text: Talk:Logba language

title: Talk:Logba language


text:
Aglaja (dance company)

Aglaja was a dance company and academy from Bruges, Belgium. It was founded in the late 1960s by the choreographer and teacher Jan Dewulf.

Jan Dewulf was director of several noted events, such as the 1985 visit to Belgium by Pope John Paul II.

The repertoire was mainly (light) classical music, including Johann Sebastian Bach, Johannes Brahms, Antonín Dvořák and Ostyn, but also music such as "Let It Be" from The Beatles.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Aglaja (dance company)


text:
User:Danp~enwiki

I'm a 23 year old web-developer living in Philadelphia. I plan on contributing to pages mainly related to web-development and firearms, the latter more specifically in the laws related to their ownership in the United States.

title: User:Danp~enwiki


text:
Talk:Christianese

Something that didn't really come up at the last deletion discussion
Part of the reason for relisting was that the article had been around for so long. What apparently was not noted was that in April of 2008 it was merged and redirected. In May of 2014 the redirect was undone with the edit sumarry "redlink", which doesn't mnake a lot of sense as the target article did in fact exist at that time, before that time, and still exists now. So, for six of those years this article didn't exist until one user decided it should exist again. Just Step Sideways from this world ..... today 23:20, 29 May 2024 (UTC)

title: Talk:Christianese


text:
Canford School

Canford School is a public school (English fee-charging boarding and day school for pupils aged 13–18). Situated in 300 acres of parkland near to the market town of Wimborne Minster in Dorset, south west England, it is one of the largest schools by area.

The school is a member of the Headmasters' and Headmistresses' Conference. Called a public school, Canford's fees for the 2023/24 academic year were £15,173 per term for boarders. The school is consistently ranked among the best co-educational independent schools nationally. In 2014, and again in 2016, Canford was among four runners-up for "Public School of the Year" in the Tatler School Awards and received the top award in 2019.

The school has an enrolment of 660 students, the highest in its history, aged between 13 and 18 spread across seven boarding and three day houses. Canford School counts among its alumni high-ranking military officers, pioneers in industry, computing, and economics, as well as senior figures in the Arts and Sciences.

History
Canford Manor was particularly associated with John of Gaunt, 1st Duke of Lancaster – the third of five surviving sons of Edward III of England. The Duke exercised great influence over the English throne during the minority of Richard II's reign, and the ensuing periods of political strife. Records suggest the Canford Manor was used as a principal residence of John of Gaunt for some time. Of that early period, only the Norman church and 14th century refectory known as John O' Gaunt's Kitchen remains. The main building, constituting the nucleus of the school, was designed by Edward Blore and later by Sir Charles Barry in the early and mid 1800s. The school itself was founded in 1923, having been "provided with a nucleus of boys and staff from a small private school in Weston-super-Mare".

Results
In 2023, the school had a pass rate of 72% for pupils aged 9–7 at GCSE and 66% of pupils achieved A*/A at A level (87% of pupils achieved A*-B).

Inspection
, the school's most recent integrated inspection by the Independent Schools Inspectorate was in 2012. The headline judgement for each section except Governance was Excellent; the headline judgement for Governance was Good. There was a focussed inspection of compliance, jointly with educational quality, in 2018. All compliance standards were met, and educational quality and children's personal development were judged excellent. There was a regulatory compliance inspection in 2022, at which the school was found to meet all the standards.

Assyrian frieze
In 1992, a lost Assyrian stone relief was rediscovered on the wall of "the Grubber". Although it is at first sight rather unlikely that such a valuable item should be found on the wall of a school tuck shop, the history of the school explains how the relief came to be there. It had been brought back from the site of Nimrud in northern Mesopotamia (Iraq) by Sir Austen Henry Layard along with other antiquities which were displayed at Canford before it was a school. Originally Canford had been a private country house (known as Canford Manor), designed by Edward Blore and improved by Sir Charles Barry, and the residence of Layard's cousin and mother-in-law, Lady Charlotte Guest and her husband, Sir John Josiah Guest. At that time, the building now known as the Grubber had been used to display antiquities and was known as "the Nineveh Porch". It was however believed by the school authorities to be a plaster copy of an original which had been lost overboard during river transit and little attention was paid to it after the school was established. A dartboard was even hung in the Grubber close to where the frieze was displayed. It was John Russell of Columbia University who identified the frieze as an original, one of a set of three relief slabs taken from the throne room of Assyrian King Assurnasirpal II (883–859 BC). A new plaster copy now stands in the foyer of the Layard Theatre at Canford and a number of "Assyrian Scholarships" are available, funded from the sale proceeds which also helped pay for the construction of a new sports facility.

The original relief is now part of the collection of the Miho Museum in Japan.

The Layard Theatre
The Layard Theatre is situated inside Canford School and is open to the public.

The Bourne Academy
Since September 2010 Canford School is the sponsor of The Bourne Academy, a state-funded school in Bournemouth.

Real Tennis
The school is one of four in the United Kingdom with a real tennis court (the others being The Oratory, Radley and Wellington College). It is unique among these schools in that its court dates back to 1879 when it was a country house, whereas the others have all been newly built for the schools since 1990.

Rowing
The school has a rowing club, the Canford School Boat Club, which is based on the River Stour. The club is affiliated to British Rowing (boat code CAN) and has produced three British champion crews at the 2002 British Rowing Championships, 2008 British Rowing Championships and 2010 British Rowing Championships.

Old Canfordians
Former pupils of Canford School are known as Old Canfordians. Notable alumni include:

 * The Very Reverend Henry Lloyd (1911–2001), Anglican priest, Dean of Truro
 * Stephen Ward (1912–1963), osteopath involved in the Profumo affair
 * Hector Maclean (1913–2007), decorated RAF officer during Battle of Britain
 * Sir George Clark, 3rd Baronet DL (1914–1991), Unionist politician in Northern Ireland
 * Sir Ralph Verney, 5th Baronet KBE, DL (1915–2001) British Army Officer and Politician
 * Sir Ashley Bramall (1916–1999), leader of the Inner London Education Authority, 1970–1981
 * The Baron Maclean (1916–1990), Chief Scout of the United Kingdom, 1959–1971, Chief Scout of the Commonwealth, 1959–1975, and Lord Chamberlain, 1971–1984
 * Lieutenant Colonel Hilary Hook (1917–1990), Soldier and 'Home from the Hill' star
 * Ted Cooke-Yarborough (1918–2013) physicist and WW2 radar and computer pioneer
 * Paul Feiler (1918–2013), abstract artist
 * Mike Randall (1919–1999), editor of the Daily Mail and Sunday Times
 * David Sheldrick (1919–1977), Anglo-Kenyan conservationist
 * John Barnes (1920–2008), Historian
 * Peter Hare (1920–2001), cricketer
 * Rear Admiral John Templeton-Cotill (1920–2011), Naval Officer
 * The Baron Monro of Langholm (1922–2006), Conservative politician
 * Michael Medwin (1923–2020), actor
 * Alexander Paton (1924–2015), Physician and Author of ABC of Alcohol
 * Stuart Symington (1926–2009), cricketer
 * The 21st Earl of Morton (1927–2016), Deputy Lieutenant of West Lothian
 * Michael Ash (1927), Mathematician, brewer, and inventor of the Easy Serve Draught Guinness
 * Iain Campbell (1928–2015), Cricketer
 * Rutherford Aris (1929–2005), chemical engineer, Regents Professor Emeritus
 * David Littman (born 1933), historian and human rights advocate
 * Sir John Drummond (1934–2006), arts administrator, former controller of BBC Radio 3
 * General Sir Brian Kenny (1934–2017)
 * Second Lieutenant Paul Benner, GC (1935–1957), awarded the George Cross
 * Stan Brock (1936), television presenter, philanthropist
 * Anthony Bryer OBE (1937–2016), Historian
 * Air Chief Marshal Sir Roger Palin (born 1938)
 * Simon Preston CBE (born 1938), organist, conductor, composer
 * Stephen Rubin OBE (born 1938), founder of Pentland Industries (Hunter, Speedo, Berghaus, Ellesse, etc.)
 * Derek Jarman (1942–1994), film director and gay rights activist
 * Ian Bradshaw (born 1940s), Photographer and winner of the World Press Photo Award
 * Sir Henry Cecil (1943–2013), champion race horse trainer
 * Admiral Sir Ian Garnett (born 1944), naval officer
 * Rear Admiral Sir Jeremy De Halpert KCVO, CB (born 1945), Naval Secretary
 * Tim Stevenson (born 1948), Lord Lieutenant
 * Simon Crowcroft (born 1950), Connétable of St Helier
 * David Docwra (born 1953), cricketer and educator
 * Alan Hollinghurst (born 1954), Booker Prize winning author
 * Peter Parker (born 1954), Author, Journalist, and Fellow of the Royal Society of Literature
 * The 10th Viscount Portman (born 1958), British peer and property developer
 * Owen Bennett-Jones, journalist, 'Newshour'
 * Sir Philip Moor (born 1959), judge of the High Court of England and Wales
 * Nigel Robertson (born 1962), entrepreneur, founder of FreePages plc
 * Simon Hilton (born 1967), music video director
 * Nick Robertson OBE (born 1967), co-founder and former CEO of ASOS
 * Tom Holland, (born 1968), novelist and popular historian
 * Major General Nicholas Borton DSO MBE (born 1969), General Officer Commanding 3rd Division
 * Stephen Phillips QC, MP (born 1970), Conservative politician
 * Giles Duley (born 1971), photojournalist
 * James Le Mesurier (1971–2019), Founder of White Helmets
 * Miranda Cooper (born 1975), formerly the singer 'Moonbaby', songwriter and director of the company Xenomania
 * The 10th Earl of Jersey (born 1976)
 * Yvonne Lui (born 1977), property magnate, philanthropist
 * The 12th Earl of Shaftesbury (born 1979)
 * Ben Gollings (born 1980), England rugby sevens player
 * Alex Hibbert (born 1986), polar explorer
 * Ore Oduba (born 1986), Presenter and sports journalist, 2016 Winner of Strictly Come Dancing
 * Chloe-Jasmine Whichello (born 1991), reality TV star
 * Brianna Stubbs (born 1991), GB rower

title: Canford School


text:
Elstree & Borehamwood railway station

Elstree & Borehamwood railway station is a railway station in the town of Borehamwood, Hertfordshire, England. It primarily serves Borehamwood as well as the nearby village of Elstree, 1.3 mi to the south-west. The station is situated on the Midland Main Line, 12 mi down the line from London St Pancras and is situated between Mill Hill Broadway to the south and Radlett to the north. Its three-letter station code is ELS.

