text:
Anahuac disturbances

The Anahuac disturbances were uprisings of settlers in and around Anahuac, Texas, in 1832 and 1835 which helped to precipitate the Texas Revolution. This eventually led to the territory's secession from Mexico and the founding of the Republic of Texas. Anahuac was located on the east side of the Trinity River near the north shore of Galveston Bay, which placed it astride the trade route between Texas and Louisiana and from there to the rest of the United States. In new attempts to curtail smuggling and enforce customs tariffs from the coastal settlements, Mexico placed a garrison there after 1830. American settlers came into conflict with Mexican military officers, rose up against them, and increased political activity and residents of numerous communities declared support for the federalists, who were revolting against the Mexican Government.

Background
After Mexico gained independence from Spain, it legalized immigration from the United States. Empresarios were granted contracts to settle immigrants from the United States and Europe in Mexican Texas. As the number of Americans living in Texas increased, Mexican authorities began to fear the United States would want to annex Texas. On April 6, 1830, the Mexican government passed a series of laws restricting immigration from the United States into Texas. The laws also canceled all unfilled empresario contracts and established customs houses in Texas to enforce the collection of customs duties. Mexican military officer Juan Davis Bradburn, formerly an American citizen, was appointed commander of a new customs and garrison post on Galveston Bay. In October 1830, Bradburn established a post atop a 30 ft bluff at the entrance to the Trinity River. The post became known as Anahuac. Bradburn was unpopular from the beginning of his tenure with those seeking to expand the Anglo-American presence in Texas. He opposed the efforts of the state land commissioner to grant titles to settlers who lived near Anahuac. The Mexican Constitution of 1824 prohibited immigrants from settling within 26 mi of the coast, and most of these settlers lived too close to the coast. Although the commissioner was finally able to grant the titles, Anglo settlers were angry with Bradburn for enforcing Mexican law.

In January 1832, Bradburn received a letter listing 10 men in his jurisdiction who wanted to separate Texas from Mexico. From that point onward, "Bradburn became increasingly obsessed about the Anglo-Americans and their intentions, believing that every event was part of a conspiracy to detach Texas.'' In June 1832, two of Bradburn's soldiers attacked an Anglo woman settler. Angry settlers tarred and feathered a neighbor who had failed to aid her. They demanded for Bradburn to turn over the soldiers for a similar punishment. After Bradburn refused, local men organized a Texian Militia company, supposedly to protect the settlement from the Indians. Mexican law forbade residents from creating militias and so Bradburn arrested the ringleader, Patrick Jack. After Bradburn received death threats, he released Jack.

Prelude
Tensions between Bradburn and the colonists escalated. Bradburn strongly supported the Mexican law forbidding slavery. In August 1831 he gave asylum to three men who had escaped slavery in Louisiana. The owner retained local lawyer William Barret Travis to represent him in trying to get the slaves returned. In May 1832, Bradburn received a letter, ostensibly from a friend, warning that 100 armed men would come from Louisiana to reclaim the slaves. When Bradburn realized that the letter was a hoax, he arrested William B. Travis for questioning. He intended to send Travis to Matamoros for a military trial on charges of attempted insurrection to separate the territory from Mexico. Conviction on this charge would lead to Travis's execution. Unfamiliar with Mexican law, the settlers were outraged that Bradburn could arrest the man without a warrant, a statement of charges, or trial by jury. Most erroneously assumed they were still covered by the United States Bill of Rights.

Jack threatened Bradburn, who arrested him again. Travis and Jack then began plotting their escape. They attempted to smuggle letters to David G. Burnet, a fellow instigator; the letters called on Texians to aid them but stopped short of calling for armed rebellion. Bradburn intercepted the letters before delivery.

Although settlers at first did not get involved, they became alarmed at learning that Bradburn was taking statements from potential witnesses without allowing Travis, Jack, or their legal representation to speak with the witnesses. Jack's brother organized a contingent of men to march from Brazoria to Anahuac. Anglos began arriving from other villages as well. One of the Brazoria councilmen, John Austin, stopped to consult Colonel Domingo Ugartechea, who commanded the garrison on the Brazos. Ugartechea recommended that Austin request that the men be remanded into civilian custody.

Bradburn's officers explained to Austin and company that the laws prohibited turning the accused men over to civilian authorities. The Brazoria men returned home. After they left, the Mexican officers discovered that their horses had been stolen. They arrested two local men on suspicion of the theft. On hearing of the new arrests, the Brazoria contingent returned to Anahuac. They camped with other angry civilians several miles from Anahuac and elected Frank W. Johnson as commander. The group soon captured Bradburn's nineteen cavalry officers, who had been trying to reconnoiter the Texian position.

On June 10, the insurgents occupied buildings in northern Anahuac. Bradburn worried that the armed men wanted to do more than free the American prisoners; he suspected a full-scale revolt. Bradburn had Travis and Jack tied to the ground with weapons pointed at them. Bradburn threatened to shoot both men if the Texians attacked. Travis encouraged Johnson to lead an attack anyway. During the ensuing negotiations, the Texians offered to exchange the cavalry officers for Travis and the other prisoners. Mexican officers agreed to release their prisoners into civilian custody in exchange for the cavalry officers and for the withdrawal of the Anglos to Turtle Bayou. Although most of the rebels left Anahuac, between 15 and 30 of them remained scattered through the town. Bradburn believed this violated their agreement and warned that he would begin firing on the village within two hours. Most of the Texians believed that Bradburn had lied to them just to get them out of the buildings they had occupied. Unbeknownst to the Anglos at the time, the buildings contained extra ammunition and supplies.

Battle of Anahuac
After hearing Bradburn's warning, the women and children of Anahuac fled the town. Mexican soldiers briefly engaged the men who remained; five Mexican soldiers and one Texian died in the conflict. After the skirmish, the remaining Texians gathered at Turtle Bayou to await the arrival of cannons coming from Brazoria.

On June 5, the Texians adopted the Turtle Bayou Resolutions. In this document, they announced they were federalists who supported rebellious Mexican general Antonio Lopez de Santa Anna. They decried "the present dynasty" that kept them under military rather than civil authority. While the Texians waited for their artillery, Bradburn appealed for reinforcements from Colonel Piedras, stationed at Nacogdoches 200 mi north, and Colonel Elosúa at San Antonio, about 300 mi to the west. On June 19, Piedras and about 100 of his men set out to support Bradburn.

John Austin and his men returned to Brazoria for the cannons. On June 20, he called the residents together, and they voted to oppose the centralist government. Austin invited Colonel Domingo Ugartechea, who commanded the small Fort Velasco on the Brazos, to join their cause. After Ugartechea refused, on June 26 the Brazoria residents attacked the fort. The action became known as the Battle of Velasco. The next morning, Ugartechea surrendered under an agreement that he and his men would return to Matamoros but leave their artillery behind.

When Piedras was within 30 mi of Anahuac, he sent a delegation to Johnson, who provided him with a list of grievances against Bradburn. Piedras negotiated a resolution of the conflict. Among the measures to which he agreed were:
 * to reestablish the ayuntamiento at Liberty;
 * to release the civilian prisoners at Anahuac to civilian authorities
 * to have Bradburn resign in favor of an officer of his choice.

With Texians' acceptance of the terms on June 28, Piedras marched to Anahuac on July 1.

Aftermath
Bradburn's chosen successor, Lieutenant Colonel Felix Maria Subarán, refused to take his place. Piedras took temporary command of the garrison. On July 2, he released the prisoners to the civilian authorities; within a week they were released with no charges filed. On July 8, Piedras left for Nacogdoches. He gave command of the Anahuac garrison to Lieutenant Cortina, previously the third-in-command.

Three days after Piedras left, the bulk of the Anahuac troops declared themselves federalists. The troops were drunk and Cortina, unable to maintain order, asked Bradburn to resume command. Bradburn refused, instead recommending that Subarán take responsibility.

After an attempt at his assassination was forestalled, Bradburn decided to leave Texas. None of the local ship captains would give him passage. On July 13, Subarán announced he would not guarantee the safety of any officers who supported the centralist government. That night, Bradburn left Anahuac; a hired guide took him on foot to Louisiana. Other officers sought sanctuary with sympathetic locals.

Historians have discussed Bradburn's role. William C. Davis believes that he "overreacted and made heroes of two local malcontents whose actions their own people otherwise had not been much inclined to sanction". The resulting Turtle Bayou Resolutions, however, encouraged other Texians to follow similar courses. Many communities declared support for Santa Anna. When Piedras returned to Nacogdoches, he discovered citizens were forming Texian Militia companies. He asked the local ayuntamiento to order the militias to disband; they refused and instead formed their own militia. On August 1, the combined militias ordered Piedras to vow support for the federalist revolt. When he refused, the Texians attacked and the Battle of Nacogdoches commenced. Several days later, they took Piedras and his men prisoner and "convinced" them to become federalists. With the soldiers' surrender and retreat into the Mexican interior, no Mexican troops remained in eastern Texas. This encouraged the colonists to increase political activity. Soon after, they organized the Convention of 1832, marking the first attempt to gather Texians from each of the colonies to discuss common goals.

1835 disturbance
A second dispute arose in late June 27, 1835, again over the issue of customs. Leading up to this crisis, a large number of Anglo settlers had immigrated into the Anahuac area. The current commander was reported as being uneasy about the insubordinate attitudes of the locals, and he requested additional military assistance from his superiors. Tensions continued to escalate as some citizens demonstrated with anti-taxation protests and petitions. In addition, a group is known as the Citizens of Texas began to meet with the intention of realizing these demands. Andrew Briscoe, a local merchant and boat captain as well as a member of this group, complained that taxes were not being enforced equally at all ports. He intentionally tested the new commander, Capt. Antonio Tenorio, by loading his boat in a way to increase the curiosity of the officials. Briscoe simply loaded his boat with ballast. Tenorio was incensed and arrested Briscoe and his partner DeWitt Clinton Harris. The soldiers escorting Harris and Briscoe shot and wounded another Texian, young William Smith.

