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Smokin' Aces

Smokin' Aces is a 2006 film about a assassination contract that is put on Buddy "Aces" Israel's heart by a mob boss. Several hitmen compete to be the first to "smoke Aces" and retrieve his heart to claim the million dollar contract.

Buddy "Aces" Israel

 * What do you see right now? You see exactly and only what I choose to show you. That is illusion, Ivy. That is the lie that I tell your eyes. Makin' the magic happen in the moment, in that split second you can see past this motherfucker and find that's all bullshit. I can shape it, I can shift it, I can make it as real as this room. That is why I am valuable here Ivy, and that is why you are not. I am sorry. I love you. I never wanted it to be like this, you know that.

 * Hugo, you're looking at me like I just asked you the fucking square root of something. What did you say to Mecklen on the little motherfucking machine?!

 * Are you a colossal fucking idiot?

 * [mimicking Russian accent] A cinammon roll, the roll of the cinammon? That looks like a jizz. Yeah, Eastern European jizz. That looks like some fuckhead shot his load on a $12,000 calf skin jacket. The twist is it's my $12,000 calf skin jacket. Okay so you got the semen. You got the human ejaculate that has been allowed to sink in for seven hours alright, work its way into the fabric fucking fibers.

 * Hugo, there isn't a fucking laundry detergent or cleaning product known to man that will get that clean. Some shit, suffice it to say, just don't wash out.

 * Do I believe in loyalty?

[about his many prostitutes.]
 * These flowers have wilted. Call the florist.

 * And I say this from the bottom of my heart: retire.

 * We just gotta keep ourselves together. Stay with me. Stay with me man. Hugo, you with me? You with me baby?

 * We're almost home.

 * [last words] Forgive me.

Agent Messner

 * Oh, you're fucking sick, man. Hey and don't put it up against the water there. Don't even let it rub shoulders with it.

 * We're getting robbed here, man. Sixteen hours of staring at Sparraza's house and this guy's got hookers up there fist fighting.

 * Put that gun down or I'll fucking drain you.

 * You are going to tell me why no call was made to inform us that the Israel situation had been altered. Why I and my partner and friend, who's body is going into a furnace tomorrow, weren't fucking contacted.

 * Make it make sense.

 * Shitcan the cue card rhetoric and talk to me like a man.

Jack Dupree

 * So there it is. The bond on Buddy Israel expires in eighteen hours, after that it's jump ball.

 * For some fucking reason the wise guys love him. They think he's a mystic you know, something special.

 * How about the Tremor brothers? Three of them. Same skank mom, different deadbeat dads. They're used for that suicide style, kamikhaze shit. You heard about that dinner club in Cleveland, right? Well the Tremor brothers go rip shit riot on the whole fucking place. Seven dead, twenty-eight wounded. All to get this one fucking guy. Of course in the melee one of them gets shot in the neck passes out, the other gets blowback from a jammed piece is temporarily blinded, the last takes a bullet in the back, can't walk. These are speed freak, neo nazi assholes who read and recite Mein Kampf like it was mother goose, they're meaner than shit, they're dumber than hell. And these motherfuckers will go megaton at the drop of a hat.

 * Rip hand to god you've got nothing to worry about. Yeah, I've assembled a team. We're gonna go in and get this guy Israel and everyone is gonna leave the theater grinning.

Agent Carruthers

 * Why don't you talk a little louder, Steve? Just keep your fucking voice down.

 * Israel's awake. There was apparently a fight with some prostitutes, but he wasn't involved.

 * I'm gonna get to Israel before they do.

 * [While reaching for his gun] How long have you been working here?...Bill?

 * [Last words] Mortal. Mortal.

Georgia Sykes

 * You got the .50. What you trying to shoot a jumbo jet out the sky?

 * These two dudes are just lying in the elevator all shot up. What ever it was, it got way past words.

 * Man are these feds fake or for real, Sharice? Please Sharice?

 * [while in a standoff with an enraged Messner.] I didn't kill your man downstairs I found him like that. Whether you believe or not, man that shit ain't even important. We can either work this out and live or we can keep doin' the same shit we been doin'. Now I don't have any problem with you or your bureau so I think you should just roll off and just let us move on.

