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List of South Dakota locations by per capita income

South Dakota is the twenty-eighth richest state in the United States of America, with a per capita income of $26,959 (2010).

South Dakota counties by per capita income
Note: Data is from the 2010 United States Census Data and the 2006-2010 American Community Survey 5-Year Estimates.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/


text: Category:750s BC deaths

title: Category:750s BC deaths


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David Fleet

David Gordon Fleet (born March 3, 1954) is a former politician in Ontario, Canada. He was a Liberal member of the Legislative Assembly of Ontario from 1987 to 1990 who represented the riding of High Park-Swansea.

Background
Fleet was educated at the University of Western Ontario, Osgoode Hall Law School and York University. He was a lawyer before entering political life. Fleet is an expert in assessment tax matters and now works in this field. David lives in High Park with his wife Cathy. He has three university-aged children, Alana, Blake, and Erica.

Politics
He was elected to the Ontario legislature in the 1987 provincial election, defeating Progressive Conservative incumbent Yuri Shymko by 814 votes in the Toronto riding of High Park—Swansea. NDP candidate Elaine Ziemba was a very close third. For the next three years, Fleet served as a backbench supporter of David Peterson's government. In 1989-90, he served as parliamentary assistant to the Minister responsible for Women's Issues. He was also chair of the Standing Committee on regulations and public bills, and attempted to restrict the power of governments to enact legislation by regulations.

The Liberals lost to the NDP in the 1990 provincial election, and Fleet lost his seat in the legislature to Elaine Ziemba by more than 3,000 votes.

title: David Fleet


text:
Category:Club DJs

This category consists of club DJs: disc jockeys who perform regularly at nightclubs and/or raves. While most club DJs specialize in electronic dance music, there are also rock DJs, or indie DJs, who spin rock music, pop music, and other genres (see Category:Rock DJs). Not all electronic dance music DJs are club DJs; rather, they are producers and may DJ at concerts or shows but not in nightclubs.

title: Category:Club DJs


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Dave Brown (cornerback)

David Steven Brown (January 16, 1953 – January 10, 2006) was an American professional football player who was a cornerback for 15 seasons in the National Football League (NFL) for the Pittsburgh Steelers (1975), Seattle Seahawks (1976–1986), and Green Bay Packers (1987–1989). He was selected as a second-team All-NFL player in 1984 and a second-team All-AFC player in 1985. His 62 career interceptions ranks tied for tenth in NFL history, with only five players having more interceptions in a career since his career ended in 1989. His 50 interceptions with the Seahawks remains a club record.

Brown also played college football as a safety and punt returner for the Michigan Wolverines from 1972 to 1974. While playing for Michigan, he compiled 526 punt return yards (11.7 yards per return), three punt returns for touchdowns, 174 tackles, nine interceptions, 202 interception return yards, and 15 pass breakups. He was selected as a consensus first-team defensive back on the 1973 College Football All-America Team and a unanimous first-team pick in 1974. He was posthumously inducted into the College Football Hall of Fame in 2007.

In his later years, Brown pursued a career in coaching. He was the defensive backs coach for the Seattle Seahawks from 1992 to 1998 and for the Texas Tech Red Raiders football team from 2001 until his death in January 2006.

Early years
Brown was born in Akron, Ohio, in 1953. His father, Asa Brown, was a skilled rubber worker at a Goodyear tire plant in Akron. Brown played football at Garfield High School in Akron, and graduated in 1971; he began as a quarterback, then played wide receiver and defensive back.

University of Michigan
Brown enrolled at the University of Michigan in 1971 and played college football as a safety and punt returner for head coach Bo Schembechler's Wolverines from 1972 to 1974. Recruited to Michigan as a wide receiver, Brown played on both offense and defense on the freshman team in 1971.

As a sophomore in 1972, Brown started all eleven games at safety. Michigan compiled a 10–1 record and allowed opponents to score only 57 points (5.2 points per game). Brown had three interceptions in 1972, including two interceptions in one game against Minnesota for 82 return yards. He also contributed 11 punt returns for 189 yards (including an 83-yard return for touchdown against Navy), 73 tackles, eight pass breakups and two fumble recoveries, and was first-team All Big Ten. Until the 1975 season, the Big Ten allowed just one bowl team, the representative in the Rose Bowl. Michigan was ranked sixth in both final polls.

As a junior in 1973, Brown again started all eleven games at safety; Michigan compiled an undefeated 10–0–1 record and allowed opponents to score only 68 points (6.2 points per games). Brown also returned 14 punts for 125 yards (8.9 yards per return), including a 53-yard return for touchdown against Michigan State. He also contributed 55 tackles and two interceptions, and was a consensus All-American. Michigan was again ranked sixth in both final polls.

As a senior in 1974, Brown again started all eleven games at safety. Michigan compiled a 10–1 record and was ranked third in the final AP Poll, and allowed opponents to score only 75 points (6.8 points per game). Brown also returned 20 punts for 212 yards (10.6 yards per return), including an 88-yard return for a touchdown against Colorado. He also contributed 46 tackles, four pass breakups and four interceptions, and was a unanimous All-American.

In three years at Michigan, Brown compiled 526 punt return yards (11.7 yards per return), three punt returns for touchdowns, 174 tackles, nine interceptions, 202 interception return yards, and 15 pass breakups. During those three years, Michigan compiled a .920 record, tied for the Big Ten championship each year, led the country in scoring defense twice (and finished second the other year), tallied 11 shutouts and gave up more than 10 points only five times. Brown was posthumously inducted into the College Football Hall of Fame in 2007.

Pittsburgh Steelers
Brown was selected in the first round of the 1975 NFL Draft by the defending Super Bowl champion Pittsburgh Steelers with the 26th overall pick. Head coach Chuck Noll was surprised to see Brown still available in the first round when it came time for their selection, as he described him as a "hitter; a quality player and person; a leader on the field." As a rookie in 1975, he appeared in 13 games, none as a starter, for the Super Bowl X champions. Brown returned 22 punts for 217 yards, an average of 9.9 yards per return.

Seattle Seahawks
In the spring of 1976, Brown was chosen by the Seattle Seahawks in the expansion draft. Brown recorded his first interception on October 10 against the Green Bay Packers off Lynn Dickey. His first points as a player came on November 7 when he recorded a tackle in the endzone for a safety against the Atlanta Falcons. In his first two seasons, he recorded four interceptions each. On December 11, 1977, he recorded a touchdown on an interception return for his first ever touchdown as a player; the points were the last the Seahawks scored in a 34–31 victory over the Kansas City Chiefs. He remained with the club for its first eleven seasons, and appeared in 159 games, all as the starting right cornerback.

On November 4, 1984, the Seahawks established an NFL record with four interception returns in one game. Playing the Kansas City Chiefs, Brown intercepted a pass at the 10-yard line and returned it 90 yards for the first pick-six of the game. In the third quarter, he then returned a pass 56 yards for a touchdown to mark his first and only two-touchdown game of his career; Keith Simpson and Kenny Easley returned interceptions of their own for touchdowns in a 45–0 victory. After the 1984 season, Brown was selected to play in the Pro Bowl and was also selected by the Associated Press as a second-team All-NFL player, the first and only time he was honored. He had recorded eight total interceptions that year. Brown continued to be productive in his final two seasons with the Seahawks, recording six interceptions in 1985 and five in 1986.

In his eleven years with the Seahawks, Brown established, and continues to hold, franchise records for interceptions (50), interception return yards (643), and interceptions returned for touchdowns (5). In 1992, Brown became the third player inducted into the Seahawks' "Ring of Honor".

Green Bay Packers
In August 1987, the Seahawks traded Brown to the Green Bay Packers in exchange for a future draft choice. Brown played three years with the Packers from 1987 to 1989, appearing in 44 games as the starting right cornerback. Brown continued to be productive in his final two seasons with the Seahawks, recording six interceptions in 1985 and five in 1986. In July 1990, the Packers placed Brown on the physically unable-to-perform list due to tendinitis in his Achilles tendon. He was released by the team on April 27, 1991.

Career statistics
In fifteen years in the NFL, Brown appeared in 216 games, 203 of them as a starter. When Brown retired, he was only the 6th player with 60 interceptions in NFL history. No player recorded more interceptions than Brown did during his football career. He registered 62 career interceptions, which ranks tied for tenth in NFL history. He also registered 698 interception return yards and five interceptions returned for touchdowns.

