text:
Elizabeth Maconchy

Dame Elizabeth Violet Maconchy LeFanu (19 March 1907 – 11 November 1994) was an Irish-English composer. She is considered to be one of the finest composers Great Britain and Ireland have produced.

Biography
Elizabeth Violet Maconchy was born in Broxbourne, Hertfordshire, of Irish parents, and grew up in England and Ireland. Her family moved to Ireland in 1917, where they lived in Howth, on the east coast. The adolescent Maconchy began her musical studies in Dublin, studying piano with Edith Boxhill, and harmony and counterpoint with John Francis Larchet. Those formative years in Ireland were important for Maconchy who considered herself Irish. Throughout her career she was identified as an Irish composer, or as an English composer with Irish influences, by reviewers and commentators.

In 1923, at the age of sixteen, she moved to London to enrol at the Royal College of Music. At the RCM Maconchy studied under Charles Wood and Ralph Vaughan Williams. Her contemporaries at the college included Grace Williams, Dorothy Gow, and Ina Boyle. Early compositions such as the violin sonata and Piano Concertino of 1927 already show the influence of European composers, especially Bartok. As a student, Maconchy was awarded the Blumenthal Scholarship in 1927, and the Octavia Scholarship of 1930, which allowed her to continue her studies in Prague. Her first public recognition came in 19 March 1930 with a performance of her Piano Concerto, conducted by her teacher there, Karel Jirak. This was followed on 30 August by a BBC Proms performance of her cantata The Land, conducted by Henry Wood, which was inspired by the long poem of the same name by Vita Sackville-West.

In response to the scarce opportunities for young avant garde composers and for female composers, a group of women got together to organise regular concerts at the small Ballet Club theatre in Notting Hill, London, showcasing new work. It has been claimed that this venture "changed the face of music in London", and that it "prove[d] a lifeline for Elizabeth Maconchy through the 1930s".

In 1930 Maconchy married William LeFanu, with whom she had two daughters: Elizabeth Anna LeFanu (born 1939) and Nicola LeFanu (born 1947). In 1932, Maconchy developed tuberculosis and she moved with her family from London to Kent. She returned to Ireland in 1939, living in Dublin for a brief period, during which she composed her Fifth String Quartet, which some critics consider her greatest achievement, and gave birth to a daughter. Maconchy did much to improve the conditions of composers, being elected Chair of the Composers Guild of Great Britain in 1959, a position she held for a number of years. She was also President of the Society for the Promotion of New Music. Maconchy was a socialist, and her activism extended to supporting the Democratic/Republican side in the Spanish Civil War, and other causes.

Maconchy's friends included the English composer Elisabeth Lutyens, the Welsh composer Grace Williams, the Irish composer Ina Boyle, and the Czech music critic Jan Löwenbach.

She died in Norwich, England.

Compositions
Maconchy is considered to be "one of the finest composers the British Isles have produced". Her work has been compared to that of Bartok, who was an acknowledged influence, and also to Beethoven and Mozart, as well as (favourably) to contemporaries such as Britten. She produced over 200 works. According to Ailie Blunnie, Maconchy was "a gestural composer, concerning herself with short musical fragments, as opposed to large-scale concepts or templates", at least in part because of her "ideology" as a composer, so that "she never planned anything out, musically speaking, in any great detail in advance of composition, [and by using shorter formats] she could afford to explore the possibilities implicit in the ideas themselves as they arose".

In terms of style, Maconchy had "a predilection for intervallic composition", and, "profoundly influenced by the resonances produced by certain intervals, [she] tended to build works around one or a small number of intervals, which varied according to the work in question". A favoured "harmonic device" was the "simultaneous use of major and minor sonorities", which "came to denote episodes of heightened emotion". It has been argued that her work is often "driven by rhythm", which gives it its characteristic confluence of "energy, dynamism and imagination".