 * Faggot-ass redneck...

The Tremors

 * Darwin: Alright enough grab assin' goddamn it. Get them suits and the car, pitch those three poor fellows in the lake, and y'all find me over at the hotel.

 * [Before he is shot to death.] Darwin: I'm really sorry about all that. Shit gets, shit gets wild and crazy and fate just up and fucks ya' for no good reason. You know ha, ha. It's the way of the world the way it's always gonna be. Okay, alright then, peace bro'.

 * Darwin:[manipulating Jack Dupree's mouth] I forgive you Darwin.
 * Darwin: Shoot, I appreciate that man.
 * Dupree: If me and my brothers were in trouble with the law and we needed your car, we woulda done the same to you.
 * Darwin: You really mean that?
 * Dupree: Uh, hell yeah. We was just at the wrong place at the wrong time, so don't feel so bad, chief. You know up here in heaven it's beautiful. I'm gonna see you up here some day.
 * Darwin: You think so?
 * Dupree: I know so. [Darwin lifts Dupree's eyelids and manipulates his mouth making it look like he is smiling]

Hollis Elmore and "Pistol" Pete Deeks

 * Pete: Would you please find your fangs, you fucking coward, and get with this.

 * Pete: Put the fucking rabbit down.

 * Pete: Well then, quit acting like someone took a shit in your cereal bowl. Reed payed us fifty grand.

 * Hollis: If this Israel really is the great white whale of snitches then why are we messing with the mob who are, correct me if I'm wrong, but I think they're gonna pour boxes of bullets inta' his ass. What incentive is there to track him on something as smalltime as a fucking skiptrace.

 * Hollis: No I'm gonna go to Kentucky and take Fort Knox with a sling shot then I'm gonna go into hell after Hitler.

 * Hollis: You're investigating those murders out at the lake? Three men were ambushed and shot, two died and had their bodies dumped in the lake. The other has severe hypothermia, possible dementia, and will likely be a multiple amputee by weeks end if he even fucking lives that long.[[Referring to Darwin what he just did to him.]

 * Hollis: [Before killing Darwin] Fuck this.

Pasquale Acosta

 * Yes it is, it's filling up your lungs right now. In a moment you are going to asphyxiate, pass out, but you shouldn't be feeling any pain right now.

 * Close your eyes, close your eyes. Don't make this face the last thing you'll ever see, because heaven may hold it against you.

Stanley Locke

 * A million-dollar hit could draw some huge flies, and Acosta is pure mercenary. He is known for taking on serious contracts and he certainly is not alone.

 * You must understand that if an attempt is made on his life, it will be made by those of the strictest professional caliber. And they are immoral, ruthless, and without restraint. And they must not succeed.

 * Will you take that gun out of my spine or engage the safety please?

 * Okay if you like I can take your verbal resignation right here, right now. Do you want to end your career here, Agent Messner. Your call. I understand your feelings right now and I truly am sorry, but we have an obligation that are authorized to abide by regardless of our personal feelings. But now it's time for you to get on jet back to D.C. and make no further inquiry into this matter. Is that understood Agent Messner? Are we clear Agent Messner?

Cast

 * Buddy "Aces" Israel — Jeremy Piven
 * Agent Messner — Ryan Reynolds
 * Jack Dupree — Ben Affleck
 * Agent Carruthers — Ray Liotta
 * Lazlo Soot — Tommy Flanagan
 * Georgia Sykes — Alicia Keys
 * Sharice Watters — Taraji P. Henson
 * Darwin Tremor — Chris Pine
 * Lester Tremor — Maury Sterling
 * Jeeves Tremor — Kevin Durand
 * "Pistol" Pete Deeks — Peter Berg
 * Hollis Elmore — Martin Henderson
 * Pasquale Acosta — Nestor Carbonell
 * FBI Deputy Director Stanley Locke — Andy Garcia
 * Primo Sparazza — Joseph Ruskin
 * Sir Ivy — Common
 * Rip Reed — Jason Bateman

title: Smokin' Aces


text:
User talk:Ldmacrae

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  16:59, 19 February 2007 (UTC)
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User talk:Zeeshaann,afridi

