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Lyrics

Lyrics are words that make up a song, usually consisting of verses and choruses. The writer of lyrics is a lyricist. The words to an extended musical composition such as an opera are, however, usually known as a "libretto" and their writer, as a "librettist". Rap songs and grime contain rap lyrics (often with a variation of rhyming words) that are meant to be spoken rhythmically rather than sung. The meaning of lyrics can either be explicit or implicit. Some lyrics are abstract, almost unintelligible, and, in such cases, their explication emphasizes form, articulation, meter, and symmetry of expression.

Etymology

The word lyric derives via Latin ' from the Greek ('), the adjectival form of lyre. It first appeared in English in the mid-16th century in reference to the Earl of Surrey's translations of Petrarch and to his own sonnets. Greek lyric poetry had been defined by the manner in which it was sung accompanied by the lyre or cithara, as opposed to the chanted formal epics or the more passionate elegies accompanied by the flute. The personal nature of many of the verses of the Nine Lyric Poets led to the present sense of "lyric poetry" but the original Greek sense of "lyric poetry"—"poetry accompanied by the lyre" i.e. "words set to music"—eventually led to its use as "lyrics", first attested in Stainer and Barrett's 1876 Dictionary of Musical Terms. Stainer and Barrett used the word as a singular substantive: "Lyric, poetry or blank verse intended to be set to music and sung". By the 1930s, the present use of the plurale tantum "lyrics" had begun; it has been standard since the 1950s for many writers. The singular form "lyric" is still used to mean the complete words to a song by authorities such as Alec Wilder, Robert Gottlieb, and Stephen Sondheim. However, the singular form is also commonly used to refer to a specific line (or phrase) within a song's lyrics.

Poems
The differences between poem and song may become less meaningful where verse is set to music, to the point that any distinction becomes untenable. This is perhaps recognised in the way popular songs have lyrics.

However, the verse may pre-date its tune (in the way that "Rule Britannia" was set to music, and "And did those feet in ancient time" has become the hymn "Jerusalem"), or the tune may be lost over time but the words survive, matched by a number of different tunes (this is particularly common with hymns and ballads).

Possible classifications proliferate (under anthem, ballad, blues, carol, folk song, hymn, libretto, lied, lullaby, march, praise song, round, spiritual). Nursery rhymes may be songs, or doggerel: the term does not imply a distinction. The ghazal is a sung form that is considered primarily poetic. See also rapping, roots of hip hop music.

Analogously, verse drama might normally be judged (at its best) as poetry, but not consisting of poems (see dramatic verse).

In Baroque music, melodies and their lyrics were prose. Rather than paired lines they consist of rhetorical sentences or paragraphs consisting of an opening gesture, an amplification (often featuring sequence), and a close (featuring a cadence); in German Vordersatz-Fortspinnung-Epilog. For example: When I was a child,                                 [opening gesture] I spoke as a child,                                 [amplification...] I understood as a child,                            [...] I thought as a child;                               [...] But when I became a man, I put away childish things. [close] - 1 Corinthians 13:11

Shifter
In the lyrics of popular music a "shifter" is a word, often a pronoun, "where reference varies according to who is speaking, when and where", such as "I", "you", "my", "our". For example, who is the "my" of "My Generation"?

Copyright and royalties

 * See Royalties

, there are many websites featuring song lyrics. This offering, however, is controversial, since some sites include copyrighted lyrics offered without the holder's permission. The U.S. Music Publishers Association (MPA), which represents sheet music companies, launched a legal campaign against such websites in December 2005. The MPA's president, Lauren Keiser, said the free lyrics web sites are "completely illegal" and wanted some website operators jailed.

Lyrics licenses could be obtained worldwide through one of the two aggregators: LyricFind and Musixmatch. The first company to provide licensed lyrics was Yahoo!, quickly followed by MetroLyrics. Several lyric websites are providing licensed lyrics, such as SongMeanings and LyricWiki (defunct as of 2020).

Many competing lyrics web sites are still offering unlicensed content, causing challenges around the legality and accuracy of lyrics. In an attempt to crack down unlicensed lyrics web sites, a U.S. federal court has ordered LiveUniverse, a network of websites run by MySpace co-founder Brad Greenspan, to cease operating four sites offering unlicensed song lyrics.

Academic study
Lyrics can be studied from an academic perspective. For example, some lyrics can be considered a form of social commentary. Lyrics often contain political, social, and economic themes—as well as aesthetic elements—and so can communicate culturally significant messages. These messages can be explicit, or implied through metaphor or symbolism. Lyrics can also be analyzed with respect to the sense of unity (or lack of unity) it has with its supporting music. Analysis based on tonality and contrast are particular examples. Former Oxford Professor of Poetry Christopher Ricks famously published Dylan's Visions of Sin, an in-depth and characteristically Ricksian analysis of the lyrics of Bob Dylan; Ricks gives the caveat that to have studied the poetry of the lyrics in tandem with the music would have made for a much more complicated critical feat.

Search risk
A 2009 report published by McAfee found that, in terms of potential exposure to malware, lyrics-related searches and searches containing the word "free" are the most likely to have risky results from search engines, both in terms of average risk of all results, and maximum risk of any result.

Google
Beginning in late 2014, Google changed its search results pages to include song lyrics. When users search for a name of a song, Google can now display the lyrics directly in the search results page. When users search for a specific song's lyrics, most results show the lyrics directly through a Google search by using Google Play.

title: Lyrics


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Pas-de-Calais

The Pas-de-Calais (, "strait of Calais"; Pas-Calés; also Nauw van Kales) is a department in northern France named after the French designation of the Strait of Dover, which it borders. It has the most communes of all the departments of France, with 890, and is the 8th most populous. It had a population of 1,465,278 in 2019. The Calais Passage connects to the Port of Calais on the English Channel. The Pas-de-Calais borders the departments of Nord and Somme and is connected to the English county of Kent via the Channel Tunnel.

