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Charles XI of Sweden

Charles XI or Carl (Karl XI; 4 December 1655 – 15 April 1697) was King of Sweden from 1660 until his death, in a period of Swedish history known as the Swedish Empire (1611–1721).

He was the only son of King Charles X Gustav of Sweden and Hedwig Eleonora of Holstein-Gottorp. His father died when he was four years old, so Charles was educated by his governors until his coronation at the age of seventeen. Soon afterward, he was forced out on military expeditions to secure the recently acquired dominions from Danish troops in the Scanian War. Having successfully fought off the Danes, he returned to Stockholm and engaged in correcting the country's neglected political, financial, and economic situation. He managed to sustain peace during the remaining 20 years of his reign. Changes in finance, commerce, national maritime and land armaments, judicial procedure, church government, and education emerged during this period. Charles XI was succeeded by his only son Charles XII, who made use of the well-trained army in battles throughout Europe.

Though Charles was crowned as Charles XI, he was not the 11th king of Sweden of that name. His father's name (as the 10th) was due to his great-grandfather, King Charles IX of Sweden (1604–1611), having adopted his own numeral by using a mythological History of Sweden. That ancestor was actually the third King Charles. The numbering tradition thus begun still continues, with the present king of Sweden being Carl XVI Gustaf.

Under guardian rule
Charles was born in the Stockholm Palace Tre Kronor in November 1655. His father, Charles X of Sweden, had left Sweden in July that year to fight in the war against Poland. After several years of warfare, the king returned in the winter of 1659, gathered his family and the Riksdag of the Estates in Gothenburg. Here he beheld his four-year-old son for the first time. Only a few weeks later, in mid-January 1660, the king fell ill; one month later, he wrote his last will and died.

Charles X Gustav's will and testament left the administration of the Swedish Empire during Charles XI's minority to a regency led by Queen Dowager Hedwig Eleonora as both formal regent and chair of a six-member Regency Council with two votes and a final say over the rest of the council. Per Brahe was one member of the council. In addition, Charles X Gustav left command of the army and a seat on the council to his younger brother, Adolph John I, Count Palatine of Kleeburg. These provisions among others led to the remainder of the council immediately challenging the will. On 14 February, the day after King Charles X's death, Hedwig Eleonora sent a message to the council stating that she knew that they contested the will and that she demanded that it should be respected. The council answered that the will must first be discussed with the parliament, and at the following council in Stockholm on 13 May, the council tried to keep her from attending. The parliament questioned whether it would be good for her health or suitable for a widow to attend council, and that if not, it would be hard to keep sending a messenger to her quarters. Her reply that the council would be allowed to meet without her and only inform her when they considered it necessary was met with satisfaction from the council. Hedwig Eleonora's ostensible indifference to politics came as a great relief to the lords of the guardian government.

His mother, Queen Hedvig Eleonora, remained the formal regent until Charles XI attained his majority on 18 December 1672, but she was careful not to embroil herself in political conflicts. During his first appearances in parliament, Charles spoke to the government through her. He would whisper the questions he had in her ear, and she would ask them aloud and clearly for him. As an adolescent, Charles devoted himself to sports, exercise, and his favourite pastime of bear-hunting. He appeared ignorant of the very rudiments of statecraft and almost illiterate. His main difficulties are now seen as evident signs of dyslexia, a disability that was poorly understood at the time. According to many contemporary sources, the king was considered poorly educated and therefore not qualified to conduct himself effectively in foreign affairs. Charles was dependent on his mother and advisors to interact with the foreign envoys since he had no foreign language skills apart from German and was ignorant of the world outside Sweden.

Italian writer Lorenzo Magalotti visited Stockholm in 1674 and described the teenage Charles XI as "virtually afraid of everything, uneasy to talk to foreigners, and not daring to look anyone in the face". Another trait was a deep religious devotion: he was God-fearing, frequently prayed kneeling and attended sermons. Magalotti otherwise described the king's main pursuits as hunting, the upcoming war, and jokes.

Scanian War
The situation in Europe was shaky during this time and Sweden was going through financial problems. Charles XI's guardians decided to negotiate an alliance with France in 1671. This would ensure that Sweden would not be isolated if there was a war, and that the national finances would improve thanks to French subsidies. France directed its aggression against the Dutch in 1672, and by the spring of 1674, Sweden was forced to take part by directing forces towards Brandenburg, under the lead of Karl Gustav Wrangel.

Denmark was an ally of the Habsburg Holy Roman Empire, and it was evident that Sweden was on the verge of yet another war with that country. A remedy was attempted by chancellor Nils Brahe, who traveled to Copenhagen in the spring of 1675 to try to get the Danish princess Ulrika Eleonora of Denmark engaged to the Swedish king. In mid-June 1675, the engagement was officially proclaimed. However, when news arrived of the Swedish defeat at the Battle of Fehrbellin, Danish king Christian V declared war on Sweden that September.

The Swedish Privy Council continued its internal feuds, and the king was forced to rule without them. The 20-year-old king was inexperienced and considered ill-served amidst what has been called the anarchy in the nation. He dedicated autumn in his newly formed camp in Scania to arm the Swedish nation for battle in the Scanian War. The Swedish soldiers in Scania were outnumbered and out-equipped by the Danes. In May 1676, they invaded Scania, taking Landskrona and Helsingborg, then proceeding through Bohuslän towards Halmstad. The King had to grow up quickly. He suddenly found himself alone and under great pressure.

Victory at the Battle of Halmstad (17 August 1676), when Charles and his commander-in-chief Simon Grundel-Helmfelt defeated a Danish division, was the king's first glimmer of good luck. Charles continued south through Scania, arriving on the tableland of the flooded Kävlinge River – near Lund – on 11 November. The Danish army commanded by Christian V was positioned on the other side. It was impossible to cross the river and Charles had to wait for weeks until it froze over. This finally happened on 4 December and Charles launched a surprise attack on the Danish forces to fight the Battle of Lund. This was one of the bloodiest engagements of its time. Of the over 20,000 combatants, about 8,000 perished on the battlefield. All the Swedish commanders showed ability, but the chief glory of the day was attributed to Charles XI and his fighting spirit. The battle proved to be a decisive one for the rule of the Scanian lands and it has been described as the most significant event for Charles' personality. Charles commemorated this date the rest of his life.

In the following year, 13,000 men led by Charles routed 12,000 Danes at the Battle of Landskrona. This proved to be the last pitched battle of the war since, in September 1678, Christian V evacuated his army back to Zealand. In 1679, Louis XIV of France dictated the terms of a general pacification, and Charles XI, who is said to have bitterly resented "the insufferable tutelage" of the French king, was forced at last to acquiesce to a peace that managed to leave his empire practically intact. Peace was made with Denmark in the treaties of Fontainebleau (1679) and Lund, and with Brandenburg in the Treaty of Saint-Germain-en-Laye (1679).

Post-war actions
Charles devoted the rest of his life to avoiding further warfare by gaining larger independence in foreign affairs, while he also promoted economic stabilization and a reorganization of the military. His remaining 20 years on the throne were the longest peacetime of the Swedish Empire (1611–1718).

In the early years, he was assisted by the man who had become his trusted prime-minister, Johan Göransson Gyllenstierna (1635–1680). Some sources say the king was basically dependent on Gyllenstierna. His sudden death in 1680 opened up the road to the monarch, and many men tried to get close to the king to take Gyllenstierna's place.

