text:
Jack Kemp

Jack French Kemp (July 13, 1935 – May 2, 2009) was an American politician and a professional player in both American football and Canadian football. A member of the Republican Party from New York, he served as Housing Secretary in the administration of President George H. W. Bush from 1989 to 1993, having previously served nine terms in the United States House of Representatives from 1971 to 1989. He was the Republican Party's vice presidential nominee in the 1996 election, as the running mate of presidential nominee Bob Dole. Kemp had previously contended for the presidential nomination in the 1988 Republican primaries.

Quotes

 * Conservatives define compassion not by the number of people who receive some kind of government aid but rather by the number of people who no longer need it.

 * I think it is important for all those young out there, who someday hope to play real football, where you throw it and kick it and run with it and put it in your hands, a distinction should be made that football is democratic, capitalism, whereas soccer is a European socialist sport.
 * In a 1988 speech to the United States Congress, quoted by himself at Townhall.com

Quotes about Kemp

 * This is a quality that has appeared often enough in American history — and outside America as well. Senators like Ted Kennedy have been prominent before, bearing names like Henry Clay or Daniel Webster, John C. Calhoun, Robert Taft, Barry Goldwater and Hubert Humphrey. Governors like New York Republican Nelson Rockefeller or Alabama Democrat George Wallace. A Congressman like Jack Kemp. Non-office holders like Martin Luther King in the United States or Mohandas Gandhi in India or Nelson Mandela in South Africa (who later became president of his country) can, through sheer force of personality, come to dominate the political scene of the day without ever bearing a single official title.
 * Jeffrey Lord in Is Sarah Palin the Next Ted Kennedy? (1 September 2009)

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Jack Kemp


text:
User:Changetheworld

 * I once had a leather jacket that got ruined in the rain. Why does moisture ruin leather? Aren't cows outside a lot of the time? When it's raining, do cows go up to the farmhouse, "Let us in! We're all wearing leather! Open the door! We're going to ruin the whole outfit here!"
 * Jerry Seinfeld

title: User:Changetheworld


text:
Charlie's Angels (2000 film)

Charlie's Angels is a 2000 film about a trio of elite private investigators who, with the latest in high-tech gadgets, martial arts techniques and a vast array of disguises, unleash their state-of-the-art skills on land, sea and air. Their goal, to track down a kidnapped billionaire-to-be and keep his top-secret voice-identification software out of lethal hands. It is based on the television series of the same name.
 * ''Directed by McG. Written by Ryan Rowe, Ed Solomon and John August.

They're beautiful, they're brilliant, and they work for Charlie Taglines

Charlie

 * Once upon a time, there were three very different little girls... who grew up to be three very different women. But they have three things in common: They're brilliant, they're beautiful and they work for me. My name is Charlie.

Dialogue

 * Pasqual: I hear birds can't fly this high.
 * Dylan: I hear only angels can.

 * Dylan: Another movie from a TV show.
 * Pasqual: What are you going to do?
 * Dylan: Walk out.

 * Jason: You know, for a bikini waxer you know an awful lot about bombs.
 * Alex: Isn't it amazing how much information you can learn off of the internet?

 * Charlie: Good morning, angels.
 * Angels: Good morning, Charlie.

 * Corwin: (Alex is disguised as Corwin's masseur) You're very good with your hands, I could use someone like you on my staff.
 * Alex: Thanks for the offer, but my hands aren't going anywhere near your staff.

 * Pete: Okay, Thursday?
 * Natalie: (excited) My favorite day!
 * Pete: Great. I'm gonna get tickets.
 * Natalie: (still excited) I love tickets!
 * Alex: (through walkie-talkie) What do you know? A guy who speaks Natalie.

 * Vivian: Sound's impossible.
 * Natalie: Sounds like fun.

 * Charlie: Mission accomplished?
 * Dylan: I think the client was... blown away. (The Angels crack up)

 * [Natalie is flirting with Pete, the bartender; the Angels are communicating through walkie talkies]
 * Alex: (quietly) Flip your hair.
 * Natalie What?
 * Alex: (quietly and impatiently) Flip... your... goddamn... hair.

Taglines

 * They're beautiful, they're brilliant, and they work for Charlie

Cast

 * Cameron Diaz — Natalie
 * Drew Barrymore — Dylan Sanders
 * Lucy Liu — Alex Munday
 * Bill Murray — Bosley
 * Sam Rockwell — Eric Knox
 * Tim Curry — Roger Corwin
 * Kelly Lynch — Vivian Wood
 * Crispin Glover — The Thin Man
 * Matt LeBlanc — Jason
 * Luke Wilson — Pete
 * John Forsythe — Charlie

title: Charlie's Angels (2000 film)


text:
Bridget Jones's Diary (film)

Bridget Jones's Diary is a 2001 film, based on the 1996 book of the same name. It is about the life of a single thirtysomething woman in London.
 * ''Directed by Sharon Maguire. Written by Helen Fielding, Richard Curtis and Andrew Davies.

Bridget

 * It all began on New Years day, in my 32nd year of being single. Once again I found myself on my own and going to my mother's annual turkey curry buffet. Every year she tries to fix me up with some bushy-haired, middle-aged bore, and I feared this year would be no exception.

 * My mum, a strange creature from the time when gherkins were still the height of sophistication.

 * And that was it. Right there. Right there, that was the moment. I suddenly realised that unless something changed soon I was going to live a life where my major relationship was with a bottle of wine... and I'd finally die, fat and alone, and be found three weeks later half-eaten by alsatians. Or I was about to turn into Glenn Close in Fatal Attraction.

 * Resolution number one: Obviously will lose twenty pounds. Number two: Equally important, will find nice, sensible boyfriend to go out with and not continue to form romantic attachments to any of the following: alcoholics, workaholics, commitment phobics, peeping toms, megalomaniacs, emotional fuckwits or perverts. And especially will not fantasise about a particular person who embodies all these things... Unfortunately he just happens to be my boss, editor in chief Daniel Cleaver, and for various slightly unfair reasons relating to this year's Christmas party I suspect he does not fantasize about me.

 * Daily call from Jude. Best friend. Head of investment at Brightlings Bank, who spends most of her time trapped in the ladies' room crying over fuckwit boyfriend.

 * Shazzer. Journalist. Likes to say "fuck". A lot.

 * Tom, 80's pop icon who only wrote one hit record then retired because he found that one record was quite enough to get him laid for the whole of the 90's. Total poof, of course.

 * Major dilemma. If actually do, by some terrible chance, end up in flagrante surely these would be most attractive at crucial moment. (holds up thong) However, chances of reaching crucial moment greatly increased by wearing these; scary stomach-holding-in pants very popular with grannies the world over. Tricky. Very tricky.

 * (Answering phone) Bridget Jones, wanton sex goddess, with a very bad man between her thighs... Mum... hi.

 * At times like this, continuing with one's life seems impossible... and eating the entire contents of one's fridge seems inevitable. I have two choices: to give up and accept permanent state of spinsterhood and eventual eating by alsatians, or not. And this time I choose not. I will not be defeated by a bad man and an American stick insect! Instead, I choose vodka. And Chaka Khan.

(imitating her line on TV) This is Bridget Jones for Sit Up Britain searching for tuna.
 * (rummaging through her fridge) Where the fuck is the fucking tuna?

Other

 * Don't be silly, Bridget. You'll never get a boyfriend if you look like you've wandered out of Auschwitz. ~Mother

 * Mother, I do not need a blind date. Particularly not with some verbally incontinent spinster who smokes like a chimney, drinks like a fish and dresses like her mother. ~Mark

 * I don't think you're an idiot at all. I mean, there are elements of the ridiculous about you. Your mother's pretty interesting. And you really are an appallingly bad public speaker. And, um, you tend to let whatever's in your head come out of your mouth without much consideration of the consequences... But the thing is, um, what I'm trying to say, very inarticulately, is that, um, in fact, perhaps despite appearances, I like you, very much. ~ Mark

 * Now, these are very silly little boots, Jones. And this is a very silly little dress. And, um, these are- fuck me, absolutely enormous pants. ~Daniel

 * I can't believe you said what you said you said. ~Jude

 * Come the fuck on, Bridget! ~ Tom

 * Oh,fuck me, I love Keats. Have you heard this one? 'There was a young woman from Ealing, who had a peculiar feeling, she lay on her back, and opened her crack, and pissed all over the ceiling!'... Oh fuck me! Bollocks!

Dialogue

 * Bridget: I'm sorry, I'm not quite fi... [interrupted by seeing Mark]
 * Mark: Good afternoon.
 * Bridget: Hi! You like me just the way I am...
 * Mark: Sorry?
 * Bridget: Nothing.

 * Bridget: [as Una Alconberry] No Pam. And besides I'm busy, gravy needs sieveing.
 * Mark: [as Pamela Jones] Surely not, just stir it, Una.

 * Mother: Come on. Why don't we see if Mark fancies a gherkin.
 * Bridget:  Ding dong! Maybe this was the mysterious Mr. Right I'd been waiting my whole life to meet. (Sees his reindeer jumper) Maybe not.
 * Mother: Mark! You remember Bridget. She used to run around your lawn with no clothes on, remember?

 * Daniel: (as computer messages) If walking past my office was attempt to demonstrate presence of skirt, can only say that it has failed parlously-- Cleave.
 * Bridget: Shut up, please. I am very busy and important. P.S. How dare you sexually harass me in this impertinent manner?
 * Daniel: Message Jones. Mortified to have caused offense. Will avoid all non-P.C. overtones in future. Deeply apologetic. P.S. Like your tits in that top.

