text:
RealClimate

 RealClimate  is a commentary site (blog) on climatology. The site's contributors include climate scientists whose goal is to provide a response to developing stories and a context they feel is sometimes missing in mainstream commentary on climate science and climate change. The forum is moderated, and is restricted to scientific topics to avoid discussion of political or economic implications of the science. RealClimate was launched on 10 December 2004 by nine climate scientists.

Recognition
The creation of RealClimate was the subject of an editorial in the scientific journal Nature, and was reported in the "NetWatch" news feature of the journal Science.

In 2005, the editors of Scientific American recognized RealClimate with a Science and Technology Web Award.

In 2006, Nature compiled a list of the 50 most popular blogs written by scientists, as measured by Technorati. RealClimate was number 3 on that list.

According to Time, RealClimate is "in line with the Web's original purpose: scientific communication" with a "straightforward presentation of the physical evidence for global warming".

Notable contributors
notable contributors to RealClimate included:
 * David Archer
 * Rasmus Emil Benestad
 * Raymond S. Bradley
 * Michael E. Mann
 * Raymond Pierrehumbert
 * Stefan Rahmstorf
 * Gavin Schmidt
 * Eric Steig

Past contributors include:
 * William Connolley

title: RealClimate


text:
Talk:Swedenborgianism

Biblical Canon
Is the Bible used by them the same as other Protestant or Christian groups. I think either way, someone who knows for sure, should put in a section 99.53.171.95 (talk) 00:05, 29 March 2009 (UTC)eric

What connection does this have to the "Swedenborgian space" referred to in Steven King's Kingdom Hospital? --Phil | Talk 14:05, Apr 7, 2005 (UTC)

 * None. When the term Swedenborgian is used it refers to the writings of Emanuel Swedenborg, in descriptions of things such as heaven, hell, angels and devils. Swedenborgianism is the religious movement founded after Swedenborg. --Fred chessplayer 15:53, 7 Apr 2005 (UTC)

 * Kingdom Hospital is based somewhat on a Danish television program which itself borrowed some ideas from a very loose reading of either some of Swedenborg's works, or of one of many derivative works that merely describe and interpret his works. Fred is right, though, that "Swedenborgian" in this case more properly refers to Swedenborg. However, the term "Swedenborgian" can also refer to an individual or an organization that is itself part of Swedenborgianism. --Mac 21:43, 2005 Apr 7 (UTC)

 * Should Lars von Trier be mentioned then? And why is William Shatner here?--T. Anthony 10:16, 21 April 2007 (UTC)

This article is probably in better need of more historical descriptions than of all the ext links, which is why I'm removing them. --Fred-Chess 09:44, 5 May 2005 (UTC)

Membership Numbers
It has been mentioned in a couple of different venues that the denominational membership statistics look skewed and/or very old. However, I don't have recent data, myself. Could someone with better information verify/correct the numbers? --68.81.114.165 01:50, 18 Jun 2005 (UTC) (aka --Mac 01:52, 2005 Jun 18 (UTC))

 * I'm not sure if the figures I put in are anymore accurate. Mostly they are based on that religious movement site. Numbers are a bit perplexing as they tend to have a small presence in several nations. I've heard rumors there are even Swedenborgians in North Korea, but so far thet are only rumors. It sounds like they are also becoming an "open" church which possibly complicates things further depending on what it means.

 * A Contra Costa Times article in 2005 backed up the figure of 50,000 internationally. Although I'm not sure how credible that is. Most things I've read indicate they have around 25,000-30,000 members. The figure of 10,601 I gave is probably a bit too low. --T. Anthony 07:51, 1 September 2005 (UTC)

 * I at one time removed several links to various organisations around the world, I remember for instance one being Czech. You may want to look into that in the edit history.
 * May different numbers perhaps be because baptised Swedenborgians are counted apart from people who are just affiliated with the church?
 * Fred-Chess 10:36, September 1, 2005 (UTC)

 * I'd wonder that. There does seem to be layers of affiliation or involvement. Possibly the number of active members is the lower number, 10,610 or whatever, and 50,000 is like the high estimate based on whoever was baptized or something. I might look through those older versions, but it'll have to wait as I'm hoping to take a few days off--T. Anthony 12:12, 1 September 2005 (UTC)

 * Old discussion, I know. Does anyone have specific references to the 25,000-30,000 number?  There's another reference to 50,000 members at adherents.com, although that does seem high to me.--207.8.197.2 15:40, 11 July 2006 (UTC)

Merge from True christianity
The article True christianity is about Swedenborgian doctrine. It has been proposed that True christianity be moved into the beliefs section of this article. Grigory Deepdelver AKA ArcholaTalk 00:18, 27 April 2006 (UTC)

Moving this here would be ok with me. It should be noted that among New Church members freedom of thought and expression is allowed and there is no dogmatic standard, so it may be hard to find exact wording that everyone can agree upon in the explanation of doctrines.

Also, I am a so called "Swedenborgian" and I do not like to be so called, so it is somewhat bothersome to think of the New Church idea of True Christianity being put under the term Swedenborgianism. I follow the Lord, not Swedenborg, but I understand that there needs to be a place for this. —Preceding unsigned comment added by Jasonschnarr (talk • contribs)

 * No offense meant. Arch O. La Grigrory   Deepdelver  20:25, 27 April 2006 (UTC)

 * Merge. This is very similair content and the title is very POV. — Aiden 03:04, 27 April 2006 (UTC)

 * Merge. True christianity is inherently POV. I have to admit that until I read Archola's post on True Christianity, I had heard of the New Church but never of "Swedenborgianism" and (if asked) would have guessed it to be a wordplay joke based on the Chef in the Muppets. I've got a lot of new reading; this is REALLY good 19th C religious background. The article is succinct, readable, and informative with phenomenal source work. In fact, this might make a great Featured Article candidate after the merge. Comments? Kevin/Last1in 19:30, 27 April 2006 (UTC)

 * I should ask, then: what's the difference between this article and The New Church? Arch O. La Grigrory   Deepdelver  21:20, 27 April 2006 (UTC)

 * Frankly, not much substantive that I can see. Good question. Looks like The New Church article was split off (I'm not kidding here) from a pro wrestling article. Maybe after a diff check we might do two merges for the price of one? I'd like to hear from regular contributors, though. Unfortunately, none of them seem to have active user pages other than Fred... Perhaps one is a subset of the other (i.e. Orthodox Church of Mount Sinai compared to the Eastern Orthodox Church)? PS to Archola: you asked about your sig line. It is still 255 code characters long. That's a bunch. I don't see why anyone cares, though. Kevin/Last1in 23:19, 27 April 2006 (UTC)
 * I asked because someone complained about me using my Hobbit name, rather than my real name or username. I did, however, optimize my sig. Is this any better? Arch O. La  Grigrory Deepdelver  00:20, 28 April 2006 (UTC) PS: 171 characters. That's a little better. Arch O. La 00:25, 28 April 2006 (UTC)

 * I asked Fred, the only person with both significant contributions and a talk page, what he thought about a merge and got the following response: Well, I don't have much to say about it actually... but thanks for asking... The reason why the article name is Swedenborgianism because the 1911 EB, which the article was originally based on, had its article at that name. But perhaps two articles, The New Church and Swedenborgianism, is more suitable. Fred-Chess 09:53, 28 April 2006 (UTC) I don't know how much that helps us. I still think a merge and redir is appropriate. PS to Deepdelver: Yeah, that sig is shorter, but I don't see any reason to let anti-hobbit prejudice pressure you to use a muggle name instead of proclaiming your inner hobbit... —Preceding unsigned comment added by Last1in (talk • contribs)

 * I guess we'll leave those two articles as they are then. BTW, I had heard of the Swedenborgian Church of North America, but not The New Church. I never thought of the Swedish Chef. I did, however, think of Star Trek. Arch O. La  Grigory Deepdelver  15:55, 28 April 2006 (UTC)

So, it seems we have five votes for merge: Homestarmy, myself, Aiden, Kevin and Wesley. (Some of these votes are at Talk:True christianity.) It seems unananimous. Arch O. La  Grigory Deepdelver  16:00, 28 April 2006 (UTC)

Hey Guys, hold on. What about merging "True Christianity" with "The New Church". I would prefer that over merging it with Swedenborgianism. Also, can someone explain to me why when I wrote the article for "The New Church" it was not separate from the "Disciples of the New Church" wrestling thing? Can't there be an article for both?

And can I just do it myself or what? Obviously the beliefs would not need to be listed twice, but the True Christianity part could go below them. Jasonschnarr 17:40, 28 April 2006 (UTC)

 * Well, merge it with one article or the other (or both). I don't have a preference, although I can't speak for everyone. Yes, if you wish, go ahead and make the merge yourself. Arch O. La  Grigory Deepdelver  18:02, 28 April 2006 (UTC)

Merge with The New Church?
I know it's being talked about in the section above, but I thought maybe a new topic was in order. I'm in favor of merging The New Church and Swedenborgianism under the new title "The New Church (Swedenborgianism)". There really isn't much of a difference between the terms. "Swedenborgianism" was used in Swedenborg's own time to describe his theology, and he disliked the term, preferring "True Christianity" (hence that section's title). Within his works, Swedenborg refers to "The New Church" far more often than he does to "The True Christianity", and most of his followers have taken on that name for their church. The Swedenborgian Church of America did adopt the "Swedenborgian" title in the second half of the twentieth century (they were previously known as The General Convention of the New Church); but as far as I know, most people in that branch of the church still consider themselves members of the New Church. On a completely different note, I'm new to Wikipedia and don't know if there's some method of merging articles other than cutting and pasting and putting in a redirect. If no one seems to object, I don't mind merging The New Church and Swedenborgianism. Coleman Glenn 03:22, 5 May 2006 (UTC)

 * I am also in favor of merging this entire article on Swedenborgianism with that of The New Church, and just have the term Swedenborgian redirect to The New Church. If there are differences, explain it on the page, I think the only one is in regards to the writings of Swedenborg himself.  It is very minor and does not justify having two articles.  Swedenborg wrote anonymously, and he constantly refers to the doctrines as those of "the New Church".  I was planning on doing this myself until I discovered this talk page, but I am new to Wikipedia and I am not sure how to do that. DougWebber (talk) 03:33, 18 December 2009 (UTC)

I believe "Swedenborgianism" is entirely different than "The New Church". There are those who believe they are following Swedenborgs words, hence "Swedenborgianism" and those who believe they are following the words of the Lord, God, Jesus Christ, who call the works the doctrines of "The New Church". I would love to crush the idea of "Swedenborgianism", however I don't believe "The New Church" and "Swedenborgianism" can dwell in harmony on the same page. We each have our own agenda and wish to represent different movements, although both movements are based on the same text. Each with our own page, we can represent each side of the movement more freely. Jasonschnarr 20:26, 5 May 2006 (UTC) I reccommend putting a "see also" on each page.