Elstree & Borehamwood is also the first station down the line that is located outside the Greater London area; however, it is still within London's Travelcard zone area, and is located in Zone 6.

The station is served by Thameslink-operated trains on the Thameslink route.

History
In 1862:
 * "The London and Midland Junction Railway Bill is here referred to as providing for a new line of Railway into the metropolis. It commences from the Midland Railway at Hitchin, passes by St. Albans, Elstree, Edgware, Finchley and Highgate, and terminates by a junction with the Metropolitan Underground Railway at King's Cross, previously throwing out a Branch to the Cattle Market at Copenhagen Fields."

On 22 June 1863, the Midland Railway (Extension to London) Bill was passed:
 * "An Act for the Construction by the Midland Railway Company of a new Line of Railway between London and Bedford, with Branches therefrom; and for other Purpose".

Situated north of the Elstree Tunnels, it was built by the Midland Railway as simply "Elstree" in 1868 when it built its extension to St Pancras station. By the 1920s, it had been renamed Elstree and Boreham Wood station. It was modernised in 1959. The station was renamed from Elstree & Borehamwood to Elstree on 6 May 1974, but reverted to Elstree & Borehamwood by mid 1988.

A new footbridge and step-free lifts, installed under Network Rail's Access for All programme, opened on 1 October 2014 in order to make Elstree & Borehamwood entirely step-free.

Services
All services at Elstree & Borehamwood are operated by Thameslink using EMUs.

The typical off-peak service in trains per hour is:
 * 6 tph to St Albans City of which 2 continue to Luton
 * 2 tph to Rainham via Dartford
 * 4 tph to Sutton (2 of these run via Mitcham Junction and 2 run via Wimbledon)

During the peak hours, the station is served by additional services between Luton and Orpington via Catford, as well as some late evening services to and from Bedford.

The station is also served by a night service between Bedford and Three Bridges on Sunday to Friday nights.

title: Elstree & Borehamwood railway station


text:
Grey parrot (disambiguation)

Grey parrot may refer to:

 * Parrots
 * Grey parrot (also Congo grey parrot or African grey parrot) (Psittacus erithacus)
 * Timneh parrot (also Timneh grey parrot) (Psittacus timneh)
 * Thirioux’s grey parrot (Psittacula bensoni), also known as Mascarene grey parakeet, or Mauritius grey parrot, a little-known extinct parrot

 * Plants
 * Grey parrot-pea (Dillwynia cinerascens), a plant in the pea family (Fabaceae), native to Australia

title: Grey parrot (disambiguation)


text:
Talk:Deep One (X-COM race)

Page moved April 2005
I moved this from *(XCOM) to *(alien) to match the SOP already established with the UFO Defense aliens. — THOR 15:11, 8 Apr 2005 (UTC)

Minor edit
I made a minor edit on the page because I came here from the random article link and it wasn't very clear where this came from. cybeguy 01:09, 15 July 2005 (UTC)

Requested move
I am requesting this move to provide a more clear disambiguation from H.P. Lovecraft's Cthulhu mythos Deep Ones (Deep One (Cthulhu mythos)). I could perform this move myself, but since this particular article is outside my sphere of knowledge, I am reluctant to exercise such bold action. I would also recommend that other editors not effect a preemptive move until a proper discussion is held. (Also, see the above comment regarding a page move in April.) -,-~ R 'lyeh R isin g  ~-,- 23:27, 1 January 2006 (UTC)

Moved. — Nightstallion (?) 07:55, 10 January 2006 (UTC)

Fair use rationale for Image:Deeponeautopsy.png
Image:Deeponeautopsy.png is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in Wikipedia articles constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.

Please go to the image description page and edit it to include a fair use rationale. Using one of the templates at Fair use rationale guideline is an easy way to insure that your image is in compliance with Wikipedia policy, but remember that you must complete the template. Do not simply insert a blank template on an image page.

If there is other other fair use media, consider checking that you have specified the fair use rationale on the other images used on this page. Note that any fair use images uploaded after 4 May, 2006, and lacking such an explanation will be deleted one week after they have been uploaded, as described on criteria for speedy deletion. If you have any questions please ask them at the Media copyright questions page. Thank you.BetacommandBot 00:16, 3 June 2007 (UTC)

Fair use rationale for Image:Deepone.png
Image:Deepone.png is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in Wikipedia articles constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.

Please go to the image description page and edit it to include a fair use rationale. Using one of the templates at Fair use rationale guideline is an easy way to insure that your image is in compliance with Wikipedia policy, but remember that you must complete the template. Do not simply insert a blank template on an image page.

If there is other other fair use media, consider checking that you have specified the fair use rationale on the other images used on this page. Note that any fair use images uploaded after 4 May, 2006, and lacking such an explanation will be deleted one week after they have been uploaded, as described on criteria for speedy deletion. If you have any questions please ask them at the Media copyright questions page. Thank you.BetacommandBot 00:16, 3 June 2007 (UTC)

title: Talk:Deep One (X-COM race)


text:
Talk:Logba language/to do

 * 1) Classification (Dorvlo/Blench/Stewart/Heine/Ethnologue)
 * 2) Full phoneme inventory (vowel and consonant tables)
 * 3) Better geography/demography
 * 4) Tone examples
 * 5) Grammar
 * 6) Example sentences
 * 7) Audio!
 * 8) Create map
 * 9) Create context: Ghana Togo Mountain languages, Avatime language, Lelemi language, Siwu language

Last update: — mark ✎ 06:47, 19 April 2007 (UTC)

title: Talk:Logba language/to do


text:
On the Corner

On the Corner is a studio album by the American jazz trumpeter, bandleader, and composer Miles Davis. It was recorded in June and July 1972 and released on October 11 of that year by Columbia Records. The album continued Davis's exploration of jazz fusion, and explicitly drew on the influence of funk musicians Sly Stone and James Brown, the experimental music of Karlheinz Stockhausen, the free jazz of Ornette Coleman, and the work of collaborator Paul Buckmaster.

Recording sessions for the album featured a changing lineup of musicians including bassist Michael Henderson, guitarist John McLaughlin, and keyboardists Chick Corea and Herbie Hancock, with Davis playing his trumpet through a wah-wah pedal and doubling on organ. Davis and producer Teo Macero then spliced and edited various takes into compositions. The album's packaging did not credit any musicians, in an attempt to make the instruments less discernible to critics. Its artwork features Corky McCoy's cartoon designs of urban African-American characters.

On the Corner was in part an effort by Davis to reach a younger African-American audience who had largely left jazz for funk and rock music. Instead, thanks to Columbia's lack of target marketing, it was one of Davis' worst-selling albums, and was scorned by jazz critics at the time of its release. It would be Davis's last studio album of the 1970s conceived as a complete work; subsequently, he recorded haphazardly and focused instead on live performance before temporarily retiring in 1975.

Critical and popular reception of On the Corner has improved dramatically with the passage of time. Many outside the jazz community have since called it an innovative musical statement anticipating subsequent developments in funk, jazz, post-punk, electronica, and hip hop. In 2007, On the Corner was reissued as part of the 6-disc box set The Complete On the Corner Sessions.

Background
Following his turn to jazz fusion in the late 1960s and the release of rock- and funk-influenced albums such as Bitches Brew (1970) and Jack Johnson (1971), Miles Davis received backlash from the jazz community. Critics accused him of abandoning his talents and pandering to commercial trends, though his recent albums had been commercially unsuccessful by his standards. Other jazz contemporaries, such as Herbie Hancock, Cecil Taylor, and Gil Evans, defended Davis; the latter stated that "jazz has always used the rhythm of the time, whatever people danced to". In early 1972, Davis began conceiving On the Corner as an attempt to reconnect with a young African-American audience which had largely forsaken jazz for the funk of artists such as Sly and the Family Stone and James Brown. In an interview with Melody Maker, Davis stated: "'I don't care who buys the record so long as they get to the black people so I will be remembered when I die. I'm not playing for any white people, man. I wanna hear a black guy say 'Yeah, I dig Miles Davis.''"

