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My Man Jeeves/Rallying Round Old George

I think one of the rummiest affairs I was ever mixed up with, in the course of a lifetime devoted to butting into other people's business, was that affair of George Lattaker at Monte Carlo. I wouldn't bore you, don't you know, for the world, but I think you ought to hear about it.

We had come to Monte Carlo on the yacht Circe, belonging to an old sportsman of the name of Marshall. Among those present were myself, my man Voules, a Mrs. Vanderley, her daughter Stella, Mrs. Vanderley's maid Pilbeam and George.

George was a dear old pal of mine. In fact, it was I who had worked him into the party. You see, George was due to meet his Uncle Augustus, who was scheduled, George having just reached his twenty-fifth birthday, to hand over to him a legacy left by one of George's aunts, for which he had been trustee. The aunt had died when George was quite a kid. It was a date that George had been looking forward to; for, though he had a sort of income—an income, after-all, is only an income, whereas a chunk of o' goblins is a pile. George's uncle was in Monte Carlo, and had written George that he would come to London and unbelt; but it struck me that a far better plan was for George to go to his uncle at Monte Carlo instead. Kill two birds with one stone, don't you know. Fix up his affairs and have a pleasant holiday simultaneously. So George had tagged along, and at the time when the trouble started we were anchored in Monaco Harbour, and Uncle Augustus was due next day.

Looking back, I may say that, so far as I was mixed up in it, the thing began at seven o'clock in the morning, when I was aroused from a dreamless sleep by the dickens of a scrap in progress outside my state-room door. The chief ingredients were a female voice that sobbed and said: "Oh, Harold!" and a male voice "raised in anger," as they say, which after considerable difficulty, I identified as Voules's. I hardly recognized it. In his official capacity Voules talks exactly like you'd expect a statue to talk, if it could. In private, however, he evidently relaxed to some extent, and to have that sort of thing going on in my midst at that hour was too much for me.

"Voules!" I yelled.

Spion Kop ceased with a jerk. There was silence, then sobs diminishing in the distance, and finally a tap at the door. Voules entered with that impressive, my-lord-the-carriage-waits look which is what I pay him for. You wouldn't have believed he had a drop of any sort of emotion in him.

"Voules," I said, "are you under the delusion that I'm going to be Queen of the May? You've called me early all right. It's only just seven."

"I understood you to summon me, sir."

"I summoned you to find out why you were making that infernal noise outside."

"I owe you an apology, sir. I am afraid that in the heat of the moment I raised my voice."

"It's a wonder you didn't raise the roof. Who was that with you?"

"Miss Pilbeam, sir; Mrs. Vanderley's maid."

"What was all the trouble about?"

"I was breaking our engagement, sir."

I couldn't help gaping. Somehow one didn't associate Voules with engagements. Then it struck me that I'd no right to butt in on his secret sorrows, so I switched the conversation.

"I think I'll get up," I said.

"Yes, sir."

"I can't wait to breakfast with the rest. Can you get me some right away?"

"Yes, sir."

So I had a solitary breakfast and went up on deck to smoke. It was a lovely morning. Blue sea, gleaming Casino, cloudless sky, and all the rest of the hippodrome. Presently the others began to trickle up. Stella Vanderley was one of the first. I thought she looked a bit pale and tired. She said she hadn't slept well. That accounted for it. Unless you get your eight hours, where are you?

"Seen George?" I asked.

I couldn't help thinking the name seemed to freeze her a bit. Which was queer, because all the voyage she and George had been particularly close pals. In fact, at any moment I expected George to come to me and slip his little hand in mine, and whisper: "I've done it, old scout; she loves muh!"

"I have not seen Mr. Lattaker," she said.

I didn't pursue the subject. George's stock was apparently low that a.m.

The next item in the day's programme occurred a few minutes later when the morning papers arrived.

Mrs. Vanderley opened hers and gave a scream.

"The poor, dear Prince!" she said.

"What a shocking thing!" said old Marshall.

"I knew him in Vienna," said Mrs. Vanderley. "He waltzed divinely."

Then I got at mine and saw what they were talking about. The paper was full of it. It seemed that late the night before His Serene Highness the Prince of Saxburg-Leignitz (I always wonder why they call these chaps "Serene") had been murderously assaulted in a dark street on his way back from the Casino to his yacht. Apparently he had developed the habit of going about without an escort, and some rough-neck, taking advantage of this, had laid for him and slugged him with considerable vim. The Prince had been found lying pretty well beaten up and insensible in the street by a passing pedestrian, and had been taken back to his yacht, where he still lay unconscious.

"This is going to do somebody no good," I said. "What do you get for slugging a Serene Highness? I wonder if they'll catch the fellow?"

"'Later,'" read old Marshall, "'the pedestrian who discovered His Serene Highness proves to have been Mr. Denman Sturgis, the eminent private investigator. Mr. Sturgis has offered his services to the police, and is understood to be in possession of a most important clue.' That's the fellow who had charge of that kidnapping case in Chicago. If anyone can catch the man, he can."

About five minutes later, just as the rest of them were going to move off to breakfast, a boat hailed us and came alongside. A tall, thin man came up the gangway. He looked round the group, and fixed on old Marshall as the probable owner of the yacht.

"Good morning," he said. "I believe you have a Mr. Lattaker on board—Mr. George Lattaker?"

"Yes," said Marshall. "He's down below. Want to see him? Whom shall I say?"

"He would not know my name. I should like to see him for a moment on somewhat urgent business."

"Take a seat. He'll be up in a moment. Reggie, my boy, go and hurry him up."

I went down to George's state-room.

"George, old man!" I shouted.

No answer. I opened the door and went in. The room was empty. What's more, the bunk hadn't been slept in. I don't know when I've been more surprised. I went on deck.

"He isn't there," I said.

"Not there!" said old Marshall. "Where is he, then? Perhaps he's gone for a stroll ashore. But he'll be back soon for breakfast. You'd better wait for him. Have you breakfasted? No? Then will you join us?"

The man said he would, and just then the gong went and they trooped down, leaving me alone on deck.

I sat smoking and thinking, and then smoking a bit more, when I thought I heard somebody call my name in a sort of hoarse whisper. I looked over my shoulder, and, by Jove, there at the top of the gangway in evening dress, dusty to the eyebrows and without a hat, was dear old George.

"Great Scot!" I cried.

"'Sh!" he whispered. "Anyone about?"

"They're all down at breakfast."

He gave a sigh of relief, sank into my chair, and closed his eyes. I regarded him with pity. The poor old boy looked a wreck.

"I say!" I said, touching him on the shoulder.

He leaped out of the chair with a smothered yell.

"Did you do that? What did you do it for? What's the sense of it? How do you suppose you can ever make yourself popular if you go about touching people on the shoulder? My nerves are sticking a yard out of my body this morning, Reggie!"

"Yes, old boy?"

"I did a murder last night."

"What?"

"It's the sort of thing that might happen to anybody. Directly Stella Vanderley broke off our engagement I——"

"Broke off your engagement? How long were you engaged?"

"About two minutes. It may have been less. I hadn't a stop-watch. I proposed to her at ten last night in the saloon. She accepted me. I was just going to kiss her when we heard someone coming. I went out. Coming along the corridor was that infernal what's-her-name—Mrs. Vanderley's maid—Pilbeam. Have you ever been accepted by the girl you love, Reggie?"

"Never. I've been refused dozens——"

"Then you won't understand how I felt. I was off my head with joy. I hardly knew what I was doing. I just felt I had to kiss the nearest thing handy. I couldn't wait. It might have been the ship's cat. It wasn't. It was Pilbeam."

"You kissed her?"

"I kissed her. And just at that moment the door of the saloon opened and out came Stella."

"Great Scott!"

"Exactly what I said. It flashed across me that to Stella, dear girl, not knowing the circumstances, the thing might seem a little odd. It did. She broke off the engagement, and I got out the dinghy and rowed off. I was mad. I didn't care what became of me. I simply wanted to forget. I went ashore. I—It's just on the cards that I may have drowned my sorrows a bit. Anyhow, I don't remember a thing, except that I can recollect having the deuce of a scrap with somebody in a dark street and somebody falling, and myself falling, and myself legging it for all I was worth. I woke up this morning in the Casino gardens. I've lost my hat."

I dived for the paper.

"Read," I said. "It's all there."

He read.

"Good heavens!" he said.

"You didn't do a thing to His Serene Nibs, did you?"

"Reggie, this is awful."

"Cheer up. They say he'll recover."

"That doesn't matter."

"It does to him."

He read the paper again.

"It says they've a clue."

"They always say that."

"But—My hat!"

"Eh?"

"My hat. I must have dropped it during the scrap. This man, Denman Sturgis, must have found it. It had my name in it!"

"George," I said, "you mustn't waste time. Oh!"

He jumped a foot in the air.

"Don't do it!" he said, irritably. "Don't bark like that. What's the matter?"

"The man!"

"What man?"

"A tall, thin man with an eye like a gimlet. He arrived just before you did. He's down in the saloon now, having breakfast. He said he wanted to see you on business, and wouldn't give his name. I didn't like the look of him from the first. It's this fellow Sturgis. It must be."

"No!"

"I feel it. I'm sure of it."

"Had he a hat?"

"Of course he had a hat."

"Fool! I mean mine. Was he carrying a hat?"

"By Jove, he was carrying a parcel. George, old scout, you must get a move on. You must light out if you want to spend the rest of your life out of prison. Slugging a Serene Highness is lèse-majesté. It's worse than hitting a policeman. You haven't got a moment to waste."

"But I haven't any money. Reggie, old man, lend me a tenner or something. I must get over the frontier into Italy at once. I'll wire my uncle to meet me in——"

"Look out," I cried; "there's someone coming!"

He dived out of sight just as Voules came up the companion-way, carrying a letter on a tray.

"What's the matter!" I said. "What do you want?"

"I beg your pardon, sir. I thought I heard Mr. Lattaker's voice. A letter has arrived for him."

"He isn't here."

"No, sir. Shall I remove the letter?"

"No; give it to me. I'll give it to him when he comes."

"Very good, sir."

"Oh, Voules! Are they all still at breakfast? The gentleman who came to see Mr. Lattaker? Still hard at it?"

"He is at present occupied with a kippered herring, sir."