Maconchy's cycle of thirteen string quartets, composed between 1932 and 1983, is regarded as the peak of her musical achievements. Historian of music Anna Beer has contended that "Maconchy loved the quartet form because it represented a debate, a dialectic between four balanced, individual, impassioned voices." She once declared that: "for me, the best music is an impassioned argument".

She also wrote for voice. Maconchy wrote three one-act operas, including the erotic comic opera The Sofa, based on an eighteenth century novel, and stylistically in "dialogue with Mozart", which shocked the audience for its explicitness when it premiered in 1959. In 1943 she responded to war with The Voice of the City, for women's chorus, about the Battle of Stalingrad. There were many songs written throughout her career, but most of them were unpublished and remained little known. In 1981 she set to music prose versions of some Petrarchan sonnets, by the Irish writer J.M. Synge, grouped together as a song cycle, My Dark Heart.

String quartets

 * No. 1 (1932/33)
 * No. 2 (1936)
 * No. 3 (1938)
 * No. 4 (1942/43)
 * No. 5 (1948)
 * No. 6 (1950)
 * No. 7 (1955)
 * No. 8 (1967)
 * No. 9 (1968)
 * No. 10 (1972)
 * No. 11 (1976)
 * No. 12 (1979)
 * No. 13 Quartetto Corto (1982–83)

Symphonic

 * Suite in E minor for string orchestra (1924)
 * Fantasy for flute, harp and string orchestra (1926, lost)
 * Elegy for flute, horn and string orchestra (1926, lost)
 * Fantasy for Children for small orchestra (1927–28)
 * Theme and Variations for orchestra (1928)
 * The Land, symphonic suite after V. Sackville-West's poem, for orchestra (1929)
 * Symphony (No. 1), for orchestra (1929–30, withdrawn)
 * Suite for chamber orchestra (1930, withdrawn)
 * Comedy Overture for orchestra (1932–33)
 * Two Dances from the ballet Puck Fair, for orchestra (1940)
 * Variations on a Well-Known Theme, for orchestra (1942)
 * Theme and Variations for string orchestra (1942–43)
 * Suite from the ballet Puck Fair, for orchestra (1943)
 * Symphony (No. 2), for orchestra (1945–48, withdrawn)
 * Nocturne for orchestra (1950–51)
 * Proud Thames : Coronation Overture, for orchestra (1952–53)
 * Symphony for double string orchestra (1952–53)
 * Suite on Irish Airs, for small orchestra (1953 ; arr. for full orch, 1954)
 * Suite on Irish Airs, version for full orchestra (1955)
 * A Country Town, 6 short pieces for orchestra (c. 1956) [arr. of piano pieces from 1939]
 * Music for Woodwinds and Brass (1965–66)
 * An Essex Overture, for orchestra (1966)
 * Three Cloudscapes for orchestra (1968, withdrawn)
 * Genesis for chamber orchestra (1972–73)
 * Sinfonietta, for orchestra (1976)
 * Little Symphony, for orchestra (1980–81)
 * Music for Strings (1981–82)
 * Life Story, for string orchestra (1985)

Concertante

 * Andante and Allegro, for flute and string orchestra (1926–27)
 * Concertino (No. 1) for piano and chamber orchestra (1928 ; rev. 1929–30)
 * Viola Concerto (1937, withdrawn)
 * Dialogue for piano and orchestra (1940–41)
 * Concertino (No. 1) for clarinet and string orchestra (1945)
 * Concertino (No. 2) for piano and string orchestra (1949)
 * Concertino for bassoon and string orchestra (1950)
 * Toombeola, for violin and string orchestra (1954, withdrawn)
 * Concerto for oboe, bassoon and string orchestra (1955–56)
 * Suite for oboe and string orchestra (1955–56)
 * Serenata concertante for violin and orchestra (1962)
 * Variazioni concertante, for oboe, clarinet, basson, horn and string orchestra (1964–65)
 * Epyllion, for solo cello and 15 strings (1973–75)
 * Romanza for viola, woodwind quintet and string quintet (or viola and piano) (1979)
 * Tribute, for violin and woodwind octet (1982)
 * Concertino (No. 2) for clarinet and small orchestra (1984)