Travis played a major role afterward. When news of the arrests was heard in San Felipe de Austin, where radical sentiments were taking hold, the political chief Peter Miller authorized Travis to gather a Texian Militia company for a response. Travis commandeered a vessel at Harrisburg, and sailed for Anahuac with the company and a cannon. His 25-man force quickly gained surrender of the more than 40 Mexican troops. After disarming them, Travis and the company freed the Texians and expelled the troops.

Because Travis had acted without broad community support, he apologized to avoid endangering Stephen F. Austin, then in Mexico City. Austin was the most prominent empresario under contract by the Spanish, and later Mexican, governments to oversee the immigration of people to Mexico's frontier. Later that summer, Mexican military authorities demanded the surrender of Travis for military trial. The colonists opposed this.

Travis and Austin continued active in Texas development. Travis died at the Battle of the Alamo. Austin served as secretary of state for the Republic of Texas for a short time before his own death.

title: Anahuac disturbances


text:
Faithful (book)

Faithful is a 2004 book co-written by Stephen King and Stewart O'Nan. It chronicles exchanges between King and O'Nan about the 2004 Boston Red Sox season, beginning with an e-mail in the summer of 2003, and throughout the 2004 season, from spring training to the World Series.

The book was dedicated to Victoria Snelgrove, an Emerson College student who was struck in the eye by a projectile fired by the Boston Police Department during crowd-control actions near Fenway Park following Game 7 of the American League Championship Series, resulting in her death approximately 12 hours later.

On May 4, 2007, The Boston Globe reported that HBO would be adapting the book into a six-part miniseries for 2008. In September 2008, King wrote, "The script is just goddamn hilarious." There is, however, no indication that such a miniseries was actually made.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Faithful (book)


text:
User:ApS Camper

I am Brazilian, and currently, I am living in Toronto, Canada. I very much like Geography, History and Brazilian music themes, and my contributions in Wikipedia are almost all Geo/Hist/Culture based. I have a special interest in education, urbanism and public transport. I am also starting to have some interest for politics.

I used to live in Foz do Iguaçu, where people of many different ethnies and cultures can be found - that is why, perhaps, that I like to learn new things about different cultures and different countries. I can speak, write and read English, French, Portuguese, Spanish and Italian.

I like soccer and multiplayer games, especially Counter-Strike and Starcraft; also, Sim City is very good too.

On the English Wikipedia, I work mainly in Brazilian articles, when I can - For now, I use the Portuguese Wikipedia more :)

New Pages

 * Alcântara, an historical city in the Brazilian state of Maranhão
 * AmBev, merged in 2004 with Interbrew, forming InBev
 * Balão Mágico, a Brazilian children musical group
 * Brazilian Highway System
 * Brazil Regional Division (where I forgot to log on when I made the page :))
 * Brazilian Center-Western Region, a demographic region in Brazil
 * Brazilian Northwest Region, a demographic region in Brazil
 * Brazilian Nothern Region, a demographic region in Brazil
 * Brazilian Southwest Region, a demographic region in Brazil
 * Brazilian South Region, a demographic region in Brazil
 * Brazil Socio-Geographic Division, a demographic region in Brazil
 * Agreste, a geo-social region in Brazil
 * Amazônia Legal, a geo-social region in Brazil
 * Centro-Sul, a geo-social region in Brazil
 * Banco Itaú, a major Brazilian bank
 * Charlie Brown Jr., a famous Brazilian rock band from Santos
 * Chicco, an Italian company
 * Copacol, meat and food processing
 * Corumbá, a city in Mato Grosso do Sul
 * Criciúma, a major city in the Brazilian state of Santa Catarina
 * Foz do Iguaçu, a city in the state of Paraná
 * Fraternity Bridge, a bridge connecting Argentina and Brazil
 * Friendship Bridge, a bridge connecting Brazil and Paraguay
 * Grupo Abril, a Brazilian Media Group
 * Hering, Latin America's biggest clothing retailer
 * Ilhéus, a city located in Bahia
 * Infraero, Brazilian government company responsible for the main Brazilian airports
 * Afonso Pena International Airport, Curitiba's major airport
 * Campo de Marte, regional airport in São Paulo
 * Confins International Airport, Belo Horizonte's international Airport (merged now with Tancredo Neves International Airport)
 * Congonhas Domestic Airport, São Paulo's second major airport
 * Deputado Luís Eduardo Magalhães International Airport, Salvador's main airport
 * Eduardo Gomes International Airport, Manaus's main airport
 * Foz do Iguaçu International Airport, second airport in Paraná
 * Galeão - Antônio Carlos Jobim International Airport, Rio de Janeiro's major airport
 * Maringá Domestic Airport, not controlled by Infraero
 * Presidente Juscelino Kubitschek International Airport, Brasilia's major airport
 * Santos Dumont Regional Airport, Rio de Janeiro's secondary airport
 * Jota Quest, a Brazilian pop band
 * Legião Urbana, a very famous Brazilian rock band
 * Les Trois Accords, a rock/pop band Quebecóis
 * List of major cities in Brazil
 * O Rappa, a Brazilian reggae/rock band
 * Palhoça, a city in Santa Catarina, Brazil.
 * Pato Fu, a rock band from Belo Horizonte
 * Renato Russo, a composer, leader of the rock band Legião Urbana
 * Sadia, meat and food processing
 * Transbrasil, was a major Brazilian airline company
 * Trem da Alegria, a Brazilian children musical group

Information added, corrections made

 * Brazil, added information
 * Blumenau, added information, corrections made
 * Campos do Jordão, added extra information
 * Ciudad del Este, correction made, information added
 * Guarulhos International Airport, atualization of informations, corrections made
 * Highway, added extra information
 * Joinville, added information, corrections made
 * List of Brazilian companies, reorganized structure, corrections made, information added
 * List of Brazilian musicians, added artists
 * Manaus Information added and corrections made
 * Paraná, information added
 * São Paulo, where I added extra information
 * Skank (band), moved the page, added information
 * Varig, destinations and hubs added
 * VASP, fleet added, newer information added, correcting old ones

title: User:ApS Camper


text:
Reginald Arvizu

Reginald Quincy Arvizu (born November 2, 1969), also known as "Fieldy", is an American musician, best known as the bassist for nu metal band Korn. He is also the guitarist/bassist for rock band StillWell.

Career
Prior to Arvizu's time in Korn, he and Brian Welch, who would later become one of Korn's two guitarists (alongside James Shaffer), had played together in a number of bands, having become friends while still at school. Upon their graduation from high school, Arvizu, Welch, Shaffer, and drummer David Silveria relocated from Bakersfield to Los Angeles and Arvizu, Shaffer, and Silveria formed L.A.P.D. (the name first stood for "Love and Peace, Dude", but this abbreviation was later changed to "Laughing As People Die"). Although L.A.P.D. did succeed in signing a record deal, their success was limited until the band hired singer Jonathan Davis and changed their name to Korn.

The name "Fieldy" is said to have come about as an inside joke. Originally, his bandmates called him "Gopher", due to his large cheeks. Gopher quickly became "Gar", Gar became "Garfield" (based on the comic strip character of the same name), and eventually "Gar" was dropped and a "y" was added to "Field", which became Fieldy.

Arvizu plays a five-string Ibanez model SDGR SR1305, named the K-5, which is his signature bass.

His playing style consists of bass-slapping, standard finger-style plucking, left-hand muting, and an ultra-scooped tone. His standard tuning is: A, D, G, C, F. He states Flea of the Red Hot Chili Peppers as being one of the main influences towards his playing style. He has also stated to have been influenced by Billy Gould from Faith No More, Cliff Burton from Metallica and Les Claypool of Primus.

In August 2012, it was reported that Fieldy would be taking a brief break from Korn as his wife Dena was expecting a child. Korn began touring through Eastern Europe, Russia and India throughout August and September 2012 with fill-in bassist Ryan Martinie from Mudvayne. On June 21, 2021, Fieldy announced that he would not be accompanying Korn on their upcoming tour, later taking an indefinite leave of absence from the band. In a Facebook post to fans, he stated:

"'To all Korn fans worldwide.

The past 6 years I’ve been dealing with some personal issues that at times have caused me to fall back on some of my bad habits and has caused some tension with the people around me. It’s been suggested to me to take some time off to heal. I’m going to respect what was asked of me and take that time. Unfortunately you will not see me on stage with my band. I will be working towards getting the bad habits out of my system. In the meantime I will be staying creative to keep my mind & soul in a good place.'"

Life outside Korn
In addition to Korn, he has a rap side project called Fieldy's Dreams. Fieldy's Dreams has released one album titled Rock'n Roll Gangster. Like his Korn bandmate Head, Fieldy is a Christian.

Fieldy has been married three times. He married his current wife, Dena Beber, in 2006. Fieldy has five children: two daughters from his second marriage to Shela Colton, and three children from his current marriage to Dena: two sons and a daughter. Following the death of his father, Fieldy became a born again Christian.

Fieldy has stated that his second album, Bassically, was originally intended to be a hardcore rap album, but scrapped the original idea in favor of a jazz fusion style.

Fieldy worked with independent rap artist Q-Unique on a side project called StillWell. The song "Killing Myself to Live" can be heard on their MySpace page. Stillwell's debut album, Dirtbag, released in 2011.

Fieldy was also working on his own clothing line 'Immanuel one twenty three'; when asked about it while backstage at the West Palm Beach stop of the Mayhem Festival in 2010, he stated that it was "much harder than he had previously expected" to start a clothing line, and has moved on to the side project that he can "be more proud of, opposed to his first solo CD under Fieldy's Dreams titled Rock'n Roll Gangster". Got The Life: My Journey of Addiction, Faith, Recovery and Korn is a memoir Fieldy penned, which hit shelves March 10, 2009. His autobiography tells the story of how he found God, quit drugs, and found the better part of himself.

Solo albums

 * Fieldy's Dreams - Rock'n Roll Gangster (January 22, 2002)
 * Bassically (November 17, 2017)

L.A.P.D.

