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Zooey Deschanel

Zooey Claire Deschanel (born 17 January 1980) is an American actress, songwriter and singer who performs with M. Ward as the group She & Him, and stars in the comedy television series New Girl.

Quotes

 * I don't want to go to another roller-coaster ride of a movie. If I want that, I'll go to Magic Mountain. I'm really interested in the young directors that are doing different things in cinema. I think the movies people will hold onto are the Rushmores and the Being John Malkoviches. Those are the kind of films I want to do; that's what I'm passionate about.
 * Mean magazine (April 2001).

 * I don't think I'm very much like anyone else, really. I'm sure there are aspects of other actors that I share, but I don't see anybody else and go, "Damn, they stole my thing." I'm me, and I like that there are people who have an appreciation for that.
 * As quoted in "From A to Zooey" in The Boston Globe (23 February 2003).

 * I have trouble actually describing myself because I’m always suspicious of people who start describing themselves. I’m like, “OK, why are you trying to tell me what you are?”
 * As quoted in "Zooey sings!" by Matt Pais in Metromix (21 July 2008).

 * I think a lot of what motivates me songwriting-wise is — this might sound silly — but, when I listen to a song that I love, it kind of makes me feel better. I think that’s the impetus behind everything I write; I want to make people feel better, whether it’s myself, or a friend, or whoever. I don’t know how to say this without sounding corny or banal, but I know a lot of people who are very hard on themselves. So this is sort of a cheerleading lullaby.
 * On her song "Me and You" on Volume Two (2010), in an interview with Evan Schlansky in "On Record : Zooey Deschanel of She & Him" at American Songwriter (18 March 2010).

 * My goal as an actor is always to be as truthful as possible, and to find the truth in the material I am representing. So I think that it’s the same with performing music. But in a way, performing your own music, it’s easier to find the truth in it, because it’s coming from yourself. There’s no translation needed.
 * As quoted in "On Record : Zooey Deschanel of She & Him" at American Songwriter (18 March 2010).

 * I would watch Wizard of Oz, like every day, when I was two. I had a hard time understanding that I couldn't go into the film, because it felt so real to me.
 * Statement in These Amazing Shadows (2011).

She & Him : Volume One (2008)

 * O-o-old habits die hard when you got, when you got a sentimental heart Piece of the puzzle, you're my missing part Oh what can you do with a sentimental heart?
 * "Sentimental Heart".

 * Why don't you sit right down and stay awhile? We like the same things and I like your style Its not a secret; why do you keep it? I'm just sitting on the shelf
 * Why Do You Let Me Stay Here?

 * I got to get your presence Let's make it known I think you're just so pleasant I would like you for my own
 * Why Do You Let Me Stay Here?

 * For those of you who tried, but didn't make it, Settle down — it's never what you think. The summit doesn't differ from the deep, dark valley, And the valley doesn't differ from the kitchen sink.
 * "This Is Not a Test".

 * For those of you who thought you'd be forgotten, The friends you've made will try their best, to make it so. Think of all the beauty that you left behind you. You can take it if you want it, and then let it go.
 * "This Is Not a Test".

 * For those of us who try to keep remembering, Try to do our better than our best. Think of all the children in the drifts of snow. Winners never quit, but winters never rest.
 * "This Is Not a Test".

 * I was never no, never no, never enough, But I can try, I can try to toughen up.
 * "Change Is Hard".

 * Change is hard, I should know. I should know.
 * "Change Is Hard".

 * I somehow see what's beautiful In things that are ephemeral I'm my only friend of mine  And love is just a piece of time in the world in the world. And I couldn't help but fall in love again.
 * "I Thought I Saw Your Face Today".

 * Take it back Oh, take it back I don't want your lovin', anymore Let me live Oh, let me live It's not you who I sing for
 * "Take It Back".

 * I don't wanna' wonder whether you love me I don't wanna' wonder whether you care
 * "Take It Back".

 * When I saw you smile I saw a dream come true
 * "I Was Made For You".

 * I won't be waitin' any more cause I know Baby, baby I was made for you
 * "I Was Made For You".

 * My eyes are so bleary I guess I'm young but I feel so weary I've tried to express it But I think its all a bore Its at the heart of me, A very part of me
 * "Black Hole".

 * It's nowhere in here And its everywhere else that I don't wanna be, But I'm stuck here getting misty over you I'm alone on a bicycle for two.
 * "Black Hole".

 * Saw your face, My hand you took Just like in a story book, And you got me Yeah, you‘ve got me
 * "Got Me".

 * I can feel your heartbeat, Where I lay my head ‘Cause you’ve got me Yeah you’ve got me
 * "Got Me".

 * When I was a little bit younger The strain I was under could make me cry. Now I’m a little bit older, A little bit bolder, Never so shy
 * "Sweet Darlin" (written with Jason Schwartzman).

 * Sweet darlin’, come hold me, Just a little bit longer now
 * "Sweet Darlin".

Volume Two (2010)

 * Full lyrics online

 * There's thieves among us Painting the walls All kinds of lies, and lies I never told it all
 * "Thieves".

 * What's in my pocket? You never knew You didn't know me well So well, as I knew you
 * "Thieves".

 * And I know, and you know too That a love, like ours Is terrible news But that wont stop me crying No, that wont stop me crying over you
 * "Thieves".

 * It’s hard to be ignored When I look at you, you look so bored My baby, my darling, I’ve been taking a beating… Well alright (well alright) It’s okay (it’s okay) We all get the slip sometimes every day I’ll just keep it to myself in the sun In the sun
 * "In the Sun" - YouTube video

 * Orpheus melted the heart of Persephone, but I never had yours I followed you back to the end of the path, but I never found the door
 * "Don't Look Back" - Video at Vimeo

 * Don't look back all you'll ever get is the dust from the steps before I don't have to see you every day, but I just want to know youre there
 * "Don't Look Back".

 * I like to learn things slow I like learning alot I like to get it all again and in the end You know you get what you got
 * "Lingering Still".

 * And the world's like a science And I'm like a secret And I saw you lingering still, still I saw you lingering still
 * "Lingering Still".

 * He was different at first But then he won't understand Because he's never gonna know me If he doesn't want to just shake my hand
 * "Lingering Still".

 * Well Im back in your good graces again Remember when you told me that I was your only friend?
 * "Me and You".

 * Well I know that you worry a lot about Things you cant control There are so many things wed like to have But we just cannot hold, You've got to be kind to yourself You've got to be kind to yourself
 * "Me and You".

 * California is a great big nation of one They never knew what they wanted ’til it was already gone
 * "Home".

 * Why don’t we just sit and stare and do nothing? Nothing at all for a while I like the way you smile I could be your state and I could be your nation It doesn’t get better than home, now does it?
 * "Home".

 * I want to be where your heart is home  I want to see you with the light in the morning There’s never been such a beautiful warning to me, to me
 * "Home".

 * You never tried facing the sting Walking all in circles, take it all in stride Faces are not what they seem, I always dream lost in the tide
 * "I'm Gonna Make It Better".

 * The world’s been waiting, they’ve been waiting for years And they’ve just gotta hear it  The kids are waiting, they’ve been shedding tears  So open your arms and sing for us
 * "Sing".

 * Why do I always want to sock it to you hard? Let you know what love is like when I’m keeping all my cards up on the shelf Where you can’t see them Why do I always want to keep it to myself?
 * "Over It Over Again".

 * I had some brand new shoes They were all red but they gave me the blues And they're runnin' away, they left me a letter It's just like you told me it'd be It's nothin' nothin' nothin' nothin' at all
 * "Brand New Shoes".

 * We are all made of air There's stars in my eyes and there's sun in my hair And I'm runnin' away, it makes me feel better
 * "Brand New Shoes".

 * If you can't sleep, I'll be there in your dreams. I'll be there in your dreams if you can't sleep at all. And in your dreams, I'll touch your cheek And lay my head on your shoulder.  Goodbye shadows
 * "If You Can't Sleep".

 * Shut your eyes, there are bluer skies For you're embraced in my heart
 * "If You Can't Sleep".

 * Hair got caught in the sunlight darling But I just wasted the day. I knew it would happen this way.
 * I Knew It Would Happen This Way (Bonus track on pre-orders).

 * Can't get up in the morning lately and I'm just sunk in a dream I'm always the ship in the stream
 * I Knew It Would Happen This Way (Bonus track on pre-orders).

Volume 3 (2013)
Everybody's clever these days Take a win Take a fall I never wanted your love But I needed it all…
 * All I know is that I'm tired of being clever
 * "Never Wanted Your Love" · The Late Show performance

Quotes about Deschanel

 * As you celebrate this special occasion with your family and friends, please know I am grateful for all you have done to encourage and support young women who are making a difference across our country. I hope your day is filled with love and laughter, and I wish you all the best for good health and happiness in the year ahead.
 * Barack Obama, in a birthday greeting (sent 9 January 2011), as reported in "Zooey Deschanel receives birthday message from President Obama" at CBS News (19 January 2011).

