text:
Zoonomia/I.III

SECT. III.

THE MOTIONS OF THE RETINA DEMONSTRATED BY EXPERIMENTS.

 * I. Of animal motions and of ideas. II. The fibrous structure of the retina. III. The activity of the retina in vision. 1. Rays of light have no momentum. 2. Objects long viewed become fainter. 3. Spectra of black objects become luminous. 4. Varying spectra from gyration. 5. From long inspection of various colours. IV. Motions of the organs of sense constitute ideas. 1. Light from pressing the eye-ball, and sound from the pulsation of the carotid artery. 2. Ideas in sleep mistaken for perceptions. 3. Ideas of imagination produce pain and sickness like sensations. 4. When the organ of sense is destroyed, the ideas belonging to that sense perish. V. Analogy between muscular motions and sensual motions, or ideas. 1. They are both originally excited by irritations. 2. And associated together in the same manner. 3. Both act in nearly the same times. 4. Are alike strengthened or fatigued by exercise. 5. Are alike painful from inflammation. 6. Are alike benumbed by compression. 7. Are alike liable to paralysis. 8. To convulsion. 9. To the influence of old age.—VI. Objections answered. 1. Why we cannot invent new ideas. 2. If ideas resemble external objects. 3. Of the imagined sensation in an amputated limb. 4. Abstract ideas.—VII. What are ideas, if they are not animal motions?

Before the great variety of animal motions can be duly arranged into natural classes and orders, it is necessary to smooth the way to this yet unconquered field of science, by removing some obstacles which thwart our passage. I. To demonstrate that the retina and other immediate organs of sense possess a power of motion, and that these motions constitute our ideas, according to the fifth and seventh of the preceding assertions, claims our first attention.

Animal motions are distinguished from the communicated motions, mentioned in the first section, as they have no mechanical proportion to their cause; for the goad of a spur on the skin of a horse shall induce him to move a load of hay. They differ from the gravitating motions there mentioned as they are exerted with equal facility in all directions, and they differ from the chemical class of motions, because no apparent decompositions or new combinations are produced in the moving materials.

Hence, when we say animal motion is excited by irritation, we do not mean that the motion bears any proportion to the mechanical impulse of the stimulus; nor that it is affected by the general gravitation of the two bodies; nor by their chemical properties, but solely that certain animal fibres are excited into action by something external to the moving organ.

In this sense the stimulus of the blood produces the contractions of the heart; and the substances we take into our stomach and bowels stimulate them to perform their necessary functions. The rays of light excite the retina into animal motion by their stimulus; at the same time that those rays of light themselves are physically converged to a focus by the inactive humours of the eye. The vibrations of the air stimulate the auditory nerve into animal action; while it is probable that the tympanum of the ear at the same time undergoes a mechanical vibration.

To render this circumstance more easy to be comprehended, motion may be defined to be a variation of figure; for the whole universe may be considered as one thing possessing a certain figure; the motions of any of its parts are a variation of this figure of the whole: this definition of motion will be further explained in Section XIV. 2. 2. on the production of ideas.

Now the motions of an organ of sense are a succession of configurations of that organ; these configurations succeed each other quicker or slower; and whatever configuration of this organ of sense, that is, whatever portion of the motion of it is, or has usually been, attended to, constitutes an idea. Hence the configuration is not to be considered as an effect of the motion of the organ, but rather as a part or temporary termination of it; and that, whether a pause succeeds it, or a new configuration immediately takes place. Thus when a succession of moving objects are presented to our view, the ideas of trumpets, horns, lords and ladies, trains and canopies, are configurations, that is, parts or links of the successive motions of the organ of vision.

These motions or configurations of the organs of sense differ from the sensorial motions to be described hereafter, as they appear to be simply contractions of the fibrous extremities of those organs, and in that respect exactly resemble the motions or contractions of the larger muscles, as appears from the following experiment. Place a circular piece of red silk about an inch in diameter on a sheet of white paper in a strong light, as in Plate I.—look for a minute on this area, or till the eye becomes somewhat fatigued, and then, gently closing your eyes, and shading them with your hand, a circular green area of the same apparent diameter becomes visible in the closed eye. This green area is the colour reverse to the red area, which had been previously inspected, as explained in the experiments on ocular spectra at the end of the work, and in Botanical Garden, P. 1. additional note, No. 1. Hence it appears, that a part of the retina, which had been fatigued by contraction in one direction, relieves itself by exerting the antagonist fibres, and producing a contraction in an opposite direction, as is common in the exertions of our muscles. Thus when we are tired with long action of our arms in one direction, as in holding a bridle on a journey, we occasionally throw them into an opposite position to relieve the fatigued muscles.

Mr. Locke has defined an idea to be "whatever is present to the mind;" but this would include the exertions of volition, and the sensations of pleasure and pain, as well as those operations of our system, which acquaint us with external objects; and is therefore too unlimited for our purpose. Mr. Lock seems to have fallen into a further error, by conceiving, that the mind could form a general or abstract idea by its own operation, which was the copy of no particular perception; as of a triangle in general, that was neither acute, obtuse, nor right angled. The ingenious Dr. Berkley and Mr. Hume have demonstrated, that such general ideas have no existence in nature, not even in the mind of their celebrated inventor. We shall therefore take for granted at present, that our recollection or imagination of external objects consists of a partial repetition of the perceptions, which were excited by those external objects, at the time we became acquainted with them; and that our reflex ideas of the operations of our minds are partial repetitions of those operations.

II. The following article evinces that the organ of vision consists of a fibrous part as well as of the nervous medulla, like other white muscles; and hence, as it resembles the muscular parts of the body in its structure, we may conclude, that it must resemble them in possessing a power of being excited into animal motion.—The subsequent experiments on the optic nerve, and on the colours remaining in the eye, are copied from a paper on ocular spectra published in the seventy-sixth volume of the Philos. Trans. by Dr. R. Darwin of Shrewsbury; which, as I shall have frequent occasion to refer to, is reprinted in this work, Sect. XL. The retina of an ox's eye was suspended in a glass of warm water, and forcibly torn in a few places; the edges of these parts appeared jagged and hairy, and did not contract and become smooth like simple mucus, when it is distended till it breaks; which evinced that it consisted of fibres. This fibrous construction became still more distinct to the light by adding some caustic alcali to the water; as the adhering mucus was first eroded, and the hair-like fibres remained floating in the vessel. Nor does the degree of transparency of the retina invalidate this evidence of its fibrous structure, since Leeuwenhoek has shewn, that the crystalline humour itself consists of fibres. Arc. Nat. V. I. 70.

Hence it appears, that as the muscles consist of larger fibres intermixed with a smaller quantity of nervous medulla, the organ of vision consists of a greater quantity of nervous medulla intermixed with smaller fibres. It is probable that the locomotive muscles of microscopic animals may have greater tenuity than these of the retina; and there is reason to conclude from analogy, that the other immediate organs of sense, as the portio mollis of the auditory nerve, and the rete mucosum of the skin, possess a similarity of structure with the retina, and a similar power of being excited into animal motion.

III. The subsequent articles shew, that neither mechanical impressions, nor chemical combinations of light, but that the animal activity of the retina constitutes vision.

1 . Much has been conjectured by philosophers about the momentum of the rays of light; to subject this to experiment a very light horizontal balance was constructed by Mr. Michel, with about an inch square of thin leaf-copper suspended at each end of it, as described in Dr. Priestley's History of Light and Colours. The focus of a very large convex mirror was thrown by Dr. Powel, in his lectures on experimental philosophy, in my presence, on one wing of this delicate balance, and it receded from the light; thrown on the other wing, it approached towards the light, and this repeatedly; so that no sensible impulse could be observed, but what might well be ascribed to the ascent of heated air.

Whence it is reasonable to conclude, that the light of the day must be much too weak in its dilute state to make any mechanical impression on so tenacious a substance as the retina of the eye.—Add to this, that as the retina is nearly transparent, it could therefore make less resistance to the mechanical impulse of light; which, according, to the observations related by Mr. Melvil in the Edinburgh Literary Essays, only communicates heat, and should therefore only communicate momentum, where it is obstructed, reflected, or refracted.—From whence also may be collected the final cause of this degree of transparency of the retina, viz. left by the focus of stronger lights, heat and pain should have been produced in the retina, instead of that stimulus which excites it into animal motion.

2 . On looking long on an area of scarlet silk of about an inch in diameter laid on white paper, as in Plate I. the scarlet colour becomes fainter, till at length it entirely vanishes, though the eye is kept uniformly and steadily upon it. Now if the change or motion of the retina was a mechanical impression, or a chemical tinge of coloured light, the perception would every minute become stronger and stronger,—whereas in this experiment it becomes every instant weaker and weaker. The same circumstance obtains in the continued application of sound, or of sapid bodies, or of odorous ones, or of tangible ones, to their adapted organs of sense.

Thus when a circular coin, as a shilling, is pressed on the palm of the hand, the sense of touch is mechanically compressed; but it is the stimulus of this pressure that excites the organ of touch into animal action, which constitutes the perception of hardness and of figure; for in some minutes the perception ceases, though the mechanical pressure of the object remains.