 * Perpetua: Anyone going to introduce me?
 * Bridget: Ah, introduce people with thoughtful details. Perpetua, this is Mark Darcy. Mark's a prematurely middle-aged prick with a cruel-raced ex-wife. Perpetua's a fart-arse old bag who spends her time bossing me around... Maybe not.
 * Perpetua: Anyone going to introduce me?
 * Bridget: Ah, Perpetua. This is Mark Darcy. Mark's a top barrister. He comes from Grafton Underwood. Perpetua's one of my work colleagues.
 * Perpetua: Oh, Mark, I know you by reputation of course.
 * Mark: (Natasha arrives) Ah, Natasha. This is Bridget Jones. Bridget, this is Natasha. Natasha is a top attorney and specializes in family law. Bridget is in advertising and used to play naked in my paddling pool.

 * Richard: So, why do you want to work in television?
 * Bridget: I've got to leave my current job because I've shagged my boss.
 * Richard: Fair enough. Start on Monday. We'll see how we go. And, incidentally, at 'Sit Up, Britain', no one ever gets sacked for shaggin' the boss. That's a matter of principle.

 * Mark: I don't think you're an idiot at all. I mean, there are elements that are ridiculous about you. Your mother's pretty interesting. And you really are an appallingly bad public speaker. And, um, you tend to let whatever's in your head come out of your mouth without much consideration of the consequences. I realize that when I met you at the Turkey Curry Buffet I was unforgiveably rude... and wearing a reindeer jumper... that my mother had given me the day before. But the thing is, uhm, what I'm trying to say, very inarticulately, is that, uhm, in fact, perhaps despite appearances, I like you. Very much.
 * Bridget: [Bitterly] Apart from the smoking and the drinking and the vulgar mother and the verbal diarrhea...
 * Mark: No, I like you very much. Just as you are.

 * Bridget: How's it look?
 * Mark: Great, it's... blue.
 * Bridget: Blue?
 * Mark: No, but blue is... good. If you ask me, there isn't enough blue food.

 * Mother: The Darcy's Ruby Wedding of course. "What for?" Indeed! Mark will be there. Still divorced *taps nose*
 * Bridget: He's also... still deranged. ''*taps nose*

''
 * Bridget: Wait a minute, nice boys don't kiss like that.
 * Mark: Oh, yes, they fucking do.

Tagline

 * It's Monday morning, Bridget has woken up with a headache, a hangover and her boss.
 * Uninhibited. Uncensored. Unmarried.
 * For anyone who's ever been set up, stood up or felt up.
 * Aloof. Unavailable. Ice queen. – Aloof. Unavailable. Ice queen. – Aloof. Unavailable. Ice queen. – quite fancy a snog though...
 * All women keep score... Only the great ones put it in writing.

Cast

 * Renée Zellweger — Bridget Jones
 * Colin Firth — Mark Darcy
 * Hugh Grant — Daniel Cleaver
 * Gemma Jones — Bridget's Mother
 * Jim Broadbent — Bridget's Father
 * Felicity Montagu — Perpetua
 * Sally Phillips — Shazzer
 * James Callis — Tom
 * Paul Brooke — Mr. Fitzherbert
 * Celia Imrie — Una Alconbury
 * James Faulkner — Uncle Geoffrey

title: Bridget Jones's Diary (film)


text:
Sugar & Spice

Sugar and Spice is a 2001 comedy film about cheerleaders who become bank robbers.
 * Directed by Francine McCougall. Written by Mandy Nelson.

Get ready to cheer for the bad girls! Taglines

Diane

 * Morning sunshine. Remember, these are the best days of your life, so far. (winks)
 * No one ever got ahead by sitting on their behind.
 * I'm not gonna get an abortion, I always planned on getting married and having kids, I'm just going a little out of order. It kinda reminds me of another young lady, who found herself with child, unmarried, on a long, long road with no place to sleep. Of course that was a long, long time ago. No matter what, she held her head high, and said, "Papa, don't preach, I'm in trouble deep. Papa, don't preach, 'cause I've made up my mind, I'm keeping my baby.
 * It's off. I can't take the fighting, the back-stabbing, the open hostility. We're not acting like cheerleaders, we're acting like a bunch of sorority girls!
 * Morning sunshine. Remember, except for the morning sickness, the blinding back-pain and the embarrassingly unpredictable gas, these are the best days of your life... so far.
 * You know, even the most beautiful flowers still grow from dirt. And we may be knee-deep in it right now, but we're gonna grow strong from this.

Lisa

 * Truth is, they're so close, they all get their monthly visit from Aunt Rose at the same time.
 * Now I know it's my job to give you all the facts, so, I'm gonna have to says their cheer blew like a bulemic after Christmas dinner.
 * Jack was fine. Man, was he fine! It was like he was a bar of chocolate and the whole school was on the rag.
 * (Cheerleaders shout "Hey, ho, let's go".) I don't know about they "hey" part, but "ho" is right on the money.

Other

 * Jack: There are only three things I want in life. To, one day, become a senator of this great state (crowd cheer)... I wanna lead the mighty Lincolns to victory in the homecoming game (crowd cheer)... And I wanna go to the homecoming dance with Diane West. (Crowd gasp... then cheer!)
 * Hannah: Oh my God, I'm gonna be someone's bald bitch!

Dialogue

 * Hannah: At church camp this summer, I'm pretty sure I had my first orgasm.
 * Kansas: Hold up, any sentence that starts with "at church camp" ain't leading to the big O.
 * Cleo: That's not true. Those pictures of Christ all sweaty and bare chested on the cross always made me kinda hot.

 * Lucy: Holy Shit! You just became a statistic.
 * Kansas: Oh my God... I'm not the first.
 * Hannah: When are you geting married?

 * Kansas: How much do you need for an abortion?
 * Hannah: What? No, not an abortion. My church can arrange for you to go to Oregon and take care of a sick aunt for nine months. Then they find your baby a good home. And you come back a little dazed and puffy, but everything's fine. Please Di, don't be a whore and a murderer.

 * Kansas: Come on Cleo, we're not gonna waste this weeks question to the netherworld on Conan.
 * Hannah: Who made up the one question a week rule, anyway?
 * Kansas: It's in the bible, so just shut the hell up.

 * Diane: But we went hands in on this. You're breaking the National High School Cheerleading Association's pledge of allegiance and conformity.
 * Lucy: I'll turn in my pom-poms after Christmas.

 * Kansas: Rule number one: You never take off the mask, hear me? No matter what happens, you never take off the mask.
 * Cleo: I'm sorry, Kansas.
 * Kansas: Oh, god, no! Rule number two: No names. No god damn names, you retard.
 * Cleo: For God's sake, 'white trash betty', I didn't realise the rules went into effect before we entered the supermarket.

Taglines

 * Get ready to cheer for the bad girls!

Cast

 * Marley Shelton - Diane "The Mastermind" West
 * Rachel Blanchard - Hannah "The Virgin"
 * Mena Suvari - Kansas "The Rebel"
 * Melissa George - Cleo "The Stalker"
 * Alexandra Holden - Fern "The Terminator"
 * Sara Marsh - Lucy "The Brain"
 * Marla Sokoloff - Lisa
 * James Marsden - Jack Bartlett

title: Sugar & Spice


text:
Practical Magic

Practical Magic is a 1998 film about two sisters who are hexed by a centuries-old curse: all the men they fall in love with are doomed to an untimely death. During their quest to find love everlasting, they have to cope with a witches' brew of events involving a possible love-match for one, and a sadistic Transylvanian lover for the other.
 * Directed by Griffin Dunne. Written by Robin Swicord, Akiva Goldsman, and Adam Brooks, based on the novel by Alice Hoffman.

There's a little witch in every woman. Taglines

Others

 * Frances: In this house we have chocolate cake for breakfast, and never bother with silly little things like bedtimes, or brushing our teeth.
 * Sally: This is only temporary, so don't get comfortable. There will be no chocolate for breakfast, homework will be done after dinner, teeth and hair brushed before bed. (To her aunts) And, as for you two, my children will never do magic. Ever.
 * Jimmy: I'm feeling very into sisters right now.

Dialogue

 * Gilly: You wanna play?
 * Village kids: (chanting) Witch, witch, you're a witch!

 * Young Sally: I hope I never fall in love, I hope I never fall in love, I hope I never fall in love.
 * Young Gilly: I can't wait to fall in love.

 * Young Sally: He will hear my call a mile away, he will whistle my favourite song, he can ride a pony backwards-
 * Young Gilly: What are you doing?
 * Young Sally: I'm summoning up a true love spell called amas veritas, he can flip pancakes in the air, he will be marvellously kind, and his favourite shape will be a star. And he'll have one green eye, one blue.
 * Young Gilly: I thought you never wanted to fall in love.
 * Young Sally: That's the point. The guy I dreamed up doesn't exist, and if he doesn't exist, I'll never die of a broken heart.

 * Gilly: I hate it here. I wanna go where... where no-one's even heard of us.
 * Sally: I feel like I'm never going to see you again.
 * Gilly: Of course you're going to see me again. We're going to grow old together. It's gonna be you and me, living in a big house. These two old biddies with all these cats. I mean, I bet we even die in the same day.
 * Sally: You swear?
 * Gilly: Honey, I need your pocket knife. (cuts her hand and Sally's) My blood, your blood, our blood.

 * Gilly: Do you forgive our mother?
 * Sally: Sometimes.
 * Gilly: Well, you'll never forgive yourself, unless you get up, get dressed and you brush you goddamn teeth, 'cause your breath stinks.

