text:
Tayport

Tayport, also known as Ferry-Port-on-Craig, is a town in Fife, Scotland. It lies on the Firth of Tay opposite Broughty Ferry, a suburb of Dundee. The two were linked by a ferry service until 1939. To the east of Tayport is the vast Tentsmuir Nature Reserve, an area of forested dunes edged by wide sands that continue all the way round to the mouth of the River Eden.

The civil parish of Ferry-Port-on-Craig had a population of 3,815 in 2011.

Name
Tayport was originally known as "Southferry", or, in full, the "South Ferry of Portincraig" (from the Gaelic port na creige, "harbour of the rock"). This distinguished it from Northferry on the opposite bank of the Tay. By the 19th century, Northferry had become Broughty Ferry, while Southferry had become Ferry-Port-on-Craig. This cumbersome name was replaced by the simpler "Tayport" after the coming of the railway in the 1850s.

History
A ferry service across the Tay was already well established when these lands were granted to the newly formed Arbroath Abbey about 1180. The abbey constructed shelter and lodgings for pilgrims making the trip between St Andrews and Arbroath via the ferry and this formed the core of a settlement that steadily grew over the centuries.

A chapel was built in the early 13th century, possibly more of an abbey than chapel. The site was excavated in the 1930s or earlier.

Ferry-Port-on-Craig saw a dramatic increase in population at the end of the 18th century when tenants displaced by agricultural improvement and clearances, came to take advantage of jobs in the town's textile and shipbuilding industries. Leisure opportunities also increased. Golf came early to Ferry-Port-on-Craig, with a course laid out in 1817, despite the efforts of a local farmer, who twice ploughed up the course.

A road to Newport-on-Tay, three miles to the west, with its less weather-prone and better used ferry service to Dundee meant that Ferry-Port-on-Craig was intermittently without a ferry during the first half of the 19th century. By the 1840s a steam ferry service had resumed between the community and Broughty Ferry. This was acquired, in 1851, by the Edinburgh, Perth and Dundee Railway which used the route for a railway ferry service from Edinburgh to Aberdeen.

The rail ferry ceased operation in 1878 with the opening of the Tay Rail Bridge, only to resume operations the following year when the bridge collapsed. With the opening of the replacement bridge in 1887 Tayport returned to a passenger-only ferry, which continued to run from the town to Broughty Ferry until 1939.

The opening of the Tay Road Bridge in 1966 put Tayport within a few minutes' drive of the centre of Dundee, and it has since evolved into a pleasant dormitory town for that city. Some industry remains, but the harbour is now given over almost wholly to leisure craft, and attractive new housing has been built where once railway carriages were manoeuvered onto ferries.

Reminders of Tayport's earlier life and identity remain. In the centre of the town is Ferry-Port-on-Craig Church, established in 1607 and rebuilt in 1794 and again in 1825, though Protestant worship now takes place in Tayport Parish Church, built in 1843 as Ferry-Port-on-Craig Free Church. There is also a Catholic church (part of the Diocese of Dunkeld), appropriately named Our Lady, Star of the Sea in the community.

Amenities and tourism
Amenities include several cafes and pubs, shops, a distillery (Tayport Distillery), caravan park, tennis club, bowling club, an 18-hole golf course (Scotscraig Golf Club) and large areas of parkland, namely the East and West Common.

Car boot sales are held every second Sunday from April to September at The Canniepairt

Bottlenosed dolphins visit the Tay from March to September, and can be observed at very close quarters from Tayport harbour. Tayport harbour is also a good place for fishing although swimming is dangerous due to currents.

Tayport F.C.
For over a century the game of football has been a major influence in most communities in Scotland; Tayport is no exception.

From Victorian times, through to the Second World War, the town had at least one football club. We know that Tayport had a Junior club pre-First World War, winning the East of Fife Cup in 1905, for example. The Great War in 1914 effectively signalled the demise of junior level football in the town for seventy five years.

Throughout the 1920s and 1930s, there were various amateur clubs, but success was fleeting and there are few records. After the Second World War the town's football club was called Tayport Violet. In 1947 a new club emerged when Tayport Amateurs was formed by locals who had been playing friendlies as a senior boy scouts team; this was the birth of the club we know today.

The Amateurs team joined the Midlands Amateurs' Alliance League, which was essentially for clubs’ reserve XIs, whilst Violet played in the Midlands’ top division. In 1950, the Midlands Amateur Football Association reorganised and both teams found themselves in division two. They finished the season in 1st and 2nd spots respectively. After promotion, 1952-53 saw Violet and the Amateurs finish 2nd and 3rd in the first division; however, Violet was disbanded after this season.

At the invitation of Tayport Town Council, in 1975, the Amateurs moved to the Canniepairt. Clubrooms were constructed which, over the years (like the ground) were improved in order to provide the accommodation which both the club and wider community now enjoy.

In 1980, the club which, since 1953 had run an Alliance, or Reserve XI, started a third team – the Fife XI - which was to enjoy eleven successful seasons in the East Fife Amateur Association and for one season, in the Kingdom Caledonian League.

In 1990, the club's junior team was launched and the name of the club became ‘Tayport Football Club’, a name which could embrace both amateur and junior grades. The 2000–2001 season was the club's last in the Amateurs Leagues.

Tayport FC have enjoyed great success since 1990 including being OVD Scottish Junior Cup Winners in 1995/96, 2002/03 and 2004/05 (website www.tayportfc.org)

Scotscraig Golf Club
Scotscraig Golf Club is the 13th oldest golf club in the world.

Towards the end of the Napoleonic Wars (1799–1815) some of the members of the St Andrews Society of Golfers – later to become The Royal and Ancient Golf Club – began to play golf more regularly than the Society's infrequent meetings afforded.

Amongst them was Mr. William Dalgleish of Scotscraig, whose lands included an area known as the Garpit, around part of which ran a racecourse (although there is no record of any racing, the course is carefully marked out on early ordnance survey maps). In the centre of this area, golf was played over six holes, before the club was created in August 1817.

The original rules, adopted at the first annual meeting in Scotscraig House in October 1818, dictated that a uniform would be worn: a red coat with a green velvet collar and a badge on the left breast. This was not merely fashion but a requirement; those appearing without uniform did so under a penalty of two bottles of port!

An annual competition for gold and silver medals was held until 1854, when the club was closed, as disaster struck when the course was ploughed by the farmer who had come to own the land. Around 1886 the Scotscraig Estate, on which the club had been situated, passed into the hands of Vice Admiral William Heriot-Maitland-Dougall who was keen on golf. In 1887 he instigated the club's revival, restored the trophies and helped secure a course; it was re-opened for play in 1888, and by 1890 had been laid out as a nine-hole course. The club house was erected in 1896.

In 1904 more land was acquired, and an 18-hole course was laid out, incorporating the original nine holes. It is considered a particular advantage that the ninth hole is near the clubhouse, so that elderly players and those who cannot spare the time for the full round of 18 holes can play on either half.

The grounds were acquired by the club in 1923.

Tayport Primary School
In the early part of the 19th century, there were four small schools in Tayport: two were for boys and two for girls. When the provisions of the Education Act 1870 were extended to Scotland, a school was built which could accommodate all the children of the community; the present building was opened in 1875, and was extended as the population increased.

Initially the school ran both a primary and secondary programme, although the infants were accommodated at the building which is now Ferryport Nursery on William Street.

In 1967, when junior secondary schools were closed, Tayport became a primary school and the older pupils were sent to Madras College in St. Andrews or Bell Baxter High School in Cupar.

On 7 May 1975 the school held an open evening to celebrate its centenary. An exhibition called ‘Grandfather's School Days’ was borrowed from the Albert Institute in Dundee, and many old photographs and mementos loaned by former pupils were put on display.

