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Francis Parker Yockey

Frank Parker Yockey (18 September 1917 – 16 June 1960) was an American fascist and pan-Europeanist ideologue. A lawyer, he is known for his neo-Spenglerian book Imperium: The Philosophy of History and Politics, published in 1948 under the pen name Ulick Varange, which was dedicated to Adolf Hitler and called for a neo-Nazi European empire.

Imperium: The Philosophy of History and Politics (1948)

 * Between Capitalism and Socialism there is no relationship of true and false. Both are instincts, and have the same historical rank, but one of them belongs to the Past, and one to the Future. Capitalism is a product of Rationalism and Materialism, and was the ruling force of the 19th century. Socialism is the form of an age of political Imperialism, of Authority, of historical philosophy, of superpersonal political imperative.
 * Chapter titled: Marxism, p. 84-85 Noontide Press edition.

 * The explanation Marxism offered of the significance of History was ludicrously simple, and in this very simplicity lay its charm, and its strength. The whole history of the world was merely the record of the struggle of classes. Religion, philosophy, science, technics, music, painting, poetry, nobility, priesthood, Emperor and Pope State, war, and politics — all are simply reflections of economics. Not economics generally, but the "struggle" of "classes." The most amazing thing about this ideological picture is that it was ever put forward seriously, or taken seriously.
 * Chapter titled: Marxism, Noontide Press edition.

 * We have been born into a certain Culture, at a certain phase of its organic development, we have certain gifts. These condition the earthly task which we must perform.  The metaphysical task is beyond any conditioning, for it would have been the same in any age anywhere.  The earthly task is merely the form of the higher task, its organic vehicle.
 * Chapter titled: The Imperative of Our Age, p. 111 Noontide Press edition.

 * The question of who strikes first in a war is on the same level as who strikes first in a boxing contest.

 * Feminism liberated women from the natural dignity of their sex and turned them into inferior men.

 * Alliance does not mean love, any more than war means hate.

 * Anti-Semitism is precisely analogous in Culture pathology to the formation of anti-bodies in the bloodstream in human pathology. In both cases, the organism is resisting the alien life. Both are inevitable, organically necessary, expressions of Destiny. In fulfilling the proper, Destiny combats the alien. It cannot be said too often that hatred and malice, tolerance and goodwill, have nothing whatever to do with this fundamental process. A Culture is an organism, an organism of a different class from man, just as man is an organism of a different class from animals. But the fundamental regularities of organic life are present in all organisms, of whatever class, plant, animal, man, Culture. This hierarchy of organisms is obviously part of the divine plan, and it cannot be changed by a process of propaganda, no matter how continuous, "tolerance," no matter how self-renouncing, or self-deception, no matter how complete.
 * Chapter titled: Culture Parasitism, Noontide Press edition.

 * History is the continuous reinterpretation of the Past. History is thus continually "true," because, in each Age, the ruling historical outlook and values are the expression of the proper soul. The alternatives for History are not true or false, but effective or ineffective. Truth in the religio-philosophical mathematical sense, meaning timelessly, eternally valid, dissociated from the conditions of Life, does not pertain to History. History that is true is History that is effective in the minds of significant men.
 * Chapter titled: The Relativity of History, Noontide Press edition.

The Proclamation of London (1949)

 * Before the First World War, Russia had figured as a Western State. Its ruling strata, its ruling outlook, were Western. The tension which existed between the Western elements of Russia and the Asiatic will-to-destruction underneath was however strained to the breaking point by the First World War, and the Asiatic elements, in conjunction with and assisted by the Culture-State-Nation-Race People-Society of the Jew all over the world, gained the upper hand and re-oriented Russia against Europe. From then onward, and also today, 1950, Russia figures as one of the leaders of the coloured revolt against the European race. But European possibilities still exist within Russia, because in certain strata of the population adherence to the great organism of the Western Culture is an instinct, an Idea, and no material force can ever wipe it out, even though it may be temporarily repressed and driven under.

 * The soul of Europe cannot be occupied, ruled, or dominated by Culture-aliens. Only a materialist could think that the possession of the tangible appurtenances of power guarantees the eternal continuance of power. If that had been so, a few castes and States would have always ruled the world, from its beginning. But, in the ultimate test, power is the reflection of inner qualities, and these qualities are not possessed by any of the outer enemies of Europe. Their transitory empires are built on sand, because underlying them there is no superpersonal soul, no World-Mission, no World-Idea, no Destiny. Even in our short lives we have seen empires come and go, and the temporary power-agglomerations of Moscow and Washington will go the same way.

 * The crude power structures of Washington and Moscow have no Past, and therefore no Future. They are without Tradition, without a World-Mission, without a Nation-Idea, without a Destiny, without organic unity, without a State, and without Imperial possibilities. Both of these formless things are mere pale caricatures of the one, true, World-Mission, which inheres in Europe alone. This Mission does not arise from human will, but is a direct emanation of God.

 * What matters in politics above all, is not what one says, but what one does.

 * Today Pravda says "Zionism is a tool of American imperialism". Tomorrow it will say: "American imperialism is the tool of Zionism".

The Enemy of Europe (1953)

 * Europe is equal to its historical task. Against the anti-spiritual, anti-heroic 'ideals' of America-Jewry, Europe pits its metaphysical ideas, its faith in its Destiny, its ethical principles, its heroism.  Fearlessly, Europe falls in for battle, knowing it is armed with the mightiest weapon ever forged by History: the superpersonal Destiny of the European organism.  Our European Mission is to create the Culture-State-Nation-Imperium of the West, and thereby we shall perform such deeds, accomplish such works, and so transform our world that our distant posterity, when they behold the remains of our buildings and ramparts, will tell their grandchildren that on the soil of Europe once dwelt a tribe of gods.

 * A nation shows that it is dying when it ceases to believe in its Mission and its superiority.

 * The nationality of an army is that of its political leadership, not of its common soldiers or its officer corps.

 * In this century the idea of vertical race is dead. We can now view race only in horizontal terms — the race one feels in oneself is everything, the anatomic-geographic group to which one belongs means nothing. In this stage of our Cultural development, the principle of individuality reasserts itself, as it asserted itself in the earliest days of the Gothic. During the dark age of Materialism, it was believed that heredity and environment were everything; with the decline of Materialism the human Soul regains its former dignity. Everyone must now openly admit that the engrafting of the outworn nonsense of the vertical race notion onto the glorious European Resurgence of Authority brought about by the European Revolution of 1933 was an enormous tragedy — all the more so since the coupling of these two ideas was in no way necessary or even logical. In the Classical Culture, any man who was ethically equal to the Inner Imperative of Roman spirituality could rightly say: "Civis Romanus sum." In this, our Western Culture is somewhat akin to the Classical. Our touchstone of comradeship and belonging is spiritual-ethical not the old one of birth-place, cephalic-index, eye-color. In the 20th century, the century of elective affinities, materialistic tests are pure stupidity.

 * Spiritually, the entire Western Civilization — particularly from 1750 onwards — was Anglicised. The thought- and action-systems of 19th century were English: Marxism arose on the basis of English capitalist economics; Darwinism reflects the English individualistic-competitive world-outlook; Materialism, Legalism, Capitalism, Social-Ethics — all are of English provenance, and they were the foundations of the 19th century.

 * Every man of significance in our times is History-oriented, for one cannot profoundly understand our times, their Inner Imperative and Mission, unless one ponders deeply the meaning of Leibnitz' aphorism: Le présent est chargé du passé et gros de l’avenir. In his inner life, Western man now cannot take sides in the bygone struggles between Wallenstein and Gustavus Adolphus, Olivares and the Cortes, Richelieu and the Fronde, Stuarts and Parliament, Bourbons and Habsburgs, Church and State, England and Spain, Italy and Austria. Today the loftier European identifies himself with both sides in these titanic struggles, with the totality of our precious Western History, for that History is his own spiritual biography written before him in large letters. He, too, had his Gothic, Reformation, Enlightenment, and rationalist-revolutionary phase — his youthful religiosity and crusades, his Democratic-Liberal-Communist phase; and now, in his fullest maturity, he has entered, spiritually and materially, the Age of Absolute Politics, in which the struggle is planetary and its motive Cultural. That means not 19th century petty-states and nations, but that only the Culture-State-Nation-Imperium can take part in it.

 * Americans are primarily economics-oriented. The Masculine Principle is to realize higher ideas through art, warfare, Politics. Nothing could be further from the American ideal than that. The Feminine Principle is to nourish and preserve life — that is the American ideal. Americans therefore do not delight in an "empire" that continually lays claim to their wealth and constantly demands a reduction in their standard-of-living. In its traditional isolation, America needed no armies, garrisons, subventions to foreign countries, and Great Wars. The superficial polarization of America has brought the American People economic injuries, and thus confirmed it in its isolation.

 * American life is essentially oriented to economics, and every aspect of Life is simply referred for its justification thereto.

 * An army means, first, morale; second, an officer-corps; third, a high command; and, fourth, the human material of the troops.