3 . Make with ink on white paper a very black spot about half an inch in diameter, with a tail about an inch in length, so as to resemble a tadpole, as in Plate II.; look steadfastly for a minute on the center of this spot, and, on moving the eye a little, the figure of the tadpole will be seen on the white part of the paper; which figure of the tadpole will appear more luminous than the other part of the white paper; which can only be explained by supposing that a part of the retina, on which the tadpole was delineated, to have become more sensible to light than the other parts of it, which were exposed to the white paper; and not from any idea of mechanical impression or chemical combination of light with the retina.

4 . When any one turns round rapidly, till he becomes dizzy, and falls upon the ground, the spectra of the ambient objects continue to present themselves in rotation, and he seems to behold the objects still in motion. Now if these spectra were impressions on a passive organ, they either must continue as they were received last, or not continue at all.

5 . Place a piece of red silk about an inch in diameter on a sheet of white paper in a strong light, as in Plate I; look steadily upon it from the distance of about half a yard for a minute; then closing your eye-lids, cover them with your hands and handkerchief, and a green spectrum will be seen in your eyes resembling in form the piece of red silk. After some seconds of time the spectrum will disappear, and in a few more seconds will reappear; and thus alternately three or four times, if the experiment be well made, till at length it vanishes entirely.

From all these experiments it appears, that these spectra in the eye are not owing to the mechanical impulse of light impressed on the retina; nor to its chemical combination with that organ; nor to the absorption and emission of light, as is supposed, perhaps erroneously, to take place in calcined shells and other phosphorescent bodies, after having been exposed to the light: for in all these cases the spectra in the eye should either remain of the same colour, or gradually decay, when the object is withdrawn; and neither their evanescence during the presence of their object, as in the second experiment, nor their change from dark to luminous, as in the third experiment, nor their rotation, as in the fourth experiment, nor the alternate presence and evanescence of them, as in the fifth experiment, nor the perpetual change of colours of them, as in the last experiment, could exist.

IV. The subsequent articles shew, that these animal motions or configurations of our organs of sense constitute our ideas.

1 . If any one in the dark presses the ball of his eye, by applying his finger to the external corner of it, a luminous appearance is observed; and by a smart stroke on the eye great slashes of fire are perceived. (Newton's Optics.) So that when the arteries, that are near the auditory nerve, make stronger pulsations than usual, as in some fevers, an undulating sound is excited in the ears. Hence it is not the presence of the light and sound, but the motions of the organ, that are immediately necessary to constitute the perception or idea of light and sound.

2 . During the time of sleep, or in delirium, the ideas of imagination are mistaken for the perceptions of external objects; whence it appears, that these ideas of imagination, are no other than a reiteration of those motions of the organs of sense, which were originally excited by the stimulus of external objects: and in our waking hours the simple ideas, that we call up by recollection or by imagination, as the colour of red, or the smell of a rose, are exact resemblances of the same simple ideas from perception; and in consequence must be a repetition of those very motions.

3 . The disagreeable sensation called the tooth-edge is originally excited by the painful jarring of the teeth in biting the edge of the glass, or porcelain cup, in which our food was given us in our infancy, as is further explained in the Section XVI. 10, on Instinct.—This disagreeable sensation is afterwards excitable not only by a repetition of the sound, that was then produced, but by imagination alone, as I have myself frequently experienced; in this case the idea of biting a china cup, when I imagine it very distinctly, or when I see another person bite a cup or glass, excites an actual pain in the nerves of my teeth. So that this idea and pain seem to be nothing more than the reiterated motions of those nerves, that were formerly so disagreeably affected.

Other ideas that are excited by imagination or recollection in many instances produce similar effects on the constitution, as our perceptions had formerly produced, and are therefore undoubtedly a repetition of the same motions. A story which the celebrated Baron Van Swieton relates of himself is to this purpose. He was present when the putrid carcase of a dead dog exploded with prodigious stench; and some years afterwards, accidentally riding along the same road, he was thrown into the same sickness and vomiting by the idea of the stench, as he had before experienced from the perception of it.

4 . Where the organ of sense is totally destroyed, the ideas which were received by that organ seem to perish along with it, as well as the power of perception. Of this a satisfactory instance has fallen under my observation. A gentleman about sixty years of age had been totally deaf for near thirty years: he appeared to be a man of good understanding, and amused himself with reading, and by conversing either by the use of the pen, or by signs made with his fingers, to represent letters. I observed that he had so far forgot the pronunciation of the language, that when he attempted to speak, none of his words had distinct articulation, though his relations could sometimes understand his meaning. But, which is much to the point, he assured me, that in his dreams he always imagined that people conversed with him by signs or writing, and never that he heard any one speak to him. From hence it appears, that with the perceptions of sounds he has also lost the ideas of them; though the organs of speech still retain somewhat of their usual habits of articulation.

This observation may throw some light on the medical treatment of deaf people; as it may be learnt from their dreams whether the auditory nerve be paralytic, or their deafness be owing to some defect of the external organ.

It rarely happens that the immediate organ of vision is perfectly destroyed. The most frequent causes of blindness are occasioned by defects of the external organ, as in cataracts and obfuscations of the cornea. But I have had the opportunity of conversing with two men, who had been some years blind; one of them had a complete gutta serena, and the other had lost the whole substance of his eyes. They both told me that they did not remember to have ever dreamt of visible objects, since the total loss of their sight.

V. Another method of discovering that our ideas are animal motions of the organs of sense, is from considering the great analogy they bear to the motions of the larger muscles of the body. In the following articles it will appear that they are originally excited into action by the irritation of external objects like our muscles; are associated together like our muscular motions; act in similar time with them; are fatigued by continued exertion like them; and that the organs of sense are subject to inflammation, numbness, palsy, convulsion, and the defects of old age, in the same manner as the muscular fibres.

1 . All our perceptions or ideas of external objects are universally allowed to have been originally excited by the stimulus of those external objects; and it will be shewn in a succeeding section, that it is probable that all our muscular motions, as well those that are become voluntary as those of the heart and glandular system, were originally in like manner excited by the stimulus of something external to the organ of motion.

2 . Our ideas are also associated together after their production precisely in the same manner as our muscular motions; which will likewise be fully explained in the succeeding section.

3 . The time taken up in performing an idea is likewise much the same as that taken up in performing a muscular motion. A musician can press the keys of an harpsichord with his fingers in the order of a tune he has been accustomed to play, in as little time as he can run over those notes in his mind. So we many times in an hour cover our eye-balls with our eye-lids without perceiving that we are in the dark; hence the perception or idea of light is not changed for that of darkness in so small a time as the twinkling of an eye; so that in this case the muscular motion of the eye-lid is performed quicker than the perception of light can be changed for that of darkness.—So if a fire-stick be whirled round in the dark, a luminous circle appears to the observer; if it be whirled somewhat slower, this circle becomes interrupted in one part; and then the time taken up in such a revolution of the stick is the same that the observer uses in changing his ideas: thus the of Homer, the long shadow of the flying javelin, is elegantly designed to give us an idea of its velocity, and not of its length.

4 . The fatigue that follows a continued attention of the mind to one object is relieved by changing the subject of our thoughts; as the continued movement of one limb is relieved by moving another in its stead. Whereas a due exercise of the faculties of the mind strengthens and improves those faculties, whether of imagination or recollection; as the exercise of our limbs in dancing or fencing increases the strength and agility of the muscles thus employed.

5 . If the muscles of any limb are inflamed, they do not move without pain; so when the retina is inflamed, its motions also are painful. Hence light is as intolerable in this kind of ophthalmia, as pressure is to the finger in the paronychia. In this disease the patients frequently dream of having their eyes painfully dazzled; hence the idea of strong light is painful as well as the reality. The first of these facts evinces that our perceptions are motions of the organs of sense; and the latter, that our imaginations are also motions of the same organs.

6 . The organs of sense, like the moving muscles, are liable to become benumbed, or less sensible, from compression. Thus, if any person on a light day looks on a white wall, he may perceive the ramifications of the optic artery, at every pulsation of it, represented by darker branches on the white wall; which is evidently owing to its compressing the retina during the diastole of the artery. Savage Nosolog.

7 . The organs of sense and the moving muscles are alike liable to be affected with palsy, as in the gutta serena, and in some cases of deafness; and one side of the face has sometimes lost its power of sensation, but retained its power of motion; other parts of the body have lost their motions but retained their sensation, as in the common hemiplagia; and in other instances both these powers have perished together.

8 . In some convulsive diseases a delirium or insanity supervenes, and the convulsions cease; and conversely the convulsions shall supervene, and the delirium cease. Of this I have been a witness many times in a day in the paroxysms of violent epilepsies; which evinces that one kind of delirium is a convulsion of the organs of sense, and that our ideas are the motions of these organs: the subsequent cases will illustrate this observation.

