text:
The Coming of Bill/Book II/Chapter 15

Of the little band of revellers it would be hard to say which was the most taken aback at this invasion. The excitement of the moment had kept them from hearing the sound of the automobile which Mrs. Porter, mistrusting the rough road that led to the shack, had stopped some distance away.

Perhaps, on the whole, Kirk was more surprised than either of his companions. Their guilty consciences had never been quite free from the idea of the possibility of pursuit; but Kirk, having gathered from Mamie that neither Ruth nor her aunt was aware of what had happened, had counted upon remaining undisturbed till the time for return came on the morrow.

He stood staring at Ruth, who had followed Mrs. Porter into the room.

Mrs. Porter took charge of the situation. She was in her element. She stood with one hand resting on the table as if she were about to make an after-dinner speech—as indeed she was.

Lora Delane Porter was not dissatisfied with the turn events had taken. On the whole, perhaps, it might be said that she was pleased. She intended, when she began to speak, to pulverize Kirk and the abandoned young woman whom he had selected as his partner in his shameful escapade, but in this she was swayed almost entirely by a regard for abstract morality.

As concerned Ruth, she felt that the situation was, on the whole, the best thing that could have happened. To her Napoleonic mind, which took little account of the softer emotions, concerning itself entirely with the future of the race, Kirk had played his part and was now lagging superfluous on the stage. His tendency, she felt, was to retard rather than to assist William Bannister's development. His influence, such as it was, clashed with hers. She did not forget that there had been a time when Ruth, having practically to choose between them, had chosen to go Kirk's way and had abandoned herself to a life which could only be considered unhygienic and retrograde. Her defeat in the matter of Whiskers, the microbe-harbouring dog from Ireland, still rankled.

It was true that in what might be called the return match she had utterly routed Kirk; but until this moment she had always been aware of him as an opponent who might have to be reckoned with. She was quite convinced that it would be in the best interests of everybody, especially of William Bannister, if he could be eliminated. There were signs of human weakness in Ruth which sometimes made her uneasy. Ruth, she told herself, might "bear the torch," but when it came to "not faltering" she was less certain of her.

Ruth, it was true, had behaved admirably in the matter of the upbringing of William from the moment of her conversion till now, but might she not at any moment become a backslider and fill the white-tiled nursery with abominable long-haired dogs? Most certainly she might. In a woman who had once been a long-haired dogist there are always possibilities of a relapse into long-haired dogism, just as in a converted cannibal there are always possibilities of a return to the gods of wood and stone and the disposition to look on his fellow-man purely in the light of breakfast-food.

For these reasons Mrs. Porter was determined to push home her present advantage, to wipe Kirk off the map as an influence in Ruth's life. It was her intention, having recovered William Bannister and bathed him from head to foot in a weak solution of boric acid, to stand over Ruth while she obtained a divorce. That done, she would be in a position to defy Kirk and all his antagonistic views on the subject of the hygienic upbringing of children.

She rapped the table and prepared to speak.

Even a Napoleon, however, may err from lack of sufficient information; and there was a flaw in her position of which she was unaware. From the beginning of the drive to the end of it Ruth had hardly spoken a word, and Mrs. Porter, in consequence, was still in ignorance of what had been happening that day in Wall Street and the effect of these happenings on her niece's outlook on life. Could she have known it, the silent girl beside her had already suffered the relapse which she had feared as a remote possibility.

Ruth's mind during that drive had been in a confusion of regrets and doubts and hopes. There were times when she refused absolutely to believe the story of Kirk's baseness which her aunt poured into her ear during the first miles of the journey. It was absurd and incredible. Yet, as they raced along the dark roads, doubt came to her and would not be driven out.

A single unfortunate phrase of Kirk's, spoken in haste, but remembered at leisure, formed the basis of this uncertainty. That afternoon when he had left her he had said that Mamie was the real mother of the child. Could it be that Mamie's undeviating devotion to the boy had won the love which she had lost? It was possible. Considered in the light of what Mrs. Porter had told her, it seemed, in her blackest moments, certain.

She knew how wrapped up in the boy Kirk had been. Was it not a logical outcome of his estrangement from herself that he should have turned for consolation to the one person in sympathy with him in his great love for his child?

She tried to read his face as he stood looking at her now, but she could find no hope in it. The eyes that met hers were cold and expressionless.

Mrs. Porter rapped the table a second time.

"Mr. Winfield," she said in the metallic voice with which she was wont to cow publishers insufficiently equipped with dash and enterprise in the matter of advertising treatises on the future of the race, "I have no doubt you are surprised to see us. You appear to be looking your wife in the face. It speaks well for your courage but badly for your sense of shame. If you had the remnants of decent feeling in you, you would be physically incapable of the feat. If you would care to know how your conduct strikes an unprejudiced spectator, I may tell you that I consider you a scoundrel of the worst type and unfit to associate with any but the low company in which I find you."

Steve, who had been listening with interest, and indeed, a certain relish while Kirk was, as he put it to himself, "getting his" in this spirited fashion, started at the concluding words of the address, which, in his opinion, seemed slightly personal. He had long ago made up his mind that Lora Delane Porter, though an entertaining woman and, on the whole, more worth while than a moving-picture show, was quite mad; but, he felt, even lunatics ought to realize that there is a limit to what they may say.

He moaned protestingly, and rashly, for he drew the speaker's attention upon himself.

"This person," went on Mrs. Porter, indicating Steve with a wave of her hand which caused him to sidestep swiftly and throw up an arm, as had been his habit in the ring when Battling Dick or Fighting Jack endeavoured to blot him out with a right swing, "who, I observe, retains the tattered relics of a conscience, seeing that he winces, you employed to do the only dangerous part of your dirty work. I hope he will see that he gets his money. In his place I should be feeling uneasy."

"Ma'am!" protested Steve.

Mrs. Porter silenced him with a gesture.

"Be quiet!" she said.

Steve was quiet.

Mrs. Porter returned to Kirk.

Of all her burning words, Kirk had not heard one. His eyes had never left Ruth's. Like her, he was trying to read a message from a face that seemed only cold. In this crisis of their two lives he had no thought for anybody but her. He had a sense of great issues, of being on the verge of the tremendous; but his brain felt numbed and heavy. He could not think. He could see nothing except her eyes.

His inattention seemed to communicate itself to Mrs. Porter. She rapped imperatively upon the table for the third time. The report galvanized Steve, as, earlier in the day, a similar report had galvanized Mr. Penway; but Kirk did not move.

"Mr. Winfield!"

Still Kirk made no sign that he had heard her. It was discouraging, but Lora Delane Porter was not made of the stuff that yields readily to discouragement. She resumed:

"As for this wretched girl"—she indicated the silent Mamie with a wave of her hand—"this abandoned creature whom you have led astray, this shameless partner of your——"

"Say!"

The exclamation came from Steve, and it stopped Mrs. Porter like a bullet. To her this interruption from one whom she had fallen upon and wiped out resembled a voice from the tomb. She was not accustomed to having her victims rise up and cut sharply, even peremptorily, into the flow of her speech. Macbeth, confronted by the ghost of Banquo, may have been a little more taken aback, but not much.

She endeavoured to quell Steve with a glance, but it was instantly apparent that he was immune for the time being to quelling glances. His brown eyes were fixed upon her in a cold stare which she found arresting and charged with menace. His chin protruded and his upper lip was entirely concealed behind its fellow in a most uncomfortable manner.

She had never had the privilege of seeing Steve in the active exercise of his late profession, or she would have recognized the look. It was the one which proclaims the state of mind commonly known as "being fighting mad," and in other days had usually heralded a knock-out for some too persistent opponent.

"Say, ma'am, you want to cut that out. That line of talk don't go."

Great is the magic of love that can restore a man in an instant of time from being an obsequious wreck to a thing of fire and resolution. A moment before Steve's only immediate object in life had been to stay quiet and keep out of the way as much as possible. He had never been a man of ready speech in the presence of an angry woman; words intimidated him as blows never did, especially the whirl of words which were at Lora Delane Porter's command in moments of emotion.

But this sudden onslaught upon Mamie, innocent Mamie who had done nothing to anybody, scattered his embarrassment and filled him with much the same spirit which sent bantam-weight knights up against heavy-weight dragons in the Middle Ages. He felt inspired.

"Nix on the 'abandoned creature,'" he said with dignity. "You're on the wrong wire! This here lady is my affianced wife!"

He went to Mamie and, putting his arm round her waist, pressed her to him. He was conscious, as he did so, of a sensation of wonderment at himself. This was the attitude he had dreamed of a thousand times and had been afraid to assume. For the last three years he had been picturing himself in precisely this position, and daily had cursed the lack of nerve which had held him back. Yet here he was, and it had all happened in a moment. A funny thing, life.

"What!" exclaimed Mrs. Porter.

"Sure thing," said Steve. His coolness, the ease with which he found words astonished him as much as his rapidity of action.

"I stole the kid," he said, "and it was my idea at that. Kirk didn't know anything about it. I wired to him to-day what I had done and that he was to come right along. And," added Steve in a burst of inspiration, "I said bring along Mamie, too, as the kid's used to her and there ought to be a woman around. And she could be here, all right, and no harm, she being my affianced wife." He liked that phrase. He had read it in a book somewhere, and it was the goods.

