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Pap test

The Papanicolaou test (abbreviated as Pap test, also known as Pap smear (AE), cervical smear (BE), cervical screening (BE), or smear test (BE)) is a method of cervical screening used to detect potentially precancerous and cancerous processes in the cervix (opening of the uterus or womb) or, more rarely, anus (in both men and women). Abnormal findings are often followed up by more sensitive diagnostic procedures and, if warranted, interventions that aim to prevent progression to cervical cancer. The test was independently invented in the 1920s by the Greek physician Georgios Papanikolaou and named after him. A simplified version of the test was introduced by the Canadian obstetrician Anna Marion Hilliard in 1957.

A Pap smear is performed by opening the vagina with a speculum and collecting cells at the outer opening of the cervix at the transformation zone (where the outer squamous cervical cells meet the inner glandular endocervical cells), using an Ayre spatula or a cytobrush. The collected cells are examined under a microscope to look for abnormalities. The test aims to detect potentially precancerous changes (called cervical intraepithelial neoplasia (CIN) or cervical dysplasia; the squamous intraepithelial lesion system (SIL) is also used to describe abnormalities) caused by human papillomavirus, a sexually transmitted DNA virus. The test remains an effective, widely used method for early detection of precancer and cervical cancer. While the test may also detect infections and abnormalities in the endocervix and endometrium, it is not designed to do so.

Guidelines on when to begin Pap smear screening are varied, but usually begin in adulthood. Guidelines on frequency vary from every three to five years. If results are abnormal, and depending on the nature of the abnormality, the test may need to be repeated in six to twelve months. If the abnormality requires closer scrutiny, the patient may be referred for detailed inspection of the cervix by colposcopy, which magnifies the view of the cervix, vagina and vulva surfaces. The person may also be referred for HPV DNA testing, which can serve as an adjunct to Pap testing. In some countries, viral DNA is checked for first, before checking for abnormal cells. Additional biomarkers that may be applied as ancillary tests with the Pap test are evolving.

Medical uses
Screening guidelines vary from country to country. In general, screening starts about the age of 20 or 25 and continues until about the age of 50 or 60. Screening is typically recommended every three to five years, as long as results are normal.

American Congress of Obstetricians and Gynecologists (ACOG) and others recommend starting screening at age 21. Many other countries wait until age 25 or later to start screening. For instance, some parts of Great Britain start screening at age 25. ACOG's general recommendation is that people with female reproductive organs age 30–65 have an annual well-woman examination, that they not get annual Pap tests, and that they do get Pap tests at three to five year intervals., which cites

HPV is passed through skin to skin contact; sex does not have to occur, although it is a common way for it to spread. It takes an average of a year, but can take up to four years, for a person's immune system to clear the initial infection. Screening during this period may show this immune reaction and repair as mild abnormalities, which are usually not associated with cervical cancer, but could cause the patient stress and result in further tests and possible treatment. Cervical cancer usually takes time to develop, so delaying the start of screening a few years poses little risk of missing a potentially precancerous lesion. For instance, screening people under age 25 does not decrease cancer rates under age 30.

HPV can be transmitted in sex between females, so those who have only had sex with other females should be screened, although they are at somewhat lower risk for cervical cancer.

Guidelines on frequency of screening vary—typically every three to five years for those who have not had previous abnormal smears. Some older recommendations suggested screening as frequently as every one to two years, however there is little evidence to support such frequent screening; annual screening has little benefit but leads to greatly increased cost and many unnecessary procedures and treatments. It has been acknowledged since before 1980 that most people can be screened less often. In some guidelines, frequency depends on age; for instance in Great Britain, screening is recommended every three years for women under 50, and every five years for those over.

Screening should stop at about age 65 unless there is a history of abnormal test result or disease. There is probably no benefit in screening people aged 60 or over whose previous tests have been negative. If a woman's last three Pap results were normal, she can discontinue testing at age 65, according to the USPSTF, ACOG, ACS, and ASCP; England's NHS says 64. There is no need to continue screening after a complete hysterectomy for benign disease.

Pap smear screening is still recommended for those who have been vaccinated against HPV since the vaccines do not cover all HPV types that can cause cervical cancer. Also, the vaccine does not protect against HPV exposure before vaccination.

Those with a history of endometrial cancer should discontinue routine Pap tests after hysterectomy. Further tests are unlikely to detect recurrence of cancer but do bring the risk of giving false positive results, which would lead to unnecessary further testing.

More frequent Pap smears may be needed to follow up after an abnormal Pap smear, after treatment for abnormal Pap or biopsy results, or after treatment of cancer (cervical, anal etc.).

Effectiveness
The Pap test, when combined with a regular program of screening and appropriate follow-up, can reduce cervical cancer deaths by up to 80%.

Failure of prevention of cancer by the Pap test can occur for many reasons, including not getting regular screening, lack of appropriate follow-up of abnormal results, and sampling and interpretation errors. In the US, over half of all invasive cancers occur in females who have never had a Pap smear; an additional 10 to 20% of cancers occur in those who have not had a Pap smear in the preceding five years. About one-quarter of US cervical cancers were in people who had an abnormal Pap smear but did not get appropriate follow-up (patient did not return for care, or clinician did not perform recommended tests or treatment).

Adenocarcinoma of the cervix has not been shown to be prevented by Pap tests. In the UK, which has a Pap smear screening program, adenocarcinoma accounts for about 15% of all cervical cancers.

Estimates of the effectiveness of the United Kingdom's call and recall system vary widely, but it may prevent about 700 deaths per year in the UK.

Multiple studies have performed sensitivity and specificity analyses on Pap smears. Sensitivity analysis captures the ability of Pap smears to correctly identify women with cervical cancer. Various studies have revealed the sensitivity of Pap smears to be between 47.19 - 55.5%. Specificity analysis captures the ability of Pap smears to correctly identify women without cervical cancer. Various studies have revealed the specificity of Pap smears to be between 64.79 - 96.8%. While Pap smears may not be entirely accurate, they remain one of the most effective cervical cancer prevention tools. Pap smears may be supplemented with HPV DNA testing.

Results
In screening a general or low-risk population, most Pap results are normal.

In the United States, about 2–3 million abnormal Pap smear results are found each year. Most abnormal results are mildly abnormal (ASC-US (typically 2–5% of Pap results) or low-grade squamous intraepithelial lesion (LSIL) (about 2% of results)), indicating HPV infection. Although most low-grade cervical dysplasias spontaneously regress without ever leading to cervical cancer, dysplasia can serve as an indication that increased vigilance is needed.

In a typical scenario, about 0.5% of Pap results are high-grade SIL (HSIL), and less than 0.5% of results indicate cancer; 0.2 to 0.8% of results indicate Atypical Glandular Cells of Undetermined Significance (AGC-NOS).

As liquid-based preparations (LBPs) become a common medium for testing, atypical result rates have increased. The median rate for all preparations with low-grade squamous intraepithelial lesions using LBPs was 2.9% in 2006, compared with a 2003 median rate of 2.1%. Rates for high-grade squamous intraepithelial lesions (median, 0.5%) and atypical squamous cells have changed little.

Abnormal results are reported according to the Bethesda system. They include:

 * Atypical squamous cells (ASC)
 * Atypical squamous cells of undetermined significance (ASC-US)
 * Atypical squamous cells – cannot exclude HSIL (ASC-H)
 * Squamous intraepithelial lesion (SIL)
 * Low-grade squamous intraepithelial lesion (LGSIL or LSIL)
 * High-grade squamous intraepithelial lesion (HGSIL or HSIL)
 * Squamous cell carcinoma
 * Glandular epithelial cell abnormalities
 * Atypical glandular cells not otherwise specified (AGC or AGC-NOS)

Endocervical and endometrial abnormalities can also be detected, as can a number of infectious processes, including yeast, herpes simplex virus and trichomoniasis. However it is not very sensitive at detecting these infections, so absence of detection on a Pap does not mean absence of the infection.

Pregnancy
Pap tests can usually be performed during pregnancy up to at least 24 weeks of gestational age. Pap tests during pregnancy have not been associated with increased risk of miscarriage. An inflammatory component is commonly seen on Pap smears from pregnant women and does not appear to be a risk for subsequent preterm birth.

After childbirth, it is recommended to wait 12 weeks before taking a Pap test because inflammation of the cervix caused by the birth interferes with test interpretation.

In transgender individuals
Transgender men are also typically at risk for HPV due to retention of the uterine cervix in the majority of individuals in this subgroup. As such, professional guidelines recommend that transgender men be screened routinely for cervical cancer using methods such as Pap smear, identical to the recommendations for cisgender women.

However, transgender men have lower rates of cervical cancer screening than cisgender women. Many transgender men report barriers to receiving gender-affirming healthcare, including lack of insurance coverage and stigma/discrimination  during clinical encounters, and may encounter provider misconceptions regarding risk in this population for cervical cancer. Pap smears may be presented to patients as non-gendered screening procedures for cancer rather than one specific for examination of the female reproductive organs. Pap smears may trigger gender dysphoria in patients and gender-neutral language can be used when explaining the pathogenesis of cancer due to infection, emphasizing the pervasiveness of HPV infection regardless of gender.

