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Audio time stretching and pitch scaling

Time stretching is the process of changing the speed or duration of an audio signal without affecting its pitch. Pitch scaling is the opposite: the process of changing the pitch without affecting the speed. Pitch shift is pitch scaling implemented in an effects unit and intended for live performance. Pitch control is a simpler process which affects pitch and speed simultaneously by slowing down or speeding up a recording.

These processes are often used to match the pitches and tempos of two pre-recorded clips for mixing when the clips cannot be reperformed or resampled. Time stretching is often used to adjust radio commercials and the audio of television advertisements to fit exactly into the 30 or 60 seconds available. It can be used to conform longer material to a designated time slot, such as a 1-hour broadcast.

Resampling
The simplest way to change the duration or pitch of an audio recording is to change the playback speed. For a digital audio recording, this can be accomplished through sample rate conversion. When using this method, the frequencies in the recording are always scaled at the same ratio as the speed, transposing its perceived pitch up or down in the process. Slowing down the recording to increase duration also lowers the pitch, while speeding it up for a shorter duration respectively raises the pitch, creating the so-called Chipmunk effect. When resampling audio to a notably lower pitch, it may be preferred that the source audio is of a higher sample rate, as slowing down the playback rate will reproduce an audio signal of a lower resolution, and therefore reduce the perceived clarity of the sound. On the contrary, when resampling audio to a notably higher pitch, it may be preferred to incorporate an interpolation filter, as frequencies that surpass the Nyquist frequency (determined by the sampling rate of the audio reproduction software or device) will create usually undesired sound distortions, a phenomenon that is also known as aliasing.

Phase vocoder
One way of stretching the length of a signal without affecting the pitch is to build a phase vocoder after Flanagan, Golden, and Portnoff.

Basic steps:
 * 1) compute the instantaneous frequency/amplitude relationship of the signal using the STFT, which is the discrete Fourier transform of a short, overlapping and smoothly windowed block of samples;
 * 2) apply some processing to the Fourier transform magnitudes and phases (like resampling the FFT blocks); and
 * 3) perform an inverse STFT by taking the inverse Fourier transform on each chunk and adding the resulting waveform chunks, also called overlap and add (OLA).

The phase vocoder handles sinusoid components well, but early implementations introduced considerable smearing on transient ("beat") waveforms at all non-integer compression/expansion rates, which renders the results phasey and diffuse. Recent improvements allow better quality results at all compression/expansion ratios but a residual smearing effect still remains.

The phase vocoder technique can also be used to perform pitch shifting, chorusing, timbre manipulation, harmonizing, and other unusual modifications, all of which can be changed as a function of time.

Sinusoidal spectral modeling
Another method for time stretching relies on a spectral model of the signal. In this method, peaks are identified in frames using the STFT of the signal, and sinusoidal "tracks" are created by connecting peaks in adjacent frames. The tracks are then re-synthesized at a new time scale. This method can yield good results on both polyphonic and percussive material, especially when the signal is separated into sub-bands. However, this method is more computationally demanding than other methods.

SOLA
Rabiner and Schafer in 1978 put forth an alternate solution that works in the time domain: attempt to find the period (or equivalently the fundamental frequency) of a given section of the wave using some pitch detection algorithm (commonly the peak of the signal's autocorrelation, or sometimes cepstral processing), and crossfade one period into another.

This is called time-domain harmonic scaling or the synchronized overlap-add method (SOLA) and performs somewhat faster than the phase vocoder on slower machines but fails when the autocorrelation mis-estimates the period of a signal with complicated harmonics (such as orchestral pieces).

Adobe Audition (formerly Cool Edit Pro) seems to solve this by looking for the period closest to a center period that the user specifies, which should be an integer multiple of the tempo, and between 30 Hz and the lowest bass frequency.

This is much more limited in scope than the phase vocoder based processing, but can be made much less processor intensive, for real-time applications. It provides the most coherent results for single-pitched sounds like voice or musically monophonic instrument recordings.

High-end commercial audio processing packages either combine the two techniques (for example by separating the signal into sinusoid and transient waveforms), or use other techniques based on the wavelet transform, or artificial neural network processing, producing the highest-quality time stretching.

Frame-based approach

In order to preserve an audio signal's pitch when stretching or compressing its duration, many time-scale modification (TSM) procedures follow a frame-based approach. Given an original discrete-time audio signal, this strategy's first step is to split the signal into short analysis frames of fixed length. The analysis frames are spaced by a fixed number of samples, called the analysis hopsize $$H_a\in\mathbb{N}$$. To achieve the actual time-scale modification, the analysis frames are then temporally relocated to have a synthesis hopsize $$H_s\in\mathbb{N}$$. This frame relocation results in a modification of the signal's duration by a stretching factor of $$\alpha=H_s/H_a$$. However, simply superimposing the unmodified analysis frames typically results in undesired artifacts such as phase discontinuities or amplitude fluctuations. To prevent these kinds of artifacts, the analysis frames are adapted to form synthesis frames, prior to the reconstruction of the time-scale modified output signal.

The strategy of how to derive the synthesis frames from the analysis frames is a key difference among different TSM procedures.

Speed hearing and speed talking
For the specific case of speech, time stretching can be performed using PSOLA.

Time-compressed speech is the representation of verbal text in compressed time. While one might expect speeding up to reduce comprehension, Herb Friedman says that "Experiments have shown that the brain works most efficiently if the information rate through the ears—via speech—is the 'average' reading rate, which is about 200–300 wpm (words per minute), yet the average rate of speech is in the neighborhood of 100–150 wpm."

Listening to time-compressed speech is seen as the equivalent of speed reading.

Pitch scaling
These techniques can also be used to transpose an audio sample while holding speed or duration constant. This may be accomplished by time stretching and then resampling back to the original length. Alternatively, the frequency of the sinusoids in a sinusoidal model may be altered directly, and the signal reconstructed at the appropriate time scale.

Transposing can be called frequency scaling or pitch shifting, depending on perspective.

For example, one could move the pitch of every note up by a perfect fifth, keeping the tempo the same. One can view this transposition as "pitch shifting", "shifting" each note up 7 keys on a piano keyboard, or adding a fixed amount on the Mel scale, or adding a fixed amount in linear pitch space. One can view the same transposition as "frequency scaling", "scaling" (multiplying) the frequency of every note by 3/2.

Musical transposition preserves the ratios of the harmonic frequencies that determine the sound's timbre, unlike the frequency shift performed by amplitude modulation, which adds a fixed frequency offset to the frequency of every note. (In theory one could perform a literal pitch scaling in which the musical pitch space location is scaled [a higher note would be shifted at a greater interval in linear pitch space than a lower note], but that is highly unusual, and not musical.)

Time domain processing works much better here, as smearing is less noticeable, but scaling vocal samples distorts the formants into a sort of Alvin and the Chipmunks-like effect, which may be desirable or undesirable. A process that preserves the formants and character of a voice involves analyzing the signal with a channel vocoder or LPC vocoder plus any of several pitch detection algorithms and then resynthesizing it at a different fundamental frequency.

A detailed description of older analog recording techniques for pitch shifting can be found at.

In consumer software
Pitch-corrected audio timestretch is found in every modern web browser as part of the HTML standard for media playback. Similar controls are ubiquitous in media applications and frameworks such as GStreamer and Unity.

title: Audio time stretching and pitch scaling


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Parallax scrolling

Parallax scrolling is a technique in computer graphics where background images move past the camera more slowly than foreground images, creating an illusion of depth in a 2D scene of distance. The technique grew out of the multiplane camera technique used in traditional animation since the 1930s.

Parallax scrolling was popularized in 2D computer graphics with its introduction to video games in the early 1980s. Some parallax scrolling was used in the arcade video game Jump Bug (1981). It used a limited form of parallax scrolling with the main scene scrolling while the starry night sky is fixed and clouds move slowly, adding depth to the scenery. The following year, Moon Patrol (1982) implemented a full form of parallax scrolling, with three separate background layers scrolling at different speeds, simulating the distance between them. Moon Patrol is often credited with popularizing parallax scrolling. Jungle King (1982), later called Jungle Hunt, also had parallax scrolling, and was released a month after Moon Patrol in June 1982.

Methods
There are four main methods of parallax scrolling used in titles for arcade system board, video game console and personal computer systems.

Layer method
Some display systems support multiple background layers that can be scrolled independently in horizontal and vertical directions and composited on one another, simulating a multiplane camera. On such a display system, a game can produce parallax by simply changing each layer's position by a different amount in the same direction. Layers that move more quickly are perceived to be closer to the virtual camera. Layers can be placed in front of the playfield—the layer containing the objects with which the player interacts—for various reasons such as to provide increased dimension, obscure some of the action of the game, or distract the player.

