text:
Melanie Blatt

Melanie Ruth Blatt (born 25 March 1975),, is an English singer. She rose to fame in 1997 as a member of the girl group All Saints. The group have gained five UK number-one singles, two multi-platinum albums and two BRIT Awards, and have sold over 10 million records worldwide.

As a solo artist, Blatt released only two singles, "Do Me Wrong" (2003) and "See Me" (2005), and recorded an unreleased album on London Records. In 2013 and 2015, she was a judge on the television series The X Factor NZ.

Early life
Blatt was born at University College Hospital in the London Borough of Camden and is named after American folk singer Melanie Safka. She has a French mother and a British father, David Blatt (known also as author of the book Manchester United Ruined My Wife), whose ancestors were from Poland and Russia and a younger sister named Jasmine. She was brought up in both the UK and France. In 1986, Blatt was diagnosed as having scoliosis. Since her parents were not satisfied with the treatment for the condition in the United Kingdom they decided to move to France, where a specialist inserted three metal rods in her back.

Blatt went to Fitzjohn's Primary School where her musical talent was immediately noticed by the music teacher David Joyner, who encouraged her parents to send her to a stage school. In 1986, she attended the Sylvia Young Theatre School where she met Nicole Appleton. The two girls became best friends. During this period, Blatt also played young Eponine in Les Misérables for six months, and was the understudy for Cosette together with fellow Sylvia Young student Denise van Outen.

1993–2001: Career with All Saints
In 1993, Blatt sang under the name Melanie Guillaume in the band Drive with Julienne Davis. They released one single, "Curfew", together. She also did backing vocals for Dreadzone with Denise van Outen. Later that year, Blatt met Shaznay Lewis at the Metamorphosis recording studio in All Saints Road, London. Together, with Simone Rainford, they formed the group All Saints 1.9.7.5 which was later renamed to All Saints when Rainford left and Nicole and Natalie Appleton joined Blatt and Lewis.

In 1997 All Saints released their debut single "I Know Where It's At", and peaked at number 4 in the UK. The same year the group released a second single, "Never Ever", which introduced the group to international success after topping the charts in the UK and Australia, and reaching the top ten across Europe, Canada and the United States. The single sold over 1.2 million copies in the United Kingdom and was certified double platinum by the British Phonographic Industry. The same year the group released their debut album All Saints, it reached number two in the United Kingdom and was certified platinum five times for sales of 1.5 million. The group gained a further two number one singles the following year: "Under the Bridge / Lady Marmalade" and "Bootie Call". In 2000 the group released new single "Pure Shores", which was used in the film The Beach and reached number one in the UK. The single was certified platinum for sales over 600,000 copies. The single was followed by their fifth number one single "Black Coffee", their second album Saints & Sinners was released shortly after and topped the chart in the United Kingdom. The album was eventually certified double platinum by the BPI for sales over 600,000. In early 2001, following the release of their single "All Hooked Up", the group split and reasons for this were later explained by Shaznay Lewis, who revealed details of tensions between the group.

In 2000, Blatt appeared in the film Honest directed by Dave Stewart opposite Nicole and Natalie Appleton and in 2001 she played a small role in the independent British film Dog Eat Dog.

2002–2006: Solo musical releases
Blatt's solo releases were of variable success; her most prominent being "TwentyFourSeven", a collaboration with the Artful Dodger, peaking at No 6 in September 2001. Melanie began recording on her debut solo album in 2002, working with numerous producers including Sony Music production team Xenomania. In late 2003 she released her debut single "Do Me Wrong", it reached number 18 in the UK and led to Blatt being dropped by her label due to its low charting. The album she was working on was scrapped, therefore the release of her upcoming single "Blue" was cancelled, but later included on British singer Amelia Lily's debut album Be a Fighter, on which she worked with Xenomania. In 2005 Blatt made a return to music with new single "See Me", which was used in the Robots movie. She began working on a new album with independent label Sowlen Ankle Ltd written with, and recorded by, Matt Hales from Aqualung. During 2005, Blatt played small venues in the UK which featured songs from the album she was working on at the time and included unreleased songs like "In Your Arms," "I Don't Mind," "Now You're Gone," "No Lullaby" and "Love Sweet Love." Blatt's solo record was shelved in favour of the All Saints reunion.

2006–present: All Saints reunion and television
On 24 January 2006, it was announced that the band had reformed and signed a record deal with Parlophone. They subsequently began work on their third studio album, Studio 1. The first single, "Rock Steady" (released in November 2006), reached number three on the UK Singles Chart. Studio 1 entered the albums chart at number forty and sold 60,000 copies according to the BPI, being certified silver. A second single, "Chick Fit" failed to reach the top 200. Blatt discussed the reunion's failure in an interview with i-D magazine in 2012: "I don't think it was done for the right reasons... I know that I did it for the money. We got signed before we had even made music again, it wasn't like we felt we had something to give back to the world... we were given an opportunity and took it, without really thinking about it too hard". She also said she never felt comfortable with the success the band had and that "it was not necessarily the plan at the beginning; there was a lot of compromise involved".

Since 2007 Blatt presents the TV show The Hot Desk on ITV2 with co-hosts Nicole Appleton, Dave Berry, Emma Willis and Jayne Sharp. Between 2009 and 2010 she was reporter of Angela Griffin's show Angela and Friends. In January 2013 it was announced Melanie Blatt would join Daniel Bedingfield, Stan Walker and Ruby Frost as a judge/mentor on the New Zealand version of The X Factor: "I can't wait to see what kind of artists and voices we are going to find in New Zealand." Blatt mentored the Groups category. It was reported that she and her daughter Lilyella will live in the country for the duration of the series. In February 2013, Blatt revealed she is "making music" and when asked about a solo comeback she said she is going to do something she never thought in a million years she would do. On 11 September 2014 MediaWorks announced both Blatt and Stan Walker would return to judge the second season of the X Factor NZ alongside returning host Dominic Bowden. Blatt and Walker would be joined by new husband-wife duo Willy Moon and Natalia Kills until their sacking, and replaced by Natalie Bassingthwaite and Shelton Woolwright. Blatt mentored the Over 25's and placed 5th with her contestant Steve Broad.

In 2014, All Saints reformed to support the Backstreet Boys for five dates across the UK and Ireland in 2014. On 27 January 2016, it was confirmed that All Saints will release their fourth studio album Red Flag on 8 April 2016. The lead single from the album, "One Strike", preceded the album on 26 February 2016.

Personal life
In 1998, Blatt married bassist Stuart Zender. They had one child together, Lilyella, born on 20 November 1998. The couple divorced in 2006.

title: Melanie Blatt


text:
Guillaume Groen van Prinsterer

Guillaume Groen van Prinsterer (21 August 1801, Voorburg – 19 May 1876), was a Dutch politician and historian.

Overview
Groen's father, Petrus Jacobus Groen van Prinsterer, was a physician, and at adult age operated in aristocratic circles.

He was a member of the Dutch Reformed Church, the state church of the Netherlands and of its Royal Family, although he deemed it to be in a poor condition. He was influenced by a then leading evangelical renewal movement known in the Netherlands as the Réveil, the European Continental counterpart to the Second Great Awakening.

He studied at Leiden University, and graduated in 1823 both as doctor of literature and LLD. From 1829 to 1833 he was a secretary to William II of the Netherlands. During this time he attended Brussels Protestant Church under pastor Merle d'Aubigné. After that, he took a prominent part in Dutch home politics, and becoming the leader of the Anti-Revolutionary Party, both in the Second Chamber of parliament, of which he was a member for many years, and as a political writer.

The doctrines of Guizot and Stahl influenced Groen. They permeate his controversial and political writings and historical studies, of which his Handbook of Dutch History (in Dutch) and Maurice et Barnevelt (in French, 1875, a criticism of Motley's Life of Van Olden-Barnevelt) are the most important. Groen was ardently opposed to Thorbecke, whose principles he denounced as ungodly and revolutionary. Although Groen lived to see these principles triumph in the constitutional reforms implemented by Thorbecke, he never ceased to oppose them until his death in 1876.

Publications
By the time the revolutionary movement in Europe had begun to break out in various cities, the monarchist and restorationist secretary to the Dutch king began lecturing on the spiritual-political crisis of the Continent. Groen also was ready to publish. He had begun to do so with his Overview of 1831, his Essay on Truth of 1834, a manuscript harder to date precisely but entitled Studies on the revolution, his Prolegomena of 1847 (the following year Karl Marx issued the Communist Manifesto). Groen's most influential work Lectures on Unbelief and Revolution appeared in an initial edition in 1847, and then a revised edition of 1868; there were subsequent editions as well. In time he founded an intellectual Christian political circle among the upper classes, through which Groen tried to teach the political responsibility of such people. In an effort to reach the Dutch intellectuals, he founded the daily newspaper De Nederlander from 1850 until 1855. Later on 1896, he published the weekly Nederlandsche Gedachten (Dutch Thoughts/Reflections)

He is best known as the editor of the Archives et correspondence de la maison d'Orange (12 vols, 1835-1845), which procured for him the title of the Dutch Gachard. John L. Motley acknowledges his indebtedness to Groen's Archives in the preface to his Rise of the Dutch Republic, at a time when the American historian had not yet made the acquaintance of King William's archivist. It also bore testimony to Groen's influence as a writer of history in the correspondence published after his death.

At the first reception, in 1858, of Motley at the royal palace at the Hague, the king presented him with a copy of Groen's Archives as a token of appreciation and admiration of the work done by of William I, prince of Orange. This copy, bearing the king's autograph inscription, afterwards came into the possession of Sir William Vernon Harcourt, Motley's son-in-law.

Thoughts
The translator of the Dutch political thought and influence of Groen, Harry Van Dyke, has summarized Groen's mature view in this way:

"We are living in a condition of permanent revolution... revolutions are here to stay and will grow much worse in scope and intensity unless men can be persuaded to return to Christianity, to practise its precepts and to obey the Gospel in its full implications for human life and civilized society. Barring such a revival, the future would belong to socialism and communism, which on this view were but the most consistent sects of the new secular religion. To Groen, therefore, the political spectrum that presented itself to his generation offered no meaningful choice.

"In terms of his analysis, the 'radical left' was composed of fanatical believers in the godless ideology; the 'liberal centre,' by comparison, by warm believers who warned against excesses and preached moderation; while the 'conservative right' embraced all those who lacked either the insight, the prudence, or the will to break with the modern tenets yet who recoiled from the consequences whenever the ideology was practised and implemented in any consistent way. None of the shades or 'nuances of secular liberalism represented a valid option for Christian citizens." Groen called for a rejection of the entire available spectrum of political positions, calling for a "radical alternative in politics, along anti-revolutionary, Christian-historical lines".

