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Juno (mythology)

Juno (Latin Iūnō ) was an ancient Roman goddess, the protector and special counsellor of the state. She was equated to Hera, queen of the gods in Greek mythology and a goddess of love and marriage. A daughter of Saturn and Ops, she was the sister and wife of Jupiter and the mother of Mars, Vulcan, Bellona, Lucina and Juventas. Like Hera, her sacred animal was the peacock. Her Etruscan counterpart was Uni, and she was said to also watch over the women of Rome. As the patron goddess of Rome and the Roman Empire, Juno was called Regina ("Queen") and was a member of the Capitoline Triad (Juno Capitolina), centered on the Capitoline Hill in Rome, and also including Jupiter, and Minerva, goddess of wisdom.

Juno's own warlike aspect among the Romans is apparent in her attire. She was often shown armed and wearing a goatskin cloak. The traditional depiction of this warlike aspect was assimilated from the Greek goddess Athena, who bore a goatskin, or a goatskin shield, called the Aegis. Juno was also shown wearing a diadem.

Etymology
The name Juno was once popularly thought to be connected to Iove (Jove), originally as Diuno and Diove from *Diovona. Although this etymology still receives some support, a derivation was later proposed from iuven- (as in Latin iuvenis, "youth"), through a syncopated form iūn- (as in iūnix, "heifer", and iūnior, "younger"). This etymology became widely accepted after it was endorsed by Georg Wissowa.

Iuuen- is related to Latin aevum and Greek aion (αἰών) through a common Indo-European root referring to a concept of vital energy or "fertile time". The iuvenis is he who has the fullness of vital force. In some inscriptions Jupiter himself is called Iuuntus, and one of the epithets of Jupiter is Ioviste, a superlative form of iuuen- meaning "the youngest". Iuventas, "Youth", was one of two deities who "refused" to leave the Capitol when the building of the new Temple of Capitoline Jove required the exauguration of deities who already occupied the site.

Ancient etymologies associated Juno's name with iuvare, "to aid, benefit", and iuvenescere, "rejuvenate", sometimes connecting it to the renewal of the new and waxing moon, perhaps implying the idea of a moon goddess.

Roles and epithets
Juno's theology is one of the most complex and disputed issues in Roman religion. Even more than other major Roman deities, Juno held a large number of significant and diverse epithets, names and titles representing various aspects and roles of the goddess. In accordance with her central role as a goddess of marriage, these included Pronuba and Cinxia ("she who looses the bride's girdle"). However, other epithets of Juno have wider implications and are less thematically linked.

While her connection with the idea of vital force, the fullness of vital energy, and eternal youthfulness is now generally acknowledged, the multiplicity and complexity of her personality have given rise to various and sometimes irreconcilable interpretations among modern scholars.

Juno is certainly the divine protectress of the community, who shows both a sovereign and a fertility character, often associated with a military one. She was present in many towns of ancient Italy: at Lanuvium as Sespeis Mater Regina, Laurentum, Tibur, Falerii, Veii as Regina, at Tibur and Falerii as Regina and Curitis, Tusculum and Norba as Lucina. She is also attested at Praeneste, Aricia, Ardea, Gabii. In five Latin towns a month was named after Juno (Aricia, Lanuvium, Laurentum, Praeneste, Tibur). Outside Latium in Campania at Teanum she was Populona (she who increase the number of the people or, in K. Latte's understanding of the iuvenes, the army), in Umbria at Pisaurum Lucina, at Terventum in Samnium Regina, at Pisarum Regina Matrona, at Aesernia in Samnium Regina Populona. In Rome she was since the most ancient times named Lucina, Mater and Regina. It is debated whether she was also known as Curitis before the evocatio of the Juno of Falerii: this though seems probable.

Other epithets of hers that were in use at Rome include Moneta and Caprotina, Tutula, Fluonia or Fluviona, Februalis, the last ones associated with the rites of purification and fertility of February.

Her various epithets thus show a complex of mutually interrelated functions that in the view of Georges Dumézil and Vsevolod Basanoff (author of Les dieux Romains) can be traced back to the Indoeuropean trifunctional ideology: as Regina and Moneta she is a sovereign deity, as Sespeis, Curitis (spear holder) and Moneta (again) she is an armed protectress, as Mater and Curitis (again) she is a goddess of the fertility and wealth of the community in her association with the curiae.

The epithet Lucina is particularly revealing since it reflects two interrelated aspects of the function of Juno: cyclical renewal of time in the waning and waxing of the moon and protection of delivery and birth (as she who brings to light the newborn as vigour, vital force). The ancient called her Covella in her function of helper in the labours of the new moon. The view that she was also a Moon goddess though is no longer accepted by scholars, as such a role belongs to Diana Lucifera: through her association with the moon she governed the feminine physiological functions, menstrual cycle and pregnancy: as a rule all lunar deities are deities of childbirth. These aspects of Juno mark the heavenly and worldly sides of her function. She is thus associated to all beginnings and hers are the kalendae of every month: at Laurentum she was known as Kalendaris Iuno (Juno of the Kalends). At Rome on the Kalends of every month the pontifex minor invoked her, under the epithet Covella, when from the curia Calabra he announced the date of the nonae. On the same day the regina sacrorum sacrificed to Juno a white sow or lamb in the Regia. She is closely associated with Janus, the god of passages and beginnings who after her is often named Iunonius.

Some scholars view this concentration of multiple functions as a typical and structural feature of the goddess, inherent to her being an expression of the nature of femininity. Others though prefer to dismiss her aspects of femininity and fertility and stress only her quality of being the spirit of youthfulness, liveliness and strength, regardless of sexual connexions, which would then change according to circumstances: thus in men she incarnates the iuvenes, a word often used to designate soldiers, hence resulting in a tutelary deity of the sovereignty of peoples; in women capable of bearing children, from puberty on she oversees childbirth and marriage. Thence she would be a poliad goddess related to politics, power and war. Others think her military and poliadic qualities arise from her being a fertility goddess who through her function of increasing the numbers of the community became also associated to political and military functions.

Juno Sospita and Lucina
The rites of the month of February and the Nonae Caprotinae of July 5 offer a depiction of Juno's roles in the spheres of fertility, war, and regality.

In the Roman calendar, February is a month of universal purification, and begins the new year. In book II of his Fasti, Ovid derives the month's name from februae (expiations); lustrations designed to remove spiritual contamination or ritual pollution accumulated in the previous year. On the 1st of the month, a black ox was sacrificed to Helernus, a minor underworld deity whom Dumézil takes as a god of vegetation related to the cult of Carna/Crane, a nymph who may be an image of Juno Sospita. On the same day, Juno's dies natalis ("birthday") as Juno Sospita was celebrated at her Palatine temple. On February 15 the Lupercalia festival was held, in which Juno was involved as Juno Lucina. This is usually understood to be a rite of purification and fertility. A goat was sacrificed and its hide cut into strips, used to make whips known as februum and amiculus Iunonis, wielded by the Luperci. The Juno of this day bears the epithet of Februalis, Februata, Februa. On the last day of the month, leading into March 1, she was celebrated as protectress of matrons and marriages. The new year began on March 1. The same was celebrated as the birthday of Rome's founder and first king, Romulus, and the peaceful union of Romans and Sabine peoples through treaty and marriage after their war, which was ended by the intervention of women.

After Wissowa many scholars have remarked the similarity between the Juno of the Lupercalia and the Juno of Lanuvium Seispes Mater Regina as both are associated with the goat, symbol of fertility. But in essence there is unity between fertility, regality and purification. This unity is underlined by the role of Faunus in the aetiologic story told by Ovid and the symbolic relevance of the Lupercal: asked by the Roman couples at her lucus how to overcome the sterility that ensued the abduction of the Sabine women, Juno answered through a murmuring of leaves "Italidas matres sacer hircus inito" "That a sacred ram cover the Italic mothers".

Februlis oversees the secundament of the placenta and is strictly associated to Fluvonia, Fluonia, goddess who retains the blood inside the body during pregnancy. While the protection of pregnancy is stressed by Duval, Palmer sees in Fluonia only the Juno of lustration in river water. Ovid devotes an excursus to the lustrative function of river water in the same place in which he explains the etymology of February.

A temple (aedes) of Juno Lucina was built in 375 BC in the grove sacred to the goddess from early times. It stood precisely on the Cispius near the sixth shrine of the Argei. probably not far west of the church of S. Prassede, where inscriptions relating to her cult have been found. The grove should have extended down the slope south of the temple. As Servius Tullius ordered the gifts for the newborn to be placed in the treasury of the temple though it looks that another shrine stood there before 375 BC. In 190 BC the temple was struck by lightning, its gable and doors injured. The annual festival of the Matronalia was celebrated here on March 1, day of the dedication of the temple.

One temple of Juno Sospita was located near the Temple of Cybele northwest of the Palatine Hill within the Pomerium. This was located near or under the site of the 6th century church of San Teodoro, which has an unusual circular shape similar to that of the nymphaeum later misnamed the Temple of Minerva Medica. In his early 1st-century poem Fasti, Ovid states that by his time this temple had become so dilapidated that it was no longer discernible "because of the injuries of time". A later Temple of Juno Sospita was vowed by the consul G. Cornelius Cethegus in 197 BC and consecrated and opened in 194 BC. This temple was located at the Roman vegetable market (Forum Olitorium) beside Temples of Hope and Piety and near the Carmental Gate. It was apparently this temple that was later reported as having fallen into disrepute by 90 BC, when it was stained by episodes of prostitution and a bitch delivered her puppies beneath the temple's statue of the goddess. The consul L. Julius Caesar secured its restoration with a Senatorial decree and relics from the temple remain today.