Later years
After retiring as a player, Brown went into coaching; he was the Seahawks' defensive backs coach from 1992 to 1998, under head coaches Tom Flores and Dennis Erickson. In 2001, he was hired as the defensive backs coach at Texas Tech under head coach Mike Leach. Brown held that position in Lubbock until his death in 2006. During his tenure, Texas Tech defeated Clemson 55–15 in the Tangerine Bowl, beat Navy 38–14 in the Houston Bowl, beat California 45–31 in the Holiday Bowl, and lost to Alabama 13–10 in the Cotton Bowl.

Brown was married and had two sons, Aaron and Sterling, with his wife, Rhonda. On January 10, 2006, Brown died in Lubbock after suffering an apparent heart attack while playing basketball with his son, just six days shy of his 53rd birthday.

title: Dave Brown (cornerback)


text:
User talk:Eri5n

Priming the pump
I do prototype fabrication of original CAD, and "minds eye" design engineering. Mostly in metal milling, lathing, and welding.

Say hi, otherwise I'll see ya around.

title: User talk:Eri5n


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Maureen Hayes

Maureen Agnes Hayes was a Brisbane City Counciller for 15 years until she retired following a redistribution of her ward, Grange Ward, into two adjoining wards.

During her first twelve months, she was the Chairperson of Council. She was later elected to the position of Chairperson of Transport and Traffic Projects and she was Deputy Mayor of Brisbane from May 2003 until March 2004. As Chairperson of Transport and Major Projects Committee, Hayes oversaw the development of the public transport system. Initiatives included gas buses, CityCats and bikes on buses. She also oversaw construction of the Inner City Bypass, a major upgrade of the S1 sewer and large road projects such as Waterworks Road and Coronation Drive and was a champion for the Green Bridge.

Hayes was elected as Chairperson of Finance Committee in March 2004. At this time she stopped being Chairperson of Transport and Major Projects Committee. She held the position of Finance Chairperson until July 2004. She is also a member of the Green Bridge and North South Bypass Tunnel Executive Group. She was a member of the Labor Party.

title: Maureen Hayes


text:
Category:Liverpool F.C.

__NOGALLERY__

title: Category:Liverpool F.C.


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Port Essington

Port Essington is an inlet and historic site located on the Cobourg Peninsula in the Garig Gunak Barlu National Park in Australia's Northern Territory. It was the site of an early attempt at British settlement, but now exists only as a remote series of ruins.

Settlement
In August 1618 Lenaert Jacobszoon, the captain of the Dutch East India Company vessel Mauritius, marked the point on the entrance to what was later called Port Essington, on the Dutch charts as Kape Schildpad (Cape Turtle).

In the early 19th century, the British government became interested in establishing a settlement on Australia's northern coastline in order to facilitate trade with Asia.

Port Essington was named on 23 April 1818 by Phillip Parker King in HMS Mermaid (1817) 'as a tribute of my respect for the memory of my lamented friend, Vice-Admiral Sir William Essington', who was in command of Triumph at the battle of Camperdown in October 1797. Sir J.G.Bremer took possession of the mainland on 20 September 1824 and founded the short-lived colony. A local Aboriginal leader Medlone, also known as Jack Davis, acted as a messenger and manager for relations with the local Aboriginal people.

In 1824 Port Essington was proposed as the first such settlement, but was later passed over in favour of Fort Dundas on Melville Island and Fort Wellington at Raffles Bay. In 1831, a small station was constructed in the area, on Wurango clan land, in the hope of using it as a stopping point for ships, but it was rarely used. When both Fort Dundas and Fort Wellington failed within several years, the Port Essington site was revisited. As a result, a settlement, officially named Victoria Settlement after the young Queen Victoria, but popularly known as Port Essington, was established by Sir J. Gordon Bremer in 1838 and surveyed by Charles Tyers in 1839. It consisted of 24 houses and a hospital. A description of the harbour and settlement was communicated to the Royal Geographical Society, London, in 1839.

On 24 August 1839 the only play ever staged in Port Essington was performed, the 1797 comedy in five acts Cheap Living by Frederick Reynolds. The set and costume design was by Owen Stanley (1811–1850). The play was performed again in 2010 with a grant from the Government of the Northern Territory, with Tom Pauling, Administrator of the Northern Territory, acting as narrator in the play.

While the British government intended to establish Port Essington as a major trading port, along the lines of Singapore, the new settlement suffered from the same adverse conditions that had previously plagued Fort Dundas and Fort Wellington. The settlement lacked resources and supplies and skilled labour. While some prefabricated buildings were brought from Sydney, many had to be built with what materials could be found in the area, and due to the unskilled nature of the builders, many of these were of poor quality. Disease was also rampant among the small population, and living conditions were poor. Consequently, it struggled to attract settlers, and the post was much-disliked by the troops stationed there.

Setbacks
Port Essington suffered a further setback when the settlement was demolished by a cyclone on 25 November 1839. The cyclone killed twelve people, drove the ship HMS Pelorus aground, and caused a 3.2 metre storm surge. The settlement was rebuilt afterwards, with some stone and brick buildings, due to the assistance of a brick maker who had been shipwrecked during the storm.

Despite these setbacks, there was still widespread hope that Port Essington might be able to break the curse, as evidenced by Ludwig Leichhardt's 1844/1845 expedition. The New South Wales government had hoped to establish a direct line of communication with Asia, India and the Pacific, and supported Leichhardt's journey, which successfully charted an overland route between Moreton Bay (now Brisbane) and Port Essington.

A detailed map of Ludwig Leichhardt's route in Australia from Moreton Bay to Port Essington (1844 & 1845), from his Original Map, adjusted and drawn... by John Arrowsmith was ranked #8  in the ‘Top 150: Documenting Queensland’ exhibition when it toured to venues around Queensland from February 2009 to April 2010. The exhibition was part of Queensland State Archives’ events and exhibition program which contributed to the state’s Q150 celebrations, marking the 150th anniversary of the separation of Queensland from New South Wales.

In 1844, a group of convicts, which included trained masons and quarry men among them, was stationed at Port Essington. They were able to build a hospital of some quality at a beacon. This was followed by the 1846 decision of Father Angelo Confalonieri to found a Catholic mission nearby, in an attempt to convert the local population. He had some success, converting around 400 people, but he died of fever in 1848, and the mission died with him. Port Essington was still failing to attract settlers, and it was becoming increasingly clear both that the 1844 works had come too late, and that the settlement was unsustainable. Visiting the settlement in December 1848, soon before its closure, British scientist Thomas Huxley wrote that Port Essington was "most wretched, the climate the most unhealthy, the human beings the most uncomfortable and houses in a condition most decayed and rotten".

Abandonment
Finally, in 1849, Port Essington was, like the two previous attempts, abandoned. The demise of the settlement saw the end of British attempts at occupying the north coast. There would be one further unsuccessful attempt, by the Government of South Australia and Frederick Henry Litchfield in 1864, at Escape Cliffs (also known as Palmerston) near the mouth of the Adelaide River, before the first permanent settlement was established at Darwin (also initially known as Palmerston), in 1869.

The ruins of Port Essington still exist today, and while access is difficult, it is possible to do so by several means. It is possible to fly in through tours that can be arranged in Darwin, or to travel to the area alone by four-wheel drive or boat – although, as the ruins lie on Aboriginal land, a permit must be obtained first. Cabins and some camping sites are available at Black Point Ranger Station.

The Australian industrialist Essington Lewis was named after Port Essington.

title: Port Essington


text: Category:720 BC deaths

title: Category:720 BC deaths


text:
Ralph Yarro III

Ralph J. Yarro is an American business executive, entrepreneur and an activist. He co-founded Atua Ventures and was previously the CEO of the Canopy Group. Yarro has been associated with various technology companies, including Altiris, Caldera, Techcyte, Center 7, Lineo, Linux Networx, and Voonami.

In 2006, Yarro founded The CP80 Foundation, an organization focused on censoring internet pornography.

Background
Yarro relocated to Utah in 1982 and pursued a BA in Political Science at Brigham Young University. He later undertook postgraduate studies at the University of Utah, focusing on Computer Aided Design, User Interface (UI), Graphics, and Fine Art. He began his career in computer game design and subsequently joined Novell. Within Novell, he was an original member of the Corsair project team, which aimed to develop technology that would compete with Microsoft and keep Novell competitive. .

The Canopy Group & SCO Group
His tenure with Novell, allowed Yarro to collaborate with Ray Noorda across various Noorda family enterprises. in 1995, He advanced to the position of president and CEO of The Canopy Group, Inc. By 2000, under Yarro's leadership, The Canopy Group's portfolio expanded to include over 50 companies such as Altiris, Caldera Systems, Lineo, Helius, Center 7, Maxstream, KeyLabs, MTI, MyFamily.com, Lineo, Linux Networx, and Vintela among others.

He also became the chairman of the board for the SCO Group, Inc., holding a significant share of SCO's common stock.

