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William IV

William IV (William Henry; 21 August 1765 – 20 June 1837) was King of the United Kingdom of Great Britain and Ireland and King of Hanover from 26 June 1830 until his death in 1837. The third son of George III, William succeeded his elder brother George IV, becoming the last king and penultimate monarch of Britain's House of Hanover.

William served in the Royal Navy in his youth, spending time in British North America and the Caribbean, and was later nicknamed the "Sailor King". In 1789, he was created Duke of Clarence and St Andrews. Between 1791 and 1811, he cohabited with the actress Dorothea Jordan, with whom he had ten children. In 1818, he married Princess Adelaide of Saxe-Meiningen. William remained faithful to Adelaide during their marriage. In 1827, he was appointed Britain's first Lord High Admiral since 1709.

As his two elder brothers died without leaving legitimate issue, William inherited the throne when he was 64 years old. His reign saw several reforms: the Poor Law was updated, child labour restricted, slavery abolished in nearly all of the British Empire, and the electoral system refashioned by the Reform Acts of 1832. Although William did not engage in politics as much as his brother or his father, he was the last British monarch to appoint a prime minister contrary to the will of Parliament. He granted his German kingdom a short-lived liberal constitution. William had no surviving legitimate children at the time of his death, so he was succeeded by his niece Victoria in the United Kingdom and his brother Ernest Augustus in Hanover.

Early life
William was born in the early hours of the morning on 21 August 1765 at Buckingham House, the third child and son of King George III and Queen Charlotte. He had two elder brothers, George, Prince of Wales, and Prince Frederick (later Duke of York and Albany), and was not expected to inherit the Crown. He was baptised in the Great Council Chamber of St James's Palace on 20 September 1765. His godparents were the King's siblings: Prince William Henry, Duke of Gloucester and Edinburgh; Prince Henry (later Duke of Cumberland and Strathearn); and Princess Augusta, Hereditary Duchess of Brunswick-Wolfenbüttel. William spent most of his early life in Richmond and at Kew Palace, where he was educated by private tutors. At the age of thirteen, he joined the Royal Navy as a midshipman, in Admiral Digby's squadron. For four years the lieutenant of his watch was Richard Goodwin Keats, with whom he formed a life-long friendship and whom he described as the one to whom he owed all his professional knowledge. He was present at the Battle of Cape St Vincent in 1780, when the San Julián struck her colours to his ship. His experiences in the navy seem to have been little different from those of other midshipmen, though in contrast to other sailors he was accompanied on board ship by a tutor. He did his share of the cooking and got arrested with his shipmates after a drunken brawl in Gibraltar; he was hastily released from custody after his identity became known.

William served in New York during the American War of Independence, making him the only member of the British royal family to visit America up to and through the American Revolution. While William was in America, George Washington approved a plot to kidnap him, writing: The spirit of enterprise so conspicuous in your plan for surprising in their quarters and bringing off the Prince William Henry and Admiral Digby merits applause; and you have my authority to make the attempt in any manner, and at such a time, as your judgment may direct. I am fully persuaded, that it is unnecessary to caution you against offering insult or indignity to the persons of the Prince or Admiral... The plot did not come to fruition; the British heard of it and assigned guards to William, who had until then walked around New York unescorted. In September 1781, William held court at the Manhattan home of Governor Robertson. In attendance were Mayor David Mathews, Admiral Digby, and General Delancey.

William became a lieutenant in 1785 and captain of HMS Pegasus (1779) the following year, during which he spent time in the colonies of Newfoundland and Nova Scotia. Later in 1786, he was stationed in the West Indies under Horatio Nelson, who wrote of William, "in his professional line, he is superior to two-thirds, I am sure, of the [naval] list; and in attention to orders, and respect to his superior officer, I hardly know his equal." The two were great friends, and dined together almost nightly. At Nelson's wedding, William insisted on giving the bride away. After touring Quebec in 1787, he was, the next year, given command of the frigate HMS Andromeda (1784) and promoted to rear-admiral while commanding HMS Valiant (1759) in 1790. William sought to be made a duke like his elder brothers, and to receive a similar parliamentary grant, but his father was reluctant. To put pressure on him, William threatened to stand for the British House of Commons for the constituency of Totnes in Devon. Appalled at the prospect of his son making his case to the voters, the King created him Duke of Clarence and St Andrews and Earl of Munster on 19 May 1789, supposedly saying: "I well know it is another vote added to the Opposition." William's political record was inconsistent and, like many politicians of the time, cannot be ascribed to a single party. However, he allied himself publicly with the Whigs, as did his elder brothers, who were known to be in conflict with the political positions of their father.

Naval career
William ceased his active service in the Royal Navy in 1790. When Britain declared war on France in 1793, he was eager to serve his country and expected to be given a command but was not, perhaps at first because he had broken his arm by falling down some stairs drunk, but later perhaps because he gave a speech in the House of Lords opposing the war. The following year he spoke in favour of the war, and expected a command after his change of heart; none came. The Admiralty did not reply to his request. He did not lose hope of being appointed to an active post. In 1798 he was made an admiral, but the rank was purely nominal. Despite repeated petitions, he was never given a command throughout the Napoleonic Wars. In 1811, he was appointed to the honorary position of Admiral of the Fleet. In 1813, he came nearest to involvement in actual fighting, when he visited the British troops fighting in the Low Countries. Watching the bombardment of Antwerp from a church steeple, he came under fire, and a bullet pierced his coat.

Instead of serving at sea, William spent time in the House of Lords, where he spoke in opposition to the abolition of slavery, which still existed in the British colonies. Freedom would do the slaves little good, he argued. He had travelled widely and, in his eyes, the living standard among freemen in the Highlands and Islands of Scotland was worse than that among slaves in the West Indies. His experience in the Caribbean, where he "quickly absorbed the plantation owners' views about slavery", lent weight to his position, which was perceived as well-argued and just by some of his contemporaries. In his first speech before Parliament he called himself "an attentive observer of the state of the negroes" who found them well cared for and "in a state of humble happiness". Others thought it "shocking that so young a man, under no bias of interest, should be earnest in continuance of the slave trade". In his speech to the House, William insulted William Wilberforce, the leading abolitionist, saying: "the proponents of the abolition are either fanatics or hypocrites, and in one of those classes I rank Mr. Wilberforce". On other issues he was more liberal, such as supporting moves to abolish penal laws against dissenting Christians. He also opposed efforts to bar those found guilty of adultery from remarriage.

Relationships and marriage
From 1791, William lived with an Irish actress, Dorothea Bland, better known by her stage name Mrs Jordan, the title "Mrs" being assumed at the start of her stage career to explain an inconvenient pregnancy and "Jordan" because she had "crossed the water" from Ireland to Britain. He appeared to enjoy the domesticity of his life with Mrs. Jordan, remarking to a friend: "Mrs Jordan is a very good creature, very domestic and careful of her children. To be sure she is absurd sometimes and has her humours. But there are such things more or less in all families." The couple, while living quietly, enjoyed entertaining, with Mrs. Jordan writing in late 1809: "We shall have a full and merry house this Christmas, 'tis what the dear Duke delights in." The King was accepting of his son's relationship with the actress (though recommending that he halve her allowance); in 1797, he created William the Ranger of Bushy Park, which included a large residence, Bushy House, for William's growing family. William used Bushy as his principal residence until he became king. His London residence, Clarence House, was constructed to the designs of John Nash between 1825 and 1827.

