text:
User talk:Tejano~enwikiquote

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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Tejano. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Tejano~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:37, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:59, 19 April 2015 (UTC)

title: User talk:Tejano~enwikiquote


text:
User talk:RuneZala

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license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: User talk:RuneZala


text:
User talk:Ooyodogawa2004

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title: User talk:Ooyodogawa2004


text:
User talk:Steel359

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title: User talk:Steel359


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User talk:Spottswoode

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title: User talk:Spottswoode


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User talk:My.wiki

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title: User talk:My.wiki


text:
User talk:Juanrayon~enwikiquote

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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Juanrayon. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Juanrayon~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:25, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:50, 19 April 2015 (UTC)

title: User talk:Juanrayon~enwikiquote


text:
User talk:Crunchy Numbers

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title: User talk:Crunchy Numbers


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User talk:Mcgaheyl

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title: User talk:Mcgaheyl


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User talk:Giraffepoacher

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title: User talk:Giraffepoacher


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User talk:Genrocks

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User talk:Interpolarity

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title: User talk:Interpolarity


text:
User talk:Phschemguy

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title: User talk:Phschemguy


text:
User talk:AJNock

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title: User talk:AJNock


text:
User talk:Burzum

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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Burzum. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Burzum~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:20, 17 March 2015 (UTC)

title: User talk:Burzum


text:
The Shining (film)

The Shining is a 1980 British-American horror film about a frustrated writer, his wife and their disturbed son who experience a series of paranormal horrors while looking after a deserted hotel for the winter.
 * Directed by Stanley Kubrick. Written by Stanley Kubrick and Diane Johnson, based on the novel by Stephen King.

All work and no play make Jack a dull boy...(taglines)

Jack Torrance

 * God, I'd give anything for a drink. I'd give my goddamned soul for just a glass of beer.
 * It is so fucking typical of you to create a problem like this when I finally have a chance to accomplish something, when I'm really into my work! I could really write my own ticket if I went back to Boulder now, couldn't I? Shoveling out driveways? Work in a carwash? Any of that appeal to you? [Wendy: Jack, please.] Wendy, I have let you fuck up my life so far, but I am not gonna let you fuck this up!
 * You've had your whole FUCKING LIFE to think things over! What good's a few minutes more gonna do you now?!
 * Wendy? You got a big surprise coming to you. [laughs] You're not going anywhere. Go check out the Snow Cat and the radio and you'll see what I mean. [laughing insanely] Go check it out! Go check it out!
 * No need to rub it in, Mr. Grady. I'll deal with that situation just as soon as I get out of here.

Wendy Torrance

 * It was just one of those things, you know. Purely an accident. My husband had, uh, been drinking, and he came home about three hours late. So he wasn't exactly in the greatest mood that night. And, well, Danny had scattered some of his school papers all over the room, and my husband grabbed his arm and pulled him away from them. It's...it's just the sort of thing you do a hundred times with a child, you know, in the park or in the streets. But on this particular occasion, my husband just used too much strength, and he injured Danny's arm. [nervous laugh] Anyway, something good did come out of it all, because he said "Wendy, I'm never gonna touch another drop. And if I do, you can leave me." And he didn't, and he hasn't had any alcohol in, uh, five months.
 * [to Jack; about Danny] You did this to him, didn't you? You son of a bitch! You did this to him! Didn't you? [Jack shakes his head] How could you? How could you?

Danny Torrance

 * Tony, I'm scared. [as Tony] Remember what Mr. Hallorann said. It's just like pictures in a book. It isn't real.
 * [as Tony] Danny's not here, Mrs. Torrance...Danny can't wake up, Mrs. Torrance...Danny's gone away, Mrs. Torrance.
 * [As Tony] Redrum!

Others

 * Grady Twins: Hello, Danny. Come and play with us. Come and play with us, Danny. Forever... [3 shots of their bloody corpses] ...and ever...and ever.
 * Dick Hallorann: Hello? Anybody here? Hello? Anybody here? Hello? Anybody here? Hello? Hello? Anybody here? [suddenly gets killed by Jack]
 * Delbert Grady: Great party, isn't it?

Dialogue

 * Danny Torrance: Do you really want to go and live in that hotel for the winter?
 * Wendy Torrance: Sure I do. It'll be lots of fun.
 * Danny: Yeah, I guess so. Anyway, there's hardly anybody to play with around here.
 * Wendy: Yeah, I know. It always takes a little time to make new friends.
 * Danny: Yeah, I guess so.
 * Wendy: What about Tony? He's looking forward to the hotel, I bet.
 * Danny: [as Tony] No I ain't, Mrs. Torrance.
 * Wendy: Now, come on, Tony, don't be silly.
 * Danny: [as Tony] I don't want to go there, Mrs. Torrance.
 * Wendy: Well, how come you don't want to go?
 * Danny: [as Tony] I just don't.
 * Wendy: Well, let's just wait and see. We're all going to have a real good time.

 * Stuart Ullman: Physically, it's not a very demanding job. The only thing that can get a bit trying up here during the winter is the tremendous sense of isolation.
 * Jack Torrance: Well, that just happens to be exactly what I'm looking for. I'm outlining a new writing project and, uh, five months of peace is just what I need.
 * Ullman: That's very good, Jack. Because for some people, solitude and isolation can, in itself, become a problem.
 * Jack: Not for me.

 * Stuart Ullman: I don't suppose they told you anything in Denver about the tragedy we had up here during the winter of 1970?
 * Jack Torrance: I don't believe they did.
 * Ullman: Well, my predecessor in this job hired a man named Charles Grady as the winter caretaker. And he came up here with his wife and two little girls — I think they were about eight and ten — and he had a good employment record, good references, and from what I've been told he seemed like a completely normal individual. But at some point during the winter, he must have suffered some kind of complete mental breakdown. He ran amok and he killed his family with an axe. Stacked them neatly in one of the rooms in the West Wing, and then he put both barrels of a shotgun in his mouth. Police thought it was what the old-timers used to call cabin fever; a kind of claustrophobic reaction that can occur when people are shut in together over long periods of time.
 * Jack: Well, that is quite a story.
 * Ullman: [chuckling] Yeah, yeah it is. Oh, it's still hard for me to believe it actually happened here, but it did. So I think you can appreciate why I wanted to tell you about it.
 * Jack: I certainly can, and I also understand why your people in Denver left it for you to tell me.

 * Danny Torrance: Mr. Hallorann, are you scared of this place?
 * Dick Hallorann: No. I ain't scared of nothing here. It's just that, you know, some places are like people. Some shine and some don't. I guess you could say the Overlook Hotel here has something almost like shining.
 * Danny: Is there something bad here?
 * Hallorann: Well, you know, Doc, when something happens, it can leave a trace of itself behind, say like if someone burns toast. Well, maybe things that happen leave other kinds of traces behind. Not things that anyone else can notice, but things that people who shine can see, just like they can see things that haven't happened yet. Well, sometimes they can see things that happened a long time ago. I think a lot of things happened right here in this hotel over the years, and not all of 'em was good.
 * Danny: What about Room 237?
 * Hallorann: Room 237?
 * Danny: You're scared of Room 237, ain't ya?
 * Hallorann: No I ain't.
 * Danny: Mr. Hallorann, what is in Room 237?
 * Hallorann: Nothing. There ain't nothing in Room 237, but you haven't got no business going in there anyway, so stay out! You understand? Stay out!

 * [Wendy brings Jack breakfast in bed]
 * Wendy Torrance: It's really pretty outside. How about taking me for a walk after you've finished your breakfast?
 * Jack Torrance: Oh, I suppose I ought to try to do some writing first.
 * Wendy: Any ideas yet?
 * Jack: Lots of ideas. No good ones.
 * Wendy: Well, something'll come. It's just a matter of settling back into the habit of writing every day.
 * Jack: Yeah, that's all it is.
 * Wendy: It's really nice up here, isn't it?
 * Jack: I love it, I really do. I've never been this happy or comfortable anywhere.
 * Wendy: Yeah, it's amazing how fast you get used to such a big place. I tell you, when we first came up here, I thought it was kind of scary.
 * Jack: I fell in love with it right away. When I came up here for my interview, it was as though I'd been here before. I mean, we all have moments of déjà vu, but this was ridiculous. It was almost as though I knew what was going to be around every corner.

 * Wendy Torrance: Get a lot written today?
 * Jack Torrance: Yes.
 * Wendy: Hey! Weather forecast said it's gonna snow tonight!
 * Jack: What do you want me to do about it?
 * Wendy: Aw, come on, hon. Don't be so grouchy.
 * Jack: I'm not being grouchy. I just want to finish my work.
 * Wendy: Okay, I understand. I'll come back later on with a couple of sandwiches for ya, and maybe you'll let me read something then.
 * Jack: Wendy, let me explain something to you. Whenever you come in here and interrupt me, you're breaking my concentration. You're distracting me, and it will then take me time to get back to where I was! Understand?
 * Wendy: Yeah.
 * Jack: All right. We're gonna make a new rule. When I'm in here and you hear me typing, or whether you don't hear me typing, or whatever the fuck you hear me doing in here, when I'm in here, that means that I am working, and that means don't come in! Now, do you think you can handle that?
 * Wendy: Yeah.
 * Jack: Fine. Why don't you start right now and get the fuck outta here?
 * Wendy: Okay.

