text:
The Island Pharisees/Part II/CHAPTER XXXII

When he had read this note, Shelton put it down beside his sleeve-links on his dressing table, stared in the mirror at himself, and laughed. But his lips soon stopped him laughing; he threw himself upon his bed and pressed his face into the pillows. He lay there half-dressed throughout the night, and when he rose, soon after dawn, he had not made his mind up what to do. The only thing he knew for certain was that he must not meet Antonia.

At last he penned the following:

I have had a sleepless night with toothache, and think it best to run up to the dentist at once. If a tooth must come out, the sooner the better.

He addressed it to Mrs. Dennant, and left it on his table. After doing this he threw himself once more upon his bed, and this time fell into a doze.

He woke with a start, dressed, and let himself quietly out. The likeness of his going to that of Ferrand struck him. "Both outcasts now," he thought.

He tramped on till noon without knowing or caring where he went; then, entering a field, threw himself down under the hedge, and fell asleep.

He was awakened by a whirr. A covey of partridges, with wings glistening in the sun, were straggling out across the adjoining field of mustard. They soon settled in the old-maidish way of partridges, and began to call upon each other.

Some cattle had approached him in his sleep, and a beautiful bay cow, with her head turned sideways, was snuffing at him gently, exhaling her peculiar sweetness. She was as fine in legs and coat as any race-horse. She dribbled at the corners of her black, moist lips; her eye was soft and cynical. Breathing the vague sweetness of the mustard-field, rubbing dry grasp-stalks in his fingers, Shelton had a moment's happiness—the happiness of sun and sky, of the eternal quiet, and untold movements of the fields. Why could not human beings let their troubles be as this cow left the flies that clung about her eyes? He dozed again, and woke up with a laugh, for this was what he dreamed:

He fancied he was in a room, at once the hall and drawing-room of some country house. In the centre of this room a lady stood, who was looking in a hand-glass at her face. Beyond a door or window could be seen a garden with a row of statues, and through this door people passed without apparent object.

Suddenly Shelton saw his mother advancing to the lady with the hand-glass, whom now he recognised as Mrs. Foliot. But, as he looked, his mother changed to Mrs. Dennant, and began speaking in a voice that was a sort of abstract of refinement. "Je fais de la philosophic," it said; "I take the individual for what she's worth. I do not condemn; above all, one must have spirit!" The lady with the mirror continued looking in the glass; and, though he could not see her face, he could see its image-pale, with greenish eyes, and a smile like scorn itself. Then, by a swift transition, he was walking in the garden talking to Mrs. Dennant.

It was from this talk that he awoke with laughter. "But," she had been saying, "Dick, I've always been accustomed to believe what I was told. It was so unkind of her to scorn me just because I happen to be second-hand." And her voice awakened Shelton's pity; it was like a frightened child's. "I don't know what I shall do if I have to form opinions for myself. I was n't brought up to it. I 've always had them nice and secondhand. How am I to go to work? One must believe what other people do; not that I think much of other people, but, you do know what it is—one feels so much more comfortable," and her skirts rustled. "But, Dick, whatever happens"—her voice entreated—"do let Antonia get her judgments secondhand. Never mind for me—if I must form opinions for myself, I must—but don't let her; any old opinions so long as they are old. It 's dreadful to have to think out new ones for oneself." And he awoke. His dream had had in it the element called Art, for, in its gross absurdity, Mrs. Dennant had said things that showed her soul more fully than anything she would have said in life.

"No," said a voice quite close, behind the hedge, "not many Frenchmen, thank the Lord! A few coveys of Hungarians over from the Duke's. Sir James, some pie?"

Shelton raised himself with drowsy curiosity—still half asleep—and applied his face to a gap in the high, thick osiers of the hedge. Four men were seated on camp-stools round a folding-table, on which was a pie and other things to eat. A game-cart, well-adorned with birds and hares, stood at a short distance; the tails of some dogs were seen moving humbly, and a valet opening bottles. Shelton had forgotten that it was "the first." The host was a soldierly and freckled man; an older man sat next him, square-jawed, with an absent-looking eye and sharpened nose; next him, again, there was a bearded person whom they seemed to call the Commodore; in the fourth, to his alarm, Shelton recognised the gentleman called Mabbey. It was really no matter for surprise to meet him miles from his own place, for he was one of those who wander with a valet and two guns from the twelfth of August to the end of January, and are then supposed to go to Monte Carlo or to sleep until the twelfth of August comes again.

He was speaking.

"Did you hear what a bag we made on the twelfth, Sir James?"

"Ah! yes; what was that? Have you sold your bay horse, Glennie?"

Shelton had not decided whether or no to sneak away, when the Commodore's thick voice began:

"My man tellsh me that Mrs. Foliot—haw—has lamed her Arab. Does she mean to come out cubbing?"

Shelton observed the smile that came on all their faces. "Foliot 's paying for his good time now; what a donkey to get caught!" it seemed to say. He turned his back and shut his eyes.

"Cubbing?" replied Glennie; "hardly."

"Never could shee anything wonderful in her looks," went on the Commodore; "so quiet, you never knew that she was in the room. I remember sayin' to her once, 'Mrs. Lutheran, now what do you like besht in all the world?' and what do you think she answered? 'Music!' Haw!"

The voice of Mabbey said:

"He was always a dark horse, Foliot: It 's always the dark horses that get let in for this kind of thing"; and there was a sound as though he licked his lips.

"They say," said the voice of the host, "he never gives you back a greeting now. Queer fish; they say that she's devoted to him."

Coming so closely on his meeting with this lady, and on the dream from which he had awakened, this conversation mesmerised the listener behind the hedge.

"If he gives up his huntin' and his shootin', I don't see what the deuce he 'll do; he's resigned his clubs; as to his chance of Parliament—" said the voice of Mabbey.

"Thousand pities," said Sir James; "still, he knew what to expect."

"Very queer fellows, those Foliots," said the Commodore. "There was his father: he 'd always rather talk to any scarecrow he came across than to you or me. Wonder what he'll do with all his horses; I should like that chestnut of his."

"You can't tell what a fellow 'll do," said the voice of Mabbey—"take to drink or writin' books. Old Charlie Wayne came to gazin' at stars, and twice a week he used to go and paddle round in Whitechapel, teachin' pothooks—"

"Glennie," said Sir James, "what 's become of Smollett, your old keeper?"

"Obliged to get rid of him." Shelton tried again to close his ears, but again he listened. "Getting a bit too old; lost me a lot of eggs last season."

"Ah!" said the Commodore, "when they oncesh begin to lose eggsh—"

"As a matter of fact, his son—you remember him, Sir James, he used to load for you?—got a girl into trouble; when her people gave her the chuck old Smollet took her in; beastly scandal it made, too. The girl refused to marry Smollett, and old Smollett backed her up. Naturally, the parson and the village cut up rough; my wife offered to get her into one of those reformatory what-d' you-call-'ems, but the old fellow said she should n't go if she did n't want to. Bad business altogether; put him quite off his stroke. I only got five hundred pheasants last year instead of eight."

There was a silence. Shelton again peeped through the hedge. All were eating pie.

"In Warwickshire," said the Commodore, "they always marry—haw—and live reshpectable ever after."

"Quite so," remarked the host; "it was a bit too thick, her refusing to marry him. She said he took advantage of her."

"She's sorry by this time," said Sir James; "lucky escape for young Smollett. Queer, the obstinacy of some of these old fellows!"

"What are we doing after lunch?" asked the Commodore.

"The next field," said the host, "is pasture. We line up along the hedge, and drive that mustard towards the roots; there ought to be a good few birds."

"Shelton rose, and, crouching, stole softly to the gate:

"On the twelfth, shootin' in two parties," followed the voice of Mabbey from the distance.

Whether from his walk or from his sleepless night, Shelton seemed to ache in every limb; but he continued his tramp along the road. He was no nearer to deciding what to do. It was late in the afternoon when he reached Maidenhead, and, after breaking fast, got into a London train and went to sleep. At ten o'clock that evening he walked into St. James's Park and there sat down.

The lamplight dappled through the tired foliage on to these benches which have rested many vagrants. Darkness has ceased to be the lawful cloak of the unhappy; but Mother Night was soft and moonless, and man had not despoiled her of her comfort, quite.

Shelton was not alone upon the seat, for at the far end was sitting a young girl with a red, round, sullen face; and beyond, and further still, were dim benches and dim figures sitting on them, as though life's institutions had shot them out in an endless line of rubbish.

"Ah!" thought Shelton, in the dreamy way of tired people; "the institutions are all right; it's the spirit that's all—"

"Wrong?" said a voice behind him; "why, of course! You've taken the wrong turn, old man."

He saw a policeman, with a red face shining through the darkness, talking to a strange old figure like some aged and dishevelled bird.

