text:
User:Jondel/Scrapbookx

This too shall pass,Sustained heightened state of awareness=relaxed optimization Inner light=To paraphrase, human laws are fallible, and ultimately we must rely on that of God within us in order to conduct our way through the grey areas of life; ,spanish FilipinoFree spanish encyclopedia Translation into English,Katamori Matsudaira ALWAYS CITE SOURCES,Requests for adminship,Industrial Tek,User:Jondel/Fingerprintsensor User:Jondel/SilvaUser:Jondel/MishmashUser:Jondel/Diabolique,User:Jondel/AdvancedScat Nobel Sperm Bank Doron Blake User:Jondel/dual core chipUser:Jondel/How to Heal TraumasUser:Jondel/Wikipedia:Votes for deletion/How to Heal TraumasUser:Jondel/Waking the TigerUser:Jondel/Waking the Tiger2,User:Jondel/Spolarium,Village pump User:Jondel/ideas2 SUPER ARTICLES siteUser:Jondel/Terminator4:Rise of the Babes Zobel User:Jondel/Fingerprint sensor Bot projects: Auto check for sandboxnotice. User:Jondel/Sandbox

 * 1) There is no reason to believe that this individual would be useful to the project. —

This person has no potential use to wikipedia whatsover.

User:Jondel/ToolsSpanish Translation of the Week Center for Progressive Christianity

LIST OF MOVIES I WOULD LIKE TO SEE
S. Speilberg please read this!!
 * TERMINATOR 4 (No need to use arnold again.)
 * SLAN-BY AE Van Vogt.
 * SINANJU
 * Kung Fu The Movie (No need to use D. Carradine)
 * Doogie Howser M.D. The Movie

List of strange linguistical coincidences

 * You ,Hebrew/Arab=Anta, Japanese, Anata/ Hindi=Tu, Spanish Tu
 * Drink, Tagalog=inum, Japanese, nomu

 * Name, Japanese=namae, English=name, Sanskrit=nam.

Do right away. Delay complicates and attracts failure. Optimum brainwave,state of alertness,Divine illumination Failure loves vagueness. Alpha, success, alert Success loves definiteness, planning. Greco-Buddhism,Kingdom of Wikipedia]],Inner light, [[Defence of Spanish Department of Fun,VandalizerUser:203.10.121.89,[www.craiglist.org craiglist] ,New pages,Sandbox,Compensation (essay),Square root,Self-deception,DNA repair,Requested articles,Inner light,Copyright_problems,Pages needing attention, Vandalism in progress,Typo,List of common misspellings,yoga desires bhagavat, talents for wiki jack Schawrz pate] ,List of common misspellings in English,Category:Translation Associations Spellings :seperate-> separate, :occured ->occurred, enterred ->entered,architechture->architecture,notmilkdotcom ,yoga,nitro,Phil sports For sandbox,word origins,[http:/www.garbage-house.com For sandbox 2],senators << 653rd most active Wikipedian as of Sept 10, 2004.

 * Parallelism between Rizal and..

 * Sulu Sultanate

Catholic -Religion

[www.newadvent.org Catholic reference]

[Code of Kalantiwa Hoax] Super Historical sight, visayas, cebu capiz for Precolonial philippines Mind Spaced repetition,Category:Memory

,Jap-Eng dictionaryIntel tech Jap eng dictio glossary

lycos Jap tech glossary

misspelled,

Datu Sikatuna, lakandula

Belen
 * Spolarium

TECHNOLOGY Market info

TO DO
 * Marcelo H. Del Pilar

Desert rat mole Miskito indians

ENLIGTNMENT Hakuin Ekaku,satori,jewish, christianity is false

Spanish-Philippines , [http://balboa99.tripod.com/ Philppn trivia, oldest universities User:Jondel/Horacio De la costa/Chavacano material

Map in 1512, Before Magellan? Spanish Christianity in Phil Hispano Fil ,Guillermo

Chavacano horacio, hispanofilipino Asia Southeast asia

Christian Samurai/Daimyo

TODO3

-Huk,Luis Taruc,Dino Ignacio, Yehey creator, Us inventor, Accelerated Technology ,Creole,flash elorde, Paeng Nepomoceno, Gary Valenciano?,Other filipino grandmasters User:Jondel/TODOTELEMACHUS Spolarium,Nicolas Zamora former catholic Ginés de Mafra/ Juan Rodriguez Mafra Paco

Japan legal laws Japan

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Lo, there do I see my father Lo, there do I see my mother and my sisters and my brothers Lo, there do I see the line of my people back to the beginning Lo, they do call to me    They bid me take place among them in the Halls of Valhalla Where the brave may live forever...

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

I SING the Body electric; The armies of those I love engirth me, and I engirth them; They will not let me off till I go with them, respond to them, And discorrupt them, and charge them full with the charge of the Soul. Was it doubted that those who corrupt their own bodies conceal themselves; And if those who defile the living are as bad as they who defile the dead? And if the body does not do as much as the Soul? And if the body were not the Soul, what is the Soul?

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

About Me
Hi !! :]

My name is John Martinez. My full name is John De La Salle Mijares Martinez. I am called Jondel by my family as a shortened version of John De La Salle ( Jean De La Salle), the French saint who promoted education everywhere.

I work for Dempa Publications Inc. ( Dempa Shimbun). Yes I live in Japan.

I speak English, Tagalog, Spanish, Japanese and a little French.

I enjoy chess and watching E. R.. If there is anybody there who plays chess ( or who would like to give me lots of cash ) and lives in Tokyo, PUHLEEEASE contact me (martinez@dempa.co.jp, john.martinez@usa.net ) or drop by the Peruvian Restaurant near Gotanda Station and the Peruvian Embassy and give your bags of money.

TO DO
TODo \-1872 Cavite mutiny -Saint Juan Diego  ==User:Jonde/todoTrance

TODO
-List of Pre-hispanic datus: Kalantiaw (Research Maragtas),Lapulapu, sikatuna -Horacio de la costa,build upHans Eberstark User:Jondel/Autogenics Nagasaki martyrs Category: Christianity in Japan -CITE SOURCES, POST SOURCES ON ALL CONTRIBUTIONS!!!! -discrepancies in human evolution suggestive of divine creation,

- network search engine NSE -Philippines see bottom.Baybayin, etc.     Graphs of hwo to learn a language, hysteris curve with phrase and traditional, and direct instead of converting/calculating Incorporate 222.148.112.245 -Jack Scharz do it yourself yoga guy -Space development around the world. -Tabularize False Friends in Spanish in Philippines -Silva, Java processor, accelerator -Talk:Marcos Moshinsky -High Altitude Airship - 90 nanometer -Kim Bok Man, Paul Cabatingan, Philippine Taek, Hong -Mozart effect -Philippine National Railways - Philippine Urban Legends: Hitler and Rizal. - Images of Noli, others List of Historical Errors- (Firm evidence of ) first navigator, first to european to visit america. Geography, Vatican, Monaco are nations. - Metrowerks, Codewarrior - Windriver - Gargoyles doesn't work on my page. -Filipino folklore -include creatures -Ancient Jews, lost tribe in Japan[Israelites Came To Ancient Japan ] -Malakas at maganda Philppine Mythology/Kapre Apo, origin of man -folklore -[History of Autogenics], geman autogenics advances in german hypnosis -filipino home -- Avicenna -Research Gines de Mafra-a Spaniard from Palos, Magellans other seaman, Limasawa mistake -When Johnny comes marching home again -Rendezvous -Saint something community of Filipinos in Louisianna stmalo - Nueva Philappinas, oxas City]] -desert moloe rat - Table - Chavacano, Kelin greatest calculator -Investigate Limasawa, 1512 Portuguese sailors land on Mindanao??. -Right Brain -Gracia Hosokawa Tamako Christian Jap Martyr -Masao -Metaphors Sacrificial Lamb, scapegoat,Kill the messenger -Miskito Indians -English Speaking and oppressed by the Sandanistas -Significant locations in the Philippines, Antonio -software platform,Brew platform(done),Microbrowser done -Visual C++, TinyOS(done),protocol - ReincarnationPageJesus Christ's mention of Elijah and the Messiah. -Rewrite the copyright infringed pages. -vtable -Linux flavors:Mandrake ,MontavistaDONE, RedHat, Lindows TRON, - Java as a language(done), and PlatformDONE -WAPI- the chinese wifi standard -Links of Japanese : Resolution, Bluetooth -BROADCOM (done), Chinese WAPI - Prodigies [Michael Kearney,Masters guy] NN (Japanese proofreading) -Hyperball Grid Array -Merge Avicenna - SWAMI ROBERTO Translate Philippines, languages, Tagalog, E.C.,Antonio Pigafetta

CAyce sayings : You go to heaven on the wings of the people you've helped. For G did not will that any sould perish.

Translate :Baybayin, SSS-PC, Bangumi, Spanish in the Philippines, Tagalog, languages of the Philippines,Swami Roberto,Fomento Económico Mexicano, S.A.. Describe Mi Ultimo Adios, Get English Translation. Translate Adios into English, Japanese Language Proficiency Exam, SystemC

Pinoy urban legends :Agapito Flores, 2nd largest English speaking country.

Disappeared?? Touch panel, Alpha wave

Favorites: Metatron Recommend for Article for the day: Kiyomasa Kato

Influence of visigoth/german in Spanish from portugesse -Guerra, etc.

TODO2:

-Ibanag language table -Amilius -Expansion on La Liga

-Description of Mi Ultimo Adios

-Florante at Laura

-El Filibusterismo

-Filipino Inventors

-Filipino prodigies.

-Synaptic -Plasticity Eidetic connection History, la solidaridad Sites: Language samples: ,Enrique,Enrique2 ,magellan ,pinoy trivia, questia -The great mental calculators Eugene torre, filipino chess masters

TOD4
Translate: Jose Rizal, Noli Me Tangere, Philippine History,Lorenzo Ruiz, Gomburza, La Liga Filipina, Aswang, Philippine English, Chavacano., Manuel Quezon, Spanish in the Philippines

Karma
I mentioned the satguru because I am quoting from him. Ok. Raj2004 13:02, 19 Dec 2004 (UTC)

Jondel

Done:
- Aswang -BREW(done) -Group Karma. operates in group as a body Individuals with a lesson to teach or contribute no, monopoly, Individuals who accelerate evolution, Andean genocide. Tendency for an individual to incarnate in a group. Engineer with impractical idealist key element evolution. Tie in with reincarnation. Reincarnation: unacceptability of Eternal damnation or non-preexistance. -List of Archaic spanish preserved in the Philippine languages: Sabon, Relos, Palngke, Tiangge -ibanag Camera phone

Only in the Philippines
-Softdrink in plastic -Bagoong mango -Jeepney

Only in Japan
-'Troll like old women who clean the Mens

-'Bowing on the phone

-ice coffee ---we have ice coffee in Canada. I recommend the Iced Cappaccino from Tim Hortons EDGE 06:53, Sep 22, 2004 (UTC)

List of HORRIBLE songs that play in your head and drive you crazy
-You can ring my bells. Ma bells,

-The Da da da. What you do and what you don't

-Manamana. Beep beeee bidibi.

