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Wharf Rats

Wharf Rats are a group of concert-goers who have chosen to live drug and alcohol-free. They arose out of the environment around the rock group the Grateful Dead and their followers the Deadheads, both of which were rooted in the drugs-embracing counterculture of the 1960s.

Their primary purpose is to support other concert goers who choose to live drug-free, like themselves. They announce their presence with yellow balloons, signs, and the Wharf Rats information table. At a set break during Grateful Dead (and related) concerts they hold self help style meetings but are not affiliated specifically with any 12-Step organization and have no requirement for attendance at one of their meetings besides providing some helpful drug free fellowship. Like Deadheads, members of Wharf Rats come from all walks of life. By 1990, the Wharf Rats mailing list had some 3,000 names.

The Wharf Rats began during the early 1980s as a group of Deadheads under the name "The Wharf Rat Group of Alcoholics Anonymous". The Wharf Rats originally came from a small group of Narcotics Anonymous members who went to a Grateful Dead concert in Philadelphia and located each other by their Yellow balloons with the NA symbol drawn on in Magic Marker. However due to operational differences they soon split off from Narcotics Anonymous, and are not affiliated with them, AA, or any other twelve-step program (though many of members of the Wharf Rats are members of AA, NA or other 12-step programs). The Wharf Rats see themselves as "a group of friends sharing a common bond, providing support, information and some traction in an otherwise slippery environment." The relationship between the Wharf Rats and more traditional such groups has been studied in the academic journal Deviant Behavior.

While the Wharf Rats originated at Grateful Dead concerts, they now have a presence at other concerts as well. Similar groups include The Phellowship for Phish, The Gateway for Widespread Panic, The Jellyfish for The String Cheese Incident, Much Obliged for Umphrey's McGee, Happy Hour Heroes for moe., the Digital Buddhas for The Disco Biscuits, Better Than Before for The Werks, the Hummingbirds for Bassnectar, and the Sunny Bunny Recovery for Ween, Dustie Baggies for Billy Strings and The Hot Tea Party for Goose—all based on the Wharf Rats, which remain the best-known.

The name of this group comes from the 1971 Dead song "Wharf Rat" (written by Jerry Garcia and Robert Hunter and appearing on Skull & Roses), which contains the self-told story of August West, a down-and-out dockside wino. By at least one interpretation, the song was aimed partly at Deadheads.

title: Wharf Rats


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Talk:Prisoner of war

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Current Prisoners of War
To complement all the historic information there should be a section on current prisoners of war. Of course it would need to be updated frequently. Roughly how many are there? By whom and in connection with what conflicts are they being held? Is their captivity merely alleged, or is it acknowledged by their captors; and in the latter case what is their status, possibly disputed, under the Geneva Conventions.CharlesHBennett (talk) 18:30, 26 March 2019 (UTC)

Post World War II Content
The text; "Communist Vietnamese held in custody by South Vietnamese and American forces were also tortured and badly treated.[29]" is misleading and not supported by the source cited. That source deals with South Vietnamese political and peace activists who were arrested and imprisoned by the South Vietnamese police, govt, intel services, as well as military, not prisoners of war for the purposes of this article. Venqax (talk) 20:15, 19 April 2019 (UTC)

Added reference to women's creative work as prisoners in Changi
The handwork of the women civilian detainees in Changi was also dangerous and added from new citation. If there is a better page for this please redirect rather than delete. Thank you

Kaybeesquared (talk) 17:42, 16 June 2019 (UTC)

Contradiction
The first sentence says that POWs are non-combatants, but the Qualifications section says that they must be lawful combatants. Jim Michael (talk) 19:03, 27 May 2020 (UTC)
 * https://digital-commons.usnwc.edu/cgi/viewcontent.cgi?referer=https://www.google.com/&httpsredir=1&article=1559&context=ils XXzoonamiXX (talk) 10:16, 7 October 2021 (UTC)

I see this is fairly old but doesn’t seem to have been resolved? Could the confusion be that only lawful combatants qualify for POW status upon capture or surrender? OgamD218 (talk) 19:09, 13 March 2022 (UTC)

 * And that once they are POWs, then they are non-combatants and have to be treated as such. That may have been the original intention.Venqax (talk) 17:06, 31 July 2023 (UTC)

Popular Culture, Two Questions Add Books? Move to its own Page(s)?
I was surprised to find that this subject did not have its own page. It also deserves more than just a list. Surely there is history on and analysis of the fiction and non-fiction coming out of these experiences? I lack the time and the expertise Merry medievalist (talk) 19:48, 14 September 2023 (UTC)

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Talk:Prisoner of war


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Tom and Jerry

Tom and Jerry is an American animated media franchise and series of comedy short films created in 1940 by William Hanna and Joseph Barbera. Best known for its 161 theatrical short films by Metro-Goldwyn-Mayer, the series centers on the rivalry between the titular characters of a cat named Tom and a mouse named Jerry. Many shorts also feature several recurring characters.

In its original run, Hanna and Barbera produced 114 Tom and Jerry shorts for MGM from 1940 to 1958. During this time, they won seven Academy Awards for Best Animated Short Film, tying for first place with Walt Disney's Silly Symphonies with the most awards in the category. After the MGM cartoon studio closed in 1957, MGM revived the series with Gene Deitch directing an additional 13 Tom and Jerry shorts for Rembrandt Films from 1961 to 1962. Tom and Jerry became the highest-grossing animated short film series of that time, overtaking Looney Tunes. Chuck Jones produced another 34 shorts with Sib Tower 12 Productions between 1963 and 1967. Five more shorts have been produced since 2001, making a total of 166 shorts.

A number of spin-offs have been made, including the television series The Tom and Jerry Show (1975), The Tom and Jerry Comedy Show (1980–1982), Tom & Jerry Kids (1990–1993), Tom and Jerry Tales (2006–2008), and The Tom and Jerry Show (2014–2021). In 1992, the first feature-length film based on the series, Tom and Jerry: The Movie, was released. 13 direct-to-video films have been produced since 2002. In 2021, a live-action/animated hybrid film was released. In 2019, a musical adaptation of the series, titled Tom and Jerry: Purr-Chance to Dream, debuted in Japan, in advance of Tom and Jerry's 80th anniversary.

Plot
The series features comic fights between an iconic set of adversaries, a house cat (Tom) and a house mouse (Jerry). The plots of many shorts are often set in the backdrop of a house, centering on Tom (who is often enlisted by a human) trying to capture Jerry, and the mayhem and destruction that follows. Tom rarely succeeds in catching Jerry, mainly because of Jerry's cleverness, cunning abilities, and luck. However, on several occasions, they have displayed genuine friendship and concern for each other's well-being. At other times, the pair set aside their rivalry in order to pursue a common goal, such as when a baby escapes the watch of a negligent babysitter, causing Tom and Jerry to pursue the baby and keep it away from danger, in the shorts Busy Buddies and Tot Watchers respectively. Despite their endless attacks on one another, they have saved each other's lives every time they were truly in danger, except in The Two Mouseketeers, which features an uncharacteristically morbid ending, and Blue Cat Blues, where both sit on a railroad track at the end after being jilted by girlfriends. The cartoon irises out with the whistle of an oncoming steam train.

The cartoons are known for some of the most violent cartoon gags ever devised in theatrical animation: Tom may use axes, hammers, firearms, firecrackers, explosives, traps and poison to kill Jerry. Jerry's methods of retaliation are far more violent, with frequent success, including slicing Tom in half, decapitating him, shutting his head or fingers in a window or a door, stuffing Tom's tail in a waffle iron or a mangle, kicking him into a refrigerator, getting him electrocuted, pounding him with a mace, club or mallet, letting a tree or electric pole drive him into the ground, sticking matches into his feet and lighting them, tying him to a firework and setting it off, and so on. While Tom and Jerry has often been criticized as excessively violent, there is no blood or gore in any scene.

Music plays a very important part in the shorts, emphasizing the action, filling in for traditional sound effects, and lending emotion to the scenes. Musical director Scott Bradley created complex scores that combined elements of jazz, classical, and pop music. Bradley often used contemporary pop songs and songs from other films, including MGM films like The Wizard of Oz and Meet Me in St. Louis, which both starred Judy Garland in a leading role.

Even though Tom and Jerry almost never speak, the shorts also often had dialogue from other characters. Minor characters are not similarly limited, and the two lead characters speak English on rare occasions. For example, the character Mammy Two Shoes has lines in nearly every cartoon in which she appears. Most of the vocal effects used for Tom and Jerry are their high-pitched laughs and gasping screams.

Tom and Jerry
Tom, named "Jasper" in his debut appearance, is a gray and white domestic shorthair cat. "Tom" is a generic name for a male cat. He is usually but not always, portrayed as living a comfortable, or even pampered life, while Jerry, whose name is not explicitly mentioned in his debut appearance, is a small, brown house mouse who always lives in close proximity to Tom. Despite being very energetic, determined and much larger, Tom is no match for Jerry's wits. Jerry possesses surprising strength for his size, approximately the equivalent of Tom's, lifting items such as anvils with relative ease and withstanding considerable impacts.

Although cats typically chase mice to eat them, it is quite rare for Tom to actually try to eat Jerry. He tries to hurt or compete with him just to taunt Jerry, even as revenge, or to obtain a reward from a human, including his owner(s)/master(s), for catching Jerry, or for generally doing his job well as a house cat. By the final "fade-out" of each cartoon, Jerry usually gets the best of Tom.

Other results may be reached. On rare occasions, Tom triumphs, usually when Jerry becomes the aggressor or he pushes Tom a little too far. In The Million Dollar Cat, Jerry learns that Tom will lose his newly acquired wealth if he harms any animal, especially mice. He then torments Tom a little too much until he retaliates. In Timid Tabby Tom's look-alike cousin pushes Jerry over the edge. Occasionally and usually ironically, they both lose, usually because Jerry's last trap or attack on Tom backfires on him or he overlooks something. In Chuck Jones' Filet Meow, Jerry orders a shark from the pet store to scare Tom away from eating a goldfish. Afterward, the shark scares Jerry away as well. They occasionally end up being friends, although there is often a last-minute event that ruins the truce. One cartoon that has a friendly ending is Snowbody Loves Me.

Both characters display sadistic tendencies, in that they are equally likely to take pleasure in tormenting each other, although it is often in response to a triggering event. However, when one character appears to truly be in mortal danger from an unplanned situation or due to actions by a third party, the other will develop a conscience and save him. Occasionally, they bond over a mutual sentiment towards an unpleasant experience and their attacking each other is more play than serious attacks. Multiple shorts show the two getting along with minimal difficulty, and they are more than capable of working together when the situation calls for it, usually against a third party who manages to torture and humiliate them both.

Sometimes this partnership is forgotten quickly when an unexpected event happens, or when one character feels that the other is no longer necessary. This is the case in Posse Cat, when they agree that Jerry will allow himself to be caught if Tom agrees to share his reward dinner, but Tom then reneges. Other times, Tom keeps his promise to Jerry and the partnerships are not quickly dissolved after the problem is solved.

