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Phalanx (comics)

The Phalanx are a fictional cybernetic species appearing in American comic books published by Marvel Comics. They have come into conflict with the X-Men as well as other groups on several occasions. They form a hive mind, linking each member by a telepathic system.

Publication history
The Phalanx were co-created by writer Scott Lobdell and artist Joe Madureira but owe much in concept and appearance to the original Technarchy by writer Chris Claremont and artist Bill Sienkiewicz. Appearing in prototype variations in earlier issues, the Phalanx are featured in Uncanny X-Men #312 (May 1994).

Origins
While their true origins are still unclear, the Phalanx were thought to be formed when organic lifeforms were infected with the Technarchy's techno-organic transmode virus, but, in fact, they are actually an artificial intelligence that operates on a galactic scale, and they have total control of a host galaxy. The Phalanx were apparently created naturally by the Titans, singularities of consciousness so vast and dense, that they have caved in on their own combined intelligence to form black holes - realms that exist outside normal spacetime and where the Phalanx dwell. The Titans can exist on by themselves or in conjunction with other Titans forming Strongholds and Dominions. A single black hole is a Titan intelligence, up to five black holes confined to a galactic cluster or a dense collection of stacked galaxies is a Stronghold, warring factions seeking to actively destroy or absorb other Strongholds in order to achieve a Dominion status which is when 10 or more of these incomprehensible cosmologically-scaled beings act in unison to control a particular sector or sectors of space in both the area and epochs of time, becoming galaxy-spanning, interconnected tears in the fabric of existence. Because "Dominions represent the highest stage of interstellar intelligence within the Marvel Universe", the "ultimate evolution of machines and artificial intelligence", "with a functionally limitless amount of processing ability and knowledge, a Dominion has godlike powers and exists outside the traditional bonds of time and space. Put more simply, that means a Dominion exists in its most advanced state across all points in time simultaneously". "Outside of abstract forces like Death and Chaos, Dominions are so advanced that their only natural threats are Galactus and the Phoenix".

The Phalanx have existed for 100,000 life cycles and have the collective knowledge of previous generations. They are infected with a Techno-Organic Virus which they use to create semi-autonamous viral mechanisms capable exploration and exploitation of any plane of reality, be it physical in the likes of the Technarchy who classify existing societies and either remove or repurpose them, magical or other forms in the likes of the Astral Technarchy. The Phalanx may even be a higher evolution of the Technarchy or be multiple Technarchies that are unaware of each other's existence. What is known is that their ultimate goal is to consume lesser societies and manage the energy needed for that kind of assimilation as a way to continue to expand and reach the status of a Titan and eventually Dominion. They are extremely advanced and based on the Kardashev scale, they are considered a Type III civilization, and although the Kree's Black Judges were able to capture some of them, to study their hive-mind to see if they could weaponize them and use them against rival empires, they were forced to reject this idea due to their advanced adaptivity. Their fleet consists of a variety of types of ships including cruisers and warships, which they use to invade the space regions of spacefaring civilizations. When they reach a populated planet, they inspect its society first. If the society is judged unworthy or conventional, a Purge is innitiated by way of seeding the planet with the Techno-Organic Virus which compels the victims to infect each other. This standard feeding/self-replicating strategy will eventually reach a critical mass that, by hard-wired instruction, compels the victims to build a "Babel Spire" to contact and attract the Technarchy. Once a Technarch arrives, they invariably destroy the Phalanx "nest", usually by converting the entire planet into techno-organic matter and draining its energy. However, if the society is found worthy or of great interest to the Phalanx, an Ascension occurs. As like the Purge, the planet is seeded with the Techno-Organic Virus, but instead of self-replicating, the society's tangible forms and world become fodder for the Phalanx while the population's minds, memories and intelligence will be rendered as data and transmitted directly to the Phalanx's hive-mind.

Phalanx on Earth
The Phalanx on Earth were initially formed by a group of human mutant haters who voluntarily infected themselves with the Transmode virus, taken from the ashes of Warlock, a renegade Technarch who had joined the New Mutants, in an attempt to turn them into "living Sentinels". Steven Lang, the man who had used the Sentinels against the X-Men many years before, was recruited from a mental hospital to become an "interface". Uninfected by the Transmode virus, Lang was meant to be a buffer, keeping the Phalanx "on track" for its intended purpose. Lang was assisted by Cameron Hodge, a fellow anti-mutant with immortality obtained from the demon N'astirh. Years ago, in a failed effort to contract the Transmode virus, Hodge had killed Warlock. In an attempt to destroy Archangel, Hodge used a Phalanx construct of Candy Southern.

Phalanx' initial attempt to assimilate mutants into its collective was thwarted by the natural resistance of mutants to the Transmode virus. In a scheme to subvert the X-Men's mutant genome knowledge base, Phalanx attacked the X-Mansion, kidnapped most of the X-Men and replaced them with disguised Phalanx members. Banshee returned to the school after the attack and kidnappings. The imposters' ignorance of Professor X's inability to walk alerted Banshee to their deception. Sabretooth, recruited from a cell in the complex, joined with Banshee to save Emma Frost and Jubilee. When Banshee discovered the Phalanx had accessed the location of several young mutants for use in further study, he alerted Wolverine and Cable. In turn, they recruited Cyclops and Jean Grey. Professor X, Excalibur, X-Factor and X-Force sought the location of a third, unknown, group of Phalanx. To prevent the Phalanx from accessing any further information, Banshee destroyed the knowledge base.

While Banshee's group scrambled to save the young mutants, they were followed closely by the Phalanx impersonating several beings, notably police officers. The group was joined by the mutant Synch that could copy powers which proved helpful as Banshee's screams easily subdued many Phalanx entities. The rest of the targeted mutants were being held by Harvest in an old, decommissioned battleship and disguised itself as Gregor, an imprisoned farm boy-type mutant. The disguise was suspected by some of the prisoners. Eventually, the group saved all the targeted new mutants except for Blink having sacrificed herself to save the rest and killing Harvest.

The rest of these young mutants went on to become the core of Generation X, tutored by Banshee and Emma Frost. Meanwhile, the other mutant teams found a group of Phalanx attempting to follow their genetic instruction to construct a Babel Spire to contact the Technarchy. Douglock led a small team consisting of Forge, Wolfsbane and Cannonball in destroying the spire. Cyclops' group assaulted the core Phalanx base on Mount Everest, where the X-Men were held. They were covertly assisted by Lang having realised the Phalanx had grown beyond his ability to manipulate and were threatening the general human population. The smaller Phalanx nests around the world were destroyed as a result of this confrontation.

Much later it was revealed that Mister Sinister managed to capture one member of this techno-organic race and experimented upon it in order to clone himself into the single-minded collective. As Sinister experimented on it, the Phalanx member lost the mental link to its brethren. When Sinister eventually succeeded, he destroyed the lab and everything inside, including most of this being. A scrap of it remained and combined with earthworms, which didn't have minds, so they simply added to its physical makeup, growing and growing slowly. Upon surfacing, it attempted to link up with the Phalanx, but was too weak. Left alone, it eventually discovered that when it attempted to assimilate humans to form a new collective mind, their minds are wiped out and the humans essentially die, adding just their physical mass. Desperate to locate the rest of the Phalanx, to once more feel the sense of unity and togetherness they shared, it absorbed more and more people, hopping to gain the strength needed to signal them. However its energy signature is detected by Agent Abigail Brand of S.W.O.R.D. alerting the X-Men, horrified to find this Phalanx member had absorbed an entire town. As the X-Men face it they can't prevent this Phalanx from turning into a Babel Spire so it could contact the Technarchy, yet, things do not go as it hoped, and the X-Men eventually destroyed the techno-organic virus as Storm wonders, "It said we didn't understand. Could we have understood one another? Is there anything we shared?" Cyclops' response, "I doubt we'll ever know."

Clones of the Phalanx (and others) remain captive in Mister Sinister's prize collection. However, despite Sinister's best efforts, they were wiped from existence by the Phoenix Force.

The Shi'ar Massacre
Another group of Phalanx later almost decimated the Shi'ar Empire in the absence of the Imperial Guard. With their bodies now pitch-black, except for a few red and blue glowing sensor slits, this new breed only displayed the basic Phalanx and Technarchy features while shapeshifting or when individuals were damaged. These Phalanx also considered themselves as "pure" Phalanx compared to such sects like the one on Earth and hadn't any reservations about infecting mutants with the transmode virus as they almost transformed Rogue. The Phalanx made their way to Chandilar, the throneworld of the Shi'ar Empire where they tried to assimilate the "Nest", actually the hatching chamber where all Shi'ar eggs were being nurtured. Had they succeeded, the entire next generation of Shi'ar would have become part of the Phalanx collective. However, Beast developed a device that would emit a certain frequency to separate the organic from the technological part, causing all Phalanx within its range to dissolve but not before thousands or more Shi'ar were massacred. The rest of this group later conquered another planet, but were destroyed by the Magus after the construction of a Babel Spire.

Annihilation: Conquest
A new breed of Phalanx is the primary villain with the Super-Adaptoid as an enforcer. They tried to begin where Annihilus left off. When the Kree began the test of the new defensive network, the Phalanx managed to corrupt the system directly through the Kree homeworld of Hala, surrounding the entire Kree Empire in an inescapable energy barrier. They also spread their Transmode Virus, turning all organic life forms into Phalanx, fully under their control and members of their single-minded matrix. High-powered beings such as Ronan the Accuser were made into their group Select, used to cut off any attempts to stop the spread and control of the Phalanx. The Kree who didn't fall under control fought back against their oppressors as well as Quasar (Phyla Vell), Moondragon, Adam Warlock, Star-Lord and the Dirty Half Dozen only to discover that they were under Ultron's guidance whom they initially tried to assimilate as they've done with countless others. However, this lean, mean, diabolical machine turned the tables on his foes - taking over their entire hive-mind! .

It was later revealed that the Kree had in the past, captured several hive-mind species, to weaponize them and use them against rival empires, among them the Phalanx. They were however deemed a failure by the Black Judges due to their advanced adaptivity.

Moira's 6th Life
In the timeline created by the sixth life of Moira MacTaggert, the war between humans, mutants, and machines ended with the emergence of post-humans, the genetically engineered next step of human evolution that quickly took over Earth and reigned as its dominant species for a millennium. Like the Children of the Vault, these genetically engineered superhumans were known as the Homo novissima.

In hopes of preserving their civilization, these post-humans turned the planet Nibiru into a planet-size artificial intelligence, Nimbus, to draw the attention of a stronger civilization that could help them ascend to the next galactic level. Subsequently, the Phalanx found and absorbed Nibiru and followed the implicit invitation to Earth.

After reaching Earth, the Phalanx announced they would absorb and assimilate the post-humans’ intelligence and preserve it as part of their collective as well as the larger Dominion they served therefore initiating the "Ascencion". While this would allow post-human culture, history, and collective consciousness to exist outside of the bounds of space-time, the Phalanx would have to destroy every living thing on Earth to harvest enough energy for the expansion process.

