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Waldorf Astoria New York

The Waldorf Astoria New York is a luxury hotel and condominium residence in Midtown Manhattan in New York City. The structure, at 301 Park Avenue between 49th and 50th Streets, is a 47-story 625 ft Art Deco landmark designed by architects Schultze and Weaver and completed in 1931. The building was the world's tallest hotel until 1957, when it was surpassed by Moscow's Hotel Ukraina. An icon of glamor and luxury, the Waldorf Astoria is one of the world's most prestigious and best-known hotels. Once owned by Conrad Hilton, Waldorf Astoria Hotels & Resorts, a division of Hilton Hotels, operates under the name of the original hotel in locations around the world. Both the exterior and the interior of the New York's Waldorf Astoria are designated by the New York City Landmarks Preservation Commission as official landmarks.

The original Waldorf-Astoria was built in two stages along Fifth Avenue and opened in 1893. It was demolished in 1929 to make way for the construction of the Empire State Building. Conrad Hilton acquired management rights to the hotel on October 12, 1949, and the Hilton Hotels Corporation bought the hotel outright in 1972. It underwent a $150 million renovation, $ in dollars, by Lee Jablin in the 1980s and early 1990s. The Anbang Insurance Group of China purchased the Waldorf Astoria New York for US$1.95 billion in 2014, making it the most expensive hotel ever sold. The Waldorf Astoria closed in 2017 for renovations. The upper stories were converted into 375 condominiums, while the lowest 18 floors will retain 375 hotel rooms. Dajia Insurance Group took over the Waldorf Astoria when Anbang went bankrupt in 2020, and, after several delays, the hotel is not expected to reopen until 2025 at the earliest.

In 2009, the Waldorf Astoria and Towers had 1,416 rooms. The main hotel had 1,235 single and double rooms and 208 mini-suites. The Waldorf Towers on the 28th to 42nd floors had 181 rooms, of which 115 were suites with one to four bedrooms. The most expensive room, the Presidential Suite, was designed with Georgian-style furniture to emulate that of the White House. The hotel has three main restaurants: Peacock Alley, The Bull & Bear Steak House, and La Chine—a new Chinese restaurant that replaced Oscar's Brasserie in late 2015. Sir Harry's Bar in the hotel, is named after British explorer Sir Harry Johnston.

The Waldorf Astoria has been known for its lavish dinner parties and galas, often at the center of political and business conferences and fundraising schemes involving the rich and famous. After World War II, it played a significant role in world politics and the Cold War, culminating in the controversial World Peace Conference of March 1949. The Presidential Suite was the residence of Herbert Hoover from his retirement for over 30 years, and Frank Sinatra kept a suite at the Waldorf from 1979 until 1988. Some of the luxury suites were named after celebrities who lived or stayed in them, including Cole Porter, the Duke and Duchess of Windsor, Douglas MacArthur, and Winston Churchill.

Name
The name of the hotel is ultimately derived from the town of Walldorf, which lies in the north of the German state of Baden-Württemberg, south of Mannheim and Heidelberg. The name of the town is derived from the German words Wald, meaning "forest", and Dorf, meaning "village". Walldorf is the ancestral home of the Astor family, the prominent German-American family that built the hotel.

The hotel was originally known as the Waldorf-Astoria with a single hyphen, as recalled by a popular expression and song, "Meet Me at the Hyphen". The sign was changed to a double hyphen, looking similar to an equals sign, by Conrad Hilton when he purchased the hotel in 1949. The double hyphen visually represents "Peacock Alley", the hallway between the two hotels that once stood where the Empire State building now stands today. The use of the double hyphen was discontinued by its parent company Hilton in 2009, shortly after the introduction of the Waldorf Astoria Hotels and Resorts chain.

Original buildings
The original hotel started as two hotels on Fifth Avenue built by feuding relatives. The first hotel, the 13-story, 450-room Waldorf Hotel, designed by Henry Janeway Hardenbergh in the German Renaissance style, was opened on March 13, 1893, at the corner of Fifth Avenue and 33rd Street, on the site where millionaire developer William Waldorf Astor had his mansion. The original hotel stood 225 ft high, with a frontage of about 100 ft on Fifth Avenue, with an area of 69475 ft2. The original hotel was described as having a "lofty stone and brick exterior", which was "animated by an effusion of balconies, alcoves, arcades, and loggias beneath a tile roof bedecked with gables and turrets". William Astor, motivated in part by a dispute with his aunt Caroline Webster Schermerhorn Astor, had built the Waldorf Hotel next door to her house, on the site of his father's mansion, hiring George Boldt as its first managers.

At first, the Waldorf appeared destined for failure. It was "Astor's Folly", with the general perception of the palatial hotel being that it had no place in New York City. Wealthy New Yorkers were angry, because they viewed the construction of the hotel as the ruination of a good neighborhood. Business travelers found it too expensive and too far uptown for their needs. However, the hotel became a major success, earning $4.5 million in its first year, exorbitant for that period.

William Astor's construction of a hotel next to his aunt's house worsened his feud with her, but with Boldt's assistance, Waldorf's cousin, John Jacob Astor IV, persuaded his mother to move uptown. On November 1, 1897, John Jacob Astor IV opened the 17-story Astoria Hotel on an adjacent site, and leased it to Boldt. The hotels were initially built as two separate structures, but Boldt planned the Astoria so it could be connected to the Waldorf by an alley, Peacock Alley, named for the parade of well-dressed, well-to-do people who strutted between the two fashionable buildings. The hotel subsequently became known as the "Waldorf-Astoria", the largest hotel in the world at the time.

With a telephone in every room and first-class room service, the hotel was designed specifically to cater to the needs of the socially prominent "wealthy upper crust" of New York and distinguished foreign visitors to the city. The hotel became, according to author Sean Dennis Cashman, "a successful symbol of the opulence and achievement of the Astor family". It was the first hotel to offer complete electricity and private bathrooms. Founding proprietor Boldt, whose motto was "the guest is always right", became wealthy and prominent internationally, if not so much a popular celebrity as his famous employee, Oscar Tschirky, known as "Oscar of the Waldorf", maître d'hôtel from the hotel's inauguration in 1893 until his retirement in 1943. Tschirsky gained renown among the general public as an artist who "composed sonatas in soups, symphonies in salads, minuets in sauces, lyrics in entrees". He had an excellent memory and an encyclopedic memory of the culinary preferences of many of the guests, which further added to his popularity.

The Waldorf gained significant renown internationally for its fundraising dinners and balls, regularly attracting notables of the day such as Andrew Carnegie, who became a fixture. Banquets were often held in the ballroom for esteemed figures and international royalty. The Waldorf Astoria was influential in advancing the status of women, who could be admitted as single guests. One article in 1899 claimed that at any one time, the hotel had $7 million worth of valuables locked in the safe, testament to the wealth of its guests. Upon his death in 1919, William Waldorf Astor's half-share of the Waldorf Astoria and the Astor Hotel were reported to have been worth £10 million. On the evening of November 15, 1926, the National Broadcasting Company (NBC) broadcast its inaugural program from the grand ballroom of the old Waldorf-Astoria.

The hotel faced stiff competition from the early 20th century, with a range of new hotels springing up in New York City such as the Hotel Astor (1904), St. Regis (1904), the Knickerbocker (1906), and the Savoy-Plaza Hotel (1927). By the 1920s, the hotel was becoming dated, and the elegant social life of New York had moved much farther north than 34th Street. The Astor family sold the hotel to the developers of the Empire State Building and closed the hotel on May 3, 1929. It was demolished soon after.

Development of new location
The idea of a new Waldorf-Astoria hotel was based on the concept that a large, opulent hotel should be available in New York for distinguished visitors. Financial backing was not difficult to get in the summer of 1929, as times were prosperous. The stock market had not yet crashed, nor had the Depression arrived. However, before ground was broken for the new building, some of the investors became dubious about whether this was the right time to be investing in a luxury hotel. The land for the new hotel was formerly owned by the New York Central Railroad, which had operated a power plant for Grand Central Terminal on the site. New York Central had promised $10 million toward the building of the new Waldorf-Astoria. The railroad and all the other investors decided to honor their commitments and take their chances with the uncertain financial climate. In October 1929, the Hotel Waldorf-Astoria Corporation obtained a 26-year lease from New York Central, and placed a $11 million first mortgage on the site.

