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Alice Walker

Alice Malsenior Tallulah-Kate Walker (born February 9, 1944) is an American novelist, short story writer, poet, and social activist. In 1982, she became the first African-American woman to win the Pulitzer Prize for Fiction, which she was awarded for her novel The Color Purple. Over the span of her career, Walker has published seventeen novels and short story collections, twelve non-fiction works, and collections of essays and poetry.

Walker, born in rural Georgia, overcame challenges such as childhood injury and segregation to become a valedictorian and eventually graduate from Sarah Lawrence College. She began her writing career with her first book of poetry, Once, and later wrote novels, including her best-known work, The Color Purple. As an activist, Walker participated in the Civil Rights Movement, advocated for women of color through the term "womanism," and has been involved in animal advocacy and pacifism. Additionally, she has taken a strong stance on the Israeli-Palestinian conflict, supporting the Boycott, Divestment, and Sanctions campaign against Israel.

Walker has faced multiple accusations of antisemitism due to her praise for British conspiracy theorist David Icke and his works, which contain antisemitic conspiracy theories, along with criticisms of her own writings.

Early life
Alice Malsenior Walker was born in Eatonton, Georgia, a rural farming town, to Willie Lee Walker and Minnie Tallulah Grant. Both of Walker's parents were sharecroppers, though her mother also worked as a seamstress to earn extra money. Walker, the youngest of eight children, was first enrolled in school when she was just four years old at East Putnam Consolidated.

As an eight-year-old, Walker sustained an injury to her right eye after one of her brothers fired a BB gun. Since her family did not have access to a car, Walker could not receive immediate medical attention, causing her to become permanently blind in that eye. It was after the injury to her eye that Walker began to take up reading and writing. The scar tissue was removed when Walker was 14, but a mark still remains. It is described in her essay "Beauty: When the Other Dancer is the Self".

As the schools in Eatonton were segregated, Walker attended the only high school available to black students: Butler Baker High School. There, she went on to become valedictorian, and enrolled in Spelman College in 1961 after being granted a full scholarship by the state of Georgia for having the highest academic achievements of her class. She found two of her professors, Howard Zinn and Staughton Lynd, to be great mentors during her time at Spelman, but both were transferred two years later. Walker was offered another scholarship, this time from Sarah Lawrence College in Yonkers, New York, and after the firing of her Spelman professor, Howard Zinn, Walker accepted the offer. Walker became pregnant at the start of her senior year and had an abortion; this experience, as well as the bout of suicidal thoughts that followed, inspired much of the poetry found in Once, Walker's first collection of poetry. Walker graduated from Sarah Lawrence College in 1965.

Writing career
Walker wrote the poems that would culminate in her first book of poetry, entitled Once, while she was a student in East Africa and during her senior year at Sarah Lawrence College. Walker would slip her poetry under the office door of her professor and mentor, Muriel Rukeyser, when she was a student at Sarah Lawrence. Rukeyser then showed the poems to her literary agent. Once was published four years later by Harcourt Brace Jovanovich.

Following graduation, Walker briefly worked for the New York City Department of Welfare, before returning to the South. She took a job working for the Legal Defense Fund of the National Association for the Advancement of Colored People in Jackson, Mississippi. Walker also worked as a consultant in black history to the Friends of the Children of Mississippi Head Start program. She later returned to writing as writer-in-residence at Jackson State University (1968–69) and Tougaloo College (1970–71). In addition to her work at Tougaloo College, Walker published her first novel, The Third Life of Grange Copeland, in 1970. The novel explores the life of Grange Copeland, an abusive, irresponsible sharecropper, husband and father.

In the fall of 1972, Walker taught a course in Black Women's Writers at the University of Massachusetts Boston.

In 1973, before becoming editor of Ms. Magazine, Walker and literary scholar Charlotte D. Hunt discovered an unmarked grave they believed to be that of Zora Neale Hurston in Ft. Pierce, Florida. Walker had it marked with a gray marker stating ZORA NEALE HURSTON / A GENIUS OF THE SOUTH / NOVELIST FOLKLORIST / ANTHROPOLOGIST / 1901–1960. The line "a genius of the south" is from Jean Toomer's poem Georgia Dusk, which appears in his book Cane. Hurston was actually born in 1891, not 1901.

Walker's 1975 article "In Search of Zora Neale Hurston", published in Ms. Magazine and later retitled "Looking for Zora", helped revive interest in the work of this Afro-American writer and anthropologist.

In 1976, Walker's second novel, Meridian, was published. Meridian is a novel about activist workers in the South, during the civil rights movement, with events that closely parallel some of Walker's own experiences. In 1982, she published what has become her best-known work, The Color Purple. The novel follows a young, troubled black woman who is not just fighting her way through a racist white culture, she is also fighting her way through a patriarchal black culture. The book became a bestseller, and it was subsequently adapted into a critically acclaimed 1985 movie which was directed by Steven Spielberg, starring Oprah Winfrey and Whoopi Goldberg, as well as a 2005 Broadway musical totaling 910 performances.

Walker has written several other novels, including The Temple of My Familiar (1989) and Possessing the Secret of Joy (1992) (which featured several characters and descendants of characters from The Color Purple). She has published a number of collections of short stories, poetry, and other writings. Her work is focused on the struggles of black people, particularly women, and their lives in a racist, sexist, and violent society.

In 2000, Walker released a collection of short fiction, based on her own life, called The Way Forward Is With a Broken Heart, exploring love and race relations. In this book, Walker details her interracial relationship with Melvyn Rosenman Leventhal, a civil rights attorney who was also working in Mississippi. The couple married on March 17, 1967, in New York City, since interracial marriage was then illegal in the South, and divorced in 1976. They had a daughter, Rebecca, together in 1969. Rebecca Walker, Alice Walker's only child, is an American novelist, editor, artist, and activist. The Third Wave Foundation, an activist fund, was co-founded by Rebecca and Shannon Liss-Riordan. Her godmother is Alice Walker's mentor and co-founder of Ms. Magazine, Gloria Steinem.

In 2007, Walker donated her papers, consisting of 122 boxes of manuscripts and archive material, to Emory University's Manuscript, Archives, and Rare Book Library. In addition to drafts of novels such as The Color Purple, unpublished poems and manuscripts, and correspondence with editors, the collection includes extensive correspondence with family members, friends and colleagues, early treatment of the film script for The Color Purple, syllabi from courses she taught, and fan mail. The collection also contains a scrapbook of poetry compiled when Walker was 15, entitled "Poems of a Childhood Poetess".

In 2013, Alice Walker published two new books, one of them entitled The Cushion in the Road: Meditation and Wandering as the Whole World Awakens to Being in Harm's Way. The other was a book of poems entitled The World Will Follow Joy Turning Madness into Flowers (New Poems).

Civil rights
Walker met Martin Luther King Jr. when she was a student at Spelman College in the early 1960s. She credits King for her decision to return to the American South as an activist in the Civil Rights Movement. She took part in the 1963 March on Washington with hundreds of thousands of people. Later, she volunteered to register black voters in Georgia and Mississippi.

On March 8, 2003, International Women's Day, on the eve of the Iraq War, Walker was arrested with 26 others, including fellow authors Maxine Hong Kingston and Terry Tempest Williams, at a protest outside the White House, for crossing a police line during an anti-war rally. Walker wrote about the experience in her essay "We Are the Ones We Have Been Waiting For".

Womanism
Walker's specific brand of feminism included advocacy on behalf of women of color. In 1983, Walker coined the term womanist in her collection In Search of Our Mothers' Gardens, to mean "a black feminist or feminist of color". The term was made to unite women of color and the feminist movement at "the intersection of race, class, and gender oppression". Walker states that "'Womanism' gives us a word of our own". because it is a discourse of Black women and the issues they confront in society. Womanism as a movement came into fruition in 1985 at the American Academy of Religion and the Society of Biblical Literature to address Black women's concerns from their own intellectual, physical, and spiritual perspectives."

Israeli–Palestinian conflict
Walker is a judge member of the Russell Tribunal on Palestine, and she also supports the Boycott, Divestment and Sanctions campaign against Israel.

In January 2009, Walker was one of over fifty signatories of a letter protesting against the Toronto International Film Festival's "City to City" spotlight on Israeli filmmakers, and condemning Israel as an "apartheid regime". Two months later, Walker and sixty other female activists from the anti-war group Code Pink traveled to Gaza in response to the Gaza War. Their purpose was to deliver aid, meet with NGOs and residents, and persuade Israel and Egypt to open their borders with Gaza. She planned to visit Gaza again in December 2009 to participate in the Gaza Freedom March. On June 23, 2011, she announced plans to participate in an aid flotilla to Gaza that attempted to break Israel's naval blockade.

In May 2013, Walker posted an open letter to singer Alicia Keys, asking her to cancel a planned concert in Tel Aviv. "I believe we are mutually respectful of each other's path and work," Walker wrote. "It would grieve me to know you are putting yourself in danger (soul danger) by performing in an apartheid country that is being boycotted by many global conscious artists." Keys rejected the plea. Walker has refused to allow The Color Purple to be translated and published in Hebrew, saying that she finds that "Israel is guilty of apartheid and persecution of the Palestinian people, both inside Israel and also in the Occupied Territories" and noting that she had refused to allow Steven Spielberg's film adaptation of her novel to be shown in South Africa until the system of apartheid was dismantled.

Support for Chelsea Manning and Julian Assange
In June 2013, Walker and others appeared in a video expressing their support for Chelsea Manning, an American soldier who was imprisoned for releasing classified information. In recent years she has spoken out repeatedly in support of Julian Assange.

Animal advocacy
Walker has expressed that animal advocacy is one of her central concerns. Her fiction has increasingly embraced animal ethics over the past four decades, as she works to include animals as both active participants in her novels and as symbols for what she has called "consciousness." Her earliest fiction represents nonhuman animals inasmuch as they are part of human life – namely as farmed animals, food sources, and absent referents for animalized epithets directed at humans, and her fiction increasingly incorporates the animal experience. She has advocated for greater consciousness in human beings and their relationships with animals, stating: "Encouraging others to love nature, to respect other human beings and animals, to adore this earth, is part of my work in this world."

Pacifism
Walker has been a longtime sponsor of the Women's International League for Peace and Freedom. In early 2015, she wrote: "So I think of any movement for peace and justice as something that is about stabilizing our inner spirit so that we can go on and bring into the world a vision that is much more humane than the one we have dominant today."