 * The American People is matriarchal, isolationist, and interested only in economic matters.

 * In Russia, Marxism is treated as a religion, for the prime characteristic of the Russian soul is its religiosity. Whatever this soul takes seriously, be it even the absurd end-product of Western materialism — Pavlovian reflexology, scientific psychology, — it deals with in a religious way, that is, in a way transcending action. Nowhere in Russian life is there anything that in any way corresponds to the Marxist schema.

 * The Russian Soul is too virile ever to be strangled by something alien. Hence the Jewish entity, despite the dominant position to which it had attained with the Revolution of 1917, was incapable of maintaining its unconditional rule. The expulsion of Trotsky in 1928 marks the downward turning point for Jewry in Russia.

 * So long as the Russian Soul, chaotic and full of longing, animated by a strong will yet of weak resolve, exists within the sphere of influence of a Western organism that is conscious of its World-Mission, there will remain in Russia a powerful urge towards reunion with the West. The European Revolution of 1933 found an echo in Russia, and when the European armies entered Bolshevist territory in 1941. They were hailed everyplace there as “liberators.” Marshal Vlasov could have raised armies of millions and affiliated them with the European military forces, but, unfortunately, the European Command did not make use of such aid until it was too late. The possibility indeed exists that a second monstrous upheaval — with a pro-Western Cultural aim — will overthrow the Bolshevist regime. This possibility might be realized either through a renewed Western invasion or through the appearance of a new Peter the Great. It is a further Imponderable. Today Europe must reckon with Russia as part of the Outer Revolt against its World-Mission.

The World in Flames (1961)

 * A person who believes that the seizing of the apparatus of power — government, army, police, press, education — guarantees the continuance of power is a political non-entity. Yet the whole Washington regime believes this. In philosophy they are materialists and thus cannot ever understand that visible facts are only the manifestation of invisible spiritual movements. To the extent that a people is materialistic in its religion and philosophy, it is non revolutionary, but the Russians are completely non-materialistic, being completely dominated by feelings, and acting always from their feelings. Thus it was that the Russians, even without disturbing the Bolshevik governmental structure or ideology, effected a complete revolution and deprived the Jewish leadership of all power. The Jew in contemporary Russia is allowed to be a Jew, if he is first and foremost a Russian. In other words he is not allowed to be a Jew, and is being exterminated without physical violence.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Francis Parker Yockey


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Robin Williams

Robin McLaurin Williams (July 21, 1951 – August 11, 2014) was an American stand-up comedian, actor, director, producer, writer, singer, voice artist, and comedian.

He was of English, French, German, Irish, Scottish, and Welsh ancestry.

Quotes

 * I would like to do for you now, a Japanese science fiction movie: "Attack of the Killer Vibrators."
 * Performance at the L.A. Improv (1977)
 * Before I go on, I want to ask if there are any Hell's Angels here tonight? [no response] … Those pussy-whipped faggots!
 * Performance at the L.A. Improv (1977)
 * I would like to do Shakespeare's only unknown piece, That's the Way I Lick It ... It's a bleak night my Lord. Look! The moon like a testicle hangs low in the sky. This bodes not well. ... Anon, post-haste, let's get a larger crowd in here. Free Cocaine! There's no luck. Does anyone have drugs to ease my pain? My Kingdom for a Quaalude! … It is the end! I must go, for I cannot come here, and yet, it has been brief, 'tis over, and the lights do turn bright. I'm melting! Help me! Help me!
 * Performance at the L.A. Improv (1977)
 * You're only given a little spark of madness and if you lose that, you're nothin'.
 * A Night at the Roxy (1978)
 * Death is nature's way of saying, "Your table is ready."
 * As quoted in The Fourth—And by Far the Most Recent—637 Best Things Anybody Ever Said (1990) edited by Robert Byrne, p, 518
 * Parry is a man with a previous life that was so damaged that he had to create another personality. … It's like post-traumatic stress syndrome: Some people respond to traumatic or tragic events by withdrawal; some even create other personalities. Parry is a creation — somewhat Don Quixote, somewhat Groucho Marx — but he's a creation designed to avoid a past event.
 * On his role in The Fisher King (1991), as quoted in "Dreams: The Fisher King" (2006) edited by Phil Stubbs
 * Comedy can be a cathartic way to deal with personal trauma.
 * "Robin Williams on Returning to TV, Getting Sober, and Downsizing in His 60s", Parade (12 September 2013)

Reality...What a Concept (1979)

 * I'd like to start the show by showing you something I'm very proud of. You'll have to step back though.
 * [spoofing Mister Rogers] It's a beautiful day in the neighborhood... oh, damn, someone stole my sneakers. Let's do some wonderful things today, boys and girls; but first, do you mind if I take some more medication? It helps the day go a little bit slower. There we go. Now we're gonna do some wonderful experiments you can do around the house. Let's put Mr. Hamster in the microwave, okay?... He knows where he's going. BEEP! Pop goes the weasel! That's severe radiation. Can you say "severe radiation"? Oh, look, you got a little balloon now.
 * [as a Shakespearean narrator] Mind not my words — Let the play be the thing. I'll get back forth and touch myself anon.
 * I wonder what chairs think about all day: "Oh, here comes another asshole."
 * There was an old, crazy dude who used to live a long time ago. His name was Lord Buckley. And he said, a long time ago, he said, "People: They're kinda like flowers and it's been a privilege walking in your garden." My love goes with you.

A Night at the Met (1986)

 * My God, what am I doing here? It's weird. How do you get to the Met? Money! Lots and lots of money! I can imagine Pavarotti next door at the improv going, "Two Jews walk into a bar..."
 * Beer commercials usually show big men, manly men, doing manly things: "You've just killed a small animal. It's time for a light beer." Why not have a realistic beer commercial, with a realistic thing about beer, where someone goes, "It's 5:00 in the morning. You've just pissed on a dumpster. It's Miller time."
 * The sound crapped out for a bit, that's why I'm using SupposiSound! No one wants their tapes back, I wonder why.
 * We were talking briefly about cocaine...yeah. Anything that makes you paranoid and impotent, give me more of that!
 * They call it freebasing. It's not free, it costs you your house! It should be called home basing! Three signs you're addicted to cocaine: First of all, if you come home to your house and you have no furniture and your cat's going "I'm outta here, prick!," Warning! Number two: If you have this dream where you're doing cocaine in your sleep and you can't fall asleep, and you wake up and you're doing cocaine, BINGO! Number three: if on your tax form it says, "$50,000 for snacks," MAYDAY!
 * Baseball players have to go in front of a grand jury and say, "Yeah, I did cocaine. Can you blame me? It's a slow goddamn game! Come on Jack! Standing out in left field for seven innings, and there's a long white line going down to home plate! I see the guy putting it out going "Heh heh heh heh!!!!" And that damn organ music too, the whole [does intro to "Charge!"]! Third base coach is always doing this...[wiping nose, fidgeting around]. When he's doing that, I don't know whether to slide or do a line! People sliding into home plate head first, umpire goes, "You're out!" "No, baby, I'm up now! Ha ha ha!"
 * [On football] You're playing a game against a man called the Refrigerator! He's not a refrigerator – he's a goddamn HOUSE with LEGS!!
 * The Second Amendment! It says you have the right to bear arms, or the right to arm bears, whatever the hell you want to do!
 * [On husbands sharing their wives' childbearing experience] Unless you're passing a bowling ball, I don't think so. Unless you're trying to circumcise yourself with a chainsaw, I don't think so. Unless you're opening an umbrella up your ass, I don't think so!
 * Thank you. How-DY! Whoops, wrong opera house. How do you like the play, Mr. Lincoln? Duck!
 * [Comparing Ronald Reagan's Cabinet to Star Wars] There's Henry Kissinger as Yoda, "Must now cannot see understanding that I be here for you. I will show you now, Nicaragua, Cambodia, Nicaragua, Cambodia, shhh. Must later understand!"
 * Cocaine addiction is God's way of saying "You make too damn much money!"
 * If alcohol is a crutch, then Jack Daniels is the wheelchair.
 * Spring is nature's way of saying, "Let's party!"

Inside the Actors Studio (2001)

 * Season 7, Episode 14 (10 June 2001)

 * The professor was on acid, and sometimes he'd shout, "I'm Lincoln!" And then, there'd be a kid in the back, "I'm Booth!"
 * (On creating) And you get that little endorphin buzz, it's great. Why do you think Einstein looked like that? I don't think he was going "You know this is some dynamite weed! It's all relative you know."
 * (Imitating Royal Family) I've tell you we've not been inbred but don't look at the ears. That's all we can do is screw in a light bulb. Look at the teeth, look at the ears and go, something's gone wrong. Gene pool is a jacuzzi back up."
 * I'd like to welcome you the AOPA. There's also aa-AOPA. If this is your first time flying a plane on alcohol, I'd like to welcome ya!
 * (Imitating Pavarotti) "It is amazing I know it is huge. BEHOLD IT. IT IS GROWING. ALL OF MY PHALLUS IS A SHOWING!"