Although one post-human Elder was assimilated and killed through this process, the death of Moira MacTaggert ended this timeline before the Phalanx could consume the post-humans and make their machine intelligence part of a Dominion.

Experimentation
Given the powerful nature of the Phalanx, different individuals and governments attempted to experiment with the alien race.

 * British intelligence group Black Air acquired several Phalanx specimens, and determined how to control them. They used at least one Phalanx (which had a Brood as its template) as a guardian "warliquid" at their London headquarters, the Blackwall. They kidnapped and manipulated Douglock as part of a plot to gain outright dominion over the earth by the channeling of demonic energy.
 * After a battle with the Silver Surfer, Cable was partially lobotomized in order to save his life from the angry herald of Galactus. Now trying to save him, Deadpool tracked down the Fixer to save Cable. Deadpool was in possession of a Phalanx fetus, having taken it from an AIM facility, which Fixer surgically grafted onto his body. After a brief scuffle for control, Cable's mind overwhelmed that of the fetal alien and made it subservient to him so that it would not try to "assimilate" him into the collective.
 * Before the Phalanx Covenant event started, it was revealed that Mister Sinister was able to capture a Phalanx which he kept experimenting until he was capable to replicate their hive mind form which he then used to link himself with every clone of him by a telepathic system.

Attributes
In contrast to the fiercely independent Technarchy, the Phalanx exhibit a hive mind reminiscent of insects. Although individual members retain memories and some aspects of their personalities from before assimilation, they are typically unable to act against the collective will without first being disconnected from the group consciousness, as was the case with Douglock.

Phalanx, like the Technarchy, can infect other organisms with the transmode virus with any physical contact - the only known exception being Earth mutants who possess a degree of immunity to the transmode virus. This seems to be a limitation of the Phalanx which their Technarchy progenitors do not have, as Warlock had no problems infecting his future teammate Magik (accidentally) when they first met and repeatedly infecting Cypher to form the Douglock entity on multiple occasions. In Cypher's case the effect was reversed without apparent incident, though Warlock was constantly worried that a time would come when the reversal would not take.

Any organism infected by the Phalanx is automatically inducted into the group mind. Recently, however, Ultron's guidance have allowed certain individuals with exceptional powers and/or abilities to become the "Selects", beings who are connected to the Phalanx hive mind, but retain their individual identities.

Phalanx also possess the Technarchs' abilities to shapeshift and teleport, but (unlike the Technarchs) cannot grow in size and mass without absorbing external matter. Over time, they can adapt to attack from inherent biological powers, but only to the specific frequencies/levels/etc. already used against them.

Marvel 2099
In the possible future known as 2099, the Phalanx tried to invade the planet Earth a second time. To prevent Earth from being converted by the Transmode Virus, Spider-Man (Miguel O'Hara) forms an uneasy alliance with Dr. Doom, who had encountered the Phalanx in their first attempt to invade Earth in the 20th century. Doom knew that the Phalanx would have a "scout program" so he added his own subroutine to the coding called subroutine Cynthia which would erase the scout program. When Doom jumped to the future he lost track of the scout program and therefore created the Mutant Messiah myth to track the carrier down again.

When, during a mission, the mutant Nostromo becomes sheathed in a strange cocoon, he reveals himself to be the carrier when he "hatches" as a Phalanx. Doom sends some operatives to bring the boy to him, however, some of the operatives turn out to be Phalanx themselves and begin attacking the group.

Nostromo is eventually delivered to Doom, who then activates the subroutine within Nostromo and, bidding Spider-Man to take him to safety, blows up his castle, while Twilight brings reinforcements of aboriginal Martians to destroy the Phalanx in orbit.

Exiles
In the Exiles series, the dimension-hopping team visited a world infested by a mutated version of the Phalanx. On this world, Cypher fell ill with the Legacy Virus and in an act of desperation Warlock infected him with the transmode virus to try and save his life. Unfortunately the two diseases combined and mutated into something far worse. Within the year, almost all of the world's population were transformed into Phalanx drones, calling themselves the Vi-Locks. The group was led by Forge whose innate understanding of machinery made him a prime candidate for leadership. In the course of the team's mission, Blink was infected and slowly started succumbing to the virus. On a hunch, Morph was able to contact the Asgardians whose divine blood was able to heal the victims after they received a transfusion.

Cable
In yet another alternate reality, the Phalanx has overrun Earth, assimilating every lifeform. The mutant Cable serves as its central consciousness.

Television

 * The Phalanx appear in the X-Men: The Animated Series two-part episode "Phalanx Covenant", with the Phalanx Nexus voiced by Lally Cadeau and additional forms voiced by Stephen Ouimette and Don Francks. An amalgamation of the original comics version and the Technarchy, this version of the species can change their appearance at will and assimilate humans.
 * The Phalanx appears in the Ultimate Spider-Man episode "Home Sick Hulk", voiced by Fred Tatasciore. Taking inspiration from the Annihilation Conquest design, these versions are metallic dwarfish insectoids who can infect organic lifeforms and absorb organic matter.
 * A variation of the Phalanx appears in Avengers Assemble, voiced by Jim Meskimen. This version resembles the Annihilation Conquest design, serving as Ultron's nano-virus through corrupted Life Model Decoys that assimilate humans.

Video games
The Phalanx appear in X-Men 2: Clone Wars.

title: Phalanx (comics)


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Talk:Robert Trujillo

About Technique
Noone seems to say if he plays mostly fretless or fretted bass.. It seems that he plays fretless in this video.. http://www.youtube.com/watch?v=7Z03xs-CzPo image on this article however is with fretted bass..195.255.187.84 (talk) 12:50, 17 January 2008 (UTC)

 * He play FRETTED bass. Usualy. --PET (talk) 01:38, 18 January 2008 (UTC)

Can I hear him play?
Hey, I am not a big fan of all his former bands, and since he is not on St.Anger, I couldn't really find any track where his playing is HEARD. Maybe someone can point me somewhere? Maybe a bass solo or a bass intro or something? Thanks. Also, of course, this can be added here to "prove" he is good.

St. Anger sux anyway. If you want to hear him...and hear him good lissen to Infectious Grooves. I recomend Don't Stop Sphread The Jam from the seccond album.But the Infectious Grooves CD..."TITLE": 'The Plague That Makes Your Booty Move'. Track 4 & 5, "Stop Funking With My Head", "I'm Gonna Be My King". two great songs, musically & lyrically, This whole cd has a great bass line, and a definant "GROOVE" I Wish So Much That This Band Was Back Together, and Doin' Live Shows, This Would Be Gettin' Your Monies Wortrh....This Band Would Have Gone Further Up The Charts with The Right Promoter!! And The Right Radio Airplay . --PET 10:29, 18 December 2005 (UTC)

RJ plays on the St Anger dvd ... which is a far superior version of the album than the actual released version. better drum sound, better bass play etc etc .. i strongly recommend listening to it.

b3x 20:09, 22 March 2006 (UTC)

 * Yeah, you can't hear him on any Metallica albums. They might as well not have a bass player. If he turns up loud enough to be heard, James Hetfield tells him to turn down because he can hear the bass! This is according to his interview in Bass Player mag. But he was great with Suicidal Tendencies and Infectious Grooves. DavidRavenMoon (talk) 17:21, 8 July 2011 (UTC)

finger picking
There are more bassists playing with fingers than with a pick. Fact. Only ones consistently using a pick are those punkers. I reckon it should be like 3:1 to the finger guys.

Sure, he finger picks, and so do many other bassists. I don't think he's within a 'few'.

there are... "FEW" :) I mean not few like 5-6 people...but manny people use a pick.

If you consider how many people do use a pick now days, and how many don't. Then he's one of few. 66.38.64.190 05:12, 4 September 2005 (UTC)

Most thrash/punk bassists use a pick. In fact, the members of Metallica were amazed that he could play "Battery" with his fingers because of the high speed and difficult rythmn. Kirbus 12:06, 8 February 2006 (UTC)

Which, by the way, is ridiculous... I am not a professional musician, just one of those guys who sometimes plays shows in bands (and I'm just 20 years old) and I can play "Battery" with my fingers. It isn't that hard. I mean, it's not particularly easy, but it's not something Metallica should be amazed by. I'm not familiar with Rob's previous work other than Jerry Cantrell and Ozzy, but I really hate how uneven his playing is... if you listen to his lines with Metallica or Ozzy live, he hits the strings much harder some times than others, just randomly because of sloppiness. Kills me. 4.252.76.99 08:23, 23 December 2006 (UTC)

Part of text copied from http://www.allmetallica.com/info/biography/rob.php :((
 * Most probably, since many Latinos in the U.S. have two or more given names, plus occasionally (and rarely) use their mother's last name also... Demf 17:16, 15 August 2006 (UTC)

ok...ho likes Rob ?? I mean hes style of play... --PET 01:53, 18 Apr 2005 (UTC) Your grammar is pretty awful. But yeah Robert Trujillo is a pretty awesome bassist actually.

Albums?
Has he been on any albums of the bands he's played with? I know he wasn't on St. Anger, but any of Ozzy's stuff or anything else?

Ofcourse. He is on 4 Infectious Grooves albums, 1 album (i know for shoure) on Ozzy's... and about 2 suicidal tendencies albums. I don't know for shoure. --PET 23:48, 17 December 2005 (UTC)

infobox
what an ugly infobox. I don't know WHY we need info about hes height...eye color...etc ?

Inquiring minds want to know!!! It puts you closer to your "rock star"..... The Ladies want to know the color of rockstars eyes and hair, of course, but most of all, they want to know the color of his money!!!!

Status
he isn't single. he has a new baby.--Manboobies 15:41, 22 January 2006 (UTC)

 * True, I'm pretty sure he's married, and I know for a fact he has a son, but he isn't that new, he was born in 2003 (unless he had another kid since then when you mean "new baby")

Nickel Creek - Smoothie Song
Does not he play upright bass on Nickel Creek's single, Smoothie Song? Watch the video

$1 million dollar up front
"The members of Metallica offered him $1 million up front, on top of the percentage he would earn by being in the band."

The way I remember it, Ulrich says the $1 million is "an advance" on the percentage. Hence, it is not "on top of" it. A minor detail, really, but a factual error if my memory is to be trusted. Anyone care to check this?

Fls 17:24, 4 September 2006 (UTC)

 * I remember clearly when Lars sayd they give $1million for the start, and also the % for the earnings and...later...he told him he has 5 votes on whatevar they are voting for. --PET 00:16, 9 September 2006 (UTC)

Metallica's attorney, Peter Paterno, said in the documentary that "it's as lawyer as you can get, really. This is an advance on some percentage that you'll be making with the band." So, yes, it is not an advance on top of the percentage, it is an advance of the percentage. I apoligize for not having a link to prove that fact, but if you watch "Some Kind of Monster", there's my referrence.

