text:
G. A. Henty

George Alfred Henty (8 December 1832 – 16 November 1902) was an English novelist and war correspondent. He is best known for his works of adventure fiction and historical fiction, including The Dragon & The Raven (1886), For The Temple (1888), Under Drake's Flag (1883) and In Freedom's Cause (1885).

Biography
G. A. Henty was born in Trumpington, near Cambridge but spent some of his childhood in Canterbury. He was a sickly child who had to spend long periods in bed. During his frequent illnesses he became an avid reader and developed a wide range of interests which he carried into adulthood. He attended Westminster School, London, as a half-boarder when he was fourteen, and later Gonville and Caius College, Cambridge, where he was a keen sportsman.

He left the university early without completing his degree to volunteer for the (Army) Hospital Commissariat of the Purveyors Department when the Crimean War began. He was sent to the Crimea and while there he witnessed the appalling conditions under which the British soldier had to fight. His letters home were filled with vivid descriptions of what he saw. His father was impressed by his letters and sent them to the Morning Advertiser newspaper which printed them. This initial writing success was a factor in Henty's later decision to accept the offer to become a special correspondent, the early name for journalists now better known as war correspondents.

Shortly before resigning from the army as a captain in 1859 he married Elizabeth Finucane. The couple had four children. Elizabeth died in 1865 after a long illness and shortly after her death Henty began writing articles for the Standard newspaper. In 1866 the newspaper sent him as their special correspondent to report on the Austro-Italian War where he met Giuseppe Garibaldi. He went on to cover the 1868 British punitive expedition to Abyssinia, the Franco-Prussian War, the Ashanti War, the Carlist Rebellion in Spain and the Turco-Serbian War. He also witnessed the opening of the Suez Canal and travelled to Palestine, Russia and India.

Henty was a strong supporter of the British Empire all his life; according to literary critic Kathryn Castle: "Henty ... exemplified the ethos of the [British Empire], and glorified in its successes". Henty's ideas about politics were influenced by writers such as Sir Charles Dilke and Thomas Carlyle.

Henty once related in an interview how his storytelling skills grew out of tales told after dinner to his children. He wrote his first children's book, Out on the Pampas in 1868, naming the book's main characters after his children. The book was published by Griffith and Farran in November 1870 with a title page date of 1871. While most of the 122 books he wrote were for children and published by Blackie and Son of London, he also wrote adult novels, non-fiction such as The March to Magdala and Those Other Animals, short stories for the likes of The Boy's Own Paper and edited the Union Jack, a weekly boy's magazine.

Henty was "the most popular Boy's author of his day." Blackie, who published his children's fiction in the UK, and W. G. Blackie estimated in February 1952 that they were producing about 150,000 Henty books a year at the height of his popularity, and stated that their records showed they had produced over three and a half million Henty books. He further estimated that considering the US and other overseas authorised and pirated editions, a total of 25 million was not impossible. Arnold notes this estimate and that there have been further editions since that estimate was made.

His children's novels typically revolved around a boy or young man living in troubled times. These ranged from the Punic War to more recent conflicts such as the Napoleonic Wars or the American Civil War. Henty's heroes – which occasionally included young ladies – are uniformly intelligent, courageous, honest and resourceful with plenty of 'pluck' yet are also modest. These themes have made Henty's novels popular today among many conservative Christians and homeschoolers.

Henty usually researched his novels by ordering several books on the subject he was writing on from libraries, and consulting them before beginning writing. Some of his books were written about events (such as the Crimean War) that he witnessed himself; hence, these books are written with greater detail as Henty drew upon his first-hand experiences of people, places, and events.

On 16 November 1902, Henty died aboard his yacht in Weymouth Harbour, Dorset, leaving unfinished his last novel, By Conduct and Courage, which was completed by his son Captain C.G. Henty.

Henty is buried in Brompton Cemetery, London.

Influence
G. A. Henty's commercial popularity encouraged other writers to try writing juvenile adventure stories in his style; "Herbert Strang", Henry Everett McNeil, Percy F. Westerman and Captain Frederick Sadleir Brereton all wrote novels in "the Henty tradition", often incorporating then-contemporary themes such as aviation and First World War combat. By the 1930s, however, interest in Henty's work was declining in Britain, and hence few children's writers there looked to his work as a model.

Misattribution
A book published in 1884 in the "Fireside Henty Series" called Forest and Frontier  was discovered to be by Thomas M. Newson.

UK and US availability
In the late 1990s, a number of American publishers, such as Polyglot Press (Philadelphia, PA), PrestonSpeed, and the Lost Classics Book Company, began reprinting Henty's books and advocating their usage for conservative homeschoolers. Reprints of all Henty's works are available from modern day British and American publishers. One such publisher and major modern advocate of Henty is the American scientist (biochemist), homeschool curriculum publisher, and Oregon State Senator Arthur B. Robinson, who promotes the use of Henty's books as a supplement to his self-teaching homeschool curriculum.

Controversial views
Henty's views have been contentious; some writers have accused Henty's novels of being aggressively and obstinately nationalist and reactionary in such books as True to the Old Flag (1885) which features a Loyalist protagonist fighting in the American War of Independence, and In the Reign of Terror (1888) and ''No Surrender! A Tale of the Rising in La Vendée'' (1900) which are strongly hostile to the French Revolution.

Henty's novel With Lee in Virginia has a protagonist who fights on the side of the Confederacy against the Union.

Henty's popularity amongst homeschoolers is not without controversy. Quoting from the chapter of By Sheer Pluck called "The Negro Character" ("like children"), American television host and political commentator Rachel Maddow called Henty's writings "spectacularly racist". Carpenter and Pritchard note that while "Henty's work is indeed full of racial (and class) stereotypes", he sometimes created sympathetic ethnic minority characters, such as the Indian servant who marries a white woman in With Clive in India, and point out Henty admired the Turkish Empire. Some even accuse Henty of holding blacks in utter contempt, and this is expressed in novels such as By Sheer Pluck: A Tale of the Ashanti War and A Roving Commission, or, Through the Black Insurrection at Hayti. Kathryne S. McDorman states Henty disliked blacks and also, in Henty's fiction, that "Boers and Jews were considered equally ignoble".

In By Sheer Pluck: A Tale of the Ashanti War, Mr. Goodenough, an entomologist remarks to the hero: “They [Negroes] are just like children ... They are always either laughing or quarrelling. They are good-natured and passionate, indolent, but will work hard for a time; clever up to a certain point, densely stupid beyond. The intelligence of an average negro is about equal to that of a European child of ten years old. ... They are fluent talkers, but their ideas are borrowed. They are absolutely without originality, absolutely without inventive power. Living among white men, their imitative faculties enable them to attain a considerable amount of civilization. Left alone to their own devices they retrograde into a state little above their native savagery.”

