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Talk:List of North Carolina state parks

Untitled
Is this list complete? If so We should add a line to the list to indicate it. As it is (without empty articles) I have the suspicion that it is incomplete. Rmhermen 15:15, Jul 25, 2004 (UTC)

 * The list of current state parks was not complete, but now it is. I added a reference to every unit of the state park system, as of January 2011, according to NCDPR documents.  Given how different each of the six types of park units are from each other, I thought the most logical layout was to put each type in its own section, with an explanation of what that type is.  I also put the lists in a sortable table, with relevant facts for each unit.  This is similar to what has been done on other state park lists.  I have more detailed comments about the Former Units and State Natural Areas sections below.  (The revision)  Sparkgap (talk) 06:02, 29 May 2011 (UTC)

Former Units
After looking at other state park lists and the US national park list, I thought it might be reasonable to included a section on former NC State Parks. My main rational for including them is that information about them has been published when they were state parks. Also, some individuals may remember (or read about) them being state parks but do not realize they are no longer such. This listing might prevent accidental inclusions of former parks among the current parks.

I do not believe the list of former parks is complete. I only included the two parks for which I had ready reference materiel on hand. There are more potential inclusions to the list, which I've heard about, but I do not have verifiable sources for:
 * The North Carolina Zoological Park may have once been part of the park system in its early days.
 * Many of the North Carolina State Historic Sites where once units of the park system, before the Division of State Historic Sites and Properties was created. Which ones were once part of the system and which ones were not, I have not yet seen in print.
 * Old USGS Topographic maps of the Greensboro area depict Greensboro Country Park as Greensboro State Park. I do not know if this was a mistake made by the USGS, or if the park really was a State Park at the time the maps were made. Example Map
 * Rendezvous Mountain Educational State Forest might have in the park system at one point, but this is speculation based off an incomplete history of the land. The original 142 acres of the forest was donated to the state for a park in 1926, but it did not open as an Educational State Forest until 1984.  What was it in between those years?

Sparkgap (talk) 06:02, 29 May 2011 (UTC)

 * I found a published book which mentioned 7 properties were transferred from the parks system to form the initial State Historic Site system, but "Frutchey State Park" is the only clearly mentioned former state park in the book. Frutchey State Park became Town Creek Indian Mound.  I added this information to the list with cites.  Another source indicates what the 7 properties were, but I think they each need more research before being included to the list:
 * Tryon Palace
 * Zebulon B. Vance Birthplace
 * Charles B. Aycock Birthplace
 * Town Creek Indian Mound
 * Alamance Battleground
 * James Iredell House
 * Brunswick Town / Fort Anderson
 * –Sparkgap (talk) 01:25, 27 July 2011 (UTC)

State Natural Areas
I did not wiki-link most of the State Natural Areas because many did not have their own article nor an appropriate related article to link to. I'm unsure if a stub should be created for all the natural areas without an article at this time. For several of them, there's not much source material one can find on them, and I question whether these are notable enough for their own article. A few could become sections in the article of a nearby state park. For example Lower Haw River State Natural Area is closely, even physically, tied to Jordan Lake State Recreation Area, and a short write-up about it could fit in well there. A couple I think merit their own articles (I'll be working on one for Theodore Roosevelt State Natural Area soon), but I'm not sure what to do about the rest. Thoughts?? Sparkgap (talk) 06:02, 29 May 2011 (UTC)
 * I think it's best to handle them on a case by case basis. Indeed some of them are mearly special parts of a park and my not bear special notice. Stubs are good. Somebody might be inspired and write an article. For example, Upper Pine Bottom State Park in Pennsylvania is little more than a roadside picnic area. This doesn't mean that there is little to write about it. Dincher (talk) 13:04, 29 June 2011 (UTC)
 * Thank you. I think case by case by be best, and I wasn't sure if creating several stubs would be good.  North Carolina, unlike some states, does not carve State Natural Areas out of other parks.  Rather, each is really its own park, and only a couple are adjacent to another park.  Those that happen to be adjacent to another park, were created independently from the other park.   Most of them are completely undeveloped though, and the few that are developed are usually managed by the nearest state park.  On another note, Upper Pine Bottom State Park is an interesting example of a small park.  I've never heard of a state park that is so small, but it does have an notable history, something I doubt some of the NC State Natural Areas have. Sparkgap (talk) 06:08, 30 June 2011 (UTC)

Good points. We really had to dig for the history of the state parks in Pennsylvania, but once we found it, we found it to be very rich. The history of the lumber industry in Pennsylvania really helps out tremendously. Dincher (talk) 02:12, 1 July 2011 (UTC)

title: Talk:List of North Carolina state parks


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Bentley Rhythm Ace

Bentley Rhythm Ace (BRA) are a British electronic music act formed in Birmingham in 1995, originally consisting of Mike Stokes and Richard March.

Career
The band was formed in Birmingham by Richard March, formerly with the group Pop Will Eat Itself, and Mike Stokes formerly with Bugweed Centipede. "Both more or less penniless, they drank in the same pub and were forced to buy their records at the cheapest place possible - car boot sales". Their live drummers include Keith York and Car SOS's Fuzz Townshend (alongside whom March previously played with in Pop Will Eat Itself), while EMF's James Atkin is also involved with BRA as a touring member.

BRA signed on the Brighton based record label Skint and released their eponymous debut album, Bentley Rhythm Ace in 1997, which spawned the popular single "Bentleys Gonna Sort You Out!".

A second album, For Your Ears Only, was released in 2000 on Parlophone but was less popular. A further single "Madam, Your Carriage Awaits" was released. The group also compiled a two CD FSUK compilation album. In 2004, the Bentleys released a 4-song record with Sophia Lolley called Angel Face.

The name probably refers to the Rhythm Ace line of analogue drum machines manufactured by Ace Tone, some of which were rebranded and distributed by Bentley Pianos in the UK.

The group epitomises the big beat era. Signed to Skint Records, they enjoyed commercial success with their music being used on television advertisements and having an underground following.

The group split in 2000 after which they played the occasional low-key DJ set. In 2016, the duo reformed and played live sets across the UK at festivals, supporting The Wonder Stuff's December tour and headlining a few of their own shows.

DJ mixes

 * FSUK3 (1998)

Band members

 * Richard March (born 4 March 1965, York, England) - bass, keyboards, programming, engineering
 * Mike Stokes (born 15 June 1971, Birmingham, England) - turntables, samples
 * James Atkin (vocalist for EMF, born 28 March 1969, Birmingham) - vocals, guitars
 * Fuzz Townshend (born 31 July 1964, Hammersmith, London, England) - drums

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Bentley Rhythm Ace


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Hollywood Hotel

The Hollywood Hotel was a famous hotel, society venue of early Hollywood, and landmark, formerly located at 6811 Hollywood Boulevard, on the north side, extending from Highland Avenue to Orchid Avenue, in central Hollywood, Los Angeles, California.

Early years
The Hollywood Hotel opened in December 1902. It was built by early Hollywood developer H.J. Whitley, to support selling residential lots to potential buyers arriving from Los Angeles by the electric Balloon Route trolley of the Los Angeles Pacific Railroad. It was developed on property owned by Harrison Gray Otis, George Hoover, and Whitley. Located on the west side of Highland Avenue, the elegant wood structure with Mission Revival style stucco facades and broad verandas also fronted on unpaved Prospect Avenue, lined with California pepper trees. The hotel was sited among lemon groves then at the base of the Hollywood Hills, part of the Santa Monica Mountains in the area. Whitley was instrumental in improvements to Prospect Avenue, which in 1910 was renamed Hollywood Boulevard. Increasing business compelled the building of an additional 40-room wing onto the hotel in 1905.

Whitley surrounded the hotel with 3 acre of cultivated gardens. He operated the establishment as a country resort hotel as the developing community of Hollywood first established itself.

In 1906 the heiress Almira Hershey, who was then living in a mansion on Bunker Hill in Downtown Los Angeles, took a buggy ride to see the hotel that was being advertised in the Los Angeles Times. She was so impressed with the Hollywood Hotel she decided to buy it. She hired Margaret J. Anderson who had worked for her at the Darby and the Fremont Hotels, which Hershey owned, as the manager. Under Anderson's management, the hotel expanded from 16 rooms to 250 and became well known in the area, but the two women had a contentious relationship and Anderson left to move to the Beverly Hills Hotel in 1912.

Motion picture era
The fame of the Hollywood Hotel, like that of Hollywood, came from its identification with the Hollywood movie industry, beginning in the 1910s. Those who stayed at the hotel included Jesse Lasky, Carl Laemmle, Louis B. Mayer, Harry Warner, and Irving Thalberg. Producers, directors, writers and technicians held conferences on the broad verandas.

There was a 'stream' of silent film movie stars and movie moguls passing through. Some of the movie industry people resided in the hotel, and many attended the dances held Thursday nights in the ballroom. It was considered "the" place to be seen and the cultural center of Hollywood. To identify where certain people regularly sat to dine, the hotel had stars with the names of celebrities painted on the ceiling above their tables.

Among the scores of movie stars who stayed at the Hollywood Hotel through the years was Rudolph Valentino, who lived in room 264. He met his first wife, Jean Acker, in the hotel, where they were married in 1919 and spent their honeymoon. Other stars included Ethel Barrymore, Norma Shearer, and Valentino's second wife Natasha Rambova. The hotel also hosted notable guests from beyond Los Angeles and the United States.

Songwriter Carrie Jacobs Bond composed her famous song A Perfect Day, and sang it, while a guest at the Hollywood Hotel.

In 1922 Almira Hershey lost a breach of contract dispute with the hotel's long time manager George Krom, which allowed him to purchase the hotel.

