text:
Emergency!

Emergency! is an American action-adventure medical drama television series jointly produced by Mark VII Limited and Universal Television. Debuting on NBC as a midseason replacement on January 15, 1972, replacing two situation comedy series, The Partners and The Good Life, it ran for a total of 122 episodes until May 28, 1977, with six additional two-hour television films during the next two years, 1978 and 1979.

The series stars Randolph Mantooth and Kevin Tighe as two rescuers, who work as paramedics and firefighters in the Los Angeles metropolitan area. The duo formed Squad 51, a medical and rescue unit of the Los Angeles County Fire Department, working together with the fictional Rampart General Hospital medical staff (portrayed by Robert Fuller, Julie London and Bobby Troup), and with the firefighter engine company at Station 51.

Emergency! was produced by Jack Webb and created by Robert A. Cinader, who had also created the police dramas Adam-12 and Dragnet. Harold Jack Bloom is also credited as a creator; Webb does not receive screen credit as a creator. In the show's original TV-movie pilot, Webb was credited only as its director. However, the series aimed to be much more realistic than its predecessors as it portrayed emergency medical services (EMS). Pioneering EMS leader James O. Page served as a technical advisor, and the two main actors underwent some paramedic training.

The series aired at a time when ambulance coverage in the United States was rapidly expanding and changing, and the role of a paramedic was emerging as a profession, and is credited with popularizing the concepts of EMS and paramedics in American society, and even inspiring other states and municipalities to expand the service.

Nearly 30 years after Emergency! debuted, the Smithsonian Institution accepted Emergency! memorabilia into its National Museum of American History's public-service section, including the firefighters' helmets, turnouts, Biophone, and defibrillator. The vehicles of Station 51 are a part of the collection of the Los Angeles County Fire Museum.

Cast
Set at the fictional Fire Station 51 of the Los Angeles County Fire Department, where one fire engine and the paramedic rescue squad are stationed, the series focuses on two young firefighter-paramedics: young and immature John Roderick "Johnny" Gage (Randolph Mantooth), who is always unlucky in love, and more mature family man Roy DeSoto (Kevin Tighe), who crew the rescue squad, Squad 51, and, in addition to providing emergency medical care, perform technical rescues such as vehicle extrication.

The paramedics are supervised by the Emergency Room (ER) staff of Rampart General Hospital: head physician Dr. Kelly Brackett (Robert Fuller), head nurse Dixie McCall (Julie London), neurosurgeon Dr. Joe Early (played by London's real-life husband Bobby Troup), and young intern Dr. Michael "Mike" Morton (Ron Pinkard, though in the early episodes was a character named Dr. Thomas Gray).

Other regular characters are the firefighters of Station 51's "A" shift, Chester B. "Chet" Kelly (played by Tim Donnelly) and Marco Lopez (played by actor Marco Lopez). Mike Stoker, a Los Angeles County Fire Department firefighter specialist, drove Engine 51. Los Angeles County Fire Department Dispatcher Samuel Lanier portrayed himself in an uncredited voice role (over the radio) throughout the series, and he is also occasionally shown in a brief clip at the dispatch office just before a dispatch is heard in later seasons; he retired from the department shortly after Emergency! finished. Lopez speaks Spanish, and occasionally translated for the crew when a victim or onlooker spoke Spanish but no English. Unusually, Lopez, Stoker and Dick Hammer play characters named after themselves, though in two episodes, Hammer's character is played by John Smith.

Various characters held the rank of Captain throughout the series. These include Captain Dick Hammer (Los Angeles County Fire Department Captain Richard Hammer as himself for first season/episodes 1–9, then later John Smith for the last two episodes of the season), Captain Hank Stanley (Michael Norell, during the remaining seasons) and Captain Gene "Captain Hook" Hookrader in a couple of later episodes. Actor John Anderson portrayed Captain Bob Roberts in one Season 4 episode, "Smoke Eater".

Other recurring characters include Battalion Chiefs Conrad (Art Balinger), Sorensen (Art Gilmore), Miller, and McConnike (William Boyett), Firefighter Conway / Firefighter Paramedic Tom Wheeler / Animal Control Supervisor Walt Marsh (Gary Crosby), Los Angeles County Sheriff's Deputy/Carson Police Officer/Sergeant Vince (Vince Howard), and recurring ambulance attendants Albert "Al" (Angelo DeMeo) and his assistant, George (George Orrison). Boyett and Crosby regularly appeared as Sergeant MacDonald and Officer Ed Wells respectively on Adam-12, while Gilmore appeared on that show as watch commander Lieutenant Moore, a recurring character.

 * Robert Fuller as Kelly Brackett, M.D., F.A.C.S., A.C.E.P., chief of emergency medicine
 * Julie London as Dixie McCall, R.N., head nurse
 * Bobby Troup as Joe Early, M.D., F.A.C.S., A.C.E.P.
 * Ron Pinkard as Mike Morton, M.D. (identified in the cast of the pilot as "Dr. Tom Gray", also an intern—the two characters never appeared together).
 * Randolph Mantooth as Firefighter Paramedic John Gage, L.A. County FD Squad 51
 * Kevin Tighe as Firefighter Paramedic Roy DeSoto, L.A. County FD Squad 51
 * Tim Donnelly as Firefighter Chester B. "Chet" Kelly, L.A. County FD Engine 51
 * Marco Lopez as Firefighter Marco Lopez, L.A. County FD Engine 51
 * Mike Stoker as Firefighter Specialist Mike Stoker, L.A. County FD Engine 51
 * Dick Hammer as Captain Dick Hammer (First Season Only), L.A. County FD Engine 51
 * John Smith as Captain Hammer in episode "Hang-Up" 1st season, as Captain in episode "Crash" 1st season, L.A. County FD Engine 51 (The back of this actor's turnout coat reads "Van Orden", but he is never called by name on the show; he is simply referred to as "Captain".)
 * Art Balinger as Battalion Chief Conrad
 * Art Moore as Battalion Chief
 * Michael Norell as Captain Henry "Hank" Stanley, L.A. County FD Engine 51
 * James McEachin as Detective Lieutenant Ronald Crockett LAPD.
 * Vince Howard as L.A. County Sheriff's Deputy Vince Howard/Carson Police Officer/Sergeant Vince Howard.
 * William Boyett as Battalion Chief McConnike (Season 6) Chief Battalion 14
 * Sam Lanier (uncredited) as, and providing the voice of, the Los Angeles County Fire Department dispatcher.

The role of Dixie McCall was originally written as a love interest for Fuller's character, Dr. Kelly Brackett, though the on-screen romance between Brackett and McCall was gradually downplayed and eventually ignored over the course of the series; this was explained by Brackett's and McCall's romance not having worked out.

Development
The series was created by Robert Cinader and Jack Webb. Webb had previously created Dragnet, and with Cinader had jointly created Adam-12, both of which were TV series about policing. In 1971, Cinader and Webb met with Captain Jim Page and other officers from the Los Angeles County Fire Department to discuss creating a show about firefighters. Initially they planned to focus the show on physical rescues, but felt that there would not be enough ideas for episodes. Page suggested they look to the Los Angeles County Fire Department's new paramedic program for ideas.

At the time, the Los Angeles area was home to 2 of only 12 paramedic programs in the United States (as opposed to ambulances that provided basic first aid or only transport). In 1970, Governor Ronald Reagan had signed the Wedworth-Townsend Act which allowed paramedic programs to be trialed in Los Angeles County. In September 1971, Cinader and Webb signed a contract with NBC to develop the series. The initial pilot film of Emergency!, titled "The Wedsworth-Townsend Act", focuses on the passage of a similar law to the Wedworth-Townsend Act that permits paramedics to operate.