"Ah! That's all, Voules."

"Thank you, sir."

He retired. I called to George, and he came out.

"Who was it?"

"Only Voules. He brought a letter for you. They're all at breakfast still. The sleuth's eating kippers."

"That'll hold him for a bit. Full of bones." He began to read his letter. He gave a kind of grunt of surprise at the first paragraph.

"Well, I'm hanged!" he said, as he finished.

"Reggie, this is a queer thing."

"What's that?"

He handed me the letter, and directly I started in on it I saw why he had grunted. This is how it ran:

"My dear George—I shall be seeing you to-morrow, I hope; but I think it is better, before we meet, to prepare you for a curious situation that has arisen in connection with the legacy which your father inherited from your Aunt Emily, and which you are expecting me, as trustee, to hand over to you, now that you have reached your twenty-fifth birthday. You have doubtless heard your father speak of your twin-brother Alfred, who was lost or kidnapped—which, was never ascertained—when you were both babies. When no news was received of him for so many years, it was supposed that he was dead. Yesterday, however, I received a letter purporting that he had been living all this time in Buenos Ayres as the adopted son of a wealthy South American, and has only recently discovered his identity. He states that he is on his way to meet me, and will arrive any day now. Of course, like other claimants, he may prove to be an impostor, but meanwhile his intervention will, I fear, cause a certain delay before I can hand over your money to you. It will be necessary to go into a thorough examination of credentials, etc., and this will take some time. But I will go fully into the matter with you when we meet.—Your affectionate uncle,

"."

I read it through twice, and the second time I had one of those ideas I do sometimes get, though admittedly a chump of the premier class. I have seldom had such a thoroughly corking brain-wave.

"Why, old top," I said, "this lets you out."

"Lets me out of half the darned money, if that's what you mean. If this chap's not an imposter—and there's no earthly reason to suppose he is, though I've never heard my father say a word about him—we shall have to split the money. Aunt Emily's will left the money to my father, or, failing him, his 'offspring.' I thought that meant me, but apparently there are a crowd of us. I call it rotten work, springing unexpected offspring on a fellow at the eleventh hour like this."

"Why, you chump," I said, "it's going to save you. This lets you out of your spectacular dash across the frontier. All you've got to do is to stay here and be your brother Alfred. It came to me in a flash."

He looked at me in a kind of dazed way.

"You ought to be in some sort of a home, Reggie."

"Ass!" I cried. "Don't you understand? Have you ever heard of twin-brothers who weren't exactly alike? Who's to say you aren't Alfred if you swear you are? Your uncle will be there to back you up that you have a brother Alfred."

"And Alfred will be there to call me a liar."

"He won't. It's not as if you had to keep it up for the rest of your life. It's only for an hour or two, till we can get this detective off the yacht. We sail for England to-morrow morning."

At last the thing seemed to sink into him. His face brightened.

"Why, I really do believe it would work," he said.

"Of course it would work. If they want proof, show them your mole. I'll swear George hadn't one."

"And as Alfred I should get a chance of talking to Stella and making things all right for George. Reggie, old top, you're a genius."

"No, no."

"You are."

"Well, it's only sometimes. I can't keep it up."

And just then there was a gentle cough behind us. We spun round.

"What the devil are you doing here, Voules," I said.

"I beg your pardon, sir. I have heard all."

I looked at George. George looked at me.

"Voules is all right," I said. "Decent Voules! Voules wouldn't give us away, would you, Voules?"

"Yes, sir."

"You would?"

"Yes, sir."

"But, Voules, old man," I said, "be sensible. What would you gain by it?"

"Financially, sir, nothing."

"Whereas, by keeping quiet"—I tapped him on the chest—"by holding your tongue, Voules, by saying nothing about it to anybody, Voules, old fellow, you might gain a considerable sum."

"Am I to understand, sir, that, because you are rich and I am poor, you think that you can buy my self-respect?"

"Oh, come!" I said.

"How much?" said Voules.

So we switched to terms. You wouldn't believe the way the man haggled. You'd have thought a decent, faithful servant would have been delighted to oblige one in a little matter like that for a fiver. But not Voules. By no means. It was a hundred down, and the promise of another hundred when we had got safely away, before he was satisfied. But we fixed it up at last, and poor old George got down to his state-room and changed his clothes.

He'd hardly gone when the breakfast-party came on deck.

"Did you meet him?" I asked.

"Meet whom?" said old Marshall.

"George's twin-brother Alfred."

"I didn't know George had a brother."

"Nor did he till yesterday. It's a long story. He was kidnapped in infancy, and everyone thought he was dead. George had a letter from his uncle about him yesterday. I shouldn't wonder if that's where George has gone, to see his uncle and find out about it. In the meantime, Alfred has arrived. He's down in George's state-room now, having a brush-up. It'll amaze you, the likeness between them. You'll think it is George at first. Look! Here he comes."

And up came George, brushed and clean, in an ordinary yachting suit.

They were rattled. There was no doubt about that. They stood looking at him, as if they thought there was a catch somewhere, but weren't quite certain where it was. I introduced him, and still they looked doubtful.

"Mr. Pepper tells me my brother is not on board," said George.

"It's an amazing likeness," said old Marshall.

"Is my brother like me?" asked George amiably.

"No one could tell you apart," I said.

"I suppose twins always are alike," said George. "But if it ever came to a question of identification, there would be one way of distinguishing us. Do you know George well, Mr. Pepper?"

"He's a dear old pal of mine."

"You've been swimming with him perhaps?"

"Every day last August."

"Well, then, you would have noticed it if he had had a mole like this on the back of his neck, wouldn't you?" He turned his back and stooped and showed the mole. His collar hid it at ordinary times. I had seen it often when we were bathing together.

"Has George a mole like that?" he asked.

"No," I said. "Oh, no."

"You would have noticed it if he had?"

"Yes," I said. "Oh, yes."

"I'm glad of that," said George. "It would be a nuisance not to be able to prove one's own identity."

That seemed to satisfy them all. They couldn't get away from it. It seemed to me that from now on the thing was a walk-over. And I think George felt the same, for, when old Marshall asked him if he had had breakfast, he said he had not, went below, and pitched in as if he hadn't a care in the world.

Everything went right till lunch-time. George sat in the shade on the foredeck talking to Stella most of the time. When the gong went and the rest had started to go below, he drew me back. He was beaming.

"It's all right," he said. "What did I tell you?"

"What did you tell me?"

"Why, about Stella. Didn't I say that Alfred would fix things for George? I told her she looked worried, and got her to tell me what the trouble was. And then——"

"You must have shown a flash of speed if you got her to confide in you after knowing you for about two hours."

"Perhaps I did," said George modestly, "I had no notion, till I became him, what a persuasive sort of chap my brother Alfred was. Anyway, she told me all about it, and I started in to show her that George was a pretty good sort of fellow on the whole, who oughtn't to be turned down for what was evidently merely temporary insanity. She saw my point."

"And it's all right?"

"Absolutely, if only we can produce George. How much longer does that infernal sleuth intend to stay here? He seems to have taken root."

"I fancy he thinks that you're bound to come back sooner or later, and is waiting for you."

"He's an absolute nuisance," said George.

We were moving towards the companion way, to go below for lunch, when a boat hailed us. We went to the side and looked over.

"It's my uncle," said George.

A stout man came up the gangway.

"Halloa, George!" he said. "Get my letter?"

"I think you are mistaking me for my brother," said George. "My name is Alfred Lattaker."

"What's that?"

"I am George's brother Alfred. Are you my Uncle Augustus?"

The stout man stared at him.

"You're very like George," he said.

"So everyone tells me."

"And you're really Alfred?"

"I am."

"I'd like to talk business with you for a moment."

He cocked his eye at me. I sidled off and went below.

At the foot of the companion-steps I met Voules,

"I beg your pardon, sir," said Voules. "If it would be convenient I should be glad to have the afternoon off."

I'm bound to say I rather liked his manner. Absolutely normal. Not a trace of the fellow-conspirator about it. I gave him the afternoon off.

I had lunch—George didn't show up—and as I was going out I was waylaid by the girl Pilbeam. She had been crying.

"I beg your pardon, sir, but did Mr. Voules ask you for the afternoon?"

I didn't see what business if was of hers, but she seemed all worked up about it, so I told her.

"Yes, I have given him the afternoon off."

She broke down—absolutely collapsed. Devilish unpleasant it was. I'm hopeless in a situation like this. After I'd said, "There, there!" which didn't seem to help much, I hadn't any remarks to make.

"He s-said he was going to the tables to gamble away all his savings and then shoot himself, because he had nothing left to live for."

I suddenly remembered the scrap in the small hours outside my state-room door. I hate mysteries. I meant to get to the bottom of this. I couldn't have a really first-class valet like Voules going about the place shooting himself up. Evidently the girl Pilbeam was at the bottom of the thing. I questioned her. She sobbed.

I questioned her more. I was firm. And eventually she yielded up the facts. Voules had seen George kiss her the night before; that was the trouble.

Things began to piece themselves together. I went up to interview George. There was going to be another job for persuasive Alfred. Voules's mind had got to be eased as Stella's had been. I couldn't afford to lose a fellow with his genius for preserving a trouser-crease.

I found George on the foredeck. What is it Shakespeare or somebody says about some fellow's face being sicklied o'er with the pale cast of care? George's was like that. He looked green.

"Finished with your uncle?" I said.

He grinned a ghostly grin.

"There isn't any uncle," he said. "There isn't any Alfred. And there isn't any money."

"Explain yourself, old top," I said.

"It won't take long. The old crook has spent every penny of the trust money. He's been at it for years, ever since I was a kid. When the time came to cough up, and I was due to see that he did it, he went to the tables in the hope of a run of luck, and lost the last remnant of the stuff. He had to find a way of holding me for a while and postponing the squaring of accounts while he got away, and he invented this twin-brother business. He knew I should find out sooner or later, but meanwhile he would be able to get off to South America, which he has done. He's on his way now."

"You let him go?"

"What could I do? I can't afford to make a fuss with that man Sturgis around. I can't prove there's no Alfred when my only chance of avoiding prison is to be Alfred."

"Well, you've made things right for yourself with Stella Vanderley, anyway," I said, to cheer him up.

