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Culture of Italy

The culture of Italy encompasses the knowledge, beliefs, arts, laws, and customs of the Italian peninsula and of the Italians throughout history. Italy has been the epicentre of the Roman civilization and of the Catholic Church, as well as the birthplace of numerous movements including the Renaissance, Baroque, and Neoclassicism, and one of the starting points of Romanesque, the Age of Discovery, the Scientific Revolution, and European Integration. Italy is considered a cultural superpower and the Italian peninsula one of the birthplaces of Western civilization. Due to its comparatively late unification, and the historical autonomy of the regions that comprise the Italian peninsula, many traditions and customs that are now recognized as distinctly Italian can be identified by their regions of origin. Despite the political and social isolation of some of these regions, Italy made significant contributions to the cultural and historical heritage of Europe and of the Western world.

The main elements of Italian culture are its art, music, cinema, style, and food. Italy was the birthplace of opera, and for generations the language of opera was Italian, irrespective of the nationality of the composer. Italy had a significant presence in the development of Classical music, birthing Baroque music, many forms of musical composition such as the Symphony, the Sonata and the Concerto, as well as many important composers. Italy is known for its lively folk dances. Italy has electronic dance music scenes consisting of Italian-born genres such as Italo disco, lento violento, and dream trance as well as foreign genres such as hardstyle. Before being exported to France, the Ballet dance genre also originated in Italy. Popular tastes in drama in Italy have long favoured comedy; the improvisational style known as the Commedia dell'arte began in Italy in the mid-16th century and is still performed today. Italian cinema is revered throughout the world. The art film has its origins in Italy. Spaghetti Westerns emerged with the release of Sergio Leone's, A Fistful of Dollars, a genre consisting of films mostly produced and directed by Italians.

The country boasts several world-famous cities. Rome was the ancient capital of the Roman civilization, the seat of the Pope of the Catholic Church, the capital of reunified Italy and the artistic and cultural centre of world relevance. Florence was the heart of the Renaissance, a period of great achievements in arts, sciences and humanistic thought at the end of the Middle Ages. Venice, former capital of a major financial and maritime power from the Middle Ages to the early modern period, with its intricate canal system attracts tourists from all over the world, especially during the Venetian Carnival and the Biennale. Milan, which is the industrial and financial capital of Italy and one of the world's fashion capitals. Naples, with its historic centre, which is one of the oldest and largest in Europe and its famous cuisine. Other important Italian cities include Bologna, home of the world's oldest university in continuous operation. Turin, which used to be the capital of Italy, is now one of the world's great centres of automobile engineering.

Italy has rich collections of art, culture and literature from many periods. The country has had a broad cultural influence worldwide and is home to the greatest number of UNESCO World Heritage Sites (58).

Arts
Italian art has influenced several major movements throughout the centuries and has produced several great artists. Italy is home to 58 World Heritage Sites, the largest number of any country in the world.

The very numerous rock drawings in Valcamonica are as old as 8,000 BC, and there are rich remains of Etruscan art from thousands of tombs, as well as rich remains from the Greek cities at Paestum, Agrigento and elsewhere. The Roman remains in Italy are of extraordinary richness, from the grand Imperial monuments of Rome itself to the survival of exceptionally preserved ordinary buildings in Pompeii and neighbouring sites. Following the fall of the Roman Empire, in the Middle Ages Italy, remained an important centre, not only of the Carolingian art and Ottonian art of the Holy Roman Emperors, but for the Byzantine art of Ravenna and other sites.

Italy was the main centre of artistic developments throughout the Renaissance (1300–1600), beginning with the Proto-Renaissance of Giotto and reaching a particular peak in the High Renaissance of Leonardo da Vinci, Michelangelo and Raphael, whose works inspired the later phase of the Renaissance, known as Mannerism. Italy retained its artistic dominance into the 17th century with the Baroque (1600-1750). Cultural tourism and Neoclassicism (1750-1850) became a major prop to an otherwise faltering economy. Both Baroque and Neoclassicism originated in Rome and were the last Italian-born styles that spread to all Western art.

However, Italy maintained a presence in the international art scene from the mid-19th century onwards, with cultural movements such as the Macchiaioli, Futurism, Metaphysical, Novecento Italiano, Spatialism, Arte Povera, and Transavantgarde.

Architecture
Italy is known for its considerable architectural achievements, such as the construction of arches, domes and similar structures during ancient Rome, the founding of the Renaissance architectural movement in the late-14th to 16th centuries, and being the homeland of Palladianism, a style of construction which inspired movements such as that of Neoclassical architecture, and influenced the designs which noblemen built their country houses all over the world, notably in the UK, Australia and the US during the late 17th to early 20th centuries. The history of architecture in Italy is one that begins with the ancient styles of the Etruscans and Greeks, progressing to classical Roman, then to the revival of the classical Roman era during the Renaissance and evolving into the Baroque era. During the period of the Italian Renaissance it had been customary for students of architecture to travel to Rome to study the ancient ruins and buildings as an essential part of their education.

The Christian concept of a Basilica, a style of church architecture that came to dominate the early Middle Ages, was invented in Rome. They were known for being long, rectangular buildings, which were built in an almost ancient Roman style, often rich in mosaics and decorations. The early Christians' art and architecture were also widely inspired by that of the pagan Romans; statues, mosaics and paintings decorated all their churches. Old St. Peter's Church (begun about A.D. 330) was probably the first significant early Christian basilica, a style of church architecture that came to dominate the early Middle Ages. Old St. Peter's stood on the site of the present St. Peter's Basilica in Rome. The first significant buildings in the medieval Romanesque style were churches built in Italy during the 800s. Several outstanding examples of the Byzantine architectural style of the Middle East were also built in Italy. The Byzantines kept Roman principles of architecture and art alive, and the most famous structure from this period is the Basilica of St Mark in Venice.

The Romanesque movement, which went from approximately 800 AD to 1100 AD, was one of the most fruitful and creative periods in Italian architecture, when several masterpieces, such as the Leaning Tower of Pisa in the Piazza dei Miracoli, and the Basilica of Sant'Ambrogio in Milan were built. It was known for its usage of the Roman arches, stained glass windows, and also its curved columns which commonly featured in cloisters. The main innovation of Italian Romanesque architecture was the vault, which had never been seen before in the history of Western architecture.

A flowering of Italian architecture took place during the Renaissance. Filippo Brunelleschi contributed to architectural design with his dome for the Cathedral of Florence, a feat of engineering that had not been accomplished since antiquity. A popular achievement of Italian Renaissance architecture was St. Peter's Basilica, originally designed by Donato Bramante in the early 16th century. Also, Andrea Palladio influenced architects throughout western Europe with the villas and palaces he designed in the middle and late 16th century; the city of Vicenza, with its twenty-three buildings designed by Palladio, and twenty-four Palladian Villas of the Veneto are listed by UNESCO as part of a World Heritage Site named City of Vicenza and the Palladian Villas of the Veneto.

The Baroque period produced several outstanding Italian architects in the 17th century, especially known for their churches. The most original work of all late Baroque and Rococo architecture is the Palazzina di caccia di Stupinigi, dating back to the 18th century. Luigi Vanvitelli began in 1752 the construction of the Royal Palace of Caserta. In this large complex, the grandiose Baroque-style interiors and gardens are opposed to a more sober building envelope. In the late 18th and early 19th centuries Italy was affected by the Neoclassical architectural movement. Villas, palaces, gardens, interiors and art began to be based on Roman and Greek themes.

In the late 18th and early 19th centuries, Italy was affected by the Neoclassical architectural movement. Everything from villas, palaces, gardens, interiors and art began to be based on Roman and Greek themes, and buildings were also widely themed on the Villa Capra "La Rotonda", the masterpiece by Andrea Palladio.

Italian modern and contemporary architecture refers to architecture in Italy during the 20th and 21st centuries. During the Fascist period the so-called "Novecento movement" flourished, with figures such as Gio Ponti, Peter Aschieri, Giovanni Muzio. This movement was based on the rediscovery of imperial Rome. Marcello Piacentini, who was responsible for the urban transformations of several cities in Italy, and remembered for the disputed Via della Conciliazione in Rome, devised a form of "simplified Neoclassicism".

The fascist architecture (shown in the EUR buildings) was followed by the Neoliberty style (seen in earlier works of Vittorio Gregotti) and Brutalist architecture (Torre Velasca in Milan group BBPR, a residential building via Piagentina in Florence, Leonardo Savioli and works by Giancarlo De Carlo).

Cinema

The history of Italian cinema began a few months after the Lumière brothers began motion picture exhibitions. The first Italian director is considered to be Vittorio Calcina, a collaborator of the Lumière Brothers, who filmed Pope Leo XIII in 1896. In the 1910s the Italian film industry developed rapidly. In 1912, the year of the greatest expansion, 569 films were produced in Turin, 420 in Rome and 120 in Milan. Cabiria, a 1914 Italian epic film directed by Giovanni Pastrone, is considered the most famous Italian silent film. It was also the first film in history to be shown in the White House. The oldest European avant-garde cinema movement, Italian futurism, took place in the late 1910s.

After a period of decline in the 1920s, the Italian film industry was revitalized in the 1930s with the arrival of sound film. A popular Italian genre during this period, the Telefoni Bianchi, consisted of comedies with glamorous backgrounds. Calligrafismo was instead in a sharp contrast to Telefoni Bianchi-American style comedies and is rather artistic, highly formalistic, expressive in complexity and deals mainly with contemporary literary material. Cinema was later used by Benito Mussolini, who founded Rome's renowned Cinecittà studio also for the production of Fascist propaganda until World War II.

After the war, Italian film was widely recognised and exported until an artistic decline around the 1980s. Notable Italian film directors from this period include Vittorio De Sica, Federico Fellini, Sergio Leone, Pier Paolo Pasolini, Luchino Visconti, Michelangelo Antonioni, Dussio Tessari and Roberto Rossellini; some of these are recognised among the greatest and most influential filmmakers of all time. Movies include world cinema treasures such as Bicycle Thieves, La dolce vita, 8½, The Good, the Bad and the Ugly, and Once Upon a Time in the West. The mid-1940s to the early 1950s was the heyday of neorealist films, reflecting the poor condition of post-war Italy.

