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Udo Jürgens

Jürgen Udo Bockelmann (30 September 1934 – 21 December 2014), better known as Udo Jürgens, was an Austrian composer and singer of popular music whose career spanned over 50 years. He won the Eurovision Song Contest 1966 for Austria, composed close to 1,000 songs, and sold over 104 million records. In 2007, he additionally obtained Swiss citizenship. In 2010, he legally changed his name to Udo Jürgens Bockelmann.

He is credited with broadening German-language pop music beyond the traditional post-war "Schlager" (hit song) in the 1950s by infusing it with a modern pop appeal and French chanson style. His compositions and arrangements attracted fans of all ages, and he continued to fill venues in Germany, Austria, and Switzerland until his death at age 80.

Career
In 1952, Udo Bolan, as he was called then, formed the Udo Bolan Quartet in Klagenfurt, Austria, appearing regularly at the Café Obelisk in Klagenfurt with Englishman Johnny Richards on drums, Klaus Behmel on guitar, and Bruno Geiger on Bass. The quartet played regularly at various dance and jazz venues and also broadcast on Radio Alpenland and the British Forces Radio network produced by Mike Fior.

In 1950, he won a composer contest organized by Austria's public broadcasting channel ORF with the song "Je t'aime". He wrote the 1961 worldwide hit "Reach for the Stars", sung by Shirley Bassey.

In 1964, Jürgens represented Austria for the first time at the Eurovision Song Contest 1964 with the song "Warum nur, warum?", finishing sixth. The UK participant, Matt Monro, was impressed with the melody and covered the song (with English lyrics by his manager Don Black) as "Walk Away", which reached number four in the UK Singles Chart and number 23 in the US Billboard Hot 100 chart. Jürgens' song "Sag ihr, ich lass sie grüßen" came fourth in 1965's contest, and on his third try, he won the Eurovision Song Contest 1966 in Luxembourg with "Merci, Chérie", which became an English-language hit for Vince Hill, another cover by Monro, and one of Jürgens' most recognized compositions. Jürgens' version alone sold over one million copies, and he was awarded a gold disc by Deutsche Vogue in 1966.

In the following years, Jürgens wrote songs like "Griechischer Wein", "Aber bitte mit Sahne", "Mit 66 Jahren", and—one of his biggest successes—"Buenos Días, Argentina", which he performed together with the Germany national football team in 1978 in Argentina.

In 1977, he invited The Supremes to appear as guests on his televised and recorded gala concert. The Supremes (Mary Wilson, Scherrie Payne, and Susaye Greene), who were on a brief farewell tour of Europe at the time, performed two of their own hits, "You Are the Heart of Me" and "You're My Driving Wheel", as well as a duet with Jürgens' "Walk Away" in English. In 1979, he released a disco album entitled Udo '80, which spawned the hit single "Ich weiß was ich will". This song was also released as a 12" disco single in an extended remix for nightclubs.

On 2 December 2007, the jukebox musical Ich war noch niemals in New York ("I've never been to New York") opened in Hamburg's Operettenhaus. It weaves songs by Jürgens into a familial storyline, similar to the treatment of ABBA songs in Mamma Mia!, the musical succeeded at the venue.

Like Keith Richards, Jürgens is very famous in Argentina, where he has one of the biggest fan bases outside of German speaking countries.

Since 2015, Jürgens holds the worldwide-record as the artist with the longest presence in the charts ever—more than 57 years from his first entry 1958 till 2015. On 16 December 2022, a new album consisting of his legacies was released by his children. This reached #1 on the German charts on 24 December. Thus, Jürgens has been in the German charts for more than eight decades.

Cover versions
"Merci, Chérie", whose original German lyrics were written by Thomas Hörbiger, has been translated or adapted into several languages and covered by dozens of artists in both vocal and instrumental recordings. These versions include: Jürgens himself recorded many of the translations for international release, including a version in Japanese. More recent covers include Belinda Carlisle's 2007 recording of the French version. In addition to recording Cavendish's "Merci, Chérie" lyric, Matt Monro covered five more Jürgens compositions, all with English lyrics (unrelated to the German ones), written by his manager Don Black. Four of these became closely associated with Monro (and were subsequently covered by Jürgens himself):
 * "Merci Chérie" by Claude Carrère and André Salvet (French)
 * "Merci" by Vito Pallavicini (Italian)
 * "Merci Cherie" by Baker Cavendish (English)
 * "Merci Cherie" by Fred Bekky (Dutch)
 * "Merci Chérie" by Al Sandström (Swedish)
 * "Merci Chérie" by Gina Trandafirescu (Romanian)
 * "Merci Cheri" by Andrzej Ozga (Polish)
 * "Warum nur warum?" became "Walk Away" (a 1964 Top 40 hit in both the U.S. and UK)
 * "Du sollst die Welt für mich sein" became "Without You" (a 1965 UK Top 40 hit)
 * "Was ich dir sagen will" became "The Music Played" (1968)
 * "Illusionen" became "If I Never Sing Another Song" (1977), which was later performed by Frankie Laine, Shirley Bassey, Sammy Davis Jr., and other entertainers.

A fifth Jürgens song, "In dieser Welt", became "Lovin' You Again", and in 1969, Matt Monro recorded both Spanish and English versions, the latter not released until August 2012. (Monro also recorded Spanish versions of "Walk Away" and "The Music Played"; all three Spanish lyrics were adapted for Monro from Don Black's versions by Leonardo Schultz, who also produced the Spanish recordings.)

In one of his last recording sessions, Bing Crosby covered an English version of Jürgens' "Griechischer Wein" called "Come Share the Wine", which also was written by Black. The song was released after Crosby's death in 1977 as the title track of a compilation album and was later recorded by Al Martino.

In 1979, Marty Robbins released an English version of "Buenos Dias Argentina" that became a latter-day standard for Robbins.

In the early 1990s, German thrash metal band Sodom released a 'metalized' cover of the boogie "Aber bitte mit Sahne".

In 2009, the German band Sportfreunde Stiller covered "Ich war noch niemals in New York" together with Jürgens on their MTV Unplugged concert in Munich.

Death
On 21 December 2014, Jürgens died of cardiac arrest in Münsterlingen, Switzerland, at the age of 80. In a cardiac arrest the heart is in fibrillation (disorderly, unsynchronized contraction of the heart muscle cells). Notably, in one of his later songs "Am Ufer" he sings about "having finally arrived" and in that song there is a line that says: "Am Ufer aus beschwingter Zeit liegt flimmern in der Luft; und voller Grenzenlosigkeit hör ich wie mich das Leben ruft" or in English: "At a shoreline of inspired time, there's trembling (fibrillation) in the air and with utter boundlessness I hear how life is calling me". Udo apparently had a foreshadowing of his death caused by heart fibrillation, which occurred while he was walking in the nature with his dog.

With Austria's success at the 2014 Eurovision Song Contest, the first since Jürgens' success in 1966, Jürgens expressed his interest in performing in the interval of the next contest. With his death, the organisers of the 2015 contest in Vienna paid tribute to him with a tribute day in the "Eurovision Village" on 20 May and at the beginning of the Austrian national final broadcast live on ORF 1. At the contest's final, violinist Lidia Baich performed an excerpt of his winning song live on stage during the opening act.

Family
Udo Jürgens was related to neither the singer Andrea Jürgens nor the actor Curd Jürgens.
 * His brother, Manfred Bockelmann (born 1 July 1943), is a painter.
 * His son by his first marriage, John Jürgens (born 20 February 1964), is a singer, actor and DJ.
 * His daughter by his first marriage, Jenny Jürgens (born 22 January 1967), is an actress.
 * His uncle, Werner Bockelmann (23 September 1907 – 7 April 1968), was mayor of Frankfurt am Main.

Discography

 * "Portrait in Musik" (1965)
 * "Merci, Chérie" (1966, Eurovision Song Contest)
 * "Chansons" (1967)
 * "Portrait in Musik – 2. Folge" (1967)
 * "Was ich dir sagen will" (1967)
 * "Mein Lied für dich" (1968)
 * "Udo" (1968)
 * "Wünsche zur Weihnachtszeit" (1968)
 * "Udo Live" (1969)
 * "Portrait International" (1969)
 * "Udo '70" (1969)
 * "Udo '71" (1970)
 * "Zeig mir den Platz an der Sonne" (1971)
 * "Helden, Helden" (musical) (1972)
 * "Ich bin wieder da" (1972)
 * "Udo in Concert – Europatournee '72/'73" (1973)
 * "International 2" (1973)
 * "Live in Japan" (1973)
 * "Udo heute" (1974)
 * "Meine Lieder" (1974)
 * "Udo '75" (1975)
 * "Meine Lieder 2" (1976)
 * "Udo Live '77" (1977)
 * "Meine Lieder '77" (1977)
 * "Lieder, die auf Reisen gehen" (1978)
 * "Buenos Días Argentina" (football world championship) (1978)
 * "Ein Mann und seine Lieder – Live" (1978)
 * "Nur ein Lächeln" (1979)
 * "Udo '80" (1979)
 * "Meine Lieder sind wie Hände – Live" (1980)
 * "Leave a Little Love" (1981)
 * "Willkommen in meinem Leben" (1981)
 * "Silberstreifen" (1982)
 * "Udo Live – Lust am Leben" (1982)
 * "Traumtänzer" (1983)
 * "Hautnah" (1984)
 * "Udo live und hautnah" (1985)
 * "Treibjagd" (1985)
 * "Deinetwegen" (1986)
 * "Udo Live '87" (1987)
 * "Das blaue Album" (1988)
 * "Sogar Engel brauchen Glück" (best-of compilation including five remakes) (1989)
 * "Ohne Maske" (1989)
 * "Live ohne Maske" (1990)
 * "Sempre Roma" (football world championship) (1990)
 * "Das Traumschiff" (instrumental soundtrack) (1990)
 * "Geradeaus" (1991)
 * "Open Air Symphony" (1992)
 * "Café Größenwahn" (1993)
 * "Aber bitte mit Sahne" (hits compilation including a new song and two remakes) (1994)
 * "140 Tage Café Größenwahn Tour 94/95" (1995)
 * "Zärtlicher Chaot" (1995)
 * "Gestern-Heute-Morgen" (1996)
 * "Gestern-Heute-Morgen – Live '97" (1997)
 * "Aber bitte mit Sahne 2" (hits compilation including eight remakes) (1998)
 * "Ich werde da sein" (1999)
 * "Mit 66 Jahren (Was wichtig ist)" (2000)
 * "Mit 66 Jahren – Live 2001" (2001)
 * "Es lebe das Laster" (2002)
 * "Es werde Licht" (2003)
 * "Es Lebe das Laster – Udo Live" (2004)
 * "Jetzt oder nie" (2005)
 * "Der Solo-Abend – Live am Gendarmenmarkt" (2005)
 * "Jetzt oder nie – Live 2006" (2006)
 * "Einfach ich" (2008)
 * "Einfach ich – Live 2009" (2009)
 * "Best Of" (including a remake live by MTV Unplugged) (2009)
 * "Der ganz normale Wahnsinn" (2011)
 * "Der Mann mit dem Fagott" (soundtrack to his own film) (2011)
 * "Der ganz normale Wahnsinn – Live" (2012)
 * "Mitten im Leben" (2014)
 * "Udo Jürgens Live – Das letzte Konzert Zürich 2014 mit dem Orchester Pepe Lienhard" (new live album recorded at his last concert of his last tour, 7 December 2014, only two weeks before he died) (2015)
 * "Merci, Udo!" (2016)
 * "Merci, Udo! 2" (2017)
 * "Da Capo - 3 CD Box" (2022)
 * "Die schönsten Lieder zur Weihnachtszeit" (2023)