 * I made a swift comment above. Now, I want to express clearly that I don't support a merge. IMO, Swedenborgianism is a denominator of a movement of anything and anyone following Swedenborg, while The New Church is an organized movement and could deserve its own article. / Fred-Chess 20:50, 5 May 2006 (UTC)

 * I see your point about the distinction between followers and an organized movement, but I think that the terms "The New Church" and "Swedenborgianism" usually apply to the same thing. In fact, the Swedenborgianism article says, "Swedenborgianism is the ecclesiastical organization of beliefs developed from the writings of Emanuel Swedenborg, and as such, considered a religious movement by many", and, "Other names for the movement are also used, especially by adherents, including New Christians, Neo-Christians, The New Church, and Church of the New Jerusalem", which sounds to me like it is equating them.  If they aren't the same thing, maybe the Swedenborgianism article needs to be changed to reflect that. I do believe there is a distinction, but it seems to me that it is that "The New Church" is not only a name for the movement but also an ideal for adherents, whereas Swedenborgianism is more limited in its meaning. On the other hand, it seems like any people who accepted Swedenborg's writings enough to consider themselves Swedenborgian would also consider themselves members of (or aspirants to?) the spiritual New Church that the writings describe; although I could be wrong. Coleman Glenn 12:35, 7 May 2006 (UTC)

In writing "The New Church" article I was attempting to express that it is a spiritual concept that organized movements have sprung from. It is an idea written first in the books published by Swedenborg, but has been developed further by those in the movement. Shouldn't a movement be called the same thing that those in the movement call it, and not a name slapped on by those outside the organization. The term Swedenborgianism is more often used by those outside of the New Church in referring to it, or by those in the Swedenborgian Church of North America, so by sticking with that term it leads one to think of that small Swedenborgian group which uses that symbol on the Swedenborgianism page and displays the Wayfarers chapel rather than the Bryn Athyn Cathedral which is much more of a big deal to the New Church movement. The General Church is a much bigger proponent of the New Church. Why is it not represented so visibly on the Swednborgian page. These are some of the reasons I think keeping it split is better, to avoid conflict with opposing views of what the books published by Swedenborg really are. 68.54.134.222 16:10, 7 May 2006 (UTC)

 * I put up a picture of Bryn Athyn Cathedral, but it had to be taken down for copyright reasons. If you check that article there's no picture of Bryn Athyn in it either. Anyway at present I'd be fine with this page just being about the philosophy/psychological-thought of Swedenborg and those influenced by it. There are other pages for such things named for people, for example; Adlerian, Kantianism, and Hegelianism. Then the religious denominations can be dealt with by using pages specific to denominations.--T. Anthony 06:53, 16 July 2006 (UTC)

Image issue
Can anyone verify the copyright status of Image:Swedenborgianism.jpg? The image was originally uploaded by user:eequor who is no longer active, and will be deleted if no one can provide copyright information. -- Rick Block (talk) 16:09, 30 December 2006 (UTC)

Titling issues
While this matter has been discussed, I am not sure if any meaningful conclusion was reached. While I suppose you could have a 'Swedenborgianism'page dealing very generally with Swedenborg's philosophy, the current page is really just a summary of Swedenborgian theology as it relates to the two New Church denominations. As such, I would advocate merging the Swedenborgianism article into the New Church article; it simply makes more sense that way. Also, I would like to see this page (should it stay the unchanged) modified to impart the fact that "Swedenborgianism" is a Christian denomination in the same vein as Lutheranism, Calvinism, Wesleyanism, Waldensianism, etc. There may be those who are closed-minded enough to classify it as non-Christian, but, well, there are people who claim similiarly that JWs, Mormons and Oneness Pentecostals are not Christians either. Would love to hear thoughts. 134.84.96.56 (talk) 09:52, 12 December 2008 (UTC)

Proposed work group
There is currently discussion regarding the creation of a work group specifically to deal with articles dealing with this subject, among others, here. Any parties interested in working in such a group are welcome to indicate their interest there. Thank you. John Carter (talk) 17:28, 15 March 2009 (UTC)

"Influence"
Your list is a mishmash of persons who actually belonged to some Swedenborgian church, and others who merely expressed admiration for Swedenborg. Surely these belong in separate lists--with sources, of course. Dawud (talk) 01:11, 5 June 2009 (UTC)

 * Plus no sources cited. I'm going to be bold and remove it.Simonm223 (talk) 03:23, 7 September 2009 (UTC)

Article: List of Christian denominations
At Talk:List of Christian denominations, I've asked about moving certain groups. You may wish to post a comment there. --AuthorityTam (talk) 20:20, 7 August 2009 (UTC)

Opinion
The section about non organized swedenborgianism currently reads: "The term may be used to refer to people inspired by some part of Swedenborgian philosophy or theology who take an eclectic approach to spiritual topics. They may blend "pure" Swedenborgian thought with ideas from other systems, including Jungian psychology, Spiritualism, and "traditional" Christianity. Such Swedenborgianism bears little resemblance to the ecclesiastical form usually referred to by the term." There is no reference for this and I consider it merely somebody's opinion. I totally disagree with this. What is "pure Swedenborgianism"? Pure Swedenborgianism as per the Swedenborg Scientific association http://www.thenewphilosophyonline.org/journal/article.php?page=1013&issue=103 is a follow up on the work of Jakob Boehme, who was an occultist and promoted occult theosophy. How can you thus allow a statement like this that somehow there is a "pure swedenborg" group which in it's roots is not related to these philosophies? I request for this section to be removed. (Redeeminglove (talk) 20:46, 23 October 2009 (UTC))

Christian Appologetics Mission is not a WP:RS
And putting in this anti-swedenborgian propaganda will be reverted with alacrity no matter what subject hedder you put on it. Honestly don't christians have better things to do with their time than finding inventive ways of discrediting each other's denominations? Simonm223 (talk) 21:42, 23 October 2009 (UTC)

It is true that Swedenborg doesn't go down too well with mainstream Christianity, but such criticism will need to be referenced, and it will need to be based on actual mainstream authors. Citing criticism from randomly googled internet bible-thumpery such as "Matt, Ryan and Diane from Idaho" is not arguable. --dab (𒁳) 11:24, 24 October 2009 (UTC)

 * It's all religion to me... Regardless, the thing that matters here is that sources for criticism be reliable and it's been well established that Christian Apologetics Mission is absolutely not a WP:RS for anything other than the Christian Apologetics Mission (where it is a primary source). Simonm223 (talk) 17:06, 24 October 2009 (UTC)
 * Your approach is the correct encyclopedic form. People should learn to edit topics in which they have no vested emotional interest. An encyclopedia is for laying out the facts, not for winning or losing arguments. Of course, if you believe that 'religion is harmful to society', you also have emotional involvement, but not with Swedenborgianism in particular at least, and anyway you seem to be able to abstract from your ideological position when editing, so it's ok. --dab (𒁳) 10:37, 25 October 2009 (UTC)

 * I don't see Swedenborgianism as any more or less harmful than any other religion. Simonm223 (talk) 14:15, 26 October 2009 (UTC)

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Talk:Swedenborgianism


text:
Complex network

In the context of network theory, a complex network is a graph (network) with non-trivial topological features—features that do not occur in simple networks such as lattices or random graphs but often occur in networks representing real systems. The study of complex networks is a young and active area of scientific research (since 2000) inspired largely by empirical findings of real-world networks such as computer networks, biological networks, technological networks, brain networks,   climate networks and social networks.

Definition
Most social, biological, and technological networks display substantial non-trivial topological features, with patterns of connection between their elements that are neither purely regular nor purely random. Such features include a heavy tail in the degree distribution, a high clustering coefficient, assortativity or disassortativity among vertices, community structure, and hierarchical structure. In the case of directed networks these features also include reciprocity, triad significance profile and other features. In contrast, many of the mathematical models of networks that have been studied in the past, such as lattices and random graphs, do not show these features. The most complex structures can be realized by networks with a medium number of interactions. This corresponds to the fact that the maximum information content (entropy) is obtained for medium probabilities.

Two well-known and much studied classes of complex networks are scale-free networks and small-world networks, whose discovery and definition are canonical case-studies in the field. Both are characterized by specific structural features—power-law degree distributions for the former and short path lengths and high clustering for the latter. However, as the study of complex networks has continued to grow in importance and popularity, many other aspects of network structures have attracted attention as well.

The field continues to develop at a brisk pace, and has brought together researchers from many areas including mathematics, physics, electric power systems, biology, climate, computer science, sociology, epidemiology, and others. Ideas and tools from network science and engineering have been applied to the analysis of metabolic and genetic regulatory networks; the study of ecosystem stability and robustness; clinical science; the modeling and design of scalable communication networks such as the generation and visualization of complex wireless networks; and a broad range of other practical issues. Network science is the topic of many conferences in a variety of different fields, and has been the subject of numerous books both for the lay person and for the expert.

Scale-free networks
A network is called scale-free if its degree distribution, i.e., the probability that a node selected uniformly at random has a certain number of links (degree), follows a mathematical function called a power law. The power law implies that the degree distribution of these networks has no characteristic scale. In contrast, networks with a single well-defined scale are somewhat similar to a lattice in that every node has (roughly) the same degree. Examples of networks with a single scale include the Erdős–Rényi (ER) random graph, random regular graphs, regular lattices, and hypercubes. Some models of growing networks that produce scale-invariant degree distributions are the Barabási–Albert model and the fitness model. In a network with a scale-free degree distribution, some vertices have a degree that is orders of magnitude larger than the average - these vertices are often called "hubs", although this language is misleading as, by definition, there is no inherent threshold above which a node can be viewed as a hub. If there were such a threshold, the network would not be scale-free.

Interest in scale-free networks began in the late 1990s with the reporting of discoveries of power-law degree distributions in real world networks such as the World Wide Web, the network of Autonomous systems (ASs), some networks of Internet routers, protein interaction networks, email networks, etc. Most of these reported "power laws" fail when challenged with rigorous statistical testing, but the more general idea of heavy-tailed degree distributions—which many of these networks do genuinely exhibit (before finite-size effects occur) -- are very different from what one would expect if edges existed independently and at random (i.e., if they followed a Poisson distribution). There are many different ways to build a network with a power-law degree distribution. The Yule process is a canonical generative process for power laws, and has been known since 1925. However, it is known by many other names due to its frequent reinvention, e.g., The Gibrat principle by Herbert A. Simon, the Matthew effect, cumulative advantage and, preferential attachment by Barabási and Albert for power-law degree distributions. Recently, Hyperbolic Geometric Graphs have been suggested as yet another way of constructing scale-free networks.

Some networks with a power-law degree distribution (and specific other types of structure) can be highly resistant to the random deletion of vertices—i.e., the vast majority of vertices remain connected together in a giant component. Such networks can also be quite sensitive to targeted attacks aimed at fracturing the network quickly. When the graph is uniformly random except for the degree distribution, these critical vertices are the ones with the highest degree, and have thus been implicated in the spread of disease (natural and artificial) in social and communication networks, and in the spread of fads (both of which are modeled by a percolation or branching process). While random graphs (ER) have an average distance of order log N between nodes, where N is the number of nodes, scale free graph can have a distance of log log N.

Small-world networks
A network is called a small-world network by analogy with the small-world phenomenon (popularly known as six degrees of separation). The small world hypothesis, which was first described by the Hungarian writer Frigyes Karinthy in 1929, and tested experimentally by Stanley Milgram (1967), is the idea that two arbitrary people are connected by only six degrees of separation, i.e. the diameter of the corresponding graph of social connections is not much larger than six. In 1998, Duncan J. Watts and Steven Strogatz published the first small-world network model, which through a single parameter smoothly interpolates between a random graph and a lattice. Their model demonstrated that with the addition of only a small number of long-range links, a regular graph, in which the diameter is proportional to the size of the network, can be transformed into a "small world" in which the average number of edges between any two vertices is very small (mathematically, it should grow as the logarithm of the size of the network), while the clustering coefficient stays large. It is known that a wide variety of abstract graphs exhibit the small-world property, e.g., random graphs and scale-free networks. Further, real world networks such as the World Wide Web and the metabolic network also exhibit this property.

In the scientific literature on networks, there is some ambiguity associated with the term "small world". In addition to referring to the size of the diameter of the network, it can also refer to the co-occurrence of a small diameter and a high clustering coefficient. The clustering coefficient is a metric that represents the density of triangles in the network. For instance, sparse random graphs have a vanishingly small clustering coefficient while real world networks often have a coefficient significantly larger. Scientists point to this difference as suggesting that edges are correlated in real world networks. Approaches have been developed to generate network models that exhibit high correlations, while preserving the desired degree distribution and small-world properties. These approaches can be used to generate analytically solvable toy models for research into these systems.

Spatial networks
Many real networks are embedded in space. Examples include, transportation and other infrastructure networks, brain networks. Several models for spatial networks have been developed.

