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The Jack Benny Program

The Jack Benny Program, starring Jack Benny, is a radio and television comedy series. The show ran for over three decades, from 1932 to 1955 on radio, and from 1950 to 1965 on television. It won numerous awards, including the 1959 Emmy for Best Comedy Show, and is generally regarded as a high-water mark in 20th-century American comedy.

Throughout his career, Jack Benny played the same character: A pompous, vain, and stingy man who played the violin badly but was convinced of his own talent. Although technically the star of his show, Benny was constantly the butt of jokes from his cast members, including Mary Livingstone (Sayde Marks Benny, his real-life wife); Phil Harris, his band leader; Kenny Baker or Dennis Day, his tenors; Don Wilson, his portly announcer; and Rochester Van Jones (Eddie Anderson), his African-American valet.

As radio historian John Dunning explains, “Unlike Bob Hope, Jack Benny didn’t tell jokes. On his show, Jack was the joke. Everything revolved around him and his comic foibles, with Benny serving as ‘straight man.’ The other characters on the show were the comedians, making wisecracks, remarks, and asides about Benny's stinginess, his vanity, or his lousy violin-playing.”

Format
On both television and radio, The Jack Benny Program used a loose show-within-a-show format, wherein the main characters were playing versions of themselves. The show often broke the fourth wall, with the characters interacting with the audience and commenting on the program and its advertisements.

In his first years on radio (c. 1932–1935), Jack Benny followed the format of many other radio comedians, standing at the microphone, telling jokes and stories, and introducing band numbers. As the characters of Jack and his cast became more defined, the show took on a "variety show" format, blending sketch comedy and musical interludes.

The show usually opened with announcer Don Wilson doing a commercial for the sponsor (e.g. Jell-O or Grape Nuts Flakes), accompanied by a musical number from the orchestra. Wilson would then introduce Jack Benny as the "Master of Ceremonies," and banter with him. Gradually, the rest of the cast members – including Mary Livingstone, bandleader Phil Harris, and tenor Kenny Baker or Dennis Day – would "walk on" to join the conversation. The banter between Benny and the regulars generally covered the news of the day, Jack's latest exchange in his ongoing feud with Fred Allen, or one of the running jokes on the program, such as Jack's stinginess, his age, or his vanity, Phil's habitual drunkenness, egotism, or illiteracy, Don's obesity, Dennis' stupidity, or Mary's letters from her mother.

As the show progressed, Jack might be interrupted by a phone call from his valet, Rochester (Eddie Anderson), reporting some problem at Benny's home (e.g. with Jack's pet polar bear, Carmichael, or with his crazy wartime boarder, Mr. Billingsley). Occasionally, Andy Devine or the Jewish character, Schlepperman (Sam Hearn), would make an appearance. At some point, Jack would tell the tenor it was time for their singing number ("Sing, Kenny!" or "Dennis, let's have your song."). Don Wilson would insert another commercial for the sponsor, and the band would do a "Big Band" number (ostensibly led by Phil Harris, although conductor Mahlon Merrick actually led the band).

The second half of the show would be devoted to a comedy sketch. Jack might leave the studio and go home to handle some problem (e.g. getting Carmichael to take his medicine). Or there would be a miniplay (e.g. "Buck Benny Rides Again," or a murder mystery starring Jack as Police Captain O'Benny), or a satire of a current movie (e.g. "Snow White and the Seven Gangsters"). In some episodes, Jack closed the show with brief instructions to his band leader ("Play, Phil."), and the band would play a final musical number, as Don Wilson did a final commercial.

Over the years, The Jack Benny Program evolved into the modern domestic situation comedy form, crafting particular situations and scenarios from the fictionalized life of Jack Benny, the radio star. For example, an entire show might be devoted to Jack taking a violin lesson, instructed by his harried violin teacher, Professor LeBlanc (played by Mel Blanc). Common situations included hosting parties, nights on the town, income-tax time, contract negotiations, "backstage" interactions between Jack and his cast during show rehearsals at the radio studio, traveling in the Maxwell, or traveling by train or plane to and from Jack's many personal appearances throughout the country (hence the "Train leaving on track five" running gag).

The sitcom shows usually opened at Jack's house in Beverly Hills, with Jack handling some common domestic task (e.g. Spring cleaning or organizing the pantry), with help from Rochester. As the show progressed, Jack would receive visits or phone calls from Mary Livingstone, Phil Harris or Bob Crosby (who replaced Harris as the radio show's "band leader" in 1952), and Dennis Day. Following an exchange with Day, Benny would order him to "rehearse" a song ("Let's hear the song that you're going to sing on my show tomorrow night."), and Dennis would sing a number. Don Wilson would bring the Sportsmen Quartet over to Jack's house, to sing a new commercial for the sponsor, Lucky Strike Cigarettes, to Benny's consternation.

Later in the show, Jack might step out to handle some common errand, such as going to the dentist, or visiting a store to buy a new suit, where the dentist or store clerk would inevitably turn out to be Frank Nelson. While on these errands, he might encounter Mr. Kitzel (Artie Auerbach), the race track tout (Sheldon Leonard) or John L.C. Sivoney (Frank Fontaine). In other shows, Jack might fall asleep while reading a book in his study (e.g. "I Stand Condemned" or "The Search for the Elephant's Graveyard"), and dream that he was the star of the story he was reading.

In the 1950s, as The Jack Benny Program gravitated to television, the "domestic sitcom" became the show's standard format, often with Benny introducing the episode onstage. Scripts and storylines from radio show episodes were re-used and adapted for TV episodes, with the writers using visual gags and settings (e.g. Jack's underground vault) that had previously been described on air and left to the radio listeners' imaginations.

Radio
Jack Benny first appeared on radio as a guest of Ed Sullivan in March 1932. He was then given his own show later that year, with Canada Dry Ginger Ale as a sponsor – The Canada Dry Ginger Ale Program, beginning May 2, 1932, on the NBC Blue Network and continuing there for six months until October 26, moving the show to CBS on October 30. With Ted Weems leading the band, Benny stayed on CBS until January 26, 1933.

Arriving at NBC on March 3, Benny did The Chevrolet Program until April 1, 1934, with Frank Black leading the band. He continued with The General Tire Revue for the rest of that season, and in the fall of 1934, for General Foods as The Jell-O Program Starring Jack Benny (1934–42), and when sales of Jell-O were affected by sugar rationing during World War II, The Grape Nuts Flakes Program Starring Jack Benny (later the Grape Nuts and Grape Nuts Flakes Program) (1942–44).

On October 1, 1944, the show became The Lucky Strike Program Starring Jack Benny, when American Tobacco's Lucky Strike cigarettes took over as his radio sponsor, through to the mid-1950s. By that time, the practice of using the sponsor's name as the title began to fade.

The show returned to CBS on January 2, 1949, as part of CBS president William S. Paley's "raid" of NBC talent in 1948–49. There it stayed for the remainder of its radio run, which ended on May 22, 1955. CBS aired repeats of previous 1953–55 radio episodes from 1956 to 1958 as The Best of Benny for State Farm Insurance, which later sponsored his television program from 1960 through 1965.

In October, 1934, General Foods agreed to take up sponsorship from the struggling tire-maker, using the show (now airing on the Blue network) to promote its low-selling Jell-O desserts. Beginning from this point, Benny was heard Sunday evenings at 7, at the time seen as a "graveyard slot". However, this was eventually associated with Benny, who appeared in that very time spot for his remaining 21 years on radio (counting his TV shows, he would broadcast on Sundays for a record 28 consecutive years).

In the fall of 1935, Don Bestor was replaced by Johnny Green as the maestro, while Parker was replaced by Michael Bartlett, who himself left after 13 weeks, with Kenny Baker taking over. In early 1936, Harry Conn left the program after creative conflicts with Benny, who had to resort to vaudeville writers Al Boasberg and Edmund Beloin through the end of the season.

In 1936, after a few years of broadcasting from New York, Benny moved the show to Los Angeles, allowing him to bring in guests from among his show-business friends, including Frank Sinatra, James Stewart, Judy Garland, Barbara Stanwyck, Bing Crosby, Burns and Allen (George Burns was Benny's closest friend), and many others. Burns, Allen, and Orson Welles guest-hosted several episodes in March and April 1943 when Benny was ill with pneumonia, while Ronald Colman and his wife Benita Hume appeared often in the 1940s as Benny's long-suffering neighbors.

The 1936–37 season brought many changes instrumental to the development of the show. Aside from having a new writing team (Beloin and Bill Morrow, with script doctoring by Boasberg), Benny returned to the NBC Red Network and established the program in Hollywood. Benny had already done a number of shows on the West Coast for two years – featuring Jimmie Grier as guest conductor – whenever he was doing movie work. Green was replaced by Phil Harris.

During this period, the Benny character gradually became that of the vain, miserly, untalented performer for which he would be recognized, while the "ditzy" role went from Mary to Kenny, and Don Wilson would become the target of jokes about his weight. Halfway through the season, the famous "feud" with Fred Allen began, climaxing with a visit to New York, after which Eddie Anderson was cast as a porter for the train trip back to Los Angeles. His character was so well received that it was decided to have Anderson join the cast as Rochester Van Jones, Benny's valet. In 1939, Kenny Baker chose to leave the show and was replaced by Dennis Day.