Cinader asked the writers to get all the rescues that were to be portrayed on the show from fire stations' logbooks. Along the same line, the series was technically accurate as every script was fact-checked and approved by the series' technical consultants, Dr. Michael Criley (the man who had initially created the Los Angeles County Fire Department Paramedic program) and Los Angeles County Fire Department Battalion Chief James O. Page. There were always real paramedics serving as technical advisors on set every day for further technical advice.

To train for their parts, the actors, Mantooth and Tighe sat in some paramedic classes (although they never actually took any written exams) and went on extensive ride-alongs with Los Angeles County Fire Department. In an interview with Tom Blixa of WTVN, Mantooth said that the producer wanted them to train so that they would at least know the fundamentals and look like they knew what they were doing on camera. Mantooth mentioned that you needed to take the entire course and pass all the skills stations and final certification exam to be a paramedic, and went on to admit that "if anyone has a heart attack, I'll call 911 with the best of them." Mantooth became an advocate for firefighters and paramedics after the series ended. He continued, as of late October 2014, to give speeches and make appearances all over the country at special events.

Series format
While Webb's Dragnet and Adam-12 followed a pair of detectives and patrolmen respectively, Emergency! followed the firemen and paramedics of Station 51, and the emergency room staff of Rampart General Hospital.

Typical episodes begin with the firemen and paramedics at the station going through such routines as cooking, cleaning equipment, or sleeping until a call comes from the dispatcher describing the emergency and its location. The call prompts the crew to immediately stop their routine and respond with organized precision. The details of the call are noted by a fireman who then hands the information to the driver, usually DeSoto, accompanied by Gage in the passenger seat. The firemen and paramedics respond to the scene of the emergency, where the paramedics almost always contact Rampart General Hospital to report their patient assessment and receive medical direction and treatment authorization, which often includes IV drug therapy. Usually, either one of the doctors, or Nurse McCall, happen to be conveniently standing near the transmitter to receive the assessment. Many times the plot follows the accident victims and paramedics to Rampart.

Other plot lines end at the scene. When an event has ended, the crew return to Station 51 and resume their routines until another call is dispatched. Often, firemen DeSoto and Gage, who are best friends, engage in playful banter when an emergency call forces them to become serious-minded and immediately leave the station's living area to focus on the job at hand. Each episode typically climaxes with a major fire, disaster or rescue that often has multiple units engaged.

Because of the greater scope of its format, Emergency! was a full-hour series, whereas both Dragnet and Adam-12 were half-hour shows. Actual local disasters were worked into some story lines, such as the 1971 Sylmar earthquake which destroyed the newly completed Olive View Medical Center in the San Fernando Valley; and the June 22, 1973 "Crenshaw Fire" brush fire on the Palos Verdes Peninsula.

Setting
Interior scenes were shot on Universal's sound stages. Exterior scenes of the fire station were shot at Station 127 in Carson, while exterior scenes of the hospital were shot at Harbor General Hospital (now Harbor-UCLA Medical Center).

Station 51
Station 51 was represented by Los Angeles Fire Station 127, located at 2049 East 223rd Street (between Wilmington Ave and Alameda St, with the 405 freeway visible in the background in wide shots) in Carson, California.

At the time the series aired, the Los Angeles County Fire Department had no Station 51. It was the number of a station that had previously existed at the intersection of Arlington and Atlantic Avenues on the outskirts of Lynwood and Compton, and closed in the late 1960s when the area was annexed by Lynwood. Since 1994, the Los Angeles County Fire Department has had a Station 51 in a different location. In an homage to the show, the fire station on the grounds of Universal Studios was renumbered from Station 60 to Station 51, more than 20 years after the debut of Emergency!. The vehicles based at Station 60 were accordingly renumbered. This station is therefore home to an actual Engine 51 and Squad 51, as well as Patrol 51 and Quint 51 (a ladder truck with ground ladders, fire pump, water tank and hose).

Station 127 was chosen by series co-creator Robert A. Cinader, and the station was eventually named in his honor (a plaque honoring Robert A. Cinader is now mounted on the station next to the office front door). Station 106 in Rolling Hills Estates, California, a similar design to 127, was initially the choice, but faced north (versus south), which would make it difficult to light properly. At the time of filming Station 127 housed Engine 127 and Truck 127 (a ladder truck), whereas the fictional Station 51 had a small rescue truck instead of a ladder truck. As of 2018, Station 127 now instead houses Quint 127 and Foam 127.

When filming on location took place, Truck 127 was moved off-site and replaced with Universal's Squad 51, while Engine 127 was disguised as Engine 51. After Universal obtained a 1973 Ward LaFrance to use as Engine 51, both of Station 127's apparatus would be replaced by Universal's Engine 51 and Squad 51 for filming on location. Despite being "kicked out" of their own station for filming, Truck 127 still appeared in numerous episodes under its own callsign. The Carson location of Station 127 was directly referenced in one episode where a phone call was traced to a house "in Carson" that Engine 51 and Squad 51 eventually responded to. Interior scenes at Station 51 were filmed on sets at the studio, which accurately recreated the interior of Station 127.

"KMG365", which is said by the crewmember acknowledging a call for a unit at Station 51, is a real FCC call sign used by Los Angeles County Fire Department assigned to Fire Station 98 in Bellflower, and it appears on the Station Patch for Station 127.

Rampart General Hospital
In the pilot episode, Rampart General Hospital is shown (in a letter to Dr. Brackett) to be located in Carson, California. At the time of filming, Rampart General Hospital was represented by Harbor General Hospital, located in Torrance, California at 1000 West Carson Street, the intersection of Vermont Avenue and Carson Street (33.83028°N, -118.29167°W). The pairing of Station 127 and Harbor General as "Station 51" and "Rampart" was accurate, since if a squad had actually been quartered at Station 127, it would likely have operated from Harbor General Hospital, since they are only 2.1 miles (3.4 km) apart. Not accurate was the response area of Station 51. Many examples exist. As seen in season 6 episode 5, where they responded to 4000 N. Riverton Ave. Universal City, Truck 127 appeared in one episode where a rescue event occurred at Rampart (Harbor General), as the hospital really is in Truck 127's "first-due" district.

In an episode near the end of the series, one character, an aged jazz musician, hearing the name Rampart General, says, "My grandaddy used to play on Rampart Street in New Orleans!" The name Rampart actually comes from the show Adam-12 and is the real name of a division of the LAPD.

In 1978, by the approval of the Los Angeles County Board of Supervisors, Harbor General Hospital was renamed as Harbor-UCLA Medical Center.

In 2018, CrowdRx, Inc., launched their Mobile Emergency Room Trailer, naming it "Rampart" to honor Rampart General Hospital.

Los Angeles County Fire Dispatch

Footage of a dispatcher used during the show appears to have been filmed at the Los Angeles County Fire Department Keith E. Klinger dispatch center in East Los Angeles. The screen he looked at to see the street maps is a rear projection from a Kodak Carousel projector built into the console. The man was actual Los Angeles County Fire Department dispatcher Sam Lanier, who also lent his voice as the dispatcher for the series' entire run.

The familiar tones that called Station 51 into service were initiated by dispatch using a Motorola Quik Call I unit, a radio listening on a common paging frequency for a pair of special audio tones assigned to that station. For a large incident, one could often hear many sets of tones calling many stations, but only a specific pair would sound the buzzer for Station 51.

A long scene showing the sequence of microfiche reader address lookup to quik-call dispatch appears in the season six episode "Family Ties".

