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Self-perception theory

Self-perception theory (SPT) is an account of attitude formation developed by psychologist Daryl Bem. It asserts that people develop their attitudes (when there is no previous attitude due to a lack of experience, etc.—and the emotional response is ambiguous) by observing their own behavior and concluding what attitudes must have caused it. The theory is counterintuitive in nature, as the conventional wisdom is that attitudes determine behaviors. Furthermore, the theory suggests that people induce attitudes without accessing internal cognition and mood states. The person interprets their own overt behaviors rationally in the same way they attempt to explain others' behaviors.

Bem's original experiment
In an attempt to decide if individuals induce their attitudes as observers without accessing their internal states, Bem used interpersonal simulations, in which an "observer-participant" is given a detailed description of one condition of a cognitive dissonance experiment. Subjects listened to a tape of a man enthusiastically describing a tedious peg-turning task.

Subjects were told that the man had been paid $20 for his testimonial and another group was told that he was paid $1. Those in the latter condition thought that the man must have enjoyed the task more than those in the $20 condition. The results obtained were similar to the original Festinger–Carlsmith experiment. Because the observers, who did not have access to the actors' internal cognition and mood states, were able to infer the true attitude of the actors, it is possible that the actors themselves also arrive at their attitudes by observing their own behavior. Specifically, Bem notes how "the attitude statements which comprise the major dependent variables in dissonance experiments may be regarded as interpersonal judgments in which the observer and the observed happen to be the same individual."

Further evidence
There are numerous studies conducted by psychologists that support the self-perception theory, demonstrating that emotions do follow behaviors. For example, it is found that corresponding emotions (including liking, disliking, happiness, anger, etc.) were reported following from their overt behaviors, which had been manipulated by the experimenters. These behaviors included making different facial expressions, gazes, and postures. In the end of the experiment, subjects inferred and reported their affections and attitudes from their practiced behaviors despite the fact that they were told previously to act that way. These findings are consistent with the James–Lange theory of emotion.

In 1974, James Laird conducted two experiments on how changes in facial expression can trigger changes in emotion. Participants were asked to contract or relax various facial muscles, causing them to smile or frown without awareness of the nature of their expressions. Participants reported feeling more angry when frowning and happier when smiling. They also reported that cartoons viewed while they were smiling were more humorous than cartoons viewed while they were frowning. Furthermore, participants scored higher on aggression during frown trials than during smile trials, and scored higher on elation, surgency, and social affection factors during smile trials than during frown ones. Laird interpreted these results as "indicating that an individual's expressive behavior mediates the quality of his emotional experience." In other words, a person's facial expression can act as a cause of an emotional state, rather than an effect; instead of smiling because they feel happy, a person can make themselves feel happy by smiling.

In 2006, Tiffany Ito and her colleagues conducted two studies to investigate if changes in facial expression can trigger changes in racial bias. The explicit goal of the studies was to determine "whether facial feedback can modulate implicit racial bias as assessed by the Implicit Association Test (IAT)." Participants were surreptitiously induced to smile through holding a pencil in their mouth while viewing photographs of unfamiliar black or white males or performed no somatic configuration while viewing the photographs (Study 1 only). All participants then completed the IAT with no facial manipulation. Results revealed a spreading attitude effect; people made to smile (unconsciously) at pictures of black males showed less implicit prejudice than those made to smile at pictures of white males. Their attitudes change as a result of their behavior.

Chaiken and Baldwin's 1981 study on self-perception theory dealt with environmental attitudes. Each participant was identified as having well or poorly defined prior attitudes toward being an environmentalist or conservationist. Participants then completed one of two versions of a questionnaire designed to bring to mind either past pro-ecology behaviors or past anti-ecology behaviors. For example, questions such as "Have you ever recycled?" call to mind the times an individual has recycled, emphasizing their engagement in environmentalist behavior. On the other hand, questions like "Do you always recycle?" bring to mind all the times an individual did not recycle something, emphasizing a lack of environmentalist behavior. Afterward, participants' attitudes toward being an environmentalist/conservationist were re-measured. Those with strong initial/prior attitudes toward the environment were not really affected by the salient manipulation. Those with weak prior attitudes, however, were affected. At the end, those in the pro-ecology condition ("Have you ever recycled?") reported themselves as being much more pro-environment than those in the anti-ecology condition ("Do you always recycle?"). Bringing to mind certain past behaviors affected what people believed their attitudes to be.

Evidence for the self-perception theory has also been seen in real life situations. After teenagers participated in repeated and sustained volunteering services, their attitudes were demonstrated to have shifted to be more caring and considerate towards others.

Recent research
Research incorporating self-perception theory has continued in recent years, appearing in conjunction with studies dealing with motivational "crowding out," terrorism, mindwandering, and the inclusion of others in the self.

Guadagno and her fellow experimenters did a study in 2010 addressing the recruitment of new members by terrorist organization via the internet. In addition to looking at how such an organization might influence its targets to support more extreme ideologies (primarily through simple requests gradually increasing to larger commitments–an example of the foot-in-the-door technique), the authors looked at how "the new converts may form increasingly radical attitudes to be consistent with their increasingly radical behavior." Self-perception theory, then, has strong ties to social identity and social influence in this scenario.

Also in 2010, Clayton Critcher and Thomas Gilovich performed four studies to test a connection between self-perception theory and mindwandering. Self-perception theory posits that people determine their attitudes and preferences by interpreting the meaning of their own behavior. Critcher and Gilovich looked at whether people also rely on the unobservable behavior that is their mindwandering when making inferences about their attitudes and preferences. They found that "Having the mind wander to positive events, to concurrent as opposed to past activities, and to many events rather than just one tends to be attributed to boredom and therefore leads to perceived dissatisfaction with an ongoing task." Participants relied on the content of their wandering minds as a cue to their attitudes unless an alternative cause for their mindwandering was brought to their attention.

Similarly, Goldstein and Cialdini published work related to self-perception theory in 2007. In an extension of self-perception theory, the authors hypothesized that people sometimes infer their own attributes or attitudes by "observing the freely chosen actions of others with whom they feel a sense of merged identity – almost as if they had observed themselves performing the acts." Participants were made to feel a sense of merged identity with an actor through a perspective-taking task or feedback indicating overlapping brainwave patterns. Participants incorporated attributes relevant to the actor's behavior into their own self-concepts, leading participants to then change their own behaviors. The study addresses the self-expansion model: close relationships can lead to an inclusion of another person in an individual's sense of self.

Applications
One useful application of the self-perception theory is in changing attitude, both therapeutically and in terms of persuasion.

Psychological therapy
For therapies, self-perception theory holds a different view of psychological problems from the traditional perspectives. Traditionally, psychological problems come from the inner part of the clients. However, self-perception theory perspective suggests that people derive their inner feelings or abilities from their external behaviors. If those behaviors are maladjusted ones, people will attribute those maladjustments to their poor adapting abilities and thus suffer from the corresponding psychological problems. Thus, this concept can be used to treat clients with psychological problems that resulted from maladjustments by guiding them to first change their behavior and later dealing with the "problems".

One of the most famous therapies making use of this concept is therapy for "heterosocial anxiety". In this case, the assumption is that an individual perceives that he or she has poor social skills because he/she has no dates. Experiments showed that males with heterosocial anxiety perceived less anxiety with females after several sessions of therapy in which they engaged in a 12-minute, purposefully biased dyadic social interactions with a separate females. From these apparently successful interactions, the males inferred that their heterosocial anxiety was reduced. This effect is shown to be quite long-lasting as the reduction in perceived heterosocial anxiety resulted in a significantly greater number of dates among subjects 6 months later.

Marketing and persuasion
Self-perception theory is also an underlying mechanism for the effectiveness of many marketing or persuasive techniques. One typical example is the foot-in-the-door technique, which is a widely used marketing technique for persuading target customers to buy products. The basic premise of this technique is that, once a person complies with a small request (e.g. filling in a short questionnaire), he/she will be more likely to comply with a more substantial request which is related to the original request (e.g. buying the related product). The idea is that the initial commitment on the small request will change one's self-image, therefore giving reasons for agreeing with the subsequent, larger request. It is because people observe their own behaviors (paying attention to and complying with the initial request) and the context in which they behave (no obvious incentive to do so), and thus infer they must have a preference for those products.

Portrayal of Self Perception Theory in a Movie
While watching the movie, many factors that affected the jurors to change their attitudes are noticed. The first factor was the weather. The hottest day of the summer and a broken fan affected the jurors’ decisions by getting annoyed and hurrying up to finish early. Additionally, the hot weather gave the jurors pressure to finish as soon as possible so they did not want to spend time discussing the case. On the other hand, when it started to rain and they fixed the fan, they felt more relieved as compared to before. That’s why they changed their vote as not guilty one by one. Furthermore, after a few votes passed, some jurors controlled their attitudes according to what most of the jurors believed. this situation might be explained by self-perception theory.