 * Love and Peace, Dude EP (1989)
 * Who's Laughing Now (1991)

Korn

 * Neidermayer's Mind (1993)
 * Korn (1994)
 * Life Is Peachy (1996)
 * Follow the Leader (1998)
 * Issues (1999)
 * All Mixed Up (EP) (1999)
 * Untouchables (2002)
 * Take a Look in the Mirror (2003)
 * Greatest Hits Vol. 1 (2004)
 * See You on the Other Side (2005)
 * Live & Rare (2006)
 * Untitled album (2007)
 * MTV Unplugged: Korn (2007)
 * Korn: Collected (2009)
 * Korn Digital EP 1 (2009)
 * Korn III: Remember Who You Are (2010)
 * Korn Digital EP 2 (2010)
 * Korn Digital EP 3 (2010)
 * The Essential Korn (2011)
 * The Path of Totality (2011)
 * The Paradigm Shift (2013)
 * The Serenity of Suffering (2016)
 * The Nothing (2019)
 * Requiem (2022)

StillWell

 * Dirtbag (2011)
 * Raise It Up (2015)
 * Supernatural Miracle (2020)
 * Rock The House (2023)

Other appearances

 * Various artists – "A Song for Chi" (August 28, 2009)
 * Videodrone – Videodrone (February 23, 1999)

Guest appearances (videos)

 * Limp Bizkit – "Faith" (1998)
 * Ice Cube – "Fuck Dying" (1999)
 * E-40 feat. Fabolous – "Automatic" (2002)
 * Bubba Sparxxx – "Back in the Mud" (2003)
 * Lil Wayne – "Prom Queen" (2009)

title: Reginald Arvizu


text:
Talk:Speaker of the Lok Sabha

December 2004
i dont see how this article was a copyright violation. The website http://speakerloksabha.nic.in/speakeroff/officels.htm is a govt of india website and has no copyright disclaimer on it. also i did not get what u mean by articles did not exist on other Wikipedias.

 * The government of India can hold copyrights, as far as I can tell from the Indian Copyright Act. The absence of a copyright statement does not necessarily imply the absence of copyright. --rbrwr± 19:46, 23 Dec 2004 (UTC)

 * i changed the page to a stub. I have also emailed the webmaster of the site for clarification and permission to use content of the website. kaal 23:23, 23 Dec 2004 (UTC)

Copyvio
Moved from Copyright problems:
 * Speaker of Lok Sabha from . Oddly, user seems to be well aware of Wikipedia, going so far as to include interwiki links. However, the titles of those pages were all in English. Shortly, I will check to see if they, too are copyvios. - Vague | Rant 02:47, Dec 10, 2004 (UTC)
 * Odd. The articles did not exist on other Wikipedias. - Vague | Rant 02:49, Dec 10, 2004 (UTC)
 * The original contributor restored the text, went on editing it and left a mesage on Talk saying it was government work and it didn't have a copyright statement on it. I have replied and put the copyvio biolerplate back. --rbrwr± 19:50, 23 Dec 2004 (UTC)
 * i changed the page to a stub. I have also emailed the webmaster of the site for clarification and permission to use content of the website. kaal 23:26, 23 Dec 2004 (UTC)

End moved text

As no action has been taken on this in just under two months, I have deleted the copyrighted material from the article's history. -- Cyrius|✎ 01:54, 20 Feb 2005 (UTC)

List of Speaker Serial Number 15
Your list mentions Ms. Meira Kumar as the present Speaker from 30th May, 2009 to present. The fact is that the election for Speaker is scheduled only on 3rd June, 2009, i.e. tomorrow.

Hence the date needs correction. 122.252.246.234 (talk) 18:14, 2 June 2009 (UTC)

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 * Somnath Chatterjee.jpg

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 * The former Lok Sabha Speaker Shri P.A. Sangma met the Prime Minister Shri Atal Bihari Vajpayee in New Delhi on January 18, 2004 (cropped).png

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title: Talk:Speaker of the Lok Sabha


text:
Baccaurea ramiflora

Baccaurea ramiflora, the Burmese grape, is a slow-growing evergreen tree in the family Phyllanthaceae, growing to 25 m, with a spreading crown and thin bark. It is native to Asia, from Nepal in the west, east to southern China and south to Peninsular Malaysia. It grows in evergreen forests on a wide range of soils. The fruit is harvested and used locally, eaten as a fruit, stewed or made into wine; it is also used medicinally to treat skin diseases. The bark, roots and wood are harvested for medicinal uses.

The fruit is oval, colored yellowish, pinkish to bright red or purple, 2.5–3.5 cm in diameter, glabrous, with 2–4 large purple-red seed, with white aril.

Bark, roots, and wood are dried and ground before boiling in water. Fruits can be kept fresh for 4–5 days, or boiled and mixed with salt after which it keeps well in closed jars. Marginal importance of the fruit, locally used and sold.

title: Baccaurea ramiflora


text:
David Overton

David Overton may refer to:

 * David M. Overton (born 1946), founder and chief executive officer of the Cheesecake Factory, Inc.
 * David Overton (rowing) (born 1943), Canadian rower

title: David Overton


text:
Harry Hood (song)

"Harry Hood" is a song that is commonly performed live by the American band Phish, first released on their 1995 live album A Live One. It is one of Phish's most frequently performed songs, featured in 391 live performances since its debut on October 30, 1985.

Background
"Harry Hood" refers to the Hood Dairy Co., a New England dairy company based in Boston. While the band was living with Brian Long in Burlington, Vermont next to a Hood milk plant, "Harry Hood" was the company mascot of the Hood Milk Co., and this character was featured in a 1970s television commercial in which people opened their refrigerator to find Harry Hood standing inside. The lyric, "Where do you go when the lights go out?" most likely refers to this advertisement, and to the automatic light in a refrigerator. A "Mr. Miner" is also mentioned in the song, a reference to a previous tenant of the house. While living in Mr. Minor's former apartment, calls for Mr. Miner by debt collectors and such would frequently interrupt band rehearsals. For that, the band added the line "Thank You, Mr. Miner."

The music for the song was written during Trey Anastasio and Jon Fishman's 1985 travels in Europe. While on Pelekas Beach in Greece, they took LSD and decided to swim out to a raft just offshore. A violent storm came in and almost drowned Anastasio. After the near-death experience, Trey sat on the beach and wrote the music to "Harry Hood".

Structure
The song opens with a loose reggae section prominently featuring the bass, then moves through several contrasting themes before culminating in an improvised section that begins with a I-V-IV chord progression in D major.

"Glowstick wars"
"Harry Hood" is famous among the band's fans for its association with the spontaneous emergence of "glowstick wars," a Phish-created audience and band interaction in which multicolored glowsticks were tossed from all points in the crowd, such as during the 1997 "Great Went" performance featured in the film Bittersweet Motel.

"Harry Hood" was performed at Phish's supposed "farewell" Coventry two-day gig in 2004 on the rocks in the front of the stage. The rocks were placed in an effort to help control the massive flooding that turned the Coventry event into a muddy mess. Guitarist Trey Anastasio noted that the band was much further away, and so they performed closer to the fans in order to start a conversation among fans who would presumably return to their campsites and discuss whether or not the proximity of the band to the stage affected the "flowage of the notes." At the end, the band stopped playing, allowing the audience to sing the “You can feel good, good, good about Hood” refrain.

Album appearances
Although the song has never appeared on a Phish studio album, concerts performances of the song appear on several of the band's live albums. "Harry Hood" made its first album appearance on the 1995 release A Live One, which includes a performance from an October 1994 concert in Gainesville, Florida. The song subsequently appeared on Hampton Comes Alive (1999; recorded 1998), Live Phish Volume 2 (2001; recorded 1994), Live Phish Volume 9 (2002; recorded 1989), Live Phish Volume 17 (2003; recorded 1998), Live Phish 02.28.03 (recorded and released 2003), Live Phish 04.04.98 (2005; recorded 1998), Colorado '88 (2006; recorded 1988), Vegas 96 (2007; recorded 1996), At the Roxy (2008; recorded 1993), Hampton/Winston-Salem '97 (2011; recorded 1997) and Ventura (2013; recorded 1998). The song has also appeared on concert recordings released by the band through their LivePhish website and on the DVDs Phish: Walnut Creek (released 2008; recorded 1997) and The Clifford Ball (released 2009; recorded 1996).

title: Harry Hood (song)


text:
Truck stop

A truck stop, known as a service station in the United Kingdom, and a travel center by major chains in the United States, is a commercial facility which provides refueling, rest (parking), and often ready-made food and other services to motorists and truck drivers. Truck stops are usually located on or near a busy road.

Truck stop services
Smaller truck stops might consist of only a parking area, a fueling station, and perhaps a diner restaurant. Larger truck stops might have convenience stores of various sizes, showers, a small video arcade, and a TV/movie theater (usually just a projector with an attached DVD player). The largest truck stops, like Iowa 80 (the largest in the world), might have several independent businesses operating under one roof, catering to a wide range of travelers' needs, and might have several major and minor fast-food chains operating a small food court. Larger truck stops also tend to have full-service maintenance facilities for heavy trucks, as well as vehicle wash services that can handle anything from passenger vehicles to large trucks. Some truck stops operate motels or have them adjacent. Most truck stops now offer separate fueling areas, often with dedicated entrances, for standard-sized passenger vehicles. The truck refueling area almost always offers dual pumps, one on each side, so large trucks can fill both tanks at once. (The second pump is referred to as the "slave pump" or "satellite pump.")

The fuel islands at many truck stops can get very crowded. Most trucking companies have accounts with one or two truck stop chains and, after negotiating a specific price for diesel, require their drivers to fuel exclusively at supported locations. Truck stops near a large city, or on the east or west coasts, suffer from the most congestion at their fuel islands.

The retail stores in large truck stops offer a large selection of 12-volt DC products, such as coffee makers, combo television units, toaster ovens, and frying pans primarily targeted towards truck drivers, who often spend extended periods of time on the road. Such shops generally offer a wide selection of maps, road atlases, truck stop and freeway exit guides, truck accessories (such as CB radio equipment and hazmat placards), plus entertainment media such as movies, video games, music, and audiobooks. Increasingly, as interstate truck drivers have become a large market for satellite radio, these retail stores also sell various satellite radio receivers for both XM and Sirius XM as well as subscriptions to those services. Kiosks run by cellular phone providers are also common.

