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Stratosphere Girl

Stratosphere Girl (also known as The Stratosphere Girl in the United States) is a 2004 film from Germany written and directed by Matthias X. Oberg.

The film is about a teenage girl who likes drawing Manga but ended traveling to Japan to work at an exclusive club for rich businessmen. She discovers disturbing case of murder as the film goes on.

Plot
Teenager Angela (Chloé Winkel), who is skilled at drawing, meets and falls in love with an attractive Japanese DJ. Encouraged by him, she goes to Japan to work at an exclusive club for rich businessmen, who like to meet with young blonde women. From the start, the film is surreal with unique characters, clear and sharp cinematography, and slow panning camera work. Manga drawings are also used to enhance the plot and ambiance.

Angela seeks work at the aforementioned club and, after having been begrudgingly let in, she is met with derision by the other girls working there. However, despite having spurned some of the other girls, she soon proves to be a favorite among the patrons by pretending to be a Lolita-style 15-year-old to please the businessmen.

The plot has a sinister undertone of the possibility of murder of a girl, Larissa, whom Angela has replaced. As the film goes on, we learn Larissa was possibly murdered, not by Japanese men in search of sick sexual fantasy fulfillment, but at the envious and jealous hands of her workmates. In the last scenes we learn Larissa lives and, furthermore, this is when Angela is heralded with the contract to be a Manga artist.

title: Stratosphere Girl


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Talk:Physical effects

Untitled
This page definitely needs renaming to "Physical effects", and possibly deletion or redirection to "special effects".
 * Moved it to physical effects with the understanding that it is likely to one day be a robust article describing the various types of physical effects, from puppetry to gimbals to moving sets to car stunts. --Tysto 20:43, 11 January 2006 (UTC)

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Talk:Physical effects


text: User talk:68.53.157.77

title: User talk:68.53.157.77


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Shahabuddin Ahmed

Shahabuddin Ahmed (1 February 1930 – 19 March 2022) was a Bangladeshi politician who served as the President of Bangladesh from 1996 to 2001, and the Chief Justice of Bangladesh from 1990 to 1995. He previously served as the acting president during 1990–91 when Hussain Muhammad Ershad resigned from the post. He headed a caretaker government and held a general election in February 1991.

Early life and education
Ahmed was born on 1 February 1930 in Pamal village in Kendua, Netrokona. His father Talukdar Resat Ahmed Bhuiyan was a philanthropist. After passing the matriculation and intermediate examinations he took admission into the University of Dhaka in 1948, obtained a bachelor's degree in economics in 1951 and a master's in international relations in 1952 as a resident student of Fazlul Haq Hall. He attended a special course in public administration at the University of Oxford.

Career
Ahmed joined the Civil Service of Pakistan in 1954, completed training in the Lahore Civil Service Academy and at the University of Oxford. He was sub-divisional officer of Gopalganj and Natore. In addition he was a deputy commissioner of Faridpur. In 1960, he was transferred to the judicial branch. He worked as additional district and session judge of Dhaka and Barisal, and as district and sessions judge of Comilla and Chittagong. In 1967, he served as a registrar of the High Court of the then East Pakistan in Dhaka. He was elevated to the bench of the High Court on 20 January 1972 and acted on deputation at the Labour Appellate Tribunal for two years, 1973 and 1974.

Ahmed was appointed a judge of the appellate division of the Supreme Court of Bangladesh on 7 February 1980 and was confirmed in this office on 15 April 1981. Ahmed was the chairman of the Commission of Inquiry established under the Commission of Inquiry Act on police firing on the students in mid-February 1983. He was the chairman of the National Pay Commission in 1984 and submitted a report on the basis of which upward revision of pay scale was made.

Caretaker government (1990–1991)
Ahmed was appointed the Chief Justice of Bangladesh on 14 January 1990. Following a public agitation which was led by opposition political parties bent on changing the autocratic system of government and the resignation of the government headed by the then President Hussain Muhammad Ershad, on 6 December 1990, the-then vice-president Moudud Ahmed resigned and Ahmed was appointed the new vice-president. Later that day Ershad resigned and Ahmed took over as the acting President of the country.

