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First Intermediate Period of Egypt

The First Intermediate Period, described as a 'dark period' in ancient Egyptian history, spanned approximately 125 years, c. 2181–2055 BC, after the end of the Old Kingdom. It comprises the Seventh (although this is mostly considered spurious by Egyptologists), Eighth, Ninth, Tenth, and part of the Eleventh Dynasties. The concept of a "First Intermediate Period" was coined in 1926 by Egyptologists Georg Steindorff and Henri Frankfort.

Very little monumental evidence survives from this period, especially from the beginning of the era. The First Intermediate Period was a dynamic time in which rule of Egypt was roughly equally divided between two competing power bases. One of the bases was at Heracleopolis in Lower Egypt, a city just south of the Faiyum region, and the other was at Thebes, in Upper Egypt. It is believed that during that time, temples were pillaged and violated, artwork was vandalized, and the statues of kings were broken or destroyed as a result of the postulated political chaos. The two kingdoms would eventually come into conflict, which would lead to the conquest of the north by the Theban kings and to the reunification of Egypt under a single ruler, Mentuhotep II, during the second part of the Eleventh Dynasty. This event marked the beginning of the Middle Kingdom of Egypt.

Events leading to the First Intermediate Period
The fall of the Old Kingdom is often described as a period of chaos and disorder by some literature in the First Intermediate Period, but mostly by the literature of successive eras of ancient Egyptian history. The causes that brought about the downfall of the Old Kingdom are numerous, but some are merely hypothetical. One reason that is often quoted is the extremely long reign of Pepi II, the last major pharaoh of the 6th Dynasty. He ruled from his childhood until he was very elderly, possibly in his 90s, but the length of his reign is uncertain. He outlived many of his anticipated heirs, thereby creating problems with succession. Thus, the regime of the Old Kingdom disintegrated amidst this disorganization. Another major problem was the rise in power of the provincial nomarchs. Towards the end of the Old Kingdom the positions of the nomarchs had become hereditary, so families often held onto the position of power in their respective provinces. As these nomarchs grew increasingly powerful and influential, they became more independent from the king. They erected tombs in their own domains and often raised armies. The rise of these numerous nomarchs inevitably created conflicts between neighboring provinces, often resulting in intense rivalries and warfare between them. A third reason for the dissolution of centralized kingship that is mentioned was the low levels of the Nile inundation which may have been caused by a drier climate, resulting in lower crop yields bringing about famine across ancient Egypt; see 4.2 kiloyear event. There is however no consensus on this subject. According to Manning, there is no relationship with low Nile floods. "State collapse was complicated, but unrelated to Nile flooding history."

The Seventh and Eighth Dynasties at Memphis
The Seventh and Eighth Dynasties are often overlooked because very little is known about the rulers of these two periods. Manetho, a historian and priest from the Ptolemaic era, describes 70 kings who ruled for 70 days. This is almost certainly an exaggeration meant to describe the disorganization of the kingship during this time period. The Seventh Dynasty may have been an oligarchy comprising powerful officials of the Sixth Dynasty based in Memphis who attempted to retain control of the country. The Eighth dynasty rulers, claiming to be the descendants of the Sixth Dynasty kings, also ruled from Memphis. Little is known about these two dynasties since very little textual or architectural evidence survives to describe the period. However, a few artifacts have been found, including scarabs that have been attributed to king Neferkare II of the Seventh Dynasty, as well as a green jasper cylinder of Syrian influence which has been credited to the Eighth Dynasty. Also, a small pyramid believed to have been constructed by King Ibi of the Eighth Dynasty has been identified at Saqqara. Several kings, such as Iytjenu, are only attested once and their position remains unknown.

Rise of the Heracleopolitan kings
Sometime after the obscure reign of the Seventh and Eighth Dynasty kings a group of rulers arose in Heracleopolis in Lower Egypt. These kings comprise the Ninth and Tenth Dynasties, each with nineteen listed rulers. The Heracleopolitan kings are conjectured to have overwhelmed the weak Memphite rulers to create the Ninth Dynasty, but there is virtually no archaeology elucidating the transition, which seems to have involved a drastic reduction in population in the Nile Valley.

The founder of the Ninth Dynasty, Akhthoes or Akhtoy, is often described as an evil and violent ruler, most notably in Manetho's writing. Possibly the same as Wahkare Khety I, Akhthoes was described as a king who caused much harm to the inhabitants of Egypt, was seized with madness, and was eventually killed by a crocodile. This may have been a fanciful tale, but Wahkare is listed as a king in the Turin Canon. Kheti I was succeeded by Kheti II, also known as Meryibre. Little is certain of his reign, but a few artifacts bearing his name survive. It may have been his successor, Kheti III, who would bring some degree of order to the Delta, though the power and influence of these Ninth Dynasty kings was seemingly insignificant compared to the Old Kingdom pharaohs.

A distinguished line of nomarchs arose in Siut (or Asyut), a powerful and wealthy province in the south of the Heracleopolitan kingdom. These warrior princes maintained a close relationship with the kings of the Heracleopolitan royal household, as evidenced by the inscriptions in their tombs. These inscriptions provide a glimpse at the political situation that was present during their reigns. They describe the Siut nomarchs digging canals, reducing taxation, reaping rich harvests, raising cattle herds, and maintaining an army and fleet. The Siut province acted as a buffer state between the northern and southern rulers, and the Siut princes would bear the brunt of the attacks from the Theban kings.

Ankhtifi
The South was dominated by warlords, the best-known of whom is Ankhtifi, whose tomb was discovered in 1928 at Mo’alla, 30 km south of Luxor. He was a nomarch or provincial governor of the nome based at Hierakonpolis, but he then expanded to the south and conquered a second nome centred on Edfu. He then tried to expand to the north to conquer the nome centred on Thebes, but was unsuccessful, as they refused to come out and fight.

His tomb is highly decorated and contains an extremely informative autobiography in which he paints a picture of Egypt riven by hunger and famine from which he, the great Ankhtifi, had rescued them. ‘I gave bread to the hungry and did not allow anyone to die’. This economic disaster is much debated by modern commentators: it seems that every ruler made similar claims. But it seems clear that for all practical purposes, Ankhtifi was the ruler and there was no higher power to whom he owed allegiance. The unity of Egypt had broken down.

Rise of the Theban kings
It has been suggested that an invasion of Upper Egypt occurred contemporaneously with the founding of the Heracleopolitan kingdom, which would establish the Theban line of kings, constituting the Eleventh and Twelfth Dynasties. This line of kings is believed to have been descendants of Intef, who was the nomarch of Thebes, often called the "keeper of the Door of the South". He is credited for organizing Upper Egypt into an independent ruling body in the south, although he himself did not appear to have tried to claim the title of king. However, his successors in the Eleventh and Twelfth Dynasties would later do so for him. One of them, Intef II, begins the assault on the north, particularly at Abydos.

By around 2060 BC, Intef II had defeated the governor of Nekhen, allowing further expansion south, toward Elephantine. His successor, Intef III, completed the conquest of Abydos, moving into Middle Egypt against the Heracleopolitan kings. The first three kings of the Eleventh Dynasty (all named Intef) were, therefore, also the last three kings of the First Intermediate Period and would be succeeded by a line of kings who were all called Mentuhotep. Mentuhotep II, also known as Nebhepetra, would eventually defeat the Heracleopolitan kings around 2033 BC and unify the country to continue the Eleventh Dynasty, bringing Egypt into the Middle Kingdom.

The Ipuwer Papyrus
The emergence of what is considered literature by modern standards seems to have occurred during the First Intermediate Period, with a flowering of new literary genres in the Middle Kingdom. A particularly important piece is the Ipuwer Papyrus, often called the Lamentations or Admonitions of Ipuwer, which although not dated to this period by modern scholarship may refer to the First Intermediate Period and record a decline in international relations and a general impoverishment in Egypt.

The art and architecture of the First Intermediate Period
The First Intermediate Period in Egypt was generally divided into two main geographical and political regions, one centered at Memphis and the other at Thebes. The Memphite kings, although weak in power, held on to the Memphite artistic traditions that had been in place throughout the Old Kingdom. This was a symbolic way for the weakened Memphite state to hold on to the vestiges of glory in which the Old Kingdom had reveled. On the other hand, the Theban kings, physically isolated from Memphis (the capital of Egypt in the Old Kingdom) and the Memphite center of art, were forced to develop their own "Pre-Unification Theban Style" of art to fulfill their kingly duty of creating order out of chaos through art.

There is not much known about the style of art from the North (centered in Heracleopolis) because not much is known about the Heracleopolitan kings: little information is provided detailing their rule on monuments from the North. However, much is known about the Pre-Unification Theban Style, as the Theban kings of the Pre-Unification Eleventh Dynasty used art to reinforce the legitimacy of their rule, and many royal workshops were created, forming a distinctive Upper Egyptian style of art different from the Old Kingdom canon.

Reliefs from the Pre-Unification Theban style of art consist primarily of either high raised relief or deep sunk relief with incised details. Figures depicted have narrow shoulders and a high small of the back, with rounded limbs and a lack of musculature in males; males also sometimes are shown with rolls of fat (a characteristic that originated in the Old Kingdom to portray mature males) and have angular breasts and, while the female breast is more angular or pointed or is shown through a long gentle curve with no nipple (in other periods, the female breast is depicted as curved). Facial features characteristic of this style include a large eye, which is outlined with a band of relief meant to represent eye paint. The band meets the outer eye corner and this line usually runs back to the ear. The eyebrow above the eye is mostly flat; it does not mimic the shape of the eyelid. A deep incision is used in the creation of the broad nose, and the ear is both large and oblique.

An example of Pre-Unification Theban reliefs is the Stela of the Gatekeeper Maati, a limestone stela from the reign of Mentuhotep II, ca. 2051-2030 BCE. In this stela, Maati is seated at an offering table with a jar of sacred oils in his left hand, and the text surrounding him references other figures from his life, such as the treasurer Bebi and the ancestor of the ruling Intef family, demonstrating the close bonds that tie together rulers and followers in Theban society during the First Intermediate Period.

