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User talk:Gschizas

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title: User talk:Gschizas


text:
Talk:55 Broadway

Comments
Did not MI5 or MI6 once hang out in 55 Broadway Building? I vaguely remember that they did. --Tagishsimon

 * Interesting if it is true, but perhaps the stained grey stone just looks that way. MI6 now has a flamboyant landmark building, but I seem to recall that MI5 had, or still has, a building closer to Westminster which is notable for having no windows on the ground floor. It has the air of a closed down, derelict bingo hall. -- Solipsist 21:25, 6 Oct 2004 (UTC)

 * MI5 used to occupy said premises in Curzon Street, not far from Berkeley Square. The exterior is exactly as described, above. — Preceding unsigned comment added by 69.244.127.112 (talk) 19:49, 12 January 2020 (UTC)

 * MI6 occupied Broadway Buildings at No. 54 Broadway opposite the London Underground headquarters from 1924 to 1966. Broadway Buildings was later occupied by London Underground as overspill from the main building. DavidCane 01:00, 13 June 2006 (UTC)

LU won't have vacated the building until 2017 as it is a hub for many company communications and this cabling and data destination will need to be re-routed. The building to which they are due to vacate - in Stratford - has not yet be completed and therefore no move will take place until it is ready. AsparagusTips (talk) 07:11, 11 October 2015 (UTC)

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license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Talk:55 Broadway


text:
Thomas Sebeok

Thomas Albert Sebeok (Sebők Tamás, ; November 9, 1920 – December 21, 2001) was a Hungarian-born American polymath, semiotician, and linguist. As one of the founders of the biosemiotics field, he studied non-human and cross-species signaling and communication. He is also known for his work in the development of long-time nuclear waste warning messages, in which he worked with the Human Interference Task Force (established 1981) to create methods for keeping the inhabitants of Earth away from buried nuclear waste that will still be hazardous 10,000 or more years in the future.

Early life and education
Thomas Sebeok was born on November 9, 1920, in Budapest, Hungary. He attended secondary school at the famous Fasori Gimnázium, which educated notables such as John von Neumann and Eugene Wigner. After a brief stint at Cambridge University (Magdalene College) in England, he moved to the United States at the age of 17 and became a naturalized citizen in 1944. Sebeok earned a bachelor's degree in 1941 at the University of Chicago. He earned a master's degree in anthropological linguistics, under the external guidance of Roman Jakobson, at Princeton University in 1943 and, in 1945, a doctorate at Princeton University; his dissertation was titled Finnish and Hungarian case systems: their form and function.

Academic work
In 1943, Sebeok started work at Indiana University in Bloomington, assisting the Amerindianist Carl Voegelin in managing the country's largest Army Specialized Training Program in foreign languages. He then created the university's department of Uralic and Altaic Studies, covering the languages of Eastern Europe, Russia and Asia. He was also the chair of the university's Research Center for Language and Semiotic Studies.

As a professor at Indiana University, Sebeok studied both human and non-human systems of signaling and communication, as well as the philosophy of mind. He was among the founders of biosemiotics, and coined the term "zoosemiotics" in 1963 to describe the development of signals and signs by non-human animal species. He also continued his work as a linguist, publishing several articles and books analyzing aspects of the Mari language (referring to it by the name "Cheremis"). His transdisciplinary work and professional collaborations spanned the fields of anthropology, biology, folklore studies, linguistics, psychology, and semiotics.

Sebeok was the editor-in-chief of the journal Semiotica, the leading periodical in the field, from its establishing in 1969 until 2001. He was also the editor of several book series and encyclopedias, including Approaches to Semiotics (over 100 volumes), Current Trends in Linguistics, and the Encyclopedic Dictionary of Semiotics.

In the early 1980s, Sebeok composed a report for the US Office of Nuclear Waste Management titled Communication Measures To Bridge Ten Millennia, discussing solutions to the problem of nuclear semiotics, a system of signs aimed at warning future civilizations from entering geographic areas contaminated by nuclear waste. The report proposed a "folkloric relay system" and the establishment of an "atomic priesthood" of physicists, anthropologists, and semioticians to create and preserve a common cultural narrative of the hazardous nature of nuclear waste sites.

In addition to his academic work, Sebeok organized hundreds of international conferences and institutes, held leadership roles in organizations such as the Linguistic Society of America, International Association for Semiotic Studies, Committee for Skeptical Inquiry, and the Semiotic Society of America, and supported the creation of linguistic and semiotics teaching programs and scholarly associations throughout the world.