On March 24, 1930, the first steel column in the new hotel was installed, and stonework installation began on June 3. The hotel's construction required massive amounts of materials, including 10,000 metal door frames, 11 million bricks, 2.695 e6ft2 of gypsum and terracotta partition blocks, and 1.2 e6ft2 of concrete floors. The new Waldorf Astoria had gold-plated doorknobs on eight stories, and its guestrooms, totaling 20.487 e6ft3, made the hotel the most spacious in New York City. 27100 ST of steel were used, more than was used in the Woolworth Building. The hotel's steel frame topped out, 625 ft above street level, on October 22, 1930. The last stone on the Waldorf Astoria's facade was installed at a ceremony on February 4, 1931.

On October 1, 1931, the new building opened on Park Avenue, between 49th and 50th streets, following a soft opening the previous day. It was the tallest and largest hotel in the world at the time, covering the entire block. The slender central tower became known as the Waldorf Towers, with its own private entrance on 50th Street, and consisted of 100 suites, about one-third of which were leased as private residences. NBC received the exclusive right to broadcast events and music from the hotel and to book live entertainment there. President Herbert Hoover said on the radio, broadcast from the White House: "The opening of the new Waldorf Astoria is an event in the advancement of hotels, even in New York City. It carries great tradition in national hospitality...marks the measure of nation's growth in power, in comfort and in artistry...an exhibition of courage and confidence to the whole nation". About 2,000 people were in the ballroom listening to this speech, but by the end of the business day, the 2,200-room hotel had only 500 occupants.

The hotel contained several innovations for its time. The Waldorf Astoria contained phones that rang automatically, a first for its time; teletype devices; a telephone extension in each of the 1,550 two-bedroom suites; and a telephone switchboard that served 2,535 extensions. There were radios in all 2,000 guestrooms and in 15 public rooms, connected by 190 mi of wire. 140 suites on the upper stories had provision for privately owned receivers. Soon after the hotel opened, hotelier Conrad Hilton, almost bankrupt at the time, reportedly cut out a photograph of the hotel from a magazine and wrote across it, "The Greatest of Them All". Nonetheless, the Waldorf-Astoria did not begin operating at a profit until 1939. Lucius Boomer continued to manage the hotel in the 1930s and 1940s, a commanding figure to whom Tony Rey referred as "the greatest hotelman of his era". Boomer was elected chairman of the board of the Waldorf-Astoria Corporation on February 20, 1945, a position he held until his death in July 1947.

Early years and international politics
Like the original hotel, from its inception, the Waldorf Astoria gained worldwide renown for its glamorous dinner parties and galas, often at the center of political and business conferences and fundraising schemes. Author Ward Morehouse III has referred to the Waldorf Astoria as "comparable to great national institutions" and a "living symbol deep within our collective consciousness". It had the "greatest banquet department in the world" at the time according to restaurateur Tom Margittai, with the center of activity being the Grand Ballroom. On August 3, 1932, some 200 people representing the "cream of New York's literary world" attended the Waldorf Astoria to honor Pearl S. Buck, the author of The Good Earth, which was the best-selling novel in the United States in 1931 and 1932. One dinner alone, a relatively "small dinner" attended by some 50 people in June 1946, raised over $250,000.

During the 1930s and 1940s the hotel's guests were also entertained at the elegant "Starlight Roof" nightclub by the Waldorf-Astoria Orchestra and such noted musicians as: Xavier Cugat, Eddie Duchin, Lester Lanin and Glenn Miller. In the Wedgwood Room, guests dined during performances by entertainers including Frank Sinatra, Victor Borge, the Mischa Borr Orchestra, with John Serry, the Leo Reisman Orchestra, Annamary Dickey, Corinna Mura, Paul Draper, and Gracie Fields.

The hotel played a considerable role in the emerging Cold War and international relations during the postwar years, staging numerous events and conferences. On March 15, 1946, Winston Churchill attended a welcoming dinner at the hotel given by Governor Thomas E. Dewey, and from November 4 to December 12, 1946, the Big Four Conference was held in Jørgine Boomer's apartment on the 37th floor of the Towers. On November 24, 1947, 48 prominent figures of the Hollywood film industry met at the Waldorf Astoria and discussed what would become the Waldorf Statement, banning people with Communist beliefs or tendencies from the Hollywood film industry. On June 21, 1948, a press conference at the hotel introduced the LP record.

From March 27 to 29, 1949, the Cultural and Scientific Conference for World Peace, also known as the Waldorf World Peace Conference, was held at the hotel to discuss the emerging Cold War and the growing divide between the US and the Soviet Union. The event was organized by the struggling American Communist Party and was attended by the likes of Soviet Foreign Minister Andrey Vyshinsky, composer and pianist Dmitri Shostakovich, and writer Alexsander Fadeyev; it was picketed by anti-Stalinists running under the banner of America for Intellectual Freedom, and prominent individuals such as Irving Howe, Dwight Macdonald, Mary McCarthy and Robert Lowell. In 1954, Israeli statesman and archaeologist Yigael Yadin met secretly with the Syriac Orthodox Archbishop Mar Samuel in the basement of the Waldorf-Astoria Hotel to negotiate the purchase of four Dead Sea Scrolls for Israel; Yadin paid $250,000 for all four scrolls.

Hilton acquired management rights to the hotel on October 12, 1949. Restaurateur George Lang began working at the Waldorf Astoria Hotel in 1955, and on December 13, 1955, he helped organize the American Theatre Wing's First Night Ball to celebrate Helen Hayes's 50th year in show business. He did much to organize dinners at the Waldorf to assist Hungarian issues and relief. On one occasion, an event was attended by Edward G. Robinson and pianist Doklady and some $60,000 were raised.

April in Paris Ball
The April in Paris Ball was an annual gala event whose mission was to improve Franco-American relations, to share cultures, and to help assist the US and French charities, aside from commemorating the 2000th anniversary of the founding of Paris. It was established by Claude Philippe, the hotel banquet manager, in 1952. While the hotel's management handled invitations and publicity, other details were coordinated by socialites. Elsa Maxwell was given the primary responsibility in organizing it. It was initially held annually in April, but according to Ann Vaccaro, former executive director of the ball, it was changed to October. After being changed to October, it often marked the start of the US fall social season. It was staged in the Grand Ballroom at the Waldorf for eight years, until 1960. The ball was designed to cater to "very, very high-class people" according to Vaccaro. Raffle tickets cost US$100 per person and offered opulent prizes such as a US$5000 bracelet and other jewels, expensive furs, perfumes, and even cars. The Paris Ball became a notable event in the annual calendar during the 1950s, with one early show featuring a "three-hour spectacular of five tableaux, directed by Stuart Chaney", [depicting] a 12th-century scene of troubadours at the court of Eleanor of Aquitane, Henry VIII's meeting at the Field of the Cloth of Gold, Louis XIV at Versailles, and a fashion show of 40 creations by Dior, Fath, Balmain, Desses, and Givenchy". The 1957 event was attended by some 1300 guests, including the Duke and Duchess of Windsor, Senator John F. Kennedy, his wife, Jackie, and Marilyn Monroe, who donated $130,000 to charities. The following year, the ballroom was decorated with 30 ft high chestnut trees, earning US$170,000 for charities. The final ball to be hosted in the hotel was held on April 10, 1959, with the main theme being the Parisian circus of the 18th century.

Late 20th century
By 1959, the hotel emerged as the annual host for live broadcasts from the ballroom by Guy Lombardo and his Royal Canadians Orchestra during New Year's Eve celebrations. Lasting until 1976, these broadcasts were carried worldwide on CBS and invariably concluded at midnight with a performance of "Auld Lang Syne". Time observed that the American public would simply not believe it was New Year's Day unless Guy Lombardo heralded its arrival from the Waldorf Astoria Hotel.

Time celebrated its 40th anniversary at the hotel on May 6, 1963, at an event attended by some 1,500 celebrities. When Pope Paul VI made the first papal visit to the United States in 1965, he met with U.S. president Lyndon B. Johnson at the Waldorf Astoria. In 1968, British rock band The Who checked into the hotel and were reportedly banned from the hotel for life; however, they were allowed to visit the hotel in 1990, when they performed at the Rock and Roll Hall of Fame Induction.