Elements in Spirituality
-
 * Vibration

List of Historical Innacurracies

 * First mass not in Limasawa
 * First to discover Philippines - Portugese in Mindanao (Limasawa Island)
 * First Circumnavigater -Enrique
 * Another seaman of Magelan-
 * Code of Kalantiaw
 * Lapulapu

List of Vesre in Tagalog

 * Erpat from Pater (father)
 * Ermat from Mater (mother)
 * Sampits from Pinsan (cousin)
 * Yosi from sigarilYo (cigarettes)
 * Todits from dito (here)
 * Wetpu from puwet (ass)

 * japorms

Original articles:Microbrowser,Wimax,Languages of the Philippines,Edgar Cayce on Karma,Information Appliances, How to learn a language,??Child Prodigy??, Michael Kearney,Tathagat, Balamurali,List of popular linux, A76

User:Jondel/Scrapbookx/Michael Kearney & es:Usuario:Jondel

title: User:Jondel/Scrapbookx


text:
USS Glennon

Two ships of the United States Navy have borne the name USS Glennon, in honor of Rear Admiral James H. Glennon.

 * USS Glennon (DD-620), was a Gleaves-class destroyer, launched in 1942 and sunk by a mine in 1944
 * USS Glennon (DD-840), was a Gearing-class destroyer launched in 1945 and struck in 1976

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: USS Glennon


text:
List of Guggenheim Fellowships awarded in 2000

List of Guggenheim Fellowships awarded in 2000.

