text:
Schmitt, Germany

Schmitt is an Ortsgemeinde – a municipality belonging to a Verbandsgemeinde, a kind of collective municipality – in the Cochem-Zell district in Rhineland-Palatinate, Germany. It belongs to the Verbandsgemeinde of Ulmen, whose seat is in the like-named town.

Geography
The municipality lies in the southern Eifel, roughly 1.5 km southwest of Alflen and 8 km northwest of the river Moselle at Bremm.

History
The placename Schmitt comes from the German word Schmied, which means the same as – and is cognate with – the English word “smith”. Before the mid 18th century, the southern Eifel was an iron ore production centre of Europe-wide importance. The rivers and streams were harnessed to work the smiths’ bellows, and the forests afforded the needed firewood.

Beginning in 1794, Schmitt lay under French rule. In 1815 it was assigned to the Kingdom of Prussia at the Congress of Vienna. Since 1946, it has been part of the then newly founded state of Rhineland-Palatinate.

Municipal council
The council is made up of 6 council members, who were elected by majority vote at the municipal election held on 7 June 2009, and the honorary mayor as chairman.

Mayor
Schmitt's mayor is Wilfried Linden, and his deputy is Andreas Peifer.

Coat of arms
The municipality's arms might be described thus: A pale Or charged with a broadsword palewise sable, the hilt to chief, between vert an oak sprig slipped bendwise sinister leafed of four and fructed of two of the first, and gules three ears of wheat surmounted in base by a sickle of the first.

Buildings
The following are listed buildings or sites in Rhineland-Palatinate’s Directory of Cultural Monuments:
 * Saint Maurice’s Catholic Church (branch church; Filialkirche St. Mauritius), Kirchstraße 15 – east tower, 13th century; aisleless church, late 16th century, alterations from early 18th century

title: Schmitt, Germany


text:
Fazer

Fazer is one of the largest corporations in the Finnish food industry. The company was founded by Karl Fazer in 1891, as a "French-Russian confectionery" in central Helsinki. Today, it employs over 6,000 people across Finland, Sweden, Latvia, Lithuania, Estonia, Denmark, Norway and Poland. Its products are exported to more than 40 countries.

History
Fazer acquired Swedish confectionery company Mazetti in 1975, Mazetti started several product lines which are now iconic to Fazer, including Dumle and Tutti Frutti.

Fazer formed a partnership with United Biscuits in its Fazer Keksit (which made biscuits) and UB owned 70 per cent of it until 2000.

Fazer has historically acquired several other companies, including the Finnish Chymos and the Danish Perelly. The confectionery line was merged with its Swedish competitor Cloetta in 2000, to become Cloetta Fazer, though the merger lasted only until 2008 before the two brands were separated back to independent companies. Later, Fazer Keksit was sold to Danone. It was renamed to LU Suomi, the entirety of which was bought back by Fazer in 2012 from Kraft Foods Inc. (now Mondelez International) and now operates under Fazer Confectionery.

November 2016 saw the opening of a 5000 m2 Visitor Centre at their confectionery factory at Fazerintie in Vantaa. The avant-gardist building, in the shape of two circles with a botanical garden at the centre of one of them, was designed by K2S Architects. The Visitor Centre also includes a café, congress wing and shop.

In the summer of 2019, Fazer bought the Finnish company Kaslink Foods, which specializes in plant-based foods. According to Fazer, it sought a stronger focus on consumer products through the acquisition and saw growth opportunities, especially in the oat-based products that Kaslink manufactures. Just a few days earlier, Fazer had announced that it would sell its Fazer Food Services restaurant operations to the British Compass Group as part of the company's strategy focused on consumer products.

Following the 2022 Russian invasion of Ukraine, Fazer sold its Russian business to bakery firm Kolomenskij.

Business areas and management
Fazer Group includes communications, legal, HR, finance and treasury, risk management, security, investment management, corporate planning, property management and internal audit. Shared services include IT, accounting and human resources.

Fazer operates through three Business Areas. The business areas are Fazer Bakeries, Fazer Confectionery and Fazer Lifestyle Foods.

Products
Fazer's most notable products include its classic Fazer Blue (Fazerin sininen) milk chocolate, widely regarded as one of Finland's most respected brands and a part of Finnish cultural heritage and cuisine. Other well-known Fazer products include their salmiakki products, such as Fazer salmiakki, Tyrkisk Peber and salmiakki-flavoured Fazer Blue.

Fazer Bakery
Fazer operates 9 large-scale bakeries across Finland, Sweden and the Baltics and exports its bakery products to 21 countries. In addition to these, Fazer operates 136 small-scale in-store bakeries in large Finnish supermarkets. In 2018, Fazer's cricket bread won the Bronze Lion in the Sustainable Development Goals section of the Cannes Lions International Festival of Creativity.

Fazer's bakery brands include Oululainen, Skogaholm, Druva and Gardesis. Fazer produces its biscuits in Vantaa, and its biscuit brands in Finland include Jyväshyvä, Domino, Jaffa, Fasupala, Carneval, Suklaalehti, Muro and Hangon. Fazer's Lappeenranta bakery produces Karelian pies. Fazer's Karelian pies are Rukiinen piirakka, Rukiinen Imatran Riisipirakka, Vuoksen piirakka, Rukiinen Perunapiirakka and Rukiinen Porkkanapiirakka. In April 2016, Fazer was reported to have bought back the Domino, Jaffa and Fanipala brands.

Fazer Confectionery
Fazer is the leading producer of chocolates, sweets and biscuits in Finland with a market share of 30-40%. The Confectionery division has production facilities in Vantaa and Lappeenranta. Confectionery is sold in more than 40 countries.

Fazer's confectionery factories in Finland are located in Lappeenranta (sugar confectionery) and Vantaa (chocolates). The company produces 25,000 tonnes of chocolate per year. It became a member of the World Cocoa Organization in 2005.

Fazer Retail operates Fazer Cafés in Finland and Gateau bakery shops in Finland and Sweden. The flagship Fazer Café is on Kluuvikatu in Helsinki, opened in 1891. It is a rare example of Art Deco design in Finland.