The couple had ten illegitimate children—five sons and five daughters—nine of whom were named after William's siblings; each was given the surname "FitzClarence". Their affair lasted for twenty years before ending in 1811. Mrs Jordan had no doubt about the reason for the break-up: "Money, money, my good friend, has, I am convinced made HIM at this moment the most wretched of men", adding, "With all his excellent qualities, his domestic virtues, his love for his lovely children, what must he not at this moment suffer?" She was given a financial settlement of £4,400 per year and custody of her daughters on condition that she did not resume the stage. When she resumed acting in an effort to repay debts incurred by the husband of one of her daughters from a previous relationship, William took custody of the daughters and stopped paying the £1,500 designated for their maintenance. After Mrs Jordan's acting career began to fail, she fled to France to escape her creditors and died, impoverished, near Paris in 1816.

Before he met Mrs Jordan, William had an illegitimate son, whose mother is unknown; the son, also called William, drowned off Madagascar in HMS Blenheim in February 1807. Caroline von Linsingen, whose father was a general in the Hanoverian infantry, claimed to have had a son, Heinrich, by William in around 1790 but William was not in Hanover at the time that she claims, and the story is considered implausible by historians. Deeply in debt, William made several attempts at marrying a wealthy heiress such as Catherine Tylney-Long, but his suits were unsuccessful. Following the death of William's niece Princess Charlotte of Wales, then second-in-line to the British throne, in 1817, George III was left with twelve children but no legitimate grandchildren. The race was on among his sons, the royal dukes, to marry and produce an heir. William had great advantages in this race—his two older brothers were both childless and estranged from their wives, who were both beyond childbearing age anyway, and William was the healthiest of the three. If he lived long enough, he would almost certainly ascend the British and Hanoverian thrones and have the opportunity to sire the next monarch. William's initial choices of potential wives either met with the disapproval of his eldest brother, the Prince of Wales, or turned him down. His younger brother Prince Adolphus, Duke of Cambridge, was sent to Germany to scout out the available Protestant princesses; he came up with Princess Augusta of Hesse-Kassel, but her father, Frederick, declined the match. Two months later Adolphus married Augusta himself. Eventually a princess was found who was amiable, home-loving and willing to accept (even enthusiastically welcoming) William's nine surviving children, several of whom had not yet reached adulthood. In the Drawing Room at Kew Palace on 11 July 1818, William married Adelaide of Saxe-Meiningen.

William's marriage, which lasted almost twenty years until his death, was a happy one. Adelaide took both William and his finances in hand. For their first year of marriage the couple lived in economical fashion in Germany. William's debts were soon on the way to being paid, especially since Parliament had voted him an increased allowance, which he reluctantly accepted after his requests to have it increased further were refused. William is not known to have had mistresses after his marriage. The couple had two short-lived daughters and Adelaide suffered two miscarriages. Despite this, false rumours that she was pregnant persisted into William's reign—he dismissed them as "damned stuff".

Lord High Admiral
William's eldest brother, the Prince of Wales, had been Prince Regent since 1811 because of the mental illness of their father. In 1820, George III died and the Prince Regent became George IV. William was now second in the line of succession, preceded only by his brother Frederick. Reformed since his marriage, William walked for hours, ate relatively frugally, and the only drink he imbibed in quantity was barley water flavoured with lemon. Both of his older brothers were unhealthy, and it was considered only a matter of time before he became king. When Frederick died in 1827, William, then more than 60 years old, became heir presumptive. Later that year, the incoming prime minister, George Canning, appointed him to the office of Lord High Admiral, which had been in commission (that is, exercised by a board rather than by a single individual) since 1709. While in office, William had repeated conflicts with his Council, which was composed of Admiralty officers. Things finally came to a head in 1828 when, as Lord High Admiral, he put to sea with a squadron of ships, leaving no word of where they were going, and remained away for ten days. The King requested his resignation through the prime minister, Arthur Wellesley, 1st Duke of Wellington; he complied.

Despite the difficulties William experienced, he did considerable good as Lord High Admiral. He abolished the cat o' nine tails for most offences other than mutiny, attempted to improve the standard of naval gunnery, and required regular reports of the condition and preparedness of each ship. He commissioned the first steam warship and advocated the construction of more. Holding the office permitted him to make mistakes and learn from them—a process that might have been far more costly if he had not learnt before becoming king that he should act only with the advice of his councillors.

William spent much of his remaining time during his brother's reign in the House of Lords. He supported the Catholic Emancipation Bill against the opposition of his younger brother Ernest Augustus, Duke of Cumberland, describing the latter's position on the Bill as "infamous", to Ernest's outrage. George IV's health was increasingly bad; it was obvious by early 1830 that he was near death. The King took his leave of William at the end of May, stating, "God's will be done. I have injured no man. It will all rest on you then." William's genuine affection for his older brother could not mask his rising anticipation that he would soon be king.

Early reign
When George IV died on 26 June 1830 without surviving legitimate issue, William succeeded him as William IV. Aged 64, he was the oldest person at that point to assume the British throne, a distinction he would hold until surpassed by Charles III in 2022.

Unlike his extravagant brother, William was unassuming, discouraging pomp and ceremony. In contrast to George IV, who tended to spend most of his time in Windsor Castle, William was known, especially early in his reign, to walk, unaccompanied, through London or Brighton. Until the Reform Crisis eroded his standing he was very popular among the people, who saw him as more approachable and down-to-earth than his brother.

The King immediately proved himself a conscientious worker. The prime minister, the Duke of Wellington, stated that he had done more business with King William in ten minutes than he had with George IV in as many days. Lord Brougham described him as an excellent man of business, asking enough questions to help him understand the matter—whereas George IV feared to ask questions lest he display his ignorance and George III would ask too many and then not wait for a response.

The King did his best to endear himself to the people. Charlotte Williams-Wynn wrote shortly after his accession: "Hitherto the King has been indefatigable in his efforts to make himself popular, and do good natured and amiable things in every possible instance." Emily Eden noted: "He is an immense improvement on the last unforgiving animal, who died growling sulkily in his den at Windsor. This man at least wishes to make everybody happy, and everything he has done has been benevolent."

William dismissed his brother's French chefs and German band, replacing them with English ones to public approval. He gave much of George IV's art collection to the nation and halved the royal stud. George had begun an extensive (and expensive) renovation of Buckingham Palace; William refused to reside there and twice tried to give the palace away, once to the Army as a barracks and once to Parliament after the Houses of Parliament burned down in 1834. His informality could be startling: when in residence at the Royal Pavilion in Brighton, he used to send to the hotels for a list of their guests and invite anyone he knew to dinner, urging guests not to "bother about clothes. The Queen does nothing but embroider flowers after dinner."