As the country grew wealthier in the 1950s, a form of neorealism known as pink neorealism succeeded, and starting from the 1950s through the Commedia all'italiana genre, and other film genres, such as sword-and-sandal followed as Spaghetti Westerns, were popular in the 1960s and 1970s. Actresses such as Sophia Loren, Giulietta Masina and Gina Lollobrigida achieved international stardom during this period. Erotic Italian thrillers, or giallos, produced by directors such as Mario Bava and Dario Argento in the 1970s, also influenced the horror genre worldwide. In recent years, the Italian scene has received only occasional international attention, with movies like Cinema Paradiso written and directed by Giuseppe Tornatore, Mediterraneo directed by Gabriele Salvatores, Life Is Beautiful directed by Roberto Benigni, Il Postino: The Postman with Massimo Troisi and The Great Beauty directed by Paolo Sorrentino.

The aforementioned Cinecittà studio is today the largest film and television production facility in Europe, where many international box office hits were filmed. In the 1950s, the number of international productions being made there led to Rome's being dubbed "Hollywood on the Tiber". More than 3,000 productions have been made on its lot, of which 90 received an Academy Award nomination and 47 of these won it, from some cinema classics to recent rewarded features (such as Roman Holiday, Ben-Hur, Cleopatra, Romeo and Juliet, The English Patient, The Passion of the Christ, and Gangs of New York).

Italy is the most awarded country at the Academy Awards for Best Foreign Language Film, with 14 awards won, 3 Special Awards and 28 nominations. , Italian films have also won 12 Palmes d'Or, 11 Golden Lions and 7 Golden Bears. The list of the 100 Italian films to be saved was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978".

Comics
The official birth of Italian comics (usually called Fumetti in Italian) is 27 December 1908, when the first issue of the Corriere dei Piccoli was published. Attilio Mussino has produced for this weekly a wide range of characters, including a little black child, Bilbolbul, whose almost surrealist adventures took place in a fantastic Africa.

In 1932 publisher Lotario Vecchi, had already begun publication of Jumbo magazine, using exclusively North American authors. The magazine reached a circulation of 350.000 copies in Italy, sanctioning comics as a mainstream medium with broad appeal. Vecchi moved to Spain three years later, bringing the same title.

In December 1932, the first Disney comic in Italy, Mickey Mouse, or Topolino in Italian, had been launched by the Florentine publisher Nerbini. The Disney franchise was then taken over by the Mondadori subsidiary, API, in 1935.

In 1945, Hugo Pratt while attending the Venice Academy of Fine Arts, created, in collaboration with Mario Faustinelli and Alberto Ongaro, Asso di Picche. Their distinctive approach to the art form earned them the name of the Venetian school of comics.

In 1948 Gian Luigi Bonelli initiated a long and successful series of Western strips, starting with the popular Tex Willer. This comic would become the model for a line of publications centred around the popular comic book format that became known as Bonelliano, from the name of the publisher.

Some of the series that followed Tex Willer were Zagor (1961), Mister No (1975), and more recently, Martin Mystère (1982) and Dylan Dog (1986).The subject matter was always an adventure, whether western, horror, mystery or science fiction. The Bonelliani are to date the most popular form of comics in the country.

Italy also produces many Disney comics, i.e., stories featuring Disney characters (from Mickey Mouse and Donald Duck universes). After the 1960s, American artists of Disney comics, such as Carl Barks and Floyd Gottfredson did not produce as many stories as in the past. At present American production of new stories has dwindled (Don Rosa publishes in Europe), and this niche has been filled by companies in South America, Denmark and Italy. The Italian 'Scuola disneyana' has produced several innovations: building the Italian standard length for stories (30 pages), reinterpreting famous works of literature in 'Parodie', and writing long stories up to 400 pages.

Among the most important artists and authors are Bonvi, Marco Rota, Romano Scarpa, Giorgio Cavazzano, Giovan Battista Carpi and Guido Martina. The best-known Disney character created in Italy is Paperinik (known as Duck Avenger or Phantom Duck to English audiences).

Italy also produces many comic books for children, preteens and teens: Gormiti based on a popular toy line, Angel's Friends and Winx Club based on the animated series global phenomenon.

Dance

Italian folk dance has been an integral part of Italian culture for centuries. Dance has been a continuous thread in Italian life from Dante through the Renaissance, the advent of the tarantella in Southern Italy, and the modern revivals of folk music and dance. One of the earliest attempts to systematically collect folk dances is Gaspare Ungarelli's 1894 work Le vecchie danze italiane ancora in uso nella provincia bolognese ("Old Italian dances still in use in the province of Bologna") which gives brief descriptions and music for some 30 dances. An interest in preserving and fostering folk art, music and dance among Italian Americans and the dedication and leadership of Elba Farabegoli Gurzau led to the formation of the Italian Folk Art Federation of America (IFAFA) in May 1979. The group sponsors an annual conference and has published a newsletter, Tradizioni, since 1980.

Fashion and design

Italian fashion has a long tradition. Milan, Florence and Rome are Italy's main fashion capitals. According to Top Global Fashion Capital Rankings 2013 by Global Language Monitor, Rome ranked sixth worldwide while Milan was twelfth. Previously, in 2009, Milan was declared as the "fashion capital of the world" by Global Language Monitor itself. Currently, Milan and Rome, annually compete with other major international centres, such as Paris, New York, London, and Tokyo.

The Italian fashion industry is one of the country's most important manufacturing sectors. The majority of the older Italian couturiers are based in Rome. However, Milan is seen as the fashion capital of Italy because many well-known designers are based there and it is the venue for the Italian designer collections. Major Italian fashion labels, such as Gucci, Armani, Prada, Versace, Valentino, Dolce & Gabbana, Missoni, Fendi, Moschino, Max Mara, Trussardi, Benetton, and Ferragamo, to name a few, are regarded as among the finest fashion houses in the world.

Accessory and jewellery labels, such as Bulgari, Luxottica, and Buccellati have been founded in Italy and are internationally acclaimed, and Luxottica is the world's largest eyewear company. Also, the fashion magazine Vogue Italia, is considered one of the most prestigious fashion magazines in the world. The talent of young, creative fashion is also promoted, as in the ITS young fashion designer competition in Trieste.

Italy is also prominent in the field of design, notably interior design, architectural design, industrial design, and urban design. The country has produced some well-known furniture designers, such as Gio Ponti and Ettore Sottsass, and Italian phrases such as Bel Disegno and Linea Italiana have entered the vocabulary of furniture design. Examples of classic pieces of Italian white goods and pieces of furniture include Zanussi's washing machines and fridges, the "New Tone" sofas by Atrium, and the post-modern bookcase by Ettore Sottsass, inspired by Bob Dylan's song "Stuck Inside of Mobile with the Memphis Blues Again".

Italy is recognized as a worldwide trendsetter and leader in design. Italy today still exerts a vast influence on urban design, industrial design, interior design, and fashion design worldwide. Today, Milan and Turin are the nation's leaders in architectural design and industrial design. The city of Milan hosts the FieraMilano, Europe's biggest design fair. Milan also hosts major design and architecture-related events and venues, such as the Fuori Salone and the Salone del Mobile, and has been home to the designers Bruno Munari, Lucio Fontana, Enrico Castellani, and Piero Manzoni.

Literature

Formal Latin literature began in 240 BC when the first stage play was performed in Rome. Latin literature was, and still is, highly influential in the world, with numerous writers, poets, philosophers, and historians, such as Pliny the Elder, Pliny the Younger, Virgil, Horace, Propertius, Ovid and Livy. The Romans were also famous for their oral tradition, poetry, drama and epigrams. In early years of the 13th century, Francis of Assisi was considered the first Italian poet by literary critics, with his religious song Canticle of the Sun.

Another Italian voice originated in Sicily. At the court of Emperor Frederick II, who ruled the Sicilian kingdom during the first half of the 13th century, lyrics modelled on Provençal forms and themes were written in a refined version of the local vernacular. One of these poets was the notary Giacomo da Lentini, inventor of the sonnet form, though the most famous early sonneteer was Petrarch.

Guido Guinizelli is considered the founder of the Dolce Stil Novo, a school that added a philosophical dimension to traditional love poetry. This new understanding of love, expressed in a smooth, pure style, influenced Guido Cavalcanti and the Florentine poet Dante Alighieri, who established the basis of the modern Italian language; his greatest work, the Divine Comedy, is considered among the finest works of world literature; furthermore, the poet invented the difficult terza rima. Two major writers of the 14th century, Petrarch and Giovanni Boccaccio, sought out and imitated the works of antiquity and cultivated their own artistic personalities. Petrarch achieved fame through his collection of poems, Il Canzoniere. Petrarch's love poetry served as a model for centuries. Equally influential was Boccaccio's The Decameron, one of the most popular collections of short stories ever written.

Italian Renaissance authors produced works including Niccolò Machiavelli's The Prince, an essay on political science and modern philosophy in which the "effectual truth" is taken to be more important than any abstract ideal; Ludovico Ariosto's Orlando Furioso, continuation of Matteo Maria Boiardo's unfinished romance Orlando Innamorato; and Baldassare Castiglione's dialogue The Book of the Courtier which describes the ideal of the perfect court gentleman and of spiritual beauty. The lyric poet Torquato Tasso in Jerusalem Delivered wrote a Christian epic in ottava rima, with attention to the Aristotelian canons of unity.

Giovanni Francesco Straparola and Giambattista Basile, who wrote The Facetious Nights of Straparola (1550–1555) and the Pentamerone (1634) respectively, printed some of the first known versions of fairy tales in Europe. In the early 17th century, some literary masterpieces were created, such as Giambattista Marino's long mythological poem, L'Adone. The Baroque period also produced the clear scientific prose of Galileo as well as Tommaso Campanella's The City of the Sun, a description of a perfect society ruled by a philosopher-priest. At the end of the 17th century, the Arcadians began a movement to restore simplicity and classical restraint to poetry, as in Metastasio's heroic melodramas. In the 18th century, playwright Carlo Goldoni created full-written plays, many portraying the middle class of his day.

Romanticism coincided with some ideas of the Risorgimento, the patriotic movement that brought Italy political unity and freedom from foreign domination. Italian writers embraced Romanticism in the early 19th century. The time of Italy's rebirth was heralded by the poets Vittorio Alfieri, Ugo Foscolo, and Giacomo Leopardi. The works by Alessandro Manzoni, the leading Italian Romantic, are a symbol of the Italian unification for their patriotic message and because of his efforts in the development of the modern, unified Italian language; his novel The Betrothed was the first Italian historical novel to glorify Christian values of justice and Providence, and it is generally ranked among the masterpieces of world literature. This novel is a fundamental milestone in the development of the modern, unified Italian language.