 * Gilly: We have to ask the aunts to help us bring him back.
 * Sally: No, no they won't do it. Because he'll come back as something dark and unnature.
 * Gilly: Jimmy is already dark and unnatural! And besides I don't care what he comes back as, as long as he comes back with a pulse!
 * Sally: No Gillian that is not an option, that is not a choice.
 * Gilly: We have no choice Sally, this is our choice!

 * Village Kids: (chanting) Witch! Witch! You're a bitch! Witch! Witch! You're a witch!
 * Sally: You think after three hundred years they would come up with a better line.

 * Gary: Did you or your sister kill James Angelov?
 * Sally: Oh, yeah. A couple of times.

 * Gilly: He wants me, just me. Everyone would be safe. Just let him take me.
 * Sally: Don't die on me, Gilly please, 'cause we're supposed to die together, at the same time. You promised me that, and this is not that day.

 * Sally: We have to go to the police. It was self defense.
 * Gilly: What, the old slowly-poisoning-him-to-death self defense?

Taglines

 * There's a little witch in every woman.
 * For two sisters from a family of witches, falling in love is the trickiest spell of all.

Cast

 * Sandra Bullock — Sally Owens
 * Nicole Kidman — Gillian Owens
 * Stockard Channing — Aunt Frances
 * Dianne Wiest — Aunt Jet
 * Goran Visnjic — Jimmy Angelov
 * Aidan Quinn — Gary Hallett
 * Camilla Belle — Young Sally
 * Lora Anne Criswell — Young Gillian

title: Practical Magic


text:
User talk:209.174.58.135

Please stop adding nonsense to Wikiquote, as you did to Albert Pierrepoint. It is considered vandalism. If you would like to experiment, use the sandbox. —LrdChaos 18:39, 17 May 2006 (UTC)

title: User talk:209.174.58.135


text:
User talk:204.234.242.231

Please stop adding nonsense to Wikiquote, as you did to Langston Hughes. It is considered vandalism. If you would like to experiment, use the sandbox. —LrdChaos 18:41, 17 May 2006 (UTC)

title: User talk:204.234.242.231


text:
Talk:The Core

I cleaned up what was there and added the quotes. I left the stub marker as I felt some more quotes/taglines etc were needed. (Allriffnoraff 18:57, 17 May 2006 (UTC))

title: Talk:The Core


text:
March 4

March 4 Quotes of the day from previous years:

 * 2004
 * The day may dawn when fair play, love for one's fellow men, respect for justice and freedom, will enable tormented generations to march forth triumphant from the hideous epoch in which we have to dwell. Meanwhile, never flinch, never weary, never despair. ~ Winston Churchill
 * selected by Kalki

 * 2005
 * One man practicing sportsmanship is far better than fifty preaching it. ~ Knute Rockne (born 4 March 1888)
 * selected by Kalki

 * 2006
 * There was a young fellow from Trinity, Who took the square root of infinity. But the number of digits, Gave him the fidgets; He dropped Math and took up Divinity. ~ George Gamow ~ (born 4 March 1904)
 * selected by Kalki

 * 2007
 * In all living nature (and perhaps also in that which we consider as dead) love is the motive force which drives the creative activity in the most diverse directions. ~ P. D. Ouspensky (born 4 March 1878)
 * selected by Kalki

 * 2008
 * Philosophy is based on speculation, on logic, on thought, on the synthesis of what we know and on the analysis of what we do not know. Philosophy must include within its confines the whole content of science, religion and art. ~ P. D. Ouspensky
 * selected by Kalki

 * 2009
 * When I listen to love, I am listening to my true nature. When I express love, I am expressing my true nature. All of us love. All of us do it more and more perfectly. The past has brought us both ashes and diamonds. In the present we find the flowers of what we've planted and the seeds of what we are becoming. I plant the seeds of love in my heart. I plant the seeds of love in the hearts of others. ~ Julia Cameron
 * proposed by Zarbon

 * 2010
 * I honor my importance and the importance of others. None of us is dispensable, none of us is replacable. In the chorus of life each of us brings a True Note, a perfect pitch that adds to the harmony of the whole. I act creatively and consciously to actively endorse and encourage the expansion of those whose lives I touch. Believing in the goodness of each, I add to the goodness of all. We bless each other even in passing. ~ Julia Cameron
 * proposed by Kalki

 * 2011
 * The idea of "crime" in existing criminology is artificial, for what is called crime is really an infringement of "existing laws", whereas "laws" are very often a manifestation of barbarism and violence. Such are the prohibiting laws of different kinds which abound in modern life. The number of these laws is constantly growing in all countries and, owing to this, what is called crime is very often not a crime at all, for it contains no element of violence or harm. On the other hand, unquestionable crimes escape the field of vision of criminology, either because they have not recognized the form of crime or because they surpass a certain scale. In existing criminology there are concepts: a criminal man, a criminal profession, a criminal society, a criminal sect, and a criminal tribe, but there is no concept of a criminal state, or a criminal government, or criminal legislation. Consequently what is often regarded as "political" activity is in fact a criminal activity. ~ P. D. Ouspensky
 * proposed by Kalki

 * 2012
 * Focused on our good, focused on our abundance we naturally attract more of the same. This is spiritual law. Our consciousness is creative. What we focus on, we empower and enlarge. Good multiplies when focused upon. Negativity multiplies when focused upon. The choice is ours: Which do we want more of? ~ Julia Cameron
 * proposed by Zarbon

 * 2013

 * proposed by Kalki

 * 2014

 * proposed by Zarbon

 * 2015

 * proposed by Kalki

 * 2016

 * proposed by Kalki

 * 2017

 * proposed by Zarbon

 * 2018
 * proposed by Kalki

 * 2019

 * proposed by Zarbon

 * 2020

 * proposed by Zarbon

 * 2021

 * proposed by Kalki

 * 2022

 * proposed by Kalki

 * 2023

 * proposed by Kalki

 * 2024

 * proposed by Zarbon

 * 2025 : Rank or add further suggestions…

Suggestions
I've found that the chief difficulty for most people was to realize that they had really heard new things: that is things that they had never heard before. They kept translating what they heard into their habitual language. They had ceased to hope and believe there might be anything new. ~ P. D. Ouspensky
 * 3 Kalki 00:29, 4 March 2008 (UTC) with a strong lean toward 4.
 * 1 Zarbon 04:02, 23 April 2008 (UTC)
 * 3 InvisibleSun 23:19, 3 March 2009 (UTC)
 * 3. -- ო ~ #SheSaid 09:03, 2 March 2021 (UTC)

I felt that on a basis of a "search for the miraculous" it would be possible to unite together a very large number of people who were no longer able to swallow the customary forms of lying and living in lying. ~ P. D. Ouspensky
 * 3 Kalki 15:14, 28 February 2009 (UTC) with a strong lean toward a 4.
 * 1 Zarbon 19:15, 28 February 2009 (UTC)
 * 2 InvisibleSun 23:19, 3 March 2009 (UTC)
 * 3. -- ო ~ #SheSaid 09:03, 2 March 2021 (UTC)

First to dream and then to do— isn't that the way to make a dream come true? ~ Meindert DeJong
 * 3 Zarbon 01:40, 3 March 2009 (UTC)
 * 3 Kalki 02:19, 3 March 2009 (UTC) with a lean toward 4.
 * 2 InvisibleSun 23:19, 3 March 2009 (UTC)

Anger is meant to be acted on. It is not meant to be acted out. Anger points the direction. We are meant to use anger as fuel to take the actions we need to move where our anger points us. With a little thought, we can usually translate the message that our anger is sending us. ~ Julia Cameron
 * 2 Zarbon 01:40, 3 March 2009 (UTC)
 * 2 Kalki 02:19, 3 March 2009 (UTC) with a lean toward 3.
 * 2 InvisibleSun 23:19, 3 March 2009 (UTC)

I have learned, as a rule of thumb, never to ask whether you can do something. Say, instead, that you are doing it. Then fasten your seat belt. The most remarkable things follow. ~ Julia Cameron
 * 2 Zarbon 01:40, 3 March 2009 (UTC)
 * 3 Kalki 02:19, 3 March 2009 (UTC) with a lean toward 4.
 * 2 InvisibleSun 23:19, 3 March 2009 (UTC)
 * 3. -- ო ~ #SheSaid 09:03, 2 March 2021 (UTC)

Love is the substance of all life. Everything is connected in love, absolutely everything. ~ Julia Cameron
 * 1 Zarbon 01:40, 3 March 2009 (UTC)
 * 3 Kalki 02:19, 3 March 2009 (UTC) with very strong lean toward 4.
 * 2 InvisibleSun 23:19, 3 March 2009 (UTC)
 * 3. -- ო ~ #SheSaid 09:03, 2 March 2021 (UTC)

The growth of one blesses all. I am committed to grow in love. All that I touch, I leave in love. I move through this world consciously and creatively. ~ Julia Cameron
 * 3 Kalki 02:19, 3 March 2009 (UTC) with a lean toward 4.
 * 1 Zarbon 06:48, 3 March 2009 (UTC)
 * 2 InvisibleSun 23:19, 3 March 2009 (UTC)
 * 3. -- ო ~ #SheSaid 09:03, 2 March 2021 (UTC)

There are eight million stories in the Naked City; this has been one of them. ~ The Naked City
 * 2 DanielTom (talk) 17:10, 20 December 2017 (UTC)

 * 2 ♞☤☮♌Kalki·⚚⚓⊙☳☶⚡ 00:14, 4 March 2020 (UTC)
 * 3. -- ო ~ #SheSaid 09:03, 2 March 2021 (UTC)

Nicole Sharp (talk) 21:46, 3 March 2022 (UTC)
 * 2 ♞☤☮♌Kalki ⚚⚓⊙☳☶⚡ 00:07, 4 March 2022 (UTC) for this date, but a probable 4 on Aldrin's next birthdate, or perhaps sooner,

title: March 4


text:
Talk:March 4

This is the first redirect "date page" that I have done, but the software now supporting dates in this format gives me the idea of creating redirect pages like this, that link to the QOTD suggestion/archive pages. There would be much clean up to do, but gradually it could be adopted in all the date headings, and perhaps other dates as well, but should remain an available option, and not a requirement, even with the headings. ~ Kalki 19:44, 17 May 2006 (UTC)
 * The section-specific aspect doesn't seem to be working well at this point, but it still it provides an interesting option. ~ Kalki 19:53, 17 May 2006 (UTC)

title: Talk:March 4


text: User:Jeffq/Experiments/TOC

title: User:Jeffq/Experiments/TOC


text:
Road Trip

Road Trip is a 2000 film about four friends who take off on an 1800 mile road trip to retrieve an illicit tape mistakenly mailed to a girl friend.
 * Directed by Todd Phillips. Written by Todd Phillips and Scot Armstrong.

