text:
List of compositions for piano and orchestra

This is a list of compositions for piano and orchestra. For a description of related musical forms, see Concerto and Piano concerto.

A

 * Johann Christian Ludwig Abeille
 * Grand Concerto in D major, Op. 6 (1763), for one piano four-hands and orchestra
 * Carl Friedrich Abel
 * 6 Concertos for harpsichord (or pianoforte), two violins and cello, Op. 11 (first printed in 1771; F, B-flat, E-flat, D, G, C)
 * Anton García Abril
 * Piano Concerto
 * Jean Absil
 * Concerto for Piano and Orchestra No. 1, Op. 30 (1938)
 * Concerto for Piano and Orchestra No. 2, Op. 131 (1967)
 * Concerto for Piano and Orchestra No. 3, Op. 162 (1973)
 * John Adams
 * Grand Pianola Music (1982)
 * Eros Piano (1989)
 * Century Rolls for piano and orchestra (1997)
 * Must the Devil Have All the Good Tunes? (2018)
 * Richard Addinsell
 * Warsaw Concerto (1941)
 * Thomas Adès
 * Concerto conciso, Op. 18
 * In Seven Days, Op. 25 (2008)
 * Concerto for Piano and Orchestra, Op. 32 (2018)
 * Isaac Albéniz
 * Rapsodia española, Op. 70 (1887)
 * Concierto fantástico in A minor, Op. 78 (1887)
 * Eugen d'Albert
 * Piano Concerto No. 1 in B minor, Op. 2 (1883–4)
 * Piano Concerto No. 2 in E, Op. 12 (1892)
 * Frangis Ali-Sade
 * Piano Concerto (1972)
 * Charles-Valentin Alkan
 * Concerto da Camera No. 1 in A minor, Op. 10, No. 1 (1828)
 * Concerto da Camera No. 2 in C-sharp minor, Op. 10, No. 2 (1828)
 * Concerto da Camera No. 3 in C-sharp minor (reconstructed H. Macdonald)
 * Piano Concerto Op. 39 (orch. Klindworth)
 * Peter Allen
 * "Hurricane Juan" Piano Concerto (2008)
 * Eyvind Alnæs
 * Piano Concerto in D major, Op. 27
 * Anton Arensky
 * Piano Concerto in F minor, Op. 2 (1883)
 * Fantasia on Russian Folksongs, Op. 48
 * Thomas Arne
 * 6 Favourite Concertos for harpsichord, piano, or organ (late 18th century)
 * Malcolm Arnold
 * Concerto for Piano Duet and Strings, Op. 32 (1951)
 * Concerto for Phyllis and Cyril, Op. 104 (1969), for 3 hands at 2 pianos (one pianist plays with both hands, the other with only one hand)
 * Fantasy on a Theme of John Field, Op. 116
 * Alexander Arutiunian
 * Piano Concertino (1951)
 * Daniel Asia
 * Concerto for Piano and Orchestra (1994)
 * Kurt Atterberg
 * Piano Concerto in B-flat minor, Op. 37 (1927–35)
 * Lera Auerbach
 * Piano Concerto No. 1, Op. 39 (1997–98) (I. River of Loss; 2. Dialogue with Time; 3. Wind of Oblivion; Part 2, Dialogue with Time, can be performed separately as an orchestral piece with the piano being part of the orchestra)
 * Double concerto for violin, piano and orchestra, Op. 40 (1997)

B

 * Kees van Baaren
 * Concertino for Piano and Orchestra (1934)
 * Arno Babajanian
 * Concerto for Piano and Orchestra (1944)
 * "Heroic Ballade" for Piano and Orchestra (1950)
 * Milton Babbitt
 * Piano Concerto (1985)
 * Piano Concerto No. 2 (1998)
 * Carl Philipp Emanuel Bach
 * About 50 keyboard concertos, including one for harpsichord and fortepiano.
 * Johann Christian Bach
 * 6 Concertos for Harpsichord, Op. 1
 * 5 Concertos for Harpsichord; Concerto for Harpsichord in F minor
 * 6 Concertos for Keyboard, Op. 7
 * 6 Concertos for Keyboard, Op. 13
 * Johann Sebastian Bach (all 1720s-1740s)
 * Harpsichord concertos:
 * BWV 1052 for harpsichord and strings in D minor, presumed to have been transcribed from a lost violin concerto previously written by the composer himself, used again in the Sinfonia and opening chorus of cantata Wir müssen durch viel Trübsal, BWV 146 and the Sinfonia of cantata BWV 188
 * BWV 1053 for harpsichord and strings in E major, probably after a lost oboe concerto
 * BWV 1054 for harpsichord and strings in D major, after his violin concerto in E major, BWV 1042
 * BWV 1055 for harpsichord and strings in A major, after a lost oboe d'amore concerto
 * BWV 1056 for harpsichord and strings in F minor, probably after a lost violin concerto
 * BWV 1057 for harpsichord, 2 recorders and strings in F major, after Brandenburg concerto no.4 in G major, BWV 1049
 * BWV 1058 for harpsichord and strings in G minor, after his violin concerto in A minor, BWV 1041
 * BWV 1050 – Brandenburg concerto no.5 in D major, for harpsichord, flute, violin and strings
 * BWV 1044 for harpsichord, violin, flute and strings in A minor, 1st and 3rd movements after his Prelude and Fugue in A minor for harpsichord, BWV 894 and second movement after the second movement from his trio sonata in D minor for organ, BWV 527
 * BWV 1060 for 2 harpsichords and strings in C minor, after a lost violin and oboe concerto
 * BWV 1061 for 2 harpsichords and strings in C major; the harpsichord parts alone are considered the original concerto 'BWV 1061a' with the string parts added later
 * BWV 1062 for 2 harpsichords and strings in C minor, after his double violin concerto in D minor, BWV 1043
 * BWV 1063 for 3 harpsichords and strings in D minor
 * BWV 1064 for 3 harpsichords and strings in C major, after a lost triple violin concerto
 * BWV 1065 for 4 harpsichords and strings in A minor, after Vivaldi's concerto for 4 violins in B minor, RV 580 (l'estro armonico op.3 no.10, RV580)
 * Leonardo Balada
 * Piano Concerto No. 1 (1964)
 * Piano Concerto No. 2, for piano, winds, and percussion (1974)
 * Piano Concerto No. 3 (1999)
 * Mily Balakirev
 * Piano Concerto No. 1 in F-sharp minor, Op. 1 (1855)
 * Grande Fantaisie on Russian Folk Songs, Op. 4 (1852)
 * Piano Concerto No. 2 in E-flat, Op. posth. (completed by Sergei Lyapunov, 1911)
 * Samuel Barber
 * Piano Concerto, Op. 38 (1962)
 * Henry Barraud
 * Piano Concerto (by 1947)
 * Béla Bartók
 * Piano Concerto No. 1 in A, Sz. 83 (1926)
 * Piano Concerto No. 2 in G, Sz. 95 (1930–1)
 * Piano Concerto No. 3 in E, Sz. 119 (1945)
 * Arnold Bax
 * Symphonic Variations (1918)
 * Winter Legends (1930)
 * Piano Concertino (1939)
 * Morning Song (1946)
 * Concertante for Orchestra with Piano (Left Hand) (1949)
 * Amy Beach
 * Piano Concerto in C-sharp minor, Op. 45 (1899)
 * Ludwig van Beethoven
 * Piano Concerto in E-flat, WoO 4 (1784), written in adolescence
 * Piano Concerto No. 1 in C, Op. 15 (1798)
 * Piano Concerto No. 2 in B-flat, Op. 19 (1795)
 * Piano Concerto No. 3 in C minor, Op. 37 (1800)
 * Triple Concerto for piano, violin, cello and orchestra in C, Op. 56 (1804–5)
 * Piano Concerto No. 4 in G, Op. 58 (1805–6)
 * Piano Concerto in D, Op. 61a (1806), Beethoven's own arrangement of the Violin Concerto
 * Piano Concerto No. 5 in E-flat, Op. 73 (1809), the Emperor
 * Fantasy in C minor for Piano, Chorus, and Orchestra, Op. 80 (Choral Fantasy) (1808)
 * Victor Bendix
 * Piano Concerto in G minor, Op. 17 (1884)
 * Arthur Benjamin
 * Piano Concertino (1928)
 * Concerto Quasi una Fantasia (1949)
 * Richard Rodney Bennett
 * Piano Concerto (1968)
 * William Sterndale Bennett
 * Piano Concerto No. 1 in D minor, Op. 1
 * Piano Concerto No. 2 in E-flat, Op. 4
 * Piano Concerto No. 3 in C minor, Op. 9 (1833)
 * Piano Concerto No. 4 in F minor, Op. 19
 * Piano Concerto No. 5 in F minor
 * Piano Concerto No. 6 in A minor
 * Caprice in E, Op 22
 * Adagio
 * Peter Benoit
 * Piano Concerto, Op. 43b
 * Flint Juventino Beppe
 * Piano Concerto No. 1 «Anxiety», Op. 24 (1995)
 * Piano Concerto No. 2 «Urge», Op. 44 (1999)
 * Piano Concerto No. 3 «Monster», Op. 45 (1999)
 * Luciano Berio
 * Concerto for Two Pianos and Orchestra (1973)
 * Points on a Curve to Find – Piano Concerto (1973–4)
 * Lennox Berkeley
 * Piano Concerto in B-flat, Op. 29 (1947)
 * Concerto for Two Pianos and Orchestra, Op. 30 (1948)
 * Leonard Bernstein
 * Symphony No. 2 The Age of Anxiety (1948, rev. 1965), after W. H. Auden
 * Franz Berwald
 * Piano Concerto in D (1855)
 * Adolphe Biarent
 * Rapsodie Wallone (1910)
 * Boris Blacher
 * Piano Concerto No. 1 (1947)
 * Piano Concerto No. 2 (In variable metres) (1952)
 * Variations on a Theme of Muzio Clementi (1961)
 * Howard Blake
 * Piano Concerto
 * Arthur Bliss
 * Piano Concerto in B-flat (1939)
 * Ernest Bloch
 * Concerto symphonique in B minor (1947–8)
 * Scherzo fantastique (1948)
 * Felix Blumenfeld
 * Allegro de concert in A major, Op. 7 (1889)
 * Emil Bohnke
 * Concerto in D minor for piano and orchestra, Op. 14 (1925)
 * François-Adrien Boieldieu
 * Piano Concerto in F major
 * Sergei Bortkiewicz
 * Piano Concerto, Op. 1 (destroyed, material partly used in the Piano Concerto No. 2)
 * Piano Concerto No. 1 in B-flat, Op. 16 (1913)
 * Piano Concerto No. 2 in E-flat, Op. 28, for left hand alone, written for Paul Wittgenstein (1924)
 * Piano Concerto No. 3 in C minor, Per Aspera ad Astra, Op. 32 (1927)
 * Russian Rhapsody
 * Dmitry Bortniansky
 * Piano Concerto in C major
 * Henriëtte Bosmans
 * Concertino for Piano and Orchestra (1928)
 * York Bowen
 * Piano Concerto No. 1 in E-flat Op. 11 (1903)
 * Piano Concerto No. 2 in D minor ("Concertstück") Op. 17 (1905)
 * Piano Concerto No. 3 in G minor ("Fantaisie") Op. 23 (1907)
 * Piano Concerto No. 4 in A minor Op. 88 (1929)
 * Johannes Brahms
 * Piano Concerto No. 1 in D minor, Op. 15 (1859)
 * Piano Concerto No. 2 in B-flat, Op. 83 (1881)
 * Frank Bridge
 * Fantasm (1931)
 * Benjamin Britten
 * Piano Concerto in D, Op. 13 (1938, revised 1945)
 * Diversions on a Theme for Piano Left Hand and Orchestra, Op. 21 (1940), for Paul Wittgenstein
 * Scottish Ballad, Op. 26, for two pianos and orchestra (1941)
 * Hans Bronsart von Schellendorff
 * Piano Concerto in F-sharp minor, Op. 10
 * Stephen Brown
 * Piano Concerto, The Red Hot (1995–96)
 * Max Bruch
 * Concerto in A-flat minor for two pianos, Op. 88a
 * Ignaz Brüll
 * Piano Concerto No. 1 in F, Op. 10 (1860–1)
 * Piano Concerto No. 2 in C, Op. 24 (1868)
 * Rhapsodie in D minor, Op. 65 (1892)
 * Andante and Allegro, Op. 88
 * Fritz Brun
 * Piano Concerto in A (1946)
 * Norbert Burgmüller
 * Piano Concerto in F-sharp minor, Op. 1 (1829)
 * Alan Bush
 * Piano Concerto, Op. 18, with baritone and male choir in last movement (1938)
 * Ferruccio Busoni
 * Piano Concerto in D, Op. 17, for piano and string orchestra (1878)
 * Konzert-Fantasie, Op. 29 (1888–9)
 * Introduction and Allegro, Op. 31a (1890)
 * Konzert-Fantasie, Op. 32 (1888–89)
 * Piano Concerto in C, Op. 39 (1902–4), with male chorus
 * Indian Fantasy, Op. 44
 * Introduction et scherzo (1882–4)
 * Konzertstück in D, Op. 31a (1890)
 * Romanza e scherzoso, Op. 54 (1921), published together with Op. 31a as "Concertino"
 * Garrett Byrnes
 * Concerto for Piano and Chamber Orchestra (2003)
 * Nimrod Borenstein
 * Concerto for Piano and Orchestra, Op. 91 (2021)