History
Inhabited since prehistoric times, the Pas-de-Calais region was populated in turn by the Celtic Belgae, the Romans, the Germanic Franks and the Alemanni. During the fourth and fifth centuries, the Roman practice of co-opting Germanic tribes to provide military and defence services along the route from Boulogne-sur-Mer to Cologne created a Germanic-Romance linguistic border in the region that persisted until the eighth century.

Saxon colonization into the region from the fifth to the eighth centuries likely extended the linguistic border somewhat south and west so that by the ninth century most inhabitants north of the line between Béthune and Berck spoke a dialect of Middle Dutch, while the inhabitants to the south spoke Picard, a variety of Romance dialects.

This linguistic border is still evident today in the toponyms and patronyms of the region. Beginning in the ninth century, the linguistic border began a steady move to north and the east, and by the end of the 15th century Romance dialects had completely displaced those of Dutch.

Pas-de-Calais is one of the original 83 departments created during the French Revolution on 4 March 1790. It was created from parts of the former provinces of Calaisis, formerly English, Boulonnais, Ponthieu and Artois, this last formerly part of the Spanish Netherlands.

Some of the costliest battles of World War I were fought in the region. The Canadian National Vimy Memorial, eight kilometres from Arras, commemorates the Battle of Vimy Ridge assault during the Battle of Arras (1917) and is Canada's most important memorial in Europe to its fallen soldiers.

Pas-de-Calais was also the target of Operation Fortitude during World War II, which was an Allied plan to deceive the Germans that the invasion of Europe at D-Day was to occur here, rather than in Normandy.

Geography

Pas-de-Calais is in the current region of Hauts-de-France and is surrounded by the departments of Nord and Somme, the English Channel, and the North Sea. It shares a maritime border with the English county of Kent in the United Kingdom halfway through the Channel Tunnel.

The principal rivers are the following:

 * Authie
 * Canche
 * Ternoise
 * Liane
 * Sensée
 * Scarpe
 * Deûle
 * Lys
 * Aa

Principal towns
Its principal towns are, on the coast, Calais and Boulogne-sur-Mer, and in Artois, Arras, Lens, Liévin, and Béthune. The most populous commune is Calais; the prefecture Arras is the second-most populous. As of 2019, there are 10 communes with more than 15,000 inhabitants:

Economy
The economy of the department was long dependent on mining, primarily the coal mines near the town of Lens, Pas-de-Calais where coal was discovered in 1849. However, since World War II, the economy has become more diversified.

Demographics
The inhabitants of the department are called Pas-de-Calaisiens.

Pas-de-Calais is one of the most densely populated departments of France, but has no cities with over 100,000 residents: Calais has about 73,000 inhabitants. The remaining population is primarily concentrated along the border with the department of Nord in the mining district, where a string of small towns constitutes an urban area with a population of about 1.2 million. The centre and south of the department are more rural, but still quite heavily populated, with many villages and small towns.

Although the department saw some of the heaviest fighting of World War I, its population rebounded quickly after both world wars. However, many of the mining towns have seen dramatic decreases in population, some up to half of their population.

Population development since 1801:

Local elections
The president of the Departmental Council is Jean-Claude Leroy, elected in 2017.

National politics
In the second round of the French presidential elections of 2017 Pas-de-Calais was one of only two departments in which the candidate of the Front National, Marine Le Pen, received a majority of the votes cast: 52.06%.

Education
There are currently two public universities in the department. Although it is one of the most populous departments of France, Pas-de-Calais did not contain a university until 1991 when the French government created two universities: ULCO (Université du Littoral Côte d'Opale) on the western part of the department, and Université d'Artois on the eastern part.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Pas-de-Calais


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Bill Viola

William John Viola Jr. (, ; January 25, 1951 – July 12, 2024) was an American video artist whose artistic expression depended upon electronic, sound, and image technology in new media. His works focus on the ideas behind fundamental human experiences such as birth, death, and aspects of consciousness.

Early life and education
William John Viola Jr. was born on January 25, 1951, in Flushing, Queens, New York, and grew up in Queens and Westbury. He attended P.S. 20, in Flushing, where he was captain of the TV Squad. On vacation in the mountains with his family, he nearly drowned in a lake, an experience he described as "… the most beautiful world I've ever seen in my life" and "without fear," and "peaceful."

In 1973, Viola graduated from Syracuse University with a Bachelor in Fine Arts in experimental studies. He studied in the College of Visual and Performing Arts, including the Synapse experimental program, which evolved into CitrusTV.

Career
From 1973 to 1980, Viola studied and performed with composer David Tudor in the new music group "Rainforest" (later named "Composers Inside Electronics" ). From 1974 to 1976, Viola worked as technical director at, a pioneering video studio led by Maria Gloria Conti Bicocchi, in Florence, Italy where he encountered video artists Nam June Paik, Bruce Nauman, and Vito Acconci. From 1976 to 1983, he was artist-in-residence at WNET Thirteen Television Laboratory in New York. In 1976 and 1977, he travelled to the Solomon Islands, Java, and Indonesia to record traditional performing arts.

Viola was invited to show work at La Trobe University (Melbourne, Australia) in 1977, by cultural arts director Kira Perov. Viola and Perov later married, beginning an important lifelong collaboration in working and traveling together. In 1980, they lived in Japan for a year and a half on a Japan/U.S. cultural exchange fellowship where they studied Buddhism with Zen Master Daien Tanaka. During this time, Viola was also an artist-in-residence at Sony Corporation's Atsugi Laboratories.

In 1983, he became an instructor in Advanced Video at the California Institute of the Arts, in Valencia, California. Viola received a Guggenheim Fellowship for fine arts in 1985. He represented the United States at the 46th Venice Biennale in 1995 for which he produced a series of works called Buried Secrets, including one of his best known works The Greeting, a contemporary interpretation of Pontormo's The Visitation. In 1997, the Whitney Museum of American Art organized and toured internationally a major 25-year retrospective of Viola's work.

