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Samurai Champloo

Samurai Champloo is an anime series that was directed by Shinichiro Watanabe, director of Cowboy Bebop.

Tempestuous Temperaments [1.1]

 * Mugen: If living means bowing down to the likes of you bastards, I'd rather die on my feet with my head held high.
 * Jin: [laughing] Well said, I agree with him.

 * Jin: [Confronting the Yagyu guards as they are about to dispatch an innocent peasant] To serve your lord and do his bidding, is that honorable?
 * Yagyu badass: [scoffs] Of course it is.
 * Jin: Even if that lord is an unimportant piece of shit?
 * Yagyu badass: [the Yagyu draw their swords to attack] Say what? Hey, you better watch that mouth of yours!
 * Jin: Cutting down a man who's done nothing wrong; is that what you spent all those years honing your skills for?
 * Yagyu badass: Why I oughta...
 * Jin: In my opinion, you're worthless.
 * Yagyu badass: [rushes at him] Screw You! Say your prayers!
 * [Jin kills all three Yagyu guards with his sword]

 * [Fighting thugs because of offer from Fuu]
 * Mugen: Forget all that formal crap 'bout comin' at me one at a time. I'll take all you bitches on!

 * [After being arrested]
 * Jin: You're the lowest of the low.
 * Mugen: What'd you say?
 * Jin: Your stance leaves you wide open, and your moves are totally inefficient. All in all, your fighting style is a mess.
 * Mugen: You son of a...
 * Jin: I swear, you are the most undisciplined fighter I've ever known...
 * Mugen: Shut your damn mouth!
 * Jin: ...and the only one I wasn't able to kill.

 * Jin: You at peace with yourself?
 * Mugen: Hell. Every freakin' day I have to ask myself: Will this day, be the last day I lie in the sun?

 * ''[They are completely surrounded by the Daikan's men]
 * Mugen: Yo, we put our fight on hold until we get out of here. Agreed?
 * Jin: You intend to kill them all, don't you? I swear... you really are the lowest of the low.
 * Mugen: ''[smiles slyly]

 * [Flipping coin]
 * Fuu: [Mugen takes Fuu's coin and flips it high into the air] Think you might've tossed it a little too far?
 * Jin: He doesn't know the meaning of "restraint".
 * Mugen: Kiss my ass.
 * [Long pause]
 * Fuu: Where is it? It should've landed by now but I don't see it...

[Coin lands on Fuu's forehead]

Redeye Reprisal [1.2]

 * [Mugen and Jin are about to fight]
 * Fuu: Alright, that's enough! You two made me a promise. You haven't forgotten, have you? Until we find the "Samurai who smells of Sunflowers", you two are not allowed to kill each other!
 * Mugen: Oh yeah, this smelly guy, I been meaning to ask you about that.
 * Fuu: Huh?
 * Jin: Who is this "Samurai who smells of Sunflowers"?
 * Fuu: Well, he...
 * Mugen: And what the hell is a sunflower anyway?
 * Fuu: Wait a minute...
 * Jin: You don't know?
 * Fuu: It's a flower!
 * Mugen: So, what do they *smell* like?

[Both turn toward Fuu]
 * Jin: Do you have any other leads?
 * Mugen: Like a picture or something?
 * Jin: What makes you think he's around here?
 * Fuu: [Yells] Stop!
 * [her stomach grumbles]
 * Fuu: For right now-- let's get something to eat.

 * Inuyaka: [discussing the fireflies while in the hot springs with Jin] However-- they say that every once in a while, a male will try to attract another male.
 * Jin: ...time to go.

 * [Fuu passed out after one drink and is asleep]
 * Mugen: Look at the dumb broad, she's out cold. Let's strip her and dump her.

 * Ryujiro: So, you finally turned up, huh? I figured you would. Now I'm gonna make you pay for cutting off my arm.
 * Mugen: Say what?
 * Ryujiro: You know what I'm talking about. You're the one, and don't try telling me you don't remember.
 * Mugen: Sorry dude, but who are you?

 * Ryujiro: Whatever gave you that idea. You lady, I gave up humanity long, long ago. I like to watch human suffering. Now that's what I call fun. I'm really a very generous man. I want to share my suffering with everyone else. I'd say that's fair, wouldn't you? So, now you know why you're gonna die?
 * [Oniwakamaru grabs Ryujiro in the neck choking him]
 * Ryujiro: Oniwaka... what are you....
 * [Oniwakamaru continues choking Ryujiro harder and his neck breaks, then dies]

Hellhounds for Hire (part 1) [1.3]

 * [Jin and Mugen are having a private conversation]
 * Fuu: Huh? What are you two guys doing together? How nasty.
 * Mugen: Hmm... You're a practical man, right?
 * Jin: Yeah.
 * Fuu: Huh? What is it?
 * Mugen: That's great. You'll be able to make it just fine on your own. Right?
 * Jin: Yeah.
 * Fuu: What's with you, all of a sudden?
 * Mugen: Then... Live a good life [They both run off in separate directions]
 * Fuu: Wait a second. No way!

 * [Jin, Mugen and Fuu are meeting by mistake in the brothel]
 * Mugen: Guess no matter how hard we try.. Fate's gonna keep throwing us back together!

Hellhounds for Hire (part 2) [1.4]

 * Mugen: What the hell do you want?
 * Rikiei: Drawing your sword is no longer necessary. At this point, your presence will suffice.
 * Mugen: The hell with that! Did you forget why I'm here? To kick ass, and win your fights for you!
 * Rikiei: Listen, there are two kinds of people who inhabit the world: The rulers, and the followers. Who at times, upset the natural order of things by disposing of their rulers. But not this ruler. With you under my command, they wouldn't dare, which preserves the natural order.
 * Mugen: So the "power" you're talking about is the power to control other people. Is that what you're saying?
 * Rikiei: Yes, what's your point?
 * Mugen: My point is that's all a bunch of bullshit! I don't wanna rule, or have anyone rule me!
 * [Mugen is leaving]
 * Rikiei: Where are you going? If you stay, you can have whatever you want, and do whatever you want! You can't walk away from an offer like that!
 * Mugen: I don't believe in anyone but me and what I can do. See ya.
 * Rikiei: You arrogant bastard! You think you can treat me like garbage, and just walk away?
 * Mugen: If you send someone after me, do me a favor, send the toughest mofo you can find. [Rikiei is so insense with anger that he breaks his nail buffer in two]

 [Mugen goes outside and sees Ishimatsu standing by the door]
 * Mugen: So, what's up? You want a piece of me too?
 * Ishimatsu: I'm the same. I have faith in myself and my sword, nothing else.
 * Mugen: Hmm?
 * Ishimatsu: When I left Boss Kawara's Gang, I thought to myself by using my skills, and my strength, I can get whatever I want out of life. But the world doesn't work that way. There are times when you have to agree with people, even when you think they're wrong. Or do something, even though you think it's crazy.
 * Mugen: What a load of horse piss.
 * Ishimatsu: What's that?
 * Mugen: Hey, you can make all the excuses you want, but you're the one who decided how to live your life.

Artistic Anarchy [1.5]

 * [looking at a porno magazine]
 * Mugen:Geez, doing it with a squid.

 * [Hishikawa Moronobu sails away to Holland]
 * Mugen: Are you sure you wanna let that guy go?
 * Fuu: I don't really care. I mean, he did give me a great set of hooters.
 * Mugen & Jin: Set of hooters?

Stranger Searching [1.6]

 * Jouji: I wanted to live as a Japanese person in this country. But it's still impossible.
 * Fuu: Cheer up.
 * Jouji: But someday, the country will come to accept people like me. Someday, this country won't be so tight-assed.
 * Mugen: Like anybody's gonna be able to relax their ass with you around.

 * [After a fight with the police]
 * Jin: Why do you always aggravate things?
 * Mugen: Those guys just put a bug up my ass.

 * Mugen: You sure do eat a lot.
 * Fuu: There's always room for free food.

 * [After Jin, Fuu, and Mugen lose in the eating contest]
 * Jin: It doesn't matter, but those swords you're carrying are my life. I'd appreciate you giving them back.
 * Jouji: No way.
 * Mugen: Didn't give it much thought.
 * Jin: I don't expect them for free.
 * Jouji: Then you work for them?
 * Jin: What's that?
 * Jouji: I want to do Edo sightseeing! You be tour guide - I will give swords back as thanks.
 * Mugen: Sorry, forget about it. You're shit outta luck - we don't know nothing about Edo.
 * Jin: We'll take you wherever you want.
 * Fuu: Hey, hold on a minute, if you've got time for that, what about the sunflower--?
 * Jin: A few years back, I used to be known as the Edo tour map.
 * Mugen: Freakin' liar.

A Risky Racket [1.7]

 * ''[Jin, Fuu and Mugen in gambling house]
 * Mugen: Bet the three.
 * Jin: Not three, five.
 * Mugen: You'll do anything to get on my nerves. Won't ya?
 * Jin: Hey, thats my line.
 * Mugen: Bastard. Someday I'll make you cry like a little bitch.
 * Jin: Little bitch.. Do people actually say things like that? I've never heard it before.

 * [Fuu sees the thief walk past her]
 * Fuu: Hey, you! Look at me. you remember who I am?
 * Thief: Why? Should I?
 * Fuu: I'm the girl whose purse you stole, you jerk.
 * [He tries to walk away but Fuu grabs him]
 * Fuu: You aren't going anywhere, buddy.
 * Thief: Let go.
 * Fuu: The hell I will.
 * Thief: Damn you.

 * Mugen: Someday I'll make you say "uncle".
 * Jin: Who ever says 'uncle'? That's highly unheard of.

The Art of Altercation [1.8]

 * Ogura: I've looked for you. To find you, I even apprenticed myself to a man like that and waited. Why did you betray him? A man like you, why did you betray our master?
 * Jin: I'm not the one who did the betraying. But I won't make excuses. Regardless, it's true that I killed my master.
 * Ogura: You! [Charges at Jin]

 * Budou Kiba: [To Jin] I'm sorry that my husband is stupid.
 * Fuu: Hey, hey!
 * Budou Kiba: Listen, men aren't the brightest of our species so it's best you keep them wrapped around your finger.

 * [Shinpachi's beat-boxing in the background]
 * Nagamitsu: Hello honey.
 * Fuu: Umm...
 * Nagamitsu: Me? I'm a man who will be "big". Rather, "big" no "bigger than biggest". My name is... Sakonshogun Nagamitsu!
 * Fuu: [Irritated] How is he shy?