C

 * John Cage
 * Concerto for Prepared Piano and Orchestra (1951)
 * Concert for Piano and Orchestra (1957–58)
 * Fourteen, for bowed piano and thirteen players (1990)
 * Charles Camilleri
 * Piano Concerto No. 1, Mediterranean (1948)
 * Piano Concerto No. 2, Maqam (1968)
 * Piano Concerto No. 3, Leningrad (1984)
 * Joseph Canteloube
 * Pièces françaises (1934–5)
 * John Alden Carpenter
 * Concertino for Piano and Orchestra (1920)
 * Elliott Carter
 * Piano Concerto (1965)
 * Double Concerto for Harpsichord and Piano with Two Chamber Orchestras (1961)
 * Robert Casadesus
 * Concerto for two pianos
 * Alfredo Casella
 * Scarlattiana, divertimento on music of Domenico Scarlatti for piano and small orchestra, Op. 44 (1926)
 * Alexis de Castillon
 * Piano Concerto in D major, Op. 12
 * Cécile Chaminade
 * Konzertstück in C-sharp minor, Op. 40 (1896?, fp 1908)
 * Claude Champagne
 * Concerto for Piano and Orchestra (1948)
 * Carlos Chávez
 * Piano Concerto (1938–40, revised 1969)
 * Qigang Chen
 * Er Huang for Piano and Orchestra (2009)
 * Frédéric Chopin
 * Variations on "Là ci darem la mano" in B-flat major, Op. 2 (1827)
 * Piano Concerto No. 1 in E minor, Op. 11 (1830)
 * Fantasy on Polish Airs in A major, Op. 13 (1828)
 * Rondo à la Krakowiak in F major, Op. 14 (1828)
 * Piano Concerto No. 2 in F minor, Op. 21 (1829–1830)
 * Andante spianato et Grande Polonaise brillante in E-flat major, Op. 22
 * Muzio Clementi
 * Piano Concerto in C major (c. 1790)
 * Paul Constantinescu
 * Piano Concerto (1952)
 * Aaron Copland
 * Piano Concerto (1926)
 * John Corigliano
 * Piano Concerto (1968)
 * Henry Cowell
 * Piano Concerto (1929)
 * Carl Czerny
 * Piano Concerto in D minor
 * 'Grand' Piano Concerto in E-flat major
 * Piano Concerto in F, Op. 28
 * Piano Concertino in C, Op. 78
 * Piano Concerto in C for four hands, Op. 153
 * Piano Concerto in A minor, Op. 214
 * Piano Concertino in C, Op. 210
 * 3 unpublished concertos, mentioned in Mandyczewski

D

 * Luigi Dallapiccola
 * Piano Concerto
 * Franz Danzi
 * Piano Concerto in E-flat major
 * Peter Maxwell Davies
 * Piano Concerto (1997)
 * Claude Debussy
 * Printemps, L. 61 (1887), symphonic suite for choir, piano, and orchestra
 * Fantaisie, L. 73 (1889–90)
 * Arthur De Greef
 * Piano Concerto No. 1 in C minor (1914)
 * Piano Concerto No. 2 in B-flat minor (1930)
 * Frederick Delius
 * Piano Concerto in C minor (1897–1906)
 * Peter Dickinson
 * Piano Concerto (1984)
 * Issay Dobrowen
 * Piano Concerto in C sharp minor, Op. 20 (1926)
 * Ernő Dohnányi
 * Piano Concerto No. 1 in E minor, Op. 5 (1897–8)
 * Variations on a Nursery Tune, Op. 25 (1914)
 * Piano Concerto No. 2 in B minor, Op. 42 (1946–7)
 * Felix Draeseke
 * Piano Concerto in E-flat, Op. 36 (1885–6)
 * Alexander Dreyschock
 * Morceau de Concert in C minor, Op. 27
 * Piano Concerto in D minor, Op. 137
 * Marcel Dupré
 * Fantasie, Op. 8 (1919?)
 * František Xaver Dušek
 * Piano concerto in D major
 * Piano Concerto in E-flat major
 * Jan Ladislav Dussek
 * Thirteen solo piano concertos including
 * Piano Concerto in B-flat major, Op. 22, Craw 97
 * Concerto for Two Pianos in B-flat major, Op. 63 No. 10
 * Antonín Dvořák
 * Piano Concerto in G minor, Op. 33 (1876)
 * George Dyson
 * Concerto Leggiero for Piano and String Orchestra

E

 * Petr Eben
 * Piano Concerto (1960–1)
 * Dennis Eberhard
 * Piano Concerto 'Shadow of the Swan'
 * Sophie Carmen Eckhardt-Gramatté
 * Three piano concertos
 * Ross Edwards
 * Piano Concerto in A (1982)
 * Gottfried von Einem
 * Piano Concerto No. 1
 * Edward Elgar
 * Piano Concerto (incomplete, completed by Robert Walker) (begun 1913, sketches continue until 1934)
 * Keith Emerson
 * Piano Concerto No. 1 (1977)
 * Einar Englund
 * Piano Concerto No. 1 (1955)
 * Piano Concerto No. 2 (1974)
 * Eduard Erdmann
 * Piano Concerto (1928)
 * Iván Erőd
 * Piano Concerto op. 19 (1975)
 * Andrei Eshpai
 * Piano Concerto No. 1 (published 1957)
 * Piano Concerto No. 2

F

 * Manuel de Falla
 * Nights in the Gardens of Spain (Noches en los jardines de España, 1916)
 * Ernest Farrar
 * Variations for Piano and Orchestra, Op. 25
 * Gabriel Fauré
 * Ballade in F-sharp, Op. 19 (1881)
 * Fantaisie in G, Op. 111 (1919)
 * Samuil Feinberg
 * Piano Concerto No. 1 in C major, Op. 20 (1931)
 * Piano Concerto No. 2 in D major, Op. 36 (1945)
 * Piano Concerto No. 3 in C minor, Op. 44 (1947/51)
 * Morton Feldman
 * Piano and Orchestra (1975)
 * Howard Ferguson
 * Piano Concerto in D (1951)
 * Lorenzo Ferrero
 * Concerto for Piano and Orchestra (1991)
 * Concerto for Piano and Orchestra No. 2 (2007)
 * Richard Festinger
 * Concerto for Piano and Nine Instruments (2007)
 * John Field
 * Piano Concerto No. 1 in E-flat, H. 27 (1799)
 * Piano Concerto No. 2 in A-flat, H. 31 (1811)
 * Piano Concerto No. 3 in E-flat, H. 32 (1811)
 * Piano Concerto No. 4 in E-flat, H. 28 (1814, revised 1819)
 * Piano Concerto No. 5 in C, H. 39 (1817), l'Incedie par l'Orage
 * Piano Concerto No. 6 in C, H. 49 (1819, revised 1820)
 * Piano Concerto No. 7 in C minor, H. 58 (1822, revised 1822–32)
 * Fantaisie sur un air favorite de mon ami N.P. in A minor, H. 4A (1822), orchestral part now lost
 * Serenade in B-flat, H. 37
 * Grande pastorale in E, H. 54A (1832), orchestral part now lost
 * Gerald Finzi
 * Eclogue for Piano and Strings, Op. 10
 * Grand Fantasia and Toccata, Op. 38
 * Ben Folds
 * Piano Concerto
 * Joseph Dillon Ford
 * Concerto for Harpsichord (2006)
 * Lukas Foss
 * Piano Concerto No. 1 (1939–43)
 * Piano Concerto No. 2 (1951)
 * Jean Françaix
 * Concertino in G major (1932)
 * Concerto (1936)
 * César Franck
 * Variations brillantes sur la ronde favorite de Gustave III (Auber) (1834–5)
 * Piano Concerto No. 2 in B minor, Op. 11 (juvenilia, 1835)
 * Symphonic Variations, FWV 46 (1885)
 * Les Djinns, FWV 45 (1884), symphonic poem
 * Eduard Franck
 * Piano Concerto No. 1 in D minor, Op. 13 (1849)
 * Piano Concerto No. 2 in C major (1879)
 * Concerto for two pianos in C major (1852)
 * Richard Franck
 * Piano Concerto No. 1 in D minor (1880)
 * Piano Concerto No. 2 in A major (1881)
 * Piano concerto No. 3 in E minor, Op. 50 (1910)
 * Peter Fribbins
 * Piano Concerto (2010 - 2011)
 * Gunnar de Frumerie
 * Variations and Fugue for Piano and Orchestra (1932)
 * Robert Fuchs
 * Piano Concerto in B-flat minor, Op. 27 (1879–80)
 * Beat Furrer
 * Concerto (2007)
 * Wilhelm Furtwängler
 * Symphonic Piano Concerto in B minor (1936–7)

G

 * Niels Wilhelm Gade
 * Symphony No.5 in D minor with solo piano, Op.25 (1852)
 * Kyle Gann
 * Sunken City (Concerto for piano and winds) (2007)
 * Antonio García
 * ... And Silence Again (concertino for piano and chamber orchestra) (2018)
 * Roberto Gerhard
 * Piano Concerto (1951)
 * Concerto for Piano and Strings (1961)
 * Concerto for harpsichord, percussion and strings (mid 20th century)
 * George Gershwin
 * Piano Concerto in F (1925)
 * Rhapsody in Blue (1924)
 * Second Rhapsody (1934)
 * Variations on "I Got Rhythm" (1934)
 * Alberto Ginastera
 * Piano Concerto No. 1, Op. 28 (1961)
 * Piano Concerto No. 2, Op. 39 (1972)
 * Peggy Glanville-Hicks
 * Etruscan Concerto
 * Philip Glass
 * Piano Concerto No. 1, Tirol (2000)
 * Piano Concerto No. 2, After Lewis and Clark (2004)
 * Concerto for Harpsichord and Chamber Orchestra (2002)
 * Piano Concerto No. 3 (2017)
 * Alexander Glazunov
 * Piano Concerto No. 1 in F minor, Op. 92 (1911)
 * Piano Concerto No. 2 in B, Op. 100
 * Benjamin Godard
 * Piano Concerto No. 1 in A minor, Op. 31 (1879)
 * Piano Concerto No. 2 in G minor, Op. 148 (1899)
 * Introduction and Allegro, Op. 49 (1880)
 * Roger Goeb
 * Concerto for Piano and Orchestra (1954)
 * Fantasy for Piano and String Orchestra (1955)
 * Alexander Goedicke
 * Piano Concerto, Op. 11 (1900)
 * Konzertstück in D, Op. 11 (1900)
 * Hermann Goetz
 * Piano Concerto in E-flat (1861)
 * Piano Concerto in B-flat, Op. 18 (1867)
 * Otar Gordeli
 * Piano Concerto in C minor (1951)
 * Piano Concerto in C minor, Op. 2 (1952)
 * Geoffrey Gordon
 * Saint Blue (Double concerto for piano, trumpet and string orchestra, after works by Kandinsky) (2014)
 * Henryk Górecki
 * Harpsichord Concerto (1980)
 * Louis Moreau Gottschalk
 * Grande Tarantelle, Op. 67 (1858–64)
 * Charles Gounod
 * Concerto for Piano pédalier and Orchestra in E-flat
 * Fantaisie sur l'hymne national russe for Piano pédalier and Orchestra (1886)
 * Suite Concertante for Piano pédalier and Orchestra in A (1890)
 * Paul Graener
 * Piano Concerto in A minor Op. 72
 * Enrique Granados
 * Suite de navidad (1914–5), arranged from opera La cieguecita de Betania
 * Edvard Grieg
 * Piano Concerto in A minor, Op. 16 (1868)
 * Helen Grime
 * Piano Concerto (2017)
 * Ferde Grofé
 * Concerto for Piano and Orchestra in D (1958)
 * Heinz Karl Gruber
 * Piano Concerto (2014–2016)
 * Jorge Grundman
 * Concerto for Piano and String Orchestra. The Toughest Decision of God Op. 63 (2018)
 * Camargo Guarnieri
 * Piano Concerto No. 1
 * Piano Concerto No. 2
 * Piano Concerto No. 3
 * Piano Concerto No. 4
 * Piano Concerto No. 5
 * Piano Concerto No. 6
 * Emilia Gubitosi
 * Concerto for Piano and Orchestra (1943)