The greatest college tradition of all time.

Barry

 * [attempts to convince the snake to eat a mouse] Unleash the fury!
 * [singing] Tiny salmon swimming in a stream / Tiny salmon chasing that impossible dream / The mynah bird says, "Caw. Ca-Caw" / The chimpanzee says, "EEEEEEEEEEEEEEEEEE" / The friendly owl says, "Hoo, hoo-hoo" / But the salmon can only say, "Bloobloobloobloo. Blooboloobloobloo. Blooboloobolooooo-Blooblooo-Bloobloobloo." / And it's sad.
 * Austin? Austin, Massachusetts?

E.L.

 * You're already cheating! Anytime you pass up sex, you're cheating on yourself. Think about it Josh, you're in college. The window of opportunity to drink and do drugs and take advantage of young girls is getting smaller by the day.
 * Yep. I'd give us about 20 minutes before our first ass-raping.
 * Did you kill a cheetah?
 * Hey, it's 10 feet. Bob Hope could jump this in his golf cart. See, watch, I can spit across it.
 * Did I say two fingers? Better make that three.
 * Barry, hit the lights. It's boner time!

Other

 * Corky the Dog: Hey, Old man... I got the fuckin' munchies real bad... what about you?
 * Grandpa Manilow: You gonna pass that doobie?
 * Jacob: [Text on his T-shirt] "God is awesome."
 * Beth: Are there any guys out there who are JUST NORMAL?
 * Rubin: It's supposed to be a challenge, it's a shortcut! If it were easy it would just be the way.
 * Corky the Dog: Hey, Jack, have that bitch make me some blueberry pancakes... Right now.

Dialogue

 * Barry: Can we please feed Mitch now?
 * Rubin: No. If he overeats, he could die.
 * Barry: So? It would be worth it.

 * Rubin: This is sort of an unusual question, but do you have any marijuana I might be able to buy from you? Our car exploded last night and I'm practically all out of my own.
 * Motel Clerk: Am I a drug dealer? No, I am not. Thank you for asking, though.
 * Rubin: No? OK. That's OK. Thanks.
 * Motel Clerk: Is there anything else I can help you with? Perhaps you'd like an 11-year old prostitute sent to your room. We can do that. Or maybe we can off someone for you. Hunh? How's that sound? I've got it. Why don't we start small? Would you like a fresh towel? Maybe you could roll that up and smoke it.
 * Rubin: [sotto, walking away] Dick.
 * Motel Clerk: By the way, Cheech, that credit card you guys gave me last night was maxed out, so don't go spending all your cash on needles and guns just yet.

 * E.L.: Well, there are these rules that guys have, an understanding as to what exactly constitutes cheating. Take your situation for example: it's not cheating. It's never cheating when you're in a different area code, not to mention a different state.
 * Kyle: That makes no sense.
 * E.L.: Hey, don't look at me Kyle, OK, I didn't make up the rules.
 * Rubin: No no, this is legit, I- I've actually read an article about this. There's a whole bunch of them, it's like- they're like loopholes. Right, for argument's sake, let's say that you were sleeping with two girls at the same time, it- it wouldn't be cheating because they would cancel each other out.
 * E.L.: Exactly. Or if, uh, you're too wasted to remember- it is not cheating. Because if you can't really remember it, it never really took place.

 * Beth: What do you look for in a girl?
 * Josh: She should be smart, and funny.
 * [Beth undressing]
 * Josh: That's good too.
 * Beth: Do you feel better yet?
 * Josh: I feel a little bit better, yes.
 * Beth: What else do you look for?
 * [removing top]
 * Josh: She should be nice and attractive and... topless. Topless is good.

 * Rubin: I just said we'd make it across. I didn't say anything about the wheels staying on.
 * Josh: What the hell are we gonna do now? I'm totally screwed! I don't have time to be walking through the woods right now!

 * E.L.: Barry, fast forward to the horny stuff.
 * [The tape fast forwards, only to play more of the video message to Tiffany]
 * Josh: I thought I told you to mail this yesterday?
 * Rubin: Yeah, it was on your desk I mailed it this morning.
 * E.L.: Is this the kind of shit you've been sending Tiffany?
 * Josh: [Josh watches for a second, then the reality hits him] OH FUCK!
 * [Josh scrabbles on the floor for the video]
 * E.L.: W-w-w-wait a second. Tell me you mailed the Beth tape to Tiffany.
 * [Josh nods]
 * E.L.: Yes!
 * Josh: Shit! Oh, no! Oh, no!
 * Barry: Hey, hey.
 * Josh: What?
 * Barry: Did you make a copy? Because if you made a copy we could watch the copy.

 * Kyle: It's not cheating if you spread peanut butter on your balls and let your dog lick it off.
 * [Josh, Rubin and E.L. are understandably repulsed]
 * Kyle: Because it's your dog.
 * Rubin: Jesus Christ!
 * Kyle: You know, because it's YOUR dog, get it?
 * Rubin: Yeah, we've got it.

 * E.L.: [trying to convince Josh to have sex with Beth] Your dick will never forgive you.
 * E.L.: [bends down to talk to Josh's dick] What do you think little man? Don't you ever want to experience something new?
 * E.L.: [pretends to be Josh's dick with squeaky high pitched voice] It ain't easy beings Josh's penis. Nothing has happened for two months it feels like I'm in a coma. I wish I was your dick EL, because this is torture. If something doesn't happen soon, I'm just going to pack up my balls and leave.

 * Barry: This is the Joseph H. Nelson Memorial Library, here. Okay? It was built in the 1600s.
 * Student in the Tour: 1600s? It says it was built in 1951.
 * Barry: That's the address. Okay? Wise-ass.

 * Kyle: Well, we had a few drinks, danced a little, and... y'know.
 * E.L.: No, we don't know. Why don't you tell us?
 * [Kyle reaches into his bag and pulls out an oversized pair of leopard-print panties]
 * E.L.: What the hell is that?! Did you kill a cheetah?
 * Kyle: What? No, these are her underwear! She gave them to me! [puts them up to his face and sniffs them, much to everyone's disgust] I boinked her!
 * E.L.: ... "boinked"?
 * [Everyone laughs, including Kyle who is still too proud to care]
 * Josh: Well, Kyle, I certainly hope you got all the "boinking" out of your system, because we got a lot of driving to do today, guys.

 * E.L.: Just copy off someone.
 * Josh: I can't. It's all essay and stuff. You know, if I fail this, my average is shot, I might lose my financial aid, I could not be allowed on campus next semester.
 * E.L.: Well, you're fucked, then. You might as well come to my party tonight, hook up with Beth, and at least enjoy your last week at college.
 * Josh: I'm not hooking up with anybody, alright? I've made a commitment to Tiffany. I'm invested in this relationship.
 * E.L.: Invested? Who are you, Charles Schwab? Would you listen to yourself? I would give my life for one night of consensual sex with her.

 * Josh: You can teach ancient philosophy in 46 hours?
 * Rubin: I can teach Japanese to a chimp in 46 hours. You just have to find a way to relate the material.

 * Frat member: [Holding up a white hood] Are you in the Ku Klux Klan?
 * Josh: Whoa whoa, that isn't ours.
 * Kyle: That's not mine!
 * Josh: OK, hold on, th-there's obviously some explanation.
 * Frat member: There is. See your boy here's an evil bigot, and now he's gonna die.
 * Kyle: [faints]

Cast

 * Breckin Meyer — Josh Parker
 * Seann William Scott — E.L.
 * Amy Smart — Beth Wagner
 * Paulo Costanzo — Rubin Carver
 * DJ Qualls — Kyle Edwards
 * Tom Green — Barry Manilow
 * Frank Welker — Acrocanthosaurus

title: Road Trip


text:
Omar Khayyám

Omar Khayyam [ عمر خیام Persian] (18 May 1048 – 4 December 1131) was a Persian mathematician, astronomer, writer, and poet; originally named Ghiyath al-Din Abu'l-Fath Omar ibn Ibrahim Al-Nisaburi Khayyámi (غیاث الدین ابو الفتح عمر بن ابراهیم خیام نیشابوری) Edward FitzGerald's translations of his poetic Rubaiyat (Quatrains) were immensely popular, and remain influential.