Miss G——, a fair young lady, with light eyes and hair, was seized with most violent convulsions of her limbs, with outrageous hiccough, and most vehement efforts to vomit: after near an hour was elapsed this tragedy ceased, and a calm talkative delirium supervened for about another hour; and these relieved each other at intervals during the greatest part of three or four days. After having carefully considered this disease, I thought the convulsions of her ideas less dangerous than those of her muscles; and having in vain attempted to make any opiate continue in her stomach, an ounce of laudanum was rubbed along the spine of her back, and a dram of it was used as an enema; by this medicine a kind of drunken delirium was continued many hours; and when it ceased the convulsions did not return; and the lady continued well many years, except some lighter relapses, which were relieved in the same manner.

Miss H——, an accomplished young lady, with light eyes and hair, was seized with convulsions of her limbs, with hiccough, and efforts to vomit, more violent than words can express; these continued near an hour, and were succeeded with a cataleptic spasm of one arm, with the hand applied to her head; and after about twenty minutes these spasms ceased, and a talkative reverie supervened for near an other hour, from which no violence, which it was proper to use, could awaken her. These periods of convulsions, first of the muscles, and then of the ideas, returned twice a day for several weeks; and were at length removed by great doses of opium, after a great variety of other medicines and applications had been in vain experienced. This lady was subject to frequent relapses, once or twice a year for many years, and was as frequently relieved by the same method.

Miss W——, an elegant young lady, with black eyes and hair, had sometimes a violent pain of her side, at other times a most painful strangury, which were every day succeeded by delirium; which gave a temporary relief to the painful spasms. After the vain exhibition of variety of medicines and applications by different physicians, for more than a twelvemonth, she was directed to take some doses of opium, which were gradually increased, by which a drunken delirium was kept up for a day or two, and the pains prevented from returning. A flesh diet, with a little wine or beer, instead of the low regimen she had previously used, in a few weeks completely established her health; which, except a few relapses, has continued for many years.

9 . Lastly, as we advance in life all the parts of the body become more rigid, and are rendered less susceptible of new habits of motion, though they retain those that were before established. This is sensibly observed by those who apply themselves late in life to music, fencing, or any of the mechanic arts. In the same manner many elderly people retain the ideas they had learned early in life, but find great difficulty in acquiring new trains of memory; insomuch that in extreme old age we frequently see a forgetfulness of the business of yesterday, and at the same time a circumstantial remembrance of the amusements of their youth; till at length the ideas of recollection and activity of the body gradually cease together,—such is the condition of humanity!—and nothing remains but the vital motions and sensations.

VI. 1 . In opposition to this doctrine of the production of our ideas, it may be asked, if some of our ideas, like other animal motions, are voluntary, why can we not invent new ones, that have not been received by perception? The answer will be better understood after having perused the succeeding section, where it will be explained, that the muscular motions likewise are originally excited by the stimulus of bodies external to the moving organ; and that the will has only the power of repeating the motions thus excited.

2 . Another objector may ask, Can the motion of an organ of sense resemble an odour or a colour? To which I can only answer, that it has not been demonstrated that any of our ideas resemble the objects that excite them; it has generally been believed that they do not; but this shall be discussed at large in Sect. XIV.

3 . There is another objection that at first view would seem less easy to surmount. After the amputation, of a foot or a finger, it has frequently happened, that an injury being offered to the stump of the amputated limb, whether from cold air, too great pressure, or other accidents, the patient has complained, of a sensation of pain in the foot or finger, that was cut off. Does not this evince that all our ideas are excited in the brain, and not in the organs of sense? This objection is answered, by observing that our ideas of the shape, place, and solidity of our limbs, are acquired by our organs of touch and of sight, which are situated in our fingers and eyes, and not by any sensations in the limb itself.

In this case the pain or sensation, which formerly has arisen in the foot or toes, and been propagated along the nerves to the central part of the sensorium, was at the same time accompanied with a visible idea of the shape and place, and with a tangible idea of the solidity of the affected limb: now when these nerves are afterwards affected by any injury done to the remaining stump with a similar degree or kind of pain, the ideas of the shape, place, or solidity of the lost limb, return by association; as these ideas belong to the organs of sight and touch, on which they were first excited.

4 . If you wonder what organs of sense can be excited into motion, when you call up the ideas of wisdom or benevolence, which Mr. Locke has termed abstracted ideas; I ask you by what organs of sense you first became acquainted with these ideas? And the answer will be reciprocal; for it is certain that all our ideas were originally acquired by our organs of sense; for whatever excites our perception must be external to the organ that perceives it, and we have no other inlets to knowledge but by our perceptions: as will be further explained in Section XIV. and XV. on the Productions and Classes of Ideas.

VII. If our recollection or imagination be not a repetition of animal movements, I ask, in my turn, What is it? You tell me it consists of images or pictures of things. Where is this extensive canvas hung up? or where are the numerous receptacles in which those are deposited? or to what else in the animal system have they any similitude?

That pleasing picture of objects, represented in miniature on the retina of the eye, seems to have given rise to this illusive oratory! It was forgot that this representation belongs rather to the laws of light, than to those of life; and may with equal elegance be seen in the camera obscura as in the eye; and that the picture vanishes for ever, when the object is withdrawn.

title: Zoonomia/I.III


text:
Zoonomia/I.IV

SECT. IV.

LAWS OF ANIMAL CAUSATION.

I. The fibres, which constitute the muscles and organs of sense, possess a power of contraction. The circumstances attending the exertion of this power of CONTRACTION constitute the laws of animal motion, as the circumstances attending the exertion of the power of ATTRACTION constitute the laws of motion of inanimate matter.

II. The spirit of animation is the immediate cause of the contraction of animal fibres, it resides in the brain and nerves, and is liable to general or partial diminution or accumulation.

III. The stimulus of bodies external to the moving organ is the remote cause of the original contractions of animal fibres.

IV. A certain quantity of stimulus produces irritation, which is an exertion of the spirit of animation exciting the fibres into contraction.

V. A certain quantity of contraction of animal fibres, if it be perceived at all, produces pleasure; a greater or less quantity of contraction, if it be perceived at all, produces pain; these constitute sensation.

VI. A certain quantity of sensation produces desire or aversion; these constitute volition.

VII. All animal motions which have occurred at the same time, or in immediate succession, become so connected, that when one of them is reproduced, the other has a tendency to accompany or succeed it. When fibrous contractions succeed or accompany other fibrous contractions, the connection is termed association; when fibrous contractions succeed sensorial motions, the connexion is termed causation; when fibrous and sensorial motions reciprocally introduce each other, it is termed catenation of animal motions. All these connections are said to be produced by habit, that is, by frequent repetition. These laws of animal causation will be evinced by numerous facts, which occur in our daily exertions; and will afterwards be employed to explain the more recondite phænomena of the production, growth, diseases, and decay of the animal system.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Zoonomia/I.IV


text: Dictionary of National Biography, 1885-1900/Bremner, Robert


text:
Page:The Harvard Classics Vol. 51; Lectures.djvu/355

 some of them the issue of adoption was doubtful, for many provisions in the new constitution were bitterly attacked. But its friends were as active in its defense; Hamilton and Madison wielded their pens to good purpose in a publicity campaign, and in the course of time all thirteen States gave the document their indorsement. These letters of Hamilton and Madison in advocacy of the new constitution, subsequently published as "The Federalist," form a notable treatise on the principles of federal government. The new central government began its career forthwith; and in his first inaugural Washington called upon the representatives of the people "to lay the foundations of national policy" in a way that would "command the respect of the world."

STRENGTHENING THE UNION; TERRITORIAL EXPANSION; AND FOREIGN POLICY

Three outstanding features marked the trend of American political history during the first thirty years after the nation became welded into a federal unit. The first of these was the steady extension of those powers which the Constitution had intrusted to the new central government. A dozen years after the establishment of the United States Supreme Court the post of Chief Justice was given to John Marshall and was occupied by him with firmness and dignity until 1835. Marshall was a believer in an efficient central government; he was sure that this was what the framers of the Constitution had meant to establish; and for thirty-four years he devoted his great powers to the work of assaying from the nation's organic law all the jurisdiction it could yield to the authorities of the union. It was under his leadership that the court took the epoch-marking step of declaring that the Constitution gave to the Federal Government not only express but implied powers, and that where the Constitution gave a power to Congress it intrusted to that body a choice of the means to be used in carrying its authority into practical operation. "Let the end be legitimate, let it be within the scope of the Constitution, and all means which are appropriate, which are plainly adapted to that end, which are not prohibited, but consist with the


text:
Zoonomia/I.V

SECT. V.

OF THE FOUR FACULTIES OR MOTIONS OF THE SENSORIUM.

 * 1. Four sensorial powers. 2. Irritation, sensation, volition, association defined. 3. Sensorial motions distinguished from fibrous motions.

1 . The spirit of animation has four different modes of action, or in other words the animal sensorium possesses four different faculties, which are occasionally exerted, and cause all the contractions of the fibrous parts of the body. These are the faculty of causing fibrous contractions in consequence of the irritations excited by external bodies, in consequence of the sensations of pleasure or pain, in consequence of volition, and in consequence of the associations of fibrous contractions with other fibrous contractions, which precede or accompany them.