He eyed Mrs. Porter jauntily. Mrs. Porter's gaze wavered. She was not feeling comfortable. Hers was a nature that did not lend itself easily to apologies, yet apologies were obviously what the situation demanded. The thought of all the eloquence which she had expended to no end added to her discomfort. For the first time she was pleased that Kirk had so manifestly not been listening to a word of it.

"Oh!" she said.

She paused.

"That puts a different complexion on this affair."

"Betcha life!"

She paused once more. It was some moments before she could bring herself to speak. She managed it at last.

"I beg your pardon," she said.

"Mine, ma'am?" said Steve grandly. Five minutes before, the idea that he could ever speak grandly to Lora Delane Porter would have seemed ridiculous to him; but he was surprised at nothing now.

"And the young wom—— And the future Mrs. Dingle's," said Mrs. Porter with an effort.

"Thank you, ma'am," said Steve, and released Mamie, who forthwith bolted from the room like a scared rabbit.

Steve had started to follow her when Mrs. Porter, magnificent woman, snatching what was left from defeat, stopped him.

"Wait!" she said. "What you have said alters the matter in one respect; but there is another point. On your own confession you have been guilty of the extremely serious offence, the penal offence of kidnapping a child who—"

"Drop me a line about it, ma'am," said Steve. "Me time's rather full just now."

He disappeared into the outer darkness after Mamie.

In the room they had left, Kirk and Ruth faced each other in silence. Lora Delane Porter eyed them grimly. It was the hour of her defeat, and she knew it. Forces too strong for her were at work. Her grand attack, the bringing of these two together that Ruth might confront Kirk in his guilt, had recoiled upon her. The Old Guard had made their charge up the hill, and it had failed. Victory had become a rout. With one speech Steve had destroyed her whole plan of campaign.

She knew it was all over, that in another moment if she remained, she would be compelled to witness the humiliating spectacle of Ruth in Kirk's arms, stammering the words which intuition told her were even now trembling on her lips. She knew Ruth. She could read her like a primer. And her knowledge told her that she was about to capitulate, that all her pride and resentment had been swept away, that she had gone over to the enemy.

Elemental passions were warring against Lora Delane Porter, and she bowed before them.

"Mr. Winfield," she said sharply, her voice cutting the silence like a knife, "I beg your pardon. I seem to have made a mistake. Good night."

Kirk did not answer.

"Good night, Ruth."

Ruth made no sign that she had heard.

Mrs. Porter, grand in defeat, moved slowly to the door.

But even in the greatest women there is that germ of feminine curiosity which cannot be wholly eliminated, that little grain of dust that asserts itself and clogs the machinery. It had been Mrs. Porter's intention to leave the room without a glance, her back defiantly toward the foe. But, as she reached the door, there came from behind her a sound of movement, a stifled cry, a little sound whose meaning she knew too well.

She hesitated. She stood still, fighting herself. But the grain of dust had done its work. For an instant she ceased to be a smoothly working machine and became a woman subject to the dictates of impulse.

She turned.

Intuition had not deceived her. Ruth had gone over to the enemy. She was in Kirk's arms, holding him to her, her face hidden against his shoulder, for all the world as if Lora Delane Porter, her guiding force, had ceased to exist.

Mrs. Porter closed the door and walked stiffly through the scented night to where the headlights of her automobile cleft the darkness. Birds, asleep in the trees, fluttered uneasily at the sudden throbbing of the engine.

title: The Coming of Bill/Book II/Chapter 15


text:
The Coming of Bill/Book II/Chapter 16

The White Hope slept. The noise of the departing car, which had roused the birds, had made no impression on him. As Steve had said, dynamite could not do it. He slumbered on, calmly detached, unaware of the remarkable changes which, in the past twenty-four hours, had taken place in his life. An epoch had ended and a new one begun, but he knew it not.

And probably, if Kirk and Ruth, who were standing at his bedside, watching him, had roused him and informed him of these facts, he would have displayed little excitement. He had the philosophical temperament. He took things as they came. Great natural phenomena, like Lora Delane Porter, he accepted as part of life. When they were in his life, he endured them stoically. When they went out of it, he got on without them. Marcus Aurelius would have liked William Bannister Winfield. They belonged to the same school of thought.

The years have a tendency to destroy this placidity towards life and to develop in man a sense of gratitude to fate for its occasional kindnesses; and Kirk, having been in the world longer than William Bannister, did not take the gifts of the gods so much for granted. He was profoundly grateful for what had happened. That Lora Delane Porter should have retired from active interference with his concerns was much; but that he should have had the incredible good fortune to be freed from the burden of John Bannister's money was more.

If ever money was the root of all evil, this had been. It had come into his life like a poisonous blight, withering and destroying wherever it touched. It had changed Ruth; it had changed William Bannister; it had changed himself; it was as if the spirit of the old man had lived on, hating him and working him mischief. He always had superstitious fear of it; and events had proved him right.

And now the cloud had rolled away. A few crowded hours of Bailey's dashing imbecility had removed the curse forever.

He was alone with Ruth and his son in a world that contained only them, just as in the old days of their happiness. There was something symbolic, something suggestive of the beginning of a new order of things, in their isolation at this very moment. Steve had gone. Only he and Ruth and the child were left.

The child—the White Hope—he was the real hero of the story, the real principal of the drama of their three lives. He was the link that bound them together, the force that worked for coherence and against chaos. He stood between them, his hands in theirs; and while he did so there could be no parting of the ways. His grip was light, but as strong as steel. Time would bring troubles, moods, misunderstandings, for they were both human; but, while that grip held, there could be no gulf dividing Ruth and himself, as it had divided them in the past.

He faced the future calmly, with open eyes. It would be rough going at first, very rough going. It meant hard work, incessant work. No more vague masterpieces which might or might not turn into "Carmen" or "The Spanish Maiden." No more delightful idle days to be loafed through in the studio or the shops. No more dreams, seen hazily through the smoke of a cigar, as he lay on the couch and stared at the ceiling, of what he would do to-morrow. To-morrow must look after itself. His business was with the present and the work of the present.

He braced himself to the fight, confident of his power to win. He had found himself.

Bill stirred in his sleep and muttered. Ruth bent over him and kissed the honourable scratch on his cheek.

"Poor little chap! You'll wake up and find that you aren't a millionaire baby after all! I wonder if you'll mind. Kirk, do you mind?"

"Mind!"

"I don't," said Ruth. "I think it will be rather fun being poor again."

"Who's poor?" said Kirk stoutly. "I'm not. I've got you and I've got Bill. Do you remember—ages ago—what that Vince girl, the model, you know, said that her friend had called me? A plute. That's me. I'm the richest man in the world."

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: The Coming of Bill/Book II/Chapter 16


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Page:Fraud of Feminism.djvu/15

CHAPTER I HISTORICAL position of women in social life was for a long time a matter of course. It did not arise as a question, because it was taken for granted. The dominance of men seemed to derive so obviously from natural causes, from the possession of faculties physical, moral and intellectual, in men, which were wanting in women, that no one thought of questioning the situation. At the same time, the inferiority of woman was never conceived as so great as to diminish seriously, much less to eliminate altogether, her responsibility for crimes she might commit. There were cases, of course, such as that of offences committed by women under coverture, in which a diminution of responsibility was recognised and was given effect to in condonation of the offence and in mitigation of the punishment. But there was no sentiment in general in favour of a female more than of a male criminal. It entered into the head of no one to weep tears of pity over the murderess of a lover or husband rather than over the murderer of a sweetheart or wife. 11

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, minor offenders, a female blackmailer, a female thief, a female perpetrator of an assault, was not deemed less guilty or worthy of more lenient treatment than a male offender in like cases. The law, it was assumed, and the assumption was acted upon, was the same for both sexes. The sexes were equal before the law. The laws were harsher in some respects than now, although not perhaps in all. But there was no special line of demarcation as regards the punishment of offences as between men and women. The penalty ordained by the law for crime or misdemeanour was the same for both and in general applied equally to both. Likewise in civil suits, proceedings were not specially weighted against the man and in favour of the woman. There was, as a general rule, no very noticeable sex partiality in the administration of the law.

This state of affairs continued in England till well into the nineteenth century. Thenceforward a change began to take place. Modern Feminism rose slowly above the horizon. Modern Feminism has two distinct sides to it: (1) an articulate political and economic side embracing demands for so-called rights; and (2) a sentimental side which insists in an accentuation of the privileges and immunities which have grown up, not articulately or as the result of definite demands, but as the consequence of sentimental pleading in particular

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 cases. In this way, however, a public opinion became established, finding expression in a sex favouritism in the law and even still more in its administration, in favour of women as against men.

These two sides of Modern Feminism are not necessarily combined in the same person. One may, for example, find opponents of female suffrage who are strong advocates of sentimental favouritism towards women in matters of law and its administration. On the other hand you may find, though this is more rare, strong advocates of political and other rights for the female sex, who sincerely deprecate the present inequality of the law in favour of women. As a rule, however, the two sides go together, the vast bulk of the advocates of “Women's Rights” being equally keen on the retention and extension of women's privileges. Indeed, it would seem as though the main object of the bulk of the advocates of the “Woman's Movement” was to convert the female sex into the position of a dominant sexe noblesse. The two sides of Feminism have advanced hand in hand for the last two generations, though it was the purely sentimental side that first appeared as a factor in public opinion.