Props
The creators of Emergency! tried to accurately portray the Los Angeles County Fire Department by using apparatus and equipment in current use. The extensive cooperation of the Los Angeles County Fire Department is repeatedly apparent in the program. Although a few key items were fictionalized, such as the identification of Station 51 and its equipment, many of the locations and apparatus reflected the operating reality of locations used in some filming. Nearly 30 years after Emergency! debuted, the Smithsonian Institution accepted Emergency! memorabilia into its National History Museum, public-service section, including their helmets, turnouts, Biophone, and defibrillator.

Squad 51
The vehicles which represented Squad 51 were constructed by Universal crews and were accurate replicas of the units built in-house on stock 1970 Dodge D300 truck chassis by Los Angeles County Fire Department prior to the filming of "Emergency". There were three identical truck chassis' used to represent the original TV Squad 51. The Los Angeles County Fire Department shops were unable to fulfill a request from Universal to build the first unit for the show within the short deadline the studio required, but did provide the blueprints so the studio could build its own unit on a 1972 Dodge D300 chassis.

The replica's accuracy is evident in that the white light atop the Federal Signal Twinsonic lightbar was part of the blueprint, but never installed by Los Angeles County Fire Department on its departmental units. This light was intended to be used by other personnel and particularly helicopters to differentiate paramedic squads from regular rescue squads and other units operating that vehicle type. Prior to season 3, the studio acquired a 1973 D300 cab and chassis. All of the external paraphernalia (rear compartment box, lightbar, searchlights, K12 box, etc.) were removed and remounted on the new squad chassis. This vehicle lasted for two seasons. In season 5 the third and final Dodge truck appeared. It was a 1974 model and this is the vehicle that presently resides in the Los Angeles County Fire Department museum. Once again, the rear compartment box and lightbar from the original Squad 51 were remounted. Also, the last two chassis came with a different engine grille, so the parts from the first truck were kept. The whereabouts of the first two stripped-down Dodge D300's remains a mystery. After the filming of the series, at the Fire Department's request, the studio donated the unit to Los Angeles County Fire Department in 1978, which pressed it into occasional service as a reserve unit before it was eventually retired from service.

In 1999, Los Angeles County Fire Department donated the Universal-built squad to the Los Angeles County Fire Museum, which restored it and put it on display.

Engine 51
The original Engine 51 was a 1965 open-cab Crown Firecoach, and was represented by Los Angeles County Fire Department Engine 127's 1965 Crown in stock footage at the fire station (in reality Los Angeles County Fire Department Station 127), and by Los Angeles County Fire Department Engine 60's 1965 Crown (the unit assigned to Universal Studios) for filming on the grounds of the studio. In a few instances in the first and second seasons, the regular apparatus borrowed from Los Angeles County Fire Department and used for filming appear to have been unavailable as some scenes show a slightly different vintage Crown Firecoach pumper, most evident by the different style of emergency lights on the cab's roof. As a condition of providing a Dept pumper for filming the Los Angeles County Fire Department required one of its own qualified Engineers be used to operate it, active Firefighter Engineer (later Specialist) Mike Stoker, who already possessed a Screen Actors Guild card, was cast in the series. The mixing of stock station and response footage with footage filmed for specific storylines created continuity errors by mixing these apparatus.

Early in the third season, Engine 51 was represented by a 1973 closed-cab Ward LaFrance P80 Ambassador triple-combination pumper. Los Angeles County Fire Department was purchasing numerous P80s at the time, and Ward LaFrance, through their local distributor, Albro Fire Equipment Co. of Los Angeles, donated a P80 unit to Universal Studios specifically for use in the series as product placement. The Ward LaFrance Engine 51 was thus not a disguised unit and did not require the use of Los Angeles County Fire Department resources for filming.

Engine 127's 1965 Crown, one of the two originally used for the series, was later refitted with a closed cab. Eventually it was placed into reserve status when Station 127 received a new engine. In its reserve capacity, it was serving temporarily as Engine 95 when it was involved in a collision. Damaged beyond repair in the collision, it was salvaged for parts and sold as scrap. The County of Los Angeles Fire Museum Association now owns and has restored the 1965 Crown which formerly served as Engine 60 at Universal Studios and appeared most often as the Crown version of Engine 51.

The Ward LaFrance P80 Ambassador that represented Engine 51, owned by the studio outright, made its final Emergency! appearance in the movie The Steel Inferno, but it was marked as Engine 110. The Ward remained at Universal Studios as a prop following the conclusion of the series, and made brief appearances such as in the film The China Syndrome (1979) and a short educational film produced by the National Fire Protection Association in 1984. Eventually, the Ward was pressed into active duty at Yosemite National Park, as MCA Recreation Services (Universal's then-owner/operator) was under contract to provide visitor services at the park at the time, and it remained with YNP Fire after MCARS's involvement at the Park ended.

As the fire department for the concession area was private (not state or federal), the engine had the California personalized (vanity) license plate YCS E51. It served continuously as YNP Fire's Engine 7 until it was retired and replaced in July 2008. Per terms of a previous agreement between the Park and the County of Los Angeles Fire Museum Association, the museum assumed ownership of the Ward and added it to the museum collection. In 2012, the museum finished a complete restoration of the Ward to its original appearance in the show.

Both of Station 51's vehicles have also been immortalized as Hot Wheels diecast vehicles Emergency Squad (1998) and Fire-Eater (1977) respectively.

Antique Dennis Fire Engine
An antique fire engine was the part of three episodes of the show. In the third season, episode 2, entitled, "The Old Engine", Gage and DeSoto see a derelict fire engine in a scrap yard during a fire. They purchase the vehicle for $80 according to the script and attempt to restore it. The script says it is a 1932 Dennis fire engine, but the vehicle is a Dennis Ace model, that was manufactured from 1934 to 1939 and sold to the British market including Australia, New Zealand, and India. Records indicate this model was not sold in the US.

In Season 4, Episode 13, "The Parade", the two paramedics have finished their restoration of the Dennis Ace fire engine for the California Firefighters Parade, though having to replace a part that just busted. En route to the parade, wearing antique uniforms, the two spot an apartment fire and respond in the engine using its antiquated equipment to rescue two people trapped in the building before Los Angeles County Fire Department arrives. The Dennis Ace is heavily damaged when the structure collapses onto it. In Season 5, Episode 2, "The Old Engine Cram" the main characters are informed by Nurse McCall that a man is looking to buy that same model of fire engine. Unfortunately, the engine is mistakenly referred to in the script as a 1923 Paige when it is actually a Dennis.

Equipment
The orange radio Gage and DeSoto used was a model 3502 Biocom Biophone. It came in an orange fiberglass case and was fully portable. It could transmit EKG and voice simultaneously, could be charged in 15 minutes, and had one hour of talking time. The radio had eight duplex UHF channels and a total of 12 watts of transmitting power. There were two Biophones used on the series, one smaller than the other.

In "Survival on Charter #220", Gage and DeSoto are briefly seen using a Motorola Apcor, with Dr. Early and Nurse McCall using a Motorola base station back at Rampart.

The electrocardiograph (ECG or EKG) machine used in the show was a Datascope Model 850 Dual Trace Physiological Monitor. This model came out in 1971 and was the first portable, battery rechargeable unit of its kind. Its original price was $2,000. In the middle of Season 4, the show switched to a Datascope MD/2, which was a combined monitor and defibrillator that allowed the monitor unit to slide out. With the monitor docked, it can read and display an EKG through the defibrillator paddles; this function is shown several times during the series, and anticipates the development of the automated external defibrillator, only a few years later. The paramedics also carried some medical equipment in a black model PF-3300 Old Pal tackle box, commonly used by the fire department at the time. There were instances when the actors encountered difficulty in pronouncing medical terms correctly, so some scenes show the characters from the back or behind a mask, which allowed them to dub in the correct pronunciations at a later time.