Ahmed was chosen by all political parties including Ershad to hold the interim government that would oversee the neutral election to parliament. He administered the oath of office to his council of advisors at Bangabhaban on 9 December 1990 and held the first meeting on 15 December 1990. After the Fifth National Parliamentary Elections held on 27 February 1991, Ahmed handed over the parliamentary ruling power to the newly elected Prime Minister Khaleda Zia. He resigned from the presidency on 9 October 1991 and the next day returned to his previous post of chief justice from which he eventually retired on 1 February 1995.

President of Bangladesh (1996–2001)
Ahmed was elected president unopposed on 23 July 1996 after having been nominated by the Awami League government and sworn in on 9 October the same year. He retired from the office on 14 November 2001. When the Awami League lost the Parliamentary Elections in 2001 he was dubbed a "betrayer" by Sheikh Hasina. He lamented "I am an angel if anything is done according to their desire, otherwise I am a devil."

Philanthropy
Ahmed was chairman of the Bangladesh Red Cross Society, from August 1978 to April 1982 in addition to his duties as a Judge of the Supreme Court. He set up a number of rural hospitals maternity centres, in particular, the Teligati Red Cross Hospital (Netrakona) which was financed by the Swiss Red Cross. He was a member of the Bangladesh Government delegation to the 10th Conference of Foreign Ministers of the Islamic countries (OIC) held in Fez, Morocco in 1979 where the question of setting up an International Islamic Red Crescent Society was debated. On his initiative the Family Planning and Population Control was included in the main function of the Bangladesh Red Cross.

Personal life and legacy
Ahmed was married to Anowara Begum (1937 – 2018). Together they had two sons and three daughters. In 2008, a lake in Gulshan, Dhaka was named Rastrapati Bicharpati Shahabuddin Ahmed Park after Ahmed.

In February 2022, Ahmed was taken to the intensive care unit (ICU) of the Combined Military Hospital (CMH) due to an aging-associated disease. He died on 19 March 2022 at the Combined Military Hospital at the age of 92. Justice Shahabuddin Ahmed Park in Gulshan was named after him.

title: Shahabuddin Ahmed


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KYFQ

KYFQ (91.7 MHz) is a non-commercial FM radio station licensed to Tacoma, Washington, and serving the Seattle-Tacoma radio market. The station is owned by Bible Broadcasting Network, Inc. It airs a Christian talk and teaching radio format.

National religious leaders heard on KYFQ include Chuck Swindoll, Adrian Rogers and Joni Eareckson Tada. Some news and programming is provided by the Salem Radio Network (SRN).

Tacoma School District
In 1949, the station first signed on as KTOY. It was owned by the Tacoma School District and had its studios at its vocational school, which became Bates Technical College in 1991. During the day it was operated by Bates broadcasting students studying under former KJR DJ Lee Perkins. It was powered at 3,500 watts, enough to cover Tacoma and adjacent communities but not the larger Seattle radio market.

From 1978 to 1984, KTOY aired educational programs during the day, with Top 40 hits in the afternoon and evening. Starting at midnight on Friday and lasting until 6:00 p.m. Sunday, KTOY broadcast hip hop music and urban contemporary under the slogan "Giving You The Music of Tomorrow, Today." During 1983-1984, the late night hip-hop program's slogan was "R&B's best in the Pacific Northwest." By 1985, the urban format was no longer the entire weekend.

In the 1980s, the power was increased to 7,900 watts. The station changed its call sign to KTPS-FM for Tacoma Park Schools, in 1986. Then in 1992, the call letters were switched to KBTC for Bates Technical College. The station only played hip-hop and urban music on Sunday for two hours in the form of a top 20 countdown.

Public Radio Capital
KBTC was sold to Public Radio Capital, which then leased the frequency to the University of Washington's college station, 90.3 KEXP. KEXP wanted to extend its signal into the South Sound. So it simulcast its regular alternative rock programming on 91.7, changing its call letters to KXOT.

On November 3, 2005, KEXP announced it was terminating operation on KXOT at the end of the calendar year due to a financial crunch. However, KEXP continued to simulcast on KXOT into 2006 while Public Radio Capital decided what to do with 91.7. On May 24, 2006, NPR network affiliate 94.9 KUOW-FM announced it signed a new lease with PRC. KXOT returned to the air, run by KUOW-FM, but airing alternate programming as KUOW-2, in August 2006.

