text:
Talk:List of sieges of Galway

Lord Forbes's siege of 1642
Can you check spelling. Was Forbes really  simulated by Willoughby and Ashley or was he stimulated? Also, I changed "chaplin" to "chaplain", but what does it say in the original? --Red King 10:28, 4 Jun 2005 (UTC)

My bad! Also, thanks for the footnotes. Much of what occoured at this time was because of the on-going seige of Forthill, and I hope to make the events much clearer once I can nail down a few final difficult points. What's your interest in Galway? Cheers!Fergananim

 * Fiche mblían ar fás! --Red King 14:10, 6 Jun 2005 (UTC)

Lord Forbe's siege of 1642
I'm a relatively new editor and I'm confused. The words in this portion of the Wikipedia article are virtually identical to the words in a published book - Twenty-Two Turbulent Years, 1639-1661 by David Wallace

Url for the book via Google = https://books.google.com/books?id=Mkpl2cBZn3gC&pg=PA194&lpg=PA194&dq=siege+of+galway+1642&source=bl&ots=WIvMEXjxxu&sig=ACfU3U21fuP-7kU8lOB1dk_f7sOBI5zSSw&hl=en&sa=X&ved=2ahUKEwjIjbmx5MrpAhVHZc0KHaOsCkUQ6AEwC3oECA4QAQ#v=onepage&q=siege%20of%20galway%201642&f=false

Here's my problem... It looks to me like someone plagiarized someone, but I can't tell who. It would appear to me that the words in the Wikipedia article were written in 2005. And the copyright date on the book is 2013. I've seen quite a bit of websites plagiarizing Wikipedia, but never a printed book. What do I not understanding here?

Can anyone help me understand? Thanks, Virgil VFF0347 (talk) 21:29, 23 May 2020 (UTC)
 * , thank you for keeping an eye open for copyvio, and for taking the trouble to report this! In this case I think we are OK – the section on Lord Forbes's siege was added with this edit on 4 June 2005, and has been little changed since then; my guess is that the principal source was this 1820 book, or some similar work. This book, on the other hand, was published in 2013, and appears to have copied from us; a give-away is the publishing house, Fast-Print Publishing – this is apparently a self-published work. Thanks again, Justlettersandnumbers (talk) 21:45, 5 June 2020 (UTC)

title: Talk:List of sieges of Galway


text:
List of compositions by Claude Debussy

This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, which is generally in chronological order of composition date. "L¹" numbers are also given from Lesure's original 1977 catalogue.

(The "L¹" and "L²" headers are clickable and doing so will sort the entire list by L¹ or L² number. Clicking that header again will reverse the order; to return to the genre category order, reload the webpage.)

List of compositions
{|class="wikitable sortable" style="text-align: left" !width="6%" data-sort-type="text"|L² !width="6%" data-sort-type="text"|L¹ !width="49%" class=unsortable|Title !width="11%" class=unsortable|Scoring !width="11%" data-sort-type="number"|Date !width="17%" class=unsortable|Notes

 * -style="vertical-align: top"
 * colspan="6" data-sort-value="999"|

Orchestra

 * -style="vertical-align: top"
 * data-sort-value="033b"|33b
 * data-sort-value="038b"|38
 * Le Triomphe de Bacchus, suite
 * orchestra
 * 1882
 * lost, but re-orchestrated 1927 by Marius-François Gaillard from the 3 surviving mvts (1, 2, and 4) of the piano duet version L 33a

1. Fête
 * -style="vertical-align: top"
 * data-sort-value="046b"|46b
 * data-sort-value="050b"|50b
 * Première Suite d'Orchestre

2. Ballet

3. Rêve

4. Cortège et Bacchanale 3rd mvt lost
 * orchestra
 * 1883
 * orchestration of L 46a;

1. Le vent dans la plaine suspend son haleine
 * -style="vertical-align: top"
 * data-sort-value="063b"|63b
 * data-sort-value="060b"|60b
 * Ariettes oubliées, suite

2. Aquarelles: Green
 * orchestra
 * 1912
 * orchestration of L 63a No.1 & 5 by André Caplet under Debussy's supervision

 * -style="vertical-align: top"
 * data-sort-value="068b"|68b
 * data-sort-value="061b"|61b
 * Printemps, Suite Symphonique
 * orchestra (with piano four-hands, harp)
 * 1912
 * orchestral version of L 68a by Henri Büsser under Debussy's supervision

1. En bateau
 * -style="vertical-align: top"
 * data-sort-value="071b"|71b
 * data-sort-value="065b"|65b
 * Petite Suite

2. Cortège

3. Menuet

4. Ballet
 * orchestra
 * 1907
 * orchestral version of L 71a by Henri Büsser under Debussy's supervision

 * -style="vertical-align: top"
 * data-sort-value="083b"|83b
 * data-sort-value="077"|77
 * Marche écossaise sur un thème populaire
 * orchestra
 * 1893–1908
 * orchestration of L 83a

lost
 * -style="vertical-align: top"
 * data-sort-value="087a"|87a
 * data-sort-value="086a"|86a
 * Prélude à l'après-midi d'un faune
 * orchestra
 * 1891–94
 * -style="vertical-align: top"
 * data-sort-value="092a"|92
 * data-sort-value="083a"|83
 * 3 Scènes au crépuscule
 * orchestra
 * 1892–93
 * 1st version of L 98;
 * 1st version of L 98;

1. Lent et grave
 * -style="vertical-align: top"
 * data-sort-value="096b"|–
 * data-sort-value="089b"|–
 * Orchestration of Erik Satie's Gymnopédies:

2. Lent et douloureux
 * orchestra
 * 1897
 * Satie's 1st and 3rd Gymnopédies only, in reverse order: "Lent et grave" and "Lent et douloureux" are Satie's 3rd and 1st respectively.

1. Nuages
 * -style="vertical-align: top"
 * data-sort-value="098"|98
 * data-sort-value="091"|91
 * Nocturnes

2. Fêtes

3. Sirènes
 * orchestra (III. with female chorus)
 * 1897–99
 * 3rd version of L 92 & 3 Nocturnes for violin and orchestra

1. De l'aube à midi sur la mer
 * -style="vertical-align: top"
 * 111
 * 109
 * La Mer, Trois esquisses symphoniques

2. Jeux de vagues

3. Dialogue du vent et de la mer
 * orchestra
 * 1903–05
 * revised 1908

1. Gigues
 * -style="vertical-align: top"
 * data-sort-value="118a"|118
 * 122
 * Images, Set 3

2. Ibéria 1. Par les rues et par les chemins

2. Les parfums de la nuit

3. Le matin d'un jour de fête

3. Rondes du printemps II. composed 1905–08;
 * orchestra
 * 1905–12
 * I. composed 1909–12;

III. composed 1905–09?

1. Doctor Gradus ad Parnassum
 * -style="vertical-align: top"
 * data-sort-value="119b"|–
 * data-sort-value="113b"|–
 * Children's Corner

2. Jimbo's Lullaby

3. Serenade of the Doll

4. The Snow Is Dancing

5. The Little Shepherd

6. Golliwogg's Cakewalk
 * orchestra
 * 1910
 * orchestration of L 119 by André Caplet under Debussy's supervision

 * -style="vertical-align: top"
 * data-sort-value="128b"|–
 * 121b
 * La plus que lente
 * orchestra
 * 1910
 * arrangement of L 128

1. La Cour des Lys: Prélude (Act I No. 1)
 * -style="vertical-align: top"
 * data-sort-value="130c"|–
 * data-sort-value="124c"|–
 * Le Martyre de Saint Sébastien, Fragments symphoniques

2. Danse extatique et Final du 1er Acte (Act I No. 3)

3. La Passion (Act III No. 4)

4. Le bon pasteur (Act IV Nos. 1 & 2)
 * orchestra
 * 1911
 * arrangement of selections from L 130 by André Caplet, under Debussy's supervision

 * -style="vertical-align: top"
 * 140b
 * 132b
 * Berceuse héroïque
 * orchestra
 * 1914
 * arrangement of L 140a

 * -style="vertical-align: top"
 * colspan="6" data-sort-value="999"|

Concertante
lost
 * -style="vertical-align: top"
 * data-sort-value="040a"|40a
 * data-sort-value="027a"|27a
 * Intermezzo
 * cello, orchestra
 * 1882
 * -style="vertical-align: top"
 * data-sort-value="072"|72
 * data-sort-value="073"|73
 * Fantaisie
 * piano, orchestra
 * 1889–90
 * -style="vertical-align: top"
 * data-sort-value="092b"|–
 * data-sort-value="083b"|–
 * 3 Nocturnes
 * violin, orchestra
 * 1894–96
 * 2nd version of L 98;
 * 1894–96
 * 2nd version of L 98;

 * -style="vertical-align: top"
 * data-sort-value="104b"|–
 * data-sort-value="098b"|98b
 * Rapsodie
 * alto saxophone, orchestra
 * 1919
 * orchestration of L 104 by Jean Roger-Ducasse, not by Debussy

1. Danse sacrée
 * -style="vertical-align: top"
 * data-sort-value="113a"|113
 * 103a
 * Danses

2. Danse profane
 * cross-strung harp, string orchestra
 * 1904
 * alternate versions: the published score indicates that the harp part can also be played on regular (pedal) harp or piano

 * -style="vertical-align: top"
 * 124b
 * 116b
 * Première Rhapsodie
 * clarinet, orchestra
 * 1911
 * orchestration of L 124a

 * -style="vertical-align: top"
 * colspan="6" data-sort-value="999"|

Chamber
1. Andantino con moto allegro
 * -style="vertical-align: top"
 * data-sort-value="005a"|5
 * data-sort-value="003a"|3
 * Piano Trio in G major

2. Scherzo – Intermezzo. Moderato con allegro

3. Andante espressivo

4. Finale. Appassionato
 * piano, violin, cello
 * 1880
 * discovered 1982, published 1986

 * -style="vertical-align: top"
 * data-sort-value="039a"|–
 * data-sort-value="026a"|–
 * Nocturne et Scherzo
 * violin, piano
 * 1882
 * lost

 * -style="vertical-align: top"
 * data-sort-value="039b"|39
 * data-sort-value="026b"|26
 * Nocturne et Scherzo
 * cello, piano
 * 1882
 * arrangement of violin & piano version

 * -style="vertical-align: top"
 * data-sort-value="040b"|40b
 * data-sort-value="027b"|27b
 * Intermezzo
 * cello, piano
 * 1882
 * arrangement of L 40a

1. Animé et très décidé
 * -style="vertical-align: top"
 * data-sort-value="091"|91
 * data-sort-value="085"|85
 * String Quartet in G minor

2. Assez vif et bien rythmé

3. Andantino, doucement expressif

4. Très modéré
 * 2 violins, viola, cello
 * 1892–93
 * published as Opus 10

1. Prologue
 * -style="vertical-align: top"
 * data-sort-value="104a"|104
 * data-sort-value="098a"|98a
 * Rapsodie
 * alto saxophone, piano
 * 1901–11
 * -style="vertical-align: top"
 * 124a
 * 116a
 * Première Rhapsodie
 * clarinet, piano
 * 1909–10
 * -style="vertical-align: top"
 * 127
 * 120
 * Petite pièce
 * clarinet, piano
 * 1910
 * -style="vertical-align: top"
 * data-sort-value="137b"|137
 * data-sort-value="129b"|129
 * Syrinx
 * flute
 * 1913
 * -style="vertical-align: top"
 * 144
 * 135
 * Sonata No. 1
 * -style="vertical-align: top"
 * 144
 * 135
 * Sonata No. 1

2. Sérénade

3. Finale 1. Pastorale
 * cello, piano
 * 1915
 * -style="vertical-align: top"
 * 145
 * 137
 * Sonata No. 2
 * Sonata No. 2

2. Interlude

3. Finale 1. Allegro vivo
 * flute, viola, harp
 * 1915
 * -style="vertical-align: top"
 * 148
 * 140
 * Sonata No. 3
 * Sonata No. 3

2. Intermède. Fantasque et léger

3. Finale. Très animé
 * violin, piano
 * 1916–17

 * -style="vertical-align: top"
 * colspan="6" data-sort-value="999"|

Piano solo

 * -style="vertical-align: top"
 * data-sort-value="004"|4
 * data-sort-value="009"|9
 * Danse bohémienne
 * piano
 * 1880
 * -style="vertical-align: top"
 * data-sort-value="005b"|–
 * data-sort-value="003b"|–
 * Intermède
 * piano
 * 1882
 * transcription of 2nd mvt of Piano Trio L 5
 * transcription of 2nd mvt of Piano Trio L 5

1. Première Arabesque
 * -style="vertical-align: top"
 * data-sort-value="074"|74
 * data-sort-value="066"|66
 * Deux arabesques