Name Clarification
That is not his real full name, he is american hence he is only named Robert Trujillo (only one last name, perhaps he may have a middle name). But the "full" name that appears as real in this page was joke made by Robert, similar to "Miranda Veracruz De la Joya Cardenal" from Married with Children.

I am mexican. Veracruz in not a last name. It was a joke.

I think this dude needs more names. —Preceding unsigned comment added by 67.240.188.148 (talk) 01:08, 1 November 2008 (UTC)

biased article?
When reading this article, I think it is a little to favorable in his performance and talent. I personally think he isn't such a great bass player, however I think that you should be allowed to say he is a good one, just provide good sources stating that he is, otherwise I can see no reason to consider his previous work 'outstanding' —The preceding unsigned comment was added by 71.60.106.216 (talk) 23:19, 6 December 2006 (UTC).

wow wow what the hell? there can be lots of links be given to prove he is good. besides, I think I can provide audio samples to prove it. He is one absolutely skilled in his art.

Too Short ?
By the way the article looks, The discography is much higher than the biography itself in terms of length. This is really unfortunate, as he is from Metallica, a big one in the heavy metal stage... the rest of the members have loooong articles on them, even the deceased(but still called great) Cliff Burton. Why can't we add some more information, and expand the article, with more pics and some audio samples? Come on man we are talking about a high end bassist here. —The preceding unsigned comment was added by 59.96.41.117 (talk) 09:39, 6 February 2007 (UTC).

His real name?
Encyclopedia Metallum seems to discredit the fact his birthname is Roberto Trujillo, well, I mean yes, it's right... Partially, but his full name is Roberto Agustín Miguel Santiago Samuel Trujillo Veracruz. So somebody needs to fix this, and put his full name on there.--4.154.241.58 05:32, 21 April 2007 (UTC)

 * There was a time when there was the full name, but it seems somebody took it out. --PET 13:12, 22 April 2007 (UTC)

 * I agree with the fact that it could be a joke of the man (i saw the video), the reason i believe this is because in spanish speaking countries people has a tendenci to give a child two names, but in the "joke name" he has 5 names (Agustín, Miguel, Santiago and Samuel) which is very unorthodox. Omarnirv (talk) 04:53, 22 July 2008 (UTC)

 * His full name cannot be made public without citing a reliable source, according to WP:BLP. Many tried to relist his full name, only to unexpectedly suffer from butthurt revisionism. As of now, we will have to wait until the near future and get approval of something in order to list his full name once again. Slasher405 (talk) 00:46, 15 June 2019 (UTC)

 * , if you're going to refer to adhering to Wikipedia policy as "butthurt revisionism", then maybe you don't belong on Wikipedia. I also don't see how adding to a twelve-year-old section, where the most recent comment is from nearly eleven years ago, is going to get you anywhere.  4TheWynne (talk) (contribs) 01:16, 15 June 2019 (UTC)

Age
I changed the year of birth from 1962 to 1964, and the date to October 23. This is the year and date listed on Rob's page at Metallica's website. Not to assume, but I'm quessing that their info would be the most accurate. —Preceding unsigned comment added by Diesel6855 (talk • contribs) 21:12, 5 March 2008 (UTC)

Whoever keeps changing his birthdate and year, you need to stop. Unless you can cite where your information is and whether it is more accurate than Metallica's webpage. Diesel6855 (talk) 05:00, 6 March 2008 (UTC)

Father as Teacher
His father is not a teacher, and certainly not a teacher at Culver City High School. This was an obvious confusion for a teacher at the school with a similar name, Mr. Trejo. I made the change on the page.24.45.196.36 (talk) 21:59, 28 June 2008 (UTC)

Equipment
He has played an OLP MM2 before. (I'd know because I have the left handed version) PXK    T   /C  00:58, 11 August 2008 (UTC)

Metallica & Suicidal Tendencies - 1994
I don't know whether it's relevant or not, but Rob and company from ST toured with Metallica in 1994. Should it be added? -Alan 24.184.184.130 (talk) 22:11, 20 March 2009 (UTC)

St. Anger DVD
I was just told in a reversion that it was already discussed whether to include the St. Anger DVD in the discography section (since it is a full-length audio (+ video) performance). I don't see the discussion here - am I missing something? Luminifer (talk) 16:27, 5 May 2009 (UTC)
 * If no one chimes in I'm going to re-add the DVD to the discography section. Luminifer (talk) 20:21, 8 May 2009 (UTC)
 * I support the removal based on the previous edit summary "section is an overview discography not videography." The section is not different than any other discography section. Trujillo does not play on the album (bass duties were handled by Bob Rock) He does appear on the enclosed DVD video but the article does not include a videography. Which is the appropriate place for the St. Anger DVD entry. Wether B (talk) 14:53, 11 May 2009 (UTC)
 * Thank you for commenting. The summary you are referencing said "it was already discussed" - I mentioned that here, because I could not find this discussion. Why did you wait until now to do this, rather than almost a week ago when I initially asked? Is there some way to watch a page without watching its talk page? Luminifer (talk) 16:52, 11 May 2009 (UTC)

Encino Man
You can see him playing bass for the band in Encino Man, he's also listed in the credits.

Korn
The youtube video Korn and Tye Trujillo states clearly that he helped with Divine, possibly other Korn songs too.

https://www.youtube.com/watch?v=VX9wveUJ6YE — Preceding unsigned comment added by 2601:602:9E00:C920:8DAA:4E57:2AFA:E3B4 (talk) 07:00, 20 June 2022 (UTC)

Jerry Cantrell
Why are people refusing to elaborate the reasons for removing things on the TALK page, or in some cases, refusing to list reasons at all? For example, the info just removed on Jerry Cantrell's band could be given a CN, or someone could bother to see if it's true, rather than just quickly removing material someone just added. The material was added in good faith - the least we could do is have the good faith to tag it rather than remove it, no? Luminifer (talk) 04:37, 21 July 2009 (UTC)
 * If no one responds to this question soon, I _will_ revert the change again - I would prefer to have it discussed here, but if no one responds I will have to assume no one will care if I revert it. Luminifer (talk) 19:17, 21 July 2009 (UTC)
 * If no one responds? No one needs to respond. It was a blah edit. And it was identified as such by more than one editor. It wasn't worth my time to add an edit summary. But the last edit summary I read on the page says it all. The goal would be to remove fluff content... not add it. The Real Libs-speak politely 19:23, 21 July 2009 (UTC)
 * What was wrong with the edit? I saw that it presented some interesting information on his history and collaborations (the common drummer is not mentioned in the discography), as well some historical context to his band-hopping. The edit summary did not say it was fluff content, it said it was uncited. Why can't we just add CNs, if not actually cite it? It was a good-faith edit. I say again that we should have good faith in our edits as well. Luminifer (talk) 20:11, 21 July 2009 (UTC)

One thing about you Libs, you're never vague. I could assume good faith on a new article. But articles that have been around for a long time should just have cited facts and no soap opera. The deleted content used that evil encyclopedia curse word - "rumor." That is the fluff I think that Libs was refering to. Out of that entire paragraph the only useful content was "Trujillo appeared on Jerry Cantrell's album" and that was all that needed to be said. The rest was awkward and questionable. Libs you should be an admin. Peter Fleet (talk) 22:03, 21 July 2009 (UTC)
 * Two responses: 1) the fact that he collaborated with that drummer mentioned on several occastions was, I think, the most useful info from that paragraph. It could have been left in. 2) Past rumors, if confirmed to have been rumors, are not necessarily 'fluff'. Rumors that hurt a person's reputation, if described as past rumors, do have a place here. I did not think it warranted such outright dismissal. Luminifer (talk) 00:57, 22 July 2009 (UTC)

I would really appreciate some feedback on this. Thanks... Luminifer (talk) 20:48, 25 July 2009 (UTC)
 * I agree with Peter Fleet's statement that the only verifiable part of the content being that he played on the Cantrell album. The rest of the rumour part does not need to be added. Even the part about playing for Cantrell is just duplication of information already in the discography section. Aussie Ausborn (talk) 22:29, 25 July 2009 (UTC)
 * Actually the truly useful information is not explicitly stated: Both Trujillo and Bordin then appeared on Jerry Cantrell's (of Alice in Chains fame) second solo album Degradation Trip in 2002 playing bass guitar and drums respectively, this then lead to some rumours that the two would leave Osbourne's band to tour Cantrell's album, . Translation: Trujillo and Bordin collaborated on several occasions. I don't think this edit should have been removed so quickly without any thought - I would like to put this information back into the article. In other words, according to WP:RCP, this was a needy edit, not a bad edit. Luminifer (talk) 06:02, 26 July 2009 (UTC)

Only the text concerning Trujillo should go in the article. There shouldn't be any mention of Bordin and certainly no unreferenced rumour suggestions. GripTheHusk (talk) 11:36, 26 July 2009 (UTC)
 * Why? I think it is worth mentioning a frequent collaborator. Luminifer (talk) 14:37, 26 July 2009 (UTC)
 * I don't believe it's helpful to assert things without providing any reasoning. Why is it not worthwhile to mention a frequent collaborator? Luminifer (talk) 17:18, 28 July 2009 (UTC)

Talented guy,
Seems like a very talented guy. Now I love Metallica and they're one of my all time favourite "metal" bands (or whatever you consider them) but their bass to me has always been just so simple. They put a much stronger focus on Guitar > Lyrics > Drums and then bass. While bass is generally a background instrument and does put a great heavy sound on metallica, he could do so much more sophisticated work, or maybe metallica can have more bass solos as he seems like the guy who can do it. Just my 2 cents. 24.129.235.101 (talk) 22:28, 19 August 2009 (UTC)

Vocals? What the hell?
Why in the hell does it say vocals as an instrument? I'm sorry, but Rob can't sing worth shit.
 * The voice can certainly be classified as an instrument in this context. The leading photo appears to show him singing (unless he's yawning). Whatever your opinion of his singing ability, singing is apparently part of what he does as a band member and so it is note-worthy. -- Timberframe (talk) 10:22, 8 January 2010 (UTC)

Okay, but when they say vocals they mean that he can sustain a note. In the Saint Anger DVD, on Invisible Kid, he does backing vocals and when he does, his voice always cracks. I'm not trying to be a dick, but that seems like solid enough evidence to me, but if you can find any proof that he can sing, that'll be good enough for me. —Preceding unsigned comment added by 64.178.152.137 (talk) 00:22, 9 January 2010 (UTC)
 * "but when they say vocals they mean that he can sustain a note" - no, it means he uses his voice. To what effect, and to what standard is immaterial. -- Timberframe (talk) 00:52, 9 January 2010 (UTC) Alright, that's good enough for me, but why does it say on Lars' page he sings too? He doesn't do ANY backing vocals what-so-ever.