Many items of the equipment were donated to the Smithsonian Institution's National Museum of American History in May 2000.

The protective clothing ("turn-out gear") that the firefighters wore, including the MSA Topgard helmets, as well as nearly all other equipment such as insignia, were standard fire department issue at the time. [[File:Biophone by BioCom Inc.jpg|thumb|Possibly the actual Biophone used in the show. This is the unit on display at the Los Angeles County Fire Department fire museum.

This unit has a connection port in the front that can be seen on screen. The above model does not.]] The badges used in the series were authentic fire department badges. At the end of filming each day, they were collected, stored for safekeeping and then reissued the next day.

Impact on emergency medical services
Prior to Emergency!, ambulances had been operating for decades in the United States. However, their crews rarely had training beyond basic first aid. Most states did not license them to perform more advanced medical treatment. The alternative was to staff ambulances with traditional healthcare professionals like doctors, which was expensive and posed recruitment challenges.

Writing in the University of Baltimore Law Review in 2007, Paul Bergman argued that Emergency! encouraged the growth of EMS. The conclusion is shared by Yokey and Sutherland in the book ''Emergency! Behind the Scenes''. Bergman acknowledges that some of this trend had already been in motion, due to developments such as the 1966 report Accidental Death and Disability: The Neglected Disease of Modern Society and California's Wedworth-Townsend Act in 1970. In 1971, there were only 12 paramedic services operating in the United States. In the first three years that Emergency! aired, 46 out of 50 states enacted laws that allowed paramedics to practice. On a federal level, the 1974 Emergency Medical Services Systems Act was enacted to encourage the trend. By 1982, half of the American population was within ten minutes' reach of a paramedic unit.

The show was referenced during a debate in the Health Committee of the California State Assembly, during the passage of a bill to make the Wedworth-Townsend Act permanent. A 1977 Newsweek article wrote that "[t]he television series Emergency! helped create a national demand for such services." In a 1993 paper, Byron K. Toma argued that it "helped convince the public that they are entitled to the highest levels of emergency medical aid technologically available."

In episode 17 of season 3, "Fools", singer Bobby Sherman plays an arrogant intern who shows disdain for John and Roy ... until he is sent out with them by Dr. Brackett to see exactly what they do. Sherman's character changes his mind quickly upon watching them perform a harrowing rescue. In real life, Sherman would leave show business and become an EMT. He worked with paramedics and taught CPR and first aid and subsequently joined the Los Angeles Police Department Reserve Officer Program. He served as a training officer for many years and would be promoted to the rank of Captain; Sherman credited his role on that episode of Emergency! as a guiding force in his choice of career change.

Spin-offs and crossovers
Emergency! was a third-generation spin-off, having been spawned from Jack Webb's Adam-12, which itself was spun off from Jack Webb's Dragnet. All three series take place in the same universe and depict different aspects of the public safety infrastructure of Los Angeles, California.

Characters from Emergency! and Adam-12 "crossed over" twice. The police officers appeared briefly in the pilot episode of Emergency!, and the firefighter/paramedics appeared in the Adam-12 episode titled "Lost and Found". Unusually, in the Emergency! episode titled "Hang-Up", there was a subplot in which the crew of Station 51 watched the television show Adam-12, despite sharing a fictional universe with those characters.

Emergency! spun off an animated version called Emergency +4 which ran on NBC Saturday mornings from 1973 to 1976, and featured four youngsters and their three pets who participated in rescue adventures with firefighter/paramedics DeSoto and Gage.

Mantooth's Gage and Tighe's DeSoto appeared in the tenth episode of Sierra, another Webb/Cinader production about a pair of National Park Service rangers, which appeared for only a partial season in 1974. In that episode, "The Urban Ranger", the two paramedics participate in mountain rescue training and get involved in many of the episode's subplots. Following recurring themes from Emergency!, Gage continues to fail in his attempts to get a date, while DeSoto briefly considers changing careers to become a park ranger.

The "905-Wild" episode of Emergency!, broadcast during the closing of its Season 4 on Saturday March 1, 1975, was intended to be the pilot for a new series created and produced by Jack Webb. The series was to have been about the adventures of two Los Angeles County Department of Animal Control officers, and the staff of a county animal shelter. The episode featured Albert Popwell and Mark Harmon as the officers and David Huddleston and Gary Crosby in supporting roles. However, it failed to sell and the follow-up series was never produced.

Squad 51 briefly appeared in the CHiPs episode "Cry Wolf" (season 1, ep. 18), where it can be seen responding from the station to a false accident report. Further in the episode "MAIT Team" (season 2, ep. 15), Engine 51 and Squad 51 can be seen responding from the station to a traffic accident. Again in the episode "Hot Wheels" (season 3, ep. 8) Squad 51 arrives on the scene of a traffic accident. It has a major role in the episode "E.M.T" when it responds to aid a young boy trapped in his clubhouse under a busy freeway, where California Highway Patrol officers Ponch and Jon retrieve equipment from the squad to aid in the rescue of the boy.

The episode "Cover Up" of Quincy, M.E. featured a paramedic team from Squad 44 contacting Rampart General Hospital while tending a heart attack patient, although the patient is directed to a closer hospital. When Dr. Quincy later visits Station 44 to question the paramedics concerning the patient's death, stock footage of the exterior of Station 51 is used. This episode was written by R.A. Cinader. Earlier, in the season 1 episode "Has Anyone Seen Quincy?" Harbor General Hospital is used as the filming location of the unnamed hospital seen throughout the episode. Rampart is again contacted in season 7's "The Golden Hour", but the patient is directed to a closer hospital, and Engine 51 responds to a hotel fire in the same season's episode "Smoke Screen".

Station 51 appears in the TV movie The Great Los Angeles Earthquake (1990), in a segment where all Los Angeles police and fire personnel are deployed to prepare for a massive Southern California earthquake. Stock footage from "Emergency!" is used.

Rampart Hospital is briefly mentioned in the 911 episode "Hen Begins" (season 2, ep. 9), where Hen is introduced to fellow peers who are struggling to fit into their roles (Edit: The Rampart mentioned is not the fictional hospital, but the real life LAPD station.)

TV movies
From 1978 through 1979, the show returned as a series of "Movies of the Week". The TV movies premiered in this order:

The Steel Inferno: A fire breaks out in a skyscraper and the members of Squad 51 along with other Los Angeles County Fire Department members help rescue those who are trapped. Personnel from Rampart General Hospital set up a triage area at the scene to care for the injured awaiting to be transported to the hospital. A Coast Guard helicopter helps firefighters with rooftop evacuations. This television movie was similar to Irwin Allen's The Towering Inferno (1974).

Survival on Charter #220: While Squad 51 is on a call, two planes collide with one crash landing in a Los Angeles subdivision, trapping Gage and DeSoto. A resident of the subdivision which was the site of the crash was the girlfriend of one of Squad 51's other paramedics from another shift. The on and off-duty firefighters make multiple rescues and the injured girl Squad 51 was originally dispatched to help turns out to be all right. During the rescue, however, an engine from one of the planes lands on the squad, destroying it.

Most Deadly Passage: The paramedics from Squad 51 travel to Seattle to watch how their paramedics treat patients and respond to calls for help. The most notable incident in the movie is the ferry that catches fire in the middle of a trip.