Challenges and criticisms
Self-perception theory was initially proposed as an alternative to explain the experimental findings of the cognitive dissonance theory, and there were debates as to whether people experience attitude changes as an effort to reduce dissonance or as a result of self-perception processes. Based on the fact that the self-perception theory differs from the cognitive dissonance theory in that it does not hold that people experience a "negative drive state" called "dissonance" which they seek to relieve, the following experiment was carried out to compare the two theories under different conditions.

An early study on cognitive dissonance theory shows that people indeed experience arousal when their behavior is inconsistent with their previous attitude. Waterman designed an experiment in which 77 male college freshmen were asked to write an essay arguing against the position they actually agreed with. Then they were asked immediately to perform a simple task and a difficult task; their performance in both tasks was assessed. It was found that they performed better in the simple task and worse in the difficult task, compared to those who had just written an essay corresponding to their true attitude. As indicated by social facilitation, enhanced performance in simple tasks and worsened performance in difficult tasks shows that arousal is produced by people when their behavior is inconsistent with their attitude. Therefore, the cognitive dissonance theory is evident in this case.

Apparent disproof
Debate ensued over whether dissonance or self-perception was the valid mechanism behind attitude change. The chief difficulty lay in finding an experiment where the two flexible theories would make distinctly different predictions. Some prominent social psychologists such as Anthony Greenwald thought it would be impossible to distinguish between the two theories.

In 1974, Zanna and Cooper conducted an experiment in which individuals were made to write a counter-attitudinal essay. They were divided into either a low choice or a high choice condition. They were also given a placebo; they were told the placebo would induce either tension, relaxation, or exert no effect. Under low choice, all participants exhibited no attitude change, which would be predicted by both cognitive dissonance theory and self-perception theory. Under high choice, participants who were told the placebo would produce tension exhibited no attitude change, and participants who were told the placebo would produce relaxation demonstrated larger attitude change.

These results are not explainable by self-perception theory, as arousal should have nothing to do with the mechanism underlying attitude change. Cognitive dissonance theory, however, was readily able to explain these results: if the participants could attribute their state of unpleasant arousal to the placebo, they would not have to alter their attitude.

Thus, for a period of time, it seemed the debate between the self-perception theory and cognitive dissonance had ended.

Truce experiment
Fazio, Zanna, and Cooper conducted another experiment in 1977, demonstrating that both cognitive dissonance and self-perception could co-exist.

In an experimental design similar to Zanna and Cooper's 1974 study, another variable was manipulated: whether or not the stance of the counter-attitudinal essay fell in the latitude of acceptance or the latitude of rejection (see social judgment theory). It appeared that when the stance of the essay fell into the latitude of rejection, the results favoured cognitive dissonance. However, when the essay fell in the latitude of acceptance, the results favoured self-perception theory.

Whether cognitive dissonance or self-perception is a more useful theory is a topic of considerable controversy and a large body of literature. There are some circumstances in which a certain theory is preferred, but it is traditional to use the terminology of cognitive dissonance theory by default. The cognitive dissonance theory accounts for attitude changes when people's behaviors are inconsistent with their original attitudes which are clear and important to them; meanwhile, the self-perception theory is used when those original attitudes are relatively ambiguous and less important. Studies have shown that, in contrast to traditional belief, a large proportion of people's attitudes are weak and vague. Thus, the self-perception theory is significant in interpreting one's own attitudes, such as the assessment of one's own personality traits and whether someone would cheat to achieve a goal.

According to G. Jademyr and Yojiyfus, the perception of different aspect in the interpreting theory can be due to many factors, such as circumstances regarding dissonance and controversy. This can also be because of balance theory as it applies to the attitude towards accountability and dimensions.

title: Self-perception theory


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Television in New Zealand

Television in New Zealand was introduced in 1960 as a state-run service. The broadcasting sector was deregulated in 1989, when the Government allowed competition to the state-owned Television New Zealand (TVNZ). There are currently three forms of broadcast television: a terrestrial (DVB-T) service provided by Freeview; as well as satellite (DVB-S) and internet streaming (IPTV) services provided nationwide by both Freeview and Sky.

The first nationwide digital television service was launched in December 1998 by Sky, who had a monopoly on digital satellite television until the launch of Freeview's nationwide digital satellite service in May 2007. The Freeview digital terrestrial service launched on 14 April 2008. A pay digital terrestrial service was launched in 2012 by Igloo and closed in 2017; this was a joint venture between Sky and TVNZ and provided Freeview UHF aerial channels along with eleven Sky channels. In July 2016, Sky announced that Igloo will be discontinued although Freeview channels will still be available. Up until 2023, Vodafone (now One NZ) operated an IPTV television service, with free-to-air channels and wholesale content from Sky.

The digital changeover in New Zealand began on 30 September 2012, when Hawke's Bay and the West Coast (including parts of Tasman) switched off analogue television transmission. The rest of the South Island switched off analogue television transmission on 28 April 2013, followed by the lower North Island on 29 September 2013. The upper North Island (including the Waikato, Auckland, Bay of Plenty and Northland) was the last region to cease analogue transmissions on 1 December 2013.

The major free-to-air television operators are currently TVNZ (TVNZ 1, TVNZ 2, and TVNZ Duke) and Warner Bros. Discovery (Three, Bravo, Eden, Rush and HGTV). Sky remains the dominant pay-TV operator, now operating on satellite and IPTV.

History
Full-time television broadcasting was first introduced in New Zealand in 1960 and transmitted from the NZBC's existing 1YA radio broadcasting facility at 74 Shortland Street in Auckland, now home to the University of Auckland's Gus Fisher Gallery. The annual television licence fee was £NZ4 ($8). Prime Minister Walter Nash had made a surprise announcement (a surprise both to the NZBS and to other members of the Labour government) in London in November 1959 that New Zealand would have television within twelve months; the system was to be state-owned but to carry commercials, and would be introduced in stages in the four main centres. The first non-experimental programme was transmitted on Wednesday 1 June 1960.

New Zealand, like Australia and most of western Europe, adopted the 625-line standard for television. In contrast, United Kingdom used the 405-line standard exclusively until 1964.

Initially, programming was done on a regional basis, with different services broadcasting from the main cities, AKTV2 in Auckland, being the first on 1 June 1960, followed in 1961 by CHTV3 in Christchurch on 1 June and WNTV1 in Wellington on 1 July, and then DNTV2 in Dunedin on 31 July 1962. Today, however, programming and scheduling is done in Auckland where all the major networks are now headquartered.

National won the 1960 election, and the new Minister of Broadcasting, Arthur Kinsella in the new National government rewrote the Broadcasting Act of 1936, and set up the state-owned New Zealand Broadcasting Corporation (NZBC) in 1962 to control public radio and television (although the party had been polarised between having a state-owned, private enterprise or mixed system).

The first broadcast relay stations were commissioned in 1963, extending television coverage to Hamilton, Tauranga and Palmerston North. Coverage was further expanded to Napier-Hastings and Invercargill in 1964, Timaru in 1965, and Whangārei and New Plymouth in 1966. In addition, a number of televiewers' societies were established to set up and operate their own translators.

Advertising was introduced to Aucklanders on 4 April 1961, and facilitated increasing transmission hours to twenty-eight per week. By 1962 there were 65,000 licences, by 1963 there were 80,000 licences and an estimated audience of 300,000 or one-eighth of the population, and by 1966 there were half a million licences. Television sets were added to the CPI basket in 1966. At the time, a 23-inch black-and-white 'consolette' television set cost on average £131 ($262), equivalent to $5,600 in December 2021 dollars.

Initially, the hours of transmission were from 5pm until close at about 10pm, later extending, in 1966, to 2pm opening. A test pattern was transmitted from 9am to allow for adjustment of TV sets in homes by technicians.

The four stations were networked in 1969. The network was mostly complete in time for the Apollo 11 mission in July 1969, with gaps filled by strategically-placed outside broadcasting vans to allow the film of the landing to be broadcast live across the country. The NZBC's first live network news bulletin was read by Dougal Stevenson on 3 November 1969. The Warkworth satellite station opened in 1971, providing the first real-time television link between New Zealand and the rest of the world.

The NZBC had asked the Government for the approval of a second TV channel as early as 1964, but this was rejected as the Government considered increasing coverage of the existing TV service to be of greater priority. By 1971, however, two proposals for a second channel were under consideration: that of the NZBC for a non-commercial service; and a separate commercial channel to be operated by an Independent Television Corporation, headed by Gordon Dryden.