Upon taking the throne, William did not forget his nine surviving illegitimate children, creating his eldest son, George, Earl of Munster and granting the other children the precedence of a daughter or a younger son of a marquess. Despite this his children importuned for greater opportunities, disgusting elements of the press who reported that the "impudence and rapacity of the FitzJordans is unexampled". The relationship between William and his sons "was punctuated by a series of savage and, for the King at least, painful quarrels" over money and honours. His daughters, on the other hand, proved an ornament to his court, as "They are all, you know, pretty and lively, and make society in a way that real princesses could not."

Reform crisis
At the time, the death of the monarch caused fresh Parliamentary elections and, in the general election of 1830, Wellington's Tories lost ground to the Whigs under Lord Grey, though the Tories still had the largest number of seats. With the Tories bitterly divided, Wellington was defeated in the House of Commons in November, and Lord Grey formed a government. Grey pledged to reform the electoral system, which had seen few changes since the fifteenth century. The inequities in the system were great; for example, large towns such as Manchester and Birmingham elected no members (though they were part of county constituencies), while small boroughs, known as rotten or pocket boroughs—such as Old Sarum with just seven voters—elected two members of Parliament each. Often, the rotten boroughs were controlled by great aristocrats, whose nominees were invariably elected by the constituents—who were, most often, their tenants—especially since the secret ballot was not yet used in Parliamentary elections. Landowners who controlled seats were even able to sell them to prospective candidates.

When the First Reform Bill was defeated in the House of Commons in 1831, Grey's ministry urged William to dissolve Parliament, which would lead to a new general election. At first, William hesitated to exercise his prerogative powers to dissolve Parliament because elections had just been held the year before and the country was in a state of high excitement which might boil over into violence. He was, however, irritated by the conduct of the Opposition, which announced its intention to move the passage of an Address, or resolution, in the House of Lords, against dissolution. Regarding the Opposition's motion as an attack on his prerogative, and at the urgent request of Lord Grey and his ministers, the King prepared to go in person to the House of Lords and prorogue Parliament. The monarch's arrival would stop all debate and prevent passage of the Address. When initially told that his horses could not be ready at such short notice, William is supposed to have said, "Then I will go in a hackney cab!" Coach and horses were assembled quickly and he immediately proceeded to Parliament. Said The Times of the scene before William's arrival, "It is utterly impossible to describe the scene ... The violent tones and gestures of noble Lords ... astonished the spectators, and affected the ladies who were present with visible alarm." Lord Londonderry brandished a whip, threatening to thrash the Government supporters, and was held back by four of his colleagues. William hastily put on the crown, entered the Chamber, and dissolved Parliament. This forced new elections for the House of Commons, which yielded a great victory for the reformers. But although the Commons was clearly in favour of parliamentary reform, the Lords remained implacably opposed to it.

The crisis saw a brief interlude for the celebration of the King's coronation on 8 September 1831. At first, William wished to dispense with the coronation entirely, feeling that his wearing the crown while proroguing Parliament answered any need. He was persuaded otherwise by traditionalists. He refused, however, to celebrate the coronation in the expensive way his brother had—the 1821 coronation had cost £240,000, of which £16,000 was merely to hire the jewels. At William's instructions, the Privy Council budgeted less than £30,000 for the coronation. When traditionalist Tories threatened to boycott what they called the "Half Crown-nation", the King retorted that they should go ahead, and that he anticipated "greater convenience of room and less heat".

After the rejection of the Second Reform Bill by the House of Lords in October 1831, agitation for reform grew across the country; demonstrations grew violent in so-called "Reform Riots". In the face of popular excitement, the Grey ministry refused to accept defeat, and re-introduced the Bill, despite the continued opposition of peers in the House of Lords. Frustrated by the Lords' obdurate attitude, Grey suggested that the King create a sufficient number of new peers to ensure the passage of the Reform Bill. The King objected—though he had the power to create an unlimited number of peers, he had already created 22 new peers in his Coronation Honours. William reluctantly agreed to the creation of the number of peers sufficient "to secure the success of the bill". However, the King, citing the difficulties with a permanent expansion of the peerage, told Grey that the creations must be restricted as much as possible to the eldest sons and collateral heirs of existing peers, so that the created peerages would eventually be absorbed as subsidiary titles. This time, the Lords did not reject the bill outright, but began preparing to change its basic character through amendments. Grey and his fellow ministers decided to resign if the King did not agree to an immediate and large creation to force the bill through in its entirety. The King refused, and accepted their resignations. The King attempted to restore the Duke of Wellington to office, but Wellington had insufficient support to form a ministry and the King's popularity sank to an all-time low. Mud was slung at his carriage and he was publicly hissed. The King agreed to reappoint Grey's ministry, and to create new peers if the House of Lords continued to pose difficulties. Concerned by the threat of the creations, most of the bill's opponents abstained and the 1832 Reform Act was passed. The mob blamed William's actions on the influence of his wife and brother, and his popularity recovered.

Foreign policy
William distrusted foreigners, particularly anyone French, which he acknowledged as a "prejudice". He also felt strongly that Britain should not interfere in the internal affairs of other states, which brought him into conflict with the interventionist foreign secretary, Lord Palmerston. William supported Belgian independence and, after unacceptable Dutch and French candidates were put forward, favoured Prince Leopold of Saxe-Coburg and Gotha, the widower of his niece Charlotte, as a candidate for the newly created Belgian throne.

Though he had a reputation for tactlessness and buffoonery, William could be shrewd and diplomatic. He foresaw that the potential construction of a canal at Suez would make good relations with Egypt vital to Britain. Later in his reign, he flattered the American ambassador at a dinner by announcing that he regretted not being "born a free, independent American, so much did he respect that nation, which had given birth to George Washington, the greatest man that ever lived". By exercising his personal charm, William assisted in the repair of Anglo-American relations, which had been so deeply damaged during the reign of his father.

King of Hanover
Public perception in Germany was that Britain dictated Hanoverian policy. This was not the case. In 1832, Austrian chancellor Klemens von Metternich introduced laws that curbed fledgling liberal movements in Germany. Lord Palmerston opposed this, and sought William's influence to cause the Hanoverian government to take the same position. The Hanoverian government instead agreed with Metternich, much to Palmerston's dismay, and William declined to intervene. The conflict between William and Palmerston over Hanover was renewed the following year when Metternich called a conference of the German states, to be held in Vienna, and Palmerston wanted Hanover to decline the invitation. Instead, William's brother Prince Adolphus, Viceroy of Hanover, accepted, backed fully by William. In 1833, William signed a new constitution for Hanover, which empowered the middle class, gave limited power to the lower classes, and expanded the role of the parliament. The constitution would later be revoked by his brother and successor in Hanover, King Ernest Augustus.

