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Keratoconus

Keratoconus (KC) is a disorder of the eye that results in progressive thinning of the cornea. This may result in blurry vision, double vision, nearsightedness, irregular astigmatism, and light sensitivity leading to poor quality-of-life. Usually both eyes are affected. In more severe cases a scarring or a circle may be seen within the cornea.

While the cause is unknown, it is believed to occur due to a combination of genetic, environmental, and hormonal factors. Patients with a parent, sibling, or child who has keratoconus have 15 to 67 times higher risk in developing corneal ectasia compared to patients with no affected relatives. Proposed environmental factors include rubbing the eyes and allergies. The underlying mechanism involves changes of the cornea to a cone shape. Diagnosis is most often by topography. Topography measures the curvature of the cornea and creates a colored "map" of the cornea. Keratoconus causes very distinctive changes in the appearance of these maps, which allows doctors to make the diagnosis.

Initially the condition can typically be corrected with glasses or soft contact lenses. As the disease progresses, special contact lenses (such as scleral contact lenses) may be required. In most people the disease stabilizes after a few years without severe vision problems. In 2016, the FDA approved corneal collagen cross-linking to halt the progression of keratoconus. In some cases when the cornea becomes dangerously thin or when sufficient vision can no longer be achieved by contact lenses due to steepening of the cornea, scarring or lens intolerance, corneal cross-linking is not an option and a corneal transplant may be required.

Keratoconus affects about 1 in 2,000 people. However, some estimates suggest that the incidence may be as high as 1 in 400 individuals. It occurs most commonly in late childhood to early adulthood. While it occurs in all populations, it may be more frequent in certain ethnic groups such as those of Asian descent. The word is from the Greek kéras meaning cornea and the Latin cōnus meaning cone.

Signs and symptoms
People with early keratoconus often notice a minor blurring or distortion of their vision, as well as an increased sensitivity to light, and visit their clinician seeking corrective lenses for reading or driving. At early stages, the symptoms of keratoconus may be no different from those of any other refractive defect of the eye. As the disease progresses, vision deteriorates, sometimes rapidly due to irregular astigmatism. Visual acuity becomes impaired at all distances, and night vision is often poor. Some individuals have vision in one eye that is markedly worse than the other eye. The disease is often bilateral, though asymmetrical. Some develop photophobia (sensitivity to bright light), eye strain from squinting in order to read, or itching in the eye, but there is normally little or no sensation of pain. It may cause luminous objects to appear as cylindrical pipes with the same intensity at all points.

The classic symptom of keratoconus is the perception of multiple "ghost" images, known as monocular polyopia. This effect is most clearly seen with a high contrast field, such as a point of light on a dark background. Instead of seeing just one point, a person with keratoconus sees many images of the point, spread out in a chaotic pattern. This pattern does not typically change from day to day, but over time, it often takes on new forms. People also commonly notice streaking and flaring distortion around light sources. Some even notice the images moving relative to one another in time with their heartbeat. The predominant optical aberration of the eye in keratoconus is coma. The visual distortion experienced by the person comes from two sources, one being the irregular deformation of the surface of the cornea, and the other being scarring that occurs on its exposed highpoints. These factors act to form regions on the cornea that map an image to different locations on the retina. The effect can worsen in low light conditions, as the dark-adapted pupil dilates to expose more of the irregular surface of the cornea.

Genetics
Six genes have been found to be associated with the condition. These genes include BANP-ZNF469, COL4A4, FOXO1, FNDC3B, IMMP2L and RXRA-COL5A1. Others likely also exist.

Patients with a parent, sibling, or child who has keratoconus have 15 to 67 times higher risk in developing corneal ectasia compared to patients with no affected relatives.

Pathophysiology
Despite considerable research, the cause of keratoconus remains unclear. Several sources suggest that keratoconus likely arises from a number of different factors: genetic, environmental or cellular, any of which may form the trigger for the onset of the disease. Once initiated, the disease normally develops by progressive dissolution of Bowman's layer, which lies between the corneal epithelium and stroma. As the two come into contact, cellular and structural changes in the cornea adversely affect its integrity and lead to the bulging and scarring characteristic of the disorder. Within any individual keratoconic cornea, regions of degenerative thinning coexisting with regions undergoing wound healing may be found. Scarring appears to be an aspect of the corneal degradation; however, a recent, large, multicenter study suggests abrasion by contact lenses may increase the likelihood of this finding by a factor over two.

A number of studies have indicated keratoconic corneas show signs of increased activity by proteases, a class of enzymes that break some of the collagen cross-linkages in the stroma, with a simultaneous reduced expression of protease inhibitors. Other studies have suggested that reduced activity by the enzyme aldehyde dehydrogenase may be responsible for a build-up of free radicals and oxidising species in the cornea. Whatever the pathogenetical process, the damage caused by activity within the cornea likely results in a reduction in its thickness and biomechanical strength. At an ultrastructural level the weakening of the corneal tissue is associated with a disruption of the regular arrangement of the collagen layers and collagen fibril orientation. While keratoconus is considered a noninflammatory disorder, one study shows wearing rigid contact lenses by people leads to overexpression of proinflammatory cytokines, such as IL-6, TNF-alpha, ICAM-1, and VCAM-1 in the tear fluid.

A genetic predisposition to keratoconus has been observed, with the disease running in certain families, and incidences reported of concordance in identical twins. The frequency of occurrence in close family members is not clearly defined, though it is known to be considerably higher than that in the general population, and studies have obtained estimates ranging between 6% and 19%. Two studies involving isolated, largely homogenetic communities have contrarily mapped putative gene locations to chromosomes 16q and 20q. Most genetic studies agree on an autosomal dominant model of inheritance. A rare, autosomal dominant form of severe keratoconus with anterior polar cataract is caused by a mutation in the seed region of mir-184, a microRNA that is highly expressed in the cornea and anterior lens. Keratoconus is diagnosed more often in people with Down's syndrome, though the reasons for this link have not yet been determined.

Researches also have shed light on the role of hormones in the pathophysiology of keratoconus. Hormones such as androgen, prolactin, estrogen and progesterone have been shown to influence corneal biomechanics and tissue remodeling, potentially affecting the integrity of the cornea in individuals predisposed to keratoconus. Moreover, fluctuations in hormonal levels during puberty and pregnancy have been associated with the onset or exacerbation of keratoconus in some cases.

Keratoconus has been associated with atopic diseases, which include asthma, allergies, and eczema, and it is not uncommon for several or all of these diseases to affect one person. Keratoconus is also associated with Alport syndrome, Down syndrome and Marfan syndrome. A number of studies suggest vigorous eye rubbing contributes to the progression of keratoconus, and people should be discouraged from the practice. Keratoconus differs from ectasia, which is caused by LASIK eye surgery. Post-LASIK Ectasia has been associated with the excessive removal of the eye's stromal bed tissue during surgery.

Diagnosis
Prior to any physical examination, the diagnosis of keratoconus frequently begins with an ophthalmologist's or optometrist's assessment of the person's medical history, particularly the chief complaint and other visual symptoms, the presence of any history of ocular disease or injury that might affect vision, and the presence of any family history of ocular disease. An eye chart, such as a standard Snellen chart of progressively smaller letters, is then used to determine the person's visual acuity. The eye examination may proceed to measurement of the localized curvature of the cornea with a manual keratometer, with detection of irregular astigmatism suggesting a possibility of keratoconus. Severe cases can exceed the instrument's measuring ability. A further indication can be provided by retinoscopy, in which a light beam is focused on the person's retina and the reflection, or reflex, observed as the examiner tilts the light source back and forth. Keratoconus is amongst the ophthalmic conditions that exhibit a scissor reflex action of two bands moving toward and away from each other like the blades of a pair of scissors.

If keratoconus is suspected, the ophthalmologist or optometrist will search for other characteristic findings of the disease by means of slit lamp examination of the cornea. An advanced case is usually readily apparent to the examiner, and can provide for an unambiguous diagnosis prior to more specialized testing. Under close examination, a ring of yellow-brown to olive-green pigmentation known as a Fleischer ring can be observed in around half of keratoconic eyes. The Fleischer ring, caused by deposition of the iron oxide hemosiderin within the corneal epithelium, is subtle and may not be readily detectable in all cases, but becomes more evident when viewed under a cobalt blue filter. Similarly, around 50% of subjects exhibit Vogt's striae, fine stress lines within the cornea caused by stretching and thinning. The striae temporarily disappear while slight pressure is applied to the eyeball. A highly pronounced cone can create a V-shaped indentation in the lower eyelid when the person's gaze is directed downwards, known as Munson's sign. Other clinical signs of keratoconus will normally have presented themselves long before Munson's sign becomes apparent, and so this finding, though a classic sign of the disease, tends not to be of primary diagnostic importance.