Sprite method
Programmers may also make pseudo-layers of sprites—individually controllable moving objects drawn by hardware on top of or behind the layers—if they are available on the display system. For instance Star Force, an overhead-view vertically scrolling shooter for NES, used this for its starfield, and Final Fight for the Super NES used this technique for the layer immediately in front of the main playfield.

The Amiga computer has sprites which can have any height and can be set horizontal with the copper co-processor, which makes them ideal for this purpose.

Risky Woods on the Amiga uses sprites multiplexed with the copper to create an entire fullscreen parallax background layer as an alternative to the system's dual playfield mode.

Repeating pattern/animation method
Scrolling displays built up of individual tiles can be made to 'float' over a repeating background layer by animating the individual tiles' bitmaps in order to portray the parallax effect. Color cycling can be used to animate tiles quickly on the whole screen. This software effect gives the illusion of another (hardware) layer. Many games used this technique for a scrolling star-field, but sometimes a more intricate or multi-directional effect is achieved, such as in the game Parallax by Sensible Software.

Raster method
In raster graphics, the lines of pixels in an image are typically composited and refreshed in top-to-bottom order with a slight delay (called the horizontal blanking interval) between drawing one line and drawing the next line. Games designed for older graphical chipsets—such as those of the third and fourth generations of video game consoles, those of dedicated TV games, or those of similar handheld systems—take advantage of the raster characteristics to create the illusion of more layers.

Some display systems have only one layer. These include most of the classic 8-bit systems (such as the Commodore 64, Nintendo Entertainment System, Master System, PC Engine/TurboGrafx-16 and original Game Boy). The more sophisticated games on such systems generally divide the layer into horizontal strips, each with a different position and rate of scrolling. Typically, strips higher on the screen will represent things farther away from the virtual camera or one strip will be held stationary to display status information. The program will then wait for horizontal blank and change the layer's scroll position just before the display system begins to draw each scanline. This is called a "raster effect" and is also useful for changing the system palette to provide a gradient background.

Some platforms (such as the Commodore 64, Amiga, Master System, PC Engine/TurboGrafx-16, Sega Mega Drive/Genesis, Super NES, Game Boy, Game Boy Advance and Nintendo DS) provide a horizontal blank interrupt for automatically setting the registers independently of the rest of the program. Others, such as the NES, require the use of cycle-timed code, which is specially written to take exactly as long to execute as the video chip takes to draw one scanline, or timers inside game cartridges that generate interrupts after a given number of scanlines have been drawn. Many NES games use this technique to draw their status bars, and Teenage Mutant Ninja Turtles II: The Arcade Game and Vice: Project Doom for NES use it to scroll background layers at different rates.

More advanced raster techniques can produce interesting effects. A system can achieve a very effective depth of field if layers with rasters are combined; Sonic the Hedgehog, Sonic The Hedgehog 2, ActRaiser, Lionheart, Kid Chaos and Street Fighter II used this effect well. If each scanline has its own layer, the Pole Position effect is produced, which creates a pseudo-3D road (or a pseudo-3D ball court as in NBA Jam) on a 2D system.

If the display system supports rotation and scaling in addition to scrolling—an effect popularly known as Mode 7—changing the rotation and scaling factors can draw a projection of a plane (as in F-Zero and Super Mario Kart) or can warp the playfield to create an extra challenge factor.

Another advanced technique is row/column scrolling, where rows/columns of tiles on a screen can be scrolled individually. This technique is implemented in the graphics chips of various Sega arcade system boards since the Sega Space Harrier and System 16, the Sega Mega Drive/Genesis console, and the Capcom CP System, Irem M-92 and Taito F3 System arcade game boards.

Example
In the following animation, three layers are moving leftward at different speeds. Their speeds decrease from front to back and correspond to increases in relative distance from the viewer. The ground layer is moving 8 times as fast as the vegetation layer. The vegetation layer is moving two times as fast as the cloud layer.

Parallax scrolling in Web design
One of the first implementations of parallax scrolling in the browser was created and shared in a blog post by web developer Glutnix in 2007, this included example code and a demo using JavaScript and CSS 2 that supported Internet Explorer 6 and other browsers of that era.

In a February 2008 tutorial on web design blog Think Vitamin, web designer Paul Annett explained how he had created a parallax effect using CSS and without JavaScript for the website of Silverback, a usability testing app. He demonstrated the effect on stage at SXSW Interactive 2009, with the help of audience participation and a man in a gorilla suit.

Advocates argue it is a simple way to embrace the fluidity of the Web, citing the Silverback website as the first example they had come across.

Proponents use parallax backgrounds as a tool to better engage users and improve the overall experience that a website provides. However, a Purdue University study, published in 2013, revealed the following findings: "... although parallax scrolling enhanced certain aspects of the user experience, it did not necessarily improve the overall user experience". A undated study occurring during or after 2010 by Dede Frederick, James Mohler, Mihaela Vorvoreanu, and Ronald Glotzbach noted that parallax scrolling "may cause certain people to experience nausea."

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Parallax scrolling


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2013

2013 was designated as:
 * International Year of Water Cooperation
 * International Year of Quinoa

January

 * January 5 – 2013 Craig, Alaska earthquake: A (, 'Moderate') earthquake shakes Prince of Wales Island.
 * January 10 – At least 130 people are killed and 270 are injured in several bomb blasts in Pakistan.
 * January 11 – The French military begins a 5-month intervention into the Northern Mali conflict, targeting the militant Islamist Ansar Dine group.
 * January 16–20 – Thirty-nine international workers and 1 security guard die in a hostage crisis at a natural gas facility near In Aménas, Algeria.
 * January 21 – Barack Obama is sworn in for a second term as President of the United States.
 * January 27 – An estimated 245 people die in a nightclub fire in Santa Maria, Rio Grande do Sul, Brazil.

February

 * February 12 – North Korea conducts its third underground nuclear test, prompting widespread condemnation and tightened economic sanctions from the international community.
 * February 15 – A meteor explodes over the Russian city of Chelyabinsk, injuring 1,489–1,492 people and damaging over 4,300 buildings. It is the most powerful meteor to strike Earth's atmosphere in over a century. The incident, along with a coincidental flyby of a larger asteroid, prompts international concern regarding the vulnerability of the planet to meteor strikes.
 * February 21 – American scientists use a 3D printer to create a living lab-grown ear from collagen and animal ear cell cultures. In the future, it is hoped that similar ears could be grown to order as transplants for human patients with ear trauma or amputation.
 * February 25 – Park Geun-hye becomes the first woman to become the president of South Korea.
 * February 28 – Benedict XVI resigns as pope, becoming the first to do so since Gregory XII in 1415, and the first to do so voluntarily since Celestine V in 1294.

March

 * March 13 – Cardinal Jorge Mario Bergoglio of Argentina is elected the 266th pope, whereupon he takes the name Francis  and becomes the first Jesuit pope, the first pope from the Americas, and the first pope from the Southern Hemisphere.
 * March 24 – Central African Republic President François Bozizé flees to the Democratic Republic of the Congo, after rebel forces capture the nation's capital, Bangui.
 * March 25 – The European Union agrees to a €10 billion economic bailout for Cyprus. The bailout loan will be equally split between the European Financial Stabilisation Mechanism, the European Financial Stability Facility, and the International Monetary Fund. The deal precipitates a banking crisis in the island nation.

April

 * April 2 – The United Nations General Assembly adopts the Arms Trade Treaty to regulate the international trade of conventional weapons.
 * April 13 – Venezuelan presidential election: Nicolás Maduro is declared winner with a narrow victory over his opponent Henrique Capriles Radonski. Protests continue to October.
 * April 15 – Boston Marathon bombing: Two Chechnya-born Islamist brothers (one a United States citizen) detonate 2 bombs at the Boston Marathon in Boston, Massachusetts, in the United States, killing 3 and injuring 264 others.
 * April 20 – A magnitude 6.6 earthquake jolts Sichuan, China, leaving 193 people dead and more than 11,000 injured.
 * April 21 – Businessman Horacio Cartes wins the 2013 Paraguayan general election against Efraín Alegre.
 * April 24 – The 2013 Savar building collapse, one of the worst industrial disasters in the world, kills 1,134 people in Bangladesh.
 * April 30 – Willem-Alexander is inaugurated as King of the Netherlands following the abdication of Beatrix.