In 1941, NBC celebrated Benny's 10th anniversary in radio in an unprecedented manner, broadcasting part of a banquet dedicated to him, in which the network conceded the Sunday 7:00 to 7:30 pm slot to Benny instead of the sponsor, as it was the custom during the Golden Age of Radio.

In 1942, due to sugar shortages during war time, General Foods switched their sponsor product from Jell-O to Grape-Nuts. World War II affected the show as Harris joined the Merchant Marines, being absent from the program from December 1942 until March 1943. That fall, Morrow joined the Army and Beloin left the show; they were replaced by Milt Josefsberg, John Tackaberry, George Balzer, and Cy Howard, the latter of whom was soon replaced by Sam Perrin. The new writers emphasized sitcom situations instead of the film parodies prevalent in earlier years. Also during this time, Hilliard Marks, the brother of Benny's wife, Mary Livingstone, became the show's full-time producer.

In early 1944, Dennis Day enlisted in the Navy, not returning until 1946. He was temporarily replaced by tenor Larry Stevens. In October, 1944, after 10 years with General Foods, American Tobacco's Lucky Strike became Benny's sponsor, an association that lasted until 1959.

The show switched networks to CBS on January 2, 1949, as part of CBS president William S. Paley's notorious "raid" on NBC talent in 1948–49. It stayed there for the remainder of its radio run, ending on May 22, 1955. In 1952, Harris was replaced by Bob Crosby. CBS aired repeat episodes from 1956 to 1958 as The Best of Benny.

Sponsors
In the early days of radio and in the early television era, airtime was owned by the sponsor, and Benny incorporated the commercials into the body of the show. Sometimes, the sponsors were the butt of jokes, though Benny did not use this device as frequently as his friend and "rival" Fred Allen did then, or as cast member Phil Harris later did on his successful radio sitcom. Nevertheless, for years, Benny insisted in contract negotiations that his writers pen the sponsor's commercial in the middle of the program (leaving the sponsor to provide the opening and closing spots) and the resulting ads were cleverly and wittily worked into the storyline of the show. For example, on one program, Don Wilson accidentally misread Lucky Strike's slogan ("Be happy, go Lucky") as "Be Lucky, go happy", prompting a story arc over several weeks that had Wilson unable to appear on the show due to being traumatized by the error.

In fact, the radio show was generally not announced as The Jack Benny Program. Instead, the primary name of the show tied to the sponsor. Benny's first sponsor was Canada Dry Ginger Ale from 1932 to 1933. Benny's sponsors included Chevrolet from 1933 to 1934, General Tire in 1934, and Jell-O from 1934 to 1942.

The Jell-O Program Starring Jack Benny was so successful in selling Jell-O, that General Foods could not manufacture it quickly enough when sugar shortages arose in the early years of World War II, and the company stopped advertising the dessert mix. General Foods switched the Benny program from Jell-O to Grape-Nuts from 1942 to 1944, and it was The Grape Nuts Program Starring Jack Benny. Benny's longest-running sponsor, was the American Tobacco Company's Lucky Strike cigarettes, from 1944 to 1955, when the show was usually announced as The Lucky Strike Program starring Jack Benny.

Writers
Benny employed a small group of writers, most of whom stayed with him for many years. This was in contrast to many successful radio or television comedians, such as Bob Hope, who changed writers frequently. One of Benny's writers, George Balzer, noted: "One of the nice things about writing for Jack Benny was that he never denied your existence. On the contrary, he publicized it – not just in conversations, but in interviews and on the air."

Historical accounts like those by longtime Benny writer Milt Josefsberg indicate that Benny's role was essentially as head writer and director of his radio programs, though he was not credited in either capacity. In contrast to Fred Allen, who initially wrote his own radio scripts and extensively rewrote scripts produced in later years by a writing staff, Jack Benny was often described by his writers as a consummate comedy editor rather than a writer per se. George Burns described Benny as "the greatest editor of material in the business. He's got the knack of cutting out all the weak slush and keeping in only the strong, punchy lines."

Jack Benny has a reputation as a master of timing. Since his days in radio, he often explored the limits of timing for comedic purposes, like pausing a disproportionate amount of time before answering a question. Balzer described writing material for Benny as similar to composing music, with one element being the rhythm of delivery as equivalent to musical tempo.

Theme music
During his early radio shows, no recurring theme was used, with the program instead opening each week with a different then-current popular song. Throughout the Jell-O and Grape-Nuts years, announcer Don Wilson would announce the name of the show, some of the cast, then state "The orchestra opens the program with [name of song]." The orchestra number would continue softly as background for Don Wilson's opening commercial.

Starting in the Lucky Strike era, Benny adopted a medley of "Yankee Doodle Dandy" and "Love in Bloom" as his theme music, opening every show. "Love in Bloom" was later the theme of his television show. His radio shows often ended with the orchestra playing "Hooray for Hollywood". The TV show ended with one of two bouncy instrumentals written for the show by his musical arranger and conductor, Mahlon Merrick.

Benny sometimes joked about the propriety of "Love in Bloom" as his theme song. On a segment often played in Tonight Show retrospectives, Benny talks with Johnny Carson about this. Benny says he has no objections to the song in and of itself, only as his theme. Proving his point, he begins reciting the lyrics slowly and deliberately: "Can it be the trees. That fill the breeze. With rare and magic perfume. Now what the hell has that got to do with me?"

Racial attitudes
Eddie Anderson was the first black man to have a recurring role in a national radio show, which was significant because at the time, black characters were not uncommonly played by white actors in blackface. Although Eddie Anderson's Rochester may be considered a stereotype by some, his attitudes were unusually sardonic for such a role. As was typical at the time in depicting class distinctions, Rochester always used a formal mode of address to the other (White) characters ("Mr. Benny", "Miss Livingstone") and they always used a familiar mode in speaking to him ("Rochester"), but the formal mode when speaking to him about another White character ("Mr. Benny" when speaking to Rochester but "Jack" when speaking to Jack).

In many routines, Rochester gets the better of Benny, often pricking his boss' ego, or simply outwitting him. The show's portrayal of black characters could be seen as advanced for its time. In a 1956 episode, African American actor Roy Glenn plays a friend of Rochester's, and he is portrayed as a well-educated, articulate man not as the typical "darkie stereotype" seen in many films of the time.

Glenn's role was a recurring one on the series, where he was often portrayed as having to support two people on one unemployment check (i.e., himself and Rochester). Black talent was also showcased, with several guest appearances by The Ink Spots and others. Once, when Benny and his cast and crew were doing a series of shows in New York, the entire cast, including Eddie Anderson, stayed in a prominent New York hotel. Shortly after they decamped at the hotel, a manager told Benny that some White guests from Mississippi had complained to him about Anderson staying in the hotel. He asked Benny to please "do something about it." Benny assured him that he would fix the matter. That evening, Benny moved all his people into another hotel, where Anderson would not be made to feel unwelcome.

Line flubs
In the Golden Age of Radio, line flubs were common during live broadcasts, especially on a show like The Jack Benny Program, which used sophisticated humor and complex, well-written scripts. When they happened, Jack would laugh along with the audience, ad lib a joke or two, and continue on with the show, although the line flubs clearly annoyed him. When Eddie Anderson, who had a habit of missing rehearsals, would flub his lines on the air, Jack would sometimes shout in mock indignation, "Just one rehearsal! That's all I ask!"

As professional as he was, even Jack himself was not immune to flubs. On the November 6, 1949 episode, in a sketch where he was on a yacht cruise, Jack told the boat captain that he had been "on the Navy" during World War I, instead of "in the Navy." The episode featured so many line flubs that the following week's episode, November 13, was built around Jack calling a meeting of his cast to discuss their mistakes in the previous week's episode.

Mary Livingstone had several flubs that became notorious running gags for weeks after they happened. On the October 27, 1946 episode, during a lunch counter sketch, Mary mistakenly ordered a "chiss sweeze sandwich," instead of a "Swiss cheese sandwich." On the December 3, 1950 episode, Jack told the story of how he met his valet, Rochester. According to Jack, he was driving his car, made a turn into a garage owned by Amos 'n' Andy, and accidentally hit Rochester's car – while it was up on the grease rack. At the end of the show, Mary asked Jack, "How could you possibly hit a car when it was up on the grass reek?"

Unfortunately, these line flubs may have contributed to Mary Livingstone developing a bad case of "mike fright." In the radio show's final years (1952–1955), Mary's character appeared less and less. When the show was transcribed (pre-recorded), Mary's daughter, Joan Benny, would fill in for her mother when the cast recorded the episode in front of a live studio audience, and Mary would later dub in her lines from the safety of her living room at home.