A handheld keratoscope, sometimes known as "Placido's disk", can provide a simple noninvasive visualization of the surface of the cornea by projecting a series of concentric rings of light onto the cornea. A more definitive diagnosis can be obtained using corneal topography, in which an automated instrument projects the illuminated pattern onto the cornea and determines its topography from analysis of the digital image. The topographical map indicates any distortions or scarring in the cornea, with keratoconus revealed by a characteristic steepening of curvature that is usually below the centerline of the eye. The technique can record a snapshot of the degree and extent of the deformation as a benchmark for assessing its rate of progression. It is of particular value in detecting the disorder in its early stages when other signs have not yet presented.

Stages
Once keratoconus has been diagnosed, its degree may be classified by several metrics:
 * The steepness of greatest curvature from 'mild' (< 45 D), 'advanced' (up to 52 D) or 'severe' (> 52 D);
 * The morphology of the cone: 'nipple' (small: 5 mm and near-central), 'oval' (larger, below-center and often sagging), or 'globus' (more than 75% of cornea affected);
 * The corneal thickness from mild (> 506 μm) to advanced (< 446 μm).

Increasing use of corneal topography has led to a decline in use of these terms.

Lenses
In early stages of keratoconus, glasses or soft contact lenses can suffice to correct for the mild astigmatism. As the condition progresses, these may no longer provide the person with a satisfactory degree of visual acuity, and most practitioners will move to manage the condition with rigid contact lenses, known as rigid, gas-permeable, (RGP) lenses. RGP lenses provide a good level of visual correction, but do not arrest progression of the condition.

In people with keratoconus, rigid contact lenses improve vision by means of tear fluid filling the gap between the irregular corneal surface and the smooth regular inner surface of the lens, thereby creating the effect of a smoother cornea. Many specialized types of contact lenses have been developed for keratoconus, and affected people may seek out both doctors specialized in conditions of the cornea, and contact lens fitters who have experience managing people with keratoconus. The irregular cone presents a challenge and the fitter will endeavor to produce a lens with the optimal contact, stability and steepness. Some trial-and-error fitting may prove necessary.

Hybrid lenses
Traditionally, contact lenses for keratoconus have been the 'hard' or RGP variety, although manufacturers have also produced specialized 'soft' or hydrophilic lenses and, most recently, silicone hydrogel lenses. A soft lens has a tendency to conform to the conical shape of the cornea, thus diminishing its effect. To counter this, hybrid lenses have been developed that are hard in the centre and encompassed by a soft skirt. However, soft or earlier generation hybrid lenses did not prove effective for every person. Early generation lenses have been discontinued. The fourth generation of hybrid lens technology has improved, giving more people an option that combines the comfort of a soft lens with the visual acuity of an RGP lens.

Scleral lenses
Scleral lenses are sometimes prescribed for cases of advanced or very irregular keratoconus; these lenses cover a greater proportion of the surface of the eye and hence can offer improved stability. Easier handling can find favor with people with reduced dexterity, such as the elderly.

Piggybacking
Some people find good vision correction and comfort with a "piggyback" lens combination, in which RGP lenses are worn over soft lenses, both providing a degree of vision correction. One form of piggyback lens makes use of a soft lens with a countersunk central area to accept the rigid lens. Fitting a piggyback lens combination requires experience on the part of the lens fitter, and tolerance on the part of the person with keratoconus.

Corneal transplant
Between 11% and 27% of cases of keratoconus will progress to a point where vision correction is no longer possible, thinning of the cornea becomes excessive, or scarring as a result of contact lens wear causes problems of its own, and a corneal transplantation or penetrating keratoplasty becomes required. Keratoconus is the most common grounds for conducting a penetrating keratoplasty, generally accounting for around a quarter of such procedures. The corneal transplant surgeon trephines a lenticule of corneal tissue and then grafts the donor cornea to the existing eye tissue, usually using a combination of running and individual sutures. The cornea does not have a direct blood supply, so the donor tissue is not required to be blood type matched. Eye banks check the donor corneas for any disease or cellular irregularities.

The acute recovery period can take four to six weeks, and full postoperative vision stabilization often takes a year or more, but most transplants are very stable in the long term. The National Keratoconus Foundation reports that penetrating keratoplasty has the most successful outcome of all transplant procedures, and when performed for keratoconus in an otherwise healthy eye, its success rate can be 95% or greater. The sutures used usually dissolve over a period of three to five years, but individual sutures can be removed during the healing process if they are causing irritation to the person.

In the US, corneal transplants (also known as corneal grafts) for keratoconus are usually performed under sedation as outpatient surgery. In other countries, such as Australia and the UK, the operation is commonly performed with the person undergoing a general anaesthetic. All cases require a careful follow-up with an eye doctor (ophthalmologist or optometrist) for a number of years. Frequently, vision is greatly improved after the surgery, but even if the actual visual acuity does not improve, because the cornea is a more normal shape after the healing is completed, people can more easily be fitted with corrective lenses. Complications of corneal transplants are mostly related to vascularization of the corneal tissue and rejection of the donor cornea. Vision loss is very rare, though difficult-to-correct vision is possible. When rejection is severe, repeat transplants are often attempted, and are frequently successful. Keratoconus will not normally reoccur in the transplanted cornea; incidences of this have been observed, but are usually attributed to incomplete excision of the original cornea or inadequate screening of the donor tissue. The long-term outlook for corneal transplants performed for keratoconus is usually favorable once the initial healing period is completed and a few years have elapsed without problems.

One way of reducing the risk of rejection is to use a technique called deep anterior lamellar keratoplasty (DALK). In a DALK graft, only the outermost epithelium and the main bulk of the cornea, the stroma, are replaced; the person's rearmost endothelium layer and the Descemet's membrane are left, giving some additional structural integrity to the postgraft cornea. Furthermore, it is possible to transplant freeze-dried donor tissue. The freeze-drying process ensures this tissue is dead, so there is no chance of rejection. Research from two trials in Iran provide low to moderate evidence that graft rejection is more likely to occur in penetrating keratoplasty than in DALK, though the likelihood for graft failure were similar with both procedures.

Epikeratophakia
Rarely, a nonpenetrating keratoplasty known as an epikeratophakia (or epikeratoplasty) may be performed in cases of keratoconus. The corneal epithelium is removed and a lenticule of donor cornea is grafted on top of it. The procedure requires a greater level of skill on the part of the surgeon, and is less frequently performed than a penetrating keratoplasty, as the outcome is generally less favorable. However, it may be seen as an option in a number of cases, particularly for young people.

Corneal ring implants
A possible surgical alternative to corneal transplant is the insertion of intrastromal corneal ring segments. A small incision is made in the periphery of the cornea and two thin arcs of polymethyl methacrylate are slid between the layers of the stroma on either side of the pupil before the incision is closed by a suture. The segments push out against the curvature of the cornea, flattening the peak of the cone and returning it to a more natural shape. The procedure offers the benefit of being reversible and even potentially exchangeable as it involves no removal of eye tissue.

Corneal intrastromal implantation surgery involving the implantation of a full ring is also available as a treatment option for keratoconus. Evidence supports that the full-ring implant improves vision outcomes for at least a year.

Cross-linking
Corneal collagen cross-linking is a developing treatment that aims to strengthen the cornea, however, according to a 2015 Cochrane review, there is insufficient evidence to determine if it is useful in keratoconus. In 2016, however, the FDA approved cross-linking surgery as a treatment for keratoconus and recommended that a registry system should be set-up to evaluate the long-term treatment effect. The Save Sight Keratoconus Registry is an international database of keratoconus patients that is tracking outcomes of cross-linking in patients with keratoconus.

Radial keratotomy

Radial keratotomy is a refractive surgery procedure where the surgeon makes a spoke-like pattern of incisions into the cornea to modify its shape. This early surgical option for myopia has been largely superseded by LASIK and other similar procedures. LASIK is absolutely contraindicated in keratoconus and other corneal thinning conditions as removal of corneal stromal tissue will further damage an already thin and weak cornea. For similar reasons, radial keratotomy has also generally not been used for people with keratoconus.

Prognosis
Patients with keratoconus typically present initially with mild astigmatism and myopia, commonly at the onset of puberty, and are diagnosed by the late teenage years or early 20s. The disease can, however, present or progress at any age; in rare cases, keratoconus can present in children or not until later adulthood. A diagnosis of the disease at an early age may indicate a greater risk of severity in later life. Patients' vision will seem to fluctuate over a period of months, driving them to change lens prescriptions frequently, but as the condition worsens, contact lenses are required in the majority of cases. The course of the disorder can be quite variable, with some patients remaining stable for years or indefinitely, while others progress rapidly or experience occasional exacerbations over a long and otherwise steady course. Most commonly, keratoconus progresses for a period of 10 to 20 years before the course of the disease generally ceases in the third and fourth decades of life.

Corneal hydrops
In advanced cases, bulging of the cornea can result in a localized rupture of Descemet's membrane, an inner layer of the cornea. Aqueous humor from the eye's anterior chamber seeps into the cornea before Descemet's membrane reseals. The patient experiences pain and a sudden severe clouding of vision, with the cornea taking on a translucent milky-white appearance known as a corneal hydrops.

