text:
Metropolitan (1990 film)

Metropolitan is a 1990 film about the lives of young, wealthy New Yorkers during debutante ball season while home for winter break in their first year of college.
 * Written and directed by Whit Stillman.

Finally... A film about the downwardly mobile. tagline

Nick Smith

 * I'm not sure if you realize this, but these girls are at a very vulnerable point in their lives. All of this is much more emotional and difficult for them than it is for us. They're on display. They have to call the guys up and invite them as escorts. And preppy girls mature socially much later than others do.
 * But, unlike you, I've always assumed I'd be a failure anyway. That's why I plan to marry an extremely rich woman.
 * Rick Von Slonecker is tall, rich, good-looking, stupid, dishonest, conceited, a bully, liar, drunk and thief, an egomaniac, and probably psychotic. In short, highly attractive to women.
 * It's a tiny bit arrogant of people to go around worrying about those less fortunate.
 * The most important thing to realize about parents is that there is absolutely nothing you can do about them.
 * Playing strip poker with an exhibitionist somehow takes the challenge away.

Tom Townsend

 * [to Serena Slocum] I haven't been giving you the silent treatment. I just haven't been talking to you.

Others

 * Man at Bar: You go to a party, you meet a group of people, you like them and you think "These people are going to be my friends for the rest of my life". Then you never see them again. I wonder where they go. We simply fail without being doomed. I'm not destitute. I've got a good job that pays decently. It's just that it's all so mediocre, so unimpressive. The acid test is whether you take any pleasure in responding to the question "What do you do?". I can't bear it. You start out expecting something much more, and some of your contemporaries achieve it. You start reading about them in the papers or seeing them on TV. That's the danger of midtown Manhattan - running across far more successful contemporaries. I try to avoid them whenever I can. But when I can't, they're always friendly. But inevitably they ask what am I doing - or think it.

Dialogue

 * Charlie Black: I think that - that - that we are all, in a sense, doomed.
 * Nick Smith: What are you talking about?
 * Charlie Black: Downward social mobility. We hear a lot about the great social mobility in America with the focus usually on the comparative ease of moving upwards. What's less discussed is how easy it is to - to go down. I think that's the - the direction that we're all heading in. And I think that the downward fall is gonna be very fast. Not just for us as individuals, but the whole preppy class.

 * Charlie Black: Well, I don't think "preppy" is a very useful term. I mean, it might be descriptive for someone who is still in school or college; but, it's ridiculous to refer to a man in his 70s, like Averell Harriman, as a "preppy". And none of the other terms people use - WASP, P.L.U., et cetera - are of much use either. And that's why I prefer the term "U.H.B."
 * Nick Smith: What?
 * Charlie Black: U.H.B. It's an acronym for Urban Haute Bourgeoisie.
 * Cynthia McLean: Is our language so impoverished that we have to use acronyms or French phrases to make ourselves understood?
 * Charlie Black: Yes.

 * Charlie Black: Of course there is a God. We all basically know there is.
 * Cynthia McLean: I know no such thing.
 * Charlie Black: Of course you do. When you think to yourself, and most of our waking life is taken up thinking to ourselves, you must have that feeling that your thoughts aren't entirely wasted, that in some sense they are being heard. Rationally, they aren't. You're entirely alone. Even the people to whom we are closest can have no real idea of what is going on in our minds. We aren't devastated by loneliness because, at a hardly conscious level, we don't accept that we're entirely alone. I think this sensation of being silently listened to with total comprehension... something you never find in real life... represents our innate belief in a supreme being, some all-comprehending intelligence.

 * Jane Clark: Why should we believe you over Rick? We know you're a hypocrite. We know your "Polly Perkins" story was a fabrication...
 * Nick Smith: A composite.
 * Jane Clark: Whatever. And that you're completely impossible and out of control, with some sort of drug problem and a fixation on what you consider Rick Von Sloneker's wickedness. You're a snob, a sexist, totally obnoxious and tiresome, and lately you've gotten just weird. Why should we believe anything you say?
 * Nick Smith: I am not tiresome.

 * Audrey Rouget: What Jane Austen novels have you read?
 * Tom Townsend: None. I don't read novels. I prefer good literary criticism. That way you get both the novelists' ideas as well as the critics' thinking. With fiction I can never forget that none of it really happened, that it's all just made up by the author.

 * Tom Townsend: I'm a committed socialist, not a Marxist. I favor the socialist model developed by the 19th-century French social critic Fourier.
 * Charlie Black: You're a Fourierist?
 * Tom Townsend: Yes.
 * Charlie Black: Fourierism was tried in the late nineteenth century... and it failed. Wasn't Brook Farm Fourierist? It failed.
 * Tom Townsend: That's debatable.
 * Charlie Black: Whether Brook Farm failed?
 * Tom Townsend: That it ceased to exist, I'll grant you, but whether or not it failed cannot be definitively said.
 * Charlie Black: Well, for me, ceasing to exist is — is failure. I mean, that's pretty definitive.
 * Tom Townsend: Well, everyone ceases to exist. Doesn't mean everyone's a failure.

 * Nick Smith: It's incredible, the eagerness of girls like you to justify the worst bastards imaginable... as being sensitive and shy. But if any guy who really was shy dared talk to you... you wouldn't give him the time of day - your eyes would glaze over.
 * Cynthia McLean: You're really hung up on Rick, aren't you? He must really threaten you somehow.
 * Nick Smith: You're right. I do feel threatened - that I may get a venereal disease from one of the St. Tim's girls he's been with.
 * [Cynthia slaps Nick]
 * Nick Smith: Did you learn that from your lovemaking with Rick? I hear it can get really rough.
 * [another slap]
 * Nick Smith: Don't do that again. For me, it isn't erotic.

 * Nick Smith: The titled aristocracy are the scum of the earth.
 * Sally Fowler: You always say "titled" aristocrats. What about "untitled" aristocrats?
 * Nick Smith: Well, I could hardly despise them, could I? That would be self-hatred.

 * Charlie Black: The term 'bourgeois' has almost always been - been one of contempt. Yet it is precisely the - the bourgeoisie which is responsible for - well, for nearly everything good that has happened in our civilization over the past four centuries. You know the French film, The Discreet Charm of the Bourgeoisie? When I first heard that title I thought, "Finally, someone's gonna tell the truth about the bourgeoisie." What a disappointment. It would be hard to imagine a less fair or accurate portrait.
 * Sally Fowler: Well, of course. Buñuel's a surrealist. Despising the bourgeoisie is part of their credo.
 * Nick Smith: Where do they get off?
 * Charlie Black: But the truth is, the bourgeoisie does have a lot of charm.
 * Nick Smith: Of course it does. The surrealists were just a lot of social climbers.

 * Charlie Black: Where do you get off, "you're surprised"? At what? You were Audrey's escort, yet you blithely left her stranded in the middle of the dance so you can try to work things out with Serena! And then you try to shirk the whole thing off on Fred.
 * Tom Townsend: I'm not trying to shirk it off on Fred. And I was not Audrey's escort. We were all there as a group. In any case, I'm very sorry there was a mixup.
 * Charlie Black: There was no mixup.
 * Tom Townsend: I'm sorry I left. But it wasn't intentional.
 * Charlie Black: When you're an egoist, none of the harm you do is intentional!

 * Nick Smith: You're opposed to these parties on principle.
 * Tom Townsend: Yes.
 * Nick Smith: Exactly what principle is that?
 * Tom Townsend: Well...
 * Nick Smith: The principle that one shouldn't be out at night eating hors d'oeuvres when one could be home worrying about the less fortunate.
 * Tom Townsend: Pretty much, yes.
 * Nick Smith: Has it ever occurred to you that you are the less fortunate?