Transgender women who have not had vaginoplasties are not at risk of developing cervical cancer because they do not have cervices. Transgender women who have had vaginoplasties and have a neo-cervix or neo-vagina have a small chance of developing cancer, according to the Canadian Cancer Society. Surgeons typically use penile skin to create the new vagina and cervix, which can contract HPV and lead to penile cancer, although it is considerably rarer than cervical cancer. Because the risk of this kind of cancer is so low, cervical cancer screening is not routinely offered for those with a neo-cervix.

Procedure
According to the CDC, women should avoid intercourse, douching, and using vaginal medicines or spermicidal foam for 2 days before the test. A number of studies have shown that using a small amount of water-based gel lubricant does not interfere with, obscure, or distort the Pap smear. Further, cytology is not affected, nor are some STD testing. If a woman has had sex before the test, advises she should to the appointment as planned but let the doctor know. The CDC advises she should also still go if she is menstruating; however, other health organisations recommend avoiding getting a cervical smear during menstruation, or the 2 days before and after her period. Pap smears can be performed during a woman's menstrual period, especially if the physician is using a liquid-based test; however if bleeding is extremely heavy, endometrial cells can obscure cervical cells, and if this occurs the test may need to be repeated in 6 months.

The health care worker begins by inserting a speculum into the woman's vagina, which spreads the vagina open and allows access to the cervix. The health care provider then collects a sample of cells from the outer opening or external os of the cervix by scraping it with either a spatula or brush.

Obtaining a Pap smear should not cause much pain, but may be uncomfortable. Use of the speculum can be painful if the woman has vaginismus. Certain untreated problems such as cervical stenosis can also cause it to be more painful.

In a conventional pap, the cells are placed on a glass slide and taken to the laboratory to be checked for abnormalities.

A plastic-fronded broom is sometimes used in place of the spatula or brush. The broom is not as good a collection device, since it is much less effective at collecting endocervical material than the spatula and brush. The broom is used more frequently with the advent of liquid-based cytology, although either type of collection device may be used with either type of cytology.

The sample is stained using the Papanicolaou technique, in which tinctorial dyes and acids are selectively retained by cells. Unstained cells cannot be seen adequately with a light microscope. Papanicolaou chose stains that highlighted cytoplasmic keratinization, which actually has almost nothing to do with the nuclear features used to make diagnoses now.

A single smear has an area of 25 x 50 mm and contains a few hundred thousand cells on average. Screening with light microscopy is first done on low (10x) power and then switched to higher (40x) power upon viewing suspicious findings. Cells are analyzed under high power for morphologic changes indicative of malignancy (including enlarged and irregularly shaped nucleus, an increase in nucleus to cytoplasm ratio, and more coarse and irregular chromatin). Approximately 1,000 fields of view are required on 10x power for screening of a single sample, which takes on average 5 to 10 minutes.

In some cases, a computer system may prescreen the slides, indicating those that do not need examination by a person or highlighting areas for special attention. The sample is then usually screened by a specially trained and qualified cytotechnologist using a light microscope. The terminology for who screens the sample varies according to the country; in the UK, the personnel are known as cytoscreeners, biomedical scientists (BMS), advanced practitioners and pathologists. The latter two take responsibility for reporting the abnormal sample, which may require further investigation.

Automated analysis
In the last decade, there have been successful attempts to develop automated, computer image analysis systems for screening. Although, on the available evidence automated cervical screening could not be recommended for implementation into a national screening program, a recent NHS Health technology appraisal concluded that the 'general case for automated image analysis ha(d) probably been made'. Automation may improve sensitivity and reduce unsatisfactory specimens. Two systems have been approved by the FDA and function in high-volume reference laboratories, with human oversight.

Types of screening

 * Conventional Pap—In a conventional Pap smear, samples are smeared directly onto a microscope slide after collection.
 * Liquid-based cytology—The sample of (epithelial) cells is taken from the transitional zone, the squamocolumnar junction of the cervix, between the ectocervix and the endocervix. The cells taken are suspended in a bottle of preservative for transport to the laboratory, where they are analyzed using Pap stains.

Pap tests commonly examine epithelial abnormalities, such as metaplasia, dysplasia, or borderline changes, all of which may be indicative of CIN. Nuclei will stain dark blue, squamous cells will stain green and keratinised cells will stain pink/ orange. Koilocytes may be observed where there is some dyskaryosis (of epithelium). The nucleus in koilocytes is typically irregular, indicating possible cause for concern; requiring further confirmatory screens and tests.

In addition, human papillomavirus (HPV) test may be performed either as indicated for abnormal Pap results, or in some cases, dual testing is done, where both a Pap smear and an HPV test are done at the same time (also called Pap co-testing).

Practical aspects
The endocervix may be partially sampled with the device used to obtain the ectocervical sample, but due to the anatomy of this area, consistent and reliable sampling cannot be guaranteed. Since abnormal endocervical cells may be sampled, those examining them are taught to recognize them.

The endometrium is not directly sampled with the device used to sample the ectocervix. Cells may exfoliate onto the cervix and be collected from there, so as with endocervical cells, abnormal cells can be recognised if present but the Pap test should not be used as a screening tool for endometrial malignancy.

In the United States, a Pap test itself costs $20 to $30, but the costs for Pap test visits can cost over $1,000, largely because additional tests are added that may or may not be necessary.

History
The test was invented by and named after the Greek doctor Georgios Papanikolaou, who started his research in 1923. Aurel Babeș independently made similar discoveries in 1927. However, Babeș' method was radically different from Papanikolaou's.

The Pap test was finally recognized only after a leading article in the American Journal of Obstetrics and Gynecology in 1941 by Papanikolaou and Herbert F. Traut, an American gynecologist. A monograph titled Diagnosis of Uterine Cancer by the Vaginal Smear that they published contained drawings of the various cells seen in patients with no disease, inflammatory conditions, and preclinical and clinical carcinoma. The monograph was illustrated by Hashime Murayama, who later became a staff illustrator with the National Geographic Society. Both Papanikolaou and his wife, Andromachi Papanikolaou, dedicated the rest of their lives to teaching the technique to other physicians and laboratory personnel.

Experimental techniques
In the developed world, cervical biopsy guided by colposcopy is considered the "gold standard" for diagnosing cervical abnormalities after an abnormal Pap smear. Other techniques such as triple smear are also done after an abnormal Pap smear. The procedure requires a trained colposcopist and can be expensive to perform. However, Pap smears are very sensitive and some negative biopsy results may represent undersampling of the lesion in the biopsy, so negative biopsy with positive cytology requires careful follow-up.

Experimental visualization techniques use broad-band light (e.g., direct visualization, speculoscopy, cervicography, visual inspection with acetic acid or with Lugol's, and colposcopy) and electronic detection methods (e.g., Polarprobe and in vivo spectroscopy). These techniques are less expensive and can be performed with significantly less training. They do not perform as well as Pap smear screening and colposcopy. At this point, these techniques have not been validated by large-scale trials and are not in general use.

Australia
Australia has used the Pap test as part of its cervical screening program since its implementation in 1991 which required women past the age of 18 be tested every two years. In December 2017 Australia discontinued its use of the Pap test and replaced it with a new HPV test that is only required to be conducted once every five years from the age of 25. Medicare covers the costs of testing; however, if a patient's doctor does not allow bulk billing, they may have to pay for the appointment and then claim the Medicare rebate.

Taiwan
Free Pap tests were offered from 1974–1984 before being replaced by a system in which all women over the age of 30 could have the cost of their Pap test reimbursed by the National Health Insurance in 1995. This policy was still ongoing in 2018 and encouraged women to screen at least every three years.

Despite this, the number of people receiving Pap tests remain lower than countries like Australia. Some believe this is due to a lack of awareness regarding the test and its availability. It has also been found that women who have chronic diseases or other reproductive diseases are less likely to receive the test.

England
the NHS maintains a cervical screening program in which women between the age of 25–49 are invited for a smear test every three years, and women past 50 every five years. Much like Australia, England uses a HPV test before examining cells that test positive using the Pap test. The test is free as part of the national cervical screening program.

Coccoid bacteria
The finding of coccoid bacteria on a Pap test is of no consequence with otherwise normal test findings and no infectious symptoms. However, if there is enough inflammation to obscure the detection of precancerous and cancerous processes, it may indicate treatment with a broad-spectrum antibiotic for streptococci and anaerobic bacteria (such as metronidazole and amoxicillin) before repeating the smear. Alternatively, the test will be repeated at an earlier time than it would otherwise. If there are symptoms of vaginal discharge, bad odor or irritation, the presence of coccoid bacteria also may indicate treatment with antibiotics as per above.

title: Pap test


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Tempio Pausania

Tempio Pausania (Tèmpiu) is a town of about 14,000 inhabitants in the Gallura region of northern Sardinia, Italy, in the province of Sassari. It is one of I Borghi più belli d'Italia ("The most beautiful villages of Italy").

History
Cultural and delegated administrative centre of the Gallura sub-region, Tempio has an ancient history. Typical granite-stone architecture of the historical centre presents many similarities with southern Corsican towns.

From 2005 - 2016 it was the capital of the province of Olbia-Tempio together with Olbia.

