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Lord Voldemort

Lord Voldemort (,  in the films) is a character and the main antagonist in J. K. Rowling's series of Harry Potter novels. The character first appeared in Harry Potter and the Philosopher's Stone, which was published in 1997, and returned either in person or in flashbacks in each book and its film adaptation in the series except the third, Harry Potter and the Prisoner of Azkaban, in which he is only mentioned.

Voldemort, an anagrammatic sobriquet for Tom Marvolo Riddle, is the archenemy of Harry Potter, who according to a prophecy has "the power to vanquish the Dark Lord". He attempts to murder the boy, but instead kills his parents, Lily and James Potter, and leaves Harry with a scar on his forehead in the shape of a lightning bolt. Nearly every witch or wizard dares not utter his name and refers to him instead with such monikers as "You-Know-Who", "He-Who-Must-Not-Be-Named", or "The Dark Lord". Voldemort's obsession with blood purity signifies his aim to rid the wizarding world of Muggle (non-magical) heritage and to conquer both worlds, Muggle and wizarding, to achieve pure-blood dominance. Through his mother's family, he is the last descendant of the wizard Salazar Slytherin, one of the four founders of Hogwarts School of Witchcraft and Wizardry. He is the leader of the Death Eaters, a group of wizards and witches dedicated to ridding the Wizarding World of Muggles and establishing Voldemort as its supreme ruler.

Character development
In a 1999 interview, Rowling said Voldemort was invented as a nemesis for Harry Potter, and she intentionally did not flesh out Voldemort's backstory at first. "The basic idea [was that Harry] didn't know he was a wizard ... And so then I kind of worked backwards from that position to find out how that could be, that he wouldn't know what he was. ... When he was one year old, the most evil wizard for hundreds and hundreds of years attempted to kill him. He killed Harry's parents, and then he tried to kill Harry—he tried to curse him. ... Harry has to find out, before we find out. And—so—but for some mysterious reason the curse didn't work on Harry. So he's left with this lightning bolt-shaped scar on his forehead and the curse rebounded upon the evil wizard, who has been in hiding ever since."

In the second book, Rowling establishes that Voldemort hates non-pure-blood wizards, despite being a half-blood himself. In a 2000 interview with the BBC, Rowling described Voldemort as a self-hating bully: "Well I think it is often the case that the biggest bullies take what they know to be their own defects, as they see it, and they put them right on someone else and then they try and destroy the other and that's what Voldemort does." In the same year, Rowling became more precise about Voldemort. She began to link him to real-life tyrants, describing him as "a raging psychopath, devoid of the normal human responses to other people's suffering". In 2004, though, Rowling said that she did not base Voldemort on any real person. In 2006, Rowling told an interviewer that Voldemort at his core has a human fear: the fear of death. She said: "Voldemort's fear is death, ignominious death. I mean, he regards death itself as ignominious. He thinks that it's a shameful human weakness, as you know. His worst fear is death."

Throughout the series, Rowling establishes that Voldemort is so feared in the wizarding world that it is considered dangerous even to speak his name. Most characters in the novels refer to him as "You-Know-Who" or "He-Who-Must-Not-Be-Named" rather than say his name aloud. In Harry Potter and the Deathly Hallows, a "taboo" spell is placed upon the name, such that Voldemort or his followers may trace anyone who utters it. By this means, his followers eventually find and capture Harry and his friends Ron Weasley and Hermione Granger. In the second book, Rowling reveals that I am Lord Voldemort is an anagram of the character's birth name, Tom Marvolo Riddle. According to the author, Voldemort's name is an invented word. The name Voldemort is derived from the French vol de mort which means "flight of death" or "theft of death".

Harry Potter and the Philosopher's Stone

Voldemort makes his debut in Harry Potter and the Philosopher's Stone. In this story, Rowling introduces him as the Dark Lord who tried to kill Harry Potter because the boy was prophesied to destroy him. Voldemort murdered Harry's parents, James and Lily, but as a result of his mother's love and willingness to sacrifice herself for him, baby Harry survived when Voldemort tried to murder him with a Killing Curse. Voldemort was disembodied, and Harry was left with a mysterious, lightning bolt-shaped scar on his forehead as a result.

In the book, Voldemort unsuccessfully tries to regain his dissolved body by stealing the titular Philosopher's Stone. To achieve his objective, Voldemort uses Professor Quirrell's aid by latching onto the back of the latter's head. However, at the climax of the book, Harry manages to prevent Voldemort from stealing the stone.

Harry Potter and the Chamber of Secrets
In the second instalment, Harry Potter and the Chamber of Secrets, Rowling introduces Tom Marvolo Riddle, a manifestation of a teenage Voldemort that resides inside a magical diary found by Ginny Weasley. In this book, Ginny is written as a shy girl with a crush on Harry. Feeling anxious and lonely, she begins to write into the diary and shares her deepest fears with the sympathetic Tom. However, at the climax of the story, when Riddle rearranges the letters in his name to write "I am Lord Voldemort", Riddle is revealed as a magical manifestation of the boy who would later grow up to become the Dark Lord. Riddle states he has grown strong on Ginny's fears and eventually possesses her, using her as a pawn to unlock the Chamber of Secrets, whence a basilisk is set free and petrifies several Hogwarts students. Harry defeats the manifestation of Riddle from the diary and the basilisk. In Harry Potter and the Half-Blood Prince, Albus Dumbledore reveals to Harry that the diary was one of Voldemort's Horcruxes.

Harry Potter and the Prisoner of Azkaban
Voldemort does not appear in the third book, Harry Potter and the Prisoner of Azkaban, either in person or as a magical manifestation. He is, however, heard when Harry passes out from the harsh effects of a Dementor. Towards the end of the story, Sybill Trelawney, the Divination professor, makes a rare genuine prophecy: "The Dark Lord lies alone and friendless, abandoned by his followers. His servant has been chained these twelve years. Tonight, before midnight, the servant will break free and set out to rejoin his master. The Dark Lord will rise again with his servant's aid, greater and more terrible than ever before. Tonight... before midnight... the servant... will set out... to rejoin... his master..." Though it is initially implied that the prophecy refers to Sirius Black, the book's ostensible antagonist, the servant is eventually revealed to be Peter Pettigrew, who, for the 12 years since Voldemort's fall, has been disguised as Ron's pet rat, Scabbers.