Davis also cited German experimental composer Karlheinz Stockhausen as an influence, in particular his forays into electronic music and tape manipulation. Davis was first introduced to Stockhausen's work in 1972 by collaborator Paul Buckmaster, and the trumpeter reportedly kept a cassette recording of Stockhausen's electroacoustic composition Hymnen (1966–67) in his Lamborghini Miura. The electronic sound processing found in Hymnen and Telemusik (1966) and the development of musical structures by expanding and minimizing processes based on preconceived principles, as featured in Plus-Minus and other Stockhausen works from the 1960s and early 1970s, appealed to Davis. Davis began to apply these ideas to his music by adding and taking away instrumentalists and other aural elements throughout a recording to create a progressively changing soundscape. Davis later wrote in his autobiography: "I had always written in a circular way and through Stockhausen I could see that I didn't want to ever play again from eight bars to eight bars, because I never end songs: they just keep going on. Through Stockhausen I understood music as a process of elimination and addition."

The work of Buckmaster, who played electric cello on the album and contributed some arrangements, and the harmolodic theory of avant-garde jazz saxophonist Ornette Coleman (whom Davis had previously disparaged), would also influence the album; Davis later described On the Corner as "Stockhausen plus funk plus Ornette Coleman." Using this conceptual framework, Davis reconciled ideas from contemporary classical music, jazz, and rhythm-based dance music.

Recording and production
Recording sessions for On the Corner began in June 1972. Both sides of the record consisted of repetitive drum and bass grooves based around a one-chord modal approach, with the final cut edited down from hours of jams featuring changing lineups underpinned by bassist Michael Henderson. Other musicians involved in the recording included guitarist John McLaughlin, drummers Jack DeJohnette and Billy Hart, and keyboardists Herbie Hancock and Chick Corea. On the Corner utilized three keyboardists, as on Bitches Brew, while pairing Hart — who had also played in Hancock's Mwandishi-era band — with DeJohnette and two percussionists. Bennie Maupin, Hancock's woodwind player at the time, played bass clarinet, and Dave Liebman was recruited as saxophonist. Jazz historian Robert Gluck later discussed the performances: "'The recording functions on two layers: a relatively static, dense thicket of rhythmic pulse provided by McLaughlin's percussive guitar attack, the multiple percussionists, and Henderson's funky bass lines, plus keyboard swirls on which the horn players solo. Segments of tabla and sitar provide a change of mood and pace. Aside from 'Black Satin,' most of the material consists of intense vamps and rhythmic layering.'"

Compared to Davis' previous recordings, On the Corner found him playing the trumpet scarcely. The album also saw his producer, Teo Macero, employ tape editing procedures which he had first used on Davis' 1969 album In a Silent Way to combine various takes into a single cohesive work. Macero's tape editing technique was informed by his experiences with New York-based avant-garde and electronic composers such as Edgard Varèse and Vladimir Ussachevsky in the 1950s and 1960s. The tape editing process also allowed Macero and Davis to overdub and add effects after the sessions. Some of the musicians expressed misgivings about the unconventional musical direction of the sessions; Liebman opined that "the music appeared to be pretty chaotic and disorganized," while Buckmaster called it his "least favorite Miles album."

Packaging
The album cover featured an illustration by cartoonist Corky McCoy depicting ghetto caricatures. The packaging only featured one stylized photograph of Davis, and was originally released with no musician credits, leading to ongoing confusion about which musicians appeared on the album. Davis later admitted to doing this intentionally: "I didn't put those names on On the Corner specially for that reason, so now the critics have to say, 'What's this instrument, and what's this?' ... I'm not even gonna put my picture on albums anymore. Pictures are dead, man. You close your eyes and you're there."

Reception
On the Corner was panned by most critics and jazz musicians; according to Davis biographer Paul Tingen, it became "the most vilified and controversial album in the history of jazz" soon after its release. Saxophonist Stan Getz proclaimed: "That music is worthless. It means nothing; there is no form, no content, and it barely swings." Jazz Journal critic Jon Brown wrote that "it sounds merely as if the band had selected a chord and decided to worry hell out of it for three-quarters of an hour," concluding that "I'd like to think that nobody could be so easily pleased as to dig this record to any extent." Eugene Chadbourne, writing for jazz magazine CODA, described On the Corner as "pure arrogance." In his 1974 biography of Davis, critic Bill Coleman described the album as "an insult to the intellect of the people."

Rock journalist Robert Christgau later suggested that jazz critics were not receptive to On the Corner "because the improvisations are rhythmic rather than melodic" and Davis played the organ more than his trumpet. Regarding the appeal it held for rock critics, he praised "Black Satin" but expressed reservations about the absence of a "good" beat elsewhere on the album. Ian MacDonald of the NME declared the album was "monumentally boring". In a positive review for Rolling Stone, Ralph J. Gleason found the music very "lyrical and rhythmic" while praising the dynamic stereo recording and calling Davis "a magician". He concluded by saying that "the impact of the whole is greater than the sum of any part."

The album's commercial performance was as limited as that of Davis's albums since Bitches Brew, topping the Billboard jazz chart but only peaking at #156 in the more heterogeneous Billboard 200. Tingen wrote that "predictably, this impenetrable and almost tuneless concoction of avant-garde classical, free jazz, African, Indian and acid funk bombed spectacularly, leading to decades in the wilderness. As far as the jazzers were concerned, it completed Davis's journey from icon to fallen idol."

Legacy and reappraisal
Despite remaining outside the purview of the mainstream jazz community, On the Corner has undergone a positive critical reassessment in subsequent decades; according to Tingen, many critics outside jazz have characterized it as "a visionary musical statement that was way ahead of its time". In 2014, Stereogum hailed it as "one of the greatest records of the 20th Century, and easily one of Miles Davis' most astonishing achievements," noting its mix of "funk guitars, Indian percussion, dub production techniques, [and] loops that predict hip hop." According to Alternative Press, On the Corner is an "essential masterpiece" that envisioned much of modern popular music, "representing the high water mark of [Davis'] experiments in the fusion of rock, funk, electronica and jazz". Fact characterized the album as "a frenetic and punky record, radical in its use of studio technology," adding that "the debt that the modern dance floor owes the pounding abstractions of On the Corner has yet to be fully understood." Writing for The Vinyl Factory, Anton Spice described it as "the great great grandfather of hip-hop, IDM, jungle, post-rock and other styles drawing meaning from repetition."

On the Corner was featured on the 2007 box set The Complete On the Corner Sessions, alongside tracks from Davis' subsequent albums Big Fun and Get Up with It and previously unreleased recordings from the same period. Reviewing the box set in The Wire, critic Mark Fisher wrote that "[t]he passing of time often neutralises and naturalises sounds that were once experimental, but retrospection has not made On the Corner's febrile, bilious stew any easier to digest." Stylus Magazine's Chris Smith wrote that the record anticipated musical principles that abandoned a focus on a single soloist in favor of collective playing: "At times harshly minimal, at others expansive and dense, it upset quite a few people. You could call it punk." On the Corner was cited by SF Weekly as prefiguring subsequent funk, jazz, post-punk, electronica, and hip hop. According to AllMusic's Thom Jurek, "the music on the album itself influenced – either positively or negatively – every single thing that came after it in jazz, rock, soul, funk, hip-hop, electronic and dance music, ambient music, and even popular world music, directly or indirectly." BBC Music reviewer Chris Jones expressed the view that the music and production techniques of On the Corner "prefigured and in some cases gave birth to nu jazz, jazz-funk, experimental jazz, ambient and even world music." Pitchfork described the album as "longing, passion and rage milked from the primal source and heading into the dark beyond."

Fact named On the Corner the 11th best album of the 1970s, while Pitchfork named the album the 30th best album of that decade. The Wire named On the Corner one of its "100 Records That Set the World on Fire (While No One Was Listening)". According to the magazine's David Stubbs, On the Corner was "Miles's most extreme foray into what was often pejoratively dismissed as jazz rock and is still regarded by many critics today as a grotesque, period aberration". John F. Szwed also wrote of the album in The Wire:

"Jazz musicians hated it, critics bemoaned Miles's fall from grace, and since Columbia failed to market it as a pop record, it died in the racks. Even now, when Davis's jazz rock recordings are being reissued to great acclaim, On the Corner remains lost in time. Still, this record might well be the most radical break with the past of all of Davis's many breaks. Dense with rhythm and conceptually enriched with noises, his trumpet's role mixed down to that of a journeyman, the melody reduced to recycled Minimalist patterns, Davis broke every rule enforced by the jazz police. Yet today ... we hear that Davis was laying the foundations for drum 'n' bass, [ trip hop ], Jungle, and all the other musics of repetition to come."

Despite the record's influence on numerous artists outside of jazz, "the mainstream jazz community still won't touch On the Corner with a barge pole", according to Tingen, "and whatever remains of jazz-rock continues to be too deeply in thrall of the pyrotechnics aspect of such 1970s bands as Mahavishnu Orchestra to take any notice of On the Corner's repetitive funk, which was the antithesis of virtuosity." For its fusion of jazz harmonies with funk rhythms and rock instrumentation, On the Corner was regarded by both Davis biographer Jack Chambers and music essayist Simon Reynolds as exemplary of the trumpeter's jazz-rock music, and Mick Wall viewed it as a "jazz-rock cornerstone". According to NPR Music's Felix Contreras, On the Corner was one of 1972's "jazz-rock hybrids" that "blurred the lines between rock and jazz, if not outright combining them", along with I Sing the Body Electric by Weather Report and Santana's Caravanserai. Jazz scholar Paul Lopes cited the album as an example of jazz-funk, and ethnomusicologist Rob Bowman called it "a milestone" in the genre, while Barry Miles believed it was a jazz-funk album that also "qualifies as prog rock because no one at the time knew what to call it." Pat Thomas from Juxtapoz magazine wrote in retrospect that the record explored psychedelic funk. On the Corner was also viewed by Dave Segal from The Stranger as a "landmark fusion album" and by Vice journalist Jeff Andrews as one of jazz fusion's two greatest albums alongside Bitches Brew. While noting its inclusiveness and transcendence of a variety of musical genres, Howard Mandel regarded the album as both jazz and avant-garde music, while Stubbs said "this riff beast is a hybrid of funk and rock but is more atavistic, more avant garde than anything conventionally dreamt of by either genre".