Although disconcerting to the patient, the effect is normally temporary and after a period of six to eight weeks, the cornea usually returns to its former transparency. The recovery can be aided nonsurgically by bandaging with an osmotic saline solution. Although a hydrops usually causes increased scarring of the cornea, occasionally it will benefit a patient by creating a flatter cone, aiding the fitting of contact lenses. Corneal transplantation is not usually indicated during corneal hydrops.

Epidemiology
The National Eye Institute reports keratoconus is the most common corneal dystrophy in the United States, affecting about one in 2,000 Americans, but some reports place the figure as high as one in 500. In the pediatric populations, ages three to 18, the prevalence of keratoconus was found to be as high as one in 334 children. The inconsistency may be due to variations in diagnostic criteria, with some cases of severe astigmatism interpreted as those of keratoconus, and vice versa. A long-term study found a mean incidence rate of 2.0 new cases per 100,000 population per year. Some studies have suggested a higher prevalence amongst females, or that people of South Asian ethnicity are 4.4 times as likely to develop keratoconus as Caucasians, and are also more likely to be affected with the condition earlier.

Keratoconus is normally bilateral (affecting both eyes) although the distortion is usually asymmetric and is rarely completely identical in both corneas. Unilateral cases tend to be uncommon, and may in fact be very rare if a very mild condition in the better eye is simply below the limit of clinical detection. It is common for keratoconus to be diagnosed first in one eye and not until later in the other. As the condition then progresses in both eyes, the vision in the earlier-diagnosed eye will often remain poorer than that in its fellow.

History
The German oculist Burchard Mauchart provided an early description in a 1748 doctoral dissertation of a case of keratoconus, which he called staphyloma diaphanum. However, it was not until 1854 that British physician John Nottingham (1801–1856) clearly described keratoconus and distinguished it from other ectasias of the cornea. Nottingham reported the cases of "conical cornea" that had come to his attention, and described several classic features of the disease, including polyopia, weakness of the cornea, and difficulty matching corrective lenses to the patient's vision. In 1859, British surgeon William Bowman used an ophthalmoscope (recently invented by Hermann von Helmholtz) to diagnose keratoconus, and described how to angle the instrument's mirror so as to best see the conical shape of the cornea. Bowman also attempted to restore vision by pulling on the iris with a fine hook inserted through the cornea and stretching the pupil into a vertical slit, like that of a cat. He reported that he had had a measure of success with the technique, restoring vision to an 18-year-old woman who had previously been unable to count fingers at a distance of 8 inches (20 cm).

By 1869, when the pioneering Swiss ophthalmologist Johann Horner wrote a thesis entitled On the treatment of keratoconus, the disorder had acquired its current name. The treatment at that time, endorsed by the leading German ophthalmologist Albrecht von Graefe, was an attempt to physically reshape the cornea by chemical cauterization with a silver nitrate solution and application of a miosis-causing agent with a pressure dressing. In 1888, the treatment of keratoconus became one of the first practical applications of the then newly invented contact lens, when the French physician Eugène Kalt manufactured a glass scleral shell that improved vision by compressing the cornea into a more regular shape. Since the start of the 20th century, research on keratoconus has both improved understanding of the disease and greatly expanded the range of treatment options. The first successful corneal transplantation to treat keratoconus was done in 1936 by Ramón Castroviejo.

Society and culture
According to the findings of the Collaborative Longitudinal Evaluation of Keratoconus (CLEK), people who have keratoconus could be expected to pay more than $25,000 over their lifetime post-diagnosis, with a standard deviation of $19,396. There is limited evidence on the costs of corneal cross-linking, a cost-effectiveness study estimated the costs of the total treatment for one person as £928 ($1,392 U.S.) in the UK National Health Service, but this may be as high as $6,500 per eye in other countries. A 2013 cost-benefit analysis by the Lewin Group for Eye Bank Association of America, estimated an average cost of $16,500 for each corneal transplant.

Related disorders
Several other corneal ectatic disorders also cause thinning of the cornea:
 * Keratoglobus is a very rare condition that causes corneal thinning primarily at the margins, resulting in a spherical, slightly enlarged eye. It may be genetically related to keratoconus.
 * Pellucid marginal degeneration causes thinning of a narrow (1–2 mm) band of the cornea, usually along the inferior corneal margin. It causes irregular astigmatism that, in the early stages of the disease can be corrected by spectacles. Differential diagnosis may be made by slit-lamp examination.
 * Posterior keratoconus, a distinct disorder despite its similar name, is a rare abnormality, usually congenital, which causes a nonprogressive thinning of the inner surface of the cornea, while the curvature of the anterior surface remains normal. Usually only a single eye is affected.
 * Post-LASIK ectasia is a complication of LASIK eye surgery.

title: Keratoconus


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Florin

The Florentine florin was a gold coin (in Italian Fiorino d'oro) struck from 1252 to 1533 with no significant change in its design or metal content standard during that time. It had 54 grains (NaN ozt) of nominally pure or 'fine' gold with a purchasing power difficult to estimate (and variable) but ranging according to social grouping and perspective from approximately 140 to 1,000 modern US dollars. The name of the coin comes from the Giglio bottonato (it), the floral emblem of the city, which is represented at the head of the coin.

History
The fiorino d'oro (gold florin) was used in the Republic of Florence and was the first European gold coin struck in sufficient quantities since the 7th century to play a significant commercial role. The florin was recognised across large parts of Europe. The territorial usage of the lira and the florin often overlapped; where the lira was used for smaller transactions (wages, food purchases), the florin was for larger transactions such as those used in dowries, international trade or for tax-related matters.

The first minting of the florin occurred in 1252. At the time the value of the florin was equal to the lira, but by 1500 the florin had appreciated; seven lire amounted to one florin.

In the 14th century, about a 150 European states and local coin-issuing authorities made their own copies of the florin. The most important of these was the Hungarian forint, because the Kingdom of Hungary was a major source of European gold (until mining in the New World began to contribute to the supply in the 16th and 17th centuries, most of the gold used in Europe came from Africa).

The design of the original Florentine florins was the distinctive fleur-de-lis badge of the city on one side and on the other a standing and facing figure of St. John the Baptist wearing a cilice. On other countries' florins, the inscriptions were changed (from "Florentia" around the fleur, and the name of the saint on the other), and local heraldic devices were substituted for the fleur-de-lis. Later, other figures were often substituted for St. John. On the Hungarian forints, St. John was re-labelled St. Ladislaus, an early Christian king and patron saint of Hungary, and a battle axe substituted for the original's sceptre. Gradually the image became more regal looking.

Other coins
The term florin was borrowed elsewhere in Europe. A variant of the florin was the Rheingulden, minted by several German states encompassing the commercial centers of the Rhein (Rhine) River valley, under a series of monetary conventions starting in 1354, initially at a standard practically identical to the Florentine florin (98% gold, 3.54 grams). By 1419, the weight had been slightly reduced (to 3.51 grams) and the alloy was substantially reduced (to 79% gold). By 1626, the alloy had been slightly reduced again (to 77% gold), while the weight was more substantially reduced (to 3.240 grams). In 1409, the Rheingulden standard (at the time 91.7% gold) was adopted for the Holy Roman Empire's Reichsgulden.

The Dutch guilder is symbolized as Fl. or ƒ, which means florijn (florin).

The English coin first issued in 1344 by Edward III of England is also known as a florin. Originally valued at six shillings, it was composed of 108 grains (6.99828 grams) of gold with a purity of 23 carats and $3 1/2$ grains (or $23 7/8$ carats) – and more recently (minted between 1849-1967 although circulating alongside the decimal ten pence coin until 1993 when it was withdrawn due to a resizing) relating to a British pre-decimal silver coin (later nickel silver) also known as a two shilling (or two bob) "bit" (abbreviation 2/-) worth 24 pence or one-tenth of a pound.

In Ireland, a silver florin coin (worth one-tenth of an Irish pound, with Irish inscription flóirín) was minted between 1928 and 1943; it became cupronickel in 1943 and was withdrawn from use on 1 June 1994.

The Hungarian forint is named after the florin.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Florin


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Marty Friedman

Martin Adam Friedman (マーティン・アダム・フリードマン) (born December 8, 1962) is an American guitarist, best known for his tenure as the lead guitarist of thrash metal band Megadeth from 1990 to 2000. He is also known for playing alongside Jason Becker in Cacophony from 1986 until 1989, as well as his 13 solo albums and tours. Friedman has resided in Tokyo since 2003, where he has appeared on over 700 Japanese television programs such as Rock Fujiyama, Hebimeta-san, Kōhaku Uta Gassen and Jukebox English. He has released albums with several record labels, including Avex Trax, Universal, EMI, Prosthetic, and Shrapnel Records.