 * Nick Smith: You haven't seen this? Detachable collar. Not many people wear them anymore. They look much better. So many things which were better in the past have been abandoned for supposed convenience.
 * Tom Townsend: I had no idea anyone wore those anymore.
 * Nick Smith: It's a small thing, but symbolically important. Our parents' generation was never interested in keeping up standards. They wanted to be happy, but, of course, the last way to be happy is to make it your objective in life.
 * Tom Townsend: I wonder if our generation's any better than our parents'.
 * Nick Smith: Oh, it's far worse. Our generation's probably the worst since - the Protestant Reformation. It's barbaric, but a barbarism even worse than the old-fashioned, straightforward kind. Now barbarism is cloaked with all sorts of self-righteousness and moral superiority. Will you look at this?
 * Tom Townsend: You're obviously talking about a lot more than just detachable collars.
 * Nick Smith: Yeah, I am.

 * Nick Smith: Jane's father's dead. Very suddenly, last year.
 * Tom Townsend: Must have been awful for her.
 * Nick Smith: Yes. It was tough on him too.

 * Charlie Black: I don't see how you can stand him. You're always complaining about people being frauds and phoneys. This guy is the phoney of the decade, yet you act as he were your long-lost best friend.
 * Nick Smith: Tom's hardly a phoney. Just mildly deluded. He's a perfectly nice guy.
 * Charlie Black: That's just another aspect of his phoniness. He's a terrible phoney, and when he's not being a phoney, he's a bastard.
 * Nick Smith: Oh, come on.
 * Charlie Black: You saw how he treated Audrey last night.
 * Nick Smith: Well, Audrey seems to have forgotten it.
 * Charlie Black: She has to act that way. Otherwise it would be even more humiliating. But I don't have to pretend Tom Townsend is a nice guy.
 * Nick Smith: You're really gaga about Audrey, aren't you?
 * Charlie Black: If by "gaga" you mean, do I like her? Yes, I do.
 * Nick Smith: Well, why don't you do something about it, instead of just going on and on about what a bastard Tom Townsend is.
 * Charlie Black: What do I do? Declare myself? That would be an absolute disaster. I don't think I haven't thought about these things. But I think if the situation could just continue as it has been, they gradually, over time, it'd grow into something more. That, at least, is what I've been hoping for.

 * Tom Townsend: What can you study in France that you can't study here?
 * Audrey Rouget: French. Actually, I was thinking of coming back when this semester ends.
 * Tom Townsend: I was thinking of going over. Not necessarily to Grenoble, but to France and Italy... though my resources are limited.
 * Audrey Rouget: There are some awfully cheap airfares these days during the winter season. It seems a shame not to take advantage of them.
 * Tom Townsend: That's how I feel.
 * Audrey Rouget: Do you really think I'm flat-chested?
 * Tom Townsend: I haven't really thought about it. Well, I shouldn't say that. The thing is, you look great... and that's what's important. You don't want to overdo it.

Taglines

 * Finally... A film about the downwardly mobile.

Cast

 * Carolyn Farina - Audrey Rouget
 * Edward Clements - Tom Townsend
 * Chris Eigeman - Nick Smith
 * Taylor Nichols - Charlie Black
 * Allison Parisi - Jane Clark
 * Dylan Hundley - Sally Fowler
 * Isabel Gillies - Cynthia McLean
 * Bryan Leder - Fred Neff
 * Will Kempe - Rick Von Sloneker
 * Ellia Thompson - Serena Slocum
 * Stephen Uys - Victor Lemley

title: Metropolitan (1990 film)


text:
User talk:24.33.81.33

~ UDScott 18:32, 21 February 2007 (UTC)

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: User talk:24.33.81.33


text:
Barcelona (film)

Barcelona is a 1994 film about Ted, a stuffy white guy from Illinois working in sales for the Barcelona office of a US corporation, who is paid an unexpected visit by his somewhat less stuffy cousin Fred, who is an officer in the US Navy.
 * Written and directed by Whit Stillman.

Americans. Anti Americans. In Love. tagline

Fred Boynton

 * When we were kids I borrowed some things. It was never ever theft! In each case I either told you... or was about to.
 * You are far weirder than someone merely into S&M. At least they have a tradition. We have some idea what S&M is about. There's movies and books about it. But so far as I know, there is nothing to explain the way you are.
 * My jazz rule is: If you can't dance to it, you don't want to know about it.

Ted Boynton

 * Positive thinking is fine in theory. But whenever I try it on a systematic basis... I end up really depressed.
 * Have you ever heard of Maneuver X? When you get deeply into sales, you realize that every major transaction involves a mini identity crisis for the buyer. You think, "Green carpet. Am I really a green carpet person?" In romance, the same thing applies but on a humongous scale. But what is Maneuver X? It's removing all pressure, creating a space that the customer has to affirmatively cross. Only by disappearing more thoroughly and inexplicably than Montserrat can I change the current dynamic. Will it? I don't know. I think it will. If not, I'm dead.

Marta Ferrer

 * I don't go to bed with just anyone anymore. I have to be attracted to them sexually.
 * Ramon is very persuasive, and he painted a terrible picture of what it would be like for her to live the rest of her life in America, with all of its crime, consumerism, and vulgarity. All those loud, badly dressed, fat people watching their eighty channels of television and visiting shopping malls. The plastic throw-everything-away society with its notorious violence and racism. And finally, the total lack of culture.

Dialogue

 * Ted: Here in Barcelona, everything was swept aside. The world was turned upside down and stayed there.
 * Fred: Has it ever occurred to you that maybe the world was upside down before, and now it's right side up?

 * Fred: [At a disco, talking to Marta and Aurora about Ted, who's out on the dance floor] He's not at all the way he seems. He might seem like a typical American, like a big unsophisticated child, but he's far more complex than that. Have you ever heard of the Marquis de Sade? Ted's a great admirer of de Sade. And a follower of Dr. Johnson. He's a complex - and in some ways dangerous - man. He has a serious romantic illusion problem. Women find him fascinating. His nickname is "Punta de Diamante" - point of a diamond. You see that odd expression on his face? Under the apparently very normal clothes he's wearing are these narrow leather straps drawn taut so that when he dances...
 * Aurora: [looking somewhat shocked] What?
 * Fred: [as Ted leaves the dance floor and comes back to join them] Please don't mention this. He might feel I violated a confidence.

 * Fred: Tonight while I was shaving - I always shave against the direction of the beard because I understood you got a closer shave that way - I started thinking about this razor commercial on TV which shows the hair follicles like this, going this way. The first of the twin blades cuts them here, then the hair snaps back, and the second blade catches them down here, giving you a closer, cleaner, possibly smoother shave, that we know. But what struck me was if the hair follicles are going in this direction and the razor is too, then they're shaving in the direction of the beard, not against it, which would mean that I've been shaving the wrong way all my life. I mean, maybe that's not so, maybe I misremembered the ad, but the point is, I could have shaved the wrong way all my life and never have known it. And then I could have taught my son to shave the wrong way without him ever knowing it either.
 * Marta: You have a son?
 * Fred: No... But I might someday. And then maybe I'll teach him to shave the wrong way.
 * Marta: I think maybe my English is not so good.

 * Woman: You can't say Americans are not more violent than other people.
 * Fred: No.
 * Woman: All those people killed in shootings in America?
 * Fred: Oh, shootings, yes. But that doesn't mean Americans are more violent than other people. We're just better shots.