Track listing
All compositions written by Miles Davis.

Notes:
 * "Black Satin" was released as a single under the name "Molester".
 * Some CD releases split the sections of tracks 1 and 4 into individual tracks.
 * The Complete On the Corner Sessions boxed set track list gives June 1, 1972 as the recording date of "Black Satin," but this is a mistake. The track consists of sections of "Helen Butte/Mr. Freedom X", recorded on June 6, with overdubs recorded on July 7.

Personnel

 * Miles Davis – electric trumpet with wah-wah
 * Michael Henderson – bass guitar with wah-wah
 * Don Alias – drums, percussion
 * Jack DeJohnette – drums
 * Billy Hart – drums
 * James Mtume – percussion
 * Carlos Garnett – soprano saxophone, tenor saxophone
 * Dave Liebman – soprano saxophone, tenor saxophone
 * Bennie Maupin – bass clarinet
 * Chick Corea – Fender Rhodes electric piano
 * Herbie Hancock – Fender Rhodes electric piano, synthesizer
 * Harold Ivory Williams – keys, organ
 * Cedric Lawson – organ
 * Dave Creamer – electric guitar
 * John McLaughlin – electric guitar
 * Khalil Balakrishna – electric sitar
 * Collin Walcott – electric sitar
 * Paul Buckmaster – electric cello
 * Badal Roy – tabla

title: On the Corner


text:
Cissé

Cissé is a common West African name of Soninke origin, and the meaning of Cissé is the white horse in the same language.

Notable people with the surname include:

Sports

 * Abdoulaye Cissé (b. 1983), Burkinabé footballer
 * Aboubacar Cissé (b. 1969), Ivorian footballer
 * Aliou Cissé (b. 1976), Senegalese footballer and coach
 * Amadou Cissé (b. 1985), French-Guinean footballer
 * Babacar Cissé (b. 1975), Senegalese basketball player
 * Brahima Cissé (b. 1976), Burkinabé footballer
 * Djibril Cissé (b. 1981), French footballer
 * Édouard Cissé (b. 1978), French footballer
 * Fousseyni Cissé (b. 1989), French footballer
 * Ibrahima Cissé (b. 1994), Belgian-Guinean footballer
 * Kalifa Cissé (b. 1984), Malian footballer
 * Mangué Cissé (1945–2009), Ivorian footballer
 * Mohamed Cissé (b. 1982), Guinean footballer
 * Morlaye Cissé (b. 1983), Guinean footballer
 * Ousmane Cissé (b. 1982), Malian basketball player
 * Papiss Cissé (b. 1985), Senegalese footballer
 * Salim Cissé (b. 1992), Guinean footballer
 * Sekou Cissé (b. 1985), Ivorian footballer

Other

 * Abdoulkader Cissé (b. 1955) Burkinabé politician
 * Amadou Cissé (b. 1948), Nigerien politician, former Prime Minister of Niger (1995; 1996–97)
 * Boubou Cissé, Malian politician
 * Inna Sissoko Cissé, Malian government official
 * Madjiguène Cissé (1951–2023), Senegalese activis
 * Massata Cissé (b. 1961), Burkinabè Woman, First female truck driver in West Africa
 * Shaykh Hassan Cissé (1945-2008), Senegalese Islamic scholar
 * Souleymane Cissé (b. 1940), Malian film director
 * Soumaïla Cissé (1949–2020), Malian politician

title: Cissé


text:
Toshio Mori

Toshio Mori (March 3, 1910 – April 12, 1980) was an American author, best known for being one of the earliest (and perhaps the first) Japanese–American writers to publish a book of fiction.

Biography
Mori was born in Oakland, California to Japanese immigrants Hidekichi Mori (1871-1951) and Yoshi Takaki (1869-1946).

He grew up in San Leandro. In spite of working long hours at his family's garden nursery, Mori endeavored to become a writer and managed to publish his first story "The Brothers" in The Coast magazine when he was 28 years old. He had a tentative publication date set for his collection of stories Yokohama, California when World War II broke out, which brought the publication process to a halt.

During World War II, following the signing of Executive Order 9066, he and his family were interned at Topaz War Relocation Center in Utah, where Mori edited the journal Trek for a year. In 1943, Mori met and married Berkeley, California native Hisayo Yoshiwara (1915-2003). They had a son, Steven Mori.

After the war, Mori returned to the Bay Area where he continued to write. He is the author of Yokohama, California (1949), The Chauvinist and Other Stories (1979), and The Woman from Hiroshima (1980). Mori worked most of his adult life in a small family nursery. He was posthumously named an American Book Award winner for Yokohama, California in 1986.

Toshio Mori died on April 12, 1980, in San Leandro, California. He was cremated and buried at Chapel of the Chimes Columbarium and Mausoleum in Oakland, California.

Writing style
Though Mori was a short story fiction writer, his stories often echoed and reflected the life of Japanese Americans in pre and postwar America. Imbued with wonderment at the everyday routine of the people around him, Mori's stories told of seemingly menial situations that emphasized the emotional connections and culture that all Americans share, regardless of their racial background. This tone was one of the main reasons why Mori's work was so successful; it was accessible to more than just the Japanese American community. Even Mori's work while in the internment camp was from the 'optimistic perspective', a style of writing in the internment camps which encouraged Japanese Americans not to be pessimistic and have faith in the American democratic system.

Though the majority of Mori's work was considered lighthearted and even comical, some of his works did emphasize the taut emotional strain that a Japanese American felt, before, after and during the war. Most of his works prewar described the slightly comical problems that a Japanese American dealt with on a daily basis, trying to balance their Japanese culture with the American one. During his internment, Mori's tone occasionally became dark, especially in a short story dedicated to his brother (who was badly injured in the 442nd Regimental Combat Team) which describes a fight between brothers over patriotic duty to their country.

title: Toshio Mori


text:
Talk:Atia (mother of Augustus)

Untitled
This page seems to credit Augustus with two mothers. 164.57.112.215 21:29, 26 January 2007 (UTC)Jim Hughes

Caesonia?
How did she come to be known as Atia Balba Caesonia? Sisyphus88 (talk) 11:37, 30 December 2008 (UTC)
 * This name was inserted on 8 April 2005 by User:Binabik80, who claims to have explained on a talk page, but I can't find that talk page. It's hard to see how the name could be real. And rew D alby  14:56, 22 November 2011 (UTC)

 * I am finding information that shows that Atia's family name was not known.--Amadscientist (talk) 02:06, 18 February 2012 (UTC)

"Rome" TV series
Atia is described here as "exceptionally religious and moral", but in the TV series "Rome" as scheming and licentious. Regardless of her true disposition, Augustus would certainly have made every effort to clean up her reputation. Might there be any historical basis at all for her depiction in the TV series? Milkunderwood (talk) 13:06, 19 January 2010 (UTC)
 * Not really. It was just a plot device.--Amadscientist (talk) 02:05, 18 February 2012 (UTC)

Where is Caesonia from? Caesar?
Is it from the cognomen of her maternal uncle (and various generations of maternal relatives) Caesar? The word Caesar, in one certain theory, is derived from the word caeso ("cut"), and the word Caesonia contains caeso in it. Is there any source for this usage of her name? I also found that User:Binabik80 said in 15:15, 8 Apr 2005 (UTC) revision of this talk page that "Every reference I found to Octavian's mother called her Atia Balba Caesonis, and Roman naming convention wouldn't name the first two of three sisters as Major and Minor; it would name the three sisters, respectively, Prima, Secunda and Tertia." —10:01, 6 May 2015 (UTC) edited Thắng L.Đ.Q. (talk) 10:17, 6 May 2015 (UTC)

Tribe of Atia
This was added to the article by @BorgQueen and removed by @DeCausa, who made the valid points that the tribe was based at Corinth, not in Rome and that the particular source didn't support the point. However, there are discussions of the Corinthian tribes in A. B. West. 1931. Corinth VIII.2: Latin Inscriptions, 1896-1926, p. 14-15, 91; J. H. Kent. 1966. Corinth VIII.3: The Inscriptions 1926-1950, p. 23, 104, 106; Šašel-Kos 1978, “The Latin Inscriptions from Isthmia,” Arheološki Vestnik 29, p. 347. These make the link between the Atia tribe and Atia the mother of Augustus (unfortunately, I don't have these in front of me now so can't check whether all of them make the point or if it was specifically Kent). I disagree that the point is trivia, since Corinth was a major city, a foundation of Julius Caesar that was favoured by Augustus, and it is one of the few examples of contemporary commemoration of Atia. So, I think the point should be restored, in revised form. Furius (talk) 22:59, 25 September 2023 (UTC)

 * No, it was added by . BorgQueen (talk) 23:16, 25 September 2023 (UTC)

 * Ok, but being the sole item under a heading "Legacy" seems excessive. It's hardly a "legacy" - certainly when compared to being one of the progenitors of the Julio-Claudians. If a source can be cited specifically linking the Corinthian tribe to this Atia (the cited source didn't) then I have no objection to some sort of reference to it. Perhaps, "trivia" was an overstatement - but it doesn't deserve its own section. DeCausa (talk) 23:22, 25 September 2023 (UTC)
 * Sorry for the incorrect attribution. That's a fair point. Perhaps it could go after we state the circumstances of her death? Furius (talk) 01:11, 26 September 2023 (UTC)
 * I don't have a problem with that.★Trekker (talk) 08:39, 26 September 2023 (UTC)
 * I don't either. DeCausa (talk) 08:45, 26 September 2023 (UTC)

title: Talk:Atia (mother of Augustus)


text:
User talk:Stewbasic

Welcome!