Books

 * B. S. Manoj, Abhishek Chakraborty, and Rahul Singh, Complex Networks: A Networking and Signal Processing Perspective, Pearson, New York, USA, February 2018. ISBN 978-0-13-478699-5
 * S.N. Dorogovtsev and J.F.F. Mendes, Evolution of Networks: From biological networks to the Internet and WWW, Oxford University Press, 2003, ISBN 0-19-851590-1
 * Duncan J. Watts, Six Degrees: The Science of a Connected Age, W. W. Norton & Company, 2003, ISBN 0-393-04142-5
 * Duncan J. Watts, Small Worlds: The Dynamics of Networks between Order and Randomness, Princeton University Press, 2003, ISBN 0-691-11704-7
 * Albert-László Barabási, Linked: How Everything is Connected to Everything Else, 2004, ISBN 0-452-28439-2
 * Alain Barrat, Marc Barthelemy, Alessandro Vespignani, Dynamical processes on complex networks, Cambridge University Press, 2008, ISBN 978-0-521-87950-7
 * Stefan Bornholdt (editor) and Heinz Georg Schuster (editor), Handbook of Graphs and Networks: From the Genome to the Internet, 2003, ISBN 3-527-40336-1
 * Guido Caldarelli, Scale-Free Networks, Oxford University Press, 2007, ISBN 978-0-19-921151-7
 * Guido Caldarelli, Michele Catanzaro, Networks: A Very Short Introduction Oxford University Press, 2012, ISBN 978-0-19-958807-7
 * E. Estrada, "The Structure of Complex Networks: Theory and Applications", Oxford University Press, 2011, ISBN 978-0-199-59175-6
 * Mark Newman, Networks: An Introduction, Oxford University Press, 2010, ISBN 978-0-19-920665-0
 * Mark Newman, Albert-László Barabási, and Duncan J. Watts, The Structure and Dynamics of Networks, Princeton University Press, Princeton, 2006, ISBN 978-0-691-11357-9
 * R. Pastor-Satorras and A. Vespignani, Evolution and Structure of the Internet: A statistical physics approach, Cambridge University Press, 2004, ISBN 0-521-82698-5
 * T. Lewis, Network Science, Wiley 2009,
 * Niloy Ganguly (editor), Andreas Deutsch (editor) and Animesh Mukherjee (editor), Dynamics On and Of Complex Networks Applications to Biology, Computer Science, and the Social Sciences, 2009, ISBN 978-0-8176-4750-6
 * Vito Latora, Vincenzo Nicosia, Giovanni Russo, Complex Networks: Principles, Methods and Applications, Cambridge University Press, 2017, ISBN 978-1-107-10318-4

title: Complex network


text:
Talk:Auto fellatio

Says existence of autocunnilingus disputed but there's photo of a woman doing it in the May Penthouse Letters. DasKapital 14:06, 7 Apr 2005 (UTC)

title: Talk:Auto fellatio


text:
Yerofeyev

Yerofeyev (masculine) or Yerofyeva (feminine), also transliterated as Erofeev or Erofeyev, is a Russian surname. It means "(someone) related to Yerofey", Yerofey (Ерофей) being a form of the archaic Christian masculine first name Ierofey (Иерофей - from Greek Hierotheos (Ἱερόθεος)).

Notable people with the surname include:

 * Vasily Yerofeyev (1822–1884), Russian geologist
 * Mikhail Yerofeyev (1857–1941), Russian general
 * Oleg Yerofeyev (1940–2022), Russian admiral
 * Olga Erofeeva (born 1985), Russian triathlete]
 * Tamara Erofeyeva (born 1937), Russian linguist
 * Venedikt Yerofeyev (1938–1990), Russian writer
 * Victor Erofeyev (born 1947), Russian writer
 * Denis Erofeyev (born 1974), Russian racing driver
 * Vladimir Yerofeyev
 * Vladimir Ivanovich Yerofeyev (1920-1991), Soviet diplomat
 * Vladimir Yerofeyev (football coach)
 * Vladimir Yakovlevich Yerofeyev (1909—1986), Soviet ambassador

title: Yerofeyev


text:
Bruce McCall

Bruce McCall (May 10, 1935 – May 5, 2023) was a Canadian author and illustrator, best known for his frequent contributions to The New Yorker. He has also illustrated children's books.

Life and career
McCall was born on May 10, 1935, in Simcoe, Ontario. He was fascinated by comic books and showed an early aptitude for drawing fantastical flying machines, blimps, bulbous-nosed muscle cars and futuristic dioramas. In his memoir, Thin Ice (1997), McCall recounted that he was never good at physical activity as a boy, but could count on his mother to encourage his creativity.

Without any serious technical training, McCall began his illustration career drawing cars for Ford Motor Company in Toronto in the late 1950s before moving into advertising. At the ad agency Campbell-Ewald, McCall met and worked with David E. Davis Jr., who later rise to prominence as the Editor in Chief of Car and Driver and founder of the Automobile magazine. Later, in New York, he wrote ad copy for Ford and Mercedes-Benz. He temporarily relocated to Germany after he was put in charge of Mercedes-Benz advertising. After several decades in advertising, he sought opportunities elsewhere in the publishing industry.

During his time in New York City, McCall was hired by National Lampoon, where he made a name for himself as an artist with intelligent and whimsical humor. McCall also spent a brief period writing sketches for Saturday Night Live. A large proportion of McCall's work has a retrofuturistic theme. McCall illustrated magazine covers, regularly appearing in The New Yorker, Car and Driver, and other magazines. He has been a contributor to the magazine since 1979. McCall was also a humourist, and has written essays on some of the social ironies of modern life. He wrote frequently for the "Shouts & Murmurs" section of The New Yorker. He contributed more than 80 covers to the magazine over the course of his career.

McCall lived on the Upper West Side of Manhattan in New York City near Central Park. He died of complications from Parkinson's disease on May 5, 2023, at Calvary Hospital in the Bronx. He was 87.

Books

 * (1982) Zany Afternoons ISBN 0-394-42683-5
 * (1993) Sit!: The Dog Portraits of Thierry Poncelet, text by Bruce McCall ISBN 1-56305-380-2
 * (1997) Thin Ice (memoir) ISBN 0-679-76959-5
 * (1998) Viagra Nation: The Definitive Guide to Life in the New Sexual Utopia ISBN 0-06-019311-5
 * (2001) Sit!: Ancestral Dog Portraits ISBN 0-7611-2544-2
 * (2001) The Last Dream-o-Rama ISBN 0-609-60801-0
 * (2003) New York to the World Mural 8th Ave and 34th street
 * (2003) All Meat Looks Like South America ISBN 0-609-60802-9
 * (2008) Marveltown ISBN 0-374-39925-5
 * (2009) 50 Things to Do with a Book ISBN 0-06-170366-4
 * (2013) This Land Was Made for You and Me (But Mostly Me): Billionaires in the Wild (with David Letterman) ISBN 0-399-16368-9
 * (2020) How Did I Get Here? ISBN 9780399172281

title: Bruce McCall


text:
Rowlands Gill

Rowlands Gill is a village on the north bank of the River Derwent, in the Metropolitan Borough of Gateshead, Tyne and Wear, England. The Gibside Estate is near the town.

History
With the coming of the Derwent Valley Railway in 1867, Rowlands Gill became a coal mining village and was under Blaydon Urban District, in County Durham, until it was incorporated into the County of Tyne and Wear and the Metropolitan Borough of Gateshead in 1974.

Governance
In local government Rowlands Gill is located mainly within the ward of Chopwell and Rowlands Gill. It is served by three councillors, all of whom are Labour councillors, except for the north end at Lockhaugh, which falls within the ward of Winlaton and High Spen, and is served by two Liberal Democrat councillors. Gateshead Council is Labour-controlled.

Rowlands Gill is in the parliamentary constituency of Blaydon. The MP is Labour's Liz Twist.

Geography
Rowlands Gill is situated within Gateshead's Greenbelt, 6 miles southwest of Newcastle just outside of the Tyneside urban sprawl. Transport in the area is mainly focused on Buses as the nearest railway station is Blaydon railway station, 3 miles to the north, and is further away from any Tyne and Wear Metro stations. The village lies on the A694, known as 'Station Road' in the village centre. Another nearby major road is the A692 that passes through the nearby areas of Byermoor and Hobson, County Durham.

Retail and facilities
The village has two licensed premises, the Vale of Derwent Working Mens Club and a "micro pub", The Railway Tavern. The Towneley Arms Public House pre-dated the village, being built in 1835 to serve travellers and their horses on the turnpike road through the valley. It was rebuilt in 1961, but due to low business, demolished in 2002 and replaced with dwellings. There are plentiful dining/alehouse facilities in the surrounding villages of Winlaton Mill, Burnopfield & Winlaton.

The village has a GP with four medical doctors, a dental surgery and a chemist shop. There is a barber, two other hairdressers, two art shops, a gym, a post office, a grocer, a florist, an ice cream shop, a garage, and an appliance shop. It also has an estate agent, an accountant, a bookmaker and a mortician.

There is an Italian restaurant, a Chinese restaurant/take-away, a tea-shop, a sandwich shop, and a fish and chip shop.

A public library is near the village centre. Strathmore Road Methodist Church and St. Barnabas Church of England Church are near the centre.

The war memorial is a Grade II listed building.

Recreation and education
Derwent Park provides access to the river, where permit holders can fish. It also has tennis courts, a putting green, recreational fields and playground facilities. The Derwent Country Walk runs through the village along the route of the disused railway line.

The A694 runs through the town. There are frequent bus services to Newcastle City Centre, the MetroCentre and, in the other direction, Blackhall Mill and Consett. Other minor bus routes such as UCall bus service operate.

Rowlands Gill has a primary school, which was rebuilt in 2007 after the previously separate infant and junior schools had merged. The school is a feeder to Thorp Academy. Some parents send their children to St Thomas More Catholic School, Blaydon.

Rowlands Gill and the surrounding Derwent Valley were chosen by the Northern Kites Project as the location for re-introducing red kites in semi-rural areas. The scheme has proved to be a success, with birds being spotted across the west of the borough, from Crawcrook through Rowlands Gill, to Burnopfield and Whickham.

Notable people
These notable people were born in Rowlands Gill or lived there for a significant period:
 * Kirsty Wade – athlete, a former resident of the old station-master's house
 * Chris Ryan – SAS soldier and author
 * Frank Clark – European Cup-winning football player and manager
 * Ben Satterley – wrestler currently under contract to All Elite Wrestling, was billed as being from Rowlands Gill when wrestling in the North East.
 * Richard Cobbing – athlete, Olympian, former World Games Trampoline champion and World Championship Silver Medallist at the FIS Freestyle World Ski Championships
 * Daniel Barlaser – footballer for Middlesbrough FC
 * Edward Charlton – British Army soldier awarded the Victoria Cross during World War II
 * Arthur Carty – academic and former National Science Adviser to the Government of Canada
 * Anthony A. Barrett – Classical scholar and author
 * Gracie Cole – trumpeter and band leader

title: Rowlands Gill


text: User talk:24.43.35.217

title: User talk:24.43.35.217


text:
List of British artists

This is a partial list of artists active in Britain, arranged chronologically (artists born in the same year should be arranged alphabetically within that year).

