text:
Aunt Jane's Nieces Out West/Chapter 3

On Saturday they were treated to a genuine surprise, for when the omnibus drew up before the hotel entrance it brought Arthur Weldon and his girl-wife, Louise, who was Uncle John's eldest niece. It also brought "the Cherub," a wee dimpled baby hugged closely in the arms of Inez, its Mexican nurse.

Patsy and Beth shrieked in ecstasy as they rushed forward to smother "Toodlums," as they irreverently called the Cherub, with kisses. Inez, a handsome, dark-eyed girl, relinquished her burden cheerfully to the two adoring "aunties," while Uncle John kissed Louise and warmly shook the hand of her youthful husband.

"What in the world induced you to abandon your beloved ranch?" inquired Mr. Merrick.

"Don't ask me, sir!" replied Arthur, laughing at the elder gentleman's astonishment. He was a trim young fellow, with a clean-cut, manly face and frank, winning manners.

"It's sort of between hay and grass with us, you know," he explained. "Walnuts all marketed and oranges not ready for the pickers. All our neighbors have migrated, this way or that, for their regular winter vacations, and after you all left, Louise and I began to feel lonely. So at breakfast this morning we decided to flit. At ten o'clock we caught the express, and here we are—in time for lunch. I hope it's ready, Uncle John."

It was; but they must get their rooms and settle the baby in her new quarters before venturing to enter the dining room. So they were late for the midday meal and found themselves almost the only guests in the great dining hall.

As they sat at table, chatting merrily together, Arthur asked:

"What are you staring at, Patsy?"

"A lovely girl," said she. "One of the loveliest girls I have ever seen. Don't look around, Arthur; it might attract their attention."

"How many girls are there?"

"Two; and a lady who seems to be their mother. The other girl is pretty, too, but much younger than her sister—or friend, for they do not resemble one another much. They came in a few minutes ago and are seated at the table in the opposite corner."

"New arrivals, I suppose," remarked Uncle John, who from his position could observe the group.

"No," said Patsy; "their waitress seems to know them well. But I've never before seen them in the hotel."

"We are always early at meal time," explained Beth, "and to-day these people are certainly late. But they are pretty girls, Patsy. For once I concur in your judgment."

"You arouse my curiosity," said Arthur, speaking quietly, so as not to be overheard in the far corner. "If I hear more ecstatic praises of these girls I shall turn around and stare them out of countenance."

"Don't," said Louise. "I'm glad your back is toward them, Arthur, for it preserves you from the temptation to flirt."

"Oh, as for that, I do not need to turn around in order to see pretty girls," he replied.

"Thank you, Arthur," said Patsy, making a face at him. "Look me over all you like, and flirt if you want to. I'm sure Louise won't object."

"Really, Patsy, you're not bad to look at," he retorted, eyeing her critically. "Aside from your red hair, the pug nose and the freckles, you have many excellent qualities. If you didn't squint—"

"Squint!"

"What do you call that affection of your eyes?"

"That," she said, calmly eating her dessert, "was a glance of scorn—burning, bitter scorn!"

"I maintain it was a squint," declared Arthur.

"That isn't her only expression," announced Uncle John, who loved these little exchanges of good-humored banter. "On Monday I will show you Patsy as a terror-stricken damsel in distress."

"Also Beth, still more distressful," added Patsy; and then they told Louise and Arthur about the picture.

"Fine!" he cried. "I'm deeply gratified that my own relatives—"

"By marriage."

"I am gratified that my secondhand cousins have been so highly honored. I'd rather see a good moving picture than the best play ever produced."

"You'll see a good one this time," asserted Patsy, "for we are the stars."

"I think that unscrupulous Mr. Werner deserves a reprimand," said Louise.

"Oh, he apologized," explained Beth. "But I'm sure he'd take the same liberty again if he had the chance."

"He admits that his love of art destroys his sense of propriety," said Patsy.

As they rose from the table Arthur deliberately turned to view the party in the other corner, and then to the amazement of his friends he coolly walked over and shook the elder lady's hand with evident pleasure. Next moment he was being introduced to the two girls. The three cousins and their Uncle John walked out of the dining hall and awaited Arthur Weldon in the lobby.

"It is some old acquaintance, of course," said Louise. "Arthur knows a tremendous lot of people and remembers everyone he ever has met."

When he rejoined them he brought the lady and the two beautiful girls with him, introducing Mrs. Montrose as one of his former acquaintances in New York, where she had been a near neighbor to the Weldons. The girls, who proved to be her nieces instead of her daughters, were named Maud and Florence Stanton, Maud being about eighteen years of age and Florence perhaps fifteen. Maud's beauty was striking, as proved by Patsy's admiration at first sight; Florence was smaller and darker, yet very dainty and witching, like a Dresden shepherdess.

The sisters proved rather shy at this first meeting, being content to exchange smiles with the other girls, but their aunt was an easy conversationalist and rambled on about the delights of Hollywood and southern California until they were all in a friendly mood. Among other things Mrs. Montrose volunteered the statement that they had been at the hotel for several weeks, but aside from that remark disclosed little of their personal affairs. Presently the three left the hotel and drove away in an automobile, having expressed a wish to meet their new friends again and become better acquainted with them.

"I was almost startled at running across Mrs. Montrose out here," said Arthur. "After father's death, when I gave up the old home, I lost track of the Montroses; but I seem to remember that old Montrose went to the happy hunting grounds and left a widow, but no children. I imagine these people are wealthy, as Montrose was considered a successful banker. I'll write to Duggins and inquire about them."

"Duggins seems to know everything," remarked Louise.

"He keeps pretty good track of New York people, especially of the old families," replied her husband.

"I can't see what their history matters to us," observed Patsy. "I like to take folks as I find them, without regard to their antecedents or finances. Certainly those Stanton girls are wonderfully attractive and ladylike."

But now the baby claimed their attention and the rest of that day was passed in "visiting" and cuddling the wee Toodlums, who seemed to know her girl aunties and greeted them with friendly coos and dimpled smiles.

On Sunday they took a motor trip through the mountain boulevards and on their way home passed the extensive enclosure of the Continental Film Company. A thriving village has been built up at this place, known as Film City, for many of those employed by the firm prefer to live close to their work. Another large "plant" of the same concern is located in the heart of Hollywood.

As they passed through Film City Uncle John remarked:

"We are invited to visit this place and witness the making of a motion picture. I believe it would prove an interesting sight."

"Let us go, by all means," replied Arthur. "I am greatly interested in this new industry, which seems to me to be still in its infancy. The development of the moving picture is bound to lead to some remarkable things in the future, I firmly believe."

"So do I," said Uncle John. "They'll combine the phonograph with the pictures, for one thing, so that the players, instead of being silent, will speak as clearly as in real life. Then we'll have the grand operas, by all the most famous singers, elaborately staged; and we'll be able to see and hear them for ten cents, instead of ten dollars. It will be the same with the plays of the greatest actors."

"That would open up a curious complication," asserted Louise. "The operas would only be given once, before the camera and the recorder. Then what would happen to all the high-priced opera singers?"

"They would draw royalties on all their productions, instead of salaries," replied Arthur.

"Rather easy for the great artists!" observed Patsy. "One performance—and the money rolling in for all time to come."

"Well, they deserve it," declared Beth. "And think of what the public would gain! Instead of having to suffer during the performances of incompetent actors and singers, as we do to-day, the whole world would be able to see and hear the best talent of the ages for an insignificant fee. I hope your prediction will come true, Uncle John."

"It's bound to," he replied, with confidence. "I've read somewhere that Edison and others have been working on these lines for years, and although they haven't succeeded yet, anything possible in mechanics is bound to be produced in time."

title: Aunt Jane's Nieces Out West/Chapter 3


text:
Aunt Jane's Nieces Out West/Chapter 4

The picture, which was entitled "The Sacrifice," proved—to use Patsy's words—"a howling success." On Monday afternoons the little theatres are seldom crowded, so Mr. Merrick's party secured choice seats where they could observe every detail of the photography. The girls could not wait for a later performance, so eager were they to see themselves in a motion picture, nor were they disappointed to find they were a mere incident in the long roll of film.

The story of the photo-play was gripping in its intensity, and since Mr. Werner had clearly explained the lesson it conveyed, they followed the plot with rapt attention. In the last scene their entrance and exit was transitory, but they were obliged to admit that their features were really expressive of fear. The next instant the wall fell, burying its victims, and this rather bewildered them when they remembered that fully half an hour had elapsed while the dummies were being placed in position, the real people removed from danger and preparations made to topple over the wall from the inside of the building. But the camera had been inactive during that period and so cleverly had the parts of the picture been united that no pause whatever was observable to the spectators.

"My! what a stuffy place," exclaimed Louise, as they emerged into the light of day. "I cannot understand why it is necessary to have these moving picture theatres so gloomy and uncomfortable."

"It isn't necessary," replied Uncle John. "It's merely a habit the builders have acquired. There seemed to be a total lack of ventilation in that place."

"No one expects much for ten cents," Arthur reminded him. "If the pictures are good the public will stand for anything in the matter of discomfort."

"Did you notice," said Patsy, slowly, "how many children there were in that theatre?"

"Yes, indeed," answered Beth. "The pictures seem to be an ideal amusement for children. I do not suppose they can understand all the dramas and love stories, but the pictures entertain them, whatever the theme may be."

"They are not allowed to go unless accompanied by a parent or guardian," Arthur stated; "but I saw a group of eleven under the care of one cheery-looking old lady, so I suppose the little ones evade the law in that way."

On Tuesday forenoon they drove to the office of the Continental Film Manufacturing Company and inquired for Mr. Werner. Every approach to the interior of the big stockade was closely guarded in order to prevent the curious from intruding, but Werner at once hurried out to greet them and escorted them into the enclosure.

"You are just in time," said he, "to witness one of the scenes in our great picture, 'Samson and Delilah.' They're getting it on now, so you must hurry if you want to see the work. It's really the biggest thing our firm has ever turned out."