Sebeok's personal library on semiotics, comprising more than 4,000 volumes of books and 700 journals, is preserved at the Department of Semiotics at the University of Tartu in Estonia. His correspondence and research files are held by the Indiana University Archives.

Personal life
Sebeok married Mary Eleanor Lawton (1912–2005) in 1947. They had one child, Veronica C. Wald, and later divorced. Sebeok married Donna Jean Umiker (born 1946, now D. Jean Umiker-Sebeok), a fellow semiotic scholar and his frequent collaborator and co-author, in 1973, and they had two children, Jessica A. Sebeok and Erica L. Sebeok. Sebeok retired from Indiana University in 1991, but he contributed to the field of semiotics until his death in 2001.

Sebeok Fellow Award
The Sebeok Fellow Award "recognizes outstanding contributions to the development of the doctrine of signs" and is the highest honor given by the Semiotic Society of America. It is awarded every 2 to 4 years. Recipients have included David Savan (1992), John Deely (1993), Paul Bouissac (1996), Jesper Hoffmeyer (2000), Kalevi Kull (2003), Floyd Merrell (2005), Susan Petrilli (2008), Irmengard Rauch (2011), Paul Cobley (2014), Vincent Colapietro (2018), Nathan Houser (2019), Marcel Danesi (2020).

Selected English publications

 * Sebeok, Thomas A., ed. Style in Language. New York and London: The Technology Press of Massachusetts Institute of Technology and John Wiley & Sons, 1960. ISBN 9780262190077
 * Sebeok, Thomas A, Donna J. Umiker-Sebeok, and Adam Kendon. Nonverbal Communication, Interaction, and Gesture: Selections from Semiotica. The Hague: Mouton Publishers, 1981.
 * , 236 pages. Ten essays on methods of abductive inference in Poe's Dupin, Doyle's Holmes, Peirce and many others.
 * Sebeok, Thomas A, Marcia E. Erickson, Umberto Eco, V V. Ivanov, and Mônica Rector. Carnival! Berlin: Mouton Publishers, 1984.
 * Sebeok, Thomas A, Donna J. Umiker-Sebeok, and Evan P. Young. The Semiotic Web, 1989. Berlin: Mouton de Gruyter, 1990.
 * Sebeok, Thomas A, and Marcel Danesi. The Forms of Meaning: Modeling Systems Theory and Semiotic Analysis, 2000.
 * Sebeok, Thomas A. Signs: An Introduction to Semiotics. Toronto, Ont: University of Toronto Press, 2001.
 * Sebeok, Thomas A, Donna J. Umiker-Sebeok, and Adam Kendon. Nonverbal Communication, Interaction, and Gesture: Selections from Semiotica. The Hague: Mouton Publishers, 1981.
 * , 236 pages. Ten essays on methods of abductive inference in Poe's Dupin, Doyle's Holmes, Peirce and many others.
 * Sebeok, Thomas A, Marcia E. Erickson, Umberto Eco, V V. Ivanov, and Mônica Rector. Carnival! Berlin: Mouton Publishers, 1984.
 * Sebeok, Thomas A, Donna J. Umiker-Sebeok, and Evan P. Young. The Semiotic Web, 1989. Berlin: Mouton de Gruyter, 1990.
 * Sebeok, Thomas A, and Marcel Danesi. The Forms of Meaning: Modeling Systems Theory and Semiotic Analysis, 2000.
 * Sebeok, Thomas A. Signs: An Introduction to Semiotics. Toronto, Ont: University of Toronto Press, 2001.
 * Sebeok, Thomas A, Marcia E. Erickson, Umberto Eco, V V. Ivanov, and Mônica Rector. Carnival! Berlin: Mouton Publishers, 1984.
 * Sebeok, Thomas A, Donna J. Umiker-Sebeok, and Evan P. Young. The Semiotic Web, 1989. Berlin: Mouton de Gruyter, 1990.
 * Sebeok, Thomas A, and Marcel Danesi. The Forms of Meaning: Modeling Systems Theory and Semiotic Analysis, 2000.
 * Sebeok, Thomas A. Signs: An Introduction to Semiotics. Toronto, Ont: University of Toronto Press, 2001.

title: Thomas Sebeok


text:
Talk:Mattias Klum

Untitled
from VfD:

Self-promotion. — Bill 21:06, 6 Oct 2004 (UTC)