Born before 1700

 * Hans Holbein the Younger (1497/8–1543) – German artist and printmaker who became court painter in England
 * Marcus Gheeraerts the Elder (c.1520–c.1590) – Flemish printmaker and painter for the English court of the mid-16th century
 * George Gower (1540–1596) – English portrait painter
 * Nicholas Hilliard (1547–1619) – English goldsmith, limner, portrait miniature painter
 * Rowland Lockey (c.1565–1616) – English goldsmith, portrait miniaturist, painter
 * Isaac Oliver (c.1565–1617) – French-born English portrait miniature painter
 * Anthony van Dyck (1599–1641) – Flemish Baroque painter, watercolourist and etcher who became court painter in England
 * Wenceslaus Hollar (1607–1677) – Czech etcher
 * Samuel Cooper (c.1608–1672) – English miniature painter
 * John Michael Wright (1617–1694) – British baroque portrait painter
 * Peter Lely (1618–1680) – Dutch painter and portrait artist in England
 * Francis Barlow (c.1626–1704) – English painter, etcher, and illustrator
 * David Loggan (1635–1692) – English baroque painter, born in Danzig
 * Godfrey Kneller (1646/9–1723) – portrait painter in England
 * Edward Pierce (1630–1695)
 * Francis Place (1647–1728) – English potter and engraver
 * James Thornhill (1675–1734) – English painter of historical subjects
 * Jonathan Richardson (1665–1745) – English portrait painter
 * Peter Monamy (1681–1749) – English marine painter
 * John Wootton (1682–1764) – English painter of sporting subjects, battle scenes and landscapes
 * Pieter Andreas Rysbrack (1685 or 1690–1748) – Flemish painter working in London
 * John Michael Rysbrack (1694–1770) – Flemish sculptor working in London
 * John Vanderbank (1694–1739) – English portrait painter and book illustrator
 * William Hogarth (1697–1764) – English painter, printmaker, pictorial satirist, social critic and editorial cartoonist

Born 1700–1799

 * Henri Jean-Baptiste Victoire Fradelle (1778–1865) – Franco-English painter specializing in literary, historical and religious subjects.
 * Louis-François Roubiliac (1702/5–1762) – French sculptor whose works reside in Westminster Abbey
 * Samuel Scott (1702–1770) – British landscape painter
 * James Seymour (c.1702–1752) – English painter especially of equestrian art
 * William Hoare (c.1707–1792) – English painter especially of pastels
 * Francis Hayman (1708–1776) – English painter, illustrator, and one of the founding members of the Royal Academy
 * Arthur Devis (c.1712–1787) – English portrait painter, especially of conversation pieces and other small portraits
 * Allan Ramsay (1713–1784) – Scottish portrait painter
 * Richard Wilson 	(1713–1782) – Welsh landscape painter and one of the founder members of the Royal Academy
 * Alexander Cozens (c.1717–1786) – British landscape painter in watercolours and a published teacher of painting
 * Charles Brooking (1723–1759) – English painter
 * Joshua Reynolds (1723–1792) – English painter specialising in portraits
 * George Stubbs (1724–1806) – British painter especially of horses
 * James Lambert (1725–1788) – English landscape painter
 * Francis Cotes (1726–1770) – English painter
 * Thomas Gainsborough (1727–1788) – English portrait and landscape painter
 * Paul Sandby (1730–1809) – English map-maker turned landscape painter in watercolours
 * Sawrey Gilpin (1733–1807) – English animal painter
 * Johann Zoffany (1733–1810) – German neoclassical painter, active mainly in England
 * George Romney (1734–1802) – English portrait painter
 * Joseph Wright (1734–1797) – English landscape and portrait painter
 * Alexander Runciman (1736–1785) – Scottish painter of historical and mythological subjects
 * Mary Black (c.1737–1814) – English portrait painter
 * Joseph Nollekens (1737–1823) – sculptor from London
 * Francis Towne (1739/40–1816) – English watercolour painter
 * Angelica Kauffman (1740–1807) – Swiss-Austrian painter
 * Philip James de Loutherbourg (1740–1812) – English artist of French origin
 * William Marlow (1740–1813) – English landscape and marine artist
 * John Hamilton Mortimer (1740–1779) – British Neoclassical painter especially of romantic paintings
 * Matthew William Peters (1742–1814) English portrait painter
 * James Barry (1741–1806) – Irish painter
 * Henry Fuseli (1741–1825) – British painter, draughtsman, and writer on art, of German-Swiss origin
 * Richard Cosway (1742–1821) – English portrait painter, miniaturist
 * Ozias Humphry (1742–1810) – English painter of portrait miniatures
 * John Robert Cozens (1752–1797) – English draftsman and painter of romantic watercolor landscapes
 * Thomas Bewick (1753–1828) – English wood engraver and ornithologist
 * Thomas Stothard (1755–1834 – English painter and engraver
 * Prince Hoare (1755–1834) – painter and dramatist
 * Henry Raeburn (1756–1823) – Scottish portrait painter
 * Thomas Rowlandson (1756–1827) – English artist and caricaturist
 * William Blake (1757–1827) – English poet, painter, and printmaker
 * Alexander Nasmyth (1758–1840) – Scottish portrait and landscape painter
 * Lemuel Francis Abbott (1760–1803) – English portrait painter
 * Thomas Lawrence (1760–1830) – English painter, mostly of portraits
 * Charles Fairfield (1761?–1805) – English painter, mostly known as a copyist
 * John Charles Felix Rossi (1762–1839) – sculptor
 * Arthur William Devis (1762–1822) – English painter of history paintings and portraits
 * George Morland (1763–1804) – English painter of animals and rustic scenes
 * Joshua Cristall (1767–1847) – Cornish watercolour painter
 * John Crome (1768–1821) – English artist, founder of the Norwich school of painters
 * James Ward (1769–1859) – English painter, particularly of animals, and an engraver
 * Thomas Phillips (1770–1845) – English portrait and subject painter
 * Henry James Richter (1772–1857) – engraver and painter
 * François Hüet Villiers (1772–1813) – French-born portrait painter, resident in London
 * Anne Frances Byrne (1775–1837) – painter of flowers and still lifes
 * Thomas Girtin (1775–1802) – English painter, watercolourist, and etcher
 * Sir John Dean Paul, 1st Baronet (1775–1852) – painter of landscapes and horses
 * J. M. W. Turner (1775–1851) – English Romantic landscape painter, watercolourist and printmaker
 * John Constable (1776–1837) – English Romantic painter
 * John Higton (1776–1827) – English painter, particularly of animals, and an engraver
 * Maria Spilsbury (1776–1820) – painter of religious subjects
 * John Masey Wright (1777–1866) – watercolour painter
 * John Varley (1778–1842) – English watercolour painter and astrologer
 * Augustus Wall Callcott (1779–1844) – English landscape painter
 * Samuel Colman (1780–1845) – English painter
 * James Holworthy (1781–1841) – watercolour painter
 * John Sell Cotman (1782–1842) – artist of the Norwich school, mainly in watercolour
 * Frederick Nash (painter) (1782–1856) – architectural and landscape painter
 * David Cox (1783–1859) – English landscape painter
 * Samuel Prout (1783–1852) – English watercolour painter
 * Peter De Wint (1784–1849) – English landscape painter
 * John Romney (1785–1863) – mainly printmaking and watercolour
 * David Wilkie (1785–1841) – Scottish painter
 * William Mulready (1786–1863) – Irish genre painter living in London
 * Benjamin Haydon (1786–1846) – English historical painter and writer
 * Patrick Nasmyth (1787–1831) – Scottish landscape painter
 * John Martin (1789–1854) – English painter
 * William Henry Hunt (1790–1864) – English watercolor painter
 * George Hayter (1792–1871) English painter, specialising in portraits
 * John Linnell (1792–1882) – English landscape painter
 * Francis Danby (1793–1861) – Irish painter
 * Edward Calvert (1799–1883) – English printmaker and painter
 * James Holland (1799–1870) – landscape painter and illustrator
 * David Ogborne (died 1800/1) – English painter of events and curiosities in Essex
 * Eglington Margaret Pearson (died 1823) – stained glass painter
 * Cosmo Armstrong (died 1847) – English line-engraver.