The South African scholar Jan Adriaan Schlebusch describes the basic theme of Groen's anti-revolutionary theory as follows:

"'The dichotomy of revolution or rebellion against God on the one hand and faith in God  on  the  other,  was  one  that  Groen  believed  to  be  ever-present  throughout history. Groen therefore also understood this epistemic Revolution to  be  opposed  to  history,  i.e.  the  divinely-ordained  cosmic-historic  telos  of  evangelistic progress and the glorification of the Lordship of Christ ... ‘Revolution’  for  Groen was  ultimately  a  denial  of  the  sovereignty  of  God  in  favor  of  the  sovereignty  of  mankind, with the ‘revolutionary’ ideas of the Enlightenment being the fruits of  a  rationalist  religion  wrongly  elevating  man-made  abstractions  as  truths  supreme  over  the  revelation  of  God.  This  epistemic  perspective  shaped  his political theory and engagement. Groen argued that the Revolution, not only  as  a  historical-political  phenomenon,  but  as  a  historical-philosophical  development,  amounted  to  an  anti-Christian  infringement  upon  the  natural  rights, established socio-political relationships, and justice system rooted in a divinely-ordained social order. Therefore the anti-revolutionary or Christian-historical position  entailed  opposing  this  epistemic  Revolution  as  a  path  doomed to social disaster and political tyranny.'"

Works in English translation

 * Unbelief and Revolution: A Series of Lectures in History. Amsterdam: Groen van Prinsterer Fund, 1973-1975.
 * The History of the Revolution in its First Phase. Amsterdam: Groen van Prinsterer Fund, 1978.
 * Christian Political Action in an Age of Revolution. Translated by Collin Wright. Aalten, the Netherlands: WordBridge Publishing, 2015.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Guillaume Groen van Prinsterer


text:
Stanisław Lubomirski (1583–1649)

Prince Stanisław Lubomirski (1583 – 17 June 1649) was a Polish nobleman (szlachcic).

Lubomirski was Krajczy of the Crown and Secretary of the King since 1620, voivode (military commander) of the Ruthenian Voivodeship since 1628 (or 1625?), voivode of the Kraków Voivodeship and General starost of Kraków since 1638, starost of Krzepirz, Niepołomice, Spisz, Sandomierz, Sącz and Zator. Since 1640 (or 1647) prince of the Holy Roman Empire.

In 1609 he took part in the Siege of Smoleńsk by sponsoring several military units, which he used to keep order (and enforce his will) in the Kraków Voivodeship (his units defeated Lisowczycy after this mercenary band started pillaging Kraków areas in the 1620s). After the death of Jan Karol Chodkiewicz, in the rank of regimentarz he commanded the Polish forces during the battle of Chocim in 1621 (see Moldavian Magnate Wars). In 1634 Lubomirski was second in command in Ukraine, after Stanisław Koniecpolski, and in 1635 he befriended a French negotiator at the Treaty of Sztumska Wieś, Claude de Mesmes, Count Avaux.

Lubomirski was a pious Catholic, a sponsor and beneficiary of many churches, although he disliked the Society of Jesus. He opposed plans to marry Władysław IV Waza to a Calvinist princess. He also opposed Władyslaw's idea of Kawaleria Orderowa and his plans to wage war on Ottomans. Lubomirski was a friend of Jerzy Zbarski, a popular politician in Sandomierz and Kraków voivodeships, considered friendly but known to lose his temper and was several times elected as a deputy to the Sejm.

Lubomirski inherited a large estate from his father and multiplied it by a marriage with Zofia Ostrogska in 1613. They had five children together: Aleksander Michał, Jerzy Sebastian, Konstanty Jacek, Konstancja and Anna Krystyna. By 1642 he owned 10 castles, 12 towns, 300 villages and many forests, lakes, mills and even private salt mines, making him one of the wealthiest magnates in Poland of his time.

title: Stanisław Lubomirski (1583–1649)


text:
User:Christopherlin/Copyrights

00:28, 12 Dec 2004 (UTC) I agree to multi-license all my contributions to any U.S. state, county, or city article as described below:

title: User:Christopherlin/Copyrights


text:
Lars Fredrik Nilson

Lars Fredrik Nilson (27 May 1840 – 14 May 1899) was a Swedish chemist, professor at Uppsala University, and later Director of the Agricultural Chemical Experiment Station at the Royal Swedish Academy of Agriculture and Forestry in Stockholm.

He discovered the element scandium in 1879, by separating out scandium(III) oxide, also known as scandia. In addition to his work concerning the analytic chemistry of elements and rare earths, he made substantial contributions to Swedish agriculture, including methods of fertilization and the introduction of sugar beets as a crop.

Education
Nilson was born in Skönberga parish in Östergötland, Sweden. Later his family relocated to the island of Gotland, where his father, Nikolaus, owned the farm Rosendal in Follingbo. During later life, Lars Fredrik Nilson retained a small holding on Gotland, which he visited yearly.

After graduating from Wisby high school on Gotland, Lars Fredrik Nilson enrolled at Uppsala University in 1859. There he studied the natural sciences including zoology and biology. His work in mineralogy was noted by the chemistry professor at Uppsala, Lars Fredrik Svanberg, a former student of Jöns Jakob Berzelius.

To obtain a Doctorate of Philosophy in Sweden, the candidate was expected to pass a series of examinations in all areas of study, including languages, history, and philosophy as well as their main area of study, within a fixed period of time. In 1865, just before Nilson could complete his final examination, his father became severely ill. Nilson returned home to Gotland, where he assumed management of the farm, working in the fields as needed. When his father recovered some months later, the harvest and autumn planting had been completed successfully, and Nilson had installed the first engine threshing machine to be used in Gotland. Nilson's own health had greatly benefited from his work on the farm: the young man who had arrived home in poor health had become much stronger. He was able to return to Uppsala and pass the next season's examinations, becoming a doctor of chemistry in 1866.

Career
In 1866, Nilson became an associate professor of chemistry at Uppsala, with the responsibilities of chief assistant and demonstrator of chemistry for Svanberg's laboratory. He was a calm and patient teacher, relying more on demonstrations than on lectures. He insisted that after the work of the day was completed, it was to be left behind, and not discussed during leisure. His earliest papers mainly concerned sulfides, arsenical sulfosalt minerals, and selenous acid, extending the work of Berzelius.

Elements
In 1874 Nilson became professor of general and agricultural chemistry at Uppsala. From then on he could devote more time to research. He began working on rare earths such as euxenite and gadolinite, using methods of successive fractionation introduced by Nils Johan Berlin. One of his goals was to better understand the relationship of the newly discovered elements to the proposed periodic system.

In 1879 Nilson separated out the oxide scandia. By doing so he discovered a new element, scandium, which he named for Scandinavia. The discovery was of particular importance because the existence of an element with such properties, "ekaboron", had been predicted by Mendeleev, based on his organization of the periodic system. Nilson's spectral analysis indicated a previously unreported pattern of lines. Per Theodor Cleve demonstrated the equivalence of Nilson's scandium and Mendeleev's hypothetical ekaboron.

Nilson and Sven Otto Pettersson were the first to isolate titanium metal in a relatively pure form, extracting a 95% pure sample in 1887. Jöns Jacob Berzelius had extracted titanium metal in 1825, but only in a very impure form. In 1910 Matthew Hunter was finally able to produce 99.9% pure titanium metal, through his new Hunter process.

Nilson also studied the gas density of metals which made it possible to determine the valence of various metals.

Agriculture
Nilson was professor of analytical chemistry at Uppsala from 1878 until 1883, when he became professor of chemistry of the Royal Swedish Academy of Agriculture and Forestry in Stockholm. As an agricultural chemist and Director of the Agricultural Chemical Experiment Station, he published nearly sixty papers concerning topics such as soils and manures. As a result of his inquiries many of the swamps of Gothland were drained and cultivated. The sugar beet was introduced and became a major crop, as chalky moors were treated with potash fertilizers. He also conducted studies of cow's milk and various plants for cattle fodder.

Nilson was elected a foreign member of the Chemical Society of Great Britain on February 2, 1888. Nilson was a member of several other academies as well. He received several awards, including the Order of the Polar Star.

title: Lars Fredrik Nilson


text:
User:Tukan~enwiki

Tukan
Nationality: Polish

Born June 25, 1981 at 50° E 20° N

Interests: Biochemistry, Evolutionary Biology, Structural biology, Hiking

Education: Ph.D. Structural biology

Links: Banjawiki Jagiellonian University

POLISH WIKIPEDIA USER PAGE

Multi-License
Major Contributions Electron spin resonance Spin label Site-directed spin labeling Workshop on Scientific Presentation Techniques

Images

pl:Wikipedysta:Tukan it:Utente:Tukan da:Bruger:Tukan

title: User:Tukan~enwiki


text:
Kinlen

Kinlen is an Irish surname, a variant of Ó Caoindealbháin, Ó Caoinleáin, Ó Conalláin, Conlon, Connellan, Quinlan and Quinlivan.

Notable people with this name include

 * Dermot Kinlen, Irish Inspector of Prisons
 * Leo Kinlen, British cancer researcher
 * John Kinlen murdered in 1816 in Firhouse, Ireland

title: Kinlen


text:
User:KalevTait

I was born in 1978 in Vancouver, Canada. I lived there until 2004 when I moved to Guildford, UK I'm currently fairly inactive on Wikipedia, but I'll still fix things up when I notice they're broken (without signing in).

Useful links

 * Stubs to complete.
 * Template for creating animal stubs.

Projects

 * Role Playing Games
 * Primates
 * History of India

title: User:KalevTait


text:
The Others (2001 film)

The Others (Los otros) is a 2001 gothic supernatural psychological horror film written, directed and scored by Alejandro Amenábar, starring Nicole Kidman, Fionnula Flanagan, Christopher Eccleston, Elaine Cassidy, Eric Sykes, Alakina Mann and James Bentley. Set in 1945 Jersey, it focuses on a woman and her two young photosensitive children who experience supernatural phenomena in their large manor after the arrival of new servants.

The film was theatrically released in the United States on August 10, 2001, by Dimension Films, and in Spain on September 7, 2001, by Warner Sogefilms. It was a major box-office success, grossing $210 million worldwide on a $17 million budget, and received positive reviews from critics, who praised Amenábar's screenplay and direction, as well as the atmosphere and performances of the cast (particularly Kidman). At the 16th Goya Awards, the film earned a leading fifteen nominations and won in eight categories, including Best Film, Best Director, and Best Original Screenplay. It was the first English-language film to be awarded Best Film at Spain's Goya Awards, without a single word of Spanish dialogue.

The Others also received six nominations at the 28th Saturn Awards, winning three: Best Horror Film, Best Actress (for Kidman), and Best Supporting Actress (for Flanagan). It garnered nominations for Best Actress in a Leading Role (for Kidman) and Best Original Screenplay at the 55th British Academy Film Awards, and for Best Film at the 14th European Film Awards. Kidman was additionally nominated for Best Actress in a Motion Picture – Drama at the 59th Golden Globe Awards.

Plot
In 1945, Grace Stewart resides in a remote country house in Jersey, a Channel Island formerly occupied by the Germans, with her two young children, Anne and Nicholas; both of whom suffer from a severe sensitivity to light. Because of this, Grace keeps the home darkened with heavy curtains. One day, Mrs. Bertha Mills, Edmund Tuttle, and the mute Lydia arrive, all seeking employment. Grace hires them as the housekeeper, gardener, and maid, and is pleased to learn the three worked in the same house years prior.