Notable people

 * Angus Barbieri, known for a 382-day fast
 * William Thomas Calman
 * Margaret Hartsyde
 * Marian Leven, artist
 * Nicolas Vilant
 * Douglas Young (classicist)

title: Tayport


text:
Paul Crossley (pianist)

Paul Christopher Richard Crossley  (born 17 May 1944) is a British pianist.

Born in Dewsbury, Yorkshire, his piano teacher was Fanny Waterman in Leeds. While a student at Mansfield College, Oxford, he was discovered by Olivier Messiaen and his wife Yvonne Loriod, who heard him play and immediately invited him to come to Paris to study with them. In 1968 he was second prize winner (joint prize winner with Japanese pianist Izumi Tateno) at the Messiaen Competition in Royan, France. Crossley is particularly associated with the music of Messiaen and British composers such as Michael Tippett, Nicholas Maw and George Benjamin. Tippett wrote his third and fourth piano sonatas specifically with Crossley in mind. His extensive discography includes the piano works of Tippett, Fauré, Debussy and Ravel and the Fauré violin sonatas with Arthur Grumiaux.

Crossley was artistic director of the London Sinfonietta from 1988 to 1994.

He presented a landmark television series on avant garde classical music entitled Sinfonietta for Channel 4.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Paul Crossley (pianist)


text:
Talk:Tom Tomorrow

Considering he is a largely political cartoonist...
Although the article covers the bare facts of his life, it give no indication of who he is. as he is a political cartoonist it should be cover that his political bias is of the left (The Modern World). I came her for that kind of background as he was in a interview and needed to know where he was coming from. — Preceding unsigned comment added by 2601:483:301:F2D0:7DF8:BFFC:5B8F:2F90 (talk) 14:52, 23 February 2016 (UTC)

Do we have permission
Do we have permission to use the enormous swath of text from his book? Joyous 19:56, Jun 6, 2005 (UTC)
 * Probably not. At the very least, the gratuitous quotations should be cited.  It would make more sense to rewrite them. -- Krash 16:45, 8 Jun 2005 (UTC)

I have turned to this page because I noticed the same thing. The biography was quite obviously one massive copyvio, there is no indication anywhere that we have permission to use that text. I reverted to the version before the copyvio took place. If anyone wants to write a biography in their own words, that would be most welcome. Rl 19:00, 25 July 2005 (UTC)

Citation for Tomorrow's work with Moore
This is an interesting citation. It's to a blog post by Tomorrow asserting that an uncited claim on this Wikipedia article is correct, and that the blog post itself solves the sourcing problem for that claim. Talk about an echo chamber. My first instinct was to remove the citation as it seemed to be added as a joke, but after researching policy, in particular this passage, it looks like Tomorrow might actually be right. Though #3 in that passage might be a snag, since the claim involves Moore. What do you think, the maybe two editors that watch this talk page? -kotra (talk) 06:23, 9 December 2008 (UTC)
 * There's a "Press Release" here, again by Tomorrow. It does break the "third party" clause, but I feel it's such an insignificant claim that the self-published source shouldn't matter. Wyatt Riot (talk) 19:33, 9 December 2008 (UTC)
 * I think, from the self published sources section, that we would be violating rule #2 (it does not involve claims about third parties;) but that it is so insignificant that we should just remove it. Bonewah (talk) 18:31, 5 March 2009 (UTC)

Notability of this subject
Per notability of people "A person is presumed to be notable if he or she has been the subject of published[3] secondary source material which is reliable, intellectually independent,[4] and independent of the subject.[5]" What is needed here is someone else to say "Tom Tomorrow is a really important guy. I cant stress enough how important sources are to establishing notability, and this guy's blog doesnt count.  Finally, you should not remove a tag without discussion, or at least, attempted discussion.  Just FYI on that last part, I really dont mind, but some people do.  Bonewah (talk) 14:29, 5 March 2009 (UTC)

 * The article is horribly unreferenced, but the subject is notable (syndicated in 150 newspapers, received the Robert F. Kennedy award twice). I'll look for references and report what I find within a day or two. I'd like to request that we hold off on AfDing it until then. -kotra (talk) 17:34, 5 March 2009 (UTC)

 * Sure thing, ill check back next week some time and we can revisit this subject. In the mean time, im going to offer up some edits that i think are necessary to improve the quality of this article, feel free to revert them if you think they are unhelpful. Thanks! Bonewah (talk) 18:43, 5 March 2009 (UTC)

 * Ok, im done with my edits for the time being, i noted my thinking in the edit summary, feel free to ask here for more explanation. Bonewah (talk) 18:49, 5 March 2009 (UTC)

 * Sorry about my slow response. I've added citations for the awards and the 150 newspapers statement (and adjusted it to say "over 90" since that's what the 2006/2007 source says; in 2002 Tomorrow said "closer to 150", but the number has likely changed since then). The article could still use additional citations, but I trust the notability is established. Removing the notability tag accordingly; feel free to revert me and discuss if you disagree of course. -kotra (talk) 20:53, 9 March 2009 (UTC)

External links modified
Hello fellow Wikipedians,

I have just added archive links to 3 one external links on Tom Tomorrow. Please take a moment to review my edit. If necessary, add after the link to keep me from modifying it. Alternatively, you can add to keep me off the page altogether. I made the following changes:
 * Added archive https://web.archive.org/20090413041100/http://www.thismodernworld.com:80/4657 to http://thismodernworld.com/4657
 * Added archive https://web.archive.org/20090605092728/http://thismodernworld.com:80/4774 to http://thismodernworld.com/4774
 * Added archive https://web.archive.org/20090122155821/http://spjchapters.org:80/norcal/foiwinners.html to http://www.spjchapters.org/norcal/foiwinners.html

When you have finished reviewing my changes, please set the checked parameter below to true to let others know.

Cheers. —cyberbot II  Talk to my owner :Online 05:05, 29 August 2015 (UTC)

External links modified
Hello fellow Wikipedians,

I have just added archive links to 1 one external link on Tom Tomorrow. Please take a moment to review my edit. If necessary, add after the link to keep me from modifying it. Alternatively, you can add to keep me off the page altogether. I made the following changes:
 * Added archive https://web.archive.org/20070612165232/http://filmmedia.hunter.cuny.edu/aronson/pastwinners.html to http://filmmedia.hunter.cuny.edu/aronson/pastwinners.html

When you have finished reviewing my changes, please set the checked parameter below to true to let others know.

Cheers.—cyberbot II  Talk to my owner :Online 16:39, 2 January 2016 (UTC)

External links modified
Hello fellow Wikipedians,

I have just modified 7 external links on Tom Tomorrow. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
 * Added archive https://web.archive.org/web/20080704065314/http://www.spitfiretour.org/tomorrow.html to http://www.spitfiretour.org/tomorrow.html
 * Added archive https://web.archive.org/web/20090323124543/http://www.credoaction.com/comics/ to http://www.credoaction.com/comics/
 * Added archive https://web.archive.org/web/20081011192612/http://blogs.villagevoice.com/runninscared/archives/2007/12/olbermann_chann.php to http://blogs.villagevoice.com/runninscared/archives/2007/12/olbermann_chann.php
 * Corrected formatting/usage for https://pearljam.com/news/modern-world-needs-your-help
 * Added archive https://web.archive.org/web/20090102072702/http://www.rfkmemorial.org/legacyinaction/1998/ to http://www.rfkmemorial.org/legacyinaction/1998/
 * Added archive https://web.archive.org/web/20090102070950/http://www.rfkmemorial.org/legacyinaction/2003/ to http://www.rfkmemorial.org/legacyinaction/2003/
 * Added tag to http://aejmc.net/ccs/NewsletArchv/CCSWint2000.pdf
 * Added archive https://web.archive.org/web/20130301082140/http://www.herbblockfoundation.org/press-release/966 to http://www.herbblockfoundation.org/press-release/966

When you have finished reviewing my changes, you may follow the instructions on the template below to fix any issues with the URLs.