In the Preface to his novel A Roving Commission (1900) Henty claims "the condition of the negroes in Hayti has fallen to the level of that of the savage African tribes" and argues "unless some strong white power should occupy the island and enforce law and order" this situation will not change. In the novel Facing Death: A Tale of the Coal Mines Henty comes down against strikes and has the working class hero of the novel, Jack Simpson, quell a strike among coal miners.

A review by Deirdre H. McMahon in Studies of the Novel in 2010 refers to his novels as jingoist and racist and states that during the previous decade "Numerous reviews in right-wing and conservative Christian journals and websites applaud Henty’s texts as model readings and thoughtful presents for children, especially boys. These reviews often ignore Henty’s racism by packaging his version of empire as refreshingly heroic and patriotic."

In 1888, on the bookjacket for Captain Bayley's Heir, The Times wrote that Henty's character in With Lee in Virginia, "bravely proving his sympathy with the slaves of brutal masters" escapes through "the devotion of a black servant and of a runaway slave whom he had assisted". The reviewer recommended the book.

Adaptation
There is one known instance of a book title by Henty having been filmed, along with eleven audio theater productions by Heirloom Audio in their series "The Extraordinary Adventures of G. A. Henty": Under Drake's Flag, With Lee in Virginia, In the Reign of Terror, The Cat of Bubastes, Beric the Briton, The Dragon and the Raven, Wulf the Saxon, Captain Bayley's Heir In Freedom's Cause, St. Bartholomew's Eve, and For the Temple. Heirloom Audio's productions have featured several well-known actors, including Golden Globe winner Joanne Froggatt of Downton Abbey and Billy Boyd of The Lord of the Rings.

Heirloom Audio was founded by Illinois businessman Bill Heid, who said of Henty, "He took you to places that had great historical significance. It's historical fiction, yet there's very little fiction." Heid said of the characters portrayed in Henty's books and Heirloom Audio's productions, "Who's a real hero? Jay Cutler or Aaron Rodgers, or Francis Drake? Who had the guts, the belief in God's sovereignty? I want to tell the stories that young people think, 'I could imagine doing something like that.' I want them to dream big. There was a time in our country we really had big dreams, thought we could do big things. For some reason, we don't talk like that, take risks like that."

Heid added that too often in schools, "history becomes kind of a data dump, dead guys and dates." But with Henty, "History is anything but boring. It's amazing. William Wallace was a real person, had real struggles of his own. He had hopes and dreams and ambitions, struggles like anyone else, doubts and flaws."

Film

A Final Reckoning (1929), American, B&W: Serial/24 reels

Directed by Ray Taylor.

Cast: Frank Clark [Jim Whitney], Newton House, Louise Lorraine, Jay Wilsey, Edmund Cobb.

Universal Pictures Corporation production; distributed by Universal Pictures Corporation.

Scenario by Basil Dickey and George Morgan, from a novel by George Alfred Henty.

Cinematography by Frank Redman.

Twelve episodes (two reels each): [1] "A Treacherous Friend," released 15 April 1929. / Standard 35mm spherical 1.37:1 format. / [?] Website-IMDb lists the release date of the first episode as 15 April 1928.

Audio Theatre Productions
 * Under Drake's Flag (2013), Heirloom Audio Productions
 * In Freedom's Cause (2014), Heirloom Audio Productions
 * With Lee in Virginia, Heirloom Audio Productions
 * In the Reign of Terror, Heirloom Audio Productions
 * The Cat of Bubastes, Heirloom Audio Productions
 * Beric the Briton, Heirloom Audio Productions
 * The Dragon and the Raven, Heirloom Audio Productions
 * Captain Bayley's Heir, Heirloom Audio Productions
 * Wulf the Saxon, Heirloom Audio Productions

title: G. A. Henty


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Yakisoba

Yakisoba (焼きそば,, ), is a Japanese noodle stir-fried dish. Usually, soba noodles are made from buckwheat flour, but soba in yakisoba are Chinese-style noodles (chuuka soba) made from wheat flour, typically flavored with a condiment similar to Worcestershire sauce. The dish first appeared in food stalls in Japan around the 1930s.

Preparation
Yakisoba is prepared by frying ramen-style wheat noodles with bite-sized pork and finely chopped vegetables like cabbage, onions, bean sprouts, and carrots. It is then flavored with Japanese-style Worcestershire sauce, salt, and pepper. It can be served with a variety of garnishes, such as aonori (seaweed powder), beni shōga (shredded pickled ginger), katsuobushi (bonito fish flakes), or Japanese-style mayonnaise.

Serving
Yakisoba can be served on a plate either as a main dish or a side dish.

In Japan, noodles piled into a bun sliced down the middle and garnished with mayonnaise and shreds of red pickled ginger are called yakisoba-pan (pan meaning "bread") and are commonly available at convenience stores and school canteens.

Sometimes udon is used as a replacement for the ramen-style noodles and called yaki udon.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Yakisoba


text:
George Dodington, 1st Baron Melcombe

George Bubb Dodington, 1st Baron Melcombe (1691 – 28 July 1762) was an English Whig politician who sat in the House of Commons from 1715 to 1761.

Family and early life
Christened George Bubb, he was the eldest son of Jeremiah Bubb of Foy, Herefordshire and his wife Mary Dodington, daughter of John Dodington of Dodington, Somerset. His father died in 1696 and he was taken under the care of his uncle George Dodington. He was educated at Winchester College in 1703 and matriculated at Exeter College, Oxford on 10 July 1707 aged 16. He was admitted at Lincoln's Inn in 1711 and undertook a Grand Tour from 1711 to 1713.

Political career
Bubb was returned as Member of Parliament for Winchelsea at the 1715 British general election. He was sent as envoy to Spain from 1715 to 1717. He changed his surname to Dodington by Act of Parliament in 1717. In 1720 he was appointed Clerk of the Pells for Ireland for life. His uncle died in 1720 and left him his estate. He was Lord Lieutenant of Somerset from 1721 to 1744. At the 1722 British general election he was returned as MP for Bridgwater.

He was taken up by Robert Walpole, who made him a Lord of the Treasury in 1724. He addressed an adulatory verse letter to Walpole in 1726, in which he praised loyalty as the supreme political virtue. He married Katherine Behan in secret, some time around 1725. He was returned again for Bridgwater at the 1727 British general election. Enormously rich, he became a friend of Frederick, Prince of Wales, who took advantage of their acquaintance to obtain loans that helped clear his debts, and, on being thrown out of St James's Palace by his father, King George II, moved into a London house belonging to Dodington.

Dodington was returned for Bridgwater again in 1734 when he was also returned for Melcombe Regis, and in 1741 when he was also returned for Appleby, choosing to remain at Bridgewater on both occasions. He was appointed Treasurer of the Navy in 1744 and became Privy Councillor on 3 January 1745. He was returned again for Bridgwater in 1747 and was treasurer of the chamber to the Prince of Wales from 1749 to 1751.

At the 1754 British general election, Dodington was returned for Melcombe Regis. He was Treasurer of the Navy again from December 1755 to November 1756. He was created Baron Melcombe on 6 April 1761.