"Thank you, constable," the old man said, "as I've come wrong I'll take a rest." Chewing his gums, he seemed to fear to take the liberty of sitting down.

Shelton made room, and the old fellow took the vacant place.

"You'll excuse me, sir, I'm sure," he said in shaky tones, and snatching at his battered hat; "I see you was a gentleman"—and lovingly he dwelt upon the word—"would n't disturb you for the world. I'm not used to being out at night, and the seats do get so full. Old age must lean on something; you'll excuse me, sir, I 'm sure."

"Of course," said Shelton gently.

"I'm a respectable old man, really," said his neighbour; "I never took a liberty in my life. But at my age, sir, you get nervous; standin' about the streets as I been this last week, an' sleepin' in them doss-houses—Oh, they're dreadful rough places—a dreadful rough lot there! Yes," the old man said again, as Shelton turned to look at him, struck by the real self-pity in his voice, "dreadful rough places!"

A movement of his head, which grew on a lean, plucked neck like that of an old fowl, had brought his face into the light. It was long, and run to seed, and had a large, red nose; its thin, colourless lips were twisted sideways and apart, showing his semi-toothless mouth; and his eyes had that aged look of eyes in which all colour runs into a thin rim round the iris; and over them kept coming films like the films over parrots' eyes. He was, or should have been, clean-shaven. His hair—for he had taken off his hat was thick and lank, of dusty colour, as far as could be seen, without a speck of grey, and parted very beautifully just about the middle.

"I can put up with that," he said again. "I never interferes with nobody, and nobody don't interfere with me; but what frightens me"—his voice grew steady, as if too terrified to shake, "is never knowin' day to day what 's to become of yer. Oh, that 'a dreadful, that is!"

"It must be," answered Shelton.

"Ah! it is," the old man said; "and the winter cumin' on. I never was much used to open air, bein' in domestic service all my life; but I don't mind that so long as I can see my way to earn a livin'. Well, thank God! I've got a job at last"; and his voice grew cheerful suddenly. "Sellin' papers is not what I been accustomed to; but the Westminister, they tell me that's one of the most respectable of the evenin' papers—in fact, I know it is. So now I'm sure to get on; I try hard."

"How did you get the job?" asked Shelton.

"I 've got my character," the old fellow said, making a gesture with a skinny hand towards his chest, as if it were there he kept his character.

"Thank God, nobody can't take that away! I never parts from that"; and fumbling, he produced a packet, holding first one paper to the light, and then another, and he looked anxiously at Shelton. "In that house where I been sleepin' they're not honest; they 've stolen a parcel of my things—a lovely shirt an' a pair of beautiful gloves a gentleman gave me for holdin' of his horse. Now, would n't you prosecute 'em, sir?"

"It depends on what you can prove."

"I know they had 'em. A man must stand up for his rights; that's only proper. I can't afford to lose beautiful things like them. I think I ought to prosecute, now, don't you, sir?"

Shelton restrained a smile.

"There!" said the old man, smoothing out a piece of paper shakily, "that's Sir George!" and his withered finger-tips trembled on the middle of the page: 'Joshua Creed, in my service five years as butler, during which time I have found him all that a servant should be.' And this 'ere'—he fumbled with another—"this 'ere 's Lady Glengow: 'Joshua Creed—' I thought I'd like you to read 'em since you've been so kind."

"Will you have a pipe?"

"Thank ye, sir," replied the aged butler, filling his clay from Shelton's pouch; then, taking a front tooth between his finger and his thumb, he began to feel it tenderly, working it to and fro with a sort of melancholy pride.

"My teeth's a-comin' out," he said; "but I enjoys pretty good health for a man of my age."

"How old is that?"

"Seventy-two! Barrin' my cough, and my rupture, and this 'ere affliction"—he passed his hand over his face—"I 've nothing to complain of; everybody has somethink, it seems. I'm a wonder for my age, I think."

Shelton, for all his pity, would have given much to laugh.

"Seventy-two!" he said; "yes, a great age. You remember the country when it was very different to what it is now?"

"Ah!" said the old butler, "there was gentry then; I remember them drivin' down to Newmarket (my native place, sir) with their own horses. There was n't so much o' these here middle classes then. There was more, too, what you might call the milk o' human kindness in people then—none o' them amalgamated stores, every man keepin' his own little shop; not so eager to cut his neighbour's throat, as you might say. And then look at the price of bread! O dear! why, it is n't a quarter what it was!"

"And are people happier now than they were then?" asked Shelton.

The old butler sucked his pipe.

"No," he answered, shaking his old head; "they've lost the contented spirit. I see people runnin' here and runnin' there, readin' books, findin' things out; they ain't not so self-contented as they were."

"Is that possible?" thought Shelton.

"No," repeated the old man, again sucking at his pipe, and this time blowing out a lot of smoke; "I don't see as much happiness about, not the same look on the faces. 'T isn't likely. See these 'ere motorcars, too; they say 'orses is goin' out"; and, as if dumbfounded at his own conclusion, he sat silent for some time, engaged in the lighting and relighting of his pipe.

The girl at the far end stirred, cleared her throat, and settled down again; her movement disengaged a scent of frowsy clothes. The policeman had approached and scrutinised these ill-assorted faces; his glance was jovially contemptuous till he noticed Shelton, and then was modified by curiosity.

"There's good men in the police," the aged butler said, when the policeman had passed on—"there's good men in the police, as good men as you can see, and there 's them that treats you like the dirt—a dreadful low class of man. Oh dear, yes! when they see you down in the world, they think they can speak to you as they like; I don't give them no chance to worry me; I keeps myself to myself, and speak civil to all the world. You have to hold the candle to them; for, oh dear! if they 're crossed—some of them—they 're a dreadful unscrup'lous lot of men!"

"Are you going to spend the night here?"

"It's nice and warm to-night," replied the aged butler. "I said to the man at that low place I said: 'Don't you ever speak to me again,' I said, 'don't you come near me!' Straightforward and honest 's been my motto all my life; I don't want to have nothing to say to them low fellows"—he made an annihilating gesture—"after the way they treated me, takin' my things like that. Tomorrow I shall get a room for three shillin's a week, don't you think so, sir? Well, then I shall be all right. I 'm not afraid now; the mind at rest. So long as I ran keep myself, that's all I want. I shall do first-rate, I think"; and he stared at Shelton, but the look in his eyes and the half-scared optimism of his voice convinced the latter that he lived in dread. "So long as I can keep myself," he said again, "I sha'n't need no workhouse nor lose respectability."

"No," thought Shelton; and for some time sat without a word. "When you can;" he said at last, "come and see me; here's my card."

The aged butler became conscious with a jerk, for he was nodding.

"Thank ye, sir; I will," he said, with pitiful alacrity. "Down by Belgravia? Oh, I know it well; I lived down in them parts with a gentleman of the name of Bateson—perhaps you knew him; he 's dead now—the Honourable Bateson. Thank ye, sir; I'll be sure to come"; and, snatching at his battered hat, he toilsomely secreted Shelton's card amongst his character. A minute later he began again to nod.

The policeman passed a second time; his gaze seemed to say, "Now, what's a toff doing on that seat with those two rotters?" And Shelton caught his eye.

"Ah!" he thought; "exactly! You don't know what to make of me—a man of my position sitting here! Poor devil! to spend your days in spying on your fellow-creatures! Poor devil! But you don't know that you 're a poor devil, and so you 're not one."

The man on the next bench sneezed—a shrill and disapproving sneeze.

The policeman passed again, and, seeing that the lower creatures were both dozing, he spoke to Shelton:

"Not very safe on these 'ere benches, sir," he said; "you never know who you may be sittin' next to. If I were you, sir, I should be gettin' on—if you 're not goin' to spend the night here, that is"; and he laughed, as at an admirable joke.

Shelton looked at him, and itched to say, "Why shouldn't I?" but it struck him that it would sound very odd. "Besides," he thought, "I shall only catch a cold"; and, without speaking, he left the seat, and went along towards his rooms.


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The Island Pharisees/Part II/CHAPTER XXXI

It was seven and more when Shelton returned, from his walk; a few heat drops had splashed the leaves, but the storm had not yet broken. In brooding silence the world seemed pent beneath the purple firmament.

By rapid walking in the heat Shelton had got rid of his despondency. He felt like one who is to see his mistress after long estrangement. He, bathed, and, straightening his tie-ends, stood smiling at the glass. His fear, unhappiness, and doubts seemed like an evil dream; how much worse off would he not have been, had it all been true?