Confectionery brands • Pihlaja (1895)

• Mignon (1896)

• Kiss-Kiss (1897)

• Fazer Liqueur Fills (1900)

• Finlandia (1902)

• Wiener nougat (1904)

• Tokyo (1908, formerly known as Geisha)

• Vihreät kuulat (1908, formerly known as Päärynäkuulat)

• Orange (1910, formerly known as Appelsiini)

• Islanti (1910)

• Da-Capo (1916)

• Taloussuklaa (1917)

• Eucalyptus (1919)

• Fazer Blue (1922)

• Lakta (1926)

• Laku-Pekka (1927)

• Avec (1929, formerly known as Ranskalaiset pastillit)

• Fazerin Parhain -makeissekoitus (1935)

• Tosca (1936)

• Dumle (1945 in Sweden, 1985 in Finland)

• Pax (1947–1991, resumed production in 2007)

• Marianne (1949, by Chymos)

• Rex (1950)

• Fazerina (1953)

• Amerikan pastillit (1953)

• Jim (1958)

• Fami (1960–1986, resumed production in 2007)

• Pantteri (1961, by Chymos)

• Kina (1961)

• Geisha (1962)

• Suffeli (1966)

• Omar (1966, by Chymos)

• Fazermint (1969)

• Merkkari (1973)

• Kismet (1974)

• Tyrkisk Peber (1977)

• Pätkis (1978)

Fazer Lifestyle Foods
The Lifestyle Foods division produces other food items, such as Froosh smoothies, Fazer Aito oat products and non-dairy drinks as well as Frebaco and Fazer Alku oat-based breakfast foods. These are produced in Lahti, Lidköping and Koria.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Fazer


text:
Copyright Act

Copyright Act (with its variations) is a stock short title used for legislation in Australia, Canada, Hong Kong, India, Malaysia, New Zealand, the United Kingdom and the United States relating to the copyright. The Bill for an Act with this short title will usually have been known as a Copyright Bill during its passage through Parliament.

Australia

 * The Copyright Act 1968

Canada

 * The Copyright Act of Canada

Ghana

 * Copyright Act, 2005.

Hong Kong

 * The Copyright Ordinance 1997

India

 * The Indian Copyright Act, 1957

Malaysia

 * The Copyright Act 1969
 * The Copyright Act 1987

New Zealand

 * The Copyright Act 1994

United Kingdom

 * The Statute of Anne or Copyright Act 1709, the first copyright act of the United Kingdom
 * The Copyright Act 1842
 * The Copyright Act 1911
 * The Copyright Act 1956 (4 & 5 Eliz. 2. c. 52)
 * The Copyright, Designs and Patents Act 1988, current copyright law of the United Kingdom

United States

 * The Copyright Act of 1790
 * The Copyright Act of 1831
 * The Copyright Act of 1870
 * The Copyright Act of 1909
 * The Copyright Act of 1976
 * The International Copyright Act of 1891

title: Copyright Act


text:
Fitzpatrick v. Bitzer

Fitzpatrick v. Bitzer, 427 U.S. 445 (1976), was a United States Supreme Court decision that determined that the U.S. Congress has the power to abrogate the Eleventh Amendment sovereign immunity of the states, if this is done pursuant to its Fourteenth Amendment power to enforce upon the states the guarantees of the Fourteenth Amendment.

Background
In 1972, Congress amended Title VII of the Civil Rights Act of 1964 (42 U.S.C. § 2000e, Chapter 21, Subchapter VI) to allow individuals to sue state governments for money damages for discrimination based on race, color, religion, sex, or national origin. The plaintiffs, a group of male retirees, sued the State of Connecticut for sex discrimination against them in its retirement policies. Connecticut invoked its Eleventh Amendment sovereign immunity, and both the District Court and the Court of Appeals allowed only injunctive relief; they denied monetary recovery, although the Court of Appeals permitted attorney's fees. Both of those courts pointed to Edelman v. Jordan,, a US Supreme Court case holding that the Eleventh Amendment prohibits a federal court from ordering a state to pay money to an individual who is wronged by the state. The plaintiffs appealed to the Supreme Court.

Issue
Can Congress abrogate state sovereign immunity under Section 5 of the Fourteenth Amendment?

Decision
The Court, in an opinion by Justice William Rehnquist, distinguished previous cases in which attempts by individuals to sue the states for money damages (or the equivalent), including Edelman v. Jordan, had failed because the plaintiffs had not identified an express provision by Congress that permitted such lawsuits. The Court ruled that Congress has the power, under the Fourteenth Amendment, to abrogate sovereign immunity of states, as it was enacted specifically to limit the power of the states with the purpose of enforcing civil rights guarantees against them.

title: Fitzpatrick v. Bitzer


text:
F1 (disambiguation)

F1 is Formula One, the highest class of auto racing sanctioned by the FIA.

F1, F01, F.I, F.1 or F-1 may refer to:

Military craft and weapons

 * F1 grenade (disambiguation), several types of hand grenade
 * F 1 Hässlö, a former Swedish Air Force wing
 * F1 SMG, an Australian submachine gun
 * Dassault Mirage F1, a French combat aircraft
 * FCM F1, a 1940 French super-heavy tank
 * Fokker F.I, a German fighter triplane
 * HMS F1, an F-class submarine of the Royal Navy, launched in 1915
 * HMS Kelly (F01), a 1938 British Royal Navy K-class destroyer
 * Kampfgeschwader 76, from its historic Geschwaderkennung code with the Luftwaffe in World War II
 * Mitsubishi F-1, a fighter/attack aircraft of the Japan Air Self-Defense Force
 * North American F-1 Fury, the FJ known as the F-1 from 1962 onward
 * Sopwith Camel F.1, a 1916 British World War I single-seat fighter biplane
 * USS F-1 (SS-20), an F-class submarine of the United States Navy
 * Felixstowe F.1, a Seaplane Experimental Station-designed flying boat
 * Fokker F.I (1919), an abortive design that served for the 1916 Fokker F.II airliner construction
 * Avion MAI F-1, a sporting biplane
 * FR F1, a French precision rifle

Computing

 * F1, a computer Function key
 * F1, an Office Assistant in Microsoft Office
 * F1 Magazine, a Syrian monthly computer magazine published in Arabic
 * Google F1, Google's SQL database management system (DBMS)
 * Oppo F1, a smartphone by Oppo Electronics

Science

 * F-1 cubesat, a picosatellite developed in Vietnam
 * F1 hybrid, a first-generation hybrid (or crossbreed) animal or plant
 * F1-isoprostane, a type of isoprostane
 * F1 layer, a layer of the ionosphere
 * F1 score, a statistical performance measure of a test or classifier
 * Vascular dementia's ICD-10 code
 * F1, a tornado intensity rating on the Fujita scale
 * f1, the formant with the lowest frequency in acoustics and phonetics
 * F-1 (nuclear reactor), the oldest operating research reactor
 * NIST-F1, a cesium fountain clock and the United States' primary time and frequency standard
 * F1, the field with one element

