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PatternShare

PatternShare was a computer software design pattern web resource, hosted by Microsoft. Much of the work was led by Ward Cunningham, of Microsoft. In 2007 Pattern Share was taken offline.

Its aim appeared to be to: bring together pattern summaries from many authors and provide a platform for discussion and further exploration of the interconnections between them.

In 2007 Patternshare.org was taken offline. Reports indicate that the Patterns & Practices team at Microsoft felt that time was better spent integrating P&P principles into re-usable code libraries, as opposed to devoting resources to direct developer education.

title: PatternShare


text:
Wikipedia:Articles for deletion/Bun huggers

 This page is an archive of the discussion about the proposed deletion of the article below. This page is no longer live. Further comments should be made on the article's talk page rather than here so that this page is preserved as an historic record. The result of the debate was MERGED. dbenbenn | talk 21:19, 25 Feb 2005 (UTC)

Bun huggers
Not notable, and unencyclopedic. Spinboy 23:01, 13 Feb 2005 (UTC)
 * Delete, trivial construction, not encyclopedic, unhelpful. Wyss 00:46, 14 Feb 2005 (UTC)
 * Is there somewhere to redirect this? Specific articles of clothing can be encyclopedic, though this is not. Meelar (talk) 02:10, Feb 14, 2005 (UTC)
 * # REDIRECT shorts takes a few seconds. VfD takes five days voting time, plus more processing time for the sysop who handles the results. Be bold. —Charles P. (Mirv) 02:15, 14 Feb 2005 (UTC)
 * Comment: I strongly oppose redirecting things like that without merging the content. Shorts" doesn't say anything specifically about "bun huggers" so anyone who typed that in will be either confused or disappointed. Kappa 05:41, 14 Feb 2005 (UTC)
 * Then why don't you add the specifc part to the article it's re-directed to? Are you not capable? --Spinboy 05:49, 14 Feb 2005 (UTC)
 * Well I've just done that, and expanded with some google results, but if it was redirected without coming to VfD I wouldn't have known about it. Kappa 06:05, 14 Feb 2005 (UTC)
 * Merge and redirect to Shorts. Returns 9,000+ Google hits. Megan1967 06:11, 14 Feb 2005 (UTC)

This page is now preserved as an archive of the debate and, like some other VfD subpages, is no longer 'live'. Subsequent comments on the issue, the deletion, or the decision-making process should be placed on the relevant 'live' pages. Please do not edit this page.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/


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User talk:Diego440

Welcome!

Hello,, and welcome to Wikipedia! Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! Please sign your name on talk pages using four tildes (~~); this will automatically produce your name and the date. If you need help, check out Where to ask a question, ask me on my talk page, or place  on your talk page and someone will show up shortly to answer your questions. Again, welcome! --Etimbo | Talk 23:01, 13 Feb 2005 (UTC)
 * The five pillars of Wikipedia
 * How to edit a page
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Welcome
Hello!

I've noticed that you've been posting to a good number of the automotive articles recently. We're always looking for more enthusiasts to help out with these pages.

I'd like to invite you to join the WikiProject Automobiles, which is an area for the discussion of layouts, conventions, and organization of the automotive articles.

Good luck and happy editing! --Milkmandan 01:09, 2005 Feb 14 (UTC)

 * It looks like your post to my talk page got truncated, but no big deal. I'm not sure what gave you the idea that I thought you had edited the Nash Motors page—the only thing that I can think is that we get a lot of anonymous edits, and it's pretty regular for members of the community to ask others to take a look.  There's a notice on my talk page about that article...but nah, I didn't link you to it.

 * Also, would it be possible for you to include some source information on your images? I usually drop a note into the photos that I've taken that indicate that I'm releasing it into the public domain (or the GFDL, which I usually use); for public domain websites, I presume the procedure would be to include a link on the Image's page and a copy of the text that releases it into the PD.  It's not strictly necessary, but there's usually a lot of confusion when someone wants to use an image for another WikiMedia project (say, the Spanish or German language wikipedia) and they can't verify that the source is actually PD.  Thanks!
 * --Milkmandan 01:52, 2005 Feb 14 (UTC)

 * One more thing, too: it's common practice to sign posts on talk pages with four tildes (i.e., ~ ). It makes figuring out who is who a whole lot easier.  Unfortunately, there are a bunch of these hidden trends that aren't too obvious when first starting out at the Wikipedia.  They're technically documented, but I certainly had a hard time figuring out what was important and what wasn't when I first started, and accordingly made a lot of mistakes.  --Milkmandan 02:30, 2005 Feb 14 (UTC)

 * Hah  pardon my American-ness; I forget that other keyboard layouts exist (although I do personally use Dvorak Simplified Keyboard).  On my layout, tilde is above the backwards apostrophe character ... although I'm not sure if that helps.  It is most certainly on the bar of characters below the Wikipedia edit form, though.  It's the left character in the third-from-last group.  --Milkmandan 03:29, 2005 Feb 14 (UTC)

alright. Sorry for the reposts, but I'm still trying to learn how to use this and kept hitting the back button to rephrase and fix my comments Diego440 03:32, 14 Feb 2005 (UTC)

Auto images
Thanks for all the great photos! Are they all your own pictures? Wow, you must have quite an archive! Note that the Wikifolks will be asking you to add copyright info to the image pages. I'm surprised someone hasn't bugged you about that yet... Well, welcome and thanks! --SFoskett 04:05, Feb 14, 2005 (UTC)

 * When adding images to pages with an infobox, please put the picture IN the box, as shown at Mazda RX-2 and others. If it's the only picture, it goes above the title.  Otherwise, it goes below the model generation (see Mazda RX-7 for an example of this).  Thanks!  --SFoskett 03:22, Feb 15, 2005 (UTC)

 * Here's what I mean: "Infoboxes" are those tables to the right of some car articles (see Mazda RX-7 for example).  We like to put a shot of each car there too.  If you have a picture for a page with an infobox, it would be best to put it in the box instead of separate.  To do this, format it like those on the RX-7 page.  ie:
 * |colspan=2|[[Image:rx7FB.jpg|250px|A first generation RX-7]]
 * |colspan=2|[[Image:rx7FB.jpg|250px|A first generation RX-7]]

 * Put this under the generation heading if there is one or at the top. And thanks again for the great pictures!--SFoskett 16:32, Feb 16, 2005 (UTC)

Welcome & thanks!
More pictures are exactly what the car articles need! Hope you can post a lot more. RivGuySC 04:43, 14 Feb 2005 (UTC)