Most long-haul tractors have sleeping berths, and many truck drivers keep their diesel engines running for heating or cooling for the sake of comfort. Because idling diesel engines make considerable noise (and are a source of pollution) they are often banned from such use near residential areas. Truck stops (along with public rest stops) are the main places where truck drivers may rest peacefully, as required by regulations. Modern innovations, such as truck heaters and auxiliary power units, are becoming more common, and some truck stops now provide power, air conditioning, and communications through systems such as IdleAir. Many truck stops used to have load board monitors for truck drivers to find real time information on loads, jobs, weather and news. However, DAT Solutions, the largest provider of load boards, removed its monitors from thousands of truck stops and moved all its services online and to its load board mobile apps. Most chain truck stops also have WLAN Internet access in their parking areas. Idle reduction—reducing the amount of fuel consumed by truck fleets during idling—is an ongoing economical and environmental effort.

Australia
In Australia a roadhouse is a filling station (service station) on a major intercity route. A roadhouse sells fuel and provides maintenance and repairs for cars, but it also has an attached restaurant (usually a café or diner) to sell and serve hot food to travelers. Roadhouses usually also serve as truck stops, providing space for parking of semi-trailer trucks and buses, as well as catering to travelers in private cars. In remote areas such as the Nullarbor Plain, a roadhouse also offers motel-style accommodation and camping facilities.

Approximately two thirds of truck stops are independently owned with the remainder being owned and run by 'Big Oil' brands such as Caltex, BP and Shell.

Germany and Austria

In Germany and some parts of Austria there were newer official developments to the existing highway service station. The often state owned service stations at the highway were insufficient to deal with the growing number of lorries and the necessary stops for lorry drivers to rest. Since 2001, the traffic regulations of Germany Straßenverkehrsordnung include a road sign, Autohof, literally car yard or automobile court.

An Autohof is run by a private company, but the government provides the road signs at the highway, indicating an Autohof, if the facility:

 * is no more remote from the highway than one kilometre
 * can be approached by lorries
 * provides at least 50 places for lorries, or at least 100 at higher frequented roads, those places must be apart from the places for other cars
 * is open 24 hours a day, all the year through
 * offers gasoline service 24 hours a day
 * offers meals from 11.00 to 22.00; other food at the rest of the day
 * includes sanitary facilities for handicapped people and for the proper needs of lorry drivers

United Kingdom
In the United Kingdom, the term "truck stop" is not in common use and the equivalent stops are motorway services. There are relatively few areas on motorways just for trucks to stop at. Most designated rest areas are used by every sort of motor vehicle.

On A roads (major routes which are made to a lower standard compared to motorways), a truck stop may have no refuelling facilities but simply offer a place for tired drivers to rest and/or get food and drink in a transport cafe. They may not be signposted well, if at all.

Notable truck stop locations in the UK include:
 * Ashford (M20, J10)
 * Rothwell (A14, J3 )
 * South Mimms (M25, J23/ A1(M), J1)
 * Ellesmere Port (M56, J10)
 * Chippenham (M4, J17)

United States

The truck stop originated in the United States in the 1940s as a reliable source of diesel fuel not commonly available at filling stations. This, coupled with the growth of the Interstate Highway System, led to the creation of the professional haulage and truck stop industries. They generally consist of, at the very least, a diesel grade fueling station with bays wide and tall enough for modern tractor/trailer rigs, plus a large enough parking area to accommodate from five to over a hundred trucks and other heavy vehicles. Truck stops should not be confused with rest areas or motorway service areas which cater mostly to cars and are often run by or leased from a government or tollway corporation.

In the United States in the late 1990s, Truckstops of America (T/A) changed its name to TravelCenters of America to reflect this marketing strategy. There is no exact distinction between "truck stop" and the newer term "travel center", but some differences are size, proximity to interstate highways and major roads, the number of services, accessibility to automotive and RV travelers, and a certain extra emphasis on facility appearance. Many truck stops chains such as Love's, Flying J and T/A also serve the recreational vehicle market. All the national chains have established customer loyalty programs to promote repeated patronage.

In Louisiana, truck stops that meet certain criteria are allowed to have on-site casinos that can operate up to 50 video poker gaming devices. These truck stops are regulated by the Louisiana Gaming Enforcement Division and must maintain certain amenities to be eligible to keep the lucrative gaming devices operating. Some of the amenities required are: having a certain number of acres of land, having a certain number of 18-wheeler parking spaces, having an on-site restaurant, and having trucker's supplies, showers, telephones, television lounge, scales, laundry services, fuel.

Truck stops were often depicted in films and novels as being somewhat seedy places, frequented by aggressive bikers, petty criminals, and prostitutes (e.g. the "lot lizards" in the JT LeRoy novel Sarah). This may be an outdated stereotype, as most modern truck stops are generally clean and safe, becoming a "home away from home" for many truck drivers. However, most truck stops reflect the social environment of their local area; consequently, one occasionally finds seedy truck stops in seedy areas. According to John McPhee's book Uncommon Carriers, truck stops in rural areas are typically very safe and wholesome. However, as the distance to major cities decreases the incidence of prostitution, drug peddling etc. increases dramatically. The Vince Lombardi service area on the New Jersey Turnpike near New York City has the most rampant prostitution.

Corporatization
The economics of truck stops have driven most of the small, post-war operations out of business and they have been replaced with large corporate chains or franchises. Truck drivers are a captive market, because the trucks' size and local regulations place severe restrictions on where a truck driver can park. The initial investment in land, permits, equipment and maintenance requirements are large and growing: accordingly, some large truck stop chains have begun to cater to a wider range of the traveling public by combining trucks stops and traditional gas stations.

title: Truck stop


text:
Talk:Mills Lane

question?
I am curious. Does "tragically in 2002" that sentence about his stroke, violate NPOV? It seems to... or are things like the death of anyone allowed to use such language.
 * Hm, that's an interesting question. -Bordello 17:04, 9 August 2006 (UTC)
 * I guess, if you're glad that he had a stroke I suppose....

Picture
Can we get a new picture? This neither accurately depicts Lane, nor am I sure it is within fair-use policy. In fact, I'm just going to take it off. -Bordello 17:04, 9 August 2006 (UTC) Well, maybe not. It might be important to note that he was a character on Celebrity Death Match, but it seems at least a disservice to have the only picture of him here as a poor claymation characature, caught through a screenshot with the background all buggered. -Bordello 17:06, 9 August 2006 (UTC)

I agree about this pic. It is maybe of note that he was a character on death match, but to use that as the main pic for the entry is not only in poor taste but also misleading. I will remove it.

 * I also agree and his Celebrity Deathmatch voice work should not be in the first sentence basic summary of him. Quadzilla99 19:15, 29 August 2006 (UTC)
 * i added a real picture maybe we can put that CD one back now tooYourname 00:04, 13 September 2006 (UTC)

Character
I thunk there should be an article about the Celebrity Deathmatch character.

Fights
I think the link to the fights he officiated would be nice...

--

He officiated over Tyson's first title fight when he captured the WBC heavyweight championship on 11/22/86 from Berbick. —Preceding unsigned comment added by Coloursinmyhead (talk • contribs) 03:57, 4 January 2009 (UTC)

Assessment comment
Substituted at 00:07, 30 April 2016 (UTC)

Edit notice change
Note that Template:Editnotices/Page/Mills Lane mentions biographies of living persons, but he is now dead. I have previously replaced the edit notice with a different one, but that was in contravention of an editing restriction that I had forgotten about. To rectify the situation, I've reverted myself and I'm now seeking any consensus about what, if any, editnotice this page should have. Thanks and sorry. ―Justin ( koavf ) ❤T☮C☺M☯ 18:44, 20 February 2023 (UTC)

title: Talk:Mills Lane


text:
Rocker (subculture)

Rockers (also known as leather boys or ton-up boys ) are members or followers of a biker subculture that originated in the United Kingdom during the late 1950s and was popular in the 1960s. It was mainly centred on motorcycles and rock 'n' roll music. By 1965, the term greaser had also been introduced to Great Britain and, since then, the terms greaser and rocker have become synonymous within the British Isles, although used differently in North America and elsewhere. Rockers were also derisively known as Coffee Bar Cowboys. Their Japanese counterpart was called the Kaminari-Zoku (Thunder Tribe/Clan/Group, or Thunderers).

Origins
Until the post-war period, motorcycling held a prestigious position and enjoyed a positive image in British society, being associated with wealth and glamour. Starting in the 1950s, the working class were able to buy inexpensive motorcars so that motorcycles became transport for the poor.

The rocker subculture came about due to factors such as: the end of post-war rationing in the UK, a general rise in prosperity for working class youths, the recent availability of credit and financing for young people, the influence of American popular music and films, the construction of race track-like arterial roads around British cities, the development of transport cafes and a peak in British motorcycle engineering. The name "rocker" came not from music, but from the rockers found in 4-stroke engines, as opposed to the two stroke engines used by scooters and ridden by mods.

During the 1950s, they were known as "ton-up boys" because doing a ton is English slang for driving at a speed of 100 mph or over. The rockers or ton-up boys took what was essentially a sport and turned it into a lifestyle, dropping out of mainstream society and "rebelling at the points where their will crossed society's". This damaged the public image of motorcycling in the UK.

The mass media started targeting these socially powerless youths and cast them as "folk devils", creating a moral panic through highly exaggerated and ill-founded portrayals. From the 1960s on, due to the media fury surrounding the mods and rockers, motorcycling youths became more commonly known as rockers, a term previously little known outside small groups. The public came to consider rockers as hopelessly naive, loutish, scruffy, motorised cowboys, loners or outsiders.

The rocker subculture was associated with 1950s and early-1960s rock and roll music by artists such as Gene Vincent, Eddie Cochran and Chuck Berry, music that George Melly called "screw and smash" music.

