text: User:DE-TalkingAl II

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: User:DE-TalkingAl II


text:
Wikipedia:Articles for deletion/Trace Bundy

 This page is an archive of the discussion about the proposed deletion of the article below. This page is no longer live. Further comments should be made on the article's talk page rather than here so that this page is preserved as an historic record. The result of the debate was delete. Sjakkalle (Check!)  13:44, 19 Jun 2005 (UTC)

Trace Bundy
Appears to be a vanity advert, although it has 514 hits on google, so I'm not sure. 22:25, 7 Jun 2005 (UTC)
 * Delete "Little known" people generally do not belong in WP. --Xcali 23:00, 7 Jun 2005 (UTC)
 * Delete If he is little known then he shouldn't really have an article. Forbsey 23:19, 7 Jun 2005 (UTC)
 * Do Not Delete I wrote the article about him and by little known I meant he hasn't hit the mainstream yet. He has released 3 CDs and is gaining popularity rapidly, especially among the guitarist community.  If other artists have pages on Wikipedia Trace Bundy deserves one too.  Also it is not vanity because Trace Bundy did not write this article.--24.166.43.161 02:15, 8 Jun 2005 (UTC)
 * Check WP:MUSIC for guidelines on what artists should be included, also, Wikipedia is not a crytal ball so whether he is rising or not, you should not start an article on him until he has met the guidelines. Sorry, but a Delete for now. Sasquatch′↔Talk↔Contributions 04:56, Jun 8, 2005 (UTC)
 * Delete non-notable. --Etacar11 03:45, 8 Jun 2005 (UTC)
 * Delete non notable. JamesBurns 06:07, 8 Jun 2005 (UTC)
 * Do Not Delete Go ahead and check WP:MUSIC. I quote, "Has become the most prominent representative of a notable style or the local scene of a city (or both, as in British hip hop); note that the subject must still meet all ordinary Wikipedia standards, including verifiability." Not only is Trace Bundy the most popular musician coming out of Buena Vista/Boulder Colorado (which is verifiable, he has one various contest in the area such as "Guitars on the River," a competition for guitarist all over CO), he has also became one of the biggest names in the neo-classical guitar genre.--24.166.43.161 00:25, 9 Jun 2005 (UTC)
 * Note: duplicate vote User 24.166.43.161 made same vote above. Please vote only once.Tobycat 03:41, 9 Jun 2005 (UTC)
 * Delete nn. Tobycat 03:41, 9 Jun 2005 (UTC)
 * Comment Just because you've never heard of him or don't like his style doesn't make him non-notable. Besides, I wouldn't consider any of you people voting to delete this page notable but you still have Wiki pages.  What harm will it do to keep him in here?
 * Unsigned comment by User 24.166.43.161, who seems to be confusing articles and user pages. --Etacar11 19:57, 14 Jun 2005 (UTC)
 * Keep According to Tim Thornton of Newcomer's Home, “Acoustic solo guitarist Trace Bundy . . . has been getting a lot of attention lately -- he just won first place in "Guitars on the River," a Colorado guitar competition in which [he] . . . beat out some of Colorado's best classical players." (Found at http://www.tracebundy.com/press.html) The information is accurate, verifiable, and since he won a Colorado guitar competition, as Tim Thornton put it, "beat out some of Colorado's best classical players," I think he is notable enough to stay in Wikipedia. ---IanManka 19:40, 11 Jun 2005 (UTC)
 * Delete, not meeting the guidelines for musicians at WP:MUSIC. Why have guidelines if we're going to have a big argument in each individual case about whether to apply them?  I'm sure you have to be pretty good to win first place at Guitars on the River in Salida, Colorado; but it's not exactly a "major music award".  Frjwoolley 19:37, 14 Jun 2005 (UTC)
 * This page is now preserved as an archive of the debate and, like some other VfD subpages, is no longer 'live'. Subsequent comments on the issue, the deletion, or the decision-making process should be placed on the relevant 'live' pages.  Please do not edit this page .


