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Model (person)

A model is a person with a role either to display commercial products (notably fashion clothing in fashion shows) or to serve as an artist's model or to pose for photography.

Modelling ("modeling" in American English) is considered to be different from other types of public performance, such as acting or dancing; thus, appearing in a film or a play is not generally considered to be "modelling". Personal opinions are normally not expressed, and a model's reputation and image are considered critical.

Types of modelling include: fine art, fashion, glamour, fitness, and body-part promotional modelling. Models are featured in various media formats, including books, magazines, films, newspapers, the Internet, and television. Fashion modelling is sometimes featured in reality TV shows (America's Next Top Model).

Celebrities, including actors, singers, sports personalities and reality TV stars, frequently participate in modelling contests, assignments, and contracts in addition to their regular work. Modelling often is a part-time activity.

Artist's models
Artist's models pose for any visual artist as part of the creative process. Artist's models are often paid professionals who provide a reference or inspiration for a work of art that includes the human figure. The most common types of art created using models are figure drawing, figure painting, sculpture and photography, but almost any medium may be used. Although commercial motives dominate over aesthetics in illustration, its artwork commonly employs models. Models are most frequently employed for art classes or by informal groups of experienced artists who gather to share the expense of a model.

Early years
In 14th-century Europe, fashion had been displayed in miniature form to (often royal) clients by fashion dolls, before the clothes were made in human size.

Modelling as a profession was first established in 1853 by Charles Frederick Worth, the "father of haute couture", when he asked his wife, Marie Vernet Worth, to model the clothes he designed. The term "house model" was coined to describe this type of work. Eventually, this became common practice for Parisian fashion houses. There were no standard physical measurement requirements for a model, and most designers would use women of varying sizes to demonstrate variety in their designs.

The modelling profession expanded to photo modelling with the development of fashion photography. Models remained fairly anonymous, and relatively poorly paid, until the late 1940s, when the world's first three supermodels, Barbara Goalen, Bettina Graziani and Lisa Fonssagrives began commanding very large sums. During the 1940s and 1950s, Graziani was the most photographed woman in France and the undisputed queen of couture, while Fonssagrives appeared on over 200 Vogue covers; her name recognition led to the importance of Vogue in shaping the careers of fashion models. One of the most popular models during the 1940s was Jinx Falkenburg, who was paid $25 per hour, a large sum at the time; through the 1950s, Wilhelmina Cooper, Jean Patchett, Dovima, Dorian Leigh, Suzy Parker, Evelyn Tripp and Carmen Dell'Orefice also dominated fashion. Dorothea Church was among the first black models in the industry to gain recognition in Paris. However, these models were unknown outside the fashion community. Wilhelmina Cooper's measurements were 38"-24"-36" whereas Chanel Iman's measurements are 32"-23"-33". In 1946, Ford Models was established by Eileen and Gerard Ford in New York, making it one of the oldest model agencies in the world.

The 1960s and the beginning of the industry
In the 1960s, the modelling world established modelling agencies. Throughout Europe, secretarial services acted as models' agents charging them weekly rates for their messages and bookings. For the most part, models were responsible for their own billing. In Germany, agents were not allowed to work for a percentage of a person's earnings, so they referred to themselves as secretaries. Except for a few models travelling to Paris or New York, travelling was relatively unheard of for a model. Most models only worked in one market due to different labour laws governing modelling in various countries. In the 1960s, Italy had many fashion houses and fashion magazines but desperately needed models. Italian agencies often coerced models to return to Italy without work visas by withholding their pay. They would also pay their models in cash, which models would have to hide from customs agents. It was not uncommon for models staying in hotels such as La Louisiana in Paris or the Arena in Milan to have their hotel rooms raided by the police looking for their work visas. It was rumoured that competing agencies were behind the raids. This led many agencies to form worldwide chains; for example, the Marilyn Agency has branches in Paris and New York.

By the late 1960s, London was considered the best market in Europe due to its more organised and innovative approach to modelling. It was during this period that models began to become household names. Models such as Jean Shrimpton, Tania Mallet, Celia Hammond, Twiggy, and Penelope Tree dominated the London fashion scene and were well paid, unlike their predecessors. Twiggy became The Face of '66 at the age of 16. At this time, model agencies were not as restrictive about the models they represented, although it was uncommon for them to sign shorter models. Twiggy, who stood at 5 ft with a 32" bust and had a boy's haircut, is credited with changing model ideals. At that time, she earned an hour, while the average wage was  a week.

In 1967, seven of the top model agents in London formed the Association of London Model Agents. The formation of this association helped legitimise modelling and changed the fashion industry. Even with a more professional attitude towards modelling, models were still expected to have their hair and makeup done before they arrived at a shoot. Meanwhile, agencies took responsibility for a model's promotional materials and branding. That same year, former top fashion model Wilhelmina Cooper opened up her own fashion agency with her husband called Wilhelmina Models. By 1968, FM Agency and Models 1 were established and represented models in a similar way that agencies do today. By the late 1960s, models were treated better and were making better wages. One of the innovators, Ford Models, was the first agency to advance models money they were owed and would often allow teen models, who did not live locally, to reside in their house, a precursor to model housing.

The 1970s and 1980s
The innovations of the 1960s flowed into the 1970s fashion scene. As a result of model industry associations and standards, model agencies became more business minded, and more thought went into a model's promotional materials. By this time, agencies were starting to pay for a model's publicity. In the early 1970s, Scandinavia had many tall, leggy, blonde-haired, blue-eyed models and not enough clients. It was during this time that Ford Models pioneered scouting. They would spend time working with agencies holding modeling contests. This was the precursor to the Ford Models Supermodel of the World competition, established in 1980. Ford also focused its attention on Brazil, which had a wide array of seemingly "exotic" models, which eventually led to the establishment of Ford Models Brazil. During this time, the Sports Illustrated Swimsuit Issue debuted. The magazine set the trend by photographing "bigger and healthier" California models, and printing their names by their photos, thus turning many of them into household names and establishing the issue as a hallmark of supermodel status.

The 1970s marked numerous milestones in fashion. Beverly Johnson was the first black woman to appear on the cover of U.S. Vogue in 1974. Models, including Iman, Grace Jones, Pat Cleveland, Alva Chinn, Donyale Luna, Minah Bird, Naomi Sims, and Toukie Smith were some of the top black fashion models who paved the way for black women in fashion. In 1975, Margaux Hemingway landed a then-unprecedented million-dollar contract as the face of Fabergé's Babe perfume and the same year appeared on the cover of Time magazine, labeled one of the "New Beauties", giving further name recognition to fashion models.

Many of the world's most prominent modeling agencies were established in the 1970s and early 1980s. These agencies created the standard by which agencies now run. In 1974, Nevs Models was established in London with only a men's board, the first of its kind. Elite Models was founded in Paris in 1975, as well as Friday's Models in Japan. The next year Cal-Carries was established in Singapore, the first of a chain of agencies in Asia. In 1977, Select Model Management and Why Not Models in Milan opened its doors. By the 1980s, agencies such as Premier Model Management, Storm Models, Mikas, Marilyn, and Metropolitan Models had been established.

In October 1981, Life cited Shelley Hack, Lauren Hutton and Iman for Revlon, Margaux Hemingway for Fabergé, Karen Graham for Estée Lauder, Cristina Ferrare for Max Factor, and Cheryl Tiegs for CoverGirl by proclaiming them the "million dollar faces" of the beauty industry. These models negotiated previously unheard-of lucrative and exclusive deals with giant cosmetics companies, were instantly recognizable, and their names became well known to the public.

By the 1980s, most models could make modeling a full-time career. Patti Hansen, one of the top earning models in 1980, earned $200 an hour for print and $2,000 for television plus residuals; it was estimated that she earned about $300,000 a year in 1980 (equivalent to $ in ). It was common for models to travel abroad and work throughout Europe. As modeling became global, numerous agencies began to think globally. In 1980, Ford Models, the innovator of scouting, introduced the Ford Models Supermodel of the World contest. That same year, John Casablancas opened Elite Models in New York. In 1981, cosmetics companies began contracting top models to lucrative endorsement deals. By 1983, Elite had developed its own contest, the Elite Model Look competition. In New York, during the 1980s there were so-called "model wars" in which the Ford and Elite agencies fought over models and campaigns. Models were jumping back and forth between agencies such Elite, Wilhelmina, and Ford. In New York, the late 1980s trend was the boyish look in which models had short cropped hair and looked androgynous. In Europe, the trend was the exact opposite. During this time, many American models who were considered more feminine-looking moved abroad. By the mid-1980s, big hair was made popular by some musical groups, and the boyish look was out. The hourglass figure, a fashionable trend from the late 1940s to the early 1960s, has made a comeback.

1990s
The high fashion models of the late 1980s dominated the early 1990s. In 1990, Linda Evangelista famously said to Vogue, "we don't wake up for less than $10,000 a day". Evangelista and her contemporaries, Naomi Campbell, Cindy Crawford, Christy Turlington, Tatjana Patitz, Stephanie Seymour, and Yasmeen Ghauri became arguably the most recognisable models in the world, earning the moniker of "supermodel", and were boosted to global recognition and new heights of wealth for the industry. Citations:
 * In 1991, Turlington signed a contract with Maybelline that paid her $800,000 for twelve days' work each year.
 * In 1991, Turlington signed a contract with Maybelline that paid her $800,000 for twelve days' work each year.
 * In 1991, Turlington signed a contract with Maybelline that paid her $800,000 for twelve days' work each year.
 * In 1991, Turlington signed a contract with Maybelline that paid her $800,000 for twelve days' work each year.