Selected filmography
As himself Soundtrack Film adaptations
 * Our Crazy Aunts (1961), as Pitt van Rees
 * Drei Liebesbriefe aus Tirol (1962), as Martin Hinterkirchner
 * Dance with Me Into the Morning (1962), as Max Kainz
 * Our Crazy Nieces (1963), as Pitt van Rees
 * Our Crazy Aunts in the South Seas (1964), as Pitt van Rees
 * Das Spukschloß im Salzkammergut (1966), as Udo
 * The Legs of Dolores (1957)
 * … und du mein Schatz bleibst hier (1961)
 * Hochzeit am Neusiedler See (1963)
 * The Battle of the Mods (1966)
 * Montana Trap (1976)
 * The Man with the Bassoon (2011) – Based on Udo Jürgens' autobiography
 * Ich war noch niemals in New York (film) (2019) – Musical, based on songs by Udo Jürgens

title: Udo Jürgens


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Culture of Greece

The culture of Greece has evolved over thousands of years, beginning in Minoan and later in Mycenaean Greece, continuing most notably into Classical Greece, while influencing the Roman Empire and its successor the Byzantine Empire. Other cultures and states such as the Frankish states, the Ottoman Empire, the Venetian Republic and Bavarian and Danish monarchies have also left their influence on modern Greek culture.

Modern democracies owe a debt to Greek beliefs in government by the people, trial by jury, and equality under the law. The ancient Greeks pioneered in many fields that rely on systematic thought, including biology, geometry, history, philosophy, and physics. They introduced such important literary forms as epic and lyric poetry, history, tragedy, and comedy. In their pursuit of order and proportion, the Greeks created an ideal of beauty that strongly influenced Western art.

Ancient Greece
The first great ancient Greek civilization were the Minoans, a Bronze Age Aegean civilization on Crete and other Aegean Islands, that flourished from c. 3000 BC to c. 1450 BC and, after a late period of decline, finally ended around 1100 BC during the early Greek Dark Ages. At the height of their power, they built architecture ranging from city houses and Minoan palaces. Exemplary of this construction was the palace at Knossos, which was composed of two to three levels, had over 500 rooms, and many terraces with porticos and stairs. The interior of this palace included monumental reception halls, vast apartments for the queen and bridesmaids, bathtubs with complete sewage and drainage systems, food deposits, shops, theatres, sport arenas, and other amenities. The walls were built of high-quality masonry that was covered with highly decorated frescos.

Later, the Mycenaean civilization erected palatial structures at Mycenae, Tiryns and Pylos.

After the Greek Dark Ages, architecture developed into a style that, together with Roman, inspired Classical architecture and later Neoclassical. Examples of this style were their temples, such as the Parthenon and Erectheion which are both based in the Acropolis of Athens, and theatres. Both temples and theatres used a complex mix of optical illusions and balanced ratios. Classical Ancient Greek temples usually consist of a base with stairs at each edges (known as crepidoma), a cella (or naos) with a cult statue in it, columns, an entablature, and two pediments, one on the front side and another in the back. By the 4th century BC, Greek architects and stonemasons had developed a system of rules for all buildings known as the orders: the Doric, the Ionic, and the Corinthian. They are most easily recognised by their columns (especially by the capitals). The Doric column is stout and basic, the Ionic one is slimmer and has four scrolls (called volutes) at the corners of the capital, and the Corinthian column is just like the Ionic one, but the capital is completely different, being decorated with acanthus leafs and four scrolls.

Byzantine Greece
Following the relocation of the capital of the Roman Empire to Constantinople in 330 AD, and the fall of the Western Roman Empire some 150 years later, the architects of the Eastern Roman Empire, or the Byzantine Empire, built city walls, palaces, hippodromes, bridges, aqueducts, and churches. One of the more famous type of church constructed by the Byzantines was the basilica, which was very widespread and received the most development of the churches that were built in the empire. Through modifications and adaptations of local inspiration, the Byzantine style of architecture was used as the main source of inspiration for architectural styles in Eastern Orthodox countries. For example, in Romania, the Brâncovenesc style is highly based on Byzantine architecture, but also has individual Romanian characteristics. As with the Parthenon, which was built in dedication to the Ancient Greek religion, the Hagia Sophia was considered an iconic church of Christianity. The temples of both religions differ substantially in terms of their exterior and interior aspect. In Antiquity, the exterior was the most important part of the temple, because in the interior, where the cult statue of the deity to whom the temple was built was kept, only the priest had access. The ceremonies here held outside, and what the worshipers view was the facade of the temple, consisting of columns, with an entablature and two pediments. Meanwhile, Christian liturgies were held in the interior of the churches, the exterior usually having little to no ornamentation.

Byzantine architecture often featured marble columns, coffered ceilings and sumptuous decoration, including the extensive use of mosaics with golden backgrounds. The building material used by Byzantine architects was no longer marble, which was highly appreciated and utilised by the Ancient Greeks, instead opting for mostly stone and brick while using thin alabaster sheets for windows.

Modern Greece
After the independence of Greece and during the nineteenth century, Neoclassical architecture was heavily used for both public and private buildings. The 19th-century architecture of Athens and other cities of the Kingdom of Greece is mostly influenced by architects like Theophil Hansen, Ernst Ziller, Panagis Kalkos, Lysandros Kaftanzoglou, Anastasios Metaxas and Stamatios Kleanthis. Meanwhile, churches in Greece, on the other hand, experienced a Neo-Byzantine revival.

In 1933, the Athens Charter, a manifesto of the modernist movement, was signed and published by Le Corbusier. The primary architects of this movement were: Ioannis Despotopoulos, Dimitris Pikionis, Patroklos Karantinos and Takis Zenetos. Following World War II, and the Greek Civil War, the massive construction of apartment buildings in major Greek city centres, was a major contributory factor for the Greek economy and the post-war recovery. The first skyscrapers were also constructed during the 1960s and 1970s, such as the OTE Tower and the Athens Tower Complex.

Cinema

Cinema first appeared in Greece in 1896, but the first actual cine-theatre was opened in 1907. In 1914, the Asty Films Company was founded, which started the production of long films in Greece. Golfo (Γκόλφω), a well known traditional love story, is the first Greek long movie, although there were several minor productions such as newscasts before this. In 1931, Orestis Laskos directed Daphnis and Chloe (Δάφνις και Χλόη), contained the first nude scene in the history of European cinema; it was also the first Greek movie which was played abroad. In 1944, Katina Paxinou was honoured with the Best Supporting Actress Academy Award for For Whom the Bell Tolls.

The 1950s and early 1960s are considered by many as the Golden age of Greek cinema. Directors and actors of this era were recognized as important historical figures in Greece and some gained international acclaim: Michael Cacoyannis, Alekos Sakellarios, Melina Mercouri, Nikos Tsiforos, Iakovos Kambanelis, Katina Paxinou, Nikos Koundouros, Ellie Lambeti, Irene Papas, etc. More than sixty films per year were made, with the majority having film noir elements. Notable films were The Counterfeit Coin (Η κάλπικη λίρα, 1955, directed by Giorgos Tzavellas), Bitter Bread (Πικρό Ψωμί, 1951, directed by Grigoris Grigoriou), The Ogre of Athens (O Drakos, 1956, directed by Nikos Koundouros), Stella (1955, directed by Cacoyannis and written by Kampanellis). Cacoyannis also directed Zorba the Greek with Anthony Quinn which received Best Director, Best Adapted Screenplay and Best Film nominations. Finos Film also contributed to this period with movies such as Λατέρνα, Φτώχεια και Φιλότιμο, The Auntie from Chicago (Η Θεία από το Σικάγο), Maiden's Cheek (Το ξύλο βγήκε από τον Παράδεισο), and many more. During the 1970s and 1980s Theo Angelopoulos directed a series of notable and appreciated movies. His film Eternity and a Day won the Palme d'Or and the Prize of the Ecumenical Jury at the 1998 Cannes Film Festival.

There were also internationally renowned filmmakers in the Greek diaspora such as the Greek-American Elia Kazan.

Music and dances
Greece has a diverse and highly influential musical tradition, with ancient music influencing the Roman Empire, and Byzantine liturgical chants and secular music influencing middle eastern music and the Renaissance. Modern Greek music combines these elements, to carry Greeks' interpretation of a wide range of musical forms.

Ancient Greece

The history of music in Greece begins with the music of ancient Greece, largely structured on the Lyre and other supporting string instruments of the era. Beyond the well-known structural legacies of the Pythagorean scale, and the related mathematical developments it upheld to define western classical music, relatively little is understood about the precise character of music during this period; we do know, however, that it left, as so often, a strong mark on the culture of Rome. What has been gleaned about the social role and character of ancient Greek music comes largely from pottery and other forms of Greek art.

