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Catalogue of Women

The Catalogue of Women (Γυναικῶν Κατάλογος)—also known as the Ehoiai  (Ἠοῖαι, ) —is a fragmentary Greek epic poem that was attributed to Hesiod during antiquity. The "women" of the title were in fact heroines, many of whom lay with gods, bearing the heroes of Greek mythology to both divine and mortal paramours. In contrast with the focus upon narrative in the Homeric Iliad and Odyssey, the Catalogue was structured around a vast system of genealogies stemming from these unions and, in M. L. West's appraisal, covered "the whole of the heroic age." Through the course of the poem's five books, these family trees were embellished with stories involving many of their members, and so the poem amounted to a compendium of heroic mythology in much the same way that the Hesiodic Theogony presents a systematic account of the Greek pantheon built upon divine genealogies.

Most scholars do not currently believe that the Catalogue should be considered the work of Hesiod, but questions about the poem's authenticity have not lessened its interest for the study of literary, social and historical topics. As a Hesiodic work that treats in depth the Homeric world of the heroes, the Catalogue offers a transition between the divine sphere of the Theogony and the terrestrial focus of the Works and Days by virtue of its subjects' status as demigods. Given the poem's concentration upon heroines in addition to heroes, it provides evidence for the roles and perceptions of women in Greek literature and society during the period of its composition and popularity. Greek aristocratic communities, the ruling elite, traced their lineages back to the heroes of epic poetry; thus the Catalogue, a veritable "map of the Hellenic world in genealogical terms," preserves much information about a complex system of kinship associations and hierarchies that continued to have political importance long after the Archaic period. Many of the myths in the Catalogue are otherwise unattested, either entirely so or in the form narrated therein, and held a special fascination for poets and scholars from the late Archaic period through the Hellenistic and Roman eras.

Despite its popularity among the Hellenistic literati and reading public of Roman Egypt, the poem went out of circulation before it could pass into a medieval manuscript tradition and is preserved today by papyrus fragments and quotations in ancient authors. Still, the Catalogue is much better attested than most "lost" works, with some 1,300 whole or partial lines surviving: "between a third and a quarter of the original poem", by one estimate. The evidence for the poem's reconstruction—not only elements of its content, but the distribution of that content within the Catalogue—is indeed extensive, but the fragmentary nature of this evidence leaves many unresolved complexities and has over the course of the past century led to several scholarly missteps.

Title and the ē' hoiē-formula
Ancient authors most commonly referred to the poem as the Catalogue of Women, or simply the Catalogue, but several alternate titles were also employed. The tenth-century encyclopedia known as the Suda gives an expanded version, the Catalogue of Heroic Women (Γυναικῶν Ἡρωϊνῶν Κατάλογος), and another late source, the twelfth-century Byzantine poet and grammarian Tzetzes, prefers to call the poem the Heroic Genealogy (Ἡρωϊκὴ Γενεαλογία). But the earliest and most popular alternative title was Ehoiai (Ἠοῖαι), after the feminine formula ē' hoiē (ἠ' οἵη, ), "or such as", which introduces new sections within the poem via the introduction of a heroine or heroines. This nickname also provided the standard title for a similar Hesiodic work, the Megalai Ehoiai or Great Ehoiai (Μεγάλαι Ἠοῖαι).

As is reflected by its use as an alternate title, the ē' hoiē-formula was one of the poem's most recognizable features. It may have belonged originally to a genre of poetry that simply listed notable heroines, but in the Catalogue the formula is used as a structuring tool that allows the poet to resume a broken branch of a family tree, or to jump horizontally across genealogies to a new figure and line of descent. A characteristic example is found in the introduction of the daughters of Porthaon at Cat. fr. 26.5–9:

The preceding section of the poem had dealt at some length with the extended family of Porthaon's sister Demodice, tracing her line down to the generation following the Trojan War. Here ē' hoiai (plural) is used to jump backwards in order to complete the account of the descendants of Porthaon and Demodice's father Agenor by covering the son's family. Elsewhere the formula is used in transitions to more distant branches. The Ehoie of Mestra, for example, ultimately serves to reintroduce the family of Sisyphus, Mestra's great-granduncle who hoped to win her as bride for his son Glaucus. Although that marriage does not take place, the descendants of Sisyphus are soon presented.

Content
According to the Suda, the Catalogue was five books long. The length of each is unknown, but it is likely that the entire poem consisted of anywhere from 4000 to over 5000 lines. The majority of the content was structured around major genealogical units: the descendants of Aeolus were found in book 1 and at least part of book 2, followed by those of Inachus, Pelasgus, Atlas and Pelops in the later books. It is believed that a rough guide to this structure can be found in the Bibliotheca, a Roman-era mythological handbook transmitted under the name of Apollodorus of Athens which used the Catalogue as a primary source for many genealogical details and appears to have followed the poem's overall arrangement.

Book 1
The first is by far the best-attested book of the poem, with several extensive papyri overlapping ancient quotations or coinciding with paraphrases: at least 420 verses of dactylic hexameter survive in part or entire. One papyrus includes line numbers which, taken together with the system of overlaps among the other sources, allows much of the book's content to be assigned approximate line numbers. Perhaps the most significant of these overlaps is between the papyrus containing the opening lines of the poem and the Theogony: the Catalogue was styled as a continuation of the "canonical" Hesiodic poem, with the final two verses of the Theogony standing as Catalogue of Women book 1, lines 1–2. Toward the end of the Theogony as transmitted by the manuscript tradition, following Zeus's final ordering of Olympus and his siring several key deities, the poet invokes the Muses to sing of the "tribe of goddesses … immortals who slept with mortal men, bearing children like gods." After some 150 verses on this topic, the proem to the Catalogue comes in the form of another re-invocation of the Muses to introduce a new, only slightly more terrestrial topic (Cat. fr. 1.1–5):

The immediately subsequent lines describe significant characteristics of the heroic age. The first allowed for the liaisons that are the poem's ostensible subject: gods and mortals freely interacted in those days. A further significant detail about the heroic condition is offered next in one of the most puzzling passages of the Catalogue. Men and women are said to have been not "equally long-lived" (ἰσαίωνες, isaiōnes, a hapax legomenon), but it is unclear whether this refers to different lifespans among the heroes themselves, a difference between the lives of the heroes and "today's" man, or between the lifespans of the heroes and the gods. The differing fates of the heroes are then described: some appear to have lived a long life characterized by perpetual youth, while others were apparently condemned to an early death by the gods. The papyrus is damaged at this point, and the full implications of these comparisons are unknown. The Muses are next addressed again, asked to sing of "however many [Zeus] lay with, siring the race of glorious kings … and Poseidon [lay with] … Ares … Hermes … [Heph]aestus … Heracles"; here the papyrus ends.

First families
The repeated use of the introductory phrase "or such as …" implies an initial "such as …", and it is likely that this first woman treated was Pyrrha, wife of Deucalion. There is some debate about whether the Catalogue included an account of the Flood myth, but the creation of a race of humans born from stones cast by Deucalion and Pyrrha does appear to have figured in the poem. Zeus unsurprisingly had first pick from the catalogue of women, and sired Hellen by Pyrrha. Pyrrha also had three daughters by Deucalion: Thyia, Protogeneia and Pandora, who was named for her maternal grandmother, the famous Pandora. Like their mother, these three lay with Zeus, bearing sons from whom several early Greek tribes were said to descend. Thyia bore Magnes and Macedon; Protogeneia bore Aethlius, the grandfather of Aetolus; and Pandora's son was Graecus.

But it was the family of Hellen, who would himself ultimately be the eponym for the entire Greek world, that had the greatest mythological significance. He sired Dorus, Xuthus and Aeolus, apparently by Othryis, the nymph of Mount Othrys. Dorus was the eponym of the Dorians, and his son Aegimius' sons, Dymas and Pamphylus, gave their names to two of the three Dorian tribes, the Dymanes and Pamphyli. The third division was called the Hylleis, after Heracles' son Hyllus, with whom Pamphylus and Dymas migrated to the Peloponnese. Xuthus married Erechtheus' daughter Creusa and was the father of Ion and Achaeus, along with a daughter named Diomede. The relation between the progenitors of Greek tribes among the descendants of Deucalion is outlined in the following table:

Aeolids
What was likely the largest unified stemma to be treated, the account of the descendants of Aeolus and Aenarete's five daughters and seven sons, stretched from before the 200th line of book 1 well into the second book. The sons who were certainly found in the Catalogue are Cretheus, Athamas, Sisyphus, Salmoneus, Deion (or Deioneus) and Perieres. A seventh son's name is obscured in lacuna: he has been identified tentatively as Minyas, Locrus or a second Magnes, not the eponym of the Magnetes, but the father of Dictys and Polydectes of the Danaë-Perseus myth. No similar doubt attends the identities of Aeolus' daughters: they were Peisidice, Alcyone, Calyce, Canace and Perimede. The families of the daughters were treated first, and much of the middle of book 1—over 400 lines—was devoted to recounting their descendants. Aeolus' extended family, via both sons and daughters, is notable for a concentration of fantastical narratives and folk elements of a sort largely absent from the Homeric poems, beginning with the doomed, hubristic love of Ceyx and Alcyone, who called one another "Zeus" and "Hera" and were turned into the kingfisher and halcyon as punishment (frr. 10a.83–98, 10d OCT, 15).

After treating the Thessalian families of Peisidice and Canace, the poet turned to the intermingled Aetolian-Elian lines of Calyce and Perimede. Perimede had earlier in the book borne two sons to the river Achelous, one of whom was the grandfather of Oeneus, Hippodamas. To Aethlius Calyce bore Endymion, whose son Aetolus was the eponym of Aetolia and the great-grandfather of Demodice and Porthaon, through whom the later Aetolian and Elian genealogies were traced. Somewhere within these families, Eurytus and Cteatus were found in a form more fearsome than they were in the Iliad: in the Catalogue they were fierce conjoined twins with two heads, four arms and an equal number of legs. Most significant for the epic tradition, however, was the marriage of Demodice's son Thestius and Porthaon's daughter Eurythemiste which produced the daughters Leda, Althaea and Hypermestra, who are introduced in a group Ehoiai at fr. 23a.3–5.