U.S. and Canadian Fellows

 * Robert H. Abzug, Professor of History and American Studies, University of Texas at Austin: Rollo May and the transformation of American culture.
 * Richard D. Alba, Professor of Sociology and Public Policy, State University of New York at Albany: Second generations in immigrant societies.
 * April Alliston, Associate Professor of Comparative Literature, Princeton University: Character, plausibility, and gender in French and English historical narratives, 1650-1850.
 * Hilton Als, Writer, New York City; Staff Writer, The New Yorker: Creative writing.
 * Douglas Anderson, Professor of English, University of Georgia: William Bradford and the Anglo-European republic of letters.
 * James Arthur, University Professor, University of Toronto: Representations of classical groups.
 * David Auburn, Playwright, Brooklyn, New York: Play writing.
 * David Baker, Poet, Granville, Ohio; Professor of English and Thomas B. Fordham Professor of Creative Writing, Denison University; Poetry Editor, The Kenyon Review: Poetry.
 * Joan Banach, Artist, New York City: Painting.
 * Abhijit V. Banerjee, Professor of Economics, Massachusetts Institute of Technology: The new economics of poverty.
 * Jill Banfield, Professor of Geology and Geophysics, University of Wisconsin–Madison: Microbe-mineral interactions of environmental importance.
 * Ernesto Bazan, Photographer, Brooklyn, New York: Photography.
 * Howard Curtis Berg, Professor of Molecular and Cellular Biology and of Physics, Harvard University: The motile behavior of bacteria.
 * Jane A. Bernstein, Austin Fletcher Professor of Music, Tufts University: Music and print culture in Renaissance Rome.
 * William Betz, Professor of Physiology and Biophysics, University of Colorado Health Sciences Center, Denver: The optical detection of synaptic function.
 * Rabi Bhattacharya, Professor of Mathematics, Indiana University Bloomington: Studies in Markov processes.
 * Tom Bills, Artist, Brooklyn, New York; Associate Professor of Art, Brandeis University: Sculpture.
 * Lisa M. Bitel, Associate Professor of History and Women's Studies and Director of Women's Studies, University of Kansas: Landscape, gender, and Christianization in Gaul and Ireland.
 * Stuart Blackburn, Senior Lecturer in Tamil and South Indian Studies and Chairman, Centre of South Asian Studies, University of London: The role of folklore in colonial south India.
 * Isidro Blasco, Artist, New York City: Sculpture and installation art.
 * Anne Bogart, Associate Professor of Theatre Arts, Columbia University; Artistic Director, The Saratoga International Theatre Institute (SITI), New York City: Essays on the theatre.
 * Lloyd Bonfield, Professor of Law, Tulane University: Litigants, lawyers, and the law in English probate courts, 1660-1700.
 * Nina Bovasso, Artist, New York City: Painting and drawing.
 * John M. Bowers, Professor of English, University of Nevada, Las Vegas: The antagonistic tradition of Chaucer and Langland.
 * Michael E. Bratman, Howard H. and Jessie T. Watkins University Professor of Philosophy, Stanford University: Self-determination and planning agency.
 * Martin Brody, Composer, Cambridge, Massachusetts; Catherine Mills Davis Professor of Music, Wellesley College: Music composition.
 * Ronald K. Brown, Choreographer, Brooklyn, New York; Artistic Director, Evidence, New York City: Choreography.
 * William Craft Brumfield, Professor of Slavic Studies, Tulane University: The architecture of the Russian North.
 * Michael Camille, Mary J. Block Professor of Art History, University of Chicago: Sculpture, signs, and street life in medieval France.
 * Vicki Caron, Thomas and Diann Mann Professor of Modern Jewish Studies, Cornell University: Catholic-Jewish relations in France since 1871.
 * Shih-Hui Chen, Composer, Malden, Massachusetts: Music composition.
 * Patricia Cheng, Professor of Psychology, University of California, Los Angeles: A psychological theory of causal discovery.
 * Alice L. Conklin, Associate Professor of History, University of Rochester: Ethnographic liberalism in France, 1920-1945.
 * Diana Cooper, Artist, Brooklyn, New York; Adjunct Professor of Art, New York University: Painting and installation art.
 * Kevin R. Cox, Professor of Geography, Ohio State University: The Americal politics of local economic development.
 * Christopher J. Cramer, Associate Professor of Chemistry, Chemical Physics, and Scientific Computation, University of Minnesota: The structure and reactivity of chemical and biological systems.
 * Hai-Lung Dai, Professor of Chemistry, University of Pennsylvania: Chemical-reaction control.
 * Kathryn Davis, Writer, East Calais, Vermont; Professor of English, Skidmore College: Fiction.
 * Veronica Day, Photographer, Brooklyn, New York: Photography.
 * Peter Dear, Professor of History and of Science and Technology Studies, Cornell University: Making sense in science.
 * Donald J. DePaolo, Class of 1951 Professor of Geochemistry, University of California, Berkeley: The geochemical effects of magma generation and transport.
 * Robert Desjarlais, Assistant Professor of Anthropology, Sarah Lawrence College: Sensory biographies among Nepal's Yolmo Buddhists.
 * Jessica Diamond, Artist, Brooklyn, New York: Painting.
 * Arthur Dong, Film Maker, Los Angeles; Producer and Director, DeepFocus Productions: Film making.
 * Tom Drury, Writer, Litchfield, Connecticut: Fiction.
 * Thomas Dublin, Professor of History, Binghamton University: Economic decline in the Pennsylvania anthracite region, 1920-1990.
 * Robert S. DuPlessis, Isaac H. Clothier Professor of History and International Relations, Swarthmore College: A history of consumption in the early modern Atlantic world.
 * Lauren B. Edelman, Professor of Law and Sociology, University of California, Berkeley: The formation of civil-rights law in the workplace.
 * Anthony Feinstein, Associate Professor of Psychiatry, University of Toronto: Trauma-related mental health issues in post-apartheid Namibia.
 * Alexei V. Filippenko, Professor of Astronomy, University of California, Berkeley: The expansion of the universe.
 * Marc R. Forster, Associate Professor of History, Connecticut College: The emergence of German Catholic identity.
 * Howard Gardner, John H. and Elisabeth A. Hobbs Professor of Cognition and Education, Harvard University: The origins and development of good work.
 * Jonathon Glassman, Associate Professor of History, Northwestern University: Racial thought in colonial Zanzibar.
 * Jill Godmilow, Video Artist, South Bend, Indiana; Professor of Film, Television and Theatre, University of Notre Dame: Video.
 * Susan Goldin-Meadow, Professor of Psychology, University of Chicago: Gesture and the mind.
 * Rigoberto González, Poet, New York City; Literacy Teacher, Coalition for Hispanic Family Services, Brooklyn: Poetry.
 * Francisco Gonzalez-Crussi, Professor of Pathology, Northwestern University Medical School; Head of Laboratories, Children's Memorial Hospital, Chicago: Essays on human generation.
 * Paul D. Grannis, Distinguished Professor of Physics, State University of New York at Stony Brook: Studies of broken symmetry in nature.
 * Milford Graves, Composer, Jamaica, New York; Member of the Core Faculty in Music, Bennington College: Music composition.
 * Richard L. Greaves, Robert O. Lawton Distinguished Professor of History, Florida State University: John Bunyan in historical perspective.
 * Vanalyne Green, Video Artist, Chicago; Associate Professor of Video Art, School of the Art Institute of Chicago: Video.
 * Linda Gregerson, Poet, Ann Arbor, Michigan; Associate Professor of English, University of Michigan: Poetry.
 * Craig R. Groves, Director, Conservation Planning, The Nature Conservancy, Boise, Idaho: The conservation of biological diversity.
 * Robert J. Hamers, Evan P. Helfaer Professor of Chemistry, University of Wisconsin–Madison: Studies in molecular electronics.
 * Brooks Haxton, Poet, Syracuse, New York; Director of Creative Writing, Syracuse University: Poetry.
 * Wick Haxton, Professor of Physics and Director, Institute for Nuclear Theory, University of Washington, Seattle: Studies in neutrino-induced nucleosynthesis.
 * Thomas Head, Professor of History, Hunter College and the Graduate Center, City University of New York: Saints, relics, and patronage in Western Christendom, 200-1215.
 * Gerry Hemingway, Composer and Percussionist, Plainsboro, New Jersey: Music composition.
 * Amy Hempel, Writer, Bridgehampton, New York; Member of the Core Faculty in Writing, Bennington College: Fiction.
 * Alicia Henry, Artist, Nashville, Tennessee; Assistant Professor of Art, Fisk University: Painting and drawing.
 * Nancy A. Hewitt, Professor of History, Rutgers University: American women's activism, 1840-1965.
 * Tony Hoagland, Poet, Las Cruces, New Mexico; Assistant Professor of English, New Mexico State University: Poetry.
 * Jennifer L. Hochschild, William Stewart Tod Professor of Public and International Affairs, Princeton University: The prospects for democratic pluralism in the United States.
 * Lillian Hoddeson, Associate Professor of History and Senior Research Physicist, University of Illinois at Urbana-Champaign; Historian, Fermi National Accelerator Laboratory, Batavia, Illinois: The life and science of John Bardeen.
 * Manuela Hoelterhoff, Writer, New York City: Germaine Lubin and Bayreuth in 1939.
 * Michael B. Holden, Artist, Santa Rosa, California: Painting.
 * Peter Jeffery, Professor of Music, Princeton University: The earliest manuscript of the Roman chant tradition.
 * Sajeev John, Professor of Physics, University of Toronto: Photonic-band gap materials.
 * Claudia L. Johnson, Professor of English, Princeton University: Jane Austen's status as a legend.
 * Amelia Jones, Professor of Art History, University of California, Riverside: New York Dada, 1915-1922.
 * Lawrence Joseph, Professor of Law, St. John's University: Essays on Catholicism.
 * Deborah Anne Kapchan, Associate Professor of Anthropology and Director, Center for Intercultural Studies in Folklore and Ethnomusicology, University of Texas at Austin: Self and nation in Moroccan oral poetry.
 * Larry Karush, Composer, Los Angeles: Music composition.
 * Dovid Katz, Writer, County Conway, Wales; Professor of Yiddish Language, Literature and Culture, and Director, Center for Stateless Cultures, Vilnius University, Lithuania: Fiction in Yiddish.
 * Steve Keister, Artist, New York City; Instructor in Art, School of Visual Arts; Instructor in Art, Maryland Institute College of Art; Instructor in Art, Hofstra University: Sculpture.
 * Evelyn Fox Keller, Professor of History and Philosophy of Science, Massachusetts Institute of Technology: Explanation in developmental biology.
 * Joel Kingsolver, Professor of Zoology, University of Washington, Seattle: The topography of adaptive landscapes.
 * George Knox, Professor Emeritus of Art History, University of British Columbia: Tiepolo's New Testament drawings.
 * Dorothy Ko, Associate Professor of History and Women's Studies, Rutgers University: The history and culture of footbinding.
 * Ewa Lajer-Burcharth, Harris K. Weston Associate Professor of the Humanities, Harvard University: The idea of the self in 18th-century art.
 * Chang-rae Lee, Writer, Ridgewood, New Jersey; Professor of English, Hunter College, City University of New York: Fiction.
 * Laura L. Letinsky, Photographer, Chicago; Assistant Professor of Photography, University of Chicago: Photography.
 * Jill Levine, Artist, New York City; Instructor in Studio Art, Sarah J. Hale High School, Brooklyn: Painting and sculpture.
 * Bernth Lindfors, Professor of English and African Literatures, University of Texas at Austin: Ira Aldridge's theatrical career in Europe.
 * John T. Lis, Professor of Molecular Biology and Genetics, Cornell University: Protein templating in the propagation of gene activity.
 * Jennie Livingston, Film Maker, Brooklyn, New York; Writer, Director, and Producer, Off White (OW!) Productions, Brooklyn: Film making.
 * Susanne Lohmann, Professor of Political Science and of Policy Studies and Director, Center for Comparative Political Economy, University of California, Los Angeles: Administrative rationality in the research university.
 * Lev Loseff, Professor of Russian, Dartmouth College: An annotated bilingual edition of Joseph Brodsky's poetry.
 * Scott P. Mainwaring, Eugene Conley Professor of Government and Director, Kellogg Institute for International Studies, University of Notre Dame: The durability of Latin America's post-1978 elected governments.
 * Thomas Mallon, Writer, Westport, Connecticut: Fiction.
 * Sara Shelton Mann, Choreographer, San Francisco: Choreography.
 * Jaime Manrique, Writer, New York City; Member of the Part-time Faculty, Eugene Lang College, New School University: A memoir.
 * Emer Martin, Writer, Kilcloone, County Meath, Ireland; Contributing Editor, BlackBook magazine, New York City: Fiction.
 * James Matheson, Composer, Tampa, Florida; Lecturer in Music, Ithaca College, New York: Music composition.
 * Katharine Eisaman Maus, Professor of English, University of Virginia: A history of English literature, 1603-1660.
 * Colleen McDannell, Professor of History and Sterling M. McMurrin Professor of Religious Studies, University of Utah: Religious America in government photography, 1935-1943.
 * Andrew Rimvydas Miksys, Photographer, Baton Rouge, Louisiana and Seattle, Washington; Instructor in Photography, Louisiana State University: Photography.
 * Donka Minkova, Professor of English, University of California, Los Angeles: Verse form and linguistic reconstruction in English.
 * Rick Moody, Writer, Fishers Island, New York; Member of the Core Faculty in Writing, Bennington College: A family memoir.
 * Philip D. Morgan, Professor of History and Editor, William & Mary Quarterly, Omohundro Institute of Early American History and Culture, College of William & Mary: White and black in 18th-century Jamaica.
 * Bill Morrison, Film Maker, New York City: Film making.
 * Stephen Mueller, Artist, New York City: Painting.
 * Madhusree Mukerjee, Writer, Jackson Heights, New York; Editor, Scientific American, New York City: The Andaman Islanders.
 * Lawrence Nees, Professor of Art History, University of Delaware: Frankish illuminated manuscripts.
 * Antonya Nelson, Writer, Las Cruces, New Mexico; Associate Professor of English, New Mexico State University: Fiction.
 * Barbara Newman, Professor of English and Religion, Northwestern University: Vision, poetry, and belief in the Middle Ages.
 * Andrea Wilson Nightingale, Associate Professor of Classics and Comparative Literature, Stanford University: The conception of wisdom in 4th-century Athens.
 * Stephen Orgel, Jackson Eli Reynolds Professor in the Humanities, Stanford University: The history of the relation between Shakespearean texts and productions.
 * H. Allen Orr, Associate Professor of Biology, University of Rochester: The genetic origin of species.
 * Robert A. Orsi, Professor of Religious Studies, Indiana University Bloomington: American Catholics' recollections of their childhoods in the Church.
 * Ed Osborn, Artist, Oakland, California: Sound installation.
 * Eric Pankey, Poet, Fairfax, Virginia; Professor of English, George Mason University: Poetry.
 * Joseph Parisi, Editor, Poetry, Chicago; Executive Director, Modern Poetry Association: A documentary history of Poetry magazine.
 * Suzan-Lori Parks, Playwright, Brooklyn, New York: Play writing.
 * Ed Paschke, Artist, Chicago; Professor of Art, Northwestern University: Painting.
 * Mary Sponberg Pedley, Teacher, Ann Arbor Public Schools; Adjunct Assistant Curator of Maps, William L. Clements Library, University of Michigan: Printed maps and popular taste in 18th-century France and England.
 * Louis A. Pérez, Jr., J. Carlyle Sitterson Professor of History, University of North Carolina at Chapel Hill: Suicide and exemplary death in Cuba.
 * Donna J. Peuquet, Professor of Geography, Pennsylvania State University: A cognitive approach to representing geographic knowledge.
 * Mark Phillips, Professor of History, University of British Columbia: A short history of distance.
 * Suzan Pitt, Film Animator, Los Angeles; Member of the Faculty in Experimental Animation, California Institute of the Arts: Film animation.
 * Vicente L. Rafael, Associate Professor of Communication, University of California, San Diego: Language and the origins of nationalism in the Philippines.
 * Jahan Ramazani, Professor of English, University of Virginia: Postcolonial poetry in English.
 * Thomas W. Reps, Professor of Computer Science, University of Wisconsin–Madison: A new compressed representation of Boolean functions.
 * David Riker, Film Maker, New York City: Film making.
 * John Storm Roberts, Independent Scholar, Tivoli, New York: Latin dance in the United States.
 * Roxana Robinson, Writer, New York City: Fiction.
 * Larry Rohrschneider, Member, Division of Basic Sciences, Fred Hutchinson Cancer Research Center and Affiliate Professor of Pathology, University of Washington, Seattle: Molecular mechanisms for regulating the growth of blood cells.
 * Daniel S. Rokhsar, Professor of Physics and Head, Computational and Theoretical Biology, Lawrence Berkeley National Laboratory, University of California, Berkeley: Studies in computational and theoretical biology.
 * James Rolfe, Composer, Toronto: Music composition.
 * Dennis Romano, Professor of History, Syracuse University: Doge Francesco Foscari and the crisis of Venetian republicanism.
 * Marian Roth, Photographer, Provincetown, Massachusetts: Photography.
 * Ingrid D. Rowland, Associate Professor of Art History, University of Chicago: A life of Giordano Bruno.
 * Roswell Rudd, Composer and Jazz Trombonist, Kerhonkson, New York: Music composition.
 * John Russell, Writer, New York City; Art Critic, The New York Times: A memoir.
 * Richard Ryan, Artist, Millers Falls, Massachusetts; Adjunct Senior Critic in Art, Brandeis University: Painting.
 * Jackie Saccoccio, Artist, New York City: Painting.
 * Mark Salzman, Writer, Glendale, California: Nonfiction.
 * Tamar Schlick, Professor of Mathematics, Chemistry, and Computer Science, Courant Institute of Mathematical Sciences and Associate Investigator, Howard Hughes Medical Institute, New York University: Modeling studies of protein-DNA complexes.
 * Glen Seator, Artist, Brooklyn, New York: Sculpture and installation art.
 * James J. Sheehan, Dickason Professor in the Humanities and Professor of History, Stanford University: A history of sovereignty in 20th-century Europe.
 * S. Murray Sherman, Leading Professor of Neurobiology and Behavior, State University of New York at Stony Brook: The thalamic relay of visual signals to the cortex.
 * Jocelyn Penny Small, Professor of Art History and the Library, Rutgers University: Narrative in classical art.
 * Bruce Smith, Poet, Tuscaloosa, Alabama; Associate Professor of English, University of Alabama: Poetry.
 * Rebecca Solnit, Writer, San Francisco: Photography and the invention of the present.
 * John Stembridge, Professor of Mathematics, University of Michigan: Combinatorial aspects of root systems and Weyl characters.
 * Judy Stevens, Artist, New York City: Sculpture.
 * Frank H. Stewart, Professor of Islamic and Middle Eastern Studies, Hebrew University of Jerusalem: The customary law of the Sinai Bedouin.
 * Robert Blair St. George, Associate Professor of History, University of Pennsylvania: Spoken language and oral poetics in early New England.
 * Kristine Stiles, Associate Professor of Art and Art History, Duke University: Documentary photography of the nuclear age.
 * Gwen Strahle, Artist, Dayville, Connecticut; Member of the Adjunct Faculty in Art, Rhode Island School of Design: Painting.
 * Z. S. Strother, Assistant Professor of Art History and Archaeology, Columbia University: The relationship of art to power in central Africa.
 * Richard Talbert, William Rand Kenan, Jr., Professor of History and Adjunct Professor of Classics, University of North Carolina at Chapel Hill: Cartography and world-view in ancient Rome.
 * Julie Taylor, Professor of Anthropology, Rice University: Argentine tango and the aesthetic of violence.
 * Maria Todorova, Professor of History, University of Florida: Nationalism and hero worship in the Balkans.
 * Stephen Tourlentes, Photographer, Somerville, Massachusetts; Visiting Associate Professor of Photography, Massachusetts College of Art: Photography.
 * Robert Trivers, Professor of Anthropology and Biological Sciences, Rutgers University: Genetic conflict within the individual.
 * Amanda Vaill, Writer, New York City: A biography of Jerome Robbins.
 * David J. Vayo, Composer, Bloomington, Illinois; Associate Professor of Composition and Theory and Coordinator, New Music Activities, Illinois Wesleyan University: Music composition.
 * Elizabeth Vierling, Professor of Biochemistry and of Molecular and Cellular Biology, and of Plant Sciences, University of Arizona: Gene-mapping for agricultural productivity at high temperatures.
 * Darla Villani, Choreographer, Brooklyn, New York: Choreography.
 * Mike Wallace, Professor of History, John Jay College of Criminal Justice, City University of New York: A history of New York City since 1898.
 * Wen I. Wang, Thayer Lindsley Professor of Electrical Engineering, Columbia University: Semiconductor heterostructures for information technologies.
 * Brenda Way, Choreographer, Oakland, California; Artistic Director, ODC/San Francisco: Choreography.
 * Joan Weiner, Professor of Philosophy, University of Wisconsin–Milwaukee: Frege's lessons for our understanding of language.
 * Rainer Weiss, Professor of Physics, Massachusetts Institute of Technology: Gravitational waves of astrophysical origin.
 * Jennifer Widom, Associate Professor of Computer Science and Electrical Engineering, Stanford University: New query and search techniques for the Internet.
 * Jennette Williams, Photographer, New York City; Instructor in Photography, School of Visual Arts: Photography.
 * Rhodri Windsor-Liscombe, Professor of Fine Arts, University of British Columbia: Modernist architectural theory and practice in the British Empire and Commonwealth.
 * Shira Wolosky, Professor of English and American Literature, Hebrew University of Jerusalem: Meaning without metaphysics in Hebraic tradition.
 * Stephen Shing-Toung Yau, Professor of Mathematics, Statistics, and Computer Science and Director, Control and Information Laboratory, University of Illinois at Chicago: Studies in complex and combinatorial geometry.
 * Marilyn B. Young, Professor of History, New York University: The postwar war in Korea.
 * Xumu Zhang, Associate Professor of Chemistry, Pennsylvania State University: Man-made catalysts for manufacturing.