 * Fred: Maybe you can clarify something for me. Since I've been, you know, waiting for the fleet to show up, I've read a lot, and...
 * Ted: Really?
 * Fred: And one of the things that keeps popping up is about "subtext." Plays, novels, songs - they all have a "subtext", which I take to mean a hidden message or import of some kind. So subtext we know. But what do you call the message or meaning that's right there on the surface, completely open and obvious? They never talk about that. What do you call what's above the subtext?
 * Ted: The text.
 * Fred: OK, that's right, but they never talk about that.

 * Fred: You think wedding vows are going to change everything? God, your naivete is astounding! Didn't you see The Graduate?
 * Ted: You can remember The Graduate?
 * Fred: Yeah, I can remember a few things. Apparently you don't. The end? Katharine Ross has just married this really cool guy - tall, blond, incredibly popular, the make-out king of his fraternity in Berkeley - when this obnoxious Dustin Hoffman character shows up at the back of the church, acting like a total asshole. "Elaine! Elaine!" Does Katharine Ross tell Dustin Hoffman, "Get lost, creep. I'm a married woman"? No. She runs off with him - on a bus. That is the reality.

 * Marta: You seem very intelligent for an American.
 * Fred: Well, I'm not.

 * Ted: Maybe you'd like an analogy. Well, take... take these ants. In the U.S. view, a small group, or cadre, of fierce red ants have taken power and are oppressing the black ant majority. Now the stated U.S. policy is to aid those black ants opposing the red ants in hopes of restoring democracy, and to impede the red ants from assisting their red ant comrades in neighboring ant colonies.
 * Ramon: That is clearly the most disgusting description of U.S. policy I have ever heard. The Third World is just a lot of ants to you.
 * Jurgen: Those are people dying, not ants.
 * Ted: No, I... I don't think you understand. I was reducing everything to ant scale, the... the U.S. included. An ant White House, an ant CIA, an ant Congress, an ant Pentagon...
 * Ramon: Secret ant landing strips, illegally established on foreign soil.
 * Fred: Where are the red ants?
 * Ted: [pointing to an ant hill] There.
 * [Fred crushes the ants]

 * Marta: I think there is something fascist about a boy who immediately talks of marrying a woman he likes.
 * Fred: I don’t think Ted is a fascist of the marrying kind.

 * Ted: You see, that's one of the great things about getting involved with someone from another country. You can't take it personally. What's really terrific is that when we act in ways which might objectively be considered asshole-ish or incredibly annoying... they don't get upset at all. They don't take it personally. They just assume it's some national characteristic.
 * Fred: Cosa de gringos.
 * Ted: Yeah.
 * Dickie: Fantastic.
 * Ted, Fred: [together] Yeah.

Tagline

 * Americans. Anti Americans. In Love.

Cast

 * Taylor Nichols - Ted Boynton
 * Chris Eigeman - Fred Boynton
 * Tushka Bergen - Montserrat Raventos
 * Mira Sorvino - Marta Ferrer
 * Pep Munné - Ramon
 * Hellena Schmied - Greta
 * Núria Badia - Aurora Boval
 * Thomas Gibson - Dickie Taylor

title: Barcelona (film)


text:
The Last Days of Disco

The Last Days of Disco is a 1998 film about two female Manhattan book editors fresh out of college, both finding love and themselves while frequenting the local disco.
 * Written and directed by Whit Stillman.

History is made at night. tagline

Charlotte Pingress

 * [to Dan] What if in a few years we don't marry some corporate lawyer? What if we marry some meatball, like you? Or not you, personally, but someone with similarly low socioeconomic prospects.
 * Anything I did that was wrong, I apologize for. But anything I did that was not wrong, I don't apologize for.
 * This is going to sound dumb, but, it really works. Whenever you can, throw the word sexy - into a conversation. Its a kind of a signal. Like, um, there's something really sexy about strobe lights. Or, eh, this fabric is so sexy.

Des McGrath

 * Do you think the neurological effects of caffeine are similar to that of cocaine?
 * I could be gay.
 * Group social life has its place, but at a certain point other biological factors come into play. Our bodies weren't really designed for group social life. A certain amount of pairing off was always part of the original plan.
 * I'm not an addict. I'm a habitual user.
 * Yuppie stands for "young upwardly mobile professional". Nightclub flunkie is not a professional category. I wish we were yuppies. Young, upwardly mobile, professional. Those are good things, not bad things.
 * Do you know that Shakespearean admonition 'To thine own self be true'? It's premised on the idea that 'thine own self' is pretty good, being true to which is commendable. What if 'thine own self' is not so good? What if it's pretty bad? Would it better, in that case. not to be true to 'thine own self'? See? That's my situation.

Josh Neff

 * [to Des] I couldn't believe you'd be involved in the kind of things that have been going on here and told them so. I consider you a person of some integrity, except, you know, in your relations with women.
 * [About Lady and the Tramp] There is something depressing about it and it's not really about dogs. Except for some superficial bow-wow stuff at the start, the dogs all represent human types which is where it gets into real trouble. Lady, the ostensible protagonist, is a fluffy blond cocker spaniel with absolutely nothing on the brain. She's great looking but, let's be honest, incredibly insipid. Tramp, the love interest is a smarmy braggart of the most obnoxious kind, an oily jail bird out for a piece of tail or whatever he can get. No, he's a self confessed chicken thief; an all around sleaze ball. What's the function of a film of this kind? Essentially it's a primer about love and marriage directed at very young people, imprinting on their little psyches that smooth talking delinquents recently escaped from the local pound are a good match for nice girls in sheltered homes. When in ten years the icky human version of Tramp shows up around the house their hormones will be racing and no one will understand why. Films like this program women to adore jerks.
 * Disco will never be over. It will always live in our minds and hearts. Something like this that was this big, and this important, and this great, will never die. Oh for a few years, maybe many years it will be considered passé and ridiculous. It will be misrepresented, caricatured and sneered at, or worse, completely ignored. People will laugh about John Travolta, Olivia Newton John, white polyester suits and platform shoes and going like this! [mimics Saturday Night Fever pose] But we had nothing to do with those things and still loved disco. Those who didn't understand will never understand. Disco was much more, and much better than all that. Disco was too great and too much fun to be gone forever. It has got to come back someday. I just hope it will be in our own lifetimes...Sorry, I've got a job interview this afternoon and I was trying to get revved up, but - most of what I said I, uh, believe.

Others

 * Jimmy Steinway: [to Alice] There isn't a chance of you getting infatuated with me again is there?
 * Tom Platt: The environmental movement of our times was sparked by the rerelease of Bambi in the 1950s.
 * Ted Boynton: Barcelona is beautiful but in human terms, pretty cold.

Dialogue

 * Alice Kinnon: I hear you have a much better chance of getting in if you come by cab.
 * Charlotte Pingress: You're really worried about getting in?
 * Alice Kinnon: Yes.
 * Charlotte Pingress: I thought you've been here several times before.
 * Alice Kinnon: Not the front way. They were private parties. We came in through the back.
 * Charlotte Pingress: We look real good tonight. I'm sure we're gonna get in.
 * [Alice and Charlotte round the corner and see a large crowd waiting outside the Disco Club]
 * Alice Kinnon: [beat] Let's get a cab.
 * Charlotte Pingress: Yeah.

 * Jimmy Steinway: You know this is the way people used to dance in bars in the old days.
 * Charlotte Pingress: Did people ever really dance in bars? I thought that was a myth.
 * Jimmy Steinway: People my older brothers age, they did.
 * Charlotte Pingress: Your brother must be a lot older. Before disco, this country was a dancing wasteland. You know the Woodstock generation of the 1960s that were so full of themselves and conceited? None of those people could dance.