May

 * May 14–18 – The Eurovision Song Contest 2013 takes place in Malmö, Sweden, and is won by Danish entrant Emmelie de Forest with the song "Only Teardrops".
 * May 15
 * Researchers from Oregon Health & Science University in the United States describe the first production of human embryonic stem cells by cloning, in a study published in the scientific journal Nature.
 * The World Health Organization names the novel coronavirus Middle East respiratory syndrome (MERS).
 * May 20 – The latest EF5 tornado in the United States hits Moore and several other surrounding areas near Oklahoma City, resulting in 24 deaths and many injuries.
 * May 22 – Off-duty British Army soldier Fusilier Lee Rigby of the Royal Regiment of Fusiliers is murdered in Woolwich, southeast London, by Islamic terrorists Michael Adebolajo and Michael Adebowale.
 * May 31 – The largest tornado ever recorded hits El Reno, United States. This rain-wrapped, multiple-vortex tornado was the widest tornado ever recorded, and results in eight deaths, including four storm-chasers. Measurements from mobile weather radars revealed extreme winds up to 296 mph (476 km/h) within the vortex, among the highest observed wind speeds on Earth. As it crosses U.S. 81, the tornado grows to a record-breaking width of 2.6 miles (4.2 km).

June

 * June 6 – Former CIA employee Edward Snowden discloses operations engaged in by a U.S. government mass surveillance program to news publications and flees the country, later being granted temporary asylum in Russia.
 * June 23 – A bus carrying 47 Romanian tourists to Tivat, Montenegro, crashes in the Morača canyon in central Montenegro, killing 19 people and injuring 27.
 * June 25 – Emir of Qatar Hamad bin Khalifa Al Thani abdicates and his son Tamim bin Hamad Al Thani assumes power.
 * June 26
 * Kevin Rudd defeats Julia Gillard in an Australian Labor Party leadership ballot and consequently becomes Prime Minister of Australia, three years after Gillard replaced Rudd.
 * United States v. Windsor (570 U.S. 744) decided in the Supreme Court of the United States, overturning a key section of the Defense of Marriage Act and hence granting federal recognition to same-sex marriage in the United States.

July

 * July 1 – Croatia becomes the 28th member of the European Union.
 * July 3 – Amid protests, Egyptian President Mohamed Morsi is deposed in a military coup d'état, leading to widespread violence.
 * July 6
 * A runaway train carrying crude oil derails in Lac-Mégantic, Quebec, catching fire and exploding, killing 47.
 * Asiana Airlines Flight 214 crashes while landing at San Francisco International Airport, killing three.
 * July 21 – Philippe is sworn in as King of the Belgians, following the abdication of Albert II.
 * July 22–28 – XIV World Youth Day, in Rio de Janeiro, Brazil.

August

 * August 8 – The TU Me instant messaging and Voice over IP app is discontinued.
 * August 13 – Platform game, Geometry Dash is released by Swedish developer, RobTop.
 * August 14 – Following the military coup in Egypt, two anti-coup camps are raided by the security forces, leaving 2,696 dead. The raids were described by Human Rights Watch as "one of the world's largest killings of demonstrators in a single day in recent history".
 * August 15 – Horacio Cartes is sworn in as President of Paraguay.
 * August 21 – 1,429 are killed in the Ghouta chemical attack during the Syrian Civil War.
 * August 29 – The United Kingdom Parliament votes against UK military attacks on Syria.

September

 * September 7
 * 2013 Australian federal election: The Liberal/National Coalition led by Tony Abbott defeats the Labor Government led by Prime Minister Kevin Rudd. Abbott would be sworn in on September 18th.
 * The International Olympic Committee awards Tokyo the right to host the 2020 Summer Olympics.
 * September 8 – The 2013 Colorado floods begin, resulting from heavy rain in the Colorado River Basin.
 * September 17 – Rockstar Games releases video game Grand Theft Auto V.
 * September 21 – al-Shabaab militants attack the Westgate shopping mall in Nairobi, Kenya, killing at least 62 civilians and wounding over 170.

October

 * October 10 – Delegates from some 140 countries and territories sign the Minamata Treaty, a UNEP treaty designed to protect human health and the environment from emissions and releases of mercury and mercury compounds.
 * October 15 – A magnitude 7.2 earthquake struck Bohol, Philippines, leaving 222 dead, 8 missing, and 976 people injured.
 * October 16 – Lao Airlines Flight 301 crashes on approach to Pakse Airport, Laos, killing all 49 people on board.
 * October 17 – Microsoft releases Windows 8.1.
 * October 18 – Saudi Arabia rejects a seat on the United Nations Security Council, making it the first country to reject a seat on the Security Council. Jordan takes the seat on December 6.

November

 * November 5 – The uncrewed Mars Orbiter Mission is launched by India from its launch pad in Sriharikota.
 * November 8 – Typhoon Haiyan (Yolanda), one of the strongest tropical cyclones on record, hits the Philippines and Vietnam, causing devastation with at least 6,241 dead.
 * November 12 – Three Studies of Lucian Freud, a series of portraits of Lucian Freud by the British painter Francis Bacon, sells for US$142.4 million in a New York City auction, setting a world record for an auctioned work of art.
 * November 17 – Fifty people are killed when Tatarstan Airlines Flight 363 crashes at Kazan Airport, Russia.
 * November 21
 * Euromaidan pro-EU demonstrations begin in Ukraine after President Viktor Yanukovych rejects an economic association agreement between the European Union and Ukraine in favor of closer ties to Russia.
 * Moldovan-flagged cargo ship MV Rhosus makes port in Beirut, Lebanon, carrying 2,750 tonnes of ammonium nitrate. After inspection by port state control, the Rhosus is deemed unseaworthy, and is forbidden to set sail. By order of an Urgent Matters judge in Beirut, the cargo is brought ashore in 2014 and placed in Warehouse 12 at the port, where it will remain for six years. The ammonium nitrate will erupt in a massive explosion on August 4, 2020.
 * November 24 – Iran agrees to limit their nuclear development program in exchange for sanctions relief.
 * November 29 – A police helicopter crashes into The Clutha, a pub in Glasgow, Scotland, killing 10 people and injuring 31.

December

 * December 7 – Ninth Ministerial Conference of the World Trade Organization delegates sign the Bali Package agreement aimed at loosening global trade barriers.
 * December 14 – Chinese uncrewed spacecraft Chang'e 3, carrying the Yutu rover, becomes the first spacecraft to "soft"-land on the Moon since 1976 and the third ever robotic rover to do so.
 * December 15 – Fighting between ethnic Dinka and Nuer members of the presidential guard break out in Juba, South Sudan, plunging the country into civil war.

Nobel Prizes

 * Chemistry – Martin Karplus, Michael Levitt, and Arieh Warshel
 * Economics – Eugene Fama, Lars Peter Hansen and Robert J. Shiller
 * Literature – Alice Munro
 * Peace – Organisation for the Prohibition of Chemical Weapons
 * Physics – François Englert and Peter Higgs
 * Physiology or Medicine – James E. Rothman, Randy W. Schekman, and Thomas C. Südhof

New English words

 * bingeable

title: 2013


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Elizabethan era

The Elizabethan era is the epoch in the Tudor period of the history of England during the reign of Queen Elizabeth I (1558–1603). Historians often depict it as the golden age in English history. The Roman symbol of Britannia (a female personification of Great Britain) was revived in 1572, and often thereafter, to mark the Elizabethan age as a renaissance that inspired national pride through classical ideals, international expansion, and naval triumph over Spain.

This "golden age" represented the apogee of the English Renaissance and saw the flowering of poetry, music and literature. The era is most famous for its theatre, as William Shakespeare and many others composed plays that broke free of England's past style of theatre. It was an age of exploration and expansion abroad, while back at home, the Protestant Reformation became more acceptable to the people, most certainly after the Spanish Armada was repelled. It was also the end of the period when England was a separate realm before its royal union with Scotland.

The Elizabethan age contrasts sharply with the previous and following reigns. It was a brief period of internal peace between the Wars of the Roses in the previous century, the English Reformation, and the religious battles between Protestants and Catholics prior to Elizabeth's reign, and then the later conflict of the English Civil War and the ongoing political battles between parliament and the monarchy that engulfed the remainder of the seventeenth century. The Protestant/Catholic divide was settled, for a time, by the Elizabethan Religious Settlement, and parliament was not yet strong enough to challenge royal absolutism.