Transgender rights
In 2023 Walker publicly defended J.K. Rowling from criticisms of her views regarding trans people and shared that her own views matched Rowling's. She wrote on her website: "I consider J.K. Rowling perfectly within her rights as a human being of obvious caring for humanity to express her views about whatever is of concern to her. As she has done." Walker was criticized on social media for taking this position with many referring to her as a TERF.

Accusations of antisemitism and praise for David Icke
Since 2012, Walker has expressed appreciation for the works of the British conspiracy theorist David Icke. On BBC Radio 4's Desert Island Discs, she said that Icke's book Human Race Get Off Your Knees: The Lion Sleeps No More, which contains antisemitic conspiracy theories, would be the book she would take to a desert island. The book promotes the theory that the Earth is ruled by shapeshifting reptilian humanoids and "Rothschild Zionists". Jonathan Kay of the National Post described this book (and Icke's other books) as "hateful, hallucinogenic nonsense". Kay wrote that Walker's public praise for Icke's book was "stunningly offensive" and that by taking it seriously, she was disqualifying herself "from the mainstream marketplace of ideas". In 2013, the Anti-Defamation League called anti-Zionist essays in Walker's book The Cushion in the Road "replete with fervently anti-Jewish ideas" and it also stated that Walker was "unabashedly infected with anti-Semitism".

On her blog in 2017, Walker published a poem which she titled "It Is Our (Frightful) Duty to Study The Talmud", recommending that the reader should start with YouTube to learn about the allegedly shocking aspects of the Talmud, describing it as "poison". The poem contained antisemitic tropes and arguments. In it, she also "describes her reaction when a Jewish friend", later stated to be her ex-husband, accused her "of appearing to be antisemitic".

In 2018, an interviewer from The New York Times Book Review asked Walker "What books are on your nightstand?" She listed Icke's And the Truth Shall Set You Free, a book promoting an antisemitic conspiracy theory which draws on The Protocols of the Elders of Zion and questions the Holocaust. Walker said: "In Icke's books there is the whole of existence, on this planet and several others, to think about. A curious person's dream come true." The publication of the interview in the "By the Book" weekly column generated significant criticism of Walker and the New York Times Book Review. The Review was criticized for publishing the interview as well as for failing to contextualize And the Truth Shall Set You Free as an antisemitic work. Walker defended her admiration for Icke and his book, saying: "I do not believe he is anti-Semitic or anti-Jewish". Walker argued that any "attempt to smear David Icke, and by association, me, is really an effort to dampen the effect of our speaking out in support of the people of Palestine". Following the controversy Roxane Gay argued that "Alice Walker has been anti-Semitic for years". The NYT released a statement that the contents of the interview "do not imply an endorsement by Times editors".

In 2019, Ayanna Pressley disavowed antisemitism after an uproar ensued following her tweeting of an Alice Walker quote. She tweeted "I fully condemn and denounce anti-Semitism, prejudice and bigotry in all their forms – and the hateful actions they embolden" and said she had been unaware of Walker's statements on the issue.

In 2020, after learning about Walker's support of anti-Semitism, the host of the New York Times podcast Sugar Calling described herself as "mortified" for having hosted Walker on her show and she also said: "If I'd known, I wouldn't have asked Alice Walker to be on the show."

In April 2022, Gayle King of CBS News was criticized for interviewing Walker without challenging her anti-Semitic writings. After the interview, King released a statement, saying: "These are not only legitimate questions, they are mandatory questions. I certainly would have asked her about the criticisms, if I had been aware of them before the interview with Ms. Walker."

In 2022, Walker was disinvited from the Bay Area Book Festival due to what the organizers referred to as her "endorsement of anti-Semitic conspiracy theorist David Icke". An invitation for Walker to speak at San Diego Community College District was upheld despite opposition from community groups with the organizers citing their belief in free speech. Walker dismissed the criticism as "a ploy to shut down my webpage blog: alicewalkersgarden.com."

Personal life
In 1965, Walker met Melvyn Rosenman Leventhal, a Jewish civil rights lawyer. They were married on March 17, 1967, in New York City. Later that year, the couple relocated to Jackson, Mississippi, becoming the first legally married interracial couple in Mississippi since miscegenation laws were introduced in the state. The couple had a daughter, Rebecca, in 1969. Walker and her husband divorced in 1976.

In the late 1970s, Walker moved to northern California. In 1984, she and fellow writer Robert L. Allen co-founded Wild Tree Press, a feminist publishing company in Anderson Valley, California. Walker legally added "Tallulah Kate" to her name in 1994 to honor her mother, Minnie Tallulah Grant, and paternal grandmother, Tallulah. Minnie Tallulah Grant's grandmother, Tallulah, was Cherokee.

Walker has claimed that she was in a romantic relationship with singer-songwriter Tracy Chapman in the mid-1990s: "It was delicious and lovely and wonderful and I totally enjoyed it and I was completely in love with her but it was not anybody's business but ours." Chapman has not publicly commented on the existence of a relationship and maintains a strict separation between her private and public life.

Walker's spirituality has influenced some of her best-known novels, including The Color Purple. She has written of her interest in Transcendental Meditation. Walker's exploration of religion in much of her writing draws on a literary tradition that includes writers like Zora Neale Hurston.

Walker has never denied that there are some autobiographical dimensions to her stories. When "Advancing Luna—and Ida B. Wells" was first published in Ms. magazine, Walker included a disclaimer that "Luna and Freddie Pye are composite characters, and their names are made up. This is a fictionalized account suggested by a number of real events". John O' Brien's 1973 interview with Walker offers further details.

Representation in other media
Beauty in Truth (2013) is a documentary film about Walker directed by Pratibha Parmar. Phalia (Portrait of Alice Walker) (1989) is a photograph by Maud Sulter from her Zabat series originally produced for the Rochdale Art Gallery in England.

Awards and honors

 * MacDowell Colony Fellowships (1967 and 1974)
 * Ingram Merrill Foundation Fellowship (1967)
 * Candace Award, Arts and Letters, National Coalition of 100 Black Women (1982)
 * Pulitzer Prize for Fiction (1983) for The Color Purple
 * National Book Award for Fiction (1983) for The Color Purple
 * O. Henry Award for "Kindred Spirits" (1985)
 * Honorary degree from the California Institute of the Arts (1995)
 * American Humanist Association named her as "Humanist of the Year" (1997)
 * Lillian Smith Award from the National Endowment for the Arts
 * Rosenthal Award from the National Institute of Arts & Letters
 * Radcliffe Institute Fellowship, the Merrill Fellowship, and a Guggenheim Fellowship
 * Front Page Award for Best Magazine Criticism from the Newswoman's Club of New York
 * Induction into the Georgia Writers Hall of Fame (2001)
 * Induction into the California Hall of Fame in The California Museum for History, Women, and the Arts (2006)
 * Domestic Human Rights Award from Global Exchange (2007)
 * The LennonOno Grant for Peace (2010)
 * The Haydée Santamaría medal (2024)

Novels and short story collections

 * The Third Life of Grange Copeland (1970)
 * In Love and Trouble: Stories of Black Women (1973, includes "Everyday Use")
 * Meridian (1976)
 * The Color Purple (1982)
 * You Can't Keep a Good Woman Down: Stories (1982)
 * To Hell With Dying (1988)
 * The Temple of My Familiar (1989)
 * Finding the Green Stone (1991)
 * Possessing the Secret of Joy (1992)
 * The Complete Stories (1994)
 * By the Light of My Father's Smile (1998)
 * The Way Forward Is with a Broken Heart (2000)
 * Now Is the Time to Open Your Heart (2004)

Poetry collections

 * Once (1968)
 * Revolutionary Petunias and Other Poems (1973)
 * Good Night, Willie Lee, I'll See You in the Morning (1979)
 * Horses Make a Landscape Look More Beautiful (1985)
 * Her Blue Body Everything We Know: Earthling Poems (1991)
 * Absolute Trust in the Goodness of the Earth (2003)
 * A Poem Traveled Down My Arm: Poems And Drawings (2003)
 * Collected Poems (2005)
 * Hard Times Require Furious Dancing: New Poems (2010)
 * The World Will Follow Joy (2013)
 * Taking the Arrow Out of the Heart (2018)

Non-fiction books

 * In Search of Our Mothers' Gardens: Womanist Prose (1983)
 * Living by the Word: Selected Writings, 1973–1987 (1988)
 * Warrior Marks: Female Genital Mutilation and the Sexual Blinding of Women (with Pratibha Parmar, 1993)
 * The Same River Twice: Honoring the Difficult (1996)
 * Anything We Love Can Be Saved: A Writer's Activism (1997)
 * Sent By Earth: A Message from the Grandmother Spirit, After the Bombing of the World Trade Center and Pentagon (2001)
 * We Are the Ones We Have Been Waiting For: Inner Light in a Time of Darkness (2006)
 * Pema Chödrön and Alice Walker in Conversation: On the Meaning of Suffering and the Mystery of Joy (2005)
 * Overcoming Speechlessness: A Poet Encounters the Horror in Rwanda, Eastern Congo, and Palestine/Israel (2010)
 * The Chicken Chronicles: Sitting with the Angels Who Have Returned with My Memories: Glorious, Rufus, Gertrude Stein, Splendor, Hortensia, Agnes of God, the Gladyses, & Babe, A Memoir (2011)
 * The Cushion in the Road: Meditation and Wandering as the Whole World Awakens to Being in Harm’s Way (2013)

Essays

 * "Beauty: When the Other Dancer is the Self" (1983)

title: Alice Walker


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Toni Morrison

Chloe Anthony Wofford Morrison (née Chloe Ardelia Wofford; February 18, 1931 – August 5, 2019), known as Toni Morrison, was an American novelist and editor. Her first novel, The Bluest Eye, was published in 1970. The critically acclaimed Song of Solomon (1977) brought her national attention and won the National Book Critics Circle Award. In 1988, Morrison won the Pulitzer Prize for Beloved (1987); she was awarded the Nobel Prize in Literature in 1993.