In 1972, the Hilton Hotels Corporation bought the hotel outright from New York Central's successor, Penn Central. In the 1970s, the Waldorf Astoria continued to play an important role in international politics, particularly between the US and the Middle East. In November 1974, the hotel was placed on high alert when a "20-car motorcade, with eight shotgun-toting police marksmen aboard in bullet-proof vests" brought Palestinian Fatah party leader Farouk Kaddoumi to the Waldorf from John F. Kennedy International Airport. The following month, President Ford met with Nelson Rockefeller after he was voted Vice President, and a 90-minute press conference was held in a suite in the hotel. In November 1975, the US government insisted that PLO leader Yasser Arafat stay at the Waldorf during his visit to America, against the wishes of the hotel staff; security was stepped up severely. On August 12, 1981, IBM unveiled its Personal Computer in a press conference at the Waldorf Astoria. The NBA held its first-ever draft lottery between non-playoff teams at the Starlight Roof for the 1985 NBA draft.

Lee Jablin, of Harman Jablin Architects, fully renovated and upgraded the property during the mid-1980s through the mid-1990s in a $150 million renovation. The main lobby was renovated in 1986 as part of the project, and the hotel was also downsized from 1,800 to 1,700 rooms. The New York City Landmarks Preservation Commission (LPC) designated the Waldorf Astoria's exterior as a New York City landmark in January 1993, which prevented Hilton from demolishing or altering the hotel's facade without the LPC's permission. At the time, Hilton did not have any plans to alter the hotel's facade.

21st century
On May 27, 2001, the Eastern Diocese of the Armenian Church of America had a grand banquet at the hotel to celebrate the 1700th anniversary of Armenia's conversion to Christianity, with Ambassador Edward Djerejian as guest speaker. On May 7, 2004, a press conference was held by MGM, discussing Steve Martin's The Pink Panther of the Pink Panther series. The 5th Annual DGA Honors Gala was held at the Waldorf on September 29.

In 2006, Hilton launched Waldorf Astoria Hotels & Resorts, a brand named for the hotel. Branches of the Waldorf Astoria were launched in Arizona, California, Florida, Hawaii, and Louisiana in the United States, and abroad in France, Israel, Italy, and Saudi Arabia. In 2006, Hilton was reported to be considering opening a new Waldorf Astoria hotel on the Las Vegas Strip. In 2008, the Waldorf Astoria opened the Guerlain and Spa Chakra, Inc. spa at the hotel, as part of the Waldorf Astoria Collection. The Waldorf Astoria New York is a member of Historic Hotels of America, the official program of the National Trust for Historic Preservation. "The Towers of the Waldorf Astoria" continued to operate as a boutique "hotel within a hotel".

Anbang conversion
In October 2014, Chinese company Anbang Insurance Group bought Waldorf Astoria New York from Hilton for US$1.95 billion, making it the most expensive hotel ever sold at the time. A Chinese restaurant, La Chine, opened at the Waldorf Astoria late the following year. On July 1, 2016, Anbang announced plans to refurbish the hotel and turn some rooms into condominiums, The Towers of the Waldorf Astoria. Under the plan, some of the hotel's rooms would be turned into apartments, while the remaining guestrooms would be operated by Hilton. The final event in the Grand Ballroom, on February 28, 2017, was a charity gala celebrating NewYork-Presbyterian Hospital with Stevie Wonder playing. As part of the refurbishment process, the hotel closed on March 1, 2017. The hotel's restaurants, including Peacock Alley, The Bull and Bear Steak House, and La Chine, were all closed; they were planned to reopen when the renovation was completed. A week after the hotel closed, on March 7, 2017, the LPC voted unanimously to list the interiors of many of the hotel's public spaces as New York City landmarks, protecting them from major alterations.

Public spaces like the Grand Ballroom and Peacock Alley were refurbished as part of the project. The hotel rooms were planned to be on the lowest 18 floors. Louis Deniot redesigned the apartments and amenity areas, while Pierre-Yves Rochon refurbished the hotel rooms. In early 2018, the Chinese government took over the Waldorf Astoria and Anbang's other assets for one year, alleging economic crimes by Anbang. In November 2019, it was announced that the 375 condos in the Waldorf-Astoria would go on sale early the next year, while the 375 remaining hotel rooms would not reopen until 2021. Following Anbang's bankruptcy in 2020, Dajia Insurance Group Co. took over Anbang's American assets, including the Waldorf Astoria. Sales of the Waldorf-Astoria's 375 condos began that March. By late 2020, the hotel was set to open at the end of 2022; however, by March 2021 the timeline had been postponed to early 2023.

The renovation of the Waldorf Astoria stalled in mid-2022 as the project exceeded its $2 billion budget. According to the Wall Street Journal, this had pushed the renovation back to at least 2024. In March 2023, news media reported that the building would not reopen until 2025 at the earliest. Hilton Hotels & Resorts hired a leadership team in April 2024 in advance of the hotel's expected reopening later that year.

Architecture
The hotel was designed by architects Schultze and Weaver and constructed at 301 Park Avenue, between 49th and 50th Streets, several blocks north of Grand Central Terminal. The hotel occupies an entire city block, measuring 405 ft wide between Park Avenue to the west and Lexington Avenue to the east, and 200 ft deep between 49th Street to the south and 50th Street to the north. The hotel was developed atop the existing railroad tracks leading to the station as part of the Terminal City complex, using the air rights above the tracks.

Travel America stated: "To linger in the sumptuous salons of the Waldorf-Astoria is to step back in time. Your trip down memory lane is a flashback to the glamor days of the 1930s when this Art Deco masterpiece was the tallest hotel in the world and the epicenter of elite society. A legendary limestone landmark occupying a whole block of prime real estate in midtown Manhattan, it's still a prestigious address that embodies luxury and power in the richest city on earth."

Form and facade
The 47-story, 625 ft hotel, was the tallest and largest hotel in the world for several years after its completion. The structure uses 1585 ft3 of black marble imported from Belgium, 600 ft3 of Brech Montalto and 260 ft3 of Alps Green from Italy, and some 300 antique mantels. In addition, 200 railroad cars brought some 800000 ft3 of limestone for the building's facing, 27,100 tons of steel for the skeleton superstructure, and 2.595 e6ft2 of terra cotta and gypsum block. The hotel is accessed by six bronze-and-nickel doorways, three each on Park and Lexington Avenues, all measuring 13 ft wide and 31 ft high.

The massing of the hotel rises from a pair of 20-story-high slabs at the base, which run parallel to Park and Lexington Avenues. The slabs contain setbacks at the 18th story on their western elevation and at the 13th and 16th stories on the eastern elevation. The slab on Park Avenue contained a retractable metal and glass roof above the 18th and 19th stories, above the Starlight Roof nightclub. The slabs are covered with gray limestone and lack colorful ornamentation. The facade of the lower stories is divided vertically into numerous bays, which contain recessed windows and spandrel panels. There are three patterns of spandrels on the western and eastern elevations of the facade, facing Park and Lexington Avenues respectively. Gilded letters with the hotel's name are placed above the entrances on either avenue. On Park Avenue, the letters are flanked by representations of maidens.

Above the 20th story, the hotel rises as a single slab to the 42nd story. This slab is oriented parallel to the side streets and is also faced in gray limestone. The 42-story slab is topped by a pair of towers. The tops of the towers contain bronze-and-glass lanterns measuring 15 ft high and 15 feet wide. The upper stories of the towers are faced in brick, which was intentionally designed to match the stonework on the lower stories. The use of brick led many to believe that the builders ran out of money. The Waldorf Astoria's facade has undergone few changes over the years, except for the installation of openings for air conditioners; replacement of aluminum windows; and modifications to storefronts, marquees, and entrances at ground level.

Interior
Frommer's has cited the hotel as an "icon of luxury", and highlights the "wide stately corridors, the vintage Deco door fixtures, the white-gloved bellmen, the luxe shopping arcade", the "stunning round mosaic under an immense crystal chandelier", and the "free-standing Waldorf clock, covered with bronze relief figures" in the main lobby. The first, third, fourth, and 18th floors were dedicated entirely to public rooms and spaces. Many of the public areas used indirect lighting, with lightbulbs concealed in objects such as lamps and vases, "so as to create a restful atmosphere". Tours are conducted of the hotel for guests.