 * Danny Torrance: Do you like this hotel?
 * Jack Torrance: Yes I do. I love it. Don't you?
 * Danny: I guess so.
 * Jack: Good. I want you to like it here. I wish we could stay here for ever, and ever... and ever.
 * Danny: Dad?
 * Jack: What?
 * Danny: You wouldn't ever hurt Mommy and me, would you?
 * Jack: What do you mean? Did your mother ever say that to you, that I would hurt you?
 * Danny: No, Dad.
 * Jack: Are you sure?
 * Danny: Yes, Dad.
 * Jack: I love you, Danny. I love you more than anything else in the whole world, and I'd never do anything to hurt you, ever. You know that, don't you?
 * Danny: Yes, Dad.
 * Jack: Good.

 * Jack Torrance: It was the most terrible nightmare I ever had! It's the most horrible dream I ever had!
 * Wendy Torrance: It's okay, it's over now.
 * Jack: I dreamed that I—that I killed you and Danny. But I didn't just kill you. I cut you up into little pieces. Oh my God! I must be losing my mind.
 * Wendy: Everything's gonna be all right.

 * Jack Torrance: Hi, Lloyd. A little slow tonight, isn't it? [laughs]
 * Lloyd: Yes it is, Mr. Torrance. What'll it be?
 * Jack: I'm awfully glad you asked me that, Lloyd. Because I just happen to have two twenties and two tens right here in my wallet. I was afraid they were gonna be there until next April. So here's what: you slip me a bottle of bourbon, a little glass and some ice. You can do that, can't you, Lloyd? You're not too busy, are you?
 * Lloyd: No, sir. I'm not busy at all.
 * Jack: Good man! You set 'em up and I'll knock 'em back, Lloyd. One by one. White man's burden, Lloyd, my man! White man's burden. [checks wallet] Say, Lloyd, it seems I'm temporarily light! How's my credit in this joint, anyway?
 * Lloyd: Your credit's fine, Mr. Torrance.
 * Jack: That's swell. I like you, Lloyd. I always liked you. You were always the best of 'em. Best god-damn bartender from Timbuktu to Portland, Maine. Or Portland, Oregon, for that matter.
 * Lloyd: Thank you for saying so.
 * Jack: Here's to five miserable months on the wagon, and all the irreparable harm that it's caused me.
 * Lloyd: How are things going, Mr. Torrance?
 * Jack: Things could be better, Lloyd. Things could be a whole lot better.
 * Lloyd: I hope it's nothing serious.
 * Jack: No. Nothing serious. Just a little problem with the, uh, old sperm-bank upstairs. Nothing I can't handle though, Lloyd. Thanks.
 * Lloyd: Women. Can't live with 'em, can't live without 'em.
 * Jack: Words of wisdom, Lloyd! Words of wisdom. I never laid a hand on him, goddamn it. I didn't. I wouldn't touch one hair on his goddamn little head. I love the little son of a bitch! I'd do anything for him, any fucking thing for him. But that bitch! As long as I live, she'll never let me forget what happened. I did hurt him once, okay? It was an accident - completely unintentional, could have happened to anybody - and it was three goddamn years ago! The little fucker had thrown all my papers all over the floor, and all I tried to do was pull him up! A momentary loss of muscular coordination, all right? A few extra foot-pounds of energy per second, per second.

 * Wendy Torrance: Jack, there's someone else in the hotel with us! There's a crazy woman in one of the rooms! She tried to strangle Danny!
 * Jack Torrance: Are you out of your fucking mind?
 * Wendy: No, it's the truth! I swear it! Danny told me! He went up into one of the bedrooms, the door was open, and he saw this crazy woman in the bathtub! She tried to strangle him!
 * Jack: [pause] Which room was it?

 * Wendy Torrance: Did you find anything?
 * Jack Torrance: No, nothing at all. I didn't see one goddamn thing.
 * Wendy: You went into the room Danny said, to 237?
 * Jack: Yes I did.
 * Wendy: And you didn't see anything at all?
 * Jack: Absolutely nothing. How is he?
 * Wendy: He's still asleep.
 * Jack: Good. I'm sure he'll be himself again in the morning.
 * Wendy: Well, are you sure it was the right room? I mean, maybe Danny made a mistake.
 * Jack: He must have gone in that room. The door was open, the lights were on.
 * Wendy: Oh, I just don't understand it. What about those bruises on his neck? Somebody did that to him.
 * Jack: I think he did it to himself.
 * Wendy: No, that's not possible.
 * Jack: Wendy, once you rule out his version of what happened, there is no other explanation, is there? It wouldn't be much different from the episode that he had before we came up here, would it?
 * Wendy: Whatever the explanation is, I think we have to get Danny out of here.
 * Jack: Get him out of here?
 * Wendy: Yes.
 * Jack: You mean just leave the hotel?
 * Wendy: Yes.
 * Jack: [lividly] It is so fucking typical of you to create a problem like this when I finally have a chance to accomplish something, when I'm really into my work! I could really write my own ticket if I went back to Boulder now, couldn't I? Shoveling out driveways? Work in a carwash? Any of that appeal to you?
 * Wendy: Jack, please.
 * Jack: Wendy, I have let you fuck up my life so far, but I am not gonna let you fuck this up!

 * Lloyd: Bourbon on the rocks.
 * Jack Torrance: That'll do her.
 * Lloyd: No charge to you, Mr. Torrance.
 * Jack: No charge?
 * Lloyd: Your money's no good here. Orders from the house.
 * Jack: Orders from the house?
 * Lloyd: Drink up, Mr. Torrance.
 * Jack: I'm the kind of man who likes to know who's buying their drinks, Lloyd.
 * Lloyd: It's not a matter that concerns you, Mr. Torrance. At least not at this point.

 * Jack Torrance: Mr. Grady, you were the caretaker here. I recognize you. I saw your picture in the newspapers. You uh, chopped your wife and daughters up into little bits and then you blew your brains out.
 * Delbert Grady: That's strange, sir. I don't have any recollection of that at all.
 * Jack: Mr. Grady, you were the caretaker here.
 * Grady: I'm sorry to differ with you, sir, but you are the caretaker. You've always been the caretaker. I should know, sir. I've always been here.

 * Delbert Grady: Your son has a very great talent. I don't think you are aware how great it is, but he is attempting to use that very talent against your will.
 * Jack Torrance: Well, he is a very willful boy!
 * Grady: Indeed he is, Mr. Torrance. A very willful boy. A rather naughty boy, if I may be so bold, sir.
 * Jack: It's his mother. She uh, interferes.
 * Grady: Perhaps they need a good talking to, if you don't mind my saying so. Perhaps a bit more. My girls, sir, they didn't care for the Overlook at first. One of them actually stole a pack of matches and tried to burn it down, but I corrected them, sir. And when my wife tried to prevent me from doing my duty, I corrected her.

 * Jack Torrance: I think we should discuss Danny. I think we should discuss what should be done with him. What should be done with him?
 * Wendy Torrance: [sobbing] I don't know.
 * Jack: I don't think that's true. I think you have some very definite ideas about what should be done with Danny, and I'd like to know what they are.
 * Wendy: I think maybe he should be taken to a doctor!
 * Jack: You think "maybe" he should be "taken to a doctor"?
 * Wendy: Yes!
 * Jack: When do you think "maybe" he should be "taken to a doctor"?
 * Wendy: As soon as possible!
 * Jack: [mockingly] "As soon as possible"?
 * Wendy: Jack! Please!
 * Jack: You believe his health might be at stake.
 * Wendy: Yes!
 * Jack: You are concerned about him.
 * Wendy: Yes!
 * Jack: And are you concerned about me?
 * Wendy: Of course I am!
 * Jack: Of course you are! Ever thought about my responsibilities?
 * Wendy: Oh, Jack, what are you talking about?
 * Jack: Have you ever had a single moment's thought about my responsibilities? Have you ever thought for a single solitary moment about my responsibilities to my employers? Has it ever occurred to you that I have agreed to look after the Overlook Hotel until May the 1st? Does it matter to you at all that the owners have placed their complete confidence and trust in me, and that I have signed a letter of agreement, a contract, in which I have accepted that responsibility? Do you have the slightest idea what a moral and ethical principle is? Do you? Has it ever occurred to you what would happen to my future if I were to fail to live up to my responsibilities? Has it ever occurred to you? Has it?
 * Wendy: [swinging a bat] Stay away from me!
 * Jack: Why?
 * Wendy: I just want to go back to my room!
 * Jack: Why?
 * Wendy: Well, I'm very confused! I just need a chance to think things over!
 * Jack: You've had your whole fucking life to think things over! What good's a few minutes more gonna do you now?
 * Wendy: Stay away from me! Please! Don't hurt me!
 * Jack: I'm not going to hurt you.
 * Wendy: Stay away from me!
 * Jack: Wendy...
 * Wendy: Stay away!
 * Jack: Darling, light of my life, I'm not going to hurt you. You didn't let me finish my sentence. I said I'm not gonna hurt ya. I'm just going to bash your brains in! I'm going to bash 'em right the fuck in!