Although the Broadcasting Authority had favoured the Independent Television Corporation bid, the incoming Labour government favoured the NZBC's application and awarded it the licence without any formal hearings beforehand. (Eventually, Independent Television was awarded NZ$50,000 in compensation.)

On Wednesday 31 October 1973, colour television using the Phase Alternating Line (PAL) system was introduced, in readiness for the 1974 British Commonwealth Games, which were to be held in Christchurch in January and February 1974. In February 1975, black-and-white televisions sets cost on average $350 (equivalent to $3,900 in December 2021) while colour television sets cost on average $840 (equivalent to $9,400 in December 2021).

Reorganisation
The NZBC was dissolved on 1 April 1975, and the existing NZBC television service became Television One. The second channel, TV2 (later renamed South Pacific Television in 1976) launched on 30 June 1975.

In 1977, the Broadcasting Corporation of New Zealand (BCNZ) was established, and in 1980, TV One and South Pacific (known once again as TV2) were merged into a single organisation, Television New Zealand (TVNZ).

Commercialisation
In 1988, following major economic reforms to the state sector, the BCNZ was dissolved. TVNZ and Radio New Zealand (RNZ) became separate "State-Owned Enterprises" (SOEs) which would have to compete commercially and return dividends to the Crown.

Rather than continuing to be used to directly fund TVNZ and RNZ, the licence fee, now called the broadcasting fee, was to be used for local content production and the state funding for non-commercial broadcasting in radio and television on a contestable basis. As part of wide-ranging reforms in the broadcasting sector, the Labour government of David Lange established the Broadcasting Commission, which became known as and finally called NZ On Air.

Broadcasting in New Zealand was deregulated in 1989. Restrictions on television advertising were also revised in 1989, so that the TVNZ channels could show advertisements anytime except Good Friday, Easter Sunday and Christmas Day, and between 6am and noon on Sunday and Anzac Day. In that year, TV3, now known as Three became the first privately owned TV station in the country, finally ending the state monopoly. Restrictions on foreign ownership were also removed, and TV3 was subsequently sold to Canada's CanWest. Sky TV, in which TVNZ originally had a small stake, began broadcasting New Zealand's first pay TV service on three UHF channels.

Although TVNZ had to compete with its commercial rivals through the 1990s, it maintained a dominant market position and paid a significant amount of its profits to the Crown in dividends. By 1998–1999, the National Party–led coalition was moving to privatise TVNZ and announced that the broadcasting fee would be discontinued. Since the 1970s, the licence fee had been capped at NZ$100 a year, and was not allowed to increase with inflation. In real terms, this meant that public funding of broadcasting in New Zealand was greatly reduced by the time of the broadcasting fee's abolition.

However, the 1999 election saw a Labour-led coalition gain office. Over its next two terms, attempts were made to reintroduce public service functions to the sector. In 2003, TVNZ was restructured as a Crown-Owned Company with a public service Charter. The Charter, abolished by the Key National government in 2008, received a small amount of government subsidy, but TVNZ remains predominantly dependent on commercial revenue and is obliged to continue paying dividends to the Crown.

It can apply to NZ On Air (funded directly from the Government since 2000) for support in local content initiatives, such as drama and comedy, and funding of programming for minority groups such as gay, Christian and rural New Zealanders. The funding of Māori programming has since passed to Te Māngai Pāho, the Māori broadcasting commission.

In 2004, the Māori Television Service was established to promote Māori language and culture. MTS is funded partly through direct government funding and partly through commercial advertising, but is eligible for contestable programming funds from Te Mangai Paho.

In 2006, the Government announced the introduction of two new non-commercial digital television services operated by TVNZ, offering drama, arts, documentary and children's programming called TVNZ 6 and TVNZ 7. However, after a change of government, funding for the two channels was not renewed. In 2011, the children's channel, TVNZ 6, was replaced by the commercial youth channel TVNZ U, leaving New Zealand with no free to air children's television. TVNZ Kidzone 24 was subsequently established, but was only available behind a Sky TV pay wall before it ceased broadcasting in 2016. TVNZ 7 ceased broadcasting on 30 June 2012, with a number of its programs being picked up by other channels. In response, public broadcasting advocates announced plans to form a new lobby group, now known as Better Public Media.

In 2020, Broadcasting Minister Kris Faafoi issued proposals to re-merge TVNZ and RNZ into a unified public media organisation, Aotearoa New Zealand Public Media, amidst rapidly changing conditions in the media market. After Faafoi announced his retirement from politics, Willie Jackson was appointed as his successor to continue the merger process.

Freeview
Freeview is a non-profit organisation providing free-to-air digital television and digital radio to New Zealand. The Freeview service is available via satellite throughout New Zealand. Freeview's terrestrial service is a high definition digital terrestrial television service available to 75 percent of the country's population, using DVB-S and DVB-T standards on government provided spectrum.

Analogue switchoff in New Zealand was completed on 1 December 2013. A major benefit of digital television is the ability to overcome the poor reception caused by New Zealand's rugged topography. Digital TV offers more channels, better pictures and sound quality and new services such as on-screen programme guides.

It was estimated that on 31 December 2008, 198,938 Freeview certified set-top boxes and IDTVs had been sold since the platform's launch (146,416 Satellite, 52,522 UHF). It is estimated that Freeview is in 12.6% of New Zealand homes (roughly 420,000 people). This makes it New Zealand's third largest television platform, and New Zealand's second largest digital platform. Freeview-certified set-top boxes and PVRs are available at most major New Zealand retailers. Cheaper, uncertified equipment can also be used.

Regional channels
New Zealand's deregulated broadcasting environment has led to many regional stations (either non-commercial public service or privately owned) that broadcast only in one region or city. These stations mainly broadcast free to air on UHF frequencies, although some are carried on subscription TV. Content ranges from local news, access broadcasts, satellite sourced news, tourist information and Christian programming to music videos. Over a dozen regional television stations in New Zealand are grouped by the Regional Broadcasters Association.

Free-to-air satellite channels
Many digital channels are broadcast into New Zealand via satellite. These include Freeview, Sky, and many Australian and other channels. Most can be received using a standard blind-scan capable set-top box in addition to the standard 60 cm satellite dish that is fitted to many houses.

Pay television channels
New Zealand has a number of television channels that are, or have been, only available on pay television networks.

 * Sky: In 1990, Sky Network Television (then, and again now, unrelated to its UK namesake) launched three pay-TV channels offering movies, sport and news on UHF; these over time expanded to five. In 1998 it launched a multichannel digital satellite TV service.

Streaming
In 2007, streaming television entered the New Zealand market with the launch of TVNZ OnDemand.

The first paid New Zealand television streaming service, Lightbox was launched in 2014. About one quarter of the population now use streaming as a form of television. Local paid service providers include:

 * Neon
 * Sky Sport Now

Free providers include:
 * Māori+
 * ThreeNow
 * TVNZ+

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Television in New Zealand


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History of Moscow

The city of Moscow gradually grew around the Moscow Kremlin, beginning in the 14th century. It was the capital of the Grand Duchy of Moscow (or Muscovy) and then the Tsardom of Russia until the capital was moved to Saint Petersburg by Peter the Great. Moscow was the capital of the Russian Soviet Federative Socialist Republic from 1918, which then became the Soviet Union (1922 to 1991), and since 1991 has served as capital of the Russian Federation.

Situated on either bank of the eponymous Moskva River, the city during the 16th to 17th centuries grew up in five concentric divisions, formerly separated from one another by walls: the Kremlin ("fortress"), Kitaigorod ("walled town", but interpreted as "Chinatown" by folk etymology), Bielygorod ("white town"), Zemlianoigorod ("earthworks town"), and Miestchanskygorod ("bourgeois town") outside the city walls.

After the fire of 1812, the city ramparts were replaced with the Boulevard Ring and Garden Ring roads, replacing the walls around Bielygorod and Zemlianoigorod, respectively. The city's population grew from 250,000 to over a million in the 19th century, and from one to ten million in the 20th century, putting it among the top twenty of the world's most populous cities today.

Prehistory
The oldest evidence of humans on the territory of Moscow dates from the Neolithic Schukinskaya site on the Moscow River. Within the modern bounds of the city other late evidence was discovered to be a burial ground of the Fatyanovskaya culture, as well as the site of an Iron Age settlement of the Dyakovo culture, on the territory of the Kremlin, Sparrow Hills, Setun River and Kuntsevskiy forest park, etc.

The name of the city is thought to be derived from the name of the Moskva River. There have been proposed several theories of the origin of the name of the river. Finnic Merya and Muroma people, who were among the several pre-Slavic tribes which originally inhabited the area, called the river supposedly Mustajoki, in English: Black river. It has been suggested that the name of the city derives from this term.