Ground level
The hotel is accessed by two foyers at ground level: one on Park Avenue to the west and one on Lexington Avenue to the east. Three vestibules at the middle of the Park Avenue elevation contain metal-and-glass doors that lead to the foyer there. The center vestibule is composed of a limestone frame, which projects slightly inward and contains two revolving doors. The vestibules on either side contain doors that swing outward, as well as ornate nickel-bronze metalwork. There are nickel-bronze grilles between each of the vestibule, as well as large windows on the west wall, illuminating the space. These large windows are divided by wide mullions with bas-reliefs, and they also have pierced metal screens. Stairs on the east wall lead up to the Park Avenue lobby.

The Lexington Avenue foyer is at the center of the Lexington Avenue elevation and also contains nickel-bronze decorations. The east wall has three vestibules with metal-and-glass doors leading to the street. The center vestibule is a revolving door within a curved frame, while the other vestibules have doors that swing outward. Above the vestibules are grilles, wood paneling, and beveled mirrors. The west wall contains escalators to the north and a stairway to the south, which ascend to the lobby floor, as well as a hallway leading to additional spaces at ground level.

A private driveway, measuring 90 ft wide and 200 ft long, was built from 49th to 50th Street. Similar to the old Waldorf-Astoria's 34th Street carriageway, this allowed private vehicles and taxis to drop off and pick up guests without blocking traffic. The driveway led to a parking lot with 300 spaces.

Lobby floor
Unlike in other American hotels, the lobby floor of the Waldorf Astoria is raised one story above ground level, which both created the impression of grandeur and allowed storefronts to be placed at ground level. Many rooms contained murals from both 18th-century and contemporary artists. For example, the men's cafe contained a map of the New York metropolitan area with notable golf courses; another dining room had canvases painted by Josep Maria Sert, gold walls, and a silver ceiling.

Park Avenue lobby and colonnade
On the west side of the lobby floor is the Park Avenue lobby, also called the main foyer; it is accessed from the Park Avenue foyer and is illuminated by that foyer's windows. The LPC describes the space as being in the Pompeian style. The Park Avenue lobby is surrounded by raised terraces on the north and south walls, the Park Avenue foyer to the west, and the colonnade to the east. The north terrace connects with the Empire Room, while the south terrace connects with the Vanderbilt Room; both terraces have an alcove to the west and a stair to the east. The Park Avenue lobby contains classical-style square columns, as well as pastoral murals by Louis Rigal. The center of the Park Avenue lobby has a stepped ceiling, the terraces and Park Avenue foyer have painted panels on their ceilings, and the terraces' alcoves have metallic-trim ceilings.

The Park Avenue Colonnade connects the Park Avenue lobby to the west and the West Lounge to the east. The space is divided into three aisles by two colonnades of square columns. The mosaic floor contains rosette motifs surrounded by a travertine frame. Each wall is made of painted plaster with limestone pilasters, wainscoting, and white-metal doors. The men's room and cloakroom are on the north wall, while the ladies' room and shoe-shine room are on the south wall; a set of metal-and-glass doors originally led to the West Lounge. The center aisle has a coved ceiling with indirect lighting and metal finishes, while the north and south aisles have paneled ceilings similar to those above the Park Avenue lobby's terraces.

The west lounge, originally the Peacock Alley, runs in a north–south direction, connecting the Park Avenue lobby and colonnade to the west and the west elevator bank to the east. It contains wooden paneled walls and red-marble pilasters with silver Ionic capitals. The northern portion of the west lounge has been converted into a restaurant area. This space contains the Peacock Alley restaurant, which includes the main restaurant, a bar and lounge, and three private dining salons. The southern portion remains intact and contains a set of decorative metal gates that formerly led to a beauty salon. The west elevator lobby consists of a bank of six elevators with stainless steel doors that contain bas-reliefs of women. The elevator lobby also has a carpet, wooden paneling around the elevator doors, and a stepped ceiling with crystal chandelier. The elevators are furnished with paneled pollard oak and Carpathian elm.

Main lobby
The main lobby, at the center of the lobby floor, measures 82 by across and 22 ft high. The lobby has four wood-paneled walls, all of which originally contained archways, but the archways on the north and south walls have been infilled. There are also square columns made of black marble, which support a plaster ceiling. The tops of the walls contain a bas-relief frieze, installed in a 1980s renovation. The lobby is furnished with polished nickel-bronze cornices and Rockwood stone. In the main lobby is a chandelier measuring 10 ft by 10 ft. Initially, the north wall of the lobby had a porter and cigar store; the east wall had a transportation desk; and the south wall had a cashier's desk and front-office desk. Special desks in the lobby are provided for transportation and theater, where exclusive tickets to many of the city's prominent theaters can be purchased.

The grand clock, a 4000-lb bronze, was built by the Goldsmith's Company of London originally for the 1893 World's Columbian Exposition in Chicago and was purchased by the Waldorf owners. Its base is octagonal, with eight commemorative plaques of presidents George Washington, Abraham Lincoln, Ulysses S. Grant, Andrew Jackson, Benjamin Harrison, and Grover Cleveland, and Queen Victoria and Benjamin Franklin. A shield once belonging to the Waldorf was moved to the Alexis restaurant on W. Franklin Street in 1984.

The main lobby is surrounded on all four sides by a system of secondary corridors. The eastern corridor allowed direct access from Lexington Avenue to the various rooms on the third and fourth stories. The architects used different colors of marbles for the lobby-floor lounges to distinguish them from each other. The west lounge has French walnut burl panels separated by red French marble; the former north lounge had yellow Siena marble; the south lounge has white gray Breche Montalto marble; and the east arcade has serpentine cladding.

East arcade and stair hall
East of the main lobby is the main lobby hall, which leads to the hotel's east arcade and eastern elevator bank. The room includes wall panels made of burled wood, as well as bronze vitrines. The east arcade runs in a north–south direction, connecting the main lobby hall to the west and a stair hall to the east. Its design is similar to that of the west lounge. The east arcade has elevators with nickel-bronze doors that contain bas-reliefs of floral patterns and figures. The east arcade also contains Japanese-ash wall paneling; green-marble pilasters with Corinthian capitals; and metal-and-glass doors. The northern end of the east arcade has been divided into another room, while the southern end leads to a staircase that connects with the 49th Street Ballroom. The arcade also contains display cases and stores, although it originally functioned as a lounge.

The stair hall consists of a pair of staircases leading from the first to the third floor, allowing guests to access the ballroom directly from Lexington Avenue. The staircases contain balustrades with frozen-fountain motifs and brass handrails, as well as marble statues. The plaster walls are painted to resemble travertine and contain grilles and mirrored panels, while the ceilings have stepped surfaces and crystal chandeliers.

Other spaces
The lobby floor contains the room registration and cashier desks, the Empire Room and Hilton Room, the private Marco Polo Club, the Wedding Salon, Kenneth's Salon, the Peacock Alley lounge and restaurant, and Sir Harry's Bar. From 1992 to 2013, Kenneth, sometimes called the world's first celebrity hairdresser, famed for creating Jacqueline Kennedy's bouffant in 1961, moved his hairdressing and beauty salon to the Waldorf after a 1990 fire destroyed his shop on 19 East 54th Street.

Several boutiques surround the lobby, which contains Cole Porter's Steinway & Sons floral print-decorated grand piano on the Cocktail Terrace, which the hotel had once given him as a gift. Porter was a resident at the hotel for 30 years and composed many of his songs here. The Empire Room is where many of the musical and dance performances were put on, from Count Basie, to Victor Borge, Gordon MacRae, Liza Minnelli, George M. Cohan, and Lena Horne, the first black performer at the hotel.

Third and fourth floors
The third floor contains the Grand Ballroom, the ballroom foyer, entrance hall, the Basildon Room, the Jade Room, and the Astor Gallery. The eastern part of the third floor contains the Jade Room to the north and the Astor Gallery to the south, separated by a foyer. The stair hall from the first floor connects the Jade Room–Astor Gallery foyer to the east with the ballroom's entrance hall to the west. The ballroom's entrance hall extends north to the Basildon Room and connects with the ballroom's foyer to the southwest. West of the ballroom foyer is the ballroom itself, at the center of the third floor's south side.