 * Rob does backup vocals in a few Metallica songs. That does NOT qualify as vocals. He is not a vocalist, he has never been a vocalist, so it does not belong in the infobox. Asterix 13 (talk) 15:59, 20 April 2010 (UTC)

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Stymee
Initially billed as "Stymee" on the 1989 album - the above text is contrary to what is said (without a reference) on the Suicidal Tendencies page:

''The rumour that he was credited as Stymee on the album is false. Bass parts were recorded by the two guitarists of S.T. and Stymee meant "ST why me"''

Pklala (talk) 23:16, 22 April 2018 (UTC)

"Acting"
There is zero evidence anywhere that the subject of this article is the same Robert Trujillo who appeared as a child actor in the period from 1978 - 1982. That section should be deleted entirely until reliable sources can be found. Can anyone find a single source aside from imdb? I've followed his career for 30 years and have never once heard him acknowledge he played those roles. SolarFlash (talk) 16:11, 30 August 2018 (UTC)

 * Agreed, there was not one source to support, it has been removed. -  FlightTime  ( open channel ) 16:22, 30 August 2018 (UTC)

Native heritage
Is half of Robert Trujillo's family from the Taos (Pueblo) reservation? 173.88.246.138 (talk) 00:14, 17 September 2021 (UTC)

Flight time
What is your problem 47.36.29.245 (talk) 22:13, 12 November 2022 (UTC)
 * I don't have one, but you need to source your claim. Cheers, -  FlightTime  ( open channel ) 22:22, 12 November 2022 (UTC)

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Talk:Robert Trujillo


text:
David Hall (sound archivist)

David Hall (b. December 16, 1916 New Rochelle, New York — d. April 10, 2012 Castine, Maine) was a sound archivist and writer.

Career
Hall was born to Fairfax Hall (1886–1958), a pediatrician, and Eleanor Raeburn Remy (maiden; 1895–1962). He attended college-preparatory school at Phillips Exeter Academy, graduating in 1935, and went on to Yale University, earning a B.A. in 1939. Hall also did postgraduate work at Columbia University from 1940 to 1941.

At the urging of family friend, Saturday Review of Literature Editor Norman Cousins, Hall abandoned his graduate studies to write an annotated discography of recorded sound. The book instructed record collectors on "how to lay a solid foundation for a record library, what pitfalls to avoid in the buying of records, whether or not it is advisable to specialize, and how to distinguish between fair and excellent recordings of the same composition." The book also provided tips on playback equipment and offered detailed commentary on the whole range of recorded music, from classical through experimental music, jazz, folk, and spoken word. The Record Book appeared in 1940 and was followed by a series of supplements, and international edition (1948). The last supplement appeared in 1950. The series was an immediate hit, selling more than 100,000 copies.

In 1940, Hall began a lifelong involvement with the record business, taking a job as an advertising copywriter with Columbia Records, then located in Bridgeport, Connecticut. In 1942, he became music program annotator for the NBC Symphony Orchestra – the all-star orchestra conducted by Arturo Toscanini. In 1948, Hall joined forces with fellow Yale graduate John Hammond on a quest to post-war Europe on behalf of Mercury Records, then a Chicago-based produced of "pop" material.

Wishing to enter the growing classical music market, Mercury executives realized that radio stations and governments in formerly Nazi-occupied countries held a gold mine in superb performances by Europe's top musicians. Hammond's and Hall's objective was to acquire these assets for Mercury. Hammond had hired Hall, "a well-known authority on classical recording, to handle the considerable job of cataloging Czech and German material. He was known and respected by the Czechs, who were interested in establishing an international records archive. David would be an asset in delicate negotiations." Hall and Hammond left Prague one step ahead of Soviet forces as they crushed Czechoslovakia's democratic government.

Hall remained at Mercury Records until 1956 as classic music director. Under his leadership, Mercury began releasing its notable "Living Presence" series of classical recordings. Hall worked closely with sound engineering pioneer, C. Robert Fine (né Clarence Robert Fine; 1922–1982). Fine's mobile sound studio toured the midwest, recording performances by the Detroit, Louisville, and Minneapolis symphonies and musical groups at the Eastman School at the University of Rochester. A 1955 recording of the Minneapolis Symphony performing Tchaikovsky's 1812 Overture under the baton of Antal Doráti became the best selling classical record of the decade.

In 1956, Hall was awarded a Fulbright Teaching Fellowship, which enabled him to spend a year at the University of Copenhagen (Denmark) teaching advanced recording techniques to Danish engineers and musicians. Hall had long been interested in Scandinavian music, having directed the music center at The American-Scandinavian Foundation in New York from 1950 to 1957.

Upon returning to the United States in the fall of 1957, Hall became music editor of Hi-Fi/Stereo Review (later Stereo Review). Hall contributed reviews of classic music and articles to the magazine until it folded in 1998. In his writings, Hall championed contemporary music. His 1964 article on Charles Ives included the first full discography of Ives's recordings.

In 1963, Hall became president of Composers' Recordings, Inc., a nonprofit record label devoted to recording and distributing the work of contemporary composers. Among the notable recordings produced under his leadership were a series of performances by avant-garde composer Harry Partch.

In 1967, Hall was the founding curator of the Rodgers and Hammerstein Archives of Recorded Sound, one of the units of the New York Public Library for the Performing Arts at Lincoln Center. There he pioneered new techniques of cataloging recorded material as one of the initiatives of the Research Libraries Group, a consortium of the nation's leading research libraries. Hall and his associates also released an important collection of historic sound recordings, The Mapleson Cylinders, which captured the singing of Metropolitan Opera stars of the early twentieth century. This recording won a Grammy Award for Best Historical Album in 1986.

During this period, Hall helped to found the Association for Recorded Sound Collections (ARSC) in 1966. He served as the group's president from 1980 through 1982. In 2002, he received the ARSC Award for Distinguished Service to Historical Recordings.

In 1986, Hall retired to the seaside village of Castine, Maine, where he continued to write record reviews and consult on recording projects. Through the 1990s, he chaired the classical records awards committee for the National Academy of Recording Arts & Sciences. Late in life, Hall was at work on a biography of the twentieth century American composer, Roy Harris.

In addition to introducing American audiences to the remarkable riches of recorded music in the years following the second World War, Hall played an especially important role as a champion of contemporary music. At least half the composers listed in the 1940 Record Book were still living. They included such notables as Aaron Copland, Roy Harris, Charles Ives, Harry Partch, William Schuman, and others. His writings also helped garner attention for jazz and folk musicians.

Family
Hall – on July 8, 1940 – married Bernice Dobkin (maiden; 1915–1992). They had four children, Marion Hall Hunt, Jonathan Hall, Peter Dobkin Hall (1946–2015), and Susannah Hall.

title: David Hall (sound archivist)


text:
Wikipedia:Articles for deletion/Brian Weikle

 This page is an archive of the discussion about the proposed deletion of the article below. This page is no longer live. Further comments should be made on the article's talk page rather than here so that this page is preserved as an historic record. The result of the debate was merge. -- AllyUnion (talk) 06:09, 4 Mar 2005 (UTC)

Brian Weikle
I'm stuck as to whether or not Brian should be in here. On one hand, he is one of the more famous Jeopardy! champions (and one of the favourites in the Ultimate Tournament); however, this page is solely a "guy that held the record before Ken Jennings" page -- and it's currently his only claim to notability. --OntarioQuizzer 03:20, 18 Feb 2005 (UTC)
 * Redirect to Jeopardy!. Incidentally, see the history of this page. -- Hoary 03:26, 2005 Feb 18 (UTC)
 * I saw. But we can't exactly go blanking pages and redirecting things willy-nilly. There's a process... --OntarioQuizzer 03:37, 18 Feb 2005 (UTC)
 * Delete. There's nothing about the guy on Jeopardy!. Unless something is added, there's no point in a redirect. – flamurai (t) 03:39, Feb 18, 2005 (UTC)
 * Delete, not notable outside of a game show. Megan1967 09:15, 18 Feb 2005 (UTC)
 * Merge and redirect, it can be broken out again if the article gets enough meat to it. I would like to see a list of champions (and some info about them) in the actual gameshow article. Mgm|(talk) 10:03, Feb 18, 2005 (UTC)
 * Agree with merge and redirect. -- KneeLess 07:14, 26 Feb 2005 (UTC)

This page is now preserved as an archive of the debate and, like some other VfD subpages, is no longer 'live'. Subsequent comments on the issue, the deletion, or the decision-making process should be placed on the relevant 'live' pages. Please do not edit this page.


text:
Wiesel

Wiesel may refer to:

People

 * Elie Wiesel (1928–2016), Romanian-born American novelist, Nobel Peace Prize laureate, philosopher, humanitarian, and Holocaust survivor
 * Elisha Wiesel (born 1972), American chief information officer of Goldman Sachs; hedge fund manager of the Niche Plus; son of Elie Wiesel
 * Emíl Wíesel (1866–1943), Russian-German painter and arts curator
 * Oscar Wiesel (1864–1918), Russian-German diplomat, Norway researcher, founder of Saami collection of Russian Museum of Ethnography (Saint-Petersburg)
 * Torsten Wiesel (born 1924), Swedish medical researcher, Nobel Prize in Medicine co-laureate, campaigner for human rights

Transportation

 * IWL SR 56 Wiesel, an East German 1950s motor scooter
 * Wiesel AWC, a German armored fighting vehicle

Other

 * Wiesel, Netherlands is a settlement in the Gelderland province in the Netherlands

title: Wiesel


text:
Category talk:Former countries in Chinese history

CFD discussion

 * Category was listed for deletion on January 23, 2005. Consensus was to keep.

POV and unmanageable. What is a country anyways? There have been warring "states" in the past but there is only one "mandate of heaven" ruling "all under heaven". Are these states only related to China? Part of China? Some of them are tributary... --Jiang 22:57, 23 Jan 2005 (UTC)
 * Oppose While the term is improper, the category itself makes sense. Two-four thousand years the term "country" might be not very well applicable. I am not a china-historian, but there definitely were quite a few different "empires", "domains", whatever you call it. Mikkalai 03:11, 24 Jan 2005 (UTC)
 * Rename...um...something. Category: Historical Chinese nation-states, perhaps? Grutness|hello? [[Image:Grutness.jpg|25px|]] 04:06, 24 Jan 2005 (UTC)
 * Keep. This is obviously an attempt to make a national subdivision of Category:Former countries. I guess this cat can include any former country related to China or ruled by Chinese. The listing of a former country in the Chinese history does not preclude it from being listed in any other history, right? --Gene s 15:12, 24 Jan 2005 (UTC)
 * the term "country" is sometimes innacurrate or POV--Jiang 19:48, 24 Jan 2005 (UTC)
 * It is a subdivision of the Category:Former countries. Please propose to rename that category as well if you strongly think that the word "countries" involves points of view. -- 10:03, January 26, 2005, UTC
 * Keep--AznEffects HuangDi 1968 23:41, 2005 Feb 13 (UTC)

Former countries in China history
It proposed that it be merged into this category.--Salix (talk): 00:20, 28 January 2011 (UTC)

Why?
Why are certain countries, like the East Turkestan Republics, etc. considered part of the history of China? Are these countries, even if independent, considered not worthy of having their own history and just being second tier protagonists, who only can have a history in the context of another one? Is the United States also a country in the history of China? Can I add it to the category? — Preceding unsigned comment added by 84.2.85.85 (talk) 03:09, 17 December 2018 (UTC)


text:
Pierre Bachelet

Pierre Bachelet (25 May 1944 – 15 February 2005) was a French singer-songwriter and film score composer. He was also known as Andrew Bacson.