Decline and demolition
In the early 1940s, Charles E. Toberman, a real estate developer who was known as "Mr. Hollywood," acquired all the stock of the Good Hope Company, which owned the Hollywood Hotel property. He wanted to tear it down then and redevelop the block, but was halted because of the restrictions on building materials during World War II.

By the 1950s, the hotel was run down and faded from its former glory. Developers were adamant that renovating and restoring the property was out of the question.

Though the Hollywood Hotel was an architectural landmark and had housed many of the great Hollywood stars in its day, it was razed in August 1956 to make way for a US$10 million development. It was replaced by a twelve story office building for the First Federal Savings & Loan Association of Hollywood, a shopping center, and parking lots.

In 2001 those were demolished, and the Hollywood and Highland Center shopping and entertainment complex was built on the site. It includes the Dolby Theatre (formerly known as the Kodak Theatre), the current home of the annual Academy Awards ceremony.

title: Hollywood Hotel


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Rompler

A rompler is an electronic musical instrument that plays pre-fabricated sounds based on audio samples. The term rompler is a blend of the terms ROM and sampler. In contrast to samplers, romplers do not record audio. Both may have additional sound editing features, such as layering several waveforms and modulation with ADSR envelopes, filters and LFOs.

The waveforms are commonly stored in form of PCM-encoded waveforms which were similar to those stored in WAV or AIFF file formats, although in some hardware design other encodings and forms of (usually lossless) compression could be used.

The core characteristic of a rompler, compared to a sampler, is that they do not have the ability to record new samples, or in case of software instruments, the ability to add user samples from disk.

Note that earlier digital synthesizers, which used short-cycle sampled waveforms, are usually not considered romplers but are either called "PCM synthesizers" or "wavetable synthesizers" because the sampled waveform in this case is usually only made of a single full cycle (or a handful of full cycles) of the wave and would therefore be a fraction of a second in length, whereas in case of a sampler or a rompler, the recording would usually contain the sample's decay and sometimes even release sections, such as with a recorded drum hit or piano note. Also, in their usage of sampled waves, filters (usually digital) were employed to gradually alter the timbre of cycling wave which makes them somewhat similar to analog subtractive synthesizers. However in many such designs, the attack section of a sound was often sampled as a full, longer sample, and then crossfaded or mixed with the looping PCM waveform, such as with Roland's Linear Arithmetic synthesis and its competitors from other manufacturers, further blurring the difference.

Hardware romplers emerged in the late 1980s, as price drops of memory chips allowed for longer recording storage to be used without making the instruments prohibitively expensive. They were meant to displace previous FM and PCM-based digital synthesizers in the market, by offering more realistic sound of real, acoustic and electronic instruments, and by the early 1990s they became the dominant technology for mainstream keyboards. The most successful early romplers are considered to be Korg M1 workstation, and E-mu Proteus module.

Before the emergence of software virtual instruments, computer sound hardware gradually shifted from synthesizer based sound and music reproduction (such as with Commodore SID or Yamaha OPN chips) to PCM-based chips, such as Commodore Amiga's Paula. Combined with computer's RAM and disk storage, these chips allowed for longer PCM recordings to be reproduced, and games and other software often used rompler-like software technology to reproduce music, most notable example being music trackers on Amiga. Later computer sound hardware employed hardware rompler and sample-based synthesizers (such as Gravis Ultrasound and E-mu/Creative SoundBlaster) to increase number of voices and reduce CPU usage for sound processing.

As the processing power of personal computers grew, these hardware synthesizers were gradually abandoned and sound hardware of contemporary computers now usually has only PCM reproduction converters with all synthesis and reproduction logic implemented in software. Modern computers are capable of real-time reproduction of large number of voices, as well as real-time emulation of analogue sound circuits. With the introduction of digital audio workstations, musicians started to employ more and more virtual instruments, so a market for software romplers, as a source of instantly available sampled instruments, also emerged. Some popular examples of software romplers are reFX Nexus and IK Multimedia Sampletank.

Notable romplers

 * Ensoniq Mirage (1984) was one of the earliest samplers to use ROM-based samples.
 * Korg M1 (1988), the Korg M1 was one of the first commercially successful ROMplers. It features a range of iconic sound presets, including the famous "M1 Piano" used in 1990s house music.
 * E-mu Proteus (1989) was popular among producers for its high-quality samples and ease of use.
 * Kurzweil K2000 (1990) was one of the first ROMplers to incorporate a powerful synthesis engine V.A.S.T, making it a favorite of musicians and sound designers alike.
 * Roland JV-1080 (1994) was used extensively in electronic, film score and pop music in the 1990s.
 * Yamaha Motif series (2001) is known for its realistic sounds and extensive synthesis capabilities.
 * Native Instruments Kontakt (2002) is a virtual instrument that offers a vast library of samples and an intuitive interface for creating custom instruments.

title: Rompler


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Joan Vollmer

Joan Vollmer (February 4, 1923 – September 6, 1951) was an influential participant in the early Beat Generation circle. While a student at Barnard College, she became the roommate of Edie Parker (later married to Jack Kerouac). Their apartment became a gathering place for the Beats during the 1940s, where Vollmer was often at the center of marathon, all-night discussions. In 1946, she began a relationship with William S. Burroughs, later becoming his common-law wife. In 1951, Burroughs killed Vollmer. He claimed, and shortly thereafter denied, the killing was a drunken attempt at playing William Tell.

Biography
Joan Vollmer was born in Ossining, New York, and raised in Loudonville, New York. She graduated from St. Agnes School in 1939 and attended Barnard College in New York City on a scholarship, also studying journalism at Columbia University. Vollmer met Edie Parker at the West End Bar and the two moved in together in the first of a series of apartments in New York's Upper West Side that they shared with the writers, hustlers, alcoholics and drug addicts that later became known as the Beats. These included: William S. Burroughs, Jack Kerouac, Allen Ginsberg, Lucien Carr, Herbert Huncke, Vickie Russell (a prostitute and addict who appears as "Mary" in Burroughs' novel Junkie), and Hal Chase, a Columbia University graduate student from Denver. In The Women of the Beat Generation, Brenda Knight wrote: "Joan Vollmer Adams Burroughs was seminal in the creation of the Beat revolution; indeed the fires that stoked the Beat engine were started with Joan as patron and muse. Her apartment in New York was a nucleus that attracted many of the characters who played a vital role in the formation of the Beat; ... Brilliant and well versed in philosophy and literature, Joan was the whetstone against which the main Beat writers — Allen, Jack, and Bill — sharpened their intellect. Widely considered one of the most perceptive people in the group, her strong mind and independent nature helped bulldoze the Beats toward a new sensibility."

Vollmer married Paul Adams, a law student, in 1944, and had her first child, Julie, in August 1944. In 1945, Vollmer asked Adams, who was in the military at the time, to consent to divorce. Paul Adams divorced Vollmer upon returning from military service, reportedly appalled by her drug use and group of friends. In 1945, Kerouac introduced her to Benzedrine, which she used heavily for a few years. Early in 1946, she began a long-term relationship with Burroughs. The match was initially set up and encouraged by Ginsberg, who much admired Burroughs' intellect and considered Vollmer his female counterpart. Once, Vollmer and Burroughs were arrested for having sex in a parked vehicle.

In 1946, Vollmer was admitted to Bellevue Hospital in New York City due to psychotic episodes as a result of excessive amphetamine use. After being released, she began calling herself Mrs. William Burroughs despite the fact that Vollmer and Burroughs were never formally married. Vollmer and Burroughs had a son, William Burroughs, Jr., in 1947. Due to charges of drug abuse, drug distribution and lewd behavior, they relocated several times, moving first to New Waverly, Texas, then to New Orleans, and eventually to Mexico City. While living in New Orleans, Burroughs was arrested for heroin possession, during which time police searched Vollmer's home, unearthing letters from Ginsberg discussing a possible shipment of marijuana. The resulting criminal charges were grave; upon conviction, Burroughs would have served two to five years in Louisiana's infamous Angola State Prison. To avoid prosecution, Burroughs fled to Mexico City. Once he was settled, Vollmer joined him, along with her children.

Vollmer was reportedly unhappy in Mexico City. Benzedrine, her usual drug of choice, was unavailable, and she wrote to Ginsberg that she was "somewhat drunk from 8:00am on... Bill is fine in himself, and so are we jointly. The boys are lovely, easy and cheap (3 pesos = 40 cents) but my patience is infinite." Ted Morgan describes her in Literary Outlaw as a woman suffering from serious drug and alcohol addictions which had aged her noticeably. Her face was swollen; she limped due to a recent bout of polio. Herbert Huncke, who had stayed with the couple in Texas, was struck by Burroughs' indifference to Vollmer, stating that Burroughs "didn't like to be annoyed with her too much". In a 1980s interview with Ted Morgan, Burroughs described a domestic violence incident which occurred shortly after his arrival in Mexico in January 1950, stating that he "slapped" Vollmer after she threw his heroin in the toilet and recalled how he immediately went out to buy more, stating "What could she do? [Go back to Upstate] New York?" The same scene was recounted in Burroughs' semi-autobiographical Junkie.

In August 1950, a petition for divorce was initiated in Mexico by Burroughs, Vollmer, or both. (Although their marriage was a common-law marriage, in Mexico it was considered legal. ) However, the application was later withdrawn by their Mexican attorney. The divorce was likely required due to Burroughs' stated desire to take custody of their son upon dissolution.