Main sights

 * Historical centre of the town, built in grey granite blocks (mainly 18th century); particularly Corso Matteotti, via Roma (Carrera Longa, Lu Runzatu, Lu Pultali), Piazza d'Italia (Piazza di l'Ara), Parco delle Rimembranze, Fonte Nuova (Funtana Noa) and Parco di San Lorenzo, via Mannu (ex via dei Nobili or dei Cavalieri)
 * Nuraghe Maiori (Naracu Maiori)
 * Nuraghe Polcu (Naracu Polcu)
 * Ruins of Palace of Giudice Nino Visconti di Gallura (1200)
 * San Pietro (Santu Petru) Cathedral;
 * Santa Croce Church;
 * Oratorio del Rosario (13th–14th century);
 * Palazzo Villamarina-Pes (17th century);
 * Palazzo degli Scolopi, (17th century), actually Provincial offices;
 * Purgatorio (Lu Pulgatoriu) Church (17th century)
 * Fonti di Rinagghju
 * Monte Limbara, elevation 1359 m, 16 km south of the town.

Transport
Tempio Pausania has national roads with Sassari (SS 672), Olbia (SS127) and Palau (SS133). There is a railway station on the narrow gauge Sassari to Palau line, with occasional tourist train services run by Trenino Verde.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Tempio Pausania


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Michel de Montaigne

Michel Eyquem, Seigneur de Montaigne (28 February 1533 – 13 September 1592 ), commonly known as Michel de Montaigne, was one of the most significant philosophers of the French Renaissance. He is known for popularizing the essay as a literary genre. His work is noted for its merging of casual anecdotes and autobiography with intellectual insight. Montaigne had a direct influence on numerous Western writers; his massive volume Essais contains some of the most influential essays ever written.

During his lifetime, Montaigne was admired more as a statesman than as an author. The tendency in his essays to digress into anecdotes and personal ruminations was seen as detrimental to proper style rather than as an innovation, and his declaration that "I am myself the matter of my book" was viewed by his contemporaries as self-indulgent. In time, however, Montaigne came to be recognized as embodying, perhaps better than any other author of his time, the spirit of freely entertaining doubt that began to emerge at that time. He is most famously known for his skeptical remark, Que sçay-je?" ("What do I know?", in Middle French; now rendered as "Que sais-je?''" in modern French).

Family, childhood and education
Montaigne was born in the Aquitaine region of France, on the family estate Château de Montaigne in a town now called Saint-Michel-de-Montaigne, close to Bordeaux. The family was very wealthy. His great-grandfather, Ramon Felipe Eyquem, had made a fortune as a herring merchant - and had bought the estate in 1477, thus becoming the Lord of Montaigne. His father, Pierre Eyquem, Seigneur of Montaigne, was a French Catholic soldier in Italy for a time, and had also been the mayor of Bordeaux.

Although there were several families bearing the patronym "Eyquem" in Guyenne, his father's family is thought to have had some degree of Marrano (Spanish and Portuguese Jewish) origins, while his mother, Antoinette López de Villanueva, was a convert to Protestantism. His maternal grandfather, Pedro López, from Zaragoza, was from a wealthy Marrano (Sephardic Jewish) family, that had converted to Catholicism. His maternal grandmother, Honorette Dupuy, was from a Catholic family in Gascony, France.

During a great part of Montaigne's life his mother lived near him, and even survived him; but she is mentioned only twice in his essays. Montaigne's relationship with his father however is frequently reflected upon and discussed in his essays.

Montaigne's education began in early childhood, and followed a pedagogical plan, that his father had developed, refined by the advice of the latter's humanist friends. Soon after his birth Montaigne was brought to a small cottage, where he lived the first three years of life in the sole company of a peasant family, in order to, according to the elder Montaigne, "draw the boy close to the people, and to the life conditions of the people, who need our help". After these first spartan years Montaigne was brought back to the château.

Another objective was for Latin to become his first language. The intellectual education of Montaigne was assigned to a German tutor (a doctor named Horstanus, who could not speak French). His father hired only servants who could speak Latin, and they also were given strict orders always to speak to the boy in Latin. The same rule applied to his mother, father, and servants, who were obliged to use only Latin words he employed; and thus they acquired a knowledge of the very language his tutor taught him. Montaigne's Latin education was accompanied by constant intellectual and spiritual stimulation. He was familiarized with Greek by a pedagogical method that employed games, conversation, and exercises of solitary meditation, rather than the more traditional books.

The atmosphere of the boy's upbringing engendered in him a spirit of "liberty and delight" - that he would later describe as making him "relish...duty by an unforced will, and of my own voluntary motion...without any severity or constraint". His father had a musician wake him every morning, playing one instrument or another; and an epinettier (with a zither) was the constant companion to Montaigne and his tutor, playing tunes to alleviate boredom and tiredness.

Around the year 1539 Montaigne was sent to study at a highly regarded boarding school in Bordeaux, the College of Guienne, then under the direction of the greatest Latin scholar of the era, George Buchanan, where he mastered the whole curriculum by his thirteenth year. He finished the first phase of his educational studies at the College of Guienne in 1546. He then began his study of law (his alma mater remains unknown, since there are no certainties about his activity from 1546 to 1557) and entered a career in the local legal system.

Career and marriage
Montaigne was a counselor of the Court des Aides of Périgueux, and in 1557 he was appointed counselor of the Parlement in Bordeaux, a high court. From 1561 to 1563 he was courtier at the court of Charles IX, and he was present with the king at the siege of Rouen (1562). He was awarded the highest honour of the French nobility, the collar of the Order of Saint Michael.

While serving at the Bordeaux Parlement, he became a very close friend of the humanist poet Étienne de La Boétie, whose death in 1563 deeply affected Montaigne. It has been suggested by Donald M. Frame - in his introduction to The Complete Essays of Montaigne - that because of Montaigne's "imperious need to communicate", after losing Étienne, he began the Essais as a new "means of communication", and that "the reader takes the place of the dead friend".

Montaigne married Françoise de la Cassaigne in 1565, probably in an arranged marriage. She was the daughter and niece of wealthy merchants of Toulouse and Bordeaux. They had six daughters, but only the second-born, Léonor, survived infancy. He wrote very little about the relationship with his wife, and little is known about their marriage. Of his daughter Léonor he wrote: "All my children die at nurse; but Léonore, our only daughter, who has escaped this misfortune, has reached the age of six and more, without having been punished, the indulgence of her mother aiding, except in words, and those very gentle ones." His daughter married François de la Tour and later Charles de Gamaches. She had a daughter by each.

Writing
Following the petition of his father, Montaigne started to work on the first translation of the Catalan monk Raymond Sebond's Theologia naturalis, which he published a year after his father's death in 1568 (in 1595 Sebond's Prologue was put on the Index Librorum Prohibitorum because of its declaration that the Bible is not the only source of revealed truth). Montaigne also published a posthumous edition of the works of his friend, Boétie.

In 1570 he moved back to the family estate, the Château de Montaigne, which he had inherited. He thus became the Lord of Montaigne. Around this time he was seriously injured in a riding accident on the grounds of the château when one of his mounted companions collided with him at speed, throwing Montaigne from his horse and briefly knocking him unconscious. It took weeks or months for him to recover, and this close brush with death apparently affected him greatly, as he discussed it at length in his writings over the following years. Not long after the accident he relinquished his magistracy in Bordeaux, his first child was born (and died a few months later), and by 1571 he had retired from public life completely, to the tower of the château – his so-called "citadel" – where he almost totally isolated himself from every social and family affair. Locked up in his library, which contained a collection of some 1,500 volumes, he began work on the writings that would later be compiled into his Essais ("Essays"), first published in 1580. On the day of his 38th birthday, as he entered this almost ten-year period of self-imposed reclusion, he had the following inscription placed on the crown of the bookshelves of his working chamber:

"In the year of Christ 1571, at the age of thirty-eight, on the last day of February, his birthday, Michael de Montaigne, long weary of the servitude of the court and of public employments, while still entire, retired to the bosom of the learned virgins, where in calm and freedom from all cares he will spend what little remains of his life, now more than half run out. If the fates permit, he will complete this abode, this sweet ancestral retreat; and he has consecrated it to his freedom, tranquility, and leisure."

Travels
During this time of the Wars of Religion in France, Montaigne, a Roman Catholic, acted as a moderating force, respected both by the Catholic King Henry III and the Protestant Henry of Navarre, who later converted to Catholicism.

In 1578 Montaigne, whose health had always been excellent, started suffering from painful kidney stones, a tendency he inherited from his father's family. Throughout this illness he would have nothing to do with doctors or drugs. From 1580 to 1581 Montaigne traveled in France, Germany, Austria, Switzerland, and Italy, partly in search of a cure, establishing himself at Bagni di Lucca, where he took the waters. His journey was also a pilgrimage to the Holy House of Loreto, to which he presented a silver relief (depicting him, his wife, and their daughter, kneeling before the Madonna) considering himself fortunate that it should be hung on a wall within the shrine. He kept a journal, recording regional differences and customs - and a variety of personal episodes, including the dimensions of the stones he succeeded in expelling. This was published much later, in 1774, after its discovery in a trunk, that is displayed in his tower.

During a visit to the Vatican that Montaigne described in his travel journal, the Essais were examined by Sisto Fabri, who served as Master of the Sacred Palace under Pope Gregory XIII. After Fabri examined Montaigne's Essais, the text was returned to him on 20 March 1581. Montaigne had apologized for references to the pagan notion of "fortuna", as well as for writing favorably of Julian the Apostate and of heretical poets, and was released to follow his own conscience in making emendations to the text.