They passed a group of low but extensive frame buildings, threading their way between them until finally they emerged within a large open space where huge frames covered with canvas were propped up in broad daylight and apparently in great disorder. Huddled here and there were groups of people wearing Oriental costumes of the Bible days, their skins stained brown, the make-up on their faces showing hideously in the strong light. A herd of meek donkeys, bearing burdens of faggots, was tethered near by.

"Follow me closely," cautioned their guide, "so you will not step over the 'dead line' and get yourselves in the picture."

"What is the 'dead line'?" inquired Uncle John.

"The line that marks the limit of the camera's scope. Outside of that you are quite safe. You will notice it is plainly marked in chalk."

They passed around to the front and were amazed at the picture disclosed by the reverse of the gaunt, skeleton-like framework. For now was displayed Solomon's temple in all its magnificence, with huge pillars supporting a roof that seemed as solid and substantial as stone and mortar could make it.

The perspective was wonderful, for they could follow a line of vision through the broad temple to a passage beyond, along which was approaching a procession of priests, headed by dancing girls and musicians beating tomtoms and playing upon reeds. The entire scene was barbaric in its splendor and so impressive that they watched it spellbound, awed and silent.

Yet here beside them was the motion-picture camera, clicking steadily away and operated by a man in his shirt-sleeves who watched the scene with sharp eyes, now frowning and now nodding approval. Beside him at times, but rushing from one point to another just outside the chalk-marks that indicated the "dead line," was the director of this production, who shouted commands in a nervous, excited manner and raged and tore his hair when anything went wrong.

Something went very wrong presently, for the director blew a shrill blast on his whistle and suddenly everything stopped short. The camera man threw a cloth over his lenses and calmly lighted a cigarette. The procession halted in uncertainty and became a disordered rabble; but the director sprang into the open space and shouted at his actors and actresses in evident ill temper.

"There it is again!" he cried. "Five hundred feet of good film, ruined by the stupidity of one person. Get out of that priest's robe, Higgins, and let Jackson take your place. Where's Jackson, anyhow?"

"Here," answered a young man, stepping out from a group of spectators.

"Do you know the work? Can you lead that procession into the temple so they will leave room for Delilah to enter, and not crowd her off the platform?" asked the director.

Jackson merely nodded as he scrambled into the priest's robe which the discomfited Higgins resigned to him. Evidently the bungling actor was in disgrace, for he was told to go to the office and get his pay and then "clear out."

So now the procession was sent back into the passage and rearranged in proper order; the signal was given to begin and in an instant the camera renewed its clicking as the operator slowly revolved the handle that carried the long strip of film past the lenses. The musicians played, the girls danced, the procession slowly emerged from the passage.

This time it advanced properly and came to a halt just at the head of the staircase leading up to the entrance to the temple.

"Delilah!" shouted the director, and now appeared a beautiful girl who made a low obeisance to the chief priest.

"Why—goodness me!" cried Patsy. "It's—it's Maud Stanton!"

"Nonsense!" returned Arthur, sharply; and then he looked again and drew a long breath; for unless it were indeed the elder niece of Mrs. Montrose, there must be two girls in the world identically alike.

Mr. Werner settled the question by quietly remarking: "Of course it's Maud Stanton. She's our bright, particular star, you know, and the public would resent it if she didn't appear as the heroine of all our best pictures."

"An actress!" exclaimed Arthur. "I—I didn't know that."

"She and her sister Flo are engaged by us regularly," replied Werner, with an air of pride. "They cost us a lot of money, as you may imagine, but we can't afford to let any competitor have them."

If Arthur Weldon felt any chagrin at this, discovery it was not in the least shared by the others of his party. Beth was admiring the young girl's grace and dignity; Patsy was delighted by her loveliness in the fleecy, picturesque costume she wore; Louise felt pride in the fact that she had been introduced to "a real actress," while Uncle John wondered what adverse fortune had driven this beautiful, refined girl to pose before a motion picture camera.

They soon discovered Florence Stanton in the picture, too, among the dancing girls; so there could be no mistake of identity. Mrs. Montrose was not visible during the performance; but afterward, when Samson had pulled down the pillars of the temple and it had fallen in ruins, when the "show" was over and the actors trooping away to their dressing-rooms, then the visitors were ushered into the main office of the establishment to meet Mr. Goldstein, the manager, and seated by the window was the aunt of the two girls, placidly reading a book. She looked up with a smile as they entered.

"Did you see the play?" she asked. "And isn't it grand and impressive? I hope you liked Maud's 'Delilah.' The poor child has worked so hard to create the character."

They assured her the girl was perfect in her part, after which Mr. Merrick added: "I'm astonished you did not go out to see the play yourself."

She laughed at his earnestness.

"It's an old story to me," she replied, "for I have watched Maud rehearse her part many times. Also it is probable that some—if not all—of the scenes of 'Samson and Delilah' will be taken over and over, half a dozen times, before the director is satisfied."

"The performance seemed quite perfect to-day," said Uncle John. "I suppose, Mrs. Montrose, you do not—er—er—act, yourself?"

"Oh. I have helped out, sometimes, when a matronly personation is required, but my regular duties keep me busily engaged in the office."

"May we ask what those duties are?" said Louise.

"I'm the reader of scenarios."

"Dear me!" exclaimed Patsy. "I'm sure we don't know any more than we did before."

"A 'scenario,'" said the lady, "is a description of the plot for a photo-play. It is in manuscript form and hundreds of scenarios are submitted to us from every part of the country, and by people in all walks of life."

"I shouldn't think you could use so many," said Beth.

"We can't, my dear," responded the lady, laughing at her simplicity. "The majority of the scenarios we receive haven't a single idea that is worth considering. In most of the others the ideas are stolen, or duplicated from some other picture-play. Once in a while, however, we find a plot of real merit, and then we accept it and pay the author for it."

"How much?" inquired Arthur.

"So little that I am ashamed to tell you. Ideas are the foundation of our business, and without them we could not make successful films; but when Mr. Goldstein buys an idea he pays as little for it as possible, and the poor author usually accepts the pittance with gratitude."

"We were a little surprised," Uncle John ventured to say, "to find you connected with this—er—institution. I suppose it's all right; but those girls—your nieces—"

"Yes, they are motion picture actresses, and I am a play reader. It is our profession, Mr. Merrick, and we earn our living in this way. To be frank with you, I am very proud of the fact that my girls are popular favorites with the picture theatre audiences."

"That they are, Mrs. Montrose!" said Goldstein, the manager, a lean little man, earnestly endorsing the statement; "and that makes them the highest priced stars in all our fourteen companies of players. But they're worth every cent we pay 'em—and I hope ev'rybody's satisfied."

Mrs. Montrose paid little deference to the manager. "He is only a detail man," she explained when Goldstein had gone way, "but of course it is necessary to keep these vast and diverse interests running smoothly, and the manager has enough details on his mind to drive an ordinary mortal crazy. The successful scenario writers, who conceive our best plays, are the real heart of this business, and the next to them in importance are the directors, or producers, who exercise marvelous cleverness in staging the work of the authors."

"I suppose," remarked Arthur Weldon, "it is very like a theatre."

"Not so like as you might imagine," was the reply. "We employ scenery, costumes and actors, but not in ways theatrical, for all our work is subservient to the camera's eye and the requirements of photography."

While they were conversing, the two Stanton girls entered the office, having exchanged their costumes for street clothes and washed the make-up from their faces, which were now fresh and animated.

"Oh, Aunt Jane!" cried Flo, running to Mrs. Montrose, "we're dismissed for the day. Mr. McNeil intends to develop the films before we do anything more, and Maud and I want to spend the afternoon at the beach."

The lady smiled indulgently as Maud quietly supported her sister's appeal, the while greeting her acquaintances of yesterday with her sweet, girlish charm of manner.

"A half-holiday is quite unusual with us," she explained, "for it is the custom to hold us in readiness from sunrise to sunset, in case our services are required. An actress in a motion picture concern is the slave of her profession, but we don't mind the work so much as we do waiting around for orders."

"Suppose we all drive to the beach together," suggested Mr. Merrick. "We will try to help you enjoy your holiday and it will be a rich treat to us to have your society."

"Yes, indeed!" exclaimed Patsy Doyle. "I'm just crazy over this motion picture business and I want to ask you girls a thousand questions about it."

They graciously agreed to the proposition and at once made preparations for the drive. Mrs. Montrose had her own automobile, but the party divided, the four young girls being driven by Mr. Merrick's chauffeur in his machine, while Uncle John, Arthur and Louise rode with Mrs. Montrose.

It did not take the young people long to become acquainted, and the air of restraint that naturally obtained in the first moments gradually wore away. They were all in good spirits, anticipating a jolly afternoon at the ocean resorts, so when they discovered themselves to be congenial companions they lost no time in stilted phrases but were soon chattering away as if they had known one another for years.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Aunt Jane's Nieces Out West/Chapter 4


text:
Aunt Jane's Nieces Out West/Chapter 5

"It must be fine to be an actress," said Patsy Doyle, with enthusiasm. "If I had the face or the figure or the ability—all of which I sadly lack—I'd be an actress myself."

"I suppose," replied Maud Stanton, thoughtfully, "it is as good a profession for a girl as any other. But the life is not one of play, by any means. We work very hard during the rehearsals and often I have become so weary that I feared I would drop to the ground in sheer exhaustion. Flo did faint, once or twice, during our first engagement with the Pictograph Company; but we find our present employers more considerate, and we have gained more importance than we had in the beginning."

"It is dreadfully confining, though," remarked Florence, with a sigh. "Our hours are worse than those of shopgirls, for the early morning sun is the best part of the day for our work. Often we are obliged to reach the studio at dawn. To be sure, we have the evenings to ourselves, but we are then too tired to enjoy them."

"Did you choose, this profession for amusement, or from necessity?" inquired Beth, wondering if the question sounded impertinent.

"Stern necessity," answered Maud with a smile. "We had our living to earn."

"Could not your aunt assist you?" asked Patsy.