H

 * Reynaldo Hahn
 * Piano Concerto in E (1930)
 * Hermann Haller
 * Concerto for Piano and Orchestra (1959)
 * Concerto No. 2 for Piano and String Orchestra (1962)
 * Ilmari Hannikainen
 * Piano Concerto in B flat minor (1917)
 * Howard Hanson
 * Piano Concerto in G, Op. 36 (1948)
 * Lou Harrison
 * Piano Concerto (1985)
 * Hamilton Harty
 * Piano Concerto in B minor (1922)
 * Fumio Hayasaka
 * Piano Concerto (1948)
 * Joseph Haydn
 * Concerto in C, Hob. XVIII/1 (1756)
 * Concerto in D, Hob. XVIII/2 (1767)
 * Concerto in F, Hob. XVIII/3 (c. 1765)
 * Concerto in G, Hob. XVIII/4 (1770)
 * Concerto in C, Hob. XVIII/5 (before 1763)
 * Concerto in F, Hob. XVIII/6, for piano, violin and strings (before 1766)
 * Concerto in F, Hob. XVIII/7 (before 1766)
 * Concerto in C, Hob. XVIII/8 (1766)
 * Concerto in G, Hob. XVIII/9 (before 1767)
 * Concerto in C, Hob. XVIII/10 (1771)
 * Concerto in D, Hob. XVIII/11 (before 1782) – this is the one usually known as the Haydn Concerto
 * Christopher Headington
 * Piano Concerto
 * Adolf von Henselt
 * Piano Concerto in F minor, Op. 16 (1839–47)
 * Variations de Concert on Quand je quittai la Normandie from Meyerbeer's Robert le Diable, Op. 11
 * Hans Werner Henze
 * Piano Concerto No. 1 (1950)
 * Piano Concerto No. 2 (1967)
 * Tristan, preludes for piano, electronic tapes and orchestra (1973)
 * Requiem for piano and chamber orchestra (1990)
 * Henri Herz
 * Piano Concerto No. 1 in A, Op. 34 (1828)
 * Piano Concerto No. 2 in C minor, Op. 74 (1834)
 * Piano Concerto No. 3 in D minor, Op. 87 (1835)
 * Piano Concerto No. 4 in E, Op. 131 (1843)
 * Piano Concerto No. 5 in F minor, Op. 180 (1854)
 * Piano Concerto No. 6 in A minor, Op. 192 (1858), with chorus
 * Piano Concerto No. 7 in B minor, Op. 207 (1864)
 * Piano Concerto No. 8 in A-flat, Op. 218 (1873)
 * Jennifer Higdon
 * Piano Concerto (2006)
 * Paul Hindemith
 * Klaviermusik mit Orchester, Op. 29 (1923, for left hand only)
 * Kammermusik II Concerto for piano and twelve solo instruments, Op. 36/1 (1924)
 * Concert Music for Piano, Brass and Two Harps, Op. 49 (1930)
 * The Four Temperaments (1940)
 * Piano Concerto (1945)
 * Alun Hoddinott
 * Concerto for Piano, Winds and Percussion, Op. 19 (1961)
 * Concerto No. 2, Op. 21 (1960)
 * Concerto No. 3, Op. 44 (1966)
 * Josef Hofmann
 * Chromatikon, for piano and orchestra
 * Joseph Holbrooke
 * Piano Concerto No. 1, Op. 52 The Song of Gwyn ap Nudd (1906–8)
 * Piano Concerto No. 2, Op. 100 L'Orient
 * Arthur Honegger
 * Concertino (1924)
 * Alan Hovhaness
 * Lousadzak for piano and string orchestra, Op. 48 (1944)
 * Herbert Howells
 * Piano Concerto No. 2 in C minor (1925)
 * Johann Nepomuk Hummel
 * Piano Concerto in A, s4 / WoO. 24 (1790s)
 * Piano Concerto in A, s5 / WoO. 24a (1790s)
 * Piano Concerto in C, Op. 34a (1811)
 * Concertino in G, Op. 73
 * Piano Concerto in A minor, Op. 85 (1821)
 * Piano Concerto in B minor, Op. 89 (1819)
 * Piano Concerto in E, Op. 110, Les Adieux (1826)
 * Piano Concerto in A-flat, Op. 113 (1830)
 * Piano Concerto in F, Op. posth. 1 (1839)
 * Rondeau Brillant in A, Op. 56
 * Rondo Brillant on a Russian Folk Theme, Op. 98 (1822)
 * Variations Brillantes "Das Fest der Handwerken", Op. 115 (1830)
 * Oberons Zauberhorn: Grosse Fantasie, Op. 116 (1829)
 * Gesellschafts-Rondo in D, Op. 117
 * Le Retour de Londres – Grand Rondeau Brillant, Op. 127 (1830)
 * Double Concerto in G, Op. 17 for piano and violin
 * William Hurlstone
 * Piano Concerto in D
 * Henry Holden Huss
 * Piano Concerto in B, Op. 10

I

 * Vincent d'Indy
 * Symphony on a French Mountain Air (Symphonie sur un chant montagnard français), Op. 25 (1886)
 * Triple Concerto for Piano, Flute, Cello and String Orchestra, Op. 89 (1927)
 * John Ireland
 * Piano Concerto in E-flat (1930)
 * Legend (1933)
 * Charles Ives
 * Emerson Concerto, reconstructed by David G. Porter from Ives' drafts of the Emerson Overture for Piano and Orchestra

J

 * Gordon Jacob
 * Concerto for Three Hands
 * Leoš Janáček
 * Concertino (1925)
 * Capriccio for piano left hand, flute and brass ensemble 'Vzdor' (1926)
 * André Jolivet
 * Piano Concerto (1950)

K

 * Dmitry Kabalevsky
 * Piano Concerto No. 1 in A minor, Op. 9 (1928)
 * Piano Concerto No. 2 in G minor, Op. 23 (1935)
 * Piano Concerto No. 3 in D, Op. 50 'Youth Concerto' (1952)
 * Piano Concerto No. 4 in C, Op. 99 'Prague' (1975)
 * Robert Kahn
 * Konzertstücke, Op. 74 (1920)
 * Friedrich Kalkbrenner
 * Piano Concerto No. 1 in D minor, Op. 61 (1823)
 * Piano Concerto No. 2 in E minor, Op. 85 (1826)
 * Bravura Variations on "God Save the King", Op. 99 (1828)
 * Adagio ed allegro di bravura, Op. 102 (1828)
 * Piano Concerto No. 3 in A minor, Op. 107 (1829)
 * Le rêve, Grande fantaisie pour le piano forte avec accompagnement d'orchestre ad libitum, Op. 113 (c. 1831)
 * Grand Concerto for two pianos, Op. 125 (1833)
 * Piano Concerto No. 4 in A-flat major, Op. 127 (1835)
 * Nikolai Kapustin
 * Concertino for piano and orchestra, Op. 1 (1957)
 * Concerto for piano and orchestra No. 1, Op. 2 (1961)
 * Concerto for piano and orchestra No. 2, Op. 14 (1974)
 * Concerto for piano and orchestra No. 3, Op. 48 (1985)
 * Concerto for piano and orchestra No. 4, Op. 56 (1989)
 * Concerto for piano and orchestra No. 5, Op. 72 (1993)
 * Concerto for piano and orchestra No. 6, Op. 74 (1993)
 * Toccata for piano and orchestra, Op. 8 (1964)
 * Intermezzo for piano and orchestra, Op. 13 (1968)
 * Nocturne in G major for piano and orchestra, Op. 16 (1972)
 * Etude for piano and orchestra, Op. 19 (1974)
 * Nocturne for piano and orchestra, Op. 20 (1974)
 * Concert Rhapsody for piano and orchestra, Op. 25 (1976)
 * Scherzo for piano and orchestra, Op. 29 (1978)
 * Shigeru Kan-no
 * Piano Concerto No.1 (1997)
 * Piano Concerto No.2 (1999)
 * Piano Concerto No.3 (2006)
 * Hugo Kaun (1863–1932)
 * Piano Concerto No. 1 E-flat minor, Op. 50
 * Piano Concerto No. 2 C minor, Op. 115 (1925)
 * Nigel Keay
 * Diffractions for Piano and Orchestra (1987)
 * Aram Khachaturian
 * Concert-Rhapsody in D-flat, Op. 102 (1967)
 * Piano Concerto in D-flat (1936)
 * Tikhon Khrennikov
 * Piano Concerto No. 1 in F, Op. 1 (1933)
 * Piano Concerto No. 2 in C, Op. 21 (1972)
 * Piano Concerto No. 3 in C, Op. 28 (1983/84)
 * Friedrich Kiel
 * Piano Concerto in B-flat, Op. 30 (1864)
 * Wojciech Kilar
 * Symphony Concertante, for piano and orchestra (Symphony No. 2) (1956)
 * Piano Concerto No. 1 (1997)
 * Piano Concerto No. 2 (2011)
 * Reginald King
 * Fantasie for Piano and Orchestra (1946)
 * Charles Koechlin
 * Ballade for Piano and Orchestra
 * Siegfried Kohler
 * Piano Concerto Op. 46 (1971–72)
 * Erich Wolfgang Korngold
 * Piano Concerto in C-sharp for the left hand, Op. 17 (1923, commissioned by Paul Wittgenstein)
 * Leopold Kozeluch
 * Concerto for Two Pianos in B-flat major
 * Ernst Krenek
 * Piano Concerto No. 1 in F-sharp, Op. 18 (1923)
 * Piano Concerto No. 2, Op. 81 (1937)
 * Piano Concerto No. 3, Op. 107 (1946)
 * Piano Concerto No. 4 (1950)
 * Concerto for Two Pianos (1951)
 * Eduard Künneke
 * Piano Concerto No. 1 in A flat major, op. 36
 * Friedrich Kuhlau
 * Piano Concerto in C, Op. 7 (1810)
 * Theodor Kullak
 * Piano Concerto in C minor, Op. 55 (1850)
 * György Kurtág
 * Op. 27/1 – ... quasi una fantasia ... for piano and chamber ensemble (1987–88)
 * Op. 27/2 – Double Concerto for piano, cello and two chamber ensembles (1989–90)

L

 * Sophie Lacaze
 * Concerto n°1 for piano and string orchestra (2002)
 * Helmut Lachenmann
 * Ausklang: Piano Concerto in F (1985)
 * Édouard Lalo
 * Piano Concerto in F minor (1889)
 * Constant Lambert
 * The Rio Grande, for alto, piano, chorus, brass, strings and percussion (1927)
 * Concerto for piano and nine players (1931)
 * Marcel Landowski
 * Piano Concerto No. 2
 * Shawn Lane
 * Piano Concertino: Transformation of Themes (1992)
 * Henri Lazarof
 * Tableaux (after Kandinsky) for Piano and Orchestra
 * Ton de Leeuw
 * Danses sacrées (1990)
 * Dieter Lehnhoff
 * Piano Concerto No. 1, Op. 25 (2005)
 * Piano Concerto No. 2, Op. 29 (2007)
 * Kenneth Leighton
 * Piano Concerto No. 1, Op. 11 (1951)
 * Piano Concerto No. 2, Op. 37 (1960)
 * Piano Concerto No. 3, Op. 57 (1969)
 * Artur Lemba
 * Piano Concerto No. 1 in G major (1905)
 * Piano Concerto No. 2 in E minor (1931)
 * Piano Concerto No. 3 in F minor (1945)
 * Piano Concerto No. 4 in B major (1955)
 * Piano Concerto No. 5 (1960)
 * Theodor Leschetizky
 * Piano Concerto in C minor, Op. 9
 * Lowell Liebermann
 * Piano Concerto No. 1, Op. 12 (1983)
 * Piano Concerto No. 2, Op. 36 (1992)
 * Piano Concerto No. 3, Op. 95 (2006)
 * Rhapsody on a Theme of Paganini Op.72 (2001)
 * Peter Lieberson
 * Piano Concerto No. 1 (1983)
 * Red Garuda for piano and orchestra (1999)
 * Piano Concerto No. 3 (2003)
 * György Ligeti
 * Piano Concerto (1988)
 * Magnus Lindberg
 * Piano Concerto No. 1 (1994)
 * Piano Concerto No. 2 (2012)
 * Dinu Lipatti
 * Concertino Op. 3
 * Romanian Dances for Piano and Orchestra
 * Franz Liszt
 * Piano Concerto No. 1 in E-flat, S. 124 (1835)
 * Piano Concerto No. 2 in A, S. 125 (1839)
 * Piano Concerto No. 3 in E-flat, Op. posth., S. 125a
 * Totentanz, S. 126 (1838–49, revised 1853 and 1859)
 * Grande symphonic Fantasie on themes from Berlioz's 'Lelio', S. 120
 * Fantasy on a Theme from Beethoven's The Ruins of Athens, S. 122 (1848–52)
 * Malediction for piano and string orchestra, S. 121
 * De Profundis – Psaume instrumental, S. 121a
 * Fantasy on Hungarian Folk Songs, S. 123 (1852)
 * Grand solo de concert, S. 365 (prepared by Leslie Howard)
 * Concerto pathétique in E minor, S. 365a
 * Hexaméron, S. 365b (orch. competed by Leslie Howard)
 * Transcription of Schubert's Wanderer Fantasy, S. 366 (1850–51)
 * Transcription of Weber's Polonaise brillante, S. 367 (1850–51)
 * Rapsodie espagnole, S. 254 (orch. Busoni)
 * Henry Litolff
 * Concerto Symphonique No. 1 in D minor, now lost
 * Concerto Symphonique No. 2 in B minor, Op. 22
 * Concerto Symphonique No. 3 in E-flat, Op. 45 (1846)
 * Concerto Symphonique No. 4 in D minor, Op. 102
 * Concerto Symphonique No. 5 in C minor, Op. 123 (1870)
 * George Lloyd
 * Piano Concerto No. 1 ('Scapegoat')
 * Piano Concerto No. 2
 * Piano Concerto No. 3
 * Carl Loewe
 * Piano Concerto No. 2 in A
 * Nikolai Lopatnikoff
 * Concerto for two Pianos and Orchestra (1949–50)
 * Bent Lorentzen
 * Piano Concerto
 * Witold Lutosławski
 * Piano Concerto (1987)
 * Variations on a Theme by Paganini (1978, orig. written 1941 for two pianos)
 * Sergei Lyapunov
 * Piano Concerto No. 1 in E-flat minor, Op. 4 (1886)
 * Piano Concerto No. 2 in E, Op. 38 (1909)
 * Rhapsody on Ukrainian Themes, Op. 28

