text:
Leonardo DiCaprio

Leonardo Wilhelm DiCaprio (born November 11, 1974) is an American actor and film producer. Known for his work in biographical and period films, he is the recipient of numerous accolades, including an Academy Award, a British Academy Film Award, and three Golden Globe Awards. his films have grossed over $7.2 billion worldwide, and he has been placed eight times in annual rankings of the world's highest-paid actors.

Born in Los Angeles, DiCaprio began his career in the late 1980s by appearing in television commercials. In the early 1990s, he had recurring roles in various television shows, such as the sitcom Parenthood, and had his first major film part as author Tobias Wolff in This Boy's Life (1993). He received critical acclaim and his first Academy Award and Golden Globe Award nominations for his performance as a developmentally disabled boy in What's Eating Gilbert Grape (1993). DiCaprio achieved international stardom with the star-crossed romances Romeo + Juliet (1996) and Titanic (1997). After the latter became the highest-grossing film in the world at the time, he reduced his workload for a few years. In an attempt to shed his image of a romantic hero, DiCaprio sought roles in other genres, including the 2002 crime dramas Catch Me If You Can and Gangs of New York; the latter marked the first of his many successful collaborations with director Martin Scorsese.

DiCaprio continued to gain acclaim for his performances in the biopic The Aviator (2004), the political thriller Blood Diamond (2006), the crime drama The Departed (2006) and the romantic drama Revolutionary Road (2008). He later made environmental documentaries and starred in several high-profile directors' successful projects, including the action thriller Inception (2010), the western Django Unchained (2012), the biopic The Wolf of Wall Street (2013), the survival drama The Revenant (2015)—for which he won the Academy Award for Best Actor— the comedy-dramas Once Upon a Time in Hollywood (2019) and Don't Look Up (2021), and the crime drama Killers of the Flower Moon (2023).

DiCaprio is the founder of Appian Way Productions—a production company that has made some of his films and the documentary series Greensburg (2008–2010)—and the Leonardo DiCaprio Foundation, a nonprofit organization devoted to promoting environmental awareness. A United Nations Messenger of Peace, he regularly supports charitable causes. In 2005, he was named a Commander of the Ordre des Arts et des Lettres for his contributions to the arts, and in 2016, he appeared in Time magazine's 100 most influential people in the world. DiCaprio was voted one of the 50 greatest actors of all time in a 2022 readers' poll by Empire.

Early life and acting background
Leonardo Wilhelm DiCaprio was born on November 11, 1974, in Los Angeles, California. He is the only child of Irmelin Indenbirken, a legal secretary, and George DiCaprio, an underground comix artist and distributor. They met while attending college and moved to Los Angeles after graduating. His mother is German and his father is of Italian and German descent. His maternal grandfather, Wilhelm Indenbirken, was German, and his maternal grandmother, Helene Indenbirken, was a Russian immigrant living in Germany. DiCaprio was raised Catholic. Sources have falsely claimed his maternal grandmother was born in Odesa, Ukraine; there is no evidence that DiCaprio has any relatives of Ukrainian birth or heritage.

DiCaprio's parents named him Leonardo because his pregnant mother first felt him kick while she was looking at a Leonardo da Vinci painting in the Uffizi museum in Florence, Italy. When DiCaprio was one year old, his parents divorced after his father fell in love with another woman and moved out. To raise him together, his parents moved into twin cottages with a shared garden in Echo Park, Los Angeles. DiCaprio's father lived with his girlfriend and her son, Adam Farrar, with whom DiCaprio developed a close bond. DiCaprio and his mother later moved to other neighborhoods, such as Los Feliz. He has described his parents as "bohemian in every sense of the word" and as "the people I trust the most in the world". DiCaprio has stated that he grew up poor in a neighborhood plagued with prostitution, crime and violence. Attending the Los Angeles Center for Enriched Studies for four years and later the Seeds Elementary School, he later enrolled at the John Marshall High School. DiCaprio disliked public school and wanted to audition for acting jobs instead. He dropped out of high school later, eventually earning a general equivalency diploma.

As a child, DiCaprio wanted to become either a marine biologist or an actor. He eventually favored the latter; he liked impersonating characters and imitating people, and enjoyed seeing their reactions to his acting. According to DiCaprio, his interest in performing began at the age of two when he went onto the stage at a performance festival and danced spontaneously to a positive response from the crowd. He was also motivated to learn acting when Farrar's appearance in a television commercial earned him $50,000. DiCaprio has said in interviews that his first television appearance was in the children's series Romper Room, and that he was dismissed from the show for being disruptive. The show's host has denied that any children were removed from the show in this way. At 14, he began appearing in several commercials for Matchbox cars, which he calls his first role. DiCaprio later appeared in commercials for Kraft Singles, Bubble Yum and Apple Jacks. In 1989, he played the role of Glen in two episodes of the television show The New Lassie.

At the beginning of his career, DiCaprio had difficulty finding an agent. When he found one, the agent suggested DiCaprio change his name to Lenny Williams to appeal to American audiences, which he declined to do. DiCaprio remained jobless for a year and a half, although he had 100auditions. Following this lack of success, DiCaprio was going to give up acting but his father persuaded him to persevere. Motivated by his father and by the prospect of financial security, he continued to audition. After a talent agent, who knew his mother's friend, recommended him to casting directors, DiCaprio secured roles in about 20commercials.

By the early1990s, DiCaprio began acting regularly on television, starting with a role in the pilot of The Outsiders (1990) and one episode of the soap opera Santa Barbara (1990), in which he played a teenage alcoholic. DiCaprio's career prospects improved when he was cast in Parenthood, a series based on the 1989 comedy film of the same name. To prepare for the role of Garry Buckman, a troubled teenager, he analyzed Joaquin Phoenix's performance in the original film. His work that year earned him two nominations at the 12th Youth in Film Awards—Best Young Actor in a Daytime Series for Santa Barbara and Best Young Actor Starring in a New Television Series for Parenthood. Around this time, he was a contestant on the children's game show Fun House, on which he performed several stunts, including catching the fish inside a small pool using only his teeth.

1991–1996: Early work and breakthrough
DiCaprio made his film debut in 1991 as the stepson of an unscrupulous landlord in the low-budget horror sequel Critters 3 – a part he later described as "your average, no-depth, standard kid with blond hair". DiCaprio has stated that he prefers not to remember Critters 3, viewing it as "possibly one of the worst films of all time" and the kind of role he wanted to avoid in the future. Later in 1991, he became a recurring cast member on the sitcom Growing Pains, playing Luke Brower, a homeless boy who is taken in by the show's central family. Co-star Joanna Kerns recalls DiCaprio being "especially intelligent and disarming for his age" but she noted that he was also mischievous and jocular on set, and often made fun of his co-stars. DiCaprio was cast by the producers to appeal to young female audience, but his arrival did not improve the show's ratings and he left before the end of its run. He was nominated for a Young Artist Award for Best Young Actor Co-starring in a Television Series. DiCaprio also had an uncredited role in 1991 in one episode of Roseanne.

In 1992, DiCaprio had a brief role in the first installment of the Poison Ivy film series, and was handpicked by Robert De Niro from a shortlist of 400 young actors to co-star with him in This Boy's Life. Adapted from the memoir by Tobias Wolff, the film focuses on the relationship between a rebellious teenager, Toby (DiCaprio), and his mother (Ellen Barkin) and abusive stepfather (De Niro). Director Michael Caton-Jones said that DiCaprio did not know how to behave on set; accordingly, Caton-Jones used a strict mentoring style, after which DiCaprio's behavior began to improve. Bilge Ebiri of Rolling Stone found that the powerful bond between Barkin and DiCaprio elevated the film, praising DiCaprio's portrayal of his character's complex growth from a rebellious teen to an independent young man. This Boy's Life was the first film that gained him recognition.

DiCaprio played the developmentally disabled brother of Johnny Depp's character in What's Eating Gilbert Grape (1993), a comedy-drama about a dysfunctional Iowa family. Caton-Jones recommended DiCaprio to director Lasse Hallström who was initially skeptical, as he considered DiCaprio too good-looking for the part. Hallström cast DiCaprio after he emerged as "the most observant" auditionee. To ensure authenticity in his portrayal, DiCaprio studied similarly impaired children and their mannerisms, and Hallström allowed him to create the character using his own researched attributes. The film became a critical success. At 19, DiCaprio earned a National Board of Review Award, as well as nominations for a Golden Globe Award and an Academy Award for Best Supporting Actor, making him the seventh-youngest Oscar nominee in the category. "The film's real show-stopping turn comes from Mr. DiCaprio," wrote New York Times critic Janet Maslin, "who makes Arnie's many tics so startling and vivid that at first he is difficult to watch. The performance has a sharp, desperate intensity from beginning to end." Caryn James, also writing for The New York Times, said of his performances in This Boy's Life and What's Eating Gilbert Grape: "He made the raw, emotional neediness of those boys completely natural and powerful."