Companies founded
In 2005, Yarro established ThinkAtomic, Inc., aimed at supporting emerging technology ventures. He was the company's president and CEO until he partnered with Mike Wolfgramm to merge their companies, leading to the inception of Atua Ventures. Yarro presently serves as the managing director of Atua Ventures. He is the founder of many tech companies, including Techcyte and Voonami. Techcyte integrates technology, especially Artificial Intelligence, in digital diagnostics, while Voonami provides data center services for startups in Utah.

Yarro, along with his brother Justin, also co-founded Ximbiot, Inc., an industrial design company that produced products like Zimbi, a fruit-flavored punch in distinctive rocket-shaped bottles.

Board memberships
Yarro has invested in and secured roles ranging from, chairman, board member, to trustee in a variety of technology firms, both national and international, such as Altiris, Caldera, Lineo, Maxstream, MyFamily.com, Troll Tech, Copilot, Katoa Biotech, Xymbiot, Yarro studios, and others. By 2006, he is known to have made investments in more than 120 companies.

Canopy lawsuit (2004–2005)
From 2004–2005, Yarro faced a legal dispute after his termination from his role as director of the Canopy Group. He, alongside executives Darcy Mott and Brent Christensen, was dismissed by founders Ray and Lewena Noorda. The trio subsequently sued Canopy for US$100 million, alleging wrongful termination instigated by Val Noorda Kreidel, Ra Noorda's daughter. In response, the Canopy Group, managed by William Mustard, countersued Yarro for alleged misappropriation of $20 million. The case was settled on March 8, 2005. The terms included Yarro acquiring all Canopy Group shares in The SCO Group and receiving an undisclosed settlement amount. All three plaintiffs relinquished their roles and interests in Canopy.

Yarro's Law (S.B. 239)
In 2003, Yarro promoted the passage of a bill to align Utah's IP laws with those of California. Known as "The Unfair Competition Law", it was ratified in 2004 and was referenced in subsequent legal proceedings, notably SCO's lawsuit against IBM.

CP80
Starting in 2006, Yarro exerted efforts to combatting internet pornography. He established the non-profit organization CP80, which offers resources and information to help protect children on the internet. Yarro advocated for legislation to segregate mature content, assigning a separate port distinct from the default HTTP port 80. He asserts that this provides an equitable balance between online safety and free speech. Collaborating with legal scholars and other stakeholders, Yarro seeks nationwide support for this initiative.

On March 13, 2007, Utah Governor Jon Huntsman Jr. endorsed House Concurrent Resolution 3, promoting stricter federal regulations on Internet pornography, with CP80 foundation playing a pivotal role in the legislation. Yarro subsequently proposed that Internet Service Providers (ISPs) be responsible for content on open wireless access ports, ensuring children's safety online, imposing fines on violators and suggesting tax incentives for compliant ISPs. This proposal faced opposition from some local ISPs.

Political contributions
Yarro contributed political campaigns as an extension of his activism. Notably, he has supported Senator Orrin Hatch and Chris Cannon of Utah. In 2007, he contributed to Mitt Romney's presidential campaign and later to John McCain's campaign after Romney's withdrawal. In 2020, he supported John Curtis in his re-election campaign for Utah's 3rd Congressional District and also backed Burgess Owens for the 4th Congressional District of Utah.

title: Ralph Yarro III


text:
List of North Dakota locations by per capita income

North Dakota is the forty-second richest state in the United States of America, with a per capita income of $17,769 (2000).

North Dakota Counties by Per Capita Income
Note: Data is from the 2010 United States Census Data and the 2006-2010 American Community Survey 5-Year Estimates.


text:
Category:Liverpool F.C. players

This is a category for Liverpool F.C. players past and present, for whom there are articles. See WikiProject Football/Liverpool task force/Players to add for players not yet added.

title: Category:Liverpool F.C. players


text:
Talk:Chandos portrait

[Untitled comments]
I removed the following because I can find no evidence for the claim. If it is indeed true, please provide a reference. The Singing Badger 01:06, 22 Apr 2005 (UTC)

 * On April, 2005, experts at Britain's National Portrait Gallery now believe the portrait was painted between 1818 and 1840, much later than Shakespare's death in 1616.

 * This is not a reference to the Chandos porrait but a reference to the "Flower portrait" - as featured on the BBC 4's "The Culture Show" - http://www.bbc.co.uk/arts/cultureshow/ Jooler 08:16, 22 Apr 2005 (UTC)

Conflicting info
The first part says the earing and longer beard were added later, but the expert named later uses the earing to verify the "poet" status of the Chandos subject. Conflicting? —Preceding unsigned comment added by 75.7.15.93 (talk) 04:36, 8 January 2008 (UTC)

Historical background of attribution
An interesting bit of historical background is that (according to ISBN 030011611X and, apparently, ISBN 0312007833) this portrait was not attributed to John Taylor until the 1980s (see pgs. 51 & 55 of the ISBN 030011611X; see also Google Books; I haven't done even a cursory examination of ISBN 0312007833). I think, however, that it would be prudent to physically have the books (as opposed to the limited or no previews on Google Books) before adding the info, so I'll hold off until then. :) --Iamunknown 14:59, 5 February 2008 (UTC)

His left ear?
In the painting, he has an earring in his left ear. Did they have earrings for men back then or did the painter put earrings on Shakesphere to make him look a certain way? Thanks. 71.116.23.185 (talk) 03:56, 2 June 2008 (UTC)

 * I believe Bill Bryson's book on Shakespeare reveals that the earring is apparently a later addition, possibly added to make the subject look more risqué . --81.108.76.53 (talk) 17:24, 16 May 2009 (UTC)

 * I haven't read Bryson's book, but to answer the original question: yes, earrings were common at the time for men who wanted to appear dashing. Plus, you've got to remember the guy was a poet, so even if the earring were added later, it would've been put there specifically because it's something you'd expect to see on an Elizabethan poet; that whole rakish image of the loose collar, tousled hair, earring etc. would roughly correspond to that of the rock stars of today. It was not unusual for religious and otherwise conservative folks to complain about the excessive ornaments people loved at the time, from courtiers with their pearl earrings to peasants with glass baubles. Here's a good article on the fashions of Shakespeare's time: http://www.shakespeare-online.com/biography/elizabethanclothes.html --Snowgrouse (talk) 08:00, 27 November 2018 (UTC)

Chandos portrait and the Shakespeare Birthplace Trust
Hi,

I reverted your edit to Chandos portrait where you removed the link to the Shakespeare Birthplace Trust's page on “What did Shakespeare look like?” with the edit comment “rmv link identified as an attack site - until proven otherwise -”. I have no idea what an “attack site” is, but I'd judge it has negative connotations; and the Shakespeare Birthplace Trust — the foundation charged with maintaining the various Shakespeare related buildings in Stratford — could hardly be more unassuming.

Could you perhaps elaborate on that edit summary? --Xover (talk) 05:26, 17 July 2008 (UTC)

Yes, here is the warning I receive when making a link to the site, http://www.shakespeare.org.uk/content/view/16/16,

 * Reported Attack Site!

 * This web site at www.shakespeare.org.uk has been reported as an attack site and has been blocked based on your security preferences.

 * Attack sites try to install programs that steal private information, use your computer to attack others, or damage your system.

 * Some attack sites intentionally distribute harmful software, but many are compromised without the knowledge or permission of their owners.

I find it most curious because when I tried the link from another computer in another location, I did not receive the warning. Perhaps it is my virus control software... who knows. I have never received that message during many years of protection by the same service with a perfect track record for me... one computer is on a dial-up connection, the other is high-speed, broadband connection.

I removed the link and put in the notation to alert others to the risk reported to me.

If you have any insight into the notice I received, please continue discussion of it here --- I will not suppress the link again, although I continue to receive it from this machine. --  83d40m (talk) 21:49, 17 July 2008 (UTC)

just went back to the link and looked further into the options for the blocking and received this,

'''Advisory provided by Google Safe Browsing Diagnostic page for www.shakespeare.org.uk/content/view/ '''

What is the current listing status for www.shakespeare.org.uk/content/view/?

Site is listed as suspicious - visiting this web site may harm your computer.

What happened when Google visited this site?

'''Of the 14 pages we tested on the site over the past 90 days, 5 page(s) resulted in malicious software being downloaded and installed without user consent. The last time Google visited this site was on 07/17/2008, and the last time suspicious content was found on this site was on 07/13/2008.'''

'''Malicious software includes 5 trojan(s). Successful infection resulted in an average of 2 new processes on the target machine.'''

Malicious software is hosted on 1 domain(s), including 61.155.8.0.