M

 * Edward MacDowell
 * Piano Concerto No. 1 in A minor, Op. 15 (1882)
 * Piano Concerto No. 2 in D minor, Op. 23 (1885)
 * Alexander Mackenzie
 * Scottish Concerto in G major, Op. 55 (1897)
 * James MacMillan
 * The Berserking for piano and orchestra (1990)
 * Piano Concerto No. 2 (2003)
 * Piano Concerto No. 3 (2008)
 * Frederik Magle
 * Symphonic Lego Fantasia for piano and orchestra (1995–96)
 * Gian Francesco Malipiero
 * Six Piano Concertos (1934–1964)
 * Dialoghi VII (Concerto) for Two Pianos and Orchestra (1956)
 * Otto Malling
 * Piano Concerto in C minor Op. 43 (1890)
 * Andrew March
 * Piano Concerto No. 1 (2013–19)
 * Frank Martin
 * Piano Concerto No. 1 in F minor (1934)
 * Piano Concerto No. 2 (1968–69)
 * Harpsichord Concerto (1951–52)
 * Ballade for piano and orchestra
 * Petite symphonie concertante for piano, harp, harpsichord and two string orchestras (1945)
 * Bohuslav Martinů
 * Piano Concerto No. 1 (1925)
 * Concertino for piano left hand and chamber orchestra, Op. 173 (1926)
 * Piano Concerto No. 2 (1934)
 * Concertino (1938)
 * Concerto for Two Pianos (1943)
 * Piano Concerto No. 3 (1948)
 * Piano Concerto No. 4 (1956, Incantations)
 * Piano Concerto No. 5 (1957, Fantasia concertante) (see )
 * Harpsichord Concerto (1935)
 * Toccata e due Canzoni (1946)
 * Concertino (1933) for piano, violin, cello and string orchestra
 * Double Concerto for 2 String Orchestras, Piano and Timpani (1938)
 * Sinfonietta Giocosa (1940)
 * Sinfonietta La Jolla (1950)
 * Giuseppe Martucci
 * Piano Concerto in D minor Op. 40
 * Piano Concerto in B-flat minor Op. 66 (1884–85)
 * Joseph Marx
 * Romantisches Klavierkonzert in E
 * Castelli Romani (1930)
 * Jules Massenet
 * Piano Concerto in E-flat
 * André Mathieu
 * Concertino No. 1
 * Concertino No. 2
 * Concerto No. 3, Quebec (1943)
 * Concerto No.4 in E minor (1947)
 * Romantic Rhapsody for Piano and Orchestra
 * John McCabe
 * Piano Concerto No. 1, Op. 43 (1966)
 * Piano Concerto No. 2
 * Piano Concertino (1968)
 * Piano Concerto No. 3, Dialogues (1976)
 * Nikolai Medtner
 * Piano Concerto No. 1 in C minor, Op. 33 (1914–18)
 * Piano Concerto No. 2 in C minor, Op. 50 (1920–27)
 * Piano Concerto No. 3 in E minor, Op. 60 (1940–43)
 * Henryk Melcer-Szczawiński
 * Concerto for Piano and Orchestra No. 1 in E minor (1895)
 * Concerto for Piano and Orchestra No. 2 in C minor (1898)
 * Felix Mendelssohn
 * Piano Concerto in A minor (1822)
 * Concerto in E for two pianos (1823)
 * Concerto in A-flat for two pianos (1824)
 * Piano Concerto No. 1 in G minor, Op. 25 (1831)
 * Piano Concerto No. 2 in D minor, Op. 40 (1837)
 * Capriccio Brillant in B minor, Op. 22 (1832)
 * Rondo Brillant in E-flat major, Op. 29 (1834)
 * Serenade and Allegro giocoso in B minor, Op. 43 (1838)
 * Concerto for Violin and Piano in D minor (1823)
 * Peter Mennin
 * Concerto for Piano and Orchestra (1957)
 * Giancarlo Menotti
 * Piano Concerto in F
 * Olivier Messiaen
 * Turangalîla-Symphonie, solo piano, Ondes Martenot and orchestra (1946–48)
 * Réveil des Oiseaux ("Dawn chorus"), solo piano and orchestra (1953)
 * Oiseaux exotiques ("Exotic birds"), solo piano and orchestra (1955–56)
 * Sept haïkaï ("Seven haikus"), solo piano and orchestra (1962)
 * Couleurs de la cité céleste ("Colours of the Celestial City"), solo piano and ensemble (1963)
 * Un vitrail et des oiseaux ("Stained-glass window and birds"), piano solo, brass, wind and percussion (1986)
 * La ville d'en-haut ("The city on high"), piano solo, brass, wind and percussion (1987)
 * Concert à quatre, for four soloists – piano, cello, flute, oboe – and orchestra (1990–91, completed Loriod and Benjamin)
 * Trois petites Liturgies de la Présence Divine (1943–44)
 * La Transfiguration de Notre Seigneur Jésus (1965–69), for solo piano, solo cello, solo flute, solo clarinet, solo xylorimba, solo vibraphone, large 10-part choir and large orchestra
 * Peter Mieg
 * Concerto for 2 pianos and orchestra (1939–41)
 * Piano Concerto No. 1 (1947)
 * Piano Concerto No. 2 (1961)
 * Concerto pour piano à quatre mains et orchestre à cordes (1980)
 * Darius Milhaud
 * Piano Concerto No. 1, Op. 127 (1933)
 * Piano Concerto No. 2, Op. 225 (1941)
 * Concerto for 2 (or 3) Pianos, Op. 228 (1941)
 * Piano Concerto No. 3, Op. 270 (1946)
 * Piano Concerto No. 4, Op. 295 (1949)
 * Concertino d'automne, for 2 pianos and 8 instruments, Op. 309 (1951)
 * Piano Concerto No. 5, Op. 346 (1955)
 * Ballade, Op. 61 (1920)
 * 5 Études, Op. 63 (1920)
 * Le Carnaval d'Aix, Op. 83b (1926)
 * Fantaisie pastorale, Op. 188 (1938)
 * Suite, Op. 300, for 2 (or 3) Pianos and Orchestra (1950)
 * Suite concertante, Op. 278b (1952)
 * Eric Moe
 * Kicking and Screaming for piano and 10 players (1994)
 * E. J. Moeran
 * Rhapsody in F-sharp minor for Piano and Orchestra (1943)
 * Robert Moevs
 * Concerto Grosso for Piano, Percussion, and Orchestra (1960–68)
 * Richard Mohaupt
 * Concerto for Piano and Orchestra (1938, rev. 1942)
 * Georg Matthias Monn
 * Harpsichord concerto in G minor (18th Century)
 * Harpsichord concerto in D major (18th Century)
 * Xavier Montsalvatge
 * Concerto Breve
 * Ennio Morricone
 * Musica for piano and string orchestra (1954)
 * Ignaz Moscheles
 * Piano Concerto No. 1 in F, Op. 45 (1818)
 * Piano Concerto No. 2 in E-flat, Op. 56
 * Piano Concerto No. 3 in G minor, Op. 58
 * Piano Concerto No. 4 in E, Op. 64 (1823)
 * Piano Concerto No. 5 in C, Op. 87 (1826–31)
 * Piano Concerto No. 6 in B-flat, Op. 90 Fantastique (1834)
 * Piano Concerto No. 7 in C minor, Op. 93 Pathétique (1835)
 * Piano Concerto No. 8 in D, Pastorale, Op. 96 (1838) – the orchestral parts for this Concerto have been lost
 * Recollections of Ireland, Op. 69
 * Anticipations of Scotland: A Grand Fantasia, Op. 70
 * Mihály Mosonyi
 * Piano Concerto in E minor
 * Moritz Moszkowski
 * Piano Concerto No. 1 in B minor, Op. 3
 * Piano Concerto No. 2 in E Major, Op.59
 * Wolfgang Amadeus Mozart – wrote twenty seven concertos, of which Nos. 1–4 are arrangements of sonata movements by other composers.
 * Piano Concerto No. 1 in F, K. 37 (1767)
 * Piano Concerto No. 2 in B-flat, K. 39 (1767)
 * Piano Concerto No. 3 in D, K. 40 (1767)
 * Piano Concerto No. 4 in G, K. 41 (1767)
 * Piano Concerto No. 5 in D, K. 175 (1773)
 * Piano Concerto No. 6 in B-flat, K. 238 (1776)
 * Concerto for 3 Pianos No. 7 in F major, K.242 (1776), the Lodron
 * Piano Concerto No. 8 in C, K. 246 (1776), the Lützow
 * Piano Concerto No. 9 in E-flat, K. 271 (1777), the Jeunehomme
 * Concerto for Two Pianos in E-flat, K. 365 (1779)
 * Piano Concerto No. 11 in F, K. 413 (1783)
 * Piano Concerto No. 12 in A, K. 414 (1782)
 * Piano Concerto No. 13 in C, K. 415 (1783)
 * Piano Concerto No. 14 in E-flat, K. 449 (1784)
 * Piano Concerto No. 15 in B-flat, K. 450 (1784)
 * Piano Concerto No. 16 in D, K. 451 (1784)
 * Piano Concerto No. 17 in G, K. 453 (1784)
 * Piano Concerto No. 18 in B-flat, K. 456 (1784)
 * Piano Concerto No. 19 in F, K. 459 (1784)
 * Piano Concerto No. 20 in D minor, K. 466 (1785)
 * Piano Concerto No. 21 in C, K. 467 (1785)
 * Piano Concerto No. 22 in E-flat, K. 482 (1785)
 * Piano Concerto No. 23 in A, K. 488 (1786)
 * Piano Concerto No. 24 in C minor, K. 491 (1786)
 * Piano Concerto No. 25 in C, K. 503 (1786)
 * Piano Concerto No. 26 in D, K. 537 (1788), the Coronation
 * Piano Concerto No. 27 in B-flat, K. 595 (1791)
 * Concert Rondo No. 1 in D, K. 382 (1782)
 * Concert Rondo No. 2 in A, K. 386 (1782)
 * Concerto for Violin, Piano, and Orchestra K. 315f (fragment, 1778)
 * Dominic Muldowney
 * Piano Concerto (1982)

N

 * Eduard Nápravník
 * Concerto symphonique in A minor Op 27 (1877)
 * Fantaisie russe in B minor Op 39 (1881)
 * Per Nørgård
 * Concerto in due tempi, for piano & orchestra (1994)
 * Vítězslav Novák
 * Piano Concerto in E Minor (1895)
 * Michael Nyman
 * The Piano Concerto

O

 * Hisato Ohzawa
 * Piano Concerto No. 3 'Kamikaze' (1938)
 * Franco Oppo
 * Piano Concerto n.1 (1995)
 * Leo Ornstein
 * Piano Concerto (1925)

P

 * Pavel Pabst
 * Piano Concerto in E flat major, Op. 82 (1882)
 * Ignacy Jan Paderewski
 * Piano Concerto in A minor, Op. 17 (1888)
 * Fantaisie Polonaise, Op. 19 (1893)
 * Carter Pann
 * Piano Concerto (1996–97)
 * Giovanni Paisiello
 * Concerto for Piano and Orchestra, No. 1 in C major
 * Concerto for Piano and Orchestra, No. 2 in F major
 * Concerto for Piano and Orchestra, No. 3 in A major
 * Concerto for Piano and Orchestra, No. 4 in G minor
 * Concerto for Piano and Orchestra, No. 5 in D major
 * Concerto for Piano and Orchestra, No. 6 in B-flat major
 * Concerto for Piano and Orchestra, No. 7 in A major
 * Concerto for Piano and Orchestra, No. 8 in C major
 * Selim Palmgren
 * Piano Concerto No. 1 in G minor, Op. 13 (1903)
 * Piano Concerto No. 2, Op. 33 'The River' (1913)
 * Piano Concerto No. 3 in F major, Op. 41 'Metamorphoses' (1915)
 * Piano Concerto No. 4, Op. 85 'April' (1926)
 * Piano Concerto No. 5 in A major, Op. 99 (1941)
 * Andrzej Panufnik
 * Piano Concerto (1964, recomposed 1972)
 * Hubert Parry
 * Piano Concerto in F-sharp major (1878–79)
 * Arvo Pärt
 * Credo for Piano, Mixed Chorus, and Orchestra (1968)
 * Lamentate for piano and orchestra (2002)
 * Dora Pejačević
 * Piano Concerto in G minor Op. 33 (1913)
 * Phantasie Concertante in D minor for Piano and Orchestra, op. 48 (1919)
 * Krzysztof Penderecki
 * Piano Concerto (2002)
 * Vincent Persichetti
 * Concertino, Op. 16 (1941)
 * Piano Concerto, Op. 90 (1962)
 * Hans Pfitzner
 * Piano Concerto in E-flat, Op. 31 (1922)
 * Tobias Picker
 * Piano Concerto No. 1 (1980)
 * Keys to the City (Piano Concerto No. 2) (1983)
 * Piano Concerto No. 3: Kilauea (1986)
 * Bang! for amplified piano and orchestra (1992)
 * Gabriel Pierné
 * Piano Concerto in C minor, Op. 12 (1886)
 * Fantaisie-Ballet in B-flat, Op. 6 (1885)
 * Scherzo-Caprice in D, Op. 25 (1890)
 * Poème Symphonique in D minor, Op. 37 (1903)
 * Walter Piston
 * Concertino (1937)
 * Concerto for Two Pianos and Orchestra (1964)
 * Ildebrando Pizzetti
 * Canti Della Stagione Alta (Concerto) (1930)
 * Manuel Ponce
 * Piano Concerto (1912)
 * Francis Poulenc
 * Concerto for Two Pianos (1932)
 * Piano Concerto (1949)
 * Aubade (1929) choreographic Concerto for piano and eighteen instruments
 * Concert champêtre (1927–28) for harpsichord and orchestra (also in version for piano and orchestra)
 * Gerhard Präsent
 * Configurations - Piano Concerto (1981/82)
 * André Previn
 * Piano Concerto (1986)
 * Sergei Prokofiev
 * Piano Concerto No. 1 in D-flat, Op. 10 (1912)
 * Piano Concerto No. 2 in G minor, Op. 16 (1913, rewritten 1923)
 * Piano Concerto No. 3 in C, Op. 26 (1917–21), his best known
 * Piano Concerto No. 4 in B-flat, Op. 53 (1931), for the left hand (written for Paul Wittgenstein)
 * Piano Concerto No. 5 in G, Op. 55 (1932)
 * Piano Concerto No. 6 (1953, incomplete), for two pianos and strings