Later career
While in the city of Lucca in 1581 he learned that, like his father before him, he had been elected mayor of Bordeaux. He thus returned and served as mayor. He was re-elected in 1583 and served until 1585, again moderating between Catholics and Protestants. The plague broke out in Bordeaux toward the end of his second term in office, in 1585. In 1586 the plague and the French Wars of Religion prompted him to leave his château for two years.

Montaigne continued to extend, revise, and oversee the publication of the Essais. In 1588 he wrote its third book - and also met Marie de Gournay, an author, who admired his work, and later edited and published it. Montaigne later referred to her as his adopted daughter.

When King Henry III was assassinated in 1589, Montaigne, despite his aversion to the cause of The Reformation, was anxious to promote a compromise, that would end the bloodshed, and gave his support to Henry of Navarre, who would go on to become King Henry IV. Montaigne's position associated him with the politiques, the establishment movement that prioritised peace, national unity, and royal authority over religious allegiance.

Death
Montaigne died of quinsy at the age of 59 in 1592 at the Château de Montaigne. In his case the disease "brought about paralysis of the tongue", especially difficult for one who once said: "the most fruitful and natural play of the mind is conversation. I find it sweeter than any other action in life; and if I were forced to choose, I think I would rather lose my sight than my hearing and voice." Remaining in possession of all his other faculties, he requested Mass, and died during the celebration of that Mass.

He was buried nearby. Later his remains were moved to the church of Saint Antoine at Bordeaux. The church no longer exists. It became the Convent des Feuillants, which also has disappeared.

Essais
His humanism finds expression in his Essais, a collection of a large number of short subjective essays on various topics published in 1580 that were inspired by his studies in the classics, especially by the works of Plutarch and Lucretius. Montaigne's stated goal was to describe humans, and especially himself, with utter frankness.

Inspired by his consideration of the lives and ideals of the leading figures of his age, he finds the great variety and volatility of human nature to be its most basic features. He describes his own poor memory, his ability to solve problems and mediate conflicts without truly getting emotionally involved, his disdain for the human pursuit of lasting fame, and his attempts to detach himself from worldly things to prepare for his timely death. He writes about his disgust with the religious conflicts of his time. He believed that humans are not able to attain true certainty. The longest of his essays, Apology for Raymond Sebond, marking his adoption of Pyrrhonism, contains his famous motto, "What do I know?"

Montaigne considered marriage necessary for the raising of children but disliked strong feelings of passionate love because he saw them as detrimental to freedom. In education, he favored concrete examples and experience over the teaching of abstract knowledge intended to be accepted uncritically. His essay "On the Education of Children" is dedicated to Diana of Foix.

The Essais exercised an important influence on both French and English literature, in thought and style. Francis Bacon's Essays, published over a decade later, first in 1597, usually are presumed to be directly influenced by Montaigne's collection, and Montaigne is cited by Bacon alongside other classical sources in later essays.

Montaigne's influence on psychology
Although not a scientist, Montaigne made observations on topics in psychology. In his essays, he developed and explained his observations of these themes. His thoughts and ideas covered subjects such as thought, motivation, fear, happiness, child education, experience, and human action. Montaigne's ideas have influenced psychology and are a part of its rich history.

Child education
Child education was among the psychological topics that he wrote about. His essays On the Education of Children, On Pedantry, and On Experience explain the views he had on child education. Some of his views on child education are still relevant today.

Montaigne's views on the education of children were opposed to the common educational practices of his day. He found fault both with what was taught and how it was taught. Much of education during Montaigne's time focused on reading the classics and learning through books. Montaigne disagreed with learning strictly through books. He believed it was necessary to educate children in a variety of ways. He also disagreed with the way information was being presented to students. It was being presented in a way that encouraged students to take the information that was taught to them as absolute truth. Students were denied the chance to question the information; but Montaigne, in general, took the position that to learn truly, a student had to take the information and make it their own:"Let the tutor make his charge pass everything through a sieve and lodge nothing in his head on mere authority and trust: let not Aristotle's principles be principles to him any more than those of the Stoics or Epicureans. Let this variety of ideas be set before him; he will choose if he can; if not, he will remain in doubt. Only the fools are certain and assured. 'For doubting pleases me no less than knowing.' [Dante]. For if he embraces Xenophon's and Plato's opinions by his own reasoning, they will no longer be theirs, they will be his. He who follows another follows nothing. He finds nothing; indeed he seeks nothing. 'We are not under a king; let each one claim his own freedom.' [Seneca]. . . . He must imbibe their way of thinking, not learn their precepts. And let him boldly forget, if he wants, where he got them, but let him know how to make them his own. Truth and reason are common to everyone, and no more belong to the man who first spoke them than to the man who says them later. It is no more according to Plato than according to me, since he and I see it in the same way. The bees plunder the flowers here and there, but afterward they make of them honey, which is all and purely their own, and no longer thyme and marjoram."At the foundation, Montaigne believed that the selection of a good tutor was important for the student to become well educated. Education by a tutor was to be conducted at the pace of the student.  He believed that a tutor should be in dialogue with the student, letting the student speak first. The tutor also should allow for discussions and debates to be had. Such a dialogue was intended to create an environment in which students would teach themselves. They would be able to realize their mistakes and make corrections to them as necessary.

Individualized learning was integral to his theory of child education. He argued that the student combines information already known with what is learned and forms a unique perspective on the newly learned information. Montaigne also thought that tutors should encourage the natural curiosity of students and allow them to question things. He postulated that successful students were those who were encouraged to question new information and study it for themselves, rather than simply accepting what they had heard from the authorities on any given topic. Montaigne believed that a child's curiosity could serve as an important teaching tool when the child is allowed to explore the things that the child is curious about.

Experience also was a key element to learning for Montaigne. Tutors needed to teach students through experience rather than through the mere memorization of information often practised in book learning. He argued that students would become passive adults, blindly obeying and lacking the ability to think on their own. Nothing of importance would be retained and no abilities would be learned. He believed that learning through experience was superior to learning through the use of books. For this reason he encouraged tutors to educate their students through practice, travel, and human interaction. In doing so, he argued that students would become active learners, who could claim knowledge for themselves.

Montaigne's views on child education continue to have an influence in the present. Variations of Montaigne's ideas on education are incorporated into modern learning in some ways. He argued against the popular way of teaching in his day, encouraging individualized learning. He believed in the importance of experience, over book learning and memorization. Ultimately, Montaigne postulated that the point of education was to teach a student how to have a successful life by practising an active and socially interactive lifestyle.

Related writers and influence
Thinkers exploring ideas similar to Montaigne include Erasmus, Thomas More, John Fisher, and Guillaume Budé, who all worked about fifty years before Montaigne. Many of Montaigne's Latin quotations are from Erasmus' Adagia, and most critically, all of his quotations from Socrates. Plutarch remains perhaps Montaigne's strongest influence, in terms of substance and style. Montaigne's quotations from Plutarch in the Essays number more than 500.

Ever since Edward Capell first made the suggestion in 1780, scholars have suggested Montaigne to be an influence on Shakespeare. The latter would have had access to John Florio's translation of Montaigne's Essais, published in English in 1603, and a scene in The Tempest "follows the wording of Florio [translating Of Cannibals] so closely that his indebtedness is unmistakable". Most parallels between the two may be explained, however, as commonplaces: as similarities with writers in other nations to the works of Cervantes and Shakespeare could be due simply to their own study of Latin moral and philosophical writers such as Seneca the Younger, Horace, Ovid, and Virgil.

Much of Blaise Pascal's skepticism in his Pensées has been attributed traditionally to his reading Montaigne.

The English essayist William Hazlitt expressed boundless admiration for Montaigne, exclaiming that "he was the first who had the courage to say as an author what he felt as a man. ... He was neither a pedant nor a bigot. ... In treating of men and manners, he spoke of them as he found them, not according to preconceived notions and abstract dogmas". Beginning most overtly with the essays in the "familiar" style in his own Table-Talk, Hazlitt tried to follow Montaigne's example.

Ralph Waldo Emerson chose "Montaigne; or, the Skeptic" as a subject of one of his series of lectures entitled, Representative Men, alongside other subjects such as Shakespeare and Plato. In "The Skeptic" Emerson writes of his experience reading Montaigne, "It seemed to me as if I had myself written the book, in some former life, so sincerely it spoke to my thought and experience." Friedrich Nietzsche judged of Montaigne: "That such a man wrote has truly augmented the joy of living on this Earth". Sainte-Beuve advises us that "to restore lucidity and proportion to our judgments, let us read every evening a page of Montaigne." Stefan Zweig drew inspiration from one of Montaigne's quotes to give the title to one of his autobiographical novels, "A Conscience Against Violence."

The American philosopher Eric Hoffer employed Montaigne both stylistically and in thought. In Hoffer's memoir, Truth Imagined, he said of Montaigne, "He was writing about me. He knew my innermost thoughts." The British novelist John Cowper Powys expressed his admiration for Montaigne's philosophy in his books, Suspended Judgements (1916) and The Pleasures of Literature (1938). Judith N. Shklar introduces her book Ordinary Vices (1984), "It is only if we step outside the divinely ruled moral universe that we can really put our minds to the common ills we inflict upon one another each day. That is what Montaigne did and that is why he is the hero of this book. In spirit he is on every one of its pages..."