Latin American and Caribbean Fellows

 * Andrés Alsina, Writer, Montevideo, Uruguay; Editor and Executive Director, El Diario, Montevideo: Nonfiction (in collaboration with Ana Solari).
 * Javier Auyero, Assistant Professor of Sociology, State University of New York at Stony Brook: Forms of collective action against structural adjustment and public corruption in contemporary Argentina.
 * Ana Mariella Bacigalupo, Assistant Professor of Anthropology, University at Buffalo: Gender and healing among the Chilean Mapuche.
 * Carlos A. Bertulani, Associate Professor of Physics, Institute of Physics, Federal University of Rio de Janeiro: A study of relativistic heavy-ion collisions and neutrino astrophysics.
 * Coral Bracho, Poet, Mexico City: Poetry.
 * Arnaldo Calveyra, Poet and Translator, Paris, France: Poetry.
 * Ernesto Julio Calvo, Professor of Physical Chemistry, University of Buenos Aires: A study of self-assembled proteins at interfaces for molecular recognition and signal generation.
 * Ricardo Cantoral, Professor of Mathematics Education, Center for Research and Advanced Studies, National Polytechnic Institute, Mexico City: The social construction of advanced mathematical knowledge and its institutional diffusion.
 * Daniel Catán, Composer, Los Angeles; Associate Director of Music, College of the Canyons, Santa Clarita, California: Music composition.
 * Elvira Cuevas, Associate Research Professor, Venezuelan Scientific Research Institute, Caracas: Changes in peat accretion in mangrove communities as an indicator of climate change.
 * Marco Antonio de la Parra, Playwright, Santiago, Chile: Play writing.
 * Aurelio de los Reyes, Research Scholar, Institute of Aesthetics Research, National Autonomous University of Mexico (UNAM): The cinema in Mexico, 1924-1932.
 * Julián Echave, Professor of Chemical Physics, National University of Quilmes, Buenos Aires: Structurally constrained protein evolution.
 * Daniel Goldberg, Film Maker, Mexico City; Director and Producer, Goldberg Lerner Productions: Film making.
 * Diego Golombek, Professor of Physiology, National University of Quilmes; Researcher, National Research Council of Argentina (CONICET): A study of biological timing and rhythms.
 * Mario Levrero, Writer, Montevideo, Uruguay: Fiction.
 * Leonardo López Luján, Research Professor, National Institute of Anthropology and History (INAH), Mexico City: Elite and government at Teotihuacan, Mexico.
 * Eduardo Reck Miranda, Composer, Paris, France; Researcher, Sony Computer Science Laboratory, Paris: Music composition.
 * Carlos Newland, Rector, Argentina University of Administration Sciences, Buenos Aires: Economic growth and structural change in the Andean region, 1650-1800.
 * Raquel Olea Barriga, Area Coordinator of Education and Culture, La Morada Corporation for the Development of Women, Santiago: Reconfiguration of male and female identity in social and esthetic languages of the Chilean transition.
 * Keyla Orozco Alemán, Composer, Amsterdam, the Netherlands: Music compositions.
 * Enrique Ramiro Pujals, Assistant Professor of Mathematics, Federal University of Rio de Janeiro: A study of nonhyperbolic dynamical systems.
 * Alejandro Cristian Raga, Senior Scientist, Institute of Astronomy, National Autonomous University of Mexico (UNAM): A study of collimated outflows from young stars.
 * Alessandra Sanguinetti, Photographer, Buenos Aires: Photography.
 * Maryse Sistach Perret, Film Maker, Mexico City: Film making.
 * Marta Lucia de Amorim Soares, Choreographer, São Paulo; Professor of Dance, Pontifical Catholic University of Sao Paulo: Choreography.
 * Fernando Ezequiel Solanas, Film Maker, Buenos Aires: Film making.
 * Ana Solari, Writer, Montevideo, Uruguay; Professor of Expressive and Creative Workshops and Student Counselor, Communications and Design School, University ORT, Montevideo: Nonfiction (in collaboration with Andrés Alsina).
 * Osvaldo Tcherkaski, Journalist, Buenos Aires; Assistant Managing Editor, Clarin: A new totalitarian trend of journalism in interpretation and criticism.
 * Ricardo Valderrama Fernández, University Professor of Anthropology, National University of San Antonio Abad in Cuzco, Peru: Twentieth-century myths of the Quechuas.
 * Pablo Veron, Choreographer, Montreal, Canada, and New York City: Choreography.
 * Vida Yovanovich, Photographer, Mexico City: Photography.
 * Trisha Ziff-Meyer, Writer and Curator, Mexico City: The historical narrative of the San Patricios in a contemporary context.


text:
Calcium nitrate

Calcium nitrate are inorganic compounds with the formula Ca(NO3)2(H2O)x. The anhydrous compound, which is rarely encountered, absorbs moisture from the air to give the tetrahydrate. Both anhydrous and hydrated forms are colourless salts. Hydrated calcium nitrate, also called Norgessalpeter (Norwegian salpeter), is mainly used as a component in fertilizers, but it has other applications. Nitrocalcite is the name for a mineral which is a hydrated calcium nitrate that forms as an efflorescence where manure contacts concrete or limestone in a dry environment as in stables or caverns. A variety of related salts are known including calcium ammonium nitrate decahydrate and calcium potassium nitrate decahydrate.

Production and reactivity
Norgessalpeter was synthesized at Notodden, Norway in 1905 by the Birkeland–Eyde process. Most of the world's calcium nitrate is now made in Porsgrunn. It is produced by treating limestone with nitric acid, followed by neutralization with ammonia:
 * CaCO3 + 2 HNO3 -> Ca(NO3)2 + CO2 + H2O

It is also an intermediate product of the Odda Process:
 * Ca5(PO4)3OH + 10 HNO3 -> 3 H3PO4 + 5 Ca(NO3)2 + H2O

It can also be prepared from an aqueous solution of ammonium nitrate, and calcium hydroxide:
 * 2 NH4NO3 + Ca(OH)2 -> Ca(NO3)2 + 2 NH4OH

Like related alkaline earth metal nitrates, calcium nitrate decomposes upon heating (starting at 500 °C) to release nitrogen dioxide:
 * 2 Ca(NO3)2 -> 2 CaO + 4 NO2 + O2  ΔH = 369 kJ/mol

Use in agriculture
The fertilizer grade (15.5-0-0 + 19% Ca) is popular in the greenhouse and hydroponics trades; it contains ammonium nitrate and water, as the "double salt" 5Ca(NO3)2*NH4NO3*10H2O. This is called calcium ammonium nitrate and often the name calcium nitrate prill is used as it always comes in a prilled (granular) form. Formulations lacking ammonia are also known: Ca(NO3)2*4H2O (11.9-0-0 + 16.9 Ca) and the water-free 17-0-0 + 23.6 Ca. A liquid formulation (9-0-0 + 11 Ca) is also offered. An anhydrous, air-stable derivative is the urea complex Ca(NO3)2*4[OC(NH2)2], which has been sold as Cal-Urea.

Calcium nitrate is also used to control certain plant diseases. For example, dilute calcium nitrate (and calcium chloride) sprays are used to control bitter pit and cork spot in apple trees.

Waste water treatment
Calcium nitrate is used in waste water pre-conditioning for odour emission prevention. The waste water pre-conditioning is based on establishing an anoxic biology in the waste water system. In the presence of nitrate, the metabolism for sulfates stops, thus preventing formation of hydrogen sulfide. Additionally easy degradable organic matter is consumed, which otherwise can cause anaerobic conditions downstream as well as odour emissions itself. The concept is also applicable for surplus sludge treatment.

Concrete
Calcium nitrate is used in set accelerating concrete admixtures. This use with concrete and mortar is based on two effects. The calcium ion accelerates formation of calcium hydroxide and thus precipitation and setting. This effect is used also in cold weather concreting agents as well as some combined plasticizers. The nitrate ion leads to formation of iron hydroxide, whose protective layer reduces corrosion of the concrete reinforcement.

Latex coagulant
Calcium nitrate is a very common coagulant in latex production, especially in dipping processes. Dissolved calcium nitrate is a part of the dipping bath solution. The warm former is dipped into the coagulation liquid and a thin film of the dipping liquid remains on the former. When now dipping the former into the latex the calcium nitrate will break up the stabilization of the latex solution and the latex will coagulate on the former.

Cold packs
The dissolution of calcium nitrate tetrahydrate is highly endothermic (cooling). For this reason, calcium nitrate tetrahydrate is sometimes used for regenerable cold packs.

Molten salts for heat transfer and storage
Calcium nitrate can be used as a part of molten salt mixtures. Typical are binary mixtures of calcium nitrate and potassium nitrate or ternary mixtures including also sodium nitrate. Those molten salts can be used to replace thermo oil in concentrated solar power plants for the heat transfer, but mostly those are used in heat storage.

title: Calcium nitrate


text:
Talk:Mabe Village

color screenshots
Someone needs to replace those screenshots with the color ones, which just so much look nicer! Also it would be nice to have an outside shot or two of Mabe Village, perhaps of the Flying Rooster statue. If no-one else does this, I guess I will. Master Thief Garrett 00:57, 14 Apr 2005 (UTC)

title: Talk:Mabe Village


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Red Mile

The Red Mile is the name given to a stretch of 17 Avenue SW in Calgary, Alberta, Canada during the Calgary Flames 2004 Stanley Cup playoff run, which ended with a loss to the Tampa Bay Lightning in seven games in the finals. It gained worldwide notoriety both for the relative lack of violence while upwards of 55,000 fans celebrated their team's success. The 'Red' originates from the home team colour of the Calgary Flames' jerseys, red, similarly characterized by the 'Sea of Red' seen at many home games in the Saddledome; 'Sea of Red' and 'C of Red' (for the Flames' flaming C) is a play on words.

Electric Avenue
The predecessor to the Red Mile was a bar strip on 11th Avenue S.W. known as Electric Avenue, where thousands of Flames fans celebrated during the 1986 and 1989 playoff runs. Concerns by the City about the violence encouraged by having so many bars in such close proximity ultimately led to the shut down of Electric Avenue in the early 1990s.

2004 Stanley Cup playoffs
2004 marked the first time the Flames qualified for the NHL's Stanley Cup playoffs since 1996. The Red Mile's beginnings were relatively humble, and consisted of people driving down the Red Mile honking and waving flags, as people walked the streets cheering and clapping hands. Several thousand fans went to bars along 17th Avenue S.W. to watch the Flames on the road against the Vancouver Canucks in the first round, and also to watch the team play at the nearby Pengrowth Saddledome for home games. When the Flames eliminated the Canucks in the seventh and deciding game by Martin Gelinas' overtime goal, fans flooded the streets in a relatively spontaneous party celebrating the Flames first playoff series victory since the 1989 [[Stanley Cup Finals against the Montreal Canadiens. The fact that this was spontaneous is a phenomenon in itself; there had been no advertising or other form of publicizing of 17th Avenue as an after-game party strip prior to the playoff run.

As the Flames progressed through the subsequent playoff series against the Detroit Red Wings, San Jose Sharks and Tampa Bay Lightning, the popularity of the Red Mile continued to grow, and along with it the party atmosphere. By the time of the seventh game of the Stanley Cup Finals against Tampa, the city was expecting over 100,000 people would flood the area if the Flames were to win the Cup. This, however, was not to be as the Lightning defeated the Flames in Game 7, 2–1.

Celebration or exploitation?
The Red Mile's primary claim to fame was its relaxed attitude towards society's norms, as women bared their breasts to chants like "Flames in six, show us your tits" and "shirts off for Kiprusoff". The growing amount of nudity led to the creation of the flamesgirls.com website that featured hundreds of photos of women flashing the crowd.

