reverted. Please note that removing deletion discussions is considered vandalism, and that further incidents may result in a block from editing for this address. Thank you for your cooperation. ~ Jeff Q (talk) 20:38, 25 November 2006 (UTC)

title: User talk:129.174.54.32


text:
Wikiquote:Votes for deletion archive/Witi Ihimaera

 * The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review).  No further edits should be made to this page.

The result was: keep. ~ Jeff Q (talk) 20:49, 25 November 2006 (UTC)

Witi Ihimaera
A notable author, but has no quotes. He is notable for writing the novel "Whale Rider", on which Wikiquote has an article with lots of quotes. Fys. “Ta fys aym”. 19:04, 18 November 2006 (UTC)

 * Vote closed. Result: keep (5 keeps; no dissent). ~ Jeff Q (talk) 20:49, 25 November 2006 (UTC)

 * Delete unless sourced quotes are added. Fys. “Ta fys aym”. 19:04, 18 November 2006 (UTC) Keep now. Fys. “Ta fys aym”. 19:28, 19 November 2006 (UTC)
 * Delete per Fys. - InvisibleSun 20:52, 18 November 2006 (UTC)
 * Keep because of revised article. - InvisibleSun 19:01, 20 November 2006 (UTC)

 * Keep. Article is cleaned up, with sourced quotes. --Ubiquity 09:55, 19 November 2006 (UTC)
 * Keep, now that the article has been cleaned up and sourced quotes have been added. ~ UDScott 14:06, 20 November 2006 (UTC)
 * Keep. —LrdChaos (talk) 15:34, 20 November 2006 (UTC)
 * Keep. I've made some of the sourcing info more explicit. It still needs a page number for the book quote. ~ Jeff Q (talk) 07:52, 23 November 2006 (UTC)

 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.


text:
User talk:65.126.173.159

Please stop adding nonsense to Wikiquote. It is considered vandalism. If you want to experiment, please use the sandbox. Thank you. Fys. “Ta fys aym”. 21:16, 25 November 2006 (UTC)

title: User talk:65.126.173.159


text:
User:Chabuk

About me
I am a 20 year old third year student at McGill University in Montreal studying Political Science (Canadian Gov't) and Jewish Studies. I currently work with the Canadian Federation of Jewish Students as well as a number of other student advocacy and student government groups.

Teaching is my guilty pleasure, be it teaching swimming, youth activism seminars, or Jewish history classes for kids. I also enjoy working at the Williams-Sonoma Canadian Flagship store in Toronto.

I am an avid follower of politics and am currently a supporter of the Liberal Party, though that may change quickly depending on the outcome of the leadership race.

Wiki interests
My first edit to the English Wikipedia was on October 31, 2005 and it remains the main focus of my efforts in the Wikisphere. I joined Wikiquote on 25 November 2006 and hope to be able to contribute positively to its development.

title: User:Chabuk


text: Template:User en-canada

title: Template:User en-canada


text: User:Dylan Lake

title: User:Dylan Lake


text:
Category:Sequel films

Films that follow another film in a series.

title: Category:Sequel films


text: Template:User yi-1

title: Template:User yi-1


text:
Category:User yi-1

Users who speak Yiddish at a basic level.

title: Category:User yi-1


text:
Category:User yi

Users who speak Yiddish

title: Category:User yi


text:
Wikiquote:Votes for deletion archive/Enzo Ferrari

 * The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review).  No further edits should be made to this page.

The result was: . Deleted. Essjay ( Talk )  07:15, 26 November 2006 (UTC)

Enzo Ferrari
Unquestionably a notable subject, but the attribution of this aphorism (the only quote) to him is dubious. Most Web sources call it an "old racing cliche" or else attribute it to driver Rick Mears. (I found exactly one source which attributes it to Ferrari in the first six pages of Google results. It's not in my Simpson's, either.)  121a0012 06:58, 19 November 2006 (UTC)

 * Vote closes: 07:00, 26 November 2006 (UTC)
 * Delete unless verifiable quotes and a proper introduction are added. 121a0012 06:58, 19 November 2006 (UTC)
 * Delete, concur with 121a0012. ~ UDScott 14:08, 20 November 2006 (UTC)
 * Delete unless this quote can be verified (unlikely), or other sourced quotes are added. For what it's worth, the only place I could find this attributed to Ferrari is in a message board signature for a user on an Xbox forum. —LrdChaos (talk) 15:32, 20 November 2006 (UTC)
 * Delete. - InvisibleSun 19:03, 20 November 2006 (UTC)
 * Delete. Concur with 121a0012. ~ Jeff Q (talk) 07:58, 23 November 2006 (UTC)

 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.