Death
On September 6, 1951, shortly after his return from holiday in Ecuador with a boyfriend, Burroughs shot Vollmer in the head, allegedly while trying to shoot a glass he had asked her to balance on her head during a drunken William Tell act the couple were performing at a drinking party held at a friend's apartment in Mexico City. Vollmer died several hours later at the age of 28. Numerous newspapers incorrectly reported her age as 27. Burroughs said he had 8–10 drinks and could not remember much of that night, while witnesses claimed they had two small glasses. The couple's four-year-old son, William Burroughs Jr., was in the room when the incident occurred, as were the party's host John Healey, and American students Edwin John Woods and Lewis Marker, both residents of the apartment building where the shooting occurred. Burroughs gave different accounts of the shooting, denying his original William Tell story after intervention by his attorney, Bernabé Jurado. Vollmer's parents heard news of their daughter's death from friends while on holiday in Montreal. Her father told the Albany Times Union "I have no reason to believe the shooting was otherwise than accidental."

Burroughs' brother Mortimer arrived from St. Louis to help his brother, providing thousands of dollars for legal costs to Jurado. Jurado used part of the money to bribe the judge, ballistics experts, and others involved in the case. Burroughs was held on murder charges for thirteen days before being released on bail.

Burroughs claimed that he dropped the gun and it misfired, then changed his account again to say that he accidentally misfired the gun while trying to sell the weapon to an acquaintance, an account which was corroborated by two witnesses who had been coached by Jurado. Burroughs testified that he had not known that the gun was loaded because he had not used it in three months, and that while he had been checking the gun, the carriage had slipped and it had misfired at Vollmer. As a result, he was charged with criminal negligence, which carried a maximum sentence of five years.

For a year, Burroughs reported every Monday morning to the jail in Mexico City while Jurado worked to resolve the case. However, Jurado fled to Brazil after shooting a youth who had accidentally damaged his Cadillac. Burroughs decided to follow Jurado's example and fled back to the United States, where he was fortunate that Louisiana had not issued a warrant for his arrest on the previous narcotics charge. In absentia, Burroughs was convicted of manslaughter in Vollmer's death. He received a two-year suspended sentence.

Vollmer was buried in Mexico City, and her parents took her two children back to the United States. Her daughter Julie went to live with her maternal grandparents in Loudonville and assumed the surname Vollmer, while Vollmer's son was raised by her in-laws.

Reactions to Vollmer's death
Friends of the couple were divided in opinion on the case. Ginsberg and Carr defended Burroughs and believed that Vollmer might have encouraged the William Tell incident, stating she had seemed suicidal when they visited her in 1951. In interviews with Ted Morgan from 1983 to 1986, Burroughs said "Allen was always making it out as a suicide on her part, and I do not accept that cop-out." Haldon Chase, who had also visited Burroughs and Vollmer in 1951 in Mexico City, distanced himself from Burroughs after Vollmer's death. Chase believed that Vollmer "had wanted to die", but that Burroughs story was "a sham, a put-up thing to release Bill, to let him commit the ultimate crime."

In a 1954 letter to Ginsberg, Burroughs wrote about his fears that he had subconsciously wanted to kill Vollmer: "May yet attempt a story or some account of Joan's death. I think I am afraid. Not exactly to discover unconscious intent, it's more complex, more basic, and more horrible, as if the brain drew the bullet toward it." In the introduction to Queer, Burroughs describes how Vollmer's death exposed him to the risk of possession by a malevolent entity he called "the Ugly Spirit". Later in life, Burroughs described the Ugly Spirit as "Monopolistic, acquisitive evil. Ugly evil. The ugly American", and took part in a shamanic ceremony with the explicit aim of exorcising the Ugly Spirit.

In film
The film Beat (2000) is a biographical account of the relationship between Vollmer and Burroughs. Vollmer is portrayed by Courtney Love and Burroughs by Kiefer Sutherland. The film centers on Vollmer's death. Her death is also portrayed in the 1991 film Naked Lunch.

title: Joan Vollmer


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Notebook for Anna Magdalena Bach

The title Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena. Keyboard music (minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces for voice (songs, and arias) are included.

The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the Bach family.

History
The two notebooks are known by their title page dates of 1722 and 1725. The title "Anna Magdalena Notebook" is commonly used to refer to the latter. The primary difference between the two collections is that the 1722 notebook contains works only by Johann Sebastian Bach (including most of the French Suites), while the 1725 notebook is a compilation of music by both Bach and other composers of the era.

The 1722 notebook: French Suites and miscellany
This notebook contains 25 unbound sheets (including two blank pages), which is estimated to be approximately a third of the original size. It is not known what happened to the other pages. The back and the corners are decorated with brown leather; greenish paper is used for the cover. The title page is inscribed Clavier-Büchlein vor Anna Magdalena Bachin ANNO 1722 in Anna Magdalena's hand (using the feminine version of her last name). For a reason so far unknown to researchers, Johann Sebastian wrote the titles of three books by theologian August Pfeiffer (died 1698) in the lower right corner of the title page:
 * Ante Calvinismus is a shortened and misspelled title of Anti-Calvinismus, oder Unterredungen von der Reformierten Religion (Anti-Calvinism, or Conversations about the reformed religion).
 * "Christen Schule item" refers to Pfeiffer's Evangelische Christen Schule ("Evangelical Christian School").
 * AntiMelancholicus refers to Anti-melancholicus, oder Melancholey-Vertreiber (Anti-melancholy, or [something or someone] to drive out the melancholy]).

The notebook contains the following works, most in Johann Sebastian's hand:
 * Five keyboard suites. The first three are fragments of the pieces that are now known as the first three French Suites, BWV 812–814. The next two are complete suites, French Suites Nos. 4 and 5, BWV 815–816. The minuets of suites 2 and 3 are separated from the rest of their respective suites and were most probably added at a later date by Anna Magdalena Bach (they are almost certainly in her hand), some time before 1725.
 * Fantasia pro organo, unfinished, BWV 573. A short organ piece, 12 complete bars and the beginning notes of the 13th bar.
 * Air with variations in C minor, unfinished, BWV 991. The first 10 bars feature coherent two-part writing, but the remaining 35 bars only have one voice written out.
 * "Jesus, meine Zuversicht", chorale prelude, BWV 728. A brief (9 bars) piece in three voices, features two sections with repeats for each.
 * Minuet in G major, BWV 841 (not to be confused with Petzold's Minuet in G Major in the 1725 notebook). A short dance with simplistic two-part writing and two sections with repeats for each.

The 1725 notebook
The 1725 notebook is larger than the 1722 one, and more richly decorated. Light green paper is used for the front cover, Anna Magdalena's initials and the year number "1725" are printed in gold, the annotations A[nna] M[agdal] B[ach] added by her stepson C. P. E. Bach when he inherited it. All pages feature gilt edging. Most of the entries in the 1725 notebook were made by Anna Magdalena herself, with others written in the hand of Johann Sebastian, some by sons Johann Christian and Carl Philipp Emanuel, and a few by family friends such as Johann Gottfried Bernhard and Johann Gottfried Heinrich. Although the 1725 notebook does contain work composed by Johann Sebastian Bach, it also includes works by many other composers. The authorship of several pieces is identified in the notebook itself, while that of others was established by researchers. The composers of still others, including several popular songs of the time, remain unknown. Here is a complete list of the pieces included, in order of appearance in the notebook: Polonaise in F major, BWV Anh. 117b Chorale setting "Gib dich zufrieden und sei stille" in E minor, BWV 512 Aria "So oft ich meine Tobackspfeife" in G minor, BWV 515a Chorale setting "Dir, dir Jehova, will ich singen" (solo), BWV 299
 * 1) Keyboard partita in A minor, BWV 827. This is the third partita from Bach's set of Partitas for keyboard BWV 825–830, which was published in 1731 as the first volume of Clavier-Übung.
 * 2) Keyboard partita in E minor, BWV 830. This is the sixth partita from Bach's set of Partitas for keyboard BWV 825–830.
 * 3) Minuet in F major, BWV Anh. 113.
 * 4) Minuet in G major, BWV Anh. 114. Usually attributed to Christian Petzold.
 * 5) Minuet in G minor, BWV Anh. 115. Usually attributed to Christian Petzold.
 * 6) Rondeau in B-flat major, BWV Anh. 183. This piece is by François Couperin and is best known under the original title: Les Bergeries (6e Ordre).
 * 7) Minuet in G major, BWV Anh. 116
 * 1) Minuet in B-flat major, BWV Anh. 118
 * 2) Polonaise in G minor, BWV Anh. 119
 * 3) Chorale prelude "Wer nur den lieben Gott läßt walten", BWV 691
 * 4) Chorale setting "Gib dich zufrieden und sei stille" in F major, BWV 510
 * 5) Chorale setting "Gib dich zufrieden und sei stille" in G minor, BWV 511
 * 1) Minuet in A minor, BWV Anh. 120
 * 2) Minuet in C minor, BWV Anh. 121
 * 3) March in D major, BWV Anh. 122. Usually attributed to Carl Philipp Emanuel Bach.
 * 4) Polonaise in G minor, BWV Anh. 123. Usually attributed to Carl Philipp Emanuel Bach.
 * 5) March in G major, BWV Anh. 124. Usually attributed to Carl Philipp Emanuel Bach.
 * 6) Polonaise in G minor, BWV Anh. 125. Usually attributed to Carl Philipp Emanuel Bach.
 * 7) Aria "So oft ich meine Tobackspfeife" in D minor, BWV 515
 * 1) Menuet fait par Mons. Böhm, by Georg Böhm. Not included in the BWV catalogue.
 * 2) Musette in D major, BWV Anh. 126
 * 3) March in E-flat major, BWV Anh. 127
 * 4) (Polonaise) in D minor, BWV Anh. 128
 * 5) Aria "Bist du bei mir", BWV 508. This composition is probably the most well-known of the arias of the 1725 notebook. Its melody is by Gottfried Heinrich Stölzel.
 * 6) Keyboard aria in G major, BWV 988/1. Another well-known piece, this is the aria of the Goldberg Variations, BWV 988. Christoph Wolff has suggested that this Aria was entered into the two blank pages of this book by Anna Magdalena later, in 1740.
 * 7) Solo per il cembalo in E-flat major, BWV Anh. 129. A harpsichord piece by Carl Philipp Emanuel Bach.
 * 8) Polonaise in G major, BWV Anh. 130. Possibly composed by Johann Adolph Hasse.
 * 9) Prelude in C major, BWV 846/1. This is the first prelude from The Well-Tempered Clavier, Book 1, with bars 16–20 omitted, most likely in order to make the piece fit in two pages.
 * 10) Keyboard suite in D minor, BWV 812. This is the first French Suite.
 * 11) Keyboard suite in C minor, BWV 813. This is an incomplete version of the second French Suite.
 * 12) Movement in F major, BWV Anh. 131. The handwriting looks like that of a child, and apparently the piece is an attempt to create a bass line for a given melody.
 * 13) Aria "Warum betrübst du dich", BWV 516
 * 14) Recitative "Ich habe genug" and aria "Schlummert ein, ihr matten Augen" (solo), BWV 82/2,3
 * 15) Chorale setting "Schaff's mit mir, Gott", BWV 514
 * 16) Minuet in D minor, BWV Anh. 132
 * 17) Aria "Willst du dein Herz mir schenken" (subtitled "Aria di Giovannini"), BWV 518
 * 18) Aria "Schlummert ein, ihr matten Augen", unfinished, BWV 82/3
 * 19) Chorale setting "Dir, dir Jehova, will ich singen" (version for choir), BWV 299
 * 1) Song "Wie wohl ist mir, o Freund der Seelen", BWV 517
 * 2) Aria "Gedenke doch, mein Geist, zurücke", BWV 509
 * 3) Chorale "O Ewigkeit, du Donnerwort", BWV 513