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  17:00, 19 February 2007 (UTC)
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User talk:Royal9

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  17:00, 19 February 2007 (UTC)
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User talk:Le Haut Roi~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  17:04, 19 February 2007 (UTC)
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Le Haut Roi. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Le Haut Roi~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:27, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:51, 19 April 2015 (UTC)

title: User talk:Le Haut Roi~enwikiquote


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User:Majorly

Majorly @ Meta

title: User:Majorly


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User talk:Cbrown1023/archive1

Welcome
Hi. Welcome to English Wikiquote. Enjoy! ~ Jeff Q (talk) 01:20, 7 August 2006 (UTC)
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title: User talk:Cbrown1023/archive1


text: User talk:Cbrown1023/Archives

title: User talk:Cbrown1023/Archives


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User talk:89.19.89.21

~ UDScott 18:14, 19 February 2007 (UTC)

title: User talk:89.19.89.21


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User:Stuart Morrow

My contributions.

Me on Wikipedia.

title: User:Stuart Morrow


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User talk:Stuart Morrow

Hi. Welcome to English Wikiquote. Enjoy! -- JaxlTalk 19:11, 19 February 2007 (UTC)
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title: User talk:Stuart Morrow


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User:Maartenvdbent~enwikiquote

w:en:User:Maartenvdbent w:nl:Gebruiker:Maartenvdbent

title: User:Maartenvdbent~enwikiquote


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User talk:Maartenvdbent~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  19:25, 19 February 2007 (UTC)
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Maartenvdbent. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Maartenvdbent~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:28, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:52, 19 April 2015 (UTC)

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User talk:SheWhoLovesPineapples

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  20:12, 19 February 2007 (UTC)
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Kodomo no Omocha

Kodocha: Sana's Stage, known in Japan as Kodomo no Omocha (こどものおもちゃ, Child's toy), is a manga written and drawn by Miho Obana, helped periodically by her sister, Kaori Obana, originally run from August 1994 till November 1998 in a Japanese monthly manga manazine for low teenage girls Ribon.

The entire story goes around the protagonist Sana, a Japanese young girl and child actress and her troublesome classmate boy Akito. In the beginning of the story they go to a elementary school, and in the course of the story, they enroll a middle school (junior high) as well as other friends. The story includes social topics, disorder in schools, divorce of parents and climes conducted by young generation.

The manga was adapted into an OVA and later into an anime series. The anime version consists of 102 TV episodes, which aired in Japan weekly from April 5, 1996 to March 27, 1998. The first 52 episodes deal with the elementary school story arc and the remaining 50 episodes deal with the middle school story arc.

Kodocha was published in the United States in English by TOKYOPOP as Kodocha: Sana's Stage, although as of 2006, it is out of print. The anime was licensed for North American distribution by FUNimation and currently airs as part of the FUNimation programming block on CoLours TV.

Dialogue

 * Sana: Why did you kiss me?
 * Akito: I don't hate you.
 * Sana: What? You kiss people you don't hate?
 * Akito: ...
 * Sana: Do you hate my dog?
 * Akito: No...
 * Sana: Come on! Give him a kiss!

 * Sana: Whose side are you on anyway Tsuyoshi. Your always sticking up for Hayama?
 * Tsuyoshi: WellI want to help fix the things I don't like about Akito because I like him.
 * Sana: That's so gay! (Knocks him over and keeps running)
 * Tsuyoshi: No it's not like that I love a girl... I love you Sana
 * Random Girl:What a time for a love confession.
 * Sana: Too bad I've already got a pimp.
 * Hisae: What? You mean you were not kidding?
 * Aya: That's not important what about Mami?

 * Sana: (thinking) It's strange - Akito comforts me more than anyone. When did this happen...?
 * Akito: Sana?
 * Sana: Hm?
 * Akito: You don't wear a bra yet?