Anne claims to be regularly visited by a young boy named Victor, his parents, and an elderly blind woman. Grace believes this to be a fantasy, but after she begins hearing footsteps and disembodied voices herself, she orders the house to be searched, believing there are intruders inside. In a storage room, she finds a nineteenth-century photo album containing photographs of corpses. Mrs. Mills recounts that many left in 1891 due to an outbreak of tuberculosis. Grace begins to fear that there are supernatural entities in the house, but struggles to reconcile such things with her rigid Catholic faith.

At night, Grace witnesses a piano playing itself and becomes convinced that the house is haunted. She runs outside in search of the local priest to bless the house and instructs Tuttle to check the nearby cemetery to see if a family has been buried there. Tuttle covers gravestones on the grounds with leaves at the order of Mrs. Mills. In the woods, Grace runs into her husband Charles, whom she believed to have been killed in the war. Charles acts very distant during his short stay at the house, presumably suffering from post-traumatic stress disorder as a result of his service in the war.

One day, Grace checks on Anne playing. To her horror, she instead finds an old woman wearing her daughter's communion dress who speaks in Anne's voice. Grace attacks the old woman, only to find that she has inadvertently attacked her own daughter. Charles informs Grace he must return to the front, rejecting her insistence that the war is over.

The next morning, Charles departs, and Grace is horrified to find all of the curtains in the house have been removed, exposing Anne and Nicholas to the sunlight. She accuses the servants of doing this and expels them from the house. That night, the children discover that the headstones in the cemetery belong to the trio of servants, and flee when they see the servants approaching them. Grace finds a postmortem photograph of Mrs. Mills, Tuttle and Lydia, who all perished during a tuberculosis outbreak more than fifty years prior. Mrs. Mills tells Grace to talk to the "intruders".

Grace discovers that the elderly blind woman is in fact a medium holding a séance with Victor's parents, who have discovered via automatic writing that Grace, despondent after Charles died in the war, smothered her children with a pillow before committing suicide. Aghast, Grace realizes that "the others" in the house are the living family planning to move into their house, and that like the servants, she, Anne, and Nicholas are ghosts.

Embracing her children, Grace admits to her act of murder–suicide: she had awoken afterward and believed the event to have been a nightmare. Following the supernatural activity in the house caused by Grace and her children, Victor and his family move out. Anne and Nicholas realize they are no longer afflicted by the sunlight as they had been in life. The house goes up for sale again and Mrs. Mills informs the Stewarts that they will have to learn to cohabit with the living residents, only for Grace to ominously state that the house is only theirs.

Production
Filming locations are, among other spots, Palacio de los Hornillos in Las Fraguas, Cantabria, Northern Spain, and in Madrid.

Box office
The Others was first released in the United States and Canada by Dimension Films, opening on August 10, 2001 in 1,678 theaters. It grossed $14 million its opening weekend, ranking fourth at the U.S. box office behind American Pie 2, Rush Hour 2 and The Princess Diaries. It stayed in fourth place for three more weeks, expanding to more theaters. During the weekend of September 21 to 23, it was second at the box office, grossing $5 million in 2,801 theaters. The film, which cost $17 million to produce, eventually grossed $96.5 million in the United States and Canada. It grossed $24 million in Spain, becoming the highest-grossing Spanish film of all time, beating the record set earlier that year by Torrente 2: Misión en Marbella. It grossed $113.4 million in other territories, for a worldwide total of $210 million.

Critical response
A. O. Scott of The New York Times stated, "The Others is a flawed if interesting vehicle. The anxious indeterminacy of the first section proves hard to sustain, and as Mr. Amenábar moves away from elegant minimalism, the story begins to become cluttered and confusing, rather than spare and enigmatic." Scott highlighted Kidman's performance, writing that she "embodies this unstable amalgam with a conviction that is in itself terrifying. The icy reserve that sometimes stands in the way of her expressive gifts here becomes the foundation of her most emotionally layered performance to date."

Roger Ebert gave the film two and a half stars out of four, praising that "...Alejandro Amenábar has the patience to create a languorous, dreamy atmosphere, and Nicole Kidman succeeds in convincing us that she is a normal person in a disturbing situation and not just a standard-issue horror movie hysteric". However, he noted that "in drawing out his effects, Amenábar is a little too confident that style can substitute for substance".

Neil Smith of the BBC awarded the film four out of five stars, writing: "Shot in oppressive sepia amid near-darkness (Grace's children having a rare ailment that precludes exposure to sunlight), Amenábar racks up the tension to unbearable levels." Time Out praised the film as "confident and controlled... Absence makes the heart beat faster: the absence of light, the corporeal absence of loved ones. Shrewdly cast, Kidman is pitch perfect. It's a clammy, ingenious film, one of the best studio movies of the year."

Kenneth Turan of the Los Angeles Times cited Kidman's performance as the film's greatest strength, writing that she "has thrown herself into her role as if it were Lady Macbeth on the London stage, with formidable results. Though Kidman doesn't hesitate to make Grace high-strung and as tightly wound as they come, she also projects vulnerability and courage when they're called for. It's an intense, involving performance, and it dominates and energizes a film that would be lost without it."

Although the film deals primarily with the spiritual interaction of ghosts with each other rather than with living humans, William Skidelsky of The Observer has suggested that it was inspired by the 1898 novella The Turn of the Screw written by Henry James.

Home media
On 14 May 2002, Buena Vista Home Entertainment released a 2-disc collector's edition DVD. On 20 September 2011, Lionsgate released the film on Blu-ray. In July 2023, The Criterion Collection announced a forthcoming 4K UHD Blu-ray edition of the film scheduled for release on 24 October 2023. StudioCanal concurrently announced distribution for a 4K UHD Blu-ray in Europe.

Planned remake
In April 2020, Sentient Entertainment acquired the remake rights to The Others, with the company planning to revamp the film by setting it in the present day. Later that year, it was announced that Universal Pictures will co-produce and distribute the film with Sentient.

title: The Others (2001 film)


text:
Toto (Oz)

Toto is a fictional dog in L. Frank Baum's Oz series of children's books, and works derived from them. He was originally a small terrier drawn by W. W. Denslow for the first edition of The Wonderful Wizard of Oz (1900). He reappears in later Oz books and in numerous adaptations, such as The Wizard of Oz (1939) and The Wiz (1978).

The classic books
Toto belongs to Dorothy Gale, the heroine of the first and many subsequent books. In the first book, he never spoke, although other animals, native to Oz, did. In subsequent books, other animals gained the ability to speak upon reaching Oz or similar lands, but he remained speechless. In Tik-Tok of Oz, continuity is restored: he reveals that he is able to talk, just like other animals in the Land of Oz, and simply chooses not to. In The Lost Princess of Oz, he often talks continuously. Other major appearances include The Road to Oz, The Emerald City of Oz, Grampa in Oz and The Magical Mimics in Oz, in which he is the first to recognize the Mimics.

In The Wonderful Wizard of Oz, Baum did not specifically state Toto's breed, but wrote "he was a little black dog with long silky hair and small black eyes that twinkled merrily on either side of his funny, wee nose." However, from the illustrations in the first book many have concluded that he is a Cairn Terrier while others believe he is a Yorkshire Terrier as this breed was very popular at the time and it fits the illustration quite well.In subsequent books he becomes a Boston Terrier for reasons that are never explained, but then resumes the earlier look in later books.

Toto plays a central role in several critical points: he runs away at the beginning and end of the book and Dorothy changes plans to catch him; he pulls away the curtain to reveal the Wizard is a fake. Scholar Keri Weil analyzes the role:"Toto is the driving force behind Frank Baum’s narrative because it is Dorothy’s love for the dog that leads her to run away and escape the dreary moral landscape of Kansas and its arbiter, Miss Gulch. “It was Toto who made Dorothy laugh and saved her from growing as grey as her surroundings,” wrote Baum in the original version of the story."

Later works
In Gregory Maguire's novel Wicked: The Life and Times of the Wicked Witch of the West, Toto is a minor character who is only described as being vile and annoying. In the musical adaption Wicked, he is only mentioned briefly when Glinda mistakenly calls him "Dodo".

Michael Morpurgo published Toto: The Wizard of Oz as told by the dog in 2020.

Terry and the MGM film
In the 1939 movie The Wizard of Oz, Toto was played by a female brindle Cairn Terrier named Terry. She was paid a $125 salary each week, which was more than some of the human actors (the Singer Midgets who played the Munchkins reportedly received $50 to $100 a week).

During production, Terry's foot was broken when one of the Winkie guards accidentally stepped on it. A second dog had to be used while she healed. Due to the popularity of the movie, and because that role was the one she was most remembered for, her owner and trainer changed her official name to Toto. She actually appeared in 13 films. She died at age 11. Willard Carroll wrote her "autobiography," I, Toto (2001).

When Terry died in 1945, Carl Spitz buried her on his ranch in Studio City, California. However, the construction of the Ventura Freeway in 1958 destroyed her grave. On June 18, 2011, a permanent memorial for her was dedicated at the Hollywood Forever Cemetery in Los Angeles.

Later film versions

 * In Disney's 1985 movie Return to Oz, Toto was played by a female Border Terrier named Tansy.
 * The 1978 movie version of The Wiz featured a dark gray Schnauzer as Toto.
 * Toto appears in The Wizard of Oz cartoon with his vocal effects provided by Frank Welker.
 * In ABC's telefilm The Muppets' Wizard of Oz, he is played by Pepe the King Prawn.
 * In 1996 an animated series The Oz Kids, Dot and Neddie have a puppy named Toto 2 who is named after him. One of the episodes says it is a female.
 * In the VeggieTales episode "The Wonderful Wizard of Has", he is replaced by a pig named "Tutu".
 * In the Sci-Fi Channel miniseries Tin Man, he is portrayed as a shape-shifting human. He was originally the tutor of DG and her sister, and his name of "Toto" came from DG's childhood inability to say "Tutor". He was played by Blu Mankuma.
 * Toto also appears in the film Inkheart. In it, Silvertongues have the ability to bring a character from book to life by saying the words loud and clear. Meggy accidentally brings Toto out of the book The Wonderful Wizard of Oz and he becomes her companion (until he's sent back into it at the end). He helps defeat the evil shadow monster as well.
 * In the Disney Channel original movie The Cheetah Girls the main character has a dog named Toto. This name is given to him most likely because one of the characters is named Dorothea (Dorothy). However, this dog is a Bichon Frise instead of a black Cairn Terrier.
 * Toto appeared in Dorothy and the Witches of Oz. He lived with Dorothy even when she was invited to New York City to get her books published.
 * Toto appeared in Legends of Oz: Dorothy's Return.
 * Toto is a German Shepherd in NBC's television series Emerald City. Initially a police dog that was in the police car Dorothy retreated to during the initial tornado that sent her to Oz, he is subsequently "adopted" by her in her journey through Oz. His name in Kansas is unknown, but he is named by Dorothy after the Munja'kin word for "dog".
 * Toto appears in the TV series Lost in Oz, voiced by Chris Cox.
 * Toto appears in the TV series Dorothy and the Wizard of Oz.
 * Toto appears in The Lego Movie 2: The Second Part. Alongside Dorothy and her friends, Toto found himself somehow transported from the Land of Oz to Harmony Town in the Systar System.
 * On July 12, 2018, it was announced that Warner Animation Group will produce an animated film about Toto. It will be based on the children's book Toto: The Dog-Gone Amazing Story of The Wizard of Oz. The film was originally scheduled to be theatrically released on February 2, 2024 in the United States. On April 5, 2023, it was taken off the release schedule with Alto Knights taking over its original release date.
 * Although not a direct adaptation to the literature itself, the 2013 Super Sentai series, Zyuden Sentai Kyoryuger features the Deboth Army's members being themed after the characters in The Wonderful Wizard of Oz. Ferocious Knight D is designed with the motif of Toto.
 * In the Alphablocks special The Wizard of Az, O has the role of Toto as “O-O”.