Juno Caprotina
The alliance of the three aspects of Juno finds a strictly related parallel to the Lupercalia in the festival of the Nonae Caprotinae. On that day the Roman free and slave women picnicked and had fun together near the site of the wild fig (caprificus): the custom implied runs, mock battles with fists and stones, obscene language and finally the sacrifice of a male goat to Juno Caprotina under a wildfig tree and with the using of its lymph.

This festival had a legendary aetiology in a particularly delicate episode of Roman history and also recurs at (or shortly after) a particular time of the year, that of the so-called caprificatio when branches of wild fig trees were fastened to cultivated ones to promote insemination. The historical episode narrated by ancient sources concerns the siege of Rome by the Latin peoples that followed the Gallic sack. The dictator of the Latins Livius Postumius from Fidenae would have requested the Roman senate that the matronae and daughters of the most prominent families be surrendered to the Latins as hostages. While the senate was debating the issue a slave girl, whose Greek name was Philotis and Latin Tutela or Tutula proposed that she together with other slave girls would render herself up to the enemy camp pretending to be the wives and daughters of the Roman families. Upon agreement of the senate, the women dressed up elegantly and wearing golden jewellery reached the Latin camp. There they seduced the Latins into fooling and drinking: after they had fallen asleep, they stole their swords. Then Tutela gave the convened signal to the Romans brandishing an ignited branch after climbing on the wild fig (caprificus) and hiding the fire with her mantle. The Romans then irrupted into the Latin camp killing the enemies in their sleep. The women were rewarded with freedom and a dowry at public expenses.

Dumézil in his Archaic Roman Religion had been unable to interpret the myth underlying this legendary event, later though he accepted the interpretation given by P. Drossart and published it in his Fêtes romaines d'été et d'automne, suivi par dix questions romaines in 1975 as Question IX. In folklore the wild fig tree is universally associated with sex because of its fertilising power, the shape of its fruits and the white viscous juice of the tree.

Basanoff has argued that the legend not only alludes to sex and fertility in its association with wildfig and goat but is in fact a summary of sort of all the qualities of Juno. As Juno Sespeis of Lanuvium Juno Caprotina is a warrior, a fertiliser and a sovereign protectress. In fact, the legend presents a heroine, Tutela, who is a slightly disguised representation of the goddess: the request of the Latin dictator would mask an attempted evocatio of the tutelary goddess of Rome. Tutela indeed shows regal, military and protective traits, apart from the sexual ones. Moreover, according to Basanoff these too (breasts, milky juice, genitalia, present or symbolised in the fig and the goat) in general, and here in particular, have an inherently apotropaic value directly related to the nature of Juno. The occasion of the feria, shortly after the poplifugia, i.e. when the community is in its direst straits, needs the intervention of a divine tutelary goddess, a divine queen, since the king (divine or human) has failed to appear or has fled. Hence the customary battles under the wild figs, the scurrilous language that bring together the second and third function. This festival would thus show a ritual that can prove the trifunctional nature of Juno.

Other scholars limit their interpretation of Caprotina to the sexual implications of the goat, the caprificus and the obscene words and plays of the festival.

Juno Curitis
Under this epithet Juno is attested in many places, notably at Falerii and Tibur. Dumézil remarked that Juno Curitis "is represented and invoked at Rome under conditions very close to those we know about for Juno Seispes of Lanuvium". Martianus Capella states she must be invoked by those who are involved in war. The hunt of the goat by stonethrowing at Falerii is described in Ovid Amores III 13, 16 ff. In fact the Juno Curritis of Falerii shows a complex articulated structure closely allied to the threefold Juno Seispes of Lanuvium.

Ancient etymologies associated the epithet with Cures, with the Sabine word for spear curis, with currus cart, with Quirites, with the curiae, as king Titus Tatius dedicated a table to Juno in every curia, that Dionysius still saw.

Modern scholars have proposed the town of Currium or Curria, Quirinus, *quir(i)s or *quiru, the Sabine word for spear and curia. The *quiru- would design the sacred spear that gave the name to the primitive curiae. The discovery at Sulmona of a sanctuary of Hercules Curinus lends support to a Sabine origin of the epithet and of the cult of Juno in the curiae. The spear could also be the celibataris hasta (bridal spear) that in the marriage ceremonies was used to comb the bridegroom's hair as a good omen. Palmer views the rituals of the curiae devoted to her as a reminiscence of the origin of the curiae themselves in rites of evocatio, a practice the Romans continued to use for Juno or her equivalent at later times as for Falerii, Veii and Carthage. Juno Curitis would then be the deity evoked after her admission into the curiae.

Juno Curitis had a temple on the Campus Martius. Excavations in Largo di Torre Argentina have revealed four temple structures, one of whom (temple D or A) could be the temple of Juno Curitis. She shared her anniversary day with Juppiter Fulgur, who had an altar nearby.

Juno Moneta

This Juno is placed by ancient sources in a warring context. Dumézil thinks the third, military, aspect of Juno is reflected in Juno Curitis and Moneta. Palmer too sees in her a military aspect.

As for the etymology, Cicero gives the verb monēre warn, hence the Warner. Palmer accepts Cicero's etymology as a possibility while adding mons mount, hill, verb e-mineo and noun monile referred to the Capitol, place of her cult. Also perhaps a cultic term or even, as in her temple were kept the Libri Lintei, monere would thence have the meaning of recording: Livius Andronicus identifies her as Mnemosyne.

Her dies natalis was on the kalendae of June. Her Temple on the summit of the Capitol was dedicated only in 348 BC by dictator L. Furius Camillus, presumably a son of the great Furius. Livy states he vowed the temple during a war against the Aurunci. Modern scholars agree that the origins of the cult and of the temple were much more ancient. M. Guarducci considers her cult very ancient, identifying her with Mnemosyne as the Warner because of her presence near the auguraculum, her oracular character, her announcement of perils: she considers her as an introduction into Rome of the Hera of Cuma dating to the 8th century. L. A. Mac Kay considers the goddess more ancient than her etymology on the testimony of Valerius Maximus who states she was the Juno of Veii. The sacred geese of the Capitol were lodged in her temple: as they are recorded in the episode of the Gallic siege (ca. 396-390 BC) by Livy, the temple should have existed before Furius's dedication. Basanoff considers her to go back to the regal period: she would be the Sabine Juno who arrived at Rome through Cures. At Cures she was the tutelary deity of the military chief: as such she is never to be found among Latins. This new quality is apparent in the location of her fanum, her name, her role: 1. her altar is located in the regia of Titus Tatius; 2. Moneta is, from monere, the Adviser: like Egeria with Numa (Tatius's son in law) she is associated to a Sabine king; 3. In Dionysius of Halicarnassus the altar-tables of the curiae are consecrated to Juno Curitis to justify the false etymology of Curitis from curiae: the tables would assure the presence of the tutelary numen of the king as an adviser within each curia, as the epithet itself implies. It can be assumed thence that Juno Moneta intervenes under warlike circumstances as associated to the sacral power of the king. Since coins were later made near her temple, her epithet, moneta became the Latin term for both the place where coins were made, but also for the currency itself (and the Latin word ultimately yielded in English both mint and money).

Juno Regina
Juno Regina is perhaps the epithet most fraught with questions. While some scholars maintain she was known as such at Rome since the most ancient times as paredra (consort) of Jupiter in the Capitoline Triad others think she is a new acquisition introduced to Rome after her evocatio from Veii.

Palmer thinks she is to be identified with Juno Populona of later inscriptions, a political and military poliadic (guardian) deity who had in fact a place in the Capitoline temple and was intended to represent the Regina of the king. The date of her introduction, though ancient, would be uncertain; she should perhaps be identified with Hera Basilea or as the queen of Jupiter Rex. The actual epithet Regina could though come from Veii. At Rome this epithet may have been applied to a Juno other than that of the temple on the Aventine built to lodge the evocated Veian Juno as the rex sacrorum and his wife-queen were to offer a monthly sacrifice to Juno in the Regia. This might imply that the prerepublican Juno was royal. J. Gagé dismisses these assumptions as groundless speculations as no Jupiter Rex is attested and in accord with Roe D'Albret stresses that at Rome no presence of a Juno Regina is mentioned before Marcus Furius Camillus, while she is attested in many Etruscan and Latin towns. Before that time her Roman equivalent was Juno Moneta. Marcel Renard for his part considers her an ancient Roman figure since the title of the Veian Juno expresses a cultic reality that is close to and indeed presupposes the existence at Rome of an analogous character: as a rule it is the presence of an original local figure that may allow the introduction of the new one through evocatio. He agrees with Dumézil that we ignore whether the translation of the epithet is exhaustive and what Etruscan notion corresponded to the name Regina which itself is certainly an Italic title. This is the only instance of evocatio recorded by the annalistic tradition. However Renard considers Macrobius's authority reliable in his long list of evocationes on the grounds of an archaeological find at Isaura. Roe D'Albret underlines the role played by Camillus and sees a personal link between the deity and her magistrate. Similarly Dumézil has remarked the link of Camillus with Mater Matuta. In his relationship to the goddess he takes the place of the king of Veii. Camillus's devotion to female deities Mater Matuta and Fortuna and his contemporary vow of a new temple to both Matuta and Iuno Regina hint to a degree of identity between them: this assumption has by chance been supported by the discovery at Pyrgi of a bronze lamella which mentions together Uni and Thesan, the Etruscan Juno and Aurora, i.e. Mater Matuta. One can then suppose Camillus's simultaneous vow of the temples of the two goddesses should be seen in the light of their intrinsic association. Octavianus will repeat the same translation with the statue of the Juno of Perusia in consequence of a dream

That a goddess evoked in war and for political reasons receive the homage of women and that women continue to have a role in her cult is explained by Palmer as a foreign cult of feminine sexuality of Etruscan derivation. The persistence of a female presence in her cult through the centuries down to the lectisternium of 217 BC, when the matronae collected money for the service, and to the times of Augustus during the ludi saeculares in the sacrifices to Capitoline Juno are proof of the resilience of this foreign tradition.