The attempt to paint women in a different light to the traditional one of physical, intellectual and moral inferiority to men, probably received its first literary expression in a treatise published in

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 1532 by Cornelius Agrippa of Nettesheim entitled De Nobilitate et Praecellentia Feminei Sexus and dedicated to Margaret, Regent of the Netherlands, whose favour Agrippa was at that time desirous of courting. The ancient world has nothing to offer in the shape of literary forerunners of Modern Feminism, although that industrious collector of historical odds and ends, Valerius Maximus, relates the story of one Afrania who, with some of her friends, created disturbances in the Law Courts of ancient Rome in her attempt to make women's voices heard before the tribunals. As regards more recent ages, after Agrippa, we have to wait till the early years of the eighteenth century for another instance of Feminism before its time, in an essay on the subject of woman by Daniel Defoe. But it was not till the closing years of the eighteenth century that any considerable expression of opinion in favour of changing the relative positions of the sexes, by upsetting the view of their respective values, founded on the general experience of mankind, made itself noticeable.

The names of Mary Wollstonecraft in English literature and of Condorcet in French, will hardly fail to occur to the reader in this connection. During the French Revolution the crazy Olympe de Gouges achieved ephemeral notoriety by her claim for the intellectual equality of women with men.

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text:
Piccadilly Jim

1. A RED-HAIRED GIRL

2. THE EXILED FAN

3. FAMILY JARS

4. JIMMY'S DISTURBING NEWS

5. THE MORNING AFTER

6. JIMMY ABANDONS PICCADILLY

7. ON THE BOAT-DECK

8. PAINFUL SCENE IN A CAFE

9. MRS. PETT IS SHOCKED

10. INSTRUCTION IN DEPORTMENT

11. JIMMY DECIDES TO BE HIMSELF

12. JIMMY CATCHES THE BOSS'S EYE

13. SLIGHT COMPLICATIONS

14. LORD WISBEACH

15. A LITTLE BUSINESS CHAT

16. MRS. PETT TAKES PRECAUTIONS

17. MISS TRIMBLE, DETECTIVE

18. THE VOICE PROM THE PAST

19. BETWEEN FATHER AND SON

20. CELESTINE IMPARTS INFORMATION

21. CHICAGO ED.

22. IN THE LIBRARY

23. STIRRING TIMES FOR THE PETTS

24. SENSATIONAL TURNING OF A WORM

25. NEARLY EVERYBODY HAPPY

26. EVERYBODY HAPPY

title: Piccadilly Jim


text: Talk:Piccadilly Jim

title: Talk:Piccadilly Jim


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 Up to this time (the close of the eighteenth century) no advance whatever had been made by legislation in recognising the modern theory of sex equality. The claims of women and their apologists for entering upon the functions of men, political, social or otherwise, although put forward from time to time by isolated individuals, received little countenance from public opinion, and still less from the law. What I have called, however, the sentimental aspect of Modern Feminism undoubtedly did make some headway in public opinion by the end of the eighteenth century, and grew in volume during the early years of the nineteenth century. It effectuated in the Act passed in 1820 by the English Parliament abolishing the punishment of flogging for female criminals. This was the first beginning of the differentiation of the sexes in the matter of the criminal law. The parliamentary debate on the Bill in question shows clearly enough the power that Sentimental

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 had acquired in public opinion in the course of a generation, for no proposal was made at the same time to abolish the punishment of flogging so far as men were concerned. Up to this time the criminal law of England, as of other countries, made no distinction whatever between the sexes in the matter of crime and punishment, or at least no distinction based on the principle or sentiment of sex privilege. (A slight exception might be made, perhaps, in the crime of “petty treason,” which distinguished the murder of a husband by his wife from other cases of homicide.) But from this time forward, legislation and administration have diverged farther and farther from the principle of sex equality in this connection in favour of female immunity, the result being that at the present day, assuming the punishment meted out to the woman for a given crime to represent a normal penalty, the man receives an additional increment over and above that accorded to the crime, for the offence of having been born a man and not a woman.

The Original Divorce Law of 1857 in its

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 provisions respecting costs and alimony, constitutes another landmark in the matter of female privilege before the law. Other measures of unilateral sex legislation followed in the years ensuing until the present state of things, by which the whole power of the State is practically at the disposal of woman to coerce and oppress men. But this side of the question we propose to deal with later on.

The present actual movement of Feminism in political and social life may be deemed to have begun in the early sixties, in the agitation which preceded the motion of John Stuart Mill in 1867, on the question of conferring the parliamentary franchise upon women. This was coincident with an agitation for the opening of various careers to women, notably the medical faculty. We are speaking, of course, here of Great Britain, which was first in the field in Europe, alike in the theory and practice of Modern Feminism. But the publication by the great protagonist of the movement, John Stuart Mill, of his book, “The Subjection of Women,” in 1868, endowed the cause with a literary gospel which was soon translated into the chief languages of the Continent, and corresponding movements started in other countries. Strangely enough, it made considerable headway in Russia, the awakening of Russia to Western ideas having recently begun to make itself felt at the time of which we are speaking. The movement

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 henceforth took its place as a permanent factor in the political and social life of this and other countries. Bills for female suffrage were introduced every year into the British House of Commons with, on the whole, yearly diminishing majorities against these measures, till a few years back the scale turned on the other side, and the Women's Enfranchisement Bill passed every year its second reading until 1912, when for the first time for many years it was rejected by a small majority. Meanwhile both sides of the Feminist movement, apart from the question of the franchise, had been gaining in influence. Municipal franchise “on the same terms as for men” had been conceded. Women have voted for and sat on School Boards, Boards of Guardians, and other public bodies. Their claim to exercise the medical profession has been not merely admitted in law but recognised in public opinion for long past. All the advantages of an academic career have been opened to them, with the solitary exception of the actual conferment of degrees at Oxford and Cambridge. Such has been the growth of the articulate and political side of the theory of Modern Feminism.

The sentimental side of Feminism, with its practical result of the overweighting of justice in the interests of women in the courts, civil as well as criminal, and their practical immunity from the operation of the criminal law when in the dock,

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 has advanced correspondingly; while at the same time the sword of that same criminal law is sharpened to a razor edge against the man even accused, let alone convicted, of any offence against the sacrosanct majesty of “Womanhood.” Such is the present position of the Woman question in this country, which we take as typical, in the sense that in Great Britain, to which we may also add the United States of America and the British Colonies, where—if possible, the movement is stronger than in the mother country itself—we see the logical outcome of Feminist theory and sentiment. It remains to consider the existing facts more in detail, and the psychological bearings of that large number of persons who have been in the recent past, and are being at the present time, influenced to accept the dogmas of Modern Feminism and the statements of alleged facts made by its votaries. Before doing so it behoves us to examine the credibility of the dogmas themselves, and the nature of the arguments used to support them and also the accuracy of the alleged facts employed by the Feminists to stimulate the indignation of the popular mind against the pretended wrongs of women.

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text:
The Fraud of Feminism/Chapter 1

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title: The Fraud of Feminism/Chapter 1


text: Index:NARA Style Guide.pdf

title: Index:NARA Style Guide.pdf


text: Page:NARA Style Guide.pdf/1

title: Page:NARA Style Guide.pdf/1


text:
Piccadilly Jim/Chapter 1

The residence of Mr. Peter Pett, the well-known financier, on Riverside Drive is one of the leading eyesores of that breezy and expensive boulevard. As you pass by in your limousine, or while enjoying ten cents worth of fresh air on top of a green omnibus, it jumps out and bites at you. Architects, confronted with it, reel and throw up their hands defensively, and even the lay observer has a sense of shock. The place resembles in almost equal proportions a cathedral, a suburban villa, a hotel and a Chinese pagoda. Many of its windows are of stained glass, and above the porch stand two terra-cotta lions, considerably more repulsive even than the complacent animals which guard New York's Public Library. It is a house which is impossible to overlook: and it was probably for this reason that Mrs. Pett insisted on her husband buying it, for she was a woman who liked to be noticed.

Through the rich interior of this mansion Mr. Pett, its nominal proprietor, was wandering like a lost spirit. The hour was about ten of a fine Sunday morning, but the Sabbath calm which was upon the house had not communicated itself to him. There was a look of exasperation on his usually patient face, and a muttered oath, picked up no doubt on the godless Stock Exchange, escaped his lips.

"Darn it!"

He was afflicted by a sense of the pathos of his position. It was not as if he demanded much from life. He asked but little here below. At that moment all that he wanted was a quiet spot where he might read his Sunday paper in solitary peace, and he could not find one. Intruders lurked behind every door. The place was congested.

This sort of thing had been growing worse and worse ever since his marriage two years previously. There was a strong literary virus in Mrs. Pett's system. She not only wrote voluminously herself—the name Nesta Ford Pett is familiar to all lovers of sensational fiction—but aimed at maintaining a salon. Starting, in pursuance of this aim, with a single specimen,—her nephew, Willie Partridge, who was working on a new explosive which would eventually revolutionise war—she had gradually added to her collections, until now she gave shelter beneath her terra-cotta roof to no fewer than six young and unrecognised geniuses. Six brilliant youths, mostly novelists who had not yet started and poets who were about to begin, cluttered up Mr. Pett's rooms on this fair June morning, while he, clutching his Sunday paper, wandered about, finding, like the dove in Genesis, no rest. It was at such times that he was almost inclined to envy his wife's first husband, a business friend of his named Elmer Ford, who had perished suddenly of an apoplectic seizure: and the pity which he generally felt for the deceased tended to shift its focus.