 * Zooey Deschanel is one of those rare artists to transcend the pitfalls of being an actor/musician. Together with the talented M. Ward, the other half of She & Him, she crafts beautiful songs that sound like vintage radio hits. Their debut album, Volume 1, wowed the critics. Volume 2 is even better.
 * Evan Schlansky "On Record : Zooey Deschanel of She & Him" at American Songwriter (18 March 2010).

 * I think that one of Zooey's skills in songwriting is the storytelling, and I hope that the production doesn't get in the way of that, and I hope that the era that we're living in doesn't get in the way of that, if that makes any sense.
 * M. Ward, in She And Him's Breezy Pop Sensibility", NPR interview (21 March 2010).

title: Zooey Deschanel


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User talk:Fondue~enwikiquote

- InvisibleSun 10:15, 13 July 2006 (UTC)

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Talk:The Lion King

Cleanup
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 * Yes, it's better. I cleaned up a little more of the formatting and removed the cleanup tag. ~ UDScott 12:43, 13 July 2006 (UTC)
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User talk:Dale sl

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User talk:Everblue3

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User talk:Meldrick~enwikiquote

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User talk:Docgravel~enwikiquote

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User talk:Brrama

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User talk:Shoaib~enwikiquote

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User talk:Data.exe~enwikiquote

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User talk:Mindme~enwikiquote

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User talk:Filligan

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User talk:Meika~enwikiquote

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User talk:Robinjit

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User talk:PhilTLL

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User talk:CryingCyanide

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User talk:Dabraju

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Hi. Welcome to English Wikiquote. Enjoy! ~ Jeff Q (talk) 10:30, 13 July 2006 (UTC)
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title: User talk:Dabraju


text:
Pedro J. Ramírez

Pedro J. Ramírez (born 26 March 1952 in Logroño, La Rioja, Spain) is a Spanish journalist, founder and manager of the Spanish newspaper El Mundo.

Quotes

 * Hemos llegado a un punto absolutamente crítico..[...]...Todo el Sumario está construido sobre la base de que lo que estalló en los trenes era Goma 2 ECO...[...]...estamos ante la hora de la verdad, es decir yo espero que hoy mismo, sin esperar a que haya mayores exigencias, el Ministerio del Interior ponga a disposición del Juez del Olmo y del Partido Popular los informes elaborados por los TEDAX sobre el terreno respecto a los restos encontrados en los focos de la explosión. Y si en esos informes pone como debe poner, a la vista de lo que dijo el Comisario jefe de los TEDAX en la Comisión de investigación, y de lo que dijo también entonces el entonces Ministro del Interior, si pone que ahí había Nitroglicerina, pues se pongan como se pongan los gobernantes, se pongan como se pongan algunos colegas especialistas en meterse debajo de la cama no vaya a ser que se enteren de algo, se pongan como se pongan los más escépticos entre los españoles el Sumario del 11-M se ha venido abajo. Si ahí pone Nitroglicerina, el Sumario del 11-M se ha venido abajo. Y si no pone Nitroglicerina el que se tiene que ir abajo en diez minutos es el Comisario Sánchez Manzano, y explicar por qué mintió o, y sería también entonces necesario abrir una investigación sobre cómo ha podido manipularse esos informes, porque desde luego el que no mintió fue Ángel Acebes.
 * Declaraciones a la cadena COPE, en la Tertulia de “La Mañana”, 11 de julio del 2006 . Extraído del primer quinto del programa: 5´35´´...//....7´42´´...//...10´54´´.
 * Translation: 'We reached an absolutely critical point...[...]...All the "Sumario" [i.e., the official version]is built upon the foundation of Goma 2 ECO exploding in the trains...[...]...this is the moment of truth, i.e., I expect that today, without further demands  the Ministerio del Interior will give to Judge del Olmo and to the Popular Party the reports made by the E.O.D. team on the ground about the remains found in the explosions sites. And, if in those reports you can read what you should can read, after hearing what the E.O.D. team chief said in the Investigation Hearings, and after hearing what the then Ministro del Interior said, if you can read there "Nitroglycerin", whatever may think some colleagues especialized in see nothing, whatever may think the most skeptic spaniards, the whole Madrid 2004 bombings juciciary Indictment goes down. If you can read there "Nitroglycerine" the Madrid 2004 bombings Indictment goes down. And if "Nitroglycerine" is not written there, commisar Sánchez Manzano is who has to go down in ten minutes, and explain why he lied, or, then it would be also necessary to open a new line of research about how those reports could be manipulated, because the one that certainly did not lye was Ángel Acebes”.

title: Pedro J. Ramírez


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Elton John

Sir Elton Hercules John, CBE, CH (born Reginald Kenneth Dwight on 25 March 1947) is an English singer-songwriter, composer, pianist, record producer, and occasional actor.

Quotes

 * Welcome to the world of bullshit, my dear. You have arrived.
 * Advice to a young John Mayer, when Mayer was first attacked in the tabloids
 * Young, Richard (July 19, 2007) "John Mayer MSM Interview, v.2007" MyStupidMouth.com Retrieved July 25, 2007.

 * The internet has stopped people from going out and being with each other, creating stuff. Instead they sit at home and make their own records, which is sometimes OK but it doesn’t bode well for long-term artistic vision. It’s just a means to an end. We’re talking about things that are going to change the world and change the way people listen to music and that’s not going to happen with people blogging on the internet. I mean, get out there, communicate. Hopefully the next movement in music will tear down the internet. Let’s get out in the streets and march and protest instead of sitting at home and blogging. I do think it would be an incredible experiment to shut down the whole internet for five years and see what sort of art is produced over that span. There’s too much technology available. I’m sure, as far as music goes, it would be much more interesting than it is today.
 * Elton John, blaming the internet for destroying good music (2 August 2007)

 * Chefs aren't celebrities: they're chefs.
 * Ridiculing the idea of "celebrity chefs"; quoted in the Evening Standard, Tue 1 May 2012, p. 16

 * Music has healing power. It has the ability to take people out of themselves for a few hours.
 * Elton John at Todomusica.org

Sixty things for Sir Elton's 60th (2007)
Sixty things for Sir Elton's 60th (March 23, 2007)

 * People should be very free with sex, but they should draw the line at goats.
 * from 1976 interview with Rolling Stone magazine

 * It's very important to have two tiaras when you're on the road, you never know when you'll be invited to something really formal.

 * Sometimes when I'm flying over the Alps I think, 'that's like all the cocaine I sniffed.

 * He is Mr Piano Man, I am Miss Piano Man.
 * on touring with Billy Joel

 * There just aren't many people in the world with balls that big and talent that awesome.
 * After performing with Eminem at the 2001 Grammy awards

 * You and your oven are capable of great things, Remember, no two ovens are the same.
 * From the song Conventional Oven Thermostat

The Kate Bush Story (2014)

 * Quotes from the BBC documentary The Kate Bush Story (2014)

 * They're not "normal" songs. None of her songs have been "normal." She's just who she is, she's unique. She's — a mystery. She's the most beautiful mystery. … Let me tell you a story: when I had my civil partnership, nine years ago, in 2005, and Kate — we invited Kate, we didn't think she'd come but she came, she came with her husband Danny, and there were a lot of very famous people in that room, there were like 600 people — and all anybody wanted to meet was Kate Bush. I mean, musician, anybody — they couldn't believe Kate Bush was there. She's kind of an enigma.

When does the next Kate Bush come along, after Kate Bush? There hasn’t been one.
 * "Wuthering Heights" was not your normal type song — but that's why it was so brilliant. It was something out the norm. When something like that comes along, they don’t come along that often.

 * That record she did with Peter Gabriel saved my life. That record helped me get sober. So she played a big part in my actual downfall and kind of "rebirth'" as it were. That record helped me so much. I never told her that, but it did.
 * On Kate's duet with Peter Gabriel on the song "Don’t Give Up", on his album So (1986)

Song lyrics
All songs written by Elton John and Bernie Taupin, except where noted.