Grand Ballroom
The Grand Ballroom, measuring 120 by, measures 44 ft high. The space could fit up to 4,000 people. Although the ballroom has had several decorative schemes over the years, since 1983 it has been painted in a champagne-colored palette with silver and gold accents. The center of the ballroom has no columns and is spanned by a 312 ST girder, which supports the upper stories. The ballroom has a stage at its northern end, which could accommodate a full orchestra. The rest of the room is surrounded by two balconies, which are supported by full-height piers and contain indirect lighting fixtures. The balconies on the fourth floor project from the piers, while those on the fifth floor are designed as cantilevered boxes. The ballroom has a coved ceiling that steps up toward the center; it originally had indirect lighting panels, but a crystal chandelier and cove lighting have also been installed. Skidmore, Owings & Merrill restored the ballroom to its original appearance during the 2020s.

The Grand Ballroom is surrounded by a set of galleries, which connect the main floor to the balconies. The galleries contain carpets on the floors, grilles on the walls, and metal staircases. The ballroom was originally served by 27 elevators which connected to the main entrances, a set of private entrances on 49th and 50th Streets, and the guestrooms.

Numerous organizations hold their annual dinners in the Grand Ballroom, including St. John's University President's Dinner and the Alfred E. Smith Memorial Foundation Dinner. The NASCAR Sprint Cup end-of-season awards banquet was held at the Waldorf-Astoria every year between 1981 and 2008;, mainly in the Grand Ballroom. Every October, the Paris Ball was held in the Grand Ballroom, before moving to the Americana (now the Sheraton Times Square). Bob Hope was a regular performer at the Ballroom, as was Guy Lombardo, who used to broadcast live on the radio there from the "Starlight Roof". Maurice Chevalier performed at the ballroom in 1965 in his last appearance. Louis Armstrong performed at the Waldorf for two weeks in March 1971 in his last performance. Since 1986, most Rock & Roll Hall of Fame induction ceremonies have been held in the Grand Ballroom.

Other spaces
The ballroom foyer, east of the ballroom, measures 87 by wide. There is an aisle to the east, separating the foyer from the ballroom entrance hall. The southern end of the aisle contains a staircase leading to a mezzanine and the fourth-floor balcony; the mezzanine and stairway have metal railings. The walls contain metal grilles, and the north and south walls also have marble piers. The north, west, and east walls have transoms with mirrors, while the south wall has marble paneling and mirrored doors. The ceilings are made of plaster, with crystal chandeliers hanging from a dome with plaster peacocks.

The ballroom's entrance hall, also known as the Silver Gallery, bears a resemblance to the original hotel's Peacock Alley, but is shorter and wider. It measures almost 200 ft long and connects the ballroom's foyer to the west with the stairways from Lexington Avenue to the east. This room has a vaulted ceiling with crystal chandeliers suspended from it. The walls and doors have mirrored panels, and the space also has grilles, molded frames, and murals. The elevator doors are made of nickel-bronze and depict two women, one each with a lute and a harp. This room also has allegorical murals painted by Edward Emerson Simmons. The murals, surrounded by wood frames, were taken from the original hotel's Astor Gallery and depict twelve female figures.

The Basildon Room, measuring 48 by, is at the north end of the ballroom's entrance hall. The space includes oil paintings and a fireplace mantel salvaged from Basildon Park, a 17th-century English manor designed by John Carr. The oil paintings, designed by Angelica Kauffmann, depict scenes from the poem Divine Comedy by Dante Alighieri. The mantel and walls are decorated in the neoclassical style; the room also originally contained a wooden floor and mirrored transoms and doors.

The Jade Room, occupying the northeast corner of the third story, measures 78 by, with marble pilasters and columns dividing the space into aisles. The center of the Jade Room originally had a maple dance floor, while the eastern aisle overlooks Lexington Avenue. The Jade Room contains bas-reliefs on the walls, themed to dance and rhythm; decorations along the edges of the ceiling; and a pair of suspended chandeliers. In addition, there are closets at the corners of each aisle, as well as mirrors on the north and south walls. The small eastern foyer, connecting the Jade Room with the Astor Gallery, contains grilles on the walls and ceilings, as well as doorways leading west to the stair hall. The Astor Gallery, at the third story's southeast corner, also measures 78 by 48 feet and is divided into three aisles, like the Jade Room. Most of the decorative features are similar to those in the Jade Room, but the south wall of the Astor Gallery also contains a fireplace. Additionally, the Jade Room had green pilasters and gold window drapes, while the Astor Gallery had silver-gray pilasters and rose drapes.

On the fourth story were various ballrooms that accommodated between 160 and 2,100 guests. The fourth floor has the banquet and sales offices, and most of the suites were named after guests including Barron, Vanderbilt, Windsor, Conrad, Vertès, Louis XVI, and Cole Porter. The fourth floor was where the notorious Sunday-night card games were played. Before its 2021 renovation, the hotel had a model of one of the living rooms of apartment 31A, then the suite of former U.S. President Herbert Hoover. A living room from the suite is also recreated as a display at the Herbert Hoover Presidential Library and Museum in West Branch, Iowa.

Rooms and suites
The hotel originally had 2,253 guestrooms, including 500 deluxe rooms and 300 parlors; the rooms above the 28th story were largely intended for long-term residents. The Waldorf Astoria and Towers had a total of 1,413 hotel rooms as of 2014. In 2009, when it had 1,416 rooms, the main hotel had 1,235 single and double rooms and 208 minisuites, 17 of which were classified as "Astoria Level", which are upgraded rooms with deluxe amenities and complimentary access to the Astoria Lounge. The Waldorf Towers, from the 28th floor up to the 42nd, had 181 rooms, of which 115 were suites, with one to four bedrooms. As of the late 1990s, the hotel had a housekeeping staff of nearly 400, with 150 day maids and 24 night maids.

Lower-story guestrooms
The hotel's guestrooms were originally decorated in 18th-century American, English, and French styles. Frommer's likened the décor of the rooms to those of an English country house, and describe the corridors as being wide and plush-carpeted, which "seem to go on forever". The rooms retain the original Art Deco motifs, although each room is decorated differently. The guestrooms were classified as Deluxe, Superior, and Luxury, with a marble bath or shower and amenities designed by Salvatore Ferragamo. The suites featured king or double beds and start in size at 450 ft2. The smallest are the one-bedroom suites, which range from 450 to 600 ft2. The Signature Suites have a separate living room and one or two bedrooms, which range from 750 to 900 ft2.

Upper-story suites and condominiums
The Tower suites were divided into standard ones; The Towers Luxury Series, which have their own sitting room; the Towers Penthouse Series; the Towers Presidential-Style Suites; and finally the most expensive Presidential Suite on the 35th floor. The Penthouse Series contained three suites, The Penthouse, The Cole Porter Suite, and The Royal Suite, named after the Duke and Duchess of Windsor. They started at 1800 ft2 in size, with two or more bedrooms, and had a kitchen and a dining room which could accommodate 8–12 guests. The Towers Presidential-Style Suites were divided into the MacArthur Suite and the Churchill Suite, and had their own grand entry foyer. Like the Penthouse Series, they had their own kitchen and dining room. The 2250 ft2 Presidential Suite was designed with Georgian-style furniture to emulate that of the White House. It had three large bedrooms and three bathrooms, and boasted numerous treasures, including the desk of General MacArthur and rocking chair of John F. Kennedy.

, the condominiums on the upper stories range from studio apartments to penthouse apartments. Although the upper stories largely have 28 condos on each floor, the 40th through 42nd stories contain a total of two penthouses. The penthouses, within the copper pinnacles, are duplex apartments covering 6500 ft2 and have private elevators. Excluding the penthouses, the minimum asking prices for the condos ranged from $2.6 million for a one-bedroom unit to $18.5 million for a four-bedroom, 3000 ft2 unit.

Other facilities
The 18th floor had a 260 ft roof garden and outdoor terrace, as well as a foyer, checking room, coatroom, and kitchens. The terrace contained multicolored glass mosaics inlaid in cement. A 2500 ft2 fitness center is on the 5th floor. The $21.5 million Waldorf Astoria Guerlain Spa was inaugurated on September 1, 2008, on the 19th floor. It features 16 treatment rooms and two relaxation lounges. The hotel has its own Business Center, a 1150 ft2 digital facility, where guests can access the Internet and photocopy. In 2004, the hotel launched a line of products in keeping with its Art Deco design. The top five stories were devoted to mechanical equipment.