Marriage had certainly complicated life for Mr. Pett, as it frequently does for the man who waits fifty years before trying it. In addition to the geniuses, Mrs. Pett had brought with her to her new home her only son, Ogden, a fourteen-year-old boy of a singularly unloveable type. Years of grown-up society and the absence of anything approaching discipline had given him a precocity on which the earnest efforts of a series of private tutors had expended themselves in vain. They came, full of optimism and self-confidence, to retire after a brief interval, shattered by the boy's stodgy resistance to education in any form or shape. To Mr. Pett, never at his ease with boys, Ogden Ford was a constant irritant. He disliked his stepson's personality, and he more than suspected him of stealing his cigarettes. It was an additional annoyance that he was fully aware of the impossibility of ever catching him at it.

Mr. Pett resumed his journey. He had interrupted it for a moment to listen at the door of the morning-room, but, a remark in a high tenor voice about the essential Christianity of the poet Shelley filtering through the oak, he had moved on.

Silence from behind another door farther down the passage encouraged him to place his fingers on the handle, but a crashing chord from an unseen piano made him remove them swiftly. He roamed on, and a few minutes later the process of elimination had brought him to what was technically his own private library—a large, soothing room full of old books, of which his father had been a great collector. Mr. Pett did not read old books himself, but he liked to be among them, and it is proof of his pessimism that he had not tried the library first. To his depressed mind it had seemed hardly possible that there could be nobody there.

He stood outside the door, listening tensely. He could hear nothing. He went in, and for an instant experienced that ecstatic thrill which only comes to elderly gentlemen of solitary habit who in a house full of their juniors find themselves alone at last. Then a voice spoke, shattering his dream of solitude.

"Hello, pop!"

Ogden Ford was sprawling in a deep chair in the shadows.

"Come in, pop, come in. Lots of room."

Mr. Pett stood in the doorway, regarding his step-son with a sombre eye. He resented the boy's tone of easy patronage, all the harder to endure with philosophic calm at the present moment from the fact that the latter was lounging in his favourite chair. Even from an aesthetic point of view the sight of the bulging child offended him. Ogden Ford was round and blobby and looked overfed. He had the plethoric habit of one to whom wholesome exercise is a stranger and the sallow complexion of the confirmed candy-fiend. Even now, a bare half hour after breakfast, his jaws were moving with a rhythmical, champing motion.

"What are you eating, boy?" demanded Mr. Pett, his disappointment turning to irritability.

"Candy."

"I wish you would not eat candy all day."

"Mother gave it to me," said Ogden simply. As he had anticipated, the shot silenced the enemy's battery. Mr. Pett grunted, but made no verbal comment. Ogden celebrated his victory by putting another piece of candy in his mouth.

"Got a grouch this morning, haven't you, pop?"

"I will not be spoken to like that!"

"I thought you had," said his step-son complacently. "I can always tell. I don't see why you want to come picking on me, though. I've done nothing."

Mr. Pett was sniffing suspiciously.

"You've been smoking."

"Me!!"

"Smoking cigarettes."

"No, sir!"

"There are two butts in the ash-tray."

"I didn't put them there."

"One of them is warm."

"It's a warm day."

"You dropped it there when you heard me come in."

"No, sir! I've only been here a few minutes. I guess one of the fellows was in here before me. They're always swiping your coffin-nails. You ought to do something about it, pop. You ought to assert yourself."

A sense of helplessness came upon Mr. Pett. For the thousandth time he felt himself baffled by this calm, goggle-eyed boy who treated him with such supercilious coolness.

"You ought to be out in the open air this lovely morning," he said feebly.

"All right. Let's go for a walk. I will if you will."

"I—I have other things to do," said Mr. Pett, recoiling from the prospect.

"Well, this fresh-air stuff is overrated anyway. Where's the sense of having a home if you don't stop in it?"

"When I was your age, I would have been out on a morning like this—er—bowling my hoop."

"And look at you now!"

"What do you mean?"

"Martyr to lumbago."

"I am not a martyr to lumbago," said Mr. Pett, who was touchy on the subject.

"Have it your own way. All I know is—"

"Never mind!"

"I'm only saying what mother . . ."

"Be quiet!"

Ogden made further researches in the candy box.

"Have some, pop?"

"No."

"Quite right. Got to be careful at your age."

"What do you mean?"

"Getting on, you know. Not so young as you used to be. Come in, pop, if you're coming in. There's a draft from that door."

Mr. Pett retired, fermenting. He wondered how another man would have handled this situation. The ridiculous inconsistency of the human character infuriated him. Why should he be a totally different man on Riverside Drive from the person he was in Pine Street? Why should he be able to hold his own in Pine Street with grown men—whiskered, square-jawed financiers—and yet be unable on Riverside Drive to eject a fourteen-year-old boy from an easy chair? It seemed to him sometimes that a curious paralysis of the will came over him out of business hours.

Meanwhile, he had still to find a place where he could read his Sunday paper.

He stood for a while in thought. Then his brow cleared, and he began to mount the stairs. Reaching the top floor, he walked along the passage and knocked on a door at the end of it. From behind this door, as from behind those below, sounds proceeded, but this time they did not seem to discourage Mr. Pett. It was the tapping of a typewriter that he heard, and he listened to it with an air of benevolent approval. He loved to hear the sound of a typewriter: it made home so like the office.

"Come in," called a girl's voice.

The room in which Mr. Pett found himself was small but cosy, and its cosiness—oddly, considering the sex of its owner—had that peculiar quality which belongs as a rule to the dens of men. A large bookcase almost covered one side of it, its reds and blues and browns smiling cheerfully at whoever entered. The walls were hung with prints, judiciously chosen and arranged. Through a window to the left, healthfully open at the bottom, the sun streamed in, bringing with it the pleasantly subdued whirring of automobiles out on the Drive. At a desk at right angles to this window, her vivid red-gold hair rippling in the breeze from the river, sat the girl who had been working at the typewriter. She turned as Mr. Pett entered, and smiled over her shoulder.

Ann Chester, Mr. Pett's niece, looked her best when she smiled. Although her hair was the most obviously striking feature of her appearance, her mouth was really the most individual thing about her. It was a mouth that suggested adventurous possibilities. In repose, it had a look of having just finished saying something humorous, a kind of demure appreciation of itself. When it smiled, a row of white teeth flashed out: or, if the lips did not part, a dimple appeared on the right cheek, giving the whole face an air of mischievous geniality. It was an enterprising, swashbuckling sort of mouth, the mouth of one who would lead forlorn hopes with a jest or plot whimsically lawless conspiracies against convention. In its corners and in the firm line of the chin beneath it there lurked, too, more than a hint of imperiousness. A physiognomist would have gathered, correctly, that Ann Chester liked having her own way and was accustomed to get it.

"Hello, uncle Peter," she said. "What's the trouble?"

"Am I interrupting you, Ann?"

"Not a bit. I'm only copying out a story for aunt Nesta. I promised her I would. Would you like to hear some of it?"

Mr. Pett said he would not.

"You're missing a good thing," said Ann, turning the pages. "I'm all worked up over it. It's called 'At Dead of Night,' and it's full of crime and everything. You would never think aunt Nesta had such a feverish imagination. There are detectives and kidnappers in it and all sorts of luxuries. I suppose it's the effect of reading it, but you look to me as if you were trailing something. You've got a sort of purposeful air."

Mr. Pett's amiable face writhed into what was intended to be a bitter smile.

"I'm only trailing a quiet place to read in. I never saw such a place as this house. It looks big enough outside for a regiment. Yet, when you're inside, there's a poet or something in every room."

"What about the library? Isn't that sacred to you?"

"The boy Ogden's there."

"What a shame!"

"Wallowing in my best chair," said Mr. Pett morosely. "Smoking cigarettes."

"Smoking? I thought he had promised aunt Nesta he wouldn't smoke."

"Well, he said he wasn't, of course, but I know he had been. I don't know what to do with that boy. It's no good my talking to him. He—he patronises me!" concluded Mr. Pett indignantly. "Sits there on his shoulder blades with his feet on the table and talks to me with his mouth full of candy as if I were his grandson."

"Little brute."

Ann was sorry for Mr. Pett. For many years now, ever since the death of her mother, they had been inseparable. Her father, who was a traveller, explorer, big-game hunter, and general sojourner in the lonelier and wilder spots of the world and paid only infrequent visits to New York, had left her almost entirely in Mr. Pett's care, and all her pleasantest memories were associated with him. Mr. Chester's was in many ways an admirable character, but not a domestic one; and his relations with his daughter were confined for the most part to letters and presents. In the past few years she had come almost to regard Mr. Pett in the light of a father. Hers was a nature swiftly responsive to kindness; and because Mr. Pett besides being kind was also pathetic she pitied as well as loved him. There was a lingering boyishness in the financier, the boyishness of the boy who muddles along in an unsympathetic world and can never do anything right: and this quality called aloud to the youth in her. She was at the valiant age when we burn to right wrongs and succour the oppressed, and wild rebel schemes for the reformation of her small world came readily to her. From the first she had been a smouldering spectator of the trials of her uncle's married life, and if Mr. Pett had ever asked her advice and bound himself to act on it he would have solved his domestic troubles in explosive fashion. For Ann in her moments of maiden meditation had frequently devised schemes to that end which would have made his grey hair stand erect with horror.

"I've seen a good many boys," she said, "but Ogden is in a class by himself. He ought to be sent to a strict boarding-school, of course."