Chamber and instrumental

 * Notebook for harpsichord (1965-6)
 * Three Pieces for harp (1976)
 * Contemplation for cello and piano (1978)
 * Piccola Musica for violin, viola and cello (1981)
 * Trittico, for two oboes, bassoon and harpsichord (1981)
 * Wind Quintet (1982)

Stage

 * Great Agrippa, ballet (1933)
 * Puck Fair, ballet, libretto: F. R. Higgins, (1939–40)
 * The Sofa, comic opera, libretto: Ursula Vaughan Williams, (1956–57)
 * The Three Strangers, opera, libretto: Elizabeth Maconchy after Thomas Hardy, (1957–58, rev. 1967, −69, −77)
 * The Departure, opera, libretto: Anne Ridler, (1960–61, rev. 1977)
 * The Birds, extravaganza, Elizabeth Maconchy after Aristophanes, (1967–68)
 * Johnny and the Mohawks, children's opera (1969)
 * The Jesse Tree, masque, libretto: Anne Ridler, (1969–70)
 * The King of the Golden River, children's opera, libretto: Elizabeth Maconchy after John Ruskin (1975)

Choral

 * Hymn to God the Father for mixed double choir, text John Donne (1931)
 * The Voice of the City for female chorus and piano, text Jacqueline Morris (1943)
 * Nocturnal, three poems for mixed chorus and piano (1965, Cork Festival 1966)
 * Samson and the Gates of Gaza, cantata for chorus and orchestra, text Vachel Lindsay (1963-4)
 * And Death Shall Have No Dominion, chorus and ensemble, text Dylan Thomas (1969)
 * Prayer before Birth for female chorus and piano, text Louis MacNeice (1972)
 * Siren's Song, a cappella chorus, text William Browne (1974)
 * Two Epitaphs for female chorus (1975)
 * Four Miniatures for mixed chorus, text Eleanor Farjeon (1978)
 * Héloïse and Abelard for soloists, chorus and orchestra (1978)
 * Creatures, cycle for mixed chorus (1979)
 * Still Falls the Rain for mixed double choir, text Edith Sitwell (1985)
 * On Stephenses Day for female chorus (1989)

Songs

 * Impetuous Heart, Be Still, text Yeats (1924)
 * The Poet-Wooer, text Ben Jonson (1928)
 * The Cloths of Heaven, text W. B. Yeats (1929)
 * In a Fountain Court, text Arthur Symons (1929)
 * The Woodspurge (1930), text Dante Gabriel Rossetti (1930)
 * The Thrush, text John Keats (1934)
 * The Garland: Variations on a Theme, cycle of seven songs, text after Anacreon (1937)
 * Sleep Brings No Joy to Me, text Emily Brontë (1937)
 * Sailor’s Song of the Two Balconies, text Sheila Wingfield (1941)
 * The Disillusion, text Sheila Wingfield (1941)
 * The Exequy, text Henry King (1956)
 * Three Settings of Poems by Gerald Manley Hopkins for high voice and chamber orchestra (1964-70)
 * Ariadne, soprano and orchestra, text Cecil Day Lewis (1970)
 * Faustus, dramatic scena for tenor and piano, text Christopher Marlowe (1971)
 * Three Songs for tenor and harp, texts Byron, Shelley, Campbell (1974)
 * Sun, Moon and Stars, for soprano and piano, text Thomas Traherne (1974)
 * My Dark Heart, song cycle for soprano and chamber ensemble, text J. M. Synge (1981)
 * L'Horloge, for soprano, clarinet and piano, text Baudelaire (1983)

Honours
In 1933, Maconchy's quintet for oboe and strings won The Daily Telegraph Chamber Music Competition, and was recorded by Helen Gaskel with the Griller Quartet soon afterwards on HMV Records. In 1948, she was awarded the Edwin Evans Prize for her String Quartet No. 5. In 1953, her "Proud Thames" overture won the London County Council Competition as Coronation Overture for the new Queen of the United Kingdom.