Harry Potter and the Goblet of Fire
In the fourth instalment of the series, Harry Potter and the Goblet of Fire, Voldemort reappears at the start and the climax of the book. Rowling lets many seemingly unrelated plot elements fall into order. It is revealed that Voldemort's minion Barty Crouch Jr, disguised as Hogwarts professor Mad-Eye Moody, has manipulated the events of the Triwizard Tournament in Harry's favour. Voldemort's goal is to teleport Harry under Dumbledore's watch as a reluctant participant to the Little Hangleton graveyard, where the Riddle family is buried. Harry is captured and, after Pettigrew uses Harry's blood to fulfil a gruesome magical ritual, Voldemort regains his body and is restored to his full power. For the first time in the series, Rowling describes his appearance: "tall and skeletally thin", with a face "whiter than a skull, with wide, livid scarlet eyes and a nose that was as flat as a snake's with slits for nostrils". Rowling writes that his "hands were like large, pale spiders; his long white fingers caressed his own chest, his arms, his face; the red eyes, whose pupils were slits, like a cat's, gleamed still more brightly through the darkness". It was revealed that, while in Albania, Pettigrew had captured the Ministry of Magic official Bertha Jorkins, who was tortured for information about the Ministry. After they learned that Barty Crouch Jr, a faithful Death Eater, had been smuggled out of Azkaban and was privately confined at his father's house, they killed her. With Pettigrew's help, Voldemort creates a small, rudimentary body, corporeal enough to travel and perform magic, and formulated a plan to restore his own body by capturing Harry. A portion of the plan had been overheard by Frank Bryce, a gardener, whom Voldemort then killed. Voldemort then completes his plan and returns to life in his full body as a result of the ritual with Harry's blood. He then summons his Death Eaters to the graveyard to witness the death of Harry as he challenges Harry to a duel. However, when Voldemort duels Harry, their wands become magically locked together due to the twin Phoenix feather cores of the wands. Because of a phenomenon later revealed as Priori Incantatem, ghost-like manifestations of Voldemort's most recent victims (including Harry's parents) then appear and distract Voldemort, allowing Harry just enough time to escape via Portkey with the body of fellow-student, Cedric Diggory, who was murdered by Pettigrew on Voldemort's orders.

Harry Potter and the Order of the Phoenix
Voldemort appears at the climax of the fifth book, Harry Potter and the Order of the Phoenix, having again plotted against Harry. In this book, Harry goes through extreme emotional stress, and according to Rowling, it was necessary to prove that Harry is emotionally vulnerable and thus human, in contrast to his nemesis Voldemort, who is emotionally invulnerable and thus inhuman: "[Harry is] a very human hero, and this is, obviously, there's a contrast, between him, as a very human hero, and Voldemort, who has deliberately dehumanised himself. […] and Harry, therefore, did have to reach a point where he did almost break down." In this book, Voldemort makes liberal use of the Ministry of Magic's refusal to believe that he has returned. Voldemort engineers a plot to free Bellatrix Lestrange and other Death Eaters from Azkaban and then embarks on a scheme to retrieve the full record of a prophecy stored in the Department of Mysteries regarding Harry and himself. He sends a group of Death Eaters to retrieve the prophecy, where the Order of the Phoenix meets them. All but Bellatrix are captured, and Voldemort engages in a ferocious duel with Dumbledore. When Dumbledore gets the upper hand, Voldemort attempts to possess Harry but finds that he cannot; Harry is too full of that which Voldemort finds incomprehensible, and which he detests as weakness: love. Sensing that Dumbledore could win, Voldemort disapparates, but not before the Minister for Magic sees him in person, making his return to life public knowledge in the next book.

Harry Potter and the Half-Blood Prince
Voldemort does not appear in Harry Potter and the Half-Blood Prince, although his presence and actions are felt: he once again declares war and begins to rise to power once more. He murders Amelia Bones of the Department of Magical Law Enforcement and begins to target members of the Order of the Phoenix, including Emmeline Vance.

Rowling uses several chapters as exposition to establish Voldemort's backstory. In a series of flashbacks, using the pensieve as a plot device, she reveals that Voldemort was the son of the witch Merope Gaunt and a Muggle called Tom Riddle. Riddle abandoned Merope before their child's birth, soon after which Merope died. After living in an orphanage, young Riddle met Dumbledore, who told him he was a wizard and arranged for him to attend Hogwarts. Riddle was outwardly a model student, but was in reality a psychopath who took sadistic pleasure in using his powers to harm and control people. He eventually murdered his father and grandparents as revenge for abandoning him. The book also discusses Riddle's hatred of Muggles, his obsession with Horcruxes, and his desire to split his soul to achieve immortality. Rowling stated Voldemort's conception under the influence of a love potion symbolises the coercive circumstances under which he was brought into the world.

In the main plot of the book, Voldemort's next step is to engineer an assault on Hogwarts, and to kill Dumbledore. This is accomplished by Draco Malfoy, who arranges transportation of Death Eaters into Hogwarts by a pair of Vanishing Cabinets, which bypass the extensive protective enchantments placed around the school. The cabinets allow Voldemort's Death Eaters to enter Hogwarts, where battle commences and Dumbledore is cornered. Hogwarts professor (and re-doubled agent) Severus Snape uses the Killing Curse against Dumbledore when Draco could not force himself to do so.

Harry Potter and the Deathly Hallows
In Harry Potter and the Deathly Hallows, Voldemort furthers his quest for ultimate power. He disposes of the Minister for Magic and replaces him with Pius Thicknesse, who is under the Imperius Curse. Establishing a totalitarian police state, he has Muggle-borns persecuted and arrested for "stealing magic" from the "pure blood" wizards. After failing to kill Harry with Draco's father Lucius Malfoy's borrowed wand (to avoid the effect of Priori Incantatem), he goes on a murderous search for the Elder Wand, the most powerful wand ever created, seeing it as the weapon he needs to overcome Harry's wand and make him truly invincible. He goes on a quest that takes him out of the country to Gregorovitch's wand shop, where he kills the old wandmaker. His journey also takes him to Nurmengard, the prison where Gellert Grindelwald is kept, and he kills Grindelwald as well. He finally locates the Elder Wand and steals it from Dumbledore's tomb.

Later, Voldemort finds out that Harry and his friends are hunting and destroying his Horcruxes when informed of their heist on the Lestranges' vault at Gringotts in search for Hufflepuff's Cup. After offering the occupants of Hogwarts mercy if they give up Harry, he assembles a large army and launches an invasion of the castle, where Harry is searching for Ravenclaw's Diadem. Voldemort orders his pet snake Nagini to execute Snape, believing it would make him the true master of the Elder Wand, since Snape killed Dumbledore. He then calls an hour's armistice, in exchange for Harry. When Harry willingly walks into Voldemort's camp in the Forbidden Forest, Voldemort strikes him down with the Elder Wand. However, the use of Harry's blood to resurrect Voldemort's body proves to be a major setback: while Harry's blood runs in Voldemort's veins, Harry cannot be killed as his mother's protection lives on now in Voldemort too. Instead, Voldemort destroys the part of his own soul that resides in Harry's body. Voldemort forces Rubeus Hagrid to carry Harry's apparently lifeless body back to the castle as a trophy, sparking another battle during which Nagini, his last Horcrux, is destroyed by Neville Longbottom. The battle then moves into the Great Hall, where Voldemort fights Minerva McGonagall, Kingsley Shacklebolt, and Horace Slughorn simultaneously. Harry then reveals himself and explains to Voldemort that Draco became the true master of the Elder Wand when he disarmed Dumbledore; Harry, in turn, won the wand's allegiance when he took Draco's wand. Refusing to believe this, Voldemort casts the Killing Curse with the Elder Wand while Harry uses a Disarming Charm with Draco's, but the Elder Wand refuses to kill its master and the spell rebounds on Voldemort who, with all of his Horcruxes destroyed, finally dies. His body is laid in a different chamber from all the others who died battling him.