Singles

 * `Cause I live and breathe this Philadelphia freedom. From the day that I was born I've waved the flag. Philadelphia freedom took me knee-high to a man. Yeah gave me peace of mind my daddy never had. Oh Philadelphia freedom shine on me, I love you. Shine a light through the eyes of the ones left behind. Shine a light, shine a light Shine a light, won't you shine a light. Philadelphia freedom I love you, yes I do.
 * Philadelphia Freedom (1975)

 * Don't go breaking my heart. I couldn't if I tried. Honey if I get restless... Baby you're not that kind. Don't go breaking my heart. You take the weight off me. Honey when you knock on my door, I gave you my key.
 * Don't Go Breaking My Heart, duet with Kiki Dee (1976)

 * Goodbye England's rose, May you ever grow in our hearts. You were the grace that placed itself Where lives were torn apart. You called out to our country, And you whispered to those in pain. Now you belong to Heaven, And the stars spell out your name.  And it seems to me you lived your life Like a candle in the wind, Never fading with the sunset, When the rain set in.
 * Candle in the Wind 1997, written in tribute upon the death of Diana (1997)

Empty Sky (1969)

 * For this dark and lonely room Projects a shadow cast in gloom. And my eyes are mirrors Of the world outside. Thinking of the way That the wind can turn the tide. And these shadows turn From purple into grey.
 * Skyline Pigeon

Elton John (1970)

 * And you can tell everybody, this is your song. It may be quite simple but now that it's done, I hope you don't mind, I hope you don't mind That I put down in words How wonderful life is while you're in the world.
 * Your Song

 * Through a glass eye your throne Is the one danger zone. Take me to the pilot for control; Take me to the pilot of your soul.
 * Take Me to the Pilot

 * Holy Moses I have been deceived. Now the wind has changed direction and I'll have to leave. Won't you please excuse my frankness, but it's not my cup of tea. Holy Moses I have been deceived.
 * Border Song

Tumbleweed Connection (1970)

 * Now they've found me, At last they've found me. It's hard to run From a starving family. Now they've found me. Well I won't run; I'm tired of hearing There goes a well-known gun.
 * Ballad of a Well-Known Gun

 * In the quiet silent seconds I turned off the light switch And I came down to meet you in the half light the moon left. While a cluster of night jars sang some songs out of tune, A mantle of bright light shone down from a room.
 * Come Down in Time

 * You're the son of your father, Try a little bit harder. Do for me as he would do for you. With blood and water bricks and mortar, He built for you a home. You're the son of your father, So treat me as your own.
 * Son of Your Father

 * As soon as this is over we'll go home To plant the seeds of justice in our bones, To watch the children growing and see the women sewing. There'll be laughter when the bells of freedom ring.
 * My Father's Gun

 * So where to now St. Peter, If it's true I'm in your hands? I may not be a Christian, But I've done all one man can. I understand I'm on the road Where all that was is gone. So where to now St. Peter? Show me which road I'm on,br>Which road I'm on.
 * Where to Now St. Peter?

 * Lately I've been thinking how much I miss my lady. Amoreena's in the cornfield brightening the daybreak, Living like a lusty flower, running through the grass for hours, Rolling through the hay like a puppy child.
 * Amoreena

Madman Across the Water (1971)

 * Blue jean baby, L.A. lady, seamstress for the band. Pretty eyed, pirate smile, you'll marry a music man. Ballerina, you must have seen her dancing in the sand. And now she's in me, always with me, tiny dancer in my hand.
 * Tiny Dancer

 * But oh how it feels so real, Lying here with no one near. Only you and you can't hear me When I say softly, slowly. Hold me closer tiny dancer, Count the headlights on the highway. Lay me down in sheets of linen, You had a busy day today.
 * Tiny Dancer

 * He was born a pauper to a pawn on a Christmas day When the New York Times said God is dead And the war's begun.
 * Levon

 * And he shall be Levon, And he shall be a good man. And he shall be Levon, In tradition with the family plan. And he shall be Levon, And he shall be a good man. He shall be Levon.
 * Levon

Honky Château (1972)

 * They said get back honky cat, Better get back to the woods. Well I quit those days and my redneck ways. And oh the change is gonna do me good. You better get back honky cat, Living in the city ain't where it's at. It's like trying to find gold in a silver mine. It's like trying to drink whiskey from a bottle of wine.
 * Honky Cat

 * Yeah I'm gonna kill myself, Get a little headline news. I'd like to see what the papers say On the state of teenage blues.
 * I Think I'm Going to Kill Myself

 * And I think it's gonna be a long long time Till touch down brings me round again to find I'm not the man they think I am at home. Oh no no no I'm a rocket man.
 * Rocket Man

 * While Mona Lisas and Mad Hatters, Sons of bankers, sons of lawyers Turn around and say good morning to the night. For unless they see the sky, But they can't and that is why They know not if it's dark outside or light.
 * Mona Lisas and Mad Hatters

Don't Shoot Me I'm Only the Piano Player (1973)

 * Daniel is travelling tonight on a plane. I can see the red tail lights heading for Spain. Oh and I can see Daniel waving goodbye. God it looks like Daniel, must be the clouds in my eyes.
 * Daniel

 * Daniel my brother you are older than me. Do you still feel the pain of the scars that won't heal? Your eyes have died but you see more than I. Daniel you're a star in the face of the sky.
 * Daniel

 * It's a natural achievement, Conquering my homework With her image pounding in my brain. She's an inspiration For my graduation, And she helps to keep the classroom sane.
 * Teacher I Need You

 * Have mercy on the criminal Who is running from the law. Are you blind to the winds of change? Don't you hear him any more?
 * Have Mercy on the Criminal

 * I remember when rock was young, Me and Suzie had so much fun Holding hands and skimming stones. Had an old gold Chevy and a place of my own. But the biggest kick I ever got Was doing a thing called the Crocodile Rock. While the other kids were Rocking Round the Clock, We were hopping and bopping to the Crocodile Rock.
 * Crocodile Rock

 * Well Crocodile Rocking is something shocking, When your feet just can't keep still. I never knew me a better time and I guess I never will.
 * Crocodile Rock

Goodbye Yellow Brick Road (1973)

 * And love lies bleeding in my hand. Oh it kills me to think of you with another man. I was playing rock and roll and you were just a fan. But my guitar couldn't hold you, So I split the band. Love lies bleeding in my hands.
 * Love Lies Bleeding

 * And it seems to me you lived your life Like a candle in the wind, Never knowing who to cling to When the rain set in. And I would have liked to have known you, But I was just a kid. Your candle burned out long before Your legend ever did.
 * Candle in the Wind

 * We'll kill the fatted calf tonight, so stick around, You're gonna hear electric music, solid walls of sound.
 * Bennie and the Jets

 * Say, Candy and Ronnie, have you seen them yet? But they're so spaced out, Bennie and the Jets. Oh but they're weird and they're wonderful, Oh Bennie she's really keen. She's got electric boots, a mohair suit. You know I read it in a magazine. Bennie and the Jets.
 * Bennie and the Jets

 * When are you gonna come down? When are you going to land? I should have stayed on the farm, I should have listened to my old man.
 * Goodbye Yellow Brick Road

 * So goodbye yellow brick road, Where the dogs of society howl. You can't plant me in your penthouse, I'm going back to my plough.
 * Goodbye Yellow Brick Road

 * Don't give us none of your aggravation, We had it with your discipline. Saturday night's alright for fighting, Get a little action in.
 * Saturday Night's Alright for Fighting

Caribou (1974)

 * I'm a bitch, I'm a bitch, Oh the bitch is back, Stone cold sober as a matter of fact. I can bitch, I can bitch `Cause I'm better than you. It's the way that I move, The things that I do.
 * The Bitch Is Back

 * Don't let the sun go down on me. Although I search myself, it's always someone else I see. I'd just allow a fragment of your life to wander free. But losing everything is like the sun going down on me.
 * Don't Let the Sun Go Down on Me

Captain Fantastic and the Brown Dirt Cowboy (1975)

 * And someone saved my life tonight, sugar bear. You almost had your hooks in me, didn't you dear? You nearly had me roped and tied, Altar-bound, hypnotized. Sweet freedom whispered in my ear, You're a butterfly. And butterflies are free to fly, Fly away, high away, bye bye.
 * Someone Saved My Life Tonight

 * I never realised the passing hours of evening showers. A slip noose hanging in my darkest dreams, I'm strangled by your haunted social scene. Just a pawn out-played by a dominating queen. It's four o'clock in the morning, Damn it listen to me good. I'm sleeping with myself tonight, Saved in time, thank God my music's still alive.
 * Someone Saved My Life Tonight

Rock of the Westies (1975)

 * Island girl, What you wanting with the white man's world? Island girl, Black boy want you in his island world. He want to take you from the racket boss, He want to save you but the cause is lost.
 * Island Girl

 * And he said grow some funk of your own amigo, Grow some funk of your own. We no like to with the gringo fight, But there might be a death in Mexico tonight If you can't grow some funk of your own amigo.
 * Grow Some Funk of Your Own, written by Elton John, Bernie Taupin, and Davey Johnstone

Blue Moves (1976)

 * And you can cage the songbird, But you can't make her sing. And you can trap the free bird, But you'll have to clip her wings. `Cause she'll soar like a hawk when she flies, But she'll dive like an eagle when she dies.
 * Cage the Songbird, written by Elton John, Bernie Taupin, and Davey Johnstone

 * What have I got to do to make you love me? What have I got to do to make you care? What do I do when lightning strikes me And I wake to find that you're not there? What do I do to make you want me? What have I got to do to be heard? What do I say when it's all over? And sorry seems to be the hardest word.
 * Sorry Seems to Be the Hardest Word

21 at 33 (1980)

 * And I want you to be my acrobat, I want you to be my lover. Oh there were others who would treat you cruel, But oh Jeannie, I will always be your fool.
 * Little Jeannie, written by Elton John and Gary Osborne

Jump Up! (1982)

 * He must have been a gardener that cared a lot Who weeded out the tears and grew a good crop. But now it all looks strange, it's funny how one insect Can damage so much grain.
 * Empty Garden (Hey Hey Johnny), his song dedicated to John Lennon