DiCaprio's first role of 1995 was in Sam Raimi's Western The Quick and the Dead. When Sony Pictures became dubious over DiCaprio's casting, co-star Sharon Stone paid his salary herself. The film was released to dismal box office performance and mixed reviews from critics. DiCaprio next starred as a teenage Jim Carroll, a drug-addicted high school basketball player and budding writer, in the biopic The Basketball Diaries. He starred in the erotic drama Total Eclipse (1995), driven by the desire to showcase an exceptional performance, which would focus on his acting talent rather than his much-discussed physical appeal. Directed by Agnieszka Holland, it is a fictionalized account of the same-sex relationship between Arthur Rimbaud (DiCaprio) and Paul Verlaine (David Thewlis). DiCaprio was cast when River Phoenix died before filming began. Although the film failed commercially, it has been included in the catalog of the Warner Archive Collection, which releases classic and cult films from Warner Bros.' library on home video. A review in the San Francisco Chronicle called DiCaprio "his generation's great acting promise" but criticized the mismatch between Thewlis's "cultivated" British accent and DiCaprio's "Southern California twang".

DiCaprio next starred opposite Claire Danes in Baz Luhrmann's Romeo + Juliet (1996), an abridged modernization of William Shakespeare's romantic tragedy, which retained the original Shakespearean dialogue. DiCaprio was initially unsure about another Romeo and Juliet adaptation, but at his father's suggestion, he agreed to examine Luhrmann's work more closely. DiCaprio and Luhrmann then spent a two-week workshop exchanging ideas, which led to the collaboration. Romeo + Juliet established DiCaprio as a leading Hollywood actor; according to film scholar Murray Pomerance, DiCaprio's newfound popularity helped the film become profitable only days after its release. Reviewing DiCaprio's early works, David Thomson of The Guardian called DiCaprio "a revelation" in What's Eating Gilbert Grape, "very moving" in This Boy's Life, "suitably desperate" in The Basketball Diaries and "a vital spark" in Romeo + Juliet. The latter earned DiCaprio a Silver Bear for Best Actor at the 1997 Berlin International Film Festival. He then portrayed a young man who has been committed to a mental asylum in Marvin's Room (1996), a family drama about two estranged sisters, played by Meryl Streep and Diane Keaton, who are reunited through tragedy. He played Hank, the troubled son of Streep's character. Lisa Schwarzbaum of Entertainment Weekly praised "the deeply gifted DiCaprio" for holding his own against veteran actresses Keaton and Streep, describing the three as "full-bodied and so powerfully affecting that you're carried along on the pleasure of being in the presence of their extraordinary talent".

1997–2001: Titanic and worldwide recognition
DiCaprio rejected a role in Boogie Nights (1997) to star opposite Kate Winslet in James Cameron's Titanic as members of different social classes who fall in love aboard RMS Titanic during its ill-fated maiden voyage. DiCaprio initially had doubts, but was eventually encouraged by Cameron to pursue the part. With a production budget of more than $200 million, the film was the most expensive in history at the time, and was shot at Rosarito, Baja California where a replica of the ship was created. Titanic became the highest-grossing film at the time, eventually earning more than $2.1 billion in box-office receipts worldwide. The role of Jack Dawson transformed DiCaprio into a superstar, resulting in intense adoration among teenage girls and young women that became known as "Leo-mania". The film won 11 Academy Awards—the most wins for any film – including Best Picture, but DiCaprio's failure to gain a nomination led to a protest against the Academy of Motion Picture Arts and Sciences (AMPAS) by more than 200fans. He was nominated for other high-profile awards, including a Golden Globe Award for Best Actor.

DiCaprio stated in 2000: "I have no connection with me during that whole Titanic phenomenon and what my face became around the world[...] I'll never reach that state of popularity again, and I don't expect to[...] It's not something I'm going to try to achieve either." In his 2015 Rolling Stone article, Ebiri called the role DiCaprio's best, writing that he and Winslet "infuse their earnest back-and-forth with so much genuine emotion that it's hard not to get swept up in their doomed love affair." A writer for Vanity Fair in 2008 similarly labeled them "Hollywood's most iconic screen couple" since Humphrey Bogart and Ingrid Bergman. Essaying her first viewing of the film in 2017, Vox contributor Alissa Wilkinson took note of DiCaprio's "boyish charm" and found his performance "natural and unaffected". The success of Titanic intensified DiCaprio's standing as a teen idol and romantic lead, an image from which he sought to dissociate himself. He reduced his workload "to learn to hear [his] own voice in choosing the roles" that he wanted to pursue.

DiCaprio had a brief featured role in Woody Allen's 1998 satire of fame, Celebrity. Ebiri labeled DiCaprio "the best thing in the film". That year, he also took on the dual roles of villainous King Louis XIV and his secret, sympathetic twin brother Philippe in Randall Wallace's The Man in the Iron Mask, with common elements from the 1939 film of the same name and a 1929 film with Douglas Fairbanks. It received mixed to negative reviews, but grossed $180 million against a budget of $35 million. Entertainment Weekly critic Owen Gleiberman wrote that DiCaprio did not look old enough to play the part, but praised him as "a fluid and instinctive actor, with the face of a mischievous angel". The Guardian Alex von Tunzelmann was similarly impressed with the actor's performance but found his talent wasted in the film. DiCaprio won a Golden Raspberry Award for Worst Screen Couple for the dual roles in 1999.

Also in 1998, DiCaprio was cast to star in American Psycho (2000) for a reported salary of $20 million; after disagreements with Oliver Stone on the film's direction, DiCaprio left the project, taking the lead role in The Beach instead. Adapted from Alex Garland's 1996 novel, the film saw him play a backpacking American tourist who ends up in a secret island commune in the Gulf of Thailand. Budgeted at $50 million, the film earned almost three times that at the box office, but was negatively reviewed by critics, and earned him a nomination for the Golden Raspberry Award for Worst Actor. Todd McCarthy of Variety thought DiCaprio gave a compelling performance but his character lacked defining qualities. The film received criticism for damaging the filming location in Thailand, after which DiCaprio worked to restore the area.

In the mid-1990s, DiCaprio agreed to be in the mostly improvised black-and-white short film Don's Plum as a favor to aspiring director R. D. Robb. When Robb expanded it to a full-length film, DiCaprio and co-star Tobey Maguire had its release blocked in the US and Canada by court order, arguing they never intended to make a feature film. The film premiered at the 2001 Berlin International Film Festival but remains obscure.

2002–2009: Venture into film production

DiCaprio turned down the role of Anakin Skywalker in Star Wars: Episode II – Attack of the Clones (2002), feeling unprepared to "take that dive" at the time. His first film that year was the biopic Catch Me If You Can, based on the life of Frank Abagnale Jr., who before his 19th birthday committed check fraud to make millions in the 1960s. Directed by Steven Spielberg, the film was shot across 147 different locations in 52 days, making it "the most adventurous, super-charged movie-making" DiCaprio had experienced yet. The film received critical acclaim and grossed $355 million against a budget of $52 million, becoming his second highest-grossing release after Titanic. Roger Ebert praised his departure from dark and troubled characters, and two Entertainment Weekly critics in 2018 called it DiCaprio's best role, labeling him "delightfully persuasive, deceptive, flirtatious, and sometimes tragic—and we dare you to find a better role, if you can". DiCaprio received his third Golden Globe nomination for his performance in the film.

Also in 2002, DiCaprio starred in Martin Scorsese's Gangs of New York, a historical drama set in the mid-19th century in the Five Points district of New York City. Scorsese initially struggled selling his idea of realizing the film until DiCaprio became interested in starring in the film, and thus Miramax Films got involved with financing the project. Nonetheless, production on the film was plagued by overshooting of budgets and producer-director disagreements, resulting in an eight-month shoot. With a budget of $103 million, the film was the most expensive Scorsese had ever made. DiCaprio was drawn to playing Amsterdam Vallon, the young leader of an Irish-American street gang, as it marked a shift from "boyish" roles to a mature leading man. Gangs of New York earned $193 million worldwide and received positive critical response. Anne Thompson of The Observer took note of DiCaprio's "low-key, sturdy performance", but felt that co-star Daniel Day-Lewis overshadowed him.

In 2004, DiCaprio founded the production company Appian Way Productions, a namesake of the Italian road. He was interested in finding unique source material and preserving its essence during development, citing previous experiences where the involvement of too many people influenced the final product in a negative way. DiCaprio first executive-produced The Assassination of Richard Nixon, which starred Sean Penn as Samuel Byck, and was screened at the 2004 Cannes Film Festival. DiCaprio and Scorsese reunited for a biopic of Howard Hughes, an American film director and aviation pioneer suffering from obsessive–compulsive disorder, in The Aviator (2004), which DiCaprio also co-produced under Appian Way. He initially developed the project with Michael Mann who was eventually replaced by Scorsese. The Aviator became a critical and financial success, grossing $213million against its budget of $110million. Simond Braund of Empire thought DiCaprio convincingly played a complex role and highlighted the scenes depicting Hughes's paranoia and obsession. He received his first Golden Globe Award for Best Actor — Motion Picture Drama and nominations for an Academy Award, a BAFTA Award and a Screen Actors Guild Award.