Ancient Greeks believed that dancing was invented by the gods and therefore associated it with religious ceremony. They believed that the gods offered this gift to select mortals only, who in turn taught dancing to their fellow-men.

Periodic evidence in ancient texts indicates that dance was held in high regard, in particular for its educational qualities. Dance, along with writing, music, and physical exercise, was fundamental to the commenced in a circle and ended with the dancers facing one another. When not dancing in a circle the dancers held their hands high or waved them to the left and right. They held cymbals (very like the zilia of today) or a kerchief in their hands, and their movements were emphasized by their long sleeves. As they danced, they sang, either set songs or extemporized ones, sometimes in unison, sometimes in refrain, repeating the verse sung by the lead dancer. The onlookers joined in, clapping the rhythm or singing. Professional singers, often the musicians themselves, composed lyrics to suit the occasion.

Byzantine Greece

The Byzantine music is also of major significance to the history and development of European music, as liturgical chants became the foundation and stepping stone for music of the Renaissance (see: Renaissance Music). It is also certain that Byzantine music included an extensive tradition of instrumental court music and dance; any other picture would be both incongruous with the historically and archaeologically documented opulence of the Eastern Roman Empire. There survive a few but explicit accounts of secular music. A characteristic example is the accounts of pneumatic organs, whose construction was further advanced in the eastern empire prior to their development in the west following the Renaissance.

Byzantine instruments included the guitar, single, double or multiple flute, sistrum, timpani (drum), psaltirio, Sirigs, lyre, cymbals, keras and kanonaki.

Popular dances of this period included the Syrtos, Geranos, Mantilia, Saximos, Pyrichios, and Kordakas. Some of these dances have their origins in the ancient period and are still enacted in some form today.

Modern Greece
A range of domestically and internationally known composers and performers across the musical spectrum have found success in modern Greece, while traditional Greek music is noted as a mixture of influences from indigenous culture with those of west and east. A few Ottoman as well as medieval Italian elements can be heard in the traditional songs, dhimotiká, as well as in the modern bluesy rembétika music. A well-known Greek musical instrument is the bouzouki. "Bouzouki" is a descriptive Turkish name, but the instrument itself is probably of Greek origin (from the ancient Greek lute known as pandoura, a kind of guitar, clearly visible in ancient statues, especially female figurines of the "Tanagraies" playing cord instruments).

Famous Greek musicians and composers of modern era include the central figure of 20th-century European modernism Iannis Xenakis, a composer, architect and theorist. Maria Callas, Nikos Skalkottas, Mikis Theodorakis, Dimitris Mitropoulos, Manos Hadjidakis and Vangelis also lead twentieth-century Greek contributions, alongside Demis Roussos, Nana Mouskouri, Yanni, Georges Moustaki, Eleni Karaindrou and others.

The birth of the first School of modern Greek classical music (Heptanesean or Ionian School, Greek:Επτανησιακή Σχολή) came through the Ionian Islands (notable composers include Spyridon Samaras, Nikolaos Mantzaros and Pavlos Carrer), while Manolis Kalomiris is considered the founder of the Greek National School.

Greece is one of the few places in Europe where the day-to-day role of folk dance is sustained. Rather than functioning as a museum piece preserved only for performances and special events, it is a vivid expression of everyday life. Occasions for dance are usually weddings, family celebrations, and paneyeria (Patron Saints' name days). Dance has its place in ceremonial customs that are still preserved in Greek villages, such as dancing the bride during a wedding and dancing the trousseau of the bride during the wedding preparations. The carnival and Easter offer more opportunities for family gatherings and dancing. Greek taverns providing live entertainment often include folk dances in their program.

Regional characteristics have developed over the years because of variances in climatic conditions, land morphology and people's social lives. Kalamatianos and Syrtos are considered Pan-Hellenic dances and are danced all over the world in diaspora communities. Others have also crossed boundaries and are known beyond the regions where they originated; these include the Pentozali from Crete, Hasapiko from Constantinople, Zonaradikos from Thrace, Serra from Pontos and Balos from the Aegean islands.

The avant-garde choreographer, director and dancer Dimitris Papaioannou was responsible for the critically successful opening ceremony of the 2004 Olympic Games, with a conception that reflected the classical influences on modern and experimental Greek dance forms.

Ancient Greece
There were several interconnected traditions of painting in ancient Greece. Due to their technical differences, they underwent somewhat differentiated developments. Not all painting techniques are equally well represented in the archaeological record. The most respected form of art, according to authors like Pliny or Pausanias, were individual, mobile paintings on wooden boards, technically described as panel paintings. Also, the tradition of wall painting in Greece goes back at least to the Minoan and Mycenaean Bronze Age, with the lavish fresco decoration of sites like Knossos, Tiryns and Mycenae.

Much of the figural or architectural sculpture of ancient Greece was painted colourfully. This aspect of Greek stonework is described as polychrome (from Greek πολυχρωμία, πολύ = many and χρώμα = colour). Due to intensive weathering, polychromy on sculpture and architecture has substantially or totally faded in most cases.

Byzantine Greece

Byzantine art is the term created for the Eastern Roman Empire from about the 5th century AD until the fall of Constantinople in 1453. The most salient feature of this new aesthetic was its "abstract," or anti-naturalistic character. If classical art was marked by the attempt to create representations that mimicked reality as closely as possible, Byzantine art seems to have abandoned this attempt in favor of a more symbolic approach. The Byzantine painting concentrated mainly on icons and hagiographies.

Post-Byzantine and Modern Greece

The term Cretan School describes an important school of icon painting, also known as Post-Byzantine art, which flourished while Crete was under Venetian rule during the late Middle Ages, reaching its climax after the Fall of Constantinople, becoming the central force in Greek painting during the 15th, 16th and 17th centuries. The Cretan artists developed a particular style of painting under the influence of both Eastern and Western artistic traditions and movements. The most famous product of the school, El Greco, was the most successful of the many artists who tried to build a career in Western Europe.

The Heptanese School of painting succeeded the Cretan school as the leading school of Greek post-Byzantine painting after Crete fell to the Ottomans in 1669. Like the Cretan school it combined Byzantine traditions with an increasing Western European artistic influence, and also saw the first significant depiction of secular subjects. The school was based in the Ionian islands, which were not part of Ottoman Greece, from the middle of the 17th century until the middle of the 19th century.

Modern Greek painting, after the independence and the creation of the modern Greek state, began to be developed around the time of Romanticism and the Greek artists absorbed many elements from their European colleagues, resulting in the culmination of the distinctive style of Greek Romantic art. Notable painters of the era include Nikolaos Gyzis, Georgios Jakobides, Nikiphoros Lytras, Konstantinos Volanakis and Theodoros Vryzakis.

Ancient Greece

Ancient Greek monumental sculpture was composed almost entirely of marble or bronze; with cast bronze becoming the favoured medium for major works by the early 5th century. Both marble and bronze are fortunately easy to form and very durable. Chryselephantine sculptures, used for temple cult images and luxury works, used gold, most often in leaf form and ivory for all or parts (faces and hands) of the figure, and probably gems and other materials, but were much less common, and only fragments have survived. By the early 19th century, the systematic excavation of ancient Greek sites had brought forth a plethora of sculptures with traces of notably multicolored surfaces. It was not until published findings by German archaeologist Vinzenz Brinkmann in the late 20th and early 21st century that the painting of ancient Greek sculptures became an established fact. Using high-intensity lamps, ultraviolet light, specially designed cameras, plaster casts, and certain powdered minerals, Brinkmann proved that the entire Parthenon, including the actual structure as well as the statues, had been painted.

Byzantine Greece
The Byzantines inherited the early Christian distrust of monumental sculpture in religious art, and produced only reliefs, of which very few survivals are anything like life-size, in sharp contrast to the medieval art of the West, where monumental sculpture revived from Carolingian art onwards. Small ivories were also mostly in relief.

The so-called "minor arts" were very important in Byzantine art and luxury items, including ivories carved in relief as formal presentation Consular diptychs or caskets such as the Veroli casket, hardstone carvings, enamels, jewelry, metalwork, and figured silks were produced in large quantities throughout the Byzantine era. Many of these were religious in nature, although a large number of objects with secular or non-representational decoration were produced: for example, ivories representing themes from classical mythology. Byzantine ceramics were relatively crude, as pottery was never used at the tables of the rich, who ate off silver.

Modern Greece

After the establishment of the Greek Kingdom and the western influence of Neoclassicism, sculpture was re-discovered by the Greek artists. Main themes included ancient Greek antiquity, the War of Independence and important figures of Greek history.

Notable sculptors of the new state were Leonidas Drosis (his major work was the extensive neo-classical architectural ornament at the Academy of Athens, Lazaros Sochos, Georgios Vitalis, Dimitrios Filippotis, Ioannis Kossos, Yannoulis Chalepas, Georgios Bonanos and Lazaros Fytalis.

Ancient Greece

Theatre was born in Greece. The city-state of Classical Athens, which became a significant cultural, political, and military power during this period, was its centre, where it was institutionalised as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy (late 6th century BC), comedy (486 BC), and the satyr play were the three dramatic genres to emerge there. Athens exported the festival to its numerous colonies and allies in order to promote a common cultural identity.

The word τραγῳδία (tragoidia), from which the word "tragedy" is derived, is a compound of two Greek words: τράγος (tragos) or "goat" and ᾠδή (ode) meaning "song", from ἀείδειν (aeidein), "to sing". This etymology indicates a link with the practices of the ancient Dionysian cults. It is impossible, however, to know with certainty how these fertility rituals became the basis for tragedy and comedy.

Middle Ages
During the Byzantine period, the theatrical art was heavily declined. According to Marios Ploritis, the only form survived was the folk theatre (Mimos and Pantomimos), despite the hostility of the official state. Later, during the Ottoman period, the main theatrical folk art was the Karagiozis. The renaissance which led to the modern Greek theatre, took place in the Venetian Crete. Significant dramatists include Vitsentzos Kornaros and Georgios Chortatzis.