Later reign and death
For the remainder of his reign, William interfered actively in politics only once, in 1834, when he became the last British sovereign to choose a prime minister contrary to the will of Parliament. In 1834, the ministry was facing increasing unpopularity and Lord Grey retired; the home secretary, William Lamb, 2nd Viscount Melbourne, replaced him. Melbourne retained most Cabinet members, and his ministry retained an overwhelming majority in the House of Commons. Some members of the Government, however, were anathema to the King, and increasingly left-wing policies concerned him. The previous year Grey had already pushed through legislation reforming the Protestant Church of Ireland. The Church collected tithes throughout Ireland, supported multiple bishoprics and was wealthy. However, barely an eighth of the Irish population belonged to the Church of Ireland. In some parishes, there were no Church of Ireland members at all, but there was still a priest paid for by tithes collected from the local Catholics and Presbyterians, leading to charges that idle priests were living in luxury at the expense of Irish people living at the level of subsistence. Grey's Act had reduced the number of bishoprics by half, abolished some of the sinecures and overhauled the tithe system. Further measures to appropriate the surplus revenues of the Church of Ireland were mooted by the more radical members of the Government, including Lord John Russell. The King had an especial dislike for Russell, calling him "a dangerous little Radical."

In November 1834, the leader of the House of Commons and chancellor of the Exchequer, Lord Althorp, inherited a peerage, thus removing him from the Commons to the Lords. Melbourne had to appoint a new Commons leader and a new Chancellor (who by long custom, must be drawn from the Commons), but the only candidate whom Melbourne felt suitable to replace Althorp as Commons leader was Lord John Russell, whom William (and many others) found unacceptable due to his radical politics. William claimed that the ministry had been weakened beyond repair and used the removal of Lord Althorp—who had previously indicated that he would retire from politics upon becoming a peer —as the pretext for the dismissal of the entire ministry. With Lord Melbourne gone, William chose to entrust power to a Tory, Sir Robert Peel. Since Peel was then in Italy, the Duke of Wellington was provisionally appointed prime minister. When Peel returned and assumed leadership of the ministry for himself, he saw the impossibility of governing because of the Whig majority in the House of Commons. Consequently, Parliament was dissolved to force fresh elections. Although the Tories won more seats than in the previous election, they were still in the minority. Peel remained in office for a few months but resigned after a series of parliamentary defeats. Melbourne was reappointed as prime minister, remaining there for the rest of William's reign, and the King was forced to accept Russell as Commons leader.

The King had a mixed relationship with Lord Melbourne. Melbourne's government mooted more ideas to introduce greater democracy, such as the devolution of powers to the Legislative Council of Lower Canada, which greatly alarmed the King, who feared it would eventually lead to the loss of the colony. At first, the King bitterly opposed these proposals. William exclaimed to Lord Gosford, Governor General-designate of Canada: "Mind what you are about in Canada ... mind me, my Lord, the Cabinet is not my Cabinet; they had better take care or by God, I will have them impeached." When William's son Augustus enquired of his father whether the King would be entertaining during Ascot week, William gloomily replied, "I cannot give any dinners without inviting the ministers, and I would rather see the devil than any one of them in my house." Nevertheless, William approved the Cabinet's recommendations for reform. Despite his disagreements with Melbourne, the King wrote warmly to congratulate the prime minister when he triumphed in the adultery case brought against him concerning Caroline Norton—he had refused to permit Melbourne to resign when the case was first brought. The King and Lord Melbourne eventually found a modus vivendi, with Melbourne applying tact and firmness when called for and William realising that his prime minister was far less radical in his politics than the King had feared.

Both the King and Queen were fond of their niece, Princess Alexandrina Victoria of Kent. Their attempts to forge a close relationship with the girl were frustrated by the conflict between the King and Victoria's widowed mother, the Duchess of Kent and Strathearn. The King, angered at what he took to be disrespect from the Duchess to his wife, took the opportunity at what proved to be his final birthday banquet in August 1836 to settle the score. Speaking to those assembled at the banquet, who included the Duchess and Princess Victoria, William expressed his hope that he would survive until Victoria was 18 so that the Duchess would never be regent. He said, "I trust to God that my life may be spared for nine months longer ... I should then have the satisfaction of leaving the exercise of the Royal authority to the personal authority of that young lady, heiress presumptive to the Crown, and not in the hands of a person now near me, who is surrounded by evil advisers and is herself incompetent to act with propriety in the situation in which she would be placed." The speech was so shocking that Victoria burst into tears, while her mother sat in silence and was only with difficulty persuaded not to leave immediately after dinner (the two left the next day). William's outburst undoubtedly contributed to Victoria's tempered view of him as "a good old man, though eccentric and singular". William survived, though mortally ill, to the month after Victoria's coming of age. "Poor old man!", Victoria wrote as he was dying, "I feel sorry for him; he was always personally kind to me."

William was "very much shaken and affected" by the death of his eldest daughter, Sophia, Lady de L'Isle and Dudley, in childbirth in April 1837. William and his eldest son, the Earl of Munster, were estranged at the time, but William hoped that a letter of condolence from Munster signalled a reconciliation. His hopes were not fulfilled and Munster, still thinking he had not been given sufficient money or patronage, remained bitter to the end.

Queen Adelaide attended the dying William devotedly, not going to bed herself for more than ten days. William died in the early hours of the morning of 20 June 1837 at Windsor Castle, where he was buried in the Royal Vault at St George's Chapel.

Legacy
As William had no living legitimate issue, the British throne passed to his niece Victoria, the only legitimate child of Prince Edward, Duke of Kent and Strathearn, George III's fourth son. Under Salic Law, a woman could not rule Hanover and so the Hanoverian throne went to George III's fifth son, Ernest Augustus. William's death thus ended the personal union of Britain and Hanover, which had persisted since 1714. The main beneficiaries of his will were his eight surviving children by Mrs Jordan. Although William is not the direct ancestor of the later monarchs of the United Kingdom, he has many notable descendants through his illegitimate children with Mrs Jordan, including British prime minister David Cameron, TV presenter Adam Hart-Davis, and author and statesman Duff Cooper.

William IV had a short but eventful reign. In Britain, the Reform Crisis marked the ascendancy of the House of Commons and the corresponding decline of the House of Lords, and the King's unsuccessful attempt to remove the Melbourne ministry indicated a reduction in the political influence of the Crown and of the King's influence over the electorate. During the reign of George III, the king could have dismissed one ministry, appointed another, dissolved Parliament, and expected the electorate to vote in favour of the new administration. Such was the result of a dissolution in 1784, after the dismissal of the Fox-North Coalition, and in 1807, after the dismissal of Lord Grenville. But when William dismissed the Melbourne ministry, the Tories under Peel failed to win the ensuing elections. The monarch's ability to influence the opinion of the electorate, and therefore national policy, had been reduced. None of William's successors has attempted to remove a government or to appoint another against the wishes of Parliament. William understood that as a constitutional monarch he had no power to act against the opinion of Parliament. He said, "I have my view of things, and I tell them to my ministers. If they do not adopt them, I cannot help it. I have done my duty."