"What's the good of that now? I've hardly any money and no prospects. How can I marry her?"

I pondered.

"It looks to me, old top," I said at last, "as if things were in a bit of a mess."

"You've guessed it," said poor old George.

I spent the afternoon musing on Life. If you come to think of it, what a queer thing Life is! So unlike anything else, don't you know, if you see what I mean. At any moment you may be strolling peacefully along, and all the time Life's waiting around the corner to fetch you one. You can't tell when you may be going to get it. It's all dashed puzzling. Here was poor old George, as well-meaning a fellow as ever stepped, getting swatted all over the ring by the hand of Fate. Why? That's what I asked myself. Just Life, don't you know. That's all there was about it.

It was close on six o'clock when our third visitor of the day arrived. We were sitting on the afterdeck in the cool of the evening—old Marshall, Denman Sturgis, Mrs. Vanderley, Stella, George, and I--when he came up. We had been talking of George, and old Marshall was suggesting the advisability of sending out search-parties. He was worried. So was Stella Vanderley. So, for that matter, were George and I, only not for the same reason.

We were just arguing the thing out when the visitor appeared. He was a well-built, stiff sort of fellow. He spoke with a German accent.

"Mr. Marshall?" he said. "I am Count Fritz von Cöslin, equerry to His Serene Highness"—he clicked his heels together and saluted—"the Prince of Saxburg-Leignitz."

Mrs. Vanderley jumped up.

"Why, Count," she said, "what ages since we met in Vienna! You remember?"

"Could I ever forget? And the charming Miss Stella, she is well, I suppose not?"

"Stella, you remember Count Fritz?"

Stella shook hands with him.

"And how is the poor, dear Prince?" asked Mrs. Vanderley. "What a terrible thing to have happened!"

"I rejoice to say that my high-born master is better. He has regained consciousness and is sitting up and taking nourishment."

"That's good," said old Marshall.

"In a spoon only," sighed the Count. "Mr. Marshall, with your permission I should like a word with Mr. Sturgis."

"Mr. Who?"

The gimlet-eyed sportsman came forward.

"I am Denman Sturgis, at your service."

"The deuce you are! What are you doing here?"

"Mr. Sturgis," explained the Count, "graciously volunteered his services——"

"I know. But what's he doing here?"

"I am waiting for Mr. George Lattaker, Mr. Marshall."

"Eh?"

"You have not found him?" asked the Count anxiously.

"Not yet, Count; but I hope to do so shortly. I know what he looks like now. This gentleman is his twin-brother. They are doubles."

"You are sure this gentleman is not Mr. George Lattaker?"

George put his foot down firmly on the suggestion.

"Don't go mixing me up with my brother," he said. "I am Alfred. You can tell me by my mole."

He exhibited the mole. He was taking no risks.

The Count clicked his tongue regretfully.

"I am sorry," he said.

George didn't offer to console him,

"Don't worry," said Sturgis. "He won't escape me. I shall find him."

"Do, Mr. Sturgis, do. And quickly. Find swiftly that noble young man."

"What?" shouted George.

"That noble young man, George Lattaker, who, at the risk of his life, saved my high-born master from the assassin."

George sat down suddenly.

"I don't understand," he said feebly.

"We were wrong, Mr. Sturgis," went on the Count. "We leaped to the conclusion—was it not so?—that the owner of the hat you found was also the assailant of my high-born master. We were wrong. I have heard the story from His Serene Highness's own lips. He was passing down a dark street when a ruffian in a mask sprang out upon him. Doubtless he had been followed from the Casino, where he had been winning heavily. My high-born master was taken by surprise. He was felled. But before he lost consciousness he perceived a young man in evening dress, wearing the hat you found, running swiftly towards him. The hero engaged the assassin in combat, and my high-born master remembers no more. His Serene Highness asks repeatedly, 'Where is my brave preserver?' His gratitude is princely. He seeks for this young man to reward him. Ah, you should be proud of your brother, sir!"

"Thanks," said George limply.

"And you, Mr. Sturgis, you must redouble your efforts. You must search the land; you must scour the sea to find George Lattaker."

"He needn't take all that trouble," said a voice from the gangway.

It was Voules. His face was flushed, his hat was on the back of his head, and he was smoking a fat cigar.

"I'll tell you where to find George Lattaker!" he shouted.

He glared at George, who was staring at him.

"Yes, look at me," he yelled. "Look at me. You won't be the first this afternoon who's stared at the mysterious stranger who won for two hours without a break. I'll be even with you now, Mr. Blooming Lattaker. I'll learn you to break a poor man's heart. Mr. Marshall and gents, this morning I was on deck, and I over'eard 'im plotting to put up a game on you. They'd spotted that gent there as a detective, and they arranged that blooming Lattaker was to pass himself off as his own twin-brother. And if you wanted proof, blooming Pepper tells him to show them his mole and he'd swear George hadn't one. Those were his very words. That man there is George Lattaker, Hesquire, and let him deny it if he can."

George got up.

"I haven't the least desire to deny it, Voules."

"Mr. Voules, if you please."

"It's true," said George, turning to the Count. "The fact is, I had rather a foggy recollection of what happened last night. I only remembered knocking some one down, and, like you, I jumped to the conclusion that I must have assaulted His Serene Highness."

"Then you are really George Lattaker?" asked the Count.

"I am."

"'Ere, what does all this mean?" demanded Voules.

"Merely that I saved the life of His Serene Highness the Prince of Saxburg-Leignitz, Mr. Voules."

"It's a swindle!" began Voules, when there was a sudden rush and the girl Pilbeam cannoned into the crowd, sending me into old Marshall's chair, and flung herself into the arms of Voules.

"Oh, Harold!" she cried. "I thought you were dead. I thought you'd shot yourself."

He sort of braced himself together to fling her off, and then he seemed to think better of it and fell into the clinch.

It was all dashed romantic, don't you know, but there are limits.

"Voules, you're sacked," I said.

"Who cares?" he said. "Think I was going to stop on now I'm a gentleman of property? Come along, Emma, my dear. Give a month's notice and get your 'at, and I'll take you to dinner at Ciro's."

"And you, Mr. Lattaker," said the Count, "may I conduct you to the presence of my high-born master? He wishes to show his gratitude to his preserver."

"You may," said George. "May I have my hat, Mr. Sturgis?"

There's just one bit more. After dinner that night I came up for a smoke, and, strolling on to the foredeck, almost bumped into George and Stella. They seemed to be having an argument.

"I'm not sure," she was saying, "that I believe that a man can be so happy that he wants to kiss the nearest thing in sight, as you put it."

"Don't you?" said George. "Well, as it happens, I'm feeling just that way now."

I coughed and he turned round.

"Halloa, Reggie!" he said.

"Halloa, George!" I said. "Lovely night."

"Beautiful," said Stella.

"The moon," I said.

"Ripping," said George.

"Lovely," said Stella.

"And look at the reflection of the stars on the——"

George caught my eye. "Pop off," he said.

I popped.

title: My Man Jeeves/Rallying Round Old George


text: Talk:My Man Jeeves/Rallying Round Old George

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/


text:
My Man Jeeves/Doing Clarence a Bit of Good

Have you ever thought about—and, when I say thought about, I mean really carefully considered the question of—the coolness, the cheek, or, if you prefer it, the gall with which Woman, as a sex, fairly bursts? I have, by Jove! But then I've had it thrust on my notice, by George, in a way I should imagine has happened to pretty few fellows. And the limit was reached by that business of the Yeardsley "Venus."

To make you understand the full what-d'you-call-it of the situation, I shall have to explain just how matters stood between Mrs. Yeardsley and myself.

When I first knew her she was Elizabeth Shoolbred. Old Worcestershire family; pots of money; pretty as a picture. Her brother Bill was at Oxford with me.

I loved Elizabeth Shoolbred. I loved her, don't you know. And there was a time, for about a week, when we were engaged to be married. But just as I was beginning to take a serious view of life and study furniture catalogues and feel pretty solemn when the restaurant orchestra played "The Wedding Glide," I'm hanged if she didn't break it off, and a month later she was married to a fellow of the name of Yeardsley—Clarence Yeardsley, an artist.

What with golf, and billiards, and a bit of racing, and fellows at the club rallying round and kind of taking me out of myself, as it were, I got over it, and came to look on the affair as a closed page in the book of my life, if you know what I mean. It didn't seem likely to me that we should meet again, as she and Clarence had settled down in the country somewhere and never came to London, and I'm bound to own that, by the time I got her letter, the wound had pretty well healed, and I was to a certain extent sitting up and taking nourishment. In fact, to be absolutely honest, I was jolly thankful the thing had ended as it had done.

This letter I'm telling you about arrived one morning out of a blue sky, as it were. It ran like this:

"MY DEAR OLD REGGIE,—What ages it seems since I saw anything of you. How are you? We have settled down here in the most perfect old house, with a lovely garden, in the middle of delightful country. Couldn't you run down here for a few days? Clarence and I would be so glad to see you. Bill is here, and is most anxious to meet you again. He was speaking of you only this morning. Do come. Wire your train, and I will send the car to meet you. —Yours most sincerely,

"P.S.—We can give you new milk and fresh eggs. Think of that!

"P.P.S.—Bill says our billiard-table is one of the best he has ever played on.

"P.P.S.S.—We are only half a mile from a golf course. Bill says it is better than St. Andrews.

"P.P.S.S.S.—You must come!"

Well, a fellow comes down to breakfast one morning, with a bit of a head on, and finds a letter like that from a girl who might quite easily have blighted his life! It rattled me rather, I must confess.

However, that bit about the golf settled me. I knew Bill knew what he was talking about, and, if he said the course was so topping, it must be something special. So I went.

Old Bill met me at the station with the car. I hadn't come across him for some months, and I was glad to see him again. And he apparently was glad to see me.

"Thank goodness you've come," he said, as we drove off. "I was just about at my last grip."

"What's the trouble, old scout?" I asked.

"If I had the artistic what's-its-name," he went on, "if the mere mention of pictures didn't give me the pip, I dare say it wouldn't be so bad. As it is, it's rotten!"

"Pictures?"

"Pictures. Nothing else is mentioned in this household. Clarence is an artist. So is his father. And you know yourself what Elizabeth is like when one gives her her head?"