Image:Lexus-LF-A-Concept-'05.jpg
Are you sure that this is a PD image? I find it hard to believe Lexus would release this into the PD; much more likely that they still hold copyright but permit its reproduction; if so it (and any others you have uploaded) might be better tagged as # --Tagishsimon (talk)

Tilde-less?
Hmmm...you live on a Spanish-speaking island and there's no tilde on your keyboard? That must be inconvenient! RivGuySC 23:49, 14 Feb 2005 (UTC)

Nice Windsor picture
Hey, I just saw the Windsor picture that you added to the Chrysler Windsor page - very nice! user: stude62 user talk:stude62 00:57, 15 Feb 2005 (UTC)

Timo Glock
Excellent work there and on Charlie Whiting - I'd meant to work on both of those, but I never got around to it. Keep it up! — Dan | Talk 22:37, 16 Feb 2005 (UTC)
 * Great! If you're interested in F1, you might like to read and join WikiProject Formula One. Be sure to add to the talk page of any F1-related article you create, and feel free to list or remove articles from Template:WikiProject Formula One and WikiProject Formula One/To-do. — Dan | Talk 14:51, 17 Feb 2005 (UTC)
 * Looks good, and be bold. However, since this is a custom template (i.e. you can feed it parameters) remember that if you change or add any parameters, the template will break on every page where it's used. So if you plan on doing that, check Special:Whatlinkshere/Template:Former F1 driver, and change those articles as necessary. Oh, and don't forget to change the example on WP:F1 as well. — Dan | Talk 23:28, 17 Feb 2005 (UTC)
 * Now that I look at it, it's only used on five driver articles, so that's no big deal anyway. — Dan | Talk 23:29, 17 Feb 2005 (UTC)

Image:Audi-A6.jpg
Hi. Are you sure that Image:Audi-A6.jpg is in the public domain? It looks like an Audi publicity photo to me. If it is, I think it would still be copyrighted, but you could claim fair use and use the template. Either way, it would be good if you added some source info. Thanks, SamH|Talk 15:54, 26 Feb 2005 (UTC).

ping
If you are still around, and interested in a bootcamp, drop me a line! +sj +  20:47, 11 May 2005 (UTC)

Image:Chrysler-300M-'00.jpg
Can you confirm that you took this image? Burgundavia (✈ take a flight?) 13:59, May 27, 2005 (UTC)
 * Cardomain.com says at the bottom "Copyright © 1998-2005 CarDomain Network, Inc. All rights reserved." which makes those images coyright violations. Basically, if the image is not specifically licensed under a free license, then it is copyright.

With that, could you please find all your images from this site, and dump a list on my talk page, so that I can delete them? Burgundavia (✈ take a flight?) 02:47, May 30, 2005 (UTC)

Images
I notice your images are well tagged in terms of licence, but they don't appear to have a source on some of them. Can you clear that up? If you need a hand, give me a shout. Burgundavia (✈ take a flight?) 14:05, May 27, 2005 (UTC)

Image:Koenigsegg-CCR-'04.jpg
Hi, I just wanted to ask where you got the photo from? Not even the Koenigsegg official site has any really good images of the car, only "artistic" photos. Thuresson 15:05, 22 August 2005 (UTC)

2005 USA-Race
DNS stands for when a car does not take a a race start. Makes sense. By having Ret listed that mean the driver has actually started in that race and will count a race starts towards the driver race start tally.. The formation lap does not count as a lap at all as it is not added towards the race classification. For when does a driver 'start' a Grand Prix? To my mind he does so only if he is on the grid when the flag drops or light goes green at the final start. Should a driver have failed to compete the formation lap, for instance (as was the case with Prost at Imola in 1991), he cannot truly be said to have started the race. In the case of restarted events such as the British GP in 1986, poor Jacques Laffite certainly did start the race, but this was declared null and void and he was not presented to take the restart, which is the only one that counts. For true official race results is best to get them off www.forix.com as they receive their race results from the officials. Yes I know formula1.com is official but not 100% official in statistics. If you decide to leave it as Ret then you must give all the drivers a race start count!

I have spend hours in researching and asking many F1 statistician who are famous and know more on Grand Prix. All the statisian I have contacted and got back told me it is actually DNS not Ret, they also have mention the formula1.com is not very accurate with their race results. The formula1.com is incorrect as listing as ret instead of DNS for 2005-USA. This were the responses from the following people. Renowned F1 statistians, like David Hayhoe or Autosport's Peter Higham agree that all Michelin drivers were DNS in 2005-USA, but consider a RET if a driver didn't made a re-start, for example. That was the common view in the past - no contemporary source listed Lauda as a DNS in 1976-Germany - and they simply ignore the current "null and void" FIA rule. I totally agree to change it as DNS not Ret as they didn't take part on the first lap.

Here is a intersting fact. Button will start his 100th race start in the 2005-China race. But according to wikipedia when doing the math by adding all Button race starts it would be his 101st race start in China as Button has been listed as Ret instead of DNS for this year 2005-USA race. Does this make sense to you. That means wikipedia will have an extra race start for all the drivers who have no started in the 2005 USA race have an extra race start which wouldn't be official to the drivers stats.

I am trying to help you all to have accurate data on Formula 1 on wikipedia. I DO beleive the formula1.com site doesn't not give out accurate race classifications. As I have been involved with FORIX and autosport.com for many years as my job is to look for incorrect data on their server. Andreas 04 October 09:36

Image source/licensing for Image:Audi-80-'94.jpg
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Important WikiProject Automobiles Discussion
Hello! As a WikiProject Automobiles member, I just thought you might want to input your opinions on an important discussion we're currently having about whether articles regarding similar vehicles should be merged into one or split by brand. If you would like to comment or read further, please see Wikipedia talk:WikiProject Automobiles. Thank you in advance for your thoughts and feedback. Airline 23:39, 13 February 2006 (UTC)

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F1 portal featured article
The F1 portal (in which I assume you have some degree of interest, as your name is listed on WikiProject_Formula_One) is intended to have a regular rotation of a 'featured article'. I've swapped a few in and out over the last couple of months, but I think it would be better if there were more of a community attempt at deciding this, proposals, votes, that kind of thing. So - why not pop over to Portal_talk:Formula_One and make a suggestion. Ta. 4u1e 00:26, 26 May 2006 (UTC)

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Selected articles on Portal:F1
Hello again.

I dropped notes round a while back to those who have listed themselves at WikiProject_Formula_One to ask for suggestions for selected articles on portal:Formula One. There was a pretty good response, both in terms of how it might work and of articles suggested. Damon Hill came out with the most support and was brought up to Good Article standard after a lot of work by Skully Collins and others before going on as the F1 portal selected article a couple of weeks ago. It is now at Featured Article Candidates as a Featured Article candidate (why not drop by and see if you can help polish it further?).