Early career (1982–1989)
At the age of 14, after attending a KISS concert, Friedman took up the guitar, and is largely self-taught. He rushed to form a band and started playing original songs, the reason being that originals are easier to play than covers. "Because," he says, "even if you screw up, you just claim that the song is written like that and no one can challenge you." The mother of one of Friedman's friends ran an event center with a two-level stage, and Friedman and his friends used it as a rehearsal space. Word quickly spread about their band, and, since they were in a rural area, people would come from miles around to socialize and listen to music. Rehearsals soon became live shows. Friedman formed and played lead guitar in several other bands, including Deuce, Hawaii (which had previously been called Vixen), and notably Cacophony. Cacophony featured neoclassical metal elements and synchronized twin guitar harmonies and counterpoints shared with guitarist Jason Becker. He played guitar on the 1989 album In Your Face by Christian rock band Shout. In 1988, he recorded demos for Jet Red that eventually were released as bonus tracks on the 2009 Jet Red release "Flight Plan". In August 1988, he released his first solo album, Dragon's Kiss.

Megadeth (1990–2000, 2023)
When Cacophony disbanded in 1989, Friedman auditioned for the thrash metal band Megadeth after a tip from his friend Bob Nalbandian. Friedman officially joined Megadeth in February 1990. Friedman's audition can be seen on the Megadeth DVD Arsenal of Megadeth. The first album he recorded with them was Rust in Peace, which was released on September 24, 1990. Rust in Peace was certified platinum by the RIAA in 1994 and was nominated for the Best Metal Performance Grammy at the 33rd Grammy Awards.

Friedman further developed his style of playing exotic scale solos from the Cacophony era, and integrated it into the music of Megadeth. In July 1992, Megadeth released Countdown to Extinction, which was a more commercial album, aimed at a wider audience, and sold double platinum. Friedman played on Megadeth's further releases Youthanasia (1994), Cryptic Writings (1997), and Risk (1999). After a total of five studio albums with Megadeth, in December 1999 Friedman announced his departure from Megadeth. His last show with the band was on January 9, 2000 at 4th & B in San Diego. Friedman later stated that he got tired of "holding the flag" for traditional metal and felt that he could not evolve as a musician. In an interview with Ultimate-Guitar.com in March 2007, Friedman claimed that he wanted Megadeth to move towards a more aggressive sound and that he'd rather have been playing straight pop music than the pop-influenced metal Megadeth was playing at the time. During Friedman's time in the band, they sold over ten million albums worldwide.

During his time in Megadeth, Friedman released three solo albums between 1992 and 1996, which featured Megadeth bandmate Nick Menza on drums.

Friedman reunited with Megadeth for the songs "Countdown to Extinction", "Tornado of Souls" and "Symphony of Destruction" at the Nippon Budokan in Tokyo on February 27, 2023.

Friedman reunited with Megadeth again at Wacken Open Air for the songs "Trust", "Tornado of Souls", "Symphony of Destruction" and "Holy Wars... The Punishment Due" on August 4, 2023.

In Japan and recent work (2000–present)

Friedman appeared on the Tourniquet albums Where Moth and Rust Destroy (2003) and Antiseptic Bloodbath (2012), and Tourniquet drummer Ted Kirkpatrick's solo album Onward to Freedom

In 2003, Friedman collaborated with Nanase Aikawa on her third mini album R.U.O.K. In 2021 he toured with Aikawa on her 25th anniversary concert tour.

In 2009, Friedman collaborated with Emma Gelotte and Tinna Karlsdotter from "All Ends" as the lead guitarist for the song "With Me", which was featured in the game, Sonic and the Black Knight. In 2010, Friedman launched a record label under Avex Group, called Gokukara Records. In February 2010, during C. J. Ramone's Japan tour, he made a guest appearance on guitar for "California Sun", a cover song previously released by The Ramones on their 1977 album, Leave Home.

In 2011, Friedman collaborated with Japanese idol group Momoiro Clover Z, providing guitar for their song "Mōretsu Uchū Kōkyōkyoku Dai 7 Gakushō "Mugen no Ai"", which would become a hit in 2012.

In 2011, Friedman worked with Ayanocozey Show to make the song SAMURAI STRONG STYLE, theme of the Tokusatsu movie Kamen Rider × Kamen Rider Fourze & OOO: Movie War Mega Max. The catchphrase for the movie is "In Winter 2011, Movie War Will Evolve" (2011年冬、MOVIE大戦が〈進化〉する). Friedman and Ayanocozey had previously worked together when they joined the Japanese promotional super-group FANTA, releasing the 2010 single "Fantastic Love". Friedman stood for the "F" in FANTA, Ayanocozey stood for the first "A", and the other members of the group made up the other letters.

Friedman recorded with Daniel Tompkins of Tesseract in Tompkins' band Skyharbor's debut album, Blinding White Noise. At the end of 2012, a full album containing heavy metal covers of Momoiro Clover Z's songs was also released by a band named "Metal Clone X". Although band members remained anonymous, Friedman was cited as label producer and arranger.

In 2013, Friedman released his first library of guitar loops on LoopArtists. Friedman recorded collections of clean-tone, high gain lead and rhythm guitar loops that are intended for use in a production and remix environment. Friedman has been doing concert tours for the Bravely Default original soundtrack in 2013 as well as the Budokan concert tours among others. In combination with these tours he has also released his new album Inferno in 2014 which he is now touring across Europe going to places such as Norway, Poland, Netherlands and Germany.

In 2014, Friedman collaborated again with Momoiro Clover Z, providing the guitar track for their single "Moon Pride". The song was also used as the opening theme music for the television series Sailor Moon Crystal, which premiered in July that year.

In 2018, he collaborated with Man with a Mission's Jean-Ken Johnny, KenKen, and Kōji Fujimoto for the song "The Perfect World", which was used as main theme for the Netflix original anime series B: The Beginning.

Television
Friedman appears on Japanese television and is also a contributing columnist to Japanese music magazines and national newspapers. Speaking Japanese, he became a regular member of the cast of TXN's musical TV program Hebimeta-san (ヘビメタさん) (anglicized as "Mr. Heavy-Metal") with Japanese idol Yoko Kumada until the show came to an end in 2005. Friedman had his own heavy metal TV program called Rock Fujiyama alongside Shelly, Ken Ayugai (Kenny Guy), Yorimasa Hisatake (Rock Ninja Yorimasa) and ex-Scanch member Rolly Teranishi from April 2006 until March 2007. From November till December 2005, he toured with singer Ami Suzuki on her "Suzuki Ami Around the World" live house tour, which took place in Tokyo, Osaka and Nagoya. Friedman was featured on Jukebox, a television program in which Friedman and two Japanese people translate the lyrics of various English songs into understandable Japanese. He has also made guest appearances on the television programs Eigo de Shabera Night and Tamori Club. In 2008, Friedman played the role of Paul Weinberg, an English language teacher, in Isshin Inudou's Gou-Gou Datte Neko de Aru.

Friedman was a guest star in the Adult Swim original Metalocalypse by playing driving teacher Mr. Gojira. He has appeared on Cool Japan several times as a music expert.

In 2009, Friedman appeared on The Quiz Show, a Japanese TV drama starring Sho Sakurai as a guest professor. In January 2014, Friedman took part in New Japan Pro-Wrestling's Wrestle Kingdom 8 in Tokyo Dome event, playing Hiroshi Tanahashi to the arena.

Personal life
Friedman is of Jewish descent. He lives in the Shinjuku area of Tokyo.

Shortly after the 2011 Tōhoku earthquake and tsunami, Friedman began auctioning off a great variety of his musical equipment and paraphernalia that he used as a member of Megadeth and Cacophony, including some of the earliest productions of Jackson Kelly guitars and his signature Carvin V220.

In December 2012, Friedman married Japanese cellist Hiyori Okuda in Yokohama.

In 2018, Friedman confirmed that his hair is genuinely curly but hates it; he prefers to have it straight.

Guitar technique
Friedman is known for his improvisation and for fusing Eastern music with Western music and other styles, such as neoclassical, thrash metal and later progressive rock. When playing, he often uses arpeggiated chords and various customized scales and arpeggios, some of which relate to Asian (Chinese and Japanese), Middle Eastern and other exotic scales, which are different from the typical minor/major pentatonic and seven modes based on the Major scale.

As a right-handed guitarist, Friedman has an unorthodox picking technique; the angle in which his hand is clenched goes against the conventional palm mute frequently used by right-handed players in metal music. He also frequently utilizes upstrokes as opposed to downstrokes, especially on the B and high E strings. Rather than strictly picking from his elbow or wrist, Friedman will also pick moving his fingers—a technique known as "circle picking".

Friedman is critical of being called a shredder. He opined that the term is "a guy who plays fast meaningless shit all the time. Shredders are the guys in your friend's basement who play insanely fast, and it just looks so mind-blowing and amazingly cool with their fingers flying all around the neck, but if you close your eyes and actually listen, what you hear is a pile of shit. You all know what I'm talking about."