In the late 19th century, a realistic literary movement called Verismo played a major role in Italian literature; Giovanni Verga and Luigi Capuana were its main exponents. In the same period, Emilio Salgari, writer of action-adventure swashbucklers and a pioneer of science fiction, published his Sandokan series. In 1883, Carlo Collodi also published the novel The Adventures of Pinocchio, the most celebrated children's classic by an Italian author and one of the most translated non-religious books in the world. A movement called Futurism influenced Italian literature in the early 20th century. Filippo Tommaso Marinetti wrote Manifesto of Futurism, called for the use of language and metaphors that glorified the speed, dynamism, and violence of the machine age.

Modern literary figures and Nobel laureates are Gabriele D'Annunzio from 1889 to 1910, nationalist poet Giosuè Carducci in 1906, realist writer Grazia Deledda in 1926, modern theatre author Luigi Pirandello in 1936, short stories writer Italo Calvino in 1960, poets Salvatore Quasimodo in 1959 and Eugenio Montale in 1975, Umberto Eco in 1980, and satirist and theatre author Dario Fo in 1997.

Music

From folk music to classical, music is an intrinsic part of Italian culture. Instruments associated with classical music, including the piano and violin, were invented in Italy, and many of the prevailing classical music forms, such as the symphony, concerto, and sonata, can trace their roots back to innovations of 16th- and 17th-century Italian music.

Italy's most famous composers include the Renaissance composers Palestrina, Monteverdi and Gesualdo, the Baroque composers Scarlatti, Corelli and Vivaldi, the Classical composers Paisiello, Paganini and Rossini, and the Romantic composers Verdi and Puccini. Modern Italian composers such as Berio and Nono proved significant in the development of experimental and electronic music. While the classical music tradition still holds strong in Italy, as evidenced by the fame of its innumerable opera houses, such as La Scala of Milan and San Carlo of Naples (the oldest continuously active venue for public opera in the world), and performers such as the pianist Maurizio Pollini and tenor Luciano Pavarotti, Italians have been no less appreciative of their thriving contemporary music scene.

Italy is widely known for being the birthplace of opera. Italian opera was believed to have been founded in the early 17th century, in cities such as Mantua and Venice. Later, works and pieces composed by native Italian composers of the 19th and early 20th centuries, such as Rossini, Bellini, Donizetti, Verdi and Puccini, are among the most famous operas ever written and today are performed in opera houses across the world. La Scala opera house in Milan is also renowned as one of the best in the world. Famous Italian opera singers include Enrico Caruso and Alessandro Bonci.

Introduced in the early 1920s, jazz took a particularly strong foothold in Italy, and remained popular despite the xenophobic cultural policies of the Fascist regime. Today, the most notable centres of jazz music in Italy include Milan, Rome, and Sicily. Later, Italy was at the forefront of the progressive rock and pop movement of the 1970s, with bands like PFM, Banco del Mutuo Soccorso, Le Orme, Goblin, and Pooh. The same period saw diversification in the cinema of Italy, and Cinecittà films included complex scores by composers including Ennio Morricone, Armando Trovaioli, Piero Piccioni and Piero Umiliani. In the early 1980s, the first star to emerge from the Italian hip hop scene was singer Jovanotti. Italian metal bands include Rhapsody of Fire, Lacuna Coil, Elvenking, Forgotten Tomb, and Fleshgod Apocalypse.

Italy contributed to the development of disco and electronic music, with Italo disco, known for its futuristic sound and prominent use of synthesisers and drum machines, being one of the earliest electronic dance genres, as well as European forms of disco aside from Euro disco (which later went on to influence several genres such as Eurodance and Nu-disco). By the latter half of the 1990s, a subgenre of Eurodance known as Italo dance emerged. Taking influences from Italo disco and Italo house, Italo dance generally included synthesizer riffs, a melodic sound, and the usage of vocoders. Notable Italian DJs and remixers include Gabry Ponte (member of the group Eiffel 65), Benny Benassi, Gigi D'Agostino, and the trio Tacabro.

Producers such as Giorgio Moroder, who won three Academy Awards and four Golden Globes for his music, were highly influential in the development of electronic dance music. Today, Italian pop music is represented annually with the Sanremo Music Festival, which served as inspiration for the Eurovision song contest, and the Festival of Two Worlds in Spoleto. Singers such as Mina, Andrea Bocelli, Grammy winner Laura Pausini, Zucchero, Eros Ramazzotti, Elisa, Tiziano Ferro and Mahmood have attained international acclaim. Gigliola Cinquetti, Toto Cutugno, and Måneskin won the Eurovision Song Contest, in 1964, 1990, and 2021 respectively.

Italian folk music has a deep and complex history. National unification came quite late to the Italian peninsula, so its many hundreds of separate cultures remained un-homogenized until quite recently. Moreover, Italian folk music reflects Italy's geographic position at the south of Europe and in the centre of the Mediterranean Sea: Slavic, Arabic, Greek, Spanish and Byzantine influences are readily apparent in the musical styles of the Italian regions. Today, Italy's folk music is often divided into several spheres of geographic influence, a classification system proposed by Alan Lomax in 1956 and often repeated since.

Philosophy
Over the ages, Italian philosophy and literature had a vast influence on Western philosophy, beginning with the Greeks and Romans, and going onto Renaissance humanism, the Age of Enlightenment and modern philosophy. Philosophy was brought to Italy by Pythagoras, founder of the Italian school of philosophy in Crotone, Magna Graecia. Major Italian philosophers of the Greek period include Xenophanes, Parmenides, Zeno, Empedocles and Gorgias. Roman philosophers include Cicero, Lucretius, Seneca the Younger, Musonius Rufus, Plutarch, Epictetus, Marcus Aurelius, Clement of Alexandria, Sextus Empiricus, Alexander of Aphrodisias, Plotinus, Porphyry, Iamblichus, Augustine of Hippo, Philoponus of Alexandria and Boethius. Italian Medieval philosophy was mainly Christian, and included philosophers and theologians such as Thomas Aquinas, the foremost classical proponent of natural theology and the father of Thomism, who reintroduced Aristotelian philosophy to Christianity. Notable Renaissance philosophers include: Giordano Bruno, one of the major scientific figures of the western world; Marsilio Ficino, one of the most influential humanist philosophers of the period; and Niccolò Machiavelli, one of the main founders of modern political science. Machiavelli's most famous work was The Prince, whose contribution to the history of political thought is the fundamental break between political realism and political idealism. Italy was also affected by the Enlightenment, a movement which was a consequence of the Renaissance. University cities such as Padua, Bologna and Naples remained centres of scholarship and the intellect, with several philosophers such as Giambattista Vico (widely regarded as being the founder of modern Italian philosophy) and Antonio Genovesi. Cesare Beccaria was a significant Enlightenment figure and is now considered one of the fathers of classical criminal theory as well as modern penology. Beccaria is famous for his On Crimes and Punishments (1764), a treatise that served as one of the earliest prominent condemnations of torture and the death penalty and thus a landmark work in anti-death penalty philosophy.

Italy also had a renowned philosophical movement in the 1800s, with Idealism, Sensism and Empiricism. The main Sensist Italian philosophers were Melchiorre Gioja and Gian Domenico Romagnosi. Criticism of the Sensist movement came from other philosophers such as Pasquale Galluppi (1770–1846), who affirmed that a priori relationships were synthetic. Antonio Rosmini, instead, was the founder of Italian idealism. During the late 19th and 20th centuries, there were also several other movements which gained some form of popularity in Italy, such as Ontologism (whose main philosopher was Vincenzo Gioberti), anarchism, communism, socialism, futurism, fascism and Christian democracy. Giovanni Gentile and Benedetto Croce were two of the most significant 20th-century Idealist philosophers. Anarcho-communism first fully formed into its modern strain within the Italian section of the First International. Antonio Gramsci remains a relevant philosopher within Marxist and communist theory, credited with creating the theory of cultural hegemony. Italian philosophers were also influential in the development of the non-Marxist liberal socialism philosophy, including Carlo Rosselli, Norberto Bobbio, Piero Gobetti and Aldo Capitini. In the 1960s, many Italian left-wing activists adopted the anti-authoritarian pro-working class leftist theories that would become known as autonomism and operaismo.

Early Italian feminists include Sibilla Aleramo, Alaide Gualberta Beccari, and Anna Maria Mozzoni, though proto-feminist philosophies had previously been touched upon by earlier Italian writers such as Christine de Pizan, Moderata Fonte, and Lucrezia Marinella. Italian physician and educator Maria Montessori is credited with the creation of the philosophy of education that bears her name, an educational philosophy now practised throughout the world. Giuseppe Peano was one of the founders of analytic philosophy and contemporary philosophy of mathematics. Recent analytic philosophers include Carlo Penco, Gloria Origgi, Pieranna Garavaso and Luciano Floridi.

Sculpture

The art of sculpture in the Italian peninsula has its roots in ancient times. In the archaic period, when Etruscan cities dominated central Italy and the adjacent sea, Etruscan sculpture flourished. The name of an individual artist, Vulca, who worked at Veii, has been identified. He has left a terracotta Apollo and other figures, and can perhaps claim the distinction of being the most ancient master in the long history of Italian art.

A significant development of this art occurred between the 6th century BC and 5th century AD during the growth of the Roman Empire. The earliest Roman sculpture was influenced by the Etruscans to the north of Rome and by Greek colonists to the south. During the Empire period, the pure realism of the Republican period portrait busts was joined to Greek idealism. The result, evident in Augustus of Primaporta, was often a curious juxtaposition of individualized heads with idealized, anatomically perfect bodies in Classical poses.

During the Middle Ages, large sculpture was largely religious. Carolingian artists (named after Charlemagne's family) in northern Italy created sculpture for covers of Bibles, as decoration for parts of church altars, and for crucifixes and giant candlesticks placed on altars.

In the late 13th century, Nicola Pisano and his son Giovanni began the revolutionary changes that led up to the Renaissance in Italian sculpture, drawing influences from Roman sarcophagi and other remains. Both are noted for their reliefs and ornamentation on pulpits. The Massacre of the Innocents by Giovanni Pisano is an example.