 * Keep. Well-known name in Sweden, and I doubt he wrote this. Article obviously needs cleanup, though. Fredrik | talk 22:55, 6 Oct 2004 (UTC)
 * Keep. [[User:Rhymeless|Rhymeless | (Methyl Remiss)]] 04:53, 7 Oct 2004 (UTC)
 * Keep. The lister of the item had no way of knowing it, but it's a modesty page, not a vanity page. Klum has had several remarkable wildlife documentaries shown on Swedish national TV, two National Geographic cover stories, and he has published seven books, two of them available in English. Wait a minute... now the article says so, too. It needs more spefic info, though. Let's put it on Cleanup and hope it gets expanded. If somebody asked me to name a Swedish wildlife photographer today, this is the first name I'd come up with.--Bishonen 07:38, 7 Oct 2004 (UTC)
 * Keep. As mentioned by others, he is very well-known in Sweden. //u◦p◦p◦l◦a◦n◦d 11:58, 7 Oct 2004 (UTC)
 * Comment -- I would like "very well-known in Sweden" to be my epitaph. -- GWO
 * Could the point of GWO's un-proofread comment be made a little more explicit, please? If the idea of being known in Sweden amuses, please note my indications of Klum's wider fame in my vote above. --Bishonen 21:52, 7 Oct 2004 (UTC)
 * It wasn't a criticism of Klum's fame, or of Sweden, or any comment thereon. It's just that being famous in Sweden sounds tremendously civilised. -- GWO

Suitably chastised; the things one learns! — Bill 11:33, 7 Oct 2004 (UTC)

end moved discussion

WikiProject class rating
This article was automatically assessed because at least one article was rated and this bot brought all the other ratings up to at least that level. BetacommandBot 23:40, 27 August 2007 (UTC)

No stub; sources?
Removed stub clasisfications (no longer a stub). For readers who are not familiar with Klum, the article looks entirely unsourced except for Klum's own work and that of associates of his. It would greatly benefit from an addition of independent sources. Added a template to that effect in good faith, not to question his notability. SergeWoodzing (talk) 15:38, 19 March 2010 (UTC)
 * I agree that this article was more than a stub, so I assessed it as start-class, the next level up. But please do not remove project assessments, instead update them as necessary. All project tags have a link (...the project's quality scale) which take you to a page you can refer to in case of uncertainty. Tomas e (talk) 16:45, 21 March 2010 (UTC)
 * Sorry, I am no expert at that procedure, just saw it was way off base as it was. Thanx for helping! SergeWoodzing (talk) 09:39, 22 March 2010 (UTC)

Training; education?
A reader is bound to be curious as to what training he has had as a photographer from the start, how he got started, was financed, what education he had if any etc. Why is there nothing on that in the bio? SergeWoodzing (talk) 23:12, 15 December 2010 (UTC)

Infobox...
... musician???. SergeWoodzing (talk) 18:05, 20 July 2011 (UTC)

WP:COI?
Does there seem to be a rather glaring COI issue here? Or is somebody impersonating Klum? Has been going on unchecked for years now, if so. SergeWoodzing (talk) 12:31, 24 November 2011 (UTC)

 * Possibly. I left them a uw-coi notice to inform them of such editing. I am unsure as to what more you expect with the helpme-tag. Please re-add it with a more specific question if you can. Regards  So Why  19:56, 24 November 2011 (UTC)
 * Thank you! SergeWoodzing (talk) 20:43, 24 November 2011 (UTC)

Long unsourced list
I am now removing the long list of expeditions because it is completely unsourced and because WP:COI edits (see section above) continue to be made incessantly without any sources being given. --SergeWoodzing (talk) 18:31, 13 February 2014 (UTC)

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title: Talk:Mattias Klum


text:
My Name Is Legion (short story collection)

My Name Is Legion (ISBN 0345248678) is an anthology of three stories by American writer Roger Zelazny, compiled in 1976. The stories feature a common protagonist who is never named.

Plot summary
The protagonist of these stories is involved in the creation of a global computer network designed to give ultimate economic control by keeping track of all human activity. Just before the system goes live, the hero expresses his concerns about the possible misuse of such power to his superior, who gives the hero the chance to destroy his personal data before it is to be entered into the system. In taking this step the hero becomes non-existent as far as the system is concerned. Using backdoors in the central network, the hero is able to create identities for himself as needed. With this freedom he sets himself up as a freelance investigator and problem solver.