Tom changes his love interest many times. The first love interest is Toots who appears in Puss n' Toots, and calls him "Tommy" in The Mouse Comes to Dinner. He is interested in a cat called Toots in The Zoot Cat although she has a different appearance to the original Toots. The most frequent love interest of Tom's is Toodles Galore, who never has any dialogue in the cartoons.

Despite five shorts ending with a depiction of Tom's apparent death, his demise is never permanent. He even reads about his own death in a flashback in Jerry's Diary. He appears to die in explosions in Mouse Trouble, after which he is seen in heaven, Yankee Doodle Mouse and in Safety Second, while in The Two Mouseketeers he is guillotined offscreen. The short Blue Cat Blues ends with both Tom and Jerry sitting on the railroad tracks with the intent of suicide while the whistle of an oncoming train is heard foreshadowing their imminent death.

Tom and Jerry speaking
Although many supporting and minor characters speak, Tom and Jerry rarely do so themselves. One exception is The Lonesome Mouse where they speak several times briefly, primarily Jerry, to contrive to get Tom back into the house. Tom more often sings while wooing female cats. For example, Tom sings Louis Jordan's "Is You Is or Is You Ain't My Baby" in the 1946 short Solid Serenade. In that short and Zoot Cat, Tom woos female cats using a deep, heavily French-accented voice in imitation of then-popular leading man, actor Charles Boyer.

At the end of The Million Dollar Cat, after beginning to antagonize Jerry he says, "Gee, I'm throwin' away a million dollars... BUT I'M HAPPY!". In Tom and Jerry: The Magic Ring, Jerry says, "No, no, no, no, no." when choosing the shop to remove his ring. In The Mouse Comes to Dinner, Tom speaks to his girlfriend Toots while inadvertently sitting on a stove: "Say, what's cookin'?", to which Toots replies "You are, stupid."

Another instance of speech comes in Solid Serenade and The Framed Cat, where Tom directs Spike through a few dog tricks in a dog-trainer manner. In Puss Gets the Boot, Jerry prays for his life when Tom catches him by the tail. Jerry has whispered in Tom's ear on several occasions. In Love Me, Love My Mouse, Jerry calls Toots "Mama".

Co-director William Hanna provided most of the squeaks, gasps, and other vocal effects for the pair, including the most famous sound effects from the series, Tom's leather-lunged scream, created by recording Hanna's scream and eliminating the beginning and ending of the recording, leaving only the strongest part of the scream on the soundtrack, and Jerry's nervous gulp.

The only other reasonably common vocalization is made by Tom when some external reference claims a certain scenario or eventuality to be impossible, which inevitably thwarts Tom's plans – at which point, a bedraggled and battered Tom appears and says in a haunting, echoing voice "Don't you believe it!", a reference to the then-popular 1940s radio show Don't You Believe It!. In Mouse Trouble, Tom says "Don't you believe it!" after being beaten up by Jerry, which also happens in The Missing Mouse. In the 1946 short Trap Happy, Tom hires a cat disguised as a mouse exterminator who, after several failed attempts to dispatch Jerry and suffering a lot of accidents in the process, changes profession to Cat exterminator by crossing out the "Mouse" on his title and writing "CAT", resulting in Tom spelling out the word out loud before reluctantly pointing at himself.

One short, 1956's Blue Cat Blues, is narrated by Jerry in VoiceOver, voiced by Paul Frees, as they try to win back their ladyfriends. Jerry was voiced by Sara Berner during his appearance in the 1945 MGM musical Anchors Aweigh. Tom and Jerry: The Movie is the first, and so far only installment of the series where the famous cat-and-mouse duo regularly speaks or is able to be understood by humans. In that film, Tom was voiced by Richard Kind, and Jerry was voiced by Dana Hill.

Spike and Tyke
In his attempts to catch Jerry, Tom often has to deal with Spike, known as "Killer" and "Butch" in some shorts, an angry, vicious but easily duped bulldog who tries to attack Tom for bothering him or his son Tyke while trying to get Jerry. Originally, Spike was unnamed and mute, aside from howls and biting noises as well as attacking indiscriminately, not caring whether it was Tom or Jerry though usually attacking Tom. In later cartoons, Spike spoke often, using a voice and expressions, performed by Billy Bletcher and later Daws Butler, modeled after comedian Jimmy Durante. Spike's coat has altered throughout the years between gray and creamy tan. The addition of Spike's son Tyke in the late 1940s led to both a slight softening of Spike's character and a short-lived spin-off theatrical series called Spike and Tyke.

Most cartoons with Spike in them conform to a theme: usually, Spike is trying to accomplish something, such as building a dog house or sleeping, when Tom and Jerry's antics stop him doing it. Spike then presumably due to prejudice, singles out Tom as the culprit, and threatens him that if it ever happens again, he will do "something horrible" to him, effectively forcing Tom to take the blame, while Jerry overhears. Afterward, Jerry usually does anything he can to interrupt whatever Spike is doing, while Tom barely manages to stop him, usually getting injured in the process. Usually, Jerry eventually wrecks whatever Spike is doing in spectacular fashion, and leaves Tom to take the blame, forcing him to flee from Spike and inevitably lose.

Off-screen, Spike does something to Tom, and Tom is generally shown injured or in a bad situation while Jerry smugly cuddles up to Spike unscathed. Tom sometimes gets irritated with Spike. An example is in That's My Pup!, when Spike forces Tom to run up a tree every time his son barked, causing Tom to hang Tyke on a flag pole. At least once, Tom does something that benefits Spike, who promises not to interfere ever again, causing Jerry to frantically leave the house and run into the distance, in Hic-cup Pup. Spike is well known for his famous "Listen pussycat! catchphrase when he threatens Tom, his other famous catchphrase is "That's my boy! normally said when he supports or congratulates his son.

Tyke is described as a cute, sweet-looking, happy and lovable puppy. He is Spike's son. Unlike Spike, Tyke does not speak and only communicates, mostly towards his father, by barking, yapping, wagging his tail, whimpering and growling. Spike would always go out of his way to care and comfort his son and make sure that he is safe from Tom. Tyke loves his father and Spike loves his son and they get along like friends, although most of time they would be taking a nap or Spike would teach Tyke the main facts of life of being a dog. Like Spike, Tyke's appearance has altered throughout the years, from gray, with white paws, to creamy tan. When Tom & Jerry Kids first aired, this was the first time that viewers heard Tyke speak.

Butch and Toodles Galore
Butch is a black, cigar-smoking alley cat who also wants to eat Jerry. He is Tom's most frequent adversary. For most of the shorts he appears in, he is usually seen rivaling Tom over Toodles. Butch was Tom's chum as in some cartoons, where Butch is leader of Tom's alley cat buddies, who are mostly Lightning, Topsy, and Meathead. Butch talks more often than Tom or Jerry in most shorts.

Butch and Toodles were originally introduced in Hugh Harman's 1941 short The Alley Cat, but were integrated into Tom and Jerry rather than continuing in their own series.

Nibbles
Nibbles is a small gray mouse who often appears in shorts as an orphan mouse. He is a carefree individual who very rarely understands the danger of the situation, simply following instructions the best he can both to Jerry's command and his own innocent understanding of the situation. This can lead to such results as "getting the cheese" by simply asking Tom to pick it up for him, rather than following Jerry's example of outmaneuvering and sneaking around Tom. Many times Nibbles is an ally of Jerry in fights against Tom, including being the second Mouseketeer. He is given speaking roles in all his appearances as a Mouseketeer, often with a high-pitched French tone. However, during a short in which he rescued Robin Hood, his voice was instead more masculine, gruff, and cockney accented.

Mammy Two Shoes
Mammy Two Shoes is a heavy-set, middle-aged black woman who often has to deal with the mayhem generated by the lead characters. Voiced by character actress Lillian Randolph, she is often seen as the owner of Tom. Her face was only shown once, very briefly, in Saturday Evening Puss. Mammy's appearances have often been edited out, dubbed, or re-animated as a slim white woman in later television showings, since her character is a mammy archetype that had been protested as racist by the NAACP and other civil rights groups since the 1940s. She was mostly restored in the DVD releases of the cartoons, with an introduction by Whoopi Goldberg on the Tom and Jerry Spotlight Collection: Vol. 2 DVD set, explaining the importance of African-American representation in the cartoon series, however stereotyped.

History
"Tom and Jerry" was a commonplace phrase for young men given to drinking, gambling, and riotous living in 19th-century London, England. The term comes from Life in London; or, The Day and Night Scenes of Jerry Hawthorn, Esq., and his elegant friend, Corinthian Tom (1821) by Pierce Egan, the British sports journalist who authored similar accounts compiled as Boxiana. However Brewer notes no more than an "unconscious" echo of the Regency era, and thus Georgian era, origins in the naming of the cartoon.

Hanna-Barbera era (1940–1958)
In August 1937, animator and storyman Joseph Barbera began to work at MGM, then the largest studio in Hollywood. He learned that co-owner Louis B. Mayer wished to boost the animation department by encouraging the artists to develop some new cartoon characters, following the lack of success with its earlier cartoon series based on the Captain and the Kids comic strip. Barbera then teamed with fellow Ising unit animator and director William Hanna, who joined Harman-Ising Productions in 1930, and pitched new ideas, among them was the concept of two "equal characters who were always in conflict with each other". An early thought involved a fox and a dog before they settled on a cat and mouse. The pair discussed their ideas with producer Fred Quimby, then the head of the short film department who, despite a lack of interest in it, gave them the green-light to produce one cartoon short.

The first short, Puss Gets the Boot, features a cat named Jasper and an unnamed mouse, named Jinx in pre-production, and an African American housemaid named Mammy Two Shoes. Leonard Maltin described it as "very new and special [...] that was to change the course of MGM cartoon production" and established the successful Tom and Jerry formula of comical cat and mouse chases with slapstick gags. It was released onto the theatre circuit on February 10, 1940. The pair, having been advised by management not to produce any more, focused on other cartoons including Gallopin' Gals (1940) and Officer Pooch (1941). Matters changed when Texas businesswoman Bessa Short sent a letter to MGM, asking whether more cat and mouse shorts would be produced, which helped convince management to commission a series.

A studio contest held to rename both characters was won by animator John Carr, who suggested Tom the cat and Jerry the mouse. Carr was awarded a first-place prize of $50,. It has been suggested, but not proven, that the names were derived from a 1932 story by Damon Runyon, who took them from the name of a popular Christmastime cocktail, itself derived from the names of two characters in an 1821 stage play by William Moncrieff, an adaptation of 1821 Egan's book titled Life in London where the names originated, which was based on George Cruikshank's, Isaac Robert Cruikshank's, and Egan's own careers. Puss Gets the Boot was a critical success, earning an Academy Award nomination for Best Short Subject: Cartoons in 1941 despite the credits listing Ising and omitting Hanna and Barbera.