 * [Nagamitsu's katana was knocked out of his hand but lands on his opponent, knocking him out]
 * Nagamitsu: Aerial Killing Technique... umm... Flying Sword!

Beatbox Bandits [1.9]

 * Mugen: Passport? What's that?
 * Fuu: You really don't know?
 * Jin: I'm amazed you made it into Edo without knowing that.
 * Fuu: If you don't have a passport you can't pass through the Checkpoint. Don't you have one Jin?
 * Jin: Of course, I had one, but...
 * Fuu: But?
 * Jin: I lost it.

 * Mugen: I don't understand a single word of that shit you're spewin'.
 * Warrior Priest: Well, at least you've got some spunk; If nothin' else.
 * Mugen: But there's one thing that I do understand. I don't care how many damn dogs you got. It don't amount to jack if they ain't tough enough to bark when they're out alone.

Lethal Lunacy [1.10]

 * Fuu: [Moaning] Ohh... I'm so hungry.
 * Mugen: I'm tired of hearing that.
 * Fuu: But... we haven't eaten anything since we left the checkpoint.
 * Mugen: Go drink river water or something.

 * Jin: Remember, I'm the one who's going to kill you.
 * Mugen: What are you, my wife?

 * [Mugen is preparing for his fight with the street killer next to the waterfall]
 * Mugen: Yea, you gotta meditate under the waterfall... Screw that.

Gamblers and Gallantry [1.11]

 * Fuu: So just what do think Jin meant by what he said? You think he's going to go buy some woman?
 * Mugen: Eh, I'm glad to hear it.
 * Fuu: What?
 * Mugen: Well, you know, I was getting suspicious. You ever seen him check out a girl?
 * Fuu: So, who cares?
 * Mugen: It's a pretty good sign he's a queer.
 * Fuu: No way!
 * Mugen: Well, at least now we know what team he's playin' for.

 * [Mugen is training a beetle]
 * Fuu: I'm back. [Confused] I'm going to have to ask... what are you doing?
 * Mugen: Training. You should be able to tell by looking. Beetle wrestling. I'm going to train him and put him in fights.
 * Fuu: Weren't you going to get a job as a bodyguard?
 * Mugen: I quit that.

 * Fuu: It's times like that I ask myself, why am I watching two bugs fight each other?

The Disorder Diaries [1.12]

 * Mugen: There's no way in hell she doesn't know more than she's letting on. That little tramp is hiding something from us.

 * Fuu's Diary: (about Mugen) I could tell right away he was a bad guy, the sort who did all kinds of horrible things, the kind of person who I'd never want to be friends with.
 * Mugen: Hey!
 * Fuu's Diary: But, after I talked to him . ..
 * Mugen: Hmm?
 * Fuu's Diary: . . . I realized I was absolutely right.

 * [reading Fuu's diary]
 * Mugen: Shut up you little bitch!
 * Jin: You're shouting at a diary.

 * Zuikō: Freedom cannot be forced into existence, nor can it be won through painful struggle. Freedom cannot be bought or sold. It has nothing to do with one’s social status; one’s profession is of no consequence. In order for you to accept yourself as you are and live with your soul at peace, you must simply teach yourself to let it be, only then will you discover freedom.

Misguided Miscreants (Part 2) [1.14]

 * [Mugen's body drifted ashore]
 * Fuu: (Thinking he's dead) Mugen! [Crying] Mugen. It can't be... Why? Why? [Mugen coughs up water] No way. He's alive.

 * [Jin's walking along the beach]
 * Jin: (Shocked) You.
 * Mugen: Like I would die before I killed you. I'm going to settle things.
 * Jin: I killed him.
 * Mugen: What did you say?
 * Jin: I killed Mukuro.
 * Mugen: (Vexed) You... I was going to...!
 * Jin: I was tricked. I was tricked by her.

 * [Shiren walks in the sunset and Koza catches up to him]
 * Koza: Do you think we did the right thing?
 * Shiren: Without a doubt. You wanted to be free of Mukuro, didn't you? On top of that, we got more money than we could ever spend. Once the heat dies down, i'll show you where it's all hidden. Are you having second thoughts? [Koza shakes her head no]
 * Koza: Mm-mmm. I had to. I couldn't live like that anymore. My whole life, he's been controlling me. Promise you won't leave me. Not ever. ''[Shiren puts his arm around her and they continue to walk together until they see someone walking towards them. Shiren and Koza are both shocked to see that Mugen is still alive. Koza shakes in fear clinging on to Shiren for protection as Mugen continues to walk towards them. Shiren draws out his blade and charges at Mugen. But Shiren is quickly cut down with a series of lightning-quick slashes by Mugen despite being rigorously weakened. Mugen continues to walk towards Koza with his sword now stained with Shiren's blood. Koza closes her eyes in great fear that Mugen is about to kill her as well. But to her surprise and relief, Mugen just walked right past her. But her relief quickly turned to despair when she realize what Mugen sparing her life really meant and thus falling to her hands and knees]
 * Koza: Kill me. Please, kill me! [Koza's pleading to be put out of her misery falls on deaf ears as Mugen pays her no heed and continues walking without saying a word, or looking back at her, leaving her exactly as she didn't want to be: All alone.]

Bogus Booty [1.15]

 * [Jin's fishing while the rest are eating]
 * Fuu: Jin! Give it up already! Come over here and eat with us. I'll share the ones I caught with you.
 * Mugen: Aw, don't worry about him. He's just being a big baby cause' he got skunked.
 * Mugen: C'mon, you heard him, right before we started fishin': [imitating Jin's voice] Fishing is a life and death struggle between man and fish. Forget this and you will most certainly get hurt.

 * Mugen: [after finding a bag of coins in the river] We hit the potjack!
 * Fuu: That's jackpot!
 * Mugen: All I know is we're a filthy bitch!
 * Fuu: Filthy rich!
 * Jin: I hope you're doing that deliberately.

 * Fuu: Why would they need to go to the red light district when they have me around?
 * Mugen: Fuu... do you have any idea what you just sounded like you were volunteering for?

 * [Fuu has become incredibly fat from eating]
 * Fuu: Oh, I ate and ate. This is the first time I've been full in a while.
 * Mugen: She's a monster.

 * [Mugen and Jin ran off leaving Fuu]
 * Fuu: Damn them. Going to the red light district even though they have me... Being a woman is a disadvantage...
 * [Looking at her pet squirrel]
 * Fuu: Momo, are you a boy? A girl? I'm hungry. (Momo faints)

 * Mugen: I want my nookie!

 * Yatsuha: Hey look, a naked woman!
 * Mugen: WHERE?!
 * [Yatsuha kicks Mugen in the crotch]

 * [Mugen and Yatsuha are surrounded by some dangerous men]
 * Yatsuha: Hey, if you take out all these guys, I promise I'll rock your world.
 * Mugen: Forget about it. You keep saying that but you never deliver nothin-- [Yatsuha whispers something in his ear] You're on!

 [Jin is still at the brothel sitting in a room with his back turned from the two women laying down naked until he sense a presence outside]
 * Jin: Who's out there? ''[The doors open revealing 5 ninjas]
 * Ninja Leader: Answer me this: where did you obtain those coins you have?
 * Jin: As I suspected, that money has a history. But I owe you no answer. [The 5 ninjas draw out their blades and charged at Jin only for Jin to draw out his sword and slash them several times in an instant killing them all]

 [As soon as Jin sheaths his sword after killing the 5 ninjas, he holds his back in pain]
 * Jin: My back.
 * Brothel Woman: Master Jin.

 * Yatsuha: (About Mugen to her companion) After all, that's the man I'm going to marry. I guess I fell in love with him. (to herself) So long. Once both our journeys are over, I'll come find you.

Lullabies of the Lost (Verse 1) [1.16]

 * Jin: (To Yukimaru) You can tell them that you killed me. I might as well be dead already.
 * [Jumps into a waterfall]

 * Fuu: (To Okuru) There were two useless bodyguards traveling with me. Well, it doesn't matter anymore. Now I'm as lonely as can be. So, it doesn't matter where I die. But... I didn't want to drown. Because, you know, your body size doubles. I'm not joking. I want to die beautiful, you know.
 * Okuru: There are no beautiful corpses.

 * Mugen: (to Fuu, about Jin) Tall, dark, and four-eyed here is thinking the same thing: hanging around with a girl with absolutely no sex appeal isn't my idea of fun.
 * Jin: That's it; you've gone too far.
 * Fuu: Yeah! You tell him Jin!
 * Jin: That four-eyed thing, take it back.
 * Fuu: Hey!

Lullabies of the Lost (Verse 2) [1.17]
Soundtrack to Episode 17 can be found here; Here
 * Mugen: (To Okuru) I've seen those eyes before. They're similar to the eyes of a head that's been cut off. The ones that are slightly wet and don't know what they see. Hey, are you really alive?

 * Mugen: (Notices Okuru playing a melody) You are Okuru, aren't you? They were just out there... People called Matsumae-Han or something. They gave me a lot of trouble. They thought I was you.
 * Okuru: Did they give you money?
 * Mugen: I just want to fight you.
 * Okuru: Fight me, whaaaat?
 * Mugen: Mm-hmm.
 * Okuru: Wah! Hmmm.

 * Fuu: Without a sense of duty, the world would be in darkness.

War of the Words [2.1]

 * Fuu: You keep ordering the same thing as either me or Jin. You should get what you like.
 * Mugen: [Looking at the menu] It can't be helped.
 * Fuu: But it's written right there.
 * Mugen: I have a little trouble understanding it.
 * Fuu: Is it possible that you can't read?
 * Mugen: [Pointing at letters] That's a "no". This and this are also "no". I can read it just fine.
 * Fuu: [Points at a letter] Then what about this?
 * Mugen: It's "no".
 * Jin: It's "me".
 * Mugen: Damn you little bitch, that was a trick question!

 * Mugen: [after drawing the infinity symbol] I thought of it myself. It stands for Mugen.

Unholy Union [2.2]

 * Mugen: [surrounded by guards]: You boys want a piece of me?
 * Jin: By starting this pointless squabble, you've done nothing but reveal just how vast your stupidity is. Please refrain from these moments of self-grandeur.
 * Mugen: Run that by me again.

 * Priest: . . .and after that you'll be able to get started on polishing the Buddha. You'll be happy to do that, right?
 * Mugen: Why don't I polish that pinhead of yours, you bald ass son of a bitch!