Stories
The following stories are included in the anthology:

 * "The Eve of RUMOKO": Project RUMOKO is a plan to use nuclear explosives to create artificial islands; the hero must identify and stop a saboteur on the project.
 * "'Kjwalll'kje'k'koothai'lll'kje'k": At a research station in the Bahamas a diver has died, apparently in an attack by a dolphin... But dolphins do not attack humans, and someone suspects foul play.
 * "Home Is the Hangman": A sentient space-exploration robot, lost years before, has apparently returned to Earth. One of its original designers has died under suspicious circumstances. Has the Hangman returned to kill its creators? The hero must find the Hangman and stop it, and time is running out. This story won the 1976 Hugo Award for Best Novella.


text:
Talk:Harlem Renaissance

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Semi-protected edit request on 15 June 2018
In the section "Fashion" there is a typo in the sentence "Josephine Baker is also credited for highlighting the "art deco" fashion era after she performed the "Danse Suavage"." "Suavage" is the typo and shoud be "Sauvage" (French: wild). Oslide (talk) 15:16, 15 June 2018 (UTC)
 * Yes check.svg Done Thank you,  -  FlightTime  ( open channel ) 15:24, 15 June 2018 (UTC)

Semi-protected edit request on 22 October 2021
The description of Claude McKay as a "communist" is not accurate. See Wayne Cooper's authoritative biography, Claude McKay, Rebel Sojourner in the Harlem Renaissance. McKay was, from his early teens, a Fabian socialist. Subsequently his thinking evolved, like thinking people's thinking generally does. He was -- along with his friends Emma Goldman and Max Eastman -- a noted and very early critic of the Soviet "Communist" dictatorship and, later, of the operations of the Communist Party USA in Harlem and New York. (see his Harlem: Negro Metropolis, e.g.).

To call him a "communist" is either ignorant, misinformed, tendentious or slanderous but in any case it is FALSE and WRONG. 173.228.119.21 (talk) 01:58, 22 October 2021 (UTC)
 * Red information icon with gradient background.svg Not done for now: please establish a consensus for this alteration before using the template. After some quick reading it appears that communist is reasonably accurate. ScottishFinnishRadish (talk) 11:03, 22 October 2021 (UTC)
 * Even if the epithet "communist" were accurate, it's not germane to the article. Those wishing to know Claude McKay's (or Langston Hughes') political ideology can visit their respective pages.  I don't see political ideologies of others listed on these pages, except with respect to subjects known primarily for promoting such ideology--e.g. Che Guevara or Karl Marx. 2601:642:4100:D272:B763:2F39:E854:4158 (talk) 21:06, 22 February 2023 (UTC)

Semi-protected edit request on 26 January 2022
Please replace "The Ku Klux Klan Act of 1871 was denounced by black Congressmen[why?][dubious – discuss] and resulted in the passage of the Civil Rights Act of 1875" with "The Ku Klux Klan Act of 1871 was followed by the Civil Rights Act of 1875." It has been tagged since June 2016, and nobody has addressed this seemingly crazy assertion. 2001:BB6:4713:4858:CD3A:1237:D85B:1332 (talk) 12:18, 26 January 2022 (UTC)
 * Red information icon with gradient background.svg Not done: I duplicated a cite from earlier in the article for the statement and removed the dubious tag. I left the why tag, as it could use some expansion, as to why it was actually spoken against. Representative Robert B. Elliot, responding on April 1, 1871 to arguments that the Bill is unconstitutional, and that Ku Klux Klan is not violent ScottishFinnishRadish (talk) 12:38, 26 January 2022 (UTC)
 * So I spent some time looking for secondary sources discussing this, and didn't find any dealing with why some black congressmen spoke out against it. The small snippets of why some spoke against it in the source aren't enough to properly contextualize. So, as the IP requested, I removed that sentence. ScottishFinnishRadish (talk) 12:57, 26 January 2022 (UTC)

Semi-protected edit request on 12 February 2022
47.20.190.39 (talk) 16:16, 12 February 2022 (UTC) To remove some of the article
 * Red question icon with gradient background.svg Not done: it's not clear what changes you want to be made. Please mention the specific changes in a "change X to Y" format and provide a reliable source if appropriate. Edit requests are not request for permission to edit the page, but a request that someone else make the edit you suggest here. SpinningCeres 16:30, 12 February 2022 (UTC)

Semi-protected edit request on 24 December 2022
Please change "woman" to "women". Typo fix, please. Heading: Fashion, 1st paragraph. It should be in the plural in the sentence, "Woman wore loose-fitted garments and accessorized ..."
 * ✅: Thank you for point it out. Khrincan  ( talk ) 16:29, 24 December 2022 (UTC)

Communism mentioned in article
Article makes claims that Communism was behind the Harlem Renaissance and even says Langston Hughes was a Communist. 2600:1006:B16D:BC8F:482B:74B0:88D4:3D8A (talk) 23:26, 1 April 2022 (UTC)

Wiki Education assignment: Contemporary Black Popular Culture
— Assignment last updated by Jkintu (talk) 08:40, 6 December 2022 (UTC)