England was also well-off compared to the other nations of Europe. The Italian Renaissance had come to an end following the end of the Italian Wars, which left the Italian Peninsula impoverished. The Kingdom of France was embroiled in the French Wars of Religion (1562–1598). They were (temporarily) settled in 1598 by a policy of tolerating Protestantism with the Edict of Nantes. In part because of this, but also because the English had been expelled from their last outposts on the continent by Spain's tercios, the centuries-long Anglo-French Wars were largely suspended for most of Elizabeth's reign.

The one great rival was Habsburg Spain, with whom England clashed both in Europe and the Americas in skirmishes that exploded into the Anglo-Spanish War of 1585–1604. An attempt by Philip II of Spain to invade England with the Spanish Armada in 1588 was famously defeated. In turn England launched an equally unsuccessful expedition to Spain with the Drake–Norris Expedition of 1589. Three further Spanish Armadas also failed in 1596, 1597 and 1602. The war ended with the Treaty of London the year following Elizabeth's death.

England during this period had a centralised, well-organised, and effective government, largely a result of the reforms of Henry VII and Henry VIII, as well as Elizabeth's harsh punishments for any dissenters. Economically, the country began to benefit greatly from the new era of trans-Atlantic trade and persistent theft of Spanish and Portuguese treasures, most notably as a result of Francis Drake's circumnavigation.

The term Elizabethan era was already well-established in English and British historical consciousness, long before the accession of Queen Elizabeth II, and generally refers solely to the time of the earlier queen of this name.

Romance and reality
The Victorian era and the early 20th century idealised the Elizabethan era. The Encyclopædia Britannica maintains that "[T]he long reign of Elizabeth I, 1558–1603, was England's Golden Age... 'Merry England', in love with life, expressed itself in music and literature, in architecture and in adventurous seafaring". This idealising tendency was shared by Britain and an Anglophilic America. In popular culture, the image of those adventurous Elizabethan seafarers was embodied in the films of Errol Flynn.

In response and reaction to this hyperbole, modern historians and biographers have tended to take a more dispassionate view of the Tudor period.

Government
Elizabethan England was not particularly successful in a military sense during the period, but it avoided major defeats and built up a powerful navy. On balance, it can be said that Elizabeth provided the country with a long period of general if not total peace and generally increased prosperity due in large part to stealing from Spanish treasure ships, raiding settlements with low defenses, and selling African slaves. Having inherited a virtually bankrupt state from previous reigns, her frugal policies restored fiscal responsibility. Her fiscal restraint cleared the regime of debt by 1574, and ten years later the Crown enjoyed a surplus of £300,000. Economically, Sir Thomas Gresham's founding of the Royal Exchange (1565), the first stock exchange in England and one of the earliest in Europe, proved to be a development of the first importance, for the economic development of England and soon for the world as a whole. With taxes lower than other European countries of the period, the economy expanded; though the wealth was distributed with wild unevenness, there was clearly more wealth to go around at the end of Elizabeth's reign than at the beginning. This general peace and prosperity allowed the attractive developments that "Golden Age" advocates have stressed.

Plots, intrigues, and conspiracies
The Elizabethan Age was also an age of plots and conspiracies, frequently political in nature, and often involving the highest levels of Elizabethan society. High officials in Madrid, Paris and Rome sought to kill Elizabeth, a Protestant, and replace her with Mary, Queen of Scots, a Catholic. That would be a prelude to the religious recovery of England for Catholicism. In 1570, the Ridolfi plot was thwarted. In 1584, the Throckmorton Plot was discovered, after Francis Throckmorton confessed his involvement in a plot to overthrow the Queen and restore the Catholic Church in England. Another major conspiracy was the Babington Plot – the event which most directly led to Mary's execution, the discovery of which involved a double agent, Gilbert Gifford, acting under the direction of Francis Walsingham, the Queen's highly effective spy master.

The Essex Rebellion of 1601 has a dramatic element, as just before the uprising, supporters of the Earl of Essex, among them Charles and Joscelyn Percy (younger brothers of the Earl of Northumberland), paid for a performance of Richard II at the Globe Theatre, apparently with the goal of stirring public ill will towards the monarchy. It was reported at the trial of Essex by Chamberlain's Men actor Augustine Phillips, that the conspirators paid the company forty shillings "above the ordinary" (i. e., above their usual rate) to stage the play, which the players felt was too old and "out of use" to attract a large audience.

In the Bye Plot of 1603, two Catholic priests planned to kidnap King James and hold him in the Tower of London until he agreed to be more tolerant towards Catholics. Most dramatic was the 1605 Gunpowder Plot to blow up the House of Lords during the State Opening of Parliament. It was discovered in time with eight conspirators executed, including Guy Fawkes, who became the iconic evil traitor in English lore.

Royal Navy and defeat of the Armada
While Henry VIII had launched the Royal Navy, Edward and Mary had ignored it and it was little more than a system of coastal defense. Elizabeth made naval strength a high priority. She risked war with Spain by supporting the "Sea Dogs", such as John Hawkins and Francis Drake, who preyed on the Spanish merchant ships carrying gold and silver from the New World. The Navy yards were leaders in technical innovation, and the captains devised new tactics. Parker (1996) argues that the full-rigged ship was one of the greatest technological advances of the century and permanently transformed naval warfare. In 1573 English shipwrights introduced designs, first demonstrated in the "Dreadnaught", that allowed the ships to sail faster and maneuver better and permitted heavier guns. Whereas before warships had tried to grapple with each other so that soldiers could board the enemy ship, now they stood off and fired broadsides that would sink the enemy vessel. When Spain finally decided to invade and conquer England it was a fiasco. Superior English ships and seamanship foiled the invasion and led to the destruction of the Spanish Armada in 1588, marking the high point of Elizabeth's reign. Technically, the Armada failed because Spain's over-complex strategy required coordination between the invasion fleet and the Spanish army on shore. Moreover, the poor design of the Spanish cannons meant they were much slower in reloading in a close-range battle. Spain and France still had stronger fleets, but England was catching up.

Parker has speculated on the dire consequences if the Spanish had landed their invasion army in 1588. He argues that the Spanish army was larger, more experienced, better-equipped, more confident, and had better financing. The English defenses, on the other hand, were thin and outdated; England had too few soldiers and they were at best only partially trained. Spain had chosen England's weakest link and probably could have captured London in a week. Parker adds that a Catholic uprising in the north and in Ireland could have brought total defeat.

Colonising the New World
The discoveries of Christopher Columbus electrified all of western Europe, especially maritime powers like England. King Henry VII commissioned John Cabot to lead a voyage to find a northern route to the Spice Islands of Asia; this began the search for the North West Passage. Cabot sailed in 1497 and reached Newfoundland. He led another voyage to the Americas the following year, but nothing was heard of him or his ships again.

In 1562 Elizabeth sent privateers Hawkins and Drake to seize booty from Spanish and Portuguese ships off the coast of West Africa. When the Anglo-Spanish Wars intensified after 1585, Elizabeth approved further raids against Spanish ports in the Americas and against shipping returning to Europe with treasure. Meanwhile, the influential writers Richard Hakluyt and John Dee were beginning to press for the establishment of England's own overseas empire. Spain was well established in the Americas, while Portugal, in union with Spain from 1580, had an ambitious global empire in Africa, Asia and South America. France was exploring North America. England was stimulated to create its own colonies, with an emphasis on the West Indies rather than in North America.

Martin Frobisher landed at Frobisher Bay on Baffin Island in August 1576; He returned in 1577, claiming it in Queen Elizabeth's name, and in a third voyage tried but failed to found a settlement in Frobisher Bay.

From 1577 to 1580, Francis Drake circumnavigated the globe. Combined with his daring raids against the Spanish and his great victory over them at Cádiz in 1587, he became a famous hero —his exploits are still celebrated—but England did not follow up on his claims. In 1583, Humphrey Gilbert sailed to Newfoundland, taking possession of the harbour of St. John's together with all land within two hundred leagues to the north and south of it.

In 1584, the queen granted Walter Raleigh a charter for the colonisation of Virginia; it was named in her honour. Raleigh and Elizabeth sought both immediate riches and a base for privateers to raid the Spanish treasure fleets. Raleigh sent others to found the Roanoke Colony; it remains a mystery why the settlers all disappeared. In 1600, the queen chartered the East India Company in an attempt to break the Spanish and Portuguese monopoly of far Eastern trade. It established trading posts, which in later centuries evolved into British India, on the coasts of what is now India and Bangladesh. Larger scale colonisation to North America began shortly after Elizabeth's death.