Modern Greece

The modern Greek theatre was born after the Greek independence, in the early 19th century, and initially was influenced by the Heptanesean theatre and melodrama, such as the Italian opera. The Nobile Teatro di San Giacomo di Corfù was the first theatre and opera house of modern Greece and the place where the first Greek opera, Spyridon Xyndas' The Parliamentary Candidate (based on an exclusively Greek libretto) was performed. During the late 19th and early 20th century, the Athenian theatre scene was dominated by revues, musical comedies, operettas and nocturnes and notable playwrights included Spyridon Samaras, Dionysios Lavrangas, Theophrastos Sakellaridis and others.

The National Theatre of Greece was founded in 1880. Notable playwrights of the modern Greek theatre include Alexandros Rizos Rangavis, Gregorios Xenopoulos, Nikos Kazantzakis, Angelos Terzakis, Pantelis Horn, Alekos Sakellarios and Iakovos Kambanelis, while notable actors include Cybele Andrianou, Marika Kotopouli, Aimilios Veakis, Orestis Makris, Katina Paxinou, Manos Katrakis and Dimitris Horn. Significant directors include Dimitris Rontiris, Alexis Minotis and Karolos Koun.

Cuisine

Greek cuisine has a long tradition and its flavors change with the season and its geography. Greek cookery, historically a forerunner of Western cuisine, spread its culinary influence – via ancient Rome – throughout Europe and beyond.

Ancient Greek cuisine was characterized by its frugality and was founded on the "Mediterranean triad": wheat, olive oil, and wine, with meat being rarely eaten and fish being more common. It was Archestratos in 320 B.C. who wrote the first cookbook in history. Greece has a culinary tradition of some 4,000 years.

The Byzantine cuisine was similar to the classical cuisine including however new ingredients that were not available before, like caviar, nutmeg and lemons, basil, with fish continuing to be an integral part of the diet. Culinary advice was influenced by the theory of humors, first put forth by the ancient Greek doctor Claudius Aelius Galenus.

The modern Greek cuisine has also influences from the Ottoman and Italian cuisine due to the Ottoman and Venetian dominance through the centuries.

Wine production
Greece is one of the oldest wine-producing regions in the world. The earliest evidence of Greek wine has been dated to 6,500 years ago where wine was produced on a household or communal basis. In ancient times, as trade in wine became extensive, it was transported from end to end of the Mediterranean; Greek wine had especially high prestige in Italy under the Roman Empire. In the medieval period, wines exported from Crete, Monemvasia and other Greek ports fetched high prices in northern Europe.

Education

Education in Greece is compulsory for all children 6–15 years old; namely, it includes Primary (Dimotiko) and Lower Secondary (Gymnasio) Education. The school life of the students, however, can start from the age of 2.5 years (pre-school education) in institutions (private and public) called "Vrefonipiakoi Paidikoi Stathmi" (creches). In some Vrefonipiakoi Stathmoi there are also Nipiaka Tmimata (nursery classes) which operate along with the Nipiagogeia (kindergartens).

Post-compulsory Secondary Education, according to the reforms of 1997 and 2006, consists of two main school types: Genika Lykeia (General Upper Secondary Schools) and the Epaggelmatika Lykeia (Vocational Upper Secondary Schools), as well as the Epaggelmatikes Sxoles (Vocational Schools). Musical, Ecclesiastical and Physical Education Gymnasia and Lykeia are also in operation.

Post-compulsory Secondary Education also includes the Vocational Training Institutes (IEK), which provide formal but unclassified level of education. These Institutes are not classified as an educational level, because they accept both Gymnasio (lower secondary school) and Lykeio (upper secondary school) graduates according to the relevant specializations they provide. Public higher education is divided into Universities and Technological Education Institutes (TEI). Students are admitted to these Institutes according to their performance at national level examinations taking place at the third grade of Lykeio. Additionally, students are admitted to the Hellenic Open University upon the completion of the 22 year of age by drawing lots.

Nea Dimokratia (New Democracy), the Greek conservative right political party, has claimed that it will change the law so that private universities gain recognition. Without official recognition, students who have an EES degree are unable to work in the public sector. PASOK took some action after EU intervention, namely the creation of a special government agency that certifies the vocational status of certain EES degree holders. However, their academic status still remains a problem. The issue of full recognition is still an issue of debate among Greek politicians.

The Institute of Entrepreneurship Development (iED) is a Greek Non-governmental organization formed for the promotion of innovation and for enhancing the spirit of entrepreneurship intending to link with other European initiatives.

Greek people

The origins of Western literature and of the main branches of Western learning may be traced to the era of Greek greatness that began before 700 BC with the epics of Homer, the Iliad and the Odyssey. Hesiod, the first didactic poet, put into epic verse his descriptions of pastoral life, including practical advice on farming, and allegorical myths. The poets Alcaeus of Mytilene, Sappho, Anacreon, and Bacchylides wrote of love, war, and death in lyrics of great feeling and beauty. Pindar celebrated the Panhellenic athletic festivals in vivid odes. The fables of the slave Aesop have been famous for more than 2,500 years. Three of the world's greatest dramatists were Aeschylus, author of the Oresteia trilogy; Sophocles, author of the Theban plays; and Euripides, author of Medea, The Trojan Women, and The Bacchae. Aristophanes, the greatest author of comedies, satirized the mores of his day in a series of brilliant plays. Three great historians were Herodotus, regarded as the father of history, known for The Persian Wars; Thucydides, who generally avoided myth and legend and applied greater standards of historical accuracy in his History of the Peloponnesian War; and Xenophon, best known for his account of the Greek retreat from Persia, the Anabasis. Outstanding literary figures of the Hellenistic period were Menander, the chief representative of a newer type of comedy; the poets Callimachus, Theocritus, and Apollonius Rhodius, author of the Argonautica; and Polybius, who wrote a detailed history of the Mediterranean world. Noteworthy in the Roman period were Strabo, a writer on geography; Plutarch, the father of biography, whose Parallel Lives of famous Greeks and Romans is a chief source of information about great figures of antiquity; Pausanias, a travel writer; and Lucian, a satirist.

The leading philosophers of the period preceding Greece's golden age were Thales, Pythagoras, Heraclitus, Protagoras, and Democritus. Socrates investigated ethics and politics. His greatest pupil, Plato, used Socrates' question-and-answer method of investigating philosophical problems in his famous dialogues. Plato's pupil Aristotle established the rules of deductive reasoning but also used observation and inductive reasoning, applying himself to the systematic study of almost every form of human endeavor. Outstanding in the Hellenistic period were Epicurus, the philosopher of moderation; Zeno of Citium, the founder of Stoicism; and Diogenes of Sinope, the famous Cynic. The oath of Hippocrates, the father of medicine, is still recited by newly graduating physicians. Euclid evolved the system of geometry that bears his name. Archimedes discovered the principles of mechanics and hydrostatics. Eratosthenes calculated the earth's circumference with remarkable accuracy, and Hipparchus Founded scientific astronomy. Galen was an outstanding physician of ancient times.

The sculptor Phidias created the statue of Athena and the figure of Zeus in the temple at Olympia and supervised the construction and decoration of the Parthenon. Another renowned sculptor was Praxiteles.

The legal reforms of Solon served as the basis of Athenian democracy. The Athenian general Miltiades the Younger led the victory over the Persians at Marathon in 490 BC, and Themistocles was chiefly responsible for the victory at Salamis 10 years later. Pericles, the virtual ruler of Athens for more than 25 years, added to the political power of that city, inaugurated the construction of the Parthenon and other noteworthy buildings, and encouraged the arts of sculpture and painting. With the decline of Athens, first Sparta and then Thebes, under the great military tactician Epaminondas, gained the ascendancy; but soon thereafter, two military geniuses, Philip II of Macedon and his son Alexander the Great, gained control over all of Greece and formed a vast empire stretching as far east as India. It was against Philip that Demosthenes, the greatest Greek orator, directed his diatribes, the Philippics.

The most renowned Greek painter during the Renaissance was El Greco, born in Crete, whose major works, painted in Spain, have influenced many 20th-century artists. An outstanding modern literary figure is Nikos Kazantzakis, a novelist and poet who composed a vast sequel to Homer's Odyssey. Leading modern poets are Kostis Palamas, and Constantine P. Cavafy, as well as George Seferis, and Odysseus Elytis, winners of the Nobel Prize for literature in 1963 and 1979, respectively. The work of social theorist Cornelius Castoriadis is known for its multidisciplinary breadth. Musicians of stature are the composers Nikos Skalkottas, Iannis Xenakis, and Mikis Theodorakis; the conductor Dmitri Mitropoulos; and the soprano Maria Callas. Filmmakers who have won international acclaim are Greek-Americans John Cassavetes and Elia Kazan, and Greeks Michael Cacoyannis and Costa-Gavras. Actresses of note are Katina Paxinou; Melina Mercouri, who was appointed minister of culture and science in the Socialist cabinet in 1981; and Irene Papas.

Outstanding Greek public figures in the 20th century include Cretan-born Eleutherios Venizelos, prominent statesman of the interwar period; Ioannis Metaxas, dictator from 1936 until his death; Constantine Karamanlis, prime minister (1955–63, 1974–80) and president (1980–85) of Greece; George Papandreou, head of the Center Union Party and prime minister (1963–65); and his son Andreas Papandreou, the PASOK leader who became prime minister in 1981. Costas Simitis was leader of PASOK and prime minister from 1996 to 2004. He was succeeded by Kostas Karamanlis.

Language

The Greek language is the official language of the Hellenic Republic and the Republic of Cyprus and has a total of 15 million speakers worldwide. It is an Indo-European language. It is particularly remarkable in the depth of its continuity, with written records spanning over 3400 years. The earliest preserved form is Mycenaean Greek, written in the Linear B script during the Late Bronze Age. Modern Greek descends from Koine Greek, which formed from dialect leveling of Ancient Greek dialects such as Attic Greek and Doric Greek.

Greek has had enormous impact on other languages both directly on the Romance languages, and indirectly through its influence on the emerging Latin language during the early days of Rome. Signs of this influence, and its many developments, can be seen throughout the family of Western European languages.

Internet and "Greeklish"
More recently, the rise of internet-based communication services as well as cell phones have caused a distinctive form of Greek written partially, and sometimes fully in Latin characters to emerge; this is known as Greeklish, a form that has spread across the Greek diaspora and even to the two countries with majority Greek population, Greece and Cyprus.