Born 1800–1899

 * Richard Parkes Bonington (1802–1828) – English Romantic landscape painter
 * Edwin Henry Landseer (1802–1873) – English painter and sculptor especially of animals, particularly horses, dogs and stags
 * Thomas Shotter Boys (1803–1874) – English watercolor painter
 * Thomas Sidney Cooper (1803–1902) – English painter especially of cattle and farm animals
 * John Steell (1804–1891) – Scottish sculptor
 * John Frederick Lewis (1804–1876) – Orientalist English painter
 * Samuel Palmer (1805–1881) – English landscape painter, etcher and printmaker
 * William Dyce (1806–1864) – Scottish artist
 * John Greville Fennell (1807-1885) – landscape painter
 * Arthur Elliot (1809–1892) – British watercolourist
 * Thomas Mogford (1809–1868) – English portrait painter and landscape painter
 * James John Hill (1811–1882) – English painter
 * Edmund John Niemann (1813–1876) – English painter
 * Lucette Barker (1816–1905) – English painter
 * William James Blacklock (1816–1858) – English landscape artist, painting scenery in Cumbria, the Lake District and the Scottish Borders
 * Edward Armitage (1817–1896) – English Victorian era painter especially of historical, classical and biblical subjects
 * Richard Dadd (1817–1886) – English painter especially of fairies and other supernatural subjects, Orientalist scenes, and enigmatic genre scenes
 * Walter Hood Fitch (1817–1892) – Scottish botanist and botanical artist
 * Alfred Tippinge (1817–1898) – British Grenadier Guard who sent home paintings of the Crimean War
 * George Frederic Watts (1817–1904) – English Victorian painter and sculptor of the Symbolist movement
 * Branwell Brontë (1817–1848) – English portrait painter; one of the Brontë children, brother of Anne, Emily and Charlotte; occasional poet and writer
 * William Hemsley (1819–1906) – English genre painter; vice president of the Society of British Artists
 * William Powell Frith (1819–1909) – English painter specialising in portraits and Victorian era narratives
 * George Gammon Adams (1821–1898)- English sculptor and medallist
 * Ford Madox Brown (1821–1893) – English painter of moral and historical subjects
 * Lefevre James Cranstone (1822–1893) – English painter, known for paintings of antebellum America
 * Frances Emilia Crofton (1822–1910) – Anglo-Irish artist
 * Frederick Goodall (snr) (1822–1904) – English artist specialising in oriental scenes
 * Frederick William Keyl (1823–1871) – German-born British painter of animals
 * Charles Davidson (1824–1902) – English watercolour painter
 * Henry Alexander Bowler (1824–1903) – English painter and academic
 * Abraham Solomon (1824–1862) – English painter
 * Thomas Woolner (1825–1892) – English sculptor and poet
 * Barbara Bodichon (1827–1891) – English educationalist and landscape artist
 * William Holman Hunt (1827–1910) – British painter, founder of the Pre-Raphaelite Brotherhood
 * Robert Taylor Pritchett (1828–1907) – English watercolour artist and illustrator
 * Dante Gabriel Rossetti (1828–1882) – English poet, illustrator, painter and translator
 * Anna Blunden (1829–1915) – English painter
 * James Docharty (1829–1878) – Scottish landscape painter
 * Edwin Long (1829–1890) – English orientalist painter, depicting Biblical and Middle Eastern subjects
 * John Everett Millais (1829–1896) – English painter and illustrator and one of the founders of the Pre-Raphaelite Brotherhood
 * John Henry Dell (1830–1888) – English painter and illustrator
 * Alfred William Hunt (1830–1896) – English painter
 * Frederic Leighton (1830–1896) – English painter and sculptor especially of historical, biblical and classical subject matter
 * Charles James Lewis (1830–1892) – English painter in oils and watercolours
 * Marianne North (1830–1890) – English naturalist and flower painter
 * Walter Severn (1830–1904) – English watercolourist
 * John William Bailey (1831–1914) – British miniature painter
 * Benjamin Williams Leader (1831–1923) – English painter
 * Louise Rayner (1832–1924) – English watercolourist
 * Arthur Hughes (1832–1915) – English painter and illustrator associated with the Pre-Raphaelite Brotherhood
 * William Quiller Orchardson (1832–1910) – Scottish portraitist and painter of domestic and historical subjects
 * Daniel Charles Grose (1832–1900) – English painter
 * Edward Burne-Jones (1833–1898) – English artist and designer
 * Joseph Clark (1834–1926), English oil painter of domestic scenes
 * William Morris (1834–1896) – English artist, writer, and socialist
 * James McNeill Whistler (1834–1903) – American-born, British-based painter and etcher
 * Wyke Bayliss (1835–1906) – English painter of churches and cathedrals
 * William McTaggart (1835–1910) – Scottish landscape painter
 * Arthur Boyd Houghton (1836–1875) – British painter (oil and watercolours) and illustrator
 * John Atkinson Grimshaw (1836–1893) – English painter especially of landscapes
 * Lawrence Alma-Tadema (1836–1912) – British classical-subject painter
 * James Tissot (1836–1902) – French-born painter of portraits as well as genre subjects
 * Horatio Joseph Lucas (1839-1873), English artist
 * Simeon Solomon (1840–1905) – English Pre-Raphaelite painter
 * Frederick Walker (1840–1875) – English Social Realist painter and illustrator in watercolours and oils
 * Albert Moore (1841–1893) – English painter especially of languorous female figures set against the luxury and decadence of the classical world
 * Alexander Rossi (1841–1916) – British artist specializing in genre works
 * Thomas Bush Hardy (1842–1897) – British marine painter and watercolourist
 * William John Seward Webber (1842–1919), English sculptor
 * Lucy Madox Brown (1843–1894) – English painter and watercolourist
 * Walter Crane (1845–1915) – English artist and book illustrator
 * Frank Holl (1845–1888) – English painter
 * Walter Greaves (1846–1930) – English painter
 * James Campbell Noble (1846–1913) – Scottish landscape, seascape and portrait painter
 * John Eyre (1847–1927) – English genre painter, illustrator, painted and designed pottery
 * Ralph Hedley (1848–1913) – English realist painter, woodcarver and illustrator
 * John William Waterhouse (1849–1917) – English Pre-Raphaelite painter especially of female characters from mythology and literature
 * Henry Richard Hope-Pinker (1850–1927) – English sculptor
 * John Collier (1850–1934) – British writer and painter in the Pre-Raphaelite style
 * Robert Weir Allan (1851–1942) – Glasgow born painter of landscape and marine subjects
 * John Charles Dollman (1851–1934) – English narrative, landscape and animal painter
 * Edward Robert Hughes (1851–1914) – English painter in a Pre-Raphaelitism and Aestheticism style
 * Edmund Leighton (1853–1922) – English painter in Pre-Raphaelite and Romantic styles
 * Frank Dicksee (1853–1928) – English Victorian painter and illustrator especially of dramatic historical and legendary scenes
 * Maude Goodman (1853–1938) (a.k.a. Matilda Scanes) – English Victorian fine art painter and children's book illustrator, Romantic genre paintings
 * Caroline Gotch (1854–1945) – English painter associated with the Newlyn School of artists
 * Walter Dendy Sadler (1854–1923) – English painter
 * Alfred Wallis (1855–1942) – Cornish fisherman and artist
 * David Winder (1855–1933) – Bolton, Lancashire-born British artist; oil and watercolour
 * James Pittendreigh MacGillivray (1856–1938) – Scottish sculptor
 * Alfred William Rich (1856–1921) – English landscape artist
 * John Singer Sargent (1856–1925) – Expatriate American living in England; leading portrait painter of his era, landscape painter and watercolorist
 * Richard Caton Woodville (1856–1927) – English artist, and illustrator especially of battle scenes
 * Joseph Benwell Clark (1857–1938) – English landscape painter and book illustrator
 * Stanhope Forbes (1857–1947) – British artist, founder of the Newlyn School
 * Arthur Hacker (1858–1919) – English classicist painter
 * Henry Scott Tuke (1858–1929) – English painter who lived in Cornwall, best known for his maritime paintings and male nudes
 * Walter Sickert (1860–1942) – English Impressionist painter
 * Solomon Joseph Solomon (1860–1927) – English painter of mythological scenes and portraits
 * Philip Wilson Steer (1860–1942) – English artist
 * Harriet Isabel Adams (1863–1952) – British artist and illustrator
 * Lily Delissa Joseph (1863–1940) – English painter
 * Charles Edgar Buckeridge (1864–1898) – church decorative artist
 * Archibald Standish Hartrick (1864–1950) – Scottish painter
 * Arthur Wardle (1864–1949) – English painter
 * William Edwin Pimm (1864–1952) – British artist, oil and watercolours
 * Thomas Edwin Mostyn (1864–1930) – English painter
 * Arthur Lowe (painter) (1865–1940) – English landscape artist from Kinoulton, Nottingham
 * Robert Bevan (1865–1925) – British painter
 * H. Gustave Hiller (1865–1946) – mainly of stained glass
 * Roger Fry (1866–1934) – English artist and art critic
 * Henry Charles Fehr (1867–1940) – English sculptor
 * Mabel Lee Hankey (1867–1943) – English artist, mainly of miniature portraits painted in watercolour on ivory
 * Frank Brangwyn (1867–1956) – Welsh artist, painter, water colourist, virtuoso engraver and illustrator, and progressive designer
 * J M Balliol Salmon (1868–1953) – British painter
 * Charles Murray Padday (1868–1954) – English painter
 * Ursula Wood (1868–1925) – English painter
 * Lamorna Birch (1869–1955) – English painter
 * Lucy Kemp-Welch (1869–1958) – English equine artist
 * Henry Crocket (1870–1926) – landscape painter
 * William Ratcliffe (1870–1955) – English artist
 * Phelan Gibb (1870–1948) – British artist and early modernist, painting in Paris 1910–1914
 * Sholto Johnstone Douglas (1871–1958) – Scottish artist
 * Florence Engelbach (1872–1951) – English painter born in Spain
 * Alfred Garth Jones (1872–1955) – English artist and illustrator
 * William Nicholson (1872–1949) – English painter, illustrator and author of children's books
 * Aubrey Beardsley (1872–1898) – English illustrator and author especially of erotic illustrations
 * Eleanor Fortescue-Brickdale (1872–1945) – English artist and illustrator
 * Louie Burrell (1873–1971) – English painter
 * Francis William Doyle Jones (1873–1938) – English sculptor
 * Isabel Codrington (1874–1943) – English painter
 * John Duncan Fergusson (1874–1961) – Scottish artist, one of the Scottish Colourists school of painting
 * Hilda May Gordon (1874–1972) – British watercolourist
 * Frank O. Salisbury (1874–1962) – English painter known for his portraits and historical and mythological works
 * Dorothea Sharp (1874–1955) – British landscape painter
 * Eleanor Best (1875–1957) – portrait and figure painter
 * Evelyn Cheston (1875–1929) – English landscape painter
 * Alice Kirkby Goyder (1875–1964) – English painter and etcher
 * Arthur Henry Knighton-Hammond (1875–1970) – English painter best known for landscapes, society portraits, and industrial paintings
 * Henry Bates Joel (1875–1922) – English landscape painter
 * Margaret Fisher Prout (1875–1963) – English painter
 * Walter Dexter (1876–1958) – English oil and watercolour artist, particularly of Norfolk
 * Harold Gilman (1876–1919) – English artist and founder-member of the Camden Town Group
 * Gwen John (1876–1939) – Welsh artist
 * Horace Tuck (1876–1951) – Norfolk artist of oil and watercolour landscapes
 * Florence Mabel Hollams (1877–1963) – painter of dogs and horses
 * Laura Knight (1877–1970) – British artist
 * Frank Cadogan Cowper (1877–1958) – English artist
 * Donald Maxwell (1877–1936) – English illustrator and painter in oils and watercolours
 * Hilda Annetta Walker (1877–1960) – English sculptor and painter
 * Denis Eden (1878–1949) – painter and illustrator
 * Charles Ginner (1878–1952) – French-born painter, member of Camden Town Group
 * Spencer Gore (1878–1914) – British painter who was first president of the Camden Town Group
 * Augustus John (1878–1961) – Welsh painter, draughtsman, and etcher
 * Louis Frederick Roslyn (1878–1940) – English sculptor
 * Sir Alfred James Munnings KCVO, PRA (1878–1959) – English artist, particularly renowned for equine subject matter
 * Ada Hill Walker (1879–1955) – scientific illustrator and artist
 * William Reid Dick (1879–1961) – Scottish sculptor
 * Vanessa Bell (1879–1961) – English painter and interior designer
 * Gertrude Harvey (1879–1966) – English landscape painter
 * Matthew Smith (1879–1959) – English painter
 * Malcolm Drummond (1880–1945) – English artist, noted for his paintings of urban scenes and interiors
 * Jacob Epstein (1880–1959) – American-born sculptor who worked chiefly in the UK, where he pioneered modern sculpture
 * Elsie Henderson (1880–1967) – English painter and sculptor
 * Harry Morley (1881–1943) – English painter
 * Eric Gill (1882–1940) – British sculptor, typeface designer, stonecutter and printmaker
 * Percy Wyndham Lewis (1882–1957) – English painter and author
 * Henry Lamb (1883–1960) – Australian-born British painter
 * Victoria Monkhouse (1883–1970) – English painter
 * Arthur Watts (1883–1935) – illustrator
 * Montague Birrell Black (1884-1964) – English illustrator and painter
 * Elinor Proby Adams (1885–1945) – English painter
 * Duncan Grant (1885–1978) – Scottish painter and member of the Bloomsbury Group
 * Gwen Raverat (1885–1957) – English wood engraving artist who co-founded the Society of Wood Engravers
 * Randolph Schwabe (1885–1948) – English artist
 * Joseph Hermon Cawthra (1886–1971) – English sculptor
 * Maxwell Gordon Lightfoot (1886–1911) – English painter
 * Austin Osman Spare (1886–1956) – English artist and occultist
 * L. S. Lowry (1887–1976) – English artist
 * Elizabeth Polunin (1887–1950) – English artist and theatre designer
 * Arthur James F. Bond (1888–1958) – English painter of maritime subjects
 * Sydney Carline (1888–1929) – English artist
 * David Dougal Williams (June 1888–28 September 1944) – British artist and art teacher
 * Margaret Lindsay Williams (1888–1960) – Welsh portrait painter
 * Edith Grace Wheatley (1888–1970) – English painter
 * Robert Gibbings (1889–1958) – Irish artist and author known especially as a wood engraver and for books on travel and natural history
 * Paul Nash (1889–1946) – English war artist
 * Christopher Nevinson (1889–1946) – English painter and vorticist
 * Ruth Simpson (1889–1964) – English portrait painter
 * Edward Wadsworth (1889–1949) – English artist
 * David Bomberg (1890–1957) – English painter and one of the Whitechapel Boys
 * Charles Cundall (1890–1971) – English painter
 * Joseph Gray (1890–1963) – English painter
 * Nina Hamnett (1890–1956) – Welsh artist and writer
 * Francis Helps (1890–1972) – English artist
 * Edmond Xavier Kapp (1890–1978) – English artist
 * Iain Macnab (1890–1967) – Scottish painter
 * Olive Mudie-Cooke (1890–1925) – English painter
 * Leon Underwood (1890–1975) – British sculptor, painter, and engraver
 * Henri Gaudier-Brzeska (1891–1915) – French sculptor and vorticist
 * Mark Gertler (1891–1939) – British portrait and landscape painter
 * Stanley Spencer (1891–1959) – English painter
 * Arthur Ralph Middleton Todd (1891–1966) – English portrait painter
 * Elsa Fraenkel (1892–1975) – German born British sculptor
 * Colin Gill (1892–1940) – English painter
 * Gilbert Spencer (1892–1978) – British painter
 * Harold Sandys Williamson (1892–1978) – British painter
 * John Armstrong (1893–1973) – British artist
 * John Nash (1893–1977) – English painter, illustrator, and engraver
 * Winifred Nicholson (1893–1981) – English painter
 * Orovida Camille Pissarro (1893–1968) – English painter and etcher
 * Leonard Squirrell (1893–1979) – English watercolourist and etcher
 * Henry Matthew Talintyre (1893–1962) – British artist
 * Flora Twort (1893–1985) – English painter who specialised in watercolours and pastels
 * Henry Carr (1894–1970) – British painter
 * Meredith Frampton (1894–1984) – British artist
 * Alethea Garstin (1894–1978) – Cornish painter
 * Ben Nicholson (1894–1982) – English abstract painter
 * Dora Clarke (1895–1989) – English sculptor
 * David Jones (1895–1974) – Welsh artist and British modernist poet
 * William Roberts (1895–1980) – English painter and war artist
 * Raymond Coxon (1896–1997) – British artist
 * Leila Faithfull (1896–1994) – British artist
 * Harry Barr (1896-1987) – English painter
 * John Buckland Wright (1897–1954) – New Zealand born illustrator
 * Harold Williamson (1898–1972) – British painter, designer, etcher and teacher
 * Henry Moore (1898–1986) – English artist and sculptor
 * Rodney Joseph Burn (1899–1984) – English artist
 * Winifred Knights (1899–1947) – English painter