2. Deuxième Arabesque 2. composed 1891
 * piano
 * 1890–91
 * 1. composed 1890;

 * -style="vertical-align: top"
 * data-sort-value="075"|75
 * data-sort-value="067"|67
 * Mazurka
 * piano
 * 1890–91
 * -style="vertical-align: top"
 * data-sort-value="076"|76
 * data-sort-value="068"|68
 * Rêverie
 * piano
 * 1890
 * -style="vertical-align: top"
 * data-sort-value="077"|77
 * data-sort-value="069"|69
 * Tarantelle styrienne
 * piano
 * 1890
 * revised c.1901 as Danse
 * 1890
 * revised c.1901 as Danse

 * -style="vertical-align: top"
 * data-sort-value="078"|78
 * data-sort-value="070"|70
 * Ballade slave
 * piano
 * 1890
 * revised c.1901 as Ballade

 * -style="vertical-align: top"
 * data-sort-value="079"|79
 * data-sort-value="071"|71
 * Valse romantique
 * piano
 * 1890
 * revised c.1901

1. Prélude
 * -style="vertical-align: top"
 * data-sort-value="082"|82
 * data-sort-value="075"|75
 * Suite bergamasque

2. Menuet

3. Clair de lune

4. Passepied III. original 1890 title Promenade sentimentale;
 * piano
 * 1890–91
 * revised 1905;

IV. original 1890 title Pavane;

 * -style="vertical-align: top"
 * data-sort-value="089"|89
 * data-sort-value="082"|82
 * Nocturne
 * piano
 * 1892
 * -style="vertical-align: top"
 * data-sort-value="093b"|–
 * data-sort-value="088b"|–
 * Pelléas et Mélisande, opera in 5 acts
 * voices, piano
 * 1893–1902
 * piano reduction of orchestra part
 * piano reduction of orchestra part

1. Lent, mélancolique et doux
 * -style="vertical-align: top"
 * data-sort-value="094"|94
 * data-sort-value="087"|87
 * Images

2. Souvenir du Louvre

3. Quelques aspects de "nous n'irons plus au bois" II. 1st version of Sarabande from Pour le piano L 95
 * piano
 * 1894
 * published as Images oubliées;

1. Prélude
 * -style="vertical-align: top"
 * data-sort-value="095"|95
 * data-sort-value="095"|95
 * Pour le piano, suite

2. Sarabande

3. Toccata
 * piano
 * 1894–1901
 * II. 2nd revised version of Souvenir du Louvre from Images oubliées L 94

1. Reflets dans l'eau
 * -style="vertical-align: top"
 * 105
 * 110
 * Images, Set 1

2. Hommage à Rameau

3. Mouvement 1. Pagodes
 * piano
 * 1901–05
 * -style="vertical-align: top"
 * 108
 * 100
 * Estampes
 * Estampes

2. La soirée dans Grenade

3. Jardins sous la pluie 1. Doctor Gradus ad Parnassum
 * piano
 * 1903
 * -style="vertical-align: top"
 * 109
 * 106
 * L'isle joyeuse
 * piano
 * 1903–04
 * -style="vertical-align: top"
 * 110
 * 105
 * Masques
 * piano
 * 1903–04
 * -style="vertical-align: top"
 * 112
 * data-sort-value="099"|99
 * D'un cahier d'esquisses
 * piano
 * 1904
 * -style="vertical-align: top"
 * 117
 * 108
 * Pièce pour piano (Morceau de concours)
 * piano
 * 1904
 * written for a "guess the composer" contest in Musica magazine
 * -style="vertical-align: top"
 * Fragment, dédié à Emma Bardac
 * piano
 * 1905
 * 9 bar fragment written for Debussy's wife
 * -style="vertical-align: top"
 * data-sort-value="119a"|119
 * data-sort-value="113a"|113
 * Children's Corner
 * 1905
 * 9 bar fragment written for Debussy's wife
 * -style="vertical-align: top"
 * data-sort-value="119a"|119
 * data-sort-value="113a"|113
 * Children's Corner

2. Jimbo's Lullaby

3. Serenade of the Doll

4. The Snow Is Dancing

5. The Little Shepherd

6. Golliwogg's Cakewalk
 * piano
 * 1906–08
 * Debussy gave the title of the work and the movement titles in English on his manuscript

1. Cloches à travers les feuilles
 * -style="vertical-align: top"
 * 120
 * 111
 * Images, Set 2

2. Et la lune descend sur le temple qui fut

3. Poissons d'or
 * piano
 * 1907
 * -style="vertical-align: top"
 * 122
 * 114
 * Le petit Nègre
 * piano
 * 1909
 * also published as "Cake-Walk"
 * also published as "Cake-Walk"

1. Danseuses de Delphes (Lent et grave)
 * -style="vertical-align: top"
 * 123
 * 115
 * Hommage à Haydn
 * piano
 * 1909
 * -style="vertical-align: top"
 * 125
 * 117
 * Préludes, Book 1
 * Préludes, Book 1

2. Voiles (Modéré)

3. Le Vent dans la plaine (Animé)

4. "Les Sons et les parfums tournent dans l'air du soir" (Modéré)

5. Les Collines d'Anacapri (Très modéré)

6. Des pas sur la neige (Triste et lent)

7. Ce qu'a vu le vent d'Ouest (Animé et tumultueux)

8. La Fille aux cheveux de lin (Très calme et doucement expressif)

9. La Sérénade interrompue (Modérément animé)

10. La Cathédrale engloutie (Profondément calme)

11. La Danse de Puck (Capricieux et léger)

12. Minstrels (Modéré) 1. Brouillards (Modéré)
 * piano
 * 1909–10
 * -style="vertical-align: top"
 * data-sort-value="128a"|128
 * 121a
 * La plus que lente
 * piano
 * 1910
 * -style="vertical-align: top"
 * 131
 * 123
 * Préludes, Book 2
 * 123
 * Préludes, Book 2

2. Feuilles mortes (Lent et mélancolique)

3. La Puerta del Vino (Mouvement de Habanera)

4. "Les Fées sont d'exquises danseuses" (Rapide et léger)

5. Bruyères (Calme, doucement expressif)

6. Général Lavine – eccentric (Dans le style et le Mouvement d'un Cake-Walk)

7. La Terrasse des audiences du clair de lune (Lent)

8. Ondine (Scherzando)

9. Hommage à S. Pickwick Esq. P.P.M.P.C. (Grave)

10. Canope (Très calme et doucement triste)

11. Les Tierces alternées (Modérément animé)

12. Feux d'artifice (Modérément animé) 1. Pour invoquer Pan, dieu du vent d'été
 * piano
 * 1912–13
 * -style="vertical-align: top"
 * data-sort-value="139b"|–
 * 131b
 * Six Épigraphes antiques
 * Six Épigraphes antiques

2. Pour un tombeau sans nom

3. Pour que la nuit soit propice

4. Pour la danseuse aux crotales

5. Pour l'Égyptienne

6. Pour remercier la pluie au matin
 * piano
 * 1915
 * arrangement of L 139

1. Pour les "cinq doigts", d'après monsieur Czerny (five fingers, after Czerny)
 * -style="vertical-align: top"
 * 140a
 * 132a
 * Berceuse héroïque
 * piano
 * 1914
 * -style="vertical-align: top"
 * 141
 * 133
 * Pièce pour l'œuvre du Vêtement du blessé (Page d'album)
 * piano
 * 1915
 * -style="vertical-align: top"
 * data-sort-value="143a"|143
 * data-sort-value="136a"|136
 * Douze Études
 * data-sort-value="136a"|136
 * Douze Études

2. Pour les tierces (thirds)

3. Pour les quartes (fourths)

4. Pour les sixtes (sixths)

5. Pour les octaves (octaves)

6. Pour les huit doigts (eight fingers)

7. Pour les degrés chromatiques (chromatic degrees)

8. Pour les agréments (ornaments)

9. Pour les notes répétées (repeated notes)

10. Pour les sonorités opposées (opposing sonorities)

11. Pour les arpèges composés (composite arpeggios)

12. Pour les accords (chords) discovered 1977, published as Étude retrouvée
 * piano
 * 1915
 * -style="vertical-align: top"
 * data-sort-value="143b"|143a
 * data-sort-value="136b"|–
 * Étude pour les arpèges composés
 * piano
 * 1915
 * an alternate piece for No. 11 of Douze Études L 143, it has no musical relation to that piece, though Debussy composed the two simultaneously;
 * an alternate piece for No. 11 of Douze Études L 143, it has no musical relation to that piece, though Debussy composed the two simultaneously;

 * -style="vertical-align: top"
 * 146
 * 138
 * Élégie
 * piano
 * 1915
 * -style="vertical-align: top"
 * 150
 * data-sort-value="141a"|–
 * Les Soirs illuminés par l'ardeur du charbon
 * piano
 * 1917
 * discovered Nov. 2001, published 2003
 * discovered Nov. 2001, published 2003

 * -style="vertical-align: top"
 * data-sort-value="073a"|–
 * data-sort-value="065a"|–
 * Rapsodie in the Style of Liszt
 * piano
 * lost
 * lost

 * -style="vertical-align: top"
 * colspan="6" data-sort-value="999"|

Piano duo
Orchestrated by Tony Finno
 * -style="vertical-align: top"
 * data-sort-value="008"|8
 * data-sort-value="010"|10
 * Symphony in B minor
 * piano four-hands
 * 1880–81
 * published 1933, premiered 1989

premiered 1989, published 2002
 * -style="vertical-align: top"
 * data-sort-value="010"|10
 * data-sort-value="000"|–
 * Andante cantabile and Tempo di Marcia Funebra
 * piano four-hands
 * 1881
 * 2nd movement incomplete, 16 bars only
 * -style="vertical-align: top"
 * data-sort-value="020"|20
 * data-sort-value="000"|–
 * Diane, Overture
 * piano four-hands
 * 1881
 * this overture and the vocal duet L 48 are all that survive of the unfinished opera Diane;

1. Divertissement
 * -style="vertical-align: top"
 * data-sort-value="033a"|33a
 * data-sort-value="038a"|38
 * Le Triomphe de Bacchus

2. Andante

3. Scherzo

4. Marche et Bacchanale III. lost;
 * piano four-hands
 * 1882
 * arrangement of lost orchestral suite;

IV. lost except for 2 fragments

 * -style="vertical-align: top"
 * data-sort-value="040c"|40c
 * data-sort-value="027c"|27c
 * Intermezzo
 * piano four-hands
 * 1882
 * arrangement of L 40a

1. Fête
 * -style="vertical-align: top"
 * data-sort-value="046a"|46a
 * data-sort-value="050a"|50a
 * Première Suite d'Orchestre

2. Ballet

3. Rêve

4. Cortège et Bacchanale
 * piano, four-hands
 * 1883
 * reduction of L 46b

1. Prélude
 * -style="vertical-align: top"
 * data-sort-value="061a"|–
 * data-sort-value="000"|–
 * L'enfant prodigue

2. Cortège

3. Air de danse
 * piano four-hands
 * transcription of the instrumental mvts of L 61 (No.1 & 4)
 * transcription of the instrumental mvts of L 61 (No.1 & 4)

1. En bateau
 * -style="vertical-align: top"
 * data-sort-value="062"|62
 * data-sort-value="036"|36
 * Divertissement
 * piano four-hands
 * 1884
 * -style="vertical-align: top"
 * data-sort-value="071a"|71a
 * data-sort-value="065a"|65a
 * Petite Suite
 * Petite Suite

2. Cortège

3. Menuet

4. Ballet
 * piano four-hands
 * 1888–89
 * -style="vertical-align: top"
 * data-sort-value="083a"|83a
 * data-sort-value="077"|77
 * Marche écossaise sur un thème populaire
 * piano four-hands
 * 1890
 * -style="vertical-align: top"
 * data-sort-value="087b"|87b
 * data-sort-value="086b"|86b
 * Prélude à l'après-midi d'un faune
 * 2 pianos
 * 1895
 * -style="vertical-align: top"
 * 103
 * data-sort-value="097"|97
 * Lindaraja
 * 2 pianos
 * 1901
 * Lindaraja
 * 2 pianos
 * 1901

1. Danse sacrée
 * -style="vertical-align: top"
 * data-sort-value="113b"|–
 * 103b
 * Danses

2. Danse profane
 * 2 pianos
 * 1904
 * arrangement of L 113a

1. Pour invoquer Pan, dieu du vent d'été
 * -style="vertical-align: top"
 * data-sort-value="139a"|139
 * 131a
 * Six Épigraphes antiques

2. Pour un tombeau sans nom

3. Pour que la nuit soit propice

4. Pour la danseuse aux crotales

5. Pour l'Égyptienne

6. Pour remercier la pluie au matin
 * piano four-hands
 * 1914–15
 * arrangement of 6 pieces from Chansons de Bilitis L 102