Elegy of Entrapment (Verse 1) [2.3]

 * Sara: Well, a blind woman isn't really the best mother for a child... isn't it ironic, a woman like me singing songs like Kuzunoha leaving her child?

 * (Mugen jumped into the hot spring)
 * Sara: Mugen.
 * Mugen: That blows... you could at least pretend that I'd scared you, how'd you know it was me?
 * Sara: Everyone you meet has their own individual aura about them, it's something I can sense... you see, I've walk in darkness for a very long time, a person can grow accustomed to anything... I may have lost my sight but I have much inner sense for other things as a result, so please don't feel sorry for me.
 * Mugen: I think that's a bunch of bullshit... if you're happy, there's no way you would sing a song you sing.

 * Sara: Huh... we have a lot in common, the two of us... the words happiness and joy have never had any meaning for me... however, at the moment that my son was born, I began to have the same dreams that any mother would have.

 * Jin: Please choose to either eat or to speak.

Elegy of Entrapment (Verse 2) [2.4]

 * Fuu: You never know Jin might decide to come back.
 * Mugen: The only way he's coming back is as if he's getting kicked in the nuts for trying to make a move on that chick.
 * Fuu: Can't you ever say anything intelligent?
 * Mugen: When you start, I'll start.

 * Mugen: Tell me who the hell are you?
 * Sara: What I can't see I can sense.
 * Mugen: (stumbling, bleeding) What?
 * Sara: Inside of you looms a simmering storm of hatred and rage, but perhaps what I'm actually sensing is sadness. It's as if... you've never once been loved by anyone; it's as if... you're just like me.
 * Mugen: You trying to say you can sense my moves before they even happen? What a load of crap!!

 * Mugen: She said something about her kid's life being on the line.
 * Fuu: She did? Well, if that true, then someone's forcing her to do this.
 * Jin: But who could that be?
 * Mugen: Take your pick. We've dined and dashed, snuck through a checkpoint, and, oh yeah, killed people.

 * (Mugen is about to go and fight Sara)
 * Jin: That woman... can sense our moves before we made them.
 * Mugen: Kinda figured that.
 * Jin: Just like a fish.
 * Mugen: Huh?
 * Jin: Fish use the water surrounding their bodies to sense what will happen next... you can't fight the current, you have to flow with it. If you do that, you might just catch the fish.
 * Mugen: Where'd you hear that?
 * Jin: From the old man who saved my life.
 * Mugen: Huuuuuuuuh?

 * Sara: I realized something. My son's been dead for a long time now. This whole time, they've just been using me.
 * Mugen: Then, fight them.
 * Sara: I cannot. The government hired me. I just want you to live, Mugen.

Cosmic Collisions [2.5]

 * (Shige discovers that he isn't really a descendant of the Heike clan)
 * Shige: (Completely surrounded) Well, at this point, whether I'm a descendant or not has nothing to do with it. We have no blood in our bodies to connect us anymore, anyway. Couldn't we just forget about that and let things continue as they have been? I guess not.

 * (After Mugen and Jin ate a lot of mushrooms)
 * Fuu: Oh... that's right. In the newspaper horoscope, it said to be careful of mushrooms.
 * Mugen: (Yells) Don't tell us after we've eaten them!

 * Fuu: (Sees a shooting star) Oh, a shooting star. (Making a wish) Let us find the samurai who smells like sunflowers. Let us make it safely to Nagasaki. And I want to eat enough so my stomach is full.

Baseball Blues [2.6]

 * Mugen: Against a load of pansies like you, one of me is more than enough!

Evanescent Encounter (part 1) [2.7]

 * Kagetoki Kariya: Only hope can give rise to the emotion we call despair. But it is nearly impossible for a man to try to live without hope, so I guess that leaves Man no choice but to walk around with despair as his companion.
 * Mugen: Huh? What the hell do you want?
 * Kagetoki Kariya: If you're looking for Kasumi's daughter, she's crossed over to the island.
 * Jin: Do you know him? You know Seizo Kasumi?
 * Kagetoki Kariya: I know he's a felon who abandoned his country and had his soul stolen by that foreign religion. I've heard that he fled here to Kyushu and that he was involved in the Shimabara Rebellion. I also know he's the man that the Shogunate wants eliminated more than anyone else. They've known all along that his daughter was trying to find him. In fact, it's helped them. They've let her run free this whole time so they're able to discover Kasumi's whereabouts. And now, although it pains me to say this, I have to insist that you two die right here.
 * Mugen: You're taking us on by yourself? You sure got a big pair on ya, pal.
 * Kagetoki Kariya: [readies his sword ] Come, I hope that you don't disappoint me.

Evanescent Encounter (part 2) [2.8]

 * Fuu: But Mugen, I can't leave you.
 * Mugen: Don't give me that crap! Listen to me, I'm gonna be pissed off if we came all this way for nothin'. Get lost.
 * Fuu: I can't...what if they...
 * Mugen: I ain't gonna die. Have some faith in me, will ya?
 * Fuu: Oh Mugen...
 * Mugen: Beat it. (Fuu takes a step back) Go on. (Fuu takes another step back) I said go!

Evanescent Encounter (part 3) [2.9]

 * Sunflower Samurai Seizo Kasumi: Fuu....

 * [After surviving a building collapsing on him]
 * Umanosuke: Well, that hurt like a son of a bitch, didn't it?!

 * [Jin and Kariya fight against each other with the sword as she stabs him]
 * Fuu: Jin!
 * Kariya: I cannot believe... You opened yourself up for my attack.
 * [Jin and Kariya fall down the ground]

 * Jin: I think I've found what I was looking for all this time. I, who was always alone, found friends for the first time. You two were my first friends.

About

 * I always get inspired on the spot, at any given moment. I constantly think how it will be interesting, exciting or unique if we can combine and mixing genre A and genre B. I would like to mix different things in my work: the word “Champloo” in ‘Samurai Champloo’ comes from an Okinawan term ‘chanpuru’ which means “something mixed”. Cooking is essentially mixing of different ingredients and that would be a mixture, right? So in Samurai Champloo, I combined two completely different elements, a traditional samurai story and trendy hip-hop music with the hope that it would be an exciting and interesting story.
 * Shinichiro Watanabe Interview with Shinichiro Watanabe on 10 November 2012 during Anime Festival Asia(“AFA”) 2012

title: Samurai Champloo


text:
Jean de La Fontaine

Jean de La Fontaine (July 8 1621 – April 13 1695) is a famous French fabulist and the most widely read French poet of the 17th century.

Quotes

 * People must help one another; it is nature's law.
 * "L'Ane et le Chien", as quoted in On a Darkling Plain (1995) by Richard Lee Byers, p. 94.

 * Everyone calls himself a friend, but only a fool relies on it; nothing is commoner than the name, nothing rarer than the thing.
 * "Parole de Socrate", as quoted in The Wordsworth Book of Humorous Quotations (1998), edited by C. Robertson

 * Everyone believes very easily whatever they fear or desire.
 * As quoted in Subcontact : Slap the Face of Fear and Wake Up Your Subconscious (2001) by Dian Benson, p. 149
 * Variant: Everyone believes very easily whatever he fears or desires.

 * To live lightheartedly but not recklessly; to be gay without being boisterous; to be courageous without being bold; to show trust and cheerful resignation without fatalism — this is the art of living.
 * As quoted in From Grandmother with Love (2005) by Becky Kelly and Patrick Regan, p. 53.

 * We then saw what St. Jerome said of those who serve God and those who serve the world: "Each to the other we seem insane": Invicem insanire videmur. There is a never-ending duel between the two.
 * Mémoires pour servir à l'histoire de Port-Royal (1752), as cited by M. A. Screech in Laughter at the Foot of the Cross (1997), p. 69

Book I

 * L'histoire, encore que mensongère, Contient des vérités qui servent de leçons. Tout parle en mon ouvrage, et même les poissons. Ce qu'ils disent s'adresse à tout tant que nous sommes; Je me sers d'animaux pour instruire les hommes.
 * History some truths contains, which well may serve For lessons. In my work you will observe Ev'ry thing speaks — yea e'en the very fish — And what they say, to ev'ry man a dish Serves up; and I of animals make choice That men may get instruction from their voice.
 * Book I (1668), Dedication "To Monseigneur the Dauphin".

 * Je vais t'entretenir de moindres aventures, Te tracer en ces vers de légères peintures; Et si de t'agréer je n'emporte le prix, J'aurai du moins d'honneur de l'avoir entrepris.
 * For thee I'll trace in verses which I write Some sketches, paintings which indeed are light, And if the prize of pleasing thee I do not bear away, At least, the honour I shall have of having tried I say.
 * Book I (1668), Dedication "To Monseigneur the Dauphin".

 * La fourmi n'est pas prêteuse; C'est là son moindre défaut.
 * The ant is no lender; that is the least of her faults.
 * Book I (1668), fable 1.

 * Apprenez que tout flatteur Vit aux dépens de celui qui l'écoute.
 * Be advised that all flatterers live at the expense of those who listen to them.
 * Book I (1668), fable 2. Variant translations: Learn now that every flatterer lives at the cost of those who give him credit. In exchange for your cheese I will give you a piece of advice for the future — Do not trust flatterers. Every flatterer lives at the expense of him who listens to him.

 * Nous n'écoutons d'instincts que ceux qui sont les nôtres, Et ne croyons le mal que quand il est venu.
 * 'Tis thus we heed no instincts but our own; Believe no evil till the evil's done.
 * Book I (1668), fable 8.

 * La raison du plus fort est toujours la meilleure.
 * The opinion of the strongest is always the best.
 * Variant: The argument of the strongest is always the best.
 * Book I (1668), fable 10 (The Wolf and the Lamb).

 * Plutôt souffrir que mourir, C'est la devise des hommes.
 * Better to suffer than to die: that is mankind's motto.
 * Variant: Rather suffer than die is man's motto.
 * Book I (1668), fable 16.

 * A l'oeuvre on connaît l'artisan.
 * By the work one knows the workman.
 * Book I (1668), fable 21 (The Hornets And The Bees)
 * Variant: The artist by his work is known.

 * Je plie, et ne romps pas.
 * I bend but do not break.
 * Book I (1668), fable 22.

Book II

 * Les délicats sont malheureux: Rien ne saurait les satisfaire.
 * The fastidious are unfortunate; nothing satisfies them.
 * Book II (1668), fable 1.