It was dinner-party night, and when he reached the drawing-room the guests were there already, chattering of the coming storm. Antonia was not yet down, and Shelton stood by the piano waiting for her entry. Red faces, spotless shirt-fronts, white arms; and freshly-twisted hair were all around him. Some one handed him a clove carnation, and, as he held it to his nose, Antonia came in, breathless, as though she had rushed down-stairs, Her cheeks were pale no longer; her hand kept stealing to her throat. The flames of the coming storm seemed to have caught fire within her, to be scorching her in her white frock; she passed him close, and her fragrance whipped his senses.

She had never seemed to him so lovely.

Never again will Shelton breathe the perfume of melons and pineapples without a strange emotion. From where he sat at dinner he could not see Antonia, but amidst the chattering of voices, the clink of glass and silver, the sights and sounds and scents of feasting, he thought how he would go to her and say that nothing mattered but her love. He drank the frosted, pale-gold liquid of champagne as if it had been water.

The windows stood wide open in the heat; the garden lay in thick, soft shadow, where the pitchy shapes of trees could be discerned. There was not a breath of air to fan the candle-flames above the flowers; but two large moths, fearful of the heavy dark, flew in and wheeled between the lights over the diners' heads. One fell scorched into a dish of fruit, and was removed; the other, eluding all the swish of napkins and the efforts of the footmen, continued to make soft, fluttering rushes till Shelton rose and caught it in his hand. He took it to the window and threw it out into the darkness, and he noticed that the air was thick and tepid to his face. At a sign from Mr. Dennant the muslin curtains were then drawn across the windows, and in gratitude, perhaps, for this protection, this filmy barrier between them and the muffled threats of Nature, everyone broke out in talk. It was such a night as comes in summer after perfect weather, frightening in its heat, and silence, which was broken by the distant thunder travelling low along the ground like the muttering of all dark places on the earth—such a night as seems, by very breathlessness, to smother life, and with its fateful threats to justify man's cowardice.

The ladies rose at last. The circle of the rosewood dining-table, which had no cloth, strewn with flowers and silver gilt, had a likeness to some autumn pool whose brown depths of oily water gleam under the sunset with red and yellow leaves; above it the smoke of cigarettes was clinging, like a mist to water when the sun goes down. Shelton became involved in argument with his neighbour on the English character.

"In England we've mislaid the recipe of life," he said. "Pleasure's a lost art. We don't get drunk, we're ashamed of love, and as to beauty, we've lost the eye for' it. In exchange we have got money, but what 's the good of money when we don't know how to spend it?" Excited by his neighbour's smile, he added: "As to thought, we think so much of what our neighbours think that we never think at all.... Have you ever watched a foreigner when he's listening to an Englishman? We 're in the habit of despising foreigners; the scorn we have for them is nothing to the scorn they have for us. And they are right! Look at our taste! What is the good of owning riches if we don't know how to use them?"

"That's rather new to me," his neighbour said. "There may be something in it.... Did you see that case in the papers the other day of old Hornblower, who left the 1820 port that fetched a guinea a bottle? When the purchaser—poor feller!—came to drink it he found eleven bottles out of twelve completely ullaged—ha! ha! Well, there's nothing wrong with this"; and he drained his glass.

"No," answered Shelton.

When they rose to join the ladies, he slipped out on the lawn.

At once he was enveloped in a bath of heat. A heavy odour, sensual, sinister, was in the air, as from a sudden flowering of amorous shrubs. He stood and drank it in with greedy nostrils. Putting his hand down, he felt the grass; it was dry, and charged with electricity. Then he saw, pale and candescent in the blackness, three or four great lilies, the authors of that perfume. The blossoms seemed to be rising at him through the darkness; as though putting up their faces to be kissed. He straightened himself abruptly and went in.

The guests were leaving when Shelton, who was watching; saw Antonia slip through the drawing-room window. He could follow the white glimmer of her frock across the lawn, but lost it in the shadow of the trees; casting a hasty look to see that he was not observed, he too slipped out. The blackness and the heat were stifling he took great breaths of it as if it were the purest mountain air, and, treading softly on the grass, stole on towards the holm oak. His lips were dry, his heart beat painfully. The mutter of the distant thunder had quite ceased; waves of hot air came wheeling in his face, and in their midst a sudden rush of cold. He thought, "The storm is coming now!" and stole on towards the tree. She was lying in the hammock, her figure a white blur in, the heart of the tree's shadow, rocking gently to a little creaking of the branch. Shelton held his breath; she had not heard him. He crept up close behind the trunk till he stood in touch of her. "I mustn't startle her," he thought. "Antonia!"

There was a faint stir in the hammock, but no answer. He stood over her, but even then he could not see her face; he only, had a sense of something breathing and alive within a yard of him—of something warm and soft. He whispered again, "Antonia!" but again there came no answer, and a sort of fear and frenzy seized on him. He could no longer hear her breathe; the creaking of the branch had ceased. What was passing in that silent, living creature there so close? And then he heard again the sound of breathing, quick and scared, like the fluttering of a bird; in a moment he was staring in the dark at an empty hammock.

He stayed beside the empty hammock till he could bear uncertainty no longer. But as he crossed the lawn the sky was rent from end to end by jagged lightning, rain spattered him from head to foot, and with a deafening crack the thunder broke.

He sought the smoking-room, but, recoiling at the door, went to his own room, and threw himself down on the bed. The thunder groaned and sputtered in long volleys; the lightning showed him the shapes of things within the room, with a weird distinctness that rent from them all likeness to the purpose they were made for, bereaved them of utility, of their matter-of-factness, presented them as skeletons, abstractions, with indecency in their appearance, like the naked nerves and sinews of a leg preserved in, spirit. The sound of the rain against the house stunned his power of thinking, he rose to shut his windows; then, returning to his bed, threw himself down again. He stayed there till the storm was over, in a kind of stupor; but when the boom of the retreating thunder grew every minute less distinct, he rose. Then for the first time he saw something white close by the door.

It was a note:

I have made a mistake. Please forgive me, and go away.—ANTONIA.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/


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The Island Pharisees/Part II/CHAPTER XXXIII

He reached his rooms at midnight so exhausted that, without waiting to light up, he dropped into a chair. The curtains and blinds had been removed for cleaning, and the tall windows admitted the night's staring gaze. Shelton fixed his eyes on that outside darkness, as one lost man might fix his eyes upon another.

An unaired, dusty odour clung about the room, but, like some God-sent whiff of grass or flowers wafted to one sometimes in the streets, a perfume came to him, the spice from the withered clove carnation still clinging, to his button-hole; and he suddenly awoke from his queer trance. There was a decision to be made. He rose to light a candle; the dust was thick on everything he touched. "Ugh!" he thought, "how wretched!" and the loneliness that had seized him on the stone seat at Holm Oaks the day before returned with fearful force.

On his table, heaped without order, were a pile of bills and circulars. He opened them, tearing at their covers with the random haste of men back from their holidays. A single long envelope was placed apart.

MY DEAR DICK [he read],

I enclose you herewith the revised draft of your marriage settlement. It is now shipshape. Return it before the end of the week, and I will have it engrossed for signature. I go to Scotland next Wednesday for a month; shall be back in good time for your wedding. My love to your mother when you see her.

Your-affectionate uncle,

EDMUND PARAMOR.

Shelton smiled and took out the draft.

"This Indenture made the — day of 190-, between Richard Paramor Shelton—"

He put it down and sank back in his chair, the chair in which the foreign vagrant had been wont to sit on mornings when he came to preach philosophy.

He did not stay there long, but in sheer unhappiness got up, and, taking his candle, roamed about the room, fingering things, and gazing in the mirror at his face, which seemed to him repulsive in its wretchedness. He went at last into the hall and opened the door, to go downstairs again into the street; but the sudden certainty that, in street or house, in town or country, he would have to take his trouble with him, made him shut it to. He felt in the letterbox, drew forth a letter, and with this he went back to the sitting-room.

It was from Antonia. And such was his excitement that he was forced to take three turns between the window and the wall before he could read; then, with a heart beating so that he could hardly hold the paper, he began:

I was wrong to ask you to go away. I see now that it was breaking my promise, and I did n't mean to do that. I don't know why things have come to be so different. You never think as I do about anything.

I had better tell you that that letter of Monsieur Ferrand's to mother was impudent. Of course you did n't know what was in it; but when Professor Brayne was asking you about him at breakfast, I felt that you believed that he was right and we were wrong, and I can't understand it. And then in the afternoon, when that woman hurt her horse, it was all as if you were on her side. How can you feel like that?

I must say this, because I don't think I ought to have asked you to go away, and I want you to believe that I will keep my promise, or I should feel that you and everybody else had a right to condemn me. I was awake all last night, and have a bad headache this morning. I can't write any more. ANTONIA.

His first sensation was a sort of stupefaction of relief that had in it an element of anger. He was reprieved! She would not break her promise; she considered herself bound! In the midst of the exaltation of this thought he smiled, and that smile was strange.