 * -style="vertical-align: top"
 * 142
 * 134
 * En blanc et noir
 * 2 pianos
 * 1915
 * original title Caprices en blanc et noir

 * -style="vertical-align: top"
 * colspan="6" data-sort-value="999"|

Stage

 * -style="vertical-align: top"
 * data-sort-value="013a"|–
 * data-sort-value="020a"|–
 * Hélène, opera, after the poème antique by Leconte de Lisle
 * opera
 * 1881
 * unfinished, one fragment only: Helène: Franchis les mers icariennes (solo with chorus) L 14

lost, only two pieces survive: the Overture in a piano four-hands reduction L 20, and fragments of a vocal duet with accompaniment in piano reduction L 48
 * -style="vertical-align: top"
 * data-sort-value="019a"|–
 * data-sort-value="000"|–
 * Diane au bois, opera, after the play by Théodore de Banville
 * opera
 * 1881–86
 * unfinished;

lost, only two pieces survive with accompaniment in piano reductions: Il dort encore (aria from Scene 1) L 34, and Ode Bachique (vocal duet) L 41
 * -style="vertical-align: top"
 * data-sort-value="033c"|–
 * data-sort-value="037"|37
 * Hymnis$[fr]$, opera, after the play by Théodore de Banville
 * voice, chorus, orchestra
 * 1882
 * unfinished;

 * -style="vertical-align: top"
 * data-sort-value="067a"|–
 * data-sort-value="000"|–
 * Salammbô, opera, after the novel by Gustave Flaubert
 * opera
 * 1885
 * sketches only

2 scenes lost;
 * -style="vertical-align: top"
 * data-sort-value="080"|80
 * data-sort-value="072"|72
 * Rodrigue et Chimène, opera in 3 acts
 * opera
 * 1890–93
 * libretto: Catulle Mendès;

complete except for sketches for the orchestration;

"reconstituted" from the mss in 1987 by Richard Langham Smith, orchestrated 1993 by Edison Denisov

 * -style="vertical-align: top"
 * data-sort-value="093a"|93
 * data-sort-value="088a"|88
 * Pelléas et Mélisande, opera in 5 acts
 * opera
 * 1893–1902
 * libretto: Maurice Maeterlinck

unfinished, one piece only: Berceuse: Il était une fois une fée qui avait un beau sceptre (solo), scored for solo voice without accompaniment
 * -style="vertical-align: top"
 * 100
 * data-sort-value="093"|93
 * La tragédie de la mort, incidental music for the play by René Peter
 * voices, orchestra
 * 1899
 * text: René Peter;

1. Chant pastoral
 * -style="vertical-align: top"
 * 102
 * data-sort-value="096"|96
 * Musique de scène pour Les Chansons de Bilitis, incidental music

2. Les Comparaisons

3. Les Contes

4. Chanson

5. La Partie d'osselets

6. Bilitis

7. Le Tombeau sans nom

8. Les Courtisanes Égyptiennes

9. L'Eau pure du bassin

10. La Danseuse aux crotales

11. Le Souvenir de Mnasidica

12. La Pluie du matin three of the pieces are arrangements of L 97
 * narrator, 2 flutes, 2 harps, celesta
 * 1900–01
 * text: Pierre Louÿs;

unfinished
 * -style="vertical-align: top"
 * 106
 * 101
 * Le Diable dans le beffroi, short opera based on Poe's "The Devil in the Belfry"
 * opera
 * 1902–11
 * libretto: Debussy;

2 sections (Fanfare d'ouverture, Le Sommeil de Lear) completed and orchestrated by Jean Roger-Ducasse 1926
 * -style="vertical-align: top"
 * 116
 * 107
 * Le Roi Lear, incidental music to the Shakespeare play "King Lear"
 * orchestra
 * 1904
 * unfinished, 7 sections sketched;

unfinished;
 * -style="vertical-align: top"
 * 121
 * 112
 * La Chute de la maison Usher, short opera based on Poe's "The Fall of the House of Usher"
 * opera
 * 1908–17
 * text: Debussy;

completed, revised, and orchestrated by Juan Allende-Blin 1979; also completed (new version) by Robert Orledge 2013

1. La Cour des lys 1. Prélude (2 contraltos)
 * -style="vertical-align: top"
 * data-sort-value="130a"|130
 * data-sort-value="124a"|124
 * Le Martyre de Saint Sébastien, Mystère en 5 acts et 5 maisons, incidental music to the play by Gabriele D'Annunzio in 5 acts

2. Sébastien! (MMCCTTBB chorus)

3. Danse extatique et final (Miracle!) (2 contraltos, SSMC chorus)

2. La Chambre magique 1. Prélude

2. Erigonum melos (… de tous les rêves qui renaissent) (soprano)

3. Seigneur Amour, voici ma vie (soprano)

3. Le Concile des faux dieux 1. Prélude: Fanfare No. 1

2. Fanfare No. 2

3. Aveuglez l'impie! (TB chorus)

4. Semblable à l'anémone en fleur (soprano, SM chorus, SM chorus)

5. Et pourquoi cherchez-vous parmi les morts celui qui est vivant? (soprano, SM chorus)

6. Annoncez l'étoile future au ciel romain (MCTT chorus)

7. Il se meurt, le bel Adonis (MMCCTT chorus)

4. Le Laurier blessé 1. Prélude

2. Voyez, je sens que dans la paume de ma main gauche la blessure se rouvre et saigne

3. Des profondeurs, j'appelle votre amour terrible (SSCTTB chorus)

5. Le Paradis 1. Interlude

2. Chorus martyrum (TTBB chorus) – Chorus virginum (SMC chorus) – Chorus apostolorum (TTBB chorus) – Chorus angelorum (SSCC chorus) – Anima Sebastiani (soprano, SSCCTTBB) – Chorus sanctorum omnium (soprano, SSMMCCTTBB chorus) orchestrated by André Caplet in collaboration with Debussy
 * soprano, 2 contraltos, various chorus, orchestra
 * 1911
 * libretto: Gabriele D'Annunzio;

 * -style="vertical-align: top"
 * data-sort-value="130b"|–
 * data-sort-value="124b"|–
 * Le Martyre de Saint Sébastien
 * soprano, 2 contraltos, various chorus, piano
 * 1911
 * piano reduction of orchestra part of L 130 by André Caplet and Debussy

original version scored for piano
 * -style="vertical-align: top"
 * 132b
 * 125a
 * Khamma, légende dansée, ballet
 * piano
 * 1911–12
 * original title Isis;

 * -style="vertical-align: top"
 * 132a
 * 125b
 * Khamma, légende dansée, ballet
 * orchestra
 * 1912
 * orchestration of L 132b unfinished, completed by Charles Koechlin 1913

libretto: Louis Laloy and Charles Morice;
 * -style="vertical-align: top"
 * 133
 * 126
 * Jeux, poème dansé, ballet
 * orchestra
 * 1912–13
 * -style="vertical-align: top"
 * 134
 * 104a
 * Fêtes galantes, Ballade en 3 tableux, opera-ballet after poems by Paul Verlaine
 * opera
 * 1912–15
 * original title Crimen amoris;
 * original title Crimen amoris;

unfinished, possibly never written;

lost

1. Prélude: Le Sommeil de la boîte
 * -style="vertical-align: top"
 * 136a
 * data-sort-value="128a"|128
 * La Boîte à joujoux, Ballet pour enfants

2. 1er tableau: Le Magasin de jouets – Valse: Danse de la poupée

3. 2e tableau: Le Champ de bataille

4. 3e tableau: La Bergerie à vendre

5. 4e tableau: Après fortune faite

6. Épilogue
 * piano
 * 1913
 * original version scored for piano

 * -style="vertical-align: top"
 * 136b
 * data-sort-value="128b"|–
 * La Boîte à joujoux, Ballet pour enfants
 * orchestra
 * 1919
 * orchestration of L 136a by André Caplet per Debussy's instructions

 * -style="vertical-align: top"
 * data-sort-value="137a"|–
 * data-sort-value="129a"|–
 * Psyché, incidental music for the play by Gabriel Mourey
 * orchestra
 * 1913
 * lost, except for Flûte de Pan retitled Syrinx L 137, the rest possibly never written

 * -style="vertical-align: top"
 * 138
 * 130
 * No-Ja-Li ou Le palais du silence, Chinese ballet
 * orchestra
 * 1914
 * unfinished, reconstructed by Robert Orledge 2005, revised 2012 and 2014, premiered 2015

 * -style="vertical-align: top"
 * colspan="6" data-sort-value="999"|

Choral
fragments;
 * -style="vertical-align: top"
 * data-sort-value="014"|14
 * data-sort-value="020a"|20a
 * Helène: Franchis les mers icariennes
 * soprano, mixed chorus, orchestra
 * 1881
 * text: Leconte de Lisle;

from the unfinished opera Hélène

 * -style="vertical-align: top"
 * data-sort-value="025a"|Anh
 * data-sort-value="000"|–
 * Fugue pour le concours de fugue
 * 4-part chorus
 * 1881
 * -style="vertical-align: top"
 * data-sort-value="045c"|–
 * data-sort-value="000"|–
 * Choeur des brises: Réveillez-vous, arbres des bois
 * soprano, female chorus, piano four-hands
 * 1882
 * sketch
 * sketch

 * -style="vertical-align: top"
 * data-sort-value="032"|32
 * data-sort-value="035"|35
 * Choeur des brises: Réveillez-vous, arbres des bois
 * soprano, 3-part female chorus
 * 1882
 * text: Louis Bouilhet

 * -style="vertical-align: top"
 * data-sort-value="037a"|37a
 * data-sort-value="024a"|24a
 * Printemps: Salut printemps, jeune saison, cantata
 * female chorus, orchestra
 * 1882
 * text: Anatole de Ségur

 * -style="vertical-align: top"
 * data-sort-value="037b"|37b
 * data-sort-value="000"|–
 * Printemps: Salut printemps, jeune saison
 * female chorus, piano four-hands
 * 1882
 * arrangement of L 37a, not by Debussy?

 * -style="vertical-align: top"
 * data-sort-value="045a"|Anh
 * data-sort-value="000"|–
 * Fugue pour le concours de fugue
 * 4-part chorus
 * 1882
 * -style="vertical-align: top"
 * data-sort-value="045b"|Anh
 * data-sort-value="000"|–
 * Fugue pour le concours d'essai
 * 4-part chorus
 * 1882
 * Prix de Rome Competition
 * Prix de Rome Competition

 * -style="vertical-align: top"
 * data-sort-value="051"|51
 * data-sort-value="040"|40
 * Invocation: Élevez-vous, voix de mon âme
 * male chorus, orchestra
 * 1883
 * text: Alphonse de Lamartine

incomplete, 31 bars only
 * -style="vertical-align: top"
 * data-sort-value="055a"|Anh
 * data-sort-value="000"|–
 * Fugue pour le concours de fugue
 * 4-part chorus
 * 1883
 * -style="vertical-align: top"
 * data-sort-value="055b"|Anh
 * data-sort-value="000"|–
 * Fugue pour le concours d'essai
 * 4-part chorus
 * 1883
 * Prix de Rome Competition;
 * Prix de Rome Competition;

 * -style="vertical-align: top"
 * data-sort-value="060"|60
 * data-sort-value="056"|56
 * Le printemps: L'aimable printemps ramène dans la plaine, cantata
 * soprano, tenor, baritone, 4-part chorus, orchestra
 * 1884
 * text: Jules Barbier

lost;
 * -style="vertical-align: top"
 * data-sort-value="064"|64
 * data-sort-value="059"|59
 * Zuléima, Ode symphonique, cantata
 * chorus, orchestra
 * 1885
 * text: Georges Boyer;

Zuléima was the 1st mvt of Ode symphonique, a projected 3-mvt cantata, but the other 2 mvts were never written

arrangement of L 68c
 * -style="vertical-align: top"
 * data-sort-value="068a"|68a
 * data-sort-value="061a"|61a
 * Le Printemps
 * mixed chorus, piano four-hands
 * 1887
 * text: none;

manuscript lost, this orchestral version possibly never written or only sketched, but since reconstructed from other versions
 * -style="vertical-align: top"
 * data-sort-value="068c"|68c
 * data-sort-value="000"|–
 * Le Printemps, "Scenes for Chorus and Orchestra"
 * female chorus, orchestra
 * 1887
 * text: none;

revised 1902
 * -style="vertical-align: top"
 * data-sort-value="069a"|69a
 * data-sort-value="062a"|62a
 * La Damoiselle élue: La damoiselle élue s'appuyait sur la barrière d'or du ciel, oratorio
 * solo female voice (S), 2-part children's chorus (SS), 2-part female chorus (CC) (with contralto solo), orchestra
 * 1887–88
 * text: Dante Gabriel Rossetti;