Cheers.— InternetArchiveBot  (Report bug) 10:32, 6 December 2017 (UTC)

title: Talk:Tom Tomorrow


text:
Wikipedia:Articles for deletion/Sciolism

 This page is an archive of the discussion about the proposed deletion of the article below. This page is no longer live. Further comments should be made on the article's talk page rather than here so that this page is preserved as an historic record. The result of the debate was - deleted - SimonP 20:09, Jun 18, 2005 (UTC)

Sciolism
Dicdef. I would have said transwiki, but it already exists there. --Tabor 19:57, 6 Jun 2005 (UTC)
 * (at Wiktionary, that is) --Tabor 19:58, 6 Jun 2005 (UTC)

 * This page is now preserved as an archive of the debate and, like some other VfD subpages, is no longer 'live'. Subsequent comments on the issue, the deletion, or the decision-making process should be placed on the relevant 'live' pages.  Please do not edit this page .


text:
Halloween: The Curse of Michael Myers

Halloween: The Curse of Michael Myers is a 1995 American supernatural slasher film directed by Joe Chappelle, written by Daniel Farrands, and starring Donald Pleasence, Paul Rudd, Marianne Hagan, and Mitch Ryan. The sixth installment in the Halloween film series, the plot depicts Michael Myers hunting down the infant son of his niece, Jamie Lloyd. The film marks the final appearance of Donald Pleasence as Dr. Sam Loomis before his death, as well as the feature film debut of Paul Rudd, who portrays a now adult Tommy Doyle from the original Halloween (1978).

Shot in Salt Lake City in the fall of 1994, Halloween: The Curse of Michael Myers had a troubled post-production. Its original cut performed poorly with test audiences, leading to the film undergoing a series of reshoots and edits. The finished film was distributed by Dimension Films, who would go on to distribute the rest of the series until 2018's Halloween. Pleasance died on February 2, 1995, nearly eight months before the film was released. The film was dedicated to his memory.

Halloween: The Curse of Michael Myers was released on September 29, 1995, grossing $15.1 million at the domestic box office on a budget of $5 million. It was lambasted by critics, with criticism focused on its weak story, ending, and Rudd's performance, as well as the portrayal and mask of Michael Myers, though Pleasance's performance was better received. After the film's home media release, the original workprint of the film, which featured 45 minutes of alternative footage and a different ending, was discovered by fans of the series. This version, dubbed the Producer's Cut, developed a cult following, with bootleg DVD copies sold on eBay and online petitions targeting for an official release of it. In September 2014, the Producer's Cut received its first official home media release by Scream Factory as part of a Blu-ray box set of the Halloween series.

Halloween: The Curse of Michael Myers was followed by Halloween H20: 20 Years Later in 1998, which does not contain any references to the Jamie Lloyd storyline of the prior three films (although they were featured in the original script and comic book tie-ins published by Chaos! Comics), instead serving as a direct sequel to Halloween II (1981).

Plot
Note: This plot summary describes the events as depicted in the theatrical cut of the film. See Alternate versions for further information.

Six years after the previous film, Michael Myers and his niece Jamie Lloyd have been abducted by the Man in Black and his Druid-like cult. On Halloween Eve, fifteen-year-old Jamie gives birth and escapes with her baby in a stolen pickup truck with Michael in pursuit.

Meanwhile, a now retired Dr. Loomis is visited by his friend Dr. Terence Wynn, the chief administrator of Smith's Grove Sanitarium, where Michael had been incarcerated as a boy. As Wynn asks Loomis to return to Smith's Grove, they overhear Jamie's plea for help on a local radio station. Michael catches up with Jamie and kills her, only to find that she has hidden her child elsewhere.

In Haddonfield, the old Myers house is now owned by relatives of Laurie Strode's adoptive family: John and Debra Strode, their adult children Kara and Tim, and Kara's six-year-old son Danny, who is tormented by visions of the Man in Black telling him to commit murder. At the boarding house across the street lives Tommy Doyle, the boy Laurie babysat in 1978, now a recluse obsessed with finding the truth behind Michael's motives. Also hearing Jamie's cry for help, he tracks the call down to a bus station and finds the baby, whom he names Steven.

After running into Loomis and telling him about the Strodes, Tommy locates Kara and Danny and takes them to safety at the boarding house. He tells Kara that he believes Michael is under the influence of Thorn, an ancient Druid curse that drives a person to kill their family on Halloween. He mentions that Steven will be Michael's final sacrifice before leaving to meet up with Loomis. Meanwhile, Michael returns to his childhood home and kills Debra, John, Tim, and Tim's girlfriend Beth.

Mrs. Blankenship, the owner of the boarding house who was babysitting Michael the night he killed his sister, tells Kara that Danny hears the same voice that Michael did. The Man in Black beckons Danny to the Myers house, forcing Kara to rescue her son from Michael. Upon returning to the boarding house, the Man in Black is revealed to be Dr. Wynn. Cult members burst in and, with the help of Mrs. Blankenship, abduct Kara, Danny, and Steven and take them to Smith's Grove. Kara is locked in a maximum-security ward while the boys are kept in an operating room.

Tommy and Loomis go to the sanitarium where Loomis confronts Wynn, who insinuates that the Smith's Grove staff have been studying pure evil to learn how to control it. Steven is implied to be the successful result of in vitro fertilization to clone Michael's DNA. Wynn wants Loomis to join him, as he was the first to see the power inside Michael. Loomis refuses and is knocked out by a doctor. Meanwhile, Tommy frees Kara as Michael pursues them through the sanitarium. They watch as Wynn and his team prepare for a surgical procedure before Michael suddenly appears and turns against the cult, killing them all.

Tommy and Kara rescue the kids as Michael chases them into a laboratory containing fetuses from Wynn's failed experiments. Tommy injects Michael with corrosive liquid and beats him unconscious with a lead pipe. Tommy, Kara, and the children leave Smith's Grove while Loomis stays behind to take care of some business. Inside, Michael's mask lies alone on the lab floor as Loomis screams in the background, leaving their fates unknown.

Cast

 * Donald Pleasence as Dr. Sam Loomis
 * Paul Rudd as Tommy Doyle (credited as Paul Stephen Rudd)
 * Marianne Hagan as Kara Strode
 * Mitch Ryan as Dr. Terence Wynn
 * Devin Gardner as Danny Strode
 * J. C. Brandy as Jamie Lloyd
 * Danielle Harris as young Jamie Lloyd (archive footage, The Producer's Cut only)
 * Keith Bogart as Tim Strode
 * Mariah O'Brien as Beth
 * Kim Darby as Debra Strode
 * Bradford English as John Strode
 * Leo Geter as Barry Simms
 * Susan Swift as Nurse Mary
 * George P. Wilbur as Michael Myers
 * Janice Knickrehm as Mrs. Blankenship
 * Alan Echeverria as Dr. Bonham
 * Hildur Ruriks as Dawn
 * Sheri Hicks as Paramedic
 * Tom Proctor as Motorist
 * Bryan Morris as Attendant
 * Lee Ju Chew as Nurse
 * Raquelle Anderson as Ballerina
 * Kristine Summers as College Coed
 * Elyse Donalson as Lunatic
 * A. Michael Lerner as Additional Shape
 * Jimmy Chunga as Drunk College Student
 * Brad Hardin as The Shape - Second Unit additional photography
 * Fred Lerner as Smith's Grove Doctor
 * James Woodson as Deputy