Distinctions
England in this era had some positive aspects that set it apart from contemporaneous continental European societies. Torture was rare, since the English legal system reserved torture only for capital crimes like treason —though forms of corporal punishment, some of them extreme, were practised. The persecution of witches began in 1563, and hundreds were executed, although there was nothing like the frenzy on the Continent. Mary had tried her hand at an aggressive anti-Protestant Inquisition and was hated for it; it was not to be repeated. Nevertheless, more Catholics were persecuted, exiled, and burned alive than under Queen Mary.

Religion
Elizabeth managed to moderate and quell the intense religious passions of the time. This was in significant contrast to previous and succeeding eras of marked religious violence.

Elizabeth said "I have no desire to make windows into men's souls". Her desire to moderate the religious persecutions of previous Tudor reigns – the persecution of Catholics under Edward VI, and of Protestants under Mary I – appears to have had a moderating effect on English society. Elizabeth, Protestant, but undogmatic one, authorizing the 1559 Book of Common Prayer which effectively reinstated the 1552 Book of Common Prayer with modifications which made clear that the Church of England believed in the (spiritual) Real Presence of Christ in the Holy Communion but without a definition how in favor of leaving this a mystery, and she had the Black Rubric removed from the Articles of Faith: this had allowed kneeling to receive communion without implying that by doing so it meant the real and essential presence of Christ in the bread and wine: she believed it so. She was not able to get an unmarried clergy or the Protestant Holy Communion celebrated to look like a Mass. The Apostolic Succession was maintained, the institution of the church continued without a break (with 98% of the clergy remaining at their posts) and the attempt to ban music in church was defeated. The Injunctions of 1571 forbade any doctrines that did not conform to the teaching of the Church Fathers and the Catholic Bishops. The Queen's hostility to strict Calvinistic doctrines blocked the Radicals.

Almost no original theological thought came out of the English Reformation; instead, the Church relied on the Catholic Consensus of the first Four Ecumenical Councils. The preservation of many Catholic doctrines and practices was the cuckoos nest that eventually resulted in the formation of the Via Media during the 17th century. She spent the rest of her reign ferociously fending off radical reformers and Roman Catholics who wanted to modify the Settlement of Church affairs: The Church of England was Protestant, "with its peculiar arrested development in Protestant terms, and the ghost which it harboured of an older world of Catholic traditions and devotional practice".

For a number of years, Elizabeth refrained from persecuting Catholics because she was against Catholicism, not her Catholic subjects if they made no trouble. In 1570, Pope Pius V declared Elizabeth a heretic who was not the legitimate queen and that her subjects no longer owed her obedience. The pope sent Jesuits and seminarians to secretly evangelize and support Catholics. After several plots to overthrow her, Catholic clergy were mostly considered to be traitors, and were pursued aggressively in England. Often priests were tortured or executed after capture unless they cooperated with the English authorities. People who publicly supported Catholicism were excluded from the professions; sometimes fined or imprisoned. This was justified on the grounds that Catholics were not persecuted for their religion but punished for being traitors who supported the Queen's Spanish foe; in practice, however, Catholics perceived it as religious persecution and regarded those executed as martyrs.

Science, technology, and exploration
Lacking a dominant genius or a formal structure for research (the following century had both Sir Isaac Newton and the Royal Society), the Elizabethan era nonetheless saw significant scientific progress. The astronomers Thomas Digges and Thomas Harriot made important contributions; William Gilbert published his seminal study of magnetism, De Magnete, in 1600. Substantial advancements were made in the fields of cartography and surveying. The eccentric but influential John Dee also merits mention.

Much of this scientific and technological progress related to the practical skill of navigation. English achievements in exploration were noteworthy in the Elizabethan era. Sir Francis Drake circumnavigated the globe between 1577 and 1581, and Martin Frobisher explored the Arctic. The first attempt at English settlement of the eastern seaboard of North America occurred in this era—the abortive colony at Roanoke Island in 1587.

While Elizabethan England is not thought of as an age of technological innovation, some progress did occur. In 1564 Guilliam Boonen came from the Netherlands to be Queen Elizabeth's first coach-builder —thus introducing the new European invention of the spring-suspension coach to England, as a replacement for the litters and carts of an earlier transportation mode. Coaches quickly became as fashionable as sports cars in a later century; social critics, especially Puritan commentators, noted the "diverse great ladies" who rode "up and down the countryside" in their new coaches.

Social history
Historians since the 1960s have explored many facets of the social history, covering every class of the population.

Health
Although home to only a small part of the population the Tudor municipalities were overcrowded and unhygienic. Most towns were unpaved with poor public sanitation. There were no sewers or drains, and rubbish was simply abandoned in the street. Animals such as rats thrived in these conditions. In larger towns and cities, such as London, common diseases arising from lack of sanitation included smallpox, measles, malaria, typhus, diphtheria, scarlet fever, and chickenpox.

Outbreaks of the Black Death pandemic occurred in 1498, 1535, 1543, 1563, 1589 and 1603. The reason for the speedy spread of the disease was the increase of rats infected by fleas carrying the disease.

Child mortality was low in comparison with earlier and later periods, at about 150 or fewer deaths per 1000 babies. By age 15 a person could expect 40–50 more years of life.

Homes and dwelling
The great majority were tenant farmers who lived in small villages. Their homes were, as in earlier centuries, thatched huts with one or two rooms, although later on during this period, roofs were also tiled. Furniture was basic, with stools being commonplace rather than chairs. The walls of Tudor houses were often made from timber and wattle and daub, or brick; stone and tiles were more common in the wealthier homes. The daub was usually then painted with limewash, making it white, and the wood was painted with black tar to prevent rotting, but not in Tudor times; the Victorians did this afterwards. The bricks were handmade and thinner than modern bricks. The wooden beams were cut by hand, which makes telling the difference between Tudor houses and Tudor-style houses easy, as the original beams are not straight. The upper floors of Tudor houses were often larger than the ground floors, which would create an overhang (or jetty). This would create more floor-surface above while also keeping maximum street width. During the Tudor period, the use of glass when building houses was first used, and became widespread. It was very expensive and difficult to make, so the panes were made small and held together with a lead lattice, in casement windows. People who could not afford glass often used polished horn, cloth or paper. Tudor chimneys were tall, thin, and often decorated with symmetrical patterns of molded or cut brick. Early Tudor houses, and the homes of poorer people, did not have chimneys. The smoke in these cases would be let out through a simple hole in the roof.

Mansions had many chimneys for the many fireplaces required to keep the vast rooms warm. These fires were also the only way of cooking food. Wealthy Tudor homes needed many rooms, where a large number of guests and servants could be accommodated, fed and entertained. Wealth was demonstrated by the extensive use of glass. Windows became the main feature of Tudor mansions, and were often a fashion statement. Mansions were often designed to a symmetrical plan; "E" and "H" shapes were popular.

Cities
The population of London increased from 100,000 to 200,000 between the death of Mary Tudor in 1558 and the death of Elizabeth I in 1603. Inflation was rapid and the wealth gap was wide. Poor men, women, and children begged in the cities, as the children only earned sixpence a week. With the growth of industry, many landlords decided to use their land for manufacturing purposes, displacing the farmers who lived and worked there. Despite the struggles of the lower class, the government tended to spend money on wars and exploration voyages instead of on welfare.

Poverty
About one-third of the population lived in poverty, with the wealthy expected to give alms to assist the impotent poor. Tudor law was harsh on the able-bodied poor, i.e., those unable to find work. Those who left their parishes in order to locate work were termed vagabonds and could be subjected to punishments, including whipping and putting at the stocks.

The idea of the workhouse for the able-bodied poor was first suggested in 1576.

Education
There was an unprecedented expansion of education in the Tudor period. Until then, few children went to school. Those that did go were mainly the sons of wealthy or ambitious fathers who could afford to pay the attendance fee. Boys were allowed to go to school and began at the age of 4, they then moved to grammar school when they were 7 years old. Girls were either kept at home by their parents to help with housework or sent out to work to bring money in for the family. They were not sent to school. Boys were educated for work and the girls for marriage and running a household so when they married they could look after the house and children. Wealthy families hired a tutor to teach the boys at home. Many Tudor towns and villages had a parish school where the local vicar taught boys to read and write. Brothers could teach their sisters these skills. At school, pupils were taught English, Latin, Greek, catechism and arithmetic. The pupils practised writing in ink by copying the alphabet and the Lord's Prayer. There were few books, so pupils read from hornbooks instead. These wooden boards had the alphabet, prayers or other writings pinned to them and were covered with a thin layer of transparent cow's horn. There were two types of school in Tudor times: petty school was where young boys were taught to read and write; grammar school was where abler boys were taught English and Latin. It was usual for students to attend six days a week. The school day started at 7:00 am in winter and 6:00 am in summer and finished about 5:00 pm. Petty schools had shorter hours, mostly to allow poorer boys the opportunity to work as well. Schools were harsh and teachers were very strict, often beating pupils who misbehaved.