 * [Jack is locked in the refrigerated storage room]
 * Delbert Grady: Mr. Torrance, I see you can hardly have taken care of the business we discussed.
 * Jack Torrance: No need to rub it in, Mr. Grady. I'll deal with that situation just as soon as I get out of here.
 * Grady: Will you indeed, Mr. Torrance? I wonder. I have my doubts. I and others have come to believe that your heart is not in this, that you haven't the belly for it.
 * Jack: Just give me one more chance to prove it, Mr. Grady. That's all I ask.
 * Grady: Your wife appears to be stronger than we imagined, Mr. Torrance, somewhat more resourceful. She seems to have got the better of you.
 * Jack: For the moment, Mr. Grady. Only for the moment.
 * Grady: I fear you will have to deal with this matter in the harshest possible way, Mr. Torrance. I fear that is the only thing to do.
 * Jack: There's nothing I look forward to with greater pleasure, Mr. Grady.
 * Grady: You give your word on that, do you, Mr. Torrance?
 * Jack: I give you my word.

 * Jack Torrance: [breaking through the bedroom door with an axe] Wendy, I'm home! Come out. Come out, wherever you are!
 * Wendy Torrance: [struggling in the bathroom window] Danny, I can't get out. Run. Run and hide. Run! Quick!
 * Jack: Little pig, little pig, let me come in. Not by the hair of your chinny chin-chin? Then I'll huff, and I'll puff, and I'll blow your house in! [breaks through the bathroom door] Here's Johnny!
 * Note: bolded quote ranked #68 in the American Film Institute's list of the top 100 movie quotations in American cinema

About The Shining (film)

 * I don't get it. But there are a lot of things that I don't get. But obviously people absolutely love it, and they don't understand why I don't. The book is hot, and the movie is cold; the book ends in fire, and the movie in ice. In the book, there's an actual arc where you see this guy, Jack Torrance, trying to be good, and little by little he moves over to this place where he's crazy. And as far as I was concerned, when I saw the movie, Jack was crazy from the first scene. I had to keep my mouth shut at the time. It was a screening, and Nicholson was there. But I'm thinking to myself the minute he's on the screen, "Oh, I know this guy. I've seen him in five motorcycle movies, where Jack Nicholson played the same part." And it's so misogynistic. I mean, Wendy Torrance is just presented as this sort of screaming dishrag. But that's just me, that's the way I am.
 * Stephen King Stephen King: The Rolling Stone Interview (October 31, 2014)

Taglines

 * Some places are like people: some shine and some don't
 * All work and no play makes Jack a dull boy...
 * A Masterpiece of Modern Horror
 * Stanley Kubrick's epic nightmare of horror
 * The Horror is driving him crazy!
 * The tide of terror that swept America is HERE [UK Poster]
 * He Came As The Caretaker, But This Hotel Had Its Own Guardians – Who'd Been There A Long Time

Cast

 * Jack Nicholson - Jack Torrance
 * Shelley Duvall - Wendy Torrance
 * Danny Lloyd - Danny Torrance
 * Scatman Crothers - Dick Hallorann
 * Barry Nelson - Stuart Ullman
 * Philip Stone - Delbert Grady
 * Joe Turkel - Lloyd the Bartender
 * Anne Jackson - Doctor
 * Tony Burton - Larry Durkin
 * Lia Beldam - Young Woman in Bath
 * Billie Gibson - Old Woman in Bath
 * Barry Dennen - Bill Watson
 * Lisa and Louise Burns - Grady Twins

title: The Shining (film)


text:
John Betjeman

Sir John Betjeman CBE (28 August 1906 – 19 May 1984) was an English poet, writer, and broadcaster. He was Poet Laureate from 1972 until his death. He was a founding member of The Victorian Society and a passionate defender of Victorian architecture, helping to save St Pancras railway station from demolition. He began his career as a journalist and ended it as one of the most popular British Poets Laureate and a much-loved figure on British television.

Quotes

 * "I think the mystery of its winding drive gave me a respect for the system of hereditary land owing which I have never shaken off. (Rawsden Manor Wilts.)
 * Ghastly Good Taste. 1933

 * The test of an abstract picture, for me, is not my first reaction to it, but how long I can stand it hanging on the wall of a room where I am living.
 * John Piper (Penguin Books, 1944), p. 12.

 * It was through looking at churches that I came to believe in the reason churches were built.
 * The Best of Betjeman, John Guest, Penguin Modern Classics, 1985. Written in 1948. (Blisland)

 * History must not be written with bias, and both sides must be given, even if there is only one side.
 * First and Last Loves (1952).

 * Hymns are the poetry of the people.
 * Radio Talk: BBC Radio (4 July 1975)

 * Hymn tunes are the nearest we've got to English folk music.

 * There are two things you need for a jolly good hymn. The first is a set of words that expresses the mood or sentiment of the worshipper. The second—and perhaps even more important—is a good tune … with a simple popular melody.

 * One mark of good verse is surprise.
 * Radio Talk. BBC Radio 4 (2 August 1978)

 * Topography is one of my chief themes in my poetry...about the country, the suburbs and the seaside...then there comes love...and increasingly, the fear of death.
 * Radio Talk. BBC Third Programme (1949)

 * I ought to warn you that my verse is of no interest to people who can think.
 * Radio Talk. BBC Third Programme (1949)

 * Ghastly Good Taste, or a Depressing Story of the Rise and Fall of English Architecture.
 * Title and sub-title of book (1933)

 * Saint Pancras was a fourteen-year old Christian boy who was martyred in Rome in AD 304 by the Emperor Diocletian. In England he is better known as a railway station.
 * London's Historic Railway Stations (1973)

 * All I can say is that with age I find myself enjoying more and more the words and rhythms of the Book of Common Prayer. Apart from their meaning, they sound right and they are not talking down to us by being matey, and where they're a bit vague and archaic, that makes them grand and historic. The words give me time to meditate and pray; they are so familiar, they are like my birthplace, and I don't want them pulled down. We are all of us preservationists who have had the luck to come out of the womb and with all our faculties.
 * Quoted in Brian Morris (ed.), Ritual Murder: Essays on Liturgical Reform (1980), p. 31

 * Yes, I haven't had enough sex.
 * In an interview for the television documentary Time With Betjeman (February 1983), having been asked whether he had any regrets.
 * As quoted in: Ned Sherrin, Oxford Dictionary of Humorous Quotations, Oxford University Press, 2008, p. 286

Poetry

 * Sing on, with hymns uproarious, Ye humble and aloof, Look up! and oh how glorious He has restored the roof!
 * "Hymn", from Mount Zion (1931).

 * Come, friendly bombs, and fall on Slough! It isn't fit for humans now, There isn't grass to graze a cow. Swarm over, Death!
 * "Slough" line 1, from Continual Dew (1937).

 * He sipped at a weak hock and seltzer As he gazed at the London skies Through the Nottingham lace of the curtains Or was it his bees-winged eyes?
 * "The Arrest of Oscar Wilde at the Cadogan Hotel" line 1, from Continual Dew.

 * Gracious Lord, oh bomb the Germans. Spare their women for Thy Sake, And if that is not too easy, We will pardon Thy Mistake. But, gracious Lord, whate'er shall be, Don't let anyone bomb me.
 * "In Westminster Abbey" line 1, from Old Lights for New Chancels (1940).

 * He would have liked to say goodbye, Shake hands with many friends. In Highgate now his finger-bones Stick through his finger-ends. You, God, who treat him thus and thus, Say, "Save his soul and pray." You ask me to believe You and I only see decay.
 * "On a Portrait of a Deaf Man" line 25, from Old Lights for New Chancels.

 * Miss J. Hunter Dunn, Miss J. Hunter Dunn, Furnish'd and burnish'd by Aldershot sun, What strenuous singles we played after tea, We in the tournament — you against me!
 * "A Subaltern's Love-song" line 1, from New Bats in Old Belfries (1945).

 * We sat in the car park till twenty to one And now I'm engaged to Miss Joan Hunter Dunn.
 * "A Subaltern's Love-song" line 43.

 * Stony seaboard, far and foreign, Stony hills poured over space, Stony outcrop of the Burren, Stones in every fertile place.
 * "In Ireland with Emily" from New Bats in Old Belfries.

 * Oh shall I see the Thames again? The prow-promoted gems again, As beefy ATS Without their hats Come shooting through the bridge? And "cheerioh" and "cheeri-bye" Across the waste of waters die, And low the mists of evening lie And lightly skims the midge.
 * "Henley-on-Thames", from New Bats in Old Belfries.

 * No hope. And the X-ray photographs under his arm Confirm the message. His wife stands timidly by. The opposite brick-built house looks lofty and calm, Its chimneys steady against the mackerel sky.
 * "Devonshire Street W.1" line 1, from A Few Late Chrysanthemums (1954).

 * And behind their frail partitions Business women lie and soak, Seeing through the draughty skylight Flying clouds and railway smoke. Rest you there, poor unbelov'd ones, Lap your loneliness in heat, All too soon the tiny breakfast, Trolley-bus and windy street!
 * "Business Girls" line 13, from A Few Late Chrysanthemums.