Wiki Education assignment: The Editing Process
— Assignment last updated by KTsPen (talk) 17:13, 30 October 2022 (UTC)

wikipedia is FAKE
in wikipedia u can edit everthingg 2600:1700:1EC2:A730:ED96:B7FC:F33E:5CB8 (talk) 22:21, 20 February 2023 (UTC)

Semi-protected edit request on 27 February 2023
Photography

James Van Der Zee's photography played an important role in shaping and documenting the cultural and social life of Harlem during the Harlem Renaissance. His photographs were instrumental in shaping the image and identity of the African American community during the Harlem Renaissance. His work documented the achievements of cultural figures and helped to challenge stereotypes and racist attitudes1 which in turn promoted pride and dignity among African Americans in Harlem and beyond.

Van Der Zee's studio was not just a place for taking photographs; it was also a social and cultural hub for Harlem residents[[2 ]. People would come to his studio not only to have their portraits taken, but also to socialize and to participate in the community events that he hosted. Van Der Zee's studio played an important role in the cultural life of Harlem during the early 20th century, and helped to foster a sense of community and pride among its residents.

Some notable persons photographed are Marcus Garvey the leader of the Universal Negro Improvement Association (UNIA), a black nationalist organization that promoted Pan-Africanism and economic independence for African Americans. Other notable black persons he photographed are Countee Cullen - the poet and writer who was associated with the Harlem Renaissance. Josephine Baker - the dancer and entertainer who became famous in France and was known for her provocative performances. W.E.B. Du Bois - the sociologist, historian, and civil rights activist who was a leading figure in the African American community in the early 20th century. Langston Hughes - the poet, novelist, and playwright who was one of the most important writers of the Harlem Renaissance. Madam C.J. Walker - the entrepreneur and philanthropist who was one of the first African American women to become a self-made millionaire as well as her daughter. Dorthy Waring an artist and author of 12 novel

Van Der Zee's work gained renewed attention in the 1960s and 1970s, when interest in the Harlem Renaissance was revived. Van Der Zee's photographs have been featured in numerous exhibitions over the years. One notable exhibition was "Harlem on My Mind: Cultural Capital of Black America, 1900-1968,"3 which was organized by the Metropolitan Museum of Art in 1969. The exhibit included over 300 photographs, many of which were by VanDerZee, and was one of the first major exhibitions to focus on the cultural achievements of African Americans in Harlem.

James Van Der Zee's work were the eyes of Harlem, his photographs are recognized as important documents of African American life and culture during the early 20th century. His photographs served as a visual record of the achievements of the Harlem Renaissance4. His portraits of writers, musicians, artists, and other cultural figures helped to promote their work and bring attention to the vibrant creative scene known as Harlem.

 * undefined Sociologygirl143 (talk) 22:00, 27 February 2023 (UTC)
 * Red question icon with gradient background.svg Not done: it's not clear what changes you want to be made. Please mention the specific changes in a "change X to Y" format and provide a reliable source if appropriate. M.Bitton (talk) 22:54, 27 February 2023 (UTC)

Semi-protected edit request on 13 November 2023
I need yo add info. Bethanygallegos (talk) 19:55, 13 November 2023 (UTC)
 * Red question icon with gradient background.svg Not done: it's not clear what changes you want to be made. Please mention the specific changes in a "change X to Y" format and provide a reliable source if appropriate. M.Bitton (talk) 20:18, 13 November 2023 (UTC)

Wiki Education assignment: ARH 371_The TransAtlantic_Cross-Cultural Representations
— Assignment last updated by Nadia Messer (talk) 22:35, 15 January 2024 (UTC)

Hello: Suggestion for a Sub-heading
I believe this article could benefit from having a subheading that includes influential artists (sculptors and painters). I would like to do some more research to gather sources and artists for this article. Nadia Messer (talk) 16:01, 4 February 2024 (UTC)

title: Talk:Harlem Renaissance


text:
User talk:Corqspy

say hello, if you like!
Having dicovered the talk page through the strange IP hack, thought I'd set up my own hello page :)

testing :P
Hey, Ho, Hey, yo =)

title: User talk:Corqspy


text:
User talk:Feduciary

Hello and welcome to Wikipedia!

Here are some tips to help you get started:

 * Try the Tutorial, and feel free to experiment in the test area.
 * If you need help, post a question at the Help Desk
 * Eventually, you might want to read the Manual of Style and Policies and Guidelines.
 * Remember Neutral point of view
 * Explore, be bold in editing pages, and, most importantly, have fun!