Viola was the 1998, Getty Scholar-in-residence at the Getty Research Institute, Los Angeles. Later, in 2000, he was elected to the American Academy of Arts and Sciences. In 2002, he completed Going Forth By Day, a digital "fresco" cycle in high-definition video, commissioned by the Deutsche Guggenheim Berlin and the Guggenheim Museum, New York.

In 2003,The Passions was exhibited in Los Angeles, London, Madrid, and Canberra. This was a major collection of Viola's emotionally charged, slow-motion works inspired by traditions within Renaissance devotional painting.

The first biography of Viola, entitled Viola on Vídeo, was written by Federico Utrera (King Juan Carlos University) and published in Spain in 2011.

Bill Viola studio
Bill Viola studio is run by his wife, Kira Perov, who is the executive director. She worked with Viola from 1978 managing and assisting him with his videotapes and installations. She documents their work in progress on location. All publications from the studio are edited by Perov.

Death
Viola died from complications of Alzheimer's disease at home in Long Beach, California, on July 12, 2024, at the age of 73, leaving behind his wife and longtime creative collaborator, Kira Perov, sons Blake and Andrei Viola, and daughter-in-law Aileen Milliman.

Style
Viola's art deals largely with the central themes of human consciousness and experience – birth, death, love, emotion, and a kind of humanist spirituality. Throughout his career he drew meaning and inspiration from his deep interest in mystical traditions, especially Zen Buddhism, Christian mysticism, and Islamic Sufism, often evident in the transcendental quality of some of his works. Equally, the subject matter and manner of western medieval and renaissance devotional art informed his aesthetic.

He often explored dualism, or the idea that comprehension of a subject is impossible unless its opposite is known. For example, a lot of his work has themes such as life and death, light and dark, fire and water, stressed and calm, or loud and quiet.

His work can be divided into three types, conceptual, visual, and a unique combination of the two. Gardner feels that Viola's visual work, such as "The Veiling", and his combination of both the conceptual and visual, such as "The Crossing," are impressive and memorable.

Viola's work often exhibits a painterly quality, with his use of ultra-slow motion video encouraging the viewer to sink into the image and connect deeply to the meanings contained within it. This quality makes his work perhaps unusually accessible within a contemporary art context. As a consequence, his work often receives mixed reviews from critics, some of whom have noted a tendency toward grandiosity and obviousness in some of his work.

Viola's interest in capturing the essence of emotion through recording of its extreme display began at least as early as his 1976 work, The Space Between the Teeth, a video of himself screaming, and continued with such works as the 45-second Silent Mountain (2001), which shows two actors in states of anguish, which Viola described as “probably the loudest scream I’ve recorded.”

If Viola's depictions of emotional states with no objective correlative — emotional states for which the viewer has no external object or event to understand them by—are one feature of many of his works, another, which has come to the forefront, is his reference to medieval and classical depictions of emotion. His subdued Catherine's Room 2001, has many scene by scene parallels with Andrea di Bartolo's 1393 St. Catherine of Siena Praying.

Viola's work has received critical accolades. Critic Marjorie Perloff singles him out for praise. Writing at length about the necessity of poetic works responding to and taking advantage of contemporary computer technologies, Perloff sees Viola as an example of how new technology—in his case, the video camera—can create entirely new aesthetic criteria and possibilities that did not exist in previous incarnations of the genre — in this case, theater.

Video art projects
While many video artists have been quick to adopt new technologies to their medium, Viola relied little on digital editing. Perhaps the most technically challenging part of his work, and that which has benefited most from the advances since his earliest pieces, is his use of extreme slow motion.

Reverse Television
Reverse Television (1983) is a 15-minute montage of people watching video cameras as though they were televisions.

The Quintet Series
The Quintet Series (2000-2001) is a set of four separate videos that shows the unfolding expressions of five actors in slow motion so that details of their changing expressions can be detected. The work references European Renaissance Old Masters such as Hieronymous Bosch and Dieric Bouts

Collaboration with Nine Inch Nails
In 2000, Viola collaborated with the industrial rock band Nine Inch Nails and its lead singer Trent Reznor to create a video suite for the band's tour. The triptych mainly is focused on water imagery and was supposed to be integral with the songs that were played.

An Ocean Without a Shore
In 2007, Viola was invited back to the 52nd Venice Biennale to present an installation called An Ocean Without a Shore, which was named after a quote from Ibn ʿArabī. The work consists of people standing in the foreground with nothing but black behind them. Each of them seem to produce gallons of water from themselves as if they were waterfalls. The water comes gushing out of their bodies as if they are being reborn. This main piece seems to creates the effect of appearing as a nearly transparent wall of glass. Viola described the piece in an interview as being "about the fragility of life, like the borderline between life and death is actually not a hard wall; it’s not to be opened with a lock and key, it's actually very fragile, very tenuous."

Observance
Observance (2002), is a work which may be taken partly as a response to the September 11 attacks. The installation involves about four or five individuals in a small frame. Although cramped in this small space, they seem to not want to move out of it. One of the youngest individuals in the group comes forward to the front center of the crowd looking at something with an air of solace. In this action, the actions of the other individuals makes more sense. There is something foreboding and tragic in front of them.

The Tristan Project
In 2004, Viola embarked on The Tristan Project. At the invitation of opera director Peter Sellars, he created video sequences to be shown as a backdrop to the action on stage during the performance of Wagner's opera Tristan und Isolde. Using his extreme slow motion, Viola's pieces used actors to portray the metaphorical story behind Wagner's story, seeing for example the first act as an extended ritual of purification in which the characters disrobe and wash themselves before finally plunging headlong into water together (in Wagner's story, the two characters maintain the facade of being indifferent to each other (necessary because Isolde is betrothed to Tristan's uncle) before, mistakenly believing they are going to die anyway, and reveal their true feelings). The piece was first performed in Los Angeles at Disney Hall on 3 separate evenings in 2004, one act at a time, then given complete performances at the Bastille Opera in Paris in April and in November 2005. The video pieces were later shown in London without Wagner's music in June to September 2006, at the Haunch of Venison Gallery and St. Olave's School, London. The Tristan project returned, both in music and video, to the Disney Hall in Los Angeles in April 2007, with further performances at New York City's Lincoln Center in May 2007 and at the Gergiev Festival in Rotterdam, The Netherlands, in September 2007.