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File:Marha dar almanasir.JPG

Summary
Marhah, village next to al-Kanisah and the remains of a church on Sur Island, Dar al-Manasir, Northern Sudan

License
(c) GFDL David Haberlah (Homepage of David Haberlah, david@haberlah.com)

title: File:Marha dar almanasir.JPG


text:
Talk:Transit of Mercury from Mars

Untitled
Simultanous transits of Mercury and Earth from Mars are possible: when was the last, when will be the next?

title: Talk:Transit of Mercury from Mars


text:
User talk:Kolstad

Fredrik Borud; Overvektig person som ligner på Shrek blant nære venner kjent som "testosteronbomben". Han er både laus og full og selvfølgelig herper han ting i fylla. Ikke nok med det, han har også kjørt Inger Sophie."

title: User talk:Kolstad


text:
Talk:CBC Tower (Mont-Carmel)

Was it replaced by a new tower? If yes, how tall is it?

Coordinates missing
Which were the coordinates of the tower? —Preceding unsigned comment added by 91.46.208.29 (talk) 22:05, 4 December 2009 (UTC)

title: Talk:CBC Tower (Mont-Carmel)


text:
Blok (character)

Blok is a superhero appearing in American comic books published by DC Comics. He has a massive, stony body, as well as incredible strength and endurance.

Publication history
Blok appeared in Superboy and the Legion of Super-Heroes #253 (July 1979) by Gerry Conway and Joe Staton in an era referred to as the Bronze Age of Comic Books.

Fictional character biography
Blok first appeared as a member of the League of Super-Assassins, where he was manipulated by the Dark Man, a clone of Tharok, into attacking the Legion of Super-Heroes. Blok, possibly the last of a silicon-based species native to the planet Dryad, had been convinced by Tharok that the Legion was seeking to destroy his home world, when they were actually working to save it. After learning the truth, Blok turned on the Assassins and eventually joined the Legion. He knew very little of the rest of his race; it was not even clear to him whether his form was that of an adult or a child.

Blok was relatively slow to acclimate to life in the Legion, though he eventually forged a close bond with two of his teammates, Timber Wolf and the White Witch, the latter with whom he spent a great deal of leisure time perusing the Legion's voluminous archives. He remained with the team for several years, eventually choosing to leave following the catastrophic Black Dawn affair and the increased scrutiny and suspicion of Earthgov towards all Legion activities. He eventually found his way to the Puppet Planetoid, where he spent a few years in isolated contemplation. Shortly thereafter Polar Boy officially disbanded the Legion of Super-Heroes.

In 2994, Blok's former teammates Rokk Krinn and Reep Daggle began to reorganize the team, a move which immediately attracted the attention of the corrupt Earthgov. To discourage and demoralize the new effort, the alien Dominators who had been secretly controlling Earthgov for years hired Roxxas to seek out and kill Blok as a warning to his other teammates. Roxxas tracked Blok down to the Puppet Planetoid and carried out his mission with ruthless efficiency, delivering Blok's dismembered corpse to the ranch home of Garth and Imra Ranzz on Winath. Far from demoralizing the other Legionnaires, however, Roxxas's act galvanized them into action, and it was directly following their discovery of Blok's murder that the Legion of Super-Heroes was officially refounded.

At the moment of his death fighting Roxxas, Blok seemed to have an out-of-body experience in which he was back on Dryad, and met Strata of L.E.G.I.O.N., who he recognized from mythology. Strata promised to finally show him the truth of his ancestral history as she led him below ground into a series of caves. Filled with joy, Blok's last thoughts were of finally reaching enlightenment.

Post-Zero Hour
Blok did not appear in the post-Zero Hour Legion. A female Dryadian named Brika was introduced in Legionnaires #71 (May 1999), protesting a group of colonists who intend to re-settle her hibernating clan. She was then possessed by a stone elemental named Rrox, who destroyed the planet, thinking "no-one will ever colonize Dryad now".

Blok appears briefly (with several other Legionnaires from previous iterations of the team such as Tyroc and Dawnstar) as a character in a 'campfire story' showing the Legion's influence, and the urban legends and myths that have sprung up around it. This appearance was a cameo, and does not appear to take place in the series actual continuity.