On the broadcast of January 8, 1950, journalist Drew Pearson was the subject of a joke gone wrong. Announcer Don Wilson was supposed to say he heard that Jack bought a new suit on Drew Pearson's broadcast, but accidentally said "Dreer Pooson". Later in the show, comedic actor Frank Nelson was asked by Benny if he was the doorman. Changing his original response at the suggestion of the writers, Nelson said, "Well, who do you think I am, Dreer Pooson?" The audience laughed for almost 30 seconds. (According to several sources on the show, including writer Sam Perrin, Jack collapsed in laughter on hearing Nelson's ad lib, and it was several minutes before he could continue. On the recording of the January 8, 1950 episode, Jack's laughter is not heard. However, since the show was transcribed, it may have been edited out of the final broadcast.)

The line flubs would occasionally cause the show to run overtime. When this happened, Jack would cut the "coda joke" at the end of the episode, and sign off with the customary statement, "We're a little late, so good night, folks."

Running gags
Benny teamed with Fred Allen for the best-remembered running gag in classic radio history, in terms of character dialogue. Benny alone sustained a classic repertoire of running gags in his own right, though, including his skinflint radio and television persona, regular cast members' and guest stars' reference to his "baby blue" eyes, always sure to elicit a self-satisfied smirk or patently false attempt at modesty from Benny, perpetually giving his age as 39, and ineptitude at violin playing, most frequently demonstrated by futile attempts to perform Rodolphe Kreutzer's Étude No. 2 in C major.

In fact, Benny was a quite good violinist who achieved the illusion of a bad one, not by deliberately playing poorly, but by striving to play pieces that were too difficult for his skill level. In one of his show's skits, Benny is a USO performer in the Pacific playing his violin when he comes under fire; Benny still plays his violin when two Japanese surrender to him – all the other enemy soldiers committed suicide rather than endure listening to Benny's terrible music.

A skit heard numerous times on radio, and seen many times on television, had Mel Blanc as a Mexican in a sombrero and serape sitting on a bench. Jack Benny sits down and begins a conversation. To each question asked by Benny, Blanc replies Sí. When Benny asks his name, Blanc replies Sy, which would prompt the exchange, Sy?, Sí. And when Benny asks where Blanc is going, Blanc replies, "to see his sister", Sue (Sue?, Sí.), who of course sews for a living (Sew?, Sí.).

A running gag was Benny age always being 39 – a guest on the show was Rod Serling who is the mayor of a town where no one recognizes Benny; Jack runs off screaming for help while Serling breaks the fourth wall and remarks to the audience that anyone who has been 39 for as long as Benny has is a resident of this "Zone" (i.e., Twilight Zone).

A running gag in Benny's private life concerned George Burns. To Benny's eternal frustration, he could never get Burns to laugh. Burns, though, could crack Benny up with the least effort. An example of this occurred at a party when Benny pulled out a match to light a cigar. Burns announced to all, "Jack Benny will now perform the famous match trick!" Benny had no idea what Burns was talking about, so he proceeded to light up. Burns observed, "Oh, a new ending!" and Benny collapsed in helpless laughter.

Benny even had a sound-based running gag of his own: his famous basement vault alarm, allegedly installed by Spike Jones, ringing off with a shattering cacophony of whistles, sirens, bells, and blasts before ending invariably with the sound of a foghorn. The alarm rang even when Benny opened his safe with the correct combination. The vault also featured a guard named Ed (voiced by Joseph Kearns) who had been on post down below, apparently, before the end of the Civil War, the end of the Revolutionary War, the founding of Los Angeles, on Jack's 38th birthday and even the beginning of humanity.

In one appearance, Ed asked Benny, "By the way, Mr. Benny ... what's it like on the outside?" Benny responded, "... winter is nearly here, and the leaves are falling." Ed responded, "Hey, that must be exciting," to which Benny replied (in a stunningly risqué joke for the period), "Oh, no – people are wearing clothes now."

In one episode of the Benny radio show, Ed the Guard actually agreed when Benny invited him to take a break and come back to the surface world, only to discover that modern conveniences and transportation, which had not been around the last time he had been to the surface, terrorized and confused him. (Ed thought a crosstown bus was "a red and yellow dragon".) Finally, Ed decides to return to his post fathoms below and stay there. The basement vault gag was also used in the cartoon The Mouse that Jack Built and an episode of The Lucy Show.

A separate sound gag involved a song Benny had written, "When You Say I Beg Your Pardon, Then I'll Come Back to You". Its inane lyrics and insipid melody guaranteed that it would never be published or recorded, but Benny continued to try to con, extort, or otherwise inveigle some of his musical guests (including The Smothers Brothers and Peter, Paul and Mary) to perform it. However, none ever made it all the way.

In keeping with his "stingy" schtick, on one of his television specials he remarked that, to his way of looking at things, a "special" is when the price of coffee is marked down.

The orchestra
Another popular running gag concerned the social habits of Benny's on-air orchestra, who were consistently portrayed as a bunch of drunken ne'er-do-wells. Led first by Phil Harris and later by Bob Crosby, the orchestra, and in particular band member Frank Remley, were jokingly portrayed as often being too drunk to play properly, using an overturned bass drum to play cards on just minutes before a show and so enamored of liquor that the sight of a glass of milk would make them sick. Remley was portrayed in various unflattering situations, such as being thrown into a garbage can by a road sweeper who had found him passed out in the street at 4 am, and on a wanted poster at the Beverly Hills police station.

Crosby also got consistent laughs by frequently joking about his more famous brother Bing Crosby's vast wealth.

Christmas shopping
One popular scenario that became a tradition on The Jack Benny Program was the annual "Christmas Shopping" episode, in which Benny would go to a local department store to do his shopping. Each year, Benny would buy a ridiculously cheap Christmas gift for Don Wilson, from a harried store clerk played by Mel Blanc. Benny would then drive Blanc to insanity by exchanging the gift countless times throughout the episode.

In the 1946 Christmas episode, for example, Benny buys shoelaces for Don, and is unable to make up his mind whether to give Wilson shoelaces with plastic tips or metal tips. After exchanging them repeatedly, Mel Blanc is heard screaming insanely, "Plastic tips! Metal tips! I can't stand it anymore!"

A variation in 1948 was with an expensive wallet, but repeatedly changing the greeting card, prompting Blanc to shout, "I haven't run into anyone like you in 20 years! Oh, why did the governor have to give me that pardon!?" Benny then realizes that he should have gotten Don a wallet for $1.98, whereupon the store clerk responds by committing suicide.

Over the years, in the Christmas episodes, Benny bought and repeatedly exchanged cuff links, golf tees, a box of dates, a paint set (water colors or oils), and a gopher trap. In later years, Benny would encounter Mel Blanc's wife (played by Jean Vander Pyl or Bea Benaderet) or the clerk's psychiatrist at the store, and drive them crazy, as well.

One Christmas program had Crosby agonizing over what to get Remley: Benny: "Well, why don't you get him a cordial; like a bottle of Drambuie?" Crosby: "That's a nice thought, Jack, but Drambuie's an after-dinner drink." Benny: "So?" Crosby: "So Remley never quite makes it 'til after dinner."

The Maxwell
Starting with the October 24, 1937, radio show, when Jack proudly announced the purchase of his car, a running joke began that Benny drove an old Maxwell automobile, a brand that went out of business in 1925. Although some details such as the car's body style and its exact model year varied over the years, what remained constant was that Benny's old car was so worn out that it would barely run, but the miserly Benny insisted he could get a few more miles out of it.

Many of the sound effects for the car's clattering engine came from an actual old motor that the sound-effects shop had salvaged from a Los Angeles junkyard. When a sound-effects man missed a cue for the automobile engine, Mel Blanc quickly improvised a vocal imitation of a sputtering car engine starting up noisily that was so funny, it became a regular feature of the show.

The ongoing saga of the Maxwell was initially interrupted after just five years, when on the October 18, 1942, broadcast, Jack took his car to a local junkyard and contributed it to the World War II junk salvage drive, receiving $7.50 in war stamps in exchange. However, much of the radio audience may have remained unaware that the Maxwell was ever gone, because before long Benny was heard traveling around in a decrepit old car again, and by the end of the 1940s, his car was once more specifically identified as a Maxwell.

When the Jack Benny Program premiered on television in 1950, a 1916 Maxwell Model 25 Tourer became one of the production's standard props. Benny's Maxwell later became a 1923 Tourer. Benny often made public appearances in Maxwells. He drove a Maxwell onto the stage in one of his last television specials.

By 1941, Jack Benny's Maxwell had become such a well-known aspect of popular culture that it was referenced in the Billy Mills song "I'm in Love with the Sound Effects Man" as heard on the June 17, 1941, Fibber McGee and Molly radio show and later performed on a 1943 recording by Spike Jones. The automobile was also featured in the 1943 Benny film The Meanest Man in the World. Benny and his archaic auto were featured in a series of television and print ads for Texaco from the 1950s through the 1970s.

A series of gags was built around the premise that Benny appreciated the value of Sky Chief brand gasoline in keeping his car running smoothly, but was too cheap to buy more than one gallon at a time. In the classic cartoon "The Mouse that Jack Built", Benny and his wife are driven by Rochester in a sputtering Maxwell car. In another gag Benny comes home and Rochester reports that he has just reported to the Police that the Maxwell was stolen 3 hours after it happened. When Benny asks why he waited so long, Rochester replies that it was when he stopped laughing.