Quotes

 * By the help of God and with His precious assistance, I say that Algebra is a scientific art. The objects with which it deals are absolute numbers and measurable quantities which, though themselves unknown, are related to "things" which are known, whereby the determination of the unknown quantities is possible. Such a thing is either a quantity or a unique relation, which is only determined by careful examination. What one searches for in the algebraic art are the relations which lead from the known to the unknown, to discover which is the object of Algebra as stated above. The perfection of this art consists in knowledge of the scientific method by which one determines numerical and geometric unknowns.
 * Treatise on Demonstration of Problems of Algebra (1070)

 * I was unable to devote myself to the learning of this algebra and the continued concentration upon it, because of obstacles in the vagaries of time which hindered me; for we have been deprived of all the people of knowledge save for a group, small in number, with many troubles, whose concern in life is to snatch the opportunity, when time is asleep, to devote themselves meanwhile to the investigation and perfection of a science; for the majority of people who imitate philosophers confuse the true with the false, and they do nothing but deceive and pretend knowledge, and they do not use what they know of the sciences except for base and material purposes; and if they see a certain person seeking for the right and preferring the truth, doing his best to refute the false and untrue and leaving aside hypocrisy and deceit, they make a fool of him and mock him.
 * Treatise on Demonstration of Problems of Algebra (1070)

 * 'Whoever thinks algebra is a trick in obtaining unknowns has thought it in vain. No attention should be paid to the fact that algebra and geometry are different in appearance. Algebras (jabbre and maqabeleh) are geometric facts which are proved by propositions five and six of Book two of Elements''.
 * As quoted in "A Paper of Omar Khayyam" by A.R. Amir-Moez in Scripta Mathematica 26 (1963). This quotation has often been abridged in various ways, usually ending with "Algebras are geometric facts which are proved", thus altering the context significantly.

The Rubaiyat (1120)

 * Quotations from the quatrains of Khayyám, as translated in the Rubaiyat of Omar Khayyam, Fifth edition (1889) by Edward FitzGerald (unless otherwise noted).

I

The Stars before him from the Field of Night, Drives Night along with them from Heav'n, and strikes The Sultan's Turret with a Shaft of Light. Has flung the Stone that puts the Stars to Flight: And Lo! the Hunter of the East has caught The Sultan's Turret in a Noose of Light.
 * 'Wake!'' For the Sun, who scatter'd into flight
 * Awake! for Morning in the Bowl of Night
 * FitzGerald's first edition (1859)

II

Methought a Voice within the Tavern cried, "When all the Temple is prepared within, Why nods the drowsy Worshipper outside?" I heard a Voice within the Tavern cry, "Awake, my Little ones, and fill the Cup Before Life's Liquor in its Cup be dry."
 * Before the phantom of False morning died,
 * Dreaming when Dawn's Left Hand was in the Sky
 * FitzGerald's first edition (1859)

III

The Tavern shouted — "Open then the Door! You know how little while we have to stay, And, once departed, may return no more".
 * And, as the Cock crew, those who stood before

IV

The thoughtful Soul to Solitude retires, Where the White Hand Of Moses on the Bough Puts out, and Jesus from the Ground suspires.
 * Now the New Year reviving old Desires,

V

And Jamshyd's Sev'n-ring'd Cup where no one knows; But still a Ruby kindles in the Vine, And many a Garden by the Water blows.
 * Iram indeed is gone with all his Rose,

VII

Your Winter-garment of Repentance fling: The Bird of Time has but a little way To flutter — and the Bird is on the Wing.'''
 * '''Come, fill the Cup, and in the fire of Spring

VIII

Whether the Cup with sweet or bitter run, '''The Wine of Life keeps oozing drop by drop, The Leaves of Life keep falling one by one.'''
 * Whether at Naishapur or Babylon,

IX

Yes, but where leaves the Rose of Yesterday?''' XII
 * '''Each Morn a thousand Roses brings, you say;

A Jug of Wine, a Loaf of Bread — and Thou Beside me singing in the Wilderness — Oh, Wilderness were Paradise enow!''' A Flask of Wine, a Book of Verse — and Thou Beside me singing in the Wilderness — And Wilderness is Paradise enow. The three make heaven for me; it may be thine Is some sour place of singing cold and bare — But then, I never said thy heaven was mine.'''
 * '''A Book of Verses underneath the Bough,
 * Here with a Loaf of Bread beneath the Bough,
 * FitzGerald's first edition (1859)
 * '''A book, a woman, and a flask of wine:
 * As translated by Richard Le Gallienne (1897)
 * Give me a flagon of red wine, a book of verses, a loaf of bread, and a little idleness. If with such store I might sit by thy dear side in some lonely place, I should deem myself happier than a king in his kingdom.
 * As translated by Justin McCarthy (1888)

XIII

Sigh for the Prophet's Paradise to come; Ah, take the Cash, and let the Credit go, Nor heed the rumble of a distant Drum!'''
 * '''Some for the Glories of This World; and some

XVI

Turns Ashes — or it prospers; and anon, Like Snow upon the Desert's dusty Face, Lighting a little hour or two — is gone.
 * The Worldly Hope men set their Hearts upon

XIX

The Rose as where some buried Caesar bled; That every Hyacinth the Garden wears Dropt in her Lap from some once lovely Head.
 * I sometimes think that never blows so red

X

Fledges the River-Lip on which we lean — Ah, lean upon it lightly! for who knows From what once lovely Lip it springs unseen!
 * And this reviving Herb whose tender Green

XXI

To-day Past Regrets and Future Fears: To-morrow! — Why, To-morrow I may be Myself with Yesterday's Sev'n Thousand Years.
 * Ah, my Belov'ed fill the Cup that clears

XXII

That from his Vintage rolling Time hath prest, Have drunk their Cup a Round or two before, And one by one crept silently to rest.
 * For some we loved, the loveliest and the best

XXIV

Before we too into the Dust descend'''; Dust into Dust, and under Dust to lie Sans Wine, sans Song, sans Singer, and — sans End!
 * Ah, '''make the most of what we yet may spend,

XXV

And those that after some To-morrow stare, A Muezzin from the Tower of Darkness cries "Fools! your Reward is neither Here nor There".
 * Alike for those who for To-day prepare,

XXVI

Of the Two Worlds so wisely — they are thrust Like foolish Prophets forth; their Words to Scorn Are scatter'd, and their Mouths are stopt with Dust.
 * Why, all the Saints and Sages who discuss'd

XXVII

Doctor and Saint, and heard great argument About it and about: but evermore Came out by the same door where in I went.
 * Myself when young did eagerly frequent

XXVIII

And with mine own hand wrought to make it grow; And this was all the Harvest that I reap'd — "I came like Water, and like Wind I go".
 * With them the seed of Wisdom did I sow,

XXIX

Nor Whence, like Water willy-nilly flowing; And out of it, as Wind along the Waste, I know not Whither, willy-nilly blowing.
 * Into this Universe, and Why not knowing

XXX

And, without asking, Whither hurried hence! Oh, many a Cup of this forbidden Wine Must drown the memory of that insolence!
 * What, without asking, hither hurried Whence?

XXXI

rose, and on the Throne of Saturn sate; And many a Knot unravel'd by the Road; But not the Master-knot of Human Fate.'''
 * '''Up from Earth's Centre through the Seventh Gate

XXXII

There was the Veil through which I might not see: Some little talk awhile of Me and Thee There was — and then no more of Thee and Me.'''
 * '''There was the Door to which I found no Key;

XXXIV

The Veil, I lifted up my hands to find A Lamp amid the Darkness; and I heard, As from Without — "The Me Within Thee Blind!"
 * Then of the Thee in Me works behind

XXXV

I lean'd, the Secret of my Life to learn: And Lip to Lip it murmur'd — "While you live Drink! — for, once dead, you never shall return".
 * Then to the lip of this poor earthen Urn

XLI

To-morrow's tangle to the winds resign, And lose your fingers in the tresses of The Cypress — slender Minister of Wine.
 * Perplext no more with Human or Divine,

XLII

End in what All begins and ends in — Yes; Think then you are To-day what Yesterday You were — To-morrow You shall not be less.
 * And if the Wine you drink, the Lip you press

XLIV

And naked on the Air of Heaven ride, Were't not a Shame — were't not a Shame for him In this clay carcase crippled to abide?
 * Why, if the Soul can fling the Dust aside,

XLV

A Sultan to the realm of Death addrest; The Sultan rises, and the dark Ferrash Strikes, and prepares it for another Guest.
 * 'Tis but a Tent where takes his one day's rest

XLVI

Account, and mine, should know the like no more; The Eternal Saki from that Bowl has pour'd Millions of Bubbles like us, and will pour.
 * And fear not lest Existence closing your

XLVII

Oh, but the long, long while the World shall last, Which of our Coming and Departure heeds As the Sea's self should heed a pebble-cast.
 * When You and I behind the Veil are past,

XLVIII

Of Being from the Well amid the Waste — And Lo! — the phantom Caravan has reach'd The Nothing it set out from — Oh, make haste!
 * A Moment's Halt — a momentary taste

XLIX

About the Secret — Quick about it, Friend! '''A Hair perhaps divides the False and True — And upon what, prithee, may life depend?'''
 * Would you that spangle of Existence spend

L

Yes; and a single Alif were the clue — Could you but find it — to the Treasure-house, And peradventure to The Master too;'''
 * '''A Hair perhaps divides the False and True;

LI

Running Quicksilver-like eludes your pains; Taking all shapes from Mah to Mahi; and They change and perish all — but He remains;'''
 * '''Whose secret Presence, through Creation's veins

LII

Immerst of Darkness round the Drama roll'd Which, for the Pastime of Eternity, He doth Himself contrive, enact, behold.'''
 * '''A moment guess'd — then back behind the Fold