Born 1900–1949

 * Joseph Mellor Hanson (1900–1963)
 * Ursula Edgcumbe (1900–1985)
 * Barbara Greg (1900–1983)
 * George Lambourn (1900–1977)
 * Roland Penrose (1900–1984)
 * Harold Tamblyn-Watts (1900–1999)
 * Gertrude Hermes (1901–1983)
 * Elsie Dalton Hewland (1901–1979)
 * Ancell Stronach (1901–1981) – Professor of Mural Painting at the Glasgow School of Art
 * Christopher Wood (1901–1930)
 * Marjorie Frances Bruford (1902–1958)
 * Jean Clark (1902–1999)
 * Frank Barrington Craig (1902–1951)
 * Aileen Eagleton (1902–1984)
 * Simon Elwes (1902–1975)
 * Robin Guthrie (1902–1971)
 * Barbara Hepworth (1903–1975)
 * Ray Howard-Jones (1903–1996)
 * Charles Mahoney (1903–1968)
 * John Piper (1903–1992)
 * Eric Ravilious (1903–1942)
 * Richard Eurich (1903–1992)
 * Ceri Richards (1903–1971)
 * Albert Houthuesen (1903–1979)
 * Graham Sutherland (1903–1980)
 * Mary Adshead (1904–1995)
 * Peggy Angus (1904–1993)
 * Celia Frances Bedford (1904–1959)
 * Helen Binyon (1904–1979)
 * Stephen Bone (1904–1958)
 * Evan Charlton (1904–1984)
 * Griselda Allan (1905–1987)
 * Reg Bunn (1905–1971)
 * Edward Burra (1905–1976)
 * Kathleen Guthrie (1905–1981)
 * Eliot Hodgkin (1905–1987)
 * Morris Kestelman (1905–1998)
 * Kenneth Martin (1905–1984)
 * Robert Medley (1905–1994)
 * Vernon Ward (1905–1985)
 * Rex Whistler (1905–1944)
 * Kathleen Allen (1906–1983)
 * Evelyn Dunbar (1906–1960)
 * Patrick Hall (1906–1992)
 * Joan Hassall (1906–1988)
 * Edgar Hubert (1906–1985)
 * Kenneth Steel (1906–1970)
 * Reginald Ben Davis (1907–1998)
 * Phyllis Ginger (1907–2005)
 * James McIntosh Patrick (1907–1998) – Scottish landscape painter
 * Brenda Landon, later Brenda Pye (1907–2005)
 * Claude Rogers (1907–1979)
 * William Coldstream (1908–1987)
 * Isobel Heath (1908–1989)
 * Norman Hepple (1908–1994)
 * Victor Pasmore (1908–1998)
 * Stella Schmolle (1908–1975)
 * Carel Weight (1908–1997)
 * Francis Bacon (1909–1992) – born in Ireland
 * Dorothea Braby (1909–1987)
 * Thomas Carr (1909–1999)
 * Leonard Daniels (1909–1998)
 * Paul Lucien Dessau (1909–1999)
 * Harold Frank Hoar (1909–1976)
 * Gwynneth Holt (1909–1995) – ivory sculptor
 * Leslie Hurry (1909–1978)
 * Eric Taylor (1909–1999)
 * Geoffrey Tibble (1909–1952)
 * Isabel Alexander (1910–1996)
 * Pamela Drew (1910–1989)
 * Bernard Hailstone (1910–1987)
 * Rodrigo Moynihan (1910–1990)
 * Rosemary Allan (1911–2008)
 * Phyllis Bray (1911–1991)
 * John Kingsley Cook (1911–1994)
 * Anthony Devas (1911–1958)
 * Roger Hilton (1911–1975)
 * Nicolette Macnamara (1911–1987)
 * Gwen Barnard (1912–1988)
 * Andrew Freeth (1912–1986)
 * Erlund Hudson (1912–2011)
 * Georgina Hunt (1912–2012)
 * Keith Vaughan (1912–1977)
 * Reg Butler (1913–1981)
 * Raymond Teague Cowern (1913–1986)
 * Joan Hutt (1913–1985)
 * Leonard Rosoman (1913–2012)
 * Lynn Chadwick (1914–2003)
 * Harold Hitchcock (1914–2009)
 * Frances Macdonald (1914–2002)
 * Charles Mozley (1914–1991)
 * Frank Roper (1914–2000) – sculptor
 * Doris Blair (born 1915)
 * Mary Fedden (1915–2012)
 * Dennis Flanders (1915–1994)
 * Wendy F. Walsh (1915–2014) – illustrator and botanical artist
 * Norman Whitehead (1915–1983)
 * Eileen Aldridge (1916–1990)
 * John Bridgeman (1916–2004)
 * Margaret Thomas (1916–2016) – painter
 * James Lawrence Isherwood (1917–1989)
 * John Kashdan (1917–2001)
 * Anthony Robert Klitz (1917–2000)
 * John Minton (1917–1957)
 * Mona Moore (1917–2000)
 * Estella Campavias (1918–1990)
 * John Kyffin Williams (1918–2006)
 * Peter Lanyon (1918–1964)
 * Richard Vicary (1918–2006) – printmaker
 * Eden Box (1918–1988)
 * Mary Audsley (1919–2008)
 * Norman Cornish (1919–2014)
 * Colin Hayes (1919–2003)
 * Cliff Holden (1919–2020)
 * Peter Wright (1919–2003)
 * Michael Ford (1920–2005)
 * Patrick Heron (1920–1999)
 * Robert Tavener (1920–2004)
 * Françoise Taylor (1920–2007) – born in Belgium, British by marriage
 * Derek Chittock (1922–1986)
 * Lucian Freud (1922–2011)
 * Richard Hamilton (1922–2011)
 * Eduardo Paolozzi (1922–2005)
 * Miles Richmond (1922–2008)
 * Pamela Ascherson (1923–2010)
 * William McLaren (1923–1987)
 * Anthony Caro (1924–2013)
 * Anthony Earnshaw (1924–2001)
 * Erich von Götha de la Rosière (born 1924)
 * Keith Sutton (1924–1991)
 * Beryl Cook (1926–2008)
 * Ian Hamilton Finlay (1925–2006)
 * Michael Edmonds (1926–2014)
 * Leon Kossoff (1926–2019)
 * Edna Mann (1926–1985)
 * Tom McGuinness (1926–2006)
 * Patrick Swift (1927–1983) – born in Ireland
 * Greta Tomlinson (1927–2021)
 * Michael Andrews (1928–1995)
 * John Copnall (1928–2007)
 * Dora Holzhandler (1928–2015) – born in Paris to Polish parents but lived in London
 * Elizabeth Jane Lloyd (1928–1995)
 * Dorothy Mead (1928–1975)
 * Joe Tilson (born 1928)
 * John Scanes (1928–2004)
 * Victor Willing (1928–1988)
 * Barbara Balmer (1929–2017)
 * Zelda Nolte (1929–2003)
 * Fred Cuming (1930-2022)
 * Mardi Barrie (1930–2004)
 * Robyn Denny (1930–2014)
 * David Gentleman (born 1930)
 * Donald Pass (1930–2010)
 * Frank Auerbach (born 1931)
 * Dennis Creffield (1931–2018)
 * Ken Messer (1931–2018)
 * Malcolm Morley (1931–2018) – first winner of the Turner Prize in 1984
 * Bridget Riley (born 1931)
 * Valerie Thornton (1931–1991)
 * Audrey Barker (1932–2002)
 * Peter Blake (born 1932)
 * Nina Carroll (1932–1990)

 * Howard Hodgkin (1932–2017)
 * Norman Douglas Hutchinson (1932–2010) – royal painter
 * Ken Howard (1932–2022)
 * R. B. Kitaj (1932–2007) – born in the United States
 * Euan Uglow (1932–2000)
 * Marc Vaux (born 1932)
 * Ian Weatherhead (born 1932)
 * Richard Allen (1933–1999)
 * John Furnival (1933–2020) – artist of visual and concrete poetry
 * Vincent Haddelsey (1934–2010)
 * John Hoyland (1934–2011)
 * Jeremy Moon (1934–1973)
 * Garth Evans (born 1934) – sculptor
 * Rose Wylie (born 1934) – painter
 * Paula Rego (1935–2022) – born in Portugal
 * Frank Bowling (born 1936)
 * Tony Foster (born 1936) – painter
 * Patrick Caulfield (1936–2005)
 * David Hall (1937–2014)
 * David Hockney (born 1937)
 * Allen Jones (born 1937)
 * Tom Phillips (1937–2022)
 * Pamela Scott Wilkie (born 1937)
 * Margot Perryman (born 1938)
 * Carole Steyn (born 1938)
 * William Tillyer (born 1938)
 * Terry Atkinson (born 1939)
 * Rose Frain (born 1939)
 * Anthony Green (1939–2023)
 * Patrick Hughes (born 1939)
 * Ian Hunter (1939–2017) – Dean of Saint Martin's School of Art
 * John Walker (born 1939) – painter and printmaker
 * John Byrne (born 1940)
 * Peter Liddle (born 1940)
 * Barry Flanagan (1941–2009)
 * Yvonne Hutton (1941–1991)
 * Geoffrey Key (born 1941)
 * Robert Lenkiewicz (1941–2002)
 * Peter Olley (born 1942)
 * Ruth Rix (born 1942)
 * Alan Aldridge (1938–2017)
 * Grange Calveley (1943–2021)
 * Errol Lloyd (born 1943)
 * Osi Rhys Osmond (1943–2015)
 * Graham Ovenden (1943–2022)
 * Valerie Wiffen (born 1943)
 * Zacron (1943–2012) – multimedia artist, writer, broadcaster
 * Lindsay Bartholomew (born 1944)
 * Bruce McLean (born 1944)
 * David Paskett (born 1944)
 * Ali Omar Ermes (born 1945)
 * Maggi Hambling (born 1945)
 * Ed Herring (1945–2003)
 * Pete Hoida (born 1944)
 * Geoffrey Humphries (born 1945)
 * David Imms (born 1945)
 * Richard Long (born 1945)
 * Val Archer (born 1946)
 * Lewis Blake (born 1946)
 * Terance James Bond (1946–2023)
 * Paul Dash (born 1946)
 * Rose Garrard (born 1946)
 * Winston Branch (born 1947)
 * Paul Brown (born 1947) – digital artist
 * Shelagh Cluett (1947–2007) – sculptor
 * Richard Cook (born 1947)
 * Tam Joseph (born 1947)
 * Vikki Slowe (born 1947) – printmaker and painter
 * Linda Sutton (born 1947)
 * Godfrey Blow (born 1948)
 * Pete Gilbert (born 1948) – graphic designer and painter
 * Richard P. Cook (born 1949)
 * Richard Deacon (born 1949) – 1987 Turner Prize Winner
 * Paul Wager (born 1949) – painter and sculptor