Concept and screenplay
After the less than enthusiastic response to Halloween 5: The Revenge of Michael Myers which came out only a year after Halloween 4: The Return of Michael Myers, producer Moustapha Akkad put the series on hold to re-evaluate its potential. Akkad felt Halloween 5 had strayed too far from Halloween 4 and the box office response was much lower than expected. As early as 1990, both Danielle Harris and Don Shanks were expected to return as Jamie Lloyd and The Shape, with the possibility of Donald Pleasence and Wendy Kaplan reprising their roles as well. That same year, screenwriter and long-time Halloween fan Daniel Farrands set out to write the sixth entry in the Halloween series. Farrands gave his horror film scripts to the producer of Halloween 5, Ramsey Thomas; impressed by his writing, Thomas set a meeting for Farrands with executive producer Moustapha Akkad. Farrands described the meeting:

"I spent weeks preparing for the meeting and came in with a huge notebook filled with Halloween research – I had the entire series laid out in a timeline, a bio of every character, a 'family tree' of the Myers and Strode clans, as well as all of the research I had compiled about the runic symbol (Thorn) that was briefly shown in Halloween 5. I then laid out how I thought all of this might be explored in Halloween 6."

Farrands, who knew the films, as well as Dennis Etchison's novelizations intimately, constructed a bible of the entire franchise and presented it to the studio. The film lingered in development as a planned October 1990 release was missed, but Akkad persisted and began courting Michele Soavi in 1992. Soavi would reject the offer and not long after the producers entered a series of complicated legal battles ensued which delayed plans for a sequel; eventually Miramax Films (via its Dimension Films division) bought the rights to the Halloween series. Concurrently with the legal battle, series co-creator John Carpenter had teamed up with New Line Cinema to outbid Miramax. Carpenter's proposal saw the film take place on a space station. The idea may have been referenced in a scene in which a conspiracy theorist calls Barry Sims's radio show ranting about the CIA launching Michael Myers into space. The rejected premise might also have inspired the plot for Jason X. With Miramax on board, the studio hoped to start production by October 1993, but yet again, this did not materialize. Instead, Bob Weinstein hired Gary Fleder to helm the film. Fleder recommended Phil Rosenberg, who became the first writer hired for the film. His script, titled Halloween 666: The Origin, was hated by Akkad, who tossed the script across his room after he finished reading it. However, Miramax responded favorably to Rosenberg's work and opted to continue moving forward until Fleder would drop off of the film citing "creative differences". Hot off the success of Pulp Fiction, Quentin Tarantino was approached to write and direct the film. Tarantino would decline but instead suggested Evil Dead II co-writer Scott Spiegel to direct the film instead. Tarantino's planned script would have involved Michael Myers and the Man in Black fleeing Haddonfield together and going on a road trip down Route 66 while murdering people, but he was never officially hired and Spiegel later departed the project. Tarantino's rejected ideas bear a resemblance with his screenplay for Natural Born Killers, which he was pitching to Miramax Films at the same time as he was considering ideas for a screenplay for Halloween 6. According to the commentary track from the Producer's Cut of the film, while Tarantino was considered in the early stages of production, the story that Tarantino had ever actually completed a script is an urban legend. Roger Avary was also unsuccessful in pitching for the film. Spiegel was unenthusiastic about Rosenberg's screenplay and struggled to perform the script polish he was assigned. He would ultimately depart the project. By April 1994, Phil's brother, Scott Rosenberg was tasked with revising the script, but failed to satisfy Akkad.

Other concepts involved Michael being found to be Dr. Loomis's son or Michael's mother being kept as a sex slave by the Man in Black.

With Rosenberg's draft now dead in the water by the end of April, the studio pursued upcoming writers Irving Belateche and Lawrence Guterman to completely overhaul Halloween 666. With an October 1994 release window instilled by Weinstein, Matthew Patrick of Hider in the House was selected as director. Upon his hiring, Patrick immediately flew down to Salt Lake City for location scouting and brought in his frequent cinematographer Billy Dickson. However, neither Patrick or Akkad were appeased by the script, with the former even referring to it as "unfinished". Patrick was granted his own revision of the script, but tensions rose between Akkad and Weinstein. With production gearing up to begin in two weeks without a finalized cast, Patrick would ultimately quit the project in May 1994. In June 1994, Farrands was hired to write a new screenplay, as the film had an impending shooting date scheduled for October in Salt Lake City, Utah. At this time, Fred Walton, best known for directing When a Stranger Calls and April Fool's Day, was attached to direct the film. Walton shortly became reluctant on taking on a "movie about a guy with a knife killing people". Instead, the filmmaker envisioned a plot akin to Friday the 13th: A New Beginning, with Jamie Lloyd living in a halfway house and committing suicide in the film's opening scene. The Weinsteins swiftly moved onto Joe Chappelle after being impressed with his debut film, Thieves Quartet. Farrands has said his initial intent for the film was to "bridge the later films (4–5) in the series to the earlier films (1–2) while at the same time taking the story into new territory so that the series could expand for future installments." This in part meant expanding on the presence of the "Man in Black" as well as the appearance of the Thorn symbol, both of which appear without explanation at the end of Halloween 5. In beginning the script, Farrands contacted the writers of Halloween 4 and 5 for additional information, but they were unable to provide clear answers, leaving him to "pick up the pieces."

Farrands expanded the "Curse of Thorn" plot line, in which Jamie Lloyd is kidnapped by a covert cult who has cursed Michael Myers via the Runic symbol of Thorn, which compels him to kill and also affords him immortality. Farrands had in part based the idea on dialogue present in Halloween II (1981) about the night of Samhain, during which the "veil between the living and the dead is thinnest," the one time of the year during which Myers became "active, and seeks out his bloodline." References to Druidism as well as Myers's grandfather "hearing voices" had also appeared in the 1978 novelization of Halloween by Curtis Richards. While the character of Jamie Lloyd dies early in the film, the initial versions of Farrands' script had her character surviving until the final act, at which point she was ultimately killed by Michael. Other elements of Farrands' working script that ultimately had to be trimmed down included an extension of the Curse of Thorn subplot, which had the entire town of Haddonfield in collusion with the cult, an idea Akkad wanted to use for the series' seventh installment. However, this idea was scrapped in favor of the Halloween H20 script in 1997.

According to Farrands, there were around ten different drafts of his script between June 1994 and the October 1994 film shoot  and much of the finale that appears in the theatrical version (including the events at the hospital, as well as the references to the cult using Myers's power as a means of scientific investigation), was not written by him, and had been written and shot in post-production under the supervision of Dimension Films.

Farrands compares Tommy's arc in that film to Laurie Strode's in Halloween H20: that of a traumatized victim who must stop running and face their worst fear. He claims that this was supposed to be more obvious, with flashbacks to the original film, but the development of the film resulted in many of those scenes being lost. Farrands says that he brought Tommy back as a way of bridging the gap between the sequels and the first film. His intent was for Tommy to be the successor to Dr. Loomis, to act as a "voice of sanity...a kind of modern Van Helsing, the fearless Michael hunter!", a role he believed was missing from H20 and Resurrection.

Originally, Kara's fate varied in various script drafts. In the first draft, Kara is murdered by her son Danny in the Haddonfield Bus Depot, while the near final draft had the film ending with Tommy and Kara driving away. The film as released ends with Kara and Tommy driving off with the children, Danny and Stephen.