What's a Nice Girl Like You Doing?: Gage and DeSoto travel to San Francisco to observe some female paramedics work. A worker is rescued from the Golden Gate Bridge, an ambulance gets into an accident that ends up killing the patient being transported to the hospital, an epileptic in a coffee shop is treated along with someone having a heart attack at a dance bar. A pier at the Embarcadero catches on fire.

Greatest Rescues of "Emergency!": Gage and DeSoto are both promoted to the rank of captain, at which rank they were no longer permitted to hold paramedic certification. They think back to their time on Squad 51 and some of the rescues they carried out. Robert A. Cinader wrote and directed the framing story, which included clips from other such installments as the pilot, on whose writing Harold Jack Bloom had collaborated with Cinader. This film marked the "official" ending of the series.

The Convention: John and Roy are back in San Francisco for a paramedic convention and they ride along with the San Francisco Fire Department's paramedics.

The TV movies were shown in syndication as two-part episodes starting in the 1980s. They also aired on TV Land in 2001, on MeTV in June 2015, and on Cozi TV in late 2019.

Other media
The book Emergency!: Behind the Scenes by Richard Yokely and Rozane Sutherland was published in 2008.

Charlton Comics out of Derby, Connecticut, published several issues of an Emergency! comic book in the mid-1970s, geared towards youth readers. One of the issues contains some of the earliest published work of John Byrne. Charlton also published four issues of an illustrated black-and-white magazine geared more towards adult readers featuring art by Neal Adams and others, these projects were overseen by publisher Steve Kahn, in parallel with similar books for The Six Million Dollar Man and Space: 1999.

Wonderland Records produced three original audio dramas based on Emergency!; these were released on a single 33 rpm LP. These were: "The Jaws of Life" (in which the title gadget proves its worth when Gage and DeSoto must rescue one man from a subway mishap and another from a burning car; they also help a woman shocked by a high-voltage power line; both are uneasy about supper this week, since Lopez is the designated chef at Station 51), "Front Page Story" (in which Gage and DeSoto, after rescuing an elderly man from a burning – and supposedly abandoned – wharf, must deal with investigative reporter Jenny James ... who's been instructed to write an exposé on Squad 51; she observes – and unwittingly complicates – their treatment of a blind teenage diabetic with a fractured skull, who might need on-the-spot surgery to save his life), and "The Used Car Caper" (in which our paramedics assist a security guard shot in a bank robbery, and then a young woman injured by a reckless driver; the latter call ties into the subplot, as DeSoto puts his old car up for sale ... and gets an offer from a fellow who's suspiciously eager to close the deal).

Milton Bradley released an Emergency! board game in 1973.

Syndication
The series was first syndicated in 1976, after the fifth season. Local stations mainly aired it between 4:30 and 6 p.m. Eastern (3:30 to 5:00 Central) for the same viewers that were its most loyal audience on NBC, elementary school-aged children. However, Emergency! was not nearly as successful in reruns as Dragnet 1967–70 and Adam-12 were. When the program was first syndicated, it went by the title Emergency One! (the stock title "Emergency!" appeared with the word "One" fading in beneath) to avoid confusion with the new episodes still airing Saturday nights on NBC and continued to be called that when the TV movies aired as well. The syndicated episodes would revert to the original title, Emergency!, in 1979. Renaming programs for syndication was commonplace until the 1980s. Although in the early 2000s it had a brief run on TV Land, Emergency! had been rarely seen in recent times because the series had come under the ownership of the Jack Webb Estate. The show is now seen on Cozi TV.

Emergency! seasons 1 – 6 were available on Netflix on Demand in high definition (though several episodes are missing due to rights issues), having been restored and rescanned from the original film negatives. The series ran on MeTV from September 2013 to December 2016, an over-the-air service mainly seen on digital subchannels of local television stations. Starting in January 2017, the series moved to the NBC Universal owned digital broadcast network Cozi TV. As of Spring 2022, the series airs on FETV, a satellite and cable network featuring classic programming and family entertainment. It is only available for purchase on DVD in the US from Universal Studios Home Entertainment and through major retailers.

Home media
In 1998, Universal Studios released 39 episodes on VHS, in a 20-volume set, distributed through Columbia House. The videocassettes each contained 2 episodes from the series, except for the first one, which only contained the two-hour pilot.

Universal Studios has released all six seasons of Emergency! and the six post-series tele-films (as The Final Rescues), on DVD in Region 1.

On July 12, 2016, Universal released ''Emergency! – The Complete Series'' on DVD in Region 1. The 32-disc set contains all 122 episodes of the series as well as the 6 post-series tele-films.

In 2017–2018, Universal re-released the first two seasons on DVD in new single sided disc collections.

Note: Seasons 1 & 2 in the complete series set were released on single sided discs; they were originally released on double sided discs in the individual season sets.

Los Angeles County Fire Museum
The Los Angeles County Fire Museum currently houses the Universal-built Squad 51, both Engines 51 (the renumbered Crown Los Angeles County Fire Department Engine 60 and the Ward-LaFrance-donated Engine 51), a 1969 Chevrolet ambulance and various equipment used on the show. Such equipment includes: the orange "BioPhone", black "drug box" (tackle box), defibrillator, OB/GYN, radios, turnout coats, gear, various cast photographs, and other paraphernalia used on the show.

The museum, which relocated to 16400 Bellflower Blvd, Bellflower, California, USA (33.8842615N, 118.1259962W) in July, 2018, allows fans to photograph and (for special events) touch / handle the various equipment. Some of the equipment is signed by various actors from the show.

title: Emergency!


text:
Jackie Coogan

John Leslie Coogan (October 26, 1914 – March 1, 1984) was an American actor and comedian who began his film career as a child actor in silent films. Coogan's role in Charlie Chaplin's film The Kid (1921) made him one of the first child stars in the history of Hollywood.

He later sued his mother and stepfather over his squandered film earnings and provoked California to enact the first known legal protection for the earnings of child performers, the California Child Actor's Bill, widely known as the "Coogan Act".

Coogan continued to act throughout his life, later earning renewed fame in middle age portraying Uncle Fester in the 1960s television series The Addams Family.

Early life and education
John Leslie Coogan was born in Los Angeles, California, in 1914 to John Henry Coogan Jr., and Lillian Rita (Dolliver) Coogan. He began performing as an infant in both vaudeville and film, with the title role (uncredited) in the 1917 film Skinner's Baby. Charlie Chaplin discovered him in the Orpheum Theatre, a vaudeville house in Los Angeles, on the stage doing the shimmy, a then-popular dance. Coogan's father was also an actor, as was his younger brother, Robert.

Coogan was a natural mimic and delighted Chaplin with his abilities. Chaplin cast him in a small role in A Day's Pleasure (1919). The following year, Chaplin cast Coogan as the abandoned child raised by his Tramp character in the silent comedy-drama The Kid (1921). In 1922, Coogan was cast in the title role in Oliver Twist, directed by Frank Lloyd. Coogan was one of the first stars to be heavily merchandised. Peanut butter, stationery, whistles, dolls, records, coins and figurines were among the Coogan-themed merchandise on sale.

Coogan was tutored until the age of 10, when he entered Urban Military Academy and other preparatory schools. He attended several colleges, as well as the University of Southern California. In 1932, he dropped out of Santa Clara University because of poor grades.