Collector and salonist
Dodington had many contacts with artists and was a collector, purchasing antiquities via Cardinal Albani in Rome. His house at Hammersmith, known as 'La Trappe' (an ironic reference to a Trappist monastery) was the focus of a lively political and cultural salon of supporters of Frederick, Prince of Wales whose palace at Kew was located just across the river. It was designed by the neo-Palladian architect Roger Morris who had been connected with the circle of Lord Burlington and the sculpture gallery was designed by the Italian architect and firework display designer Giovanni Niccolo Servandoni.

Activities as a spy
Dodington is said to have been involved in a spy-ring, collecting valuable information about Jacobite activities. In 1761, following the accession of Frederick's son to the throne as George III, he was created Baron Melcombe.

Historian N.A.M. Rodger describes Dodington as an "indefatigable schemer" on behalf of his friends and interests of the time. Dodington is depicted in William Hogarth's 1761 engraving Five Orders of Periwigs.

Diarist
His diary was published posthumously in 1784 by Henry Penruddocke Wyndham.

title: George Dodington, 1st Baron Melcombe


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Wikipedia talk:Wikipedians/Photographers

The initial list of Wikipedian Photographers was taken from Featured Pictures and the Candidates page. - Gaz 13:52, 14 Mar 2004 (UTC)

Is there a way to add a "non-breaking space" in HTML lingo to the comments boxes for people who have not included comments in order to close out those table cells? Amadeust 16:45, 17 Nov 2004 (UTC)

 * HTML has an &nbsp;, but I'm not sure why it's needed--at least, in my browser, the table looks fine as is. Elf | Talk 21:26, 17 Nov 2004 (UTC)

 * Good point. I just checked with FireFox and it looks OK. Internet Exploiter and Netscrape seem to have an issue with this table. Will check with Safari when I get home later today. Amadeust 01:09, 18 Nov 2004 (UTC)

 * Safari, Chimera and Mozilla display this page correctly. So it appears that the problem is confined to IE and Netscape (under MS at least). No issue there. Amadeust 07:10, 19 Nov 2004 (UTC)

 * I'm using Netscape 7.something on my Mac and it looks OK; IE 6.0 on this Windows machine looks sucky. So it's probably (ahem) a Microsquish effect...  Elf | Talk 19:12, 19 Nov 2004 (UTC)

Silly Question
Why isn't this page broken down into regions Gnangarra 14:49, 17 April 2006 (UTC)
 * I agree that placing photographers into regions may make it easier for people looking for local photographers to cover a request. What are other people's thoughts on the above idea? Tom Webb 09:27, 31 May 2006 (UTC)

New Photo Matching Service
Have you seen an article on wikipedia that needs a photograph but you can't travel a thousand miles to take it? Do you love taking pictures for the wiki but aren't sure what our needs are? I've created Photo Matching Service to solve both problems by matching photographers with articles that need photos. To a certain extent it duplicates Wikipedians/Photographers, but its a bit more useful for finding someone to take a photo because its sorted by location. Additionally, the page also includes a list of needed photos for any given location so anybody can see what photos we need and take them for us even if that person doesn't want to list themselves as a photographer. Anyway, the page is pretty bare-bones at the moment and I would appreciate any comments that people have GabrielF 18:02, 30 November 2006 (UTC) Retrieved from "http://en.wikipedia.org/wiki/Wikipedia:Village_pump_%28proposals%29"

Barnstar discussion
Barnstar and award proposals/New Proposals is considering a new Barnstar to be given to people who make great combined contributions to Wikipedia articles and the Commons free-use image collection. Please come by and state your views. Thanks, Johntex\talk 16:50, 26 February 2007 (UTC)

Photo Request Cleanup project?
Hi all Wikiphotogs:

I am trying to organize a project to clean up the Category:Wikipedia requested photographs category and related subcategories. I've been using these categories as a source of requests to fulfill, but they're all chockablock with random and unrelated requests and are hard to navigate. If you're interested in helping, please see User:Twp/Drafts/WikiProject Photo Requests for more ideas, and add your name at WikiProject Council/Proposals if you'd like to help out. Tim Pierce 14:49, 28 August 2007 (UTC)

Sortable table for taking requests
I've made the table sortable, as a start towards making it usable - if desired - as a place to go to find a photographer. Locations would probably have to be changed, to something like Country, State/Province, City/Town (for example, "USA, Maryland, Rockville"), to be really useful. -- John Broughton (♫♫) 02:14, 27 November 2007 (UTC)

Attribution in Image captions
Should attribution be given in photo captions, i.e. "Photo by John Doe?" A proposal at the Village Pump wants your opinion: Village_pump_%28proposals%29 (Mind meal (talk) 14:16, 26 April 2008 (UTC))

List clean-up
I would like to remove some of the completely inactive users on this list. For example, Cgs openly declares that he is no longer around. . . since 2005. Jenlucas made 4 edits on a single day in 2006 and hasn't been back since. If contributors do come back to the project, then they can re-add themselves to the list, if they are still interested.

The list is of very limited navigability already, and of little use to anyone if half of the entries are ex-contributors. Leaving these inactive accounts on the list also does a disservice to those who are seriously interested in contributing photographs.

Are there any objections? Any thoughts as to what the time for inactivity should be? I would suggest one year, as that is how long an inactive account is left before it can be merged or a similar account name created.

As I suspect this page isn't very "watched", I'll wait a few days before I just go ahead.  Mae din \talk 18:13, 6 May 2009 (UTC)

 * As predicted, no one is very interested! I will just carry on.  I've noticed that the page is actually for Wikipedians who have already contributed their own work, and apart from being inactive, there are a few on the list who don't meet that basic criterion.   Mae din \talk 17:42, 11 May 2009 (UTC)
 * Go for it, it would definitely benefit from a clean up. Mfield (Oi!) 07:03, 12 May 2009 (UTC)