Many people believe that Benny appears behind the wheel of his Maxwell in the 1963 film It's a Mad, Mad, Mad, Mad World, but in fact, it was a 1932 Cadillac. The long shots for the scene were shot months before Benny was cast – with a stunt driver at the wheel – and the role was intended for Stan Laurel (which is why the character wears a derby, which Benny almost never did). When Laurel ultimately passed on appearing, Jack agreed to play the role. According to the commentary on the Criterion edition of the film, his close-ups were filmed on a rear-projection stage at the Paramount studio.

The Benny–Allen feud
On April 5, 1936, Benny began his famous radio feud with rival Fred Allen when he satirized Allen's show. Allen kicked the feud off on his own show on December 30, 1936, after child violinist Stuart Canin gave a performance of François Schubert's The Bee credibly enough that Allen wisecracked about "a certain alleged violinist" who should by comparison be ashamed of himself. Benny, who listened to the Allen show, answered in kind at the end of his January 3, 1937, show, and the two comedians were off and running.

For a decade, the two went at it back and forth, so convincingly that fans of either show could have been forgiven for believing they had become blood enemies. In reality, the two men were close friends and mutual admirers. Benny and Allen often appeared on each other's show during the ongoing feud; numerous surviving episodes of both comedians' radio shows feature each other, in both acknowledged guest spots and occasional cameos. On one Christmas program, Allen thanked Benny for sending him a Christmas tree, but then added that the tree had died. "Well, what do you expect," quipped Allen, "when the tree is in Brooklyn and the sap is in Hollywood."

Benny in his memoir (Sunday Nights at Seven) and Allen in his Treadmill to Oblivion later revealed that each comedian's writing staff often met together to plot future takes on the mock feud. If Allen zapped Benny with a satirization of Benny's show ("The Pinch Penny Program"), Benny shot back with a parody of Allen's Town Hall Tonight called "Clown Hall Tonight", and their playful sniping ("Benny was born ignorant, and he's been losing ground ever since") was also advanced in the films Love Thy Neighbor and It's in the Bag!.

Perhaps the climax of the feud came during Fred Allen's parody of popular quiz-and-prize show Queen for a Day. Calling the sketch "King for a Day", Allen played the host and Benny a contestant who sneaked onto the show using the alias Myron Proudfoot. Benny answered the prize-winning question correctly and Allen crowned him "king" and showered him with a passel of almost meaningless prizes.

Allen proudly announced, "Tomorrow night, in your ermine robe, you will be whisked by bicycle to Orange, New Jersey, where you will be the judge in a chicken-cleaning contest," to which Benny joyously declared, "I'm king for a day!" At this point a professional pressing-iron was wheeled on stage, to press Benny's suit properly. It didn't matter that Benny was still in the suit. Allen instructed his aides to remove Benny's suit, one item at a time, ending with his trousers, each garment's removal provoking louder laughter from the studio audience.

As his trousers began to come off, Benny howled, "Allen, you haven't seen the end of me!" At once Allen shot back, "It won't be long now!" The laughter was so loud and chaotic at the chain of events that the Allen show announcer, Kenny Delmar, was cut off the air while trying to read a final commercial and the show's credits. (Allen was notorious for running overtime often enough, largely thanks to his ad-libbing talent, and he overran the clock again this time.)

Benny was profoundly shaken when in 1956 Allen suddenly died at age 61 from a heart attack. In a statement released on the day after Allen's death, Benny said, "People have often asked me if Fred Allen and I were really friends in real life. My answer is always the same: You couldn't have such a long-running and successful feud as we did, without having a deep and sincere friendship at the heart of it." Allen himself wrote, "For years people have been asking me if Jack and I are friendly. I don't think that Jack Benny has an enemy in the world. ... He is my favorite comedian and I hope to be his friend until he is forty. That will be forever."

Preservation
The radio series was one of the most extensively preserved programs of its era, with the archive almost complete from 1936 onward and several episodes existing from before that (including the 1932 premiere).

A few episodes from the series' later years remain missing, however, such as the shows from September 30 and October 7, 1951.

The March 28, 1948 episode of the radio series was chosen by the Library of Congress as a 2004 selection for preservation in the National Recording Registry.

Television
Jack Benny made his TV debut in 1949 with a local appearance on Los Angeles station KTTV, then a CBS affiliate. On October 28, 1950, he made his full network debut over CBS Television.

The regular and continuing Jack Benny Program was telecast on CBS from October 28, 1950, to September 15, 1964. Benny's television shows were occasional broadcasts in his early seasons on TV, as he was still firmly dedicated to radio. It became a bi-weekly show in the 1954–55 season, then a weekly show in the 1960–1961 season, and moved to NBC for its final season, airing from September 25, 1964, to September 10, 1965.

343 episodes were produced. His TV sponsors included American Tobacco's Lucky Strike (1950–59), Lever Brothers' Lux (1959–60), State Farm Insurance (1960–65), Lipton Tea (1960–62), General Foods' Jell-O (1962–64), and Miles Laboratories (1964–65).

The television show was a seamless continuation of Benny's radio program, employing many of the same players, the same approach to situation comedy, and some of the same scripts. The suffix "Program" instead of "Show" was also a carryover from radio, where "program" rather than "show" was used frequently for presentations in the nonvisual medium. Occasionally, in several live episodes, the title card read The Jack Benny Show.

The Jack Benny Program appeared infrequently during its first two years on CBS-TV. Benny moved into television slowly. In his first season (1950–1951), he only performed on four shows, but by the 1951–1952 season, he was ready to do one show roughly every six weeks. In the third season (1952–1953), the show was broadcast every four weeks. During the 1953–1954 season, the Jack Benny Program aired every three weeks.

From 1954 to 1960, the program aired every other week, rotating with such shows as Private Secretary and Bachelor Father. After the radio show ended in 1955, Benny took on another biweekly series, becoming a regular on Shower of Stars, CBS's hourlong comedy/variety anthology series. He effectively appeared almost every week on one of the two series. On Shower of Stars, Benny's character finally turned 40, throwing a large birthday party for the occasion.

Beginning in the 1960–1961 season, the Jack Benny Program began airing every week. The show moved from CBS to NBC prior to the 1964–65 season. During the 1953–54 season, a few episodes were filmed during the summer and the others were live, a schedule that allowed Benny to continue doing his radio show. In the 1953–1954 season, Dennis Day had his own short-lived comedy and variety show on NBC, The Dennis Day Show, which was a continuation of his early stint on The RCA Victor Show, on which he had begun appearing on an alternate-week basis beginning in early 1952.

Live episodes (and later live-on-tape episodes) of the Jack Benny Program were broadcast from CBS Television City with live audiences. Early filmed episodes were shot by McCadden Productions at Hollywood Center Studios and later by Desilu Productions at Red Studios Hollywood with an audience brought in to watch the finished film for live responses. Benny's opening and closing monologues were filmed in front of a live audience. From the late 1950s until the last season on NBC, though, a laugh track was used to augment audience responses. By this time, all shows were filmed at Universal Television.

In Jim Bishop's book A Day in the Life of President Kennedy, John F. Kennedy said that he was too busy to watch most television, but that he made the time to watch the Jack Benny Program each week.

Outside of North America (being also one of the most popular shows on the CBC), one episode reportedly aired first in the United Kingdom (where one episode was filmed). Benny had also been a familiar figure in Australia since the mid- to late 1930s with his radio show, and he made a special program for ATN-7 Jack Benny In Australia in March 1964, after a successful tour of Sydney and Melbourne.

End
James T. Aubrey, the president of CBS Television and a man known for his abrasive and judgmental decision-making style, infamously told Benny in 1963, "you're through." Benny was further incensed when CBS placed an untested new sitcom, the Beverly Hillbillies spinoff Petticoat Junction, as his lead in. Benny had had a strong ratings surge the previous year when his series was moved to Tuesday nights with the popular Red Skelton Hour in the time slot prior to his.

He feared a separation of their two programs might prove fatal. Early that fall, he announced his show was moving back to NBC, where he was able to get the network to pick up another season. Benny's fears proved to be unfounded; his ratings for the 1963–64 season remained strong, while Petticoat Junction emerged as the most popular new series that fall.

In his unpublished autobiography, I Always Had Shoes (portions of which were later incorporated by Benny's daughter, Joan, into her memoir of her parents, Sunday Nights at Seven), Benny said that he made the decision to end his TV series in 1965. He said that while the ratings were still good (he cited a figure of some 18 million viewers per week, although he qualified that figure by saying he never believed the ratings services were doing anything more than guessing), advertisers complained that commercial time on his show was costing nearly twice as much as what they paid for most other shows, and he had grown tired of what was called the "rat race".

Syndication
As with the radio shows, most of the television series has lapsed into the public domain, although several episodes (particularly those made from 1961 onward, including the entire NBC-TV run) remain under copyright. During his lone NBC season, CBS aired repeats on weekdays and Sunday afternoons. 104 episodes personally selected by Benny and Irving Fein, Benny's associate since 1947, were placed into syndication in 1968 by MCA TV. Telecasts of the shows in the late evening were running as late as 1966.