In 1959, Maconchy was invited to chair the Composers' Guild of Great Britain, the first woman to do so. In 1960, she was awarded the Cobbett Medal for chamber music. In 1976, following the death of Benjamin Britten, she became President of the Society for the Promotion of New Music. She was made a Commander of the Order of the British Empire (CBE) in 1977, and elevated to Dame Commander (DBE) in 1987.

During the week of May 13-17, 2024, Maconchy was featured as Composer of the Week on BBC Radio 3.

title: Elizabeth Maconchy


text: User talk:69.66.30.16

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: User talk:69.66.30.16


text:
Ugg boots

Ugg boots are a unisex style of sheepskin boot originating in Australia. The boots are typically made of twin-faced sheepskin with fleece on the inside, a tanned outer surface and a synthetic sole. The term "ugg boots" originated in Australia, initially for utilitarian footwear worn for warmth, and which were often worn by surfers during the 1960s. In the 1970s, the boots were introduced to the surf culture of the United Kingdom and the United States. Sheepskin boots became a fashion trend in the U.S. in the late 1990s and a worldwide trend in the mid-2000s. In Australia, they are worn predominantly as slippers and often associated with daggy fashion sense and bogan culture.

Prior legal disputes between some manufacturers of sheepskin boots arose as to distinguish whether "ugg" is a protected trademark, or a generic term and thus ineligible for trademark protection. There are more than 70 registered trademarks that include the term "ugg" in various logos and designs in Australia and New Zealand, as the term is considered a generic reference to a type of shoe. Outside Australia and New Zealand, UGG is a brand manufactured by the California-based Deckers Outdoor Corporation, with most of its manufacturing based in China and with registered trademarks in over 130 countries worldwide including the US, UK, Canada, all European Union members, and China. Despite the difference in capitalisation and pronunciation (e.g., in China), Deckers Corporation actively asserts its "UGG" trade mark against Australian traders who sell their "ugg boots" overseas.

Noteworthy manufacturers in Australia and New Zealand are EMU Australia, Uggs-N-Rugs and Ugg Australia. While Deckers is often referred to as the leading manufacturer of the footwear style outside Australia, Deckers refers to its boots as the "UGG-brand" boot, and associates it with a "California lifestyle". Following an investigation by the Australian Competition & Consumer Commission into allegedly misleading and deceptive use of "Australia" in its branding, Deckers has rebranded from "UGG Australia" to "UGG".

History
There are different claims to the origins of the ugg boot style. Artisanal sheepskin boots were known in rural Australia during the 1920s, and were reportedly worn by shearers as they found them resistant to wool yolk (lanolin), which would rot their ordinary boots. However, when commercial manufacturing began remains unclear. The boots were reportedly being manufactured in 1933 by Blue Mountains Ugg Boots of New South Wales. Frank Mortel of Mortels Sheepskin Factory has stated that he began manufacturing the boots in the late 1950s. Surfer Shane Stedman of Australia has stated in interviews that he invented the ugg boot. Perth sheepskin boot manufacturers Bruce and Bronwyn McDougall of Uggs-N-Rugs have manufactured the boots since the late 1970s.

The origin of the term "ugg" is also unclear. Stedman registered the trademark "UGH-BOOTS" in Australia in 1971, and in 1982 registered the "UGH" trademark. Frank Mortel claims that he named his company's sheepskin boots "ugg boots" in 1958 after his wife commented that the first pair he made were "ugly." Some accounts have suggested that the term grew out of earlier variations, such as the "fug boots" worn by Royal Air Force pilots during World War I.