Strong facial features and the round modeling of limbs is also seen in statues, as seen in the Limestone Statue of the Steward Mery, from the 11th Dynasty of the First Intermediate Period, also under the reign of Mentuhotep II.

Males with pronounced, angular breasts portrayed with rolls of fat, as well as females with angular or pointed breasts are seen in the collection of Limestone Reliefs of High Official Tjetji. The Limestone Relief of High Official Tjetji contains 14 horizontal lines of text at the top of the relief, with an account of Tjetji's life. Five vertical columns on the right of the relief dictate an elaborate offering formula particular to the First Intermediate Period. Tjetji faces right with two smaller males on the left that are most likely official staff. Tjetji himself is depicted as a mature official with a pronounced breast, rolls of fat on his torso, and a calf-length kilt. The officials shown on the left are more youthful and wear shorter kilts, symbolizing that they are less mature and active. The depiction of the female figure specific to the First Intermediate Period is also seen in the Limestone Relief of High Official Tjetji; in the image provided, the angular breast can be seen.

The building projects of the Heracleopolitan kings in the North were very limited. Only one pyramid believed to belong to King Merikare (2065–2045 BC) is mentioned to be somewhere at Saqqara. Also, private tombs that were built during the time pale in comparison to the Old Kingdom monuments, in quality and size. There are still relief scenes of servants making provisions for the deceased as well as the traditional offering scenes which mirror those of the Old Kingdom Memphite tombs. However, they are of a lower quality and are much simpler than their Old Kingdom parallels. Wooden rectangular coffins were still being used, but their decorations became more elaborate during the rule of the Heracleopolitan kings. New Coffin Texts were painted on the interiors, providing spells and maps for the deceased to use in the afterlife.

Artworks that survived from the Theban Period show that the artisans took on new interpretations of traditional scenes. They employed the use of bright colors in their paintings and changed and distorted the proportions of the human figure. This distinctive style was especially evident in the rectangular slab stelae found in the tombs at Naga el-Deir. In terms of royal architecture, the Theban kings of the early eleventh dynasty constructed rock cut tombs called saff tombs at El-Tarif on the west bank of the Nile. This new style of mortuary architecture consisted of a large courtyard with a rock-cut colonnade at the far wall. Rooms were carved into the walls facing the central courtyard where the deceased were buried, allowing for multiple people to be buried in one tomb. The undecorated burial chambers may have been due to the lack of skilled artists in the Theban kingdom.

title: First Intermediate Period of Egypt


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Ken Roberts (author)

Ken Roberts (born 1946) is a Canadian librarian and children's writer who lives in Nanaimo, BC.

Biography
Ken Roberts is the former Chief Librarian of the Hamilton Public Library. His hobby is writing. Ken Roberts has taught Public Library Children's Services at UBC, Children's Literature at Simon Fraser University and Storytelling/Puppetry at the University of Lethbridge. He has been Storyteller in Residence for the Vancouver School Board and Games Master for the World Improvisation Championships. Ken Roberts was also a two-time All-American distance runner, having attended UCLA as an undergraduate and both McMaster University and UWO for master's degrees.

Awards/recognitions
Ken Roberts has won a CanPro award for television writing and co-wrote a comedic play for adults (Suspect) that received a very positive review in Variety and has played regularly, with performances on three continents.

His book Past Tense was nominated for the prestigious Governor General's Award for Children's Literature in 1994. He has also been a finalist for the Christie Book Award and for the Canadian Children's Book of the Year. His book The Thumb in the Box received a starred review in The Horn Book. Another children's novel, Hiccup Champion of the World, has been translated into a number of languages.

Ken won the Canadian Association of Public Libraries' Outstanding Service Award in 2001 and the Hamilton Public Library system won the Ontario Library Association's President's Award for Exceptional Achievement in 2002.

Ken is a past president of the Canadian Library Association.

Works

 * Crazy Ideas - 1984
 * Pop Bottles - 1987
 * Hiccup Champion of the World - 1988
 * Jacques Cartier - 1988
 * Nothing Wright - 1991
 * Past Tense - 1994 (nominated for a Governor General's Award)
 * The Thumb in the Box - 2001
 * Thumb on a Diamond - 2006
 * Thumb and the Bad Guys - 2010

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Ken Roberts (author)


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Milonga (music)

Milonga is a musical genre that originated in the Río de la Plata areas of Argentina, Uruguay, and the Brazilian state of Rio Grande do Sul. It is considered a precursor of the tango.

"Milonga is an excited habanera." The original habanera divided into four pulses, in a standard two-four where every note was stressed. In becoming milonga, though, all four notes turned strong, as tempo was doubled. The strength of the first beat weakened the fourth giving an almost waltz-like feel to milonga: one-two-three (four), one-two-three (four). Habanera is a slower, more explicit sounding one, two, three-four. At least one modern tango pianist believes the polka influenced the speeding up of the milonga. According to milonga composer and one of the most famous payadores of his time, Gabino Ezeiza, the milonga derives from various African rhythms such as candombe, and Argentine milonga was particularly popular among Afro-Argentines in Buenos Aires at the turn of the 20th century.

Over time, dance steps and other musical influences were added, eventually contributing to the creation of tango.

Notable artists
Artists known for their milonga compositions and interpretations include Roberto Firpo, Angel D'Agostino, Pedro Maffia, Pedro Laurenz, Ángel Villoldo, Francisco Canaro, Rodolfo Biagi, Jorge Drexler, Juan d'Arienzo, Edgardo Donato, Gabino Ezeiza, Aníbal Troilo, Lucio Demare, Domingo Federico, Angel Vargas, Mariano Mores, Alfredo Zitarrosa, Francisco Lomuto, Astor Piazzolla and Carlos Di Sarli. These artists are from the early years and the Golden era of tango. Los Moonlights released a song entitled "Milonga de pelo largo" (Milonga of long hair) on their debut LP, Moonlights.

In Rio Grande do Sul, milonga is an important regional genre and it is part of the repertoire of many gaucho musical groups and interpreters, not to be confused with the Argentinean gauchos. It also continues to influence other genres of the modern gaucho music. José Cláudio Machado's "Milonga Abaixo de Mau Tempo", Renato Borghetti's "Milonga para as Missões" and Jayme Caetano Braun's "Bochincho" are examples of the traditional rio-grandense form of milonga, while Vitor Ramil's "Ramilonga" and Bebeto Alves's "Milonga Orientao" are examples of modern form of this genre.

Argentine composer and pianist Fernando Otero has based many of his orchestral and chamber works on this rhythm, creating compositions for Symphonic Orchestra, String Quartet and Jazz Combos. Kevin Johansen is a modern Argentine rock artist who has a number of songs that combine folkloric and pop music with a milonga rhythm.

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Rex Murphy

Robert Rex Rafael Murphy (March 1947 – 9 May 2024) was a Canadian commentator and author, primarily on Canadian political and social matters. He was the regular host of CBC Radio One's Cross Country Checkup, a nationwide call-in show, for 21 years before stepping down in September 2015. He wrote for the National Post and had a YouTube channel called RexTV.

Early life and education
Murphy was born on March 1947 in Carbonear, in the Dominion of Newfoundland. Like all British subjects born in Newfoundland prior to its union with Canada in 1949, Murphy became a natural-born Canadian citizen under the Newfoundland Terms of Union and an amendment to the Canadian Citizenship Act, passed in 1949. Murphy grew up in Placentia, 105 kilometres west of St. John's, and is the second of five children of Harry and Marie Murphy. He graduated from Memorial University of Newfoundland with a degree in Education in 1966. In 1968, he studied law for a year at St Edmund Hall, Oxford, as a Rhodes scholar. Returning to Newfoundland, he began a master's degree in English, but did not complete it.

Early career
Murphy first came to national attention in 1965, while attending Memorial University, during a nationally covered speech in Lennoxville, Quebec. Murphy characterized Newfoundland Premier Joey Smallwood's governing style as dictatorial and proclaimed his legislature's recent announcement of free tuition as a sham as it only covered the first year of a degree program. Smallwood warned the undergraduate student in a news conference not to return. Murphy did return, and was elected President of Memorial University Student Council. Smallwood's administration followed through with its promise – students were awarded both free tuition and an additional $50 monthly living allowance for those residing in St. John's ($100 for those living in the outports).

Murphy won a Progressive Conservative nomination in 1975. However, he abandoned it due to lack of funds. Instead, he went to work as special assistant to PC leader and Premier Frank Moores.

Murphy later switched parties in the 1980s and served two years as chief researcher for the provincial Liberal caucus before running for provincial office twice, as a Liberal. He stood for election in the 1985 general election in the riding of Placentia, and came in second, losing by 146 votes to William G. Patterson. The next year, he stood for election in a by-election in the riding of St. John's East. This time he came in third, behind the successful New Democratic Party candidate, Gene Long, and the Progressive Conservative candidate, Shannie Duff.

Canadian Broadcasting Corporation
Murphy was a frequent presence on the various branches of the CBC. In the 1970s, he worked as an interviewer on Here and Now which aired on CBC Radio in Newfoundland, and in Toronto, on the current affairs program Up Canada!

He returned to CBC in the 1990s and had regular commentary segments entitled "Point of View" on The National, CBC Television's flagship nightly news program. He was also the regular host of CBC Radio One's Cross Country Checkup, a nationwide call-in show, starting in 1994 and continuing for 21 years.

In 2004, he and nine other prominent Canadians participated in the production and the defence of a Great Canadian on the CBC Television program The Greatest Canadian. Murphy, advocating for former prime minister Pierre Trudeau, guided his candidate to third place in the final vote.

Murphy retired from Cross Country Checkup on 20 September 2015, and continued his commentary segments on The National until 28 June 2017.