 * -style="vertical-align: top"
 * data-sort-value="069b"|69b
 * data-sort-value="062b"|62b
 * La Damoiselle élue: La damoiselle élue s'appuyait sur la barrière d'or du ciel, cantata
 * soprano, 4-part female chorus (SSCC) (with contralto solo), piano
 * 1906
 * arrangement of L 69a

 * -style="vertical-align: top"
 * data-sort-value="119a"|–
 * data-sort-value="110a"|–
 * Prélude à 'L'histoire de Tristan
 * chorus, orchestra
 * 1907
 * unfinished, reconstructed by Robert Orledge 2011, premiered 2015

1. Dieu! qu'il la fait bon regarder!
 * -style="vertical-align: top"
 * data-sort-value="099"|99
 * data-sort-value="092"|92
 * Chansons de Charles d'Orléans

2. Quand j'ai ouy le tambourin sonner

3. Yver, vous n'estes qu'un villain revised 1908
 * 4-part mixed chorus
 * 1898
 * text: Charles duc d'Orléans;

unfinished draft, completed and arranged by Marius-François Gaillard in 1928 (piano acc. version) & 1958 (orchestrated version)
 * -style="vertical-align: top"
 * 149
 * 141
 * Ode à la France: Les troupeaux vont par les champs désertés, cantata
 * soprano, mixed chorus, orchestra
 * 1916–17
 * text: Louis Laloy;

 * -style="vertical-align: top"
 * colspan="6" data-sort-value="999"|

Solo voice with orchestra

 * -style="vertical-align: top"
 * data-sort-value="096"|96
 * data-sort-value="089"|89
 * La Saulaie
 * baritone, orchestra
 * 1896–1900
 * text: Dante Gabriel Rossetti

1. Ballade de Villon à s'Amye: Faulse beauté qui tant me couste cher
 * -style="vertical-align: top"
 * data-sort-value="126b"|–
 * 119b
 * Ballades de François Villon

2. Ballade que Villon feit à la requeste de sa mère pour prier Nostre Dame: Dame du ciel, régente terrienne

3. Ballade des femmes de Paris: Quoy qu'on tient belles langagières texts: François Villon
 * voice, orchestra
 * 1910
 * concurrent arrangement of L 126a;

 * -style="vertical-align: top"
 * colspan="6" data-sort-value="999"|

Vocal trio with orchestra

 * -style="vertical-align: top"
 * data-sort-value="035"|35
 * data-sort-value="020"|20
 * Daniel: Versez, que de l'ivresse. Aux accents d'allégresse, cantata
 * 3 voices, orchestra
 * 1882
 * text: Émile Cicile

 * -style="vertical-align: top"
 * data-sort-value="052"|52
 * data-sort-value="041"|41
 * Le gladiateur: Mort aux Romains, tuez jusqu'au dernier
 * 3 voices, orchestra
 * 1883
 * text: Émile Moreau

1. Prélude
 * -style="vertical-align: top"
 * data-sort-value="061"|61
 * data-sort-value="057"|57
 * L'enfant prodigue, scène lyrique, cantata

2. Air "L'Année, en vain chasse l'année; Azaël, pourquoi m'as-tu quittée?"

3. Récit "Eh bien, encor des pleurs!"

4. Cortège et Air de danse

5. Récit et Air "Ces airs joyeux; O temps, à jamais effacé"

6. Récit et Air "Je m'enfuis"

7. Duo "Rouvre les yeux à la lumière"

8. Air "Mon fils est revenu; Plus de vains soucis"

9. Trio "Mon cœur renaît à l'espérance" text: Édouard Guinand
 * soprano, baritone, tenor, orchestra
 * 1884
 * revised 1907–08, with additional reorchestration 1908 by André Caplet under Debussy's supervision;

 * -style="vertical-align: top"
 * colspan="6" data-sort-value="999"|

Solo voice with piano
lost
 * -style="vertical-align: top"
 * data-sort-value="000a"|
 * data-sort-value="001"|1
 * Ballade à la lune: C'était dans la nuit brune
 * voice, piano
 * 1879
 * text: Alfred de Musset;

 * -style="vertical-align: top"
 * data-sort-value="001"|1
 * data-sort-value="002"|2
 * Madrid: Madrid, princesse des Espagnes
 * voice, piano
 * 1879
 * text: Alfred de Musset

 * -style="vertical-align: top"
 * data-sort-value="002"|2
 * data-sort-value="004"|4
 * Nuits d'étoiles: Nuit d'étoiles, sous tes voiles
 * voice, piano
 * 1880
 * text: Théodore de Banville

 * -style="vertical-align: top"
 * data-sort-value="003"|3
 * data-sort-value="008"|8
 * Rêverie: Le zéphir à la douce haleine
 * voice, piano
 * 1880
 * text: Théodore de Banville

 * -style="vertical-align: top"
 * data-sort-value="006"|6
 * data-sort-value="005"|5
 * Caprice: Quand je baise, pâle de fièvre
 * voice, piano
 * 1880
 * text: Théodore de Banville

 * -style="vertical-align: top"
 * data-sort-value="007"|7
 * data-sort-value="016"|16
 * Aimons-nous et dormons: Aimons-nous et dormons, sans songer au reste du monde
 * voice, piano
 * 1880
 * text: Théodore de Banville

 * -style="vertical-align: top"
 * data-sort-value="009"|9
 * data-sort-value="055a"|–
 * Les baisers: Plus de fois, dans tes bras charmants
 * voice, piano
 * 1881
 * text: Théodore de Banville

 * -style="vertical-align: top"
 * data-sort-value="011"|11
 * data-sort-value="017"|17
 * Rondel chinois: Sur le lac bordé d'azalée
 * voice, piano
 * 1881
 * text: Marius Dillard

 * -style="vertical-align: top"
 * data-sort-value="012"|12
 * data-sort-value="018"|18
 * Tragédie: Les petites fleurs n'ont pu vivre
 * voice, piano
 * 1881
 * text: Léon Valade

 * -style="vertical-align: top"
 * data-sort-value="013"|13
 * data-sort-value="019"|19
 * Jane: Je pâlis et tombe en langueur, Chanson écossaise
 * voice, piano
 * 1881
 * text: Leconte de Lisle

 * -style="vertical-align: top"
 * data-sort-value="015"|15
 * data-sort-value="033"|33
 * La fille aux cheveux de lin: Sur la luzerne en fleur
 * voice, piano
 * 1881
 * text: Leconte de Lisle

 * -style="vertical-align: top"
 * data-sort-value="016"|16
 * data-sort-value="007"|7
 * Fleur des blés: Le long des blés que la brise fait onduler
 * voice, piano
 * 1881
 * text: André Girod

 * -style="vertical-align: top"
 * data-sort-value="017"|17
 * data-sort-value="030"|30
 * Rondeau: Fut-il jamais douceur de cœur pareille
 * voice, piano
 * 1881
 * text: Alfred de Musset

 * -style="vertical-align: top"
 * data-sort-value="018"|18
 * data-sort-value="011"|11
 * Souhait: Oh! quand la mort que rien ne saurait apaiser
 * voice, piano
 * 1881
 * text: Théodore de Banville

 * -style="vertical-align: top"
 * data-sort-value="019"|19
 * data-sort-value="012"|12
 * Triolet à Phillis "Zéphyr": Si j'étais le zéphyr ailé
 * voice, piano
 * 1881
 * text: Théodore de Banville

 * -style="vertical-align: top"
 * data-sort-value="021"|21
 * data-sort-value="000"|–
 * Les papillons: Les papillons couleur de neige
 * voice, piano
 * 1881
 * text: Théophile Gautier

 * -style="vertical-align: top"
 * data-sort-value="022"|22
 * data-sort-value="046"|46
 * L'archet: Elle avait de beaux cheveux blonds
 * voice, piano
 * 1881
 * text: Charles Cros

 * -style="vertical-align: top"
 * data-sort-value="023"|23
 * data-sort-value="048"|48
 * Fleur des eaux: Non, les baisers d'amour
 * voice, piano
 * 1881
 * text: Maurice Bouchor

 * -style="vertical-align: top"
 * data-sort-value="024"|24
 * data-sort-value="047"|47
 * Chanson triste: On entend un chant sur l'eau dans la brume
 * voice, piano
 * 1881
 * text: Maurice Bouchor

 * -style="vertical-align: top"
 * data-sort-value="025"|25
 * data-sort-value="000"|–
 * Les Elfes: Couronnés de thym et de marjolaine
 * voice, piano
 * 1881
 * text: Leconte de Lisle

text: Paul Verlaine
 * -style="vertical-align: top"
 * data-sort-value="026"|26
 * data-sort-value="021"|21
 * Fantoches: Scaramouche et Pulcinella
 * voice, piano
 * 1882
 * 1st version of L 86 No.2;

 * -style="vertical-align: top"
 * data-sort-value="028"|28
 * data-sort-value="013"|13
 * Les roses: Lorsque le ciel de saphir
 * voice, piano
 * 1882
 * text: Théodore de Banville

 * -style="vertical-align: top"
 * data-sort-value="029"|29
 * data-sort-value="034"|34
 * Sérénade: Las, Colombine a fermé le volet
 * voice, piano
 * 1882
 * text: Théodore de Banville

 * -style="vertical-align: top"
 * data-sort-value="030"|30
 * data-sort-value="015"|15
 * Pierrot: Le bon Pierrot que la foule contemple
 * voice, piano
 * 1882
 * text: Théodore de Banville

 * -style="vertical-align: top"
 * data-sort-value="031"|31
 * data-sort-value="023"|23
 * Fête galante: Voilà Sylvandre et Lycas et Myrtil
 * voice, piano
 * 1882
 * text: Théodore de Banville

text: Théodore de Banville
 * -style="vertical-align: top"
 * data-sort-value="034"|34
 * data-sort-value="037a"|–
 * Il dort encore: Il dort encore, une main sur la lyre
 * voice, piano
 * 1882
 * piano reduction of an aria from the opera Hymnis;

 * -style="vertical-align: top"
 * data-sort-value="036"|36
 * data-sort-value="022"|22
 * Le lilas: O floraison divine des lilas
 * voice, piano
 * 1882
 * text: Théodore de Banville

 * -style="vertical-align: top"
 * data-sort-value="038a"|38a
 * data-sort-value="025a"|25a
 * Flôts, palmes et sables: Loin des yeux du monde
 * voice, piano
 * 1882
 * text: Armand Renaud

 * -style="vertical-align: top"
 * data-sort-value="038b"|38b
 * data-sort-value="025b"|25b
 * Flôts, palmes et sables: Loin des yeux du monde
 * voice, piano, harp
 * 1882
 * arrangement of L 38a

text: Paul Verlaine
 * -style="vertical-align: top"
 * data-sort-value="042"|42
 * data-sort-value="028"|28
 * En sourdine: Calmes dans le demi-jour
 * voice, piano
 * 1882
 * 1st version of L 86 No.1;

 * -style="vertical-align: top"
 * data-sort-value="043"|43
 * data-sort-value="029"|29
 * Mandoline: Les donneurs de sérénades
 * voice, piano
 * 1882
 * text: Paul Verlaine

 * -style="vertical-align: top"
 * data-sort-value="044"|44
 * data-sort-value="014"|14
 * Séguidille: Un jupon serré sur les hanches
 * voice, piano
 * 1882
 * text: Théophile Gautier

text: Paul Verlaine
 * -style="vertical-align: top"
 * data-sort-value="045"|45
 * data-sort-value="032"|32
 * Clair de lune: Votre âme est un paysage choisi
 * voice, piano
 * 1882
 * 1st version of L 86 No.3;

 * -style="vertical-align: top"
 * data-sort-value="047"|47
 * data-sort-value="031"|31
 * Pantomime: Pierrot qui n'a rien d'un Clitandre
 * voice, piano
 * 1883
 * text: Paul Verlaine

 * -style="vertical-align: top"
 * data-sort-value="050"|50
 * data-sort-value="039"|39
 * Coquetterie posthume: Quand je mourrai, que l'on me mette
 * voice, piano
 * 1883
 * text: Théophile Gautier

 * -style="vertical-align: top"
 * data-sort-value="053"|53
 * data-sort-value="043"|43
 * Romance [musique pour éventail]: Silence ineffable de l'heure
 * voice, piano
 * 1883
 * text: Paul Bourget

 * -style="vertical-align: top"
 * data-sort-value="054"|54
 * data-sort-value="044"|44
 * Musique: La lune se levait, pure, mais plus glacée
 * voice, piano
 * 1883
 * text: Paul Bourget

