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Deacon

A deacon is a member of the diaconate, an office in Christian churches that is generally associated with service of some kind, but which varies among theological and denominational traditions.

Major Christian churches, such as the Catholic Church, the Oriental Orthodox Churches, the Eastern Orthodox Church, Lutheranism, Methodism and Anglicanism, as well as other organisations such as The Church of Jesus Christ of Latter-day Saints, view the diaconate as an order of ministry.

Permanent deacons are deacons who are not transitioning into the priesthood, in contrast to those continuing their formation, who were then called transitional deacons.

Origin and development
The word deacon is derived from the Greek word (διάκονος), which is a standard ancient Greek word meaning "servant", "waiter", "minister", or "messenger".

It is generally assumed that the office of deacon originated in the selection of seven men by the apostles, among them Stephen, to assist with the charitable work of the early church as recorded in Acts of the Apostles chapter 6.

The Greek word (διακόνισσα), meaning deaconess, is not found in the Bible. However, one woman, Phoebe, is mentioned at Romans 16:1–2 as a deacon or deaconess (διάκονος) of the church in Cenchreae. Nothing more specific is said about her duties or authority, although it is assumed she carried Paul's Letter to the Romans.

Female deacons are mentioned by the Roman author Pliny the Younger in a letter to the Roman emperor Trajan dated c. 112:

"I believed it was necessary to find out from two female slaves (ex duabus ancillis) who were called deacons (ministrae), what was true—and to find out through torture (per tormenta)"

This is the earliest Latin text that appears to refer to female deacons as a distinct category of Christian minister.

A biblical description of the qualities required of a deacon can be found in 1 Timothy 3:1–13.

The Synod of Arles in 314 and the First Council of Nicaea denied deacons the possibility of presiding over the Eucharist even in exceptional cases.

Among the more prominent deacons in history are:

 * Stephen, the first Christian martyr (the "protomartyr")
 * Philip, whose baptism of the Ethiopian eunuch is recounted in Acts 8:26–40
 * Phoebe, who is mentioned in the Letter to the Romans
 * Lawrence, an early Roman martyr
 * Vincent of Saragossa, protomartyr of Spain
 * Francis of Assisi, founder of the mendicant Franciscans
 * Ephrem the Syrian
 * Romanos the Melodist, a prominent early hymnographer

Prominent historical figures who played major roles as deacons and went on to higher office include Athanasius of Alexandria, Thomas Becket, and Reginald Pole. On June 8, 536, a serving Roman deacon was raised to Pope, Silverius.

The diaconate has been retained as a separate vocation in Eastern Christianity, while in Western Christianity it was largely used in cathedrals and as a temporary step along the path toward priestly ordination. In the 20th century, the diaconate was restored as a vocational order in many Western churches, most notably in the Catholic Church, the Anglican Communion, and the United Methodist Church.

By Christian denomination
In the Catholic, Scandinavian Lutheran, Anglican, Eastern Orthodox, Oriental Orthodox, and Persian churches, the diaconate is one of the major orders—the others being bishop, presbyter (priest), and, historically, subdeacon. Deacons assist priests in their pastoral and administrative duties, but often report directly to the bishops of their diocese. They have a distinctive role in the liturgy of the Eastern and Western Churches.

Deacons are also appointed or elected in other denominations, though this is less commonly seen as a step towards the clerical ministry. The role of deacon in these denominations varies greatly from denomination to denomination; often, there will be more emphasis on administrative duties than on pastoral or liturgical duties. In some denominations, deacons' duties are only financial management and practical aid and relief. Elders handle pastoral and other administrative duties.

Latin Catholicism
Beginning around the fifth century, there was a gradual decline in the diaconate as a permanent state of life in the Latin Church. The development of a cursus honorum (sequence of offices) found men entering the clerical state through tonsure, then ordination to the minor orders of lector, porter, exorcist, acolyte before ordination to the major orders of sub-deacon and deacon, all stages on the path to priesthood. Only men destined for priesthood were permitted to be ordained deacons. As seminaries developed, following the Council of Trent, to contemporary times, the only men ordained as deacons were seminarians who were completing the last year or so of graduate theological training, so-called "transitional deacons".

Following the recommendations of the Second Vatican Council (Lumen gentium 29) and the instigation of the Josephites (whose work with African Americans necessitated increased vocational opportunity for married men), in 1967 Pope Paul VI issued the motu proprio Sacrum Diaconatus Ordinem, reviving the practice of ordaining to the diaconate men who were not candidates for priestly ordination. These men are known as "permanent deacons", in contrast to those continuing their formation, who were then called "transitional deacons". There is no sacramental or canonical difference between the two, however, as there is only one order of deacons.

The period of formation to the permanent diaconate varies from diocese to diocese as determined by the local ordinary, but it usually entails a period of prayerful preparation and several years of study. Diaconal candidates receive instruction in philosophy, theology, study of the Bible, homiletics, sacramental studies, evangelization, ecclesiology, counseling, and pastoral care and ministry before ordination.

They may be assigned to work in a parish by the diocesan bishop, where they are under the supervision of the parish priests, or in diocesan ministries. Unlike most clerics, permanent deacons who also have a secular profession have no right to receive a salary for their ministry, but many dioceses opt to remunerate them anyway.

During the Mass, the deacon's responsibilities include assisting the priest, proclaiming the Gospel, announcing the General Intercessions, and distributing Communion. They may also preach the homily. As clerics, deacons are required to pray the Liturgy of the Hours. Deacons, like priests and bishops, are ordinary ministers of the sacrament of Baptism and may witness at the sacrament of holy matrimony outside of Mass. Deacons may lead funeral rites outside Mass such as the final commendation at the gravesite or the reception of the body at a service in the funeral home, and may assist the priest at the requiem Mass. They can also preside over various services such as Benediction of the Blessed Sacrament, and they may give certain blessings. While in ancient history their tasks and competencies varied, today deacons cannot hear confession and give absolution, anoint the sick, or celebrate Mass.

The vestments most particularly associated with the Latin Catholic deacon are the alb, stole and dalmatic. Deacons, like priests and bishops, must wear their albs and stoles; deacons place the stole over their left shoulder and it hangs across to their right side, while priests and bishops wear it around their necks. The dalmatic, a vestment especially associated with the deacon, is worn during the celebration of the Mass and other liturgical functions; its use is more liberally applied than the corresponding vestment of the priest, the chasuble. At certain major celebrations, such as ordinations, the diocesan bishop wears a dalmatic under his chasuble, to signify that he enjoys the fullness of the three degrees of holy orders—deacon, priest, and bishop.

The diaconate is conferred on seminarians continuing to the priesthood no sooner than 23 years of age (canon 1031 of the Code of Canon Law). As a permanent state, the diaconate can be conferred on single men 25 or older, and on married men 35 or older, but an older age can be required by the episcopal conference. If a married deacon is widowed, he must maintain the celibate state. Under some very rare circumstances, however, deacons who have been widowed can receive permission to remarry. This is most commonly done when the deacon is left as a single father. In some cases, a widowed deacon will seek priestly ordination, especially if his children are grown.

A deacon is not styled "Father" as a priest would be, but as "Deacon", abbreviated variously as "Dn." or "Dcn." This preferred method of address is stated in the 2005 document of the United States Conference of Catholic Bishops, "National Directory for the Formation, Ministry and Life of Permanent Deacons in the United States".