 * Jimmy Steinway: There's something deeply ingrained in human biology: women prefer bad over weak and indecisive... and unemployed
 * Josh Neff: I don't know about that.
 * Jimmy Steinway: You think they do prefer weak, indecisive, and unemployed?

 * Des McGrath: 'Yuppie scum'? In college, before dropping out, I took a course in the propaganda uses of language; one objective is to deny other people's humanity, or even right to exist.
 * Jimmy Steinway: In the men's lounge someone scrawled 'kill yuppie scum'.
 * Des McGrath: Do yuppies even exist? No one says, "I am a yuppie", it's always the other guy who's a yuppie. I think for a group to exist, somebody has to admit to be part of it.
 * Dan Powers: Of course yuppies exist. Most people would say you two are prime specimens.

 * Josh Neff: A lot of people like to say they won't take no for an answer. I just wanted you to know that I'm not one of them; I can be easily discouraged. I will take no for an answer.
 * Alice Kinnon: Okay. No.
 * Josh Neff: You don't mean that?
 * Alice Kinnon: No. [Smiles]

 * Dan Powers: You know, Alice, except for politics, we've got a lot in common: We're both pretty serious, and, I think, respect each other's bases for judgment. Occasionally I get reactionary thoughts, too.
 * Alice Kinnon: I'm not reactionary.
 * Dan Powers: Well, aesthetically.
 * Alice Kinnon: Oh, well - aesthetically.

 * Alice Kinnon: I think it's much better to wait until things happen naturally. Forcing things never works.
 * Charlotte Pingress: That's not true. Forcing things usually works beautifully.

 * Josh Neff: Take The Tortoise and the Hare. Okay, the tortoise won one race. Do you think that hare is really going to lose any more races to turtles? Not on your life.
 * Alice Kinnon: I like that tortoise.
 * Josh Neff: So do I. But if you were a betting person, would you say, "That tortoise won against the hare; in future races I'm backing him"? No. That race was almost certainly a fluke and afterwards the tortoise is still a tortoise, and the hare a hare.

 * Charlotte Pingress: I'm sorry, its just that you're so terrific, it makes me sick to think you might get in that terrible situation again where everyone hated you.
 * Alice Kinnon: Hated me?
 * Charlotte Pingress: You're wonderful. Maybe in physical terms I'm a little cuter than you, but you should be much more popular than I am. It would be such a shame if what happened in college should repeat itself.

 * Charlotte Pingress: You're not fit to lick the boots of my real gay friends.
 * Des McGrath: Well, I don't want to lick the boots of your real gay friends.

 * Des McGrath: Its women like you whose attitudes towards men are so dehumanizing.
 * Charlotte Pingress: Like what?
 * Des McGrath: That men are swine, obsessed with large breasts and the sex act, devoid of any idealistic romantic sensibility. When, in fact, we have that idealistic sensibility, in spades. For instance, you have no idea what men really think about women's breasts.
 * Alice Kinnon: What do men think about women's breasts?
 * Des McGrath: Well, its not just something you blurt out. Its far more complicated and nuanced.

 * Alice Kinnon: That's odd he knew I drank vodka tonics. I never told him.
 * Des McGrath: It's uncanny.
 * Alice Kinnon: You mean it's a complete cliché? All women recent college graduates drink vodka tonics, or something like that?
 * Des McGrath: Well, maybe.
 * Alice Kinnon: [to Charlotte] So, Jimmy thinks I'm a total cliche?
 * Charlotte Pingress: I ordered a Vodka tonic too. So what? You're plenty original without having to order something weird to drink.
 * Des McGrath: Yeah, I wouldn't worry about it. Can I get you another?
 * Alice Kinnon: Thanks. Actually, if you don't mind, I think I'd prefer - um - a whiskey sour.

 * Alice Kinnon: If when making love, the man... spurts... outside the woman, does that count as sexual intercourse?
 * Tom Platt: "Spurts"?
 * Alice Kinnon: If it... squirts outside, without getting in... does that count as losing your virginity?
 * Tom Platt: No part of the man got in at any time?
 * Alice Kinnon: I don't think so.
 * Tom Platt: I think part has to get in to be considered sexual intercourse.
 * Alice Kinnon: So then I was a virgin.

 * Alice Kinnon: Do you really think we know each other well enough to move in together?
 * Charlotte Pingress: Well, maybe that's good.
 * Alice Kinnon: Its not just that we don't know each other well. I'm not even sure we really like each other.
 * Charlotte Pingress: That's okay. You know, Alice, I'm not so much of a bitch as I seem.

 * Des McGrath: One of the things that makes me happy in life is knowing I don't envy anyone. I don't want to be anyone else or do anything that I want to do... which of course right now is nothing now that I'm unemployed, but I have good projects for the future. Can I speak honestly?
 * Charlotte Pingress: Yeah.
 * Des McGrath: You and I are similar. We both got big personalities. That's good. What the world really needs is more big personalities. Perhaps ours burn too brightly, or are too big for people with normal healthy sized personalities like Alice. Or people with abnormal sized personalities like Josh. Or the itsy bitsy teeny wienie little polka dot bikini sized personalities like Jimmy Steinway.
 * Charlotte Pingress: That's why I'm confident that I will ultimately be successful in television.
 * Des McGrath: Absolutely. You see, one of the problems of finding the right person and settling down is that it takes all the fun and interest out of going to nightclubs. I mean if you are already living with somebody, why bother going out? Getting seriously involved with someone really just means ruining your nightlife. What I mean to say is... Jimmy, Alice, Josh... so what? That's what I say.
 * Charlotte Pingress: I think I agree with you.

Taglines

 * History is made at night.

Cast

 * Chloë Sevigny - Alice Kinnon
 * Kate Beckinsale - Charlotte Pingress
 * Chris Eigeman - Des McGrath
 * Mackenzie Astin - Jimmy Steinway
 * Matt Keeslar - Josh Neff
 * Robert Sean Leonard - Tom Platt
 * Jennifer Beals - Nina Moritz
 * Matt Ross - Dan Powers
 * Tara Subkoff - Holly
 * Taylor Nichols - Ted Boynton

title: The Last Days of Disco


text:
User:130.194.13.103

3

title: User:130.194.13.103


text:
The Brothers McMullen

The Brothers McMullen is a 1995 film about three Irish Catholic brothers from Long Island who struggle to deal with love, marriage, and infidelity.
 * Written and directed by Edward Burns.

Jack is trying to save his marriage, Patrick is in a hopeless relationship, but their biggest problem is Barry's brotherly advice. tagline

Patrick McMullen

 * What am I going to do with my life? You know I didn't think college was actually going to end.
 * I don't need any new ideas. I'm confused enough already.
 * Repression is not such a bad thing.

Barry McMullen

 * I like being a pessimist. It helps me deal with my inevitable failure.
 * [holds up a banana] Man is like a banana. Strong and firm, bright and phallic, and he's protected by his all-important shield. But, when a woman comes along, you know, she sees this bright phallic beast and she wants it. So, she starts peeling away your all-important shield. [peels the banana] First, she wants to see your romantic side, then she wants to see your passionate side, finally she wants to see your soft, caring, feminine side. She keeps peeling and peeling until your left there buck naked, totally exposed with your balls blowing in the wind. And that's when she gets her knife, and she cuts away your manhood piece by piece until she's having your cock in her corn flakes.

Other

 * Jack McMullen: I am a progressively modern, politically correct housewife.

Dialogue

 * Patrick: So what'd ya' give up for Lent?
 * Barry: I gave up resolutions this year.
 * Patrick: Convenient!