After MGM gave the green-light for Hanna and Barbera to continue, the studio entered production on the second Tom and Jerry cartoon, The Midnight Snack (1941). The pair continued to work on the series for the next fifteen years of their career. The composer of the series, Scott Bradley, made it difficult for the musicians to perform his score which often involved the twelve-tone technique developed by Arnold Schoenberg. The series developed a quicker, more energetic and violent tone which was inspired by the work of MGM colleague Tex Avery. Hanna and Barbera made minor adjustments to Tom and Jerry's appearance so they would "age gracefully". Jerry lost weight and his long eyelashes, while Tom lost his jagged fur for a smoother appearance, had larger eyebrows, and received a white and gray face with a white mouth. He adopted a quadrupedal stance at first, like a real cat, to become increasingly and almost exclusively bipedal.

Hanna and Barbera produced 114 cartoons for MGM, thirteen of which were nominated for an Academy Award for Best Short Subject. Seven went on to win, breaking the winning streak held by Walt Disney's studio in the category. Tom and Jerry won more Academy Awards than any other character-based theatrical animated series. Barbera estimated the typical budget of $50,000 for each Tom and Jerry cartoon which made the duo take "time to get it right". A typical cartoon took around six weeks to make.

As per standard practice for American animation production at the time, Barbera and Hanna did not work with a script beforehand. After coming up with a cartoon idea together, Barbera would flesh out the story by drawing a storyboard and provide character designs and animation layouts. Hanna did the animation timing - planning the music and temporal beats and accents the animation action would occur on - and assigned the animators their scenes and supervised their work. Hanna provided incidental voice work, in particular Tom's numerous screams of pain. Despite minimal creative input, as head of the MGM cartoon studio, Quimby was credited as the producer of all cartoons until 1955.

The rise in television in the 1950s caused problems for the MGM animation studio, leading to budget cuts on Tom and Jerry cartoons due to decreased revenue from theatrical screenings. In an attempt to combat this, MGM ordered that all subsequent shorts be produced in the widescreen CinemaScope format. The first, Pet Peeve, was released in November 1954. The studio found that re-releases of older cartoons were earning as much as new ones, resulting in the executive decision to cease production on Tom and Jerry and later the animation studio on May 15, 1957. The final cartoon produced by Hanna and Barbera, Tot Watchers, was released on August 1, 1958. The pair decided to leave and went on to focus on their own production company Hanna-Barbera Productions, which went on to produce such popular animated television series including The Flintstones, Yogi Bear, The Jetsons and Scooby-Doo.

Production formats
Before 1954, all Tom and Jerry cartoons were produced in the standard Academy ratio and format. In 1954 and 1955, some of the output was dually produced in dual versions: one Academy-ratio negative composed for a flat widescreen (1.75:1) format and one shot in the CinemaScope process. From 1955 until the close of the MGM cartoon studio a year later, all Tom and Jerry cartoons were produced in CinemaScope. Some even had their soundtracks recorded in Perspecta directional audio. All of the Hanna and Barbera cartoons were shot as successive color exposure negatives in Technicolor.

Gene Deitch era (1961–1962)
In 1961, MGM revived the Tom and Jerry franchise, and contracted European animation studio Rembrandt Films to produce 13 Tom and Jerry shorts in Prague, Czechoslovakia. All were directed by Gene Deitch and produced by William L. Snyder. Deitch wrote most of the cartoons, with occasional assistance from Larz Bourne and Eli Bauer. Štěpán Koníček provided the musical score for the Deitch shorts. Sound effects were produced by electronic music composer Tod Dockstader and Deitch. The majority of vocal effects and voices in Deitch's films were provided by Allen Swift and Deitch.

Deitch states that, being a "UPA man", he was not a fan of the Tom and Jerry cartoons, thinking they were "needlessly violent". However, after being assigned to work on the series, he quickly realized that "nobody took [the violence] seriously", and it was merely "a parody of exaggerated human emotions". He also came to see what he perceived as the "biblical roots" in Tom and Jerry's conflict, similar to David and Goliath, stating "That's where we feel a connection to these cartoons: the little guy can win (or at least survive) to fight another day."

Since the Deitch/Snyder team had seen only a handful of the original Tom and Jerry shorts, and since the team produced their cartoons on a tighter budget of $10,000, the resulting films were considered surrealist in nature, though this was not Deitch's intention. The animation was limited and jerky in movement compared to the more fluid Hanna-Barbera shorts, and often utilized motion blur. Background art was done in a more simplistic, angular, Art Deco-esque style. The soundtracks featured sparse and echoic electronic music, futuristic sound effects, heavy reverb and dialogue that was mumbled rather than spoken. According to Jen Nessel of The New York Times, "The Czech style had nothing in common with these gag-driven cartoons."

Whereas Hanna-Barbera's shorts generally took place in and outside of a house, Deitch's shorts opted for more exotic locations, such as a 19th-century whaling ship, the jungles of Nairobi, an Ancient Greek acropolis, or the Wild West. In addition, Mammy Two-Shoes was replaced as Tom's owner by a bald, overweight, short-tempered, middle-aged white man, who bore a striking resemblance to another Deitch character, Clint Clobber. Just like Spike the Bulldog, he was also significantly more brutal and violent in punishing Tom's actions as compared to previous owners, often beating and thrashing Tom repeatedly; the character and his extreme treatment of Tom was poorly received.

To avoid being linked to Communism, Deitch modified the Czech names of his crew in the opening credits of the shorts to look more conventional to English-speaking audiences, e.g. Štěpán Koníček became "Steven Konichek" and Václav Lídl became "Victor Little". These shorts are among the few Tom and Jerry cartoons not to carry the "Made In Hollywood, U.S.A." phrase on the end title card. Due to Deitch's studio being behind the Iron Curtain, the production studio's location is omitted entirely on it. After the 13 shorts were completed, Joe Vogel, the head of production, was fired from MGM. Vogel had approved of Deitch and his team's work, but MGM decided not to renew their contract after Vogel's departure. Because of this, these films would not be televised until 1988. The final of the 13 shorts, Carmen Get It!, was released on December 21, 1962.

Deitch's shorts were commercial successes. In 1962, the Tom and Jerry series became the highest-grossing animated short film series of that time, dethroning Looney Tunes, which had held the position for 16 years. However, unlike the Hanna-Barbera shorts, none of Deitch's films were nominated for any Academy Awards. In retrospect, these shorts are often considered the worst of the Tom and Jerry theatrical output. Deitch stated that due to his team's inexperience as well as their low budget, he "hardly had a chance to succeed", and "well understand[s] the negative reactions" to his shorts. He believes "They could all have been better animated – truer to the characters – but our T&Js were produced in the early 1960s, near the beginning of my presence here, over a half-century ago as I write this!" Despite the criticism, Deitch's Tom and Jerry shorts are appreciated by some fans due to their uniquely surreal nature. The shorts were released on DVD in 2015 in "Tom and Jerry: The Gene Deitch Collection".

The 1960s entries were done in Metrocolor but returned to the standard Academy ratio and format.
 * Production formats

Chuck Jones era (1963–1967)
After the last of the Deitch cartoons were released, Chuck Jones, who had been fired from his 30-plus year tenure at Warner Bros. Cartoons, started his own animation studio, Sib Tower 12 Productions (later renamed MGM Animation/Visual Arts), with partner Les Goldman. Beginning in 1963, Jones and Goldman went on to produce 34 more Tom and Jerry shorts, all of which carried Jones' distinctive style, and a slight psychedelic influence.

Jones had trouble adapting his style to Tom and Jerry's brand of humor, and a number of the cartoons favored full animation, personality and style over storyline. The characters underwent a slight change of appearance: Tom was given thicker eyebrows (resembling Jones' Grinch, Count Blood Count or Wile E. Coyote), a less complex look (including the color of his fur becoming gray), sharper ears, longer tail and furrier cheeks (resembling Jones' Claude Cat or Sylvester), while Jerry was given larger eyes and ears, a lighter brown color, and a sweeter, Porky Pig-like expression.

Some of Jones' Tom and Jerry cartoons are reminiscent of his work with Wile E. Coyote and the Road Runner, included the uses of blackout gags and gags involving characters falling from high places. Jones co-directed the majority of the shorts with layout artist Maurice Noble. The remaining shorts were directed by Abe Levitow and Ben Washam, with Tom Ray directing two shorts built around footage from earlier Tom and Jerry cartoons directed by Hanna and Barbera, and Jim Pabian directed a short with Maurice Noble. Various vocal characteristics were made by Mel Blanc, June Foray and even Jones himself. These shorts contain a memorable opening theme, in which Tom first replaces the MGM lion, then is trapped inside the "O" of his name.

Though Jones's shorts were generally considered an improvement over Deitch's, they had varying degrees of critical success. MGM ceased production of Tom and Jerry shorts in 1967, by which time Jones had moved on to television specials and the feature film The Phantom Tollbooth. The shorts were released on DVD in 2009 on Tom and Jerry: The Chuck Jones Collection.

Tom and Jerry hit television
Beginning in 1965, the Hanna and Barbera Tom and Jerry cartoons began to appear on television in heavily edited versions. The Jones team was required to take the cartoons featuring Mammy Two Shoes and remove her by pasting over the scenes featuring her with new scenes. Most of the time, she was replaced with a similarly fat white Irish woman. Occasionally, as in Saturday Evening Puss, a thin white teenager took her place instead, with both characters voiced by June Foray.

Recent telecasts on Cartoon Network and Boomerang retain Mammy with new voiceover work performed by Thea Vidale to remove the stereotypical black jargon featured on the original cartoon soundtracks. The standard Tom and Jerry opening titles were removed as well. Instead of the roaring MGM Lion sequence, an opening sequence featuring different clips of the cartoons was used instead. The title cards were also changed. A pink title card with the name written in white font was used instead.

Debuting on CBS' Saturday morning schedule on September 25, 1965, Tom and Jerry moved to CBS Sundays in 1967 and remained there until September 17, 1972.

Second Hanna-Barbera era: The Tom and Jerry Show (1975–1977)
In 1975, Tom and Jerry were reunited with Hanna and Barbera, who produced The Tom and Jerry Show for Saturday mornings. These 48 seven-minute cartoon shorts were paired with Grape Ape and Mumbly cartoons, to create The Tom and Jerry/Grape Ape Show, The Tom and Jerry/Grape Ape/Mumbly Show, and The Tom and Jerry/Mumbly Show, all of which initially ran on ABC Saturday mornings between September 6, 1975, and September 3, 1977. In these cartoons, Tom and Jerry, now with a red bow tie, who had been enemies during their formative years, became nonviolent pals who went on adventures together, as Hanna-Barbera had to meet the stringent rules against violence for children's TV. This format has not been used in newer Tom and Jerry entrees.

Filmation era (1980–1982)
Filmation Studios were commissioned by MGM Television to produce a Tom and Jerry TV series, The Tom and Jerry Comedy Show, which debuted in 1980 and featured new cartoons starring Droopy, Spike, Slick Wolf, and Barney Bear, not seen since the original MGM shorts. The Filmation Tom and Jerry cartoons were noticeably different from Hanna-Barbera's efforts, as they returned Tom and Jerry to the original chase formula, with a somewhat more "slapstick" humor format. This incarnation, much like the 1975 version, was not as well received by audiences as the originals, and lasted on CBS Saturday mornings from September 6, 1980, to September 4, 1982.

