text: User talk:68.201.45.123

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: User talk:68.201.45.123


text:
Earthworm Jim

Earthworm Jim is a platforming video game released on the Sega Genesis in 1994, starring an earthworm in a cybernetic suit with a plasma gun and a rocket, trying to rescue a zoomorphic insectoid princess. It spun off an animated series on Kids' WB a year later.

Earthworm Jim (video game)

 * Earthworm Jim: GROOVY!
 * Earthworm Jim: Whoa, Nelly!
 * Earthworm Jim: WHAM!
 * Earthworm Jim: (flying the Pocket Rocket) I'm a rocket-man!
 * Earthworm Jim: (notices the asteroids in the bonus stage) Look, they're meatballs!
 * Earthworm Jim: This doesn't make me a loser, does it?
 * Earthworm Jim: I hate losing!
 * Earthworm Jim: Psycrow, come here!
 * Earthworm Jim: Man, Psycrow, you got stumped!
 * Earthworm Jim: I win!
 * Earthworm Jim: Hey, that's hot!
 * Snowman: Must destroy Jim!
 * Earthworm Jim: Look out below!
 * Earthworm Jim: Wee-doggy!
 * Earthworm Jim: Plasma!
 * Earthworm Jim: Yippee!
 * Earthworm Jim: Hey!
 * Earthworm Jim: Cheater!
 * Earthworm Jim: I'm nude!
 * Earthworm Jim: (shooting Evil the Cat) One! Two! Three! Four! Five! Six! Seven! Eight! Nine!
 * Earthworm Jim: Yee-haw!
 * Lawyer: I'll sue!
 * Earthworm Jim: Sharp!
 * Earthworm Jim: Thorn!
 * Earthworm Jim: SANS THE QUEEN!

Earthworm Jim 2

 * Earthworm Jim: GROOVY!
 * Earthworm Jim: Way cool!
 * Earthworm Jim: Tender!
 * Earthworm Jim: Ammo!
 * Earthworm Jim: Whoa!
 * Earthworm Jim: Bogey!
 * Earthworm Jim: Tasty!
 * Earthworm Jim: Salt!
 * Earthworm Jim: Plasma!
 * Earthworm Jim: Hold my finger!
 * Earthworm Jim: Mommy.
 * Earthworm Jim: Son of a...!
 * Cow: Well done.

 * (As the on-screen text starts, Psycrow is lying on the ground in pain as Jim and the Princess pose together)
 * Text: And so, having defeated the nefarious Psycrow, our hero Earthworm Jim is reunited with the lovely Princess What's-Her-Name.
 * (the Princess pulls off her clothes, revealing a cow underneath. Jim's mood turns to confusion.)
 * Text: And so, having defeated the nefarious Psycrow, our hero Earthworm Jim is reunited with the lovely COW.
 * (Psycrow reveals himself to also be a cow. Jim now looked shocked.)
 * Text: And so, having defeated the nefarious COW, our hero Earthworm Jim is reunited with the lovely COW.
 * (Jim turns himself into a cow as well)
 * Text: And so, having defeated the nefarious COW, our hero the COW is reunited with the lovely COW.

Earthworm Jim 3D

 * Earthworm Jim: Suit shutting down!
 * Earthworm Jim: Ungroovy.
 * Earthworm Jim: Great gogglie wogglie!
 * Earthworm Jim: Pork Boardin!
 * Earthworm Jim: There's only one ego for this job, and it's a REALLY BIG ONE!
 * Earthworm Jim: Pain!
 * Earthworm Jim: It's a farmyard out there.
 * Earthworm Jim: Cheesy effects! It's the tex-mex that TIME FORGOT!
 * Earthworm Jim: Gravity Suuuuuucks!
 * Earthworm Jim: Must... wreak... havoc!

 * Psycrow: I love the smell of bacon in the morning.

 * Earthworm Kim: Remember Jimmy, it's for your own good!
 * Earthworm Kim: I know where you hid those magazines!

title: Earthworm Jim


text:
My Life as a Teenage Robot

My Life as a Teenage Robot is an animated TV show on Nickelodeon about the misadventures of a tomboyish robot girl with the mind of a teenager.

It Came from Next Door/Pest Control [1.1]

 * Brad: Hi, Jenny, my name's Brad– Whoa, a real life robot!
 * Jenny: A real life teenager!
 * Both: [in unison] Whoa! Look at that, and those and the hair. [laughs]
 * Brad: So, you're like a super hero who goes around the world having death-defying adventures and defeating dastardly villains?
 * Jenny: Mm-hmm.
 * Brad: Sweet!
 * Jenny: And you're a teenager who goes to high school and meet tons of other kids and hangs out with them?
 * Brad: Of course.
 * Jenny: Cool!

Attack of the 5 1/2 Ft. Geek/Doom with a View [1.3]

 * [Sheldon is being thrown across the room by a bunch of bullies]
 * Jenny: Excuse me, I need to speak with the young man you're terrorizing.

Ear No Evil/Unlicensed Flying Object [1.4]

 * Nora: Earrings? I designed a "state of the art", crime-fighting robot, not some simple mannequin to hang with googols and gimcrackery!

 * Jenny: It's got to be around here somewhere.
 * Brad: [tagging along while flying the jet pack] How about that gas station?
 * Jenny: No, that's a tra... [realizes] Huh?! Brad, what are you doing?
 * Brad: Duh. Trying out my new jet pack.
 * Jenny: I meant, what are you doing here?
 * Brad: Helping you find the UFO.
 * Jenny: You can't do that. This is a very delicate intergalactic situation. Turn around and go home right now.
 * Brad: Your lips say, "go home," but your eyes say…
 * Jenny: Leave? Look, Brad, this could be dangerous, and I can't watch out for you.
 * Brad: You don't have to. I can take care of myself.

 * Tuck: [enters the UFO cockpit] Brad? [gasps upon seeing Brad fiddling around with the controls] Brad, what are you doing?! You're gonna blows us up or vaporize us or get us grounded! [Brad pulls a lever starting up the UFO as it starts rising off the ground] Or get us ungrounded. [Jenny hears the UFO rising, turns around, and sees it flying out the woods and into the sky] Get us down, get us down, get us down!
 * Brad: I'm trying, I'm trying, I'm trying! [The UFO screeches to a stop in midair] Did that stop it?
 * Tuck: No. [points to Jenny with her foot on it] That did.
 * Jenny: I thought I told you to stay put.
 * Brad: Well, we tried, but then you…
 * Jenny: Put the ship down.
 * Brad: That's what I...
 * Jenny: Down!
 * Brad: But...
 * Jenny: Now.

 * Jenny: [walks to the driver's seat, getting Brad her attention] Brad. Brad? [shouts] BRAD!
 * Brad: [snapping back to reality] What? W-what's going on?
 * Jenny: You're done driving. That's what's going on.
 * Brad: [smacks her hand away] Hey, who put you in charge of me?

 * Alien Karl: [as he and his wife walk back to their UFO] Yeah, well, personally, I can't wait to get off this hick planet. Bunch of rip-off artists, these earthlings. $5 for a cup of coffee. No extraterrestrial discount at the hotel, and I know that bellboy stole my tricorder!

Party Machine/Speak No Evil [1.5]

 * Jenny: Your little girl is growing up.
 * Nora: You're right, XJ-9. Well technically you're wrong because you're a robot and will remain a teenager forever, but metaphorically, you're absolutely right.

 * Jenny: How is it, again, that you know the Minutians will land here?
 * Nora: They always land here. Why do you think I moved here?

 * Tuck: Hi, Jenny! How was Japan?
 * Jenny: [in Japanese] Good afternoon.
 * Tuck: "Konichiwa"? Cool! [He and his brother were given two gifts from Jenny] For us?
 * Brad: Aw, you didn't have to bring these.
 * Jenny: [in Japanese] Eh, no big.
 * Tuck: "So ne". Hahaha!
 * Brad: [laughs] I got to run to the mall. Hey, Jenny, you want to come?
 * Jenny: [in Japanese] Sure.
 * Brad: Huh?
 * Jenny: [in Japanese] What's wrong with you? Don't you hear me? I love going to the mall. [she is surprised] Why Japanese? Why am I only speaking Japanese? Why? AAAAAAAAAAAAHHH!

See No Evil/The Great Unwashed [1.6]

 * Jenny: [takes off her old eyes, sets them on her bed, and puts on the multi-functional bug-eyed eyes] Whoa, you're all blocky style.
 * Nora: That's digital vision. Flip through the other settings.
 * Jenny: [flipping through] Ultraviolet vision. Infrared vision. X-ray vision! Heat vision! Rainbow vision. Oh, pretty colors! Wow, I even have sausage vision. [flips back to normal setting]
 * Nora: So, what you think?
 * Jenny: I think… [turns around, revealing the eyes are too big for her] I'll be the coolest-looking teenager ever!

 * Jenny: Hey, Mom, which setting is number one?
 * Nora: The number one? Normal.
 * Jenny: That's funny. I thought you said, "normal."
 * Nora: I did.
 * Jenny: [looks at her reflection, then Nora, then everything, all completely normal; enraged] Normal? You call this normal?! How could you do this to me?!
 * Nora: Do what? What are you talking about?
 * Jenny: I'm talking about these wiggly-squiggly bug snakes you call eyes!
 * Nora: XJ-9, you're not looking at the big picture.
 * Jenny: And you're not looking at this picture. It's called, "I made my daughter a total dweeb."
 * Nora: You don't look dweeb; I think you look very pa-hat.
 * Jenny: It's pronounced "fat," mother, and giant periscopes in your head are not phat, dope, or even cool! I want my old eyes back.
 * Nora: What? But these are far more efficient.
 * Jenny: Who cares about efficiency?
 * Nora: I do. And so should you, young lady. Now, stop being silly.
 * Jenny: The only way to stop being silly is to lose these jokes. [ditches the bug-eyed eyes, leaving her sightless]
 * Nora: XJ-9, you cannot go sightless. You have a job to do.
 * Jenny: Give me my old eyes back, and I'll do it.
 * Nora: Absolutely not.
 * Jenny: Fine! [starts walking off] I'll save the world without your stinking eye...[trips over a hot dog cart, getting hot dog wieners in her eye holes]
 * Nora: If you can't even conquer a hot dog cart, how can you hope to conquer evil?