The greatest sculptor of the early Renaissance was Donatello. In 1430, he produced a bronze statue of David, which reestablished the classical idea of beauty in the naked human body. Conceived fully in the round and independent of any architectural surroundings, it was the first major work of Renaissance sculpture. Among the other brilliant sculptors of the 15th century were Jacopo della Quercia, Michelozzo, Bernardo and Antonio Rossellino, Giambologna and Agostino di Duccio.

Michelangelo's great brooding sculptures, such as the figures of Night and Day in the Medici Chapel in Florence, dominated High Renaissance Italian sculpture. His David, is perhaps, the most famous sculpture in the world. It differs from previous representations of the subject in that David is depicted before his battle with Goliath and not after the giant's defeat. Instead of being shown victorious over a foe much larger than he, David looks tense and ready for combat.

Gian Lorenzo Bernini was the most important sculptor of the Baroque period. He combined emotional and sensual freedom with theatrical presentation and an almost photographic naturalism. Bernini's saints and other figures seem to sit, stand, and move as living people — and the viewer becomes part of the scene. This involvement of the spectator is a basic characteristic of Baroque sculpture. One of his most famous works is Ecstasy of Saint Teresa.

The Neoclassical movement arose in the late 18th century. The members of this very international school restored what they regarded as classical principles of art. They were direct imitators of ancient Greek sculptors, and emphasized classical drapery and the nude. The leading Neoclassical artist in Italy was Antonio Canova, who like many other foreign neoclassical sculptors including Bertel Thorvaldsen was based in Rome. His ability to carve pure white Italian marble has seldom been equalled. Most of his statues are in European collections, but the Metropolitan Museum of Art in New York City owns important works, including Perseus and Cupid and Psyche.

In the 20th century, many Italians played leading roles in the development of modern art. Futurist sculptors tried to show how space, movement, and time affected form. These artists portrayed objects in motion, rather than their appearance at any particular moment. An example is Umberto Boccioni's Unique Forms of Continuity in Space.

Theatre

Italian theatre originates from the Middle Ages, with its background dating back to the times of the ancient Greek colonies of Magna Graecia, in Southern Italy, the theatre of the Italic peoples and the theatre of ancient Rome. It can therefore be assumed that there were two main lines of which the ancient Italian theatre developed in the Middle Ages. The first, consisting of the dramatization of Catholic liturgies and of which more documentation is retained, and the second, formed by pagan forms of spectacle such as the staging for city festivals, the court preparations of the jesters and the songs of the troubadours. The Renaissance theatre marked the beginning of the modern theatre due to the rediscovery and study of the classics, the ancient theatrical texts were recovered and translated, which were soon staged at the court and in the curtensi halls, and then moved to real theatre. In this way, the idea of theatre came close to that of today: a performance in a designated place in which the public participates. In the late 15th century two cities were important centres for the rediscovery and renewal of theatrical art: Ferrara and Rome. The first, vital centre of art in the second half of the fifteenth century, saw the staging of some of the most famous Latin works by Plautus, rigorously translated into Italian.

During the 16th century and on into the 18th century, Commedia dell'arte was a form of improvisational theatre, and it is still performed today. Travelling troupes of players would set up an outdoor stage and provide amusement in the form of juggling, acrobatics and, more typically, humorous plays based on a repertoire of established characters with a rough storyline, called canovaccio. Plays did not originate from written drama but from scenarios called lazzi, which were loose frameworks that provided the situations, complications, and outcome of the action, around which the actors would improvise. The characters of the commedia usually represent fixed social types and stock characters, each of which has a distinct costume, such as foolish old men, devious servants, or military officers full of false bravado. The main categories of these characters include servants, old men, lovers, and captains.

The first recorded Commedia dell'arte performances came from Rome as early as 1551, and was performed outdoors in temporary venues by professional actors who were costumed and masked, as opposed to commedia erudita, which were written comedies, presented indoors by untrained and unmasked actors. By the mid-16th century, specific troupes of commedia performers began to coalesce, and by 1568 the Gelosi became a distinct company. Commedia often performed inside in court theatres or halls, and also in some fixed theatres such as Teatro Baldrucca in Florence. Flaminio Scala, who had been a minor performer in the Gelosi published the scenarios of the Commedia dell'arte around the start of the 17th century, really in an effort to legitimise the form—and ensure its legacy. These scenarios are highly structured and built around the symmetry of the various types in duet: two zanni, vecchi, inamorate and inamorati, among others.

In Commedia dell'arte, female roles were played by women, documented as early as the 1560s, making them the first known professional actresses in Europe since antiquity. Lucrezia Di Siena, whose name is on a contract of actors from 10 October 1564, has been referred to as the first Italian actress known by name, with Vincenza Armani and Barbara Flaminia as the first primadonnas and the first well-documented actresses in Europe.

The Ballet dance genre also originated in Italy. It began during the Italian Renaissance court as an outgrowth of court pageantry, where aristocratic weddings were lavish celebrations. Court musicians and dancers collaborated to provide elaborate entertainment for them. Domenico da Piacenza was one of the first dancing masters. Along with his students, Antonio Cornazzano and Guglielmo Ebreo, he was trained in dance and responsible for teaching nobles the art. Da Piacenza left one work: De arte saltandi et choreus ducendi (On the art of dancing and conducting dances), which was put together by his students.

At first, ballets were woven into the midst of an opera to allow the audience a moment of relief from the dramatic intensity. By the mid-seventeenth century, Italian ballets in their entirety were performed in between the acts of an opera. Over time, Italian ballets became part of theatrical life: ballet companies in Italy's major opera houses employed an average of four to twelve dancers; in 1815 many companies employed anywhere from eighty to one hundred dancers.

Carlo Goldoni, who wrote a few scenarios starting in 1734, superseded the comedy of masks and the comedy of intrigue by representations of actual life and manners through the characters and their behaviours. He rightly maintained that Italian life and manners were susceptible to artistic treatment such as had not been given them before. Italian theatre has been active in producing contemporary European work and in staging revivals, including the works of Luigi Pirandello and Dario Fo.

The Teatro di San Carlo in Naples is the oldest continuously active venue for public opera in the world, opening in 1737, decades before both Milan's La Scala and Venice's La Fenice theatres.

Visual art

The history of Italian visual arts is significant to the history of Western painting. Since ancient times, Greeks and Etruscans have inhabited the south, centre and north of the Italian peninsula respectively. The very numerous rock drawings in Valcamonica are as old as 8,000 BC, and there are rich remains of Etruscan art.

Roman art was influenced by Greece and can in part be taken as a descendant of ancient Greek painting. Roman painting does have its own unique characteristics. The only surviving Roman paintings are wall paintings, many from villas in Campania, in Southern Italy. Such paintings can be grouped into four main "styles" or periods and may contain the first examples of trompe-l'œil, pseudo-perspective, and pure landscape.

Panel painting becomes more common during the Romanesque period, under the heavy influence of Byzantine icons. Towards the middle of the 13th century, Medieval art and Gothic painting became more realistic, with the beginnings of interest in the depiction of volume and perspective in Italy with Cimabue and then his pupil Giotto. From Giotto onwards, the treatment of composition in painting became much more free and innovative.

The Italian Renaissance is said by many to be the golden age of painting; roughly spanning the 14th through the mid-17th centuries with a significant influence also out of the borders of modern Italy. In Italy artists like Paolo Uccello, Fra Angelico, Masaccio, Piero della Francesca, Andrea Mantegna, Filippo Lippi, Giorgione, Tintoretto, Sandro Botticelli, Leonardo da Vinci, Michelangelo Buonarroti, Raphael, Giovanni Bellini, and Titian took painting to a higher level through the use of perspective, the study of human anatomy and proportion, and through their development of refined drawing and painting techniques.

In the 15th and 16th centuries, the High Renaissance gave rise to a stylised art known as Mannerism. In place of the balanced compositions and rational approach to perspective that characterised art at the dawn of the 16th century, the Mannerists sought instability, artifice, and doubt. The unperturbed faces and gestures of Piero della Francesca and the calm Virgins of Raphael are replaced by the troubled expressions of Pontormo and the emotional intensity of El Greco.

In the 17th century, among the greatest painters of Italian Baroque are Caravaggio, Annibale Carracci, Artemisia Gentileschi, Mattia Preti, Carlo Saraceni and Bartolomeo Manfredi. Subsequently, in the 18th century, Italian Rococo was mainly inspired by French Rococo, since France was the founding nation of that particular style, with artists such as Giovanni Battista Tiepolo and Canaletto.

In the 19th century, major Italian Romantic painters were Francesco Hayez, Giuseppe Bezzuoli and Francesco Podesti. Impressionism was brought from France to Italy by the Macchiaioli, led by Giovanni Fattori, and Giovanni Boldini; Realism by Gioacchino Toma and Giuseppe Pellizza da Volpedo. In the 20th century, with Futurism, primarily through the works of Umberto Boccioni and Giacomo Balla, Italy rose again as a seminal country for artistic evolution in painting. Futurism was succeeded by the metaphysical paintings of Giorgio de Chirico, who exerted a strong influence on the Surrealists and generations of artists to follow like Bruno Caruso and Renato Guttuso.

Metaphysical painting is an Italian art movement, born in 1917 with the work of Carlo Carrà and Giorgio de Chirico in Ferrara. The word metaphysical, adopted by De Chirico himself, is core to the poetics of the movement. Novecento movement, a group of Italian artists, formed in 1922 in Milan, that advocated a return to the great Italian representational art of the past. The founding members of the Novecento (Italian: 20th-century) movement were the critic Margherita Sarfatti and seven artists: Anselmo Bucci, Leonardo Dudreville, Achille Funi, Gian Emilio Malerba, Piero Marussig, Ubaldo Oppi, and Mario Sironi.

Spatialism was founded by the Italian artist Lucio Fontana as the movimento spaziale, its tenets were repeated in manifestos between 1947 and 1954. Combining elements of concrete art, dada and tachism, the movement's adherents rejected easel painting and embraced new technological developments, seeking to incorporate time and movement in their works. Fontana's slashed and pierced paintings exemplify his thesis. Arte Povera is an artistic movement that originated in Italy in the 1960s, combining aspects of conceptual, minimalist, and performance art, and making use of worthless or common materials such as earth or newspaper, in the hope of subverting the commercialization of art.

Transavantgarde is the Italian version of Neo-expressionism, an art movement that swept through Italy and the rest of Western Europe in the late 1970s and 1980s. The term transavanguardia was coined by the Italian art critic, Achille Bonito Oliva, originating in the "Aperto '80" at the Venice Biennale, and literally means beyond the avant-garde.