In November 1933, 22-year-old Brooke Hart, a close friend of Coogan's from Santa Clara University and heir to a successful department store in San Jose, was kidnapped as he drove his car out of a parking lot. After several demands for a $40,000 ransom were delivered to the family, police arrested Thomas Thurmond and Jack Holmes in San Jose. Thurmond admitted to the police that he and Holmes had murdered Hart the same day he was kidnapped. Both killers were transferred to a jail in downtown San Jose. A mob broke into the jail, and Thurmond and Holmes were hanged from a tree in a nearby park, with the unapologetic approval of the state's governor. Coogan was reported to have been present and to have held the lynching rope.

In May 1935, 20-year-old Coogan was the sole survivor of a car crash in eastern San Diego County that killed his father, his 19-year-old best friend, actor Junior Durkin, their ranch foreman Charles Jones, and actor and writer Robert J. Horner. The party was returning from a day of dove hunting just over the Mexican border. With Coogan's father at the wheel, the car was forced off the mountain highway near Pine Valley by an oncoming vehicle and rolled down an embankment.

Charity work
While a child actor, Coogan worked with Near East Relief and toured across the United States and Europe in 1924 on a "Children's Crusade" as part of his fundraising drive. His efforts provided more than $1 million in clothing, food, and other contributions ($14.8 million in 2021 dollars), and he was honored by officials in the United States and Greece. He also had an audience with Pope Pius XI.

A Catholic, Coogan was a member of the Good Shepherd Parish and the Catholic Motion Picture Guild in Beverly Hills.

Coogan Bill
As a child star, Coogan earned an estimated $3,000,000 to $4,000,000. When he turned 21 in October 1935, his fortune was believed to be well intact. His assets had been conservatively managed by his father, who had died in a car accident five months earlier.

Coogan soon discovered, though, that nearly the entire amount had been squandered by his mother and stepfather, Arthur Bernstein, on fur coats, diamonds and other jewelry, and expensive cars. Bernstein had been a financial advisor for the family and married Coogan's mother in late 1936.

Coogan's mother and stepfather claimed Jackie enjoyed himself and simply thought he was playing before the camera. She insisted, "No promises were ever made to give Jackie anything", and claimed he "was a bad boy".

Coogan sued them in 1938, but after his legal expenses, he received just $126,000 of the $250,000   remaining of his earnings. When Coogan went broke during the litigation, he asked Charlie Chaplin for assistance; Chaplin handed him $1,000 at cash without hesitation.

The legal battle focused attention on child actors and resulted in the 1939 enactment of the California Child Actor's Bill, often referred to as the "Coogan Law" or the "Coogan Act". It required that a child actor's employer set aside 15% of the earnings in a trust (called a Coogan account) and specified the actor's schooling, work hours, and time off.

Film
Coogan appeared with then-wife Betty Grable in College Swing, a 1938 musical comedy starring George Burns, Gracie Allen, Martha Raye, and Bob Hope.

He appeared as a police officer in the Elvis Presley comedy Girl Happy in 1965.

Radio
In 1940, Coogan played the role of "a playboy Broadway producer" in the Society Girl program on CBS radio. He also starred in his own program, Forever Ernest, on CBS from April 29 to July 22, 1946.

World War II
Coogan enlisted in the U.S. Army in March 1941. After the attack on Pearl Harbor that December, he requested a transfer to Army Air Forces as a glider pilot because of his civilian flying experience. Graduating the Advanced Glider School with the glider pilot aeronautical rating and the rank of flight officer, he volunteered for hazardous duty with the 1st Air Commando Group.

In December 1943, the unit was sent to India. He flew British troops, the Chindits, under General Orde Wingate, on March 5, 1944, landing them at night in a small jungle clearing 100 mi behind Japanese lines in the Burma Campaign.

Television
After the war, Coogan returned to acting, taking mostly character roles and appearing on television.

From 1952 to 1953, Coogan played Stoney Crockett on the syndicated series Cowboy G-Men. In 1959, he guest-starred in a first-season episode of Peter Gunn. He also appeared on NBC's The Martha Raye Show. He appeared, too, as Corbett, in two episodes of NBC's 1960 series The Outlaws.

In the 1960–1961 season, he guest-starred in the episode "The Damaged Dolls" of the crime drama The Brothers Brannagan. In 1961, he guest-starred in an episode of The Americans, an NBC series about family divisions stemming from the Civil War. He also appeared in episode 37, titled "Barney on the Rebound", of The Andy Griffith Show, which aired October 31, 1961.

Coogan had a regular role in a 1962–63 NBC series, McKeever and the Colonel. He finally found his most famous television role as Uncle Fester in ABC's The Addams Family (1964–1966). He later voiced Uncle Fester in The Addams Family animated series (1973–1975) and reprised the character in the TV film Halloween with the New Addams Family (1977).

He appeared four times on the Perry Mason series, including the role of political activist Gus Sawyer in the 1963 episode, "The Case of the Witless Witness" and TV prop man Pete Desmond in the final episode, "The Case of the Final Fadeout", in 1966. He was a guest several times on The Red Skelton Show, appeared twice on The Brady Bunch ("The Fender Benders" and "Double Parked"), I Dream of Jeannie (as Jeannie's uncle, Suleiman – Maharaja of Basenji), Family Affair, Here's Lucy, and The Brian Keith Show, and continued to guest-star on television, including multiple appearances on The Partridge Family The Wild Wild West, Hawaii Five-O and McMillan and Wife, until his retirement in the mid-1970s. Coogan also appeared in the first season of Barnaby Jones, in the April 1, 1973 episode titled "Sing a Song of Murder".

Marriages and children
Coogan was married four times and had four children. His first three marriages to actresses were short-lived. Betty Grable and he were engaged in 1935 and married on November 20, 1937, and they divorced on October 11, 1939. On August 10, 1941, he married Flower Parry (d. 1981). They had one son, John Anthony Coogan (writer/producer of 3D digital and film, also known as Jackie Coogan Jr.), born in Los Angeles; they divorced on June 29, 1943. Coogan married his third wife, Ann McCormack, on December 26, 1946. A daughter, Joann Dolliver Coogan, was born in Los Angeles. They divorced on September 20, 1951.

Dorothea Odetta Hanson, also known as Dorothea Lamphere (but best known as Dodie), was a dancer and became Coogan's fourth wife in April 1952. They were together over 30 years until his death in 1984. She died in 1999. They had two children together; daughter Leslie Diane Coogan was born in Los Angeles, while son Christopher Fenton Coogan was born in Riverside County, California. Christopher died in a motorcycle accident in Palm Springs, California in 1990.

Leslie Coogan has a son, actor Keith Coogan, who was born Keith Eric Mitchell. He began acting in 1975 and later changed his name two years after his grandfather's death, in 1986. His roles include the oldest son in Adventures in Babysitting and Don't Tell Mom the Babysitter's Dead.

Footage of Jackie with his grandson Keith can be seen in the 1982 documentary Hollywood's Children.

Death
After suffering from heart and kidney ailments, Coogan died of heart failure on March 1, 1984, at age 69, in Santa Monica, California. Coogan had a long history of heart trouble and hypertension and had previously suffered several strokes. He had been undergoing kidney dialysis when his blood pressure dropped. Coogan was taken to Santa Monica Hospital, where he died from cardiac arrest.

At Coogan's request, his funeral was open to the public and was attended by several fans. John Astin, Coogan's co-star from The Addams Family, delivered the eulogy. Coogan was interred at Holy Cross Cemetery in Culver City. His star on the Hollywood Walk of Fame is located at 1654 Vine Street, just south of Hollywood Boulevard.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Jackie Coogan


text:
Schoolhouse Rock!