The Night Journey
In 2005, he began working with Tracy Fullerton and the Game Innovation Lab at USC on the art game, The Night Journey, a project based on the universal story of an individual's mystic journey toward enlightenment. The game has presented at a number of exhibits worldwide as a work in progress. It was awarded Sublime Experience at IndieCade 2008.

Bodies of Light
In October 2009, Viola's solo exhibition entitled "Bodies of Light" appeared at the James Cohan Gallery in New York. Featured in the exhibition was Pneuma (1994), a projection of alternating images evoking the concept of fleeting memories. Also on view were several pieces from the Viola's ongoing "Transfiguration" series, which he evolved from his 2007 installation Ocean Without a Shore.

Other projects
In 2004, Viola began work on a new production of Richard Wagner's opera Tristan und Isolde, a collaboration with director Peter Sellars, conductor Esa-Pekka Salonen, and executive producer Kira Perov. The opera premiered at the Opéra National de Paris in 2005 and Viola's video work was subsequently shown as LOVE/DEATH The Tristan Project at the Haunch of Venison Gallery and St Olave's School, London, in 2006 and at the Walt Disney Concert Hall, Los Angeles in 2007. During 2007, the Centro Andaluz de Arte Contemporáneo in Sevilla, organized an exhibition at the Palace of Charles V in la Alhambra- Granada- in which Viola's work dialogues with the Fine Arts Collection of the museum.

Viola's Three Structures
Viola felt as if there are three different structures to describe patterns of data structures. There is the branching structure, matrix structure, and schizo structure.

"The most common structure is called branching. In this structure, the viewer proceeds from the top to bottom in time." The branching structure of presenting data is the typical narrative and linear structure. The viewer proceeds from a set point A to point B by taking an exact path, the same path any other reader would take. An example of this is Google because users go into this website with a certain mindset of what they want to search for, and they get a certain result as they branch off and end at another website.

The second structure is the Matrix structure. This structure describes media when it follows nonlinear progression through information. The viewer could enter at any point, move in any direction, at any speed, pop in and out at any place. Like the branching structure, this also has its set perimeters. However, the exact path that is followed is up to the user. The user has the option of participating in decision-making that affect the viewing experience of the media. An example of this is Public Secrets, a website that reveals secrets of the justice and the incarceration system within the U.S. for women. There is a set boundary of what users can and cannot do while presenting them with different themes and subjects users are able to view. Different users will find themselves taking different paths, using flash cues to guide themselves through the website. This vast selection of paths presents many users with a unique viewing experience (in relation to that of the previous persons). As well, they have the choice to read the excerpts from these women or hear it out loud. This connects to Borges' "The Garden of Forking Paths" where the participant has a variety of choices on how they see a story unfold before them. Each time, they can create a different path.

The last structure is called the schizo, or the spaghetti model. This form of data structure pertains to pure or mostly randomness. "Everything is irrelevant and significant at the same time. Viewers may become lost in this structure and never find their way out."

Awards
Viola was awarded the XXIst Catalonia International Prize in 2009. The Premi Internacional Catalunya was created by the autonomous government of Catalonia, the Generalitat de Catalunya, to be awarded to those who make notable contributions to the advancement of human, cultural, and scientific values. The award honors an individual "whose creative work has made a significant contribution to the development of cultural, scientific or human values anywhere in the world".

 * 1984 Polaroid Video Art Award for outstanding achievement, US
 * 1985 Guggenheim Fellowship for Fine Arts, US
 * 1987 Maya Deren Award, American Film Institute, US
 * 1989 John D. and Catherine T. MacArthur Foundation Award, US
 * 1993 Skowhegan Medal (Video Installation), US
 * 1993 Medienkunstpreis, Zentrum für Kunst und Medientechnologie, Karlsruhe, and Siemens Kulturprogramm, Germany
 * 2000 Elected member of American Academy of Arts and Sciences
 * 2003 Cultural Leadership Award, American Federal of Arts, US
 * 2006 NORD/LB Art Prize, Bremen, Germany
 * 2006 Commander of the Order of Arts and Letters, government of France
 * 2009 Eugene McDermott Award in the Arts, MIT, Cambridge, MA He was awarded $75,000 and was able to go to MIT and help enhance the creative groups there.
 * 2009 Catalonia International Prize, Barcelona, Spain
 * 2010 honorary doctorate from the University of Liège, Belgium
 * 2011 Praemium Imperiale, Japan
 * 2017 Elected as an Honorary Royal Academician by the Royal Academy of Arts, UK

Books

 * Viola, Bill, and Robert Violette (1995). Reasons for Knocking at an Empty House: Writings 1973-1994. Cambridge, Mass: MIT Press. Print. ISBN 9780262720250..
 * Viola, Bill (2002). Going Forth by Day. New York: Solomon R. Guggenheim Foundation. Print. ISBN 9780892072552..
 * Viola, Bill, Peter Sellars, John Walsh, and Hans Belting (2003). Bill Viola: The Passions. Los Angeles: J. Paul Getty Museum in association with the National Gallery, London. Print. ISBN 9780892367139..
 * Viola, Bill, and Jérôme Neutres (2014). Bill Viola: Paris, Grand Palais, Galeries Nationales, 5 Mars-21 Juillet 2014. Print. ISBN 9782711861668..

title: Bill Viola


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Departments of France

In the administrative divisions of France, the department (département, ) is one of the three levels of government under the national level ("territorial collectivities"), between the administrative regions and the communes. Ninety-six departments are in metropolitan France, with an additional five constituting overseas departments, which are also classified as overseas regions. Departments are further subdivided into 333 arrondissements and 2,054 cantons (as of 2023). These last two levels of government have no political autonomy, instead serving as the administrative basis for the local organisation of police, fire departments as well as, in certain cases, elections.