In 2006, DiCaprio starred in the crime film The Departed and the political war thriller Blood Diamond. In Scorsese's The Departed, DiCaprio played the role of Billy Costigan, a state trooper working undercover in the Irish Mob in Boston, someone he characterizes as being in a "constant 24-hour panic attack". DiCaprio especially liked the experience of working with co-star Jack Nicholson, describing a scene with him as "one of the most memorable moments" of his life as an actor. In preparation, he visited Boston to interact with people associated with the Irish Mob and gained 15 lb of muscle. Critically acclaimed, the film grossed $291 million against a budget of $90 million, becoming DiCaprio and Scorsese's highest-grossing collaboration to that point. Peter Travers of Rolling Stone praised DiCaprio's and co-star Matt Damon's performances as "explosive, emotionally complex", but felt that Nicholson overshadowed the two. Despite DiCaprio's leading role in The Departed, the film's distributor Warner Bros. Pictures submitted his performance for a Best Supporting Actor nomination at the AMPAS to avoid internal conflict with his part in Blood Diamond. Instead, his co-star Mark Wahlberg was nominated, though DiCaprio earned other accolades for The Departed, including a Satellite Award for Best Supporting Actor and Best Actor nominations at the Golden Globes and BAFTA Awards.

In Blood Diamond, DiCaprio starred as a diamond smuggler from Rhodesia who is involved in the Sierra Leone Civil War. While filming, he worked with 24 orphaned children from the SOS Children's Village in Maputo, Mozambique, and said he was touched by his interactions with them. To prepare, he spent six months in Africa, learned about camouflage from people in South African military and interviewed and recorded people in the country to improve his accent. The film received generally favorable reviews, and DiCaprio was noted for his South African accent, which is generally known as difficult to imitate. Claudia Puig of the USA Today approvingly highlighted DiCaprio's transition from a boy to a man on screen, and Ann Hornaday of The Washington Post similarly noted his growth as an actor since The Departed. DiCaprio received nominations for an Academy Award and a Golden Globe for Blood Diamond.

In 2007, DiCaprio produced the comedy drama Gardener of Eden, which according to The Hollywood Reporter's Frank Scheck "lack[ed] the necessary dramatic urgency or black humor to connect with audiences". Later that year, he produced, co-wrote and narrated The 11th Hour, a documentary on the state of the natural environment that won the Earthwatch Environmental Film Award in 2008. DiCaprio's Appian Way produced Planet Green's Greensburg (2008–2010), which ran for three seasons. Set in Greensburg, Kansas, it is about rebuilding the town in a sustainable way after being hit by the May 2007 EF5 tornado. Also in 2008, DiCaprio starred in Body of Lies, a spy film based on the novel of the same name. He played one of three agents battling a terrorist organization in the Middle East. Considering the film to be a throwback to political features of the 1970s like The Parallax View (1974) and Three Days of the Condor (1975), DiCaprio dyed his hair brown and wore brown contacts for the role. The film received mixed reviews from critics, and grossed $118 million against a budget of $67.5 million.

Later in 2008, DiCaprio collaborated with Kate Winslet for the drama Revolutionary Road, directed by her then-husband Sam Mendes. As both actors had been reluctant to make romantic films similar to Titanic, it was Winslet who suggested that they both work with her on a film adaptation of the 1961 eponymous novel by Richard Yates. She found that the script, by Justin Haythe, had little in common with the 1997 blockbuster. Playing a couple in a failing marriage in the 1950s, DiCaprio and Winslet spent some time together in preparation, and DiCaprio felt claustrophobic on the small set they used. He saw his character as "unheroic", "slightly cowardly" and someone "willing to be just a product of his environment". Peter Travers liked DiCaprio's pairing with Winslet and his multi-layered portrayal of an overwhelmed character, and Marshall Sella of GQ called it the "most mature and memorable performance of his lifetime". DiCaprio earned his seventh Golden Globes nomination for the film. Revolutionary Road grossed $75.9million against its budget of $35million. He ended the 2000s by producing director Jaume Collet-Serra's psychological horror thriller film Orphan (2009), starring Vera Farmiga, Peter Sarsgaard and Isabelle Fuhrman. Although the film received mixed reviews, it was a commercial success.

2010–2013: Films with high-profile directors
DiCaprio continued to collaborate with Scorsese in the 2010 psychological thriller film Shutter Island, based on the 2003 novel of the same name by Dennis Lehane. He played Edward "Teddy" Daniels, a U.S. Marshal investigating a psychiatric facility located on an island, who comes to question his own sanity. DiCaprio and Scorsese became interested in the project in 2007, and the former co-produced the film under Appian Way with Phoenix Pictures. Because of the film's disturbing scenes, DiCaprio had nightmares of mass murder during production and considered relaxing with his friends a form of therapy. The film was released to mixed reviews; Peter Bradshaw of The Guardian praised Scorsese's direction and the acting but criticized its twist ending. Peter Travers called it DiCaprio's "most haunting and emotionally complex performance yet", and particularly liked his cave scene with co-star Patricia Clarkson. The film was a commercial success, grossing $294 million worldwide against a budget of $80 million.

DiCaprio's second role in 2010 was in Christopher Nolan's critically acclaimed ensemble science-fiction film Inception. Inspired by the experience of lucid dreaming and dream incubation, the film features Dom Cobb (DiCaprio), an "extractor" who enters the dreams of others to obtain information that is otherwise inaccessible. Cobb is promised a chance to regain his old life in exchange for planting an idea in a corporate target's mind. DiCaprio was fascinated with the idea of a "dream-heist" and the potential for his character to manipulate his dreamworld and impact his real life. Made on a budget of $160 million, the film grossed $836 million worldwide to become DiCaprio's second highest-grossing film. To star in this film, DiCaprio agreed to a pay cut from his $20 million fee and opted for a share in first-dollar gross points, which entitled him to a percentage of the cinema ticket sales. The risk proved fruitful, as DiCaprio earned $50 million from the film, becoming his highest payday yet.

DiCaprio starred as J. Edgar Hoover in Clint Eastwood's J. Edgar (2011). A biopic about Hoover, the film focuses on his career as an FBI director, including an examination of his private life as an alleged closeted homosexual. Critics felt that the film lacked coherence overall but commended DiCaprio's performance. Roger Ebert praised DiCaprio's ability to bring depth and nuance to the character, suggesting that his performance conveyed aspects of Hoover's personality that were possibly even unknown to the man himself. Also in 2011, he produced Catherine Hardwicke's romantic horror film Red Riding Hood. Though it was named one of the ten worst films of 2011 by Time magazine, it had moderate box-office returns. Also that year, DiCaprio's Appian Way produced George Clooney's political drama The Ides of March, an adaptation of Beau Willimon's 2008 play Farragut North.

In 2012, DiCaprio starred as plantation owner Calvin Candie in Quentin Tarantino's Spaghetti Western, Django Unchained. After reading the script, DiCaprio felt uncomfortable with the extent of racism portrayed in the film, but his co-stars and Tarantino convinced him not to sugarcoat it. While filming, DiCaprio accidentally cut his hand on glass, but continued filming, and Tarantino elected to use the take in the final product. The film received critical acclaim; a writer for Wired magazine commended him for playing a villainous role and found his performance "blood-chilling". The film earned DiCaprio a Golden Globe Award nomination for Best Supporting Actor. Django Unchained grossed $425 million worldwide on a production budget of $100 million.

In January 2013, DiCaprio said he would take a long break from acting to "fly around the world doing good for the environment". That year, he had four releases as an actor and a producer. His first was in the role of millionaire Jay Gatsby in Baz Luhrmann's The Great Gatsby, an adaptation of F. Scott Fitzgerald's 1925 novel of the same name, co-starring Carey Mulligan and Tobey Maguire. The film received mixed reviews from critics, but DiCaprio's performance was praised and earned him the AACTA Award for Best Actor in a Leading Role. Critic Rafer Guzman of Newsday wrote that DiCaprio was not only "tough[...] but also vulnerable, touching, funny, a faker, a human. It's a tremendous, hard-won performance." Matt Zoller Seitz of Roger Ebert's website described his performance as "the movie's greatest and simplest special effect", and "iconic—maybe his career best". The film grossed $353 million worldwide, more than three times its budget. Three films were produced by DiCaprio under Appian Way in 2013—the ensemble crime thriller Runner Runner, which The Guardian's Xan Brooks described as "a lazy, trashy film that barely goes through the motions"; the commercially failed thriller Out of the Furnace; and the black comedy-drama The Wolf of Wall Street.

DiCaprio reunited with Scorsese for the fifth time in The Wolf of the Wall Street, a film based on the life of stockbroker Jordan Belfort (played by DiCaprio), who was arrested in the late 1990s for securities fraud and money laundering. DiCaprio wanted to play Belfort ever since he had read his autobiography and won a bidding war with Warner Bros. against Brad Pitt and Paramount Pictures for the rights to Belfort's memoir in 2007. He was fond of Belfort's honest and unapologetic portrayal of his actual experiences in the book, and was inspired by the financial crisis of 2007–2008 to make the film. The Wolf of Wall Street received positive reviews for Scorsese's and DiCaprio's work together. The Hollywood Reporter Todd McCarthy lauded DiCaprio for fully realizing his character's potential with a carefree performance. Jonathan Romney of Film Comment wrote that DiCaprio displays a great deal of comedic talent, excelling in "rubber-limbed slapstick" humor. The film earned him the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy and nominations for a BAFTA Award for Best Actor in a Leading Role, as well as Academy Awards for Best Actor and Best Picture.