I remembered then—it hadn't come back to me before—that most of my time with Elizabeth had been spent in picture-galleries. During the period when I had let her do just what she wanted to do with me, I had had to follow her like a dog through gallery after gallery, though pictures are poison to me, just as they are to old Bill. Somehow it had never struck me that she would still be going on in this way after marrying an artist. I should have thought that by this time the mere sight of a picture would have fed her up. Not so, however, according to old Bill.

"They talk pictures at every meal," he said. "I tell you, it makes a chap feel out of it. How long are you down for?"

"A few days."

"Take my tip, and let me send you a wire from London. I go there to-morrow. I promised to play against the Scottish. The idea was that I was to come back after the match. But you couldn't get me back with a lasso."

I tried to point out the silver lining.

"But, Bill, old scout, your sister says there's a most corking links near here."

He turned and stared at me, and nearly ran us into the bank.

"You don't mean honestly she said that?"

"She said you said it was better than St. Andrews."

"So I did. Was that all she said I said?"

"Well, wasn't it enough?"

"She didn't happen to mention that I added the words, 'I don't think'?"

"No, she forgot to tell me that."

"It's the worst course in Great Britain."

I felt rather stunned, don't you know. Whether it's a bad habit to have got into or not, I can't say, but I simply can't do without my daily allowance of golf when I'm not in London.

I took another whirl at the silver lining.

"We'll have to take it out in billiards," I said. "I'm glad the table's good."

"It depends what you call good. It's half-size, and there's a seven-inch cut just out of baulk where Clarence's cue slipped. Elizabeth has mended it with pink silk. Very smart and dressy it looks, but it doesn't improve the thing as a billiard-table."

"But she said you said——"

"Must have been pulling your leg."

We turned in at the drive gates of a good-sized house standing well back from the road. It looked black and sinister in the dusk, and I couldn't help feeling, you know, like one of those Johnnies you read about in stories who are lured to lonely houses for rummy purposes and hear a shriek just as they get there. Elizabeth knew me well enough to know that a specially good golf course was a safe draw to me. And she had deliberately played on her knowledge. What was the game? That was what I wanted to know. And then a sudden thought struck me which brought me out in a cold perspiration. She had some girl down here and was going to have a stab at marrying me off. I've often heard that young married women are all over that sort of thing. Certainly she had said there was nobody at the house but Clarence and herself and Bill and Clarence's father, but a woman who could take the name of St. Andrews in vain as she had done wouldn't be likely to stick at a trifle.

"Bill, old scout," I said, "there aren't any frightful girls or any rot of that sort stopping here, are there?"

"Wish there were," he said. "No such luck."

As we pulled up at the front door, it opened, and a woman's figure appeared.

"Have you got him, Bill?" she said, which in my present frame of mind struck me as a jolly creepy way of putting it. The sort of thing Lady Macbeth might have said to Macbeth, don't you know.

"Do you mean me?" I said.

She came down into the light. It was Elizabeth, looking just the same as in the old days.

"Is that you, Reggie? I'm so glad you were able to come. I was afraid you might have forgotten all about it. You know what you are. Come along in and have some tea."

Have you ever been turned down by a girl who afterwards married and then been introduced to her husband? If so you'll understand how I felt when Clarence burst on me. You know the feeling. First of all, when you hear about the marriage, you say to yourself, "I wonder what he's like." Then you meet him, and think, "There must be some mistake. She can't have preferred this to me!" That's what I thought, when I set eyes on Clarence.

He was a little thin, nervous-looking chappie of about thirty-five. His hair was getting grey at the temples and straggly on top. He wore pince-nez, and he had a drooping moustache. I'm no Bombardier Wells myself, but in front of Clarence I felt quite a nut. And Elizabeth, mind you, is one of those tall, splendid girls who look like princesses. Honestly, I believe women do it out of pure cussedness.

"How do you do, Mr. Pepper? Hark! Can you hear a mewing cat?" said Clarence. All in one breath, don't you know.

"Eh?" I said.

"A mewing cat. I feel sure I hear a mewing cat. Listen!"

While we were listening the door opened, and a white-haired old gentleman came in. He was built on the same lines as Clarence, but was an earlier model. I took him correctly, to be Mr. Yeardsley, senior. Elizabeth introduced us.

"Father," said Clarence, "did you meet a mewing cat outside? I feel positive I heard a cat mewing."

"No," said the father, shaking his head; "no mewing cat."

"I can't bear mewing cats," said Clarence. "A mewing cat gets on my nerves!"

"A mewing cat is so trying," said Elizabeth.

"I dislike mewing cats," said old Mr. Yeardsley.

That was all about mewing cats for the moment. They seemed to think they had covered the ground satisfactorily, and they went back to pictures.

We talked pictures steadily till it was time to dress for dinner. At least, they did. I just sort of sat around. Presently the subject of picture-robberies came up. Somebody mentioned the "Monna Lisa," and then I happened to remember seeing something in the evening paper, as I was coming down in the train, about some fellow somewhere having had a valuable painting pinched by burglars the night before. It was the first time I had had a chance of breaking into the conversation with any effect, and I meant to make the most of it. The paper was in the pocket of my overcoat in the hall. I went and fetched it.

"Here it is," I said. "A Romney belonging to Sir Bellamy Palmer——"

They all shouted "What!" exactly at the same time, like a chorus. Elizabeth grabbed the paper.

"Let me look! Yes. 'Late last night burglars entered the residence of Sir Bellamy Palmer, Dryden Park, Midford, Hants——'"

"Why, that's near here," I said. "I passed through Midford——"

"Dryden Park is only two miles from this house," said Elizabeth. I noticed her eyes were sparkling.

"Only two miles!" she said. "It might have been us! It might have been the 'Venus'!"

Old Mr. Yeardsley bounded in his chair.

"The 'Venus'!" he cried.

They all seemed wonderfully excited. My little contribution to the evening's chat had made quite a hit.

Why I didn't notice it before I don't know, but it was not till Elizabeth showed it to me after dinner that I had my first look at the Yeardsley "Venus." When she led me up to it, and switched on the light, it seemed impossible that I could have sat right through dinner without noticing it. But then, at meals, my attention is pretty well riveted on the foodstuffs. Anyway, it was not till Elizabeth showed it to me that I was aware of its existence.

She and I were alone in the drawing-room after dinner. Old Yeardsley was writing letters in the morning-room, while Bill and Clarence were rollicking on the half-size billiard table with the pink silk tapestry effects. All, in fact, was joy, jollity, and song, so to speak, when Elizabeth, who had been sitting wrapped in thought for a bit, bent towards me and said, "Reggie."

And the moment she said it I knew something was going to happen. You know that pre-what-d'you-call-it you get sometimes? Well, I got it then.

"What-o?" I said nervously.

"Reggie," she said, "I want to ask a great favour of you."

"Yes?"

She stooped down and put a log on the fire, and went on, with her back to me:

"Do you remember, Reggie, once saying you would do anything in the world for me?"

There! That's what I meant when I said that about the cheek of Woman as a sex. What I mean is, after what had happened, you'd have thought she would have preferred to let the dead past bury its dead, and all that sort of thing, what?

Mind you, I had said I would do anything in the world for her. I admit that. But it was a distinctly pre-Clarence remark. He hadn't appeared on the scene then, and it stands to reason that a fellow who may have been a perfect knight-errant to a girl when he was engaged to her, doesn't feel nearly so keen on spreading himself in that direction when she has given him the miss-in-baulk, and gone and married a man who reason and instinct both tell him is a decided blighter.

I couldn't think of anything to say but "Oh, yes."

"There's something you can do for me now, which will make me everlastingly grateful."

"Yes," I said.

"Do you know, Reggie," she said suddenly, "that only a few months ago Clarence was very fond of cats?"

"Eh! Well, he still seems—er—interested in them, what?"

"Now they get on his nerves. Everything gets on his nerves."

"Some fellows swear by that stuff you see advertised all over the——"

"No, that wouldn't help him. He doesn't need to take anything. He wants to get rid of something."

"I don't quite fellow. Get rid of something?"

"The 'Venus,'" said Elizabeth.

She looked up and caught my bulging eye.

"You saw the 'Venus,'" she said.

"Not that I remember."

"Well, come into the dining-room."

We went into the dining-room, and she switched on the lights.

"There," she said.

On the wall close to the door—that may have been why I hadn't noticed it before; I had sat with my back to it—was a large oil-painting. It was what you'd call a classical picture, I suppose. What I mean is—well, you know what I mean. All I can say is that it's funny I hadn't noticed it.

"Is that the 'Venus'?" I said.

She nodded.

"How would you like to have to look at that every time you sat down to a meal?"

"Well, I don't know. I don't think it would affect me much. I'd worry through all right."

She jerked her head impatiently.

"But you're not an artist," she said. "Clarence is."

And then I began to see daylight. What exactly was the trouble I didn't understand, but it was evidently something to do with the good old Artistic Temperament, and I could believe anything about that. It explains everything. It's like the Unwritten Law, don't you know, which you plead in America if you've done anything they want to send you to chokey for and you don't want to go. What I mean is, if you're absolutely off your rocker, but don't find it convenient to be scooped into the luny-bin, you simply explain that, when you said you were a teapot, it was just your Artistic Temperament, and they apologize and go away. So I stood by to hear just how the A.T. had affected Clarence, the Cat's Friend, ready for anything.

And, believe me, it had hit Clarence badly.

It was this way. It seemed that old Yeardsley was an amateur artist and that this "Venus" was his masterpiece. He said so, and he ought to have known. Well, when Clarence married, he had given it to him, as a wedding present, and had hung it where it stood with his own hands. All right so far, what? But mark the sequel. Temperamental Clarence, being a professional artist and consequently some streets ahead of the dad at the game, saw flaws in the "Venus." He couldn't stand it at any price. He didn't like the drawing. He didn't like the expression of the face. He didn't like the colouring. In fact, it made him feel quite ill to look at it. Yet, being devoted to his father and wanting to do anything rather than give him pain, he had not been able to bring himself to store the thing in the cellar, and the strain of confronting the picture three times a day had begun to tell on him to such an extent that Elizabeth felt something had to be done.

"Now you see," she said.

"In a way," I said. "But don't you think it's making rather heavy weather over a trifle?"