Farrands describes Michael as a "sexual deviant". According to him, the way Michael follows girls around and watches them contains a subtext of repressed sexuality. Farrands theorizes that, as a child, Michael became fixated on the murder of his sister Judith, and for his own twisted reasons felt the need to repeat that action over and over again, finding a sister-like figure in Laurie who excited him sexually. He also believes that by making Laurie Michael's literal sister, the sequels took away from the simplicity and relatability of the original Halloween. Nevertheless, when writing Curse, Farrands was tasked with creating a mythology for Michael which defined his motives and why he could not be killed. He says, "He can't just be a man anymore, he's gone beyond that. He's mythical. He's supernatural. So, I took it from that standpoint that there's something else driving him. A force that goes beyond that five senses that has infected this boy's soul and now is driving him." As the script developed and more people became involved, Farrands admits that the film went too far in explaining Michael Myers and that he himself was not completely satisfied with the finished product.

Allusions and references
Farrands, a long-time fan of the series, sought to incorporate various references and allusions to the previous Halloween films, particularly the original, to play with the "Halloween mythology." These range from situational allusions, such as Tommy Doyle living across the street from the Strode house (a play on the events in the original Halloween, which take place between the Wallace and Doyle residences, which are across the street from one another) to minor references, such as the naming of an address from Halloween II (1981), and the character of Mrs. Blankenship, a name referred to in passing in Halloween III: Season of the Witch (1982). Other references outside the narrative diegeses of the series include the names of characters, such as John and Debra Strode (referencing John Carpenter and Debra Hill), as well as the naming of Danny Strode, a character Farrands has said was modeled after Danny Torrance in The Shining (1980).

Farrands also referenced Carpenter's The Fog (1980) with the line referring to a "stomach pounder" (a protein milkshake Tim drinks early in the film), and Beth's murder scene was modeled after a scene from Fred Walton's When a Stranger Calls (1979) (Farrands wrote the scene upon hearing that Walton had been attached to direct the project, though Walton would eventually drop out of the production). Additionally, extended scenes of Kara walking on the college campus and en route to her home were intended to allude to scenes featuring Laurie Strode in the first film, while Danny dropping his pumpkin while walking home alludes to a scene in the first film in which a group of bullies force Tommy to drop his pumpkin outside the elementary school.

Casting
Donald Pleasence returned to play Dr. Loomis, in what would be one of his final film performances; according to Farrands, Pleasence was fond of the script. Danielle Harris, who was seventeen at the time, contacted producer Paul Freeman about reprising her role as Jamie Lloyd, and went so far as completing paperwork to become legally emancipated in order to shoot the film. She was officially cast in the role, but Dimension Films could not come to an agreement over her salary; Harris alleges that Dimension offered her a scaled $1,000 to shoot the part over the course of a week, which was less than the amount of money she had paid for her emancipation. Farrands and Freeman both had wanted Harris for the part, but at that point "had their hands tied."

According to Harris, the head of the casting department refused to negotiate her salary, stating that she was a "scale character who dies in the first twenty minutes." This ultimately led to her dropping out of the project. "People automatically assume I wanted some crazy amount of money, or something," Harris commented in 2014, "[but] it's not like I [was] demanding of anything, really ... When you've been asked to do something and then they insult you by saying, "You're a piece of shit, you die in the first act—I don't give a fuck that you were in two other Halloween movies, who cares?"... I was in shock." Actress J. C. Brandy was cast as Harris's replacement.

The producers initially wanted Brian Andrews to reprise his role as Tommy Doyle. However, with Andrews not having an agent, they were unable to contact him. Paul Stephen Rudd was cast in the part of Tommy, which marked his first starring role before he appeared in Clueless (1995). The leading female role, Kara, was given to Marianne Hagan; however, Hagan has since stated that Miramax executives Bob and Harvey Weinstein did not favor her for the part, and made aesthetic criticisms about her being "too thin" and her chin being "too pointy". Farrands, however, had wanted Hagan for the part because he felt she possessed an "every-girl" quality of having "lived a little, and had a hard time," and likened her screen presence to that of Jamie Lee Curtis. The filmmakers also approached Howard Stern to make a cameo appearance as the radio DJ Barry Sims, but he declined in order to appear in Private Parts.

For the role of Dr. Terence Wynn, Mitch Ryan was cast, based on his performance in Lethal Weapon (1987); Farrands originally urged the producers to cast Christopher Lee, having had the veteran horror actor in mind when writing the character. This is a reference on Carpenter's initial choice for role of Dr. Loomis during film making of Halloween from 1978 where he was offered that role, but declined due to low pay, only to regret it in later years. Denise Richards also auditioned for the part of Beth, but the studio passed on her, giving the role to Mariah O'Brien. Stunt performer George P. Wilbur, who portrayed Michael in the fourth installment, reprised his role as Michael Myers. However, once reshoots took place, Wilbur was replaced by A. Michael Lerner as director Joe Chapelle found Wilbur to be "too bulky."

Filming
Special effects artist John Carl Buechler created the mask for the film, which was based heavily on the mask featured in the poster for Halloween 4: The Return of Michael Myers. Buechler hand-crafted the mask over actor George P. Wilbur's face.

Filming began in fall of 1994 in Salt Lake City, Utah. Within the first week of shooting, however, the city experienced an early winter snowstorm, which complicated the production. As a result, several scenes which were supposed to take place on exterior locations had to be transferred to interiors. The original hospital scenes were shot at the abandoned Old Primary Children's Hospital in The Avenues section of Salt Lake City.

Producer Paul Freeman and director Chappelle reportedly rewrote the ending on-set, even from shot-to-shot as production deadlines loomed. Freeman also sent the crew home when crucial scenes needed to be shot; deleted scripted scenes indiscriminately; rewrote dialogue and action sequences; and assumed the responsibility of directing second-unit shots and the supervision of post-production of the original cut. These complications resulted in Dimension Films' parent company (and the film's co-production company) Miramax, taking over the film's production, and ordering many of the reworked sequences to be reshot.

Associated producer Malek Akkad explained the film's lack of a cohesive "vision" being the result of director Chappelle "answering" to the visions of the distributor, Dimension Films; Moustapha Akkad's production company, Nightfall Productions; and writer Daniel Farrands. Tensions between what Dimension, Nightfall, and Farrands envisioned for the film resulted in a finished product that had needed "more forethought," according to Akkad.

Post-production
In early 1995, after filming and editing was completed, Halloween: The Curse of Michael Myers was given a test screening in New York City which, as described by actress Marianne Hagan, "consisted primarily of fourteen-year-old boys." During the Q&A afterward, one of the audience members expressed great displeasure at the ending of the film, which entailed a Celtic ritual and the passing on of the "Curse of Thorn" to the Dr. Loomis character. As a result of the audience's disapproval toward the film's finale, the movie was rushed back into production, this time without Donald Pleasence, who died on February 2, 1995. Pleasence had been in ill health during the shooting of the film.

Reshoots took place in Los Angeles in the summer of 1995. According to Farrands, the reshoots occurred with a new director of photography and spanned a total of four days. At this time, the Akkads were sidelined as Dimension Films took over the film. With only three months out from the film's release date, Farrands and Chappelle concurrently rewrote the script. Chappelle's revisions recharacterized Kara as a "machine gun-toting heroine", similar to "Linda Hamilton in Terminator 2: Judgment Day". Farrands dropped the recharacterization of Kara as well as "thunderous voices of God" added into a newly scripted climax. Meanwhile, a subplot involving a group of doctors seeking to harness "scientifically-engineered evil" was added into the rewrites and survived into the finished film. Farrands' pages would be dropped in favor for Rand Ravich, who previously rewrote Hellraiser: Bloodline for the studio and Chappelle just one month prior. The ending of the theatrical cut stems from Ravich's rewrites, which added an extended chase sequence, the higher body count, and Tommy Doyle's fight with Myers. However, Ravich's rewritten ending, which saw Tommy hoisting The Shape in the air with chains, was never fully adapted from the script. During the last night of filming, the crew were far behind schedule and decided to save on overtime payments, the yet-to-be-shot pages were scrapped entirely and instead the final shot of Michael's mask on the ground was done at the last minute.