Education would begin at home, where children were taught the basic etiquette of proper manners and respecting others. It was necessary for boys to attend grammar school, but girls were rarely allowed in any place of education other than petty schools, and then only with a restricted curriculum. Petty schools were for all children aged from 5 to 7 years of age. Only the most wealthy people allowed their daughters to be taught, and only at home. During this time, endowed schooling became available. This meant that even boys of very poor families were able to attend school if they were not needed to work at home, but only in a few localities were funds available to provide support as well as the necessary education scholarship.

Boys from wealthy families were taught at home by a private tutor. When Henry VIII shut the monasteries he closed their schools. He refounded many former monastic schools—they are known as "King's schools" and are found all over England. During the reign of Edward VI many free grammar schools were set up to take in non-fee paying students. There were two universities in Tudor England: Oxford and Cambridge. Some boys went to university at the age of about 14.

Availability
England's food supply was plentiful throughout most of the reign; there were no famines. Bad harvests caused distress, but they were usually localized. The most widespread came in 1555–57 and 1596–98. In the towns the price of staples was fixed by law; in hard times the size of the loaf of bread sold by the baker was smaller.

Trade and industry flourished in the 16th century, making England more prosperous and improving the standard of living of the upper and middle classes. However, the lower classes did not benefit much and did not always have enough food. As the English population was fed by its own agricultural produce, a series of bad harvests in the 1590s caused widespread starvation and poverty. The success of the wool trading industry decreased attention on agriculture, resulting in further starvation of the lower classes. Cumbria, the poorest and most isolated part of England, suffered a six-year famine beginning in 1594. Diseases and natural disasters also contributed to the scarce food supply.

In the 17th century, the food supply improved. England had no food crises from 1650 to 1725, a period when France was unusually vulnerable to famines. Historians point out that oat and barley prices in England did not always increase following a failure of the wheat crop, but did do so in France.

England was exposed to new foods (such as the potato imported from South America), and developed new tastes during the era. The more prosperous enjoyed a wide variety of food and drink, including exotic new drinks such as tea, coffee, and chocolate. French and Italian chefs appeared in the country houses and palaces bringing new standards of food preparation and taste. For example, the English developed a taste for acidic foods—such as oranges for the upper class—and started to use vinegar heavily. The gentry paid increasing attention to their gardens, with new fruits, vegetables and herbs; pasta, pastries, and dried mustard balls first appeared on the table. The apricot was a special treat at fancy banquets. Roast beef remained a staple for those who could afford it. The rest ate a great deal of bread and fish. Every class had a taste for beer and rum.

Diet
The diet in England during the Elizabethan era depended largely on social class. Bread was a staple of the Elizabethan diet, and people of different statuses ate bread of different qualities. The upper classes ate fine white bread called manchet, while the poor ate coarse bread made of barley or rye.

 * Diet of the lower class

The poorer among the population consumed a diet largely of bread, cheese, milk, and beer, with small portions of meat, fish and vegetables, and occasionally some fruit. Potatoes were just arriving at the end of the period, and became increasingly important. The typical poor farmer sold his best products on the market, keeping the cheap food for the family. Stale bread could be used to make bread puddings, and bread crumbs served to thicken soups, stews, and sauces.

 * Diet of the middle class

At a somewhat higher social level families ate an enormous variety of meats, who could choose among venison, beef, mutton, veal, pork, lamb, fowl, salmon, eel, and shellfish. The holiday goose was a special treat. Rich spices were used by the wealthier people to offset the smells of old salt-preserved meat. Many rural folk and some townspeople tended a small garden which produced vegetables such as asparagus, cucumbers, spinach, lettuce, beans, cabbage, turnips, radishes, carrots, leeks, and peas, as well as medicinal and flavoring herbs. Some grew their own apricots, grapes, berries, apples, pears, plums, strawberries, currants, and cherries. Families without a garden could trade with their neighbors to obtain vegetables and fruits at low cost. Fruits and vegetables were used in desserts such as pastries, tarts, cakes, crystallized fruit, and syrup.

 * Diet of the upper class

At the rich end of the scale the manor houses and palaces were awash with large, elaborately prepared meals, usually for many people and often accompanied by entertainment. The upper classes often celebrated religious festivals, weddings, alliances and the whims of the king or queen. Feasts were commonly used to commemorate the "procession" of the crowned heads of state in the summer months, when the king or queen would travel through a circuit of other nobles' lands both to avoid the plague season of London, and alleviate the royal coffers, often drained through the winter to provide for the needs of the royal family and court. This would include a few days or even a week of feasting in each noble's home, who depending on his or her production and display of fashion, generosity and entertainment, could have his way made in court and elevate his or her status for months or even years.

Among the rich private hospitality was an important item in the budget. Entertaining a royal party for a few weeks could be ruinous to a nobleman. Inns existed for travellers, but restaurants were not known.

Special courses after a feast or dinner which often involved a special room or outdoor gazebo (sometimes known as a folly) with a central table set with dainties of "medicinal" value to help with digestion. These would include wafers, comfits of sugar-spun anise or other spices, jellies and marmalades (a firmer variety than we are used to, these would be more similar to our gelatin jigglers), candied fruits, spiced nuts and other such niceties. These would be eaten while standing and drinking warm, spiced wines (known as hypocras) or other drinks known to aid in digestion. Sugar in the Middle Ages or Early Modern Period was often considered medicinal, and used heavily in such things. This was not a course of pleasure, though it could be as everything was a treat, but one of healthful eating and abetting the digestive capabilities of the body. It also, of course, allowed those standing to show off their gorgeous new clothes and the holders of the dinner and banquet to show off the wealth of their estate, what with having a special room just for banqueting.

Gender
While the Tudor era presents an abundance of material on the women of the nobility—especially royal wives and queens—historians have recovered scant documentation about the average lives of women. There has, however, been extensive statistical analysis of demographic and population data which includes women, especially in their childbearing roles. The role of women in society was, for the historical era, relatively unconstrained; Spanish and Italian visitors to England commented regularly, and sometimes caustically, on the freedom that women enjoyed in England, in contrast to their home cultures. England had more well-educated upper-class women than was common anywhere in Europe.

The Queen's marital status was a major political and diplomatic topic. It also entered into the popular culture. Elizabeth's unmarried status inspired a cult of virginity. In poetry and portraiture, she was depicted as a virgin or a goddess or both, not as a normal woman. Elizabeth made a virtue of her virginity: in 1559, she told the Commons, "And, in the end, this shall be for me sufficient, that a marble stone shall declare that a queen, having reigned such a time, lived and died a virgin". Public tributes to the Virgin by 1578 acted as a coded assertion of opposition to the queen's marriage negotiations with the Duc d'Alençon.

In contrast to her father's emphasis on masculinity and physical prowess, Elizabeth emphasized the maternalism theme, saying often that she was married to her kingdom and subjects. She explained "I keep the good will of all my husbands – my good people – for if they did not rest assured of some special love towards them, they would not readily yield me such good obedience", and promised in 1563 they would never have a more natural mother than she. Coch (1996) argues that her figurative motherhood played a central role in her complex self-representation, shaping and legitimating the personal rule of a divinely appointed female prince.

Marriage
Over ninety per cent of English women (and adults, in general) entered marriage at the end of the 1500s and beginning of the 1600s, at an average age of about 25–26 years for the bride and 27–28 years for the groom, with the most common ages being 25–26 for grooms (who would have finished their apprenticeships around this age) and 23 for brides. Among the nobility and gentry, the average was around 19–21 for brides and 24–26 for grooms. Many city and townswomen married for the first time in their thirties and forties and it was not unusual for orphaned young women to delay marriage until the late twenties or early thirties to help support their younger siblings, and roughly a quarter of all English brides were pregnant at their weddings.

Theatre

With William Shakespeare at his peak, as well as Christopher Marlowe and many other playwrights, actors and theatres constantly busy, the high culture of the Elizabethan Renaissance was best expressed in its theatre. Historical topics were especially popular, not to mention the usual comedies and tragedies.

Literature
Elizabethan literature is considered one of the "most splendid" in the history of English literature. In addition to drama and the theatre, it saw a flowering of poetry, with new forms like the sonnet, the Spenserian stanza, and dramatic blank verse, as well as prose, including historical chronicles, pamphlets, and the first English novels. Edmund Spenser, Richard Hooker, and John Lyly, as well as Marlowe and Shakespeare, are major Elizabethan writers.