Robin Williams: Live on Broadway (2002)

 * Now, Michael Jackson is claiming racism. I'm going, "Honey, you gotta pick a race first." Baby, what are you claiming, mistreatment of elves? What are you saying?
 * [About drug testing at the 1998 Winter Olympics] They said that marijuana was a performance-enhancing drug. BZZZT! Marijuana enhances many things: colors, tastes, sensations...but you are certainly not fucking empowered. When you're stoned, you're lucky if you can find your own goddamn FEET!
 * [Describing US food aid delivered to Afghanistan after 9/11] And what was in those packages? Pop-Tarts, peanut butter...and all you need's a Honey Baked Ham and you got a redneck Christmas. But... [Southern accent] "Who dropped the Honey Baked Ham on the Muslim public?" "Shhh! Idiot!" [own voice] Now, why are we dropping Pop-Tarts and peanut butter on Afghanistan? Number one: tastes a shitload better than dirt, yes. Number two, and more importantly: very difficult to have a call to jihad with a mouthful of peanut butter. [pretends to choke on a mouthful while shouting in Arabic] Secondly, or thirdly for those keeping track: Afghanistan is a hashish-smoking culture. And anyone who's ever been a friend of the hookah will go... [intense, stoned stare] "Pop-Tarts!" [yells and applauds ecstatically]
 * And that's when you realize that God gave you a penis and a brain and only enough blood to run one at a time.
 * I do know this one thing. I know there is a cure for whatever bioterrorism that they send at us. I know there's one. And it lies within Keith Richards, I know that. He is the only man on the planet who can go [pantomimes snorting a line of powder] "Anthrax? All riiiiight. Hey. Doesn't go with my E. coli, but fuck." Keith is the only man who can make the Osbornes look fucking Amish. He's insane! I've seen Keith go to a drug dealer and the drug dealer's going, "I'm out, man, I'm sorry. I have nothing left!" Supposedly, he goes to Switzerland and changes his blood, not like one pint, but like a fucking Chevrolet, all of it. I just wanna know, who gets his blood? Some old Swiss man's going "HEIDI! We've gotta go on tour, you bitch! We've gotta pay for Mick's babies! C'mon!" Because I know this: I know that we may all be dead and gone. Keith will still be there with five cockroaches. Keith'll go "You know I smoked your uncle, did you know that? Fucking crazy..."
 * [About pre-9/11 and post-9/11 airport security] Airport security, remember before all this happened, was like, BEEP, 'Okay, get on the plane. Come on, get on the plane. Hold on one moment. What's that? Oh, that's a gun. Okay, get on the plane!' You could carry a four-inch blade on a plane. That's about that long. What are you doing, West Side Story in the aisle? "Going down the aisle! Crazy aisle!" Now, you can't even carry a nail-clipper on a plane. Are they afraid you're gonna go "ALL RIGHT! Gimme the plane or the bitch loses a cuticle! I have a nail file! I can be irritating!"
 * Because now, when you go through airport security, it's tight. You go through the metal detector, and if you're heavily pierced, like some of my friends, it's like, (steps forward) "BZZT!" "Take out your keys, sir." Tip of the iceberg. (pantomimes removing various piercings from the ears, nostrils eyebrows, tongue; then reaches to the side, grabs an imaginary drill, points it at his crotch and makes a drilling noise) For those playing the home game, this is called a Prince Albert. And I'm sure that was his last wish. I'm sure Albert said "Victoria, I'm dying. I want you to name a museum, a performance hall, and a bolt through the cock after me. That will be Victoria's Secret. Go, my darling!"
 * Dubya doesn't speak while Cheney's drinking water. Check that shit out.
 * One of the fundamental things is in a jihad. That sounds like a country western term like, "Jiii-had!"
 * And people say to me, they say Jesus wasn't Jewish. I say of course he was Jewish. Thirty years old, single, living at home with his parents? Come on! Working in his father's business, his mother thought he was God's gift? He's Jewish! Give it up! It's an old tradition!
 * But I know, as beatific as Gandhi was, there was somebody in a Bombay bar going, "I knew Gandhi...he was a prick. I saw him sucking down a pork hot dog, hitting on Mother Teresa. He kept saying, 'Who's your diaper daddy? Who's your diaper daddy?'"
 * And the French. The French have a bomb, too. Maybe they have the Michelin Bomb—ah! Only destroys restaurants under 4 stars. And they still test their bombs. They're one of the few people who still detonate their bombs. The underground test. Where do they do it? In the Sahara in the total wasteland? No, fuck off! In Tahiti! In paradise. Why? "Because we're French. [pantomimes smoking a cigarette] Oh, look, a Greenpeace boat coming to protest—fuck off. I sink you.
 * [Imitating a Frenchman] Fuck all of you! You cultureless, crass Americans! We hate all of you! Fu—the Germans are here! Hello, Americans! I love you!
 * [About the Swiss] The nice Germans, Yeah. Or as they like to say, the other white race. Now, I have only one question. How can you trust an army, how butch is an army that has a wine opener on its knife? "Many of you have never opened Chardonnay under fire! First, you pull the cork out, sniff it, say, "Meat or fish?", and throw! (Military cadence) I don't know, but I've been told, Chardonnay must be served cold! Ja!"
 * If you smoke a lot of pot, you may never become a rocket scientist. Or maybe, if you've seen some of the things that have happened recently with NASA, maybe you can. [imitates a person stoned on marijuana] "Okay, oh, okay, okay, here's a fun one, oh, fuck, okay. Okay, the Mars lander, okay? Fuck. I did the calculations in feet, but I programmed the lander in meters! Oops! So instead of landing, fucker buried! Hundred-and-eighty-five-million dollar whoopsie! Two years, splat! Oh, okay, fuck, here's a better one. The Hubble telescope. I forgot to put in a lens!" [covers one eye as if undergoing an eye exam] "'Read the top line.' 'Alpha Centauri...uh, Sirius...the rest is just a black hole.'"
 * [Describing the drinking habits of different ethnic groups, in an Irish accent] You know if you're Irish, you've got a running start that you can do it better than we are. You know that because if you're Irish, you know, you'll kick my ass but then you'll fuckin' sing about it afterwards. [sings, dances a jig] "Oh, that night you said my wife was fat, I knocked you down and shit in your hat!" And then you keep drinking 'til you're in your eighties and you're on a dialysis machine, doing Liverdance and Michael Flatline! Beeeeeep! And they say the Irish saved civilization, drank a couple of Guinness and forgot where they fuckin' put it, but that's all right. [shifting to Japanese accent] Here's the drill, and the Japanese? They drink differently than us. It is a different thing where you can be very polite during the day, and all of a sudden you're "arigatou gozaimasu." And after five Jack Daniels..."TIE A YELLOW RIBBON! Hey, fucker! Karaoke for asshole with a microphone! Sing, you round-eyed fuck, come on!" [shifting to Scottish accent] And if you want a linguistic adventure, go drinking with a Scotsman - 'cause you can't fuckin' understand them before!
 * And you realize how drunk (Scotsmen) get; they could wear a skirt and not care! And how they could invent a sport like golf! [Imitating a drunk Scotsman] "Here's my idea for a fuckin' sport. I knock a ball in a gopher hole!" Oh, you mean like pool? "Fuck off pool! Not with a straight stick, with a little fucked-up stick! I whack a ball, it goes in a gopher hole!" Oh, you mean like croquet? "FUCK CROQUET! I'll put the hole hundreds of yards away! Oh, fuck, oh yeah! It's great fun, there! Oh, yeah, it's a great thing!" Oh, like a bowling thing? "FUCK NO! Not straight, I put shit in the way! Like trees and bushes and high grass! So you can lose your fuckin' ball and go whackin' away with a fuckin' tire iron! Whackin' away and each time you miss, you feel like you're gonna have a stroke, ah ha! Fuck, that's what we'll call it, a 'stroke'! 'Cause every time you miss, you feel like you're gonna fuckin' die! Oh, great! Oh, and here's the better part, oh, fuck, this is brilliant. Right near the end, I'll put a flat piece, with a little flag to give you fuckin' hope. But then I'll put a pool and a sandbox to fuck with your ball again! Ah, you'll be there trashin' your ass, jerkin' away in the sand, ah ha!" Oh, and you do this one time? "FUCK NO! EIGHTEEN FUCKIN' TIMES!"
 * I want the guy who does Mexican soccer to do golf one time. "The ball is starting...the ball is going to the...HOOOOOOOOOOOOOOOOOOOOOOOOOOOLE!" Just to see all those old WASPy motherfuckers go "Oh dear Christ! My God, they're not gardening, they're playing now, oh shit! What the hell are we gonna do?" Because that was their last domain of dominance. It was their area, they were the king, up until...Tiger. Yesss. Son of a black man and a Thai woman, not even a German geneticist could've thought that one up!