Katharevousa
Katharévousa (Καθαρεύουσα) is a form of the Greek Language midway between modern and ancient forms set in train during the early nineteenth century by Greek intellectual and revolutionary leader Adamantios Korais, intended to return the Greek language closer to its ancient form. Its influence, in recent years, evolved toward a more formal role, and it came to be used primarily for official purposes such as diplomacy, politics, and other forms of official documentation. It has nevertheless had significant effects on the Greek language as it is still written and spoken today, and both vocabulary and grammatical and syntactical forms have re-entered Modern Greek via Katharevousa.

Dialects
There are a variety of dialects of the Greek language; the most notable include Cappadocian, Cretan Greek (which is closely related to most Aegean Islands' dialects), Cypriot Greek, Pontic Greek, the Griko language spoken in Southern Italy, and Tsakonian, still spoken in the modern prefecture of Arcadia and widely noted as a surviving regional dialect of Doric Greek.

Literature

Greece has a remarkably rich and resilient literary tradition, extending over 2800 years and through several eras. The Classical era is that most commonly associated with Greek Literature, beginning in 800 BCE and maintaining its influence through to the beginnings of Byzantine period, whereafter the influence of Christianity began to spawn a new development of the Greek written word. The many elements of a millennia-old tradition are reflected in Modern Greek literature, including the works of the Nobel laureates Odysseus Elytis and George Seferis.

Ancient Greece
The first recorded works in the western literary tradition are the epic poems of Homer and Hesiod. Early Greek lyric poetry, as represented by poets such as Sappho and Pindar, was responsible for defining the lyric genre as it is understood today in western literature. Aesop wrote his Fables in the 6th century BC. These innovations were to have a profound influence not only on Roman poets, most notably Virgil in his epic poem on the founding of Rome, The Aeneid, but one that flourished throughout Europe.

Classical Greece is also judged the birthplace of theatre. Aeschylus introduced the ideas of dialogue and interacting characters to playwriting and in doing so, he effectively invented "drama": his Oresteia trilogy of plays is judged his crowning achievement. Other refiners of playwriting were Sophocles and Euripides. Aristophanes, a comic playwright, defined and shaped the idea of comedy as a theatrical form.

Herodotus and Thucydides are often attributed with developing the modern study of history into a field worthy of philosophical, literary, and scientific pursuit. Polybius first introduced into study the concept of military history.

Philosophy entered literature in the dialogues of Plato, while his pupil Aristotle, in his work the Poetics, formulated the first set criteria for literary criticism. Both these literary figures, in the context of the broader contributions of Greek philosophy in the Classical and Hellenistic eras, were to give rise to idea of political Science, the study of political evolution and the critique of governmental systems.

Byzantine Greece

The growth of Christianity throughout the Greco-Roman world in the 4th, 5th and 6th centuries, together with the Hellenization of the Byzantine Empire of the period, would lead to the formation of a unique literary form, combining Christian, Greek and Oriental influences. In its turn, this would promote developments such as Cretan poetry, the growth of poetic satire in the Greek East and the several pre-eminent historians of the period.

Modern Greece

Modern Greek literature refers to literature written in the Greek language from the 11th century, with texts written in a language that is more familiar to the ears of Greeks today than is the language of the early Byzantine times.

The Cretan Renaissance poem Erotokritos is undoubtedly the masterpiece of this early period of modern Greek literature, and represents one of its supreme achievements. It is a verse romance written around 1600 by Vitsentzos Kornaros (1553–1613). The other major representative of the Cretan literature was Georgios Chortatzis and his most notable work was Erofili. Other plays include The Sacrifice of Abraham by Kornaros, Panoria and Katsourbos by Chortatzis, King Rodolinos by Andreas Troilos, Stathis (comedy) and Voskopoula by unknown artists.

Much later, Diafotismos was an ideological, philological, linguistic and philosophical movement among 18th century Greeks that translate the ideas and values of European Enlightenment into the Greek world. Adamantios Korais and Rigas Feraios are two of the most notable figures. In 1819, Korakistika, written by Iakovakis Rizos Neroulos, was a lampoon against the Greek intellectual Adamantios Korais and his linguistic views, who favoured the use of a more conservative form of the Greek language, closer to the ancient.

The years before the Greek Independence, the Ionian islands became the center of the Heptanese School (literature). Its main characteristics was the Italian influence, romanticism, nationalism and use of Demotic Greek. Notable representatives were Andreas Laskaratos, Andreas Kalvos, Aristotelis Valaoritis and Dionysios Solomos.

After the independence the intellectual center was transferred in Athens. A major figure of this new era was Kostis Palamas, considered "national poet" of Greece. He was the central figure of the Greek literary generation of the 1880s and one of the cofounders of the so-called New Athenian School (or Palamian School). Its main characteristic was the use of Demotic Greek. He was also the writer of the Olympic Hymn.

Moving into the twentieth century, the modern Greek literary tradition spans the work of Constantine P. Cavafy, considered a key figure of twentieth-century poetry, Giorgos Seferis (whose works and poems aimed to fuse the literature of Ancient and Modern Greece) and Odysseas Elytis, both of whom won the Nobel Prize for Literature. Nikos Kazantzakis is also considered a dominant figure, with works such as The Last Temptation of Christ and The Greek Passion receiving international recognition.

Philosophy, Science, and Mathematics
The Greek world is widely regarded as having given birth to scientific thought using observation, thought, and development of a theory without the intervention of a supernatural force. Thales, Anaximander and Democritus were amongst those contributing significantly to the establishment of this tradition. It is also, and perhaps more commonly in the Western imagination, identified with the dawn of Western philosophy, as well as a mapping out of the natural sciences. Greek developments of mathematics continued well up until the decline of the Byzantine Empire. In the modern era Greeks continue to contribute to the fields of science, mathematics, and philosophy.

Ancient Greece

The tradition of philosophy in ancient Greece accompanied its literary development. Greek learning had a profound influence on Western and Middle Eastern civilizations. The works of Socrates, Plato, Aristotle, and other Greek philosophers profoundly influenced Classical thought, the Islamic Golden Age, and the Renaissance.

The Ancient Egyptians and Mesopotamians were very good at maths and at building geometric tombs, but they're not famous for philosophy. Their religious explanations of things are elaborate but unconvincing in philosophical terms. Theocratic societies governed by priestly castes are usually static and monopolize thought. They insist on orthodox explanations and actively discourage independent and unconventional ideas. The Ancient Greeks invented philosophy, but no one knows why. Because of their trade across the Mediterranean Sea, they borrowed myths and mysticism as well as architecture and mathematics from their neighboring civilizations. Some Greek thinkers decided to not accept religious explanations for how the world works, an example being Xenophanes. They just thought that there just had to be some king of underlying order or logic for the way things are. This will later be given to Ancient Rome and Modern civilisation.

In medicine, doctors still refer to the Hippocratic oath, instituted by Hippocrates, regarded as foremost in laying the foundations of medicine as a science. Galen built on Hippocrates' theory of the four humours, and his writings became the foundation of medicine in Europe and the Middle East for centuries. The physicians Herophilos and Paulus Aegineta were pioneers in the study of anatomy, while Pedanius Dioscorides wrote an extensive treatise on the practice of pharmacology.

The period of Classical Greece (from 800 BC until the rise of Macedon, a Greek state in the north) is that most often associated with Greek advances in science. Thales of Miletus is regarded by many as the father of science; he was the first of the ancient philosophers to seek to explain the physical world in terms of natural rather than supernatural causes. Pythagoras was a mathematician often described as the "father of numbers"; it is believed that he had the pioneering insight into the numerical ratios that determine the musical scale, and the Pythagorean theorem is commonly attributed to him. Diophantus of Alexandria, in turn, was the "father of algebra". Many parts of modern geometry are based on the work of Euclid, while Eratosthenes was one of the first scientific geographers, calculating the circumference of the Earth and conceiving the first maps based on scientific principles.

The Hellenistic period, following Alexander's conquests, continued and built upon this knowledge. Hipparchus is considered the pre-eminent astronomical observer of the ancient world, and was probably the first to develop an accurate method for the prediction of solar eclipse, while Aristarchus of Samos was the first known astronomer to propose a heliocentric model of the Solar System, though the geocentric model of Ptolemy was more commonly accepted until the seventeenth century. Ptolemy also contributed substantially to cartography and to the science of optics. For his part Archimedes was the first to calculate the value of π and a geometric series, and also the earliest known mathematical physicist discovering the law of buoyancy, as well as conceiving the irrigation device known as Archimedes' screw.

Byzantine Greece

The Byzantine period remained largely a period of preservation in terms of classical Greco-Roman texts; there were, however, significant advances made in the fields of medicine and historical scholarship. Theological philosophy also remained an area of study, and there was, while not matching the achievements of preceding ages, a certain increase in the professionalism of study of these subjects, epitomized by the founding of the University of Constantinople.

Isidore of Miletus and Anthemius of Tralles, the architects of the famous Hagia Sophia in Constantinople, also contributed towards mathematical theories concerning architectural form, and the perceived mathematical harmony needed to create a multi-domed structure. These ideas were to prove a heavy influence on the Ottoman architect Mimar Sinan in his creation of the Blue Mosque, also in Constantinople. Tralles in particular produced several treatises on the Natural Sciences, as well as his other forays into mathematics such as Conic Sections.

The gradual migration of Greeks from Byzantium to the Italian city states following the decline of the Byzantine Empire, and the texts they brought with them combined with the academic positions they held, was a major factor in lighting the first sparks of the Italian Renaissance.

Modern Greece

Greeks continue to contribute to science and technology in the modern world. John Argyris, a mathematician and engineer, was among the creators of the finite element method and the direct stiffness method. Constantin Carathéodory made significant contributions to the theory of functions of a real variable, calculus of variations and measure theory, credited with the introduction of several mathematical theorems. In physics, John Iliopoulos is known for the prediction of the charm quark and the proposition of the GIM mechanism, as well as the Fayet–Iliopoulos D-term formula, while Dimitri Nanopoulos is one of the principal developers of the Flipped SU(5) model.