He died of lung cancer in 2005.

Personal life
Pierre Bachelet was born on 25 May 1944 in the 12th arrondissement of Paris. He was the child of Maurice and Alberte Bachalet. Bachelet spent part of his childhood in Calais and developed a lifelong appreciation of the North of France, which later inspired his hit song "Les corons" (1982). During his youth he learned to play the piano, but his fascination with Elvis Presley led him to learn the electric guitar. He started a band with his friends when he was young called The Volts.

Bachelet was married three times. His first son Yannick was born on 7 February 1964. After his first divorce, he married Danièle Bachelet. He had a second son Quentin, and his second marriage lasted 24 years. After that divorce, he married Françoise, the sister of Danièle on 31 December 1998.

He died on 15 February 2005 at his home in Suresnes of lung cancer. He now rests in Marine Cemetery of Saint-Tropez.

Career
In the 1970s, Bachelet had some international success under the name Resonance with the hit "OK Chicago".

His other hit songs include "Elle est d'ailleurs" (1980), "Écris-moi" (1982), "Marionnettiste" (1985), "En l'an 2001" (1985) and "Vingt ans" (1987). He also composed music for movies, including Emmanuelle (1974), Story of O (1975), Black and White in Color (1976), Coup de tête (1979), Les Bronzés font du ski (1979), the British-made Sex with the Stars (1980), and Gwendoline (1984). Robert Fripp won an out-of-court settlement over the use of music in Emmanuelle based on King Crimson's "Larks' Tongues in Aspic". His songs from the film Emmanuelle called "Emmanuelle in the Mirror" and "Theme from Emmanuelle" were sampled in the Lily Allen song "Littlest Things", released in December 2006. He also wrote the score of a few commercials and TV films.

He would return to score further Emmanuelle films, such as Emmanuelle 5 (1987) and Emmanuelle 7 (1992). He also did the score for the French film Un crime au paradis (2001), which was another success for him.

His signature tune, "Les corons", released in 1982, is notably used as the supporters' anthem for the football club RC Lens.

Bachelet bore a physical and voice resemblance to Jacques Brel, and had a similar onstage demeanor. Bachelet held Brel's work in high respect, and his last release while alive was a cover album of Brel songs.

In 2000, Bachelet was nominated for a Cesar Award for his musical score in The Children of the Marshland.

Bachelet wrote, composed and became artistic director for George Chakiris, who would sing songs such as "Mon pays c'est le soleil" (1979) and "La chanson de Bernardo" (1981). He also composed melodies for Véronique Jannot, notably the melody for "J'ai fait l'amour avec la mer" (1982) and "Si t'as pas compris" (1985). In 2004, he also composed three melodies for Patrizia Grilo including two previously unreleased songs and a cover of her hit "Elle est d'ailleurs" in the Italian version "Di un altro mondo".

Bachelet became an actor for the series Van Loc: un grand cop de Marseille broadcast on TF1 from 1992 to 1998. He appeared in the episode "For the Love of Marie" broadcast in January 1997 in which he played the role of a banker named Charleval.

He wrote the texts and took care of the staging of the spectacle of the transition to the year 2000 of the city of Marseille. This show consisted of playing skits for schoolchildren in Marseilles to recount the main events of the 20th century. Bachelet also intervened as "Monsieur Loyal" between the different scenes. His texts dealt with a man's choices, his doubts, his mistakes, his desire for love, and wars.

Cesar Award
!Ref.
 * 2000
 * "The Children of the Marshland"
 * Best Music
 * style="text-align:center;"|
 * }
 * style="text-align:center;"|
 * }
 * }

In modern culture
In 2015, a tribute album was released posthumously with various artists performing songs from Pierre Bachelet. The 13-track album was released on Smart label under the title Hommage à Pierre Bachelet: Nous l'avons tant aimé and includes interpretations by artists Quentin Bachelet, Marie Espinosa, Didier Barbelivien, Dave, Gérard Lenorman, Patrick Sébastien, Amaury Vassili, Gilbert Montagné, Philippe Lavil, Enrico Macias and Chico & the Gypsies. The album also contains two performances from Bachelet: "Les Corons" with Chorale des Mineurs Polonais de Douai and a remasterised version of "Flo" with Florence Arthaud. The album charted in France, Belgium and Switzerland.

Albums

 * 1975: L'Atlantique
 * 1980: Elle est d'ailleurs
 * 1982: Les Corons
 * 1983: Découvrir l'Amérique
 * 1985: Marionnettiste
 * 1985: En l'an 2001
 * 1987: Vingt ans
 * 1989: Quelque part... c'est toujours ailleurs
 * 1992: Les Lolas
 * 1995: La ville ainsi soit-il
 * 1998: Un homme simple
 * 2001: Une autre lumière
 * 2003: Tu ne nous quittes pas (Bachelet chante Brel)
 * 2008: Essaye (posthumously)

Live albums

 * 1983: Un soir... Une scène
 * 1986: Olympia 86
 * 1988: Tu es là au rendez-vous
 * 1991: La Scène
 * 2005: 30 ans

Compilation albums

 * 2015: 10 ans de Bachelet pour toujours (posthumously)

Singles

 * 1975: "L'Alantique (toi, moi et la musique)"
 * 1980: "Elle est d'ailleurs"
 * 1982: "Les Corons"
 * 1982: "Écris-moi"
 * 1982: "Souvenez-vous"
 * 1983: "Quitte-moi"
 * 1983: "Embrasse-la"
 * 1983: "Mais l'aventure"
 * 1985: "Marionnettiste"
 * 1985: "En l'an 2001"
 * 1985; "Elle ne sait faire que ah!"
 * 1985: "Quand l'enfant viendra"
 * 1987: "Vingt ans"
 * 1987: "Partis avant d'avoir tout dit"
 * 1987: "C'est pour elle"
 * 1989: "L'Homme en blanc"
 * 1989: "Pleure pas Boulou"
 * 1989: "Flo"
 * 1989: "Yé yé les tambours"
 * 1989: "Le déversoir"
 * 1992: "Les Lolas"
 * 1992: "Elle est ma guerre, elle est ma femme"
 * 1992: "Laissez chanter le français"
 * 1995: "La ville ainsi soit-il"
 * 1995: "Reconnais que tu pars"
 * 1998: "Le voilier noir"
 * 1998: "Un homme simple"
 * 2001: "Une autre lumière"
 * 2001: "Pour un monde bleu"
 * 2001: "Sans toi"

title: Pierre Bachelet


text: File:Too $hort Life Is...Too Short.jpg

title: File:Too $hort Life Is...Too Short.jpg


text:
Night Owl

Night Owl may refer to:
 * An owl
 * Night owl (person), a person who is most active or creative during the night
 * Night Owl (film), a 1993 film by Jeffrey Arsenault
 * "Night Owl", a Bangkok Post newspaper column by Bernard Trink
 * Night Owl (book), a 2021 political memoir written by Anna Mae Yu Lamentillo
 * Night Owl (album), a 1979 album by Gerry Rafferty
 * "Night Owl" (Gerry Rafferty song), 1979
 * "Night Owl" (James Taylor song), 1966 song recorded by James Taylor, Carly Simon and others
 * Night Owl (train), a former Amtrak passenger train between Boston and Washington, D.C.
 * The Night Owl (album), 1987 Gregg Karukas album
 * The Night Owl (1926 film), American silent film
 * The Night Owl (2022 film), a South Korean period thriller drama film
 * Night Owl Cinematics, Singaporean YouTube channel and media company
 * NightOwl Convenience Stores, Australian store chain
 * Keyfax Nite-Owl, a service that provided news, weather, sports, and entertainment information on WFLD Channel 32 in Chicago
 * "Night Owl", a song by We Stood Like Kings
 * The Night Owl Cafe, a Greenwich Village music club which is referenced in the 1967 song "Creeque Alley"
 * A "nightowl" lunch wagon

Night Owls may refer to:
 * The Night Owls (song), a song by Little River Band from the 1981 album Time Exposure
 * Night Owls (vocal group), a Vassar College a cappella group
 * Night Owls (1928 film), a Krazy Kat animated film
 * Night Owls (1930 film), a Laurel and Hardy film
 * Night Owls (2015 film), starring Adam Pally and Rosa Salazar
 * Night Owls (album), a 1990 album by Vaya Con Dios
 * Night Owls, a 2015 novel by Jenn Bennett
 * The Night Owls (webcomic), a line of comics by Zuda comics
 * Nanaimo NightOwls, baseball team in the West Coast League

title: Night Owl


text:
Tel Arad

Tel Arad (תל ערד) or Tell 'Arad (تل عراد) is an archaeological tell, or mound, located west of the Dead Sea, about 10 km west of the modern Israeli city of Arad in an area surrounded by mountain ridges which is known as the Arad Plain.

The lower Canaanite settlement and the upper Israelite citadel are now part of the Tel Arad National Park, which has begun projects to restore the walls of the upper and lower sites.

Proposed identification
It was first identified in modern literature in 1841 by Edward Robinson in his Biblical Researches in Palestine, on account of the similarity of the Arabic place name, Tell 'Arad, with the Harad in the Book of Joshua.

Elitsur observes that although the site remained uninhabited for 1,100 years, the name has endured, preserved by nomads.

Archaeology
The upper and lower areas of Tel Arad were excavated during 18 seasons by Ruth Amiran and Yohanan Aharoni between 1962 and 1984. An additional 8 seasons were done on the Iron Age water system.

Chalcolithic
The site is divided into a lower city and an upper section on a hill. In the Late Chalcolithic (c. 4000 BCE), the lower city was settled for the first time.

Early Bronze Age: Canaanite settlements

In the Early Bronze Age, Tel Arad was occupied in the Early Bronze I–II and took part in the Beersheba Valley copper trade. In general Tel Arad lies in a drier region where frequencies of human activity depended upon oscillations toward wetter climate conditions.