On May 15, 2012, PRC announced that it would drop its KUOW-2 programming on 91.7 on June 29. However, this was delayed until July 2. The station went silent at midnight on that day, as the station was awaiting a new programming provider.

On January 7, 2013, the station returned to the air, from a new transmitter site on Gold Mountain, coupled with an increase in power to 23,000 watts. The station aired the audio from Washington State's public affairs government television channel TVW.

Bible Broadcasting Network
The Bible Broadcasting Network announced on February 4, 2015, that it would purchase KXOT from PRC for $2.4 million. PRC then took the station off-the-air until the completion of the sale.

Upon taking control on May 13, BBN relaunched the station as KYFQ. The station began running BBN's schedule of Christian talk and teaching programs.

title: KYFQ


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Talk:Grime music

Merge Proposal
Voting for fusing Electro-grime and Rhythm & grime to Grime

Both Electro-grime and Rhythm & grime have too little content, and (arguably) won't be expanded in a long time. I vote for fusing them in Grime as sub-sections. If we ever need to split the page, it can be done at a later time (via the "main article" template, maybe). -ArkBlitz (talk) 20:42, 4 February 2010 (UTC)

 * We don't really vote on Wikipedia, changes are carried out by consensus. I agree that the above articles should be merged here, given they seem unlikely to be expanded for now. They can always be moved back if they care sufficiently expanded.--''' SabreBD  (talk ) 18:53, 17 February 2010 (UTC)
 * Electro article now redirects here. I removed the merge tags from the article because they have been there since 11/08 without any decision. If you want to merge the other one I think you go ahead and do the merge without fear of any strong objection. Beeblebrox (talk) 06:16, 9 March 2010 (UTC)
 * I went ahead and redirected rhythm and grime here too, you can pull any content worth merging from it's history. Beeblebrox (talk) 06:18, 9 March 2010 (UTC)

Dubstep is rather devirative genre, not subgenre of grime
--82.139.5.13 (talk) 09:43, 10 June 2012 (UTC)

Dubstep and Grime are offshoots of the same scene. Essentially it came from UK Garage DJ's (i.e. Slimzee) playing Drum and Bass at half tempo so it was super slow. This in combination with darker grime and in particular a tune called 'Pulse X' by Musical Mob created a discussion around what the new sound was called. There were a number of names and Grime because the most popular first, but and 'dubstep' was named and became popular after. However it technically didn't come from grime, it was born at the same time by some similar (but some different) people in the scenes mentioned above.

Grime is an early mid 90s thing. Around the same time Jungle started showing up.
Zoele (talk) 01:47, 2 July 2012 (UTC)

 * no, it isn't. Kaini (talk) 01:48, 2 July 2012 (UTC)

So they called it Krunk. It is highly similar. Some of it is the same. Guess what that means? — Preceding unsigned comment added by Zoele (talk • contribs) 22:24, 5 June 2013 (UTC)

I wouldn't say it was early-mid 90s but there was at least one grime compilation, called grime, out in 1999 on rephlex, does that not count enough to call it late 90s at least? — Preceding unsigned comment added by 2A02:C7D:2E34:9A00:8D40:3B41:A289:7042 (talk) 21:48, 17 October 2017 (UTC)

Jungle came way before. Bryanlikealioninzion (talk) 12:26, 2 March 2020 (UTC)

A poor viewpoint
The whole article reads like an american magazine article on Grime. This really needs changing, there is not even a mention of the butterz label. — Preceding unsigned comment added by 85.211.3.171 (talk) 18:15, 29 July 2012 (UTC)

Agree... unfortunetly it needs more UK mods who know the roots of the scene.

Bryanlikealioninzion (talk) 12:26, 2 March 2020 (UTC)

Excessive links and artists in the lede.
The lede is just too excessive. All that is necessary are a few examples of each category - pioneers, notables etc. It's not necessary to list all that any given editor either is aware or a fan of. As I stated earlier, there's something wrong when there are more wikilinks in a lede section than non-wikilinked words.

Please discuss why every single one of those links is necessary to be in the lede, and indeed needs linking at all. Show why they are notable using sources, and remember that just because an artist has a wiki article may make them notable for mention in the article - but not necessarily notable for the lede section. By all means if they can be found homes in the article itself put them in - but again - why is the lede being crammed full?