Amplifiers and effects

 * Engl Signature Marty Friedman Inferno (current)
 * Fractal Audio Axe-FX II processor (current)
 * Engl Special Edition (former)
 * Engl Powerball (2011 tour)
 * Custom Audio Electronics CAE 3+ preamp (Countdown, Youthanasia albums and tours) (former)
 * Soldano SLO-100 (custom rackmount with slave out and effects loop circa 1992, used in studio for both guitar and bass tracks)
 * Bogner Triple Giant #11/25 (Rust in Peace album and tour) (former)
 * Rocktron/Bradshaw RSB 11 controller
 * Crate Blue Voodoo (as power amp, former)
 * VHT 2150 power amp (former)
 * Maxon AF-9 Auto Wah

title: Marty Friedman


text:
Talk:Lil' Mo

Untitled
Where do u get this crap info from, about 5% is correct!!!! Sack your researcher!

 * If there is any incorrect information on the article then FIX IT!!!!! Such is the beauty of Wikipedia. -- goatasaur

sup faggots, uh she is in 2pac's niggaz nature remix, add this, i cant...

Godmother
Is she Fantasia's Godmother, and relative?

Awful
This page looks like its been pinched off a fansite or something, its very poor. Pennywisepeter 12:09, 15 November 2006 (UTC)
 * Agreed. That's why I put up the clean up tag as a first step.  As a second step, I think I will delete (or rewrite where relevant) the majority of the "Personal Life" section. SweetP112 14:20, 15 November 2006 (UTC)

Abusive Relationship
Why doesn't it state anything about her being in a really abusive relationship w/ her babys' daddy. Everybody knows about that. I have the sister 2 sister magazine w/ the interview...she talks about it.

Fair use rationale for Image:Lil mo meet the girl.jpg
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Fair use rationale for Image:Lilmo.jpg
Image:Lilmo.jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.

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If there is other fair use media, consider checking that you have specified the fair use rationale on the other images used on this page. Note that any fair use images lacking such an explanation can be deleted one week after being tagged, as described on criteria for speedy deletion. If you have any questions please ask them at the Media copyright questions page. Thank you.

BetacommandBot (talk) 23:44, 13 February 2008 (UTC)

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Birth date
Why do most sources give 1978 and a source on this article gives 1978 even though it says 1975? Public records even state 1975, so what should we use? TheGreatestLuvofAll ( chat with me ) 19:34, 23 January 2024 (UTC)

title: Talk:Lil' Mo


text:
Daleside Brewery

Daleside Brewery is an independent brewery founded in 1988 by Bill Witty. Its headquarters are located in Harrogate, North Yorkshire, England.

In March 2024, it was reported that the company had been acquired by Rooster’s Brewing Co.

History
Three years after his father founded the company, Craig Witty became head brewer in 1991. When Billy passed away in 2007, his son took over running Daleside Brewery and continues to be a driving force behind the popular English microbrewery.

Established in Hurrogate, the firm moved to Starbeck in 1992 and went through periods of enlargement up until 1999. It has won numerous awards for its ales, including its Morocco Ale.

Morocco Ale
The 17th-century recipe for this ale, which had been brewed especially for Charles II of England and named after his wife, Catherine of Braganza, who was described as being Moorish, was rediscovered in the early 1990s after being lost and was given to Daleside under special licence. Morocco Ale is specially brewed for Levens Hall in Cumbria, who are the owners of the secret recipe.

Products
Daleside produce a wide range of beers including;
 * Morocco Ale, a traditional spiced beer based on an Elizabethan recipe
 * Old Legover, a low abv Old Ale
 * Monkey Wrench, a stronger Old Ale (CAMRA award-winning) which was brewed especially for a beer festival in Hartlepool (so named after the colloquial nickname for people from Hartlepool who are known as Monkey hangers)
 * Ripon Jewel, a strong pale ale, commissioned by Ripon Cathedral in honour of a gemstone associated with the founding of the cathedral. Brewed since 1999; a percentage of the profits go to the cathedrals maintenance fund.
 * Chocolate Stout, a stout where the barley is heavily roasted and Nestlé chocolate is added
 * Duff, a 5% abv dark ale ('Duff' sounds like 'dubh' Gaelic for "Dark")
 * Crack Shot Ale, named in honour of Jane Ingilby who supposedly dressed as a man and fought at the Battle of Marston Moor, later standing guard over Oliver Cromwell when he hid in Ripley Castle overnight after the battle
 * EU in, a golden fruity ale
 * EU out, a light hoppy ale (both of these were brewed in spring 2016 during the EU Referendum campaign in the United Kingdom)
 * Greengrass, named after the curmudgeonly character Claude Jeremiah Greengrass from the TV show Heartbeat

Sponsorship
Daleside Brewery sponsor the annual Auld Lang Syne 6 mi fell race in Haworth every New Year's Eve.

title: Daleside Brewery


text:
Value migration

In marketing, value migration is the shifting of value-creating forces. Value migrates from outmoded business models to business designs that are better able to satisfy customers' priorities. Marketing strategy is the art of creating value for the customer. This can only be done by offering a product or service that corresponds to customer needs. In a fast changing business environment, the factors that determine value are constantly changing.

title: Value migration


text:
Talk:Free Trade Zones

Ther is Free trade zone and Free Trade Zones. I have fixed this by redirecting free trade zone to Free Trade Zones. This was probably the wrong choice, but it did remove the problem. roan

title: Talk:Free Trade Zones


text: Freeloading

title: Freeloading


text:
Diabolo

The diabolo (commonly misspelled diablo) is a juggling or circus prop consisting of an axle and two cups (hourglass/egg timer shaped) or discs derived from the Chinese yo-yo. This object is spun using a string attached to two hand sticks ("batons" or "wands"). A large variety of tricks is possible with the diabolo, including tosses, and various types of interaction with the sticks, string, and various parts of the user's body. Multiple diabolos can be spun on a single string.

Like the Western yo-yo (which has an independent origin), it maintains its spinning motion through a rotating effect based on conservation of angular momentum.

Origin
The Diabolo is derived from the Chinese yo-yo encountered by Europeans during the colonial era. However, the origin of the Chinese yo-yo is unknown. The earliest mention of the Chinese yo-yo is in the late Ming dynasty Wanli period (1572–1620), with its details well recorded in the book Dijing Jingwulue by the Liu Tong. The book refers to Chinese yo-yos as "kong zhong".

Chinese yo-yos have a longer axle with discs on either end, while the diabolo has a very short axle and larger, round cups on either end. Diabolos are made of different materials and come in different sizes and weights.

There are many names in the Chinese language for the Chinese yo-yo:

Spread to the West
The first known mention of a diabolo in the Western world was made by a missionary, Father Amiot, in Beijing in 1792 during Lord Macartney's ambassadorship, after which examples were brought to Europe, as was the sheng (eventually adapted to the harmonica and accordion). Amiot described it as follows:

"It consists of two hollow cylinders of metal, wood, or bamboo, joined together in the middle by a cross-piece. Each of the cylinders is pierced by a hole in opposite directions. The rope loops around the crossbeam. By holding this rattle in the air, and moving it with speed, a rapid current of air is established in each of the portions of the cylinder, and a snoring is heard, similar to that produced by the German spinning top."

The diabolo was part of a presentation of Chinese culture edited by stenographer Jean-Baptiste Joseph Breton in 1811-2 (La Chine en miniature). The toy's popularity waxed and waned throughout the 19th century. In 1812 the diabolo "was all the rage"; then it "enjoyed an ephemeral vogue" until it "finally fell into discredit" some time before 1861. Some consider the toy dangerous; injuries and deaths of players and bystanders have been claimed; and Préfet de Police Louis Lépine once outlawed the game in the streets of Paris.

The name "diabolo" was coined by Belgian engineer Gustave Philippart, who developed the modern diabolo in the early twentieth century, although credit has also been given to Charles Burgess Fry (The Outdoor Magazine in 1906) or Fry and Philippart. The ODE gives the term's origin as from ecclesiastical Latin diabolus (devil) via Italian, reflecting the older name, "The devil on two sticks".

Strong derives the name from the Greek dia bolo, roughly meaning 'across throw': "In Greek, the term 'diaballo',  means to throw across. It comes from a combination of 'dia' meaning across or through (as in the diameter of a circle, a line that crosses circle), and 'bolla' or originally 'ballo' which means to throw..." However, Philippart's intention is clear in his 1905 patent, where he gives it the alternative French name Diable, "Devil". The term "loriot" was also used in England early in the twentieth century, as well as "rocket-ball". The earlier name "The devil on two sticks" is sometimes still seen, although nowadays this more often refers to another circus-based skill toy, the devil stick: "In time 'diabolo' was retained for the spinning version of the Chinese stick toy while the hitting version of the stick toy was rendered into English as the Devil Stick."