 * But I'm dying now and done for, What on earth was all the fun for? I am ill and old and terrified and tight.
 * "Sun and Fun — Song of a Night-club Proprietress", from A Few Late Chrysanthemums.

 * In the licorice fields at Pontefract My love and I did meet And many a burdened licorice bush Was blooming round our feet; Red hair she had and golden skin, Her sulky lips were shaped for sin, Her sturdy legs were flannel-slack'd The strongest legs in Pontefract.
 * "The Licorice Fields at Pontefract" from A Few Late Chrysanthemums.

 * Safe were those evenings of the pre-war world When firelight shone on green linoleum, I heard the church bells hollowing out the sky, Deep beyond deep, like never-ending stars.
 * Summoned By Bells (1960).

 * It's strange that those we miss the most Are those we take for granted.
 * "The Hon. Sec." line 39, from High and Low (1966).

 * I am a young executive. No cuffs than mine are cleaner; I have a Slimline brief-case and I use the firm's Cortina.
 * "Executive" line 1, from A Nip in the Air (1974).

Dialogue
[his first line]
 * Betjeman: Child of the First War, Forgotten by the Second. We called you Metro-Land. We laid our schemes Lured by the lush brochure, down byways beckoned, To build at last the cottage of our dreams, A City clerk turned countryman again, And linked to the Metropolis by train.

 * Betjeman [sitting at table] : Is this Buckingham Palace? Are we at the Ritz? No. This is the Chiltern Court Restaurant, built above Baker Street station, the gateway between Metro-land out there and London down there. The creation of the Metropolitan Railway.

 * Betjeman: And here, screened by shrubs, Walled in from public view, Lived the kept women. What puritan arms have stretched within these rooms To touch what tender breasts, As the cab-horse stamped in the road outside. Sweet secret suburb on the City's rim, St John's Wood.

 * Betjeman [standing in centre of the pitch at Wembley] : This was where London's failed Eiffel Tower stood. Watkins' Folly as it was called. Here on this Middlesex turf, and since then the site has become quite well-known.

 * Betjeman [standing in front of a house in Harrow] : A verge in front of your house and grass and a tree for the dog. Variety created in the façades of each of the houses - in the colouring of the trees. In fact, the country had come to the suburbs. Roses are blooming in Metro-Land just as they do in the brochures.

 * Betjeman: Steam took us onwards, through the ripening fields, Ripe for development. Where the landscape yields Clay for warm brick, timber for post and rail Through Amersham to Aylesbury and the Vale. In those wet fields the railway didn't pay. The Metro stops at Amersham to-day.

 * Betjeman [standing and leaning on a bridge] : Where are the advertisements? Where the shopping arcade, the coal merchant and the parked cars? This is a part of the Metropolitan Railway that's been entirely forgotten. Beyond Aylesbury it lies in flat fields with huge elms and distant blue hills.

title: John Betjeman


text:
David Mellor

David John Mellor (born 12 March 1949) is a British broadcaster, barrister, and former politician. As a member of the Conservative Party, he served in the Cabinet of Prime Minister John Major as Chief Secretary to the Treasury (1990–1992) and Secretary of State for National Heritage (April–September 1992), before resigning in 1992. He was the Member of Parliament (MP) for Putney from 1979 to 1997.

Quotes

 * The press – the popular press – is drinking in the Last Chance Saloon.
 * Quoted in Roy Greenslade, "A decade of diplomacy," The Guardian (5 February 2001)
 * Comment made in 1989 after a series of salacious stories in the tabloid press.

 * The tabloids are like animals, with their own behavioural patterns. There’s no point in complaining about them, any more than complaining that lions might eat you.
 * Quoted in The Independent (3 November 1992) following his resignation in September of that year.

 * Lawyers are like rhinoceroses: thick-skinned, short-sighted, and always ready to charge.
 * Question Time BBC1 (3 December 1992).

 * And I'd like to say this to [Sir James Goldsmith] ... who has got nothing to be smug about, and I would like to say that 1,500 votes is a derisory total. We have shown tonight that the Referendum Party is dead in the water, and Sir James can get off back to Mexico knowing your attempt to buy the British political system has failed.
 * Quoted in Brian Cathcart Were you still up for Portillo? (Penguin Books, 1997), pp. 63-4
 * From a speech following his defeat at the 1997 General Election. Goldsmith was another candidate in the Putney constituency.

 * There is no design involved. It would look tawdry down the wrong end of a beach in Torremolinos. This isn't a case of just not wanting it in my backyard. This area is historically significant with listed buildings and it's next to the Tower of London, which is a world heritage site.
 * Quoted in Anil Dawar, "'Build a tower block? Not in our dockyard,'" The Telegraph (30 May 2006).
 * Comment on the proposed construction of a 17-storey block of flats near his home in the St Katharine Docks, London.

Quotations about David Mellor

 * The Minister for Fun.
 * Common epithet used to describe the Secretary of State for National Heritage. Cited by Mary Braid and Jason Bennetto in "The Mellor Affair: When the fun stopped" The Independent on Sunday (26 June 1992).

 * Since the great days of Jimmy Greaves, it's the only time anyone's managed to score five times in a Chelsea shirt.
 * Tony Banks, Mellor's close friend who was also a fan of Chelsea F.C., after a tabloid newspaper story (falsely) claimed Mellor wore the club's football kit during sex. Quoted in "The wit and wisdom of Tony Banks," BBC News (8 January 2006). The assertion was invented by publicist Max Clifford who was representing Mellor's former mistress at the time.

 * This is the first time in ages that David Mellor has done the decent thing.
 * Bill Hagerty, editor of The People, on Mellor's resignation following the revelations he had received a holiday gift from the daughter of a leading member of the PLO in 1990. Quoted in "1992: Mellor signs over sex scandal," BBC News: On This Day (undated).

title: David Mellor


text:
Jack Benny

Jack Benny (February 14, 1894 – December 26, 1974), born Benjamin Kubelsky, was an American comedian, vaudeville performer, and radio, television, and film actor. He was one of the biggest stars in classic American radio and was also a major television personality.

The Jack Benny Program (Radio: 1932-1955)
(long, awkward pause)
 * Mugger: Your money or your life.
 * Mugger: Look bud. I said, your money or your life.
 * Jack: I'm thinking it over!
 * Broadcast on Jack Benny radio program, 28 March 1948. Sourced from audio recording.

The Jack Benny Program (Television: 1950-1965)
The following selections are from "The Jack Benny Program" (1950).

 * Bob Crosby: That's like keeping the smog and throwing away Los Angeles.
 * Don Wilson: I don't think you know how much it means to me to do the commercial. After all I'm not a funny man. I can't sing or dance. I don't lead a band. What are you paying me for?
 * Jack: Don, you're hanging yourself.
 * Jack: I believe in being honest with myself. If there's one thing I hate it's when a comedian is great and won't admit it. I've never met one like that, but if I did, I'd hate them.
 * Jack: When another comedian has a lousy show, I'm the first one to admit it.
 * Jack: When they laugh at one of my jokes... it just gets me right here. [Puts hand on heart]
 * Rochester: Yes, that's the spot all right. You almost had a heart attack when they laughed at Bob Hope.

 * [At Liberace's House]

 * Liberace: What do we have for dinner?
 * Cook: We have some breast of flamingo and gazelle steaks.
 * Jack: Breast of flamingo and gazelle steaks?
 * Liberace: Would you like to stay for dinner, Jack?
 * Jack: Well, only if you have enough. I'd hate for you to run out to the zoo just for me.

 * Marilyn Monroe: What about the difference in our ages?
 * Jack: Oh, it's not that big a difference. You're twenty-five and I'm thirty-nine.
 * Marilyn Monroe: I know, Jack. But what about twenty-five years from now when I'm fifty and you're thirty-nine?
 * Jack: Gee, I never thought of that.

[on trial for murder, Jack has Perry Mason defending him]
 * Jack: I can't understand it. On your show you always win.
 * Perry Mason: Maybe my writers are better than yours.

 * Jack: What do you think of this card I wrote for Don? "To Don from Jacky, Oh golly, oh shucks. I hope that you like it, It cost forty bucks.
 * Rochester: It would've been hard to rhyme a dollar ninety-eight.

 * Jack Benny: We're a little late, so good night, folks.

 * Jack Benny: Where's that big glass star I told you to pack away last Christmas?
 * Rochester: You mean that shiny one with the three points on it?
 * Jack Benny: That star has five points.
 * Rochester: Well, it went down two points this last year.

 * Thug: This is a stickup! Now come on. Your money or your life.
 * [long pause]

 * Thug: [repeating] Look, bud, I said 'Your money or your life.'
 * Jack Benny: I'm thinking I'm thinking!

 * Thug: You're gonna give us $10,000, or we're gonna break both your legs.
 * Jack Benny: Does it have to be both?

 * [Jack picks up a jar from the dresser]

 * Jack: Hey, wait a minute. What kind of make up is this?
 * Rochester: Well, you said you wanted something to make you look nice and tanned.
 * Jack: I know, but peanut butter?
 * Jack: I want to look tanned, not lumpy.