The 1970s saw the emergence of advertising using the UGG and UGH terms both in trade names and as a generic term in Australia. The Macquarie Dictionary of the Australian language first included a definition for "ugg boot" as a generic term for sheepskin boots in its 1981 edition. (After Stedman complained to the editors of Macquarie, subsequent editions indicated that "UGH" was a trade mark.)

In the 1970s, ugg boots became popular among competitive surfers. Sheepskin footwear accounts for around 10 percent of footwear production in Australia.

International sales
Surfing helped popularise the boots outside Australia and New Zealand. Advertisements for Australian sheepskin boots first appeared in Californian surf magazines in 1970. By the mid-1970s, several surf shops in Santa Cruz, California and the San Fernando Valley were selling a limited number of boots purchased by the shops' owners while visiting surfing events in Australia. In 1978, a Western Australian manufacturer of sheepskin boots, Country Leather, advertised outside Australia for distributors to sell its sheepskin boots, which were made from sheepskin sourced from Jackson's Tannery in Geelong, Victoria. Seeing the popularity of the boots among American surfers, Australian surfer Brian Smith, then living in Santa Monica, California, and colleague Doug Jensen bought boots from Country Leather but were unhappy with the brand and decided to register UGG as their own trademark. Family friends invested $20,000 into the new venture and the group set up Ugg Imports. Due to other business commitments, in 1979 Jensen handed over his share of the company to Smith. In 1987 Smith registered Ugg Holdings Inc. and in 1985 registered a U.S. trademark on a ram's head logo with the words "Original UGG Boot UGG Australia." In 1995, Ugg Holdings purchased Stedman's various trademarks. As for the ugg name, Smith stated: "We always called them uggs, long before it was trademarked."

Shoe manufacturer Hide & Feet in Newquay, England began manufacturing sheepskin boots in 1973, and in 1990 Nick Whitworth and his wife Kath bought the business and registered "UGG" as a trade mark in the UK. Due to increasing popularity and sales, in 1991 the company changed its name to "The Original Ugg Co." In 1999, Whitworth sold the company name and the British UGG trade mark to Deckers Outdoor Corporation, renaming his company the Celtic Sheepskin Company.

By 1994, UGG boots had grown in status among surfers in California with 80% of sales in southern Orange County where Ugg Holdings saw an increase in sales of 60 percent on the previous season. Smith's UGG boots gained international exposure when they were worn by the United States Olympic team in Lillehammer for the 1994 Winter Olympics. Australian manufacturers also saw an increase in exports of sheepskin boots to the United States, although Ugg Holdings retained an estimated 80% market share. By the end of the year, Country Leather had opened its own shop in Redondo Beach to promote an expansion of the brand from its established surf market into mainstream footwear sales and Ugg Holdings began sourcing UGG boots directly from Jackson's Tannery, which had changed its name to EMU Australia. In early 1995, Smith promoted the UGG AUSTRALIA brand on the Rush Limbaugh show, which spurred sales while the brand gained further exposure when the San Diego Chargers started wearing them. According to retailers, it was not just the footwear that attracted consumers, but the "made in Australia" tie-in as the boots were a unique product only available from Australia and Australian products were at that time very popular. In August 1995, Smith sold Ugg Holdings to Deckers Outdoor Corporation for $14.6 million. In 1996 Deckers registered the various trademarks for "UGG" in the U.S.

Australian ugg boots are not considered fashionable in their countries of origin and are worn for warmth and comfort. Ugg boots in Australia are worn predominantly as slippers and associated with daggy fashion sense, bogan behaviour and the outer suburbs when worn in public. According to Australian fashion stylist Justin Craig: "The only people who get away with wearing them are models, who give out the message: 'I'm so beautiful, I can look good in any crap. The Deckers UGG brand emerged as a fashion trend in the US through Deckers' actions to promote it as a high fashion brand. Deckers solicited endorsements from celebrities such as Kate Hudson, Sarah Jessica Parker, Cameron Diaz, Leonardo DiCaprio and Jennifer Lopez, and product placements in television series such as Sex and the City, and films such as Raising Helen. This marketing campaign "led to an exponential growth in the brand's popularity and recognizability." The company reported US$689 million in UGG sales in 2008, almost a 50-fold increase from 1995. Deckers aggressively pursues sales of ugg boots by Australian traders overseas. In 2010, worldwide sales of ugg boots by Australian manufacturers combined equalled only 5.9% of Deckers "UGG"-branded sheepskin boots sales, with UGG dominating the world market.