Leda's marriage to Tyndareus is followed by the births of Clytemnestra, Timandra and Phylonoe, the last of whom Artemis made immortal. Clytemnestra and Agamemnon had two daughters, Electra and Iphimede, the name used in the poem for the woman later and more famously known as Iphigenia. It had been prophesied that she must be sacrificed to Artemis before the Greek fleet could sail for Troy, but in the Catalogue version of events the goddess replaced her with an eidolon and immortalized Iphimede as "Artemis Enodia", or Hecate. Next Orestes' birth and matricide are reported, the earliest extant account of his killing Clytemnestra, as the planned sacrifice of Iphimede/Iphigenia is first found in the Catalogue. Timandra's marriage to Echemus follows, followed in turn by Leda's bearing the Dioscuri to Zeus in several damaged lines. It is unknown if Helen's birth was reported here, for the testimonia leave her parentage uncertain. Althaea lies with Ares and bears Meleager, whose heroic qualities are described along with his death at the hands of Apollo during the conflict with the Curetes that was the sequel to the Hunt for the Calydonian Boar. Among Althaea's children by Oeneus, Deianeira is singled out for her role in the death and apotheosis of Heracles. The poet next turns his attention to the Porthaonids (see above) and closes out his account of the female Aeolids with the Sirens, daughters of Sterope and Achelous.

The Ehoie of Salmoneus' daughter Tyro provides the transition to the families of the male Aeolids. As king of Elis, Salmoneus forced his subjects to worship him as Zeus and simulated the god's thunder and lightning by dragging bronze cauldrons from his chariot and throwing torches through the air. The real Zeus destroyed king and subjects alike, but spared Tyro and conducted her to the house of her uncle Cretheus in Thessaly because she wrangled with her impious father. There she became enamored of the river Enipeus, but Poseidon had his own designs upon Tyro and in the guise of the river lay with her, siring Neleus and Pelias. The brothers did not get along, and Zeus gave them different realms to rule: Pelias received as his lot Iolcos; to Neleus fell Pylos in the western Peloponnese. The house of Neleus now takes center-stage. Heracles sacked Pylos, killing all the male Neleids, save Nestor who was off in Gerenia, another Messenian city. Periclymenus, a son of Neleus to whom Poseidon had granted the ability to change shape, was Pylos' only bulwark against the onslaught of Heracles, and the Catalogue-poet granted him a brief aristeia which ended when Athena pointed out that the bee on Heracles' chariot was actually the Pylian defender. Following the account of Nestor's marriage and family, the contest for Neleus' daughter Pero was narrated. The father would give her hand to whoever could rustle the cattle of Iphicles from Phylace, a feat accomplished by Bias with the help of his brother Melampus. The poet then turned to the family of Pelias as the last assignable papyrus fragment from book 1 breaks off. It is likely that Tyro's children by Cretheus—Aeson, Pheres and Amythaon—followed, and there might have been room in the book to at least start the family of Cretheus' brother Athamas.

Athamas ruled in Boeotia and had a complicated family life, several details of which are known to have played part in the Catalogue. His first children were Phrixus and Helle, whose mother was Nephele. In what was the first episode of the Argonautic saga, she gave her children a ram with a golden fleece upon which they fled the intrigues of their stepmother Ino according to other sources. Athamas was driven mad by the gods, perhaps because he took the young Dionysus into his household, and slaughtered his and Ino's son Learchus; Ino herself jumped into the sea with their son Melicertes and became the sea-goddess Leucothea. At some point before his marriage to Ino, Athamas had sired Leucon and Schoeneus by Themisto, and Leucon's daughters Peisidice, Euippe and Hyperippe were given extended group treatment in the Catalogue.

Book 2
It is uncertain at what point among the extant fragments the division between books 1 and 2 fell, but at least some of the Aeolid families were covered in the second book. The families of Perieres, Deion and Sisyphus (in that order) were most likely found in the 2nd book because there does not appear to be enough room left in book 1 to accommodate them as a group after the children of Neleus and Pelias. It was once thought that the Ehoie of Atalanta opened the book, but recently published evidence casts doubt upon this view (see Book 3, below).

Perieres' family was centered around Messene. His son Leucippus had several daughters, but Arsinoe was singled out for extensive treatment. To Apollo she bore Asclepius, whom Zeus killed. In a rage Apollo killed the Cyclopes, after which Zeus was about to hurl him into Tartarus when Leto interceded and arranged for Apollo to serve as a laborer for Admetus instead. Directly following the Asclepius affair comes the Ehoie of Asterodeia, the daughter of Deion. She bore Crisus and Panopeus to Phocus; the brothers did not get along, quarreling while still in the womb. Another daughter of Deion, Philonis, bore Philammon to Apollo and Autolycus to Hermes. Philammon sired Thamyris; Autolycus, the grandfather of Odysseus, was a master thief who could change the appearance of his booty to avoid detection. Autolycus' daughter Polymele, the mother of Jason, is apparently born directly preceding the Ehoie of Mestra, the daughter of Erysichthon.

Mestra's story is one of the best preserved and most studied sections of the Catalogue. She had the ability to change her shape at will, a skill which her father Erysichthon exploited in service of a ravening hunger with which he had been cursed and for which reason the people had nicknamed him Aethon (Αἴθων, Aithon, "Blazing"). He would marry off Mestra for the bride prices she garnered, only to have the girl return home in some different form. The most notable victim of this plot was Sisyphus, who, despite his characteristic cunning, could never retain custody of his would-be daughter-in-law. Strife arose between Sisyphus and Erysichthon which no mortal could resolve, and the case was handed over to another authority. The text is damaged at this point, and identity of the mediator is a matter of dispute, as is the nature of the verdict rendered. Exactly how this judgement resolves the quarrel over Mestra is obscure, but Sisyphus ultimately comes out on the losing end, for Mestra does not bear children to Glaucus. Instead Poseidon whisks her off to Kos, where she bears Eurypylus to the god. Eurypylus' descendants rule the island, which is sacked by Heracles in a brief allusion to the great hero's adventures. On his way home from attacking Troy for the horses of Laomedon, he assaulted Kos before going on to participate in the gigantomachy.

The Ehoie of Mestra closes with her returning to Athens to care for her father, but the poet's attention stays with Sisyphus, as he and his son are the male subjects of the Ehoie of Eurynome which immediately follows. She was wise and beautiful, having been taught womanly arts by Athena. Sisyphus attempted to cheat her of her cattle, but Zeus intervened. Although he did not get what he was after, Sisyphus did accomplish with Eurynome what he could not with Mestra: a marriage for Glaucus. The gods again got in the way, though, and she bore Bellerophontes to Poseidon, who gave his son the winged horse Pegasus with which Bellerophontes slew the Chimera. In the Iliad this task was presented as the order of Proetus' father-in-law Iobates, and in the Catalogue it appears to be followed immediately by the marriage of Bellerophontes and a daughter of the Lycian king.

Inachids
In the Bibliotheca the descendants of Inachus followed Deucalion's, and the Catalogue appears to have followed the same order, likely introducing the Inachids via the Ehoie of Niobe, the river god's granddaughter. To Zeus she bore Argus, the eponym of Argos, who in turn sired Peiren, the father of Io. Zeus's affair with Io had a place in the Catalogue, for ancient authors cite the poem's version of this myth when quoting an aition for the fact that "all's far in love ...", at least:

Zeus and Io's "clandestine deeds" produced a son, Epaphus, who was the father of Libya. The families of her two sons Agenor and Belus were covered in depth: the former's line in book 3, the latter's following his birth. Belus had a daughter, Thronia, who bore Arabus (the eponym of Arabia) to Hermes; Belus' sons were Aegyptus and Danaus.

The myth of the mass-wedding of Aegyptus' fifty sons and Danaus' fifty daughters came at this point, but little survives of the narrative in the Catalogue. Danaus and his daughters fled to Argos and introduced the practice of digging wells, "making waterless Argos well-watered Argos" (Ἄργος ἄνυδρον ἐὸν Δανααὶ θέσαν Ἄργος ἔνυδρον). Aegyptus' sons followed the Danaids to Greece in order to compel them to marry, and, as in the predominant version of the myth, Hypermestra alone consummated her union with Lynceus and bore Abas, whose sons were Acrisius and Proetus. The daughters of Proetus offended Hera or Dionysus or both in some way, and were cursed with leprosy or madness which could only be cured by Melampous, a service which Abas rewarded by granting the seer and his brother Bias shares of Argos to rule. Acrisius' daughter was Danaë. Her golden liaison with Zeus, the birth of Perseus, and mother and son's involuntary exile in the larnax are quickly recounted, and Perseus' siring of Alcaeus, Sthenelus and Electryon by Andromeda also comes in quick succession.

Book 3
The division between books 2 and 3 presents a special problem for the reconstruction of the Catalogue. A scholion to Theocritus, Idyll 3.40 appears to attribute the story of Atalanta to "Hesiod in book 3", a method of citation that almost certainly refers to the present poem. One papyrus concludes with what appears to be the beginning of the first line of Atalanta's Ehoie followed by a forked paragraphos and blank space, suggesting that it is a reclamans; another papyrus (pictured) clearly transmits the ends of the first few lines of her section preceded by blank space, giving the possibility that it was the beginning of a book. These two fragments would combine to give:

The account that follows is one of the most extensive and exciting episodes of the Catalogue to survive from antiquity. Atalanta wished to avoid marriage, but a throng of suitors gathered because of her beauty. Her father Schoeneus promised her hand to the one who could beat his swift daughter in a footrace, with one further condition: any who accepted the challenge and lost would be put to death. Aphrodite had given one of the contestants, Hippomenes, three golden apples with which to temp the girl off course; these he threw as he ran and begged Atalanta to have pity upon him. The toss of the third apple finally accomplished its aim, but the couple did not live happily after: through the will of Zeus Atalanta was transformed into lion because she had seen "what it is not lawful to see," which presumably means that she had unlawfully entered a holy precinct. This is where the evidence for Atalanta leaves off, and it remains unknown just where and how the passage fit in the Catalogue. It is possible that the attribution to book three was simply incorrect, and Atalante's Ehoie came within the family of Athamas in books one or two. Another possibility is that she was introduced in the context of her mother's family. Her identity in the Catalogue is unknown, but this hypothesis could allow for Atalanta to appear within the Inachid stemma, following the Danae-Ehoie within the extended family of Belus.