Twentieth-century literary critic Erich Auerbach called Montaigne the first modern man. "Among all his contemporaries", writes Auerbach (Mimesis, Chapter 12), "he had the clearest conception of the problem of man's self-orientation; that is, the task of making oneself at home in existence without fixed points of support".

Discovery of remains
The Musée d'Aquitaine announced on 20 November 2019 that the human remains, which had been found in the basement of the museum a year earlier, might belong to Montaigne. Investigation of the remains, postponed because of the COVID-19 pandemic, resumed in September 2020.

Commemoration
The birthdate of Montaigne served as the basis to establish National Essay Day in the United States.

The humanities branch of the University of Bordeaux is named after him: Université Michel de Montaigne Bordeaux 3.

title: Michel de Montaigne


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Olbia

Olbia (, ; Terranoa; Tarranoa) is a city and commune of 60,346 inhabitants (May 2018) in the Italian insular province of Sassari in northeastern Sardinia, Italy, in the historical region of Gallura. Called Olbia in the Roman age, Civita in the Middle Ages (Judicates period) and the Terranova Pausania until the 1940s, Olbia has again been the official name of the city since the fascist period.

Geography
It is the economic centre of this part of the island (commercial centres, food industry) and is very close to the Costa Smeralda tourist area. It was one of the administrative capitals of the province of Olbia-Tempio, operative since 2005 and canceled after a referendum seven years later. Olbia is a tourist destination thanks to its sea and beaches and also for the large number of places of cultural interest to visit.

Climate
Olbia has a Mediterranean climate (Csa), with mild winters, warm springs and autumns and hot summers.

History
Although the name is of Greek origin, due to the Greek presence during the seventh century B.C., the city of Olbia was first settled either by the Nuragics or by Phoenicians, according to the archaeological findings. It contains ruins from the Nuragic era to the Roman era, when it was an important port, and the Middle Ages, when it was the capital of the Giudicato of Gallura, one of the four independent states of Sardinia. During the First Punic War, the Romans fought against the Carthaginians and the Sardinians near Olbia, where the general Hanno died in battle. From 1113 it was the episcopal see of the Diocese of Cività (succeeding to the Diocese of Gallura, the 1070 restoration of the Diocese of Fausania, c. 500–750), which was renamed in 1839 as Diocese of Civita–Tempio until its formal suppression in favor of (in fact merger into) the Diocese of Tempio–Ampurias (also integrating the Diocese of Ampurias, which was in personal union with the see of Civita from 1506).

Main sights

 * Romanesque former cathedral of San Simplicio (11th–12th century).
 * Church of St. Paul Apostle (medieval)
 * National Archaeology Museum
 * Pedres Castle
 * Several dolmens and a menhir
 * Several nuraghes
 * Remains of the Roman forum and aqueduct
 * Remains of Carthaginian walls
 * Fausto Noce park, the largest in Sardinia
 * River park of Padrongianus
 * Tavolara island

Sport
Olbia Calcio 1905 represents Olbia in Serie C, the third division of Italian football. Olbia hosted several legs of Aquabike World Championship (powerboating) in 2003, 2004, 2018, 2019.

Transport
Olbia is the main connection between Sardinia and the Italian peninsula, with an airport (Olbia – Costa Smeralda), a passenger port (Olbia-Isola Bianca), and a railway from Olbia railway station to Porto Torres, Golfo Aranci and Cagliari. There is an expressway to Nuoro and Cagliari (SS131) and national roads to Sassari (SS199-E840), Tempio Pausania (SS127) and Palau (SS125).

Local transport
The internal city public transport and bus connections with the surrounding areas are provided by the ASPO (Olbia's public service company), while vehicle connections with the other centers of the territory are provided by the ARST (Sardinian regional transport company). Other private carriers operate with lines under concession.

Hospitals
The major hospitals in the area are:
 * "Giovanni Paolo II" Hospital - Olbia
 * "Paolo Dettori" Hospital - Tempio Pausania
 * "Paolo Merlo" Hospital - La Maddalena
 * Mater Olbia Hospital - Olbia

Sources and external links

 * City of Olbia
 * GCatholic
 * City of Olbia
 * GCatholic

title: Olbia


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Edward Albee

Edward Franklin Albee III (March 12, 1928 – September 16, 2016) was an American playwright known for works such as The Zoo Story (1958), The Sandbox (1959), Who's Afraid of Virginia Woolf? (1962), A Delicate Balance (1966), and Three Tall Women (1994). Some critics have argued that some of his work constitutes an American variant of what Martin Esslin identified and named the Theater of the Absurd. Three of his plays won the Pulitzer Prize for Drama and two of his other works won the Tony Award for Best Play.

His works are often considered frank examinations of the modern condition. His early works reflect a mastery and Americanization of the Theatre of the Absurd that found its peak in works by European playwrights such as Samuel Beckett, Eugène Ionesco, and Jean Genet.

His middle period comprised plays that explored the psychology of maturing, marriage and sexual relationships. Younger American playwrights, such as Paula Vogel, credit Albee's mix of theatricality and biting dialogue with helping to reinvent postwar American theatre in the early 1960s. Later in life, Albee continued to experiment in works such as The Goat, or Who Is Sylvia? (2002).

Early life
Edward Albee was born in 1928. His biological father left his mother, Louise Harvey, and he was placed for adoption two weeks later and taken to Larchmont, New York, where he grew up. Albee's adoptive father, Reed A. Albee, the wealthy son of vaudeville magnate Edward Franklin Albee II, owned several theaters. His adoptive mother, Reed's second wife, Frances (Cotter), was a socialite. He later based the main character of his 1991 play Three Tall Women on his mother, with whom he had a conflicted relationship.

Albee attended the Rye Country Day School, then the Lawrenceville School in New Jersey, from which he was expelled. He then was sent to Valley Forge Military Academy in Wayne, Pennsylvania, where he was dismissed in less than a year. He enrolled at The Choate School (now Choate Rosemary Hall) in Wallingford, Connecticut, graduating in 1946. He had attracted theatre attention by having scripted and published nine poems, eleven short stories, essays, a long act play, Schism, and a 500-page novel, The Flesh of Unbelievers (Horn, 1) in 1946. His formal education continued at Trinity College in Hartford, Connecticut, where he was expelled in 1947 for skipping classes and refusing to attend compulsory chapel.

Albee left home for good in his late teens. In a later interview, he said: "I never felt comfortable with the adoptive parents. I don't think they knew how to be parents. I probably didn't know how to be a son, either." In a 1994 interview, he said he left home at 18 because "[he] had to get out of that stultifying, suffocating environment." In 2008, he told interviewer Charlie Rose that he was "thrown out" because his parents wanted him to become a "corporate thug" and did not approve of his aspirations to be a writer.

1959–1966: The Early Plays
Albee moved into New York's Greenwich Village, where he supported himself with odd jobs while learning to write plays. Primarily in his early plays, Albee's work had various representations of the LGBTQIA community often challenging the image of a heterosexual marriage. Despite challenging society's views about the gay community, he did not view himself as an LGBT advocate. Albee's work typically criticized the American Dream. His first play, The Zoo Story, written in three weeks, was first staged in Berlin in 1959 before premiering Off-Broadway in 1960. His next, The Death of Bessie Smith, similarly premiered in Berlin before arriving in New York.

Albee's most iconic play, Who's Afraid of Virginia Woolf?, opened on Broadway at the Billy Rose Theatre on October 13, 1962, and closed on May 16, 1964, after five previews and 664 performances. The opening night cast featured Uta Hagen. Arthur Hill, George Grizzard and Melinda Dillon. The play won the Tony Award for Best Play in 1963 and was selected for the 1963 Pulitzer Prize by the award's drama jury, but the selection was overruled by the advisory committee, which elected not to give a drama award at all. The two members of the jury, John Mason Brown and John Gassner, subsequently resigned in protest. An Academy Award-winning film adaptation by Ernest Lehman was released in 1966 starring Elizabeth Taylor, Richard Burton, George Segal, and Sandy Dennis, and was directed by Mike Nichols. In 2013, the film was selected for preservation in the United States National Film Registry by the Library of Congress as "culturally, historically, or aesthetically significant".

1971–1987: The Middle Plays
In 1971 he wrote All Over, a two-act play originally titled, Death, the second half of a projected double bill with another play called Life (which later became Seascape). The play premiered on Broadway at the Martin Beck Theatre with John Gielgud directing and starred Jessica Tandy, Madeleine Sherwood, and Colleen Dewhurst. The New York Times writer Clive Barnes wrote, "It is a lovely, poignant and deeply felt play. In no way at all is it an easy play -- this formal minuet of death, this symphony ironically celebrating death's dominion. It is not easy in its structure, a series of almost operatic arias demanding, in their precision, pin-point concentration from the audience, and it is certainly not easy in its subject matter."

In 1974 he wrote, Seascape which won the Pulitzer Prize for Drama. It debuted on Broadway with Deborah Kerr and Frank Langella. It was nominated for the Tony Award for Best Play losing to Peter Shaffer's Equus. Clive Barnes of The New York Times declared the play "a major event", adding, "As Mr. Albee has matured as a playwright, his work has become leaner, sparer and simpler. He depends on strong theatrical strokes to attract the attention of the audience, but the tone of the writing is always thoughtful, even careful, even philosophic." He compared his work alongside Samuel Beckett and Harold Pinter.