LIII

Of Earth, and up to Heav'n's unopening Door You gaze To-day, while You are You — how then To-morrow, You when shall be You no more?
 * But if in vain, down on the stubborn floor

LIV

Of This and That endeavour and dispute; Better be jocund with the fruitful Grape Than sadden after none, or bitter, Fruit.'''
 * '''Waste not your Hour, nor in the vain pursuit

LV

I made a Second Marriage in my house; Divorced old barren Reason from my Bed And took the Daughter of the Vine to Spouse.
 * You know, my Friends, with what a brave Carouse

LVI

And "Up" and "Down" by Logic I define, Of all that one should care to fathom, Was never deep in anything but — Wine.
 * For "Is" and "Is-not" though with Rule and Line

LVII

Reduced the Year to better reckoning? — Nay 'Twas only striking from the Calendar Unborn To-morrow, and dead Yesterday.
 * Ah, but my Computations, People say,
 * Khayyám measured the length of the year as 365.24219858156 days;
 * see Quotes about Khayyám below

LVIII

Came shining through the Dusk an Angel Shape Bearing a Vessel on his Shoulder; and He bid me taste of it; and 'twas — the Grape!
 * And lately, by the Tavern Door agape,

LIX

The Two-and-Seventy jarring Sects confute: The sovereign Alchemist that in a trice Life's leaden metal into Gold transmute: '''
 * '''The Grape that can with Logic absolute

LX

That all the misbelieving and black Horde Of Fears and Sorrows that infest the Soul Scatters before him with his whirlwind Sword. LXI
 * The mighty Mahmud, Allah-breathing Lord

Blaspheme the twisted tendril as a Snare? A Blessing, we should use it, should we not? And if a Curse — why, then, Who set it there?
 * Why, be this Juice the growth of God, who dare

LXII

Scared by some After-reckoning ta'en on trust, Or lured with Hope of some Diviner Drink, To fill the Cup — when crumbled into Dust!
 * I must abjure the Balm of Life, I must,

LXIII

One thing at least is certain — This Life flies; One thing is certain and the rest is Lies; The Flower that once has blown for ever dies. ''' To talk; one thing is certain, that Life flies; One thing is certain, and the Rest is Lies; The Flower that once has blown for ever dies.
 * '''Oh, threats of Hell and Hopes of Paradise!
 * Oh, come with old Khayyam, and leave the Wise
 * FitzGerald's first edition (1859)

LXIV

Before us pass'd the door of Darkness through, Not one returns to tell us of the Road, Which to discover we must travel too.
 * Strange, is it not? that of the myriads who

LXV

Who rose before us, and as Prophets burn'd, Are all but Stories, which, awoke from Sleep, They told their comrades, and to Sleep return'd.
 * The Revelations of Devout and Learn'd

LXVI

Some letter of that After-life to spell: And by and by my Soul return'd to me, And answer'd "I Myself am Heav'n and Hell:" '''
 * '''I sent my Soul through the Invisible,

LXVII

And Hell the Shadow from a Soul on fire, Cast on the Darkness into which Ourselves, So late emerged from, shall so soon expire.'''
 * '''Heav'n but the Vision of fulfill'd Desire,

LXVIII

Of Magic Shadow-shapes that come and go ''' Round with the Sun-illumined Lantern held In Midnight by the Master of the Show;
 * '''We are no other than a moving row

LXIX

Upon this Chequer-board of Nights and Days; Hither and thither moves, and checks, and slays, And one by one back in the Closet lays.
 * But helpless Pieces of the Game He plays

LX

But Here or There as strikes the Player goes; And He that toss'd you down into the Field, He knows about it all — He knows — HE knows!
 * The Ball no question makes of Ayes and Noes,

LXXI

Moves on: nor all your Piety nor Wit Shall lure it back to cancel half a Line, Nor all your Tears wash out a Word of it.'''
 * '''The Moving Finger writes; and, having writ,

LXXII

Whereunder crawling coop'd we live and die, Lift not your hands to It for help — for It As impotently moves as you or I.'''
 * '''And that inverted Bowl they call the Sky,

LXXIII

And there of the Last Harvest sow'd the Seed: And the first Morning of Creation wrote What the Last Dawn of Reckoning shall read.'''
 * '''With Earth's first Clay They did the Last Man knead,

LXXIV

To-morrow's Silence, Triumph, or Despair: Drink! for you know not whence you came, nor why: Drink! for you know not why you go, nor where.'''
 * '''Yesterday This Day's Madness did prepare;

LXXVI

If clings my being — let the Dervish flout; '''Of my Base metal may be filed a Key, That shall unlock the Door he howls without.'''
 * The Vine had struck a fibre: which about

LXXVII

Kindle to Love, or Wrath-consume me quite, One Flash of It within the Tavern caught Better than in the Temple lost outright.'''
 * '''And this I know: whether the one True Light

LXXVIII

A conscious Something to resent the yoke Of unpermitted Pleasure, under pain Of Everlasting Penalties, if broke!'''
 * '''What! out of senseless Nothing to provoke

LXXIX

Pure Gold for what he lent him dross-allay'd — Sue for a Debt he never did contract, And cannot answer — Oh, the sorry trade!'''
 * '''What! from his helpless Creature be repaid

LXXX

Beset the Road I was to wander in, Thou wilt not with Predestined Evil round Enmesh, and then impute my Fall to Sin!'''
 * '''Oh, Thou, who didst with pitfall and with gin

LXXXI

And ev'n with Paradise devise the Snake: For all the Sin wherewith the Face of Man Is blacken'd — Man's forgiveness give — and take!'''
 * '''Oh, Thou who Man of baser Earth didst make,

LXXXII

Slunk hunger-stricken Ramazan away, Once more within the Potter's house alone I stood, surrounded by the Shapes of Clay.
 * As under cover of departing Day

LXXXIII

That stood along the floor and by the wall; And some loquacious Vessels were; and some Listen'd perhaps, but never talk'd at all.
 * Shapes of all Sorts and Sizes, great and small,

LXXXIV

My substance of the common Earth was ta'en And to this Figure moulded, to be broke, Or trampled back to shapeless Earth again".
 * Said one among them — "Surely not in vain

LXXXV

Would break the Bowl from which he drank in joy, And He that with his hand the Vessel made Will surely not in after Wrath destroy".
 * Then said a Second — "Ne'er a peevish Boy

LXXXVI

Some Vessel of a more ungainly Make; "They sneer at me for leaning all awry: What! did the Hand then of the Potter shake?"'''
 * '''After a momentary silence spake

LXXXVII

I think a Sufi pipkin-waxing hot — "All this of Pot and Potter — Tell me then, Who is the Potter, pray, and who the Pot?"
 * Whereat some one of the loquacious Lot —

LXXXVIII

Of one who threatens he will toss to Hell The luckless Pots he marr'd in making — Pish! He's a Good Fellow, and 'twill all be well".
 * "Why," said another, "Some there are who tell

LXXXIX

My Clay with long Oblivion is gone dry: But fill me with the old familiar juice, Methinks I might recover by and by".
 * "Well," Murmur'd one, "Let whoso make or buy,

XCI

And wash the Body whence the Life has died, And lay me, shrouded in the living Leaf, By some not unfrequented Garden-side.
 * Ah, with the Grape my fading Life provide,

XCII

Of Vintage shall fling up into the Air As not a True-believer passing by But shall be overtaken unaware.
 * That ev'n my buried Ashes such a snare

XCIII

Have done my credit in this World much wrong: Have drown'd my Glory in a shallow Cup And sold my Reputation for a Song.'''
 * '''Indeed the Idols I have loved so long

XCIV

I swore — but was I sober when I swore?''' And then and then came Spring, and Rose-in-hand My thread-bare Penitence apieces tore.
 * '''Indeed, indeed, Repentance oft before

XCV

And robb'd me of my Robe of Honour — Well, I wonder often what the Vintners buy One half so precious as the stuff they sell.'''
 * '''And much as Wine has play'd the Infidel,

XCVI

That Youth's sweet-scented manuscript should close! The Nightingale that in the branches sang, Ah, whence, and whither flown again, who knows!
 * Yet Ah, that Spring should vanish with the Rose!

XCVIII

Arrest the yet unfolded Roll of Fate, And make the stern Recorder otherwise Enregister, or quite obliterate!
 * Would but some wing'ed Angel ere too late

XCIX

To grasp this sorry Scheme of Things entire, Would not we shatter it to bits — and then Re-mould it nearer to the Heart's Desire!'''
 * '''Ah, Love! could you and I with Him conspire

C

How oft hereafter will she wax and wane; How oft hereafter rising look for us Through this same Garden — and for one in vain!
 * Yon rising Moon that looks for us again —

CI

Among the Guests Star-scatter'd on the Grass, And in your joyous errand reach the spot Where I made One — turn down an empty Glass!
 * And when like her, oh, Saki, you shall pass

 * Quotations from Rubáiyát of Omar Khayyám: A Paraphrase From Several Literal Translations (1897) by Richard Le Gallienne.

If Allah be, He keeps His secret well;  What He hath hidden, who shall hope to find? Shall God His secret to a maggot tell? … The Koran! well, come put me to the test— Lovely old book in hideous error drest—  Believe me, I can quote the Koran too, The unbeliever knows his Koran best.
 * Allah, perchance, the secret word might spell;

And do you think that unto such as you, A maggot-minded, starved, fanatic crew,  God gave the secret, and denied it me?— Well, well, what matters it! believe that too.
 * Not a literal translation of Omar Khayyám's work, but a paraphrase according to Richard Le Gallienne own understanding, as stated in Le Gallienne's Paraphrase and the Limits of Translation by Adam Talib, pp. 175-176.