 * And we are so amazed, we're crippled and we're dazed. A gardener like that one, no one can replace.  And I've been knocking, but no one answers. And I've been knocking most all the day. Oh, and I've been calling  Oh, "Hey, Hey, Johnny" "Can't you come out to play?"
 * Empty Garden (Hey Hey Johnny)

Too Low for Zero (1983)

 * Don't you know I'm still standing, better than I ever did? Looking like a true survivor, feeling like a little kid. I'm still standing after all this time Picking up the pieces of my life without you on my mind.
 * I'm Still Standing

 * Don't wish it away, Don't look at it like it's forever. Between you and me I could honestly say That things can only get better. And while I'm away, Dust out the demons inside. And it won't be long before you and me run To the place in our hearts where we hide.
 * I Guess That's Why They Call It the Blues, written by Elton John, Bernie Taupin, and Davey Johnstone

 * And I guess that's why they call it the blues. Time on my hands could be time spent with you, Laughing like children, living like lovers, Rolling like thunder under the covers. And I guess that's why they call it the blues.
 * I Guess That's Why They Call It the Blues

Breaking Hearts (1984)

 * Well they're breaking down doors in foreign countries, Everybody thinks somebody's hiding something. There's talk on the street and the nation is worried. But you can't talk back when you're dead, when you're dead and buried.
 * Restless

 * Turn them on, turn them on, Turn on those sad songs. When all hope is gone, Why don't you tune in and turn them on? They reach into your room, Just feel their gentle touch. When all hope is gone, Sad songs say so much.
 * Sad Songs (Say So Much)

Ice on Fire (1985)

 * Hey Nikita is it cold In your little corner of the world? You could roll around the globe And never find a warmer soul to know. Oh I saw you by the wall, Ten of your tin soldiers in a row. With eyes that looked like ice on fire, The human heart a captive in the snow.
 * Nikita

Reg Strikes Back (1988)

 * I used to think that New York City Fell from grace with God. And innocence abroad Waged a war for the underdog. When the snow falls And Central Park looks like a Christmas card, I just looked beyond the bagman And the madness that makes this city hard.
 * Mona Lisas and Mad Hatters

 * `Cause I don't wanna go on with you like that, Don't wanna be a feather in your cap. I just wanna tell you honey I ain't mad, But I don't wanna go on with you like that.
 * I Don't Wanna Go on with You Like That

Sleeping with the Past (1989)

 * And reach out for her healing hands, Reach out for her healing hands. There's a light, where the darkness ends. Touch me now and let me see again, Rock me now in your gentle healing hands.
 * Healing Hands

 * And it's no sacrifice, Just a simple word. It's two hearts living In two separate worlds. But it's no sacrifice. No sacrifice. It's no sacrifice at all.
 * Sacrifice

The One (1992)

 * And I won't break and I won't bend, But someday soon we'll sail away To innocence and the bitter end. And I won't break and I won't bend, And with the last breath we ever take We're gonna get back to the simple life again.
 * Simple Life

 * In the instant that you love someone, In the second that the hammer hits, Reality runs up your spine, And the pieces finally fit.
 * The One

 * For each man in his time is Cain Until he walks along the beach And sees his future in the water, A long lost heart within his reach.
 * The One

 * `Cause I never thought I'd lose. I only thought I'd win. I never dreamed I'd feel This fire beneath my skin. I can't believe you love me. I never thought you'd come. I guess I misjudged love Between a father and his son.
 * The Last Song

 * Things we never said come together, The hidden truth no longer haunting me. Tonight we touched on the things that were never spoken, That kind of understanding sets me free.
 * The Last Song

Made in England (1995)

 * I believe in love, it's all we got. Love has no boundaries, no borders to cross. Love is simple, hate breeds. Those who think difference is the child of disease. Father and son make love and guns, Families together kill someone. Without love, I believe in love.
 * Believe

The Big Picture (1997)

 * There was a time, I was everything and nothing all in one. When you found me, I was feeling like a cloud across the sun.
 * Something About the Way You Look Tonight

 * Spare your heart, save your soul. Don't drag your love across the coals. Find your feet and your fortune can be told. Release, relax, let go, And hey now let's recover your soul.
 * Recover Your Soul

Songs from the West Coast (2001)

 * A dream will fly The moment that you open up your eyes. A dream is just a riddle, Ghosts from every corner of your life.
 * Original Sin

 * You may not believe it, But I don't believe in miracles anymore. And when I think about it, I don't believe I ever did for sure. All the things I've said in songs, All the purple prose you bought from me. Reality's just black and white. The sentimental things I'd write Never meant that much to me.
 * This Train Don't Stop There Anymore

The Captain & the Kid (2006)

 * And every one of us has to face that day; Do you cross the bridge or do you fade away? And every one of us that ever came to play Has to cross the bridge or fade away.
 * The Bridge

Quotes about Elton John

 * I have been a Pariah in academia but to all those who sought my destruction I always had one answer: "I'm Still Standing." The hymn from Sir Elton John is the best description of how I feel about my survival and triumph over a system that should not be called part of the Humanities since it is hardly humane in its treatment of difference. I have also found deplorable the treatment of students in academia. My former students are the people I miss the most about teaching. But, as one of my former students told me once and I have found it to be true: "You will always have students." So we bring this compendium to you: the totality of a life of poetry. May you feel an embrace from me as you read them. To everyone who reads these pages: I'm Still Standing! Yeah, Yeah, Yeah!
 * Luz María Umpierre I'm Still Standing: Treinta años de poesía/Thirty Years of Poetry (2011)

title: Elton John


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Max Perutz

Max Ferdinand Perutz (19 May 1914 – 6 February 2002) was an Austrian-born British molecular biologist, who shared the 1962 Nobel Prize for Chemistry with John Kendrew, for their studies of the structures of haemoglobin and myoglobin. He went on to win the Royal Medal of the Royal Society in 1971 and the Copley Medal in 1979. At Cambridge he founded and chaired (1962–79) The Medical Research Council (MRC) Laboratory of Molecular Biology (LMB), fourteen of whose scientists have won Nobel Prizes.

Quotes

 * Could the search for ultimate truth really have revealed so hideous and visceral looking an object?
 * The Hemoglobin Molecule, Scientific American, 211, 65-76, November 1964. This comment refers to the appeareace of the low resolution structure of hemoglobin, which Perutz was instrumental in elucidating in a heroic effort that spanned 1937 to 1959. In the course of this work, Perutz and his co-workers developed many of the techniques that are used to this day to determine the three-dimensional structures of macromolecules.

title: Max Perutz


text:
Wikiquote:Votes for deletion archive/Sebastian Kwiatkowski

 * The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review).  No further edits should be made to this page.

The result was: delete. — LrdChaos 13:09, 13 July 2006 (UTC)

Sebastian Kwiatkowski
Likely a vanity page for an apparently non-notable person. Google doesn't return any pages that indicate notability. Koweja 12:52, 29 June 2006 (UTC)
 * Vote closed. Result: delete (five explicit votes to delete, one implicit vote to delete, no dissent). —LrdChaos 13:09, 13 July 2006 (UTC)

 * Delete. Vanity page for a non-notable person. No relevant Google results and no Wikipedia page. —LrdChaos 14:39, 29 June 2006 (UTC)
 * Delete unless creator wants this moved to his user page. I've posted a vanity-warn to suggest this. ~ Jeff Q (talk) 17:44, 29 June 2006 (UTC)
 * Delete. - InvisibleSun 16:03, 30 June 2006 (UTC)
 * Delete. 121a0012 02:54, 1 July 2006 (UTC)
 * Delete. ~ UDScott 13:00, 9 July 2006 (UTC)

 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.


text:
User talk:H0rny b0y

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 13:48, 13 July 2006 (UTC)
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User talk:Artery~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 13:48, 13 July 2006 (UTC)
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Artery. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Artery~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:18, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:42, 19 April 2015 (UTC)

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User talk:Keden

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 13:48, 13 July 2006 (UTC)
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User talk:Gribskov

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 13:48, 13 July 2006 (UTC)
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title: User talk:Gribskov


text:
User talk:Davemoylan

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 13:48, 13 July 2006 (UTC)
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title: User talk:Davemoylan


text:
User talk:Bega8610

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 13:48, 13 July 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
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title: User talk:Bega8610


text:
Studio 60 on the Sunset Strip

Studio 60 on the Sunset Strip (2006–2007) is an NBC television series, created by Aaron Sorkin, that offers a behind-the-scenes look at a fictional sketch-comedy TV show.