The proper address in written correspondence for all deacons of the Latin Church in the United States is "Deacon Name", although it is not uncommon to see "Rev. Mr." sometimes used. "Rev. Mr.", however, is more often used to indicate a transitional deacon (i.e., preparing for ordination to the priesthood) or one who belongs to a religious institute, while Rev. Deacon is used as the honorific for permanent deacons in many dioceses (e.g., Rev. Deacon John Smith, or Deacon John Smith). The decision as to whether deacons wear the Roman collar as street attire is left to the discretion of each bishop for his own diocese. Where clerical garb is approved by the bishop, the deacon can choose to wear or not wear the "collar".

Deacons, like seminarians, religious, and the two other orders, bishops and priests, pray the Liturgy of the Hours; however, deacons are usually only required to pray morning and evening prayer.

Eastern Orthodoxy and Eastern Catholicism

In addition to proclaiming the Gospel and assisting in the distribution of holy communion, the deacon censes the icons and people, calls the people to prayer, leads the litanies, and has a role in the dialogue of the anaphora. In keeping with Eastern tradition, the deacon is not permitted to perform any sacred mysteries (sacraments) on their own, except for Baptism in extremis (in danger of death), conditions under which anyone, including the laity, may baptize. When assisting at a normal baptism, it is often the deacon who goes down into the water with the one being baptized. In contrast to the Roman Catholic Church, deacons in the Eastern Churches may not preside at the celebration of marriages, as in Eastern theology the sacrament is conferred by the nuptial blessing of a priest.

Diaconal vestments are the sticharion (dalmatic), the orarion (deacon's stole), and the epimanikia (cuffs). The last are worn under the sticharion, not over it as does a priest or bishop. The deacon usually wears a simple orarion which is only draped over the left shoulder but, if elevated to the rank of archdeacon, the deacon wears the "doubled-orarion", meaning it is passed over the left shoulder, under the right arm, and then crossed over the left shoulder (see photograph, right). In modern Greek practice, a deacon wears this doubled orarion from the time of their ordination. Also, in the Greek practice, a deacon wears the clerical kamilavka (cylindrical head covering) with a rim at the top. In Slavic practice, a hierodeacon (monastic deacon) wears the simple black kamilavka of a monk (without the rim), but removes the monastic veil (see klobuk) when vested; a married deacon would not wear a kamilavka unless it is given to them by the bishop as an ecclesiastical award; the honorary kamilavka is purple in colour, and may be awarded to either married or monastic clergy.

As far as street clothing is concerned, immediately following ordination a deacon receives a blessing to wear the exorasson (Arabic: Jib'be, Slavonic: riasa), an outer cassock with wide sleeves, in addition to the anterion (Slavonic: podriasnik), the inner cassock worn by all orders of clergy. In the Slavic practice, married clergy may wear any of a number of colours, but most often grey, while monastic clergy always wear black. In certain jurisdictions in North America and Western Europe, a Roman collar is often worn, although this is not a traditional or widespread practice.

A protodeacon (Ecclesiastical Greek: πρωτοδιάκονος protodiakonos, "first deacon") is a distinction of honor awarded to senior deacons, usually serving on the staff of the diocesan bishop. An archdeacon is similar, but is among the monastic clergy. Protodeacons and archdeacons use a double-length orarion even if it is not the local tradition for all deacons to use it. In the Slavic tradition a deacon may be awarded the doubled-orarion even if not a protodeacon or archdeacon.

According to the practice of the Greek Orthodox Church of America, in keeping with the tradition of the Ecumenical Patriarchate, the most common way to address a deacon is "Father".

The tradition of kissing the hands of ordained clergy extends to the diaconate as well. This practice is rooted in the holy eucharist and is in acknowledgement and respect of the eucharistic role members of the clergy play in preparing, handling and disbursing the sacrament during the Divine Liturgy, and in building and serving the church as the Body of Christ.

Lutheranism
In the Lutheran Churches of the Scandinavian tradition, there is a threefold ministry of "bishops, priests, and deacons". Until the 1960s, deacons in the Church of Sweden were required to be celibate. For deacons, "vows made at ordination involve seeking and helping anyone in bodily or spiritual need, defending the rights of all, standing beside the oppressed, and exhorting God's people to all good works so that the love of God is made visible in the world." An ordained deacon's charism includes "visits, helps, and supports those in bodily or spiritual need; gives Christian nurture and teaching in the faith; is a sign of merciful kindness in the parish and society at large, and in all things serves Christ in the neighbour".

Anglicanism
In Anglican churches, including the Free Church of England, deacons are permitted to marry freely before or after ordination, as are Anglican priests. Most deacons are "transitional deacons", that is, preparing for the priesthood and they are usually ordained priests about a year after their diaconal ordination. However, there are some deacons who do not go on to receive priestly ordination, recognising a vocation to remain in the diaconate. A permanent deacon is also known as a "distinctive deacon", or a "vocational deacon".

Many provinces of the Anglican Communion ordain both women and men as deacons. Many of those provinces that ordain women to the priesthood previously allowed them to be ordained only to the diaconate. The effect of this was the creation of a large and overwhelmingly female diaconate for a time, as most men proceeded to be ordained priests after a short time as a deacon.

Anglican deacons may baptize and in some dioceses are granted licences to solemnize matrimony, usually under the instruction of their parish priest and bishop. Deacons are not able to preside at the eucharist (but can lead worship with the distribution of already-consecrated communion elements where this is permitted), nor can they pronounce God's absolution of sin or pronounce the Trinitarian blessing. In most cases, deacons minister alongside other clergy.

An Anglican deacon wears an identical choir dress to an Anglican priest: cassock, surplice, tippet and academic hood. However, liturgically, deacons usually wear a stole over their left shoulder and fastened on the right side of their waist. This is worn both over the surplice and the alb. A deacon might also wear a dalmatic. Church of England deacons are supported through the CofE Network of Distinctive Deacons (CENDD). Bishop James Newcome of Carlisle is the Distinctive Deacons’ Champion in the House of Bishops.

Methodist churches
In Methodism, deacons began as a transitional order before ordination as elders (presbyters). In 1996, the United Methodist Church ended the transitional deacon and established a new Order of Deacons to be equal in status with the Order of Elders. Both men and women may be ordained as deacons. Deacons serve in a variety of specialized ministries including, but not limited to, Christian education, music, communications and ministries of justice and advocacy. Unlike United Methodist elders, deacons must find their own place of service. Nevertheless, the bishop does officially approve and appoint deacons to their selected ministry. Deacons may assist the elder in the administration of Sacraments, but must receive special approval from a bishop before presiding over Baptism and holy communion. United Methodist deacons are present in North America, Europe and Africa.

The Methodist Church of Great Britain also has a permanent diaconate—based on an understanding of the New Testament that deacons have an equal, but distinct ministry from presbyters. Deacons are called to a ministry of service and witness, and "to hold before them the needs and concerns of the world". The Methodist Diaconal Order is both an order of ministry and a religious order within the Methodist Church in Britain. It was formed in 1989 as a successor to the Wesley Deaconess Order and is open to both women and men. Diaconal ministry is one of two ordained ministries within the Methodist Church. The original Wesleyan Deaconess Order was founded by Thomas Bowman Stephenson in 1890, following observation of new ministries in urban areas in the previous years. The order continued as the Wesley Deaconess Order following Methodist Union in 1932, but, following the admission of women to "The Ministry" (as presbyteral ministry is commonly termed in the Methodist Church), a number of deaconesses transferred and recruitment for the WDO ceased from 1978. The 1986 Methodist Conference re-opened the order to both men and women and the first ordinations to the renewed order occurred during the 1990 Conference in Cardiff, which coincided with celebrations of 100 years of diaconal service in British Methodism; deaconesses had previously been ordained at their annual convocation.