Financial restoration
Sweden's weak economy had suffered during the war and was now in a deep crisis. Charles assembled the Riksdag of the Estates in October 1680. The assembly has been described as one of the most important held by the Riksdag of the Estates. Here, the king finally pushed through the reduction ordeal, something that had been discussed in the Riksdag since 1650. It meant that any land or object previously owned by the crown and lent or given away – including counties, baronies and lordships – could be recovered. It affected many prominent members of the nobility, some of whom were ruined by it. One of them was the former guardian and Lord Chief Justice Magnus De La Gardie, who, among many other Estates, had to return the extravagant 248-room Läckö Castle. The reduction process involved the examination of every title deed in the kingdom, including the dominions, and it resulted in a complete readjustment of the nation's finances.

Greycoat
According to Swedish legend, Charles XI travelled around the country dressed as a farmer or simple traveller. In the legend he is referred to as the Greycoat (Swedish: Gråkappan). This was done to discover and identify corruption and oppression against the populace. There are many stories about him arriving in villages looking for corrupt church officials and punishing them. One anecdote tells of him visiting one village with a church in splendid condition and the priest living in poverty. Continuing, the King found in the next village a church in disrepair and a priest living lavishly. The King solved the situation by switching the priests, giving the poor priest the lavish living condition and a church the King was certain he would rebuild. Always followed by a military cortège, Charles toured the country more than other Swedish kings during this era and was famous for the speed at which he travelled, setting many records. The stories of the Greycoat were published in a book by Arvid August Afzelius in the middle of the 19th century.

Absolutism
Another important decision made during the assembly was that of the Swedish Privy Council. Since 1634, it had been mandatory for the king to take advice from the council. During the Scanian War, the members of the council were engaged in internal feuds, and the king more or less ruled without listening to their advice. At the 1680 assembly, he asked the Estates whether he was still bound to the council, to which the Estates responded with his desired reply: "he was not bound by anyone other than himself" ("envälde"), and thereby the absolute monarchy was formally established in Sweden. The Riksdag of the Estates confirmed his power in 1693 by officially proclaiming that the king was the sole ruler of Sweden.

Military restructuring
In the 1682 assembly of the Riksdag of the Estates, the king put forth his suggestion for military reform, whereby each of the lands of Sweden were to have 1,200 soldiers at the ready, at all times, and two farms were to provide accommodations for one soldier. His soldiers were known as Caroleans, trained to be skilled and preferring to attack rather than defend. Savagery and looting were strictly forbidden. Soldier huts around the country were the most visible part of the new Swedish allotment system. However, Charles also modernized the military techniques and worked to improve the skills and knowledge of the officers by sending them abroad to study.

Charles XI was initially enthusiastic about warfare and combat and he was often portrayed as the soldier-King. In the years after the Scanian War however, during which he personally engaged in the fighting and saw the devastation of war, he would later come to view that war was something better to be avoided if possible. With the recent war in mind he wanted to strengthen the armed forces for a defensive war which he knew would come sooner or later.

The Swedish navy suffered major defeats against Danish-Dutch forces in the Scanian War, revealing deficiencies in organization and supply, and disadvantages in basing the fleet at Stockholm. The navy was bolstered with the founding of an ice-free base at Karlskrona in 1680 which became the mainstay of future naval operations. Today it is a UNESCO World Heritage Site.

Assimilation of the newest territories

Charles believed it was very important to assimilate the new Swedish territories of Scania, Blekinge, Halland, in southern Sweden; Bohuslän in western Sweden and Jämtland, in northern Sweden, and the island of Gotland. Some assimilation policies included: the ban of all books written in Danish or Norwegian, thus breaking the promise made at the Treaty of Roskilde; the use of Swedish language in the conduct of sermons; and all new priests and teachers having to come from Sweden.

The king had seen bitter resentment from the Scanian peasants during the Scanian War and was particularly tough on that province. The guerrilla Snapphane movement, in northern Scania, had attacked his soldiers and stolen his money. They also had strong support from the local villages. Charles remained suspicious of the Scanian inhabitants throughout his life. He did not allow soldiers from Scania in his Scanian regiment: the 1,200 soldiers that were to be stationed there had to be recruited from more northern provinces. He also advocated rough treatment of the inhabitants and the first Governor-General of Scania, his trusted aide Johan Gyllenstierna (governor-general 1679–1680), was notably brutal in his treatment of the locals. The rule of Rutger von Ascheberg (governor-general 1680–1693), proved more lenient.

The assimilation was not as strongly implemented in the German dominions of Swedish Pomerania, Bremen-Verden, and the Baltic dominions (Estonia and Livonia). In Germany, Charles found himself being opposed by the Estates there. He was also bound by the law of the German emperor and the peace treaty. In the Baltic, the power structure was completely different, with a German-descended nobility that used serfs, something that Charles abhorred and wanted to abolish but was unable to. Finally, Kexholm and Ingria were sparsely populated and not of great interest.

Church
Charles was a devoted Lutheran Christian. In February 1686, a church law was put forth on his initiative. The church order declared that the king was ruler of the Church in the same way that he ruled the country and God ruled the world. Attending sermons on Sunday was made obligatory and ordinary people found walking during that time risked arrest. Three years later, he declared it obligatory for all commoners to learn to read a catechism written by archbishop Olov Svebilius and then-bishop Haqvin Spegel so that they would understand the "magnificence of God".

Charles encouraged the production of a hymnal (Psalmbok) to be printed and distributed to the churches (completed 1693), and a new printed version of the Bible that was completed in 1703 and named after his successor: Charles XII Bible.

Family matters

On 6 May 1680, Charles married Ulrika Eleonora of Denmark (1656–1693), daughter of King Frederick III of Denmark (1609–1670). He had previously been engaged to his cousin, Juliana of Hesse-Eschwege, but the engagement was broken after a scandal. Charles and Ulrika were engaged in 1675 in an attempt to smooth over longstanding hostilities, but the Scanian War soon broke out. During the war, Ulrika Eleonora gained a reputation for loyalty to her future home country by exhibiting kindness to Swedish prisoners: she pawned her jewelry, even her engagement ring, to care for the Swedish prisoners of war. Her personal merits and continued charitable acts throughout her tenure endeared her to the Swedish people and eased some of the difficulties brought on by her Danish background. In the peace negotiations between Sweden and Denmark in 1679, the marriage between her and Charles XI was on the agenda, and ratified on 26 September 1679. They married at Skottorp on 6 May 1680 in a hasty ceremony, as Charles prioritized government work over private matters, even a marriage ceremony.

Charles and Ulrika Eleonora were very different. He enjoyed hunting and riding, while she enjoyed reading and art, and is best remembered for her great charitable activity. She was also limited by ill-health and numerous pregnancies. Charles was very active and busy and while Charles was away inspecting his troops or pursuing his pastimes, she was often lonely and sad. The marriage itself, however, is considered a success, with the King and Queen being very fond of each other. As queen, Ulrika Eleonora had little political involvement and was placed in the shadow of her mother-in-law. During "The Great Reversion" to the crown of counties, baronies and large lordships from the nobility, Ulrika tried to speak on the behalf of the people whose property was confiscated by the crown. But the king told her that the reason he had married her was not because he wanted her political advice. Instead, she helped people whose property had been confiscated by secretly compensating them economically from her own budget. However Charles XI's confidence in her grew over time: in 1690, he named her future Regent, should his son succeed him still a minor. Instead Ulrika Eleonora predeceased him by almost four years. At the time of her death she was personally supporting 17,000 people.