[Jack decides to have a shave]
 * Rochester: [checking his equipment] Shaving cream, brush, razor, smelling salts.
 * Jack: Smell?... What do I want with smelling salts?
 * Rochester: That's for me. I can't stand the sight of blood.

 * [Rochester has started shaving Jack]

 * Rochester: Oh oh.
 * Jack: What's the matter?
 * Rochester: I think I cut you.
 * Jack: What do you mean, you think? Can't you tell?
 * Rochester: It would help if you bleed a little.

 * Bob Hope: [on being on a CBS show] I feel like Zsa Zsa Gabor at a P.T.A. meeting.

 * Bob Hope: By the way, this is where Bing did his last show and I think they've done very nicely. They've gotten most of it out of the curtains.

 * Bob Hope: [finding some coins tied with string in Jack's trousers] When you ask this kid for a loan, and he says his money is tied up, he isn't kidding. This is an obstacle course for pickpockets.

 * [Bob walks on carrying Jack's trousers]

 * Bob: Welcome to the Lucky Strike Program. In just a few minutes, you'll see our star, Gypsy Rose Benny.
 * Jack: [poking his head through the stage curtains] Bob, will you please give me my pants back?
 * Bob Hope: Put your head back through there, or I'll start handing out baseballs to the audience.
 * Don Wilson: [Poking his head through the curtains] Bob, Bob, quick, give me Jack's pants!
 * Bob Hope: Why do you want Jack's pants?
 * Don Wilson: Because I had to give him mine.
 * Hope: You mean, Jack's actually wearing your pants?
 * Jack: [out of shot] Darn right I am.

 * Bob: This is rather strange for me, I'm on the major network. [mouths ABC]

 * Bob: [about Bing Crosby] He's up in Nevada looking over Boulder Dam - his piggy bank is filled. He's so loaded, you know, he uses Howard Hughes for a bell boy.

 * [Our heroes enter a jungle clearing carrying a tiger on a pole]

 * Jack: These last 2 miles were rugged, weren't they?
 * Clyde: I knew as soon as we got off the freeway, we'd run into trouble.
 * Jack: It's really dangerous, here in the jungle.
 * Clyde: You're telling me. What about those first three nights, we had to light fires to keep the animals away.
 * Jack: Yeah, then we ran out of water. For three weeks we couldn't even take a bath.
 * Clyde: Then the animals lit fires to keep us away.
 * Jack: [Pointing to the tiger] He must have gone to a veterinarian in Denmark.
 * Clyde: I wondered why he had his hand on his hip when I shot him.
 * Jack: What kind of tiger is that - Siberian or Bengal?
 * Clyde: General Electric.

 * [our heroes have been captured by a tribe on cannibals, and are standing in a large pot]

 * Jack: I'm scared, I'm frightened.
 * 'Clyde:' Frightened. Why, you yellow-belly. Do you want to live forever?
 * Jack: No, I just want to reach 40.
 * Clyde: Oh, we're not going to make that trip again, oh no.

 * Jack: [pointing a pistol at Bob's trousers] I'm going to blow your brains out.
 * [Bob adjusts Jack's gun arm, so that the pistol is now pointing at Bob's head]

 * Bob Hope: Let's not do any jokes we didn't plan on, eh.

About Jack Benny

 * For a man who was the undisputed master of comedy timing, you'd have to say that this was the only time when Jack Benny's timing was all wrong. He left us much too soon. He was stingy to the end. He only gave us eighty years and it wasn't enough.
 * Bob Hope at Jack Benny's memorial service; reported in William Robert Faith, Bob Hope: A Life In Comedy (2003), p. 392.

 * Throughout Jack's violin solo at the Hollywood Bowl, the audience was glued to their seats. That was the only way he could get them to sit down.
 * Zubin Mehta in Irving Fein, Jack Benny: an Intimate Biography (1976), Volume 2, p. 154.

title: Jack Benny


text:
Patricia Churchland

Patricia Churchland (born 16 July 1943) is a Canadian-American analytic philosopher noted for her contributions to neurophilosophy and the philosophy of mind. She is UC President's Professor of Philosophy Emerita at the University of California, San Diego (UCSD), where she has taught since 1984. She has also held an adjunct professorship at the Salk Institute for Biological Studies since 1989.

Quotes

 * Although many philosophers used to dismiss the relevance of neuroscience on grounds that what mattered was “the software, not the hardware”, increasingly philosophers have come to recognize that understanding how the brain works is essential to understanding the mind.
 * Introductory message at her homepage at the University of California, San Diego, 2013

Quotes about Churchland

 * These days, many philosophers give Pat credit for admonishing them that a person who wants to think seriously about the mind-body problem has to pay attention to the brain. But this acknowledgment is not always extended to Pat herself, or to the work she does now. “Although some of Churchland’s views have taken root in mainstream philosophy, she is not part of it,” Ned Block, a philosopher at New York University, wrote in a review of one of her books. “Unfortunately, Churchland . . . approaches many conceptual issues in the sciences of the mind like the more antiphilosophical of scientists.” Although she tried to ignore it, Pat was wounded by this review. But it was true; in some ways she had simply left the field. Although she often talks to scientists, she says she hasn’t got around to giving a paper to a philosophy department in five years. These days, she often feels that the philosophical debate over consciousness is more or less a waste of time.
 * Larissa MacFarquhar, "Two heads: A marriage devoted to the mind-body problem", The New Yorker (2007)

 * Neither Pat nor Paul feels much nostalgia for the old words, or the words that will soon be old. They appreciate language as an extraordinary tool, probably the most extraordinary tool ever developed. But in the grand evolutionary scheme of things, in which humans are just one animal among many, and not always the most successful one, language looks like quite a minor phenomenon, they feel. Animals don’t have language, but they are conscious of their surroundings and, sometimes, of themselves. Pat and Paul emphatically reject the idea that language and thought are, deeply, one: that the language we now use reflects thought’s innate structure; that thought can take only the form in which we humans now know it; that there could be no thought without language. Moreover, the new is the new! It is so exciting to think about revolutions in science leading to revolutions in thought, and even in what seems, to the uninitiated, to be “raw feeling,” that, by comparison, old words and old sentiments seem dull indeed.
 * Larissa MacFarquhar, "Two heads: A marriage devoted to the mind-body problem", The New Yorker (2007)

title: Patricia Churchland


text:
Matilda (film)

Matilda is in British in 1996 TriStar Home Entertainment Films fantasy comedy film about a young girl who is extremely smart and loves reading and who has difficulties in life in the form of her disapproving parents Harry and Zinnia and her brother Michael Wormwood plus her terrifying headmistress at school. Matilda soon finds that she has telekinetic powers which allow her to control things with her mind.

Matilda

 * No more Ms. Nice Girl.
 * [Harry: Young lady, where were you?] Miss Trunchbull kept the whole school late because a boy ate some chocolate cake.

Jenny

 * Miss Trunchbull, I was the one who was at your house last night. I know that I… [Trunchbull: I broke your arm once before, I can do it again, Jenny.] I am not 7 years old anymore, Aunt Trunchbull.
 * I'd be happy to walk her home. [Zinnia: Well, nobody will be there. We're moving to Guam. Come on. Let's go.] Guam?

Trunchbull

 * I need a car that is inexpensive, but reliable. Can you service me? [Harry: As a matter of speaking, yes. Welcome to Wormwood Motors. Harry Wormwood, owner, founder, whatever.] Agatha Trunchbull, principal, Crunchem Hall Elementary School. I warned you, sir. I want a tight car, because I'm on a tight ship. [Harry: Oh yeah, huh? Uh…] My school is a model of discipline. "Use the rod, beat the child." That's my motto. [Harry: Terrific motto.] Do you have any brats for yourself? [Harry: Yeah, I got a boy, Mikey, and one mistake, Matilda.] They're all mistakes, children. Filthy and nasty things. I'm glad I never was one. [Harry: Uh-huh. Well, since you're an educator, I'm gonna make you a great deal.] You'd better. [Harry: Let's do business!]
 * Hop to, hippity-hop! The entire school will go to the assembly room, immediately. Sit!
 * Shut up! The entire school will stay 5 hours after school and copy from the dictionary. Any child who objects… will go straight into the choky… TOGETHER!
 * Why are all of these women married?! Mrs. D? Mrs. I? You're supposed to be teaching spelling, not poetry!
 * In this classroom, in this school, I am God!
 * You… will be put away in a place where not even the crows can land their droppings on you!