 * Patrick: I thought you didn't eat meat.
 * Leslie: Only on Fridays.

 * Patrick: She wants me back
 * Jack: What about the baby?
 * Patrick: She had a miscarriage
 * Jack: Jesus, talk about the luck of the Irish.

Tagline

 * Jack is trying to save his marriage, Patrick is in a hopeless relationship, but their biggest problem is Barry's brotherly advice.

Cast

 * Shari Albert - Susan
 * Maxine Bahns - Audrey
 * Catharine Bolz - Mrs. McMullen
 * Connie Britton - Molly McMullen
 * Edward Burns - Barry/Finbar McMullen
 * Peter Johansen - Marty
 * Jennifer Jostyn - Leslie
 * Mike McGlone - Patrick McMullen
 * Elizabeth McKay - Ann
 * Jack Mulcahy - Jack McMullen

title: The Brothers McMullen


text:
She's the One

She's the One is a 1996 romantic comedy film about two brothers as they experience the trials and tribulations of love, betrayal, and family.
 * Written and directed by Edward Burns.

A romantic comedy about two brothers... and the one thing that came between them. tagline

Francis Fitzpatrick

 * Big deal, you're happy. You're never going to make any real money.
 * Romance is great, but I just want to remind you, it don't pay the bills.
 * [to Mickey] Twenty-five fucking years, I've been waiting for the day I'd be bigger, tougher, stronger than you are. When you go down it's gonna hurt, baby. I'm gonna kick your fucking ass! Are you ready? You ready to be humiliated in front of your new wife and your father? You are an ugly bitch, I pity you...

Others

 * Mr Fitzpatrick: [to Francis] Let me get this straight. You don't want to cheat on your girlfriend with your wife?
 * Renee Fitzpatrick: Francis, I cannot remember the last time I saw your penis.

Dialogue

 * Mr. Fitzpatrick: [about Mrs. Fitzpatrick] She's gonna be devastated. She's been up at that goddamn church every morning praying for your brother. And then yesterday she tells me I spend too much time on the boat. I don't even want to get into that discussion. And now you're gonna get divorced? Christ. She'll be up with Father John twenty-four hours a day. Thanks a lot, buddy. I'm probably going to have to start making my own breakfast again.
 * Francis: I'm sorry if my divorce interferes with your breakfast plans, Dad.

 * Mickey: Why are you getting so upset Dad? You don't even believe in God.
 * Mr. Fitzpatrick: That doesn't mean I'm going to stop being a good Catholic.

 * Heather: Look where your decency has gotten you. You are the only English-speaking white guy driving a cab in New York. That should tell you something.
 * Mickey: You know what Heather, I gotta imagine it beats sucking dick for a living though, huh?

 * Francis: Well, for one thing, I don't like the fact that you have sex with a geriatric.
 * Heather: Well, how do you think I feel about you going home and seeing your wife every night?
 * Francis: I haven't had sex with my wife in months.
 * Heather: Well, I don't know if that is such a good idea, Francis. Clearly you need the practice.

 * Heather: He doesn't care about my past.
 * Francis: Is that because he doesn't know you were a hooker?
 * Heather: He was my best customer.

Taglines

 * A romantic comedy about two brothers... and the one thing that came between them.
 * From the Director of "The Brothers McMullen"

Cast

 * Edward Burns - Mickey Fitzpatrick
 * Mike McGlone - Francis Fitzpatrick
 * Cameron Diaz - Heather Davis
 * Jennifer Aniston - Renee Fitzpatrick
 * Maxine Bahns - Hope
 * John Mahoney - Mr. Fitzpatrick
 * Malachy McCourt - Tom
 * Leslie Mann - Connie
 * Amanda Peet - Molly
 * Anita Gillette - Carol
 * Frank Vincent - Ron

title: She's the One


text:
The Man Who Wasn't There

The Man Who Wasn't There is a 2001 film about a laconic, chain-smoking barber who blackmails his wife's boss and lover for money to invest in dry cleaning, but whose plan goes terribly wrong.
 * Directed by Joel Coen. Written by Joel Coen and Ethan Coen.

The last thing on his mind is murder. tagline

Ed Crane

 * Me, I don't talk much. I just cut the hair.
 * I lived in a little bungalow on Napa Street. The place was OK, I guess. It had an electric ice box, gas hearth, and a garbage grinder built into the sink. You might say I had it made.
 * Sooner or later everyone needs a haircut.
 * I sat in the house, but there was nobody there. I was a ghost; I didn't see anyone. No one saw me. I was the barber.
 * Time slows down right before an accident, and I had time to think about things. I thought about what an undertaker had told me once - that your hair keeps growing, for a while anyway, after you die, and then it stops. I thought, "What keeps it growing? Is it like a plant in soil? What goes out of the soil? The soul? And when does the hair realize that it's gone?"
 * [about his lawyer's courtroom speech] And then it was Riedenschneider's turn. I gotta hand it to him, he tossed a lot of sand in their eyes. He talked about how I'd lost my place in the universe; how I was too ordinary to be the criminal mastermind the D.A. made me out to be; how there was some greater scheme at work that the state had yet to unravel. And he threw in some of the old "truth" stuff he hadn't had a chance to trot out for Doris. He told them to look at me, look at me close. That the closer they looked, the less sense it would all make; that I wasn't the kind of guy to kill a guy; that I was The Barber, for Christsake. I was just like them - an ordinary man. Guilty of living in a world that had no place for me, yeah. Guilty of wanting to be a dry cleaner, sure. But not a murderer. He said I was modern man, and if they voted to convict me, well, they'd be practically cinching the noose around their own necks. He told them to look, not at the facts, but at the meaning of the facts. Then he said the facts had no meaning. It was a pretty good speech. It even had me going until Frankie interrupted it.
 * Yeah, I guess I'm sorry about the pain I caused other people, but I don't regret anything. I used to. I used to regret being the barber.
 * I don't know where I'm being taken. I don't know what waits for me beyond the earth and sky. Maybe the things I don't understand will be clearer there, like when a fog blows away. Maybe Doris will be there, and maybe there I can tell her all those things they don't have words for here.

Freddy Riedenschneider

 * One more thing: you keep your mouth shut. I get the lay of the land. I tell you what to say. No talking out of school. What's out of school? Everything's out of school. I do the talking. You keep your trap shut. I'm an attorney. You're a barber. You don't know anything. Understood?
 * I litigate. I don't capitulate.
 * They got this guy in Germany, Fritz Something-or-other. Or is it? Maybe it's Werner. Anyway, he's got this theory. You wanna test something, you know, scientifically - how the planets go round the sun, what sunspots are made of, why the water comes out of the tap. Well, you gotta look at it. But sometimes you look at it, your looking changes it. You can't know the reality of what happened, or what would've happened if you hadn't-a stuck in your own goddamn schnozz. So there is no "what happened," not in any sense that we can grasp with our puny minds, because our minds — our minds get in the way. Looking at something changes it. They call it the "Uncertainty Principle." Sure, it sounds screwy, but even Einstein says the guy's on to something.
 * The more you look, the less you really know.

Others

 * Jacques Carcanogues: [to Ed, after Birdy's piano audition] Nice girl. Someday, I think, maybe, she make a very good typist.
 * Birdy Abundas: You know what you are? An enthusiast.
 * Ann Nirdlinger Brewster: Knowledge can be a curse.