Schoolhouse Rock! is an American interstitial programming series of animated musical educational short films (and later, music videos) which aired during the Saturday morning children's programming block on the U.S. television network ABC. The themes covered included grammar, science, economics, history, mathematics, and civics. The series' original run lasted from 1973 to 1985; it was later revived from 1993 to 1996. Additional episodes were produced in 2009 for direct-to-video release.

Development
The series was the idea of David McCall, an advertising executive of McCaffrey and McCall, who noticed his young son was struggling with learning multiplication tables, despite being able to memorize the lyrics of many Rolling Stones songs. McCall hired musician Bob Dorough to write a song that would teach multiplication, which became "Three Is a Magic Number". Tom Yohe, an illustrator at McCaffrey and McCall, heard the song and created visuals to accompany it. Radford Stone, producer and writer at ABC, suggested they pitch it as a television series, which caught the attention of Michael Eisner, then the senior vice president in charge of programming and development at ABC, and cartoon director Chuck Jones.

Original series
The first video of the series, "Three Is a Magic Number," originally debuted during the debut episode of Curiosity Shop on September 2, 1971. The Curiosity Shop version is an extended cut which includes an additional scene/verse of 15 seconds in length that explains the pattern of each set of ten containing three multiples of three, animated in the form of a carnival shooting game. This scene has never been rebroadcast on ABC, nor has it been included in any home media releases; the longer version is, however, available on the soundtrack album, as is an extended version of My Hero Zero.

Schoolhouse Rock! debuted as a series in January 1973 with Multiplication Rock, a collection of animated music videos adapting the multiplication tables to songs written by Bob Dorough. Dorough also performed most of the songs, with Grady Tate performing two and Blossom Dearie performing one during this season. General Foods was the series' first sponsor; later sponsors of the Schoolhouse Rock! segments also included Nabisco, Kenner Toys, Kellogg's, and McDonald's. During the early 1970s, Schoolhouse Rock was one of several short-form animated educational shorts that aired on ABC's children's lineup; others included Time for Timer and The Bod Squad. Of the three, Schoolhouse Rock was the longest running.

George Newall and Tom Yohe were the executive producers and creative directors of every episode, along with Bob Dorough as musical director. This first season was followed in short order by a second season, run from 1973 to 1975, entitled Grammar Rock, which included nouns, verbs, adjectives, and other parts of speech (such as conjunctions, explained in "Conjunction Junction"). For this second season, the show added the services of Jack Sheldon, a member of The Merv Griffin Show house band, as well as Lynn Ahrens; both of them contributed to the series through the rest of its run. Blossom Dearie returned for a second episode, and Essra Mohawk joined the cast as a recurring singer.

To coincide with the upcoming United States Bicentennial, a third season, America Rock, airing in 1975 and 1976, had music videos covering the structure of the United States government (such as "I'm Just a Bill") along with important moments in American history (examples include "The Preamble" and "Mother Necessity").

A fourth series, titled "Science Rock," followed in 1978 and 1979, and included a broad range of science-related topics. The first video of this season, "A Victim of Gravity," parodied elements of the hit film Grease and featured a rare guest appearance from a pop band, with recently reunited doo-wop group The Tokens providing the vocals. In addition to episodes describing the human body's anatomical systems (the nervous, circulatory, skeletal and digestive systems each received a music video), episodes describing physical sciences such as astronomy, meteorology and electricity were also included, as was "The Energy Blues," an environmentalism-themed video.

A fifth follow-up series, titled "Scooter Computer and Mr. Chips," featuring the titular characters (the only music videos in the series to feature any recurring characters), premiered in the early 1980s and comprised just four segments about home computer technology, then just emerging onto the scene. As the references and depictions became quickly outdated, due to the rapid advance of technology, these segments stopped airing after 1985 and were not released on home video until the 30th anniversary DVD in 2002.

1990s
After leaving the airwaves in 1985, the original team reunited to produce two more Grammar Rock segments ("Busy Prepositions" and "The Tale of Mr. Morton") for television in 1993 with J. J. Sedelmaier Productions, Inc. This was followed in 1995 by a new series, "Money Rock," which discussed themes related to money management on both the personal and governmental scale. Episodes from the new series aired in rotation with the original segments from 1993 to 1996.

The Walt Disney Company acquired Schoolhouse Rock in 1996 along with its acquisition of ABC owner Capital Cities/ABC Inc.; Schoolhouse Rock was one of only two non-Disney children's shows (The Bugs Bunny and Tweety Show being the other) to continue airing (albeit in reruns) after the transition to One Saturday Morning. The series as a whole (after 27 years, shortly before the show's 30th anniversary) ceased airing on television in 2000, with newer episodes being released directly to home video. However, reruns occasionally aired on Toon Disney's Big Movie Show block in 2004, but were soon removed from the schedule.

21st century
Starting in 2002, the team once again reunited to produce a new song "I'm Gonna Send Your Vote to College," written by George Newall and performed by Bob Dorough and Jack Sheldon for the 30th Anniversary VHS and DVD releases. For the new song, Tom Yohe Jr. took over as lead designer for his father, Tom Yohe Sr., who had died in 2000. Another contemporary song, called "Presidential Minute," also written by George Newall which explained the process of electing the President of the United States in greater detail, was included on the 2008 DVD ''Schoolhouse Rock! Election Collection'', which centered on songs relating to American history and government.

In 2009, in response to the threat of climate change, a new series of shorts was released directly to DVD, with the title ''Schoolhouse Rock! Earth''. Animations were created by members of the original production team, and 11 environmentally themed songs were written and performed by a combination of veterans of the original series (including Bob Dorough, Jack Sheldon, and Lynn Ahrens) and newcomers such as composer George Stiles and performers Tituss Burgess, Barrett Foa, and Shoshana Bean, all of whom were veterans of Broadway theatre. In a first for the series, an additional 12th song, "The 3 R's," a reworked version of "Three Is a Magic Number" rethemed around the message "reduce, reuse, recycle," was included as a live action music video (starring singer Mitchel Musso) rather than as a new cartoon. Also unique to this iteration of the series was the inclusion of interstitial introductions featuring recurring animated characters created for the DVD, Jack, Bob, and Lou, a trio of Arctic polar bears.

On January 6, 2013, George Newall and Bob Dorough appeared at the Kennedy Center in Washington, D.C., as part of their ongoing series of free concerts on the Millennium Stage. It was deemed the largest attendance to date of the venue. Dorough played five songs, accompanying himself on the piano: "Three Is a Magic Number," "Figure Eight," "Conjunction Junction," "Preamble," and "I'm Just a Bill". (Dorough had only performed lead vocals on the original version of "Three Is a Magic Number".) He also performed "Interjections!" accompanied by DC-area kids' band Rocknoceros. Rocknoceros also performed "Electricity, Electricity," "Unpack Your Adjectives," "Energy Blues," and "Fireworks".

On March 20, 2019, it was announced that Schoolhouse Rock!: The Box Set (1996) was added to the Library of Congress National Recording Registry in its 2018 class.

Multiplication Rock
No shows were produced featuring the number 1 explicitly, though several of them, including "Elementary, My Dear," do include this number. "My Hero, Zero" introduced the subject of how to use zero for multiplying by 10, 100, and 1,000. "Little Twelvetoes" introduced the subject of how math arranged on base 12 rather than on base 10 would work, as well as covering multiplication by 12.