These four faculties of the sensorium during their inactive state are termed irritability, sensibility, voluntarity, and associability; in their active state they are termed as above, irritation, sensation, volition, association.

2 . is an exertion or change of some extreme part of the sensorium residing in the muscles or organs of sense, in consequence of the appulses of external bodies.

is an exertion or change of the central parts of the sensorium, or of the whole of it, beginning at some of those extreme parts of it, which reside in the muscles or organs of sense.

is an exertion or change of the central parts of the sensorium, or of the whole of it, terminating in some of those extreme parts of it, which reside in the muscles or organs of sense.

is an exertion or change of some extreme part of the sensorium residing in the muscles or organs of sense, in consequence of some antecedent or attendant fibrous contractions.

3 . These four faculties of the animal sensorium may at the time of their exertions be termed motions without impropriety of language; for we cannot pass from a state of insensibility or inaction to a state of sensibility or of exertion without some change of the sensorium, and every change includes motion. We shall therefore sometimes term the above described faculties sensorial motions to distinguish them from fibrous motions; which latter expression includes the motions of the muscles and organs of sense.

The active motions of the fibres, whether those of the muscles or organs of sense, are probably simple contractions; the fibres being again elongated by antagonist muscles, by circulating fluids, or sometimes by elastic ligaments, as in the necks of quadrupeds. The sensorial motions, which constitute the sensations of pleasure or pain, and which constitute volition, and which cause the fibrous contractions in consequence of irritation or of association, are not here supposed to be fluctuations or refluctuations of the spirit of animation; nor are they supposed to be vibrations or revibrations, nor condensations or equilibrations of it; but to be changes or motions of it peculiar to life.

title: Zoonomia/I.V


text:
Page:The Harvard Classics Vol. 51; Lectures.djvu/245

 V. MANZONI

T AS early a date in their literary history as the thirteenth century, the Italians began to evince a propensity for tale-telling, and they have continued to indulge it unremittingly down to our own times. Until the nineteenth century, however, they favored the short story or tale, rather than the longer and more ambitious form of narrative prose fiction called the novel or romance. If in the fourteenth century Boccaccio wrote his "Fiammetta," if about the end of that century or at the beginning of the next Andrea de Barberino compiled the "Reali di Francia," and if the fifteenth and sixteenth centuries saw the appearance of the pastoral romance (the "Arcadia"), and of novels of adventure as well as others infused with the erotic, or the sentimental, or the moralizing spirit, it must be admitted that all these works are either of poor vein, or, as is the case for the "Fiammetta," the "Reali di Francia," and the "Arcadia" of Sannazaro, they are far more important in other connections than as examples of prose fiction. The seventeenth and eighteenth centuries present hardly anything of interest; with the early nineteenth century and the publication of the "Lettere di Jacopo Ortis" of Foscolo (1802) the true novel was inaugurated in Italian, and with the historical romance, "I Promessi Sposi," of Manzoni, first put forth in 1827, its lasting success was achieved.

LIFE OF MANZONI

Alessandro Manzoni (he never used his title of Count) was born of a patrician family at Milan, on March 7, 1785. His maternal grandfather was the noted publicist, the Marquis Cesare Beccaria. In his early studies, pursued mainly at Milan, he inclined naturally towards belles lettres, and, reading assiduously by himself, he developed the seeds of genius within him. Toward the literary career his steps were guided also by his relations with the kindly Italian 235


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Zoonomia/I.VI

SECT. VI.

OF THE FOUR CLASSES OF FIBROUS MOTIONS.

 * I. Origin of fibrous contractions. II. Distribution of them into four classes, irritative motions, sensitive motions, voluntary motions, and associate motions, defined.

I. All the fibrous contractions of animal bodies originate from the sensorium, and resolve themselves into four classes, correspondent with the four powers or motions of the sensorium above described, and from which they have their causation.

1 . These fibrous contractions were originally caused by the irritations excited by objects, which are external to the moving organ. As the pulsations of the heart are owing to the irritations excited by the stimulus of the blood; and the ideas of perception are owing to the irritations excited by external bodies.

2 . But as painful or pleasurable sensations frequently accompanied those irritations, by habit these fibrous contractions became causeable by the sensations, and the irritations ceased to be necessary to their production. As the secretion of tears in grief is caused by the sensation of pain; and the ideas of imagination, as in dreams or delirium, are excited by the pleasure or pain, with which they were formerly accompanied.

3 . But as the efforts of the will frequently accompanied these painful or pleasureable sensations, by habit the fibrous contractions became causable by volition; and both the irritations and sensations ceased to be necessary to their production. As the deliberate locomotions of the body, and the ideas of recollection, as when we will to repeat the alphabet backwards.

4 . But as many of these fibrous contractions frequently accompanied other fibrous contractions, by habit they became causable by their associations with them; and the irritations, sensations, and volition, ceased to be necessary to their production. As the actions of the muscles of the lower limbs in fencing are associated with those of the arms; and the ideas of suggestion are associated with other ideas, which precede or accompany them; as in repeating carelessly the alphabet in its usual order after having began it.

II. We shall give the following names to these four classes of fibrous motions, and subjoin their definitions.

1 . Irritative motions. That exertion or change of the sensorium, which is caused by the appulses of external bodies, either simply subsides, or is succeeded by sensation, or it produces fibrous motions; it is termed irritation, and irritative motions are those contractions of the muscular fibres, or of the organs of sense, that are immediately consequent to this exertion or change of the sensorium.

2 . Sensitive motions. That exertion or change of the sensorium, which constitutes pleasure or pain, either simply subsides, or is succeeded by volition, or it produces fibrous motions; it is termed sensation, and the sensitive motions are those contractions of the muscular fibres, or of the organs of sense, that are immediately consequent to this exertion or change of the sensorium.

3 . Voluntary motions. That exertion or change of the sensorium, which constitutes desire or aversion, either simply subsides, or is succeeded by fibrous motions; it is then termed volition, and voluntary motions are those contractions of the muscular fibres, or of the organs of sense, that are immediately consequent to this exertion or change of the sensorium.

4 . Associate motions. That exertion or change of the sensorium, which accompanies fibrous motions, either simply subsides, or is succeeded by sensation or volition, or it produces other fibrous motions; it is then termed association, and the associate motions are those contractions of the muscular fibres, or of the organs of sense, that are immediately consequent to this exertion or change of the sensorium.

title: Zoonomia/I.VI


text: Dictionary of National Biography, 1885-1900/Brenan, –


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346 letter and spirit of the Constitution, are constitutional." When Marshall put aside his robes of office in 1835, the Constitution had been securely anchored in its station as the supreme law of the land and the Washington government, chiefly through his masterly legal skill, had been brought to a dominating place in the national life.

These three decades covered, in the second place, an era of territorial expansion, the successive steps of which have been traced in another lecture.

In the third place the relations between the United States and European powers were placed on a better footing during the first quarter of the nineteenth century. The withdrawal of France and Spain from contiguous territory removed a source of possible danger. The war with England (1812–1815) cleared the international atmosphere of some noxious features, and in the era of better feeling which followed its conclusion came the virtual neutralization of the Great Lakes—a stroke of great and statesmanlike prudence. Within a few years came the promulgation of the Monroe Doctrine with its unfaltering enunciation of American diplomatic policy in relation to the lands of the New Hemisphere. In the twenty years intervening between 1803 and 1823 the Republic has cleared her boundaries to the south, removed a possible menace from her boundaries to the north, and frankly made known the fundamentals of her future policy as respects all surrounding lands.


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 he attacked the doctrines of certain Jesuit writers upon religious dogma, such as questions of Grace, and upon moral theories of casuistry, the science dealing with the solution of dilemmas of conscience and the exculpation of apparent offenses against righteousness. In the long and violent contest which raged in the seventeenth century, and of which the publication of the "Provincial Letters" was an incident, the Jesuits succeeded in having the Jansenists considered heretics, and they managed to encompass the destruction of Port Royal. But, whether rightly or wrongly (and here antagonists will remain unreconciled), Pascal dealt them severe blows from which, in France at least, they have never fully recovered.

THE "THOUGHTS"

The "Lettres Provinciales" are, however, in some respects, ephemeral literature as compared with the "Pensées" or "Thoughts." In the "Thoughts" we have the sum and substance of Pascal's religious views as well as one of the masterpieces of French literary style. Pascal had long planned a work on religion in which he intended to set forth the defense of Christianity. This work never got beyond the stage of disconnected and fragmentary notes and "Thoughts," from which it is difficult, if not impossible, to extract the definite plan of the whole work. But, none the less, what we have deserves the deepest consideration.

Pascal was by temperament a pessimist, and therefore he agreed the more easily with the gloomy Augustinian determinism of the Jansenists and their ideas of the sinfulness of man and of the necessity of grace. He was no less convinced of the impotence of man's reason to deal with the problems of the unknowable and of the hereafter. Pascal had fed on the jesting skepticism of Montaigne and realized how logically unanswerable it was in spite of its inconclusiveness. This realization made him feel that there was only one egress from the impasse, it was to reject all the help and conclusions of reason for or against, and to throw himself blindly into the arms of God, an act symbolized by his acceptance of faith and the influence of grace upon him. It is for these reasons that Pascal is


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Rh thought at once, and signed to the boys not to burst into applause.