Hello,, and welcome to Wikipedia! Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! Please sign your name on talk pages using four tildes (~~); this will automatically produce your name and the date. If you need help, check out Where to ask a question, ask me on my talk page, or place  on your talk page and someone will show up shortly to answer your questions. Again, welcome!
 * The five pillars of Wikipedia
 * How to edit a page
 * Help pages
 * Tutorial
 * How to write a great article
 * Manual of Style

Thank you for the nice picture in Ceva's theorem. If you noticed, I moved the mathematica code to Image:Cevastheorem.jpg. By the way, I would suggest you visit the picture tutorial above. There you can learn how to align the image (left, right, center), how to modify its size, and how to put a caption. Then you can go to Ceva's theorem and arrange the image as you please. I did a rough aligment and scaling, I think it can be improved upon. Enjoy! Oleg Alexandrov 15:13, 8 Apr 2005 (UTC)

Proposed deletion of File:Cevastheorem.jpg

The file File:Cevastheorem.jpg has been proposed for deletion because of the following concern: "Unused, low-res, no obvious use. Superseded by File:Ceva's_theorem_1.svg."

While all constructive contributions to Wikipedia are appreciated, pages may be deleted for any of several reasons.

You may prevent the proposed deletion by removing the notice, but please explain why in your edit summary or on the file's talk page.

Please consider addressing the issues raised. Removing will stop the proposed deletion process, but other deletion processes exist. In particular, the speedy deletion process can result in deletion without discussion, and files for discussion allows discussion to reach consensus for deletion. --Minorax «¦talk¦» 04:16, 23 February 2023 (UTC)

title: User talk:Stewbasic


text: User talk:209.115.5.70

title: User talk:209.115.5.70


text:
Forest Gate railway station

Forest Gate railway station is on the Great Eastern Main Line serving Forest Gate in the London Borough of Newham, east London. It is 5 mi down the line from London Liverpool Street and is situated between Maryland and Manor Park. Its three-letter station code is FOG and it is in fare zone 3.

The station was opened in 1840 by the Eastern Counties Railway. It is managed and served by the Elizabeth line.

Eastern Counties Railway (1840–1862)
Forest Gate station first opened in 1840 by the Eastern Counties Railway, a year after the line was built, but was closed in 1843, before re-opening on 31 May 1846 following pressure from local residents.

After re-opening the service was poor and local resident John Curwen observed "The trains were few and uncertain. Ten or twenty minutes belatement we thought nothing of. Sometimes trains did not come at all and I do not think there were more than seven or eight trains each way per day. On an average, about six people entered or left at Forest Gate".

The first station had two 350 feet platforms and an entrance in Forest Lane.

A junction was built east of Forest Gate station on 13 April 1854. which allowed the nascent London Tilbury and Southend Railway to operate trains to London via Stratford, Forest Gate station was not however served by these services. A signal box (or it may have been a platform) was established at the junction at this time.

By the 1860s the railways in East Anglia were in financial trouble, and most were leased to the ECR; they wished to amalgamate formally, but could not obtain government agreement for this until 1862, when the Great Eastern Railway was formed by amalgamation. Thus Forest Gate became a GER station in 1862.

Great Eastern Railway (1862–1922)
In the late 1860s with a growing population the station was proving inadequate and the station underwent some changes. In 1870 a new station building was provided on Woodgrange Road which crosses over the line at the east end of the station. Two years later, The two platforms were lengthened by 100 feet and a new bay platform for terminating services was provided on the down side.

A signal box was established at the station at this time (as no points had existed  previously).

A secondary entrance was opened in Forest Lane in 1880 (further west than the original entrance). This was later extended with a small Tudor style extension. A footbridge linked this office to the platforms.

Further suburban growth led to the need to increase services on the Great Eastern Main Line and the proposal was to quadruple the line from Maryland Point to west of Romford for which parliamentary powers were granted in 1882. By 1893 the line had been quadrupled either side of Forest Gate with temporary junctions either side of the station. The station was rebuilt with two new lines called the Through Lines being built south of the station. These did not have platforms and a wall separated the Up Local platform from the Down Through Line. Woodgrange Road was widened and another station building was provided. The bay platform was removed as part of the works as the Local Lines were moved slightly to the north to accommodate the changes and stay within the rail boundary. The 1870 signal box was replaced by a new structure at this time.

A small goods yard was established next to Forest Gate Junction on 4 April 1893 to compete with the Tottenham and Forest Gate Railway which was due to open in 1894. This railway crossed over the Great Eastern Railway at Forest Gate Junction and the Tottenham line opened to passengers on 9 July 1894.

In 1923, the GER amalgamated with other railways to form the London and North Eastern Railway (LNER).

London and North Eastern Railway (1923–1947)
During this period local stopping trains were generally hauled by LNER Class N7 locomotives on trains of corridor type carriage stock.

Plans were drawn up in the 1930s to electrify the suburban lines from Liverpool Street to Shenfield at 1,500VDC and work was started on implementing this. However, the outbreak of the Second World War brought the project to a temporary halt and it was not until 1949 that the scheme was completed.

The Forest Lane entrance was taken out of service during 1940 as a wartime economy measure. Although it was planned to re-open this entrance after the 1946 remodelling and electrification, the entrance remained closed.

As part of the electrification scheme a flyover was built just south of Ilford. This was designed to remove conflicting moves between Local Line and Through Line trains and mean that south of that location Maryland, Forest Gate and Manor Park stations but meant new platforms had to be provided at these three locations as the only platforms were on the Local Lines. At Forest Gate this was done by digging out the embankment south of the station.

After the work was completed the Local Line became the Electric Line and the Through Line became the Main Line.

British Railways (1948–1994)
On January 1 1948, following nationalisation of the railways, Forest Gate became part of the British Railways Eastern Region.

From February 1949 the Class 306 EMUs operated the service to steam timings but an accelerated all electric schedule was introduced in September 1949.

The 1500 DC electrification system was converted to 25/6.35 KV AC operation between 4 and 6 November 1960.

The goods depot was closed on 7 December 1970.

In 1980 the first Class 315 EMUs were introduced to replace the Class 306s. The 315s were used on passenger trains serving Forest Gate.

The railway was sectorised in 1982 and Forest Gate and the trains calling at it became part of the London and South-East sector. On 10 June 1986 this was rebranded to become Network South East which was responsible for working services up to privatisation.

The privatisation era (1994 - present day)
In April 1994 Railtrack became responsible for the maintenance of the infrastructure. Railtrack was succeeded by Network Rail in 2002.

Between privatisation on 1 April 1994 and 4 January 1997 the station was operated by a non-privatised business unit. Since then passenger services calling at the station have been operated by the following franchises:
 * First Great Eastern 5 January 1997 – 31 March 2004
 * National Express East Anglia 1 April 2004 – 4 February 2012
 * Abellio Greater Anglia between 5 February 2012– 30 May 2015
 * MTR TFL Rail between 31 May 2015 and 23 May 2022 after which the line was rebranded as the Elizabeth Line who are the current operator.

In June 2017, new trains began entering service in preparation for the opening of the Crossrail. The Class 315 trains were finally taken out of service in 2022. Through services to central London, Heathrow Airport and Reading started running on the Crossrail line (rebranded the Elizabeth line) on 22 November 2022.

In early 2019 step free access was introduced to Forest Gate station.

Accidents and incidents
On 24 May 1953, at around 4 a.m., three members of train crew were injured in a collision between a freight train and a staff train that occurred east of Forest Gate station. A London-bound freight train that had started out at the Goodmayes goods yard was crossing from the electric line over to the main line when a staff train bound for the Gidea Park sidings passed a signal at danger and collided with the goods train at a speed of about 35 mph. A Ministry of Transport and Civil Aviation report blamed the driver of the Gidea Park train for his failure to "pay attention to signals".

Crossrail improvements
New trains were phased into service, and they are over 200 m in length, necessitating the extension of Forest Gate's platforms. Other enhancements included three new lifts providing access to all platforms, improved lighting and signage, help points, and new ticket machines and gates within a refurbished ticket hall.

Location
The station is 360 yd from Wanstead Park station, and this interchange is suggested in the National Rail Timetable.

London Buses routes 58, 308 and 330 serve the station.

Services
All services at Forest Gate are operated by the Elizabeth line using EMUs.

The typical off-peak service in trains per hour is:
 * 8 tph to London Paddington of which 2 continue to Heathrow Terminal 5
 * 8 tph to Shenfield

During the peak hours, the station is served by a number of additional services between London Liverpool Street and Gidea Park. These services do not call at Whitechapel.

On Sundays, the service to and from Shenfield is reduced to 4 tph, with alternating services running only as far as Gidea Park.

title: Forest Gate railway station


text:
121st Street station (BMT Jamaica Line)

The 121st Street station is a skip-stop station on the elevated BMT Jamaica Line of the New York City Subway. Located at the intersection of 121st Street and Jamaica Avenue in Richmond Hill and Kew Gardens, Queens, it is served by the Z train during rush hours in the peak direction and the J train at all other times.