Gagé and D'Albret remark an accentuation of the matronal aspect of Juno Regina that led her to be the most matronal of the Roman goddesses by the time of the end of the republic. This fact raises the question of understanding why she was able of attracting the devotion of the matronae. Gagé traces back the phenomenon to the nature of the cult rendered to the Juno Regina of the Aventine in which Camillus played a role in person. The original devotion of the matronae was directed to Fortuna. Camillus was devout to her and to Matuta, both matronal deities. When he brought Juno Regina from Veii the Roman women were already acquainted with many Junos, while the ancient rites of Fortuna were falling off. Camillus would have then made a political use of the cult of Juno Regina to subdue the social conflicts of his times by attributing to her the role of primordial mother.

Juno Regina had two temples (aedes) in Rome. The one dedicated by Furius Camillus in 392 BC stood on the Aventine: it lodged the wooden statue of the Juno transvected from Veii. It is mentioned several times by Livy in connexion with sacrifices offered in atonement of prodigia. It was restored by Augustus. Two inscriptions found near the church of S. Sabina indicate the approximate site of the temple, which corresponds with its place in the lustral procession of 207 BC, near the upper end of the Clivus Publicius. The day of the dedication and of her festival was September 1.

Another temple stood near the circus Flaminius, vowed by consul Marcus Aemilius Lepidus in 187 BC during the war against the Ligures and dedicated by himself as censor in 179 on December 23. It was connected by a porch with a temple of Fortuna, perhaps that of Fortuna Equestris. Its probable site according to Platner is just south of the porticus Pompeiana on the west end of circus Flaminius.

The Carthaginian goddess Tanit was evoked at the defeat of Carthage in 146 BC, and romanized as Juno Caelestis (Heavenly Juno). One of her symbols was of the crescent moon. She did not receive a temple in Rome: presumably her image was deposited in another temple of Juno (Moneta or Regina) and later transferred to the Colonia Junonia founded by Caius Gracchus. The goddess was once again transferred to Rome by emperor Elagabalus. A surviving temple to Juno Caelestis was built between 222 and 235 AD in the town of Dougga.

Juno in the Capitoline triad
The first mention of a Capitoline triad refers to the Capitolium Vetus. The only ancient source who refers to the presence of this divine triad in Greece is Pausanias X 5, 1–2, who mentions its existence in describing the Φωκικόν in Phocis. The Capitoline triad poses difficult interpretative problems. It looks peculiarly Roman, since there is no sure document of its existence elsewhere either in Latium or Etruria. A direct Greek influence is possible but it would be also plausible to consider it a local creation. Dumézil advanced the hypothesis it could be an ideological construction of the Tarquins to oppose new Latin nationalism, as it included the three gods that in the Iliad are enemies of Troy. It is probable Latins had already accepted the legend of Aeneas as their ancestor. Among ancient sources indeed Servius states that according to the Etrusca Disciplina towns should have the three temples of Jupiter, Juno and Minerva at the end of three roads leading to three gates. Vitruvius writes that the temples of these three gods should be located on the most elevated site, isolated from the other. To his Etruscan founders the meaning of this triad might have been related to peculiarly Etruscan ideas on the association of the three gods with the birth of Herakles and the siege of Troy, in which Minerva plays a decisive role as a goddess of destiny along with the sovereign couple Uni Tinia.

Junos of Latium
The cults of the Italic Junos reflected remarkable theological complexes: regality, military protection and fertility.

In Latium are relatively well known the instances of Tibur, Falerii, Laurentum and Lanuvium.

At Tibur and Falerii their sacerdos was a male, called pontifex sacrarius, a fact that has been seen as a proof of the relevance of the goddess to the whole society. In both towns she was known as Curitis, the spearholder, an armed protectress. The martial aspect of these Junos is conspicuous, quite as much as that of fecundity and regality: the first two look strictly interconnected: fertility guaranteed the survival of the community, peaceful and armed. Iuno Curitis is also the tutelary goddess of the curiae and of the new brides, whose hair was combed with the spear called caelibataris hasta as in Rome. In her annual rites at Falerii youths and maiden clad in white bore in procession gifts to the goddess whose image was escorted by her priestesses. The idea of purity and virginity is stressed in Ovid's description. A she goat is sacrificed to her after a ritual hunting. She is then the patroness of the young soldiers and of brides.

At Lanuvium the goddess is known under the epithet Seispes Mater Regina. The titles themselves are a theological definition: she was a sovereign goddess, a martial goddess and a fertility goddess. Hence her flamen was chosen by the highest local magistrate, the dictator, and since 388 BC the Roman consuls were required to offer sacrifices to her. Her sanctuary was famous, rich and powerful.

Her cult included the annual feeding of a sacred snake with barley cakes by virgin maidens. The snake dwelt in a deep cave within the precinct of the temple, on the arx of the city: the maidens approached the lair blindfolded. The snake was supposed to feed only on the cakes offered by chaste girls. The rite was aimed at ensuring agricultural fertility. The site of the temple as well as the presence of the snake show she was the tutelary goddess of the city, as Athena at Athens and Hera at Argos. The motif of the snake of the palace as guardian goddess of the city is shared by Iuno Seispes with Athena, as well as its periodic feeding. This religious pattern moreover includes armour, goatskin dress, sacred birds and a concern with virginity in cult. Virginity is connected to regality: the existence and welfare of the community was protected by virgin goddesses or the virgin attendants of a goddess. This theme shows a connexion with the fundamental theological character of Iuno, that of incarnating vital force: virginity is the condition of unspoilt, unspent vital energy that can ensure communion with nature and its rhythm, symbolised in the fire of Vesta. It is a decisive factor in ensuring the safety of the community and the growth of crops. The role of Iuno is at the crossing point of civil and natural life, expressing their interdependence.

At Laurentum she was known as Kalendaris Iuno and was honoured as such ritually at the kalendae of each month from March to December, i.e. the months of the pre-Numan ten-month year, a fact which is a testimony to the antiquity of the custom.

A Greek influence in their cults looks probable. It is noteworthy though that Cicero remarked the existence of a stark difference between the Latin Iuno Seispes and the Argolic Hera (as well the Roman Iuno) in his work De natura deorum. Claudius Helianus later wrote "...she has much new of Hera Argolis" The iconography of Argive Hera, matronal and regal, looks quite far away from the warlike and savage character of Iuno Seispes, especially considering that it is uncertain whether the former was an armed Hera.

After the definitive subjugation of the Latin League in 338 BC the Romans required as a condition of peace the condominium of the Roman people on the sanctuary and the sacred grove of Juno Seispes in Lanuvium, while bestowing Roman citizenry on the Lanuvians. Consequently, the prodigia (supernatural or unearthly phenomena) which happened in her temple were referred to Rome and accordingly expiated there. Many occurred during the presence of Hannibal in Italy. Perhaps the Romans were not completely satisfied with this solution as in 194 BC consul C. Cornelius Cethegus erected a temple to the Juno Sospita of Lanuvium in the Forum Holitorium (vowed three years earlier in a war with the Galli Insubri ); in it the goddess was honoured in military garb. The flamen or special priest belonging to Juno Seispes continued to be a Lanuvian, specially nominated by the town to take care of the goddess even though she was housed in her temple at Rome (in the Forum Holitorium). At the time of Cicero, Milo, who served as the city's dictator and highest magistrate in 52 BC (Cic. Mil. 27), and of course was also a Roman citizen (he had been tribune of the plebs in 57 BC), resided in Rome. When he fatally met Clodius near Bovillae (Milo's slaves killed Clodius in that encounter), he was on his way to Lanuvium in order to nominate the flamen of Juno Seispes.

Theological and comparative study
The complexity of the figure of Juno has caused much uncertainty and debate among modern scholars. Some emphasize one aspect or character of the goddess, considering it as primary: the other ones would then be the natural and even necessary development of the first. Palmer and Harmon consider it to be the natural vital force of youthfulness, Latte women's fecundity. These original characters would have led to the formation of the complex theology of Juno as a sovereign and an armed tutelary deity. Georges Dumézil on the other hand proposed the theory of the irreducibility and interdependence of the three aspects (sovereignty, war, fertility) in goddesses that he interprets as an original, irreducible structure as hypothesised in his hypothesis of the trifunctional ideology of the Indoeuropeans. While Dumézil's refusal of seeing a Greek influence in Italic Junos looks difficult to maintain in the light of the contributions of archaeology, his comparative analysis of the divine structure is supported by many scholars, as M. Renard and J. Poucet. His theory purports that while male gods incarnated one single function, there are female goddesses who make up a synthesis of the three functions, as a reflection of the ideal of woman's role in society. Even though such a deity has a peculiar affinity for one function, generally fertility, i. e. the third, she is nevertheless equally competent in each of the three.