Rowling stated that after his death, Voldemort is forced to exist in the stunted infant-like form that Harry sees in the King's Cross-like limbo after his confrontation with Voldemort in the Forbidden Forest. Rowling also mentioned that, despite his extreme fear of death, he cannot become a ghost.

Portrayals within films
Voldemort appears in every Harry Potter film, with the exception of Harry Potter and the Prisoner of Azkaban. Several actors have portrayed him in his varying incarnations and ages.

In Harry Potter and the Philosopher's Stone, Voldemort's manifestation is as a face on the back of Quirrell's head, an effect achieved by computer generated imagery. Ian Hart, the actor who played Quirrell in the same film, provided the voice and the facial source for this character. Voldemort also appears in a scene in the Forbidden Forest where he is seen drinking the blood of a unicorn. As Voldemort's face was altered enough by CG work, and Hart's voice was affected enough, there was no confusion by Hart's playing of the two roles. In that film, he was also shown in a flashback sequence when he arrived at the home of James and Lily Potter to kill them. In this scene Voldemort is played by Richard Bremmer, though his face is never seen. His next appearance would be in Harry Potter and the Chamber of Secrets as the 16-year-old Tom Marvolo Riddle (portrayed by Christian Coulson).

In Harry Potter and the Goblet of Fire, Voldemort is initially only heard, possessing the scratchy, weak voice heard in the first film. By the film's climax, however, he appears in his physical form for the first time, played by Ralph Fiennes. As in the book, Voldemort is shown clad in dark black robes, being tall and emaciated, with no hair and yellowish teeth; his wand has a white tone, and the handle appears to be made of bone; his fingernails are long and pale blue while his toenails appear to be infected. Unlike in the book, his pupils are not cat-like, and his eyes are blue, because producer David Heyman felt that his evil would not be able to be seen and would not fill the audience with fear (his eyes do briefly take on a snake-like appearance when he opens them after turning human, but quickly turn normal). As in the book, the film version of Voldemort has snake-like slit nostrils with the flesh of his nose significantly pressed back. Ralph Fiennes' nose was not covered in makeup on the set but was digitally removed in post-production. In this first appearance, Voldemort also has a forked tongue, but this element was removed for the subsequent films.

Fiennes stated that he had two weeks to shoot the climactic showdown scene where he is gloating over a terrified Harry, played by Daniel Radcliffe. Fiennes said with a chuckle: "I have no doubt children will be afraid of me now if they weren't before." In preparation, he read the novel Goblet of Fire, but jokingly conceded: "I was only interested in my scene, and I had to go through thousands and thousands of other scenes which I did, dutifully, until I got to my scene and I read it many, many, many, many, many times and that was my research." Fiennes reprised his role as Voldemort in Harry Potter and the Order of the Phoenix and Harry Potter and the Deathly Hallows – Part 1 and Part 2.

Fiennes's nephew, Hero Fiennes Tiffin, portrayed Tom Riddle as a child in Harry Potter and the Half-Blood Prince. By the time filming arrived Christian Coulson was 29, and not considered suitable to return as the adolescent Riddle. Thomas James Longley was originally scheduled to take over the role, but last minute renegotiations saw Frank Dillane cast instead.

Stefano Rossi portrayed Tom Riddle in the 2018 unofficial fan-made prequel film Voldemort: Origins of the Heir.

Appearances in other material
In Harry Potter and the Cursed Child, it is revealed that Bellatrix gave birth to Voldemort's daughter Delphi in Malfoy Manor before the Battle of Hogwarts. Twenty-two years later, Delphi poses as Cedric's cousin and manipulates Harry and Ginny's second son Albus Severus Potter and his friend, Draco and Astoria Greengrass's son Scorpius Malfoy, into stealing a prototype Time Turner with which she hopes to resurrect her father. Using the Time Turner, Scorpius accidentally creates an alternative timeline where Voldemort killed Harry at the battle and now rules the wizarding world. In an attempt to achieve this future, Delphi travels to Godric's Hollow on the night Voldemort killed Harry's parents, hoping to avert the prophecy that led to her father's downfall. After receiving a message from his son, Harry, together with Ron, Hermione and Draco (who by now has become friends with Harry after they join forces to save their respective sons) transfigures himself into Voldemort so that he can distract Delphi, allowing them to overpower her. The real Voldemort kills Harry's parents as prophesied, and Delphi is sent to Azkaban.

Outward appearance
After he regains his body in the fourth book, Rowling describes Voldemort as having pale skin, a chalk-white, skull-like face, snake-like slits for nostrils, red eyes and cat-like slits for pupils, a skeletally thin body and long, thin hands with unnaturally long fingers. As mentioned in the first chapter of the seventh book, he also has no hair or lips. Earlier in life, as seen through flashbacks contained in the second and sixth books, Tom Marvolo Riddle was handsome and tall with pale skin, jet black hair, and dark brown eyes. He could charm many people with his looks. The transformation into his monstrous state is believed to have been the result of creating his Horcruxes and becoming less human as he continued to divide his soul. In the films, Voldemort's eyes are blue with round pupils, as the decision was made not to have his portrayer Ralph Fiennes wear colored contact lenses.

Personality
Rowling described Voldemort as "the most evil wizard for hundreds and hundreds of years". She elaborated that he is a "raging psychopath, devoid of the normal human responses to other people's suffering", and whose only ambition in life is to become all-powerful and immortal. He is also a sadist who hurts and murders people—especially Muggles—for his own amusement. He has no conscience, feels no remorse or empathy, and does not recognise the worth and humanity of anybody except himself. He feels no need for human companionship or friendship and cannot comprehend love or affection for another. He believes he is superior to everyone around him, to the point that he frequently refers to himself in the third person as "Lord Voldemort". Rowling also stated that Voldemort is "incredibly power hungry. Racist, really", and that if Voldemort were to look into the Mirror of Erised, in which one sees one's greatest desire, he would see "Himself, all-powerful and eternal. That's what he wants."

Rowling also stated that Voldemort's conception by influence of Amortentia—a love potion administered by his mother, a witch named Merope Gaunt, to the Muggle Tom Riddle—is related to his inability to understand love; it is "a symbolic way of showing that he came from a loveless union—but of course, everything would have changed if Merope had survived and raised him herself and loved him. The enchantment under which Tom Riddle fathered Voldemort is important because it shows coercion, and there can't be many more prejudicial ways to enter the world than as the result of such a union".

Like most archetypical villains, Voldemort's arrogance leads to his downfall. He also suffers from a pathological fear of death, which he regards as a shameful and ignominious human weakness. According to Rowling, his Boggart would be his own corpse. Rowling also said that the difference between Harry and Voldemort is that Harry accepts mortality, and thus Harry is, in the end, stronger than his nemesis.