Sibling Tsunami/I Was a Preschool Dropout [1.8]

 * [Jenny returns home, enters the kitchen, and finds a note Nora left on the fridge]
 * Jenny: [reading the note] "Gone to town for supplies. Please move quantum gigulator to the basement. Love, Mom. P.S.: I left some motor oil out in case you get thirsty." [sadly] Cheers. [drinks some oil and walks down to the basement, putting the quantum gigulator in place; notices a door] A door? I never noticed that before.

 * XJ-7: I guess no one's going to introduce me. [slumps onto the ground] I'm worthless.
 * XJ-5: You're not worthless, XJ-7. Why, melted down, you'd easily fetch $20 at the recycling plant.

Hostile Makeover/Grid Iron Glory [1.9]

 * Jenny: [annoyed at Brad] Well, Brad, thanks for making me look like a complete… [deep voice] fool.
 * Brad: Whoa!
 * Jenny: [covering her mouth] Oh, no! Now my voice vocoder is malfunctioning too! [the baby laughs at her; dashes out of the restaurant and into an alley with a paper bag on her head] Great. I'll have to wear this bag on my head forever, and it smells like fish tacos.
 * Brad: Everyone goes through this, Jen. It's completely natural.
 * Jenny: [as the nanobot hacks into her mood-o-tron, making her feel happier] You're right. It's not so bad. Hey, maybe this bag thing will become a new fad: Fish taco bag heads!
 * Brad: That's the spirit.
 * Jenny: [as the nanobot changes her mood again to anger] This is all your fault. [tackles Brad up against the wall] You and your lousy cover-up!
 * Brad: ♪ Someone's having mood swings. ♪
 * Jenny: [as the nanobot changes her mood again to sadness; whining] I'm sorry, sweet Brad. Please forgive me!
 * Brad: Don't sweat it, Jen. Hey, I bet you've already started to clear up.
 * Jenny: Really? You think so?
 * Brad: Sure.
 * Jenny: [takes the paper bag off her head] How do I look?

Dressed To Kill/Shell Game [1.10]

 * Tiff: Whatever. You better find some inspiration and fast or we're gonna take our business elsewhere.

Daydream Believer/This Time with Feeling [1.11]

 * Jenny: [gushing] Oh my gosh, and then I enjoyed a glass of juice for the first time - orange juice! It tasted like apple! Then Don and I sat in a hot tub, and I didn't electrocute him!
 * Brad: You know, Jenn, dreams are more fun to have than to hear about.

 * Jenny: I can turn my dream off anytime I want to. I'm in total control.
 * Brad: Is that why you've been jumping on desks and riding drinking fountains?

 * Jenny: [giggling] That tickles. [giggles more]
 * Brad: Yeah, they are a little primitive, you'll probably feel better without 'em.
 * Jenny: Yeah, you're right. [raises her arm up showing the last of her nerve ending, she touches it; and she laughs]

Saved by the Shell/Tradeshow Showdown [1.12]

 * Don: What’s your malfunction, lugnuts? If it’s that robot chick you’re after, you can have her! She’s nothing special.
 * Silver Shell: You take that back! Take it back!
 * Don: What’s the matter, loser? Did I strike a nerve?

 * Jenny: [notices the giant fly again] You again? You’ve bugged me for the last time! [activates into a bug zapper as the fly touches it, shocking him and instantly killing him]

 * Nora: XJ-9? XJ-9. XJ-9!
 * Jenny: [taking off her headphones] Mother, please don't call me that in front of the other robots! It's so embarrassing.
 * Nora: But I…
 * Jenny: Can't you call me Jenny, just for today?!
 * Nora: Yes, but I…
 * Jenny: Now, just leave me be until we get to the convention.
 * Nora: We are at the convention.
 * Jenny: Thanks, Mom! [gets out of the car and dashes off] See you later!
 * Nora: XJ-9, wait!

The Wonderful World of Wizzly/Call Hating [1.13]

 * Jenny: You humans should be ashamed of yourselves. Tormenting harmless robots this way. Be free, little woodland robots.
 * Raccoon Robot: Where are we supposed to go?
 * Jenny: [darkly] I said…be free.

 * [after all the park robots have go wild]
 * Tuck: Well, this is another fine mess you've gotten us into, Jennifer.

 * Jenny: That was horrible!
 * Brad: Okay, the waterfall was pretty weak. Just consider it a warm up for what's to come.
 * Jenny: A warm up?
 * Brad: Sure, ya gotta start somewhere.
 * Tuck: And the rest of the rides only get better.
 * Jenny: [upset] And do the rest of these rides make fools out of robots too?
 * Brad: What are you talking about?
 * Jenny: I'm talking about hydrolic surges forced into your hips to make them shake. Do you have any idea what that can do to a ball and socket joint?
 * Brad: Come on, Jenny. It's all in good fun!
 * Jenny: Yeah, fun for the humans! How'd you like to sing some stupid song over and over all day long?

Future Shock / Humiliation 101 [2.2]

 * Jenny: Looks like I'll have to settle for Brad again.
 * Brad: Settle? What's that supposed to mean?
 * Jenny: I just…I just meant-
 * Brad: Meant what? Brad's not datable? Brad's a loser? Brad couldn't get a date if he were rich, handsome and the last man on planet earth?
 * Jenny: I just meant we could go together if I couldn't find anyone else.
 * Brad: Don't you mean anyone better?
 * Jenny: No, I-
 * Brad: You must be pretty desperate.
 * Jenny: Look who's talking. I heard Kiki dumped you for Don Prima.
 * Brad: Hey, I dumped her!
 * Jenny: Was that before or after you got down on your knees and begged her to go to the movie with you?
 * Tuck: Juicy!
 * Brad: Well, at least I have options. Anyway, who says I'd settle for you? I already have a date.
 * Jenny: Oh, yeah?! Who?!
 * Brad: That's for me to know and you never to find out. That is unless you find a date, which I doubt! [leaves while laughing]
 * Jenny: [yelling out the window] I DEMAND to know the name of your date!
 * Brad: Over my dead body!
 * Jenny: Don't give me any ideas! [slams the window door closed]

Last Action Zero / Mind Over Matter [2.3]

 * Crater Critters: I guess you could say… that when it comes to… fighting earthlings… we rock!
 * Jenny: Aw, nuts!
 * Crater Critter: Since you ruined our favorite hotspot, it only seems fair that we get to eat your brain!
 * Jenny: Uh, you wouldn't like my brain! It's all circuity and metallic!
 * Crater Critter: Oh, good! We haven't been getting our recommended daily allowance of iron! [pulls out scalpel]

Dancing With My Shell / Around the World in Eighty Pieces [2.6]

 * (after trying to dance with the SilverShell as he runs back into the gym again)
 * Jenny (XJ9): I've heard of playing hard to get, but hard to hang on to?!

 * Brad: (while escaping in the mini-jet from a flock of flying animals) What is this place?!
 * Sheldon: It's evolution gone mad!!

 * (after discussing how to find Jenny's pieces)
 * Tuck: Are you sure Dr. Wakeman will loan her mini-jet to a dwarf, two teens, and a disembodied head?

Armagedroid / Killgore [2.7]

 * (about all the people around)
 * Jenny: Wow, Killgore. How many people did you tell about this?
 * Killgore: Killgore has many adoring fans, that he shall destroy!!

A Pain In My Sidekick / Crash Pad Crash [2.8]

 * Jenny: Mom! You completely violated my privacy!
 * Nora: Privacy, schmivacy. There's science afoot. It's my latest invention: Sleepy-time Mist for insomniac babies. It's a lullaby in bottle without being addictive or causing diarrhea. [notices an oil can on the bed] Wait, what's this? Oil on the bed? And just look at the mess! It's like you're an animal or something. How many times must I tell you? It's an eyesore, a safety hazard, and against zoning regulations!
 * Jenny: [fueling her face up with red of irritation; cannot take it anymore] THAT'S IT! I can't take it anymore! You interfere with my phone calls, my eating habits, you bother me about everything! You probably read my diary.
 * Nora: You keep spelling "infatuation" wrong.

Escape from Cluster Prime [2.9]

 * Nora: You've destroyed the rocket, but did you disarm the war head?
 * Jenny: Did I what the what?
 * Nora: It's the part that goes BOOM!
 * Jenny: Oops...

 * Artist: You destroyed my statue!
 * Mayor: You ruined my stage!
 * Bike Salesman: You wrecked my old timey bicycle!
 * Brad: Uh, no, that was me.
 * Bike Salesman: Oh, yeah. My mistake.

 * Sheldon: (to Dr. Wakeman) A secret underground lair! This makes my garage workshop look like a workshop in a garage!
 * Nora: Where did you get that idea? A gumball machine?
 * Sheldon: I'll have you know gumball machines contain valuable information!
 * Nora: You are an amateur!
 * Sheldon: You are a Know-It-All!
 * Nora: Milbrat!
 * Sheldon: Birdnose!
 * Nora: How dare you?!

 * Sheldon: (Subs) If you don't have her, and you don't have her, that means she's really missing!
 * Nora: We'll find her.
 * Sheldon: She could be anywhere between here and Cluster Prime!
 * Vexus: Cluster Prime?! THAT's why they won't stop calling me!

 * [Brad and Tuck drop out of the sky]
 * Jenny: Brad, Tuck!
 * Tuck and Brad: Jenny!
 * [Jenny and Brad hug while Tuck is in the middle]
 * Sheldon: I didn't get a hug.
 * [they let go of each other but their arms are on each other's shoulders]
 * Jenny and Brad: I'm so glad to see you.
 * Jenny: You crossed the galaxy just for me?
 * Tuck: Actually, we...
 * [Brad puts his hand over Tuck's mouth]
 * Brad: Yes, yes, we did.

Victim of Fashion [2.10]

 * Tiff: [about Jenny's transformations] Now she has fashion growing out of her floppy drive? How're we supposed to compete with that?
 * Brit: Dont fret, Tiff. We've been the fashion divas of this school for too long.

 * Sheldon: (to Jenny) But removing your weapons system? Are you sure that's such a good idea?
 * Brad: Yeah, Jen. Sounds pretty risky.
 * Jenny: [very certain] I don't care!!! It's better to be fashionable than functional. I want a slim-down look that will make Brit and Tiff look like stuffed sausages. Take it out! Take it all out!