Tom and Jerry's new owners
In 1986, MGM was purchased by WTBS founder Ted Turner. Turner sold the company a short while later, but retained MGM's pre-1986 film library. Tom and Jerry became the property of Turner Entertainment Co., where the rights stand today via Warner Bros., and have in subsequent years appeared on Turner-run stations, such as TBS, TNT, Cartoon Network, The WB, Boomerang, and Turner Classic Movies.

Third Hanna-Barbera era: Tom & Jerry Kids (1990–1994)
One of the biggest trends for Saturday morning television in the 1980s and 1990s was the "babyfication" (child versions) of classic cartoon stars. On March 2, 1990, Tom & Jerry Kids, co-produced by Turner Entertainment Co. and Hanna-Barbera Productions, which was sold to Turner in 1991, debuted on Fox Kids, and aired for a few years on British children's block, CBBC. It featured a youthful version of the famous cat-and-mouse duo chasing each other. As with the 1975 H-B series, Jerry wears his red bowtie, while Tom now wears a red cap. Spike and his son Tyke, who now had talking dialogue, and Droopy and his son Dripple, appeared in back-up segments for the show, which ran until November 18, 1994. Tom & Jerry Kids was the last Tom and Jerry cartoon series produced in 4:3 (full screen) aspect ratio.

One-off productions (2001; 2005)
In 2001, a new television special titled Tom and Jerry: The Mansion Cat premiered on Boomerang. It featured Joe Barbera (who was also a creative consultant) as the voice of Tom's owner, whose face is never seen. In this cartoon, Jerry, housed in a habitrail, is as much of a house pet as Tom is, and their owner has to remind Tom to not "blame everything on the mouse".

In 2005, a new Tom and Jerry theatrical short, titled The Karate Guard, which had been written and directed by Barbera and Spike Brandt, storyboarded by Joseph Barbera and Iwao Takamoto and produced by Joseph Barbera, Spike Brandt, and Tony Cervone premiered in Los Angeles cinemas on September 27, 2005, as part of the celebration of Tom and Jerry's sixty-fifth anniversary. This marked Barbera's first return as a writer, director and storyboard artist on the series since his and Hanna's original MGM cartoon shorts, and last overall. He died shortly after production ended. Director/animator, Spike Brandt was nominated for an Annie award for best character animation. The short debuted on the Cartoon Network on January 27, 2006. The short was filmed in the standard Academy ratio and format.

Warner Bros. era (2006–present)
In 1996, Turner merged with Time Warner, the parent company of Warner Bros. The characters from the MGM library, including Tom and Jerry, were placed under the control of Warner Bros. Animation. A relaunch of the theatrical shorts series was planned for 2003 alongside a similar relaunch of the Looney Tunes theatrical shorts, but was canceled after the financial failure of Looney Tunes: Back in Action.

In 2006, a new series called Tom and Jerry Tales premiered. Thirteen half-hour episodes each consisting of three shorts were produced. Some of the segments, like The Karate Guard, had originally been produced and completed in 2003 as part of the planned theatrical cartoon relaunch. The show debuted in markets outside the US and UK, before premiering in February 2006 on the UK version of Boomerang, and the following autumn in the US on Kids' WB on The CW. Tales is the first Tom and Jerry TV series that utilizes the original style of the classic shorts, along with the slapstick. Tales is the first Tom and Jerry production produced in 16:9 widescreen aspect ratio, but was cropped to 4:3 fullscreen aspect ratio when initially aired on in the United States. The series was canceled in 2008, shortly before the Kids' WB block shut down.

Cartoon Network, which began rerunning Tom and Jerry Tales in January 2012, subsequently launched a series titled The Tom and Jerry Show consisting of two 11-minute shorts, later produced as separate 7-minutes length episodes, per episode that likewise sought to maintain the look, core characters and sensibility of the original theatrical shorts. Similar to other reboot works like Scooby-Doo! Mystery Incorporated and New Looney Tunes, several episodes the new series brought Tom and Jerry into contemporary environments, telling new stories and relocating the characters to more fantastic worlds, from a medieval castle to a mad scientist's lab. The series was produced by Warner Bros. Animation, with Sam Register serving as executive producer in collaboration with Darrell Van Citters and Ashley Postlewaite at Renegade Animation. Originally slated for a 2013 Cartoon Network premiere, the series was pushed back to April 9, 2014. It is the second Tom and Jerry production presented in 16:9 widescreen aspect ratio.

In November 2014, a two-minute sketch was shown as part of the Children in Need telethon in the United Kingdom. The sketch was produced as a collaboration with Warner Bros.

In May 2016, WB Kids began releasing excerpts from various Tom and Jerry works to the online platform YouTube. By January 2017, compilation videos of the Tom and Jerry franchise began to be released by WB Kids on the platform.

On February 20, 2021, Warner Bros. released two new shorts onto HBO Max titled Tom and Jerry Special Shorts to honor the 81st anniversary of Tom and Jerry, as well as to promote the 2021 film. These shorts share the style of the other HBO Max original Looney Tunes Cartoons, also produced by Warner Bros. Animation.

A new Tom and Jerry series made its debut on July 1, 2021 as a Max Original on HBO Max, called Tom and Jerry in New York, which basically served as a spin-off of The Tom and Jerry Show by having the exact same animation style and slapstick, except that the events take place in the city of New York City. It was loosely based on the 2021 film, as the humans in the series were shown with the faces intact.

On November 11, 2022, Cartoon Network in Japan premiered a new series of animated shorts, Tom and Jerry (とむとじぇりー), marking the first Japanese production based on the property. Featuring the voices of Megumi Aratake (as Tom), Aya Yonekura (as Jerry) and Eri Tanaka (as Tuffy), the shorts were animated by Fanworks in co-operation with Studio Nanahoshi. Ayu handled the character design and Captain Mirai composed the musical scores. The November 11, 2022 premiere coincided with Cartoon Network's celebration of Cheese Day, which is organized by cheese industry in Japan.

On July 25, 2023, the Southeast Asian version of Tom and Jerry animated shorts was announced, to be presented on Cartoon Network Asia alongside HBO Asia streaming platform HBO GO before it was aired globally. The animated shorts, which was set in Singapore, was produced by Warner Bros. Discovery Asia-Pacific's director of original kids content Carlene Tan, with animation by Aum Animation Studios India alongside Singapore-based Robot Playground Media and Chips and Toon Studios for both the stories and designs.

Outside the United States
When shown on terrestrial television in the United Kingdom, from April 1967 to February 2001, usually on the BBC, Tom and Jerry cartoons were not edited for violence, and Mammy was retained. As well as having regular slots, mainly after the evening BBC News with around two shorts shown every evening and occasionally shown on children's network CBBC in the morning, Tom and Jerry served the BBC in another way. When faced with disruption to the schedules, for example when live broadcasts overran, the BBC would invariably turn to Tom and Jerry to fill any gaps, confident that it would retain much of an audience that might otherwise channel hop. This proved particularly helpful in 1993, when Noel's House Party had to be cancelled due to an IRA bomb scare at BBC Television Centre. Tom and Jerry was shown instead, bridging the gap until the next programme. In 2006, a mother complained to Ofcom about the smoking shown in the cartoons, since Tom often attempts to impress love interests with the habit, resulting in reports that the smoking scenes in Tom and Jerry films may be subject to censorship.

Due to its very limited use of dialogue, Tom and Jerry was easily translated into various foreign languages. Tom and Jerry began broadcast in Japan in 1965. A 2005 nationwide survey taken in Japan by TV Asahi, sampling age groups from teenagers to adults in their sixties, ranked Tom and Jerry No. 85 in a list of the top 100 "anime" of all time. Their web poll taken after the airing of the list ranked it at No. 58 – the only non-Japanese animation on the list, and beating anime classics like Tsubasa: Reservoir Chronicle, A Little Princess Sara, and the ultra-classics Macross and Ghost in the Shell. In Japan, the word "anime" refers to all animation regardless of origin, not just Japanese animation.

Tom and Jerry serve as the long-time licensed mascots for Gifu-based Juroku Bank. Unlike some other Western cartoons such as Bob the Builder, whose characters had to be doctored to have five fingers in each hand instead of the original four, Tom and Jerry aired in Japan without such edits, as did other series starring non-human protagonists such as SpongeBob SquarePants.

Tom and Jerry have long since been popular in Germany. The different shorts are usually linked together with key scenes from Jerry's Diary (1949), in which Tom reads about his and Jerry's past adventures. The cartoons are introduced with rhyming German language verse, and when necessary, a German voice spoke the translations of English labels on items and similar information.

The show was aired in mainland China by CCTV in the mid-1980s to the early 1990s and was extremely popular at the time. Collections of the show are still a prominent feature in Chinese book stores.

In the Philippines, the series was aired on ABS-CBN from 1966 until its closure due to the country's declaration of martial law in 1972, with the later Hanna-Barbera shorts from Barbecue Brawl to Tot Watchers and all of Gene Deitch and Chuck Jones shorts. RPN aired most of Hanna-Barbera shorts from 1977 until 1989. ABS-CBN would later return to the air after the restoration of democracy in 1986 and air the same shorts as in the pre-martial law era. This lasted until the end of 1988.

In Indonesia, the series was aired on TPI (later re-branded as MNCTV) from the mid-1990s to early 2010s and RCTI during 2000s.

Even though Gene Deitch's shorts were created in Czechoslovakia (1960–1962), the first official TV release of Tom and Jerry were in 1988. It was one of the few cartoons of western origin broadcast in Czechoslovakia (1988) and Romania (until 1989) before the fall of the Soviet Union in 1989.

The Pakistani ice cream brand Omoré has launched a chocolate bar ice cream based on the show.

Feature films
Tom and Jerry's first feature film appearance was in the 1945 MGM musical Anchors Aweigh, in which Jerry performs a dance number with Gene Kelly. In this scene, Tom made a cameo as a servant. Filmmakers had wanted Mickey Mouse for the scene, but Walt Disney had rejected the deal, as the Disney studio was focusing on its own cartoons to help pay off its debts after World War II. William Hanna and Joe Barbera supervised animation for the scene.

In 1953, Tom and Jerry's second feature film appearance was swimming with Esther Williams in a dream sequence in another MGM musical, Dangerous When Wet.

On October 1, 1992, the first international release of Tom and Jerry: The Movie arrived when the film was released overseas to theaters in Europe and then domestically by Miramax Films on July 30, 1993, with future video and DVD releases that would be sold under Warner Bros., which, following Disney's acquisition of Miramax and Turner's subsequent merger with Time Warner, had acquired the film's distribution rights. Barbera served as creative consultant for the picture, which was produced and directed by Phil Roman. The film was a musical with a structure similar to MGM's blockbusters, The Wizard of Oz and Singin' in the Rain.

In 2001, Warner Bros., which had, by then, merged with Turner and assumed its properties, released the duo's first direct-to-video film, Tom and Jerry: The Magic Ring, in which Tom covets a ring that grants mystical powers to the wearer, and has become accidentally stuck on Jerry's head. It was the last time Hanna and Barbera co-produced a Tom and Jerry cartoon together, as William Hanna died shortly after The Magic Ring was released.