"He ought to be sent to Sing-Sing," amended Mr. Pett.

"Why don't you send him to school?"

"Your aunt wouldn't hear of it. She's afraid of his being kidnapped. It happened last time he went to school. You can't blame her for wanting to keep her eye on him after that."

Ann ran her fingers meditatively over the keys.

"I've sometimes thought . . ."

"Yes?"

"Oh, nothing. I must get on with this thing for aunt Nesta."

Mr. Pett placed the bulk of the Sunday paper on the floor beside him, and began to run an appreciative eye over the comic supplement. That lingering boyishness in him which endeared him to Ann always led him to open his Sabbath reading in this fashion. Grey-headed though he was, he still retained both in art and in real life a taste for the slapstick. No one had ever known the pure pleasure it had given him when Raymond Green, his wife's novelist protege, had tripped over a loose stair-rod one morning and fallen an entire flight.

From some point farther down the corridor came a muffled thudding. Ann stopped her work to listen.

"There's Jerry Mitchell punching the bag."

"Eh?" said Mr. Pett.

"I only said I could hear Jerry Mitchell in the gymnasium."

"Yes, he's there."

Ann looked out of the window thoughtfully for a moment. Then she swung round in her swivel-chair.

"Uncle Peter."

Mr. Pett emerged slowly from the comic supplement.

"Eh?"

"Did Jerry Mitchell ever tell you about that friend of his who keeps a dogs' hospital down on Long Island somewhere? I forget his name. Smithers or Smethurst or something. People—old ladies, you know, and people—bring him their dogs to be cured when they get sick. He has an infallible remedy, Jerry tells me. He makes a lot of money at it."

"Money?" Pett, the student, became Pett, the financier, at the magic word. "There might be something in that if one got behind it. Dogs are fashionable. There would be a market for a really good medicine."

"I'm afraid you couldn't put Mr. Smethurst's remedy on the market. It only works when the dog has been overeating himself and not taking any exercise."

"Well, that's all these fancy dogs ever have the matter with them. It looks to me as if I might do business with this man. I'll get his address from Mitchell."

"It's no use thinking of it, uncle Peter. You couldn't do business with him—in that way. All Mr. Smethurst does when any one brings him a fat, unhealthy dog is to feed it next to nothing—just the simplest kind of food, you know—and make it run about a lot. And in about a week the dog's as well and happy and nice as he can possibly be."

"Oh," said Mr. Pett, disappointed.

Ann touched the keys of her machine softly.

"Why I mentioned Mr. Smethurst," she said, "it was because we had been talking of Ogden. Don't you think his treatment would be just what Ogden needs?"

Mr. Pett's eyes gleamed.

"It's a shame he can't have a week or two of it!"

Ann played a little tune with her finger-tips on the desk.

"It would do him good, wouldn't it?"

Silence fell upon the room, broken only by the tapping of the typewriter. Mr. Pett, having finished the comic supplement, turned to the sporting section, for he was a baseball fan of no lukewarm order. The claims of business did not permit him to see as many games as he could wish, but he followed the national pastime closely on the printed page and had an admiration for the Napoleonic gifts of Mr. McGraw which would have gratified that gentleman had he known of it.

"Uncle Peter," said Ann, turning round again.

"Eh?"

"It's funny you should have been talking about Ogden getting kidnapped. This story of aunt Nesta's is all about an angel-child—I suppose it's meant to be Ogden—being stolen and hidden and all that. It's odd that she should write stories like this. You wouldn't expect it of her."

"Your aunt," said Mr. Pett, "lets her mind run on that sort of thing a good deal. She tells me there was a time, not so long ago, when half the kidnappers in America were after him. She sent him to school in England—or, rather, her husband did. They were separated then—and, as far as I can follow the story, they all took the next boat and besieged the place."

"It's a pity somebody doesn't smuggle him away now and keep him till he's a better boy."

"Ah!" said Mr. Pett wistfully.

Ann looked at him fixedly, but his eyes were once more on his paper. She gave a little sigh, and turned to her work again.

"It's quite demoralising, typing aunt Nesta's stories," she said. "They put ideas into one's head."

Mr. Pett said nothing. He was reading an article of medical interest in the magazine section, for he was a man who ploughed steadily through his Sunday paper, omitting nothing. The typewriter began tapping again.

"Great Godfrey!"

Ann swung round, and gazed at her uncle in concern. He was staring blankly at the paper.

"What's the matter?"

The page on which Mr. Pett's attention was concentrated was decorated with a fanciful picture in bold lines of a young man in evening dress pursuing a young woman similarly clad along what appeared to be a restaurant supper-table. An enjoyable time was apparently being had by both. Across the page this legend ran:

PICCADILLY JIM ONCE MORE

The Recent Adventures of Young Mr. Crocker

of New York and London

It was not upon the title, however, nor upon the illustration that Mr. Pett's fascinated eye rested. What he was looking at was a small reproduction of a photograph which had been inserted in the body of the article. It was the photograph of a woman in the early forties, rather formidably handsome, beneath which were printed the words:

Mrs. Nesta Ford Pett

Well-Known Society Leader and Authoress

Ann had risen and was peering over his shoulder. She frowned as she caught sight of the heading of the page. Then her eye fell upon the photograph.

"Good gracious! Why have they got aunt Nesta's picture there?"

Mr. Pett breathed a deep and gloomy breath.

"They've found out she's his aunt. I was afraid they would. I don't know what she will say when she sees this."

"Don't let her see it."

"She has the paper downstairs. She's probably reading it now."

Ann was glancing through the article.

"It seems to be much the same sort of thing that they have published before. I can't understand why the Chronicle takes such an interest in Jimmy Crocker."

"Well, you see he used to be a newspaper man, and the Chronicle was the paper he worked for."

Ann flushed.

"I know," she said shortly.

Something in her tone arrested Mr. Pett's attention.

"Yes, yes, of course," he said hastily. "I was forgetting."

There was an awkward silence. Mr. Pett coughed. The matter of young Mr. Crocker's erstwhile connection with the New York Chronicle was one which they had tacitly decided to refrain from mentioning.

"I didn't know he was your nephew, uncle Peter."

"Nephew by marriage," corrected Mr. Pett a little hurriedly. "Nesta's sister Eugenia married his father."

"I suppose that makes me a sort of cousin."

"A distant cousin."

"It can't be too distant for me."

There was a sound of hurried footsteps outside the door. Mrs. Pett entered, holding a paper in her hand. She waved it before Mr. Pett's sympathetic face.

"I know, my dear," he said backing. "Ann and I were just talking about it."

The little photograph had not done Mrs. Pett justice. Seen life-size, she was both handsomer and more formidable than she appeared in reproduction. She was a large woman, with a fine figure and bold and compelling eyes, and her personality crashed disturbingly into the quiet atmosphere of the room. She was the type of woman whom small, diffident men seem to marry instinctively, as unable to help themselves as cockleshell boats sucked into a maelstrom.

"What are you going to do about it?" she demanded, sinking heavily into the chair which her husband had vacated.

This was an aspect of the matter which had not occurred to Mr. Pett. He had not contemplated the possibility of actually doing anything. Nature had made him out of office hours essentially a passive organism, and it was his tendency, when he found himself in a sea of troubles, to float plaintively, not to take arms against it. To pick up the slings and arrows of outrageous fortune and fling them back was not a habit of his. He scratched his chin and said nothing. He went on saying nothing.

"If Eugenia had had any sense, she would have foreseen what would happen if she took the boy away from New York where he was working too hard to get into mischief and let him run loose in London with too much money and nothing to do. But, if she had had any sense, she would never have married that impossible Crocker man. As I told her."

Mrs. Pett paused, and her eyes glowed with reminiscent fire. She was recalling the scene which had taken place three years ago between her sister and herself, when Eugenia had told her of her intention to marry an obscure and middle-aged actor named Bingley Crocker. Mrs. Pett had never seen Bingley Crocker, but she had condemned the proposed match in terms which had ended definitely and forever her relations with her sister. Eugenia was not a woman who welcomed criticism of her actions. She was cast in the same formidable mould as Mrs. Pett and resembled her strikingly both in appearance and character.

Mrs. Pett returned to the present. The past could look after itself. The present demanded surgery.

"One would have thought it would have been obvious even to Eugenia that a boy of twenty-one needed regular work."

Mr. Pett was glad to come out of his shell here. He was the Apostle of Work, and this sentiment pleased him.

"That's right," he said. "Every boy ought to have work."

"Look at this young Crocker's record since he went to live in London. He is always doing something to make himself notorious. There was that breach-of-promise case, and that fight at the political meeting, and his escapades at Monte Carlo, and—and everything. And he must be drinking himself to death. I think Eugenia's insane. She seems to have no influence over him at all."

Mr. Pett moaned sympathetically.

"And now the papers have found out that I am his aunt, and I suppose they will print my photograph whenever they publish an article about him."

She ceased and sat rigid with just wrath. Mr. Pett, who always felt his responsibilities as chorus keenly during these wifely monologues, surmised that a remark from him was indicated.

"It's tough," he said.

Mrs. Pett turned on him like a wounded tigress.

"What is the use of saying that? It's no use saying anything."

"No, no," said Mr. Pett, prudently refraining from pointing out that she had already said a good deal.

"You must do something."

Ann entered the conversation for the first time. She was not very fond of her aunt, and liked her least when she was bullying Mr. Pett. There was something in Mrs. Pett's character with which the imperiousness which lay beneath Ann's cheerful attitude towards the world was ever at war.