 * Il faut, autant qu'on peut, obliger tout le monde: On a souvent besoin d'un plus petit que soi.
 * One should oblige everyone to the extent of one's ability. One often needs someone smaller than oneself.
 * Variant: One often has need of one inferior to himself.
 * Book II (1668), fable 11.

 * Patience et longueur de temps Font plus que force ni que rage.
 * Patience and time do more than strength or passion.
 * Book II (1668), fable 11.

 * C'est double plaisir de tromper le trompeur.
 * It is a double pleasure to deceive the deceiver.
 * Book II (1668), fable 15 (The Cock and the Fox).
 * Variant: It is twice the pleasure to deceive the deceiver.

Book III

 * [On] est bien fou de cerveau Qui prétend contenter tout le monde et son père.
 * It is impossible to please all the world and one's father.
 * Book III (1668), fable 1.

 * En toute chose il faut considérer la fin.
 * In everything one must consider the end.
 * Book III (1668), fable 5 (The Fox and the Goat).

Book IV

 * Amour est un étrange maître! Heureux qui peut ne le connaître Que par récit, lui ni ses coups!
 * Love is a cruel conqueror. Happy is he who knows him through stories And not by his blows!
 * Book IV (1668), fable 1 (Le lion amoureux).

 * ... ’argent vient-il comme il s’en va ? Je n’y touchois jamais. Dites-moy donc de grace, Reprit l’autre, pourquoy vous vous affligez tant, Puiſque vous ne touchiez jamais à cet argent : Mettez une pierre à la place, Elle vous vaudra tout autant.
 * ... a wise man knows Gold comes but slowly, quickly goes; I never touched it." "Gracious me!" Replied the other, "why, then, be So wretched? for if you say true, You never touched it, plain the case; Put back that stone upon the place, 'Twill be the very same to you."
 * Book IV (1668), fable 20 (L’Avare qui a perdu ſon treſor.).

Book V

 * Bref, la fortune a toujours tort.
 * In short, luck's always to blame.
 * Book V (1688), fable 11 (Luck and the Young Child)

 * Il n'est rien d'inutile aux personnes de sens.
 * There's nothing useless to a man of sense.
 * Book V (1668), fable 19.

 * Il ne faut jamais Vendre la peau de l'ours qu'on ne l'ait mis par terre.
 * Never sell the bear's skin before one has killed the beast.
 * Book V (1668), fable 20.

 * De la peau du lion l'âne s'étant vêtu, Était craint partout à la ronde.
 * Dressed in the lion's skin, the ass spread terror far and wide.
 * Book V (1668), fable 21.

Book VI-

 * Garde-toi, tant que tu vivras, De juger les gens sur la mine.
 * Beware, as long as you live, of judging people by appearances.
 * Book VI (1668), fable 5.

 * Rien ne sert de courir; il faut partir à point.
 * To win a race, the swiftness of a dart availeth not without a timely start.
 * Book VI (1668), fable 10.

 * Aide-toi, le ciel t'aidera.
 * Help thyself and Heaven will help thee.
 * Book VI (1668), fable 17.

 * Sur les ailes du Temps la tristesse s'envole.
 * On the wings of Time grief flies away.
 * Variant: Sadness flies away on the wings of time.
 * Book VI (1668), fable 21.

 * The fly of the coach.
 * Book VII (1678–1679), fable 9.

 * L’enseigne fait la chalandise.
 * The sign brings customers.
 * Book VII (1678–1679), fable 16 (The Fortune-Tellers).

 * Plus fait douceur que violence.
 * Kindness effects more than severity.
 * Book VI (1678-1679), fable 3.

 * La mort ne surprend point le sage: Il est toujours prêt à partir.
 * Death never takes the wise man by surprise, he is always ready to go.
 * Book VIII (1678-1679), fable 1.

 * Rien ne pèse tant qu'un secret.
 * Nothing weighs on us so heavily as a secret.
 * Book VIII (1678-1679), fable 6.

 * Rien n'est si dangereux qu'un ignorant ami; Mieux vaudrait un sage ennemi.
 * Nothing is as dangerous as an ignorant friend; a wise enemy is to be preferred.
 * Variant: Nothing is more dangerous than a friend without discretion; even a prudent enemy is preferable.
 * Book VIII (1678-1679), fable 10.

 * On rencontre sa destinée Souvent par des chemins qu’on prend pour l’éviter.
 * Our destiny is frequently met in the very paths we take to avoid it.
 * Book VIII (1678–1679), fable 16 (The Horoscope)
 * Variant: A person often meets his destiny on the road he took to avoid it.

 * Laissez dire les sots: le savoir a son prix.
 * Let ignorance talk as it will, learning has its value.
 * Book VIII (1678-1679), fable 19 (The Use of Knowledge).

 * Les gens sans bruit sont dangereux.
 * People who make no noise are dangerous.
 * Book VIII (1678–1679), fable 23.

 * L'homme est ainsi bâti: Quand un sujet l'enflamme L'impossibilité disparaît à son âme.
 * Man is so made that when anything fires his soul, impossibilities vanish.
 * Book VIII (1678-1679), fable 25.

 * Il connaît l’univers, et ne se connaît pas.
 * He knows the universe, and himself he does not know.
 * Book VIII (1678–1679), fable 26.

 * Ventre affamé n'a point d'oreilles.
 * A hungry stomach cannot hear.
 * Book IX (1678–1679), fable 18.

 * No path of flowers leads to glory.
 * Book X, fable 14; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

 * "They are too green", he said, "and only good for fools".
 * The Fox and the Grapes, fable 11; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Misattributed

 * We must laugh before we are happy, for fear we die before we laugh at all.
 * Jean de La Bruyère, in Du Coeur

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Jean de La Fontaine


text:
User talk:69.86.107.196

Welcome to Wikiquote, the free compendium of quotations! You don't have to log in to read or edit articles on Wikiquote, but creating an account is quick, free and non-intrusive, requires you to provide no personal information, and gives you many benefits, including:
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title: User talk:69.86.107.196


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User talk:61.59.145.23

Welcome to Wikiquote, the free compendium of quotations! You don't have to log in to read or edit articles on Wikiquote, but creating an account is quick, free and non-intrusive, requires you to provide no personal information, and gives you many benefits, including:
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title: User talk:61.59.145.23


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User talk:81.197.67.42

Welcome to Wikiquote, the free compendium of quotations! You don't have to log in to read or edit articles on Wikiquote, but creating an account is quick, free and non-intrusive, requires you to provide no personal information, and gives you many benefits, including:
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title: User talk:81.197.67.42


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User talk:62.101.126.230

Welcome to Wikiquote, the free compendium of quotations! You don't have to log in to read or edit articles on Wikiquote, but creating an account is quick, free and non-intrusive, requires you to provide no personal information, and gives you many benefits, including:
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title: User talk:62.101.126.230


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User talk:128.175.20.75

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title: User talk:128.175.20.75


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User talk:169.132.18.1

Welcome to Wikiquote, the free compendium of quotations! You don't have to log in to read or edit articles on Wikiquote, but creating an account is quick, free and non-intrusive, requires you to provide no personal information, and gives you many benefits, including:
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title: User talk:169.132.18.1


text:
User talk:Pmsyyz

and thank you for your correction of wrong title.--Aphaia 7 July 2005 05:56 (UTC)

title: User talk:Pmsyyz


text:
User:AmarChandra

I am a Wikipedian and I hang out mostly at the English and Esperanto Wikipediae. I have a degree in physics, and my interests are rather widespread, including Arthropoda, Python, mountaineering and haiku. I am also a quote-collector and a camera-coolie.

Please leave me a message in case I can help out with translation tasks or anything else.

Plans

 * The Bourne Supremacy
 * Sin City
 * The Good, the Bad and the Ugly
 * Rear Window
 * The Maltese Falcon
 * The Continental Op
 * High Noon
 * Kill Bill

 * Claude Shannon
 * Richard Hamming
 * David Ruelle
 * George Mallory
 * Sophocles

Faves

 * "Det finns inget dåligt väder bara dåliga kläder" (Swedish)
 * Translation: "There is no bad weather only bad clothing."

 * 시작이 반이다. - Starting is half the task. (Korean)
 * "Tús maith, leath na hoibre." - A good start is half the work. (Gaelic)

 * "If you understand, things are just as they are; if you do not understand, things are just as they are."

 * Çok yaşayan bilmez, çok gezen bilir. - Not he who lived long knows, but he who traveled much knows. (Turkish)

 * "Dèyè mòn gen mòn." - Beyond mountains, there are more mountains. (Haiti)

 * "Beware of the man who does not talk, and the dog that does not bark." (Cheyenne)

"The one who tells the stories rules the world." (Hopi)
 * "The rain falls on the just and the unjust."

 * "kO ar qadr ke beland bAsha, bAz Am sar-e khud rA dAra." - However tall the mountain is, there’s a road to the top of it. (Pashtun)

title: User:AmarChandra


text:
Category:Monarchs from the United Kingdom

British monarchs, excluding English & Scottish monarchs before 1707.


text: Category:United States First ladies

title: Category:United States First ladies


text:
Category talk:United States First ladies

Is it better as "Category:United States first ladies"? --Aphaia 7 July 2005 06:59 (UTC)

 * Good question. I actually thought about it...but then I decided the "first" should be capitalized. Maybe I did make a mistake :( ~ MosheZadka (Talk) 7 July 2005 07:05 (UTC)


text:
Jean Henri Fabre

Jean Henri Fabre (22 December 1823 – 11 October 1915) was a French entomologist, and one of the founders of the study of insect behaviour. He was also an accomplished writer and teacher.