Bradventure / Mama Drama [2.12]

 * Jenny: [facing Brad] I don't know how you did it but you came to my rescue and the bravery was 100% Brad,YOU'RE MY HERO! [She and Brad hugged]

No Harmony with Melody/Tuckered Out [3.2]

 * Jenny: Brad, get away from her! She's up to something sinister!
 * Brad: What on earth are you talking about?!
 * Jenny: Everything she touches is destroyed. Bad stuff's been happening around her all day.
 * Brad: You've been following us? I think there's something wrong with you. If I didn't know any better, I'd say you were jealous because I'm spending time with her instead of you.
 * Jenny: Don't be absurd. I'm...just trying to look out for you. [as she points to Melody] She's evil! Just like her father!
 * Melody Locus: [upset, loudly] NO, I'M NOT!  [shy, quietly] I mean...I am not.
 * Brad: Look, Jen. Melody would never hide anything from me, and she is most certainly not evil. Come on, Melody. [As he walks away with Melody see some logs rolling down and Melody is flying with Brad to take off]
 * Jenny: She's a robot?
 * Brad: [to Melody] You're a robot? Jenny was right! You were hiding something from me!
 * Melody Locus: Please don't upset, Brad. The whole reason I ran away from my dad is because I want to live like a normal girl.
 * Brad: But you lie to me. How can I ever trust you now? [Melody kissed him] Duh, so she's mechanical.
 * Jenny: Oh no, you don't.
 * Brad: Jenny, have you lost your mind?!
 * Jenny: It's for your own good, Brad. You're too close to this to see the evil master plan at work.
 * Melody Locus: Brad!
 * Jenny: You'll be safe here while I'll take care of this. [flies off]
 * Melody Locus: Now look, Jenny. I know what you're thinking. Please let me...[as Jenny punches her]
 * Jenny: No more tricks, Miss Locus. [She begin to fight]
 * Tuck: Hey, what's going on?
 * Brad: You wouldn't understand, Tuck.
 * Tuck: Looks like Jenny's fighting your girlfriend Melody apparently a robot under predisposition that as the daughter of Dr. Locus, she must be evil while in fact it's all a thinly veiled streak of jealously over companionship.
 * Brad: Yeah, that's pretty much it.
 * Tuck: [laughing] They're fighting over you! [stops laughing] No, really. What's going on?

 * [After the fight]
 * Jenny: [to Melody] You're as evil as your father!
 * Melody Locus: [rage, to Jenny] I'm not evil! I'M A NORMAL GIRL! [as she explode with furiously rage and morph into her true form, coming out of her exo-skin and revealing herself to be a large, spiny, and terrifying insect-like robot armed with many weapons] I...AM...NORMAAAAL!!!!!  [She attempts try to kill Jenny, everyone is terrified, but as soon she sees Brad, staring in petrified horror, she shifts back into her exo-skin, sadly] I...I don't belong here. I don't belong anywhere! [cries, she flies away]
 * Jenny: She had me dead to rights, she didn't destroy me.
 * Brad: [upset, to Jenny] Of course not! She's just a confused kid, a robot just like you who wanted to fit in.
 * Jenny: But what about all the disasters she caused?
 * Brad: What disasters?! [The car jumped attempts to smash Jenny and Brad, but suddenly Melody grab the car and put it back, she flies away again] Melody just saved our lives, Jen. Still think she's evil.
 * Jenny: Well, maybe I overreacted a little.
 * Tuck: Hey, wait a minute. Jen's got a point. If Melody wasn't tossing cars around like so much confetti. Who was?
 * Jenny: Yeah, not to mention all those other disasters...[as Carol the Cockroach lift her] Carol the champion cockroach? [Carol throws her away]
 * Brad: But why? [Carol kissed him]
 * Jenny: Looks like Brad's been quite the chick magnet lately. I think she's was the jealous one.
 * Tuck: So let me get this straight. This little cockroach has been wreaking havoc all over the place, because she's gaga for Brad? [pause, laughing hilariously]
 * Brad: Look, Carol. If I learned anything today it's that, I might not be ready for a serious romance. Besides, it would never work. You've got your career to think about. You understand, right? [Carol inhale and exhales and she hugged him and she hopping off] This has been the weirdest day in my life. Come on, guys. Let's go home.
 * Tuck: [Laughing, Brad grabbed his hand while he's walking] Oh, man. I'm never going to let you live this down. [still laughing]
 * Brad: [lonely] So long, Mel. [walks off]
 * [High up in the sky, Melody briefly flies by, staring down at Brad and emitting a glowing green heart-shaped spark of energy as a way of telling him she still loves him, before flying away as the episode ends]

The Legion of Evil/The Price of Love [3.6]

 * Sheldon: I don't know. That looks like something you'd pick up at a garage sale!
 * Jenny: Sheldon, that's a mean thing to say!
 * Sheldon: It's not an insult. You can find a lot of nice stuff at a garage sale!
 * Jenny: You're just upset because you've never given anyone something so nice!

Teen Idol/Good Old Sheldon [3.7]

 * Old Sheldon: Jenny! [slowly walks towards Jenny and hits her on the head with his cane] You ruined my life! [falls on his back]
 * Jenny: Who are you, and what are you talking about?
 * Old Sheldon: [sits up] I'm your old pal! Sheldon!
 * Tuck: Crazy old person.
 * Brad: Move away slowly.
 * Old Sheldon: I'm Sheldon I tell ya! I just got me a few wrinkles since you abandoned me… [falls on his back again] 75 years ago!
 * Brad: That's crazy talk, pops.
 * Jenny: We just saw Sheldon yesterday.
 * Tuck: Yeah, hangin' out with those freaky Jenny worshiping aliens.
 * Old Sheldon: Those awful aliens. I remember it like it was yesterday.
 * Tuck: It was yesterday, you old--
 * Old Sheldon: [covers Tuck's mouth with his hand from talking] Hush, boy! I'm telling a story. When Jenny hurled those aliens into outer space… [Flashback to the previous episode; voice-over] I was onboard. I tried to get 'em to turn around, but there was a bit of a communication gap. Catching a ride back was impossible! I had to find work to survive. I couldn't keep up as a mechanic, couldn't master beauty salon work, and couldn't stomach the fast food industry.

 * Brad: So, was everything okay with Sheldon?
 * Jenny: Sheldon should be just fine.
 * Sheldon: [outraged] Jenny! How dare you let those pirates take me?! Who leaves a baby out in space with Space Pirates for 15 years?!
 * Jenny: It was the only way to get you back to the correct age. Now, I'm glad everything's back to normal.
 * Sheldon: Normal?! I've just spent 90 years of my life in outer space! And you call that normal?! I will never forgive you!

Infectious Personality/Trash Talk [3.8]

 * Tuck: Oh, you rolled doubles? We're using a spinner!
 * Brad: [as Jenny rolls her eyes, getting tired of their argument] This, from a guy who moves this thimble to the bonus square when I'm not looking.
 * Tuck: If you're not looking, how would you know?
 * Jenny: [having enough] Time-out, guys. [breaks them up] Time-out! It's just a game. It's not worth fighting over.

Samurai Vac/Turncoats [3.13]

 * Jenny: Give it up, XJ-4!
 * XJ-4: Don't get in the way, XJ-9, or I'll put you through the wringer!

 * XJ-4: [after Jenny punches her, sending her into a closet of Nora's shoes; groans] Once I finish sorting all these shoes, YOU'RE DONE FOR!

 * XJ-6: Well, if it isn't Mommy's favorite!
 * Jenny: Alright, XJ-6, who's controlling you?!
 * XJ-6: Oh, what do you ought to know?! So you can step in and save the day! It's always XJ-9, the big hero. What about the rest of us, chop litter?!

 * XJ-7: [after self-destructing herself] Oh, I'm such a loser. I can't even self-destruct right.

 * Nora: [last lines of the series] Jenny, did you forget to feed the tiger?

Cast

 * Jenny Wakeman (voiced by )
 * Nora Wakeman (voiced by )
 * Brad Carbunkle (voiced by )
 * Tuck Carbunkle (voiced by )
 * Sheldon Lee (voiced by )

title: My Life as a Teenage Robot


text:
User talk:68.56.208.175

~ MosheZadka (Talk) 01:50, 21 August 2005 (UTC)

title: User talk:68.56.208.175


text:
Talk:Marriage

Merged from Wives: * (cur) (last) 21:49, 6 August 2005 Thomas (+de) * (cur) (last) 13:02, 30 July 2005 Aphaia * (cur) (last) 13:06, 25 July 2005 MosheZadka m (cat) * (cur) (last) 01:07, 18 April 2005 69.199.220.88 * (cur) (last) 00:37, 13 April 2005 24.13.38.211 * (cur) (last) 20:17, 24 February 2005 12.9.186.2 ~ MosheZadka (Talk) 02:14, 21 August 2005 (UTC)

Why are all the quotes so negative ?
I am looking for good positive quotes to put on my wedding dinner presentation slides. I found the quotes all so negative ? . Can someone please post some good ones? I will post some later --Andrewkeith80 09:50, 20 February 2007 (UTC)

Whoever finds a wife finds a good thing (Holy Bible)-Davis Ochieng

Yeah i know that's whati was thinking too. I really liked this one:

If you marry for love and not for money, then you'll have warm nights and cold days. - Unsourced --69.229.108.100 08:23, 25 January 2010 (UTC)

I can't verify the sources... so I add it here....
When a man steals your wife, there is no better revenge than to let him keep her. Sacha Guitry

After marriage, husband and wife become two sides of a coin; they just can't face each other, but still they stay together. Hemant Joshi

By all means marry. If you get a good wife, you'll be happy. If you get a bad one, you'll become a philosopher. Socrates

Woman inspires us to great things, and prevents us from achieving them. Dumas

The great question... which I have not been able to answer... is, "What does a woman want? Sigmund Freud

I had some words with my wife, and she had some paragraphs with me. Anonymous

"Some people ask the secret of our long marriage. We take time to go to a restaurant two times a week. A little candlelight, dinner, soft music and dancing. She goes Tuesdays, I go Fridays." Henny Youngman

"I don't worry about terrorism. I was married for two years." Sam Kinison

"There's a way of transferring funds that is even faster than electronic banking. It's called marriage." James Holt McGavran

"I've had bad luck with both my wives. The first one left me, and the second one didn't." Patrick Murray

Two secrets to keep your marriage brimming 1. Whenever you're wrong, admit it, 2. Whenever you're right, shut up. Nash

The most effective way to remember your wife's birthday is to forget it once... Anonymous

You know what I did before I married? Anything I wanted to. Henny Youngman

My wife and I were happy for twenty years. Then we met. Rodney Dangerfield

A good wife always forgives her husband when she's wrong. Milton Berle

Marriage is the only war where one sleeps with the enemy. Anonymous

A man inserted an 'ad' in the classifieds: "Wife wanted". Next day he received a hundred letters. They all said the same thing: "You can have mine." Anonymous

First Guy (proudly): "My wife's an angel!" Second Guy: "You're lucky, mine's still alive."