Café racers
The term café racer originated in the 1950s, when bikers often frequented transport cafés, using them as starting and finishing points for road races. A café racer is a motorcycle that has been modified for speed and good handling rather than for comfort. Features include: a single racing seat, low handlebars (such as ace bars or one-sided clip-ons mounted directly onto the front forks for control and aerodynamics), large racing petrol tanks (aluminium ones were often polished and left unpainted), swept-back exhaust pipes, rear-set footpegs (to give better clearance while cornering at high speeds) with or without half or full race fairings.

These motorcycles were lean, light and handled various road surfaces well. The most defining machine of the rocker heyday was the Triton, which was a custom motorcycle made of a Norton Featherbed frame and a Triumph Bonneville engine. It used the most common and fastest racing engine combined with the best handling frame of its day. Other popular motorcycle brands included BSA, Royal Enfield and Matchless.

The term café racers is now also used to describe motorcycle riders who prefer vintage British, Italian or Japanese motorbikes from the 1950s to late 1970s. These modern café racers do not resemble the rockers of earlier decades, and they dress in a more modern and comfortable style, with only a hint of likeness to the rocker style, nor do they share the passion for 50s rock'n'roll. These modern café racers have taken elements of the American greaser, British rocker, and modern motorcycle rider styles to create a look of their own. Rockers in the 2000s tend still to ride classic British motorcycles, however, classically styled European café racers are now also seen, such as Moto Guzzi or Ducati, as well as classic Japanese bikes, some with British-made frames such as those made by Rickman.

Characteristics
Rockers bought standard factory-made motorcycles and stripped them down, tuning them up and modifying them to appear like racing bikes. Their bikes were not merely transport, but were used as an object of intimidation and masculinity projecting them uneasily close to death, an element exaggerated by their use of skull and crossbone-type symbolism.

First seen in the United States and then England, the rocker fashion style was born out of necessity and practicality. Rockers wore heavily decorated leather motorcycle jackets, often adorned with metal studs, patches, pin badges and sometimes an Esso gas man trinket. When they rode their motorcycles, they usually wore no helmet, or wore a classic open-face helmet, aviator goggles and a white silk scarf (to protect them from the elements). Other common items included: T-shirts, leather caps, Levi's or Wrangler jeans, leather trousers, tall motorcycle boots (often made by Lewis Leathers and Goldtop) or brothel creepers/beetle crushers. Also popular was a patch declaring membership of the 59 Club of England, a church-based youth organisation that later formed into a motorcycle club with members all over the world. The rocker hairstyle, kept in place with Brylcreem, was usually a tame or exaggerated pompadour hairstyle, as was popular with some 1950s rock and roll musicians.

Largely due to their clothing styles and dirtiness, the rockers were not widely welcomed by venues such as pubs and dance halls. Rockers also transformed rock and roll dancing into a more violent, individualistic form beyond the control of dance hall management. They were generally reviled by the British motorcycle industry and general enthusiasts as being as an embarrassment and bad for the industry and the sport.

Originally, many rockers opposed recreational drug use. According to Johnny Stuart: They had no knowledge of the different sorts of drugs. To them amphetamines, cannabis, heroin were all drugs - something to be hated. Their ritual hatred of Mods and other sub-cultures was based in part on the fact that these people were believed to take drugs and were therefore regarded as sissies. Their dislike of anyone connected with drugs was intense.

Cultural legacy
The rockers' look and attitude influenced pop groups in the 1960s, such as The Beatles, as well as hard rock and punk rock bands and fans in the late 1970s. The look of the ton-up boy and rocker was accurately portrayed in the 1964 film The Leather Boys. The rocker subculture has also influenced the rockabilly revival and the psychobilly subculture.

Many contemporary rockers still wear engineer boots or full-length motorcycle boots, but Winklepickers (sharp pointed shoes) are no longer common. Some wear brothel creepers (originally worn by Teddy Boys), or combat boots. Rockers have continued to wear leather motorcycle jackets, often adorned with patches, studs, spikes and painted artwork; jeans or leather trousers; and white silk scarves. Leather caps adorned with metal studs and chains, common among rockers in the 1950s and 1960s, are rarely seen any more. Instead, some contemporary rockers wear a classic woollen flat cap.

Rocker reunions
In the early 1970s, the British rocker and hardcore motorcycle scene fractured and evolved under new influences coming from California: the hippies and the Hells Angels. The remaining rockers became known as greasers, and the scene had all but died out.

In the early 1980s, a rockers revival was started by Lenny Paterson and a handful of original rockers. Paterson organised rocker reunion dances called piss-ups, which attracted individuals from as far as Europe. The first rocker reunion motorcycle run of 30 classic British motorcycles rode to Battersea - home of the Chelsea Bridge Boys. Following runs went to other destinations with historic relevance to rockers such as Brighton.

In 1994, Mark Wilsmore and others organised the first Ace Cafe Reunion to mark the 25th anniversary of the closure of the famous transport cafe before going on to re-opening and establishing a series of events. These events now attract up to 40,000 motorcyclists.

Films and documentaries

 * The Leather Boys
 * BBC Home Truths
 * Look at Life: Behind the Ton-Up Boys

title: Rocker (subculture)


text:
Wikipedia:School and university projects/Open Source Culture/Mediography

This mediography is a compilation of various media items pertaining to Open Source Culture ideas and topics. The mediography is divided into Art & Music, Books, Reports, Transcripts & Recordings, and Websites. It was originally drafted for School and university projects/Open Source Culture a graduate seminar at the Columbia University School of the Arts.

Art and Music
Anonymous/unknown artists. Jay-Z Construction Set. Software for remixing Jay-Z’s Black Album.Annotation

2 Many DJs (Steven and David Dewaele) AKA Soulwax.]BBC article Wired article on open source Record Label

Beastie Boys, The. Paul's Boutique (1989)
 * RollingStoneReview
 * Index of samples and references in the album
 * An enthusiast's commentary on the album
 * Recent news article on the album's relevance
 * Decision of Sixth Circuit Court of Appeals on "Bridgeport Music Inc. v. Dimension Films
 * Wired Magazine Interview
 * Annotation

Cosic, Vuk. "The Cut-Up Page."
 * Documenta Done
 * "The Cut-Up Page."
 * Annotation

[http://www.illegal-art.org/audio/grey.html DJ Danger Mouse. The Grey Album]

Etoy, Toywar

Foreman, Richard Ontological-Hysteric TheatreAnnotation

Mee, Charles Open Source Theater: the (re)making project.

Forsythe, Tom Food Chain Barbie. Phototographs, 1999.

[http://www.headmap.org/index/headmapt/headmaps/gysinbur.html Headmap. "Gysin, Burroughs, Cut-Ups and Knowledge Management"]

Loop Tracks Annotation

Mandiberg, Michael. AfterSherrieLevine.com.

Miller, Paul D. AKA Dj Spooky That Subliminal Kid Rhythm Science. Cambridge, MIT Press, 2004. CD is bundled with book. Various tracks available online

Oswald, John Plunderphonics

Saint-Saens, Camille. Le carnaval des animaux (1886)
 * Annotation

Tuxdog. Paper Rad

Articles
Berry, D M (2004). Internet Ethics: Privacy, Ethics and Alienation - An Open Source Approach., The Journal of Internet Research, Vol 14 (4)

Berry, D M & Moss, G (2004). The LibreSociety.org Manifesto, N/E Neuro: Networking Europe, Neuro Conference Proceedings, Munich: Germany, Feb 26th-29th 2004. available from http://www.freesoftwaremagazine.com/free_issues/issue_02/libre_manifesto/

Bezroukov, Nikolai. "Open Source Software Development as a Special Type of Academic Research (Critique of Vulgar Raymondism)." First Monday, 4(10), October 1999. http://www.firstmonday.org/issues/issue4_10/bezroukov/index.html

Biddle, Peter, Paul England, Marcus Peinado, and Bryan Willman. "The Darknet and the Future of Content Distribution." http://www.nothing.org/osc/DarknetAndTheFutureOfContentDistribution.htm pdf

"Bollywood caught in copycat wrangle." CNN.com International. http://www.barbarataylorbradford.com/cnn.htm link

Burt, Jeb. "CU Cracks Down on Illegal Copying." Columbia Spectator, October 13, 2004. Vol 128. http://www.columbiaspectator.com/vnews/display.v/ART/2004/10/13/416cc00516b34?in_archive=1

Cohen, Kathleen, James Elkins, Marilyn Aronberg Lavin, Nancy Macko, Gary Schwartz, Susan L. Siegfried and Barbara Maria Stafford. "Digital Culture and the Practices of Art and Art History." The Art Bulletin, Vol. 79, No. 2 (June 1997) 187-216. stable URL Annotation

Cohen, Julie E., Mark A. Lemley. "Patent Scope and Innovation in the Software Industry." California Law Review, Vol 89:1, 2001. pdf Annotation

Critical Art Ensemble. "Utopian Plagiarism, Hypertextuality, and Electronic Cultural Production." Critical Issues in Electronic Media, Simon Penny, ed. New York: SUNY Press, 1994. http://college.hmco.com/english/amore/demo/ch5_r4.html pdf Annotation

Doctorow, Cory. "Microsoft Research DRM Talk." http://craphound.com/msftdrm.txt http://www.nothing.org/osc/DRMtalkByCoryDoctorow.htm

Forsythe, Tom. "Food Chain Barbie & the Fight for Free Speech." National Coalition Against Censorship. August 10, 2004. http://www.ncac.org/issues/foodchainbarbie.htm Annotation
 * Annotation

Garnett, Joy. "Steal This Look." Intelligent Agent Vol. 4 No. 2, Spring 2004. http://www.intelligentagent.com/archive/Vol4_No2_ip_garnett.htm pdf

Ginsburg, Jane C. "The Concept of Authorship in Comparative Copyright Law", 52 DePaul Law Review 1063 (2003)
 * Annotation