Born and raised in Lorain, Ohio, Morrison graduated from Howard University in 1953 with a B.A. in English. Morrison earned a master's degree in American Literature from Cornell University in 1955. In 1957 she returned to Howard University, was married, and had two children before divorcing in 1964. Morrison became the first black female editor in fiction at Random House in New York City in the late 1960s. She developed her own reputation as an author in the 1970s and '80s. Her novel Beloved was made into a film in 1998. Morrison's works are praised for addressing the harsh consequences of racism in the United States and the Black American experience.

The National Endowment for the Humanities selected Morrison for the Jefferson Lecture, the U.S. federal government's highest honor for achievement in the humanities, in 1996. She was honored with the National Book Foundation's Medal of Distinguished Contribution to American Letters the same year. President Barack Obama presented her with the Presidential Medal of Freedom on May 29, 2012. She received the PEN/Saul Bellow Award for Achievement in American Fiction in 2016. Morrison was inducted into the National Women's Hall of Fame in 2020.

Early years
Toni Morrison was born Chloe Ardelia Wofford, the second of four children from a working-class, Black family, in Lorain, Ohio, to Ramah (née Willis) and George Wofford. Her mother was born in Greenville, Alabama, and moved north with her family as a child. She was a homemaker and a devout member of the African Methodist Episcopal Church. George Wofford grew up in Cartersville, Georgia. When Wofford was about 15 years old, a group of white people lynched two African-American businessmen who lived on his street. Morrison later said: "He never told us that he'd seen bodies. But he had seen them. And that was too traumatic, I think, for him." Soon after the lynching, George Wofford moved to the racially integrated town of Lorain, Ohio, in the hope of escaping racism and securing gainful employment in Ohio's burgeoning industrial economy. He worked odd jobs and as a welder for U.S. Steel. Traumatized by his experiences of racism, in a 2015 interview Morrison said her father hated whites so much he would not let them in the house.

When Morrison was about two years old, her family's landlord set fire to the house in which they lived, while they were home, because her parents could not afford to pay rent. Her family responded to what she called this "bizarre form of evil" by laughing at the landlord rather than falling into despair. Morrison later said her family's response demonstrated how to keep your integrity and claim your own life in the face of acts of such "monumental crudeness".

Morrison's parents instilled in her a sense of heritage and language through telling traditional African-American folktales, ghost stories, and singing songs. She read frequently as a child; among her favorite authors were Jane Austen and Leo Tolstoy.

Morrison became a Catholic at the age of 12 and took the baptismal name Anthony (after Anthony of Padua), which led to her nickname, Toni. Attending Lorain High School, she was on the debate team, the yearbook staff, and in the drama club.

Adulthood, Howard and Cornell years, and editing career: 1949–1975
In 1949, she enrolled at Howard University in Washington, D.C., seeking the company of fellow black intellectuals. Initially a student in the drama program at Howard, she studied theatre with celebrated drama teachers Anne Cooke Reid and Owen Dodson. It was while at Howard that she encountered racially segregated restaurants and buses for the first time. She graduated in 1953 with a B.A. in English and went on to earn a Master of Arts degree in 1955 from Cornell University in Ithaca, New York. Her master's thesis was titled "Virginia Woolf's and William Faulkner's treatment of the alienated". She taught English, first at Texas Southern University in Houston from 1955 to 1957, and then at Howard University for the next seven years. While teaching at Howard, she met Harold Morrison, a Jamaican architect, whom she married in 1958. Their first son was born in 1961 and she was pregnant with their second son when she and Harold divorced in 1964.

After her divorce and the birth of her son Slade in 1965, Morrison began working as an editor for L. W. Singer, a textbook division of publisher Random House, in Syracuse, New York. Two years later, she transferred to Random House in New York City, where she became their first black woman senior editor in the fiction department.

In that capacity, Morrison played a vital role in bringing Black literature into the mainstream. One of the first books she worked on was the groundbreaking Contemporary African Literature (1972), a collection that included work by Nigerian writers Wole Soyinka, Chinua Achebe, and South African playwright Athol Fugard. She fostered a new generation of Afro-American writers, including poet and novelist Toni Cade Bambara, radical activist Angela Davis, Black Panther Huey Newton and novelist Gayl Jones, whose writing Morrison discovered. She also brought to publication the 1975 autobiography of the outspoken boxing champion Muhammad Ali, The Greatest: My Own Story. In addition, she published and promoted the work of Henry Dumas, a little-known novelist and poet who in 1968 had been shot to death by a transit officer in the New York City Subway.

Among other books that Morrison developed and edited is The Black Book (1974), an anthology of photographs, illustrations, essays, and documents of Black life in the United States from the time of slavery to the 1920s. Random House had been uncertain about the project but its publication met with a good reception. Alvin Beam reviewed the anthology for the Cleveland Plain Dealer, writing: "Editors, like novelists, have brain children – books they think up and bring to life without putting their own names on the title page. Mrs. Morrison has one of these in the stores now, and magazines and newsletters in the publishing trade are ecstatic, saying it will go like hotcakes."

First writings and teaching, 1970–1986
Morrison had begun writing fiction as part of an informal group of poets and writers at Howard University who met to discuss their work. She attended one meeting with a short story about a Black girl who longed to have blue eyes. Morrison later developed the story as her first novel, The Bluest Eye, getting up every morning at 4 am to write, while raising two children on her own.

The Bluest Eye was published by Holt, Rinehart, and Winston in 1970, when Morrison was aged 39. It was favorably reviewed in The New York Times by John Leonard, who praised Morrison's writing style as being "a prose so precise, so faithful to speech and so charged with pain and wonder that the novel becomes poetry ... But The Bluest Eye is also history, sociology, folklore, nightmare and music." The novel did not sell well at first, but the City University of New York put The Bluest Eye on its reading list for its new Black studies department, as did other colleges, which boosted sales. The book also brought Morrison to the attention of the acclaimed editor Robert Gottlieb at Knopf, an imprint of the publisher Random House. Gottlieb later edited all but one of Morrison's novels.

In 1975, Morrison's second novel Sula (1973), about a friendship between two Black women, was nominated for the National Book Award. Her third novel, Song of Solomon (1977), follows the life of Macon "Milkman" Dead III, from birth to adulthood, as he discovers his heritage. This novel brought her national acclaim, being a main selection of the Book of the Month Club, the first novel by a Black writer to be so chosen since Richard Wright's Native Son in 1940. Song of Solomon also won the National Book Critics Circle Award.

At its 1979 commencement ceremonies, Barnard College awarded Morrison its highest honor, the Barnard Medal of Distinction.

Morrison gave her next novel, Tar Baby (1981), a contemporary setting. In it, a looks-obsessed fashion model, Jadine, falls in love with Son, a penniless drifter who feels at ease with being Black.

Resigning from Random House in 1983, Morrison left publishing to devote more time to writing, while living in a converted boathouse on the Hudson River in Nyack, New York. She taught English at two branches of the State University of New York (SUNY) and at Rutgers University's New Brunswick campus. In 1984, she was appointed to an Albert Schweitzer chair at the University at Albany, SUNY.

Morrison's first play, Dreaming Emmett, is about the 1955 murder by white men of Black teenager Emmett Till. The play was commissioned by the New York State Writers Institute at the State University of New York at Albany, where she was teaching at the time. It was produced in 1986 by Capital Repertory Theatre and directed by Gilbert Moses. Morrison was also a visiting professor at Bard College from 1986 to 1988.

Beloved trilogy and the Nobel Prize: 1987–1998
In 1987, Morrison published her most celebrated novel, Beloved. It was inspired by the true story of an enslaved African-American woman, Margaret Garner, whose story Morrison had discovered when compiling The Black Book. Garner had escaped slavery but was pursued by slave hunters. Facing a return to slavery, Garner killed her two-year-old daughter but was captured before she could kill herself. Morrison's novel imagines the dead baby returning as a ghost, Beloved, to haunt her mother and family.

Beloved was a critical success and a bestseller for 25 weeks. The New York Times book reviewer Michiko Kakutani wrote that the scene of the mother killing her baby is "so brutal and disturbing that it appears to warp time before and after into a single unwavering line of fate". Canadian writer Margaret Atwood wrote in a review for The New York Times, "Ms. Morrison's versatility and technical and emotional range appear to know no bounds. If there were any doubts about her stature as a pre-eminent American novelist, of her own or any other generation, Beloved will put them to rest."

Some critics panned Beloved. African-American conservative social critic Stanley Crouch, for instance, complained in his review in The New Republic that the novel "reads largely like a melodrama lashed to the structural conceits of the miniseries", and that Morrison "perpetually interrupts her narrative with maudlin ideological commercials".

Despite overall high acclaim, Beloved failed to win the prestigious National Book Award or the National Book Critics Circle Award. Forty-eight Black critics and writers, among them Maya Angelou, protested the omission in a statement that The New York Times published on January 24, 1988. "Despite the international stature of Toni Morrison, she has yet to receive the national recognition that her five major works of fiction entirely deserve", they wrote. Two months later, Beloved won the Pulitzer Prize for Fiction. It also won an Anisfield-Wolf Book Award.

Beloved is the first of three novels about love and African-American history, sometimes called the Beloved Trilogy. Morrison said they are intended to be read together, explaining: "The conceptual connection is the search for the beloved – the part of the self that is you, and loves you, and is always there for you." The second novel in the trilogy, Jazz, came out in 1992. Told in language that imitates the rhythms of jazz music, the novel is about a love triangle during the Harlem Renaissance in New York City. According to Lyn Innes, "Morrison sought to change not just the content and audience for her fiction; her desire was to create stories which could be lingered over and relished, not 'consumed and gobbled as fast food', and at the same time to ensure that these stories and their characters had a strong historical and cultural base."

In 1992, Morrison also published her first book of literary criticism, Playing in the Dark: Whiteness and the Literary Imagination (1992), an examination of the African-American presence in White American literature. (In 2016, Time magazine noted that Playing in the Dark was among Morrison's most-assigned texts on U.S. college campuses, together with several of her novels and her 1993 Nobel Prize lecture.) Lyn Innes wrote in the Guardian obituary of Morrison, "Her 1990 series of Massey lectures at Harvard were published as Playing in the Dark: Whiteness and the Literary Imagination (1992), and explore the construction of a 'non-white Africanist presence and personae' in the works of Poe, Hawthorne, Melville, Cather and Hemingway, arguing that 'all of us are bereft when criticism remains too polite or too fearful to notice a disrupting darkness before its eyes'."