Wizard101
In Wizard101, Toto is adapted as Mr. Toto, a dog man that appears to resemble a terrier. In the sidequest "Not in Kansas Anymore", players meet Dorothy Gale, who asks them to check up on her friends Mr. Toto and the Tin Man, who she was having over dinner. Toto tells them that they haven't left yet because Tin Man couldn't find his oil can, and that he is afraid of seizing up on the way to Dorothy's house. Toto then tells the player to tell Dorothy that they are simply running "late as usual".

Influence
The inspiration for the name Toto is the small town of Toto, Indiana, near the Baum family cottage at Bass Lake.

Toto has been widely recognized as one of the most famous of all dogs in movies and television. For example Time magazine in 2015 includes Toto in "The Most Famous Dogs in Movies and Television". Also in England, Neil Oliver. writes in The Sunday Times that 2020 has been. ”A tornado of anxieties....Like Toto, the little dog in The Wizard of Oz, we find ourselves far from home. I've a feeling we're not in Kansas any more. Also like Toto, no one understands our small voices. In this incomprehensible new place, we are to be silent while others speak." The last point emphasizes how important it is to be a quiet observer.

Members of the American rock band Toto have said the band was named after the dog. Though it was perhaps the original source for the name appearing on their demo tapes, they chose their name based upon the meaning of the Latin word toto ("all-encompassing").

TOTO is a backronym for 'TOtable Tornado Observatory', adapted from the name of Dorothy's dog from The Wizard of Oz. It is an in situ instrument for recording data from tornadoes.

title: Toto (Oz)


text:
Talk:Pirate spider

Edit
I just edited this page as 62.252.0.6. If you have any feedback for me, please use my talk page. -KalevTait

main image
The picture shouldn't be of the egg sac. Lovely as it is, it should be a mature male or female and be captioned as such. 180.155.5.253 (talk) 23:43, 24 January 2016 (UTC)EDAH

 * I agree. I've replaced it. Peter coxhead (talk) 15:49, 25 January 2016 (UTC)

title: Talk:Pirate spider


text:
Stanisław Lubomirski

Stanisław Lubomirski may refer to:

 * Stanisław Lubomirski (d. 1577), Polish nobleman
 * Stanisław Lubomirski (1583–1649), Polish-Lithuanian nobleman
 * Stanisław Herakliusz Lubomirski (1642–1702), Polish nobleman
 * Stanisław Lubomirski (1704–1793), Polish noble and magnate
 * Stanisław Lubomirski (1722–1782), Polish nobleman

title: Stanisław Lubomirski


text:
The Pernicious Enigma

The Pernicious Enigma is the second studio album by the British doom metal band Esoteric. It was released in 1997 through Aesthetic Death Records. The Pernicious Enigma comprises two discs with a total running time of an hour and 55 minutes.

The album has received much praise since its release, and is seen as one of the band's best works. It has been cited to have helped influence the funeral doom and death-doom genres. The album would later be remastered and released as a three-disc vinyl set in 2016, limited to only 600 copies. A CD edition based on this remaster was issued in 2018.

Production
The album was recorded at Rich Bitch Studios during the month of July 1996 and was mixed in October the same year, starting on the 9th and ending on the 15th. Mixing duties were held by the band itself, while the production and engineering featured the band being assisted by Steve Wilson. Anthony Brewer was hired as a session drummer to record on a few tracks on the album. The album was mastered at Strype Audio Studios, Oslo, Norway by Tom Kvalsvoll. The track "NOXBC9701040" was improvised in studio on 21 July 1996.

For the remaster, the album was mixed and mastered by Greg Chandler in 2015. Kevin Metcalfe also helped cut the lacquer used for the record manufacturing for the album at Soundmasters, London, United Kingdom.

Credits

 * Original 1997 edition personnel
 * Bryan Beck – bass guitar, and bass synth
 * Gordon Bicknell – lead guitar, effects, synth
 * Greg Chandler – vocals, effects
 * Simon Phillips – lead guitar, effects, samples
 * Steve Peters – guitar, samples
 * Anthony Brewer – session drums ("Creation (Through Destruction)", "Dominion of Slaves", "Allegiance", "A Worthless Dream", and "Passing through Matter")
 * Steve Wilson - engineering, mixing
 * Tom Kvalsvoll - mastering

 * Additional 2016 remaster personnel
 * Kevin Metcalfe - vinyl master cutting
 * Mauro Berchi - layout
 * Greg Chandler - mastering

title: The Pernicious Enigma


text:
Acadia (federal electoral district)

Acadia was a federal electoral district in Alberta, Canada, that was represented in the House of Commons of Canada from 1925 to 1968.

History
Acadia was created in 1924 from Battle River and Bow River ridings. It was abolished in 1966 when it was redistributed into Battle River, Crowfoot, Medicine Hat, Palliser and Red Deer ridings.

Members of Parliament
This riding elected the following members of Parliament:

 * 1) Robert Gardiner, Progressive/United Farmers (1925–1935)
 * 2) Victor Quelch, Social Credit (1935–1958)
 * 3) Jack Horner, Progressive Conservative (1958–1968)

Election results
† John Naismith campaigned under the All Canadian Party designation, the only candidate ever to do so.

title: Acadia (federal electoral district)


text:
Gold Key Comics

Gold Key Comics was an imprint of American company Western Publishing, created for comic books distributed to newsstands. Also known as Whitman Comics, Gold Key operated from 1962 to 1984.

History
Gold Key Comics was created in 1962, when its parent, Western Publishing Company, switched to in-house publishing rather than packaging content for branding and distribution by its business partner, Dell Comics. Hoping to make their comics more like traditional children's books, they initially eliminated panel line-borders, using just the panel, with its ink and artwork evenly edged, but not bordered by a "container" line. Within a year, they had reverted to using inked panel borders and oval balloons. They experimented with new formats, including Whitman Comic Book, a black-and-white, 136-page, hardcover series consisting of reprints, and Golden Picture Story Book, a tabloid-sized, 52-page, hardcover containing new material. In 1967, Gold Key reprinted a number of selected issues of their comics under the title Top Comics. They were packaged in plastic bags containing five comics each and were sold at gas stations and various eateries. Like Dell, Gold Key was one of the few major American comic book publishers never to display the Comics Code Authority seal on its covers, trading instead on the reputation of its child-friendly stories.

Properties
Gold Key featured a number of licensed properties and several original titles, including a number of publications that were spun off from Dell's Four Color series, or were published as stand-alone titles. Gold Key maintained decent sales numbers throughout the 1960s, due to its offering of many titles based upon popular TV series of the day, as well as numerous titles based on both Walt Disney Studios and Warner Bros. animated properties. It was also the first company to publish comic books based upon the then current NBC TV series Star Trek. While some titles, such as Star Trek and The Twilight Zone, were published for many years, many other licensed titles were characterized by short runs, sometimes publishing no more than one or two issues. Gold Key considered suing over the similarly themed television series Lost in Space for its resemblance to the preexisting Space Family Robinson, but decided their business relationship with CBS and Irwin Allen was more important than any monetary reward resulting from such a suit; as a result, the Gold Key series adopted the branding Space Family Robinson Lost in Space with issue #15 (Jan. 1966), though its narrative had no connection to the TV series.

Editor Chase Craig stated that Gold Key would launch titles with Hanna-Barbera characters with direct adaptations of episodes of the program because "[t]he studio had approval rights and the people there could get pointlessly picky about the material ... but they rarely bothered looking at any issue after the first few. Therefore, it simplified the procedure to do the first and maybe the second issue as an adaptation. They couldn't very well complain that a plot taken from the show was inappropriate".

Over the years, Gold Key lost several properties, including the King Features Syndicate characters (Popeye, Flash Gordon, The Phantom, etc.), to Charlton Comics in 1966, numerous, but not all, Hanna-Barbera characters also to Charlton Comics in 1970, and Star Trek to Marvel Comics in 1979.

Creators
The stable of writers and artists built up by Western Publishing during the Dell Comics era mostly continued into the Gold Key era. In the mid-1960s, a number of artists were recruited by the newly formed Disney Studio Program and thereafter divided their output between the Disney Program and Western. Writer/artist Russ Manning and editor Chase Craig launched the Magnus, Robot Fighter science-fiction series in 1963. Jack Sparling co-created the superhero Tiger Girl with Jerry Siegel in 1968, drew the toyline tie-in Microbots one-shot, and illustrated comic book adaptations of the television series Family Affair and Adam-12. Dan Spiegle worked on Space Family Robinson, The Green Hornet, The Invaders, Korak, Son of Tarzan, Brothers of the Spear, and many of Gold Key's mystery/occult titles. Among the other creators at Gold Key were writers Donald F. Glut, Len Wein, Bob Ogle, John David Warner, Steve Skeates, and Mark Evanier; and artists Cliff Voorhees, Joe Messerli, Carol Lay, Jesse Santos, and Mike Royer. Glut created and wrote several series including The Occult Files of Dr. Spektor, Dagar the Invincible, and Tragg and the Sky Gods. Also in the 1970s, writer Bob Gregory started drawing stories, mostly for Daisy and Donald. Artist/writer Frank Miller had his first published comic book artwork in The Twilight Zone for Gold Key in 1978.

Diana Gabaldon began her career writing for Gold Key, initially sending a query that stated, "I’ve been reading your comics for the last 25 years, and they’ve been getting worse and worse. I’m not sure if I could do better myself, but I’d like to try." Editor Del Connell provided a script sample and bought her second submission.

According to former Western Publishing writer Mark Evanier, during the mid-1960s, comedy writer Jerry Belson, whose writing partner at the time was Garry Marshall, also did scripts for Gold Key while writing for leading TV sitcoms like The Dick Van Dyke Show. Among the comics for which he wrote were The Flintstones, Uncle Scrooge, Daffy Duck, Bugs Bunny, The Three Stooges, and Woody Woodpecker.