Cuisine and meal structure

Italian cuisine is a Mediterranean cuisine consisting of the ingredients, recipes and cooking techniques developed in Italy since Roman times, and later spread around the world together with waves of Italian diaspora. Italian cuisine includes deeply rooted traditions common to the whole country, as well as all the regional gastronomies, different from each other, especially between the north, the centre and the south of Italy, which are in continuous exchange. Many dishes that were once regional have proliferated with variations throughout the country. The cuisine has influenced several other cuisines around the world, chiefly that of the United States in the form of Italian-American cuisine.

One of the main characteristics of Italian cuisine is its simplicity, with many dishes made up of few ingredients, and therefore Italian cooks often rely on the quality of the ingredients, rather than the complexity of preparation. The most popular dishes and recipes, over the centuries, have often been created by ordinary people more so than by chefs, which is why many Italian recipes are suitable for home and daily cooking, respecting regional specificities, privileging only raw materials and ingredients from the region of origin of the dish and preserving its seasonality.

Italian cuisine has developed through centuries of social and political changes, it has its roots in ancient Rome. Artichokes, peas, lettuce, parsley, melons, and apples, as well as wine and cheese, many kinds of meat, and grains were all enjoyed by ancient Romans. For feasts Roman cooks used many spices, developed recipes for cheesecake and omelets, and roasted all types of meat. From this noble beginning a sophisticated and flavorful cuisine has emerged. Significant changes occurred with the discovery of the New World and the introduction of potatoes, tomatoes, bell peppers and maize, now central to the cuisine but not introduced in quantity until the 18th century.

Italian cuisine, like other facets of the culture, speaks with highly inflected regional accents. There are certain self-consciously national constants: spaghetti with tomato sauce and pizza are highly common, but this nationalisation of culinary identity didn't start to take hold until after the Second World War, when southern immigrants flooded to the north in search of work, and even those classics vary from place to place; small enclaves still hold fast to their unique local forms of pasta and particular preparations. Classics such as Pasta e fagioli, while found everywhere, are prepared differently according to local traditions. Gastronomic explorations of Italy are best undertaken by knowing the local traditions and eating the local foods.

Northern Italy, mountainous in many parts, is notable for the alpine cheeses of the Valle d'Aosta, the pesto of Liguria, and, in Piedmonte, the Alba truffle. In the Alto Adige, the influence of neighbouring Austria may be found in a regional repertoire that includes speck and dumplings. In the north, risotto and polenta have tended to serve the staple function taken by pasta across the rest of the country. Italy's centre includes the celebrated culinary regions of Tuscany — famous for its olive oil and bean dishes — and Emilia-Romagna — home of prosciutto di Parma, parmigiano-reggiano, and ragù — the latter now produced (and traduced) worldwide as spaghetti alla bolognese. Southern Italy includes the hearty food of Lazio in which meat and offal frequently figure, but also the vegetable-focused fare of Basilicata, historically one of Italy's poorest regions. The islands of Sicily and Sardinia have distinctively different foodways. The former is notable for its many sweet dishes, seafood, and citrus fruit, while Sardinia has traditionally looked to its hilly and mountainous interior with a cuisine centred on lamb, suckling pig, bread, and cheese.

It is in the food of Naples and Campania, however, that many visitors would recognize the foods that have come to be regarded as quintessentially Italian: pizza, spaghetti with tomato sauce, aubergine parmigiana, although the origins of all three dishes are claimed by Sicily (Pizza originating in Palermo).

Also, Italy exports and produces the highest level of wine, exporting over 2.38 million tonnes in 2011. , Italy was responsible for producing approximately one-fifth of the world's wine. Some Italian regions are home to some of the oldest wine-producing traditions in the world. Etruscans and Greek settlers produced wine in the country long before the Romans started developing their own vineyards in the 2nd century BC. Roman grape-growing and winemaking were prolific and well-organized, pioneering large-scale production and storage techniques like barrel -making and bottling. Famous and traditional Italian wines include Barbaresco, Barbera, Barolo, Brunello di Montalcino, Chianti, Corvina, Dolcetto and Nero d'Avola, to name a few.

The country is also famous for its gelato, or traditional ice-cream often known as Italian ice cream abroad. There are gelaterias or ice-cream vendors and shops all around Italian cities, and it is a very popular dessert or snack, especially during the summer. Sicilian granitas, or a frozen dessert of flavoured crushed ice, more or less similar to a sorbet or a snow cone, are popular desserts not only in Sicily or their native towns of Messina and Catania, but all over Italy (even though the Northern and Central Italian equivalent, the gratta checca, commonly found in Rome or Milan is slightly different from the traditional granita siciliana). Italy also boasts an assortment of desserts.

The Christmas cakes pandoro and panettone are popular in the North (pandoro is from Verona, whilst panettone is Milanese), however, they have also become popular desserts in other parts of Italy and abroad. The Colomba Pasquale is eaten all over the country on Easter day, and is a more traditional alternative to chocolate easter eggs. Tiramisu is a very popular and iconic Italian dessert from Veneto which has become famous worldwide. Other Italian cakes and sweets include cannoli, the cassata siciliana, fruit-shaped marzipans and panna cotta.

Coffee, and more specifically espresso, has become highly important to the cuisine of Italy. Cappuccino is also a famous Italian coffee drink, which is usually sweeter and less dark than espresso, and can be served with foam or cream on top, on which chocolate powder and sugar are usually sprinkled. Caffelatte is a mixture of coffee and milk, and is usually drunk at breakfast time (unlike most other Italian coffee types, children and adults drink it). The Bicerin is Turin's own coffee, a mix between cappuccino and hot chocolate.

Italian meal structure is typical of the European Mediterranean region and differs from North, Central, and Eastern European meal structure, though it still often consists of breakfast (colazione), lunch (pranzo), and supper (cena). However, much less emphasis is placed on breakfast, and breakfast itself is often skipped or involves lighter meal portions than are seen in non-Mediterranean Western countries. Late-morning and mid-afternoon snacks, called merenda (plural merende), are also often included in this meal structure.

Italian cuisine is one of the most popular and copied around the world. The lack or total unavailability of some of its most characteristic ingredients outside of Italy, also and above all to falsifications (or food fraud), leads to the complete denaturalization of Italian ingredients. This phenomenon, widespread in all continents, is better known as Italian Sounding, consisting in the use of words as well as images, colour combinations (the Italian tricolour), geographical references, brands evocative of Italy to promote and market agri-food products which in reality have nothing to do with Italian cuisine.

Folklore and mythology

Folklore of Italy refers to the folklore and urban legends of Italy. On the Italian territory, in fact, different peoples have followed one another over time, each of which has left its traces in the popular imagination. Some tales also come from Christianization, especially those concerning demons, which are sometimes recognized by Christian demonology.

In Italian folklore, the Befana is an old woman who delivers gifts to children throughout Italy on Epiphany Eve (the night of January 5) in a similar way to Santa Claus or the Three Magi Kings. A popular belief is that her name derives from the Feast of Epiphany (Festa dell'Epifania). In popular folklore, the Befana visits all the children of Italy on the eve of the Feast of the Epiphany to fill their socks with candy and presents if they are good, or a lump of coal or dark candy if they are bad. In many poorer parts of Italy and in particular rural Sicily, a stick in a stocking was placed instead of coal. Being a good housekeeper, many say she will sweep the floor before she leaves. To some, the sweeping meant the sweeping away of the problems of the year. The child's family typically leaves a small glass of wine and a plate with a few morsels of food, often regional or local, for the Befana.

The Badalisc is a mythical creature of the Val Camonica in the southern central Alps. The Badalisc is represented today as a creature with a big head covered with a goat skin, two small horns, a huge mouth and glowing eyes. According to legend the Badalisc lives in the woods around the village of Andrista (comune of Cevo) and is supposed to annoy the community: each year it is captured during the period of Epiphany (5 & 6 January) and led on a rope into the village by musicians and masked characters, including il giovane (the young man), il vecchio (the old man), la vecchia (the old woman) and the young signorina, who is "bait" for the animal's lust. There are also some old witches, who beat drums, and bearded shepherds, and a hunchback (un torvo gobetto) who has a "rustic duel" with the animal. Traditionally only men take part, although some are dressed as women. In medieval times women were prohibited from participating in the exhibition, or even seeing or hearing the Badalisc's Speech; if they did so they would be denied Holy Communion the following day.

An egg of Columbus refers to a brilliant idea or discovery that seems simple or easy after the fact. The expression refers to an apocryphal story, dating from at least the 16th century, in which it is said that Christopher Columbus, having been told that finding a new trade route was inevitable and no great accomplishment, challenges his critics to make an egg stand on its tip. After his challengers give up, Columbus does it himself by tapping the egg on the table to flatten its tip. The story is often alluded to when discussing creativity. The term has also been used as the trade name of a tangram puzzle and several mechanical puzzles. It also shows that anything can be done by anyone with the right set of skills; however, not everyone knows how to do it.

Alberto da Giussano is a legendary character of the 12th century who would have participated, as a protagonist, in the battle of Legnano on 29 May 1176. In reality, according to historians, the actual military leader of the Lombard League in the famous military battle with Frederick Barbarossa was Guido da Landriano. Historical analyses made over time have indeed shown that the figure of Alberto da Giussano never existed. In the past, historians, attempting to find a real confirmation, hypothesized the identification of his figure with Albertus de Carathe (Alberto da Carate) and Albertus Longus (Alberto Longo), both among the Milanese who signed the pact in Cremona in March 1167 which established the Lombard League, or in an Alberto da Giussano mentioned in an appeal of 1196 presented to Pope Celestine III on the administration of the church-hospital of San Sempliciano. These, however, are all weak identifications, given that they lack clear and convincing historical confirmation.

The Val Camonica witch trials were two large witch trials which took place in Val Camonica in Italy, in 1505–1510 and 1518–1521. They were among the biggest Italian witch trials, and caused the deaths of about 60 persons, in each trial: 110 in total. The best source for the trials is considered to be the Venetian Marin Sanudo, who was the chronicler to the Council of Ten from 1496 to 1536. The documentary evidence was destroyed by order of Giacinto Gaggia, the bishop of Brescia, to prevent it from being used by the anticlerical opposition.