Post-Infinite Crisis
Blok, along with many other pre-Crisis Legionnaires, appears as a statue in Superman's Fortress of Solitude. He also appears as a member of the Legion in the Superman and the Legion of Super-Heroes storyline.

In Final Crisis: Legion of 3 Worlds #2, Blok rescues Mysa from Mordru on Zerox, being aided in the rescue by Dawnstar, Wildfire, and Rond Vidar. It is revealed at this point that Blok and Mysa are in a relationship, one that was only briefly hinted at as Blok's unrequited crush in the pre-Crisis Legion. Blok helped combat the Legion of Super-Villains until he suffered major injuries at the hand of Mordru. To save him, Mysa absorbs Mordru's magicks, becoming the Black Witch, and leaves the Legion for the Sorcerer's World when the battle is over. Once his wounds are healed, Blok follows Mysa, and convinces her to let him help her use Mordru's black magic for good.

In the Watchmen sequel Doomsday Clock, Blok is among the Legion of Super-Heroes members that appear in the present after Doctor Manhattan undid the experiment that erased the Legion of Super-Heroes and the Justice Society of America.

Powers and abilities
Blok's abilities fluctuated during his career. Though his enormous size and rocky form suggested super-human strength and near-invulnerability, he did not demonstrate such abilities during his first appearance. Rather, he seemed able to absorb various sorts of energy attacks, being specifically immune to Light Lass's anti-gravity powers. In his second appearance, this was specifically stated to be an ability to increase his own mass. This power seemed not entirely under his control; when he joined the Legion, it was stated that three Legion flight-rings were required to lift him.

During Blok's Legion tenure, it was stated definitely that he had massive super-human strength. Its relative limits were never made clear; it was stated that he could not match the levels of pre-Crisis Kryptonians and Daxamites or Ultra Boy, but seemed stronger than Timber Wolf and, possibly, Colossal Boy. Contrary to this, his durability was greater than that of the latter two heroes, though still not quite on Kryptonian levels. This may have been contradicted when he was able to hold his own against pre-Crisis Daxamites hand-to-hand during a Darkseid led invasion of the United Planets during the Great Darkness Saga in Legion of Super-Heroes vol. 2 #294. His recuperative abilities were likewise vague. In his earliest experiences, his body included a collar-like formation around his neck which was destroyed during the Great Darkness Saga and never regrew, but he seemed unharmed by its lack. A formation on his face that resembled a nose was likewise apparently chipped away.

Blok was also written as having the ability to communicate telepathically with other silicon-based life forms. Despite his searching, he never did find any, so this ability went unexplored.

Over time, his earlier abilities to change his mass and absorb energy were de-emphasized in favor of his super-strength. Towards the end of his life he began to mutate into a different form, larger than before and possessed several protuberances which expelled plasma. It was speculated that Blok's earlier form had been an immature, possibly larval state, and the changes in his body were a metamorphosis like that of a butterfly. Another supposition was that he was reaching maturity and beginning to show signs of that race's indication that he was male. A 20th century Dryadian, Strata of L.E.G.I.O.N., metamorphosed into a diamond-like version. When asked about the metamorphosis, she replied: "I guess that means I'm female".

Equipment
As a member of the Legion of Super-Heroes, Blok is provided a Legion Flight Ring, which allows him to fly and protects him from the vacuum of space and other dangerous environments. He originally had to wear three rings at once due to his massive size, but later changed to wearing a single ring modified to handle his increased mass.

In other media

 * Blok makes a cameo appearance in the Justice League Unlimited episode "Far From Home" as one of several Legionnaires under the Fatal Five's mind control.
 * Blok makes non-speaking cameo appearances in Legion of Super Heroes.