Leo Dorfman, creator of Ghosts for DC Comics, also produced supernatural stories for Gold Key's similarly themed Twilight Zone, Ripley's Believe it or Not, Boris Karloff Tales of Mystery, and Grimm's Ghost Stories. One of Gold Key's editors at the time told Mark Evanier, "Leo writes stories and then he decides whether he's going to sell them to DC [for Ghosts] or to us. He tells us that if they come out good, they go to us and if they don't, they go to DC. I assume he tells DC the opposite."

Editor Frank Tedeschi, who left in 1973 for a job in book publishing, helped bring in such new comics professionals as Walt Simonson, Gerry Boudreau, and John David Warner.

Later years
During the 1970s, the entire comics industry experienced a downswing and Gold Key was among the hardest hit. Its editorial policies had not kept pace with the changing times, and suffered an erosion of its base of sales among children, who instead of buying comic books, could now watch cartoons and other entertainment on television for free. It is also alleged by Carmine Infantino that in the mid to late 1960s, DC Comics attempted to pressure Gold Key from the comics business through sheer volume of output. Among the original titles launched by Gold Key in the 1970s were Baby Snoots and Wacky Witch. By 1977, many of the company's series had been cancelled and the surviving titles featured more reprinted material, although Gold Key was able to obtain the rights to publish a comic book series based upon Buck Rogers in the 25th Century between 1979 and 1981. It also lost the rights to publish Star Trek-based comic books to Marvel Comics just prior to the revival of the franchise via Star Trek: The Motion Picture, with the final Gold Key-published Star Trek title being issued in March, 1979.

In this period, Gold Key experimented with digests with some success. In a similar manner, to explore new markets in the mid-1970s, it produced a four-volume series, with somewhat better production values and printing aimed at the emerging collector market, containing classic stories of the Disney characters by Carl Barks and Floyd Gottfredson (Best of Walt Disney's Comics). In the late 1970s, somewhat higher-grade reprints of various licensed characters were also aimed at new venues (Dynabrites), plus Starstream, a four-issue series adapting classic science fiction stories by authors such as Isaac Asimov and John W. Campbell. Golden Press released trade paperback reprint collections such as Walt Disney Christmas Parade, Bugs Bunny Comics-Go-Round, and Star Trek: The Enterprise Logs.

In the late 1970s, the distribution of comic books on spinners and racks at newsstands, drug stores, and supermarkets continued, but Western Publishing also sold packages of three comics in a plastic bag to toy and department stores, gas stations, airports, and bus/train stations, "as well as other outlets that weren't conducive to conventional comic racks". The newsstand comics were returnable; the dealer could return unsold copies to the distributor for a refund, but the bagged comics were not. To discourage unscrupulous dealers from opening the plastic bags and returning the nonreturnable issues, Western published the newsstand versions under the Gold Key Comics label, and put the Whitman Comics logo on the bagged versions, although otherwise the issues were identical.

Western, at one point, also distributed bagged comics from its rival DC Comics under the Whitman logo, as well as that of Marvel Comics, with its diamond (before the direct market even arrived). Former DC Comics executive Paul Levitz stated, "[The] Western program was enormous — even well into the 1970s, they were taking very large numbers of DC titles for distribution (I recall 50,000+ copies offhand)."

In 1979, Western ceased to be an independent company when Mattel Inc. purchased the company. The new management stopped selling returnable comics at newsstands, preferring the nonreturnable bagged comics sold at toy stores.

In a 1993 interview, Del Connell, the managing editor at Western's West Coast office in the late 1970s, recalled,

"...the Western comics line was killed by distribution. Perhaps you know that by early 1980 our comics were only being distributed in bagged sets of three. The Whitman label replaced the Gold Key imprint at that time as the comics could no longer be found on the newsstands, but in department, variety, and grocery stores. Our new management assumed that comics could be treated like coloring books or puzzles. That proved an ill-fated decision. The following years were characterized by delays and erratic distribution."

Eventually, arrangements were made to distribute these releases to the nascent national network of comic-book stores. Western also prepared a prospectus in the early 1980s for a deluxe Carl Barks reprint project aimed at the collector market that was never published.

In December 1983, a struggling Mattel sold Western Publishing to real-estate investor Richard A. Bernstein. Bernstein closed Western's comic-book publishing division in 1984.

Relaunches, reprints, and legacy
Three of Gold Key's original characters, Magnus, Robot Fighter, Doctor Solar, and Turok, Son of Stone, were used in the 1990s to launch Valiant Comics' fictional universe.

Dark Horse Comics (and later, Dynamite Entertainment) have published reprints, including several in hardcover collections, of such original Gold Key titles as Magnus, Robot Fighter; Doctor Solar; Mighty Samson; M.A.R.S. Patrol; Turok: Son of Stone; The Occult Files of Doctor Spektor; Dagar the Invincible; Boris Karloff's Tales of Mystery; Space Family Robinson; Flash Gordon; the Jesse Marsh drawn Tarzan; and some of the Russ Manning-produced Tarzan series. They started several revivals of characters under Jim Shooter, including Doctor Solar, Magnus, Turok, and Mighty Samson. The Checker Book Publishing Group, in conjunction with Paramount Pictures, began reprinting the Gold Key Star Trek series in 2004. Hermes Press reprinted the three series based on Irwin Allen's science-fiction TV series, as well as Gold Key's Dark Shadows, My Favorite Martian, and the Phantom.

Bongo Comics published a parody of Gold Key in Radioactive Man #106 (volume 2 #6, Nov. 2002) with script/layout by Batton Lash and finished art by Mike DeCarlo that Tony Isabella dubbed "a nigh-flawless facsimile of the Gold Key comics published by Western in the early 1960s...from the painting with tasteful come-on copy on the front cover to the same painting, sans logo or other type, presented as a "pin-up" on the back cover".

In June 2001, DIC Entertainment announced they would purchase Golden Books Family Entertainment for US$170million (equivalent to $ million in ) and take it out of bankruptcy. However, DIC would pass off the purchase due to high costs and instead Golden Books Family Entertainment was eventually acquired jointly by Classic Media, owner of the catalog of United Productions of America, and book publisher Random House in a bankruptcy auction for the lower $84.4million (equivalent to $ million in ) on August 16, 2001. In turn, Random House, and Classic Media gained ownership of Golden Books' entertainment catalog (including the family entertainment catalog of Broadway Video which includes the pre-1974 library of Rankin/Bass Productions and the library of Total Television), as well as production, licensing, and merchandising rights for Golden Books' characters and the Gold Key Comics catalogs, while Random House gained Golden Books' book publishing properties. Random House had previously acquired Dell Publishing through a series of mergers since 1976, effectively reuniting the remnants Gold Key Comics and Dell Comics.

On July 23, 2012, Classic Media was acquired by DreamWorks Animation for $155million (equivalent to $ million in ) and renamed DreamWorks Classics. On July 1, 2013, Random House merged with the Penguin Group, forming a new company called Penguin Random House. In April 2016, the acquisition of DreamWorks Animation (owner of DreamWorks Classics) by NBCUniversal was announced.

In 2021, comics creator and hacker Robert Willis obtained a trademark registration for a logo identical to the original Gold Key logo. Later that year the trademark registration was purchased by the newly-formed Gold Key Entertainment LLC. Gold Key Entertainment LLC consists of comic book enthusiasts Lance Linderman, Adam Brooks, Mike Dynes, and Arnold Guerrero. Linderman describes trading a copy of Teenage Mutant Ninja Turtles #1 to Willis for the rights to Gold Key, in a YouTube interview with Carlos Collects Comics. Gold Key Entertainment is currently working with creators to produce new titles.

#

 * 101 Dalmatians (February 1970)
 * 20,000 Leagues Under the Sea (December 1963)
 * 55 Days at Peking (September 1963)
 * 77 Sunset Strip #1–2 (November 1962–February 1963)

A

 * Adam-12 #1–10 (December 1973–February 1976)
 * The Addams Family #1–3 (October 1974–April 1975, based on the 1974 Hanna-Barbera animated series)
 * The Adventures of Robin Hood (March 1974–January 1975, based on the 1973 Disney film)
 * Alice in Wonderland (March 1965)
 * The Amazing Chan and the Chan Clan #1–4 (May 1973–February 1974)
 * Andy Panda #1–23.4 (August 1973–January 1978)
 * Annie Oakley and Tagg #1 (July 1965)
 * The Aristocats (March 1971)
 * The Aristokittens #1–9 (October 1971–October 1975, retitled The Aristokittens and O'Malley the Alley Cat from #3)
 * Astro Boy #1 (August 1965)
 * Atom Ant #1 (January 1966)
 * Augie Doggie #1 (October 1963)

B

 * Baby Snoots #1–22 (August 1970–November 1975)
 * Baloo and Little Britches (Mowgli) #1 (April 1968)
 * Bambi (September 1963)
 * Bamm-Bamm and Pebbles Flintstone #1 (October 1964)
 * The Banana Splits #1–8 (January 1970–October 1971)
 * Barney Google and Snuffy Smith #1 (April 1964)
 * Battle of the Planets #1–10 (June 1979–December 1980)
 * The Beagle Boys #1–47 (November 1964–December 1978)
 * The Beagle Boys vs. Uncle Scrooge #1–12 (March 1979–February 1980)
 * Beatles - Yellow Submarine (1968)
 * Beep Beep the Road Runner #1–88 (October 1966–February 1980)
 * Beetle Bailey #39–53 (November 1962–May 1966)
 * Ben Casey Film Stories #1 (1962)
 * Beneath the Planet of the Apes (December 1970)
 * The Best of Bugs Bunny #1–2 (October 1966–October 1968)
 * The Best of Donald Duck #1 (November 1965)
 * The Best of Donald Duck and Uncle Scrooge #1–2 (1964–September 1967)
 * The Best of Uncle Scrooge and Donald Duck #1 (November 1966)
 * Big Red (November 1962)
 * The Black Hole #1–4 (March–September 1980, the later two issues are set after the events of the film)
 * Blackbeard's Ghost (June 1968)
 * Blake Harper, City Surgeon #1 (August 1963)
 * Bonanza #1–37 (August 1962–August 1970)
 * Boris Karloff Tales of Mystery #3–97 (April 1963–February 1980, based upon the TV series Thriller and continued from #2 of the former title)
 * Boris Karloff Thriller #1–2 (October 1962–January 1963, based upon the TV series Thriller)
 * Brothers of the Spear #1–18 (June 1972–May 1982, originally a backup series in Tarzan)
 * Buck Rogers #1 (October 1964, adapting the comic strip)
 * Buck Rogers in the 25th Century #1–16 (July 1979–May 1982, adapting the 1979-81 TV series)
 * Buffalo Bill Jr. #1 (June 1965)
 * Bugs Bunny #86–218 (October 1962–March 1980)
 * Bugs Bunny and Porky Pig #1 (September 1965)
 * Bugs Bunny Winter Fun #1 (December 1967)
 * Bullwhip Griffin (June 1967)
 * Bullwinkle and Rocky #1–25 (November 1962–February 1980)