Before the third novel of the Beloved Trilogy was published, Morrison was awarded the Nobel Prize in Literature in 1993. The citation praised her as an author "who in novels characterized by visionary force and poetic import, gives life to an essential aspect of American reality". She was the first Black woman of any nationality to win the prize. In her acceptance speech, Morrison said: "We die. That may be the meaning of life. But we do language. That may be the measure of our lives."

In her Nobel lecture, Morrison talked about the power of storytelling. To make her point, she told a story. She spoke about a blind, old, Black woman who is approached by a group of young people. They demand of her, "Is there no context for our lives? No song, no literature, no poem full of vitamins, no history connected to experience that you can pass along to help us start strong? ... Think of our lives and tell us your particularized world. Make up a story."

In 1996, the National Endowment for the Humanities selected Morrison for the Jefferson Lecture, the U.S. federal government's highest honor for "distinguished intellectual achievement in the humanities". Morrison's lecture, entitled "The Future of Time: Literature and Diminished Expectations", began with the aphorism: "Time, it seems, has no future." She cautioned against the misuse of history to diminish expectations of the future. Morrison was also honored with the 1996 National Book Foundation's Medal of Distinguished Contribution to American Letters, which is awarded to a writer "who has enriched our literary heritage over a life of service, or a corpus of work".

The third novel of her Beloved Trilogy, Paradise, about citizens of an all-Black town, came out in 1997. The following year, Morrison was on the cover of Time magazine, making her only the second female writer of fiction and second Black writer of fiction to appear on what was perhaps the most significant U.S. magazine cover of the era.

Beloved onscreen and "the Oprah effect"
Also in 1998, the movie adaptation of Beloved was released, directed by Jonathan Demme and co-produced by Oprah Winfrey, who had spent ten years bringing it to the screen. Winfrey also stars as the main character, Sethe, alongside Danny Glover as Sethe's lover, Paul D, and Thandiwe Newton as Beloved.

The movie flopped at the box office. A review in The Economist opined that "most audiences are not eager to endure nearly three hours of a cerebral film with an original storyline featuring supernatural themes, murder, rape, and slavery". Film critic Janet Maslin, in her New York Times review "No Peace from a Brutal Legacy", called it a "transfixing, deeply felt adaptation of Toni Morrison's novel. ... Its linchpin is of course Oprah Winfrey, who had the clout and foresight to bring 'Beloved' to the screen and has the dramatic presence to hold it together." Film critic Roger Ebert suggested that Beloved was not a genre ghost story but the supernatural was used to explore deeper issues and the non-linear structure of Morrison's story had a purpose.

In 1996, television talk-show host Oprah Winfrey selected Song of Solomon for her newly launched Book Club, which became a popular feature on her Oprah Winfrey Show. An average of 13 million viewers watched the show's book club segments. As a result, when Winfrey selected Morrison's earliest novel The Bluest Eye in 2000, it sold another 800,000 paperback copies. John Young wrote in the African American Review in 2001 that Morrison's career experienced the boost of "The Oprah Effect, ... enabling Morrison to reach a broad, popular audience."

Winfrey selected a total of four of Morrison's novels over six years, giving Morrison's novels a bigger sales boost than they got from her Nobel Prize win in 1993. The novelist also appeared three times on Winfrey's show. Winfrey said, "For all those who asked the question 'Toni Morrison again?'... I say with certainty there would have been no Oprah's Book Club if this woman had not chosen to share her love of words with the world." Morrison called the book club a "reading revolution".

Early 21st century
Morrison continued to explore different art forms, such as providing texts for original scores of classical music. She collaborated with André Previn on the song cycle Honey and Rue, which premiered with Kathleen Battle in January 1992, and on Four Songs, premiered at Carnegie Hall with Sylvia McNair in November 1994. Both Sweet Talk: Four Songs on Text and Spirits In the Well (1997) were written for Jessye Norman with music by Richard Danielpour, and, alongside Maya Angelou and Clarissa Pinkola Estés, Morrison provided the text for composer Judith Weir's woman.life.song commissioned by Carnegie Hall for Jessye Norman, which premiered in April 2000.

Morrison returned to Margaret Garner's life story, the basis of her novel Beloved, to write the libretto for a new opera, Margaret Garner. Completed in 2002, with music by Richard Danielpour, the opera was premièred on May 7, 2005, at the Detroit Opera House with Denyce Graves in the title role. Love, Morrison's first novel since Paradise, came out in 2003. In 2004, she put together a children's book called Remember to mark the 50th anniversary of the Brown v. Board of Education Supreme Court decision in 1954 that declared racially segregated public schools to be unconstitutional.

From 1997 to 2003, Morrison was an Andrew D. White Professor-at-Large at Cornell University. In June 2005, the University of Oxford awarded Morrison an honorary Doctor of Letters degree.

In the spring 2006, The New York Times Book Review named Beloved the best work of American fiction published in the previous 25 years, as chosen by a selection of prominent writers, literary critics, and editors. In his essay about the choice, "In Search of the Best", critic A. O. Scott said: "Any other outcome would have been startling since Morrison's novel has inserted itself into the American canon more completely than any of its potential rivals. With remarkable speed, 'Beloved' has, less than 20 years after its publication, become a staple of the college literary curriculum, which is to say a classic. This triumph is commensurate with its ambition since it was Morrison's intention in writing it precisely to expand the range of classic American literature, to enter, as a living Black woman, the company of dead White males like Faulkner, Melville, Hawthorne and Twain."

In November 2006, Morrison visited the Louvre museum in Paris as the second in its "Grand Invité" program to guest-curate a month-long series of events across the arts on the theme of "The Foreigner's Home", about which The New York Times said: "In tapping her own African-American culture, Ms. Morrison is eager to credit 'foreigners' with enriching the countries where they settle."

Morrison's novel A Mercy, released in 2008, is set in the Virginia colonies of 1682. Diane Johnson, in her review in Vanity Fair, called A Mercy "a poetic, visionary, mesmerizing tale that captures, in the cradle of our present problems and strains, the natal curse put on us back then by the Indian tribes, Africans, Dutch, Portuguese, and English competing to get their footing in the New World against a hostile landscape and the essentially tragic nature of human experience."

Princeton years
From 1989 until her retirement in 2006, Morrison held the Robert F. Goheen Chair in the Humanities at Princeton University. She said she did not think much of modern fiction writers who reference their own lives instead of inventing new material, and she used to tell her creative writing students, "I don't want to hear about your little life, OK?" Similarly, she chose not to write about her own life in a memoir or autobiography.

Though based in the Creative Writing Program at Princeton, Morrison did not regularly offer writing workshops to students after the late 1990s, a fact that earned her some criticism. Rather, she conceived and developed the Princeton Atelier, a program that brings together students with writers and performing artists. Together the students and the artists produce works of art that are presented to the public after a semester of collaboration.

Inspired by her curatorship at the Louvre Museum, Morrison returned to Princeton in the fall 2008 to lead a small seminar, also entitled "The Foreigner's Home".

On November 17, 2017, Princeton University dedicated Morrison Hall (a building previously called West College) in her honor.

Final years: 2010–2019
In May 2010, Morrison appeared at PEN World Voices for a conversation with Marlene van Niekerk and Kwame Anthony Appiah about South African literature and specifically van Niekerk's 2004 novel Agaat.

Morrison wrote books for children with her younger son, Slade Morrison, who was a painter and a musician. Slade died of pancreatic cancer on December 22, 2010, aged 45, when Morrison's novel Home (2012) was half-completed.

In May 2011, Morrison received an Honorary Doctor of Letters degree from Rutgers University–New Brunswick. During the commencement ceremony, she delivered a speech on the "pursuit of life, liberty, meaningfulness, integrity, and truth".

In 2011, Morrison worked with opera director Peter Sellars and Malian singer-songwriter Rokia Traoré on Desdemona, taking a fresh look at William Shakespeare's tragedy Othello. The trio focused on the relationship between Othello's wife Desdemona and her African nursemaid, Barbary, who is only briefly referenced in Shakespeare. The play, a mix of words, music and song, premiered in Vienna in 2011.

Morrison had stopped working on her latest novel when her son died in 2010, later explaining, "I stopped writing until I began to think, He would be really put out if he thought that he had caused me to stop. 'Please, Mom, I'm dead, could you keep going ...?

She completed Home and dedicated it to her son Slade. Published in 2012, it is the story of a Korean War veteran in the segregated United States of the 1950s who tries to save his sister from brutal medical experiments at the hands of a white doctor.

In August 2012, Oberlin College became the home base of the Toni Morrison Society, an international literary society founded in 1993, dedicated to scholarly research of Morrison's work.

Morrison's eleventh novel, God Help the Child, was published in 2015. It follows Bride, an executive in the fashion and beauty industry whose mother tormented her as a child for being dark-skinned, a trauma that has continued to dog Bride.

Morrison was a member of the editorial advisory board of The Nation, a magazine started in 1865 by Northern abolitionists.

Personal life
While teaching at Howard University from 1957 to 1964, she met Harold Morrison, a Jamaican architect, whom she married in 1958. She took his last name and became known as Toni Morrison. Their first son, Harold Ford, was born in 1961. She was pregnant when she and Harold divorced in 1964. Her second son, Slade Kevin, was born in 1965.

Her son Slade Morrison died of pancreatic cancer on December 22, 2010, when Morrison was halfway through writing her novel Home. She stopped work on the novel for a year or two before completing it; that novel was published in 2012.

Death
Morrison died at Montefiore Medical Center in The Bronx, New York City, on August 5, 2019, from complications of pneumonia. She was 88 years old.

A memorial tribute was held on November 21, 2019, at the Cathedral of St. John the Divine in the Morningside Heights neighborhood of Manhattan in New York City. Morrison was eulogized by, among others, Oprah Winfrey, Angela Davis, Michael Ondaatje, David Remnick, Fran Lebowitz, Ta-Nehisi Coates, and Edwidge Danticat. The jazz saxophonist David Murray performed a musical tribute.

Politics
Morrison spoke openly about American politics and race relations.