He read it through again, and, like a judge, began to weigh what she had written, her thoughts when she was writing, the facts which had led up to this.

The vagrant's farewell document had done the business. True to his fatal gift of divesting things of clothing, Ferrand had not vanished without showing up his patron in his proper colours; even to Shelton those colours were made plain. Antonia had felt her lover was a traitor. Sounding his heart even in his stress of indecision, Shelton knew that this was true.

"Then in the afternoon, when that woman hurt her horse-" That woman! "It was as if you were on her side!"

He saw too well her mind, its clear rigidity, its intuitive perception of that with which it was not safe to sympathise, its instinct for self-preservation, its spontaneous contempt for those without that instinct. And she had written these words considering herself bound to him—a man of sentiment, of rebellious sympathies, of untidiness of principle! Here was the answer to the question he had asked all day: "How have things come to such a pass?" and he began to feel compassion for her.

Poor child! She could not jilt him; there was something vulgar in the word! Never should it be said that Antonia Dennant had accented him and thrown him over. No lady did these things! They were impossible! At the bottom of his heart he had a queer, unconscious sympathy with, this impossibility.

Once again he read the letter, which seemed now impregnated with fresh meaning, and the anger which had mingled with his first sensation of relief detached itself and grew in force. In that letter there was something tyrannous, a denial of his right to have a separate point of view. It was like a finger pointed at him as an unsound person. In marrying her he would be marrying not only her, but her class—his class. She would be there always to make him look on her and on himself, and all the people that they knew and all the things they did, complacently; she would be there to make him feel himself superior to everyone whose life was cast in other moral moulds. To feel himself superior, not blatantly, not consciously, but with subconscious righteousness.

But his anger, which was like the paroxysm that two days before had made him mutter at the Connoisseur, "I hate your d—-d superiority," struck him all at once as impotent and ludicrous. What was the good of being angry? He was on the point of losing her! And the anguish of that thought, reacting on his anger, intensified it threefold. She was so certain of herself, so superior to her emotions, to her natural impulses—superior to her very longing to be free from him. Of that fact, at all events, Shelton had no longer any doubt. It was beyond argument. She did not really love him; she wanted to be free of him!

A photograph hung in his bedroom at Holm Oaks of a group round the hall door; the Honourable Charlotte Penguin, Mrs. Dennant, Lady Bonington, Halidome, Mr. Dennant, and the stained-glass man—all were there; and on the left-hand side, looking straight in front of her, Antonia. Her face in its youthfulness, more than all those others, expressed their point of view: Behind those calm young eyes lay a world of safety and tradition. "I am not as others are," they seemed to say.

And from that photograph Mr. and Mrs. Dennant singled themselves out; he could see their faces as they talked—their faces with a peculiar and uneasy look on them; and he could hear their voices, still decisive, but a little acid, as if they had been quarrelling:

"He 's made a donkey of himself!"

"Ah! it's too distressin'!"

They, too, thought him unsound, and did n't want him; but to save the situation they would be glad to keep him. She did n't want him, but she refused to lose her right to say, "Commoner girls may break their promises; I will not!" He sat down at the table between the candles, covering his face. His grief and anger grew and grew within him. If she would not free herself, the duty was on him! She was ready without love to marry him, as a sacrifice to her ideal of what she ought to be!

But she had n't, after all, the monopoly of pride!

As if she stood before him, he could see the shadows underneath her eyes that he had dreamed of kissing, the eager movements of her lips. For several minutes he remained, not moving hand or limb. Then once more his anger blazed. She was going to sacrifice herself and—him! All his manhood scoffed at such a senseless sacrifice. That was not exactly what he wanted!

He went to the bureau, took a piece of paper and an envelope, and wrote as follows:

There never was, is not, and never would have been any question of being bound between us. I refuse to trade on any such thing. You are absolutely free. Our engagement is at an end by mutual consent.

RICHARD SHELTON.

He sealed it, and, sitting with his hands between his knees, he let his forehead droop lower and lower to the table, till it rested on his marriage settlement. And he had a feeling of relief, like one who drops exhausted at his journey's end.


text: Indian Summer of a Forsyte

title: Indian Summer of a Forsyte


text: Talk:Indian Summer of a Forsyte

title: Talk:Indian Summer of a Forsyte


text:
Indian Summer of a Forsyte/I

On the last day of May in the early 'nineties, about six o'clock of the evening, old Jolyon Forsyte sat under the oak tree below the terrace of his house at Robin Hill. He was waiting for the midges to bite him, before abandoning the glory of the afternoon. His thin brown hand, where blue veins stood out, held the end of a cigar in its tapering, long-nailed fingers—a pointed polished nail had survived with him from those earlier Victorian days when to touch nothing, even with the tips of the fingers, had been so distinguished. His domed forehead, great white moustache, lean cheeks, and long lean jaw were covered from the westering sunshine by an old brown Panama hat. His legs were crossed; in all his attitude was serenity and a kind of elegance, as of an old man who every morning put eau de Cologne upon his silk handkerchief. At his feet lay a woolly brown-and-white dog trying to be a Pomeranian—the dog Balthasar between whom and old Jolyon primal aversion had changed into attachment with the years. Close to his chair was a swing, and on the swing was seated one of Holly's dolls—called 'Duffer Alice'—with her body fallen over her legs and her doleful nose buried in a black petticoat. She was never out of disgrace, so it did not matter to her how she sat. Below the oak tree the lawn dipped down a bank, stretched to the fernery, and, beyond that refinement, became fields, dropping to the pond, the coppice, and the prospect—'Fine, remarkable'—at which Swithin Forsyte, from under this very tree, had stared five years ago when he drove down with Irene to look at the house. Old Jolyon had heard of his brother's exploit—that drive which had become quite celebrated on Forsyte 'Change. Swithin! And the fellow had gone and died, last November, at the age of only seventy-nine, renewing the doubt whether Forsytes could live for ever, which had first arisen when Aunt Ann passed away. Died! and left only Jolyon and James, Roger and Nicholas and Timothy, Julia, Hester, Susan! And old Jolyon thought: 'Eighty-five! I don't feel it—except when I get that pain.'

His memory went searching. He had not felt his age since he had bought his nephew Soames' ill-starred house and settled into it here at Robin Hill over three years ago. It was as if he had been getting younger every spring, living in the country with his son and his grandchildren—June, and the little ones of the second marriage, Jolly and Holly; living down here out of the racket of London and the cackle of Forsyte 'Change,' free of his boards, in a delicious atmosphere of no work and all play, with plenty of occupation in the perfecting and mellowing of the house and its twenty acres, and in ministering to the whims of Holly and Jolly. All the knots and crankiness, which had gathered in his heart during that long and tragic business of June, Soames, Irene his wife, and poor young Bosinney, had been smoothed out. Even June had thrown off her melancholy at last—witness this travel in Spain she was taking now with her father and her stepmother. Curiously perfect peace was left by their departure; blissful, yet blank, because his son was not there. Jo was never anything but a comfort and a pleasure to him nowadays—an amiable chap; but women, somehow—even the best—got a little on one's nerves, unless of course one admired them.