C

 * Captain Johner and the Aliens #1 (September–December 1967)
 * Captain Nice #1 (November 1967)
 * Captain Sindbad (September 1963)
 * Captain Venture and the Land Beneath the Sea #1–2 (October 1968–October 1969)
 * Cave Kids #1–16 (February 1963–March 1967)
 * Checkmate #1–2 (October–December 1962)
 * Chip 'n' Dale #1–64 (September 1967–January 1980)
 * Chitty Chitty Bang Bang (February 1969)
 * Choo-Choo Charlie #1 (December 1969)
 * Cinderella (August 1965)
 * The Close Shaves of Pauline Peril #1–4 (June 1970–March 1971)
 * The Colossal Show #1 (1969)
 * Condorman #1–3 (November 1981–January 1982)
 * Cowboy in Africa #1 (March 1968)

D

 * Dagar the Invincible #1–19 (October 1972–January 1982)
 * Daffy Duck #31–127 (December 1962–February 1980)
 * Daisy and Donald #1–41 (May 1973–November 1979)
 * Daniel Boone #1–15 (January 1965–April 1969)
 * Darby O'Gill and the Little People (January 1970)
 * Dark Shadows #1–35 (March 1968–February 1976)
 * Davy Crockett, King of the Wild Frontier #1–2 (December 1963–November 1969)
 * Dear Nancy Parker #1–2 (June–September 1963)
 * Deputy Dawg #1 (August 1965)
 * Deputy Dawg Presents Dinky Duck and Hashimoto-san #1 (August 1965)
 * Doc Savage #1 (November 1966, the comic was to tie into an ultimately unproduced movie)
 * Doctor Solar #1–27 (October 1962–April 1969)
 * Donald Duck #85–211 (December 1962–September 1979)
 * Donald Duck Album #1–2 (August–September 1963)
 * Donald Duck Beach Party #1 (September 1965)
 * Duke of the K-9 Patrol #1 (April 1963)
 * Dumbo (October 1963)

E

 * El Dorado (October 1967)
 * Emil and the Detectives (February 1965)
 * Escapade in Florence (January 1963)

F

 * The Fall of the Roman Empire (July 1964)
 * Family Affair #1–4 (January–October 1970)
 * Fantastic Voyage (February 1967, based on the film)
 * Fantastic Voyage #1–2 (August–December 1969, based on the TV series)
 * The Fantastic Voyages of Sindbad #1–2 (October 1965–June 1967)
 * Fat Albert and the Cosby Kids #1–29 (March 1974–February 1979)
 * The Fighting Prince of Donegal (January 1967)
 * First Men in the Moon (March 1965)
 * Flash Gordon #1 (June 1965)
 * The Flintstones #7–60 (October 1962–September 1970)
 * The Flintstones at the New York's World Fair (1964)
 * Flipper #1–3 (April 1964–November 1967)
 * The Flintstones – Bigger and Boulder #1–2 (November 1962, June 1966)
 * The Flintstones on the Rocks (September 1961)
 * The Flintstones – with Pebbles and Bamm-Bamm (November 1965)
 * The Fox and the Hound #1–3 (August–October 1981)
 * Fractured Fairy Tales #1 (October 1962)
 * Frankenstein Jr. and The Impossibles #1 (January 1967)
 * Freedom Agent #1 (May 1963)
 * The Funky Phantom #1–13 (March 1972–March 1975)
 * Fury #1 (November 1962)

G

 * G-8 and His Battle Aces #1 (October 1966)
 * The Gallant Men (October 1963)
 * Gallegher, Boy Reporter #1 (May 1965)
 * Gay Purr-ee (January 1963)
 * George of the Jungle – with Tom Slick and Super Chicken #1–2 (February–October 1969)
 * The Girl from U.N.C.L.E. #1–5 (January–October 1966)
 * The Gnome-Mobile (October 1967)
 * Gold Key Champion #1–2 (May 1978)
 * Gold Key Spotlight #1–11 (May 1976–February 1978)
 * Golden Comics Digest #1–48 (May 1969–January 1976)
 * Gomer Pyle, U.S.M.C. #1–3 (July 1966–October 1967)
 * Goodbye, Mr. Chips (June 1970)
 * The Governor and J.J. #1–3 (February–August 1970)
 * The Green Hornet #1–3 (February–August 1967)
 * Grimm's Ghost Stories #1–54 (January 1972–November 1979)
 * Gunsmoke #1–6 (February 1969–February 1970)

H

 * The Hair Bear Bunch #1–9 (February 1972–February 1974)
 * Hanna-Barbera Band Wagon #1–3 (October 1962–April 1963)
 * Hanna-Barbera Fun-In #1–15 (February 1970–December 1974)
 * Hanna-Barbera Hi-Adventure Heroes #1–2 (May–August 1969)
 * Hanna-Barbera Super TV Heroes #1–7 (April 1968–September 1969)
 * The Happiest Millionaire (April 1968)
 * Happy Days #1–6 (March 1979–January 1980)
 * The Hardy Boys #1–4 (April 1970–January 1971, based on the Filmation cartoon series)
 * Harlem Globetrotters #1–12 (April 1972–January 1975)
 * Hawaiian Eye #1 (July 1963)
 * Heckle and Jeckle #1–4 (November 1962–August 1963)
 * Hector Heathcote #1 (March 1964)
 * Hey There, It's Yogi Bear! (September 1964)
 * The High Chaparral #1 (1968)
 * Honey West #1 (September 1966)
 * The Horse Without a Head (January 1964)
 * How the West Was Won (July 1963)
 * H.R. Pufnstuf #1–8 (October 1970–July 1972)
 * Huckleberry Hound #18–43 (October 1962–October 1970)
 * Huey, Dewey and Louie – Junior Woodchucks #1–61 (August 1966–February 1980)

I

 * I Spy #1–6 (August 1966–September 1968)
 * In Search of the Castaways (March 1963)
 * The Inspector #1–19 (July 1974–February 1978)
 * The Invaders #1–4 (October 1967–October 1968)
 * It's About Time #1 (January 1967)

J

 * Jet Dream #1 (June 1968)
 * The Jetsons #1–36 (January 1963–September 1970)
 * John Carter of Mars #1–3 (April–October 1964)
 * John Steed Emma Peel #1 (November 1968, based on The Avengers TV series and retitled to avoid confusion with the Marvel comic book bearing the same title)
 * John Steele Secret Agent #1 (December 1964)
 * Judge Colt #1–4 (October 1969–September 1970)
 * The Jungle Book (March 1968)

K

 * Kidnapped (June 1963)
 * King Kong (September 1968)
 * King Leonardo and His Short Subjects #1–4 (May 1962–September 1963)
 * King Louie and Mowgli (Little Britches) #1 (May 1968)
 * Korak, Son of Tarzan #1–45 (January 1964–January 1972)
 * Krazy Kat #1 (October 1963)
 * The Krofft Supershow #1–6 (April 1978–January 1979)

L

 * Lady and the Tramp (January 1963)
 * Lancelot Link, Secret Chimp #1–8 (May 1971–February 1973)
 * Lancer #1–3 (February 1968–September 1969)
 * Land of the Giants #1–5 (November 1968–September 1969)
 * Laredo #1 (June 1966)
 * Lassie #59–70 (October 1962–July 1969)
 * Laurel and Hardy #1–2 (January–October 1967)
 * The Legend of Lobo (March 1963)
 * The Legend of Jesse James (February 1966)
 * The Legend of Young Dick Turpin (May 1966)
 * Lidsville #1–5 (October 1972–October 1973)
 * Linus the Lionhearted #1 (Gold Key Comics, September 1965)
 * The Lion (January 1963)
 * Lippy the Lion and Hardy Har Har #1 (Gold Key Comics, March 1963)
 * Little Lulu #165–257 (October 1962–January 1980)
 * Little Lulu Summer Camp #1 (August 1967)
 * Little Lulu Trick 'n' Treat #1 (December 1962)
 * The Little Monsters #1–44 (November 1964–February 1978)
 * The Little Stooges #1–7 (September 1972–March 1974)
 * The Lone Ranger #1–28 (September 1964–March 1977)
 * The Lone Ranger Golden West #1 (October 1966)
 * Looney Tunes #1–47 (April 1975–December 1982)
 * Lord Jim (September 1965)
 * The Love Bug (June 1969)
 * Lt. Robin Crusoe, U.S.N. (October 1966)
 * The Lucy Show (June 1963–June 1964)

M

 * M.A.R.S. Patrol Total War #1– (July 1965–, initially titled Total War for the first two issues)
 * Magilla Gorilla #1–10 (May 1964–December 1968)
 * Magnus Robot Fighter 4000 A.D. #1–46 (February 1963–January 1977)
 * The Man from U.N.C.L.E. #1–22 (May 1965–April 1969)
 * Mary Poppins (January 1965)
 * Maya (March 1968)
 * Merlin Jones as The Monkey's Uncle (October 1965)
 * McLintock! (March 1964)
 * Mickey Mouse #85–204 (November 1962–February 1980)
 * Mickey Mouse Album #1 (September 1963)
 * Mickey Mouse Club #1 (January 1964)
 * The Microbots #1 (December 1971)
 * The Mighty Hercules (July–November 1963)
 * Mighty Mouse #156–160 (October 1962–October 1963)
 * Mighty Samson #1–31 (July 1964–March 1976)
 * Milton the Monster and Fearless Fly #1 (May 1966)
 * Miracle of the White Stallions (June 1963)
 * The Misadventures of Merlin Jones (May 1964)
 * Mister Ed the Talking Horse #1–6 (November 1962–February 1964)
 * Moby Duck #1–30 (October 1967–March 1978)
 * Mod Wheels #1–19 (February 1971–February 1976)
 * The Modniks #1–2 (August 1967–August 1970)
 * The Moon-Spinners (October 1964)
 * Mr. and Mrs. J. Evil Scientist #1–4 (November 1963–September 1966)
 * Mutiny on the Bounty (February 1963)
 * The Munsters #1–16 (January 1965–February 1968)
 * Mushmouse and Punkin Puss #1 (September 1965)
 * My Favorite Martian #1–9 (January 1964–October 1966)
 * Mystery Comics Digest #1–26 (March 1972–November 1975)

N

 * National Velvet #1–2 (December 1962–March 1963)
 * The New Adventures of Huck Finn #1 (December 1968)
 * New Terrytoons TV Time #1–54 (October 1962–January 1979)
 * The Nurses #1–3 (April–October 1963)

O

 * The Occult Files of Dr. Spektor #1–24 (April 1973–February 1977)
 * O.G. Whiz #1–11 (February 1971–January 1979)
 * Old Yeller (January 1966)
 * O'Malley and the Alley Cats #1–9 (April 1971–January 1974)
 * The Owl #1–2 (April 1967–April 1968)