By the mid‑1990s, the new "heroin chic" trend became popular amongst New York and London editorial clients. Kate Moss became its poster child through her ads for Calvin Klein. With the popularity of lingerie retailer Victoria's Secret, and the Sports Illustrated Swimsuit Issue, there was a need for healthier-looking supermodels such as Tyra Banks and Heidi Klum to meet commercial modelling demand. The mid‑1990s also saw many Asian countries establishing modelling agencies.

By the late 1990s, the heroin chic era had run its course. Teen-inspired clothing infiltrated mainstream fashion, teen pop music was on the rise, and artists such as Britney Spears, Aaliyah and Christina Aguilera popularised pleather and bare midriffs. As fashion changed to a more youthful demographic, the models who rose to fame had to be sexier for the digital age. Following Gisele Bündchen's breakthrough, a wave of Brazilian models including Adriana Lima and Alessandra Ambrosio rose to fame on runways and became popular in commercial modelling throughout the 2000s. Some have tied this increase in Brazilian models to the trend of magazines featuring celebrities instead of models on their covers.

2000s and since
In the late 2000s, the Brazilians fell out of favour on the runways. Editorial clients were favouring models with a china-doll or alien look to them, such as Gemma Ward and Lily Cole. During the 2000s, Ford Models and NEXT Model Management were engaged in a legal battle, with each agency alleging that the other was stealing its models.

However, the most significant controversy of the 2000s was the health of high-fashion models participating in fashion week. While the health of models had been a concern since the 1970s, there were several high-profile news stories surrounding the deaths of young fashion models due to eating disorders and drug abuse. The British Fashion Council subsequently asked designers to sign a contract stating they would not use models under the age of sixteen. On March 3, 2012, Vogue banned models under the age of sixteen as well as models who appeared to have an eating disorder. Similarly, other countries placed bans on unhealthy, and underage models, including Spain, Italy, and Israel, which all enacted a minimum body mass index (BMI) requirement.

In 2013, New York toughened its child labour law protections for models under the age of eighteen by passing New York Senate Bill No. 5486, which gives underage models the same labour protections afforded to child actors. Key new protections included the following: underage models are not to work before 5:00 pm or after 10:00 pm on school nights, nor were they to work later than 12:30 am on non-school nights; the models may not return to work less than twelve hours after they leave; a pediatric nurse must be on-site; an adult chaperone must accompany models under sixteen; parents or guardians of underage models must create a trust fund account into which employers will transfer a minimum of 15% of the child model's gross earnings; and employers must set aside time and a dedicated space for educational instruction.

Runway modelling
Catwalk or runway models display clothes from fashion designers, fashion media, and consumers. They are also called "live models" and are self-employed. Their height is generally over 6 ft for men and over 5 ft for women. Runway models work in different locations, constantly travelling between those cities where fashion is well known—New York City, London, Paris, and Milan. Second-tier international fashion centre cities include Rome, Florence, Venice, Brescia, Barcelona, Los Angeles, Tokyo, and Moscow.

The criteria for runway models include certain height and weight requirements. During runway shows, models have to constantly change clothes and makeup. Models walk, turn, and stand to demonstrate a garment's key features. Models also go to interviews (called "go and sees") to present their portfolios. The more experience a model has, the more likely she/he is to be hired for a fashion show. A runway model can also work in other areas, such as department store fashion shows, and the most successful models sometimes create their own product lines or go into acting.

The British Association of Model Agents (AMA) says that female models should be around 34"-24"-34" and between 5 ft and 5 ft tall. The average model is very slender. Those not meeting the size requirement may try to become a plus-size model. According to the New York Better Business Career Services website, the preferred dimensions for a male model are a height of 5 ft to 6 ft, a waist of 26 - 32 in and a chest measurement of 39 - 40 in. Male runway models are notably skinny and well toned.

Male and female models must also possess clear skin, healthy hair, and attractive facial features. Stringent weight and body proportion guidelines form the selection criteria by which established, and would‑be, models are judged for their placement suitability, on an ongoing basis. There can be some variation regionally, and by market tier, subject to current prevailing trends at any point, in any era, by agents, agencies and end-clients.

Formerly, the required measurements for models were 35"-23.5"-35" in (90-60-90 cm), the alleged measurements of Marilyn Monroe. Today's fashion models tend to have measurements closer to the AMA-recommended shape, but some – such as Afghan model Zohre Esmaeli – still have 35"-23.5"-35" measurements. Although in some fashion centres, a size 00 is more desirable than a size 0.

The often thin shape of many fashion models has been criticised for warping girls' body image and encouraging eating disorders. Organisers of a fashion show in Madrid in September 2006 turned away models who were judged to be underweight by medical personnel who were on hand. In February 2007 a Uruguayan model, Luisel Ramos, died from heart problems secondary to malnutrition. Her sister Eliana Ramos also was a model and had died immediately after a runway show several months prior. They were amongst the three fashion models to die of malnutrition in a six-month span. The other victim was Ana Carolina Reston. Luisel Ramos died of heart failure caused by anorexia nervosa just after stepping off the catwalk. In 2015, France passed a law requiring models to be declared healthy by a doctor to participate in fashion shows. The law also requires re-touched images to be marked as such in magazines.

Magazine modelling
Fashion modelling also includes modelling clothing in fashion magazines. In Japan, there are different types of fashion magazine models. Exclusive models (専属モデル) are models who regularly appear in a fashion magazine and model exclusively for it. On the other hand, street models, or "reader models" (読者モデル), are amateur models who model part-time for fashion magazines in conjunction to school work and their main jobs. Unlike professional models, street models are meant to represent the average person in appearance and do not appear on runways. Street models are not exclusively contracted to fashion magazines. If a street model is popular enough, some become exclusive models. Many fashion icons and musicians in Japan began their careers as street models, including Kaela Kimura and Kyary Pamyu Pamyu.

Plus-size

Plus-size models are models who generally have larger measurements than editorial fashion models. The primary use of plus-size models is to appear in advertising and runway shows for plus-size labels. Plus-size models are also engaged in work not strictly related to selling large-sized clothing, e.g., stock photography and advertising photography for cosmetics, household and pharmaceutical products and sunglasses, footwear and watches. Therefore, plus-size models do not exclusively wear garments marketed as plus-size clothing. This is especially true when participating in fashion editorials for mainstream fashion magazines. Some plus-size models have appeared in runway shows and campaigns for mainstream retailers and designers such as Gucci, Guess, Jean-Paul Gaultier, Levi's and Versace Jeans.

Normal-size
Also known as the "in-between" and "middle models", they are neither considered catalogue size (0–2) nor plus-size (10 up). There is criticism that these models have been left out of the conversation because fashion companies and brands opt to employ the extremes of the spectrum.

Model Camille Kostek who was on a solo cover of Sports Illustrated Swimsuit Issue in 2019 has stated that she was told by a well-known international modelling agency "...that it was too bad that I wasn't a size 10. That plus size is a big market right now and it's too bad I wasn't measuring bigger. My size (4/6) is considered an "in-between size", meaning I'm not a straight model nor plus model, I'm right in the middle. Actress Mindy Kaling has described this body type in her 2011 book Is Everybody Hanging Out Without Me? writing, "Since I am not model-skinny, but also not super-fat... I fall into that nebulous, 'Normal American Woman Size' that legions of fashion stylists detest... Many stylists hate that size because, I think, to them, I lack the self-discipline to be an aesthetic, or the sassy confidence to be a total fatty hedonist. They're like, 'Pick a lane.'"

Black models
The arrival of black women modelling as a profession began in early postwar America. It started most notably from the need of advertisers and a rise of black photography magazines. The women who advanced in such careers were those in a middle-class system emphasising the conservative value of marriage, motherhood, and domesticity. Originally titled the "Brownskin" model, black women refined the social, sexual, and racial realities confined in the gender expectations of the modelling world. There was a profound need for black women to partake in the advertising process for the new "Negro Market". With the help of Branford Models, the first black agency, 1946 was the beginning of the black modelling era. Branford Models' was able to "overturn the barriers facing African Americans in the early postwar period," especially by lifting at least one economic freedom. In this postwar America, the demand for such presence in magazines advanced "as a stage for models to display consumer goods" while assisting "in constructing a new visual discourse of urban middle-class African America". In March 1966, Donyale Luna became the African-American model to appear on the cover of the British edition of Vogue.

While they represented diversity, a major gap in the fashion industry, it was only until the 1970s that black models had a substantial presence in the modelling world. Known as the "Black is Beautiful" movement, the 1970s became the era of the black model. With growing disenfranchisement and racial inequality, the United States recognised the urgency of opening the "doors of social access and visibility to black Americans". The world of fashion was the gateway for social change. "The world of fashion was similarly looked to as a place where the culture could find signs of racial progress. Expressions of beauty and glamour mattered. Good race relations required taking note of who was selling women lipsticks and mini skirts, which meant that advertisers began looking for black models" Black models were looked to as the vehicle of social change. They were given the opportunity to balance out the lack of presence of black individuals in the mainstream culture. Agencies were beginning to scout black models and focus on the social change they were contributing to. Life magazine in October 1969, covered their issue with Naomi Sims, one of the most influential black models in the industry. Her rise to fame led to her being hired by international magazines and working on individual projects with designers across the globe. In the Life Magazine issue, Black Beauty, a new agency that represented black models, had a spread in the magazine that showcased 39 black models. Each one of the models had unique features, allowing black expression to progress through this historic magazine spread.