It is said that on his death bed, Charles XI admitted to his mother that he hadn't been happy since Ulrika Eleonora's death.

The marriage produced seven children, of whom only three outlived Charles:
 * Hedwig Sophia (1681–1708), duchess of Holstein-Gottorp and grandmother of Tsar Peter III;
 * Charles XII (1682–1718), who succeeded him to the throne; he had no issue
 * Gustav (1683–1685)
 * Ulric (1684–1685)
 * Frederick (1685–1685)
 * Charles Gustav (1686–1687)
 * Ulrika Eleonora ("the younger", 1688–1741), who succeeded her brother on the Swedish throne; no issue

Ulrika Eleonora (the elder) was sickly, and the many child births eventually broke her. When she became seriously ill, in 1693, Charles finally dedicated his time and care to her. Her death in July that year shook him deeply and he never fully recovered. Her infant son Ulric (1684–1685) had been given Ulriksdal Palace, which was renamed for him (Ulric's Dale).

Death
Charles XI had complained of stomach pains since 1694. In the summer of 1696, he asked his doctors for an opinion on the pain as it had continuously become worse, but they had no viable cure or treatment for it. He continued to perform his duties as usual, but, in February 1697, the pains became too severe for him to cope and he returned to Stockholm where the doctors discovered he had a large, hard lump in his stomach. At this point there was little the doctors could do except alleviate the King's pain as best they could. Charles XI died on 5 April 1697, in his forty-first year. An autopsy showed that the King had developed cancer and that it had spread through his entire abdominal cavity.

Legacy
Charles XI has sometimes been described in Sweden as the greatest of all the Swedish kings, except for Gustavus II Adolphus, unduly eclipsed by his father and his son. In the first half of the 20th century, the view of him changed and he was regarded as dependent, uncertain, and easily influenced by others. In the most recent book, Rystad's biography from 2003, the king is again characterized as a strong-willed shaper of Sweden through economic reforms and achievement of financial and military stability and strength.

Charles XI was commemorated on the previous 500-kronor bill. His portrait is taken from one of Ehrenstrahl's paintings, possibly the one displayed on this page. The king is pictured on the bill since the Bank of Sweden was founded in 1668, during Charles' reign.

The fortified town of Carlsburg near Bremen, at the site of modern Bremerhaven, was named after Charles XI. The Swedish town of Karlskrona, built during his reign to host the primary navy base in southern Sweden, which it remains to this day, is also named after him.

Charles's Church in Tallinn, Estonia, is dedicated to Charles XI. The recognition of his sores and corpse didn't show the incorruptibility that medieval hagiographers believed to be a sign of Christian sainthood. In 1697 the same belief caused Charles's subjects to ask if "God had put the illness inside the king...to punish the people or Charles." Two years later, the course of events that highlighted the crisis was of the absolutism itself.

title: Charles XI of Sweden


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Charles XII of Sweden

Charles XII, sometimes Carl XII (Karl XII) or Carolus Rex (17 June 1682 – 30 November 1718 O.S. ), was King of Sweden (including current Finland) from 1697 to 1718. He belonged to the House of Palatinate-Zweibrücken, a branch line of the House of Wittelsbach. Charles was the only surviving son of Charles XI and Ulrika Eleonora the Elder. He assumed power, after a seven-month caretaker government, at the age of fifteen.

In 1700, a triple alliance of Denmark–Norway, Saxony–Poland–Lithuania and Russia launched a threefold attack on the Swedish protectorate of Holstein-Gottorp and provinces of Livonia and Ingria, aiming to draw advantage as the Swedish Empire was unaligned and ruled by a young and inexperienced king, thus initiating the Great Northern War. Leading the Swedish army against the alliance, Charles won multiple victories despite being significantly outnumbered. A major victory over a Russian army some three times the size in 1700, at the Battle of Narva, compelled Peter the Great to sue for peace, an offer that Charles subsequently rejected. By 1706, Charles, now 24 years old, had forced all of his foes into submission including, in that year, a decisively devastating victory by Swedish forces under general Carl Gustav Rehnskiöld over a combined army of Saxony and Russia at the Battle of Fraustadt. Russia was now the sole remaining hostile power.

Charles's subsequent march on Moscow met with initial success as victory followed victory, the most significant of which was the Battle of Holowczyn where the smaller Swedish army routed a Russian army twice the size. The campaign ended with disaster when the Swedish army suffered heavy losses to a Russian force more than twice its size at Poltava. Charles had been incapacitated by a wound prior to the battle, rendering him unable to take command. The defeat was followed by the Surrender at Perevolochna. Charles spent the following years in exile in the Ottoman Empire before returning to lead an assault on Norway, trying to evict the Danish king from the war once more in order to aim all his forces at the Russians. Two campaigns met with frustration and ultimate failure, concluding with his death at the Siege of Fredriksten in 1718. At the time, most of the Swedish Empire was under foreign military occupation, though Sweden itself was still free. This situation was later formalized, albeit moderated in the subsequent Treaty of Nystad. The result was the end of the Swedish Empire, and also of its effectively organized absolute monarchy and war machine, commencing a parliamentary government unique for continental Europe, which would last for half a century until royal autocracy was restored by Gustav III.

Charles was an exceptionally skilled military leader and tactician as well as an able politician, credited with introducing important tax and legal reforms. As for his famous reluctance towards peace efforts, he is quoted by Voltaire as saying upon the outbreak of the war: "I have resolved never to start an unjust war but never to end a legitimate one except by defeating my enemies". With the war consuming more than half his life and nearly all his reign, he never married and fathered no children. He was succeeded by his sister Ulrika Eleonora, who in turn was coerced to hand over all substantial powers to the Riksdag of the Estates and opted to surrender the throne to her husband Friedrich of Hesse-Kassel, who became King Frederick I of Sweden.

Royal title
His title in full as the king of Sweden was as follows:

''The Sovereign and Supreme Lord, His Majesty, Charles XII, by the Grace of God, King of Sweden, the Goths and the Wends;  Grand Prince of Finland;  Duke of Uppland, Västergötland, Småland, Östergötland, Skåne, Södermanland, Västmanland, Dalarna, Northern Finland, Southern Finland, Estonia, Livonia, Karelia, Bremen, Verden, Stettin, Pomerania, Rostock, Kassuben and Wenden;  Count to Hälsingland, Närke, Värmland, Bohuslän, Dalsland, Halland, Blekinge, Gotland, Öland, Ångermanland, Westrobothnia, Gästrikland, Jämtland, Medelpad, Tavastland, Nyland, Ostrobothnia, Åland, Ösel, Savolax and Lapland;  Prince of Rügen;  Lord of Ingeria, Kexholm, Wismar and Narva;  so and Count Palatine by the Rhine;  Duke in Bavaria;  Count of Zweibrücken—Kleeburg;  as well as Duke of Jülich, Cleves and Berg;  Count of Veldenz, Sponnheim and Ravensberg;  Lord of Ravenstein etc. etc.. etc...''