 * Sana: What's that on his side?
 * Natsumi: A birthmark - a big mole. I think it's kind of weird.
 * Sana: I don't. I have three of them in a straight line. Like Orion's belt.
 * Natsumi: Oh, really? Can I see?
 * Sana: He he, no way! Embarrassing...
 * Akito: On your butt, eh?
 * Sana: HOW DO YOU KNOW THAT!?
 * Akito: I was right...?
 * Sana: Don't tell anyone, OK? Only my mom is supposed to know that!
 * Akito: Big deal. Like anyone cares.
 * Mr. Hayama: *pops out of nowhere* What's up, kids?
 * Akito: She has three moles on -
 * Sana: SHUT UP!!

 * Sana: Hey, Akito, Tsuyoshi. If you stay in the water too long, your butt will melt.
 * Akito: ...
 * Tsuyoshi: Ha ha...
 * Akito: ...
 * Tsuyoshi: Hehe... your butt will melt...
 * Akito: (whack)

 * Naozumi: I know your secret!
 * Sana: I have no more secrets!
 * Naozumi: Oh, yeah? What about the moles on your behi-
 * Sana: WHAAA!?

 * Sana: Rei, I'm going shopping down the mountain with Asako, OK?
 * Rei: What?
 * Sana: Mr. Kinoshita's giving us a ride.
 * Rei: Sana, that's a four-hour round trip. I can take you shopping. What do you need?
 * Sana: Bras!
 * Rei: See ya.

 * Sana: Rei! We're back! Wanna see?
 * Rei and Asako: Sana, NO!!!
 * Sana: I'm just kidding! Like I'd really do that!
 * Ono Mikio: Let's get to work!
 * Sana: Hey, Naozumi, I got a bra!
 * Naozumi:You really didn't need to tell me...
 * Sana: But I'm excited! *holds up flag that says "FIRST BRA DAY"*
 * Naozumi: Sana... a girl isn't supposed to tell boys things like... *gets a strange look on his face*... they have a new bra... *bolts away, trumpet in mouth*
 * Sana: NAOZUMI!!! Where is he going??
 * Asako: Sana... you really embarrassed him. He's right, you know...
 * Rei: Naozumi... I feel for you.

Rossana - Il giocattolo dei bambini

title: Kodomo no Omocha


text:
User talk:Bruce J Tornari

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  20:43, 19 February 2007 (UTC)
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User talk:66.142.253.80

- InvisibleSun 20:47, 19 February 2007 (UTC)

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User talk:Cironato

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The King of Comedy (1983 film)

The King of Comedy is a 1983 film about aspiring comic Rupert Pupkin who wants to achieve success in showbiz, by resorting to stalking his idol, a late night talk show host who craves his own privacy.
 * ''Directed by Martin Scorsese. Written by Paul D. Zimmerman.

It's no laughing matter. taglines

Rupert Pupkin

 * [to Jerry] Jesus, they certainly don't give you very good protection, do they? Look at you here.  Who the hell is watching you?  Any one of these freaks could just walk right up to you and do whatever he wants.
 * [to Rita, about Marilyn Monroe] She wasn't a great actress, but she had a real gift for comedy. She died tragically, you know, alone, like so many of the world's most beautiful women.  I'm going to see that doesn't happen to you, Rita.
 * Every King needs a Queen, Rita. I want you to be mine.
 * [on tape] Now, Jerry. Before I begin, I just want to thank you for listening to this material and for the opportunity that you've given me.  You know, lots of people think that guys like you, you know, people who have made it, lose their feeling for struggling young talent such as myself.  But now I know from experience that those people are just cynics, embittered by their own failure.  I know, Jerry, that you're as human as the rest of us, if not more so.
 * This wasn't an easy decision for me, Jerry, believe me. For one thing, I knew it meant we could never be friends again and that hurt me.  It's hard to lose a friend, even one who has let you down.  You always hope you can patch things up.  You know, a guy like me doesn't make friends that easily.  Why didn't you just listen to the tape when I asked you?  Then I wouldn't have to be doing all this.  Was it really too much to expect, a few minutes of your time to listen to something I'd worked on my whole life?
 * A lot of you are probably wondering why Jerry couldn't make it this evening. Well, he's tied up, and I'm the one who tied him. [laughter] You think I'm joking, but that's the only way I could break into show business—by hijacking Jerry Langford. [laughter] I'm not kidding.  Right now, Jerry Langford is strapped to a bedstead somewhere in the middle of this city. [laughter] Go ahead.  Laugh.  But the fact is . . . I'm here.  Tomorrow you'll know I wasn't kidding, and you'll think I was crazy.  But I figured it this way: better to be king for a night than schmuck for a lifetime!