The Methodist Church of Southern Africa ordains deacons who constitute a diaconal order, similar to that in the British church.

Church of Scotland
There are two distinct offices of deacon in the Church of Scotland. The best-known form of diaconate are trained and paid pastoral workers. The permanent diaconate was formerly exclusively female, and it was in 1988, the centenary year of the diaconate, that men were admitted to the office of deacon. The offices of deacon and minister are now both open to both women and men; deacons are now ordained (they were previously "commissioned").

The other office of deacon can be found in congregations formerly belonging to the pre-1900 Free Church of Scotland, with a "Deacons' Court" having responsibility for financial and administrative oversight of congregations. Only a few congregations still retain this constitutional model, with most having since adopted the Church of Scotland's "Model Constitution" (with a Kirk Session and Congregational Board) or "Unitary Congregation" (with just a Kirk Session). Most of the Free Church congregations united with the United Presbyterian Church of Scotland in 1900 creating the United Free Church of Scotland, which itself united with the Church of Scotland in 1929.

The congregations of the post-1900 Free Church of Scotland which did not join the UF Church in 1900 continue to have Deacons.

Presbyterian churches
One of John Calvin's legacies was to restore the diaconate as a servant ministry. Individual congregations of the various Presbyterian denominations, such as the Presbyterian Church (USA), Presbyterian Church in America and Orthodox Presbyterian Church, also elect deacons, along with elders. However, in some churches the property-functions of the diaconate and session of elders is commended to an independent board of trustees.

Dutch Reformed churches
In many Dutch Reformed churches deacons are charged with ministries of mercy. As such, the deacons are also members of the local church council. A special feature of the Dutch Reformed churches is the fact that the diaconate of each local church is its own legal entity with its own financial means, separated from the church itself, and governed by the deacons.

Uniting Church in Australia
In the Uniting Church in Australia, the diaconate is one of two offices of ordained ministry. The other is Minister of the Word.

Deacons in the Uniting Church are called to minister to those on the fringes of the church and be involved in ministry in the community. Deacons offer leadership in a ministry of service to the world. The primary focus of the ministry of deacons is on care and compassion for the poor and oppressed and in seeking social justice for all people. They take both an active role in leadership in such actions themselves, but are also play a key role in encouraging other Uniting Church members in similar action.

Some examples of service that deacons may take include: prison chaplaincy, acting as youth or community workers, in community service agencies, in schools and hospitals, or in mission placements in Australia or overseas. Although the primary responsibility for worship in congregations lies with the Ministers of the Word, deacons have a liturgical role appropriate to their distinctive ministry, including ministries where their main leadership is within a congregation.

In the Uniting Church both ministers of the word and deacons are styled The Reverend.

The Uniting Church has recognised deacons since union, but it was not until the 6th Assembly in 1991 that the Uniting Church began ordaining deacons. This was partly because the historical, theological and sociological roles of deaconesses and deacons was being widely discussed in Churches throughout the world at the time that the Basis of Union was being drafted

Amish
The Amish have deacons; they are elected by a council and receive no formal training.

Church of the Brethren
The Church of the Brethren also have deacons, as do other Brethren denominations. They are elected by the congregation to serve in ministries of compassion. They are elected for life in some congregations.

Baptists
Baptists traditionally recognize two ordained positions in the church: elders (pastors) and deacons, as per 1 Timothy 3. Some Baptist churches in the Reformed tradition recognize elder and pastor as separate offices.

Baptists have traditionally practised congregationalism, giving each church the ability to discern for themselves the interpretation of scripture. Thus, Baptist churches hold a wide variety of views on the qualifications and activities of deacons: some Baptist churches have the deacons decide many of the church affairs, while others have deacons in serving roles only.

The predominant view among Baptist churches (especially theologically conservative ones, including the majority of Southern Baptist and Independent Baptist churches) is that a deacon must be a male, and married (or a widower) and not divorced previously. If a deacon subsequently divorces, he must relinquish his office (but if his wife dies he may continue to serve). However, there are Baptist churches where women are allowed to be deacons or deaconesses (primarily in the United Kingdom and in the United States among African-American and theologically moderate churches). In the General Association of Regular Baptist Churches, deacons can be any adult male member of the congregation who is in good standing.

In some African American Missionary Baptist churches and in churches affiliated with the National Baptist Convention, USA, Inc. male and female deacons serve as one board. Other churches may have two separate boards of deacons and deaconesses. Most often the deacon or deacon candidate is a long-standing member of the church, being middle aged, but younger deacons may be selected from among members of a family that has had several generations in the same church. They are elected by quorum vote annually. Their roles are semi-pastoral in that they fill in for the pastor on occasion, or support the pastor vocally during his sermon. They may also lead a special prayer service, generally known as "The deacon's Prayer". Their other roles are to accompany the pastor during Communion by handing out the remembrances of bread and wine (or grape juice) and to set a good example for others to follow. Their administrative duties sometimes include oversight of the treasury, Sunday school curriculum, transportation, and various outreach ministries.

See Baptist Distinctives for a more detailed treatment of deacons in churches in other associations, particularly the UK.

Quakers
Deacons in the structure of most meetings of the Religious Society of Friends (Quakers) are called overseers. This is not an ordained role but rather a temporary ministry that is discerned every three years. They are responsible for coordinating pastoral care within a community while elders (the equivalent of the Biblical presbyterate) take care of the spiritual concerns of the meeting. Other names include "pastoral care" or "care and counsel".

Church of Christ
In accordance with Church of Christ doctrine and practice, only males may serve as deacons (deaconesses are not recognized), and must meet Biblical qualifications (generally 1 Timothy 3:8–13 is the Biblical text used to determine if a male is qualified to serve as deacon). A deacon may also be qualified to serve as an elder (and, in fact, may move into that role after a period of time if his service as deacon is considered acceptable).

The role of the deacon varies, depending on the local congregation. Generally a deacon will have responsibility for a specific non-spiritual function (e.g. finance, building and grounds, benevolence); however, the deacons (like the rest of the congregation) are under the subjection of the elders, who have spiritual and administrative authority over the deacon's function.

In congregations which lack qualified elders (where, in their absence, the men of the congregation handle leadership duties), often there also are no deacons, as they are usually appointed by the elders of the church.

New Apostolic Church
In the New Apostolic Church, the deacon ministry is a local ministry. A deacon mostly works in his home congregation to support the priests. If a priest is unavailable, a deacon will hold a divine service, without the act of communion. (Only priests and up can consecrate holy communion.)

The Church of Jesus Christ of Latter-day Saints
The office of deacon is generally open to all 12- and 13-year-old male members of the LDS church; all are encouraged to become deacons. Duties include:

 * Gather fast offerings.
 * Pass the sacrament.
 * Serve as the bishop's messenger.
 * Care for the grounds and physical facilities of the church.
 * Assist in service projects or welfare assignments as assigned by the bishop.
 * Watch over the church and act as standing ministers (see D&C 84:111).
 * Be involved in missionary and reactivation efforts (see D&C 20:58–59).
 * Assist teachers in all their duties as needed (see D&C 20:53, 57).

Iglesia ni Cristo
Iglesia ni Cristo's deacons serve as etiquette checkers and offering collectors for males during worship services, with deaconesses as their female counterparts. In the Iglesia ni Cristo, deacons and deaconesses are usually required to be married. There are also head deacons (an exclusively male role with no head deaconess counterpart) who lead the congregation in the prayer before the sermon and the prayer for offerings. They can also be promoted to Bishops if they are faithful to the rules.