Each department is administered by an elected body called a departmental council ( conseil départemental, conseils départementaux). From 1800 to April 2015, these were called general councils ( conseil général, conseils généraux). Each council has a president. Their main areas of responsibility include the management of a number of social and welfare allowances, of junior high school (collège) buildings and technical staff, and local roads and school and rural buses, and a contribution to municipal infrastructures. Local services of the state administration are traditionally organised at departmental level, where the prefect represents the government; however, regions have gained importance since the 2000s, with some department-level services merged into region-level services.

The departments were created in 1790 as a rational replacement of Ancien Régime provinces with a view to strengthen national unity; the title "department" is used to mean a part of a larger whole. Almost all of them were named after physical geographical features (rivers, mountains, or coasts), rather than after historical or cultural territories, which could have their own loyalties, or after their own administrative seats. The division of France into departments was a project particularly identified with the French revolutionary leader the Abbé Sieyès, although it had already been frequently discussed and written about by many politicians and thinkers. The earliest known suggestion of it is from 1665 in the writings of d'Argenson. They have inspired similar divisions in many countries, some of them former French colonies. The 1822 territorial division of Spain (reverted due to the 1823 French intervention ending the trienio liberal) and the 1833 territorial division of Spain, which forms the basis of the present day Provinces of Spain with minor modifications, are also based on the French model of departments of roughly equal size.

Most French departments are assigned a two-digit number, the Official Geographical Code, allocated by the Institut national de la statistique et des études économiques (Insée). Overseas departments have a three-digit number. The number is used, for example, in the postal code and was until recently used for all vehicle registration plates. Residents commonly use the numbers to refer to their own department or a neighbouring one, for example inhabitants of Loiret may refer to their department as "the 45". More distant departments are generally referred to by their names, as few people know the numbers of all the departments.

In 2014, President François Hollande proposed abolishing departmental councils by 2020, which would have maintained the departments as administrative divisions, and transferring their powers to other levels of governance. This reform project has since been scrapped.

History

The first French territorial departments were proposed in 1665 by Marc-René d'Argenson to serve as administrative areas purely for the Ponts et Chaussées (Bridges and Highways) infrastructure administration.

Before the French Revolution, France gained territory gradually through the annexation of a mosaic of independent entities. By the end of the Ancien Régime it was organised into provinces. During the Revolution they were dissolved, partly in order to weaken old loyalties. The National Constituent Assembly decided to create a more uniform division into departments (département) and districts in late 1789. The process began on 4 August 1789 with the elimination of provincial privileges, and a 22 December 1789 decree (with letters patent in January 1790) provided for the termination of the provincial governments.

The modern department system, as all-purpose units of the government, was decreed on 26 February 1790 (with letters patent on 4 March 1790) by the National Constituent Assembly. Their boundaries served two purposes:
 * Boundaries were chosen to break up France's historical regions in an attempt to erase cultural differences and build a more homogeneous nation.
 * Boundaries were set so that every settlement in the country was within a day's ride of the capital of a department. This was a security measure, intended to keep the entire national territory under close control.

The old nomenclature was carefully avoided in naming the new departments. Most were named after an area's principal river or other physical features. Even Paris was in the department of Seine. Savoy, during its temporary occupation, became the department of Mont-Blanc. The provinces continued to exist administratively until 21 September 1791.

The number of departments, initially 83, had been increased to 130 by 1809 with the territorial gains of the Republic and of the First French Empire. Following the defeats of Napoleon in 1814–1815 the Congress of Vienna returned France to its pre-war size and the number of departments was reduced to 86 (three of the original departments having been split). In 1860 France acquired the County of Nice and Savoy, which led to the creation of three new departments. Two were added from the new Savoyard territory, while the department of Alpes-Maritimes was created from Nice and a portion of the Var department. The 89 departments were given numbers based on the alphabetical order of their names.

The department of Bas-Rhin and parts of Meurthe, Moselle, Vosges and Haut-Rhin were ceded to the German Empire in 1871 following France's defeat in the Franco-Prussian War. A small part of Haut-Rhin, however, remained French and became known as the Territoire de Belfort; the remaining parts of Meurthe and Moselle were merged into a new Meurthe-et-Moselle department. When France regained the ceded departments after World War I, the Territoire de Belfort was not reintegrated into Haut-Rhin. In 1922 it became France's 90th department. Likewise the Lorraine departments were not changed back to their original boundaries, and a new Moselle department was created in the regained territory, with slightly different boundaries from the pre-war department of the same name.

The reorganisation of Île-de-France in 1968 and the division of Corsica in 1975 added six more departments, raising the total in Metropolitan France to 96. By 2011, when the overseas collectivity of Mayotte became a department, joining the earlier overseas departments of the Republic (all created in 1946) – French Guiana, Guadeloupe, Martinique and Réunion – the total number of departments in the French Republic had become 101. In 2015 the Urban Community of Lyon was split from Rhône to form the Métropole de Lyon, a sui generis entity, with the powers of both an intercommunality and those of a department on its territory, formally classified as a "territorial collectivity with particular status" (collectivité territoriale à statut particulier) and as such not belonging to any department. As of 2019 Corse-du-Sud and Haute-Corse are still administrative departments, although they no longer have the status of departmental "territorial collectivities": region and department functions have been managed by a "single territorial collectivity" since 2018.

Despite the intention to avoid the old nomenclature, often the names of pre-1790 provinces remained in use. For example, the name of Berry, though no longer having an official status, remains in widespread use in daily life.

Government and administration

The departmental seat of government is known as the prefecture (préfecture) or chef-lieu de département and is generally a town of some importance roughly at the geographical centre of the department. This was determined according to the time taken to travel on horseback from the periphery of the department. The goal was for the prefecture to be accessible on horseback from any town in the department within 24 hours. The prefecture is not necessarily the largest city in the department: for instance, in Saône-et-Loire department the capital is Mâcon, but the largest city is Chalon-sur-Saône. Departments may be divided into arrondissements. The capital of an arrondissement is called a subprefecture (sous-préfecture) or chef-lieu d'arrondissement.