History
This station was opened on July 3, 1918, by the Brooklyn Union Elevated Railroad, an affiliate of the Brooklyn Rapid Transit Company.

During construction of the Archer Avenue Line, the Jamaica Avenue elevated line was cut back past 121st Street on April 15, 1985. The Q49 bus, which replaced Jamaica elevated service running from the line's previous terminal of Queens Boulevard to the line's original terminal at 168th Street, was extended to 121st Street. Until the opening of the Archer Avenue Line in 1988, J trains alternately terminated at 111th Street and 121st Street, with peak period headways to 121st Street being ten minutes. This temporary service pattern was originally slated to be in effect for six or seven months. Construction on the ramps to Archer Avenue was completed in November 1987, but since the tunnels were not ready for service until 1988, a double crossover east (railroad north) of the station was installed while the ramps were used for storage. The Archer Avenue Line opened on December 11, 1988, and service was extended from 121st Street to Jamaica Center–Parsons/Archer.

The Manhattan-bound platform closed for renovations on February 6, 2017, and reopened on December 22, 2017, delayed from the summer. The Jamaica Center-bound platform closed for renovations on February 12, 2018, and reopened on November 14, 2018, delayed from its planned reopening in the summer.

Station layout
This elevated station has two tracks and two side platforms, with space for a center express track that was never added. The station has beige windscreens and green canopies. This is the easternmost station on the Jamaica Line, east of here, trains go underground to the BMT Archer Avenue Line.

Exits
There are two exits. The full-time exit is at the west (railroad south) end of the station. One staircase from each platform leads to the mezzanine beneath the tracks. Outside of fare control, a pair of staircases lead down to either side of Jamaica Avenue on the west side of 121st Street.

There is an additional unstaffed exit at the east (railroad north) end of the station leading to the west side of 123rd Street. This exit is split in half due to the closed-off station house beneath the tracks. A single staircase from each platform leads to a landing that contains a full-height HEET turnstile before the street stairs.

title: 121st Street station (BMT Jamaica Line)


text:
Communist Party of Australia (Marxist–Leninist)

The Communist Party of Australia (Marxist–Leninist) (CPA (ML)), is an Australian communist party founded in 1964. The party's origins derived from a split within the Communist Party of Australia (CPA), stemming from the Sino-Soviet split. The party describes its ideology as being influenced by the works of Karl Marx, Friedrich Engels, Vladimir Lenin, Joseph Stalin, Mao Zedong and Ted Hill.

The party adheres to what is calls the "iceberg principle": “A few members are seen and open about their membership to allow the organisation to be accessible to the working class, while the membership of the majority remains largely unknown, revealed appropriately as their workplace, community and personal circumstances demand.”

Foundation
The Communist Party of Australia (Marxist–Leninist) (CPA (ML)) was formed in March of 1964 by former members of the Communist Party of Australia (CPA). Ted Hill, among an estimated two-hundred others, lead a “Marxist–Leninist Conference” in which the party was formally founded. They also outlined their disagreements with the leadership of the CPA, contemporary issues, and the future of socialism. The party was founded following the split within the CPA, which stemmed from the Sino-Soviet split of the early '60s. The founders of the CPA (ML) (Ted Hill, Paddy Malone, Clarrie O'Shea, F. Johnson) rejected and denounced the leadership of the CPA as revisionist as well as their pro-Soviet position under Nikita Khrushchev, among many others.

First Central Committee Office-bearers

1970s–1990s
The party exerted sizeable influence on the militant student movement in Australia during the late 1960s and early 1970s on campuses such as Monash University and La Trobe University in Melbourne as well as Flinders University in Adelaide through their affiliate, the Worker-Student Alliance. A notable leader of the Worker-Student Alliance at this time was veteran political activist Albert Langer.

The party also held considerable sway within the Australian trade union movement from inception through to the 1980s. Clarrie O'Shea was party Vice-President at the time of his gaoling in 1969, which led to an unprecedented general strike across Australia until his release was secured. Norm Gallagher led the Builders Labourers Federation for over a decade, a time during which he was a nationally known and controversial figure. Other party members, such as John Cummins and Jim Bacon were also prominent BLF figures throughout the 1970s and 1980s. In the years following the de-registration of the BLF in 1986, CPA (M-L) influence within the union movement began to decline.

During the 1980s and 1990s the majority of the founding members of the CPA (M-L) died or retired. Ted Hill's retirement in 1986 and death in 1988 left the party without its most recognised public figure.

Current activity
The party ceased publishing a hard copy version of its newspaper Vanguard on a regular basis at the end of 2014. However, it continues to publish a special May Day edition of the paper each year, and releases various other publications periodically. It is unknown how many members the party has as it maintains strict adherence to its founding policy of the vast majority of members keeping their party membership secret. They have had a new website since 25 October 2014.

In June 2019 the party affiliated formally with the International Coordination of Revolutionary Parties and Organizations (ICOR).


text:
Talk:Pallene (moon)

Pronunciation
pa-lee'-nee per Tripp's Meridian Handbook and by regular reading of Greek long vowel η in penult. --kwami 15:17, 8 Apr 2005 (UTC)

Saturn satellites
Hello. You keep changing the attribution of the discovery of Pallene, Methone and Polydeuces to Carolyn Porco. This is wrong, those satellites have been discovered by Sébastien Charnoz and Carl Murray. You claim to be representing Carolyn Porco. I think it is a lie as Ms Porco perfectly knows she has not discovered those satellites and i cannot believe she would try to abuse the scientific community. In the future if you change once again the attribution of the discovery i will ask you to provide a certified message from Sébastien Charnoz and Carl Murray stating they have not discoevered those satellites. Thank you very much. Regards. Med 16:10, 21 April 2007 (UTC)

Response to your comments from Carolyn Porco
Here is Carolyn Porco's response to your comments, emailed to me: 'The official attribution for sightings of new moons or rings or features on the moons made by the Cassini imaging team members in Cassini images goes to the Cassini Imaging Team. This is standard practice in the astronomical community and is sanctioned by the International Astronomical Union. It would be entirely unfair and inappropriate to credit the 'discovery' to any one individual on a team of many scientists where many people contributed to the discovery. After all, no one attributes the discovery of America to the guy in the crow's nest of Christopher Columbus' ship. Furthermore, the first reports of these sightings were published in the IAU Circulars which are accurately referenced in the Wiki entries, and those reports constitute the offical announcement of the sightings along with the authorship `C.C.Porco and the Cassini Imaging Team'. This is not an abuse of any kind; it is standard practice, and it is the *correct* attribution for these discoveries'.

I suggest that you email Carolyn at cpcomments@ciclops.org if you wish to discuss this matter further. —The preceding unsigned comment was added by 81.154.32.254 (talk) 23:04, 21 April 2007 (UTC).

Erroneous Attribution
See discussion under Methone (moon). The official attribution goes to the Cassini Imaging Team. Charnoz was *not* the discoverer.

Response from Rebjon21
In response to what Carolyn has added and Med's reply, I have the following comments. First, I see that Med has changed the pages related to the three satellites, despite Carolyn's explanation. Second, I think now that this is the definitive word and the attribution for the discovery of the three satellites should, rightly, go to the "Cassini Imaging Team led by Carolyn Porco", with Carolyn being named ONLY because she is the team leader NOT because she discovered the three satellites (Pallene, Methone, and Polydeuces) which is NOT what I have been claiming and I would never claim something that was clearly not true, especially something as important as the discovery of astronomical bodies orbiting Saturn. Can everyone involved in this dispute please look carefully at the following proposed sentence, what is being said, and the order of the words:

"It was discovered by the Cassini Imaging Team led by Carolyn Porco".

Please read that again. It (Pallene, Methone, and Polydeuces respectively) was DISCOVERED by the CASSINI IMAGING TEAM - i.e. NOT by Murray NOT by Charnoz and NOT by Carolyn, but discovered by the TEAM - i.e. the words "Cassini Imaging Team" follow directly after the word "discovered" so it is clear to everyone who reads the articles on Wikipedia that the TEAM discovered the three satellites not any one individual. As for Carolyn's name being included in this sentence, this adheres to normal scientific protocol and again it is clear in what capacity she is included in this sentence, i.e. as the team leader NOT the discover. Please look at the order of the words.

It is clear that no individual team member should be singled out for this discovery, since many, many were involved.

I would like to add that it is interesting why Syntaxis, and more importantly Med, feel so passionately about this issue. Surely if they did not have a vested and personal interest in this issue they would not continue to insist that Murray and Charnoz be mentioned. Do Syntaxis and Med know Charnoz and Murray I wonder? It is clearly inappropriate for someone to make changes based on personal preferences.

As for what Med has said about Hubble, Cassini doesn't work like Hubble. The individual scientists using Hubble only propose and use the images. They did NOT build the instruments they are using, and they didn't take 15 years out of their careers to devote to a mission. It is not appropriate to compare two dissimilar scientific endeavours.

 * In my response in the section "Clarification from Carolyn Porco" on the Polydeuces talk page I have argued that it isn't common practice to attribute discovery to "The Cassini Imaging Team led by Carolyn Porco". The IAU itself does not do this so it can't be common practice. I'm not insisting on Charnoz or Murray being named, I want no-one named apart from the Cassini Imaging Team. But if we do decide to name names then we should name all the relevant people. As for why I feel passionately about this small point? Why does anyone else? Because I care about about the absolute accuracy of information and removing the possibility for misinterpretation. I note that these pages have now been protected, at least we get to discuss this without constantly changing things backwards and forwards.  Syntaxis 14:10, 19 June 2007 (UTC)

Protection
The pages Pallene (moon), Methone (moon) and Polydeuces (moon) have been protected because of persistant edit warring and reverts.