Several people who responded to the original request suggested that a monthly or bi-weekly 'Selected Article' could act as a catalyst for an improvement drive to get more articles up to a higher standard. Although it wasn't quite what I had in mind when I started, this seemed to work pretty well for the Damon Hill article, so I've drafted up a process for doing this more regularly. See Portal_talk:Formula_One/Management_of_selected_articles for details. Essentially the suggestion is that we vote for an article to improve every couple of weeks and at the end of the improvement process the article goes on the portal as the new 'Selected Article'. I'd be grateful for any comments on how this might work - I'm sure some of you are more familiar with things 'Wiki' than me - as well as your votes for the next candidate (by 16 July).

You may also want to help with the article Gilles Villeneuve, which was the next most popular after Damon Hill. The idea is to try and get it up to GA standard by 16 July and then put it on the portal as the 'Selected Article'. I hope you can help! 4u1e 15:05, 2 July 2006 (UTC)

Image tagging for Image:Buick-Grand-National-'87.jpg
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Image:Cadillac-Eldorado-'67.jpg
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Unspecified source for Image:Ford-Freestyle.jpg
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Orphaned fair use image (Image:Saturn-Sky.jpg)
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Unspecified source for Image:Fiat-Dino-Spyder-2400-'70.jpg
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Other problematic images
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Unspecified source for Image:Ford-Ranchero-'70.jpg
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P.S. Image:Ford-Ranchero-'59.jpg has problems as well.

Image:Chevrolet-Biscayne-'64.jpg listed for deletion
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Image:Lexus-LF-A-Concept-'05.jpg listed for deletion
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Wikiproject Automobiles Notification
Hi Diego440, you were on the list of members at WikiProject Automobiles and we are introducing a new way of listing members, as the old list was becoming too long. Our new method involves having all of our members in a category.

To add yourself to the category just add the userbox to your user page by putting   where you want the userbox. Alternatively if you don't like the userbox you can add   to your userpage.

If you no longer wish to be a member of the project, simply don't add the userbox or category, there's no pressure. Thanks for your time, James086Talk 05:04, 15 December 2006 (UTC)

Image source problem with Image:Lincoln-Futura-Concept-'55.jpg
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As well as adding the source, please add a proper copyright licensing tag if the file doesn't have one already. If you created/took the picture, audio, or video then the GFDL-self tag can be used to release it under the GFDL. If you believe the media meets the criteria at Fair use, use a tag such as or one of the other tags listed at Image copyright tags. See Image copyright tags for the full list of copyright tags that you can use.

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Unreferenced BLPs
Hello Diego440! Thank you for your contributions. I am a bot alerting you that 4 of the articles that you created  are tagged as Unreferenced Biographies of Living Persons. The biographies of living persons policy requires that all personal or potentially controversial information be sourced. In addition, to insure verifiability, all biographies should be based on reliable sources. if you were to bring these articles up to standards, it would greatly help us with the current Category:All_unreferenced_BLPs article backlog. Once the articles are adequately referenced, please remove the unreferencedBLP tag. Here is the list:

Thanks!--DASHBot (talk) 19:08, 8 January 2010 (UTC)
 * 1) Paul England -
 * 2) Gianfranco Brancatelli -
 * 3) Giovanni de Riu -
 * 4) William Ferguson (racing driver) -

ArbCom elections are now open!
MediaWiki message delivery (talk) 12:58, 23 November 2015 (UTC)

title: User talk:Diego440


text: Wikipedia:Articles for deletion/Log/2005 February 14


text:
Choux pastry

Choux pastry, or pâte à choux, is a delicate pastry dough used in many pastries. The essential ingredients are butter, water, flour and eggs.

Instead of a raising agent, choux pastry employs its high moisture content to create steam, as the water in the dough evaporates when baked, puffing the pastry. The pastry is used in many European cuisines, including French and Spanish, and can be used to make many pastries such as eclairs, buns, cream puffs, profiteroles, crullers, beignets, churros and funnel cakes.

History
The term "choux" has two meanings in the early literature. One is a kind of cheese puff, first documented in the 13th century; the other corresponds to the modern choux pastry and is documented in English, German, and French cookbooks in the 16th century. This dough was sometimes baked, sometimes fried. Choux pastry is later widely documented in the 18th century, under names including Pate a la Royale or Paste Royal.

Popelins were common aristocratic desserts in the 16th century, and were flavored with cheese or citrus (for example lemon peel, orange blossom water, etc.). They were prepared from dough that had been dried over a fire to evaporate its water, which was called pâte à chaud (lit. 'hot pastry').

The royal chefs Jean Avice, a pâtissier, and Antoine Carême, who worked in the court of Marie Antoinette, made modifications to the recipe in the 18th century, resulting in the recipe most commonly used now for profiteroles.

The name pouplin (lit. 'baby, small child'), later popelin or poupelin, is attested in around 1349 for a kind of cake made with flour and eggs.

A widely repeated story claims that choux pastry was invented in 1540 by a Pantanelli and a Popelini (neither of whom is ever cited with a first name), supposedly the pastry chefs of Queen Catherine de' Medici, the Italian wife of King Henry II of France. This is part of the fiction that Italian cuisine was introduced to France by her retinue, apparently first mentioned in the 18th century. Pantenelli supposedly invented the dough in 1540, seven years after the arrival of Catherine in France. He is said to have used the dough to make a gâteau named pâte à Pantanelli. Over time, the recipe of the dough evolved, and the name changed to pâte à popelin, which was used to make popelins, named after Pantanelli's successor Popelini. However, the story of Popelini, also called Popelin, only appears in the beginning of the 1890s in the writings of the French pastry chef Pierre Lacam. The story is clearly fictional given that poupelins are attested long before the 16th century, with the name Popelini being created from the word popelin and not the other way around; similarly, Pantarelli appears to be derived from pâte.

Essential ingredients and manner of rising
The ingredients for choux pastry are butter, water, flour and eggs. Like Yorkshire pudding or David Eyre's pancake, instead of a raising agent, it employs high moisture content to create steam during cooking to puff the pastry. The high moisture content is achieved by boiling the water and butter, then adding the flour. The mixture is cooked a few minutes longer, then cooled before adding enough eggs to achieve the desired consistency. The boiling step causes the starch in the flour to gel, allowing the incorporation of more water.

Foods made with choux pastry
This pastry is used to make choux (small puffs), as the name implies, but also profiteroles, croquembouches, éclairs, religieuses, French crullers, beignets, St. Honoré cake, Parisian gnocchi, dumplings, chouquettes (unfilled choux pastry paired with pearl sugar) and gougères.