Pilot [1.01]

 * Wes: Ah, this is not going to be a very good show tonight. And I think you should change the channel. Change the channel, go on, right now... or better yet, turn off the TV, okay? No, I know it seems like this is supposed to be funny, but tomorrow you’re gonna find out that it wasn’t and by that time I’ll have been fired. No, this is… this is not… this is not a sketch. This show used to be cutting edge political and social satire, but it’s gotten lobotomized by a candy-ass broadcast network hell-bent on doing nothing that might challenge their audience. We’re about to do a sketch that you’ve seen already about 500 times. Yeah, no one’s gonna confuse George Bush with George Plimpton. Yeah, we get it. We’re all being lobotomized by this country’s most influential industry that’s just throwing in the towel on any endeavor to do anything that doesn’t include the courting of 12 year old boys. And not even the smart 12 year olds. The stupid ones. The idiots. Which there are plenty, thanks in no small measure to this network, so why don’t you just change the channel? Turn off your TVs, do it right now, go ahead.... A struggle between art and commerce. Well, there’s always been a struggle between art and commerce. And now I’m telling you art is getting its ass kicked. And it’s making us mean, and it’s making us bitchy. It’s making us cheap punks. That’s not who we are! People are having contests to see how much they can be like Donald Trump?... We’re eating worms for money. Who wants to screw my sister? Guys are getting killed in a war that’s got theme music and a logo? That remote in your hand is a crack pipe. [monitors] Oh yeah, every once in a while we pretend to be appalled.... Pornographers! It’s not even good pornography. They’re just this side of snuff films. And friends, that’s what’s next because that’s all that’s left. And the two things that make them scared gutless are the FCC and every psycho religious cult that gets positively horny at the very mention of a boycott. These are the people they’re afraid of – this prissy, feckless, off-the-charts, greed-filled whorehouse of a network. And you’re watching this thoroughly unpatriotic Mother-
 * Cal: Go to VTR, now!

 * Harriet: You know what, rook? When you start making a contribution to this show, you can talk to me any way you want. But you had two lines tonight and you stepped on one of them. So until you either accept Jesus Christ as your personal savior or make somebody laugh, why don’t you talk to somebody else?

 * [Matt and Danny have been offered the job of leading the show.]
 * Matt: Are you people using the confidential information that Danny failed a drug test to force him into taking over Studio 60 to deflect attention from what happened on the air tonight?
 * Jack: He failed a drug test?
 * Jordan: Yeah, actually Matt, I was the only one who knew about that. Should have trusted me a little, Danny.
 * Matt: [to Danny] Sorry about that, that one was all me.
 * Danny: Yeah.
 * Matt: [turning to everyone] Ironically, I'm the one who's high as a paper kite right now. But legitimately. I had back surgery on Tuesday. L-5/S-1, if that means anything to you. Stop talking now? You bet.

 * Danny: I have no reason to trust you and every reason not to.
 * Jordan: Why?
 * Danny: You work in television.

 * Jack: [to Jordan] You saw how fast I fired Wes Mendell? Screw this up and I'll fire you faster. I'm not like every other heterosexual man in show business, Jordan. I don't find you charming. And you've earned the loyalty of absolutely no one. So you go ahead and take your first steps towards making us classy again. We've been waiting for you.

The Cold Open [1.02]

 * Reporter: Jordan, can you describe the reaction of NBS executives Friday night when Wes described the network as "a candy-assed network" and "a greed-filled whorehouse of a network"?
 * Jordan: Pleased and proud, as you can imagine. Until we realized he wasn't talking about Fox, he was talking about us.

 * [The press questions the team about Danny's drug history.]
 * Reporter: Jordan, did you know about this when you hired him?
 * Jordan: I can't remember, I was high at the time.

 * [Matt addresses his writing team.]
 * Matt: One of the things this show does is decide what's cool, and I've just decided it's no longer cool for grown men to dress as if they're in junior high school. We're going to act, dress, talk, write and behave professionally.
 * [Harriet bursts through the door.]
 * Harriet: You are an adolescent, oversexed, whore-monger with the sensitivity of a head of cabbage!
 * Matt: And all that will begin in just a few minutes.

 * [Jack approaches Jordan in the studio as the new show is about to air, quoting fictional newsman Lou Grant.]
 * Jack: You know what, Mary? You got spunk.
 * Jack & Jordan: I hate spunk.
 * Jack: They never lose, Jordan. They always win.
 * Jordan: And they might this time, but I'm not going down in the first round. And if the ratings go up, the sponsors who dropped out, we'll welcome them back in — at 120% of the cost of the original ad buy. We're going to be the first network to charge a coward fee.
 * Jack: [to himself] I hate spunk.
 * Jack: [to himself] I hate spunk.

 * The Cast: [singing to "I am the very model of a modern Major-General"]
 * We'll be the very model of a modern network TV show.
 * Each time that we walk into this august and famous studio
 * We're starting out from scratch after a run of 20 years, and so
 * We hope that you don't mind that our producer was caught doing blow.

 * Harriet: I got a laugh at the table read when I asked for the butter in the dinner sketch. I didn't get it at the dress. What did I do wrong?
 * Matt: That's one laugh out of thirty you're going to get tonight.
 * Harriet: What did I do wrong?
 * Matt: You asked for the laugh.
 * Harriet: What did I do at the table read?
 * Matt: You asked for the butter.

The Focus Group [1.03]

 * [Ron and Ricky enter Matt's office during a power outage.]
 * Ron: Matt...
 * Matt: Well, we need to find out why this is happening.
 * Ricky: Yep.
 * Matt: Electricity plays a pretty big role in what we're trying to do.

 * [Harriet, Simon, and Tom are arguing over the "News 60" material.]
 * Harriet: God loves me, and hates the both of you.
 * Simon: Prove it.
 * [The lights come back on all at once.]
 * Simon: Okay, seriously, I'm scared out of my mind.
 * Tom: Yeah. That was strange.
 * Harriet: Alright. Moving on...

 * [Matt worries about a focus-group report that criticizes the show's patriotism.]
 * Danny: They want to see you take fewer whacks at Bush, and it looks like they're getting their wish. So throw it out.
 * Matt: It's four years ago, all over again.
 * Danny: What did you think it was going to be?
 * Matt: Four years later. And by the way, I'd be happy to take shots at the Democrats, too, if only one of them would say or do something!

 * [At the power goes out again, Cal reports to Danny.]
 * Danny: Are they fixing it?
 * Cal: In a manner of speaking, yeah.
 * Danny: What does that mean?
 * Cal: They don't know how to fix it.

 * [Danny is sitting on Matt's chest after a struggle on the beach.]
 * Matt: Are people looking at us right now?
 * Danny: I think they are.
 * Matt: Well, could you punch me in the face or something, 'cause to a casual observer this appears a little homoerotic for my comfort.
 * Danny: I definitely hear you on that.

The West Coast Delay [1.04]

 * Harriet: You know, where I grew up, if this had happened, there'd be a town meeting, and everybody'd be there. And the guy would have to sit and listen while Reverend Tillinghouse gave a sermon on honesty and character.
 * Simon: That's exactly what would happen where I grew up, except we'd've driven by the guy's house and shot him with a GAT-9.
 * Harriet: See, there's more that unites us than divides us.

 * Danny: Things happen around here. People blowing smoke out of their office windows at night?!
 * Jordan: Tell me no one is getting high in this building, Danny.
 * Danny: You're shocked that drugs are a part of late night comedy? The Coneheads, Toonces the Driving Cat? You think Belushi and Farley died of Lou Gehrig's disease?
 * Jordan: Tell me it's not happening here.
 * Danny: It's not happening here.

 * [Harriet gives Matt a gift — a baseball bat which a player had given to her.]
 * Matt: He wrote his phone number on here. You didn't see it?
 * Harriet: That's his phone number?
 * Matt: What did you think it was?
 * Harriet: I just thought it was his uniform number. You know, they sign their name, and then write the number…
 * Matt: Yeah, they do… do that. You thought his uniform number was 3 billion, 106 million, 786 thousand, 5 hun— he was asking you out.

 * Ron: The guy hadn't gotten anything on the air in a long time and was scared for his job. We talked to him and in no uncertain terms, he screwed up huge and he knows it. But I'm not gonna end his career over it. Cause I know how he feels. That's why we misled you and told you it was written by the room. People aren't even going for funny anymore, Matt. They're just trying for your respect. Anyway, we told Danny. We'll step down if you want, but we're not giving him up.
 * Matt: Well, now you've got my respect.

 * Harriet: Look skipper, if I wanted to make you jealous trust me you'd be jealous.
 * Matt: I am jealous!
 * Harriet: Well then, bonus for me.

The Long Lead Story [1.05]

 * Tom: [to rehearsal audience] Danny Tripp has just gone upstairs to Matt Albie's office, where the two of them will very quickly decide what makes it into the show tonight. We call this "the Friday-night slaughter". This is where you find out if you have the chance to be the next Bill Murray, or the next Domino's Pizza delivery guy.

 * Harriet: Well, everyone here's a big fan of yours, Martha.
 * Martha: Really? How would I be referred to in your parents' house?
 * Harriet: The Devil's whore from Washington.
 * Martha: Yeah... I'm really the Devil's whore from Bethesda.

 * Martha: Sting is in the building right now?
 * Harriet: He's on stage.
 * Martha: Sting is upstairs, playing a lute.
 * Harriet: You want to go watch?
 * Martha: Harriet, you're interesting but... get out of my way!

 * Harriet: It's a beautiful instrument.
 * Martha: Sting? Or the lute?

 * Matt: What are you writing about, Martha?
 * Martha: I don't know yet. I know that half this country hates the other half, and I know that, for 90 minutes a week, you and Harriet come together.