Has this site acted as an intermediary resulting in further distribution of malware?

Over the past 90 days, www.shakespeare.org.uk/content/view/ did not appear to function as an intermediary for the infection of any sites.

Has this site hosted malware?

No, this site has not hosted malicious software over the past 90 days.

How did this happen?

In some cases, third parties can add malicious code to legitimate sites, which would cause us to show the warning message.

'''Next steps:

 * Return to the previous page.
 * If you are the owner of this web site, you can request a review of your site using Google Webmaster Tools. More information about the review process is available in Google's Webmaster Help Center.'''

Perhaps this can give you more information --- 83d40m (talk) 21:58, 17 July 2008 (UTC)

So I am going to stay away from the site the link takes one to, and I think a warning to others is reasonable... its your choice as to the action to take. --- 83d40m (talk) 22:03, 17 July 2008 (UTC)

 * You're absolutely right. Good catch! I've commented out the relevant link for now and sent an email to the SBT to let them know about the problem. In the future, putting a note on the relevant Talk page, rather then relying on the (limited) edit summary, is probably a good idea in order to avoid confusion. Also, you were absolutely right to remove the link and I reverted it only because I didn't understand your edit summary (which puts it under the heading unexplained deletion). Do, please, continue to be bold (and see also WP:BRD)! --Xover (talk) 08:16, 18 July 2008 (UTC)

Thanks -- I'll use the talk page (as well) if I do this again and will read the pages to which you referred me. Please note to SBT that the warning appeared only on one system, I don't understand the dynamics of the difference, but the broadband connection I used that did not display the warning when I double-checked it after your reversion, has a highly secure connection that just might disable such problems...

I fixed the weird effects caused by the indents above so it will be more useful for others. -- 83d40m (talk) 23:21, 18 July 2008 (UTC)

National Portrait Gallery's assertion
I have removed the unsourced statement attributed to the National Portrait Gallery once more. I feel that the National Portrait Gallery has a vested interest in the assessment of whether or not the portrait is genuine, and are therefore an unreliable source in this matter, even if we DID have a source for their assertion. If someone wishes to revert me again, please at least say why. Best regards, Riffraffselbow (talk) 09:40, 5 May 2010 (UTC)

 * It is not an unsourced assertion, as you will know if you have read the article. Statements in the lede do not have to be sourced if they are summaries of sourced statements in the content. In any case, whether the NPG is 'interested' or not is wholly irrelevant. What matters as far as Wikipedia is concerned is that it is notable and a reliable source. The people who work there are top experts in their field. In fact the NPG's supposed interest in authenticating this as a depiction of Shakespeare is far less than its interest in not undermining its reputation for accurate scholarship. It can't sell the painting. Its 'interest' in having us 'believe in' the painting is chimerical. Its 'interest' being considered academically reliable is far greater (its raison d'etre when established in 1856 was to provide authentication for historical portraits). The NPG has reassigned the sitters in numerous paintings in its collection. All art historians consider NPG publications to be highly reliable and of unimpeachable scholarship. Your deletion was wholly unwarranted and entirely contrary to WP policies. It would mean that we would have to delete all exhibition and gallery catalogues as sources for paintings, since the galleries have an 'interest' in getting you to see the show or come to the gallery. This would apply to any government museum or scholarly institution with a collection. The Louvre couldn't be quoted on the Mona Lisa, the Smithsonian on the history of objects in its collection. All sources from the National Air and Space Museum would have to be removed from the article on The Spirit of St. Louis etc etc. What are universally considered the best and most reliable sources would be deemed unreliable. That's the road to madness! Feel free to raise the matter at Reliable sources/Noticeboard. Paul B (talk) 10:36, 5 May 2010 (UTC)

 * I couldn't agree more. Since when is having a acholarly interest equivalent to NPOV? Tom Reedy (talk) 15:29, 5 May 2010 (UTC)

Reactions to the portrait
I found what I consider to be a delightful remark about the portrait which I think should be included in the article, but I don't think any of the existing sections are right for it. In an article in the Sunday Times (of London) by Ben Macintyre, March 10, 2009, this remark: 'Some Victorians recoiled at the idea that the Chandos portrait represented Shakespeare. One critic, J. Hain Friswell, insisted “one cannot readily imagine our essentially English Shakespeare to have been a dark, heavy man, with a foreign expression”.' []  I should like to include it, but possibly a section of reactions to the portrait might be a good place for it. Does anyone have a strong pro or con opinion about including it or such a section? There is also a comment in the Shakespeare scholar James Shapiro's book "Contested Will" (which is a defense of the Shakespeare authorship) to the effect that we know so little about Shakespeare that even the image of him in most people's minds (& he is referring to the Chandos portrait) is probably not of Shakespeare at all. This would also be interesting to include in such a section. NaySay (talk) 18:25, 13 January 2011 (UTC)

 * Yes, it would be interesting, I think. It's quite common for Shakespeare fans to complain about the pictures of him. All the surviving ones get lambasted for being rubbish. See the comments at Shakespeare's funerary monument. The Droeshout engraving fares no better. The Victorian comments you quote are particularly interesting. I'm not sure about Shapiro. He's not an expert on art. Shakespeare literature specialists often say silly things about art. In fact art historians take the view that the authenticity of the portait is highly probable, so I don't know whether Shapiro's opinion tells us much. However, doubtful images there are. Just before Christmas I saw a new book about Shakespeare that had the very dubious Cobbe portrait on the cover. Paul B (talk) 18:37, 13 January 2011 (UTC)

 * Yes, I agree the Friswell quote is fetching and worth a giggle. I also enjoy what Charles Nicholl (in "The Lodger Shakespeare")calls the Droeshout:  "an iconic but incompetent little cartoon."  (p.22.)  Shakespeare portraits are very trying indeed to his fans, as helpless little weathervanes of his impenetrable inscrutability.  Perhaps I'll just add the Friswell remark to the last section, for now.  NaySay (talk) 04:54, 16 January 2011 (UTC)

When was first reference made?
In "Authorship and provenance" the article states "but the first known reference to the painting...". However, no date for that reference is given. It would put the reference in better context if the date were added. 2001:468:C80:A103:697A:7316:428F:C307 (talk) 23:36, 31 March 2013 (UTC)

 * OK, done. Paul B (talk) 18:35, 1 April 2013 (UTC)

Recent unreferenced edits.
This article has been subjected to a POV push that claims that the portrait shows Semitic features and that other portraits are deliberately trying to show Anglo features. They also claim that the portrait is the only contemporary portrait of the author. All of this is unreferenced.

I have twice been reverted with an edit summary of "Significant unreferenced changes, including subjective commentary", but has since been changed again.

I have left the editor a 3RR warning, but would hope that other editors could wade in and give some input so that a consensus can be reached. --Dmol (talk) 10:34, 26 December 2018 (UTC)
 * Absent the proponent's willingness to engage in discussion here, or even to provide citations for their preferred changes, their actions just fall under the rubric of edit-warring and POV-pushing. If they persist, the next step is WP:AN/EW. --Xover (talk) 11:24, 26 December 2018 (UTC)

title: Talk:Chandos portrait


text:
User talk:146.196.4.62

August 2011
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title: User talk:146.196.4.62


text:
Template:LNER Locomotives

{{documentation |content=

Usage
On articles dealing with LNER locomotives, place this near the bottom, above the categories:

There is one parameter:
 * state - by default the template is uncollapsed. Use autocollapse or collapsed for variant behaviour. See navbox documentation for further details.

}}

title: Template:LNER Locomotives


text: Category:745 BC deaths

title: Category:745 BC deaths


text: Category:740s BC deaths

title: Category:740s BC deaths


text:
Brown cow

Brown cow may refer to:

 * A cow that is brown
 * Brown Cow (yogurt), a brand of yogurt from Antioch, California
 * How now brown cow, a speaking exercise
 * Brown Cow cocktail, a cocktail made with Kahlúa, milk, and in some versions nutmeg

 * Another name for a Root beer float

title: Brown cow


text:
Boeses Junges Fleisch

Boeses Junges Fleisch is an album recorded by the German industrial act Wumpscut. It was released in Compact Disc format on Beton Kopf Media in 1999, under the catalogue number ETAH 9.

It was first distributed in Europe by Nova Tekk, later in 2000 by Connected. It was released as a Seamless Audio Edition in 2002 and as a digipak version in 2004. All together, there are a total of at least six different versions of this album (including variating artwork and track lists). For more specific information, see the External Links section of this article.

Boeses Junges Fleisch was released under the title EEvil Young Flesh [sic] - with translated titles - by Metropolis Records in North America.