The Early Bronze IB (c. 3300-3000 BCE) the city of Tel Arad Stratum III flourished. The Southern Levant during the EB IB was dominated by very humid climate conditions. In the northern part of the Southern Levant there were higher levels of arboreal Mediterranean tree pollen and olive pollen. This was a proto-urban period where settlements spread and population grew, also spreding human activity into the Negev region.

The Early Bronze II (c. 3050/3000-2750/2700 BCE) saw rich remains at Tel Arad Stratum II.

The Early Bronze III (c. 2750-2350 BCE) saw Arad abandoned. This may have been associated with the rise of central trading sites in the Negev Highlands related to the copper industry in the Arabah and trade towards Egypt in the Old Kingdom.

Iron Age
With the Collapse of the Late Bronze Age, the Fall of the Egyptian New Kingdom saw its control over polities in the Southern Levant decline.

Iron Age I
The site was only resettled by Israelites from the 11th century BCE onwards, initially as an unwalled area defined as an official or sacred domain was established on the upper hill, and then later as a garrison-town or citadel.

Iron Age II
In the 3rd season of excavation, over 100 ostraca (inscribed pottery shards) written in Hebrew, dated to the 7th century BC were found in stratum VI of the fort at Arad. Most of these consist of everyday military correspondence between the commanders of the fort and are addressed to Eliashib, thought to be the fort's quartermaster. One ostracon mentions "house of YHWH" which some scholars believe is a reference to the Jerusalem temple. With them was found a partial, hieratic ostracon, similarly dated. The supplies listed included south-Egyptian barley and animal fats (vs the wheat and olive oil in the Hebrew ostraca). Later an ostracon was found with text in both hieratic and Hebrew-Phoenician signary, both not a bilingual text.

Temple and Cannabis use

The temple at Arad was uncovered by archaeologist Yohanan Aharoni in 1962 who spent the rest of his life investigating it, dying there in the mid-1970s.

In the holy of holies of this temple two incense altars and two possible stele or massebot or standing stones were found. Unidentified dark material preserved on their upper surfaces was submitted for organic residue analysis and THC, CBD, and CBN (which derive from cannabis) were detected on the smaller altar. The large one had many chemicals associated with frankincense. While the use of frankincense for cultic purposes is well-known, the presence of cannabis was novel, if not shocking. It represents the "first known evidence of hallucinogenic substance found in the Kingdom of Judah." Cannabis has been found at another religious archaeological site, Deir Alla, as hemp fibre.

Hellenistic and Roman periods
It is believed that several citadels were built one upon the other and existed in the Hellenistic and Roman periods.

Herod even reconstructed the lower city for the purpose of making bread. The site lasted until the end of the Bar Kokhba revolt 135 CE.

Muslim conquest to Abbasid period
Tel Arad lay in ruins for 500 years until the Early Islamic period, when the former Roman citadel was rebuilt and remodeled by some prosperous clan in the area and functioned for 200 years until around 861, when there was a breakdown of central authority and a period of widespread rebellion and unrest. The citadel was destroyed and no more structures were built on the site.

title: Tel Arad


text:
Prince-Bishopric of Würzburg

The Prince-Bishopric of Würzburg (Fürstbistum Würzburg; Hochstift Würzburg) was an ecclesiastical principality of the Holy Roman Empire located in Lower Franconia, west of the Prince-Bishopric of Bamberg. Würzburg had been a diocese since 743. As established by the Concordat of 1448, bishops in Germany were chosen by the canons of the cathedral chapter and their election was later confirmed by the pope. Following a common practice in Germany, the prince-bishops of Würzburg were frequently elected to other ecclesiastical principalities as well. The last few prince-bishops resided at the Würzburg Residence, which is one of the grandest Baroque palaces in Europe.

As a consequence of the 1801 Treaty of Lunéville, Würzburg, along with the other ecclesiastical states of Germany, was secularized in 1803 and absorbed into the Electorate of Bavaria. In the same year Ferdinand III, former Grand Duke of Tuscany, was compensated with the Electorate of Salzburg. In the 1805 Peace of Pressburg, Ferdinand lost Salzburg to the Austrian Empire, but was compensated with the new Grand Duchy of Würzburg, Bavaria having relinquished the territory in return for the Tyrol. This new state lasted until 1814, when it was once again annexed by Bavaria.

The Roman Catholic Diocese of Würzburg was reestablished in 1821 without temporal power.

Duke of Franconia
In 1115, Henry V awarded the territory of Eastern Franconia (Ostfranken) to his nephew Conrad of Hohenstaufen, who used the title "Duke of Franconia". Franconia remained a Hohenstaufen power base until 1168, when the Bishop of Würzburg was formally ceded the ducal rights in Eastern Franconia. The name "Franconia" fell out of usage, but the bishop revived it in his own favour in 1442 and held it until the reforms of Napoleon Bonaparte abolished it.

Coat of arms
The charge of the original coat of arms showed the "Rennfähnlein" banner, quarterly argent and gules, on a lance or, in bend, on a blue shield. In the 14th century another coat of arms was created, the "Rechen" or rake. The coat of arms represents the holism of heaven and earth. The three white pikes represent the Trinity of God and the four red pikes, directed to earth, stand for the four points of the compass, representing the whole spread of earth. The red colour represents the blood of Christ.

The prince-bishops used both within their personal coat of arms. The Rechen and the Rennfähnlein represented the diocese, while the other (usually two) fields showed the personal coat of arms of the bishop's family. The coat of arms showed the Rechen in the first and third field, the Rennfähnlein in the second and fourth field.

Prince-Bishops of Würzburg, 1168–1803

 * Herold von Hochheim 1165–1170
 * Reginhard von Abenberg 1171–1186
 * Gottfried I von Spitzenberg-Helfenstein 1186–1190
 * Philip of Swabia 1190–1191
 * Heinrich III of Berg 1191–1197
 * Gottfried II von Hohenlohe 1197
 * Konrad von Querfurt 1198–1202
 * Heinrich IV von Katzburg 1202–1207
 * Otto I. von Lobdeburg 1207–1223
 * Dietrich von Homburg 1223–1225
 * Hermann I von Lobdeburg 1225–1254
 * Iring von Reinstein-Homburg 1254–1266
 * Heinrich V von Leiningen 1254–1255
 * Poppo III von Trimberg 1267–1271
 * Berthold I von Henneberg 1271–1274
 * Berthold II von Sternberg 1274–1287
 * Mangold von Neuenburg 1287–1303 (Bishop of Bamberg 1285)
 * Andreas von Gundelfingen 1303–1313
 * Gottfried III von Hohenlohe 1313–1322
 * Friedrich von Stolberg 1313–1317
 * Wolfram Wolfskeel von Grumbach 1322–1332
 * Hermann II Hummel von Lichtenberg 1333–1335
 * Otto II von Wolfskeel 1335–1345
 * Albrecht I von Hohenberg 1345–1349
 * Albrecht II von Hohenlohe 1350–1372
 * Gerhard von Schwarzburg 1372–1400
 * Albrecht III von Katzburg 1372–1376
 * Johann I von Egloffstein 1400–1411
 * Johann II von Brunn 1411–1440
 * Sigmund of Saxony 1440–1443
 * Gottfried I von Limpurg 1443–1455
 * Johann III von Grumbach 1455–1466
 * Rudolf II von Scherenberg 1466–1495
 * Lorenz von Bibra 1495–1519
 * Konrad von Thüngen 1519–1540
 * Conrad von Bibra 1540–1544
 * Melchior Zobel von Giebelstadt 1544–1558
 * Friedrich von Wirsberg 1558–1573
 * Julius Echter von Mespelbrunn 1573–1617
 * Johann Gottfried von Aschhausen 1617–1622 (Bishop of Bamberg 1609–1622)
 * Philipp Adolf von Ehrenberg 1622–1631
 * Franz von Hatzfeld 1631–1642 (Bishop of Bamberg 1633–1642)
 * Johann Philipp von Schönborn 1642–1673
 * Johann Hartmann von Rosenbach 1673–1675
 * Peter Philipp von Dernbach 1675–1683
 * Konrad Wilhelm von Wernau 1683–1684
 * Johann Gottfried II von Gutenberg 1684–1698
 * Johann Philipp von Greifenclau zu Vollraths 1699–1719
 * Johann Philipp Franz von Schönborn 1719–1725
 * Christoph Franz von Hutten 1724–1729
 * Friedrich Karl von Schönborn 1729–1746 (also Bishop of Bamberg)
 * Anselm Franz von Ingelheim 1746–1749
 * Karl Philipp von Greifenclau zu Vollraths 1749–1754
 * Adam Friedrich von Seinsheim 1755–1779 (Bishop of Bamberg 1757–1779)
 * Franz Ludwig von Erthal 1779–1795 (also Bishop of Bamberg)
 * Georg Karl Ignaz von Fechenbach zu Laudenbach 1795–1808

''Secular power lost in 1803. Territory ceded to Bavaria until 1805.''

title: Prince-Bishopric of Würzburg


text:
User talk:Wrongedman

Four Nickels in Pairs, Moving.
Hey there Chief, what doing?

Few things off the top; Firstly, hope your feeling better, you really should haul your silly ass to the sawbones. Secondly, I never stole a damned thing from you, but I think you know that. Fact is, the amount I paid out to the deck carpenter at your behest was easily quadruple what I sanctioned for myself. All discrepencies were a result of either, reciepts for inhouse purchasing promised but not provided to me, or accounts in arrears. I of course had all overdue accts. recorded & encoded in hardcopy that was among other things later lost by others in a vehicle appropriated by the adversary. Not to worry, the coding was obtuse & self-referencing - indecipherable from outside my frame of reference. I do however, still owe you two bills or so as a 10% honorarium from the profits of my last hotel engagement & will clear this up as finances allow. May be slow in coming though, I don't work much, as I'm sure you know, just as you know why.

Now, that brings me to the salient point. I must say the current state of local broadcasting has me deeply worried for the safety of employees & freelancers alike. All you need is one disgruntled employee to start leaking content to the competition & before you know it the whole network is in peril. Talk has always been around & it's cheap, content on the other hand is incontravertable. Too often I have seen security managed in the manner of closing the barn doors after the horses have escaped, and these horses can run like the wind, bite like hell & kick like death.

Put aside the fact that the whole thing sounds alot like an idea I floated around the office way back when, I'm sure it actually predates me anyway. Also the fact that a simple heads-up was never given me, despite ample opportunity. I mean I could've been warned without being included or even filled-in. It's called professional fucking courtesy. But, no matter, all done, all past. Nope, what worries me, for everyone's sake including my own, is simply a matter of record. As in, there should never, ever, be any & now here y'all are helping posterity along.

But enough of that, it's just that there's a decided lack of craft & some damn sloppy workmanship out there among the cowboys & it's nerve-wracking is all. Again, hope you're more well, keep your head down & your mind open.

Edit this to nothing or a reply as you prefer of course.