In 1973, Capitol Records released a soundtrack album of Multiplication Rock (SJA-11174), featuring all 11 songs. Two tracks, "My Hero, Zero" and "Three Is a Magic Number", had been edited for TV to keep each video within three minutes. This LP features both songs in their full, uncut forms. Also, the album version of "The Four-Legged Zoo" has a slightly shorter ending compared to the television version. Released with the album was a single (Capitol 3693) with the two Grady Tate–sung tracks ("Naughty Number Nine" b/w "I Got Six"). This album was re-released on red/blue-colored vinyl on Record Store Day 2019.

Grammar Rock
This segment introduces Jack Sheldon and Lynn Ahrens as series regulars. "Conjunction Junction" and "A Noun Is a Person, Place, or Thing" were Sheldon and Ahrens' debuts on Schoolhouse Rock! respectively.

"Busy Prepositions" (a.k.a. "Busy P's") and "The Tale of Mr. Morton" were produced for Schoolhouse Rock!'s return to ABC in 1993 with J.J. Sedelmaier Productions, Inc. producing the animation.

America Rock
"I'm Gonna Send Your Vote to College" and "Presidential Minute" were produced for DVD. "Three Ring Government" had its airdate pushed back due to ABC fearing that the Federal Communications Commission, the U.S. Government, and Congress would object to having their functions and responsibilities being compared to a circus and threaten the network's broadcast license renewal.

Science Rock

 * In the Disney+ version of "Electricity, Electricity," the flashing light visuals for the "electricity" text are toned down to reduce the risk of anyone with photosensitive epilepsy.
 * Sometime after its initial airing, "The Greatest Show on Earth," also known as "The Weather Show," was pulled from broadcast rotation because the Ringling Bros. and Barnum & Bailey Circus objected to its use of their trademark slogan (which was in the questioned title) and filed a lawsuit against the network for copyright infringement. As a result, the 1995 VHS of the program (and subsequent VHS reissues) deleted the song. However, it was included in the 1987 Schoolhouse Rock! VHS release, and in 2002 it was included on the bonus disc of the Special 30th Anniversary Edition DVD (see below).

Earth Rock
These songs did not air on ABC. They premiered on a DVD released in 2009. They were also available for purchase on iTunes.

Tie-ins
Several tie-ins were released in 1995:
 * Schoolhouse Rock! Rocks, a tribute album featuring covers of Schoolhouse Rocks songs performed by popular music artists (see below).
 * Schoolhouse Rock! The Official Guide (ISBN 0-7868-8170-4), written by Tom Yohe and George Newall, and including synopses, lyrics, and production notes about each of the shorts created to date, except "The Weather Show," which was the subject of pending litigation and so could not be included. "The Weather Show" was shown with all the other Science Rock episodes in 1979. The book was updated in 2023 to coincide with the 50th anniversary of the show, with songs added from Money Rock.
 * The Schoolhouse Rock Songbook (Cherry Lane Music), containing sheet music for 10 songs.
 * Schoolhouse Rock! Soundtrack The 4-CD release with bonus tracks on each CD was released on June 18, 1996, by Rhino Records.

The Best of Schoolhouse Rock (ISBN 1-56826-927-7) was released in 1998 jointly by American Broadcasting Companies, Inc. and Rhino Records.

Home video
A 1987 production of the series for VHS tape released by Golden Book Video featured Cloris Leachman opening the collection and some songs with child dancers and singers. Three songs (namely "Three Ring Government," "The Good Eleven," and "Little Twelve Toes") were not included on the videos.

In 1995, ABC Video and Image Entertainment released two volumes of Schoolhouse Rock! on LaserDisc, ''Schoolhouse Rock! Volume 1: Multiplication Rock and Grammar Rock (ID3245CC), and Schoolhouse Rock! Volume 2: America Rock and Science Rock'' (ID3383CC). For both volumes, the first side was in the CLV Extended Play format and the second was in the frame-accessible CAV format, and both contained CX-encoded analog and digital audio soundtracks. The "Grammar Rock" volume included the 1993 shorts "Busy Prepositions" and "The Tale of Mr. Morton".

In 1994, ABC/King Features sold exclusive licensing rights for apparel to Coastal Concepts, Inc. of Vista California, the first company to produce Schoolhouse Rock! apparel. Tom Yohe worked with contemporary artist Skya Nelson to create over 50 new designs and update the Schoolhouse Rock! image for a new market, which sold $1.1 million in its first year and exploded selling over $12 million the next year. A variety of bands working with Rhino Records were furnished with newly minted Schoolhouse Rock! T-shirts for the music videos youth market. The licensing rights were expanded to include other manufacturers in 1996.

In 1995, ABC teamed with Paramount Home Video and re-released four segments of Schoolhouse Rock! on VHS with alternative covers and opening.

In 1997–1998, for the show's 25th anniversary, Walt Disney Home Video, which became a sister company to ABC after their purchase in 1996, released five segments on VHS, along with "Money Rock" being released in 1998. The other four releases in the 25th anniversary collection each ended with a ''Schoolhouse Rock! Rocks'' music video.

On August 27, 2002, Walt Disney Home Entertainment released a 2-DVD set to coincide with the 30th anniversary of the show. The set features 52 of the 53 episodes that had been produced up to that point, including three of the lost "Computer Rock" segments, with the exception of "Introduction". "The Weather Show" and "Presidential Minute" are found on the bonus disc, the former in modified form with the problematic lyric removed, and the latter viewable only upon completing the "Earn Your Diploma" Trivia Game. An abbreviated VHS, featuring 25 episodes (ranked on the tape in order of popularity) and "I'm Gonna Send Your Vote to College," was released at the same time.

In 2008, DVDs of the individual Schoolhouse Rock! series were released for classroom use.

On September 23, 2008, ''Schoolhouse Rock! Election Collection'' was released, including 14 songs about American history and the government and a "new to DVD" song.

On March 31, 2009, Walt Disney Studios Home Entertainment released ''Schoolhouse Rock! Earth'', including 11 newly written and animated songs, as well as "Energy Blues".

On June 5, 2020, a majority of the shorts were made available for streaming on Disney+, with a disclaimer stating the shorts contain "outdated cultural depictions".

Tribute albums

In 1996, the album Schoolhouse Rock! Rocks was released by Rhino Records, with fifteen covers of Schoolhouse Rock songs including the theme. Covers by notable artists included "Three is a Magic Number" by Blind Melon, "No More Kings" by Pavement, "The Shot Heard 'Round the World" by Ween, "My Hero, Zero" by The Lemonheads and "Verb: That's What's Happening" by Moby.

On August 18, 1998, Rhino also released Schoolhouse Rocks the Vote!: A Benefit for Rock the Vote, a tribute album containing covers and original songs in the style of Schoolhouse Rock!, all with an electoral theme. It was released as a fundraiser for Rock the Vote, an organization advocating for political awareness and voting among young people. Several well-known artists contributed tracks to the album, including Isaac Hayes, Joan Osborne, The Sugarhill Gang and The Roots, alongside original Schoolhouse Rock! performers Bob Dorough, Essra Mohawk and Grady Tate.

Schoolhouse Rock Live!
A musical theatre adaptation of the show, titled Schoolhouse Rock Live!, premiered in 1993. It featured a collaboration between artists Scott Ferguson, Kyle Hall, George Keating, Lynn Ahrens, Bob Dorough, Dave Frishberg, and Kathy Mandry, utilizing some of the most famous songs of Newall and Yohe.

A follow-up production entitled Schoolhouse Rock Live, Too, written by the same team as Schoolhouse Rock Live!, premiered in Chicago in 2000.

50th Anniversary Singalong
A musical television special celebrating 50 years of Schoolhouse Rock! titled Schoolhouse Rock! 50th Anniversary Singalong aired on February 1, 2023.

title: Schoolhouse Rock!