R

 * Robin de Raaff
 * Piano Concerto No. 1 (2000–2002)
 * Piano Concerto No. 2 "Circulus" (2021–2022)
 * Sergei Rachmaninoff
 * Piano Concerto No. 1 in F-sharp minor, Op. 1 (1891)
 * Piano Concerto No. 2 in C minor, Op. 18 (1901)
 * Piano Concerto No. 3 in D minor, Op. 30 (1909)
 * Piano Concerto No. 4 in G minor, Op. 40 (1926)
 * Rhapsody on a Theme of Paganini, Op. 43 (1934)
 * Concerto Élégiaque, Op. 9b (an orchestration of Rachmaninoff's Trio élégiaque No. 2 by Alan Kogosowski)
 * Suite No. 1 (Fantasy), Op. 5 (orch. R. Harkness)
 * Suite No. 2, Op. 17, Op. 17 (orch. L. Holby)
 * Joachim Raff
 * Piano Concerto in C minor, Op. 185 (1873)
 * Ode to Spring, Op. 76 (1857)
 * Suite in E-flat, Op. 200
 * Behzad Ranjbaran
 * Piano Concerto (2008)
 * Einojuhani Rautavaara
 * Piano Concerto No. 1, Op. 45 (1969)
 * Piano Concerto No. 2 (1989)
 * Piano Concerto No. 3 'Gift of Dreams' (1998), written for pianist Vladimir Ashkenazy
 * Maurice Ravel
 * Piano Concerto in G (1931)
 * Piano Concerto in D for the Left Hand (1931, written for Paul Wittgenstein)
 * Alan Rawsthorne
 * Piano Concerto No. 1 (1943)
 * Piano Concerto No. 2 (1951)
 * Concerto for Two Pianos and Orchestra (1968)
 * Max Reger
 * Piano Concerto in F minor, Op. 114 (1910)
 * Carl Reinecke
 * Piano Concerto No. 1 in F-sharp minor, Op. 72 (1860)
 * Piano Concerto No. 2 in E minor, Op. 120 (1872)
 * Piano Concerto No. 3 in C, Op. 144 (1877)
 * Piano Concerto No. 4 in B minor, Op. 254 (1901)
 * Konzertstück in G minor, Op. 33 (1848)
 * Ottorino Respighi
 * Piano Concerto in A minor, P. 40 (1902)
 * Concerto in Modo Misolidio, P. 145 (1925)
 * Fantasia slava in G, P. 50 (1903)
 * Toccata, P. 156 (1928)
 * Josef Rheinberger
 * Piano Concerto in A-flat, Op. 94 (1876)
 * Ferdinand Ries
 * Piano Concerto No. 2 in E-flat major, Op. 42 (1812)
 * Swedish National Airs and Variations, Op. 52 (1812)
 * Piano Concerto No. 3 in C-sharp minor, Op. 55 (1812)
 * Piano Concerto No. 4 in C minor, Op. 115 (1809)
 * Grand Variations on " Rule Britannia", Op. 116 (1817)
 * Piano Concerto No. 5 in D major, Op. 120 "Concerto pastoral" (c. 1815–17; publ. 1823)
 * Piano Concerto No. 6 in C major, Op. 123 (1806; publ. c. 1824)
 * Piano Concerto No. 7 in a minor, Op. 132 "Abschieds-Concert von England" (1823)
 * Introduction et Rondeau brillant, Op. 144 (1825)
 * Piano Concerto No. 8 in A-flat major, Op. 151 "Gruss an den Rhein" (1826; publ. 1827)
 * Introduction et Variations Brillantes, Op. 170 (1817; publ. c. 1832)
 * Introduction and Polonaise, Op. 174 (1833)
 * Piano Concerto No. 9 in G minor, Op. 177 (c. 1833)
 * Introduction et Rondeau brilant, WoO54 (1835)
 * Nikolai Rimsky-Korsakov
 * Piano Concerto in C-sharp minor, Op. 30 (1882)
 * Leroy Robertson
 * Piano Concerto (1966)
 * Joaquín Rodrigo
 * Concierto heroico (1942)
 * Julius Röntgen
 * Piano Concerto in G minor (1873)
 * Piano Concerto in D major, Op. 18 (1879)
 * Piano Concerto in D minor (1887)
 * Piano Concerto in F major (1906)
 * Piano Concerto in E major (1929)
 * Two Piano Concertos: No. 1 in E minor and No. 2 in C major (1929/30)
 * Ned Rorem
 * Piano Concerto No. 2 (1950)
 * Concerto in Six Movements
 * Piano Concerto No. 4 for the Left Hand (1991)
 * Nino Rota
 * Fantasy for piano and orchestra on twelve notes from "non si pasce di cibo mortale chi si pasce di cibo celeste" from the second act of W.A. Mozart's Don Giovanni
 * Concerto soiree for piano and orchestra
 * Concerto in E minor for piano and orchestra (piccolo mondo antico)
 * Concerto in C major for piano and orchestra
 * Christopher Rouse
 * Seeing for piano and orchestra (1998)
 * Albert Roussel
 * Concerto in C, Op. 36 (1927)
 * Alec Rowley
 * Concerto for Piano, Strings and Percussion, Op. 49 (1938)
 * Edmund Rubbra
 * Sinfonia Concertante, Op. 38 (1936, revised 1943)
 * Piano Concerto in G, Op. 85 (1956)
 * Anton Rubinstein
 * Piano Concerto (1847), 1 movement only
 * Piano Concerto in C (1849), revised as Octet in D, Op. 9 (1856)
 * Piano Concerto No. 1 in E minor, Op. 25 (1850)
 * Piano Concerto No. 2 in F, Op. 35 (1851)
 * Piano Concerto No. 3 in G, Op. 45 (1853–4)
 * Piano Concerto No. 4 in D minor, Op. 70 (1864)
 * Piano Concerto No. 5 in E-flat, Op. 94 (1874)
 * Piano Fantasia in C, Op. 84 (1869)
 * Konzertstück in A-flat, Op. 113
 * Russian Capriccio, Op. 120 (1878)
 * Caprice russe, Op. 102
 * Poul Ruders
 * Piano Concerto No. 1 (1994)
 * Piano Concerto No. 2 (2009)
 * Frederic Rzewski
 * A Long Time Man (24 variations on the prison song "It Makes a Long Time Man Feel Bad") (1979)

S

 * Shigeaki Saegusa
 * Piano Concerto (1971)
 * P. Peter Sacco
 * Piano Concerto No. 1 (1964)
 * Camille Saint-Saëns
 * Piano Concerto No. 1 in D, Op. 17 (1858)
 * Piano Concerto No. 2 in G minor, Op. 22 (1868)
 * Piano Concerto No. 3 in E-flat, Op. 29 (1869)
 * Piano Concerto No. 4 in C minor, Op. 44 (1873)
 * Piano Concerto No. 5 in F, Op. 103 (1895), the Egyptian
 * 'Africa,' Fantaisie, Op. 89, for piano and orchestra
 * 'Wedding Cake,' Op. 76, caprice-valse for piano and orchestra
 * Allegro appassionato, Op. 70, for piano and orchestra
 * Rhapsodie d'Auvergne, Op. 73
 * Le carnaval des animaux (2 pianos; 1886)
 * Antonio Salieri
 * Piano Concerto in C major (1773)
 * Piano Concerto in B-flat major (1773)
 * Siegfried Salomon
 * Piano Concerto in A minor Op. 54 (1947)
 * Esa-Pekka Salonen
 * Piano Concerto (2007)
 * Emil von Sauer
 * Piano Concerto No. 1 in E minor
 * Piano Concerto No. 2 in C minor
 * Ahmed Adnan Saygun
 * Piano Concerto No. 1, Op. 34
 * Piano Concerto No. 2, Op. 71
 * Xaver Scharwenka
 * Piano Concerto No. 1 in B-flat minor, Op. 32 (1877)
 * Piano Concerto No. 2 in C minor, Op. 56 (1880)
 * Piano Concerto No. 3 in C-sharp minor, Op. 80 (1898)
 * Piano Concerto No. 4 in F minor, Op. 82
 * Ernest Schelling
 * Suite Fantastique, Op. 7
 * Impressions from an Artist's Life (1913)
 * Franz Schmidt
 * Concertante Variations on a Theme of Beethoven (1923)
 * Piano Concerto No. 2 in E-flat for the Left Hand (1934)
 * Alfred Schnittke
 * Piano Concerto (No. 1), for piano and orchestra (1960)
 * Piano Concerto (No. 2), for piano and chamber orchestra (1964)
 * Piano Concerto (No. 3), for piano and strings (1979)
 * Piano Concerto (No. 4), for one piano four hands and chamber orchestra (1988)
 * Arnold Schoenberg
 * Piano Concerto (1942)
 * Ervin Schulhoff
 * Concerto for Piano and Small Orchestra
 * Piano Concerto Op. 11
 * William Schuman
 * Piano Concerto (1930, rev. 1942)
 * Clara Schumann
 * Piano Concerto in A minor, Op. 7 (1832–3)
 * Robert Schumann
 * Piano Concerto in A minor, Op. 54 (1845)
 * Introduction and Allegro Appassionato, Op. 92
 * Introduction and Allegro, Op. 134
 * Ludvig Schytte
 * Piano Concerto in C-sharp minor Op. 28 (c. 1884)
 * Cyril Scott
 * Piano Concerto
 * Alexander Scriabin
 * Piano Concerto in F-sharp minor, Op. 20 (1896)
 * Fantasia in A minor (1889)
 * Prometheus: The Poem of Fire, Op. 60 (1909–10)
 * Peter Sculthorpe
 * Piano Concerto (1983)
 * Peter Seabourne
 * Piano Concerto No. 1 (2003)
 * Piano Concerto No. 2 (2005)
 * Roger Sessions
 * Piano Concerto (1956)
 * Giovanni Sgambati
 * Piano Concerto in G minor, Op. 15 (1885)
 * Dmitri Shostakovich
 * Piano Concerto No. 1 in C minor, Op. 35 (1933), also includes a part for solo trumpet
 * Piano Concerto No. 2 in F, Op. 102 (1957)
 * Sheila Silver
 * Concerto for Piano and Orchestra (1996)
 * Rudolph Simonsen
 * Piano Concerto in F minor (1915)
 * Christian Sinding
 * Piano Concerto in D-flat, Op. 6 (1887–89, revised 1901)
 * Nikos Skalkottas
 * Piano Concerto No. 1 (1931)
 * Piano Concerto No. 2 (1937)
 * Piano Concerto No. 3 (1939)
 * Piano Concerto (1948–49)
 * Roger Smalley
 * Concerto for Piano and Orchestra (1984–85)
 * Juan María Solare
 * Piano Concerto No. 1 (2018–2021)
 * Arthur Somervell
 * Piano Concerto in A minor (1921)
 * Kaikhosru Shapurji Sorabji
 * Piano Concerto No. 1 (1915–16)
 * Piano Concerto No. 2 (1916–17; only two-piano version survives)
 * Piano Concerto No. 3 (1918)
 * Piano Concerto No. 4 (1918)
 * Piano Concerto No. 5 (1920)
 * Piano Concerto No. 6 (1922)
 * Piano Concerto No. 7, Simorg-Anka (1924)
 * Piano Concerto No. 8 (1927–28)
 * Symphonic Variations for Piano and Orchestra (1935–37, 1953–56)
 * Opus clavisymphonicum—Concerto for Piano and Large Orchestra (1957–59)
 * Opusculum clavisymphonicum vel claviorchestrale (1973–75)
 * Leo Smit
 * Piano Concerto (1937)
 * Charles Villiers Stanford
 * Piano Concerto in B-flat major, Op. posth (1873)
 * Piano Concerto No. 1 in G, Op. 59
 * Piano Concerto No. 2 in C minor, Op. 126
 * Piano Concerto No. 3 in E flat, Op. 171 (1919)
 * Concert Variations on "Down among the Dead Men", Op. 71 (1898)
 * Bernhard Stavenhagen
 * Piano Concerto in B minor, Op. 4 (1894)
 * Wilhelm Stenhammar
 * Piano Concerto No. 1 in B-flat minor, Op. 1 (1893)
 * Piano Concerto No. 2 in D minor, Op. 23 (1905–07)
 * Zygmunt Stojowski
 * Piano Concerto No. 1 in F-sharp minor, Op. 3 (1890)
 * Piano Concerto No. 2 in A-flat, Op. 32 (1909–10)
 * Rhapsodie symphonique, Op. 23 (1904)
 * Oscar Strasnoy
 * "Kuleshov", for solo piano and chamber orchestra (2017)
 * Richard Strauss
 * Burleske in D minor (1885–86)
 * Parergon zur Sinfonia Domestica, Op. 73 (piano left-hand; 1924–25)
 * Panathenaenzug, Op. 74 (piano left-hand; 1926–27)
 * Igor Stravinsky
 * Concerto for Piano and Wind Instruments (1923-24/51)
 * Capriccio for Piano and Orchestra (1928–9)
 * Five Movements for Piano and Orchestra (1958–9)
 * Stjepan Šulek
 * Piano Concerto No. 1 (1949)
 * Piano Concerto No. 2 (1952)
 * Piano Concerto No. 3 (1970)
 * Tomáš Svoboda
 * Concerto No. 1 for Piano and Orchestra, Op. 71 (1974)
 * Concerto No. 2 for Piano and Orchestra, Op. 134 (1989)
 * Karol Szymanowski
 * Symphony No. 4, Symphonie Concertante