A. Michael Lerner replaced George P. Wilbur in the role of Michael Myers, as the studio executives wanted him to appear less bulky. This resulted in continuity errors as the last third of the film features a slimmer Myers. Some of the additional footage incorporated into the finale of the film was shot at Queen of Angels Hospital in Los Angeles.

In addition to the re-shoots prompted by the poor test screening, the film also underwent significant editing in post-production, resulting in brisker pacing and a "flashier" cinematic style that favored "blood and guts," but, according to Farrands, ultimately resulted in a "more confusing" movie. According to writer Farrands, the stylized flash cuts prominent in the final theatrical cut of Halloween: The Curse of Michael Myers were not originally intended, and he likened the style of the final product to an "MTV video rather than a Halloween film." Composer Alan Howarth similarly called the final product a "fix job," with numerous elements of the production being in flux both during and after principal photography. In addition to Howarth's score being redone, the film's sound design was also significantly altered from Howarth's original "minimalist" design.

Musical score
The original music score is composed and orchestrated by long-time Halloween contributor Alan Howarth, his work in the series dating back to his collaboration with John Carpenter on Halloween II. However, Howarth's score was redone by music editor Paul Rabjohns when the film went through reshoots. A soundtrack album was released by Varèse Sarabande, and is an unusual combination of the music featured in the original cut of the film, as well as that of the final theatrical cut. According to Howarth, he helped re-score the revised cut of the film, incorporating the use of guitar and drums in addition to the original score, which had been more synthesizer and piano-based. Howarth's official score for the film was released on August 24, 1995.

The music of Alabama-based rock band Brother Cane was featured throughout the movie. The music came from their 1995 release Seeds on Virgin Records. The album's hit single "And Fools Shine On" can be heard when Kara, Tim and Beth arrive at school in their car. The song is also heard during the closing credits. Three other Brother Cane songs (all from the Seeds album) are featured in the film: "Hung on a Rope", "20/20 Faith", and "Horses & Needles". "Disconnected" by the group I Found God is also featured in the film.

Track listing

Release
The film's troubled production resulted in two cuts of the film, which prompted a legal battle between the film's production company, Nightfall, who wanted to release the original cut, and its distributor, Dimension Films, who had incorporated reshoots and additional material. Ultimately, Dimension Films won the dispute, and their cut of the film was officiated for theatrical release.

An earlier teaser trailer of the film employed the title Halloween 666: The Origin of Michael Myers, which according to Daniel Farrands, came before an official title had been decided, and that the trailer title was a combination of an earlier script titled The Origin of Michael Myers by another writer, and Farrands' original script titled Halloween 666. At one point, executive producer Moustapha Akkad asked Farrands for a title, who suggested The Curse of Michael Myers due to the troubled production. Although Farrands's comment was in jest, Akkad took the name to heart and decided upon it. Farrands also added that this coincidentally made the subtitles similar to those in The Pink Panther films, which also used Return, Revenge, and Curse subtitles as Halloween's fourth, fifth and sixth films, respectively.

Box office
Halloween: The Curse of Michael Myers was released on September 29, 1995, in the United States, and brought in a $7,308,529 opening weekend gross, coming in second to serial killer thriller Seven, being the first film in the series to be on par with Halloween II's opening weekend gross (both Halloween 4 and 5 had earned under $7 million). The film went on to gross a total of $15,116,634 at the U.S. box office, from an estimated $5 million budget; having sold approximately 3,475,088 tickets during its initial theatrical run, the film is the second-lowest grossing entry in the franchise, ahead of only Halloween 5.

Critical response
On Metacritic, the film holds a 10/100 based on 13 reviews, signifying as "overwhelming dislike". It is the lowest rated Halloween film on both sites.

Daniel Kimmel of Variety called the film "tired" and "run-of-the-mill", while Mick LaSalle of the San Francisco Chronicle said the film lacked suspense and said that "not even the presence of the late, gloriously histrionic Donald Pleasence can liven things up," deeming it "bland", "deadening", and "by far the worst in the series."

Stephen Holden of The New York Times called the film's script "impossibly convoluted", and wrote that "shock effects are applied with such hamfisted regularity that they quickly backfire." Josh Hartl of The Seattle Times criticized the film's conventionality, writing: "instead of sending up the current glut of serial-killer movies, the filmmakers trot out the old slasher tactics." Jack Mathews of the Los Angeles Times similarly criticized the film's lack of originality, comparing it negatively to its predecessors.

Richard Harrington of The Washington Post also criticized the script, writing: "While director Joe Chapelle and writer Daniel Farrands took advantage of a clearance sale at the Horror Cliche Emporium, they forgot to stop in at Plots R Us." The Time Out London film guide deemed the film "A series of competently engineered shock moments jollied along by a jazzed-up version of John Carpenter's original electronic score: slicker than crude oil and just as unattractive."

Home media
The film was first released for home media on VHS and LaserDisc on October 7, 1996, from Buena Vista Home Entertainment. A DVD followed on October 10, 2000. In January 2010, the film was released for the first time on Blu-ray in Canada from Alliance Films alongside Halloween H20: 20 Years Later and Halloween: Resurrection with no bonus material. The film was released on Blu-ray and again on DVD in the United States on May 10, 2011, by Echo Bridge Home Entertainment, once again with no bonus features.

Anchor Bay Entertainment and Shout! Factory once again released the film on Blu-ray on September 23, 2014, as a part of their 15-disc box set containing the entire series. This release also contained extensive bonus features, such as a commentary from writer Daniel Farrands and composer Alan Howarth, interviews with producers Malek Akkad and Paul Freeman, actresses Marian O'Brien, J. C. Brandy, and Danielle Harris, George P. Wilbur, makeup artists John Carl Buechler and Brad Hardin, as well as Howarth, in addition to deleted scenes and archival behind-the-scenes footage and interviews, and a tribute to Donald Pleasence. On September 15, 2015, Lionsgate released another standalone Blu-ray of The Producer's Cut, but without any of the bonus features featured on the 15-disc release. On October 4, 2022, Shout! Factory reissued both the theatrical and Producer's Cut editions on 4K UHD Blu-ray in a box set also featuring Halloween H20: 20 Years Later and Halloween: Resurrection.

Alternate versions
Aside from the theatrically-released final cut, two other versions of Halloween: The Curse of Michael Myers exist. The Producer's Cut is the best known; however, a Director's Cut also exists with footage excised by the MPAA. The theatrical version was the only version commercially available (with the Director and Producer's cuts existing as low-quality bootlegs) until the Producer's Cut was included in the official Complete Collection box set released by Scream Factory and Anchor Bay Entertainment in 2014.

The original cut of the film that screened for test audiences prior to the reshoots became known colloquially as The Producer's Cut, and bootlegged copies of it surfaced among film collectors. This cut of Halloween: The Curse of Michael Myers features numerous differences, ranging from different scores and musical cues to substantial shifts in plot, particularly regarding the film's conclusion. In a retrospective interview, Farrands noted that the finale in this cut of the film was sufficiently "creepy" and "Gothic," but conceded that it lacked intensity, which is largely what prompted Dimension Films to begin reshoots. The Producer's Cut of the film garnered a cult following, according to writer Farrands: "It's amazing the life that [Halloween: The Curse of Michael Myers] has continued to have because there is this alternate version that has been, kind of in-the-vault all these years."