Transport

 * BMW F01, an automobile platform
 * BYD F0 or BYD F1, a car manufactured by BYD Auto
 * F1, the project codename and development designation of the first Lexus vehicle
 * Ford F-Series, includes the F-1 pickup truck
 * Finnish Steam Locomotive Class F1
 * F-01 (Michigan county highway)
 * F1 Taksim–Kabataş funicular line, a railway line in Istanbul, Turkey
 * McLaren F1, a sports car
 * NCC Class F1, a Northern Counties Committee Irish steam locomotive
 * Rocketdyne F-1 rocket engine
 * SECR F1 Class, a South Eastern and Chatham Railway, British steam locomotive
 * SP&S Class F-1, an American steam locomotive class, of the Spokane, Portland and Seattle 700
 * SpaceX Falcon 1 space launch rocket
 * Sydney Ferries' Manly ferry services, known as the F1

Other

 * F1 helmet, a French firefighting helmet
 * Canon F-1, a 1971 35 mm single-lens reflex camera

Sports and Entertainment

 * F1 (classification), a wheelchair sport classification
 * F1 Powerboat Racing
 * Formula One (disambiguation)
 * F1 Racing, a Formula One magazine
 * F1 (film), an upcoming American film starring Brad Pitt

Video games

 * F-1 Race, a 1984 game for the Famicom, later remade for Game Boy
 * F1 (video game), a 1993 multiformat game by Domark/Tengen
 * F1 Challenge, a 1995 Sega Saturn game by Virgin Interactive
 * F1 Grand Prix (2005 video game), a PSP game by Traveller's Tales
 * F1 2000 (video game), a game by Electronic Arts for the PlayStation
 * Formula One 04, a game by Studio Liverpool for PS2
 * Formula One 05, a game by Studio Liverpool for PS2
 * Formula One 06, a game by Studio Liverpool for PS2 and PSP
 * F1 (video game series), a racing video game franchise
 * F1 2009 (video game), a game by Codemasters for Wii and PSP
 * F1 2010 (video game), a multiformat game by Codemasters
 * F1 2011 (video game), a multiformat game by Codemasters
 * F1 2012 (video game), a multiformat game by Codemasters
 * F1 Race Stars, a multiformat game by Codemasters
 * F1 2013 (video game), a multiformat game by Codemasters
 * F1 2014 (video game), a multiformat game by Codemasters
 * F1 2015 (video game), a multiformat game by Codemasters
 * F1 2016 (video game), a multiformat game by Codemasters
 * F1 2017 (video game), a multiformat game by Codemasters
 * F1 2018 (video game), a multiformat game by Codemasters
 * F1 2019 (video game), a multiformat game by Codemasters
 * F1 2020 (video game), a multiformat game by Codemasters
 * F1 2021 (video game), a multiformat game by Codemasters and EA Sports
 * F1 2022 (video game)
 * F1 23
 * F1 24

Other uses

 * F-1 visa, a visa category to enter United States as a student
 * F1 or Foundation Year 1, the first year of the UK Foundation Programme for postgraduate medical practitioners
 * f1, Family 1, a group of Greek gospel manuscripts

title: F1 (disambiguation)


text:
Cosmas Indicopleustes

Cosmas Indicopleustes (also known as Cosmas the Monk) was a merchant and later hermit from Alexandria in Egypt. He was a 6th-century traveller who made several voyages to India during the reign of emperor Justinian. His work Christian Topography contained some of the earliest and most famous world maps. Cosmas was a pupil of the East Syriac Patriarch Aba I and was himself a follower of the Church of the East.

Voyage
Around AD 550, while a monk in the retirement of a Sinai cloister, Cosmas wrote the once-copiously illustrated Christian Topography, a work partly based on his personal experiences as a merchant on the Red Sea and Indian Ocean in the early 6th century. His description of India and Ceylon during the 6th century is invaluable to historians. Cosmas seems to have personally visited the Kingdom of Axum in modern day northern Ethiopia, as well as Eritrea. He sailed along the coast of Socotra, but it cannot be ascertained that he really visited India and Ceylon.

Indicopleustes
"Indicopleustes" means "Indian voyager", from "(I) sail". While it is known from classical literature, especially the Periplus Maris Erythraei, that there had been trade between the Roman Empire and India from the first century BC onwards, Cosmas's report is one of the few from individuals who had actually made the journey. He described and sketched some of what he saw in his Topography. Some of these have been copied into the existing manuscripts, the oldest dating to the 9th century. In 522 AD, he mentions several ports of trade on the Malabar Coast (South India). He is the first traveller to mention Soriyani Christians in present-day Kerala in India. He wrote: "'Even in Taprobane, an island in Further India, where the Indian sea is, there is a Church of Christians, with clergy and a body of believers, but I know not whether there be any Christians in the parts beyond it. In the country called Malê, where the pepper grows, there is also a church, and at another place called Calliana there is moreover a bishop, who is appointed from Persia. In the island, again, called the Island of Dioscoridês, which is situated in the same Indian sea, and where the inhabitants speak Greek, having been originally colonists sent thither by the Ptolemies who succeeded Alexander the Macedonian, there are clergy who receive their ordination in Persia, and are sent on to the island, and there is also a multitude of Christians. […] The island [of Sri Lanka] has also a church of Persian Christians who have settled there, and a Presbyter who is appointed from Persia, and a Deacon and a complete ecclesiastical ritual. But the natives and their kings are heathens.'"

Christian Topography

A major feature of his Christian Topography is his worldview that the surface of ocean and earth is flat (that is, nonconvex and nonspherical, as perceived by the human senses) and that the heavens form the shape of a box with a curved lid. He was scornful of Ptolemy and others who held that the world's surface was, contrary to human perceptual experience, a spherical shape. Cosmas aimed to prove that pre-Christian geographers had been wrong in asserting that the surface of the earth and surface of the ocean was convex and spherical in shape, and that it was in fact modelled on the tabernacle, the house of worship described to Moses by God during the Jewish Exodus from Egypt. In the centre of the plane is the inhabited earth, surrounded by ocean, beyond which lies the paradise of Adam. The sun revolves round a conical mountain to the north: round the summit in summer, round the base in winter, which accounts for the difference in the length of the day.

However, his idea that the surface of the ocean and earth is nonspherical had been a minority view among educated Western opinion since the 3rd century BC. Cosmas's view was never influential even in religious circles; a near-contemporary Christian, John Philoponus, sought to refute him in his De opificio mundi as did many Christian philosophers of the era.

David C. Lindberg asserts: "Cosmas was not particularly influential in Byzantium, but he is important for us because he has been commonly used to buttress the claim that all (or most) medieval people believed they lived on a flat earth. This claim...is totally false. Cosmas is, in fact, the only medieval European known to have defended a flat earth cosmology, whereas it is safe to assume that all educated Western Europeans (and almost one hundred percent of educated Byzantines), as well as sailors and travelers, believed in the earth's sphericity."