During William's reign, the British Parliament enacted major reforms, including the Factory Act of 1833 (preventing child labour), the Slavery Abolition Act 1833 (emancipating slaves in the colonies), and the Poor Law Amendment Act 1834 (standardising provision for the destitute). William attracted criticism both from reformers, who felt that reform did not go far enough, and from reactionaries, who felt that reform went too far. A modern interpretation sees him as failing to satisfy either political extreme by trying to find a compromise between two bitterly opposed factions, but in the process proving himself more capable as a constitutional monarch than many had supposed.

Honours and arms
British and Hanoverian honours
 * 5 April 1770: Knight of the Thistle (KT)
 * 19 April 1782: Knight of the Garter (KG)
 * 23 June 1789: Member of the Privy Council of the United Kingdom (PC)
 * 2 January 1815: Knight Grand Cross of the Order of the Bath (GCB)
 * 12 August 1815: Knight Grand Cross of the Royal Hanoverian Guelphic Order
 * 26 April 1827: Royal Fellow of the Royal Society (FRS)

Foreign honours
 * Kingdom of Prussia: 11 April 1814: Knight of the Black Eagle
 * Kingdom of France: 24 April 1814: Knight of the Holy Spirit
 * Russian Empire:
 * 9 June 1814: Knight of St. Andrew
 * 9 June 1814: Knight of St. Alexander Nevsky
 * 🇩🇰 Denmark: 15 July 1830: Knight of the Elephant
 * Baden:
 * 1831: Knight of the House Order of Fidelity
 * 1831: Knight Grand Cross of the Zähringer Lion
 * 🇪🇸 Spain: 21 February 1834: Knight of the Golden Fleece
 * Württemberg: Knight Grand Cross of the Württemberg Crown

Arms
Before becoming king, William, as a son of the sovereign, was granted the use of the royal arms (without the electoral inescutcheon in the Hanoverian quarter) in 1781, differenced by a label of three points argent, the centre point bearing a cross gules, the outer points each bearing an anchor azure. In 1801 his arms altered with the royal arms, however the marks of difference remained the same.

As king, William used the royal coat of arms of the United Kingdom undifferenced: Quarterly, I and IV Gules three lions passant guardant in pale Or (for England); II Or a lion rampant within a tressure flory-counter-flory Gules (for Scotland); III Azure a harp Or stringed Argent (for Ireland); overall an escutcheon tierced per pale and per chevron (for Hanover), I Gules two lions passant guardant Or (for Brunswick), II Or a semy of hearts Gules a lion rampant Azure (for Lüneburg), III Gules a horse courant Argent (for Westphalia), overall an inescutcheon Gules charged with the crown of Charlemagne Or, the whole escutcheon surmounted by a crown.

Family tree

 * : Red borders indicate British monarchs
 * : Bold borders indicate legitimate children of British monarchs

title: William IV


text:
Rebecca De Mornay

Rebecca De Mornay (born Rebecca Jane Pearch; August 29, 1959, ) is an American actress. Her breakthrough film role came in 1983, when she starred as Lana in Risky Business. De Mornay is also known for her roles in The Slugger's Wife (1985), Runaway Train (1985), The Trip to Bountiful (1985), Backdraft (1991), and The Hand That Rocks the Cradle (1992).

Her other film credits include The Three Musketeers (1993), Never Talk to Strangers (1995), Identity (2003), Lords of Dogtown, Wedding Crashers (both 2005), and Mother's Day (2010). On television, she starred as Wendy Torrance in the miniseries adaptation of The Shining (1997), and as Dorothy Walker on Marvel's Jessica Jones (2015–19).

Early life
De Mornay was born Rebecca Jane Pearch in Santa Rosa, California, the daughter of Julie and Wally George (né George Walter Pearch), a disc jockey and later television host. Her paternal grandmother was vaudeville performer and child film actress Eugenia Clinchard.

Her parents divorced in 1960, and she took the surname of her stepfather, Richard De Mornay, after her mother married him in 1961. She spent her early years in Pasadena, California, until her stepfather died of a stroke on March 2, 1962, aged 48. After his death, De Mornay and her half-brother Peter were raised by her mother, who relocated the family to Europe, where they lived in several different locations. She attended the independent Summerhill School in Leiston, Suffolk, England before completing her studies at a private high school in Germany.

Career
By the time she was 16, De Mornay had an agent who was selling her songs to German rock & roll musicians, and she had written the theme song for a kung fu movie called Goodbye Bruce Lee: His Last Game of Death (1975). In 1980, De Mornay returned to the United States and enrolled at the Lee Strasberg Institute to study acting. She made her film debut with a small part in Francis Ford Coppola's 1981 film One from the Heart, which starred her real-life partner at the time, Harry Dean Stanton. Her star-making role came two years later in Risky Business (1983), as a call girl who seduces a high-school student played by Tom Cruise. In 1985, she played the title role in The Slugger's Wife opposite Michael O'Keefe, and co-starred in The Trip to Bountiful and Runaway Train, both of which were nominated for several Academy Awards. That same year, she appeared with Starship's Mickey Thomas in the music video for the song "Sara". The song reached No. 1 on the Billboard Hot 100 chart on March 15, 1986.

She also appeared in Roger Vadim's provocative 1988 remake of And God Created Woman, and as the wife of Kurt Russell's character in Ron Howard's Backdraft (1991). In 1990 she enacted the role of a USAF Captain pilot in HBO's successful Cold War film By the Dawn's Early Light. One of De Mornay's most commercially successful films was the thriller The Hand That Rocks the Cradle, released in 1992. She starred as a defense lawyer in Sidney Lumet's murder drama Guilty as Sin (1993) with Don Johnson. Then she appeared in the 1995 drama film Never Talk to Strangers opposite Antonio Banderas, for which she was also the executive producer.

In 2003, she guest-starred as primary antagonist in the first two episodes of season 2 of Boomtown. In 2004, she guest-starred as attorney Hannah Rose for the last few episodes of The Practice and the following year, had a brief role alongside Owen Wilson and Vince Vaughn in Wedding Crashers. De Mornay also starred in the 2007 drama American Venus.

In June 2007, she appeared in the HBO series John from Cincinnati with a starring role as matriarch of a troubled Imperial Beach, California, surfing family and the grandmother/guardian of a teen surfer on the brink of greatness. She appeared in Darren Lynn Bousman's Mother's Day (2010).

In 2012, De Mornay played the role of Finch's mom in the movie American Reunion where she portrayed an attractive older woman and a love interest of Stifler. From 2015 to 2019, she appeared in Jessica Jones as Trish Walker's abusive mother.

Personal life
De Mornay dated actor Harry Dean Stanton in the early 1980s. They met in 1981 on the set of One from the Heart and dated until De Mornay and Tom Cruise began an affair while filming Risky Business in 1982. De Mornay and Cruise broke up in 1985.