In the 9th century, the Oka River was part of the Volga trade route, and the upper Volga watershed became an area of contact between the indigenous Uralic peoples such as the Merya and the expanding Turkic (Volga Bulgars), Germanic (Varangians) and Slavic peoples.

The earliest East Slavic tribes recorded as having expanded to the upper Volga in the 9th to 10th centuries are the Vyatichi and Krivichi. The Moskva River was incorporated as part of Rostov-Suzdal into the Kievan Rus in the 11th century. By CE 1100, a minor settlement had appeared on the mouth of the Neglinnaya River.

Early history (1147–1283)
The first reference to Moscow dates from 1147 as a meeting place of Sviatoslav Olgovich and Yuri Dolgorukiy. At the time it was a minor town on the western border of Vladimir-Suzdal Principality.

In 1156, Kniaz Yury Dolgoruky fortified the town with a timber fence and a moat. In the course of the Mongol invasion of Rus, the Golden Horde burned the city to the ground and killed its inhabitants.

The timber fort na Moskvě "on the Moscow river" was inherited by Daniel, the youngest son of Alexander Nevsky, in the 1260s, at the time considered the least valuable of his father's possessions. Daniel was still a child at the time, and the fort was governed by tiuns (deputies), appointed by Daniel's paternal uncle, Yaroslav of Tver.

Daniel came of age in the 1270s and became involved in the power struggles of the principality with lasting success, siding with his brother Dmitry in his bid for the rule of Novgorod. From 1283 he acted as the ruler of an independent principality alongside Dmitry, who became Grand Duke of Vladimir. Daniel has been credited with founding the first Moscow monasteries, dedicated to the Lord's Epiphany and to Saint Daniel.

Grand Duchy (1283–1547)
Daniel ruled Moscow as Grand Duke until 1303 and established it as a prosperous city which would eventually eclipse its parent principality of Vladimir by the 1320s.

In 1282 Daniel founded the first monastery of Moscow on the right bank of the Moskva River, the wooden church of St. Daniel-Stylite. It is now known as the Danilov Monastery. Daniel died in 1303, at the age of 42. Before his death he became a monk and, according to his will, was buried in the cemetery of the St. Daniel Monastery.

Moscow was stable and prosperous for many years and attracted a large numbers of refugees from across Russia. The Rurikids maintained large landholdings by practicing primogeniture, whereby all land was passed to the eldest sons, rather than dividing it up among all sons. By 1304, Yury of Moscow contested with Mikhail of Tver for the throne of the principality of Vladimir. Ivan I eventually defeated Tver to become the sole collector of taxes for the Mongol rulers, making Moscow the capital of Vladimir-Suzdal. By paying high tribute, Ivan won an important concession from the Khan.

While the Khan of the Golden Horde initially attempted to limit Moscow's influence, when the growth of the Grand Duchy of Lithuania began to threaten all of Russia, the Khan strengthened Moscow to counterbalance Lithuania, allowing it to become one of the most powerful cities in Russia. In 1380, prince Dmitry Donskoy of Moscow led a united Russian army to an important victory over the Mongols in the Battle of Kulikovo. Afterwards, Moscow took the leading role in liberating Russia from Mongol domination. In 1480, Ivan III had finally broken the Russians free from Tatar control and overthrew the Mongols. Moscow later became the capital of an empire that would eventually encompass all of Russia and Siberia, and parts of many other lands. In 1462 Ivan III, known as Ivan the Great (1440–1505) became Grand Prince of Moscow (then part of the medieval Muscovy state). He began fighting the Tatars, enlarged the territory of Muscovy, and enriched his capital city. By 1500 it had a population of 100,000 and was one of the largest cities in the world. He conquered the far larger principality of Novgorod to the north, which had been allied to the hostile Lithuanians. By this conquest Ivan III enlarged his territory seven-fold, expanding from 430,000 to 2,800,000 square kilometers. He took control of the ancient "Novgorod Chronicle" and made it a propaganda vehicle for his regime.

The original Moscow Kremlin was built during the 14th century. It was reconstructed by Ivan, who in the 1480s invited architects from Italy, such as Petrus Antonius Solarius, who designed the new Kremlin wall and its towers, and Marco Ruffo who designed the new palace for the prince. The Kremlin walls as they now appear are those designed by Solarius, completed in 1495. The Kremlin's Great Bell Tower was built in 1505–08 and augmented to its present height in 1600. A trading settlement, or posad, grew up to the east of the Kremlin, in the area known as Zaradye (Зарядье). In the time of Ivan III, the Red Square, originally named the Hollow Field (Полое поле) appeared.

In 1508–1516, the Italian architect Aleviz Fryazin (Novy) arranged for the construction of a moat in front of the eastern wall, which would connect the Moskva and Neglinnaya and be filled in with water from Neglinnaya. This moat, known as the Alevizov moat and having a length of 541 meters, width of 36 meters, and a depth of 9.5–13 m was lined with limestone and, in 1533, fenced on both sides with low, 4-meter thick cogged brick walls.

Tsardom (1547–1721)
In the 16th and 17th centuries, the three circular defenses were built: Kitay-gorod (Китай-город), the White City (Белый город) and the Earthen City (Земляной город). However, in 1547, two fires destroyed much of the town, and in 1571 the Crimean Tatars captured Moscow, burning everything except the Kremlin. The annals record that only 30,000 of 200,000 inhabitants survived.

The Crimean Tatars attacked again in 1591, but this time were held back by new defense walls, built between 1584 and 1591 by a craftsman named Fyodor Kon. In 1592, an outer earth rampart with 50 towers was erected around the city, including an area on the right bank of the Moscow River. As an outermost line of defense, a chain of strongly fortified monasteries was established beyond the ramparts to the south and east, principally the Novodevichy Convent and Donskoy, Danilov, Simonov, Novospasskiy, and Andronikov monasteries, most of which now house museums. From its ramparts, the city became poetically known as Bielokamennaya, the "White-Walled". The limits of the city as marked by the ramparts built in 1592 are now marked by the Garden Ring.

Three square gates existed on the eastern side of the Kremlin wall, which in the 17th century, were known as: Konstantino-Eleninsky, Spassky, Nikolsky (owing their names to the icons of Constantine and Helen, the Savior and St. Nicholas which hung over them). The last two were directly opposite the Red Square, while the Konstantino-Elenensky gate was located behind Saint Basil's Cathedral.

The Russian famine of 1601–1603 killed perhaps 100,000 in Moscow. From 1610 through 1612, troops of the Polish–Lithuanian Commonwealth occupied Moscow, as its ruler Sigismund III tried to take the Russian throne. In 1612, the people of Nizhny Novgorod and other Russian cities conducted by prince Dmitry Pozharsky and Kuzma Minin rose against the Lithuanians occupants, besieged the Kremlin, and expelled them. In 1613, the Zemsky sobor elected Michael Romanov tsar, establishing the Romanov dynasty.

During the first half of the 17th century, the population of Moscow doubled from roughly 100,000 to 200,000. It expanded beyond its ramparts in the later 17th century. By 1682, there were 692 households established north of the ramparts, by Ukrainians and Belarusians abducted from their hometowns in the course of Russo-Polish War (1654–1667). These new outskirts of the city came to be known as the Meshchanskaya sloboda, after Ruthenian meshchane "town people". The term meshchane (мещане) acquired pejorative connotations in 18th-century Russia and today means "petty bourgeois" or "narrow-minded philistine".

The entire city of the late 17th century, including the slobodas which grew up outside of the city ramparts, are contained within what is today Moscow's Central Administrative Okrug.

Numerous disasters befell the city. The plague killed upwards of 80% of the people in 1654–55. Fires burned out much of the wooden city in 1626 and 1648.

Empire (1721–1917)
Moscow ceased to be Russia's capital (except for a brief period from 1728 to 1732 under the influence of the Supreme Privy Council) when Peter the Great moved his government to the newly built Saint Petersburg on the Baltic coast in 1712.

After losing the status as capital of the empire, the population of Moscow at first decreased, from 200,000 in the 17th century to 130,000 in 1750. But after 1750, the population grew more than tenfold over the remaining duration of the Russian Empire, reaching 1.8 million by 1915.