Music
Travelling musicians were in great demand at Court, in churches, at country houses, and at local festivals. Important composers included William Byrd (1543–1623), John Dowland (1563–1626) Thomas Campion (1567–1620), and Robert Johnson (c. 1583–c. 1634). The composers were commissioned by church and Court, and deployed two main styles, madrigal and ayre. The popular culture showed a strong interest in folk songs and ballads (folk songs that tell a story). It became the fashion in the late 19th century to collect and sing the old songs.

Fine arts
It has often been said that the Renaissance came late to England, in contrast to Italy and the other states of continental Europe; the fine arts in England during the Tudor and Stuart eras were dominated by foreign and imported talent—from Hans Holbein the Younger under Henry VIII to Anthony van Dyck under Charles I. Yet within this general trend, a native school of painting was developing. In Elizabeth's reign, Nicholas Hilliard, the Queen's "limner and goldsmith", is the most widely recognized figure in this native development; but George Gower has begun to attract greater notice and appreciation as knowledge of him and his art and career has improved.

Pastimes
The Annual Summer Fair and other seasonal fairs such as May Day were often bawdy affairs.

Watching plays became very popular during the Tudor period. Most towns sponsored plays enacted in town squares followed by the actors using the courtyards of taverns or inns (referred to as inn-yards) followed by the first theatres (great open-air amphitheatres and then the introduction of indoor theatres called playhouses). This popularity was helped by the rise of great playwrights such as William Shakespeare and Christopher Marlowe using London theatres such as the Globe Theatre. By 1595, 15,000 people a week were watching plays in London. It was during Elizabeth's reign that the first real theatres were built in England. Before theatres were built, actors travelled from town to town and performed in the streets or outside inns.

Miracle plays were local re-enactments of stories from the Bible. They derived from the old custom of mystery plays, in which stories and fables were enacted to teach lessons or educate about life in general. They influenced Shakespeare.

Festivals were popular seasonal entertainments.

Sports
There were many different types of Elizabethan sports and entertainment. Animal sports included bear and bull baiting, dog fighting and cock fighting.

The rich enjoyed tennis, fencing, and jousting. Hunting was strictly limited to the upper class. They favoured their packs of dogs and hounds trained to chase foxes, hares and boars. The rich also enjoyed hunting small game and birds with hawks, known as falconry.

Jousting
Jousting was an upscale, very expensive sport where warriors on horseback raced toward each other in full armor trying to use their lance to knock the other off his horse. It was a violent sport--King Henry II of France was killed in a tournament in 1559, as were many lesser men. King Henry VIII was a champion; he finally retired from the lists after a hard fall left him unconscious for hours.

Other sports included archery, bowling, hammer-throwing, quarter-staff contests, troco, quoits, skittles, wrestling and mob football.

Gambling and card games
Dice was a popular activity in all social classes. Cards appeared in Spain and Italy about 1370, but they probably came from Egypt. They began to spread throughout Europe and came into England around 1460. By the time of Elizabeth's reign, gambling was a common sport. Cards were not played only by the upper class. Many of the lower classes had access to playing cards. The card suits tended to change over time. The first Italian and Spanish decks had the same suits: Swords, Batons/ Clubs, Cups, and Coins. The suits often changed from country to country. England probably followed the Latin version, initially using cards imported from Spain but later relying on more convenient supplies from France. Most of the decks that have survived use the French Suit: Spades, Hearts, Clubs, and Diamonds. Yet even before Elizabeth had begun to reign, the number of cards had been standardized to 52 cards per deck. The lowest court subject in England was called the "knave". The lowest court card was therefore called the knave until later when the term "Jack" became more common. Popular card games included Maw, One and Thirty, Bone-ace. (These are all games for small group players.) Ruff and Honors was a team game.

Festivals, holidays and celebrations

During the Elizabethan era, people looked forward to holidays because opportunities for leisure were limited, with time away from hard work being restricted to periods after church on Sundays. For the most part, leisure and festivities took place on a public church holy day. Every month had its own holiday, some of which are listed below: The day after Shrove Tuesday was Ash Wednesday, the first day of Lent when all were to abstain from eating and drinking certain things. 24 March: Lady Day or the feast of the Annunciation, the first of the Quarter Days on which rents and salaries were due and payable. It was a legal New Year when courts of law convened after a winter break, and it marked the supposed moment when the Angel Gabriel came to announce to the Virgin Mary that she would bear a child. 28 October: The Lord Mayor's Show, which still takes place today in London. 31 October: All Hallows Eve or Halloween. The beginning celebration of the days of the dead.
 * The first Monday after Twelfth Night of January (any time between 7 January and 14 January) was Plough Monday. It celebrated returning to work after the Christmas celebrations and the New Year.
 * 2 February: Candlemas. Although often still very cold, Candlemas was celebrated as the first day of spring. All Christmas decorations were burned on this day, in candlelight and torchlight processions.
 * 14 February: Valentine's Day.
 * Between 3 March and 9 March: Shrove Tuesday (known as Mardi Gras or Carnival on the Continent). On this day, apprentices were allowed to run amok in the city in mobs, wreaking havoc, because it supposedly cleansed the city of vices before Lent.
 * 1 May: May Day, celebrated as the first day of summer. This was one of the few Celtic festivals with no connection to Christianity and patterned on Beltane. It featured crowning a May Queen, a Green Man and dancing around a maypole.
 * 21 June: Midsummer (Christianized as the feast of John the Baptist) and another Quarter Day.
 * 1 August: Lammastide, or Lammas Day. Traditionally, the first day of August, in which it was customary to bring a loaf of bread to the church.
 * 29 September: Michaelmas. Another Quarter Day. Michaelmas celebrated the beginning of autumn, and Michael the Archangel.
 * 25 October: St. Crispin's Day. Bonfires, revels, and an elected 'King Crispin' were all featured in this celebration. Dramatized by Shakespeare in Henry V.
 * 1 November: All Hallows or All Saints' Day, followed by All Souls' Day.
 * 17 November: Accession Day or Queen's Day, the anniversary of Queen Elizabeth's accession to the throne, celebrated with lavish court festivities featuring jousting during her lifetime and as a national holiday for dozens of years after her death.
 * 24 December: The Twelve Days of Christmas started at sundown and lasted until Epiphany on 6 January. Christmas was the last of the Quarter Days for the year.

title: Elizabethan era


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Libretto

A libretto (an English word derived from the Italian word libretto, lit. 'booklet') is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term libretto is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet.

The Italian word libretto (, plural libretti ) is the diminutive of the word libro ("book"). Sometimes other-language equivalents are used for libretti in that language, livret for French works, Textbuch for German and libreto for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word libretto to refer to the 15- to 40-page books which were on sale to 19th century ballet audiences in Paris and contained a very detailed description of the ballet's story, scene by scene.

The relationship of the librettist (that is, the writer of a libretto) to the composer in the creation of a musical work has varied over the centuries, as have the sources and the writing techniques employed.

In the context of a modern English-language musical theatre piece, the libretto is considered to encompass both the book of the work (i.e., the spoken dialogue) and the sung lyrics.

Relationship of composer and librettist

Libretti for operas, oratorios and cantatas in the 17th and 18th centuries were generally written by someone other than the composer, often a well-known poet.

Pietro Trapassi, known as Metastasio (1698–1782) was one of the most highly regarded librettists in Europe. His libretti were set many times by many different composers. Another noted 18th-century librettist was Lorenzo Da Ponte. He wrote the libretti for three of Mozart's greatest operas, and for many other composers as well. Eugène Scribe was one of the most prolific librettists of the 19th century, providing the words for works by Meyerbeer (with whom he had a lasting collaboration), Auber, Bellini, Donizetti, Rossini and Verdi. The French writers' duo Henri Meilhac and Ludovic Halévy wrote many opera and operetta libretti for the likes of Jacques Offenbach, Jules Massenet and Georges Bizet. Arrigo Boito, who wrote libretti for, among others, Giuseppe Verdi and Amilcare Ponchielli, also composed two operas of his own.

The libretto is not always written before the music. Some composers, such as Mikhail Glinka, Alexander Serov, Rimsky-Korsakov, Puccini and Mascagni wrote passages of music without text and subsequently had the librettist add words to the vocal melody lines (this has often been the case with American popular song and musicals in the 20th century, as with Richard Rodgers and Lorenz Hart's collaboration, although with the later team of Rodgers and Hammerstein the lyrics were generally written first, which was Rodgers' preferred modus operandi).