"Oh, can't you understand? Look!" Her voice dropped as if she was in church, and she switched on another light. It shone on the picture next to old Yeardsley's. "There!" she said. "Clarence painted that!"

She looked at me expectantly, as if she were waiting for me to swoon, or yell, or something. I took a steady look at Clarence's effort. It was another Classical picture. It seemed to me very much like the other one.

Some sort of art criticism was evidently expected of me, so I made a dash at it.

"Er—'Venus'?" I said.

Mark you, Sherlock Holmes would have made the same mistake. On the evidence, I mean.

"No. 'Jocund Spring,'" she snapped. She switched off the light. "I see you don't understand even now. You never had any taste about pictures. When we used to go to the galleries together, you would far rather have been at your club."

This was so absolutely true, that I had no remark to make. She came up to me, and put her hand on my arm.

"I'm sorry, Reggie. I didn't mean to be cross. Only I do want to make you understand that Clarence is suffering. Suppose—suppose—well, let us take the case of a great musician. Suppose a great musician had to sit and listen to a cheap vulgar tune—the same tune—day after day, day after day, wouldn't you expect his nerves to break! Well, it's just like that with Clarence. Now you see?"

"Yes, but——"

"But what? Surely I've put it plainly enough?"

"Yes. But what I mean is, where do I come in? What do you want me to do?"

"I want you to steal the 'Venus.'"

I looked at her.

"You want me to——?"

"Steal it. Reggie!" Her eyes were shining with excitement. "Don't you see? It's Providence. When I asked you to come here, I had just got the idea. I knew I could rely on you. And then by a miracle this robbery of the Romney takes place at a house not two miles away. It removes the last chance of the poor old man suspecting anything and having his feelings hurt. Why, it's the most wonderful compliment to him. Think! One night thieves steal a splendid Romney; the next the same gang take his 'Venus.' It will be the proudest moment of his life. Do it to-night, Reggie. I'll give you a sharp knife. You simply cut the canvas out of the frame, and it's done."

"But one moment," I said. "I'd be delighted to be of any use to you, but in a purely family affair like this, wouldn't it be better—in fact, how about tackling old Bill on the subject?"

"I have asked Bill already. Yesterday. He refused."

"But if I'm caught?"

"You can't be. All you have to do is to take the picture, open one of the windows, leave it open, and go back to your room."

It sounded simple enough.

"And as to the picture itself—when I've got it?"

"Burn it. I'll see that you have a good fire in your room."

"But——"

She looked at me. She always did have the most wonderful eyes.

"Reggie," she said; nothing more. Just "Reggie."

She looked at me.

"Well, after all, if you see what I mean—The days that are no more, don't you know. Auld Lang Syne, and all that sort of thing. You follow me?"

"All right," I said. "I'll do it."

I don't know if you happen to be one of those Johnnies who are steeped in crime, and so forth, and think nothing of pinching diamond necklaces. If you're not, you'll understand that I felt a lot less keen on the job I'd taken on when I sat in my room, waiting to get busy, than I had done when I promised to tackle it in the dining-room. On paper it all seemed easy enough, but I couldn't help feeling there was a catch somewhere, and I've never known time pass slower. The kick-off was scheduled for one o'clock in the morning, when the household might be expected to be pretty sound asleep, but at a quarter to I couldn't stand it any longer. I lit the lantern I had taken from Bill's bicycle, took a grip of my knife, and slunk downstairs.

The first thing I did on getting to the dining-room was to open the window. I had half a mind to smash it, so as to give an extra bit of local colour to the affair, but decided not to on account of the noise. I had put my lantern on the table, and was just reaching out for it, when something happened. What it was for the moment I couldn't have said. It might have been an explosion of some sort or an earthquake. Some solid object caught me a frightful whack on the chin. Sparks and things occurred inside my head and the next thing I remember is feeling something wet and cold splash into my face, and hearing a voice that sounded like old Bill's say, "Feeling better now?"

I sat up. The lights were on, and I was on the floor, with old Bill kneeling beside me with a soda siphon.

"What happened?" I said.

"I'm awfully sorry, old man," he said. "I hadn't a notion it was you. I came in here, and saw a lantern on the table, and the window open and a chap with a knife in his hand, so I didn't stop to make inquiries. I just let go at his jaw for all I was worth. What on earth do you think you're doing? Were you walking in your sleep?"

"It was Elizabeth," I said. "Why, you know all about it. She said she had told you."

"You don't mean——"

"The picture. You refused to take it on, so she asked me."

"Reggie, old man," he said. "I'll never believe what they say about repentance again. It's a fool's trick and upsets everything. If I hadn't repented, and thought it was rather rough on Elizabeth not to do a little thing like that for her, and come down here to do it after all, you wouldn't have stopped that sleep-producer with your chin. I'm sorry."

"Me, too," I said, giving my head another shake to make certain it was still on.

"Are you feeling better now?"

"Better than I was. But that's not saying much."

"Would you like some more soda-water? No? Well, how about getting this job finished and going to bed? And let's be quick about it too. You made a noise like a ton of bricks when you went down just now, and it's on the cards some of the servants may have heard. Toss you who carves."

"Heads."

"Tails it is," he said, uncovering the coin. "Up you get. I'll hold the light. Don't spike yourself on that sword of yours."

It was as easy a job as Elizabeth had said. Just four quick cuts, and the thing came out of its frame like an oyster. I rolled it up. Old Bill had put the lantern on the floor and was at the sideboard, collecting whisky, soda, and glasses.

"We've got a long evening before us," he said. "You can't burn a picture of that size in one chunk. You'd set the chimney on fire. Let's do the thing comfortably. Clarence can't grudge us the stuff. We've done him a bit of good this trip. To-morrow'll be the maddest, merriest day of Clarence's glad New Year. On we go."

We went up to my room, and sat smoking and yarning away and sipping our drinks, and every now and then cutting a slice off the picture and shoving it in the fire till it was all gone. And what with the cosiness of it and the cheerful blaze, and the comfortable feeling of doing good by stealth, I don't know when I've had a jollier time since the days when we used to brew in my study at school.

We had just put the last slice on when Bill sat up suddenly, and gripped my arm.

"I heard something," he said.

I listened, and, by Jove, I heard something, too. My room was just over the dining-room, and the sound came up to us quite distinctly. Stealthy footsteps, by George! And then a chair falling over.

"There's somebody in the dining-room," I whispered.

There's a certain type of chap who takes a pleasure in positively chivvying trouble. Old Bill's like that. If I had been alone, it would have taken me about three seconds to persuade myself that I hadn't really heard anything after all. I'm a peaceful sort of cove, and believe in living and letting live, and so forth. To old Bill, however, a visit from burglars was pure jam. He was out of his chair in one jump.

"Come on," he said. "Bring the poker."

I brought the tongs as well. I felt like it. Old Bill collared the knife. We crept downstairs.

"We'll fling the door open and make a rush," said Bill.

"Supposing they shoot, old scout?"

"Burglars never shoot," said Bill.

Which was comforting provided the burglars knew it.

Old Bill took a grip of the handle, turned it quickly, and in he went. And then we pulled up sharp, staring.

The room was in darkness except for a feeble splash of light at the near end. Standing on a chair in front of Clarence's "Jocund Spring," holding a candle in one hand and reaching up with a knife in the other, was old Mr. Yeardsley, in bedroom slippers and a grey dressing-gown. He had made a final cut just as we rushed in. Turning at the sound, he stopped, and he and the chair and the candle and the picture came down in a heap together. The candle went out.

"What on earth?" said Bill.

I felt the same. I picked up the candle and lit it, and then a most fearful thing happened. The old man picked himself up, and suddenly collapsed into a chair and began to cry like a child. Of course, I could see it was only the Artistic Temperament, but still, believe me, it was devilish unpleasant. I looked at old Bill. Old Bill looked at me. We shut the door quick, and after that we didn't know what to do. I saw Bill look at the sideboard, and I knew what he was looking for. But we had taken the siphon upstairs, and his ideas of first-aid stopped short at squirting soda-water. We just waited, and presently old Yeardsley switched off, sat up, and began talking with a rush.

"Clarence, my boy, I was tempted. It was that burglary at Dryden Park. It tempted me. It made it all so simple. I knew you would put it down to the same gang, Clarence, my boy. I—--"

It seemed to dawn upon him at this point that Clarence was not among those present.

"Clarence?" he said hesitatingly.

"He's in bed," I said.

"In bed! Then he doesn't know? Even now—Young men, I throw myself on your mercy. Don't be hard on me. Listen." He grabbed at Bill, who sidestepped. "I can explain everything—everything."

He gave a gulp.

"You are not artists, you two young men, but I will try to make you understand, make you realise what this picture means to me. I was two years painting it. It is my child. I watched it grow. I loved it. It was part of my life. Nothing would have induced me to sell it. And then Clarence married, and in a mad moment I gave my treasure to him. You cannot understand, you two young men, what agonies I suffered. The thing was done. It was irrevocable. I saw how Clarence valued the picture. I knew that I could never bring myself to ask him for it back. And yet I was lost without it. What could I do? Till this evening I could see no hope. Then came this story of the theft of the Romney from a house quite close to this, and I saw my way. Clarence would never suspect. He would put the robbery down to the same band of criminals who stole the Romney. Once the idea had come, I could not drive it out. I fought against it, but to no avail. At last I yielded, and crept down here to carry out my plan. You found me." He grabbed again, at me this time, and got me by the arm. He had a grip like a lobster. "Young man," he said, "you would not betray me? You would not tell Clarence?"

I was feeling most frightfully sorry for the poor old chap by this time, don't you know, but I thought it would be kindest to give it him straight instead of breaking it by degrees.

"I won't say a word to Clarence, Mr. Yeardsley," I said. "I quite understand your feelings. The Artistic Temperament, and all that sort of thing. I mean—what? I know. But I'm afraid—Well, look!"

I went to the door and switched on the electric light, and there, staring him in the face, were the two empty frames. He stood goggling at them in silence. Then he gave a sort of wheezy grunt.

"The gang! The burglars! They have been here, and they have taken Clarence's picture!" He paused. "It might have been mine! My Venus!" he whispered It was getting most fearfully painful, you know, but he had to know the truth.