Philippart claimed Diabolo to be his invention. In reality, he had improved a Napoleonic toy, which in turn had originated long ago in China." However, Charles Parker acquired the U.S. license for the term diabolo in 1906, and the fad for the toy lasted until 1910 (caricatures of public figures with the toy made it to newspapers), when it was hurt greatly by a glut of unsold poor quality off-brand versions (costs ranged from one to eight dollars). The toy was even removed from the Parker Brothers catalogue, a rare occurrence (its two-year return in 1929 also failed).

An earlier occurrence of the fad, in Paris, is mentioned in Nature in 1893. The Wright brothers became enamored with the toy during a lull in a trip to France they had taken to market their Wright Flyer III airplane.

The diabolo’s temporary fall from favour was commented on by the narrator of Marcel Proust’s In Search of Lost Time: "One morning … I was taking a short walk with Albertine, whom I had found on the beach tossing up and catching again at the end of a string a weird object which gave her a look of Giotto’s Idolatry; it was called, as it happened, a ‘diabolo’, and has so fallen into disuse now that, when they come upon a picture of a girl playing with one, the commentators of future generations will solemnly discuss, as it might be in front of the allegorical figures in the Arena Chapel, what it is that she is holding."

Design

A diabolo is described as "a double-coned bobbin that [is] twirled, tossed, and caught on a string secured by two wands, one held in each hand," and, more generally, as "an object that can be suspended on a string made taut by two held sticks". The Chinese yo-yo, often considered a type of diabolo, has been described as "a short round wooden stick with two round disks, 1.5 cm thick with a space between them, attached on either end of the stick...It will rotate on a string, each end tied to a thin stick," and as "two hollow discs of light wood, with openings in the sides, united by a peg tapering to its center".

As with the yo-yo, the design of the diabolo has varied through history and across the world. Chinese diabolos have been made of bamboo. Wooden diabolos were common in Victorian times in Britain. Rubber diabolos were first patented by Gustave Philippart in 1905. In the late twentieth century a rubberised plastic material was first used. Metal has also been used, especially for fire diabolos. "Parker Brothers used steel for the bobbins [axles], with molded rubber ends, and also made some versions out of hollow Celluloid--which, because of its 'frictionless' properties, spun even faster than steel." Holes and metal strips alter the sound of the spinning diabolo, but create friction.

The size and weight of diabolos varies. Diabolos with more weight tend to retain their momentum for longer, whereas small, light diabolos can be thrown higher and are easier to accelerate to high speeds. Rubber diabolos are less prone to breakage but are more prone to deformations. More commonly used are plastic-rubber hybrids that allow flex but hold their shape. The size of the disc or cone varies, as do the presence and size of holes in the discs or cones which may alter the sound produced. In yo-yos a cone is known as the butterfly shape. Regardless of the presence, size, and shape, "once a diabolo is spinning, the friction of the spinning diabolo against the string creates a whining sound; this is called 'making the diabolo sing.'" "When played hard, the [Chinese] yoyo will give out a sharp shrill sound...The shrill sound would add an exciting atmosphere to the [Shanghai winter] festivals...A skillful player can use a pot cover [with a round handle] as a yoyo [without sound]." A fast whirling kouen-gen produces "a shrill whistling sound...not unlike the note of the steam siren". Diabolos with only one cup ("monobolos") are also used.

The axle can be either a fixed axle or a bearing axle. The former does not spin, while the latter variety spins in one direction. Noticeable differences between the two include friction involved, the amount of time the diabolo can spin for, and tension. There are also certain tricks that are only possible with one type of axle.

Basic principles
The most basic act of diabolo manipulation is to spin it on the string. "The string is placed between the circles, but in order for the diabolo to balance, it must maintain a spinning motion, much like a yo-yo." However, "considerably more skill is needed to twirl a diabolo...than the Yo-yo it resembles." "Diabolo requires hard practice and highly developed skills"

Typically, the player pulls the stick in his or her dominant hand so that the string moves along the axle, turning it. "The player...swing[s] the string right and left." By doing this repeatedly and rapidly the diabolo rotates faster. The diabolo spin can be accelerated more quickly using various methods: the 'whip' rotates the diabolo faster by moving one handstick in front of the user's body and past the other handstick, the 'wrap' rotates the diabolo faster when the user wraps a loop of the string around the axle. Both methods increase the amount of string contact with the axle in any given time.

"To spin the top, you raise and lower the sticks alternately, with a quick backward shift of the string at the end of each rotating impulse. When the speed is great enough to stabilize the top in flight, just whip the sticks apart to toss it into the air. As the spool comes down you catch it on a sloping string and let it roll down into slack bunched near one end."

Once spin speed is increased to a sufficient level that the diabolo is stable, the user can then perform tricks. "Skillful players can set it whirling at a rate of 2,000 revolutions a minute, it is said." Depending on how long a trick takes to perform, the user will normally have to spend some time increasing the spin speed of the diabolo before performing other tricks. Skilled users can perform multiple tricks while maintaining the spin speed of the diabolo. "A skilled person [can] catch it, hurl it fifty or sixty feet into the air, then catch it again with little effort."

Advanced tricks
There are countless tricks and variations that fall outside the above categories; these are often more difficult and form the cutting edge of modern diabolo routines. Some examples are:

Multiple diabolos

Perhaps the most active area of development for diabolo performance involves tricks with more than one diabolo on a single string. When manipulating multiple diabolos "low", the diabolos orbit continuously on the string in a "shuffle". Shuffles are either synchronous (commonly referred to as "sync") or asynchronous ("async"), depending on whether the diaboloist's hands' movements occur simultaneously or not; shuffles may also be performed with only one hand.

Juggling multiple diabolos "high" involves continuously catching and throwing a number of diabolos, never with more than one diabolo on the string simultaneously. Diaboloists have pushed the number of diabolos juggled at once up to six "high" (although there is some controversy as to whether this counts as the number of catches achieved is so small) and five "low". Most diaboloists, however, stick to using only two or three diabolos at once. The introduction of multiple diabolos on a single string allows for many new moves. Many are applications of one-diabolo moves to multiple diabolos.

Vertax
Another advanced diabolo style is vertax (vertical axis; also known as "Excalibur"). This is where the diabolo is "turned vertically" by means of "whipping" and is continually spun in this upright state. The person spinning it needs to rotate their body to keep up with the constant whipping action due to the momentum and centripetal motion at which the diabolo spins. Although the number of tricks seems limited, people are finding more ways to perform with this style, including vertax genocides, infinite suicides, and many suns, orbits, and satellites. It is also possible to have two diabolos in one string in vertax; this feat has been achieved by a small number of diaboloists. It has also been done in the form of a fan. Most of these tricks are accomplished by street performers in competitions, notably the GEDC and the Taipei PEC. Some cutting-edge skilled vertax jugglers include William (Wei-Liang) Lin (in 2006, ranked #1 in the world), Ryo Yabe (multiple diabolos), Higami (a Japanese juggling group, noted for inventing the first 'infinite suicide vertax'), and Jonathan P. Chen (noted for inventing the vertax genocide); these jugglers are former and multiple winners of the above-mentioned cups. Eric and Antonin (France) and Nate and Jacob Sharpe (USA) have contributed greatly to the development of vertax passing techniques. Finally, Alexis Levillon invented many vertax tricks including vertax integrals, furthered multidiabolo vertax, and has also invented the "Galexis" style, where one diabolo is horizontal, while the other is in vertax.

Contact diabolo
This is a relatively recent style of diabolo that is gaining popularity. It utilizes the diabolo so that it has little or no spin at all. Then it can be caught and passed and manipulated with different parts of the body instead of just the sticks and string. It has new possibilities and new ideas are arising from this. Examples include catching the diabolo between one's arm and the stick before throwing it back. Tricks with multiple diabolos have also been developed.

Loop diabolo
Instead of having two sticks connected by a string, the diabolo is manipulated on a loop of string held around the hands. This opens up a variety of new tricks. Yo-yo type slack tricks can also be performed in a loop.

Monobolo
Monobolo is a variation of the diabolo where instead of having two diabolo cups, there is only one and a weight on the other side. The monobolo can be used in the same fashion as normal diabolos. However, if a monobolo is put into excalibur, or horizontally, monobolos can be manipulated to be like a spinning top. To start a monobolo, twist the string around the axle and then let it gain some speed.

Performances
Cirque du Soleil has combined diabolos with acrobatics during feature acts in five shows: Quidam, La Nouba, Dralion, Ovo and Viva Elvis.

In 2006 Circus Smirkus presented a duo diabolo act starring Jacob and Nate Sharpe, with advanced tricks including the first double sprinkler pass in a performance as well as some five-diabolo passing.

The diabolo programs of many Chinese schools provide performances during the Chinese New Year or near the end of the school year.

title: Diabolo


text:
Carlos I of Portugal

Dom Carlos I (Charles; 28 September 1863 – 1 February 1908), known as the Diplomat (o Diplomata), the Martyr (o Martirizado), and the Oceanographer (o Oceanógrafo), among many other names, was King of Portugal from 1889 until his assassination in 1908. He was the first Portuguese king to die a violent death since King Sebastian in 1578.