Agenorids
In the Catalogue and later mythographic tradition, the family of Belus' brother Agenor was something "like a repository for aliens and displaced persons." His son Phoenix was the eponym of Phoenicia, and if Cepheus and Cadmus were also his sons, the Agenorids would have been present in Aethiopia and Thebes as well. By one Alphesiboea Phoenix sired Adonis. Cassiepeia bore to him Phineus; she was perhaps also the mother of Phoenix's daughter Europa, but the girl's mother might have been Telephaassa, as in Moschus' Europa.

Europa's tale, well known in later classical literature and beyond, appears in a largely familiar form in the Catalogue. She caught Zeus's eye while she and some friends were gathering flowers in a meadow. The god transformed into a bull with breath smelling of saffron, in the guise of which he abducted Europa, carrying her upon his back to Crete. There she bore Minos, Rhadamanthys and Sarpedon to Zeus, and he gave her a necklace made by Hephaestus that would figure in Theban saga as the Necklace of Harmonia. Sarpedon ruled Lycia, and was apparently granted a lifespan equal to three generations of men by Zeus. His death at Troy and the rain of blood it inspired Zeus to send is briefly described. Minos ruled Crete, succeeding his stepfather Asterion. Poseidon sent up from the sea a bull which had sex with Minos' wife Pasiphae, siring the Minotaur. To Minos she also bore Deucalion, Catreus, Androgeos and Eurygyes, though it is equally possible that these last two names referred to a single son. At least one daughter, Ariadne, was surely present, for the myth of Androgeos–Eurygyes' death in Athens and the subsequent sacrifice of Athenian youths to the Minotaur will presuppose Theseus' expedition to Crete and Ariadne's complicity in slaying the beast.

Phineus was even better-traveled than his sister Europa, and his biography in the Catalogue was apparently a "pièce de résistance" meant to conclude the geographically diverse Inachid stemma with an appropriate flourish. He ruled in Thrace, but was kidnapped by the Harpies. Zetes and Calais, the Boreads, pursued the tormentors and tormented to the ends of the earth. The poet catalogued many far-flung and remarkable races encountered during the chase, including: the Katoudaioi ("Subterranean Men"), Pygmies, Melanes ("Black Men"), Aethiopians, Libyans, "horse-milking" Scythians, Hemikynes ("Half-Dogs") and the Makrokephaloi, as well as griffins. Ephorus called the episode the Gês Períodos (Γῆς Περίοδος, "Journey Around the World"), and it was once thought that this title referred to an independent work, one erroneously attributed to Hesiod. This view was disproved conclusively in 1911 with the publication of an extensive papyrus fragment (pictured) of the episode which derived from the same bookroll that contained the myth of Europa described above.

Arcadia
It is likely that the section describing the Arcadian descendants of Pelasgus and Arcas followed that of the Inachids. Pelasgus was autochthonous; he sired Lycaon either by the Oceanid Meliboea or by Cyllene, the oread of an Arcadian mountain which still bears her name. Lycaon's fifty impious sons drew the ire of Zeus and were all destroyed, save Nyctimus. The majority of the subsequently covered Arcadian figures descend from Arcas, who was the son of Zeus and Callisto, a local nymph. A familiar version of her catasterism is attributed to "Hesiod" by Pseudo-Eratosthenes, but the Hesiodic work intended in this citation might have been the Astronomia. Arcas had at least two sons: Elatus and Apheidas. Elatus sired Aepytus, the father of Tlesenor and Peirithous; Apheidas was the father of Stheneboea, the wife of Proetus, and Aleus. Aleus' daughter Auge was for some reason entrusted to the care of Teuthras in Mysia, where she lay with Heracles and bore Telephus. Telephus was on the Mysian throne when the Greek expedition to Troy accidentally landed there and found themselves fighting fellow "Achaeans."

Atlantids
In the Bibliotheca, the Arcadian genealogies are immediately followed by the Atlantids, and this progression is known to mirror the structure of the Catalogue because other fragments of the papyrus roll that transmits the Telephus myth cover families of Atlas' daughters: Taygete, Electra, Alcyone, Sterope, Celaeno, Maia and Merope. Maia bore Hermes to Zeus on Mount Cyllene. Taygete also slept with Zeus, becoming the mother of Lacedaemon, through whom much of the Spartan line was traced, including Tyndareos, the father of Helen, and Penelope, the wife of Odysseus. To Zeus yet again Electra bore Dardanus, the progenitor of the Trojan line, and Eetion, who was killed for sleeping with Demeter. Dardanus' sons were Erichthonius and Ilus. Hyrieus and Hyperes were Poseidon's children by Alcyone. Her section included the Ehoie of Hyrieus' daughter Antiope, who bore Amphion and Zethus to Zeus. Hyperes' daughter Arethusa slept with Poseidon and was changed to a spring in Euboea, but not before bearing Abas, the eponym of the Abantes. His line is traced down to Elephenor, leader of the Abantes in the Trojan War. Sterope lay with Ares and bore Oenomaus, but it is possible that this union was delayed to book four as part of the section treating the family of Pelops and Oenomaus' daughter Hippodameia.

Book 4
Before the papyri began to accrue, the longest extant passage of the Catalogue was known from the Shield of Heracles, the first 56 lines of which were borrowed from book 4 according to an ancient hypothesis to the Shield. This passage, the Ehoie of Alcmene, recounts how she went to Thebes with her husband Amphitryon, who could not consummate the marriage until he had avenged the deaths of her brothers at the hands of the Taphians and Teleboans. As Amphitryon returned having accomplished this feat, Zeus lay with Alcmene; upon his return that very night, so too did Amphitryon. To the god Alcmene bore Heracles and to the hero she bore Iphicles.

Alcmene belongs to the Pelopid line—her mother Lysidice was a daughter of Pelops and Hippodameia—, and the passages preceding her Ehoie also concern Pelopids. Three of Pelops' daughters married sons of Perseus: Lysidice married Electryon, Nicippe wed Sthenelus, and Astydameia wed Alcaeus. Nicippe and Sthenelus' daughter Astymedusa married Oedipus, and at the funeral games in his honor his son Polynices caught the eye of his future wife Argeia, the daughter of Adrastus. Pelops' son Atreus was the father of Pleisthenes who, contrary to the better known genealogy, was the father of Agamemnon and Menelaus. Their mother was Aerope, the daughter of Catreus, and their births were reported in the verses directly preceding the Ehoie of Alcmene.

Besides the Pelopid line, and whatever remained of the Atlantid stemmata among which it ultimately belongs, little is known for certain about the further content of book 4. It is possible that an Athenian section including the various autochthonous kings of Athens and the daughters of Cecrops was found here. A family springing from the river Asopus has also been proposed for this region based on the presence of "several persons or families that other sources represent as descended from daughters of Asopos." The most notable family that would belong to this section is that of Asopus' daughter Aegina, the nymph of the island that bears her name who slept with Zeus and bore Aeacus. Fearing that Aeacus would be lonely on his island, Zeus changed all of Aegina's ants into men, spawning the tribe of Myrmidons, a play upon their name and the Greek word for "ant", μύρμηξ, mýrmēx. This is the family to which Achilles belongs, the most notable hero in the Trojan saga, as well as his father Peleus and uncles Telamon and Menoetius.

Book 5
The final book was different in that it apparently left behind the genealogical structure of the first four books. Book five opened with a nearly 200-line catalogue of the suitors of Helen, similar in style to the Catalogue of Ships in Iliad book 2. Although it is likely that the entire catalogue included twenty-five to thirty suitors, only twelve are attested by name. From Argos Amphilochus and Alcmaeon, the sons of Amphiaraus, attempted to win Helen, but were perhaps never able to join in the contest because of their punishment for the matricide of Eriphyle. Ever shrewd, Odysseus did not give gifts but simply sent envoys to Castor and Polydeuces, because he knew that Menelaus would ultimately prevail. Thoas was not so wise and gave many sheep and cows in the hope of winning Helen. From Phylace, many gifts were given by Podarces and Protesilaus, who were cousins in the Catalogue, not brothers as in the Catalogue of Ships. Athenian Menestheus gave many gold cauldrons and tripods, confident that he was the wealthiest of all the heroes. Ajax wooed Helen from Salamis, promising to pillage the surrounding lands and give their possession as part of his gift. Idomeneus made the long journey from Crete himself, aware of Helen's beauty only from secondhand accounts.

Before giving his decision, Tyndareus bound all the suitors to his fateful oath: should anyone ever take his daughter by force, all those who had wooed her must exact vengeance upon her abductor. To this all the suitors readily agreed, each believing that he would be given Helen's hand. At this point the Catalogue of Suitors has come to a close, but even as Menelaus' success is reported, the poet introduces Achilles because of his status as the greatest hero of the Trojan saga and his central role in Zeus's plan to bring the Heroic Age to a close. With the aid of Agamemnon, Menelaus had given the most bride prices, but were Achilles already of age, he would surely have won Helen's hand, "for neither warlike Menelaus nor any other human on earth would have defeated him". But Achilles was not present, and Menelaus won Helen, who bore Hermione to him.