In the finale of The Producer's Cut, Kara awakens at Smith's Grove Sanitarium on a concrete slab, surrounded by the cult's members, including Mrs. Blankenship, Wynn's secretary Dawn, and other Haddonfield residents. Wynn conducts a ceremony in which Michael will kill Steven as a final sacrifice of innocent blood, after which the curse will pass on to Danny with Kara as his first sacrifice. Kara stalls by appealing to Michael with the revelation that Steven is his biological child. Tommy takes Wynn hostage and forces the cult to free Kara and the children. Pursued by Michael, they run through the sanitarium to a locked gate. Tommy uses the power of the ancient runes to stop Michael in his tracks as Loomis helps them escape. After telling the others he has unfinished business, Loomis finds what appears to be Michael lying on the floor. He removes the mask to reveal Wynn, with whom Michael switched clothes and then escaped. As he dies, Wynn passes on the Thorn symbol, which appears on Loomis' wrist. Realizing that he is the new cult leader, Loomis screams in despair (this is heard as ambient noise in the final frame of the theatrical cut). Michael is shown escaping into the night in Wynn's Man in Black outfit.

Another substantial difference in The Producer's Cut is the death of Jamie Lloyd: she does not die at the beginning of the film, but survives being stabbed by Michael in the barn. She remains in a coma and is taken to the hospital, where Loomis and Wynn visit her. Midway through the film, a "Gothic" montage occurs, which reveals in fragmented detail the conception of Jamie's child among the cult. After the sequence, an unseen person, later revealed to be Wynn, shoots the unconscious Jamie in the head with a silenced pistol. Additionally, John's death scene in The Producer's Cut was shorter; in the theatrical cut, an additional shot (completed during the reshoots) was incorporated of his head graphically exploding from an electrical power surge. Other various transitional shots throughout The Producer's Cut version were extracted or truncated in the theatrical cut.

The Producer's Cut remained officially unreleased for nearly 20 years. It had its first public exhibition on October 27, 2013, at the New Beverly Cinema in Los Angeles. Screenwriter Farrands was present for a short Q&A, in which he stressed that there was still a major push in the works to get this version a proper release. He also said that the studio allowing this version to be screened in public for the first time, and the overwhelmingly positive response, were both huge steps in the right direction. Anchor Bay Media and Scream Factory gave The Producer's Cut its first official release on Blu-ray in September 2014 as part of their Halloween: The Complete Collection box set.

A few select scenes from the Producer's Cut can be seen in the television version of the film. The scenes were re-inserted to increase the running time of the film.

title: Halloween: The Curse of Michael Myers


text:
User:Dutchy~enwiki

I am Dutchy from dutchy.org

More info will follow later

nl:Gebruiker:Dutchy

title: User:Dutchy~enwiki


text:
Casino at Marino

The Casino at Marino is a small summer or pleasure house, located in Marino, Dublin, Ireland. Sometimes erroneously described as a folly, it was designed by Scottish architect William Chambers for James Caulfeild, the 1st Earl of Charlemont, starting in the late 1750s and finishing around 1775. It is a good example of Neo-Classical architecture, situated in the gardens of Marino House. Although proud of the design, Chambers was never able to visit the completed building, as he was constantly employed in England.

Name
The name 'Casino' is the diminutive form of the 18th-century Italian word 'Casa' meaning 'House', thus 'Little House', and is not used in the modern sense of "gambling establishment". After his 9-year Grand Tour of Italy and Greece, Caulfield was taken with all things Italian, and decided to add a 'little house' to his estate, which he had already named after the town of Marino in Lazio.

Context and history
The Casino is all that remains of Lord Charlemont's eighteenth-century demesne at Marino. There had also been another ornamental building, extensive gardens and the main Marino House (which was demolished in the 1920s). Described by Charles T. Bowden in his Travel Guide of 1791 as a 'terrestrial paradise', the design of the landscape was inspired by Lord Charlemont's extensive Grand Tour. The grounds included a lake and small streams, and at least one tunnel. The estate was sold to the Archdiocese of Dublin under Cardinal Cullen, and later the bulk of it was sold on to the Irish Christian Brothers, with a portion (39 acres) retained for the O'Brien Institute, a school and residence for male orphans.

The tunnel at the Casino was used as a shooting range by Irish revolutionaries including Michael Collins in the 1920s.

In the 1960s, a field attached to the O'Brien Institute was given to the Sisters of Nazareth for the construction of Nazareth House, a residential home for the elderly. Archbishop John McQuaid organised the transfer of the land, and construction began on the new home months before planning permission was granted. The development was a significant encroachment on the views of the Casino.

Design
Widely regarded as one of the most important Neo-Classical buildings in Ireland, the Casino is actually quite small, measuring only fifty feet square to the outer columns. In plan, it takes the form of a Greek Cross with a pair of columns framing each projecting elevation. Seen from the outside, the building has the appearance of a single-roomed structure, with a large panelled door on the north elevation and a single large window on each of the other elevations. This is all illusion, however, as it actually contains 16 rooms on three floors. Only two of the panels in the door open to allow entrance, and the panes of glass in the windows are subtly curved, disguising the partitioning which allows what looks like a single window to serve several separate rooms.

Many other tricks are used throughout the construction to preserve the apparent simplicity of the design. Four of the columns which surround the building are hollow and, with a length of chain dangling in each, allow rainwater to drain down. The Roman funerary urns on the roof (designed by James Gandon) are used as chimneys. The interior, by Simon Vierpyl, includes a basement level with a kitchen and associated rooms, a main floor with reception rooms and a top storey with servants' rooms and a State Bedroom. One of the rooms includes the Blue Salon. It includes a wooden parquet floor, with the Star of David in the centre, stucco work on the ceiling and a white marble fireplace. It contains some very fine plasterwork ceilings and some elaborate hardwood parquet floors. Originally the Casino was linked to Marino House by a tunnel, although this has been blocked off due to building works in the area.

title: Casino at Marino


text: User talk:68.42.25.140

title: User talk:68.42.25.140


text:
Wikipedia:WikiProject Singapore/Archives/Articles for Deletion

This is a list of past deletion debates involving Singaporean subjects. It is assumed that Singaporeans are in a better position to judge if an article is Wikipedia-worthy. Current deletion debates can be found here.

''This page is obsolete; do not add new entries to it. Please transclude new AfD discussions at WikiProject Deletion sorting/Singapore.''