"Aunt Jane? Why, she is as poor as we are."

"Arthur Weldon used to know the Montroses," said Beth, "and be believed Mr. Montrose left his widow a fortune."

"He didn't leave a penny," asserted Florence. "Uncle was a stock gambler, and when he died he was discovered to be bankrupt."

"I must explain to you," said Maud, "that our father and mother were both killed years ago in a dreadful automobile accident. Father left a small fortune to be divided between Flo and me, and appointed Uncle George our guardian. We were sent to a girls' school and nicely provided for until uncle's death, when it was found he had squandered our little inheritance as well as his own money."

"That was hard luck," said Patsy sympathetically.

"I am not so sure of that," returned the girl musingly. "Perhaps we are happier now than if we had money. Our poverty gave us dear Aunt Jane for a companion and brought us into a field of endeavor that has proved delightful."

"But how in the world did you ever decide to become actresses, when so many better occupations are open to women?" inquired Beth.

"Are other occupations so much better? A motion picture actress is quite different from the stage variety, you know. Our performances are all privately conducted, and although the camera is recording our actions it is not like being stared at by a thousand critical eyes."

"A million eyes stare at the pictures," asserted Patsy.

"But we are not there to be embarrassed by them," laughed Flo.

"We have but one person to please," continued Maud, "and that is the director. If at first the scene is not satisfactory, we play it again and again, until it is quite correct. To us this striving for perfection is an art. We actors are mere details of an artistic conception. We have now been in Hollywood for five months, yet few people who casually notice us at the hotel or on the streets have any idea that we act for the 'movies.' Sometimes we appear publicly in the streets, in characteristic costume, and proceed to enact our play where all may observe us; but there are so many picture companies in this neighborhood that we are no longer looked upon as a novelty and the people passing by pay little attention to us."

"Were you in that picture of the falling wall?" asked Beth.

"No. We were rehearsing for 'Samson and Delilah.' But sometimes we are called upon to do curious things. One night, not long ago, a big residence burned down in the foothills back of our hotel. At the first alarm of fire one of the directors wakened us and we jumped into our clothes and were whisked in an automobile to the scene of the conflagration. The camera-man was already there and, while we had to dodge the fire-fighters and the hose men, both Flo and I managed to be 'saved from the flames' by some of our actors—not once, but several times."

"It must have been thrilling!" gasped Patsy.

"It was exciting, at the moment," confessed Maud. "One of the pictures proved very dramatic, so an author wrote a story where at the climax a girl was rescued from the flames by her lover, and we took our time to act the several scenes that led up to the fire. The completed picture was a great success, I'm told."

"Those directors must be wonderfully enterprising fellows," said Beth.

"They are, indeed, constantly on the lookout for effects. Every incident that occurs in real life is promptly taken advantage of. The camera-men are everywhere, waiting for their chance. Often their pictures prove of no value and are destroyed, but sometimes the scenes they catch are very useful to work into a picture play. A few weeks ago I was shipwrecked on the ocean and saved by clinging to a raft. That was not pleasant and I caught a severe cold by being in the water too long; but I was chosen because I can swim. Such incidents are merely a part of our game—a game where personal comfort is frequently sacrificed to art. Once Flo leaped over a thirty-foot precipice and was caught in a net at the bottom. The net was, of course, necessary, but when the picture was displayed her terrible leap was followed by a view of her mangled body at the bottom of the canyon."

"How did they manage to do that?" asked Patsy.

"Stopped the camera, cut off the piece of film showing her caught by the net, and substituted a strip on which was recorded Flo's body lying among the jagged rocks, where it had been carefully and comfortably arranged. We do a lot of deceptive tricks of that sort, and sometimes I myself marvel at the natural effects obtained."

"It must be more interesting than stage acting."

"I believe it is. But we've never been on the stage," said Maud.

"How did you happen to get started in such a queer business?" inquired Patsy.

"Well, after we found ourselves poor and without resources we began wondering what we could do to earn money. A friend of Aunt Jane's knew a motion picture maker who wanted fifty young girls for a certain picture and would pay each of them five dollars a day. Flo and I applied for the job and earned thirty dollars between us; but then the manager thought he would like to employ us regularly, and with Auntie to chaperon us we accepted the engagement. The first few weeks we merely appeared among the rabble—something like chorus girls, you see—but then we were given small parts and afterward more important ones. When we discovered our own value to the film makers Auntie managed to get us better engagements, so we've acted for three different concerns during the past two years, while Aunt Jane has become noted as a clever judge of the merits of scenarios."

"Do both of you girls play star parts?" Beth inquired.

"Usually. Flo is considered the best 'child actress' in the business, but when there is no child part she makes herself useful in all sorts of ways. To-day, for instance, you saw her among the dancing girls. I do the ingenue, or young girl parts, which are very popular just now. I did not want to act 'Delilah,' for I thought I was not old enough; but Mr. McNeil wanted me in the picture and so I made myself took as mature as possible."

"You were ideal!" cried Patsy, admiringly.

The young girl blushed at this praise, but said deprecatingly:

"I doubt if I could ever be a really great actress; but then, I do not intend to act for many more years. Our salary is very liberal at present, as Goldstein grudgingly informed you, and we are saving money. As soon as we think we have acquired enough to live on comfortably we shall abandon acting and live as other girls do."

"The fact is," added Flo, "no one will employ us when we have lost our youth. So we are taking advantage of these few fleeting years to make hay while the sun shines."

"Do many stage actresses go into the motion picture business?" asked Beth.

"A few, but all are not competent," replied Maud. "In the 'silent drama' facial expression and the art of conveying information by a gesture is of paramount importance. In other words, action must do the talking and explain everything. I am told that some comedians, like 'Bunny' and Sterling Mace, were failures on the stage, yet in motion pictures they are great favorites. On the other hand, some famous stage actors can do nothing in motion pictures."

On their arrival at Santa Monica Mr. Merrick invited the party to be his guests at luncheon, which was served in a cosy restaurant overlooking the ocean. And then, although at this season it was bleak winter back East, all but Uncle John and Aunt Jane took a bath in the surf of the blue Pacific, mingling with hundreds of other bathers who were enjoying the sport.

Mrs. Montrose and Uncle John sat on the sands to watch the merry scene, while the young people swam and splashed about, and they seemed—as Miss Patsy slyly observed—to "get on very well together."

"And that is very creditable to your aunt," she observed to Maud Stanton, who was beside her in the water, "for Uncle John is rather shy in the society of ladies and they find him hard to entertain."

"He seems like a dear old gentleman," said Maud.

"He is, indeed, the dearest in all the world. And, if he likes your Aunt Jane, that is evidence that she is all right, too; for Uncle John's intuition never fails him in the selection of friends. He—"

"Dear me!" cried Maud; "there's someone in trouble, I'm sure."

She was looking out across the waves, which were fairly high to-day, and Patsy saw her lean forward and strike out to sea with strokes of remarkable swiftness. Bathers were scattered thickly along the coast, but only a few had ventured far out beyond the life-lines, so Patsy naturally sought an explanation by gazing at those farthest out. At first she was puzzled, for all the venturesome seemed to be swimming strongly and composedly; but presently a dark form showed on the crest of a wave—a struggling form that tossed up its arms despairingly and then disappeared.

She looked for Maud Stanton and saw her swimming straight out, but still a long way from the person in distress. Then Patsy, always quick-witted in emergencies, made a dash for the shore where a small boat was drawn up on the beach.

"Come, Arthur, quick!" she cried to the young man, who was calmly wading near the beach, and he caught the note of terror in her voice and hastened to help push the little craft into the water.

"Jump in!" she panted, "and row as hard as you ever rowed in all your life."

Young Weldon was prompt to obey. He asked no useless questions but, realizing that someone was in danger, he pulled a strong, steady oar and let Patsy steer the boat.

The laughter and merry shouts of the bathers, who were all unaware that a tragedy was developing close at hand, rang in the girl's ears as she peered eagerly ahead for a sign to guide her. Now she espied Maud Stanton, far out beyond the others, circling around and diving into this wave or that as it passed her.

"Whoever it was," she muttered, half aloud, "is surely done for by this time. Hurry, Arthur! I'm afraid Maud has exhausted all her strength."

But just then Maud dived again and when she reappeared was holding fast to something dark and inanimate. A moment later the boat swept to her side and she said:

"Get him aboard, if you can. Don't mind me; I'm all right."

Arthur reached down and drew a slight, boyish form over the gunwale, while Patsy clasped Maud's hand and helped the girl over the side. She was still strong, but panted from her exertions to support the boy.

"Who is it?" inquired Patsy, as Arthur headed the boat for the shore.

Maud shook her head, leaning forward to look at the face of the rescued one for the first time.

"I've never seen him before," she said. "Isn't it too bad that I reached him too late?"

Patsy nodded, gazing at the white, delicate profile of the young fellow as he lay lifeless at her feet. Too late, undoubtedly; and he was a mere boy, with all the interests of life just unfolding for him.

Their adventure had now been noticed by some of the bathers, who crowded forward to meet the boat as it grounded on the beach. Uncle John, always keeping an eye on his beloved nieces, had noted every detail of the rescue and as a dozen strong men pulled the boat across the sands, beyond the reach of the surf, the Merrick automobile rolled up beside it.

"Now, then!" cried the little man energetically, and with the assistance of his chauffeur he lifted the lifeless form into the car.

"The hospital?" said Patsy, nodding approval.

"Yes," he answered. "No; you girls can't come in your wet bathing suits. I'll do all that can be done."

Even as he spoke the machine whirled away, and looking after it Maud said, shaking her head mildly: "I fear he's right. Little can be done for the poor fellow now."

"Oh, lots can be done," returned Patsy; "but perhaps it won't bring him back to life. Anyhow, it's right to make every attempt, as promptly as possible, and certainly Uncle John didn't waste any time."

Beth and Florence now joined them and Louise came running up to ask eager questions.

"Who was it, Patsy?"

"We don't know. Some poor fellow who got too far out and had a cramp, perhaps. Or his strength may have given out. He didn't seem very rugged."