Finding people by distance to request
Hello everyone, if you want to be found by people looking for photographers near certain coordinates please replace your plain table entry in this list by an inclusion of template:Photographer Row as described in the introduction. A copy and paste template will show up, once you edit this page. I'm going to ping the people from this list, in order to have them notified. If you have any questions, hints etc. - please tell. Now pinging User:Ahoerstemeier, User:Air55, User:Alexf, User:Alight, User:Amadscientist, User:Andersju, user:Angr, user:Flominator, User:Antilived, user:AtholM, User:BradBeattie, User:Bytebear, User:Cacophony, User:Camw, User:Chameleon, User:Childzy, User:Chrisbayley, User:Chris 73, User:Chrys, User:Chmouel, User:Cybjorg, User:Dave.Dunford, User:David Crawshaw, User:Dawson, User:DeltaOmega, User:Dewet, User:Diligent Terrier, User:Dmn, User:DO'Neil, User:Dori, User:Dwindrim, User:Ed g2s, User:Enochlau, User:Ericd, User:Evil Monkey, User:Fir0002, user:Florian Prischl, User:G-Man, User:Gaz, User:Gbponz, User:General Eisenhower, User:Gisle, User:Gjl, User:Gobeirne, User:Gphoto, User:Graham-ruckert, User:GrantNeufeld, User:Grendelkhan, User:Grunt, user:Halibutt, User:HighInBC, User:HorsePunchKid, User:Ilmari Karonen, User:Intersofia, User:Janke, User:Jdforrester, User:Jenlucas, user:JeremyA, User:Jjron, User:Jniemenmaa, User:JimCollaborator, User:Johann Wolfgang, User:Jtkiefer, User:KayEss, User:Olekils, User:Kils, User:Kjkolb, User:Kralizec!, User:Lazarus-long, User:Leepaxton, User:LordHarris, User:Lowell Silverman, User:Lupin, User:Mailer diablo, User:Maveric149, User:Marius, User:Maximus Rex, User:MC MasterChef, user:MichaelMaggs, User:Minesweeper, User:Montrealais, User:Moochocoogle, User:Morwen, User:MPerdomo, User:Msc44, User:Mwanner, User:MykReeve, User:NathanWert, User:Nehrams2020, User:NeilEvans, User:Neutrality, User:Niro5, User:Nv8200p, User:PANONIAN, User:Paul Moss, User:Paradiso, User:Parrot of Doom, User:Peregrine981, User:Pharaoh Hound, User:PiccoloNamek, User:Pollinator, User:Queerbubbles, User:R6MaY89, User:Raul654, User:Redjar, User:Resonanteye, User:Rdikeman, user:Rdsmith4, User:Rhobite, User:Rklawton, User:Rodw, User:Rollie, User:Rogerd, User:Ry4nolson, User:Sannse, User:Scoo, User:Sdalu, User:Sdgjake, User:SeeFood, User:Shaddack, User:Skarg, User:Slambo, User:SMC, User:Snoyes, User:Solarapex, User:Secretlondon, User:Spangineer, User:Stan Shebs, User:Staxringold, User:Steinsky, User:Stevekeiretsu, User:SteveHopson, User:Tirin, User:Tannin, User:Texgal13, User:Thisisbossi, User:Thivierr, User:The Utahraptor, User:Thorup, User:Tom Webb, User:Ukexpat, User:MrX, User:WAvegetarian, user:Willtron, user:WPPilot, User:Wpktsfs, User:Zanimum, User:Zaui Thanks in advance, --Flominator (talk) 20:07, 23 January 2014 (UTC)
 * Done, removed myself from list. Elf | Talk 20:33, 21 March 2014 (UTC)
 * Done. - Malene (talk) 18:45, 30 May 2014 (UTC)
 * Meanwhile the tool processes the whole table without requiring the template anymore. --Flominator (talk) 13:57, 14 June 2015 (UTC)


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Talk:High-frequency Active Auroral Research Program

Only one or many
We only get told another Alaskan haarp facility and they act like it is only a single research facility now in the hands of the university but actually there are many many haarp sites around the world. Can you find one in your country. 49.197.220.108 (talk) 08:01, 1 January 2024 (UTC)

 * I have found 4 so far in Australia but have been told there maybe a couple more. 49.197.220.108 (talk) 08:05, 1 January 2024 (UTC)
 * There's only one HAARP facility. However, there's 2 ionospheric research facilities in other countries that are active. 172.58.182.49 (talk) 03:51, 12 May 2024 (UTC)

Dead links
There are some dead links I've found while browsing the page: links to the references 36 and 40, in the conspiracy theory section. What do we do about this ? There's probably more, since some of them are dated to the 90's, but I haven't checked them all. Would be a good idea to do that, and fix the dead links. Scarletwisp (talk) 09:26, 27 March 2024 (UTC)
 * I have fixed one here. It's easy: search the story title and byline on Google, or try the Wayback machine. Replace the url in the citation. - LuckyLouie (talk) 13:16, 27 March 2024 (UTC)


text:
Talk:Nissan 200SX

Lucino
Does anyone have a discussion somewhere of why this article was changed to only represent one version of the 200SX. I see tidbits here, but nowhere do I see anyone deciding to finally do it. --Xano —Preceding unsigned comment added by 12.200.169.219 (talk) 21:16, 12 June 2010 (UTC)

 * Link or expansion needed for RWD, and the article needs Date context. Are we talking 2004 or 199f or 1984? --Tagishsimon 13:56, 14 Mar 2004 (UTC)

 * I think the information on Nissan 200SX should be moved to Nissan Silvia. Nissan 200SX, Nissan 180SX, Nissan Gazelle and all other naming variants should redirect to Nissan Silvia.

 * The information is much too confusing right now. eg. "Generally powered by a 1.8/2 Litre turbo-charged straight four engine and based on a Nissan Silvia Chassis". Except, the 240SX was based on a Pulsar and had a 2.4Lt naturally aspirated engine.

 * This article should be broken down into regions: Japan, USA, Europe, Australia. AND/OR broken down into series: S10-S15.

 * Agreed with Tagishsimon about date context. Microsnot 04:04, 13 Sep 2004 (UTC)

 * The B14 200sx 1995-1998 should not be moved to silvia .  If anything it should be moved to sentra. Nismonx (talk) 00:00, 20 March 2008 (UTC)

 * I don't think the situation is simple enough to redirect "Nissan 200sx" to "Nissan Silvia." The two models had quite a few dissimilarities in both mechanicals, market positioning, and consumer perception in the respective countries in which they were marketed, that to simply call the 200sx a variant of the Silvia is an oversimplification.

 * However, it is true the Silvia and the 240sx had more in common than in difference. No offense, Microsnot, but your statement is incorrect about the 240sx and the Pulsar--the car marketed in the United States as the Nissan 240sx did in fact share the S13 (from 1989 through 1993) and S14 (from 1994 through 1998, the last year the 240sx was marketed in the U.S.) chassis with the Nissan Silvia.  However, the 240sx in America was fitted with the KA24E (2.4l, SOHC motor with a specific output of ~120hp) in the S13 and the KA24DE (2.4l, DOHC motor with a specific output of ~160hp) in the S14.  The KA engine series, while not a bad motor (it was DOHC and had an aluminum head mated to an iron block, plus another 0.4 liters displacement over the SR20, which makes it a fairly stout motor for after-market turbocharging), had a reputation as a "truck engine" since it redlined at a comparatively low RPM and was tuned for low-RPM torque at the expense (and further because the KA was also the motor used in the Nissan pickup truck).  We in the U.S. could never figure out why Nissan refused to sell the Silvia with the turbocharged SR20DET here.