Far-off a cuckoo called; a wood-pigeon was cooing from the first elm-tree in the field, and how the daisies and buttercups had sprung up after the last mowing! The wind had got into the sou' west, too—a delicious air, sappy! He pushed his hat back and let the sun fall on his chin and cheek. Somehow, to-day, he wanted company—wanted a pretty face to look at. People treated the old as if they wanted nothing. And with the un-Forsytean philosophy which ever intruded on his soul, he thought: 'One's never had enough. With a foot in the grave one'll want something, I shouldn't be surprised!' Down here—away from the exigencies of affairs—his grandchildren, and the flowers, trees, birds of his little domain, to say nothing of sun and moon and stars above them, said, 'Open, sesame,' to him day and night. And sesame had opened—how much, perhaps, he did not know. He had always been responsive to what they had begun to call 'Nature,' genuinely, almost religiously responsive, though he had never lost his habit of calling a sunset a sunset and a view a view, however deeply they might move him. But nowadays Nature actually made him ache, he appreciated it so. Every one of these calm, bright, lengthening days, with Holly's hand in his, and the dog Balthasar in front looking studiously for what he never found, he would stroll, watching the roses open, fruit budding on the walls, sunlight brightening the oak leaves and saplings in the coppice, watching the water-lily leaves unfold and glisten, and the silvery young corn of the one wheat field; listening to the starlings and skylarks, and the Alderney cows chewing the cud, flicking slow their tufted tails; and every one of these fine days he ached a little from sheer love of it all, feeling perhaps, deep down, that he had not very much longer to enjoy it. The thought that some day—perhaps not ten years hence, perhaps not five—all this world would be taken away from him, before he had exhausted his powers of loving it, seemed to him in the nature of an injustice brooding over his horizon. If anything came after this life, it wouldn't be what he wanted; not Robin Hill, and flowers and birds and pretty faces—too few, even now, of those about him! With the years his dislike of humbug had increased; the orthodoxy he had worn in the 'sixties, as he had worn side-whiskers out of sheer exuberance, had long dropped off, leaving him reverent before three things alone—beauty, upright conduct, and the sense of property; and the greatest of these now was beauty. He had always had wide interests, and, indeed could still read The Times, but he was liable at any moment to put it down if he heard a blackbird sing. Upright conduct, property—somehow, they were tiring; the blackbirds and the sunsets never tired him, only gave him an uneasy feeling that he could not get enough of them. Staring into the stilly radiance of the early evening and at the little gold and white flowers on the lawn, a thought came to him: This weather was like the music of 'Orfeo,' which he had recently heard at Covent Garden. A beautiful opera, not like Meyerbeer, nor even quite Mozart, but, in its way, perhaps even more lovely; something classical and of the Golden Age about it, chaste and mellow, and the Ravogli 'almost worthy of the old days'—highest praise he could bestow. The yearning of Orpheus for the beauty he was losing, for his love going down to Hades, as in life love and beauty did go—the yearning which sang and throbbed through the golden music, stirred also in the lingering beauty of the world that evening. And with the tip of his cork-soled, elastic-sided boot he involuntarily stirred the ribs of the dog Balthasar, causing the animal to wake and attack his fleas; for though he was supposed to have none, nothing could persuade him of the fact. When he had finished he rubbed the place he had been scratching against his master's calf, and settled down again with his chin over the instep of the disturbing boot. And into old Jolyon's mind came a sudden recollection—a face he had seen at that opera three weeks ago—Irene, the wife of his precious nephew Soames, that man of property! Though he had not met her since the day of the 'At Home' in his old house at Stanhope Gate, which celebrated his granddaughter June's ill-starred engagement to young Bosinney, he had remembered her at once, for he had always admired her—a very pretty creature. After the death of young Bosinney, whose mistress she had so reprehensibly become, he had heard that she had left Soames at once. Goodness only knew what she had been doing since. That sight of her face—a side view—in the row in front, had been literally the only reminder these three years that she was still alive. No one ever spoke of her. And yet Jo had told him something once—something which had upset him completely. The boy had got it from George Forsyte, he believed, who had seen Bosinney in the fog the day he was run over—something which explained the young fellow's distress—an act of Soames towards his wife—a shocking act. Jo had seen her, too, that afternoon, after the news was out, seen her for a moment, and his description had always lingered in old Jolyon's mind—'wild and lost' he had called her. And next day June had gone there—bottled up her feelings and gone there, and the maid had cried and told her how her mistress had slipped out in the night and vanished. A tragic business altogether! One thing was certain—Soames had never been able to lay hands on her again. And he was living at Brighton, and journeying up and down—a fitting fate, the man of property! For when he once took a dislike to anyone—as he had to his nephew—old Jolyon never got over it. He remembered still the sense of relief with which he had heard the news of Irene's disappearance. It had been shocking to think of her a prisoner in that house to which she must have wandered back, when Jo saw her, wandered back for a moment—like a wounded animal to its hole after seeing that news, 'Tragic death of an Architect,' in the street. Her face had struck him very much the other night—more beautiful than he had remembered, but like a mask, with something going on beneath it. A young woman still—twenty-eight perhaps. Ah, well! Very likely she had another lover by now. But at this subversive thought—for married women should never love: once, even, had been too much—his instep rose, and with it the dog Balthasar's head. The sagacious animal stood up and looked into old Jolyon's face. 'Walk?' he seemed to say; and old Jolyon answered: "Come on, old chap!"

Slowly, as was their wont, they crossed among the constellations of buttercups and daisies, and entered the fernery. This feature, where very little grew as yet, had been judiciously dropped below the level of the lawn so that it might come up again on the level of the other lawn and give the impression of irregularity, so important in horticulture. Its rocks and earth were beloved of the dog Balthasar, who sometimes found a mole there. Old Jolyon made a point of passing through it because, though it was not beautiful, he intended that it should be, some day, and he would think: 'I must get Varr to come down and look at it; he's better than Beech.' For plants, like houses and human complaints, required the best expert consideration. It was inhabited by snails, and if accompanied by his grandchildren, he would point to one and tell them the story of the little boy who said: 'Have plummers got leggers, Mother? 'No, sonny.' 'Then darned if I haven't been and swallowed a snileybob.' And when they skipped and clutched his hand, thinking of the snileybob going down the little boy's 'red lane,' his eyes would twinkle. Emerging from the fernery, he opened the wicket gate, which just there led into the first field, a large and park-like area, out of which, within brick walls, the vegetable garden had been carved. Old Jolyon avoided this, which did not suit his mood, and made down the hill towards the pond. Balthasar, who knew a water-rat or two, gambolled in front, at the gait which marks an oldish dog who takes the same walk every day. Arrived at the edge, old Jolyon stood, noting another water-lily opened since yesterday; he would show it to Holly to-morrow, when 'his little sweet' had got over the upset which had followed on her eating a tomato at lunch—her little arrangements were very delicate. Now that Jolly had gone to school—his first term—Holly was with him nearly all day long, and he missed her badly. He felt that pain too, which often bothered him now, a little dragging at his left side. He looked back up the hill. Really, poor young Bosinney had made an uncommonly good job of the house; he would have done very well for himself if he had lived! And where was he now? Perhaps, still haunting this, the site of his last work, of his tragic love affair. Or was Philip Bosinney's spirit diffused in the general? Who could say? That dog was getting his legs muddy! And he moved towards the coppice. There had been the most delightful lot of bluebells, and he knew where some still lingered like little patches of sky fallen in between the trees, away out of the sun. He passed the cow-houses and the hen-houses there installed, and pursued a path into the thick of the saplings, making for one of the bluebell plots. Balthasar, preceding him once more, uttered a low growl. Old Jolyon stirred him with his foot, but the dog remained motionless, just where there was no room to pass, and the hair rose slowly along the centre of his woolly back. Whether from the growl and the look of the dog's stivered hair, or from the sensation which a man feels in a wood, old Jolyon also felt something move along his spine. And then the path turned, and there was an old mossy log, and on it a woman sitting. Her face was turned away, and he had just time to think: 'She's trespassing—I must have a board put up!' before she turned. Powers above! The face he had seen at the opera—the very woman he had just been thinking of! In that confused moment he saw things blurred, as if a spirit—queer effect—the slant of sunlight perhaps on her violet-grey frock! And then she rose and stood smiling, her head a little to one side. Old Jolyon thought: 'How pretty she is!' She did not speak, neither did he; and he realized why with a certain admiration. She was here no doubt because of some memory, and did not mean to try and get out of it by vulgar explanation.

"Don't let that dog touch your frock," he said; "he's got wet feet. Come here, you!"

But the dog Balthasar went on towards the visitor, who put her hand down and stroked his head. Old Jolyon said quickly:

"I saw you at the opera the other night; you didn't notice me."

"Oh, yes! I did."

He felt a subtle flattery in that, as though she had added: 'Do you think one could miss seeing you?'

"They're all in Spain," he remarked abruptly. "I'm alone; I drove up for the opera. The Ravogli's good. Have you seen the cow-houses?"

In a situation so charged with mystery and something very like emotion he moved instinctively towards that bit of property, and she moved beside him. Her figure swayed faintly, like the best kind of French figures; her dress, too, was a sort of French grey. He noticed two or three silver threads in her amber-coloured hair, strange hair with those dark eyes of hers, and that creamy-pale face. A sudden sidelong look from the velvety brown eyes disturbed him. It seemed to come from deep and far, from another world almost, or at all events from some one not living very much in this. And he said mechanically:

"Where are you living now?"

"I have a little flat in Chelsea."

He did not want to hear what she was doing, did not want to hear anything; but the perverse word came out:

"Alone?"

She nodded. It was a relief to know that. And it came into his mind that, but for a twist of fate, she would have been mistress of this coppice, showing these cow-houses to him, a visitor.

"All Alderneys," he muttered; "they give the best milk. This one's a pretty creature. Woa, Myrtle!"

The fawn-coloured cow, with eyes as soft and brown as Irene's own, was standing absolutely still, not having long been milked. She looked round at them out of the corner of those lustrous, mild, cynical eyes, and from her grey lips a little dribble of saliva threaded its way towards the straw. The scent of hay and vanilla and ammonia rose in the dim light of the cool cow-house; and old Jolyon said:

"You must come up and have some dinner with me. I'll send you home in the carriage."

He perceived a struggle going on within her; natural, no doubt, with her memories. But he wanted her company; a pretty face, a charming figure, beauty! He had been alone all the afternoon. Perhaps his eyes were wistful, for she answered: "Thank you, Uncle Jolyon. I should like to."