As concrete instances Dumézil makes that of Vedic goddess Sarasvatī and Avestic Anāhīta. Sarasvati as river goddess is first a goddess of the third function, of vitality and fertility associated to the deities of the third function as the Aśvin and of propagation as Sinīvalī. She is the mother and on her rely all vital forces. But at the same time she belongs to the first function as a religious sovereign: she is pure, she is the means of purifications and helps the conceiving and realisation of pious thoughts. Lastly she is also a warrior: allied with the Maruts she annihilates the enemies and, sole among female goddesses, bears the epithet of the warrior god Indra, vṛtraghnỉ, destroyer of oppositions. She is the common spouse of all the heroes of the Mahābhārata, sons and heirs of the Vedic gods Dharma, Vāyu, Indra and of the Aśvin twins. Though in hymns and rites her threefold nature is never expressed conjointly (except in Ṛg Veda VI 61, 12:: triṣadásthā having three seats).

Only in her Avestic equivalent Anahita, the great mythic river, does she bear the same three valences explicitly: her Yašt states she is invoked by warriors, by clerics and by deliverers. She bestows on females an easy delivery and timely milking. She bestowed on heroes the vigour by which they defeated their demonic adversaries. She is the great purifier, "she who puts the worshipper in the ritual, pure condition" (yaož dā). Her complete name too is threefold: The Wet (Arədvī), The Strong (Sūrā), The Immaculate (Anāhitā).

Dumézil remarks these titles match perfectly those of Latin Junos, especially the Juno Seispes Mater Regina of Lanuvium, the only difference being in the religious orientation of the first function. Compare also the epithet Fluonia, Fluviona of Roman Juno, discussed by G. Radke. However D. P. Harmon has remarked that the meaning of Seispes cannot be seen as limited to the warrior aspect, as it implies a more complex, comprehensive function, i. e. of Saviour.

Among Germanic peoples the homologous goddess was bivalent, as a rule the military function was subsumed into the sovereign: goddess *Frīy(y)o- was at the same time sovereign, wife of the great god, and Venus (thence *Friy(y)a-dagaz "Freitag for Veneris dies). However the internal tension of the character led to a duplication in Scandinavian religion: Frigg resulted in a merely sovereign goddess, the spouse of wizard god Óðinn, while from the name of Freyr, typical god of the third function, was extracted a second character, Freyja, confined as a Vani to the sphere of pleasure and wealth.

Dumézil opines that the theologies of ancient Latium could have preserved a composite image of the goddess and this fact, notably her feature of being Regina, would in turn have rendered possible her interpretatio as Hera.

Juno and Jupiter
The divine couple received from Greece its matrimonial implications, thence bestowing on Juno the role of tutelary goddess of marriage (Iuno Pronuba).

The association of Juno and Jupiter is of the most ancient Latin theology. Praeneste offers a glimpse into original Latin mythology: the local goddess Fortuna is represented as nursing two infants, one male and one female, namely Jove (Jupiter) and Juno. It seems fairly safe to assume that from the earliest times they were identified by their own proper names and since they got them they were never changed through the course of history: they were called Jupiter and Juno. These gods were the most ancient deities of every Latin town. Praeneste preserved divine filiation and infancy as the sovereign god and his paredra Juno have a mother who is the primordial goddess Fortuna Primigenia. Many terracotta statuettes have been discovered which represent a woman with a child: one of them represents exactly the scene described by Cicero of a woman with two children of different sex who touch her breast. Two of the votive inscriptions to Fortuna associate her and Jupiter: " Fortunae Iovi puero..." and "Fortunae Iovis puero..."

However, in 1882 R. Mowat published an inscription in which Fortuna is called daughter of Jupiter, raising new questions and opening new perspectives in the theology of Latin gods. Dumézil has elaborated an interpretative theory according to which this contradiction would be an intrinsic, fundamental feature of Indoeuropean deities of the primordial and sovereign level, as it finds a parallel in Vedic religion. The contradiction would put Fortuna both at the origin of time and into its ensuing diachronic process: it is the comparison offered by Vedic deity Aditi, the Not-Bound or Enemy of Bondage, that shows that there is no question of choosing one of the two apparent options: as the mother of the Aditya she has the same type of relationship with one of his sons, Dakṣa, the minor sovereign who represents the Creative Energy, being at the same time his mother and daughter, as is true for the whole group of sovereign gods to which she belongs.

Juno and Janus
The relationship of the female sovereign deity with the god of beginnings and passages is reflected mainly in their association with the kalendae of every month, which belong to both, and in the festival of the Tigillum Sororium of October 1.

Janus as gatekeeper of the gates connecting Heaven and Earth and guardian of all passages is particularly related to time and motion. He holds the first place in ritual invocations and prayers, in order to ensure the communication between the worshipper and the gods. He enjoys the privilege of receiving the first sacrifice of the new year, which is offered by the rex on the day of the Agonium of January as well as at the kalendae of each month: These rites show he is considered the patron of the cosmic year. Ovid in his Fasti has Janus say that he is the original Chaos and also the first era of the world, which got organised only afterwards. He preserves a tutelary function on this universe as the gatekeeper of Heaven. His nature, qualities and role are reflected in the myth of him being the first to reign in Latium, on the banks of the Tiber, and there receiving the god Saturn, in the age when the Earth could still bear gods. The theology of Janus is also presented in the carmen Saliare. According to Johannes Lydus the Etruscans called him Heaven. His epithets are numerous Iunonius is particularly relevant, as the god of the kalendae who cooperates with and is the source of the youthful vigour of Juno in the birth of the new lunar month. His other epithet Consivius hints to his role in the generative function.

The role of the two gods at the kalendae of every month is that of presiding over the birth of the new moon. Janus and Juno cooperate as the first looks after the passage from the previous to the ensuing month while the second helps it through the strength of her vitality. The rites of the kalendae included the invocations to Juno Covella, giving the number of days to the nonae, a sacrifice to Janus by the rex sacrorum and the pontifex minor at the curia Calabra and one to Juno by the regina sacrorum in the Regia: originally when the month was still lunar the pontifex minor had the task of signalling the appearance of the new moon. While the meaning of the epithet Covella is unknown and debated, that of the rituals is clear as the divine couple is supposed to oversee, protect and help the moon during the particularly dangerous time of her darkness and her labours: the role of Juno Covella is hence the same as that of Lucina for women during parturition. The association of the two gods is reflected on the human level at the difficult time of labours as is apparent in the custom of putting a key, symbol of Janus, in the hand of the woman with the aim of ensuring an easy delivery, while she had to invoke Juno Lucina. At the nonae Caprotinae similarly Juno had the function of aiding and strengthening the moon as the nocturnal light, at the time when her force was supposed to be at its lowest, after the Summer solstice.

The Tigillum Sororium was a rite (sacrum) of the gens Horatia and later of the State. In it Janus Curiatius was associated to Juno Sororia: they had their altars on opposite sides of the alley behind the Tigillum Sororium. Physically this consisted of a beam spanning the space over two posts. It was kept in good condition down to the time of Livy at public expenses. According to tradition it was a rite of purification that served at the expiation of Publius Horatius who had murdered his own sister when he saw her mourning the death of her betrothed Curiatius. Dumézil has shown in his Les Horaces et les Curiaces that this story is in fact the historical transcription of rites of reintegration into civil life of the young warriors, in the myth symbolised by the hero, freed from their furor (wrath), indispensable at war but dangerous in social life. What is known of the rites of October 1 shows at Rome the legend has been used as an aetiological myth for the yearly purification ceremonies which allowed the desacralisation of soldiers at the end of the warring season, i.e. their cleansing from the religious pollution contracted at war. The story finds parallels in Irish and Indian mythologies. These rites took place in October, the month that at Rome saw the celebration of the end of the yearly military activity. Janus would then be the patron of the feria as god of transitions, Juno for her affinities to Janus, especially on the day of the kalendae. It is also possible though that she took part as the tutelary goddess of young people, the iuniores, etymologically identical to her. Modern scholars are divided on the interpretation of J. Curiatius and J. Sororia. Renard citing Capdeville opines that the wisest choice is to adhere to tradition and consider the legend itself as the source of the epithets.

M. Renard advanced the view that Janus and not Jupiter was the original paredra or consort of Juno, on the grounds of their many common features, functions and appearance in myth or rites as is shown by their cross coupled epithets Janus Curiatius and Juno Sororia: Janus shares the epithet of Juno Curitis and Juno the epithet Janus Geminus, as sororius means paired, double. Renard's theory has been rejected by G. Capdeville as not being in accord with the level of sovereign gods in Dumézil's trifunctional structure. The theology of Janus would show features typically belonging to the order of the gods of the beginning. In Capdeville's view it is only natural that a god of beginnings and a sovereign mother deity have common features, as all births can be seen as beginnings, Juno is invoked by deliverers, who by custom hold a key, symbol of Janus.

Juno and Hercules
Even though the origins of Hercules are undoubtedly Greek his figure underwent an early assimilation into Italic local religions and might even preserve traces of an association to Indoiranian deity Trita Apya that in Greece have not survived. Among other roles that Juno and Hercules share there is the protection of the newborn. Jean Bayet, author of Les origines de l'Arcadisme romain, has argued that such a function must be a later development as it looks to have superseded that of the two original Latin gods Picumnus and Pilumnus.