Each department is administered by a departmental council (conseil départemental), an assembly elected for six years by universal suffrage, with the President of the Departmental Council as executive of the department. Before 1982, the chief executive of the department was the prefect (préfet), who represents the Government of France in each department and is appointed by the President of the French Republic. The prefect is assisted by one or more sub-prefects (sous-préfet) based in the subprefectures of the department. Since 1982, the prefect retains only the powers that are not delegated to the department councils. In practice, their role has been largely limited to preventing local policy from conflicting with national policy.

The departments are further divided into communes, governed by municipal councils. As of 2013, there were 36,681 communes in France. In the overseas territories, some communes play a role at departmental level. Paris, the country's capital city, is a commune as well as a department.

In continental France (metropolitan France, excluding Corsica), the median land area of a department is 5965 km2, which is two-and-a-half times the median land area of the ceremonial counties of England and the preserved counties of Wales and slightly more than three-and-half times the median land area of a county of the United States. At the 2001 census, the median population of a department in continental France was 511,000 inhabitants, which is 21 times the median population of a United States county, but less than two-thirds of the median population of a ceremonial county of England and Wales. Most of the departments have an area of between 4,000 and 8,000 km2 (1500 to 3000 sq. mi.), and a population between 320,000 and 1 million. The largest in area is Gironde (10,000 km2.), while the smallest is the city of Paris (105 km2.). The most populous is Nord (2,550,000) and the least populous is Lozère (74,000).

Numbering
The departments are numbered: their two-digit numbers appear in postal codes, in INSEE codes (including "social security numbers") and on vehicle number plates. Initially the numbers corresponded to the alphabetical order of the names of the departments, but several changed their names and some have been divided, so the correspondence became less exact. Alphanumeric codes 2A and 2B were used for Corsica while it was split but it has since reverted to 20. The two-digit code "98" is used by Monaco. Together with the ISO 3166-1 alpha-2 country code FR, the numbers form the ISO 3166-2 country subdivision codes for the metropolitan departments. The overseas departments have three digits.

Relation to national government
Originally, the relationship between the departments and the central government was left somewhat ambiguous. While citizens in each department elected their own officials, the local governments were subordinated to the central government, becoming instruments of national integration. By 1793, however, the revolutionary government had turned the departments into transmission belts for policies enacted in Paris. With few exceptions, the departments had this role until the early 1960s.

Political party preferences
These maps cannot be used as a useful resource of voter preferences, because Departmental Councils are elected on a two-round system, which drastically limits the chances of fringe parties, if they are not supported on one of the two rounds by a moderate party. After the 1992 election, the left had a majority in only 21 of the 100 departments; after the 2011 election, the left dominated 61 of the 100 departments. (Mayotte only became a department after the election.)

Key to the parties:
 * Divers Centre = Independents of the centre or Democratic Movement (Mouvement démocrate)
 * Divers Droite (DVD) = Independent conservatives
 * Divers Gauche (DVG) = Independent left-wing politicians
 * MPF = Movement for France (Mouvement pour la France) (right)
 * Nouveau Centre = New Centre (centre or centre-right)
 * PCF = French Communist Party (Parti communiste français)
 * PRG = Radical Party of the Left (Parti radical de gauche)
 * PS = Socialist Party (Parti socialiste)
 * UDF = Union for French Democracy (Union pour la démocratie française) succeeded by Democratic Movement
 * UMP = Union for a Popular Movement (Union pour un mouvement populaire)

Future
The removal of one or more levels of local government has been discussed for some years; in particular, the option of removing the departmental level. Frédéric Lefebvre, spokesman for the UMP, said in December 2008 that the fusion of the departments with the regions was a matter to be dealt with soon. This was soon refuted by Édouard Balladur and Gérard Longuet, members of the committee for the reform of local authorities, known as the Balladur Committee.

In January 2008, the Attali Commission recommended that the departmental level of government should be eliminated within ten years.

Nevertheless, the Balladur Committee has not retained this proposition and does not advocate the disappearance of the departments, but simply "favors the voluntary grouping of departments", which it suggests also for the regions, with the aim of reducing the number of regions to 15. This committee advocates, on the contrary, the suppression of the cantons.

Current departments
Each department has a coat of arms and a flag with which it is commonly associated, though not all are officially recognised or used.

Departments of Algeria (Départements d'Algérie)
Unlike the rest of the French possessions in Africa, Algeria was divided into overseas departments from 1848 until its independence in 1962. These departments were supposed to be "assimilated" or "integrated" to France sometime in the future.

Departments of the Napoleonic Empire in Europe
There are a number of former departments in territories conquered by France during the French Revolution and Napoleonic Empire that are now not part of France:

Notes for Table 7:
 * 1) Where a Napoleonic department was composed of parts from more than one country, the nation-state containing the prefecture is listed. Please expand this table to list all countries containing significant parts of the department.
 * 2) Territories that were a part of Austrian Netherlands were also a part of Holy Roman Empire.
 * 3) The Bishopric of Basel was a German Prince-Bishopric, not to be confused with the adjacent Swiss Canton of Basel.
 * 4) The Ionian Islands were annexed by France after the Fall of the Republic of Venice. They were lost to France, becoming the Septinsular Republic, a Russo-Ottoman vassal state, from 1800 to 1807, before reverting to France at the Treaty of Tilsit. The second period of French rule lasted until 1810/14, after which these territories became a British protectorate, as the United States of the Ionian Islands
 * 5) Maastricht was a condominium of the Dutch Republic and the Prince-Bishopric of Liège.
 * 6) On 6 June 1805, as a result of the annexation of the Ligurian Republic (the puppet successor state to the Republic of Genoa), Tanaro was abolished and its territory divided between the departments of Marengo, Montenotte and Stura.
 * 7) Before becoming the department of Apennins, the Republic of Genoa was converted to a puppet successor state, the Ligurian Republic.
 * 8) Before becoming the department of Arno, the Grand Duchy of Tuscany was converted to a puppet successor state, the Kingdom of Etruria.
 * 9) Rome was known as the department du Tibre until 1810.
 * 10) Before becoming the departments of Bouches-du-Rhin, Bouches-de-l'Escaut, Bouches-de-la-Meuse, Bouches-de-l'Yssel, Ems-Occidental, Frise, Yssel-Supérieur and Zuyderzée, these territories of the Dutch Republic were converted to a puppet successor state, the Batavian Republic (1795–1806), then those territories that had not already been annexed (all except the first two departments here), along with the Prussian County of East Frisia, were converted to another puppet state, the Kingdom of Holland.
 * 11) Before becoming the department of Simplon, the République des Sept Dizains was converted to a revolutionary République du Valais (16 March 1798) which was swiftly incorporated (1 May 1798) into the puppet Helvetic Republic until 1802 when it became the independent Rhodanic Republic.
 * 12) In the months before Lippe was formed, the arrondissements of Rees and Münster were part of Yssel-Supérieur, the arrondissement of Steinfurt was part of Bouches-de-l'Yssel and the arrondissement of Neuenhaus was part of Ems-Occidental.

title: Departments of France


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User:Disco~enwiki

Disco is a twenty-two year old male currently residing in Preston, about thirty miles away from both Manchester and Liverpool in England. His internet nickname is a contraction of 'Your Disco Needs You', a song by the popular music artist, Kylie Minogue.

His main fascinations include popular culture. Indeed, his passion for popular culture has lead him to create a site about Reality TV in the United Kingdom, especially concentrating on Big Brother. He is particulary interested in how popular culture and society are inter-related, and is thus intrigued as to how some music genres and television programmes transcend barriers of class, percieved racial differences, age and gender yet the audience of others are based firmly in one social group.

title: User:Disco~enwiki


text:
Gregory Benford

Gregory Benford (born January 30, 1941) is an American science fiction author and astrophysicist who is professor emeritus at the department of physics and astronomy at the University of California, Irvine. He is a contributing editor of Reason magazine.

Benford wrote the Galactic Center Saga science fiction novels, beginning with In the Ocean of Night (1977). The series postulates a galaxy in which sentient organic life is in constant warfare with sentient electromechanical life.

In 1969 he wrote "The Scarred Man", the first story about a computer virus (based on a real computer virus he had spread ), published in 1970.

Biography
Benford was born in Mobile, Alabama and grew up in Robertsdale and Fairhope. Graduating Phi Beta Kappa, he received a Bachelor of Science in physics in 1963 from the University of Oklahoma in Norman, Oklahoma, followed by a Master of Science from the University of California, San Diego in 1965, and a doctorate there in 1967. That same year he married Joan Abbe, with whom he had two children. Benford modeled characters in several of his novels after his wife, most prominently the heroine of Artifact. She died in 2002.

Benford has an identical twin brother, James (Jim) Benford, with whom he has collaborated on science fiction stories. Both got their start in science fiction fandom, with Gregory being a co-editor of the science fiction fanzine Void. Benford has said he is an atheist.

He has been a long-time resident of Laguna Beach, California.

Writing career
Gregory Benford's first professional sale was the story "Stand-In" in the Magazine of Fantasy and Science Fiction (June 1965), which won second prize in a short story contest based on a poem by Doris Pitkin Buck. In 1969, he began writing a science column for Amazing Stories.

Benford tends to write hard science fiction which incorporates the research he is doing as a practical scientist. He has worked on collaborations with authors William Rotsler, David Brin and Gordon Eklund. His time-travel novel Timescape (1980) won both the Nebula Award and the John W. Campbell Memorial Award. The scientific procedural novel eventually loaned its title to a line of science fiction published by Pocket Books. In the late 1990s, he wrote Foundation's Fear, one of an authorized sequel trilogy to Isaac Asimov's Foundation series. Other novels published in that period include several near-future science thrillers: Cosm (1998), The Martian Race (1999) and Eater (2000).

Benford has served as an editor of numerous alternate history anthologies, as well as collections of Hugo Award winners.

He has been nominated for four Hugo Awards (for two short stories and two novellas) and 12 Nebula Awards (in all categories). In addition to Timescape, he won the Nebula for the novelette "If the Stars Are Gods" (with Eklund). In 2005 the MIT SF Society awarded him the Asimov Prize.

Benford was a guest of honour at Aussiecon Three, the 1999 Worldcon. He remains a regular contributor to science fiction fanzines, for example Apparatchik (defunct as of 1997).

In 2016 Benford was the recipient of the Los Angeles Science Fantasy Society Forry Award Lifetime Achievement Award in the Field of Science Fiction.

Contributions to science and speculative science
Gregory Benford is Professor Emeritus of Physics at the University of California, Irvine. With more than 200 scientific publications, his research encompassed both theory and experiments in the fields of astrophysics and plasma physics. His research has been supported by NSF, NASA, AFOSR, DOE and other agencies. He is an ongoing advisor to NASA, DARPA (Defense Advanced Research Projects Agency) and the CIA.

Benford's work in physics at the University of California focused on theoretical and experimental plasma physics, including studies of extremely strong turbulence, particularly in astrophysical contexts, and studies of magnetic structures from the Galactic Center to large-scale galactic jets. Working in collaboration with, among others, science fiction writers Cramer, Forward, and Landis, Benford worked on a theoretical study of the physics of wormholes, which pointed out that wormholes, if formed in the early universe, could still exist in the present day if they were wrapped in a negative-mass cosmic string. Such wormholes could potentially be detected by gravitational lensing.