Compositions
The Notebooks contain instrumental as well as vocal musical compositions. These notebooks serve more as collections of sheet music and other compositions rather than what notebooks are traditionally used for.

Recitative and Aria from Cantata Ich habe genug, BWV 82
The recitative "Ich habe genug" and the aria "Schlummert ein, ihr matten Augen", the second and third movements of the second version of Cantata Ich habe genug, BWV 82, appear in the 1725 Notebook.

Four-part chorale "Dir, dir, Jehova, will ich singen", BWV 299
The four-part chorale "Dir, dir, Jehova, will ich singen", BWV 299, also appears in a two-part setting in Schemellis Musicalisches Gesang-Buch (BWV 452).

Songs and arias, BWV 508–518
The second Notebook contains a number of songs and arias set for voice and continuo.

Aria "Bist du bei mir", BWV 508
"Bist du bei mir", BWV 508, is an arrangement of an aria of the opera Diomedes by Gottfried Heinrich Stölzel.

Aria "Gedenke doch, mein Geist", BWV 509
"Gedenke doch, mein Geist, zurücke", BWV 509 is an aria contained in the second notebook.

Three settings of "Gib dich zufrieden", BWV 510–512
The sacred songs BWV 510–512 are three settings of "Gib dich zufrieden und sei stille" for voice and continuo.

Sacred song "O Ewigkeit, du Donnerwort", BWV 513
The sacred song "O Ewigkeit, du Donnerwort", BWV 513, No. 42 in the second Notebook, is a setting of the chorale melody with the same name, for voice and continuo:

BWV 397 is the four-part realisation of this song.

Sacred song "Schaffs mit mir, Gott", BWV 514
"Schaffs mit mir, Gott", BWV 514, is a sacred song for voice and continuo.

Aria "So oft ich meine Tobackspfeife", BWV 515–515a
The aria "So oft ich meine Tobackspfeife" appears in two versions, BWV 515 and 515a, the second a fourth higher than the first.

Aria "Warum betrübst du dich", BWV 516
The aria "Warum betrübst du dich", BWV 516, is a setting for voice and continuo.

Sacred song "Wie wohl ist mir, o Freund der Seelen", BWV 517
"Wie wohl ist mir, o Freund der Seelen", BWV 517, is a sacred song for voice and continuo.

"Aria di G[i]ovannini", BWV 518
The authenticity of "Willst du dein Herz mir schenken", BWV 518, also known as "Aria di G[i]ovannini", is doubted.

For organ
The first Notebook contains two compositions for organ. The chorale prelude Wer nur den lieben Gott lässt walten is No. 11 in the second Notebook.

Fantasia in C major, BWV 573
The Fantasia in C major for organ, BWV 573, is a fragment contained in the 1722 Notebook.

Chorale prelude Wer nur den lieben Gott lässt walten, BWV 691
The chorale prelude "Wer nur den lieben Gott lässt walten", BWV 691, also appears in the Kirnberger Collection.

Chorale setting Jesus, meine Zuversicht, BWV 728
The chorale setting Jesus, meine Zuversicht, BWV 728, is ranged among Bach's chorale preludes for organ.

For keyboard
The keyboard pieces are the largest group of compositions in both Notebooks.

Five French Suites, BWV 812–816
The first Notebook contains early versions of the first five French Suites, BWV 812–816. the first and the second French Suite also appear in the second Notebook.

Third and sixth partita from Clavier-Übung I, BWV 827 and 830
The second Notebook starts with the third Partita, BWV 827, from Clavier-Übung I, followed by the sixth Partita, BWV 830, from that opus.

Minuet in G major, BWV 841
The Minuet in G major, BWV 841, is also contained in the Klavierbüchlein für Wilhelm Friedemann Bach.

First prelude of The Well-Tempered Clavier, BWV 846/1
The prelude of Prelude and Fugue in C major, BWV 846, from The Well-Tempered Clavier appears in a short version in the second Notebook.

Aria of the Goldberg Variations, BWV 988/1
No. 26 in the second Notebook is the aria with which the Goldberg Variations start:

Air with variations, BWV 991
The Air with variations in C minor, BWV 991, is a fragment contained in the first Notebook.

Minuet in F major, BWV Anh. 113
The Minuet in F major, BWV Anh. 113, is No. 3 in the second Notebook. Its attribution to J. S. Bach is considered doubtful, and for that reason it is included in Anhang (Anh.) II of the Bach-Werke-Verzeichnis.

Two Minuets by Christian Petzold, BWV Anh. 114–115
Start of Minuet in G major, BWV Anh. 114:

The two Minuets in G major and G minor, Nos. 4–5 in the second Notebook, BWV Anh. 114 and 115, were composed by Christian Petzold. Because their former attribution to Bach is spurious they appear in Anh. III of the Bach-Werke-Verzeichnis.

Four Minuets and three Polonaises, BWV Anh. 116–121
Seven pieces with a doubtful attribution to J. S. Bach:
 * Anh. II 116 – No. 7: Minuet in G major
 * Anh. II 117a and 117b – No. 8a and b: two Polonaises in F major
 * Anh. II 118 – No. 9: Minuet in B♭ major
 * Anh. II 119 – No. 10: Polonaise in G minor
 * Anh. II 120 – No. 14: Minuet in A minor
 * Anh. II 121 – No. 15: Minuet in C minor

Two Marches and two Polonaises by Carl Philipp Emanuel Bach, BWV Anh. 122–125
Nos. 16–19 (BWV Anh. 122–125) are considered to be early compositions by Carl Philipp Emanuel Bach:
 * Anh. III 122 – No. 16: March in D major (H 1/1)
 * Anh. III 123 – No. 17: Polonaise in G minor (H 1/2)
 * Anh. III 124 – No. 18: March in G major (H 1/3)
 * Anh. III 125 – No. 19: Polonaise in G minor (H 1/4)

Three pieces, BWV Anh. 126–128
A musette and two other pieces with a doubtful attribution to J. S. Bach:
 * Anh. II 126 – No. 22: Musette in D major
 * Anh. II 127 – No. 23: March in E♭ major
 * Anh. II 128 – No. 24: (Polonaise) in D minor

Solo per il cembalo by Carl Philipp Emanuel Bach, BWV Anh. 129
Opening bars of Solo per il cembalo, BWV Anh. 129, by Carl Philipp Emanuel Bach, piece No. 27 from the 1725 Notebook:

Anh. III 129 – No. 27: Solo per il cembalo in E-flat major by C. P. E. Bach (early version of the keyboard sonata Wq 65.7 / H 16).

Polonaise in G major by Johann Adolph Hasse, BWV Anh. 130
Anh. III 130 – No. 28: Polonaise in G major by Johann Adolph Hasse, i.e. "Polonoise secondo", originally in F major, from his keyboard sonata in F major.

Piece in F major by Johann Christian Bach, BWV Anh. 131
Untitled movement in F major,, piece No. 32 from the 1725 Notebook:

Anh. III 131 – No. 32: [March] in F major attributed to Johann Christian Bach (W A22), formerly also attributed to Gottfried Heinrich Bach

Minuet in D minor, BWV Anh. 132
Anh. II 132 – No. 36: Minuet in D minor

"Rondeau" by François Couperin, BWV Anh. 183
Anh. III 183 – No. 6: Rondeau in B-flat major by François Couperin, "Les Bergeries, Rondeau", sixth piece of the Sixième ordre, published in Paris in 1717 (Second Livre de pièces de Clavecin)

"Menuet fait par Mons. Böhm"
No. 21 of the second Notebook, "Menuet fait par Mons. Böhm" (Minuet by Mr. Böhm), in G major, was never assigned a number in the BWV catalogue. It is however included in both the Bach-Gesellschaft Ausgabe (BGA) and the New Bach Edition (Neue Bach-Ausgabe, NBA) of the Notebooks. There is some doubt which composer by the name Böhm may have been intended, Georg Böhm being the best known among them.

title: Notebook for Anna Magdalena Bach


text:
Talk:Hellboy

Geographical Origins of Myths
In the intro section several modern nation states and other places are listed as sources for the multiple mythologies present in Hellboy. With The Third Wish, The Island, and now Darkness Calls, shouldn't Africa (or something rather more specific, since Africa is an entire continent) be listed there? Yagyu retsudo 19:25, 28 June 2007 (UTC)

Gorilla (in seed of destruction tpb)
I know this is kind of random, but, does anyone know what the significance of the gorilla and the girl that appear in the images before each chapter of Seed of Destruction. They don't appear in the comic anywhere. Thanks.