The album ranked #17 on the German Alternative Charts (DAC) in 1999 and peaked at #25 on the CMJ RPM charts in the U.S. The album tracks "Totmacher" and "Ich Will Dich" ranked #42 and #46 respectively on the DAC singles charts in 1999.

Contributing members
All songs on Boeses Junges Fleisch were written, performed, and produced by Rudy Ratzinger.

Additional recording by Melanie, Luckey, Turzu, Kuhlschrank, Mario, Maad and Spinnw.ebi.

Some vocals were done by Lilli Stankowski.

Track listing

 * 1) Wolf               – 5:40
 * 2) Totmacher          – 4:23
 * 3) Ich Will Dich      – 6:43
 * 4) Flucht             – 4:26
 * 5) Zerstörte Träume   – 4:13
 * 6) Hexentanz          – 3:14
 * 7) Draußen            – 4:36
 * 8) Ewig               – 5:49
 * 9) Vergib Mir         – 5:43
 * 10) Sag Es Jetzt       – 5:20
 * 11) Sehnsucht          – 4:52

Notable samples
In the last track Sehnsucht (Longing), from the film Legends of the Fall, the character One Stab voiced by Gordon Tootoosis says, "Some people hear their own inner voices with great clearness and live by what they hear. Such people become crazy. Or they become legends." The conversation between Alfred and Susannah is chopped up and sampled. Alfred: "I'm in love with you. From the first moment I saw you. Like in a novel."... "Is there any hope that you could learn to love me? " Susannah: "I don't think so."... "I can only cause you pain." The entirety of their conversation from the movie is available at imdb.

title: Boeses Junges Fleisch


text:
Aura (CMX album)

Aura (1994) is an album by the Finnish rock group CMX. The album gained the band its first near-hit single and some commercial airplay with "Ruoste". Although many people consider Aura to be the band's seminal record, at this point many older fans were already scoffing at the more streamlined, acoustic songs and mellow soundscapes as compared to their earlier hardcore steamrolling. However, Aura pretty much defines the band's sound up to this day, with a mixture of heavy and light elements and songwriting reminiscent of 1960s and 1970s progressive rock.

Track listing
Songs written by A. W. Yrjänä, unless where noted. All lyrics by Yrjänä.

 * 1) "Mikään ei vie sitä pois" – 3:18 ("Nothing Takes it Away")
 * 2) "Sametinpehmeä" – 2:55 ("Soft as Velvet")
 * 3) "Elokuun kruunu" – 4:32 ("August's Crown")
 * 4) "Ruoste" – 4:01 ("Rust")
 * 5) "Nainen tanssii tangoa" – 4:34 ("Woman Dances the Tango")
 * 6) "Turkoosi" (Yrjänä, Halmkrona, Rasio, Kanniainen) – 4:20 ("Turquoise")
 * 7) "Kultanaamio" – 4:56 ("Gold Mask")
 * 8) "Raskas" – 4:12 ("Heavy")
 * 9) "Talvipäivänseisaus" – 4:46 ("Winter Solstice")
 * 10) "Työt ja päivät" – 5:17 ("Work and Days")
 * 11) "Pilvien kuningas" (Yrjänä, Halmkrona, Rasio, Kanniainen) – 9:25 ("King of the Clouds")
 * 12) "Aura" – 3:31 ("Aura")

Credits

 * A. W. Yrjänä – vocals, bass, acoustic guitar, producer
 * Janne Halmkrona – guitars
 * Timo Rasio – guitars
 * Pekka Kanniainen – drums, percussion

Additional musicians

 * Martti Salminen – keyboards
 * Risto Salmi – saxophone
 * Henna Valvanne – recorder
 * Frida Segerstråle – vocals
 * Kaarina Kilpiö – vocals

Technical

 * Veikko Huuskonen – string arrangements
 * Gabi Hakanen – producer, engineer
 * Dan Tigerstedt – mixing
 * Pauli Saastamoinen – mastering
 * Kain Ärjyvä – sleeve design
 * Jouko Lehtola/Flaming Star – photography
 * Inna Aarniala – photography
 * Seppo Renvall – photography

title: Aura (CMX album)


text:
File:FTCover.jpeg

Full Thrust box cover

title: File:FTCover.jpeg


text:
Talk:Aura (CMX album)

Untitled
The page about the album by CMX was replaced a while ago with a page talking about a British band. I have no comments about the quality of the new page, but it's quite clear that if such page were to be made, it should go to Aura (band), not here. Hectigo 21:24, 12 October 2005 (UTC)

Fair use rationale for Image:CMXAura.jpg
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title: Talk:Aura (CMX album)


text:
Bye Bye Nerdie

"Bye Bye Nerdie" is the sixteenth episode of the twelfth season of the American animated television series The Simpsons. It originally aired on the Fox network in the United States on March 11, 2001. In the episode, after Lisa becomes the target of a female bully named Francine, she discovers a scientific reason as to why bullies pick on nerds and demonstrates her findings at a science conference. Meanwhile, Homer goes into the childproofing business, causing baby-injury-related businesses to go in decline.

John Frink and Don Payne wrote "Bye Bye Nerdie" and their original idea for the episode saw Lisa being sent to juvenile hall after accidentally punching Principal Skinner when she was attempting to punch Francine. "Bye Bye Nerdie" was the first The Simpsons episode directed by Lauren MacMullan, who also made the design for Francine. Actress and comedian Kathy Griffin guest starred in the episode as this new bully character.

"Bye Bye Nerdie" has received generally positive reviews from critics and it was listed among "The Top Ten science moments in The Simpsons" by the editorial staff of Nature. Around 8.8 million American homes tuned in to watch the episode during its original airing, and in 2009 it was released on DVD along with the rest of the episodes of the twelfth season.

Plot
On an ordinary day at Springfield Elementary, Lisa attempts to make friends with a new girl, Francine, but Francine, who is much larger and tougher than Lisa, punches Lisa in the face, giving her a severe black eye. Even attempting to share an interest in Malibu Stacy does not work since the doll that Francine has turns out to be Lisa's, which she then ruins. Lisa attempts to hire the school bullies (Nelson and his friends Jimbo, Dolph, and Kearney) to protect her, but they decline since girls fight dirtier than boys and boys tend to be more vulnerable to falling in love. It is up to Lisa to investigate by herself the reason why Francine is targeting her and the nerds.

Meanwhile, Homer starts to fear that Maggie could die from touching things unsafe to her when he hears this from a childproofing saleswoman; and is alarmed when he learns of the cost of childproofing his house. As a result, he starts his own childproofing crusade, selling cheap but safe and effective products and making Springfield safe for children. However, this causes the baby-injury-related business in Springfield to go in decline. Homer feels bad for making people such as pediatricians lose their jobs and urges the children to get themselves hurt in order to save the pediatricians' careers.

After realizing that Francine did not beat her up at the swimming pool because she was wearing a nose blocker, Lisa does scientific research on nerds and discovers that the odor of the chemical nerd pheromone "poindextrose" attracts bullies like Francine, proving that both nerds and bullies are predisposed to be what they are. Lisa then tests the poindextrose extracted from the nerds on famous boxer Drederick Tatum by putting it on his clothes when he visits the school. This causes Nelson to start punching Tatum uncontrollably and give him a wedgie. Lisa demonstrates her experiment at Professor Frink's science conference, the "12th Annual Big Science Thing", using an antidote on herself and making Francine peaceful and friendly towards her, the antidote being just salad dressing which covers up the smell of the poindextrose. The audience is impressed and Lisa is awarded a gift certificate from J. C. Penney for her research. However, the salad dressing soon runs out and Francine goes on an unprovoked rampage beating up all the scientists in the room. Francine’s parents suggest just letting Francine tire herself out from the beatings, just before Francine ends the episode by lunging forward, presumably toward the cameraman.

Production
The episode was produced as part of the twelfth season of The Simpsons (2000–01) and was written by writing partners John Frink and Don Payne. "Bye Bye Nerdie" was the first episode of the show directed by Lauren MacMullan, who joined the staff of The Simpsons following the cancellation of the short-lived television series Mission Hill, which was created by former Simpsons writers and executive producers Bill Oakley and Josh Weinstein on which she worked as a supervising director and designer. American actress and stand-up comedian Kathy Griffin guest starred in the episode as the bully Francine. MacMullan designed this new character herself and tried to make her seem like a professional bully by having her carry her lunch box with her all the time like a briefcase.