 * -style="vertical-align: top"
 * data-sort-value="055"|55
 * data-sort-value="045"|45
 * Paysage sentimental: Le ciel d'hiver si doux, si triste, si dormant
 * voice, piano
 * 1883
 * -style="vertical-align: top"
 * data-sort-value="056"|56
 * data-sort-value="052"|52
 * Romance: Voici que le printemps, ce fil léger d'avril
 * voice, piano
 * 1884
 * text: Paul Bourget
 * text: Paul Bourget

 * -style="vertical-align: top"
 * data-sort-value="057"|57
 * data-sort-value="053"|53
 * Apparition: La lune s'attristait des séraphins
 * voice, piano
 * 1884
 * text: Stéphane Mallarmé

 * -style="vertical-align: top"
 * data-sort-value="058"|58
 * data-sort-value="054"|54
 * La romance d'Ariel: Au long de ces montagnes douces
 * voice, piano
 * 1884
 * text: Paul Bourget

 * -style="vertical-align: top"
 * data-sort-value="059"|59
 * data-sort-value="055"|55
 * Regret: Devant le ciel d'été, tiède et calme
 * voice, piano
 * 1884
 * text: Paul Bourget

1. Le vent dans la plaine suspend son haleine: C'est l'extase langoureuse
 * -style="vertical-align: top"
 * data-sort-value="063a"|63a
 * data-sort-value="060a"|60a
 * Ariettes oubliées

2. Il pleut doucement sur la ville: Il pleure dans mon cœur comme il pleut sur la ville

3. Le rossignol qui, du haut d'une branche: L'Ombre des arbres dans la rivière embrumée

4. Paysages belges. Chevaux de bois: Tournez, tournez, bons chevaux de bois

5. Aquarelles 1. Green: Voici des fruits, des fleurs, des feuilles

6. Aquarelles 2. Spleen: Les Roses étaient toutes rouges
 * voice, piano
 * 1885–87
 * texts: Paul Verlaine

published 1891 as No.1 of Deux Romances
 * -style="vertical-align: top"
 * data-sort-value="065"|65
 * data-sort-value="079/1"|79/1
 * Romance: L'âme évaporée et souffrante
 * voice, piano
 * 1885
 * text: Paul Bourget;

published 1891 as No.2 of Deux Romances
 * -style="vertical-align: top"
 * data-sort-value="066"|66
 * data-sort-value="079/2"|79/2
 * Les cloches: Les feuilles s'ouvraient sur le bord des branches
 * voice, piano
 * 1885
 * text: Paul Bourget;

lost
 * -style="vertical-align: top"
 * data-sort-value="067"|67
 * data-sort-value="058"|58
 * Barcarolle: Viens! l'heure est propice
 * voice, piano
 * 1885
 * text: Édouard Guinand;

1. Le Balcon: Mère des souvenirs, maîtresse des maîtresses
 * -style="vertical-align: top"
 * data-sort-value="070"|70
 * data-sort-value="064"|64
 * Cinq poèmes de Charles Baudelaire

2. Harmonie du soir: Voici venir les temps où vibrant sur sa tige

3. Le Jet d'eau: Tes beaux yeux sont las, pauvre amante

4. Recueillement: Sois sage, ô ma douleur

5. La Mort des amants: Nous aurons des lits pleins d'odeurs légères
 * voice, piano
 * 1887–89
 * texts: Charles Baudelaire

 * -style="vertical-align: top"
 * data-sort-value="073"|73
 * data-sort-value="063"|63
 * Axel
 * voice, piano
 * 1890
 * text: Auguste Villiers de l'Isle-Adam

 * -style="vertical-align: top"
 * data-sort-value="081"|81
 * data-sort-value="074"|74
 * La belle au bois dormant: Des trous à son pourpoint vermeil
 * voice, piano
 * 1890
 * text: Vincent Hyspa

 * -style="vertical-align: top"
 * data-sort-value="084"|84
 * data-sort-value="006"|6
 * Beau soir: Lorsque au soleil couchant les rivières sont roses
 * voice, piano
 * 1890–91
 * text: Paul Bourget

1. La Mer est plus belle que les cathédrales
 * -style="vertical-align: top"
 * data-sort-value="085"|85
 * data-sort-value="081"|81
 * Trois mélodies de Verlaine

2. Le Son du cor s'afflige vers les bois

3. L'Échelonnement des haies moutonne à l'infini
 * voice, piano
 * 1891
 * texts: Paul Verlaine

1. En sourdine: Calmes dans le demi-jour
 * -style="vertical-align: top"
 * data-sort-value="086"|86
 * data-sort-value="080"|80
 * Fêtes galantes, Set 1

2. Fantoches: Scaramouche et Pulcinella

3. Clair de lune: Votre âme est un paysage choisi 1. 2nd version of L 42;
 * voice, piano
 * 1891–92
 * texts: Paul Verlaine;

2. 2nd version of L 26;

3. 2nd version of L 45

 * -style="vertical-align: top"
 * data-sort-value="088"|88
 * data-sort-value="076"|76
 * Les Angélus: Cloches chrétiennes pour les matines
 * voice, piano
 * 1892
 * text: Grégoire Le Roy

1. De rêve: La Nuit a des douceurs de femme
 * -style="vertical-align: top"
 * data-sort-value="090"|90
 * data-sort-value="084"|84
 * Proses lyriques

2. De grève: Sur la mer les crépuscules tombent

3. De fleurs: Dans l'ennui si désolément vert

4. De soir: Dimanche sur les villes
 * voice, piano
 * 1892–93
 * texts: Debussy

1. La Flûte de Pan: Pour le jour des Hyacinthies
 * -style="vertical-align: top"
 * data-sort-value="097"|97
 * data-sort-value="090"|90
 * Chansons de Bilitis

2. La Chevelure: Il m'a dit "Cette nuit j'ai rêvé"

3. Le Tombeau des Naiades: Le Long du bois couvert de givre
 * female voice, piano
 * 1897–98
 * text: Pierre Louÿs

1. Nuit sans fin
 * -style="vertical-align: top"
 * 101
 * data-sort-value="094"|94
 * Nuits blanches: Tout à l'heure ses mains plus délicates

2. Lorsqu'elle est entrée
 * voice, piano
 * 1898
 * text: Debussy

 * -style="vertical-align: top"
 * 107
 * data-sort-value="078"|78
 * Dans le jardin: Je regardais dans le jardin
 * voice, piano
 * 1903
 * text: Paul Gravollet

1st version of L 114 No.3;
 * -style="vertical-align: top"
 * data-sort-value="113a"|–
 * data-sort-value="000"|–
 * Colloque sentimental
 * voice, piano
 * text: Paul Verlaine;
 * text: Paul Verlaine;

1. Les Ingénus: Les Hauts talons luttaient avec les longues jupes
 * -style="vertical-align: top"
 * 114
 * 104
 * Fêtes galantes, Set 2

2. Le Faune: Un Vieux faune de terre cuite

3. Colloque sentimental: Dans le vieux parc solitaire et glacé
 * voice, piano
 * 1904
 * texts: Paul Verlaine

1. Rondel: Le Temps a laissé son manteau
 * -style="vertical-align: top"
 * 115
 * 102
 * 3 Chansons de France

2. La Grotte: Auprès de cette grotte sombre

3. Rondel: Pour ce que Plaisance est morte
 * voice, piano
 * 1904
 * text: Charles duc d’Orléans

1. Ballade de Villon à s'Amye: Faulse beauté qui tant me couste cher
 * -style="vertical-align: top"
 * data-sort-value="126a"|126
 * 119a
 * Ballades de François Villon

2. Ballade que Villon feit à la requeste de sa mère pour prier Nostre Dame: Dame du ciel, régente terrienne

3. Ballade des femmes de Paris: Quoy qu'on tient belles langagières
 * voice, piano
 * 1910
 * texts: François Villon

1. Auprès de cette grotte sombre
 * -style="vertical-align: top"
 * 129
 * 118
 * Le Promenoir des deux amants

2. Crois mon conseil, chère Climène

3. Je tremble en voyant ton visage
 * voice, piano
 * 1904–10
 * text: Tristan l'Hermite

1. Soupir: Mon âme vers ton front où rêve, ô calme sœur
 * -style="vertical-align: top"
 * 135
 * 127
 * Trois poèmes de Stéphane Mallarmé

2. Placet futile: Princesse! À jalouser le destin d'une Hébé

3. Éventail: Ô rêveuse pour que je plonge
 * voice, piano
 * 1913
 * text: Stéphane Mallarmé

 * -style="vertical-align: top"
 * 147
 * 139
 * Noël des enfants qui n'ont plus de maison: Nous n'avons plus de maison
 * voice, piano
 * 1915
 * text: Debussy

 * -style="vertical-align: top"
 * colspan="6" data-sort-value="999"|

Vocal duet with piano

 * -style="vertical-align: top"
 * data-sort-value="027"|27
 * data-sort-value="049"|49
 * Églogue: Chanteurs mélodieux, habitants des buissons
 * soprano, tenor, piano
 * 1882
 * text: Leconte de Lisle

text: Théodore de Banville
 * -style="vertical-align: top"
 * data-sort-value="041"|41
 * data-sort-value="037b"|–
 * Ode Bachique: À toi Lyaeos, glorieux Bacchos
 * soprano, tenor, piano
 * 1882
 * piano reduction of a vocal duet from the opera Hymnis;

text: Théodore de Banville;
 * -style="vertical-align: top"
 * data-sort-value="048"|48
 * data-sort-value="051"|51
 * Diane au bois
 * soprano, tenor, piano
 * 1883–84
 * piano reduction of a vocal duet from the opera Diane;

revised 1885;

fragments

 * -style="vertical-align: top"
 * data-sort-value="049"|49
 * data-sort-value="042"|42
 * Chanson espagnole: Tra la la… nous venions de voir le taureau
 * 2 voices, piano
 * 1883
 * text: Alfred de Musset

 * }

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: List of compositions by Claude Debussy


text:
Princess Iron Fan (1966 film)

Princess Iron Fan (鐵扇公主, Tie shan gong zhu) is a 1966 Hong Kong film, the second in a series of four Shaw Brothers productions (1966–1968) based on the 16th-century novel Journey to the West. It was directed by Ho Meng Hua.

The other films of the series are Monkey Goes West (1966), The Cave of the Silken Web (1967) and The Land of Many Perfumes (1968).

Cast

 * Pat Ting Hung as Princess Iron Fan
 * Ho Fan as Tang Sanzang
 * Yueh Hua as Sun Wukong
 * Cheng Pei-pei as White Skeleton (Baigujing)
 * Lily Ho as Sister White Skeleton
 * Ching Miao as The Ox King
 * Ho Li Jen as Disenfranchised villager
 * Ku Feng as Distraught old man
 * Ku Wen-chung as Wu Jing-chi
 * Lily Li as Chambermaid
 * Pan Yin Tze as Cavern dancer
 * Peng Peng as Zhu Bajie
 * Shen Yi as Mistress Fox spirit
 * Tien Shun as Sha Wujing
 * Wen Hsiu as Distraught old woman
 * Wu Ching-li as Cavern dancer
 * Wu Wei as Mother Cicada Fiary

title: Princess Iron Fan (1966 film)


text:
AT&T Field

AT&T Field is a baseball field located in Chattanooga, Tennessee. It is the home of the minor league Chattanooga Lookouts of the Southern League. The capacity of the stadium is 6,382 people, with the vast majority of seating located on the first base side. Construction of the stadium began in March 1999, and was completed for the 2000 season. The stadium's first game was on April 10, 2000, a 5–4 Chattanooga win.

AT&T Field was known as BellSouth Park until March 2007, when the ballpark's name was changed to reflect the purchase of BellSouth by AT&T Inc.

title: AT&T Field


text:
Brian Hall (actor)

Brian Charles Hall (20 November 1937 – 16 September 1997) was a British actor. He is best remembered for his role as hotel chef Terry Hughes in the British sitcom Fawlty Towers.

Career
Hall began his career on stage, appearing in productions at the Royal Court Theatre and with the Royal Shakespeare Company. On screen, he played many hard-boiled tough guy Cockney roles: his role as the amiable chef Terry in Fawlty Towers was a casting against type. He played leading roles in police drama Softly, Softly: Task Force (1971–72), crime drama McVicar (1980), and sitcom You Must Be The Husband (1987). He also had several guest-starring roles in The Professionals, The Long Good Friday, The Bill, London's Burning, The Sweeney and Minder in Series 1 episode You Gotta Have Friends. He also played the Dad in Billy Webb's Amazing Story by Steve Attridge (1991 BBC)

Personal life and death
Hall was born on 20 November 1937, and had an interest in acting from an early age. He worked as a cab driver before starting a professional acting career.