--88.249.208.188 20:27, 5 November 2007 (UTC)

Marriage is like a game of cards. You begin with two hearts and a diamond, but soon you wish you had a club and a spade. Anonymous

64.231.122.228 02:43, 26 April 2013 (UTC)

Unsourced

 * Marriage is socialism between two people.
 * Barbara Ehrenreich

 * Love is blind, but marriage restores its sight.
 * Georg C. Lichtenberg

 * Hard work is damn near as overrated as monogamy.
 * Huey P. Long

 * Marrying is all about just obtaining a piece of paper. Divorcing is just obtaining another.
 * Celeste Tan

 * An archaeologist is the best husband any woman can have; the older she gets, the more interested he is in her.
 * Agatha Christie (denied by her)

 * He's a wonderful first husband.
 * James Goldsmith, on his daughter Jemima's marriage to Imran Khan

 * I believe in tying the marriage knot, as long as it's around the woman's neck.
 * W. C. Fields

 * I first learned the concepts of non-violence in my marriage.
 * Mohandas Gandhi

 * I was married by a judge. I should have asked for a jury.
 * Groucho Marx

 * Garth, marriage is a punishment for shoplifting in some countries.
 * Mike Myers (As Wayne Campbell)

 * Marriage is a wonderful invention; but then again, so is a bicycle puncture repair kit.
 * Billy Connolly

 * Marriage makes an end of many short follies - being one long stupidity.
 * Friedrich Nietzsche

 * Marriage is really tough because you have to deal with feelings...and lawyers.
 * Richard Pryor

 * Marriage is a wonderful institution ... but who wants to live in an institution?
 * Groucho Marx

 * Marriage is the chief cause of divorce.
 * Groucho Marx

 * No man should marry until he has studied anatomy and dissected at least one woman.
 * Honore de Balzac

 * On rare occasions one does hear of a miraculous case of a married couple falling in love after marriage, but on close examination it will be found that it is a mere adjustment to the inevitable.
 * Emma Goldman

 * Some people ask the secret of our long marriage. We take time to go to a restaurant two times a week. A little candlelight, dinner, soft music and dancing. She goes Tuesdays, I go Fridays.
 * Henny Youngman

 * The concept of marriage must have been thought up by an unimaginative pig.
 * Albert Einstein

 * There's only one way to have a happy marriage and as soon as I learn what it is I'll get married again.
 * Clint Eastwood

 * The secret of a happy marriage remains a secret.
 * Henny Youngman

 * Thus Dante's motto over Inferno applies with equal force to marriage: "Ye who enter here leave all hope behind."
 * Emma Goldman

 * You only know what happiness is once you're married. But then it's too late.
 * Peter Sellers

 * Any marriage where the bride is allowed to speak and wear clothes is doomed to failure.
 * Quark (Star Trek: DS9)

 * Worf: "Before the wedding we must endure 5 tests. Blood, pain, sacrifice, suffering and finally, death." ''"Sounds like marriage all right."
 * Star Trek DS9 (You are cordially invited...)''

 * Now non-Indian people think they know all about arranged marriages. 'So I hear that when you're born, the first thing your parents do is chose a nice girl for you to marry when you're old enough.' 'No, No! It doesn't work like that. Arranged marriages are more like going to a car show. Your dad lets you look at, and compare all the cars. 'Oh that one is nice. You would like that one, you like it? Ya, you are going to get that one.' - 'Don't I get to test drive it?' - 'No, not now, wait until you are married, then you can test drive it all you want.
 * Russell Peters

 * Marriage is the triumph of imagination over intelligence.
 * Oscar Wilde

 * Bigamy is having one wife too many. Monogamy is the same.
 * Oscar Wilde

 * How marriage ruins a man! It is as demoralizing as cigarettes, and far more expensive.
 * Oscar Wilde

 * The one charm about marriage is that it makes a life of deception absolutely necessary for both parties.
 * Oscar Wilde

 * The proper basis for a marriage is mutual misunderstanding.
 * Oscar Wilde

 * No one can consider themselves truly married until they understand every word their spouse is not saying.
 * Lord Mancroft

 * Instead of getting married again, I'm going to find a woman I don't like and just give her a house.
 * Lewis Grizzard, quoted in Readers Digest

 * Marriage is a great institution, but I'm not ready for an institution yet.
 * Mae West

 * A man in love is incomplete until he has married. Then he is finished.
 * Zsa Zsa Gabor

 * No matter how happily a woman may be married, it always pleases her to discover that there is a nice man who wishes that she were not.
 * H L Mencken

 * Let him go let him tarry, Let him sink or let him swim; If he doesn't care for me then I don't care for him. For I'm going to marry a far nicer boy.
 * Old English West Country rhyme

title: Talk:Marriage


text:
Talk:Constantine (film)

~ MosheZadka (Talk) 02:18, 21 August 2005 (UTC)

Changing [Speaking to God] with [Speaking to God/Lucifer]
The issue: I know that the quote "I know I'm not one of your favorites, and I'm not welcomed in your house, but I could use a little attention, please" is vastly accepted to be interpreted as if Constantine was speaking to God, but couldn't it be that he was talking to Lucifer?

Here is my case: 1) He is not one of Lucifer's favorite (and I think Christians say that God doesn't have favorites); 2) All the devil half-bread that he departed won't welcome him when/if he reaches hell; 3) He is asking for attention just before he tries to suicide, as if saying "I'm going to Hell, 'Lucy', why don't you personally come to take me?".

I know that Constantine was looking up when he said these words, and I don't have any source from the director or the script writer to sustain this idea, but I think it makes more sense to summon the Devil with this speech, before attempting suicide, than asking God for help.

My proposal: to use [Speaking to God/Lucifer] instead of only [Speaking to God]. Anyone up to discuss this?

~ Dcontard (Talk) 02:06, 31 August 2010 (UTC)

title: Talk:Constantine (film)


text:
Category talk:Wikiquote no intro

I think in general no-intro should be removed from VfDed pages. ~ MosheZadka (Talk) 02:28, 21 August 2005 (UTC)

There are three articles currently -- all three created by ILVI and are about authors which probably exist, but are only marginally notable -- not even dates/place of birth is googlable. I am unsure what to do about them as it stands. Can anyone find more information about them? I am contemplating VfDing them at some point if there is nothing more. ~ MosheZadka (Talk) 04:36, 1 September 2005 (UTC)

title: Category talk:Wikiquote no intro


text:
User talk:24.10.146.167

~ MosheZadka (Talk) 04:37, 21 August 2005 (UTC)

Please use edit summaries
Thank you for your contributions to Wikiquote. Might I ask that you please use the "Edit summary" feature whenever you edit to provide a terse summary of the changes you make during each edit? (For example, "sorted quotes" would have been a useful edit summary for your 03:23, 9 November 2005 (UTC) edit of Creationism and Intelligent Design.) This helps folks review article changes from a broad perspective without having to do server-intensive, step-by-step examination of individual edits. If you'd like more information on this, please see Wikipedia:Edit summary or drop me a note on my talk page. Thank you for your assistance. ~ Jeff Q (talk) 03:40, 9 November 2005 (UTC)

Western Thought on Human Origins
I have added a "" template to the article Western Thought on Human Origins, suggesting that it be deleted according to the proposed deletion process. All contributions are appreciated, but it may not satisfy Wikiquote's criteria for inclusion, for the reasons given in the deletion notice (see also "What Wikiquote is not" and Wikiquote's deletion policy).

You may contest the proposed deletion by removing the  notice, but please explain why you disagree with the proposed deletion in your edit summary or on its talk page. Also, please consider improving the article to address the issues raised. Even though removing the deletion notice will prevent deletion through the proposed deletion process, the article may still be deleted if it matches any of the speedy deletion criteria or it can be sent to Votes for deletion, where it may be deleted if consensus to delete is reached. Mdd (talk) 02:54, 7 February 2014 (UTC)

title: User talk:24.10.146.167


text:
User talk:Dodger

~ MosheZadka (Talk) 06:41, 21 August 2005 (UTC)

Hi. If I may suggest something, instead of adding a theme article with one quotation, you may wish to see if there is a theme article which is already close, and add it there. If you feel that your theme is distinct enough, you may wish to open a subsection with that quote -- if the subsection gets enough quotations, it can always be split later. Thanks ~ MosheZadka (Talk) 07:22, 22 August 2005 (UTC)

Hi, I would like you to utilize preview botton, the center botton under the edit window. Using that, you can see what you will get before you save your edit. --Aphaia 03:45, 24 August 2005 (UTC)

George W. Bush robot quotes
I've removed the two quotes you added to George W. Bush, because the Jack Handey quote does not mention Bush, and the "unknown" quote not only has no source and no presence on Google, strongly suggesting it was recently coined, but its coincidence with the Handey quote suggests that you are the author. Wikiquote is not a collection of personal quotes, although you are welcome to add such quotes to your own User page. If I am incorrect, and the Bush/robot quote is from a notable source, please include the source information so it can be verified. Thank you. ~ Jeff Q (talk) 05:19, 19 September 2005 (UTC)

title: User talk:Dodger


text:
User talk:218.94.124.43

~ MosheZadka (Talk) 06:42, 21 August 2005 (UTC)

title: User talk:218.94.124.43


text:
Template talk:Vfd

Excuse me? I can't be blocked for that one! RyanCahn

 * Yes you can. See Blocking policy. As MosheZadka has already told you, we don't tolerate hoax articles any more than Wikipedia and Wikimedia. And this talk page is for discussions about the VFD template, not general or specific article, user, deletion, or blocking issues. Please post your comments in appropriate talk pages, and explain what you are talking about (instead of vague phrases like "that one"). ~ Jeff Q (talk) 19:12, 21 August 2005 (UTC)