Four early-1960s episodes were rerun on CBS during the summer of 1977. Edited 16mm prints ran on the CBN Cable Network in the mid-1980s. Restored versions first appeared on the short lived HA! network in 1990. As of 2011, the series has run on Antenna TV, part of a long-term official syndication distribution deal. The public domain television episodes have appeared on numerous stations, including PBS, while the radio series episodes have appeared in radio drama anthology series such as When Radio Was.

Home media
Public-domain episodes have been available on budget VHS/Beta tapes (and later DVDs) since the late 1970s. MCA Home Video issued a 1960 version of the classic "Christmas Shopping" show in 1982 and a VHS set of 10 filmed episodes in 1990. In 2008, 25 public-domain episodes of the show, long thought lost, were located in a CBS vault. The Jack Benny Fan Club, with the blessing of the Benny estate, offered to fund the digital preservation and release of these sealed episodes. CBS issued a press statement that any release was unlikely.

June 2013 had the first official release of 18 rare live Benny programs from 1956 to 1964 by Shout! Factory. This set, part of Benny's private collection at the UCLA film and television library, included guest shots by Jack Paar, John Wayne, Tony Curtis, Gary Cooper, Dick Van Dyke, Rock Hudson, Natalie Wood, and President Harry Truman, and the only TV appearance with longtime radio foe Ronald Colman.

Main cast

 * Jack Benny as himself – The protagonist of the show, Benny is a comic, vain, penny-pinching miser, insisting on remaining 39 years old on stage despite his actual age, and often playing the violin badly.
 * Eddie Anderson as Rochester Van Jones, Jack's valet and chauffeur – Early in the show's run, he often talked of gambling or going out with women. Later on, he complained about his salary.
 * Don Wilson as himself – Don generally opened the show and also did the commercials. He was the target of Jack's jokes, mostly about his weight.
 * Eugene McNulty as Dennis Day – A vocalist perpetually in his 20s (by the time of the last television series, McNulty was 49 years old), he was sweet but not very bright. When called upon, he could use a wide variety of accents, which was especially useful in plays. He usually sang a song about 10 minutes into the program. If the episode was a flashback to a previous time, a ruse would be used such as Dennis singing his song for Jack so he could hear it before the show. McNulty adopted the name "Dennis Day" as his stage name for the rest of his career.
 * Sadie Marks as Mary Livingstone – A sarcastic comic foil, her varying roles all served as, to use the description of Fred Allen, "a girl to insult (Jack)." Marks, who in real life was Benny's wife, later legally changed her name to "Mary Livingstone" in response to the character's popularity. Her role on the program was reduced in the 1950s due to increasing stage fright, and Livingstone finally retired from acting in 1958.
 * Phil Harris as himself – A skirt-chasing, arrogant, hip-talking bandleader, he constantly put Jack down (in a mostly friendly way). He referred to Mary as "Livvy" or "Liv", and Jack as "Jackson". Harris explained this once by saying it's "as close as I can get to jackass and still be polite" Spun off into The Phil Harris–Alice Faye Show (1946–1954) with his wife, actress Alice Faye. Harris left the radio show in 1952 and his character did not make the transition to television apart from a guest appearance.
 * Mel Blanc as Carmichael the Polar Bear, Professor Pierre LeBlanc, Sy the Mexican, Polly (Jack's parrot), the Maxwell, and many other assorted voices – An occasional running gag went along the lines of how the various characters Mel portrayed all looked alike. He was also the sound effects of Jack's barely functional Maxwell automobile – a role he played again in the Warner Bros. cartoon The Mouse that Jack Built. Another participating voice actor was Bert Gordon. Mel also played a train-station announcer, whose catchphrase was, "Train leaving on Track Five for Anaheim, Azusa, and Cuc-amonga."
 * Frank Nelson as the "Yeeee-essss?" man – He was always the person who waited on Jack wherever he was, from the railroad-station agent, to the store clerk, to the doorman, to the waiter. When Jack asked if he was what he was working as, Frank would respond with a sarcastic quip (In one episode, he had played a floorwalker, and when Jack asked if he was the floorwalker, Frank responded with "Well, what do you think I am with this carnation? A float in the rose parade?") Frank always delighted in aggravating Jack, as he was apparently constantly aggravated by Jack's presence.
 * Sheldon Leonard – A racetrack tout (originated by Benny Rubin), he frequently offered unsolicited advice to Benny on a variety of racing-unrelated subjects. Ironically, he never gave out information on horse racing, unless Jack demanded it. One excuse the tout gave was, "Who knows about horses?" His catchphrase was "Hey, bud... c'mere a minute".
 * Joseph Kearns as Ed, the superannuated security guard in Jack's money vault – Ed had allegedly been guarding Jack's vault since (variously) the founding of Los Angeles (1781), the American Civil War, the American Revolutionary War, or when Jack had just turned 38 years old. Burt Mustin took over the role on television following Kearns' death in 1962. (In the 1959 cartoon The Mouse that Jack Built, Mel Blanc played the part of Ed, who asks if the U.S. had won the war, then asks what would be done with the Kaiser). Kearns also played other roles, that of Dennis Day's father, that of a beleaguered IRS agent, his dentist, and often of a clerk when it was not necessary to have Frank Nelson antagonize Jack.
 * Artie Auerbach as Mr. Kitzel – He originally appeared on Al Pearce's radio show in the late 1930s, where his famous catch phrase was, "Hmmmm... eh, could be!", and several years later as a regular on The Abbott & Costello Show, who originally started out as a Yiddish hot dog vendor selling hot dogs during the Rose Bowl. In later episodes, he went on to lose his hot dog stand, and move on to various other jobs. A big part of his schtick involved garbling names with his accent, such as referring to Nat King Cole as "Nat King Cohen", or mentioning his favorite baseball player, "Rabbi Maranville". He often complained about his wife, an unseen character who was described as a large, domineering woman who, on one occasion, Kitzel visualized as "...from the front, she looks like Don Wilson from the side!" He often sang various permutations of his jingle, "Pickle in the middle and the mustard on top!" Kitzel was often heard to say, "Hoo-hoo-HOO!" in response to questions asked of him.
 * Bob Crosby – In 1952, Crosby replaced Phil Harris as the bandleader, remaining until Benny retired the radio show in 1955. In joining the show, he became the leader of the same group of musicians who had played under Harris. Many of his running jokes focused on his apparent inability to pronounce "Manischewitz", his own family, and the wealth and lifestyle of his older brother, Bing Crosby.
 * Benny Rubin – Played a variety of characters on both the radio and television versions. His most memorable bit was as an information-desk attendant. Jack would ask a series of questions that Rubin would answer with an ever-increasingly irritated, "I don't know!" followed by the punchline {among them: "Well, if you don't know, why are you standing behind that counter?"/"I gotta stand behind something; somebody stole my pants!" or "I missed a payment, and they nailed my shoes to the floor!"}.
 * Dale White – Harlow Wilson, the son of Don and Lois Wilson, on television. His catchphrase, "You never did like me!", is usually uttered when  Jack and he end up embroiled in an argument, though he once said it to his own mother.
 * Verna Felton as Mrs. Lucretia Day, Dennis' frighteningly domineering mother – She often came to near blows with Jack in her efforts to prevent him from taking advantage of Dennis, and she was often portrayed as working various masculine jobs such as a plumber, trucker, or karate instructor.  Although she cares deeply for her son, Dennis' zany behavior aggravates her to no end, and the show has alluded to her hilariously myriad attempts at killing and abandoning him.
 * Bea Benaderet and Sara Berner as Gertrude Gearshift and Mabel Flapsaddle, a pair of telephone switchboard operators – They always traded barbs with Jack (and sometimes each other) when he tried to put through a call. Whenever the scene shifted to them, they subtly plugged a current picture in an insult such as "Mr. Benny's line is flashing!" "Oh, I wonder what Dial M for Money wants now?" or "I wonder what Schmoe Vadis wants now?"
 * Jane Morgan and Gloria Gordon as Martha and Emily – A pair of elderly ladies, they were irresistibly attracted to Jack.
 * Madge Blake and Jesslyn Fax were the president and vice president, respectively, of the Jack Benny Fan Club, Pasadena chapter.
 * James Stewart and his wife, Gloria as themselves – Recurring guest stars on the radio and television series, they played Benny's often-imposed-upon neighbors, in roles similar to those performed by Ronald and Benita Colman.
 * Butterfly McQueen played Butterfly, the niece of Rochester. She worked as Mary Livingstone's maid.