 * The Pulsar was sold as the Pulsar in the U.S. in the 1980's, although the "Pulsar" name was discontinued by the 1990's in the U.S. (I am not entirely sure, but the Pulsar chassis may have been marketed as the "Nissan NX2000" with an SR20DE (2.0l, DOHC) and the "Nissan NX1600" with a GA16DE (1.6l, DOHC) motor here in the States until around 1994). --Ryanaxp 21:34, Sep 15, 2004 (UTC)

 * Sorry, may have confused the American models somewhat. That's why I didn't write anything about it in the actual article :) When I think Sentra, I think Pulsar. Obviously this is false. Was the American 200SX with KA engine RWD? Don't get started on the merits for various engines...because we all know that a CA.. ;P When all is said and done...someone already moved the information into Nissan Silvia. Also, you forget a Nissan 200SX is the real deal in Europe and Australia. If you want to disambiguify (sp) it then it should be Nissan 200SX (USA). Which is good because aluminium, litre and crazy things such as kW can be used in the Nissan 200SX and Nissan Silvia pages :) So anything that's an S series, be it S12 (Gazelle), S13 (180SX, 200SX, 240SX, Sil-Eighty), S14 (200SX, 240SX), S15 (200SX) should be redirected to Nissan Silvia. This will keep things consistent. Microsnot 01:13, 16 Sep 2004 (UTC)

Still needs help
It looks like I cleaned this up a month or so ago, but now that I've run across it again, it's still confusing. Can someone who actually knows what applies to what sort this out? It seems like half of the text is redundant, but I'm pretty much lost. Thanks. --Milkmandan 08:28, 2005 Feb 25 (UTC)

 * I think the whole lot needs consolidation. Nissan Silvia, 180sx, 200sx, 240sx.  To my mind, there should be a single article detailing the full range of S platform vehicles.  Especially when you look at something like the 200sx, which can refer to a pre-S13 vehicle in the US, a CA18DET powered lift-back in Europe and NZ (on the S13 chassis), or an S14 or S15 in other regions.  A Europe 200sx S13 is nearly identical to an early Japanese 180sx S13.  It just goes on and on.  I think the information presented in the Nissan_S_platform article is a good start.  Perhaps this article should be built upon to consolidate the information in the Silvia, 180sx, 200sx and 240sx articles? --Snixtor 01:17, 14 September 2006 (UTC)

 * There's too much information for one article. There is a certain amount of redundancy between them (generations and facelifts occur simultaneously) but quite a bit that's not.  User:Oni Ookami Alfador and myself basically set the plan for this series of articles.  This article needs the most help - though honestly it would be most improved by adding some better information about the B14 200SX to the Nissan Sentra article, and writing a Nissan Lucino article to cover its JDM equivalent.  That would off-load some of the "oddball" 200SX confusion and bring the article more in line with the other S platform articles. — AKADriver ☎ 13:52, 14 September 2006 (UTC)

 * I don't think it's too much information for one article. There's nothing that defines that a single article can't exceed a set length.  Consider the length of the Nissan Skyline article, which would come close to exceeding the total length of the Silvia, 180sx, 200sx and 240sx articles before any redundant information is removed from any of them.  Considering that a lot of 200sx's sold (Europe, Aus, NZ) are only very slightly modified versions of the Japanese S14 and S15 Silvia, wouldn't it make sense for their to be one article, seeing as they're essentially the same vehicle?  In these cases it's really only a marketing matter that they're called 200sx and not Silvia.  Perhaps the opinion of these vehicles differing stems from a Northern vs Southern hemisphere viewpoint.  As an Australian, and as I know, to a large number of other Australian SX enthusiasts, they are all Silvia's.  I'll grant that some exception needs to be made for the Sentra based US 200sx though.  Perhaps each article could stay, but direct to a consolidated Silvia article where relevant?  I'd be willing to produce a draft of such an article to gather opinions.  --Snixtor 22:33, 14 September 2006 (UTC)

Misleading image
I think the image featured for the 200SX is misleading. it more resembles that of the nissan sentra. i just think there are a lot of other pictures out there that would best represent the 200SX model. my brother has a 1999 Australian spec S14a. The part in the article which says "the last year of production of the S14 in all countries was 1998" is incorrect, as my brothers was manufactured in 1999 for the Australian market. 202.0.108.227 07:21, 14 August 2007 (UTC)

Garbage
Someone editing this page is writing garbage.

"S110 Each of these engines were based on the L-series motors powering the successful Z-car production, minus two cylinders. Hence the "Z" digit present in each engine code and in the Nissan Anti-Pollution System (NAPS-Z) acronym." The L series was always a 4 or 6 and was a Prince engine based on a Mercedes design, the S10 had 4 cylinder L18 or L20 and there wasn't "-Z" on it's designation. The Z didn't mean "cut down". NAPS-Z engine was L block with SOHC cross flow head. The "Z" was symbolized the cross flow, flow in on one side, across head and out the other side. Previous L engines had valves in line and exhaust and inlet on same side.

"S12 The CA18DET's DOHC head design was also later utilized in the "RB" engine series, the inline six engine that powered the famous R32, R33, and R34 Skylines." Hardly possible as CA18DET wasn't introduced until 1987, while the RB20DE was produced in 1986.

AND "Europe the "FJ" engine series was originally designed for the 240RS rallycar as a 2.4L carbureted system (FJ24), and was under-bored to 2.0L." Dates don't tally. The FJ was FIRST released as the FJ20E in the DR30 in 1981. FJ24 240RS didn't debut until 1983 WRC season, before that NISSAN were using Violet GT as rally car and that had twincam LZ engine. Skyshack (talk) 01:43, 6 December 2009 (UTC)

Vandalism
It's vandalism. Congratulations to the USA editor that has done this. Can the perpetrator please now go fix all the other Wiki entries that link to this broken page and not the intended WORLD MARKET 200SX. The USA had 3 other 200SX - S10, S110 and S12 before the B14 Sentra 200SX. Nissan Gazelle. Skyshack (talk) 23:01, 6 November 2011 (UTC)

Lucino vs. Silvia
Regushee, I appreciate your enthusiasm, but please stop trying to rename this the Nissan Lucino.

I am aware a very similar car exists with that name, but as you can plainly see at the top of this page this entry is on the North American Nissan 200SX. This is the name the car was marketed, sold, and remembered as here in North America. The name "Lucino" holds no meaning in reference to the car that was sold here in North America.

Please create your own page, with your own data, materials and photos that reference that car that was sold in it's respective market (Mexico & Japan, possibly elsewhere). Please stop copy/pasting the data here and using it as data on the Lucino. That is not accurate data for that car. Yes, the two cars were quite similar, but different enough that they are not the same car. The vehicles need separate pages with separate data sets.

I have a lot of info on this car (user manuals, brochures for all four year models, magazine articles, a packet of info from Nissan) that I plan to scan in the near future. I owned a 1995 Nissan 200SX SE-R as my first brand new car and I promise you I never even heard the word "Lucino" the entire time I owned it.