De Mornay married writer Bruce Wagner on December 16, 1986; they divorced in 1990.

De Mornay subsequently dated and was briefly engaged to singer Leonard Cohen. She co-produced Cohen's 1992 album The Future, which is also dedicated to her.

De Mornay was in a relationship with actor turned sportscaster Patrick O'Neal. They have two daughters together.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Rebecca De Mornay


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Knight Rider (1982 TV series)

Knight Rider is an American action crime drama television series created and produced by Glen A. Larson. The series was originally broadcast on NBC from September 26, 1982, to April 4, 1986. The show stars David Hasselhoff as Michael Knight, a sleek and modern crime fighter assisted by KITT, an advanced, artificially intelligent, self-aware, and nearly indestructible car. This was the last series Larson devised at Universal Television before he moved to 20th Century Fox Television.

Plot
Self-made billionaire Wilton Knight rescues police Detective Lieutenant Michael Arthur Long after a near-fatal shot to the face, giving him a new identity (by plastic surgery) and a new name: Michael Knight. Wilton selects Michael to be the primary field agent in the pilot program of his public justice organization, the Foundation for Law and Government (FLAG). The other half of this pilot program is the Knight Industries Two Thousand (KITT), a heavily modified, technologically advanced Pontiac Firebird Trans Am with numerous features, including a highly durable shell and frame, controlled by a computer with artificial intelligence. Michael and KITT are brought in during situations where "direct action might provide the only feasible solution".

Heading FLAG is Devon Miles, who provides Michael with directives and guidance. Dr. Bonnie Barstow (season 1, 3 and 4) and April Curtis (season 2) are the chief engineers in charge of KITT's care and act as a technical assistant to Devon.

Cast and characters

 * David Hasselhoff as Michael Knight (born Michael Arthur Long), an undercover detective of the Los Angeles Police Department who, while on a case in Las Vegas, is shot in the face and nearly killed. Wilton Knight, creator of Knight Industries and founder of FLAG, directs his doctors to save Long's life and reconstruct his face. With his new identity, "Michael Knight", Long is provided with high tech crime-fighting equipment, most notably the car named KITT.
 * Hasselhoff also played Garthe Knight, Wilton Knight's estranged son and a criminal mastermind who drives Goliath, a Peterbilt 352 Pacemaker semi-truck armed with rockets, and protected by KITT's Molecular Bonded Shell.

 * William Daniels as the voice of KITT, or Knight Industries Two Thousand, the autonomous, artificially intelligent car, with whom Michael Knight is partnered. Daniels, who simultaneously starred on St. Elsewhere, requested not to be credited for his role as KITT's voice.
 * Edward Mulhare as Devon Miles, the leader of FLAG, who appeared in every episode to provide mission details to Knight and KITT. He was also the spokesman for FLAG whenever it came under scrutiny.
 * Patricia McPherson as Dr. Bonnie Barstow (Seasons 1, 3–4), KITT's chief technician and romantic tension for Michael. The character was dropped after the first season, but due to strong fan reaction and lobbying by Hasselhoff and Mulhare, she was returned for the third season and remained through the end of the series.
 * Rebecca Holden as April Curtis (Season 2), chief technician for KITT. The character was written out when Patricia McPherson returned. The connection between the two was never established in any installments.
 * Peter Parros as Reginald Cornelius III aka RC3 (Season 4), driver of the FLAG mobile unit and occasional partner for Michael and KITT.
 * Richard Basehart as Wilton Knight, the founder of FLAG, who dies in the pilot episode. Basehart's voice, however, is heard throughout the series, narrating over the intro and outro.

Vehicle

The car used as KITT in the series was a customized 1982 Pontiac Firebird Trans Am, that cost US$100,000 to build. The nose and dashboard of the car were designed by design consultant Michael Scheffe.

Stuntman Jack Gill says KITT's ride height was dropped 1.5 inches (4 cm) from a stock Trans Am. The hero car was the only vehicle that contained the intricate dashboard. Spare cars were always on hand, and Universal eventually did all of the modifications that were needed. A mock up dashboard was used on a sound stage for closeups of the voice box or other buttons.

Glen Larson wanted the talking muscle car to have a heartbeat and asked Scheffe to design a beam of light like the Cylons had in Battlestar Galactica to be used on the front of the vehicle. The Pontiac's nose was eventually extended slightly.

Gill said that the studio got the cars from Pontiac for $1 apiece, but Pontiac often gave the studio vehicles that had already been damaged from a train derailment. The only car Universal had to pay for was the hero car.

For the scenes in which KITT appeared to be driving without a driver, Gill would sit behind the driver's seat. Gill would extend his arms and legs through the seat out of sight. A two-way mirror was created that hid Gill during scenes where KITT appeared to be driving solo. KITT was never seen driving for long periods of time solo because of the difficulty of shooting it.

William Daniels, the voice of KITT, would record his lines after the majority of the episode was filmed. Hasselhoff would work with an assistant off-camera who would read him KITT's lines. If KITT was in motion during filming, the lines would be read to Hasselhoff through the car stereo. The vehicle was usually towed during scenes when Hasselhoff appeared to be driving.

The studio held a marketing campaign for Knight Rider. Fans could write to the network and they would receive a pamphlet detailing some features about KITT. The first campaign was held in August 1982. The pamphlet said, "The Competition is NO Competition!" KITT was pictured parked alongside a vehicle that resembled the General Lee from Dukes of Hazzard.

Soundtrack
The "Knight Rider Theme" was composed by Stu Phillips and Glen A. Larson. The series DVD bonus material contains an interview about this lead music, where Glen A. Larson says he remembers a theme out of a classical piece ("Marche Et Cortège De Bacchus" Act III – No. 14 from Sylvia written by French composer Léo Delibes) from which he took pieces for the "Knight Rider Theme". The decision to use synthesizers was largely a network decision. Larson claims that they used five or six synthesizers, drums and a Fender bass.

The rest of the series music was composed by Stu Phillips for 13 episodes and Don Peake for 75 episodes. Glen A. Larson co-wrote music for one episode and Morton Stevens wrote the music for one episode. Peake took over scoring duties at S1E14 in 1983, when Larson moved to Twentieth Century-Fox and Phillips was working there on his projects. Peake remained as the series sole composer until the end of the series in 1986.

In 2005, FSM released a disc of music from the series, featuring the series theme, ad bumpers and Phillips' scores for "Knight of the Phoenix" (the pilot), "Not a Drop to Drink", "Trust Doesn't Rust", "Forget Me Not" and the composer's final episode "Inside Out", as well as the logo music for Glen Larson Productions. Albums of Don Peake's scores have also been issued.

Episodes
The intro throughout most of the episodes began with this narration: "Knight Rider, a shadowy flight into the dangerous world of a man who does not exist.

Michael Knight, a young loner on a crusade to champion the cause of the innocent, the helpless, the powerless in a world of criminals who operate above the law."