With the movement's presence both in magazines and on the runway, designers began to realise the need to include black models on their runways and advertisements. The Battle of Versailles was one of the most notable moments in fashion history that put black models on the map. Eleanor Lambert, creator of Fashion Week and a major "[controller] of the narrative of American fashion", set up a dinner and a fundraiser to both increase American fashion visibility and restore the palace of Versailles. Five French designers and five American designers battled it out on the runway, showing off the fashion, and for the Americans, black models as well. Oscar de la Renta stated "it was the black models that had made the difference." Pat Cleveland, Bethann Hardiason, Billie Blair, Jennifer Brice, Alva Chinn, and Ramona Saunders, were among the many black models that helped Team America win and stun the French competition. This competition made the black model a worldwide phenomenon. The French were beginning to welcome diversity on the runway and in their advertising. With the recognition Versaillies had given, black presence in the modelling world carried out into the 1980s and the 1990s. The models were now known by name and the publicity that came with the designers they were modelling for. With the rise of the supermodel, models like Naomi Campbell and Tyra Banks paved the way for black success. Naomi Campbell, born in London, was the first black model to cover American Vogue, TIME magazine, Russian Vogue, and the first British black model to cover British vogue. Brands like Chanel, Louis Vitton, Balmain, Prada, and more have all featured Campbell in their campaigns. She used her remarkable success to achieve more than fashion excellence. By the mid-1990s, black presence in the modelling world had dramatically decreased. Designers began to favour a consistent aesthetic and elected for skinnier white models. This reality was paved by models such as Kate Moss and Stella Tennant, who provided a more consistent look for the runway. At this time, "the number of working black models in high-profile runway presentation... became so dire that stories began appearing in the mainstream media about the whitewashing of the runway". In response, models like Campbell, Iman, and Bethann Hardison, joined forces throughout the"Diversity Coalition" in an attempt to "call out and accuse prominent fashion houses for snubbing Black and Asian models on the catwalk, editorial spreads, and campaigns". The lack of representation was, in part, due to the belief that "black girls don't push products", which "encouraged people who work directly and indirectly in the industry to speak out on the injustices that go on within it". In the 1990s, it was quite clear that the top designers simply preferred a new aesthetic that excluded models of colour, which resulted in only 6% of runway models to be women of colour. Campbell's Diversity Coalition's primary mission was to "expedite inclusion on the runway by deliberately calling out designers who have executed acts of racism on the runway". According to Campbell, it was their choice to not include black models on the runway and desire a uniformed runway that resulted in a racist act. Although such a dramatic effort to exclude black presence from the fashion world, models like Tyra Banks and Veronica Webb persisted. Banks not only dominated the runway as a teen, she took over countless pop culture platforms. Being the first black model to cover Sports Illustrated, Banks was one of the most prominent models in the early 2000s. Covering Sports Illustrated, Elle, Essence, Vogue, and walking for Chanel, Chrisitan Dior, and Claude Monanta, Banks was truly dominating the fashion world. In addition, she acted in Fresh Prince of Bel Air and created her own reality competition show called America's Next Top Model. In conversation with Trebay of Los the New York Times, Banks stated that her first cover on Sports Illustrated "changed [her] life overnight. You have to think back to remember what that did for an appreciation of black beauty to have a black girl, a girl next door type, on the cover of one of the most mass mainstream magazines of our lives. It was a societal statement, a political statement, and an economic one". Now, models like Joan Smalls, Winne Harlow, Slick Woods, Jasmine Sanders and more are continuing the fight for black presence in the modelling world and using their successors as inspiration.

Fitting models
A fit model (sometimes fitting model) is a person who is used by a fashion designer or clothing manufacturer to check the fit, drape and visual appearance of a design on a representative human being, effectively acting as a live mannequin.

Parts models
Some models are employed for their body parts. For example, hand models may be used to promote products held in the hand and nail-related products. (e.g. rings, other jewelry or nail polish). They are frequently part of television commercials. Many parts models have exceptionally attractive body parts, but there is also demand for unattractive or unusual looking body parts for particular campaigns.

Hands are the most in-demand body parts. Feet models are also in high demand, particularly those that fit sample-size shoes. Models are also successful modelling other specific parts including abs, arms, back, bust or chest, legs, and lips. Some petite models (females who are under 5 ft and do not qualify as fashion models) have found success in women's body part modelling.

Parts model divisions can be found at agencies worldwide. Several agencies solely represent parts models, including Hired Hands in London, Body Parts Models in Los Angeles, Carmen Hand Model Management in New York and Parts Models in New York. Parts Models is the largest parts agency, representing over 300 parts models.

Petite models
Petite models are models that are under the typical height requirements that are expected of fashion models. Petite models typically work more often in commercial and print modelling (rather than runway modelling).

The height of models is typically 5 ft and above for women, and 6 ft and above for men. Models who are shorter than these heights usually fall under the category of petite or commercial models.

Podium models
Podium models differ from runway models in that they do not walk down a runway, but rather just stand on an elevated platform. They resemble live mannequins placed in various places throughout an event. Attendees can walk up to the models and inspect and even feel the clothing. Podium Modelling is a practical alternative way of presenting a fashion show when space is too limited to have a full runway fashion show.

Earnings and demographics
According to the Bureau of Labor Statistics the median earnings for a model in the United States, as of 2021, is $34,000 annually. There are approximately 3,200 men and women who work as models full-time in the United States.

Glamour models
Glamour modelling focuses on sexuality; thus, general requirements are often unclear, depending more on each case. Glamour models can be any size or shape. A study from 2014 that analysed glamour model profiles estimated that the mean values of female models were 1.68 m (height), 54 kg (weight) and 0.73 (waist-to-hip ratio).

There is no industry standard for glamour modelling and it varies greatly by country. For the most part, glamour models are limited to modelling in calendars, men's magazines, such as Playboy, bikini modelling, lingerie modelling, fetish modelling, music videos, and extra work in films. However, some extremely popular glamour models transition into commercial print modelling, appearing in swimwear, bikini and lingerie campaigns.

In the UK, glamour modelling became a prominent feature of the newspaper industry when The Sun established Page 3 in 1969, a section in their newspaper which featured sexually suggestive images of Penthouse and Playboy models. From 1970 models appeared topless. In the 1980s, The Sun competitors followed suit and produced their own Page 3 sections. It was during this time that glamour models first came to prominence with the likes of Samantha Fox. As a result, the United Kingdom has a very large glamour market and numerous glamour modelling agencies.

It was not until the 1990s that modern glamour modelling was established. During this time, the fashion industry was promoting models with waif bodies and androgynous-looking women, which left a void. Several fashion models, who were deemed too commercial, and too curvaceous, were frustrated with industry standards, and took a different approach. Models such as Victoria Silvstedt left the fashion world and began modelling for men's magazines. In the previous decades, posing nude for Playboy resulted in models losing their agencies and endorsements. Playboy was a stepping stone which catapulted the careers of Victoria Silvstedt, Pamela Anderson, Jenny McCarthy, and Anna Nicole Smith. Pamela Anderson became so popular from her Playboy spreads that she was able to land roles on Home Improvement and Baywatch.

In the mid-1990s, a series of men's magazines were established such as Maxim, FHM, and Stuff. At the same time, magazines including Sweden's Slitz (formerly a music magazine) re-branded themselves as men's magazines. Pre-internet, these magazines were popular among men in their late teens and early twenties because they were considered more tasteful than their predecessors. With the glamour market growing, fashion moved away from the waifs and onto Brazilian bombshells. The glamour market, consisting mostly of commercial fashion and print models, became its own genre due to its popularity. Even in a large market like the United Kingdom, however, glamour models are not usually signed exclusively to one agency as they can not rely financially on one agency to provide them with enough work. It was, and still is, a common practice for glamour models to partake in kiss-and-tell interviews about their dalliances with famous men. The notoriety of their alleged bed-hopping often propels their popularity and they are often promoted by their current or former fling. With Page 3 models becoming fixtures in the British tabloids, glamour models such as Jordan, now known as Katie Price, became household names. By 2004, Page 3 regulars earned anywhere from £30,000 to 40,000, where the average salary of a non-Page 3 model, as of 2011, was between £10,000 and 20,000. In the early 2000s, glamour models, and aspiring glamour models, appeared on reality television shows such as Big Brother to gain fame. Several Big Brother alumni parlayed their fifteen minutes of fame into successful glamour modelling careers. However, partly because of competition from the upcoming internet -giving audiences access to large amounts of, often free, online content- and its own glamour stars, such as Jordan Capri, the offline glamour market became saturated by the mid-2000s, and numerous men's magazines including Arena, Stuff and FHM in the United States went under. During this time, there was a growing trend of glamour models, including Kellie Acreman and Lauren Pope, becoming DJs to supplement their income. In a 2012 interview, Keeley Hazell said that going topless is not the best way to achieve success and that "[she] was lucky to be in that 1% of people that get that, and become really successful."