By 1700, the building of cobbled roads had begun. In November 1730, the permanent street light was introduced, and by 1867 many streets had a gaslight. In 1883, near the Prechistinskiye Gates, arc lamps were installed. In 1741 Moscow was surrounded by a barricade 25 miles long, the Kamer-Kollezhskiy barrier, with 16 gates at which customs tolls were collected. Its line is traced today by a number of streets called val (“ramparts”). Between 1781 and 1804 the Mytischinskiy water-pipe (the first in Russia) was built. In 1813 a Commission for the Construction of the City of Moscow was established. It launched a great program of rebuilding, including a partial replanning of the city-center. Among many buildings constructed or reconstructed at this time were the Grand Kremlin Palace and the Kremlin Armoury, the Moscow University, the Moscow Manege (Riding School), and the Bolshoi Theatre. In 1903 the Moskvoretskaya water-supply was completed. In the early 19th century, the Arch of Konstantino-Elenensky gate was paved with bricks, but the Spassky Gate was the main front gate of the Kremlin and used for royal entrances. From this gate, wooden and (following the 17th-century improvements) stone bridges stretched across the moat. Books were sold on this bridge and stone platforms were built nearby for guns - "raskats". The Tsar Cannon was located on the platform of the Lobnoye mesto. The road connecting Moscow with St. Petersburg, now the M10 highway, was completed in 1746, its Moscow end following the old Tver road which had existed since the 16th century. It became known as Peterburskoye Schosse after it was paved in the 1780s. Petrovsky Palace was built in 1776–1780 by Matvey Kazakov as a railway station specifically reserved for royal journeys from Saint Petersburg to Moscow, while coaches for lesser classes arrived and departed from Vsekhsvyatskoye station. When Napoleon invaded Russia in 1812, the Moscovites were evacuated. It is suspected today that the Moscow fire which ensued initially started as a result of Russian sabotage. In the fire's wake, an estimated three-quarters of the city lay in ruin.

Moscow State University was established in 1755. Its main building was reconstructed after the 1812 fire by Domenico Giliardi. The Moskovskiye Vedomosti newspaper appeared from 1756, originally in weekly intervals, and from 1859 as a daily newspaper.

The Arbat Street had been in existence since at least the 15th century, but it was developed into a prestigious area during the 18th century. It was destroyed in the fire of 1812 and was rebuilt completely in the early 19th century.

In the 1830s, general Alexander Bashilov planned the first regular grid of city streets north from Petrovsky Palace. Khodynka field south of the highway was used for military training. Smolensky Rail station (forerunner of present-day Belorussky Rail Terminal) was inaugurated in 1870. Sokolniki Park, in the 18th century the home of the tsar's falconers well outside of Moscow, became contiguous with the expanding city in the later 19th century and was developed into a public municipal park in 1878. The suburban Savyolovsky Rail Terminal was built in 1902. In January 1905, the institution of the City Governor, or Mayor, was officially introduced in Moscow, and Alexander Adrianov became Moscow's first official mayor.

When Catherine II came to power in 1762, the city's filth and smell of sewage was depicted by observers as a symptom of disorderly life styles of lower-class Russians recently arrived from the farms. Elites called for improving sanitation, which became part of Catherine's plans for increasing control over social life. National political and military successes from 1812 through 1855 calmed the critics and validated efforts to produce a more enlightened and stable society. There was less talk about the smell and the poor conditions of public health. However, in the wake of Russia's failures in the Crimean War in 1855–56, confidence in the ability of the state to maintain order in the slums eroded, and demands for improved public health put filth back on the agenda.

Soviet era (1917–1991)

In November 1917, upon learning of the uprising happening in Petrograd, Moscow’s Bolsheviks also began their uprising. On November 2 (15), 1917, after heavy fighting, Soviet power was established in Moscow.

Then Vladimir Lenin, fearing possible foreign invasion, moved the capital from Petrograd (Saint Petersburg) back to Moscow on March 12, 1918.

During the Great Patriotic War, the Soviet State Committee of Defense and the General Staff of the Red Army were located in Moscow. In 1941, 16 divisions of the national volunteers (more than 160,000 people), 25 battalions (18,000 people) and 4 engineering regiments were formed among the Muscovites. On 6 December 1941, German Army Group Centre was stopped at the outskirts of the city and then driven off in the course of the Battle of Moscow. Many factories were evacuated, together with much of the government, and from October 20 the city was declared to be in a state of siege. Its remaining inhabitants built and manned antitank defenses, while the city was bombarded from the air. On May 1, 1944 a medal "For the defense of Moscow" and in 1947 another medal "In memory of the 800th anniversary of Moscow" were instituted.

During the postwar years, there was a serious housing crisis, solved by the invention of high-rise apartments. Apartments were built and partly furnished in the factory before being raised and stacked into tall columns. The popular Soviet-era comic film Irony of Fate parodies this construction method.

The city of Zelenograd was built in 1958 at 37 km from the city center to the north-west, along the Leningradskoye Shosse, and incorporated as one of Moscow's administrative okrugs. Moscow State University moved to its campus on Sparrow Hills in 1953.

On May 8, 1965 due to the actual 20th anniversary of the victory in World War II Moscow was awarded a title of the Hero City. In 1980 it hosted the Summer Olympic Games.

The MKAD ring road was opened in 1961. It had four lanes running 109 km along the city borders. The MKAD marked the administrative boundaries of the city of Moscow until the 1980s, when outlying suburbs beyond the ring road began to be incorporated.

In 1991 Moscow was the scene of a coup attempt by conservators opposed to the liberal reforms of Mikhail Gorbachev.

Metro
The Moscow Metro opened in 1935 and immediately became the centerpiece of the transportation system. More than that it was a Stalinist device to awe and control the populace, and give them an appreciation of Soviet realist art. It became the prototype for future Soviet large-scale technologies. Lazar Kaganovich was in charge; he designed the subway so that citizens would absorb the values and ethos of Stalinist civilization as they rode. The artwork of the 13 original stations became nationally and internationally famous. For example, the Sverdlov Square subway station featured porcelain bas-reliefs depicting the daily life of the Soviet peoples, and the bas-reliefs at the Dynamo Stadium sports complex glorified sports and the physical prowess of the powerful new "Homo Sovieticus." (Soviet man). The metro was touted as the symbol of the new social order—a sort of Communist cathedral of engineering modernity. Soviet workers did the labor and the art work, but the main engineering designs, routes, and construction plans were handled by specialists recruited from the London Underground. The Britons called for tunneling instead of the "cut-and-cover" technique, the use of escalators instead of lifts, and designed the routes and the rolling stock. The paranoia of Stalin and the NKVD was evident when the secret police arrested numerous British engineers for espionage—that is for gaining an in-depth knowledge of the city's physical layout. Engineers for the Metropolitan Vickers Electrical Company were given a show trial and deported in 1933, ending the role of British business in the USSR.

Until nowadays Moscow metro is one of the most important heritage of architecture of the USSR period. The most inspiring metro stations of the Stalin's era are Revolution Square, Kievskaya, Beloruskaya, Mayakovskaya, Novoslobodskaya, Dostoevskaya, Prospekt mira, Komsomolskaya and Taganskaya.

Recent history (1991 to present)
When the USSR was dissolved in the same year, Moscow became the capital of the Russian Federation. Since then a market economy has emerged in Moscow, producing an explosion of Western-style retailing, services, architecture, and lifestyles.

Even with Russia's population shrinking by 6 million after the fall of the USSR, Moscow has continued to grow during the 1990s to 2000s, its population rising from below nine to above ten million. Mason and Nigmatullina argue that Soviet-era urban-growth controls (before 1991) produced controlled and sustainable metropolitan development, typified by the greenbelt built in 1935. Since then however, there has been a dramatic growth of low-density suburban sprawl, created by a heavy demand for single-family dwellings as opposed to crowded apartments. In 1995–1997 the MKAD ring road was widened from the initial four to ten lanes. In December 2002 Bulvar Dmitriya Donskogo became the first Moscow Metro station that opened beyond the limits of MKAD. The Third Ring Road, intermediate between the early 19th-century Garden Ring and the Soviet era outer ring road, was completed in 2004. The greenbelt is becoming more and more fragmented, and satellite cities are appearing at the fringe. Summer dachas are being converted into year-round residences, and with the proliferation of automobiles there is heavy traffic congestion.

Historical demographics
The city's population is rapidly increasing. The ubiquitous presence of legal and illegal permanent and temporary migrants plus merging suburbs raise the total population to about 13.5 mln people.

title: History of Moscow


text:
Family tree of the British royal family

This is the family tree of the British royal family, from James I (who united the crowns of England and Scotland) to the present monarch, Charles III.

Before James VI and I

 * See Family tree of English monarchs, Family tree of Scottish monarchs, and Family tree of Welsh monarchs. This also includes England, Scotland and Wales; all part of the United Kingdom as well as the French Norman invasion.

For a simplified view, see: Family tree of British monarchs.