P

 * Pebbles Flintstone #1 (September 1963)
 * Peter Potamus #1 (January 1965)
 * The Phantom #1–17 (November 1962–July 1966)
 * The Phantom Blot #1–7 (October 1964–November 1966)
 * The Pink Panther and the Inspector #1–87 (April 1971–March 1984)
 * Popeye the Sailor #66–80, #139–171 (October 1962–May 1966, May 1978 – 1982)
 * Porky Pig #1–109 (January 1965–June 1984)
 * PT 109 (September 1964)

R

 * Raggedy Ann and Andy #1–6 (December 1971–September 1973)
 * Rawhide #1–2 (April–July 1963–October 1963-January 1964)
 * The Rifleman #13–20 (November 1962–October 1964)
 * Rio Conchos (March 1965)
 * Ripley's Believe It or Not! with three subtitles: "True War Stories" (#1 and #5), "True Demons & Monsters" (#7, #10, #19, #22, #25, #26 and #29) and "True Ghost stories" (remaining numbers) - not to be confused with the three issue Harvey Comic of 1953. #4–94 (April 1967–February 1980)
 * Rocky and His Fiendish Friends #1–5 (October 1962–September 1963)
 * The Roman Holidays #1–4 (February–November 1973)
 * Roy Rogers and Trigger #1 (April 1967)
 * Run, Buddy, Run! #1 (June 1967)

S

 * Scamp #1–45 (December 1967–January 1979)
 * The Scarecrow of Romney Marsh #1–3 (April 1964–October 1965)
 * Scooby-Doo, Where Are You! #1–30 (March 1970–February 1975)
 * Secret Agent #1–2 (November 1966–January 1968, based upon the TV series Danger Man)
 * Secret Squirrel #1 (October 1966)
 * The Shaggy Dog and The Absent-Minded Professor (August 1967)
 * Smokey Bear #1–13 (February 1970–March 1973)
 * Snagglepuss #1–4 (October 1962–June 1963)
 * Snooper and Blabber, Detectives #1–3 (November 1962–May 1963)
 * Snow White and the Seven Dwarfs (September 1967)
 * Son of Flubber (April 1963)
 * Space Family Robinson #1–59 (December 1962–May 1982, retitled Space Family Robinson – Lost in Space to tie-in with the Lost in Space TV series, but with no narrative connection maintained)
 * Space Ghost #1 (December 1966)
 * Space Mouse #1–5 (November 1962–November 1963)
 * Spine-Tingling Tales #1–4 (May 1975–January 1976)
 * Star Trek #1–61 (July 1967–March 1979)
 * Steve Zodiac and the Fireball XL5 #1 (December 1963)
 * Robin Hood (June 1965)
 * Summer Magic (September 1963)
 * Supercar #1–4 (November 1962–August 1963)
 * Super Goof #1–57 (October 1965–February 1980)
 * Swiss Family Robinson (April 1969)
 * The Sword in the Stone (February 1964)

T

 * Tales of Sword and Sorcery Featuring Dagar the Invincible #1–19 (October 1972–January 1982)
 * Tarzan of the Apes #132–206 (November 1962–February 1972)
 * Tasmanian Devil and His Tasty Friends #1 (November 1962)
 * That Darn Cat (February 1966)
 * Those Magnificent Men in Their Flying Machines (October 1965)
 * The Three Stooges #10–55 (October 1962–June 1972, primarily based on the animated TV series, but also standalone adaptations of later Stooges films)
 * The Three Stooges in Orbit (November 1962)
 * Tiger Girl #1 (September 1968)
 * A Tiger Walks (June 1964)
 * The Time Tunnel #1–2 (February–July 1967)
 * Tom and Jerry #213–344 (November 1962–June 1984)
 * Tono and Kono – The Jungle Twins #1–18 (April 1972–May 1982)
 * Top Cat #4–31 (October 1962–September 1970)
 * Tragg and the Sky Gods #1–9 (June 1975–May 1977)
 * Tubby and the Little Men from Mars (October 1964)
 * Turok, Son of Stone #30–125 (December 1962–January 1980)
 * Tweety and Sylvester ##1–102 (November 1963–February 1980)
 * The Twilight Zone #1–92 (November 1962–May 1982)

U

 * UFO Flying Saucers #1–25 (October 1968–February 1980, retitled UFO and Outer Space from #14)
 * Uncle Scrooge #40–209 (January 1963–March 1984)
 * Uncle Scrooge and Donald Duck #1 (June 1965)
 * Uncle Scrooge and Money (March 1967)
 * Underdog #1–23 (March 1975–February 1979)

V

 * Vacation in Disneyland #1 (August 1965)
 * The Virginian #1 (June 1963)
 * Voyage to the Bottom of the Sea #1–16 (December 1964–May 1969)

W

 * Wacky Adventures of Cracky #1–12 (December 1972–September 1975)
 * Wacky Races #1–7 (August 1969–May 1972)
 * Wacky Witch #1–21 (January 1971–January 1976)
 * Wagon Train #1–4 (January–October 1964)
 * Wally #1–4 (December 1962–September 1963)
 * Walt Disney Comics Digest #1–57 (June 1968–February 1976)
 * Walt Disney Showcase #1–54 (October 1970–January 1980)
 * Walt Disney's Comics and Stories #264–510 (Sept 1962–July 1984)
 * Walt Disney's Christmas Parade #1–9 (January 1963–January 1972)
 * Walt Disney's World of Adventure #1–3 (April–October 1963)
 * Wart and the Wizard #1 (November 1963)
 * Where's Huddles? #1–3 (January–December 1971)
 * Who's Minding the Mint? (August 1967)
 * The Wild Wild West #1–7 (August 1966–October 1969)
 * Winnie the Pooh #1–33 (January 1977–July 1984)
 * Woody Woodpecker #73–201 (October 1962–March 1984)
 * The Wonderful World of the Brothers Grimm (October 1962)
 * Woodsy Owl #1–10 (November 1973–February 1976)

X

 * X: The Man with the X-Ray Eyes (September 1963)

Y

 * Yakky Doodle and Chopper #1 (December 1962)
 * Yogi Bear #10–42 (October 1962–October 1970)
 * Yosemite Sam and Bugs Bunny #1–65 (December 1970–December 1979)

Z

 * Zody the Mod Rob #1 (July 1970)

Collected editions
Several classic Gold Key titles have been archived in high quality Hardcover Collected editions : Beginning with Dark Horse comics in 2007

Dark Horse

 * Doctor Solar, Man of the Atom archives volume 1 ISBN 1-59307-285-6 (reprints #1–7)
 * Doctor Solar, Man of the Atom archives volume 2 ISBN 1-59307-327-5 (reprints #8–14)
 * Doctor Solar, Man of the Atom archives volume 3 ISBN 1-59307-374-7 (reprints #15–22)
 * Doctor Solar, Man of the Atom archives volume 4 ISBN 1-59307-825-0 (reprints #23–31, including The Occult Files of Dr. Spektor issue #14) as well.
 * Boris Karloff Tales of Mystery Archives volume 1
 * Boris Karloff Tales of Mystery Archives volume 2
 * Boris Karloff Tales of Mystery Archives volume 3
 * Boris Karloff Tales of Mystery Archives volume 4
 * Dagar the Invincible Archives Vol. 1	October 2011 ISBN 1595828184 (reprints #1–9)

The Occult Files of Dr. Spektor
 * The Occult Files of Doctor Spektor Archives volume 1 ISBN 1-59582-600-9
 * The Occult Files of Doctor Spektor Archives volume 2 ISBN 1-59582-667-X
 * The Occult Files of Doctor Spektor Archives volume 3 ISBN 1-59582-819-2
 * The Occult Files of Doctor Spektor Archives volume 4 ISBN 1-59582-852-4
 * Magnus, Robot Fighter  Archives (volume 1) #1–7 ISBN 978-1593072698 November 2004
 * Magnus, Robot Fighter  Archives (volume 2) #8–14 ISBN 978-1616552947 July 2005
 * Magnus, Robot Fighter  Archives (volume 3) #15–21 ISBN 978-1593073398 October 2006
 * Turok: Son of Stone Archives:
 * Volume 1 (collects Four Color Comics #596 and 656 and Turok #3–6, 224 pages, March 2009, ISBN 1-59582-155-4)
 * Volume 2 (collects Turok #7–12, 224 pages, July 2009, ISBN 1-59582-275-5)
 * Volume 3 (collects Turok #13–18, 224 pages, August 2009, ISBN 1-59582-281-X)
 * Volume 4 (collects Turok #19–24, 224 pages, November 2009, ISBN 1-59582-343-3)
 * Volume 5 (collects Turok #25–30, 224 pages, March 2010, ISBN 1-59582-442-1)
 * Volume 6 (collects Turok #31–35,37, 224 pages, July 2010, ISBN 1-59582-484-7) (#36 reprinted issue #14)
 * Volume 7 (collects Turok #38–43, 216 pages, November 2010, ISBN 1-59582-565-7)
 * Volume 8 (collects Turok #44–50, 232 pages, April 2011, ISBN 1-59582-641-6)
 * Volume 9 (collects Turok #51–53, 55–56, 58–59, 232 pages, November 2010, ISBN 1-59582-789-7) (#54 reprinted issue #26 and #57 reprinted issue #17)
 * Volume 10 (collects Turok #60–67, March 2012, ISBN 1-59582-861-3)
 * Space Family Robinson-Lost in Space Archives volume 1
 * Space Family Robinson-Lost in Space Archives volume 2
 * Space Family Robinson-Lost in Space Archives volume 3
 * Space Family Robinson-Lost in Space Archives volume 4
 * Space Family Robinson-Lost in Space Archives volume 5

IDW Publishing

 * Star Trek Gold Key Archives Volume 1 April 2014 ISBN 1613779224 (hardcover)( Reprinting issues 1-6 )
 * Star Trek Gold Key Archives Volume 2 October 2014 ISBN 1631401084 (hardcover)( Reprinting issues 7-12 )
 * Star Trek Gold Key Archives Volume 3 April 2015 ISBN 1631402315 (hardcover)( Reprinting issues 13-18 )
 * Star Trek Gold Key Archives Volume 4 December 2015 ISBN 1631404490 (hardcover)( Reprinting issues 19-24 )
 * Star Trek Gold Key Archives Volume 5 June 2016 ISBN 1631405985 (hardcover) ( Reprinting issues 25-31 )
 * Star Trek Gold Key Archives Volume 6 July 2017 ISBN 1631407422 (hardcover)( Reprinting issues 32-39 )

Hermes Press

 * I SPY: The Complete Gold Key Comics Collection  Archives (volume 1) Hardcover – October 30, 2013 ISBN 978-1613450604  Hermes Press
 * Dark Shadows: The Complete Series Volume One  Archives (volume 1) second printing Hardcover – March 2, 2021 ISBN 978-1613452233
 * The Phantom Omnibus: The Complete Gold Key Comics Hardcover – July 7, 2015 ISBN 978-1613450765
 * The Phantom The Complete Series: The Gold Key Years Volume 2 Hardcover – March 11, 2014 Hermes Press ISBN 978-1613450239
 * The Phantom the Gold Key Years Volume One (Phantom the Gold Key Years, 1) Hermes Press (March 11, 2014) ISBN  978-1613450239 second printing Hardcover (September 12, 2023) ISBN 978-1613452820
 * The Phantom the Gold Key Years Volume Two (Phantom the Gold Key Years, 2) second printing Hardcover (September 19, 2023) ISBN 978-1613452837
 * Voyage To The Bottom Of The Sea: The Complete Series Volume 2 Hardcover – Hermes Press; First Edition (January 19, 2010) ISBN 978-1932563368
 * Zorro: The Complete Pre-Code Comics Hardcover – Hermes Press Hermes Press; First Edition(November 25, 2014) ISBN 978-1613450666

title: Gold Key Comics


text:
Shaznay Lewis

Tricia Marie "Shaznay" Lewis (born 14 October 1975) is an English singer and songwriter. Lewis rose to fame as a member of the girl group All Saints which she formed with Melanie Blatt in 1993. As a member of All Saints, Lewis won two Brit Awards and an Ivor Novello Award, and co-wrote three of the group's five UK number-one singles: "Never Ever", "Bootie Call" and "Pure Shores". In 2002, Lewis starred in the film Bend It Like Beckham.