Other cast members include

 * Ronald Colman and his wife, Benita as themselves – They were among Benny's most popular guest stars on the radio series, portraying his long-suffering next-door neighbors. On the show, the Colmans were often revolted by Jack's eccentricities and by the fact that he always borrowed odds and ends from them (at one point, leading Ronald to exclaim, "Butter? Butter, butter!!! Where does he think this is, Shangri-La?"). Dennis Day often impersonated Ronald Colman.
 * Frank Parker was the show's singer during the early seasons on radio from New York.
 * Kenny Baker – The show's tenor singer, he originally played the young, dopey character. He was replaced by Dennis Day.
 * Andy Devine – Jack's raspy-voiced friend, he lived on a farm with his ma and pa. He usually told a story about his folks and life around the farm. His catchphrase was "Hiya, Buck!"
 * Sam Hearn as Schlepperman – A Jewish character, he spoke with a Yiddish accent (his catch phrase: "Hullo, Stranger!"). He would return again as the "Hiya, Rube!" guy, a hick farmer from the town of Calabasas, who always insisted on referring to Jack as "rube".
 * Ed Beloin as Mr. Billingsley – He was Benny's polite but eccentric boarder. He appeared in the early 1940s.
 * Larry Stevens – A tenor singer, he substituted for Dennis Day from November 1944 to March 1946, when Dennis served in the Navy.
 * Mary Kelly as the Blue Fairy – A clumsy, overweight fairy, she appeared in several storytelling episodes. Kelly had been an old flame of Jack's, who had fallen on hard times. Benny was unsure of whether to give Kelly a regular role and instead appealed to friend George Burns, who put her on his show in 1939 as Mary "Bubbles" Kelly, best friend to Gracie.
 * Gisele MacKenzie – A singer and violin player, she guest-starred seven times on the program.
 * Blanche Stewart contributed a variety of characters and animal sounds.
 * Barry Gordon played Jack Benny as a child in a skit where Jack played his own father.
 * Johnny Green was the band leader until 1936, when Phil Harris joined the show.
 * Harry Baldwin – Jack Benny's secretary, who also played "The Knocking Man," a character who would knock on the door, enter, say something ridiculous, then leave.  He also played a variety of other roles.

Audio

 * Collection of Jack Benny radio show.
 * Jack Benny radio show collection
 * Zoot Radio, 766 free old time radio show downloads of The Jack Benny radio show
 * Jack Benny radio show at oldclassicradio.com
 * The Jack Benny Program on Old Time Radio Outlaws
 * The Jack Benny Program on Old Time Radio Outlaws

title: The Jack Benny Program


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David James Elliott

David William Smith (born September 21, 1960 ), known professionally as David James Elliott, is a Canadian actor. He was the star of the series JAG, playing lead character Harmon Rabb Jr. from 1995 to 2005.

Early life
Elliott was born David William Smith on September 21, 1960, in Milton, Ontario, Canada, the son of Patricia Smith (née Farrow), an office manager, and Arnold Smith, a heating and plumbing wholesale contractor. He was born the second of three boys. During his teenaged years, he was part of a band, quitting Milton District High School in his final year to pursue his dream of becoming a rock star. However, at age 19, he realized this would not happen and returned to finish high school.

After graduating from high school, he attended Ryerson University in Toronto, graduating in 1982. He joined the Stratford Shakespearean Festival in Ontario as a member of its Young Company.

Career
Subsequently, moving to Los Angeles, he took the stage name David James Elliott, having found an actor was already named David Smith. He appeared in the film Police Academy 3: Back in Training in 1986, and subsequently in the television series Street Legal, Knots Landing as Bill Nolan, and in 1993's The Untouchables as Agent Paul Robbins. The following year, Elliott landed a recurring role on the hit series Melrose Place, playing Terry Parsons, and a guest appearance in an episode of Seinfeld as "Carl" the anti-abortion furniture mover.

In 1995, Elliott landed the role he would hold for 10 years, the role of naval aviator-turned JAG lawyer Harmon Rabb, Jr. in the NBC/CBS television drama JAG. His tenure on JAG ended in 2005 with the series finale.

In 1996, Elliott starred in the made-for-cable movie Holiday Affair with Cynthia Gibb. This is a remake of the 1949 classic Holiday Affair which starred Robert Mitchum and Janet Leigh. In 2005, Elliott starred in a Canadian television movie The Man Who Lost Himself, which was based on the true story of Terry Evanshen, a Canadian football player who was in a car accident and lost his memory due to severe head injuries. Nanci Chambers also appeared in this movie as a doctor. In October 2006, Elliott joined the cast of legal drama Close to Home (2005–2007) as Chief Deputy Prosecutor James Conlon. During 2008, he had a recurring role in the Canadian series The Guard. He starred in Sci Fi Channel's four-hour miniseries, Knights of Bloodsteel (2009). Elliott was cast as an Internet millionaire in Terror Trap, directed by Dan Garcia. Elliott also starred in Dad's Home (2010), a widowed advertising executive who loses his job and becomes a stay-at-home dad for his two children.

On March 19, 2010, Elliott replaced Neal McDonough as the male lead in the television series Scoundrels. In 2010, Elliott was cast as FBI Agent Russ Josephson on CSI: NY, a recurring role as Detective Jo Danville's (Sela Ward) ex-husband, a role which he first portrayed in January 2011.

In 2012, Elliott also co-starred as Ripp Cockburn, the husband of Kristin Chenoweth's character Carlene, on ABC's comedy-drama series GCB. In 2014, Elliott appeared in Mad Men as Dave Wooster. In 2015, Elliott guest starred in the TV drama Scorpion.

In 2015, Elliott played actor John Wayne in the film Trumbo.

On March 29, 2019, CBS announced Elliott would be reprising his JAG role of Harmon Rabb Jr. for a multi-episode arc in the tenth season of NCIS: Los Angeles.

Personal life
He married actress Nanci Chambers in 1992. She also appeared in JAG as the ambitious Lt. Loren Singer. They have a daughter, Stephanie Smith (b. 1993) and a son, Wyatt Smith.

Awards

 * TV Guide Award [2000] "Favorite Male Actor in a Drama".

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Keith Carradine

Keith Ian Carradine (born August 8, 1949) is an American actor. In film he is known for his roles as Tom Frank in Robert Altman's Nashville, E. J. Bellocq in Louis Malle's Pretty Baby, and Mickey in Alan Rudolph's Choose Me. On television he is known for his roles as Wild Bill Hickok on the HBO series Deadwood, FBI agent Frank Lundy on the Showtime series Dexter, Lou Solverson in the first season of FX's Fargo, Penny's father Wyatt on the CBS sitcom The Big Bang Theory, and U.S. President Conrad Dalton on the CBS political drama Madam Secretary.

He is a member of the Carradine family of actors that began with his father, John Carradine.

Early life
Carradine was born in San Mateo, California. He is a son of actress and artist Sonia Sorel (née Henius), and actor John Carradine. His full brothers are Christopher and Robert Carradine, both of whom are actors. His paternal half-brothers are Bruce and David Carradine. His maternal half-brother is Michael Bowen. His maternal great-grandfather was biochemist Max Henius, and his maternal great-grandmother was the sister of historian Johan Ludvig Heiberg.

Carradine's childhood was troubled; he has said that his father drank and his mother "was a manic depressive paranoid schizophrenic catatonic—she had it all." His parents divorced in 1957, when he was eight years old. A bitter custody battle led to his father gaining custody of him and his brothers, Christopher and Robert, after the children had spent three months in a home for abused children as wards of the court. Keith said of the experience, "It was like being in jail. There were bars on the windows, and we were only allowed to see our parents through glass doors. It was very sad. We would stand there on either side of the glass door crying." He was raised in San Mateo primarily by his maternal grandmother, and he rarely saw either of his parents. His mother was not permitted to see him for eight years following the custody settlement.

Carradine attended the Ojai Valley School, where he was active in the school's theater department, performing in productions of Aria da Capo and The Madwoman of Chaillot. After high school, Carradine entertained the thought of becoming a forest ranger, and enrolled at Colorado State University in Fort Collins. "I had this idyllic fantasy of sitting somewhere communing with nature and chatting with the bears," he recalled, "[but] I didn't want to have to learn anything." He changed his major to drama after enrolling, but dropped out after one semester and returned to California, moving in with his older half-brother, David, who encouraged him to pursue an acting career, paid for his acting and vocal lessons, and helped him get an agent.

Stage
As a youth, Carradine had opportunities to appear on stage with his father in the latter's productions of Shakespeare. Thus, he had some background in theater when he was cast in the original Broadway run of Hair (1969), which launched his acting career. In that production he started out in the chorus and worked his way up to the lead roles playing Woof and Claude. He said of his involvement in Hair, "I really didn't plan to audition. I just went along with my brother, David, and his girlfriend at the time, Barbara Hershey, and two of their friends. I was simply going to play the piano for them while they sang, but I'm the one the staff wound up getting interested in."

His stage career is further distinguished by his Tony-nominated performance for Best Actor (Musical) as the title character in the Tony Award-winning musical, The Will Rogers Follies in 1991, for which he also received a Drama Desk Award nomination. He won the Outer Critics Circle Award for Foxfire with Hume Cronyn and Jessica Tandy, and appeared as Lawrence in Dirty Rotten Scoundrels at the Imperial Theater. In 2008, he appeared as Dr. Farquhar Off-Broadway in Mindgame, a thriller by Antony Horowitz, directed by Ken Russell, who made his New York directorial debut with the production. In March and April 2013, he starred in the Broadway production of Hands on a Hardbody. He was nominated for the Tony Award and the Drama Desk Award for his work.