Jehovah's Witnesses
Deacons among Jehovah's Witnesses are referred to as ministerial servants, claiming it preferable to translate the descriptive Greek term used in the Bible rather than merely transliterate it as though it were a title. Appointed ministerial servants aid elders in congregational duties. Like the elders, they are adult baptized males and serve without a salary.

Deaconesses
The title "woman deacon" or "deaconess" appears in many documents from the early church period, particularly in the East. Their duties were often different from that of male deacons; women deacons prepared adult women for baptism and they had a general apostolate to female Christians and catechumens (typically for the sake of modesty). Women appear to have been ordained as deacons to serve the larger community until about the 6th century in the West. Liturgies for the ordination of women deacons had similarities with as well as differences from those for male deacons. Opinions on the sacramental nature of the ordination vary: some scholars argue that the ordination of women deacons would have been equally sacramental to that of male deacons, while others say that women deacons of history were not sacramentally ordained in the full sense, as determined in the Catholic Church by Canons 1008 and 1009 of the Code of Canon Law.

The Catholic Church presently does not recognise the validity of female ordinations, be it to the diaconate or any other clerical order. In August 2016, the Catholic Church established a Study Commission on the Women's Diaconate to study the history of female deacons and to study the possibility of ordaining women as deacons.

The Russian Orthodox Church had a female subdiaconate into the 20th century.

The Armenian Apostolic Church is still ordaining religious sisters as deaconesses; its last monastic deaconess was Sister Hripsime Sasounian (died in 2007) and on 25 September 2017, Ani-Kristi Manvelian, a twenty-four-year-old woman, was ordained in Tehran's St. Sarkis Mother Church as the first lay deaconess after many centuries.

In 2016, the Holy Synod of the Greek Orthodox Patriarchate of Alexandria and all Africa voted to reinstate the female diaconate; in the following year, it ordained six sub-deaconesses in the Democratic Republic of Congo. In 2024 the Patriarchate ordained its first female deacon, Angelic Molen, in Zimbabwe, making her the first female deacon in the Eastern Orthodox Church.

Cognates
The Greek word diakonos (διάκονος) gave rise to the following terms from the history of Russia, not to be confused with each other: "dyak", "podyachy", "dyachok", in addition to "deacon" and "protodeacon".

Scots usage
In Scots, the title deacon is used for a head-workman, a master or chairman of a trade guild, or one who is adept, expert and proficient. The term deaconry refers to the office of a deacon or the trade guild under a deacon.

The most famous holder of this title was Deacon Brodie, who was a cabinet-maker and president of the Incorporation of Wrights and Masons as well as being a Burgh councillor of Edinburgh but at night led a double life as a burglar. He is thought to have inspired the story of The Strange Case of Dr Jekyll and Mr Hyde.

Church of Christ

 * Introducing the Church of Christ. Star Bible Publications, Fort Worth, Texas 76182.
 * Evangelicalism & the Stone-Campbell Movement (William R. Baker, ed. Downers Grove: InterVarsity Press, 2002) for essays on Church of Christ ecclesiology.
 * Thatcher, Tom; "The Deacon in the Pauline Church" in Christ's Victorious Church: Essays on Biblical Ecclesiology and Eschatology (Jon A. Weatherly, ed. Eugene, OR: Wipf and Stock Publishers, 2001).

Malankara Orthodox Syrian Church

 * Deacons – St Mary's Malankara Orthodox Syrian Cathedral (Philadelphia, PA, US)

Lutheran Church

 * Concordia Deaconess Conference
 * Lutheran Deaconess Association

title: Deacon


text:
USS Voyager (Star Trek)

USS Voyager (NCC-74656) is the fictional Intrepid-class starship which is the primary setting of the science fiction television series Star Trek: Voyager. It is commanded by Captain Kathryn Janeway. Voyager was designed by Star Trek: Voyager production designer Richard D. James and illustrator Rick Sternbach. Most of the ship's on-screen appearances are computer-generated imagery (CGI), although models were also sometimes used. The ship's motto, as engraved on its dedication plaque, is a quote from the poem "Locksley Hall" by Alfred, Lord Tennyson: "For I dipt in to the future, far as human eye could see; Saw the vision of the world, and all the wonder that would be."

Voyager made its television debut in January 1995 in "Caretaker", the most expensive pilot in television history up to that point, reportedly costing $23 million. In addition to its namesake television show, the spacecraft appeared in the computer game Star Trek: Voyager Elite Force (2000). The spacecraft design was also used for Star Trek: The Experience, a theme park in Las Vegas from 1998 to 2008, and as album art.

Concept and design
Rick Sternbach, who designed the Borg cube for The Next Generation, and Richard James collaborated over several months to design the USS Voyager. Sternbach started work on the new design in the fall of 1993 when the new series was announced. By the spring of 1994, the design had started to mature, and was smaller than The Next Generation Enterprise-D with features like the ability to land on a planet's surface. The interior design focused on the bridge, which set the tone for the rest of ship. Throughout the design process, the main goal was to make it new and appealing while still holding in part to the same familiar design.

Voyager special effect shots were done with both miniatures and CGI. The miniature shots of the Voyager model were used as a benchmark to improve the CGI shots. Two different computer models were developed from the physical model by two different companies that scanned it, Amblin Imaging and Foundation Imaging. Amblin won an Emmy for Voyager opening CGI title visuals featuring USS Voyager passing through space, but the weekly episode exteriors were captured with hand-built miniatures of Voyager. By late 1996 (midway through season three), certain exterior shots were fully CGI. Another challenge of the design was coordinating the interior set design with exterior shots, in particular the location of key rooms and the design of windows. These were important, for example, in shots that crossed over from outside the spacecraft to inside the spacecraft in one filming shot.

The principal model of Voyager used for filming sold at a Christie's auction in 2006 for USD US$132000 2006.

Mission
Voyager was launched in 2371. The crew's first orders were to track down a Maquis ship in the Badlands. An alien force called the Caretaker transported both Voyager and the Maquis vessel across 70,000 light-years to the Delta Quadrant, damaging Voyager and killing several crewmembers (including the medical staff, helm officer Stadi, first officer Cavit and the chief engineer). Voyager and the Maquis ship are ultimately stranded in the Delta Quadrant to prevent a genocide of the Ocampans, a species on a nearby planet under the Caretaker's protection from the Kazon, an antagonistic race native to the Delta Quadrant who seek the resources of the Ocampa. Captain Janeway orders the destruction of the device that could transport Voyager and the Maquis vessel home, thereby protecting the Ocampa. Stranded, and with the Maquis ship also destroyed, both crews integrate and work together for the anticipated 75-year journey home.

The intended crew complement was 141 Starfleet personnel, though it held 153 for its inaugural mission. This figure fluctuated during its time in the Delta Quadrant, gaining or losing count due to mishaps, adopted crew, births, and voluntary departures; they start the second year of their journey with 152 people on board, at one point during the fifth year of its journey, there were 150 people on board.

Starfleet Command eventually becomes aware of the ship's presence in the Delta Quadrant and is later able to establish regular communication. After a seven-year journey, during which the acquisition of new technologies and assistance from various allies had already enabled the ship to travel a distance that otherwise would have taken over thirty years, the ship returned to the Alpha Quadrant via a Borg transwarp conduit.