Gravure idols
In Japan, a, often abbreviated to , is a female model who primarily models for magazines, especially men's magazines, photobooks or DVDs. It is considered part of the overall idol industry in Japan. is a wasei-eigo term derived from "rotogravure", which is a type of intaglio printing process that was once a staple of newspaper photo features. The rotogravure process is still used for commercial printing of magazines, postcards, and cardboard product packaging.

Gravure idols appear in a wide range of photographic styles and genres. Their photos are largely aimed at male audiences with poses or activities intended to be provocative or suggestive, generally accentuated by an air of playfulness and innocence rather than aggressive sexuality. Although gravure idols may sometimes wear clothing that exposes most of their body, they seldom appear fully nude. Gravure idols may be as young as pre-teen age up to their early thirties. In addition to appearing in mainstream magazines, gravure idols often release their own professional photobooks and DVDs for their fans. Many popular female idols in Japan started their careers as gravure idols.

Alternative models
An alternative model is any model who does not fit into the conventional model types and may include punk, goth, fetish, and tattooed models or models with distinctive attributes. This type of modelling is usually a cross between glamour modelling and art modelling. Publishers such as Goliath Books in Germany introduced alternative models and punk photography to larger audiences. Billi Gordon, then known as Wilbert Anthony Gordon, was the top greeting card model in the world and inspired a cottage industry, including greeting cards, T-shirts, fans, stationery, gift bags, etc.

Fitness models
Fitness modelling focuses on displaying a healthy, toned physique. Fitness models usually have defined muscle groups. The model's body weight is greater due to muscle being denser than fat; however, they have a lower body fat percentage and a higher degree of muscle definition.

Fitness models are often used in magazine advertising; they can also in some cases be certified personal fitness trainers. However, other fitness models are also athletes and compete as professionals in fitness and figure competitions.

There are several agencies in large markets such as New York, London, and Germany that have fitness modelling agencies. While there is a large market for these models, most of these agencies are secondary agencies promoting models who typically earn their primary income as commercial models. There are also magazines that are geared towards specifically fitness modelling or getting fit and in shape.

Promotional models
A promotional model is a model hired to drive consumer demand for a product, service, brand, or concept by interacting in person with potential consumers. The vast majority of promotional models tend to be attractive in physical appearance. They serve to provide information about the product or service and make it appealing to consumers. While the interaction length may be short, the promotional model delivers a live experience that reflects on the product or service he or she represents. This form of marketing touches fewer consumers for the cost than traditional advertising media (such as print, radio, and television); however, the consumer's perception of a brand, product, service, or company is often more profoundly affected by a live person-to-person experience.

Marketing campaigns that make use of promotional models may take place in stores or shopping malls, at tradeshows, special promotional events, clubs, or even at outdoor public spaces. Promotional models may also be used as TV hosts/anchors for interviewing celebrities at film awards, sports events, etc. They are often held at high-traffic locations to reach as many consumers as possible or at venues where a particular type of target consumer is expected to be present.

Spokesmodels
"Spokesmodel" is a term used for a model who is employed to be associated with a specific brand in advertisements. A spokesmodel may be a celebrity used only in advertisements (in contrast to a brand ambassador who is also expected to represent the company at various events), but more often the term refers to a model who is not a celebrity in their own right. A classic example of the spokesmodel is the models hired to be the Marlboro Man between 1954 and 1999.

Trade show models
Trade show models work a trade show floorspace or booth and represent a company to attendees. Trade show models are typically not regular employees of the company, but are freelancers hired by the company renting the booth space. They are hired for several reasons: trade show models can make a company's booth more visible from the hundreds of other booths competing for attendee attention. They are articulate and quickly learn and explain or disseminate information on the company and its product(s) and service(s). And they can assist a company in handling a large number of attendees, which the company might otherwise not have enough employees to accommodate, possibly increasing the number of sales or leads resulting from participation in the show.

Atmosphere models
Atmosphere models are hired by the producers of themed events to enhance the atmosphere or ambience of their event. They are usually dressed in costumes exemplifying the event's theme and are often placed strategically in various locations around the venue. It is common for event guests to have their picture taken with atmosphere models. For example, if someone is throwing a "Brazilian Day" celebration, they would hire models dressed in samba costumes and headdresses to stand or walk around the party.

Instagram models
Instagram models are people who have accumulated a large number of followers on Instagram by posting engaging photos of themselves and their lifestyles, and are consequently hired by a company to advertise products as their influence and popularity can increase sales. They should not be confused with established models such as Cara Delevingne and Gigi Hadid, who use Instagram to promote their traditional modelling careers, although some models, such as Playboy model Lindsey Pelas, begin their careers conventionally and subsequently become Instagram models. Some models use Instagram success to develop their careers, such as Rosie Roff, who worked as a fashion model before being discovered via Instagram and gaining work as a ring girl in American boxing. In some cases, Instagram gives unsigned models a platform to attract the attention of agencies and talent scouts. American model Matthew Noszka entered the profession as a result of being discovered on Instagram by Wilhelmina Models.

The Instagram model concept originated in the late 2000s, when the boyfriends of fashion bloggers such as Rumi Neely and Chiara Ferragni began photographing their girlfriends in various outfits. Instagram models often attempt to become social media influencers and engage in influencer marketing, promoting products such as fashion brands and detox teas. High-profile influencers can earn thousands of dollars for promoting commercial brands. When choosing whom to employ, brands have become less concerned with the number of followers an influencer has and more focused on their engagement marketing strategy. Research indicates that 89% of influencers use Instagram to promote themselves, compared to 20% using Twitter and 16% using Facebook.

Some Instagram models have gained high-profile modelling jobs and become celebrities. Fitness model Jen Selter had become an Internet celebrity by 2014 and modelled for Vanity Fair magazine. Cosplayer and model Anna Faith acquired over 250,000 Instagram followers by 2014, gaining success from her ability to impersonate the Disney character Elsa. With Facebook's continuing decrease in post reach, Instagram has increasingly become cosplayers' favourite platform. American actress Caitlin O'Connor had almost 300,000 Instagram followers in 2016, earning most of her social media income from endorsing products on Instagram. Australian personal trainer Kayla Itsines acquired 5.5 million Instagram followers, allowing her to build a business in the fitness industry. Brazilian model Claudia Alende gained a following of 2.8 million people on Instagram by 2015 and developed a career as a lingerie model. Plus-size models Iskra Lawrence and Tess Holliday have used Instagram to demonstrate their potential as models. Yashika Aannand, an Indian teenage actress, rose to prominence in the Tamil film industry after gaining popularity as an Instagram model with over 145,000 followers on her account by 2017. Iraqi cross-dressing model, Noor Alsaffar, was killed in September 2023 as part of an increase in violence against LGBTQ+ people.

Instagram model techniques and aesthetics have also been used in unconventional or parody profiles. Instagram model Lil Miquela has blurred the line between reality and social media, amassing more than 200,000 followers without revealing whether she is real or computer-generated. Australian comedian Celeste Barber had acquired 1.8 million Instagram followers by 2017, parodying celebrity fashion photographs with real-life reenactments. In 2016, French organisation Addict Aide ran a campaign to raise awareness for alcohol abuse among young people in which a model posed as Louise Delage, a fictitious 25-year-old Parisian whose Instagram photos nearly always featured alcohol. The account amassed 65,000 followers in a month, after which a reveal video posted to it had over 160,000 views.

Some reports suggest that a number of Instagram models obtain extra income by covertly working as prostitutes. Websites accusing various models of this, often without reliable evidence, have increased in popularity recently, sometimes with the unintended effect of increasing their earnings. But false accusations on these sites can harm legitimate models' reputations, and some women in the industry consider them a way for men to exert power over women.

title: Model (person)


text:
Alexandra of Denmark

Alexandra of Denmark (Alexandra Caroline Marie Charlotte Louise Julia; 1 December 1844 – 20 November 1925) was Queen of the United Kingdom and the British Dominions, and Empress of India, from 22 January 1901 to 6 May 1910 as the wife of Edward VII.

Alexandra's family had been relatively obscure until 1852, when her father, Prince Christian of Schleswig-Holstein-Sonderburg-Glücksburg, was chosen with the consent of the major European powers to succeed his second cousin Frederick VII as king of Denmark. At the age of sixteen, Alexandra was chosen as the future wife of Albert Edward, Prince of Wales, the son and heir apparent of Queen Victoria. The couple married eighteen months later in 1863, the year in which her father became king of Denmark as Christian IX and her brother William was appointed king of Greece as George I. Alexandra was Princess of Wales from 1863 to 1901, the longest anyone has ever held that title, and became generally popular; her style of dress and bearing were copied by fashion-conscious women. Largely excluded from wielding any political power, she unsuccessfully attempted to sway the opinion of British ministers and her husband's family to favour Greek and Danish interests. Her public duties were restricted to uncontroversial involvement in charitable work.

On the death of Queen Victoria in 1901, Albert Edward became king-emperor as Edward VII, with Alexandra as queen-empress. She became queen mother on Edward VII's death in 1910, at which point their son George V acceded to the throne. Alexandra died aged 80 in 1925.