Albee continued to write plays including Listening (1976), Counting the Ways (1976) before a brief break before The Lady from Dubuque (1980) which had a short run on Broadway. He wrote the three act play The Man Who Had Three Arms (1983) which was received negatively with Frank Rich of The New York Times writing, "isn't a play - it's a temper tantrum in two acts... One of the more shocking lapses of Mr. Albee's writing is that he makes almost no attempt even to pretend that Himself is anything other than a maudlin stand-in for himself, with the disappearing arm representing an atrophied talent."

Albee's plays during the 1980s received mixed reviews with Michael Billington of The Guardian writing, "American dramatists invariably end up as victims of their own myth: in a success-crazed culture they are never forgiven for failing to live up to their own early masterpieces. But if Edward Albee has suffered the same cruel fate as Arthur Miller and Tennessee Williams, he has kept on trucking". Billington wrote of Albee's 1987 play, Marriage Play, "At the end the play achieves a metaphorical resonance by suggesting that marriage is an accumulation of meaningless habits and that "nothing has made any difference".

1991–2016: The Later Plays
In 1991 he wrote the play Three Tall Women, a two act play that premiered at the Vienna's English Theatre about three unnamed women. The play was revived in 2018 directed by Joe Mantello starring Glenda Jackson, Laurie Metcalf, and Allison Pill. The 2018 production received the Tony Award for Best Revival of a Play. Allison Adato of Entertainment Weekly wrote of the play, "Edward Albee's Three Tall Women, in which a nonagenarian revisits events of her life refracted through both her own dementia and the differing recollections of her younger selves, is a not-quite-memory play filled with regret, resentment, entitlement, various bodily indignities".

Georgia State University English professor Matthew Roudane divides Albee's plays into three periods: the Early Plays (1959–1966), characterized by gladiatorial confrontations, bloodied action and fight to the metaphorical death; the Middle Plays (1971–1987), when Albee lost the favor of Broadway audience and started premiering in the U.S. regional theaters and in Europe; and the Later Plays (1991–2016), received as a remarkable comeback and watched by appreciative audiences and critics the world over.

According to The New York Times, Albee was "widely considered to be the foremost American playwright of his generation." The less-than-diligent student later dedicated much of his time to promoting American university theatre. He served as a Distinguished Professor of Playwriting and held the Lyndall Finley Wortham Chair in the Performing Arts at the University of Houston. His plays are published by Dramatists Play Service and Samuel French, Inc.

Philanthropy
Albee established the Edward F. Albee Foundation, Inc. in 1967, from royalties from his play Who's Afraid of Virginia Woolf?. The foundation funds the William Flanagan Memorial Creative Persons Center (named after the composer William Flanagan, but better known as "The Barn") in Montauk, New York, as a residence for writers and visual artists. The foundation's mission is "to serve writers and visual artists from all walks of life, by providing time and space in which to work without disturbance."

Personal life and death
Albee was gay and stated that he first knew he was gay at age 12 and a half.

As a teen in Larchmont, Albee became a close friend of English-born Muir Weissinger Jr. and his family. Albee, along with others, referred to Florence, Muir's mother, as "Mummy." For her part, Albee's mother felt he spent too much time at the Weissinger household. Albee dated Muir's sister, Delphine, and escorted her to her coming-out party. Albee and Delphine had a "long and intense relationship" while it lasted; Albee has said they were "unofficially engaged." Albee kept in touch for a long time with Florence and Muir Weissinger.

Albee insisted that he did not want to be known as a "gay writer", saying in his acceptance speech for the 2011 Lambda Literary Foundation's Pioneer Award for Lifetime Achievement: "A writer who happens to be gay or lesbian must be able to transcend self. I am not a gay writer. I am a writer who happens to be gay." His longtime partner, Jonathan Richard Thomas, a sculptor, died on May 2, 2005, from bladder cancer. They had been partners from 1971 until Thomas's death. Albee also had a relationship of several years with playwright Terrence McNally during the 1950s.

Albee died at his home in Montauk, New York on September 16, 2016, aged 88.

Albee lived in a 6,000-square-foot loft that was a former cheese warehouse in New York's Tribeca neighborhood. At the time of his death Albee held an expansive collection of fine art, utilitarian works and sculptures. Albee was especially interested in artworks created by indigenous cultures in Africa and Oceania.

Plays
Works written or adapted by Albee: • The Zoo Story (1959)

• The Death of Bessie Smith (1960)

• The Sandbox (1960)

• Fam and Yam (1960)

• The American Dream (1961)

• Who's Afraid of Virginia Woolf? (1962)

• Tiny Alice (1964)

• A Delicate Balance (1966)

• Everything in the Garden (1967)

• Box and Quotations from Chairman Mao Tse-Tung (1968)

• All Over (1971)

• Seascape (1975)

• Listening (1976)

• Counting the Ways (1976)

• The Lady from Dubuque (1980)

• The Man Who Had Three Arms (1982)

• Finding the Sun (1983)

• Walking (1984)

• Envy (1985)

• Marriage Play (1987)

• Three Tall Women (1991)

• The Lorca Play (1992)

• Fragments (1993)

• The Play About the Baby (1998)

• The Goat, or Who Is Sylvia? (2000)

• Occupant (2001)

• Knock! Knock! Who's There!? (2003)

• At Home at the Zoo (2004)

• Me Myself and I (2007)

Opera libretti

 * Bartleby (adapted from the short story by Herman Melville) (1961)
 * The Ice Age (1963, uncompleted)

Essays

 * Stretching My Mind: Essays 1960–2005 (Avalon Publishing, 2005). ISBN 9780786716210.

Accolades and accomplishments
A member of the Dramatists Guild Council, Albee received three Pulitzer Prizes for drama—for A Delicate Balance (1967), Seascape (1975), and Three Tall Women (1994). Albee was elected a Fellow of the American Academy of Arts and Sciences in 1972. In 1985, Albee was inducted into the American Theatre Hall of Fame. In 1999, Albee received the PEN/Laura Pels Theater Award as a Master American Dramatist. He received a Special Tony Award for Lifetime Achievement (2005); the gold medal in Drama from the American Academy and Institute of Arts and Letters (1980); as well as the Kennedy Center Honors and the National Medal of Arts (both in 1996). In 2009, Albee received honorary degree from the Bulgarian National Academy of Theater and Film Arts (NATFA), a member of the Global Alliance of Theater Schools. In 2008, in celebration of Albee's 80th birthday, a number of his plays were mounted in distinguished Off-Broadway venues, including the historic Cherry Lane Theatre where the playwright directed two of his early one-acts, The American Dream and The Sandbox.

Honorary awards
 * 1995: St. Louis Literary Award from the Saint Louis University Library Associates
 * 1996: National Medal of Arts
 * 2003 Fitzgerald Award Award for Achievement in American Literature award
 * 2005: Academy of Achievement's Golden Plate Award
 * 2011: Edward MacDowell Medal for Lifetime Achievement
 * 2011: Pioneer Award for Lifetime Achievement, Lambda Literary Foundation
 * 2013: Chicago Tribune Literary Prize
 * 2015: America Award in Literature

Archives

 * Edward Albee scripts, 1949–1966, New York Public Library for the Performing Arts
 * Edward Albee Plays at the Newberry Library
 * Robert A. Wilson collection, Special Collections, University of Delaware Library

Other links

 * Edward F. Albee Foundation
 * The Edward Albee Society

title: Edward Albee


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Gallura

Gallura (Gaddura or Gaddhura ; Caddura ) is a region in North-Eastern Sardinia, Italy.

The name Gallùra is allegedly supposed to mean "stony area".

Geography
Gallùra has an area of 1370 sqmi. It is 187 km from the Italian peninsula and 11 km from the French island of Corsica. The coast of Gallura is very jagged and continues along in a continuous series of small fiords, rock-cliffs and little islands that form the archipelago of La Maddalena, a natural bridge towards nearby Corsica. The landscape is characterised by granite rocks and harsh mountains that, even if not particularly high, have constituted for millennia a barrier between this region and the nearby territories of Baronie and Montalbo. Monte Limbara is the highest mountain (1,362 m/4,469 ft). It represents the boundary between Gallura and the nearby region called Logudoro. Its highest peak is Punta Balestrieri (1362 m above the sea level). In the past, Monte Limbara used to be the location of an important NATO long range radar base and a Carabinieri’s barrack. Today it is used as a telecommunications center for the Italian Air Force and a heliport for the Servizio Antincendi. It is also the location of all the major TV relay stations of West Sardinia. Another small mountain is Monte Cruzitta (666 m). Even if it is not very high, it offers a very characteristic landscape. The climate is typical of the Mediterranean. The weather is clear. During the year approximately 300 days are sunny and the few others are rainy, with a major concentration of rainfall in the winter and autumn, some heavy showers in the spring, and snowfalls on the highest massifs and highlands. The mistral is the dominant wind, fresh, strong, and usually dry and cold, blowing from the northwest throughout the year, but most frequently in winter and spring.

Prehistory
The first human settlements in Gallura date back to approximately 30.000 years ago, when the first populations crossed the strait between Tuscany and Sardinia. This historic period is known as the Stone Age. Foreign populations colonize Gallura due to its numerous natural resources. Many people from the nearby island of Corsica came as well to Gallura during this historic period. The mid-late neolithic Arzachena culture subsisted almost exclusively in this area, and here is found the remains of perhaps the oldest megalith on Sardinia, at Li Muri.