Voyager is seen briefly in the Star Trek: Picard third-season episode "The Bounty", out of commission and docked at Starfleet's Fleet Museum. The Federation starship USS Voyager NCC-74656-J appears for a couple of seconds in the Star Trek: Discovery third-season episode "Die Trying", indicating that an iteration of USS Voyager survived to at least the year 3189 (one year on from Michael Burnham's arrival in this time period).

Design and capabilities
The 15-deck (257 rooms), 700000 MT Voyager was built at the Utopia Planitia Fleet Yards and launched from Earth Station McKinley.

Voyager was equipped with 47 bio-neural gel packs and two holodecks. It was the first ship with a class-9 warp drive, allowing for a maximum sustainable speed of Warp 9.975. Variable geometry pylons allowed Voyager and other Intrepid-class ships to exceed warp 5 without damaging subspace. Like the Galaxy class, Voyager warp nacelles were below the primary hull. The ship also was capable of planetary landings.

Voyager also had an Emergency Medical Hologram (EMH) programmed with a library of more than five million different medical treatments from 2,000 medical references and 47 physicians.

The ship was initially equipped with 40 photon torpedoes with type VI warheads, two of which were equipped with tricobalt devices. Both tricobalt devices were used to destroy the Caretaker's array. Quantum torpedoes were also compatible with Voyager launchers, with some modifications. Voyager housed five standard torpedo launchers (two fore, two aft, one ventral) and was able to fire up to four torpedoes per launcher at once. In the final episode, an alternate future Kathryn Janeway equipped the ship with transphasic torpedoes and ablative hull armor.

During the years in the Delta Quadrant, the ship is augmented with custom, non-spec upgrades and modifications, some of which are modified from technology of other cultures, an example being Seven of Nine's alcoves and the Delta Flyer which both utilize modified Borg technology. Several pieces of technology from the future were also installed in the final episode, courtesy of Admiral Janeway who went back in time to bring Voyager home. Some of the adaptive solutions are to compensate for the disadvantages of being 70000 ly from port, such as the airponics bay and the transformation of the Captain's dining room to a galley, and the acquisition of enhancements from aliens in the Void that massively increases replicator efficiency.

Cargo bay 2 is equipped with several Borg alcoves when Captain Janeway forms an alliance with the Borg and several Borg are forced to work aboard Voyager during the alliance. Seven of Nine and Harry Kim build an astrometrics lab from scratch with Borg-enhanced sensors, knowledge of which Seven of Nine retained from the Borg. Additionally, the crew designed and built the Delta Flyer support craft at the behest of the character Tom Paris later in the series.

Shuttlecraft
An important shuttlecraft in many episodes, and operated from the USS Voyager, was a spacecraft called the Delta Flyer. The Delta Flyer was introduced in the Season 5 episode "Extreme Risk", and was designed and constructed by the crew in the context of the show. The design of the fictional spacecraft by the production staff and how it was presented in special effects has been written about in books about the franchise. The Delta Flyer was designed by illustrator Rich Sternbach, and exterior views were rendered by computer graphics by Foundation Imaging.

One of Voyager's shuttles, the Aeroshuttle, was integrated with the hull in the saucer section and although it was never used in an episode, the production team did develop special effects test footage of it disembarking. Voyager Aeroshuttle was intended as a warp-capable vessel that could also fly in atmospheres; the footage was made by CGI team leaders Rob Bonchune and Adam Lebowitz, along with the VFX producer Dan Curry. Two other craft, the Manta and Cochrane were also developed but the Manta was not used. Cochrane was used in Threshold for the purpose of reaching warp 10.

Presentations
In addition to its namesake television show, the spacecraft appeared in the computer game Star Trek: Voyager Elite Force (2000). The spacecraft design was also used for Star Trek: The Experience, a theme park in Las Vegas from 1998 to 2008, and as album art. The designs was shown on cover art for LaserDisc releases also.

In computer gaming
The Voyager design appeared in Star Trek: Voyager which originally aired on UPN network from 1995 to 2001, but was also used in a number of computer and video games in that period in various capacities. One was Star Trek: Voyager – Elite Force which came out in 2000. This was a computer game style known as a first-person shooter and received a positive reception by the gaming community at that time. Voyager Elite Force was ranked second out of ten of the best Star Trek games up to 2015. Its sequel was published in 2003. One game based on the show, Voyager (circa 1995), was cancelled but has been an influence on other games since.

Merchandise
The model-making company Revell released a plastic model of USS Voyager. Another pre-built offering was made of metal, and a reviewer praised the "swooshy" 'arrowhead' style of the design. The form of the design commonly appears in relation to Voyager merchandise, or elsewhere in places that make use of Star Trek franchise content; for example, a view of USS Voyager was shown as album art for a 4-CD music collection from the show released in 2017.

Production
In late October 1994, the USS Voyager model was delivered to Image G, who did the motion control photography video work with the model for the special effects shots for the upcoming launch of the Star Trek: Voyager television show. Image G also did the motion control photography for the Caretaker Array, as well as for the Maquis and Kazon vessels.

The main sets for the interior of the spacecraft were located at Stage 8 and Stage 9 at Paramount Studios.

One of the more complex sets for the spacecraft was the bridge of Voyager. The bridge of Voyager had 11 different monitors of three different sizes, that had custom graphics displayed depending on what was being shot for each scene. For a scene with the "red alert" setting, the appropriate video graphics would have to be displayed on cue. These graphics were created a by a team of people, with a need for both static and video graphics. Depending on the episode, custom graphics or video sequences would have to be made by a creative team. The videos were recorded to videocassette to be played at the right time, such as when an actor (e.g. Voyager crew) was looking at a monitor.

The ship's design and sets were also used in the Star Trek: Deep Space Nine episode "Inter Arma Enim Silent Leges", this time as the USS Bellerophon, Voyager's sister ship.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: USS Voyager (Star Trek)


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First day of issue

A first day of issue cover or first day cover (FDC) is a postage stamp on a cover, postal card or stamped envelope franked on the first day the issue is authorized for use within the country or territory of the stamp-issuing authority. Sometimes the issue is made from a temporary or permanent foreign or overseas office. Covers that are postmarked at sea or their next port of call will carry a Paquebot postmark. There will usually be a first day of issue postmark, frequently a pictorial cancellation, indicating the city and date where the item was first issued, and "first day of issue" is often used to refer to this postmark. Depending on the policy of the nation issuing the stamp, official first day postmarks may sometimes be applied to covers weeks or months after the date indicated.

Postal authorities may hold a first day ceremony to generate publicity for the new issue, with postal officials revealing the stamp, and with connected persons in attendance, such as descendants of the person being honored by the stamp. The ceremony may also be held in a location that has a special connection with the stamp's subject, such as the birthplace of a social movement, or at a stamp show.

History

Prior to 1840, postage costs were very high and they were usually paid by the person who received the mail. The cost was measured by how many sheets were in the letter and how far the letter had to go. Sometimes this amounted to a very considerable sum. Sir Rowland Hill calculated that the cost to the Post Office was far less than what some people were paying to send/receive their mail; this figure was just a fraction of 1d. Hill believed that sending mail should be affordable to all so proposed that postage should be pre-paid, based on the weight rather than the number of sheets and the cost should be drastically reduced. On 10 January 1840 a Uniform 1d postmark was released which allowed a universal penny postage rate, this was a postmark that was paid and was applied when the letter was sent. It was later decided that an adhesive label should be used to prevent forgeries and mis-use of the postal service and the Penny Black stamp was born. It was officially released for sale on 6 May 1840; however, several post offices that received the stamps prior to that date released the stamps early. The City of Bath is known for releasing the stamps on 2 May 1840. Here began the very first First Day Covers.