Four years later, Bill Kopp scripted and directed two more Tom and Jerry DTV features for the studio, Tom and Jerry: Blast Off to Mars and Tom and Jerry: The Fast and the Furry, the latter one based on a story by Barbera. Both were released on DVD in 2005, marking the celebration of Tom and Jerry's 65th anniversary. In 2006, another direct-to-video film, Tom and Jerry: Shiver Me Whiskers, tells the story about the pair having to work together to find the treasure. Joe came up with the storyline for the next film, Tom and Jerry: A Nutcracker Tale, as well as the initial idea of synchronizing the on-screen actions to music from Tchaikovsky's Nutcracker Suite. This DTV film, directed by Spike Brandt and Tony Cervone, was Joe Barbera's last Tom and Jerry project due to his death in December 2006. The holiday-set animated film was released on DVD in late 2007 and dedicated to Barbera.

A new direct-to-video film, Tom and Jerry Meet Sherlock Holmes, was released on August 24, 2010. It is the first made-for-video Tom and Jerry film produced without any of the characters' original creators. The next direct-to-video film, Tom and Jerry and the Wizard of Oz, was released on August 23, 2011, and was the first made-for-video Tom and Jerry film made for Blu-ray. It had a preview showing on Cartoon Network. Robin Hood and His Merry Mouse was released on Blu-ray and DVD on October 2, 2012.

Tom and Jerry's Giant Adventure was released in 2013 on Blu-ray and DVD. Tom and Jerry: The Lost Dragon was released on DVD on September 2, 2014. Tom and Jerry: Spy Quest was released on DVD on June 23, 2015. Tom and Jerry: Back to Oz was released on DVD on June 21, 2016. Tom and Jerry: Willy Wonka and the Chocolate Factory was released on DVD on July 11, 2017.

A live action/3D animated hybrid film was directed by Tim Story and starred Chloë Grace Moretz, Michael Peña Colin Jost, Rob Delaney and Ken Jeong. The film was released on February 26, 2021.

Controversies

Like many animated cartoons from the 1930s to the 1950s, Tom and Jerry featured racial stereotypes. After explosions, for example, characters with blasted faces would resemble stereotypical black people, with large lips and bow-tied hair. Perhaps the most controversial element of the show is the character Mammy Two Shoes, a poor black maid who speaks in a stereotypical "black accent". Joseph Barbera, who was responsible for these gags, claimed that they did not reflect his racial opinion; they were just reflecting what was common in society and cartoons at the time and were meant to be humorous. Today, the blackface gags are often censored when these shots are aired.

Following the 1949 re-issue of the 1943 Tom and Jerry short The Lonesome Mouse, the NAACP, which had begun protesting stereotypical and racist depictions of African-Americans in Hollywood cinema, began a campaign against the use of the maid character in the Tom and Jerry shorts. Lillian Randolph left her role as the voice of Mammy Two-Shoes in 1952 to instead take a job on television in Amos & Andy, and Hanna and Barbera retired the character at that time.

In the 1960s, shorts featuring Mammy Two Shoes were re-animated in part by Chuck Jones' team at MGM, alongside their work on the newer entries produced by Jones, in order to be shown on television. These versions of the shorts replace the African-American maid with a white woman, voiced by June Foray with an Irish accent. These versions of the Tom and Jerry shorts were broadcast on television until the MGM catalog's acquisition by Turner in 1986. Turner redubbed Mammy Two-Shoes' voice in these shorts in the mid-1990s to make the character sound less stereotypical.

Two shorts – His Mouse Friday, which depicts cannibals, and A Mouse in the House, which shows Mammy getting spanked repeatedly by Tom and Butch in the end resulting in racial abuse – have been removed from circulation. Two others in particular – Casanova Cat, which features a scene where Jerry's face is blackened by Tom with cigar smoke and he is forced to perform a minstrel dance, and Mouse Cleaning, where Tom is shown with blackface speaking in a stereotypical "Negro dialect" – were omitted from DVD/Blu-ray releases. Notably the other two – Fraidy Cat, showed Tom biting Mammy in the rear near the end, and The Mouse Comes to Dinner, including Jerry briefly dressing up as a Native American stereotype during the beginning – have Mammy edited in complete absence.

At the start of the 2005 Tom and Jerry Spotlight Collection: Vol 2. DVD set, a disclaimer by actress and comedian Whoopi Goldberg warns viewers about the potentially offensive material in the cartoons. Goldberg's disclaimer emphasizes that the racial and ethnic stereotypes present in the shorts were "wrong then and they are wrong today", borrowing a phrase used in disclaimers done for Warner Bros. Looney Tunes Golden Collection DVD sets. This disclaimer is also used in the Tom and Jerry Golden Collection: Volume 1 Blu-ray/DVD/digital release as well. The cartoons you are about to see are products of their time. They may depict some of the ethnic and racial prejudices that were commonplace in U.S. society. These depictions were wrong then and they are wrong today. While the following does not represent the Warner Bros. view of today's society, these cartoons are being presented as they were originally created, because to do otherwise would be the same as claiming that these prejudices never existed.

Since 2020, all episodes featuring Mammy Two-Shoes are no longer seen on Cartoon Network and Boomerang and are removed from the Boomerang app. There are other shorts (The Lonesome Mouse, Blue Cat Blues, and The Mouse from H.U.N.G.E.R.) that are found inappropriate for the intended audiences rather than just having racist contents and are censored from the two channels as well.

In 2006, the British version of the Boomerang channel made plans to edit Tom and Jerry cartoons being aired in the UK where the characters were seen to be smoking. There was a subsequent investigation by UK media watchdog Ofcom. It has also taken the U.S. approach by censoring blackface gags, though this seems to be random as not all scenes of this type are cut. One Gene Deitch-era short, Buddies Thicker Than Water, is shortened as one scene involves drunkenness.

In 2013, it was reported that Cartoon Network of Brazil censored 27 shorts on the grounds of being "politically incorrect". In an official release, the channel confirmed that it had censored only two shorts, The Two Mouseketeers and Heavenly Puss "by editorial issues and appropriateness of the content to the target audience—children of 7 to 11 years".

Comic books
Tom and Jerry began appearing in comic books in 1942, as one of the features in Dell Comics' Our Gang Comics. In 1949, with MGM's live-action Our Gang shorts having ceased production five years earlier, the series was renamed Tom and Jerry Comics. That title ran 212 issues with Dell before being handed off to Western Publishing, where it ran until issue #344 in 1984. Tom and Jerry continued to appear in various comic books for the rest of the 20th century. Tom and Jerry comics were also extremely popular in Norway, Germany, Sweden, the UK, the Netherlands, and Australia. A licensed European version has been drawn by Spanish artist Oscar Martin since 1986.

Comic strip
A Tom and Jerry comic strip was syndicated from 1950 to 1952. Although credited to MGM animation studio head Fred Quimby, experts believe the strips were ghosted by Gene Hazleton and possibly Ernie Stanzoni and Dan Gormley. Tom and Jerry was revived as a comic strip from 1989 to 1994, syndicated to the South American market by Editors Press Service. The strip was produced by Kelley Jarvis during this era, with the exception of a short period in 1990–1991 when it was done by Paul Kupperberg & Rich Maurizio.

Tom to Jerry: Nanairo
Tom to Jerry: Nanairo (とむとじぇりーナナイロ) is a short-lived series of Japanese comics authored by Chara Chara Makiart as a spin-off of Tom and Jerry. It was first featured in the August 2021 issue of the Nakayoshi magazine. Nanairo, along with Chara Chara Makiart's other project Harapeko Penguin Cafe, was cancelled in December 2021 as Kodansha (Nakayoshi's publisher) has terminated its contract with the creative unit after one of Makiart members was found guilty for sexually assaulting a minor.

Musical adaptation
A musical, or music drama (音楽劇), adaptation of the cartoon series, titled, debuted in Japan in 2019 in advance of the series' upcoming 80th anniversary. The musical was composed by Masataka Matsutoya, staged by Seiji Nozoe, and written by Shigeki Motoiki.

Cultural influences
Throughout the years, the term and title Tom and Jerry became practically synonymous with never-ending rivalry, as much as the related "cat and mouse fight" metaphor has. Yet in Tom and Jerry it was not the more powerful Tom who usually came out on top. In 2005, TV Asahi ranked Tom and Jerry as 58th of the Top 100 Animated TV Series in Japan overall, outranking titles like Rurouni Kenshin, Initial D, and even Macross. In January 2009, IGN named Tom and Jerry as the 66th best in the Top 100 Animated TV Shows.

In popular culture
In 1973, the magazine National Lampoon referenced Tom and Jerry in a violence-filled comic book parody, Kit 'n' Kaboodle. In The Simpsons, The Itchy & Scratchy Show is a spoof of Tom and Jerry—a "cartoon within a cartoon". In an episode of the series titled "Krusty Gets Kancelled", Worker and Parasite, a replacement cartoon for Itchy & Scratchy, is a reference to Soviet-era animation.

In an interview found on the DVD releases, several Mad TV cast members stated that Tom and Jerry is one of their biggest influences for slapstick comedy. Also in the Cartoon Network show MAD, Tom and Jerry appear in three segments: "Celebrity Birthdays", "Mickey Mouse Exterminator Service", and "Tom and Jury". Johnny Knoxville from Jackass has stated that watching Tom and Jerry inspired many of the stunts in the films.

Home media
In the pre-video era, Tom and Jerry cartoons were a popular subject for 8mm home movies, with the UK-based Walton Films issuing dozens of titles as colour one-reel Super 8 films, in both silent and sound editions. Walton's agreement with MGM obligated them to release the films in slightly edited form, even though the single-reel format would have comfortably accommodated the cartoons' seven to eight minute running time. These releases were discontinued before the dawn of the 1980s.

As early as 1981, MGM/CBS released Tom and Jerry Cartoon Festivals, the very first to perceived the release on numerous home video formats, including VHS, Betamax, CED Videodisc, and Laserdisc, which mostly released the original Hannah-Barbara-era short films (excluding the CinemaScope and Deitch episodes). The VHS and Beta versions released the total of four volumes up to 1984 while the other two formats did not release as much volumes due to marketing difficulties of the Laserdisc and CED players during that period. Following a new set of video releases after concluding the Cartoon Festival volumes in the mid 1980s, MGM/UA released a series of laserdisc box sets for collectors in the 1990s. The Art of Tom & Jerry volumes 1 and 2, contain most the MGM shorts up to the letterboxed versions of the shorts filmed in CinemaScope, omitting the Deitch-era shorts. The cartoons are all intact except for His Mouse Friday, where the dialogue has been wiped, and Saturday Evening Puss, which is the re-drawn version with June Foray's voice added. A third volume to The Art of Tom & Jerry was released and contains all of the Chuck Jones-era Tom and Jerry shorts, which marks the latest release by MGM in general.

There have been several Tom and Jerry DVDs released in Region 1 (United States and Canada), including a series of two-disc sets known as the Tom and Jerry Spotlight Collection. There have been negative responses to Vol. 1 and Vol. 2, due to some of the cartoons included on each having cuts and redubbed Mammy Two Shoes dialogue. A replacement program offering uncut versions of the shorts on DVD was later announced. There are also negative responses to Vol. 3, due to Mouse Cleaning and Casanova Cat being excluded from these sets and His Mouse Friday being edited for content with an extreme zooming-in towards the end to avoid showing a particularly race-based caricature.