The end of the Heroic Age
The marriage of Helen and Menelaus precipitates the Trojan War, the event that ultimately brings the heroic age to an end, but the circumstances surrounding this transition in the Catalogue are unclear. Directly following the birth of Hermione strife arises among the gods, and Zeus hatches a plan to stir up trouble among mankind. The exact meaning of this plan is obscure because of deficiencies in the text, and several interpretations have been proposed, the most commonly accepted being that Zeus plans to destroy a great number of men by causing the war, ultimately removing the heroes to a life lived in conditions resembling the Golden Age. Another possibility is that Zeus intends to destroy the race of heroes and return the world to its former order, when gods slept with each other, not mortals. In any event, a great change is coming, and as the final placed fragment of the Catalogue breaks off, several enigmatic scenes are sketched. A great storm arises which dwindles the strength of mankind:

These lines, described by West as "the finest passage of poetry yet known from the Catalogue", might parallel Calchas' prophecy in Iliad 2, which presages the first nine fruitless years of the Trojan War via the image of a snake devouring nine sparrows. Here the "hairless one," a kenning for a snake, gives birth to what appears to be the first of three sets of triplets, and as the remains of the papyrus become more meager, the snake sloughs its skin, representing the regeneration that will come once the heroic age comes to an end and the world is given over to mortals.

Notable unplaced and disputed fragments
Many fragments that are securely attributed to the Catalogue, some of which are relatively substantial, cannot be placed within the poem because their content is either too obscure or could be assigned to different individuals or genealogies which are themselves difficult to locate within the five books.

Cyrene
The place of Cyrene within the poem has implications beyond the level of content, for if her narrative is to be connected to the city of Cyrene in Libya, the terminus post quem for the composition of the Catalogue would be 631 BC, the approximate year of that city's foundation. Pindar, Pythian 9 tells how Apollo saw Cyrene hunting in her native Thessaly and was immediately enamored of the tomboy. The god goes to the cave of the wise centaur Chiron and asks who she is and whether it would be wise to consort with her. Chiron then prophesies that it is fated for Cyrene and Apollo to mate, and that he will bring her across the sea to Libya, where she will be queen of a portion of the land and bear to him a son, Aristaeus. A scholium on the ode states that "Pindar took the story from an Ehoie of Hesiod's" (ἀπὸ δὲ Ἠοίας Ἡσιόδου τὴν ἱστορίαν ἔλαβεν ὁ Πίνδαρος) and relates the opening lines of the section (Cat. fr. 215):

Richard Janko, who believes that the Catalogue was composed c. 690, argues that the extent to which Pindar relied upon the Hesiodic text is unknown and that, even if Apollo did carry Cyrene to Libya, this does not presuppose an aetiology of the city. Others have argued that the citation is also vague regarding just which Hesiodic poem included the Cyrene-Ehoie, the Catalogue or the Megalai Ehoiai: the latter might have included a narrative similar to Pindar's, with the former presenting a different version of the myth, if indeed the Catalogue treated Cyrene at all. The complete removal of Cyrene would not, however, be easily accommodated by related evidence—it would presumably also involve transferring two fragments concerning Aristaeus which have traditionally been attributed to the Catalogue, and his son Actaeon certainly appeared in the poem.

Actaeon
The myth of Actaeon is known to have been narrated in the Catalogue by virtue of a paraphrase found in a fragmentary dictionary of metamorphoses. According to the dictionary, the Catalogue included a variant of the myth in which Actaeon was changed into a stag by Artemis and then killed by his own hounds because he attempted to take Semele as his wife, thus angering Zeus, who had designs upon the woman. Before this testimonium appeared, another papyrus containing 21 hexameters related to the Actaeon myth was published by Edgar Lobel, who tentatively attributed the text to the Catalogue. As the fragment opens, Actaeon has already been torn apart by his dogs, and a goddess—Athena or, less likely, Artemis —arrives at Chiron's cave. She prophesies to the centaur that Dionysus will be born to Semele and that Actaeon's dogs will roam the hills with him until his apotheosis, after which they will return to stay with Chiron. At this point the papyrus is damaged, but it is clear that the dogs are delivered from a "madness" (λύσσα, lussa, line 15) and begin to mourn their master as the goddess returns to Olympus. Merkelbach and West did not include this papyrus in their edition of the fragment, the latter calling it an "incoherent epic pastiche" which would cause the author of the Catalogue to "turn in his grave if he knew that it had been attributed to him." According to Glenn Most, some scholars believe that the text is Hellenistic, but it is demonstrably archaic, and at least a few classicists today consider it to be part of the Catalogue.

Date, composition and authorship
During antiquity the Catalogue was almost universally considered the work of Hesiod. Pausanias reports, however, that the Boeotians living around Mount Helicon during his day believed that the only genuine Hesiodic poem was the Works and Days and that even the first 10 lines of that poem (the so-called "hymn to Zeus") were spurious. The only other surviving expression of doubt is found in Aelian, who cites "Hesiod" for the number of Niobe's children, but qualifies his citation with "unless these verses are not by Hesiod, but have been passed off falsely as his, like many other passages." But Aelian's skepticism could have stemmed from the belief, still common today, that Hesiodic poetry was especially susceptible to interpolation, and it is impossible to tell whether he regarded the entire Catalogue as spurious or not. These two passages are, in any event, isolated, and more discerning critics like Apollonius of Rhodes, Aristophanes of Byzantium and Crates of Mallus apparently found no reason to doubt the attribution to Hesiod, going so far as to cite the Catalogue in arguments concerning the content and authenticity of other Hesiodic poems.

Modern scholars have not shared the confidence of their Hellenistic counterparts, and today the Catalogue is generally considered to be a post-Hesiodic composition. Since Hesiod is supposed to have lived around the turn of the seventh century BCE, the Cyrene-Ehoie alone could guarantee that the poem was not his. Richard Janko's survey of epic language, on the other hand, suggests that the Catalogue is very early, nearly contemporary with Hesiod's Theogony, and Janko sees no reason why the Catalogue "should not be by the same poet as the Theogony," who "calls himself Hesiod." But a different critical strain, one which views the transmitted Homeric and Hesiodic poems as ultimate products of rhapsodic recomposition within an oral tradition, would hold that from an initial Hesiodic nucleus the Catalogue arrived at its final form well after period to which Hesiod has been assigned. Such a scenario could account for perceived anachronisms in the mythological content and in the linguistic character of the poem, but would sidestep the issue of the relation between the Catalogue as it has been transmitted and the broader corpus of early Greek epic.

M. L. West argues on poetic, linguistic, cultural and political grounds that an Athenian poet "compiled the Catalogue of Women and attached it to Hesiod's Theogony, as if it were all Hesiodic," sometime between 580 and 520 BCE, and thinks it possible that this range might be narrowed to the period following 540. He sees, for example, the marriage of Xuthus to a daughter of Erechtheus as a means of subordinating all of Ionia to Athens, since their union produced the eponym Ion. Similarly, Sicyon is made a son of Erechtheus (fr. 224), which West takes as a reflection of the tyrant Cleisthenes of Sicyon's attempts to promote Ionian–Athenian interests in the polis, which had traditionally been more closely connected to Dorian Argos. These and other considerations would, in West's view, establish a terminus post quem of c. 575 BCE, but he prefers a later dating on the assumption that Theogony 965–1020, which he assigns to the latter portion of the sixth century BCE, was contemporaneous with the composition of the Catalogue.

West's arguments have been highly influential, but other scholars have arrived at different conclusions using the same evidence. Fowler thinks that the Sicyon genealogy would more likely reflect a composition before Cleisthenes' death (c. 575 BCE) and dates the poem to the period closely following the First Sacred War (595–585 BCE), connecting its content to the growing influence of the Amphictyonic League and placing its author in Aeolian Thessaly because of the Aeolid family-trees centered around that region which dominate the earlier portions of the poem. Hirschberger, on the other hand, takes this focus upon the Aeolids and the Catalogue poet's perceived interest in eastern peoples to be indicative of a poet from Aeolis in Asia Minor; she proposes that the Catalogue was composed there between 630 and 590 BCE, viewing the composition of the Shield of Heracles and an apparent allusion to the poem by Stesichorus (died c. 555 BCE) as providing the ultimate terminus ante quem.

Reception
The Catalogue's greatest influence was felt during the Hellenistic period, when the poem was used as an extra-Homeric touchstone for the poets of the era who favored recondite and antiquarian references over direct engagement with the more prominent members of the canon. The most famous Hellenistic allusion to the Catalogue is found in Hermesianax's Leontion, which included a catalogue of great literary figures and their loves, beginning with Orpheus and Agriope (more commonly known as Eurydice) and proceeding down to the poet's contemporaries, including his teacher Philitas of Cos. Many of the entries engage playfully with their subjects' work: Homer, for example, is portrayed as pining for Penelope. Directly preceding that lovestruck bard comes Hesiod's blurb:

Here the ē' hoiē-formula is styled as the name of a woman, cleverly rendered "Anne Other" by Helen Asquith, and the grumpy Hesiod who reviled his home in Ascra at Works and Days 639–40 becomes a discomfited lover-boy in the village. Phanocles, a near contemporary of Hermesianax, composed an elegiac catalogue of mythological pederastic relationships entitled the Loves or Beautiful Boys in which each story was introduced by the formula ē' hōs (ἠ' ὡς), "or like". Nicaenetus of Samos, a later Hellenistic poet, wrote his own Catalogue of Women and the otherwise unknown Sosicrates (or Sostratus) of Phanagoria was said to have written an Ehoioi (Ἠοῖοι), the masculine equivalent of "Ehoiai". While allusions to the ehoie-formula and catalogue structure of the poem are most easily recognized, interaction with the Catalogue in Hellenistic poetry was not limited to plays upon these aspects: direct engagement with the myths found in the Catalogue were a popular way for the Alexandrians to show their Hesiodic affiliations.

At Rome the poets of the Late Republic and Augustan age continued the Hellenistic period's allusive engagement with the Catalogue. Catullus, a poet who made plain his Callimachean affiliations, is the earliest Roman author who can be seen to engage with the Catalogue. In his epyllion on the wedding of Peleus and Thetis, Catullus alludes to the theoxeny that the proem to the Catalogue presented as a defining characteristic of the heroic age and to the epithalamium of the couple that was sung in a later book. In the Aeneid Vergil closes his catalogue of combatants with the swift female warrior Camilla, alluding to the Hesiodic account of Iphiclus' speed in "a remarkably subtle nod to tradition in the best Alexandrian style." Ovid picked up on Vergil's allusion in the Metamorphoses with his treatment of Atalanta, which recast's his Roman forebear's allusion to Iphiclus in such a way that it highlights the Hesiodic character of his own poem in contrast with the Homeric character of the Aeneid.