Weapons of Self Destruction (2010)

 * Nice to be in Washington, where the buck stops here! Way to go. And then it's handed out to AIG and many other people.
 * And I know many of you are looking for Sarah Palin's new book, it is a bitch to find. Good luck. I found it somewhere between fiction and nonfiction, in the fantasy aisle.
 * [talking to woman in audience about newcomers] That's your old boss? Did you fuck him? [loud laugher] Sorry. Okay. Not an inappropriate question to ask in Washington.
 * And California weed is kick-ass fuckin' weed. This is weed that even Jamaicans go "Oh, don't smoke that weed, man." It's California Catatonic. The type of weed, you hit it and it's like...[pantomimes smoking a blunt] "FUCK! Shit...I'm not doing something. What is it? Oh right, BREATHE!"
 * And if they legalize it, they're gonna have to regulate it and they're gonna have to put a warning on a box of joints. It's gonna have to say, "Surgeon General has determined this will make your music...awesome! Even Yanni. And if you think you liked cartoons before..."
 * You know the difference between a tornado and divorce in the South? Nothing! Somebody's losing a trailer.
 * [imitating weatherman] "Okay, let's go to our new hurricane weather map...(screen behind him shows a massive cyclone) ...FUCK! This is Hurricane Siobhan. The map is the entire South. The asshole in the middle is Dallas...um, crazy...back to you, Ted, I just shit myself.
 * There is one man that we can run for office that even the French would say "Fuck off!" That man...is Jack Nicholson. Yes! You will never have a sex scandal with Jack because he has fucked everyone!
 * I was on this German talk show and this woman said to me, she said, "Mr. Williams, why do you think there's not so much comedy in Germany?" I said, "Did you ever think you killed all the funny people?" [laughter and applause] And...it was...and here's where it got interesting. She didn't bat an eyelash. She just went "No". At that point, even God's going, "Do you get it?!" German comedy: "Knock-knock--We ask the questions!".
 * My favorite athletes of any Olympics are always the African distance runners. You never have to drug test an African distance runner.
 * "Are you on drugs?"
 * "No, I'm looking for food."
 * And I'm sure in Kenya they have a chicken that can run a sub 2-hour marathon....One of my favorite runners of all time was Abebe Bikila. He was an Ethiopian distance runner and he won the Rome Olympics [marathon] running barefoot. He was then sponsored by Adidas. He ran the next Olympics, he carried the fuckin' shoes. No performance enhancement there.

 * I walked into my son's room the other day, and he's got four screens going at the same time. He's watching a movie on one screen, playing a game on another, downloading something on this one, texting on that one, people say "He's got ADD." Fuck that, he's multitasking.
 * When I was growing up they used to say, "Robin, drugs can kill you." Now that I'm 58 my doctor's telling me, "Robin, you need drugs to live." I realize now that my doctor is also my dealer...
 * These drugs have side effects that go on for fuckin' days, like tendency-to-grow-another-head, oh my God! When we were growing up we knew the side effects of the drugs we were taking. Cocaine, side effects were paranoia, ninjas-on-the-lawn; quaaludes, side effects were talking in tongues, English as a second language; marijuana, side effects were laughter, Frosted Flakes.
 * We still have great comedy out there. There's always ramblin' Joe Biden. What the fuck? Joe says shit that even people with Tourette's go "no..."
 * Cheney shot a man in the face hunting quail. I don't know about East coast quail, but California quail are this fucking big. (indicates a position about a foot above the stage floor)
 * In the midst of all this, there was Bernie Madoff. An embezzler named "made off." Hmm. Was the name not a clue? Did he have to be with the accounting firm of Dewey, Fuckyou, and Howe?
 * Is it rude to Twitter during sex? To go "omg, omg, wtf, zzz"? Is that rude?
 * I went to rehab [for alcoholism] in wine country, just to keep my options open.
 * They made porn movies, of my movies! Good Will Humping? It's okay... Wet Dreams May Cum? All right... Snatch Adams? That was scary. A clown with a strap-on. Popeye... I would watch that. "Ag-gag-gag-ga, I creamed me spinach!"
 * Twitter broke the other day, and a lot of people were going, "My Thumbs! My thumbs are moving for no reason! What's that?" "A book". "Who are you?" "Dad. I miss you. Let's talk."
 * There was one guy that had an amazing claim to fame, in terms of drugs and sports. And his name was Dock Ellis. And Dock Ellis did an incredible thing. The one person who knows, thank you. Dock Ellis pitched a no-hitter on LSD. Those of you who have taken LSD, tell the others how hard that might be. If I took LSD, I'd be talking to every blade of grass like "Sorry! Sorry! Sorry!"
 * [regarding Sarah Palin] "I know about Russia because I can see it from my front yard!" You have amazing eyesight, number one... Well, I can see San Quentin from my house, but that doesn't make me an expert on prison reform.
 * Catherine the Great, Golda Meir, Indira Gandhi: These may not be women you'd want to fuck, but you definitely don't want to fuck with them. And if you don't think a woman can handle a war, ask the Argentinians.
 * Being a functioning alcoholic is kind of like being a paraplegic lap dancer: You can do it, just not as well as the others, really.