Quotes

 * Without feeling abashed by my ignorance, I confess that I am absolutely unable to say. In the absence of an appearance of learning, my answer has at least one merit, that of perfect sincerity.
 * Writing about the horns of Onthophagus, in 'The Onthophagi'

 * But what is the use of this history, what the use of all this minute research ? I well know that it will not produce a fall in the price of pepper, a rise in that of crates of rotten cabbages, or other serious events of this kind, which cause fleets to be manned and set people face to face intent upon one another's extermination. The insect does not aim at so much glory. It confines itself to showing us life in the inexhaustible variety of its manifestations; it helps us to decipher in some small measure the obscurest book of all, the book of ourselves.
 * In 'Minotaurus typhoeus'

 * Do you know the Halicti ? Perhaps not. There is no great harm done: it is quite possible to enjoy the few pleasures of life without knowing the Halicti. Nevertheless, when questioned with persistence, those humble creatures with no history can tell us some very singular things; and their acquaintance is not to be disdained if we desire to enlarge our ideas a little upon the bewildering rabble of this world. Since we have nothing better to do, let us look into these Halicti. They are worth the trouble.
 * In 'The Halicti'

 * In many cases, ignorance is a good thing : the mind retains its freedom of investigation and does not stray along roads that lead nowhither, suggested by one's reading. I have experienced this once again. ... Yes, ignorance can have its advantages; the new is found far from the beaten track.
 * In 'The Languedocian Scorpion'

 * I have made it a rule to adopt the method of ignorance in my investigations into instincts. I read very little. ... I know nothing. So much the better : my queries will be all the freer, now in this direction, now in the opposite, according to the lights obtained.
 * In 'The Languedocian Scorpion'

 * The best thing is to say good-bye, not without a certain regret on my part. One of these days. I will take you and scatter you in your territory, the rock-strewn slope where the sun is so hot. ... There you will learn the hard struggle for life better than you would with me.
 * In 'The Languedocian Scorpion'

title: Jean Henri Fabre


text:
Category:Entomologists

This is a category of entomologists, scientists interested in the study of insects.

title: Category:Entomologists


text:
User talk:24.24.151.207

Also, thanks for alerting me to the Ovadia Yosef article. It is now improved! ~ MosheZadka (Talk) 7 July 2005 07:21 (UTC)

title: User talk:24.24.151.207


text:
User talk:202.155.149.16

~ MosheZadka (Talk) 7 July 2005 07:44 (UTC)

title: User talk:202.155.149.16


text:
User talk:202.70.115.179

~ MosheZadka (Talk) 7 July 2005 10:14 (UTC)

title: User talk:202.70.115.179


text:
User talk:24.85.245.231

~ MosheZadka (Talk) 7 July 2005 10:15 (UTC)

title: User talk:24.85.245.231


text:
User talk:195.153.160.113

Welcome to Wikiquote, the free compendium of quotations! You don't have to log in to read or edit articles on Wikiquote, but creating an account is quick, free and non-intrusive, requires you to provide no personal information, and gives you many benefits, including:
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Click here to create an account.--Aphaia 7 July 2005 10:40 (UTC)

title: User talk:195.153.160.113


text:
Python

Python is an interpreted, interactive programming language created by in 1990.

Quotes

 * And what defines a 'python activist' anyway? Blowing up Perl installations worldwide?
 * Ivan Van Laningham, June 2005, on comp. lang. python

 * As it seems to me, in Perl you have to be an expert to correctly make a nested data structure like, say, a list of hashes of instances. In Python, you have to be an idiot not to be able to do it, because you just write it down.
 * , August 2000, on comp.lang.functional

 * Python is more concerned with making it easy to write good programs than difficult to write bad ones.
 * Steve Holden, June 2005, on comp.lang.python

title: Python


text:
Category:Disambiguation pages

This is a list of disambiguation pages.

title: Category:Disambiguation pages


text:
Category:Saints

See also Category:Religious leaders.

title: Category:Saints


text: Category:Philosophy

title: Category:Philosophy


text: Category:Nurses

title: Category:Nurses


text:
User talk:71.96.136.201

Welcome to Wikiquote, the free compendium of quotations! You don't have to log in to read or edit articles on Wikiquote, but creating an account is quick, free and non-intrusive, requires you to provide no personal information, and gives you many benefits, including:
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Click here to create an account.--Aphaia 7 July 2005 12:56 (UTC)

title: User talk:71.96.136.201


text:
User talk:212.127.154.155

~ MosheZadka (Talk) 7 July 2005 13:50 (UTC)

title: User talk:212.127.154.155


text:
User talk:205.222.41.32

Thanks for experimenting with Wikiquote. Your test worked, and has now been reverted or removed. Please use Sandbox for any other tests you want to do, since testing in articles will normally be reverted quickly. Please see the welcome page if you would like to learn more about contributing to our compendium of quotations. Thanks.

--Aphaia 7 July 2005 14:28 (UTC)

title: User talk:205.222.41.32


text:
Talk:London

Quote in article was not attributed at all: ~ MosheZadka (Talk) 05:04, 22 July 2005 (UTC)
 * When a man is tired of London, he is tired of life

I am not certain what organizing quotes by the "theme of London" quite means here, but I am always ready to be enlightened. However, I have just arranged these quotes alphabetically, which may be construed as "being provisionally" as well as thematically... ~ Wise Raven

title: Talk:London


text:
Talk:Abortion/Organized

This version shows the way User:214.13.4.151 thinks the page is best organized.

Quotes on Abortion.

Pro-Choice

 * (No expressed objections to abortion, and opposed to legal penalties against it)

 * "The states are not free, under the guise of protecting maternal health or potential life, to intimidate women into continuing pregnancies."
 * Harry Blackmun, majority opinion in Roe v. Wade, January 22, 1973

 * "The fetuses are alive at the time of delivery . . . . very frequently there is [a heartbeat]."
 * Dr. LeRoy Carhart, testifying to Congress in defense of his "partial-birth abortion" practice

 * "Why is it that most of the people who are against abortion are people you wouldn't want to fuck in the first place?"
 * George Carlin
 * "Why is it that when it's us, it's an 'abortion' and when it's chicken it's an 'omelette'? Are we so much better than chickens all of a sudden?"
 * George Carlin
 * "People say 'life begins at conception.' I say life began about about a billion years ago and it's a continuous process."
 * George Carlin

 * "... abortion opponents love little babies as long as they are in someone else's uterus."
 * Joycelyn Elders, former U.S. Surgeon General

 * "[A]bortion is an integral part of family planning. Theoretically this means abortions at any stage of gestation. Therefore I favor the availability of abortion beyond 20 weeks."
 * Dr. David Grundmann, explaining his abortion practice in a 1994 paper Abortion After Twenty Weeks in Clinical Practice: Practical, Ethical and Legal Issues

 * "And I'll be quite frank: most of my abortions are elective in that 20-24 week range. . . .In my particular case, probably 20% are for genetic reasons. And the other 80% are purely elective."
 * Dr. Martin Haskell, explaining his "partial-birth abortion" practice

 * Reporter: "Let's talk first about whether or not the fetus is dead beforehand...." Haskell: "No, it's not. No, it's really not....In my case, probably about a third of those are definitely are [sic] dead before I actually start to remove the fetus. And probably the other two-thirds are not."
 * Dr. Martin Haskell, explaining his "partial-birth abortion" practice

 * "If men could get pregnant, abortion would be a sacrament."
 * Florynce Kennedy

 * "We lived our dreams and challenged fate / In tears she told me she was late / Then Sally let his pigeons out to fly / She left one night with just a nod / Was lost in some back alley job / I close my eyes and Sally's pigeons fly"
 * Cyndi Lauper, Sally's Pigeons

 * "[A]fter 20 weeks, where it frankly is a child to me, I really agonize over it because the potential is so imminently there. I think, 'Gee, it's too bad that this child couldn't be adopted.'"
 * Dr. James McMahon, defending his abortion practice in the July 5, 1993 edition of American Medical News

 * "In the case of an unwanted pregnancy, the existential choice for a woman is not abortion vs. no abortion, but, as Garrett Hardin has pointed out, abortion vs. compulsory childbearing. (See his Mandatory Motherhood for a biologist's look at the case for abortion.) If others can force her to be a mother... then she is coerced into putting her body at the disposal of the fetus as if she were an unclaimed natural resource or a chattel slave.... Thus, the woman's most fundamental right of choice, the right to control her own body and happiness, is being abrogated."
 * Sharon Presley and Robert Cooke,

 * "Never mind the vicious nonsense of claiming that an embryo has a 'right to life.' A piece of protoplasm has no rights -— and no life in the human sense of the term.  One may argue about the later stages of a pregnancy, but the essential issue concerns only the first three months.  To equate a potential with an actual, is vicious; to advocate the sacrifice of the latter to the former, is unspeakable."
 * Ayn Rand

 * "And since a man can't make one / He has no right to tell a woman when and where to create one"
 * Tupac, Keep Ya Head Up

--

Pro-Life

 * (Opposed to abortion, and to it being a legally available option)

 * "Guilty? Yes. No matter what the motive, love of ease, or a desire to save from suffering the unborn innocent, the woman is awfully guilty who commits the deed. It will burden her conscience in life, it will burden her soul in death; But oh, thrice guilty is he who drove her to the desperation which impelled her to the crime!"
 * Susan B. Anthony, early feminist

 * "When we look to the unborn child, the real issue is not when life begins, but when love begins."
 * Robert Casey

 * "If Americans support abortion, let's vote. . . .Liberals' only remaining big issue is abortion because of their beloved sexual revolution. That's their cause: Spreading anarchy and polymorphous perversity. Abortion permits that."
 * Ann Coulter
 * "Taxes are like abortion, and not just because both are grotesque procedures supported by Democrats. You're for them or against them. Taxes go up or down; government raises taxes or lowers them. But Democrats will not let the words 'abortion' or 'tax hikes' pass their lips."
 * Ann Coulter

 * "During my 11 years in congress, I have consistently opposed federal funding for abortions. In my opinion, it is wrong to spend federal funds for what is arguably taking of a human life. Let me assure you that I share your belief that innocent human life must be protected, and I am committed to furthering this goal."
 * Al Gore, letter to constituent while serving in the US Congress in 1987, now in favor of legal abortion

 * "Life is the division of human cells, a process that begins with conception.... The [Supreme Court's abortion] ruling was unjust, and it is incumbent on the Congress to correct the injustice. . . . I have always been supportive of pro-life legislation. I intend to remain steadfast on this issue.... I believe that the life of the unborn should be protected at all costs."
 * Richard Gephardt, as a member of the US Congress in 1984, now in favor of legal abortion

 * "The early feminists found abortion to be the ultimate exploitation of women. . . .[women had to become] men to compete. . . . We bought into that. We're smarter today. . . . It's more empowering to go through with your pregnancy."
 * Patricia Heaton, star of Everybody Loves Raymond

 * "... I will prescribe regimens for the good of my patients according to my ability and my judgement and never do harm to anyone. To please no one will I prescribe a deadly drug nor give advice which may cause his death. Nor will I give a woman a pessary to procure abortion. But I will preserve the purity of my life and my art.... If I keep this oath faithfully, may I enjoy my life and practice my art, respected by all men and in all times; but if I swerve from it or violate it, may the reverse be my lot."
 * Hippocratic Oath, attributed to the school of Hippocrates