Hall became friends with John Cleese when they appeared together in Fawlty Towers. Some years after the series had finished, Cleese sent Hall a personally signed autographed picture as a joke. Hall wrote back and demanded a "signed Rolls-Royce car" instead. Cleese sent him back a car – a children's toy car.

Hall and his wife, Marlene, had four children. He died at a hospice in Worthing on 16 September 1997, aged 59, after a three-year battle with cancer. Cleese paid tribute, saying: "I am very upset. I was particularly fond of Brian and had several conversations with him this year. I admire profoundly the way in which he dealt with his cancer. I do not know where he found the strength". A year before his death, Hall told the Mirror: "Cancer is a bully and I hate bullies. This old boy cancer will get about as much change out of me as all the other bullies I've met – nothing."

title: Brian Hall (actor)


text:
Wikipedia:Articles for deletion/CUPE391

 This page is an archive of the discussion about the proposed deletion of the article below. This page is no longer live. Further comments should be made on the article's talk page rather than here so that this page is preserved as an historic record. The result of the debate was - deleted - SimonP 15:17, Jun 15, 2005 (UTC)

CUPE391
CUPE391 and CUPE 391 have a total of less than 500 google hits, and I wouldn't consider it notable. Article may have potential, but it reeks of advertisement. →Iñgōlemo←  talk  23:43, 2005 Jun 1 (UTC)
 * Delete. User has also produced a vanity page. Eixo 00:07, 2 Jun 2005 (UTC)
 * I left a note on the user's talk page about the vanity article. A и D я 01D  TALK  EMAIL  00:32, Jun 2, 2005 (UTC)
 * Not an advertisement, but an first-person-plural POV entry on a single chapter of the Canadian Union of Public Employees. Redirect (no merge) there, though I wouldn't oppose deletion, as this is not a likely search term. A и D я 01D  TALK  EMAIL  00:32, Jun 2, 2005 (UTC)
 * Delete. CUPE is definitely notable; individual locals really aren't.  Unlikely search term, so no redirect is really necessary.  Vancouver Public Library already mentions CUPE391, so there's nothing to merge. --TenOfAllTrades (talk/contrib) 01:00, 2 Jun 2005 (UTC)
 * Delete per above logic. Vegaswikian 06:30, 2 Jun 2005 (UTC)
 * Delete --[[Image:Ottawa flag.png|20px]] Spinboy 17:01, 2 Jun 2005 (UTC)
 * Delete unless someone can give a reason why this local is notable. -- JamesTeterenko 17:30, 2 Jun 2005 (UTC)
 * Keep, although I'd probably rename the article CUPE local 391. The notability is borderline, but if someone wants to put in the effort to create a decent article I don't want to stop them. With some clean-up work, a few dates, and some history it could be an informative little article --NormanEinstein 15:57, 3 Jun 2005 (UTC)
 * Delete. I concur with TenOfAllTrades. There is nothing useful here that can be merged with CUPE. --Deathphoenix 18:36, 3 Jun 2005 (UTC)

 * This page is now preserved as an archive of the debate and, like some other VfD subpages, is no longer 'live'. Subsequent comments on the issue, the deletion, or the decision-making process should be placed on the relevant 'live' pages. Please do not edit this page.

title: Wikipedia:Articles for deletion/CUPE391


text:
User:Dpbsmith/ebookfaq

This page is for developing an eBook FAQ, per discussion in ebook-community@yahoogroups.com, in conjunction with improving the ebook article. The initial outline is the one proposed by Jon Jermey, but like everything else in Wikipedia it will evolve.

title: User:Dpbsmith/ebookfaq


text:
Civic Stadium (Eugene, Oregon)

Civic Stadium was an outdoor athletic stadium in the northwest United States, located in Eugene, Oregon. For most of its history it was owned by the Eugene School District. Opened in 1938, the stadium was destroyed by fire in 2015 on June 29.

History
Civic Stadium, located near East 20th Avenue and Willamette Street, adjacent to South Eugene High School, had a seating capacity of 6,800. Built in 1938 through a public-private partnership between the Eugene Area Chamber of Commerce, Eugene School District 4J, and the federal Works Progress Administration (WPA); the property had been owned by the school district from its construction until spring 2015. In October 2008, Civic Stadium was added to the National Register of Historic Places.

Originally built for high school football and baseball, in 1969 it became the home of the Eugene Emeralds minor league baseball team, which previously played at the privately owned Bethel Park (north of Roosevelt Boulevard ; its outfield is present-day Lark Park). The Emeralds moved up to the Pacific Coast League (AAA) in 1969 and needed a larger venue. After five seasons in the PCL, they returned to the Class A Northwest League in 1974 and played in the stadium through 2009. (High school football moved to the University of Oregon's Autzen Stadium in 1969, following the installation of artificial turf.) Before the departure of the Emeralds in 2009, Civic Stadium was one of the ten oldest active minor league baseball facilities in the United States.

The lighted playing field at Civic Stadium had an unorthodox alignment, oriented southeast (home plate to center field); the recommended alignment of a baseball diamond is east-northeast. The natural grass field was at an approximate elevation of 430 ft above sea level.

Emeralds relocate
In August 2009, the Emeralds announced their relocation to the University of Oregon's PK Park for the 2010 season. The Emeralds cited Civic Stadium's need of substantial renovations, major problems with irrigation and electrical systems, as well as broken seats, and estimated that modernization could cost as much as $15 million.

The Emeralds played their last game at Civic Stadium on Thursday, September 4, 2009, a 5–3 loss to the Salem-Keizer Volcanoes. Following the game, fans collected pieces of the outfield turf as souvenirs.

Disuse and destruction
By 2009, the school district designated the stadium a surplus property, although the district had not made a decision on whether to sell it. As recently as 2007, the school district examined options to redevelop all or part of the property, most likely as medium-density residential units. A local group, Friends of Civic Stadium, started a grassroots campaign in support of restoring the historic venue while also attempting to find alternative tenants.

With the future of the stadium in flux, it was one of ten entries on Restore Oregon's Most Endangered Places in Oregon 2011 list.

In April 2015, the Eugene Civic Alliance raised $4.1 million to buy the stadium and 10 acres of surrounding property from the school district. Eugene Civic Alliance is a non-profit made up of community leaders, including Lane United FC managing director Dave Galas, and the executive director of the Eugene youth sports organization Kidsports, former Ducks basketball player Bev Smith.

On June 29, 2015, Civic Stadium was destroyed by fire. Two days later, officials charged four pre-teen boys in connection with the fire, although the cause had not yet been determined conclusively. It was delisted from the National Register of Historic Places on March 8, 2016.

title: Civic Stadium (Eugene, Oregon)


text:
Sharps

Sharps may refer to:

 * Plural form of many of the terms as defined on Sharp (disambiguation)
 * Sharps waste, a form of biomedical waste composed of used sharps
 * Sharps, Virginia, unincorporated community in Richmond County
 * Sharps Bedrooms
 * Sharp's Brewery, Rock, Cornwall, UK (cask conditioned beer brewery)
 * Sharps rifle
 * Sharps Rifle Manufacturing Company, a firearms company

Streams

 * Sharps Creek (Kansas), in McPherson County
 * Sharps Creek (Oregon), in Lane County
 * Sharps Run (New Jersey), a stream in New Jersey
 * Sharps Run (Cow Creek), a stream in West Virginia

People with the surname Sharps

 * Christian Sharps (1810–1874), American firearms designer
 * Ian Sharps (born 1980), English footballer

Other

 * Supporters for the Health And Rights of People in the Semiconductor Industry, SHARPS

title: Sharps


text:
Talk:Commercial vehicle operations

Comment
The sentence "Only a foolish..." is neither professional, neutral or accurate. There are many agencies that would want to "spy" on their drivers and property, particularly those carrying hazardous cargos. This should be fixed. — Preceding unsigned comment added by 208.12.31.169 (talk) 23:45, 1 June 2005 (UTC)

title: Talk:Commercial vehicle operations


text:
Waterfront Park

Waterfront Park may refer to:

Canada

 * Crystal Beach Waterfront Park, Ontario

China

 * Tai Po Waterfront Park, Hong Kong

United States

 * California
 * San Diego County Administration Center

 * District of Columbia
 * Georgetown Waterfront Park

 * Hawaii
 * Kakaako Waterfront Park, Honolulu

 * Kentucky
 * Louisville Waterfront Park, Louisville

 * Massachusetts
 * Christopher Columbus Waterfront Park, Boston

 * New Jersey
 * Mercer County Waterfront Park, Trenton

 * Oregon
 * Tom McCall Waterfront Park, Portland

 * South Carolina
 * Waterfront Park (Charleston)

 * Washington
 * Waterfront Park (Seattle)
 * Vancouver Waterfront Park

title: Waterfront Park


text: User talk:208.25.103.1

title: User talk:208.25.103.1


text:
Stade de la Beaujoire

The Stade de la Beaujoire – Louis Fonteneau, mostly known as Stade de la Beaujoire, is a stadium in Nantes, France. It is the home of French football club FC Nantes.

The stadium opened for the first time on 8 May 1984, for a friendly game between FC Nantes and Romania in front of 30,000 fans. It was named after Louis Fonteneau, who was president of FC Nantes between 1969 and 1986. It was renovated in 1998, for the 1998 FIFA World Cup. While its original capacity was 52,923, in 1998 it was converted to an all-seater stadium and its current capacity is 35,322. Highest attendance was 51,359 for France-Belgium match in 1984. Previously, the team played at Stade Marcel Saupin.

The stadium also hosts international rugby matches, including France against New Zealand (16–3) on November 15, 1986. In September 2007, it hosted three pool matches of the 2007 Rugby World Cup: Wales vs Canada on September 9, England vs Samoa on September 22 and Wales vs Fiji on September 29. In domestic rugby, La Beaujoire hosted both Top 14 semifinal matches in 2013, and Paris-area Top 14 side Racing Métro 92 will play their final "home" match of the 2013–14 season against Clermont at La Beaujoire on April 19, 2014.

La Beaujoire hosted matches during the UEFA Euro 1984, including a 5–0 victory for France over Belgium with three goals from Michel Platini. Six matches were also played there during the 1998 FIFA World Cup, including the quarter-final between Brazil and Denmark. The stadium was not selected for the UEFA Euro 2016.

The France national football team have played here on five occasions, most recently in 2019 where they played a friendly match against Bolivia.

Future
A new stadium named YelloPark was planned to replace the Stade de la Beaujoire, which was to be demolished for the 2024 Summer Olympics in Paris and the 2023 Rugby World Cup. On 26 February 2019, the project was cancelled.

1984 European Championship (Euro 1984)
The stadium was selected as one of the venues of 1984 UEFA European Championship and held the following matches

1998 FIFA World Cup
The stadium was one of the venues of the 1998 FIFA World Cup and held the following matches:

2023 Rugby World Cup
The stadium was one of the venues of the 2023 Rugby World Cup, and hosted the following matches:

title: Stade de la Beaujoire


text:
User talk:Zarvex

Welcome!

Hello,, Welcome  to Wikipedia! '''I hope you like working here and want to continue. If you need help on how to name new articles, look at Naming Conventions, and for help on formatting the pages visit the Manual of Style. If you need general help, look at Help and the FAQ, and if you can't find your answer there, check the Village pump (for Wikipedia related questions) or the Reference Desk (for general questions). There's still more help at the Tutorial and the Policy Library. Also, don't forget to visit the Community Portal — and if you have any more questions after that, feel free to post them on my talk page.'''

Additional tips:
 * Here are some extra tips to help you get around Wikipedia:
 * If you made any edits before you got an account, you might be interested in assigning those to your username.
 * If you want to play around with your new Wiki skills, try the Sandbox.
 * Click on the Edit button on a page, and look at how other editors did what they did.
 * You can sign your name using three tildes, like this: . If you use four, you can add a datestamp too.  Always sign comments on Talk pages, never sign Articles.
 * You might want to add yourself to the New User Log.
 * If your first language isn't English, try Contributing to articles outside your native language.

Happy editing!

That darthbenedict.ytmnd.com site about the pope is awesome! Are you www.ytmnd.com/user.html?user_id=2515 Detonator? → Jarlaxle Artemis   23:47, Jun 1, 2005 (UTC)

title: User talk:Zarvex


text: Category:Miss France

title: Category:Miss France


text: User talk:82.152.177.53

title: User talk:82.152.177.53


text:
Bill Meyer Stadium

Bill Meyer Stadium was a baseball field located in Knoxville, Tennessee. Originally known as Knoxville Municipal Stadium when it opened in 1953, it was later renamed after Billy Meyer (1892–1957), a Knoxville native who was a catcher and manager in Major League Baseball and a longtime minor league skipper.