The two gods are mentioned together in a dedicatory inscription found in the ruins of the temple of Hercules at Lanuvium, whose cult was ancient and second in importance only to that of Juno Sospita. In the cults of this temple just like in those at the Ara maxima in Rome women were not allowed. The exclusion of one sex is a characteristic practice in the cults of deities of fertility. Even though no text links the cults of the Ara maxima with Juno Sospita, one of her temples was located in the Forum Olitorium near the Carmental Gate, one of the sites of the legend of Hercules in Rome. The feria of the goddess coincides with a "Birthday of Hercules" (Natalis Herculis), which was celebrated with ludi circenses, games in the circus. In Bayet's view Juno and Hercules did supersede Pilumnus and Picumnus in the role of tutelary deities of the newborn not only because of their own features as goddess of the deliverers and as apotropaic tutelary god of infants but also because of their common quality as gods of fertility. This was the case in Rome and at Tusculum where a cult of Juno Lucina and Hercules was known. At Lanuvium and perhaps Rome though their most ancient association rests on their common fertility and military characters. The Latin Junos certainly possessed a marked warlike character (at Lanuvium, Falerii, Tibur, Rome). Such a character might suggest a comparison with the Greek armed Heras one finds in the South of Italy at Cape Lacinion and at the mouth of river Sele, military goddesses close to the Heras of Elis and Argos known as Argivae. In the cult this Hera received at Cape Lacinion she was associated with Heracles, supposed to be the founder of the sanctuary. Contacts with Central Italy and similarity would have favoured a certain assimilation between Latin warlike Junos and Argive Heras and the association with Heracles of Latin Junos. Some scholars, mostly Italians, recognize in the Junos of Falerii, Tibur and Lavinium the Greek Hera, rejecting the theory of an indigenous original cult of a military Juno. Renard thinks Dumézil's opposition to such a view is to be upheld: Bayet's words though did not deny the existence of local warlike Junos, but only imply that at a certain time they received the influence of the Heras of Lacinion and Sele, a fact that earned them the epithet of Argive and a Greek connotation. However Bayet recognized the quality of mother and of fertility deity as being primitive among the three purported by the epithets of the Juno of Lanuvium (Seispes, Mater, Regina).

Magna Graecia and Lanuvium mixed their influence in the formation of the Roman Hercules and perhaps there was a Sabine element too as is testified by Varro, supported by the find of the sanctuary of Hercules Curinus at Sulmona and by the existence of a Juno Curitis in Latium.

The mythical theme of the suckling of the adult Heracles by Hera, though being of Greek origin, is considered by scholars as having received its full acknowledgement and development in Etruria: Heracles has become a bearded adult on the mirrors of the 4th and 3rd centuries BC. Most scholars view the fact as an initiation, i.e. the accession of Heracles to the condition of immortal. Even though the two versions coexisted in Greece and that of Heracles infant is attested earlier Renard suggests a process more in line with the evolution of the myth: the suckling of the adult Heracles should be regarded as more ancient and reflecting its original true meaning.

Juno and Genius
The view that Juno was the feminine counterpart to Genius, i.e. that as men possess a tutelary entity or double named genius, so women have their own one named juno, has been maintained by many scholars, lastly Kurt Latte. In the past it has also been argued that goddess Juno herself would be the issue of a process of abstraction from the individual junos of every woman. According to Georg Wissowa and K. Latte, Genius (from the root gen-, whence gigno bear or be born, archaic also geno) would designate the specific virile generative potency, as opposed to feminine nature, reflected in conception and delivery, under the tutelage of Juno Lucina. Such an interpretation has been critically reviewed by Walter F. Otto.

While there are some correspondences between the ideas about genius and juno, especially in the imperial age, the relevant documentation is rather late (Tibullus mentions it first). Dumézil also remarks that from these passages one could infer that every woman has a Venus too. As evidence of the antiquity of the concept of a juno of women, homologous to the genius of men, is the Arval sacrifice of two sheep to the Juno Deae Diae ("the juno of goddesses named Dea Dia"), in contrast to their sacrifice of two cows sacrificed to Juno (singular). However both G. Wissowa and K. Latte allow that this ritual could have been adapted to fit theology of the Augustan restoration. While the concept of a Juno of goddesses is not attested in the inscriptions of 58 BC from Furfo, that of a Genius of gods is, and even of a Genius of a goddess, Victoria. On this point it looks remarkable that also in Martianus Capella's division of Heaven a Juno Hospitae Genius is mentioned in region IX, and not a Juno: the sex of this Genius is feminine.

Romans believed the genius of somebody was an entity that embodied his essential character, personality, and also originally his vital, generative force and raison d' être. However the genius had no direct relationship with sex, at least in the conceptions of the classical period, even though the nuptial bed was named lectus genialis in honour of the Genius and brides on the day of marriage invoked the genius of their grooms. This seems to hint to a significance of the Genius as the propagative spirit of the gens, of whom every human individual is an incarnation: Censorinus states: "Genius is the god under whose tutelage everyone is born and lives on", and that "many ancient authors, among whom Granius Flaccus in his De Indigitamentis, maintain that he is one and the same with the Lar", meaning the Lar Familiaris. Festus calls him "a god endowed with the power of doing everything", then citing an Aufustius: "Genius is the son of the gods and the parent of men, from whom men receive life. Thence is he named my genius, because he begot me". Festus's quotation goes on saying: "Other think he is the special god of every place", a notion that reflects a different idea. In classic age literature and iconography he is often represented as a snake, that may appear in the conjugal bed, this conception being perhaps the result of a Greek influence. It was easy for the Roman concept of Genius to expand annexing other similar religious figures as the Lares and the Greek δαίμων ἀγαθός.

The genius was believed to be associated with the forehead of each man, while goddess Juno, not the juno of every woman, was supposed to have under her jurisdiction the eyebrows of women or to be the tutelary goddess of the eyebrows of everybody, irrespective of one's sex.

Juno and the Penates
According to one interpretation of the Di Penates, Juno, along with Jupiter and Minerva, is one of the Penates of man. This view is ascribed by Macrobius to the mystic religion of Samothrace, imported to Rome by Tarquinius Priscus, himself an initiate, who thereby created the Roman Capitoline Triad. Juno is the god by whom man gets his body.

Heries Junonis
Among the female entities that in the pontifical invocations accompanied the naming of gods, Juno was associated to Heries, which she shared with Mars (Heres Martea).

Festivals
All festivals of Juno were held on the kalendae of a month except two (or, perhaps, three): the Nonae Caprotinae on the nonae of July, the festival of Juno Capitolina on September 13, because the date of these two was determined by the preeminence of Jupiter. Perhaps a second festival of Juno Moneta was held on October 10, possibly the date of the dedication of her temple. This fact reflects the strict association of the goddess with the beginning of each lunar month.

Every year, on the first of March, women held a festival in honour of Juno Lucina called the Matronalia. Lucina was an epithet for Juno as "she who brings children into light". On this day, lambs and cattle were sacrificed in her honor in the temple of her sacred grove on the Cispius.

The second festival was devoted to Juno Moneta on June 1.

After this was the festival of the Nonae Caprotinae ("The Nones of the Wild Fig") held on July 7.

The festival of Juno Regina fell on September 1, followed on the 13th of the same month by that of Juno Regina Capitolina.

October 1 was the date of the Tigillum Sororium in which the goddess was honoured as Juno Sororia.

The last of her yearly festivals was that of Juno Sospita on February 1. It was an appropriate date for her celebration since the month of February was considered a perilous time of passage, the cosmic year then coming to an end and the limits between the world of the living and the underworld being no longer safely defined. Hence the community invoked the protection (tutela) of the warlike Juno Sospita, "The Saviour".

Juno is the patroness of marriage, and many people believe that the most favorable time to marry is June, the month named after the goddess.

Etrurian Uni, Hera, Astarte and Juno
The Etruscans were a people who maintained extensive (if often conflicting) contacts with the other peoples of the Mediterranean: the Greeks, the Phoenicians, and the Carthaginians.

Evidence of intense cultural exchanges with the Greeks has been found in 1969 at the sanctuary of the port of Gravisca near Tarquinia. Renard thinks the cult of Hera in great emporia such as Croton, Posidonia, Pyrgi might be a counter to Aphrodite's, linked to sacred prostitution in ports, as the sovereign of legitimate marriage and family and of their sacrality. Hera's presence had already been attested at Caere in the sanctuary of Manganello. In the 18th century a dedication to Iuno Historia was discovered at Castrum Novum (Santa Marinella). The cult of Iuno and Hera is generally attested in Etruria.

The relationship between Uni and the Phoenician goddess Astarte has been brought to light by the discovery of the Pyrgi Tablets in 1964. At Pyrgi, one of the ports of Caere, excavations had since 1956 revealed the existence of a sacred area, intensely active from the last quarter of the 4th century, yielding two documents of a cult of Uni. Scholars had long believed the Etruscan goddess Uni was strongly influenced by the Argive Heras and had her Punic counterpart in the Carthaginian goddess Tanit, identified by the Romans as Juno Caelestis. Nonetheless Augustine of Hippo had already stated that Juno was named Astarte in the Punic language, a notion that the discovery of the Pyrgi lamellae has proved correct. It is debated whether such an identification was linked to a transient political stage corresponding with Tefarie Velianas's Carthaginian-backed tyranny on Caere as the sanctuary does not show any other trait proper to Phoenician ones. The mention of the goddess of the sanctuary as being named locally Eileitheia and Leucothea by different Greek authors narrating its destruction by the Syracusean fleet in 384 BC, made the picture even more complex. R. Bloch has proposed a two-stage interpretation: the first theonym Eilethya corresponds to Juno Lucina, the second Leucothea to Mater Matuta. However, the local theonym is Uni and one would legitimately expect it to be translated as Hera. A fragmentary bronze lamella discovered on the same site and mentioning both theonym Uni and Thesan (i. e. Latin Juno and Aurora-Mater Matuta) would then allow the inference of the integration of the two deities at Pyrgi: the local Uni-Thesan matronal and auroral, would have become the Iuno Lucina and the Mater Matuta of Rome. The Greek assimilation would reflect this process as not direct but subsequent to a process of distinction. Renard rejects this hypothesis since he sees in Uni and Thesan two distinct deities, though associated in cult. However the entire picture should have been familiar in Italian and Roman religious lore as is shown by the complexity and ambivalence of the relationship of Juno with Rome and Romans in Virgil's Aeneid, who has Latin, Greek and Punic traits, result of a plurisaecular process of amalgamation. Also remarkable in this sense is the Fanum Iunonis of Malta (of the Hellenistic period) which has yielded dedicatory inscriptions to Astarte and Tanit.