In writing about the 1998 impeachment of Bill Clinton, she claimed that since Whitewater, Bill Clinton was being mistreated in the same way Black people often are:

"Years ago, in the middle of the Whitewater investigation, one heard the first murmurs: white skin notwithstanding, this is our first black President. Blacker than any actual black person who could ever be elected in our children's lifetime. After all, Clinton displays almost every trope of blackness: single-parent household, born poor, working-class, saxophone-playing, McDonald's-and-junk-food-loving boy from Arkansas.''" The phrase "our first Black president" was adopted as a positive by Bill Clinton supporters. When the Congressional Black Caucus honored the former president at its dinner in Washington, D.C., on September 29, 2001, for instance, Rep. Eddie Bernice Johnson (D-TX), the chair, told the audience that Clinton "took so many initiatives he made us think for a while we had elected the first black president".

In the context of the 2008 Democratic Primary campaign, Morrison stated to Time magazine: "People misunderstood that phrase. I was deploring the way in which President Clinton was being treated, vis-à-vis the sex scandal that was surrounding him. I said he was being treated like a black on the street, already guilty, already a perp. I have no idea what his real instincts are, in terms of race." In the Democratic primary contest for the 2008 presidential race, Morrison endorsed Senator Barack Obama over Senator Hillary Clinton, though expressing admiration and respect for the latter. When he won, Morrison said she felt like an American for the first time. She said, "I felt very powerfully patriotic when I went to the inauguration of Barack Obama. I felt like a kid."

In April 2015, speaking of the deaths of Michael Brown, Eric Garner and Walter Scott – three unarmed Black men killed by white police officers – Morrison said: "People keep saying, 'We need to have a conversation about race.' This is the conversation. I want to see a cop shoot a white unarmed teenager in the back. And I want to see a white man convicted for raping a Black woman. Then when you ask me, 'Is it over?', I will say yes."

After the 2016 election of Donald Trump as President of the United States, Morrison wrote an essay, "Mourning for Whiteness", published in the November 21, 2016 issue of The New Yorker. In it she argues that white Americans are so afraid of losing privileges afforded them by their race that white voters elected Trump, whom she described as being "endorsed by the Ku Klux Klan", in order to keep the idea of white supremacy alive.

Relationship to feminism
Although her novels typically concentrate on black women, Morrison did not identify her works as feminist. When asked in a 1998 interview, "Why distance oneself from feminism?" she replied: "In order to be as free as I possibly can, in my own imagination, I can't take positions that are closed. Everything I've ever done, in the writing world, has been to expand articulation, rather than to close it, to open doors, sometimes, not even closing the book – leaving the endings open for reinterpretation, revisitation, a little ambiguity." She went on to state that she thought it "off-putting to some readers, who may feel that I'm involved in writing some kind of feminist tract. I don't subscribe to patriarchy, and I don't think it should be substituted with matriarchy. I think it's a question of equitable access, and opening doors to all sorts of things."

In 2012, she responded to a question about the difference between black and white feminists in the 1970s. "Womanists is what black feminists used to call themselves", she explained. "They were not the same thing. And also the relationship with men. Historically, black women have always sheltered their men because they were out there, and they were the ones that were most likely to be killed."

W. S. Kottiswari writes in Postmodern Feminist Writers (2008) that Morrison exemplifies characteristics of "postmodern feminism" by "altering Euro-American dichotomies by rewriting a history written by mainstream historians" and by her usage of shifting narration in Beloved and Paradise. Kottiswari states: "Instead of western logocentric abstractions, Morrison prefers the powerful vivid language of women of color ... She is essentially postmodern since her approach to myth and folklore is re-visionist."

National Memorial for Peace and Justice
The National Memorial for Peace and Justice in Montgomery, Alabama, includes writing by Morrison. Visitors can see her quote after they have walked through the section commemorating individual victims of lynching.

Papers
The Toni Morrison Papers are part of the permanent library collections of Princeton University, where they are held in the Manuscripts Division, Department of Rare Books and Special Collections. Morrison's decision to offer her papers to Princeton instead of to her alma mater Howard University was criticized by some within the historically black colleges and universities community.

Opening in February 2023, an exhibition titled Toni Morrison: Sites of Memory, which was curated from her archives at Princeton University, commemorated the 30th anniversary of her winning the Nobel Prize. Running from the week after her birthday until June 4, the exhibition featured rare manuscripts, correspondence between Morrison and others, and unfinished projects, taking its name from a 1995 essay by Morrison in which she spoke of a "journey to a site to see what remains were left behind and to reconstruct the world that these remains imply."

Day and halls
In 2019, a resolution was passed in her hometown of Lorain, Ohio, to designate February 18, her birthday, as Toni Morrison Day. Additional legislation was introduced to also proclaim that date as "Toni Morrison Day" throughout the State of Ohio. The legislation, HB 325, was passed by the Ohio House of Representatives on December 2, 2020, and signed into law by Governor Mike DeWine on December 21.

In 2021, Cornell University opened Toni Morrison Hall, a 178,869 square-foot residence hall and Morrison Dining in 2022, an adjacent dining hall designed by ikon.5 Architects.

During December 2023, the Toni Morrison Collective at Cornell University to celebrate the 30th anniversary of Morrison's Nobel win partnered with Calvary Baptist Church to give away free copies of two of Morrison's books and hold book talks in various locations. As explained by Anne V. Adams, professor emerita of Africana studies and comparative literature and chair of the Toni Morrison Collective: “The fact that Toni Morrison, during her first year as a master’s student, lodged at a house just a couple of doors up the street from historic Calvary Baptist Church created a perfect context for a collaboration."

Documentary films
Morrison was interviewed by Margaret Busby in London for a 1988 documentary film by Sindamani Bridglal, entitled Identifiable Qualities, shown on Channel 4.

Morrison was the subject of a film titled Imagine – Toni Morrison Remembers, directed by Jill Nicholls and shown on BBC One television on July 15, 2015, in which Morrison talked to Alan Yentob about her life and work.

In 2016, Oberlin College received a grant to complete a documentary film begun in 2014, The Foreigner's Home, about Morrison's intellectual and artistic vision, explored in the context of the 2006 exhibition she guest-curated at the Louvre. The film's executive producer was Jonathan Demme. It was directed by Oberlin College Cinema Studies faculty Geoff Pingree and Rian Brown, and incorporates footage shot by Morrison's first-born son Harold Ford Morrison, who also consulted on the film.

In 2019, Timothy Greenfield-Sanders' documentary Toni Morrison: The Pieces I Am premiered at the Sundance Film Festival. Those featured in the film include Morrison, Angela Davis, Oprah Winfrey, Fran Lebowitz, Sonia Sanchez, and Walter Mosley, among others.

Awards

 * 1975: Ohioana Book Award for Sula
 * 1977: National Book Critics Circle Award for Song of Solomon
 * 1977: American Academy and Institute of Arts and Letters Award
 * 1982: Ohio Women's Hall of Fame inductee
 * 1986: New York State Governor's Arts Award
 * 1988: Robert F. Kennedy Book Award
 * 1988: Helmerich Award
 * 1988: American Book Award for Beloved
 * 1988: Anisfield-Wolf Book Award in Race Relations for Beloved
 * 1988: Pulitzer Prize for Fiction for Beloved
 * 1988: Frederic G. Melcher Book Award for Beloved
 * 1988: Honorary Doctor of Laws at University of Pennsylvania
 * 1989: Honorary Doctor of Letters at Harvard University
 * 1993: Nobel Prize in Literature
 * 1993: Commander of the Arts and Letters, Paris
 * 1994: Condorcet Medal, Paris
 * 1994: Rhegium Julii Prize for Literature
 * 1996: Jefferson Lecture
 * 1996: National Book Foundation's Medal of Distinguished Contribution to American Letters
 * 1997: Honorary Doctorate of Humane Letters from Gustavus Adolphus College.
 * 1998: Audie Award for Narration by the Author for Sula
 * 2000: National Humanities Medal
 * 2002: 100 Greatest African Americans, list by Molefi Kete Asante
 * 2005: Golden Plate Award of the American Academy of Achievement
 * 2005: Honorary Doctorate of Letters from University of Oxford
 * 2008: New Jersey Hall of Fame inductee
 * 2009: Norman Mailer Prize, Lifetime Achievement
 * 2010: Officier de la Légion d'Honneur
 * 2010: Institute for Arts and Humanities Medal for Distinguished Contributions to the Arts and Humanities from the Pennsylvania State University
 * 2011: Library of Congress Creative Achievement Award for Fiction
 * 2011: Honorary Doctor of Letters at Rutgers University Graduation Commencement
 * 2011: Honorary Doctorate of Letters from the University of Geneva
 * 2012: Presidential Medal of Freedom
 * 2013: The Nichols-Chancellor's Medal awarded by Vanderbilt University
 * 2013: Honorary Doctorate of Literature awarded by Princeton University
 * 2013: PEN Oakland – Josephine Miles Literary Award for Home
 * 2013: Writer in Residence at the American Academy in Rome
 * 2014: Ivan Sandrof Lifetime Achievement Award given by the National Book Critics Circle
 * 2016: PEN/Saul Bellow Award for Achievement in American Fiction
 * 2016: The Charles Eliot Norton Professorship in Poetry (The Norton Lectures), Harvard University
 * 2016: The Edward MacDowell Medal, awarded by the MacDowell Colony
 * 2018: The Thomas Jefferson Medal, awarded by The American Philosophical Society
 * 2020: National Women's Hall of Fame inductee
 * 2020: Designation of "Toni Morrison Day" in Ohio, to be celebrated annually on her birthday, February 18
 * 2021: Featured on "Cleveland is the Reason" mural in downtown Cleveland (with other notable Cleveland area figures)
 * 2023: Featured on a USPS Forever stamp, designed by art director Ethel Kessler with photography by Deborah Feingold

Nomination
''Who's Got Game? The Ant or the Grasshopper? The Lion or the Mouse? Poppy or the Snake?'' was a Grammy Award for Best Spoken Word Album for Children nominee in 2008.

Children's books (with Slade Morrison)

 * The Big Box (1999). ISBN 978-0786823642.
 * The Book of Mean People (2002). ISBN 978-0786805402.
 * Remember: The Journey to School Integration (2004). ISBN 978-0618397402.
 * Who's Got Game? The Ant or the Grasshopper?, The Lion or the Mouse?, Poppy or the Snake? (2007). ISBN 978-0743283915.
 * Peeny Butter Fudge (2009). ISBN 978-1442459007.
 * Little Cloud and Lady Wind (2010). ISBN 1416985239.
 * Please, Louise (2014). ISBN 978-1416983385.
 * A Toni Morrison Treasury: The Big Box; The Ant or the Grasshopper?; The Lion or the Mouse?; Poppy or the Snake?; Peeny Butter Fudge; The Tortoise or the Hare; Little Cloud and Lady Wind; Please, Louise (2023). ISBN 9781665915540.