Magical abilities and skills
Rowling establishes Voldemort throughout the series as an extremely powerful, intelligent, and ruthless dark wizard, described as the greatest and most powerful Dark Wizard of all time. He is known as one of the greatest Legilimens in the world and a highly accomplished Occlumens; he can read minds and shield his own from penetration. Besides Dumbledore, he is also the only wizard ever known to be able to apparate silently. Voldemort was also said to fear one wizard alone, Dumbledore.

In the final book, Voldemort flies unsupported, something that amazes those who see it. Voldemort, like his ancestral family, the Gaunts, is a Parselmouth, meaning he can converse with serpents. This skill was inherited from his ancestor, Salazar Slytherin. The Gaunt family speak Parseltongue among themselves. This highly unusual trait may be preserved through inbreeding, a practice employed by the Gaunt Family to maintain their blood's purity. When Voldemort attempts to kill Harry his ability to speak Parseltongue is passed to Harry through the small bit of the former's soul. After that bit of soul is destroyed, Harry loses this ability. In a flashback in the sixth novel, Voldemort boasts to Dumbledore during a job interview that he has "pushed the boundaries of magic farther than they had ever before". Dumbledore states that Voldemort's knowledge of magic is more extensive than any wizard alive and that even Dumbledore's most powerful protective spells and charms would likely be insufficient if Voldemort returned to full power. Dumbledore also said that Voldemort was probably the most brilliant student Hogwarts has ever seen. Although Voldemort remains highly accomplished and prodigious in skill, he is enormously lacking and highly inept in the most powerful magic, love. This inability to love and trust others proves to be Voldemort's greatest weakness in the series. Voldemort initially voices scepticism that his own magic might not be the most powerful, but upon returning to power, he admits to his Death Eaters that he had overlooked the ancient and powerful magic which Lily Potter invoked and that would protect Harry from harm.

On her website, Rowling wrote that Voldemort's wand is made of yew, whose sap is poisonous, and which symbolises death. It forms a deliberate contrast to Harry's wand, which is made of holly, which she chose because holly is alleged to repel evil.

Rowling establishes in the books that Voldemort is magically connected to Harry via Harry's forehead scar. He disembodies himself when his Killing Curse targeting Harry rebounds on him, leaving the scar on Harry's forehead. In the books, and to a lesser extent in the films, Harry's scar serves as an indicator of Voldemort's presence: it burns when the Dark Lord is near or when Voldemort is feeling murderous or exultant. According to Rowling, by attacking Harry when he was a baby Voldemort gave him "tools [that] no other wizard possessed—the scar and the ability it conferred, a magical window into Voldemort's mind".

Family
'''Notes: The names 'Thomas' and 'Mary' Riddle are taken from the films. The Potter Family is not shown.'''

Riddle family
The Riddle family, an old landed gentry family, consisted of Thomas and Mary Riddle and their son, Tom Riddle, Esquire. They owned over half of the valley that the town of Little Hangleton lay in, and Thomas was the most prominent inhabitant of that town. They lived in a large house with fine gardens, but were unpopular amongst the local residents due to their snobbish attitudes. Tom, the only child of Thomas and Mary, was known as a playboy, his main interests being womanizing and horse-riding.

Rowling revealed in Harry Potter and the Half-Blood Prince that young Merope Gaunt fell in love with Riddle, peering at him through the windows and bushes at every opportunity. Merope's brother Morfin disapproved of his sister's affection for Tom and hexed him as he rode by, covering him in hives. This breach of wizarding law, and the ensuing violent struggle with Ministry of Magic officials, led to Marvolo and Morfin being imprisoned in Azkaban. As surmised by Dumbledore, once Merope was alone and no longer dominated by her father, she could make her move for Tom. She offered him a drink laced with a love potion, and he became infatuated with her; they soon eloped and, within three months of the marriage, Merope became pregnant. Merope decided to stop giving Tom the love potion, having come to the belief such enchantment of a man was tantamount to slavery. She also revealed her witch status to Tom, believing either that he had fallen in love with her on his own or he would at least stay for their unborn child. She was wrong, and Tom quickly left his pregnant wife and went home to his parents, claiming to have been "hoodwinked" and tricked into marrying Merope. Tom Marvolo Riddle, their son, was born on 31 December 1926 Merope died in childbirth, leaving the baby to grow up alone in an orphanage.

In Harry Potter and the Goblet of Fire, it is revealed that Voldemort murdered his father and grandparents, leaving himself the only surviving member of the Riddle family.

House of Gaunt
Most of the exposition of the House of Gaunt's background occurs in Harry Potter and the Half-Blood Prince, through the medium of Dumbledore's Pensieve. The Gaunts were once a powerful and influential family, and are the last known descendants of Salazar Slytherin. However, a vein of mental instability and violence within the family, reinforced through cousin marriages intended to preserve the pureblood line, had reduced them to poverty and squalor, as shown in the Pensieve's "memory" that Harry and Dumbledore witnessed. Like Salazar Slytherin, the Gaunts spoke Parseltongue. At the time of the story, the Gaunts' only material asset is a ramshackle shanty in Little Hangleton, that stood in a thicket in a valley opposite the Riddle House. Like the Riddles, the Gaunts were also unpopular with the local residents, with a reputation for being vulgar and intimidating.

Marvolo Gaunt was the last family patriarch. He was sentenced to a short term in Azkaban for his and his son's assault upon a Ministry of Magic official; this affected his health and he died soon after returning home. His signet ring passed to his son, Morfin Gaunt, who was convicted of assaulting a Muggle, and later died in Azkaban, convicted this time as a party to the murder of Tom Riddle Jr and Riddle's parents.

Dumbledore discovers the real culprit while visiting Morfin in Azkaban to gather information about Voldemort. After Dumbledore successfully extracts Morfin's memory of his encounter with his nephew, he tries to use the evidence to have Morfin released, but Morfin dies before the decision can be made. The House of Gaunt ended with Morfin's death.

Merope Gaunt was the daughter of Marvolo, and sister of Morfin. Harry's first impression of her was that she looked "like the most defeated person he had ever seen". She married Tom Riddle Jr and became pregnant within three months of the wedding. It is suggested that she tricked her husband into loving her by using a love potion, but when she became pregnant, she chose to stop administering the potion. It is implied that Merope had grown tired of living the lie and thought that her husband might have grown to love her, or that he might have stayed for the sake of their unborn child; however, he left her. Desperate, Merope wandered through the streets of London. The only thing she had left was the heavy gold locket that had once belonged to Salazar Slytherin, one of her family's most treasured items, which she sold for a small amount. When she was due to give birth, she stumbled into a Muggle orphanage, where she gave birth to her only son. She died within the next hour.