The fact that Charles was crowned as Charles XII does not mean that he was the 12th king of Sweden by that name. Swedish kings Erik XIV (1560–1568) and Charles IX (1604–1611) gave themselves numerals after studying a mythological history of Sweden. He was actually the 6th King Charles.

Early campaigns

Around 1700, the monarchs of Denmark–Norway, Saxony (ruled by elector August II of Poland, who was also the king of Poland-Lithuania) and Russia united in an alliance against Sweden, mainly through the efforts of Johann Reinhold Patkul, a Livonian nobleman who turned traitor when the "great reduction" of Charles XI in 1680 stripped much of the nobility of lands and properties. In late 1699, Charles sent a minor detachment to reinforce his brother-in-law Duke Frederick IV of Holstein-Gottorp, who was attacked by Danish forces the following year. A Saxon army simultaneously invaded Swedish Livonia, and in February 1700 surrounded Riga, the most populous city of the Swedish Empire. Russia also declared war (August 1700), but stopped short of an attack on Swedish Ingria until September 1700.

Charles's first campaign was against Denmark–Norway, ruled by his cousin Frederick IV of Denmark. For this campaign Charles secured the support of England and the Netherlands, both maritime powers concerned with Denmark's threats too close to the Sound. Leading a force of 8,000 and 43 ships in an invasion of Zealand, Charles rapidly compelled the Danes to submit to the Peace of Travendal in August 1700, which indemnified Holstein. Having forced Denmark–Norway to make peace within months, King Charles turned his attention upon the two other powerful neighbors, King August II (cousin to both Charles XII and Frederick IV of Denmark–Norway) and Peter the Great of Russia, who also had entered the war against him, ironically on the same day that Denmark came to terms.

Russia had opened their part of the war by invading the Swedish-held territories of Livonia and Estonia. Charles countered this by attacking the Russian besiegers at the Battle of Narva (November 1700). The Russians outnumbered the Swedish army of ten thousand men by almost four to one. Charles attacked under cover of a blizzard, effectively splitting the Russian army in two and won the battle. Many of Peter's troops who fled the battlefield drowned in the Narva River. The total number of Russian fatalities reached about 10,000 at the end of the battle, while the Swedish forces lost 667 men.

Charles did not pursue the Russian army. Instead, he turned against Poland-Lithuania, which was formally neutral at this point, thereby disregarding Polish negotiation proposals supported by the Swedish parliament. Charles defeated the Polish king Augustus II and his Saxon allies at the Battle of Kliszow in 1702 and captured many cities of the Commonwealth. After the deposition of Augustus as king of the Polish–Lithuanian Commonwealth, Charles XII put Stanisław Leszczyński as his puppet on the Polish throne (1704).

Russian resurgence
While Charles won several decisive battles in the Commonwealth and ultimately secured the coronation of his ally Stanisław Leszczyński and the surrender of Saxony, the Russian Tsar Peter the Great embarked on a military reform plan that improved the Russian army, using the effectively organized Swedes and other European armies as role models. Russian forces managed to penetrate Ingria, where they established a new city, Saint Petersburg. Charles planned an invasion of the Russian heartland, allying himself with Ivan Mazepa, Hetman of the Ukrainian Cossacks. The size of the invading Swedish army was peeled off as Charles left Leszczyński with some 24,000 German and Polish troops, departing eastwards from Saxony in late 1707 with some 35,000 men, adding a further 12,500 under Adam Ludwig Lewenhaupt marching from Livonia. Charles left the homeland with a defense force of approximately 28,800 men, with a further 14,000 in Swedish Finland, as well as other garrisons in the Baltic and German provinces.

After securing his "favorite" victory in the Battle of Holowczyn, despite being outnumbered over three to one by the new Russian army, Charles opted to march eastwards on Moscow rather than try to seize Saint Petersburg, founded from the Swedish town of Nyenskans five years earlier. Peter the Great managed, however, to ambush Lewenhaupt's army at Lesnaya before Charles could combine his forces, thus losing valuable supplies, artillery and half of Lewenhaupt's men. Charles' Polish ally, Stanisław Leszczyński, was facing internal problems of his own. Charles expected the support of a massive Cossack rebellion led by Mazepa in Ukraine, with estimates suggesting Mazepa was able to muster about 40,000 troops. However, the Russians subjugated the rebellion and destroyed its capital, Baturin, before the arrival of the Swedish troops. The harsh climate took its toll as well, because Charles marched his troops to winter camp in Ukraine.

By the time of the decisive Battle of Poltava, in July 1709, Charles had been wounded, one-third of his infantry was dead, and his supply train had been destroyed. The king was incapacitated by a gunshot wound to the foot and was unable to lead the Swedish forces. With the numbers of Charles' army reduced to some 23,000, with many wounded or involved on the siege of Poltava, his general Carl Gustav Rehnskiöld had a clearly inferior force to face the fortified and modernized army of Tsar Peter, with some 45,000 men. The Swedish assault ended in disaster, and the king fled south to the Ottoman Empire with a small entourage, and set up camp at Bender with some 1,000 of his Caroleans ("Karoliner" in Swedish). The remainder of the army surrendered days later at Perevolochna under Lewenhaupt's command, most of them (including Lewenhaupt himself) spending the rest of their days in Russian captivity.

The Swedish defeat at Poltava marked the downfall of the Swedish Empire, as well as the founding of the Russian Empire.

Exile in the Ottoman Empire
The Ottomans initially welcomed the Swedish king when he went to Abdurrahman Pasha, commander of Özü Castle, as he was about to fall into the hands of the Russian army, and he was able to take refuge in the castle at the last moment. Afterward, he settled in Bender at the invitation of its governor, Ağa Yusuf Pasha.

In the meantime, Charles sent Stanisław Poniatowski and Thomas Funck (1672–1713) as his messengers to Constantinople. They managed to indirectly contact Gülnuş Sultan, mother of Sultan Ahmed III, who became intrigued by Charles, and took an interest in his cause, and even corresponded with him in Bender.

His expenses during his long stay in the Ottoman Empire were covered by the Ottoman state budget, as part of the fixed assets (Demirbaş in Turkish), hence his nickname Demirbaş Şarl (Fixed Asset Charles) in Turkey.

Eventually, a small village named Karlstad (Varnița) had to be built near Bender to accommodate the ever-growing Swedish population there.

Gülnuş Sultan convinced her son to declare war against Russia, as she thought that Charles was a man worth taking a risk for. Later on, the Ottomans and Russians signed the Treaty of the Pruth and Treaty of Adrianople to end the hostilities between them. The treaties dissatisfied the pro-war party supported by King Charles and Stanislaw Poniatowski, who failed to reignite the conflict.

However, the Sultan Ahmed III's subjects in the empire eventually got tired of Charles' scheming. His entourage also accumulated huge debts with Bender merchants. Eventually, "crowds" of townspeople attacked the Swedish colony at Bender and Charles had to defend himself against the mobs and the Ottoman janissaries involved. This uprising was called "kalabalık" (Turkish for crowd) which afterward found a place in Swedish lexicon referring to a ruckus. The janissaries did not shoot Charles during the skirmish at Bender, but captured him and put him under house-arrest at Dimetoka (nowadays Didimoticho) and Constantinople. During his semi-imprisonment the King played chess and studied the Ottoman Navy and the naval architecture of the Ottoman galleons. His sketches and designs eventually led to the famous Swedish war ships Jarramas (Yaramaz) and Jilderim (Yıldırım).