Thank you for your cooperation. — Preceding unsigned comment added by KyleFN (talk • contribs) 11:13, 16 May 2014 (UTC)

title: Talk:Nissan 200SX


text:
Richard Bowdler Sharpe

Richard Bowdler Sharpe (22 November 1847 – 25 December 1909) was an English zoologist and ornithologist who worked as curator of the bird collection at the British Museum of natural history. In the course of his career he published several monographs on bird groups and produced a multi-volume catalogue of the specimens in the collection of the museum. He described many new species of bird and also has had species named in his honour by other ornithologists including Sharpe's longclaw (Macronyx sharpei) and Sharpe's starling (Pholia sharpii).

Biography
Richard was born in London, the first son of Thomas Bowdler Sharpe. His grandfather, Reverend Lancelot Sharpe was Rector of All Hallows Staining. His father was a publisher on Skinner Street and was best known for being the publisher of Sharpe's London Magazine, an illustrated periodical (weekly but monthly from 1847). His care from the age of six was under an aunt, Magdalen Wallace, widow of the headmaster at Grammar School in Sevenoaks and went to school in Brighton. At nine he studied at The King's School, Peterborough receiving a King's Scholarship. He then moved to Loughborough Grammar School. He returned to London at the age of sixteen and worked as a clerk with W. H. Smith & Sons. He already took an interest in ornithology and was interested in writing a monograph on the kingfishers. After two years, in 1865, he joined the company of the bookseller Bernard Quaritch and had an opportunity to examine ornithological books and began to work in earnest on his monograph, purchasing specimens of kingfishers from a meagre income. At nineteen, in 1867, he became a librarian at the Zoological Society of London on the recommendation of Osbert Salvin and Philip Sclater and he completed his Monograph of the Kingfishers (1868–71) during this period. The book was produced in parts with 121 illustrations.

He then began to collaborate with Henry Dresser on A History of the Birds of Europe but this had to be abandoned because of his new appointment. On the death of George Robert Gray in 1872 he joined the British Museum as a Senior Assistant in the Department of Zoology, taking charge of the bird collection. On 3 December 1867 he married Emily Eliza, daughter of J. W. Burrows of Cookham. He named a subspecies of the common paradise kingfisher (Tanysiptera galatea emiliae) after his wife in 1871. They had ten daughters and many of them contributed to his books (and of other authors too) by hand colouring the lithograph plates. One daughter, Emily Mary, worked in the entomology department of the Natural History Museum between 1905 and 1925. He became Assistant Keeper in 1895, a position he held until his death from pneumonia in 1909. He died at his home in Chiswick. In 1911 a £100 civil pension was granted to his wife and daughters Emily Mary, Ada Lavinia and Eva Augusta.

Contributions to ornithology
As curator of the bird collections, Sharpe's main work was in classifying and cataloguing the collections. He also played a major role in acquiring private collections by persuading wealthy collectors and travellers to contribute to the museum. In 1872 the museum had 35,000 bird specimens; the collection had grown to half a million specimens by the time of his death. These included the bequests of Allan Octavian Hume, Osbert Salvin and Frederick DuCane Godman, the industrialist and amateur ornithologist Henry Seebohm, Colonel John Biddulph, C. B. Rickett, F. W. Styan, Alfred Russel Wallace, George Ernest Shelley, Philip Sclater and the bird illustrator John Gould.

Sharpe founded the British Ornithologists' Club in 1892 and edited its bulletin. He wrote thirteen and a half of the 27 volumes of the Catalogue of the Birds in the British Museum (1874–1898). His handsome Birds of Paradise, published in two large volumes (over 21 inches x 14 inches) in 1891 and 1898, presented these colourful birds to the world: as Sharpe wrote in his preface, "a great number of the species are here figured for the first time".

Sharpe was nominated at the International Ornithological Congress at Paris in 1900 to preside over the London Congress in 1905.

Personality
Sharpe was noted as a genial and humorous person. Richard Meinertzhagen and his brother were introduced to the bird collections by him. He was fond of children, having ten daughters himself. None of them were given the name "Bowdler" at birth, but all adopted it later in life. The eldest daughter, Emily Mary Bowdler Sharpe, was a biologist and author in her own right, and also worked at the British Museum. The other nine daughters (Ada Lavinia, Eva Augusta, Lilian Bertha, Dora Louise, Lena Violet, Daisy Madeline, Sylvia Rosamund, Hilda Marion, and Aimee Marjorie) all worked as colourists on his works.

Sharpe was also known for his practical jokes and pranks. When Eugene Oates was working on the Fauna of British India, he found the notes lying on a table and filled up a stray statement on the call of a white wagtail (ssp. lugens) which went into print (The note of this species is a prolonged "Pooh." ). On one occasion, Sharpe ascended the Eiffel tower with friends but became hysterical on reaching the top, with Ernst Hartert and several others having to restrain him and prevent him from jumping off. A regular at the Savage and Whitefriars Club, he and his wife threw a party in February 1888 with 120 guests and entertainment that included humorous sketches, songs, recitals and music.

Honours

Sharpe was awarded an honorary LL.D. by the University of Aberdeen. He was fellow of the Linnean Society and the Zoological Society of London. A gold medal was awarded to him in 1891 by the Emperor of Austria. As of 2019, in the online list of world birds maintained by Frank Gill and David Donsker on behalf of the International Ornithological Committee, Sharpe is credited with formally describing and coining the Latin names of 233 species of bird as well as 201 subspecies. He is also credited with introducing 45 genera. Many species and subspecies of birds have been named after him including: A genus Sharpia was erected but is now considered to be synonymous with Ploceus.
 * Sharpe's drongo (Dicrurus sharpei)
 * Sharpe's apalis (Apalis sharpii)
 * Sharpe's starling (Pholia sharpii)
 * Sharpe's akalat (Sheppardia sharpei)
 * Sharpe's longclaw (Macronyx sharpei)

Publications

 * (Vol. 1, Vol. 2)
 * (Vol. 1, Vol. 2)
 * (Vol. 1, Vol. 2, Vol. 3, Vol. 4)
 * (Vol. 1, Vol. 2, Vol. 3, Vol. 4, Vol. 5)
 * (Vol. 1, Vol. 2)
 * (Vol. 1, Vol. 2, Vol. 3, Vol. 4)
 * (Vol. 1, Vol. 2, Vol. 3, Vol. 4, Vol. 5)
 * (Vol. 1, Vol. 2, Vol. 3, Vol. 4, Vol. 5)
 * (Vol. 1, Vol. 2, Vol. 3, Vol. 4, Vol. 5)
 * (Vol. 1, Vol. 2, Vol. 3, Vol. 4, Vol. 5)