After receiving several public complaints in 2014, the CBC's ombudsman investigated claims that Murphy may have been in conflict of interest by criticizing opponents of the Alberta oil sands in his "Point of View" segments while receiving money from the oil industry for paid speeches. In the final report and after an investigation, the CBC's ombudsman, Esther Enkin, did not say whether Murphy's speeches presented a conflict of interest but did conclude that "since taking money leads to a perception of a conflict of interest, CBC management might want to consider, in the review they are undertaking, whether even with disclosure, it is appropriate for CBC news and current affairs staff to get paid for their speaking engagements."

Subsequent work
Murphy wrote a column for the Saturday edition of The Globe and Mail newspaper until January 2010, when the Globe cancelled the column and Murphy moved to the National Post, for which he continued to write until his death.

In October 2019, he launched RexTV, his own YouTube channel, in which he interviewed prominent figures in politics, business, academia, journalism, science and culture who might be ignored or misrepresented by the mainstream media.

Views
In 2009, Murphy criticized the Liberal Party for proposing "green" policy responses to global warming. In 2020, Murphy criticized the Justin Trudeau–led Liberal government's response to the COVID-19 pandemic for creating a system in which the government is "without opposition, free to gush money wherever it wishes, in whatever amounts it chooses, to whomever it favours." In 2021, Murphy published a column calling the government "the worst Canadian government ever."

Murphy argued that climate change is "a sub-branch of climate politics". He criticized former US Vice President Al Gore's opposition to the Alberta oil sands and in a 2013 column, called the industry "a dazzling and profitable engineering endeavor of which all Canadians should be proud".

Death
Murphy died from cancer on 9 May 2024 in Toronto, at the age of 77.

Honours
In June 2008, Murphy was awarded an Honorary Doctor of Laws degree from the University of Waterloo. He was awarded honorary doctorates of letters by Memorial, St. Thomas, and Nipissing universities. In June 2013, he was awarded the Honorary Fellowship of the Canadian Institute of Management.

title: Rex Murphy


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Monetary reform

Monetary reform is any movement or theory that proposes a system of supplying money and financing the economy that is different from the current system.

Monetary reformers may advocate any of the following, among other proposals:

 * A return to the gold standard (or silver standard or bimetallism).
 * Abolition of central bank support of the banking system during periods of crisis and/or the enforcement of full reserve banking for the privately owned banking system to remove the possibility of bank runs,  possibly combined with sovereign money issued and controlled by the government or a central bank under the direction of the government. There is an associated debate within Austrian School whether free banking or full reserve banking should be advocated but regardless Austrian School economists such as Murray Rothbard support ending central bank bail outs ("ending the Fed").
 * The issuance of interest-free credit by a government-controlled and fully owned central bank. Such interest-free but repayable loans could be used for public infrastructure and productive private investment. This proposal seeks to avoid debt-free money causing inflation.
 * The issuance of social credit – "debt-free" or "pure" money issued directly from the Treasury – rather than the sourcing of fresh money from a central bank in the form of interest-bearing bonds. These direct cash payments would be made to "replenish" or compensate people for the net losses some monetary reformers believe they suffer in a fractional reserve-based monetary system.
 * The international monetary reform by proposing the development of a world central bank managed jointly by all member countries in the world. The world central bank then issues a real international currency that coexists with the national currency of each member country and can be converted to each other at an exchange rate that follows the fundamentals of each country called "auto-balancing". The international currency is only for crosborder transactions between member countries, while domestic transactions continue to use their respective national currencies.

Common targets for reform
Of all the aspects of monetary policy, certain topics reoccur as targets for reform:

Reserve requirements
Banks typically make loans to customers by crediting new demand deposits to the account of the customer. This practice, which is known as fractional reserve banking, permits the total supply of credit to exceed the liquid legal reserves of the bank. The amount of this excess is expressed as the "reserve ratio" and is limited by government regulators not to exceed a level which they deem adequate to ensure the ability of banks to meet their payment obligations. Under this system, which is currently practiced throughout the world, the money supply varies with the quantity of legal reserves and the amount of credit issuance by banks.

Several major historical examples of financial regulatory reform occurred in the 20th century relating to fractional-reserve banking, made in response to the Great Depression and the many bank runs following the crash of 1929. These reforms included the creation of deposit insurance (such as the Federal Deposit Insurance Corporation) to mitigate against the danger of bank runs. Countries have also implemented legal reserve requirements which impose minimum reserve requirements on banks. Mainstream economists believe that these monetary reforms have made sudden disruptions in the banking system less frequent.

However, some critics of fractional reserve banking argue that the practice inherently artificially lowers real interest rates and leads to business cycles propagated by excessive capital investment and subsequent contraction. A small number of critics, such as Michael Rowbotham, equate the practice to counterfeiting, because banks are granted the legal right to issue new loans while charging interest on the money thus created. Rowbotham argues that this concentrates wealth in the banking sector with various pernicious effects.

Money creation by the central bank
Some critics discuss the fact that governments pay interest for the use of money which the central bank creates "out of nothing". These critics claim that this system causes economic activity to depend on the actions of privately owned banks, which are motivated by self-interest rather than by any explicit social purpose or obligation.

International organizations and developing nations
Some monetary reformers criticise existing global financial institutions such as the World Bank, International Monetary Fund, Bank of International Settlements and their policies regarding money supply, banks and debt in developing nations, in that they appear to these writers to be "forcing" a regime of extortionate or unpayable debt on weak Third World governments that do not have the capacity to pay the interest on these loans without severely affecting the well-being or even the viability of the local population. The attempt by weak Third World governments to service external debt with the sale of valuable hard and soft commodities on world markets is seen by some to be destructive of local cultures, destroying local communities and their environment.

Arguments for reform
Among the arguments for a transition to full-reserve banking or sovereign money are as follows:

 * Money are created when a loan is made and this money disappear when the loan is paid down. The central banks cannot control the money supply when private banks are creating credit money. Credit money can be converted to reserve money in various ways so that there is no practical limit to the amount of credit money that can be created by private banks. This increases the risk of economic crises, unemployment, and bank bailouts or bank runs.

 * Less than 6% of the money in circulation in the world is coins and bank notes, the rest originates from bank credit, carrying interest. This interest allows banks to earn rents from the mere fact that money exist. Reformers do not think it fair that the whole society is paying rents to the banks just for having money to circulate.

 * The total amount of public and private debt in the world is now between two and three times the amount of broad money in circulation. This is a result of the accumulated compound interest of credit money. This counterintuitive fact makes it virtually impossible to repay all debt. The mathematical consequence is that somebody will have to go bankrupt even if they have done nothing wrong. It seems unfair that somebody will become destitute as a consequence of the money system rather than because of their own reckless behavior.

 * It is not only individual persons and businesses that go bankrupt as a consequence of the fact that there is more debt than money in circulation. Many states have gone bankrupt and some states have done so many times. The debt problem is particularly severe for developing countries that have debt in foreign currencies. The International Monetary Fund and the World Bank have been promoting loans to resource-rich developing countries for the expressed purpose of promoting economic growth in these countries, yet these loans were denominated in foreign currencies and most of the money were used for paying transnational entrepreneurs without ever entering the local economy. These countries have been forced to sell off national assets in order to service the debt. Also a number of countries in the European Union are affected when a large part of the money circulating in the country originates from banks in other member countries. The spiraling, unpayable national debt has led to social chaos and even war in some cases.

 * A major part of all new credit money that is created is spent on changing the ownership of existing assets rather than creating new assets. This process inflates the prices of assets, including real estate, factories, land, and intellectual rights. This makes living unnecessarily costly for everybody. It contributes to growing inequality and it makes the economy unstable because of the creation of asset bubbles.

 * The exponentially increasing debt in society can only be serviced as long as the rate of economic growth exceeds the interest rate. This creates an imperative for perpetual growth in production and consumption. This leads to overconsumption and overexploitation of resources. The technological progress in labor-saving technologies has not given us more leisure as we expected, because of the necessary growth in consumption.

 * The unpayable debt leads to bankruptcies of homeowners and foreclosure of their homes. This allows banks to replace their virtual assets in the form of money created 'out of thin air' with physical assets in the form of real estate. In 1968, a court in Minnesota decided that this practice was unconstitutional because the process by which the bank had created money from nothing was fraudulent (see First National Bank of Montgomery v. Daly).

Arguments against reform
Among the arguments for keeping the current system of money creation based on the credit theory of money or fractional reserve banking are as follows:

 * Switching to an untested banking system that differs from that of other countries would lead to a situation of extreme uncertainty.
 * A reform would make it difficult for the central bank to implement a monetary policy that secures price stability.
 * The creation of money free of debt would make it difficult for the central bank to later reduce the money supply.
 * The central bank would quite likely be subjected to political pressures for producing more money for whatever purpose is high on the political agenda. Giving in to such pressures would lead to inflation.
 * The finance sector would be weakened because its profit is reduced.
 * A reform would not offer complete protection against financial crises abroad.
 * A reform would lead to an unhealthy concentration of power at the central bank. Critics doubt that the central bank can determine the required money supply better than the private banks can.
 * The central bank may have to provide credit to commercial banks and accept the accompanying risk.
 * A sovereign money system would stimulate the creation of shadow banking and alternative means of payment.
 * In the traditional banking system, the central bank controls the interest rate while the money supply is determined by the market. In a sovereign money system, the central bank controls the money supply while the market controls the interest rate. In the traditional system, the need for investments determines the amount of credit that is issued. In a sovereign money system, the amount of saving determines the investments. This change of influences will generate a new and different system with its own dynamics and possible instabilities. The interest rate may fluctuate as well as the liquidity. It is not certain that the market will find an equilibrium where the liquidity is sufficient for the needs of the real economy and full employment.

Government Control vs Central Bank independence
To regulate credit creation, some countries have created a currency board, or granted independence to their central bank. The Reserve Bank of New Zealand, the Reserve Bank of Australia, the Federal Reserve, and the Bank of England are examples where the central bank is explicitly given the power to set interest rates and conduct monetary policy independent of any direct political interference or direction from the central government. This may enable the setting of interest rates to be less susceptible to political interference and thereby assist in combating inflation (or debasement of the currency) by allowing the central bank to more effectively restrict the growth of M3.