It was at this moment that Ed Teynte the quartermaster emerged from the forecastle and came along the deck. Now, reader, time what happened by your watch. Peter struck true and deep. John clapped his hands on the ill-fated pirate's mouth to stifle the dying groan. He fell forward. Four boys caught him to prevent the thud. Peter gave the signal, and the carrion was cast overboard. There was a splash, and then silence. How long has it taken?

"One!" (Slightly had begun to count.)

None too soon, Peter, every inch of him on tip-toe, vanished into the cabin; for more than one pirate was screwing up his courage to look round. They could hear each other's distressed breathing now, which showed them that the more terrible sound had passed.

"It's gone, captain," Smee said, wiping his spectacles. "All's still again."

Slowly Hook let his head emerge from his ruff, and listened so intently that he could have caught the echo of the tick. There was not a sound, and he drew himself up firmly to his full height.

"Then here's to Johnny Plank!" he cried brazenly, hating the boys more than ever because they had seen him unbend. He broke into the villainous ditty:

Rh

title: Page:Peter and Wendy.djvu/203


text: Dictionary of National Biography, 1885-1900/Brendan (490?-573)


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To terrorise the prisoners the more, though with a certain loss of dignity, he danced along an imaginary plank, grimacing at them as he sang; and when he finished he cried, "Do you want a touch of the cat before you walk the plank?"

At that they fell on their knees. "No, no!"they cried so piteously that every pirate smiled.

"Fetch the cat, Jukes," said Hook, "it's in the cabin."

The cabin! Peter was in the cabin! The children gazed at each other.

"Ay, ay," said Jukes blithely, and he strode into the cabin. They followed him with their eyes; they scarce knew that Hook had resumed his song, his dogs joining in with him:

What was the last line will never be known, for of a sudden the song was stayed by a dreadful screech from the cabin. It wailed through the ship, and died away. Then was heard a crowing sound which was well understood by the boys, but Rh

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Rh to the pirates was almost more eerie than the screech.

"What was that?" cried Hook.

"Two," said Slightly solemnly.

The Italian Cecco hesitated for a moment and then swung into the cabin. He tottered out, haggard.

"What's the matter with Bill Jukes, you dog?" hissed Hook, towering over him.

"The matter wi' him is he's dead, stabbed," replied Cecco in a hollow voice.

"Bill Jukes dead!" cried the startled pirates.

"The cabin's as black as a pit," Cecco said, almost gibbering, "but there is something terrible in there: the thing you heard crowing."

The exultation of the boys, the lowering looks of the pirates, both were seen by Hook.

"Cecco," he said in his most steely voice, "go back and fetch me out that doodle-doo."

Cecco, bravest of the brave, cowered before his captain, crying, "No, no"; but Hook was purring to his claw.

"Did you say you would go, Cecco?" he said musingly.

Cecco went, first flinging up his arms despairingly. There was no more singing, all listened now; and again came a death-screech and again a crow.

No one spoke except Slightly. "Three," he said. Rh

title: Page:Peter and Wendy.djvu/205


text: Dictionary of National Biography, 1885-1900/Brendan (484-577)


text: Dictionary of National Biography, 1885-1900/Brent, Charlotte


text: Dictionary of National Biography, 1885-1900/Brent, John


text: Dictionary of National Biography, 1885-1900/Brinton, Thomas


text: Dictionary of National Biography, 1885-1900/Brinton, William


text: Dictionary of National Biography, 1885-1900/Briot, Nicholas


text: Dictionary of National Biography, 1885-1900/Brisbane, Charles


text: Template:Title

title: Template:Title


text: Dictionary of National Biography, 1885-1900/Brisbane, James


text: Dictionary of National Biography, 1885-1900/Brisbane, John


text: Dictionary of National Biography, 1885-1900/Brisbane, Thomas Makdougall-


text: Dictionary of National Biography, 1885-1900/Brito, Ranulph


text: Dictionary of National Biography, 1885-1900/Briton, William


text: Dictionary of National Biography, 1885-1900/Brittain, Thomas


text: Dictionary of National Biography, 1885-1900/Pym, John


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Zoonomia/I.VII

SECT. VII.

OF IRRITATIVE MOTIONS.

 * I. 1. Some muscular motions are excited by perpetual irritations. 2. Others more frequently by sensations. 3. Others by volition. Case of involuntary stretchings in paralytic limbs. 4. Some sensual motions are excited by perpetual irritations. 5. Others more frequently by sensation or volition.

 * II. 1. Muscular motions excited by perpetual irritations occasionally become obedient sensation and to volition. 2. And the sensual motions.

 * III. 1. Other muscular motions are associated with the irritative ones. 2. And other ideas with irritative ones. Of letters, language, hieroglyphics. Irritative ideas exist without our attention to them.

I. 1 . Many of our muscular motions are excited by perpetual irritations, as those of the heart and arterial system by the circumfluent blood. Many other of them are excited by intermitted irritations, as those of the stomach and bowels by the aliment we swallow; of the bile-ducts by the bile; of the kidneys, pancreas, and many other glands, by the peculiar fluids they separate from the blood; and those of the lacteal and other absorbent vessels by the chyle, lymph, and moisture of the atmosphere. These motions are accelerated or retarded, as their correspondent irritations are increased or diminished, without our attention or consciousness, in the same manner as the various secretions of fruit, gum, resin, wax, and, honey, are produced in the vegetable world, and as the juices of the earth and the moisture of the atmosphere are absorbed by their roots and foliage.

2 . Other muscular motions, that are most frequently connected with our sensations, as those of the sphincters of the bladder and anus, and the musculi erectores penis, were originally excited into motion by irritation, for young children make water, and have other evacuations without attention to these circumstances; "et primis etiam ab incunabulis tenduntur sæpius puerorum penes, amore nondum expergefacto." So the nipples of young women are liable to become turgid by irritation, long before they are in a situation to be excited by the pleasure of giving milk to the lips of a child.

3 . The contractions of the larger muscles of our bodies, that are most frequently connected with volition, were originally excited into action by internal irritations: as appears from the stretching or yawning of all animals after long sleep. In the beginning of some fevers this irritation of the muscles produces perpetual stretching and yawning; in other periods of fever an universal restlessness arises from the same cause, the patient changing the attitude of his body every minute. The repeated struggles of the fœtus in the uterus must be owing to this internal irritation: for the fœtus can have no other inducement to move its limbs but the tædium or irksomeness of a continued posture.

The following case evinces, that the motions of stretching the limbs after a continued attitude are not always owing to the power of the will. Mr. Dean, a mason, of Austry in Leicestershire, had the spine of the third vertebra of the back enlarged; in some weeks his lower extremities became feeble, and at length quite paralytic: neither the pain of blisters, the heat of fomentations, nor the utmost efforts of the will could produce the least motion in these limbs; yet twice or thrice a day for many months his feet, legs, and thighs, were affected for many minutes with forceable stretchings, attended with the sensation of fatigue; and he at length recovered the use of his limbs, though the spine continued protuberant. The same circumstance is frequently seen in a less degree in the common hemiplagia; and when this happens, I have believed repeated and strong shocks of electricity to have been of great advantage.

4 . In like manner the various organs of sense are originally excited into motion by various external stimuli adapted to this purpose, which motions are termed perceptions or ideas; and many of these motions during our waking hours are excited by perpetual irritation, as those of the organs of hearing and of touch. The former by the constant low indistinct noises that murmur around us, and the latter by the weight of our bodies on the parts which support them; and by the unceasing variations of the heat, moisture, and pressure of the atmosphere; and these sensual motions, precisely as the muscular ones above mentioned, obey their correspondent irritations without our attention or consciousness.

5 . Other classes of our ideas are more frequently excited by our sensations of pleasure or pain, and others by volition: but that these have all been originally excited by stimuli from external objects, and only vary in their combinations or reparations, has been fully evinced by Mr. Locke: and are by him termed the ideas of perception in contradistinction to those, which he calls the ideas of reflection.

II. 1 . These muscular motions, that are excited by perpetual irritation, are nevertheless occasionally excitable by the sensations of pleasure or pain, or by volition; as appears by the palpitation of the heart from fear, the increased secretion of saliva at the sight of agreeable food, and the glow on the skin of those who are ashamed. There is an instance told in the Philosophical Transactions of a man, who could for a time stop the motion of his heart when he pleased; and Mr. D. has often told me, be could so far increase the peristaltic motion of his bowels by voluntary efforts, as to produce an evacuation by stool at any time in half an hour.

2 . In like manner the sensual motions, or ideas, that are excited by perpetual irritation, are nevertheless occasionally excited by sensation or volition; as in the night, when we listen under the influence of fear, or from voluntary attention, the motions excited in the organ of hearing by the whispering of the air in our room, the pulsation of our own arteries, or the faint beating of a distant watch, become objects of perception.