Gormlaith Gaunt was a 17th-century descendant of Salazar Slytherin, and like Salazar, a Parselmouth. Her wand was that which once belonged to Salazar himself. Educated at Hogwarts, Gormlaith lived in Ireland in the early 1600s. In about 1608, Gormlaith killed her estranged unnamed sister, and her sister's husband, William Sayre (a descendant of the Irish witch Morrigan), and kidnapped their five-year-old daughter, Isolt Sayre, raising her in the neighbouring valley of Coomcallee, or "Hag's Glen", because she felt that her parents' association with Muggles would badly influence Isolt. Fanatical and cruel, Gormlaith used Dark magic to isolate Isolt from others, forbade her a wand, and did not allow her to attend Hogwarts as she herself had, disgusted that it was now filled with Muggle-borns. After twelve years with Gormlaith, Isolt stole Gormlaith's wand and fled to the Colonies and settled in Massachusetts, where she founded the Ilvermorny School of Witchcraft and Wizardry. When Gormlaith learned of the school, she pursued her niece in Massachusetts, where she was killed by Isolt's friend, William the Pukwudgie, with a venom-tipped arrow.

The Gaunts, including Voldemort, are distantly related to Harry because they are descendants of the Peverell brothers.

Reception
Several people have drawn a parallel between Voldemort and some politicians. Rowling has said that Voldemort was "a sort of" Adolf Hitler, and that there is some parallel with Nazism in her books. Rowling also compared Voldemort to Joseph Stalin. Alfonso Cuarón, director of Harry Potter and the Prisoner of Azkaban compared Voldemort to George W. Bush and Saddam Hussein, who he said "...have selfish interests and are very much in love with power. Also, a disregard for the environment. A love for manipulating people." Andrew Slack and the Harry Potter Alliance compare media consolidation in the US to Voldemort's regime in Deathly Hallows and its control over the Daily Prophet and other media saying that "Once Voldemort took over every form of media in the wizarding world, Dumbledore's Army and the Order of the Phoenix formed an independent media movement called 'Potterwatch'. Now the HP Alliance and Wizard Rock have come together to fight for a Potterwatch movement in the real world to fight back against Big VoldeMedia from further pushing out local and foreign news, minority representation, and the right to a Free Press." Julia Turner of Slate Magazine also noted similarities between the events of Harry Potter and the Half-Blood Prince and the War on Terror. She said that Voldemort commits acts of terrorism such as destroying bridges, murdering innocents, and forcing children to kill their elders. Rowling compared Voldemort to Donald Trump during his 2016 presidential campaign.

Voldemort has also been compared with other characters within fiction, for example Sauron from The Lord of the Rings; they are, during the time when the main plot takes place, seeking to recover their lost power after having been considered dead or at least no longer a threat, and are also so feared that they are sometimes unnamed.

IGN listed Voldemort as their seventh favourite Harry Potter character, calling him "truly frightening".

In popular culture
Several campaigns have used Voldemort to compare his evil to the influence of politicians, large media and corporations. "Lord Voldemort" is a nickname sometimes used for Peter Mandelson. Voldemort is also a recurring theme among wizard rock bands. Voldemort Can't Stop the Rock! is the second album from Harry and the Potters, and the character is mentioned in songs such as "The Dark Lord Lament" and "Flesh, Blood, and Bone".

Voldemort has been parodied in various venues. In The Simpsons 13th season's premiere, "Treehouse of Horror XII", Montgomery Burns appears as "Lord Montymort". A parody of Voldemort appears in The Grim Adventures of Billy & Mandy as "Lord Moldybutt", an enemy of Nigel Planter (a parody of Harry). Voldemort also appears in the Potter Puppet Pals sketches by Neil Cicierega. One of the episodes including him was the seventeenth most viewed video of all time as of 2008 and the winner for "Best Comedy" of the year 2007 at YouTube.

"Continuing the Magic", an article in the 21 May 2007 issue of Time, includes mock book covers designed by author Lon Tweeten, laced with pop culture references. One of them, the "Dark Lord of the Dance", shows Voldemort teaming up with Harry on Broadway. In the MAD Magazine parodies of the films, the character is called Lord Druckermort, a backwards reference to the magazine's longtime caricaturist Mort Drucker. In Alan Moore's League of Extraordinary Gentlemen: 1969, a young Tom Marvolo Riddle (introduced as "Tom", whose middle name is a "marvel" and last name is a "conundrum") appears, and becomes the new avatar of Oliver Haddo at the story's conclusion. In A Very Potter Musical, Voldemort is played by actor Joe Walker.

In a segment celebrating British children's literature at the 2012 Summer Olympics opening ceremony in London, an inflatable Voldemort appeared alongside other villains, The Queen of Hearts, Captain Hook, and Cruella de Vil, to haunt children's dreams, before the arrival of a group of over thirty Mary Poppins who descended with their umbrellas to defeat them.

In 2015, British activist Majid Nawaz used and popularized the term Voldemort effect to describe the inability to name, shame and isolate Islamist extremism from the moderate Muslim community.

During the 2016 United States elections, Daniel Radcliffe was asked by Sky News journalist Craig Dillon if he would compare Donald Trump to Lord Voldemort; Radcliffe responded, "Trump is worse".

Voldemort appears in The Lego Batman Movie as one of the prisoners in the Phantom Zone that Joker recruits to take over Gotham City. Though Ralph Fiennes is featured in this movie as the voice of the British butler Alfred Pennyworth, he does not reprise his role as Voldemort. Instead, Voldemort is voiced by Eddie Izzard.

Outside of the Harry Potter video games, Voldemort is also a playable character in Lego Dimensions, with archive audio of Fiennes' portrayal in the films used for his voiceovers.

A 2018 Italian fan film titled Voldemort: Origins of the Heir depicts the story of Tom Riddle's rise to power.

Voldemort appears in Space Jam: A New Legacy, in the crowd for the game between the Tune Squad and the Goon Squad.

An upcoming French fan-made short-film titled The House of Gaunt - Lord Voldemort Origins explores the origin story of Voldemort and The Gaunt family.

In the Breaking Bad spinoff Better Call Saul, Saul Goodman, speaking to Mike Ehrmantraut, nicknames the drug lord Gus Fring 'He Who Shall Not Be Named' in reference to Voldemort.

In May 2022, senior Australian Labor Party MP Tanya Plibersek compared former defence minister Peter Dutton from the Liberal Party of Australia to Voldemort. During a discussion about Dutton's prospects of becoming Liberal Party leader on Brisbane radio station 4BC, she said: "I think there will be a lot of children who have watched a lot of Harry Potter films who will be very frightened of what they are seeing on TV at night, that’s for sure... I am saying he looks a bit like Voldemort and we will see whether he can do what he promised he would do when he was last running for leader which is smile more." A spokesperson from Plibersek's office said that she had reached out to Dutton soon after the interview to offer an unreserved apology and to say that she should have not made the remark. Labor Party leader, prime minister Anthony Albanese said Pilbersek's comments were "not acceptable" and that she had done the right thing in offering an apology. Dutton confirmed Plibersek had apologised. In response, Dutton said that while the comments were unfortunate, they were "water off a duck's back." He said that he realised that he was "not the prettiest bloke on the block" and said that he was bald due to being diagnosed with a skin condition.

title: Lord Voldemort


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Madeira wine

Madeira is a fortified wine made on the Portuguese Madeira Islands, off the coast of Africa. Madeira is produced in a variety of styles ranging from dry wines which can be consumed on their own, as an apéritif, to sweet wines usually consumed with dessert. Cheaper cooking versions are often flavoured with salt and pepper for use in cooking, but these are not fit for consumption as a beverage.