 * ok. I figured it out, I guess they're Monkeyman and Ann O'brien. I wonder, it might be kind of interesting to mention these characters -- but maybe it would be more appropriate on the 'Seed of Destruction' page.
 * They could be mentioned on the Seed of Destruction page as they were backup stories in the single issues & later collected on their own as a special. The special led to a three issue miniseries & all four comics are collected as Arthur Adams' Monkeyman & O'Brien TPB. The chapter images (as you called them) were the original comic covers when they were originally published.--Hndsmepete 18:29, 12 July 2007 (UTC)

Parentage
It was missing from Hellboys biography but I thought it was kind of important. STRANGE PLACES states at the end that his father was a prince of Sheol. I got his mothers name from here http://www.internationalhero.co.uk/h/hellboy.htm but I've never heard it before. The website also said Hellboy was conceived in 1852, but when Hellboy starts to hear the ghostly sounds in THE CHAINED COFFIN he comments they havn't been heard for 300 years? Hmm. freaky_dragonlady 23 March 2007

Picture
For some reason there is no picture of Hellboy in the right corner, unlike most bios. Just wondering if it was deleted accidentally or something. I noticed that in my browser (Firefox 1.5.0.7 I think) it seems to render at first and then disappear.

BPRD
Anyone have ideas on the translation of the BPRD's motto (from the film, unsure about comic books) "In Absentia Luci Tenebrae Vincu"? -- User:Palfrey
 * "In the absence of light, darkness prevails".

 * Not hard to deduce that, from watching the movie itself. The Latin is not all that hard either. =] Mackeriv 15:21, 11 Aug 2004 (UTC)

 * It means "in the absence of light, conquer darkness". "Vincu" From Latin vincere, present active infinitive of vincō. its also the root of the french verb "vaincre". Can be translated to defeat, win or triumph over. Mighty.Yggdrasil (talk) 07:20, 30 September 2011 (UTC)

TMNT
I noticed someone added the Teenage Mutant Ninja Turtles to Hellboy's affiliations, but to my knowledge he's never had a crossover with them. Does anyone know why this was added? Jclarke 20:15, Jun 2, 2005 (UTC)
 * Most likely someone jumping the fancruft gun due to both titles being under the Dark Horse banner. 63.233.19.56 09:55, 16 January 2006 (UTC)

As much as I'd like to see the TMNT team up with Hellboy, it never happened to my knowledge. Furthermore, since when was TMNT a Dark Horse production? The S 03:51, 3 March 2006 (UTC)
 * TMNT has never been a Dark Horse Production. It is a creator owned work, much like Hellboy. Even though I'm writing this over a year later I just thought that I should point it out to anyone who happens to read this discussion.--Hndsmepete 17:58, 12 July 2007 (UTC)

Fictional Catholic?
Why is Hellboy in the category Fictional Catholics? He doesn't strike me as one. His use of crosses, etc. seem to me to be strictly because they work, rather than because of beliefs any on his part. 17:52, 16 March 2006 (UTC)

Agree with the above. Im removing Hellboy from the categorey. 207.233.110.65 19:08, 20 March 2006 (UTC)

Hellboy was raised as a traditionalist Catholic by Professor Trevor Bruttenholm. He's also a demon and he's seen first hand many times that crosses work againt the forces of evil. I think it's safe to say that he's most likely a Catholic, or at least some kind of Christian. User:Ash Loomis

"While Hellboy fishes around in his pocket for a grenade, his rosary beads fall out. He always carries this symbol of his Catholic faith with him" - Source: Hellboy: Conqueror Worm #3 by Mike Mignola /found on adherents.com. Whether someone (like the original poster) likes it or not. It seems very logical to me that, while Hellboy turns his back on hell being a hellish creature himself, he remains being part of a religion, that puts as much interest in forgivness, salvation and foremost redemption as Catholicism. Nevertheless, the fact that everyone can be saved is one of the pillars of this believe system.

 * Im sorry to disappoint you but I just read Hellboy conqueror worm. While its true that Hellboy looks in his pocket to get a grenade and a rosary falls out there is no didascalia or bubble explaining his thoughts or feelings. I will also have to point put that "Adherents.com" isn't exactly a good site for comic book resources and seems to be biased toward religion. The call was good, Hellboy has been using "anything that works", I've read Hellboy and BPRD up to the 34th tpb; so far no sign so far that he's christian or anything else. Mighty.Yggdrasil (talk) 07:36, 30 September 2011 (UTC)

Wait a minute
While I'm pleased that a Hellboy animated series is in the works, and even more pleased that Ron Perlman will be attached to it, what's up with Doug Jones being listed? He didn't actually provide Abe Sapien's voice in the movie. Master Deusoma 20:22, 8 June 2006 (UTC)

Doug Jones is indeed supplying the voice for the animated Abe Sapien. I think he was offered the part partly because he didn't get to be heard in the movie. 13:27, 15 July 2006 (UTC)

Not only has Doug provided the voice of Abe Sapien in both animated films (and will continue to do so if the films go to series), Guillermo del Toro told fans (and Doug) at the Fangoria's Weekend of Horrors convention in June 2006 that Doug will be both body and voice of Abe in the Hellboy sequel, Hellboy II: The Golden Army. Hellmistress 07:22, 16 July 2006 (UTC)

Amazing Race
Should I remove that reference to some guy on the Amazing Race having the nickname "Hellboy"? It sounds too trivial to be worth noting.

Original Sources
Does anyone happen to know where Mike Mignola got the orginal plot for "Hellboy: A Christmas Underground"? I remember reading that it was derived from folklore but I don't know anything more.
 * In "The Chained Coffin and Others", Mike Mignola notes that "Like 'The Corpse', this one was inspired by a folktale I read years ago. It was an odd thing about a girl who looks under a bush and finds stairs leading down to some kind of palace, where she falls in love with an invisible prince.  The stairs underground thing struck me as a sort of symbolic death/grave thing [...]"  He added the Christmas angel to the story later on.  So who knows exactly which folktale it was he read; he notes that the hardest thing about "The Varcolac" was tracking down where he had read that one little tidbit before, and this one might be almost as hard. Moonduchess (talk) 18:03, 27 April 2010 (UTC)

Hellboy (comics)?
Hellboy now redirects to Hellboy (comics) and this doesn't make much sense. This has been discussed quite a bit over splitting Battle Royale and Neverwhere - the original book, film, TV series forms the main entry and then you can have a disambiguation page to link to other related aterial (if need - it can probably be done in the article in this case). I won't move it back but I'd suggest it is moved. (Emperor 00:13, 20 September 2006 (UTC))
 * It's done. We didn't need a disambiguated title at all. ☢  Ҡ i∊ ff   ⌇  ↯  05:39, 21 September 2006 (UTC)

The Penanggalan
A while back I re-subscribed to Wizard magazine and got with it a free "exclusive" comic containing a Hellboy and B.P.R.D. story. The first was called Hellboy: the Penanggalan. The second and last, the B.P.R.D. story, was called Born Again. I'm wondering if these should be added to the uncollected comics section but I don't know if they have been printed elsewhere. The Penanggalan was definitely done by Mike Mignola.--TylerXKJ 00:11, 25 October 2006 (UTC)
 * It is being collected in "Hellboy Volume 7: The Troll Witch and Others TPB" along with the "Dark Horse Book Of" stories and "Makoma".--Hndsmepete 18:17, 12 July 2007 (UTC)

Affiliations
Added Kate to the affiliations list - she's mentioned on the page, but there's no link. Which is odd, since I had the impression she and HB were fairly good friends. I'd put something in the biography section but I don't have the comics with me and I'd probably just cite it wrong.209.89.155.128 02:18, 7 December 2006 (UTC)

re: Powers and Abilities
"A possible reason for his dislike of firearms is the fact that mechanical devices, especially the B.P.R.D.'s high-tech gadgetry, tend to foul up when he uses them. No explanation of this is given, but gun jams, exploding jetpacks, and other mishaps appear common around Hellboy, quite possibly due to his demonic nature."

I believe whoever wrote this is referring to the story "Wake the Devil" (HB#2) where a number of devices malfunction. And while no explicit explanation has been given all of these devices display the Zinco Corporation logo and since the apparent head of this company, Roderick Zinco, is assisting Rasputin and co it is not unfeasible that perhaps these devices have been sabotaged to make the BPRDs life more difficult. yes?/no? The Taste of Monkeys 13:30, 14 March 2007 (UTC)

Yes it was only in (Wake the Devil) where his gun, jetpack etc failed. It was only because the BPRD was using sabotaged Zinco products (zinco -the millionaire Rasputin employed at the beginning of the story arc). It was not only Hellboys zinco machinery that failed and exploded but all BPRD zinco walkie talkies, comms and even a plane exploded, killing a number of unamed BPRD team mebers. I have removed the paragraph. Hellboy does not like guns much merely because he's a terrible shot.