III. 1 . Innumerable trains or tribes of other motions are associated with these muscular motions which are excited by irritation; as by the stimulus of the blood in the right chamber of the heart, the lungs are induced to expand themselves; and the pectoral and intercostal muscles, and the diaphragm, act at the same time by their associations with them. And when the pharinx is irritated by agreeable food, the muscles of deglutition are brought into action by association. Thus when a greater light falls on the eye, the iris is brought into action without our attention; and the ciliary process, when the focus is formed before or behind the retina, by their associations with the increased irritative motions of the organ of vision. Many common actions of life are produced in a similar manner. If a fly settle on my forehead, whilst I am intent on my present occupation, I dislodge it with my finger, without exciting my attention or breaking the train of my ideas.

2 . In like manner the irritative ideas suggest to us many other trains or tribes of ideas that are associated with them. On this kind of connection, language, letters, hieroglyphics, and every kind of symbol, depend. The symbols themselves produce irritative ideas, or sensual motions, which we do not attend to; and other ideas, that are succeeded by sensation, are excited by their association with them. And as these irritative ideas make up a part of the chain of our waking thoughts, introducing other ideas that engage our attention, though themselves are unattended to, we find it very difficult to investigate by what steps many of our hourly trains of ideas gain their admittance.

It may appear paradoxical, that ideas can exist, and not be attended to; but all our perceptions are ideas excited by irritation, and succeeded by sensation. Now when these ideas excited by irritation give us neither pleasure nor pain, we cease to attend to them. Thus whilst I am walking through that grove before my window, I do not run against the trees or the benches, though my thoughts are strenuously exerted on some other object. This leads us to a distinct knowledge of irritative ideas, for the idea of the tree or bench, which I avoid, exists on my retina, and induces by association the action of certain locomotive muscles; though neither itself nor the actions of those muscles engage my attention.

Thus whilst we are conversing on this subject, the tone, note, and articulation of every individual word forms its correspondent irritative idea on the organ of hearing; but we only attend to the associated ideas, that are attached by habit to these irritative ones, and are succeeded by sensation; thus when we read the words "PRINTING-PRESS" we do not attend to the shape, size, or existence of the letters which compose these words, though each of them excites a correspondent irritative motion of our organ of vision, but they introduce by association our idea of the most useful of modern inventions; the capacious reservoir of human knowledge, whose branching streams diffuse sciences, arts, and morality, through all nations and all ages.

title: Zoonomia/I.VII


text:
Zoonomia/I.VIII

SECT. VIII.

OF SENSITIVE MOTIONS.

 * I. 1. Sensitive muscular motions were originally excited into action by irritation. 2. And sensitive sensual motions, ideas of imagination, dreams. II. 1. Sensitive muscular motions are occasionally obedient to volition. 2. And sensitive sensual motions. III. 1. Other muscular motions are associated with the sensitive ones. 2. And other sensual motions.

I. 1 . Many of the motions of our muscles, that are excited into action by irritation, are at the same time accompanied with painful or pleasurable sensations; and at length become by habit causable by the sensations. Thus the motions of the sphincters of the bladder and anus were originally excited into action by irritation; for young children give no attention to these evacuations; but as soon as they become sensible of the inconvenience of obeying these irritations, they suffer the water or excrement to accumulate, till it disagreeably affects them; and the action of those sphincters is then in consequence of this disagreeable sensation. So the secretion of saliva, which in young children is copiously produced by irritation, and drops from their mouths, is frequently attended with the agreeable sensation produced by the mastication of tasteful food;, till at length the sight of such food to a hungry person excites into action these salival glands; as is seen in the slavering of hungry dogs.

The motions of those muscles, which are affected by lascivious ideas, and those which are exerted in smiling, weeping, starting from fear, and winking at the approach of danger to the eye, and at times the actions of every large muscle of the body become causable by our sensations. And all these motions are performed with strength and velocity in proportion to the energy of the sensation that excites them, and the quantity of sensorial power.

2 . Many of the motions of our organs of sense, or ideas, that were originally excited into action by irritation, become in like manner more frequently causable by our sensations of pleasure or pain. These motions are then termed the ideas of imagination, and make up all the scenery and transactions of our dreams. Thus when any painful or pleasurable sensations possess us, as of love, anger, fear; whether in our sleep or waking hours, the ideas, that have been formerly excited by the objects of these sensations, now vividly recur before us by their connection with these sensations themselves. So the fair smiling virgin, that excited your love by her presence, whenever that sensation recurs, rises before you in imagination; and that with all the pleasing circumstances, that had before engaged your attention. And in sleep, when you dream under the influence of fear, all the robbers, fires, and precipices, that you formerly have seen or heard of, arise before you with terrible vivacity. All these sensual motions, like the muscular ones above mentioned, are performed with strength and velocity in proportion to the energy of the sensation of pleasure or pain, which excites them, and the quantity of sensorial power.

II. 1 . Many of these muscular motions above described, that are most frequently excited by our sensations, are nevertheless occasionally causable by volition; for we can smile or frown spontaneously, can make water before the quantity or acrimony of the urine produces a disagreeable sensation, and can voluntarily masticate a nauseous drug, or swallow a bitter draught, though our sensation would strongly dissuade us.

2 . In like manner the sensual motions, or ideas, that are most frequently excited by our sensations, are nevertheless occasionally causeable by volition, as we can spontaneously call up our last night's dream before us, tracing it industriously step by step through all its variety of scenery and transaction; or can voluntarily examine or repeat the ideas, that have been excited by out disgust or admiration.

III. 1 . Innumerable trains or tribes of motions are associated with these sensitive muscular motions above mentioned; as when a drop of water falling into the wind-pipe disagreeably affects the air-vessels of the lungs, they are excited into violent action; and with these sensitive motions are associated the actions of the pectoral and intercostal muscles, and the diaphragm; till by their united and repeated succussions the drop is returned through the larinx. The same occurs when any thing disagreeably affects the nostrils, or the stomach, or the uterus; variety of muscles are excited by association into forcible action, not to be suppressed by the utmost efforts of the will; as in sneezing, vomiting, and parturition.

2 . In like manner with these sensitive sensual motions, or ideas of imagination, are associated many other trains or tribes of ideas, which by some writers of metaphysics have been classed under the terms of resemblance, causation, and contiguity; and will be more fully treated of hereafter.

title: Zoonomia/I.VIII


text:
Zoonomia/I.IX

SECT. IX.

OF VOLUNTARY MOTIONS.

 * I. 1. Voluntary muscular motions are originally excited by irritations. 2. And voluntary ideas. Of reason. II. 1. Voluntary muscular motions are occasionally causable by sensations. 2. And voluntary ideas. III. 1. Voluntary muscular motions are occasionally obedient to irritations. 2. And voluntary ideas. IV. 1. Voluntary muscular motions are associated with other muscular motions. 2. And voluntary ideas.

When pleasure or pain affect the animal system, many of its motions both muscular and sensual are brought into action; as was shewn in the preceding section, and were called sensitive motions. The general tendency of these motions is to arrest and to possess the pleasure, or to dislodge or avoid the pain: but if this cannot immediately be accomplished, desire or aversion are produced, and the motions in consequence of this new faculty of the sensorium are called voluntary.

I. 1 . Those muscles of the body that are attached to bones, have in general their principal connections with volition, as I move my pen or raise my body. These motions were originally excited by irritation, as was explained in the section on that subject, afterwards the sensations of pleasure or pain, that accompanied the motions thus excited, induced a repetition of them; and at length many of them were voluntarily practised in succession or in combination for the common purposes of life, as in learning to walk, or to speak; and are performed with strength and velocity in proportion to the energy of the volition, that excites them, and the quantity of sensorial power.

2 . Another great class of voluntary motions consists of the ideas of recollection. We will to repeat a certain train of ideas, as of the alphabet backwards; and if any ideas, that do not belong to this intended train, intrude themselves by other connections, we will to reject them, and voluntarily persist in the determined train. So at my approach to a house which I have but once visited, and that at the distance of many months, I will to recollect the names of the numerous family I expect to see there, and I do recollect them.

On this voluntary recollection of ideas our faculty of reason depends, as it enables us to acquire an idea of the dissimilitude of any two ideas. Thus if you voluntarily produce the idea of a right-angled triangle, and then of a square; and after having excited these ideas repeatedly, you excite the idea of their difference, which is that of another right-angled triangle inverted over the former; you are said to reason upon this subject, or to compare your ideas.

These ideas of recollection, like the muscular motions above mentioned, were originally excited by the irritation of external bodies, and were termed ideas of perception: afterwards the pleasure or pain, that accompanied these motions, induced a repetition of them in the absence of the external body, by which they were first excited; and then they were termed ideas of imagination. At length they become voluntarily practised in succession or in combination for the common purposes of life; as when we make ourselves masters of the history of mankind, or of the sciences they have investigated; and are then called ideas of recollection; and are performed with strength and velocity in proportion to the energy of the volition that excites them, and the quantity of sensorial power.

II. 1 . The muscular motions above described, that are most frequently obedient to the will are nevertheless occasionally causable by painful or pleasurable sensation, as in the starting from fear, and the contraction of the calf of the leg in the cramp.