British Museum catalogues

 * Catalogue of the Accipitres, or diurnal birds of prey, in the collection of the British Museum. (1874).
 * Catalogue of the Striges, or nocturnal birds of prey, in the collection of the British Museum. (1875).
 * Catalogue of the Passeriformes, or perching birds, in the collection of the British Museum. Coliomorphae... (1877).
 * Catalogue of the Passeriformes, or perching birds, in the collection of the British Museum. Cichlomorphae, pt.I... (1879).
 * Catalogue of the Passeriformes, or perching birds, in the collection of the British Museum. Cichlomorphae, pt.III-[IV]... (1881–83).
 * Catalogue of the Passeriformes, or perching birds, in the collection of the British Museum. Fringilliformes, pt.I... (1885).
 * Catalogue of the Passeriformes, or perching birds, in the collection of the British Museum. Fringilliformes, pt.III... (1888).
 * Catalogue of the Passeriformes, or perching birds, in the collection of the British Museum. Sturniformes... (1890).
 * Catalogue of the Picariae in the collection of the British Museum. Coraciae... (1892).
 * Catalogue of the Fulicariae... and Alectorides... in the collection of the British Museum. (1894).
 * Catalogue of the Limicolae in the collection of the British Museum. (1896).
 * Catalogue of the Plataleae, Herodiones, Steganopodes, Pygopodes, Alcae, and Impennes in the collection of the British Museum. (1898).

title: Richard Bowdler Sharpe


text: User:Morwen/photos

title: User:Morwen/photos


text:
Chilblains

Chilblains, also known as pernio, is a medical condition in which damage occurs to capillary beds in the skin, most often in the hands or feet, when blood perfuses into the nearby tissue, resulting in redness, itching, inflammation, and possibly blisters.

It occurs most frequently when predisposed individuals, predominantly women, are exposed to cold and humidity. Ulcerated chilblains are referred to as kibes. Temperature-related chilblains can be prevented by keeping the feet and hands warm in cold weather and avoiding exposing these areas to extreme temperature changes. Once the  diagnosis  of  chilblains is made, first-line treatment includes avoiding cold, damp environments and wearing gloves and warm socks.

Chilblains can be idiopathic (spontaneous and unrelated to another disease), but similar symptoms may also be a manifestation of another serious medical condition that must be investigated. Related medical conditions include Raynaud syndrome, erythromelalgia, frostbite, and trench foot, as well as connective tissue diseases such as lupus or vasculitis. In infants affected by Aicardi–Goutières syndrome (a rare inherited condition which affects the nervous system) chilblain-like symptoms occur together with severe neurologic disturbances and unexplained fevers.

Signs and symptoms
The areas most affected are the toes, fingers, earlobes, nose.
 * Blistering of affected area
 * Burning and itching sensation in extremities
 * Dermatitis in extremities
 * Ulceration (severe cases only)
 * Erythema (blanchable redness of the skin)
 * Pain in affected area
 * Skin discoloration, red to dark blue

Chilblains caused by exposure to low temperatures usually heal within 7–14 days.

Exposure

 * Keep affected area warm, and avoid any extreme temperature changes (including very hot water).
 * Keep affected area dry.
 * Wear warm shoes, socks and gloves.
 * Wear a hat and a scarf to protect the ears and the nose.
 * Avoid tight fitting socks/shoes.

Other

 * Exercise at least four times a week to improve circulation.
 * Quit smoking, as it damages circulation.

Treatment

 * Nifedipine and amlodipine, which are vasodilators in the class of drugs known as calcium channel blockers, may help in some cases. Vasodilation may reduce pain, facilitate healing, and prevent recurrences. It is typically available in an oral pill but can be compounded into a topical formula.
 * Diltiazem, a vasodilator, may help.
 * Apply a mixture of friar's balsam and a weak iodine solution.

Etymology
The word is a compound of Modern English chill ‘cold’ and the archaic word blain (now used only in the word in question), meaning ‘swelling’, ‘blister’ or ‘sore’ and derived from Old English bleġen, bleġene, having the same meaning.

History
The medieval Bald's Leechbook recommended treating chilblains with a mixture of eggs, wine, and fennel root. A modern-day home remedy is to put garlic on the chilblains. While neither of these remedies has been supported by scientific research, vasodilating, rubiefacient and warming herbal remedies, both topical and internal are prescribed and efficacious.

COVID-19
Chilblain-like symptoms have also been linked to COVID-19. COVID toes, as they are commonly known,  have mostly been reported in older children and adolescents, who often have not had other symptoms of COVID-19. The symptoms are usually mild and disappear without treatment. Their cause is debated: it is uncertain whether COVID toes are a delayed consequence of the viral infection itself or are, at least partially, connected to environmental factors during the COVID-19 pandemic. They may share some of the microscopic features of chilblains caused by lupus. It has been suggested that in the absence of exposure to cold and damp, COVID-19 should be considered as a possible cause of chilblains.

In a study at the dermatology department of Saint-Louis Hospital in Paris, researchers found that most of their study participants carried high levels of autoantibodies, proteins generated by the immune system that inadvertently attack the body's own tissues. Compared with healthy individuals, the participants showed high activity of proteins called type 1 interferons, which switch on pathogen-fighting genes in immune cells.

title: Chilblains


text:
Népomucène Lemercier

Louis Jean Népomucène Lemercier (20 April 1771 – 7 June 1840) was a French poet and playwright.

Life
Lemarcier was born in Paris. His father had been intendant successively to the duc de Penthièvre, the comte de Toulouse and the unfortunate princesse de Lamballe, who was the boy's godmother. Lemercier was a prodigy; before he was sixteen his tragedy of Méléagre was produced at the Théâtre Français. Clarisse Harlowe (1792) provoked the criticism that the author was "pas assez roué pour peindre les roueries" (not enough scamp to depict scamp tricks.) Le Tartufe révolutionnaire a parody full of bold political allusions, was suppressed after the fifth performance.

In 1795, Lemercier's masterpiece Agamemnon, called by Charles Lafitte the last great antique tragedy in French literature, was produced. It was a great success, but was violently attacked later by Julien Louis Geoffroy who stigmatized it as a bad caricature of Prosper Jolyot de Crébillon. Les quatre métamorphoses (1799) was written to prove that the most indecent subjects might be treated without offence. The Pinto (1800) was the result of a wager that no further dramatic innovations were possible after the comedies of Pierre Beaumarchais. It is a historical comedy on the subject of the Portuguese Revolution of 1640. This play was construed as casting reflections on the first consul Napoleon, who had hitherto been a firm friend of the avowed republican Lemercier. His extreme freedom of speech finally offended Napoleon, and the quarrel proved disastrous to Lemercier's fortune for the time. In 1803, he earned a severe disappointment on the première of his tragedy Isule et Orovèse which was widely ridiculed and hooted by the public; consequently, at the beginning of the third act Lemercier withdrew his manuscript. He published his text with annoted “hootings” in order to pay deference to his public.

None of his subsequent work fulfilled the expectations raised by Agamemnon, with the exception perhaps of Frédégonde et Brunehaut (1821). In 1810, he was elected to the Académie française, where he consistently opposed the romanticists, refusing to vote for Victor Hugo – who was to succeed him in the fauteuil 14. In spite of this, he has some pretensions to be considered the earliest of the romantic school. His Christophe Colomb (1809), advertised on the play-bill as a comédie shakespérienne [sic], represented the interior of a ship, and showed no respect for the classical unities. Its numerous innovations provoked such violent disturbances in the audience that one person was killed and future representations had to be guarded by the police.