Mythology of Italy refers to the mythology of people living in Italy. Major pantheons belong to Roman mythology and Etruscan mythology. Roman mythology is the body of myths of ancient Rome as represented in the literature and visual arts of the Romans. One of a wide variety of genres of Roman folklore, Roman mythology may also refer to the modern study of these representations, and to the subject matter as represented in the literature and art of other cultures in any period. Roman mythology draws from the mythology of the Italic peoples and ultimately from Proto-Indo-European mythology. Roman mythology also draws directly on Greek mythology, potentially as early as Rome's protohistory, but primarily during the Hellenistic period of Greek influence and through the Roman conquest of Greece, via the artistic imitation of Greek literary models by Roman authors.

Italian culture
Italy is the wellspring of Western civilization and has been a world crossroads for over 2,000 years. Continuous learning, creativity, and technological advancement on the Italian peninsula have shaped virtually every aspect of Western culture.

Though its archaeological record stretches back tens of thousands of years, Italian history begins with the Etruscans, an ancient civilization that rose between the Arno and Tiber rivers. At that time, Italy was a hodgepodge of peoples and languages. They included the Etruscans and Celts in the north, Greek colonists in southern Italy, and such mountain peoples as the Sabines and the Samnites. In addition, the Phoenicians, who were great sea traders, established colonies throughout the Mediterranean region, including settlements on the islands of Sicily and Sardinia.

The Etruscans and the other inhabitants of the peninsula were supplanted in the 3rd century BC by the Romans, who soon became the chief power in the Mediterranean world and whose empire stretched from Iraq to Scotland by the 2nd century AD. The empire influenced the government, the arts, and the architecture of many later groups of people.

With Emperor Constantine's conversion to Christianity in 312, Rome became the open and official seat of the Catholic Church, and Italy has had a profound effect on the development of Christianity and of Western concepts of faith and morality ever since. Like the other works of Christian charity, the care of the sick was from the beginning a sacred duty for each of the faithful, but it devolved in a special way upon the bishops, presbyters, and deacons. According to historian William Lecky, the hospitals were unknown before Christianity. After the fall of Rome in the 5th century, the Italian peninsula was divided among many different rulers.

During the Middle Ages, which lasted from about the 5th century through the 15th century, the Roman Catholic Church replaced the Roman Empire as the unifying force in Europe. It used the Latin language and preserved the classics of Latin literature. In addition, the influence of the Church on the spread of literacy has had a significant impact on European society. Günther S. Wegener has carefully documented the correlation between Bible translation and the spread of literacy in European languages. In fact, during the Middle Ages, the most important branch of learning was theology (the study of God). This new intellectual approach has been called Scholasticism. Italy, in virtue of this, became a seat of great formal learning in 1088 with the establishment of the University of Bologna, the first university in Europe. Other Italian universities soon followed.

Among the eminent personalities of the Christian world during the Middle Ages, perhaps the most important was that of Benedict of Nursia. His formula ora et labora, influenced the idea of work in Western monasticism and indirectly prepared the way for our modern high esteem of labour. For the development of their ideas about purgatory, western theologians relied heavily on the authority of Pope Gregory I. In a society — like that of medieval Europe — deeply found on religion, changing the geography of the other world means to operate on a real mind revolution, it means to change life itself.

In Italy medieval communes were sworn associations of townsmen that arose during the 11th century to overthrow the rule of the local bishop or feudal magnates. The communal experience of medieval Italy was somehow salient to the origins of modern democracy. Many cities — especially Florence, Genoa, Pisa, Milan, and Venice — became powerful and independent city-states. An intellectual revival, stimulated in part by the freer atmosphere of the cities and in part by the rediscovery of ancient Greek and Latin writings, gave rise to the humanist attitudes and ideas that formed the basis of the Renaissance.

Renaissance period saw a rebirth of many interests, particularly in the arts. By the early 15th century, in Florence, a circle of architects, painters, and sculptors sought to revive classical art. The leader of this group was an architect, Filippo Brunelleschi. He designed churches reflecting classical models. To him we also owe a scientific discovery of the first importance in the history of art: the rules of perspective. In painting, Leonardo da Vinci and other Italian painters used a technique called sfumato that created softness in their portraits. At the same time, Italy witnessed the revival of the fresco. In music, both the small-scale madrigal and the large-scale opera were inventions of the period with a long future. Italian cities invented the modern conservatory to train professional musicians, as they invented the art academy as a place to master the techniques and the theory of painting, sculpture, and architecture. Rome and Venice witnessed the emergence of the first art "market" where buyers and sellers exchanged artworks as commodities.

It was no accident that the origin of the European system of banks was born in Renaissance Italy. By the 1430s, the Medici family dominated the ruling class of Florence. The family controlled the largest bank in Europe and was headed by a series of talented and ambitious men. Under Medici domination, the Florentine republic in some ways resembled a signorial government.

Some of the greatest explorers of the late 15th century and early 16th century were Italians exposed to the traditions of the Renaissance. Christopher Columbus — like such other Italian explorers as John Cabot, Giovanni da Verrazzano, and Amerigo Vespucci — was willing to take enormous risks to achieve results that people had never dreamed of. In a sense, Columbus's arrival in America in 1492 was one of the greatest achievements of the Renaissance.

In general terms, the Baroque era is sometimes called the era of genius, since it was at this time in history that the scientific revolution that established the foundations of modern science was launched. In the pantheon of the scientific revolution, Galileo Galilei takes a high position because of his pioneering use of quantitative experiments with results analyzed mathematically.

The intellectual dynamism in 18th century Italy was considerable, across the gamut of genres. Italian elites became conversant with French Enlightenment principles and with English ideas, too, spread by young aristocrats on the grand tour. By the 1760s and 1770s, the Italian authors who were members of academies and contributors to philosophical and literary journals began to disseminate their ideas close to the realm of power in Milan and Turin, Parma and Modena, Florence and Naples. Important representatives of the Italian Enlightenment were Pietro Verri, Pietro Giannone, and Philip Mazzei, a close friend of Thomas Jefferson, who spent many years in America and had an indirect influence on the drafting of the Declaration of Independence. Inspired by Cesare Beccaria's theses — on liberal ideas and humanitarian sentiments — the Grand Duchy of Tuscany was the first state in the world to abolish the death penalty in 1786.

Italy continued its leading cultural role through the Romantic period, when its dominance in painting and sculpture diminished and it reestablished a strong presence in music. For example, the great vocal tradition of 19th-century European opera was bel canto, which simply means "beautiful singing." At the same time Italy was forming itself into one nation, the period called the Risorgimento.

Italian artists have been quite influential in the 20th century, and some of the Italian exponents of Modernism in the 1920s and 1930s continue to have a strong presence in the international contemporary art market. A new movement called Fascism, led by Benito Mussolini, a former Socialist, grew increasingly popular. Italian Fascism became a model for similar movements in Europe and Latin America. The nationalism of Italian Fascism was culturally based. The parties and organizations associated with these leaders also adopted the Roman salute.

Known in many circles as the father of the Atomic Age, Enrico Fermi was an Italian who bore witness to the discovery, control, and use of atomic power. Following World War II, Italian neorealism became an important force in motion pictures, and by the 1960s, Italy had established itself as one of a handful of great European film cultures. In the same years, the country has also been central to the formation of the European Union. Today Italy is one of the international leaders in fashion and design.

Italophilia

Ancient Italy is identified with Rome and the so-called Romanophilia. Despite the fall of the Roman Empire, its legacy continued to have a significant impact on the cultural and political life in Europe. For the medieval mind, Rome came to constitute a central dimension of the European traditionalist sensibility. The idealisation of this Empire as the symbol of universal order led to the construction of the Holy Roman Empire. Writing before the outbreak of the First World War, the historian Alexander Carlyle noted that "we can without difficulty recognize" not only "the survival of the tradition of the ancient empire" but also a "form of the perpetual aspiration to make real the dream of the universal commonwealth of humanity."

During much of the Middle Ages (about the 5th century through the 15th century), the Roman Catholic Church had great political power in Western Europe. Throughout its history, the Catholic faith has inspired many great works of architecture, art, literature, and music. These works include French medieval Gothic cathedrals, the Italian artist Michelangelo's frescoes in the Vatican, the Italian writer Dante's epic poem The Divine Comedy, and the Austrian composer Wolfgang Amadeus Mozart's Requiem.

As for Italian artists they were in demand almost all over Europe. Torrigiano and Zuccari worked in England, Masolino in Hungary, Luca Cambiasi and Pellegrino Tibaldi in Spain, Jacopo Sansovino in Portugal, Morando and others in Poland. The demand seems to have been greatest in France, more especially at the French court, which employed (among others) Leonardo da Vinci, Rosso, Primaticcio, Niccolò dell'Abbate and Sebastiano Serlio. Italian craftsmen were engaged to work on building sites from Munich to Zamość. Italian actors performed at the courts of France, Spain, Poland and elsewhere.

The Italian language was fashionable, at court for example, as well as Italian literature and art. The famous lexicographer John Florio of Italian origin was the most important humanist in Renaissance England. and contributed to the English language with over 1,969 words. William Shakespeare's works show an important level of Italophilia, a deep knowledge of Italy and the Italian culture, like in Romeo and Juliet and The Merchant of Venice. According to Robin Kirkpatrick, Professor of Italian and English Literatures at Cambridge University, Shakespeare shared "with his contemporaries and immediate forebears a fascination with Italy." In 16th century Spain, cultural Italophilia was also widespread (while the Spanish influence in Southern Italy was also great) and king Philip IV himself considered Italian as his favourite foreign language.

The movement of "international Italophilia" around 1600 certainly held the German territories in its sway, with one statistic suggesting that up to a third of all books available in Germany in the early 17th century were in Italian. Themes and styles from il pastor fido were adapted endlessly by German artists, including Opitz, who wrote several poems based on Guarini's text, and Schütz himself, whose settings of a handful of passages appeared in his 1611 book of Italian madrigals. Emperors Ferdinand III and Leopold I were great admirers of Italian culture and made Italian (which they themselves spoke perfectly) a prestigious language at their court. German baroque composers or architects were also very much influenced by their Italian counterparts.

During the 18th century, Italy was in the spotlight of the European grand tour, a period in which learned and wealthy foreign, usually British or German, aristocrats visited the country due to its artistic, cultural and archaeological richness. Since then, throughout the centuries, many writers and poets have sung of Italy's beauty; from Goethe to Stendhal to Byron, Italy's natural beauty and her people's creativity inspired their works. Percy Bysshe Shelley famously said that Italy is "the paradise of exiles."