2 . In like manner the sensual motions, or ideas, that are most frequently connected with volition, are nevertheless occasionally causable by painful or pleasurable sensation. As the histories of men, or the description of places, which we have voluntarily taken pains to remember, sometimes occur to us in our dreams.

III. 1 . The muscular motions that are generally subservient to volition, are also occasionally causable by irritation, as in stretching the limbs after sleep, and yawning. In this manner a contraction of the arm is produced by passing the electric fluid from the Leyden phial along its muscles; and that even though the limb is paralytic. The sudden motion of the arm produces a disagreeable sensation in the joint, but the muscles seem to be brought into action simply by irritation.

2 . The ideas, that are generally subservient to the will, are in like manner occasionally excited by irritation; as when we view again an object, we have before well studied, and often recollected.

IV. 1 . Innumerable trains or tribes of motions are associated with these voluntary muscular motions above mentioned; as when I will to extend my arm to a distant object, some other muscles are brought into action, and preserve the balance of my body. And when I wish to perform any steady exertion, as in threading a needle, or chopping with an ax, the pectoral muscles are at the same time brought into action to preserve the trunk of the body motionless, and we cease to respire for a time.

2 . In like manner the voluntary sensual motions, or ideas of recollection, are associated with many other trains or tribes of ideas. As when I voluntarily recollect a gothic window, that I saw some time ago, the whole front of the cathedral occurs to me at the same time.

title: Zoonomia/I.IX


text:
Zoonomia/I.X

SECT. X.

OF ASSOCIATE MOTIONS.

 * I. 1. Many muscular motions excited by irritations in trains or tribes become associated. 2. And many ideas. II. 1. Many sensitive muscular motions become associated. 2. And many sensitive ideas. III. 1. Many voluntary muscular motions become associated. 2. And then become obedient to sensation or irritation. 3. And many voluntary ideas become associated.

All the fibrous motions, whether muscular or sensual, which are frequently brought into action together, either in combined tribes, or in successive trains, become so connected by habit, that when one of them is reproduced the others have a tendency to succeed or accompany it.

I. 1 . Many of our muscular motions were originally excited in successive trains, as the contractions of the auricles and of the ventricles of the heart; and others in combined tribes, as the various divisions of the muscles which compose the calf of the leg, which were originally irritated into synchronous action by the tædium or irksomeness of a continued posture. By frequent repetitions these motions acquire associations, which continue during our lives, and even after the destruction of the greatest part of the sensorium; for the heart of a viper or frog will continue to pulsate long after it is taken from the body; and when it has entirely ceased to move, if any part of it is goaded with a pin, the whole heart will again renew its pulsations. This kind of connection we shall term irritative association, to distinguish it from sensitive and voluntary associations.

2 . In like manner many of our ideas are originally excited in tribes; as all the objects of sight, after we become so well acquainted with the laws of vision, as to distinguish figure and distance as well as colour; or in trains, as while we pass along the objects that surround us. The tribes thus received by irritation become associated by habit, and have been termed complex ideas by the writers of metaphysics, as this book, or that orange. The trains have received no particular name, but these are alike associations of ideas, and frequently continue during our lives. So the taste of a pine-apple, though we eat it blindfold, recalls the colour and shape of it; and we can scarcely think on solidity without figure.

II. 1 . By the various efforts of our sensations to acquire or avoid their objects, many muscles are daily brought into successive or synchronous actions; these become associated by habit, and are then excited together with great facility, and in many instances gain indissoluble connections. So the play of puppies and kittens is a representation of their mode of fighting or of taking their prey; and the motions of the muscles necessary for those purposes become associated by habit, and gain a great adroitness of action by these early repetitions: so the motions of the abdominal muscles, which were originally brought into concurrent action, with the protrusive motion of the rectum or bladder by sensation, become so conjoined with them by habit, that they not only easily obey these sensations occasioned by the stimulus of the excrement and urine, but are brought into violent and unrestrainable action in the strangury and tenesmus. This kind of connection we shall term sensitive association.

2 . So many of our ideas, that have been excited together or in succession by our sensations, gain synchronous or successive associations, that are sometimes indissoluble but with life. Hence the idea of an inhuman or dishonourable action perpetually calls up before us the idea of the wretch that was guilty of it. And hence those unconquerable antipathies are formed, which some people have to the sight of peculiar kinds of food, of which in their infancy they have eaten to excess or by constraint.

III. 1 . In learning any mechanic art, as music, dancing, or the use of the sword, we teach many of our muscles to act together or in succession by repeated voluntary efforts; which by habit become formed into tribes or trains of association, and serve all our purposes with great facility, and in some instances acquire an indissoluble union. These motions are gradually formed into a habit of acting together by a multitude of repetitions, whilst they are yet separately causable by the will, as is evident from the long time that is taken up by children in learning to walk and to speak; and is experienced by every one, when he first attempts to skate upon the ice or to swim: these we shall term voluntary associations.

2 . All these muscular movements, when they are thus associated into tribes or trains, become afterwards not only obedient to volition, but to the sensations and irritations; and the same movement composes a part of many different tribes or trains of motion. Thus a single muscle, when it acts in consort with its neighbours on one side, assists to move the limb in one direction; and in another, when, it acts with those in its neighbourhood on the other side; and in other directions, when it acts separately or jointly with those that lie immediately under or above it; and all these with equal facility after their associations have been well established.

The facility, with which each muscle changes from one associated tribe to another, and that either backwards or forwards, is well observable in the muscles of the arm in moving the windlass of an air-pump; and the slowness of those muscular movements, that have not been associated by habit, may be experienced by any one, who shall attempt to saw the air quick perpendicularly with one hand, and horizontally with the other at the same time.

3 . In learning every kind of science we voluntarily associate many tribes and trains of ideas, which afterwards are ready for all the purposes either of volition, sensation, or irritation; and in some instances acquire indissoluble habits of acting together, so as to affect our reasoning, and influence our actions. Hence the necessity of a good education.

These associate ideas are gradually formed into habits of acting together by frequent repetition, while they are yet separately obedient to the will; as is evident from the difficulty we experience in gaining so exact an idea of the front of St. Paul's church, as to be able to delineate it with accuracy, or in recollecting a poem of a few pages.

And these ideas, thus associated into tribes, not only make up the parts of the trains of volition, sensation, and irritation; but the same idea composes a part of many different tribes and trains of ideas. So the simple idea of whiteness composes a part of the complex idea of snow, milk, ivory; and the complex idea of the letter A composes a part of the several associated trains of ideas that make up the variety of words, in which this letter enters.

The numerous trains of these associated ideas are divided by Mr. Hume into three classes, which he has termed contiguity, causation, and resemblance. Nor should we wonder to find them thus connected together, since it is the business of our lives to dispose them into those three classes; and we become valuable to ourselves and our friends, as we succeed in it. Those who have combined an extensive class of ideas by the contiguity of time or place, are men learned in the history of mankind, and of the sciences they have cultivated. Those who have connected a great class of ideas of resemblances, possess the source of the ornaments of poetry and oratory, and of all rational analogy. While those who have connected great classes of ideas of causation, are furnished with the powers of producing effects. These are the men of active wisdom, who lead armies to victory, and kingdoms to prosperity; or discover and improve the sciences, which meliorate and adorn the condition of humanity.

title: Zoonomia/I.X


text:
Zoonomia/I.XI

SECT. XI.

ADDITIONAL OBSERVATIONS ON THE SENSORIAL POWERS.

 * I. Stimulation is of various kinds adapted to the organs of sense, to the muscles, to hollow membranes, and glands. Some objects irritate our senses by repeated impulses. II. 1. Sensation and volition frequently affect the whole sensorium. 2. Emotions, passions, appetites. 3. Origin of desire and aversion. Criterion of voluntary actions, difference of brutes and men. 4. Sensibility and voluntarity. III. Associations formed before nativity, irritative motions mistaken for officiated ones.

Irritation.

I. The various organs of sense require various kinds of stimulation to excite them into action; the particles of light penetrate the cornea and humours of the eye, and then irritate the naked retina; rapid particles, dissolved or diffused in water or saliva, and odorous ones, mixed or combined with the air, irritate the extremities of the nerves of taste and smell; which either penetrate, or are expanded on the membranes of the tongue and nostrils; the auditory nerves are stimulated by the vibrations of the atmosphere communicated by means of the tympanum and of the fluid, whether of air or of water, behind it; and the nerves of touch by the hardness of surrounding bodies, though the cuticle is interposed between these bodies and the medulla of the nerve.

As the nerves of the senses have each their appropriated objects, which stimulate them into activity; so the muscular fibres, which are the terminations of other sets of nerves, have their peculiar objects, which excite them into action; the longitudinal muscles are stimulated into contraction by extension, whence the stretching or pandiculation after a long continued posture, during which they have been kept in a state of extension; and the hollow muscles are excited into action by distention, as those of the rectum and bladder are induced to protrude their contents from their sense of the distention rather than of the acrimony of those contents.