The islands of Madeira have a long winemaking history, dating back to the Age of Exploration (approximately from the end of the 15th century) when Madeira was a standard port of call for ships heading to the New World or East Indies. To prevent the wine from spoiling, neutral grape spirits were added. On the long sea voyages, the wines would be exposed to excessive heat and movement which transformed the flavour of the wine. This was discovered by the wine producers of Madeira when an unsold shipment of wine returned to the islands after a round trip.

Today, Madeira is noted for its unique winemaking process which involves oxidizing the wine through heat and ageing. The younger blends (three and five years old) are produced with the aid of artificial application of heat to accelerate the aging process; the older blends, colheitas and frasqueiras, are produced by the canteiro method. Because of the way these wines are aged, they are very long-lived in the bottle, and those produced by the canteiro method will survive for decades and even centuries, even after being opened. Wines that have been in barrels for many decades are often removed and stored in demijohns where they may remain unharmed indefinitely.

Some wines produced in small quantities in Crimea, California, and Texas are also referred to as "Madeira" or "Madera"; however, most countries conform to the EU PDO regulations and limit the use of the term Madeira or Madère to wines that come from the Madeira Islands.

Development and success (15th–18th centuries)
The roots of Madeira's wine industry date back to the Age of Exploration, when Madeira was a regular port of call for ships travelling to the East Indies. By the 16th century, records indicate that a well-established wine industry on the island supplied these ships with wine for the long voyages across the sea. The earliest examples of Madeira were unfortified and tended to spoil before reaching their destination. However, following the example of port, a small amount of distilled alcohol made from cane sugar was added to stabilize the wine by boosting the alcohol content (the modern process of fortification using brandy did not become widespread until the 18th century). The Dutch East India Company became a regular customer, picking up large, 423 l casks of wine known as "pipes" for their voyages to India.

The intense heat in the holds of the ships had a transforming effect on the wine, as discovered by Madeira producers when one shipment was returned to the island after a long trip. The customer was found to prefer the taste of this style of wine, and Madeira labeled as vinho da roda (wines that have made a round trip) became very popular. Madeira producers found that aging the wine on long sea voyages was very costly, so they began to develop methods on the island to produce the same aged and heated style. They began storing the wines on trestles at the winery or in special rooms known as estufas, where the heat of the island sun would age the wine.

With the increase of commercial treaties with England such as the Marriage Treaty in 1662, important English merchants settled on the island and, ultimately, controlled the increasingly important island wine trade. The English traders settled in the Funchal as of the seventeenth century, consolidating the markets from North America, the West Indies and England itself. Notable brands include Cossart and Gordon founded in 1745 and Blandy's in 1811.

The eighteenth century was the "golden age" for Madeira. The wine's popularity extended from the American colonies and Brazil in the New World to Great Britain, Russia, and Northern Africa. The American colonies, in particular, were enthusiastic customers, consuming as much as 95% of all wine produced on the island each year.

Early American history (17th–18th centuries)

Madeira was a very important wine in the history of the United States of America. No wine-quality grapes were grown among the thirteen colonies, so imports were needed, with a great focus on Madeira. One of the major events on the road to the American Revolution in which Madeira played a key role was the British seizure of John Hancock's sloop HMS Liberty (1768) on 9 May 1768. Hancock's boat was seized after he had unloaded a cargo of 25 pipes (3150 gal) of Madeira, and a dispute arose over import duties. The seizure of Liberty caused riots to erupt among the people of Boston.

Madeira was a favorite of Thomas Jefferson, and it was used to toast the Declaration of Independence. George Washington, Alexander Hamilton, Benjamin Franklin and John Adams are also said to have appreciated the qualities of Madeira. The wine was mentioned in Benjamin Franklin's autobiography. On one occasion, Adams wrote to his wife, Abigail, of the great quantities of Madeira he consumed while a Massachusetts delegate to the Continental Congress. A bottle of Madeira was used by visiting Captain James Sever to christen USS Constitution in 1797. Chief Justice John Marshall was also known to appreciate Madeira, as were his cohorts on the early U.S. Supreme Court. Madeira and walnuts were often served together as a last course at dinner parties in Washington in the early decades of the 1800s.

Modern era (19th century – present)
The mid-19th century ushered an end to the industry's prosperity. First came the 1851 discovery of powdery mildew, which severely reduced production over the next three years. Just as the industry was recovering through the use of the copper-based Bordeaux mixture fungicide, the phylloxera epidemic that had plagued France and other European wine regions reached the island. By the end of the 19th century, most of the island's vineyards had been uprooted, and many were converted to sugar cane production. The majority of the vineyards that did replant chose to use American vine varieties, such as Vitis labrusca, Vitis riparia and Vitis rupestris or hybrid grape varieties rather than replant with the Vitis vinifera varieties that were previously grown.

By the turn of the 20th century, sales started to slowly return to normal, until the industry was rocked again by the Russian Civil War and American Prohibition, which closed off two of Madeira's biggest markets. After the repeal of Prohibition, improved shipping technology meant that ships no longer needed to stop off in Madeira, the island which was directly in the trade winds between Europe and America. The wine became known as The Forgotten Island Wine. The rest of the 20th century saw a downturn for Madeira, both in sales and reputation, as low-quality "cooking wine" became primarily associated with the island—much as it had for Marsala.

In 1988, the Symington family of Portugal invested in the Madeira Wine Company which owned many of the Madeira brand names. They asked Bartholomew Broadbent to re-launch Madeira and create a market for it again in America, which he did in 1989, establishing a firm rebirth of Madeira.

Towards the end of the 20th century, some producers started a renewed focus on quality—ripping out the hybrid and American vines and replanting with the "noble grape" varieties of Sercial, Verdelho, Bual and Malvasia. The "workhorse" varieties of Tinta Negra Mole now known officially as just Tinta Negra, and Complexa are still present and in high use, but hybrid grapes were officially banned from wine production in 1979. Today, Madeira's primary markets are in the Benelux countries, France (where it is only used for cooking, salt and pepper having been added prior to bottling), and Germany; emerging markets are growing in Japan, the United Kingdom, and the United States.

Climate and geography

The island of Madeira has an oceanic climate with some tropical influences. With high rainfall and average mean temperature of 66 °F (19 °C), the threats of fungal grape diseases and botrytis rot are constant viticultural hazards. To combat these threats, Madeira vineyards are often planted on low trellises, known as latada, that raise the canopy of the vine off the ground similar to a style used in the Vinho Verde region of Portugal. The terrain of the mountainous volcanic island is difficult to cultivate, so vineyards are planted on man-made terraces of red and brown basaltic bedrock. These terraces, known as poios, are very similar to the terraces of the Douro that make Port wine production possible. The use of mechanical harvesting and vineyard equipment is near impossible, making wine grape growing a costly endeavor on the island. Many vineyards have in the past been ripped up for commercial tourist developments or replanted with such products as bananas for commercial concerns. Some replanting is taking place on the island; however, the tourist trade is generally seen as a more lucrative business than wine-making. Most of the grapes, grown by around 2100 grape growers are from vines planted on small plots of land off of which the grape growers survive by making an income from a variety of different inter-grown crops.