When the Waldorf Astoria opened, it had 31 elevators. The lower stories were served by nine elevators, while the Waldorf Towers were served by four elevators traveling at 700 ft/min. There were also three elevators connecting the ground, ballroom, and banquet-room levels, each capable of carrying 6000 lb, and an elevator on 50th Street connecting to the ballroom and exhibition levels, capable of carrying 8000 lb.

The hotel has its own railway platform, Track 61, that was part of the New York Central Railroad (later Metro-North Railroad), and was connected to the Grand Central Terminal complex. Intended for guests with private railcars, the platform was used by such figures as Franklin D. Roosevelt, James Farley, Adlai Stevenson, and Douglas MacArthur, and it has also hosted exhibits and fashion shows. An elevator measuring 18 by, large enough for Franklin D. Roosevelt's automobile, provides access to the platform. There is a pedestrian entrance from 50th Street, just to the left of the Waldorf Towers entrance, but it is rarely open to the public.

Restaurants and cuisine
The Waldorf Astoria was the first hotel to offer room service and was the first major hotel in the world to hire women as chefs, beginning in 1931. An extensive menu is available for guests, with special menus for children and for dieters. The executive chef of the Waldorf for many years was John Doherty, following the Austrian Arno Schmidt who held the position for ten years from 1969 to 1979. Restaurateur George Lang was awarded the Hotelman of the Year Award in 1975.

As of the early 1990s, the hotel served over three million dishes a year and got through 27,000 pounds of lobster, 100 pounds of beluga caviar, 380,000 pints of strawberries annually. The hotel has gained significant renown for its lavish feasts. During one grand feast for Francis Cardinal Spellman, over 200 VIP guests, according to Arno Schmidt, devoured some 3,600 pounds of fillet, 600 pounds of fresh halibut, 1,500 pounds of potatoes, and 260 pounds of petit fours, eaten on gold china plates. One 1973 feast by the Explorer's Club devoured hippo meat, a 4 ft alligator, a baby shark, an amberjack tuna, a boa, wild boar hams, 480 pieces of breaded-fried cod tongues and cheeks, antelope steaks, two boxes of Chinese rabbit, and 20 pounds of rattlesnake.

The hotel has three main restaurants, Peacock Alley, The Bull and Bear Steak House, and Oscar's Brasserie, as well as a secondary restaurant, the Japanese Inagiku. At its peak in the late 1940s, the hotel once had nine restaurants. Peacock Alley, in the west lounge, is known primarily for its fish and seafood dishes. Sunday Brunch is particularly popular with locals and features over 180 gourmet dishes divided into 12 themed displays, with cuisine ranging from lobster and oysters to Belgian waffles, Eggs Benedict, and omelettes to hollandaise sauces.

The Bull and Bear Steak House is furnished in richly polished mahogany in the English Regency style, and has a "den-like" atmosphere, and is reportedly the only restaurant on the East Coast which serves 28 days prime grade USDA Certified Angus Beef. It has won awards from the National Restaurant Association and Holiday magazine. Between 2007 and 2010, the restaurant was the filming location for Fox Business Happy Hour, presented live between 5 and 6 pm. The Bull and Bear Bar is based on the original Waldorf Astoria Bar, which was a favorite haunt of many of the financial elite of the city from the hotel's inception in 1893, and adventurers such as Diamond Jim Brady, Buffalo Bill Cody and Bat Masterson.

Behind the bar are bronze statues of a bull and a bear, which represent stock exchange trends. The Inagiku, meaning the "rice chrysanthemum", serves contemporary Japanese cuisine. The restaurant opens for lunch on weekdays and cocktails and dinner in the evenings. Designed by Henry Look of San Francisco, the restaurant has four "distinctly different" rooms, including one which represents an old Japanese farmhouse, and the Kinagu Room, resembling a Japanese temple. Guests have the option to reserve private orthodox tatami rooms.

Oscar's Brasserie, overlooking Lexington Avenue in what was once a Savarin restaurant, is designed by Adam Tihany. The restaurant takes its name from Oscar Tschirky (Oscar of the Waldorf) and serves traditional American cuisine, with many dishes based upon his cookbook which have gained world renown, including the Waldorf salad, Eggs Benedict, Thousand Island dressing, and Veal Oscar. The Waldorf salad—a salad made with apples, walnuts, celery, grapes, and mayonnaise or a mayonnaise-based dressing—was first created in 1896 at the Waldorf by Oscar. The original recipe did not contain nuts, but they had been added by the time the recipe appeared in The Rector Cook Book in 1928. Tschirky was also noted for his "Oscar's Sauce", which became so popular that it was sold at the hotel. Another of the hotel's specialties was red velvet cake, which became one of its most popular desserts.

Sir Harry's Bar is one of the principal bars of the hotel, situated just off the main lobby. It is named after British Sir Harry Johnston (1858–1927). In the 1970s the bar was renovated in a "plush African safari" design to honor Johnston, a notable explorer of Africa, with "zebra-striped wall coverings and carpeting, with bent-cane furnishings". It has since been redecorated back to a more conservative design, with walnut paneling and leather banquettes, and featured a 23 ft by 8 ft ebony bar as of the early 1990s. Frank Sinatra frequented Sir Harry's Bar for many years. In 1991, while drinking at Sir Harry's with Jilly Rizzo and Steve Lawrence, he was approached by a fan asking for an autograph. Sinatra responded, "Don't you see I'm on my own time here? You asshole. What's wrong with you?" The fan said something which angered Sinatra, who lunged at the fan, and Sinatra had to be restrained.

Cocktail books
Albert Stevens Crockett, the hotel's veteran publicist and historian, wrote his first cocktail book "Old Waldorf Bar Days" in 1931 during Prohibition and the construction of the current hotel on Park Avenue. It was a homage to the original hotel and its famous bar and clientele. The book contains Crockett's takes on the original hand-written leather-bound book of recipes that was given to him at the time of the closure by bartender Joseph Taylor. This edition was never reprinted.

In 1934, Crockett wrote a second book, "The Old Waldorf Astoria Bar Book", in response to the repeal of the Volstead Act and the end of the Prohibition era. He edited out most of the text from the first book. Drawing from his experiences as a travel writer, Crockett added nearly 150 more recipes, the bulk of which can be found in the "Cuban Concoctions" and "Jamaican Jollifers" chapters. These books became reference books on the subject of pre-Prohibition cocktails and their culture.

In 2016, the long-time hotel bar manager of Peacock Alley and La Chine, Frank Caiafa, added a completely new edition to the canon. Caiafa's "The Waldorf Astoria Bar Book" includes all of the recipes in Crockett's books; many of the hotel's most important recipes created since 1935; and his own creations. In 2017, it was nominated for a James Beard Foundation Award for Best Beverage Book.

Other notable books with connections to the hotel include "Drinks" (1914) by Jacques Straub, a wine steward and a friend of Oscar Tschirky who had written about the first hotel's notable recipes. Tschirky compiled a list of 100 recipes for his own 1934 book "100 Famous Cocktails", a selection of favorites from Crockett's books. Hotel publicist Ted Saucier wrote "Bottoms Up" in 1951, consisting of a compendium of popular, national recipes of the day.

Leaders and businesspeople
On the 100th anniversary of the original hotel in 1993, one publication wrote: "It isn't the biggest hotel in New York, nor the most expensive. But when it comes to prestige, the Waldorf-Astoria has no peer. When presidents come to New York, they stay at the Waldorf-Astoria. Kings and queens make it their home away from home, as have people as diverse as Cary Grant, the Dalai Lama and Chris Evert. Some of them liked the hotel so well, they made their home there."

Over the years many royals from around the world stayed at the Waldorf Astoria including Shahanshah of Iran and Empress Farah, King Frederik IX and Queen Ingrid of Denmark, Princess Astrid of Norway, Crown Prince Olav and Crown Princess Martha of Norway, King Baudouin I of Belgium and Queen Fabiola, Prince Albert and Princess Paola of Belgium, King Hussein I of Jordan, Prince Rainier III and Princess Grace of Monaco, Queen Juliana of the Netherlands, King Michael of Romania, Queen Elizabeth II and Prince Philip of the Commonwealth realms, Mohammed Zahir Shah and Homaira Shah of Afghanistan, King Bhumibol Adulyadej and Queen Sirikit of Thailand, and Crown Prince Akihito and Princess Michiko of Japan, The great-great-grandson of King Joseph Bonaparte and many others.