Juno in Martianus Capella's division of Heaven
Martianus Capella's collocation of gods into sixteen different regions of Heaven is supposed to be based on and to reflect Etruscan religious lore, at least in part. It is thence comparable with the theonyms found in the sixteen cases of the outer rim of the Piacenza Liver. Juno is to be found in region II, along with Quirinus Mars, Lars militaris, Fons, Lymphae and the dii Novensiles. This position is reflected on the Piacenza Liver by the situation of Uni in case IV, owing to a threefold location of Tinia in the first three cases that determines an equivalent shift.

An entity named Juno Hospitae Genius is to be found alone in region IX. Since Grotius (1599) many editors have proposed the correction of Hospitae into Sospitae. S. Weinstock has proposed to identify this entity with one of the spouses of Neptune, as the epithet recurs below (I 81) used in this sense.

In region XIV is located Juno Caelestis along with Saturn. This deity is the Punic Astarte/Tanit, usually associated with Saturn in Africa. Iuno Caelestis is thence in turn assimilated to Ops and Greek Rhea. Uni is here the Punic goddess, in accord with the identification of Pyrgi. Her paredra was the Phoenician god Ba'al, interpreted as Saturn. Capdeville admits of being unable to explain the collocation of Juno Caelestis among the underworld gods, which looks to be determined mainly by her condition as spouse of Saturn.

Juno Caelestis
Juno became the subject of major cult worship in North Africa, where she was merged with the indigenous Goddess Tanit.

The temple of Juno Caelestis, dedicated to the City Protector Goddess Juno Caelestis, was one of the biggest building monuments of Carthage, and became a holy site for pilgrims from all Northern Africa and Spain. This was one of the biggest holy sites in the Roman Empire.

Temple at Samos
The Ionian Greeks of the island of Samos built a sanctuary to the goddess Hera, beginning perhaps in the 8th century BC. Herodotus described the temple within the sanctuary as one of Samos' three marvels of engineering, the other two being the Tunnel of Eupalinos and the harbor works of the island capital. Hera being equated with Juno, the temple is also associated with the Roman goddess, for example in Giovanni Boccaccio's fanciful yet vivid description of the temple ruins in his Genealogia Deorum.

In literature
Perhaps Juno's most prominent appearance in Roman literature is as the primary antagonistic force in Virgil's Aeneid, where she is depicted as a cruel and savage goddess intent upon supporting first Dido and then Turnus and the Rutulians against Aeneas' attempt to found a new Troy in Italy. Servius the Grammarian, commenting on some of her several roles in the Aeneid, supposes her as a conflation of Hera with the Carthaginian storm-goddess Tanit. Ovid's Metamorphoses offers a story accounting for her sacred association with the peacock. She is remembered in De Mulieribus Claris, a collection of biographies of historical and mythological women by the Florentine author Giovanni Boccaccio, composed in 136162. It is notable as the first collection devoted exclusively to biographies of women in Western literature. William Shakespeare briefly employs Juno as a masque character in The Tempest (Act IV, Scene I).

Spaceflight
In spaceflight, NASA launched a space probe to Jupiter in 2011, and named it Juno in reference to her relationship to the god Jupiter in mythology.

title: Juno (mythology)


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Sea Launch

Sea Launch was a multinational—Norway, Russia, Ukraine, United States—spacecraft launch company founded in 1995 that provided orbital launch services from 1999 to 2014. The company used a mobile maritime launch platform for equatorial launches of commercial payloads on specialized Zenit-3SL rockets from a former mobile/floating oil drilling rig renamed Odyssey.

By 2014, it had assembled and launched thirty-two rockets, with an additional three failures and one partial failure. All commercial payloads were communications satellites intended for geostationary transfer orbit with such customers as EchoStar, DirecTV, XM Satellite Radio, PanAmSat, and Thuraya.

The approach Sea Launch LLC used was to assemble the launcher on a purpose-built ship Sea Launch Commander in Nimitz Rd., Long Beach, California, USA. The assembled spacecraft was then positioned on top of the self-propelled Odyssey floating launch platform and moved to the equatorial Pacific Ocean for launch, with the Sea Launch Commander serving as tracking, command & telemetry (TCT) center. The movable system means the rocket can travel to the equator for launch, which increases payload capacity.

Sea Launch mothballed its ships and put operations on long-term hiatus in 2014, following the Russian invasion of Ukraine. By 2015, discussions on disposition of company assets were underway, and the Sea Launch partners were in a court-administered dispute about unpaid expenses that Boeing claims it incurred.

In September 2016, S7 Group, owner of S7 Airlines, purchased the assets of Sea Launch. Launch services were to potentially be provided by S7 Sea Launch, a US subsidiary. However, after moving the two former Sea Launch ships from California to Vladivostok, the S7 Group chairman stated that the program was indefinitely suspended. As of 2020, a replacement for the Zenit launch vehicle, with its Ukrainian first stage, was expected to be years away.

History
Sea Launch was established in 1995 as a consortium of four companies from Norway, Russia, Ukraine and the United States, managed by Boeing with participation from the other shareholders. The first rocket was launched in March 1999.

On March 17, 2006, it was announced that Jim Maser, the President and General Manager of Sea Launch, would leave the company to join SpaceX as President and Chief Operating Officer.

In June 2009, the provider of the Sea Launch service, Sea Launch Co. LLC, filed for Chapter 11 bankruptcy protection. Sea Launch asserted that it would "continue to maintain all normal business operations after the filing for reorganization." On August 6, 2010, Energia, which already owned 25% of Sea Launch, announced it planned to acquire a controlling interest of 85% in the company. As a result, the company planned to begin land-based launches from the Baikonur Cosmodrome in early 2011, while sea-based launches to be resumed in September 2011.

Sea Launch emerged from bankruptcy effective October 27, 2010. Energia Overseas Limited, a Russian corporation, is majority owner of the reorganized entity, with Boeing and other American companies retaining minority shares.

In 2013, Boeing sued RSC Energia, PO Yuzhnoye and KB Yuzhnoye. According to Boeing the companies refused to pay more than $350 million following the joint venture's bankruptcy filing in 2009.

In mid-2014, following the 2014 Russian military invasion in Ukraine and the subsequent unrest in the eastern part of the country, there were a number of Russian media reports that indicated Sea Launch may be planning to inactivate the Odyssey launch platform. The company formally denied those reports in June 2014, indicating it is continuing to buy Zenit rockets from Ukraine, and is still promoting its launch services to the international market, even in August 2014. However, in August 2014, Sea Launch conducted a reduction of their staff and removed from operating status both the Commander and Odyssey vessels in order to reduce operating costs during a period where they have no launches scheduled until late 2015.

In July 2015, industry experts stated that the Chinese government was considering the purchase of the Sea Launch command ship and launch platform assets, but this was not confirmed by either company or Chinese government officials.

In September 2015, Boeing won a court judgement against the Russian and Ukrainian partners within Sea Launch. The decision set up a court trial planned for November 2015 where Boeing would argue that it was not properly reimbursed for US$356 million of expenses incurred while operating the Sea Launch launch system. This litigation was decided in favor of Boeing on May 12, 2016.

As of December 2015, Roscosmos and Energia were attempting to find a buyer for the Sea Launch assets, due to the high cost of infrastructure maintenance of approximately US$30 million per year.

In September 2016, S7 Group, owner of S7 Airlines announced they were purchasing Sea Launch. The launch and assembly ship Sea Launch Commander arrived in Russia on March 17, 2020, and was moored at the Slavyanka Shipyard after customs procedures. The launch platform Odyssey arrived at the shipyard on March 30.

In August 2020, Deputy Prime Minister Yuri Borisov told the media on the sidelines of the Army-2020 forum that the floating spaceport Sea Launch, currently based at Russia’s Slavyanka port in the Primorye Territory, will be restored. The news release indicated it would require about 35 billion rubles (roughly $470 million) to restore the platform. Funding was not confirmed at the time of the release.

Borisov indicated that before the floating spaceport left its port Long Beach, California, the United States in accordance with its laws removed all equipment from the command ship and the floating platform. "It’s mostly equipment responsible for positioning, based on GPS technologies. We will be able to replace it with GLONASS solutions. As for the launch system itself, in other words, the equipment needed for bringing the rocket to and placing it at the launch pad and automatically fueling the tanks, all this is done through Russian technologies," Borisov said.

In June 2020, the CEO of Russia’s space corporation Roscosmos, Dmitry Rogozin, said in his column in Forbes magazine that Russian specialists would have to exert considerable efforts to restore the floating spaceport Sea Launch to operation. He said that before its handover to the company S7 all space launch control equipment was dismantled.