Grape varieties

Approximately 85% of Madeira is produced with the red grape, Negra Mole. The four major white grape varieties used for Madeira production are (from sweetest to driest) Malvasia, Bual, Verdelho, and Sercial. These varieties also lend their names to Madeira labelling, as discussed below. Occasionally one sees Terrantez, Bastardo and Moscatel varieties, although these are now increasingly rare on the island because of oidium and phylloxera. After the phylloxera epidemic, many wines were "mislabelled" as containing one of these noble grape varieties, which were reinterpreted as "wine styles" rather than true varietal names. Since the epidemic, Tinta Negra (or Negra Mole) and Complexa are the workhorse varieties on the island and are found in various concentrations in many blends and vintage wines. Bastardo, Complexa, and Tinta Negra are red grape varieties.

Grown exclusively on the neighboring island of Porto Santo, which is also permitted under the appellation law to provide grapes for Madeira wine, are the varieties Listrão (Palomino Fino) and Caracol. Listrão Madeira was formerly made by a few companies such as Blandy's and Artur de Barros e Sousa, the latter being the last old producer to utilize the variety when they closed their doors in 2013, but Madeira Vintners founded in that year subsequently restarted production of, and released in 2020, a 5-year-old Listrão Reserve Madeira. Caracol, an obscure grape believed to be unique to Porto Santo and only used for the local production of dry table wine in the past, was turned into fortified Madeira for the first time by Madeira Vintners, becoming the first new grape in over a century to be used for high-quality single-varietal Madeira wine. The company's stocks are still aging as of 2023 and no wine is on the market yet.

Regulations enacted recently by the European Union have applied the rule that 85% of the grapes in the wine must be of the variety on the label. Thus, wines from before the late 19th century (pre-phylloxera) and after the late 20th century conform to this rule. Many "varietally labelled" Madeiras, from most of the 20th century, do not. Modern Madeiras which do not carry a varietal label are generally made from Negra Mole.

Other varieties planted on the island, though not legally permitted for Madeira production, include Arnsburger, Cabernet Sauvignon, and the American hybrids Cunningham and Jacquet.

Winemaking
The initial winemaking steps of Madeira start out like most other wines: grapes are harvested, crushed, pressed, and then fermented in either stainless steel or oak casks. The grape varieties destined for sweeter wines – Bual and Malvasia – are often fermented on their skins to leach more phenols from the grapes to balance the sweetness of the wine. Drier wines – made from Sercial, Verdelho, and Negra Mole – are separated from their skins prior to fermentation. Depending on the level of sweetness desired, fermentation of the wine is halted at some point by the addition of neutral grape spirits.

Younger wines (typically 3 and 5 years old) undergo the estufagem aging process to produce Madeira's distinctive flavor by artificial heating, whereas the wines destined for long aging are barrel-aged using only the naturally high temperatures of the barrel storage rooms (see canteiro process).

Colourings such as caramel colouring have been used in the past to give some consistency (see also whiskey), although this practice is decreasing.

The aging process
What makes Madeira wine production unique is how the wines are aged in relatively high temperatures, meant to duplicate the effect of a long sea voyage on the aging barrels through tropical climates. Three main methods are used to heat the wine during aging. The two processes belong to the estufagem process (estufa means hothouse or stove in Portuguese), in which artificial heat is used to accelerate the aging process of the wines, whereas the canteiro process is used for the older and more expensive wines and employs only the natural heat of the barrel warehouses.

Estufagem processes:
 * Armazém de Calor: Only used by the Madeira Wine Company, this method involves storing the wine in large wooden casks in a specially designed room outfitted with steam-producing tanks or pipes that heat the room, creating a type of sauna. This process more gently exposes the wine to heat and can last from six months to over a year.
 * Cuba de Calor: The most common, used for low-cost Madeira, is bulk aging in low stainless steel or concrete tanks surrounded by either heat coils or piping that allow hot water to circulate around the container. The wine is heated to temperatures as high as 130 °F (55 °C) for a minimum of 90 days as regulated by the Madeira Wine Institute. However, the Madeira is most commonly heated to approximately 115 °F (46 °C)

Barrel-aging process:
 * Canteiro: Used for the highest quality Madeiras, these wines are aged without the use of any artificial heat, being stored by the winery in warm rooms that are heated only by the warm climate of the Madeira island. In cases such as Frasqueira (vintage) Madeira, this heating process can last from 20 years to even more than 100 years. The term Canteiro comes from canteiros – the wooden staves that keep the barrels in their places. Canteiro process is used by all of the top Madeira brands, including Blandy's, Borges, Broadbent, d'Oliveiras and Justino's.

Much of the characteristic flavour of Madeira is due to this practice, which hastens the mellowing of the wine and also tends to check secondary fermentation in as much as it is, in effect, a mild kind of pasteurization. Furthermore, the wine is deliberately exposed to air, causing it to oxidize. The resulting wine has a colour similar to a tawny port wine. Wine tasters sometimes describe a wine that has been exposed to excessive heat during its storage as being cooked or maderized.

The noble varieties
The four major styles of Madeira are synonymous with the names of the four best-known white grapes used to produce the wine. Ranging from the sweetest style to the driest style, the Madeira types are: A fifth noble grape, Terrantez, almost became extinct on the island but has been making a comeback. Its style ranges in sweetness from that of Verdelho to that of Bual, never being quite as dry as Sercial nor quite as sweet as Malvasia.
 * Malvasia (also known as Malvazia or Malmsey) has its fermentation halted when its sugars are between 3.5 and 6.5° Baumé (63-117 g/L). This style of wine is characterised by its dark colour, rich texture, and coffee-caramel flavours. Like other Madeiras made from noble grape varieties, the Malvasia grape used in Malmsey production has naturally high levels of acidity in the wine, which balances with the high sugar levels so the wines do not taste cloyingly sweet.
 * Bual (also called Boal) has its fermentation halted when its sugars are between 2.5 and 3.5° Baumé (45-63 g/L). This style of wine is characterized by its dark colour, medium-rich texture, and raisin flavours.
 * Verdelho has its fermentation halted a little earlier than Sercial, when its sugars are between 1.5 and 2.5° Baumé (27-45 g/L). This style of wine is characterized by smokey notes and high acidity.
 * Sercial is nearly fermented completely dry, with very little residual sugar (0.5 to 1.5° on the Baumé scale, or 9-27 g/L). This style of wine is characterised by high-toned colours, almond flavours, and high acidity.