In 2004, Benford proposed that the harmful effects of global warming could be reduced by the construction of a rotating Fresnel lens 1,000 kilometres across, floating in space at the Lagrangian point L1. According to Benford, this lens would diffuse the light from the Sun and reduce the solar energy reaching the Earth by approximately 0.5% to 1%. He estimated that this would cost around US$10 billion. His plan has been commented on in a variety of forums. A similar space sunshade was proposed in 1989 by J. T. Early, and again in 1997 by Edward Teller, Lowell Wood, and Roderick Hyde. In 2006, Benford pointed out one possible danger in this approach: if this lens were built and global warming were avoided, there would be less incentive to reduce greenhouse gases, and humans might continue to produce too much carbon dioxide until it caused some other environmental catastrophe, such as a chemical change in ocean water that could be disastrous to ocean life.

Benford serves on the board of directors and the steering committee of the Mars Society.

He has advocated human cryopreservation, for example by signing an open letter to support research into cryonics, being a member of Alcor, and by being an advisor to a UK cryonics and cryopreservation advocacy group.

Gregory Benford retired from the University of California in 2006 in order to found and develop Genescient Corporation. Genescient is a new generation biotechnology company that claims to combine evolutionary genomics with massive selective screening to analyze and exploit the genetics of model animal and human whole genomes.

Scientific awards and recognition

 * Phi Beta Kappa
 * Woodrow Wilson Fellow
 * Fellow of the American Physical Society
 * Visiting Fellow
 * Cambridge University
 * University of Turin
 * University of Bologna.
 * 1995 Lord Prize for contributions to science
 * 2006 Professor Emeritus at the University of California, Irvine

Benford's law of controversy
Benford's law of controversy is an adage from the 1980 novel Timescape:

"Passion is inversely proportional to the amount of real information available."

The adage was quoted in an international drug policy article in a peer-reviewed social science journal.

Galactic Center Saga

 * In the Ocean of Night (1977)
 * Across the Sea of Suns (1984)
 * Great Sky River (1987)
 * Tides of Light (1989)
 * Furious Gulf (1994)
 * Sailing Bright Eternity (1996)
 * "A Hunger for the Infinite" a novella published in the 1999 anthology Far Horizons

title: Gregory Benford


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Nord (French department)

Nord (officially département du Nord; départémint dech Nord; Noorderdepartement, lit. 'Northern Department') is a département in Hauts-de-France region, France bordering Belgium. It was created from the western halves of the historical counties of Flanders and Hainaut, and the Bishopric of Cambrai. The modern coat of arms was inherited from the County of Flanders.

Nord is the country's most populous département. It had a population of 2,608,346 in 2019. It also contains the metropolitan region of Lille (the main city and the prefecture of the département), the fourth-largest urban area in France after Paris, Lyon and Marseille. The department is the part of France where the French Flemish dialect of Dutch has historically been spoken as a native language. Similarly, the distinct French Picard dialect Ch'ti is spoken there.

History
Until the 17th century, the history of the North (Nord, French department) was largely in common with the history of Belgium (the Celtics Belgians during Antiquity were a multitude of Celtic peoples from the north of Gaul). The historical French provinces that preceded Nord are French Flanders, French Hainaut (part of Hainaut and Flanders is in the Kingdom of Belgium). Tribes of the Belgae, such as the Menapii and Nervii were the first peoples recorded in the area later known as Nord.

During the 4th and 5th Centuries, Roman rulers of Gallia Belgica secured the route from the major port of Bononia (Boulogne) to Colonia (Cologne), by co-opting Germanic peoples north-east of this corridor, such as the Tungri. In effect, the area known later as Nord became an isogloss (linguistic border) between the Germanic and Romance languages. Saxon colonisation of the region from the 5th to the 8th centuries likely shifted the isogloss further south so that, by the 9th century, most people immediately north of Lille spoke a dialect of Old Dutch. This has remained evident in the place names of the region. After the County of Flanders became part of France in the 9th century, the isogloss moved north and east.

During the 14th century, much of the area came under the control of the Duchy of Burgundy and in subsequent centuries was therefore part of the Habsburg Netherlands (from 1482) and the Spanish Netherlands (1581).

Areas that later constituted Nord were ceded to France by treaties in 1659, 1668, and 1678, becoming the Counties of Flanders and Hainaut, and part of the Bishopric of Cambrai.

On 4 March 1790, during the French Revolution, Nord became one of the original 83 departments created to replace the counties.

Modern government policies making French the only official language have led to a decline in use of the Dutch West Flemish dialect. There are currently 20,000 speakers of a sub-dialect of West Flemish in the arrondissement of Dunkirk and it appears likely that this particular sub-dialect will be extinct within decades.

Geography
Nord is part of the current Hauts-de-France region and is surrounded by the French departments of Pas-de-Calais, Somme, and Aisne, as well as by Belgium and the North Sea. Its area is 5742.8 km2. It is the longest department in metropolitan France, measuring 184 km from Fort-Philippe in the north-west to Anor in the south-east.

Situated in the north of the country along the western half of the Belgian frontier, the department is unusually long and narrow. The principal rivers are the following: Yser, Lys, Escaut, Scarpe, Sambre.

Principal towns
The most populous commune is Lille, the prefecture. With nearby Roubaix, Tourcoing and Villeneuve-d'Ascq, it constitutes the center of a cluster of industrial and former mining towns totalling slightly over a million inhabitants. As of 2019, there are 10 communes with more than 30,000 inhabitants:

Demographics
With a population of 2,608,346 in 2019, Nord is the department with the largest population.

Politics
The President of the Departmental Council is the unaffiliated right-winger Christian Poiret.

The first President of the Fifth Republic, General Charles de Gaulle, was born in Lille in the department on 22 November 1890.

Economy
Until recently, the department was dominated economically by coal mining, which extended through the heart of the department from neighbouring Artois into central Belgium.

At the forefront of France's 19th century industrialisation, the area suffered severely during World War I and now faces the economic, social and environmental problems associated with the decline of coal mining with its neighbours, following the earlier decline of the Lille-Roubaix textile industry.

title: Nord (French department)