2014–present: Environmental documentaries and awards success
DiCaprio was an executive producer on Virunga, a 2014 British documentary film about four people fighting to protect the world's last mountain gorillas from war and poaching. The film premiered at the Tribeca Film Festival in April2014, and DiCaprio was nominated for the 2015 Primetime Emmy Award for Outstanding Documentary or Nonfiction Special. Cowspiracy: The Sustainability Secret was another documentary film that year for which he was an executive producer—he took part in the new cut released exclusively on Netflix that September. It explores the impact of animal agriculture on the environment.

In 2015, DiCaprio produced and played fur trapper Hugh Glass in Alejandro G. Iñárritu's survival drama The Revenant. DiCaprio found his role in the film difficult; he had to eat a raw slab of bison's liver and sleep in animal carcasses. He also learned to shoot a musket, build a fire, speak two Native American languages (Pawnee and Arikara) and apply ancient healing techniques. Built on a budget of $135 million, the film earned $533 million worldwide. The film received positive reviews with particular praise for DiCaprio's acting. Mark Kermode of The Guardian wrote that DiCaprio shone with a performance that prioritizes physicality over speech, and Nick De Semlyen of Empire noted that he uplifted the film. The film earned him numerous awards, including the Academy Award, BAFTA, Critics' Choice, Golden Globe and SAG Award for Best Actor. For the next three years, DiCaprio narrated documentaries and served as a producer for films. In 2016, he was an executive producer for The Ivory Game and Catching the Sun; he also produced, hosted and narrated the documentary Before the Flood about climate change. He produced the crime drama Live by Night (2016), which received unenthusiastic reviews and failed to recoup its $65 million production budget. His next production ventures were in 2018—the psychological horror Delirium and the commercially failed action–adventure Robin Hood.

After producing and narrating the 2019 global warming documentary Ice on Fire, DiCaprio returned to acting following a four-year break in Quentin Tarantino's comedy-drama Once Upon a Time in Hollywood, which traces the relationship between Rick Dalton (DiCaprio), an aging television actor and his stuntman, Cliff Booth (Brad Pitt). To help the film's financing, DiCaprio and Pitt agreed to take a pay cut, and they each received $10 million. DiCaprio liked working with Pitt, and Tarantino described the pair as the most exciting since Robert Redford and Paul Newman. DiCaprio was fascinated with the film's homage to Hollywood and focus on the friendship between his and Pitt's characters. He drew from real-life experience of witnessing the struggles and rejections of his actor friends in the industry. The film premiered at the 2019 Cannes Film Festival, where critics praised his and Pitt's performances. A writer for Business Insider called it one of the best performances of DiCaprio's career, and Ian Sandwell of Digital Spy particularly liked the duo's chemistry, believing their scenes together to be some of the film's strongest parts. DiCaprio received nominations for an Oscar, a Golden Globe, a BAFTA Award and a Screen Actors Guild Award for Best Actor. The film earned $374 million against a budget of $90 million.

In 2020, DiCaprio served as an executive producer for The Right Stuff, a television series adaption of the 1973 namesake book. After being in development at National Geographic, it was released on Disney+. That May, DiCaprio briefly featured in the finale of the miniseries The Last Dance. In 2021, DiCaprio appeared in Adam McKay's satirical comedy Don't Look Up. He spent five months changing the film's script with McKay before agreeing to the part. Starring alongside Jennifer Lawrence as two astronomers attempting to warn humanity about an extinction-level comet, DiCaprio saw this film as an analogy of the world's indifference to the climate crisis. As a frequent supporter of environmentalism, DiCaprio said he has often looked to star in and make films tackling issues related to it, something he found hard due to people's inability to listen. He praised McKay for envisioning a project on how humans would react to a serious issue from a political, social and scientific standpoint. While reviews for the film were mixed, most critics praised DiCaprio's and Lawrence's performances; journalists from Digital Spy and NDTV lauded their pairing. DiCaprio earned nominations for a Golden Globe and a BAFTA Award for the film. It broke the record for the most views (152 million hours) in a single week in Netflix history.

DiCaprio next starred in Scorsese's crime drama Killers of the Flower Moon (2023) based on the book of the same name by David Grann, for which he was paid $30 million. Initially signed for the heroic part of FBI agent Thomas Bruce White Sr., DiCaprio insisted on playing the morally complex role of Ernest Burkhart, a nephew of murderer William King Hale, leading to extensive script rewrites. Declaring it the best performance of DiCaprio's career, IndieWire's David Ehrlich wrote that "his nuanced and uncompromising turn as the cretinous Ernest Burkhart mines new wonders from the actor's long-standing lack of vanity". He received another Golden Globe nomination for his performance. DiCaprio will next star in Paul Thomas Anderson's as-yet untitled film, co-starring Sean Penn and Regina Hall. <!--Paramount announced in 2017 that it acquired the movie rights for an English-language adaptation of The Black Hand, which will star DiCaprio as turn of the 20th century police officer Joe Petrosino. Later that year, Paramount won a bidding war against Universal Pictures for the rights to adapt Walter Isaacson's biography of Leonardo da Vinci. The studio bought the rights under its deal with DiCaprio's Appian Way, which planned to produce the film with DiCaprio as the star. , DiCaprio was set to produce and star in Scorsese's Roosevelt, a biopic of former U.S. President Theodore Roosevelt, In January2022, it was announced that DiCaprio will executive produce Hulu's series adaptation of the book The Devil in the White City, whose rights he had bought in 2010. -->

Reception and acting style
Early in his career, DiCaprio gained a reputation for his reckless behavior and intense partying with a group of male celebrities dubbed "the Pussy Posse" in the 1990s. In an infamous article published by New York Magazine in 1998, journalist Nancy Jo Sales criticized the group as men whose pursuit was to "chase girls, pick fights and not tip the waitress". During an unknown activity, DiCaprio got himself and friend Justin Herwick almost killed when his parachute failed to open, after which his instructor released an emergency core. In response, DiCaprio said he is fond of doing things that scare him. John McCain, who was a United States Senator for Arizona, called him "an androgynous wimp". DiCaprio found people's perception of him exaggerated, adding, "They want you miserable, just like them. They don't want heroes; what they want is to see you fall." Steven Spielberg, who directed him in Catch Me If You Can, defended DiCaprio's reputation as a "party boy", believing it is a common behavior for young people and describing him as a family-oriented person during the film's production. Considering DiCaprio to be conscious of his public reputation, The New York Times' Caryn James credited him as one of the few actors to use his stardom to further social causes. Carole Cadwalladr of The Guardian said DiCaprio is "polite, charming, makes jokes, engages eye contact. And manages[...] to give almost no hint whatsoever of his actual personality."

DiCaprio is regarded as one of the finest actors of his generation. In a 2022 readers' poll by Empire, he was voted one of the 50 greatest actors of all time. The magazine praised his willingness to "go to the ends of the earth (often literally) to get under his characters' skin". Colin Covert of The Seattle Times similarly believed DiCaprio "redefines film stardom" through his willingness to take on challenging roles that few of his contemporaries are capable of performing.

Since his international stardom with Titanic (1997), he has admitted feeling nervous about starring in big-budget studio films because of their hype and marketing campaigns. As an actor, he views film as a "relevant art form, like a painting or sculpture. A hundred years from now, people will still be watching that movie." He often plays roles based on real-life people and stories told in specific periods. According to Caryn James, DiCaprio is unafraid of working with established directors on unconventional projects; taking such risks has led him to star in failed films like The Beach (2000), but also his successful collaborations with Martin Scorsese. DiCaprio has described his relationship with Scorsese as dreamlike and admires his knowledge of film, crediting the director with having taught him its history and importance. Scorsese has commented on DiCaprio's ability to repeatedly demonstrate emotion on screen. Jesse Hassenger of The A.V. Club considers the duo's collaborations—which earned them the 2013 National Board of Review (Spotlight Award) —to be career-defining moments for both of them and as vital as Scorsese's acclaimed collaborations with Robert De Niro.

Author Michael K. Hammond wrote that DiCaprio built his star reputation by demonstrating his acting ability, and praised him for "revealing a character while concealing the actor" and "disappearing into [his] roles". According to Agnieszka Holland, who directed DiCaprio in Total Eclipse (1995), DiCaprio is "one of the most mature actors" she has worked with and is "courageous" in his choice of roles. Holland remarked that he does not rely on method acting but rather on a trick that allows him to truly "become the character". Meryl Streep, who co-starred with DiCaprio in Marvin's Room, said he possesses the kind of unpredictability that makes his career difficult to classify, his life precarious and his work thrilling. Writing for The Observer, film critic Philip French has asserted that many characters portrayed by DiCaprio are in the process of becoming men. He wrote that DiCaprio's inclination toward films about dysfunctional families and characters seeking father figures may allude to his own troubled childhood. DiCaprio often plays characters who themselves are playing roles, which Caryn James says looks simple on screen but requires sophisticated acting. He tends to play antiheroes and characters who lose their mental stability as the narrative progresses. Derek Thompson of The Atlantic argued that DiCaprio gives his best performances when playing "frauds and cheats and double-crossing liars and mercenaries".