Biologist Fotis Kafatos pioneers in the field of molecular cloning and genomics, and he was the founding president of the European Research Council. In medicine, Georgios Papanikolaou contributed heavily to the development of cervical screening inventing the Pap test, which is among the most common methods of cervical screening worldwide.

Car designer Alec Issigonis designed the groundbreaking and iconic Mini automobile, while Michael Dertouzos was amongst the pioneers of the Internet, instrumental in defining the World Wide Web Consortium and director for 27 years of the MIT Computer Science and Artificial Intelligence Laboratory, which innovated in a variety of areas during his term. Nicholas Negroponte, is the founder of the MIT Media Lab and the One Laptop per Child project aiming to extend Internet access in the developing world. Joseph Sifakis, a computer scientist, has won a Turing Award for his pioneering work on model checking.

Politics

Greece is a Parliamentary Republic with a president assuming a more ceremonial role than in some other republics, and the Prime Minister chosen from the leader of the majority party in the parliament. Greece has a codified constitution and a written Bill of Rights embedded within it. The current Prime Minister is Kyriakos Mitsotakis.

The politics of the third Hellenic Republic have been dominated by two main political parties, the self-proclaimed socialists of PASOK and the conservative New Democracy. Until recently PASOK had dominated the political scene, presiding over favourable growth rates economically but in the eyes of critics failing to deliver where unemployment and structural issues such as market liberalization were concerned.

New Democracy's election to government in 2004 has led to various initiatives to modernize the country, such as the education university scheme above as well as labour market liberalization. Politically there has been massive opposition to some of these moves owing to a large, well organized workers' movement in Greece, which distrusts the right wing administration and neo-liberal ideas. The population in general appears to accept many of the initiatives, reflected in governmental support; on the economic front many are so far warming to the reforms made by the administration, which have been largely rewarded with above average Eurozone growth rates. New Democracy were re-elected in September 2007.

A number of other smaller political parties exist. They include the third largest party (the Communist Party), which still commands large support from many rural working areas as well as some of the immigrant population in Greece, as well as the far-right Popular Orthodox Rally, with the latter, while commanding a mere three and a half per cent of votes, seeking to capitalise on opposition in some quarters regarding Turkey's EU accession and any tension in the Aegean. There is also a relatively small, but well organized anarchist movement, though its status in Greece has been somewhat exaggerated by media overseas.

The political process is energetically and openly participated in by the people of Greece, while public demonstrations are a continual feature of Athenian life; however, there have been criticisms of a governmental failure to sufficiently involve minorities in political debate and hence a sidelining of their opinions. In general, politics is regarded as an acceptable subject to broach on almost every social occasion, and Greeks are often very vocal about their support (or lack of it) for certain policy proposals, or political parties themselves – this is perhaps reflected in what many consider the rather sensationalist media on both sides of the political spectrum; although this is a feature of most European tabloids.

Public holidays and festivals
According to Greek Law every Sunday of the year is a public holiday. In addition, there are four obligatory, official public holidays: March 25 (Greek Independence Day), Easter Monday, August 15 (Assumption or Dormition of the Holy Virgin) and December 25 (Christmas). Two more days, May 1 (Labour Day) and October 28 (Ohi Day), are regulated by law as optional but it is customary for employees to be given the day off. There are, however, more public holidays celebrated in Greece than are announced by the Ministry of Labour each year as either obligatory or optional. The list of these non-fixed National Holidays rarely changes and has not changed in recent decades, giving a total of eleven National Holidays each year.

In addition to the National Holidays, there Public Holidays that are not celebrated nationwide, but only by a specific professional group or a local community. For example, many municipalities have a "Patron Saint", also called "Name Day", or a "Liberation Day", and at this day is customary for schools to have a day off.

Notable festivals include Patras Carnival, Athens Festival and various local wine festivals. The city of Thessaloniki is also home of a number of festivals and events. The Thessaloniki International Film Festival is one of the most important film festivals in Southern Europe,

Ancient Greece

Classical Athens may be suggested to have heralded some of the same religious ideas that would later be promoted by Christianity, such as Aristotle's invocation of a perfect God, and Heraclitus' Logos. Plato considered there were rewards for the virtuous in the heavens and punishment for the wicked under the earth; the soul was valued more highly than the material body, and the material world was understood to be imperfect and not fully real (illustrated in Socrates's allegory of the cave).

Hellenistic Greece
Alexander's conquests spread classical concepts about the divine, the afterlife, and much else across the eastern Mediterranean area. Jews and early Christians alike adopted the name "hades" when writing about "sheol" in Greek. Greco-Buddhism was the cultural syncretism between Hellenistic culture and Buddhism, which developed in the Indo-Greek Kingdoms. By the advent of Christianity, the four original patriarchates beyond Rome used Greek as their church language.

Byzantine and Modern Greece
The Greek Orthodox Church, largely because of the importance of Byzantium in Greek history, as well as its role in the revolution, is a major institution in modern Greece. Its roles in society and larger role in overarching Greek culture are very important; a number of Greeks attend Church at least once a month or more and the Orthodox Easter holiday holds special significance.

The Church of Greece also retains limited political influence through the fact the Greek constitution does not have an explicit separation of Church and State; a debate suggested by more conservative elements of the church in the early 2000s about identification cards and whether religious affiliation might be added to them highlights the friction between state and church on some issues; the proposal unsurprisingly was not accepted. A widely publicised set of corruption scandals in 2004 implicating a small group of senior churchmen also increased national debate on introducing a greater transparency to the church-state relationship.

Greek Orthodox Churches dot both the villages and towns of Greece and come in a variety of architectural forms, from older Byzantine churches, to more modern white brick churches, to newer cathedral-like structures with evident Byzantine influence. Greece (as well as Cyprus), also polled as, ostensibly, one of the most religious countries in Europe, according to Eurostat; however, while the church has wide respect as a moral and cultural institution, a contrast in religious belief with Protestant northern Europe is more obvious than one with Catholic Mediterranean Europe.

Greece also has a significant minority of Muslims in Western Thrace (numbering around 100–150,000), with their places of worship guaranteed since the 1923 Treaty of Lausanne. The Greek state has fully approved the construction a main mosque for the more recent Muslim community of Athens under the freedom of religion provisions of the Greek constitution.

Other religious communities living in Greece include Roman Catholics, Jehovah's Witnesses, Protestants, Armenians, followers of the ancient Greek religion (see Hellenism), Jews and others.

Sports

Greece has risen to prominence in a number of sporting areas in recent decades. Football in particular has seen a rapid transformation, with the Greece national football team winning the 2004 UEFA European Football Championship. Many Greek athletes have also achieved significant success and have won world and olympic titles in numerous sports during the years, such as basketball, wrestling, water polo, athletics, weightlifting, with many of them becoming international stars inside their sports. The successful organisation of the Athens 2004 Olympic and Paralympic Games led also to the further development of many sports and has led to the creation of many World class sport venues all over Greece and especially in Athens and Thessaloniki. Greek athletes have won a total 146 medals for Greece in 15 different Olympic sports at the Summer Olympic Games, including the Intercalated Games, an achievement which makes Greece one of the top nations globally, in the world's rankings of medals per capita.

Symbols

The national colours of Greece are blue and white. The coat of arms of Greece consists of a white cross on a blue escutcheon which is surrounded by two laurel branches. The Flag of Greece is also blue and white, as defined by Law 851/1978 Regarding the National Flag. It specifies the colour of "cyan" (Greek: κυανό, kyano), meaning "blue", so the shade of blue is ambiguous.

The Order of the Redeemer and military decoration Cross of Valour both have ribbons in the national colours.

Since it was first established, the national emblem has undergone many changes in shape and in design. The original Greek national emblem depicted the goddess Athena and an owl. At the time of Ioannis Kapodistrias, the phoenix, the symbol of rebirth, was added.

Other recognizable symbols include the (throughout the Byzantine Empire) double-headed eagle and the Vergina Sun.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Culture of Greece


text:
Derry Irvine, Baron Irvine of Lairg

Alexander Andrew Mackay Irvine, Baron Irvine of Lairg, (born 23 June 1940), known as Derry Irvine, is a Scottish lawyer and politician who served as Lord Chancellor from 1997 to 2003.

He founded and headed 11 King's Bench Walk Chambers in the 1980s, and later became a Recorder and Deputy High Court Judge. A member of the Labour Party, Irvine was appointed to the House of Lords in 1987 and served as Shadow Lord Chancellor from 1992 to 1997. He was appointed to the position in Cabinet by Prime Minister Tony Blair, his former pupil, after the 1997 election and served until his dismissal in 2003.

Early life and education
Alexander Andrew Mackay Irvine was born on 23 June 1940 in Inverness, Scotland to a roofer and a waitress. He was educated at the independent Hutchesons' Boys' Grammar School in Glasgow.

Irvine studied Scots law at the University of Glasgow, where he became involved in debating through the Glasgow University Dialectic Society and Glasgow University Union; He befriended Donald Dewar and John Smith through his involvement in the societies. Irvine subsequently studied English law at Christ's College, Cambridge.

Legal career
After teaching law at the London School of Economics, Irvine was called to the Bar in 1967 and joined chambers headed by Morris Finer. He was appointed a Queen's Counsel in 1978 and founded 11 King's Bench Walk Chambers in 1981, becoming head of chambers. Irvine's pupil barristers included Tony Blair and Cherie Booth. In the 1980s, he became a Recorder and later a Deputy High Court Judge.

Political career
At the 1970 general election, Irvine unsuccessfully contested Hendon North as the Labour Party candidate. A legal adviser to the Party through the 1980s, he was awarded a life peerage as Baron Irvine of Lairg, of Lairg in the District of Sutherland, on 25 March 1987.

Irvine served as Shadow Lord Chancellor from 1992 to 1997 under Labour leaders John Smith, Margaret Beckett, and Tony Blair. After Labour's election victory in 1997, Blair appointed him as Lord Chancellor.

During Irvine's tenure as Lord Chancellor, he oversaw the incorporation of the European Convention on Human Rights into UK law. In 2001, Irvine gained further responsibility for constitutional issues including human rights and freedom of information. He notably chose not to wear the officeholder's traditional attire during most of his tenure in the role. Irvine was the last Lord Chancellor to give judgments at the Appellate Committee of the House of Lords, giving a brief concurring judgment in AIB Group (UK) Ltd v Martin [2001] UKHL 63. He also gave the last reasoned judgment to be given by a Lord Chancellor, in Uratemp Ventures Ltd v Collins [2001] UKHL 43.