Request for edits to protected templates..
Lint free version is present in the sandbox- Template:Vfd/sandbox ShakespeareFan00 (talk) 12:04, 13 September 2020 (UTC)

add a new parent cat - Votes for deletion templates
I would like to add this new category, but this page is fully protected. Thanks in advance, Ottawahitech (talk) 17:15, 19 October 2021 (UTC)

title: Template talk:Vfd


text:
User talk:Habj

~ MosheZadka (Talk) 10:22, 21 August 2005 (UTC)

title: User talk:Habj


text:
Wikiquote talk:Templates/People archive

Simpler top line style
I have updated some material on this page, and I have revised the recommended top lines for the pages that are devoted to specific people to more closely match the styles on the Wikipedia. Some people had begun using this simpler style, and I initially been inclined to alter their additions to the previous one, but after consideration, I think this is a much better standard to promote. The section header that had been used at the top seems to be pretty much superfluous and redundant, on most pages for people. The section header at the top does have a useful function on most pages for literary works, films, and the like, and I have not changed the recommendations for these. The pages for People that currently use the older recommendations need not to be changed, other than with the gradual editing that occurs. This has been picking up quite a bit lately, with the increased visibility of many links to Wikiquote within the Wikipedia, and I expect that it will increase even more. The simpler more Wikipedia like style is ultimately a more efficient use of screen space and easier to edit— every superfluous mark that can be eliminated is one less mark that can be flubbed up with imbalanced placement. ~ Kalki 18:13, 13 Sep 2004 (UTC)

Can we make this template mandatory or at least strongly recommend it in the case of controversies? Andries 09:51, 9 Oct 2004 (UTC)

 * I'm against making nearly anything mandatory, but after testing it out on a few, I do think that I would extend these recomendations strongly, even to the pages for film and perhaps most literary works as well; I think that having a section header directly under the title is simply unecessary and a waste of space. Using the Wikipedia-like style permits more detailed info to be given, and to do so in a simple manner, above any table of contents that appears. ~ Kalki 13:00, 10 Oct 2004 (UTC)

 * Kalki, but suppose contributors have a condlict then we need a guideline. What is the alternative? Endless revert wars? The entry that I am referring and am worried about is Prem Rawat. Andries 13:06, 10 Oct 2004 (UTC)

 * I am aware of the conflicts that have occured on that page. I do support your editing of the page into standard chronological order, as is used on every other page for people that I am aware of (where attempts at a chronogical order have been made at all), and think that the Hoffman quote should be retained. I also think the University of Virginia link should have remained, but I am not going to insist upon restoring it, if the primary adversaries in the edit conflicts can accept the current arrangements. Rather than endless edit wars, if conflicts continued unabated on any issue, there would need to be some kind of project consensus developed, and general standards imposed. I truly do think insisting that all pages conform to some particular standard from the very start is not a good idea, but I think that gradually in the months ahead those standards which are most acceptable to most people will be developed, and can then be strongly established as guidelines. I think people should feel free to experiment a bit though, and where no major conflicts between editors have developed, as they clearly have on the Prem Rawat page, I do think people should be free to at least try some innovations. ~ Kalki 13:29, 10 Oct 2004 (UTC)

Quotes by people suggestion.
Are the bullets used to count quotes? If so it's not very helpful since the same quote may exists on a person and theme page.

Instead of  == Sourced == * English Quotation ** Source of the quote.( with a Date of source, when known) ** Optional clarifications, notes on context, etc.

 * "Non-English quote." ** (For quotations from languages with non-roman scripts, providing some semblance of a phonetic transliteration directly below it can be helpful) ** Translation: English Translation ** Source: Chapter xx, sentence xx or Act xx, Scene xx. (Other formats can be used) ** Optional clarifications, notes on context, etc.

 === Quotes from specific Novels/Plays/Works (Date Published or Created)=== * Book/Play1 (Wikisource - Book/Play1) * Book/Play2 (Wikisource - Book/Play2)

 == Attributed == * Quotation ** Notes: context, clarification (where it is not clear), etc.

I suggest:

 ==Sourced== "English quotation." — source with publications italicized, date if known, optional clarifications, notes on context, etc.

 "Italicized Non-English quote." — source, date if known, optional clarifications, notes on context, etc. Transliteration: "The transliterated quote." — transliterated by transliterator, source, date if known, optional clarifications, notes on context, etc. Translation: "The English translation." — translated by translator, source, date if known, optional clarifications, notes on context, etc.

 ===Quotes from specific novels/plays/works under one section header (date published or created)===

 ==Attributed== "English quotation." context, clarification (where it is not clear), etc.  — Jeandré, 2005-01-02t13:00z

 * The above formatting only works if you use HTML <tt> (as in your examples), <br>, or similar elements. Without them, the consecutive lines will be scooped up into a single line of text. Alternatively, you could separate each quoted line with a blank line, but then each grouping would need two or more blank lines to distinguish the groups, creating an considerable amount of whitespace. (See Blackadder for an example, except that the blank-line solution be worse, in that it would show more space between quote lines, and would therefore make the grouping separation look less distinguishable.) Wiki-wise, you need either "*" bullets or ":" indentations to prevent inappropriate text condensation. Of course, it would help if MediaWiki had a nice poetry/dialog/lyric format markup, but I've never been able to direct the attention of The Powers That Be to this glaring omission. — Jeff Q 14:38, 2 Jan 2005 (UTC)

 * Oops. Let me just acknowledge that the annoying poetry/dialog/lyric problem isn't so much a problem for people quotes as long as people find the current standard bullet format okay. But finding a better format for people quotes probably involves the same issues I mention above for these other quote types. — Jeff Q 14:48, 2 Jan 2005 (UTC)

FAQ
The following questions and answers may serve as a general FAQ and as a suggestion box and source for those wondering why the certain formats have not been generally recommended. As the questions are resolved, the solutions will be either integrated into the template, or left as documentation as to why such a format is not recommended, or as yet remains unresolved.

 * What is the recommended format for linking to wikisource documents?

where should the Wikipedia link go?
The auto-link to Wikipedia is awesome, but where should it go on pages that don't have a Related Links section?
 * Adding a header just for this box clutters the page
 * but putting it right under the title line at the top leads people away who have just arrived at the quotation page.

For example, William Gibson, George Santayana , etc.

 * I would recommend having a normal text link to Wikipedia in the header at the top, and the more obvious template link always near the bottom, if a Wikipedia article exists, with or without other external links. ~ Kalki 20:38, 27 Apr 2005 (UTC)

 * Me too. If there is some differences, I prefer not to put the template in a short article. --Aphaia 21:54, 27 Apr 2005 (UTC)

Proposal: discuss format of article of people
Currently there are two types of articles of people: one follows the way recommended on this page, like

Person (xxxx - xxxx) is a somewhere somewhat, ... blah blah blah.

And another one is:

Person (xxxx - xxxx)
somewhere somewhat, blah blah blah.

My preferences are on the latter, because the name of person is very visible in this way. Some sysops seems to share those preferences. Others seems to like the former. But anyway we have two kinds of habits, and have no standards. I think it is not a good situation, particular in case the project receive more and more newcomers. So I think now we need to consider the format again and establish a clear set of rules. --Aphaia 06:05, 16 Jun 2005 (UTC)

 * I'm afraid I am completely against the latter and prefer the former. Why? Three main reasons:
 * The name should be prominent, as Aphaia says. But it already is. It's the title of the page, for goodness sake. ☺ Having a second instance is utterly redundant, although I accept the utility of the standard practice of bolding the article title in the text of the article on its first occurence, preferably in the first line of text.
 * Adding a headline just for the redundant name complicates heading strategies. We lose an entire level of heading. Also in the most commonly used skin, MonoBook, only the first two heading sizes (= and ==) are nicely underlined, and we usually avoid using the first size because its font is too obtrusively large, so using the second formatting scheme eliminates all other underlined headers or forces equating sections like "See also" and "External links" with the subject.
 * The edit summaries produced by editing the section headed by second approach are absurdly long and complex, drowning the important explanation of the edit in the noise of the section title.
 * I think the second standard is an obsolete form that should be retired because of formatting changes introduced in the years since it was "invented". — Jeff Q (talk) 09:20, 16 Jun 2005 (UTC)

 * I am completely with Jeff. Two layers of headers having the exact same content seem silly to me. MosheZadka 07:33, 17 Jun 2005 (UTC)

 * I also completely agree with Jeff. Another issue: if a (long) page has 'external links' section at the bottom, with a wikipedia template in there, then there're two links that redirect to wikipedia. In contrast, wikipedia articles don't have two wikiquote links. Therefore I wonder if having two wikipedia links might do more harm than good, in the sense that it might confuse random people who come across wikiquote. On the other hand, I personally think that a lot of integration between the wikimedia projects is a good thing. The other option would be to use bold text for the person's name on top, and wikipedia template at the bottom. Sams 09:17, 17 Jun 2005 (UTC)
 * Having been directed here for standards on layout, I didn't even reallize the other layout was still encouraged. I have been changing pages over to the "Person  (xxxx - xxxx) is " whenever I see them. I dislike the older format because of too many instances of the person's name - you can see three instance of the name at the top of the article if full sentence descriptions are used. And anyway it is easier to just cut-n-paste the first lines out the Wikipedia article (with minor linking changes) to get your description then trying to reformat it to follow the other format. Rmhermen 16:31, 17 Jun 2005 (UTC)

 * Ah, yes, that would be First Format support reason #4 — Wikipedia finds the name bolded in the text to be sufficient repetition (on top of the article title just above it). Wikiquote has its own needs, of course, but I don't see that a third instance of the name sandwiched between the page title and the text instance serves any special WQ purpose. — Jeff Q (talk) 22:23, 17 Jun 2005 (UTC)

Well, I prefer still the latter format, let me tell the benefits and demerits of both formats

 * Descriptive type
 * Merits
 * avoid redundancy of sections
 * allow editors to write freely introduction
 * Consistent to other topics layout (proverbs, themes ...)

 * Demerits
 * Not so visible as the Lemma-again-in-section way
 * Inconsistent to other projects, like de or ja ...
 * Description is in a hazard to be encyclopediac (too much).