 * "There are those who argue that the right to privacy is of [a] higher order than the right to life ... That was the premise of slavery. You could not protest the existence or treatment of slaves on the plantation because that was private and therefore outside your right to be concerned."
 * Jesse Jackson, civil rights activist in 1977, now in favor of legal abortion
 * "What happens to the mind of a person, and the moral fabric of a nation, that accepts the aborting of the life of a baby without a pang of conscience? What kind of a person and what kind of a society will we have 20 years hence if life can be taken so casually? . . . Failure to answer that question affirmatively may leave us with a hell right here on earth."
 * Jesse Jackson, civil rights activist in 1977, now in favor of legal abortion
 * "If something can be dehumanized through the rhetoric used to describe it, then the major battle has been won. . . . That is why the Constitution called us three-fifths human and then whites further dehumanized us by calling us 'niggers.' It was part of the dehumanizing process. The first step was to distort the image of us as human beings in. order to justify that which they wanted to do and not even feel like they had done anything wrong. Those advocates of taking life prior to birth do not call it killing or murder; they call it abortion. They further never talk about aborting a baby because that would imply something human. Rather they talk about aborting the fetus. Fetus sounds less than human and therefore can be justified."
 * Jesse Jackson, civil rights activist in 1977, now in favor of legal abortion

 * "America: if you want peace, work for justice, if you want justice, defend life!"
 * Pope John Paul II

 * "I believe that human life, even at its earliest stages, has certain rights which must be recognized -- the right to be born, the right to love, the right to grow old. . . . When history looks back to this era it should recognize this generation as one which cared about human beings enough to halt the practice of war, to provide a decent living for every family and to fulfill its responsibility to its children from the very moment of conception."
 * Edward Kennedy, as a US Senator in 1971, now in favor of legal abortion

 * "TO THOSE WHO WERE ROBBED OF LIFE: the unborn, the weak, the sick, the old, during the Dark Ages of madness, selfishness, lust and greed for which the last decades of the twentieth century are remembered..."
 * C. Everett Koop, former U.S. Surgeon General

 * "A feminazi is a woman to whom the most important thing in life is seeing to it that as many abortions as possible are performed."
 * Rush Limbaugh

 * "One of my most important activities is . . . . to work for the reversal of the Roe vs. Wade decision. . . . The approach we are taking is to show that the lives and rights of women have not been advanced or enhanced, but rather destroyed, by abortion-on-demand. We are collecting affidavits from women who have been harmed by abortion, from women who are convinced that authentic feminism is pro-life, and from professionals who know that Roe has weakened the moral fabric of the legal and medical professions."
 * Norma McCorvey, the Jane Roe of Roe vs. Wade

 * "We should not be surprised at the epidemic of child abuse. Obviously there is a connection between what we can do to a baby in the first nine months of life in the womb, and thereafter."
 * Paul Ramsey, Princeton Ethicist

 * "We cannot diminish the value of one category of human life—the unborn—without diminishing the value of all human life."
 * Ronald Reagan
 * "Abortion is advocated only by persons who have themselves been born."
 * Ronald Reagan

 * "After tens of millions of [abortion] 'procedures', has America lost anything? Another Edison, perhaps?  A Gershwin?  A Babe Ruth?  A Duke Ellington? … As it is, we will never know what abortion has cost us all."
 * Joseph Sobran, editorial columnist

 * "If we accept that a mother can kill even her own child, how can we tell other people to not kill each other? Any country that accepts abortion is not teaching its people to love, but to use any violence to get what they want."
 * Mother Teresa
 * "It is a poverty to decide that a child must die so that you may live as you wish."
 * Mother Teresa

 * Abortion and euthanasia have become preeminent threats to human dignity because they directly attack life itself, the most fundamental human good and the condition for all others. They are committed against those who are weakest and most defenseless, those who are genuinely "the poorest of the poor." They are endorsed increasingly without the veil of euphemism, as supporters of abortion and euthanasia freely concede these are killing even as they promote them. Sadly, they are practiced in those communities which ordinarily provide a safe haven for the weak -- the family and the healing professions. Such direct attacks on human life, once crimes, are today legitimized by governments sworn to protect the weak and marginalized.
 * Living the Gospel of Life: A Challenge to American Catholics, U.S. Conference of Catholic Bishops, 1998

 * "[A]bortion and infanticide are unspeakable crimes."
 * Gaudiem et Spes [Pastoral Constitution on the Church in the Modern World], Vatican II, 1965

 * "Then the word of the LORD came to me, saying: 'Before I formed you in the womb I knew you; Before you were born I sanctified you; I ordained you a prophet to the nations'."
 * The Bible [Jeremiah 1:4-5]

 * "Then said Mary unto the angel, "How shall this be, seeing I know not a man?" And the angel answered and said unto her, "The Holy Spirit shall come upon thee, and the power of the Highest shall overshadow thee: therefore also that holy Thing Which shall be born of thee shall be called the Son of God. And, behold, thy cousin Elisabeth, she hath also conceived a son in her old age:  and this is the sixth month with her, who was called barren. For with God nothing shall be impossible." And Mary said, "Behold the handmaid of the Lord;  be it unto me according to thy word." And the angel departed from her. And Mary arose in those days (of Herod), and went into the hill country with haste into a city of Juda; And entered into the house of Zacharias, and saluted Elisabeth. And it came to pass, that, when Elisabeth heard the salutation of Mary, the babe leaped in her womb; and Elisabeth was filled with the Holy Spirit: And she spake out with a loud voice, and said, "Blessed art thou among women, and blessed is the fruit of thy womb. And whence is this to me, that the mother of my Lord should come to me? For, lo, as soon as the voice of thy salutation sounded in mine ears, the babe leaped in my womb for joy. And blessed is she that believed: for there shall be a performance of those things which were told her from the Lord."
 * The Bible [Luke 1:34-45] (Note the two pregnancies, one too early and one too late. Mary went immediately to Elisabeth [said to be a one to two day journey back then] after telling the angel "be it unto me according to thy word" and already He was recognized not only by Elisabeth, calling Him "my Lord", but by her unborn child, the “babe”, John the Baptist, knowingly leaping in reaction to His presence.  Here we have an example of two unborn children, one six months and the other only one or two days from conception, communicating with each other).

 * "Abortion stops a beating heart."
 * Pro-Life Across America (attributed)

 * (I'd have a quote, except my parents aborted me)
 * The Sounds of Silence, 2004

--
 * "It's a Child -- not a choice!"
 * "If it's not a child -- you're not Pregnant!"
 * "Homicide should never be a choice."
 * "Respect the Dignity of Human Life -- from Womb to Tomb."
 * "Choose life. Your mother did."
 * "I think It is very funny that every single person that agrees on abortion has already been born."
 * "Abortion: ONE DEAD, ONE WOUNDED"
 * "It is statistically confirmed that the most dangerous place to be with in regard to the preservation of one's life is in the womb of a mother, who is being told that if she doesn't want her baby she can abort its life."
 * Unknown

Indefinite
(these statements, whatever the intent and opinions of the authors, make no declarations that can definitely be positioned in the other categories)

 * "Neglect of an effective birth control policy is a never-failing source of poverty which, in turn, is the parent of revolution and crime."
 * Aristotle, Politics, circa. 350 BC

 * "My friend, O' Lordy / Went to take care of her own body / She got shot down in the road / She looked up before she went / She said "This isn't really what I meant" / And the daily news said "2 with 1 stone"
 * Sheryl Crow, Hard to Make a Stand

 * "A person's a person, no mattter how small."
 * Horton Hears a Who, Dr. Seuss's (Theodor Seuss Geisel's) children's book on respecting others

 * "First, do no harm."
 * Hippocrates of Cos, on the obligation of every physician

 * "No one wants an abortion as she wants an ice cream cone or a Porsche. She wants an abortion as an animal, caught in a trap, wants to gnaw off its own leg."
 * Frederica Mathewes-Green

 * "And, by the way, my belief is that if men were the ones getting pregnant, abortions would be easier to get than food poisoning in Moscow."
 * Dennis Miller

 * "All plucked flowers and carrots are untimely ripped. All scotched weeds or cadaver eating are abortions."
 * O Anna Niemus

 * "I have a different stance on abortion: I'm against abortion, but for killing babies. That way everyone loses, and I win.  I'm neither pro choice, nor pro life; I'm pro you-shutting-the-hell-up.  The only way I'd be "pro choice" is if it meant I could choose which babies I could abort, and only then if I could lift the age restriction to 80."
 * George Ouzounian (Maddox)

 * "Every sperm is sacred / Every sperm is great / If a sperm is wasted / God gets quite irate."
 * Monty Python's The Meaning of Life

 * "If men who are fighting hit a pregnant woman and she gives birth prematurely but there is no serious injury, the offender must be fined whatever the woman’s husband demands and the court allows. But if there is serious injury, you are to take life for life."
 * The Bible in [Exodus 21:22]

 * McCAIN [to Bush]: Do you believe in the exemption, in the case of abortion, for rape, incest, and life of the mother?
 * BUSH: Yeah, I do.
 * McCain: [But you] support the pro-life plank [in the Republican Party platform]?
 * BUSH: I do.
 * McCAIN: So, in other words, your position is that you believe there’s an exemption for rape, incest and the life of the mother, but you want the platform that you’re supposed to be leading to have no exemption. Help me out there, will you?
 * BUSH: I will. The platform doesn’t talk about what specifically should be in the constitutional amendment. The platform speaks about a constitutional amendment. It doesn’t refer to how that constitutional amendment ought to be defined.
 * McCAIN: If you read the platform, it has no exceptions.
 * BUSH: John, I think we need to keep the platform the way it is. This is a pro-life party.
 * McCAIN: Then you are contradicting your platform.
 * Geroge W. Bush and John McCain, debating as candidates seeking the US Presidency

Category:Themes

title: Talk:Abortion/Organized


text:
User:Sabine's Sunbird

Wikipedia user branching out somewhat.

to do Western Gull

title: User:Sabine's Sunbird


text:
User talk:Sabine's Sunbird

~ MosheZadka (Talk) 7 July 2005 16:35 (UTC)

''I'm new here but the choice of category for Western Gull seemed peculiar. How is a bird a place? Sabine's Sunbird 8 July 2005 00:53 (UTC)''

You're right, of course. It was my bad, changing it now. Thanks again for your work! ~ MosheZadka (Talk) 8 July 2005 00:55 (UTC)

title: User talk:Sabine's Sunbird


text:
User talk:Jacen Aratan~enwikiquote

~ MosheZadka (Talk) 7 July 2005 18:17 (UTC)