Cosmas was mentioned in Umberto Eco's historical novel, Baudolino. In the book, a Byzantine priest and spy, Zozimas of Chalcedon, refers to his world topography as the key to finding the mythical Prester John:

"Well, in the empire of us Romans, centuries ago there lived a great sage, Cosmas Indicopleustes, who traveled to the very confines of the world, and in his Christian Topography demonstrated in irrefutable fashion that the earth truly is in the form of a tabernacle, and that only thus can we explain the most obscure phenomena."

Cosmology aside, Cosmas proves to be an interesting and reliable guide, providing a window into a world that has since disappeared. He happened to be in Adulis on the Red Sea Coast of modern Eritrea at the time (c. AD 525) when the King of Axum was preparing a military expedition to attack the Jewish king Dhu Nuwas in Yemen, who had recently been persecuting Christians. On request of the Axumite king and in preparation for this campaign, he recorded now-vanished inscriptions such as the Monumentum Adulitanum which he mistook for a continuation of another monument detailing Ptolemy III Euergetes's conquests in Asia. Neither have been located by archeologists. Allusions in the Topography suggest that Cosmas was also the author of a larger cosmography, a treatise on the motions of the stars, and commentaries on the Psalms and Canticles.

title: Cosmas Indicopleustes


text:
Alan Crosland

Frederick Alan Crosland (August 10, 1894 – July 16, 1936) was an American stage actor and film director. He is noted for having directed the first feature film using spoken dialogue, The Jazz Singer (1927) and the first feature movie with sychronization soundtrack, Don Juan (1926).

Early life and career
Born in New York City, New York to a well-to-do Jewish family, Crosland attended Dartmouth College. After graduation, he took a job as a writer with the New York Globe magazine. Interested in the theatre, he began acting on stage, appearing in several productions with Shakespearian actress Annie Russell.

Crosland began his career in the motion picture industry in 1912 at Edison Studios in The Bronx, New York, where he worked at various jobs for two years until he had learned the business sufficiently well to begin directing short films. By 1917, he was directing feature-length films and in 1920 directed Olive Thomas in The Flapper, one of her final films before her death in September of that year.

In 1925, Crosland was working for Jesse L. Lasky's film production company Famous Players–Lasky (later Paramount Pictures) when he was hired by Warner Bros. to work at their Hollywood studios. He had directed several silent films for Warner's including directing Don Juan starring John Barrymore in 1926. It was the first feature-length film with synchronized Vitaphone sound effects and musical soundtrack, though it has no spoken dialogue. He was chosen to direct Al Jolson in The Jazz Singer (1927). The film would make him famous as the first of the new talkies that changed the course of motion pictures.

Death
Crosland died in 1936 at the age of 41 as a result of an automobile accident on Sunset Boulevard in Los Angeles. He is interred in the Hollywood Forever Cemetery. His grave remained unmarked for 67 years until a headstone was donated by The Hollywood Underground in 2003.

His son, Alan Crosland Jr. (1918–2001), would also have a successful career as a television director. Juanita Fletcher was his mother.

Filmography

 * Santa Claus vs. Cupid (1915) (writer)
 * Kidnapped (1917)
 * The Light in Darkness (1917)
 * Chris and His Wonderful Lamp (1917)
 * The Little Chevalier (1917)
 * The Apple Tree Girl (1917)
 * The Whirlpool (1918)
 * The Unbeliever (1918)
 * The Country Cousin (1919)
 * Greater Than Fame (1920)
 * Everybody's Sweetheart (1920)
 * Youthful Folly (1920)
 * The Flapper (1920)
 * The Point of View (1920)
 * Broadway and Home (1920)
 * Worlds Apart (1921)
 * Is Life Worth Living? (1921)
 * Room and Board (1921)
 * Slim Shoulders (1922)
 * Shadows of the Sea (1922)
 * The Face in the Fog (1922)
 * Why Announce Your Marriage? (1922)
 * The Snitching Hour (1922)
 * The Prophet's Paradise (1922)
 * Enemies of Women (1923)
 * Under the Red Robe (1923)
 * Three Weeks (1924)
 * Miami (1924)
 * Unguarded Women (1924)
 * Sinners in Heaven (1924)
 * Contraband (1925)
 * Compromise (1925)
 * Bobbed Hair (1925)
 * Don Juan (1926)
 * When a Man Loves (1927)
 * The Beloved Rogue (1927)
 * Old San Francisco (1927)
 * The Jazz Singer (1927)
 * Glorious Betsy (1928)
 * The Scarlet Lady (1928)
 * On with the Show (1929)
 * General Crack (1929)
 * The Furies (1930)
 * Song of the Flame (1930)
 * Big Boy (1930)
 * Viennese Nights (1930)
 * Captain Thunder (1930)
 * Children of Dreams (1931)
 * The Silver Lining (1932)
 * Week Ends Only (1932)
 * Massacre (1934)
 * The Personality Kid (1934)
 * Midnight Alibi (1934)
 * The Case of the Howling Dog (1934)
 * The White Cockatoo (1935)
 * It Happened in New York (1935)
 * Mister Dynamite (1935)
 * Lady Tubbs (1935)
 * King Solomon of Broadway (1935)
 * The Great Impersonation (1935)
 * The Case of the Black Cat (1936)

title: Alan Crosland


text:
Krasimir Balakov

Krasimir Genchev Balakov (Красимир Генчев Балъков, ; born 29 March 1966). A former attacking midfielder, he was a key member of the Bulgaria national team that finished fourth in the 1994 FIFA World Cup. He is considered as second only to Hristo Stoichkov among Bulgarian men's footballers of his generation.

Club career
Balakov began his club career at the local Etar Veliko Tarnovo, before transferring to Sporting Clube de Portugal in 1990, playing alongside future Ballon d'Or recipient Luís Figo, his compatriot Yordanov, and future two-time Champions League winner Paulo Sousa. Though Sporting Clube de Portugal had a quality squad, Balakov only managed to win the 1994–95 Portuguese Cup during his time at the club. In 1995, he transferred to Germany's VfB Stuttgart where he won two UEFA Intertoto Cups (2000 and 2002) and a DFB-Pokal (1997), before retiring in 2003 - the same year that he called time on an international career which had spanned 15 years and 92 caps. As an attacking midfielder Balakov formed a successful attacking partnership with strikers Fredi Bobic and Giovane Élber at Stuttgart. The trio were known as the "magic triangle". He stayed at Stuttgart until retiring as a player in 2003, although he did make a comeback as a player two years later when he made a single appearance as player-manager of VFC Plauen.

Coaching career
The year after he retired, Krasimir became assistant coach of the club he had just retired from, VfB Stuttgart. He stayed in this position for two years before deciding to become a player-manager at VFC Plauen, where he remained for just a short time.

He had been appointed on 16 January 2006 as a manager of Grasshopper Club Zürich to replace Hanspeter Latour who left for 1. FC Köln. Balakov managed to win the Intertoto Cup, thus qualified the club to the UEFA Cup for 2006–07 season.