 * Section type (birth and death yaer in the section too)
 * Merits
 * Lemma is visible, and mostly brief
 * Consistent to other projects' format
 * therefore some editors are familiar with it

 * Demerits
 * Sections become redundant
 * Description could be too short for some editors
 * Also repeating lemma (the topic) is annoying for some readers.

So I admit I am still inclined to the section type but it is clear both have demerits and mertis, and here on English Wikiquote (at least now) most of editors support the former, I am not stick on my ideas. But it is a very basic issue for our project, currently I wouldn't like to make a conclusion. I would like to have more participants on discussion. I would like to, like deletion policy, once after we reach a conclusion, have some days to ask opinions for some days. --Aphaia 02:10, 18 Jun 2005 (UTC)

title: Wikiquote talk:Templates/People archive


text:
User talk:Gubbubu

~ MosheZadka (Talk) 10:36, 21 August 2005 (UTC)

title: User talk:Gubbubu


text:
User talk:86.129.147.73

Urdu proverbs
An editor using this IP address has created an article apparently including transliterated Urdu proverbs. As this is an English-language Wikiquote, and no English translations are provided, it has been nominated for deletion. Please add the translations to allow us to keep this article. (Including the original Urdu script would also be appreciated, but is not required.) Thank you for your assistance. ~ Jeff Q (talk) 19:41, 21 August 2005 (UTC)

title: User talk:86.129.147.73


text:
Spider-Man 2

Spider-Man 2 is a 2004 British/American film based on the eponymous Marvel comic starring Tobey Maguire and Alfred Molina. It continues the story of Peter Parker's struggle to balance between his normal life and his life as Spider-Man. This film was released in theaters on June 30, 2004 in the United States.

 * Written by Alvin Sargent, Directed by Sam Raimi.

Peter Parker / Spider-Man

 * [drops boxes of pizza on desk] Pizza time!
 * [speaks to MJ through a dead phone line] I wanna tell you the truth... here it is: I'm Spider-Man. Weird, huh? Now you know why I can't be with you. If my enemies found out about you... if you got hurt, I could never forgive myself. I wish I could tell you how I feel about you.
 * [to himself, regarding his life] Am I not supposed to have what I want?
 * [to himself] She (MJ) can never know how much I love her.
 * [end of PS2 game, closing narration] Mary Jane, the girl next door, the girl I love, and now, the girl waiting for me at the end of the day. Fate handed me amazing powers, and with those powers came a burden of responsibility. Somehow though, having her with me makes that burden lighter. Still, in the end, it's mine to bear. After all, there's still only one... Spider-Man!
 * [pleading with MJ to give him a chance] I let things get in the way before, there was something I thought I had to do... I don't have to!
 * [talking to Doc Ock] Sometimes, to do what's right, we have to be steady, and give up the things we want the most. Even our dreams.
 * [Doc Ock throws a heavy bag full of coins at him, Spider-Man catches it by his webbing] Here's your change! [tosses it back at Ock].
 * Well, I'm not.
 * Hang on, Mary Jane!
 * Run!
 * [He has unplugged Ock’s experiment, but it keeps sucking in objects] Now what?
 * Dr. Octavius. We have to shut it down.
 * [noticing the roof will crush MJ] NOOOOOOOO!
 * Hi.
 * This is really heavy.
 * MJ.... In case we die....
 * I do.

Mary Jane Watson

 * Do you love me or not?

Otto Octavius / Doctor Octopus

 * Intelligence is not a privilege. It's a gift. And you use it for the good of mankind.
 * If you keep something as complicated as love stored up inside.... it's going to make you sick.
 * Has anybody lost a large roll of 20 dollar bills in a rubber band? Because we found the rubber band. [Beat] It's a terrible joke.
 * The power of the sun.... in the palm of my hand.
 * NOOOOOOOOOOOO!!!!!!!
 * The real crime would be to not finish what we started.
 * You've stuck your webs into my business for the last time!
 * You have a train to catch.
 * Well, that's a risk we're willing to take.
 * Let's see you scurry out of this.
 * Listen... Listen to me now. Listen to ME now!
 * Unless... the river. Drown it!
 * I'll do it.
 * (Last words) I will not die a monster.

May Parker

 * [Sees Doc Ock about to sneak attack Spider-Man] Shame on you! [Hits him with her umbrella, causing him to miss]
 * [After Spider-Man saves her] Have I been wrong about you!
 * [Talking to Peter] I believe there's a hero in all of us that keeps us honest, noble and finally allows us to die with pride. Even though sometimes we have to be steady and give up the things we want the most. Even our dreams.
 * Oh, Peter.

J. Jonah Jameson

 * [Speaking to his wife over the phone] Dear, we agreed to put on a wedding, not go into bankruptcy.... Caviar? Who are we inviting, the Czar? Get some cheese and crackers.... some of those little cocktail weenies.

 * [Discussing his son's wedding with his wife over the phone] Flowers? How much? If we spend any more on this thing, you can pick the daisies off my grave! Get plastic!

 * Guy named Otto Octavius winds up with eight limbs. (Grins) What are the odds?

 * What are you lookin' for, a raise? Get out!

 * [Looking at Spider-Man's suit] Yes. Spider-Man was a hero. I just couldn't see it. He was a.... [Looks to see that Spider-Man has stolen back the suit] A thief! A criminal! He stole my suit! He's a menace to the entire city! I want that wall-crawling arachnid prosecuted! I want him strung up by his web! [Looks up at the open skylight] I want Spider-Man!!

Other characters

 * Mr. Ditkovich: If promises were crackers, my daughter would be fat!

 * Mr. Ditkovich, at numerous points in the film: Rent?

 * [Peter is waiting for the bathroom and Mr. Ditkovich pushes in front, closing the bathroom door behind him. He opens it again.]
 * Mr. Ditkovich: Rent?
 * [Peter closes the door in Ditkovich's face.]

 * Norman Osborn: AVENGE ME!

 * Stan Lee (cameo): Look out!

 * Joseph "Robbie" Robertson: [a garbage man brings the Spider-Man suit at the Bugle] Where the hell did you get that?

Dialogue

 * J. Jonah Jameson: You're fired. Parker, hello? You're fired!
 * Peter Parker: Why?
 * Jameson: [looks at Peter's latest photos in his photo book] Dogs catching Frisbees? Pigeons in the park? A couple of geezers playin' chess?
 * Betty Brant: [walks in urgently] Boss!
 * Jameson: Not now.
 * [Brant walks out]
 * Peter: Well, I was thinking maybe the Bugle could show another side of New York for a change.
 * Robbie Robertson: We got 6 minutes to deadline, Jonah! We need page one!
 * Jameson: [looks over at Robbie, ignores him] Parker, I don't pay ya to be a sensitive artiste! I pay you because... [notices Brant heading back for his desk] Still not now! [Brant walks back out] I pay you because for some reason that psycho Spider-Man'll pose for you!
 * Peter: Spider-Man won't let me take any more pictures! You've turned the whole city against him!
 * Jameson: A fact I'm very proud of! Now, get your pretty little portfolio off my desk before I go into a diabetic coma! [intercom alarm goes off; he presses the intercom button]
 * Betty: Boss, your wife's on the line! She said she lost your checkbook!
 * Jameson: Thanks for the good news! [turns off intercom]
 * Peter: Mr. Jameson, please, isn't there any of these shots you can use? I really need the money.
 * Jameson: [with faux sympathetic 'puppy-dog' face] Aww... Miss Brant?!?
 * Brant: [walks in] Yes?
 * Jameson: Get me a violin!
 * Robbie: 5 minutes to deadline, Jonah!
 * Jameson: All right, run a picture of a rancid chicken. Here's the headline - "Food Poisoning Scare Sweeps City!"
 * Hoffman: [leans in] Some food got poisoned?
 * Jameson: [glares over] I'm a little nauseous, yah!
 * Peter: [after a short pause] All right, Mr. Jameson. [hands Jameson a photo of Spider-Man]
 * Jameson: [briefly analyzes the photo] It stinks. Robbie, there's your Page 1 - "Masked Menace Terrorizes Town!"
 * Robbie: I told you he's not a menace!
 * Jameson: And I told you...
 * Robertson: I'll take care of it.
 * Jameson: I'll give you $150.
 * Peter: $300.
 * Jameson: That's outrageous! [hands Peter his check] Done. Give this to the girl.

 * [After Spider-Man saves May from Doc Ock]
 * Peter Parker/Spider-Man: We sure showed him.
 * May Parker: What do you mean, we?

 * [Peter has to get past his landlord who is insistent on collecting rent from him]
 * Peter: Hi.
 * Mr. Ditkovich: What's 'hi'? Can I spend it? You're a month late again. Again!
 * Peter: I'm sorry, I promise I'll get it in sooner or later-
 * Mr. Ditkovich: If promises were crackers, my daughter would be fat!
 * Peter: All I have is this $20 for the rest of the week and-
 * Mr. Ditkovich: [snatches the $20 from Peter's hands] Sorry doesn't pay the rent, and don't try to sneak past me. I have ears like a cat, and eyes like a rodent.
 * Peter: Thanks, Mr. Ditkovich.
 * Ursula Ditkovich: Hi, Pete! [accidentally knocks over pan, and oven catches on fire. As Ursula is putting out the fire, Mr. Ditkovich slams the door in Peter's face]

 * Doc Ock: [grabs Spider-Man] You're getting on my nerves.
 * Peter/Spider-Man: I have a knack for that.
 * Doc Ock: Not anymore. [squeezes harder]

 * Garbage Man: [on bringing in Spider-Man's discarded costume] Now look, uh, I think I deserve a little something for this.
 * Jameson: Give ya $50.
 * Garbage Man: I could get more than that on eBay.
 * Jameson: All right, $100. Miss Brant, give this man his money and throw in a bar of soap!