Queen Elizabeth II and Prince Philip stayed at the hotel during their first visit to America on October 21, 1957, and a banquet was held for them in the Grand Ballroom. In the Bicentennial year in 1976, most of the heads of state from around the world and all of the Kings and Queens of Europe were invited to the hotel, and it also served the presidential candidates in the run up to the elections of that year.

In modern times, the clientele of the Waldorf is more typically wealthy politicians and businessmen than playboys and royalty. An entire floor was often rented out to wealthy Saudi Arabians with their own staff. Wealthy Japanese businessmen during their stay would sometimes remove the furniture and replace it with their own floor mats. Demands by people of prominence could often be exorbitant or bizarre. Fidel Castro once walked into the hotel with a flock of live chickens, insisting that they be killed and freshly cooked on the premises to his satisfaction, only to be turned away. While serving as Secretary of State, Henry Kissinger ordered all of the antiques to be removed from one suite and replaced with 36 desks for his staff. An unnamed First Lady once demanded that all of the bulbs in her suite be changed to 100-watt ones and kept on all day and night to simulate daylight. She further insisted that there be an abundance of chewing gum available.

Postmaster General James Farley occupied two adjoining suites in the current Waldorf Astoria during his tenure as the chairman of the board of Coca-Cola's International division from 1940 until his death in 1976, arguably one of the landmark's longest housed tenants. The Presidential Suite at the hotel come from when, during the 1950s and early 1960s, former U.S. president Herbert Hoover and retired U.S. General Douglas MacArthur lived in suites on different floors of the hotel. Hoover lived at the Waldorf Astoria for over 30 years from after the end of his presidency until he died in 1964. Former President Dwight D. Eisenhower lived there between 1967 and his death in 1969.

MacArthur's widow, Jean MacArthur, lived there from 1952 until her death in 2000. A plaque affixed to the wall on the 50th Street side commemorates this. John F. Kennedy was fond of the Waldorf Astoria and had a number of private meetings at the hotel, including one with Israeli Prime Minister David Ben-Gurion. Since Hoover, every President of the United States has either stayed over or lived in the Waldorf Astoria, although Jimmy Carter claimed to have never stayed overnight at the hotel. Nancy Reagan was reputedly not fond of the Presidential Suite.

The official residence of the United States' Permanent Representative to the United Nations, an unnamed 42nd-floor apartment, was located in the Waldorf Towers for many years. In 2015, the US Department of State announced that it was moving its headquarters during meetings of the UN General Assembly to The New York Palace Hotel.

Carlos P. Romulo, Minister of Foreign Affairs of the Philippines and member of the UN had suite 3600, below Hoover's, for some 45 years from 1935 onwards. Former Philippine First Lady Imelda Marcos also spent much time and money at the hotel. Another connection with the Philippines is that many meetings were held here between President Manuel L. Quezon and high ranking American politicians and senators. Through the meetings, Quezon encouraged investment into the country and convinced General MacArthur to accompany him back to the Philippines as his military adviser.

Nicaraguan president Anastasio Somoza Debayle and his wife Hope Portocarrero had a penthouse suite at the Waldorf Towers, where Somoza received political leaders.

Celebrities
The hotel has had many well-knowns under its roof throughout its history, including Charlie Chaplin, Ava Gardner, Liv Ullmann, Edward G. Robinson, Gregory Peck, Ray Bolger, John Wayne, Tony Bennett, Jack Benny, Katharine Hepburn, Spencer Tracy, Muhammad Ali, Vince Lombardi, Judy Garland, Sonny Werblin, Greer Garson, Harold Lloyd, Liberace, Burt Reynolds, Robert Montgomery, Cesar Romero, and many others. Due to the number of high-profile guests staying at the hotel at any one time, author Ward Morehouse III has referred to the Towers as a "kind of vertical Beverly Hills. On any one given night you might find Dinah Shore, Gregory Peck, Frank Sinatra [or] Zsa Zsa Gabor staying there". Gabor married Conrad Hilton in 1941.

During the 1930s, gangster Benjamin "Bugsy" Siegel owned an apartment at the Waldorf. Frank Costello was said to have got his haircut and nails done in the Barber's Shop at the Waldorf. Around the time of World War I, inventor Nikola Tesla lived in the earlier Waldorf-Astoria.

In 1955, Marilyn Monroe and her husband Arthur Miller stayed at the hotel for several months. Due to costs of trying to finance her production company "Marilyn Monroe Productions", only being paid $1,500 a week for her role in The Seven Year Itch and being suspended from 20th Century Fox for walking out on Fox after creative differences, living at the hotel became too costly, and Monroe had to move into a different hotel in New York City.

Around the same time that Monroe lived in the hotel, Cole Porter and his wife Linda Lee Thomas had an apartment in the Waldorf Towers, where Thomas died in 1954. Porter's 1934 song "You're the Top", contains the lyric, "You're the top, you're a Waldorf salad". The Cole Porter Suite, Suite 33A, was the place where Porter lived and entertained for a period. Frank Sinatra paid nearly $1 million a year to keep it as his suite at the hotel between 1979 and 1988, which he called home when out of Los Angeles. Sinatra took over part of the hotel during the filming of The First Deadly Sin in 1980.

Grace Kelly and Rainier III were regular guests at the hotel. At one time Kelly was reputed to be in love with the hotel banquet manager of the Waldorf, Claudius Charles Philippe. Elizabeth Taylor frequented the hotel, and would often attend galas at the hotel to talk about her various causes. Her visits were excitedly awaited by the hotel staff, who would prepare long in advance. Taylor was honored at the 1983 Friars Club dinner at the hotel.

Brooke Shields has stated that her very first encounter with the paparazzi was in the Grand Ballroom of the Waldorf at the age of 12, stating that she "stood like a statue wondering why they were all hired to photograph me", and that she "debuted at the Waldorf". During her childhood in the 1980s and 1990s, Paris Hilton lived with her family in the hotel.

One of the most prestigious debutante balls in the world is the invitation-only International Debutante Ball held biennially in the Grand Ballroom at the Waldorf Astoria Hotel, where girls from prominent world families are presented to high society. Since 1954 the musical entertainment at the ball has traditionally been provided by the musicians of the Lester Lanin Orchestra.

In popular culture
The Waldorf Astoria has been a filming location for numerous films and TV series. Ginger Rogers headlined an all star ensemble cast in the 1945 film Week-End at the Waldorf, set at the hotel and filmed partially on location there. Other films shot at the hotel include The Out-of-Towners (1970), Broadway Danny Rose (1984), Coming to America (1988), Scent of a Woman (1992), The Cowboy Way (1994), Random Hearts (1999), Analyze This (1999), For Love of the Game (1999), Serendipity (2001), The Royal Tenenbaums (2001), Maid in Manhattan (2002), Two Weeks Notice (2002), Catch Me If You Can (2002), End of the Century (2005), Mr. and Mrs. Smith (2005), The Pink Panther  (2006), and The Hoax (2006). Television series that have filmed at the Waldorf include Law and Order, Rescue Me, Sex and the City, The Sopranos and Will and Grace.

Several biographies have been written about the Waldorf, including Edward Hungerford's Story of the Waldorf (New York: G. P. Putnam's Sons, 1925) and Horace Sutton's Confessions of a Grand Hotel: The Waldorf-Astoria (New York: Henry Holt, 1953). Langston Hughes wrote a poem entitled "Advertisement for the Waldorf-Astoria", criticizing the hotel and inviting the jobless and homeless to take over the space of the hotel. Wallace Stevens wrote a poem entitled "Arrival at the Waldorf", in which he contrasts the wild country of the jungles of Guatemala to being "back at the Waldorf". In Meg Cabot's novel Jinx, the Chapman School Spring Formal takes place in the Waldorf-Astoria. It is at this point that Tory (the main antagonist) reveals Jean's first attempt at a love spell, which catalyzed the novel's events.

Waldorf of the Muppets series was named after the hotel. In the episode starring Dizzy Gillespie his heckling partner Statler (named after Statler Hilton, also in Manhattan) couldn't make it due to illness so Waldorf's wife Astoria came with him. Ayn Rand biographer Anne Heller wrote that the Waldorf Astoria inspired the "Wayne-Falkland Hotel" in Rand's novel Atlas Shrugged.

title: Waldorf Astoria New York


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Paul O. Williams

Paul O. Williams (January 17, 1935 – June 2, 2009) was an American science fiction writer and haiku poet. Williams won multiple awards including the John W. Campbell Award and the Museum of Haiku Literature Award; and was professor emeritus of English at Principia College in Elsah, Illinois and president of the Haiku Society of America.