The Wrap Party [1.06]

 * [In the studio, a tipsy Jordan explains to Cal that she's avoiding her boss, Jack.]
 * Jordan: So, I'm hiding here tonight. This is like, for me, Superman's Dome of Pleasure.
 * Cal: Fortress of Solitude?
 * Jordan: Yes!
 * Cal: Well, enjoy yourself.
 * Jordan: I believe I will!

 * Jeannie: How do you feel about Darren?
 * Harriet: I'm crazy about him, and I'll tell you why.
 * Jeannie: He's a professional athlete and has the body of one?
 * Harriet: No. It's because he's the anti-Matt. Darren is the anti-Matt! He's not snide, he's not smug, he's not superior — he goes to church! — he works with his hands…
 * Jeannie: Well, he's not a rancher. He's a middle-reliever for the Los Angeles Dodgers.
 * Harriet: I'm saying he is, by and large, unburdened by….what?
 * Jeannie: Thought?
 * Harriet: He thinks.
 * Jeannie: About what?
 * Harriet: I'm looking forward to discovering that tonight.

 * [Tom is dismayed about his parents' imminent visit to the studio.]
 * Tom: I'm gonna show them around the studio, and when we say goodnight, I swear to God, my father's gonna ask me if I need any money, and it is going to take everything I've got not to point out to him I could buy his house four times and turn it into my ping-pong room.
 * Simon: I would resist that urge.

 * [After the show, Danny is trying to deflect annoyed host Lauren Graham when Matt enters the office.]
 * Lauren Graham: Why did you cut my sketch?
 * Matt: It wasn't funny.
 * Lauren Graham: I thought it was funny.
 * Matt: I thought the writing was funny, but that you weren't very good.
 * Lauren Graham: Really? 'Cause I thought the writing was one unbearably long set up for a jingle.
 * Matt: And that's why I cut the sketch. You were in a number of wonderful sketches tonight, including a hilarious send-up of your character on Calico Gals.
 * Lauren Graham: Gilmore Girls.
 * Danny: I wrote it down for you!

 * Jack: You see it as part of your job to screw with my company, don't you?
 * Danny: No! I do not. That's just one of the perks.

Nevada Day, Part 1 [1.07]

 * Matt: Half the shows in prime time start with two strippers getting choked to death after a lap dance, and that's fine with me but if it's also fine with Jesus then I don't see the need to tiptoe around his name.

 * Matt: It's one thing to be asked to respect someone else's religion, it's another to be asked to respect their taboos. In my religion it's disrespectful to God not to keep your head covered. You don't see me insisting that the cast of CSI:Miami wear yarmulkas.
 * Danny: That'd be an unusual creative direction for CSI:Miami.

 * Jack: [about Jordan] She delights in tweaking the religious community every bit as much as Matt does…
 * Danny: That is not true. No one delights in tweaking the religious community nearly as much as Matt does.

 * Harriet: [about an interview] I said the Bible says it's a sin. It also says judge not lest ye be judged, and that it was something for smarter people than me to decide.
 * Matt: "Ye" is a word you don't hear a lot.
 * Harriet: How do you manage to see every piece of my press?
 * Matt: We have a press department, I get a daily press packet. They highlight what they want me to see - this one got a highlight, an arrow and a sticker!
 * Harriet: Well, as I said, they left out the second sentence.
 * Matt: Yeah, can I ask you something? Does your ass hurt from straddling the fence like that all the time?

 * Harriet: I don't even know what the sides are in the culture war.
 * Matt: Well, your side hates my side because you think we think you're stupid, and my side hates your side because we think you're stupid.

Nevada Day, Part 2 [1.08]

 * [Jordan tries to get Harriet to cancel upcoming concerts for Women United.]
 * Harriet: Young girls attend these events. They admire me. I'm in a position to show them that Christianity has a nicer voice than Ann Coulter's.
 * Jordan: Carol Channing has a nicer voice than Ann Coulter's.

 * Jordan: [answering her cell phone] Hello?
 * Danny: Danny.
 * Jordan: Danny who?
 * Danny: Danny Tripp!
 * Jordan: I know. I was just being dry. Why don't people ever get that?
 * Danny: Well, for one thing—
 * Jordan: And then I was being rhetorical!

 * Darius: Can I ask you something?
 * Lucy: Yes.
 * Darius: Sometimes I hear people call another people "sir". There doesn't seem to be a pattern as to when and who, and I don't wanna be impolite, but I don't wanna look like an idiot either, so... who gets called "sir"?
 * Lucy: I'm working on a sketch right now.
 * Darius: OK.
 * Lucy: There are no rules to it. It'll come naturally, like calling a conductor "maestro" when he is in the vicinity of the podium. You know, we get to Friday night, the more we hear Matt and Danny called "sir". Cal, too, department heads, anybody who deserves it. It's not a big deal.
 * Darius: Ok. [pause] Is this is a "white people" thing or what?
 * Lucy: I'm not white, Darius, I'm English.
 * Darius: [laughs] Put that line in the damn sketch.

 * Harriet: Shut up, you live off Mulholland, there are other streets in the country where marriage is still important.
 * Matt: It's important off of Mulholland too, but let me ask you something how is my marriage, your marriage, or anyone else's marriage even marginally affected by the gay couple two doors down from them also getting married, and if it does, how is that their problem?

 * Harriet: [to Matt] You know what? When George Michael does some guy in a bathroom, or Woody Allen marries his daughter, or a child molester gets an Oscar nomination, it doesn't really give Hollywood a lot of moral authority on sexual behavior.

The Option Period [1.09]

 * [Cal tears into Ricky and Ron about the just-ending show running 37 seconds short.]
 * Cal: Danny had to have Jessica Simpson fill. Nice girl, nice performer — don't want her to extemporize on our air. She had time to thank her pets, and then she asked us all to pray for peace in the Midwest.
 * Ron: [laughing] I'm sure she meant the Middle East.

 * [Matt runs through his own show criticisms with Danny.]
 * Danny: I'll tell ya, considering me and half the cast spend most of the day in Pahrump, Nevada, I thought it was a pretty good show.
 * Matt: Yeah?
 * Danny: I did.
 * Matt: Indiana? Illinois? Missouri? Are rebel forces gathering?
 * Danny: No.
 * Matt: Then why are we praying for peace in the Midwest?
 * Danny: Girl's nice to look at.
 * [Jordan arrives with some ironic congratulations.]
 * Jordan: I saw the end… and I think we should all take a moment to consider the suffering in Des Moines.
 * Jordan: I saw the end… and I think we should all take a moment to consider the suffering in Des Moines.

 * Harriet: People knock on closed doors in America! Were the two of you raised on a farm?!
 * Tom: I was.
 * Simon: I was raised over a heroin dealership.
 * Harriet: That's no excuse for bad manners.

 * Matt: I am psyched for this photo-shoot of yours.
 * Harriet: I want to commission a scientific study of how news travels in this building!
 * Matt: Hey, I'm not even sure there's such a thing as the Internet. It might just be Jeannie telling everyone stuff.

B-12 [1.10]

 * Danny: Did you read Martha O'Dell's column on Tuesday?
 * Suzanne: Yes.
 * Danny: Do you agree that it's terrible that she sourced an anonymous web-posting to support her point?
 * Suzanne: I liked the piece.
 * Danny: Never disagree with me.
 * Suzanne: It made me sick.

 * Danny: It took a lot of convincing, but Suzanne's agreed to be your assistant.
 * Matt: Yeah?
 * Suzanne: If you'll take me.
 * Matt: I'll take the hell out of you.
 * Suzanne: Is there a way you'd like me to dress?
 * Matt: Sure, but I have to wake up for school now.

 * [Matt once again jokingly reminds Danny that he can't have a B-12 shot if he's pregnant.]
 * Danny: You know, Chevy Chase woke up one day and just wasn't funny anymore.

 * Jordan: Don't let the nurse give me the shot! [Danny re-enters, having gone to fetch the nurse]
 * Danny/Jordan: You're/I'm Pregnant.

The Christmas Show [1.11]

 * [In a doctor's waiting room, Danny to Jordan from a magazine titled Expectant.]
 * Danny: If you were over 35, then what we gotta do is stick a needle about half a foot into your stomach, and get some fluid from your pre-natal girth.
 * Jordan: Why are you here?
 * Danny: Morale.
 * Jordan: I really don't need help.
 * Danny: Not now, but you will soon, 'cause this says you gonna have to make a journey of 1200 miles to bury your eggs in the warm mud.
 * Jordan: Danny....
 * Danny: Wait, that can't be you.
 * Jordan: (snickering) No.
 * Danny: It's an Alaskan King Crab that does that.

 * [In the examining room, Danny snipes about the father of Jordan's baby.]
 * Jordan: This is the time for a lecture?
 * Danny: No, that was about twelve weeks ago. By the way, did you and the last honest man on the planet get loaded on Jägermeister and forgot that there's like five hundred different kinds of birth control?