"He was struggling when first I saw him," said Maud. "It seemed dreadful to watch the poor boy drowning when hundreds of people were laughing and playing in the water within earshot of him."

"That was the trouble," declared Arthur Weldon. "All those people were intent on themselves and made so much noise that his cries for help could not be heard."

The tragedy, now generally known, had the effect of sobering the bathers and most of them left the water and trooped to the bathhouses to dress. Mrs. Montrose advised the girls to get their clothes on, as all were shivering—partly from nervousness—in their wet bathing suits.

They were ready an hour before Mr. Merrick returned, and his long absence surprised them until they saw his smiling face as he drove up in his car. It gave them a thrill of hope as in chorus they cried:

"Well—Uncle John?"

"I think he will live," returned the little man, with an air of great satisfaction. "Anyway, he's alive and breathing now, and the doctors say there's every reason to expect a rapid recovery."

"Who is he?" they asked, crowding around him.

"A. Jones."

"A—what?" This from Patsy, in a doubtful tone.

"Jones. A. Jones."

"Why, he must have given you an assumed name!"

"He didn't give us any name. As soon as he recovered consciousness he fell asleep, and I left him slumbering as peacefully as a baby. But we went through his clothes, hoping to get a trace of his friends, so they could be notified. His bathing suit is his own, not rented, and the name 'A. Jones' is embroidered on tape and sewn to each piece. Also the key to bathhouse number twenty-six was tied to his wrist. The superintendent sent a man for his clothing and we examined that, too. The letters 'A. J.' were stamped in gold on his pocketbook, and in his cardcase were a number of cards engraved: 'A. Jones, Sangoa.' But there were no letters, or any other papers."

"Where is Sangoa?" inquired Beth.

"No one seems to know," confessed Uncle John. "There was plenty of money in his pocket-book and he has a valuable watch, but no other jewelry. His clothes were made by a Los Angeles tailor, but when they called him up by telephone he knew nothing about his customer except that he had ordered his suit and paid for it in advance. He called for it three days ago, and carried it away with him, so we have no clue to the boy's dwelling place."

"Isn't that a little strange—perhaps a little suspicious?" asked Mrs. Montrose.

"I think not, ma'am," answered Mr. Merrick. "We made these investigations at the time we still feared he would die, so as to communicate with any friends or relatives he might have. But after he passed the crisis so well and fell asleep, the hospital people stopped worrying about him. He seems like any ordinary, well-to-do young fellow, and a couple of days in the hospital ought to put him upon his feet again."

"But Sangoa, Uncle; is that a town or a country?"

"Some out-of-the-way village, I suppose. People are here from every crack and corner of America, you know."

"It sounds a bit Spanish," commented Arthur. "Maybe he is from Mexico."

"Maybe," agreed Uncle John. "Anyhow, Maud has saved his life, and if it's worth anything to him he ought to be grateful."

"Never mind that," said Maud, flushing prettily with embarrassment as all eyes turned upon her, "I'm glad I noticed him in time; but now that he is all right he need never know who it was that rescued him. And, for that matter, sir, Patsy Doyle and Mr. Weldon did as much for him as I. Perhaps they saved us both, while your promptness in getting him to the hospital was the main factor in saving his life."

"Well, it's all marked down in the hospital books," remarked Uncle John. "I had to tell the whole story, you see, as a matter of record, and all our names are there, so none can escape the credit due her—or him."

"In truth," said Mrs. Montrose with a smile, "it really required four of you to save one slender boy."

"Yes, he needed a lot of saving," laughed Flo. "But," her pretty face growing more serious, "I believe it was all Fate, and nothing else. Had we not come to the beach this afternoon, the boy might have drowned; so, as I suggested the trip, I'm going to take a little credit myself."

"Looking at it in that light," said Patsy, "the moving picture man saved the boy's life by giving you a half-holiday."

This caused a laugh, for their spirits were now restored to normal. To celebrate the occasion, Mr. Merrick proposed to take them all into Los Angeles to dine at a "swell restaurant" before returning to Hollywood.

This little event, in conjunction with the afternoon's adventure, made them all more intimate, so that when they finally reached home and separated for the night they felt like old friends rather than recent acquaintances.

title: Aunt Jane's Nieces Out West/Chapter 5


text:
Aunt Jane's Nieces Out West/Chapter 10

The day advanced to luncheon time and Uncle John and the Weldons came back from their mountain trip. Hollywood is in the foothills and over the passes are superb automobile roads into the fruitful valleys of San Fernando and La Canada.

"Seen anything of the boy—A. Jones?" inquired Arthur.

"Yes; and perhaps we've seen the last of him," answered Beth.

"Oh. Has he gone?"

"No one knows. Patsy fed him and he went to sleep. What has happened since we cannot tell."

The girls then related the experiences of the morning, at which both Uncle John and Arthur looked solemn and uncomfortable. But Louise said calmly:

"I think Patsy was quite right. I wouldn't have dared such a thing myself, but I'm sure that boy needed a square meal more than anything. If he dies, that breakfast has merely hastened his end; but if he doesn't die it will do him good."

"There's another possibility," remarked Uncle John. "He may be suffering agonies with no one to help him."

Patsy's face was white as chalk. The last hour or two had brought her considerable anxiety and her uncle's horrible suggestion quite unnerved her. She stole away to the office and inquired the number of Mr. Jones' room. It was on the ground floor and easily reached by a passage. The girl tiptoed up to the door and putting her ear to the panel listened intently. A moment later a smile broke over her face; she chuckled delightedly and then turned and ran buck to her friends.

"He's snoring like a walrus!" she cried triumphantly.

"Are you sure they are not groans?" asked Arthur.

"Pah! Can't I recognize a snore when I hear it? And I'll bet it's the first sound sleep he's had in a month."

Mr. Merrick and Arthur went to the door of the boy's room to satisfy themselves that Patsy was not mistaken, and the regularity of the sounds quickly convinced them the girl was right. So they had a merry party at luncheon, calling Patsy "Doctor" with grave deference and telling her she had probably saved the life of A. Jones for a second time.

"And now," proposed Uncle John, when the repast was over, "let us drive down to the sea and have a look at that beautiful launch that came in yesterday. Everyone is talking about it and they say it belongs to some foreign prince."

So they motored to Santa Monica and spent the afternoon on the sands, watching the bathers and admiring the graceful outlines of the big yacht lying at anchor a half mile from the shore. The boat was something of a mystery to everybody. It was named the "Arabella" and had come from Hawaii via San Francisco; but what it was doing here and who the owner might be were questions no one seemed able to answer. Rumor had it that a Japanese prince had come in it to inspect the coast line, but newspaper reporters were forbidden to scale the side and no satisfaction was given their eager questioning by the bluff old captain who commanded the craft. So the girls snapped a few kodak pictures of the handsome yacht and then lost interest in it.

That evening they met Mrs. Montrose and the Stanton girls at dinner and told them about the boy, who still remained invisible. Uncle John had listened at his door again, but the snores had ceased and a deathlike silence seemed to pervade the apartment. This rendered them all a trifle uneasy and when they left the dining room Arthur went to the hotel clerk and asked:

"Have you seen Mr. Jones this evening?"

"No," was the reply. "Do you know him?"

"Very slightly."

"Well, he's the queerest guest we've ever had. The first day he ate nothing at all. This morning I hear he had a late breakfast. Wasn't around to lunch, but a little while ago we sent a meal to his room that would surprise you."

"Indeed!"

"Yes. A strange order it was! Broiled mushrooms, pancakes with maple syrup and ice cream. How is that for a mix-up—and at dinner time, too!" said the clerk, disgustedly.

Arthur went back and reported.

"All right," said Patsy, much relieved. "We've got him started and now he can take care of himself. Come, Uncle; let's all go down town and see the picture that drove Mr. Goldstein crazy."

"He was very decent to us to-day," asserted Flo Stanton.

"Did he ask any explanation about Maud's appearing in the picture of a rival company?" inquired Arthur.

"No, not a word."

"Did he mention Mr. Jones, who conquered him so mysteriously?" asked Beth.

"Not at all. Goldstein confined himself strictly to business; but he treated us with unusual courtesy," explained Maud.

They were curious to see the films of the rescue, and the entire party rode to the down-town theatre where the Corona picture was being run. Outside the entrance they found the audacious placard, worded just as Goldstein had reported, and they all agreed it was a mean trick to claim another firm's star as their own.

"I do not think the Corona Company is responsible for this announcement," said Uncle John. "It is probably an idea of the theatre proprietor, who hoped to attract big business in that way."

"He has succeeded," grumbled Arthur, as he took his place at the end of a long line of ticket buyers.

The picture, as it flashed on the screen, positively thrilled them. First was shown the crowd of merry bathers, with Patsy and Maud standing in the water a little apart from the others. Then the boy—far out beyond the rest—threw up his arms, struggling desperately. Maud swam swiftly toward him, Patsy making for the shore. The launching of the boat, the race to rescue, Maud's effort to keep the drowning one afloat, and the return to the shore, where an excited crowd surrounded them—all was clearly shown in the picture. Now they had the advantage of observing the expressions on the faces of the bathers when they discovered a tragedy was being enacted in their midst. The photographs were so full of action that the participants now looked upon their adventure in a new light and regarded it far more seriously than before.

The picture concluded with the scene where Uncle John lifted the body into the automobile and dashed away with it to the hospital.

Maud Stanton, used as she was to seeing herself in motion pictures, was even more impressed than the others when observing her own actions at a time when she was wholly unconscious that a camera-man had his lens focused upon her.

"It's a great picture!" whispered Flo, as they made their way out of the crowded theatre. "Why can't all our films be as natural and absorbing as this one?"

"Because," said her sister, "in this case there is no acting. The picture carries conviction with a force that no carefully rehearsed scene could ever accomplish."

"That is true," agreed her Aunt Jane. "The nature scenes are the best, after all."