Transmission and reconstruction
It is impossible to tell exactly when the last complete copy of the Catalogue was lost. Fragments of over fifty ancient copies have been found, dating from the Hellenistic period through early Byzantine times. A book label from the century or so after the latest Catalogue papyrus lists the contents of a fifth- or sixth-century Hesiodic codex as "Hesiod's Theogony, Works and Days and Shield", and it appears that by this time the Byzantine triad of Hesiod's works had become the notional corpus, to the detriment of the other poems which had traveled under the poet's name. Knowledge of the Catalogue did not cease altogether with the loss of the final complete copy, however, and well into medieval times authors such as Eustathius and Tzetzes could cite the poem via fragments contained in other ancient authors. Other vestiges of the poem's influence are less clear: the Pseudo-Apollodoran Bibliotheca, an early Roman-era handbook of Greek mythology, for example, is widely believed to have taken the Catalogue as its primary structural model, although this is not stated explicitly within that text. The collection and interpretation of the Hesiodic fragments in the modern era began during the sixteenth and seventeenth centuries, primarily with the editions of and. The earliest collections simply presented ancient quotations organized by the quoting author, and it was not until the work of, and  that attempts at a proper reconstruction began. Marckscheffel was the first to recognize that the early portions of the poem treated the descendants of Deucalion in a systematic fashion, but he regarded what were called the "Catalogue of Women" and "Ehoiai" as two initially separate works that had been joined: the former was genealogically structured, while the latter, in Marckscheffel's view, simply recounted myths involving notable Thessalian and Boeotian heroines, with each introduced by the ē' hoiē-formula. Since the Ehoie of Alcmene was attested for book 4, Marckscheffel proposed that books 1–3 were the "Catalogue", and books 4 and 5 were the "Ehoiai".

As the nineteenth century progressed, there were several other important observations about the genealogical structure of the Catalogue. In 1860 Adolf Kirchhoff noted the mass of information connected to the family of Io, a stemma which could be assigned to the third book because of an ancient citation placing Phineus, one of her descendants, there. The picture of the Catalogue that was emerging began to resemble the Bibliotheca in structure, but Theodor Bergk was the first to suggest explicitly (though in passing) that the poem might be reconstructed with the help of the mythographic work. Bergk and his contemporaries still largely followed Marckscheffel's conclusion that the Catalogue and Ehoiai were semi-distinct texts, and it was not until 1894 that Friedrich Leo finally demonstrated that these were in fact alternate titles for a single poem.

A few years before Leo's paper, the first small papyrus fragment was found, and the first half of the twentieth century would see the publication of several other pieces which added significantly to the modern text of the Catalogue. Among these finds were important passages, the Catalogue of Suitors and Epithalamium of Peleus and Thetis for example, but few advanced the modern understanding of the work's overall structure. The appearance of the proem in 1956 actually led to a major misapprehension, for the list of gods found therein, beginning with Zeus and proceeding through the divine Heracles, led some to believe that the Catalogue was not organized in a strictly genealogical manner, but presented the unions of gods and heroines organized to some extent by amorous deity. Six years later, with the publication of the 28th part of the Oxyrhynchus Papyri, the corpus of papyrus witnesses to the fragmentary Hesiodic poems was nearly doubled, with the lion's share of these new texts belonging to the Catalogue. The new papyri proved once and for all that the poem was organized by genealogies of the great families in a way similar to the Bibliotheca, and that the poet's use of the ē' hoiē-formula was not a random method of introduction but an organizing tool within an overall structure.

Translations

 * (To be consulted with caution: out of date even for 1908.)
 * (The link is to the 1st edition of 1914.) English translation with facing Greek text; now obsolete except for its translations of the ancient quotations.
 * German translation.
 * Italian translation with facing Greek text; faithfully based upon the editions of Merkelbach and West.
 * Includes ancient assessments of the Catalogue.
 * English translation with facing Greek text; takes much recent scholarship into consideration.

title: Catalogue of Women


text:
Picnic (chocolate bar)

Picnic is a brand of chocolate bar consisting of milk chocolate and peanuts, covering chewy nougat, caramel, biscuit and puffed rice. Picnic bars are lumpy in shape. It is sold in Australia, parts of Canada (such as Quebec), New Zealand, New York City, San Francisco Bay Area, India, Ireland, Russia, Ukraine, South Africa (packaged as "Lunch Bar"), Ireland, Germany and the United Kingdom. The UK, German, Irish and Indian versions differ from the Australasian version in that they also contain raisins.

Overview
The MacRobertson Picnic bar was first released in Australia in 1950 (also released in UK by Fry in the 1950s). In 1967, Cadbury acquired MacRobertson Chocolates, a well-respected Australian confectionery manufacturer founded in 1880. The move gave Cadbury another major manufacturing base on the Australian mainland - at Ringwood in Melbourne, Victoria. It also added a range of unique confectionery brands, including Old Gold (launched in 1919), Picnic, Cherry Ripe (created in 1924) and Freddo Frog (created in 1930), which were household names.

A marketing slogan for the Picnic, released in the early 2000s, was "Deliciously ugly". During the 1970s the Australian slogan for Picnic was "More like a banquet than a picnic". Picnic is manufactured by Cadbury UK. In the early 1990s, a UK television commercial featured a singing camel called Calvin, in which the Animatronic camel performed a parody of "My Coo Ca Choo" originally by Alvin Stardust. The lyrics describe the ingredients of the chocolate bar, chants of the words “Chew” and “Goo” while a series of captions appear during the course of the advert, parodying The Chart Show who would display random captions offering facts on the artist and tour dates, while the music video plays. The tagline of the commercial was “There’s no goo in it when Calvin’s chewin’ it”. The commercial also had airtime in Russia and Ukraine, with the fact-captions translated.

In Australia, limited-edition variants Picnic Honeycomb (a Picnic bar with honeycomb pieces), Picnic Hedgehog (a picnic bar with biscuit pieces) and Picnic Rocky Road (a Picnic bar with mini marshmallows and gumdrops) have been sold in recent years. In 2010, a limited edition Almond Picnic bar was made available in New Zealand and is now also available in Australia under the name Roast Almond Feast.

In April 2009 Cadbury altered the weight of the standard Picnic bar from 50 grams down to 48.4 grams. Again in August 2014 Cadbury altered the weight of the standard Picnic bar down to 46g in Australia, with a noticeable reduction in the width of the bar, yet still in the old size wrapper.

In the UK the standard bar is 48.4 grams as of 2018 and is also available in multipacks. In 2011, a fruit and nut picnic bar was released in Australia.

Now in Russia as of 2018, there are two variants of the bar available, classic one with peanuts and raisins and another one with walnuts, at first released as of limited-edition but later included in the permanent line.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Picnic (chocolate bar)


text: File:Shootfromthehip.albumcover.jpg

title: File:Shootfromthehip.albumcover.jpg


text:
Emma Miller

Emma Miller (26 June 1839 – 22 January 1917) was an English-born Australian pioneer trade union organiser, suffragist, and key figure in organisations which led to the founding of the Australian Labor Party in Brisbane, Queensland, Australia.

Early life
Miller was born on 26 June 1839 in Chesterfield, England, the eldest of four children born to Martha Holmes, née Hollingworth, and her husband Daniel. Her parents had strong Unitarian beliefs and were active in the Chartist movement.

At the age of 18 she eloped and married a bookkeeper, Jabez Mycroft Silcock. They had four children together; however, Silcock died and Miller took up sewing to support the family. In 1874 Miller married William Calderwood, and they migrated with Miller's children to Queensland, arriving in 1879. Calderwood died in 1880, and Miller married Andrew Miller in Brisbane in 1886.

Trade union activism
In Queensland, Miller worked as a gentlemen's shirt maker and seamstress. Along with May Jordan McConnel, she formed the first women's union in Brisbane, the Brisbane Women's Union, in September 1890 supported by a campaign by William Lane in the Brisbane Worker newspaper. As a seamstress she gave evidence at the 1891 Royal Commission into Shops, Factories and Workshops, that highlighted the existence of many sweatshops that exploited women workers. Through this period Miller was an active participant in the Early Closing Association.

With the great strikes of the 1890s, Miller was active in supporting the 1891 Australian shearers' strike and in setting up the Prisoners' Relief Fund for the twelve arrested strike leaders. While William Lane chose to set up in 1892 the New Australia community in Paraguay along socialist lines which attracted many labour activists, Miller believed Lane was "opting out of the struggle" and became a foundation member of the Workers' Political Organisation, a forerunner of the Australian Labor Party in Queensland. She became colloquially known as "Mother Miller", as she was the most dominant female figure in the Queensland labour movement.

Women's enfranchisement
Miller was a founding member of the Women's Equal Franchise Association, which was established in 1894 and almost immediately suffered a split. Leontine Cooper left to form the Women's Franchise League, alleging that the WEFA was too close to the labour movement which could hinder women's enfranchisement. Miller remained and was elected president. She held the position until 1905, when the organisation disbanded on the successful attainment of women's suffrage. Despite the differences, Miller, Cooper and the conservative Women's Christian Temperance Union often worked together on suffrage issues. Women were enfranchised under the Federal Electoral Act on 9 April 1902, becoming the first women of the world to win the right to vote for a national parliament. (Women in New Zealand won the right to vote in colonial elections in 1893). Members of the Women's Equal Franchise Association actively canvassed for the women's vote for the December 1903 Federal election, by forming the Women Workers' Political Organisation with Miller as president. After the Federal election Miller stood down as president, but became President of the Political Labour Council in Brisbane. Women were granted the vote for the Queensland parliament on 25 January 1905, although not the right to stand for parliament. The following year Emma Miller embarked on a tour of western Queensland under the auspices of the Australian Workers' Union, speaking at large public rallies and helping to form local branches of the Workers' Political Organisation and the Women Workers' Political Organisation.