Dialogue

 * [We start with a close-up of a baby girl's face as the camera then pulls back from her. She's in a nursery room in a hospital]
 * Narrator: [first lines] Everyone is born, but not everyone is born the same. Some will grow to be butchers or bakers or candlestick makers. Some will only be really good at making a Jell-O salad. One way or another, though, every human being is unique, for better or for worse.
 * [A nurse picks up the baby and shows her to a man, who grumbles and walks off]
 * Narrator: Most parents believe that their children are the most beautiful creatures that ever graced this planet. Other take a less emotional approach.
 * [Outside, adults look at their newborn kids. The man, Harry Wormwood, walks beside his wife, Zinnia Wormwood]
 * Harry Wormwood: What a waste of time.
 * Zinnia Wormwood: And painful.
 * Harry: And expensive. $9.25 for a bar of soap?
 * Zinnia: Well, I had to take a shower, Harry.
 * Harry: $5,000? I'm not paying it. What are they gonna do, repossess the kid?
 * [Harry puts the baby girl in the back of his car. Looking back at her, a boy named Michael Wormwood, Harry and Zinna's son waves a toy, making her anxious. Harry jerks the car forward, causing the baby to slide. He hits the gas pedal, causing the baby to slide back]
 * Harry: There's no way out.
 * Zinnia: Make a U-turn.
 * [As Harry makes different turns in every direction, the baby looks dizzy]
 * Zinnia: Harry!
 * Harry: Alright.
 * [The car speeds over speedbumps]
 * Zinnia: [voice vibrating] Harry!
 * [Elsewhere in a neighborhood]
 * Boy: The Wormwood guy is back!
 * Narrator: Harry & Zinnia Wormwood lived in a very nice neighborhood, in a very nice house. But they were not really very nice people. (I think.)
 * [The Wormwoods arrive at their home]
 * Harry: Get outta the street, little dodos!
 * [As Harry, Zinnia and Michael enter the house, the baby girl is still in the car]
 * Narrator: The Wormwoods were so wrapped up in their own silly lives that they barely noticed that they had a daughter. Had they paid attention to her at all they'd have realized she was a rather extraordinary child.
 * [The baby girl is sitting on the night bar]
 * Zinnia: Oh, my gosh, Matilda, now look what you did!
 * Narrator: They named her Matilda.
 * [As Matilda writes her name on green baby food, Zinnia wipes it off]
 * Zinnia: You're supposed to eat the spinach. Ew! Ew, ew, ew, ew, ew, ew, ew, ew!
 * [Zinnia picks her up and puts her in the sink]
 * Zinnia: Babies. You're better off raising tomatoes!
 * [Matilda, now older, wipes her face with a rag]
 * Narrator: By the time she was 2 years old, Matilda had learned what most people learn in their early 30s: How to take care of herself.
 * [She jumps down to the floor. Now more older, Matilda gets dressed]
 * Narrator: As time went by, she developed a sense of style. Every morning, Matilda's older brother, Michael, went to school.
 * Michael Wormwood: Bye, Mom!
 * Zinnia: Get outta here.
 * Narrator: Her father went to work, selling used cars for unfaired prices.
 * Zinnia: Make money.
 * Narrator: And her mother took off to play Bingo.
 * Zinnia: Soup's on the stove. Heat it up if you get hungry.
 * [As each of the Wormwoods leave, Matilda watches]
 * Narrator: Matilda was left alone. That was how she liked it.

 * Harry: Bye!
 * Zinnia: Ciao! There's fish fingers in the microwave.
 * Narrator: The next morning, after her parents left, Matilda set off in search of a book.

 * Harry: Any packages come today?
 * Matilda: Mm-mm.
 * Harry: Where'd all this come from?
 * Matilda: The library.
 * Harry: "The library"? You never set foot in the library. You're only 4 years old.
 * Matilda: I'm 6½.
 * Harry: 4!
 * Matilda: 6½.
 * Harry: If you were 6½, you'd be in school already.
 * Matilda: I want to be in school. I told you I was supposed to start school in September. You wouldn't listen.
 * Harry: [grabs Matilda by her arm and drags her out of her bedroom] Get up! Get up! Get out here. Give me that book. [Takes the book and throws it aside, briefly catching Michael's attention. Harry takes Matilda to their bedroom where Zinnia is applying peroxide in her hair.]
 * Harry: Dearest pie, how old is Matilda?
 * Zinnia: 4.
 * Matilda: I'm 6½, Mom.
 * Zinnia: 5, then.
 * Matilda: I was 6 in August.
 * Harry: You're a liar.
 * Matilda: I wanna go to school.
 * [Zinnia snickers before Harry scoffs]
 * Harry: School. It's out of the question. Who would be here to sign for the packages? [He applies hair oil into his hair] We can't leave valuable packages sitting on the doorstep. Now go watch TV like a good kid. [Matilda begins to look upset and turns to leave the bedroom]
 * Zinnia: You know, sometimes I think there's something wrong with that girl.
 * Harry: Hm. Tell me about it.
 * [In the hallway, Michael begins to bully Matilda as she picks her book up]
 * Michael: Hey, dipface! [throws some marshmallows at at Matilda, as she walks to her bedroom, ignoring him] Have a marshmallow. Have another marshmallow, dipface! Dipface! [She closes her door]

 * Harry: I'm great, and I'm incredible! Mikey, pencil and paper, in the kitchen.
 * Zinnia: Did we sell some cars today, honeydew?
 * Harry: We did! [air kisses his wife as Michael grabs a notebook and a pencil]
 * Zinnia: [as she, her husband and Michael walk to the table where Matilda, whose reading a book, is at] Does that mean I can get that new TV?
 * Harry: Yeah! Son, 1 day, you're gonna have to earn your own living. And it's time that you've learned the family business. Sit down, and write this down. [Michael sits down and starts writing] Alright. (Here we go.) The first car that your brilliant father sold cost $320. I sold it for $1,158. The second one costs $512. I sold it for $2,269.
 * Michael: Wait, Dad, you're going too fast.
 * Harry: Just write. (Now, where was I? Oh, yeah.) The third cost $68. I sold it for $999. And the fourth cost $1,100. I sold it for 7,839 big American boffos!
 * Zinnia: Harry! [kisses him]
 * Harry: What's my profit for the day?
 * Michael: Could you repeat the last one--?
 * Matilda: $10,265. [Harry, Zinnia and Michael stare at her] Check it if you don't believe me.
 * [The trio looks at paper]
 * Harry: You're a little cheat, and you saw the paper.
 * Matilda: From all the way over here?
 * Harry: [confused] Are you being smart with me? [angrily approaches Matilda, pointing at her] If you are being smart with me, young lady, you're gonna be punished.
 * Matilda: Punished for being smart?
 * Harry: (No.) For being a smart aleck. [bends over to her] When a person is bad, that person has to be taught a lesson.
 * Matilda: "Person?"
 * Harry: Get up! Get up! Get up! [pulls Matilda by her ear, and takes her to her room, shutting the door]

 * Matilda: Hi, Dad.
 * Harry: [very stern] Are you in this family? [Matilda does not answer] Hello? Are you in this family? [switches lamp off] Dinnertime is family time! What is this trash you're reading?
 * Matilda: It's not trash, Dad, it's lovely. It's called "Moby Dick" by Herman Melville.
 * Harry: [confused] Moby what? [angrily grabs the book and rips its pages out] This is filth! Trash!
 * Matilda: It's not mine, it's a library book!
 * Harry: Trash! [throws the book on the floor] I'm fed up with all this reading! You're a Wormwood, and it's time you started acting like one! Sit up and look at the TV! [grabs Matilda's head, forcing her to watch TV]

 ( instrumental music ends )

( children cheering )

 * Agatha Trunchbull: Quiet! Get to class before I throw you in the Chokey.
 * Matilda: Lavender, what's my teacher like?
 * Amanda: I scooped these up for you, Miss Honey.
 * Miss Jennifer "Jenny" Honey: Oh, how lovely. Thank you, Amanda. Okay. Listen up, everybody. Have a new student with us. Today, this is Matilda Wormwood.

 * Miss Jennifer "Jenny" Honey: We've been working on our two tables.

( kids claiming )

 * Miss Jennifer "Jenny" Honey: Okay. Let's do some together.
 * $$2\times 4 = 8$$
 * $$2\times 6 = 12$$
 * $$2\times 9 = 18$$

 * Miss Jennifer "Jenny" Honey: Execellent, you're been practicing.