Good luck!

[[User:Meelar|Meelar (talk)]]

P.S. One last helpful hint. To sign your posts like I did above (on talk pages, for example) use the '~' symbol. To insert just your name, type ~~~ (3 tildes), or, to insert your name and timestamp, use ~~~~ (4 tildes).

Nice work!
I like all your good work on the music articles, especially the Duran Duran-related articles I like to keep an eye on. Great additions all around; feel free to drop a note on my talk page or on an article talk page if you have questions or comments on any of my changes or additions to your work. Keep it up! Catherine | talk 01:29, 8 Oct 2004 (UTC)

 * Good work on the DD song articles; I'm enjoying watching your progress and adding what tidbits I can. Cheers!  — Catherine\talk 10:03, 5 May 2005 (UTC)

 * Good to see you editing in the DD neigborhood again...thanks for the work! — Catherine\talk 23:38, 6 June 2006 (UTC)

Article Licensing
Hi, I've started a drive to get users to multi-license all of their contributions that they've made to either (1) all U.S. state, county, and city articles or (2) all articles, using the Creative Commons Attribution-Share Alike (CC-by-sa) v1.0 and v2.0 Licenses or into the public domain if they prefer. The CC-by-sa license is a true free documentation license that is similar to Wikipedia's license, the GFDL, but it allows other projects, such as WikiTravel, to use our articles. Since you are among the top 2000 Wikipedians by edits, I was wondering if you would be willing to multi-license all of your contributions or at minimum those on the geographic articles. Over 90% of people asked have agreed. For More Information:
 * Multi-Licensing FAQ - Lots of questions answered
 * Multi-Licensing Guide
 * Free the Rambot Articles Project

To allow us to track those users who muli-license their contributions, many users copy and paste the " " template into their user page, but there are other options at Template messages/User namespace. The following examples could also copied and pasted into your user page:

 * Option 1
 * I agree to multi-license all my contributions, with the exception of my user pages, as described below:

OR
 * Option 2
 * I agree to multi-license all my contributions to any U.S. state, county, or city article as described below:

Or if you wanted to place your work into the public domain, you could replace " " with "  ". If you only prefer using the GFDL, I would like to know that too. Please let me know what you think at my talk page. It's important to know either way so no one keeps asking. -- Ram-Man (comment| talk)

Edit summary
Dear contributor, first I would like to say a big thank you for your time, care, and enthusiasm in editing Wikipedia articles. I hope you find it just as much fun as I do.

I am writing with a small suggestion. I wonder if you could write an edit summary every time you make changes to an article (or when you start a new one). Even a short summary helps. To see how often you have done so in the past, you may go to http://en.wikipedia.org/w/index.php?title=Special:Contributions&target=YOUR USERNAME.

Edit summaries are important for a number of reasons. Every time you change an article, a record of that change propagates to every single person who has that article on their watchlist. Most people have an article on their watchlist because they care a lot about it, so they would like to be informed about what is going on with it. Accurate summaries help people decide whether it is worthwhile for them to check a change. This is why your edit summary, which will take you maybe 15 seconds, is a time-saver and a great act of candor to the other people interested in the same article as you. Accurate edit summaries are important because they create trust regarding your contributions and help resolve disputes.

There are other, very convincing reasons for putting an edit summary. More information is available at Edit summary. If at any point you have any questions about this rule (or anything else for that matter), please do not hesitate to contact me. Thank you and happy editing! Hyacinth 20:22, 5 Apr 2005 (UTC)

Thanks!
I'd like to second the previous poster - change comments are helpful.

Thanks much for filling in the missing info on the Spoons discs. I'll be putting in a couple more, probably in the same state of incompleteness. Your help would again be appreciated! I don't suppose you listen to Jesse Cook? Canadian, but totally different music.

I'll see you around the music pages. :-)

Gilesorr 01:17, 17 May 2005 (UTC)

Stone Roses single discography
Hey good job with the track listings for each of the singles releases... just make sure you that the Track Listing is the first thing after the intro blurb... I don't believe you should leave it as the last thing at the bottom of the page.. Cheers.. --Madchester 12:01, 2005 Jun 14 (UTC)

re: 4AD artists category
I am interested in your rationale for beginning a musicians category labeled "4AD Records artists." I think we probably should instead strengthen the history on this label located in the article 4AD.