Several media publications, such as People, Empire and Harper's Bazaar, have included DiCaprio in their listings of the most attractive actors. In 1998, he sued Playgirl magazine over plans to publish a fully nude picture of him. He has said he does not believe in focusing on appearance—as this is only temporary and can negatively affect one's profession in the industry—and looks for career longevity instead. In 2005, DiCaprio was made a commander of the Ordre des Arts et des Lettres by the French Minister of Culture for his contributions to the arts. In 2016, he was named one of the 100most influential people in the world by Time magazine. He was included on Forbes' annual list of the world's highest-paid actors in 2008 and from 2010 to 2016 with respective earnings of $45 million, $28 million, $77 million, $37 million, $39 million, $39 million, $29 million and $27 million, topping the list in 2011. The magazine has commended DiCaprio's ability to star in risky, R-rated films that become box office successes.

The Hollywood Reporter listed him as one of the 100 most powerful people in entertainment from 2016 to 2019.

A writer for the same magazine credits DiCaprio as the rare actor to have a successful career "without ever having made a comic book movie, family film or pre-branded franchise. Leo is the franchise." Stacey Wilson Hunt, analyzing his career in New York Magazine in 2016, opined DiCaprio, unlike most of his contemporaries, had not starred in a bad film in the previous ten years. Of his success, DiCaprio says, "My attitude is the same as when I started. I feel very connected to that fifteen-year-old kid who got his first movie."

DiCaprio has named Robert De Niro and James Dean as two of his favorite and most influential actors, stating "There were a lot of great actors I really fell in love with, but if I were to pick two, from different generations, it would be De Niro and James Dean". When asked about a performance that stayed with him the most, DiCaprio responded, "I remember being incredibly moved by Jimmy Dean, in East of Eden. There was something so raw and powerful about that performance. His vulnerability [...] his confusion about his entire history, his identity, his desperation to be loved. That performance just broke my heart."

Activism
An active celebrity in the climate change movement, DiCaprio believes global warming is the world's "number-one environmental challenge". Eager to learn about ecology from an early age, he would watch documentaries on rainforest depletion and the loss of species and habitats. In 1998, he established the Leonardo DiCaprio Foundation, a non-profit organization devoted to promoting environmental awareness. It supports organizations and campaigns committed to ensuring a viable future for planet Earth, and produced the short web documentaries Water Planet and Global Warning. The foundation has also funded debt-for-nature swaps. By 2018, the foundation had funded more than 200 projects, providing $100 million in support. He has been an active supporter of numerous environmental organizations and sat on the board of the World Wildlife Fund and International Fund for Animal Welfare.

DiCaprio has owned environment-friendly electric-hybrid vehicles. His use of private jets and large yachts have been criticized as hypocritical due to their large carbon footprints. DiCaprio chaired the national Earth Day celebration in 2000 where he interviewed Bill Clinton and they discussed plans to deal with global warming and the environment. He presented at the 2007 American leg of Live Earth. DiCaprio donated $1 million to the Wildlife Conservation Society at Russia's Tiger Summit. DiCaprio's persistence in reaching the event after encountering two plane delays caused then Prime Minister Vladimir Putin to describe him as a "muzhik" or "real man". In 2013, he organized a benefit fine art auction, "11th Hour", which raised nearly $38.8 million for his foundation. In September 2014, United Nations Secretary-General Ban Ki-moon designated DiCaprio as a United Nations Messenger of Peace with a focus on climate change. Later that month, he made an opening statement to members of the UN Climate Summit; his speech reached an estimated one billion people worldwide. In 2015, he announced his intention to divest from fossil fuels. He again spoke at the UN in April 2016 prior to the signing of the Paris Climate Change Agreement.

At a 2016 meeting with Pope Francis, DiCaprio donated to charity and discussed environmental issues with him. A few days later, possibly influenced by this meeting, the Pope said he would act in a charity film. DiCaprio traveled to Indonesia in early 2016 where he criticized the government's palm oil industry's slash-and-burn forest clearing methods. In July 2016, his foundation donated $15.6 million to help protect wildlife and the rights of Native Americans, along with mitigating climate change. That October, DiCaprio joined Mark Ruffalo in support of the Standing Rock tribe's opposition to the Dakota Access Pipeline.

In April 2017, DiCaprio protested against President Donald Trump's inaction on climate change by attending the People's Climate March. In July, a charity auction and celebrity concert arranged by DiCaprio's foundation had raised over $30 million in one night. The DiCaprio foundation donated $100 million in December 2018 to fight climate change. In May 2021, DiCaprio pledged $43million to enact conservation operations across the Galápagos Islands.

Political views
DiCaprio endorsed Hillary Clinton for the 2016 presidential election. In March 2020, DiCaprio attended a fundraiser for Joe Biden at the home of Paramount Pictures executive Sherry Lansing. Prior to the 2020 election, DiCaprio narrated a Netflix documentary series about voting rights, stating, "All of us may have been created equal. But we'll never actually be equal until we all vote. So don't wait." On social media, DiCaprio urged voters to make a plan to cast their ballots and to draw attention to voter suppression and restrictive voter ID laws, citing VoteRiders as a source of information and assistance. In 2023, DiCaprio testified during the trial against Prakazrel Michel, who is being accused of participating in a foreign influence campaign that was aimed at the Obama and Trump administrations.

Philanthropy
In 1998, DiCaprio and his mother donated $35,000 for a "Leonardo DiCaprio Computer Center" at a library in Los Feliz. In May 2009, DiCaprio joined Kate Winslet, director James Cameron and Canadian singer Celine Dion, in a campaign to raise money to financially support the fees of the nursing home where Millvina Dean, a survivor of the RMS Titanic, was residing. DiCaprio and Winslet donated $20,000 to support Dean. In 2010, he donated $1 million to relief efforts in Haiti after the earthquake. In 2011, DiCaprio joined the Animal Legal Defense Fund's campaign to release Tony, a tiger that had spent the last decade at a truck stop in Grosse Tête, Louisiana. DiCaprio donated $61,000 to the gay rights group GLAAD in 2013.

In 2016, DiCaprio donated $65,000 to the annual fundraising gala for the Children of Armenia Fund, where he was a special guest of his friend and honorary chair, Tony Shafrazi. Supporting Hurricane Harvey (2017) relief efforts, DiCaprio provided $1 million through his foundation. In 2020, DiCaprio's foundation donated $3 million to Australia bushfire relief efforts. Amidst the 2022 Russian invasion of Ukraine, the media announced DiCaprio donated $10million to support Ukraine, although the news agency Associated Press suggested this amount was inaccurate.

Personal life

DiCaprio is agnostic but does not identify as an atheist. His personal life is the subject of widespread media attention. He rarely grants interviews and is reluctant to discuss his private life. DiCaprio has been the focus of various reports detailing his involvement with women aged 25 or younger, and has faced criticism for those relationships. In 1999, DiCaprio met Brazilian model Gisele Bündchen, whom he dated until 2005. He was romantically involved with Israeli model Bar Refaeli from 2005 to 2011. He later dated German fashion model Toni Garrn from 2013 to 2014 and later in 2017. DiCaprio was in a relationship with American model and actress Camila Morrone from 2017 until 2022. He has been dating Italian model Vittoria Ceretti since August 2023.

DiCaprio owns houses in Los Angeles and apartments in New York City. In 2009, he bought an island, Blackadore Caye, off mainland Belize—on which he is set to open an environment-friendly resort —and in 2014, he purchased the original Dinah Shore residence designed by architect Donald Wexler in Palm Springs, California.

In 2005, DiCaprio's face was severely injured when model Aretha Wilson hit him over the head with a broken bottle at a Hollywood party. As a result, he required seventeen stitches to his face and neck. Wilson pleaded guilty to the assault and was sentenced in 2010 to two years in prison.

In 2017, when The Wolf of Wall Street producer Red Granite Pictures was involved in the 1Malaysia Development Berhad scandal, DiCaprio turned over the gifts he received from business associates at the production company, including from fugitive businessman Jho Low, to the US government. These included a Best Actor Oscar trophy won by Marlon Brando, a $3.2 million Pablo Picasso painting and a $9 million Jean-Michel Basquiat collage.

Filmography and accolades
According to the online portal Box Office Mojo and the review aggregate site Rotten Tomatoes, DiCaprio's most critically and commercially successful films include What's Eating Gilbert Grape (1993), Romeo + Juliet (1996), Titanic (1997), Catch Me If You Can (2002), Gangs of New York (2002), The Aviator (2004), The Departed (2006), Blood Diamond (2006), Shutter Island (2010), Inception (2010), Django Unchained (2012), The Great Gatsby (2013), The Wolf of Wall Street (2013), The Revenant (2015), Once Upon a Time in Hollywood (2019), Don't Look Up (2021), and Killers of the Flower Moon (2023). His films have grossed $7.2 billion worldwide. DiCaprio has been recognized by the Academy of Motion Picture Arts and Sciences for the following performances:
 * 66th Academy Awards (1994): Best Supporting Actor, nomination, for What's Eating Gilbert Grape
 * 77th Academy Awards (2005): Best Actor, nomination, for The Aviator
 * 79th Academy Awards (2007): Best Actor, nomination, for Blood Diamond
 * 86th Academy Awards (2014): Best Picture and Best Actor, nominations, for The Wolf of Wall Street
 * 88th Academy Awards (2016): Best Actor, win, for The Revenant
 * 92nd Academy Awards (2020): Best Actor, nomination, for Once Upon a Time in Hollywood

DiCaprio has won three Golden Globe Awards: Best Actor – Motion Picture Drama for The Aviator and The Revenant and Best Actor – Motion Picture Musical or Comedy for The Wolf of Wall Street, as well as a BAFTA Award and a Screen Actors Guild Award for Best Actor for The Revenant.

title: Leonardo DiCaprio


text:
Binary star

A binary star or binary star system is a system of two stars that are gravitationally bound to and in orbit around each other. Binary stars in the night sky that are seen as a single object to the naked eye are often resolved using a telescope as separate stars, in which case they are called visual binaries. Many visual binaries have long orbital periods of several centuries or millennia and therefore have orbits which are uncertain or poorly known. They may also be detected by indirect techniques, such as spectroscopy (spectroscopic binaries) or astrometry (astrometric binaries). If a binary star happens to orbit in a plane along our line of sight, its components will eclipse and transit each other; these pairs are called eclipsing binaries, or, together with other binaries that change brightness as they orbit, photometric binaries.