Blair dismissed Irvine from the Cabinet in June 2003, when he announced his intention to abolish the position of Lord Chancellor. However, the role was not abolished, but was used as a secondary title for the Justice Secretary from 2005.

Controversies
Irvine was criticised for spending £650,000 of public money to redecorate the Lord Chancellor's residence in 1998. The cost included £59,000 in hand-printed wallpaper, and contractors had to sign the Official Secrets Act to prevent expenditure leaks. Although renovation responsibility was with the Lords authorities, Irvine defended the cost by stating that the materials would last longer than cheaper products.

He was awarded a pay rise of £22,691 in 2003, as a result of a formula designed to keep his salary ahead that of the Lord Chief Justice. However, he accepted a lower increase following public backlash to the decision.

Personal life
Irvine was married to Alison McNair, with whom he had a son, Alistair, and later divorced. He began his relationship with McNair during her marriage to Donald Dewar. Alistair was sentenced to 16 months in jail in the US, after pleading guilty to stalking and vandalism in 2002.

title: Derry Irvine, Baron Irvine of Lairg


text:
Brain death

Brain death is the permanent, irreversible, and complete loss of brain function, which may include cessation of involuntary activity necessary to sustain life. It differs from persistent vegetative state, in which the person is alive and some autonomic functions remain. It is also distinct from comas as long as some brain and bodily activity and function remain, and it is also not the same as the condition locked-in syndrome. A differential diagnosis can medically distinguish these differing conditions.

Brain death is used as an indicator of legal death in many jurisdictions, but it is defined inconsistently and often confused by the public. Various parts of the brain may keep functioning when others do not anymore, and the term "brain death" has been used to refer to various combinations. For example, although one major medical dictionary considers "brain death" to be synonymous with "cerebral death" (death of the cerebrum), the US National Library of Medicine Medical Subject Headings (MeSH) system defines brain death as including the brainstem. The distinctions are medically significant because, for example, in someone with a dead cerebrum but a living brainstem, spontaneous breathing may continue unaided, whereas in whole-brain death (which includes brainstem death), only life support equipment would maintain ventilation. In certain countries, patients classified as brain-dead may legally have their organs surgically removed for organ donation.

Medicolegal history
Differences in operational definitions of death have obvious medicolegal implications (in medical jurisprudence and medical law). Traditionally, both the legal and medical communities determined death through the permanent end of certain bodily functions in clinical death, especially respiration and heartbeat. With the increasing ability of the medical community to resuscitate people with no respiration, heartbeat, or other external signs of life, the need for another definition of death occurred, raising questions of legal death. This gained greater urgency with the widespread use of life support equipment and the rising capabilities and demand for organ transplantation.

Since the 1960s, laws governing the determination of death have been implemented in all countries that have active organ transplantation programs. The first European country to adopt brain death as a legal definition (or indicator) of death was Finland in 1971, while in the United States, the state of Kansas had enacted a similar law earlier.

An ad hoc committee at Harvard Medical School published a pivotal 1968 report to define irreversible coma. The Harvard criteria gradually gained consensus toward what is now known as brain death. In the wake of the 1976 Karen Ann Quinlan case, state legislatures in the United States moved to accept brain death as an acceptable indication of death. In 1981, a presidential commission issued a landmark report entitled Defining Death: Medical, Legal, and Ethical Issues in the Determination of Death, which rejected the "higher-brain" approach to death in favor of a "whole-brain" definition. This report formed the basis for the Uniform Determination of Death Act, since enacted in 39 states. Today, both the legal and medical communities in the US use "brain death" as a legal definition of death, allowing a person to be declared legally dead even if life support equipment maintains the body's metabolic processes.

In the UK, the Royal College of Physicians reported in 1995, abandoning the 1979 claim that the tests published in 1976 sufficed for the diagnosis of brain death, and suggesting a new definition of death based on the irreversible loss of brain-stem function alone. This new definition, the irreversible loss of the capacity for consciousness and for spontaneous breathing, and the essentially unchanged 1976 tests held to establish that state, have been adopted as a basis of death certification for organ transplant purposes in subsequent Codes of Practice. The Australia and New Zealand Intensive Care Society (ANZICS) states that the "determination of brain death requires that there is unresponsive coma, the absence of brain-stem reflexes and the absence of respiratory centre function, in the clinical setting in which these findings are irreversible. In particular, there must be definite clinical or neuro-imaging evidence of acute brain pathology (e.g. traumatic brain injury, intracranial haemorrhage, hypoxic encephalopathy) consistent with the irreversible loss of neurological function." In Brazil, the Federal Council of Medicine revised its regulations in 2017, including "a requirement for the patient to meet specific physiological prerequisites and for the physician to provide optimized care to the patient before starting the procedures for diagnosing brain death and to perform complementary tests, as well as the need for specific training for physicians who make this diagnosis."

In 2020, an international panel of experts, the World Brain Death Project, published a guideline that: "provides recommendations for the minimum clinical standards for determination of brain death/death by neurologic criteria (BD/DNC) in adults and children with clear guidance for various clinical circumstances. The recommendations have widespread international society endorsement and can serve to guide professional societies and countries in the revision or development of protocols and procedures for determination of brain death/death by neurologic criteria, leading to greater consistency within and between countries."

Medical criteria
Natural movements also known as the Lazarus sign or Lazarus reflex can occur on a brain-dead person whose organs have been kept functioning by life support. The living cells that can cause these movements are not living cells from the brain or brain stem; these cells come from the spinal cord. Sometimes these body movements can cause false hope for family members.

A brain-dead individual has no clinical evidence of brain function upon physical examination. This includes no response to pain and no cranial nerve reflexes. Reflexes include pupillary response (fixed pupils), oculocephalic reflex, corneal reflex, no response to the caloric reflex test, and no spontaneous respirations.

Brain death can sometimes be difficult to differentiate from other medical states such as barbiturate overdose, acute alcohol poisoning, sedative overdose, hypothermia, hypoglycemia, coma, and chronic vegetative states. Some comatose patients can recover to pre-coma or near pre-coma level of functioning, and some patients with severe irreversible neurological dysfunction will nonetheless retain some lower brain functions, such as spontaneous respiration, despite the losses of both cortex and brain stem functionality. Such is the case with anencephaly.

Brain electrical activity can stop completely, or drop to such a low level as to be undetectable with most equipment. An EEG will therefore be flat, though this is sometimes also observed during deep anesthesia or cardiac arrest. Although in the United States a flat EEG test is not required to certify death, it is considered to have confirmatory value. In the UK it is not considered to be of value because any continuing activity it might reveal in parts of the brain above the brain stem is held to be irrelevant to the diagnosis of death on the Code of Practice criteria.

The diagnosis of brain death is often required to be highly rigorous, in order to be certain that the condition is irreversible. Legal criteria vary, but in general require neurological examinations by two independent physicians. The exams must show complete and irreversible absence of brain function (brain stem function in UK), and may include two isoelectric (flat-line) EEGs 24 hours apart (less in other countries where it is accepted that if the cause of the dysfunction is a clear physical trauma there is no need to wait that long to establish irreversibility). The patient should have a normal temperature and be free of drugs that can suppress brain activity if the diagnosis is to be made on EEG criteria.

Also, a radionuclide cerebral blood flow scan that shows complete absence of intracranial blood flow must be considered with other exams – temporary swelling of the brain, particularly within the first 72 hours, can lead to a false positive test on a patient that may recover with more time.

CT angiography is neither required nor sufficient test to make the diagnosis.

Confirmatory testing is only needed under the age of 1. For children and adults, testing is optional. Other situations possibly requiring confirmatory testing include severe facial trauma where determination of brainstem reflexes will be difficult, pre-existing pupillary abnormalities, and patients with severe sleep apnea and/or pulmonary disease. Confirmatory tests include: cerebral angiography, electroencephalography, transcranial Doppler ultrasonography, and cerebral scintigraphy (technetium Tc 99m exametazime). Cerebral angiography is considered the most sensitive confirmatory test in the determination of brain death.

Organ donation
While the diagnosis of brain death has become accepted as a basis for the certification of death for legal purposes, it is a very different state from biological death – the state universally recognized and understood as death. The continuing function of vital organs in the bodies of those diagnosed brain dead, if mechanical ventilation and other life-support measures are continued, provides optimal opportunities for their transplantation.

When mechanical ventilation is used to support the body of a brain dead organ donor pending a transplant into an organ recipient, the donor's date of death is listed as the date that brain death was diagnosed.

In some countries (for instance, Spain, Finland, the United Kingdom, Portugal, France, and by 2026 Switzerland), everyone is automatically an organ donor after diagnosis of death on legally accepted criteria, although some jurisdictions (such as Singapore, Spain, the United Kingdom, France, Czech Republic, Poland and Portugal) allow opting out of the system. Elsewhere, consent from family members or next-of-kin may be required for organ donation. In New Zealand, Australia and most states in the United States, drivers are asked upon application if they wish to be registered as an organ donor.

In the United States, if the patient is at or near death, the hospital must notify a designated Organ Procurement Organization (OPO) of the details, and maintain the patient while the patient is being evaluated for suitability as a donor. The OPO searches to see if the deceased is registered as a donor, which serves as legal consent; if the deceased has not registered or otherwise noted consent (e.g., on a driver's license), the OPO will ask the next of kin for authorization. The patient is kept on ventilator support until the organs have been surgically removed. If the patient has indicated in an advance health care directive that they do not wish to receive mechanical ventilation or has specified a do-not-resuscitate (DNR) order and the patient has also indicated that they wish to donate their organs, some vital organs such as the heart and lungs may not be able to be recovered.