– Emerman 06:16, 17 Jun 2005 (UTC)

Thanks for your explanation at my page. I have just now moved my lengthy comments in reply over to my own page so as not to clutter yours so much, after considering how much space I was taking up here. Emerman 16:18, 19 Jun 2005 (UTC)

Category deletion nomination
Hi, Feduciary. Just letting you know that I have nominated Category:Singles by record label and its child Category:Mute Records singles for deletion. Their CfD is here: Categories_for_deletion I thought as the creator of one you might like to know. cheers. pfctdayelise 04:05, 13 November 2005 (UTC)

Wikimedia Canada
Hi there! I'd like to invite you to explore Wikimedia Canada, and create a list of people interested in forming a local chapter for our nation. A local chapter will help promote and improve the organization, within our great nation. We'd also like to encourage everyone to suggest projects for our national chapter to participate in. Hope to see you there!--DarkEvil 04:30, 3 February 2006 (UTC)

Duran Duran articles
Hey there, Feduciary! I've been doing a bit of work on the Duran Duran singles, standardizing the layout of the articles and blueing the red links. For the moment, I've left behind a lot of empty headings, and I could use some help filling in the information. I'll be working on them too as I can, but could you browse through the articles when you get a chance, check my work, and add anything that seems to be missing? Many of the articles still use the album infobox, which needs to be converted to Infobox Single, and most of the infoboxes are half-empty too.

No rush on this, but I'd be glad to have a little expert help. Thanks very much! — Catherine\talk 17:48, 16 August 2006 (UTC)

 * Wow, you weren't kidding! Keep up the great work!  — Catherine\talk 20:46, 18 August 2006 (UTC)

Singles
Hi there. I'd like to ask you not to create categories that follow the convention "(Artist name) singles." We just went through a long process to replace all those with "(Artist name) songs," which everyone got behind. So categories like category:Foo Fighters singles just make people cranky. Cool?--Mike Selinker 23:01, 16 August 2006 (UTC)
 * Understood. But the singles nomenclature was rarely followed, and so with a few well-categorized exceptions, some singles were in songs, some non-singles were in singles, and so on. It was a mess. Now it's clean. And for any artist you want, you can easily do a discography that puts singles in release order, rather than alphabetical.--Mike Selinker 15:14, 17 August 2006 (UTC)

Invitation
Hi! Thought you might be interested in joining a proposed New Wave music WikiProject -- if so, please come add your name to the list.

Also, thanks for adding "Nice" to the DD menagerie; I wasn't sure whether it should be counted in the list or not. Keep up the good work! — Catherine\talk 17:02, 9 October 2006 (UTC)

Square brackets
Why use square brackets for song versions, as opposed to round ones? I've been having to change them whenever I want to link a remixer's name, for instance. –Unint 15:29, 9 February 2007 (UTC)

 * I'm mainly worried about having to change the style on, say, a single Duran Duran single to provide some links, and then having it fall out of step with the remaining articles. Aside from that, I think a case can certainly be made that "(Waiting for the) Night Boat" (live), with the version outside the quotation marks, is preferable over the alternative. (And as for round brackets for track times, I think they have bots that fix that now.) –Unint 22:35, 12 February 2007 (UTC)

Category:Heavenly Records albums
For every category you create, you should specify parent categories to which it belongs. You can do this by listing the parents near the bottom of the page, each enclosed in double brackets like so:

I've added at least one parent to the category. I invite you to check my work for accuracy and completeness.

I am a human being, not a bot, so you can contact me if you have questions about this. Best regards, --Stepheng3 (talk) 02:51, 8 April 2009 (UTC)

File:SoRedTheRoseCD.jpg listed for deletion
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File:DuranDuran Carnival2.jpg listed for deletion
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Proposed deletion of Take It from Me

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 * Non-notable song, didn't chart. Delete to free up title for a more notable song by Paul Brandt.

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Category:DualDisc albums
Category:DualDisc albums, which you created, has been nominated for possible deletion, merging, or renaming. If you would like to participate in the discussion, you are invited to add your comments at the category's entry on the Categories for discussion page. Thank you. —Justin ( koavf ) ❤T☮C☺M☯ 17:59, 2 November 2012 (UTC)

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Nomination of Douglas McCarthy for deletion
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Nomination of B-Sides Volume 1 for deletion
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ArbCom elections are now open!
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Files listed for discussion
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Proposed deletion of Body of Work (album)

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Proposed deletion of Me, Myself & I (Chalk Circle song)

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title: User talk:Feduciary


text:
Unicorn Variations

Unicorn Variations is a collection of stories and essays by American author Roger Zelazny, published in 1983.