 * Doctor: Have you told anyone?
 * Jordan: Just my assistant, Kevin. That's it.
 * Doctor: And… Mr. Tripp?
 * Jordan: I had to tell him.
 * Danny: She wanted to.
 * Jordan: I was semi-conscious. I had to make sure he wasn't gonna force a B-12 injection on me.
 * Doctor: You've just described the beginning of every great love story.

 * Jack: You have to understand that pro-family groups support us in this time of war, just as long as they don't have to see of hear what fighting a war looks or sounds like.

 * [Matt plops down a tiny mounted pine on the writers' conference table.]
 * Andy: What are you, Linus?
 * Matt: Yes. Yes I am. I carry with me the true meaning of Christmas.
 * Darius: You carry with you a dead Christmas tree.
 * Matt: All Christmas trees are dead,they've been cut down.

 * Danny: I've been married twice before, and I'm a recovering cocaine addict, and I know that's no woman's dream of a man — or of a father. Nonetheless, I believe I'm falling in love with you. If you wanna run I understand. But you better get a good head start, 'cause I'm coming for you, Jordan.
 * [A squirrel-cheeked Jordan stares at him, speechless.]
 * Danny: You should go ahead and chew that sandwich now.

Monday [1.12]

 * Jack: Ted, believe me, I wish this was a fight for ethics. I wish this was a conversation about the integrity of the news. But it's not. It's about preventing ourselves from being a laughingstock.
 * Atkins: Well, I don't feel like a laughingstock.
 * Jack: That's only because you're a moron.
 * [pause]
 * Atkins: Wilson, you're backing up what he said?
 * Wilson: Yes - including and especially you being a moron.

 * Matt: Twelve hundred dollars I gotta give to abstinence people?
 * Suzanne: Twelve hundred and one.
 * Matt: Alright, do it, and can you find me some non-profit organization that fundamentally does the opposite of what these guys do, so I can donate an equal amount to them, and make it a wash?
 * Suzanne: That means an organization that encourages people to have sex?
 * Matt: It's L.A. You should be able to throw a rock and hit one.

The Harriet Dinner, Part 1 [1.13]

 * [Stuck on the roof with Danny, Jordan can't understand why he's so upset about Harriet's premature "funny voice" promo.]
 * Jordan: It's not the end of the world!
 * Danny: No, it's not. But it's a continuation of the one-sheet world.
 * Jordan: What's a one-sheet world?
 * Danny: You know, a movie poster, a one-sheet. "I think we'll do the Green Lantern — I can see the one-sheet now. Don't worry that we don't have a story — we're gonna make all our money before word-of-mouth can kill us, anyway." We elect Presidents the same way. "He's got a big name, he'll raise money, he'll get the nomination! We'll teach him how to be President later!"

 * Sam: Yeah, what's going on with Danny and Jordan?
 * Harriet: I don't know, we should talk about it a little closer to the microphones.

The Harriet Dinner, Part 2 [1.14]

 * Jordan: You've never been rejected by a woman before?
 * Danny: Not this many times by the same woman in one night.

 * Danny: I've been locked up on a roof with a deadly viper in my studio, and it's been the best night of my life, because I was with you. I wasn't going to lose interest in four months.

 * Zhang Tao: Oh, her mother will take care of that.
 * Jack: You speak English?
 * Zhang Tao: I speak a few words.
 * Jack: How many words?
 * Zhang Tao: All of them.
 * Jack: Why do you pretend you can't speak English?
 * Zhang Tao: It's fun.
 * Jack: It's fun?! [pause] Yeah. Guess it would be.

 * Bevo: The snake’s blocking the exit. That’s why the coyote won’t come back. He’s afraid of the snake.
 * Cal: And the ferret?
 * Bevo: He’s afraid of the coyote.
 * Cal: I tell you, man, this lacks the feel of professionalism!

The Friday Night Slaughter [1.15]

 * Jordan: (on the phone with Danny) Hi, this is Jordan McDeere. I'm the President of NBS west coast entertainment.
 * Danny: Yes ma'am.
 * Jordan: I'm concerned that not enough of your cameras are aimed at her chest.
 * Danny: Well, I got all four of them working. But this is just dress. If you want I can bring in some IMAX equipment tonight.
 * Jordan: This is what you like, huh?
 * Danny: Me? Uh...no, and I'll tell you why. Because she's TOO sexy.
 * Jordan: My hormones are like a Los Alamos experiment right now.
 * Danny: What does that mean?
 * Jordan: Get the cameras off her chest!!

 * Matt: I went down there to pitch her a sketch about a Christian Radio Host, and it turns out, she's a Christian.
 * Luke: I'm a Christian.
 * Matt: Yeah, but she's like...ya know...a member!
 * Luke: Really?
 * Matt: What were the odds of that? I'd say the last two places I'd expect to find a member of the Christian right are the corridors of Studio 60 and a synagogue.
 * Luke: Did you offend her?
 * Matt: I couldn't have offended her more if I re-crucified her savior, it was stunning!

 * Tom: It's gotta be soon, right?
 * Dylan: Yeah
 * Tom: I'm feeling the good vibe
 * Dylan: Yeah
 * Tom: I'll tell you this, if it doesn't make it to air, it sure wasn't your fault
 * Dylan: It sure wasn't your fault
 * Tom: You owned it
 * Dylan: You owned it
 * Tom: You got a receipt for it my man.
 * Dylan: You're Tom Jeter. No more need to be said.
 * Tom: You could've picked up the pace a little
 * Dylan: Yeah. Maybe a little less mugging from you.
 * Tom:(forcefully) No. No. This is what they want. To turn us against each other.
 * Dylan: You never mug man.
 * Tom: Your pacing is genius.
 * (Tom sees Andy approaching)
 * Tom: Here comes Andy. He'll make us feel better.
 * (They both start walking towards Andy)
 * Tom: Hey Andy!
 * (Andy gives them a nod of recognition as they approach him)
 * Andy: You graceless homicidal bastards.  I think if you go check the stage you'll find jokes lying on the floor where you left them to die.
 * Tom: (pointing to Dylan) It was his pacing.
 * Andy: Should someone have indicated to you on a map where Canada was?  Because your Canadian accent...
 * Tom: Too much?
 * Andy: It was Mexican.
 * Tom: This is the longest they've ever taken to decide.
 * Andy: In the old days, if your sketch didn't make it on the air, they used to send you downstairs naked, to sell lemon drinks shrouded only in your failure.  And you'd have to explain to the patrons why you weren't good enough.
 * Dylan: There used to be a naked lemon drink salesman?
 * Tom: Yeah.
 * Andy: That's right!

4 AM Miracle [1.16]

 * [Jordan shows Danny her "practice" Real Care Baby.]
 * Jordan: It just told me I'd stuffed it in a Prada bag!
 * Danny: The real baby's gonna do that, too.
 * Jordan: Yeah, but now I know not to… you know…
 * Danny: Stuff the baby in a bag?
 * Jordan: Yeah!
 * Danny: You knew that before!
 * Jordan: Now I can practice comforting.
 * Danny: You turned it off with a remote.
 * Danny: I know you're nervous, and… God understands that. So he made the first year an on-ramp. Okay? You're not up to full speed, you're just merging with other traffic.
 * Jordan: You know how many times I've busted my car merging with other traffic?
 * Danny: Alright, you don't… drive… the baby. Ever.
 * Danny: Alright, you don't… drive… the baby. Ever.

 * [Danny is horrified at the results of Cal and Tom's test of a prop guillotine with the practice baby.]
 * Cal: They're supposed to be indestructible.
 * Danny: Yeah, they are, unless you drop an 80-pound hydraulic axe on their head.
 * Danny: … it's Jordan's, and she bet me that I couldn't keep it alive, and I was doing fine until Sacco and Vanzetti decided to CHOP THE BABY'S HEAD OFF!
 * Danny: … it's Jordan's, and she bet me that I couldn't keep it alive, and I was doing fine until Sacco and Vanzetti decided to CHOP THE BABY'S HEAD OFF!

The Disaster Show [1.17]

 * Cal: We can't air the dress tonight.
 * Jack: Why not?
 * Cal: We record the signal in RGB, we were missing the B.
 * Jack: You didn't record the color blue at the dress!?

 * Cal: (referencing the teenagers who'd just called in a fake threat to the building)Can we determine if there actually is a bomb in the building?
 * Jack: I trust them, but just in case why don't we handcuff them to the building overnight.

 * Robbie: (About the bomb threat) Why wasn't it on the news?
 * Jack: It's Friday night!
 * Robbie: Aren't bomb threats a big deal?
 * Jack: You'd think so, wouldn't you?

Breaking News [1.18]

 * (Danny has just learned that Matt has been taking pills to get high)
 * Danny: Where are they?
 * (Matt surrenders a bottle of pills)
 * Danny: What the hell are these?
 * Matt: Flintstones Vitamins.
 * Danny: These are Flintstones Vitamins.
 * Matt: Yeah. I like the Bam-Bams. You got a problem with that?

K & R Part I [1.19]

 * Matt: Isn't it possible that Mary got pregnant by another man, and Joseph stepped up so his wife wouldn't get stoned to death by the village?
 * Harriet: No.
 * Matt: It's more likely that an angel inseminated her, and she gave birth to a magical wizard who could rise from the dead?
 * Harriet: He's not David Copperfield!