United States
Brain death is responsible for 2% of all adult and 5% of pediatric in-hospital deaths in the United States. In a nationwide survey of pediatric intensive care units (PICU) in the United States in 2019; there were more than 3,000 pediatric brain deaths out of a total of more than 15,344 children who died in PICUs. According to a national study, "brain death evaluations are performed infrequently, even in large PICUs."

title: Brain death


text:
Arvanitika

Arvanitika (Arvanitika: αρbε̰ρίσ̈τ, romanized: ; Greek: αρβανίτικα, romanized: ), also known as Arvanitic, is the variety of Albanian traditionally spoken by the Arvanites, a population group in Greece. Arvanitika was brought to southern Greece during the late Middle Ages by Albanian settlers who moved south from their homeland in present-day Albania in several waves. The dialect preserves elements of medieval Albanian, while also being significantly influenced by the Greek language. Arvanitika is today endangered, as its speakers have been shifting to the use of Greek and most younger members of the community no longer speak it.

Name
The name Arvanítika and its native equivalent Arbërisht are derived from the ethnonym Arvanites, which in turn comes from the toponym Arbën or Arbër (Greek: Άρβανον), which in the Middle Ages referred to a region in modern Albania. Its native equivalents (Arbërorë, Arbëreshë and others) used to be the self-designation of Albanians in general. In the past Arvanitika had sometimes been described as "Graeco-Albanian" and the like (e.g., Furikis, 1934); although today many Arvanites consider such names offensive, they generally identify nationally and ethnically as Greeks and not Albanians.

Classification
Arvanitika is part of the Tosk dialect group of Albanian, and as such closely related to the varieties spoken across southern Albania. It is also closely related to Arbëresh, the dialect of Albanian in Italy, which largely goes back to Arvanite settlers from Greece. Italian Arbëresh has retained some words borrowed from Greek (for instance haristis 'thank you', from ευχαριστώ; dhrom 'road', from δρόμος; Ne 'yes', from ναι, in certain villages). Italo-Arbëresh and Graeco-Arvanitika have a mutually intelligible vocabulary base, the unintelligible elements of the two dialects stem from the usage of Italian or Greek modernisms in the absence of native ones. While linguistic scholarship unanimously describes Arvanitika as a dialect of Albanian many Arvanites are reported to dislike the use of the name "Albanian" to designate it.

Sociolinguistic work has described Arvanitika within the conceptual framework of "ausbausprachen" and "abstandssprachen". In terms of "abstand" (objective difference of the linguistic systems), linguists' assessment of the degree of mutual intelligibility between Arvanitika and Standard Tosk range from fairly high to only partial (Ethnologue). The Ethnologue also mentions that mutual intelligibility may even be problematic between different subdialects within Arvanitika. Mutual intelligibility between Standard Tosk and Arvanitika is higher than that between the two main dialect groups within Albanian, Tosk and Gheg. See below for a sample text in the three language forms. Trudgill (2004: 5) sums up that "[l]inguistically, there is no doubt that [Arvanitika] is a variety of Albanian".

In terms of "ausbau" (sociolinguistic "upgrading" towards an autonomous standard language), the strongest indicator of autonomy is the existence of a separate writing system, the Greek-based Arvanitic alphabet. A very similar system was formerly in use also by other Tosk Albanian speakers between the 16th and 18th century. However, this script is very rarely used in practice today, as Arvanitika is almost exclusively a spoken language confined to the private sphere. There is also some disagreement amongst Arvanites (as with the Aromanians) as to whether the Latin alphabet should be used to write their language. Spoken Arvanitika is internally richly diversified into sub-dialects, and no further standardization towards a common (spoken or written) Standard Arvanitika has taken place. At the same time, Arvanites do not use Standard Albanian as their standard language either, as they are generally not literate in the Latin-based standard Albanian orthography, and are not reported to use spoken-language media in Standard Albanian. In this sense, then, Arvanitika is not functionally subordinated to Standard Albanian as a dachsprache ("roof language"), in the way dialects of a national language within the same country usually are.

Geographic distribution

There are three main groups of Arvanitic settlements in Greece. Most Arvanites live in the south of Greece, across Attica, Boeotia, the Peloponnese and some neighbouring areas and islands. A second, smaller group live in the northwest of Greece, in a zone contiguous with the Albanian-speaking lands proper. A third, outlying group is found in the northeast of Greece, in a few villages in Thrace.

According to some authors, the term "Arvanitika" in its proper sense applies only to the southern group or to the southern and the Thracian groups together i.e. to those dialects that have been separated from the core of Albanian for several centuries. The dialects in the northwest are reported to be more similar to neighbouring Tosk dialects within Albania and to the speech of the former Cham Albanians (Çamërishte), who used to live in the same region. These dialects are classified by Ethnologue as part of core Tosk Albanian, as opposed to "Arvanitika Albanian" in the narrow sense, although Ethnologue notes that the term "Arvanitika" is also often applied indiscriminately to both forms in Greece. In their own language, some groups in the north-west are reported to use the term Shqip (Albanian language) to refer to their own language as well as to that of Albanian nationals, and this has sometimes been interpreted as implying that they are ethnically Albanians. The Arvanitika of southern Greece is richly sub-divided into local dialects. Sasse (1991) distinguishes as many as eleven dialect groups within that area: West Attic, Southeast Attic, Northeast-Attic-Boeotian, West Boeotian, Central Boeotian, Northeast Peloponnesian, Northwest Peloponnesian, South Peloponnesian, West Peloponnesian, Euboean, and Andriote.

Estimated numbers of speakers of Arvanitika vary widely, between 30,000 and 150,000. These figures include "terminal speakers" (Tsitsipis 1998) of the younger generation, who have only acquired an imperfect command of the language and are unlikely to pass it on to future generations. The number of villages with traditional Arvanite populations is estimated to more than 500. There are no monolingual Arvanitika-speakers, as all are today bilingual in Greek. Arvanitika is considered an endangered language due to the large-scale language shift towards Greek in recent decades.

Characteristics
Arvanitika shares many features with the Tosk dialect spoken in Southern Albania. However, it has received a great deal of influence from Greek, mostly related to the vocabulary and the phonological system. At the same time, it is reported to have preserved some conservative features that were lost in mainstream Albanian Tosk. For example, it has preserved certain syllable-initial consonant clusters which have been simplified in Standard Albanian (cf. Arvanitika gljuhë ('language/tongue'), vs. Standard Albanian gjuhë ).

In recent times, linguists have observed signs of accelerated structural convergence towards Greek and structural simplification of the language, which have been interpreted as signs of "language attrition", i.e. effects of impoverishment leading towards language death.

Writing system
Arvanitika has rarely been written. Reportedly (GHM 1995), it has been written in both the Greek alphabet (often with the addition of the letters b, d, e and j, or diacritics, e.g.) and the Latin alphabet. Orthodox Tosk Albanians also used to write with a similar form of the Greek alphabet (e.g. ).

Texts in Arvanitika have survived in the private correspondence between Arvanites who used the dialect. Such is the correspondence of Ioannis Orlandos with Georgios Kountouriotis and other letters by members of the Kountouriotis family written in the Arvanitika of Hydra with Greek script.

In public use, Arvanitika has been used in election pamphlets of Attica and Boeotia in the 19th century. These pamphlets were published in Greek and Arvanitika for the better propagation of party lines among Arvanites and to ease communication between non-Arvanite candidates who could not speak Arvanitika and Arvanite voters.

Grammar
Source: Arvanitikos Syndesmos Ellados

Some common phrases
Source: Arvanitikos Syndesmos Ellados

title: Arvanitika


text:
Silent Hunter (video game)

Silent Hunter is a World War II submarine combat simulation for MS-DOS, developed by Aeon Electronic Entertainment and published by Strategic Simulations in 1996. The game takes place in the Pacific War during World War II, the player commanding a submarine of the United States Navy. Most contemporary US submarines and Japanese warships are featured along with some generic merchant ships.

Gameplay
A single encounter generator is available, but the standard mode of play is the career mode, where the player must take their boat to patrol far behind enemy lines with the mission to search for and destroy any enemy shipping. For best success, the player should concentrate their search on shipping lanes, which may be deduced from contact reports. There are also special missions which may be assigned to a boat, such as beach reconnaissance involving photographing potential landing beaches through the periscope, and the rescue of downed airmen. Both missions were performed by the fleet submarines of World War II. The boat is actually commanded by crewing various stations in first person (no crew is visible, even though their voices are heard), which is common in the genre. In career mode, the game begins when war against Japan is declared and continues through until August 15, 1945, when CINCPAC (Commander in Chief, Pacific Fleet) issues the order to cease all offensive operations against Japan. Success against the enemy rewards the Captain (the player) with medals as appropriate to the degree of success on a given patrol. However, there is a flip side to the game. One patrol without any sinkings will result in a verbal reprimand from COMSUBPAC (Commander, Submarines, Pacific Fleet). Two consecutive patrols with no sinkings will result in the Captain being relieved of command, as happened frequently in the Silent Service, particularly in the early days of the war. If a captain is relieved of command, the game is over. Also, it is possible for Japanese destroyers to sink a submarine by gunfire on the surface, or by depth charge attack while submerged. This also ends the game.

The submarines available in the game are the boats the United States Navy had during the war. They range from the ancient S-boats, and interwar boats like the Tambor class and Sargo class, to the later wartime Gato-class, Balao class, and Tench class subs. Technological advancements become available to the player at the same time in the game that the boats in the fleet got them. These include radar, the plan position indicator radar display, and the bathythermograph.

Weaponry similarly reflects what the boats had at any given point in the war. The torpedoes range from the Mark X used by the S-boats, to the Mark XIV steam torpedo and Mark XVIII electric torpedo, to the anti-escort "Cutie" acoustic homing torpedo. Deck guns, which are of minor value but have their uses, similarly range from three to five inch, again as the boats received them.

Reception
The game received "favorable" reviews according to video game review aggregator GameRankings. Silent Hunter II developer Shawn Storc stated in an interview that Silent Hunter was a commercial success with 300,000 sold units. By 1999, global sales had reached 350,000 copies. Bruce Geryk of GameSpot considered it a noteworthy hit in the simulation genre, a genre whose "era had passed" in his view.

Silent Hunter was nominated as Computer Games Strategy Plus's 1996 simulation of the year, although it lost to Jane's AH-64D Longbow. The game was a finalist for Computer Gaming World's 1996 "Simulation Game of the Year" award, which ultimately went to Jane's AH-64D Longbow.

title: Silent Hunter (video game)