Early life
Princess Alexandra Caroline Marie Charlotte Louise Julia, or "Alix", as her immediate family knew her, was born at the Yellow Palace, an 18th-century town house at 18 Amaliegade, immediately adjacent to the Amalienborg Palace complex in Copenhagen. Her father was Prince Christian of Schleswig-Holstein-Sonderburg-Glücksburg and her mother was Princess Louise of Hesse-Kassel. She had five siblings: Frederick, William (later George I of Greece), Dagmar (later Empress of Russia), Thyra and Valdemar.

Her father's family was a distant cadet branch of the Danish royal House of Oldenburg, which was descended from King Christian III. Although they were of royal blood, the family lived a comparatively modest life. They did not possess great wealth; her father's income from an army commission was about £800 per year, and their house was a rent-free grace and favour property. Occasionally, Hans Christian Andersen was invited to call and tell the children stories before bedtime.

In 1848, Christian VIII of Denmark died and his only son Frederick acceded to the throne. Frederick was childless, had been through two unsuccessful marriages, and was assumed to be infertile. A succession crisis arose because Frederick ruled in both Denmark and Schleswig-Holstein, and the succession rules of each territory differed. In Holstein, the Salic law prevented inheritance through the female line, whereas no such restrictions applied in Denmark. Holstein, being predominantly German, proclaimed independence and called in the aid of Prussia. In 1852, the major European powers called a conference in London to discuss the Danish succession. An uneasy peace was agreed, which included the provision that Prince Christian of Schleswig-Holstein-Sonderburg-Glücksburg would be Frederick's heir in all his dominions and the prior claims of others (who included Christian's own mother-in-law, brother-in-law and wife) were surrendered.

Prince Christian was given the title Prince of Denmark and his family moved into a new official residence, Bernstorff Palace. Although the family's status had risen, there was little or no increase in their income; and they did not participate in court life at Copenhagen, for they refused to meet Frederick's third wife and former mistress, Louise Rasmussen, because she had an illegitimate child by a previous lover. Alexandra shared a draughty attic bedroom with her sister, Dagmar, made her own clothes, and waited at table along with her sisters. Alexandra and Dagmar were given swimming lessons by the Swedish pioneer of women's swimming, Nancy Edberg. At Bernstorff, Alexandra grew into a young woman; she was taught English by the English chaplain at Copenhagen and was confirmed in Christiansborg Palace. She was devout throughout her life, and followed High Church practice.

Marriage and family

Given that Albert Edward, the Prince of Wales, would reach the age of twenty in November 1861, his parents Queen Victoria and her husband, Prince Albert, were taking steps to find a bride for him. They enlisted the aid of their eldest (and already-married) daughter, Crown Princess Victoria of Prussia, in seeking a suitable candidate. Alexandra was not their first choice because the Danes were at loggerheads with the Prussians over the Schleswig-Holstein Question, and most of the British royal family's relations were German. Eventually, after rejecting other possibilities, they settled on her as "the only one to be chosen".

On 24 September 1861, Crown Princess Victoria introduced her brother Albert Edward to Alexandra at Speyer. Almost a year later on 9 September 1862 (after his affair with Nellie Clifden and the death of his father Prince Albert), Albert Edward proposed to Alexandra at the Royal Castle of Laeken, the home of his great-uncle, King Leopold I of Belgium.

A few months later, Alexandra travelled from Denmark to Britain aboard the royal yacht Victoria and Albert and arrived in Gravesend, Kent, on 7 March 1863. Sir Arthur Sullivan composed music for her arrival and Poet Laureate Alfred, Lord Tennyson, wrote an ode in Alexandra's honour:

"Sea King's daughter from over the sea, Alexandra! Saxon and Norman and Dane are we, But all of us Danes in our welcome of thee, Alexandra!"

Thomas Longley, the Archbishop of Canterbury, married the couple on 10 March 1863 at St George's Chapel, Windsor Castle. The choice of venue was criticised widely. As the ceremony took place outside London, the press complained that large public crowds would not be able to view the spectacle. Prospective guests thought it awkward to get to and, as the venue was small, some people who had expected invitations were disappointed. The Danes were dismayed because only Alexandra's closest relations were invited. The British court was still in mourning for Prince Albert, so ladies were restricted to wearing grey, lilac, or mauve. As the couple left Windsor for their honeymoon at Osborne House on the Isle of Wight, they were cheered by the schoolboys of neighbouring Eton College, including Lord Randolph Churchill.

By the end of the following year, Alexandra's father had acceded to the throne of Denmark, her brother William had become King George I of Greece, her sister Dagmar was engaged to Nicholas Alexandrovich, Tsesarevich of Russia, and Alexandra had given birth to her first child. Her father's accession gave rise to further conflict over the fate of Schleswig-Holstein. The German Confederation successfully invaded Denmark, reducing the area of Denmark by two-fifths. To the great irritation of Queen Victoria and the Crown Princess of Prussia, Alexandra and Albert Edward supported the Danish side in the war. The Prussian conquest of former Danish lands heightened Alexandra's profound dislike of the Germans, a feeling which stayed with her for the rest of her life. Alexandra's first child, Albert Victor, was born two months premature in early 1864. Alexandra showed devotion to her children: "She was in her glory when she could run up to the nursery, put on a flannel apron, wash the children herself and see them asleep in their little beds." Albert Edward and Alexandra had six children in total: Albert Victor, George, Louise, Victoria, Maud, and Alexander. All of Alexandra's children were apparently born prematurely; biographer Richard Hough thought Alexandra deliberately misled Queen Victoria as to her probable delivery dates, as she did not want the Queen to be present at their births. During the birth of her third child in 1867, the added complication of a bout of rheumatic fever threatened Alexandra's life and left her with a permanent limp.

In public, Alexandra was dignified and charming; in private, affectionate and jolly. She enjoyed many social activities, including dancing and ice-skating, and was an expert horsewoman and tandem driver. She also enjoyed hunting, to the dismay of Queen Victoria, who asked her to stop, but without success. Even after the birth of her first child, she continued to socialise much as before, which led to some friction between the Queen and the young couple, exacerbated by Alexandra's loathing of Prussians and the Queen's partiality towards them.

Princess of Wales
Albert Edward and Alexandra visited Ireland in April 1868. After her illness the previous year, she had only just begun to walk again without the aid of two walking sticks, and was already pregnant with her fourth child. The royal couple undertook a six-month tour taking in Austria, Egypt and Greece over 1868 and 1869, which included visits to her brother George I of Greece, to the Crimean battlefields and, for her only, to the harem of the Khedive Ismail. In Turkey she became the first woman to sit down to dinner with the Sultan (Abdulaziz).

The Waleses made Sandringham House their preferred residence, with Marlborough House their London base. Biographers agree that their marriage was in many ways a happy one; however, some have asserted that Albert Edward did not give his wife as much attention as she would have liked and that they gradually became estranged, until his attack of typhoid fever (the disease which was believed to have killed his father) in late 1871 brought about a reconciliation. This is disputed by others, who point out Alexandra's frequent pregnancies throughout this period and use family letters to deny the existence of any serious rift. Nevertheless, the prince was severely criticised from many quarters of society for his apparent lack of interest in her very serious illness with rheumatic fever. Throughout their marriage Albert Edward continued to keep company with other women, including the actress Lillie Langtry, Daisy Greville, Countess of Warwick, humanitarian Agnes Keyser, and society matron Alice Keppel. Alexandra knew about most of these relationships and later permitted Alice Keppel to visit her husband as he lay dying. Alexandra herself remained faithful throughout her marriage. An increasing degree of deafness, caused by hereditary otosclerosis, led to Alexandra's social isolation; she spent more time at home with her children and pets. Her sixth and final pregnancy ended with the birth of a son in April 1871, but the infant died the next day. Despite Alexandra's pleas for privacy, Queen Victoria insisted on announcing a period of court mourning, which led unsympathetic elements of the press to describe the birth as "a wretched abortion" and the funeral arrangements as "sickening mummery", even though the infant was not buried in state with other members of the royal family at Windsor, but in strict privacy in the churchyard at Sandringham, where he had lived out his brief life.

For eight months over 1875–76, the Prince of Wales was absent from Britain on a tour of India, but to her dismay Alexandra was left behind. The prince had planned an all-male group and intended to spend much of the time hunting and shooting. During the prince's tour, one of his friends who was travelling with him, Lord Aylesford, was told by his wife that she was going to leave him for another man, Lord Blandford, who was himself married. Aylesford was appalled and decided to seek a divorce. Meanwhile, Lord Blandford's brother, Lord Randolph Churchill, persuaded the lovers against an elopement. Now concerned by the threat of divorce, Lady Aylesford sought to dissuade her husband from proceeding, but Lord Aylesford was adamant and refused to reconsider. In an attempt to pressure Lord Aylesford to drop his divorce suit, Lady Aylesford and Lord Randolph Churchill called on Alexandra and told her that if the divorce was to proceed they would subpoena her husband as a witness and implicate him in the scandal. Distressed at their threats, and following the advice of Sir William Knollys and the Duchess of Teck, Alexandra informed the Queen, who then wrote to the Prince of Wales. The prince was incensed. Eventually, the Blandfords and the Aylesfords both separated privately. Although Lord Randolph Churchill later apologised, for years afterwards the Prince of Wales refused to speak to or see him.