 * $$2\times 7 = 14$$
 * $$13\times 379 = 4927$$

 * [Nighttime, Zinnia watches a wrestling match on TV. Harry, pretend to be the announcer, imitates to wrestle with Michael. Sitting in the arm-chair, Matilda does her homework]
 * Harry: Whack to the belly! A smack in the face. Another smack in the face! Burns is hurt! He's on the rope, ladies and gentlemen!
 * [A doorbell is heard]
 * Harry: Saved by the bell! (Wait a minute.) The packages are at this hour?
 * Zinnia: Come here. [straightens her husband's hair with a hairbrush] OK.
 * [Harry answers the door to Jenny]
 * Jenny: Hello.
 * Harry: We don't give money, we don't like charities, and we don't buy raffle tickets. (Sorry. Come back next week.)
 * [Harry goes to rudely shut the door in Jenny's face, but Jenny herself stops him]
 * Jenny: Mr. Wormwood, I'm Jennifer Honey, and I'm Matilda's teacher.
 * [Matilda looks up from doing her homework]
 * Harry: What has she done now? (Excuse me one second.) [to Matilda] You! (Yes, you!) Go to your room, right now! Right now! Beat it!
 * [Matilda walks off]
 * Harry: [back to Jenny] Look, whatever it is, she's your problem now.
 * Jenny: [stopping Harry from closing the door again] No. There's no problem.
 * Harry: Then beat it. We're watching TV.
 * [Jenny stops Harry from closing the door once more, and glares at him]
 * Jenny: [sternly] Mr. Wormwood, if you think watching some rotten TV show is more important than your daughter, then maybe you shouldn't be a parent. Now, why don't you turn that darn thing off and listen to me?
 * [Harry sighs in frustration and in defeat]
 * Harry: Alright. Come on in. Let's get this over with. Mrs. Wormwood is not gonna like this. Come on, get it.
 * [Jenny finally enters the house]
 * Harry: Close the door. [Jenny obeys]

 * [Matilda and Jenny walk past Trunchbull's house]
 * Jenny: That's where Ms. Trunchbull lives.
 * Matilda: Why is there a swing?
 * Jenny: A girl I know used to live in that house. [cut to a series of flashbacks] Her life was good and happy. When she was just 2 years old, her mother died. Her father was a doctor, and he needed someone to look after things at home. So he invited the mother's stepsister to come and live with him. But the girl's aunt was a mean person, who treated the girl very badly.
 * Matilda: The Trunchbull.
 * Jenny: Yes. And worst of all, when the girl was 5, her father died.
 * Matilda: How did her father die?
 * Jenny: The police decided he killed himself.
 * Matilda: Why would he do such a thing?
 * Jenny: No one knows. [cut back to present] The end is happier. She found a small cottage. She rented it from this lovely rhubarb farmer for just $50 a month, and she covered it in honeysuckle, and she planted hundreds of wildflowers, and she moved out of her wicked aunt's house, and she finally got her freedom.

 * [Matilda and Jenny arrive at the cottage]
 * Matilda: This is the cottage from your story.
 * Jenny: Yes.
 * Matilda: The young woman is you.
 * Jenny: Yes.
 * Matilda: But then... [her eyes widen in realization] No.
 * Jenny: Yes. Aunt Trunchbull.

 * Narrator: And the Trunchbull is gone, never to be seen or heard from. Never to darken the doorway again.

Cast

 * Mara Wilson — Matilda Wormwood-Honey
 * Danny DeVito — Harry Wormwood / Narrator
 * Rhea Perlman — Zinnia Wormwood
 * Embeth Davidtz — Jennifer "Jenny" Honey
 * Pamela Ferris — Agatha Trunchbull
 * Paul Reubens — FBI Agent Bob
 * Tracey Walter — FBI Agent Bill
 * Kiami Davael — Lavender
 * Kira Spencer Hesser — Hortensia
 * Brian Levinson — Michael "Mikey" Wormwood
 * Jimmy Karz — Bruce Bogtrotter
 * Jacqueline Steiger — Amanda Thripp
 * Marion Dugan — Cookie
 * Jonathan Michael Lovitz — Mickey (Host of The Million Dollar Sticky)
 * Jean Speegle Howard — Mrs. Phelps

title: Matilda (film)


text:
User talk:210.105.61.209

- InvisibleSun 15:10, 15 August 2006 (UTC)

title: User talk:210.105.61.209


text:
User talk:208.40.182.138

- InvisibleSun 15:13, 15 August 2006 (UTC)

title: User talk:208.40.182.138


text:
User talk:208.34.13.249

- InvisibleSun 15:14, 15 August 2006 (UTC)

title: User talk:208.34.13.249


text:
Porco Rosso

Porco Rosso is a 1992 animated film by Japanese director Hayao Miyazaki.

Dialogue
Porco: I'd rather be a pig than a fascist. (on refusing the offer to rejoin Italian Air Force)

Porco: A pig that doesn't fly is just a pig.

Arms Dealer: If you make money from war, you're scum. If you can't make money from bounty hunting, you're an idiot!

Curtis: [taunting Porco] If you run away, I'll tell everyone you're chicken! Porco: Chicken, pig, what's the difference?

Fio: (After Ferrarin signaled Porco) What did he say? Porco: He said "Cute kid. When did you start babysitting?"

Porco Rosso: A pig's gotta fly.

Pirates: We're coming for you, Porco Rosso! (they jostle each other) Arrgh! Ack! Argh! Get off me! Radio announcer: I repeat: We're coming for you, Porco Rosso, argh ack argh get off me.

Fio: Are you a spy? Porco: A spy? [Porco roars with laughter] A spy! That's a good one! That's the last thing I'll ever be. I only work for myself.

title: Porco Rosso


text:
Patrick Stump

Patrick Martin Stumph, known professionally as Patrick Vaughn Stump (born April 27, 1984), is the lead singer of the American rock band Fall Out Boy.

10 06 2008

 * I'm not a drummer anymore. On my gravestone, if there is one, if anyone writes anything about me besides hopefully being a dad, it would be that I sang in my band when I was in my 20s. So I was like, "Yeah, I should probably focus on this a little more," so I just practiced a lot.
 * When asked about his singing.

 * What you want if you're asking that question is a specific time in your life to come back to you, and that will never happen. You will never be 15 years old again. I could write, verbatim, another Take This To Your Grave, and you won't feel the same way. It's not going to mean anything to you because it wouldn't mean anything to me.
 * When asked "how do you respond to people who say they wish Fall Out Boy would just write another Take This To Your Grave?"

 * Sometimes people associate getting big with selling out, which is funny because that's not something you necessarily have choice in. That's not a matter that is entirely up to you and at the same time, who hasn't sold out? If you've heard of a specific artist, they're big enough--they got to you. Where do you draw the line between what's big and what's too big?

 * I don't mind if someone thinks I'm a sell out. I go to bed happy knowing I do what I do and I'm not doing anything for reasons of money, and if I were trying to pick up chicks, I'm doing a horrible job. And if I wanted to drive awesome cars, I'm doing a really bad job there too.

 * If you're trying to get a lot of money and attention and cars and just stuff like that, being in a band is a really bad way to do it, because it takes a lot of work, it's constant work, it's very grueling, and you don't really have time to spend money. So that would probably not even make my top 10 list of ways to make a lot of money, because records aren't selling anymore. The richest musician in America still doesn't even come close to a mid-level athlete.

 * I've heard a lot of really awful, negative things said about Pete, and it's like, “Dude, you don't even have a clue how honest and real that guy is” for the amount of crap that people talk about him. Pete said it, and it's true, they make you into a wrestling character. And it's also like reality TV editing. It's really easy to cut somebody in rolling their eyes when that might not have even happened next to the thing that it's being shown next to.

 * There was a weird moment where—I was still a drummer, I always saw myself as a drummer—and we got nominated for a Grammy, that was really crazy, and I was sitting there and Stevie Wonder was on stage and I remember thinking "Wow, I really need to take [singing] more seriously!"

 * There's something really personal about your voice, where if people talk shit on your guitar, "Ugh, he played out of tune," etc., you can, in your head, blame it on something else, but when you fuck up with your singing, that's part of you [...] So I guess I'm an insecure enough dude that I just went back and really studied and tried to sing better.

10 13 2008

 * Pete's my best friend, I was the best man at his wedding, I love that man to death. I'd take a bullet for him.

 * There's so many accusations that are so ridiculous about Pete Wentz that are taken as the gospel—people just assume that he posted pictures of his penis on the internet. That is the stupidest fucking thing thing I've ever heard. Why on earth would you ever do that?

 * I think Joe's underappreciated, I think Andy's underappreciated, I think Pete's underappreciated, I don't think people know how good he is. I think Neal [Avron]'s underappreciated, but if anything, I feel overappreciated. I think Patrick Stump gets enough attention.

 * I collect movies, I still buy records constantly. I collect musical instruments and most of my time I spend making music, it's pretty much what I do 90% of the time I'm home. Aside from just normal stuff, I walk the dog, I hang out with my girlfriend, get dinner. Pretty mellow stuff.

 * Right now I'm in Hollywood— I don't like Hollywood, it's not really my style. But I've found my own little niche here where it's not bad. It's one of those things where I've been on an extended work trip here for 2 years. I still technically live in Chicago and I'm dying to get back. That's one of the big things for me, I go back to Chicago when I want to hang out. I'm weirdly very proud of my city, and I hope, God willing, I die there.

 * I think a producer should be like water, and whatever the shape of the glass is, he or she should fill that. If they need you to be the engineer guy--typically I have an engineer--I work at that stuff. If they need you to be a songwriting help guy, I work on that. If they need you to be a vocal melody guy, I work at that, etc. I kind of look at whatever a band needs out of me then I try to give it to them.
 * When asked "Are you very hands on when it comes to production or do you focus more on the larger vision of the song/album - the vibe/etc?"

 * I think one of the things if you look at minimalism or expressionism, there's various movements in modern composition that I think you can see really natural relations in pop music, so I mean I always look to that in pop music.

 * Reich and John Cage were pretty big influences on this record (Folie A Deux) in weird ways in that you wouldn't necessarily hear any of it - nothing ends up sounding like either of them, but I think just methodology and things like that ended up on the record in various ways.

Rolling Stone

 * I hear all sorts of things slung at us, one of my favorites being the "boy-band" accusation. I'm like, 'Boy band? I'm fat! If we were a boy band, I'd look good, I'd dance and I'd be charming - so what the fuck are you talking about?' I write songs, that's all I do.