Ownership and business
Sea Launch was founded by four companies from four countries, which shared the original ownership of offshore Cayman Islands-registered Sea Launch. Ship "Sea Launch" registered Monrovia after reorganising from Chapter 11 bankruptcy in 2010, a majority share of the company was acquired by Russian interests.

The project was helped by Hughes Space and Communications, which in 1995 signed the first contract for 10 launches and 10 options, valued at $1 billion, and Space Systems/Loral, which then signed a five-launch contract.

Total cost of the project has been reported at $583 million in 1996. Chase Manhattan arranged about $400 million in loans in 1996. Loans were later guaranteed against political instability in Russia and Ukraine through 2012 by the World Bank (up to $175 million, of these up to $100 million in Russia and up to $75 million in Ukraine) and the European Bank for Reconstruction and Development (up to $65 million).

Sea Launch has a reciprocal agreement with Arianespace and Mitsubishi Heavy Industries through the Launch Services Alliance, providing assurance in case either company's system is not able to launch a payload for reasons of reliability, capacity, backlog, or otherwise. This was used for the first time in 2004 when Arianespace's Ariane 5 had to reschedule a group of launches for reliability reasons.

In 1999, shortly after the company was founded, the Sea Launch consortium claimed that their launch-related operating costs would be lower than a land-based equivalent due in part to reduced staff requirements. The platform and command ship have 310 crew members.

Launches
The first demonstration satellite was launched on March 27, 1999, and the first commercial satellite on October 9, 1999. Sea Launch has launched 36 rockets with 32 successes and 1 partial success as of March 2019. The first failure, of a Hughes-built communications satellite owned by ICO Global Communications, occurred on the second commercial launch on March 12, 2000, and was blamed on a software error that failed to close a valve in the second stage of the rocket.

A second rocket failed to launch on January 30, 2007, when Zenit-3SL exploded on the launch pad with the Boeing 702 NSS-8 satellite on board, seconds after engine ignition.

All Sea Launch missions to date have used the custom-designed three-stage Zenit-3SL launch vehicle, capable of placing up to 6000 kg of payload into geosynchronous transfer orbit. Sea Launch rocket components are manufactured by SDO Yuzhnoye / PO Yuzhmash in Dnepropetriwsk, USSR Dnipro, Ukraine (Zenit rocket for the first and second stages); by Energia in Kaliningrad, USSR Moscow, Russia (Block DM-SL for third stage); and by Boeing in Seattle, United States (payload fairing and interstage structure).

Sea Launch rockets were assembled in Long Beach, California. The typical assembly was done on board the Assembly and Command Ship (the payload is first tested, fueled and encapsulated in the nearby Payload Processing Facility). The rocket is then transferred to a horizontal hangar on the self-propelled launch platform.

Following rocket tests, both ships then sail about 3000 mi to the equator at 154° West Longitude, °N, -154°W, in international" waters about 370 km from Kiritimati, Kiribati. The platform travels the distance in about 11 days, the command ship in about eight days.

With the platform ballasted to its launch depth of 22 m, the hangar is opened, the rocket is mechanically moved to a vertical position, and the launch platform crew evacuates to the command ship which moves about 5 km away. Then, with the launch platform unmanned, the rocket is fueled and launched. The final ten seconds before launch are called out simultaneously in English and Russian.

NSS-8 launch failure
On January 30, 2007, the Sea Launch Zenit-3SL rocket carrying NSS-8 and 500 tons of fuel exploded on (flight) launch. Available imagery shows a fireball much larger than the launch platform at sea level.

Since the launch pad platform is vacated by all engineers during the automated launch process, there were no injuries. On February 1, 2007, Sea Launch released a statement detailing its status.

It is believed that the failure was caused by a foreign object being ingested by the engine turbopump, causing the rocket to crash immediately.

On February 3, 2007, photographs of the damage were posted on internet forums. The launch platform damage is mostly superficial, though blast deflectors underneath the launch platform were knocked loose and were lost when they fell into the sea.

In March 2007, shortly after the NSS-8 launch failure, Hughes Network Systems switched the launch of SPACEWAY-3 from a Sea Launch Zenit-3SL to an Ariane 5.

Repairs of the launch platform were completed in September 2007. The Sea Launch platform underwent repairs in Canada, docked near CFB Esquimalt, just west of Victoria, British Columbia, and departed on July 31, 2007. Both vessels returned to their home Nimitz military port in Long Beach, California, U.S.

Concerns and investigations
During project development in 1998 Boeing was fined US$10 million by the United States Department of State for technical violations of the Arms Export Control Act in handling of missile technology while dealing with its foreign Sea Launch partners. This is the largest civil penalty of its kind, although it could have been as much as US$102 million. The Sea Launch project was suspended for two months during the investigation.

The Department of State found that between January 1994 and January 1998 Boeing illegally exported "defense articles" and "defense services", although no national security breaches were determined. The violations were uncovered by Boeing's internal investigation.

At about the same time United States Customs Service attempted to block Sea Launch from bringing Zenit-3SL rockets (classified as missiles) into California for assembly without a munitions import licence. The matter was settled in the company's favour.

Also in 1998, 16 member states of the South Pacific Forum issued a communiqué asking the United States to suspend the project indefinitely until and unless their environmental concerns are remedied. It was mostly criticized by the island nation of Kiribati.

The project was criticized in 1997 by International Transport Workers' Federation (ITWF) for registering its ocean vessels in Liberia. In May 1999 Sea Launch reached an agreement with the ITWF, which allows crew members to use ITWF inspectors.

In Russia, since 2014, a criminal investigation has been ongoing against the former president of RSC Energia, Vitaly Lopota. Investigators accuse him of illegally repaying Sea Launch’s debts and purchasing its shares to the detriment of the corporation’s core activities in 2010-2013. Lopota does not admit guilt, and the Russian Prosecutor General's Office has already twice rejected charges against him. In November 2023, the Investigative Committee again brought charges, this time reducing the amount from 9 billion rubles to 4.2 billion rubles.

Land launch
Using existing Zenit infrastructure at the military Baikonur Cosmodrome, the "Land Launch" system is based on a modified version of the Sea Launch vehicle, the three stage Zenit-3SL mod.B rocket. Land Launch's Zenit 3SLB vehicle addresses the launch needs of Block DM (syncom, U.S.), Block Boeing witch TDRSS, commercial satellites weighing up to 3.5 MT. The two stage Zenit 2 (first stage LV "Energia) is also available for lifting payloads up to 13 MT to LEO low Earth orbits.

The first launch was on April 28, 2008, (04.28.2008) when a Zenit-3SLB launched Spacecom Ltd's AMOS-3 spacecraft from LC 45/1 (launch pad) at Baikonur.

Advantages of equatorial ocean-platform based launches
Advantages of equatorial launch site:
 * The rotational speed of the Earth is greatest at the equator, providing an extra launch "boost".
 * The need for a "plane change" to the zero degree inclination of geostationary orbit is eliminated, providing a major extra launch "boost". This allows 17.5–25% more mass to be launched to geostationary orbit than the same rocket launched from Cape Canaveral, which is at 28.5 degrees north latitude.
 * Any orbital inclination could be reached, thus (for example) combining in one launch site the attainable inclinations of both Cape Canaveral and Vandenberg.

Advantages of ocean-based over a conventional land-based launch platform:
 * An ocean launch reduces risks related to launching over populated areas, providing better safety to third parties.
 * Absence of range conflicts with other launch systems and a near total absence of ship or overhead air traffic that would constrain launch.

Recognition
Sea Launch LLC was awarded the Space Foundation's Space Achievement Award in 2000.

SpaceX
SpaceX bought two used oil rigs in 2020 to retrofit them to use as a sea launch platform for Starship. In 2023 the rigs were sold with not much work done to them, SpaceX is going to focus on reliably launching them from land first before using a sea launch platform. Sea launch is still in the long term strategy for SpaceX.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Sea Launch


text:
Talk:Mental disorder/old list

 * Acute stress disorder
 * Adjustment disorders
 * Agoraphobia
 * Alcohol and Substance abuse
 * Alcohol and Substance dependence
 * Anorexia nervosa
 * Antisocial personality disorder
 * Asperger's Disorder, also known as Asperger's Syndrome
 * Attention deficit disorder
 * Attention Deficit/Hyperactivity Disorder
 * Autistic disorder Autism
 * Avoidant personality disorder
 * Bereavement
 * Bipolar disorder
 * Body Dysmorphic Disorder
 * Borderline Personality Disorder
 * Brief Psychotic Disorder
 * Bulimia nervosa
 * Cannabis addiction
 * Circadian Rhythm Sleep Disorder
 * Conduct Disorder
 * Conversion Disorder
 * Cyclothymic Disorder
 * Delusional Disorder
 * Dependent personality disorder
 * Depersonalization Disorder
 * Depression
 * Disorder of Written Expression
 * Dissociative Amnesia
 * Dissociative Fugue
 * Dissociative Identity Disorder
 * Dyspareunia
 * Dysthymic Disorder
 * Encopresis
 * Enuresis (bedwetting)
 * Exhibitionism
 * Expressive Language Disorder
 * Female and Male Orgasmic Disorders
 * Female Sexual Arousal Disorder
 * Fetishism
 * Folie a deux
 * Frotteurism
 * Gender identity disorder
 * Generalized Anxiety Disorder
 * General adaptation syndrome
 * Histrionic Personality Disorder
 * Hyperactivity Disorder
 * Primary Hypersomnia
 * Hypoactive Sexual Desire Disorder
 * Hypochondriasis
 * Hyperkinetic syndrome
 * Hysteria
 * Intermittent Explosive Disorder
 * Joubert syndrome
 * Kleptomania
 * Down syndrome
 * Major Depressive Disorder
 * Mania
 * Male Erectile Disorder
 * Munchausen syndrome
 * Mathematics Disorder
 * Mental Retardation
 * Multiple personality disorder
 * Narcissistic Personality Disorder
 * Narcolepsy
 * Nightmare Disorder
 * Obsessive-compulsive disorder
 * Obsessive-Compulsive Personality Disorder
 * Oppositional Defiant Disorder
 * Pain Disorder
 * Panic attacks
 * Panic Disorder
 * Paranoid Personality Disorder
 * Pathological Gambling
 * Pedophilia
 * Pica
 * Post-traumatic Stress Disorder
 * Premature Ejaculation
 * Primary Insomnia
 * Psychotic Disorder NOS
 * Pyromania
 * Reading Disorder
 * Rett's Disorder
 * Rumination Disorder
 * Schizoaffective Disorder
 * Schizoid Personality Disorder
 * Schizophrenia
 * Schizophreniform Disorder
 * Schizotypal Personality Disorder
 * Seasonal Affective Disorder
 * Separation Anxiety Disorder
 * Sexual Masochism and Sadism
 * Shared Psychotic Disorder
 * Sleep disorder
 * Sleep Terror Disorder
 * Sleepwalking Disorder
 * Social phobia
 * Somatization Disorder
 * Specific phobias
 * Stereotypic Movement Disorder
 * Stuttering
 * Tourette's syndrome
 * Transient Tic Disorder
 * Transvestic Fetishism
 * Trichotillomania
 * Vaginismus
 * Voyeurism