Goldsmith, Kenneth. "The Bride Stripped Bare: Nude Media and The Dematerialization of Tony Curtis." http://epc.buffalo.edu/authors/goldsmith/nude.pdf pdf Annotation

GNU Project. "Free Software Definition." http://www.gnu.org/philosophy/free-sw.html Annotation

Graham, Jefferson. "Summer tours help bands pay bills." USA Today. August 6, 2004. http://www.usatoday.com/tech/news/2004-08-05-bela-cover2_x.htm

Hunter, Dan, "Culture War." August 10, 2004. http://ssrn.com/abstract=586463 pdf

Ippolito, Jon. "Why Art Should Be Free." http://detritus.net/contact/rumori/200204/0197.html http://www.nothing.org/osc/WhyArtShouldBeFree.htm

Jordan, Ken, and Paul D. Miller. "Freeze Frame--Sound in the Era of Digital Networks." http://www.kenjordan.tv/Freeze%20Frame.doc http://www.nothing.org/osc/FreezeFrame.htm

Krauss, "The Originality of the Avant-Garde" in The Originality of the Avant-Garde, Cambridge, Mass. : MIT Press, 1986, c1985. annotation

Landes, William M., "Copyright, Borrowed Images and Appropriation Art: An Economic Approach" (December 2000). ‘’U Chicago Law & Economics’’, Olin Working Paper No. 113. http://ssrn.com/abstract=253332 [] [|Annotation]

Larkin, Brian. "Bollywood comes to Nigeria." ‘’Samar 8.’’ Winter/Spring, 1997. http://www.samarmagazine.org/archive/article.php?id=21

Larkin, Brian. "Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy." ‘’Public Culture.’’ 16.2, 289-314, 2004. PDF

Larkin, Brian. "Looking at Piracy." Social Science Research Council. http://www.ssrc.org/programs/ccit/publications/brian.larkin.rtf

Lee, Felicia R. "Graham Legacy, On The Stage Again." New York Times, September 29, 2004. - http://nothing.omweb.org/modules/wakka/MarthaGraham - Annotation

Leung, Simon with Janet A. Kaplan. "Pseudo-Languages: A Conversation with Wenda Gu, Xu Bing, and Jonathan Hay. " Art Journal 58.3, 86-99. Autumn 1999. link Annotation

Lohr, Steve. “In Competitive Move, I.B.M. Puts Code in Public Domain.” New York Times, August 3, 2004. link

Miller, Paul D. AKA Dj Spooky That Subliminal Kid. “Uncanny/Unwoven.” http://www.djspooky.com/articles/uncanny.html http://www.nothing.org/osc/Uncanny-Unwoven.htm

MIT Open Source Articles and Papers

Moglen, Eben. “Freeing the Mind: Free Software and the Death of Proprietary Culture.” http://emoglen.law.columbia.edu/publications/maine-speech.html pdf

Moglen, Eben. "The dotCommunist Manifesto". Accessed on 9/08/04. pdf link

Noronha, Frederick. "Pakistan Government Looks to the Linux Users Group." 13 July 2002. http://www.linuxjournal.com/article.php?sid=6204

Open Source Initiative. "The Open Source Definition." http://www.opensource.org/docs/definition.php

Oswald, John. "Plunderphonics, or Audio Piracy as a Compositional Prerogative.” Wired Society Electro-Acoustic Conference, Toronto, 1985. Original version: http://www.plunderphonics.com/xhtml/xplunder.html pdf More on Plunderphonics: http://www.fact-index.com/p/pl/plunderphonics.html

Pareles, Jon. "No fears -- Laptop DJs have a feast." New York Times, September 10, 2004. http://www.nytimes.com/2004/09/10/arts/music/10INTE.html?pagewanted=1&ei=5090&en=1754341400ebc367&ex=1252555200&partner=rssuserland

Prelinger, Rick. “Remarks on Appropriation Art” Rick Prelinger http://www.othercinema.com/otherzine/otherzine6/pprelinger.html Archived at http://www.nothing.org/osc/RemarksOnAppropriationArt.htm

Porcello, Thomas. 1991. "The Ethics of Digital Audio-Sampling: Engineers' Discourse." Popular Music 10(1):69-84.

Quin, Douglas. “Digital Sampling, the Mimetic Impulse and Appropriation in Modern Art.” http://www.nothing.org/osc/SamplingMimeticImpulseAppropriation.htm

Savran, David. "The Wooster Group, Arthur Miller and 'The Crucible'" The Drama Review 29(2):99-109. Annotation

Smith, Roberta. “When One Man's Video Art Is Another's Copyright Crime.” New York Times, May 6, 2004. Review of Jon Routson’s exhibition of video shot in cinemas. http://www.nothing.org/osc/WhenOneMansVideoArtIsAnothersCopyrightCrime.htm

Sundaram, Ravi. "Recycling Modernity: Pirate electronic cultures in India." The Sarai Reader 2001. http://www.sarai.net/journal/pdf/093-099%20(piracy).pdf archived pdf]

Thompson, Anne. "Appeals Court Ruling May Shift Power to Writers" ' 'The New York Times' ', October 13, 2004. Annotation

Wineburg, S. “Historical Thinking and Other Unnatural Acts.” Accessed at http://www.pdkmembers.org/members_online/members/orders.asp?action=results&t=A&desc=Historical+Thinking+and+Other+Unnatural+Acts&text=&lname_1=&fname_1=&lname_2=&fname_2=&kw_1=&kw_2=&kw_3=&kw_4=&mn1=&yr1=&mn2=&yr2=&c1= Annotation

Yardley, William. "Coincidence Sets of Storm Over Erotic Work." ' 'The New York Times' ', October 12, 2004. Annotation

Books
Baudrillard, Jean. The System of Objects. New York, Verso, 1996. Annotation

Bettig, Ronald V. Copyrighting Culture: The Political Economy of Intellectual Property. Boulder: Westview Press, 1996.

Buchloh, Benjamin H.D. Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975. Cambridge: MIT Press, 2000.

Buskirk, Martha. The Contingent Object of Contemporary Art. Cambridge: MIT Press, 2003. Annotation

Collingwood, R. G. The Principles of Art (New York: Oxford University Press, 1958). See the closing chapter.

Debord, Guy. The Society of Spectacle (1968). Cambridge, MIT Press, 1995. Annotation

De Duve, Thierry. Pictorial Nominalism: On Marcel Duchamp's Passage from Painting to the Readymade. Minneapolis: University of Minnesota Press, 1991.

DiBona, Chris, Sam Ockman, and Mark Stone, Eds. Open Sources: Voices of the Open Source Revolution. Sebastopol, O’Reilly and Associates, 1999.

Dillard, Annie. Mornings Like This: Found Poems. New York: Perennial, 1996.

Foster, Hal, ed. The Anti-Aesthetic: Essays on Postmodern Culture. New York: The New Press, 1998. Annotation

Galloway, Alexander R. Protocol: How Control Exists After Decentralization. Cambridge, MIT Press, 2004.

Greene, Rachel. "Internet Art". London, Thames & Hudson, 2004. Annotation

Johns, Adrian. The Nature of the Book: Print and Knowledge in the Making. Chicago: University of Chicago Press, 2000.

Lessig, Lawrence. The Future of Ideas: The Fate of the Commons in a Connected World. New York: Vintage Books, 2001.

Lessig, Lawrence. Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. New York: The Penguin Press, 2004. This book is also available online in many formats at http://free-culture.org/remixes.

Litman, Jessica. Digital Copyright. Amherst: Prometheus Books, 2001.

Manovich, Lev. The Language of New Media. Cambridge, MIT Press, 2002. Annotation

Miller, Paul D. AKA Dj Spooky That Subliminal Kid. Rhythm Science. Cambridge: MIT Press, 2004. See also Peter Halley’s remix at http://mitpress.mit.edu/e-books/mediawork Annotation

Moody, Glyn. Rebel Code: The Inside Story of Linux and the Open Source Revolution. New York: Basic Books, 2001.

Murphie, Andrew and John Potts. Culture and Technology. New York: Palgrave Macmillan, 2003.

Patterson, Lyman Ray. Copyright in Historical Perspective. Nashville: Vanderbilt University Press, 1968.

Raymond, Eric S. The Cathedral and the Bazaar: Musings on Linux and Open Source by an Accidental Revolutionary. Sebastopol: O’Reilly and Associates, 1999. Available online in several formats at http://www.catb.org/~esr/writings/cathedral-bazaar/cathedral-bazaar/

Samuels, Edward. The Illustrated Story of Copyright. New York: St. Martin’s Press, 2000. Annotation Annotation

Schwartz, Hillel. The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles. Cambridge: MIT Press, 1996.

Stallman, Richard M. and Joshua Gay, Ed. Free Software Free Society: Selected Essays of Richard M. Stallman. Boston: GNU Press, 2002.
 * Annotation

Taylor, Brandon. Collage: The Making of Modern Art. London: Thames & Hudson, 2004.

Thompson, N. and Sholette, G., Ed.The INTERVENTIONISTS. User's Manual for the Creative Disruption of Everyday Life. Cambridge: MIT Press, 2004. Annotation

Vaidhyanathan, Siva. Copyrights and Copywrongs: The Rise of Intellectual Property and How It Threatens Creativity. New York: New York University Press, 2001. Annotation

Wark, McKenzie. A Hacker Manifesto. Cambridge: Harvard University Press, 2004.

Williams, Sam. Free as in Freedom: Richard Stallman’s Crusade for Free Software. Sebastopol: O’Reilly and Associates, 2002.