"The most unsatisfactory pictures I have ever seen," remarked Uncle John, "were those of prominent men, and foreign kings, and the like, who stop before the camera and bow as awkwardly as a camel. They know they are posing, and in spite of their public experience they're as bashful as schoolboys or as arrogant as policemen, according to their personal characteristics."

"Did you notice the mob of children in that theatre?" asked Patsy, as they proceeded homeward. "I wish there were more pictures made that are suitable to their understandings."

"They enjoy anything in the way of a picture," said Arthur. "It isn't necessary to cater to children; they'll go anyhow, whatever is shown."

"That may be, to an extent, true," said Beth. "Children are fascinated by any sort of motion pictures, but a lot of them must be wholly incomprehensible to the child mind. I agree with Patsy that the little ones ought to have their own theatres and their own pictures."

"That will come, in time," prophesied Aunt Jane. "Already the film makers are recognizing the value of the children's patronage and are trying to find subjects that especially appeal to them."

They reached the hotel soon after ten o'clock and found "Ajo" seated in the lobby. He appeared much brighter and stronger than the day before and rose to greet Patsy with a smile that had lost much of its former sad expression.

"Congratulate me, Dr. Doyle," said he. "I'm still alive, and—thanks to your prescription—going as well as could be expected."

"I'm glad I did the right thing," she replied; "but we were all a little worried for fear I'd make a mistake."

"I have just thrown away about a thousand of those food-tablets," he informed her with an air of pride. "I am positive there is no substitute for real food, whatever the specialists may say. In fact," he continued more soberly, "I believe you have rescued me a second time from certain death, for now I have acquired a new hope and have made up my mind to get well."

"Be careful not to overdo it," cautioned Uncle John. "You ordered a queer supper, we hear."

"But it seemed to agree with me. I've had a delightful sleep—the first sound sleep in a month—and already I feel like a new man. I waited up to tell you this, hoping you would be interested."

"We are!" exclaimed Patsy, who felt both pride and pleasure. "This evening we have been to see the motion picture of your rescue from drowning."

"Oh. How did you like it?"

"It's a splendid picture. I'm not sure it will interest others as much as ourselves, yet the people present seemed to like it."

"Well it was their last chance to observe my desperate peril and my heroic rescue," said the boy. "The picture will not be shown after to-night."

"Why not?" they asked, in surprise.

"I bought the thing this afternoon. It didn't seem to me quite modest to exploit our little adventure in public."

This was a new phase of the strange boy's character and the girls did not know whether to approve it or not.

"It must have cost you something!" remarked Flo, the irrepressible. "Besides, how could you do it while you were asleep?"

"Why, I wakened long enough to use the telephone," he replied with a smile. "There are more wonderful inventions in the world than motion pictures, you know."

"But you like motion pictures, don't you?" asked Maud, wondering why he had suppressed the film in question.

"Very much. In fact, I am more interested in them than in anything else, not excepting the telephone—which makes Aladdin's lamp look like a firefly in the sunshine."

"I suppose," said Flo, staring into his face with curious interest, "that you will introduce motion pictures into your island of Sangoa, when you return?"

"I suppose so," he answered, a little absently. "I had not considered that seriously, as yet, but my people would appreciate such a treat, I'm sure."

This speech seemed to destroy, in a manner, their shrewd conjecture that he was in America to purchase large quantities of films. Why, then, should Goldstein have paid such abject deference to this unknown islander?

In his own room, after the party had separated for the night, Mr. Merrick remarked to Arthur Weldon as they sat smoking their cigars:

"Young Jones is evidently possessed of some means."

"So it seems," replied Arthur. "Perhaps his father, the scientific recluse, had accumulated some money, and the boy came to America to get rid of it. He will be extravagant and wasteful for awhile, and then go back to his island with the idea that he has seen the world."

Uncle John nodded.

"He is a rather clean-cut young fellow," said he, "and the chances are he won't become dissipated, even though he loses his money through lack of worldly knowledge or business experience. A boy brought up and educated on an island can't be expected to prove very shrewd, and whatever the extent of his fortune it is liable to melt like snow in the sunshine."

"After all," returned Arthur, "this experience won't hurt him. He will still have his island to return to."

They smoked for a time in silence.

"Has it ever occurred to you, sir," said Arthur, "that the story Jones has related to us, meager though it is, bears somewhat the stamp of a fairy tale?"

Uncle John removed his cigar and looked reflectively at the ash.

"You mean that the boy is not what he seems?"

"Scarcely that, sir. He seems like a good boy, in the main. But his story is—such as one might invent if he were loath to tell the truth."

Uncle John struck a match and relit his cigar.

"I believe in A. Jones, and I see no reason to doubt his story," he asserted. "If real life was not full of romance and surprises, the novelists would be unable to interest us in their books."

title: Aunt Jane's Nieces Out West/Chapter 10


text:
Aunt Jane's Nieces Out West/Chapter 6

There was work for the Stanton girls at the "film factory," as they called it, next morning, so they had left the hotel before Mr. Merrick's party assembled at the breakfast table.

"I must telephone the Santa Monica hospital and find out how our patient is," remarked Uncle John, when the meal was over; but presently he returned from the telephone booth with a puzzled expression upon his face. "A. Jones has disappeared!" he announced.

"Disappeared! What do you mean, Uncle?" asked Beth.

"He woke early and declared he was himself again, paid his bill, said 'good morning' to the hospital superintendent and walked away. He wouldn't answer questions, but kept asking them. The nurse showed him the book with the record of how he was saved, but she couldn't induce him to say who he was, where he came from nor where he was going. Seems a little queer, doesn't it?"

They all confessed that it did.

"However," said Patsy Doyle, "I'm glad he recovered, and I'm sure Maud will be when she hears the news. The boy has a perfect right to keep his own counsel, but he might have had the grace to tell us what that initial 'A.' stands for, and where on earth Sangoa is."

"I've been inquiring about Sangoa," announced Arthur, just then joining the group, "and no one seems wiser than we are. There's no record of such a town or state in Mexico, or in the United States—so far as I can discover. The clerk has sent for a map of Alaska, and perhaps we'll find Sangoa there."

"What does it matter?" inquired Louise.

"Why, we don't like to be stumped," asserted Patsy, "that's all. Here is a young man from Sangoa, and—"

"Really," interrupted Beth, who was gazing through the window, "I believe here is the young man from Sangoa!"

"Where?" they all cried, crowding forward to look.

"Coming up the walk. See! Isn't that the same mysterious individual whose life Maud saved?"

"That's the identical mystery," declared Uncle John. "I suppose he has come here to look us up and thank us."

"Then, for heaven's sake, girls, pump him and find out where Sangoa is," said Arthur hastily, and the next moment a bell boy approached their party with a card.

They looked at the young fellow curiously as he came toward them. He seemed not more than eighteen years of age and his thin features wore a tired expression that was not the result of his recent experience but proved to be habitual. His manner was not languid, however, but rather composed; at the same time he held himself alert, as if constantly on his guard. His dress was simple but in good taste and he displayed no embarrassment as he greeted the party with a low bow.

"Ah," said Uncle John, heartily shaking his hand, "I am delighted to find you so perfectly recovered."

A slight smile, sad and deprecating, flickered for an instant over his lips. It gave the boyish face a patient and rather sweet expression as he slowly replied:

"I am quite myself to-day, sir, and I have come to assure you of my gratitude for your rescue of me yesterday. Perhaps it wasn't worth all your bother, but since you generously took the trouble to save me, the least I can do is to tender you my thanks." Here he looked from one to another of the three girls and continued: "Please tell me which young lady swam to my assistance."

"Oh, it was none of us," said Patsy. "Miss Stanton—Maud Stanton—swam out to you, when she noticed you were struggling, and kept you afloat until we—until help came."

"And Miss Stanton is not here?"

"Not at present, although she is staying at this hotel."

He gravely considered this information for a moment. As he stood there, swaying slightly, he appeared so frail and delicate that Uncle John seized his arm and made him sit down in a big easy chair. The boy sighed, took a memorandum from his pocket and glanced at it.

"Miss Doyle and Mr. Weldon pulled out in a boat and rescued both Miss Stanton and me, just as we were about to sink," he said. "Tell me, please, if either Miss Doyle or Mr. Weldon is present."

"I am Arthur Weldon," said that young gentleman; "but I was merely the boatman, under command of Miss Doyle, whom I beg to present to you."

A. Jones looked earnestly into Patsy's face. Holding out his hand he said with his odd smile: "Thank you." Then he turned to shake Arthur's hand, after which he continued: "I also am indebted to Mr. Merrick for carrying me to the hospital. The doctor told me that only this prompt action enabled them to resuscitate me at all. And now, I believe it would be courteous for me to tell you who I am and how I came to be in such dire peril."

He paused to look around him questioningly and the interest on every face was clearly evident. Arthur took this opportunity to introduce Jones to Louise and Beth and then they all sat down again. Said Uncle John to the stranger, in his frank and friendly way:

"Tell us as much or as little as you like, my boy. We are not unduly inquisitive, I assure you."

"Thank you, sir. I am an American, and my name is Jones. That is, I may claim American parentage, although I was born upon a scarcely known island in the Pacific which my father purchased from the government of Uruguay some thirty years ago."

"Sangoa?" asked Arthur.

He seemed surprised at the question but readily answered:

"Yes; Sangoa. My father was a grandnephew of John Paul Jones and very proud of the connection; but instead of being a sailor he was a scientist, and he chose to pass his life in retirement from the world."

"Your father is no longer living, then?" said Mr. Merrick.

"He passed away a year ago, on his beloved island. My mother died several years before him. I began to feel lonely at Sangoa and I was anxious to visit America, of which my mother had so often told me. So some months ago I reached San Francisco, since when I have been traveling over your country—my country, may I call it?—and studying your modern civilization. In New York I remained fully three months. It is only about ten days since I returned to this coast."

He stopped abruptly, as if he considered he had told enough. The brief recital had interested his auditors, but the ensuing pause was rather embarrassing.

"I suppose you have been visiting relatives of your parents," remarked Uncle John, to ease the situation.