The website, and the growing number of revelers with cameras in hand intent only on snapping photos of topless women caused critics to condemn it as little more than the exploitation of women. This argument was supported when the producers of the Girls Gone Wild pornography series came to Calgary in the summer of 2005 looking for material for its series.

However, University of Calgary professor Mary Valentich argued that the nudity was the result of "a complex set of factors, including a desire to celebrate the Flames victories, a desire to break the rules, feelings of stardom and a sense of history", and that many women did not feel that their actions were sexual in nature, but rather a part of the party.

Police presence
The city began closing off 17th Avenue S.W. to all vehicle traffic and enforcing strict parking laws from 15:30 to 00:00 every game day. The police presence included scores of police officers involved in keeping everything under control through patrols down the street, standing in lines along the street, forming circles of officers in intersections, officers on bicycles, a number of police cars, and the police helicopter, HAWC1.

Despite the police presence, there were very few incidents involving police. For example, someone witnessed a drunken fan carrying open alcohol get pushed into a group of police officers, however the police officers simply confiscated the alcohol and then sent the person on their way. The attitude of the police officers seems to discourage people from committing violent acts.

2006 controversy
Complaints about the noise and traffic tie-ups by some area businesses and residents led to the Calgary Police proposing to severely limit or shut down the Red Mile entirely for the 2006 playoffs. Police announced a zero-tolerance policy on jaywalking, public drunkenness and public nudity.

The policy was first enforced during a regular season game against the Mighty Ducks of Anaheim as dozens of officers patrolled the area between the Saddledome and 17th Avenue S.W. handing out nearly 500 tickets during their crackdown. Police justified the crackdown arguing that while there was a notable lack of violence in 2004, the potential remains high in such situations. The time and cost to police during was also a concern. As many as 300 officers patrolled the Red Mile, including the police helicopter, at a cost of over $1 million. The reason for the police presence was that the game was seen as a preview of the opening round of the 2006 Stanley Cup playoffs which featured Anaheim vs Calgary. The game was the final game of the regular season for both teams.

Despite their attempts, police were unable to stop fans from overwhelming the street following the Flames 2–1 overtime victory in the first game of the 2006 playoffs, as over 10,000 fans packed the Red Mile. No major incidents were reported. However, following the Flames' game five victory, police reported that some of the estimated 18,000 fans on the mile were lighting firecrackers in the crowd, and had thrown bottles at officers. One officer suffered a cut, and 12 people were arrested for various offenses.

2015 Stanley Cup playoffs
Following a first round series win as the Calgary Flames eliminated the Vancouver Canucks in game 6 of the series at the Scotiabank Saddledome, fans flocked to the Red Mile once again. There was between 10,000 and 12,000 fans on the stretch of 17th Avenue in Calgary. Police in Calgary had limited reports of open alcohol and minor property damage, but overall it was said to have been a peaceful celebration. Staff Sgt. Steve Ellefson of the Calgary Police Service said fans behaved well: “When you have 10 to 12,000 fans out, it just goes to show the class of the Flames fans enjoying a win”.

2022 Stanley Cup playoffs
Following one of the most successful regular seasons in franchise history, Calgary Flames fans once again returned to the Red Mile on 17 Avenue SW. Prior to the 2022 Stanley Cup playoffs, representatives from local businesses as well as residents met with Calgary Police to discuss how crowds will be controlled during the Flames playoff run. Following years of COVID restrictions, some of those participants were positive and ready to welcome the city. A recent injunction restricting unsanctioned gatherings related to COVID restrictions was lifted just in time for Calgarians to celebrate as a community. In preparation for Round 1, the City of Calgary put a parking ban in place along the Red Mile for home playoff games, along with alcohol only allowed inside licensed establishments, no public consumption of cannabis, and an increased police and peace officer presence.

title: Red Mile


text:
List of Guggenheim Fellowships awarded in 1999

List of Guggenheim Fellowships awarded in 1999.