Design
Traditional Australian ugg boots are made from sheepskins with fleece attached. The fleece is tanned into the leather and the boot is assembled with the fleece on the inside. Some ugg boots have a synthetic sole, commonly made from Ethylene-vinyl acetate (EVA). The stitching is often prominent on the outside of the boot. The natural insulative properties of sheepskin gives isothermal properties to the boots: the thick fleecy fibres on the inner part of the boots wick moisture and allow air to circulate, keeping the feet at body temperature and allowing the boots to keep feet warm in cold weather and cool in hot weather. Produced by a number of manufacturers, they come in a variety of colours, including black, pink, blue, chestnut, and fuchsia. They are available in both pull-on and lace-up varieties and their height can range from just above the ankle to above the knee.

Some variations of ugg style boots have also been made from kangaroo fur and leather. There are also synthetic boots. Although derided as "fake" by some in the industry, their lower price made them appealing to large retail chains such as Myer.

Animal rights
Sheep-skin is a by-product of processing sheep for human consumption. That is, sheep are not specifically killed for their skins. Because it is a by-product, the supply of sheep-skin is limited by the number of sheep processed for the meat industry. The rise in the popularity of "UGG"-branded ugg boots has been the "driving force" in recent shortages, which have seen sheep-skin prices from 2010 to 2012 increase by up to 80%.

As one of many clothing products made from animal skin, sheepskin boots have been the subject of criticism by the animal rights movement, and producers have responded by improving animal welfare. Animal rights groups call for the boycott of sheepskin boots and their replacement with synthetic alternatives. In 2007, Pamela Anderson, realizing that the boots were made of skin, called for a boycott on her website. In February 2008, the Princeton Animal Welfare Society staged a campus protest against the fur industry, particularly attacking the sheepskin boot industry.

Trademark disputes
The trademarking of the UGG name has been the subject of dispute in several countries. Deckers Outdoor Corporation has won disputes in the United States, the Netherlands, and Turkey. In Australia and New Zealand, ugg is a generic term. The trademark for "Ugh-Boots" has been removed from the trademark registry for non-use. Outside Australia and New Zealand, UGG (written in capital letters) is a registered trademark of Deckers Outdoor Corporation.

The first trademark application for UGG in the United States was filed by Brian Smith's company in 1984. In the 1990s, Smith and then Deckers secured additional registrations in the U.S. and other countries. In 1999, Deckers began asserting its new trademark and sent out cease and desist letters to Australian manufacturers that were selling sheepskin boots outside of Australia via the internet. By the early 2000s, demand for UGG boots was soaring with Australian and U.S.-based manufacturers selling sheepskin boots over the Internet. There was confusion among consumers between generic ugg boots made in Australia and Deckers' UGG brand boots. Deckers' law firm Middletons of Melbourne began a serious effort to halt the Australian companies' sales by sending cease and desist letters to a number of Australian and U.S.-based manufacturers, preventing them from selling sheepskin boots using the UGG trademark on eBay or from using the word in their registered business names or domain names. Deckers initiated numerous domain name actions under the UDRP.