Masha

 * [to Pupkin, about Langford] All of a sudden, with a gun on him, he wants to make up and be friends. And, once he's out the door, what happens then?
 * [to Langford] I've got so much to tell you I just don't know what to begin with. Are you okay? [Langford mumbles, as he is bound and gagged] Good. Tell me if you're not. I guess you're wondering why I do stuff like this. I think it's because I'm a Leo, but my shrink says I'm pathologically rebellious and self-destructive. You don't think I'm self-destructive, do you? [Langford mumbles again] I knew you wouldn't. That's 'cause you're the only person in the world who really understands me.

Others

 * Rita Keane: [to Pupkin] You call me up all junior and senior year. Night after night after night, right? And every time I'm wondering 'when is this guy going to stop talking and ask me out?' Well, now I know the answer. August twelfth, nineteen seventy-six. It only took you ten, eleven years to work up to it.
 * Official: We are met here in these extraordinary circumstances to join this man and this woman in holy wedlock. But, before we begin, let me voice a personal word of thanks to you, Rupert and to you, Rita, for choosing me to perform this prestigious ceremony. Because we are on prime time, I am going to discard my customary remarks in favor of a few personal reflections. When I was principal at Clifton High and these two were students, I had very little faith that Rupert here would amount to very much. But like his teachers and his fellow students, I underestimated this fine young man. Some say that this misjudgment is directly tied to my recent dismissal as head of the Clifton School System. But let me take this opportunity to set the record straight. Knowing that Rupert and Rita here were most certainly destined for a great career and a lifetime of happiness, I voluntarily stepped down. I would only here add my own wishes to those of millions of viewers for their continued health, wealth and boundless success. We'll be back to marry them in a minute, right after this word.
 * Wilson Crockett: I just don't buy the idea that there are that many people out there crazy enough to spend their lives in prison for a few minutes on television.

Dialogue

 * Pupkin: What are you going to do with Jerry's autograph?
 * Young girl: I don't know. Maybe I'll sell it.
 * Boyfriend: I'll tell you what she's going to do with it. She's going to pin it on her bulletin board and have an orgasm.

 * Pupkin: I'm grateful for this chance to talk to you ... I hope I'm not boring you.
 * Langford: I'll let you know.
 * Pupkin: Really? Fine. I'm Rupert Pupkin, Jerry. I know that the name itself doesn't mean very much to you but it means an awful lot to me, believe me. Maybe you've seen outside your show and wondered who I am. Well, right now, I'm in communications but, by nature, I'm a stand-up comedian. I know what you're thinking -- 'Oh no. Not another one.' And I wouldn't take up even one minute of your time if I wasn't absolutely convinced of my talent. I'm really good, Jerry, believe me, I'm dynamite. Now you're probably wondering if I'm so good why haven't you caught my act somewhere, right?
 * Langford: Well ...
 * Pupkin: Well, up to now, I've been biding my time developing my act slowly and carefully so that when my big break finally comes, I'm ready -- like you were that night Paar got sick and you sat in for him. I was there that night, in the theater. That was the most important night of my life, until tonight, of course.
 * Pupkin: Well, that night you did Paar, I walked out of the theater like I was in a dream. All of a sudden, I knew what I wanted. I started catching your guest appearances on Sullivan and taping them and, when you got your own show, it got to be a kind of regular thing. I studied how you built to your one-liners, nice and relaxed like you were chatting, and how you delivered the jokes without leaning too much on them, without saying "here's the punchline, folks." And I watched the way you played off dead audiences, how you let those long silences build until people couldn't stand it and then the way you got them off the hook with that slow smile. You were my college of comedy, Jerry, like a kind of teacher, a friend. I know it sounds crazy, but when you watch someone every night ... But that's all in the past. What I'm trying to say is this. I'm ready now. I've finished the course. And I'm thinking as we sit here talking "Is this it? Is this that one big break?" Is it, Jerry?
 * Langford: Look, why don't you call my office.
 * Pupkin: Could I?! Oh, I knew you'd say that, Jerry. You don't know how many times I've had this conversation in my head. And this is the way it always turns out. That's why I had to sort of invite myself into the car tonight. I know it's kind of presumptuous and I really appreciate the time you've given me. But breaks like this don't just happen. You have to make your own breaks.
 * Langford: Look, why don't you call my office.
 * Pupkin: Could I?! Oh, I knew you'd say that, Jerry. You don't know how many times I've had this conversation in my head. And this is the way it always turns out. That's why I had to sort of invite myself into the car tonight. I know it's kind of presumptuous and I really appreciate the time you've given me. But breaks like this don't just happen. You have to make your own breaks.