Contents

 * "Introduction"
 * "Unicorn Variation"
 * "The Last of the Wild Ones" (a follow-up short story to the earlier story "Devil Car")
 * "Recital"
 * "The Naked Matador"
 * "The Parts That Are Only Glimpsed: Three Reflexes" (essay)
 * "Dismal Light" (a follow-up short story to the novel Isle of the Dead)
 * "Go Starless in the Night"
 * "But Not the Herald"
 * "A Hand Across the Galaxy"
 * "The Force That Through the Circuit Drives the Current" (a short story that plays with themes developed in "Home is the Hangman")
 * "Home is the Hangman" (also in the collection My Name Is Legion)
 * "Fire and /or Ice"
 * "Exeunt Omnes"
 * "A Very Good Year"
 * "My Lady of the Diodes"
 * "And I Only Am Escaped to Tell Thee"
 * "The Horses of Lir"
 * "The Night Has 999 Eyes"
 * "Angel, Dark Angel"
 * "Walpurgisnacht"
 * "The George Business"
 * "Some Science Fiction Parameters: A Biased View" (essay)

title: Unicorn Variations


text:
Talk:E. W. Hornung

Publisher links
So User:SchroCat, please explain how a wikilink to, say, Macmillan Publishers, is useful when checking a reference to a book published by them. The fact can be useful, I agree, but in what way is the link useful? Colonies Chris (talk) 11:40, 20 January 2015 (UTC)
 * Oh good, the same conversation for the third or fourth time. I suggest that you go back though the previous threads and glean the answer from them. There is little benfit in wasting time and effort in going over this yet again. - SchroCat (talk) 11:44, 20 January 2015 (UTC)
 * (BTW, I presume you were trying to ping me? If so, that's not a format that works: is probably a better template to use). - SchroCat (talk) 11:47, 20 January 2015 (UTC)
 * Which previous threads are you referring to? Colonies Chris (talk) 11:58, 20 January 2015 (UTC)
 * I expect it'll be this one, where I repeatedly asked you for an example of how these links were useful to you, and you repeatedly chose not to provide an example and claimed that you had answered the question before (but you hadn't). If they're so useful that you;re prepared to fight to keep them, why don't you just provide an example and then we can have a worthwhile discussion? Colonies Chris (talk) 17:07, 20 January 2015 (UTC)
 * That was one, there has been at least one other. Why not drop the stick, move on and do something more useful and constructive, as I fully intend to. - SchroCat (talk) 17:09, 20 January 2015 (UTC)
 * Yes, here we go again. Once again I ask you for an actual example of a publisher link being useful to you, as you have claimed, and once again you avoid the question. It's getting pretty hard to WP:AGF on this. Colonies Chris (talk) 21:49, 20 January 2015 (UTC)
 * Yes, I see little faith in your harrassment over this issue. As with the Jacques article, the consensus was against you there and it's time to move on from here too. - SchroCat (talk) 21:57, 20 January 2015 (UTC)

Why no writer inbox
User:SchroCat can you explain why you won't allow a character inbox on AJ Raffles or a writer inbox for E. W. Hornung? Dwanyewest (talk) 14:39, 4 June 2019 (UTC)
 * It's not a question of me "allowing" or not. I think we had the same discussion five years ago on this? Has anything changed in that time to necessitate an IB now? - SchroCat (talk) 14:43, 4 June 2019 (UTC)

 * User:SchroCat if we have had this conversation before I apologise. But why don't you think E. W. Hornung should have a writer inbox? Dwanyewest (talk) 15:12, 4 June 2019 (UTC)
 * I tell you what, why don't you tell me why it should have an IB? - SchroCat (talk) 15:48, 4 June 2019 (UTC)

title: Talk:E. W. Hornung


text:
Wikipedia:Articles for deletion/Rogier van Beek

Rogier van Beek was proposed for deletion. This page is an archive of the discussion about the proposed deletion. This page is no longer live. Further comments should be made on the article's talk page rather than here so that this page is preserved as an historic record. The result of the debate was DELETE

Self-promotion, of sorts; or at least self-description. For them that read no Dutch, the guy's a truck driver for a brewer. (Should this have been a speedy?) — Bill 21:11, 6 Oct 2004 (UTC)
 * Delete Should be speedy as nothing meaningful (at least in English!) And I bet you never thought you're Dutch would come in useful here too, Bill! Jongarrettuk 22:10, 6 Oct 2004 (UTC)
 * Delete. Joke by anon, in Dutch. User:Robert Merkel has speedied it. I support his action. Andrewa 14:12, 7 Oct 2004 (UTC)

This page is now preserved as an archive of the debate and, like other '/delete' pages is no longer 'live'. Subsequent comments on the issue, the deletion or on the decision-making process should be placed on the relevant 'live' pages. Please do not edit this page.