If components in binary star systems are close enough they can gravitationally distort each other's outer stellar atmospheres. In some cases, these close binary systems can exchange mass, which may bring their evolution to stages that single stars cannot attain. Examples of binaries are Sirius, and Cygnus X-1 (Cygnus X-1 being a well-known black hole). Binary stars are also common as the nuclei of many planetary nebulae, and are the progenitors of both novae and type Ia supernovae.

Discovery
Double stars, a pair of stars that appear close to each other, have been observed since the invention of the telescope. Early examples include Mizar and Acrux. Mizar, in the Big Dipper (Ursa Major), was observed to be double by Giovanni Battista Riccioli in 1650 (and probably earlier by Benedetto Castelli and Galileo). The bright southern star Acrux, in the Southern Cross, was discovered to be double by Father Fontenay in 1685.

Evidence that stars in pairs were more than just optical alignments came in 1767 when English natural philosopher and clergyman John Michell became the first person to apply the mathematics of statistics to the study of the stars, demonstrating in a paper that many more stars occur in pairs or groups than a perfectly random distribution and chance alignment could account for. He focused his investigation on the Pleiades cluster, and calculated that the likelihood of finding such a close grouping of stars was about one in half a million. He concluded that the stars in these double or multiple star systems might be drawn to one another by gravitational pull, thus providing the first evidence for the existence of binary stars and star clusters.

William Herschel began observing double stars in 1779, hoping to find a near star paired with a distant star so he could measure the near star's changing position as the Earth orbited the Sun (measure its parallax), allowing him to calculate the distance to the near star. He would soon publish catalogs of about 700 double stars. By 1803, he had observed changes in the relative positions in a number of double stars over the course of 25 years, and concluded that, instead of showing parallax changes, they seemed to be orbiting each other in binary systems; The first orbit of a binary star was computed in 1827, when Félix Savary computed the orbit of Xi Ursae Majoris.

Over the years, many more double stars have been catalogued and measured. As of June 2017, the Washington Double Star Catalog, a database of visual double stars compiled by the United States Naval Observatory, contains over 100,000 pairs of double stars, including optical doubles as well as binary stars. Orbits are known for only a few thousand of these double stars.

Etymology
The term binary was first used in this context by Sir William Herschel in 1802, when he wrote:

"If, on the contrary, two stars should really be situated very near each other, and at the same time so far insulated as not to be materially affected by the attractions of neighbouring stars, they will then compose a separate system, and remain united by the bond of their own mutual gravitation towards each other. This should be called a real double star; and any two stars that are thus mutually connected, form the binary sidereal system which we are now to consider."

By the modern definition, the term binary star is generally restricted to pairs of stars which revolve around a common center of mass. Binary stars which can be resolved with a telescope or interferometric methods are known as visual binaries. For most of the known visual binary stars one whole revolution has not been observed yet; rather, they are observed to have travelled along a curved path or a partial arc.

The more general term double star is used for pairs of stars which are seen to be close together in the sky. This distinction is rarely made in languages other than English. Double stars may be binary systems or may be merely two stars that appear to be close together in the sky but have vastly different true distances from the Sun. The latter are termed optical doubles or optical pairs.

Methods of observation
Binary stars are classified into four types according to the way in which they are observed: visually, by observation; spectroscopically, by periodic changes in spectral lines; photometrically, by changes in brightness caused by an eclipse; or astrometrically, by measuring a deviation in a star's position caused by an unseen companion. Any binary star can belong to several of these classes; for example, several spectroscopic binaries are also eclipsing binaries.

Visual binaries
A visual binary star is a binary star for which the angular separation between the two components is great enough to permit them to be observed as a double star in a telescope, or even high-powered binoculars. The angular resolution of the telescope is an important factor in the detection of visual binaries, and as better angular resolutions are applied to binary star observations, an increasing number of visual binaries will be detected. The relative brightness of the two stars is also an important factor, as glare from a bright star may make it difficult to detect the presence of a fainter component.

The brighter star of a visual binary is the primary star, and the dimmer is considered the secondary. In some publications (especially older ones), a faint secondary is called the comes (plural comites; companion). If the stars are the same brightness, the discoverer designation for the primary is customarily accepted.

The position angle of the secondary with respect to the primary is measured, together with the angular distance between the two stars. The time of observation is also recorded. After a sufficient number of observations are recorded over a period of time, they are plotted in polar coordinates with the primary star at the origin, and the most probable ellipse is drawn through these points such that the Keplerian law of areas is satisfied. This ellipse is known as the apparent ellipse, and is the projection of the actual elliptical orbit of the secondary with respect to the primary on the plane of the sky. From this projected ellipse the complete elements of the orbit may be computed, where the semi-major axis can only be expressed in angular units unless the stellar parallax, and hence the distance, of the system is known.

Spectroscopic binaries
Sometimes, the only evidence of a binary star comes from the Doppler effect on its emitted light. In these cases, the binary consists of a pair of stars where the spectral lines in the light emitted from each star shifts first towards the blue, then towards the red, as each moves first towards us, and then away from us, during its motion about their common center of mass, with the period of their common orbit.

In these systems, the separation between the stars is usually very small, and the orbital velocity very high. Unless the plane of the orbit happens to be perpendicular to the line of sight, the orbital velocities have components in the line of sight, and the observed radial velocity of the system varies periodically. Since radial velocity can be measured with a spectrometer by observing the Doppler shift of the stars' spectral lines, the binaries detected in this manner are known as spectroscopic binaries. Most of these cannot be resolved as a visual binary, even with telescopes of the highest existing resolving power.

In some spectroscopic binaries, spectral lines from both stars are visible, and the lines are alternately double and single. Such a system is known as a double-lined spectroscopic binary (often denoted "SB2"). In other systems, the spectrum of only one of the stars is seen, and the lines in the spectrum shift periodically towards the blue, then towards red and back again. Such stars are known as single-lined spectroscopic binaries ("SB1").

The orbit of a spectroscopic binary is determined by making a long series of observations of the radial velocity of one or both components of the system. The observations are plotted against time, and from the resulting curve a period is determined. If the orbit is circular, then the curve is a sine curve. If the orbit is elliptical, the shape of the curve depends on the eccentricity of the ellipse and the orientation of the major axis with reference to the line of sight.

It is impossible to determine individually the semi-major axis a and the inclination of the orbit plane i. However, the product of the semi-major axis and the sine of the inclination (i.e. a sin i) may be determined directly in linear units (e.g. kilometres). If either a or i can be determined by other means, as in the case of eclipsing binaries, a complete solution for the orbit can be found.

Binary stars that are both visual and spectroscopic binaries are rare and are a valuable source of information when found. About 40 are known. Visual binary stars often have large true separations, with periods measured in decades to centuries; consequently, they usually have orbital speeds too small to be measured spectroscopically. Conversely, spectroscopic binary stars move fast in their orbits because they are close together, usually too close to be detected as visual binaries. Binaries that are found to be both visual and spectroscopic thus must be relatively close to Earth.

Eclipsing binaries
An eclipsing binary star is a binary star system in which the orbital plane of the two stars lies so nearly in the line of sight of the observer that the components undergo mutual eclipses. In the case where the binary is also a spectroscopic binary and the parallax of the system is known, the binary is quite valuable for stellar analysis. Algol, a triple star system in the constellation Perseus, contains the best-known example of an eclipsing binary.

Eclipsing binaries are variable stars, not because the light of the individual components vary but because of the eclipses. The light curve of an eclipsing binary is characterized by periods of practically constant light, with periodic drops in intensity when one star passes in front of the other. The brightness may drop twice during the orbit, once when the secondary passes in front of the primary and once when the primary passes in front of the secondary. The deeper of the two eclipses is called the primary regardless of which star is being occulted, and if a shallow second eclipse also occurs it is called the secondary eclipse. The size of the brightness drops depends on the relative brightness of the two stars, the proportion of the occulted star that is hidden, and the surface brightness (i.e. effective temperature) of the stars. Typically the occultation of the hotter star causes the primary eclipse.