Quotes about Williams

We sort of accept that the price for that free-flowing, fast-paced, inexplicable comic genius is a counterweight of solitary misery. That there is an invisible inner economy that demands a high price for breathtaking talent.''' … Robin Williams could have tapped anyone in the western world on the shoulder and told them he felt down and they would have told him not to worry, that he was great, that they loved him. He must have known that. He must have known his wife and kids loved him, that his mates all thought he was great, that millions of strangers the world over held him in their hearts, a hilarious stranger that we could rely on to anarchically interrupt, the all-encompassing sadness of the world. Today Robin Williams is part of the sad narrative that we used to turn to him to disrupt. … we must reach inward and outward to the light that is inside all of us … Do you have time to tune in to Fox News, to cement your angry views to calcify the certain misery? What I might do is watch Mrs. Doubtfire. Or Dead Poets Society or Good Will Hunting and I might be nice to people, mindful today how fragile we all are, how delicate we are, even when fizzing with divine madness that seems like it will never expire. I think it’s so unique you can’t emulate it. If you look at the way comedy is, and look at its history, you don’t find anybody like him at all, except for maybe Jonathan Winters is the closest, and he also was a very dreamlike figure. The non-actor has a major advantage because it’s harder to hide the symptoms. The actor knows how to act. Robin, like his idol Jonathan Winters, must have had one of the world’s hardest talents with which to live and retain personal balance. Sitting next to him on my old PBS show was like sitting in the Macy’s barge next to the fireworks going off. He was at full, manic, comic frenzy for an hour without let-up. (We even improvised a short Shakespeare play together, with and without rhymed couplets.) '''I caught his manic energy. It was exhilarating. And exhausting.''' When it ended, I was wet and spent. It took him a while to come (partially) down, and I thought, “Can this be good for anyone? Can you be able to do all these rapid-fire personality changes and emerge knowing who you yourself are?… Some day, will some chemical link be found between great, great performing talent and susceptibility to that awful conqueror of the talented performer? Are the gods jealous? Do they cruelly envy the greatly gifted and, in the classic Greek manner, smite them low? The somewhat grim answer: We’d better enjoy them while we can. “If it doesn’t cross the line, it comes very, very close to it,” said Christine Moutier, chief medical officer at the American Foundation for Suicide Prevention. “Suicide should never be presented as an option. That’s a formula for potential contagion.” We do need to talk about those “domesticated” parts, because they were the ones that won him a huge mainstream audience and, in the case of his avuncular, bearded psychiatrist in Good Will Hunting, an Oscar. This was Williams the crinkle-eyed humanist. … The saddest thing is that Williams never found a collaborator who could give him the combination of structure and freedom in which he could thrive … But you know what? You could put together a highlight reel of Williams’s work …  and see that the measure of the man was vast. Even when his talent was cruelly constricted, his soul was limitless. It might seem ridiculous for a generation to claim a universally loved celebrity as their own, but if there was ever a Millennial hero, it was Robin Williams. The news that Williams had died, at the age of 63, hit the world like a shockwave yesterday. For many older Millennials, like me, who grew up in the ’80s and ’90s, the loss strikes as a particularly hard blow. … Williams’ Dr. Sean Maguire, a counselor who becomes a father-figure to the troubled title character in Good Will Hunting, punctured even my teenage gloom. He wasn’t jokey, he wasn’t zany, he wasn’t any of the things I had come to associate with Robin Williams, but his warmth was wholly recognizable and I was in awe. And then there’s Dead Poets Society, one of the ultimate teenage movies … The movie’s plot, which centers on a conservative boys school where a radical teacher works against the system to inspire his students, is hardly original and I knew that even back then. But the zeal and honesty that Williams’ poured into John Keating almost single-handedly elevated the movie from a cliché to an actual inspiration. Like any teenager, I was a bit disillusioned by school in general, but books and learning and truth were still things that could lure me and Williams’ Keating made a great case for them. To this day, I still can’t resist Williams’ line, “But poetry, beauty, romance, love, these are what we stay alive for.” Yet even with the years of cinematic evidence, I didn’t quite realize how much of an influence Williams had on my generation until today. … Everyone seemed to have their own personal memory about watching his films growing up. He was the teacher we always wanted, the baby-sitter we would have loved, the best friend who knew exactly how to make us laugh. It feels like I have always known that Robin Williams was an amazing actor, but I never understood just how amazing. Because looking back on it, I realize that his best roles didn’t define him — they helped define us. And I said, “I'm Mila.” And he said, “Yeah? You're on 70s''?” And then he said, “Remember this moment. Remember this because things like this don't happen very often. Remember this time.”''' Having somebody of Robin Williams' stature tell me to just acknowledge something meant so much. He didn't mentor me. He just said, “'''Step back and appreciate this. You're having an amazing time.'''” I was so nervous. And he said, “'''Relax. And don't forget to enjoy yourself because things like this don't happen to everyone.'''” … All he did was say, "Enjoy yourself and don't forget this." Like: "Just take a breath and acknowledge that you have an amazing opportunity.” During the hellish development, which would bounce between studios and producers for decades until Zach Snyder’s film hit theaters five years ago, casting attention switched from Williams to Brad Dourif, allegedly due to wariness over fan perception that Williams was unsuitable for the part. Going in a direction away from a captivating comedic performer with overtones of chained darkness looked foolish when Michael Keaton proved an excellent Batman as that comic franchise dominated the box office. And that criticism seems even more baseless decades later, after Good Will Hunting, Insomnia, One Hour Photo, and many other films that proved Williams’ heft. Rorschach, a deeply haunted man with an ever-changing mask that doesn’t hide an unmistakable voice, now seems like it would have been a perfect fit. There’s little point in rueing a missed opportunity from 25 years ago. But in the aftermath of Williams’ death at his Bay Area home yesterday, many people were quick to point to a moment in Watchmen when Rorschach sneeringly recites a grim joke about a depressed man who seeks help from a doctor, which now rings frighteningly true:
 * Genie, you're free.
 * Tweet from the Academy of Motion Picture Arts & Sciences (11 Aug 2014), soon after news of William's death, accompanying an image of the Genie in the film Aladdin (1992), which which was voiced by Williams.
 * Robin Williams was a wonderful, kind and generous man. One important thing I remember about his personality is that he was unassuming — he never acted as if he was powerful or famous. Instead, he was always tender and welcoming, willing to help others with a smile or a joke. Robin was a brilliant comedian — there is no doubt. He was a compassionate, caring human being. While watching him work on the set of the film based on my life — Patch Adams — I saw that whenever there was a stressful moment, Robin would tap into his improvisation style to lighten the mood of cast and crew. … Contrary to how many people may view him, he actually seemed to me to be an introvert. When he invited me and my family into his home, he valued peace and quiet, a chance to breathe — a chance to get away from the fame that his talent has brought him. … I’m enormously grateful for his wonderful performance of my early life, which has allowed the Gesundheit Institute to continue and expand our work.
 * Patch Adams, in "Patch Adams: ‘Thank You for All You’ve Given This World Robin, Thank You My Friend’" in TIME (12 August 2014)
 * For years, we had watched with awe as a Niagara of wit poured from his unconscious. Where did that manic waterfall of funny have its source? … Unfortunately, sometimes the mind that runs so fast it can’t keep up with itself also has its downtime. I didn’t know he suffered from depression, although it doesn’t surprise me. But it makes me want to do something. I hope it makes us all want to do something.
 * Alan Alda, as quoted in "Remembering Robin Williams (1951–2014)" in TIME (13 August 2014)]
 * There were jokes of his that made me laugh hard, but it was the going from one thing to another, making those connections. It’s like how you watch an improv group take suggestions. It was like Robin had the most brilliant audience inside his head throwing out suggestions, because he would put combinations together that were just crazy. And how he could work out of the moment. That working out of the moment is a gift, but he did it on another level. … He’s gonna be missed. There’s a hole, and it’s gonna take a long time to be filled.
 * Lewis Black, in in TIME (12 August 2014)
 * Poor Robin Williams, briefly enduring that lonely moment of morbid certainty where it didn’t matter how funny he was or who loved him or how many lachrymose obituaries would be written. '''I feel bad now that I was unduly and unbefittingly snooty about that handful of his films that were adjudged unsophisticated and sentimental. He obviously dealt with a pain that was impossible to render and ultimately insurmountable, the sentimentality perhaps an accompaniment to his childlike brilliance.
 * Russell Brand, in "Russell Brand: Robin Williams’ divine madness will no longer disrupt the sadness of the world" in The Guardian (12 August 2014)
 * He was the patriarch of our little clan of comedians in San Francisco. All of us looked at him, in a way, as a father figure. … He was just very supportive. He was very shy, and possibly a little embarrassed by his fame. Inside, he really was a comic. Naturally, all comics just wanna hang around other comics, so he would come to these little clubs and open mics, and you’d get bumped, and he would go on and you’d have to follow him, which was always really terrifying because he’s so great, and people were so excited to just be in his presence. … I feel like he was a conduit — that everything he was feeding off of his brilliance was really something he was just channeling. But maybe what allowed him to be so humble and what endeared people to him was that humility, and that he would just turn on that brilliance for you. It was the ultimate form of being present, to channel it. I think that he was very spiritual in a lot of ways.
 * Margaret Cho "Margaret Cho Remembers Robin Williams: He Was a ‘Father Figure’" by Larry Getlen in TIME (12 August 2014)
 * I guarantee you that thousands, hearing of Robin’s death, asked how he could do it when he had everything: fame, wealth, adulation, family love. And another supposed insulator against the worst of the blues, plenty of work. No combination of those adds up to insurance. And the hectic, nerve-wracking ups and downs of fortune in show business are, of course, a major factor for emotional disequilibrium. … I know Robin knew this. His death recalled a moment with him years ago in a small club. He came off stage after bringing a cheering audience to its feet. “Isn’t it funny how I can bring great happiness to all these people,” he said. “But not to myself.”
 * Dick Cavett, in "Dick Cavett: Robin Williams Won’t Be the Last Suicidal Star" in TIME (12 August 2014)
 * Robin and I agreed once that it’s galling to hear — when you’re “in it” — the question: “What have you got to be depressed about?” The great British actor and comedian, Stephen Fry, a fellow-sufferer, replies “And what have you got to have asthma about?”
 * Dick Cavett, in "Dick Cavett: Robin Williams Won’t Be the Last Suicidal Star" in TIME (12 August 2014)]
 * Playing one character at a time, for months on end, didn’t properly exploit Williams’ unique gift of being everyone at once. His true model and mentor was not an Olivier or Brando but freeform comic Jonathan Winters, who also battled to call a truce with the manifold Genie geniuses in his head. … Why does a clown want to play Hamlet? Maybe because he thinks he is that melancholy soul whom others find amusingly odd. Williams dropped Mork’s na-nu na-nu and entered dramatic film with the lead in The World According to Garp. … Williams infused weird wonder in voice roles for animated features — not only Aladdin but Robots and Happy Feet. He was a cartoon, with all the characters, in a man’s body. …  '''He could play anyone, but not just one: not “just” Robin Williams. All those voices in the head of this comic Hamlet must have told him it was time to be quiet. The rest is silence.
 * Richard Corliss, in "Robin Williams: The Comic Who Was Hamlet" in TIME obituary (11 August 2014)
 * On Monday night, as fans around the world began to grieve Robin Williams’s death, the Academy of Motion Picture Arts and Sciences — best known, in many circles, as the people behind the Oscars — sent out what may be the iconic social media image of Williams’s death. …[Genie, you're free.] … More than 270,000 people have shared the tweet, which means that, per the analytics site Topsy, as many as 69 million people have seen it. The problem? It violates well-established public health standards for how we talk about suicide.
 * Caitlin Dewey, in "Suicide contagion and social media: The dangers of sharing ‘Genie, you’re free’" in The Washington Post (12 August 2014)
 * What hurts most about the apparent suicide of Robin Williams is that as much as he achieved, he died in his own mind unfulfilled. And to an extent, he was unfulfilled — he never found a form that would capture the genius of his stand-up act or his early appearances on The Tonight Show, when his mind worked faster than anyone alive and very possibly dead, when he seemed to be channeling a fleet of circling UFOs containing the galaxy’s best comedy writers. The man didn’t need to play a sitcom alien to seem as if he had his own extraterrestrial energy field.
 * David Edelstein, in "Robin Williams, 1951-2014: The Measure of the Man Was Vast" at Vulture (11 August 2014)
 * Williams gave tremendous performances in a handful of movies, but it was Williams bottled and, in most cases, domesticated. It didn’t have that free-form, unfettered genius. That said, his nattering sailor in Robert Altman’s messy Popeye was musically dazzling. Even more musical was his performance in Paul Mazursky’s Moscow on the Hudson, in which the sadness of not being able to perform was right there in his eyes. … The combination of mania and melancholy tapped something beautiful in him. In The Fisher King, Williams was also at the height of his powers. He knew how to play a man dangerously in touch with unseen forces, a holy fool, and for once he played opposite actors who were, each in their own way, worthy of him: Jeff Bridges, Mercedes Ruehl, and, most memorably, Amanda Plummer, who should have partnered with him again.
 * David Edelstein, in "Robin Williams, 1951-2014: The Measure of the Man Was Vast" at Vulture (11 August 2014)
 * To the generation of kids who grew up on his movies, Williams was a revelation, a teacher and a lifeline.
 * Megan Gibson, in "Why Robin Williams Was a Millennial Hero" in TIME (12 August 2014)
 * I don't think I've met anyone as exceptional as Robin was … every moment … could be explosive any which-way, you didn’t know where it was going to go — you didn’t know even where it came from — he seemed to be able to channel the Cosmos, and at the same time he was always totally involved with the people around him, he really had a close touch with everybody he touched. He was absolutely extraordinary. … He seemed to be able to be … a kind of receptor of all knowledge, whatever it was, whether it was in the news, something from an encyclopedia, or from a book, he seemed to know all of this stuff, and he could then reassemble it, in the most incredible combinations — which was always surprising, funny and … outrageous, really, and I don't know how he did it. … That was always the miracle of Robin, it was something I've never bean able to explain.
 * Terry Gilliam, in video interview, "Terry Gilliam on the 'miracle of Robin Williams'" at BBC News (12 August 2014)
 * It's just this incredible talent was there that kept him really bright and bouncy… I'm sure on his own, and a lot of times on his own, that wasn't there. I think being around people … I don’t even think it was even performing at times … I think it was just some wondrous moment, as this stuff poured out of him, he was exhilarated by it as much as we were, and I think that was so important to Robin. And at the same time, he was one of the sweetest people ever walking the planet. He really cared about people. That's what I found amazing to be able to see an incredibly huge and complex vision of the world, and yet always, all the individual around him, he was in touch with all the time.
 * Terry Gilliam, in "Terry Gilliam on the 'miracle of Robin Williams'" at BBC News (12 August 2014)
 * When the gods gift you with the type of talent Robin had, there's a price to pay, there always is — it doesn’t come from nothing, It comes from … probably deep problems inside, a concern, all sorts of fears, and yet he could always channel those things and turn them into something gold … I think that just comes with the territory, frankly.
 * Terry Gilliam, in "Terry Gilliam on the 'miracle of Robin Williams'" at BBC News (12 August 2014)
 * Robin was a gifted actor and comedian, but he was also a true friend and supporter of our troops. From entertaining thousands of service men and women in war zones, to his philanthropy that helped veterans struggling with hidden wounds of war, he was a loyal and compassionate advocate for all who serve this nation in uniform. He will be dearly missed by the men and women of DoD - so many of whom were personally touched by his humor and generosity.
 * Chuck Hagel, in News Release No: NR-424-14 : Statement by Secretary of Defense Chuck Hagel on the Passing of Robin Williams (11 August 2014)
 * So many times you meet people they don't impact you. You meet them and they're gracious and they're nice, and then there are sometimes when you meet somebody and they say one thing and for the rest of your life you carry that one thing and they don't even know that they impacted your life. So here's Robin Williams fully decked out in elephantiasis makeup, like he was the Elephant Man, and we were talking and I'm being super quiet, and he just kind of turns to me and he said, “What's your name?”
 * Mila Kunis, as quoted in "Robin Williams' Advice to Mila Kunis: 'Remember This Moment'" in Esquire (12 August 2014)
 * Robin and I had a nice friendly relationship. I can’t claim I knew him well, but honestly, I don’t know how many people did. He seemed like the kind of guy who didn’t open up to a lot of people. …  The thing about Robin that I loved the most — and again, with limited experience — is that when he did my show, he was so great at it, because he was able to achieve something that eludes a lot of comedians who have tried to do Real Time. It’s not an easy show to do because you have to be very smart about politics. We don’t use a lot of show business people on the panel. I can name the show business people who can do it on a couple of hands — Ben Affleck, George Clooney, Alec Baldwin, Kerry Washington — people who are very politically aware and involved, and that is their passion.… But Robin did the panel, and he was able to both modulate his normal manic persona down to what was appropriate for the show he was doing, and also, completely still be Robin Williams. That is not an easy trajectory to find, and he did, and I always loved him for it. First of all, it means you’re humble — that you understand that you have to shape-shift a little to the show you’re doing. Some people don’t do that. Some people just refuse to do that. They wanna be exactly who they are, on whatever show they’re doing. I don’t agree with that. I think when you’re the guest, you have to bend a little. He did that. He was still Robin Williams, but he was exactly right for the show he was doing.
 * Bill Maher, in "Bill Maher: ‘You Could Just Tell There Was a Humanity in Robin Williams’" by Larry Getlen, in TIME (12 August 2014)
 * His style, when it came on the scene, looked completely new to people, and in many ways it was. He was fast and furious, and I think there’s something else that’s behind there that you can’t really quantify or define, but you could just tell there was a humanity in Robin Williams. He seems like a genuinely nice guy, like a good person who cares and tries to give back to the community. Some people, you get the impression that they’re putting on an act all the time. I didn’t get that impression with Robin Williams. I didn’t know him well, but I always thought, there’s a very decent person there.
 * Bill Maher, in ‘You Could Just Tell There Was a Humanity in Robin Williams’" by Larry Getlen, in TIME (12 August 2014)
 * In the late 1980’s, film producer Joel Silver set his sights on developing Alan Moore and Dave Gibbons’ massively successful graphic novel Watchmen into a feature film with director Terry Gilliam. Rumors swirled at the time, and the 2005 Entertainment Weekly oral history of the project confirmed that Arnold Schwarzenegger was in line for Dr. Manhattan, Richard Gere showed interest, and Robin Williams, fresh off his role as a delusional but sprightly vagabond in Gilliam’s The Fisher King, could be tapped as Rorschach.
 * I heard a joke once. Man goes to doctor, says he's depressed. Life seems harsh and cruel. Says he feels all alone in a threatening world where what lies ahead is vague and uncertain. Doctor says "Treatment is simple. The great clown, Pagliacci, is in town. Go see him. That should pick you up". Man bursts into tears. "But doctor", he says, "I am Pagliacci." Good joke. Everybody laugh. Roll on snare drum. Curtains.
 * Kevin McFarland, in "Remembering Robin Williams, cinema's Rorschach test" at BOING BOING (12 August 2014)