Event covers

Event covers, also known as commemorative covers, instead of marking the issuance of a stamp, commemorate events. A design on the left side of the envelope (a "cachet") explains the event or anniversary being celebrated. Ideally the stamp or stamps affixed relate to the event. Cancels are obtained either from the location (e.g., Cape Canaveral, Anytown) or, in the case of the United States, from the Postal Service's Cancellation Services unit in Kansas City.

Philatelic covers
Philatelic covers are envelope prepared with a stamp(s), addressed and sent through the mail delivery system to create a collectible item. Information about philatelic covers is available online in catalogs and collector websites.

Other types
Computer vended postage stamps issued by Neopost had first-day-of-issue ceremonies sponsored by the company, not by an official stamp-issuing entity. Personalised postage stamps of different designs are sometimes also given first-day-of-issue ceremonies and cancellations by the private designer. The stamps issued by private local posts can also have first days of issue, as can artistamps.

Postmark

The postmark is one of the most important features of a cover. Stamps are cancelled by a postmark, which shows they have been used and can’t be re-used to send a letter. Circular Date Stamps (CDS) are the 'bread-and-butter' postmarks used on everyday mail by Post Office counters across the UK. A CDS postmark is very straight forward and only features the town’s name and the date. There is no picture. If one wanted to use a CDS postmark from a town relevant to the stamp's issue, one would have to go to the town’s local Post Office to get it. On a cover, the postmark should touch each stamp and link them to the envelope. Postmarks came to the foreground in the early 1960s, when collectors started to demand more interesting cancellations on their first day covers. For the Red Cross issue in 1963, a special Florence Nightingale cover was posted at her birthplace, West Wellow. The Botanical Conference issue of 1964 featured primroses on the stamps, so one clever cover dealer posted his covers at Primrose Valley. This kind of relevant postmark made a cover worth often ten times more than the same cover with a standard postmark issued by the Philatelic Bureau at Edinburgh (a place with no connection to the stamps). In the US, the U.S. Postal Service chooses a city, or several, as 'official' first day cities. These have a special connection to the stamp issue being released, and these postmarks are the only ones that have the wording: 'First Day of Issue'

Special handstamps

With postmarks becoming more and more important to the covers, pictorial postmarks became very popular. Pictorial postmarks are also known as Special Handstamps/Postmarks. In 1924, the first commemorative set of stamps for the British Empire Exhibition had both special postmarks and a special slogan, but it was not until the late 1960s and early 1970s that dealers and organisations really caught on that you could sponsor/design a connected postmark and it would make an ordinary cover something special. These days anyone can sponsor a postmark. They need to design the postmark, get it approved by Royal Mail and then pay a fee. The postmark then becomes the property of Royal Mail and anyone is allowed to use it on their covers. This means that to a certain extent, most cover producers “borrow” other people’s postmarks. However, to be an “official” cover, a postmark has to be on the cover produced by the organisation that sponsored the postmark in the first place.

Cachet
As the collecting of first day covers became more popular they began to appear on prepared envelopes, often with an illustration (commonly referred to by collectors as a cachet) that corresponded with the theme of the stamp. Several printing companies began producing such envelopes and often hired free lance illustrators to design their cachets such as Charles R. Chickering who in his earlier years designed postage stamps for the U.S. Post Office. Cachets, which should not be confused with postmarks, are basically rubber stamps. Postmarks can only be applied by official Post Offices whereas anyone can design a cachet and put it on their cover. A cachet makes a cover unique and helps tell the story of the cover. It can say whether the cover was carried (for example, covers were carried on the very last flight of the Concorde), who the signer was or information about the postmark. Royal Mail no longer counts pre-decimal stamps as valid and won’t postmark them, a cachet can therefore be used to cancel a pre-decimal stamp on a cover. It provides a link between that stamp and the envelope. They can also be used to cancel Cinderella stamps.

title: First day of issue


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Ambient music

Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It is often "peaceful" sounding and lacks composition, beat, and/or structured melody. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual", or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer.

The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, Jamaican dub reggae and German electronic music, but was prominently named and popularized by British musician Brian Eno in 1978 with his album Ambient 1: Music for Airports; Eno opined that ambient music "must be as ignorable as it is interesting". It saw a revival towards the late 1980s with the prominence of house and techno music, growing a cult following by the 1990s. Ambient music may have elements of new-age music and drone music, as some works may use sustained or repeated notes.

Ambient music did not achieve large commercial success, being criticized as everything from "dolled-up new age, [..] to boring and irrelevant technical noodling". Nevertheless, it has attained a certain degree of acclaim throughout the years, especially in the Internet age. Due to its relatively open style, ambient music often takes influences from many other genres, ranging from classic, avant-garde music, experimental music, folk, jazz, and world music, amongst others.

Origins
As an early 20th-century French composer, Erik Satie used such Dadaist-inspired explorations to create an early form of ambient/background music that he labeled "furniture music" (Musique d'ameublement). This he described as being the sort of music that could be played during a dinner to create a background atmosphere for that activity, rather than serving as the focus of attention.

In his own words, Satie sought to create "a music...which will be part of the noises of the environment, will take them into consideration. I think of it as melodious, softening the noises of the knives and forks at dinner, not dominating them, not imposing itself. It would fill up those heavy silences that sometime fall between friends dining together. It would spare them the trouble of paying attention to their own banal remarks. And at the same time it would neutralize the street noises which so indiscreetly enter into the play of conversation. To make such music would be to respond to a need."

In 1948, French composer & engineer, Pierre Schaeffer coined the term musique concrète. This experimental style of music used recordings of natural sounds that were then modified, manipulated or effected to create a composition. Shaeffer's techniques of using tape loops and splicing are considered to be the precursor to modern day sampling.

In 1952, John Cage released his famous three-movement composition 4'33 which is a performance of complete silence for four minutes and thirty-three seconds. The piece is intended to capture the ambient sounds of the venue/location of the performance and have that be the music played. Cage has been cited by seminal artists such as Brian Eno as influence.

1960s
In the 1960s, many music groups experimented with unusual methods, with some of them creating what would later be called ambient music.

In the summer of 1962, composers Ramon Sender and Morton Subotnick founded The San Francisco Tape Music Center which functioned both as an electronic music studio and concert venue. Other composers working with tape recorders became members and collaborators including Pauline Oliveros, Terry Riley and Steve Reich. Their compositions, among others, contributed to the development of minimal music (also called minimalism), which shares many similar concepts to ambient music such as repetitive patterns or pulses, steady drones, and consonant harmony.

Many records were released in Europe and the United States of America between the mid-1960s and the mid-1990s that established the conventions of the ambient genre in the anglophone popular music market. Some 1960s records with ambient elements include Music for Yoga Meditation and Other Joys and Music for Zen Meditation by Tony Scott, Soothing Sounds for Baby by Raymond Scott, and the first record of the Environments album series by Irv Teibel.

In the late 1960s, French composer Éliane Radigue composed several pieces by processing tape loops from the feedback between two tape recorders and a microphone. In the 1970s, she then went on to compose similar music almost exclusively with an ARP 2500 synthesiser, and her long, slow compositions have often been compared to drone music. In 1969, the group COUM Transmissions were performing sonic experiments in British art schools. Pearls Before Swine's 1968 album Balaklava features the sounds of birdsong and ocean noise, which were to become tropes of ambient music."

1970s
Developing in the 1970s, ambient music stemmed from the experimental and synthesizer-oriented styles of the period.