Choux pastry is usually baked, but for beignets, it is fried. In Spain and Latin America, churros are made of fried choux pastry, sugared and dipped in a thick hot chocolate for breakfast. In Italian cuisine, choux pastry is the base for zeppole di San Giuseppe, which are cream-filled pastries eaten on March 19 for the feast of Saint Joseph. In Austrian cuisine, one variation of Marillenknödel, a sweet apricot dumpling cooked in simmering water, uses choux pastry; in that case it does not puff, but remains relatively dense. Choux pastries are sometimes filled with cream after baking to make cream puffs or éclairs.

A craquelin is covered in a "crackly" sugar topping — and often filled with pastry cream, much like an éclair.

Chouquette
A chouquette, a diminutive of choux, is a small, round, hollow choux pastry covered with pearl sugar. Unlike éclairs, which are also made with choux pastry, chouquettes are bite-sized and the hollow inside is not filled.

Chouquettes originate from Paris, France, and can be enjoyed at anytime of the day, typically for breakfast or as an afternoon snack.

title: Choux pastry


text:
Category talk:Aviation in Ukraine

I think it should be in Category:Ukraine and not lower. As it's our national pride and so forth. Otherwise, there'd be no sense for keeping it. Also, somebody should sort out aircraft(manufacturers) categories - within this one. BTW, do we add categories to DYK :)? AlexPU
 * National pride should have nothing to do with the Wikipedia category system. Neither aviation nor space exploration is a standard top tier category and there is no reason to make an exception. However I have created Category:Science and technology in Ukraine, which is a standard top tier category. CalJW 02:13, 26 September 2005 (UTC)

title: Category talk:Aviation in Ukraine


text:
Pusher

Pusher may refer to:

Film and television

 * Pusher (film series), a trilogy by the Danish director Nicolas Winding Refn
 * Pusher (1996 film), the first film in the series
 * Pusher (2012 film), a British remake of the 1996 film, directed by Luis Prieto
 * The Pusher (film), a 1960 American film directed by Gene Milford, based on an Ed McBain novel
 * "Pusher" (The X-Files), a television episode
 * Pusher, a fictional type of telepathic character in the 2009 film Push

Music

 * Pusher (musician), Canadian musician
 * "The Pusher", a 1968 song by Steppenwolf, written by Hoyt Axton
 * "Pusher", a song by Nickelback from the album Curb, 1996
 * The Pusher (band), a Swedish pop group
 * Pusher, a 2018 album by Dani M

Sports and games

 * Pusher (tennis), a type of defensive tennis player
 * Pusher game, a type of medal game
 * Pusher, a stick used to play underwater hockey
 * Pusher, a game manufactured by Peri Spiele

Transport

 * Pusher (boat), a vessel designed for pushing barges or car floats
 * Pusher configuration, an aircraft configuration
 * Pusher engine, or bank engine, a type of railway locomotive
 * Passenger pusher, a worker who helps people board mass transit vehicles at crowded stops

Other uses

 * Pusher centrifuge, a filtration technique
 * Tool pusher, or just pusher, the manager of an oil rig
 * Pusher, a dealer in the illegal drug trade
 * Pusher, a layer in nuclear weapon design

title: Pusher


text:
Yoshi Touch & Go

Yoshi Touch & Go, known in Japan as Catch! Touch! Yoshi! (キャッチ!タッチ!ヨッシー!), is a video game that was developed and published by Nintendo for the Nintendo DS. It debuted in Japan on January 27, 2005, in North America on March 14, 2005, in Europe on May 6, 2005, and in Australia on May 19, 2005. As of August 2007, the game sold 197,337 copies in Japan. Yoshi Touch & Go was produced by Takashi Tezuka and directed by Hiroyuki Kimura. The game was released on the Wii U Virtual Console in 2015.

The game revolves around Yoshi and Baby Mario/Baby Luigi. Its graphical style and the cast of characters originate from Yoshi's Island. The game heavily utilizes the DS's touch screen capabilities and makes use of the microphone as well. The challenge in the game comes from replaying the same modes over and over to get the best possible score, similar to the classic arcade games of the 1980s.

Gameplay
The game begins with three different gameplay modes: "Score Attack", "Marathon", and the "multiplayer vs. mode". Additionally, the player can unlock "Time Attack" and "Challenge modes" by getting the high score in the "Score Attack" and "Marathon" modes. When the high score on the two new modes is achieved, the mini-game "Balloon Trip" is unlocked. There are two basic level types: a vertical level, where the player must lead Baby Mario through the sky safely to the ground; and a side-scrolling level, where the player takes control over different colored Yoshis, carrying Baby Mario on their back.

As opposed to the earlier Yoshi games, in Yoshi Touch & Go, the player cannot take direct control over the characters. Instead, the Yoshis move from the left to the right automatically at a certain speed. However, the player can draw lines on the lower screen with the stylus, which creates clouds that will support a character. This attribute allows the creation of alternate routes to avoid enemies and obstacles. If the drawn clouds are impeding progress, they disappear by blowing into the microphone. Enemies can be dispatched by drawing circles on them, which puts most of them into a bubble. In the side-scrolling level, a Yoshi can make an egg out of fruits by leading them to its mouth. By tapping on the screen, the Yoshi will launch an egg in that direction, which is useful for defeating enemies or collecting coins and fruits. By tapping on a Yoshi himself, the player can make him jump, and tapping him again while he's in midair will cause him to do a flutter-kick jump.

The Nintendo DS's two screens act as one tall screen, whereas the player can only create clouds on the lower one. However, by throwing eggs in the upper screen it is possible to collect coins or fruits from there. The wireless "multiplayer vs. mode" is an exception to this general layout, as only the lower screen shows the player's view, while the upper screen shows that of the enemy. In the multiplayer mode, the goal is to be faster than the opponent. By clearing out enemies on their own screen, the player can cause spiky obstacles to appear on the opponent's screen.

In some modes, there is a star point counter. Once this reaches 100, a Super Star will appear. If Yoshi touches it or the player drags it to Yoshi, Baby Mario will temporarily become Super Baby Mario, who is considerably faster than Yoshi and has unlimited stars (instead of eggs) to throw. The star points will then return to zero. Also, by feeding fruits to Yoshi a certain number of eggs will be replenished. The number of replenished eggs depends on the fruit consumed (for instance, an apple only refills one egg, while melons refill twenty).