 * Pupkin: I've been giving a lot of thought to your situation, Jerry, ever since I saw you starting to lose ground in the ratings. And I think I know what the problem is. Too many of the same faces.
 * Langford: Yeah?
 * Pupkin: Sure, people are getting tired of these people who live off game shows and talk shows and can't really do anything. They've seen 'em and heard 'em till they can't stand it anymore.
 * Langford: You know, maybe you're right, Rube.
 * Pupkin: I'm sure I am. When a show runs out of surprises, it loses its audience.

 * Rita: Jesus Christ, Rupert Pupkin!
 * Pupkin: The two of us are often confused. He's the one with the famous father.

 * Rita: So all this time you've been thinking about me, huh?
 * Pupkin: That's right, Rita.
 * Rita: What kinds of things were you thinking?
 * [Pupkin drops his eyes shyly. Rita laughs]
 * Rita: Oh, ho! Those kinds of things! Shame on you, Rupert.
 * Pupkin: Rita, I assure you there was ...
 * Rita: Rupert Pupkin is an unclean person!
 * Pupkin: Come on, Rita. People will hear.
 * Rita: [whispering] Rupert Pupkin is an unclean person. Oh, come on, Rupert. Relax. Have a little fun.

 * Pupkin: Get that guy you knew from Clifton out of your head right now. You're looking at Rupert Pupkin, Rita. Rupert Pupkin, the new King of Comedy.
 * [Rita laughs]
 * Rita: I'm sorry.
 * Pupkin: Why not me, Rita? A guy can always get what he wants if he's willing to pay the price. All it takes is a little talent and sacrifice and the right break. If you've got a friend in the right place, that's all it takes. And that's exactly what I have going for me right now. After all, crazier things have happened.

 * Secretary: Is Mr. Langford expecting you?
 * Pupkin: Yes, I don't think he is.

 * Woman: You're Jerry!! You know something? [She giggles] I undress in front of you every night and Larry here doesn't mind at all.
 * Larry: I can't get anything started with her until you're off the air. Your show is ruining my sex life, Jerry.
 * Langford: Well then, you'll just have to put on a better show than I do.

 * Pupkin: [after Cathy has rejected his request to appear on Langford's show] May I ask you a question, Miss Long?
 * Cathy Long: Of course.
 * Pupkin: Are you speaking for Jerry?
 * Cathy Long: Let's put it this way, Mr. Pupkin. Mr. Langford has complete faith in our judgment.
 * Pupkin: I'm sorry to have to say this, Miss Long, and I certainly don't want you to take it personally, but I have to tell you that I don't ... I don't have faith in your judgment.
 * Cathy Long Well, I'm sorry you feel that way, Mr. Pupkin. But I'm afraid there's nothing that can be done about that.
 * Pupkin: No ... No ... I'm afraid I'll have to disagree with you again.
 * Cathy Long: That's your privilege, Mr. Pupkin. Now, if you'll excuse me, please, I have some things to do. I'm sorry the news isn't better.

 * Rita: What do these people do for fun? Do they party or do freaky things or just get drunk or ... I mean, what do they do?
 * Pupkin: I guess they just sit around and talk and enjoy each other's company, like anybody else.
 * Rita: Talk?!? What can you talk about for three or four hours?
 * Pupkin: What do you mean? They've got plenty to talk about. They do things. All kinds of interesting things happen to them and then they talk about them. What do you think Jerry's show is all about?
 * Rita: Yeah, a cocktail party with no drinks. That's what all those shows are. At least they help you get to sleep.