In response to these actions by Deckers, some Australian manufacturers formed the Australian Sheepskin Association to fight the corporation's claim, arguing that "ugg" is a generic term referring to flat-heeled, pull-on sheepskin boots. One of these manufacturers, Perth's Uggs-N-Rugs, who had been manufacturing ugg boots since 1978 and selling them online since 1996, appealed to Australian trademark regulators. The officer who heard the case stated that the "evidence overwhelmingly supports the proposition that the terms (ugg, ugh and ug boots) are interchangeably used to describe a specific style of sheepskin boot and are the first and most natural way in which to describe these goods." In 2006 Uggs-N-Rugs won the right to use the term UGG BOOT/S and variations such as UGH BOOT/S within Australia. Deckers retained the trademark rights to their UGG logo in Australia as trademark protection only applies to the way the mark appears in its entirety and not the words it contains. IP Australia also ruled that the trademark "UGH-boots" (with hyphen) should be removed from the trademark register for non-use as Deckers had only been using the UGG logo, not the UGH marks. This 2006 ruling applies only in Australia and Deckers still owns the trademarks in other jurisdictions such as the US, China, Japan and the European Union.

title: Ugg boots


text:
User talk:Neckelmann

=Den Store Druktur 2006=

Vigtige beslutninger der skal tages:
 * Hvem køber boomblaster?

Destination
Køwenhavnstrup (den der by ovre på den store af øerne). Som det ser ud nu, så er denne campingplads det bedste bud på en specifik destination: Bellahøj Camping

Seværdigheder
Se evt. Derudover er der friluftsbad i nærheden hvor and kan vise dunken frem.

Indkvartering
I telte eller hippie tippie. Eller op i en koloenorm vagina.. yaaah babi.. (damn, visse unavngivne individer er meget infantile)

Tidspunkt
Selve campinghelvedet er fra onsdag d. 12. juli. Slutter søndag d. 16.

Cls tager formentlig hjem allerede lørdag. Hvis der er nogen som piver over at de mangler et telt, lader vi bare Cls' stå, og så kan de resterende gæve vikinger pille det ned og tage det med hjem til fastlandet om søndagen. (se evt. regel #5)

Priser
Pris for en overnatning for en "voksen": 63 kr. Optimalt. Det vil sige: $$total = 63 * (16-12) kr$$

Plan Snedig
Situationen er at Grz+Cls hopper på jernhesten mandag morgen. Den forventede tid for passering af målstregen er midt på onsdag eftermiddag. Der skal tages forbehold for sykkopatvejr og defekte jernheste. <-- den del af planen er vel okay?

(resten er sakset væk på grund af inkompatibilitet med virkeligheden)

Grej
Telt

Sovepose

Jernheste

Knive, mindst 23,5cm

Atombomber (Hvem sørger for det??)

Kastestjerner (Grz skaffer nogen)

Flødeboller (udsolgt)

Badetøj

De tre P'er Pas, Pung og Preservetiver. (nægter at tro på at vi kan komme ind i sjælland uden pas ;) )

Et par sokker med ligeså mange sider som antal dage vi skal være i Kbh. BÅååt

Stålbørste til bisserne.

ISÆR MULLE: STUDIEKORT! (men mulle har ikke et studiekort!!11one)

En værktøjskasse med de ondeste jydske gloser.

Evt. kamera (on my way)

(sorte) Penge, Dankort, KjøwenhavnerKort (hva det?).

Arbejdsfordeling

 * Grzegorz Nowak - superhelt og sikkerhedsrepræsentant (Straf til mulle)
 * Rasmus Neckelmann - Anticyklist
 * Claus FUF Andersen - Datalogiens mester / vinder af Tour De France 2010(i hans drømme)

Regler
Regel #1: Alle der siger eller skriver "lol" får en mavepumper.

Regel #2: Alle der siger eller skriver "lolilol" får en trippel-mavepumper.

Regel #3: Alle der omtaler UT eller WOW får en multi-mavepumper, hvor multi = (int)(rand*100)

Regel #4: Alle som snakker om hvorvidt java er bedre end c eller omvendt bliver skudt.

Regel #5: Alle som tuder skal pines.