The color of Yoshi that Baby Mario rides depends on the player's score in the vertical falling part of the game. If the player gets 60 points, he will ride a light blue Yoshi, and then the color will go up a level for every other 20 points scored (for instance, pink Yoshi at 80 points, blue Yoshi at 100 points, etc.). The only two exceptions are white and orange Yoshi: In Marathon mode, when Baby Mario changes Yoshis, depending on the player's performance he might start riding a white Yoshi, who will switch to black Yoshi unless it's at the 10,000 meters mark, in which case he will switch over to orange Yoshi. It will then switch to purple Yoshi at 20,000 meters in Marathon. In challenge mode, after the high score is beaten, getting 0 points in the Baby Mario segment of future games will unlock a fast purple Yoshi. The same applies to time attack where a white Yoshi, which has unlimited eggs, can be unlocked.

Development
According to director Hiroyuki Kimura and designer Keizo Ohta, Yoshi Touch & Go was originally planned to be designed for the GameCube as Balloon Trip. A demo of the game was first exhibited during the E3 of 2004 and gained positive responses, causing the executives of Nintendo to greenlight the project. Shigeru Miyamoto felt that the game would create a bigger impact as a DS title.

Yoshi Touch & Go was produced by Takashi Tezuka and directed by Hiroyuki Kimura. The game's musical score was created by Toru Minegishi, Asuka Ohta, and Kazumi Totaka. Baby Mario and Baby Luigi were voiced by Charles Martinet while the voice-over of the Yoshis was done by Totaka, including the 19-note song he performed.

Reception
The game was generally well-received, though not as positive as earlier games of the Yoshi series, such as Yoshi's Island. It holds average ratings of 75% at GameRankings and 73/100 at Metacritic. Craig Harris of IGN said it "is one of the most original and unique games created for the system so far, and it's truly a design that's unlike anything you've played before." He especially commended the multiplayer mode and gave the game an 8.8/10. Additionally, it won the IGN Editors' Choice Award on March 11, 2005.

Some reviewers criticized Yoshi Touch & Go for its lack of storyline and the simple gameplay. GameSpot's Ryan Davis found that he was "going through the same few levels over and over again" and thought the multiplayer mode was not very compelling, concluding that although "the gameplay concepts... are quite good", the overall package "simply lacks substance." Also, the game gathered negative criticism for its price, which was described as too high by some critics. Touch & Go was a moderate success, selling 197,337 copies in Japan.

title: Yoshi Touch & Go


text:
Portal:Canada/Categories

 * To display all subcategories below click on the ►

See also: Index of Canada-related articles and Outline of Canada

title: Portal:Canada/Categories


text:
Wikipedia:Articles for deletion/Rock on

 This page is an archive of the discussion about the proposed deletion of the article below. This page is no longer live. Further comments should be made on the article's talk page rather than here so that this page is preserved as an historic record. The result of the debate was list at WP:CP.

Rock on
Copyvio. Text copied from everything2. Lan3y - Talk 23:06, Feb 13, 2005 (UTC)

 * Delete. If it's a copyvio, list it as a copyvio. Spinboy 23:16, 13 Feb 2005 (UTC)
 * Ok, I updated the listing. Thanks. Lan3y - Talk 23:31, Feb 13, 2005 (UTC)
 * Listed properly as a copyvio --BesigedB (talk) 23:37, 13 Feb 2005 (UTC)

 * Delete, copyright violation. Megan1967 00:04, 14 Feb 2005 (UTC)

This page is now preserved as an archive of the debate and, like some other VfD subpages, is no longer 'live'. Subsequent comments on the issue, the deletion, or the decision-making process should be placed on the relevant 'live' pages. Please do not edit this page.

title: Wikipedia:Articles for deletion/Rock on


text:
Actor (disambiguation)

An actor is a person who plays a role in theater, cinema or television.

Films and entertainment

 * Actor (album), a 2009 album by St. Vincent
 * Actor (1978 film), a 1978 TV movie by American director Norman Lloyd
 * Actor (1993 film), a 1993 film by Iranian director Mohsen Makhmalbaf
 * Actor (2016 film), an Indian Kannada psychological thriller
 * A Screen Actors Guild Award, also known as the Actor

Science and computing

 * Actants, also called "actors", in actor-network theory (a general theory of sociological behaviour), the one who performs the act
 * In Interactions of Actors Theory, excitations in any medium able to produce action, a theory of cybernetics
 * Actor (UML), in requirements analysis and UML
 * Actor model, in concurrency, refers to a model of concurrent computation
 * Actor (programming language), an early object-oriented programming integrated development environment (IDE) for the Windows operating system
 * Actor, one of the two semantic macroroles in Role and reference grammar

Other uses

 * 12238 Actor, Jovian asteroid
 * Actor (law)
 * Actor (mythology), in Greek mythology, refers to a number of characters, including the father of Menoetius and Astyoche
 * Actor (policy debate), the entity that enacts a certain policy action
 * ACTOR (A Commitment to Our Roots), former name of The Hero Initiative
 * "Actor", a 2015 song by Joker Xue
 * Backhoe, part of a digging machine, sometimes called "back actor"

title: Actor (disambiguation)


text:
Ancient music

Ancient music refers to the musical cultures and practices that developed in the literate civilizations of the ancient world, succeeding the music of prehistoric societies and lasting until the Post-classical era. Major centers of ancient music developed in China (the Shang, Zhou, Qin and Han dynasties), Egypt (the Old, Middle and New Kingdoms), Greece (the Archaic, Classical and Hellenistic periods), India (the Maurya, Shunga, Kanva, Kushan, Satavahana and Gupta dynasties), Iran/Persia (the Median, Achaemenid, Seleucid, Parthian and Sasanian Empires), the Maya civilization, Mesopotamia, and Rome (the Roman Republic and Empire). Though extremely diverse, the music of ancient civilizations is frequently characterized by monophony, improvisation, and the dominance of text in musical settings.

Overview
Written musical notation was the first advent of a literate society. During the time of prehistoric music, people had a tendency to primarily express their music and ideas through oral means. However, with the rise of social classes, many European and Asian societies regarded literacy as superior to illiteracy, which caused people to begin writing down their musical notations. This made music evolve from simply hearing music and transmitting it orally, to keeping records and personal interpretations of musical themes.

Egypt
Music has been an integral part of Egyptian culture since antiquity. The ancient Egyptians credited the goddess Bat with the invention of music; though she was later syncretized with another goddess, Hathor. Osiris used Hathor's music to civilize the world. The earliest material and representational evidence of Egyptian musical instruments dates to the Predynastic period, but the evidence is more securely attested in tomb paintings from the Old Kingdom (c. 2575–2134 BCE) when harps, end-blown flutes (held diagonally), and single and double pipes of the clarinet type (with single reeds) were played. Percussion instruments, and lutes were added to orchestras by the Middle Kingdom. Bronze cymbals dating from the Roman period (30 BCE–641 CE) have been found in a tomb on a site near Naucratis. Although experiments have been carried out with surviving Egyptian instruments (on the spacing of holes in flutes and reed pipes, and attempts to reconstruct the stringing of lyres, harps, and lutes), only the Tutankhamun trumpets and some percussion instruments yield any secure idea of how ancient Egyptian instruments sounded. None of the many theories that have been formulated have any adequate foundation.