Regards,

title: User talk:Wrongedman


text:
WBKI (TV)

WBKI (channel 58) is a television station licensed to Salem, Indiana, United States, serving the Louisville, Kentucky, area as a dual affiliate of The CW and MyNetworkTV. It is the only full-power Louisville-area station licensed to the Indiana side of the market. WBKI is owned by Block Communications alongside Fox affiliate WDRB (channel 41). Both stations share studios on West Muhammad Ali Boulevard (near US 150) in downtown Louisville, while WBKI's transmitter is located in rural northeastern Floyd County, Indiana (northeast of Floyds Knobs). Despite Salem being WBKI's city of license, the station maintains no physical presence there.

Block formerly operated a CW affiliate with the WBKI-TV call sign on channel 34, licensed to Campbellsville, Kentucky, under a local marketing agreement (LMA) with owner LM Communications, LLC. Following the sale of channel 34's spectrum in the Federal Communications Commission (FCC)'s incentive auction, the Campbellsville station ceased broadcasting on October 25, 2017 (with its license canceled on October 31); its channels are now broadcast solely through channel 58 on that station's license.

History
The station first signed on the air on March 16, 1994, as WFTE, with the call letters being an abbreviation of its channel number. Branded on-air as "Big 58", it originally operated as an independent station. It was originally licensed to Salem, Indiana businessman Don Martin Jr. Martin sold the license in 1993 to another Salem businessman, Tom Ledford, who worked with WDRB to program the station under one of the earliest local marketing agreements in existence. WFTE also aired the police procedural series NYPD Blue during the 1994–95 season as ABC affiliate WHAS-TV (channel 11) declined to carry the program, as many ABC affiliates in the Southern United States did when it premiered, but would later cede to viewer and advertiser pressure to carry it when the show gained traction in the national ratings.

The station became a charter affiliate of the United Paramount Network (UPN), when the network launched on January 16, 1995. Block Communications purchased the station outright in 2001, creating the first television duopoly in the Louisville market; that year, the station was rebranded as "Great 58," becoming one of the few full-time UPN affiliates not to incorporate any network branding during its tenure with the network.

On January 24, 2006, CBS Corporation and the Warner Bros. unit of Time Warner announced that the two companies would shut down UPN and The WB, and combine the networks' respective programming to create a new "fifth" network called The CW. On March 1, 2006, WB affiliate WBKI-TV (channel 34) signed an agreement to become Louisville's CW affiliate, becoming among the first stations outside the charter Tribune Broadcasting and CBS Television Stations groups to sign affiliation deals with the network.

On February 22, 2006, News Corporation announced the launch of MyNetworkTV, a new "sixth" network that would be operated by Fox Television Stations and its syndication division 20th Television. MyNetworkTV was created to compete against another upstart network that would launch at the same time that September, The CW (an amalgamated network that originally consisted primarily of UPN and The WB's higher-rated programs) as well as to give UPN and WB stations that were not mentioned as becoming CW affiliates another option besides converting to independent stations. Fifteen days after WBKI's affiliation deal with The CW was announced, on March 15, 2006, WFTE signed a deal to affiliate with MyNetworkTV. Block Communications filed an application with the Federal Communications Commission to change the station's call letters to WMYO (to reflect its new network affiliation, standing for "MyNetworkTV Ohio Valley") on July 7, 2006; the station joined the network when it launched on September 5, 2006.

In early 2011, the master control operations for WDRB and WMYO were upgraded to allow the transmission of syndicated and locally produced programs in high definition; it also upgraded its severe weather ticker seen on both stations to be overlaid on HD programming without having to downconvert the content to standard definition.

On June 1, 2012, WMYO, WDRB and their respective subchannels were pulled from the market's major cable provider Insight Communications, as Block was unable to come to terms on a new retransmission consent agreement with Time Warner Cable (which purchased Insight in February 2012 and officially took over and rebranded the company under the Time Warner Cable name in 2013). Great American Country temporarily replaced WMYO on its designated slots on channel 10 and digital channel 999. The affected stations were restored on June 6, 2012, as a result of a new carriage agreement between Block and TWC. According to the contract terms, WMYO is offered at no cost, with all fees going towards carriage of WDRB and affiliation dues that Block pays to Fox and MyNetworkTV.

On February 12, 2018, the station took the WBKI-TV callsign formerly associated with the Campbellsville-licensed CW affiliate which existed from 1983 to 2017 on channel 34 and had their programming merged onto after WBKI's sale of spectrum in October 2017; its channels were numbered 34 in the interim period. The same day, Block downgraded the former WMYO schedule onto its DT3 subchannel, making The CW schedule the primary affiliation and ended their use of the defunct channel 34 allocation. This solved an issue where DirecTV and Dish refused to carry the new form of WBKI and its CW schedule as a subchannel, though WMYO's carriage for the MyNetworkTV subchannel on those providers was sacrificed as a result (but retained as-is on area cable providers). Block coordinated with New Albany Broadcasting, the owners of WKYI-CD (channel 24) to finesse the callsign change; WKYI took the calls WBKI-CD temporarily in November 2017 (with the WKYI calls moving to New Albany's radio station on 1600 AM until being abandoned in August 2022), then exchanged those calls for the calls of WMYO on February 12, thus channel 24 now holds the call letters WMYO-CD, preventing any re-use (or at least allowing New Albany and Block to sell them at a premium to another out-of-market station). The "-TV" suffix was dropped on February 19.

Programming
WBKI-DT3 is utilized as an 'overflow' station for WDRB's newscasts (especially the 10 p.m. newscast), when Fox Sports programming overlays the timeslot. Both WBKI-DT1 and WBKI-DT3 carry an alert map display denoted with WDRB's news logo on the bottom of the screen during severe weather situations affecting the Kentuckiana region, and may break into both stations' programming in rare weather or news situations.

Sports programming
WMYO formerly carried Indiana Hoosiers and Big Ten Conference football and men's basketball games; this ended when the conference moved all of its non-network games to the cable- and satellite-exclusive Big Ten Network when it launched in 2007. WMYO also carried some Notre Dame Fighting Irish football games televised by NBC in lieu of WAVE (channel 3), during situations in which the games conflicted with the station's telecasts of Southeastern Conference college football games (which were syndicated by corporate parent Raycom Media's sports division Raycom Sports) until Raycom's contract with the SEC ended in 2009. It also broadcast Indianapolis Colts preseason games, home and away. In 2017, WMYO carried eight Louisville City FC soccer matches as part of their three-station broadcast deal with WDRB and WBNA.

Subchannels
The station's signal is multiplexed:

The station launched its second digital subchannel in early 2011, which initially carried only a test pattern (with a coded text station ID reading "WMYO58-2SALM") until December 1, 2011; on that date, the subchannel became a charter affiliate of My Family TV (which was of no relation to MyNetworkTV, despite the similar naming scheme; the network was rebranded as The Family Channel in December 2013).

On July 17, 2012, WMYO began carrying a simulcast of Campbellsville-licensed CW affiliate WBKI-TV (channel 34) in the 720p high definition format (a downconverted signal of WBKI's main channel that broadcast in the 1080i format) on a new third digital subchannel. This gave WBKI full over-the-air signal coverage throughout the Louisville market, as its transmitter was located in Raywick (about 65 mi south of Louisville), requiring it to rely mostly on cable to cover the market. The simulcast on WMYO (which was remapped as virtual channel 34.1 to correspond with WBKI's PSIP channel) resulted from the formation of a local marketing agreement between Block Communications and new WBKI owner LM Communications, LLC. Sometime in late March 2014, the station relaunched 58.3, which had the PSIP label "COZI TV" and featured only SMPTE color bars. Cozi TV programming began sometime on April 1, 2014. The Family Channel was subsequently removed from 58.2 in late August 2014, with Cozi moving up to the 58.2 slot. A fourth subchannel was put into service on September 1, 2014, as a simulcast of WBKI-DT2, which carries Movies!.

On April 13, 2017, the FCC announced that WBKI had successfully sold their spectrum in the 2016 spectrum auction for $20 million without any outside channel sharing agreement. With Block already having divided up WMYO's channel successfully with WBKI's subchannels, the simulcast was discontinued with WBKI-TV's owner taking the station silent on October 25, 2017, leaving 34.1 and 34.2 exclusive to WMYO and effectively being the last step in a 'merger' between the two stations ongoing since 2012. Under the current WBKI calls, its physical channel was moved to channel 16 on October 18, 2019, as part of the FCC's spectrum reallocation.

Analog-to-digital conversion
WBKI (as WMYO) discontinued regular programming on its analog signal, over UHF channel 58, on June 12, 2009, the official date on which full-power television stations in the United States transitioned from analog to digital broadcasts under federal mandate. The station's digital signal remained on its pre-transition UHF channel 51, using virtual channel 58.

ATSC 3.0 lighthouse
{{legend|#ffe8d0|Subchannel broadcast with digital rights management}}

Out-of-market coverage
In the Bowling Green, Kentucky media market, the station, as WMYO, was previously carried on the cable systems of the Glasgow Electric Plant Board, in spite of the close proximity of WUXP-TV in Nashville. It was also available on the cable system of the South Central Rural Telephone Cooperative (also based in Glasgow), which serves Barren, Hart, and Metcalfe counties in the Bowling Green market. In January 2015, both cable providers dropped WMYO as Bowling Green's then-new MyNetworkTV outlet WCZU-LD (now a Court TV affiliate), which also had Antenna TV as a primary affiliation outside of MyNetworkTV prime time hours, claimed market exclusivity. WBKO-DT2 also did the same for Fox, and WDRB was also removed. Today, WDNZ-LD has the MyNetworkTV affiliation in Bowling Green.

title: WBKI (TV)


text:
Wikipedia:Articles for deletion/Tom Walsh

 This page is an archive of the discussion about the proposed deletion of the article below. This page is no longer live. Further comments should be made on the article's talk page rather than here so that this page is preserved as an historic record. The result of the debate was NO CONSENSUS. dbenbenn | talk 16:43, 4 Mar 2005 (UTC)