"What can uncle Peter possibly do?" she inquired.

"Why, get the boy back to America and make him work. It's the only possible thing."

"But is it possible?"

"Of course it is."

"Assuming that Jimmy Crocker would accept an invitation to come over to America, what sort of work could he do here? He couldn't get his place on the Chronicle back again after dropping out for all these years and making a public pest of himself all that while. And outside of newspaper work what is he fit for?"

"My dear child, don't make difficulties."

"I'm not. These are ready-made."

Mr. Pett interposed. He was always nervously apprehensive of a clash between these two. Ann had red hair and the nature which generally goes with red hair. She was impulsive and quick of tongue, and—as he remembered her father had always been—a little too ready for combat. She was usually as quickly remorseful as she was quickly pugnacious, like most persons of her colour. Her offer to type the story which now lay on her desk had been the following on just such a scene with her aunt as this promised to be. Mr. Pett had no wish to see the truce thus consummated broken almost before it had had time to operate.

"I could give the boy a job in my office," he suggested.

Giving young men jobs in his office was what Mr. Pett liked doing best. There were six brilliant youths living in his house and bursting with his food at that very moment whom he would have been delighted to start addressing envelopes down-town.

Notably his wife's nephew, Willie Partridge, whom he looked on as a specious loafer. He had a stubborn disbelief in the explosive that was to revolutionise war. He knew, as all the world did, that Willie's late father had been a great inventor, but he did not accept the fact that Willie had inherited the dead man's genius. He regarded the experiments on Partridgite, as it was to be called, with the profoundest scepticism, and considered that the only thing Willie had ever invented or was likely to invent was a series of ingenious schemes for living in fatted idleness on other people's money.

"Exactly," said Mrs. Pett, delighted at the suggestion. "The very thing."

"Will you write and suggest it?" said Mr. Pett, basking in the sunshine of unwonted commendation.

"What would be the use of writing? Eugenia would pay no attention. Besides, I could not say all I wished to in a letter. No, the only thing is to go over to England and see her. I shall speak very plainly to her. I shall point out what an advantage it will be to the boy to be in your office and to live here. . . ."

Ann started.

"You don't mean live here—in this house?"

"Of course. There would be no sense in bringing the boy all the way over from England if he was to be allowed to run loose when he got here."

Mr. Pett coughed deprecatingly.

"I don't think that would be very pleasant for Ann, dear."

"Why in the name of goodness should Ann object?"

Ann moved towards the door.

"Thank you for thinking of it, uncle Peter. You're always a dear. But don't worry about me. Do just as you want to. In any case I'm quite certain that you won't be able to get him to come over here. You can see by the paper he's having far too good a time in London. You can call Jimmy Crockers from the vasty deep, but will they come when you call for them?"

Mrs. Pett looked at the door as it closed behind her, then at her husband.

"What do you mean, Peter, about Ann? Why wouldn't it be pleasant for her if this Crocker boy came to live with us?"

Mr. Pett hesitated.

"Well, it's like this, Nesta. I hope you won't tell her I told you. She's sensitive about it, poor girl. It all happened before you and I were married. Ann was much younger then. You know what schoolgirls are, kind of foolish and sentimental. It was my fault really, I ought to have . . ."

"Good Heavens, Peter! What are you trying to tell me?"

"She was only a child."

Mrs. Pett rose in slow horror.

"Peter! Tell me! Don't try to break it gently."

"Ann wrote a book of poetry and I had it published for her."

Mrs. Pett sank back in her chair.

"Oh!" she said—it would have been hard to say whether with relief or disappointment. "Whatever did you make such a fuss for? Why did you want to be so mysterious?"

"It was all my fault, really," proceeded Mr. Pett. "I ought to have known better. All I thought of at the time was that it would please the child to see the poems in print and be able to give the book to her friends. She did give it to her friends," he went on ruefully, "and ever since she's been trying to live it down. I've seen her bite a young fellow's head off when he tried to make a grand-stand play with her by quoting her poems which he'd found in his sister's book-shelf."

"But, in the name of goodness, what has all this to do with young Crocker?"

"Why, it was this way. Most of the papers just gave Ann's book a mention among 'Volumes Received,' or a couple of lines that didn't amount to anything, but the Chronicle saw a Sunday feature in it, as Ann was going about a lot then and was a well-known society girl. They sent this Crocker boy to get an interview from her, all about her methods of work and inspirations and what not. We never suspected it wasn't the straight goods. Why, that very evening I mailed an order for a hundred copies to be sent to me when the thing appeared. And—" pinkness came upon Mr. Pett at the recollection "it was just a josh from start to finish. The young hound made a joke of the poems and what Ann had told him about her inspirations and quoted bits of the poems just to kid the life out of them. . . . I thought Ann would never get over it. Well, it doesn't worry her any more—she's grown out of the school-girl stage—but you can bet she isn't going to get up and give three cheers and a tiger if you bring young Crocker to live in the same house."

"Utterly ridiculous!" said Mrs. Pett. "I certainly do not intend to alter my plans because of a trivial incident that happened years ago. We will sail on Wednesday."

"Very well, my dear," said Mr. Pett resignedly.

"Just as you say. Er—just you and I?"

"And Ogden, of course."

Mr. Pett controlled a facial spasm with a powerful effort of the will. He had feared this.

"I wouldn't dream of leaving him here while I went away, after what happened when poor dear Elmer sent him to school in England that time." The late Mr. Ford had spent most of his married life either quarrelling with or separated from his wife, but since death he had been canonised as 'poor dear Elmer.' "Besides, the sea voyage will do the poor darling good. He has not been looking at all well lately."

"If Ogden's coming, I'd like to take Ann."

"Why?"

"She can—" he sought for a euphemism.

"Keep in order" was the expression he wished to avoid. To his mind Ann was the only known antidote for Ogden, but he felt it would be impolitic to say so. "—look after him on the boat," he concluded. "You know you are a bad sailor."

"Very well. Bring Ann—Oh, Peter, that reminds me of what I wanted to say to you, which this dreadful thing in the paper drove completely out of my mind. Lord Wisbeach has asked Ann to marry him!"

Mr. Pett looked a little hurt. "She didn't tell me." Ann usually confided in him.

"She didn't tell me, either. Lord Wisbeach told me. He said Ann had promised to think it over, and give him his answer later. Meanwhile, he had come to me to assure himself that I approved. I thought that so charming of him."

Mr. Pett was frowning.

"She hasn't accepted him?"

"Not definitely."

"I hope she doesn't."

"Don't be foolish, Peter. It would be an excellent match."

Mr. Pett shuffled his feet.

"I don't like him. There's something too darned smooth about that fellow."

"If you mean that his manners are perfect, I agree with you. I shall do all in my power to induce Ann to accept him."

"I shouldn't," said Mr. Pett, with more decision than was his wont. "You know what Ann is if you try to force her to do anything. She gets her ears back and won't budge. Her father is just the same. When we were boys together, sometimes—"

"Don't be absurd, Peter. As if I should dream of trying to force Ann to do anything."

"We don't know anything of this fellow. Two weeks ago we didn't know he was on the earth."

"What do we need to know beyond his name?"

Mr. Pett said nothing, but he was not convinced. The Lord Wisbeach under discussion was a pleasant-spoken and presentable young man who had called at Mr. Pett's office a short while before to consult him about investing some money. He had brought a letter of introduction from Hammond Chester, Ann's father, whom he had met in Canada, where the latter was at present engaged in the comparatively mild occupation of bass-fishing. With their business talk the acquaintance would have begun and finished, if Mr. Pett had been able to please himself, for he had not taken a fancy to Lord Wisbeach. But he was an American, with an American's sense of hospitality, and, the young man being a friend of Hammond Chester, he had felt bound to invite him to Riverside Drive—with misgivings which were now, he felt, completely justified.

"Ann ought to marry," said Mrs. Pett. "She gets her own way too much now. However, it is entirely her own affair, and there is nothing that we can do." She rose. "I only hope she will be sensible."

She went out, leaving Mr. Pett gloomier than she had found him. He hated the idea of Ann marrying Lord Wisbeach, who, even if he had had no faults at all, would be objectionable in that he would probably take her to live three thousand miles away in his own country. The thought of losing Ann oppressed Mr. Pett sorely.

Ann, meanwhile, had made her way down the passage to the gymnasium which Mr. Pett, in the interests of his health, had caused to be constructed in a large room at the end of the house—a room designed by the original owner, who had had artistic leanings, for a studio. The tap-tap-tap of the leather bag had ceased, but voices from within told her that Jerry Mitchell, Mr. Pett's private physical instructor, was still there. She wondered who was his companion, and found on opening the door that it was Ogden. The boy was leaning against the wall and regarding Jerry with a dull and supercilious gaze which the latter was plainly finding it hard to bear.

"Yes, sir!" Ogden was saying, as Ann entered. "I heard Biggs asking her to come for a joyride."

"I bet she turned him down," said Jerry Mitchell sullenly.

"I bet she didn't. Why should she? Biggs is an awful good-looking fellow."

"What are you talking about, Ogden?" said Ann.

"I was telling him that Biggs asked Celestine to go for a ride in the car with him."

"I'll knock his block off," muttered the incensed Jerry.

Ogden laughed derisively.

"Yes, you will! Mother would fire you if you touched him. She wouldn't stand for having her chauffeur beaten up."