Reports
UK Houses of Parliament, Parliamentary Office of Science and Technology, Postnote report on "Open Source Software", No. 242, Jun 2005.
 * http://www.parliament.uk/documents/upload/POSTpn242.pdf

Committee on Intellectual Property Rights and the Emerging Information Infrastructure, Computer Science and Telecommunications Board, Commission on Physical Sciences, Mathematics, and Applications, National Research Council. The Digital Dilemma: Intellectual Property in the Information Age. Washington: National Academies Press, 2000.
 * http://www.nap.edu/html/digital_dilemma/

Digital Connections Council of the Committee for Economic Development. “Promoting Innovation and Economic Growth: The Special Problem of Digital Intellectual Property.” March 2004. Annotation
 * http://www.ced.org/docs/report/report_dcc.pdf
 * Archived at http://www.nothing.org/osc/SpecialProblemOfDigitalIP.pdf

Free Expression Policy Project, The. "A Preliminary Report on the Chilling Effects of 'Cease and Desist' Letters"
 * http://www.fepproject.org/commentaries/ceaseanddesist.html

Free Expression Policy Project, The. "’The Progress of Science and Useful Arts’: Why Copyright Today Threatens Intellectual Freedom”
 * http://www.fepproject.org/policyreports/copyright2dexsum.html
 * Archived at http://www.nothing.org/osc/WhyCopyrightThreatensIntellectualFreedom.pdf

North Carolina Department of Public Instruction. "Copyright in an Electronic Environment (Guidelines from Consortium of College & University Media Centers)."
 * http://www.dpi.state.nc.us/copyright1.html

Transcripts and Recordings
Atari Games Corp. v. Nintendo of America, 975 F.2d 832 (Fed.Cir.1992) Annotation
 * http://cyber.law.harvard.edu/openlaw/DVD/cases/atarivnintendo.html

Barnes v. Glen Theatre Inc., 501 U.S. 560 (1991)
 * http://faculty.maxwell.syr.edu/tmkeck/Cases/Barnes1991.html

Burrow-Giles v. Sarony, 111 U.S. 53 (1884)
 * http://www.kentlaw.edu/e-Ukraine/copyright/cases/burrow-giles_v_sarony.html

Chicago Public Radio. Program on piracy and intellectual property. July 23, 2003.
 * Main page: http://www.wbez.org/audio_library/od_rajul03.asp
 * Audio stream: http://www.wbez.org/audio_library/ram_2003b/odyssey/od_030723.ram

Cohen v. California, 43 U.S. 15 (1971)
 * http://www.bc.edu/bc_org/avp/cas/comm/free_speech/cohen.html

Eldred v. Ashcroft, 239 F.3d 372 (2003) Annotation
 * http://supct.law.cornell.edu/supct/html/01-618.ZS.html

Share/Share Alike: A Panel Discussion featuring Prof. Lawrence Lessig Vol. 4 No. 2, Spring ‘04 archived
 * http://www.intelligentagent.com

Lessig, Lawrence. “Copyright in the Digital Age.” Transcript of online discussion. Washingtonpost.com, April 14, 2004.
 * Archived at http://www.nothing.org/osc/LessigOnFreeCulture.htm

Lessig, Lawrence. “Free Culture” Flash version of PowerPoint presentation with synchronized audio from lecture.
 * http://randomfoo.net/oscon/2002/lessig

Music and Theft: Technology, Sampling and the Law (A symposium at Duke Law School 03.30.2002)
 * http://www.law.duke.edu/musicandtheft

Sega Enterprises v. Accolades, Inc., 977 F.2d 1510 (9th cir. 1992) Annotation

 * http://www.maushammer.com/segavsaccolade.html

SFMOMA. “CopyArt: The Impact of Copyright on New Media Art.” Transcript of panel discussion. September 24, 2003.
 * Archived at http://www.nothing.org/osc/SFMOMA_Panel_CopyART.htm

Sony Corp. of America v. Universal City Studios, Inc., 464 U.S. 417 (1984) Annotation
 * http://www.law.cornell.edu/copyright/cases/464_US_417.htm

Shulgin, Alexei. “Open Sources in Net Art.” Transcription of lecture at Mikro e.V., Berlin, Germany.
 * http://www.mikro.org/Events/OS/ref-texte/shulgin.html
 * Archived at http://www.nothing.org/osc/OpenSourcesInNetArt.htm

Web Sites
ArtWarez.
 * website

Berkman Center for Internet and Society at Harvard University, The
 * website
 * Annotation

Center for the Public Domain.
 * website

Chilling Effects. Annotation
 * website

Columbia University Plagiarism Project Annotation
 * website

Columbia Undergraduate Listing of Professor Ability.Annotation
 * http://culpa.info/

Connexions.
 * website

Creative Commons.
 * website

Downhill Battle - Music Activism.
 * website

First Monday Annotation
 * website

Free Culture.
 * website

Free Expression Policy Project, The.
 * website

Internet Archive, The.
 * website

Levitated Design & Code. "Levitated." Annotation
 * website

LOCA Records (Copyleft record label)
 * website

Media Trips.
 * website

MIT OpenCourseWare.
 * website

N.A.G. (Network Auralization for Gnutella).
 * website

OpenSource.org
 * website

Prelinger Archives.
 * website

Project Gutenberg.
 * website

Sarai Reader 2001: The Public Domain.
 * website

Save Betamax - anti-INDUCE act website.
 * website

Source Forge. Annotation
 * website

Swarthmore Coalition for the Digital Commons.
 * website

RespectCopyrights.
 * website

UbuWeb.
 * website

Videri.
 * website

Wikipedia.
 * website

Textz.
 * website


text:
User talk:Gaa~enwiki

I will be here shortly.

In the mean time have a look on my page : http://gda.knows.it

/Gerson

Your account will be renamed
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title: User talk:Gaa~enwiki


text:
User talk:Hamood

Unverified images
Hi! Thanks for uploading the following image:

 * Image:Inset_lat2.jpg

I notice it currently doesn't have an image copyright tag. Could you add one to let us know its copyright status? (You can use if you release it under the GNU Free Documentation License,  if you claim fair use, etc.) If you don't know what any of this means, just let me know at my talk page where you got the images and I'll tag them for you. Thanks so much. [[User:Poccil|Peter O. (Talk, automation script)]] 04:04, Dec 10, 2004 (UTC)

P.S. You can help tag other images at User:Yann/Untagged_Images. Thanks again.

title: User talk:Hamood


text: User talk:12.72.255.168

title: User talk:12.72.255.168


text:
CKNR-FM

CKNR-FM is a Canadian radio station, which broadcasts an adult contemporary format at 94.1 MHz in Elliot Lake, Ontario. The station uses the on-air brand 94.1 Moose FM.

History
The station first aired in 1967 at 1340 AM, and was owned by Algonquin Broadcasting. CKNR had two sister stations, CKNS in Espanola (established in 1976) and CJNR in Blind River (actually the oldest of the three, first established in 1958). Huron Broadcasting acquired the stations in 1976.

In 1986, CJNR and CKNS were given approval to amend their broadcasting licenses, by deleting the condition of license which required these stations to operate as affiliates of the CBC's English-language AM radio network.

All three stations became part of Mid-Canada Radio in 1986, and were subsequently sold to the Pelmorex Radio Network in 1990.

On November 15, 1990, CKNR was given permission to disaffiliate from the CBC as the Elliot Lake area was now served by the Corporation's CBEC-FM.

North Channel Broadcasting acquired the stations from Pelmorex in 1996, and converted CKNR to 94.1 MHz on March 3, 1997 with a transmitter on Manitoulin Island. Due to the station's signal strength (it can be heard as far as Sudbury and into Michigan's eastern Upper Peninsula), the CJNR and CKNS signals were both discontinued. After the move to 94.1 FM, the station transmitted in mono and aired a mix of classic hits, oldies, and adult contemporary with some current music. Prior to and after CKNR's move to FM, the station had aired the Toronto Blue Jays baseball games.

North Channel subsequently sold CKNR to Haliburton Broadcasting Group in 2004, a sale which reunited CKNR with many of its former sister stations in the Pelmorex Radio Network.

After Haliburton purchased CKNR-FM, the station rebranded as 94.1 Moose FM with adult contemporary, variety music and switched to FM stereo.

On April 23, 2012, Vista Broadcast Group, which owns a number of radio stations in western Canada, announced a deal to acquire Haliburton Broadcasting, in cooperation with Westerkirk Capital. The transaction was approved by the CRTC on October 19, 2012.

Transmitters
Although officially licensed to Elliot Lake, the primary transmitter is located closer to Little Current (approximately 80 km to the southeast of the city), and parts of the city of Elliot Lake itself consequently do not receive an adequate signal on the 94.1 frequency. On July 9, 2007, CKNR applied to re-broadcast their FM signal at 98.7 MHz to serve the population of Elliot Lake and received CRTC approval on August 24, 2007.

title: CKNR-FM


text:
CJNR

CJNR has at least two meanings:

 * CJNR (AM), an AM radio station in Blind River, Ontario, Canada, which ceased broadcasting in 1997 after converting to the FM band as CKNR-FM.
 * CJNR-FM, an FM radio station in Windsor, Ontario, Canada
 * the Canadian Journal of Nursing Research, a medical research journal in Canada.

title: CJNR


text:
User talk:Eric Herboso

All criticism, praise, or other comments are welcome. Older comments are regularly archived according to year.

 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013 | 2014 | 2015 | 2016 | 2017 | 2018 | 2019

New topics below
Please add a new section when leaving a note on my talk page. (c:

Proposed deletion of Black Nexxus

The article Black Nexxus has been proposed for deletion because of the following concern: "Non-notable stub. Could only find one source that actually discussed this in any depth, and only because a friend of the owner wrote about it ."

While all constructive contributions to Wikipedia are appreciated, pages may be deleted for any of several reasons.

You may prevent the proposed deletion by removing the notice, but please explain why in your edit summary or on the article's talk page.