Blender Magazine, "Boy Crazy", June 2006

 * I get really annoyed with photo shoots and interviews and handshakes. I’m a musician; God forbid I actually have time to make music.

 * He's not cocky because of Fall Out Boy, he's cocky because he's Pete Wentz.

IMDb.com

 * Quiet IS the new loud.

 * Yeah, I've been writing a bunch of new stuff, but it's all secret. In fact, I may or may not have been writing stuff this entire interview.

YouTube.com

 * Whoever is in charge of my Wikipedia, all right, whoever you are - the major, most egregious thing in there isn't that, you know, apparently I'm bisexual and have like, twenty kids and that I learned everything I know from a sixteen-year-old who probably wrote that in himself, but the most egregious of all the errors is that it says I am a massive David Bowie fan, which is true, but it is a gross omission to leave out my obsession with Prince. Absolutely. So whoever you are, throw that in there. Go for it. You know what? Make me eighty feet tall. And, you know, make me a transsexual. But put in Prince.

 * Joe Trohman: (referring to Pete and Patrick) You guys should just make lo- You guys should get married. Patrick: We are.

 * Pete Wentz: Every action movie has to have a gadget guy. You hate being the gadget guy, huh? You're a good gadget guy, you wear glasses. Patrick: (throws glasses on the floor) Now I'm a HORRIBLE gadget guy!

 * We're standing outside of Peet's Coffee. I've never been here before, but I'm gonna pretend like I have. I love you, Peet's. So good memories.

 * I did my civic duty. Haha I'm driving a Civic! Whoa!

 * (Points to guide arrows on street) See these guide arrows? Fuck you, guide arrows! Tell me to go that way? Fuck you.

 * Nintendo DS makes me forget that I don't have any friends.

 * Patrick: One of my favorite rumors about myself is that I am 31, which is just about 10 years off, so... Pete: He's 41, you motherfuckers.

 * I hate barbeque sauce. Little known fact about me. Can't stand it.

 * Before lunch, and ultimately recess, I need you to know - you're going to die.

 * Carpool to save gas. 'Cause I know you're in grade school and driving is like, what you do.

 * I'm sure it's gotta be a great job 'cause rock stars are known for their punctuality and politeness, so...

 * Yeah, I'm one of those guys--I'm either totally on time and--and everything's good, or I just--I just didn't know what happened, you know, and I just totally don't show up. Like not like late, like, I didn't know--my problem is that sometimes I'm real bad at getting information and retaining it, so...I dunno...Sometimes it's more forgetting than late.

Patrick Being Weird (Bonus Track)

 * Don't just look at her ass, eat it.

 * Calm before the storm - fuck it; MEOOOOOOOOOOOOOOOOW. MEOW.

 * Hey, does your mother sew? BOOM! Get her to sew that.

 * Come to think of it, I'm gonna- I'm gonna make him bald, and make him- and make him sweat acid. And I think I'm gonna give him weird bladder problems, and romantic problems..Y'know what?! THE WHOLE THING!

 * Know somethin'... I got a range. I got a range like no motherfucker knows.

 * I already said that fucking thing, you missed it. Where were you on that one, O'Keefe? Eyes on the prize. Focus!

 * My badge my witn- oh shh... *hums* Pete:*makes weird noise* oh shhh!

 * Woah! Nope... *screams* Boo...

 * What's so funny about I don't get it...

 * I mean you never heard of the menlinium falcon is the shit, but made the Kessel Run in and under 12 parsecs

Friends or Enemies.com

 * Hi I'm Patrick. Today we're going to look at how long it takes for spilt Coke to sink into a carpet. [plays Jeopardy music] Note that it's still fizzy.

 * I'm probably the only guy in the world that likes to eat black licorice.

 * Hi, I'm Patrick Stump. And I'm wearing Pete's pants.

 * These are the dude version. They couldn't possibly be your pants!
 * Said to Pete Wentz after being accused of stealing his pants.

Apple Pro Profiles

 * Everything was plugged in and should’ve been working, but it gave me a communication error. I got like a cave man and got so mad at it. I was completely fed up. I’m not an engineer, I’m not a computer whiz. I don’t know anything about electronics. All I know is that I want this thing to make noise, I want to write music, and it’s not working.
 * About using 4 track tape decks compared to GarageBand.

 * I mean, if I had a piccolo in front of me I would probably figure out how to play ‘Hot Cross Buns’ or something.

My Heart Will Always be the B-Side to My Tongue DVD

 * I don't know, we played a show for like, ten kids, but those ten kids were just insane. It's really quantity, not quality, and that's what I really -- (Pete cuts him off) Pete: It's quality, not quantity. You said it backwards. I don't want you to look like a dumbass... on film.

 * This one's for all the homies who couldn't make it to the party!
 * Before taking a shot of liquid garlic butter.

 * We're meant for each other 'cause we smell bad.

Release the Bats DVD

 * There are some things in life that make you happy, and make you like your life. Then there are some things in life that you witness, that make you not like your life as much. I think that's one of them. I'm sorry, Juan.
 * After a friend, Juan, takes the "Triple Pepper Threat".

TV.com

 * I started playing music when I was really young. I didn't start off on guitar because I couldn't fit my hands around the neck and fret board. So I did the drums. And back then, all I did was hit things.

 * I used to work in a record store. I'm kind of a record nerd.

title: Patrick Stump


text:
Irvin Kauffman

Irvin Kauffman is a musician and former Assistant Principal Cello. For 34 years of dedicated service, the Pittsburgh Symphony awarded him the chair of Assistant Principal Cello Laureate.

Quotes

 * Teach we must, for we owe all that we are to all those who have been and all that we have to those who are yet to come ...if they but ask!
 * Official website

title: Irvin Kauffman


text:
User talk:Rollsofjoy~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy! -- Robert 19:26, 15 August 2006 (UTC)
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Rollsofjoy. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Rollsofjoy~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:33, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:56, 19 April 2015 (UTC)

title: User talk:Rollsofjoy~enwikiquote


text:
User talk:Goldsilver~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy! -- Robert 19:26, 15 August 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Goldsilver. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Goldsilver~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:24, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:48, 19 April 2015 (UTC)

title: User talk:Goldsilver~enwikiquote


text:
User talk:Nick Walmer

Hi. Welcome to English Wikiquote. Enjoy! -- Robert 19:26, 15 August 2006 (UTC)
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title: User talk:Nick Walmer


text:
User talk:Jeremy Hits

Hi. Welcome to English Wikiquote. Enjoy! -- Robert 19:26, 15 August 2006 (UTC)
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title: User talk:Jeremy Hits


text:
User talk:Tradeitallin~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy! -- Robert 19:26, 15 August 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Tradeitallin. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Tradeitallin~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:37, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 06:00, 19 April 2015 (UTC)

title: User talk:Tradeitallin~enwikiquote


text:
User talk:Autofyrsto

Hi. Welcome to English Wikiquote. Enjoy! -- Robert 19:26, 15 August 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
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 * Be bold.

title: User talk:Autofyrsto


text:
User talk:Eccentricned~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy! -- Robert 19:26, 15 August 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Eccentricned. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Eccentricned~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:22, 17 March 2015 (UTC)

That is also my account, how do I declare that? Eccentricned (talk) 23:33, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:47, 19 April 2015 (UTC)

title: User talk:Eccentricned~enwikiquote


text:
User talk:EmmanueleBassi

Hi. Welcome to English Wikiquote. Enjoy! -- Robert 19:26, 15 August 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

title: User talk:EmmanueleBassi


text:
User talk:Mugadonna~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy! -- Robert 19:26, 15 August 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Mugadonna. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Mugadonna~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:31, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:53, 19 April 2015 (UTC)

title: User talk:Mugadonna~enwikiquote


text:
User talk:Ladylen

Hi. Welcome to English Wikiquote. Enjoy! -- Robert 19:26, 15 August 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

title: User talk:Ladylen


text:
User talk:Wushupork

Hi. Welcome to English Wikiquote. Enjoy! -- Robert 19:26, 15 August 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
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 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

title: User talk:Wushupork


text:
User talk:Nintendofan88~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy! -- Robert 19:26, 15 August 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
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 * Be bold.

Raiders of the Lost Ark
Thank you for your recent additions to this page, but as part of the Copyright Cleanup Project to avoid violation of copyright laws, this article has been trimmed to its limit of no more than 10 medium-sized quotes, based on its running time of 115 minutes. If you would like to add another quote to the page, you must first remove one already there. Please see Limits on quotations for more information. ~ UDScott 16:52, 17 August 2009 (UTC)

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Nintendofan88. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Nintendofan88~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:31, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:53, 19 April 2015 (UTC)

title: User talk:Nintendofan88~enwikiquote


text:
User talk:ILUV AFI

Hi. Welcome to English Wikiquote. Enjoy! -- Robert 19:26, 15 August 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

title: User talk:ILUV AFI


text:
User talk:Sciencegeek0516

Hi. Welcome to English Wikiquote. Enjoy! -- Robert 19:26, 15 August 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

title: User talk:Sciencegeek0516