Early life

Carlos was born in Lisbon, Portugal, the son of King Luís and Queen Maria Pia, daughter of King Victor Emmanuel II of Italy, and was a member of the House of Braganza. He had a brother, Infante Afonso, Duke of Porto. He was baptised with the names Carlos Fernando Luís Maria Víctor Miguel Rafael Gabriel Gonzaga Xavier Francisco de Assis José Simão.

He had an intense education and was prepared to rule as a constitutional monarch. In 1883, he traveled to Italy, the United Kingdom, France and Germany, where he increased his knowledge of the modern civilization of his time. In 1883, 1886 and 1888, he ruled as Regent as his father was traveling in Europe, as had become traditional among the Portuguese constitutional kings. His father Luis I advised him to be modest and to study with focus.

His first bridal candidate was one of the daughters of German Emperor Frederick III, but the issue of religion presented an insurmountable problem, and diplomatic pressure from the British government prevented the marriage. He then met and married Princess Amélie of Orléans, eldest daughter of Philippe, comte de Paris, pretender to the throne of France.

Reign
Carlos became king on 19 October 1889. After the 1890 British Ultimatum, a series of treaties were signed with the United Kingdom. One signed in August 1890 defined colonial borders along the Zambezi and Congo rivers, whereas another signed on 14 October 1899 confirmed colonial treaties dating back to the 17th century. These treaties stabilised the political balance in Africa, ending Portuguese claims of sovereignty on the Pink Map, a geographical conception of how Portuguese colonies would appear on a map if the territory between the coastal colonies of Angola and Mozambique could be connected with territory in central Africa. These central African territories became part of the British Empire with the Portuguese concession becoming a source of national resentment in the country.

Domestically, Portugal declared bankruptcy twice – on 14 June 1892, then again on 10 May 1902 – causing industrial disturbances, socialist and republican antagonism and press criticism of the monarchy. Carlos responded by appointing João Franco as prime minister and subsequently accepting parliament's dissolution.

As a patron of science and the arts, King Carlos took an active part in the celebration of the 500th anniversary of the birth of Prince Henry the Navigator in 1894. The following year he decorated the Portuguese poet João de Deus in a ceremony in Lisbon.

Carlos took a personal interest in deep-sea and maritime exploration and used several yachts named Amélia on his oceanographical voyages. He published an account of his own studies in this area.

Assassination
On 1 February 1908, the royal family was returning to Lisbon from the Ducal Palace of Vila Viçosa in Alentejo, where they had spent part of the hunting season during the winter. The royal party traveled by train to Barreiro, from there taking a steamer to cross the Tagus River and disembarking at Cais do Sodré in central Lisbon. On their way to the royal palace, the open carriage containing Carlos I and his family passed through the Terreiro do Paço fronting on the river. In spite of recent political unrest there was no military escort, except for a single mounted officer riding by the carriage. While the carriage was crossing the square at dusk, shots were fired from amongst the sparse crowd by two republican activists, Alfredo Luís da Costa and Manuel Buíça.

Buíça, a former army sergeant and sharpshooter, fired five shots from a rifle hidden under his long overcoat. The king died immediately, his heir Luís Filipe was mortally wounded, and Prince Manuel was hit in the arm. The queen escaped injury. The two assassins were killed on the spot by police, and an innocent bystander, João da Costa, was also shot dead in the confusion. The royal carriage turned into the nearby Navy Arsenal, where, about twenty minutes later, Prince Luís Filipe died. Several days later, the younger son, Prince Manuel, was proclaimed king of Portugal. He was the last of the Braganza-Saxe-Coburg and Gotha dynasty and the final king of Portugal.

Marriage and children
Carlos I was married to Princess Amélie of Orléans in 1886. She was a daughter of Philippe, Count of Paris, and Princess Marie Isabelle of Orléans. Their children were:
 * Luís Filipe, Prince Royal of Portugal (1887–1908)
 * Infanta Maria Ana of Braganza (b/d 14 December 1887)
 * Manuel II, King of Portugal between 1908 and 1910 (1889–1932)

Allegedly, Carlos I had several extramarital relationships, from which some bastards were born. He may have had a daughter from an American. By Grimaneza Viana de Lima, a Peruvian widow of a Brazilian diplomat, he possibly had a daughter called Maria Pia, born before 1902. Grimaneza was his last great passion. Allegedly, he also had, from the Brazilian Maria Amélia Laredó e Murça, another bastard daughter, born in 1907 and also called Maria Pia. During his life, Carlos I never officially recognized the paternity of any bastard child, despite the fact that he himself was responsible for fueling suspicions about his illegitimate offspring.

Honours

 * Portuguese
 * Grand Commander of the Three Military Orders of Christ, Aviz and St. James
 * Grand Cross of the Tower and Sword
 * Grand Cross of the Immaculate Conception of Vila Viçosa

•  Austria-Hungary: Grand Cross of the Royal Hungarian Order of St. Stephen, 1873
 * Foreign

•  Empire of Brazil: Grand Cross of the Southern Cross, 1873

• 🇩🇰 Denmark: Knight of the Elephant, 7 October 1883

•  German Empire:

• * Knight of the Black Eagle, 10 September 1883

• * Grand Cross of the Red Eagle

• *   Ernestine duchies: Grand Cross of the Saxe-Ernestine House Order, 1884

• * Hesse and by Rhine: Grand Cross of the Ludwig Order, 24 September 1883

• * Saxe-Weimar-Eisenach: Grand Cross of the White Falcon, 1883

• * undefined: Knight of the Rue Crown, 1883

•  Kingdom of Italy:

• * Knight of the Annunciation, 31 December 1873

• * Grand Cross of Saints Maurice and Lazarus, 31 December 1873

• * Grand Cross of the Crown of Italy, 31 December 1873

• Flag of the Papal States (1825-1870).svg Holy See: Grand Cross of the Holy Sepulchre of Jerusalem

•  Sovereign Military Order of Malta: Bailiff Grand Cross of Honour and Devotion

•  Empire of Japan: Grand Cordon of the Order of the Chrysanthemum, 5 June 1897

•  Kingdom of Romania: Grand Cross of the Order of Carol I, with Collar, 1906

•  Siam: Knight of the Order of the Royal House of Chakri, 23 October 1897

• 🇪🇸 Kingdom of Spain:

• * Knight of the Golden Fleece, 11 December 1866

• * Grand Cross of the Order of Charles III, with Collar, 12 December 1902

• 🇸🇪 🇳🇴 Sweden-Norway:

• * Knight of the Seraphim, 23 May 1873

• * Grand Cross of St. Olav, 11 October 1883

•  undefined:

• * Stranger Knight Companion of the Garter, 9 November 1895

• * Recipient of the Royal Victorian Chain, 19 November 1902

•  Russian Empire:

• * Knight of St. Andrew

• * Knight of St. Alexander Nevsky

• * Knight of the White Eagle

• * Knight of St. Anna, 1st Class

• * Knight of St. Stanislaus, 1st Class

General references

 * Jean Pailler: D. Carlos I – Rei de Portugal: Destino Maldito de um Rei Sacrificado. Bertrand, Lisbon, 2001, ISBN 978-972-25-1231-2
 * Jean Pailler: Maria Pia: A Mulher que Queria Ser Rainha de Portugal. Bertrand, Lisbon, 2006, ISBN 972-25-1467-9
 * Manuel Amaral: Portugal – Dicionário Histórico, Corográfico, Heráldico, Biográfico, Bibliográfico, Numismático e Artístico, Volume II, 1904–1915, págs. 759
 * Rui Ramos: D. Carlos, Temas e Debates, Lisbon, 2007.
 * New York Times: 2 February 1908 Issue https://timesmachine.nytimes.com/timesmachine/1908/02/02/issue.html

title: Carlos I of Portugal


text:
Heritage

Heritage may refer to:

History and society

 * A heritage asset is a preexisting thing of value today
 * Cultural heritage is created by humans
 * Natural heritage is not
 * Heritage language

Biology

 * Heredity, biological inheritance of physical characteristics
 * Kinship, the relationship between entities that share a genealogical origin

Music

 * Heritage (Earth, Wind & Fire album), 1990
 * Heritage (Eddie Henderson album), 1976
 * Heritage (Opeth album), 2011, and the title song
 * Heritage Records (England), a British independent record label
 * Heritage (song), a 1990 song by Earth, Wind & Fire

Other uses in arts and media

 * Heritage (1919), Vita Sackville-West's first novel
 * Heritage (1935 film), a 1935 Australian film directed by Charles Chauvel
 * Heritage (1984 film), a 1984 Slovenian film directed by Matjaž Klopčič
 * Heritage (2019 film), a 2019 Cameroonian film by Yolande Welimoum
 * Heritage (novel), 2002 Doctor Who novel

Political parties

 * Heritage (Armenia), a liberal political party in Armenia
 * Heritage Party (Zambia), a political party in Zambia

Schools

 * Heritage Academy (disambiguation)
 * Heritage Christian University
 * Heritage College (disambiguation)
 * Heritage School (disambiguation)
 * Heritage High School (disambiguation)
 * Heritage Institute of Technology, Kolkata
 * American Heritage School (disambiguation)
 * Christian Heritage School (disambiguation)

Other uses

 * Ulmus parvifolia 'Zettler', a Chinese Elm cultivar sold under the marketing name Heritage

People with the surname

 * John Heritage, (born 1956), American sociologist
 * Peter Heritage (born 1960), English footballer
 * Steve Heritage, member of the American grindcore band Assück

title: Heritage


text:
Völkner incident

The Völkner incident describes the execution of the German-born Protestant missionary Carl Sylvius Völkner in New Zealand in 1865 by an independent Māori judiciary, consisting of members of the Pai Mārire faith. It has come to be seen by historians as a major and consequential miscarriage of justice by the Government of New Zealand during the New Zealand Wars. The event led to the arrest and execution of several major chieftains, and the confiscation of 85,000 acres of Māori land.