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Jacen Aratan. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Jacen Aratan~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:24, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:49, 19 April 2015 (UTC)

title: User talk:Jacen Aratan~enwikiquote


text:
User talk:143.106.31.24

Thanks for your Portugese-related contributions! ~ MosheZadka (Talk) 7 July 2005 18:19 (UTC)

title: User talk:143.106.31.24


text:
User talk:81.178.95.41

Thanks for the copy-editing work on The Simpsons ~ MosheZadka (Talk) 7 July 2005 18:52 (UTC)

title: User talk:81.178.95.41


text:
User talk:IanYates~enwikiquote

I believe "Serenity" is not out yet. Are the quotes you added from a trailer? Or a private showing? Thanks ~ MosheZadka (Talk) 7 July 2005 19:24 (UTC)
 * From the trailer. Just finished watching the television season and then downloaded the trailer. IanYates 7 July 2005 19:34 (UTC)

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called IanYates. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name IanYates~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:25, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:49, 19 April 2015 (UTC)

title: User talk:IanYates~enwikiquote


text:
User talk:Dineshjk

~ MosheZadka (Talk) 7 July 2005 19:25 (UTC)

Robert W. Bly
An article that you have been involved in editing, Robert W. Bly, has been listed for deletion. All contributions are appreciated, but it may not satisfy Wikiquote's criteria for inclusion, for the reasons given in the nomination for deletion (see also what Wikiquote is and is not). If you are interested in the discussion, please participate by adding your comments at Votes for deletion/Robert W. Bly. Also, please consider improving the article to address the issues raised. Thank you. Chaser 19:52, 12 November 2009 (UTC)

title: User talk:Dineshjk


text: Category:People charged with crimes

title: Category:People charged with crimes


title: User:Ral315


text:
Get Carter

Get Carter is a 1971 British crime film about a gangster who sets out to avenge the death of his brother.
 * Directed and written by Mike Hodges, based on the 1970 novel Jack's Return Home by Ted Lewis.

What happens when a professional killer violates the code? Get Carter!

Jack Carter

 * A pint of bitter [snaps fingers as barman walks away] in a thin glass.

 * [To Eric] You know, I'd almost forgotten what your eyes looked like. Still the same. Pissholes in the snow.

 * I'm going to sit in the car and whistle Rule Britannia.

Cyril Kinnear

 * You don't give a man like Jack a drink in those piddly little glasses. Give him the bloody bottle.

Other

 * Architect: [about Brumby] It's very rude to disappear like that. Where can he possibly be? [Sounds of police cars converging on the car park can be heard coming from below] I’ve got an awful feeling we aren’t going to get our fees for this job.

Dialogue

 * Cliff Brumby: [blocking Carter's path] Listen, I don't like it when some tough nut comes pushin' his way in and out of my house in the middle of the night! Bloody well tell me who sent you!
 * Jack Carter: You're a big man, but you're in bad shape. With me it's a full time job. Now behave yourself.
 * [Brumby takes a swing at Carter, who grabs his hand, punches him, and then slaps him in the face for good measure]
 * Jack Carter: [as he's leaving] Goodnight, Mrs. Brumby.

 * Jack Carter: You know, I'd almost forgotten what your eyes looked like. They're still the same. Pissholes in the snow.
 * Eric Paice: Still got your sense of humour
 * Jack Carter: Yes, I retained that, Eric.

 * Eric Paice: So, what're you doing then? On your holidays?
 * Jack Carter: No, I'm visiting relatives.
 * Eric Paice: Oh, that's nice.
 * Jack Carter: It would be... if they were still living.

 * Con McCarty: [to a naked Jack, who is pointing a gun] Jack, don't you think you ought to get dressed first.
 * Jack Carter: Out!
 * Con McCarty: Come on Jack, put it away. You know you're not going to use it.
 * Peter the Dutchman: The gun he means!

 * Jack Carter: I'm off tomorrow, so I don't suppose I'll be seeing you again. [Pulls out some large banknotes, giving some to Doreen] Here. Go and get your hair done.
 * Doreen Carter: Thanks!
 * Jack Carter: Be good... And don't trust boys.

 * Harry: [playing poker] Thought you were going soon.
 * Jack Carter: Soon. When you've lost your money. Won't take long.
 * Harry: Clever sod, aren't you?
 * Jack Carter: Only comparatively.

 * Jack Carter: Alright, I want to square things with you, first.
 * Keith: [laying in bed, bloody and beat up] Oh, yeah. How?
 * [Jack holds a hand full of pounds]
 * Keith: Stuff it! My girlfriend's coming from Liverpool tonight. Nice surprise, isn't it?
 * Jack Carter: I'm sorry. Here, get yourself a course in karate.
 * [Jack begins to leave]
 * Keith: Frank said you were a shit and he was bloody well right! You even screwed his wife, didn't you! The poor bastard didn't even know if the kid was his!

 * Edna: What's that gun doing in your room? Suppose I phone the police, told them there's a bloke in my hotel... who's planning to shoot somebody?
 * Jack Carter: You wouldn't do that.
 * Edna: How do you know I wouldn't?
 * Jack Carter: 'Cause I know you wear purple underwear.
 * Edna: What's that supposed to mean?
 * Jack Carter: Think about it.

 * Margaret: I can't help the way I am.
 * Jack Carter: Why'd you see him so regular?
 * Margaret: Once a week.
 * Jack Carter: I call that regular.
 * Margaret: He was gentlemanly. I like that.
 * Jack Carter: Once a week, you like a gentleman, do you?
 * Margaret: Look! I'm me, right? We are what we are, like it or not!

 * Jack Carter: [on the phone with Anna] I fancy you. I wish I was touching you - right now - making love to you. I want - to stroke you - and kiss you all over. Where are you?
 * Anna: I'm in the bedroom. My black underwear.
 * Jack Carter: The sexy, silk ones? Take your bra off.
 * Anna: Stop it, darling.
 * Jack Carter: Now. Go on. Now. Now, hold them - gently. Slowly. Imagine it's me. When we're in South America - we'll make love in the sun. Roll over. Make love again - and again.

 * Jack Carter: You bloody whore! Frank was too careful to die like that. Now, who killed him?
 * Margaret: I don't know nothing!
 * Jack Carter: Listen, the only reason I came back to this crap house - was to find out who did it. And I'm not leaving until I do.

Cast

 * Michael Caine - Jack Carter
 * Ian Hendry - Eric Paice
 * John Osborne - Cyril Kinnear
 * Britt Ekland - Anna
 * Bryan Mosley - Cliff Brumby
 * George Sewell - Con McCarty
 * Tony Beckley - Peter the Dutchman
 * Glynn Edwards - Albert Swift
 * Alun Armstrong - Keith
 * Bernard Hepton - Thorpe
 * Geraldine Moffat - Glenda
 * Dorothy White - Margaret
 * Rosemarie Dunham - Edna
 * John Bindon - Sid Fletcher
 * Terence Rigby - Gerald Fletcher

title: Get Carter


text: User:Ctrl build

title: User:Ctrl build


text: Template:User it-1

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 * non-native level
 * not-understanding level

ru:Шаблон:User en

title: Template:User en


text: User:Ctrl build/Buttons

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de:Vorlage:Klonwarnung Benutzerseite es:Plantilla:Página de usuario fr:Modèle:Page personnelle gl:Template:Páxina usuario it:Template:Pagina utente ja:Template:Userpage ko:Template:사용자 페이지 nl:Sjabloon:Gebruikerspagina pt:Predefinição:Página de usuário zh:Template:Wiki user

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text: User talk:Ctrl build

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text: User:Ctrl build/sandbox

title: User:Ctrl build/sandbox


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User talk:69.212.72.193

Someone using this IP address recently created a quote article, Million Dollar Baby, that is completely devoid of quotes. Please do not do this. If you have quotes, add them when you create the article. If you do not, wait until you do to create an article. Quoteless articles merely add to the administrative work by causing people to nominate them for deletion, spending two weeks discussing them, and then nearly always deleting them. Thank you for your cooperation. — Jeff Q (talk) 8 July 2005 00:49 (UTC)

title: User talk:69.212.72.193


text:
Talk:Hitch (film)

Does anybody remember in the end, when hitch says why not live life together in response to sarah's comment that maybe they should "let life take its course"? TY!

what about the thing on "this is why falling in love is so goddamn hard."

Or the dialogue between Ben & Alex playing pool? Ben was criticizing Alex for being selective rather than taking the closest shot to him.

title: Talk:Hitch (film)


text:
Hitch (film)

Hitch is a romantic comedy film released on February 11, 2005 by Columbia Pictures. In this film, Will Smith plays a "date doctor" who coaches other men in the art of wooing women.
 * Directed by Andy Tennant. Written by Kevin Bisch.

The cure for the common man.

Alex "Hitch" Hitchens

 * Life is not about the breaths you take, but it’s the moments that take your breath away.
 * Never lie, steal, cheat, or drink. But if you must lie, lie in the arms of the one you love. If you must steal, steal away from bad company. If you must cheat, cheat death. And if you must drink, drink in the moments that take your breath away.
 * Do you know the definition of "perseverance," Miss Melas? Continuing in a course of action... without regard to discouragement, opposition or previous failure.
 * Begin each day as if it were on purpose.
 * So how does it happen, great love? Nobody knows... but what I can tell you is that it happens in the blink of an eye. One moment you're enjoying your life, and the next you're wondering how you ever lived without them.
 * Basic Principles - no woman wakes up saying "God, I hope I don't get swept off my feet today." Now, she might say: "This is a really bad time for me," or, something like... "I just need some space." Or, my personal favorite: "I'm really into my career right now." You believe that? Neither does she. You know why? 'Cause she's lying to you, that's why. You understand me? Lying. It's not a bad time for her. She doesn't need any space. And she may be into her career, but what she's really saying is "Uh, get away from me now." Or possibly "Try harder, stupid." Well which one is it? 60% of all human communication is nonverbal. Body language; 30% is your tone. So that means 90% of what you're saying ain't coming out of your mouth. Of course she's going to lie to you. She's a nice person. She doesn't want to hurt your feelings. What else she going to say? She doesn't even know you... yet. Luckily, the fact is that just like the rest of us, even a beautiful woman doesn't know what she wants until she sees it, and that's where I come in. My job is to open her eyes. Basic Principles - no matter what, no matter when, no matter who... any man has a chance to sweep any woman off her feet; he just needs the right broom.
 * With no guile, and no game... there’s no girl
 * One dance, one look, one kiss, that's all we get, Albert. Just one shot, to make the difference between "happily ever after" and “Oh? He’s just some guy I went to some thing with once.”
 * Because that's what people do. They leap, and hope to God they can fly, because otherwise you just drop like a rock, wondering the whole way down, why in the hell did I jump? But here I am, Sara, falling, and there's only one person who makes me feel like I can fly... That's you.
 * I'm a guy. Since when do we get anything right the first time?
 * I'm like a vault baby, locked down!
 * I saw that going differently in my mind.
 * [last lines] Basic principles - there are none.