 * Peter: [regarding Uncle Ben] Aunt May, you shouldn't blame yourself.
 * May: Oh, I know I shouldn't. It's just... you wanted to take the subway, and he wanted to drive you. If only I had stopped him, then all three of us would be having tea together.
 * [There is a brief pause of silence. Finally, Peter speaks.]
 * Peter: I'm responsible.
 * May: For what?
 * Peter: For what happened to Uncle Ben.
 * May: But you were at the library. You were doing your homework.
 * Peter: He drove me to the library, but I never went in.
 * May: What do you mean?
 * Peter: I went someplace else, someplace where I thought I could win some money, to buy a car, because I wanted to impress Mary Jane. It happened so fast... I won the money, the guy wouldn't pay me, then he got robbed... the thief was running towards me... I could have stopped him, but I wanted...revenge. I let him go, I let him get away. He wanted a car, he tried to take Uncle Ben's. Uncle Ben said no... and then he shot him. Uncle Ben was killed that night for being the only one who did the right thing. I held his hand when he died. I've tried to tell you so many times...

 * Receptionist: Chief! I found Parker.
 * Jameson: Where you been? I've been looking for you all morning! Why don't you pay your phone bill? A mad scientist goes berserk and we don't have pictures!
 * Joseph Robertson: I heard Spider-Man was there.
 * Jameson: Where were you? Photographing squirrels? You're fired!
 * Receptionist: Chief, the planetarium party.
 * Jameson: Oh, right. You're un-fired, I need you. Come here. Whaddya know about high society?
 * Peter: High society? Oh, well, I---
 * Jameson: Ah, don't answer that. My society photographer got hit in the head by a polo ball. You're all I got. Big party for an American hero! My son, the astronaut.
 * Peter: Could you pay me in advance?
 * Jameson: [breaks out laughing] You serious? Pay you for what, standing there? The planetarium, tomorrow night, eight o'clock. (Gestures) There's the door.

 * May: You'll never guess who he wants to be... Spider-Man!
 * Peter: Why?
 * May: He knows a hero when he sees one. Too few characters out there, flying around like that, saving old girls like me. And Lord knows, kids like Henry need a hero. Courageous, self-sacrificing people. Setting examples for all of us. Everybody loves a hero. People line up for them, cheer them, scream their names. And years later, they'll tell how they stood in the rain for hours just to get a glimpse of the one who taught them how to HOLD ON a second longer. I believe there's a hero in all of us, that keeps us honest, gives us strength, makes us noble, and finally allows us to die with pride, even though sometimes we have to be steady, and give up the thing we want the most. Even our dreams. Spider-Man did that for Henry and he wonders where he's gone. He needs him.

 * [Peter parks the car of two thieves outside the theater in a red zone; an NYPD officer notices]
 * Officer: Hey, buddy! You park there, I'm towin' it!
 * Peter: Whatever.
 * [Peter walks into theater lobby]
 * Doorman: Ah! Shoelace.
 * [Peter stops, bends down to tie his shoelace, then moves forward again]
 * Doorman: Wait, you might want to...[motions for Peter to fix tie]
 * [Peter fixes tie and moves forward again]
 * [Doorman stops him entering theater]
 * Doorman: Can I help you?
 * Peter: Yeah, I, uh, I've come to see the show.
 * Doorman: Oh, I'm sorry, sir. "No one will be seated after the doors are closed." It helps maintain the illusion.
 * Peter: Ah, I understand. Umm... Miss Watson, She's a friend of mine, she asked me to come.
 * Doorman: But not to come late.
 * Peter: But I have to see the show. If you just let me in, I'll stand by the–
 * Doorman: Shh. [points his hands to the sign that says, "Quiet please while play is in progress"]

 * Jameson: Guy named "Otto Octavius" winds up with eight limbs. What are the odds...? Hoffman!
 * Hoffman: Yeah?
 * Jameson: What are we gonna call this guy?
 * Hoffman: Uh...um.. Doctor Octopus!
 * Jameson: That's crap.
 * Hoffman: Science Squid?
 * Jameson: Crap!
 * Hoffman: Doctor Strange?
 * Jameson: That's pretty good... [Hoffman smiles in acceptance] But it's taken! Wait, wait! I got it! Doctor Octopus.
 * Hoffman: I... But... I like it.
 * Jameson: Of course you do. Doctor Octopus. New villain in town: Doc Ock.
 * Hoffman: Genius.
 * Jameson: What, are you lookin' for a raise? Get out!

 * [In Peter's mind sitting in Ben’s car]
 * Ben Parker: All the things you've been thinking about, Peter, make me sad.
 * Peter: Can’t you understand? I’m in love with Mary Jane.
 * Ben: Peter, all the times we talked about honesty, fairness, justice, all those times I counted on you to have the courage to take those dreams out into the world.
 * Peter: I can’t live your dreams anymore. I want a life of my own.
 * Ben: You’ve been given a gift Peter, with great power comes great responsibility. Take my hand, son.
 * Peter: No, Uncle Ben. I’m just Peter Parker. I’m Spider-Man no more. No more.

 * Peter: Harry, please, I've got to stop him!

 * Spider-Man: Where is she?!
 * Doc Ock: Oh, she'll be just fine. Let's talk.
 * [they fight]

 * Mary Jane: Hey! Hey! ( whistle blowing ) I'm taking to you! You got what you needing for your little science project, now, let me go. He's not dead. I don't believe you.
 * Otto: Believe it.

 * Otto: I will not die a monster. ( grunting )

 * [A troubled Harry holds his unused dagger in his hands, and broods over the revelations revealed to him. A door swings open, and he suddenly hears a cackling laugh...]
 * Harry Osborn: Hello? [he takes a few steps and then hears a noise]
 * Green Goblin: Son... [Harry looks around; in a mirror] I'm here.
 * Harry: Dad? I thought you were...
 * Green Goblin: No. I'm alive in you, Harry. You swore to make Spider-Man pay... now make him pay.
 * Harry: But Pete's my best friend.
 * Green Goblin: [serious] And I'm your father. You're weak; you were always weak and you will always be weak until you take control! [calmly] Now you know the truth about Peter. Be strong Harry. Avenge me.
 * Harry: No.
 * Green Goblin: AVENGE ME!
 * Harry: No!
 * [Harry hurls the dagger at the mirror, smashing it. Within it, he discovers, lies a secret room. To his shock, he discovers the Goblin mask, shelves of pumpkin bombs, tubes of green elixir, the glider and finally understands it all...]

 * Mary Jane Watson: [standing at Peter Parker's door, in her wedding dress after leaving John Jameson at the altar] Had to do what I had to do.
 * Peter: Mary Jane.
 * Mary Jane: Peter. I can't survive without you.
 * Peter: You shouldn't be here.
 * Mary Jane: I know you think we can't be together, but can't you respect me enough to let me make my own decision? I know there'll be risks but I want to face them with you. It's wrong that we should be only half alive...half of ourselves. I love you. So here I am - standing in your doorway. I have always been standing in your doorway. Isn't it about time somebody saved your life? Well, say something.
 * Peter: Thank you, Mary Jane Watson.
 * Mary Jane: [they kiss, which is interrupted by police sirens. Peter stands, conflicted on whether he should respond. Mary Jane, with an accepting smile, responds:] Go get 'em, tiger.

About

 * Now this is what a superhero movie should be. "Spider-Man 2" believes in its story in the same way serious comic readers believe, when the adventures on the page express their own dreams and wishes. It's not camp and it's not nostalgia, it's not wall-to-wall special effects and it's not pickled in angst. It's simply and poignantly a realization that being Spider-Man is a burden that Peter Parker is not entirely willing to bear.
 * "Spider-Man 2" is the best superhero movie since the modern genre was launched with "Superman" (1978). It succeeds by being true to the insight that allowed Marvel Comics to upturn decades of comic-book tradition: Readers could identify more completely with heroes like themselves than with remote godlike paragons. Peter Parker was an insecure high school student, in grade trouble, inarticulate in love, unready to assume the responsibilities that came with his unexpected superpowers. It wasn't that Spider-Man could swing from skyscrapers that won over his readers; it was that he fretted about personal problems in the thought balloons above his Spidey face mask.
 * I was disappointed by the original "Spider-Man" (2002), and surprised to find this film working from the first frame. Sam Raimi, the director of both pictures, this time seems to know exactly what he should do, and never steps wrong in a film that effortlessly combines special effects and a human story, keeping its parallel plots alive and moving. One of the keys to the movie's success must be the contribution of novelist Michael Chabon to the screenplay; Chabon understands in his bones what comic books are, and why. His inspired 2000 novel The Amazing Adventures of Kavalier and Clay chronicles the birth of a 1940s comic book superhero and the young men who created him; he worked on the screen story that fed into Alvin Sargent's screenplay.
 * Roger Ebert, "Spider-Man 2 Movie Review" Rogerebert.com, (June 29, 2004).

 * The current status quo in the genre makes the absurdist, irreverent tone of 2004’s Spider-Man 2 seem all the more astonishing today. Most humour in the film draws on Peter Parker’s permanent status as a nerd – an awkward, nebbish presence outside of the famous costume. A naive man-child, Parker reacts to the series of brutal challenges he faces with a melancholic pout and a half-smile. His response to being repeatedly jostled in the street is an amused, embarrassed chuckle. The total lack of realism in Tobey Maguire’s career-defining performance places Raimi’s trilogy firmly in the realm of fantasy. There is no Actor’s Studio work being done here. Contrasted with more recent comic book fare, the thrill of a big action sequence is now perpetually dampened by an insistent awareness of disastrous consequences as embodied by the brooding of an Oscar winner, a shake of their head and an existential monologue.
 * Nowadays, Superhero sequels are, for the most part, aimed at hardcore fans who have the pre-awareness and commitment to follow confused storylines across past, present and future. Fan theories crudely engulf the screen as characters form alliances and separate out as they would in a soap opera. And this is not down to narrative necessity, but to create new thrills that are often as ephemeral as they are nonsensical. In that sense, Spider-Man 2 belongs to a bygone era of franchise blockbusters. But this also comes down to ideology. Perpetually jolly, the film refuses to adopt the de rigueur misanthropy and pessimistic view on humanity articulated by the Ayn Rand-infused opera stylings of Batman V Superman. While Parker and Octopus are portrayed as similar but on different sides of the law, the latter is by no means the ‘dark side’ of the former. There is no sense of true, straightforward evil in the world of Spider-Man 2. Rather, we are presented with misguided, heartbroken and desperate people who have lost all sense of scale and responsibility. The moment when Doc Ock finally comes to his senses is all the more moving precisely because of how badly he has acted previously. That Parker/Spider-Man would give him a chance to act like the kind human being he once knew makes for a heartbreakingly beautiful moment. It exposes the film’s sincere belief in humanity, the spirit of community and forgiveness. It is not because people are weak that Spider-Man must fight crime (see: The Dark Knight), but because he is the single individual given the (super) power to stop those who have strayed too far to be saved by a simple act of kindness. He is here when the empathy of people such as the doomed Uncle Ben of the first film, and the second’s moral arbiter, the lovely Aunt May, fail to bring desperate people to their senses.
 * Elena Lazic, "Why Spider-Man 2 is the greatest blockbuster of the 21st century" Little White Lies, (13 Jul, 2016).