Jerry Mitchell turned an appealing face to Ann. Ogden's revelations and especially his eulogy of Biggs' personal appearance had tormented him. He knew that, in his wooing of Mrs. Pett's maid, Celestine, he was handicapped by his looks, concerning which he had no illusions. No Adonis to begin with, he had been so edited and re-edited during a long and prosperous ring career by the gloved fists of a hundred foes that in affairs of the heart he was obliged to rely exclusively on moral worth and charm of manner. He belonged to the old school of fighters who looked the part, and in these days of pugilists who resemble matinee idols he had the appearance of an anachronism. He was a stocky man with a round, solid head, small eyes, an undershot jaw, and a nose which ill-treatment had reduced to a mere scenario. A narrow strip of forehead acted as a kind of buffer-state, separating his front hair from his eyebrows, and he bore beyond hope of concealment the badge of his late employment, the cauliflower ear. Yet was he a man of worth and a good citizen, and Ann had liked him from their first meeting. As for Jerry, he worshipped Ann and would have done anything she asked him. Ever since he had discovered that Ann was willing to listen to and sympathise with his outpourings on the subject of his troubled wooing, he had been her slave.

Ann came to the rescue in characteristically direct fashion.

"Get out, Ogden," she said.

Ogden tried to meet her eye mutinously, but failed. Why he should be afraid of Ann he had never been able to understand, but it was a fact that she was the only person of his acquaintance whom he respected. She had a bright eye and a calm, imperious stare which never failed to tame him.

"Why?" he muttered. "You're not my boss."

"Be quick, Ogden."

"What's the big idea—ordering a fellow—"

"And close the door gently behind you," said Ann. She turned to Jerry, as the order was obeyed.

"Has he been bothering you, Jerry?"

Jerry Mitchell wiped his forehead.

"Say, if that kid don't quit butting in when I'm working in the gym— You heard what he was saying about Maggie, Miss Ann?"

Celestine had been born Maggie O'Toole, a name which Mrs. Pett stoutly refused to countenance in any maid of hers.

"Why on earth do you pay any attention to him, Jerry? You must have seen that he was making it all up. He spends his whole time wandering about till he finds some one he can torment, and then he enjoys himself. Maggie would never dream of going out in the car with Biggs."

Jerry Mitchell sighed a sigh of relief.

"It's great for a fellow to have you in his corner, Miss Ann."

Ann went to the door and opened it. She looked down the passage, then, satisfied as to its emptiness, returned to her seat.

"Jerry, I want to talk to you. I have an idea. Something I want you to do for me."

"Yes, Miss Ann?"

"We've got to do something about that child, Ogden. He's been worrying uncle Peter again, and I'm not going to have it. I warned him once that, if he did it again, awful things would happen to him, but he didn't believe me. I suppose, Jerry—what sort of a man is your friend, Mr. Smethurst?"

"Do you mean Smithers, Miss Ann?"

"I knew it was either Smithers or Smethurst. The dog man, I mean. Is he a man you can trust?"

"With my last buck. I've known him since we were kids."

"I don't mean as regards money. I am going to send Ogden to him for treatment, and I want to know if I can rely on him to help me."

"For the love of Mike."

Jerry Mitchell, after an instant of stunned bewilderment, was looking at her with worshipping admiration. He had always known that Miss Ann possessed a mind of no common order, but this, he felt, was genius. For a moment the magnificence of the idea took his breath away.

"Do you mean that you're going to kidnap him, Miss Ann?"

"Yes. That is to say, you are—if I can persuade you to do it for me."

"Sneak him away and send him to Bud Smithers' dog-hospital?"

"For treatment. I like Mr. Smithers' methods. I think they would do Ogden all the good in the world."

Jerry was enthusiastic.

"Why, Bud would make him part-human. But, say, isn't it taking big chances? Kidnapping's a penitentiary offence."

"This isn't that sort of kidnapping."

"Well, it's mighty like it."

"I don't think you need be afraid of the penitentiary. I can't see aunt Nesta prosecuting, when it would mean that she would have to charge us with having sent Ogden to a dogs' hospital. She likes publicity, but it has to be the right kind of publicity. No, we do run a risk, but it isn't that one. You run the risk of losing your job here, and I should certainly be sent to my grandmother for an indefinite sentence. You've never seen my grandmother, have you, Jerry? She's the only person in the world I'm afraid of! She lives miles from anywhere and has family prayers at seven-thirty sharp every morning. Well, I'm ready to risk her, if you're ready to risk your job, in such a good cause. You know you're just as fond of uncle Peter as I am, and Ogden is worrying him into a breakdown. Surely you won't refuse to help me, Jerry?"

Jerry rose and extended a calloused hand.

"When do we start?"

Ann shook the hand warmly.

"Thank you, Jerry. You're a jewel. I envy Maggie. Well, I don't think we can do anything till they come back from England, as aunt Nesta is sure to take Ogden with her."

"Who's going to England?"

"Uncle Peter and aunt Nesta were talking just now of sailing to try and persuade a young man named Crocker to come back here."

"Crocker? Jimmy Crocker? Piccadilly Jim?"

"Yes. Why, do you know him?"

"I used to meet him sometimes when he was working on the Chronicle here. Looks as if he was cutting a wide swathe in dear old London. Did you see the paper to-day?"

"Yes, that's what made aunt Nesta want to bring him over. Of course, there isn't the remotest chance that she will be able to make him come. Why should he come?"

"Last time I saw Jimmy Crocker," said Jerry, "it was a couple of years ago, when I went over to train Eddie Flynn for his go with Porky Jones at the National. I bumped into him at the N. S. C. He was a good deal tanked."

"He's always drinking, I believe."

"He took me to supper at some swell joint where they all had the soup-and-fish on but me. I felt like a dirty deuce in a clean deck. He used to be a regular fellow, Jimmy Crocker, but from what you read in the papers it begins to look as if he was hitting it up too swift. It's always the way with those boys when you take them off a steady job and let them run around loose with their jeans full of ."

"That's exactly why I want to do something about Ogden. If he's allowed to go on as he is at present, he will grow up exactly like Jimmy Crocker."

"Aw, Jimmy Crocker ain't in Ogden's class," protested Jerry.

"Yes, he is. There's absolutely no difference between them."

"Say! You've got it in for Jim, haven't you, Miss Ann?" Jerry looked at her wonderingly. "What's your kick against him?"

Ann bit her lip. "I object to him on principle," she said. "I don't like his type. . . . Well, I'm glad we've settled this about Ogden, Jerry. I knew I could rely on you. But I won't let you do it for nothing. Uncle Peter shall give you something for it—enough to start that health-farm you talk about so much. Then you can marry Maggie and live happily ever afterwards."

"Gee! Is the boss in on this, too?"

"Not yet. I'm going to tell him now. Hush! There's some one coming."

Mr. Pett wandered in. He was still looking troubled.

"Oh, Ann—good morning, Mitchell—your aunt has decided to go to England. I want you to come, too."

"You want me? To help interview Jimmy Crocker?"

"No, no. Just to come along and be company on the voyage. You'll be such a help with Ogden, Ann. You can keep him in order. How you do it, I don't know. You seem to make another boy of him."

Ann stole a glance at Jerry, who answered with an encouraging grin. Ann was constrained to make her meaning plainer than by the language of the eye.

"Would you mind just running away for half a moment, Jerry?" she said winningly. "I want to say something to uncle Peter."

"Sure. Sure."

Ann turned to Mr. Pett as the door closed.

"You'd like somebody to make Ogden a different boy, wouldn't you, uncle Peter?"

"I wish it was possible."

"He's been worrying you a lot lately, hasn't he?" asked Ann sympathetically.

"Yes," sighed Mr. Pett.

"Then that's all right," said Ann briskly. "I was afraid that you might not approve. But, if you do, I'll go right ahead."

Mr. Pett started violently. There was something in Ann's voice and, as he looked at her, something in her face which made him fear the worst. Her eyes were flashing with an inspired light of a highly belligerent nature, and the sun turned the red hair to which she owed her deplorable want of balance to a mass of flame. There was something in the air. Mr. Pett sensed it with every nerve of his apprehensive person. He gazed at Ann, and as he did so the years seemed to slip from him and he was a boy again, about to be urged to lawless courses by the superior will of his boyhood's hero, Hammond Chester. In the boyhood of nearly every man there is a single outstanding figure, some one youthful hypnotic Napoleon whose will was law and at whose bidding his better judgment curled up and died. In Mr. Pett's life Ann's father had filled this role. He had dominated Mr. Pett at an age when the mind is most malleable. And now—so true is it that though Time may blunt our boyish memories the traditions of boyhood live on in us and an emotional crisis will bring them to the surface as an explosion brings up the fish that lurk in the nethermost mud—it was as if he were facing the youthful Hammond Chester again and being irresistibly impelled to some course of which he entirely disapproved but which he knew that he was destined to undertake. He watched Ann as a trapped man might watch a ticking bomb, bracing himself for the explosion and knowing that he is helpless. She was Hammond Chester's daughter, and she spoke to him with the voice of Hammond Chester. She was her father's child and she was going to start something.

"I've arranged it all with Jerry," said Ann. "He's going to help me smuggle Ogden away to that friend of his I told you about who keeps the dog-hospital: and the friend is going to keep him until he reforms. Isn't it a perfectly splendid idea?"