There have been two Tom and Jerry DVD sets in Region 2. In Western Europe, most of the Tom and Jerry shorts have been released under the name "Tom and Jerry: The Classic Collection". Only two, The Million Dollar Cat and Busy Buddies, were not included. Almost all of the shorts contain re-dubbed Mammy Two Shoes tracks. Despite these cuts, His Mouse Friday, the only Tom and Jerry cartoon to be completely taken off the airwaves in some countries due to claims of racism, is included, unedited with the exception of zooming-in as on the North American set. These are regular TV prints sent from the U.S. in the 1990s. Shorts produced in CinemaScope are presented in pan and scan. Mouse Cleaning and Casanova Cat are presented uncut as part of these sets.

"The Classic Collection" is available in six double-sided DVDs issued in the United Kingdom, and 12 single-layer DVDs issued throughout Western Europe. Another Tom and Jerry Region 2 DVD set is available in Japan. As with "The Classic Collection" in Western Europe, almost all of the shorts, including His Mouse Friday, contain cuts. Slicked-up Pup, Tom's Photo Finish, Busy Buddies, The Egg and Jerry, Tops with Pops, Feedin' the Kiddie, Shutter Bugged Cat, along with all the Gene Deitch shorts are excluded from these sets. However, most of these cartoons are included in the UK version. Most shorts produced in CinemaScope are presented in pan and scan for showing on the 4:3 aspect ratio television screen.

Prior to 2015, the Gene Deitch-era shorts saw limited home media release outside of Europe and Asia, explaining the absence of the Deitch-era episodes from the Art of Tom and Jerry laserdisc box set. In Japan, all thirteen shorts were released on the "Tom and Jerry & Droopy" laserdisc and VHS, as well as on the bonus DVD for those who have purchased all the ten titles of the DVD collection series at its initial release. In the United Kingdom, the shorts are available on the second side of the "Tom and Jerry: The Classic Collection: Volume 5" DVD. In the United States, The Tom and Jerry Cartoon Kit, Down and Outing, and Carmen Get It! were included on the "Paws for a Holiday" VHS and DVD, the "Summer Holidays" DVD, and the "Musical Mayhem" DVD, respectively. On June 2, 2015, Tom and Jerry: The Gene Deitch Collection DVD was released in the United States, with all thirteen shorts as well as special features.

The Chuck Jones-era Tom and Jerry shorts were released in a two-disc set titled "Tom and Jerry: The Chuck Jones Collection" in June 2009. In October 2011, Warner Home Video released the first volume of the "Tom and Jerry Golden Collection" on DVD and Blu-ray. This set featured newly remastered prints and bonus material never before seen. The sets were aimed at the collector in a way that the previous "Spotlight" DVD releases were not. A second set was due for release in June 2013. In February 2013, it was announced by TVShowsOnDVD.com that Mouse Cleaning was not part of the list of cartoons on this release, as well as the cartoon Casanova Cat that was also skipped over on the 2007 DVD release. Many collectors and fans have posted negative reviews of the product on Amazon and other various websites to make Warner put Mouse Cleaning and Casanova Cat on the release.

Theatrical shorts
The following cartoons won the Academy Award for Best Short Subject: Cartoons:
 * 1943: The Yankee Doodle Mouse
 * 1944: Mouse Trouble
 * 1945: Quiet Please!
 * 1946: The Cat Concerto
 * 1948: The Little Orphan
 * 1952: The Two Mouseketeers
 * 1953: Johann Mouse

These cartoons were nominated for the Academy Award for Best Short Subject: Cartoons, but did not win:
 * 1940: Puss Gets the Boot
 * 1941: The Night Before Christmas
 * 1947: Dr. Jekyll and Mr. Mouse
 * 1949: Hatch Up Your Troubles
 * 1950: Jerry's Cousin
 * 1954: Touché, Pussy Cat!

title: Tom and Jerry


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Wounded in action

Wounded in action (WIA) describes combatants who have been wounded while fighting in a combat zone during wartime, but have not been killed. Typically, it implies that they are temporarily or permanently incapable of bearing arms or continuing to fight. Generally, the Wounded in Action are far more numerous than those killed. Common combat injuries include second and third-degree burns, broken bones, shrapnel wounds, brain injuries, spinal cord injuries, nerve damage, paralysis, loss of sight and hearing, post-traumatic stress disorder (PTSD), and limb loss.

For the U.S. military, becoming WIA in combat generally results in subsequent conferral of the Purple Heart, because the purpose of the medal itself (one of the highest awards, military or civilian, officially given by the American government) is to recognize those killed, incapacitated, or wounded in battle.

Wounded in action
A battle casualty other than killed in action who has incurred an injury due to an external agent or cause. The term encompasses all kinds of wounds and other injuries incurred in action, whether there is a piercing of the body, as in a penetrating or perforated wound, or none, as in the contused wound; all fractures, burns, blast concussions, all effects of biological and chemical warfare, the effects of exposure to ionizing radiation or any other destructive weapon or agent.

Died of wounds received in action
A battle casualty who later dies of wounds or other injuries received in action, after having reached a medical treatment facility. In the United States the acronym used is DOW, while NATO uses DWRIA.

title: Wounded in action


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Matt Morgan

Matthew Thomas Morgan (born September 10, 1976) is an American politician and retired professional wrestler. He is the former mayor and current deputy mayor of the city of Longwood, Florida and is a former gladiator on American Gladiator. As a wrestler, he is known for his time in World Wrestling Entertainment (WWE), where he performed on the SmackDown brand, and Total Nonstop Action Wrestling (TNA), where he is a two-time TNA World Tag Team Champion.

Early life
Matthew Thomas Morgan was born in Fairfield, Connecticut on September 10, 1976.

After a successful high school basketball career at Fairfield High School in Connecticut, Morgan played Division I college basketball for Monmouth University at center position. During Morgan's freshman year at the university, the Monmouth Hawks defeated Rider University to become the Northeast Conference champions. By winning the conference tournament, Monmouth received an automatic bid to the 1996 NCAA tournament.

Of his trip to the tournament, Morgan said, "it was fun to be able to say that you actually played in the NCAA tournament and actually got some minutes. I didn’t score, but at least I got in as a freshman, which was cool." Monmouth lost to Marquette University in the first round of the tournament by a final score of 68–44.

Following a coaching change at Monmouth, Morgan transferred to Chaminade University in Hawaii, where he finished his college basketball career and graduated in public speaking. While at Chaminade, Morgan played in the Maui Invitational against the number one ranked Duke Blue Devils.

Morgan participated in tryouts for the NBA teams Indiana Pacers and Toronto Raptors, but he was not offered a contract by either team.

Ohio Valley Wrestling (2002–2003)
Morgan was first introduced to the World Wrestling Federation when he entered as part of its Tough Enough II program but left the show early due to an injury. In April 2002, Morgan signed a developmental deal with World Wrestling Federation (WWF) and was assigned to Ohio Valley Wrestling (OVW). He made his OVW debut on October 2, 2002, at the OVW TV Tapings as "The Blueprint" Matt Morgan teaming with Mark Jindrak, defeating Travis Bane and Lance Cade. He wrestled there sporadically (usually winning handicap matches) until October 2003 when he was called up to the SmackDown brand.

SmackDown (2003–2004)
Prior to his WWE main roster debut, Morgan was originally earmarked to become Kane's storyline brother named "Abel" wearing a mask even though the plans were scrapped and a similar role was given to Drew Hankinson years later.

Morgan then made his debut on the October 30, 2003, episode of SmackDown! and was chosen with the returning Nathan Jones by then General Manager of SmackDown!, Paul Heyman, to join Team Lesnar, which consisted of Morgan, Jones, Brock Lesnar, Big Show and A-Train. It was hinted that Morgan and Jones would be a tag team, but their only tag team match was at the Survivor Series pay-per-view, when they took on Team Angle (not the stable introduced one year earlier, but a one-off combination of five wrestlers). They lost to Team Angle in a ten-person elimination tag team match at Survivor Series; Morgan was eliminated from the match by Kurt Angle after Angle gave Morgan an Angle Slam. Morgan was then used to make run-ins along with the other members of Team Lesnar, helping Lesnar against his opponents.

Soon thereafter, Jones quit WWE, so Morgan occasionally teamed with Lesnar. He teamed up with Lesnar, Big Show, and Rhyno in a four-on-two Handicap match against Chris Benoit and John Cena on the January 22, 2004, episode of SmackDown!, in a losing effort. On January 25, he competed in the 2004 Royal Rumble match, in which the winner would get a title shot against their brand's champion at WrestleMania XX; he eliminated The Hurricane but was eliminated by Chris Benoit.

Ohio Valley Wrestling (2004–2005)
After Brock Lesnar quit WWE, Morgan was written off television with an unmentioned injury and sent back to OVW for further development and experience, wrestling again as "The Blueprint" Matt Morgan and on April 14, 2004, he defeated Nick Dinsmore to become the OVW Heavyweight Champion. He held the title for almost six months before losing it to Chris Cage on October 13, 2004. Since the stipulation was that if Morgan lost he would "never show his face again" in OVW, he began wearing a mask to the ring and tweaked his name to simply The Blueprint. He would regain the OVW Heavyweight Championship on April 13, 2005, at an OVW live event after defeating Elijah Burke, but lost the title 17 days later to Brent Albright on April 30 after Albright hit Morgan with a crowbar.

SmackDown (2005)
Morgan returned to WWE on the April 21, 2005, episode of SmackDown!, with a new gimmick as a stuttering big-man who was defensive over his speech disorder, and quickly defeated a then-unknown jobber, Brett Matthews. On the May 19 episode of Smackdown!, he allied himself with Carlito and became his "backup". Morgan helped Carlito defeat Big Show at Judgment Day, using Lesnar's former finisher, the F-5. This partnership ended when Carlito was drafted to Raw, and Morgan was subsequently released by WWE on July 5, 2005. His last match in WWE was on the July 7, episode of SmackDown! against William Regal, although technically the match never took place as Morgan was attacked by The Mexicools before Regal ever got to the ring.

Japanese and European promotions (2005–2006)
Morgan toured with New Japan Pro-Wrestling in late 2005, defeating Yuji Nagata in his debut match. He was being pushed as a "monster gaijin" and along with Brock Lesnar, was expected to become one of NJPW's top foreign wrestlers, but plans for this were abandoned when he decided to leave NJPW to go to All Japan Pro Wrestling. Morgan debuted in All Japan Pro Wrestling as a member of Taka Michinoku's foreigner-oriented RO&D faction. He and Mark Jindrak wrestled for HUSTLE as a tag team under the names of Sodom and Gomora.

Morgan also worked for NWE Wrestling in Italy and Rings of Europe in Austria, where he participated as the Monster Heel in a 20 Men Rumble Match. He and Joe Legend became allies but were unable to defeat Austrian Hero Big van Walter in the end.