"I'm awfully sorry, you know," I said. "But it was."

He started, poor old chap.

"Eh? What do you mean?"

"They did take your Venus."

"But I have it here."

I shook my head.

"That's Clarence's 'Jocund Spring,'" I said.

He jumped at it and straightened it out.

"What! What are you talking about? Do you think I don't know my own picture—my child—my Venus. See! My own signature in the corner. Can you read, boy? Look: 'Matthew Yeardsley.' This is my picture!"

And—well, by Jove, it was, don't you know!

Well, we got him off to bed, him and his infernal Venus, and we settled down to take a steady look at the position of affairs. Bill said it was my fault for getting hold of the wrong picture, and I said it was Bill's fault for fetching me such a crack on the jaw that I couldn't be expected to see what I was getting hold of, and then there was a pretty massive silence for a bit.

"Reggie," said Bill at last, "how exactly do you feel about facing Clarence and Elizabeth at breakfast?"

"Old scout," I said. "I was thinking much the same myself."

"Reggie," said Bill, "I happen to know there's a milk-train leaving Midford at three-fifteen. It isn't what you'd call a flier. It gets to London at about half-past nine. Well—er—in the circumstances, how about it?"


text: Talk:My Man Jeeves/Doing Clarence a Bit of Good


text:
The Adventures of Sally

CONTENTS

 * I. SALLY GIVES A PARTY
 * II. ENTER GINGER
 * III. THE DIGNIFIED MR. CARMYLE
 * IV. GINGER IN DANGEROUS MOOD
 * V. SALLY HEARS NEWS
 * VI. FIRST AID FOR FILLMORE
 * VII. SOME MEDITATIONS ON SUCCESS
 * VIII. REAPPEARANCE OF MR. CARMYLE—AND GINGER
 * IX. GINGER BECOMES A RIGHT-HAND MAN
 * X. SALLY IN THE SHADOWS
 * XI. SALLY RUNS AWAY
 * XII. SOME LETTERS FOR GINGER
 * XIII. STRANGE BEHAVIOUR OF A SPARRING-PARTNER
 * XIV. MR. ABRAHAMS RE-ENGAGES AN OLD EMPLOYEE
 * XV. UNCLE DONALD SPEAKS HIS MIND
 * XVI. AT THE FLOWER GARDEN
 * XVII. SALLY LAYS A GHOST
 * XVIII. JOURNEY'S END

title: The Adventures of Sally


text:
User:Shizhao

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The Adventures of Sally/Chapter 1

Sally looked contentedly down the long table. She felt happy at last. Everybody was talking and laughing now, and her party, rallying after an uncertain start, was plainly the success she had hoped it would be. The first atmosphere of uncomfortable restraint, caused, she was only too well aware, by her brother Fillmore's white evening waistcoat, had worn off; and the male and female patrons of Mrs. Meecher's select boarding-house (transient and residential) were themselves again.

At her end of the table the conversation had turned once more to the great vital topic of Sally's legacy and what she ought to do with it. The next best thing to having money of one's own, is to dictate the spending of somebody else's, and Sally's guests were finding a good deal of satisfaction in arranging a Budget for her. Rumour having put the sum at their disposal at a high figure, their suggestions had certain spaciousness.

"Let me tell you," said Augustus Bartlett, briskly, "what I'd do, if I were you." Augustus Bartlett, who occupied an intensely subordinate position in the firm of Kahn, Morris and Brown, the Wall Street brokers, always affected a brisk, incisive style of speech, as befitted a man in close touch with the great ones of Finance. "I'd sink a couple of hundred thousand in some good, safe bond-issue—we've just put one out which you would do well to consider—and play about with the rest. When I say play about, I mean have a flutter in anything good that crops up. Multiple Steel's worth looking at. They tell me it'll be up to a hundred and fifty before next Saturday."

Elsa Doland, the pretty girl with the big eyes who sat on Mr. Bartlett's left, had other views.

"Buy a theatre. Sally, and put on good stuff."

"And lose every bean you've got," said a mild young man, with a deep voice across the table. "If I had a few hundred thousand," said the mild young man, "I'd put every cent of it on Benny Whistler for the heavyweight championship. I've private information that Battling Tuke has been got at and means to lie down in the seventh..."

"Say, listen," interrupted another voice, "lemme tell you what I'd do with four hundred thousand..."

"If I had four hundred thousand," said Elsa Doland, "I know what would be the first thing I'd do."

"What's that?" asked Sally.

"Pay my bill for last week, due this morning."

Sally got up quickly, and flitting down the table, put her arm round her friend's shoulder and whispered in her ear:

"Elsa darling, are you really broke? If you are, you know, I'll..."

Elsa Doland laughed.

"You're an angel, Sally. There's no one like you. You'd give your last cent to anyone. Of course I'm not broke. I've just come back from the road, and I've saved a fortune. I only said that to draw you."

Sally returned to her seat, relieved, and found that the company had now divided itself into two schools of thought. The conservative and prudent element, led by Augustus Bartlett, had definitely decided on three hundred thousand in Liberty Bonds and the rest in some safe real estate; while the smaller, more sporting section, impressed by the mild young man's inside information, had already placed Sally's money on Benny Whistler, doling it out cautiously in small sums so as not to spoil the market. And so solid, it seemed, was Mr. Tuke's reputation with those in the inner circle of knowledge that the mild young man was confident that, if you went about the matter cannily and without precipitation, three to one might be obtained. It seemed to Sally that the time had come to correct certain misapprehensions.

"I don't know where you get your figures," she said, "but I'm afraid they're wrong. I've just twenty-five thousand dollars."

The statement had a chilling effect. To these jugglers with half-millions the amount mentioned seemed for the moment almost too small to bother about. It was the sort of sum which they had been mentally setting aside for the heiress's car fare. Then they managed to adjust their minds to it. After all, one could do something even with a pittance like twenty-five thousand.

"If I'd twenty-five thousand," said Augustus Bartlett, the first to rally from the shock, "I'd buy Amalgamated..."

"If I had twenty-five thousand..." began Elsa Doland.

"If I'd had twenty-five thousand in the year nineteen hundred," observed a gloomy-looking man with spectacles, "I could have started a revolution in Paraguay."

He brooded sombrely on what might have been.

"Well, I'll tell you exactly what I'm going to do," said Sally. "I'm going to start with a trip to Europe... France, specially. I've heard France well spoken of—as soon as I can get my passport; and after I've loafed there for a few weeks, I'm coming back to look about and find some nice cosy little business which will let me put money into it and keep me in luxury. Are there any complaints?"

"Even a couple of thousand on Benny Whistler..." said the mild young man.

"I don't want your Benny Whistler," said Sally. "I wouldn't have him if you gave him to me. If I want to lose money, I'll go to Monte Carlo and do it properly."

"Monte Carlo," said the gloomy man, brightening up at the magic name. "I was in Monte Carlo in the year '97, and if I'd had another fifty dollars... just fifty... I'd have..."

At the far end of the table there was a stir, a cough, and the grating of a chair on the floor; and slowly, with that easy grace which actors of the old school learned in the days when acting was acting, Mr. Maxwell Faucitt, the boarding-house's oldest inhabitant, rose to his feet.

"Ladies," said Mr. Faucitt, bowing courteously, "and..." ceasing to bow and casting from beneath his white and venerable eyebrows a quelling glance at certain male members of the boarding-house's younger set who were showing a disposition towards restiveness, "... gentlemen. I feel that I cannot allow this occasion to pass without saying a few words."

His audience did not seem surprised. It was possible that life, always prolific of incident in a great city like New York, might some day produce an occasion which Mr. Faucitt would feel that he could allow to pass without saying a few words; but nothing of the sort had happened as yet, and they had given up hope. Right from the start of the meal they had felt that it would be optimism run mad to expect the old gentleman to abstain from speech on the night of Sally Nicholas' farewell dinner party; and partly because they had braced themselves to it, but principally because Miss Nicholas' hospitality had left them with a genial feeling of repletion, they settled themselves to listen with something resembling equanimity. A movement on the part of the Marvellous Murphys—new arrivals, who had been playing the Bushwick with their equilibristic act during the preceding week—to form a party of the extreme left and heckle the speaker, broke down under a cold look from their hostess. Brief though their acquaintance had been, both of these lissom young gentlemen admired Sally immensely.

And it should be set on record that this admiration of theirs was not misplaced. He would have been hard to please who had not been attracted by Sally. She was a small, trim, wisp of a girl with the tiniest hands and feet, the friendliest of smiles, and a dimple that came and went in the curve of her rounded chin. Her eyes, which disappeared when she laughed, which was often, were a bright hazel; her hair a soft mass of brown. She had, moreover, a manner, an air of distinction lacking in the majority of Mrs. Meecher's guests. And she carried youth like a banner. In approving of Sally, the Marvellous Murphys had been guilty of no lapse from their high critical standard.

"I have been asked," proceeded Mr. Faucitt, "though I am aware that there are others here far worthier of such a task—Brutuses compared with whom I, like Marc Antony, am no orator—I have been asked to propose the health..."

"Who asked you?" It was the smaller of the Marvellous Murphys who spoke. He was an unpleasant youth, snub-nosed and spotty. Still, he could balance himself with one hand on an inverted ginger-ale bottle while revolving a barrel on the soles of his feet. There is good in all of us.

"I have been asked," repeated Mr. Faucitt, ignoring the unmannerly interruption, which, indeed, he would have found it hard to answer, "to propose the health of our charming hostess (applause), coupled with the name of her brother, our old friend Fillmore Nicholas."

The gentleman referred to, who sat at the speaker's end of the table, acknowledged the tribute with a brief nod of the head. It was a nod of condescension; the nod of one who, conscious of being hedged about by social inferiors, nevertheless does his best to be not unkindly. And Sally, seeing it, debated in her mind for an instant the advisability of throwing an orange at her brother. There was one lying ready to her hand, and his glistening shirt-front offered an admirable mark; but she restrained herself. After all, if a hostess yields to her primitive impulses, what happens? Chaos. She had just frowned down the exuberance of the rebellious Murphys, and she felt that if, even with the highest motives, she began throwing fruit, her influence for good in that quarter would be weakened.