Italiophilia was not uncommon in the United States. Thomas Jefferson was a great admirer of Italy and ancient Rome. Jefferson is largely responsible for the neo-classical buildings in Washington, D.C. that echo Roman and Italian architectural styles.

Spain provided an equally telling example of Italian cultural admiration in the 18th century. The installation of a team of Italian architects and artists, headed by Filippo Juvarra, has been interpreted as part of Queen Elisabeth Farnese's conscious policy to mould the visual culture of the Spanish court along Italian lines. The engagement of Corrado Giaquinto from Molfetta and eventually the Venetian Jacopo Amigoni as the creators of the painted decorative space for the new seat of the Spanish court was a clear indication of this aesthetic orientation, while the later employment of Giovanni Battista Tiepolo and his son Giovanni Domenico confirmed the Italophile tendency.

The Victorian era in Great Britain saw Italophilic tendencies. Britain supported its own version of the imperial Pax Romana, called Pax Britannica. John Ruskin was a Victorian Italophile who respected the concepts of morality held in Italy. Also the great writer Henry James has exhibited Italophilia in several of his novels. However, Ellen Moers writes that "In the history of Victorian Italophilia no name is more prominent than that of Elizabeth Barrett Browning....[She places] Italy as the place for the woman of genius ..."

Italian patriot Giuseppe Garibaldi, along with Giuseppe Mazzini and Camillo Benso, Count of Cavour, led the struggle for Italian unification in the 19th century. For his battles on behalf of freedom in Europe and Latin America, Garibaldi has been dubbed the "Hero of Two Worlds." Many of the greatest intellectuals of his time, such as Victor Hugo, Alexandre Dumas, and George Sand showered him with admiration. He was so appreciated in the United States that Abraham Lincoln offered him a command during the Civil War, (Garibaldi turned it down).

During the Fascist era, several leaders in Europe and Latin America modelled their government and economic system on Italian Fascism. Adolf Hitler was an avid admirer of Benito Mussolini. To justify his Italophilia, Hitler had to convince himself that northern Italians were somehow racially Aryan — "from the cultural point of view," he once remarked, "we are more closely linked with the Italians than with any other people" — and that the veins of Mussolini, Dante and other heroes pulsed with no contaminating blood from the inferior "Mediterranean race." Or "The Italians have a splendid foundation of the peasantry. Once when I was travelling to Florence, I thought, as I passed through it, what a paradise this land of southern France is! But when I reached Italy – then I realised what a paradise on earth can really be!" The Führer also dreamed of touring Tuscany and Umbria: "my dearest wish would be to be able to wander about Italy as an unknown painter".

In 1940 Walt Disney Productions produced Pinocchio based on the Italian children's novel The Adventures of Pinocchio by Carlo Collodi, the most translated non-religious book in the world and one of the best-selling books ever published, as well as a canonical piece of children's literature. The film was the second animated feature film produced by Disney.

After World War II, such brands as Ferrari and Alfa Romeo became well known for racing and sports cars. Since then Italy has experienced strong economic growth, particularly in the 1950s and 1960s, which lifted the country to the position of being one of the most industrialized nations in the world. Italian product design, fashion, film, and cuisine and the notion of Italy as the embodiment of la dolce vita for German tourism — all left an imprint on contemporary Italophilia.

Libraries and museums

Italy is one of the world's greatest centres of architecture, art, and books. Among its many libraries, the most important are in the national library system, which contains two central libraries, in Florence (5.3 million volumes) and Rome (5 million), and four regional libraries, in Naples (1.8 million volumes), Milan (1 million), Turin (973,000) and Venice (917,000). The existence of two national central libraries, while most nations have one, came about through the history of the country, as Rome was once part of the Papal States and Florence was one of the first capitals of the unified Kingdom of Italy. While both libraries are designated as copyright libraries, Florence now serves as the site designated for the conservation and cataloguing of Italian publications and the site in Rome catalogues foreign publications acquired by the state libraries. All large Italian cities have public libraries.

Italy, a world centre of culture, history and art, has more than 3,000 museums. They contain, perhaps, the most important collections of artefacts from ancient civilizations. Taranto's museum, for example, offers material enabling scholars to probe deeply into the history of Magna Graecia. The archaeological collections in the Roman National Museum in Rome and in the National Archaeological Museum in Naples are probably among the world's best. Similarly, the Etruscan collection in the National Archaeological Museum of Umbria in Perugia, the classical sculptures in the Capitoline Museums in Rome, and the Egyptian collection in the Museo Egizio in Turin are, perhaps, the best such collections in the world.

The classical age is not the only age represented in Italy's museums. The Italian Renaissance is well represented in a number of museums: the Uffizi Gallery, Bargello Museum, and Palazzo Pitti are all located in Florence. Many of these museums are the former palaces of kings or the houses of royal families.

Internet
In 1986, the first internet connection in Italy was experimented in Pisa, the third in Europe after Norway and the United Kingdom. Already in the late 1970s, Pisan researchers, firstly with Luciano Lenzini, were in contact with U.S. researchers who had written the history of the Internet. Among them were Vint Cerf and Bob Kahn, who were the first to invent TCP and IP, the two protocols at the heart of the internet, and are hence considered the "Fathers of the Internet".

Currently, Internet access is available to businesses and home users in various forms, including dial-up, cable, DSL, and wireless. The .it is the Internet country code top-level domain (ccTLD) for Italy. The .eu domain is also used, as it is shared with other European Union member states.

According to data released by the fibre-to-the-home (FTTH) Council Europe, Italy represents one of the largest FTTH markets in Europe, with more than 2,5 million homes passed by fibre at end-December 2010; at the same date the country reported around 348,000 fibre subscribers. The "Fibre for Italy" project (with the participation of providers Fastweb, Vodafone and Wind in a co-investment partnership) aims to reach 20 million people in Italy's 15 largest cities by 2015, and Telecom Italia plans to connect 138 cities by 2018. The government has also started the Italia Digitale project, which aims to provide at least 50% of Italians with high-speed internet access by 2020. The government aims to extend the fibre-optic network to rural areas.

Figures published by the National Institute of Statistics showed at end-2011 that 58,8% of Italian families had a personal computer (up slightly from 57,6% in 2010); 54,5% had access to the internet (up from 52,4%); and 45,8% had broadband access (up from 43,4%). Over one-fourth (26,3%, down slightly from 26,4% in 2010) of Italian internet users aged 14 and older made an online purchase during 2011.

Newspapers and periodicals

, there were about 90 daily newspapers in the country, but not all of them had national circulation. According to Audipress statistics, the major daily newspapers (with their political orientations and estimated circulations) are: la Repubblica, left-wing, 3,276,000 in 2011; Corriere della Sera, independent, 3,274,000 in 2011; La Stampa, liberal, 2,132,000 in 2011; Il Messaggero, left of center, 1,567,000 in 2011; il Resto del Carlino, right of center, 1,296,000 in 2011; Il Sole 24 Ore, a financial news paper, 1,015,000 in 2011; il Giornale, independent, 728,000 in 2011; and l'Unità, Communist, 291,000 in 2011. TV Sorrisi e Canzoni is the most popular news weekly with a circulation of 677,658 in July 2012. The periodical press is becoming increasingly important. Among the most important periodicals are the pictorial weeklies — Oggi, L'Europeo, L'espresso, and Gente. Famiglia Cristiana is a Catholic weekly periodical with a wide readership.

The majority of papers are published in northern and central Italy, and circulation is highest in these areas. Rome and Milan are the most important publication centres. A considerable number of dailies are owned by political parties, the Roman Catholic Church, and various economic groups.

The law provides for freedom of speech and the press, and the government is said to respect these rights in practice.

Radio

Of all the claimants to the title of the "Father of Radio", the one most associated with it is the Italian inventor Guglielmo Marconi. He was the first person to send radio communication signals in 1895. By 1899 he flashed the first wireless signal across the English Channel and two years later received the letter "S", telegraphed from England to Newfoundland. This was the first successful transatlantic radiotelegraph message in 1902.

Today, radio waves that are broadcast from thousands of stations, along with waves from other sources, fill the air around us continuously. Italy has three state-controlled radio networks that broadcast day and evening hours on both AM and FM. Program content varies from popular music to lectures, panel discussions, as well as frequent newscasts and feature reports. In addition, many private radio stations mix popular and classical music. A short-wave radio, though unnecessary, aids in the reception of VOA, BBC, Vatican Radio in English and the Armed Forces Network in Germany and in other European stations.

Television

The first form of televised media in Italy was introduced in 1939, when the first experimental broadcasting began. However, this lasted for a very short time: when fascist Italy entered World War II in 1940, all the transmissions were interrupted, and were resumed in earnest only nine years after the end of the conflict, in 1954.

There are two main national television organisations responsible for most viewing: state-owned RAI, funded by a yearly mandatory licence fee and Mediaset, a commercial network founded by Silvio Berlusconi. Currently La7 is considered the third major network in Italy, it is owned by Telecom Italia Media, the media branch of the telephone company Telecom Italia, which also owns 51% of MTV Italia. While many other networks are also present, both nationally and locally, RAI and Mediaset together, with their six traditional ex-analogue stations plus a number of new free to air digital channels, reach almost 70% of the TV ratings.

The television networks offer varied programs, including news, soap operas, reality TV shows, game shows, sitcoms, cartoons, and films-all in Italian. All programs are in colour, except for the old black-and-white movies. Most Italians still depend on VHF/UHF reception, but both cable systems and direct satellite reception is increasingly common. Conventional satellite dishes can pick up European broadcasts, including some in English.

National symbols

National symbols of Italy are the symbols that uniquely identify Italy reflecting its history and culture. They are used to represent the Nation through emblems, metaphors, personifications, allegories, which are shared by the entire Italian people.

The three main official symbols, are:
 * the flag of Italy, that is, the national flag in green, white and red, as required by article 12 of the Constitution of the Italian Republic;
 * the emblem of Italy, which is the iconic symbol identifying the Italian Republic;
 * The Il Canto degli Italiani by Goffredo Mameli and Michele Novaro, the Italian national anthem, which is performed in all public events.

Of these only the flag is explicitly mentioned in the Italian Constitution; this puts the flag under the protection of the law, with criminal penalties for contempt of it.