 * Matt: Science isn't something you believe in, science has to be proven, or they don't get to call it science
 * Harriet: Wouldn't it be great if you knew something about Christians, before you start...
 * Matt: It's a fairy tale!
 * Harriet: No, it's not
 * Matt: We've been having this fight for six months!
 * Harriet: We've been having this fight for two years!
 * Matt: We have been having this fight in two different millennia, now!

K & R Part II [1.20]

 * Matt: 15 minutes goes by without me hearing from you, I'm driving over there with a police escort.
 * Danny: Where're you getting a police escort from?
 * Matt: I will commit a crime and lead them on a high speed chase if I have to; I am not kidding around!

 * Tom: The doctor’s giving my mother a sedative called Atrividium
 * Captain Boyle: Yeah.
 * Tom: My father’s taking shots of a sedative called Johnny Walker Red.

 * Harriet: You're engaged?
 * Danny: Yeah
 * Harriet: And there's a baby?
 * Danny: Yeah
 * Harriet: Because like an hour ago none of this was true.
 * Danny: Yeah, things are moving fast tonight.

K & R Part III [1.21]

 * Matt: You know, I remember a few days after the mega phone thing at ground zero I was at the Writers' Guild and people were talking about what a seminal moment that was, and while people were talking about what a great leader he had become in that moment I was thinking, "Gee, what I saw was a guy getting an alley-oop pass from a heckler." A guy from off camera shouted, 'we can't hear you' and Bush shouted back, 'well I can hear you and soon the people that knocked these towers down will hear all of us.' Not a bad come back, but, it didn't strike me as a Saint Crispin's Day speech or anything.  But I didn't say anything because I was scared and I've been scared for 5 weeks and that's too long for a grown man.

 * Matt: How is it possible that at a time when the entire country is completely in line, including the two of us, that... how is it possible that people are so offended by a thoroughly benign sketch?! Is true patriotism really that fragile that it can be threatened by a late night comedy show?!

 * Danny: What are you doing?
 * Harriet: Cheering you up with a little Holly Hunter.
 * Danny: Yeah?
 * Harriet: It's what I'm here for.
 * Danny: How is it no one's ever hit you in the head with a potato?
 * Harriet: I duck and weave, baby.

What Kind of Day Has It Been [1.22]

 * Danny: Matthew, don't take this the wrong way, but I love you.
 * Matt: Okay.
 * Danny: Did you take it the wrong way?
 * Matt: I took it to mean you're gay and you want me.
 * Danny: Good.
 * Matt: I love you too, brother.

 * Harriet: You kept that from me?
 * Matt: When you're high, you keep it from everyone. (Harry hits him) Ow.
 * Harriet: Not me. Never me. I'm the one person.
 * Matt: Ok.
 * Harriet: I'm the one person, always.

 * Jack: Any chance you've calmed down?
 * Simon: I'm completely calm.
 * Jack: You'll read a statement of apology?
 * Simon: I said I was calm, Jack. I didn't say my spine had become detached from my brain.
 * Jack: I think your brain has become detached from your brain.

Cast

 * Matthew Perry (actor) — Matt Albie
 * Amanda Peet — Jordan McDeere
 * Bradley Whitford — Danny Tripp
 * Steven Weber — Jack Rudolph
 * D. L. Hughley — Simon Stiles
 * Sarah Paulson — Harriet Hayes
 * Nathan Corddry — Tom Jeter
 * Timothy Busfield — Cal Shanley
 * Nate Torrence — Dylan Killington
 * Ayda Field — Jeannie Whatley
 * Simon Helberg — Alex Dwyer
 * Diana-Maria Riva — Lilly Rodriguez
 * Camille Chen — Samantha Li
 * Merritt Wever — Suzanne
 * Lucy Davis — Lucy Kenwright
 * Columbus Short — Darius Hawthorne

title: Studio 60 on the Sunset Strip


text:
Ed Seykota

Ed Seykota (born 7 August 1946) is a U.S. investor.

Sourced
Markets
 * The markets are the same now as they were five or ten years ago because they keep changing-just like they did then.
 * Source: Koppel, Robert The Intuitive Trader: Developing Your Inner Trading Wisdom, John Wiley & Sons Inc (May 1996), ISBN 0471130478 Read it here

Short-Term Trading
 * The elements of good trading are cutting losses, cutting losses, and cutting losses.
 * Source: Jenks, Philip, (Editor) 500 of the Most Witty, Acerbic and Erudite Things Ever Said About Money, Harriman House (December 2002), ISBN 1897597223 Read it here

Outcomes
 * Win or lose, everybody gets what they want out of the market. Some people seem to like to lose, so they win by losing money.
 * Source: Schwager, Jack D. (Editor), Market Wizards, HarperCollins (1989), page 172, ISBN 0-88730-610-1, Read it here

 * I think that if people look deeply enough into their trading patterns, they find that, on balance, including all their goals, they are really getting what they want, even though they may not understand it or want to admit it.
 * Source: Schwager, Market Wizards, page 172, Read it here

Market Trends
 * The trend is your friend except at the end where it bends.
 * Source: Schwager, Jack D. Technical Analysis, Wiley; 1 edition (December 1995), ISBN 0471020516 Read it here

 * Charles Faulkner tells a story about Seykota's finely honed intuition when it comes to trading: I am reminded of an experience that Ed Seykota shared with a group. He said that when he looks at a market, that everyone else thinks has exhausted its up trend, that is often when he likes to get in.  When I asked him how he made this determination, he said he just puts the chart on the other side of the room and if it looked like it was going up, then he would buy it... Of course this trade was seen through the eyes of someone with deep insight into the market behavior.
 * Source: Covel, Michael W., Trend Following: How Great Traders Make Millions in Up or Down Markets, FT Press (2007), pages 172-173, ISBN 0-13-613718-0

Predicting the Future
 * If you want to know everything about the market, go to the beach. Push and pull your hands with the waves. Some are bigger waves, some are smaller. But if you try to push the wave out when it's coming in, it'll never happen. The market is always right.
 * Source: Harris, Sunny J. Trading 102: Getting Down to Business, Wiley; 1 edition (September 1998), ISBN 0471181331 Read it here

Trading
 * To avoid whipsaw losses, stop trading.
 * Source: Covel, Michael W., Trend Following: How Great Traders Make Millions in Up or Down Markets, FT Press (2007), page 59, ISBN 0-13-613718-0

 * Here's the essence of risk management: Risk no more than you can afford to lose, and also risk enough so that a win is meaningful. If there is no such amount, don't play.
 * Source: Covel, Trend Following, page 59

 * Pyramiding instructions appear on dollar bills. Add smaller and smaller amounts on the way up.  Keep your eye open at the top.
 * Source: Covel, Trend Following, page 55

 * Markets are fundamentally volatile. No way around it.  Your prolem is not in the math.  There is no math to get you out of having to experience uncertainty.
 * Source: Covel, Trend Following, page 59

 * It can be very expensive to try to convince the markets you are right.
 * Source: Covel, Trend Following, page 59

System Trading
 * Systems don't need to be changed. The trick is for a trader to develop a system with which he is compatible.
 * Source: Schwager, Jack D., Market Wizards, HarperCollins (1989), page 159, ISBN 0-88730-610-1

 * I don't think traders can follow rules for very long unless they reflect their own trading style. Eventually, a breaking point is reached and the trader has to quit or change, or find a new set of rules he can follow.  This seems to be part of the process of evolution and growth of a trader.
 * Source: Schwager, Market Wizards, page 166

Feelings
 * Our work is not so much to treat or to cure feelings, as to accept and celebrate them. This is a critical difference. Fundamentalists figure things out and anticipate change. Trend followers join the trend of the moment. Fundamentalists try to solve their feelings. Trend followers join their feelings and observe them evolve and dis-solve. The feelings we accept and enjoy rarely interfere with trading. Trying to treat or cure feelings adds mass.
 * Source: FAQ

 * When a feeling dissolves, it ceases to be your enemy and begins to be one of your allies.
 * Source: FAQ - Fri, 31 Oct 2003 Thought Processes

title: Ed Seykota


text:
Talk:Dr. Strangelove

I fear this is not the right place for this, so please excuse me if it is not. But I always wondered, what does "depending on the breaks" (as said by Gen. Turgidson in the dialogue about the post war scenario) mean ? Is it an idiom or something like that ?
 * The "breaks" are "the way things break" or "the way things go"... well, or not so well. A "break" is a random event, which may or may not be good, as in catching a good (or bad) break. Wahkeenah 00:00, 10 August 2006 (UTC)
 * Thank you very much. Wikipedia should do more in order to act as a language learning tool.

title: Talk:Dr. Strangelove


text:
User talk:71.1.232.187

Please stop adding nonsense to Wikiquote, as you did to Kurt Cobain. It is considered vandalism. If you would like to experiment, use the sandbox. —LrdChaos 15:15, 13 July 2006 (UTC)

title: User talk:71.1.232.187