"Bye Bye Nerdie" was initially titled "Lisa the Bully" because the original idea for the episode, which the writers first pitched, saw Lisa becoming so fed up with Francine's behavior that she attempted to punch Francine. However, she would miss and accidentally punch Principal Skinner instead, resulting in her being sent to juvenile hall where she would make illegal jeans. The concept of a Simpson going to juvenile hall would later be reworked into Season 15's The Wandering Juvie. According to The Simpsons show runner Mike Scully, when the staff members worked on the episode they decided to include a lot of observations they had made about how it is like to be the new student in school. Scully has said that the episode shows how in real life the "poor new kid always has kind of two strikes against them just for being the new kid, and the other students are usually looking for anything that they perceive as different or weird about that kid."

The subplot of Homer entering the childproofing business was inspired by an instance when a salesman visited Payne and his pregnant wife to see if their home was safe for children. In an interview with Star-News, Payne commented: "You hire this person to come into your home to look for changes you can make. They make you feel like the most horrible person in the world and that your house is the temple of doom." "Bye Bye Nerdie" features a scene based specifically on this instance in which a saleswoman (voiced by cast member Tress MacNeille) selling childproofing items visits Homer and Marge and exaggerates the dangers in their home. NRBQ's song "Always Safety First" is played during a montage in the episode in which Homer is seen improving the safety of the infants of Springfield.

Release
The episode originally aired on the Fox network in the United States on March 11, 2001. During this broadcast, it was watched in approximately 8.8 million households. It received an 8.7 Nielsen rating, ranking twenty-sixth in the ratings for the week of March 5–11, 2001. The episode was seen by a fourteen percent share of the television audience during the broadcast. On August 18, 2009, "Bye Bye Nerdie" was released on DVD as part of the box set The Simpsons – The Complete Twelfth Season. Staff members Mike Scully, Don Payne, Lauren MacMullan, Tim Long, Ian Maxtone-Graham, Matt Selman, Tom Gammill, Yeardley Smith, and Steven Dean Moore participated in the DVD audio commentary for the episode. Deleted scenes from the episode were also featured on the box set.

Critics have given "Bye Bye Nerdie" generally positive reviews. DVD Movie Guide's Colin Jacobson commented that "While this isn’t saying much, 'Nerdie' provides one of Season 12’s better shows. Both plots work well, though I prefer the childproofing side of things; it peters out at the end, but it has some good bits. The episode keeps us interested and entertained." Mac McEntire of DVD Verdict cited the scene in which the children imagine what kind of person the new student is as the greatest moment in the episode.

In the July 26, 2007 issue of Nature, the scientific journal's editorial staff listed "Bye Bye Nerdie" among "The Top Ten science moments in The Simpsons", writing: "Lisa isolates the element in nerd sweat that makes them irresistible targets for bullies. She presents her data at a conference with luminaries including former surgeon general C. Everett Koop, a scene in which we find the true purpose of a science pole." At the conference, Professor Frink gets the attention of the audience by shouting "Pi is exactly three!", making everyone gasp. This scene and the episode as a whole has been used by mathematicians Sarah J. Greenwald of Appalachian State University and Andrew Nestler of Santa Monica College in mathematics classes to teach students about the number pi ($\pi$).

title: Bye Bye Nerdie


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Talk:Aurinko

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Talk:Aion (CMX album)

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Talk:Dinosaurus Stereophonicus

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Edgar Ritchie

Albert Edgar Ritchie, (December 20, 1916 – January 24, 2002) was a Canadian diplomat.

Early life and education
Born in Andover, New Brunswick, he received a Bachelor of Arts degree in 1938 from Mount Allison University. A Rhodes scholar, he received an additional Bachelor of Arts from the University of Oxford in 1940. On 20 December 1941 he married Gwen Perdue of Ottawa, his wife for 60 years.

Career
In 1944, he joined the Minister of Foreign Affairs and worked in Washington, D.C.

He resigned in 1946 to become Special Assistant to the Assistant Secretary-General for Economic Affairs Department of the United Nations. He re-joined the Minister of Foreign Affairs in 1948 and was posted in London. In 1959, he was appointed Assistant Under-Secretary of State for External Affairs. He served as Deputy Under Secretary of State for External Affairs from August 1964 until July 1966. From 1966 to 1970, he was the Canadian ambassador to the United States. From 1970 to 1974, he held the top job in Canada's foreign service as Under Secretary of State for External Affairs. From 1976 to 1980, he was the Canadian ambassador to Ireland.

In 1973 he received the Government of Canada Public Service Outstanding Achievement Award. In 1975 he was made a Companion of the Order of Canada.

Death
Ritchie died on January 24, 2002, in Ottawa, Ontario.

title: Edgar Ritchie


text:
Talk:Boeses Junges Fleisch

Fair use rationale for Image:Boesesjunges.jpg
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title: Talk:Boeses Junges Fleisch


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title: User talk:156.63.207.121


text: Category:734 BC deaths

title: Category:734 BC deaths


text: Category:730s BC deaths

title: Category:730s BC deaths


text:
Gold Mine on Airline

Gold Mine on Airline, formerly Shrine on Airline, is a 10,000-seat stadium in Metairie, Louisiana, a suburb of New Orleans. It is home field for the New Orleans Gold team in Major League Rugby. Known as Zephyr Field when built in 1997 as the home ballpark for the New Orleans Zephyrs (later New Orleans Baby Cakes), the stadium was renamed when the Minor League Baseball team's name changed from Zephyrs to Baby Cakes in 2017. Shrine on Airline had been an unofficial name for Zephyr Field used by the public address announcer since the stadium opened and it became the new name.

Minor league baseball left New Orleans at the end of the 2019 season, when the Baby Cakes relocated to Wichita, Kansas, where they continue as the Wichita Wind Surge. Initially, the city of New Orleans hoped to bring a Double-A Southern League team to the city and continue operations as the Baby Cakes. However, due to Major League Baseball's reorganization of Minor League Baseball, the league ceased operations in 2021 and the campaign ultimately failed. With the departure of the Baby Cakes, the stadium was repurposed with a rectangular field for football of all codes, with a more thorough renovation scheduled for late 2024.

The facility hosted the 1998 and 2001 Conference USA baseball tournaments and the 1999 Sun Belt Conference baseball tournament. Shrine on Airline was also the site of the Class 5A Louisiana High School Athletic Association (LHSAA) baseball tournament in 2004 and 2005.

History
Zephyr Field hosted its first regular season baseball game on April 11, 1997, in which tenants New Orleans Zephyrs (later the New Orleans Baby Cakes), defeated the Oklahoma City 89ers 8-3.

The stadium also hosted select games of the Tulane University Green Wave baseball program. The team plays annual games at the ballpark against cross-town rival, the University of New Orleans Privateers, and arch-rival, Louisiana State University Tigers, at the ballpark. During the 2006 and 2007 baseball seasons, Zephyr Field was the primary home of the Green Wave, as Tulane's on-campus facility, Greer Field at Turchin Stadium, was undergoing renovations. The renovations were scheduled to be completed in time for the 2006 season, but Hurricane Katrina significantly damaged Turchin Stadium, forcing a delay in the project. In the hurricane's aftermath, Zephyr Field was utilized by the Louisiana Army National Guard and the Federal Emergency Management Agency as a rescue facility. In 2006, the state of Louisiana approved $21 million to recover Zephyr Field from the effects of Katrina. Additional funds from the bill covered recovery costs for the New Orleans Saints' training facility, located behind the ballpark, and the New Orleans Arena.

The stadium hosted the 1999 Triple-A All-Star Game in which the Pacific Coast League All-Stars defeated the International League All-Stars, 9–5. New Orleans' Daryle Ward was selected as the PCL MVP.

On July 3, 2003, the largest crowd in Shrine on Airline history for a Zephyrs game, 11,925, watches the Zephyrs lose 1–0 to the Nashville Sounds.

The Wally Pontiff Jr. Classic college baseball game was held annually at the Shrine on Airline beginning in 2004. The LSU Tigers baseball team played an opponent in the game to honor the former Metairie resident, LSU Baseball player and Oakland A's draftee, Wally Pontiff Jr., who died at the age of 21 from a genetic heart disorder. In 2004, LSU won the first game of the series vs. Southeastern Louisiana, 9-3. The last Classic played at Zephyr Field was played in April 2019, and saw the Ragin Cajuns of Louisiana defeat LSU 6-5. In 2022 it was announced that the 2022 game (to be played in Baton Rouge, and again against Louisiana), will be the final game for the Classic.

The ballpark is featured in several scenes in the 2004 movie Mr. 3000, and one from the 2006 movie called Failure to Launch. Also, part of an episode of Spike TV's Pros vs. Joes was also filmed at the ballpark.

A new playing surface was installed prior to the 2008 season. Its new dimensions are 330 ft from home plate to left and right fields, and 400 ft to center. The ballpark traditionally has allowed some of the fewest home runs in the Pacific Coast League. The ballpark's grass berm seating area, "the Levee", is located beyond center field and is the highest point in Metairie.