T

 * Emil Tabakov
 * Concerto for Piano and Orchestra
 * Tōru Takemitsu
 * Arc (1963)
 * Asterism (1968)
 * Quatrain for violin, clarinet, cello, piano soloists and orchestra (1975)
 * Riverrun (1984)
 * Otar Taktakishvili
 * Four piano Concertos
 * Josef Tal
 * Concerto No. 1 for piano & orchestra (1945)
 * Concerto No. 2 for piano & orchestra (1953)
 * Concerto No. 3 for tenor, piano and chamber orchestra (1956)
 * Double Concerto for two pianos & orchestra (1979)
 * Tan Dun
 * Piano Concerto "The Fire"
 * Sergei Taneyev
 * Piano Concerto in E-flat (1876; reconstruction)
 * Alexander Tansman
 * Suite for Two Pianos and Orchestra (1928)
 * John Tavener
 * Palintropos (1978)
 * Boris Tchaikovsky
 * Piano Concerto in C minor, 1971
 * Pyotr Ilyich Tchaikovsky
 * Piano Concerto No. 1 in B-flat minor, Op. 23 (1874)
 * Piano Concerto No. 2 in G, Op. 44 (1880)
 * Piano Concerto No. 3 in E-flat, Op. 75 (1893)
 * Concert Fantasia in G, Op. 56 (1883)
 * Andante and Finale in B-flat, Op. 79 (1893)
 * Alexander Tcherepnin
 * Piano Concerto No. 1, Op. 12
 * Piano Concerto No. 2, Op. 26
 * Piano Concerto No. 3, Op. 48
 * Piano Concerto No. 4 (Fantaisie), Op. 78
 * Piano Concerto No. 5, Op. 96
 * Piano Concerto No. 6, Op. 99
 * Nikolai Tcherepnin
 * Piano Concerto in C♯ minor, Op. 30 (1905)
 * Sigismond Thalberg
 * Piano Concerto in F minor, Op. 5
 * Ferdinand Thieriot (1838–1919)
 * Piano Concerto No. 1 in B-flat (1885)
 * Piano Concerto No. 2 in C minor (1904)
 * Ludwig Thuille
 * Piano Concerto in D major (1882)
 * Michael Tippett
 * Piano Concerto (1955)
 * Fantasy on a Theme by Handel (1942)
 * Loris Tjeknavorian
 * Piano Concerto, Op. 4 (1960-61 rev 1974)
 * Zlata Tkach
 * Concerto for Piano and Orchestra (2002) 'In memory of victims of Kishinev Pogrom 1903'
 * Václav Tomášek
 * Piano Concerto in C major
 * Piano Concerto in E-flat major
 * Piano Concerto (1994)
 * Donald Tovey
 * Piano Concerto in A, Op. 15 (1903)
 * Joan Tower
 * Concerto for Piano (Homage to Beethoven) (1985)
 * Rapids (Piano Concerto No. 2) (1996)
 * Daniil Trifonov
 * Piano Concerto in E-flat minor (2014)
 * Joaquín Turina
 * Rapsodia Sinfónica (1931)
 * Geirr Tveitt
 * Piano Concerto No. 1 in F major, Op. 1 (1927)
 * Piano Concerto No. 2 (lost; MS destroyed in a house fire)
 * Piano Concerto No. 3 'Hommage a Brahms', Op. 126 (lost; MS destroyed in house fire, but being reconstructed from recording)
 * Piano Concerto No. 4 'Aurora Borealis', Op. 130 (lost, but reconstructed from surviving orchestral parts, two piano reduction, and recording; 1947)
 * Piano Concerto No. 5, Op. 156 (1954)
 * Piano Concerto No. 6 (lost; MS destroyed in a house fire)
 * Variations on a Folksong from Hardanger for two pianos and orchestra (1949)

U

 * Viktor Ullmann
 * Klavierkonzert, Op. 25 (1939)
 * Unsuk Chin
 * Piano Concerto (1997)
 * Galina Ustvolskaya
 * Concerto for Piano, String Orchestra and Timpani

V

 * Ralph Vaughan Williams
 * Piano Concerto (1933 – also exists in a version for two pianos and orchestra of 1946)
 * Fantasia (Quasi Variazione) on the "Old 104th" Psalm Tune (1949)
 * José Vianna da Motta
 * Piano Concerto in A (1886–87)
 * Fantasia Dramática
 * Louis Vierne
 * Poème, Op. 50 (1926?)
 * Heitor Villa-Lobos
 * Piano Concerto No. 1 (1945)
 * Piano Concerto No. 2 (1948)
 * Piano Concerto No. 3 (1952–57)
 * Piano Concerto No. 4 (1952)
 * Piano Concerto No. 5 (1954)
 * Suite for piano and orchestra
 * Momoprecoce, fantasy for piano and orchestra (1929)
 * Chôros No. 8, for two pianos and orchestra (1925)
 * Chôros No. 11, for piano and orchestra (1928)
 * Bachianas Brasileiras No. 3
 * Carl Vine
 * Piano Concerto No. 1 (1997)
 * Piano Concerto No. 2 (2012)

W

 * William Walton
 * Sinfonia Concertante (1928, revised 1944)
 * Carl Maria von Weber
 * Piano Concerto No. 1 in C, J. 98 (1810)
 * Piano Concerto No. 2 in E-flat, J. 155 (1815)
 * Konzertstück in F minor, Op. 79, J. 282 (1821)
 * Douglas Weiland
 * Piano Concerto, Op. 31
 * Judith Weir
 * Piano Concerto (1997)
 * Mark Wessel
 * Piano Concerto (1941)
 * Poem, for orchestra and piano solo (1924)
 * Scherzo burlesque, for piano and orchestra (c. 1931)
 * Symphony Concertante, for piano and horn with orchestra (1929)
 * Charles-Marie Widor
 * Piano Concerto No. 1 in F minor, Op. 39 (1880)
 * Piano Concerto No. 2 in C, Op. 77 (1905)
 * Fantaisie in A-flat, Op. 62 (1892)
 * Jozef Wieniawski
 * Piano Concerto in G minor Op 20 (1859)
 * Adolf Wiklund
 * Piano Concerto No. 1 in E minor, Op. 10
 * Piano Concerto No. 2 in B minor, Op. 17
 * John Williams
 * Scherzo for Piano and Orchestra (2014)
 * Malcolm Williamson
 * Piano Concerto No. 1 (1956–58)
 * Piano Concerto No. 2 (1960)
 * Piano Concerto No. 3 (1962)
 * Concerto for Two Pianos and String Orchestra (1972–73)
 * Piano Concerto No. 4 (1991–94)
 * Sinfonia Concertante (1958–60), for piano, 3 trumpets and string orchestra
 * Thomas Wilson
 * Piano Concerto
 * Haydn Wood
 * Piano Concerto in D minor (1909)
 * Charles Wuorinen
 * Piano Concerto (1966)
 * Second Concerto: for Amplified Piano and Orchestra (1974)
 * Third Piano Concerto (1983)
 * Fourth Piano Concerto (2003)
 * Flying to Kahani (2005)
 * Time Regained, concert piece for piano and orchestra based on early music, Machaut, Matteo di Perugia, Dufay and Gibbons (2008)

X

 * Iannis Xenakis
 * Synaphaï (Connexities), for piano and orchestra (1969)
 * Erikhthon, for piano and orchestra (1974)
 * Keqrops, for piano and orchestra (1986)

Y

 * Richard Yardumian
 * Passacaglia, Recitative and Fugue, a Concerto for piano and orchestra (premiered 1958, Rudolf Firkušný, Philadelphia Orchestra, conducted by Eugene Ormandy.)
 * Akio Yashiro
 * Piano Concerto
 * Yin Chengzong et al.
 * Yellow River Piano Concerto (arrangement of themes from Xian Xinghai's Yellow River Cantata)
 * Takashi Yoshimatsu
 * Threnody to Toki for piano and string orchestra, Op. 12 (1980)
 * "Memo Flora" for Piano and Orchestra, Op. 67 (1997)
 * When an angel fals into a doze... for piano and string orchestra, Op. 73 (1998)
 * "Cepheus Note" for Piano Left Hand and Chamber Orchestra, Op. 102 (2007)
 * Benjamin Yusupov
 * Concerto-Intimo for piano and orchestra (2005)
 * Con Moto for piano and string orchestra (2007)

Z

 * Aaron Zigman
 * Tango Manos (2019)
 * Efrem Zimbalist
 * Piano Concerto in E-flat (composed 1953 for William Kapell, destroyed in the air crash in which the pianist died, reconstructed by the composer)
 * Ellen Taaffe Zwilich
 * Piano Concerto (1986)
 * Millennium Fantasy (2000)

Works for orchestra or large ensemble with less important or modest piano part

 * John Adams
 * Common Tones in Simple Time (1979)
 * Harmonielehre (1985)
 * The Chairman Dances (1985)
 * Tromba Lontana (1986)
 * Nixon in China (1987)
 * Fearful Symmetries (1988)
 * Lollapalooza (1995)
 * Slonimsky's Earbox (1996)
 * Naive and Sentimental Music (1998)
 * Guide to Strange Places (2001)
 * My Father Knew Charles Ives (2003)
 * The Dharma at Big Sur, for electric violin and orchestra (2003)
 * City Noir (2009)
 * Absolute Jest, for string quartet and orchestra (2012)
 * The Gospel According to the Other Mary (2013)
 * Saxophone Concerto (2013)
 * Girls of the Golden West (2017)
 * Samuel Barber
 * Violin Concerto (1939)
 * Béla Bartók
 * Dance Suite (1923)
 * The Miraculous Mandarin (1924)
 * Music for String, Percussion, and Celesta (1936)
 * Leonard Bernstein
 * Symphony No. 1 "Jeremiah" (1942)
 * Three Dance Episodes from On the Town (1945)
 * Symphonic Suite from On the Waterfront (1954)
 * Symphonic Dances from West Side Story (1960)
 * Slava! A Political Overture (1977)
 * Ernest Bloch
 * Concerto Grosso No. 1 (1925)
 * Aaron Copland
 * Symphony for Organ and Orchestra (1924)
 * El Salón México (1936)
 * The Second Hurricane (1937)
 * Billy the Kid (1938)
 * Four Dance Episodes from Rodeo (1942)
 * Appalachian Spring (1944)
 * Letter from Home (1944)
 * Symphony No. 3 (1946)
 * The Tender Land (1954)
 * Connotations (1962)
 * Inscape (1964)
 * Morton Feldman
 * Viola in My Life IV for viola and orchestra
 * George Gershwin
 * Blue Monday (1922)
 * Porgy and Bess (1935)
 * Catfish Row (Suite from Porgy and Bess) (1936)
 * Philip Glass
 * Symphony No. 1 Low (1993)
 * Symphony No. 4 Heroes (1996)
 * Symphony No. 7 Toltec for orchestra and chorus (2005)
 * Symphony No. 8 (2005)
 * Symphony No. 9 (2011)
 * Symphony No. 10 (2012)
 * Symphony No. 11 (2017)
 * Symphony No. 12 Lodger (2019)
 * Percy Grainger
 * Hill Song No. 1 (1902)
 * In a Nutshell (suite) (1916)
 * Children's March: Over the Hills and Far Away (1919)
 * Charles Ives
 * A Set of Pieces for Theatre Orchestra (1915)
 * Symphony No. 4 (1916)
 * Three Places in New England (1912–16)
 * Aram Khachaturian
 * Gayane (1939–41)
 * Symphony No. 2 (1944)
 * Spartacus (1950–54)
 * William Kraft
 * Concerto for Timpani and Orchestra (1984)
 * Frederik Magle
 * Cantabile – symphonic suite (2004–09)
 * Gustav Mahler
 * Symphony No. 8 in E-flat major, "Symphony of a Thousand" (1906–07)
 * Arturo Márquez
 * Danzón No. 1 (1994)
 * Danzón No. 2 (1994)
 * Danzón No. 4 (1996)
 * Danzón No. 9 (2017)
 * Frank Martin
 * Ballade pour saxophone and orchestre (1938/39)
 * Bohuslav Martinů
 * Symphony No. 1 (1942)
 * Symphony No. 2 (1943)
 * Symphony No. 3 (1944)
 * Symphony No. 4 (1945)
 * Symphony No. 5 (1946)
 * Symphony No. 6 Fantaisies symphoniques (1953)
 * Concerto for Oboe and Small Orchestra (1955)
 * Modest Mussorgsky
 * Boris Godunov (1874)
 * Carl Orff
 * Carmina Burana (1935–36)
 * Sergei Prokofiev
 * Scythian Suite (1914–15)
 * Chout (1915–21)
 * Symphony No. 2 (1924–25)
 * Symphony No. 4 (1929–30)
 * Lieutenant Kijé (1934)
 * Overture on Hebrew Themes (arr. orch 1934)
 * The Queen of Spades (1936)
 * Russian Overture (1936)
 * Cantata for the 20th Anniversary of the October Revolution (1936–37)
 * Alexander Nevsky (1938)
 * Romeo and Juliet (1938)
 * Cinderella (1940–44)
 * Ivan the Terrible (1942–45)
 * Symphony No. 5 (1944)
 * Flourish, Mighty Land (1947)
 * Symphony No. 6 (1947)
 * The Tale of the Stone Flower (1948–53)
 * Symphony No. 7 (1952)
 * Sergei Rachmaninoff
 * Symphonic Dances (1940)
 * Ottorino Respighi
 * Fountains of Rome (1916)
 * Pines of Rome (1924)
 * Roman Festivals (1928)
 * Camille Saint-Saëns
 * Symphony No. 3 (1886)
 * Dmitri Shostakovich
 * Symphony No. 1 (1924–25)
 * Symphony No. 5 (1937)
 * Symphony No. 7 (1941)
 * Symphony No. 13 (1962)
 * Karlheinz Stockhausen
 * Gruppen for three orchestras (1955–57)
 * Inori (1973–74)
 * Igor Stravinsky
 * The Firebird (1910)
 * Petrushka (1911)
 * Les Noces (1914–17)
 * Oedipus rex (1927)
 * Symphony of Psalms (scored for two pianos) (1930)
 * Symphony in Three Movements (1942–45)
 * Scherzo à la russe (1944)
 * Ebony Concerto (1945)
 * Agon (1957)
 * Threni (1958)
 * The Flood (1963)
 * Variations: Aldous Huxley in memoriam (1964)
 * Requiem Canticles (1966)


text: Category:Belfast

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Category:Belfast


text:
Khaira, Ludhiana

Khaira is a village in Ludhiana district in the Indian state of Punjab.

Demographics
Khaira is a medium size village located in Samrala of Ludhiana district, Punjab with total 230 families residing. The Khaira village has population of 1150 of which 603 are males while 547 are females as per Population Census 2011.

In Khaira village population of children with age 0-6 is 102 which makes up 8.87% of total population of village. Average Sex Ratio of Khaira village is 907 which is higher than Punjab state average of 895. Child Sex Ratio for the Khaira as per census is 925, higher than Punjab average of 846.

Khaira village has higher literacy rate compared to Punjab. In 2011, literacy rate of Khaira village was 82.25% compared to 75.84% of Punjab. In Khaira Male literacy stands at 88.18% while female literacy rate was 75.70%. In Khaira village, most of the villagers are from Schedule Caste (SC). Schedule Caste (SC) constitutes 41.65% of total population in Khaira village. The village Khaira currently does not have any Schedule Tribe (ST) population.

As per constitution of India and Panchyati Raaj Act, Khaira village is administrated by Sarpanch Shrimati Sarbjit kaur khaira(Head of Village)(2018-present) is elected representative of village.

Transportation
Khaira is a village in Samrala Tehsil in Ludhiana District of Punjab, India. It is located 36 km to the east of District headquarters Ludhiana. 66 km from State capital Chandigarh.