Mesopotamia
In 1986, Anne Draffkorn Kilmer, professor of ancient history and Mediterranean archaeology at the University of California, Berkeley, published her decipherment of a cuneiform tablet, dating back to 2000 BCE from Nippur, one of the most ancient Sumerian cities. She claimed that the tablet contained fragmentary instructions for performing and composing music in harmonies of thirds, and was written using a diatonic scale. The notation in the first tablet was not as developed as the notation in the later cuneiform Hurrian tablets from Ugarit, dated by Kilmer to about 1250 BCE. The interpretation of the notation system is still controversial (at least five rival interpretations have been published), but it is clear that the notation indicates the names of strings on a lyre, and its tuning is described in other tablets. These tablets represent the earliest recorded melodies, though fragmentary, from anywhere in the world.

Harps of Ur
In 1929, Leonard Woolley discovered pieces of four different harps while excavating the ruins of the ancient city Ur, located in what was Ancient Mesopotamia and what is now contemporary Iraq. The fragments have been dated to 2750 BCE and some are now located at the University of Pennsylvania, the British Museum in London, and in Baghdad. Various reconstructions and restorations of the instruments have been attempted, but it was observed by many that none have been completely satisfactory. Depending on various definitions, they could be classified as lyres rather than harps, the most famous being the bull-headed harp, held in Baghdad. However, the Iraq War in 2003 led to the destruction of the bull-head lyre by looters.

Hurrian music
Among the Hurrian texts from Ugarit are some of the oldest known instances of written music, dating from c. 1400 BCE and including one substantially complete song.

India
The Samaveda consists of a collection (samhita) of hymns, portions of hymns, and detached verses, all but 75 taken from the Rigveda, to be sung, using specifically indicated melodies called Samagana, by Udgatar priests at sacrifices in which the juice of the soma plant, clarified and mixed with milk and other ingredients, is offered in libation to various deities. In ancient India, memorization of the sacred Vedas included up to eleven forms of recitation of the same text.

The Nātya Shastra is an ancient Indian treatise on the performing arts, encompassing theatre, dance and music. It was written at an uncertain date in classical India (200 BCE–200 CE). The Natya Shastra is based upon the much older Natya Veda which contained 36,000 slokas. There are no surviving copies of the Natya Veda. There are scholars who believe that it may have been written by various authors at different times. The most authoritative commentary on the Natya Shastra is Abhinavabharati by Abhinava Gupta.

While much of the discussion of music in the Natyashastra focuses on musical instruments, it also emphasizes several theoretical aspects that remained fundamental to Indian music:
 * 1) Establishment of Shadja as the first, defining note of the scale or grama.
 * 2) Two Principles of Consonance: The first principle states that there exists a fundamental note in the musical scale which is Avinashi (अविनाशी) and Avilopi (अविलोपी) that is, the note is ever-present and unchanging. The second principle, often treated as law, states that there exists a natural consonance between notes; the best between Shadja and Tar Shadja, the next best between Shadja and Pancham.
 * 3) The Natyashastra also suggests the notion of musical modes or jatis which are the origin of the notion of the modern melodic structures known as ragas. Their role in invoking emotions are emphasized; thus compositions emphasizing the notes gandhara or rishabha are said to be related to tragedy (karuna rasa) whereas rishabha is to be emphasized for evoking heroism (vIra rasa).

Jatis are elaborated in greater detail in the text Dattilam, composed around the same time as the Natyashastra.

China
Most guqin books and tablature written before the twentieth century confirm that this is the origin of the guqin, although now it is viewed as mythology. In Chinese literature, the guqin dates back almost 3,000 years, while examples of the instrument have been found in tombs that date back to about 2,000 years ago. Although the ancient literature states its beginnings, the origin of the guqin has still been a subject of debate over the past few decades.

Greece
Ancient Greek musicians developed their own robust system of musical notation. The system was not widely used among Greek musicians, but nonetheless a modest corpus of notated music remains from Ancient Greece and Rome. The epics of Homer were originally sung with instrumental accompaniment, but no notated melodies from Homer are known. Several complete songs exist in ancient Greek musical notation. Three complete hymns by Mesomedes of Crete (2nd century CE) exist in manuscript. In addition, many fragments of Greek music are extant, including fragments from tragedy, among them a choral song by Euripides for his Orestes and an instrumental intermezzo from Sophocles' Ajax.

Rome
The music of ancient Rome borrowed heavily from the music of the cultures that were conquered by the empire, including music of Greece, Egypt, and Persia. Music accompanied many areas of Roman life; including the military, entertainment in the Roman theater, religious ceremonies and practices, and "almost all public/civic occasions."

The philosopher-theorist Boethius translated into Latin and anthologized a number of Greek treatises, including some on music. His work The Principles of Music (better-known under the title De institutione musica) divided music into three types: Musica mundana (music of the universe), musica humana (music of human beings), and musica instrumentalis (instrumental music).

title: Ancient music


text: Portal:Canada/Projects

title: Portal:Canada/Projects


text:
Talk:Hesters Way

Comments
Isn't GCHQ in Benhall? Vanky 23:10, 13 Feb 2005 (UTC)
 * yes. lovechild 11:59, 12 June 2006 (UTC)

Added citation for ASBO comment, but it's not an ideal one. Please find a better citation if possible. lovechild (talk) 01:39, 3 May 2008 (UTC)

Apostrophe in Hester(')s?
Should Hesters Way have an apostrophe? I'm not asking as to whether grammatically it should, but whether the official place name includes one? — Preceding unsigned comment added by 195.188.220.253 (talk) 10:04, 10 April 2014 (UTC)

title: Talk:Hesters Way


text:
Salan

Salan, Salanus or Zalan (Bulgarian and Serbian Cyrillic: Салан or Залан; Zalán; Salanus) was, according to the Gesta Hungarorum, a local Bulgarian voivod (duke) who ruled in the 9th century between Danube and Tisa rivers in the south and the Carpathians in the north. The capital of his voivodship (duchy) was Titel. The exact border of his duchy is not clear: according to some sources, his duchy included present-day northern Serbia, much of present-day central Hungary, present-day eastern Slovakia and part of present-day western Ukraine and northern Romania, while according to other sources, his duchy included only present-day Bačka/Bácska region of Serbia and Hungary.