Life
His most notable science fiction works are a series of novels, the Pelbar Cycle, set in North America about a thousand years after a "time of fire", in which the world was nearly totally depopulated. The novels track a gradual reconnection of the human cultures which developed. Much of the action takes place in the communities of the Pelbar, along the Upper Mississippi River — in the general vicinity of Elsah. Several cultures, including the matriarchal Pelbar, join together in the Heart River Federation. Others, especially the tyrannical Tantal and slave-raiding Tusco, fall apart after suffering defeats. The predominant characters are change agents: Tor, Jestak, Stel and his wife Ahroe Westrun. All are Pelbar except for Tor who is Shumai. Williams won the John W. Campbell Award for Best New Writer in Science Fiction in 1983. Williams was a professor at Duke University and Principia College, and a longtime contributor to The Christian Science Monitor.

He is also known as a writer of haiku, senryū, and tanka, and wrote a number of essays on the haiku form in English. In a 1975 essay, he coined the term "Tontoism" to refer to the practice of writing haiku with missing articles ("the", "a", or "an"), which he claimed made the haiku sound like the stunted English of the Indian sidekick, Tonto, in the Lone Ranger radio and television series. In 2001, his best essays were collected in The Nick of Time: Essays on Haiku Aesthetics, edited by Lee Gurga and Michael Dylan Welch. Williams was the president of the Haiku Society of America (1999) and vice president of the Tanka Society of America (2000). In 1989 he won the Museum of Haiku Literature Award from the Haiku Society of America with this poem written for Nick Virgilio shortly after Nick's death:

"gone from the woods  the bird I knew        by song alone"

Williams died from an aortic dissection on June 2, 2009.

Selected works

 * The Pelbar Cycle
 * The Breaking of Northwall (1981)
 * The Ends of the Circle (1981)
 * The Dome in the Forest (1981)
 * The Fall of the Shell (1982)
 * An Ambush of Shadows (1983)
 * Song of the Axe (1984)
 * The Sword of Forbearance (1985)
 * (The Pelbar Cycle was republished in 2005–2006 by the University of Nebraska Press.)

 * Gorboduc Series
 * The Gifts of the Gorboduc Vandal (1989)
 * The Man from Far Cloud (2004)

 * Haiku, senryū, tanka, and other poetry books
 * The Edge of the Woods: 55 Haiku (1968; haiku)
 * Tracks on the River (1982; haiku)
 * Growing in the Rain (1991; longer poetry)
 * Outside Robins Sing: Selected Haiku July 1999. Brooks Books 56 pages. ISBN 0-913719-98-6
 * The Nick of Time: Essays on Haiku Aesthetics by Paul O. Williams, Press Here, 2001, ISBN 1-878798-23-5 (winner of the Haiku Society of America's 2002 Merit Award for Best Criticism)
 * These Audacious Maples (2007; tanka)
 * The Day of Strawberries, edited by Paul O. Williams (San Francisco: Two Autumns Press, 2004) — the companion chapbook to the Haiku Poets of Northern California’s fifteenth annual Two Autumns poetry reading series
 * Paul's Shiki Monthly Kukai Entries

 * Other published works
 * Frederick Oakes Sylvester: the artist's encounter with Elsah (1986, illustrated biography of Frederick Oakes Sylvester)

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Paul O. Williams


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Rock Music (album)

Rock Music is the third and final studio album by Australian band The Superjesus. The album was released in May 2003 and peaked at number 14.

Background
Rock Music was difficult for the band to make, taking a year and a half to finish. Bass player Stuart Rudd outlined the difficulties in making the album in an interview with Inpress magazine in June 2003. "This album is a result of a year and a half prior," Stuart Rudd begins to explain. "The ups and downs definitely… it all came to a peak when we were in London. We had forty or fifty songs written and we could not come to agree on a direction to go. Then with the departure of another guitarist (Tim Henwood) we really had to pick ourselves up off the canvas again. We realised that the songs we had been writing weren’t the ones that we wanted to do, because we were suddenly able to move as one in the direction we wanted to go. It was like a huge weight off our shoulders."

Tim Henwood left the band to form The Androids who had a top ten hit in Australia with the song "Do It with Madonna".

title: Rock Music (album)


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Alexis A. Gilliland

Alexis Arnaldus Gilliland (born August 10, 1931 in Bangor, Maine) is an American science fiction writer and cartoonist. He resides in Arlington, Virginia.

Gilliland won the John W. Campbell Award for Best New Writer in 1982, notably beating David Brin and Michael Swanwick for the honor. Gilliland also won four Hugo Awards for Best Fan Artist (1980, 1983, 1984, 1985), the Rotsler Award (Lifetime Achievement in Fan Cartooning) in 2006, and the Tucker Award (for Excellence in Partying) in 1988.

He and his first wife Dolly (died 1991) hosted meetings of science fiction fans in his home approximately once a month from November 1967 until July 2006, and twice monthly since. In 1993 he married Lee Uba (née Elisabeth Swanson).

Novels

 * Rosinante
 * Revolution from Rosinante (1981)
 * Long Shot for Rosinante (1981)
 * The Pirates of Rosinante (1982)
 * The End of the Empire (1983)
 * Wizenbeak (a fantasy trilogy)
 * Wizenbeak (1986)
 * The Shadow Shaia (1990)
 * The Lord of the Troll-Bats (1992)

Short-stories

 * Demarche to Iran (1992) (collected in Mike Resnick's alternate history anthology Alternate Presidents)

title: Alexis A. Gilliland


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Mission Point Light

Mission Point Light is a lighthouse located in the U.S. state of Michigan at the end of Old Mission Point, a peninsula jutting into Grand Traverse Bay 17 mi north of Traverse City. When it was built in 1870, it was an exact copy of the Mama Juda Light (now destroyed), which was built on the Detroit River in 1866.

The foundation is natural and emplaced. The wooden structure is painted white with black trim. The square tower is attached to a dwelling.

A fixed white Fifth Order Fresnel lens was installed. The building was only one and one half stories tall. However, its placement on a sand bank 14 feet above the lake's surface created a lens focal plane of 47 ft. It was visible from 13 mi at sea. Maintaining the dune and protecting it and the lighthouse from the deleterious effects of wave action has been a constant struggle.

For 67 years the light served to warn mariners about the shoals off the point. However, new techniques in offshore construction and the automation of lighthouse illumination made it possible to build a navigation aid on the shoal itself. In 1938, work began on a pier for the new light in 19 ft of water, about 2 mi northwest of Mission Point. The light ran on batteries. It was on a 36 ft tall tower, and its focal plane of 52 ft help make it visible for 13 mi. It had a 30-second dwell time between flashes, in order to conserve power.

Famously, the lighthouse stands a few hundred yards south of the 45th parallel north, halfway between the North Pole and the Equator. The lighthouse was deactivated in 1933 and purchased by the State of Michigan. There are a pair of signs that denote its location on the parallel, and it is one of 29 places (six are in Michigan) in the U.S.A. where such signs are known to exist.

Current status and activities
The lighthouse is located in Old Mission State Park, which is managed by Peninsula Township as Lighthouse Park, at the northern end of M-37.

As reported in the Traverse City Record Eagle, in a unique program, the lighthouse society sought volunteers to work and live in the Mission Point Light during 2008. There is a fee, which will benefit the light.

In 2008, the building opened for the first time to the public (it will have a small museum), after serving for many years as the park manager's residence.

The area around the lighthouse attracts many cross country skiers. There is a boat launch there, which is favored by sea kayakers. The location is becoming increasingly popular, which has subjected it to environmental issues that are being addressed by Peninsula Township.

The Old Mission Peninsula is said to be a premier place to sea kayak. One gets close to shore, lighthouse, picnic grounds and parks. The bay offers a shelter from the prevailing westerly winds and from the Lake Michigan waves. Maps, rentals and guided tours are available.

Because of its form, surroundings and location, it is photogenic, having inspired photographs and illustrations, including drawings and needlepoint.

title: Mission Point Light