Born 1950 and later

 * Sam Ainsley (born 1950)
 * Alison Dunhill (born 1950)
 * Antony Gormley (born 1950)
 * Edward Allington (1951–2017)
 * Humphrey Ocean (born 1951)
 * Richard Spare (born 1951)
 * Jeremy Henderson (1952–2009) – artist and painter
 * Colin Nichols (born 1952)
 * Tim Woolcock (born 1952) – Modern British painter painting in the tradition of the 1950s
 * Stephen Pusey (born 1952)
 * Alan Rankle (born 1952) – landscape painter
 * Jane Boyd (born 1953)
 * Pogus Caesar (born 1953) – born in St Kitts
 * Chris Gollon (1953–2017)
 * Monica Petzal (born 1953), painter and printmaker
 * Ingrid Pollard (born 1953)
 * Melinda Camber Porter (1953–2008) – painter, writer, filmmaker, journalist for The Times; lived in London, Paris, and New York
 * Charles Thomson (born 1953)
 * Martin Yeoman (born 1953)
 * Michael Clark (artist) (born 1954)
 * Lubaina Himid (born 1954)
 * Aidan Hughes (born 1954)
 * Anish Kapoor (born 1954)
 * Vivien Blackett (born 1955)
 * David Tress (born 1955)
 * Denzil Forrester (born 1956)
 * Errol Francis (born 1956)
 * Malcolm McGookin (born 1956)
 * Terry Smith (born 1956)
 * James Dodds (born 1957)
 * Jeremy Gardiner (born 1957)
 * Fiona Graham-Mackay (born 1957) – portraits of the royal family
 * Thomas Hodges (born 1957) – photographic and mixed media artist
 * Panayiotis Kalorkoti (born 1957)
 * Willard Wigan (born 1957)
 * Simon Beck (artist) (born 1958) – snow artist
 * Sokari Douglas Camp (born 1958)
 * Keith Coventry (born 1958)
 * Lennie Lee (born 1958) – born in South Africa
 * Jake Tilson (born 1958)
 * Andy Dog Johnson (1959–2016)
 * Claudette Johnson (born 1959)
 * Hew Locke (born 1959) – born in Scotland
 * Bruce Munro (born 1959)
 * Keith Salmon (born 1959) – Scottish landscape painter born in England
 * Suzzan Blac (born 1960)
 * Eddie Chambers (born 1960)
 * John Foulger (1960–2006)
 * Isaac Julien (born 1960)
 * Grayson Perry (born 1960)
 * Nick Fudge (born 1960)
 * Keith Piper (born 1960)
 * Yinka Shonibare (born 1960)
 * Julie Brook (born 1961)
 * Sonia Boyce (born 1962)
 * Jonathan S Hooper (born 1962)
 * Marion Kalmus (born 1962)
 * Sarah Lucas (born 1962)
 * Paul Mellia (born 1962)
 * Nick Miller (born 1962) – Irish painter born in England
 * Janette Parris (born 1962)
 * Nasser Azam (born 1963)
 * Nicola Bealing (born 1963)
 * Tracey Emin (born 1963)
 * Robert Fogell (born 1963)
 * Janette Parris (born 1963)
 * Dean Stalham (born c.1963)
 * Barbara Walker (born 1963)
 * Gillian Wearing (born 1963) – 1997 Turner Prize winner
 * Rachel Whiteread (born 1963) – 1993 Turner Prize winner
 * Frances Aviva Blane (born 1964)
 * Jonathan Ellery (born 1964)
 * Simon Gales (born 1964)
 * Hipkiss (born 1964)
 * Rachel Ara (born 1965)
 * Tom Cartmill (born 1965)
 * Adam Chodzko (born 1965)
 * Marion Coutts (born 1965)
 * Guy Denning (born 1965)
 * Damien Hirst (born 1965)
 * Jonathan Huxley (born 1965)
 * Robert Priseman (born 1965)
 * Fiona Banner (born 1966)
 * Fiona Crisp (born 1966) – photographer
 * Ian Davenport (born 1966)
 * Christian Furr (born 1966)
 * Igor Kufayev (born 1966)
 * Maria Marshall (born 1966)
 * Elizabeth Price (born 1966) – 2012 Turner Prize winner
 * Peter Brown (born 1967)
 * Serena de la Hey (born 1967), sculptor
 * Andy Lomas (born 1967)
 * Virginia Nimarkoh (born 1967)
 * Paul Rooney (born 1967)
 * Chris Ofili (born 1968)
 * Suling Wang (born 1968)
 * Brita Granström (born 1969)
 * Chantal Joffe (born 1969)
 * Jonathan Myles-Lea (1969–2021) – painter of country houses, historic buildings, and landscapes
 * Michael Gustavius Payne (born 1969)
 * Alexander Talbot Rice (born 1969) – society portrait painter
 * Justin Mortimer (born 1970)
 * Nina Murdoch (born 1970) – tempera painter
 * Mandy Wilkinson (born 1970)
 * Jonathan Kearney (born 1971)
 * David Emmanuel Noel (born 1972)
 * Anna Barriball (born 1972) – mixed media artist
 * Dee Ferris (born 1973)
 * Peter Liversidge (born 1973)
 * Banksy (reportedly born 1974)
 * Michael Takeo Magruder (born 1974) – new media and digital artist
 * Tom Palin (born 1974)
 * Stephen Wiltshire (born 1974) – savant artist
 * Graham Nicholls (born 1975)
 * Lucy Skaer (born 1975)
 * Amanda Ansell (born 1976)
 * Reuben Colley (born 1976)
 * Adelaide Damoah (born c.1977)
 * Maryam Hashemi (born 1977)
 * Conrad Shawcross (born 1977)
 * Lynette Yiadom-Boakye (born 1977)
 * Claire Hooper (born 1978)
 * David Spriggs (born 1978) – sculptor, installation artist
 * Angela Wakefield (born 1978)
 * Hannah Rickards (born 1979)
 * Fuller (born 1980)
 * Nick Gentry (born 1980)
 * Conor Harrington (born 1980)
 * Edward Kluz (born 1980)
 * Polly Morgan (born 1980)
 * Stuart Semple (born 1980)
 * Chris (Simpsons artist) (born 1983)
 * Anna King (born 1984)
 * Anthony Smith (born 1984) – bronze sculptor
 * Sarah Maple (born 1985) – feminist artist, first New Sensations winner
 * Emma Cousin (born 1986)
 * Johan Andersson (born 1986)
 * Nicola Frimpong (born 1987)
 * Seb Toussaint (born 1988) – street artist and painter
 * Nathan Wyburn (born 1989) – food artist
 * The Connor Brothers (born 1980s)
 * Sophie Green (born 1992)
 * Vanessa Lubach (fl 1990), printmaker

title: List of British artists


text:
User talk:Yorkishireman

Hi, I think your comment on Nazism looked like vandalism so I deleted it. Please don't make flippant comments in articles. --Tony Sidaway|Talk 14:11, 7 Apr 2005 (UTC)

title: User talk:Yorkishireman


text:
Gibside

Gibside is an estate in Tyne and Wear, North East England. It is located in the valley of the River Derwent on the border with County Durham, between Rowlands Gill and Burnopfield. The estate is the surviving part of a Georgian landscaped park, primarily created under the ownership of Sir George Bowes (1701–1760) and designed in large part by Stephen Switzer and William Joyce.

The park contains structures designed by James Paine, including a Palladian chapel; Daniel Garrett, including a banqueting house; and William Newton, but several are now ruined shells or have been demolished. Gibside Hall, the house at the centre of the estate, dates in part from the seventeenth century but is also a shell.

Gibside descended by marriage from the mid-thirteenth century, and passed to the Bowes family in 1693. It was sold piecemeal during the twentieth century; the banqueting house is now owned by the Landmark Trust, and much of the rest of the estate by the National Trust.

History
The Blakiston family acquired the estate by marriage in about 1540. Sir William Blakiston (1562–1641) replaced the old house with a spacious mansion between 1603 and 1620. Both the Royal (King James I of England) coat of arms and the Blakiston coat of arms are seen over the entrance of the old Hall. The Gibside property came into the possession of the Bowes family in 1713; a result of the marriage in 1693 of Sir William's great-granddaughter, Elizabeth Blakiston, to Sir William Bowes (1657–1707) of Streatlam Castle (now demolished).

Until 1722, the basis of the Bowes' influence was their own estate and house of Streatlam Castle, County Durham. However, after that date the acquisition through marriage of the Blakiston estate of Gibside gave the Bowes family an even greater influence in the north of the county and a share in the immense wealth that was to be acquired from the coal trade. The Blakiston estate included some of the area's richest coal seams.

In 1767 the granddaughter of Sir William Bowes – the "Bowes heiress" Mary Eleanor Bowes – married John Lyon, 9th Earl of Strathmore and Kinghorne, who changed his surname to Bowes due to a provision in her father's will that any suitor had to take the family name. This was a device to continue the Bowes lineage in the absence of a male heir.

After the split inheritance dispute following the death of John Bowes, 10th Earl of Strathmore and Kinghorne, in 1820, it belonged to his legitimated son John Bowes until his death in 1885 (he is buried in the Gibside chapel), when under the entail it reverted to his cousin the 13th Earl of Strathmore and Kinghorne. It had been the main residence of John Bowes' mother, Mary Milner, by then Dowager Countess of Strathmore, and her second husband, the politician Sir William Hutt (who had been John Bowes' tutor), and remained in his ownership until his death in 1882.

Park structures
Improvements to Gibside carried out by the Bowes-Lyon family in the 18th and early 19th centuries included landscaping, Gibside Chapel, built between 1760 and 1812, the Banqueting House, a column of Liberty, a substantial stable block, an avenue of oaks and several hundred acres of forest. The top floor of the main house was remodelled as a giant parapet in 1805.

Chapel
The chapel is located at the south-western end of the Avenue, and was begun in July 1760 to a design derived from Palladio by James Paine; an earlier, unrealised, circular design had been commissioned in 1737 from either Sir Thomas Robinson or Daniel Garrett. Sir George Bowes died in September 1760; the shell of the building was completed in 1769 under the supervision of his widow, Mary Gilbert, but the interior work was not completed and the chapel consecrated until 1812, under his grandson, John Bowes, 10th Earl of Strathmore and Kinghorne. Bowes was then buried in the mausoleum beneath the building.

The building was designed in the Palladian style and takes the form of a Greek cross within a square, with a dome on a drum over the crossing. The north-east facade, which faces the Avenue, is the most highly-decorated part of the building. It consists of a double portico, the inner order consisting of six unfluted Ionic columns and the outer of four, carrying the pediment. The two outer columns on each side of the inner portico are engaged, the gaps between them being filled by arched openings. The whole facade is topped by six urns. The other three elevations are plainer, and feature Diocletian windows in the end elevations of the cross arms.

Internally, the arms of the cross are apsed, with groin vaulting, and the crossing and corners are domed. The entablature and arches are richly decorated, as intended by Paine, but the rest of his decorative scheme, which would have included coffering in the apses and dome and statues in the niches of the apses, was not carried out. Nevertheless, the nineteenth-century furnishings, all made of cherrywood are of high quality and complete. They consist of a holy table surrounded by rails; a triple-decker pulpit, the sounding board supported by a single Ionic column; and box pews in the corners and side apses, the latter curved to fit the space. The Bowes-Lyons used a box pew in the corner which had underfloor heating.

There is a house for the minister nearby. Some holders of the position would not have been able to hold a Church of England parish living, on account of their views.

Orangery
The orangery was built between 1772 and 1774 for Mary Eleanor Bowes, who had a keen interest in botany, to a design by William Newton. The building has a seven-bay arcade of Tuscan columns to the front and plain three-bay arcades to each side, the rear arch on each side filled with a pedimented doorway, which lead into lobbies. The rear contains five sash windows, the middle three forming a canted bay with views across the Derwent valley. The building, which originally had a slate roof, was converted into a conservatory by John Bowes in 1885 by the addition of an glazed iron roof; at the same time a brick podium was constructed in the centre of the main room to display plants and a heating system added, with a boiler installed in the western lobby. The roof was removed between the First and Second World Wars, since when the orangery has been a roofless shell, however the fabric was consolidated by the National Trust in 2005.

Stables
The stables were built between 1746 and 1751. The design was probably by Daniel Garrett, and is similar to his Fenham Hall in Newcastle-upon-Tyne. The building forms a quadrangle around a couryard, with the main entrance in the south wing and an exit in the west wing, thus enabling carriages to pass through without needing to turn. The east wing, which contained the visitor entrance and which faced the new coach drive created for Sir George, is decorated in the Palladian style. The centre projects in a five-bay block, with a pediment over the central three bays. The door occupies the centre bay of the ground floor, and is flanked by niches and set within a three-bay blind arcade, and there are two aedicules in the outer bays. The first floor has five sash windows. Inside, some plasterwork and the stalls of the show stable survive, the latter separated by narrow wooden classical columns.

Banqueting House
The Banqueting House was built in 1746, and is an early example of Gothic Revival architecture, of the early form often called "Gothick". It has now been restored and is available for letting by the Landmark Trust, who now own it.