Key

 * : Red borders indicate British monarchs
 * : Bold borders indicate legitimate children of British monarchs

title: Family tree of the British royal family


text:
Anarchist Communist Federation

Anarchist Communist Federation may refer to:

 * The former name of the Anarchist Federation (Britain)
 * Zabalaza Anarchist Communist Front in South Africa, formerly called the Zabalaza Anarchist Communist Federation

title: Anarchist Communist Federation


text:
Talk:Boots (company)

A Commons file used on this page or its Wikidata item has been nominated for deletion
The following Wikimedia Commons file used on this page or its Wikidata item has been nominated for deletion: Participate in the deletion discussion at the nomination page. —Community Tech bot (talk) 12:08, 27 July 2021 (UTC)
 * Boots Signage.jpg

title: Talk:Boots (company)


text:
User:PEvans

PEvans

email: Khyron_4@yahoo.com

title: User:PEvans


text:
Talk:Romans road

This should be it's own article

History of the Romans Road
I have some questions about the Romans Road —Preceding unsigned comment added by Timkhuff (talk • contribs) 16:50, 27 September 2007 (UTC)

History of the Romans Road
Who developed this format for the plan of salvation? When was it first used? How did it gain broad acceptance? How effective has it been? Is there another Biblical plan for salvation that is comparably concise? Are there criticisms of this plan?

Wouldn`t the CEV be clearer?Andycjp 02:48, 25 October 2007 (UTC)

title: Talk:Romans road


text:
Sabir Yunusov

Sabir Yunusovich Yunusov (Сабир Юнусович Юнусов; 18 March 1909 in Tashkent – 29 November 1995 in Tashkent) was a Soviet-Uzbek chemist, known for his research in alkaloid chemistry. In 1971 he was awarded the D.I. Mendeleev Medal for doing so. He founded the Institute of the Chemistry of Plant Substances under the Academy of Sciences of the Uzbek SSR (of Uzbekistan since 1991) in 1956. He was a corresponding member of the Academy of Sciences of the USSR (of Russia since 1991) from 1958 until his death. He died and was buried in Tashkent, Uzbekistan.

title: Sabir Yunusov


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SABC

The South African Broadcasting Corporation (SABC) is the public broadcaster in South Africa, and provides 19 radio stations (AM/FM) as well as six television broadcasts to the general public. It is one of the largest of South Africa's state-owned enterprises.

In November 2022, the SABC launched its streaming service called SABC+.

Opposition politicians and civil society often criticise the SABC, accusing it of being a mouthpiece for whichever political party is in majority power, thus currently the ruling African National Congress; during the apartheid era it was accused of playing the same role for the National Party government.

Early years
Radio broadcasting in South Africa began in 1923, under the auspices of South African Railways, before three radio services were licensed: the Association of Scientific and Technical Societies (AS&TS) in Johannesburg, the Cape Peninsular Publicity Association in Cape Town and the Durban Corporation, which began broadcasting in 1924.

These merged into the African Broadcasting Company in 1927, owned by, I. W. Schlesinger, a wealthy businessman, but on 1 August 1936, they were sold to the SABC, established that year through an Act of Parliament. The SABC took over the African Broadcasting Company's staff and assets. It maintained a state monopoly on radio until the launch in December 1979 of Capital Radio 604, then Radio 702 in 1980. Although the subscription-funded television service M-Net launched in 1986, the SABC had a monopoly on free-to-air television until the launch of e.tv in 1998.

During National Party rule from 1948, it came under increasing accusations of being biased towards the ruling party. At one time most of its senior management were members of the Broederbond, the Afrikaner secret society and later from institutions like Stellenbosch University.

The SABC was a radio service until the introduction of television in 1976. There were three main SABC radio stations: the English Service (later known as Radio South Africa), the Afrikaans Service (later known as Radio Suid-Afrika and Afrikaans Stereo) and the commercial station, Springbok Radio.

Programmes on the English and Afrikaans services mainly consisted of news; plays such as The Forsyte Saga, Story of an African Farm, and The Summons, written and produced in South Africa; serious talk shows; BBC radio shows; children's programmes, such as Sound Box; and light music featuring South African orchestras, arrangers, musicians and singers. Accomplished musicians such as pianist and composer Charles Segal featured on all three stations regularly in shows like Piano Playtime. Accordionist Nico Carstens was a regular on the Afrikaans programmes.

Recent history
An IBA report on the state of the broadcasting industry in South Africa was released on 29 August 1995. Recommendations were given for the SABC to lose one of its three television channels, with the network being used for private television, demanding the creation of two or three private networks. The broadcaster would be restructured, and Sentech would be separated. Other recommendations included the sale of seven radio stations, while being granted eleven radio stations, nine of which in individual Bantu languages, provisions of an hour a day of regional programming windows on television and radio, at an estimated cost of 262 million rand/year, reintroduction of a third channel but on satellite television and the provision of an "education and information driven service" to the subcontinental region.

All of the channels were set to be rebranded by March 1996, in line with a restructuring that began in the 1993 CODESA talks. Preliminary changes were set to take place in 1993, but were delayed after the elections in April 1994.

In November 1995, Africa Monitor reported that the SABC was in talks with Channel 4 to deliver its television channels by satellite, to cover the entire population. Up until then, it was believed that a quarter of the national population received at least one of the three channels. By January 1996 a fourth channel carrying Channel 4's programmes was set to begin, and would convert to digital in July 1996, with the aim of creating an eight-channel pay-TV service.

At the end of 1995, the SABC lost its contract with Sky News. Footage on news bulletins broadcast by the corporation's television channels was now supplied by BBC World.

On 4 February 1996, two years after the ANC came to power, the SABC reorganised its three TV channels, so as to be more representative of different language groups. The repositioning of the networks gave the SABC's television service the chance to be "the new voice and the new vision of the rainbow nation". Under the new structure, SABC TV was compared to a "tower of Babel" regarding SABC 1 and SABC 2's programming structure, in the eleven official languages, while SABC 3 was all in English. The relaunch party was also heavily criticised by some, such as Angela Van Schalkwyk, who mentioned that an American face presented the new television offer. This resulted in the downgrading of Afrikaans by reducing its airtime from 50% to 15%, a move that alienated many Afrikaans speakers.

In late 1998, the SABC finally started broadcasting its channels on DStv, per an agreement with Sentech to convert its channels to digital. The agreement encompassed its three national terrestrial networks, Bop TV and its thirteen radio stations, with the hopes of starting two pan-continental television networks, an entertainment channel and a news channel.

The launch of e.tv prompted the SABC to restructure its three television channels in late September 1998. The strategies were due to e.tv's promise that the service would be a "full-spectrum" channel as opposed to the niche programming of both the SABC and M-Net. SABC 1 repositioned itself as an entertainment channel for South African youth and young adults, SABC 2 would carry content related to educational and social issues from the rest of Africa to South African audiences, SABC 3 concentrated on a mix of news, current affairs and entertainment. Two satellite channels, available on DStv, opened on 16 November 1998, SABC Africa and Best of Africa (later renamed Africa2Africa).

In line with its ambitions to be "the pulse of Africa's creative spirit" (SABC's tagline at the turn of the millennium), the SABC opened up to protocols and co-operation agreements with partners such as URTNA, FRU and the Television Trust for the Environment, eyeing in at the rest of Africa.

The SABC has since been accused of favouring the ruling ANC party, mostly in news. It remains dominant in the broadcast media.

Criticism intensified around 2003–2005, when it was accused of a wide range of shortcomings including self-censorship, lack of objectivity and selective news coverage.

On 20 October 2020, SABC and the government were in discussion to get TV and streaming providers in South Africa to collect TV licence on their behalf.

On 27 March 2021, SABC and eMedia Investments expanded their partnership which allowed OpenView customers to receive 3 additional channels as well as their 19 radio stations.

Leaders
Director General of the SABC:

Chairman of the SABC Board:

Establishment
Following its establishment in 1936, the SABC established services in what were then the country's official languages, English and Afrikaans, with the Afrikaans service being established in 1937. Broadcasts in languages such as Zulu, Xhosa, Sesotho and Tswana followed in 1940.

Springbok Radio
Springbok Radio, the SABC's first commercial radio service, started broadcasting on 1 May 1950. Bilingual in English and Afrikaans, it broadcast from the Johannesburg Centre for $113 1/2$ hours a week. The service proved to be so popular with advertisers that at the time of its launch, commercial time had been booked well in advance.

The station featured a wide variety of programming, such as morning talk and news, game shows, soap operas like Basis Bravo, children's programming, music request programmes, top-ten music, talent shows and other musical entertainment. One popular Saturday noontime comedy show was Telefun Time, whose hosts would phone various people and conjure up situation comedy, a similar brand of humour to the films of Leon Schuster.

By 1985, Springbok Radio was operating at a heavy loss. After losing many listeners with the handing over of its shortwave frequencies to Radio 5 and facing competition from television, it ceased broadcasting on 31 December 1985.