However, given that these policies do not address the more fundamental issues inherent in fractional reserve banking, many suggest that only more radical monetary reform such as government directly taking over central banks such as the China or Swiss models can promote positive economic or social change. Although central banks may appear to control inflation, through periodic bank rescues and other means, they may inadvertently be forced to increase the money supply (and thereby debase the currency) to save the banking system from bankruptcy or collapse during periodic bank runs, thereby inducing moral hazard in the financial system, making the system susceptible to economic bubbles.

International monetary reform
Theorists such as Robert Mundell (and more radical thinkers such as James Robertson) see a role for global monetary reform as part of a system of global institutions alongside the United Nations to provide global ecological management and move towards world peace, with Robert Mundell in particular advocating the revived use of gold as a stabilising factor in the international financial system. Henry Liu of the Asia Times Online argues that monetary reform is an important part of a move towards post-autistic economics.

While some mainstream economists favour monetary reforms to reduce inflation and currency risk and to increase efficiency in the allocation of financial capital, the idea of all-encompassing reform for green or peace objectives is typically espoused by those on the left-wing of the subject and those associated with the anti-globalization movement.

Social credit and the provision of debt-free money directly from government
Still other radical reform proposals emphasise monetary, tax and capital budget reform which empowers government to direct the economy toward sustainable solutions which are not possible if government spending can only be financed with more government debt from the private banking system. In particular, a number of monetary reformers, such as Michael Rowbotham, Stephen Zarlenga and Ellen Brown, support the restriction or banning of fractional-reserve banking (characterizing it as an illegitimate banking practice akin to embezzlement) and advocate the replacement of fractional-reserve banking with government-issued debt-free fiat currency issued directly from the Treasury rather than from the quasi-government Federal Reserve. Austrian commentator Gary North has sharply criticized these views in his writings.

Alternatively, some monetary reformers such as those in the social credit movement, support the issuance of repayable interest-free credit from a government-owned central bank to fund infrastructure and sustainable social projects. This social credit movement flourished briefly in the early 20th century, but then became marginalized. In Canada, it was an important political movement that ruled Alberta through nine legislatures between 1935 and 1971, and also won many seats in Québec. It died out in the 1980s.

Both these groups (those who advocate the replacement of fractional-reserve banking with debt-free government-issued fiat, and those who support the issuance of repayable interest-free credit from a government-owned central bank) see the provision of interest-free money as a way of freeing the working populace from the bonds of "debt slavery" and facilitating a transformation of the economy away from environmentally damaging consumerism and towards sustainable economic policies and environment-friendly business practices.

Examples of government issued debt-free money
Some governments have experimented in the past with debt-free government-created money independent of a bank. The American Colonies used the "Colonial Scrip" system prior to the Revolution, much to the praise of Benjamin Franklin. He believed it was the efforts of English bankers to revoke this government-issued money that caused the Revolution.

Abraham Lincoln used interest-free money created by the government to help the Union win the American Civil War. He is sometimes quoted (probably apocryphally) calling these 'Greenbacks' "the greatest blessing the people of this republic ever had."

Local barter, local currency
Some go further and suggest that wholesale reform of money and currency, based on ideas from green economics or Natural Capitalism, would be beneficial. These include the ideas of soft currency, barter and the local service economy.

Local currency systems can operate within small communities, outside of government systems, and use specially printed notes or tokens called scrips for exchange. Barter takes this further by swapping goods and services directly; a compromise being the Local Exchange Trading Systems (LETS) scheme: a formalised system of community-based economics that records members' mutual credit in a central location.

Commodity money
Some proponents of monetary reform desire a move away from fiat money towards a hard currency or asset-backed currency, which is often argued to be an antidote to inflation. This may involve using commodity money such as money backed by the gold, silver or both, commodities which supporters argue possess unique properties: their extraordinary malleability, their strong resistance to forgery, their character as stable and impervious to decay, and their inherently limited supply.

Digital means are also now possible to allow trading in hard currencies such as gold, and some believe a new free market will emerge in money production and distribution, as the internet allows renewed decentralisation and competition in this area, eroding the central government's and bankers' old monopoly control of the means of exchange.

Free banking
Some monetary reformers favour permitting competing banks to issue private banknotes whilst also eliminating the central bank's role as lender of last resort. In the absence of these factors, they believe a gold standard or silver standard would arise spontaneously out of the free market.

title: Monetary reform


text:
Fajita

A fajita, in Tex-Mex cuisine, is any stripped grilled meat, optionally served with stripped peppers and onions usually served on a flour or corn tortilla. The term originally referred to skirt steak, the cut of beef first used in the dish. Popular alternatives to skirt steak include chicken and other cuts of beef, as well as vegetables instead of meat. In restaurants, the meat is usually cooked with onions and bell peppers. Popular condiments include shredded lettuce, sour cream, guacamole, salsa, pico de gallo, shredded cheese, refried beans, and diced tomatoes. "Tacos de arrachera" is applied to the northern Mexican variant of the dish.

Etymology
Fajita is a Tex–Mex, Texan–Mexican American or Tejano, diminutive term for little strips of meat cut from the beef skirt, the most common cut used to make fajitas. The word fajita is not known to have appeared in print until 1971, according to the Oxford English Dictionary. (The word faja is Spanish for "strip", or "belt", from the Latin fascia, "band" ) Although fajita originally referred to these strips of beef skirt, fajitas now are made with a variety of fillings, including vegetarian options such as green/red/yellow peppers, onions, chilies, and jalapeño peppers.

History
Skirt steak is a very common and popular cut of meat originating in Europe where it’s known as hampe in France and kronfleisch in Germany. In Latin America, where it’s one of the most popular cuts of beef for grilling, it’s known by different names: In Argentina, Chile and Uruguay it’s known as “entraña”; In Brazil it’s known as “fraldinha”, and “arrachera” in Mexico. In Texas it’s known as “faja” or “fajita”. The first culinary evidence of the fajitas with the cut of meat, the cooking style (directly on a campfire or on a grill), and the Spanish nickname goes back as far as the 1930s in the ranch lands of South and West Texas.

In September 1969, Sonny Falcón, an Austin meat market manager, operated the first commercial fajita taco concession stand at a rural 16 de septiembre celebration in Kyle, Texas. During that same year, Otilia Garza introduced fajitas at the Round-Up Restaurant in Pharr, Texas. Garza is credited with adding the signature sizzling plate presentation of fajitas after being served queso flameado (melted Mexican cheese) on a cast-iron plate in Acapulco.

The food was popularized by various businesses, such as Ninfa's in Houston, the Hyatt Regency in Austin, and numerous restaurants in San Antonio. In southern Arizona, the term was unknown except as a cut of meat until the 1990s, when Mexican fast food restaurants started using the word in their marketing. In later years, fajitas became popular at American casual dining restaurants as well as in home cooking.

In many restaurants, the fajita meat and vegetables are brought to the table sizzling loudly on a metal platter or skillet, along with warmed tortillas and condiments such as guacamole, pico de gallo, queso, salsa, shredded cheese or sour cream.

Folk History
According to popular Chicano and Tejano history, the use of such cuts of meat originated in South Texas, ignoring the fact that it’s a popular cut of meat in other parts of the world. According to them, during cattle roundups, cows were butchered regularly to feed the hands. Items such as the hide, the head, the entrails, and meat trimmings such as the skirt were given to the Mexican cowboys called vaqueros as part of their pay. Hearty border dishes like barbacoa de cabeza (head barbecue), menudo (tripe soup), and fajitas or arracheras (grilled skirt steak) have their roots in this practice. Considering the limited number of skirts per carcass and the fact the meat was not available commercially, the fajita tradition remained regional and relatively obscure for many years, probably familiar only to vaqueros, butchers, and their families.

While this is a widely accepted origin story, it ignores the fact that such dishes not only exist in South Texas, but also throughout the rest of Mexico and in the rest of Latin America and Spain. Barbacoa de Cabeza (roasting beef head in an earth oven), for example, is also a traditional common dish in South America, where it’s known as Cabeza guateada and Vaka akangué yvyguy in Argentina and Paraguay, respectively; and berarubu and “cabeça de boi assada no buraco” in Brazil. While Menudo or Mondongo or Guatitas, a tripe soup, exist throughout Latin America, as it originated in Spain where it’s known as Callos.

title: Fajita


text:
The Voyage of the Beagle

The Voyage of the Beagle is the title most commonly given to the book written by Charles Darwin and published in 1839 as his Journal and Remarks, bringing him considerable fame and respect. This was the third volume of The Narrative of the Voyages of H.M. Ships Adventure and Beagle, the other volumes of which were written or edited by the commanders of the ships. Journal and Remarks covers Darwin's part in the second survey expedition of the ship HMS Beagle. Due to the popularity of Darwin's account, the publisher reissued it later in 1839 as Darwin's Journal of Researches, and the revised second edition published in 1845 used this title. A republication of the book in 1905 introduced the title The Voyage of the "Beagle", by which it is now best known.

Beagle sailed from Plymouth Sound on 27 December 1831 under the command of Captain Robert FitzRoy. While the expedition was originally planned to last two years, it lasted almost five—Beagle did not return until 2 October 1836. Darwin spent most of this time exploring on land (three years and three months on land; 18 months at sea). The book is a vivid travel memoir as well as a detailed scientific field journal covering biology, geology, and anthropology that demonstrates Darwin's keen powers of observation, written at a time when Western Europeans were exploring and charting the whole world. Although Darwin revisited some areas during the expedition, for clarity the chapters of the book are ordered by reference to places and locations rather than by date.

Darwin's notes made during the voyage include comments hinting at his changing views on the fixity of species. On his return, he wrote the book based on these notes, at a time when he was first developing his theories of evolution through common descent and natural selection. The book includes some suggestions of his ideas, particularly in the second edition of 1845.