Meanwhile, Russia and Poland regained and expanded their borders. Great Britain, an adversary of Sweden, defected from its alliance obligations while Prussia attacked Swedish holdings in Germany. Russia occupied Finland (the Greater Wrath 1713–1721). After defeats of the Swedish army, consisting mainly of Finnish troops in the Battle of Helsinki (1713), the Battle of Pälkäne 1713 and the Battle of Storkyro 1714, the military, administration and clergymen escaped from Finland, which fell under Russian military regime.

During his five-year stay in the Ottoman Empire, Charles XII corresponded with his sister (and eventual successor), Ulrika Eleonora. According to Mrs. Ragnhild Marie Hatton, a Norwegian-British historian, in some of those letters Charles expressed his desire for a peace treaty which would be defensible in the future Swedish generations' eyes. However, he emphasized that only a greater respect for Sweden in Europe would enable him to achieve such a peace treaty. Meanwhile, the Swedish Council of State (government) and Estates/Diet (Parliament) tried to keep the beleaguered Sweden somehow organized and independent. Eventually, in the autumn of 1714, their warning letter reached him. In it, those executive and legislative bodies told the absentee King that unless he quickly returned to Sweden, they would independently conclude an achievable peace treaty with Russia, Poland and Denmark. This stark admonition prompted Charles to rush back to Sweden.

Charles traveled back to Sweden with a group of Ottomans, soldiers such as escorts and businessmen to whom he promised to repay his debts during his stay in the Ottoman Empire, but they had to wait several years before that happened. According to the prevailing church law in Sweden at that time, all who lived in the country, but were not members of the Swedish state church, would be baptized. In order for the Jewish and Muslim creditors to avoid this, Charles wrote a "free letter" so that they could practice their religions without being punished. The soldiers chose to remain in Sweden instead of difficult trips home. They were called "Askersson" (the word asker in Turkish means soldier). However, there are accounts implying that following the long stay for Charles to repay his debts, they got paid and left the country.

Pomerania and Norway
Charles agreed to leave Constantinople and returned to Swedish Pomerania. He made the journey on horseback, riding across Europe in just fifteen days. He traveled across the Habsburg Kingdom of Hungary to Vienna and arrived at Stralsund. A medal with Charles on horseback, his long hair flying in the wind, was struck in 1714 to commemorate the speedy ride. It reads ''Was sorget Ihr doch? Gott und Ich leben noch. (What worries you so? God and I live still.).''

After five years away, Charles arrived in Sweden to find his homeland at war with Russia, Saxony, Hannover, Great Britain and Denmark. Sweden's western enemies attacked southern and western Sweden while Russian forces traveled across Finland to attack the Stockholm district. For the first time, Sweden found itself in a defensive war. Charles' plan was to attack Denmark by striking at her possessions in Norway. It was hoped that by cutting Denmark's Norwegian supply lines the Danes would be compelled to withdraw their forces from Swedish Scania. Charles invaded Norway in 1716 with a combined force of 7,000 men. He occupied the capital of Christiania, (modern Oslo), and laid siege to the Akershus fortress there. Due to a lack of heavy siege cannons he was unable to dislodge the Norwegian forces inside. After suffering significant losses of men and materiel, Charles was forced to retreat from the capital on 29 April. In the following mid-May, Charles invaded again, this time striking the border town of Fredrikshald, now Halden, in an attempt to capture the fortress of Fredriksten. The attacking Swedes came under heavy cannon fire from the fortress and were forced to withdraw when the Norwegians set the town of Fredrikshald on fire. Swedish casualties in Fredrikshald were estimated at 500 men. While the siege at Fredrikshald was underway, the Swedish supply fleet was attacked and defeated by Tordenskjold in the Battle of Dynekilen.

In 1718, Charles once more invaded Norway. With a main force of 40,000 men, he again laid siege to the fortress of Fredriksten overlooking the town of Fredrikshald. Charles was shot in the head and killed during the siege, while he was inspecting trenches. The invasion was abandoned, and Charles' body was returned to Sweden. A second force, under Carl Gustaf Armfeldt, marched against Trondheim with 10,000 men but was forced to retreat. In the march that ensued, many of the 5,800 remaining men perished in a severe winter storm.

Death
While in the trenches close to the perimeter of the fortress on 30 November (11 December New Style), 1718, Charles was struck in the head by a projectile and killed. The shot struck the left side of his skull and exited from the right. He died instantly.

The definitive circumstances around Charles's death remain unclear. Despite multiple investigations of the battlefield, Charles's skull and his clothes, it is not known where and when he was hit, or whether the shot came from the ranks of the enemy or from his own men. There are several hypotheses as to how Charles died, though none have strong enough evidence to be deemed true. Although there were many people around the king at the time of his death, there were no known witnesses to the actual moment he was hit. A likely explanation has been that Charles was killed by Dano-Norwegians as he was within reach of their guns. There are two possibilities that are usually cited: that he was killed by a musket shot, or that he was killed by grapeshot from the nearby fortress.

More theories claim he was assassinated: one is that the killer was a Swedish compatriot and asserts that enemy guns were not firing at the time Charles was struck. Suspects in this claim range from a nearby soldier tired of the siege and wanting to put an end to the war, to an assassin hired by Charles's own brother-in-law, who profited from the event by subsequently taking the throne himself as Frederick I of Sweden, that person being Frederick's aide-de-camp, André Sicre. Sicre confessed during what was claimed to be a state of delirium brought on by fever but later recanted. Others suspect a plot to kill Charles by a group of wealthy Swedes who would benefit from blocking a 17% wealth tax that Charles intended to introduce. The Varberg Fortress museum displays a lead-filled brass button of Swedish origin that some claim was the projectile that killed the king.

Another odd account of Charles's death comes from Finnish writer Carl Nordling, who states that the king's surgeon, Melchior Neumann, dreamed the king had told him that he was not shot from the fortress but from "one who came creeping". Charles's body has been exhumed on three occasions to ascertain the cause of death; in 1746, 1859 and 1917. The 1859 exhumation found that the wound was in accordance with a shot from the Norwegian fort. In 1917, his head was photographed and x-rayed. Peter Englund asserted in his essay "On the death of Charles XII and other murders " that the mortal wound sustained by the King, with a smaller exit wound than entry wound, would be consistent with being hit by a bullet with a speed not exceeding 150 m/s, concluding that Charles was killed by stray grapeshot from the nearby fortress. A 2022 study also found that iron grapeshot was likely to have killed the king, citing evidence from ballistic experiments as well as the absence of lead fragments in Charles's skull.

Academic research from University of Oulu and University of Helsinki concluded that Charles XII was likely killed by an enemy projectile.

Charles was succeeded to the Swedish throne by his sister, Ulrika Eleonora. As his duchy of Palatine Zweibrücken required a male heir, Charles was succeeded as ruler there by his cousin Gustav Leopold. Georg Heinrich von Görtz, Charles' minister, was beheaded in 1719.