During the first season, the outro was Michael and KITT driving on a road in the desert with Wilton Knight's words of "One man can make a difference, Michael." These words were phased out after episode 7, "Not A Drop To Drink".

Then the narration goes on to say:

"Michael Knight, a lone crusader in a dangerous world. The world of the Knight Rider."

The outro of Seasons 2 and 3 was Michael and KITT driving away from the sunset toward the camera. Season 4's outro was the same, except with KITT in Super Pursuit Mode.

Critical reception
At the time of its release, Knight Rider received mixed to negative reviews. At review aggregator Rotten Tomatoes, the first season scores 35%, based mainly on archived contemporaneous reviews, with an average rating of 5.60/10. The site's consensus reads: "This car can do anything -- except paper over how tiresomely silly Knight Rider's concept is.". Tom Shales, writing for The Washington Post, commented: Knight Rider' is all revved up but has no place to go, except, maybe, headlong into a large brick wall." In the years following the series' conclusion, retrospective reviews have been more positive. Marc Bernardin of Entertainment Weekly called the show "a relic from a simpler time, when audiences demanded less from their TV".

In syndication
Knight Rider was first syndicated in the U.S. in the Fall of 1986. Stations were initially offered either the original hour-long format (with three minutes cut from each episode), or severely-condensed into half-hour format. Reruns were later syndicated on USA Network in 1994, Sci-Fi Channel in 2003, Sleuth in 2005, and on G4 in 2012.

DVD releases
Universal Studios has released all four seasons of Knight Rider on DVD in regions 1, 2 & 4. A complete series box set featuring all 90 episodes in a collector's edition box has been released in regions 1 & 2.

On March 8, 2016, it was announced that Mill Creek Entertainment had acquired the rights to the series in Region 1; they subsequently re-released the first two seasons on DVD on May 3, 2016. On October 4, 2016, Mill Creek re-released ''Knight Rider - The Complete Series on DVD in Region 1.

Blu-ray releases
In Japan, NBCUniversal Entertainment Japan—a subsidiary of NBCUniversal—released a Blu-ray box set containing all four seasons, replicas, props, and memorabilia under the title ナイトライダー コンプリート ブルーレイBOX (Knight Rider: The Complete Series). The set is limited to Region Code A, which includes the U.S. It was released on November 27, 2014.

In North America, Mill Creek Entertainment released the complete series on Blu-ray in Region 1 on October 4, 2016.

On December 30, 2022, the German company Turbine worked with Universal to put together Knight Rider: The 40th Anniversary Edition Blu-Ray Collection. This set is a restored uncut version with the original music when it first aired on NBC. The series is on twenty discs, with three bonus discs, and includes bonus features about the series and the Knight Rider 2000 and Knight Rider 2010 movies in SD. Also in SD are all 22 episodes of the series Team Knight Rider. This set was a limited edition. Only 3,939 copies were made.

On November 10, 2023, Turbine made a smaller release called Knight Rider: The Special Edition Set, which includes the first twenty uncut episode Blu-ray discs and the first bonus discs with the interviews.

Digital streaming
The series was available for streaming on Netflix and Peacock, but is no longer streaming on any major streaming service as of May 2024. It can be purchased on Prime Video, Apple TV and YouTube.

Spin-offs and sequels
These adventures were continued with the television films Knight Rider 2000 and Knight Rider 2010 and the short-lived Team Knight Rider. One other television movie, Knight Rider, served as a pilot for the 2008 television series Knight Rider. In 1985, a spin-off series, Code of Vengeance, also premiered.

In 1988, Angelo di Marco made a French comic strip based on the series, titled K2000 and published by Dargaud.

In popular culture
The Knight Rider theme has been sampled in the songs "Clock Strikes", "Turn It Up (Remix) / Fire It Up", and "Mundian to Bach Ke". It was also featured as Ted's ringtone for John's phone in the 2012 comedy film Ted.

Zen Studios released a digital pinball table inspired by Knight Rider as part of the Universal Pinball: TV Classics downloadable content with other well-known nostalgic hit NBCUniversal TV shows like Xena: Warrior Princess and Battlestar Galactica.

Non-fiction

 * Joe Huth, David Bronstein: Knight Rider: 30 Years of a Lone Crusader and His Talking Car. ISBN 9781478221470.
 * Joe Huth, David Bronstein: Knight Rider: 30 Years of a Lone Crusader and His Talking Car. ISBN 9781478221470.
 * Joe Huth, David Bronstein: Knight Rider: 30 Years of a Lone Crusader and His Talking Car. ISBN 9781478221470.

Fiction

 * Glen Larson and Roger Hill (1983). Knight Rider. Pinnacle Books. ISBN 0-523-42170-2. Adapted from and expanded upon the feature-length / two-part pilot episode — among other differences, Tanya is shot in the face rather than the chest in the climax.
 * Glen Larson and Roger Hill (1984). Knight Rider: Trust Doesn't Rust. Pinnacle Books. ISBN 0-523-42181-8. Adapted from and expanded upon the first-season episode of the same name.
 * Glen Larson and Roger Hill (1984). Knight Rider: Hearts of Stone. Pinnacle Books. ISBN 0-523-42182-6. Adapted from and expanded upon the first-season episode of the same name.
 * Glen Larson and Roger Hill (1984). Knight Rider: The 24-Carat Assassin. (UK publication only) Adapted from and expanded upon the feature-length / two-part second-season episode 'Mouth of the Snake'. The back of the book actually states that it is adapted from All That Glitters – the working title for the story.
 * Glen Larson and Roger Hill (1984). Knight Rider: Mirror Image. (UK publication only) Adapted from and expanded upon the feature-length / two-part second-season episode Goliath. The back of the book states that it is adapted from Goliath and Goliath Returns, but the actual story is only adapted from Goliath. This novel also states that April is Devon's daughter, but this was never mentioned in the series.

An annual was published each year in the UK by Grandreams. These books consisted of a mix of text stories and cartoon strips, as well as photos and articles on the show's stars and KITT. There were five annuals produced in total, each reflecting the season of the show that was airing at the time, with the final two releases covering the final season. (The last annual was printed in a quite small quantity, due to the fading popularity of the show, and is thus considerably rarer.)

title: Knight Rider (1982 TV series)


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Malaya

Malaya refers to a number of historical and current political entities related to what is currently Peninsular Malaysia in Southeast Asia:

Political entities

 * British Malaya (1826–1957), a loose collection of the British colony of the Straits Settlements and the British protectorates of the Malay States
 * Malayan Union (1946–1948), a post-war British colony consisting of all the states and settlements in British Malaya except Singapore
 * Federation of Malaya (1948–1963), the successor to the Malayan Union, which gained independence within the Commonwealth of Nations in 1957
 * The States of Malaya (1963–present)

Science

 * Megisba malaya, a butterfly commonly called the Malayan

People

 * Malaya Akulukjuk (born 1915?), Canadian Inuit artist
 * Malaya Drew (born 1987), American actress
 * Malaya Marcelino, Canadian politician
 * Oxana Malaya (born 1983), Ukrainian mental patient known for her morbid dog-like childhood behaviour