Short fiction

 * "Recitatif", in Amiri Baraka and Amina Baraka (eds), Confirmation: An Anthology of African American Women (1983). A hardback book version, with an introduction by Zadie Smith, was published in February 2022 (US: Knopf; UK: Chatto & Windus).

Plays

 * N'Orleans: The Storyville Musical (aka New Orleans) (performed 1982) with Donald McKayle
 * Dreaming Emmett (performed 1986)
 * Desdemona (first performed May 15, 2011, in Vienna)

Poetry

 * Five Poems (2002, limited edition book with illustrations by Kara Walker)

Libretto

 * Margaret Garner (first performed May 2005)

Non-fiction

 * Foreword, The Black Photographers Annual Volume 1, edited by Joe Crawford (1973),
 * Foreword and Preface, The Black Book edited by Harris, Levitt, Furman and Smith. Random House (1974), ISBN 978-1400068487
 * Foreword, Race-ing Justice, En-gendering Power: Essays on Anita Hill, Clarence Thomas, and the Construction of Social Reality. Pantheon Books (1992), ISBN 978-0679741459
 * Co-editor, Birth of a Nation'hood: Gaze, Script, and Spectacle in the O.J. Simpson Case (1997), ISBN 978-0307482266
 * Remember: The Journey to School Integration (2004), ISBN 978-0618397402
 * Playing in the Dark: Whiteness and the Literary Imagination (1992, 2007), ISBN 978-0307388636
 * What Moves at the Margin: Selected Nonfiction, edited by Carolyn C. Denard (2008), ISBN 978-1604730173
 * Editor (2009), Burn This Book: PEN Writers Speak Out on the Power of the Word, ISBN 978-0061878817
 * The Origin of Others – The Charles Eliot Norton Lectures, Harvard University Press (2017), ISBN 978-0674976450
 * Goodness and the Literary Imagination: Harvard Divinity School's 95th Ingersoll Lecture: With Essays on Morrison's Moral and Religious Vision. Edited by David Carrasco, Stephanie Paulsell, and Mara Willard. Charlottesville: University of Virginia Press (2019)
 * The Source of Self-Regard: Essays, Speeches, Meditations. New York: Alfred A. Knopf (2019), ISBN 978-0525521037. UK edition published as Mouth Full of Blood: Essays, Speeches, Meditations, London: Chatto & Windus (2019), ISBN 978-1784742850

Articles

 * "Introduction." Mark Twain, Adventures of Huckleberry Finn. [1885] The Oxford Mark Twain, edited by Shelley Fisher Fishkin. New York: Oxford University Press, 1996, pp. xxxii–xli.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Toni Morrison


text:
The Color Purple

The Color Purple is a 1982 epistolary novel by American author Alice Walker that won the 1983 Pulitzer Prize for Fiction and the National Book Award for Fiction.

The novel has been the target of censors numerous times, and appears on the American Library Association list of the 100 Most Frequently Challenged Books of 2000–2010 at number seventeen because of the sometimes explicit content, particularly in terms of violence. In 2003, the book was listed on the BBC's The Big Read poll of the UK's "best-loved novels."

The novel has been adapted into various other media, including feature films in 1985 and 2023, a 2005 musical, and a 2008 radio serial on Woman's Hour on BBC Radio 4.

Plot
Celie, a poor African-American girl, lives in rural Georgia in the early 1900s. She writes letters to God because her father Alphonso beats and rapes her. Due to the rape, she gives birth to two children, Olivia and Adam, whom Alphonso takes away. A farmer identified as "Mister" (Mr.__) asks to marry her younger sister Nettie, but Alphonso offers him Celie instead. Celie is abused by Mister and mistreated by his prior children. Nettie runs away and stays with Celie, but Mister eventually makes her leave after she refuses his unwanted sexual advances. Nettie promises to write, Celie never receives any letters, and Celie concludes that she is dead.

Mister's son Harpo marries an assertive girl named Sofia. Celie is impressed by Sofia's self-esteem, but Mister chides Harpo for what he considers weakness in his treatment of Sofia. In a moment of envy, Celie tells Harpo to beat Sofia. Sofia fights back and confronts Celie, who apologizes and confides in her about Mister's abuse.

Shug Avery, a jazz and blues singer and Mister's long-time mistress, moves in. Celie takes care of Shug, who is ill. While Shug is initially rude to Celie, the two become friends and Celie becomes infatuated with Shug. Frustrated by Harpo's domineering behavior, Sofia moves out, taking her children with her. Several months later, Harpo opens a juke joint where a fully recovered Shug performs nightly. Shug learns that Mister beats Celie, and vows to stay at the house until she is convinced he will stop. Shug and Celie grow closer and the women make love.

Shug tells Celie to go with her and they can be together as girlfriends and live freely. The day of Shug's departure arrives and Celie packs her bags and is about to leave with her but she is caught by Mister and Shug leaves while Celie suffers from the departure of her beloved and fears what awaits her now with Mister.

Sofia returns for a visit and gets into a fight with Harpo's new girlfriend, Squeak. She has a verbal spat with the mayor's wife, Miss Millie, and after the mayor slaps her, she hits him back. She is beaten by the police and sentenced to 12 years in prison. Squeak tricks the warden, her white uncle, into releasing Sofia from prison and having her work as Miss Millie's maid. The plan works, but the warden rapes Squeak. Sofia is released from prison and forced to work for Miss Millie, which she detests. Squeak cares for Sofia's children, and the two women become friends.

Shug returns to town, newly married to a man called Grady. Together, they learn that Mister has hidden letters from Nettie for years. In the letters, Nettie says she has befriended a missionary couple, Samuel and Corrine, and gone to Africa with them. Samuel and Corrine had unwittingly adopted Adam and Olivia. Through Samuel's story of the adoption, Nettie learns that Alphonso is her and Celie's stepfather. Their biological father was lynched, and their mother then suffered a mental collapse that Alphonso exploited. Nettie confesses to Samuel and Corrine that she is the children's biological aunt. Corrine, gravely ill, refuses to believe Nettie until Nettie reminds her that she had previously met Celie. Later, Corrine dies, having accepted Nettie's story.

Celie visits Alphonso, who confirms Nettie's story. Celie confides to Shug that she is losing faith in God; Shug explains to Celie her own unique religious philosophy. Celie, Shug and Squeak decide to leave town; Celie curses Mister before leaving him. They settle in Memphis, Tennessee; Celie starts a pants-making business.

Alphonso dies. Celie inherits land that rightfully should have been passed down to her and Nettie because it belonged to her biological father and mother. She moves back into her childhood home. Celie is crushed when Shug falls in love with Germaine, a member of her band. Shug travels with Germaine, writing postcards to Celie. Celie pledges to love Shug even if Shug does not love her back. Celie learns that Mister is suffering from a considerable decline in fortunes, and begins calling him by his first name, Albert. Mister proposes that they marry "in the spirit as well as in the flesh", but Celie declines.

Nettie and Samuel marry and prepare to return to America. Before they leave, Adam marries Tashi, an African girl. Following tradition, Tashi undergoes female genital mutilation and facial scarring. In solidarity, Adam undergoes the same facial scarring ritual.

As Celie realizes that she is content without Shug, Shug returns, having ended her relationship with Germaine. Nettie, Samuel, Olivia, Adam and Tashi arrive at Celie's house. Nettie and Celie reunite after 30 years, introducing one another to their respective families.

Critical reception
The Color Purple won the Pulitzer Prize for Fiction in 1983, making Walker the first black woman to win for fiction; in 1950 Gwendolyn Brooks had won the Pulitzer Prize for poetry. Walker also won the National Book Award for Fiction in 1983. Mel Watkins of the New York Times Book Review wrote that it is a "striking and consummately well-written novel", praising its powerful emotional impact and epistolary structure. It was also named a PBS Great American Read Top 100 Pick.

The book received greater scrutiny amidst controversy surrounding the release of the film adaptation in 1985. The controversy centered around the depiction of black men, which some critics saw as feeding stereotypical narratives of black male violence, while others found the representation compelling and relatable.

On November 5, 2019, the BBC News listed The Color Purple on its list of the 100 most influential novels.

Censorship in the United States
Though the novel has garnered critical acclaim, it has also been the subject of controversy. The American Library Association placed it on the list of top hundred banned and challenged books in the United States from 1990 to 1999 (17), 2000 to 2009 (17), and 2010 to 2019 (50), as well as the top ten list for 2007 (6) and 2009 (9). Commonly cited justifications for banning the book include sexual explicitness, explicit language, violence, and homosexuality.

Adaptations
The novel was adapted into a film of the same name in 1985. It was directed by Steven Spielberg and stars Whoopi Goldberg as Celie, Danny Glover as Albert, and Oprah Winfrey as Sofia. Though nominated for eleven Academy Awards, it won none. This perceived-snubbing ignited controversy because many critics considered it the best picture that year, including Roger Ebert.

On December 1, 2005, a musical adaptation of the novel and film with lyrics and music by Stephen Bray, Brenda Russell and Allee Willis, and book by Marsha Norman opened at The Broadway Theatre in New York City. The show was produced by Scott Sanders, Quincy Jones, Harvey Weinstein, and Oprah Winfrey, who was also an investor.

In 2008, BBC Radio 4 broadcast a radio adaptation of the novel in ten 15-minute episodes as a Woman's Hour serial with Nadine Marshall as Celie, Nikki Amuka-Bird, Nina Sosanya and Eamonn Walker. The script was by Patricia Cumper and in 2009 the production received the Sony Radio Academy Awards Silver Drama Award.

In 2018, Warner Bros. announced that they would be releasing a new film adaptation of The Color Purple, based on the musical. Spielberg and Quincy Jones return to produce this version, along with the stage musical's producers Scott Sanders and Oprah Winfrey. The film opened on December 25, 2023.