He had been appointed on 29 October 2007 as a manager of FC St. Gallen to replace Rolf Fringer. Three days before the season ended, he was fired by the club management.

In December 2008, he became manager of PFC Chernomorets Burgas in his homeland, taking over from Dimitar Dimitrov, after also having considered an offer to coach the national team of his country. On 6 December 2010, he was released from PFC Chernomorets Burgas after mutual consent, following a change in the long-term vision for the club by the owner Mitko Sabev.

On 27 May 2011, it was announced that Balakov would take over the helm of Croatian club Hajduk Split.

On 22 March 2012, Balakov was appointed the manager of 1. FC Kaiserslautern. He was sacked on 17 May 2012, after being unable to prevent Kaiserslautern's relegation to the 2. Bundesliga. He subsequently continued his career as manager in his country.

On 4 January 2018, he was announced as the new manager of Etar Veliko Tarnovo with Stanislav Genchev, Iliyan Kiryakov and Kaloyan Chakarov as first team coaches.

On 14 May 2019, he was named as the new manager of the Bulgaria national team.

In October 2019, Balakov was replaced as manager of the national team by Georgi Dermendzhiev after resigning from his role following the backlash over his denial of alleged fan racism aimed at members of the England team in a Euro 2020 qualifying match as well as a continued string of unsatisfactory results. He took over as manager of CSKA 1948 in June 2020. In late August 2020, Balakov's duties were extended to cover the organizational management as well, with assistant Yordan Yurukov becoming more actively involved in the training process. However, the latter resigned on 22 September, leaving Balakov to be the sole one in charge of the team. In June 2021, Balakov parted ways with CSKA 1948, with the club's management thanking him for establishing the team among the stronger sides in the top division of Bulgarian football. In May 2023, Balakov returned to coaching, being appointed as manager of relegation-threatened Septemvri Sofia.

International career
Balakov made 92 appearances for Bulgaria, between 1988 and 2003 (one of the best totals in national history) and scored 16 goals. He made his debut on 2 November 1988, in the 1–1 draw with Denmark in a qualifying match for the 1990 FIFA World Cup, coming on as a late second half substitute for Hristo Stoichkov. Other than the 1994 FIFA World Cup, he also played for his country at Euro 1996 and the 1998 FIFA World Cup. At age 37 he played in the qualifications for Euro 2004 to help his teammates qualify but retired from football before the final stage in Portugal.

International goals

 * Scores and results list Bulgaria's goal tally first, score column indicates score after each Balakov goal.

Honours
Etar Veliko Tarnovo
 * A Group: 1990–91

Sporting CP
 * Portuguese Cup: 1995

VfB Stuttgart
 * DFB-Pokal: 1996–97
 * UEFA Intertoto Cup: 2000, 2002
 * DFB-Ligapokal finalist: 1997, 1998
 * UEFA Cup Winners' Cup finalist: 1997–98
 * Bundesliga runner-up: 2002–03

Bulgaria
 * FIFA World Cup fourth place: 1994

Individual
 * FIFA World Cup All-Star Team: 1994
 * Bulgarian Footballer of the Year: 1995, 1997
 * kicker Bundesliga Team of the Season: 1995–96, 1996–97, 1997–98
 * FIFA XI (Reserve): 1996

title: Krasimir Balakov


text:
Mississippian Railway

The Mississippian Railway is a short line railroad operating from Amory, Mississippi, to Fulton, Mississippi. It is owned and operated by the Itawamba County Railroad Authority.

The MSRW interchanges with the BNSF Railway at Amory, Mississippi. The MSRW's shops are also located in Amory.

History
The Mississippian Railway was established in 1923 primarily to haul lumber products from Fulton south to the interchange with the Frisco Railway in Amory.

In 1944 a bentonite plant was built in Smithville to take advantage of a large deposit discovered there which led to a surge in business for the line and its nickname The Bentonite Road. By 1968 the bentonite deposits near Smithville had been depleted and the plant closed, however several industries had moved to Fulton and continued to provide traffic for the railroad.

In the late 1970s, construction of the Tennessee–Tombigbee Waterway threatened to flood about nine miles of track. The U.S. Army Corps of Engineers decided it would be cheaper to abandon the line than pay to relocate it. Local business owners and public officials teamed up with the Appalachian Regional Commission to save the railroad. They successfully lobbied the Interstate Commerce Commission to withhold the sale of the line until the funds to purchase it could be found.

In 1986, the Itawamba County Development Council purchased the Mississippian Railway and transferred it over to the Mississippian Railway Cooperative, an entity directly representing industries that relied on the railroad to transport their products. County leaders raised several million dollars to upgrade the severely degraded track to a condition where reliable service could be provided.

In 2016, the Mississippian Railway Cooperative transferred the assets to the Itawamba County Railroad Authority, which also took over the operation of the railroad.

Today, the Mississippian hauls between 100 and 120 cars a month operating three days a week.

Motive power
The railroad previously operated a pair of 1920 Baldwin 2-8-0s until 1967 when diesels replaced them. Currently the MSRW operates an EMD GP7 (no. 102).

Preservation
The two famous Baldwin 2-8-0 Consolidation steam locomotives survive:
 * Mississippian No. 76 was built as No. 40 in December, 1920 for the Jonesboro, Lake City and Eastern Railroad. When that line became part of the Frisco, the locomotive was re-numbered as 76. After performing freight service for years, the engine was sold to the Mississippian in 1947 where it retained the Frisco number. Following several further changes in ownership, including the Gettysburg Railroad, the Ohio Central Railroad, and the Steam Railroading Institute, No. 76 is now owned by the B&O Railroad Museum in Oakland, Maryland where it has been renumbered and relettered as the Baltimore and Ohio No. 476.
 * Mississippian No. 77 had a similar history, being built in December, 1920 as No. 41 for the JLC&E, and passing through Frisco service as No. 77 before arriving in 1947 with the Mississippian. After passing through further ownership, No. 77 is now with Alberta Prairie Railway in Stettler, Alberta where it pulls excursion trains and where it has been renumbered back to the original 41.