Khaira Pin code is 141418 and postal head office is Rampur (Ludhiana).

Khaira is surrounded by Machhiwara Tehsil to the north, Doraha Tehsil to the west, Khanna Tehsil to the south, Chamkaur Sahib Tehsil to the east.

Khanna, Morinda, Ludhiana, Nawanshahr are the nearby cities to Khaira.

This place is in the border of the Ludhiana District and Fatehgarh Sahib District. Fatehgarh Sahib District Khamano is south towards this place.

Education
Khaira nearest schools has been listed as follows.
 * 1) Khalsa High School Madpur
 * 2) High School Lall Kalan
 * 3) Govt Primary School Katana Sahib
 * 4) Boys Primary School Katani Kalan
 * 5) Govt Primary School Begowal

title: Khaira, Ludhiana


text:
ITG

ITG may refer to:

Organizations

 * Iraqi Transitional Government (2005–2006), former ruling institution of Iraq
 * International Trumpet Guild, trumpet players' organization
 * Investment Technology Group, American firm
 * In the Game Trading Cards, a manufacturer of hockey trading cards
 * Institute of Tourist Guiding, UK's official tourist body
 * Irish Traction Group, Irish railway preservation society
 * ITG Brands, the US subsidiary of Imperial Tobacco Group

Science and technology

 * Integrin, a type of membrane protein
 * Inferior temporal gyrus, a region of the brain
 * IT governance

Other uses

 * In The Groove (video game), a music video game

title: ITG


text:
User talk:Lantog

Please do not gratuitously remove content from Wikipedia. It is considered vandalism. If you would like to experiment, please use the sandbox. Thank you. --Boothy443 | comhrÚ 09:24, 15 Apr 2005 (UTC)

Hi Lantog. If you want to help in creating a better article, you're going to have to do so constructively. Make use of the talk page. If you continue to blank articles, you may be blocked from editing, as this is not constructive editing. Dysprosia 09:27, 15 Apr 2005 (UTC)

Regarding F.O. Matthiessen, I'm glad to have another interested editor of the article. I find some of your deletions a little confusing: it seems like you're removing factual material from the article, which is a bad idea. Please don't delete significant material without first discussing it on the Talk page. It's a common mistake for new editors. -- Rbellin|Talk 15:47, 15 Apr 2005 (UTC)

3RR violation

 * Lantog: You have violated the three revert rule on Queer theory and can thereby be blocked from editing Wikipedia for 24-hours by any admin. I've chosen not to because you seem to be discussing the issue on this talk page, but you are open to being blocked by any other admin just for the actions you've already taken. Please do not unilaterally revert the article any further, but rather, try to come to a consensus with other editors on the Talk:Queer theory page. - Seth Ilys 17:39, 23 Apr 2005 (UTC)

Blocked for 24hrs
You have been blocked for 24 hours under the three revert rule. Your fifth revert after Seth Ilys showed you some lienency demonstrated an inablity to communicate well. In addition, your have vandalized the article in the past: (1 and 2). After the ban has passed, please come and discuss the article on the talk page before making any changes. Burgundavia 20:06, Apr 23, 2005 (UTC)

Talk page un-blanking
Lantog, in answer to your question, I edited your talk page to restore the messages you've been deleting. Please have a look at Avoiding common mistakes and Talk etiquette FAQ -- blanking your talk page in order to hide criticism is generally considered bad manners (though it's not expressly forbidden by policy, it is often frowned upon and/or reverted). I don't mean to make trouble for you, and in fact, the major reason I restored the messages you deleted earlier was to preserve my earlier link to Avoiding common mistakes, a page I sincerely recommend that you read. From what you've written I think you probably have a lot to contribute to Wikipedia, and I think Wikipedia sorely needs more expertise in your fields, so I suggest you take a look over the policies and guidelines a bit more carefully and learn the way Wikipedia works before needlessly taking offense or getting into unnecessary quarrels. -- Rbellin|Talk 05:26, 5 May 2005 (UTC)

title: User talk:Lantog


text:
Wikipedia:Articles for deletion/RopeMarks

 This page is an archive of the discussion about the proposed deletion of the article below. This page is no longer live. Further comments should be made on the article's talk page rather than here so that this page is preserved as an historic record. The result of the debate was delete. – ABCD 23:10, 21 Apr 2005 (UTC)

RopeMarks
Vanity page, promoting web site RopeMarks.com Delete. -Big_Iron 09:27, 15 Apr 2005 (UTC)
 * Delete self-promotion. Mgm|(talk) 11:19, Apr 15, 2005 (UTC)
 * Delete as vanity, advert. Alexa score of 710,318 in case anyone is worried that it might be notable. Andrew Lenahan - St ar bli nd  12:07, Apr 15, 2005 (UTC)
 * Delete vanity. Cleduc 02:26, 17 Apr 2005 (UTC)

 * This page is now preserved as an archive of the debate and, like some other VfD subpages, is no longer 'live'. Subsequent comments on the issue, the deletion, or the decision-making process should be placed on the relevant 'live' pages. Please do not edit this page.


text: Talk:Kłodzko

title: Talk:Kłodzko


text:
User:Violetriga/Templates5

"Simple"

This example uses a very simple table layout that relies on the images to draw the eye rather than large coloured boxes. It is also very easy to update and replicate.

title: User:Violetriga/Templates5


text:
Wikipedia:Articles for deletion/Ohhla

 This page is an archive of the discussion about the proposed deletion of the article below. This page is no longer live. Further comments should be made on the article's talk page rather than here so that this page is preserved as an historic record. The result of the debate was delete. – ABCD 23:11, 21 Apr 2005 (UTC)

Ohhla
Alexa ranking of 9722, possible link spam. I thought I'd put it here rather than act on the speedy tag already placed on it in case someone more in touch with hip-hop wants to argue in favour of it. No vote.-gadfium 09:29, 15 Apr 2005 (UTC)
 * Delete, not notable, website promo. Megan1967 10:49, 15 Apr 2005 (UTC)
 * Keep. Before being cut and pasted on to other lyrics pages, most of the rap lyrics on the internet were originally posted on this website. Your Alexa ranking is misleading because these websites hardly ever give credit to OHHLA, so they won't get picked up in a search for "OHHLA". CPS 18:26, 15 Apr 2005 (UTC)
 * Keep notable and high enough Alexa rating. Grue 20:09, 15 Apr 2005 (UTC)
 * Delete, Alexa is a perfectly legitimate ranking in this case. No evidence has been offered that large scale cut and pasting did occur and even if it did the ranking would in fact be lower, not higher, due to the number of users visiting each page to copy the information. Leanne 01:27, 16 Apr 2005 (UTC)
 * Look up the lyrics to any rap song and see what you get. There will be dozens of lyrics pages with the exact same lyrics as OHHLA, which gets its lyrics from online contributors. It's easy to tell that these lyrics are the same because they almost always have mistakes. If you could find online lyrics to a rap song that aren't identical to the lyrics on OHHLA, I'd be impressed. CPS 23:03, 16 Apr 2005 (UTC)
 * Delete, wiki-spam--nixie 02:26, 17 Apr 2005 (UTC)
 * Delete, link spam. JamesBurns 06:16, 18 Apr 2005 (UTC)
 * Delete, website vanity. Radiant_* 13:10, Apr 18, 2005 (UTC)

 * This page is now preserved as an archive of the debate and, like some other VfD subpages, is no longer 'live'. Subsequent comments on the issue, the deletion, or the decision-making process should be placed on the relevant 'live' pages. Please do not edit this page.

title: Wikipedia:Articles for deletion/Ohhla


text:
Wikipedia:Articles for deletion/Graveyard Greg

 This page is an archive of the discussion about the proposed deletion of the article below. This page is no longer live. Further comments should be made on the article's talk page rather than here so that this page is preserved as an historic record. The result of the debate was delete. – ABCD 23:34, 21 Apr 2005 (UTC)

Graveyard Greg
A webcomic writer of webcomics which we do not have articles on. Notability not established. Sjakkalle 09:30, 15 Apr 2005 (UTC)
 * Delete - seems like advertising/vanity. The JPS 21:16, 15 Apr 2005 (UTC)
 * Comment. I can't bring myself to vote Keep (I'd just as soon toss all pop culture stuff) but I do get 9600 google hits on the guy.  Mwanner 12:40, Apr 20, 2005 (UTC)
 * Comment. He writes at least one comic that should have an article under the WikiProject Webcomics guidelines. --Carnildo 17:46, 20 Apr 2005 (UTC)

 * This page is now preserved as an archive of the debate and, like some other VfD subpages, is no longer 'live'. Subsequent comments on the issue, the deletion, or the decision-making process should be placed on the relevant 'live' pages. Please do not edit this page.


text:
Wikipedia:Peer review/Klodzko/archive1

Kłodzko
I wrote virtually all the text myself, thus input from others is particularly important. I think it is factually accurate and fairly complete. I think it would make a great featured article. I appreciate any comments and/or corrections. Halibutt 09:34, Apr 15, 2005 (UTC)

 * Good history, but has several problems. 1) While history is extensive, there is almost nothing aboout the city today - its economy, municipal government, etc. Tourist attraction are a good start, but could surely use expantion. 2) no references. If external links were used as referecnes, format them accordingly - see References. 3) try to avoid external links in the text, in cases of sources and such I recommend using Footnotes. Do take a look at current cities FAs and see what do they have that Klodzko doesn't: Johannesburg, Marshall, Texas, Marshall, Texas, Sarajevo, Seattle, Washington. --Piotr Konieczny aka Prokonsul Piotrus Talk 10:06, 15 Apr 2005 (UTC)

 * Agreed. I'm starting right away
 * You mean Cite sources, right? References doesn't say much.
 * Yes, my mistake.
 * Will do (I guess you mean the source for the pop table, right?)
 * Yes.
 * As to other FArticles, the basic difference I see is the length (which is a big disatvantage, since AFAICT the FA is often visited by the dividers club) and the number of pics. Any other major differences?

--Halibutt 12:57, Apr 15, 2005 (UTC)
 * We will worry abour length when we have to. The article is not too short (for History of Klodzko :>). With economy etc. I'd expect it to double in size, but I doubt it would became a target for dividers even then. Pics, of course, will always be useful - the more the better. Say, Halibutt - I wonder - why Klodzko? :) --Piotr Konieczny aka Prokonsul Piotrus Talk 09:48, 16 Apr 2005 (UTC)

The history section should be shortened and detail moved to a main article. As pointed above, there isn't much to say on the city. Since this is a small town of 30k inhabitants, I would put you on to Kalimpong, a town which is currently on FAC for some ideas. More references are also needed. == 20:40, Apr 17, 2005 (UTC)

These are some things that I think could be included to make the article more about the city now: --nixie 00:31, 18 Apr 2005 (UTC)
 * 1) Administration (government), what the important political issued in the town;
 * 2) Ecomomy, the article says its an important commerce centre but that's about all;
 * 3) Transport (highways and railways passing through here), perhaps a more detailed map of the location with respect to highways and other local towns;
 * 4) Demographics, the historical population chart is a good start, I'd consider turning it into a graph, add any other statistical information that you can get your hands on that helps describe the town;
 * 5) Tourist attractions, add some more pictures here if you have some, and are there any local festivals that you could add here?

title: Wikipedia:Peer review/Klodzko/archive1


text:
Moritz Moszkowski

Moritz Moszkowski (23 August 1854 – 3 March 1925 ) was a German-Polish composer, pianist, and teacher. His brother Alexander Moszkowski was a famous writer and satirist in Berlin.

Ignacy Paderewski said: "After Chopin, Moszkowski best understands how to write for the piano, and his writing embraces the whole gamut of piano technique." Although less known today, Moszkowski was well respected and popular during the late nineteenth century.

Life and career
He was born in Breslau, Kingdom of Prussia (now Wrocław, Poland), into a wealthy Polish-Jewish family whose parents had come to Breslau from Pilica, near Zawiercie, in 1854. He was an ardent Jew at a time when many Jews downplayed their Jewishness. He showed early talent from a very tender age, beginning his musical training at home until 1865, when his family moved to Dresden. There he continued his piano studies at the conservatory. He moved to Berlin in 1869 to continue his studies first at the Julius Stern Conservatory, where he studied piano with Eduard Franck and composition with Friedrich Kiel, and then at Theodor Kullak's Neue Akademie der Tonkunst, where he studied composition with Richard Wüerst and orchestration with Heinrich Dorn. There he became close friends with the Scharwenka brothers, Xaver and Philipp. In 1871 he accepted Kullak's offer to become a teacher in his academy; as he was also a more than competent violinist, he sometimes played first violin in the orchestra.

In 1873, Moszkowski made his first successful appearance as a pianist, and soon began touring the nearby cities in order to gain experience and establish his reputation. Two years later he was already playing his piano concerto on two pianos with Franz Liszt at a matinée before a selected audience invited by Liszt himself.

Retaining his post as a teacher at the Berlin conservatory from 1875, he had among his pupils Frank Damrosch, Joaquín Nin, Ernest Schelling, Joaquín Turina, Carl Lachmund, Bernhard Pollack, Ernst Jonas, Wilhelm Sachs, Helene von Schack, Albert Ulrich and Johanna Wenzel. Moszkowski then travelled successfully throughout Europe with the reputation of being an exceptional concert pianist and brilliant composer, having also gained some recognition as a conductor. In 1884, Moszkowski married the younger sister of pianist and composer Cécile Chaminade, Henriette Chaminade, with whom he had a son named Marcel and a daughter named Sylvia. By the mid-1880s, Moszkowski began suffering from a neurological problem in his arm and gradually diminished his recital activity in favor of composing, teaching and conducting.

In 1887, he was invited to London where he had the chance to introduce many of his orchestral pieces. There he was awarded honorary membership of the Royal Philharmonic Society. Three years later his wife left him for the poet Ludwig Fulda and a divorce was issued two years later.