Brisbane General Strike
During the 1912 Brisbane General Strike for the right to organise trade unions, Miller led a contingent of women to Parliament House. During the march, the women were charged by horse-mounted police with batons, and Miller thrust her hat-pin into the Police Commissioner's horse, causing the horse to throw him and injure him severely.

Women's Peace Army
Miller was also involved in anti-conscription activism over the course of World War I. She joined the Women's Peace Army when Cecilia John and Adela Pankhurst visited Brisbane in 1915, and was elected president. The following year she attended the Australian Peace Alliance conference in Melbourne, and is reputed to have attended the Yarra Bank where she denounced militarism from her soapbox. The NO campaign against the first conscription ballot on 28 October 1916 was a success, attributed by many historians to the strong women's anti-conscription campaign.

Death
In January 1917 Miller travelled to Toowoomba for several weeks rest. At her last public meeting in the Toowoomba Botanical Gardens she impressed on the women present the "need to play a part in the Labor movement as it meant as much to them as the men". Two days later Emma Miller died of cancer. The flag at Brisbane Trades Hall was flown at half mast for the "mother of the Australian Labor Party". A state funeral was offered but was refused by her surviving son. Miller was buried at Toowong Cemetery.

Legacy
State Library of Queensland holds an illuminated address on parchment presented to Sir Arthur Morgan, Premier of Queensland, July 1905 to commemorate the granting of women's suffrage in Queensland. The document is personally signed by Miller in her role as President of the Woman’s Equal Franchise Association.

In August 1917 the Worker magazine published a poem in memorial to Miller. In 1922, a marble bust of her by James Laurence Watts was unveiled at the Queensland Council of Unions. A statue is located in King George Square in Brisbane, and there is also an Emma Miller Place located off Roma Street in Brisbane. In 1987 the Queensland Council of Unions established the Emma Miller Award, which is presented each year to women who have made an outstanding contribution to their union. In 2003, Miller's life story was featured in the exhibition "A Lot on Her Hands", presented by the Australian Workers' Heritage Centre.

The electoral district of Miller created in the 2017 Queensland state electoral redistribution was named after her.

title: Emma Miller


text:
Bossier-Shreveport Mudbugs

The Bossier-Shreveport Mudbugs were a professional ice hockey team which played in the Bossier City-Shreveport metropolitan area of Louisiana. From 1997 to 2001, the Bossier-Shreveport Mudbugs were members of the Western Professional Hockey League, until a 2001 merger between the WPHL with the Central Hockey League. From 2001 to 2011, the Bossier-Shreveport Mudbugs played in the Central Hockey League. From 1997 until 2000, they were known as the Shreveport Mudbugs, changing the name to the Bossier-Shreveport Mudbugs after the team relocated from the Hirsch Coliseum in Shreveport to the CenturyTel Center in Bossier City.

One of the few successful sports teams from the Bossier-Shreveport area, the Mudbugs found success early. Coached by former Mudbug player Scott Muscutt and owned by Tommy and Leslie Scott, the team increased attendance each year and hosted the All-Star festivities for the Central Hockey League in 2007. The Mudbugs maintained heated rivalries with the Texas Brahmas, Laredo Bucks, Mississippi RiverKings, and Colorado Eagles.

History
In their first four seasons, the Mudbugs saw their most success. After the sweep from the Fort Worth Brahmas in the second round of their opening season, the Mudbugs went on to win the President's Cup Championships three straight years in the WPHL. Following the merger of the WPHL and CHL, the Mudbugs found their way back to the Ray Miron President's Cup Finals three times (2004, 2006, 2011). The Mudbugs were the only team in history of the WPHL and CHL to ever win the Cup three straight years.

During the 2009–10 season, Mudbugs legend goaltender Ken Carroll and Travis Clayton were named to the Central Hockey League's All Decade Team.

On July 20, 2010 former player Jason Campbell was named the new Vice President & General Manager for the Mudbugs.

With the merger of the CHL and the IHL beginning with the 2010–11 season, the Mudbugs played in the Berry Conference. The Mudbugs would go on to win the Ray Miron President's Cup that season in a seven-game series with the Colorado Eagles, but would cease operations two weeks later citing low attendance and financial issues.

In October 2015, it was announced that a new Mudbugs team would return for the 2016–17 season after signing a 12-year lease agreement with the Louisiana State Fairgrounds to play their home games in the Hirsch Coliseum as a member of the Tier II junior North American Hockey League. On April 8, 2016, the Shreveport Mudbugs were officially announced as an expansion team in the NAHL.

WPHL & CHL team awards and trophies
Ray Miron President's Cup Champions
 * 1998–1999
 * 1999–2000
 * 2000–2001
 * 2010-2011

Governor's Cup Champions
 * 1998–1999
 * 2006–2007
 * 2007–2008

Central Hockey League Northern Conference Champions
 * 2003–2004
 * 2005–2006

Division Championships
 * WPHL Eastern Division 1998–1999
 * WPHL Eastern Division 1999–2000
 * CHL Northeastern Division 2003–2004
 * CHL Northeastern Division 2004–2005
 * CHL Northeastern Division 2005–2006
 * CHL Northeastern Division 2006–2007
 * CHL Northeastern Division 2007–2008

Central Hockey League Franchise of the Year
 * 2005–2006

WPHL & CHL player awards and trophies
Central Hockey League Coach of the Year
 * Scott Muscutt: 2007-08

Central Hockey League Rookie of the Year
 * Cam Abbott: 2006-07

Central Hockey League Most Outstanding Goaltender
 * Ken Carroll: 2005-06
 * John DeCaro: 2006-07, 2007–08

Western Professional Hockey League Rookie of the Year
 * Ken Carroll: 2000-01

Western Professional Hockey League Playoff Most Valuable Player
 * John Vecchiarelli: 1998-99
 * Hugo Hamelin: 1999-00
 * Jason Campbell: 2000-01

Western Professional Hockey League Man of the Year
 * Scott Muscutt: 1999-00

Western Professional Hockey League Most Outstanding Goaltender
 * Kevin St.Pierre: 1997-98
 * Ken Carroll: 2000-01

Franchise individual records

 * Most Saves in a single game: Ken Carroll, 57 (March 19, 2007)
 * Most Goals in a season: Paul Jackson, 55 (1997–98)
 * Most Assists in a season: Brian Shantz, 82 (1997–98)
 * Most Points in a season: Paul Jackson, 115 (1997–98)
 * Most Penalty Minutes in a season: Dan Wildfong, 340 (2001–02)
 * Most Wins in a season: Kevin St. Pierre, 36 (1997–98)
 * Most Shutouts in a season: John DeCaro, 10 (2007–08)
 * Most Goals in a career: Dan Wildfong, 213 (1999–2007)
 * Most Assists in a career: Dan Wildfong, 339 (1999–2007)
 * Most Points in a career: Dan Wildfong, 552 (1999–2007)
 * Most Penalty Minutes in a career: Dan Wildfong, 2234 (1999–2007)
 * Most Win in a career: Ken Carroll, 187 (2000-01 & 2002–2010)
 * Most Shutouts in a career: Ken Carroll, 31 (2000-01 & 2002–2010)

Franchise records

 * Most Goals in a season: 315 (1998–99)
 * Fewest Goals Against in a season: 146 (2003–04)
 * Most Points in a season: 99 (1998–99)
 * Most Penalty Minutes in a season: 1,988 (1997–98)
 * Most Wins in a season: 47 (1998–99)
 * Fewest Losses in a season: 14 (2006–07)
 * Consecutive victories: 15 (12/08/2007-1/20/2008)
 * Consecutive victories on home ice: 17 (12/08/2007-Current)
 * All Time Regular Season Wins: 439
 * All Time Regular Season Losses: 195
 * All Time Regular Seasons Overtime Losses: 68
 * All Time Wins: 506
 * All Time Losses: 229
 * Games Played: 803

title: Bossier-Shreveport Mudbugs


text:
Wikipedia:Articles for deletion/Qotpp

 This page is an archive of the discussion about the proposed deletion of the article below. This page is no longer live. Further comments should be made on the article's talk page rather than here so that this page is preserved as an historic record. The result of the debate was - deleted - SimonP 03:44, Jun 14, 2005 (UTC)

Qotpp
This term is a neologism. It should be deleted. Edward 13:10, 2005 May 29 (UTC)
 * I concur. Almost nonsense, definitely nonsensical. Delete. Mr Bound 13:37, May 29, 2005 (UTC)
 * I infer that there was a change in management at 24.83.225.248's place of employment back in January. Uncle G 14:08, 2005 May 29 (UTC)
 * Delete as nonsense.   — J I P | Talk 14:22, 29 May 2005 (UTC)
 * D concur nonsensical neologism. Fawcett5 20:37, 29 May 2005 (UTC)
 * Mostly harmless joke, so move to BJAODN; if not, userfy if at all possible; otherwise delete. -- BD2412  talk  20:50, 2005 May 29 (UTC)
 * BJAODN. — Phil Welch 23:55, 29 May 2005 (UTC)
 * Speedy deleteable. Denni ☯ 01:31, 2005 May 30 (UTC)
 * BJAODN. JamesBurns 07:45, 2 Jun 2005 (UTC)

 * This page is now preserved as an archive of the debate and, like some other VfD subpages, is no longer 'live'. Subsequent comments on the issue, the deletion, or the decision-making process should be placed on the relevant 'live' pages. Please do not edit this page.

title: Wikipedia:Articles for deletion/Qotpp


text:
Fort Worth Brahmas

The Fort Worth Brahmas were a professional ice hockey team in the Central Hockey League, and previously the Western Professional Hockey League. The team originally played at the Fort Worth Convention Center but played their final six seasons, including their 2008–09 Championship season at the NYTEX Sports Centre. The CHL officially announced the team was going inactive on June 16, 2013.

1990s
Originally announced as the Fort Worth Bulls but forced to change their name after the Birmingham Bulls objected, the team began play in the Western Professional Hockey League as the Fort Worth Brahmas (named after Brahma bulls) while the CHL's Fort Worth Fire were still in operation. The Fire eventually ceased operations. The Fort Worth Brahmas played their home games at the Fort Worth Convention Center.