title: Mississippian Railway


text:
Wikipedia:Featured picture candidates/Wrightflyer.jpg

First Wright brothers flight
Pretty famous photo of the first Wright brothers flight, and unarguably the first photo of a powered, piloted aircraft in flight. Used at Aviation history, Wright brothers, Wright Flyer, and Portal:Aviation. - brian0918  ™  13:31, 12 Apr 2005 (UTC) +13 / -0 -- Solipsist 14:02, 28 Apr 2005 (UTC)
 * Nominate and support. -  brian0918  ™  13:31, 12 Apr 2005 (UTC)
 * Support. awesome res and quality. Cavebear42 18:11, 12 Apr 2005 (UTC)
 * Support - Bevo 18:18, 12 Apr 2005 (UTC)
 * Support Mgm|(talk) 19:42, Apr 12, 2005 (UTC)
 * Support Amazing clarity. --Fir0002 23:23, 12 Apr 2005 (UTC)
 * Support, great image --Spangineer ∞ 02:40, Apr 13, 2005 (UTC)
 * Support. Indeed some very good quality. It's a funny thing though, how the 800 pixel version looks quite different from the 200 pixel and the full version. Jonas Olson 17:55, 13 Apr 2005 (UTC)
 * That's an old version. While you're on the page, hold down CTRL and press F5. -- brian0918  ™  18:03, 13 Apr 2005 (UTC)
 * Got it, sorry. Your key command didn't make any difference though. Jonas Olson 18:53, 13 Apr 2005 (UTC)
 * CTRL + F5 forces a reload while F5 doesn't seem to always do so. I've overwritten an image and hit F5 repeatedly and always gotten the old version, until I hit CTRL+F5 and it finally downloaded the new version. -- brian0918  ™  20:09, 13 Apr 2005 (UTC)
 * It does not, in my browser that is. Naturally browser specific. Jonas Olson 22:03, 13 Apr 2005 (UTC)
 * It does in Internet Explorer and Mozilla Firefox--Fir0002 07:46, 14 Apr 2005 (UTC)
 * It is also OS specific, Macs use their fuction keys at the OS level so you would have to use command shift r wikibooks firefox shotcutsCavebear42 16:34, 15 Apr 2005 (UTC)
 * Support -- Nice - Longhair | Talk 15:56, 14 Apr 2005 (UTC)
 * Support TomStar81 04:59, 15 Apr 2005 (UTC)
 * Support Fly it into the featured picture status... -- AllyUnion (talk) 09:41, 16 Apr 2005 (UTC)
 * Support Astrowob 20:46, 16 Apr 2005 (UTC)
 * Support surprisingly good quality. -- Solipsist 19:16, 17 Apr 2005 (UTC)
 * Support -- Chris 73 Talk 12:10, Apr 18, 2005 (UTC)


text:
En attendant Cousteau

En attendant Cousteau (English title: Waiting for Cousteau) is the tenth studio album by French electronic musician and composer Jean-Michel Jarre, released on Disques Dreyfus, licensed to Polydor. The title is a reference to the play Waiting for Godot.

Originally, Jarre intended to call it 'Cousteau sur la plage (Cousteau on the beach)', but it was changed at the last moment. A promotional tape contained this title.

The album was dedicated to Jacques-Yves Cousteau and was released on his 80th birthday 11 June 1990. AllMusic described the album as "groundbreaking stuff", due to its stylistic differences from his other albums. The album reached Number 14 in the UK charts.

En attendant Cousteau is divided into two distinct stylistic halves: the first three pieces titled "Calypso" and the title track, an ambient piece which was used in the soundtrack of a 1991 documentary entitled "Palawan: Le dernier refuge" by Cousteau and Jarre. However two tracks from that documentary did not appear on the final album.

The title track was also played at Jarre's exposition Concert d'images in Paris, 1989. According to a Jarre fan-magazine, it was created via an app on an Atari Mega-ST, on which Jarre programmed 16 starting notes. He apparently got the idea from the book 'Dirk Gently's Holistic Detective Agency' by Douglas Adams. He denied it in a later interview, claiming all notes are actually played by hand, noting however that the track includes some time-stretched samples mixed into the background.

Jarre performed the album for about 2.5 million people at the Paris La Défense concert on 14 july 1990, featuring The Amoco Renegades, a steel-drum band from Trinidad and Tobago.

Personnel
Personnel listed in album liner notes:
 * Jean-Michel Jarre – keyboards
 * The Amoco Renegades – steel drums
 * Guy Delacroix – bass
 * Christophe Deschamps – drums
 * Michel Geiss – keyboards
 * Dominique Perrier – keyboards

Certifications and sales
!scope="row"|Worldwide
 * 1,550,000
 * 1,550,000

title: En attendant Cousteau


text:
Asnaketch Worku

Asnaketch Worku (አስናቀች ወርቁ) (born c. 1935 – 14 September 2011) was an Ethiopian singer who sang in the Amharic language and a krar instrumentalist, the instrument which symbolized her fame during the 1960s and 1970's. Asnaketch also had a long distinguished career as an actress.

Biography
Asnakech Worku was born in the Sidist Kilo neighborhood of Addis Ababa and was raised in the city. Asnakech hails from the Amhara people. Born in the Sidist Kilo, Worku She never met her father, and her parents split up soon after she was born. Worku was raised by her godmother, who she didn't particularly like, after her mother passed away when she was three. Later, Elfinesh Marefia, her older sister, moved in with her, and the two of them enjoyed attending plays and concerts. Buying her first krar for only 25 cents, Asnaketch taught herself how to play and began performing in small bars and cabarets. However, she quit her job at a bar on Churchill Road due to low pay and harassment. After a case of unrequited love, she grew depressed, stopped eating for three days, and was briefly chained to her bed.

She was the first theatre actress in Ethiopia, making her debut in 1952 at the City Hall Theatre in the play "Ye Fikir Chora" (Rays of Love). She refused the role at first, but reconsidered after her friends and Italian husband talked her into taking the part. In 1955, she took vocal lessons under Franz Zelwecker. Playwright Tesfaye Gessesse described her as the "pearl of the stage", and she frequently played unsympathetic characters. During the 1950s, she was a controversial figure due to her beauty and performances in romantic dramas. Despite her long and distinguished career on the stage, Asnaketch is known primarily not for her career as an actress, but for her skills with the krar and her quick wit and inspired improvisations. Her musical career really began shortly after she played Desdemona in Othello in 1963. In April 1974, her first album, "Krar songs by Asnaketch Worku" was released under the Philips-Ethiopia label. It achieved moderate success but was pulled from the market after the revolution began. Her songs were played on the radio in the 1970s and were popular. Asnaketch went on a 16-week tour of Europe and America in 1987 on the behest of the military government to thank foreign nations for their help during famine-plagued years. Asnaketch worked at the National Theatre for 30 years before retiring in 1989, although she continued to act in the 1990s. She was well known for wearing earrings with the portrait of emperor Haile Selassie.

In the early 1990s, she toured a couple of times in Europe. In 1995 Asnakech recorded the CD "Ende Jerusalem" for Acoustic Music in Germany with Begenna player Alemu Aga. These were her last recordings. In 1998 she received an award for lifetime achievement from the Ethiopian Fine Arts and Mass Media Prize Trust. In 2003, Buda Musique released Éthiopiques 16: The Lady With the Krar, a compact disc which compiles Asnaketch's recordings from the mid-1970s. At the same time, a biography of Asnaketch was released.