As a soccer venue, Shrine on Airline served as home of the New Orleans Storm soccer team in the late 1990s and hosted the semifinals of the 1998 Lamar Hunt U.S. Open Cup.

Ballpark attractions
Concessions at Shrine on Airline feature traditional ballpark fare as well as several regional offerings, such as fried catfish, muffulettas, po' boy sandwiches, jambalaya, and pigskin nachos.

The New Orleans Zephyrs added an extra $5 million to the 2006 state-funded recovery bill for additional amenities, including 16 luxury suites, a swimming pool, two hot tubs, the Coors Light Party Shack, and the Metairie Bank Home Run Porch.

title: Gold Mine on Airline


text:
Margaretta Scott

Margaretta Mary Winifred Scott (13 February 1912 – 15 April 2005) was an English stage, screen and television actress whose career spanned over seventy years. She is best remembered for playing the eccentric widow Mrs. Pumphrey in the BBC television series All Creatures Great and Small (1978–1990).

Early life
Scott was born in London in 1912 to Bertha Eugene and Hugh Arthur Scott, a distinguished music critic. She trained at the Royal Academy of Dramatic Art, where she was a classmate of Celia Johnson.

Acting career
Scott began acting as a child, giving private performances of verse-speaking and dance drama to entertain her family and friends. In 1926, at the age of 14, she made her acting debut on the London stage as Mercutio's Page in a Fellowship of Players revival of Romeo and Juliet. Scott became a leading exponent of the work of William Shakespeare through a series of notable performances in the early and mid-1930s: Cast firstly as the Player Queen and then Ophelia in Hamlet, she followed this with Beatrice in Much Ado About Nothing for the Oxford University Dramatic Society.

She appeared as Viola at the New Theatre and as Ophelia and Juliet in a couple of BBC radio productions in 1932. In 1933 she played the first of four summer seasons at the Open Air Theatre in Regent's Park. She also played Lavinia in George Bernard Shaw's Androcles and the Lion with the rehearsals under the supervision of the author himself.

In 1936 Scott was cast as Rosaline in one of the great productions of Love's Labours Lost at the Old Vic and in the following year performed in more Shakespeare which included her last appearance at the Open Air Theatre until 1984 in Ring Round the Moon.

In addition to these classical roles, Scott's credits in contemporary drama have included the premieres of Emlyn Williams' A Murder Has Been Arranged (directed by the author in 1930), MacLeish's Panic (1936), Morna Stuart's Traitor's Gate (1938) and Sidney Howard's Alien Corn (1939). By 1939 Scott had become one of the United Kingdom's leading young stage actresses.

Trade union organiser
Scott was a signatory of the document that established Equity, the British actors' trade union, in 1934.

Film career
Scott's screen career began in 1934 when she made an uncredited appearance in Alexander Korda's The Private Life of Don Juan. Thereafter she reprised her stage role of Leonora Stafford in the film version of the Ben Travers' Aldwych farce Dirty Work with Robertson Hare and Ralph Lynn and appeared in Herbert Wilcox's Peg of Old Drury with Anna Neagle before again joining Alexander Korda in 1936. Engaged by Korda, Scott made three pictures for London Films:
 * Things to Come (1936) as Roxana/Rowana in H. G. Wells' adaptation of his novel with Ralph Richardson, Raymond Massey and Ann Todd.
 * Action for Slander (1937).
 * Return of the Scarlet Pimpernel (1937).

Second World War
Throughout the war Scott continued to perform in theatrical productions both at home and abroad, touring North Africa and Italy with ENSA in 1944. In addition to seasons at the Shakespeare Memorial Theatre, Stratford upon Avon in 1941 and 1942, her stage credits included Clare Boothe's Margin for Error (1940), the premiere of James Bridie's The Holy Isle (1942) and the first British productions of Lillian Hellman's play Watch on the Rhine (1943) and John Patrick's The Hasty Heart (1945).

Her screen roles meanwhile included Judith Bentley in The Girl in the News (1940), Marcia Royd in Anthony Asquith's comedy Quiet Wedding (1940), Atlantic Ferry (1941), Sabotage at Sea (1942) and Alicia in the Gainsborough Pictures melodrama, Fanny by Gaslight (1944).

Post-war career
In the late 1940s and throughout the 1950s Scott continued to play a wide range of roles on stage and screen. Her association with Shakespeare was maintained with performances in the first 1946 television productions of The Merchant of Venice and Othello and, on stage, in Macbeth and Hamlet, in addition to other productions at the Fortune, Saville, Cambridge and Her Majesty's theatres in London. At this time, she appeared in pictures such as The Man from Morocco (1945), Where's Charley? (1952), Town on Trial (1956), The Scamp (1957), and Crescendo (1970).

Scott was active on the concert platform as a narrator/speaker under the batons of Sir Henry Wood, Sir Malcolm Sargent, Sir David Willcocks and Sir John Pritchard performing scores by Grieg, Honegger, Purcell, Elgar, Prokofiev and her late husband, the British composer, John Wooldridge.

Over the course of the next three decades Scott appeared on stage throughout the United Kingdom and toured in plays abroad including the Far East, Canada and North and South Africa. Apart from world premieres of contemporary plays such as Aunt Edwina (1958) with Henry Kendall directed by the author William Douglas Home; The Right Honourable Gentleman (1964) with Anthony Quayle and Angela Huth's The Understanding (1982) with Celia Johnson and Ralph Richardson, many of her theatre credits in the 1960s, 1970s and 1980s were revivals of Oscar Wilde's comedies including Lord Arthur Savile's Crime (1968 Tour); A Woman of No Importance (1974 and 1978); The Importance of Being Earnest (1974 and The Old Vic Theatre 1980; also on television); An Ideal Husband (1976/1977 Tour) and Lady Windermere's Fan (Canada 1979). Her last West End role was with Leo McKern in the revival of Hobson's Choice (1984) directed by Frank Hauser.

Television career
Scott was one of the first women to perform Shakespeare on television, in the role of Beatrice in a stage production of Much Ado About Nothing broadcast by the BBC in 1937. In 1946, she portrayed Portia in a made for television production of The Merchant of Venice.

For twenty-five years, from the 1970s, Scott played a number of distinguished parts in popular television dramas. These included Lord Peter Wimsey, Elizabeth R, The Duchess of Duke Street, Upstairs, Downstairs, Lovejoy, and for several years as Mrs Pumphrey with her Pekingese, Tricki Woo, in the BBC series All Creatures Great and Small. "Ma was 65 when she was cast as Mrs Pumphrey," explained her daughter, Susan Wooldridge. "At that time in her career she'd been doing various jobs, but nothing particularly sensational. Then suddenly out of the blue, which occasionally happens to us actors, this lovely job came along and it was to be her life really for the next thirteen years. It was very special to her. She loved that part of the country. I think she had real Northern roots in her, and she just loved being up there. We still have 'flop bot' as a family expression."

Personal life
Scott was married to the English composer John Wooldridge, who was killed in a car accident in 1958. Their daughter, Susan Wooldridge, is also an actress and their son, Hugh Wooldridge is a theatre director and producer.

Scott died from pneumonia and breast cancer at her home in London on 15 April 2005, aged 93, and is buried with her husband, John, at St Lawrence's Church, Cholesbury, Buckinghamshire. The headstone lists her as Margaretta Scott Wooldridge.

title: Margaretta Scott


text: User talk:67.171.25.88

title: User talk:67.171.25.88


text: User talk:84.109.75.5

title: User talk:84.109.75.5


text:
Talk:Castlevania: Aria of Sorrow

Game's title
I believe there's something wrong with the romanization of Aria's Japanese title on this article (and on the Castlevania one as well). It says キャッスルヴァニア暁月の円舞曲 (Castlevania: Akatsukitsuki no Enbukyoku) there, but that doesn't sound right. I mean, "akatsukitsuki"? I know that the "literal" pronounce of that would be that, but I think it's wrong. "暁" is indeed "akatsuki", while "月" is indeed "tsuki", but, I don't know.

Take a look at this cover. That's the official Japanese guide for the game. The furigana there reads simply as "akatsuki", so I really don't know. I've never figured out the way the Japanese titles in Castlevania really work. The furigana makes no real sense on these new games. "Minuetto" has no connection with "enbukyoku", that's for sure. Not on meaning of the kanji and not on pronounce either. So, I'm kinda clueless.

Deviations from normal Castelvania
Maybe somebody mroe knowledgeable than me will write a section on how AoS discards many traditions of past Castlevanias, amongst them being playing as a Belmont, touch of death, or fighting a Giant Bat.