Between 1974 and 1976, American composer Laurie Spiegel created her seminal work The Expanding Universe, created on a computer-analog hybrid system called GROOVE. In 1977, her composition, Music of the Spheres was included on Voyager 1 and 2's Golden Record.

In April 1975, Suzanne Ciani gave two performances on her Buchla synthesizer – one at the WBAI Free music store and one at Phil Niblock's loft. These performances were released on an archival album in 2016 entitled Buchla Concerts 1975. According to the record label, these concerts were part live presentation, part grant application and part educational demonstration.

However, it was not until Brian Eno coined the term in the mid-70s that ambient music was defined as a genre. Eno went on to record 1975's Discreet Music with this in mind, suggesting that it be listened to at "comparatively low levels, even to the extent that it frequently falls below the threshold of audibility", referring to Satie's quote about his musique d'ameublement.

Other contemporaneous musicians creating ambient-style music at the time included Jamaican dub musicians such as King Tubby, Japanese electronic music composers such as Isao Tomita and Ryuichi Sakamoto as well as the psychoacoustic soundscapes of Irv Teibel's Environments series, and German experimental bands such as Popol Vuh, Cluster, Kraftwerk, Harmonia, Ash Ra Tempel and Tangerine Dream. Mike Orme of Stylus Magazine describes the work of Berlin school musicians as "laying the groundwork" for ambient.

The impact the rise of the synthesizer in modern music had on ambient as a genre cannot be overstated; as Ralf Hutter of early electronic pioneers Kraftwerk said in a 1977 Billboard interview: "Electronics is beyond nations and colors...with electronics everything is possible. The only limit is with the composer". The Yellow Magic Orchestra developed a distinct style of ambient electronic music that would later be developed into ambient house music.

Brian Eno
The English producer Brian Eno is credited with coining the term "ambient music" in the mid-1970s. He said other artists had been creating similar music, but that "I just gave it a name. Which is exactly what it needed ... By naming something you create a difference. You say that this is now real. Names are very important." He used the term to describe music that is different from forms of canned music like Muzak.

In the liner notes for his 1978 album Ambient 1: Music for Airports, Eno wrote: "Whereas the extant canned music companies proceed from the basis of regularizing environments by blanketing their acoustic and atmospheric idiosyncrasies, Ambient Music is intended to enhance these. Whereas conventional background music is produced by stripping away all sense of doubt and uncertainty (and thus all genuine interest) from the music, Ambient Music retains these qualities. And whereas their intention is to 'brighten' the environment by adding stimulus to it (thus supposedly alleviating the tedium of routine tasks and leveling out the natural ups and downs of the body rhythms) Ambient Music is intended to induce calm and a space to think. Ambient Music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting."

Eno, who describes himself as a "non-musician", termed his experiments "treatments" rather than traditional performances.

1980s
In the late 70s, new-age musician Laraaji began busking in New York parks and sidewalks, including Washington Square Park. It was there that Brian Eno heard Laraaji playing and asked him if he'd like to record an album. Day of Radiance released in 1980, was the third album in Eno's Ambient series. Although Laraaji had already recorded a number of albums, this one gave him international recognition. Unlike other albums in the series, Day of Radiance featured mostly acoustic instruments instead of electronics.

In the mid-1980s, the possibilities to create a sonic landscape increased through the use of sampling. By the late 1980s, there was a steep increase in the incorporation of the computer in the writing and recording process of records. The sixteen-bit Macintosh platform with built-in sound and comparable IBM models would find themselves in studios and homes of musicians and record makers.

However, many artists were still working with analogue synthesizers and acoustic instruments to produce ambient works.

In 1983, Midori Takada recorded her first solo LP Through the Looking Glass in two days. She performed all parts on the album, with diverse instrumentation including percussion, marimba, gong, reed organ, bells, ocarina, vibraphone, piano and glass Coca-Cola bottles.

Between 1988 and 1993, Éliane Radigue produced three hour-long works on the ARP 2500 which were subsequently issued together as La Trilogie De La Mort.

Also in 1988, founding member and director of the San Francisco Tape Music Centre, Pauline Oliveros coined the term "deep listening" after she recorded an album inside a huge underground cistern in Washington which has a 45-second reverberation time. The concept of Deep Listening then went on to become "an aesthetic based upon principles of improvisation, electronic music, ritual, teaching and meditation".

1990s
By the early 1990s, artists such as the Orb, Aphex Twin, Seefeel, the Irresistible Force, Biosphere, and the Higher Intelligence Agency gained commercial success and were being referred to by the popular music press as ambient house, ambient techno, IDM or simply "ambient". The term chillout emerged from British ecstasy culture which was originally applied in relaxed downtempo "chillout rooms" outside of the main dance floor where ambient, dub and downtempo beats were played to ease the tripping mind.

British artists such as Aphex Twin (specifically: Selected Ambient Works Volume II, 1994), Global Communication (76:14, 1994), The Future Sound of London (Lifeforms, 1994, ISDN, 1994), the Black Dog (Temple of Transparent Balls, 1993), Autechre (Incunabula, 1993, Amber, 1994), Boards of Canada, and The KLF's Chill Out, (1990), all took a part in popularising and diversifying ambient music where it was used as a calming respite from the intensity of the hardcore and techno popular at that time.

Other global ambient artists from the 1990s include American composers Stars of the Lid (who released 5 albums during this decade), and Japanese artist Susumu Yokota whose album Sakura (1999) featured what Pitchfork magazine called "dreamy, processed guitar as a distinctive sound tool".

2000s–present
By the late 2000s to present, ambient music also gained widespread recognition on YouTube, with uploaded pieces, usually ranging from one to eight hours long, getting over millions of hits. Such videos are usually titled, or are generally known as, "relaxing music", and may be influenced by other music genres. Ambient videos assist online listeners with yoga, study, sleep (see music and sleep), massage, meditation and gaining optimism, inspiration, and creating peaceful atmosphere in their rooms or other environments. Many uploaded ambient videos tend to be influenced by biomusic where they feature sounds of nature, though the sounds would be modified with reverbs and delay units to make spacey versions of the sounds as part of the ambience. Such natural sounds oftentimes include those of a beach, rainforest, thunderstorm and rainfall, among others, with vocalizations of animals such as bird songs being used as well. Pieces containing binaural beats are common and popular uploads as well, which provide music therapy and stress management for the listener.

iTunes and Spotify have digital radio stations that feature ambient music, which are mostly produced by independent labels.

Acclaimed ambient music of this era (according to Pitchfork magazine) include works by Max Richter, Julianna Barwick, Grouper, William Basinski, Oneohtrix Point Never, and the Caretaker. In 2011, American composer Liz Harris recording as Grouper released the album AIA: Alien Observer, listed by Pitchfork at number 21 on their "50 Best Ambient Albums of All Time". In 2011, Julianna Barwick released her first full-length album The Magic Place. Heavily influenced by her childhood experiences in a church choir, Barwick loops her wordless vocals into ethereal soundscapes. It was listed at number 30 on Pitchfork's 50 Best Ambient Albums of All Time. After several self-released albums, Buchla composer, producer and performer Kaitlyn Aurelia Smith was signed to independent record label Western Vinyl in 2015. In 2016, she released her second official album EARS. It paired the Buchla synthesizer with traditional instruments and her compositions were compared to Laurie Spiegel and Alice Coltrane. Kaitlyn has also collaborated with other well-known Buchla performer, Suzanne Ciani. Iggy Pop's 2019 album Free features ambient soundscapes. Mallsoft, a subgenre of vaporwave, features various ambient influences, with artists such as Cat System Corp. and Groceries exploring ambient sounds typical of malls and grocery stores.