"They—had no relatives that I know of," he returned. "I am quite alone in the world. You must not suppose I am unaccustomed to the water," he hastened to add, as if to retreat from an unpleasant subject. "At Sangoa I have bathed in the sea ever since I can remember anything; but—I am not in good health. I suffer from indigestion, a chronic condition, which is my incubus. Yesterday my strength suddenly deserted me and I became helpless."

"How fortunate it was that Maud noticed you!" exclaimed Patsy, with generous sympathy.

Again the half sad smile softened his face as he looked at her.

"I am not sure it was wholly fortunate for me," he said, "although I admit I have no wish to end my uninteresting life by drowning. I am not a misanthrope, in spite of my bad stomach. The world is more useful to me than I am to the world, but that is not my fault. Pardon me for talking so much about myself."

"Oh, we are intensely interested, I assure you," replied Patsy. "If some of us were indeed the instruments that saved you yesterday, it is a pleasure to us to know something of the—the man—we saved."

She had almost said "boy," he was such a youthful person, and he knew it as well as she did.

"I would like to meet Miss Stanton and thank her personally," he presently resumed. "So, if you have no objection, I think I shall register at this hotel and take a room. I—I am not very strong yet, but perhaps Miss Stanton will see me when I have rested a little."

"She won't return before five o'clock," explained Mr. Merrick. "Miss Stanton is—er—connected with a motion picture company, you know, and is busy during the day."

He seemed both surprised and perplexed, at first, but after a moment's thought he said:

"She is an actress, then?"

"Yes; she and her sister. They have with them an aunt, Mrs. Montrose, for companion."

"Thank you. Then I will try to meet them this evening."

As he spoke he rose with some difficulty and bade them adieu. Arthur went with him to the desk and proffered his assistance, but the young man said he needed nothing but rest.

"And just think of it," said Patsy, when he had gone. "We don't know yet what that 'A' stands for!"

"Arthur," suggested Louise.

"Albert," said Beth.

"Or Algernon," added Uncle John with a chuckle.

"But we haven't seen the last of him yet," declared Miss Doyle. "I've a romance all plotted, of which A. Jones is to be the hero. He will fall in love with Maud and carry her away to his island!"

"I'm not so sure of that result," observed Uncle John thoughtfully. "It wouldn't astonish me to have him fall in love with Maud Stanton; we've all done that, you know; but could Maud—could any girl—be attracted by a lean, dismal boy with a weak stomach, such as A. Jones?"

"Even with these drawbacks he is quite interesting," asserted Beth.

"He is sure to win her sympathy," said Louise.

"But, above all," declared Patsy, "he has an island, inherited from his royal daddy. That island would count for a lot, with any girl!"

title: Aunt Jane's Nieces Out West/Chapter 6


text:
Aunt Jane's Nieces Out West/Chapter 7

The girls intercepted Maud Stanton when she returned to the hotel that evening, and told her all about A. Jones. The tale was finished long before that dyspeptic youth had wakened from his slumbers. Then they all dressed for dinner and afterward met in the lobby, where Uncle John told them he had arranged to have a big round table prepared for the entire party, including a seat for A. Jones, who might like to join them.

However, the young man did not make his appearance, and as they trooped into the dining room Patsy said resentfully:

"I believe A. Jones is in a trance and needs rolling on a barrel again."

"He probably found himself too weak to appear in public," replied Flo Stanton. "I'm sure if I had been all but drowned a few hours ago, I would prefer bed to society."

"I'm astonished that he summoned energy to visit us at all," declared Mrs. Montrose. "He may be weak and ill, but at least he is grateful."

"Jones seems a vary gentlemanly young fellow," said Mr. Merrick. "He is a bit shy and retiring, which is perhaps due to his lonely life on his island; but I think he has been well brought up."

As they came out from dinner they observed the porters wheeling several big trunks up the east corridor. The end of each trunk was lettered: "A. Jones."

"Well," said Beth, with an amused smile, "he intends to stay a while, anyhow. You'll have a chance to meet him yet, Maud."

"I'm glad of that," answered Maud, "for I am anxious to calculate the worth of the life I helped to save. Your reports are ambiguous, and I am undecided whether you are taking the boy seriously or as a joke. From your description of his personal appearance, I incline to the belief that under ordinary circumstances I would not look twice at Mr. Jones, but having been partly instrumental in preserving him to the world, I naturally feel a proprietary interest in him."

"Of course," said Flo. "He's worth one look, out of pure curiosity; but it would be dreadful to have him tagging you around, expressing his everlasting gratitude."

"I don't imagine he'll do that," observed Patsy Doyle. "A. Jones strikes me as having a fair intellect in a shipwrecked body, and I'll wager a hatpin against a glove-buttoner that he won't bore you. At the same time he may not interest you—or any of us—for long, unless he develops talents we have not discovered. I wonder why he doesn't use his whole name. That mystic 'A' puzzles me."

"It's an English notion, I suppose," said Mrs. Montrose.

"But he isn't English; he's American."

"Sangoese," corrected Beth.

"Perhaps he doesn't like his name, or is ashamed of it," suggested Uncle John.

"It may be 'Absalom,'" said Flo. "We once knew an actor named Absalom, and he always called himself 'A. Judson Keith.' He was a dignified chap, and when we girls one day called him 'Ab,' he nearly had hysterics."

"Mr. Werner had hysterics to-day," asserted Maud, gravely; "but I didn't blame him. He sent out a party to ride down a steep hill on horseback, as part of a film story, and a bad accident resulted. One of the horses stepped in a gopher hole and fell, and a dozen others piled up on him, including their riders."

"How dreadful!" was the general exclamation.

"Several of the horses broke their legs and had to be shot," continued Maud; "but none of the riders was seriously injured except little Sadie Martin, who was riding a bronco. The poor thing was caught under one of the animals and the doctor says she won't be able to work again for months."

"Goodness me! And all for the sake of a picture?" cried Patsy indignantly. "I hope you don't take such risks, Maud."

"No; Flo and I have graduated from what is called 'the bronco bunch,' and now do platform work entirely. To be sure we assume some minor risks in that, but nothing to compare with the other lines of business."

"I hope the little girl you mentioned will get well, and has enough money to tide her over this trouble," said Uncle John anxiously.

"The manager will look after her," returned Mrs. Montrose. "Our people are very good about that and probably Sadie Martin's salary will continue regularly until she is able to work again."

"Well," said Beth, drawing a long breath, "I suppose we shall read all about it in the morning papers."

"Oh, no!" exclaimed Maud and added: "These accidents never get into the papers. They happen quite often, around Los Angeles, where ten thousand or more people make their living from motion pictures; but the public is protected from all knowledge of such disasters, which would detract from their pleasure in pictures and perhaps render all films unpopular."

"I thought the dear public loved the dare-devil acts," remarked Arthur Weldon.

"Oh, it does," agreed Mrs. Montrose; "yet those who attend the picture theatres seem not to consider the action taking place before their eyes to be real. Here are pictures only—a sort of amplified story book—and the spectators like them exciting; but if they stopped to reflect that men and women in the flesh were required to do these dangerous feats for their entertainment, many would be too horrified to enjoy the scenes. Of course the makers of the pictures guard their actors in all possible ways; yet, even so, casualties are bound to occur."

They had retired to a cosy corner of the public drawing room and were conversing on this interesting topic when they espied A. Jones walking toward them. The youth was attired in immaculate evening dress, but his step was slow and dragging and his face pallid.

Arthur and Uncle John drew up an easy chair for him while Patsy performed the introductions to Mrs. Montrose and her nieces. Very earnestly the boy grasped the hand of the young girl who had been chiefly responsible for his rescue, thanking her more by his manner than in his few carefully chosen words.

As for Maud, she smilingly belittled her effort, saying lightly: "I know I must not claim that it didn't amount to anything, for your life is valuable, Mr. Jones, I'm sure. But I had almost nothing to do beyond calling Patsy Doyle's attention to you and then swimming out to keep you afloat until help came. I'm a good swimmer, so it was not at all difficult."

"Moreover," he added, "you would have done the same thing for anyone in distress."

"Certainly."

"I realize that. I am quite a stranger to you. Nevertheless, my gratitude is your due and I hope you will accept it as the least tribute I can pay you. Of all that throng of bathers, only you noticed my peril and came to my assistance."

"Fate!" whispered Flo impressively.

"Nonsense," retorted her sister. "I happened to be the only one looking out to sea. I think, Mr. Jones, you owe us apologies more than gratitude, for your folly was responsible for the incident. You were altogether too venturesome. Such action on this coast, where the surf rolls high and creates an undertow, is nothing less than foolhardy."

"I'm sure you are right," he admitted. "I did not know this coast, and foolishly imagined the old Pacific, in which I have sported and played since babyhood, was my friend wherever I found it."

"I hope you are feeling better and stronger this evening," said Mr. Merrick. "We expected you to join us at dinner."

"I—I seldom dine in public," he explained, flushing slightly. "My bill-of-fare is very limited, you know, owing to my—my condition; and so I carry my food-tablets around with me, wherever I go, and eat them in my own room."

"Food-tablets!" cried Patsy, horrified.

"Yes. They are really wafers—very harmless—and I am permitted to eat nothing else."

"No wonder your stomach is bad and you're a living skeleton!" asserted the girl, with scorn.

"My dear," said Uncle John, gently chiding her, "we must give Mr. Jones the credit for knowing what is best for him."

"Not me, sir!" protested the boy, in haste. "I'm very ignorant about—about health, and medicine and the like. But in New York I consulted a famous doctor, and he told me what to do."

"That's right," nodded the old gentleman, who had never been ill in his life. "Always take the advice of a doctor, listen to the advice of a lawyer, and refuse the advise of a banker. That's worldly wisdom."

"Were you ill when you left your home?" inquired Mrs. Montrose, looking at the young man with motherly sympathy.