Film
Carradine's first notable film appearance was in director Robert Altman's McCabe & Mrs. Miller in 1971. That same year, he co-starred with Kirk Douglas and Johnny Cash in A Gunfight. His next film, Emperor of the North Pole (1973), was re-released with a shorter title Emperor of the North. Carradine played a young aspiring hobo. The film was directed by Robert Aldrich and also starred Lee Marvin and Ernest Borgnine. Carradine then starred in Altman's film Thieves Like Us (1974), then played a principal character, a callow, womanizing folk singer, Tom Frank, in Altman's critically acclaimed film Nashville (1975; see "Music and songwriting"). He had difficulty shaking the image of Tom Frank following the popularity of the film. He felt the role gave him the reputation of being "a cad."

In 1977, Aldrich said "I think that Keith Carradine, if he's careful—I don't think he is careful—and if he's prudent about the selection of his parts, can be a great big movie star. I think that whoever's advising him is making some terrible selections about material. Because I think the guy is gifted, he's talented, he's attractive."

In 1977, Carradine starred opposite Harvey Keitel in Ridley Scott's The Duellists. Pretty Baby followed in 1978. He has acted in several offbeat films of Altman's protege Alan Rudolph, playing a disarmingly candid madman in Choose Me (1984), an incompetent petty criminal in Trouble in Mind (1985), and an American artist in 1930s Paris in The Moderns (1988).

He appeared with brothers David and Robert as the Younger brothers in Walter Hill's film The Long Riders (1980). Keith played Jim Younger in that film. In 1981, he appeared again under Hill's direction in Southern Comfort. In 1994, he had a cameo role as Will Rogers in Rudolph's film about Dorothy Parker, Mrs. Parker and the Vicious Circle. He co-starred with Daryl Hannah as homicidal sociopath John Netherwood in the thriller The Tie That Binds (1995). In 2011, he starred in Cowboys and Aliens, an American science fiction western film directed by Jon Favreau also starring Daniel Craig, Harrison Ford, and Olivia Wilde. Carradine traveled to Tuscany in 2012 to executive produce and star in John Jopson's Edgar Allan Poe inspired film Terroir. In 2013, he starred in Ain't Them Bodies Saints, which won the 2013 Sundance Film Festival award for cinematography. In 2016 Keith played Edward Dickinson, father of Emily Dickinson, in A Quiet Passion, a biographical film directed and written by Terence Davies about the life of the American poet.

In 2016, Carradine returned to star in his fourth Alan Rudolph film Ray Meets Helen, which was the final screen appearance of Sondra Locke.

Music and songwriting
His brother, David, said in an interview that Keith could play any instrument he wanted, including bagpipes and the French horn. Like David, Keith integrated his musical talents with his acting performances. In 1975, he performed a song he had written, "I'm Easy", in the movie Nashville. It was a popular hit, and Carradine won a Golden Globe and an Oscar for Best Original Song for the tune. This led to a brief singing career; he signed a contract with Asylum Records and released two albums – I'm Easy (1976) and Lost & Found (1978). His song "Mr. Blue" was number 44 in the Canadian AC charts in April 1978. In 1984, he appeared in the music video for Madonna's single "Material Girl". In the early 1990s, he played the lead role in the Tony Award–winning musical The Will Rogers Follies.

Television
In 1972, Carradine appeared briefly in the first season of the hit television series, Kung Fu, which starred his brother, David. Keith played a younger version of David's character, Kwai Chang Caine. In 1984, he starred in the TV movie Scorned and Swindled alongside Tuesday Weld. In 1987, he starred in the highly rated CBS miniseries Murder Ordained with JoBeth Williams and Kathy Bates. Other TV appearances include My Father My Son (1988), a television film. In 1983, he appeared as Foxy Funderburke, a murderous pedophile, in the television miniseries Chiefs, based on the Stuart Woods novel of the same name. His performance in Chiefs earned him a nomination for an Emmy Award in the "Outstanding Supporting Actor in a Limited Series or a Special" category. Carradine also starred in the ABC sitcom Complete Savages, and he played Wild Bill Hickok in the HBO series Deadwood.

Carradine hosted the documentary Wild West Tech series on the History Channel in the 2003–2004 season, before handing the job over to his brother, David. In the 2005 miniseries Into the West, produced by Steven Spielberg and DreamWorks, Carradine played Richard Henry Pratt. During the second and fourth seasons of the Showtime series Dexter, he appeared numerous times as FBI Special Agent Frank Lundy. Carradine is credited with guest starring twice on the suspense-drama Criminal Minds, as the psychopathic serial killer Frank Breitkopf. Other shows he appeared in include The Big Bang Theory (as Penny's father Wyatt), Star Trek: Enterprise ("First Flight" episode) and the Starz series Crash. Carradine also made a guest appearance on NCIS in 2014. Also in 2014, he had a recurring role as Lou Solverson in the FX series Fargo, followed by a recurring role as President Conrad Dalton on Madam Secretary. He was promoted to series regular starting with the show's second season.

In July 2016, Carradine hosted a month-long series of Western films on Turner Classic Movies. He appeared in dozens of wraparounds on the channel, discussing such films as Stagecoach, featuring his father, and McCabe and Mrs. Miller, in which he himself appears in a small role.

Video games
In 2012, Carradine lent his voice to the video game Hitman: Absolution, voicing the primary antagonist Blake Dexter.

Personal life
In 1968, Carradine met actress Shelley Plimpton when they starred in the Broadway musical Hair. She was married to actor Steve Curry, although they were separated; she and Carradine became romantically involved. After Carradine left the show and was in California he learned that Shelley was pregnant and had reunited with Curry. He met his daughter, Martha Plimpton, when she was four years old, after Shelley and Steve Curry had divorced. He said of Shelley, "She did a hell of a job raising Martha. I was not there. I was a very young man, absolutely terrified. She just took that in, and then she welcomed me into Martha's life when I was ready."

Carradine married Sandra Will on February 6, 1982. They were separated in 1993, before Will filed for divorce in 1999. The couple had two children: Cade Richmond Carradine (born July 19, 1982) and Sorel Johannah Carradine (born June 18, 1985). In 2006, Will pleaded guilty to two counts of perjury for lying to a grand jury about her involvement in the Anthony Pellicano wire tap scandal. She hired and then became romantically involved with Pellicano after her divorce from Carradine. According to FBI documents, Pellicano tapped Carradine's telephone and recorded calls between him and girlfriend Hayley Leslie DuMond at Will's request, along with DuMond's parents. Carradine filed a civil lawsuit against Will and Pellicano which was settled in 2013 before it went to trial.

On November 18, 2006, Carradine married actress Hayley DuMond, in Turin, Italy. They met in 1997 when they co-starred in the Burt Reynolds film The Hunter's Moon.

title: Keith Carradine


text:
Talk:4chan

site age
site age should be updated as 4chan is now 20 years old 47.33.100.126 (talk) 11:13, 1 October 2023 (UTC)
 * The template should do this automatically, let's look back in a few hours or tomorrow.-- ♦Ian Ma c M♦  (talk to me) 11:32, 1 October 2023 (UTC)
 * @47.33.100.126 it's 21 years old. 2001:8F8:1163:50:44FB:80FA:7765:9F39 (talk) 08:57, 12 February 2024 (UTC)

"/fit/" listed at Redirects for discussion
The redirect [//en.wikipedia.org/w/index.php?title=/fit/&redirect=no /fit/] has been listed at redirects for discussion to determine whether its use and function meets the redirect guidelines. Readers of this page are welcome to comment on this redirect at  until a consensus is reached. Utopes (talk / cont) 21:15, 20 March 2024 (UTC)

"/s4s/" listed at Redirects for discussion
The redirect [//en.wikipedia.org/w/index.php?title=/s4s/&redirect=no /s4s/] has been listed at redirects for discussion to determine whether its use and function meets the redirect guidelines. Readers of this page are welcome to comment on this redirect at  until a consensus is reached. Utopes (talk / cont) 21:15, 20 March 2024 (UTC)

"Doubles guy" listed at Redirects for discussion
The redirect [//en.wikipedia.org/w/index.php?title=Doubles_guy&redirect=no Doubles guy] has been listed at redirects for discussion to determine whether its use and function meets the redirect guidelines. Readers of this page are welcome to comment on this redirect at  until a consensus is reached. Utopes (talk / cont) 20:26, 22 March 2024 (UTC)

you should add the theat against stortinget to the article
2 bomb threats was posted against stortinget on april 2th. source: nrk. links can not be possted however. i did try. 84.208.108.74 (talk) 11:19, 3 April 2024 (UTC)

title: Talk:4chan


text:
List of United States Navy installations

List of major active US Navy bases, stations and other facilities.