Articles
Please insert newest entries at the bottom.
 * February 17 2005: List of schools in Singapore (discussions)
 * February 21 2005: Geylang Methodist Secondary School (discussions)
 * 22 April 2005: Black and white bungalow (discussions)
 * 26 April 2005: Goh Tat Chuan (discussions)
 * 2 May 2005: NPNT (discussions)
 * 23 May 2005: Singapore sexual slang (discussions)
 * 25 May 2005: Section 377 of the Singapore Penal Code (discussions)
 * 29 May 2005: SHINE (discussions)
 * 31 May 2005: Singapore Changi Airport passenger traffic by destination (discussions)
 * 4 June 2005: Mayflower Primary School (discussions)
 * 6 June 2005: Raffles Institution String Ensemble (discussions)
 * 10 June 2005: Saint Andrew's Junior School (discussions)
 * 11 June 2005: Montfort Secondary School Military Band (discussions)
 * 13 June 2004: Design in Singapore (discussions)
 * 18 June 2005: Ang Mo Kio Secondary School Symphonic Band (discussion)
 * 20 June 2005: S. Dhanabalan (discussion)
 * 23 June 2005: Dr Ong Teck Chin (discussion)
 * 30 June 2005: Putu Mayam (discussion)
 * 21 July 2005: Chan win hon (discussion)
 * 23 July 2005: Multi-Con Systems Limited (discussion)
 * 23 July 2005: Elaine Wan Chan (discussion)
 * 1 August 2005: Singapore gay venues: historical, minor (discussion)
 * 4 August 2005: Lee Wong (discussion)
 * 4 September 2005: Queenstown Baptist Church (discussion)
 * 5 September 2005: Queen Street Bus Terminal (discussion)
 * 5 September 2005: Jurong Island Bus Terminal (discussion)
 * 6 September 2005: Sin Ming Road Bus Terminal (discussion)
 * 6 September 2005: Jurong East Bus Interchange (discussion)
 * 6 September 2005: Hougang South Bus Interchange (discussion)
 * 6 September 2005: Punggol Bus Interchange (discussion)
 * 6 September 2005: Geylang Lorong 1 Bus Terminal (discussion)
 * 6 September 2005: Bedok Bus Interchange (discussion)
 * 6 September 2005: Ang Mo Kio Bus Interchange (discussion)
 * 11 September 2005: Christopher Lee Meng Soon (discussion)
 * 20 September 2005: Greenview Secondary School (discussion)
 * 23 September 2005: Zhenghua Primary School (discussion)
 * 23 September 2005: Clementi Primary School (discussion)
 * 24 September 2005: Singapore Changi Airport passenger traffic by airline (discussion)
 * 24 September 2005: Singapore Changi Airport passenger traffic by destination (discussion)
 * 27 September 2005: All else fails (discussion)
 * 27 September 2005: Ang Mo Kio Avenue 6 (discussion)
 * 29 September 2005: Rambutans for Ang Mo Kio? (discussion)
 * 29 September 2005: Ang Mo Kio Avenue 1 (discussion)
 * 29 September 2005: Ang Mo Kio Avenue 2 (discussion)
 * 29 September 2005: Ang Mo Kio Avenue 5 (discussion)
 * 29 September 2005: Ang Mo Kio Avenue 10 (discussion)
 * 30 September 2005: Lim Peh Oh (discussion)
 * 30 September 2005: Cheng sai mun (discussion)
 * 8 October 2005: List of Singapore Television Channels. (discussion)
 * 10 October 2005: Singaporean response to 2005 Kashmir earthquake (discussion)
 * 4 November 2005: Xinmin Secondary School (discussion)
 * 15 November 2005: Thum Ping Tjin (discussion)
 * 19 November 2005: Rugby league in Singapore (discussion)
 * 17 December 2005: Prince George’s Park Residences (discussion) (Delete)
 * 21 December 2005: Robinson Road, Singapore Articles for deletion/Robinson Road, Singapore
 * 30 December 2005: Beyond The Axis Of Truth (discussion)
 * 7 January 2006: Don and Drew Show (discussion)
 * 18 January 2006: Peter Chou (discussion)
 * 28 January 2006: Singapore Airlines flight numbers (discussion)
 * 28 January 2006: Singapore Airlines fleet (discussion)
 * 31 January 2006: Cowboy Caleb (discussion)
 * 12 February 2006:Centrepoint Shopping Centre (discussion)
 * 27 February 2006:Contemporary gay venues in Singapore (discussion)
 * 27 February 2006:Historical Singapore gay venues (discussion)
 * 27 February 2006:Singapore gay personalities (discussion)
 * 27 February 2006:Singapore gay portrayals on television (discussion)
 * 27 February 2006:Singapore public gay parties (discussion)
 * 27 February 2006:Singapore gay literature (discussion)
 * 27 February 2006:Singapore gay films (discussion)
 * 27 February 2006:Singapore gay art (discussion)
 * 27 February 2006:Singapore gay theatre (discussion)
 * 1 March 2006: Singapore Blogs (proposed)
 * 4 March 2006: Singapore public gay parties (discussion)
 * 4 March 2006: Singapore gay literature (discussion)
 * 4 March 2006: Singapore gay art (discussion)
 * 4 March 2006: Singapore gay theatre (discussion)
 * 4 March 2006: Singapore gay films (discussion)
 * 12 March 2006: Lee Suet Fern (discussion)
 * 12 March 2006: Li Shengwu (discussion)
 * March 12, 2006: Everitt Road saga (discussion)
 * March 24 2006: Serangoon Secondary School (discussion)
 * April 1 2006: Chwee kway (discussion)
 * April 3 2006: Kong Hee (discussion)
 * April 8 2006: Saint Hilda's Secondary School (discussion)
 * 30 April 2006: Teamjs (AfD discussion)
 * 3 May 2006: Ang Mo (AFD discussion)
 * 21 May 2006: Raffles Girls' School Symphonic Band (Discussion)
 * 28 May 2006: Chan Khah Gek (Discussion)
 * 13 June 2006: National Police Cadet Corps/Dragon & Lion Dance Troupe (discussion)

Categories
Please insert newest entries at the bottom.
 * 26 November 2004: Category:High Schools in Singapore (discussion)
 * 9 March 2005: Category:Youth organisations of Singapore (discussion)
 * 22 March 2005: Category:Republic of Singapore Navy naval bases (discussion)
 * 5 April 2005: Category:Native fauna of Singapore Category:Fauna of Singapore, (discussion)
 * 5 April 2005: Category:Native flora of Singapore Category:Plants of Singapore, (discussion)
 * 5 April 2005: Category:Singaporean cuisine (discussion)
 * 8 April 2005: Category:Currencies of Singapore (discussion)
 * 8 May 2005: Category:Republic of Singapore Navy naval bases (discussion)
 * 27 July 2005: Category:Singaporean educationists (discussion)
 * 1 August 2005: Category:Minor Singapore LGBT articles (discussion)
 * 4 September 2005: Category:Churches in Singapore (discussion)
 * 4 September 2005: Category:Baptist Churches in Singapore (discussion)
 * 4 September 2005: Category:Singapore serials (discussion)
 * 11 September 2005: Category:Laws of Singapore (discussion)
 * 25 September 2005: Category:Airports in Singapore (discussion)
 * 27 September 2005: Category:Companies traded on the SGX (discussion)
 * 1 October 2005: Category:Universities in Singapore (discussion)
 * 9 October 2005: Category:Crimes in Singapore (discussion)
 * 9 October 2005: Category:Nature in Singapore (discussion)
 * 10 October 2005: Category:Singaporean railway stations
 * 20 December 2005: Category:Singaporean TV channels (discussion)
 * 28 November 2005: Category:Secret societies in Singapore (discussion)
 * 8 January 2006: Category:International Schools in Singapore
 * 11 January 2006: Category:Sporting venues in Singapore
 * 11 January 2006: Category:Singapore Chinese Dramas
 * 16 January 2006: Category:Television channels in Singapore
 * 23 January 2006: Category:Religious sites in Singapore

Stub categories
Please insert newest entries at the bottom.
 * 11 January 2006: Category:Singapore broadcasting stubs
 * 24 December 2005: Category:Singapore-related stubs is now under Category:Singapore stubs
 * 22 September 2005: Category:Singapore television stubs (discussion)


text:
Kosberg (crater)

Kosberg is a small lunar impact crater that is located near the middle of the huge walled plain Gagarin, which lies on the far side of the Moon and cannot be viewed directly from the Earth. Kosberg is a flat-bottomed crater with a circular outer rim, simple sloping inner walls, and a somewhat hummocky interior floor. Kosberg also lies just to the west of a similarly sized, but deeper and more prominent bowl-shaped crater, Gagarin G.

The nearby crater Balandin (to the northeast and within Gagarin) also has a hummocky floor.

title: Kosberg (crater)