Boycotting Israel
As part of the Boycott, Divestment and Sanctions movement (BDS), the author declined publication of the book in Israel in 2012. This decision was criticized by Harvard Law Professor Alan Dershowitz, who argued that Walker "resorted to bigotry and censorship against Hebrew-speaking readers of her writings". Walker, an ardent pro-Palestinian activist, in a letter to Yediot Books accused Israel of apartheid and demanded a change in policies before her works can be published there.

Editions
• ISBN 0-15-119153-0 (first edition, 1982)

• ISBN 0-606-00587-0 (prebound, 1985)

• ISBN 0-671-45853-1 (paperback, June,1983)

• ISBN 0-671-61702-8 (mass market paperback, 1985)

• ISBN 0-671-64745-8 (mass market paperback, 1987)

• ISBN 0-671-66878-1 (paperback, 1988)

• ISBN 0-15-119154-9 (hardcover, 1992, Anniversary Edition)

• ISBN 1-56849-628-1 (library binding, 1995, reprint)

• ISBN 0-671-01907-4 (paperback, 1998)

• ISBN 0-7641-2064-6 (paperback, 2002)

• ISBN 0-15-602835-2 (paperback, 2003)

• ISBN 0-671-72779-6

• ISBN 0-7043-3905-6

• ISBN 978-0-7538-1892-3 (paperback, United Kingdom, 2004)

• ISBN 9781453223970 (ebook, 2011)

• ISBN 9781780228716 (Tenth Anniversary Edition 2014)

• ISBN 978-1-4746-0725-4 (paperback, United Kingdom, 2017)

title: The Color Purple


text:
Chaetognatha

The Chaetognatha or chaetognaths  (meaning bristle-jaws) are a phylum of predatory marine worms that are a major component of plankton worldwide. Commonly known as arrow worms, they are mostly nektonic; however about 20% of the known species are benthic, and can attach to algae and rocks. They are found in all marine waters, from surface tropical waters and shallow tide pools to the deep sea and polar regions. Most chaetognaths are transparent and are torpedo shaped, but some deep-sea species are orange. They range in size from 2 to 120 mm.

Chaetognaths were first recorded by the Dutch naturalist Martinus Slabber in 1775. As of 2021, biologists recognize 133 modern species assigned to over 26 genera and eight families. Despite the limited diversity of species, the number of individuals is large.

Arrow worms are strictly related to and possibly belonging to Gnathifera, a clade of protostomes that do not belong to either Ecdysozoa or Lophotrochozoa.

Anatomy
Chaetognaths are transparent or translucent dart-shaped animals covered by a cuticle. They range in length between 1.5 mm to 105 mm in the Antarctic species Pseudosagitta gazellae. Body size, either between individuals in the same species or between different species, seems to increase with decreasing temperature. The body is divided into a distinct head, trunk, and tail. About 80% of the body is occupied by primary longitudinal muscles.

Head and digestive system
There are between four and fourteen hooked, grasping spines on each side of their head, flanking a hollow vestibule containing the mouth. The spines are used in hunting, and covered with a flexible hood arising from the neck region when the animal is swimming. Spines and teeth are made of α-chitin, and the head is protected by a chitinous armature. The mouth opens into a muscular pharynx, which contains glands to lubricate the passage of food. From here, a straight intestine runs the length of the trunk to an anus just forward of the tail. The intestine is the primary site of digestion and includes a pair of diverticula near the anterior end. Materials are moved about the body cavity by cilia. Waste materials are simply excreted through the skin and anus. Eukrohniid species possess an oil vacuole closely associated with the gut. This organ contains wax esters which may assist reproduction and growth outside of the production season for Eukrohnia hamata in Arctic seas. Owing to the position of the oil vacuole in the center of the tractus, the organ may also have implications for buoyancy, trim and locomotion.

Usually chaetognaths are not pigmented, however the intestines of some deep-sea species contain orange-red carotenoid pigments.

Nervous and sensory systems
The nervous system is reasonably simple and shows a typical protostome anatomy, consisting of a ganglionated nerve ring surrounding the pharynx. The brain is composed of two distinct functional domains: the anterior neuropil domain and the posterior neuropil domain. The former probably controls head muscles moving the spines and the digestive system. The latter is linked to eyes and the corona ciliata. A putative sensory structure of unknown function, the retrocerebral organ, is also hosted by the posterior neuropil domain. The dorsal ganglion is the largest, but nerves extend from all the ganglia along the length of the body.

Chaetognaths have two compound eyes, each consisting of a number of pigment-cup ocelli fused together; some deep-sea and troglobitic species have unpigmented or absent eyes. In addition, there are a number of sensory bristles arranged in rows along the side of the body, where they probably perform a function similar to that of the lateral line in fish. An additional, curved, band of sensory bristles lies over the head and neck. Almost all chaetognaths have "indirect" or "inverted" eyes, according to the orientation of photoreceptor cells; only some Eukhroniidae species have "direct" or "everted" eyes. A unique feature of the chaetognath eye is the lamellar structure of photoreceptor membranes, containing a grid of 35-55 nm wide circular pores.

A significant mechanosensory system, composed of ciliary receptor organs, detects vibrations, allowing chaetognaths to detect the swimming motion of potential prey. Another organ on the dorsal part of the neck, the corona ciliata, is probably involved in chemoreception.

Internal organs
The body cavity is lined by peritoneum, and therefore represents a true coelom, and is divided into one compartment on each side of the trunk, and additional compartments inside the head and tail, all separated completely by septa. Although they have a mouth with one or two rows of tiny teeth, compound eyes, and a nervous system, they have no excretory or respiratory systems. While often said to lack a circulatory system, chaetognaths do have a rudimentary hemal system resembling those of annelids.

The arrow worm rhabdomeres are derived from microtubules 20 nm long and 50 nm wide, which in turn form conical bodies that contain granules and thread structures. The cone body is derived from a cilium.

Locomotion
The trunk bears one or two pairs of lateral fins incorporating structures superficially similar to the fin rays of fish, with which they are not homologous. Unlike those of vertebrates, these lateral fins are composed of a thickened basement membrane extending from the epidermis. An additional caudal fin covers the post-anal tail. Two chaetognath species, Caecosagitta macrocephala and Eukrohnia fowleri, have bioluminescent organs on their fins.

Chaetognaths swim in short bursts using a dorso-ventral undulating body motion, where their tail fin assists with propulsion and the body fins with stabilization and steering. Muscle movements have been described as among the fastest in metazoans. Muscles are directly excitable by electrical currents or strong K+ solutions; the main neuromuscular transmitter is acetylcholine.

Reproduction and life cycle
All species are hermaphroditic, carrying both eggs and sperm. Each animal possesses a pair of testes within the tail, and a pair of ovaries in the posterior region of the main body cavity. Immature sperm are released from the testes to mature inside the cavity of the tail, and then swim through a short duct to a seminal vesicle where they are packaged into a spermatophore.

During mating, each individual places a spermatophore onto the neck of its partner after rupture of the seminal vesicle. The sperm rapidly escape from the spermatophore and swim along the midline of the animal until they reach a pair of small pores just in front of the tail. These pores connect to the oviducts, into which the developed eggs have already passed from the ovaries, and it is here that fertilisation takes place. The seminal receptacles and oviducts accumulate and store spermatozoa, to perform multiple fertilisation cycles. Some benthic members of Spadellidae are known to have elaborate courtship rituals before copulation, for example Paraspadella gotoi.

The eggs are mostly planktonic, except in a few species such as Ferosagitta hispida that attaches eggs to the substrate. In Eukrohnia, eggs develop in marsupial sacs or attached to algae. Eggs usually hatch after 1-3 days. Chaetognaths do not undergo metamorphosis nor they possess a well-defined larval stage, an unusual trait among marine invertebrates; however there are significant morphological differences between the newborn and the adult, with respect to proportions, chitinous structures and fin development.

The life spans of chaetognaths are variable but short; the longest recorded was 15 months in Sagitta friderici.

Behaviour
Little is known of arrow worms' behaviour and physiology, due to the complexity in culturing them and reconstructing their natural habitat. It is known that they feed more frequently with higher temperatures. Planktonic chaetognaths often must swim continuously, with a "hop and sink" behaviour, to keep themselves in the desired location in the water layer, and swim actively to catch prey. They all tend to keep the body slightly slanted with the head pointing downwards. They often show a "gliding" behaviour, slowly sinking for a while, and then catching up with a quick movement of their fins. Benthic species usually stay attached to substrates such as rocks, algae or sea grasses, more rarely on top or between sand grains, and act more strictly as ambush predators, staying still until prey passes by. The prey is detected thanks to the ciliary fence and tuft organs, sensing vibrations - individuals of Spadella cephaloptera for example will attack a glass or metal probe vibrating at an adequate frequency. To catch prey, arrow worms jump forward with a strong stroke of the tail fin. Once in contact with prey, they withdraw the hood over the grasping spines, so that it forms a cage around the prey and bring it in contact with the mouth. They swallow their prey whole.

Ecology
Chaetognaths are found in all world's oceans, from the poles to tropics, and also in brackish and estuarine waters. They inhabit very diverse environments, from hydrothermal vents to deep ocean seafloor, to seagrass beds and marine caves. The majority are planktonic, and they are often the second most common component of zooplankton, with a biomass ranging between 10 and 30% that of copepods. In the Canada Basin, chaetognaths alone represent ~13% of the zooplankton biomass. As such, they are ecologically relevant and a key food source for fishes and other predators, including commercially relevant fishes such as mackerel or sardines. 58% of known species are pelagic, while about a third of species are epibenthic or meiobenthic, or inhabit the immediate vicinity of the substrate. Chaetognaths have been recorded up to 5000 and possibly even 6000 meters of depth.

The highest density of chaetognaths is observed in the photic zone of shallow waters. Larger chaetognath species tend to live deeper in water, but spend their juvenile stages higher in the water column. Arrow worms however engage in diel vertical migration, spending the day at lower depths to avoid predators, and coming close to the surface at night. Their position in the water column can depend on light, temperature, salinity, age and food supply. They cannot swim against oceanic currents, and they are used as a hydrological indicator of currents and water masses.

All chaetognaths are ambush predators, preying on other planktonic animals, mostly copepods and cladocerans but also amphipods, krill and fish larvae. Adults can feed on younger individuals of the same species. Some species are also reported to be omnivores, feeding on algae and detritus. Chaetognaths are known to use the neurotoxin tetrodotoxin to subdue prey, possibly synthesized by Vibrio bacterial species.