Baseball usage
It was used by minor league baseball teams, most recently the Knoxville Smokies, an AA Minor League Baseball team. It had a capacity of 6,400 people. The stadium was closed in 1999 after the team moved to a new stadium near Sevierville. The stands were demolished, and bleachers with capacity for about 100 people were installed. The stadium is now called Neal Ridley/Todd Helton Field and is used as a venue for amateur baseball games.

Football usage
In the early part of the 1970s, Bill Meyer Stadium was converted into a Pop Warner recreational football league facility. The 100 yard field was striped from the third base side of the diamond, extending out to the right field warning track area. A great majority of the football plays were snapped from the dirt area of the infield. It became the home field for the Fraternal Order of Police (FOP) midget (11- to 12-year-old) football team which held daily practices throughout the fall in the dirt parking area outside the stadium.

title: Bill Meyer Stadium


text:
Wikipedia:Articles for deletion/Spheres of Chaos

 This page is an archive of the discussion about the proposed deletion of the article below. This page is no longer live. Further comments should be made on the article's talk page rather than here so that this page is preserved as an historic record. The result of the debate was - kept - SimonP 00:34, Jun 16, 2005 (UTC)

Spheres of Chaos
Article comes across as advertising and seems to be not noticable Kel-nage 14:54, 2 Jun 2005 (UTC)
 * Keep I guess. Is shareware notable? Game is widely referenced with reviews and game cheats. That probably makes it at least slightly notable. It also runs on Windows; not just a Linux game. — RJH 15:36, 2 Jun 2005 (UTC)
 * I'd take the case similar to books... published software (and games) are notable, self-published software is not - and that includes most shareware, it's far too easy to write it and stick it on the web somewhere and get a dozen users. Delete as such. Radiant_* 11:22, Jun 3, 2005 (UTC)
 * Delete I'm going to agree with Kel-nage on this. I think it's an advertisement.  How notable is "130,000 pixels"?  That's not even VGA quality.  Most of what I saw on the Google hits were mirrors of a download network.  --Xcali 16:32, 2 Jun 2005 (UTC)
 * Delete. Advertisment for a non-notable game. --Carnildo 22:22, 2 Jun 2005 (UTC)
 * Abstaining. Subject is notable enough for an entry, but this is a far cry from being up to Wikipedia's standards.  Almafeta 06:11, 3 Jun 2005 (UTC)
 * Delete. Wikipedia isn't a games compendium, games guide or otherwise. Only influential or commercially successful games are worth detailing. Obviously shareware games are trickier to measure, but I don't believe that this one is bundled in any major Linux distributions. Average Earthman 09:40, 3 Jun 2005 (UTC)
 * Keep, very well known. Well, I thought that it was, when I was playing it quite often yonks ago, as were loads of others at school etc.. Maybe it was just me, but... James F. (talk)
 * Keep per assertions of notability from Almafeta and James F. Kappa 20:57, 7 Jun 2005 (UTC)

 * This page is now preserved as an archive of the debate and, like some other VfD subpages, is no longer 'live'. Subsequent comments on the issue, the deletion, or the decision-making process should be placed on the relevant 'live' pages.  Please do not edit this page .


text:
Ayo Aderinwale

Ayodele Patrick Aderinwale MFR is the executive director of the Africa Leadership Forum (ALF) in Ota, Nigeria.

Education
Aderinwale was born in Osogbo, Nigeria. He attended the University of Lagos for his first degree in political science )1985) and a Master of Science in political economy and international relations (1987). He is an alumnus of the United Nations University's International Leadership Academy and of Harvard University's Executive Programme for Leaders in Development.

Work
He provides consulting services for several international agencies including the United Nations, the European Union and the former Organization of Africa Unity, now known as the African Union. He participated in the initial drafting of the Millennium Plan for Africa which later became the New Partnership for Africa's Development and was an inaugural member of the Nigeria Steering Committee of the Africa Peer Review Mechanism.

He is currently the chairman of the boards of directors of Justrite Limited, one of the largest superstores in Lagos and Ogun States, and the Business School Netherlands and chairman of the board of governors of the Bells Educational Services, as well as the Bells Comprehensive Secondary School for Boys and Girls.

Africa Leadership Forum
As the executive director of ALF, he began several programs such as the Regional African Parliamentarians Conference, the Africa Women's Forum, the Legislative Internship Programme and the Democratic Leadership Training Workshop. He helped to create the Conference on Stability, Security, Development and Cooperation in Africa which was adopted by the African Union in 2002.

Presently, he is the deputy chief co-ordinator at the Olusegun Obasanjo Presidential Library while Obansanjo remains the chief co-ordinator.

National honours
On 21 December 2006, the president of Nigeria, Olusegun Obasanjo, conferred on him the membership of the Order of the Federal Republic. His classmates and colleagues launched a foundation, the Ayodele Aderinwale Foundation for Education and Leadership in Africa in his honor, which provides scholarships to young boys and girls in schools across Nigeria.

title: Ayo Aderinwale


text:
Talk:Aselin Debison

Untitled
I removed the Narnia category tag as it is entirely unneccessary. benmcq 23:50, 1 Jun 2005 (UTC)

Additions
I made several additions to the article, mainly the artist infotag and the list of studio albums she's completed. I'm not comfortable with editing the actual article text at present, but I feel that it doesn't really match the quality of other larger wikipedia articles, both in grammar and structure. --IndigoAK 01:04, 7 July 2006 (UTC) She was very young when she started singing —Preceding unsigned comment added by 205.124.95.82 (talk) 19:11, 6 December 2007 (UTC) --I added substantiation she was on the hit charts in Japan, but someone who reads Japanese or Korean might be able to find more and better reference material for her Asian success. Summerbell (talk) 20:02, 4 June 2010 (UTC) -- Another Japanese reference found plus numerous other Canadian references added showing notability. Summerbell (talk) 19:55, 7 June 2010 (UTC) -- Please stop changing the label for her first album and new album to Epic. Both of these albums were done on her own label. —Preceding unsigned comment added by 99.192.111.62 (talk) 03:04, 21 July 2010 (UTC)

Aselin debison
she is so is good =) —Preceding unsigned comment added by 24.160.148.210 (talk) 04:51, 1 February 2009 (UTC)

how is the first name pronounced?

 * how is the first name pronounced? Is it related to the Narnia lion, or not? Tks. • Ling.Nut 05:02, 13 October 2010 (UTC)

It is pronounced AH-zel-in. It is the female spelling of the name from the book. —Preceding unsigned comment added by 142.68.36.53 (talk) 23:42, 17 October 2010 (UTC)

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title: Talk:Aselin Debison


text:
Talk:Tyrrhenia

I hope you like this article, Norman! LOL!

Don't bother, Mustaffa!

title: Talk:Tyrrhenia


text:
Szeto Wah

Szeto Wah (28 February 1931 – 2 January 2011) was a Hong Kong democracy activist and politician. He was the founding chairman of the Hong Kong Alliance in Support of Patriotic Democratic Movements of China, the Hong Kong Professional Teachers' Union and former member of the Legislative Council of Hong Kong from 1985 to 1997 and from 1997 to 2004.

Being one of the two icons of the Hong Kong democracy movement alongside Martin Lee, Szeto played an instrumental role in the emergence of the pro-democracy camp. Entering politics as a trade unionist for teachers, Szeto founded the influential Hong Kong Professional Teachers' Union and was first elected to the colonial legislature through the newly created Teaching functional constituency in 1985. He and Martin Lee became the two pro-democrats appointed to the Hong Kong Basic Law Drafting Committee by the Beijing government in 1985 until the duo resigned in the wake of the 1989 Tiananmen Square protests and massacre.

Szeto played a significant part in gathering popular support of the Hong Kong public in the Tiananmen democracy movement and subsequently the Operation Yellowbird rescuing the wanted democracy activists. He also founded the Hong Kong Alliance which has been responsible for the annual memorials for the protests. On the basis of the pro-democracy support he also co-founded the United Democrats of Hong Kong to contest in the first Legislative Council direct elections which later transformed into the Democratic Party.

Szeto remained as the unofficial party whip of the Democratic Party. He retired from the Legislative Council in 2004 and retained his influence in the pan-democracy camp. In 2010, he led the moderate faction of the camp to oppose the radical-led Five Constituencies Referendum movement and played a significant role in drawing the revised proposal of the electoral reform package in the Democrats' negotiation with the Beijing authorities. He remained the chairman of the Hong Kong Alliance until he died in 2011 at the age of 79.

Early life and underground activism
Szeto Wah was born in Hong Kong on 28 February 1931 in Hong Kong with the family root in Chikan, Kaiping, Guangdong. His father, Szeto Ting, moved to Hong Kong for work during his young age. In 1941 during the Japanese occupation of Hong Kong, his family moved back to Kaiping. He recalled his patriotism grew during the war when he heard about the stories of the Chinese war heroes. His mother died at the age of 38 in 1942 and his father remarried afterwards. In 1945, when the war had almost ended, his family moved back to Hong Kong. His father died of cancer at the Precious Blood Hospital in 1952 and was survived by his second wife and ten children.

In Hong Kong, Szeto Wah studied at the Yau Ma Tei Government School and then Queen's College, and graduated from the Grantham College of Education. Under his brother Szeto Ming's influence, he and his siblings joined the YWCA which had a strong left-wing leaning at the time during his student life. He was contacted by the underground Communists and joined the Chinese New Democracy Youth League, the predecessor of the Communist Youth League of China, in September 1949. Under the instruction of the Chinese Communist Party (CCP), Szeto founded the Hok Yau Club in 1949. Without any official affiliation, Hok Yau Club was responsible for recruiting youths for the Communist cause. Among the recruits at the time was Mo Kwan-nin, who rose to the deputy director of the New China News Agency in 1980s. The club ceased to function between 1952 and 1953 after it was busted by the Hong Kong Police Special Branch. At the same time, he entered the teaching profession in 1952.

After the club resumed activities in 1953, Szeto Wah was ousted in the leadership elections in 1957 and 1958 by the "red faction", the students who studied at the pro-Communist schools compared to the "gray faction" who studied at the English schools like Szeto himself. After having been stripped of his leadership, Szeto was frustrated with the power struggles and the distrust by the party leadership. Szeto was sent to become an editor at the left-leaning Children's Weekly in 1960. At the same time, he became headmaster of the GCEPSA Kwun Tong Primary School in 1961. After the journal was closed down in 1966, the party ceased to contact Szeto.

Teacher unionism and activism
In 1971, the Hong Kong government suggested unpegging the salaries of the certificated masters to the nurses to cut their salaries by 15 per cent which sparked an uproar among the teachers. Szeto Wah was actively involved in the opposition campaign and the founding of the Hong Kong Professional Teachers' Union (HKPTU) in 1972 as the founding vice-chairman under Tsin Sai-nin. In April 1973, Szeto Wah took a leading role in two waves of labour strikes. After the strikes, the teachers negotiated with government representative Jack Cater with Bishop Francis Hsu as the mediator. As a result, the teachers cancelled the third labour strike and began the negotiation process with the government. The government eventually backed down on the plan, but installed a "3-2-2" standard which raised the salaries of the certificated masters after their salary points had reached the highest levels in three, two and two years.

The PTU was found in 1972 as an instrument for Tsin Sai-nin to gather teachers' votes in the 1973 Urban Council election, as Tsin was opposed by the Hong Kong Teachers' Association. After Tsin was elected, he quit the PTU preparatory committee and the chairmanship was succeeded by Szeto. Szeto became the first chairman elected in 1974 and assumed its position until 1990. He was seen by journalist Louise do Rosario as "a dictatorial leader...in most meetings he monopolises the talking, with detail of his plan, strategies well-sorted out before his colleagues start to comprehend the basic outline."

In 1977, the Precious Blood Golden Jubilee Secondary School was exposed with a corruption scandal. The teachers and students launched a strike for two days. In response, the Director of Education issued warning letters to the teachers. The PTU received complaints from the teachers and demanded the withdrawal of the warning letters. Afterwards, the school changed its leadership and issued new restrictions into teachers' contracts and warning letters to teachers against Szeto Wah's advice. In May 1977, the Education Department closed down the school with the approval of the Executive Council. The PTU organised assemblies and petitions to demand the reopening of the school and investigation of the event. As a result, Governor Murray MacLehose appointed a three-member committee into the event consisting of Rayson Huang, Lo King-man and Maisie Wong. The committee suggested the founding of the Ng Yuk Secondary School to receive the teachers and students, withdrawing the warning letters and negating the actions of the school.

The PTU continued to grow into a significant labour union and pressure group in the territory. According to do Rosario, Szeto even became one of "the most influential persons in Hongkong's political scene mid-70s". Due to its scale and influence, the PTU was put under surveillance by the Standing Committee on Pressure Groups (SCOPG) of the Hong Kong government in 1979. In the report, the PTU was noted by its influence and organisation. Szeto was highlighted for his leadership and effectiveness in maintaining the PTU's independence against Communist infiltration.