He rubbed his hands, and said:

"Capital! Let's go up, then!" And, preceded by the dog Balthasar, they ascended through the field. The sun was almost level in their faces now, and he could see, not only those silver threads, but little lines, just deep enough to stamp her beauty with a coin-like fineness—the special look of life unshared with others. "I'll take her in by the terrace," he thought: "I won't make a common visitor of her."

"What do you do all day?" he said.

"Teach music; I have another interest, too."

"Work!" said old Jolyon, picking up the doll from off the swing, and smoothing its black petticoat. "Nothing like it, is there? I don't do any now. I'm getting on. What interest is that?"

"Trying to help women who've come to grief." Old Jolyon did not quite understand. "To grief?" he repeated; then realised with a shock that she meant exactly what he would have meant himself if he had used that expression. Assisting the Magdalenes of London! What a weird and terrifying interest! And, curiosity overcoming his natural shrinking, he asked:

"Why? What do you do for them?"

"Not much. I've no money to spare. I can only give sympathy and food sometimes."

Involuntarily old Jolyon's hand sought his purse. He said hastily: "How d'you get hold of them?"

"I go to a hospital."

"A hospital! Phew!"

"What hurts me most is that once they nearly all had some sort of beauty."

Old Jolyon straightened the doll. "Beauty!" he ejaculated: "Ha! Yes! A sad business!" and he moved towards the house. Through a French window, under sun-blinds not yet drawn up, he preceded her into the room where he was wont to study The Times and the sheets of an agricultural magazine, with huge illustrations of mangold wurzels, and the like, which provided Holly with material for her paint brush.

"Dinner's in half an hour. You'd like to wash your hands! I'll take you to June's room."

He saw her looking round eagerly; what changes since she had last visited this house with her husband, or her lover, or both perhaps—he did not know, could not say! All that was dark, and he wished to leave it so. But what changes! And in the hall he said:

"My boy Jo's a painter, you know. He's got a lot of taste. It isn't mine, of course, but I've let him have his way."

She was standing very still, her eyes roaming through the hall and music room, as it now was—all thrown into one, under the great skylight. Old Jolyon had an odd impression of her. Was she trying to conjure somebody from the shades of that space where the colouring was all pearl-grey and silver? He would have had gold himself; more lively and solid. But Jo had French tastes, and it had come out shadowy like that, with an effect as of the fume of cigarettes the chap was always smoking, broken here and there by a little blaze of blue or crimson colour. It was not his dream! Mentally he had hung this space with those gold-framed masterpieces of still and stiller life which he had bought in days when quantity was precious. And now where were they? Sold for a song! That something which made him, alone among Forsytes, move with the times had warned him against the struggle to retain them. But in his study he still had 'Dutch Fishing Boats at Sunset.'

He began to mount the stairs with her, slowly, for he felt his side.

"These are the bathrooms," he said, "and other arrangements. I've had them tiled. The nurseries are along there. And this is Jo's and his wife's. They all communicate. But you remember, I expect."

Irene nodded. They passed on, up the gallery and entered a large room with a small bed, and several windows.

"This is mine," he said. The walls were covered with the photographs of children and watercolour sketches, and he added doubtfully:

"These are Jo's. The view's first-rate. You can see the Grand Stand at Epsom in clear weather."

The sun was down now, behind the house, and over the 'prospect' a luminous haze had settled, emanation of the long and prosperous day. Few houses showed, but fields and trees faintly glistened, away to a loom of downs.

"The country's changing," he said abruptly, "but there it'll be when we're all gone. Look at those thrushes—the birds are sweet here in the mornings. I'm glad to have washed my hands of London."

Her face was close to the window pane, and he was struck by its mournful look. 'Wish I could make her look happy!' he thought. 'A pretty face, but sad!' And taking up his can of hot water he went out into the gallery.

"This is June's room," he said, opening the next door and putting the can down; "I think you'll find everything." And closing the door behind her he went back to his own room. Brushing his hair with his great ebony brushes, and dabbing his forehead with eau de Cologne, he mused. She had come so strangely—a sort of visitation; mysterious, even romantic, as if his desire for company, for beauty, had been fulfilled by whatever it was which fulfilled that sort of thing. And before the mirror he straightened his still upright figure, passed the brushes over his great white moustache, touched up his eyebrows with eau de Cologne, and rang the bell.

"I forgot to let them know that I have a lady to dinner with me. Let cook do something extra, and tell Beacon to have the landau and pair at half-past ten to drive her back to Town to-night. Is Miss Holly asleep?"

The maid thought not. And old Jolyon, passing down the gallery, stole on tiptoe towards the nursery, and opened the door whose hinges he kept specially oiled that he might slip in and out in the evenings without being heard.

But Holly was asleep, and lay like a miniature Madonna, of that type which the old painters could not tell from Venus, when they had completed her. Her long dark lashes clung to her cheeks; on her face was perfect peace—her little arrangements were evidently all right again. And old Jolyon, in the twilight of the room, stood adoring her! It was so charming, solemn, and loving—that little face. He had more than his share of the blessed capacity of living again in the young. They were to him his future life—all of a future life that his fundamental pagan sanity perhaps admitted. There she was with everything before her, and his blood—some of it—in her tiny veins. There she was, his little companion, to be made as happy as ever he could make her, so that she knew nothing but love. His heart swelled, and he went out, stilling the sound of his patent-leather boots. In the corridor an eccentric notion attacked him: To think that children should come to that which Irene had told him she was helping! Women who were all, once, little things like this one sleeping there! 'I must give her a cheque!' he mused; 'Can't bear to think of them!' They had never borne reflecting on, those poor outcasts; wounding too deeply the core of true refinement hidden under layers of conformity to the sense of property—wounding too grievously the deepest thing in him—a love of beauty which could give him, even now, a flutter of the heart, thinking of his evening in the society of a pretty woman. And he went downstairs, through the swinging doors, to the back regions. There, in the wine-cellar, was a hock worth at least two pounds a bottle, a Steinberg Cabinet, better than any Johannisberg that ever went down throat; a wine of perfect bouquet, sweet as a nectarine—nectar indeed! He got a bottle out, handling it like a baby, and holding it level to the light, to look. Enshrined in its coat of dust, that mellow coloured, slender-necked bottle gave him deep pleasure. Three years to settle down again since the move from Town—ought to be in prime condition! Thirty-five years ago he had bought it—thank God he had kept his palate, and earned the right to drink it. She would appreciate this; not a spice of acidity in a dozen. He wiped the bottle, drew the cork with his own hands, put his nose down, inhaled its perfume, and went back to the music room.

Irene was standing by the piano; she had taken off her hat and a lace scarf she had been wearing, so that her gold-coloured hair was visible, and the pallor of her neck. In her grey frock she made a pretty picture for old Jolyon, against the rosewood of the piano.

He gave her his arm, and solemnly they went. The room, which had been designed to enable twenty-four people to dine in comfort, held now but a little round table. In his present solitude the big dining-table oppressed old Jolyon; he had caused it to be removed till his son came back. Here in the company of two really good copies of Raphael Madonnas he was wont to dine alone. It was the only disconsolate hour of his day, this summer weather. He had never been a large eater, like that great chap Swithin, or Sylvanus Heythorp, or Anthony Thornworthy, those cronies of past times; and to dine alone, overlooked by the Madonnas, was to him but a sorrowful occupation, which he got through quickly, that he might come to the more spiritual enjoyment of his coffee and cigar. But this evening was a different matter! His eyes twinkled at her across the little table and he spoke of Italy and Switzerland, telling her stories of his travels there, and other experiences which he could no longer recount to his son and grand-daughter because they knew them. This fresh audience was precious to him; he had never become one of those old men who ramble round and round the fields of reminiscence. Himself quickly fatigued by the insensitive, he instinctively avoided fatiguing others, and his natural flirtatiousness towards beauty guarded him specially in his relations with a woman. He would have liked to draw her out, but though she murmured and smiled and seemed to be enjoying what he told her, he remained conscious of that mysterious remoteness which constituted half her fascination. He could not bear women who threw their shoulders and eyes at you, and chattered away; or hard-mouthed women who laid down the law and knew more than you did. There was only one quality in a woman that appealed to him—charm; and the quieter it was, the more he liked it. And this one had charm, shadowy as afternoon sunlight on those Italian hills and valleys he had loved. The feeling, too, that she was, as it were, apart, cloistered, made her seem nearer to himself, a strangely desirable companion. When a man is very old and quite out of the running, he loves to feel secure from the rivalries of youth, for he would still be first in the heart of beauty. And he drank his hock, and watched her lips, and felt nearly young. But the dog Balthasar lay watching her lips too, and despising in his heart the interruptions of their talk, and the tilting of those greenish glasses full of a golden fluid which was distasteful to him.