Jim Cornette's bodyguard (2007–2008)
Morgan debuted in Total Nonstop Action Wrestling (TNA) on the August 7, 2007, episode of TNA Today, appearing briefly in the background of a segment featuring Eric Young and Jeremy Borash. On the August 9 episode of TNA Impact!, Morgan appeared alongside former TNA Management Director Jim Cornette, with TNA later identifying him as Cornette's "backup". Morgan was the Special Enforcer in the Samoa Joe and Christian Cage match at Bound for Glory, preventing Christian's Coalition from interfering as Joe gave Cage his first true defeat in TNA. Morgan had to restrain Tomko and A.J. Styles on the edition of October 18 of Impact! when they tried interfering in the main event helping Christian defeat Samoa Joe in a Fight For The Right Qualifying match.

On the April 3, 2008, edition of TNA Impact!, it was revealed that Morgan allowed Team Tomko to add James Storm to their team, giving them a five-to-four advantage heading into Lockdown; however, at the end of the program, it was revealed that Morgan himself had joined Team Cage. The next week, Jim Cornette relieved Morgan of his assistant duties to become a full-time wrestler. With Morgan joining Team Cage, he established himself as a face, and went back to his old OVW nickname, "The Blueprint". Morgan teamed up with Kip James at Sacrifice as a result of the Deuces Wild Tag Team Tournament draw. They failed to win the tag titles as James and Morgan could not get along long enough. He then began to feud with The Rock 'n Rave Infection after defeating Jimmy Rave in less than two minutes on July 17. Lance Rock immediately challenged Morgan to a match right there, and Morgan squashed him.

Various alliances and feuds (2008–2010)
In August 2008 Morgan entered a tag team up with Abyss. The storyline was an additional chapter in the "Abyss' humanisation" storyline. Since his return to television, Abyss had portrayed an emotionally vulnerable character, exaggerating the meaning behind every gesture he received. Abyss saw Morgan as his best friend and was desperate not to displease him. But Abyss' new sensitivity made him more naive, thus causing him to make simple errors that cost the team matches. Through time, Morgan would go from understanding to frustrated over Abyss' errors. They feuded briefly with Team 3D. The duo defeated Team 3D at No Surrender, but lost at Bound for Glory IV in a Monster's Ball match for the TNA World Tag Team Championship, which Beer Money, Inc. won. At Final Resolution when Storm hit Abyss with brass knuckles when the referee was distracted. They gained a third opportunity at the belts at Genesis in a three-way match against Beer Money, Inc. and then-champions Jay Lethal and Consequences Creed. During the match, Abyss accidentally knocked Morgan out with one of the championship belts, causing him to be pinned by Beer Money.

On the following Impact!, the team fought against Lethal and Creed in a number one contenders match for the tag team championship, which ended with Morgan once again being pinned because of Abyss. On the January 23 episode of Impact!, Morgan and Abyss battled Beer Money, Inc. in a non-title first blood match. Towards the end of the match, Morgan turned on Abyss after hitting him with a steel chair, causing him to bleed, giving Storm and Roode the win and turning heel in the process. Morgan was defeated at Against All Odds in a standard match, but defeated Abyss in a Match of 10,000 Tacks at Destination X. The feud ended at Lockdown, in a Doomsday Chamber of Blood Match, in which neither wrestler could be legally pinned were he not bleeding. Morgan won after interference by Abyss' psychiatrist, Dr. Stevie, by hitting Abyss with a back low blow and then a chokebomb onto a pile of tacks.

The following weeks Morgan began a campaign to convince the heel stable The Main Event Mafia to allow him to join them and become a member. He was aware that the current members of the Mafia were all former World Champions, but realizing that Team 3D, Kip James and Al Snow had been invited into the Mafia (Team 3D refused, and James and Snow were rejected), Morgan felt he should have been invited too. He faced Sting at Slammiversary, but was unable to defeat him and was thus barred from joining the Mafia. At Victory Road he defeated Daniels to regain the Mafia's favor. On the August 13, 2009, episode of Impact!, Morgan defeated A.J. Styles in the deciding match of a "Best of Three Series" to secure his place in a triple threat match at Hard Justice also involving Sting and Kurt Angle. He lost at the event after Angle hit him with a steel chair. At No Surrender competed in a re-match that also featured A.J. Styles and Hernandez, who used his "Feast or Fired" contract to include himself in the match, but was removed after a few minutes when he sustained an injury at the hands of Eric Young. During the match, Styles attempted a front flip senton from the apron onto Morgan outside of the ring, at the same moment Angle attempted to attack Morgan, but accidentally got struck by Styles instead. Morgan seemingly took this as a friendly gesture and agreed to assist Angle for the remainder of the match. But when Angle seemed set to win, Morgan turned on Angle and cost him the TNA World Heavyweight Championship, turning into a face in the process. On the September 24, 2009, episode of Impact!, Morgan cemented his newfound disinterest in the Main Event Mafia when he teamed with Hernandez to defeat Kurt Angle and Eric Young, which also solidified his status as a face. On the following impact, he teamed with former rival Abyss to defeat Kurt Angle and Mick Foley. Another week later, on the edition of October 1 of impact, Matt Morgan defeated Eric Young. On October 5 Morgan announced on his Twitter page that he had signed a new 5-year deal with TNA. Morgan's feud with Angle culminated in a singles match at Bound for Glory, where despite Morgan's loss, he managed to gain Angle's respect. This match practically ended the Main Event Mafia.

Morgan then teamed up with Hernandez and D'Angelo Dinero and moved on to feuding with Rhino and Team 3D, who accused TNA of favoring the younger talent of the company. At Turning Point, Rhino and Team 3D defeated Morgan, Hernandez and Dinero in a street fight. The next night, the two teams had a re-match which ended the same way after Jesse Neal returned and attacked Hernandez with a steel chair. It was announced that the two teams would face of at Final Resolution in an elimination match, but both teams were required to have four members. Team 3D immediately enlisted Neal, while Dinero pursued Suicide's help. Both teams fought in a regular tag match to determine an additional stipulation on the forthcoming match at Final Resolution. The match at Final Resolution would begin as a 4-on-1 handicap match, but if the disadvantaged wrestler survived the first 5 minutes his partners would then join the match, turning it into an eight-man elimination tag team match. Neal pinned Hernandez, meaning that Hernandez and his team would be disadvantaged at Final Resolution. At the pay-per-view Morgan, Hernandez (who survived), Dinero and Suicide defeated Jesse Neal, Team 3D and Rhino, with Morgan scoring the deciding fall on Brother Ray.

On the January 4, 2010, live, three-hour, Monday night episode of Impact! Morgan and Hernandez defeated Dr. Stevie and Raven to become the number one contenders to the TNA World Tag Team Champions British Invasion (Brutus Magnus and Doug Williams) at Genesis. At the pay-per-view Morgan and Hernandez defeated the British Invasion to win the TNA World Tag Team Championship, his first major championship. At Against All Odds as part of the 8 Card Stud Tournament Morgan and Hernandez were forced to face each other in the first round. Morgan defeated Hernandez by taking advantage of his injured shoulder and pinning him, while grabbing a hold of his trunks. However, in the semifinals Morgan was defeated by the eventual winner of the entire tournament, D'Angelo Dinero. At Destination X Morgan and Hernandez retained the Tag Team Titles in a match against Beer Money despite plenty of miscommunication between the two champions. After the match Morgan nailed Hernandez with the Carbon Footprint and left with both title belts, turning heel in the process. The following day on Impact! Morgan defeated Hernandez via referee stoppage after sandwiching his head between his boot and the ring post, putting him out of action indefinitely. With Hernandez scheduled to miss months of action, Morgan declared himself the sole World Tag Team Champion on the edition of April 5 of Impact! and TNA went along with this and recognized him as the sole Champion. Morgan then went on to successfully defend the World Tag Team Title while teaming with the likes of Amazing Red, Shark Boy and Jesse Neal as his substitute partners, attacking each of them after the matches. On the edition of May 3 of Impact! it was announced that Morgan would defend the World Tag Team Championship at Sacrifice against Jesse Neal and Shannon Moore, both of whom he had attacked in the two previous weeks, and that Hulk Hogan would decide his partner for the match. On the edition of May 13 of Impact! Morgan demanded to find out who his partner would be and when he did not get an answer, threatened to turn his match against Generation Me (Jeremy and Max Buck) into a bloodbath. However, Samoa Joe came to the ring to put a stop to this and hit Morgan with a Muscle Buster. This led to The Band coming out and Kevin Nash cashing in his "Feast or Fired" contract, after which he pinned Morgan to make himself and Scott Hall the new World Tag Team Champions. On the edition of June 3 of Impact!, Matt Morgan was distracted by somebody in the crowd which cost him a four-way match with Samoa Joe, Sting, and the winner of the match, TNA World Heavyweight Champion Rob Van Dam. The camera's immediately showed what was distracting Morgan, but nobody could clearly see who it was, although Taz and Mike Tenay believed it to be Hernandez. The following week, Hernandez made his official return by attacking Morgan. After the attack The Band gave the injured Morgan the rematch he had wanted for the World Tag Team Championship and easily defeated him to retain the title. At Slammiversary VIII Morgan defeated Hernandez via disqualification, when Hernandez was disqualified for shoving the referee, when he had gotten enough of him reprimanding him for going after Morgan. The following month at Victory Road Morgan was defeated by Hernandez in a Steel Cage match.

Fortune (2010–2011)
On the edition of August 12 of Impact! Morgan joined Ric Flair's Fortune (originally spelled Fourtune) stable, as he, A.J. Styles, Kazarian, Robert Roode, James Storm and Douglas Williams attacked EV 2.0, a stable consisting of former Extreme Championship Wrestling performers. At Bound for Glory Morgan, Styles, Kazarian, Roode and Storm were defeated in a Lethal Lockdown match by EV 2.0 members Tommy Dreamer, Raven, Rhino, Sabu and Stevie Richards. On the following edition of Impact! Fortune formed an alliance with Hulk Hogan's and Eric Bischoff's new stable, Immortal. However, Morgan would be kicked out of Fortune after he faced Jeff Hardy for the TNA World Heavyweight Championship, turning him into a face. He would have two titles matches at Turning Point and Final Resolution, but he lost both times.

At Genesis Morgan was defeated by Mr. Anderson in a number one contender's match. On the edition of February 10 of Impact!, Morgan received a shot at Anderson's TNA World Heavyweight Championship, but was defeated following interference from the returning Hernandez, who made his first TNA appearance in over six months. On the edition of March 3 of Impact! Morgan defeated Hernandez via disqualification. On March 13 at Victory Road, Hernandez defeated Morgan in a First Blood match, after using fake blood on him, following a distraction from a planted fan, later identified as Anarquia, the newest member of Hernandez's Mexican America stable. On April 17 at Lockdown, Morgan defeated Hernandez in a steel cage match to win the feud. With his feud with Hernandez behind him, Morgan announced his intention of going for the TNA World Heavyweight Championship on the following edition of Impact!, but was interrupted by Scott Steiner who claimed to be next in line for the shot, before laying Morgan out with a low blow. On June 12 at Slammiversary IX, Morgan defeated Steiner in a singles match. Later that month, Morgan entered the Bound for Glory Series to determine a number one contender for the TNA World Heavyweight Championship. On the edition of July 21 of Impact Wrestling, Morgan won a four-man ladder match to climb to number three spot in the tournament's rankings, however, just four days later it was reported that Morgan had torn his pectoral muscle, which would sideline him for six weeks, ending his participation in the tournament. Over the following weeks, Morgan was on commentary for the Bound for Glory Series matches. On August 29 it was reported that Morgan had been cleared to return to the ring.