Other labelling
Wines made from at least 85% of the noble varieties of Sercial, Verdelho, Bual, and Malvasia are usually labelled based on the amount of time they were aged:
 * Colheita or Harvest – This style includes wines from a single vintage, but aged for a shorter period than true Vintage Madeira. The wine can be labelled with a vintage date but includes the word colheita on it. Colheita must be a minimum of five years of age before being bottled and may be bottled any time after that. Effectively, most wineries would drop the word Colheita once bottling a wine at over 19 years of age because it is entitled to be referred to as vintage once it is 20 years of age. At that point, the wine can command a higher price than if it were still to be bottled as Colheita. This differs from Colheita Port which is a minimum of seven years of age before bottling.
 * A wine labeled as Finest has been aged for at least three years. This style is usually reserved for cooking.
 * Reserve (five years) – This is the minimum amount of aging a wine labelled with one of the noble varieties are permitted to have.
 * Special Reserve (10 years) – At this point, the wines are often aged naturally without any artificial heat source.
 * Extra Reserve (over 15 years) – This style is rare to produce, with many producers extending the aging to 20 years for a vintage or producing a colheita. It is richer in style than a Special Reserve Madeira.
 * Vintage or Frasqueira – This style must be aged at least 19 years in a cask and one year in bottle, therefore cannot be sold until it is at least 20 years of age. The word vintage does not appear on bottles of vintage Madeira because, in Portugal, the word "Vintage" is a trademark belonging to the Port traders.

The terms pale, dark, full, and rich can also be included to describe the wine's colour.

Madeira produced from Negra Mole grapes used to be legally restricted to use generic terms on the label to indicate the level of sweetness as seco (dry), meio seco (medium dry), meio doce (medium sweet) and doce (sweet). However, in 2015 the Madeira Wine Institute announced that producers may officially recognise Tinta Negra on their front labels and that all "expressions" must state their bottling date.

Wines listed with Solera were made in a style similar to sherry, with a fractional blending of wines from different vintages in a solera system. The Solera method of blending is most widely practiced in the sherry production of Spain. However, the rules for Madeira soleras are different. When it comes to sherry, as wine is used for bottling, new wine is added to the barrels of older wine and this continuous addition of young wine to old would result in very little wine being from the original vintage. With Madeira, approximately 50% of a bottle would likely be from the stated year because they are only allowed to add up to 10%, not more than 10 times. Another interesting peculiarity of old solera Madeiras is that they were initially developed as a result of trying to extend the stocks of vintages when the vines had stopped being productive due to Phylloxera. Therefore, as there was no younger wine to add to the vintage, it was usually older wines that were added. In recent years, vintage Madeiras have been commanding higher prices than soleras, but, from 1966 (when Michael Broadbent started wine auctions at Christie's), until about the end of the 20th century, solera Madeiras always fetched a premium at auction over the vintage ones.

Rainwater
A style called "Rainwater" is one of the largest-selling styles of Madeira in the United States, most commonly drunk as an apéritif. Nowadays it is almost always an inexpensive medium-dry style of wine made entirely from Tinta Negra grapes, and aged for around three years including a period in an estufa, but Barbeito continues to produce a more expensive Rainwater in the old pre-phylloxera style by blending Sercial and Verdelho grapes.

Accounts conflict as to how this style was developed. The most common name derives from the vineyards on the steep hillsides, where irrigation was difficult, and the vines were dependent on the local rainwater for survival. Another theory involves a shipment destined for the American colonies that was accidentally diluted by rainwater while it sat on the docks in Savannah, Georgia, or Funchal. Rather than dump the wines, the merchants tried to pass it off as a "new style" of Madeira and were surprised at its popularity among the Americans. Another theory as to how Rainwater was named was when a gentleman in Savannah, Georgia tasted a Madeira and declared "this is as fine as Rainwater."

Characteristics
Exposure to extreme temperature and oxygen accounts for Madeira's stability; an opened bottle will survive unharmed indefinitely. As long as a cork is put into the top of the bottle to prevent the effects of evaporation, fruit flies, and dust, a vintage Madeira, once opened, can last for decades. Properly sealed in bottles, it is one of the longest-lasting wines; Madeiras have been known to survive over 200 years in excellent condition. It is not uncommon to see 150-year-old Madeiras for sale at stores that specialize in rare wine. Vintages dating back to 1780 are known to exist. The oldest bottle that has come onto the market is a 1715 Terrantez.

Before the advent of artificial refrigeration, Madeira wine was particularly prized in areas where it was impractical to construct wine cellars (as in parts of the southern United States) because, unlike many other fine wines, it could survive being stored over hot summers without significant damage. In the Americas, Madeira was traditionally stored in the warm attics of houses.

Uses
Popular uses include apéritifs (pre-meal) and digestifs (post-meal). In Britain it has traditionally been associated with Madeira cake.

Madeira is also used as a flavouring agent in cooking. Lower-quality Madeira wines may be flavored with salt and pepper to prevent their sale as Madeira wine, and then exported for cooking purposes. Madeira wine is commonly used in tournedos Rossini and sauce madère (Madeira sauce). Unflavored Madeira may also be used in cooking, such as the dessert dish "Plum in madeira".

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Madeira wine


text:
Talk:Greenpeace

Can Greenpeace clean the Pacific garbage patch?
I was wondering if they were to use the Great Pacific garbage patch through your tax payers dollars instead of something ridiculous like roads under tunnels with drilling machines that look like they come straight out of star wars burring under your cities of seattle and london whilst creating tunnels to boot. Maybe you should not concentrate on helping the economic production of gas cars as a main source of transport so much but more on cleaning up your planet. You haven't even mastered electromagnetism, or infinite energy and propulsion in these vehicles, you're going to look ridiculous if ww3 or some catastrophic event wipes you out like the dinosaurs. Technically, you are still polluting the ozone by using gas. I would concetrate on cleaning up your earth. Does greenpeace have any funding for these types of mass scale projects? If so why not mention it in their article? Maybe greenpeace should take advantage of the by obtaining their own instead of pirating or what not.

-- All interesting enough questions I suppose, but Wikipedia is not the place for them, I suppose. Consider contacting greenpeace itself? 59.167.111.154 (talk)

Contradiction in terms? "renewable" used to describe "fossil gas"
a renewable electricity cooperative that supplied customers with fossil gas starting from 2011 Unless I'm mistaken, the general definition of "renewable" excludes "fossil gas", and so this is a tacit contradiction in terms and the burden of proof would require a verifiable source to explain how "fossil gas" can be renewable, otherwise "a renewable electricity cooperative" should be changed to something like "an electricity cooperative claiming to provide renewable energy" so that the text isn't making the claim itself. --RProgrammer (talk) 20:03, 4 March 2022 (UTC)

Featured picture scheduled for POTD
Hello! This is to let editors know that File:1971-CANNIKIN-2.jpg, a featured picture used in this article, has been selected as the English Wikipedia's picture of the day (POTD) for February 7, 2024. A preview of the POTD is displayed below and can be edited at Template:POTD/2024-02-07. For the greater benefit of readers, any potential improvements or maintenance that could benefit the quality of this article should be done before its scheduled appearance on the Main Page. If you have any concerns, please place a message at Wikipedia talk:Picture of the day. Thank you! — Amakuru (talk) 12:25, 31 January 2024 (UTC)

title: Talk:Greenpeace