I’m not sure I can think of another actor with Williams’ combined dominant traits: instantly recognizable for his warmth and energy, fiercely multitalented, flying between understated and exuberant emotional extremes in comedy and drama, and yet maligned whenever the unpredictable balance he struck in a given performance didn’t match the critical ideal. In that way his Academy Award for Good Will Hunting in 1997 is both the peak of his control and the most patronizing harness of his career. Here is your reward for taking the raging combustion, powerful as a radiant star, and tamping it down to understated levels while remaining perforated, so that emotional peaks still have a chance to flare out. It was an unhelpful and unjust expectation on an actor who did nothing but give of himself to his performance. …''' it’s too limiting right now to call Robin Williams simply a comedian, despite the tremendous outpouring from the comedy community that continues today. He was an actor, one of the most gifted and adventurous performers of his generation''', and it’s a shame that it took something like his tragic death to take stock of the possibility that the outsized expectations of an audience could have prevented more people from simply enjoying the effort Williams made in so many films, no matter the critical adjudication.
 * Though a terrifically engaging screen presence at his most gregarious and joke-focused, he had to chops to be just as mesmerizing when muted, which would only draw out tension for the moment when he could turn on the jets and shift to full bombast.
 * Kevin McFarland, in "Remembering Robin Williams, cinema's Rorschach test" at BOING BOING (12 August 2014)

 * [Insomnia]’s a film that I look back on with great fondness. Working with Al Pacino, Robin Williams and Hilary Swank was an incredible experience. Sometimes, when people look for connections in your work, they look more at things like budget level than at the filmmaking itself. If you compare it to Oppenheimer, for example, there’s a similar attempt to try and convey the subjective experience of the protagonist. In the case of Pacino’s character, he’s suffering from a distortion of perception due to lack of sleep, and it’s not a million miles away from what I’m trying to do with showing Oppenheimer’s internal process, particularly at the beginning of the film.
 * Christopher Nolan, as quoted in Christopher Nolan: a showman's odyssey, by James Bell, 14 February 2024, Sight and Sound magazine, British Film Institute.