"Not when I left the island," he said. "I was pretty well up to that time. But during the long ocean voyage I was terribly sick, and by the time we got to San Francisco my stomach was a wreck. Then I tried to eat the rich food at your restaurants and hotels—we live very plainly in Sangoa, you know—and by the time I got to New York I was a confirmed dyspeptic and suffering tortures. Everything I ate disagreed with me. So I went to a great specialist, who has invented these food tablets for cases just like mine, and he ordered me to eat nothing else."

"And are you better?" asked Maud.

He hesitated.

"Sometimes I imagine I am. I do not suffer so much pain, but I—I seem to grow weaker all the time."

"No wonder!" cried Patsy. "If you starve yourself you can't grow strong."

He looked at her with an expression of surprise. Then he asked abruptly:

"What would you advise me to do, Miss Doyle?"

A chorus of laughter greeted this question. Patsy flushed a trifle but covered her confusion by demanding: "Would you follow my advice?"

He made a little grimace. There was humor in the boy, despite his dyspepsia.

"I understand there is a law forbidding suicide," he replied. "But I asked your advice in an attempt to discover what you thought of my absurd condition. Now that you call my attention to it, I believe I am starving myself. I need stronger and more nourishing food; and yet the best specialist in your progressive country has regulated my diet."

"I don't believe much in specialists," asserted Patsy. "If you do, go ahead and kill yourself, in defiance of the law. According to common sense you ought to eat plenty of good, wholesome food, but you may be so disordered—in your interior—that even that would prove fatal. So I won't recommend it."

"I'm doomed, either way," he said quietly. "I know that."

"How do you know it?" demanded Maud in a tone of resentment.

He was silent a moment. Then he replied:

"I cannot remember how we drifted into this very personal argument. It seems wrong for me to be talking about myself to those who are practically strangers, and you will realize how unused I am to the society of ladies by considering my rudeness in this interview."

"Pshaw!" exclaimed Uncle John; "we are merely considering you as a friend. You must believe that we are really interested in you," he continued, laying a kindly hand on the young fellow's shoulder. "You seem in a bad way, it's true, but your condition is far from desperate. Patsy's frankness—it's her one fault and her chief virtue—led you to talk about yourself, and I'm surprised to find you so despondent and—and—what do you call it, Beth?"

"Pessimistic?"

"That's it—pessimistic."

"But you're wrong, sir!" said the boy with a smile; "I may not be elated over my fatal disease, but neither am I despondent. I force myself to keep going when I wonder how the miserable machine responds to my urging, and I shall keep it going, after a fashion, until the final breakdown. Fate weaves the thread of our lives, I truly believe, and she didn't use very good material when she started mine. But that doesn't matter," he added quickly. "I'm trying to do a little good as I go along and not waste my opportunities. I'm obeying my doctor's orders and facing the future with all the philosophy I can summon. So now, if you—who have given me a new lease of life—think I can use it to any better advantage, I am willing to follow your counsel."

His tone was more pathetic than his words. Maud, as she looked at the boy and tried to realize that his days were numbered, felt her eyes fill with tears. Patsy sniffed scornfully, but said nothing. It was Beth who remarked with an air of unconcern that surprised those who knew her unsympathetic nature:

"It would be presumptuous for us to interfere, either with Fate or with Nature. You're probably dead wrong about your condition, for a sick person has no judgment whatever, but I've noticed the mind has a good deal to do with one's health. If you firmly believe you're going to die, why, what can you expect?"

No one cared to contradict this and a pause followed that was growing awkward when they were all aroused by the sound of hasty footsteps approaching their corner.

title: Aunt Jane's Nieces Out West/Chapter 7


text:
Aunt Jane's Nieces Out West/Chapter 8

The newcomer proved to be Goldstein, the manager of the Continental. His face was frowning and severe as he rudely marched up to the group and, without the formality of a greeting, pointedly addressed the Stanton girls.

"What does it mean?" he demanded in evident excitement, for his voice shook and the accusing finger he held out trembled. "How does it happen that my people, under contract to work for the Continental, are working for other firms?"

Maud paled and her eyes glistened with resentment as she rose and faced her manager. Florence pulled her sister's sleeve and said with a forced laugh: "Sit down, Maud; the man has probably been drinking."

He turned on the young girl fiercely, but now it was Arthur Weldon who seized the manager's arm and whirled him around.

"Sir, you are intruding," he said sternly. "If you have business with these ladies, choose the proper time and place to address them."

"I have!" cried Goldstein, blusteringly. "They have treated me shamefully—unprofessionally! They have played me a trick, and I've the right to demand why they are working for a rival firm while in my pay."

Mrs. Montrose now arose and said with quiet dignity:

"Mr. Goldstein, you are intruding, as Mr. Weldon says. But you have said so much to defame my nieces in the eyes of our friends, here assembled, that you must explain yourself more fully."

The manager seemed astonished by his reception. He looked from one to another and said more mildly:

"It is easy enough for me to explain, but how can the Stantons explain their conduct? They are under contract to act exclusively for the Continental Film Company and I pay them a liberal salary. Yet only yesterday, when I was kind enough to give them a holiday, they went down to the beach and posed for a picture for our rivals, the Corona Company!"

"You are mistaken, sir!" retorted Arthur. "The young ladies were in our company the entire afternoon and they did not pose for any picture whatever."

"Don't tell me!" cried Goldstein. "I've just seen the picture down town. I was going by one of the theatres when I noticed a placard that read: 'Sensational Film by Maud Stanton, the Queen of Motion Picture Actresses, entitled "A Gallant Rescue!" First run to-night.' I went in and saw the picture—with my own eyes!—and I saw Maud Stanton in a sea scene, rescuing a man who was drowning. Don't deny it, Miss," he added, turning upon Maud fiercely. "I saw it with my own eyes—not an hour ago!"

After a moment's amazed silence his hearers broke into a chorus of laughter, led by Flo, who was almost hysterical. Even A. Jones smiled indulgently upon the irate manager, who was now fairly bristling with indignation.

"The Corona people," remarked Arthur Weldon, "are quite enterprising. I did not know they had a camera-man at the beach yesterday, but he must have secured a very interesting picture. It was not posed, Mr. Goldstein, but taken from life."

"It was Maud Stanton!" asserted, the manager.

"Yes; she and some others. A man was really drowning and the brave girl swam to his rescue, without a thought of posing."

"I don't believe it!" cried the man rudely.

Here A. Jones struggled to his feet.

"It is true," he said. "I was the drowning man whom Miss Stanton saved."

Goldstein eyed him shrewdly.

"Perhaps you were," he admitted, "for the man in the picture was about your style of make-up. But how can you prove it was not a put-up job with the Corona people? How do I know you are not all in the employ of the Corona people?"

"I give you my word."

"Pah! I don't know you."

"I see you don't," returned the youth stiffly. 0"Here is my card. Perhaps you will recognize the name."

He fumbled in his pocket, took out a card and handed it to the manager. Goldstein looked at it, started, turned red and then white and began bobbing his head with absurd deference to the youth.

"Pardon, Mr. Jones—pardon!" he gasped. "I—I heard you were in our neighborhood, but I—I did not recognize you. I—I hope you will pardon me, Mr. Jones! I was angry at what I supposed was the treachery of an employee. You will—will—understand that, I am sure. It is my duty to protect the interests of the Continental, you know, sir. But it's all right now, of course! Isn't it all right now, Mr. Jones?"

"You'd better go, Goldstein," said the boy in a weary tone, and sat down again.

The manager hesitated. Then he bowed to Maud Stanton and to the others, murmuring:

"All a mistake, you see; all a mistake. I—I beg everybody's pardon."

With this he backed away, still bowing, and finally turned and beat a hasty retreat. But no one was noticing him especially. All eyes were regarding the boy with a new curiosity.

"That Goldstein is an ill-bred boor!" remarked Uncle John in an annoyed tone.

"I suppose," said Maud, slowly, "he thought he was right in demanding an explanation. There is great rivalry between the various film manufacturers and it was rather mean of the Corona to put my name on that placard."

"It's wonderful!" exclaimed Patsy. "How did they get the picture, do you suppose?"

"They have camera-men everywhere, looking for some picture worth while." explained Mrs. Montrose. "If there's a fire, the chances are a camera-man is on the spot before the firemen arrive. If there's an accident, it is often caught by the camera before the victim realizes what has happened. Perhaps a camera-man has been at the beach for weeks, waiting patiently for some tragedy to occur. Anyway, he was on hand yesterday and quietly ran his film during the excitement of the rescue. He was in rare luck to get Maud, because she is a favorite with the public; but it was not fair to connect her name with the picture, when they know she is employed by the Continental."

Young Jones rose from his chair with a gesture of weariness.

"If you will excuse me," he said, "I will go to my room. Our little conversation has given me much pleasure; I'm so alone in the world. Perhaps you will allow me to join you again—some other time?"

They hastened to assure him his presence would always be welcome. Patsy even added, with her cheery smile, that they felt a certain proprietorship in him since they had dragged him from a watery grave. The boy showed, as he walked away, that he was not yet very steady on his feet, but whether the weakness was the result of his malady or his recent trying experience they could not determine.

"What staggers me," said Maud, looking after him, "is the effect his name had on Goldstein, who has little respect or consideration for anyone. Who do you suppose A. Jones is?"

"Why, he has told us," replied Louise. "He is an islander, on his first visit to this country."

"He must be rather more than that," declared Arthur. "Do you remember what the manager said to him?"

"Yes," said Beth. "He had heard that A. Jones was in this neighborhood, but had never met him. A. Jones was a person of sufficient importance to make the general manager of the Continental Film Company tremble in his boots."

"He really did tremble," asserted Patsy, "and he was abject in his apologies."

"Showing," added Flo Stanton, "that Goldstein is afraid of him."

"I wonder why," said Maud.

"It is all very easy of solution," remarked Arthur. "Goldstein believes that Jones is in the market to buy films. Perhaps he's going to open a motion picture theatre on his island. So the manager didn't want to antagonize a good customer."