She leaned back with a sigh. The temptation had been hard to resist. A democratic girl, pomposity was a quality which she thoroughly disliked; and though she loved him, she could not disguise from herself that, ever since affluence had descended upon him some months ago, her brother Fillmore had become insufferably pompous. If there are any young men whom inherited wealth improves, Fillmore Nicholas was not one of them. He seemed to regard himself nowadays as a sort of Man of Destiny. To converse with him was for the ordinary human being like being received in audience by some more than stand-offish monarch. It had taken Sally over an hour to persuade him to leave his apartment on Riverside Drive and revisit the boarding-house for this special occasion; and, when he had come, he had entered wearing such faultless evening dress that he had made the rest of the party look like a gathering of tramp-cyclists. His white waistcoat alone was a silent reproach to honest poverty, and had caused an awkward constraint right through the soup and fish courses. Most of those present had known Fillmore Nicholas as an impecunious young man who could make a tweed suit last longer than one would have believed possible; they had called him "Fill" and helped him in more than usually lean times with small loans: but to-night they had eyed the waistcoat dumbly and shrank back abashed.

"Speaking," said Mr. Faucitt, "as an Englishman—for though I have long since taken out what are technically known as my 'papers' it was as a subject of the island kingdom that I first visited this great country—I may say that the two factors in American life which have always made the profoundest impression upon me have been the lavishness of American hospitality and the charm of the American girl. To-night we have been privileged to witness the American girl in the capacity of hostess, and I think I am right in saying, in asseverating, in committing myself to the statement that his has been a night which none of us present here will ever forget. Miss Nicholas has given us, ladies and gentlemen, a banquet. I repeat, a banquet. There has been alcoholic refreshment. I do not know where it came from: I do not ask how it was procured, but we have had it. Miss Nicholas..."

Mr. Faucitt paused to puff at his cigar. Sally's brother Fillmore suppressed a yawn and glanced at his watch. Sally continued to lean forward raptly. She knew how happy it made the old gentleman to deliver a formal speech; and though she wished the subject had been different, she was prepared to listen indefinitely.

"Miss Nicholas," resumed Mr. Faucitt, lowering his cigar, "... But why," he demanded abruptly, "do I call her Miss Nicholas?"

"Because it's her name," hazarded the taller Murphy.

Mr. Faucitt eyed him with disfavour. He disapproved of the marvellous brethren on general grounds because, himself a resident of years standing, he considered that these transients from the vaudeville stage lowered the tone of the boarding-house; but particularly because the one who had just spoken had, on his first evening in the place, addressed him as "grandpa."

"Yes, sir," he said severely, "it is her name. But she has another name, sweeter to those who love her, those who worship her, those who have watched her with the eye of sedulous affection through the three years she has spent beneath this roof, though that name," said Mr. Faucitt, lowering the tone of his address and descending to what might almost be termed personalities, "may not be familiar to a couple of dud acrobats who have only been in the place a week-end, thank heaven, and are off to-morrow to infest some other city. That name," said Mr. Faucitt, soaring once more to a loftier plane, "is Sally. Our Sally. For three years our Sally has flitted about this establishment like—I choose the simile advisedly—like a ray of sunshine. For three years she has made life for us a brighter, sweeter thing. And now a sudden access of worldly wealth, happily synchronizing with her twenty-first birthday, is to remove her from our midst. From our midst, ladies and gentlemen, but not from our hearts. And I think I may venture to hope, to prognosticate, that, whatever lofty sphere she may adorn in the future, to whatever heights in the social world she may soar, she will still continue to hold a corner in her own golden heart for the comrades of her Bohemian days. Ladies and gentlemen, I give you our hostess, Miss Sally Nicholas, coupled with the name of our old friend, her brother Fillmore."

Sally, watching her brother heave himself to his feet as the cheers died away, felt her heart beat a little faster with anticipation. Fillmore was a fluent young man, once a power in his college debating society, and it was for that reason that she had insisted on his coming here tonight.

She had guessed that Mr. Faucitt, the old dear, would say all sorts of delightful things about her, and she had mistrusted her ability to make a fitting reply. And it was imperative that a fitting reply should proceed from someone. She knew Mr. Faucitt so well. He looked on these occasions rather in the light of scenes from some play; and, sustaining his own part in them with such polished grace, was certain to be pained by anything in the nature of an anti-climax after he should have ceased to take the stage. Eloquent himself, he must be answered with eloquence, or his whole evening would be spoiled.

Fillmore Nicholas smoothed a wrinkle out of his white waistcoat; and having rested one podgy hand on the table-cloth and the thumb of the other in his pocket, glanced down the table with eyes so haughtily drooping that Sally's fingers closed automatically about her orange, as she wondered whether even now it might not be a good thing...

It seems to be one of Nature's laws that the most attractive girls should have the least attractive brothers. Fillmore Nicholas had not worn well. At the age of seven he had been an extraordinarily beautiful child, but after that he had gone all to pieces; and now, at the age of twenty-five, it would be idle to deny that he was something of a mess. For the three years preceding his twenty-fifth birthday, restricted means and hard work had kept his figure in check; but with money there had come an ever-increasing sleekness. He looked as if he fed too often and too well.

All this, however, Sally was prepared to forgive him, if he would only make a good speech. She could see Mr. Faucitt leaning back in his chair, all courteous attention. Rolling periods were meat and drink to the old gentleman.

Fillmore spoke.

"I'm sure," said Fillmore, "you don't want a speech... Very good of you to drink our health. Thank you."

He sat down.

The effect of these few simple words on the company was marked, but not in every case identical. To the majority the emotion which they brought was one of unmixed relief. There had been something so menacing, so easy and practised, in Fillmore's attitude as he had stood there that the gloomier-minded had given him at least twenty minutes, and even the optimists had reckoned that they would be lucky if they got off with ten. As far as the bulk of the guests were concerned, there was no grumbling. Fillmore's, to their thinking, had been the ideal after-dinner speech.

Far different was it with Mr. Maxwell Faucitt. The poor old man was wearing such an expression of surprise and dismay as he might have worn had somebody unexpectedly pulled the chair from under him. He was feeling the sick shock which comes to those who tread on a non-existent last stair. And Sally, catching sight of his face, uttered a sharp wordless exclamation as if she had seen a child fall down and hurt itself in the street. The next moment she had run round the table and was standing behind him with her arms round his neck. She spoke across him with a sob in her voice.

"My brother," she stammered, directing a malevolent look at the immaculate Fillmore, who, avoiding her gaze, glanced down his nose and smoothed another wrinkle out of his waistcoat, "has not said quite—quite all I hoped he was going to say. I can't make a speech, but..." Sally gulped, "... but, I love you all and of course I shall never forget you, and... and..."

Here Sally kissed Mr. Faucitt and burst into tears.

"There, there," said Mr. Faucitt, soothingly. The kindest critic could not have claimed that Sally had been eloquent: nevertheless Mr. Maxwell Faucitt was conscious of no sense of anti-climax.

Sally had just finished telling her brother Fillmore what a pig he was. The lecture had taken place in the street outside the boarding-house immediately on the conclusion of the festivities, when Fillmore, who had furtively collected his hat and overcoat, had stolen forth into the night, had been overtaken and brought to bay by his justly indignant sister. Her remarks, punctuated at intervals by bleating sounds from the accused, had lasted some ten minutes.

As she paused for breath, Fillmore seemed to expand, like an indiarubber ball which has been sat on. Dignified as he was to the world, he had never been able to prevent himself being intimidated by Sally when in one of these moods of hers. He regretted this, for it hurt his self-esteem, but he did not see how the fact could be altered. Sally had always been like that. Even the uncle, who after the deaths of their parents had become their guardian, had never, though a grim man, been able to cope successfully with Sally. In that last hectic scene three years ago, which had ended in their going out into the world, together like a second Adam and Eve, the verbal victory had been hers. And it had been Sally who had achieved triumph in the one battle which Mrs. Meecher, apparently as a matter of duty, always brought about with each of her patrons in the first week of their stay. A sweet-tempered girl, Sally, like most women of a generous spirit, had cyclonic potentialities.

As she seemed to have said her say, Fillmore kept on expanding till he had reached the normal, when he ventured upon a speech for the defence.

"What have I done?" demanded Fillmore plaintively.

"Do you want to hear all over again?"

"No, no," said Fillmore hastily. "But, listen. Sally, you don't understand my position. You don't seem to realize that all that sort of thing, all that boarding-house stuff, is a thing of the past. One's got beyond it. One wants to drop it. One wants to forget it, darn it! Be fair. Look at it from my viewpoint. I'm going to be a big man..."

"You're going to be a fat man," said Sally, coldly.

Fillmore refrained from discussing the point. He was sensitive.

"I'm going to do big things," he substituted. "I've got a deal on at this very moment which... well, I can't tell you about it, but it's going to be big. Well, what I'm driving at, is about all this sort of thing"—he indicated the lighted front of Mrs. Meecher's home-from-home with a wide gesture—"is that it's over. Finished and done with. These people were all very well when..."

"... when you'd lost your week's salary at poker and wanted to borrow a few dollars for the rent."

"I always paid them back," protested Fillmore, defensively.

"I did."

"Well, we did," said Fillmore, accepting the amendment with the air of a man who has no time for chopping straws. "Anyway, what I mean is, I don't see why, just because one has known people at a certain period in one's life when one was practically down and out, one should have them round one's neck for ever. One can't prevent people forming an I-knew-him-when club, but, darn it, one needn't attend the meetings."

"One's friends..."

"Oh, friends," said Fillmore. "That's just where all this makes me so tired. One's in a position where all these people are entitled to call themselves one's friends, simply because father put it in his will that I wasn't to get the money till I was twenty-five, instead of letting me have it at twenty-one like anybody else. I wonder where I should have been by now if I could have got that money when I was twenty-one."

"In the poor-house, probably," said Sally.

Fillmore was wounded.

"Ah! you don't believe in me," he sighed.

"Oh, you would be all right if you had one thing," said Sally.

Fillmore passed his qualities in swift review before his mental eye. Brains? Dash? Spaciousness? Initiative? All present and correct. He wondered where Sally imagined the hiatus to exist.

"One thing?" he said. "What's that?"

"A nurse."