It looks bad, and seems counter-intuitive - generally pioneers are few and far between, yet the article suggests that there are many of them, which dilutes the term "pioneer", whcih is essentially an innovator. Chaheel Riens (talk) 15:24, 2 January 2015 (UTC)

 * Please join a discussion here as to why the lede for this article needs to be crammed with so many artists. The point of the lede is to summarise the article, which means a brief explanation of what follows - and is not an escuxe to list so many artists, especially when it's debateable that they are notable or pioneers - certainly to the level of a mention in the lede.  Notability is not defined simply as having a wiki article, but also measured by mainstream success and reliable sources reporting on them.
 * Please comment here before readding lists - or at the very least use edit summaries to explain your thinking. Thanks.  Chaheel Riens (talk) 18:50, 6 January 2015 (UTC)

Requested move 27 February 2015

 * The following is a closed discussion of a requested move. Please do not modify it. Subsequent comments should be made in a new section on the talk page. Editors desiring to contest the closing decision should consider a move review. No further edits should be made to this section.

The result of the move request was: To be moved as requested. No consensus that it's the primary topic, but there is no opposition to the original move request. Note: the move will require admin assistance, which I will request. — Amakuru (talk) 11:58, 17 March 2015 (UTC)

Grime (music) → Grime music – Standard title form, in line for example with the FA heavy metal music. --Relisted. — Amakuru (talk) 15:14, 9 March 2015 (UTC) -- MA SHAUN IX 00:56, 27 February 2015 (UTC)
 * Comment. Article title should just be Grime per WP:PRIMARYTOPIC. -Neodop (talk) 18:02, 10 March 2015 (UTC)
 * That might indeed be an even better idea.-- MA SHAUN IX 10:30, 11 March 2015 (UTC)
 * Comment - I have no opinion over a change from "Grime (music)" to "Grime music", but would be opposed to just plain "Grime", as I'm not convinced it is indeed a primary topic, and think that the disambig should be retained. Chaheel Riens (talk) 10:40, 11 March 2015 (UTC)
 * I see your point. I'm fine with either version ("grime music" or "grime" as primary topic).-- MA SHAUN IX 14:11, 11 March 2015 (UTC)

 * The above discussion is preserved as an archive of a requested move. Please do not modify it. Subsequent comments should be made in a new section on this talk page or in a move review. No further edits should be made to this section.

D Double E Vs Newham Generals.
D Double E needs more sourcing before he can be considered a Pioneer. There's no notability elsewhere, apart from a single reference which is too esoteric to be considered reliable enough. He's had no mainstream success, doesn't have a wiki article of his own, and the Newham Generals article itself makes no mention of any pioneering work he may have done.

Please discuss and bring references before re-adding. If you find them, I'll not revert and will defend his addition, but as you can see from my editing history on this article, (WP:OWN notwithstanding,) due to the constant addition of any given editors favourite artist or crew, regardless of reliability or elegibility, sources are required - which would be the case even if the previous statement weren't true. Chaheel Riens (talk) 17:17, 18 August 2015 (UTC)

Who does that Chaheel Riens think he is? He doesn't own this article!
I'm completely sick of that Chaheel Riens editor constantly deleting information from this article. All people are doing is adding their favourite Grime MC's into the article, either as Pioneers or notable groups, and he keeps deleting them, using the same arguments of "non-notable", or "unsourced", or "JME didn't enter Grime until 2004, so he's not a pioneer of a musical style that emerged in 2000" and others.

We should be allowed to enter our favourite artists without sourcing - and we shouldn't have to use edit summaries (or the talk page) to justify it either. Everybody in the Grime scene knows that MC Neverheardofhim is the best thing ever. If it was reliably sourced that would mean he's sold out, and is no longer a cool rapper.