Context
In May 1826 two ships left Plymouth to survey the southern coasts of South America. The senior officer of the expedition was Phillip Parker King, Commander and Surveyor of HMS Adventure, and under his orders Pringle Stokes was Commander and Surveyor of HMS Beagle. In August 1828 Stokes died after shooting himself. In December Robert FitzRoy was given command of the ship and continued the survey. In January 1830 FitzRoy noted in his journal the need for expertise in mineralogy or geology, on a future expedition he would "endeavour to carry out a person qualified to examine the land; while the officers, and myself, would attend to hydrography." Both ships returned to Plymouth in August 1830. King was in poor health, and retired from the Navy (he moved back to his home in Australia in 1832).

In August 1831, while Beagle was being readied, FitzRoy's offer of a place for a self-funded naturalist was raised with University of Cambridge professors. Henslow passed it on to Darwin who was well qualified and, enthused by reading Humboldt's Personal Narrative, was on a short study tour with geologist Adam Sedgwick in preparation for a planned visit with friends to Tenerife. Darwin read the letters when he got home, and was eager to join the voyage.

Darwin's diary / journal
On board the ship, Darwin began a day-to-day record of activities in the form of a diary, which he commonly called "my Journal". Darwin wrote entries, in ink, while on the ship or when staying for a period in a house on shore. When travelling on land, he left the manuscript on the ship, and made pencil notes in pocket books to record details of his excursions along with his field notes on geology and natural history. He then wrote up his diary entries from these notes or from memory, sometimes several weeks after the event.

Pages 1 and 2, dated 16 December 1831, outline events from Darwin arriving home on 29 August to his arrival at Devonport on 24 October. From page 3 onwards he adopts a consistent layout, with month, the year and place in a heading at the top, page number in a top corner, and the day of the month in the margin at each entry. After delays and false starts due to weather, they set off on 27 December. Darwin suffered seasickness, and his entry for that date starts "I am now on the 5th of Jan.y writing the memoranda of my misery for the last week".

In April, a month after reaching South America, he wrote to his sister Caroline that he was struggling to write letters, partly due to "writing everything in my journal". A few weeks later at Botafogo, tired and short of time, he sent her "in a packet, my commonplace Journal.— I have taken a fit of disgust with it & want to get it out of my sight, any of you that like may read it.— a great deal is absolutely childish: Remember however this, that it is written solely to make me remember this voyage, & that it is not a record of facts but of my thoughts". He invited criticisms. In reply, his sister Catherine praised his "interesting and entertaining" descriptions, "Susan read the Journal aloud to Papa, who was interested, and liked it very much". His Wedgwood relatives had asked to see it at Maer Hall. Darwin left that "entirely in your hands.— I suspect the first part is abominaly childish, if so do not send it to Maer.— Also, do not send it by the Coach, (it may appear ridiculous to you) but I would as soon loose a piece of my memory as it.— I feel it is of such consequence to my preserving a just recollection of the different places we visit."

By 14 July 1833 Darwin had sent more of his diary. On 28 October Caroline gave the requested critical assessment – in the first part Darwin had "probably from reading so much of Humboldt, got his phraseology & occasionly made use of the kind of flowery french expressions which he uses, instead of your own simple straight forward & far more agreeable style. I have no doubt you have without perceiving it got to embody your ideas in his poetical language & from his being a foreigner it does not sound unnatural in him". However, "the greatest part I liked exceedingly & could find no fault". In July 1834, Darwin agreed that these points were "perfectly just", and continued to update his diary carefully.

As Beagle headed homewards in April 1836, Darwin told Caroline that FitzRoy too was busy with writing "the account of the Voyage". This "Book" might be "rather diffuse", but otherwise good: "his style is very simple & excellent. He has proposed to me, to join him in publishing the account, that is, for him to have the disposal & arranging of my journal & to mingle it with his own. Of course I have said I am perfectly willing, if he wants materials; or thinks the chit-chat details of my journal are any ways worth publishing. He has read over the part, I have on board, & likes it." Darwin asked his family about this idea, but would be aware the custom of the Navy was that the captain had a right to first use of papers.

Journal and remarks
Soon after Darwin's return, he was at a party hosted by Fanny and Hensleigh Wedgwood for their relatives on 4 December 1836. They agreed to review his journal. The physician and travel writer Henry Holland looked at some pages and "thought that it would not be worth while to publish it alone, as it would be partly going over the same ground with the Captain", leaving Darwin "more perplexed" but "becoming rather inclined to the plan of mixing up long passages with Capt Fitzroy." He would "go on with the geology and let the journal take care of itself", but Emma Wedgwood did not think Holland "any judge as to what is amusing or interesting", and like Catherine thought it should be published by itself, not "mixed up with Capt. FitzRoy's". Fanny and Hensleigh found the "Journal so interesting, that it is quite difficult to stop to criticize". Though "not in general a good reader of travels", he "found no part of yours tedious." They had "read a great deal of it aloud too" as a more severe test, and concluded it had "more variety and a greater number of interesting portions" than other travel books, "the less it is mixed up with the Captains the better."

After advice from Broderip, FitzRoy wrote on 30 December that "One volume might be for King—another for you—and a third for me. The profits if any, to be divided into three equal portions—What think you of such a plan?" Darwin agreed, and began work on his volume. In March he told Fox "I am now hard at work and give up every thing else for it. Our plan is as follows.— Capt. FitzRoy writes two volumes, out of the materials collected during both the last voyage under Capt. King to T. del Fuego and during our circumnavigation.— I am to have the third volume, in which I intend giving a kind of journal of a naturalist, not following however always the order of time, but rather the order of position.— The habits of animals will occupy a large portion, sketches of the geology, the appearance of the country, and personal details will make the hodge-podge complete.— Afterwards I shall write an account of the geology in detail, and draw up some Zoological papers.— So that I have plenty of work, for the next year or two, and till that is finished I will have no holidays."

Publication of FitzRoy's narrative and Darwin's book
Darwin reorganised his diary, trimmed parts, and incorporated scientific material from his field notes. He passed his writing to the publisher Henry Colburn, and in August 1837 had the first proofs back from the printer. Henslow helped check them; on 4 November, Darwin wrote to him that "If I live till I am eighty years old I shall not cease to marvel at finding myself an author". Part of it was printed, "the smooth paper and clear type has a charming appearance, and I sat the other evening gazing in silent admiration at the first page of my own volume, when I received it from the printers!"

FitzRoy had to edit King's account of the first voyage, adding extracts from the journal of the previous captain of Beagle and his own journal when he took over, as well as write his own account of the second voyage. In mid-November 1837, he took offence that Darwin's preface to volume III (and a similar preface to the first part of The Zoology) lacked, in his view, enough acknowledgement of the help given by FitzRoy and other officers; the problem was overcome. By the end of February 1838, King's Narrative (volumes I) and Darwin's Journal (volume III) had been printed, but FitzRoy was still hard at work on volume II.

The Narrative was completed and published as a four-volume set in May 1839, as the Narrative of the Surveying Voyages of His Majesty's Ships Adventure and Beagle, describing their Examination of the Southern Shores of South America, and the Beagle's Circumnavigation of the Globe, in three volumes. Volume one covers the first voyage under Commander Phillip Parker King, volume two is FitzRoy's account of the second voyage. Darwin's Journal and Remarks, 1832–1835 forms the third volume, and the fourth volume is a lengthy appendix. The publication was reviewed as a whole by Basil Hall in the July 1839 issue of the Edinburgh Review.

Volume two includes FitzRoy's Remarks with reference to the Deluge in which he recanted his earlier interest in the geological writings of Charles Lyell and his remarks to Darwin during the expedition that sedimentary features they saw "could never have been effected by a forty days' flood", asserting his renewed commitment to a literal reading of the Bible. He had married on the ship's return, and his wife was very religious.

Darwin's contribution proved remarkably popular and the publisher, Henry Colburn of London, announced on 15 August a separate volume of Darwin's text, published with a new title page as Journal of Researches into the Geology and Natural History of the various countries visited by H.M.S. Beagle. The Publishers‘ Circular of 2 September carried an advertisement for this volume, as well as a separate advertisement for the other volumes, as listed at William Broderip's article in the Quarterly Review. This was apparently done without seeking Darwin's permission or paying him a fee.

Second edition: changing ideas on evolution

The second edition of 1845 incorporated extensive revisions made in the light of interpretation of the field collections and developing ideas on evolution. This edition was commissioned by the publisher John Murray, who actually paid Darwin a fee of £150 for the copyright. The full title was modified to Journal of Researches into the Natural History and Geology of the countries visited during the voyage of H.M.S. Beagle round the world.

In the first edition, Darwin remarks in regard to the similarity of Galápagos wildlife to that on the South American continent, "The circumstance would be explained, according to the views of some authors, by saying that the creative power had acted according to the same law over a wide area". (This was written in a reference to Charles Lyell's ideas of "centres of creation".) Darwin notes the gradations in size of the beaks of species of finches, suspects that species "are confined to different islands", "But there is not space in this work, to enter into this curious subject."

Later editions hint at his new ideas on evolution: "Considering the small size of these islands, we feel the more astonished at the number of their aboriginal beings, and at their confined range... within a period geologically recent the unbroken ocean was here spread out. Hence, both in space and time, we seem to be brought somewhat near to that great fact – that mystery of mysteries – the first appearance of new beings on this earth." Speaking of the finches with their gradations in size of beaks, he writes "one might really fancy that from an original paucity of birds in this archipelago, one species had been taken and modified for different ends."

In 1890, John Murray published an illustrated edition of the book, at the suggestion of the artist Robert Taylor Pritchett, who was already known for accompanying voyages of the RYS Wanderer and Sunbeam, and producing pictures used in books on these cruises. In his foreword to this edition of Journal and Researches, Murray said that most "of the views given in this work are from sketches made on the spot by Mr. Pritchett, with Mr. Darwin's book by his side", and the illustrations had been "chosen and verified with the utmost care and pains".