2000s
Due to problems negotiating a lease with the Fort Worth Convention Center, the Brahmas announced on May 3, 2006, that they would suspend operations for the 2006–07 season. However, they returned for the 2007–08 season as the Texas Brahmas and began play in the NYTEX Sports Centre (formerly known as the Blue Line Ice Complex) in North Richland Hills, Texas. NYTEX Sports is owned by former Brahmas minority owners, Sal and Frank Trazzera.

Their first season in North Richland Hills proved to be very successful as they entered the postseason for the first time since the 2001–02 season. In the first round the Brahmas defeated the Mississippi RiverKings, then went on to sweep the Bossier-Shreveport Mudbugs in four games with David Cacciola in goal. In the Northern Conference Finals, the Brahmas took the series to Game 7 before losing to the defending champions, the Colorado Eagles.

In 2008–09, the Brahmas won the Southeast Division and defeated the Odessa Jackalopes in seven games to capture the Southern Conference Championship. The team then advanced to the Ray Miron President's Cup Finals to face the Colorado Eagles, whom they defeated in five games. The 2008–09 CHL Championship was the first by the Texas/Ft. Worth Brahmas franchise and the first for the Fort Worth area since the Fort Worth Fire won the 1996–97 CHL Governor's Cup.

The Brahmas lost in the playoffs of the 2009–10 season in a close 2–1 fifth game against the Odessa Jackalopes.

2010s
The 2010–2011 season for the Brahmas ended on a losing note in the first round of the playoffs against the Odessa Jackalopes in four games, three games to one.

Very shortly prior to the start of the 2012–2013 preseason, the team was sold to a Fort Worth-based investment group and returned to the Fort Worth Brahmas branding for the 2012–2013 season. The membership of investment group was still in flux when the season began and some of the big money contributors never officially came into the fold. The team struggled with financial issues throughout the season before the franchise went inactive for at least one season a second time.

After the franchise folded, the Texas Tornado of the North American Hockey League relocated to the Fort Worth suburb of North Richland Hills and became the Lone Star Brahmas and began play at the NYTEX Sports Centre beginning with the 2013–14 season.

title: Fort Worth Brahmas


text:
Laredo Bucks

The Laredo Bucks were an ice hockey team in the Central Hockey League. The Bucks played in Laredo, Texas, United States at the Laredo Energy Arena, formerly known as the Laredo Entertainment Center. On May 1, 2012, the management, citing declining attendance and revenue reversals, announced that the team would suspend operations for the following season, with hopes of returning or relocating the team. On August 1, it was announced that the Laredo Bucks were sold and moved to St. Charles, Missouri and would be renamed the St. Charles Chill.

History
Arena Ventures, made up of six businessmen, teamed up with the City of Laredo to build a state-of-the-art facility for the Laredo area and South Texas. On August 12, 2002, Laredo voters approved a tax increase to pay for the new arena, which cost $36.5 million. The arena was managed by SMG.

After the success the Central Hockey League has had in South Texas in the previous years, Laredo was encouraged to bring the first professional sports franchise into the city. The Bucks were successful, averaging attendance over 6,200 (78% capacity) in the regular season and nearly 6,500 (81% capacity) in the playoffs. The LEC Arena held 8,002 fans from 2002 to 2007, but was lowered to 6,500 starting with the 2007–08 season. The Bucks claimed the Ray Miron President's Cup (CHL Championship) for the 2003–04 and 2005–06 seasons and the Governor's Cup (regular season championship) in the 2003–04 season. The Bucks won four straight Southern Conference Championships from 2004 to 2007, and Southeast Division Championship for the five seasons (2004 to 2008).

Until August 2007, the Laredo Bucks' AHL affiliate was the San Antonio Rampage of the American Hockey League. From 2002 to 2005 (three seasons), the Bucks were affiliated with the Florida Panthers (National Hockey League). The Bucks' NHL affiliate changed to the Phoenix Coyotes for the 2005–06 season.

All-Star games
The Bucks also hosted the CHL All-Star game in the 2004–05 season. The Bucks sent several players to the Annual Central Hockey League All-Star Game throughout their history. In the 2002–03 season, Laredo sent forwards Chris Grenville, Eric Schneider, and defenceman Michel Periard to Oklahoma City to compete in the CHL All-Star Game. Chris Grenville captured the hardest shot award at the skills competition. The following season (2003–04), Laredo sent players Patrik Nilson, Serge Dube, Jeff Bes and Brent Cullaton. Cullaton captained the Southern Conference team and captured the fastest skater award, while Nilson won the accuracy shooting award. Coach Terry Ruskowski and his staff coached the Southern Conference because the Bucks had the best winning percentage at the break. In 2005, Laredo sent another three players: Adam Paiment, Jeremy Symington and Brent Cullaton. The North went on to beat the South 14–13 in a shootout. Brent Cullaton won the fastest skater title for the second time in a row. In 2006, coach Ruskowski, forward Jeff Bes, right wing James Hiebert, and defensemen Serge Dube all earned a spot on the all-star team. Jeff Bes won the CHL Southern Conference All-Star MVP in that year for his four-goal effort. The 2006–07 Bucks All-Stars were Ruskowski, Bobby Chaumont, Chris Korchinski, and Adam Rivet. In the 2007–08 season the Bucks had three players voted as starters in the All-Star Game. Jeff Bes (third), Serge Dube (third), and Dustin Traylen (first) represented the Bucks. In the 2008–09 season, the Bucks had two players called to the All-Star Game: Darryl Smith and Sébastien Centomo, with Smith winning the All-Star Game MVP.

The Bucks hosted the CHL All-Star Game in the 2009–10 season for the second time and the first time a CHL team would host the event in the same arena twice (LEC). The format was South Texas (Laredo Bucks, Corpus Christi IceRays, and Rio Grande Valley Killer Bees) against the CHL All-Stars and was held on January 13, 2010.

Rosco era
Coach Terry "Rosco" Ruskowski coached the Laredo Bucks in all of its franchise history except for the last season, 2011–12, when the team disbanded. In 2007, Ruskowski entered the final year of a four-year contract extension with the Bucks. Ruskowski told the Laredo Morning Times that his tenure was in the hands of Bucks chairman Glenn Hart, owner Julian "Kiki" DeAyala, and team president John Beckelhymer and that he had "full faith" that he will obtain his third contract with the club. Ruskowski's optimism paid off, for he was shortly thereafter given a "lifetime contract" as the Bucks' coach. He resigned four years later amid declining revenues for the team.

Franchise's end
On May 1, 2012, minority owner Glenn Hart announced that due to declining attendance, the Laredo Bucks would go dormant while still maintaining a license in the Central Hockey League. However, their franchise license was purchased on August 1 and began to play as the St. Charles Chill in the 2013–14 season. The CHL itself would fold in 2014.

In 2018, a new ownership group obtained the rights to the Bucks' name for a junior hockey team. The new team was a charter member of the USA Central Hockey League (USACHL) that began play in October 2018 before the entire league folded less than two months later.

Year-by-year summary

 * 2002–03: The Laredo Bucks did well in their inaugural season, making it to the conference finals in the CHL playoffs.

 * 2003–04: Led by head coach Terry Ruskowski, the Bucks won the CHL Championship in 2004, by defeating the Bossier-Shreveport Mudbugs in overtime of the seventh game. Defenceman Dion Hyman scored a controversial overtime goal to win the championship. The Bucks averaged the highest playoff attendance in minor league hockey throughout the 2004 CHL Playoffs.

 * 2004–05: The Bucks battled from a .500 record at the all-star break to the CHL finals, which they lost to the Colorado Eagles.

 * 2005–06: The Bucks enjoyed yet another successful season, finishing with 92 points (second in CHL) and defeating the Rio Grande Valley Killer Bees, Odessa Jackalopes and the Bossier-Shreveport Mudbugs en route to their second CHL championship in three years.

 * 2006–07: The Bucks once again won the Southeast Division Title with a 42–17–5 mark. The Bucks won playoff series' against division foes Rio Grande Valley, and Corpus Christi, while winning their fourth straight Southern Conference Title against New Mexico. The Bucks fell in the President's Cup Finals in six games to Colorado.

 * 2007–08: The Bucks won their fifth straight Southeast Division title, going 42–19–3 (87 points). Laredo would then sweep the Southern Conference semi-finals against Odessa Jackalopes four games to none, to advance to their sixth straight Southern Conference Finals series, only to lose to the eventual CHL Champion Arizona Sundogs in a seven game series.

 * 2008–09: The Bucks battled through a tough season going through injuries and trades, going 36–23–5 (77 points). Laredo managed to grab the third seed in the Southern Conference without Jeff Bes and face the Odessa Jackalopes in the quarter finals, only to lose in six games.