"That's it," said Uncle John, nodding approval. "There's no great mystery about young Jones, I'm sure."

title: Aunt Jane's Nieces Out West/Chapter 8


text:
Aunt Jane's Nieces Out West/Chapter 9

Next morning Uncle John and the Weldons—including the precious baby—went for a ride into the mountains, while Beth and Patsy took their embroidery into a sunny corner of the hotel lobby.

It was nearly ten o'clock when A. Jones discovered the two girls and came tottering toward them. Tottering is the right word; he fairly swayed as he made his way to the secluded corner.

"I wish he'd use a cane," muttered Beth in an undertone. "I have the feeling that he's liable to bump his nose any minute."

Patsy drew up a chair for him, although he endeavored to prevent her.

"Are you feeling better this morning?" she inquired.

"I—I think so," he answered doubtfully. "I don't seem to get back my strength, you see."

"Were you stronger before your accident?" asked Beth.

"Yes, indeed. I went swimming, you remember. But perhaps I was not strong enough to do that. I—I'm very careful of myself, yet I seem to grow weaker all the time."

There was a brief silence, during which the girls plied their needles.

"Are you going to stay in this hotel?" demanded Patsy, in her blunt way.

"For a time, I think. It is very pleasant here," he said.

"Have you had breakfast?"

"I took a food-tablet at daybreak."

"Huh!" A scornful exclamation. Then she glanced at the open door of the dining-hall and laying aside her work she rose with a determined air and said:

"Come with me!"

"Where?"

For answer she assisted him to rise. Then she took his hand and marched him across the lobby to the dining room.

He seemed astonished at this proceeding but made no resistance. Seated at a small table she called a waitress and said:

"Bring a cup of chocolate, a soft-boiled egg and some toast."

"Pardon me, Miss Doyle," he said; "I thought you had breakfasted."

"So I have," she replied. "The breakfast I've ordered is for you, and you're going to eat it if I have to ram it down your throat."

"But—Miss Doyle!"

"You've told us you are doomed. Well, you're going to die with a full stomach."

"But the doctor—"

"Bother the doctor! I'm your doctor, now, and I won't send in a bill, thank your stars."

He looked at her with his sad little smile.

"Isn't this a rather high-handed proceeding, Miss Doyle?"

"Perhaps."

"I haven't employed you as my physician, you know."

"True. But you've deliberately put yourself in my power."

"How?"

"In the first place, you tagged us here to this hotel."

"You don't mind, do you?"

"Not in the least. It's a public hostelry. In the second place, you confided to us your disease and your treatment of it—which was really none of our business."

"I—I was wrong to do that. But you led me on and—I'm so lonely—and you all seemed so generous and sympathetic—that I—I—"

"That you unwittingly posted us concerning your real trouble. Do you realize what it is? You're a hypo—hypo—what do they call it?—hypochondriac!"

"I am not!"

"And your doctor—your famous specialist—is a fool."

"Oh, Miss Doyle!"

"Also you are a—a chump, to follow his fool advice. You don't need sympathy, Mr. A. Jones. What you need is a ."

"A—a—"

"A slapstick. And that's what you're going to get if you don't obey orders."

Here the maid set down the breakfast, ranging the dishes invitingly before the invalid. His face had expressed all the emotions from amazement to terror during Patsy's tirade and now he gazed from her firm, determined features to the eggs and toast, in an uncertain, helpless way that caused the girl a severe effort to curb a burst of laughter.

"Now, then," she said, "get busy. I'll fix your egg. Do you want more sugar in your chocolate? Taste it and see. And if you don't butter that toast before it gets cold it won't be fit to eat."

He looked at her steadily now, again smiling.

"You're not joking, Miss Doyle?"

"I'm in dead earnest."

"Of course you realize this is the—the end?"

"Of your foolishness? I hope so. You used to eat like a sensible boy, didn't you?"

"When I was well."

"You're well now. Your only need is sustaining, strengthening food. I came near ordering you a beefsteak, but I'll reserve that for lunch."

He sipped the chocolate.

"Yes; it needs more sugar," he said quietly. "Will you please butter my toast? It seems to me such a breakfast is worth months of suffering. How delicious this egg is! It was the fragrance of the egg and toast that conquered me. That, and—"

"And one sensible, determined girl. Don't look at me as if I were a murderess! I'm your best friend—a friend in need. And don't choke down your food. Eat slowly. Fletcherize—chew your food, you know. I know you're nearly famished, but you must gradually accustom yourself to a proper diet."

He obeyed meekly. Patsy's face was calm, but her heart beat fast, with a thrill of fear she could not repress. Acting on impulse, as she had, the girl now began to consider that she was personally responsible for whatever result might follow this radical treatment for dyspepsia. Had she been positive it was dyspepsia, she would never have dared interfere with a doctor's orders; but she felt that the boy needed food and would die unless he had it. He might die from the effect of this unusual repast, in which case she would never forgive herself.

Meantime, the boy had cast aside all fear. He had protested, indeed, but his protests being overruled he accepted his food and its possible consequences with philosophic resignation and a growing satisfaction.

Patsy balked on the third slice of toast and took it away from him. She also denied him a second cup of chocolate. He leaned back in his chair with a sigh of content and said:

"Bless the hen that laid that egg! No dainty was ever more delicious. And now," he added, rising, "let us go and inquire the address of a good undertaker. I have made my will, and I'd like to be cremated—it's so much nicer than the old-fashioned burial, don't you think?"

"I'll attend to all that, if you wish," she replied, trying to repress a shudder as she followed him from the room. "Do you smoke?"

"I used to, but the doctor forbade it; so I gave it up entirely."

"Go over to that stand and buy a cigar. Then you may sit beside Beth and me and smoke it."

The girl did not wholly approve of smoking and had often chided Uncle John and her father and Arthur Weldon for indulging in the habit; but this advice to young Jones was given in desperation, because all the men of her family stoutly affirmed that a cigar after a meal assisted digestion. She resumed her former seat beside Beth, and her cousin quickly read the anxiety on her face.

"What did you do, Patricia?"

"I fed him."

"Did he really eat?"

"Like a starved cat."

"Hm-m-m," said Beth. "What next, I wonder?"

Patsy wondered, too, the cold shivers chasing one another up and down her back. The boy was coming toward them, coolly puffing a cigar. He did not seem to totter quite so much as before, but he was glad to sink into an easy chair.

"How do you feel?" asked Beth, regarding him curiously.

"Like one of those criminals who are pampered with all the good things of life before being led to the scaffold."

"Any pains?"

He shook his head.

"Not yet. I've asked the clerk, whenever I signal him, to send someone to carry me to my room. If I'm not able to say good-bye to you, please accept now my thanks for all your kindness to a stranger. You see, I'm not sure whether I'll have a sudden seizure or the pains will come on gradually."

"What pains?" demanded Patsy.

"I can't explain them. Don't you believe something is bound to happen?" he inquired, nervously removing the ash from his cigar.

"To be sure. You're going to get well."

He made no reply, but sat watching Beth's nimble fingers. Patsy was too excited to resume her embroidery.

"I wonder if you are old enough to smoke?" remarked Beth.

"I'm over twenty-one."

"Indeed! We decided you were about eighteen."

"I suppose I look younger than my age. At home, in Sangoa, I am still regarded as a mere child. That is because I had no brothers and sisters, and my father never could realize that I was growing up. The people still call me—"

He paused, in an embarrassed way, till Patsy asked:

"Call you what?"

"By my o1d childish name."

Both the girls were distinctly disappointed. But bluff Patsy Doyle would not be denied the satisfaction of her curiosity. Within the last hour she had felt as if she had adopted this friendless boy. and some information concerning him was her due.

"Your name is A. Jones?" she said.

"Yes."

"What does the 'A' stand for?"

There! the question was out, at last. He hesitated, flushing red. Then he replied slowly:

"It stands for one of my father's peculiarities. I think I have told you how proud he was that we are direct descendants of John Paul Jones. 'John Paul,' he would often say, 'has ennobled the name of Jones, so that to be a Jones is to bear the proudest title known to mankind.' When I was born they were undecided what to name me. 'There's no hurry about it,' said my father; 'whatever we call him, he is a Jones.' My mother must have been something of a humorist. She kept referring to her baby as 'a Jones' until father caught the absurd idea of letting it go at that, and had me christened merely 'A. Jones.'"

"How delightful?” cried Patsy, clapping her hands gleefully. "Then 'A' doesn't stand for anything at all?"

"Oh, yes; it stands for a Jones," said the boy, making a wry face. "I think it is dreadful."

"But what did they mil you, afterward? What was the childish name you referred to?"

"Another of mother's humorous fancies. She called me 'Ajo,' and others quickly caught up the horrid nickname. It is merely a contraction of A. Jones. and in Saragoa I am called nothing else."

"Ajo," repeated Beth, her sweet voice giving the title a pleasant sound. "In Spanish it would be pronounced 'Ah-ho.'"

"But we are not Spanish in Sangoa."

"What are your people?"

"Formerly all Americans. The younger generation are, like myself I suppose, Sangoans by birth. But there isn't a black or yellow or brown man on our island."

"How many inhabitants has Sangoa?"

"About six hundred, all told."

There was silence for a while.

"Any pains yet?" inquired Beth.

"Not yet. But I'm feeling drowsy. With your permission I'll lie down and take a nap. I slept very little last night."

He threw away his cigar, which he had smoked nearly to the end, and rising without assistance, bowed and walked away.

"Will he ever waken, I wonder?" said Beth softly.

"Of course," declared Patsy. "He has crossed the Rubicon and is going to get well. I feel it in my bones!"

"Let us hope," responded Beth, "that Ajo also feels it in his bones, rather than in his stomach."

title: Aunt Jane's Nieces Out West/Chapter 9


text:
Talk:All in the Golden Afternoon

Audio book version, please?
I wish there's a LibriVox recording of the poetic introduction. Besides, can I link it to the first chapter of Alice's Adventures in Wonderland and its table of contents? Could I make the recording myself? --Lo Ximiendo (talk) 06:30, 30 July 2012 (UTC)

title: Talk:All in the Golden Afternoon