The light was just failing when they went back into the music-room. And, cigar in mouth, old Jolyon said:

"Play me some Chopin."

By the cigars they smoke, and the composers they love, ye shall know the texture of men's souls. Old Jolyon could not bear a strong cigar or Wagner's music. He loved Beethoven and Mozart, Handel and Gluck, and Schumann, and, for some occult reason, the operas of Meyerbeer; but of late years he had been seduced by Chopin, just as in painting he had succumbed to Botticelli. In yielding to these tastes he had been conscious of divergence from the standard of the Golden Age. Their poetry was not that of Milton and Byron and Tennyson; of Raphael and Titian; Mozart and Beethoven. It was, as it were, behind a veil; their poetry hit no one in the face, but slipped its fingers under the ribs and turned and twisted, and melted up the heart. And, never certain that this was healthy, he did not care a rap so long as he could see the pictures of the one or hear the music of the other.

Irene sat down at the piano under the electric lamp festooned with pearl-grey, and old Jolyon, in an armchair, whence he could see her, crossed his legs and drew slowly at his cigar. She sat a few moments with her hands on the keys, evidently searching her mind for what to give him. Then she began and within old Jolyon there arose a sorrowful pleasure, not quite like anything else in the world. He fell slowly into a trance, interrupted only by the movements of taking the cigar out of his mouth at long intervals, and replacing it. She was there, and the hock within him, and the scent of tobacco; but there, too, was a world of sunshine lingering into moonlight, and pools with storks upon them, and bluish trees above, glowing with blurs of wine-red roses, and fields of lavender where milk-white cows were grazing, and a woman all shadowy, with dark eyes and a white neck, smiled, holding out her arms; and through air which was like music a star dropped and was caught on a cow's horn. He opened his eyes. Beautiful piece; she played well—the touch of an angel! And he closed them again. He felt miraculously sad and happy, as one does, standing under a lime-tree in full honey flower. Not live one's own life again, but just stand there and bask in the smile of a woman's eyes, and enjoy the bouquet! And he jerked his hand; the dog Balthasar had reached up and licked it.

"Beautiful!" He said: "Go on—more Chopin!"

She began to play again. This time the resemblance between her and 'Chopin' struck him. The swaying he had noticed in her walk was in her playing too, and the Nocturne she had chosen and the soft darkness of her eyes, the light on her hair, as of moonlight from a golden moon. Seductive, yes; but nothing of Delilah in her or in that music. A long blue spiral from his cigar ascended and dispersed. 'So we go out!' he thought. 'No more beauty! Nothing?'

Again Irene stopped.

"Would you like some Gluck? He used to write his music in a sunlit garden, with a bottle of Rhine wine beside him."

"Ah! yes. Let's have 'Orfeo.'" Round about him now were fields of gold and silver flowers, white forms swaying in the sunlight, bright birds flying to and fro. All was summer. Lingering waves of sweetness and regret flooded his soul. Some cigar ash dropped, and taking out a silk handkerchief to brush it off, he inhaled a mingled scent as of snuff and eau de Cologne. 'Ah!' he thought, 'Indian summer—that's all!' and he said: "You haven't played me 'Che faro.'"

She did not answer; did not move. He was conscious of something—some strange upset. Suddenly he saw her rise and turn away, and a pang of remorse shot through him. What a clumsy chap! Like Orpheus, she of course—she too was looking for her lost one in the hall of memory! And disturbed to the heart, he got up from his chair. She had gone to the great window at the far end. Gingerly he followed. Her hands were folded over her breast; he could just see her cheek, very white. And, quite emotionalized, he said: "There, there, my love!" The words had escaped him mechanically, for they were those he used to Holly when she had a pain, but their effect was instantaneously distressing. She raised her arms, covered her face with them, and wept.

Old Jolyon stood gazing at her with eyes very deep from age. The passionate shame she seemed feeling at her abandonment, so unlike the control and quietude of her whole presence was as if she had never before broken down in the presence of another being.

"There, there—there, there!" he murmured, and putting his hand out reverently, touched her. She turned, and leaned the arms which covered her face against him. Old Jolyon stood very still, keeping one thin hand on her shoulder. Let her cry her heart out—it would do her good.

And the dog Balthasar, puzzled, sat down on his stern to examine them.

The window was still open, the curtains had not been drawn, the last of daylight from without mingled with faint intrusion from the lamp within; there was a scent of new-mown grass. With the wisdom of a long life old Jolyon did not speak. Even grief sobbed itself out in time; only Time was good for sorrow—Time who saw the passing of each mood, each emotion in turn; Time the layer-to-rest. There came into his mind the words: 'As panteth the hart after cooling streams'—but they were of no use to him. Then, conscious of a scent of violets, he knew she was drying her eyes. He put his chin forward, pressed his moustache against her forehead, and felt her shake with a quivering of her whole body, as of a tree which shakes itself free of raindrops. She put his hand to her lips, as if saying: "All over now! Forgive me!"

The kiss filled him with a strange comfort; he led her back to where she had been so upset. And the dog Balthasar, following, laid the bone of one of the cutlets they had eaten at their feet.

Anxious to obliterate the memory of that emotion, he could think of nothing better than china; and moving with her slowly from cabinet to cabinet, he kept taking up bits of Dresden and Lowestoft and Chelsea, turning them round and round with his thin, veined hands, whose skin, faintly freckled, had such an aged look.

"I bought this at Jobson's," he would say; "cost me thirty pounds. It's very old. That dog leaves his bones all over the place. This old 'ship-bowl' I picked up at the sale when that precious rip, the Marquis, came to grief. But you don't remember. Here's a nice piece of Chelsea. Now, what would you say this was?" And he was comforted, feeling that, with her taste, she was taking a real interest in these things; for, after all, nothing better composes the nerves than a doubtful piece of china.

When the crunch of the carriage wheels was heard at last, he said:

"You must come again; you must come to lunch, then I can show you these by daylight, and my little sweet—she's a dear little thing. This dog seems to have taken a fancy to you."

For Balthasar, feeling that she was about to leave, was rubbing his side against her leg. Going out under the porch with her, he said:

"He'll get you up in an hour and a quarter. Take this for your protégées," and he slipped a cheque for fifty pounds into her hand. He saw her brightened eyes, and heard her murmur: "Oh! Uncle Jolyon!" and a real throb of pleasure went through him. That meant one or two poor creatures helped a little, and it meant that she would come again. He put his hand in at the window and grasped hers once more. The carriage rolled away. He stood looking at the moon and the shadows of the trees, and thought: 'A sweet night! She!'

title: Indian Summer of a Forsyte/I


text:
Indian Summer of a Forsyte/II

Two days of rain, and summer set in bland and sunny. Old Jolyon walked and talked with Holly. At first he felt taller and full of a new vigour; then he felt restless. Almost every afternoon they would enter the coppice, and walk as far as the log. 'Well, she's not there!' he would think, 'of course not!' And he would feel a little shorter, and drag his feet walking up the hill home, with his hand clapped to his left side. Now and then the thought would move in him: 'Did she come—or did I dream it?' and he would stare at space, while the dog Balthasar stared at him. Of course she would not come again! He opened the letters from Spain with less excitement. They were not returning till July; he felt, oddly, that he could bear it. Every day at dinner he screwed up his eyes and looked at where she had sat. She was not there, so he unscrewed his eyes again.

On the seventh afternoon he thought: 'I must go up and get some boots.' He ordered Beacon, and set out. Passing from Putney towards Hyde Park he reflected: 'I might as well go to Chelsea and see her.' And he called out: "Just drive me to where you took that lady the other night." The coachman turned his broad red face, and his juicy lips answered: "The lady in grey, sir?"

"Yes, the lady in grey." What other ladies were there! Stodgy chap!

The carriage stopped before a small three-storied block of flats, standing a little back from the river. With a practised eye old Jolyon saw that they were cheap. 'I should think about sixty pound a year,' he mused; and entering, he looked at the name-board. The name 'Forsyte' was not on it, but against 'First Floor, Flat C' were the words: 'Mrs. Irene Heron.' Ah! She had taken her maiden name again! And somehow this pleased him. He went upstairs slowly, feeling his side a little. He stood a moment, before ringing, to lose the feeling of drag and fluttering there. She would not be in! And then—Boots! The thought was black. What did he want with boots at his age? He could not wear out all those he had.

"Your mistress at home?"

"Yes, sir."

"Say Mr. Jolyon Forsyte."

"Yes, sir, will you come this way?"