Personal life
Charles never married and fathered no children of whom historians are aware. In his youth, he was particularly encouraged to find a suitable spouse in order to secure the succession, but he would frequently avoid the subject of sex and marriage. Possible candidates included Princess Sophia Hedwig of Denmark, Louisa Maria Stuart and Princess Maria Elisabeth of Holstein-Gottorp – but of the latter he pleaded that he could never wed someone "as ugly as Satan and with such a devilish big mouth". Instead, he made it clear that he would marry only someone of his own choice, and for love rather than dynastic pressures. His lack of mistresses may have been due to a strong religious faith. Charles himself suggested in conversation with Axel Löwen that he actively resisted any match until peace could be secured and was in some sense "married" to the military life. But that he was "chaste" occasioned speculation in his lifetime. Much later speculation that he was a hermaphrodite was quelled in 1917 when his coffin was opened and he was shown to have beard growth. In his conversations with Löwen, he also stated that he did not lack taste for beautiful women, but that he held in his sexual desires for fear that they would get out of control if unchecked, and that if he committed to something like that, it would be forever. Some historians suggest that he resisted a marriage with Denmark which could have caused a family rift between those who dynastically favoured Holstein-Gottorp. Historians such as Blanning and Montefiore believe he was in fact homosexual. Certainly a letter from Reuterholm suggested that Charles had indicated a closeness to the Elector Prince of Saxony, Maximilian Emanuel of Württemberg-Winnental, whom Charles described as "very pretty". But writing in the 1960s, Hatton argues that Württemberg was very much heterosexual and the relationship is just as likely to have been that of teacher-pupil.

Legacy

Exceptional for abstaining from alcohol and sex, he felt most comfortable during warfare. Contemporaries report of his seemingly inhuman tolerance for pain and his utter lack of emotion. His brilliant campaigning and startling victories brought his country to the pinnacle of her prestige and power, although the Great Northern War resulted in Sweden's defeat and the end of the empire within years of his own death. In his youth, renowned Russian general Alexander Suvorov considered Charles XII his hero together with Julius Caesar. Like Charles XII, Suvorov adopted an aggressive style of tactics and campaigning, seemingly inspired by the Swedish king.

Charles's death marked the end of autocratic kingship in Sweden, and the subsequent Age of Liberty saw a shift of power from the monarch to the parliament of the estates. Historians of the late 18th and early 19th centuries viewed Charles' death as the result of an aristocratic plot, and Gustav IV Adolf, the king who refused to settle with Napoleon Bonaparte, "identified himself with Charles as a type of righteous man struggling with iniquity" (Roberts). Throughout the 19th century's romantic nationalism Charles XII was viewed as a national hero. He was idealized as a heroic, virtuous young warrior king, and his fight against Peter the Great was associated with the contemporary Swedish-Russian enmity. Examples of the romantic hero idolatry of Charles XII in several genres are Esaias Tegnér's song Kung Karl, den unge hjälte (1818), Johan Peter Molin's statue in Stockholm's Kungsträdgården (unveiled on 30 November 1868, the 150th anniversary of Charles's death) and Gustaf Cederström's painting Karl XII:s likfärd ("Funeral procession of Charles XII", 1878). The date of Charles's death was chosen by a student association in Lund for annual torch marches beginning in 1853.

In his 1901 play Karl XII, August Strindberg broke with the heroization practice by showing an introverted Charles XII in conflict with his impoverished subjects. In the so-called Strindberg feud (1910–1912), his response to the "Swedish cult of Charles XII" (Steene) was that Charles had been "Sweden's ruin, the great offender, a ruffian, the rowdies' idol, a counterfeiter." Verner von Heidenstam however, one of his opponents in the feud, in his book Karolinerna instead "emphasized the heroic steadfastness of the Swedish people in the somber years of trial during the long-drawn-out campaigns of Karl XII" (Scott).

In the 1930s, the Swedish Nazis held celebrations on the date of Charles XII's death, and shortly before the outbreak of World War II, Adolf Hitler received from Sweden a sculpture of the king at his birthday. In the late 20th century, Swedish nationalists and neo-Nazis had again used 30 November as a date for their ceremonies, however these were regularly interrupted by larger counter-demonstrations and were abandoned.

Scientific contributions
Apart from being a monarch, the King's interests included mathematics, and anything that would be beneficial to his warlike purposes. He is credited with having invented an octal numeral system, as well as a more elaborate one with the base 64, which he considered more suitable for war purposes because all the boxes used for materials such as gunpowder were cubic. According to a report by contemporary scientist Emanuel Swedenborg, the King had sketched a model of his thoughts on a piece of paper and handed it to him at their meeting in Lund in 1716. The paper was reportedly still in existence a hundred years later but has since been lost.

Literature
Charles fascinated many in his time. In 1731, Voltaire wrote a biography of Charles XII, History of Charles XII. Voltaire portrays the Swedish king in a positive light, against the brutal nature of Peter the Great. The English man of letters Samuel Johnson wrote of Charles in his poem "The Vanity of Human Wishes": "On what Foundation stands the warrior's pride, How just his hopes let Swedish Charles decide; A frame of adamant, a soul of fire, No dangers fright him, and no labours tire; O'er love, o'er fear, extends his wide domain, Unconquered lord of pleasure and of pain; No joys to him pacific sceptres yield; War sounds the trump, he rushes to the field; Behold surrounding kings their power to combine, And one capitulate, and one resign; Peace courts his hand, but spreads her charms in vain; 'Think nothing gained', he cries, 'till nought remain, On Moscow's walls till Gothic standards fly, And all be mine beneath the polar sky.' The march begins in military state, And nations on his eye suspended wait; Stern Famine guards the solitary coast, And Winter barricades the realms of Frost; He comes, not want and cold his course delay; - Hide, blushing Glory, hide Pultowa's day: The vanquished hero leaves his broken bands, And shows his miseries in distant lands; Condemned a needy supplicant to wait, While ladies interpose, and slaves debate. But did not Chance at length her error mend? Did no subverted empire mark his end? Did rival monarchs give the fatal wound? Or hostile millions press him to the ground? His fall was destined to a barren strand, A petty fortress, and a dubious hand; He left the name, at which the world grew pale, To point a moral or adorn a tale." Swedish author Frans G. Bengtsson and Professor Ragnhild Hatton have written biographies of Charles XII of Sweden.

In 1938 E. M. Almedingen wrote The Lion of the North: Charles XII, King of Sweden.

Charles XII figures quite prominently in Robert Massie's magnum opus Peter the Great.

In popular culture
He is referred to in the anime Legend of the Galactic Heroes as the Swedish Meteor; whose similarity to Reinhard von Lohengramm may portend the dynasty dying out without a successor.

August Strindberg's 1901 play Carl XII is about him.

The 1925 Swedish film Charles XII is a two-part silent epic starring Gösta Ekman the Elder portraying his reign.

In the 1968 Polish film Hrabina Cosel, Charles XII is portrayed by Daniel Olbrychski.

In the 1983 Swedish comedy film Kalabaliken i Bender, Charles XII is portrayed by Gösta Ekman the Younger.

In 2007, Charles XII was portrayed by Eduard Flerov in the Russian drama The Sovereign's Servant.

Charles XII appears in the absurdist comedy A Pigeon Sat on a Branch Reflecting on Existence (2014), in which his army passes a modern-day cafe on their way to, and retreating from, the Battle of Poltava. He is played by Viktor Gyllenberg.