The Hand of Doom bit of the Powers and Abilities section should be added down with the other Hand of Doom stuff, and then that section should be a subsection of Powers and Abilities. I'm going to make the change, unless anyone can see a reason not to. Captain Red Hook 22:03, 5 April 2007 (UTC)

'''The “Powers and abilities” section is full of outdated and incorrect information. I think a complete rewrite is required. In addition, the title is misleading since Hellboy does not technically possess any powers.''' 65.95.42.183 (talk) 01:27, 17 January 2011 (UTC) Chris

Template
I was just editting Template: The War of the Worlds and it occured to me Template: Hellboy would seem like a good idea. Thoughts? (Emperor 04:51, 18 March 2007 (UTC))

 * Good one, but make sure to include a "related articles" thing to include Amazing Screw-On Head — Kieff | Talk 04:52, 18 March 2007 (UTC)

 * Sure if everyone can decide on a criteria for inclusion (otherwise you face editting wars) then that shouldn't be a problem. Possibly have it for other relevant work by Mignola? (Emperor 05:35, 18 March 2007 (UTC))

 * Worth noting that the template is up and running - has been for a it. Template: Hellboy (Emperor 01:46, 29 June 2007 (UTC))

Re TIMELINE
The first entry is incorrect in stating that Hellboy is "born" in Scotland. In Seed of Destruction he is summoned from Scotland it is true but his actual birth/manefestation occours in East Bromwich, England. Ill give it a go in changing this but Im sorta new at this, I can but try The Taste of Monkeys 23:06, 4 July 2007 (UTC)

I learn fast...or I just amuse easily, whatever
Created this little doozy for ma HB peeps:

enjoy The Taste of Monkeys 04:37, 5 July 2007 (UTC)

 * Very Cool. I just added it to my user page. Anyone have others like it for books like Preacher, Punisher, Sin City, etc?--Hndsmepete 18:01, 12 July 2007 (UTC)

Seed of Destruction
Thought the Seed of Destruction stub wasn't a worthy article, so went and wrote out the plotline. If anyone wants to review and change it, please do so - I've probably made a fair few mistakes. Iwan Berry 15:06, 16 July 2007 (UTC)

First Appearance?
While the sketches in the San Diego book predate John Byrne's Next Men #21, it is not an appearance as tradionally defined in comic fandom. Would it not be worthy to note the first actual comic the character appeared in, instead of trying to fight the mass majority of collectors and fandom through a Wikipedia article? Superman and many other comic characters appeared in ads or previews in other magazines before the actual first appearance came out, yet most people do not consider these first appearances. If we include promotional sketches as a first appearance, is not every characters first appearance as a sketch really occuring on the drawing board of the artist? —Preceding unsigned comment added by 70.145.31.10 (talk) 19:12, 19 May 2008 (UTC)

Actually, it is a 4-page story that appears in San Diego Comic-Con Comics #2 - not sketches. It is the true 1st appearance of Hellboy. — Preceding unsigned comment added by 96.253.88.2 (talk) 22:58, 7 December 2011 (UTC)

Scottish comics character?
Hi, im not quite sure how to edit a page fairly but have noticed that Hellboy has been put under the category 'scottish comics characters' even though his description clearly states that he was 'born' in East Bromwich, England. Thus surely something is wrong somewhere. Leicestershiregoose (talk) 12:08, 23 August 2008 (UTC)

Wake the Devil
Created article for Hellboy: Wake the Devil. Stabby Joe (talk) 14:12, 12 October 2008 (UTC)

Lawful King of the Britons
According to the latest issue, Hellboy's mother was a female descendant of Mordred's daughter, and Hellboy is the first male descendant of that line since Mordred's executed sons. Thus, he is the lawful king of Britain, and she even gives him Excalibur to lead the dead armies of Britain against Queen Mab. This, or at least that he is the descendant of King Arthur, should be in the article, as well as his alias - she specifically says something like "as well as 'Beast of the Apocalypse', you are the 'Lawful King of Britain'".98.223.111.14 (talk) 01:18, 15 September 2009 (UTC)
 * But the witch also had a human son, the priest in The Chained Coffin. I guess only the firstborn gets everything. Plus he's dead.--- RCB talk 18:37, 14 December 2009 (UTC)

Catherine Tanner-Tremaine
Can anybody tell me where this name comes from, as I have been unable to find it in "the chained coffin"? - Salkafar —Preceding unsigned comment added by 82.168.81.43 (talk) 10:21, 12 November 2009 (UTC)

BPRD contradiction?
In the intro it says BPRD is an international non-government entity but later it says its a federal agency. Any thoughts on that contradiction? —Preceding unsigned comment added by Surfbruddah (talk • contribs) 21:51, 2 January 2010 (UTC)

 * Indeed you are right. In B.P.R.D.: Hollow Earth and Other Stories its stated on page 8 that ″[the B.P.R.D. was] Established in 1944 by the late professor Trevor Bruttenholm and an international collective in response to Nazi – – and later Soviet – – occult experiments. Its fonction in the present it to monitor, investigate and contain supernatural events worldwide.″

 * If its an international collective, it cannot be a federal agency. This should be changed. Mighty.Yggdrasil (talk) 07:54, 30 September 2011 (UTC)

Hellboy does not file horns
The page is for Hellboy, the comic book character, not the movie character. Only in the movies does he file his horns. In the comic book, he breaks them. — Preceding unsigned comment added by Jjloy (talk • contribs) 14:22, 4 August 2011 (UTC)

Right hand of Doom…?
Don’t find this section to be at all clear. Firstly, it is introduced in a section of its own, without any introduction or explanation; when Hellboy’s stone hand is mentioned prior to this, it isn’t named as “the Right hand of Doom”, so it is unclear if they are one and the same thing. Is “The Right Hand of Doom” the stone hand that Hellboy has, and if so, is it “his” hand, or some sort of glove device he is wearing? The article makes it sound like an artifact - it has belonged to someone else - but doesn’t then explain why it now appears not just to belong to, but be a part of Hellboy. Or, does Hellboy have a stone hand anyway, and the Right Hand of Doom is a relic/ artifact that Hellboy gaiend/ possess/ wears in addition to his “real” hand. Does he not actually have a right hand and the stone hand/ Hand of Doom is like a prosthetic? Could someone who knows perhaps clarify things? Thanks. Jock123 (talk) 08:25, 4 August 2014 (UTC)
 * It's simply his right hand :) I think it was mentioned that his father gave it to him but it's a minor detail in the comic. mayby I'll improve this paragraph, but I think you overthink this. Mithoron (talk) 12:25, 5 August 2014 (UTC)

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Former stand-alone articles
believes these do not pass WP:GNG and so has blanked and redirected them without incorporating any material into this article. The redirects can be undone by any editor that disagrees with this approach. ~Kvng (talk) 22:01, 5 October 2023 (UTC)
 * Tom Manning (character), redirected
 * Roger (Hellboy), redirected
 * Ben Daimio, redirected
 * Herman von Klempt, redirected
 * Ogdru Hem, redirected

title: Talk:Hellboy


text:
Talk:Vairocana

Largest bronze?
Which is accurate: the largest bronze Buddha or the largest bronze Buddha? - Nat Krause 15:29, 25 Jul 2004 (UTC)

 * Neither, but it is the largest bronze Vairocana Buddha =) Jpatokal 01:37, 26 Jul 2004 (UTC)

 * Um, right. Well, I wonder what the largest bronze Buddha statue is, then? - Nat Krause 05:58, 26 Jul 2004 (UTC)

 * Hong Kong's Tian Tan Buddha is the largest bronze seated outdoor Buddha. No, I don't know if there's a bigger non-bronze, non-seated or non-outdoor Buddha out there.... Jpatokal 08:22, 26 Jul 2004 (UTC)

 * Is 'largest' being measured by height, or something else, like mass or breadth here? Because if height is the measure, there are at least two taller bronze statues of Vairochana in Japan alone, made by the same company, no less! : the Echizen-Daibutsu in Fukui (17m) and the Showa-Daibutsu in Aomori (21m) . Pokeplun (talk) 21:29, 12 December 2020 (UTC)

Mudras
I've qualified the article to say that Vairochana often displays the Dharmachakra mudra, given the image to the right. Melchoir 00:53, 8 March 2006 (UTC)

Dainichi Nyorai
Dainichi Nyorai redirects to this article, but this article only once mentions the word Dainichi, leading me to think that this article has little or nothing to do with Dainichi Nyorai and vice versa. Can someone please clarify this for me? 172.190.90.154 04:41, 14 March 2007 (UTC)

 * Well, that one mention of the word is enough: "Vairocana (also Vairochana or Mahavairocana; [...] Japanese: Dainichi Nyorai)", meaning that Dainichi Nyorai and Vairocana are two name in two different languages for the same subject. --Εξαίρετος (msg) 13:49, 14 March 2007 (UTC)

 * Correct, the word "nyorai" just means "tathagata" as in the title. The actually name of the Buddha is just Vairocana or dainichi.  --Ph0kin (talk) 10:05, 12 December 2008 (UTC)

Too many pictures?
For an article this short, we have lots of good pictures of Vairocana. Perhaps we can move most of them into an album of some kind? I think it would improve readibility? --Ph0kin (talk) 10:07, 12 December 2008 (UTC)

wakyamuni is thus considered the nirmAOakAya of Vairocana while Vairocana is considered the saNbhogakAya of wakyamuni. http://books.google.com/books?id=DTWZLMGFFgkC&printsec=frontcover&dq=the+concept+of+the+buddha&cd=1#v=onepage&q=wakyamuni%20is%20thus%20considered%20the%20nirmAOakAya%20of%20Vairocana%20while%20Vairocana%20%20is%20considered%20the%20saNbhogakAya%20of%20wakyamuni.&f=false —Preceding unsigned comment added by 81.153.97.122 (talk) 03:28, 21 February 2010 (UTC) Vairocana Buddha in the *AvataNsaka may be considered the saNbho- gakAya of wakyamuni and the Lotus World his Pure Land. From the same source —Preceding unsigned comment added by 81.153.97.122 (talk) 14:54, 23 February 2010 (UTC)