Some composers wrote their own libretti. Richard Wagner is perhaps most famous in this regard, with his transformations of Germanic legends and events into epic subjects for his operas and music dramas. Hector Berlioz, too, wrote the libretti for two of his best-known works, La damnation de Faust and Les Troyens. Alban Berg adapted Georg Büchner's play Woyzeck for the libretto of Wozzeck.

Sometimes the libretto is written in close collaboration with the composer; this can involve adaptation, as was the case with Rimsky-Korsakov and his librettist Vladimir Belsky, or an entirely original work. In the case of musicals, the music, the lyrics and the "book" (i.e., the spoken dialogue and the stage directions) may each have its own author. Thus, a musical such as Fiddler on the Roof has a composer (Jerry Bock), a lyricist (Sheldon Harnick) and the writer of the "book" (Joseph Stein). In rare cases, the composer writes everything except the dance arrangements – music, lyrics and libretto, as Lionel Bart did for Oliver!.

Other matters in the process of developing a libretto parallel those of spoken dramas for stage or screen. There are the preliminary steps of selecting or suggesting a subject and developing a sketch of the action in the form of a scenario, as well as revisions that might come about when the work is in production, as with out-of-town tryouts for Broadway musicals, or changes made for a specific local audience. A famous case of the latter is Wagner's 1861 revision of the original 1845 Dresden version of his opera Tannhäuser for Paris.

Literary characteristics
The opera libretto from its inception (c. 1600) was written in verse, and this continued well into the 19th century, although genres of musical theatre with spoken dialogue have typically alternated verse in the musical numbers with spoken prose. Since the late 19th century some opera composers have written music to prose or free verse libretti. Much of the recitatives of George Gershwin's opera Porgy and Bess, for instance, are merely DuBose and Dorothy Heyward's play Porgy set to music as written – in prose – with the lyrics of the arias, duets, trios and choruses written in verse.

The libretto of a musical, on the other hand, is almost always written in prose (except for the song lyrics). The libretto of a musical, if the musical is adapted from a play (or even a novel), may even borrow their source's original dialogue liberally – much as Oklahoma! used dialogue from Lynn Riggs's Green Grow the Lilacs, Carousel used dialogue from Ferenc Molnár's Liliom, My Fair Lady took most of its dialogue word-for-word from George Bernard Shaw's Pygmalion, Man of La Mancha was adapted from the 1959 television play I, Don Quixote, which supplied most of the dialogue, and the 1954 musical version of Peter Pan used J. M. Barrie's dialogue. Even the musical Show Boat, which is greatly different from the Edna Ferber novel from which it was adapted, uses some of Ferber's original dialogue, notably during the miscegenation scene. And Lionel Bart's Oliver! uses chunks of dialogue from Charles Dickens's novel Oliver Twist, although it bills itself as a "free adaptation" of the novel.

Language and translation
As the originating language of opera, Italian dominated that genre in Europe (except in France) well through the 18th century, and even into the next century in Russia, for example, when the Italian opera troupe in Saint Petersburg was challenged by the emerging native Russian repertory. Significant exceptions before 1800 can be found in Purcell's works, Handel's first operas, ballad opera and Singspiel of the 18th century, etc.

Just as with literature and song, the libretto has its share of problems and challenges with translation. In the past (and even today), foreign musical stage works with spoken dialogue, especially comedies, were sometimes performed with the sung portions in the original language and the spoken dialogue in the vernacular. The effects of leaving lyrics untranslated depend on the piece. A man like Louis Durdilly would translate the whole libretto, dialogues and airs, into French : Così fan tutte became  Ainsi font toutes, ou la Fidélité des femmes, and instead of Ferrando singing "Un' aura amorosa" French-speaking audiences were treated to Fernand singing "Ma belle est fidèle autant qu'elle est belle".

Many musicals, such as the old Betty Grable – Don Ameche – Carmen Miranda vehicles, are largely unaffected, but this practice is especially misleading in translations of musicals like Show Boat, The Wizard of Oz, My Fair Lady or Carousel, in which the lyrics to the songs and the spoken text are often or always closely integrated, and the lyrics serve to further the plot. Availability of printed or projected translations today makes singing in the original language more practical, although one cannot discount the desire to hear a sung drama in one's own language.

The Spanish words libretista (playwright, script writer or screenwriter) and libreto (script or screen play), which are used in the Hispanic TV and cinema industry, derived their meanings from the original operatic sense.

Status
Librettists have historically received less prominent credit than the composer. In some 17th-century operas still being performed, the name of the librettist was not even recorded. As the printing of libretti for sale at performances became more common, these records often survive better than music left in manuscript. But even in late 18th century London, reviews rarely mentioned the name of the librettist, as Lorenzo Da Ponte lamented in his memoirs.

By the 20th century some librettists became recognised as part of famous collaborations, as with Gilbert and Sullivan or Rodgers and Hammerstein. Today the composer (past or present) of the musical score to an opera or operetta is usually given top billing for the completed work, and the writer of the lyrics relegated to second place or a mere footnote, a notable exception being Gertrude Stein, who received top billing for Four Saints in Three Acts. Another exception was Alberto Franchetti's 1906 opera La figlia di Iorio which was a close rendering of a highly successful play by its librettist, Gabriele D'Annunzio, a celebrated Italian poet, novelist and dramatist of the day. In some cases, the operatic adaptation has become more famous than the literary text on which it was based, as with Claude Debussy's Pelléas et Mélisande after a play by Maurice Maeterlinck.

The question of which is more important in opera – the music or the words – has been debated over time, and forms the basis of at least two operas, Richard Strauss's Capriccio and Antonio Salieri's Prima la musica e poi le parole.

Publication
Libretti have been made available in several formats, some more nearly complete than others. The text – i.e., the spoken dialogue, song lyrics and stage directions, as applicable – is commonly published separately from the music (such a booklet is usually included with sound recordings of most operas). Sometimes (particularly for operas in the public domain) this format is supplemented with melodic excerpts of musical notation for important numbers.

Printed scores for operas naturally contain the entire libretto, although there can exist significant differences between the score and the separately printed text. More often than not, this involves the extra repetition of words or phrases from the libretto in the actual score. For example, in the aria "Nessun dorma" from Puccini's Turandot, the final lines in the libretto are "Tramontate, stelle! All'alba, vincerò!" (Fade, you stars! At dawn, I will win!). However, in the score they are sung as "Tramontate, stelle! Tramontate, stelle! All'alba, vincerò! Vincerò! Vincerò!".

Because the modern musical tends to be published in two separate but intersecting formats (i.e., the book and lyrics, with all the words, and the piano-vocal score, with all the musical material, including some spoken cues), both are needed in order to make a thorough reading of an entire show.

title: Libretto


text:
Talk:Pickup

February 2002
A fantastic article; thanks to whoever wrote it. I think it qualifies as brilliant prose. But--should it be under the singular ("Pickup") instead? Also, one can be said to make "pickups" of shots in movies; I'm debating whether there is enough to say about them to add the second sense--perhaps not, but maybe so. Anyway, thanks again for the entry. :-) --Koyaanis Qatsi

 * Pickups doesn't make sense when directed towards film theory. It is more about the workings of movie making and not the philosophy.

 * Also, I believe 'pickup,' when used in regards to games, was first used in conjunction with basketball, such as, "We played a pickup game of ball last night with a bunch of kids at the park." */_\ Jimcripps 04:38, 10 June 2006 (UTC)

 * What about the most common use: pickup (sp?) as the counterpart of delivery?

e.g. Please pick up your sister after school.

 * The definition "A colloquial term for acceleration, particularly of vehicles" in wrong.

Pick-up and acceleration, in vehicles technical slang, are two very different concepts. Yes, they both describes concepts wich can be associate to the Physical quantity acceleration (but are not accelerations, they are times!!!), anyway this is not physic: this is vehicles technical lenguage! In this field:
 * accelaration is the minimum time you need to accerate from zero to a certain speed (often 100 Km/h).
 * pick up is the time you get to accelerate from a speed to another wiht the same gear (for instance, fron 80 to 130 km/h with the 5th gear.

 * In California, in the 1960s, a car which had good acceleration from a standing start (or for passing in the lane for oncoming traffic, was often said to have good pickup. Just because there are other definitions for pickup does not make this one wrong.

Noun vs verb
Hello,

Might we perhaps want to mention the difference between a noun and a verb? Oxford Dictionary on OS X seems to indicate that "pick up" is the verb, and "pickup" is a noun. — Preceding unsigned comment added by 72.133.60.232 (talk) 15:48, 3 January 2013 (UTC)

title: Talk:Pickup