It is the only castlevania with a pistol,rifle or any type of "futuristic" weapon-Paul
 * ...until the sequel, Castlevania: Dawn of Sorrow, that is. And the weapons aren't "futuristic" per se, since the games take place in the mid-21st century. --DocSigma 12:08, 21 August 2006 (UTC)

"fighting a Giant Bat" Well technically, you almost fight a giant bat, but then Balore kills it. --MKnight9989 12:09, 22 June 2007 (UTC)

Character list article
Hello there, everyone. I created List of characters in Castlevania: Sorrow series in an attempt to clean up much of the bloated content found in the various character articles involved with these future-timeline games. This page is meant to cover all the characters in the two games in a format that the casual reader would like. The reason I'm doing this is because I notice articles like Hammer (Castlevania) gives more coverage to a minor character than Richter Belmont in the main castlevania character list, and that didn't seem quite right because I'm pretty sure Richter is one of the more famous characters from the whole Castlevnia series. If I have everyone's permission, I would turn the pages on Mina Hakuba, Julius Belmont, Yoko Belnades, and Hammer into redirects to this character page and leave Soma Cruz and Alucard in their own articles (because those two are very notable in their connections to Dracula). Any comments about this page? I'd like to hear them. Thanks. Erik Jensen (I appreciate talk!) 19:02, 15 October 2006 (UTC)

Double Pack
There is a small bonus when you start a game of Dawn of Sorrow with the Aria of Sorrow cartridge inserted in the DS's GBA slot. Does it work if you use the Double Pack cartridge, too? --Someone Else's Problem 14:49, 17 January 2007 (UTC)

No, it doesn't. -- John —Preceding unsigned comment added by Special:Contributions/ (talk)

In the Trivia section
It mentions a door that can't be opened on the top floor. I've beaten this game twice as Soma (once on hard, once on normal), once as Julias and just recently started a new Soma game on hard, and I don't remember this (Is it the Knight statue that raises its lance?). Anyone care to share? --MKnight9989 13:14, 21 June 2007 (UTC)

You have to beat Dracula Wannabe (AKA Graham) with a specific 3 souls equipped (Giant Bat, Flame Demon, Succubus) THEN you can go through that weird black mist around the top floor (furthest right of the Clock Tower ) and get to the secret area (You fight Julius Belmont before accessing the Chaotic Realm, so be ready).

Can find any other hidden areas with the Peeping Eye soul.

(Oh, and just in case you mean that area past the waterfall in the lower levels of the castle...just have Undine soul equipped and use a soul that can rush [ie. Devil, Manticore, Curly ] and entry should be obvious. Stand on water and rush through, enjoy it if you haven't already!) — Preceding unsigned comment added by 162.192.2.102 (talk) 18:55, 9 January 2014 (UTC)

Fair use rationale for Image:Cv aos agb rgb.jpg
Image:Cv aos agb rgb.jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.

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BetacommandBot 21:58, 29 October 2007 (UTC)

GA Review

 * GA review (see here for criteria)

 * 1) It is reasonably well written.
 * a (prose): b (MoS):
 * 1) It is factually accurate and verifiable.
 * a (references): b (citations to reliable sources):  c (OR):
 * 1) It is broad in its coverage.
 * a (major aspects): b (focused):
 * 1) It follows the neutral point of view policy.
 * Fair representation without bias:
 * 1) It is stable.
 * No edit wars etc.:
 * 1) It is illustrated by images, where possible and appropriate.
 * a (images are tagged and non-free images have fair use rationales): b (appropriate use with suitable captions):
 * 1) Overall:
 * Pass/Fail:
 * 1) It is illustrated by images, where possible and appropriate.
 * a (images are tagged and non-free images have fair use rationales): b (appropriate use with suitable captions):
 * 1) Overall:
 * Pass/Fail:
 * 1) Overall:
 * Pass/Fail:

There's a serious detriment to this article that requires fixing before I would even CONSIDER passing this article:
 * 1) Reference #54 does not work for me.

I'll put the article on hold for a period of up to seven days. If you manage to address all the above concerns in seven days, I guess I'll have to pass it. I guess.

Seriously though, amazing job! Once the reference has been fixed, it's definitely a Good Article and beyond! Cheers, CP 23:13, 9 January 2008 (UTC)

 * Replaced the ref. Regards, Sephiroth BCR  ( Converse ) 00:15, 10 January 2008 (UTC)

 * Amazing work! It goes without saying that this is a Good Article, so congratulations and thank you for your hard work! Cheers, CP 04:03, 10 January 2008 (UTC)

Mina
After seeing the 'Let's Play' video for the first level, I was under the impression that the hero is forced to leave Mina, wounded, on the pathway to the front door of Dracula's castle. I realize an online video is not much in the way of reliability, but if I am right, I think it's an important plot point briefly mention in the plot section. Lots42 (talk) 18:36, 19 January 2009 (UTC)

Reference material
I found a few print reviews for this game while working on the Online print archive. They are listed below: Hope these are useful. JimmyBlackwing (talk) 21:59, 24 October 2010 (UTC)
 * Electronic Gaming Monthly
 * GameNOW
 * GMR
 * Game Informer

TFA nomination

 * Today's_featured_article/requests

I think it might need a copy edit before it runs. Give it a look over. --Harizotoh9 (talk) 20:02, 3 April 2014 (UTC)

Proposed merge with List of Castlevania: Aria of Sorrow and Dawn of Sorrow characters
This article lacks sources about the characters themselves—it's dependent on reviews of the game and primary sources. Nothing wrong with that, but it doesn't give an indication that these characters need to be treated as a separate entity from the individual games. The game article is already an FA so I'm not sure how much more it needs, but any secondarily sourced fact worth including in the main article should be. My, things have changed since 2008. czar 23:38, 16 March 2016 (UTC)
 * Oppose because both articles are FA, ie. have been judged to be "comprehensive ... neglect no major facts or details and places the subject in context" (2. b.) – Finnusertop (talk ⋅ contribs) 22:07, 15 August 2016 (UTC)
 * Did you see the FA discussion? Our 2008 standards were nowhere near our current standards. czar  17:06, 9 October 2016 (UTC)
 * That same criteria existed back then (though in practice probably not enforced to the level it is now). In any case, if you want to pursue the argument that the articles should be merged because either of them does not meet FA any more, we first need to establish if this is the case (in FA review) I think a merger prior to a review is premature. It's also worth to note that after the review we might be in a situation where one of the articles meets 2.b. and the other does not, in which case a merger would still upset the balance of the FA article. – Finnusertop (talk ⋅ contribs) 17:34, 9 October 2016 (UTC)
 * We've redirected featured articles/lists before. The question is whether you contest that this article does not the notability criteria. Otherwise it's a lot more work for nothing. It would be out of order to merge in content to sway the balance of the game's article, so I doubt there would be much that needs to be merged in the first place czar  04:12, 15 October 2016 (UTC)

 * Neutral – I would often agree with such logic, especially when it comes to character lists. I'm really on the fence here because, on the one hand, it pains me to see a character list primarily sourced by in-game dialog and mostly consisting of in-universe descriptions, but on the other hand I am happy with the conception and reception sections and think listing only the major recurring characters in this manner is appropriate. I don't really feel like taking a stance here, eventhough the lack of reliable sources covering the characters specifically would usually be a big no-no... At the very least, I think a reassessment would be appropriate. I don't think the list is an FA-class anymore... ~ Mable ( chat ) 12:17, 9 October 2016 (UTC)
 * I just noticed that, if this article is merged, the Featured Topic will be turned into a Good Topic at best. Something to keep in mind. ~ Mable ( chat ) 18:12, 28 October 2016 (UTC)
 * Support The list is short enough to add. SGPolter (talk) 16:39, 28 October 2016 (UTC)
 * Oppose I feel that both articles are important because of their FA status. Also, both articles have a decent amount of information, with both being very long. No point in merging and making a longer article. NaturalAbundance (talk) 02:33, 4 December 2016 (UTC)
 * ... this discussion hasn't gone much of anywhere. Lots of circular logic. We don't keep FAs just because of their former status—the standards have changed over the years and we've merged many former FAs. The question is whether there is enough secondary sourcing to justify a separate article here, and thus far that evidence is not forthcoming. czar  07:29, 5 December 2016 (UTC)

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Why the literalization of Japanese title uses "Minuet" instead of "Waltz"?
円舞曲 literally means waltz. --fireattack (talk) 01:07, 14 November 2018 (UTC)

Extensive quotation
This article quotes extensively from the game. Are these lengthy quotes compliant with Non-free content? DrKay (talk) 16:15, 16 June 2021 (UTC)

title: Talk:Castlevania: Aria of Sorrow