An eclipsing binary's period of orbit may be determined from a study of its light curve, and the relative sizes of the individual stars can be determined in terms of the radius of the orbit, by observing how quickly the brightness changes as the disc of the nearest star slides over the disc of the other star. If it is also a spectroscopic binary, the orbital elements can also be determined, and the mass of the stars can be determined relatively easily, which means that the relative densities of the stars can be determined in this case.

Since about 1995, measurement of extragalactic eclipsing binaries' fundamental parameters has become possible with 8-meter class telescopes. This makes it feasible to use them to directly measure the distances to external galaxies, a process that is more accurate than using standard candles. By 2006, they had been used to give direct distance estimates to the LMC, SMC, Andromeda Galaxy, and Triangulum Galaxy. Eclipsing binaries offer a direct method to gauge the distance to galaxies to an improved 5% level of accuracy.

Non-eclipsing binaries that can be detected through photometry
Nearby non-eclipsing binaries can also be photometrically detected by observing how the stars affect each other in three ways. The first is by observing extra light which the stars reflect from their companion. Second is by observing ellipsoidal light variations which are caused by deformation of the star's shape by their companions. The third method is by looking at how relativistic beaming affects the apparent magnitude of the stars. Detecting binaries with these methods requires accurate photometry.

Astrometric binaries
Astronomers have discovered some stars that seemingly orbit around an empty space. Astrometric binaries are relatively nearby stars which can be seen to wobble around a point in space, with no visible companion. The same mathematics used for ordinary binaries can be applied to infer the mass of the missing companion. The companion could be very dim, so that it is currently undetectable or masked by the glare of its primary, or it could be an object that emits little or no electromagnetic radiation, for example a neutron star.

The visible star's position is carefully measured and detected to vary, due to the gravitational influence from its counterpart. The position of the star is repeatedly measured relative to more distant stars, and then checked for periodic shifts in position. Typically this type of measurement can only be performed on nearby stars, such as those within 10 parsecs. Nearby stars often have a relatively high proper motion, so astrometric binaries will appear to follow a wobbly path across the sky.

If the companion is sufficiently massive to cause an observable shift in position of the star, then its presence can be deduced. From precise astrometric measurements of the movement of the visible star over a sufficiently long period of time, information about the mass of the companion and its orbital period can be determined. Even though the companion is not visible, the characteristics of the system can be determined from the observations using Kepler's laws.

This method of detecting binaries is also used to locate extrasolar planets orbiting a star. However, the requirements to perform this measurement are very exacting, due to the great difference in the mass ratio, and the typically long period of the planet's orbit. Detection of position shifts of a star is a very exacting science, and it is difficult to achieve the necessary precision. Space telescopes can avoid the blurring effect of Earth's atmosphere, resulting in more precise resolution.

Configuration of the system
Another classification is based on the distance between the stars, relative to their sizes:

Detached binaries are binary stars where each component is within its Roche lobe, i.e. the area where the gravitational pull of the star itself is larger than that of the other component. While on the main sequence the stars have no major effect on each other, and essentially evolve separately. Most binaries belong to this class.

Semidetached binary stars are binary stars where one of the components fills the binary star's Roche lobe and the other does not. Gas from the surface of the Roche-lobe-filling component (donor) is transferred to the other, accreting star. The mass transfer dominates the evolution of the system. In many cases, the inflowing gas forms an accretion disc around the accretor.

A contact binary is a type of binary star in which both components of the binary fill their Roche lobes. The uppermost part of the stellar atmospheres forms a common envelope that surrounds both stars. As the friction of the envelope brakes the orbital motion, the stars may eventually merge. W Ursae Majoris is an example.

Cataclysmic variables and X-ray binaries

When a binary system contains a compact object such as a white dwarf, neutron star or black hole, gas from the other (donor) star can accrete onto the compact object. This releases gravitational potential energy, causing the gas to become hotter and emit radiation. Cataclysmic variable stars, where the compact object is a white dwarf, are examples of such systems. In X-ray binaries, the compact object can be either a neutron star or a black hole. These binaries are classified as low-mass or high-mass according to the mass of the donor star. High-mass X-ray binaries contain a young, early-type, high-mass donor star which transfers mass by its stellar wind, while low-mass X-ray binaries are semidetached binaries in which gas from a late-type donor star or a white dwarf overflows the Roche lobe and falls towards the neutron star or black hole. Probably the best known example of an X-ray binary is the high-mass X-ray binary Cygnus X-1. In Cygnus X-1, the mass of the unseen companion is estimated to be about nine times that of the Sun, far exceeding the Tolman–Oppenheimer–Volkoff limit for the maximum theoretical mass of a neutron star. It is therefore believed to be a black hole; it was the first object for which this was widely believed.

Orbital period
Orbital periods can be less than an hour (for AM CVn stars), or a few days (components of Beta Lyrae), but also hundreds of thousands of years (Proxima Centauri around Alpha Centauri AB).

Variations in period
The Applegate mechanism explains long term orbital period variations seen in certain eclipsing binaries. As a main-sequence star goes through an activity cycle, the outer layers of the star are subject to a magnetic torque changing the distribution of angular momentum, resulting in a change in the star's oblateness. The orbit of the stars in the binary pair is gravitationally coupled to their shape changes, so that the period shows modulations (typically on the order of ∆P/P ~ 10−5) on the same time scale as the activity cycles (typically on the order of decades).

Another phenomenon observed in some Algol binaries has been monotonic period increases. This is quite distinct from the far more common observations of alternating period increases and decreases explained by the Applegate mechanism. Monotonic period increases have been attributed to mass transfer, usually (but not always) from the less massive to the more massive star

A and B
The components of binary stars are denoted by the suffixes A and B appended to the system's designation, A denoting the primary and B the secondary. The suffix AB may be used to denote the pair (for example, the binary star α Centauri AB consists of the stars α Centauri A and α Centauri B.) Additional letters, such as C, D, etc., may be used for systems with more than two stars. In cases where the binary star has a Bayer designation and is widely separated, it is possible that the members of the pair will be designated with superscripts; an example is Zeta Reticuli, whose components are ζ1 Reticuli and ζ2 Reticuli.

Discoverer designations
Double stars are also designated by an abbreviation giving the discoverer together with an index number. α Centauri, for example, was found to be double by Father Richaud in 1689, and so is designated RHD 1. These discoverer codes can be found in the Washington Double Star Catalog.

Hot and cold
The secondary star in a binary star system may be designated as the hot companion or cool companion, depending on its temperature relative to the primary star.

Examples:
 * Antares (Alpha Scorpii) is a red supergiant star in a binary system with a hotter blue main-sequence star Antares B. Antares B can therefore be termed a hot companion of the cool supergiant.
 * Symbiotic stars, such as R Aquarii, are binary star systems composed of a late-type giant star and a hotter companion object. Since the nature of the companion is not well-established in all cases, it may be termed a "hot companion".
 * The luminous blue variable Eta Carinae has been determined to be a binary star system. The secondary appears to have a higher temperature than the primary and has therefore been described as being the "hot companion" star. It may be a Wolf–Rayet star.
 * NASA's Kepler mission has discovered examples of eclipsing binary stars where the secondary is the hotter component. KOI-74b is a 12,000 K white dwarf companion of KOI-74, a 9,400 K early A-type main-sequence star.  KOI-81b is a 13,000 K white dwarf companion of KOI-81 , a 10,000 K late B-type main-sequence star.

Formation
While it is not impossible that some binaries might be created through gravitational capture between two single stars, given the very low likelihood of such an event (three objects being actually required, as conservation of energy rules out a single gravitating body capturing another) and the high number of binaries currently in existence, this cannot be the primary formation process. The observation of binaries consisting of stars not yet on the main sequence supports the theory that binaries develop during star formation. Fragmentation of the molecular cloud during the formation of protostars is an acceptable explanation for the formation of a binary or multiple star system.

The outcome of the three-body problem, in which the three stars are of comparable mass, is that eventually one of the three stars will be ejected from the system and, assuming no significant further perturbations, the remaining two will form a stable binary system.

Mass transfer and accretion
As a main-sequence star increases in size during its evolution, it may at some point exceed its Roche lobe, meaning that some of its matter ventures into a region where the gravitational pull of its companion star is larger than its own. The result is that matter will transfer from one star to another through a process known as Roche lobe overflow (RLOF), either being absorbed by direct impact or through an accretion disc. The mathematical point through which this transfer happens is called the first Lagrangian point. It is not uncommon that the accretion disc is the brightest (and thus sometimes the only visible) element of a binary star.

If a star grows outside of its Roche lobe too fast for all abundant matter to be transferred to the other component, it is also possible that matter will leave the system through other Lagrange points or as stellar wind, thus being effectively lost to both components. Since the evolution of a star is determined by its mass, the process influences the evolution of both companions, and creates stages that cannot be attained by single stars.

Studies of the eclipsing ternary Algol led to the Algol paradox in the theory of stellar evolution: although components of a binary star form at the same time, and massive stars evolve much faster than the less massive ones, it was observed that the more massive component Algol A is still in the main sequence, while the less massive Algol B is a subgiant at a later evolutionary stage. The paradox can be solved by mass transfer: when the more massive star became a subgiant, it filled its Roche lobe, and most of the mass was transferred to the other star, which is still in the main sequence. In some binaries similar to Algol, a gas flow can actually be seen.