California

 * Concord Naval Weapons Station
 * Fleet Numerical Meteorology and Oceanography Center
 * Naval Air Weapons Station China Lake
 * Naval Base San Diego
 * Naval Base Coronado
 * Naval Amphibious Base Coronado
 * Naval Air Station North Island
 * Naval Outlying Field Imperial Beach
 * Naval Auxiliary Landing Field San Clemente Island
 * Naval Base Point Loma
 * Naval Medical Center San Diego
 * Naval Air Facility El Centro
 * Naval Air Station Lemoore
 * Naval Support Activity Monterey
 * Naval Postgraduate School
 * Naval Weapons Station Seal Beach
 * Naval Base Ventura County
 * Naval Air Station Point Mugu
 * Naval Construction Battalion Center Port Hueneme
 * Naval Outlying Landing Field San Nicolas Island
 * Naval Surface Warfare Center

Connecticut

 * Naval Submarine Base New London

Florida

 * Naval Air Station Jacksonville
 * Naval Air Station Key West
 * Naval Station Mayport
 * Naval Support Activity Orlando
 * Naval Support Activity Panama City
 * Naval Air Station Pensacola
 * Naval Air Station Pensacola Corry Station
 * Naval Air Station Whiting Field
 * Naval Ordnance Test Unit Cape Canaveral

Georgia

 * Naval Submarine Base Kings Bay

Hawaii

 * Naval Computer and Telecommunications Area Master Station Pacific
 * Pacific Missile Range Facility
 * Naval Station Pearl Harbor
 * NSGA Kunia
 * Naval Radio Transmitting Facility Lualualei

Illinois

 * Naval Station Great Lakes

Indiana

 * Naval Surface Warfare Center Crane Division/Naval Support Activity Crane

Louisiana

 * Naval Air Station Joint Reserve Base New Orleans

Maine

 * Portsmouth Naval Shipyard
 * NCTAMS LANT Det Cutler

Maryland

 * Indian Head Naval Surface Warfare Center
 * Walter Reed National Military Medical Center
 * Navy Information Operations Command Maryland
 * Naval Support Facility Thurmont
 * Naval Surface Warfare Center Carderock Division
 * Naval Air Station Patuxent River
 * Naval Support Activity Annapolis
 * United States Naval Academy, Annapolis

Mississippi

 * Naval Air Station Meridian
 * Naval Construction Battalion Center (Gulfport, Mississippi)
 * Stennis Space Center

Nevada

 * Naval Air Station Fallon

New Jersey

 * Naval Weapons Station Earle
 * Lakehurst Maxfield Field (formerly Naval Air Engineering Station Lakehurst) (part of Joint Base McGuire-Dix-Lakehurst

New Mexico

 * Naval Air Warfare Center Weapons Division, White Sands Detachment

New York

 * Naval Support Activity Saratoga Springs

North Dakota

 * Naval Computer and Telecommunications Area Master Station Atlantic Detachment LaMoure

Pennsylvania

 * Naval Support Activity Mechanicsburg
 * Naval Support Activity Philadelphia
 * Naval business center Philadelphia

Rhode Island

 * Naval Station Newport

South Carolina

 * Naval Support Activity Charleston
 * United States Naval Hospital Beaufort

Tennessee

 * NSA Mid-South

Texas

 * Naval Air Station Corpus Christi
 * Naval Air Station Joint Reserve Base Fort Worth
 * Naval Air Station Kingsville
 * Medical Education and Training Campus

Virginia

 * Naval Air Station Oceana
 * Navy and Marine Corps Intelligence Training Center Dam Neck, Virginia
 * Naval Amphibious Base Little Creek
 * Naval Medical Center Portsmouth, Virginia
 * Norfolk Naval Shipyard
 * Naval Security Group Activity Chesapeake
 * Naval Station Norfolk
 * Naval Support Activity South Potomac
 * Naval Surface Warfare Center Dahlgren Division
 * Naval Support Activity Hampton Roads
 * Naval Weapons Station Yorktown
 * Training Support Center Hampton Roads, formerly Fleet Combat Training Center Atlantic Dam Neck
 * Wallops Island ASCS

Washington

 * Naval Station Everett
 * Naval Base Kitsap
 * Naval Submarine Base Bangor
 * Naval Station Bremerton
 * Naval Hospital Bremerton
 * Naval Undersea Warfare Center Keyport
 * Puget Sound Naval Shipyard
 * Naval Air Station Whidbey Island
 * Naval Magazine Indian Island
 * Jim Creek Naval Radio Station

Washington, D.C.

 * United States Naval Observatory
 * Naval Support Facility Anacostia
 * Washington Navy Yard
 * United States Naval Research Laboratory

West Virginia

 * Navy Information Operations Command Sugar Grove

Development

 * In January 2024, the US Navy requested a new permit for the installation and maintenance of mine training areas off the coasts of Hawaii and Southern California, as the Pacific Ocean, according to the command, is a priority theater of operations amid tensions with China. The current permit expires in 2025 and the Navy is required to submit an environmental impact report to extend it.

Guam

 * Naval Base Guam
 * Andersen Air Force Base
 * United States Naval Hospital Guam
 * NCTAMS Guam

Puerto Rico

 * Aguada Transmission Station
 * Navy Operational Support Center Puerto Rico
 * Navy Reserve Support Detachment Roosevelt

Australia

 * Naval Communication Station Harold E. Holt

Bahamas

 * Atlantic Undersea Test and Evaluation Center

Bahrain

 * Naval Support Activity Bahrain
 * Muharraq Airfield

British Indian Ocean Territory

 * Naval Support Facility Diego Garcia

El Salvador

 * Cooperative Security Location Comalapa, El Salvador

Cuba

 * Guantanamo Bay Naval Base

Djibouti

 * Camp Lemonnier

Greece

 * Naval Support Activity Souda Bay

Italy

 * Naval Support Activity Naples
 * Naval Support Activity Gaeta
 * Naval Air Station Sigonella
 * Augusta Bay Port Facility
 * Naval Computer and Telecommunications Station Naples, Italy

Japan

 * Naval Air Facility Atsugi
 * Misawa Air Base
 * Commander Fleet Activities Okinawa
 * Commander Fleet Activities Sasebo
 * Commander Fleet Activities Yokosuka
 * Naval Computer and Telecommunications Station Yokosuka, Japan

Republic of Korea

 * Busan Naval Base
 * Jinhae Naval Base

Kuwait

 * Kuwait Naval Base

Oman

 * Masirah

Philippines

 * U.S. Naval Base Subic Bay

Poland

 * Naval Support Facility Redzikowo

Qatar

 * Doha International Airport

Romania

 * Naval Support Facility Deveselu

Saudi Arabia

 * King Abdul Aziz IAP, Jeddah
 * King Fahd Naval Base, Jeddah

Singapore

 * Sembawang Naval Base
 * Changi Naval Base

Spain

 * Naval Station Rota

United Arab Emirates

 * Fujairah International Airport
 * Jebel Ali Port Facility


text:
User talk:STLEric

Hello and welcome to Wikipedia! Hope you like it here, and stick around.

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You're invited to Wikipedia Takes St. Louis!

Dust off your Polaroid camera and pack your best lenses. The first-ever Wikipedia Takes St. Louis photo hunt kicks off Sat, Sept. 15, at 12:30pm in downtown St. Louis. Tour the streets of the Rome of the West with other Wikipedians and even learn a little St. Louis history. This event is a fun and collaborative way to enhance St. Louis articles with visual content. Novice photographers welcome! Marcus Qwertyus (talk) 01:16, 2 September 2012 (UTC)

title: User talk:STLEric


text:
The Longest Most Meaningless Movie in the World

The Longest Most Meaningless Movie in the World is an underground movie made in the UK that runs to 48 hours long, created as a collaboration by respectively French and British filmmakers Vincent Patouillard as directors and Anthony Scott in production in association with the Swiss Film Centre and the London Film-Makers' Co-op workshop (both located in London).

No actual footage was shot for the project, which instead consists entirely of outtakes, commercials, strips of undeveloped film, Academy leader, discarded reels recovered from Wardour Street dustbins, and other filmic cast-off material, creating a seemingly endless stream of news-reel and stock footage. Many segments are shown upside down, in reverse, or without sound. Some are shown many times over to wear out the viewer. At one point, a commercial starring Donald Campbell advertising a boys' adventure magazine is looped forty times, amounting to half an hour's worth of video. The film notably features Hermine Demoriane, Roger Dixon, Graham Stevens, Carla Liss and Martine Meringue.

It was originally released in 1968 at the Arts Lab and the Cinémathèque Française, being one of the first films made by London Film-Makers' Co-op. It was subsequently aired at various locations within the next 2 years. As the title proclaims, it was indeed the longest film ever made at the time of its release (as British artist David Curtis notes, it most likely had the lowest production value to any film as well), but has since been superseded by other films. The current longest film ever made is Logistics.


text:
Category:Airlines of Portugal

See Also: List of airlines and List of defunct airlines

title: Category:Airlines of Portugal


text:
Magnús Þór Hafsteinsson

Magnús Þór Hafsteinsson (born May 29, 1964) is an Icelandic politician active in the Liberal Party (Frjálslyndi flokkurinn).

He has also worked as a reporter for the public TV news and is educated as a biologist.

title: Magnús Þór Hafsteinsson