 * Peter Parker is just in a different place in his life. It's wearing on him, being Spider-Man and not having a life of his own. I always thought it was peculiar to me how this kid couldn't see how he could just have a little balance in his life and things would be a little better for him. But there are complications to that, which I understand. He doesn't want to put his loved ones in danger and also, just being honest with people at first causes him pain. Just being around Aunt May at first is a painful experience because he's constantly wracked with guilt and feelings of responsibility for all the bad things that happened. He faced that situation and it helped their relationship. It helped set him free in their relationship. So I think that stuff is just wearing on him. He wants a life of his own. He wants to have some kind of balance in his life, but he also has these gifts and wants to use them responsibly.
 * Tobey Maguire "Interview: Tobey Maguire and Alfred Molina", IGN, (25 Jun 2004)

 * It was a mixture of practical puppeteered arms, CG and animation. We had a fantastic team of puppeteers. 15 guys and one woman. And a wonderful choreographer, a guy called Eric Hayden, who essentially designed the movement in a way. The puppeteers and myself worked together very closely over a series of weeks to try develop a vocabulary of movement, a language if you like, so we could do great big things like push a hole through a building, but at the same time do delicate things like taking off a pair of glasses or like lighting a cigar. Even one shot we did, I don't think we ever used it, but one of the tentacles actually came out and wiped away a tear. So we had a really wide range of possibilities. What they did, which I thought was brilliant really, they managed to infuse these lumps of resin and fiberglass and metal and plastic with real life. They gave them character and personality. There's a wonderful moment where Flo, the female tentacle (Yes, Molina has named them), comes in and I say something, I mumble something, and she does this wonderful thing where she just tilts, as if she's cocking an ear because she can't understand what I said. Puppies kind of do that, and I thought it was so brilliant, that kind of detail makes them so completely full of life... That's a great tribute to [the puppeteers]. They were really clever."
 * Alfred Molina, "Interview: Tobey Maguire and Alfred Molina", IGN, (25 Jun 2004)

 * In my mind, I was working on the story and I knew how I wanted it to end. The story of a life out of balance, first lopsided in one way as he tries to be this responsible young man and then lopsided in another way as he decides the hell with it, I’m living my life, damn anybody else. And then that road leads to such moral decay that he finally has to say to himself I will go back to my lopsided life of being Spider-Man and just down this road of responsibility. Unfortunately it’s like a prison sentence to him. What he doesn’t know is that by the end of the piece, he learns, through Mary Jane Watson that he cannot go down that road alone. And so I found that he found a sense of balance by the end. So it seemed to me, complete, as a complete story. Also the story of some young man who is on the road to responsibility, learns the sacrifices that are necessary to be responsible. I felt that he had learned a lesson, so it seemed complete in a few different ways. I didn’t really think of it as a franchise movie.
 * I was thinking about a great issue of Stan Lee’s Spider-Man comic book where he gets the flu. And he, for a time, is really weak. It was so human to me, I thought it was great. This superhero’s got the bug that affects all of us, and just like we all have to go to work when we’re sick and we really don’t know why we’re doing this and how we’re gonna do our job, he had to fight criminals when he had the flu. I thought that was incredibly human, a humanizing thing to have happened to a super hero. It was a combination of that and a desire to put that into the picture so we could identify with him. I thought that was a unique thing that happened in Stan Lee’s comics, But also there was another issue of Stan Lee’s comics that I loved where he decided to throw the suit away. It was issue number 50, perhaps, his life problems had just become too great, so I think what happened was there was a synthesis of those two ideas, along with other elements I was interested in telling in this story. That’s where the genesis of the loss of powers came from.
 * Sam Raimi "Interview: Director Sam Raimi on Spider-Man 2", SuperHeroHype, (Jun 23, 2004).

Cast

 * Tobey Maguire as Peter / Spider-Man
 * Kirsten Dunst as Mary Jane Watson
 * Alfred Molina as Otto Octavius / Doctor Octopus
 * Rosemary Harris as May Parker
 * J. K. Simmons as J. Jonah Jameson
 * James Franco as Harry Osborn
 * Donna Murphy as Rosalie Octavius
 * Daniel Gillies as John Jameson
 * Aasif Mandvi as Mr. Azia

title: Spider-Man 2


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Template:Thanx

Thank you for you welcome! The link to your Village Pump is a useful one, the rest I think I understood from the normal Wikipedias.

title: Template:Thanx


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Template talk:Thanx

Just a joke, don't take it too seriously... / Habj 21:18, 21 August 2005 (UTC)

title: Template talk:Thanx


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User:Bbx

Hello, try contacting me on English Wikipedia if you want to reach me.

w:User:bbx

title: User:Bbx


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Pumping Iron

Pumping Iron is a 1977 docudrama about the world of bodybuilding, focusing on the 1975 IFBB Mr. Universe and Mr. Olympia competitions. Inspired by a book of the same name by Charles Gaines and George Butler, the film nominally focuses on the competition between Arnold Schwarzenegger and one of his primary competitors for the title of Mr. Olympia, Lou Ferrigno.

Arnold Schwarzenegger

 * I always felt my place was in America, and when I was ten years old I only dreamed of coming to America and being the greatest and being different from anybody else.

 * I've thrown up many times working out, but it's all worth it.

 * Franco is pretty smart, but Franco's a child, and when it comes to the day of the contest, I am his father. He comes to me for advices. So it's not that hard for me to give him the wrong advices.

 * I don't have any weak points. I had weak points three years ago, but my main thing in mind is, my goal always was, to even out everything to the point... that everything is perfect. Which means if I want to increase one muscle a half inch, the rest of the body has to increase. I would never make one muscle increase or decrease, because everything fits together now, and all I have to do is get my posing routine down more perfect, which is almost impossible to do, you know. It's perfect already.

 * Milk is for babies; when you grow up, you have to drink beer.

 * The greatest feeling you can get in a gym, or the most satisfying feeling you can get in the gym is... The Pump. Let's say you train your biceps. Blood is rushing into your muscles and that's what we call The Pump. You muscles get a really tight feeling, like your skin is going to explode any minute, and it's really tight - it's like somebody blowing air into it, into your muscle. It just blows up, and it feels really different. It feels fantastic.

 * It's as satisfying to me as, uh, cumming is, you know? As, ah, having sex with a woman and cumming. And so can you believe how much I am in heaven? I am like, uh, getting the feeling of cumming in a gym, I'm getting the feeling of cumming at home, I'm getting the feeling of cumming backstage when I pump up, when I pose in front of 5,000 people, I get the same feeling, so I am cumming day and night. I mean, it's terrific. Right? So you know, I am in heaven.

 * [walks up to the counter of Gold's Gym] Can I sign up? I want to start gaining some muscles.

 * I was always dreaming about very powerful people - dictators and things like that. I was just always impressed by people who could be remembered for hundreds of years, or even, like Jesus, be for thousands of years remembered.

 * Come on let's get Serious!

Matty Ferrigno

 * You're the king, Arnold, and you're going to stay the king a long time.

 * Never feel sorry for yourself. Remember, if you are training hard, he may be training twice as hard. You just gotta keep coming back stronger.

 * You know, Louis, you look like something Michelangelo carved out.

Dialogue

 * Arnold Schwarzenegger: What did you say, Lou? What did you say?
 * Lou Ferrigno: I'm training Arnold! Gotta get a good pump!
 * Arnold Schwarzenegger: You make too much noise! Has to be very quiet in here, like in a Church!

 * Serge Nubret: Looks like I can take you.
 * Arnold Schwarzenegger: Heh heh, yeah, keep looking.

 * Interviewer: Do you visualize yourself as a living sculpture?
 * Arnold Schwarzenegger: Yes, definitely. Good bodybuilders have the same mind when it comes to sculpting, that a sculptor has. If you analyze it, you look in the mirror and you say, okay, I need a bit more deltoids...so that the proportion's right, and...you exercise and put those deltoids on, whereas an artist would just slap on some clay on each side.

title: Pumping Iron


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User:Robin Patterson

http://mi.wikipedia.org/wiki/User:Robin_Patterson

title: User:Robin Patterson


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User talk:AmrHassan

~ MosheZadka (Talk) 22:37, 21 August 2005 (UTC)

title: User talk:AmrHassan


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Talk:American Dad!

Cleaning up

 * I've gone ahead and did some overhauling on the layout to make it organized and set up like in the Wikiquote talk:Templates/TV shows. Still in the process of finishing. If anyone else wants to finish, by all means go right ahead. :)
 * Curlyro 09:06, 1 February 2007 (UTC)

[adult swim]?
I took it out of the [adult swim] catagory (sorry about the spelling) because [adult swim] doesn't show it anymore (in the US at least).--BrianGriffin-FG 00:02, 2 June 2007 (UTC)
 * Kay. Adult Swim is showing it again. I think things should be left in there as long as AS still owns the rights to show it.

Breakup of page into seasons
There is currently a dispute as to whether this page should be broken up into seasons. As I had stated, I often prefer one page where it is practical, but it is not always convenient for many, and many people have preferred to break up such pages for shows into seasons with far less than 11, as exist for this program. It is certainly not extraordinary to break up such a large page into separate seasons, and I believe this anon editor who has been working on this page recently has made good-faith efforts to to provide full listing and access to all episodes from the primary page, in the edits which have recently developed. Thus I am presently tending to favor the anon's efforts, barring any clear reason to reject them by the majority of people concerned with the page. I believe a discussion of some aesthetic tweaks or options might be appropriate, but not an outright rejection of the efforts thus far made for a break-out into separate pages. I once again must be leaving soon, but I believe if the dispute continues, the matter should probably be decided by a request for commentary here, with perhaps a notice at the village pump. ~ ♞☤☮♌Kalki·†·⚓⊙☳☶⚡ 00:57, 17 April 2015 (UTC)

title: Talk:American Dad!