His name comes from the toponym Szalánkemén (archaically Zoloncaman, today Stari Slankamen).

History
According to Gesta Hungarorum, Salan (Salanus) was an Orthodox vassal of the Byzantine Empire or of the Bulgarian tsar. Serbian historian Dr Aleksa Ivić supposes that Salan was a Slavic king. The chronicle states that he was a descendant of the Bulgarian Khan, who conquered the territory up to the borders of Russia and Poland after the death of Attila the Hun.

At the time of the Hungarian conquest (after 896), Hungarians attacked Salan's voivodship and Bulgarians led by the tsar Simeon came to the aid of voivod Salan. Even the Byzantine Emperor sent auxiliary troops against the Hungarians. The Hungarians defeated a united Bulgarian and Byzantine army led by Salan in the early 10th century on the plains of Alpár and the voivodship of Salan fell under Hungarian rule.

Appearances in popular media
Duke Salan appears as a playable character in the video game Crusader Kings III in the 9th-century start date.

Literature

 * Marko Jovanov, Devet vekova od pomena imena Titela, Titelski letopis, Titel, 2001.
 * Dr Aleksa Ivić, Istorija Srba u Vojvodini, Novi Sad, 1929.
 * Prof.dr Radmilo Petrović, Vojvodina, Beograd, 2003.

title: Salan


text:
The Eye (KUKL album)

The Eye is the debut studio album by Icelandic post-punk band Kukl. It was released in September 1984 by Crass Records. The album peaked at No. 6 in the UK Independent Albums Chart.

A music video for the track "Anna" was released, directed by Tage Ammendrup.

The album has been reissued numerous times: in 1997 by Crass, and in 2002, 2004 and 2008 by One Little Indian.

Production
The Eye was recorded at Southern Studios in January 1984. It was produced by Crass member Penny Rimbaud and engineered by Tony Cook. The cover art was designed by Dada Nana. It was named after Björk's favorite book, Story of the Eye by Georges Bataille (1928), an intense story about a young French couple involved in sexual perversions and violent behaviors. The album included "Dismembered", a new version of the band's first single, "Söngull" (1983), with most of the guitars replaced by pipes and bells.

Critical reception
In a 1984 review at Sounds magazine, David Tibet gave the album a perfect score, saying: "'The Eye' steps boldly out of the supposed confines that the Crass label is meant to impose...and drags the listener into a glacial world of confused emotion and shattered visions." He compared it to The Scream by Siouxsie and the Banshees, "primarily I suppose because of the howling vocals and decaying metal".

AllMusic praised the album, stating that "The Eye is a patently draining affair seemingly devoid of any coherent structure. Repeated spins, however, unearth a highly sophisticated aesthetic that borrows evenly from punk, noisecore, avant garde, and good old-fashioned indie. Although highly discordant and often atonal, it's a curiously engaging record, aided in part by Björk's darkly emotive vocals and the presiding, almost mythical, sense of impending lunacy. It may not be for everyone, but this is gutsy, non-conformist music as authored by one of the most passionate, intense bands in Iceland's esteemed history".

Personnel
Credits adapted from the album's liner notes.

Kukl
 * Björk (credited as "Bjørk") – vocals, woodwinds
 * Einar Örn Benediktsson (credited as "Einar Ørn") – vocals, metal winds
 * Einar Arnaldur Melax (credited as "Melax") – pipe bells, harmonium, all other strings
 * Guðlaugur Kristinn Óttarsson (credited as "God Krist") – electric strings
 * Birgir Mogensen (credited as "Birgir") – bass
 * Sigtryggur Baldursson (credited as "Trix") – drums

Additional personnel
 * Tony Cook – engineering
 * Dada Nana – artwork and design

title: The Eye (KUKL album)


text:
Subhumans (Canadian band)

Subhumans were a Canadian punk rock band formed in Vancouver, British Columbia, Canada in 1978.

Known by pejorative, punk rock nicknames, original members were known simply as "Useless" (Gerry Hannah), "Dimwit" (Ken Montgomery), "Wimpy" (Brian Roy Goble) and "Normal" (Mike Graham).

History
Dimwit quit the band shortly after their first 7" was released to join the Pointed Sticks, and was replaced by Koichi Imagawa, also known as Jim Imagawa, on drums.

In 1981, Hannah left the band and gradually became involved with a small group of underground activists calling themselves Direct Action. In the alternative media they were referred to as the Vancouver 5, but in the mainstream press they were dubbed the Squamish 5. The group, composed of ecologists and feminists, were responsible for a number of actions, including the 14 October 1982 bombing of the Litton Industries plant in Ontario which made guidance systems for cruise missiles. The Litton bombing hurt several plant workers and three police officers were also injured. While Hannah was not part of the Litton bombing, he supported it, and did take part in other actions, as well as planning to rob a Brinks truck to fund future actions. He was arrested on 20 January 1983, along with the four other members of Direct Action. Many benefits were arranged for the group by people such as Jello Biafra and Joey Shithead of D.O.A. to pay lawyers fees but, in the end, Hannah pleaded guilty to avoid years in prison. He received a 10-year sentence and was released after serving 5 years. During his time in prison, he began writing a column for the fanzine, Maximum RocknRoll, which helped maintain his connection to the punk scene. A number of years after his release he was the subject of a documentary film made by B.C. filmmaker Glen Sanford, called Useless.

After Hannah left the band, the Subhumans re-formed with Ron Allan on bass. After Imagawa left the band, Dimwit was briefly back with the Subhumans before Randy Bowman joined in his place. With the line up of Wimpy Roy, Mike Graham, Ron Allan, and Randy Bowman, the Subhumans recorded the album No Wishes, No Prayers for Black Flag's SST Records.

The band split in April 1982. Brian Goble went on to join D.O.A. on bass and occasional lead vocals along with Dimwit on drums. Ron Allan and Mike Normal formed Shanghai Dog with Barry Taylor from The Young Canadians and Doug Andrew (later of Circus in Flames). Randy Bowman joined The Enigmas and later went on to join Vancouver band, The Scramblers, along with Ron Allan. Subhumans’ songs have been covered by many other bands, including D.O.A., NoMeansNo, MDC, Overkill, Jingo de Lunch, and the Vancouver band Cub, and they are highly regarded within the punk community.

A brief reunion saw the band tour western Canada in 1995. The lineup was Hannah and Goble, joined by Jon Williams on guitar and David "Salty" MacAnulty on drums. They released the album Pissed Off … With Good Reason the following year, a compilation of material previously released only on vinyl and previously unreleased recordings, including a live track & 4 demos recorded in 1981 and seven tracks recorded live in Edmonton during the 1995 tour.