The Swedish power metal band Sabaton wrote an album named after him, which includes several songs about his life.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Charles XII of Sweden


text:
Lothar-Günther Buchheim

Lothar-Günther Buchheim (6 February 1918 – 22 February 2007) was a German author, painter, and wartime journalist under the Nazi regime. In World War II he served as a war correspondent aboard ships and U-boats. He is best known for his 1973 antiwar novel Das Boot (The Boat), based on his experiences during the war, which became an international bestseller and was adapted as the 1981 Oscar-nominated film of the same name. His artworks, collected in a gallery on the banks of the Starnberger See, range from heavily decorated cars to a variety of mannequins seated or standing as if themselves visitors to the gallery, thus challenging the division between visitor and art work.

Early life
Buchheim was born in Weimar, in the Grand Duchy of Saxe-Weimar-Eisenach (present-day Thuringia), the second son of artist Charlotte Buchheim. She was unmarried, and he was raised by his mother and her parents. They lived in Weimar until 1924, then Rochlitz until 1932, and finally Chemnitz. He began contributing to newspapers in his teens and put on an exhibition of his drawings in 1933, when he was 15.

He travelled to the Baltic Sea with his brother, and canoed along the Danube to the Black Sea. After taking his Abitur in 1937, he spent time in Italy, where he wrote his first book, ''Tage und Nächte steigen aus dem Strom. Eine Donaufahrt'' ("Days and nights rise from the river. A journey on the Danube"), published in 1941. He studied art in Dresden and Munich in 1939, and volunteered for the Kriegsmarine in 1940.

Second World War
Buchheim was a Sonderführer in a propaganda unit of the Kriegsmarine in the Second World War, writing as a war correspondent about his experiences on minesweepers, destroyers and submarines. He also made drawings and took photographs.

As a Leutnant zur See in the autumn of 1941, Buchheim joined Kapitänleutnant Heinrich Lehmann-Willenbrock and the crew of GS U-96 (1940) on her seventh patrol in the Battle of the Atlantic. His orders were to photograph and describe the U-boat in action. From his experiences, he wrote a short story, "Die Eichenlaubfahrt" (The Oak-Leaves Patrol; Lehmann-Willenbrock had been awarded the Knight's Cross with oak leaves). Buchheim ended the war as an Oberleutnant zur See.

Post-war career
After the war, Buchheim worked as an artist, art collector, gallery owner, art auctioneer and art publisher. Through the 1950s and 1960s, he established an art publishing house, and he wrote books on Georges Braque, Max Beckmann, Otto Mueller and Pablo Picasso. He collected works by French and German Expressionist artists, from groups including Die Brücke and Der Blaue Reiter, such as Ernst Ludwig Kirchner, Max Pechstein, Emil Nolde, Wassily Kandinsky, Paul Klee, Franz Marc, Gabriele Münter, Alexej von Jawlensky, and Max Beckmann. These works had been derided as "degenerate" during the Nazi period, and he was able to buy them cheaply.

In 1973 he published a novel based on his wartime experiences, Das Boot (book) (The Boat), a fictionalised autobiographical account narrated by a "Leutnant Werner". It became the best-selling German fiction work on the war.

His novel was followed by a non-fiction work, U-Boot-Krieg (U-Boat War) in 1976, which became the first part of a trilogy, together with U-Boot-Fahrer (U-Boat Sailors, 1985), and Zu Tode Gesiegt (Victory in the Face of Death, 1988). The trilogy includes over 5,000 photographs taken during World War II. He subsequently also wrote the autobiographical novels Die Festung (The Fortress, 1995), a sequel to Das Boot based on his travels home across France in 1944, and Der Abschied (The Parting, 2000), about the nuclear-powered cargo vessel NS Otto Hahn.

Das Boot was turned into a film in 1981, featuring Jürgen Prochnow as the captain and the debut of Herbert Grönemeyer as "Leutnant Werner". Director Wolfgang Petersen and Buchheim fell out after the author was not allowed to write the script. (Buchheim was always noted for his short temper – he was later nicknamed the "Starnberg volcano".) The film was the most expensive German film ever made. It was nominated for six Oscars.

Even though impressed by the technological accuracy of the film's set-design and port construction buildings, Buchheim expressed great disappointment with Petersen's adaptation in a film review published in 1981, describing Petersen's film as converting his clearly anti-war novel into a blend of a "cheap, shallow American action flick" and a "contemporary German propaganda newsreel from World War II". He also criticised the hysterical overacting of the cast, which he called highly unrealistic, despite their talent. Buchheim, after several attempts for an American adaptation had failed, had provided his own script as soon as Petersen was chosen as new director. It would have been a six-hour epic; Petersen turned him down because the producers were aiming for a 90-minute feature for international release. However, today's Director's Cut of Das Boot amounts to over 200 minutes, and the complete TV version of the film is 282 minutes long.

Art collection
In later life, Buchheim sought a location to house his art collection, including curiosities ranging from nutcrackers and Thai shadow puppets to mannequins and carousel animals in addition to his important collection of German Expressionist paintings and graphics. A building was constructed in Duisburg, but he considered it unfit, and he turned down offers from Weimar, Munich and Berlin. After years of quarreling with his home town of Feldafing, Bavaria, about his plans for a museum for his art collection, the town's citizens voted against the museum in a referendum. His museum finally opened in 2001 as the Museum der Phantasie in Bernried on the shore of Lake Starnberg, funded by the government of Bavaria. The entire collection has been estimated to be worth up to $300 million.

In June 2000, the Sprengel Museum in Hanover voted to return a Lovis Corinth’s painting, “Walchensee, Johannisnacht” (“The Walchensee on St John’s eve”) which its donor, Dr. Bernhard Sprengel, had purchased from Buchheim, to the heirs of Dr Gustav Kirstein and his wife Therese Clara Stein, who committed suicide due to Nazi persecution.

Private life and death
Buchheim married Geneviève "Gwen" Militon, a resistance fighter from Britanny who appears in his novels as Simone Sagot, and whom he also painted. They had a daughter, Nina, and a son, Yves. They divorced in 1951 and he remarried in 1955 to Diethild Wickboldt.

Despite a fortune estimated at 14.1 million Swiss francs in the late 1980s, Buchheim was known for his frugality. He used a camping table in his dining room, and according to his son, did not pay taxes and reused print blocks made by Otto Müller, forging the artist's initials. His son published a highly critical biography in 2018.

Buchheim died of heart failure in Starnberg on 22 February 2007, at the age of 89.

Awards

 * Iron Cross 2nd Class
 * U-boat War Badge
 * Order of Merit of the Federal Republic of Germany, 1983

Filmography

 * Doctor Faustus (1982) - Dr. Erasmi
 * Erfolg (1991) - Galerist (last appearance)

title: Lothar-Günther Buchheim


text:
Tragicomedy

Tragicomedy is a literary genre that blends aspects of both tragic and comic forms. Most often seen in dramatic literature, the term can describe either a tragic play which contains enough comic elements to lighten the overall mood or a serious play with a happy ending. Tragicomedy, as its name implies, invokes the intended response of both the tragedy and the comedy in the audience, the former being a genre based on human suffering that invokes an accompanying catharsis and the latter being a genre intended to be humorous or amusing by inducing laughter.