Contents – places Darwin visited
For readability, the chapters of the book are arranged geographically rather than in an exact chronological sequence of places Darwin visited or revisited. The main headings (and in some cases subheadings) of each chapter give a good idea of where he went, but not the exact sequence. See second voyage of HMS Beagle for a detailed synopsis of Darwin's travels. The contents list in the book also notes topics discussed in each chapter, not shown here for simplicity. Names and spellings are those used by Darwin. The list below is based on the Journal and Remarks of 1839.

 * Preface
 * 1) Chapter I: St. Jago–Cape de Verde Islands (St. Paul's Rocks, Fernando Noronha, 20 Feb.., Bahia, or San Salvador, Brazil, 29 Feb..)
 * 2) Chapter II: Rio de Janeiro
 * 3) Chapter III: Maldonado
 * 4) Chapter IV: Río Negro to Bahia Blanca
 * 5) Chapter V: Bahía Blanca
 * 6) Chapter VI: Bahia Blanca to Buenos Aires
 * 7) Chapter VII: Buenos Aires to St. Fe
 * 8) Chapter VIII: Banda Oriental
 * 9) Chapter IX: Patagonia
 * 10) Chapter X: Santa Cruz–Patagonia
 * 11) Chapter XI: Tierra del Fuego
 * 12) Chapter XII: The Falkland Islands
 * 13) Chapter XIII: Strait of Magellan
 * 14) Chapter XIV: Central Chile
 * 15) Chapter XV: Chiloe and Chonos Islands
 * 16) Chapter XVI: Chiloe and Concepcion
 * 17) Chapter XVII: Passage of Cordillera
 * 18) Chapter XVIII: Northern Chile and Peru
 * 19) Chapter XIX: Galapagos Archipelago
 * 20) Chapter XX: Tahiti and New Zealand
 * 21) Chapter XXI: Australia (Van Diemen's Land)
 * 22) Chapter XXII: Coral Formations (Keeling or Cocos Islands)
 * 23) Chapter XXIII: Mauritius to England

In the second edition, the Journal of Researches of 1845, chapters VIII and IX were merged into a new chapter VIII on "Banda Oriental and Patagonia", and chapter IX now included "Santa Cruz, Patagonia and The Falkland Islands". After chapter X on Tierra del Fuego, chapter XI had the revised heading "Strait of Magellan–Climate of the Southern Coasts". The following chapters were renumbered accordingly. Chapter XIV was given the revised heading "Chiloe and Concepcion: Great Earthquake", and chapter XX had the heading "Keeling Island:–Coral Formations", with the concluding chapter XXI keeping the heading "Mauritius to England".

Bibliography of original publications

 * Voyages of the Adventure and Beagle, Volume I – Retrieved on 30 April 2007
 * Voyages of the Adventure and Beagle, Volume II – Retrieved on 15 December 2006
 * Voyages of the Adventure and Beagle, Volume III – (The Voyage of the Beagle) Retrieved on 30 April 2007
 * Voyages of the Adventure and Beagle, Appendix – Retrieved on 15 December 2006

 * (The Voyage of the Beagle) Retrieved on 30 April 2007

 * (The Voyage of the Beagle) Retrieved on 3 August 2014

Full texts

 * The Voyage of the Beagle at LibriVox (audiobook library)
 * The Voyage of the Beagle at LibriVox (audiobook library)
 * The Voyage of the Beagle at LibriVox (audiobook library)

Other resources

 * The Voyage of the Beagle and Darwin's explorations – a multi-page synopsis with maps.
 * Bright Sparcs – The Journal of Syms Covington, Assistant to Charles Darwin Esq. on the Second Voyage of HMS Beagle

title: The Voyage of the Beagle


text:
Legio I Macriana liberatrix

Legio I Macriana liberatrix (Latin for "First legion Macriana liberatrix"; Macriana is a reference to its founder, Macer) was a Roman legion levied in Africa by the governor Lucius Clodius Macer in 68.

The purpose of the legion was to join forces with Legio III Augusta in support of the rebellion of Galba (governor of Hispania Terraconensis) against Emperor Nero. Nero eventually committed suicide and was replaced by Galba. But the new emperor looked at Macer with mistrust, fearing another rebellion against himself. Macer was killed in 69, the Year of the Four Emperors, and I Macriana liberatrix was disbanded. The emblem of the legion is unknown.

title: Legio I Macriana liberatrix


text:
Walden

Walden (first published in 1854 as Walden; or, Life in the Woods) is a book by American transcendentalist writer Henry David Thoreau. The text is a reflection upon the author's simple living in natural surroundings. The work is part personal declaration of independence, social experiment, voyage of spiritual discovery, satire, and—to some degree—a manual for self-reliance.

Walden details Thoreau's experiences over the course of two years, two months, and two days in a cabin he built near Walden Pond amidst woodland owned by his friend and mentor Ralph Waldo Emerson, near Concord, Massachusetts.

Thoreau makes precise scientific observations of nature as well as metaphorical and poetic uses of natural phenomena. He identifies many plants and animals by both their popular and scientific names, records in detail the color and clarity of different bodies of water, precisely dates and describes the freezing and thawing of the pond, and recounts his experiments to measure the depth and shape of the bottom of the supposedly "bottomless" Walden Pond.

Background
There has been much speculation as to why Thoreau went to live at the pond in the first place. E. B. White stated on this note, "Henry went forth to battle when he took to the woods, and Walden is the report of a man torn by two powerful and opposing drives—the desire to enjoy the world and the urge to set the world straight", while Leo Marx noted that Thoreau's stay at Walden Pond was an experiment based on his teacher Emerson's "method and of nature" and that it was a "report of an experiment in transcendental pastoralism".

Others have assumed Thoreau's intention during his time at Walden Pond was "to conduct an experiment: Could he survive, possibly even thrive, by stripping away all superfluous luxuries, living a plain, simple life in radically reduced conditions?" He thought of it as an experiment in "home economics". Although Thoreau went to Walden to escape what he considered "over-civilization", and in search of the "raw" and "savage delight" of the wilderness, he also spent considerable amounts of his time reading and writing.

Thoreau used his time at Walden Pond (July 4, 1845 – September 6, 1847) to write his first book, A Week on the Concord and Merrimack Rivers (1849). The experience later inspired Walden, in which Thoreau compresses the time into a single calendar year and uses passages of four seasons to symbolize human development.

By immersing himself in nature, Thoreau hoped to gain a more objective understanding of society through introspection. Simple living and self-sufficiency were Thoreau's other goals. The whole project was inspired by transcendentalist philosophy, a central theme of the American Romantic Period.

Organization
"I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practice resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion."

Part memoir and part spiritual quest, Walden opens with the announcement that Thoreau spent two years at Walden Pond living a simple life without support of any kind. Readers are reminded that at the time of publication, Thoreau has returned to living among the civilized. The book is separated into several chapters, each of which focuses on specific themes:

Economy: In this first and longest chapter, Thoreau outlines his project: a two-year, two-month, and two-day stay at a cozy, "tightly shingled and plastered", English-style 10 by 15 foot cottage in the woods near Walden Pond. He does this, he says, to illustrate the spiritual benefits of a simplified lifestyle. He easily supplies the four necessities of life (food, shelter, clothing, and fuel) with the help of family and friends, particularly his mother, his best friend, and Mr. and Mrs. Ralph Waldo Emerson. The latter provided Thoreau with a work exchange: he could build a small house and plant a garden if he cleared some land on the woodlot and did other chores while there. Thoreau meticulously records his expenditures and earnings, demonstrating his understanding of "economy", as he builds his house and buys and grows food. The house's cost is US$28.12 and Thoreau gives "the details because very few are able to tell exactly what their houses cost and fewer still, if any, the separate cost of the various materials which compose them": Boards,............................ $8.03½, mostly shanty boards. Refuse shingles for roof and sides, 4.00 Laths,............................. 1.25 Two second-hand windows with glass, 2.43 One thousand old brick,............ 4.00 Two casks of lime,................. 2.40  That was high. Hair,.............................. 0.31  More than I needed. Mantle-tree iron,.................. 0.15 Nails,............................. 3.90 Hinges and screws,................. 0.14 Latch,............................. 0.10 Chalk,............................. 0.01 Transportation,.................... 1.40 I carried a good part on my back. -     In all,..................... $28.12½

Where I Lived, and What I Lived For: Thoreau recollects thoughts of places he stayed at before selecting Walden Pond, and quotes Roman philosopher Cato's advice "consider buying a farm very carefully before signing the papers". His possibilities included a nearby Hollowell farm (where the "wife" unexpectedly decided she wanted to keep the farm). Thoreau takes to the woods dreaming of an existence free of obligations and full of leisure. He announces that he resides far from social relationships that mail represents (post office) and the majority of the chapter focuses on his thoughts while constructing and living in his new home at Walden.

Reading: Thoreau discusses the benefits of classical literature, preferably in the original Greek or Latin, and bemoans the lack of sophistication in Concord evident in the popularity of unsophisticated literature. He also loved to read books by world travelers. He yearns for a time when each New England village will support "wise men" to educate and thereby ennoble the population.

Sounds: Thoreau encourages the reader to be "forever on the alert" and "looking always at what is to be seen". Although truth can be found in literature, it can also be found in nature. In addition to self-development, developing one's perception can also alleviate boredom. Rather than "look[ing] abroad for amusement, to society and the theatre", Thoreau's own life, including supposedly dull pastimes like housework, becomes a source of amusement that "never ceases to be novel". Likewise, he obtains pleasure in the sounds that fill his cabin: church bells ringing, carriages rattling and rumbling, cows lowing, whip-poor-wills singing, owls hooting, frogs croaking, and cockerels crowing. "All sound heard at the greatest possible distance," he contends "produces one and the same effect".

Solitude: Thoreau reflects on the feeling of solitude. He explains how loneliness can occur even amongst companions if one's heart is not open to them. Thoreau meditates on the pleasures of escaping society and the petty things that society entails (gossip, fights, etc.). He also reflects on his new companion, an old settler who arrives nearby and an old woman with great memory ("memory runs back farther than mythology"). Thoreau repeatedly reflects on the benefits of nature and of his deep communion with it and states that the only "medicine he needs is a draught of morning air".