 * Pupkin: All I'm asking is fifteen minutes. That's all. Just long enough to listen to my act. Is that asking too much -- fifteen minutes of your day against my whole life?
 * Langford: I'll call the police if I have to... I have my own life, that's all.
 * Pupkin: But what about me, Jerry? What about my life?  I made plans -- based on what you said.  You can't just turn your back on me.
 * Langford: I'm not telling you again.
 * Pupkin: So this is the way it works when you're big, huh? You just play with people. Is that part of the kick, Jerry? I can see I was all wrong about you. All wrong.
 * Rita: Come on, Rupert.
 * Pupkin: Shut up! You weren't my friend at all, were you? You were just playing some kind of game with me. Well, that's not going to stop me, Jerry. I'm just going to work a little bit harder, that's all, use a little bit more enterprise. And not count on anybody. That's where I made my mistake. I can see that now.

 * Pupkin: I didn't like being so rough out there, Jerry. But I wanted you to know that I meant business. I didn't want anything happening to you over some misunderstanding. Now I know you're wondering what this is all about. Actually you've got nothing to worry about. You just do what I tell you and by, say, midnight, you'll be safe and out of here. Of course if you try anything clever, I'll kill you -- or Marsha will. She knows how to use this too.
 * Langford: You realize what you're saying.
 * Pupkin: Come on, Jerry. This isn't a spur of the moment thing. Give me a little credit, will you. Sit down. Now, you're going to call your office and tell them this: that unless a man who identifies himself as the King is allowed on the show tonight as the first guest, they'll never see you alive again.

 * Patten: Look, I tell you, the bureau is doing everything possible to locate Mr. Langford. Right now our men are out checking out every radical group in this city.
 * Executive: Radical?
 * Patten: They're willing to sacrifice their leader in order to get their message across, aren't they? You've got to figure that this is a desperate outfit. I don't know who they are anymore than you do. But I do know I've got to stop them. Otherwise, what you're seeing here is just the first of a whole wave of these kinds of kidnappings.
 * Thomas: Does this mean we're not supposed to put him on?!?
 * Patten: Who am I addressing, please?
 * Executive: That's Bert Thomas. He produces the show.
 * Patten: I'm only saying, Mr. Thomas, that we can't allow this to reach the public. When the kidnappers call in, of course you're going to be cooperative. Promise them anything they want. After all, this King character is going to have to show up sooner or later. And once we get our hands on him, he'll tell us where Mr. Langford is.

 * Patten: Let him go on if you have to. It's just a taping. You can always erase him afterwards, can't you? All I'm saying is this: don't put him on the air.
 * Thomas: That's fine, Inspector, but let's say he finishes his bit and you've worked him over ...
 * Patten: Questioned him, Mr. Thomas.

Taglines

 * It's no laughing matter.
 * Nobody knows Rupert Pupkin, but after 11:30 tonight no one will ever forget him.

Cast

 * Robert De Niro - Rupert Pupkin
 * Jerry Lewis - Jerry Langford
 * Diahnne Abbott - Rita Keane
 * Sandra Bernhard - Masha
 * Shelley Hack - Cathy Long
 * Ed Herlihy - Himself
 * Lou Brown - Band leader

title: The King of Comedy (1983 film)


text:
User talk:Zidane tribal

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  22:09, 19 February 2007 (UTC)
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title: User talk:Zidane tribal


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Pauline Hanson

Pauline Lee Hanson (born May 27, 1954) is an Australian senator who is the leader of Pauline Hanson's One Nation Party, a party with a populist-nationalist, immigration restrictionist platform.