In 1978, Szeto Wah was elected chairman of the joint committee of the Chinese Language Movement during the second wave of the movement for the equal status of the Chinese language to English. The joint committee laid out three goals: the full implementation of the Chinese language as the official language, teaching with Chinese in school, and improvement of the Chinese teaching along with English. The movement died down as the Sino-British negotiation over the Hong Kong sovereignty took the spotlight in the early 1980s.

Szeto was also involved in the Defend Diaoyu Islands movement in 1982 sparked by the Japanese government's revision of the history textbooks. He organised the assembly on 18 September, the anniversary of the Mukden Incident, in Victoria Park which was well attended.

Early pro-democracy activism
In the 1980s during the Sino-British negotiation over the Hong Kong sovereignty, Szeto Wah called for the Chinese resumption of the Hong Kong sovereignty and a democratic China and Hong Kong. In 1984 the Hong Kong government published the Green Paper: the Further Development of Representative Government in Hong Kong to suggest the introduction of direct elections in Hong Kong. Initiated by the Szeto-led PTU, 89 organisations attended an assembly at the Ko Shan Theatre on 18 September 1984 in response to the Green Paper. In December 1984, Szeto was invited by the Beijing government to witness the signing of the Sino-British Joint Declaration.

In 1985, the Beijing government invited Szeto to sit on the Hong Kong Basic Law Drafting Committee to draft the Basic Law of Hong Kong, the mini-constitution of the Special Administrative Region after 1997. He met another like-minded barrister Martin Lee in the Drafting Committee with whom he began to push for further democratisation in the following years. In the first indirect elections to the Legislative Council, Szeto was elected through the Teaching functional constituency with Martin Lee who got elected through the Legal sector.

Szeto Wah began actively pushing a faster pace of democratisation. On 27 October 1986, 91 organisations gathered to form the Joint Committee on the Promotion of Democratic Government to push forward the proposal of the "Group of 190" which demanded half of the seats in the 1988 Legislative Council to be elected directly. The committee also sent a delegation including Szeto to Beijing to meet with deputy director of the Hong Kong and Macau Affairs Office Li Hou. However, despite the general support the committee received on the 1988 direct elections, the Hong Kong government's Survey Office concluded that 70 per cent of the people opposed it. The government's decision to introduce direct elections only in 1991 was protested by the pro-democrats who burnt a paper-made lame duck to mock the Hong Kong government's back down in front of Beijing's pressure.

The joint committee also demanded direct elections of the post-1997 Chief Executive and the Legislative Council to be included in the Basic Law. The Group of 190 proposal was countered by the highly conservative Cha proposal by Louis Cha and Cha Chi-ming backed by Beijing. The joint committee launched a series of campaign against the Cha proposal. As a result, Szeto Wah and Martin Lee became the only two drafters to vote against the proposal in the Drafting Committee.

1989 Tiananmen Square massacre and memorials
The 1989 Tiananmen Square protests and massacre became the breaking point of the relationship of Szeto Wah and the CCP. The Joint Committee on the Promotion of Democratic Government was active in voicing support in the student protests in Beijing starting from May. On 20 May, it organised a rally against the government's martial law which attracted a large amount of turnout despite under the typhoon no. 8. On the next day, another million attended the rally marching from Chater Road in Central to Happy Valley Racecourse. The joint committee announced its reorganisation into the Hong Kong Alliance in Support of Patriotic Democratic Movements of China. Szeto was elected chairman of the alliance, a role in which he remained until his death in 2011.

On 27 May, the alliance helped organise the Concert For Democracy in China at the Happy Valley Racecourse. On the next day, the alliance organised another rally where a million people turned out. After the bloody crackdown on the protesters on 4 June, the alliance organised a rally condemning the Beijing authorities. On 5 June when Hong Kong activist Lee Cheuk-yan was arrested in Beijing, Szeto and Albert Ho met with Governor David Wilson at the Government House and insisted that they would not leave if the Governor did not call Prime Minister Margaret Thatcher for help. After an hour of stalemate, Wilson sent a telegraph to London seeking for assistance.

Szeto also planned a general strike on 7 June. However, a minor riot in Mong Kok in the early morning of 7 June occurred. He received a call from Lydia Dunn, the Senior Member of the Executive Council, saying that she had received a report from the police that some men from the mainland were involved in the riot. He was suggested to cancel the planned rally in which he agreed.

Szeto also resigned from his position in the Drafting Committee with Martin Lee after the crackdown. They were strongly criticised by the Beijing authorities, being called "subversive" and denied entry to the Mainland. He also refused to enter the mainland since. Under his chairmanship, the alliance laid out several goals, including rehabilitation of the 1989 pro-democracy movement. He had also been responsible for the annual Tiananmen memorials and the candlelight vigil at the Victoria Park since 1990. The year 2009 saw a resurgence of the attendees of the candlelight vigil. Governor David Wilson and Chief Executive Tung Chee-hwa asked Szeto three times to disband the alliance but was refused by Szeto.

The alliance was also involved in the Operation Yellowbird, providing shelter for the escaped activists in Hong Kong, confirming the identity of the activists with the Hong Kong Police Special Branch, liaising with the foreign consuls for the refuge applications and so forth, which successfully smuggled three or four hundred people abroad including student leaders Chai Ling and Wu'erkaixi.

Party and electoral politics
On 6 April 1990, Szeto Wah and other democracy activists formed the United Democrats of Hong Kong, the first pro-democracy political party in the wake of the Tiananmen democracy movement and the coming first direct election in 1991. Szeto Wah ran in Kowloon East, receiving more than 57,000 votes and elected with his ally Meeting Point's Li Wah-ming. The United Democrats emerged as the largest party in the legislature by winning 14 of the 18 directly elected seats.

After the election, the British government replaced David Wilson with Chris Patten as the last Governor of Hong Kong. In his inaugural policy address, Patten proposed a bold electoral reform proposal which broadened the franchise of the nine newly created functional constituencies. Patten's proposal received strong opposition from the Beijing authorities. In response to the Beijing's strong stance, the United Democrats saw the need to unite with the moderate democrats, and therefore merged with the Meeting Point to form the Democratic Party in 1994. In the mutual understanding between Szeto Wah and Martin Lee, Lee was the chairman of the party while Szeto was in charge of the alliance. Nonetheless, Szeto was given as the unofficial position of "party whip" due to his seniority without much actual power.

Szeto Wah ran in the 1995 Legislative Council election as implemented by the Patten's proposal. He defeated another veteran politician Elsie Tu in Kowloon East, who he had defeated few months ago in the Urban Council election. The Democratic Party won 12 of the 20 directly elected seats. With other individuals, the pro-democrats won 31 of the 60 seats. In response to the Patten's proposal, Beijing decided to dismantle the promised "through train" which allowed the 1995 elected legislature to survive through 1997. The Democrats boycotted the Provisional Legislative Council as they deemed as extra-constitutional.

Szeto Wah also launched a petition movement as the civil Chief Executive to mock the first Chief Executive election of 1996 by the Beijing-controlled 400-member Selection Committee. Szeto eventually accumulated more than 104,000 signatures with their ID numbers. The election was ultimately won by shipping magnate Tung Chee-hwa who was hand-picked by Beijing.

For his staunch pro-democracy conviction, Time once described him as "democracy's foot soldier", and named him one of the 25 most influential people in Hong Kong. In 1997, he was awarded the Homo Homini Award for human rights activism by the Czech group People in Need.

Szeto Wah and other Democrats ran in the first SAR Legislative Council election in May 1998 in which Szeto and Li Wah-ming won about 145,000 votes, taking two of the three seats in Kowloon East. Although the pro-democrats won 20 seats, their influence was balanced by the pro-Beijing members elected through the 10-seat Election Committee constituency. Szeto was re-elected in 2000 and decided to retire in 2004.

In 2005, the "Real Brothers incident" broke out in the Democratic Party as there were allegations of the reformist faction being infiltrated by Beijing. Szeto Wah became one of the five-member committee to investigate the incident. As a result, the accused reformist faction was defeated in the 2006 intra-party election.

On 25 May 2007 Szeto Wah was one of eight people arrested and charged with speaking at a radio show broadcast hosted by the unlicensed Citizen's Radio on the subject of the 1989 Tiananmen Square protests and massacre. Critics argued that the Hong Kong government selectively persecuted Szeto for using unlicensed equipment when delivering the political message as other members had spoken on the radio and were not charged.

Last days
In December 2009, Szeto Wah was diagnosed with terminal lung cancer. He was told by pro-Beijing politician Cheng Kai-nam that the central government was concerned about his illness. Some mainland doctors were sent to see Szeto. Chief Executive Donald Tsang also visited Szeto and told him that he could arrange Szeto to be treated in the mainland. However, Szeto said that "many people in China are being tortured and prosecuted, and if I go back it would be a privilege, a totally different treatment. I feel guilty and cannot accept the offer."

In 2009, the radical democratic League of Social Democrats (LSD) proposed the resignation of the pro-democracy legislator in each geographical constituency to trigger a territory-wide de facto referendum called the "Five Constituencies Referendum" over the 2012 constitutional reform package. Szeto initially said it was considerable and suggested the Democratic Party to actively respond to it. However, after a period of observation, Szeto believed the true intention of the LSD was to take over the leadership of the democracy movement as they had aggressively attacked other allies within the camp. Szeto then shifted his stance on the movement and actively opposed the proposed plan. In December 2009, the Democratic Party voted down the proposal to join the movement. As the pro-Beijing parties boycotted the by-elections, the turnout rate was only 17 per cent.

Meanwhile, the Democratic Party leaders began to negotiate with the Beijing authorities and a revised proposal suggested by Szeto Wah was accepted by Beijing. Szeto Wah attended the party meeting after chemotherapy and spoke in support of the revised proposal, stating that it was better to have the increase of five directly elected seats, five functional constituency seats but almost directly elected and the abolition of the appointed District Council seats than nothing.

After the Democratic Party voted for the revised package, the Democratic Party and Szeto Wah received harsh criticisms from its former allies and supporters, condemning them for betraying democracy and the Hong Kong people. "Longhair" Leung Kwok-hung in a protest in front of the PTU headquarters said Szeto Wah had his cancer got into his brain. In the following 1 July march, Szeto on his wheelchair also received criticisms from his supporters, saying that the "Democratic Party sold out Hong Kong people." In response, Szeto argued, "Sold out? How much for selling out? ... Are you pig or dog? Can you be sold out?"

Death and funeral
Szeto Wah died on 2 January 2011 at the Prince of Wales Hospital. He was 79. His last words were "Success doesn't need to involve me; however, when success comes, I will be part of it." In a service at St Andrew's Church in Tsim Sha Tsui, bells tolled six long and four short times, representing the victims of the Tiananmen Square protests and massacre. In accordance with his wishes, Szeto's body was cremated; half the ashes to be scattered in Hong Kong waters, the other half scattered in a garden at Cape Collinson Crematorium. Chief Executive Donald Tsang described Szeto as "passionate about China and Hong Kong, Mr Szeto Wah was devoted in promoting democracy. Upright, industrious and unwavering in the pursuit of his ideals, Mr Szeto earned great respect from across the community."

Exiled mainland dissidents Wang Dan and Wu'erkaixi had expressed their strong desire to attend the funeral. Pan-democrats petitioned the Hong Kong government to allow them to enter Hong Kong to attend Szeto's funeral on compassionate grounds under the one country, two systems principle, although NPCSC delegate Rita Fan said the request represented a huge dilemma for the government as it would set a precedent. On 10 January, Wang Guangya, director of the Hong Kong and Macao Affairs Office, declared that decision on whether to allow dissidents to enter was in the hands of the Hong Kong government; he expressed confidence that they would "handle it well". On 26 January, the government announced that the application of Wang Dan to enter Hong Kong had been declined by after "careful consideration"; a spokesman said the decision was made based on the potential "consequences" of allowing him in. The decision was denounced by Wang, Wu'er Kaixi, and pro-democrat legislator Lee Cheuk-yan, saying that the government had surrendered the principle of "one country, two systems".

Personal life
Szeto Wah was never married in his life. He only had a romance publicly acknowledged with his fellow teacher Wong Siu-yung who died in the 1980s. Under Wong's influence, Szeto was baptized as Christian on 8 April 1985. He lived with his younger sister in Mong Kok. His brother, Szeto Keung, joined the state-owned New China News Agency Hong Kong Branch in the 1950s and remained working there.

Aside from his political career, Szeto was also well known for his Chinese calligraphy skills. He was also a keen swimmer.

title: Szeto Wah