U.S. and Canadian Fellows

 * Chris Aiken, Choreographer and Dancer, Minneapolis; Teaching Specialist in Theatre Arts and Dance, University of Minnesota: Choreography.
 * Jonathan Ames, Writer, New York City: Fiction.
 * Barbara Watson Andaya, Professor of Asian Studies, University of Hawaii: A gendered history of early modern Southeast Asia.
 * C. Edson Armi, Professor of History of Art, University of California, Santa Barbara: The first Romanesque architecture.
 * Jon Robin Baitz, Playwright, New York City; Co-Director, Dramatic Writing Program, Juilliard School: Play writing.
 * Peter Balakian, Professor of English, Colgate University: A family memoir.
 * Lillian Ball, Artist, New York City: Visual art.
 * Mary C. Beckerle, Professor of Biology, University of Utah: The molecular mechanism of cell movement.
 * Robin Behn, Poet, Tuscaloosa, Alabama; Associate Professor of English, University of Alabama: Poetry.
 * Andrea Belag, Artist, New York City; Instructor in Drawing, School of Visual Arts: Painting.
 * David Beratan, Professor of Chemistry, University of Pittsburgh: Energy transduction schemes in biology.
 * Janet Catherine Berlo, Susan B. Anthony Professor of Gender and Women's Studies and Professor of Art History, University of Rochester: Graphic arts of the 19th-century Plains Indians.
 * Derek Bermel, Composer, Brooklyn, New York: Music composition.
 * Ben S. Bernanke, Howard Harrison and Gabrielle Snyder Beck Professor of Economics and Public Affairs, Princeton University: Economic policy and the Great Depression.
 * David Biale, Koret Professor of Jewish History and Director, Richard S. Dinner Center for Jewish Studies, Graduate Theological Union, Berkeley, California: Blood as a symbol and a substance in Western culture.
 * Roger Bilham, Professor of Geological Sciences and Associate Director, Cooperative Institute for Research in the Environmental Sciences(CIRES), University of Colorado, Boulder: Global urbanization and seismic risk.
 * Sheila S. Blair, Independent Scholar, Richmond, New Hampshire: A survey of Islamic calligraphy.
 * Caroline H. Bledsoe, Professor of Anthropology, Northwestern University: Body contingency and linearity in the history of Western obstetrics.
 * Andrea Blum, Artist, New York City; Associate Professor of Art, Hunter College, City University of New York: Sculpture and public art.
 * David Bottoms, Poet, Marietta, Georgia; Professor of English, Georgia State University: Poetry.
 * Rogers Brubaker, Professor of Sociology, University of California, Los Angeles: Ethnicity and nationalism in a Transylvanian town.
 * Stephen G. Brush, Distinguished University Professor of the History of Science, University of Maryland, College Park: A comparative study of theory evaluation in different sciences.
 * Steven M. Burke, Composer, Hopewell Junction, New York: Music composition.
 * Jacqueline Carey, Writer, Missoula, Montana: Fiction.
 * Susan Carey, Professor of Psychology, New York University: The origin of concepts.
 * George Chaconas, Professor of Biochemistry and MRC Distinguished Scientist, University of Western Ontario: Molecular biological studies of the Lyme disease spirochete.
 * Gordon H. Chang, Associate Professor of History, Stanford University: America's relationship with Asia.
 * Jay Clayton, Professor of English and Director of Graduate Studies, Vanderbilt University: Contemporary culture and the 19th-century heritage.
 * Daniel A. Cohen, Associate Professor of History, Florida International University: Rebecca Reed and the burning of the Charlestown convent.
 * Bernard Cooper, Writer, Los Angeles; Member of the Core Faculty in Fiction and Creative Non-Fiction, Antioch University: A memoir.
 * Leda Cosmides, Associate Professor of Psychology, University of California, Santa Barbara: Reason and the evolution of the imagination (in collaboration with John Tooby).
 * James Cracraft, Professor of History and University Scholar, University of Illinois at Chicago: The Petrine revolution in Russian culture.
 * Blondell Cummings, Choreographer and Performer, New York City: Choreography.
 * Andrew Cyrille, Composer, Montclair, New Jersey; Member of the Faculty in Music, New School for Social Research: Music composition.
 * Frederick T. Davies, Jr., Professor of Horticulture and of Molecular and Environmental Plant Sciences, Texas A&M University: Mycorrhizal fungi as biofertilizers in Peruvian potato farming systems.
 * Dick Davis, Professor of Near Eastern Languages and Cultures, Ohio State University: Translation and literary hybridity.
 * Robert C. Davis, Associate Professor of History, The Ohio State University: Italian responses to enslavement by Barbary Coast corsairs, 1500-1800.
 * Victoria de Grazia, Professor of History, Columbia University: American market culture in 20th-century Europe.
 * Percy Alec Deift, Professor of Mathematics, Courant Institute, New York University: Riemann-Hilbert problems in pure and applied mathematics.
 * Paul DeMarinis, Artist, San Francisco; Lecturer in Sound Art, San Francisco Art Institute: Sound installation.
 * Junot Díaz, Writer, New York City; Assistant Professor of Creative Writing, Syracuse University: Fiction.
 * Patsy S. Dickinson, Professor of Biology, Bowdoin College: Long-term control of neural networks and neuronal properties.
 * Tamar Diesendruck, Composer, Somerville, Massachusetts; Fellow, Bunting Institute, Radcliffe College: Music composition.
 * Marita Dingus, Artist, Auburn, Washington: Sculpture.
 * Emmanuel Dongala, Writer, Great Barrington, Massachusetts; Member of the Faculty in Literature and Chemistry, Simon's Rock College of Bard College: Fiction.
 * Christopher B. Donnan, Professor of Anthropology, University of California, Los Angeles: Ceramic portraits of ancient Peru.
 * Linda Dowling, Independent Scholar, Princeton, New Jersey: Charles Eliot Norton and the art of civil life.
 * Laura Lee Downs, Associate Professor of History, University of Michigan: French children's summer camps, 1880-1960.
 * Ellen Carol DuBois, Professor of History, University of California, Los Angeles: Women's enfranchisement worldwide.
 * Alessandro Duranti, Professor of Anthropology, University of California, Los Angeles: Walter Capps' campaign for the United States Congress.
 * Barry Eichengreen, John L. Simpson Professor of Economics and Professor of Political Science, University of California, Berkeley: The European economy since 1945.
 * G. Barney Ellison, Professor of Chemistry and Biochemistry, University of Colorado, Boulder: Atmospheric processing of organic aerosols.
 * Nader Engheta, Professor of Electrical Engineering, University of Pennsylvania: Fractional paradigm of classical electrodynamics.
 * Will Eno, Playwright, Brooklyn, New York: Play writing.
 * Eve Ensler, Playwright, New York City: Play writing.
 * Kathleen M. Erndle, Associate Professor of Religion, Florida State University: Women, goddess possession, and power in Kangra Hinduism.
 * Jason Eskenazi, Photographer, Bayside, New York: Photography.
 * Andrew G. Ewing, Professor of Chemistry, J. Lloyd Huck Professor in Natural Sciences, and Adjunct Professor of Neuroscience and Anatomy, Pennsylvania State University: Single-cell membrane structure following exocytosis.
 * Carole Fabricant, Professor of English, University of California, Riverside: Anglo-Irish representations of colonial Ireland.
 * B. H. Fairchild, Poet, Claremont, California; Professor of English, California State University, San Bernardino: Poetry.
 * Aaron L. Fogelson, Professor of Mathematics, University of Utah: The processes of platelet aggregation and coagulation.
 * John Foran, Professor of Sociology, University of California, Santa Barbara: The origins of Third World social revolutions.
 * David Frick, Professor of Slavic Languages and Literatures, University of California, Berkeley: Peoples, confessions, and languages in 17th-century Vilnius.
 * Peter Fritzsche, Professor of History, University of Illinois at Urbana-Champaign: Nostalgia and memory.
 * Kit Galloway, Video Artist, Santa Monica, California; Co-Director, Electronic Cafe International, Santa Monica: Video (in collaboration with Sherrie Rabinowitz).
 * Andrew Garrison, Film Maker, Louisville, Kentucky; Visiting Lecturer in Film, University of Texas at Austin: Film making.
 * Daniel Gilbert, Professor of Psychology, Harvard University: The psychology of affective forecasting.
 * Scott F. Gilbert, Professor of Biology, Swarthmore College: The development and evolution of turtle shells.
 * Glenda Elizabeth Gilmore, Associate Professor of History, Yale University: Americans and race from World War I to the Brown decision.
 * Warren Ginsberg, Professor of English, University at Albany, State University of New York: Chaucer's Italian tradition.
 * Robb W. Glenny, Associate Professor of Medicine and of Physiology and Biophysics, University of Washington School of Medicine: Efficient pulmonary gas exchange.
 * Lydia Goehr, Professor of Philosophy, Columbia University: The concept of musicality in modernist opera.
 * David Goldes, Photographer, Minneapolis; Professor of Media Arts, Minneapolis College of Art and Design: Photography.
 * Cameron Gordon, Sid W. Richardson Foundation Regents Professor of Mathematics, University of Texas at Austin: Studies in three-dimensional manifolds.
 * Kenneth R. Graves, Photographer, State College, Pennsylvania; Professor of Art, Pennsylvania State University: Photography.
 * James E. Haber, Professor of Biology, Brandeis University: The mechanisms of recombination and DNA repair.
 * Matt Harle, Artist, Brooklyn, New York: Sculpture.
 * Neil Harris, Preston and Sterling Morton Professor of History, University of Chicago: A history of the American urban newspaper building.
 * Jeffrey W. Harrison, Poet, Andover, Massachusetts; Roger Murray Writer-in-Residence, Phillips Academy, Andover: Poetry.
 * Regina Harrison, Professor of Comparative Literature and Spanish and Director, Comparative Literature Program, University of Maryland, College Park: Cultural translation in colonial Spanish-Quechua literature.
 * Kathryn Hellerstein, Lecturer in Yiddish Language and Literature, University of Pennsylvania: Women poets in Yiddish.
 * Paul Hendrickson, Staff Writer, The Washington Post; Visiting Lecturer in English, University of Pennsylvania: The legacy of racism in Mississippi sheriffs' families.
 * Michael Herzfeld, Professor of Anthropology, Harvard University: Past and present in modern Rome.
 * Julia Heyward, Multi-media Artist, New York City; Visiting Instructor in Video Production, Pratt Institute: Multi-media art.
 * Tin-Lun Ho, Professor of Physics, Ohio State University: The new physics of quantum gases of alkali atoms.
 * Robert Hooper, Artist, Kildeer, Illinois: Painting.
 * Jean E. Howard, Professor of English and Director, Institute for Research on Women and Gender, Columbia University: The social role of the London commercial theater in the early 17th century.
 * Terence T. L. Hwa, Associate Professor of Physics, University of California, San Diego: Statistical mechanics of biopolymer association.
 * Tina L. Ingraham, Artist, Brunswick, Maine: Painting.
 * Mikhail Iossel, Writer, Schenectady, New York; Writer-in-Residence, Union College: Fiction.
 * Robert Grant Irving, Independent Scholar, West Hartford, Connecticut; Associate Fellow, Berkeley College, Yale University: A life of Sir Herbert Baker, architect.
 * Peter Iverson, Professor of History, Arizona State University: A history of the Navajos.
 * David Jablonski, Professor of Geophysical Sciences, University of Chicago: A synthetic study of macroevolution.
 * Ron Jenkins, Professor of Performing Arts, Emerson College: The theatrical artistry of Dario Fo.
 * Ha Jin, Writer, Lawrenceville, Georgia; Associate Professor of English, Emory University: Fiction.
 * Caroline A. Jones, Associate Professor of Art History, Boston University: Clement Greenberg and American art.
 * William E. Jones, Film Maker, Los Angeles; Member of the Faculty, California Institute of the Arts: Film making.
 * Shirley Kaneda, Artist, New York City: Painting.
 * Leo Katz, Professor of Law, University of Pennsylvania Law School: The perverse logic of law and morality.
 * Carol Keller, Artist, Boston, Massachusetts; Assistant Professor of Art, Boston University: Visual art.
 * Jeffrey Knapp, Associate Professor of English, University of California, Berkeley: Church, nation, and theater in Renaissance England.
 * Paul Koonce, Composer, Princeton, New Jersey; Assistant Professor of Music, Princeton University: Music composition.
 * Carol Lansing, Professor of History, University of California, Santa Barbara: The popolo minuto in medieval Bologna.
 * Liz Larner, Artist, Los Angeles; Member of the MFA Faculty, Art Center College of Design, Pasadena: Sculpture.
 * James M. Lattimer, Professor of Physics and Astronomy, State University of New York at Stony Brook: The equation of state and neutrino opacities in dense matter.
 * Tanya Leullieux (La Tania), Choreographer, Willits, California; Artistic Director, Choreographer, and Dancer, La Tania Flamenco Music and Dance: Choreography.
 * Yanguang Li, Assistant Professor of Mathematics, University of Missouri; American Mathematical Society Centennial Fellow, Institute for Advanced Study, Princeton: Chaos in partial differential equations.
 * Ken Lum, Artist, Vancouver, Canada; Professor of Fine Arts, University of British Columbia: Visual art.
 * Joseph H. Lynch, Professor of History, Ohio State University: Deathbed conversion to the monastic life, 850-1250.
 * Sabine G. MacCormack, Mary Ann and Charles R. Walgreen, Jr., Professor for the Study of Human Understanding, Professor of Classical Studies, and Professor of History, University of Michigan: Historical writing in Spain and Peru, 1500-1650.
 * Ivan G. Marcus, Frederick P. Rose Professor of Jewish History, Professor of History, and of Religious Studies, Yale University: The relationship of medieval Jews and Christians.
 * Ingram Marshall, Composer, Hamden, Connecticut: Music composition.
 * Emily Martin, Professor of Anthropology, Princeton University: A cultural analysis of mental terrain in the United States.
 * Lisa L. Martin, Professor of Government, Harvard University: Institutional effects on state behavior.
 * John Mason, Director, Yoruba Theological Archministry, Brooklyn, New York: Memorial wall-paintings for misspent inner city youth.
 * Sara F. Matthews Grieco, Professor of History and Coordinator, Women's and Gender Studies, Syracuse University in Florence, Italy: Printed pictures and the construction of identity in Italy, 1450-1650.
 * Peter I. Mészáros, Professor of Astronomy and Astrophysics, Pennsylvania State University: Gamma-ray bursts and their afterglows.
 * Linne R. Mooney, Associate Professor of English, University of Maine: Professional scribes in medieval England.
 * Ketan Mulmuley, Professor of Computer Science, University of Chicago: Studies in geometric complexity theory.
 * Robert S. Nelson, Professor of Art History, University of Chicago: Hagia Sophia as medieval church and modern monument.
 * Richard G. Newhauser, Professor of English and Medieval Studies, Trinity University, San Antonio, Texas: The sin of avarice in medieval and Renaissance thought.
 * William Royall Newman, Professor of History and Philosophy of Science, Indiana University: Daniel Sennert and early modern matter-theory.
 * Josip Novakovich, Writer, Cincinnati, Ohio; Associate Professor of English and Comparative Literature, University of Cincinnati: Fiction.
 * Stephen Nowicki, Anne T. and Robert M. Bass Associate Professor of Zoology, Duke University: Nutrition and song-learning in birds.
 * Geoffrey O'Brien, Writer, New York City; Editor-in-Chief, Library of America, New York City: Popular music in 20th-century American life.
 * Alex O'Neal, Artist, Brooklyn, New York: Painting.
 * Steve Orlen, Poet, Tucson, Arizona; Professor of English, University of Arizona; Member of the Faculty, Warren Wilson College MFA Program for Writers: Poetry.
 * Katharine Park, Samuel Zemurray, Jr. and Doris Zemurray Stone-Radcliffe Professor of the History of Science and Women's Studies, Harvard University: The early history of human dissection.
 * Robert ParkeHarrison, Photographer, Worcester, Massachusetts; Assistant Professor of Art, College of the Holy Cross: Photography.
 * Pat Passlof, Artist, New York City; Professor of Art, College of Staten Island, City University of New York: Painting.
 * Leighton Pierce, Film Maker, Iowa City; Professor of Film and Video Production, University of Iowa: Film making.
 * Claudia Roth Pierpont, Writer, New York City; Contributor, The New Yorker: A biography of Lincoln Kirstein.
 * David J. Pine, Professor of Chemical Engineering and Professor of Materials, University of California, Santa Barbara: The dynamics of mesoscopic glassy materials.
 * Russell Pinkston, Composer, Austin, Texas; Associate Professor of Composition and Director, Electronic Music Studios, University of Texas at Austin: Music composition.
 * Melissa Ann Pinney, Photographer, Evanston, Illinois; Adjunct Instructor in Photography, Columbia College Chicago: Photography.
 * Robert A. Pollak, Hernreich Distinguished Professor of Economics, College of Arts and Sciences and the John M. Olin School of Business, Washington University in St. Louis: Family bargaining.
 * Sherrie Rabinowitz, Video Artist, Santa Monica, California; Co-Director, Electronic Cafe International, Santa Monica: Video (in collaboration with Kit Galloway).
 * Peter Railton, Professor of Philosophy, University of Michigan: Objectivity and value.
 * Archie Rand, Artist, Brooklyn, New York; Professor of Visual Arts and Director of Painting and Drawing, Columbia University: Painting.
 * Susan Rethorst, Choreographer, Amsterdam, the Netherlands; Instructor in Choreography, Amsterdam School of the Arts: Choreography.
 * Michael Riordan, Assistant to the Director, Stanford Linear Accelerator Center, California; Adjunct Professor of Physics, University of California, Santa Cruz: The rise and fall of the Superconducting Super Collider.
 * Tyson R. Roberts, Research Associate, Smithsonian Tropical Research Institute(STRI), Panama, and Biodiversity Research and Training Program(BRTP), National Center for Genetic Engineering and Biotechnology, Bangkok, Thailand: Freshwater fishes of tropical Asia.
 * Hanneline G. Rogeberg, Artist, Hoboken, New Jersey; Assistant Professor of Painting, Mason Gross School of the Arts, Rutgers University: Painting.
 * Peter A. Rogerson, Professor of Geography, University at Buffalo, State University of New York: Statistical methods for the surveillance of geographic patterns.
 * Kurt Rohde, Composer, San Francisco; Artistic Director, Chamber Music Partnership, San Francisco: Music composition.
 * Pam Ronald, Associate Professor of Plant Pathology, University of California, Davis: Bacterial factors affecting plant host signal transduction.
 * Kristin Ross, Professor of Comparative Literature, New York University: French cultural memory and the May 1968 upheavals.
 * Ira Sadoff, Poet, Hallowell, Maine; Dana Professor of Poetry, Colby College: Poetry.
 * Roberto H. Schonmann, Professor of Mathematics, University of California, Los Angeles: Percolation and related processes on graphs.
 * Seth Schwartz, Associate Professor of History, Jewish Theological Seminary: Imperialism and Jewish society, 200 BCE - 634 CE.
 * Carol Shields, Writer, Winnipeg, Canada; Chancellor, University of Winnipeg; Professor of English, University of Manitoba: Fiction.
 * Uri Shulevitz, Artist and Writer, New York City: Sephardic folktales for young readers.
 * Montgomery Slatkin, Professor of Integrative Biology, University of California, Berkeley: Population genetics of human genetic diseases.
 * Steven B. Smith, Photographer, Providence, Rhode Island; Adjunct Professor of Photography, Rhode Island School of Design: Photography.
 * C. Christopher Soufas, Jr., Professor of Spanish, Tulane University: Spanish literature in modernist Europe.
 * Joel Spruck, Professor of Mathematics, Johns Hopkins University: Nonlinear problems in geometry.
 * Richard Stamelman, Professor of Romance Languages and Literatures, Williams College: The literature and culture of perfume.
 * Duncan G. Steel, Professor of Electrical Engineering and Computer Science, and Professor of Physics, University of Michigan: Semiconductor nanostructures for quantum information.
 * Christopher Sullivan, Film Animator, Chicago; Associate Professor of Film Making, School of the Art Institute of Chicago: Film animation.
 * Katherine H. Tachau, Professor of History, University of Iowa: The creation of the Bibles moralisées in 13th-century Paris.
 * Éva Tardos, Professor of Computer Science, Cornell University: Approximation-algorithms for network problems.
 * Maria Tatar, Professor of German, Harvard University: "Bluebeard" in folklore, fiction, and film noir.
 * Roger Tibbetts, Artist, Dayville, Connecticut; Associate Professor of Painting, Massachusetts College of Art: Painting and sculpture.
 * John Tooby, Professor of Anthropology, University of California, Santa Barbara: Reason and the evolution of the imagination (in collaboration with Leda Cosmides).
 * Alan M. Wald, Professor of English and American Culture, University of Michigan: The American literary left in the mid-20th century.
 * Mack Walker, Professor of History, Johns Hopkins University: The Halle enlightenment, 1685-1725.
 * Alice Wexler, Research Scholar, Center for the Study of Women, University of California, Los Angeles: Chorea and community in East Hampton, New York.
 * Susan Wheeler, Poet, New York City; Member of the MFA Faculty in Creative Writing, New School for Social Research: Poetry.
 * Brian White, Professor of Mathematics, Stanford University: Minimal surfaces and mean-curvature flow.
 * Bruce Winstein, Samuel K. Allison Distinguished Service Professor of Physics, University of Chicago: Polarization measurement of cosmic microwave background radiation.
 * Brian Wood, Photographer and Artist, New York City; Lecturer in Photography, Yale University: Photography and graphic art.
 * Martha Woodmansee, Professor of English, Case Western Reserve University: Germany's contribution to the Western concept of intellectual property.
 * Randall Woolf, Composer, Brooklyn, New York: Music composition.
 * James D. Wuest, Professor of Chemistry, University of Montreal: Molecular tectonics.
 * Wu Hung, Harrie A. Vanderstappen Distinguished Service Professor of Art History, University of Chicago: Ruins in Chinese visual culture.
 * Andrei Y. Yakovlev, Professor and Director of Biostatistics, Huntsman Cancer Institute, University of Utah: Oligodendrocyte development in cell culture.
 * Reginald Yates, Choreographer, Tampa, Florida; Artist-in-Residence, Juilliard School: Choreography.
 * Eric Zencey, Writer, East Calais, Vermont: The Wollemi pines.
 * Xin Zhou, Associate Professor of Mathematics, Duke University: Oscillatory Riemann-Hilbert problems.