Dialogue

 * Ed: Was that a pass?
 * Creighton Tolliver: Maybe.
 * Ed: Well you're out of line, mister... way out of line

 * Ed: Frank.
 * Frank: Huh?
 * Ed: This hair.
 * Frank: Yeah.
 * Ed: You ever wonder about it?
 * Frank: Whuddya mean?
 * Ed: I don't know... How it keeps on coming. It just keeps growing.
 * Frank: Yeah-lucky for us, huh, pal?
 * Ed: No, I mean it's growing, it's part of us. And we cut it off. And we throw it away.
 * Frank: Come on, Eddie, you're gonna scare the kid.
 * Ed: ...I'm gonna take his hair and throw it out in the dirt.
 * Frank: What the...
 * Ed: I'm gonna mingle it with common house dirt.
 * Frank: What the hell are you talking about?
 * Ed: I don't know. Skip it.

Tagline

 * The last thing on his mind is murder.

Cast

 * Billy Bob Thornton - Ed Crane
 * Frances McDormand - Doris Crane
 * Michael Badalucco - Frank
 * James Gandolfini - Big Dave Brewster
 * Katherine Borowitz - Ann Nirdlinger Brewster
 * Jon Polito - Creighton Tolliver
 * Scarlett Johansson - Birdy Abundas
 * Richard Jenkins - Walter Abundas
 * Tony Shalhoub - Freddy Riedenschneider
 * Christopher Kriesa - Officer Persky
 * Brian Haley - Officer Krebs
 * Jack McGee - P.I. Burns

title: The Man Who Wasn't There


text:
Crimewave

Crimewave is a 1985 film about a pair of whacked-out cartoon-like hitmen who kill the owner of a burglar-alarm company, and stalk the partner who hired them.
 * Directed by Sam Raimi. Written by Ethan Coen, Joel Coen, and Sam Raimi.

Extermination is not just a business. It's a way of life. tagline

Renaldo 'The Heel'

 * Hey baby, why don't ya come on over to my pad? We'll have a scotch and sofa.
 * I've never seen you here before. I like that in a woman.

Dialogue

 * Girl in bar: You're cute.
 * Renaldo the Heel: Keep talkin', baby. Maybe you'll tell me something I don't already know.

 * Renaldo the Heel: Well, maybe I'm a heel.
 * Vic Ajax: Maybe I'm a guy who hates heels.
 * Renaldo the Heel: Maybe I'm a heel who hates guys who hate heels.

 * Nancy: I'm not that kind of girl!
 * Renaldo the Heel: Well, with a little practice you could learn to be.

 * Arthur Coddish: [About to electrocute Vic] How do you like it, medium or well-done? [Evil maniacal laughter]
 * Nancy: Victor!
 * Vic Ajax: Nancy!
 * [She throws him a baseball bat, and he smashes Arthur's machine with it]
 * Arthur Coddish: You broke my shocker!
 * Vic Ajax: Mister, you've done some bad things and I'm gonna deal out some swift justice!

 * Vic Ajax: [after Nancy nearly got run over by the Exterminators] You maniacs! I've never seen anything like that... are you all right?
 * [Tries to open the door for her]
 * Vic Ajax: Oh, you've got the key!
 * Faron Crush: [the car backs up, and Crush comes out] One more thing child... don't you ever call me a maniac!
 * [Punches Vic in the face and bursts into maniacal laughter]

 * Vic Ajax: Hello, Colonel. How are you this evening?
 * Colonel Rodgers: Adequate. One mother-lovin' hell of a storm comin.' Know how I can tell? Steel plate clang in my head. Yes sir, Korea was no picnic.

Tagline

 * Extermination is not just a business. It's a way of life.

Cast

 * Reed Birney - Vic Ajax
 * Paul L. Smith - Faron Crush
 * Louise Lasser - Helene Trend
 * Brion James - Arthur Coddish
 * Sheree J. Wilson - Nancy
 * Edward R. Pressman - Ernest Trend
 * Bruce Campbell - Renaldo 'The Heel'
 * Richard Bright - Officer Brennan
 * Antonio Fargas - Blind Man

title: Crimewave


text:
User talk:Linda56

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  20:39, 21 February 2007 (UTC)
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title: User talk:Linda56


text:
User talk:Lnp08

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  20:39, 21 February 2007 (UTC)
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title: User talk:Lnp08


text:
User talk:Doksh

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  20:39, 21 February 2007 (UTC)
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title: User talk:Doksh


text:
User talk:Anishpatni

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  20:40, 21 February 2007 (UTC)
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title: User talk:Anishpatni


text:
User talk:Wikiperdy~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  20:40, 21 February 2007 (UTC)
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Wikiperdy. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Wikiperdy~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:38, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 06:01, 19 April 2015 (UTC)

title: User talk:Wikiperdy~enwikiquote


text:
User talk:Alyletkey

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  20:40, 21 February 2007 (UTC)
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title: User talk:Alyletkey


text:
User talk:Shizzle~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  20:40, 21 February 2007 (UTC)
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Shizzle. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Shizzle~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:34, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:58, 19 April 2015 (UTC)

title: User talk:Shizzle~enwikiquote


text:
User talk:U tope~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  20:40, 21 February 2007 (UTC)
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called U tope. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name U tope~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:38, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 06:00, 19 April 2015 (UTC)

title: User talk:U tope~enwikiquote


text:
User talk:Ganryuu~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  20:40, 21 February 2007 (UTC)
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Ganryuu. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Ganryuu~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:23, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:47, 19 April 2015 (UTC)

title: User talk:Ganryuu~enwikiquote


text:
User talk:66.210.57.9

~ UDScott 21:34, 21 February 2007 (UTC)

title: User talk:66.210.57.9


text:
User talk:Anastasios.zouzias

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  22:15, 21 February 2007 (UTC)
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title: User talk:Anastasios.zouzias


text:
User talk:Melissabaska

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  22:15, 21 February 2007 (UTC)
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title: User talk:Melissabaska


text:
User talk:Histfan07

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  22:15, 21 February 2007 (UTC)
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title: User talk:Histfan07


text:
User talk:Sreichanadter

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  22:15, 21 February 2007 (UTC)
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title: User talk:Sreichanadter


text:
User talk:Snajib53~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  22:51, 21 February 2007 (UTC)
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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Snajib53. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Snajib53~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:36, 17 March 2015 (UTC)

Renamed
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title: User talk:Snajib53~enwikiquote


text:
User talk:Chuckkim

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  22:52, 21 February 2007 (UTC)
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title: User talk:Chuckkim


text:
User talk:74.65.215.11

Please stop removing content from Wikiquote. It is considered vandalism. If you want to experiment, please use the sandbox. Wikiquote exists for the collecting of notable quotations of famous people and famous works. For a quick overview of what Wikiquote is, read Wikiquote, and also What Wikiquote is not for a list of common activities that Wikiquote does not support. When people are not interested in responsibly contributing to the development of the project incidents of their deliberate vandalism can result in IP addresses being blocked from editing. Thank you.  Cbrown1023  talk  23:22, 21 February 2007 (UTC)

Please stop. If you continue to vandalize pages, you will be blocked from editing Wikiquote.--Aphaia 03:35, 24 February 2007 (UTC)

This is your last warning. The next time you vandalize a page you will be blocked from editing.  Cbrown1023  talk  02:28, 25 February 2007 (UTC)

title: User talk:74.65.215.11


text:
User talk:Jellymac

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  23:22, 21 February 2007 (UTC)
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title: User talk:Jellymac


text:
User talk:Cocoaleche2~enwikiquote

Hi. Welcome to English Wikiquote. Enjoy!  Cbrown1023  talk  23:22, 21 February 2007 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * Also see What Wikiquote is not for common activities that Wikiquote does not support.
 * To ask for help or to talk with another editor, visit our Village pump.
 * To browse Wikiquote, take a look at our browsing start page.
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 * When posting to a discussion, please sign with a date by writing four tildes (~~) and saving.
 * Be bold.