From Nuragic Prehistory to Antiquity
The historic period that goes from 1700 BC to the Roman Age is also known in Sardinia as the Nuragic Age. The particular name of this historic period takes after the Nuraghes, the biggest megalithic edifices ever found in Europe, which still today represent a symbol for Sardinia. The Phoenicians founded the (hence Punic) city of Olbia (renamed in Greek, though), which was conquered by the Romans with all of Gallura in 238 BC.

The Judicate of Gallura
During the Middle Ages, Gallura was one of the four Judicates, the four autonomous states into which Sardinia was divided under pope Alexander's assent. Civita (which today is known as Olbia) was the capital of the Giudicato of Gallura and the (first) bishop's see. The Judicate of Gallura included today's area of Gallura, the area surrounding the city of Nuoro, and the area called Baronias (Italian: Baronie). It was occupied by the republic of Pisa in 1288 after the fall of the last ruling judge Nino Visconti.

Late Middle Ages till the eighteenth century
At the end of the 13th century, the city of Civita (today's Olbia) takes the name of Terranova, a new settlement founded by the pisans near the site of the ancient Roman port of Olbia. Pirates – primarily from North Africa – raided the coasts of Gallura and people moved consequently from there to the hinterland. The city of Tempio became especially populated. Between 1300 and 1800 there was a big emigration of people from the nearby island of Corsica to Gallura. Corsicans deeply influenced the language and the culture of Gallura, which still today is considered quite different from the culture and the dialects of the rest of Sardinia.

By the end of the 1700s people started to move from the hinterland to the coasts.

Nineteenth century, Twentieth century and today
During the nineteenth century the bishop's see was transferred from the city of Olbia to the city of Tempio, which also became a district's capital. In the second half of the 20th century, tourism increased greatly, especially in the areas of Costa Smeralda, Santa Teresa di Gallura and San Teodoro. Today, Gallura has the highest capital income in all of Sardinia.

Ecclesiastical history
The region's original Roman bishopric, the Diocese of Fausania (P(h)ausania), founded no later than the 5th century (tradition says by the 3rd century saint Simplicius), of disputed location (Olbia, Tempio Pausania or Posano) perished under Byzantine rule, probably in the 8th century.

It was restored under the name of Gallura in 1070, renamed Civita after its see (the medieval name of Olbia) and from 1506 held in personal union with the Diocese of Ampurias, but no later than the 12th century a second bishopric was established, the Diocese of Galtelli.

Demographics
Gallura has a population of 143,921 people; the Sardinians from this area are called Galluresi (Gadduresi). The population density has remarkably increased in small centers along the eastern coast and in the cities of Arzachena and Olbia. The population density of 12 municipalities out of 26 has however decreased (-4%) in centers located in the country -side and on the mountains. This tendency depends on the increase of the seaside tourism.

In general, Sardinia represents the Italian region with the lowest fertility rate (1.087 births per woman), and the region with the second lowest birth rate.

Main towns
Olbia (medieval Civita) is a town of approximately 55,000 inhabitants. It represents the city with the highest population density of the entire Gallura. In 2005 it became an administrative capital together with Tempio-Pausania. They form the province called Olbia-Tempio. Founded in 350 BC, it used to be one of the most important trade areas of the Mediterranean Sea. Today, it represents the economic center of Sardinia due to its airport, its seaport and also to its closeness to the famous Costa Smeralda tourist area.
 * Olbia

Tempio Pausania is a town of 13,800 inhabitants. Together with Olbia, it is the administrative capital of the province Olbia-Tempio. Founded around 250 BC, Tempio Pausania is located 560m above the sea level. It represents both the geographical and the cultural capital of Gallura. Every year, thousands of tourists come to visit Tempio Pausania to assist to the characteristic carnevale (carnival), which takes place at the end of February.
 * Tempio Pausania

Arzachena is a town of 12,080 inhabitants. It represents the administrative capital of the Costa Smeralda tourist area. Founded in 1961 by the prince Karim Aga Khan, Costa Smeralda represents the most exclusive tourist area of Gallura. Arzachena is also famous for its archeology. Its archeological sites include the LiMuri Tomba dei Giganti (Giants’ Grave).
 * Arzachena

La Maddalena is part of an archipelago called Arcipelago della Maddalena. It is situated in the Straits of Bonifacio, which divide Sardinia from Corsica. La Maddalena represents the largest town of this archipelago, which includes the islands of Caprera, S. Stefano, Spargi, Budelli, S. Maria and Razzoli. La Maddalena represents an important tourist site in Gallura and the island of Caprera is famous for being the residence of the Italian revolutionary Giuseppe Garibaldi.
 * La Maddalena

Economy
The economy of Gallura is based mostly on tourism and hospitality due to the presence of Costa Smeralda and other world-famous sea sites. The primary sector is not as important as in the rest of Sardinia. It is based mostly on wine production. Also sheep breeding, dairy production, and poultry farm are relevant. The secondary sector is quite important. It is mostly based on cork work and mineral processing of granite. In fact, it is easy to find cork oaks in many parts of the region and the whole area is rich in granite, especially in vicinity of Monte Limbara. Cork production is one of the main economic activity in the interior, while on the coasts are developed fish factories and shipyards.

Transportation
Gallura has one international airport (Olbia-Costa Smeralda Airport), which is situated in the city of Olbia. It represents one of the three international airports of Sardinia and the base of the Sardinian airline Meridiana, Italy's third-largest airline.

Another way to reach the region of Gallura is by ferry. The ferry companies operating on the Island are Tirrenia di Navigazione, Moby Lines, Corsica Ferry, Grandi Navi Veloci, Snav, SNCM and CMN. They link the harbors of Olbia, Golfo Aranci, Santa Teresa di Gallura and Palau to the harbors of the Italian peninsula, France, Corsica and Spain.

Language
The native language of the area is Gallurese, which is also recognized by the Regional Government of Sardinia. Gallurese is usually not considered a dialect of Sardinian, since it is quite different from most of the other Sardinian dialects, but rather as a direct offshoot from Corsican. Luras and Padru, two small towns in the province of Olbia-Tempio, are the only areas in Gallura in which Gallurese is not traditionally spoken. Sardinian is also spoken in its Logudorese variety.

Environment
With 1,213,250 hectares of woods, Sardinia represents the Italian region with the largest forest extension. Regional landscape plans regulate building activities along the coasts, the forests, and other natural sites.

Sardinia has ten regional parks and three national parks. One of these three national parks is located in Gallura, i.e., the Archipelago of La Maddalena's National Park. This park is a world-famous tourist area due to the beauty of its beaches and to the one of its landscape, where granite rocks alternate with green areas.
 * National Parks

Renewable energies
Renewable energies have increased impressively during the recent years in Sardinia. Due to the windy climate, the most important renewable energy in Gallura is the wind power. During the past years however, the installation of wind power systems has been the subject of controversial debates due to its landscape impact.

Sources and external links

 * Martina Di Marco Blog
 * La Mia Sardegna
 * Sardinia on Wikipedia
 * Sardegna Turismo-Tourism in Sardinia
 * Analysis of Sardinia's Demographics
 * Gallura in Tasca
 * Gallura Sviluppo-Economics
 * Itinerari-Tourism
 * Info Sardinia
 * Sardegna Ambiente-Environment
 * Caica Sardegna-Environment

title: Gallura


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Invention

An invention is a unique or novel device, method, composition, idea or process. An invention may be an improvement upon a machine, product, or process for increasing efficiency or lowering cost. It may also be an entirely new concept. If an idea is unique enough either as a stand-alone invention or as a significant improvement over the work of others, it can be patented. A patent, if granted, gives the inventor a proprietary interest in the patent over a specific period of time, which can be licensed for financial gain.

An inventor creates or discovers an invention. The word inventor comes from the Latin verb invenire, invent-, to find. Although inventing is closely associated with science and engineering, inventors are not necessarily engineers or scientists. Due to advances in artificial intelligence, the term "inventor" no longer exclusively applies to an occupation (see human computers).

Some inventions can be patented. The system of patents was established to encourage inventors by granting limited-term, limited monopoly on inventions determined to be sufficiently novel, non-obvious, and useful. A patent legally protects the intellectual property rights of the inventor and legally recognizes that a claimed invention is actually an invention. The rules and requirements for patenting an invention vary by country and the process of obtaining a patent is often expensive.

Another meaning of invention is cultural invention, which is an innovative set of useful social behaviours adopted by people and passed on to others. The Institute for Social Inventions collected many such ideas in magazines and books. Invention is also an important component of artistic and design creativity. Inventions often extend the boundaries of human knowledge, experience or capability.

Types
Inventions are of three kinds: scientific-technological (including medicine), sociopolitical (including economics and law), and humanistic, or cultural.

Scientific-technological inventions include railroads, aviation, vaccination, hybridization, antibiotics, astronautics, holography, the atomic bomb, computing, the Internet, and the smartphone.

Sociopolitical inventions comprise new laws, institutions, and procedures that change modes of social behavior and establish new forms of human interaction and organization. Examples include the British Parliament, the US Constitution, the Manchester (UK) General Union of Trades, the Boy Scouts, the Red Cross, the Olympic Games, the United Nations, the European Union, and the Universal Declaration of Human Rights, as well as movements such as socialism, Zionism, suffragism, feminism, and animal-rights veganism.