Old Jolyon followed a very little maid—not more than sixteen one would say—into a very small drawing-room where the sun-blinds were drawn. It held a cottage piano and little else save a vague fragrance and good taste. He stood in the middle, with his top hat in his hand, and thought: 'I expect she's very badly off!' There was a mirror above the fireplace, and he saw himself reflected. An old-looking chap! He heard a rustle, and turned round. She was so close that his moustache almost brushed her forehead, just under her hair.

"I was driving up," he said. "Thought I'd look in on you, and ask you how you got up the other night."

And, seeing her smile, he felt suddenly relieved. She was really glad to see him, perhaps.

"Would you like to put on your hat and come for a drive in the Park?"

But while she was gone to put her hat on, he frowned. The Park! James and Emily! Mrs. Nicholas, or some other member of his precious family would be there very likely, prancing up and down. And they would go and wag their tongues about having seen him with her, afterwards. Better not! He did not wish to revive the echoes of the past on Forsyte 'Change. He removed a white hair from the lapel of his closely-buttoned-up frock coat, and passed his hand over his cheeks, moustache, and square chin. It felt very hollow there under the cheekbones. He had not been eating much lately—he had better get that little whippersnapper who attended Holly to give him a tonic. But she had come back and when they were in the carriage, he said:

"Suppose we go and sit in Kensington Gardens instead?" and added with a twinkle: "No prancing up and down there," as if she had been in the secret of his thoughts.

Leaving the carriage, they entered those select precincts, and strolled towards the water.

"You've gone back to your maiden name, I see," he said: "I'm not sorry."

She slipped her hand under his arm: "Has June forgiven me, Uncle Jolyon?"

He answered gently: "Yes—yes; of course, why not?"

"And have you?"

"I? I forgave you as soon as I saw how the land really lay." And perhaps he had; his instinct had always been to forgive the beautiful.

She drew a deep breath. "I never regretted—I couldn't. Did you ever love very deeply, Uncle Jolyon?"

At that strange question old Jolyon stared before him. Had he? He did not seem to remember that he ever had. But he did not like to say this to the young woman whose hand was touching his arm, whose life was suspended, as it were, by memory of a tragic love. And he thought: 'If I had met you when I was young I—I might have made a fool of myself, perhaps.' And a longing to escape in generalities beset him.

"Love's a queer thing," he said, "fatal thing often. It was the Greeks—wasn't it?—made love into a goddess; they were right, I dare say, but then they lived in the Golden Age."

"Phil adored them."

Phil! The word jarred him, for suddenly—with his power to see all round a thing, he perceived why she was putting up with him like this. She wanted to talk about her lover! Well! If it was any pleasure to her! And he said: "Ah! There was a bit of the sculptor in him, I fancy."

"Yes. He loved balance and symmetry; he loved the whole-hearted way the Greeks gave themselves to art."

Balance! The chap had no balance at all, if he remembered; as for symmetry—clean-built enough he was, no doubt; but those queer eyes of his, and high cheek-bones—Symmetry?

"You're of the Golden Age, too, Uncle Jolyon."

Old Jolyon looked round at her. Was she chaffing him? No, her eyes were soft as velvet. Was she flattering him? But if so, why? There was nothing to be had out of an old chap like him.

"Phil thought so. He used to say: 'But I can never tell him that I admire him.'"

Ah! There it was again. Her dead lover; her desire to talk of him! And he pressed her arm, half resentful of those memories, half grateful, as if he recognised what a link they were between herself and him.

"He was a very talented young fellow," he murmured. "It's hot; I feel the heat nowadays. Let's sit down."

They took two chairs beneath a chestnut tree whose broad leaves covered them from the peaceful glory of the afternoon. A pleasure to sit there and watch her, and feel that she liked to be with him. And the wish to increase that liking, if he could, made him go on:

"I expect he showed you a side of him I never saw. He'd be at his best with you. His ideas of art were a little new—to me "—he had stiffed the word 'fangled.'

"Yes: but he used to say you had a real sense of beauty." Old Jolyon thought: 'The devil he did!' but answered with a twinkle: "Well, I have, or I shouldn't be sitting here with you." She was fascinating when she smiled with her eyes, like that!

"He thought you had one of those hearts that never grow old. Phil had real insight."

He was not taken in by this flattery spoken out of the past, out of a longing to talk of her dead lover—not a bit; and yet it was precious to hear, because she pleased his eyes and heart which—quite true!—had never grown old. Was that because—unlike her and her dead lover, he had never loved to desperation, had always kept his balance, his sense of symmetry. Well! It had left him power, at eighty-four, to admire beauty. And he thought, 'If I were a painter or a sculptor! But I'm an old chap. Make hay while the sun shines.'

A couple with arms entwined crossed on the grass before them, at the edge of the shadow from their tree. The sunlight fell cruelly on their pale, squashed, unkempt young faces. "We're an ugly lot!" said old Jolyon suddenly. "It amazes me to see how—love triumphs over that."

"Love triumphs over everything!"

"The young think so," he muttered.

"Love has no age, no limit, and no death."

With that glow in her pale face, her breast heaving, her eyes so large and dark and soft, she looked like Venus come to life! But this extravagance brought instant reaction, and, twinkling, he said: "Well, if it had limits, we shouldn't be born; for by George! it's got a lot to put up with."

Then, removing his top hat, he brushed it round with a cuff. The great clumsy thing heated his forehead; in these days he often got a rush of blood to the head—his circulation was not what it had been.

She still sat gazing straight before her, and suddenly she murmured:

"It's strange enough that I'm alive."

Those words of Jo's 'Wild and lost' came back to him.

"Ah!" he said: "my son saw you for a moment—that day."

"Was it your son? I heard a voice in the hall; I thought for a second it was—Phil."

Old Jolyon saw her lips tremble. She put her hand over them, took it away again, and went on calmly: "That night I went to the Embankment; a woman caught me by the dress. She told me about herself. When one knows that others suffer, one's ashamed."

"One of those?"

She nodded, and horror stirred within old Jolyon, the horror of one who has never known a struggle with desperation. Almost against his will he muttered: "Tell me, won't you?"

"I didn't care whether I lived or died. When you're like that, Fate ceases to want to kill you. She took care of me three days—she never left me. I had no money. That's why I do what I can for them, now."

But old Jolyon was thinking: 'No money!' What fate could compare with that? Every other was involved in it.

"I wish you had come to me," he said. "Why didn't you?" But Irene did not answer.

"Because my name was Forsyte, I suppose? Or was it June who kept you away? How are you getting on now?" His eyes involuntarily swept her body. Perhaps even now she was—! And yet she wasn't thin—not really!

"Oh! with my fifty pounds a year, I make just enough." The answer did not reassure him; he had lost confidence. And that fellow Soames! But his sense of justice stifled condemnation. No, she would certainly have died rather than take another penny from him. Soft as she looked, there must be strength in her somewhere—strength and fidelity. But what business had young Bosinney to have got run over and left her stranded like this!

"Well, you must come to me now," he said, "for anything you want, or I shall be quite cut up." And putting on his hat, he rose. "Let's go and get some tea. I told that lazy chap to put the horses up for an hour, and come for me at your place. We'll take a cab presently; I can't walk as I used to."

He enjoyed that stroll to the Kensington end of the gardens—the sound of her voice, the glancing of her eyes, the subtle beauty of a charming form moving beside him. He enjoyed their tea at Ruffel's in the High Street, and came out thence with a great box of chocolates swung on his little finger. He enjoyed the drive back to Chelsea in a hansom, smoking his cigar. She had promised to come down next Sunday and play to him again, and already in thought he was plucking carnations and early roses for her to carry back to town. It was a pleasure to give her a little pleasure, if it were pleasure from an old chap like him! The carriage was already there when they arrived. Just like that fellow, who was always late when he was wanted! Old Jolyon went in for a minute to say good-bye. The little dark hall of the flat was impregnated with a disagreeable odour of patchouli, and on a bench against the wall—its only furniture—he saw a figure sitting. He heard Irene say softly: "Just one minute." In the little drawing-room when the door was shut, he asked gravely: "One of your protégées?"

"Yes. Now thanks to you, I can do something for her."

He stood, staring, and stroking that chin whose strength had frightened so many in its time. The idea of her thus actually in contact with this outcast grieved and frightened him. What could she do for them? Nothing. Only soil and make trouble for herself, perhaps. And he said: "Take care, my dear! The world puts the worst construction on everything."

"I know that."

He was abashed by her quiet smile. "Well then—Sunday," he murmured: "Good-bye."

She put her cheek forward for him to kiss.

"Good-bye," he said again; "take care of yourself." And he went out, not looking towards the figure on the bench. He drove home by way of Hammersmith; that he might stop at a place he knew of and tell them to send her in two dozen of their best Burgundy. She must want picking-up sometimes! Only in Richmond Park did he remember that he had gone up to order himself some boots, and was surprised that he could have had so paltry an idea.

title: Indian Summer of a Forsyte/II