title: Talk:Mental disorder/old list


text:
User:Eequor/Emptiness

Zen
Joshu asked the teacher Nansen, "What is the True Way?"

Nansen answered, "Every way is the true Way."

Joshu asked, "Can I study it?"

Nansen answered, "The more you study, the further from the Way."

Joshu asked, "If I don't study it, how can I know it?"

Nansen answered, "The Way does not belong to things seen: nor to things unseen.  It does not belong to things known, nor to things unknown.  Do not seek it, study it, or name it.  To find yourself on it, open yourself as wide as the sky."

Joshu asked, "How did you learn this?"

Nansen answered, "I was told it by the constant Tao which inhabits all things."

Dao De Jing
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Chapter 2

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It is because everyone under Heaven recognizes beauty as beauty, that the idea of ugliness exists.

And equally if everyone recognized virtue as virtue, this would merely create fresh conceptions of wickedness.

For truly, Being and Not-being grow out of one another;

Difficult and easy complete one another.

Long and short test one another;

High and low determine one another.

Pitch and mode give harmony to one another.

Front and back give sequence to one another.

Therefore the Sage relies on actionless activity,

Carries on wordless teaching,

But the myriad creatures are worked upon by her; she does not disown them.

She rears them, but does not lay claim to them,

Controls them, but does not lean upon them,

Achieves her aim, but does not call attention to what she does;

And for the very reason that she does not call attention to what she does

She is not ejected from fruition of what she has done.

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Under heaven all can see beauty as beauty only because there is ugliness.

All can know good as good only because there is evil.

Therefore having and not having arise together.

Difficult and easy complement each other.

Long and short contrast each other:

High and low rest upon each other;

Voice and sound harmonize each other;

Front and back follow one another.

Therefore the sage goes about doing nothing, teaching no-talking.

The ten thousand things rise and fall without cease,

Creating, yet not.

Working, yet not taking credit.

Work is done, then forgotten.

Therefore it lasts forever.

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Chapter 11

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We put thirty spokes together and call it a wheel;

But it is on the space where there is nothing that the usefulness of the wheel depends.

We turn clay to make a vessel;

But it is on the space where there is nothing that the usefulness of the vessel depends.

We pierce doors and windows to make a house;

And it is on these spaces where there is nothing that the usefulness of the house depends.

Therefore just as we take advantage of what is, we should recognize the usefulness of what is not.

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Thirty spokes share the wheel's hub;

It is the center hole that makes it useful.

Shape clay into a vessel;

It is the space within that makes it useful.

Cut doors and windows for a room;

It is the holes which make it useful.

Therefore benefit comes from what is there;

Usefulness from what is not there.

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Chapter 22

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To remain whole, be twisted!

To become straight, let yourself be bent.

To become full, be hollow.

Be tattered, that you may be renewed.

Those that have little, may get more,

Those that have much, are but perplexed.

Therefore the Sage

Clasps the Primal Unity,

Testing by it everything under Heaven.

She does not show herself; therefore she is seen everywhere.

She does not define herself, therefore she is distinct.

She does not boast of what she will do, therefore she succeeds.

She is not proud of her work, and therefore it endures.

She does not contend,

And for that very reason no one under Heaven can contend with her.

So then we see that the ancient saying "To remain whole, be twisted!" was no idle word; for true wholeness can only be achieved by return.

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Yield and overcome;

Bend and be straight;

Empty and be full;

Wear out and be new;

Have little and gain;

Have much and be confused.

Therefore the wise embrace the one

And set an example to all.

Not putting on a display,

They shine forth.

Not justifying themselves,

They are distinguished.

Not boasting,

They receive recognition.

Not bragging,

They never falter.

They do not quarrel,

So no one quarrels with them.

Therefore the ancients say, "Yield and overcome."

Is that an empty saying?

Be really whole,

And all things will come to you.

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Chapter 27

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Perfect activity leaves no track behind it;

Perfect speech is like a jade-worker whose tool leaves no mark.

The perfect reckoner needs no counting slips;

The perfect door has neither bolt nor bar,

Yet cannot be opened.

The perfect knot needs neither rope nor twine,

Yet cannot be untied.

Therefore the Sage

Is all the time in the most perfect way helping others,

She certainly does not turn her back on them;

Is all the time in the most perfect way helping creatures,

She certainly does not turn her back on them.

This is called resorting to the Light.

Truly, "the perfect is the teacher of the imperfect;

But the imperfect is the stock-in-trade of the perfect".

She who does not respect her teacher,

She who does not take care of her stock-in-trade,

Much learning though she may possess, is far astray.

This is the essential secret.

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A good walker leaves no tracks;

A good speaker makes no slips;

A good reckoner needs no tally.

A good door needs no lock,

Yet no one can open it.

Good binding requires no knots,

Yet no one can loosen it.

Therefore the sage takes care of all

And abandons no one.

She takes care of all things

And abandons nothing.

This is called "following the light."

What is a good person?

A teacher of the bad.

What is a bad person?

A good person's charge.

If the teacher is not respected,

And the student not cared for,

Confusion will arise, however clever one is.

This is the crux of mystery.

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Chapter 41

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When the woman of highest capacities hears Tao

She does her best to put it into practice.

When the woman of middling capacity hears Tao

She is in two minds about it.

When the woman of low capacity hears Tao

She laughs loudly at it.

If she did not laugh, it would not be worth the name of Tao.

Therefore the proverb has it:

The way out into the light often looks dark,

The way that goes ahead often looks as if it went back.

The way that is least hilly often looks as if it went up and down,

The Power that is really loftiest looks like an abyss,

What is deepest blue looks blurred.

The Power that is most sufficing looks inadequate,

The Power that stands firmest looks flimsy.

What is in its natural, pure state looks faded;

The great square has no corners,

The great vessel is never completed,

The great note has no sound —

The Great Form is without shape.

For Tao is hidden and nameless.

Yet Tao alone supports all things and brings them to fulfillment.

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The wise student hears of the Tao and practices it diligently.

The average student hears of the Tao and gives it thought now and again.

The foolish student hears of the Tao and laughs aloud.

If there were no laughter, the Tao would not be what it is.

Hence it is said:

The bright path seems dim;

Going forward seems like retreat;

The easy way seems hard;

The highest Virtue seems empty;

Great purity seems sullied;

A wealth of Virtue seems inadequate;

The strength of Virtue seems frail;

Real Virtue seems unreal;

The perfect square has no corners;

Great talents ripen late;

The highest notes are hard to hear;

The greatest form has no shape;

The Tao is hidden and without name.

The Tao alone nourishes and brings everything to fulfillment.

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Chapter 43

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What is of all things most yielding

Can overwhelm that which is of all things most hard.

Being substanceless it can enter even where is no space;

That is how I know the value of action that is actionless.

But that there can be teaching without words,

Value in action that is actionless,

Few indeed can understand.

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The softest thing in the universe

Overcomes the hardest thing in the universe.

That without substance can enter where there is no room.

Hence I know the value of non-action.

Teaching without words and work without doing

Are understood by very few.

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Chapter 47

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Without leaving her door

She knows everything under Heaven.

Without looking out of her window

She knows all the ways of Heaven.

For the further one travels

The less one knows.

Therefore the Sage arrives without going,

Sees all without looking,

Does nothing, yet achieves everything.

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Without going outside, you may know the whole world.

Without looking through the window, you may see the ways of heaven.

The farther you go, the less you know.

Thus the sage knows without traveling;

She sees without looking;

She works without doing.

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Chapter 71

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To know when one does not know is best.

To think one knows when one does not know is a dire disease.

Only she who recognizes this disease as a disease

Can cure herself of the disease.

The Sage's way of curing disease

Also consists in making people recognize their diseases as diseases and thus ceasing to be diseased.

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Knowing ignorance is strength.

Ignoring knowledge is sickness.

If one is sick of sickness, then one is not sick.

The sage is not sick because she is sick of sickness.

Therefore she is not sick.

 * }
 * }

title: User:Eequor/Emptiness