Latin American and Caribbean Fellows

 * Carlos Aguirre, Assistant Professor of Latin American History, University of Oregon: A social, political, and cultural history of imprisonment in modern Peru.
 * Alfredo Benavidez Bedoya, Artist, Buenos Aires, Argentina; Rector, High School of Fine Arts 'Ernesto de la Cárcova', Buenos Aires: Graphic art.
 * Esteban Buch, Writer and Musicologist, Paris, France: Opera, zoophilia, and dictatorship.
 * Gloria Camiruaga, Video Artist, Santiago, Chile: Film making.
 * Marisa Carrasco, Associate Professor of Psychology and Neural Sciences, New York University: Effects of spatial attention on visual perception.
 * María C. Chavarría, Assistant Professor of Spanish, Indiana University-Purdue University Indianapolis: Ethnolinguistic dictionary of Ese eja and Spanish.
 * Gabri Christa, Choreographer, Staten Island, New York and Curaçao; Artistic Director, CREATE!, Il Piccolo Teatro, Brooklyn, New York: Choreography.
 * Hildegardo Córdova Aguilar, Professor of Geography and Executive Director, Research Center for Applied Geography (CIGA), Pontifical Catholic University of Peru, Lima: The environmental sustainability of medium-sized cities in Peru.
 * René Davids, Associate Professor of Architecture, University of California, Berkeley: The hillside elevator as a generator of social and urban form in Valparaíso.
 * Roberto Escudero, Professor of Physics, Institute of Materials Research, National Autonomous University of Mexico (UNAM): Electron tunneling in magnetic systems.
 * Jorge Febles Dueñas, Research Professor, Center for Anthropology, Havana, Cuba: The application of new information and communication technologies to archaeology.
 * Pablo A. Ferrari, Professor of Mathematics, University of São Paulo, Brazil: Space-time behavior, quasi-stationarity, and random environment for interacting particle systems.
 * Paz Alicia Garciadiego, Screenwriter, Mexico City: Screen writing.
 * Roberto Gargarella, Professor of Constitutional Law and Legal Philosophy, Universidad Torcuato di Tella, Buenos Aires, Argentina: The philosophical bases of South American constitutionalism, 1810-1860.
 * Jorge Daniel Gelman, Professor of History, University of Buenos Aires, Argentina: The state and the agrarian question in Buenos Aires in the first half of the 19th century.
 * Guillermo Giucci, Adjunct Professor of Brazilian Literature, State University of Rio de Janeiro, Brazil: A cultural biography of Gilberto Freyre.
 * Flavio Grynszpan, Assistant Professor, The Scripps Research Institute, La Jolla, California: Towards the design and synthesis of artificial enzymes.
 * Nibaldo C. Inestrosa, Professor of Molecular Neurobiology, Catholic University of Chile, Santiago: A study of the interaction of cholinesterases with the amyloid-β peptide.
 * Leopoldo Infante, Associate Professor of Astrophysics, Catholic University of Chile, Santiago: Formation and evolution of structure in the universe.
 * Noemi Lapzeson, Choreographer, Teacher, and Artistic Director, Vertical Danse-Company Noemi Lapzeson, Geneva, Switzerland: Choreography.
 * Pedro Lemebel, Writer, Santiago, Chile; Radio Commentator, Radio Tierra Purísima, Santiago: Chronicles of a sinner.
 * Enrique P. Lessa, Professor of Evolution, University of the Republic, Montevideo, Uruguay: Geographic genetic structure in the Rio Negro tuco-tuco.
 * João Gilberto Noll, Writer, Porto Alegre, Brazil; Columnist, Folha de S.Paulo: Fiction.
 * Osvaldo L. Podhajcer, Professor of Biochemistry and Molecular Biology, University of Buenos Aires, Argentina; Head, Gene Therapy Laboratory, Fundacion Campomar, Buenos Aires: Molecular mechanisms associated with human melanoma progression.
 * Rosângela Rennó, Artist, Rio de Janeiro, Brazil: Multimedia and installation art.
 * Mario Sagradini, Artist, Montevideo, Uruguay: Installation art.
 * Arthur Simms, Artist, Long Island City, New York; Preparator, Museum of Modern Art, New York City: Sculpture.
 * Heinz R. Sonntag, Professor of Sociology and Senior Researcher, Center for Development Studies, Central University of Venezuela, Caracas: Exclusion, poverty, integration, and cohesion in comparative perspective.
 * Javier Téllez, Artist, Long Island City, New York: Installation art.
 * Teresa Toledo Cabrera, Independent Researcher and Specialist in Latin American Film Documentation, Madrid, Spain: A dictionary of Latin American film directors.
 * Henrique E. Toma, Professor of Chemistry, Institute of Chemistry, University of São Paulo, Brazil: Supramolecular complexes and devices.
 * Sergio Vega, Artist, New York City: Installation art.
 * Julia Vicioso, Architect, Rome, Italy: The role of the Columbus family palace in the development of colonial Latin American architecture.
 * Mariana Villanueva, Composer, Morelos, Mexico: Music composition.


text:
(Pronounced 'Lĕh-'nérd 'Skin-'nérd)

(Pronounced 'Lĕh-'nérd 'Skin-'nérd) is the debut studio album by American rock band Lynyrd Skynyrd, released on August 13, 1973, by MCA Records. Several of the album's tracks remain among the band's most well-known: "Gimme Three Steps", "Simple Man", "Tuesday's Gone", and "Free Bird", the last of which launched the band to national stardom.

Peaking at No. 27 on the US Billboard 200 in 1975, the album was certified gold on December 18, 1974, and double platinum on July 21, 1987, by the Recording Industry Association of America (RIAA). In 2020, Rolling Stone ranked the album number 381 on its 2020 list of the "500 Greatest Albums of All Time".

Overview
Most of the songs on the album had been in the band's live repertoire for some time. The band found a rural rehearsal space near Jacksonville, Florida, which they nicknamed "Hell House" due to the long hours spent there jamming in the intense Florida heat, and it was there that they composed and ran through the songs endlessly until they were perfected. Producer Al Kooper marveled at how well prepared the band were once they entered the studio; every note was immutable and absolutely no improvisation was allowed.

Bassist Leon Wilkeson left the band a few months before the album's recording sessions. Ex-Strawberry Alarm Clock guitarist Ed King had been impressed with the band after an earlier incarnation of Lynyrd Skynyrd had opened for Strawberry Alarm Clock in Florida circa 1970. He told vocalist Ronnie Van Zant to keep him in mind if he ever needed a guitarist, and he was invited to replace Wilkeson as bassist. Once the recording sessions were wrapping up, Van Zant decided that King would better serve the band as a guitarist, and he visited Wilkeson and convinced him to rejoin. Wilkeson returned to the band and King moved to lead guitar, giving the band what would become their trademark "Three Guitar Army" along with Allen Collins and Gary Rossington. Wilkeson was back in the band by the time the band shot the cover photo for the album, and appears on the cover, as well as being acknowledged in the liner notes.

Atlanta Rhythm Section drummer and friend of the band Robert Nix was requested by Van Zant and Kooper to play on the track "Tuesday's Gone".

As the band worked up "Simple Man" in rehearsal, Kooper expressed his feeling that the song was weak and should not be included on the album. The band felt differently on both counts and could not change Kooper's mind. Ultimately, Van Zant escorted the producer outside to his car and ordered him to remain there until the song was recorded. The band recorded the song on their own with the producer absent from the studio, and it subsequently became one of Lynyrd Skynyrd's best known tracks.

The album was re-released in 2001 as an expanded version with bonus tracks, including the two B-sides to the original singles and three previously unreleased demos from the album sessions. Sales through 2014 were an estimated two million units internationally.

Cover art
The cover photograph was taken on Main Street in Jonesboro, Georgia, and shows, from left to right, Leon Wilkeson (seated), Billy Powell (seated), Ronnie Van Zant, Gary Rossington (seated), Bob Burns, Allen Collins and Ed King. The photo was the last in a long day of shooting for the album cover, and Rossington vomited on the sidewalk seconds after it was taken. All the band members pictured are now deceased.