SABC News Service
The News Service was established in June 1950, replacing the programmes of the BBC. Although this was because the BBC broadcasts were seen as giving a British viewpoint of current affairs, there were also concerns that the SABC service would become overly pro-government, or "Our Master's Voice". By 1968, it had over 100 full-time reporters in the main cities and local correspondents all over the country, with overseas news provided by Reuters, AFP, AP and UPI. There was a News Film Unit which, prior to television in 1976, produced films for news agencies and television organisations.

SABC Symphony Orchestra
The SABC Symphony Orchestra has its origins in its three studio ensembles in Johannesburg, Durban and Cape Town and the Municipal Orchestra of the Johannesburg City Council. When the SABC centralised its broadcasting in Johannesburg, the future of the three ensembles were in doubt but at the same time, the Municipal Orchestra of the Johannesburg City Council had been disbanded. The SABC was able to form an orchestra of 80 musicians from these groupings in 1954, and while its main base was at the Johannesburg City Hall, it would tour the country. The orchestra would be led for many years by the SABC's head of music, Anton Hartman, but had other conductors as well, such as Francesco Mander and Edgar Cree. There were also international composers such as Igor Stravinsky. The SABC Junior Orchestra was also created and began in February 1966 under Walter Mony.

Regional radio
Regional commercial FM music stations were started in the 1960s.

Popular music
Following the establishment of a republic and withdrawal from the Commonwealth in 1961, the Afrikaners' goal was to promote their culture and so, at first, the SABC's choice of popular music reflected the National Party government's initial conservatism, especially on the Afrikaans channel, with musicians such as Nico Carstens. However Carstens was also ostracised by the SABC, as his music was influenced by the Coloured and Malay communities of Cape Town.

Eventually, musicians broke through the barrier, when the young, English-speaking Jewish musician and composer, Charles Segal collaborated with the older Afrikaans lyric-writer, Anton Dewaal, to write songs. Segal's songs like "Die Ou Kalahari" became highly popular with the Afrikaans-speaking public. However, there was tight censorship over all broadcasts, particularly of pop music, with, for example, the music of the Beatles being banned by the SABC between 1966 and March 1971.

In 1966 the SABC established an external service, known as Radio RSA, which broadcast in English, Swahili, French, Portuguese, Dutch and German. In 1969 the SABC held a national contest to find theme music for the service. This contest was won by the popular South African pianist and composer, Charles Segal and co-writer, Dorothy Arenson. Their composition, "Carousel" remained the theme song for Radio RSA until 1992, when it was replaced by Channel Africa.

In 1986, the SABC ran a competition to promote South African music. Each of the 15 radio stations, represented by an artist, entered a song to compete for the Song for South Africa in the National Song Festival. The finals were broadcast live on television. The Radio Port Natal submission won the competition with the Don Clarke song, Sanbonani, performed by P J Powers and Hotline.

1996 restructuring
In 1996 the SABC carried out a significant restructuring of their services. The main English-language radio service became SAfm. The new service, after some initial faltering, soon developed a respectable listenership and was regarded as a flagship for the new democracy. However, government interference in the state broadcaster in 2003 saw further changes to SAfm which reversed the growth and put it in rapid decline once more. Today it attracts only 0.6% of the total population to its broadcasts. The main Afrikaans radio service was renamed Radio Sonder Grense (literally 'Radio Without Borders') in 1995 and has enjoyed greater success with the transition.

By contrast, SABC Radio's competitors, like Primedia-owned Radio 702, Cape Talk and 94.7 Highveld Stereo have grown steadily in audience and revenue, while other stations such as the black-owned and focused YFM and Kaya FM have also attracted black audiences.

Programming policy
As of 12 May 2016, the SABC has implemented a policy to promote local content. 90% of all music played on the broadcaster's 18 radio stations will be sourced from local artists with a focus on kwaito, jazz, reggae and gospel genres.

Early history (1975–1995)
In 1975, after years of controversy over the introduction of television, the SABC was finally allowed to introduce a colour TV service, which began experimental broadcasts in the main cities on 5 May 1975, before the service went nationwide on 6 January 1976. Initially, the TV service was funded entirely through a licence fee just like the UK, but began advertising in 1978. The SABC (both Television and Radio) is still partly funded by the licence fee (currently R250 a year).

The service initially broadcast only in English and Afrikaans, with an emphasis on religious programming on Sundays. A local soap opera, The Villagers, set on a gold mine, was well received while other local productions like The Dingleys were panned as amateurish.

The majority of acquired programming on South African television came from the United States, although owing to their opposition to apartheid, some production companies stopped selling programmes to the country. The British actors' union Equity had already started a boycott of programme sales to South Africa, which was not lifted until 1993. However, the Thames Television police drama series The Sweeney and Van der Valk, were briefly shown on SABC TV, as was the original version of Thunderbirds.

Many imported programmes were dubbed into Afrikaans and other indigenous languages, but in 1985, in order to accommodate English speakers, the SABC began to simulcast the original-language audio of series on an FM radio service called Radio 2000, allowing viewers to watch them in the original language; the first English-language series to be simulcast was Miami Vice.

SABC TV also produced lavish musical shows featuring the most popular South African composers, solo musicians, bands and orchestras. For example, the pianist and composer, Charles Segal, was given a half-hour special show: The Music of Charles Segal, where a selection of his music was performed by various local artists, such as Zane Adams, SABC Orchestra and others. However, it also broadcast pop music series like Pop Shop, which consisted of overseas and local music, and Double Track, which consisted entirely of local acts.

With a limited budget, early programming aimed at children tended to be quite innovative, and programmes such as the Afrikaans-language puppet shows Haas Das se Nuus Kas and Oscar in Asblikfontein are still fondly remembered by many.

On 1 January 1981, two services were introduced, TV2 broadcasting in Zulu and Xhosa and TV3 broadcasting in Sotho and Tswana, both targeted at a black urban audience. The main channel, then called TV1, was divided evenly between English and Afrikaans, as before. In 1986, a new service called TV4 was introduced, carrying sports and entertainment programming, taking over the frequencies used by TV2 and TV3, which then had to end broadcasting at 21:00.

In 1991, TV2, TV3 and TV4 were combined into a new service called CCV (Contemporary Community Values). A third channel was introduced known as TSS, or Topsport Surplus Sport, Topsport being the brand name for the SABC's sport coverage, but this was replaced by NNTV (National Network TV), an educational, non-commercial channel, in 1993.

Competition and restructuring
In 1986, the SABC's monopoly on the television industry was challenged by the launch of a subscription-based service known as M-Net, which was backed by a consortium of newspaper publishers. This service was prohibited from broadcasting its own news programmes, which were still the preserve of the SABC. Direct-to-home satellite television in South Africa began when M-Net's parent company, Multichoice, launched its first-in-the-world digital satellite TV service, DStv, in 1995. At the time, SABC TV channels, were not broadcast on this network, but agreements were later reached that allowed DStv to carry the SABC channels as well. In 1998, the SABC's dominance of free-to-air terrestrial television was further eroded by the launch of the first free-to-air private TV channel, e.tv.

In 1996, the SABC reorganised its three TV channels with the aim of making them more representative of the various cultural groups. These new channels were called SABC 1, SABC 2 and SABC 3. The SABC also absorbed the Bop TV channel of the former Bophuthatswana bantustan. Between 1996 and 1998, the SABC had a satellite television service called AstraSat, which operated two channels, AstraSport and AstraPlus. Technological problems and advertising losses led to the scrapping of the service.

SABC TV programmes in Afrikaans and other languages are now subtitled in English, but programmes in English are not usually subtitled in other languages, the perception being that all South Africans can understand English. Previously, subtitling was confined to productions like operas and operettas. It was not used on TV1, on the assumption that most viewers understood both Afrikaans and English, nor on CCV, despite presenters using two or more different languages during a single programme.

New services
In 2005, the SABC announced proposed the creation of two complementary regional television channels, SABC4 and SABC5, to emphasise indigenous languages. SABC4, based in Mafikeng, was to be broadcast in Tswana, Sesotho, Pedi, Tsonga, Venda, and Afrikaans, to the northern provinces of the country, while SABC5, based in Cape Town, was to broadcast in Xhosa, Zulu, Ndebele, and Swazi, as well as Afrikaans, to the southern provinces. Unlike other SABC TV services, SABC4 and SABC5 were not to be available via satellite. Apart from soundbites on news or current affairs programmes, no English-language programming would be shown on either channel. However, the plans fell through and in 2015, the SABC stated that it would launch two new channels, SABC News and SABC Encore.

In 2013, the SABC announced plans to launch a new news channel, SABC News, to be available on DStv, instead of waiting for the introduction of digital terrestrial television.