Mr. Pett blanched. The frightfulness of reality had exceeded anticipation.

"But, Ann!"

The words came from him in a strangled bleat. His whole being was paralysed by a clammy horror. This was beyond the uttermost limit of his fears. And, to complete the terror of the moment, he knew, even while he rebelled against the insane lawlessness of her scheme, that he was going to agree to it, and—worst of all—that deep, deep down in him there was a feeling toward it which did not dare to come to the surface but which he knew to be approval.

"Of course Jerry would do it for nothing," said Ann, "but I promised him that you would give him something for his trouble. You can arrange all that yourselves later."

"But, Ann! . . . But, Ann! . . . Suppose your aunt finds out who did it!"

"Well, there will be a tremendous row!" said Ann composedly. "And you will have to assert yourself. It will be a splendid thing for you. You know you are much too kind to every one, uncle Peter. I don't think there's any one who would put up with what you do. Father told me in one of his letters that he used to call you Patient Pete as a boy."

Mr. Pett started. Not for many a day had a nickname which he considered the most distasteful of all possible nicknames risen up from its grave to haunt him. Patient Pete! He had thought the repulsive title buried forever in the same tomb as his dead youth. Patient Pete! The first faint glimmer of the flame of rebellion began to burn in his bosom.

"Patient Pete!"

"Patient Pete!" said Ann inexorably.

"But, Ann,"—there was pathos in Mr. Pett's voice—"I like a peaceful life."

"You'll never have one if you don't stand up for yourself. You know quite well that father is right. You do let every one trample on you. Do you think father would let Ogden worry him and have his house filled with affected imitation geniuses so that he couldn't find a room to be alone in?"

"But, Ann, your father is different. He likes fusses. I've known your father contradict a man weighing two hundred pounds out of sheer exuberance. There's a lot of your father in you, Ann. I've often noticed it."

"There is! That's why I'm going to make you put your foot down sooner or later. You're going to turn all these loafers out of the house. And first of all you're going to help us send Ogden away to Mr. Smithers."

There was a long silence.

"It's your red hair!" said Mr. Pett at length, with the air of a man who has been solving a problem. "It's your red hair that makes you like this, Ann. Your father has red hair, too."

Ann laughed.

"It's not my fault that I have red hair, uncle Peter. It's my misfortune."

Mr. Pett shook his head.

"Other people's misfortune, too!" he said.

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Clear writing conveys clear thought. NARA writers in all offices must strive for clear communication to explain their increasingly complex work. They write letters, memorandums, finding aids, web pages, blogs, leaflets, reports, articles, exhibit scripts, brochures, budget requests, speeches, forms, and email messages. This style guide establishes agency standards of punctuation, word usage, and grammar that will answer writers' most common questions and will, we hope, promote clear and effective writing throughout NARA.

Style changes over time and even from place to place, depending on the intended audience. These differences do not necessarily make one choice wrong. What is right is consistency within your own work and using the appropriate language and usage for your audience.

The NARA Style Guide fills two needs. First, the section Writing for Plain Language will help us comply with the Plain Writing Act of 2010. Second, it addresses many of the questions and issues unanswered by the Government Printing Office Style Manual (GPO manual). This guide is based on the GPO manual but includes modifications that reflect current usage.

The most notable difference from the GPO manual concerns the treatment of numbers. This style guide simplifies the rules. In most cases, writers will spell out numbers under 10 and use numerals for numbers 10 and over. (See section 4.10.)

The GPO manual is still NARA's primary reference for style. For issues not covered in the NARA guide, continue to consult the GPO manual.

The appendix, "Quick Reference", may be particularly helpful to NARA writers. This list of words and phrases provides quick answers to common questions about capitalization, spelling, compound words, and plurals.

The NARA Style Guide took shape from the agency`s specific language needs and will continue to change to reflect the needs and concerns of NARA writers.

Use the NARA Style Guide for all NARA communications.

If you have questions about spelling, grammar, or usage that are not addressed by this guide, contact the Strategy and Communications staff (SC, Mary Ryan:, telephone 202-357-5482). Rh

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 ; Helpful References

PlainLanguage.gov (www.plainlanguage.gov)

Bremner, John B. Words on Words. New York: Columbia University Press, 1980.

The Chicago Manual of Style. 16th ed. Chicago: University of Chicago Press, 2010.

Cormier, Robin. Error-Free Writing: A Lifetime Guide to Flawless Business Writing. Paramus, NJ: Prentice Hall, 1995.

Editors of EEI Press, E-What?: A Guide to the Quirks of New Media Style and Usage. Alexandria, VA: EEI Press, 2000.

General Services Administration, Standard and Optional Forms Procedural Handbook. Washington, DC: GSA, July 2009. www.gsa.gov/portal/forms/type/SF

Gunning, Robert. The Technique of Clear Writing. New York: McGraw-Hill, rev. 1983.

Lauchman, Richard. Plain Style: Techniques for Simple, Concise, Emphatic Business Writing. New York: AMACOM, 1993.

National Archives and Records Administration, Guide for Preparing NARA Correspondence: A Supplement to NARA 201 (June 13, 2005). www.nara-atwork.gov/nara_policies_and_guidance/directives/0200_series/word/corrguide.doc

National Archives and Records Administration, Office of the Federal Register, Plain Language Tools. www.archives.gov/federal-register/write/plain-language/

National Archives and Records Administration, Office of the Federal Register, Drafting Legal Documents. www.archives.gov/federal-register/write/legal-docs/index.html

The New York Public Library Writer's Guide to Style and Usage. New York: HarperCollins, 1994.

Redish, Janice (Ginny). Letting Go of the Words: Writing Web Content that Works. San Francisco: Morgan Kaufman, 2007.

Strunk, William, Jr. The Elements of Style. With revisions, an introduction, and a chapter on writing by E. B. White. 4th ed. Boston: Allyn and Bacon, 1999. (commonly known as Strunk and White)

United States Government Printing Office Style Manual. Washington, DC: GPO, 2008. www.gpoaccess.gov/stylemanual/browse.html Rh

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 ;Contents

1. Writing in Plain Language 1.1 Think about your audience 1.2 Organize your material
 * 1.2.1 Use headings and subheadings
 * 1.2.2 Limit heading levels to three or fewer
 * 1.2.3 Write short sections

1.3 Verbs
 * 1.3.1 Use the active voice (unless passive makes more sense)
 * 1.3.2 Use the simplest form of the verb
 * 1.3.3 Don't hide the verb
 * 1.3.4 Don't use "shall"
 * 1.3.5 Avoid the false subjects It is and There are
 * 1.3.6 Use contractions when appropriate

1.4 Nouns and pronouns
 * 1.4.1 Use everyday words
 * 1.4.2 Avoid "noun strings"
 * 1.4.3 Use pronouns

1.5 Omit unnecessary words
 * 1.5.1 Write with a word, not a phrase
 * 1.5.2 Avoid redundancy
 * 1.5.3 Avoid intruding words
 * 1.5.4 Don't "double" terms
 * 1.5.5 Beware basis, manner, fashion, and way

1.6 Sentences
 * 1.6.1 Write short sentences
 * 1.6.2 Place words carefully
 * 1.6.3 Use idioms
 * 1.6.4 Minimize the use of "not"

2. Formatting for Readability 2.1 Understand that isolation is emphasis 2.2 Don't hesitate to use headings in any document 2.3 Isolate lead sentences 2.4 Feel free to write one-sentence paragraphs 2.5 Use standard typefaces for the text 2.6 Leave the right margin ragged 2.7 Leave plenty of white space 2.8 Use discretion with graphics 2.9 Use tables to present comparisons 2.10 Use vertical lists 2.11 Use footnotes and endnotes for explanatory or peripheral information Rh

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 2.12 Adjust established formats when necessary

3. Writing and Formatting Email 3.1 Think before sending 3.2 Use the subject field 3.3 Be cautious about using special type styles 3.4 Be judicious when capitalizing words 3.5 Keep paragraphs short 3.6 Maintain a businesslike tone

4. Usage and Style 4.1 Abbreviations and Symbols
 * 4.1.1 Geographic locations
 * 4.1.2 United States / U.S.
 * 4.1.3 Personal titles
 * 4.1.4 Citations
 * 4.1.5 Typographic symbols

4.2 Acronyms 4.3 Addresses 4.4 Capitalization
 * 4.4.1 Geographic terms
 * 4.4.2 Military terms
 * 4.4.3 NARA forms, directives, and notices
 * 4.4.4 Organizations
 * 4.4.5 Personal titles

4.5 Compounds
 * 4.5.1 Prefixes
 * 4.5.2 Compound adjectives
 * 4.5.3 Compound nouns
 * 4.5.4 Suspended compounds
 * 4.5.5 References to ethnicity

4.6 Computer-related terms 4.7 Dates 4.8 Grammar reminders
 * 4.8.1 Subject/verb agreement
 * 4.8.2 Prepositions and pronouns

4.9 Gender-neutral language 4.10 Numbers 4.11 Plurals 4.12 Possessives 4.13 Problem words and phrases 4.14 Punctuation
 * 4.14.1 Apostrophe
 * 4.14.2 Colons and semicolons
 * 4.14.3 Comma
 * 4.14.4 Dash

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 :4.14.5 Ellipses
 * 4.14.6 Parentheses
 * 4.14.7 Quotation marks

4.15 References to NARA 4.16 Titles of works: italics or quotation marks

Appendix: Quick Reference Rh

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