There are other objects adapted to stimulate the nerves, which terminate in variety of membranes, and those especially which form the terminations of canals; thus the preparations of mercury particularly affect the salivary glands, ipecacuanha the stomach, aloe the sphincter of the anus, cantharides that of the bladder, and lastly every gland of the body appears to be indued with a kind of taste, by which it selects or forms each its peculiar fluid from the blood; and by which it is irritated into activity.

Many of these external properties of bodies, which stimulate our organs of sense, do not seem to effect this by a single impulse, but by repeated impulses; as the nerve of the ear is probably not excitable by a single vibration of air, nor the optic nerve by a single particle of light; which circumstance produces some analogy between those two senses, at the same time the solidity of bodies is perceived by a single application of a solid body to the nerves of touch, and that even through the cuticle; and we are probably possessed of a peculiar sense to distinguish the nice degrees of heat and cold.

The senses of touch and of hearing acquaint us with the mechanical impact and vibration of bodies, those of smell and taste seem to acquaint us with some of their chemical properties, while the sense of vision and of heat acquaint us with the existence of their peculiar fluids.

Sensation and Volition.

II. Many motions are produced by pleasure or pain, and that even in contradiction to the power of volition, as in laughing, or in the strangury; but as no name has been given to pleasure or pain, at the time it is exerted so as to cause fibrous motions, we have used the term sensation for this purpose; and mean it to bear the same analogy to pleasure and pain, that the word volition does to desire and aversion.

1 . It was mentioned in the fifth Section, that, what we have termed sensation is a motion of the central parts, or of the whole sensorium, beginning at some of the extremities of it. This appears first, because our pains and pleasures are always caused by our ideas or muscular motions, which are the motions of the extremities of the sensorium. And, secondly, because the sensation of pleasure or pain frequently continues some time after the ideas or muscular motions which excited it have ceased: for we often feel a glow of pleasure from an agreeable reverie, for many minutes after the ideas, that were the subject of it, have escaped our memory; and frequently experience a dejection of spirits without being able to assign the cause of it but by much recollection.

When the sensorial faculty of desire or aversion is exerted so as to cause fibrous motions, it is termed volition; which is said in Sect. V. to be a motion of the central parts, or of the whole sensorium, terminating in some of the extremities of it. This appears, first, because our desires and aversions always terminate in recollecting and comparing our ideas, or in exerting our muscles; which are the motions of the extremities of the sensorium. And, secondly, because desire or aversion begins, and frequently continues for a time in the central parts of the sensorium, before it is peculiarly exerted at the extremities of it; for we sometimes feel desire or aversion without immediately knowing their objects, and in consequence without immediately exerting any of our muscular or sensual motions to attain them: as in the beginning of the passion of love, and perhaps of hunger, or in the ennui of indolent people.

Though sensation and volition begin or terminate at the extremities or central parts of the sensorium, yet the whole of it is frequently influenced by the exertion of these faculties, as appears from their effects on the external habit: for the whole skin is reddened by shame, and an universal trembling is produced by fear: and every muscle of the body is agitated in angry people by the desire of revenge.

There is another very curious circumstance, which shews that sensation and volition are movements of the sensorium in contrary directions; that is, that volition begins at the central parts of it, and proceeds to the extremities; and that sensation begins at the extremities, and proceeds to the central parts: I mean that these two sensorial faculties cannot be strongly exerted at the same time; for when we exert our volition strongly, we do not attend to pleasure or pain; and conversely, when we are strongly affected with the sensation of pleasure or pain, we use no volition. As will be further explained in Section XVIII. on sleep, and Section XXXIV. on volition.

2 . All our emotions and passions seem to arise out of the exertions of these two faculties of the animal sensorium. Pride, hope, joy, are the names of particular pleasures: shame, despair, sorrow, are the names of peculiar pains: and love, ambition, avarice, of particular desires: hatred, disgust, fear, anxiety, of particular aversions. Whilst the passion of anger includes the pain from a recent injury, and the aversion to the adversary that occasioned it. And compassion is the pain we experience at the sight of misery, and the desire of relieving it.

There is another tribe of desires, which are commonly termed appetites, and are the immediate consequences of the absence of some irritative motions. Those, which arise from defect of internal irritations, have proper names conferred upon them, as hunger, thirst, lust, and the desire of air, when our respiration is impaired by noxious vapours; and of warmth, when we are exposed to too great a degree of cold. But those, whose stimuli are external to the body, are named from the objects, which are by nature constituted to excite them; these desires originate from our past experience of the pleasurable sensations they occasion, as the smell of an hyacinth, or the taste of a pine-apple.

Whence it appears, that our pleasures and pains are at least as various and as numerous as our irritations; and that our desires and aversions must be as numerous as our pleasures and pains. And that as sensation is here used as a general term for our numerous pleasures and pains, when they produce the contractions of our fibres; so volition is the general name for our desires and aversions, when they produce fibrous contractions. Thus when a motion of the central parts, or of the whole sensorium, terminates in the exertion of our muscles, it is generally called voluntary action; when it terminates in the exertion of our ideas, it is termed recollection, reasoning, determining.

3 . As the sensations of pleasure and pain are originally introduced by the irritations of external objects: so our desires and aversions are originally introduced by those sensations; for when the objects of our pleasures or pains are at a distance, and we cannot instantaneously possess the one, or avoid the other, then desire or aversion is produced, and a voluntary exertion of our ideas or muscles succeeds.

The pain of hunger excites you to look out for food, the tree, that shades you, presents its odoriferous fruit before your eyes, you approach, pluck, and eat.

The various movements of walking to the tree, gathering the fruit, and masticating it, are associated motions introduced by their connection with sensation; but if from the uncommon height of the tree, the fruit be inaccessible, and you are prevented from quickly possessing the intended pleasure, desire is produced. The consequence of this desire is, first, a deliberation about the means to gain the object of pleasure in process of time, as it cannot be procured immediately; and, secondly, the muscular action necessary for this purpose.

You voluntarily call up all your ideas of causation, that are related to the effect you desire, and voluntarily examine and compare them, and at length determine whether to ascend the tree, or to gather stones from the neighbouring brook, is easier to practise, or more promising of success; and, finally, you gather the stones, and repeatedly fling them to dislodge the fruit.

Hence then we gain a criterion to distinguish voluntary acts or thoughts from those caused by sensation. As the former are always employed about the means to acquire pleasurable objects, or the means to avoid painful ones; while the latter are employed in the possession of those, which are already in our power.

Hence the activity of this power of volition produces the great difference between the human and the brute creation. The ideas and the actions of brutes are almost perpetually employed about their present pleasures, or their present pains; and, except in the few instances which are mentioned in Section XVI, on instinct, they seldom busy themselves about the means of procuring future bliss, or of avoiding future misery; so that the acquiring of languages, the making of tools, and labouring for money, which are all only the means to procure pleasures; and the praying to the Deity, as another means to procure happiness, are characteristic of human nature.

4 . As there are many diseases produced by the quantity of the sensation of pain or pleasure being too great or too little; so are there diseases produced by the susceptibility of the constitution to motions causable by these sensations being too dull or too vivid. This susceptibility of the system to sensitive motions is termed sensibility, to distinguish it from sensation, which is the actual existence or exertion of pain or pleasure.

Other classes of diseases are owing to the excessive promptitude, or sluggishness of the constitution to voluntary exertions, as well as to the quantity of desire or of aversion. This susceptibility of the system to voluntary motions is termed voluntarity, to distinguish it from volition, which is the exertion of desire or aversion; these diseases will be treated of at length in the progress of the work.

Association.

III. 1 . It is not easy to assign a cause, why those animal movements, that have once occurred in succession, or in combination, should afterwards have a tendency to succeed or accompany each other. It is a property of animation, and distinguishes this order of being from the other productions of nature.

When a child first wrote the word man, it was distinguished in his mind into three letters, and those letters into many parts of letters; but by repeated use the word man becomes to his hand in writing it, as to his organs of speech in pronouncing it, but one movement without any deliberation, or sensation, or irritation, interposed between the parts of it. And as many separate motions of our muscles thus become united, and form, as it were, one motion; so each separate motion before such union may be conceived to consist of many parts or spaces moved through; and perhaps even the individual fibres of our muscles have thus gradually been brought to act in concert, which habits began to be acquired as early as the very formation of the moving organs, long before the nativity of the animal; as explained in the Section XVI. 2. on instinct.

2 . There are many motions of the body, belonging to the irritative class, which might by a hasty observer be mistaken for associated ones; as the peristaltic motion of the stomach and intestines, and the contractions of the heart and arteries, might be supposed to be associated with the irritative motions of their nerves of sense, rather than to be excited by the irritation of their muscular fibres by the distention, acrimony, or momentum of the blood. So the distention or elongation of muscles by objects external to them irritates them into contraction, though the cuticle or other parts may intervene between the stimulating body and the contracting muscle. Thus a horse voids his excrement when its weight or bulk irritates the rectum or sphincter ani. These muscles act from the irritation of distention, when he excludes his excrement, but the muscles of the abdomen and diaphragm are brought into motion by association with those of the sphincter and rectum.

title: Zoonomia/I.XI