In recent months — as Williams wrestled with the cancellation of his CBS TV series The Crazy Ones and fought to maintain a sobriety that had at times proved fragile — those friends could see that he was losing that fight. … In early July, Williams checked himself into the Hazelden addiction treatment center in Center City, Minn. He had not fallen off the wagon, his publicist said at the time, but was instead struggling to hold himself together as he crumbled under the weight of depression. That there was the ritual rush of response on Twitter, Facebook, and in online comments, was to be expected. Though Williams had had issues with substance abuse, and made trips to rehab, this wasn't someone who seemed in danger of going over the edge. The idea that a performer who was synonymous with rapid-fire wit and boundless energy would take his own life was at first hard to believe, and then deeply sad. But even as Williams is mourned, the scope of reactions illustrates how wide-ranging his appeal was. … '''this performer known for his anarchic merriment was sometimes at his best when he was most subtle. And Williams' best was something special, and rare, and worth remembering.''' To those he touched who are sending kind words, know that one of his favorite things in the world was to make you all laugh. As for those who are sending negativity, know that some small, giggling part of him is sending a flock of pigeons to your house to poop on your car. Right after you’ve had it washed. After all, he loved to laugh too… '''Dad was, is and always will be one of the kindest, most generous, gentlest souls I’ve ever known, and while there are few things I know for certain right now, one of them is that not just my world, but the entire world is forever a little darker, less colorful and less full of laughter in his absence. We’ll just have to work twice as hard to fill it back up again.''' During the making of Mork & Mindy (1978), Williams departed from the scripts and ad libbed so many times and so well, that the producers stopped trying to make him stick to the script and deliberately left gaps in the later scripts leaving only, "Mork can go off here" in those places so Robin could improvise. … Asked by James Lipton about what he would like God to say when he arrives in heaven, Williams answered that "There is a seat in the front" in the concert of Wolfgang Amadeus Mozart and Elvis Presley.
 * Robin Williams was an airman, a doctor, a genie, a nanny, a president, a professor, a bangarang Peter Pan, and everything in between. But he was one of a kind.  He arrived in our lives as an alien – but he ended up touching every element of the human spirit.  He made us laugh.  He made us cry.  He gave his immeasurable talent freely and generously to those who needed it most – from our troops stationed abroad to the marginalized on our own streets.  The Obama family offers our condolences to Robin’s family, his friends, and everyone who found their voice and their verse thanks to Robin Williams.
 * Barack Obama, in "Statement by the President on the Passing of Robin Williams" (11 August 2014)
 * My friendship with Robin Williams is one of the real joys of my life … Robin is a person who gives to people 24 hours a day. The gift of joy, the gift of laughter. Just to be in a room with Robin Williams is a privilege. He’s a gift to the world.
 * Christopher Reeve, as quoted in "Robin Williams and Christopher Reeve's Epic Friendship and the Greatest Williams Story Ever Told" in The Daily Beast (12 August 2014)
 * In the wake of Williams' death at his home here Monday, fans around the world have struggled to understand what could have led a man whose thousand-megawatt comic persona had brought so much joy to millions to such depths of despair. But Williams' closest friends and colleagues knew well that the beneath his manic, Technicolor exterior, the actor had battled depression for years.
 * Josh Rottenberg, Amy Kaufman and Lee Romney, in "Robin Williams' friends saw signs he was succumbing to depression" in The Los Angeles Times (13 August 2014)
 * This morning, I lost my husband and my best friend, while the world lost one of its most beloved artists and beautiful human beings. I am utterly heartbroken. On behalf of Robin's family, we are asking for privacy during our time of profound grief. As he is remembered, it is our hope the focus will not be on Robin's death, but on the countless moments of joy and laughter he gave to millions.
 * Susan Schneider, his widow, as quoted in Robin Williams' Family Movingly Remembers "A Gentle Soul" Who "Loved to Laugh" by Gregg Kilday, in The Hollywood Reporter (12 August 2014)
 * Robin Williams was beloved by the U.S. military, perhaps even more so than by the American public. He carried Bob Hope’s mantle as a funny man far from home, often in inhospitable places. Throughout his career, Williams made six USO tours to Iraq, Afghanistan, and 11 other countries and performed for 90,000 troops by the time of his final tour in 2010.
 * Mark Thompson, in "The Military Absolutely Loved Robin Williams" in TIME (12 August 2014)
 * The death of Robin Williams this week was a shock, the kind of event that makes people stop, even in the crush of other terrible news from all corners of the globe, and feel a stinging sense of loss for someone they never met.
 * Kristi Turnquist, in "Robin Williams: The timeless appeal of his best movies -- and a memorable TV appearance on 'Louie'" in The Oregonian (13 August 2014)
 * Yesterday, I lost my father and a best friend and the world got a little grayer. I will carry his heart with me every day. I would ask those that loved him to remember him by being as gentle, kind, and generous as he would be. Seek to bring joy to the world as he sought.
 * Zachary Williams, as quoted in Robin Williams' Family Movingly Remembers "A Gentle Soul" Who "Loved to Laugh" by Gregg Kilday, in The Hollywood Reporter (12 August 2014)
 * He was always warm, even in his darkest moments. While I’ll never, ever understand how he could be loved so deeply and not find it in his heart to stay, there’s minor comfort in knowing our grief and loss, in some small way, is shared with millions. It doesn’t help the pain, but at least it’s a burden countless others now know we carry, and so many have offered to help lighten the load. Thank you for that.
 * Zelda Williams, as quoted in Robin Williams' Family Movingly Remembers "A Gentle Soul" Who "Loved to Laugh" by Gregg Kilday, in The Hollywood Reporter (12 August 2014)
 * When he auditioned for the role of Mork from Ork on Happy Days (1974), producer Garry Marshall told him to sit down. Williams immediately sat on his head on the chair. Marshall hired him, saying that he was the only alien who auditioned.
 * "Odd facts about Robin Williams" in The Australian (12 August 2014)

title: Robin Williams


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Kathy Najimy

Kathy Ann Najimy (born 6 February 1957) is an American actress and comedian of Lebanese heritage, best known as Olive Massery on the television series Veronica's Closet, Sister Mary Patrick in Sister Act, Mary Sanderson in Disney's Halloween comedy-drama film Hocus Pocus, and the voice of Peggy Hill on the animated television series King of the Hill.

Quotes

 * First and foremost, I'm a feminist. And basically that stems from a strong belief that all people and creatures deserve equal opportunity, rights and respect.
 * Interview by Marianne Schnall

title: Kathy Najimy


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Talk:Clue (film)

Quote limit
As part of the Copyright Cleanup Project to avoid violation of copyright laws, this article has been trimmed to its limit of no more than 5 medium-sized quotes per hour of film. Since IMDb lists the length of the this movie as 94 minutes, this article is limited to a maximum of 8 quotes of reasonable length. If you would like to add another quote, you must first remove one. Wikiquote's copyright guidlines can be found here and current policy here. Thanks. -Sketchmoose 18:13, 21 July 2009 (UTC)

title: Talk:Clue (film)


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Fiona Apple

Fiona Apple Maggart (born 13 September 1977), most famous as Fiona Apple, is a Grammy Award-winning American singer-songwriter and pianist.

Quotes

 * This world is bullshit. And you shouldn't model your life — wait a second — you shouldn't model your life about what you think that we think is cool and what we're wearing and what we're saying and everything. Go with yourself. Go with yourself.
 * Acceptance speech, 1997 MTV Video Music Awards

 * It was because of this guy I had gone out with and had been really, really close with. I really loved him. I felt that he was my best friend. But he was a teenaged guy, and they don't think a lot of times. He mistreated me and then he came back. I couldn't even be friends with him for awhile. I cared about him, but it was just a situation where he kept trying to be friends with me, but I knew that he just wanted to be friends with me so he could have the option of making a move on me whenever he wanted to. And because I was so infatuated with him, and even in love with him, I was always available for that. It made me feel weak every time I would fall for that. And I would look forward to him making a move on me, but I knew that it was wrong. I knew that he was playing with me. And after awhile, I didn't even care anymore because I wanted him so much.
 * On Shadowboxer from Tidal,
 * from Nuvo, "Fiona Apple: The NUVO Interview" April [1997]

 * Interviewer: I read a post on the Internet from a young girl who had been victimized by someone and her position was like, "I can talk about this now because Fiona Apple can talk about what happened to her." Do you look at yourself as a role model for women and girls who've had this experience? Fiona: That's the only reason I ever brought the whole rape thing up. It's a terrible thing, but it happens to so many people. I mean, 80 percent of the people I've told have said right back to me, "That happened to me too." It's so common, and so ridiculous that it's a hard thing to talk about. It angers me so much because something like that happens to you and you carry it around for the rest of your life. No matter how much therapy you go through, no matter how much healing you go through, it's part of you. I just feel that it's such a tragedy that so many people have to bear the extra burden of having to keep it secret from everyone else. As if it's too icky a subject to burden other people with and everyone's going to think you're a victim forever. Then you've labeled yourself a victim, and you've been taken advantage of, and you're ruined, and you're soiled, and you're not pure, you know. If I'm in a position where people are looking up to me in any way, then it's absolutely my responsibility to be open and honest about this, because if I'm not, what does that say to people? It doesn't change a person -- well, it does change a person but it doesn't take anything away from you. It can only strengthen you. It has made me so angry in the past. Like I wanted to say it to somebody. I really wanted somebody to connect with, somebody to understand me, somebody to comfort me. But I felt like I couldn't say anything about because it was taboo to talk about.
 * Nuvo, "Fiona Apple: The NUVO Interview" April [1997]