Fillmore's sense of injury deepened. He supposed that this was always the way, that those nearest to a man never believed in his ability till he had proved it so masterfully that it no longer required the assistance of faith. Still, it was trying; and there was not much consolation to be derived from the thought that Napoleon had had to go through this sort of thing in his day. "I shall find my place in the world," he said sulkily.

"Oh, you'll find your place all right," said Sally. "And I'll come round and bring you jelly and read to you on the days when visitors are allowed... Oh, hullo."

The last remark was addressed to a young man who had been swinging briskly along the sidewalk from the direction of Broadway and who now, coming abreast of them, stopped.

"Good evening, Mr. Foster."

"Good evening. Miss Nicholas."

"You don't know my brother, do you?"

"I don't believe I do."

"He left the underworld before you came to it," said Sally. "You wouldn't think it to look at him, but he was once a prune-eater among the proletariat, even as you and I. Mrs. Meecher looks on him as a son."

The two men shook hands. Fillmore was not short, but Gerald Foster with his lean, well-built figure seemed to tower over him. He was an Englishman, a man in the middle twenties, clean-shaven, keen-eyed, and very good to look at. Fillmore, who had recently been going in for one of those sum-up-your-fellow-man-at-a-glance courses, the better to fit himself for his career of greatness, was rather impressed. It seemed to him that this Mr. Foster, like himself, was one of those who Get There. If you are that kind yourself, you get into the knack of recognizing the others. It is a sort of gift.

There was a few moments of desultory conversation, of the kind that usually follows an introduction, and then Fillmore, by no means sorry to get the chance, took advantage of the coming of this new arrival to remove himself. He had not enjoyed his chat with Sally, and it seemed probable that he would enjoy a continuation of it even less. He was glad that Mr. Foster had happened along at this particular juncture. Excusing himself briefly, he hurried off down the street.

Sally stood for a minute, watching him till he had disappeared round the corner. She had a slightly regretful feeling that, now it was too late, she would think of a whole lot more good things which it would have been agreeable to say to him. And it had become obvious to her that Fillmore was not getting nearly enough of that kind of thing said to him nowadays. Then she dismissed him from her mind and turning to Gerald Foster, slipped her arm through his.

"Well, Jerry, darling," she said. "What a shame you couldn't come to the party. Tell me all about everything."

It was exactly two months since Sally had become engaged to Gerald Foster; but so rigorously had they kept the secret that nobody at Mrs. Meecher's so much as suspected it. To Sally, who all her life had hated concealing things, secrecy of any kind was objectionable: but in this matter Gerald had shown an odd streak almost of furtiveness in his character. An announced engagement complicated life. People fussed about you and bothered you. People either watched you or avoided you. Such were his arguments, and Sally, who would have glossed over and found excuses for a disposition on his part towards homicide or arson, put them down to artistic sensitiveness. There is nobody so sensitive as your artist, particularly if he be unsuccessful: and when an artist has so little success that he cannot afford to make a home for the woman he loves, his sensitiveness presumably becomes great indeed. Putting herself in his place, Sally could see that a protracted engagement, known by everybody, would be a standing advertisement of Gerald's failure to make good: and she acquiesced in the policy of secrecy, hoping that it would not last long. It seemed absurd to think of Gerald as an unsuccessful man. He had in him, as the recent Fillmore had perceived, something dynamic. He was one of those men of whom one could predict that they would succeed very suddenly and rapidly—overnight, as it were.

"The party," said Sally, "went off splendidly." They had passed the boarding-house door, and were walking slowly down the street. "Everybody enjoyed themselves, I think, even though Fillmore did his best to spoil things by coming looking like an advertisement of What The Smart Men Will Wear This Season. You didn't see his waistcoat just now. He had covered it up. Conscience, I suppose. It was white and bulgy and gleaming and full up of pearl buttons and everything. I saw Augustus Bartlett curl up like a burnt feather when he caught sight of it. Still, time seemed to heal the wound, and everybody relaxed after a bit. Mr. Faucitt made a speech and I made a speech and cried, and...oh, it was all very festive. It only needed you."

"I wish I could have come. I had to go to that dinner, though. Sally..." Gerald paused, and Sally saw that he was electric with suppressed excitement. "Sally, the play's going to be put on!"

Sally gave a little gasp. She had lived this moment in anticipation for weeks. She had always known that sooner or later this would happen. She had read his plays over and over again, and was convinced that they were wonderful. Of course, hers was a biased view, but then Elsa Doland also admired them; and Elsa's opinion was one that carried weight. Elsa was another of those people who were bound to succeed suddenly. Even old Mr. Faucitt, who was a stern judge of acting and rather inclined to consider that nowadays there was no such thing, believed that she was a girl with a future who would do something big directly she got her chance.

"Jerry!" She gave his arm a hug. "How simply terrific! Then Goble and Kohn have changed their minds after all and want it? I knew they would."

A slight cloud seemed to dim the sunniness of the author's mood.

"No, not that one," he said reluctantly. "No hope there, I'm afraid. I saw Goble this morning about that, and he said it didn't add up right. The one that's going to be put on is 'The Primrose Way.' You remember? It's got a big part for a girl in it."

"Of course! The one Elsa liked so much. Well, that's just as good. Who's going to do it? I thought you hadn't sent it out again."

"Well, it happens..." Gerald hesitated once more. "It seems that this man I was dining with to-night—a man named Cracknell..."

"Cracknell? Not the Cracknell?"

"The Cracknell?"

"The one people are always talking about. The man they call the Millionaire Kid."

"Yes. Why, do you know him?"

"He was at Harvard with Fillmore. I never saw him, but he must be rather a painful person."

"Oh, he's all right. Not much brains, of course, but—well, he's all right. And, anyway, he wants to put the play on."

"Well, that's splendid," said Sally: but she could not get the right ring of enthusiasm into her voice. She had had ideals for Gerald. She had dreamed of him invading Broadway triumphantly under the banner of one of the big managers whose name carried a prestige, and there seemed something unworthy in this association with a man whose chief claim to eminence lay in the fact that he was credited by metropolitan gossip with possessing the largest private stock of alcohol in existence.

"I thought you would be pleased," said Gerald.

"Oh, I am," said Sally.

With the buoyant optimism which never deserted her for long, she had already begun to cast off her momentary depression. After all, did it matter who financed a play so long as it obtained a production? A manager was simply a piece of machinery for paying the bills; and if he had money for that purpose, why demand asceticism and the finer sensibilities from him? The real thing that mattered was the question of who was going to play the leading part, that deftly drawn character which had so excited the admiration of Elsa Doland. She sought information on this point.

"Who will play Ruth?" she asked. "You must have somebody wonderful. It needs a tremendously clever woman. Did Mr. Cracknell say anything about that?"

"Oh, yes, we discussed that, of course."

"Well?"

"Well, it seems..." Again Sally noticed that odd, almost stealthy embarrassment. Gerald appeared unable to begin a sentence to-night without feeling his way into it like a man creeping cautiously down a dark alley. She noticed it the more because it was so different from his usual direct method. Gerald, as a rule, was not one of those who apologize for themselves. He was forthright and masterful and inclined to talk to her from a height. To-night he seemed different.

He broke off, was silent for a moment, and began again with a question.

"Do you know Mabel Hobson?"

"Mabel Hobson? I've seen her in the 'Follies,' of course."

Sally started. A suspicion had stung her, so monstrous that its absurdity became manifest the moment it had formed. And yet was it absurd? Most Broadway gossip filtered eventually into the boarding-house, chiefly through the medium of that seasoned sport, the mild young man who thought so highly of the redoubtable Benny Whistler, and she was aware that the name of Reginald Cracknell, which was always getting itself linked with somebody, had been coupled with that of Miss Hobson. It seemed likely that in this instance rumour spoke truth, for the lady was of that compellingly blonde beauty which attracts the Cracknells of this world. But even so...

"It seems that Cracknell..." said Gerald. "Apparently this man Cracknell..." He was finding Sally's bright, horrified gaze somewhat trying. "Well, the fact is Cracknell believes in Mabel Hobson...and... well, he thinks this part would suit her."

"Oh, Jerry!"

Could infatuation go to such a length? Could even the spacious heart of a Reginald Cracknell so dominate that gentleman's small size in heads as to make him entrust a part like Ruth in "The Primrose Way" to one who, when desired by the producer of her last revue to carry a bowl of roses across the stage and place it on a table, had rebelled on the plea that she had not been engaged as a dancer? Surely even lovelorn Reginald could perceive that this was not the stuff of which great emotional actresses are made.

"Oh, Jerry!" she said again.

There was an uncomfortable silence. They turned and walked back in the direction of the boarding-house. Somehow Gerald's arm had managed to get itself detached from Sally's. She was conscious of a curious dull ache that was almost like a physical pain.

"Jerry! Is it worth it?" she burst out vehemently.

The question seemed to sting the young man into something like his usual decisive speech.

"Worth it? Of course it's worth it. It's a Broadway production. That's all that matters. Good heavens! I've been trying long enough to get a play on Broadway, and it isn't likely that I'm going to chuck away my chance when it comes along just because one might do better in the way of casting."

"But, Jerry! Mabel Hobson! It's... it's murder! Murder in the first degree."

"Nonsense. She'll be all right. The part will play itself. Besides, she has a personality and a following, and Cracknell will spend all the money in the world to make the thing a success. And it will be a start, whatever happens. Of course, it's worth it."

Fillmore would have been impressed by this speech. He would have recognized and respected in it the unmistakable ring which characterizes even the lightest utterances of those who get there. On Sally it had not immediately that effect. Nevertheless, her habit of making the best of things, working together with that primary article of her creed that the man she loved could do no wrong, succeeded finally in raising her spirits. Of course Jerry was right. It would have been foolish to refuse a contract because all its clauses were not ideal.

"You old darling," she said affectionately attaching herself to the vacant arm once more and giving it a penitent squeeze, "you're quite right. Of course you are. I can see it now. I was only a little startled at first. Everything's going to be wonderful. Let's get all our chickens out and count 'em. How are you going to spend the money?"

"I know how I'm going to spend a dollar of it," said Gerald completely restored.

"I mean the big money. What's a dollar?"

"It pays for a marriage-licence."

Sally gave his arm another squeeze.

"Ladies and gentlemen," she said. "Look at this man. Observe him. My partner!"

title: The Adventures of Sally/Chapter 1