I encourage involved users to edit the talk page, resolve their differences, and craft a common version which suits everybody. You are all grown scientists, you are intelligent enough to do this. Rama 13:59, 19 June 2007 (UTC)
 * The Polydeuces (moon) talk page seems to have become the place for discussing this dispute. Please post any comments you have regarding this issue to that page so that this discussion can be more easily followed.  --Volcanopele 20:32, 19 June 2007 (UTC)

Proactivity
Sooner or later, some well-meaning contributor will dig up the 2004 press release and put Charnoz' name back in, sparking another round of fruitless debate. It would seem best to proactively quash any such further occurence. Here's a first draft of the paragraph I would see added:

« Early press releases of the discovery<ref> Martinez, C.; Savage, D.; and Finn, H; Out from the Shadows: Two New Saturnian Moons'', JPL News Release (August 16, 2004) mentioned the first team member to actually see the moon in the processed images: Sébastien Charnoz, of the University of Paris. This bit of trivia was blown out of proportion in the following months, with Charnoz being credited as the "discoverer" by some sources. Because the discovery was a large team effort, involving tens of people and hundreds of hours of distributed work, a conscious decision was made by the IAU and NASA to officially restrict any credit to "the Cassini Imaging team" and to avoid unfairly singling out any one team member as the discoverer. »
 * I agree. I've added your suggestion to the three articles. However I've removed the names of individuals as it is best to leave out names so we don't start a name war again. Rebjon21 23:42, 16 July 2007 (UTC)

Suggestions on improvement? Urhixidur 19:42, 16 July 2007 (UTC)

 * Likewise for Methone, and for Carl D. Murray and Polydeuces. Urhixidur 19:43, 16 July 2007 (UTC)
 * I'm not sure I understand why this needs to be reopened. If anyone adds either Charnoz or Murray's names, just revert and refer the editor to the discussion on the Polydeuces.  --Volcanopele 00:11, 17 July 2007 (UTC)
 * Okay, I just saw Rebjon21's edit. That seems fine.  --Volcanopele 00:13, 17 July 2007 (UTC)

Spoken Wikipedia recording
I've just uploaded an audio recording of the article. Please let me know if I've mispronounced anything. :-) --Mangst (talk) 01:47, 17 January 2010 (UTC)

Note 10
The note 10 is editorializing and includes wording which has nothing to do in an encyclopedia. 195.169.141.54 (talk) 09:47, 19 August 2010 (UTC)

Discovery year
looking for a source claiming it was discovered in 1981. "Discovery" is not always the first year an object is charted or photographed. Neptune appears in star charts from before it was discovered. Need to be sure that that's a real discovery (with orbit plotted) rather than what's known as "pre-discovery images". Geogene (talk) 22:31, 2 September 2015 (UTC)
 * It was given a formal designation, as in "S/1981 S 14" IIRC, and then it was lost. It wasn't precovery, the moon's orbit wasn't calculated, and it went missing. Later, Pallene is discovered, they realize that this moon is S/1981 S 14, their missing moon. And voila. Basically, it was discovered two different times. It's not a Neptune situation. DN-boards1 (talk) 22:36, 2 September 2015 (UTC)

 * I'm requesting a source that says it was discovered by the Voyager team. This doesn't look like a discovery, it looks like a prediscovery image. Geogene (talk) 22:52, 2 September 2015 (UTC)

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title: Talk:Pallene (moon)


text:
Talk:Stone Lud

I am thinking the article might be improved by a paragraph (or two?) about the map that the link refers to. Who drew it? Why? Laurel Bush 15:18, 8 Apr 2005 (UTC).
 * Strange questions. Firstly the map was engraved not drawn. Who? There was a team. Imagine the field surveyors - in top hats laboriously climbing every hill in Scotland with their theodolites over their shoulders in all sorts of weather (probably not in winter though). Then there were the engravers at base - the English maps were done in the Tower of London; this one may have been done in Edinburgh Castle. There were at least two people worked on each plate - one did the geographical features and the real expert did the lettering. Try writing Stone Lud in mirror image and just 10 mm wide. Now try doing the same, cutting it into a copper plate. If you can lay your hands on a paper copy of the map, you will probably find their names at the bottom right hand corner.
 * Why? Threat of Napoleonic invasion is among the reasons cited. But really it was just Progress that demands ever better versions of everything. Thanks to rifling, the Artillery found that they could land shells with greater accuracy so they were demanding more accurate maps.
 * The article does not need a paragraph about the map. I have added the few words that are needed to describe it. -- RHaworth 23:53, 2005 Apr 26 (UTC)

Thank you. I now know its an OS map, and not the result of an archaeological survey. Laurel Bush 09:24, 27 Apr 2005 (UTC)

Move article?
Im about to try moving the article to Stone Lud, and to try creating redirects from Lud Stone and Lud stone. Laurel Bush 16:45, 8 Apr 2005 (UTC).

Move etc now done. Laurel Bush 17:00, 8 Apr 2005 (UTC)

Correction ?
The summer-solstice sunset alignment has correspondence with that of Maeshowe, a chambered cairn in Orkney, which is built so that sunlight will penetrate the cairn at the time of the same sunset.

Maeshowe is aligned with the winter solstice sunset not the summer. I don't know about the stone of Lud alignment.

I believe you may be right about Maeshowe. As a sunset bearing, the Lud bearing is definitely summer, not winter. Dont know, however, whether any one has checked it as possibly a winter sunrise bearing. Laurel Bush 11:10, 16 March 2006 (UTC).

The Stone Lud like most paired standing stones in Caithness is part of a larger Neolithic landscape, within the surrounding area there are several possible burial cairns and possible stone rows which have yet to be fully studied. Until this has happened a full understanding of alignments with astronomical occurrences is not possible.

Later importance of the Stone Lud
The Lud is not that unusual in terms of Caithness, there are many single and pairs of standing stones, but is included on many older maps of the area as a means of navigation. The Lud stands on a ridge in an area of open moorland and would have been visible for several miles (if you discount the modern forestry plantation to the west and the 19th century boundary wall next to it still is), it has 18th and 19th century roads (linking both East/West and North South) nearby and this route would have been used for many centuries prior to this.

During the late medieval period the stone lay at the centre of the estate of Bowertower (Bower probably Norse for estate and tower with earlier forms of tour/tor probably referring to the Stone Lud) and from the 17th century it along with its pair was used as the boundary marker between the estates of Bowermadden (probably Maddens, as mentioned in the Orkneyinga Saga, Estate) and Tister (probably the Homestead of the ruins/ old houses)

title: Talk:Stone Lud


text:
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text: User talk:81.159.162.73

title: User talk:81.159.162.73


text:
Alkoholen delirium

Alkoholen Delirium (Alcoholic Delirium) is the debut album of Bulgarian rock band Hipodil, released in 1993 under the Unison-RTM label. Although some tracks were included in the band's Tu'pest compilation in 2000, the album was only released on audio cassettes.

The album immediately attracted the attention of the public with its explicit lyrics and punk musical stylings, which, though not unknown in Bulgaria, were rarely recorded and performed. The album also reflected the changes in Bulgaria, which was desperately trying to cope with the legacy of the recently overturned Communist regime. Hipodil enjoyed and even abused this newfound freedom, a fact that is quite visible in their self-produced debut. They also rode a wave of scandal provoked by their explicit lyrics, which helped create a cult following, mainly in Sofia and some other big cities.

Analysis
The music was inspired heavily by Slayer and Judas Priest. Using only Bulgarian lyrics, rich in slang and puns, Hipodil managed to transcend their shortcomings in musical talent and the poor quality production work. Inexperienced as they were, Hipodil smartly invited an assortment of musicians, which greatly added to their music's appeal.

The biggest hit was "Jnata" ("The Woman"), which was the first to get airplay and even had a music video. But, the audience chose the quasi-ballad "Momicheto" ("The Girl") which quickly became a gig favorite despite misogynistic lyrics.