Team records
Records are as of the conclusion of the 2008–2009 season.
 * Goals: 45 Chris Grenville (2002–03)
 * Assists: 78 Jeff Bes (2003–04)
 * Points: 117 Jeff Bes (2003–04)
 * Penalty Minutes: 300 Mike Amodeo (2003–04)
 * GAA: 2.03 Dov Grumet-Morris (2005–06)
 * SV%: .932 David Guerrera (2003–04)
 * Career Goals: 180 Jeff Bes
 * Career Assists: 330 Jeff Bes
 * Career Points: 510 Jeff Bes
 * Career Penalty Minutes: 948 James Hiebert
 * Career Goaltending Wins: 43 David Guerrera
 * Career Shutouts: 6 David Guerrera
 * Career Games: 381 Serge Dube

 * Playoff Goals: 16 Jeff Bes, 2007 Playoffs
 * Playoff Assists: 20 Brent Cullaton, Jeff Bes, 2006 Playoffs
 * Playoff Points: 31 Jeff Bes, 2006 Playoffs
 * Career Playoff Goals: 42 Jeff Bes
 * Career Playoff Assists: 57 Jeff Bes
 * Career Playoff Points: 99 Jeff Bes
 * Career Playoff Games: 96 Steve Weidlich

Franchise records

 * Most Goals in a season: 262 (2003–04)
 * Fewest Goals Against in a season: 145 (2003–04)
 * Most Points in a season: 104 (2003–04)
 * Most Penalty Minutes in a season: 1,883 (2003–04)
 * Most Wins in a season: 48 (2003–04)
 * Consecutive victories in a season: 21 (2003–04)
 * All Time Regular Season Wins: 287
 * All Time Regular Season Losses: 121
 * All Time Regular Seasons Overtime Losses: 36
 * Games Played: 444

Individual achievements
Particular players and personnel that have been recognized numerous times by the CHL

2002–03
 * CHL Franchise of the Year: Laredo Bucks
 * Most Outstanding Defenceman: Michel Periard

2003–04
 * Regular season MVP: Jeff Bes
 * Rookie of the Year: David Guerrera
 * Playoff MVP: David Guerrera
 * Ticket Executive of the Year: Kit Preston

2004–05
 * Leadership Award: Glenn Hart
 * Merchandise Franchise of the Year: Michelle Sanchez, Jennifer Beckelhymer, Cindy Cisneros
 * Soul of Service: Nicole Thompson

2005–06
 * CHL Most Outstanding Defenceman: Serge Dube
 * CHL Coach of the Year: Terry Ruskowski
 * CHL Playoff MVP: Jeff Bes
 * CHL All-Rookie Team: Adam Rivet
 * CHL All-Rookie Team: Dov Grumet-Morris
 * CHL Certified Athletic Trainer of the Year: Bobby Moore
 * Rick Kozuback Award: Glenn Hart
 * CHL Broadcaster of the Year: Joe Dominey

2006–07
 * CHL Game Operations Franchise of the Year: Mario Mecaroni, Danny Gutierrez

2007-08
 * CHL Corporate Sponsorship Franchise of the Year

2008-09
 * CHL Rookie of the Year: Darryl Smith
 * CHL All-Rookie Team: Darryl Smith
 * CHL All-Star MVP: Darryl Smith

title: Laredo Bucks


text:
Colony in Space

Colony in Space is the fourth serial of the eighth season of the British science fiction television series Doctor Who, which was first broadcast in six weekly parts on BBC1 from 10 April to 15 May 1971.

The serial, written by Malcolm Hulke, is set on the mineral-rich human colony world of Uxarieus in 2472. In the serial, the alien time traveller the Third Doctor (Jon Pertwee) and his travelling companion Jo Grant (Katy Manning) are sent by the Time Lords to Uxarieus, where they discover a mining corporation has been faking monster attacks on the colonists. Later, the Master (Roger Delgado), who featured as the Doctor's enemy throughout that season, arrives in search of an ancient doomsday weapon created by the natives of the planet.

Plot
Three Time Lords discuss the theft of confidential files relating to "the Doomsday Weapon." They realise that only the Third Doctor can help them, so he is sent to the desert planet of Uxarieus in the year 2472. There he finds an outpost of human colonists struggling to make a living as farmers. The colony's governor, Robert Ashe, welcomes them.

Two colonists die in a reptile attack that night. The Doctor investigates and discovers the deaths are in fact the work of operatives from the Interplanetary Mining Corporation, attempting to scare off the colonists so it can mine the planet for rare minerals. An Adjudicator from Earth is sent for to deal with the complex claims over the planet. The Adjudicator, actually the Master with stolen credentials, rules that the mining company's claim to the planet is stronger. IMC takes over the colony and demands all the colonists leave the planet.

The Master tells the Doctor that the native people of Uxarieus, known as the "primitives," were once an advanced civilisation. Before declining, they built a super-weapon that was never used and the Master wants this weapon for himself. The Doctor rejects the Master's overture to help him rule the galaxy using the weapon. One of the elder primitives instructs the Doctor to activate the self-destruct, which he does, and the city begins to crumble.

The colonists now emerge from hiding and kill or overpower the IMC men. Amid the confusion, the Master escapes. With the battle over, the Doctor explains that the radiation from the weapon was what was killing their crops. Earth has agreed to send a real Adjudicator to Uxarieus. The Doctor and Jo return to the TARDIS, returning to UNIT Headquarters mere seconds after it left.

Production
Script editor Terrance Dicks has frequently stated that he disliked the original premise of the Doctor being trapped on Earth, and had meant to subvert this plan as soon as he felt he could get away with it. He recalls in a DVD documentary interview (on the Inferno release) having had it pointed out to him by Malcolm Hulke that the format limited the stories to merely two types: alien invasion and mad scientist.

Susan Jameson was originally cast as Morgan by Michael E. Briant. However, she was replaced by Tony Caunter when the BBC's Head of Drama Serials made an intervention and decided the role was inappropriate for a woman to perform. Jameson was nevertheless paid in full.

Themes and analysis
The story functions as social commentary – in this instance, the dangers of colonialism. The story, by former Communist Party of Great Britain member Malcolm Hulke, has been described as "unashamedly left wing", with the pioneering colonists and the greedy IMC. As with The Space Pirates (1969), the story can be seen as a Western in space, with the colonists using rifles like cowboys and the Primitives wielding spears in a similar role to Indians.

Broadcast and reception
16mm colour film trims of location sequences for the story still exist and short clips from this material was used in the BBC TV special Doctor Who: Thirty Years in the TARDIS (1993).

Paul Cornell, Martin Day, and Keith Topping gave the serial a mixed review in The Discontinuity Guide (1995), writing, "Well meaning, and much more interesting before the Master arrives, at which point it turns from a Hulke political parable into a typical runaround. Rather like watching socially-aware paint dry." In The Television Companion (1998), David J. Howe and Stephen James Walker reprinted some positive reviews from fanzines, but commented that "although the story is indeed refreshing in its setting and contains some interesting ideas and well-drawn characters, it is distinctly short on visual interest and dramatic incident and consequently comes across as being rather dull and lifeless". They felt that the Uxarieus civilisation was flawed and the most exciting moment was the reveal of the Master, though that had already been telegraphed at the beginning of the first episode.

In 2009, Radio Times reviewer Patrick Mulkern described the story as "richly detailed, fast-moving drama that rolls out eventfully over a six-week period", which made it "indigestible" to watch all at once. He praised the structure, which allowed it to not tire in the middle, as well as the supporting cast and the conversation between the Doctor and the Master in the last episode. Dave Golder of SFX, reviewing the DVD release, gave the story three out of five stars. He noted that it had ambition, but was "slow" and "visually uninspired". DVD Talk's John Sinnott rated Colony in Space three out of five stars, describing it as "a decent adventure" with minuses that outweighed the pluses. He noted that the six-episode structure allowed for padding and repeated scenes, but it had "a lot of interesting aspects", such as the Time Lords sending the Doctor, the way the story was constructed, and Pertwee and Delgado's chemistry. In 2010, Charlie Jane Anders of io9 named the cliffhanger to the fourth episode – in which the Master decides to shoot the Doctor – as one of the greatest cliffhangers in Doctor Who.

In print
A novelisation of this serial, written by Malcolm Hulke, was published by Target Books in April 1974 as Doctor Who and the Doomsday Weapon. This was the first serial of the 1971 series to be so adapted; and so Hulke breaks continuity by having Jo Grant introduced to the Doctor for the first time, even though on television her introduction was in Terror of the Autons (and this would be reflected in the later novelisation of that serial). There is another extensive Malcolm Hulke prologue as an elderly Time Lord describes the Doctor-Master rivalry to his assistant and learns of the theft of the Doomsday Weapon files. There have been Dutch, Turkish, Japanese and Portuguese language editions. An unabridged reading of the novelisation by actor Geoffrey Beevers was released on CD in September 2007 by BBC Audiobooks.

Home media
Although the PAL mastertapes had been wiped, NTSC copies were returned to the BBC in 1983 from TV Ontario in Canada. In November 2001, this story was released together with The Time Monster, in a VHS tin box set, entitled The Master. A new transfer was made from the converted NTSC to PAL videotapes but no restoration work was carried out for this release.

The story was released on DVD in the UK on 3 October 2011. The single disc release has restored picture quality (unrestored clips, cropped and scanned into 16:9 ratio, can be seen in the "making of" featurette, giving some indication of the amount of work that was done), and contains four seconds which were missing from VHS and US masters of the story, restoring two lines of dialogue. The DVD's special features included an audio commentary, text commentary, out-takes and a retrospective documentary entitled "IMC Needs You" in which cast and crew looked back at the making of the serial.<

This story, along with the rest of Season 8 was released on Blu-ray on 23 February 2021, to coincide with the 50th Anniversary of The Master. It features a brand new restoration of the available film and video material. The 2011 DVD-release episodes were included as extras.

title: Colony in Space


text:
Rio Grande Valley Killer Bees (NAHL)

The Rio Grande Valley Killer Bees were a Tier II Junior A ice hockey team playing in the North American Hockey League. The team was based in the Rio Grande Valley in Hidalgo, Texas, just south of McAllen, and played their home games at State Farm Arena.

History
The original team was a member of the Central Hockey League, a professional minor league, from 2003 to 2012. On June 20, 2012, multiple sources confirmed that the Killer Bees would not play in the 2012–13 season and ceased operations due to increased travel costs after the folding of the other Texas CHL teams in Austin, Corpus Christi and Laredo.

After a season without a team, the Wenatchee Wild of the North American Hockey League (NAHL), a Tier II Junior A hockey league, relocated to Hidalgo, Texas and became the second incarnation of the Rio Grande Valley Killer Bees. Joe Coombs would be hired as the first head coach of the NAHL Killer Bees.

On June 1, 2015, NAHL insiders began reporting the Killer Bees franchise was about to relocate to the Philadelphia suburb of Aston, Pennsylvania and the Killer Bees would subsequently announce that the team was ceasing to operate for the 2015–16 season unless the team president, Gilbert Saenz, could find a local alternative to save the team. However, on June 9, the NAHL announced that the franchise was relocating to become the Aston Rebels.

In 2018, another junior level Killer Bees team was announced as part of the USA Central Hockey League starting in October 2018, but the entire league folded after six weeks of operation.

title: Rio Grande Valley Killer Bees (NAHL)