Bliss Body or Dharmakaya
I had learned that Vairocana was supposed to be the dharmakaya, not just a sambhogakaya (bliss body). Can anyone else confirm this? Apatheticresistance (talk) 23:44, 5 March 2010 (UTC)

 * According to the Fo Guang dictionary of Buddhism: "To every Buddha Mahāyāna attributed a three-fold body: [...] The trinity finds different methods of expression, e.g. Vairocana is entitled 法身, the embodiment of the Law, shining everywhere, enlightening all; Locana is 報身; cf. 三寶, the embodiment of purity and bliss; Śākyamuni is 化身 or Buddha revealed. In the esoteric sect they are 法 Vairocana, 報 Amitābha, and 化 Śākyamuni.". The official website of the japanese Soto school also confirms this data: "In the Tendai (C. Tiantai 天台) school's interpretation of the doctrine of the three bodies (sanshin 三身, S. trikāya) of Buddha, Birushana 毘盧遮那 is the dharma body (hosshin 法身, S. dharmakāya), Rushana 盧舍那 is the response body (ōshin應身, S. sambhogakāya)". So I was going to edit the article with this information, but apparently the Chinese version of this article says that different schools may consider Vairocana either the Dharmakaya, Sambhogakaya or Nirmanakaya; it doesn't cite a source for this information though. I'm new to editing the Wikipedia so I'm unsure of how to resolve this. FomenPeasant (talk) 21:03, 11 September 2015 (UTC)

External links modified
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A Commons file used on this page or its Wikidata item has been nominated for deletion
The following Wikimedia Commons file used on this page or its Wikidata item has been nominated for deletion: Participate in the deletion discussion at the nomination page. —Community Tech bot (talk) 13:53, 10 August 2020 (UTC)
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title: Talk:Vairocana


text:
ISS (disambiguation)

ISS is an abbreviation for the International Space Station.

ISS may also refer to:

Organisations

 * Institute for Science and Society, an academic department at the University of Nottingham, England
 * Institute for Security Studies, Pretoria, South Africa studying crime, corruption, and conflict in Africa
 * Institute of Social Studies, an international institute in The Hague, the Netherlands
 * International Social Service, a charitable, non-governmental organisation
 * Information Systems & Services, a former part of the UK Ministry of Defence
 * Internal Security Service, national security intelligence agency of Oman
 * Istituto Superiore di Sanità, the Italian National Institute of Health
 * Intercollegiate Socialist Society (1905–1921), an American political youth organization

Businesses

 * ISS A/S, a Danish service company
 * Institutional Shareholder Services, a proxy advisory firm
 * Internet Security Systems, a security software vendor

Arts, entertainment, and media

 * I.S.S. (film), an American science fiction thriller film
 * International Staff Songsters, the flagship choir of the Salvation Army
 * International Superstar Soccer, a video game series
 * ISS (2000 video game)
 * Idea Star Singer, a Malayalam music reality show by Asianet TV
 * Imperial Star Ship, a fictional spaceship designation prefix in Star Trek's Mirror Universe

Education

 * ISS International School, an international school in Singapore
 * In-school suspension, a form of discipline used in some schools
 * Instituto San Sebastián Yumbel, Chilean school in Yumbel, Chile

Science and technology

 * Ion scattering spectroscopy or low-energy ion scattering, a materials analysis method
 * Imaging Science Subsystem, Cassini–Huygens space probe instruments
 * Instruction set simulator, a computer program that simulates a processor
 * International Seismological Summary, an earthquake catalog
 * Input Shaft Speed sensor, a sensor that measures the rotational speed of the input shaft in a vehicle

Medicine

 * Idiopathic short stature, an unexplained short stature
 * Injury Severity Score
 * International Staging System, for the severity of multiple myeloma

Other uses

 * Independent Subway System, a former rapid transit rail system in New York City, US
 * Islamic State in Somalia, a faction of the Islamic State of Iraq and the Levant
 * ISS Hockey (International Scouting Services), ice hockey scouting service
 * Air Italy (2005–2018) (ICAO: ISS), a defunct Italian airline
 * IShowSpeed (born 2005), American YouTuber

title: ISS (disambiguation)


text:
User talk:Bobbagum

Hello Bob, welcome to the Wikipedia. I hope you will have a good time here! I myself am from the Netherlands, but currently living in Krungthep. I mainly contribute to the nl: Wikipedia not the english one. I saw your comment on the Chao Phraya article. You can change it yourself if you want to btw. I will make the changes in the Dutch version. Although they normally are a bit different from the English one already anyway. Waerth 15:31, 25 Jul 2004 (UTC)
 * A warm welcome from another Thailand lover. I have answered your comment on the Chao Phraya, to my knowledge there really is (or was) that title. But I am sure the other articles on Thailand also contain mistakes or misinterpretation, so it's good if you take a look at them if you have time. And in case you haven't noticed it, there is also a thai wikipedia at http://th.wikipedia.org, which is still in its infancy and also needs contributors. andy 17:38, 25 Jul 2004 (UTC)

I will be rewriting the Modern Thailand section of History of Thailand over the next days so there's not much point in making minor edits to it at present. Adam 04:48, 13 Aug 2004 (UTC)

Neua pad prik
Hi Bobbagum. I've added Neua pad prik to the list of Thai dishes at Cuisine of Thailand. I noticed that prior to this addition, there are nearly no popular dishes listed which contain beef, is there a reason for that? Whenever you have a chance, could you please help me translate the word "neua" into Thai? It would doubly helpful for a disambiguation article I'm working on at NEUA. —RaD Man (talk) 17:48, 21 May 2005 (UTC)

Back in the old days, Large animals such as cows are only felled for food in festivities, so meat is not widespread, compared to pork or chicken, I would imagine it's all to do with effort it takes in killing the animal, plus the animals is more useful as transport, I suspect that the large amount of meat produced means that the typical family couldn't possibly finish it so preserved form of meat such as neua daed deaw (sun dried beef) is more well known.

In modern day of course, means there’s people (mainly Chinese) who follows the teaching of the Buddhist saint  Kuan_Yin that won’t eat meat, resulting in that if you visit a McDonald's in a predominantly Chinese part of town, they will asks you twice if you really want the "Hamburger" gently reminding you that burgers are beef. An interesting note is that the most popular McDonald’s burgers in Thailand is a pork burger.

Although Hindus don’t eat beef as well, and Muslims from South Asia don’t like beef, they tend to stick to their community, so that’s not really a reason why people don’t eat beef that much in Thailand.

so it’s mainly the fact that indigenous Thais don’t eat beef that much and some of the Chinese won’t eat them for half the time maybe, but don’t quote me on it yet,

There’s actually plenty of beef dishes, just that to avoid offending people Thais will asks guest if they take beef or not at dinner-parties and such....

for the translation, (Thai เนื้อ ) is what you're looking for. --Bobbagum 18:32, 21 May 2005 (UTC)

Penguin Villa
Hi, Bobbagum. If you have a spare moment, I am in need of some help translating a large block of Thai text at Talk:Penguin Villa. If you could help translate some of it I'd be very grateful. Thanks! Bhumiya/Talk 04:15, 18 March 2006 (UTC)

Greek to me
Greetings. I just wrote the page Greek to me. I am comparing similar expressions in other languages. I was wondering if you would be able to add the expression in any languages with which you are comfortable. Btw, I just found your page/profile by running a search for users who have a level 4/level 5 ability in non-English languages. Thanks much! samwaltz 20:15, 11 April 2007 (UTC)

Please help-Lao language request
Hello! The Graphic Lab is working on artwork related to Laos, and we need some help to get the proper Lao language text into the artwork. As Thai and Lao are closely-related languages, I ask you to please visit http://en.wikipedia.org/wiki/Wikipedia:Graphic_Lab/Images_to_improve#Scouting_in_Laos and see if you can help! Thanking you in advance, Chris 02:36, 4 July 2007 (UTC)

Please help to translate this pali-language sentence into English
Hello,Bobbagum. Sorry for interrupting you! I am a Chinese-wiki editor, today I uploaded a file on wiki-common:, which is an important Pili-language sentence that results in the early divide of Buddhism (Theravada and mahasamghika). One of my friend insisted that this words shouldn't be said into Mahaparinibbana Sutta; however, I found this word from Pali's maha-parinibbana-suttanta. Since both of us don't know pali-language, I may need your help on translate this sentence. ( I consider it is: "Do not lay down that which has not been laid down; Do not eliminate that which has been laid down." ) Thanks for any response! I really appreciate your help!-- Walter Grassroot  | talk~talk~talk~  06:33, 17 February 2010 (UTC)

Proposed deletion of Foodland (Thailand)

The article Foodland (Thailand) has been proposed for deletion because of the following concern: "The coverage (references, external links, etc.) does not seem sufficient to justify this article passing General notability guideline and the more detailed Notability (companies) requirement. If you disagree and deprod this, please explain how it meets them on the talk page here in the form of 'This article meets criteria A and B because...' and ping me back through WP:ECHO or by leaving a note at User talk:Piotrus. Thank you."

While all constructive contributions to Wikipedia are appreciated, pages may be deleted for any of several reasons.