Classical precedent
There is no concise formal definition of tragicomedy from the classical age. It appears that the Greek philosopher Aristotle had something like the Renaissance meaning of the term (that is, a serious action with a happy ending) in mind when, in Poetics, he discusses tragedy with a dual ending. In this respect, a number of Greek and Roman plays, for instance Alcestis, may be called tragicomedies, though without any definite attributes outside of plot. The word itself originates with the Roman comic playwright Plautus, who coined the term (tragicomoedia in Latin) somewhat facetiously in the prologue to his play Amphitryon. The character Mercury, sensing the indecorum of the inclusion of both kings and gods alongside servants in a comedy, declares that the play had better be a "tragicomoedia": I will make it a mixture: let it be a tragicomedy. I don't think it would be appropriate to make it consistently a comedy, when there are kings and gods in it. What do you think? Since a slave also has a part in the play, I'll make it a tragicomedy...Plautus, Amphitryon

Italy
Two figures helped to elevate tragicomedy to the status of a regular genre, by which is meant one with its own set of rigid rules. First was Giovanni Battista Giraldi Cinthio, a dramatist working in the mid-sixteenth century who developed a treatise on drama modeled on Roman comedies and tragedies as opposed to early Greek-based treatises that became the model for Italian dramatists at the time. He argued for a version of tragicomedy where a tragic story was told with a happy or comic ending (tragedia a lieto fine), which he thought were better suited for staged performances as opposed to tragedies with unhappy endings which he thought were better when read. Even more important was Giovanni Battista Guarini. Guarini's Il Pastor Fido, published in 1590, provoked a fierce critical debate in which Guarini's spirited defense of generic innovation eventually carried the day. Guarini's tragicomedy offered modulated action that never drifted too far either to comedy or tragedy, mannered characters, and a pastoral setting. All three became staples of continental tragicomedy for a century and more.

England
In England, where practice ran ahead of theory, the situation was quite different. In the sixteenth century, "tragicomedy" meant the native sort of romantic play that violated the unities of time, place, and action, that glibly mixed high- and low-born characters, and that presented fantastic actions. These were the features Philip Sidney deplored in his complaint against the "mungrell Tragy-comedie" of the 1580s, and of which Shakespeare's Polonius offers famous testimony: "The best actors in the world, either for tragedy, comedy, history, pastoral, pastoral-comical, historical-pastoral, tragical-historical, tragical-comical-historical-pastoral, scene individuable, or poem unlimited: Seneca cannot be too heavy, nor Plautus too light. For the law of writ and the liberty, these are the only men." Some aspects of this romantic impulse remain even in the work of more sophisticated playwrights: Shakespeare's last plays, which may well be called tragicomedies, have often been called romances.

By the early Stuart period, some English playwrights had absorbed the lessons of the Guarini controversy. John Fletcher's The Faithful Shepherdess, an adaptation of Guarini's play, was produced in 1608. In the printed edition, Fletcher offered an interesting definition of the term, worth quoting at length: "A tragi-comedie is not so called in respect of mirth and killing, but in respect it wants deaths, which is enough to make it no tragedy, yet brings some neere it, which is inough to make it no comedie." Fletcher's definition focuses primarily on events: a play's genre is determined by whether or not people die in it, and in a secondary way on how close the action comes to a death. But, as Eugene Waith showed, the tragicomedy Fletcher developed in the next decade also had unifying stylistic features: sudden and unexpected revelations, outré plots, distant locales, and a persistent focus on elaborate, artificial rhetoric.

Some of Fletcher's contemporaries, notably Philip Massinger and James Shirley, wrote popular tragicomedies. Richard Brome also essayed the form, but with less success. And many of their contemporary writers, ranging from John Ford to Lodowick Carlell to Sir Aston Cockayne, made attempts in the genre.

Tragicomedy remained fairly popular up to the closing of the theaters in 1642, and Fletcher's works were popular in the Restoration as well. The old styles were cast aside as tastes changed in the eighteenth century; the "tragedy with a happy ending" eventually developed into melodrama, in which form it still flourishes.

Landgartha (1640) by Henry Burnell, the first play by an Irish playwright to be performed in an Irish theatre, was explicitly described by its author as a tragicomedy. Critical reaction to the play was universally hostile, partly it seems because the ending was neither happy nor unhappy. Burnell in his introduction to the printed edition of the play attacked his critics for their ignorance, pointing out that as they should know perfectly well, many plays are neither tragedy nor comedy, but "something between".

Later developments
Criticism that developed after the Renaissance stressed the thematic and formal aspects of tragicomedy, rather than plot. Gotthold Ephraim Lessing defined it as a mixture of emotions in which "seriousness stimulates laughter, and pain pleasure." Tragicomedy's affinity with satire and "dark" comedy have suggested a tragicomic impulse in modern theatre with Luigi Pirandello who influenced many playwrights including Samuel Beckett and Tom Stoppard. Also it can be seen in absurdist drama. Friedrich Dürrenmatt, the Swiss dramatist, suggested that tragicomedy was the inevitable genre for the twentieth century; he describes his play The Visit (1956) as a tragicomedy. Tragicomedy is a common genre in post-World War II British theatre, with authors as varied as Samuel Beckett, Tom Stoppard, John Arden, Alan Ayckbourn and Harold Pinter writing in this genre. Vladimir Nabokov's postmodern 1962 novel Pale Fire is a tragicomedy preoccupied with Elizabethan drama.

Postmodern tragicomedy
American writers of the metamodernist and postmodernist movements have made use of tragicomedy and/or gallows humor. A notable example of a metamodernist tragicomedy is David Foster Wallace's 1996 magnum opus, Infinite Jest. Wallace writes of comedic elements of living in a halfway house (i.e. "some people really do look like rodents"), a place steeped in human tragedy and suffering. Modern television series including Succession, Killing Eve, Breaking Bad, Better Call Saul, Fleabag, I May Destroy You, BoJack Horseman, South Park, Moral Orel, Barry, Made for Love, The White Lotus and Young Sheldon have been described as tragicomedies.

title: Tragicomedy


text:
Micromeria douglasii

Micromeria douglasii, synonym Clinopodium douglasii, or yerba buena, is a rambling aromatic herb of western and northwestern North America, ranging from maritime Alaska southwards to California. The plant takes the form of a sprawling, mat-forming perennial, and is especially abundant close to the coast. The name "yerba buena" derives from Spanish for "good herb" and is applied to various other plants. In 2010, molecular evidence placed the species within the Clinopodium complex rather than Micromeria.

Name
The plant's most common name, "yerba buena", the same in English and Spanish, is an alternate form of the Spanish hierba buena (meaning "good herb"). The name was bestowed by Catholic missionaries of Alta California after native people introduced them to it. It was so abundant there that its name was also applied to the settler's town adjacent to Mission San Francisco de Asís as well as to the cove along San Francisco Bay upon which it was situated. The prominent island directly in front of the settlement also came to be called Isla Yerba Buena at least as early as 1833, although it is not certain whether it was named for the settlement, the cove or directly for the herb.

In 1846, the town of Yerba Buena was seized by the United States during the Mexican–American War. Its name was changed in 1847 to San Francisco. As of March 2015, some 270,000 vehicles commuters drive daily through the tunnel on Yerba Buena Island that connects the spans of the San Francisco–Oakland Bay Bridge.

Yerba buena is also used as a common name for other plants with aromatic foliage and in particular, for various old world mints. The native Micromeria douglasii has a fragrance similar to spearmint.

title: Micromeria douglasii