Other uses

 * University of Malaya, Kuala Lumpur, Malaysia
 * HMS Malaya, a Royal Navy battleship which served in both world wars
 * Operation Malaya, a police investigation taking place in Spain
 * Malaya (film), a 1949 American war film set in Japanese-occupied Malaya
 * Malaya (newspaper), a newspaper in the Philippines
 * Malaya (album), an album by Filipino singer, Moira Dela Torre
 * Malaya Mountains, a place in Hindu mythology
 * Malaya Kuonamka, a river in Yakutia, Russia
 * Malaya-sundari, a character in the 11th-century Indian story collection Shringara-manjari-katha

title: Malaya


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Abalone (board game)

Abalone is a two-player abstract strategy board game designed by Michel Lalet and Laurent Lévi in 1987. Players are represented by opposing black and white marbles on a hexagonal board with the objective of pushing six of the opponent's marbles off the edge of the board.

Abalone was published in 1990 and has sold more than 4.5 million units. The year it was published it received one of the first Mensa Select awards. It is currently sold in more than thirty countries.

Rules
The board consists of 61 circular spaces arranged in a hexagon, five on a side. Each player has 14 marbles that rest in the spaces and are initially arranged as shown below, on the left image. The players take turns with the black marbles moving first. For each move, a player moves a straight line of one, two or three marbles of one color one space in one of six directions. The move can be either broadside / arrow-like (parallel to the line of marbles) or in-line / in a line (serial in respect to the line of marbles), as illustrated below. A player can push their opponent's marbles (a "sumito") that are in a line to their own with an in-line move only. They can only push if the pushing line has more marbles than the pushed line (three can push one or two; two can push one). Marbles must be pushed to an empty space (i.e. not blocked by a marble) or off the board. The winner is the first player to push six of the opponent's marbles off of the edge of the board.

Move notation
The notation for recording moves gives the letters A-I to the horizontal lines, and the numbers 1–9 to northwest–southeast diagonals.

I O O O O O    H O O O O O O    G + + O O O + + F + + + + + + + + E + + + + + + + + + D + + + + + + + + 9 C + + @ @ @ + + 8 B @ @ @ @ @ @ 7 A @ @ @ @ @ 6 1 2 3 4 5

One popular notation: an inline move can be denoted by the movement of the trailing marble (the "caboose"); broadside moves can be denoted by the initial positions of the two extremities of the lance followed by the final position of the first marble (with this notation, each broadside move has two notations possible, which could be avoided).

Avoiding draws
The dynamics of the basic game may have one serious flaw: it seems that a good but conservative player can set up their marbles in a defensive wedge and ward off all attacks indefinitely. An attacker may try to outflank this wedge or lure it into traps, but such advances are often more dangerous to the attacker than the defender. Thus, from the starting position, it takes little skill and no imagination to avoid losing, and nothing in the rules prevents games from being interminable.

Because it is boring for games to be drawn out indefinitely, serious Abalone players tacitly agree to play aggressively. A player who forms a defensive wedge and makes no attempt to attack is likely to be a novice who might lose anyway. Nevertheless, there remains the possibility of any competent player bringing the game to a standstill and successfully avoiding losing, even to a championship-level player.

There are several possible "solutions". First, in tournaments, a judge may penalize a player for playing defensively. This solution is somewhat unsatisfactory, given that a judge may not always be present, and that "defensive play" is subjective.

Second, several variations of the rules have been developed for the same board and marbles. None of the variations has the same appealing simplicity of the original.

The third, and perhaps best, alternative starting positions have been designed to make the formation of stalemate wedges less likely. Experiments are still underway to find an opening position which neither devolves to a draw nor gives too great an advantage to the first player. One popular attempt are the Marguerite or Daisy positions, two versions of which are displayed in the center and to the right.

Another option is to create a "turn limit" where if no marble has been knocked off the board by turn 15, whoever has made the most progress towards the center line wins. This encourages an aggressive strategy of moving forward and often the rule will not come into play.

Rule variations and more players
Abalone can be played by three or more people using the same board with fewer marbles for each player and each player has a different color.

A number of two-player variations use a third color for passive pieces. For example, the variation called The Pillar (with a fixed marble in the centre of the board), which has been examined to some depth by Alex Borello and Nicolas Le Gal, uses a third color. Another possible variation involves either player winning the game by ejecting the central marble.

A few variations use a second layer of marbles.

Strategy
Forums of Abalone communities have found that, generally:
 * Keep the marbles close to the centre of the board and force the opponent to move to the edges.
 * Keep the marbles close together for increased defense and attack, especially in a hexagon shape to be able to push or defend in any direction.
 * Pushing the opponent off the board is not usually a good idea if it leads to weaknesses in the player's geometry.
 * Setting a "trap" by making a marble weak in one direction allows for opponent to weaken center defenses.

Champions
Person-to-person competitions have been held by the Mind Sports Olympiad since 1997.
 * 1997: Marc Tastet
 * 1998: Vojtěch Hrabal
 * 1999: Gert Schnider
 * 2000: Gert Schnider
 * 2001: Thomas Fenner
 * 2002: Jan Šťastna
 * 2003: Stephane Nicolet
 * 2004: Alex Borello
 * 2005: David M. Pearce
 * 2006: Jan Šťastna
 * 2007: Vincent Frochot
 * 2008: Jan Šťastna
 * 2009: David M. Pearce
 * 2010: Vincent Frochot
 * 2011: Vincent Frochot
 * 2012: David M. Pearce
 * 2013: David M. Pearce
 * 2014: Nicolas Fiorini
 * 2015: Vincent Frochot
 * 2016: Vincent Frochot
 * 2017: Vincent Frochot
 * 2018: Vincent Frochot
 * 2019: Vincent Frochot

Gert Schnider and Thomas Fenner participated in the evaluation and adjustment of AbaPro. Marc Tastet was the 1992 World Othello Champion, Stephane Nicolet is a two-time World Othello Championship finalist, and Jan Stastna is a strong Othello player.

In a computer-to-computer competition held in 2003 at the International Computer Games Association (ICGA) events in Graz, Austria, the AbaPro program defeated the Nacre program.

In 1999, a number of top players from the Mind Sports Olympiad signed an agreement to use a different starting position (the Belgian daisy) to revitalize the game. This has been used for top tournaments since then, including the AbaCup.

Reception
In the February–March 1990 edition of Games International (Issue 13), Mike Siggins called the components "of good quality", and the rules "extremely concise." He found the game very replayable, and commented that "it has the potential to become a classic." His only complaint was that "as players become more proficient the game can slow up and stalemates often result." Despite this, Siggins gave the game an above-average rating of 8 out of 10, saying, "Abalone is one of the best abstract games to appear in a long while."

Reviews

 * Games #98
 * Jeux & Stratégie #54

title: Abalone (board game)