Quotes

 * Let's define the word, what racist is - "A person who believes that their race to be superior to another's." I've never advocated that. And I challenge anyone to tell me one thing that I've said that is racist. Criticism is not racism. Accountability is not racism. And that's what I've tried to say over the years.
 * Interview on Enough Rope (September 20, 2004)

 * ...What I can't understand is why come here and try and change our country into the place that you've come from? And all I ask of people is come here, respect our country, respect our laws, our culture, our way of life. Be Australian, join us, enjoy this beautiful country and everything that it has to offer.
 * Interview on Enough Rope (September 20, 2004)

 * I’m not going to be silenced on yet another attack involving Islamic extremism - especially one occurring in the state I am representing in the Senate, Australians know what the problem is. It's time this government wakes up and starts looking after Australians' welfare before those from other countries.
 * After the death of Mia Ayliffe-Chung at Shelly’s Backpackers in Home Hill. (August 25, 2016)

Maiden Speech as the Member for Oxley (1996)

 * Speech in the Australian House of Representatives, 10 September 1996.

 * If politicians continue to promote separatism in Australia, they should not continue to hold their seats in this parliament. They are not truly representing all Australians, and I call on the people to throw them out. To survive in peace and harmony, united and strong, we must have one people, one nation, one flag.

 * We now have a situation where a type of reverse racism is applied to mainstream Australians by those who promote political correctness and those who control the various taxpayer funded "industries" that flourish in our society servicing Aboriginals, multiculturalists and a host of other minority groups.

 * This nation is being divided into black and white, and the present system encourages this. I am fed up with being told, 'This is our land.' Well, where the hell do I go? I was born here, and so were my parents and children. I will work beside anyone and they will be my equal but I draw the line when told I must pay and continue paying for something that happened over 200 years ago. Like most Australians, I worked for my land; no-one gave it to me.

 * I and most Australians want our immigration policy radically reviewed and that of multiculturalism abolished. I believe we are in danger of being swamped by Asians. Between 1984 and 1995, 40 per cent of all migrants coming into this country were of Asian origin. They have their own culture and religion, form ghettos and do not assimilate. Of course, I will be called racist but, if I can invite whom I want into my home, then I should have the right to have a say in who comes into my country.

 * A truly multicultural country can never be strong or united.

 * I do not believe that the colour of one's skin determines whether you are disadvantaged.

 * I may be only a "fish and chip shop lady", but some of these economists need to get their heads out of the textbooks and get a job in the real world. I would not even let one of them handle my grocery shopping.

 * If this government wants to be fair dinkum, then it must stop kowtowing to financial markets, international organisations, world bankers, investment companies and big business people. The Howard government must become visionary and be prepared to act, even at the risk of making mistakes.

Maiden Speech as Queensland Senator

 * Speech in the Australian Senate, 14 September, 2016

 * My pride and patriotism were instilled in me from an early age when I watched the Australian flag raised every morning at school and sang the national anthem; watching our athletes compete on the world stage, proud to salute the Australian flag being raised to honour them as they took their place on podiums. It is about belonging, respect and commitment to fight for Australia. This will never be traded or given up for the mantras of diversity or tolerance. Australia had a national identity before Federation, and it had nothing to do with diversity and everything to do with belonging.

 * Australians have never been permitted to vote on immigration and multiculturalism. When have we been asked or consulted about our population?

 * High immigration is only beneficial to multinationals, banks and big business, seeking a larger market while everyday Australians suffer from this massive intake. They are waiting longer for their life-saving operation. The unemployment queues grow longer — and even longer when government jobs are given priority to migrants. Our city roads have become parking lots. Schools are bursting at the seams. Our aged and sick are left behind to fend for themselves. And many cities and towns struggle to provide water for an ever-growing population. Our service providers struggle to cope, due to a lack of government funding, leaving it to charities to pick up the pieces.

 * In my first speech in 1996 I said we were in danger of being swamped by Asians. This was not said out of disrespect for Asians but was meant as a slap in the face to both the Liberal and Labor governments who opened the floodgates to immigration, targeting cultures purely for the vote, as expressed by former Labor minister Barry Jones — to such an extent that society changed too rapidly due to migrants coming in the front door but also the back door, via New Zealand.

title: Pauline Hanson


text:
User talk:Newzscoop

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  23:13, 19 February 2007 (UTC)
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title: User talk:Newzscoop


text:
User talk:JSnwboarder~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  23:57, 19 February 2007 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
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Your account will be renamed
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User talk:John Gregory Robinson~enwikiquote

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called John Gregory Robinson. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name John Gregory Robinson~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

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Renamed
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