Lewis launched her solo career with the release of her debut album Open in 2004. It entered the UK Albums Chart at number 22 and spawned the UK top 10 single "Never Felt Like This Before". Lewis' second album, Pages, was released on 17 May 2024.

1993–2001: All Saints
At a party, Lewis was introduced by friends to Ben Volpeliere-Pierrot of Curiosity Killed the Cat, who took her to the Metamorphosis recording studios on All Saints Road, London, where she started doing backing vocals. It was at the Metamorphosis recording studios where she met Melanie Blatt in 1993 and they proceeded to record together. Together with Simone Rainford they formed the group All Saints 1.9.7.5., which was later renamed All Saints. Soon after, Rainford left the group and Nicole and Natalie Appleton joined.

In 1997, All Saints experienced international success with BRIT Award-winning single "Never Ever", which is co-written by Lewis and topped the charts in the United Kingdom and Australia. The single sold over 1.2 million copies in the United Kingdom, being certified double platinum by the British Phonographic Industry. The same year, the group released their debut album All Saints. Most of the songs were co-written by Lewis and the album reached number two in the United Kingdom. It was eventually certified platinum five times for sales of 1.5 million copies. In 2000 the group released their fourth number one single "Pure Shores", written by Lewis and William Orbit; the single was certified platinum by the BPI for sales of 600,000 copies. The group released their fifth number one single "Black Coffee", which was certified silver for sales of 200,000 copies.

In early 2001, All Saints broke up and Lewis began work on her solo career. The same year she won the Ivor Novello Award for best songwriting.

2002–2004: Open
In 2004, it was reported that Lewis would release her debut solo single "Never Felt Like This Before" on 5 July, which would precede her untitled debut solo album on which she'd worked with numerous writers and producers including: Basement Jaxx, Biz Markie, K-Gee, Bacon and Quarmby and Trevor Jackson. The single reached no. 8 in the United Kingdom. On 19 July she released her debut album Open, and it reached no. 22 in the United Kingdom. Later that year she released new single "You", which peaked at no. 56 in the United Kingdom.

Lewis has also appeared in several films including a role as Mel in the BAFTA and Golden Globe nominated Bend It Like Beckham (2002). She also played a role in Hideous Man (2002). On 14 November 2004 Lewis was involved in the Band Aid 20 re-recording of "Do They Know It's Christmas".

2006–2019: All Saints reunion and songwriting
On 24 January 2006, it was announced that All Saints had reformed with a new recording contract and would release a new album, Studio 1 on 13 November 2006. She performed with All Saints on live television for the first time since reforming on the British light entertainment program Ant & Dec's Saturday Night Takeaway on 21 October 2006. All Saints' comeback began well, with their single, "Rock Steady", reaching no. 3 in the UK Singles Chart. They followed this with the release of their comeback album Studio 1. It peaked at no. 40 in the UK Albums Chart. Parlophone Records then released their second single "Chick Fit", but this failed to reach the chart. All Saints then parted company with their record label.

In January 2008, Lewis featured on the Wideboys track, "Daddy-O". The single was released on 5 May 2008 and peaked at No. 32 in the UK. As a songwriter, Lewis is credited in Westlife's track "Reach Out", which was featured on their 2009 album Where We Are, the CocknBullKid track "Distractions" from her 2011 album Adulthood and the Stooshe single "Black Heart", released as a single in 2012. In August 2012, it was reported Lewis was in the studio with original Sugababes line-up Mutya Keisha Siobhan, writing new material for their debut album. In 2019 Shaznay co-wrote the theme music for the Netflix original series Turn Up Charlie with Idris Elba.

In 2014, All Saints reformed to support the Backstreet Boys for five dates across the UK and Ireland in 2014. On 27 January 2016, it was confirmed that All Saints will release their fourth studio album Red Flag on 8 April 2016. The lead single from the album, "One Strike", preceded the album on 26 February 2016. All Saints more recently released the 2018 album Testament saw the band reunite with producer William Orbit and was preceded by the singles Love Lasts Forever and After All. Both albums were written by Lewis and a string of collaborators including Fred Ball, Invisible Men, Futurecut & many more. To support both album releases, All Saints embarked on two UK tours, headlined festivals across the world and appeared as special guests on Take That's Wonderland Live arena and stadium tour.

In 2019, Lewis co-wrote the theme music for the Netflix original series 'Turn Up Charlie' with Idris Elba.

2023–present: Pages
On 14 November 2023 it was confirmed that Lewis would be performing at Mighty Hoopla in June 2024. On 12 January 2024, she released the single "Miracle", her first solo single in twenty years. In an interview with Entertainment Focus, Lewis said that the song came from "a relentless writing process between Emily Phillips and me. We pushed each other, we changed it a lot until, and when I finally listened to it I realised it was a love song to myself, about the person I’ve been for the past 25 years and where I am now. It’s a message of encouragement to return to my love of writing with self-esteem, and confidence in the way that made me happy."

It was announced on 29 January 2024 that Lewis would release her second studio album, Pages, on 17 May 2024 through 1.9.7.5. Recordings. Further singles, "Kiss of Life", "Good Mourning" (which featured Shola Ama and General Levy)  and "Got to Let Go", preceded the album. Official music videos for "Kiss of Life" and "Good Mourning" were released.

Personal life
Lewis was born in Islington to a Barbadian father and a Jamaican mother.

Despite growing up in a Spurs supporting household, Lewis made three appearances for Arsenal L.F.C. when she was a teenager. On 21 August 2004, Lewis married dancer Christian "Storm" Horsfall. They had their first child, a son named Tyler-Xaine, in February 2006. In November 2009, Lewis and her husband had their second child, a daughter named Tigerlily.

Singles

 * As main artist

 * As featured artist

title: Shaznay Lewis


text:
Talk:Mongoose lemur

Create page
I just created this page as 62.252.0.5. Then, discovering the amount of bad that IP had, I decided it was time to create my own acount. If you have any feedback for me, please use my talk page. -KalevTait 12:13, 12 Dec 2004 (UTC)

External links modified (February 2018)
Hello fellow Wikipedians,

I have just modified 3 external links on Mongoose lemur. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
 * Added archive https://web.archive.org/web/20100720051655/http://www.brookfieldzoo.org/czs/Brookfield/Exhibit-and-Animal-Guide/Hamill-Family-Play-Zoo/Mongoose-Lemur.aspx to http://www.brookfieldzoo.org/czs/Brookfield/Exhibit-and-Animal-Guide/Hamill-Family-Play-Zoo/Mongoose-Lemur.aspx
 * Added archive https://web.archive.org/web/20100606040138/http://www.bristolzoo.org.uk/mongoose-lemur to http://www.bristolzoo.org.uk/mongoose-lemur
 * Added archive https://web.archive.org/web/20040612201536/http://www.rogerwilliamsparkzoo.org/what_to_see/madagascar/lemur_mongoose.cfm to http://www.rogerwilliamsparkzoo.org/what_to_see/madagascar/lemur_mongoose.cfm

When you have finished reviewing my changes, you may follow the instructions on the template below to fix any issues with the URLs.

Cheers.— InternetArchiveBot  (Report bug) 13:23, 4 February 2018 (UTC)

title: Talk:Mongoose lemur


text:
Louis Prosper Gachard

Louis Prosper Gachard (12 March 1800 – 24 December 1885), Belgian man of letters, was born in Paris.

He entered the administration of the national archives in 1826, and was appointed director-general in 1831, a post which he held for fifty-five years. During this long period he reorganized the service, added to the records by copies taken in other European collections, travelled for purposes of study, and carried on a wide correspondence with other keepers of records, and with historical scholars.

He also edited and published many valuable collections of state papers; a full list of his various publications was printed in the Annuaire de l'Académie royale de Belgique by Ch. Piot in 1888, pp. 220–236. It includes 246 entries.

He was the author of several historical writings, of which the best known are Don Carlos et Philippe II (1863), Études et notices historiques concernant l'histoire des Pays-Bas (1863), Histoire de la Belgique au commencement du XVIIIème siècle (1880), Histoire politique et diplomatique de P. P. Rubens (1877), all published at Brussels.

His chief editorial works are the Actes des États généraux des Pays-Bas 1576-1585 (Brussels, 1861–1866), Collection de documens inédits concernant l'histoire de la Belgique (Brussels, 1833 1835), and the Relations des ambassadeurs vénitiens sur Charles V et Philippe II (Brussels, 1855). Gachard died in Brussels on 24 December 1885.

title: Louis Prosper Gachard


text:
Marc Delafontaine

Marc Delafontaine (March 31, 1837/1838, Céligny, Switzerland–1911) was a Swiss chemist and spectroscopist who was involved in discovering and investigating some of the rare earth elements.

Career
Delafontaine studied with Jean Charles Galissard de Marignac at the University of Geneva. He also worked at the University of Geneva.

Delafontaine moved to the United States of America, arriving in New York in 1870, and later becoming a naturalized citizen. He taught in Chicago, Illinois at city high schools, and at a women's college. He also worked as an analytical chemist with the Chicago Police Department.

Holmium
In 1878, along with Jacques-Louis Soret, Delafontaine first observed holmium spectroscopically. In 1879, Per Teodor Cleve chemically separated it from thulium and erbium. All three men are given credit for the element's discovery.

Yttrium, terbium and erbium
In 1843, Carl Gustaf Mosander discovered terbium and erbium as components of yttria. However, this discovery was hotly contested. Spectroscopist Nils Johan Berlin denied that the two elements existed, failing to confirm the existence of "erbia" and suggesting that its name be applied to "terbia".

In 1864, Marc Delafontaine used optical spectroscopy to conclusively prove that yttrium, terbium, and erbium were separate elements. Ironically, however, the confusion that had been introduced between the names continued. Mosander's proposed names were switched, giving the amethyst compound the name "erbium" oxide and the yellow substance the name "terbium" oxide, instead of the other way around as originally proposed.

title: Marc Delafontaine