Born in the Electorate of Hesse, Völkner's mission took him to the lands of Te Whakatōhea at the behest of their chieftain, Mokomoko, initially an ally, who patronised him. With Whakatōhea support and guidance he established a church in Ōpōtiki in the Auckland Province (present-day Bay of Plenty). Völkner fell out with Te Whakatōhea after the Invasion of the Waikato, after which point many converted to the nascent Pai Mārire religion. Völkner was soon suspected of spying for the Crown by his former beneficiaries.

Despite hostilities Völkner had remained at Ōpōtiki, making several visits to Auckland in 1864, and again in January 1865. This further aroused suspicion that he was reporting to Governor George Grey on Whakatōhea activities without their approval. Ignoring warnings from several locals, he returned to Ōpōtiki on 1 March. Völkner was arrested almost immediately and tried on charges of espionage by Whakatōhea members of the Pai Mārire. Völkner was found guilty after a night of deliberation, and, sentenced to death, was hanged and decapitated at his church grounds.

In response to Völkner's death, George Grey authorised a military expedition to Ōpōtiki to arrest those who had convicted and executed him. Between 16 and 58 people were killed in the attack, which took place on 11 September 1865, and the pā was burnt to the ground. A number of local people were arrested and some were executed without trial. A large parcel of land, from Matatā to east of Ōpōtiki, was confiscated from eastern Bay of Plenty iwi. Despite being uninvolved in Völkner’s death, Mokomoko was arrested after Ōpōtiki Pā was looted and burnt to the ground by colonial forces. He surrendered to them on the condition that his tribe be left alone, but was wrongfully convicted for the crime, and executed among with several others in Auckland in May 1866.

Background
The Battle of Te Ranga, on 21 June 1864, was the last major conflict of the Tauranga Campaign and is said to mark the effective end of the fighting involved with the Invasion of the Waikato. It left an uneasy peace – not so much a peace as an absence of conflict, one that lasted for several months. This period saw two significant changes in disposition of the warring parties.

The Pai Marire (or Hauhau) movement, a syncretic religious group, was gaining ground and converts among the East Coast Māori. Pai Mārire began in 1862 as a combination of Christianity and traditional Māori beliefs. Originally peaceful, a sub-branch known as Hauhau became violent after experiencing Christian hypocrisy.

Meanwhile, the Imperial Troops were fighting their last campaign in New Zealand before being withdrawn to garrison duty and then complete withdrawal from New Zealand. At the same time the Colonial Militia were being reorganised and rearmed to take up the slack.

Völkner's trial and execution
Among the Māori community, Völkner was rumoured to be a government spy. It was thought he sent Governor George Grey a plan of a pa near Te Awamutu where British troops burned women and children alive in a whare that had been converted to a church. The wife and two daughters of Kereopa were among the victims. Pai Mārire (or Hauhau) arrived in the Ōpōtiki area of the Bay of Plenty in February 1865. On 2 March Protestant missionary Carl Völkner discovered that his Māori congregation had moved on from Christianity to Pai Mārire (or Hauhau). Like many Europeans in isolated communities, Völkner had sent reports of anti-Government activity to the governor. Although warned to stay away from the town, on his next visit he was captured, put on trial and hanged from a tree, and his body was decapitated an hour later. Kereopa Te Rau, a Hauhau, was alleged to have re-entered the church and conducted a service with Völkner's head in the pulpit beside him. He was also alleged to have plucked out the dead missionary's eyes and swallowed them. One eye allegedly represented Parliament and the other the Queen and British law. News of the murder caused great alarm and anger among Pākehā.

Response
For several months nothing happened—then came the capture of Weraroa Pa—the relief of the siege of Pipiriki in August 1865 that virtually ended that phase of the Second Taranaki War. This freed up the militia for action elsewhere.

George Grey was enraged upon hearing of the execution. He proclaimed its perpetrators “fanatics” and in September 1965 declared martial law in the Bay of Plenty, ordering Ōpōtiki locals to assist government forces or face land confiscation. Then forces then available to the New Zealand government, some 500 men, were transported by HMS Eclipse from Wanganui through Cook Strait, around the East Cape to Ōpōtiki. The composition of this force was significant. There were four companies of militia, a troop of cavalry and a contingent of Ngāti Hau warriors led by Te Keepa Te Rangihiwinui. These were the units that had already been campaigning together during the Taranaki War and had a history of successful cooperation and mutual respect.

The landing at Ōpōtiki was accomplished with difficulty. One of the ships ran aground on a falling tide and came under fire from the shore. Eventually it had to be abandoned and the crew and militia waded ashore but it was another twenty-four hours before the other ships were able to land their men and supplies. Once Grey's men had made successful landfall at Ōpōtiki, they opened fire indiscriminately at the local inhabitants, forcing them to retreat into nearby forest. Rather than pursue them, the Crown troops looted the pā, before burning it to the ground.

As soon as they were established and the snipers driven away, the militia occupied the church where Völkner had been murdered. While some of the Pākehā soldiers worked at turning this into a fortress, the others with Keepa and the Ngāti Hau were turned loose on the countryside. They employed the military tactic of denying the enemy food supplies, keeping what they needed and destroying the rest. Beyond a few muskets the East Coast Hauhau lacked many modern weapons with which to defend themselves. This accounts for the numerous one-sided battles and the Hauhau resorting to attempted treachery to defeat the government forces. It was made clear to them that these depredations would continue until the men responsible for the murder of Völkner were captured or surrendered. But the man they wanted most, Kereopa, had retreated to Tuhoe lands in the Urewera mountains and had no intention of surrendering.

Mokomoko, unaware he was the prime suspect behind the orchestration of Völkner’s death, surrendered in Ōpōtiki on condition that no punishment be inflicted upon Te Whakatōhea. Instead, he and four other men were arrested for murder and tried in Auckland. The rope used to hang Völkner was deemed sufficient evidence for the five men to be sentenced to death. Mokomoko and the other men were executed in Mount Eden Prison on 17 May 1866.

Before he was hanged, Mokomoko said “Tangohia mai te taura i taku kakī kia waiata au i taku waiata” ("Take the rope from my neck that I may sing my song”). He then sang:

Aftermath
After Mokomoko’s execution, large areas of land around Ōpōtiki were confiscated under the New Zealand Settlements Act of 1863 and sold to settlers.

In the early 1870s, the Ureweras were invaded by the government forces searching for Te Kooti and the Tuhoe were effectively conquered and subdued. They were forced to yield Kereopa to Ropata Wahawaha, and he was tried and hanged for Völkner's murder on 5 January 1872. Some Crown witnesses in the trial were given immunity from prosecution in exchange for their testimony, and Kereopa had no defence witnesses because the Crown would not pay for their travel from Napier. The jury took only about 15 minutes to return their verdict. Kereopa's iwi Ngati Rangiwewehi say that the trial had a predetermined outcome and was a miscarriage of justice.

In 1993, Justice Minister Doug Graham delivered an apology to Te Whakatōhea along with an official pardon of Mokomoko, one of the chiefs hanged. In 1996, the New Zealand Government signed a Deed of Settlement, acknowledging and apologising for the wrongful invasion and confiscation of Te Whakatōhea lands, and the subsequent economic, cultural and developmental devastation suffered by the iwi. In 1998 the New Zealand government offered the Whakatōhea iwi NZ$40 million as compensation for all their historical claims including the invasion and the confiscation of land following the Völkner Incident; however the offer was not accepted. Te Whakatōhea are presently preparing to negotiate a full settlement with the New Zealand Government. As part of the settlement of neighbouring iwi Ngāti Awa's claims in 2003, the Völkner Rocks near Whakaari/White Island were renamed "Te Paepae Aotea (Völkner Rocks)".

Kereopa was posthumously pardoned in November 2014. This means that Kereopa is no longer guilty of the murder of Völkner. This pardon was part of the Ngāti Rangiwewehi Treaty of Waitangi settlement.

title: Völkner incident