Ambient dub
Ambient dub is a fusion of ambient music with dub. The term was first coined by Birmingham's now defunct label "Beyond Records" in early 1990s. The label released series of albums Ambient Dub Volume 1 to 4 that inspired many artists, including Bill Laswell, who used the same phrase in his music project Divination, where he collaborated with other artists in the genre. Ambient dub adopts dub styles made famous by King Tubby and other Jamaican sound artists from the 1960s to the early 1970s, using DJ-inspired ambient electronica, complete with all the inherent drop-outs, echo, equalization and psychedelic electronic effects. It often features layering techniques and incorporates elements of world music, deep bass lines and harmonic sounds. According to David Toop, "Dub music is like a long echo delay, looping through time...turning the rational order of musical sequences into an ocean of sensation." Notable artists within the genre include Dreadzone, Higher Intelligence Agency, the Orb, Gaudi, Ott, Loop Guru, Woob and Transglobal Underground as well as Banco de Gaia and Leyland Kirby

Ambient house
Ambient house is a musical category founded in the late 1980s that is used to describe acid house featuring ambient music elements and atmospheres. Tracks in the ambient house genre typically feature four-on-the-floor beats, synth pads, and vocal samples integrated in an atmospheric style. Ambient house tracks generally lack a diatonic center and feature much atonality along with synthesized chords. The Dutch Brainvoyager is an example of this genre. Illbient is another form of ambient house music.

Ambient techno
Ambient techno is a music category emerging in the late 1980s that is used to describe ambient music atmospheres with the rhythmic and melodic elements of techno. Notable artists include Aphex Twin, B12, Autechre, and the Black Dog.

Ambient industrial
Ambient industrial is a hybrid genre of industrial and ambient music. A "typical" ambient industrial work (if there is such a thing) might consist of evolving dissonant harmonies of metallic drones and resonances, extreme low frequency rumbles and machine noises, perhaps supplemented by gongs, percussive rhythms, bullroarers, distorted voices or anything else the artist might care to sample (often processed to the point where the original sample is no longer recognizable). Entire works may be based on radio telescope recordings, the babbling of newborn babies, or sounds recorded through contact microphones on telegraph wires.

Ambient pop
Ambient pop is a style that developed in the 1980s and 1990s contemporaneously with post-rock; it has also been regarded as an extension of the dream pop movement and the atmospheric style of shoegaze. It incorporates structures that are common to indie music, but extensively explores "electronic textures and atmospheres that mirror the hypnotic, meditative qualities of ambient music", which is also central to indie electronic music. Ambient pop utilizes the musical experimentation of psychedelia and the repetitive traits of minimalism, krautrock and techno as prevalent influences. Despite being an extension of dream pop, it is distinguished by its adoption of "contemporary electronic idioms, including sampling, although for the most part live instruments continue to define the sound."

David Bowie's Berlin Trilogy with ambient music pioneer Brian Eno, both of whom were inspired during the production of the albums in the trilogy by German kosmische Musik bands and minimalist composers, was regarded as influential on ambient pop. The track "Red Sails" from the trilogy's third album, Lodger (1979), was retroactively described as a "piece of ambient-pop" by the music journalist David Buckley in David Bowie: The Music and The Changes, as it prominently incorporates a motorik drum rhythm, electronically processed guitars and a simplistic melody.

Dream pop band Slowdive's 1995 album Pygmalion was a major departure from the band's usual sound, heavily incorporating elements of ambient electronica and psychedelia with hypnotic, repetitive rhythms, influencing many ambient pop bands and subsequently being regarded as a landmark album in the genre; Pitchfork critic Nitsuh Abebe described the album's songs as "ambient pop dreams that have more in common with post-rock [bands] like Disco Inferno than shoegazers like Ride". The genre continued to stylistically progress in the 2000s with bands including Sweet Trip, Múm, Broadcast, Dntel and his project the Postal Service.

Dark ambient
Brian Eno's original vision of ambient music as unobtrusive musical wallpaper, later fused with warm house rhythms and given playful qualities by the Orb in the 1990s, found its opposite in the style known as dark ambient. Populated by a wide assortment of personalities—ranging from older industrial and metal experimentalists (Scorn's Mick Harris, Current 93's David Tibet, Nurse with Wound's Steven Stapleton) to electronic boffins (Kim Cascone/PGR, Psychick Warriors Ov Gaia), Japanese noise artists (K.K. Null, Merzbow), and latter-day indie rockers (Main, Bark Psychosis) – dark ambient features toned-down or entirely missing beats with unsettling passages of keyboards, eerie samples, and treated guitar effects. Like most styles related in some way to electronic/dance music of the '90s, it's a very nebulous term; many artists enter or leave the style with each successive release. Related styles include ambient industrial (see below) and isolationist ambient.

Space music
Space music, also spelled "Spacemusic", includes music from the ambient genre as well as a broad range of other genres with certain characteristics in common to create the experience of contemplative spaciousness.

Space music ranges from simple to complex sonic textures sometimes lacking conventional melodic, rhythmic, or vocal components, generally evoking a sense of "continuum of spatial imagery and emotion", beneficial introspection, deep listening and sensations of floating, cruising or flying.

Space music is used by individuals for both background enhancement and foreground listening, often with headphones, to stimulate relaxation, contemplation, inspiration and generally peaceful expansive moods and soundscapes. Space music is also a component of many film soundtracks and is commonly used in planetariums, as a relaxation aid and for meditation.

Film soundtracks
Examples of films with soundtracks that feature some, or extensive, usage of ambient music include, Forbidden Planet (1956), THX 1138 (1971), Solaris (1972), Blade Runner (1982), The Thing (1982), Dune (1984), Heathers (1988), Akira (1988), Ghost in the Shell (1995), Titanic (1997), Traffic (2000), Donnie Darko (2001), Solaris (2002), The Passion of the Christ (2004), Pride & Prejudice (2005), Moon (2009), The Social Network (2010), Cosmopolis (2012), Her (2013), Enemy (2013), Drive (2011),  Interstellar (2014), Gone Girl (2014), The Revenant (2015), Columbus (2017), Mandy (2018), Annihilation (2018), Ad Astra (2019), Chernobyl (2019) and Dune (2021), among many others.

Notable ambient-music shows

 * Sirius XM Chill plays ambient, chillout and downtempo electronica.
 * Sirius XM Spa blends ambient and new age instrumental music on channel XM 68.
 * Echoes, a daily two-hour music radio program hosted by John Diliberto featuring a soundscape of ambient, spacemusic, electronica, new acoustic and new music directions – founded in 1989 and syndicated on 130 radio stations in the US.
 * BBC Radio 1 Relax is a radio station offered by the British Broadcasting Corporation (BBC) that broadcasts ambient music. The channel features a variety of ambient genres, including electronic and instrumental compositions.
 * Hearts of Space, a program hosted by Stephen Hill and broadcast on NPR in the US since 1973.
 * Musical Starstreams, a US-based commercial radio station and Internet program produced, programmed and hosted by Forest since 1981.
 * Star's End, a radio show on 88.5 WXPN, in Philadelphia, Pennsylvania. Founded in 1976, it is the second longest-running ambient music radio show in the world.
 * Ultima Thule Ambient Music, a weekly 90-minute show broadcast since 1989 on community radio across Australia.
 * Avaruusromua, the name meaning "space debris", is a 60-minute ambient and avant-garde radio program broadcast since 1990 on Finnish public broadcaster YLE's various stations.

title: Ambient music