Teaming with Crimson (2011–2012)
Heading to Bound for Glory, Morgan started a feud with Samoa Joe, who had vowed to ruin the Bound for Glory Series. On September 11 at No Surrender, Morgan defeated Joe in a grudge match, but lost against him on the following edition of Impact Wrestling in a submission match. At Bound for Glory, they would have a triple threat match also including the eventual winner Crimson. On November 13 at Turning Point, Morgan wrestled Crimson to a double disqualification. On the following edition of Impact Wrestling, Morgan and Crimson defeated Mexican America to win the TNA World Tag Team Championship. They would defend the titles against Mexican America, D'Angelo Dinero and Devon, and Magnus and Samoa Joe, until February 12, where they lost the championship at Against All Odds against Magnus and Joe in a rematch. They would try to regain the titles two times, but failed. After their second match at Victory Road, when Crimson turned on Morgan. On April 15 at Lockdown, Morgan was defeated by Crimson in a steel cage match. On the edition of May 10 of Impact Wrestling, Morgan and Crimson were set to face each other in what was billed as their "final confrontation", however, before the match could start, Morgan was attacked by Bully Ray. After Morgan was stretchered away, Crimson was given a countout victory. In an interview on June 14, Morgan expressed frustration with TNA management and confirmed that his contract with the promotion would be up soon. Working exclusively on house shows for his last month with TNA, Morgan finished his commitments with the promotion on June 16.

Final feuds and departure (2012–2013)
Morgan made a surprise return to TNA at a house show in Bethlehem, Pennsylvania on September 15, entering through the crowd in street clothes, hopping a guardrail and attacking Robbie E. The following night at another house show in Wilkes-Barre, Pennsylvania, Morgan entered the ring after a match between James Storm and Jeff Hardy, delivering a Carbon Footprint to referee Brian Stiffler. The second appearance was later broadcast on the October 4 episode of Impact Wrestling, where Bruce Prichard was lecturing D'Lo Brown about the incident. Morgan returned to pay-per-view on October 14 at Bound for Glory, helping Joey Ryan defeat Al Snow to earn a TNA contract thus establishing himself as a heel. The following Impact Wrestling, Morgan explained his actions, claiming that Hulk Hogan had not delivered on his promises; Hogan in turn blamed the TNA creative about Morgan's treatment. While Morgan continued to vilify Hogan, it was insinuated that Hogan was just trying to rile him up, while secretly backing him. Morgan competed in his return match on the November 29 episode of Impact Wrestling, defeating Douglas Williams. On December 9 at Final Resolution, Morgan and Ryan unsuccessfully challenged Chavo Guerrero Jr. and Hernandez for the TNA World Tag Team Championship, after losing to them via disqualification. Morgan and Ryan challenged Guerrero and Hernandez again on January 13, 2013, at Genesis, but were again unsuccessful in winning their titles. In March, Morgan began "cleaning up the messes" that Hulk Hogan had made, beginning with attacks on World Heavyweight Champion Jeff Hardy and Joseph Park. The attack on Park resulted in a singles match on the March 21 episode of Impact Wrestling, where Morgan emerged victorious. On the April 25 episode of Impact Wrestling, Morgan confronted Hogan and offered his services to take out the Aces & Eights, in exchange for being named the number one contender for the TNA World Heavyweight Championship at Slammiversary, but was firmly denied. The following week, Morgan faced Sting in a number one contenders match for the World Heavyweight Championship, which Sting won after locking Morgan in the Scorpion Deathlock and making him pass out. Morgan's last appearance for the company was on the June 13 episode of Impact Wrestling, where he was defeated by Magnus in a four-way 2013 Bound for Glory Series qualifying match, which also included Kenny King and Rob Terry. After initially asking that same month, TNA granted Morgan his release from the company on July 9.

Independent circuit and first retirement (2013–2014)
Morgan debuted for AAA on June 16, 2013, at Triplemanía XXI, where he, Jeff Jarrett, and Monster Pain defeated AAA World Trios Champions Los Psycho Circus (Monster Clown, Murder Clown and Psycho Clown) in a non-title match.

Morgan made his first wrestling appearance since departing from TNA on August 31, 2013, at NWA Florida Underground Wrestling's Throwdown 6, defeating Kenneth Cameron. Morgan returned to NWA-FUW on October 26, defeating The Grease to win the NWA Florida Heavyweight Championship. In November, Morgan made successful title defenses against Leo Gold, Deimos, and The Titan.

Morgan made his debut for Family Wrestling Entertainment on October 12, 2013, at their Grand Prix iPPV, unsuccessfully challenging John Hennigan for the FWE Heavyweight Championship. Morgan returned to FWE on December 7 for their one-night tournament, losing to Ted DiBiase Jr. via count-out in the opening round.

In January 2014, Morgan announced his retirement from professional wrestling full-time in order to be with his wife and new born son, as well as begin a career as a regional manager for a "big-time medical device company". Morgan has stated that while he has a great love for professional wrestling and all the opportunities it afforded him, that his biggest dream in life was to be a father and so he had to take a job that allowed him to be home every night with his son, something he unfortunately would not be able to do as a full-time wrestler. In an interview with Chris Van Vliet in February 2023, Morgan also spoke he was intended to return to WWE in the 2014 Royal Rumble event using The Blueprint gimmick he used in TNA but his son was born on January 7, days before the event and plans for it were then shelved.

Return to TNA (2015, 2017)
On June 24, 2015, Morgan returned to TNA as a face, after saving the returning Vader from an attack from Bram. It was soon announced that Morgan would face Bram at Slammiversary. At Slammiversary, Bram defeated Morgan after performing The Brighter Side of Suffering onto a steel chair. Morgan later confirmed that the match was a one-time deal only in order to give his son the chance to see him wrestle.

On the April 6, 2017 edition of Impact, Morgan made his return as the third pick on Team Jeremy Borash, joining Chris Adonis, Magnus and Alberto El Patrón. The foursome would defeat Team Josh Mathews (Bram, Eli Drake, Lashley and Tyrus) the following week. Morgan's next match was for the GFW Global Championship on Impact's May 4 episode; he would lose after suffering a low blow followed by a Michinoku Driver from then champion Magnus, solidifying the latter's heel turn. This would be Morgan's final appearance as he was granted his release request on July 24 by GFW, which was now Impact Wrestling renamed following its merger with Jarrett's promotion on April 20. Morgan says he had only agreed to return because Impact was close to his home, only taped on the weekends and did not tour, and therefore would not interfere with his other 9 to 5 career. This changed when GFW started taping its shows on weekdays and planning to travel, and so Morgan wanted out of the promotion.

Return to the independent circuit and second retirement (2019)
On March 16, 2019, Morgan returned to the independent circuit where he wrestled the final match of his career, teaming with Deon James to defeat Braydon Knight and Chico Adams with Eric Christopher as their manager in a tag team match.

Second return to Impact Wrestling (2022)
On the June 9, 2022, episode of Impact!, Morgan made a one night return and was interviewed by Gia Miller to talk about his career with the company until being interrupted by Vincent.

Political career
In 2017, Morgan ran for public office, defeating incumbent Mark Weller as District 4 City Commissioner of Longwood, Florida. He changed his political affiliation from Democrat to Republican the same month he filed to run for office in the majority Republican county. He served as mayor of Longwood from May 7, 2019, until September 2020. Morgan ran for Seminole County Commission in 2020 and lost to incumbent Bob Dallari, who received 60.1% of the vote to Morgan's 39.9%. He serves as District 4 City Commissioner of Longwood, Florida after his defeat.

Morgan was linked to former tax collector of Seminole County Joel Greenberg, via payments that Greenberg's office made to Morgan's company, Blueprint Enterprises, for consulting jobs. However, auditors wrote that they could find "no evidence of work product". Morgan was charged with no crimes. Seminole County commissioners agreed to hire a law firm to attempt to recoup public money misspent by Joel Greenberg.

In May 2022, Longwood city commission meeting, Morgan's fellow city commissioners elected Morgan to become the city's new mayor. He served as mayor until May 2023, but his term on the Longwood city commission is not up until November 2024.

Personal life
Morgan announced on a 2008 episode of TNA Impact! during the TNA Webography segment where TNA Superstars give an insight into their life that he has been married to his college sweetheart, a Hawaiian/Filipino woman named Larissa Vasper from Hawaii for four years. During that Webography, he also announced that when he was five, he was diagnosed with Attention-Deficit Disorder (ADD), which led to him getting involved with CHADD (Children and Adults with Attention Deficit/Hyperactivity Disorder), a non-profit organization based out of Landover, Maryland.

In August 2008, it was announced that Morgan would contribute a sample of his DNA to be launched into space as part of game designer Richard Garriott's "Operation Immortality" project.

In 2014, Morgan's wife, Larissa, gave birth to their first child.

Since 2016, Morgan has become a regular guest on The Wrestling Inc. podcast, reviewing the week's latest edition of Raw while also covering all WWE's pay-per-views and NXT's TakeOver events. In 2019, Morgan also started reviewing SmackDown, AEW Dynamite, NXT, and both WWE and AEW pay-per-views for Wrestling Inc.

Other media
In 2008, Morgan accepted an offer to appear on the third series of American Gladiators as one of the Gladiators. Morgan, under the name Beast, made his Gladiator debut during the first night of the semifinals in the joust. He defeated each of his two opponents in less than eight seconds. On September 24, 2010, Morgan appeared on Fox television show The Good Guys, playing the role of a Russian mobster on an episode titled Vacation. In November 2010 Morgan was a contestant on an all TNA week of Family Feud, teaming with Jay Lethal, Mick Foley, Mr. Anderson and Rob Van Dam against Angelina Love, Christy Hemme, Lacey Von Erich, Tara and Velvet Sky. On June 30, 2011, Morgan was announced as being a part of the new season of CMT Made 101.

Championships and accomplishments

 * Far North Wrestling
 * FNW Heavyweight Championship (1 time)
 * NWA Florida Underground Wrestling
 * NWA Florida Heavyweight Championship (1 time)
 * Ohio Valley Wrestling
 * OVW Heavyweight Championship (2 times)
 * Pro Wrestling Illustrated
 * Ranked No. 32 of the 500 best singles wrestlers in the PWI 500 in 2011
 * Ring Ka King
 * RKK World Heavyweight Championship (1 time)
 * RKK World Heavyweight Championship Tournament (2011)
 * Total Nonstop Action Wrestling
 * TNA World Tag Team Championship (2 times) – with Hernandez (1) and Crimson (1)

title: Matt Morgan