In 2005, the Subhumans reunited with the following line-up: Gerry Hannah on bass, Jon Card (ex-Personality Crisis, SNFU and D.O.A.) on drums, Wimpy Roy on vocals and Mike Graham on guitar. They signed to Alternative Tentacles and G7 Welcoming Committee Records. A new album, New Dark Age Parade, was released in September 2006. Death Was Too Kind, a compilation of the band's early singles and EPs, was released in 2008. In 2010, the band released the album Same Thoughts, Different Day, a re-recorded version of their 1980 album Incorrect Thoughts. The band wanted to re-issue the original album, but were blocked by an American record company claiming ownership. Deciding it was likely less expensive than fighting a lengthy legal battle, the band chose to re-record the album, including "bonus songs" from the same era that had been unreleased.

Although no formal break-up announcement was made, a string of shows in 2010 after the album's release proved to be the band's final performances. On December 7, 2014, lead singer Brian Goble died of a heart attack at the age of 57.

The Subhumans were featured in the 2010 documentary film Bloodied but Unbowed, directed by Susanne Tabata.

Singles, 7"s, EPs

 * Death to the Sickoids / Oh Canaduh 7" (1978)
 * The Subhumans EP (Quintessence Records, 1979)
 * Firing Squad" / No Productivity 7" (Quintessence Records, 1980)
 * Demo/EP Limited Edition EP (2005)

Albums

 * Incorrect Thoughts LP on (Friends Records, 1980)
 * No Wishes, No Prayers LP on (SST, 1983)
 * New Dark Age Parade LP (Alternative Tentacles and G7 Welcoming Committee Records, 2006)
 * Same Thoughts, Different Day CD/LP (Alternative Tentacles, 2010)

Anthologies

 * Pissed Off... with Good Reason CD/Cassette (Essential Noise, 1996)
 * Death Was Too Kind CD/LP (Alternative Tentacles, 2008)

Compilations

 * "Death to the Sickoids" and "Urban Guerilla" on Vancouver Complication (1979)
 * "Out of Line" and "Behind The Smile" on Vancouver Independence, Friends Records (1980)
 * "Slave to My Dick" on Let Them Eat Jellybeans! (Alternative Tentacles, 1981)
 * "No Productivity" on Killed By Death #4, Redrum Records (1989
 * "Slave to My Dick" on Last Call: Vancouver Independent Music 1977-1988 (Zulu Records, 1991)
 * "Firing Squad" on Faster & Louder: Hardcore Punk, Vol. 2, (Rhino Entertainment, 1993)

Covered by

 * Overkill covered “Fuck You” on the !!!Fuck You!!! EP (1987)
 * DOA covered "No Productivity" on the "Murder" LP (1990), and also covered "Behind the Smile" for the Terminal City Ricochet film soundtrack (1990).
 * Frank Frink Five "Slave to My Dick (Polka Version)" on "Van-Cover" compilation, Garbonzo Bean Productions, 1986
 * MDC covered "The Big Picture" in their Smoke Signals LP (1986).
 * NoMeansNo covered "Oh Canaduh!" in a 1991 single.
 * Leamers covered "Oh Canaduh!" in the Magic, Yo! EP (2012).

title: Subhumans (Canadian band)


text:
East Rock, New Haven

East Rock is a neighborhood in the city of New Haven, Connecticut, named for nearby East Rock, a prominent trap rock ridge. The area is home to a large group of Yale students, staff, and faculty, as well as many young professionals and families.

About
Writing in the Times Literary Supplement, Hirsh Sawhney describes East Rock as a "yuppie enclave", which is "increasingly composed of wealthy professionals and graduate students, most of whom are affiliated with Yale University, whose lavish campus lies just over a mile away" East Rock is also a popular destination for cyclists, as a city bike lane runs along Orange Street, the neighborhood's spine. East Rock is the safest neighborhood in New Haven County. East Rock is home to East Rock Park, which is frequently visited by families and tourists.

History
The current East Rock neighborhood remained unsettled farmland into the 1800s, when its largest landowner was Abraham Bishop, a prominent New Haven lawyer and businessman. The southernmost streets were developed first, between the late 1830s and 1860, as these were nearest to the industrializing city center. Following Bishop's death in 1844, the rest of the neighborhood was gradually subdivided and developed.

Sub-neighborhoods developed as New Haven continued to industrialize and grow, with immigrants arriving to take newly available jobs. An Irish community developed in Goatville (around Upper State Street) and a Polish population formed around St. Stanislaus Roman Catholic Church. A commercial district developed on Upper State Street. By 1900 most of the neighborhood's land was developed. The final blocks, near East Rock Park, were developed in the first decades of the 1900s.

Throughout its history East Rock has contained residences of faculty and alumni from neighboring Yale University. As the university has grown, the East Rock neighborhood has increasingly housed the university's graduate students and researchers while many faculty now live outside New Haven's borders.

During the late 20th century a series of businesses were developed on primarily residential Orange St, including markets and coffee shops. During the 2010s a large-scale addition of 238 apartments was constructed on the 'Corsair' site, a former airplane propeller factory on Upper State Street.

Geography

The neighborhood is bordered on the north by the town of Hamden, on the east by Amtrak railroad tracks, on the southeast by Interstate 91 (between Exits 3 and 6), on the south by Trumbull Street, and on the west by Whitney Avenue. The northeast corner of the area, separated from the main neighborhood by the Mill River and the East Rock hill, is part of the community known as Cedar Hill.

The neighborhood is divided between New Haven's ninth and tenth aldermanic wards. Before redistricting, it lay in the fifteenth ward; the area was the subject of William Lee Miller's book The Fifteenth Ward and the Great Society. The western half of the neighborhood (west of Orange Street) is within the Whitney Avenue Historic District. The southerly parts of the neighborhood are also listed as historic districts: Upper State Street Historic District along State Street, and Orange Street Historic District along Orange Street. The northern portion of the neighborhood is occupied by part of East Rock Park.

Notable sites

 * East Rock Park
 * New Haven Lawn Club
 * Wilbur Cross High School
 * Worthington Hooker School
 * Cedar Hill neighborhood
 * St. John's Episcopal Church
 * St. Joseph's Catholic Church
 * The Anderson Mansion

Print

 * Harrison's Illustrated Guide: Greater New Haven ISBN 0-927054-39-6
 * The Streets of New Haven – The Origin of Their Names, 2nd edition 1998 ISBN 0-943143-02-0

title: East Rock, New Haven


text: User talk:69.151.56.183

title: User talk:69.151.56.183