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Cocoaleche2. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Cocoaleche2~enwikiquote that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:20, 17 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 05:44, 19 April 2015 (UTC)

title: User talk:Cocoaleche2~enwikiquote


text:
User talk:Alexander the Drake

Welcome
Hi. Welcome to English Wikiquote. Enjoy! ~ Jeff Q (talk) 23:43, 21 February 2007 (UTC)
 * For a quick overview of what Wikiquote is, read Wikiquote.
 * Also see What Wikiquote is not for common activities that Wikiquote does not support.
 * To ask for help or to talk with another editor, visit our Village pump.
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 * When posting to a discussion, please sign with a date by writing four tildes (~~) and saving.
 * Be bold.

title: User talk:Alexander the Drake


text:
User:Alexander the Drake

“Cock by its feet, horse by its hame, Snake by its head, drake by its name.” — Barbara Hambly, Dragonsbane

Working Drafts
Draft

title: User:Alexander the Drake


text:
Fantastic Four (1994 TV series)

Fantastic Four (1994-1996) was an animated series based on Marvel's Fantastic Four comic book series.

The Origin of the Fantastic Four (Parts 1-2)

 * Sue: (To Reed) ...and maybe you should call yourself Mr. Fantastic.
 * Reed: Well, er, rather presumptuous - but it does have a ring to it.

 * Ms. Forbes: Now, then, about your experiments, professor - they won't be dangerous, noisy or smelly, will they?
 * Thing: Hey! I'm dangerous, noisy and smelly!

 * Dick Clark: ...tomorrow's telecast for the rest of the story of the origin of the Fantastic Four.
 * Invisible Woman: To be continued!

Now Comes the Sub-Mariner

 * Namor: I am from the world beneath the sea that lies just outside your window. We have endured your pollution for centuries, but we shall suffer it no longer!  Know that I am Namor, ruler of the kingdom of Atlantis!  Your time in the sun is over!

 * Krang: I'm afraid you have no authority here, Namor. I have taken command.
 * Namor: But I am lord of the seas, and you serve me. This is treason!
 * Krang: I am commander of all forces, and you are a foolish prince who has surrendered his heart and his kingdom to an Earth woman. That is treason!

Incursion of the Skrulls

 * Thing: (As an alarm goes off) They're playin' my song.

The Silver Surfer & the Coming of Galactus (Parts 1-2)

 * [Human Torch and Thing are watching an old black-and-white movie]
 * Professor Helmut: Live! Live, I say!
 * Woman: No, Helmut! You've gone mad!
 * Helmut: Silence, woman! Nothing must stand in the way of science - not even... our love! [Tears bandages off of the monster] It lives... it LIVES!
 * Monster: [Growls] Rose... bud...

 * Mr. Fantastic: Galactus must have seen us! Why doesn't he say anything?
 * Watcher: Do you greet the cockroaches on your kitchen floor?

 * Thing: Could you give us that again in Swahili?
 * Mr. Fantastic: You don't understand Swahili!
 * Thing: Well, I don't understand nothing you just said, neither.

 * Alicia: I'm really not very special, Surfer. But when I awake and feel the sun on my face, and I'm able to do my work and be with my friends - with those I love - I'm very glad to be alive.

 * [The silver surfer is watching Alicia play the piano. He decides to go in uninvited and she notices. A conversation ensues]
 * Silver Surfer: You are concerned for the comfort of a stranger?
 * Alicia: We are all strangers until we meet.

The Mask of Doom (Parts 1-3)

 * Doom's Father: (Last words) You have a great destiny to fulfill, Victor. You must survive... and triumph!

Mole Man

 * Thing: Oh, yada yada yada, let's get going already. We get hassled underwater by Prince Namor, bugged in ancient Greece by Doctor Doom, and now we're stranded in a cockamamie cavern!  Just once, I'd like a problem that took us to Vegas.

Behold the Negative Zone

 * Ms. Forbes: (Seeing the portal to the Negative Zone) ...and now you've put a hole in my wall!

The Silver Surfer & the Return of Galactus

 * Ms. Forbes: (Watching Doctor Doom) Poor Foo-Foo! I know you want to see your Lassie re-runs, but there's nothing on except this tacky man covered in aluminum siding!

And a Blind Man Shall Lead Them

 * Invisible Woman: This is pretty uninspired. The big, bad Doctor Doom kidnapping me just to lure us here to your wretched little island?
 * Doctor Doom: Yes, I'm so sorry to involve you in the timeworn damsel-in-distress cliché, Mrs. Richards. I fear the only thing missing is the onrushing train!  However, sometimes expediency outweighs originality.  Now, with your permission... [Leaves]

 * Doctor Doom: Goodbye, Fantastic Four. Time to join the choir invisible.

 * Doctor Doom: A toast, Boris: To Reed Richards and the Fantastic Four, who have of late passed on to the undiscovered country. Bereft of their interference, I'm free to bring much-needed peace and order to a world gone mad.

 * Servo-Guard: Your plan to destroy them has failed, master.
 * Doctor Doom: "Failed". [Focuses for a moment; the robot sparks, shudders and explodes] Doctor Doom does not fail.

 * Mr. Fantastic: Amazing, Daredevil - how did you find your way through that mess?
 * Daredevil: Hm... call it a gift. Came with the red suit.

 * Daredevil: (Dodging a missile) Funny - a lot of people react that way to lawyers.

 * Doctor Doom: (Easily subduing Daredevil) Fool! Did you presume to catch me unawares?
 * Daredevil: Was it my breath?
 * Doctor Doom: You Primrose Popinjay! You're too late! The Fantastic Four are dead, and you are in time for your own demise!

 * Doctor Doom: I've made an interesting little improvement in your ventilation system. I will now suck all the air out of the room, and like the martyrs of Masada, you may watch each other die.  Have a nice day.  [Exits, chuckling sinisterly]

 * Doctor Doom: You leave me no choice but to act for the greater good. I've just destroyed the fusion limiters from Reed Richards' dimensional reactor.  In exactly one minute, it will create a minute tear in the space-time continuum, reducing this building - and, regrettably, most of Manhattan - to cosmic dust!  Let it weigh on your souls.  A pity, really... [Sighs] I never did get to see Cats.

Inhumans Saga (Parts 1-3)

 * Wizard: (Brainwashing Thing) Friend? Reed Richards, you call "friend"?  He who foolishly exposed you to unknown cosmic rays?  Resulting in your becoming the hideous creature you are today?  My dear Benjamin Grimm, Reed Richards destroyed your life.

 * [Two construction workers drop a board on a model of the Baxter Building]
 * Invisible Woman: You'd think these guys were working for Doctor Doom. Destroying the Baxter Building is getting to be a real growth industry around here...

 * [The Seeker jettisons Mr. Fantastic, Invisible Woman and Thing from his ship]
 * Thing: Congratulations, Mr. Big Brain. Now we know everything about them un-humans except where they stashed Torchy.
 * Mr. Fantastic: I had to keep the Seeker talking, Ben. To buy enough time to place a homing device on his ship.
 * Invisible Woman: [chuckles and embraces Mr. Fantastic] Oh, Reed. At times like this, I remember why I married you.

Worlds Within Worlds

 * Thing: That's the dame, alright. Spiked collar, red cape... hey, that reminds me, Mother's Day is coming up soon.

 * Malice: Looking for me... dear?
 * Mr. Fantastic: Susan!
 * Malice: Correction: Malice. Susan Richards was a pathetic creature, someone to be ignored at worst, patronized at best - someone you frustrated and stifled at every turn.