You may prevent the proposed deletion by removing the notice, but please explain why in your edit summary or on the article's talk page.

Please consider improving the page to address the issues raised. Removing will stop the proposed deletion process, but other deletion processes exist. In particular, the speedy deletion process can result in deletion without discussion, and articles for deletion allows discussion to reach consensus for deletion. Piotr Konieczny aka Prokonsul Piotrus| reply here 10:47, 3 December 2018 (UTC)

title: User talk:Bobbagum


text:
Henry Plumb, Baron Plumb

Charles Henry Plumb, Baron Plumb, (27 March 1925 – 15 April 2022) was a British politician and farmer who went into politics as a leader of the National Farmers' Union. He later became active in the Conservative Party and was elected as a Member of the European Parliament (MEP). He served as an MEP from 1979 to 1999, and was President of the European Parliament from 1987 to 1989, the only Briton to hold the post.

Personal life
Plumb's family was from Cheshire and had been in farming for several generations. His father farmed at Coleshill in Warwickshire, on which his son joined him in 1940. He took over running the farm after his father died in 1952. The farm ran to 300 acre and consisted primarily of a dairy herd (200 pedigree Ayrshire cattle) with 70 breeding sows and 100 acre of grain.

Plumb was married to Marjorie (Dunn) from 1947 until her death in 2019; they had three children. He died on 15 April 2022, at the age of 97, after suffering a stroke.

National Farmers' Union
After rising through the county branch, in 1965 Plumb was elected Vice-President of the National Farmers' Union. Although only 40 years old he was considered for the Presidency, but had to settle for promotion to Deputy President in 1966. In the late 1960s Plumb was a member of the Northumberland Committee inquiring into the outbreak of foot-and-mouth disease, being the only working farmer on the committee. Towards the end of the committee's deliberations, a report from political correspondent J. W. Murray in Farmer and Stockbreeder said Plumb had single-handedly persuaded the committee to recommend prohibiting the import of carcass meat from countries where foot-and-mouth was endemic.

In January 1970 the incumbent President of the NFU Gwilym Williams failed to get the 80% support necessary to be re-elected, and Plumb was elected President of the NFU in his place. Plumb's term of office included British accession to the European Economic Community and its Common Agricultural Policy and Plumb negotiated for greater support for British agriculture; he stressed that Britain no longer had the economic power to bring cheap food prices. Plumb was, however, a strong supporter of British membership of the European Economic Community; he was considered as a possible director for the pro-market campaign in the 1975 referendum campaign and was described as one of its most indefatigable spokesmen. Plumb was awarded a knighthood in the 1973 Birthday Honours.

Throughout the 1970s, Plumb had Richard C. Butler as his deputy at the NFU, and Butler succeeded him as president when he retired in 1979.

European Parliament
Having joined the Conservative Party, Plumb was elected Member of the European Parliament for the Cotswolds seat in 1979 and remained in the European Parliament until 1999, being President of the European Parliament from 1987 to 1989. He was the only British president of the European parliament. He was made a Life peer as Baron Plumb, of Coleshill in the County of Warwickshire on 6 April 1987.

On 11 October 1988, Plumb received international attention. During the papal visit to the European Parliament in Strasbourg, Pope John Paul II was delivering a speech. Northern Ireland MEP Ian Paisley heckled throughout the delivery, brandishing posters accusing the Pope of being the Antichrist. Using his position as president, Plumb ordered Paisley to leave the chamber.

He retired from the House of Lords on 3 November 2017. He was also Chancellor of Coventry University between 1995 and 2007.

2012 allegations of conflict of interest
In June 2012 the Bureau of Investigative Journalism and The Independent newspaper revealed how senior members of the House of Lords failed to disclose their business interests in a public inquiry. As of July 2012, Plumb's entry in the register of interests listed his only remunerated employment/profession as 'farming', despite his involvement with the Brussels-based lobbying firm Alber & Geiger since 2007. According to The Independent, Plumb insisted he did not need to register his involvement because he had “never been in employment, paid or unpaid” by the firm.

title: Henry Plumb, Baron Plumb


text:
ATC code M01

M01AA Butylpyrazolidines

 * M01AA01 Phenylbutazone
 * M01AA02 Mofebutazone
 * M01AA03 Oxyphenbutazone
 * M01AA05 Clofezone
 * M01AA06 Kebuzone
 * QM01AA90 Suxibuzone
 * QM01AA99 Combinations

M01AB Acetic acid derivatives and related substances

 * M01AB01 Indometacin
 * M01AB02 Sulindac
 * M01AB03 Tolmetin
 * M01AB04 Zomepirac
 * M01AB05 Diclofenac
 * M01AB06 Alclofenac
 * M01AB07 Bumadizone
 * M01AB08 Etodolac
 * M01AB09 Lonazolac
 * M01AB10 Fentiazac
 * M01AB11 Acemetacin
 * M01AB12 Difenpiramide
 * M01AB13 Oxametacin
 * M01AB14 Proglumetacin
 * M01AB15 Ketorolac
 * M01AB16 Aceclofenac
 * M01AB17 Bufexamac
 * M01AB51 Indometacin, combinations
 * M01AB55 Diclofenac, combinations

M01AC Oxicams

 * M01AC01 Piroxicam
 * M01AC02 Tenoxicam
 * M01AC04 Droxicam
 * M01AC05 Lornoxicam
 * M01AC06 Meloxicam
 * M01AC56 Meloxicam, combinations

M01AE Propionic acid derivatives

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 * M01AE02 Naproxen
 * M01AE03 Ketoprofen
 * M01AE04 Fenoprofen
 * M01AE05 Fenbufen
 * M01AE06 Benoxaprofen
 * M01AE07 Suprofen
 * M01AE08 Pirprofen
 * M01AE09 Flurbiprofen
 * M01AE10 Indoprofen
 * M01AE11 Tiaprofenic acid
 * M01AE12 Oxaprozin
 * M01AE13 Ibuproxam
 * M01AE14 Dexibuprofen
 * M01AE15 Flunoxaprofen
 * M01AE16 Alminoprofen
 * M01AE17 Dexketoprofen
 * M01AE18 Naproxcinod
 * M01AE51 Ibuprofen, combinations
 * M01AE52 Naproxen and esomeprazole
 * M01AE53 Ketoprofen, combinations
 * M01AE56 Naproxen and misoprostol
 * M01AE57 Naproxen and diphenhydramine
 * QM01AE90 Vedaprofen
 * QM01AE91 Carprofen
 * QM01AE92 Tepoxalin

M01AG Fenamates

 * M01AG01 Mefenamic acid
 * M01AG02 Tolfenamic acid
 * M01AG03 Flufenamic acid
 * M01AG04 Meclofenamic acid
 * QM01AG90 Flunixin

M01AH Coxibs

 * M01AH01 Celecoxib
 * M01AH02 Rofecoxib
 * M01AH03 Valdecoxib
 * M01AH04 Parecoxib
 * M01AH05 Etoricoxib
 * M01AH06 Lumiracoxib
 * M01AH07 Polmacoxib
 * QM01AH90 Firocoxib
 * QM01AH91 Robenacoxib
 * QM01AH92 Mavacoxib
 * QM01AH93 Cimicoxib
 * QM01AH94 Deracoxib
 * QM01AH95 Enflicoxib

M01AX Other anti-inflammatory and antirheumatic agents, non-steroids

 * M01AX01 Nabumetone
 * M01AX02 Niflumic acid
 * M01AX04 Azapropazone
 * M01AX05 Glucosamine
 * M01AX07 Benzydamine
 * M01AX12 Glucosaminoglycan polysulfate
 * M01AX13 Proquazone
 * M01AX14 Orgotein
 * M01AX17 Nimesulide
 * M01AX18 Feprazone
 * M01AX21 Diacerein
 * M01AX22 Morniflumate
 * M01AX23 Tenidap
 * M01AX24 Oxaceprol
 * M01AX25 Chondroitin sulfate
 * M01AX26 Avocado and soybean oil, unsaponifiables
 * QM01AX52 Niflumic acid, combinations
 * M01AX68 Feprazone, combinations
 * QM01AX90 Pentosan polysulfate
 * QM01AX91 Aminopropionitrile
 * QM01AX92 Grapiprant
 * QM01AX99 Combinations

M01BA Anti-inflammatory/antirheumatic agents in combination with corticosteroids

 * M01BA01 Phenylbutazone and corticosteroids
 * M01BA02 Dipyrocetyl and corticosteroids
 * M01BA03 Acetylsalicylic acid and corticosteroids
 * QM01BA99 Combinations

M01CA Quinolines

 * M01CA03 Oxycinchophen

M01CB Gold preparations

 * M01CB01 Sodium aurothiomalate
 * M01CB02 Sodium aurothiosulfate
 * M01CB03 Auranofin
 * M01CB04 Aurothioglucose
 * M01CB05 Aurotioprol

M01CC Penicillamine and similar agents

 * M01CC01 Penicillamine
 * M01CC02 Bucillamine

title: ATC code M01


text:
User:ZoeB

Hi! I'm Zoë Blade. I've had a passion for making electronic music since about the age of sixteen, when I first discovered Scream Tracker and Impulse Tracker. Some of my music has been featured in Get Lamp, Warren Ellis: Captured Ghosts, and various episodes of ContraPoints, Hbomberguy, and Philosophy Tube.

I also enjoy writing. My articles have been published in 2600: The Hacker Quarterly and Kinfolk, and one of my stories was published in The Future Fire and Heiresses of Russ.

I wrote the firmware for the step sequencers Stepper Acid and Stepper Drum, designed and built by Nina Richards. Rick Smith of Underworld described Stepper Acid as "a fantastic little box".

title: User:ZoeB