Visitors: Thoreau talks about how he enjoys companionship (despite his love for solitude) and always leaves three chairs ready for visitors. The entire chapter focuses on the coming and going of visitors, and how he has more comers in Walden than he did in the city. He receives visits from those living or working nearby and gives special attention to a French Canadian born woodsman named Alec Thérien. Unlike Thoreau, Thérien cannot read or write and is described as leading an "animal life". He compares Thérien to Walden Pond itself. Thoreau then reflects on the women and children who seem to enjoy the pond more than men, and how men are limited because their lives are taken up.

The Bean-Field: Reflection on Thoreau's planting and his enjoyment of this new job/hobby. He touches upon the joys of his environment, the sights and sounds of nature, but also on the military sounds nearby. The rest of the chapter focuses on his earnings and his cultivation of crops (including how he spends just under fifteen dollars on this).

The Village: The chapter focuses on Thoreau's reflections on the journeys he takes several times a week to Concord, where he gathers the latest gossip and meets with townsmen. On one of his journeys into Concord, Thoreau is detained and jailed for his refusal to pay a poll tax to the "state that buys and sells men, women, and children, like cattle at the door of its senate-house".

The Ponds: In autumn, Thoreau discusses the countryside and writes down his observations about the geography of Walden Pond and its neighbors: Flint's Pond (or Sandy Pond), White Pond, and Goose Pond. Although Flint's Pond is the largest, Thoreau's favorites are Walden and White ponds, which he describes as lovelier than diamonds.

Baker Farm: While on an afternoon ramble in the woods, Thoreau gets caught in a rainstorm and takes shelter in the dirty, dismal hut of John Field, a penniless but hard-working Irish farmhand, and his wife and children. Thoreau urges Field to live a simple yet independent and fulfilling life in the woods, thereby freeing himself of employers and creditors. However, the Irishman will not give up his aspirations of luxury and the quest for the American dream.

Higher Laws: Thoreau discusses whether hunting wild animals and eating meat is necessary. He concludes that the primitive, carnal sensuality of humans drives them to kill and eat animals, and that a person who transcends this propensity is superior to those who cannot. (Thoreau eats fish and occasionally salt pork and woodchuck.) In addition to vegetarianism, he lauds chastity, work, and teetotalism. He also recognizes that Native Americans need to hunt and kill moose for survival in "The Maine Woods", and eats moose on a trip to Maine while he was living at Walden. Here is a list of the laws that he mentions:

 * One must love that of the wild just as much as one loves that of the good.
 * What men already know instinctively is true humanity.
 * The hunter is the greatest friend of the animal which is hunted.
 * No human older than an adolescent would wantonly murder any creature which reveres its own life as much as the killer.
 * If the day and the night make one joyful, one is successful.
 * The highest form of self-restraint is when one can subsist not on other animals, but of plants and crops cultivated from the earth.

Brute Neighbors: This chapter is a simplified version of one of Thoreau's conversations with William Ellery Channing, who sometimes accompanied Thoreau on fishing trips when Channing had come up from Concord. The conversation is about a hermit (Thoreau) and a poet (Channing) and how the poet is absorbed in the clouds while the hermit is occupied with the more practical task of getting fish for dinner and how in the end, the poet regrets his failure to catch fish. The chapter also mentions Thoreau's interaction with a mouse that he lives with, a scene in which an ant battles a smaller ant, and his frequent encounters with cats.

House-Warming: After picking November berries in the woods, Thoreau adds a chimney, and finally plasters the walls of his sturdy house to stave off the cold of the oncoming winter. He also lays in a good supply of firewood and expresses affection for wood and fire.

Former Inhabitants; and Winter Visitors: Thoreau tells the stories of people who formerly lived in the vicinity of Walden Pond. Then, he talks about a few of the visitors he receives during the winter: a farmer, a woodchopper, and his best friend, the poet Ellery Channing.

Winter Animals: Thoreau amuses himself by watching wildlife during the winter. He relates his observations of owls, hares, red squirrels, mice, and various birds as they hunt, sing, and eat the scraps and corn he put out for them. He also describes a fox hunt that passes by.

The Pond in Winter: Thoreau describes Walden Pond as it appears during the winter. He says he has sounded its depths and located an underground outlet. Then, he recounts how 100 laborers came to cut great blocks of ice from the pond to be shipped to the Carolinas.

Spring: As spring arrives, Walden and the other ponds melt with powerful thundering and rumbling. Thoreau enjoys watching the thaw, and grows ecstatic as he witnesses the green rebirth of nature. He watches the geese winging their way north, and a hawk playing by itself in the sky. As nature is reborn, the narrator implies, so is he.

Conclusion: In the final chapter, Thoreau criticizes conformity: "If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away." By doing so, men may find happiness and self-fulfillment.

"I do not say that John or Jonathan will realize all this; but such is the character of that morrow which mere lapse of time can never make to dawn. The light which puts out our eyes is darkness to us. Only that day dawns to which we are awake. There is more day to dawn. The sun is but a morning star."

Themes

"Walden is a difficult book to read for three reasons: First, it was written in an older prose, which uses surgically precise language, extended, allegorical metaphors, long and complex paragraphs and sentences, and vivid, detailed, and insightful descriptions. Thoreau does not hesitate to use metaphors, allusions, understatement, hyperbole, personification, irony, satire, metonymy, synecdoche, and oxymorons, and he can shift from a scientific to a transcendental point of view in mid-sentence. Second, its logic is based on a different understanding of life, quite contrary to what most people would call common sense. Ironically, this logic is based on what most people say they believe. Thoreau, recognizing this, fills Walden with sarcasm, paradoxes, and double entendres. He likes to tease, challenge, and even fool his readers. And third, quite often any words would be inadequate at expressing many of Thoreau's non-verbal insights into truth. Thoreau must use non-literal language to express these notions, and the reader must reach out to understand."

Walden emphasizes the importance of solitude, contemplation, and closeness to nature in transcending the "desperate" existence that, he argues, is the lot of most people. The book is not a traditional autobiography, but combines autobiography with a social critique of contemporary Western culture's consumerist and materialist attitudes and its distance from and destruction of nature. Thoreau's proximity to Concord society and his admiration for classical literature suggest that the book is not simply a criticism of society, but also an attempt to engage creatively with the better aspects of contemporary culture. There are signs of ambiguity, or an attempt to see an alternative side of something common. Some of the major themes that are present within the text are:

 * Self-reliance: Thoreau constantly refuses to be in "need" of the companionship of others. Though he realizes its significance and importance, he thinks it unnecessary to always be in search for it. Self-reliance, to him, is economic and social and is a principle that in terms of financial and interpersonal relations is more valuable than anything. To Thoreau, self-reliance can be both spiritual as well as economic. Self-reliance was a key tenet of transcendentalism, famously expressed in Emerson's essay "Self-Reliance".
 * Simplicity: Simplicity seems to be Thoreau's model for life. Throughout the book, Thoreau constantly seeks to simplify his lifestyle: he patches his clothes rather than buy new ones, he minimizes his consumer activity, and relies on leisure time and on himself for everything.
 * Progress: In a world where everyone and everything is eager to advance in terms of progress, Thoreau finds it stubborn and skeptical to think that any outward improvement of life can bring inner peace and contentment.
 * The need for spiritual awakening: Spiritual awakening is the way to find and realize the truths of life which are often buried under the mounds of daily affairs. Thoreau holds the spiritual awakening to be a quintessential component of life. It is the source from which all of the other themes flow.
 * Man as part of nature
 * Nature and its reflection of human emotions
 * The state as unjust and corrupt
 * Meditation: Thoreau was an avid meditator and often spoke about the benefits of meditating.
 * Patience: Thoreau realizes that the methods he tries to employ at Walden Pond will not be instituted in the near future. He does not like compromise, so he must wait for change to occur. He does not go into isolation in the woods of Massachusetts for over two years for his own benefit. Thoreau wants to transform the world around him, but understands that it will take time.

Style and analysis
Walden has been the subject of many scholarly articles. Book reviewers, critics, scholars, and many more have published literature on Thoreau's Walden.

Thoreau carefully recounts his time in the woods through his writing in Walden. Critics have thoroughly analyzed the different writing styles that Thoreau uses. Critic Nicholas Bagnall writes that Thoreau's observations of nature are "lyrical" and "exact". Another critic, Henry Golemba, asserts that the writing style of Walden is very natural. Thoreau employs various styles of writing where his words are both intricate and simple at the same time. His word choice conveys a certain mood. For instance, when Thoreau describes the silence of nature, the reader may feel that serene moment as well. Thoreau continues to connect back to nature throughout the book because he wants to depict what he experienced and saw.

Many scholars have compared Thoreau to fellow transcendentalist writer Ralph Waldo Emerson. Although Emerson was 14 years his senior, much of Thoreau's writing was influenced by Emerson. Critic John Brooks Moore examined the relationship between Thoreau and Emerson and the effects it had on their respective works. Moore claims that Thoreau did not simply mimic Emerson's work, but he was actually the more dominant one in the relationship. Thoreau has learned from Emerson and some "Emersonism" can be found in his works, but Thoreau's work is distinct from Emerson's. Many critics have also seen the influence of Thomas Carlyle (a great influence on Emerson), particularly in Thoreau's use of an extended clothing metaphor, which Carlyle had used in Sartor Resartus (1831).

Scholars have recognized Walden use of biblical allusions. Such allusions are useful tools to convince readers because the Bible is seen as a principal book of truth. According to scholar Judith Saunders, the signature biblical allusion identified in the book is, "Walden was dead and is alive again." This is almost verbatim from Luke 15.11-32. Thoreau is personifying Walden Pond to further the story relevant to the Bible. He compares the process of death and rebirth of the pond to self-transformation in humans.