 * I definitely had an eating disorder. What was really frustrating for me was that everyone thought I was anorexic, and I wasn't. I was really depressed and self-loathing. For me, it wasn't about being thin, it was about getting rid of the bait attached to my body. A lot of it came from the self-loathing that came from being raped at the point of developing my voluptuousness. I just thought that if you had a body and if you had anything on you that would be grabbed, it would be grabbed. So I did purposely get rid of it...I mean, my plan is to gain enough weight that I can really be considered voluptuous, and do my 'First Taste' video. And I am preparing myself for what is going to happen. Because soon they will be saying that I'm fat. And it will hurt me.
 * Rolling Stone, "The Caged Bird Sings" January [1998]

 * My problem was that I felt ashamed of feeling sad or angry. Now, I don't hide my vulnerability in my lyrics. There's no way I was going to get raped and not get something out of it. I learned about power and hope and forgiveness. I like who I am now and I wouldn't be who I am if that hadn't happened.
 * ELLE, "Fiona Apple is NOT the next Alanis, thank you" October [1996]

 * I don't have a big thing about leaving my mark or being historic.
 * Dr Drew interview (November 1999)

 * Don't waste your crazy!
 * Forever Fiona, interview by Liza Ghorbani (June 7, 2012)

 * You could say, more accurately, I had found my voice but I had forgotten that I found it, or I had found my voice but stopped hearing it for a while. I think that happens throughout life. That is maybe why you can write songs about yourself for ever because you cycle through the same things over and over but you’re seeing it a little more clearly every time.
 * On the lyric "I hadn't found my voice yet" in the song "Relay" in "Fiona Apple on the album of the year, Grammys hypocrisy and how #MeToo helped her get sober" in The Guardian (2020 Dec 18)

 * ...In that moment I understood what it was for – it’s really for anybody to have those words and feel validated. Even if no one else believes you, even if you’ve not believed yourself, even if you still don’t believe yourself, let me give you these words to sing and at some point you’re gonna feel it and you’re gonna have compassion for yourself, finally, hopefully.
 * On the song "For Her" and the epiphany she had in "Fiona Apple on the album of the year, Grammys hypocrisy and how #MeToo helped her get sober" in The Guardian (2020 Dec 18)

 * I get that, but it didn’t occur to me because that was the truth – Shameika did say I had potential. It was a true sentence and I really like when true things sound pretty. I was pretty sure there was a Shameika at the school and this had happened, but I question my memories – I question my memory even about having been raped. If I had thought of that I probably wouldn’t have put it out because I would have been afraid that that was how it was coming off...
 * On the possibility of the song "Shameika" being perceived as a "Black savior trope" in "Fiona Apple on the album of the year, Grammys hypocrisy and how #MeToo helped her get sober" in The Guardian (2020 Dec 18)

 * ...That [speech] was a huge moment in my life that I will never, ever regret, and that I have never regretted, no matter how embarrassed I might have been by it at a certain point. I knew it was one of those moments where you have to be a really good parent to yourself and go: “This is a time you can get out there and just say it, you have to because if you don’t do it now you set a precedent for yourself at these things. You shut up your entire life at school, you took all this shit and you were quiet, look how it made you feel. You’re at this thing right now, this magnified high school class and now you got a chance to go up and say something? Don’t be shy. No matter how it comes out, just let it come out.” So I’m really glad that I did that and I think that that set me on a good path.
 * On her infamous MTV acceptance speech in "Fiona Apple on the album of the year, Grammys hypocrisy and how #MeToo helped her get sober" in The Guardian (2020 Dec 18)

 * It shouldn’t be like this but I think it’s feeling recognised and appreciated and not being trashed or misunderstood. I feel proud of myself – I’m taking care of myself, I’m taking care of my career and I’m managing things well. I know more than anybody how hard this stuff is for me. There’s been a lot of anxiety and seriously feeling like I cannot do this job but then a lot of outright joy and relief that I actually did put out the album. Something I think about is: if it hadn’t been well received, it would have been the same album, and would I still have felt joy and freedom and satisfaction? I don’t know that I would, and that troubles me. I’m happy that I feel respected in a way that I wasn’t before but it also messes with your idea of yourself.
 * On if her album Fetch the Bolt Cutters makes her feel better about her struggles in "Fiona Apple on the album of the year, Grammys hypocrisy and how #MeToo helped her get sober" in The Guardian (2020 Dec 18)

Tidal (1996)

 * I got my feet on the ground and I don't go to sleep to dream; You've got your head in the clouds and you're not at all what you seem. This mind, this body and this voice cannot be stifled by your deviant ways. So don't forget what I told you, don't come around, I got my own hell to raise.
 * Sleep to Dream

 * Once my lover, now my friend; What a cruel thing to pretend. What a cunning way to condescend; Once my lover, and now my friend. Oh, you creep up like the clouds And you set my soul at ease. Then you let your love abound, And you bring me to my knees.
 * Shadowboxer

 * Oh, it's evil babe The way you let your grace enrapture me, When well you know I'd be insane To ever let that dirty game recapture me. You made me a shadowboxer, baby. I wanna be ready for what you do. I been swinging all around me 'Cause I don't know when you're gonna make your move.
 * Shadowboxer

 * I've been a bad, bad girl. I've been careless with a delicate man. And it's a sad, sad world When a girl will break a boy just because she can. Don't you tell me to deny it. I've done wrong and I want to suffer for my sins. I've come to you 'cause I need guidance to be true, And I just don't know where I can begin.
 * Criminal

 * What I need is a good defense 'Cause I'm feeling like a criminal And I need to be redeemed To the one I've sinned against Because he's all I ever knew of love.
 * Criminal

When the Pawn… (1999)

 * When the pawn hits the conflicts he thinks like a king What he knows throws the blows when he goes to the fight And he’ll win the whole thing ‘fore he enters the ring There’s no body to batter when your mind is your might So when you go solo you hold your own hand And remember that depth is the greatest of heights And if you know where you stand then you know where to land And if you fall it won’t matter cuz you’ll know that you’re right.
 * When the Pawn

 * My derring-do allows me to Dance the rigadoon around you. But by the time I'm close to you, I lose my desideratum and now you.
 * To Your Love

 * Hunger hurts, and I want him so bad, oh it kills. 'Cause I know I'm a mess he don't wanna clean up. I got to fold 'cause these hands are too shaky to hold. Hunger hurts, but starving works, when it costs too much to love.
 * Paper Bag

 * Do I wanna do right, of course but do I really wanna feel I’m forced to answer you, hell no. I’ve acquired quite a taste for a well-made mistake, I wanna make a mistake.
 * A Mistake

 * I may be soft in your palm, But I'll soon grow hungry for a fight, and I will not let you win. My pretty mouth will frame the phrases that will disprove your faith in man. So if you catch me trying to find my way into your heart from under your skin, Fast as you can, baby Scratch me out, free yourself.
 * Fast as You Can

 * So keep on calling me names, keep on, keep on. And I'll keep kicking the crap till it's gone. If you keep on killing, you could get me to settle. And as soon as I settle, I bet I'll be able to move on.
 * The Way Things Are

 * And I will pretend That I don't know of your sins Until you are ready to confess. But all the time, all the time, I'll know, I'll know. And you can use my skin To bury secrets in, And I will settle you down.
 * I Know

Extraordinary Machine (2005)

 * I certainly haven't been shopping for any new shoes, And I certainly haven't been spreading myself around. I still only travel by foot, and by foot it's a slow climb. But I'm good at being uncomfortable, so I can't stop changing all the time.
 * Extraordinary Machine

 * One man, he disappoint me; He give me the gouge and he take my glee. Now every other man I see Remind me of the one man who disappoint me.
 * Get Him Back

 * Everything good, I deem too good to be true; Everything else is just a bore. Everything I have to look forward to Has a pretty painful and very imposing before.
 * O' Sailor

 * I opened my eyes While you were kissing me once more than once, And you looked as sincere as a dog. Just as sincere as a dog does, When it's the food on your lips with which it's in love.
 * Parting Gift

 * The early cars Already are Drawing deep breaths past my door. And last night's phrases, Sick with lack of basis, Are still writhing on my floor. And it doesn't seem fair That your wicked words should work In holding me down. No, it doesn't seem right To take information Given at close range For the gag And the bind And the ammunition round.
 * Not About Love

 * Conversation once colored by esteem Became dialogue as a diagram of a play for blood. Took a vacation, my palate got clean. Now I could taste your agenda While you're spitting your cud.
 * Not About Love

 * If you don't have a date Celebrate Go out and sit on the lawn And do nothing 'Cause it's just what you must do Nobody does it anymore.
 * Waltz (Better Than Fine)

Quotes about Fiona Apple

 * Well, you ain't Fiona Apple. And if you ain't Fiona Apple, I don't give a rat's ass.
 * Officer Barbrady, after Barbra Streisand asks him if he knew who she is
 * South Park, "Mecha-Streisand" [1.12]

 * And then I went over to the concession stand to get some tea and I ran into Fiona Apple, and I was like, "Who do you think you are, Fiona Snapple?"
 * Cinder Calhoun (Ana Gasteyer, Saturday Night Live,)

title: Fiona Apple