Column to Liberty
The Column to Liberty was built between 1750 and 1759 to a design by Garrett, but completed by Paine after the former's death in 1753. It consists of a pedestal bearing a Roman Doric column, which at 42.7 m was, when constructed, the second-tallest column monument in England after the Monument to the Great Fire of London. The column is topped by a statue of a woman, personifying Liberty and originally gilded, who holds the Staff of Maintenance and Cap of Liberty. It represents George Bowes' support for the Whig Party.

Later history
The Bowes-Lyon family had other major country houses, Glamis Castle in Scotland, and Streatlam Castle, County Durham, relatively close to Gibside.

The house became vacant in the 1920s after the Bowes-Lyon family sold some of its properties to pay death duties. The building was stripped of its fixtures and fittings, with many of the fireplaces and other items being transferred to Glamis Castle. Parts of the structure were demolished in 1958, including the removal of the roof. What remains is protected by Grade II* listed building status and included in the Heritage at Risk Register.

Parts of the grounds have been designated a Site of Special Scientific Interest, including a forest garden.

The chapel and Long Walk have been in the National Trust's ownership since 1965, and an additional 354 acre of the grounds were acquired in 1993. The Banqueting House has been in the ownership of the Landmark Trust since 1981, the building having been restored from a derelict shell. The stables now house a learning and discovery centre.

Women's Land Army girls were billeted at Gibside during World War I.

title: Gibside


text:
Talk:Sabiha Gökçen

First combat pilot?
The French pilot Marie Marvingt flew at least 1 bombing mission while Sabiha was 2. You could possibly get away with first "fighter" pilot but not combat pilot. You can look up the citation for her Croix de guerre. 86.179.74.162 (talk) 19:30, 3 June 2023 (UTC)

title: Talk:Sabiha Gökçen


text:
Talk:Chronic myelogenous leukemia

Bosutinib
Does this article now need a reference and link to Bosutinib, possibly under the "Treatment-resistant CML" section? 84.92.91.250 (talk) 10:05, 10 October 2015 (UTC)

Yes, the link to bosutinib has been added. — Preceding unsigned comment added by 184.100.198.25 (talk) 02:05, 5 July 2016 (UTC)

benzene
"Long-term exposure to benzene may also contribute." If someone wants to put this back in the article, find a reference. 128.250.5.246 (talk) 00:11, 6 November 2009 (UTC)

"There was some evidence of an increased risk of AML and CLL. The meta-analysis indicated a lack of association between benzene exposure and the risk of CML." http://www.ncbi.nlm.nih.gov/pubmed/20584305?dopt=Abstract —Preceding unsigned comment added by Mizi mtl (talk • contribs) 06:15, 10 July 2010 (UTC)

Origin
where did chronic myeloid leukemia originate? from india?
 * In Japan. No, seriously, do you mean the origin of the malignant cells, or the origin of the term?
 * The cells come from the bone marrow. The term was probably coined in the 19th century in Germany. JFW | T@lk  21:05, 7 Apr 2005 (UTC)

can it harm the baby if you are pregnant
Why are you asking? If this concerns yourself you should be asking your doctor. JFW | T@lk  07:47, 15 November 2005 (UTC)

HSCT since imatinib
- imatinib has markedly reduced need for bone marrow transplant in CML. JFW | T@lk  22:56, 2 May 2007 (UTC)

CGL
should say somewhere that also called CGL. chronic granulocytic leukemia.
 * Done. There seems to be a rather brief article on CGL in Wikipedia - I've suggested it should be merged with this article since it seems pointless to have two different articles dealing with the same illness. Jammycaketin (talk) 13:13, 12 December 2008 (UTC)

Review
Lancet review today JFW |  T@lk  15:05, 27 July 2007 (UTC)

 * Also an excellent review in the "How I treat..." section of Blood recently: . And a very important study on drug treatment (e.g. imatinib and sons) vs. transplantation also came out in the past month in Blood: . We should work these in. This article has been on my improvement list for a long time, but I haven't got around to it yet. Maybe we should start? It's about 50% of the way to being a very solid article. MastCell Talk 17:13, 27 July 2007 (UTC)

You fire the first salvo. After your golden touch to the AML article I trust this one is in good hands. JFW | T@lk  10:37, 31 July 2007 (UTC)

 * The J Clin Invest has a theme issue about Ph. May be useful. Here JFW | T@lk  20:38, 2 August 2007 (UTC)

References for drug trials
This is my humble opinion, but we shouldn't use commercial pharmaceutical company websites as references for any drug trials. First of all, FDA labeling prevents them from saying anything. Secondly, they're really meant for investors rather than anyone trying to understand this disease. I'll look up some primary research and fix the references on those trials. BTW, the commercial websites could be put in the additional reading section. Orange Marlin Talk• Contributions 00:06, 8 September 2007 (UTC)
 * Agree; the treatment section sounds fairly self-promoting, as if it were pulled from - or written by - someone with a vested interest in that form of treatment. Secondly, although Wikipedia is often American-heavy, the articles *are* intended and used by international readers; hence, whether something is FDA-approved or not is not vital information.  Anyone who has access to the treatment itself has access to better resources for whether it is nationally approved. Glacialfury (talk) 14:10, 23 September 2009 (UTC)

PP2A
bcr-abl is only the first step in a cascade of oncogenesis. It seems PP2A plays a role, and PP2A inhibitors are doing interesting things JFW |  T@lk  14:46, 10 September 2007 (UTC)

Convention
sarindam7 (talk) 11:14, 13 April 2008 (UTC)
 * Genes are written in small letters like "abl" and not "ABL"
 * The gene transcripts or proteins are written in cabitals; eg: "abl" gene transcript is called "ABL"
 * I made the necessary correction long back but someone reverted it.
 * Thus, this article contains gross conventional mistakes.
 * Please discuss and correct.

 * The New England Journal of Medicine uses caps for the name of the protein, eg BCR-ABL, and caps in italics for the name of the gene, eg BCR-ABL. But they use lower-case italics for mouse genes, and they sometimes use lower case for human genes, eg ras. What style book are you using? --Nbauman (talk) 00:10, 4 July 2009 (UTC)

The symptoms of thrombocytopenia
The most frequently observed platelet abnormality in newly diagnosed CML patients is thrombocytosis rather than thrombocytopenia. Because most of the patients are diagnosed in chronic phase rather than accelerated phase. In current edition, it is misleading.Steelshark (talk) 12:38, 18 June 2008 (UTC)steelshark
 * I'm trying to find an explanation about thrombocytosis associated with CML but to no avail. It's counterintuitive since CML is a Granulocyte-monocyte abnormality. Linuxo (talk) 15:03, 3 June 2018 (UTC)

My son has CML...
My son has CML...I dont understand why Wiki hasnt mentioned the drug he has been taking for 5 years to keep him healthy...is it a lack of research? The drug is called Gleevac...how come Wik?

Zoomer
 * I'm not sure as I have never heard of it. I am willing to do some research on the drug tommorrow as time permits and will include in the article if valid third party sources are found to provide useful information. ♠ B.s.n.   ♥ R.N. contribs 10:03, 19 September 2009 (UTC)

Is there a cure?
Is there a complete cure for this disease?

No, at least not as of now. My spouse was diagnosed with CML seven years ago. As explained to me by an oncologist at Dana-Farber (Boston, MA), the Philadelphia chromosome positive cells are not homogeneous in their response to current medications and, in fact, have a very pronounced biphasic response. Imatinib is very effective for eliminating the vast majority of the population, but a small percentage of resistant cells survive. The conventional thinking is that discontinuation of therapy will result in relapse of the disease, and may also increase the risk for progression to accelerated phase. Obviously, a controlled experiment cannot be performed for ethical reasons. However, the possibility of a complete cure is a very hot topic for researchers. My understanding is that the resistant cells have properties similar to those of undifferentiated fetal stem cells. Your question points to an interesting topic that remains unaddressed on Wikipedia to my knowledge: the existence of distinct subsets of tumor cells in this and other neoplasms that are highly resistant to chemotherapy. SteveKatz123 (talk) 16:06, 29 June 2010 (UTC)

Nilotinib (Tasigna) versus Imatinib (Gleevec) as initial therapy for CML
The article mentions that dasatinib (Sprycell) and nilotinib (Tasigna) are currently approved to treat CML when imatinib (Gleevec) therapy fails. The article specifically mentions a trial to compare dasatinib with imatinib as initial therapy in newly diagnosed cases. There is no similar mention of a trial of nilotinib.

Last week, the New England Journal of Medicine published the initial results from an international, multi-center study of nilotinib versus imatinib in newly diagnosed patients. 846 new patients were randomly assigned to the two drugs. At 12 months, twice as many of the patients treated with nilotinib have achieved a major molecular response. Also, the patients taking nilotinib have a significant improvement in the time to progression to accelerated phase or blast crisis. The article is: Saglio, et. al., NILOTINIB VERSUS IMATINIB FOR NEWLY DIAGNOSED CHRONIC MYELOID LEUKEMIA, NEJM 2010; 362:2251-2259. I think this new information is worth including. SteveKatz123 (talk) 16:37, 29 June 2010 (UTC)

Mutations
An anon posted this at the main Leukemia page:

This DNA mutation takes place with a crossover between cromosome 9 and 22,also known as the Philadelphia chromosome, specifically gene 34 and 11. During this cross over the ABL1 gene located on chromosome 9 is fused with the BCR gene on 22. This new gene, BCR-ABL, encodes an unregulated, cytoplasm-targeted tyrosine kinase that allows the cells to proliferate without being regulated by cytokines. This, in turn, allows the cell to become cancerous.

IMO it's too detailed for that article, but perhaps it would be useful here. WhatamIdoing (talk) 05:05, 22 October 2010 (UTC)

Epidemiology
I have a question about the statement "The only well-described risk factor for CML is exposure to ionizing radiation." If I am understanding this correctly, wouldn't the Philadelpha translocation chromosome be a risk factor (present in 95% of CML cases), or does risk factor imply non-congenital? On a side note, I wanted to mention that I found pathophysiology section to be very well written and informative. Vokesk (talk) 16:16, 7 July 2012 (UTC)

Diagnosis phases
Approximately 85% of patients with CML are in the chronic phase at the time of diagnosis. The reference to this claim is cited as 5 which is about prediction qualities of JAK2. I have found no mention of the diagnosis phase. Am I missing anything or is the information unreferenced? — Preceding unsigned comment added by 213.74.180.10 (talk) 15:04, 13 May 2014 (UTC)

Seminar
10.1016/S0140-6736(13)62120-0 Lancet JFW | T@lk  15:35, 12 April 2015 (UTC)

HBMLS
Bachelor of Medical Laboratory Sciences Honours degree programme — Preceding unsigned comment added by 154.120.240.26 (talk) 12:04, 10 March 2019 (UTC)

title: Talk:Chronic myelogenous leukemia


text:
Mogami River

The Mogami River (最上川) is a river in Yamagata Prefecture, Japan.

Description and history
The river is 224 km long and has a watershed of 7,040 km2. It is regarded as one of the three most rapid rivers of Japan (along with the Fuji River and the Kuma River).

The river rises from southern Yamagata Prefecture, flows to the north, and turns west at Shinjō, then flows into the Sea of Japan at Sakata. Water transportation once flourished on the river and carried local products such as safflowers and rice to the Kansai region.

Cultural references
The Mogami River appears as an utamakura in Japanese poetry, with the influential 17th-century poet Matsuo Bashō composing several hokku regarding the river during his travels alongside it. Some were revised as haiku in the memoir of his journeys, including this well-known poem:
 * 五月雨をあつめて早し最上川
 * samidare o atsumete hayashi Mogami-gawa

 * gathering the rains
 * of the wet season — swift
 * the Mogami River
 * (trans. Shirane)

The character Yūko Aioi in Nichijou has inner monologues in haiku form, all ending with the name of the river as a complete non sequitur (as she cannot think of a full 5-7-5 haiku).

Mogami-gawa is also the name of the anthem of Yamagata Prefecture written by Emperor Hirohito. The Japanese Navy had two different cruisers named Mogami.

title: Mogami River