Tracks

 * 1) Triumf na zlata vest (A Triumph of Bad News) - 0:24
 * 2) Hipobir (Hipobeer) - 1:30
 * 3) Sutrin go navira (He Sticsk It In Every Morning) - 2:12
 * 4) Bira s vodka/Alkoholen delirium (Beer with Vodka/Alcoholic Delirium) - 2:43
 * 5) Edin fus (One Fuss) - 1:43
 * 6) Momicheto (The Girl) - 2:59
 * 7) Jenata (The Woman) - 2:18
 * 8) Babata (The Grandma) - 0:04
 * 9) Novata (The New Girl) - 4:30
 * 10) Az te mrazya (I Hate You) - 1:30
 * 11) Jenkene na tzombi (Women Petting) - 0:30
 * 12) Klitoren orgazum (Clitoris Orgasm) - 2:07
 * 13) Grozna si kato salata (You're Ugly Like a Salad) - 3:59
 * 14) Himna (The Anthem) - 2:45
 * 15) Mnogo zle (Very Bad) - 3:20
 * 16) Itzo Petroff - 0:45
 * 17) Bira (Beer) - 1:20
 * 18) Rozova seriya (Pink Episode) - 2:11
 * 19) Ne vyarvam v teb (I Don't Believe in You) - 0:41
 * 20) Chift ochi (A Couple of Eyes) - 2:00
 * 21) Maykite (The Mothers) - 3:06
 * 22) Reigun v kruv (Reagan in Blood) - 0:15

Group members

 * Svetoslav Vitkov - vocals
 * Petar Todorov - guitars
 * Patzo - bass guitar
 * Lachezar Marinov - drums
 * Hristo Pavlov - saxophone and flute
 * Kircho Makedonski - trumpet
 * Ventzi Mitzov - keyboard, vocals
 * Marin Chichov - photograph
 * Chavdar Grigorov - design
 * Ventzislav Yankov - engineer
 * Ivan Gradinarov - engineer
 * Vasko Neshev - engineer
 * Boyko Petkov - mixing

title: Alkoholen delirium


text: User talk:195.113.184.10

title: User talk:195.113.184.10


text:
User talk:207.63.113.10

hi
all good. 31.153.92.223 (talk) 16:07, 26 February 2023 (UTC)

title: User talk:207.63.113.10


text:
Category:BMT Jamaica Line stations

Stations on the BMT Jamaica Line of the New York City Subway.

title: Category:BMT Jamaica Line stations


text:
Talk:Icons of Evolution

Pseudoscientific
I think that using the term "Pseudoscientific" should be removed from this article. I do not come to wikipedia to be told what to think about a topic but to get accurate information about the topic. I think this term should be removed.

Jonathan wells has two earned PhDs from Berkley and Yale. I think it is better to deal with the arguments that he presents instead of just calling this book pseudo science. —Preceding unsigned comment added by 175.100.127.124 (talk) 02:23, 19 November 2010 (UTC)

 * (i) Wells' first PhD is in Theology (hardly relevant) and his second one was gained with a specific aim of aiding in "destroying Darwinism". Additionally, Wells has never worked as a scientist. (ii) This book, and his arguments contained within, have been unequivocally condemned by the scientific community (see 'Reception by the scientific community and criticism' section). (iii) The deficiencies of his arguments are dealt with in detail in the 'Wells' icons' sections. All this supports calling the book "pseudoscientific" (which is itself specifically cited). HrafnTalkStalk(P) 02:50, 19 November 2010 (UTC)

Darwin had a Bachelor Degree in Theology (hardly relevant) — Preceding unsigned comment added by 98.213.33.221 (talk) 05:51, 3 June 2011 (UTC)

 * Given that degrees in Biology did not exist in Darwin's time (his work was part of what created the field as a science) it is UTTERLY IRRELEVANT that he did not have an advanced degree in the subject (I rather doubt if Isaac Newton had an advanced degree in Physics either). Now please find somewhere else to troll. HrafnTalkStalk(P) 06:09, 3 June 2011 (UTC)
 * And just to correct our troll, Charles Darwin had an "ordinary" BA, the theology bit is a common misunderstanding. . . dave souza, talk 06:45, 3 June 2011 (UTC)

 * Biology degrees did exist in the time of Darwin, just Darwin was not interested in science. Darwin was into theology he was not educated in science. Isaac Newton had a mathematics degree. Many of the early biologists had degrees in biology they were educated in science. Darwin was not a biologist or a scientist. Even Jonathan Wells has more science qualifications than Darwin. WebofLife (talk) 08:47, 20 September 2011 (UTC)
 * @ WebofLife, biology degrees didn't exist ar Cambridge Uni during Charles Darwin's education, and the rest of your statement is blatantly incorrect as you'll see if you look at the article. Darwin had an excellent education in the science of the day, and was recognised as a scientist by his return from the Beagle voyage. There's more to science qualifications than a little-used phd. . . dave souza, talk 19:05, 20 September 2011 (UTC)

I vote omitting the word "pseudoscientific" in that doing otherwise could start edit warring. As well as this, I see no empirical arguments in the article cited that justify the "pseudoscientific" label, and it seems to be a matter of dogmatic ideas, not of sound, scientific reasoning. If one finds an article with reasonable claims that attest to the "pseudoscientific" label, put it in the Wikipedia article, under "Criticism". The Intelligent Design article here on Wikipedia does not use the word "pseudoscientific", also due to neutrality, despite it having had this word in the first sentence previously. The introduction is not intended to be a platform for dogmatic statements. It is supposed to objectively sum up the contents of the article. Wsrh 2009 (talk) 15:07, 29 October 2011 (UTC)

See Words_to_watch and FRINGE/PS Wsrh 2009 (talk) 15:21, 29 October 2011 (UTC)

Neutrality
This article deals mainly with the criticism of its subject, making "Criticism of 'Icons of Evolution'" a more apt title. To make the article more neutral, please focus more on the book itself, rather than its criticism. Also, use sources from both opposing points of view, and not solely the evolutionist one. Wsrh 2009 (talk) 15:39, 29 October 2011 (UTC)

 * Please see WP:Weight and WP:FRINGE. We have to give more weight to the consensus within the entirety of the scientific community than we do the disparate opinions of creationists in non-academic literature.  — Jess · Δ♥ 16:14, 29 October 2011 (UTC)

I vote for retitling the article so users know they are not getting a NPOV GoodMan23 (talk) 02:10, 17 April 2012 (UTC) Goodman23
 * See WP:NPOV], with particular attention to WP:WEIGHT – your idea of a NPOV does not appear to match this policy. . dave souza, talk 20:34, 3 September 2012 (UTC)

I agree with the non-neutral POV criticisms. This is clearly written by a cabal of editor dedicated to smearing ID; the same issue is found consistently on every other wiki page relating to ID. This is exceptionally obvious when comparing wiki ID articles to the one on New World Encyclopedia. I cite coverage of ID anytime someone claims wiki is as accurate as other encyclopedias. Let's fix this issue and improve wikipedia. 74.132.169.132 (talk) 03:21, 12 September 2012 (UTC)
 * This user posted the same to the main ID article. Just to let other editors know, the New World Encyclopedia is a Unification Church run encyclopedia; not neutral by our standards.  They specifically criticize "value neutral" encyclopedias and claim to transcend them.   Sædon talk  04:22, 12 September 2012 (UTC)

There are several problems I would like to point out in the article that I think that needs revision. The first and most important problem is that the article is not about the book itself. Instead, the article is all about criticism of the book and barely talks about the actual arguments presented in the book. Additionally, the call to "tell them they're full of crap" in the section about Haeckel's Embryos is not fact. This statement was written mainly out of opinion, not fact. Additionally, I think there should not be any section for the reception of the book by creationists because there is not enough information within the section and does not help clarify anything. Instead of separate sections, there should only be one section covering all responses of the book, from evolutionists to creationists. Also, the scientific community is not entirely composed of evolutionists, although it might seem that way. Overgeneralizing the scientific community as all evolutionists is primarily stereotypical. — Preceding unsigned comment added by 71.6.39.194 (talk) 20:35, 2 October 2018 (UTC)
 * No. Consider WP:PSCI. . . dave souza, talk 00:16, 28 March 2021 (UTC)

"Warning"
The first paragraph includes a parenthentical "warning, article biased against Wells--his rebuttals not shown here", which does not seem like an appropriate NPOV commentary. If appropriate, any "rebuttals" should instead be broken out into a separate section and appropriately sourced. Could an established editor please make the necessary revisions? — Preceding unsigned comment added by 108.79.229.221 (talk) 10:34, 6 December 2013 (UTC)

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User talk:Strikesvl

Welcome!

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title: User talk:Strikesvl


text: User talk:64.198.33.83

title: User talk:64.198.33.83


text:
Talk:John Cody

Sacking
Why is there no reference to the story of how Pope Paul VI could not decide whether or not to remove Cardinal Cody from office over allegations of financial and sexual impropriety? [unsigned, undated; according to the history this was posted 2005.04.08]

Why indeed? These elements are mentioned in the Paul VI entry, but not here in the entry of the man they pertain to. -Jm546 22:04, 17 February 2006 (UTC)
 * Because a reference to it wasn't contained in the sources used to create the article. As I myself don't know the details and references for it first hand, I would have qualms about adding it myself. If you do have references and details, though, feel free to add them. John Carter 16:12, 6 March 2007 (UTC)

Ok. Andrew123 (talk) 20:57, 10 December 2007 (UTC)

Cardinal Bernardin
Why do we go into detail about Cardinal Bernardin at the end of the article? The paragraph even mentions the allegations of sexual misconduct against Bernardin. This is an article about Cardinal Cody.

I'm going to edit that article to say that Cardinal Cody was succeeded by Cardinal Bernardin and let readers read about Cardinal Bernardin in the Joseph Cardinal Bernardin article.

If you disagree, please post here, but I think this is in line with typical biographies.

Craig.borchardt 7 April 2007

Improprieties
I made a pass at including discussion and reference of improprieties, but much more could be reported about this Cardinal.

Estéban (talk) 20:33, 25 June 2009 (UTC)

Footnote removal
I would like to remove footnote 11. It is a quote from a self-published source, and therefore fails to meet the guidelines for reliable sources. Revanneosl (talk) 20:37, 2 January 2012 (UTC)

 * Hearing no objection, I'm going to delete the footnote. I've never deleted a footnote from Wikipedia before. Pray for me.Revanneosl (talk) 18:21, 9 March 2012 (UTC)

Photo
Having his photo come from a site called "Ex-Catholics for Christ" seems rather biased. I'm sure something else could be found. — Preceding unsigned comment added by 173.11.74.233 (talk) 03:17, 7 March 2012 (UTC)

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title: Talk:John Cody