Reception
(Pronounced 'Lĕh-'nérd 'Skin-'nérd) immediately put the band on the rock-and-roll map. Upon its release, rock journalist Robert Christgau acknowledged the quality of the songs and gave the album an "A" rating while referring to Lynyrd Skynyrd as a "staunchly untranscendent band". Kooper, a close friend of Pete Townshend, secured the band a spot opening for the Who on their American tour, and Lynyrd Skynyrd was subsequently exposed to much larger audiences than they had ever seen before.

Rolling Stone magazine ranked the album number 403 on its 2012 list of the 500 Greatest Albums of All Time, and number 381 in the 2020 edition.

Track listing

 * Sides one and two were combined as tracks 1–8 on CD reissues.

Personnel
Personnel according to Discogs and liner notes

Lynyrd Skynyrd
 * Ronnie Van Zant – lead vocals, lyrics
 * Gary Rossington – lead guitar (tracks 2–5, 7); rhythm guitar (1, 6, 8); slide guitar (8)
 * Allen Collins – lead guitar (1, 4, 8); rhythm guitar (2, 3, 5–7); acoustic guitar (8)
 * Ed King – bass (all tracks except 2, 6); guitar fills (2, during piano solo); lead guitar (6)
 * Billy Powell – keyboards
 * Bob Burns – drums (all tracks except 2 and 6)

Additional personnel
 * Al Kooper ("Roosevelt Gook") – bass (2); backing vocals (2); mandolin & bass drum (6); organ (4, 7, 8); Mellotron (2, 8)
 * Robert Nix – drums (2)
 * Bobbye Hall – percussion (3, 5)
 * Steve Katz – harmonica (6)

Technical
 * Al Kooper – producer, engineer
 * Bob "Tub" Langford – engineer
 * Rodney Mills – engineer
 * Thomas Hill – photography
 * Michael Diehl – design

title: (Pronounced 'Lĕh-'nérd 'Skin-'nérd)


text:
Krapfen

Krapfen may refer to:
 * Krapfen, a German fried pastry
 * Krofne, a similar pastry from the Balkan region

title: Krapfen


text:
Wikipedia:Articles for deletion/Shoot the messenger

 This page is an archive of the discussion about the proposed deletion of the article below. This page is no longer live. Further comments should be made on the article's talk page rather than here so that this page is preserved as an historic record. The result of the debate was no consensus. Mackensen (talk) 04:07, 30 Apr 2005 (UTC)

Shoot the messenger
A phrase. I don't see any encyclopedic potential, and it doesn't look very useful for Wiktionary. Kappa 01:01, 14 Apr 2005 (UTC) Delete Not encyclopedic, and not a useful definition Terrace4 02:26, 30 Apr 2005 (UTC)
 * Transwiki to Wiktionary: not as the phrase, but a note in the shoot and messenger entries. Neutralitytalk 04:40, Apr 14, 2005 (UTC)
 * This page is now preserved as an archive of the debate and, like some other VfD subpages, is no longer 'live'. Subsequent comments on the issue, the deletion, or the decision-making process should be placed on the relevant 'live' pages. Please do not edit this page.


text: User talk:62.252.32.14

title: User talk:62.252.32.14


text:
The Jeff Corwin Experience

The Jeff Corwin Experience is an American wildlife documentary television program that premiered on the Animal Planet cable channel in 2000. It was hosted by actor and conservationist Jeff Corwin, who previously hosted Disney Channel's Going Wild with Jeff Corwin.

Overview
In its initial season, the program included a cobra festival in India, jungles in Thailand, Borneo and the Galápagos Islands off the coast of Ecuador in South America. The following year, the program featured Guyana, Australia and Tanzania. In its third season in 2005, Mexico and Peru were included, as well as Kenya and Uganda in Africa. While the program includes some North American settings, segments have included all the other continents except Antarctica.

The program has educational value, but is produced to entertain as well, which would be suitable for science education in state schools. Jeff is often bitten or nearly bitten by the animals being described. Jeff also enjoys making numerous jokes and references to pop culture and movies.

Corwin was awarded an honorary doctorate degree in public education from Bridgewater State College. He has long been a proponent of rain forest preservation. Programs such as this and those of Steve Irwin and Terri Irwin (of The Crocodile Hunter) reflect a "human coexistence with wildlife approach" which is in sharp conflict with poachers and past practices in many parts of the world.

title: The Jeff Corwin Experience


text: User:ClockworkSoul/Templates/peerreview

title: User:ClockworkSoul/Templates/peerreview


text: User talk:69.215.1.226

title: User talk:69.215.1.226


text:
WCPZ

WCPZ (102.7 FM) – branded Mix 102.7 – is a commercial hot adult contemporary radio station licensed to Sandusky, Ohio, serving Ohio's Vacationland region (Sandusky, Port Clinton, and the Lake Erie Islands).

The station is owned by BAS Broadcasting based in nearby Fremont, Ohio, and in addition to a standard analog transmission, the station is available online.

History
The station began as WLEC-FM on August 15, 1959 and was the FM sister to AM station WLEC and was owned by the Cleveland Broadcasting Company. Owned by former Cleveland Mayor Ray T. Miller's Cleveland Broadcasting Incorporated; which also owned 1300 WERE now WJMO and 98.5 WERE now WNCX in Cleveland along with 1330 KFAC now KWKW and 92.3 KFAC now KRRL in Los Angeles. After Ray T. Miller's death in 1966, Cleveland Broadcasting Incorporated was acquired by Atlantic States Industries (ASI) for a combined $9 million in May 1968. Due to ASI already owning five AM stations and one FM station, and because of an interim policy/proposed rule by the Federal Communications Commission (FCC) that prohibited the purchase of an AM and FM station in the same market—the "one-to-a-customer" policy—the FCC ordered the divestiture of WERE-FM, along with WLEC and WLEC-FM, to a third party. While General Cinema Corporation purchased WERE-FM after a prior divestiture attempt failed, WLEC and WLEC-FM were initially sold to RadiOhio that December, but that sale was also dismissed. Both WLEC and WLEC-FM were ultimately retained by the sellers and spun off to a limited partnership, Lake Erie Broadcasting. Cleveland Broadcasting president Richard H. Miller became WLEC's general manager, then purchased both stations outright in August 1971, under the Miller Broadcasting name.

The station was purchased by Miller Broadcasting in 1972 and would become WCPZ on May 19, 1980, featuring an Album Oriented Rock format during the early and mid-1980s. Bob Bedi was the station's program director during the AOR era. In 1986 Miller Broadcasting sold both WLEC and WCPZ to Erie Broadcasting and WCPZ dropped AOR for a CHR/adult contemporary hybrid which would soon become known as Hot Adult Contemporary, which has been the station's format since. Erie Broadcasting was Headed by Cleveland's Jim Embrescia. In 1987, both WLEC and WCPZ were sold to Signal One Communications who also owned 1050 WADC now WLYQ and 99.1 WMGP now WGGE in Parkersburg for $6 Million. After three years, in May 1990, both WLEC and WCPZ were purchased by Erie Broadcasting II, Inc. for $1.5 Million. Embrescia owned several radio stations including 1520 WINW in Canton, 850 WRMR WKNR and 102.1 WDOK in Cleveland. In 1997, Embrescia attempted to sell both WLEC and WCPZ to Allur of Ohio operated by Regina Henry, but the sale was never completed and on April 30, 1997, it was announced that Jacor Communications agreed to buy both stations for $7.65 million. The sale was approved and the license transferred on June 25. In May 1999, Clear Channel Communications completed its $6.5 billion purchase of Jacor and its 454 stations, including WLEC.

Following the sale of the station to Jacor Communications in September 1997, WCPZ eventually took the "Mix" banner used by Jacor's other Hot AC stations in the region, notably the now-defunct WVMX in Cincinnati and WMVX in Cleveland. As a result, the call letters changed to WMTX on April 24, 1998, with the WCPZ calls moving to the 100.9 facility in Clyde (today WMJK). The station regained the WCPZ calls on September 9, 1999, but kept use of the "Mix" banner on all other times. WMJK-FM, licensed to Clyde, Ohio as classic rocker "100.9 The Coast" (now country station "100.9 Coast Country") along with WLEC-AM and WCPZ-FM, made up Clear Channel's Vacationland cluster, having succeeded Jacor in 1999.

On November 16, 2006, WCPZ, WLEC and WMJK were announced for sale as part of Clear Channel's divestiture of almost 450 small and middle-market radio properties in the U.S. The cluster was sold on January 15, 2008 to Fremont-based BAS Broadcasting, and BAS took over all three stations on February 1. WCPZ was expected to drop the "Mix" name following the sale, as the "Mix" moniker is used on many Clear Channel stations; however, it did not. BAS Broadcasting did, however, replace most local programming with the "AC Active" format from Waitt Radio Networks (now Dial Global Local). The morning show – hosted by longtime local radio personality Randy Hugg – remains live and local.

title: WCPZ


text:
Panzertruppenschule I

Panzertruppenschule I (Armoured Troops School No.1) was originally formed as the Kraftfahrkampftruppenschule on 1 October 1937 at Wünsdorf. A year later it was renamed to Panzertruppenschule. It was the first of two major schools set up by the German Panzerwaffe before World War II to train German armour officers to operate Panzers.

The Panzertruppenschule was a 'branch school', where officer candidates were sent after 12–16 weeks spent in basic training, and having successfully undertaken an 8-week course at a Kriegsschule. Prospective panzer troops in the rank of Fähnrich undertook a 16-week training course which aimed to familiarise the officer candidates with the nuances and workings of a Panzer, and also with the tactics to be used when commanding panzers in the field.

Upon graduation, the recruit was promoted to Oberfähnrich and sent on field probation.

In June 1943, the only known flame-throwing versions of the StuG III, designated StuG III (Flamm) were delivered to the school, but were shortly thereafter destroyed by a fire started by a faulty flamethrower.

In late 1943, the school was stripped of its experienced instructors, who were used to form the élite Panzer-Lehr-Division.

title: Panzertruppenschule I


text:
Elvira Kurt

Elvira Kurt (born December 9, 1961) is a Canadian comedian, and was the host of the game show Spin Off. She hosted the entertainment satire/talk show PopCultured with Elvira Kurt, which began on The Comedy Network in Canada in 2005. That show's style was similar to The Daily Show with Jon Stewart. It was cancelled due to poor ratings in early 2006. She is of Jewish Hungarian descent. She performed a 22 minute set on toothbrush advancement and family culture on the American show Comedy Central Presents 2nd season, May 30th, 1991.

Openly lesbian, she coined the term "fellagirly" to describe herself and other lesbians whose style is a blend of butch and femme, as opposed to strictly one or the other. Her comedic style relies heavily on complaints about celebrity culture, her own appearance, and the effects of aging.

Kurt was the first out LGBT comedian to perform on national Canadian television, with her performance on CBC talk show ''Friday Night! With Ralph Benmergui'' in 1993.

She performed at the inaugural We're Funny That Way! comedy festival in 1997, and appeared in the festival's documentary film in 1998. In the same year she was part of the cast of In Thru the Out Door, an LGBT-themed sketch comedy special broadcast by CBC Television.

In 2007, Kurt hosted the second season of the gay wedding series First Comes Love (which originated in Canada under the title My Fabulous Gay Wedding). She is a judge on The Second City's Next Comedy Legend, a frequent guest on the CBC Radio show The Debaters, and a weekly guest on Q where she does a "Cultural Hall of Shame" segment each week, typically on the last half-hour on the Friday morning broadcast.

Kurt was the host of Spin Off, a prime time quiz show on Hamilton-based television station CHCH-DT. Mark Burnett was the executive producer and creator of Spin Off, which premiered on September 11, 2013.

In 2020 she was the host of CBC Gem's Queer Pride Inside special.

Discography

 * Kitten with a Wit (1999)

title: Elvira Kurt