Runaways and novae
It is also possible for widely separated binaries to lose gravitational contact with each other during their lifetime, as a result of external perturbations. The components will then move on to evolve as single stars. A close encounter between two binary systems can also result in the gravitational disruption of both systems, with some of the stars being ejected at high velocities, leading to runaway stars.

If a white dwarf has a close companion star that overflows its Roche lobe, the white dwarf will steadily accrete gases from the star's outer atmosphere. These are compacted on the white dwarf's surface by its intense gravity, compressed and heated to very high temperatures as additional material is drawn in. The white dwarf consists of degenerate matter and so is largely unresponsive to heat, while the accreted hydrogen is not. Hydrogen fusion can occur in a stable manner on the surface through the CNO cycle, causing the enormous amount of energy liberated by this process to blow the remaining gases away from the white dwarf's surface. The result is an extremely bright outburst of light, known as a nova.

In extreme cases this event can cause the white dwarf to exceed the Chandrasekhar limit and trigger a supernova that destroys the entire star, another possible cause for runaways. An example of such an event is the supernova SN 1572, which was observed by Tycho Brahe. The Hubble Space Telescope recently took a picture of the remnants of this event.

Astrophysics
Binaries provide the best method for astronomers to determine the mass of a distant star. The gravitational pull between them causes them to orbit around their common center of mass. From the orbital pattern of a visual binary, or the time variation of the spectrum of a spectroscopic binary, the mass of its stars can be determined, for example with the binary mass function. In this way, the relation between a star's appearance (temperature and radius) and its mass can be found, which allows for the determination of the mass of non-binaries.

Because a large proportion of stars exist in binary systems, binaries are particularly important to our understanding of the processes by which stars form. In particular, the period and masses of the binary tell us about the amount of angular momentum in the system. Because this is a conserved quantity in physics, binaries give us important clues about the conditions under which the stars were formed.

Calculating the center of mass in binary stars
In a simple binary case, the distance r1 from the center of the first star to the center of mass or barycenter is given by

$$r_1 = a \cdot \frac{m_2}{m_1 + m_2} = \frac{a}{1 + \frac{m_1}{m_2}},$$

where
 * a is the distance between the two stellar centers, and
 * m1 and m2 are the masses of the two stars.

If a is taken to be the semimajor axis of the orbit of one body around the other, then r1 is the semimajor axis of the first body's orbit around the center of mass or barycenter, and r2 = a − r1 is the semimajor axis of the second body's orbit. When the center of mass is located within the more massive body, that body appears to wobble rather than following a discernible orbit.

Center-of-mass animations
The red cross marks the center of mass of the system. These images do not represent any specific real system.

Research findings
It is estimated that approximately one third of the star systems in the Milky Way are binary or multiple, with the remaining two thirds being single stars. The overall multiplicity frequency of ordinary stars is a monotonically increasing function of stellar mass. That is, the likelihood of being in a binary or a multi-star system steadily increases as the masses of the components increase.

There is a direct correlation between the period of revolution of a binary star and the eccentricity of its orbit, with systems of short period having smaller eccentricity. Binary stars may be found with any conceivable separation, from pairs orbiting so closely that they are practically in contact with each other, to pairs so distantly separated that their connection is indicated only by their common proper motion through space. Among gravitationally bound binary star systems, there exists a so-called log normal distribution of periods, with the majority of these systems orbiting with a period of about 100 years. This is supporting evidence for the theory that binary systems are formed during star formation.

In pairs where the two stars are of equal brightness, they are also of the same spectral type. In systems where the brightnesses are different, the fainter star is bluer if the brighter star is a giant star, and redder if the brighter star belongs to the main sequence.

The mass of a star can be directly determined only from its gravitational attraction. Apart from the Sun and stars which act as gravitational lenses, this can be done only in binary and multiple star systems, making the binary stars an important class of stars. In the case of a visual binary star, after the orbit and the stellar parallax of the system has been determined, the combined mass of the two stars may be obtained by a direct application of the Keplerian harmonic law.

Unfortunately, it is impossible to obtain the complete orbit of a spectroscopic binary unless it is also a visual or an eclipsing binary, so from these objects only a determination of the joint product of mass and the sine of the angle of inclination relative to the line of sight is possible. In the case of eclipsing binaries which are also spectroscopic binaries, it is possible to find a complete solution for the specifications (mass, density, size, luminosity, and approximate shape) of both members of the system.

Planets

While a number of binary star systems have been found to harbor extrasolar planets, such systems are comparatively rare compared to single star systems. Observations by the Kepler space telescope have shown that most single stars of the same type as the Sun have plenty of planets, but only one-third of binary stars do. According to theoretical simulations, even widely separated binary stars often disrupt the discs of rocky grains from which protoplanets form. On the other hand, other simulations suggest that the presence of a binary companion can actually improve the rate of planet formation within stable orbital zones by "stirring up" the protoplanetary disk, increasing the accretion rate of the protoplanets within.

Detecting planets in multiple star systems introduces additional technical difficulties, which may be why they are only rarely found. Examples include the white dwarf-pulsar binary PSR B1620-26, the subgiant-red dwarf binary Gamma Cephei, and the white dwarf-red dwarf binary NN Serpentis, among others.

A study of fourteen previously known planetary systems found three of these systems to be binary systems. All planets were found to be in S-type orbits around the primary star. In these three cases the secondary star was much dimmer than the primary and so was not previously detected. This discovery resulted in a recalculation of parameters for both the planet and the primary star.

Science fiction has often featured planets of binary or ternary stars as a setting, for example, George Lucas' Tatooine from Star Wars, and one notable story, "Nightfall", even takes this to a six-star system. In reality, some orbital ranges are impossible for dynamical reasons (the planet would be expelled from its orbit relatively quickly, being either ejected from the system altogether or transferred to a more inner or outer orbital range), whilst other orbits present serious challenges for eventual biospheres because of likely extreme variations in surface temperature during different parts of the orbit. Planets that orbit just one star in a binary system are said to have "S-type" orbits, whereas those that orbit around both stars have "P-type" or "circumbinary" orbits. It is estimated that 50–60% of binary systems are capable of supporting habitable terrestrial planets within stable orbital ranges.

Examples

The large distance between the components, as well as their difference in color, make Albireo one of the easiest observable visual binaries. The brightest member, which is the third-brightest star in the constellation Cygnus, is actually a close binary itself. Also in the Cygnus constellation is Cygnus X-1, an X-ray source considered to be a black hole. It is a high-mass X-ray binary, with the optical counterpart being a variable star. Sirius is another binary and the brightest star in the night time sky, with a visual apparent magnitude of −1.46. It is located in the constellation Canis Major. In 1844 Friedrich Bessel deduced that Sirius was a binary. In 1862 Alvan Graham Clark discovered the companion (Sirius B; the visible star is Sirius A). In 1915 astronomers at the Mount Wilson Observatory determined that Sirius B was a white dwarf, the first to be discovered. In 2005, using the Hubble Space Telescope, astronomers determined Sirius B to be 12000 km in diameter, with a mass that is 98% of the Sun.

An example of an eclipsing binary is Epsilon Aurigae in the constellation Auriga. The visible component belongs to the spectral class F0, the other (eclipsing) component is not visible. The last such eclipse occurred from 2009 to 2011, and it is hoped that the extensive observations that will likely be carried out may yield further insights into the nature of this system. Another eclipsing binary is Beta Lyrae, which is a semidetached binary star system in the constellation of Lyra.

Other interesting binaries include 61 Cygni (a binary in the constellation Cygnus, composed of two K class (orange) main-sequence stars, 61 Cygni A and 61 Cygni B, which is known for its large proper motion), Procyon (the brightest star in the constellation Canis Minor and the eighth-brightest star in the night time sky, which is a binary consisting of the main star with a faint white dwarf companion), SS Lacertae (an eclipsing binary which stopped eclipsing), V907 Sco (an eclipsing binary which stopped, restarted, then stopped again), BG Geminorum (an eclipsing binary which is thought to contain a black hole with a K0 star in orbit around it), and 2MASS J18082002−5104378 (a binary in the "thin disk" of the Milky Way, and containing one of the oldest known stars).

Multiple-star examples
Systems with more than two stars are termed multiple stars. Algol is the most noted ternary (long thought to be a binary), located in the constellation Perseus. Two components of the system eclipse each other, the variation in the intensity of Algol first being recorded in 1670 by Geminiano Montanari. The name Algol means "demon star" (from الغول al-ghūl), which was probably given due to its peculiar behavior. Another visible ternary is Alpha Centauri, in the southern constellation of Centaurus, which contains the third-brightest star in the night sky, with an apparent visual magnitude of −0.01. This system also underscores the fact that no search for habitable planets is complete if binaries are discounted. Alpha Centauri A and B have an 11 AU distance at closest approach, and both should have stable habitable zones.

There are also examples of systems beyond ternaries: Castor is a sextuple star system, which is the second-brightest star in the constellation Gemini and one of the brightest stars in the nighttime sky. Astronomically, Castor was discovered to be a visual binary in 1719. Each of the components of Castor is itself a spectroscopic binary. Castor also has a faint and widely separated companion, which is also a spectroscopic binary. The Alcor–Mizar visual binary in Ursa Majoris also consists of six stars: four comprising Mizar and two comprising Alcor.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Binary star