Alexandra spent the spring of 1877 in Greece recuperating from a period of ill health and visiting her brother King George of Greece. During the Russo-Turkish War, Alexandra was clearly partial against Turkey and towards Russia, where her sister was married to the Tsarevitch, and she lobbied for a revision of the border between Greece and Turkey in favour of the Greeks. Alexandra spent the next three years largely parted from her two sons as the boys were sent on a worldwide cruise as part of their naval and general education. The farewell was very tearful and, as shown by her regular letters, she missed them terribly. In 1881, Alexandra and Albert Edward travelled to Saint Petersburg after the assassination of Alexander II of Russia, both to represent Britain and so that Alexandra could provide comfort to her sister, who had become tsarina. Alexandra undertook many public duties; in the words of Queen Victoria, "to spare me the strain and fatigue of functions. She opens bazaars, attends concerts, visits hospitals in my place ... she not only never complains, but endeavours to prove that she has enjoyed what to another would be a tiresome duty." She took a particular interest in the London Hospital, visiting it regularly. Joseph Merrick, the so-called "Elephant Man", was one of the patients whom she met. Crowds usually cheered Alexandra rapturously, but during a visit to Ireland in 1885, she suffered a rare moment of public hostility when visiting the City of Cork, a hotbed of Irish nationalism. She and her husband were booed by a crowd of two to three thousand people brandishing sticks and black flags. She smiled her way through the ordeal, which the British press still portrayed in a positive light, describing the crowds as "enthusiastic". As part of the same visit, she received a Doctorate in Music from Trinity College Dublin.

Alexandra was deeply saddened by the death of her eldest son, Prince Albert Victor, in 1892. His room and possessions were kept exactly as he had left them, much as those of his grandfather Prince Albert were left after his death in 1861. Alexandra said, "I have buried my angel and with him my happiness." Surviving letters between Alexandra and her children indicate that they were mutually devoted. In 1894, her brother-in-law Alexander III of Russia died and her nephew Nicholas II of Russia became Tsar. Alexandra's widowed sister, the Dowager Empress of Russia, leant heavily on her for support; Alexandra, who had gone to Russia accompanied by her husband, the Prince of Wales, slept, prayed, and stayed beside her sister for the next two weeks until Alexander's burial. Alexandra and her husband stayed on for the wedding of Nicholas to their niece Princess Alix of Hesse and by Rhine, who had taken the Russian name Alexandra Feodorovna and became the new tsarina.

Queen and empress consort
With the death of her mother-in-law, Queen Victoria, in 1901, Alexandra became queen-empress with her husband's accession as Edward VII. Just two months later, her son George and daughter-in-law Mary left on an extensive tour of the empire, leaving their young children in the care of Alexandra and Edward, who doted on their grandchildren. On George's return, preparations for Edward and Alexandra's coronation in Westminster Abbey were well in hand, but just a few days before the scheduled coronation in June 1902, the King became seriously ill with appendicitis. Alexandra deputised for him at a military parade and attended the Royal Ascot races without him, in an attempt to prevent public alarm. Eventually, the coronation had to be postponed and Edward had an operation performed by Frederick Treves of the London Hospital to drain the infected appendix. After his recovery, Alexandra and Edward were crowned together in August: the King by the Archbishop of Canterbury, Frederick Temple, and the Queen by the Archbishop of York, William Dalrymple Maclagan.

Despite being queen, Alexandra's duties changed little, and she kept many of the same retainers. Alexandra's Woman of the Bedchamber, Charlotte Knollys, the daughter of Sir William Knollys, served Alexandra loyally for many years. On 10 December 1903, Knollys woke to find her bedroom full of smoke. She roused Alexandra and shepherded her to safety. In the words of Grand Duchess Augusta of Mecklenburg-Strelitz, "We must give credit to old Charlotte for really saving [Alexandra's] life."

Alexandra again looked after her grandchildren when George and Mary went on a second tour, this time to British India, over the winter of 1905–06. Her father, Christian IX of Denmark, died that January. Eager to retain their family links, both to each other and to Denmark, in 1907 Alexandra and her sister, the Dowager Empress of Russia, purchased a villa north of Copenhagen, Hvidøre, as a private getaway.

Alexandra was denied access to the King's briefing papers and excluded from some of his foreign tours to prevent her meddling in diplomatic matters. She was deeply distrustful of Germans, particularly her nephew German Emperor Wilhelm II, and she invariably opposed anything that favoured German expansion or interests. For example, in 1890 Alexandra wrote a memorandum, distributed to senior British ministers and military personnel, warning against the planned exchange of the British North Sea island of Heligoland for the German colony of Zanzibar, pointing out Heligoland's strategic significance and that it could be used either by Germany to launch an attack, or by Britain to contain German aggression. Despite this, the exchange went ahead. The Germans fortified the island and, in the words of Robert Ensor and as Alexandra had predicted, it "became the keystone of Germany's maritime position for offence as well as for defence". The Frankfurter Zeitung was outspoken in its condemnation of Alexandra and her sister, the Dowager Empress, saying that the pair were "the centre of the international anti-German conspiracy". Alexandra despised and distrusted Emperor Wilhelm, calling him "inwardly our enemy" in 1900.

In 1910, Alexandra became the first queen consort to visit the British House of Commons during a debate. In a remarkable departure from precedent, for two hours she sat in the Ladies' Gallery overlooking the chamber while the Parliament Bill, to remove the right of the House of Lords to veto legislation, was debated. Privately, Alexandra disagreed with the bill. Shortly afterwards, she left to visit her brother George in Corfu. While there, she received news that King Edward was seriously ill. Alexandra returned at once and arrived only the day before her husband died. In his last hours, she personally administered oxygen from a gas cylinder to help him breathe. She told Frederick Ponsonby, "I feel as if I had been turned into stone, unable to cry, unable to grasp the meaning of it all." Later that year she moved out of Buckingham Palace to Marlborough House, but she retained possession of Sandringham. The new king, Alexandra's son George V, soon faced a decision over the Parliament Bill. Despite her personal views, Alexandra supported her son's reluctant agreement to Prime Minister H. H. Asquith's request to create sufficient Liberal peers after a general election if the Lords continued to block the legislation.

Queen mother
From Edward's death, Alexandra was queen mother, being a dowager queen and the mother of the reigning monarch. She did not attend the coronation of her son and daughter-in-law in 1911 since it was not customary for a crowned queen to attend the coronation of another king or queen, but otherwise continued the public side of her life, devoting time to her charitable causes. One such cause was Alexandra Rose Day, where artificial roses made by people with disabilities were sold in aid of hospitals by women volunteers. During the First World War the custom of hanging the banners of foreign princes invested with Britain's highest order of knighthood, the Order of the Garter, in St George's Chapel, Windsor Castle, came under criticism, as the German members of the Order were fighting against Britain. Alexandra joined calls to "have down those hateful German banners". Driven by public opinion, but against his own wishes, the King had the banners removed; but to Alexandra's dismay, he had taken down not only "those vile Prussian banners" but also those of her Hessian relations who were, in her opinion, "simply soldiers or vassals under that brutal German Emperor's orders". On 17 September 1916, she was at Sandringham during a Zeppelin air raid, but far worse was to befall other members of her family. In Russia, her nephew Tsar Nicholas II was overthrown and he, his wife and their children were killed by revolutionaries. Alexandra's sister, the Dowager Empress, was rescued from Russia in 1919 by HMS Marlborough (1912) and brought to England, where she lived for some time with Alexandra.

Last years and death
Alexandra retained a youthful appearance into her senior years, but during the war her age caught up with her. She took to wearing elaborate veils and heavy makeup, which was described by gossips as having her face "enamelled". She made no more trips abroad, and her health worsened. In 1920, a blood vessel in her eye burst, leaving her with temporary partial blindness. Towards the end of her life, her memory and speech became impaired. She died on 20 November 1925 at Sandringham House from a heart attack. Queen Alexandra lay in state at Westminster Abbey and was interred on 28 November next to her husband in St George's Chapel, Windsor Castle.

Legacy
The Queen Alexandra Memorial by Alfred Gilbert was unveiled on Alexandra Rose Day 8 June 1932 at Marlborough Gate, London. An ode in her memory, "So many true princesses who have gone", composed by the then Master of the King's Musick Sir Edward Elgar to words by the Poet Laureate John Masefield, was sung at the unveiling and conducted by the composer.

Alexandra was highly popular with the British public. Unlike her husband and mother-in-law, Alexandra was not castigated by the press. Funds that she helped to collect were used to buy a river launch, called Alexandra, to ferry the wounded during the Sudan campaign, and to fit out a hospital ship, named The Princess of Wales, to bring back wounded from the Boer War. During the Boer War, Queen Alexandra's Imperial Military Nursing Service, later renamed Queen Alexandra's Royal Army Nursing Corps, was founded under Royal Warrant.

Alexandra had little understanding of money. The management of her finances was left in the hands of her loyal comptroller, Sir Dighton Probyn VC, who undertook a similar role for her husband. In the words of her grandson, Edward VIII (later the Duke of Windsor), "Her generosity was a source of embarrassment to her financial advisers. Whenever she received a letter soliciting money, a cheque would be sent by the next post, regardless of the authenticity of the mendicant and without having the case investigated." Though she was not always extravagant (she had her old stockings darned for re-use and her old dresses were recycled as furniture covers), she would dismiss protests about her heavy spending with a wave of a hand or by claiming that she had not heard.