Quotes about Khayyám

 * There are certain artists who belong to all the people, everywhere, all the time. The list of singers, musicians, and poets must include David the harpist from the Old Testament, Aesop the Storyteller, Omar Khayyam the Tent Maker, Shakespeare the Bard of Avon, Louis Armstrong the genius of New Orleans, Om Kalsoum the soul of Egypt, Frank Sinatra, Mahalia Jackson, Dizzy Gillespie, Ray Charles....Celia Cruz...All great artists draw from the same resource: the human heart, which tells us all that we are more alike than we are unalike.
 * Maya Angelou Letter to My Daughter (2009)

 * Khayyam measured the length of the year as 365.24219858156 days. Two comments on this result. Firstly it shows an incredible confidence to attempt to give the result to this degree of accuracy. We know now that the length of the year is changing in the sixth decimal place over a person's lifetime. Secondly it is outstandingly accurate. For comparison the length of the year at the end of the 19th century was 365.242196 days, while today it is 365.242190 days.
 * MacTutor biography by J J O'Connor and E F Robertson

authors: মোহাম্মদ জনি হোসেন

title: Omar Khayyám


text:
User talk:70.28.107.242

Please stop adding nonsense to Wikiquote, as you did to Osama bin Laden. It is considered vandalism. If you would like to experiment, use the sandbox. —LrdChaos 03:15, 18 May 2006 (UTC)

title: User talk:70.28.107.242


text:
User:ID burn~enwikiquote

ru:Участник:ID burn

title: User:ID burn~enwikiquote


text:
User talk:204.218.240.68

InvisibleSun 08:30, 18 May 2006 (UTC)

 * You have been blocked for three hours from editing because of vandalising Wikiquote. If you wish to make useful contributions, you are welcome to come back after the block expires. InvisibleSun 08:46, 18 May 2006 (UTC)

title: User talk:204.218.240.68


text:
How to Lose a Guy in 10 Days

How to Lose a Guy in 10 Days is a 2003 film about a magazine columnist trying out all the wrong moves in a relationship, and an ad executive who's out to prove he make any girl fall in love with him in 10 days.
 * ''Directed by Donald Petrie. Written by Michele Alexander and Jeannie Long.

One of them is lying. So is the other. Taglines

Dialogue

 * Michelle: Mike and I had such a connection. The first time that we had sex, it was so beautiful I cried.
 * Jeannie: You cried?
 * Michelle: Yeah.
 * Andie: You mean one glistening tear on your cheek, right?
 * Michelle: No, I was really emotional. I even told him that I loved him.
 * Andie: After how many days?
 * Michelle: Five... two.

 * Andie: Michelle, if the most beautiful woman in the world acted the way you did, any normal guy would still go running in the other direction.
 * Michelle: No. No guy would go running from you, Andie. You could barf all over him and he'd say, "Do it again."
 * Andie: Oh, that is both incredibly disgusting and categorically untrue.

 * Lana: Are we loving the way she looks, all?
 * [all the columnists agree]
 * Michelle: I haven't eaten since the split.
 * Lana: Good for you. Write about it.
 * Michelle: I can't use my personal life for a story.
 * Lana: I understand completely... Who will use Michelle's personal life for a story?

 * Andie: Look at Michelle. She is a great girl, right? An amazing woman. But she has a problem hanging on to relationships and doesn't really know what she's doing wrong, which is like a lot of our readers. So, I was thinking, that I could start by dating a guy, and then drive him away. But only using the classic mistakes most women, Like Michelle, make all the time. I'll keep a diary of it and it will be sort of a dating "How To" in reverse.
 * Lana: What not to do.
 * Andie: Yeah.
 * Lana: "How To Lose A Guy In 10 Days". Yes. Go.

 * Spears: I'm not talking about lust. A woman in lust wants chocolate. A woman in love wants diamonds.
 * Ben: Yeah, I'm not talking about lust either, ladies. I'm talking about deep, meaningful, head-over-heels, his-n-hers towels, let's-grow-old-together L-O-V-E. Look, I love women. I do. Whether they're 4, 40 or my 88-year-old grandmother, I respect women. Alright? And I also listen to women. And that's why I can sell myself to any woman, anywhere, any time.
 * Spears: Make a woman fall in love with diamonds, Benjamin, or with you?
 * Ben: Eh, either one.
 * Warren: Well, that's cocky, Ben.
 * Ben: No, not cocky, confident.
 * 'Warren: I'd like to see you prove that.
 * Ben: You would?
 * Warren: The agency's cohosting a party for the DeLauers at the Astor Museum. The party's a week from Sunday. Do you think you could make a woman fall in love with you by then?
 * Spears: Ten days? Any woman, anywhere, anytime?
 * Ben: Any single, available, straight woman-- yes.

 * Andie: Andie Anderson.
 * Ben: Benjamin Barry.
 * Andie: Cute.
 * Ben: Thank you.
 * Andie: I meant your name.
 * Ben: Thank you two times.
 * Andie: Unattached?
 * Ben: Currently.
 * Andie: Likewise.
 * Ben: Surprising.
 * Andie: Psycho?
 * Ben: Rarely... Interested?
 * Andie: Perhaps.
 * Ben: Hungry?
 * Andie: Starving.
 * Ben: Leaving.

 * Ben: I'm in advertising. I work mostly with alcoholic beverages and athletic equipment companies, and I'm trying to break into the jewellery market right now.
 * Andie: Saving the world one keg party at a time?
 * Ben: What about you?
 * Andie: What about me?
 * Ben: Have I seen your work?
 * Andie: I work at Composure.
 * Ben: Fastest growing women's magazine in the country. I'm impressed. Saving the world one shopaholic at a time, eh?

 * Andie: It's beautiful.
 * Ben: Thanks.
 * Andie: You're beautiful. The game, the whole thing... I wish I ate meat. Mary had a little lamb, little lamb, little lamb. You have to take this away before I gag.

 * Andie: Does Princess Sophia want to come out and play?
 * Ben: Who's Princess Sophia? [she points to his crotch] No, no, no, no. Whoa, whoa. You're kidding me right? Princess Sophia?
 * Andie: Little? Big? Little? Big? I don't know, we will find out!
 * Ben: Listen, you can't name my member Princess Sophia.
 * Andie: Yes I can.
 * Ben: Listen... listen... if you're gonna name my, my member, you've gotta name it something hyper-masculine. Something like Spike, or Butch, or Krull the Warrior King, but not Princess Sophia.
 * Andie: What did you just say?
 * Ben: Spike. You know what I mean?
 * Andie: No, no, after Spike.
 * Ben: Butch.
 * Andie: After Butch.
 * Ben: Krull... Krull, the Warrior King.
 * Andie: Does Kr-rull, the Warrior King want to come out and play?
 * Ben: Oh, come on... No.
 * Andie: Krull.
 * Ben: You know what? Due to... intense humiliation, the King has momentarily abdicated his throne.

 * Thayer: I thought you said after the Knicks game, she was a goddess.
 * Ben: Oh, she was. That was the good Andie, this amazing, fun, cool, sexy woman. I'm talking about the evil Andie now. It's like a crack-enhanced Kathy Lee Gifford.

 * Andie: ''[Ben answers the phone to Andie in the middle of a meeting]' Its me!
 * Ben: I'm in the middle of a meeting. Can I call you back later?
 * Andie: I miss you benny boo boo... boo boo boo.

 * Ben: Look at Krull's necklace. It's got more ice than Liberace, don't you?
 * Andie: Oh, it's just a little frosting.

 * Andie: I did something kind of wacky. I used Photoshop at work today to composite our faces together to see what our kids would look like. Our family album! You don't want to see our children?
 * Ben: We don't have... children.

 * Andie: Oh, no. Our love fern. It's dead.
 * Ben: No, it's just sleeping.
 * Andie: You let it die. Are you going to let us die?

 * Ben: The one night that we even thought about.. getting close to having sex. She up and decides she's going to nickname my...
 * Michelle: Penis.
 * Ben: Princess Sophia! You wanna talk about shooting a man's horse!
 * Andie: I thought it was a beautiful name.
 * Michelle: Hmm, I see, Benjamin. And when was it that you first realised that you were attracted to other men?

 * Warren: I understand you've been an inspiration to Ben in more ways than one. And I must say, you look rather inspired yourself. There isn't a diamond it the room that sparkles like a woman in love.
 * Andie: Oh, no, no. I'm not in love.
 * Warren: No? I guess I was mistaken.
 * Andie: No, no. I mean... I've only known him for ten days... You can't... I can't be...
 * Warren: Ben is a very lucky man.
 * Andie: Mr Warren, please don't tell him. Please don't tell him.

 * Ben: So that's what I was, huh? I was a guinea pig. Somebody you can test your theories on?
 * Andie: Yeah, and I was just a girl somebody picked out in a bar.
 * Ben: Yeah, you know what? Big deal. Hell, now you can even use it as a little twist in your story.
 * Andie: That's a good idea. Maybe we should bet on it.
 * Ben: You know what, you did your job now, Andie.
 * Andie: Yes, I did.
 * Ben: You wanted to lose a guy in ten days, congratulations, you did it. You just lost him. [walks away]
 * Andie: No I didn't Ben, 'cause you can't lose something you never had!