In 2015, SABC partnered up with online TV platform Tuluntulu to launch two more channels which were SABC Education and SABC Children.

According to the SABC, the factors which are considered when deciding how much time a language gets on television are the following: how many home language speakers exist in the coverage area of a channel; the geographical spread of the language; the extent to which members of a language community are able to understand other languages; the extent of marginalisation of a language; the extent to which the language is understood by other South Africans; and whether there is available content that uses the language. SABC currently plans to launch five channels, the four of them being language-targeted:
 * A channel targeting Tswana, Pedi and Sotho speakers
 * A channel targeting Zulu, Xhosa, Swazi and Ndebele speakers
 * A channel targeting Tsonga and Venda speakers
 * A channel targeting Afrikaans speakers
 * A SABC sports channel

SABC TV has an audience of over 30 million. SABC1 reaches 89% of the public, SABC2 reaches 91% of the public, and SABC3 reaches 77% of the public, according to the broadcaster. The SABC has 18 radio stations, which have more than 25 million weekly listeners.

In 2018, SABC scrapped part of the plans from 2015 and downsized their DTT plans from 18 TV channels to just 9 TV channels due to financial woes. The SABC have SABC 1-3 and News falling under the 9 channels with the rest being:
 * A sports channel
 * A health channel
 * A history channel
 * A parliamentary channel
 * An education channel

All these channels needed funding in order to materialize and without it the channels remain a dream. All of these channels will be craft through partnerships and a group executive at the SABC mentioned that if they are able to get the sports channel running in SD then they may be able to get a ninth channel which is history.

On 4 May 2020 amidst the coronavirus outbreak, the SABC launched its educational channel called SABC Education through DTT and YouTube with additional platforms added soon.

SABC Encore shut down from the end of May apparently MultiChoice and SABC agreement for the channel ended back in 2018 giving the channel a 2-year open window. The SABC said they were exploring other the idea of continuing the channel through another platform.

In November 2020, SABC signed a channel and radio distribution agreement with Telkom for their new streaming service. They also launched their own catch-up and video on demand streaming service called SABC Plus on 17 November 2022, similar to BBC iPlayer, following two years of announcements.

Botswana, Lesotho and Eswatini
SABC television via satellite had also been widely available in neighbouring Lesotho and Eswatini, as well as Botswana. After complaints from rights holders in Botswana, SABC encrypted its TV channels, thereby cutting off viewers in those countries.

Namibia
Until 1979, the SABC operated broadcasting services in Namibia, which was then under South African rule, but in that year, these were transferred to the South West African Broadcasting Corporation (SWABC). However, the SWABC retained technical personnel from the SABC, and a number of its programmes were prepared at the SABC's studios in Johannesburg before being dispatched to Windhoek for transmission.

The SABC also helped the SWABC to establish a television service in 1981. This comprised a mix of programming in English, Afrikaans and German, 90 per cent of which came from or via the SABC. Programmes were shown locally a week after South Africa. The SWABC received SABC TV programming (which it recorded, edited and rebroadcast) first by using a microwave link, and later via an Intelsat satellite link. The SWABC became the Namibian Broadcasting Corporation (NBC) after the country's independence in 1990.

However, Walvis Bay, an enclave of South Africa in Namibia until 1994, received the SABC's TV1 on a low-power repeater, which was broadcast live via Intelsat from 1986.

Mozambique
The cable company TV Cabo (Visabeira) offered SABC 1, SABC 3 and Bop TV in its first few years of operation. These alongside e.tv were removed due to rights issues, in a situation similar to what would happen in Botswana ten years later, being replaced by other channels from the DStv bouquet, in August 2003, causing uproar from subscribers.

International services
In 1998, the SABC began to broadcast two TV channels to the rest of Africa: SABC Africa, a news service, and Africa 2 Africa, entertainment programming from South Africa and other African countries, via DStv. In 2003, Africa 2 Africa was merged with SABC Africa to create a hybrid service, drawing programming from both sources. SABC Africa closed in August 2008 after the SABC's contract with DStv was not renewed. In 2007, the SABC launched a 24-hour international news channel, SABC News International, but closed in 2010.

Accusations of pro-ANC bias
The SABC has been accused of being a government and ruling party mouthpiece, particularly in the lead-up to the 2014 South African elections, particularly after it refused to air the campaign adverts of various opposition parties,  and again in 2015 when it censored the video feeds of the 2015 State of the Nation address that portrayed the ANC and President Jacob Zuma in a negative light. In 2015, Minister of Communications, Faith Muthambi reinforced the notion that the SABC was a state-owned company, and therefore, subject to control by the Department of Communications and the ruling party.

In August 2005, the SABC came under heavy fire from independent media and the public for failing to broadcast footage in which deputy president Phumzile Mlambo-Ngcuka was booed offstage by members of the ANC Youth League, who were showing support for the newly axed ex-deputy president, Jacob Zuma.

Rival broadcaster eTV publicly accused SABC of 'biased reporting' for failing to show the video footage of the humiliated deputy president. Snuki Zikalala, Head of News and ex-ANC spokesperson retorted that their cameraman had not been present at the meeting. This claim was later established to be false when eTV footage was released which showed an SABC cameraman filming the incident.

The SABC's government connections also came under scrutiny when, in April 2005, Zimbabwean president Robert Mugabe was interviewed live by Zikalala, who is a former ANC political commissar. The interview was deemed by the public to have sidestepped 'critical issues', and to have avoided difficult questions regarding Mugabe's radical land-reform policies and human rights violations.

Accusations of censorship
In May 2006, the SABC was accused of self-censorship when it decided not to air a documentary on South African president Thabo Mbeki, and in early June 2006, the news organisation requested that the producers (from Daylight Films) not speak about it. This was widely criticised by independent media groups. In response, the International Freedom of Expression Exchange issued an alert concerning the SABC's apparent trend toward self-censorship.

In June 2006, the International Federation of Journalists denounced the cancelling of the Thabo Mbeki documentary, citing "self-censorship" and "politically-influenced managers".

Also in June 2006, SAfm host John Perlman disclosed on air that the SABC had created a blacklist of commentators. A commission of inquiry was created by SABC CEO Dali Mpofu to investigate the allegations that individuals had been blacklisted at the behest of Zikalala. Perlman eventually resigned from SAfm, and the broadcaster came under heavy criticism from free media advocates.

Shortly before the ANC's 2012 elective conference in Mangaung, the board of the SABC handed control of news, television, radio and sport to COO Hlaudi Motsoeneng. The board's decision was interpreted by some at the SABC as a calculated attempt to ensure that an ANC faction close to President Jacob Zuma was given positive coverage. During a press conference held by the SABC on 6 December 2012, to explain why it had prevented three journalists from participating in a discussion on how the media would cover the ANC's elective conference in Manguang, Hlaudi Motsoeneng said that whenever the ANC is discussed on the SABC an ANC party representative must be present.

In April 2014, journalists were warned by SABC chairperson, Ellen Zandile Tshabalala, that their phones were being wiretapped by the NIA, and reminded them to be loyal to the ANC ruling party. When challenged on the matter, Tshabalala insisted that her comments had been taken out of context. The scandal erupted at the same time that the DA official opposition accused the SABC of censorship when they stopped airing a television advert that referred to the ongoing Nkandlagate scandal.

In February 2015, the SABC was accused of censoring video and audio feeds of the State of the Nation address in Parliament, after opposition party EFF was forcefully ejected by armed plain-clothes policemen after interrupting the President's speech. Footage of opposition party DA walking out in protest over the presence of the armed personnel was also censored. This was in addition to the presence of a signal-jamming device that prevented journalists and MP's from being able to use their mobile devices to post news online.

The SABC was criticised for banning footage that showed protests and demonstrations in the run-up to the 2016 local elections. In July 2016, eight SABC journalists challenged the broadcaster's decision to censor news items, and were dismissed from the organisation. A subsequent hearing at the Labour Court found the dismissals were unlawful and ordered the reinstatement of four of the full-time SABC employees. During this period the eight journalists, including Suna Venter, were subjected to a number of death threats and other forms of intimidation.

In October 2016, the South African parliament began investigating corruption allegations against SABC and its Group Executive of Corporate Affairs - Hlaudi Motsoeneng. On 12 December, the Western Cape High Court ruled that Motsoeneng be removed from office effective immediately.

SABC Encore's launch party
At the channel's launch event, the COO of SABC at the time used that event to rant about making pay-TV platforms like MultiChoice's DStv pay for SABC 1-3 and how the SABC is run by a 'blind person'. He also took the stage to call out those with their 'lack of knowledge' over the deal the public broadcaster has for the channel alongside SABC News.

title: SABC