Sara Melas

 * Relationships are for people who are waiting for something better to come along.
 * Give me a ring... sometime. [Laughs] I mean, on the phone.
 * Can you believe what a beautiful day it is?
 * Sometimes it's really hard to see the forest through the sleaze.

Albert

 * You know what it's like getting up every morning feeling hopeless? Feeling like the love of your life is waking up with the wrong man? But, at the same time hoping that she still finds happiness, even if it's never going to be with you?
 * I've waited my entire life to be this miserable.
 * You can't stop it... [shouts] You cannot stop it...
 * [showing Hitch his dance moves] Do the Q-tip! Q-tip! Now throw it away! Now what am I doing? I'm makin a pizza!

Dialogue

 * Hitch: Allegra? As in "Allegra Cole"?
 * Albert: I realize I'm not her usual kinda guy.
 * Hitch: Well her last boyfriend like... owned Sweden, or something!
 * Albert: Yeah, and he was a bum.... I mean he didn't seem like a very nice person... to me.
 * Hitch: You... you swing for the fence!

 * Hitch: You are flat out, out of your mind, you know that?
 * Albert: I know.
 * Hitch: That's good!
 * Albert: It is?
 * Hitch: Yeah. You ever heard of Michelangelo? The Sistine Chapel?
 * Albert: Yeah.
 * Hitch: [Gestures towards himself] Michelangelo. [Gestures towards Albert] The Sistine Chapel.
 * Albert: Does this mean you can do this?
 * Hitch: My name's Alex Hitchens. Let's go paint that ceiling.

 * Max: Spoken like a true cynic. Evan was here
 * Sara: I'm not a cynic, I'm a realist!
 * Max: Or a realist masquerading as a cynic who is secretly an optimist. What are you doing here? [to the room] What is she doing here?
 * Sara: SHE works here, remember?!
 * Max: No, she doesn't. Not for another four days. Go home.
 * Sara: Well, this couldn't wait.
 * Max: Of course it could... what are you doing? Go back to the beach, I don't want you here.
 * Sara: No, really, you do.
 * Max: You are becoming a sick workaholic lunatic.. and this is exactly the kind of nervous overwrought behavior that leads to...
 * Sara: ... Pictures of Sebby with a busty brunette.
 * Max: ... A very, very big raise.

 * Sara: What's your name?
 * Chip: They call me Chip.
 * Sara: Aw, you can't get 'em to stop?

 * Hitch: Now, on the one hand, it is very difficult for a man to even speak to someone who looks like you. But, on the other hand, should that be your problem?
 * Sara: So life's kind of hard all around.
 * Hitch: Not if you pay attention. I mean, you're sending all the right signals - no earrings, heels under two inches, your hair is pulled back, you're wearing reading glasses with no book, drinking a Grey Goose martini, which means you had a hell of a week and a beer just wouldn't do it. And if that wasn't clear enough, there's always the "fuck off" that you have stamped on your forehead. because who is going to believe there is a man out there that can sit down beside a woman he doesn't know and genuinely be interested in who she is, what she does, without his own personal agenda?
 * Sara: Yeah, I wouldn't even know what that would look like. So what would a guy like that say?
 * Hitch: Well, he'd say, "My name is Alex Hitchens and I'm a consultant," but she wouldn't be interested in that because she would be just counting the seconds until he left...
 * Sara: ... Thinking he was like every other guy...
 * Hitch: ... Which life experience has taught her is a virtual certainty... but then he'd ask her name, and what she did for a living and she might blow him off, or she might say... ?
 * Sara: "I'm Sara Melas and I run the gossip column at The Standard." Then he would ask all these penetrating questions about it because he's sincerely, if atypically, interested...
 * Hitch: No.
 * Sara: No?
 * Hitch: He'd be interested... but he would see that there was no way of possibly making her realize, that he was for real.
 * Sara: Ah...He could be funny, and charming, and refreshingly original.
 * Hitch: Wouldn't help.
 * Sara: Don't ya hate it when that happens?
 * Hitch: Not really... they'd probably both lead the lives they were headed toward, and my guess is... they'd do just fine. It's a pleasure to have met you, Sara Melas.

 * Hitch: So, tell me about her.
 * Vance: Have you ever met someone, and you knew right away she was gonna be important to you? Not just because of her looks, but that X factor?
 * Hitch: How'd you meet her?
 * Vance: Actually, I was in a shop buying pajamas for my mom-
 * Hitch: And by that, of course, you mean you were buying lingerie for another woman.
 * Vance: Yes. You can't help where you meet somebody. And the lingerie is for a woman I'm no longer seeing... But anyway, the girl I met, the one I was talking about... She's so sweet, funny, Southern. She gives me her number... Now she won't return my phone calls. I don't know what it is about her. I just can't get her out of my mind. You know? Food has lost its taste. Colors, they seem dull. Things that used to matter... I don't know, they just no longer do. I think things aren't gonna snap back unless I... Unless I bang her.
 * Hitch: ...Excuse me?
 * Vance: You know, bang her. Clear my head. Get in, get off, get out.
 * Hitch: ...I think you may have misunderstood what I do, exactly.
 * Vance: [taken back] No, I was told that you help guys get in there!
 * Hitch: Right, but see, here's the thing - my clients actually like women. "Hit it and quit it" is not my thing.
 * Vance: Let me make one thing clear to you, rabbi, I need professional help.
 * Hitch: Well, that is for damn certain. And I'm glad you can admit it because generally, that's the hardest part.
 * Vance: [grabs Hitch by the wrist] You see what I'm doing? This is what I'm about - power suit, power tie, power steering. People can wince, cry, beg, but eventually they do what I want.
 * Hitch: [not intimidated] Oh! So that's, like, a metaphor?
 * Vance: Oh, yeah.
 * Hitch: Right. Well, see, I'm more of a literal kind of guy. So when I do this... [he reverses the grip, twists Vance's arm back and slams him on the table] This is more like me saying that I will literally break your shit off if you ever touch me again. Mmkay, pumpkin?

 * Max: You sure you want to do this?
 * Sara: Why wouldn't I?
 * Max: Louise made an interesting observation on the way home the other night; She said, "People who are guarded are afraid that you can see right through them. That's why they hide behind layers of secrecy or humor."
 * Sara: He'll have to hide behind a lot more than that once this hits the fan.
 * Max: She meant you.

 * Sara: My job is to try to find the truth!
 * Hitch: The truth?! You wouldn't know the truth if it kicked you in the head!

 * Sara: Why don't you go hit a titty bar with your buddy, Vance?
 * Hitch: ...Wow, I don't believe this... That's your source?
 * Sara: You buried yourself, Alex.
 * Hitch: Then you weren't listening.
 * Sara: I heard every word. You're a scam artist. You trick women into getting...
 * Hitch: ... Into getting out of their own way so great guys like Albert Brennaman have a fighting chance.
 * Speed Dating Host: Ok...
 * Hitch: No, no, I want -— [gestures at speed-dating scene] I want everybody to take a look at this right now! Because this —  this right here —  this is exactly why falling in love is so goddamn hard!
 * Speed Dating Host: Sir, let's go. Now.
 * Hitch: [while leaving] And Vance Munson is a pig! And I refused to work with him. You need to get your facts right. It's because of jerks like him that I even have a job! Had a job.
 * Sara: [to Casey, scoffing] Can you believe that guy?
 * Casey: [serious] Actually... I do.

 * [Albert is holding a box of Krispy Kreme doughnuts]
 * Hitch: What you got there?
 * Albert: This? I figured maybe if my heart stops beating, it wouldn't hurt so much.

 * Albert: You know, honestly, I never knew I could feel like this. You know? I swear I'm, I'm going out of my mind. It's like I want to throw myself off of every building in New York. I, I see a cab and I just wanna dive in front of it because then I'll stop thinking about her.
 * Hitch: Look, you will. Just give it time.
 * Albert: That's just it. I don't want to. I mean, I've waited my whole life to feel this miserable. I mean, and if this is the only way I can stay connected with her, then... well, this is who I have to be.

 * Hitch: [about Albert] That man would've sold his soul to make you happy!
 * Allegra: So what does that make you? The Devil?
 * Hitch: My job is not to deceive, Miss Cole. It's to create opportunities.
 * Allegra: Like the boardroom.
 * Hitch: Would you have noticed him otherwise?
 * Allegra: Yes!
 * Hitch: Really?
 * Allegra: Eventually... maybe... how did you know all that stuff about me? Well, you really did your homework... like at boarding school, how everyone would tease me because I couldn't whistle, and telling him to dance like a buffoon knowing I can't dance either, then telling him to drop mustard on his shirt so I'd feel like less of a dork... that was all you... right?
 * Hitch: No... hell, no!
 * Allegra: That was him?
 * Hitch: That's got Albert written all over it.
 * Allegra: Did you put him up to the inhaler?
 * Hitch: Stop it... he did not show you that?
 * Allegra: He chucked it right before he kissed me.
 * Hitch: So wait... that... that stuff worked for you?
 * Allegra: It was adorable... what did you do?
 * Hitch: Nothing... Absolutely nothing.

 * Sara: So, you kinda like me, huh?
 * Hitch: No. I love you.

Cast

 * Alex "Hitch" Hitchens — Will Smith
 * Sarah Melas — Eva Mendez
 * Albert Breneman — Kevin James
 * Allegra Cole — Amber Valletta
 * Casey Sedgewick — Julie Ann Emery
 * Max — Adam Arkin
 * Cressida Baylor — Robinne Lee
 * Geoff — Nathan Lee Graham
 * Ben — Michael Rapaport
 * Vance Munson — Jeffrey Donovan
 * Mandy — Paula Patton

title: Hitch (film)


text:
User talk:Lontjr~enwikiquote

~ MosheZadka (Talk) 8 July 2005 01:00 (UTC)

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

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Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:29, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:52, 19 April 2015 (UTC)

title: User talk:Lontjr~enwikiquote