Mitochondrial genome
The mtDNA of the arrow worm Spadella cephaloptera has been sequenced in 2004, and at the time it was the smallest metazoan mitochondrial genome known, being 11,905 base pairs long (it has now been surpassed by the mitchondrial genome of the ctenophore Mnemiopsis leidyi, which is 10,326 bp long). All mitochondrial tRNA genes are absent. The MT-ATP8 and MT-ATP6 genes are also missing. The mtDNA of Paraspadella gotoi, also sequenced in 2004, is even smaller (11,403 bp) and it shows a similar pattern, lacking 21 of the 22 usually present tRNA genes and featuring only 14 of the 37 genes normally present.

Chaetognaths show a unique mitochondrial genomic diversity within individual of the same species.

External
The evolutionary relationships of chaetognaths have long been enigmatic. Charles Darwin remarked that arrow worms were "remarkable for the obscurity of their affinities". Chaetognaths in the past have been traditionally, but erroneously, classed as deuterostomes by embryologists due to deuterostome-like features in the embryo. Lynn Margulis and K. V. Schwartz placed chaetognaths in the deuterostomes in their Five Kingdom classification. However, several developmental features are at odds with deuterostomes and are either akin to Spiralia or unique to Chaetognatha.

Molecular phylogeny shows that Chaetognatha are, in fact, protostomes. Thomas Cavalier-Smith places them in the protostomes in his Six Kingdom classification. The similarities between chaetognaths and nematodes mentioned above may support the protostome thesis—in fact, chaetognaths are sometimes regarded as a basal ecdysozoan or lophotrochozoan. Chaetognatha appears close to the base of the protostome tree in most studies of their molecular phylogeny. This may explain their deuterostome embryonic characters. If chaetognaths branched off from the protostomes before they evolved their distinctive protostome embryonic characters, they might have retained deuterostome characters inherited from early bilaterian ancestors. Thus chaetognaths may be a useful model for the ancestral bilaterian. Studies of arrow worms' nervous systems suggests they should be placed within the protostomes. According to 2017 and 2019 papers, chaetognaths either belong to or are the sister group of  Gnathifera.

Internal
Below is a consensus evolutionary tree of Chaetognatha, based on both morphological and molecular data, as of 2021.

Fossil record
Due to their soft bodies, chaetognaths fossilize poorly. Even so, several fossil chaetognath species have been described. Chaetognaths first appear during the Cambrian Period. Complete body fossils have been formally described from the Lower Cambrian Maotianshan shales of Yunnan, China (Eognathacantha ercainella Chen & Huang and Protosagitta spinosa Hu ) and the Middle Cambrian Burgess Shale of British Columbia ((Oesia disjuncta Walcott ), (a view challenged by Conway Morris (2009), and Capinatator praetermissus.) A Cambrian stem-group chaetognath, Timorebestia, first described in 2024, was much larger than modern species, showing that chaetognaths occupied different roles in marine ecosystems compared to today. A more recent chaetognath, Paucijaculum samamithion Schram, has been described from the Mazon Creek biota from the Pennsylvanian of Illinois.

Chaetognaths were thought possibly to be related to some of the animals grouped with the conodonts. The conodonts themselves, however, have been shown to be dental elements of vertebrates. It is now thought that protoconodont elements (e.g., Protohertzina anabarica Missarzhevsky, 1973), are probably grasping spines of chaetognaths rather than teeth of conodonts. Previously chaetognaths in the Early Cambrian were only suspected from these protoconodont elements, but the more recent discoveries of body fossils have confirmed their presence then. There is evidence that chaetognaths were important components of the oceanic food web already in the Early Cambrian.

History
The first known description of a chaetognath has been published by Dutch naturalist Martinus Slabber in the 1770s; he also coined the name "arrow worm". The zoologist Henri Marie Ducrotay de Blainville also briefly mentioned probable chaetognaths but he understood them as pelagic mollusks. The first description of a currently accepted species of chaetognath, Sagitta bipunctata, is from 1827. Among the early zoologists describing arrow worms, there is Charles Darwin, who took notes about them during the voyage of the Beagle and in 1844 dedicated a paper to them. In the following year, August David Krohn published an early anatomical description of Sagitta bipunctata.

The term "chaetognath" has been coined in 1856 by Rudolf Leuckart. He was also the first to propose that the genus Sagitta belonged to a separate group: «At the moment, it seems most natural to regard the Sagittas as representatives of a small group of their own that makes the transition from the real annelids (first of all the lumbricines) to the nematodes, and may not be unsuitably named Chaetognathi.»

The modern systematics of Chaetognatha begins in 1911 with Ritter-Záhony and is later consolidated by Takasi Tokioka in 1965 and Robert Bieri in 1991. Tokioka introduced the orders Phragmophora and Aphragmophora, and classified four families, six genera, for a total of 58 species - plus the extinct Amiskwia, classified as a true primitive chaetognath in a separate class, Archisagittoidea.

Chaetognaths were for a while considered as belonging or affine to the deuterostomes, but suspects of their affinities among Spiralia or other protostomes were already present as early as 1986. Their affinities with protostomes were clarified in 2004 by sequencing and analysis of mtDNA.

Infection by giant viruses
In 2018, reanalysis of electron microscopy photographs from the 1980s allowed scientists to identify a giant virus (Meelsvirus) infecting Adhesisagitta hispida; its site of multiplication is nuclear and the virions (length: 1.25 μm) are enveloped. In 2019, reanalysis of other previous studies has shown that structures that were taken in 1967 for bristles present on the surface of the species Spadella cephaloptera, and in 2003, for bacteria infecting Paraspadella gotoi, were in fact enveloped and spindle-shaped giant viruses with a cytoplasmic site of multiplication. The viral species infecting P. gotoi, whose maximum length is 3.1 μm, has been named Klothovirus casanovai (Klotho being the Greek name for one of the three Fates whose attribute was a spindle, and casanovai, in tribute to Pr J.-P. Casanova who devoted a large part of his scientific life to the study of chaetognaths). The other species has been named Megaklothovirus horridgei (in tribute to Adrian Horridge, the first author of the 1967 article). On a photograph, one of the viruses M. horridgei, although truncated, is 3.9 μm long, corresponding to about twice the length of the bacteria Escherichia coli. Many ribosomes are present in virions but their origin remains unknown (cellular, viral or only partly viral). To date, giant viruses known to infect metazoans are exceptionally rare.

title: Chaetognatha


text:
Marine worm

Any worm that lives in a marine environment is considered a water worm. Marine worms are found in several different phyla, including the Platyhelminthes, Nematoda, Annelida (segmented worms), Chaetognatha, Hemichordata, and Phoronida. For a list of marine animals that have been called "sea worms", see sea worm.

Reproduction
Marine worms exhibit numerous types of reproduction, both sexually and asexually. Asexually many are able to reproduce via budding or regeneration. This regeneration is most notably studied in Plathelminths or Triclad, known for being one of the earliest animals to be studied for its regenerative capabilities. Marine worms will also sexually reproduce, internally and externally, with some releasing spawn into the ocean currents. This is in opposition to the much more internal and invasive method displayed by flat-worms called Penis fencing where hermaphroditic organisms will flight to try and impregnate their opponent while avoiding becoming impregnated. This method is driven by the biological disadvantages (such as resource need and energy expenditure) behind carrying offspring instead of the more prolific gene passage through multiple impregnations.

Genetics and taxonomy
Polynoid scale worms are estimated to have arrived in deep sea ecosystems around sixty million years ago. Through the comparison of 120 genes, researchers came to the conclusion that genes related to DNA repair, recombination, and integration were only present in the deep sea polynoidae, which correlates with the idea that they have to adapt to deal with potential hypoxia in deep sea environments.

Feeding methods
Marine worms can be herbivores, carnivores, parasites, detritivores, or filter feeders, but many strange examples of feeding are seen in this diverse type of animal. The group of Siboglinidae have developed a relationship with symbiotic bacteria within their gut that often perform chemosynthesis from which the worm benefits. These bacteria reside in a specialized organ called the Trophosome. Some worms have an extendable pharynx or a proboscis for consuming prey, while others have developed jaws.

Circulation
Marine worms have a variety of circulation and respiration processes. For example, in platyhelminths this is achieved through diffusion of oxygen (as well as other nutrients) across a moist epithelial layer, whereas annelids have a closed circulatory system with blood vessels lining the body.

Many of these worms have specialized tentacles used for exchanging oxygen and carbon dioxide which also may be used for reproduction. These specialized tentacles allow for gas exchange, further decreasing oxygen content in dead zones and in shallow water, which encourages plant and algae growth.

This quality is also observed in deeper oceans, where tube worms that use respiratory plumes with tentacles perform gas exchange of hydrogen sulfide and methane around hydrothermal vents. These types of circulatory systems differ from marine worms previously mentioned that can perform gas exchange through their entire bodies. This synapomorphy of gas exchange causes even related terrestrial annelids to be restricted to moist environments.

Environmental niches
Marine worms are known to inhabit many different environments, having been found in both fresh and saltwater habitats globally.

Some marine worms are tube worms, of which the giant tube worm lives in waters near underwater volcanoes and can withstand temperatures up to 90 °C (194 °F). They share this space with fellow polychaetas known as “pompeii worms” that can resist 105 °C waters coming out of vents for short periods of time, making them one of the most heat resistant animals ever recorded (Islam and Schulze-Makuch,2007).

Some worms can live in extremely deep oceanic trenches, such as in the Pacific Ocean off the Galápagos Islands.

Marine deep sea polychaetes under the genus Osedax will colonize at whale falls in many different oceans, using a symbiont that can digest the bones within the carcasses (Jones et al,2007) This earned them the common name of “boneworms,” and they are speculated to be a keystone species of these types of environments due to lack of organisms in whale falls without observed Osedax worms. These whale falls remain undigested for many more years than those observed with marine worm cultivations.

In recent years, marine worms (especially those found in the ocean) have been observed ingesting microplastic particles found in the oceans. This trend is concerning many scientists, as marine worms act as an important food source for many fish and wading birds. Marine worms are often keystone species in an ecosystem, and the introduction of plastic in the oceans not only diminishes the growth rates of the marine worms, but also affects the food chain of that ecosystem.

title: Marine worm