Reception

Walden enjoyed some success upon its release, but still took five years to sell 2,000 copies, and then went out of print until Thoreau's death in 1862. Despite its slow beginnings, later critics have praised it as an American classic that explores natural simplicity, harmony, and beauty. The American poet, Robert Frost, wrote of Thoreau, "In one book ... he surpasses everything we have had in America".

It is often assumed that critics initially ignored Walden, and that those who reviewed the book were evenly split or slightly more negative than positive in their assessment of it. But, researchers have shown that Walden actually was "more favorably and widely received by Thoreau's contemporaries than hitherto suspected". Of the 66 initial reviews that have been found so far, 46 "were strongly favorable". Some reviews were rather superficial, merely recommending the book or predicting its success with the public; others were more lengthy, detailed, and nuanced with both positive and negative comments. Positive comments included praise for Thoreau's independence, practicality, wisdom, "manly simplicity", and fearlessness. Less than three weeks after the book's publication, Thoreau's mentor, Ralph Waldo Emerson, proclaimed, "All American kind are delighted with Walden as far as they have dared to say."

On the other hand, the terms "quaint" or "eccentric" appeared in over half of the book's initial reviews. Other terms critical of Thoreau included selfish, strange, impractical, privileged (or "manor born" ), and misanthropic. One review compared and contrasted Thoreau's form of living to communism, probably not in the sense of Marxism, but instead of communal living or religious communism. While valuing freedom from possessions, Thoreau was not communal in the sense of practicing sharing or of embracing community. So, communism "is better than our hermit's method of getting rid of encumbrance".

In contrast to Thoreau's "manly simplicity", nearly twenty years after Thoreau's death Scottish author Robert Louis Stevenson judged Thoreau's endorsement of living alone in natural simplicity, apart from modern society, to be a mark of effeminacy, calling it "womanish solicitude; for there is something unmanly, something almost dastardly" about the lifestyle. Poet John Greenleaf Whittier criticized what he perceived as the message in Walden that man should lower himself to the level of a woodchuck and walk on four legs. He said: "Thoreau's Walden is a capital reading, but very wicked and heathenish ... After all, for me, I prefer walking on two legs". Author Edward Abbey criticized Thoreau's ideas and experiences at Walden in detail throughout his response to Walden called "Down the River with Thoreau", written in 1980.

Today, despite these criticisms, Walden stands as one of America's most celebrated works of literature. John Updike wrote of Walden, "A century and a half after its publication, Walden has become such a totem of the back-to-nature, preservationist, anti-business, civil-disobedience mindset, and Thoreau so vivid a protester, so perfect a crank and hermit saint, that the book risks being as revered and unread as the Bible." The American psychologist B. F. Skinner wrote that he carried a copy of Walden with him in his youth, and eventually wrote Walden Two in 1945, a fictional utopia about 1,000 members who live together in a Thoreau-inspired community.

Kathryn Schulz has accused Thoreau of hypocrisy, misanthropy and being sanctimonious based on his writings in Walden, although this criticism has been perceived as highly selective.

Video games
The National Endowment for the Arts in 2012 bestowed Tracy Fullerton, game designer and professor at the University of Southern California's Game Innovation Lab, with a $40,000 grant to create, based on the book, a first person, open world video game called Walden, a game, in which players "inhabit an open, three-dimensional game world that will simulate the geography and environment of Walden Woods". The game production was also supported by grants from the National Endowment for the Humanities and was part of the Sundance New Frontier Story Lab in 2014. The game was released to critical acclaim on July 4, 2017, celebrating both the day that Thoreau went down to the pond to begin his experiment and the 200th anniversary of Thoreau's birth. It was nominated for the Off-Broadway Award for Best Indie Game at the New York Game Awards 2018.

Digitization and scholarship efforts
Digital Thoreau, a collaboration among the State University of New York at Geneseo, the Thoreau Society, and the Walden Woods Project, has developed a fluid text edition of Walden across the different versions of the work to help readers trace the evolution of Thoreau's classic work across seven stages of revision from 1846 to 1854. Within any chapter of Walden, readers can compare up to seven manuscript versions with each other, with the Princeton University Press edition, and consult critical notes drawn from Thoreau scholars, including Ronald Clapper's dissertation The Development of Walden: A Genetic Text (1967) and Walter Harding's Walden: An Annotated Edition (1995). Ultimately, the project will provide a space for readers to discuss Thoreau in the margins of his texts.

Influence

 * The Dutch writer and psychiatrist Frederik van Eeden used the ideas from this book to create his own vision, back to the nature, at the commune Walden in the Netherlands in 1898.
 * In the 1948 book Walden Two by behavioral psychologist B. F. Skinner the experimental Walden Two Community is mentioned as having the benefits of living in a place like Thoreau's Walden, but "with company".
 * Jonas Mekas' 1968 film Walden is loosely inspired by the book.
 * Jean Craighead George's My Side of the Mountain trilogy (1959) draws heavily from themes expressed in Walden. Protagonist Sam Gribley is nicknamed "Thoreau" by an English teacher he befriends.
 * Shane Carruth's second film Upstream Color (2013) features Walden as a central item of its story, and draws heavily on the themes expressed by Thoreau.
 * In 1962, William Melvin Kelley titled his first novel, A Different Drummer, after a famous quote from Walden: "If a man does not keep pace with his companions, perhaps it is because he hears a different drummer." The quote, as well as another stanza from the book, appears as an epigraph in Kelley's novel, which echoes Thoreau's theme of individualism.
 * The name of the gay men's culture and news magazine Drum, which began publication in 1964, was inspired by the same quote, which appeared in every edition.
 * The 1989 film Dead Poets Society heavily features an excerpt from Walden as a motif in the plot.
 * The Finnish symphonic metal band Nightwish paraphrased the quote "Rather than love, than money, than fame, give me truth" on their 2011 song "The Crow, the Owl and the Dove" from the studio album Imaginaerum. They also make several references to Walden on their eighth studio album Endless Forms Most Beautiful of 2015, including in the song titled "My Walden" and in the song "Alpenglow".
 * The investment research firm Morningstar, Inc. was named for the last sentence in Walden by founder and CEO Joe Mansueto, and the "O" in the company's logo is shaped like a rising sun.
 * In the 2015 video game Fallout 4, which takes place in Massachusetts, there exists a location called Walden Pond, where the player can listen to an automated tourist guide detail Thoreau's experience living in the wilderness. At the location there stands a small house which is said to be the same house Thoreau built and stayed in.
 * Phoebe Bridgers references the book in her song "Smoke Signals".
 * In 2018, MC Lars and Mega Ran released a song called "Walden" where they discuss the book and its influence.
 * In the 1997 episode "Weight Gain 4000" of South Park, Eric Cartman "writes" a prize-winning essay copied from Walden, replacing Thoreau's name with his own.
 * Professor Richard Primack from Boston University utilizes information from Thoreau's Walden in climate change research.
 * It is suggested that the genre of nature writing in American literature is derived from Thoreau's Walden.

title: Walden


text:
Talk:Waste vegetable oil

From article: "Most grocery stores and restaurants gladly accept small quantities (of waste vegetable oil) from household use."

Where is this true? Worldwide? Can't imagine my grocery gladly taking anything - they aren't even particularly happy about bottle returns. Rmhermen 19:15, Aug 8, 2003 (UTC)

 * I'm not entirely sure about worldwide, but I never had any trouble when I lived in Germany, nor here in the Philly area. There's only one sure way to find out how true it is in your area :-) Mkweise 16:32, 9 Aug 2003 (UTC)

Do you have a reference on the ban of WVO as feed in the EU? I couldn't dig one up, but I'd be interested to read about the rationale. Jeeves

Numbers on WVO
I was wondering if you would be able to give me the references that you used to come up with the WVO volumes that were posted in this article. Mainly, references for these quotes:

'As of 2000, the United States were producing in excess of 11 billion liters (0.011 km³) of waste vegetable oil annually'

'Waste vegetable oil has a stable market value of approximately USD 0.40 per gallon (USD 117.58 per metric ton) as of 2003'

I would also like to attribute the article to someone, if I quote the numbers in the little research paper I am writing. How should I reference the WVO article? Thanks! eayres
 * "The quantities involved - that is stated at the amount currently recovered, not the amount produced; you may be right about problems with the number here, but those sources don't prove it"
 * You can disagree with the specific number from the EPA source but the NREL report does indeed show that the entire production in the US is 23 billion pounds, or 3 billion gallons or approximately 11 billion liters. Which means it cannot all be wasted. That much is known. Some of it is consumed. Some of it is converted directly into biodiesel. The fact that 300 million gallons is recovered also means that amount is not wasted at all come to think of it. Clearly the 11 billion liter number is wrong. There comes a point when you've got to come up with some sources to support your reverts, not just revert when you disagree. Hint (we're there). - Taxman 20:45, Apr 29, 2005 (UTC)
 * But that shows domestic production. Does it say anything about how much of what the U.S. uses comes from domestic production, or are they just being sloppy in the way it is worded?
 * Maybe the best thing for you do to is to replace what's there your documented numbers of 2,500,000,000 lb (1.1 Tg, skip the liters) for what is currently recovered and put on the market, or however that would best be worded. Then if somebody wants to argue they can provide better sources.  Let whoever put in the original number provide a good source for it if he or she wants it back in as well.
 * One of the main reasons I kept reverting you was your consistent failure to change the 0.011 km³ as well. Gene Nygaard 21:24, 29 Apr 2005 (UTC)
 * That's the silliest reason I've ever heard. Just fix it yourself if I missed one of the numbers. In any case, yes I agree we should jsut remove the uncited, likely incorrect fact and replace it with what the sources we have actually do say. I don't have a chance at the moment but feel free. The current info in the article is clearly incorrect though. - Taxman 15:46, Apr 30, 2005 (UTC)

Merge with Vegetable oil as Fuel
Let's merge WVO and SVO with Vegetable oils as Fuel

title: Talk:Waste vegetable oil