Other official symbols, as reported by the Presidency of the Italian Republic, are:
 * the Presidential Standard of Italy, that is the distinctive standard representing the Presidency of the Italian Republic;
 * the Altare della Patria, or the national monument dedicated to King Vittorio Emanuele II of Savoy, the first Sovereign of a united Italy and founder of the Fatherland, which houses the shrine of the Italian tomb of the Unknown Soldier.
 * the Festa della Repubblica, which is the national celebratory day established to commemorate the birth of the Italian Republic, which is celebrated every year on 2 June, the date of the institutional referendum of 1946 with which the monarchy was abolished;

The teaching in the schools of the Il Canto degli Italiani, an account of the Risorgimento events, and on the adoption of the Flag of Italy are prescribed by law n. 222 of 23 November 2012.

There are also other symbols or emblems of Italy which, although not defined by law, are part of the Italian identity:

 * the Italia turrita, which is the national personification of Italy in the appearance of a young woman with her head surrounded by a wall crown completed by towers (hence the term "turrita");
 * the cockade of Italy, or the national ornament of Italy, obtained by folding a green, white and red ribbon into plissé using the technique called plissage ("pleating");
 * the Italian wolf, which inhabits Apennine Mountains and the Western Alps, features prominently in Latin and Italian cultures, such as in the legend of the founding of Rome. It is unofficially considered the national animal of Italy.
 * the national colours of Italy are green, white, and red, collectively known in Italian as il tricolore (the tricolour). In sport in Italy, savoy azure has been used or adopted as the colour for many national teams, the first being the men's football team in 1910. The national auto racing colour of Italy is instead rosso corsa ("racing red"), while in other disciplines such as cycling and winter sports, which often use white.
 * the strawberry tree, or the small tree chosen as a national tree because of its green leaves, its white flowers and its red berries, colours that recall the Italian flag;
 * the Stella d'Italia, the most ancient identity symbol of Italian land, since it dates back to ancient Greece.
 * the Frecce Tricolori, or the national aerobatic team of the Italian Air Force.

Traditions
Christmas in Italy (Natale) begins on 8 December, with the feast of the Immaculate Conception, the day on which traditionally the Christmas tree is mounted and ends on 6 January, of the following year with the Epiphany (in Italian: Epifania). The term "Natale" derives from the Latin natalis and the Greetings formulas in Italian are buon Natale (Merry Christmas) and felice Natale (Happy Christmas).

The tradition of the nativity scene comes from Italy. The first seasonal nativity scene, which seems to have been a dramatic rather than sculptural rendition, is attributed to Saint Francis of Assisi. Francis' 1223 living nativity scene in Greccio is commemorated on the calendars of the Catholic, Lutheran and Anglican liturgical calendars,   and its creation is described by Saint Bonaventure in his Life of Saint Francis of Assisi c. 1260. Nativity scenes were popularised by Saint Francis of Assisi from 1223, quickly spreading across Europe. In Italy, regional crib traditions then spread, such as that of the Bolognese crib, the Genoese crib and the Neapolitan crib.

In Italy, New Year's Eve (Vigilia di Capodanno or Notte di San Silvestro) is celebrated by the observation of traditional rituals, such as wearing red underwear. An ancient tradition in southern regions which is rarely followed today was disposing of old or unused items by dropping them from the window. Dinner is traditionally eaten with relatives and friends. It often includes zampone or cotechino (a meal made with pig's trotters or entrails), and lentils. At 20:30, the President of Italy reads a television message of greetings to Italians. At midnight, fireworks are displayed all across the country. Rarely followed today is the tradition that consists in eating lentil stew when the bell tolls midnight, one spoonful per bell. This is supposed to bring good fortune; the round lentils represent coins.

The Saint Lucy's Day, which take place on 13 December, is popular among children in some Italian regions, where she plays a role similar to Santa Claus. In addition, the Epiphany in Italy is associated with the folkloristic figure of the Befana, a broomstick-riding old woman who, in the night between 5 and 6 January, bringing good children gifts and sweets, and bad ones charcoal or bags of ashes. The Assumption of Mary coincides with Ferragosto on 15 August, the summer vacation period which may be a long weekend or most of the month.

In Italy, a sagra (plural: sagre) is a popular festival of local nature and annual frequency, which traditionally arises from a religious festival, celebrated on the occasion of a consecration or to commemorate a saint (usually the patron saint), but also used to celebrate the harvest or promote a food and wine product local. During a festival the local fair, the market and various celebrations usually take place. A sagra is often dedicated to some specific local food, and the name of the sagra includes that food; for example: Festival delle Sagre astigiane, a Sagra dell'uva (grapes) at Marino, a Sagra della Rana (frog) at Casteldilago near Arrone, a Sagra della Cipolla (onion) at Cannara, a Sagra della Melanzana ripiena (stuffed eggplant) at Savona, a Sagra della Polenta at Perticara di Novafeltria, a Sagra del Lattarino at Bracciano, a Sagra del Frico at Carpacco-Dignano and so on. Among the most common sagre are those celebrating olive oil, wine, pasta and pastry of various kinds, chestnuts, and cheese.

The Italian national patronal day, on 4 October, celebrates Saints Francis and Catherine. Each city or town also celebrates a public holiday on the occasion of the festival of the local patron saint, for example: Rome on 29 June (Saints Peter and Paul), Milan on 7 December (Saint Ambrose), Naples on 19 September (Saint Januarius), Venice on 25 April (Saint Mark the Evangelist) and Florence on 24 June (Saint John the Baptist). Notable traditional patronal festivals in Italy are the Feast of Saints Francis and Catherine, the Festival of Saint Agatha, the Feast of Saints Peter and Paul, the Feast of San Gennaro and the Feast of Our Lady of the Hens.

There are many traditional festivals in Italy. Some of them include the Palio di Siena horse race, Holy Week rites, Saracen Joust of Arezzo, Saint Ubaldo Day in Gubbio, Festival of Saint Agatha of Catania, Scoppio del carro in Florence, Infiorate di Spello, Notte della Taranta of Salento, Festa del Redentore in Venice, Macchina di Santa Rosa in Viterbo, Barcolana regatta in Trieste and Regatta of the Historical Marine Republics. In 2013, UNESCO has included among the intangible cultural heritage some Italian festivals and pasos (in Italian "macchine a spalla"), such as the Varia di Palmi, the Macchina di Santa Rosa in Viterbo, the Festa dei Gigli in Nola, and faradda di li candareri in Sassari. Another traditional festival is the Calcio Fiorentino (also referred to as calcio storico, "historic football"), an early form of football (soccer and rugby) that originated during the Middle Ages and is still played annually today in the Piazza Santa Croce in Florence. Other important traditional festivals are the Palio di Asti, the Palio di Legnano, the Palio di Ferrara, the Giostra del Saracino and the Giostra della Quintana.

Where the Ambrosian rite is observed, that is, in most of the churches of the archdiocese of Milan and in some of the neighbouring dioceses, the Carnival (Carnevale) ends on the first Sunday of Lent; the last day of carnival is Saturday, 4 days later than the Tuesday when it ends where the Roman rite is observed. Above all, the Carnival of Venice and the Carnival of Viareggio, but also the Carnival of Ivrea have a reputation that goes beyond national borders and are popular with tourists from both Italy and abroad. These carnivals include sophisticated masquerades and parades. A completely different form or Carnival takes place in Sardinia, based on rituals to awaken the earth after Winter, possibly descending from pre-Christian traditions.

title: Culture of Italy


text:
Wikipedia:Software updates

July 29th, 2003
New features have recently been made to the wikipedia software:
 * A table of contents scheme has been implemented after demonstrations on http://test.wikipedia.org/. Turn off the table of contents for a page by inserting anywhere on it. You can link to an individual section on a page by using the syntax pagename . If there are two or more sections with the same name, they can be linked by appending a _2, _3, etc to their name as in pagename
 * Individual sections can now be edited. Check your user preferences -- section editing can be turned off, or if you use a modern browser, you can edit sections by right clicking their titles instead of the [edit] links.
 * The layout has been slightly modified. Pages with lots of links should save faster. Talk pages now have a "Post a comment" link.
 * The title search is currently disabled for performance reasons. Use the "Go" button instead.
 * You can now choose your preferred date format.
 * The bright yellow color (#FFFFDD) on specified namespace pages (talk, special, wikipedia) has been changed to a less saturated yellow (#ffffec).

Please voice your concerns and suggestions regarding these changes.

Fixed bugs

 * Section editing: Edit conflicts lead to text duplication - FIXED.
 * Section editing: When saving a text, aborting, and saving it again, only the section is saved, not the whole text - FIXED.
 * Section editing: Doesn't work on pages with apostrophes in the title - FIXED.

Open bugs and issues

 * Section editing: Headers within <NOWIKI> tags confuse section editing
 * Section editing: [edit] links on printable versions
 * Section editing: experiment with some alternatives to [edit] links
 * Section editing: edited section should be auto-appended to edit summary
 * Section editing: arbitrarily sometimes works, sometimes not, if the differences between the current and an old version are displayed
 * TOC triggers on very small articles with lots of headlines. Possible solution: additional minimum length requirement.
 * __TOCHERE__ to allow arbitrary TOC placement and embedding the TOC in DIV tags for floating
 * TOC numbers are part of the link. Solution: Take TOC numbers out of the link
 * TOC: Spaces in headings are rendered in the TOC. Solution: Trim headline text before adding it to the TOC.
 * Post a comment: Link not shown in bottom navigation bar
 * Post a comment: Preview does not show subject

Issues that probably won't be changed

 * <math> tags in headers don't work. Won't change - reason: MATH can produce all kinds of stuff (complex images, tables etc.) that won't work in a table of contents
 * When right click editing is enabled, you cannot right click a link in a header to open it. Won't change - reasons: 1) It has been a long-standing Manual of Style guideline not to use links in headers. 2) Even if they are used, most browsers allow opening them using some other combination (Mozilla: middle click, ctrl+left click, type ahead find, TAB navigation; IE: shift+left click)
 * Example headlines are treated just like any other headline (e.g. How to edit a page), added to the TOC, with edit links etc. Only way to change this would be to have some flag that these headlines are to be ignored. Won't change: not worth the additional complexity.
 * Section editing: Only a single section is edited, not the sections on lower levels that follow it. Won't change - reason: sections should contain a reasonable amount of text, otherwise they should not be created in the first place.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Wikipedia:Software updates