Alexandra hid a small scar on her neck, which was probably the result of a childhood operation, by wearing choker necklaces and high necklines, setting fashions which were adopted for fifty years. Alexandra's effect on fashion was so profound that society ladies even copied her limping gait, after her serious illness in 1867 left her with a stiff leg. This came to be known as the "Alexandra limp". She used predominantly the London fashion houses; her favourite was Redfern's, but she shopped occasionally at Doucet and Fromont of Paris.

Alexandra has been portrayed on television by Deborah Grant and Helen Ryan in Edward the Seventh, Ann Firbank in Lillie, Maggie Smith in All the King's Men, and Bibi Andersson in The Lost Prince. She was portrayed in film by Helen Ryan again in the 1980 film The Elephant Man, Sara Stewart in the 1997 film Mrs Brown, and Julia Blake in the 1999 film Passion. In a 1980 stage play by Royce Ryton, Motherdear, she was portrayed by Margaret Lockwood in her last acting role.

Honours
British
 * Member 1st Class of the Royal Order of Victoria and Albert, 1863
 * Dame of Justice of the Most Venerable Order of the Hospital of Saint John of Jerusalem, 1876
 * Companion of the Imperial Order of the Crown of India, 8 January 1878
 * Royal Lady of the Most Noble Order of the Garter, 12 February 1901
 * Dame Grand Cross of the Most Excellent Order of the British Empire, 1 January 1918

She was the first woman since 1488 to be made a Lady of the Garter.

Foreign
 * Kingdom of Portugal: Dame of the Order of Queen Saint Isabel, 23 June 1863
 * Russian Empire: Grand Cross of the Imperial Order of Saint Catherine, 25 May 1865
 * Kingdom of Spain: Dame of the Order of Queen Maria Luisa, 11 February 1872
 * Kingdom of Prussia: Dame of the Order of Louise, 1st Division, 1886
 * Grand Duchy of Hesse: Dame of the Grand Ducal Hessian Order of the Golden Lion, 1 July 1889
 * Empire of Japan: Grand Cordon of the Order of the Precious Crown, June 1902
 * Persian Empire: Member 1st Class of the Imperial Order of the Sun for Ladies, June 1902
 * Ottoman Empire: Grand Cordon of the Order of Charity, June 1902
 * Austro-Hungarian Empire: Grand Cross of the Imperial Austrian Order of Elizabeth, in Brilliants, 1904

Arms
Queen Alexandra's arms upon the accession of her husband in 1901 were the royal coat of arms of the United Kingdom impaled with the arms of her father, the King of Denmark. The shield is surmounted by the imperial crown, and supported by the crowned lion of England and a wild man or savage from the Danish royal arms.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Alexandra of Denmark


text:
Prince Albert

Prince Albert most commonly refers to:

 * Prince Albert of Saxe-Coburg and Gotha (1819–1861), consort of Queen Victoria
 * Albert II, Prince of Monaco (born 1958), present head of state of Monaco

Prince Albert may also refer to:

Royalty

 * Albert I of Belgium (1875–1934), former head of state of Belgium
 * Albert II of Belgium (born 1934), former head of state of Belgium
 * Albert I, Prince of Monaco (1848–1922), former head of state of Monaco
 * Prince Albert of Prussia (1809–1872)
 * Prince Albert of Prussia (1837–1906)
 * Prince Albert of Saxe-Altenburg
 * Albert of Saxony (disambiguation), several individuals
 * Albert, Margrave of Meissen (1934–2012)
 * Albert Casimir, Duke of Teschen
 * Albert, Prince of Schwarzburg-Rudolstadt (1798–1869), former head of state of Schwarzburg-Rudolstadt
 * Albert I, Prince of Thurn and Taxis (1867–1952)
 * Albert II, Prince of Thurn and Taxis (born 1983)
 * Albert Edward, Prince of Wales (1841–1910), later King Edward VII of the United Kingdom, son of Albert and Victoria
 * Prince Albert Victor, Duke of Clarence and Avondale (1864–1892), son of Edward VII
 * Prince Albert, Duke of York (1895–1952), later King George VI of the United Kingdom, grandson of Edward VII
 * Albert Kamehameha (1858–1862), Crown Prince of Hawaii during his father King Kamehameha IV's reign

Canada

 * Prince Albert, Nova Scotia
 * Prince Albert, Saskatchewan
 * Prince Albert (federal electoral district), federal electoral district
 * Prince Albert (provincial electoral district), Saskatchewan provincial electoral district
 * Prince Albert National Park, Saskatchewan
 * Rural Municipality of Prince Albert No. 461, Saskatchewan
 * Prince Albert Peninsula, Northwest Territories
 * Prince Albert Impact Crater, or Tunnunik impact crater, found on that peninsula

South Africa

 * Prince Albert, Western Cape, a small town in South Africa

Sports

 * "Prince Albert", a stage name of Matt Bloom (born 1972), professional wrestler
 * John "Prince" Albert (born 1986), professional MMA fighter

Other uses

 * Prince Albert (genital piercing)
 * Prince Albert (tobacco), a brand of pipe tobacco
 * Prince Albert, a novel by Richard Church
 * Prince Albert coat, a double-breasted frock coat
 * Prince Albert grape, another name for the Trollinger grape variety
 * Prince Albert, operated by the Hudson's Bay Company from 1841–1856, see Hudson's Bay Company vessels

title: Prince Albert


text:
Talk:Battleship game

Which of the rules are used by the Milton Bradley board game? -- Logotu

Duplicate/Redundant Articles?
It looks like Battleship (game) needs to be merged with Battleship game. -- Logotu 19:59, 2004 Apr 15 (UTC)

Question:

Does Milton Bradley hold any license on the game or can anyone print and sell variations of it?

title: Talk:Battleship game


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Aspen, Colorado

Aspen is a home rule municipality that is the county seat and the most populous municipality of Pitkin County, Colorado, United States. The city population was 7,004 at the 2020 United States Census. Aspen is in a remote area of the Rocky Mountains' Sawatch Range and Elk Mountains, along the Roaring Fork River at an elevation just below 8000 ft above sea level on the Western Slope, 11 mi west of the Continental Divide. Aspen is now a part of the Glenwood Springs, CO Micropolitan Statistical Area.

Founded as a mining camp during the Colorado Silver Boom and later named Aspen for the abundance of aspen trees in the area, the city boomed during the 1880s, its first decade. The boom ended when the Panic of 1893 led to a collapse of the silver market. For the next half-century, known as "the quiet years", the population steadily declined, reaching a nadir of fewer than 1000 by 1930. Aspen's fortunes recovered in the mid-20th century when neighboring Aspen Mountain was developed into a ski resort, and industrialist Walter Paepcke bought many properties in the city in the 1950s and redeveloped them. Today it is home to three institutions, two of which Paepcke helped found, having international importance: the Aspen Music Festival and School, the Aspen Institute, and the Aspen Center for Physics.

In the late 20th century, the town became a popular retreat for celebrities. Gonzo journalist Hunter S. Thompson worked out of a downtown hotel and ran unsuccessfully for county sheriff. Singer John Denver wrote two songs about Aspen after settling there. Both figures popularized Aspen among the counter-cultural youth of the 1970s as an ideal place to live, and the city continued to grow even as it gained notoriety for some of the era's hedonistic excesses (particularly its drug culture).

Aspen remains popular as a year-round destination for locals, second-home buyers and tourists. Outdoor recreation in the surrounding White River National Forest serves as a summertime counterpart to the city's four ski areas. Prime residential real estate in Aspen is the most expensive of any ski resort in the world on a per-square-foot basis, according to a study of 44 global ski resorts. Aspen is the world's second-highest-rated ski resort in terms of "the quality and reliability of their conditions and their capacity to withstand climate change."

History

The city's roots are traced to the winter of 1879, when a group of miners ignored pleas by Frederick Pitkin, Governor of Colorado, to return across the Continental Divide to avoid a Ute uprising. The Utes were fighting to maintain possession of their land and communities. Originally named Ute City, the small community was renamed Aspen in 1880, and, in its peak production years of 1891 and 1892, surpassed Leadville as the United States' most productive silver-mining district. Production expanded due to the passage of the Sherman Silver Purchase Act of 1890, which doubled the government's purchase of silver. In 1883, the Apostolic Vicarate of Colorado's Bishop Machebeuf had the Reverend Edward Downey establish the first Catholic mission in Aspen.

By 1893, Aspen had banks, a hospital, a police department, two theaters, an opera house, and electric lights. Economic collapse came with the Panic of 1893, when President Cleveland called a special session of Congress and repealed the act. Within weeks, many of the Aspen mines were closed and thousands of miners were put out of work. It was proposed that silver be recognized as legal tender and the People's Party (populists) adopted that as one of its main issues. Davis H. Waite, an Aspen newspaperman and agitator, was elected governor of Colorado on the Democratic ticket, but in time the movement failed.