Please consider improving the page to address the issues raised. Removing will stop the proposed deletion process, but other deletion processes exist. In particular, the speedy deletion process can result in deletion without discussion, and articles for deletion allows discussion to reach consensus for deletion. CaptainEek Edits Ho Cap'n!⚓ 14:12, 20 August 2020 (UTC)

Tesla Founders comment
Thanks for your input, very astute observations. That said, I think the last paragraph might need a little copyediting - it looks like the line should read "To those who believe that (B) is more appropriate than (C), I will point out that you may be tempted to prefer (B) solely because WP:INFOBOXREF strongly and directly disincentivizes (C)" instead of "To those who believe that (C) is more appropriate than (B), I will point out that you may be tempted to prefer (B) solely because WP:INFOBOXREF strongly and directly disincentivizes (C)." QRep2020 (talk) 13:19, 29 August 2020 (UTC)

HSUS
Hi Eric,

Thank you for your recent and thoughtful feedback about edits I have proposed for HSUS Wikipedia pages. In your most recent feedback concerning the HSUS project chimps relationship, you expressed concern that the claim I am making concerning Project Chimps being controlled by HSUS is an opinion. In fact, this is not a matter of opinion. Project Chimps is listed on HSUS’ very own 990 IRS filing as a “direct controlling entity”. For HSUS to state otherwise is false and that is why I edited this section; to reveal the fact and to correct their misleading statement.

Please see page 96, line 15, column f of this link.

https://www.humanesociety.org/sites/default/files/docs/HSUS%202018%20990.pdf

Can you please reconsider in light of this citation.

Thank you!

 * The phrase "controlling entity" is used here not because HSUS was directing how Project Chimps was run, but because the IRS defines "control" in such a way that HSUS is considered to be a "controlling entity" of Project Chimps due to the fact that a majority of the Board of Directors for Project Chimps at the time were also simultaneously employees of HSUS. From the link: "[A] (parent) organization controls a (subsidiary) nonprofit organization if a majority of the subsidiary's directors or trustees are trustees, directors, officers, employees, or agents of the parent." This is a legal tax term; it does not necessarily mean that one org actually tells the other what to do. HSUS claims that it considered Project Chimps to be entirely autonomous from HSUS in terms of how it operates. Activists might dispute that, and I think it would be encyclopedic to say "activists dispute that" in the "Criticisms" section of the HSUS article, but HSUS is directly contradicting the idea that PC is under their control in a non-legal sense, even if they technically have "control" in a legal sense.

 * Further, to make the issue much more clear, two of those employees resigned from the PC board, meaning that, even legally, the HSUS is no longer considered a legally controlling entity of PC. So if you do add this info into the criticism section, it will have to be in past tense, as it is no longer the case as of July 2020. ("Two HSUS senior staff members who had been serving on the Project Chimps board stepped down from those roles on July 12, 2020.")

 * Personally, I would not add this info to the HSUS page. I don't think it is a serious allegation against HSUS, even though it definitely is a serious allegation against PC. But I think it would be acceptable if the "criticism" section of the HSUS article mentioned that activists think that HSUS did control PC in a non-legal sense before July 2020, and you could cite a secondary source that says this is because of the IRS report. But you cannot cite the IRS report directly; that's a primary source. You need to cite someone else saying that the IRS report is evidence that HSUS was indeed controlling PC in a non-legal sense at the time. However, if the source you choose doesn't even distinguish between the different definitions of "control" in a legal tax form and in everyday usage, then they are trying to mislead people, and that makes it a less reputable source in my opinion.

 * Finally, it might be confusing why the IRS forms says it is a "direct controlling entity". The "direct" here does not mean that HSUS directs PC; rather, it just means that, as a controlling entity, there is no intermediary between them. It is a direct relationship, rather than a relationship that goes through a middle-man. — Eric Herboso 22:22, 17 November 2020 (UTC)

 * Eric,

 * While I appreciate your detailed explanation, I do need to clarify a few things that I feel sway the argument to including Project Chimps as a related entity.

 * 1. HSUS pays the salary of the Executive Director of Project Chimps (shown their 990 Schedule O, Supplemental Information
 * 2. The Executive Director of Project Chimps sent an email to all their staff that unequivocally demonstrates that Project Chimps was in the process of being “fully integrated into HSUS” as of 2017 and that Project Chimps computers are “managed under” HSUS's IT dept.
 * 3. HSUS oversees Project Chimps financial statements per Schedule O of their 990, Supplemental Information
 * 4. According to former employees, the email addresses of Project Chimps and HSUS are interchangeable.
 * 5. HSUS pays some of Project Chimps’ bills directly

 * I have evidence of all statements above but I don't own copyrights to it so not sure how to attach to this correspondence. If this evidence would be compelling in changing your position, please advise how I can send these documents to you.

 * Thanks.

 * You don't need copyright to use sources, but you should try to use secondary, not primary, sources. Also, your goal shouldn't be to convince me -- this is a collaborative encyclopedia, so you have as much right to edit articles as I do. My suggestion would be to add a sentence to the "Specific criticism" section, since we both seem to think that that would be appropriate, and then, if you feel strongly that PC should also be added into the "Affiliated and related entities" section, then you could propose that in the HSUS talk page, giving your argument why you think it would be appropriate. I would probably oppose you on the talk page, but remember: we are equals here, and you very well may find that you can get enough people to agree with you on the talk page that a relative consensus could be reached, in which case it would be added.

 * I'll add that sentence to the "Specific criticism" section, and then you can decide whether you want to bring up adding PC to the "Affiliated and related entities" section on the HSUS Talk page. If you do, please remember to add four tilde (WP:4TILDES) marks to the end of your post; that's how you sign your name on talk pages. — Eric Herboso 20:21, 18 November 2020 (UTC)

 * @Eric_Herboso OK, I will have to do that b/c I don't understand why you will oppose me as its abundantly clear that Project Chimps is controlled by HSUS. I have two questions please. It is not clear to me how to start a Talk topic on the HSUS page. I was only able to do it on your page. I don't see a clickable button for that on HSUS page. And secondly, if i want to attach screenshot attachments as evidence of my claims, how do I do that. This is my first time using Wikipedia. Thank for the helpfulness. Diligence311 (talk) 21:46, 18 November 2020 (UTC)

 * For a full explanation of how to edit talk pages, see WP:TALKPAGE. There's a two and a half minute video on that page that summarizes the key things you need to know. I strongly suggest watching it to understand the basics. Then, when you're ready, go to Talk:Humane_Society_of_the_United_States and explain why you want to add Project Chimps to the "Affiliated and related entities" section. It may take a week or so for people to reply there, but eventually we may reach a relative consensus on what should be done, at which point either PC will be added to that section or it won't. You may also want to link people to this discussion here, if they want additional context. You can do this by linking to User_talk:Eric_Herboso. (You can learn about how to link to pages here: Help:Introduction_to_editing_with_Wiki_Markup.)

 * Rather than trying to share screenshots as evidence, I would recommend that you share the URL of a website that provides that evidence. For example, HelpTheChimps.org/hsus-and-project-chimps shows a copy of HSUS' IRS form 990 and a tweet confirming that an HSUS employee runs Project Chimps. The reason why I don't find this to be compelling evidence is because the 990 merely shows that 5 of the 8 board members of PC were HSUS employees; this is different from saying that HSUS made decisions on what PC had to do. The HelpTheChimps site really hammers in the 990 quote "direct controlling entity", which I find extremely misleading and makes me distrust whoever set up the HelpTheChimps website. But the email you mention that says PC was in the process of being “fully integrated into HSUS” would indeed be much stronger evidence and would definitely be worth seeing.

 * I apologize if I seem overly skeptical of the anti-HSUS claims. It's just that HSUS gets a lot of fabricated criticism that originates from industrial agriculture lobbying groups like Humane Watch, so it's difficult to tell when anti-HSUS rhetoric is legitimate or not. For all I know, the HelpTheChimps site may have even been funded by Humane Watch, which would make me trust it much less. However, right now I do think I am convinced that Project Chimps has really screwed up here -- what I am less convinced by is whether HSUS told PC to screw up by doing something wrong. It seems likelier to me that PC screwed up by themselves, without input from HSUS. But I could be wrong, and I'm open to seeing evidence that HSUS actively told PC to do things like limit outside exposure for the chimps in order to save money. Regardless, I hope to see you edit HSUS and other pages on Wikipedia in the future! — Eric Herboso 23:16, 18 November 2020 (UTC)

 * Thanks@Eruc_Herboso. I will follow these steps. And as an aside, I am an animal rights activist and sickened by the work of Humane Watch. My only purpose with these edits is to document facts as it relates to HSUS and Project Chimps and correct misinformation with proper citations. Justice for the chimps takes human voices and intervention to advocate. Thanks again Diligence311 (talk) 22:45, 19 November 2020 (UTC)

Happy New Year!

 Eric Herboso , Thanks for your contributions to Wikipedia, and a Happy New Year to you and yours! Rasnaboy (talk) 08:52, 31 December 2020 (UTC)

 * – Send New Year cheer by adding {{subst:Happy New Year}} to user talk pages.

Category:Wikipedians who participate in Mathematics Collaboration of the Month has been nominated for discussion
Category:Wikipedians who participate in Mathematics Collaboration of the Month has been nominated for possible deletion, merging, or renaming. A discussion is taking place to decide whether this proposal complies with the categorization guidelines. If you would like to participate in the discussion, you are invited to add your comments at the category's entry on the categories for discussion page. Thank you. * Pppery * it has begun... 21:23, 19 February 2021 (UTC)

Invitation to support the creation of WikiProject Effective altruism
Hey Eric, I've created a proposal for WikiProject Effective altruism to help coordinate efforts to create and articles related to effective altruism. If you'd like, please support the WikiProject proposal here: WikiProject Council/Proposals/Effective Altruism. Enervation (talk) 06:41, 30 November 2021 (UTC)

Butler County, Alabama
Hi--out of copyright, sure, but copying without proper citation or even quotation marks is not the right way. Thanks, Drmies (talk) 20:49, 20 June 2022 (UTC)

 * Thank you so much for correcting this 16 year old error! I'm embarrassed to say that this edit of mine from the early 2000s was one of the first edits I made on Wikipedia and it was not a good one. While I did cite the source text in my edit using what was then semi-considered an acceptable Wikipedia citation style, I didn't use quotation marks while copying text from the out-of-copyright book. I regret not being more professional in my early days of Wikipedia. Thankfully, I think it's safe to say that this type of error is one that I haven't made in the past decade or so. Thanks again for finding this and correcting it! — Eric Herboso 20:16, 25 June 2022 (UTC)

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title: User talk:Eric Herboso