She died on 14 September 2011, at Bete Zata Hospital in Addis Ababa. Her funeral was held at St. Trinity Cathedral in Addis Ababa. A documentary of her life entitled Asni: Courage, Passion, and Glamour in Ethiopia came out in 2013, featuring interviews with her in which she discusses her music and life. The film was directed by Rachael Samuel, who called Worku "Ethiopia's Edith Piaf".

title: Asnaketch Worku


text:
Albert Coons

Albert Hewett Coons (June 28, 1912 – September 30, 1978) was an American physician, pathologist, and immunologist. He was the first person to conceptualize and develop immunofluorescent techniques for labeling antibodies in the early 1940s.

Early years
Coons was born in Gloversville, New York, on June 28, 1912, the son of Albert Selmser and Marion (née Hewett) Coons. His father was the president of a glove-manufacturing company, and his grandfather, Eugene Coons, was a physician. He was educated in Gloversville public schools, graduated with a B.S. from Williams College (Williamstown, Massachusetts) in 1933, and received his M.D. degree from Harvard Medical School in 1937. Thereafter, Albert pursued residency training in internal medicine at Massachusetts General Hospital in Boston, Massachusetts. During the final years of his house-officership, Coons joined the Thorndike Memorial Laboratory and was given a fellowship position in bacteriology and immunology. In that capacity, he came under the professional influence of Hans Zinsser, a pioneering and dynamic immunologist and microbiologist.

Coons took a vacation trip to Berlin, Germany, in 1939, where he had a scientific epiphany. Having discussed with colleagues the immunological nature of the "Aschoff nodule" (an intracardiac, endomyocardial collection of myocytes and inflammatory cells) in rheumatic fever, Albert mulled over the nature of the antigens and antibodies that were involved in its formation. He later wrote: "In strange cities, visitors have many hours alone. It struck me that this theory [of immunological hypersensitivity as the etiology of the Aschoff nodule] had never been tested and indeed could not be tested without the demonstration of antibody or antigen, preferably both, in the local lesions. I considered that it might be easier to find the antigen than the antibody... The notion of labeling an antibody molecule with a visible label was perfectly obvious in such a context." When Coons shared these thoughts with German scientific colleagues, they were highly skeptical that such a task could be accomplished. Knowledge of antibody structure was rudimentary, a method for attaching a fluorescent molecule to antibodies did not exist, and even the very synthesis of such chemical tags was in its scientific infancy. Nonetheless, undeterred, Albert returned to Boston to tackle the project.

Military service
In 1942, Coons's research was interrupted by a call to serve in the Medical Corps of the United States Army during World War II. He shipped out to the southwest Pacific Theater with the 105th General U.S. Army Hospital, as its chief laboratory officer. The 105th saw action in New Guinea, the Solomon Islands, and the Philippines. Coons was discharged from the Army at the end of 1945 with the rank of Major (O4). He was awarded the Asiatic-Pacific Campaign Medal and the World War II Victory Medal.

Career
Returning to Harvard Medical School, Coons continued his work on immunohistochemistry, in collaboration with Louis Fieser—an organic chemist—and his colleagues. Before the war, they had been successful in coupling anthracene isocyanate—a fluorophore—to antipneumococcus antibodies. The resulting product retained its immunological function, and was capable of agglutinating pneumococcal bacteria. In addition, the organisms were brightly fluorescent and could be seen easily with a microscope that was fitted with an excitational ultraviolet light source. This basic laboratory paradigm was later applied to many antigens and antibodies,    launching the clinical disciplines of diagnostic immunofluorescence microscopy for bacteriology and immunology, immunocytology, and immunohistochemistry in anatomic pathology. These methods are widely used today, globally, in clinical medicine and cell biology.

Many scientists spent time as fellows in Coons's Harvard laboratory. They, in turn, further developed the technique of immunohistology, as applied to electron microscopy and light microscopy. Coons progressed through the academic ranks at Harvard Medical School, and in 1953 was appointed Career Investigator for the American Heart Association. He completed additional work on in vitro and in vivo antibody production and the condition of immunological "tolerance". In recognition of his achievements, Coons was given the prestigious Albert Lasker Award in Basic Research in 1959. Coons was admitted as a member of the National Academy of Sciences in 1962. In 1970, he was given a named Harvard University Chair in the Department of Bacteriology and Immunology, and later, in the Department of Pathology. He was president of the American Association of Immunologists (1960–1961) and a councillor and president of the Histochemistry Society, and was given several other awards and international honorary academic degrees. These included the Paul Ehrlich Award in 1961, the Passano Award in 1962, the Gairdner Foundation Annual Award in 1963, the Emil von Behringer Prize in 1966, and honorary Sc.D. degrees from Williams College, Yale University, and Emory University. Despite those accolades, Coons remained a modest, affable, and quiet person who was devoted to his work, family, friends, and students.

Personal life
Coons died of coronary artery disease and congestive heart failure in September, 1978, in Brookline, Massachusetts. He is buried in Cambridge, Massachusetts. Coons was survived by his wife, Phyllis (née Watts) [1917-2002], a writer for the Boston Globe newspaper; his son, Albert H., Jr. (1957–2003), a Boston attorney; and four daughters: Elizabeth, a medical editor; Susan, an educator; Hilary, a clinical psychologist; and Wendy, a social worker.

title: Albert Coons


text:
Little Napoleons

Little Napoleons was a 1994 Channel 4 television serial starring Saeed Jaffrey, Norman Beaton, Simon Callow and Lesley Manville as four politicians involved in local council elections. Beaton and Jaffrey played rival Labour candidates while Callow was their Conservative colleague.

title: Little Napoleons


text:
User:Richster Stites

Yes, It is I, RICHSTER STITES! I enjoy emulation, reading books, um... and Linux (The Knoppix one).

EXTERNAL LINX:

Emulation: - Doh Games - Zophar's Lair

operating System Linx:

- Microsoft is crap:) - Linux (Under KNOPPIX)

Cool MEDIA playerS:

WINAMP

title: User:Richster Stites


text:
Talk:En attendant Cousteau

The title
An allusion to Waiting for Godot? 80.202.25.17 15:17, 9 February 2006 (UTC)

Title Track / En Attendant Cousteau
The title track mentioned in the article and En Attendant Cousteau, mentioned later, are one and the same. Both descriptions cannot be correct. Crossbottle (talk) 19:38, 11 March 2009 (UTC)

Dead external links to Allmusic website – January 2011
Since Allmusic have changed the syntax of their URLs, 1 link(s) used in the article do not work anymore and can't be migrated automatically. Please use the search option on http://www.allmusic.com to find the new location of the linked Allmusic article(s) and fix the link(s) accordingly, prefereably by using the Allmusic template. If a new location cannot be found, the link(s) should be removed. This applies to the following external links: --CactusBot (talk) 17:59, 1 January 2011 (UTC)
 * http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:muz8b5c4tsqspublisher

"lack of space on the formats"
"On vinyl and cassette tape the title track was edited to only 22 minutes due to the lack of space on the formats." On cassette? Seriously? The record company did now know that 100 and 120 minute tapes were in production? The title track would fit entirely on side B, if there were proper lenght of tape used.