Eventually, after wage cuts, mining revived somewhat, but production declined and by the 1930 census only 705 residents remained. Remaining, however, were stocks of old commercial buildings and residences, along with excellent snow. Aspen's development as a ski resort began in the 1930s when investors conceived of a ski area, but the project was interrupted by World War II. Friedl Pfeifer, a member of the 10th Mountain Division who had trained in the area, returned to the area and linked up with industrialist Walter Paepcke and his wife Elizabeth. The Aspen Skiing Company was founded in 1946 and the city quickly became a well-known resort, hosting the FIS World Championships in 1950. Paepcke also played an important role in bringing the Goethe Bicentennial Convocation to Aspen in 1949, an event held in a newly designed tent by the architect Eero Saarinen. Aspen was then on the path to becoming an internationally known ski resort and cultural center, home of the Aspen Music Festival and School. The area would continue to grow with the development of three additional ski areas, Buttermilk (1958), Aspen Highlands (1958), and Snowmass (1967).

In the 1970s, Aspen became known as a playground for the rich and famous. Notable celebrities frequented the town and ski slopes, also John Denver was one of the more famous permanent residents. In 1978, Aspen was thoroughly photographed for the Aspen Movie Map project funded by the U.S. Department of Defense. The Movie Map is one of the earliest examples of virtual reality software.

In 1999, the city council passed a resolution to petition the US Congress and President Clinton to restrict US immigration. Aspen residents cited concerns about the environmental impacts of increased immigration on their community, including urban and suburban sprawl, pollution from the older automobiles typically driven by immigrants, and litter accumulating in the mountains attributable to the increasing population. The impetus for the resolution was the increasing number of trailer parks that housed the migrant workers employed locally in the service sector and ski industry. The parks were perceived to be degrading to the town's image, property values, and environment. The move was led by Terry Paulson, an Aspen City Council member, and supported and guided by national groups such as the Carrying Capacity Network, and the Center for Immigration Studies. The resolution was discussed on the American Patrol Report website, contributing to a controversy over whether or not the resolution was racially motivated. Councilman Terry Paulson and some Aspen citizens insisted that it was motivated entirely by environmental concerns.

Aspen is notable as the smallest radio market tracked by Arbitron, ranked number 302.

Local media in Aspen include a public radio station, KJAX, a public television station, the Grassroots TV network; three commercial radio stations, KSNO, KTND, and KSPN; two daily newspapers, The Aspen Times and The Aspen Daily News; three local lifestyle magazines, Aspen Sojourner, Aspen Magazine and the biannual Aspen Peak; and a local, live, commercial lifestyle television channel, Aspen 82.

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The city's character has transformed dramatically in recent decades by skyrocketing property values and the proliferation of second homes, increasingly shutting low- and middle-income workers out of the city and creating a large pool of commuters from nearby bedroom communities such as Snowmass, Basalt, Carbondale, and Glenwood Springs. At the same time, in stark contrast to its historic character, the city has emerged into international fame as a glitzy playground of the wealthy and famous. Aspen has become a second and third home to many international jet-setters. Many people from the U.S. and abroad vacation in Aspen, especially during the winter.

The downtown has been largely transformed into an upscale shopping district that includes high-end restaurants, salons, and boutiques. Stores such as Gucci, Prada and Fendi dot South Mill Street and act as a "Rodeo Drive" of Aspen.

Geography
The city sits along the southeast (upper) end of the Roaring Fork Valley, along the Roaring Fork River, a tributary of the Colorado River about 40 mi south of Glenwood Springs, Colorado. It is surrounded by mountain and wilderness areas on three sides: Red Mountain to the north, Smuggler Mountain to the east, and Aspen Mountain to the south.

Aspen is located at 39.1923°N, -106.82447°W, along State Highway 82.

At the 2020 United States Census, the city had a total area of 9.992 km2, all of it land.

Climate
Under the Köppen climate classification, Aspen has a humid continental climate (Köppen: Dfb) owing to its high elevation. There is a large diurnal temperature variation between daytime and nighttime temperatures, rendering summer days moderately warm and winter nights very cold for the latitude. Summer lows and winter highs are relatively moderate, and frosts are rare in summer and winter days often averaging above freezing.

Demographics

As of the census of 2003, there were 5,914 people, 2,903 households, and 1,082 families residing in the city. The population density was 1,675.4 PD/sqmi. There were 4,354 housing units at an average density of 1,233.5 per square mile (476.2 per km2). The racial makeup of the city was 94.94 percent White, 0.44 percent Black or African American, 0.24 percent  Native American, 1.45 percent  Asian, 0.08 percent  Pacific Islander, 1.64 percent from other races, and 1.2 percent from two or more races. Hispanic or Latino of any race were 6.14 percent of the population.

There were 2,903 households, of which 16.5 percent had children under the age of 18 living with them, 28.8 percent were married couples living together, 5.6 percent had a female householder with no husband present, and 62.7 percent were non-families. Single individuals composed 43.8 percent of all households, and 4.8 percent had someone living alone who was 65 years of age or older. The average household size was 1.94 and the average family size was 2.67.

The ages of the population were 13.1 percent under the age of 18, 9.8 percent from 18 to 24, 42.1 percent from 25 to 44, 27.6 percent from 45 to 64, and 7.4 percent who were 65 years of age or older. The median age was 37 years. For every 100 females, there were 115.1 males. For every 100 females age 18 and over, there were 117.5 males.

The median income for a household in the city was $53,750, and the median income for a family was $70,300. Males had a median income of $41,011 versus $32,023 for females. The per capita income for the city was $40,680. About 3.6 percent of families and 8.2 percent of the population were below the poverty line, including 4.4 percent of those under age 18 and 2.6 percent of those age 65 or over.

Housing
Aspen's single-family home prices are among the highest of any town in the country. Real estate supply is restricted due to a moratorium on new housing construction, housing renovation and short-term rentals. The median sales price of a single family home in 2021 in Aspen was $9.5 million. A 2023 study by Savills, a global real estate broker, declared that prime Aspen real estate was the most expensive on a per-square-foot-basis of the 44 global ski resort markets it studied.

Relatively less expensive housing can be found outside the city limits, in nearby Snowmass Village (median single family home price $5.2 million in 2021), or in the city's condos, many of which date to the 1960s and 1970s.

Affordability of housing is a severe challenge for workers in the Aspen area. The Aspen Pitkin County Housing Authority oversees an extensive program of properties intended for people who primarily live and work in the Roaring Fork Valley and whose income falls below certain limits, known as Employee Housing. Homes purchased through Employee Housing programs typically contain deed restrictions to maintain a degree of affordability for local residents, but even deed-restricted properties in the area can cost close to $1 million.

Sports
The Winter X Games sports event has been held in Aspen at Buttermilk (ski area) since 2002. Aspen natives Torin Yater-Wallace and Alex Ferreira are both freestyle skiers who compete in the Winter X Games and have very successful careers. Both Torin and Alex have represented the United States of America in Men's Ski SuperPipe at the Olympic Games.

The Gentlemen of Aspen is the local rugby team. The Gentlemen of Aspen won the Rugby Super League several times: 1997, 2001, 2002.

Government

Aspen is a home rule municipality under Colorado law. It has a council-manager government. An elected council of four members and the mayor supervise the city's operations, managed on a day-to-day basis by the city manager, an appointed official who serves at their pleasure.

The city's main office is at City Hall, the former Armory Hall listed on the National Register of Historic Places at the intersection of South Galena Street and East Hopkins Avenue. Because of its expansion in the late-20th century, it has outgrown that space. Several city departments are housed in satellite offices around the city.

Education
, based on data from the 2009–10 school year, according to U.S. News & World Report, Aspen High School, the only high school in the Aspen School District, is the top ranked high school in Colorado and ranked 59th in the United States. The high school has grades 9 to 12, 540 students, and 41 teachers. Olympic cross-country skier Noah Hoffman is a 2007 graduate.

Minorities, mostly Hispanic, make up 13 percent of the school's enrollment. Four percent of the students are economically disadvantaged. The school has a high rate of participation in the International Baccalaureate program.

Transportation

 * Roaring Fork Transportation Authority, or RFTA, provides free bus service within Aspen and Snowmass Village, and pay service to the surrounding communities of Basalt, El Jebel, Carbondale, Glenwood Springs, and Rifle. Amtrak serves Glenwood Springs, offering in conjunction with RFTA an environmentally friendly way to travel to Aspen.
 * Aspen's airport is Aspen-Pitkin County Airport, also known as Sardy Field. The airport is an FAA Class 1 airport and has one asphalt runway, 100 ft wide and 8006 ft long. The airport is commercially serviced by American Airlines, Delta Airlines, and United Airlines.
 * State Highway 82 is the only major road that provides access to Aspen. There are some mountain pass roads that lead to the city, but those require all-terrain vehicles and are typically impassable during the winter. Highway 82 east of Aspen is also impassable due to snow on Independence Pass, leaving Highway 82 west of Aspen as the only means of motor vehicle access during the winter. Highway 82 east of Aspen is typically closed from approximately the end of October to Memorial Day, depending on snow conditions.
 * The bike-sharing system WE-CYCLE serves Aspen and Basalt with 16 stations and 200 bikes. Docking stations and bikes are built by PBSC Urban Solutions.

Sister cities
Aspen's sister cities are:

 * 🇮🇹 Abetone Cutigliano, Italy
 * 🇦🇷 Bariloche, Argentina
 * 🇫🇷 Chamonix-Mont-Blanc, France
 * Davos, Switzerland
 * 🇩🇪 Garmisch-Partenkirchen, Germany
 * 🇳🇿 Queenstown, New Zealand
 * 🇯🇵 Shimukappu, Japan

title: Aspen, Colorado