Humanistic inventions encompass culture in its entirety and are as transformative and important as any in the sciences, although people tend to take them for granted. In the domain of linguistics, for example, many alphabets have been inventions, as are all neologisms (Shakespeare invented about 1,700 words). Literary inventions include the epic, tragedy, comedy, the novel, the sonnet, the Renaissance, neoclassicism, Romanticism, Symbolism, Aestheticism, Socialist Realism, Surrealism, postmodernism, and (according to Freud) psychoanalysis. Among the inventions of artists and musicians are oil painting, printmaking, photography, cinema, musical tonality, atonality, jazz, rock, opera, and the symphony orchestra. Philosophers have invented logic (several times), dialectics, idealism, materialism, utopia, anarchism, semiotics, phenomenology, behaviorism, positivism, pragmatism, and deconstruction. Religious thinkers are responsible for such inventions as monotheism, pantheism, Methodism, Mormonism, iconoclasm, puritanism, deism, secularism, ecumenism, and the Baháʼí Faith. Some of these disciplines, genres, and trends may seem to have existed eternally or to have emerged spontaneously of their own accord, but most of them have had inventors.

Practical means

Ideas for an invention may be developed on paper or on a computer, by writing or drawing, by trial and error, by making models, by experimenting, by testing and/or by making the invention in its whole form. Brainstorming also can spark new ideas for an invention. Collaborative creative processes are frequently used by engineers, designers, architects and scientists. Co-inventors are frequently named on patents.

In addition, many inventors keep records of their working process - notebooks, photos, etc., including Leonardo da Vinci, Galileo Galilei, Evangelista Torricelli, Thomas Jefferson and Albert Einstein.

In the process of developing an invention, the initial idea may change. The invention may become simpler, more practical, it may expand, or it may even morph into something totally different. Working on one invention can lead to others too.

History shows that turning the concept of an invention into a working device is not always swift or direct. Inventions may also become more useful after time passes and other changes occur. For example, the parachute became more useful once powered flight was a reality.

Conceptual means

Invention is often a creative process. An open and curious mind allows an inventor to see beyond what is known. Seeing a new possibility, connection or relationship can spark an invention. Inventive thinking frequently involves combining concepts or elements from different realms that would not normally be put together. Sometimes inventors disregard the boundaries between distinctly separate territories or fields. Several concepts may be considered when thinking about invention.

Play
Play may lead to invention. Childhood curiosity, experimentation, and imagination can develop one's play instinct. Inventors feel the need to play with things that interest them, and to explore, and this internal drive brings about novel creations.

Sometimes inventions and ideas may seem to arise spontaneously while daydreaming, especially when the mind is free from its usual concerns. For example, both J. K. Rowling (the creator of Harry Potter) and Frank Hornby (the inventor of Meccano) first had their ideas while on train journeys.

In contrast, the successful aerospace engineer Max Munk advocated "aimful thinking".

Re-envisioning
To invent is to see anew. Inventors often envision a new idea, seeing it in their mind's eye. New ideas can arise when the conscious mind turns away from the subject or problem when the inventor's focus is on something else, or while relaxing or sleeping. A novel idea may come in a flash—a Eureka! moment. For example, after years of working to figure out the general theory of relativity, the solution came to Einstein suddenly in a dream "like a giant die making an indelible impress, a huge map of the universe outlined itself in one clear vision". Inventions can also be accidental, such as in the case of polytetrafluoroethylene (Teflon).

Insight
Insight can also be a vital element of invention. Such inventive insight may begin with questions, doubt or a hunch. It may begin by recognizing that something unusual or accidental may be useful or that it could open a new avenue for exploration. For example, the odd metallic color of plastic made by accidentally adding a thousand times too much catalyst led scientists to explore its metal-like properties, inventing electrically conductive plastic and light emitting plastic-—an invention that won the Nobel Prize in 2000 and has led to innovative lighting, display screens, wallpaper and much more (see conductive polymer, and organic light-emitting diode or OLED).

Exploration
Invention is often an exploratory process with an uncertain or unknown outcome. There are failures as well as successes. Inspiration can start the process, but no matter how complete the initial idea, inventions typically must be developed.

Improvement
Inventors may, for example, try to improve something by making it more effective, healthier, faster, more efficient, easier to use, serve more purposes, longer lasting, cheaper, more ecologically friendly, or aesthetically different, lighter weight, more ergonomic, structurally different, with new light or color properties, etc.

Implementation
In economic theory, inventions are one of the chief examples of "positive externalities", a beneficial side effect that falls on those outside a transaction or activity. One of the central concepts of economics is that externalities should be internalized—unless some of the benefits of this positive externality can be captured by the parties, the parties are under-rewarded for their inventions, and systematic under-rewarding leads to under-investment in activities that lead to inventions. The patent system captures those positive externalities for the inventor or other patent owner so that the economy as a whole invests an optimum amount of resources in the invention process.

Comparison with innovation
In contrast to invention, innovation is the implementation of a creative idea that specifically leads to greater value or usefulness. That is, while an invention may be useless or have no value yet still be an invention, an innovation must have some sort of value, typically economic.

As defined by patent law
The term invention is also an important legal concept and central to patent law systems worldwide. As is often the case for legal concepts, its legal meaning is slightly different from common usage of the word. Additionally, the legal concept of invention is quite different in American and European patent law.

In Europe, the first test a patent application must pass is, "Is this an invention?" If it is, subsequent questions are whether it is new and sufficiently inventive. The implication—counter-intuitively—is that a legal invention is not inherently novel. Whether a patent application relates to an invention is governed by Article 52 of the European Patent Convention, that excludes, e.g., discoveries as such and software as such. The EPO Boards of Appeal decided that the technical character of an application is decisive for it to represent an invention, following an age-old Italian and German tradition. British courts do not agree with this interpretation. Following a 1959 Australian decision ("NRDC"), they believe that it is not possible to grasp the invention concept in a single rule. A British court once stated that the technical character test implies a "restatement of the problem in more imprecise terminology."

In the United States, all patent applications are considered inventions. The statute explicitly says that the American invention concept includes discoveries (35 USC § 100(a)), contrary to the European invention concept. The European invention concept corresponds to the American "patentable subject matter" concept: the first test a patent application is submitted to. While the statute (35 USC § 101) virtually poses no limits to patenting whatsoever, courts have decided in binding precedents that abstract ideas, natural phenomena and laws of nature are not patentable. Various attempts have been made to substantiate the "abstract idea" test, which suffers from abstractness itself, but none have succeeded. The last attempt so far was the "machine or transformation" test, but the U.S. Supreme Court decided in 2010 that it is merely an indication at best.

In India, invention means a new product or process that involves an inventive step, and capable of being made or used in an industry. Whereas, "new invention" means any invention that has not been anticipated in any prior art or used in the country or anywhere in the world.

In the arts
Invention has a long and important history in the arts. Inventive thinking has always played a vital role in the creative process. While some inventions in the arts are patentable, others are not because they cannot fulfill the strict requirements governments have established for granting them. (see patent).

Some inventions in art include the:

Likewise, Jackson Pollock invented an entirely new form of painting and a new kind of abstraction by dripping, pouring, splashing and splattering paint onto un-stretched canvas lying on the floor.
 * Collage and construction invented by Picasso
 * Readymade art invented by Marcel Duchamp
 * mobile invented by Alexander Calder
 * Combine invented by Robert Rauschenberg
 * Shaped painting invented by Frank Stella
 * Motion picture, the invention of which is attributed to Eadweard Muybridge
 * Video art invented by Nam June Paik

Inventive tools of the artist's trade also produced advances in creativity. Impressionist painting became possible because of newly invented collapsible, resealable metal paint tubes that facilitated spontaneous painting outdoors. Inventions originally created in the form of artwork can also develop other uses, e.g. Alexander Calder's mobile, which is now commonly used over babies' cribs. Funds generated from patents on inventions in art, design and architecture can support the realization of the invention or other creative work. Frédéric Auguste Bartholdi's 1879 design patent on the Statue of Liberty helped fund the famous statue because it covered small replicas, including those sold as souvenirs.

The timeline for invention in the arts lists the most notable artistic inventors.

Gender gap in inventions
Historically, women in many regions have been unrecognised for their inventive contributions (except Russia and France ), despite being the sole inventor or co-inventor in inventions, including highly notable inventions. Notable examples include Margaret Knight who faced significant challenges in receiving credit for her inventions; Elizabeth Magie who was not credited for her invention of the game of Monopoly; and among other such examples, Chien-Shiung Wu whose male colleagues alone were awarded the Nobel Prize for their joint contributions to physics. Societal prejudice, institutional, educational and often legal patent barriers have both played a role in the gender invention gap. For example, although there could be found female patenters in US patent Office who also are likely to be helpful in their experience, still a patent applications made to the US Patent Office for inventions are less likely to succeed where the applicant have a "feminine" name, and additionally women could lose their independent legal patent rights to their husbands once married. See also the gender gap in patents.

title: Invention


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Brian of Terrence and Victoria of Brooklyn, of Patrick, of county Cork, Ireland.

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title: User:Idknow


text:
Battle of Nineveh

Battle of Nineveh may refer to:
 * Battle of Nineveh (612 BC), the fall of Assyria
 * Battle of Nineveh (627), the climactic battle of the Byzantine-Sassanid War of 602–628

title: Battle of Nineveh