Might be worth mentioning in more polite manner.

83.13.239.255 (talk) 10:12, 30 December 2015 (UTC)

 * If the tape was really long the first side would have a twenty-minute silent gap after the first three tracks. It wouldn't have worked. -Ashley Pomeroy (talk) 18:43, 15 September 2019 (UTC)

External links modified
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title: Talk:En attendant Cousteau


text:
Mein Leben & Ich

Mein Leben & Ich [My Life & Me] is a German sitcom produced by Sony Pictures in association with RTL Television. Original ran was from September 14, 2001 to December 20, 2009. The series, which was created by Paula A. Roth and directed by, is loosely based on ABC's 1994 teen drama My So-Called Life. The series focuses on the life of misanthropic student Alex Degenhardt (Wolke Hegenbarth), who deals with everyday life and her sometimes frustrating friends, Claudia (Nora Binder) and Niko (Sebastian Kroehnert), as well as her family: her little brother Basti (Frederik Hunschede) and her hippie parents Hendrik (Gottfried Vollmer) and Anke (Maren Kroymann). A sixth season was produced in 2006 but not shown until late 2009.

It is also broadcast in Finland by Nelonen as Elämä on Laiffii, in France as Ma vie à moi, and in Spain as Mi Vida y Yo.

title: Mein Leben & Ich


text:
Hans Cornelius

Johannes Wilhelm Cornelius (b.23 August 1947) was a German neo-Kantian philosopher and psychologist.

Biography
Born in Munich, Kingdom of Bavaria on 27 September 1863. He originally studied mathematics, physics, and chemistry, graduating with a Ph.D. in 1886, before turning to philosophy. In 1894, he habilitated in philosophy and subsequently held a post in philosophy at the University of Munich (until 1903 as a Privatdozent). In 1910, Cornelius moved as a full professor to the Akademie für Sozialwissenschaften, which four years later would become a department of the newly founded University of Frankfurt. Among his students in Frankfurt were Max Horkheimer and Theodor Adorno.

His work was influenced by psychologist Max Wertheimer.

Cornelius, who was a consistent opponent of World War I, joined the Social Democratic Party of Germany (SPD) in 1918 and in the 1920s, he promoted the plan of a European confederation. He supported the idea of a League of Nations in his paper Völkerbund und Dauerfriede (1919).

Hans Cornelius married Emilie (Mia) von Dessauer (1862–1946), a daughter of Heinrich von Dessauer (1830–1879), a physician and founder of the German hospital in Valparaiso, in 1887; Ingeborg Karlson (1894–1924), from Liljeholmen near Stockholm, in 1915, in his second marriage; and Friedrike Rosenthal, widowed Reissner (1886–1939), in 1925, in his third marriage. In 1941 he entered into a fourth marriage with Hedwig Krämer, widowed Drechsel (born 1896). Four children came from the first marriage: the later geologist Hans Peter Cornelius (1888–1950), Wolfgang (born 1890), Friedrich (1893–1976) and Evi (born 1894). The second marriage resulted in two sons, Yngor [Yngve] (born 1921) and Hans Wolfgang Amadeus (1923–2013).

Cornelius retired in 1928. He died in 1947 in Gräfelfing.

title: Hans Cornelius


text: File:Chronologie Jarre Album.jpg

title: File:Chronologie Jarre Album.jpg


text:
Talk:Koninklijke Mareschaussee

Created stub for Wikinews article: KLM flight to Mexico sent back by U.S. Homeland Security, inquiry follows -- Hooloovoo 13:37, 12 Apr 2005 (UTC)

title: Talk:Koninklijke Mareschaussee


text:
Talk:Sorbeto

Google hits 677,000 for "sorbet" 50,800 for "sorbetto" 540 for "sorbeto" Merged and redirected to "sorbet". --Viriditas | Talk 13:37, 12 Apr 2005 (UTC)

title: Talk:Sorbeto


text: User talk:208.60.19.61

title: User talk:208.60.19.61


text:
User talk:Eamoniski

Welcome!

Hello,, Welcome  to Wikipedia! '''I hope you like working here and want to continue. If you need help on how to name new articles, look at Naming Conventions, and for help on formatting the pages visit the Manual of Style. If you need general help, look at Help and the FAQ, and if you can't find your answer there, check the Village pump (for Wikipedia related questions) or the Reference Desk (for general questions). There's still more help at the Tutorial and the Policy Library. Also, don't forget to visit the Community Portal — and if you have any more questions after that, feel free to post them on my New-Users' Talk Page.'''

Additional tips:
 * Here are some extra tips to help you get around Wikipedia:
 * If you want to play around with your new Wiki skills, try the Sandbox.
 * Click on the Edit button on a page, and look at how other editors did what they did.
 * You can sign your name using three tildes, like this: ~~~. If you use four, you can add a datestamp too. Always sign comments on Talk pages, never sign Articles.
 * You might want to add yourself to the New User Log
 * If your first language isn't English, try Contributing to articles outside your native language

Happy editing! This is very late, I'm afraid, so you'll probably know all the above — but better a late welcome than no welcome at all. Mel Etitis ( Μελ Ετητης ) 13:38, 12 Apr 2005 (UTC)

title: User talk:Eamoniski


text:
User talk:Akihabara

The Torch

 * I am not sure how to answer your concerns. Most of the information is available on-line.  As for notability, I am not sure how to address this because it is not quantifiable.  So if you are inclined to think it is not notable, then to you it isn't.  That is fine, though there is no real way for me to say you are incorrect.  The reason I removed the tag is because, to me, it is notable and notability in something like this really boils down, in the end, to the opinion of one or two people.  I would rather you take off the tag and err on the side of leaving information out there, but that's just my opinion.  -I read this and it came off harsher than I intended but I think notability is too subjective.

Hello!!!
Hi, this is Jobin, a new wikipedia user. I came to understand that you have an interest in Computer and related topics. I am working on a few articles related to Programming in C. Therefore, I kindly request you to help me on these topics
 * inttypes.h
 * tgmath.h

You may also drop your valuable suggestions on other related articles on my talk page.

Jobin (talk) 14:52, 28 September 2011 (UTC)

ArbCom elections are now open!
MediaWiki message delivery (talk) 13:00, 23 November 2015 (UTC)

title: User talk:Akihabara