Lemercier wrote four long and ambitious epic poems: Homère, Alexandre (1801), L'Atlantiade ou la théogonie newtonienne (1812) and Moïse (1823), as well as an extraordinary Panhypocrisiade (1819–1832), a distinctly romantic production in sixteen cantos, which has the sub-title Spectacle infernal du XVIe siècle. In it 16th century history, with Charles V and Francis I as principal personages, is played out on an imaginary stage by demons in the intervals of their sufferings.

Lemercier died on 7 June 1840 in Paris. He had composed his own epitaph as follows: ''« Il fut homme de bien et cultiva les lettres. »'' (“He was a gentleman and a man of letters.”)

Theatre

 * 1788: Méléagre, tragedy in 5 acts
 * 1792: Clarisse Harlowe, drama, in verse
 * 1795: Le Tartufe révolutionnaire, comedy in 5 acts, in verse
 * 1796: Le Lévite d'Éphraïm, tragedy in 3 acts
 * 1797: Agamemnon, tragedy in 5 acts, presented at the Théâtre de la République 5 floréal an V (24 April)
 * 1797: La Prude, comedy
 * 1798: Ophis, tragedy in 5 acts, presented at the Théâtre de la République 2 nivôse an VII
 * 1800: Pinto, ou la Journée d'une conspiration, historical comedy, created at the Théâtre de la République 1 germinal an VIII (22 March)
 * 1803: Isule et Orovèse, tragedy in 5 acts
 * 1808: Baudouin, empereur, tragedy in 3 acts
 * 1808: Plaute ou la Comédie latine, comedy in 3 acts, in verse, presented at the Comédie-Française, 20 January
 * 1809: Christophe Colomb, historical comedy in 3 acts, in verse, presented at the Théâtre de S. M. l'Impératrice et Reine, 7 March
 * 1816: Charlemagne, tragedy in 5 acts, presented at the Comédie-Française, 27 June
 * 1816: Le Frère et la Sœur jumeaux, comedy in 3 acts, in verse, presented at the Théâtre de l'Odéon, 7 November
 * 1817: Le Faux bonhomme, comedy in 3 acts tombée dès le commencement du 3e act, presented at the Théâtre français, 25 January
 * 1817: Le Complot domestique, ou le Maniaque supposé, comedy in 3 acts and in verse, presented at the Théâtre de l'Odéon, 16 June
 * 1818: Ismaël au désert ou l'origine du peuple arabe, scène orientale en vers (1801), presented at the Théâtre de l'Odéon 23 January (under the title Agar et Ismaël, ou l'Origine du peuple arabe)
 * 1820: La Démence de Charles VI, tragedy in 5 acts, meant ti be presented at the Théâtre de l'Odéon 25 September
 * 1820: Clovis, tragedy in 5 acts
 * 1821: Frédégonde et Brunehaut, tragedy in 5 acts, presented at the Second Théâtre français 27 March
 * 1821: Louis IX en Égypte, tragedy in 5 acts, presented at the Second Théâtre français, 5 August
 * 1822: Le Corrupteur, comedy in 5 acts and in verse, completed 22 November, presented at the Second Théâtre-Français, 26 November
 * 1823: Dame Censure, ou la Corruptrice, tragi-comedy in 1 act and in prose
 * 1824: Richard III et Jeanne Shore, historical drama in 5 acts and in verse, imitated from Shakespeare and Rowe
 * 1825: Les Martyrs de Souli, ou l'Épire moderne, tragedy in 5 acts, inspired by the writings of François Pouqueville.
 * 1826: Camille, ou le Capitole sauvé, tragédy in 5 acts
 * 1828: L'Ostracisme, comedy
 * Richelieu ou la journée des dupes, comedy in 5 acts, in verse
 * 1835: L'Héroïne de Montpellier, melodrama in 5 acts, presented at the Théâtre de la Porte-Saint-Martin 7 November
 * 1827: Les Deux filles spectres, melodrama in 3 acts and in prose, représenté au théâtre de la Porte-Saint-Martin 8 Novembre
 * 1830: Les serfs polonais, melodrama in 3 acts, presented at the Théâtre de l'Ambigu 15 June.

Poems and varia

 * 1789: Épître d'un prisonnier délivré de la Bastille
 * 1798: Les Quatre Métamorphoses
 * 1800: Homère, poem
 * 1800: Alexandre, poem
 * 1801: Les Trois fanatiques, poem
 * 1802: Un de mes songes ou quelques vers sur Paris
 * 1803: Les Âges français, poème en 15 chants
 * 1804: Hérologues, ou Chants des poètes rois
 * 1804: L'Homme renouvelé, récit moral en vers
 * 1806: Traduction des Vers dorés de Pythagoras et de deux idylles de Theocritus
 * 1806: Discours de la nature
 * 1807: Épître à Talma
 * 1808: Essais poétiques sur la théorie Newtonienne tirés de l'Atlantiade [...] - Paris : Collin
 * 1812: L'Atlantiade ou la théogonie newtonienne, poème en 6 chants: Bizarre poème didactique où des divinités allégoriques représentent le calorique, l'oxygène, le phosphore, etc.
 * 1812: Ode sur le doute des vrais philosophes
 * 1814: Épître à Bonaparte sur le bonheur de la vertu
 * 1814: Épître à Bonaparte, sur le bruit répandu qu'il projetait d'écrire des commentaires historiques
 * 1815: Réflexions d'un Français, sur une partie factieuse de l'armée française
 * 1818: La Mérovéide ou les champs catalauniques, poème en 14 chants
 * 1818: Du Second Théâtre-français, ou Instruction relative à la déclamation dramatique
 * 1819: La Panhypocrisiade ou la comédie infernale du XVIe siècle, poème en 16 chants
 * 1819 and 1823: Moïse, poem
 * 1820: Cours analytique de littérature générale, 4 vol. : collection of lessons given at the Athénée from 1811 to 1814.
 * 1820: Chant pythique sur l'alliance européenne
 * 1820: Ode à notre âge analytique
 * 1823: Le Paysan albigeois
 * 1824–1825: Chants héroïques des montagnards et matelots grecs, translated into French verse
 * Ode à la mémoire du Comte de Souza
 * Almînti, ou le Mariage sacrilège, physiological novel
 * Ode à l'hymen, set in music by Luigi Cherubini
 * Ode sur la Melpomène des Français

title: Népomucène Lemercier


text:
Talk:Sworn brother

Entires for Guan Yu and Zhang Fei already tell us as much as we want to know. The page nominated for deletion adds no new information, and describes its subject with complete absence of context, rendering the entry near useless. --Tagishsimon 14:09, 14 Mar 2004 (UTC)

title: Talk:Sworn brother


text:
User:MJC

Name: Matthew James Coyle

Born: 27th September 1989

I live in Dover, England

title: User:MJC