 * Lana: Congratulations. This shows me you're ready to be unleashed. From now on, feel free to write about anything.
 * Andie: Anything?
 * Lana: Wherever the wind blows you.
 * Andie: Even politics?
 * Lana: Well, the wind's not going to blow you there.
 * Andie: What about religion, poverty, economics?
 * Lana: This wind is really more of a light breeze.

 * Tony: [holding Andie's magazine] You might want to read this.
 * Ben: Ah, no thanks.
 * Tony: Yeah? [reading] "I've lost a guy, and l don't know why. What went wrong? When I started writing this month's column, I wanted to commit the certain silly dating faux pas. What l didn't realize was that I was making the biggest mistake of all." Here. Trust me. Read it.

 * Andie: [after Ben forces her cab to pull over] What the hell was that?
 * Ben: [holding up her magazine] Is this true?
 * Andie: Ben, please.
 * Ben: Is this true? Or are you just trying to sell magazines?
 * Andie: I meant every word.
 * Ben: Well, where you going?
 * Andie: I have an interview.
 * Ben: Yeah, in Washington. I know. [pause] Where you going?
 * Andie: Ben, it's the only place I can go and write what l want to write.
 * Ben: No, I'm not buying that. You can write anywhere. I think you're running away.
 * Andie: Why don't you save your mind games for your next bet, okay? I am not running away.
 * Ben: Bullspit.
 * Andie: Excuse me?
 * Ben: You heard me. Bullspit.
 * Cab driver: Hey, lady, what do ya wanna do?
 * Ben: [handing him money] Take the lady's luggage back to her place. She has alternate transportation.
 * Andie: You callin' my bluff?
 * Ben: You bet I am.
 * [They kiss]

Taglines

 * One of them is lying. So is the other.

Cast

 * Kate Hudson — Andie
 * Matthew McConaughey — Ben
 * Kathryn Hahn — Michelle
 * Annie Parisse — Jeannie
 * Bebe Neuwirth — Lana
 * Adam Goldberg - Tony
 * Thomas Lennon — Thayer
 * Robert Klein — Phillip

title: How to Lose a Guy in 10 Days


text:
Blow (film)

Blow is a 2001 film about an American cocaine smuggler. It is based on the real-life story of George Jung, Pablo Escobar, Carlos Lehder and the Medellín Cartel.
 * Directed by Ted Demme. Written by David McKenna and Nick Cassavetes.

George Jung

 * (to Judge) I crossed an imaginary line with a bunch of plants!
 * Danbury wasn't a prison, it was a crime school. I went in with a Bachelor of marijuana, came out with a Doctorate of cocaine.
 * 15 kilos? I PISS 15 kilos.
 * The favor was to pick up fifty kilos of cocaine. Fifty. That's a hundred and ten pounds. Not exactly a small favor. Not like bumming a cigarette, for example. But what the hell. I didn't have anything better to do that day. It's not like I was on parole or anything.
 * This is grade:A, 100% pure Colombian cocaine, ladies and gentlemen. Disco shit. Pure as the driven snow.
 * ... maybe it was the Colombian guestlist... or the cocaine buffet...
 * It was the greatest feeling I ever had. Followed very abruptly by the worst feeling I ever had.
 * The official toxicity limit for humans is between one and one and half grams of cocaine depending on body weight. I was averaging five grams a day, maybe more. I snorted ten grams in ten minutes once. I guess I had a high tolerance.
 * You're my heart, kid. Now, can I live without my heart?
 * I was busted. Set up by the FBI and the DEA. That didn't bother me. Set up by Kevin Dulli and Derek Forreal to save their own asses. That didn't bother me. Sentenced to 60 years at Ottisville. That didn't bother me. I'd broken a promise. Everything I love in my life goes away.
 * May the wind always be at your back and the sun upon your face. And may the wings of destiny carry you aloft to dance with the stars.
 * Throughout my lifetime I've left pieces of my heart here and there. And now, there's almost barely enough to stay alive. But I force a smile, knowing that my ambition far exceeded my talent.
 * (last lines) In the end, was it worth it? Jesus Christ. How irreparably changed my life has become. It's always the last day of summer and I've been left out in the cold with no door to get back in. I'll grant you I've had more than my share of poignant moments. Life passes most people by while they're making grand plans for it. Throughout my lifetime, I've left pieces of my heart here and there. And now, there's almost not enough to stay alive. But I force a smile, knowing that my ambition far exceeded my talent. There are no more white horses or pretty ladies at my door.

Fred Jung

 * Sometimes you're flush and sometimes you're bust, and when you're up, it's never as good as it seems, and when you're down, you never think you'll be up again, but life goes on.
 * Money isn't real, George. It doesn't matter. It only seems like it does.
 * Let me tell you something, George: you'd have been great at anything.

Diego Delgado

 * Happy to see you George, my brother.

Cast

 * Johnny Depp — George Jung
 * Penélope Cruz — Mirtha Jung
 * Franka Potente — Barbara Buckley
 * Rachel Griffiths — Ermine Jung
 * Paul Reubens — Derek Foreal
 * Jordi Mollà — Diego Delgado
 * Cliff Curtis — Pablo Escobar
 * Miguel Sandoval — Augusto Oliveras

title: Blow (film)


text:
User talk:24.20.192.228

Please stop adding nonsense to Wikiquote, as you did to Family Guy. It is considered vandalism. If you would like to experiment, use the sandbox. —LrdChaos 13:37, 18 May 2006 (UTC)

title: User talk:24.20.192.228


text:
User talk:83.139.13.238

Please stop adding nonsense to Wikiquote, as you did to Shaquille O'Neal. It is considered vandalism. If you would like to experiment, use the sandbox. —LrdChaos 13:46, 18 May 2006 (UTC)

title: User talk:83.139.13.238


text:
User talk:128.100.151.207

Please refrain from removing content from Wikiquote, as you did to Romeo and Juliet. It is considered vandalism. If you want to experiment, please use the sandbox. Thank you. —LrdChaos 14:23, 18 May 2006 (UTC)

title: User talk:128.100.151.207


text:
User talk:Calvin Limuel

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title: User talk:Calvin Limuel


text:
User talk:Alphayhm

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:33, 18 May 2006 (UTC)
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text:
User talk:Belsammael~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:33, 18 May 2006 (UTC)
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Your account will be renamed
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The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Belsammael. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Belsammael~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:18, 17 March 2015 (UTC)

Renamed
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User talk:Dhans4all

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User talk:Allriffnoraff

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User talk:Mberkson

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User talk:Bogsy

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User talk:IJQ

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User talk:Nikkima171

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User talk:Nehanarang

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User talk:Nic171j

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User talk:Howkdr

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User talk:HomerFreak~enwikiquote

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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called HomerFreak. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name HomerFreak~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:24, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:49, 19 April 2015 (UTC)

title: User talk:HomerFreak~enwikiquote


text:
User talk:Hoargard~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:34, 18 May 2006 (UTC)
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Hoargard. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Hoargard~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:25, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:49, 19 April 2015 (UTC)

title: User talk:Hoargard~enwikiquote


text:
User talk:Willard34~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:34, 18 May 2006 (UTC)
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Willard34. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Willard34~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:39, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 06:01, 19 April 2015 (UTC)

title: User talk:Willard34~enwikiquote


text:
User talk:Ckcp5

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:34, 18 May 2006 (UTC)
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title: User talk:Ckcp5


text:
User talk:Islandswimmer50

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:34, 18 May 2006 (UTC)
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title: User talk:Islandswimmer50


text:
User talk:Citral

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:35, 18 May 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
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title: User talk:Citral


text:
User talk:Peachesapples

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:35, 18 May 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
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 * Be bold.

title: User talk:Peachesapples


text:
User talk:Ajones282~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:35, 18 May 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Ajones282. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Ajones282~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:16, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:41, 19 April 2015 (UTC)

title: User talk:Ajones282~enwikiquote


text:
User talk:Thebelmos

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:35, 18 May 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
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 * Be bold.

title: User talk:Thebelmos


text:
User talk:Q of E

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:35, 18 May 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
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 * Be bold.

title: User talk:Q of E


text:
User talk:Soly187

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:36, 18 May 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
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 * Be bold.

title: User talk:Soly187


text:
User talk:CarpeNoctu

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:36, 18 May 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
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 * Be bold.

title: User talk:CarpeNoctu


text:
User talk:DogCalledMonty

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:36, 18 May 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
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title: User talk:DogCalledMonty


text:
User talk:Adisol

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:36, 18 May 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
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 * Be bold.

title: User talk:Adisol


text:
User talk:Magali.veldhuis

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:36, 18 May 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
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 * Be bold.

title: User talk:Magali.veldhuis


text:
User talk:Etejero

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:36, 18 May 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
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 * Be bold.

title: User talk:Etejero


text:
User talk:Larsxe~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:36, 18 May 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Larsxe. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Larsxe~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:29, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:51, 19 April 2015 (UTC)

title: User talk:Larsxe~enwikiquote


text:
User talk:S amirtraj

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:36, 18 May 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
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 * Be bold.

title: User talk:S amirtraj


text:
User talk:B the Nerd

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:36, 18 May 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
 * To sign with a date, write four tildes (~~) and save.
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 * Be bold.

title: User talk:B the Nerd


text:
User talk:Tomsmee

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:36, 18 May 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
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 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

title: User talk:Tomsmee


text:
User talk:Paul moloney

Hi. Welcome to English Wikiquote. Enjoy! —LrdChaos 14:37, 18 May 2006 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * To ask for help or to talk with another editor, visit our Village pump.
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 * Before creating new articles, consult our guide. You may practice how to edit a page at Sandbox.
 * Be bold.

title: User talk:Paul moloney