In 1897, famous and wealthy, Moszkowski moved to Paris, where he lived on rue Nouvelle with his son and daughter. In 1906, he lost his 17-year-old daughter Sylvia while his son was engaged in the French army. In Paris, he was frequently sought after as a teacher, and was always generous in investing his time on aspiring musicians. Among his Parisian students were Vlado Perlemuter, Thomas Beecham (who took private lessons in orchestration with him on the advice of André Messager in 1904), Josef Hofmann (of whom he claimed once that there was nothing anyone could teach him), Wanda Landowska, and, informally, Gaby Casadesus. In the summer he rented a villa near Montigny-sur-Loing owned by the French novelist and poet Henri Murger.

In 1899, the Berlin Academy elected him a member. He was many times invited by piano manufacturers to appear in the United States to show off their pianos, but despite being offered massive fees, he always refused.

In 1908, by the age of 54, Moszkowski had already become a recluse as he began to suffer from poor health. His popularity began to fade and his career slowly went into decline. He stopped taking composition pupils because "they wanted to write like artistic madmen such as Scriabin, Schoenberg, Debussy, Satie ...".

His last years he spent in poverty for he had sold all his copyrights and invested the whole lot in German, Polish and Russian bonds and securities, which were rendered worthless on the outbreak of the war. Two of his former pupils, Josef Hofmann and Bernhard Pollack, came to his aid. Through the intervention of Pollack, who sent new piano arrangements of Moszkowski's opera Boabdil to Peters Publishing House in Leipzig, he collected an extra 10,000 francs camouflaged as royalties besides a gift of 10,000 marks and personal donations of 10,000 marks from Hofmann and 5,000 marks from himself. On 21 December 1921, when he was ill and heavily in debt, his friends and admirers arranged a grand testimonial concert on his behalf at Carnegie Hall, involving 15 grand pianos on stage. Ossip Gabrilowitsch, Percy Grainger, Josef Lhévinne, Elly Ney, Wilhelm Backhaus and Harold Bauer were among the performers, and Frank Damrosch conducted (Paderewski telegrammed his apologies). The concert netted US$13,275 (the equivalent of US$187,793.67 in May 2017), with one part transferred to the Paris branch of the National City Bank of New York in order to provide immediate relief from his financial problems, and an annuity purchased at the Metropolitan Life Insurance Company, whereby he would receive US$1,250 annually for the rest of his life.

However, Moszkowski's illness lingered and he died from stomach cancer on 3 March 1925, before the supply of funds could reach him. The money raised went instead to pay his funeral expenses and to his wife and son.

Works
Despite the balance and bright limpidity of his playing and his wonderful technique, which aroused the enthusiasm of admirers throughout Europe, his music has also been described as "devoid of the masculine and the feminine". He was a master in his pianistic repertoire, but it was in his own compositions that he was more admired. His music rapidly became a sensation, but he also had legitimate success in major works for the stage and the concert hall.

Moszkowski was quite prolific, composing over two hundred small-scale piano pieces, which brought him much popularity – notably his set of Spanish Dances Op. 12, for piano duet (later arranged for solo piano, and for orchestra by Phillip Scharwenka).

His early Serenade, Op. 15, was world-famous and appeared in many guises, including the song Liebe, kleine Nachtigall. Today he is probably best known for his fifteen Études de Virtuosité, Op. 72, which have been performed by virtuoso pianists such as Vladimir Horowitz and Marc-André Hamelin. Ilana Vered made the first complete recording in 1970. Many of his small but brilliant piano pieces, such as Étincelles (Sparks), are used as encore performances at the end of classical concerts.

He also wrote larger scale works including two piano concertos (one in B minor, Op. 3, in 1874, only rediscovered in 2011 and published in 2013, and the much better known Concerto in E major, Op. 59, from 1898), a Violin Concerto in C major, Op. 30, three orchestral suites (Opp. 39, 47, 79), and a symphonic poem Jeanne d'Arc, Op. 19. His opera Boabdil der letzte Maurenkönig, Op. 49, on the historical theme of the capture of Granada, premiered at the Berlin Court Opera on 21 April 1892, and appeared in Prague and New York City the following year. It did not stay in the repertoire, but its ballet music was very popular for a number of years. He wrote the three-act ballet Laurin, which premiered in Berlin in 1896.

Recordings
Ilana Vered made the first complete recording of Moszkowski's Études de Virtuosité, Op. 72, in 1970.

Seta Tanyel recorded three volumes of Moszkowski's solo piano works from 1993 to 1998, issued concurrently on Hyperion/Helios records and Collins Classics.

Ian Hobson released the first volume of a projected complete traversal of Moskowski's solo piano music, on Toccata Classics. Vol. 1 was released in 2021. Concurrently, Toccata Classics has released recordings of Moskowski's orchestral works and piano concerti.

The Piano Concerto in E major was first recorded by Michael Ponti, and more recently by Piers Lane and Joseph Moog. The Suite in G minor for 2 violins and piano, Op. 71, has been recorded by such duos as Itzhak Perlman and Pinchas Zukerman.

Selected discography

 * Moritz Moszkowski and Paderewski: The Romantic Piano Concerto, Vol. 1. (Piers Lane)
 * Moritz Moszkowski and Adolf Schulz-Evler: The Romantic Piano Concerto, Vol. 68 (Ludmil Angelov)
 * Moritz Moszkowski and Mieczysław Karłowicz: The Romantic Violin Concerto, Vol. 5 (Tasmin Little)
 * Moritz Moszkowski: Piano Music Vol. 1, 2 & 3 (Seta Tanyel)
 * Moritz Moszkowski: Piano Concerto In E major & Suite for Orchestra "From Foreign Lands". Markus Pawlik, Antoni Wit
 * Moritz Moszkowski: Serenata. John McCormack, Fritz Kreisler
 * Moritz Moszkowski: Vingt Petites Études, Op. 91 & Brahms: Hungarian Dances. Esther Budiardjo

Additional Media

title: Moritz Moszkowski


title: User:Violetriga/Templates5/featured


text:
Serial analysis of gene expression

Serial Analysis of Gene Expression (SAGE) is a transcriptomic technique used by molecular biologists to produce a snapshot of the messenger RNA population in a sample of interest in the form of small tags that correspond to fragments of those transcripts. Several variants have been developed since, most notably a more robust version, LongSAGE, RL-SAGE and the most recent SuperSAGE. Many of these have improved the technique with the capture of longer tags, enabling more confident identification of a source gene.

Overview
Briefly, SAGE experiments proceed as follows:

 * 1) The mRNA of an input sample (e.g. a tumour) is isolated and a reverse transcriptase and biotinylated primers are used to synthesize cDNA from mRNA.
 * 2) The cDNA is bound to Streptavidin beads via interaction with the biotin attached to the primers, and is then cleaved using a restriction endonuclease called an anchoring enzyme (AE). The location of the cleavage site and thus the length of the remaining cDNA bound to the bead will vary for each individual cDNA (mRNA).
 * 3) The cleaved cDNA downstream from the cleavage site is then discarded, and the remaining immobile cDNA fragments upstream from cleavage sites are divided in half and exposed to one of two adaptor oligonucleotides (A or B) containing several components in the following order upstream from the attachment site: 1) Sticky ends with the AE cut site to allow for attachment to cleaved cDNA; 2) A recognition site for a restriction endonuclease known as the tagging enzyme (TE), which cuts about 15 nucleotides downstream of its recognition site (within the original cDNA/mRNA sequence); 3) A short primer sequence unique to either adaptor A or B, which will later be used for further amplification via PCR.
 * 4) After adaptor ligation, cDNA are cleaved using TE to remove them from the beads, leaving only a short "tag" of about 11 nucleotides of original cDNA (15 nucleotides minus the 4 corresponding to the AE recognition site).
 * 5) The cleaved cDNA tags are then repaired with DNA polymerase to produce blunt end cDNA fragments.
 * 6) These cDNA tag fragments (with adaptor primers and AE and TE recognition sites attached) are ligated, sandwiching the two tag sequences together, and flanking adaptors A and B at either end.  These new constructs, called ditags, are then PCR amplified using anchor A and B specific primers.
 * 7) The ditags are then cleaved using the original AE, and allowed to link together with other ditags, which will be ligated to create a cDNA concatemer with each ditag being separated by the AE recognition site.
 * 8) These concatemers are then transformed into bacteria for amplification through bacterial replication.
 * 9) The cDNA concatemers can then be isolated and sequenced using modern high-throughput DNA sequencers, and these sequences can be analysed with computer programs which quantify the recurrence of individual tags.

Analysis
The output of SAGE is a list of short sequence tags and the number of times it is observed. Using sequence databases a researcher can usually determine, with some confidence, from which original mRNA (and therefore which gene) the tag was extracted.

Statistical methods can be applied to tag and count lists from different samples in order to determine which genes are more highly expressed. For example, a normal tissue sample can be compared against a corresponding tumor to determine which genes tend to be more (or less) active.

History
In 1979 teams at Harvard and Caltech extended the basic idea of making DNA copies of mRNAs in vitro to amplifying a library of such in bacterial plasmids. In 1982–1983, the idea of selecting random or semi-random clones from such a cDNA library for sequencing was explored by Greg Sutcliffe and coworkers. and Putney et al. who sequenced 178  clones from a rabbit muscle cDNA  library. In 1991 Adams and co-workers coined the term expressed sequence tag (EST) and initiated more systematic sequencing of cDNAs as a project (starting with 600 brain cDNAs). The identification of ESTs proceeded rapidly, millions of ESTs now available in public databases (e.g. GenBank).

In 1995, the idea of reducing the tag length from 100 to 800 bp down to tag length of 10 to 22 bp helped reduce the cost of mRNA surveys. In this year, the original SAGE protocol was published by Victor Velculescu at the Oncology Center of Johns Hopkins University. Although SAGE was originally conceived for use in cancer studies, it has been successfully used to describe the transcriptome of other diseases and in a wide variety of organisms.

Comparison to DNA microarrays
The general goal of the technique is similar to the DNA microarray. However, SAGE sampling is based on sequencing mRNA output, not on hybridization of mRNA output to probes, so transcription levels are measured more quantitatively than by microarray. In addition, the mRNA sequences do not need to be known a priori, so genes or gene variants which are not known can be discovered. Microarray experiments are much cheaper to perform, so large-scale studies do not typically use SAGE. Quantifying gene expressions is more exact in SAGE because it involves directly counting the number of transcripts whereas spot intensities in microarrays fall in non-discrete gradients and are prone to background noise.

miRNA cloning
MicroRNAs, or miRNAs for short, are small (~22nt) segments of RNA which have been found to play a crucial role in gene regulation. One of the most commonly used methods for cloning and identifying miRNAs within a cell or tissue was developed in the Bartel Lab and published in a paper by Lau et al. (2001). Since then, several variant protocols have arisen, but most have the same basic format. The procedure is quite similar to SAGE: The small RNA are isolated, then linkers are added to each, and the RNA is converted to cDNA by RT-PCR. Following this, the linkers, containing internal restriction sites, are digested with the appropriate restriction enzyme and the sticky ends are ligated together into concatamers. Following concatenation, the fragments are ligated into plasmids and are used to transform bacteria to generate many copies of the plasmid containing the inserts. Those may then be sequenced to identify the miRNA present, as well as analysing expression levels of a given miRNA by counting the number of times it is present, similar to SAGE.

LongSAGE and RL-SAGE
LongSAGE was a more robust version of the original SAGE developed in 2002 which had a higher throughput, using 20 μg of mRNA to generate a cDNA library of thousands of tags. Robust LongSage (RL-SAGE) Further improved on the LongSAGE protocol with the ability to generate a library with an insert size of 50 ng mRNA, much smaller than previous LongSAGE insert size of 2 μg mRNA and using a lower number of ditag polymerase chain reactions (PCR) to obtain a complete cDNA library.

SuperSAGE
SuperSAGE is a derivative of SAGE that uses the type III-endonuclease EcoP15I of phage P1, to cut 26 bp long sequence tags from each transcript's cDNA, expanding the tag-size by at least 6 bp as compared to the predecessor techniques SAGE and LongSAGE. The longer tag-size allows for a more precise allocation of the tag to the corresponding transcript, because each additional base increases the precision of the annotation considerably.

Like in the original SAGE protocol, so-called ditags are formed, using blunt-ended tags. However, SuperSAGE avoids the bias observed during the less random LongSAGE 20 bp ditag-ligation. By direct sequencing with high-throughput sequencing techniques (next-generation sequencing, i.e. pyrosequencing), hundred thousands or millions of tags can be analyzed simultaneously, producing very precise and quantitative gene expression profiles. Therefore, tag-based gene expression profiling also called "digital gene expression profiling" (DGE) can today provide most accurate transcription profiles that overcome the limitations of microarrays.

3'end mRNA sequencing, massive analysis of cDNA ends
In the mid 2010s several techniques combined with Next Generation Sequencing were developed that employ the "tag" principle for "digital gene expression profiling" but without the use of the tagging enzyme. The "MACE" approach, (=Massive Analysis of cDNA Ends) generates tags somewhere in the last 1500 bps of a transcript. The technique does not depend on restriction enzymes anymore and thereby circumvents bias that is related to the absence or location of the restriction site within the cDNA. Instead, the cDNA is randomly fragmented and the 3'ends are sequenced from the 5' end of the cDNA molecule that carries the poly-A tail. The sequencing length of the tag can be freely chosen. Because of this, the tags can be assembled into contigs and the annotation of the tags can be drastically improved. Therefore, MACE is also use for the analyses of non-model organisms. In addition, the longer contigs can be screened for polymorphisms. As UTRs show a large number of polymorphisms between individuals, the MACE approach can be applied for allele determination, allele specific gene expression profiling and the search for molecular markers for breeding. In addition, the approach allows determining alternative polyadenylation of the transcripts. Because MACE does only require 3’ ends of transcripts, even partly degraded RNA can be analyzed with less degradation dependent bias. The MACE approach uses unique molecular identifiers to allow for identification of PCR bias.

title: Serial analysis of gene expression


text: Template:Journalist-stub

title: Template:Journalist-stub


title: User:Violetriga/Templates5/fac