Regel #6: Alle som ligger med mavepine og er uduelige skal begraves levende.

Regel #7: Alle som brækker sig i et telt hvor Cls skal sove eller opholde sig skal løbe nøgen igennem Nørrebronx og råbe "jeg hader Muhammed".

Regel #8: Alle som tuder over at de er sultne skal have analt samleje med en stor neger! HÅRDT!

Regel #9: Alle som ødelægger ferien på grund af luderlighed, bliver banned af botten ANNA!!!! HÅRDT!!!

Regel #10: Alle der finder på regel #11 eller derover skal udsættes for øksestraf.

Regel #10,5: Den som har fundet på Regel #10, skal udsættes for samme straf som i Regel #7.

Afregning
'''Mulle, du forstår det ikke. Du skal skrive hvad du har lagt ud for.'''

Her skal alle deltagere skrive, hvor mange penge de ønsker refunderet:

Cls:

Campingplads: 567kr/3mand = 189kr/mand.

Dåseøl fredag aften: 117kr/3mand = 39kr/mand.

-Så giver jeg vandmelonen :-)

Ialt: 228kr/mand --> Cls.

GRZ DEN ULTRA SEJE:

Tunsalat og pitabrød = 58 DKK

MongoMad: 532 DKK hvoraf 10 DKK And selv skal stå for dahan fik homo ris

Campingpas: 80 DKK

Overlevelsesbonus: 5 k DKK (alle mand overlevede)

Alle skylder mig ca. 2 k DKK perfekt!! + Dildoer og andet

MULLE:

Kinesermad: 310 kr/3 mand = 100 kr/mand

Mit selskab: 1000 kr/3 mand = 333 kr/mand

I alt: 433 kr/mand

ALLE HERINDE ER SYYYYYYYYYYGE!!!

Faktum er at Cls er sejest, og dermed skylder alle ham 1mio kr, og det er INDISKUTABELT!!!

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title: User talk:Neckelmann


text:
Mueang Nonthaburi district

Mueang Nonthaburi (เมืองนนทบุรี,, ) is the capital district (amphoe mueang) of Nonthaburi province in Thailand. The city of Nonthaburi has 267,001 inhabitants, while the whole district has 348,553.

History
The district was originally named "Talat Khwan". Simon de la Loubère, who was a French envoy extraordinary to the King of Ayutthaya, wrote in his book that Talat Khwan (Talacoan) was an important place on the Chao Phraya River. It is unknown what year it was established. In 1917, the provincial administration of Nonthaburi was moved into the district, and thus the district was renamed Mueang Nonthaburi. From 1 January 1943 to 9 May 1946 Nonthaburi was abolished and split between Thonburi and Phra Nakhon Provinces. Thus the district, which was then in Phra Nakhon Province, was renamed "Nonthaburi". After the recreation of the province, it changed back to "Mueang Nonthaburi".

Administration
The district is divided into 10 sub-districts (tambons), which are further subdivided into 32 villages (mubans). The city (thesaban nakhon) of Nonthaburi covers tambons Suan Yai, Talat Khwan, Bang Khen, Bang Kraso, and Tha Sai. There are three town municipalities (thesaban mueang): Bang Si Mueang, which covers tambon Bang Si Mueang and parts of tambon Bang Krang; Sai Ma, which covers the tambon of the same name; and Bang Krang, which covers most parts of the tambon of the same name.

Economy
The Thai Department of Corrections has its headquarters in Suan Yai in this district.

Environment
Mueang Nonthaburi as well as neighbouring Bang Kruai and Bang Yai is the last natural habitat of the Alexandrine parakeet and red-breasted parakeet, a medium-sized parrot in Bangkok Metropolitan Region. They live in groups on large trees in some local temples, such as Wat Suan Yai, Wat Utthayan, Wat Ampawan, Wat Chaloem Phra Kiat Worawihan.

title: Mueang Nonthaburi district