Tom Walsh
As with Brian Weikle above, Tom Walsh lost a great deal of notability when Ken Jennings shattered his records. Currently, I'd say he has limited notability outside of the Jeopardy! world -- but I'm still on the fence. So I figured I'd let the community decide. --OntarioQuizzer 03:29, 18 Feb 2005 (UTC)
 * Delete, not notable outside of a game show. Megan1967 09:19, 18 Feb 2005 (UTC)
 * Merge and redirect to Jeopardy! and create a list of champions within the article. Mgm|(talk) 10:04, Feb 18, 2005 (UTC)
 * Merge or keep. Sounds extremely notable within jeopardy. Did he make the news? Kappa 10:38, 18 Feb 2005 (UTC)
 * Delete Andrew Lenahan - St ar bli nd 11:22, Feb 18, 2005 (UTC)
 * Delete Go hard or go home. Call Ken Jennings and see if he'll let you have your notability back. --InShaneee 16:44, 18 Feb 2005 (UTC)
 * Comment: Once notable, always notable in my book. Kappa 02:44, 19 Feb 2005 (UTC)
 * Not an Andy Worhol fan? I think notability can often last just 15 mins, and wikipedia should recognise this. --InShaneee 02:56, 19 Feb 2005 (UTC)
 * Keep. For our purposes, a thing cannot be notable one minute and non-notable the next. Encyclopedic once is encyclopedic forever. Everyking 07:53, 19 Feb 2005 (UTC)
 * Concur with Inshaneeee. '''Delete'. Radiant! 10:14, Feb 19, 2005 (UTC)
 * Keep. Is Bob Cousy not notable because he is now second behind John Stockton (as an example of many who are were once 1st but have been eclipsed) He was a trailblazer being the first contenstant who made significant $ after the 5-day limit was removed. Although I don't agree that once notable always notable (though I would say once notable - we should give strong deference to their notability) Trödel| talk 16:31, 19 Feb 2005 (UTC)
 * Merge somewhere. Not sure where. Maybe to an article that hasn't been created yet, in which case this article might as well be kept until a new page for champions or records for game shows in general or something is made. -R. fiend 08:47, 20 Feb 2005 (UTC)
 * Weak delete or Merge and WEAK redirect with either Jeopardy! or a Jeopardy! Champions and Record Holders future breakout. But I concur with InShanee more strongly than with Kappa and Everyking.  Trödel| talk  's "trailblazer" justification above is the only reason I see for keeping Mr. Walsh (or was that for Mr. Cousy?) anywhere.  Even Jeopardy is (and was always) JUST a TV game show, for which I feel the criteria for WP encyclopedicity should be very high.  And I'm a fan of the show and a supporter of all kinds of strategy and knowledge games.  Keep everything J!-related in one or two articles, with enough sections for everything that the editors find to be sufficiently verifiable, NPOV, outstandingly influential, long-term contributions to the field, and otherwise policy-worthy.  Not everything that fans of a particular hobby or performer or institution could possibly want.  Jeopardy former recordholders and champions barely clear that line for me enough to go in the parent article, and not enough for their own articles.  Barno 23:45, 22 Feb 2005 (UTC)
 * Keep. In 10000 years, when the United States no longer exists, will William Henry Harrison no longer be sufficiently notable for an article?  Once encyclopedic, always encyclopedic. dbenbenn | talk 16:43, 4 Mar 2005 (UTC)

This page is now preserved as an archive of the debate and, like some other VfD subpages, is no longer 'live'. Subsequent comments on the issue, the deletion, or the decision-making process should be placed on the relevant 'live' pages. Please do not edit this page.


text:
Len Wood

Leonard Wood (born February 4, 1942) is a former Canadian politician. He was a member of the Legislative Assembly of Ontario from 1990 to 1999, sitting for the New Democratic Party of Ontario.

Background
Wood completed a four-year millwright course after graduating from high school, and worked as a millwright mechanic before entering politics. He was actively involved in the labour movement and the Roman Catholic church.

Politics
In 1987 he contested Cochrane North (located in the province's northeastern corner) in the 1987 provincial election, but lost to Liberal incumbent René Fontaine by almost 4,000 votes. In the federal election of 1988, he contested Cochrane—Superior for the federal NDP and lost to Liberal Réginald Bélair by 1,201 votes.

The NDP won the 1990 provincial election and Wood defeated Liberal Donald Grenier to win Cochrane North by 143 votes. He served as Parliamentary assistant to the Minister of Natural Resources from 1990 to 1995.

Voting trends in the 1995 provincial election were against the NDP in most parts of Ontario, and the party fell from government to third-party status. In Cochrane North, Wood countered the provincial trend and dramatically increased his majority: he defeated Liberal candidate Gilles Gagnon by almost 2,000 votes. In opposition, he served as critic for Northern Development and Mines.

Redistribution eliminated Cochrane North in the 1999 provincial election, and Wood sought re-election in the newly formed riding of Timiskaming—Cochrane. He finished third, behind fellow incumbent David Ramsay of the Liberal Party and Rick Brassard of the Progressive Conservatives.

Wood ran again for the federal NDP in the 2000 election in Timmins-James Bay, but lost to Bélair by 6,950 votes.

title: Len Wood


text: Category:Ballet companies

title: Category:Ballet companies


text:
American Troubadour

American Troubadour is a 1997 British 2-CD set that presented a portrait of singer-songwriter Phil Ochs' later career, featuring selections from each of the five albums he recorded for A&M Records, from various non-album single sides and from a performance Ochs gave on March 13, 1969, in Vancouver, British Columbia. It is notable for the inclusion of Ochs' post-1970 single sides, otherwise unavailable on compact disc and for the inclusion of a cover of Chuck Berry's "School Days", a previously unavailable outtake from Ochs' infamous March 27, 1970, concert at Carnegie Hall.

Disc One

 * All songs by Phil Ochs.
 * 1) Cross My Heart
 * 2) Flower Lady
 * 3) Outside of a Small Circle of Friends
 * 4) Pleasures of the Harbor (live)
 * 5) Crucifixion
 * 6) Tape From California
 * 7) White Boots Marching in a Yellow Land
 * 8) Half A Century High
 * 9) Joe Hill
 * 10) The War Is Over
 * 11) William Butler Yeats Visits Lincoln Park And Escapes Unscathed
 * 12) Here's to the State of Richard Nixon (live)
 * 13) The Scorpion Departs But Never Returns
 * 14) Doesn't Lenny Live Here Anymore
 * 15) Rehearsals for Retirement

Disc Two

 * All songs by Phil Ochs, except where noted.
 * 1) I Kill Therefore I Am
 * 2) The Bells (Edgar Allan Poe and Phil Ochs)
 * 3) The Highwayman (Alfred Noyes and Phil Ochs)
 * 4) Another Age
 * 5) There But For Fortune
 * 6) One Way Ticket Home
 * 7) Jim Dean of Indiana
 * 8) My Kingdom For A Car
 * 9) Gas Station Women
 * 10) Chords of Fame
 * 11) No More Songs
 * 12) Mona Lisa (live) (Jay Livingston and Ray Evans)
 * 13) I Ain't Marching Anymore (live)
 * 14) School Days (live) (Chuck Berry)
 * 15) The Power and the Glory
 * 16) Kansas City Bomber
 * 17) Bwatue (Phil Ochs and Dijiba-Bukasa)
 * 18) Niko Mchumba Ngombe (Phil Ochs and Dijiba-Bukasa)
 * 19) Changes (live)

Disc One

 * Tracks 1–3 and 5 from Pleasures of the Harbor (1967)
 * Track 4 from Gunfight at Carnegie Hall (recorded 1970, released 1975)
 * Tracks 6–10 from Tape from California (1968)
 * Tracks 11 and 13–15 from Rehearsals for Retirement (1969)
 * Track 12 from the 1974 single.

Disc Two

 * Track 1 from Rehearsals for Retirement (1969)
 * Tracks 2–5 and 19 from There and Now: Live in Vancouver 1968 (sic) (recorded March 13, 1969, released 1991)
 * Tracks 6–11 from Greatest Hits (1970)
 * Tracks 12–13 from Gunfight at Carnegie Hall (recorded 1970, released 1975)
 * Track 14 previously unreleased.
 * Track 15 from the 1974 single.
 * Track 16 from the 1973 single.
 * Tracks 17–18 from the 1973 single.

title: American Troubadour


text:
Antitropical distribution

Antitropical (alternatives include biantitropical or amphitropical) distribution is a type of disjunct distribution where a species or clade exists at comparable latitudes across the equator but not in the tropics. For example, a species may be found north of the Tropic of Cancer and south of the Tropic of Capricorn, but not in between. With increasing time since dispersal, the disjunct populations may be the same variety, species, or clade. How the life forms distribute themselves to the opposite hemisphere when they can't normally survive in the middle depends on the species; plants may have their seed spread through wind, animal, or other methods and then germinate upon reaching the appropriate climate, while sea life may be able to travel through the tropical regions in a larval state or by going through deep ocean currents with much colder temperatures than on the surface. For the American amphitropical distribution, dispersal has been generally agreed to be more likely than vicariance from a previous distribution including the tropics in North and South America.

Plants

 * Phacelia crenulata – scorpionweed
 * Bowlesia incana – American Bowlesia
 * Osmorhiza berteroi and Osmorhiza depauperata – sweet cecily species.
 * Ruppia megacarpa
 * Solenogyne
 * For a list of American amphitropically distributed plants (237 vascular plants), see the tables in the open access paper Simpson et al. 2017 or their working group on figshare

Animals

 * Scylla serrata – mud crab
 * Freshwater crayfish
 * Ground beetle genus Bembidion

Bryophytes and lichens

 * Tetraplodon fuegianus - dung moss

title: Antitropical distribution


text:
Wikipedia:Articles for deletion/Tito Jibbanotiles

 This page is an archive of the discussion about the proposed deletion of the article below. This page is no longer live. Further comments should be made on the article's talk page rather than here so that this page is preserved as an historic record. The result of the debate was delete. -- AllyUnion (talk) 06:16, 4 Mar 2005 (UTC)

Tito Jibbanotiles
Seems to be completely fabricated. No Google hits on the name or the title of the "legendary" song. – flamurai (t) 03:34, Feb 18, 2005 (UTC)

 * This person does actually exist I think, but the content itself appears to be pure lies because theres no record of the artist or song ever making number one in Jamaica, as is claimed. Also note how the persons name is spelt differently in the article itself so its probably completely made up anyway, delete. -- Hedley 03:56, 2005 Feb 18 (UTC)
 * Delete, not notable, possible hoax. Megan1967 09:18, 18 Feb 2005 (UTC)
 * Keep Busby Babe 15:54, 18 Feb 2005 (UTC) (Yes, I am aware of how many posts I have made)
 * Can you provide any evidence that this is actually a real, notable person (or fictional character)? – flamurai (t) 16:02, Feb 18, 2005 (UTC)
 * There's a webpage here: Busby Babe 16:51, 18 Feb 2005 (UTC)
 * Hoax. This is an old wikipedia version. Mikkalai 20:55, 18 Feb 2005 (UTC)
 * Comment: User's only edits are to this vote.   — Gwalla | Talk 01:41, 21 Feb 2005 (UTC)
 * Delete. the hoaxy intention is now 100% clear. Mikkalai 20:55, 18 Feb 2005 (UTC)
 * Delete, a further look on Google shows that there is a similiar figure called 'Tito J' but has no connection to any of the information given in the article. -- Hedley 17:21, 2005 Feb 19 (UTC)
 * Delete. Hoax.   — Gwalla | Talk 01:41, 21 Feb 2005 (UTC)
 * Delete unless the subject's existence can be verified. Tuf-Kat 02:27, Feb 23, 2005 (UTC)

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