To Battle the Living Planet

 * Thing: (To Thor) Son of Odin, eh? Thou has ticked off Ben Grimm, son of Mr. and Mrs. Grimm!

 * Invisible Woman: Ben, grab that power pack and follow me! I have an idea!
 * Thing: "I have an idea." The four scariest words in the English language...

 * Ego: (Battling Galactus) Galactus! [Laughs] At last, my quest is done.  My vengeance is at hand.  Let this, then, be your end.
 * Galactus: This time, the triumph shall be mine!
 * Ego: You mouth madness! You are but a simple being - I am an entire world!
 * Galactus: Your words are true, but in all of space, I stand alone. I am Galactus!  The be-all and end-all of the universe!

Prey of the Black Panther

 * Black Panther: At last, the Black Panther's prey has arrived.
 * Thing: Oh, yeah? Puss-in-Boots' prey?  Well, you better start prayin' I don't catch you!

 * Invisible Woman: T'Challa, the world has many dangers. For your people's sake - and the entire world's - a man with your powers can never rest.
 * Thing: So what do you say?
 * Black Panther: Then... let the monument of the Panther stand tall! The Black Panther is ready to stalk again.

When Calls Galactus

 * Invisible Woman: Galactus, I beg you - stop in the name of humanity!
 * Galactus: What knows Galactus of humanity? I do what I must.

 * Ghost Rider: They call me Ghost Rider. I am summoned when innocent blood is shed... and you have shed much innocent blood. [...] Do you dare face the agony of those you have slain?
 * Galactus: Mortal or demon, whichever you be, begone! Galactus has no time for games.
 * Ghost Rider: This is no game. (Using the Penance Stare) Feel the torment of a billion billion extinguished souls. Experience the pain of eternal guilt!
 * Galactus: (Clutching head amid ghostly wailing) No! [Falls]
 * Ghost Rider: My task is complete. I leave you now, Galactus, in mortal hands.

 * Galactus: Reed Richards, you saved my life when it would have been far easier to do otherwise.    For this act, Galactus willingly renews his pledge to spare your planet.  Perhaps here, as nowhere else in the limitless cosmos, Galactus has found those he might dare name... friends.

Nightmare in Green

 * Doctor Doom: (To Bruce Banner, as he transforms into the Hulk) Oh, don't change on my account, Doctor...

 * Doctor Doom: You're guest of honor at my Latverian embassy, Dr. Banner. In fact, I've prepared a suitable room especially for your needs.  I call it the Gamma Ray Suite.
 * Bruce Banner: Let me go, Doom. Without my help, Reed Richards might die.
 * Doctor Doom: Reed Richards, dead of a virus - how common. (To self) Not quite the ultimate vengeance I'd always hoped for, but... tidy, nonetheless... (Abruptly) Oh, and yes, I will let you go - after the Hulk destroys the remainder of the Fantastic Four!

 * Hulk: Who are you?
 * Doctor Doom: [Bows] I'm your friend, Doctor Doom.
 * Hulk: Rick Jones is Hulk's only friend!
 * Doctor Doom: Oh, tut, tut. Not anymore, I'm afraid.  [Turns on a video feed]  Rick Jones has made new friends.  He's deserted you, Hulk.  He's betrayed your trust, and joined the Fantastic Four.  And they have turned him against you.
 * Hulk: [Smashes computer] No! No one leaves Hulk!
 * Doctor Doom: Ah, but the answer is simple. To make Mr. Jones your friend again, you have only to destroy his new friends: the Fantastic Four.
 * Hulk: Yes! Hulk destroy Fantastic Four! [Jumps out through roof]

 * Rick: (Seeing Hulk fighting Thing) I gotta stop this!
 * Doctor Doom: [Stuns Rick] Oh, but I'm so enjoying this athletic little Donnybrook...

 * Mr. Fantastic: (Struggling to get up) Must... help them!
 * Doctor Doom: [Enters] I'm afraid that's entirely out of the question, Richards. Doctor's orders.

 * Hulk: (Pounding the Invisible Woman's force field) Why pretty girls always try to help ugly rock creature?
 * Thing: 'cause I floss, moss-mouth.

 * Doctor Doom: Such a tragic tableau! Worthy of Shakespeare, Rabeleis... [Charges gauntlet] or Doctor Doom.

Behold, a Distant Star

 * Morrat: Very well. Have it your way.  If traitor I am branded... (Grabs a gun from a soldier) then traitor I shall be!

The Sentry Sinister

 * Sentry: (Sinking into lava) For the first time in all history, a Sentry has failed. Though I have not heard from my Kree masters for untold ages, I remain at my post, as a Sentry must, until the end.  This is Sentry 4-5-9, making his final report. [Shuts down]

Doomsday

 * Silver Surfer: Amongst the mightiest, the most imposingly savage of all Earth's creatures, I sit in peace; I dwell in safety. For food has been plentiful, and no longer do they hunger.  (To a lion) Unlike the humans who call you "beast", there's no violence in your heart, no hint of avarice, no smoldering hate.  Yet man, who has won dominion over all this world, is a stranger to peace, a prisoner caught in the net of his own nameless fear.  And here stand I, hopelessly trapped in a world of madness, where reason is shunned while violence prevails.  [Takes off on board, flying throughout the Earth] But no longer shall the Silver Surfer be part of man's insanity.  Let humanity do what it will!  As for me, I shall dwell amongst the beasts, or search for some semblance of freedom in the polluted skies of this mad, orbiting prison which men call Earth!

 * Doctor Doom: (Having stolen the the Power Cosmic) Imagine - I now possess the power to end hunger, to abolish disease, to eliminate crime, to establish a perfectly content, perfectly ordered world - all under the benevolence of my iron will!

 * Doctor Doom: Die? But who said anything about dying?  Doom is no common murderer.  Besides, I would never dream of letting my dearest enemies off that easily.
 * Human Torch: Then why did you...
 * Doctor Doom: Attack? Call it a lesson in humility, my fiery friend.  No - for the Fantastic Four, I have devised a much more fitting revenge.  You, the legendary bravest of the brave, shall live out the rest of your days in abject fear, watching helplessly as I bend the world to my will, knowing you are utterly powerless to stop me, that you are no longer important enough for me to destroy.  Till we meet again... on Doomsday. [Leaves, laughing]

 * Doctor Doom: (Displaying his power) Let mankind beware, for Doctor Doom has attained powers without limit, and this time, there will be no failure - no defeat. I can breathe life into stone, or raise the very ocean floor.  Hear me, nations of the world!  My power is without limit!  I can turn day to blackest night, summer to winter.  But I am, above all, a reasonable man.  Thus, I have granted your leaders one week to surrender to the rule of Doom, or suffer total annihilation.

 * Doctor Doom: (To Silver Surfer) Your unselfish concern touches me deeply, you unearthly clod. You, who refused to appropriately wield your cosmic powers.  I, on the other hand, shall use them to enslave an entire planet.  And after that, perhaps a universe, as well.

 * Doctor Doom: (Incredulous) Defeat my cosmic power? It is the fabric of creation!  Ultimate power!  The stuff of gods!  As a final courtesy, Richards, I shall allow you to watch as I obliterate first your puny toy - and then, ultimately, yourself.

 * Silver Surfer: I have much to learn of the ways of human beings. It is true that you are slaves of greed and fear - and yet, there is a nobility in your hearts that cannot be denied.  Perhaps one day I will understand. [Flies away]

title: Fantastic Four (1994 TV series)


text:
User:Rmk1595~enwikiquote

Hello

title: User:Rmk1595~enwikiquote