Sugessted Page Reformatting
I propose moving the Musical Style section up the page before the national growth section. I think moving the section would create a more cohesive flow of information, seeing that the history section discusses a little bit about the development of the music. — Preceding unsigned comment added by Jenj09 (talk • contribs) 23:51, 10 March 2017 (UTC)

External links modified
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 * Added archive https://web.archive.org/web/20160414215504/https://www.pappzd.com/2012/05/wiley-stealing-mayhems-flow/ to https://www.pappzd.com/2012/05/wiley-stealing-mayhems-flow/
 * Added archive https://web.archive.org/web/20080616024901/http://www.rocksound.tv/articles/166/Dizzee-Rascal---Maths--English.html to http://www.rocksound.tv/articles/166/Dizzee-Rascal---Maths--English.html

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External links modified
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Notability & reliable source missing
Hi

On the subject of grime music East Londons Dejavufm (former pirate radio station) has to be mentioned as its notability and importance in this genres inception is undeniable. Dejavufm's name has been removed somehow as folk try and rewrite history for reason unknown. I quiestion anyone who says this is not try.

just a few independent links http://www.mtv.com/news/2129670/uk-grime-music-a-history/ http://thequietus.com/articles/13488-dizzee-rascal-interview https://www.theguardian.com/music/2017/sep/26/how-southside-allstars-became-grime-social-network-ska-2-nikki-s-nyke https://www.independent.co.uk/arts-entertainment/music/news/stormin-dead-latest-grime-rapper-skin-cancer-aged-died-cursed-mc-tributes-a8217466.html https://www.theguardian.com/music/2014/apr/26/site-and-sound-when-cities-spawn-music-london-grime-trip-hop-bristol https://www.independent.co.uk/life-style/gadgets-and-tech/news/rudimental-design-app-allowing-users-to-livestream-gigs-and-trial-new-material-with-their-followers-a6715586.html http://www.complex.com/music/2018/04/grime-needs-a-shake-up/ http://www.complex.com/music/2018/02/stormin-nasty-crew-sir-spyro-1xtra https://radiotoday.co.uk/2017/10/charlie-sloth-takes-over-radio-1-weeknights/ http://clashmusic.com/features/pied-piper-rapid-and-the-continuing-allure-of-ruff-sqwad — Preceding unsigned comment added by OriginalDJDlux (talk • contribs) 03:03, 18 April 2018 (UTC)

Eco Grime - Derivative or Fusion?
The sources call it a subgenre but I'm not completely sure. After digging into the genre, it seems like a loose umbrella to describe various sounds, many of which seem unrelated to grime. Definitely not a subgenre, but could probably be considered a derivative or fusion imo.

 * https://daily.bandcamp.com/2018/11/13/eco-grime-music-history/
 * https://deeplygood.com/2018/11/16/environmentalism-and-club-music-inside-the-world-of-eco-grime/
 * https://www.residentadvisor.net/reviews/23418
 * https://www.nvrmndus.com/blogs/news/73342277-environmentalism-futurism-electronic-music-we-take-a-nvrlook-eco-grime
 * https://www.residentadvisor.net/reviews/22036

Thoughts? Madbrad200 (talk)

"Cooli Carlito" listed at Redirects for discussion
A discussion is taking place to address the redirect Cooli Carlito. The discussion will occur at Redirects for discussion/Log/2021 February 3 until a consensus is reached, and readers of this page are welcome to contribute to the discussion. Dennis Bratland (talk) 19:45, 3 February 2021 (UTC)

American Grime?
Great article just wondering why there is no mention of the American Grime Scene? From artist Like Scuderia Skoot (who was one of the first if not the first in america), 3iJoe, MC Jumanji, N-Type (who are some of the best in America). There is absolutely no mention of American Grime at all? That just adds to the narrative that Americans dislike Grime music, when there is a whole scene in America We Are Hip Hop (talk) 16:52, 30 January 2024 (UTC)
 * As you've already been notified about, Wikipedia requires reliable sources, which you did not provide in your previous edit. OhNo itsJamie Talk 17:04, 30 January 2024 (UTC)
 * how when the correction was to a section that doesn't mention any sources. It's written that Lady Sovereign does not regard herself as a grime artist without any sources to where she expressed that, i added the context that her success in america inspired the whole American Grime movement. We Are Hip Hop (talk) 17:25, 30 January 2024 (UTC)
 * The existence of other unsourced material does not mean that you can add additional unsourced material. I've removed the unsourced section alluded to above. OhNo itsJamie Talk 17:45, 30 January 2024 (UTC)

title: Talk:Grime music