Reception
Jesse Murray of Syfy placed Blok as the 33rd greatest Legion member of all time, describing him as "once a misguided bad guy who saw the light". Warner Bros. producer James Tucker cited the character as a favorite of his.

title: Blok (character)


text:
David Lee

David Lee may refer to:

Arts

 * David Lee (art critic) (born 1953), editor of Jackdaw magazine
 * David Lee (Australian sound engineer) (born 1958)
 * David Lee (Canadian sound engineer) (1938–2008)
 * David Lee (drummer) (1941–2021), American jazz drummer
 * David Lee (poet) (born 1944), American poet
 * David Lee (photographer) (born 1982), American photographer and film director
 * David Lee (screenwriter), American television writer, producer and director, notably of Frasier
 * David Lee (still photographer) (born 1961)
 * David Lee (visual effects artist), New Zealand visual effects artist
 * David Dodd Lee (born 1959), American poet
 * David M. Lee (stereophotographer) (1950–2015)
 * David U. Lee, Chinese-American Hollywood film producer and entrepreneur
 * M. David Lee III (born 1965), American film director and producer

Business

 * David Lee (investor), American angel investor
 * David Lee (real estate developer), American head of Jamison Properties
 * David L. Lee (born 1950), Taiwanese-American managing general partner of Clarity Partners
 * David S. Lee (born c. 1938), American CEO of eOn Communications Corporation

Basketball

 * David Lee (basketball) (born 1983), American retired NBA basketball player
 * Dave Lee (basketball) (David G. Lee, born 1942), American basketball player in the American Basketball Association

Football

 * David Lee (American football coach) (born 1953), American football coach and former player
 * David Lee (Canadian football) (born 1990), Canadian football defensive end
 * David Lee (footballer, born 1967), English footballer who played mostly with Bury FC and Bolton Wanderers FC
 * David Lee (footballer, born 1969), English footballer who played mostly with Chelsea FC
 * David Lee (footballer, born 1980), English footballer who played mostly with Southend United FC and Hull City AFC
 * David Lee (punter) (born 1943), American former Baltimore Colts punter (American football)
 * David Lee (Singaporean footballer) (born 1958), Singaporean football player

Other sports

 * David Lee (athlete) (born 1959), American former hurdler
 * David Lee (baseball) (born 1973), American Major League Baseball player (1999–2004)
 * David Lee (sport shooter) (born 1948), Canadian sports shooter
 * David Lee (volleyball) (born 1982), American Olympic volleyball player

Religion

 * David Lee (archdeacon of Bradford) (born 1948), Anglican Archdeacon of Bradford
 * David Lee (archdeacon of Llandaff) (born 1930)

Other

 * David Lee, a fictional character in the television series The Good Wife and The Good Fight
 * David Lee (physicist) (born 1931), American Nobel Prize-winning physicist
 * David Lee (politician) (born 1949), Republic of China politician
 * David Lee (RAF officer) (1912–2004)
 * David Lee (economist), economist and former provost of Princeton University

title: David Lee


text:
Category talk:Holocaust denial

Questions about categorization
Why is Category:Holocaust denial categorized in Category:Pseudoscience when the article Holocaust denial isn't categorized in Category:Pseudoscience? 128.171.51.167 23:26, 7 June 2005 (UTC)

Should we have a subcategory Category:Holocaust deniers for individuals? GCarty 18:37, 19 February 2006 (UTC)
 * I think so. A list would be another option and in my mind other than the advantages listed here this has the advantage of allowing nesting within the pages using |* or similar. See Category:Cults for a similar approach. Antonrojo 00:26, 5 July 2006 (UTC)

I don't think that denying holocaust should be considered as neo-nazism, I guess most of the holocaust deniers are actually against nazism totally, I've removed the category for that reason. best regards --196.202.74.136 14:32, 21 February 2006 (UTC)

Why is this a subcategory of Anti-Semitism? One who thinks that the holocaust might be exaggerated isn't necessarily Anti-Semitic. BhaiSaab talk 20:36, 29 July 2006 (UTC)

PockBot - Category articles summary as of 9:10:31, Thu Dec 7, 2006
List of all pages in category Holocaust denial retrieved by PockBot. '''PockBot is currently Undergoing Trials. If you have any comments on its performance please leave them at Bots/Requests_for_approval/PockBot'''  PockBot 09:10, 7 December 2006 (UTC)

see also category
I don't understand why this should be removed. This is not an issue of anti-Semitism and anti-Korean racism. Clearly, it is historical revisionism for war crimes related to the Axis powers of World War II. Mureungdowon (talk) 20:32, 16 May 2023 (UTC) At that time, both the Nazi Germany and Japanese Empire were totalitarian ultranationalist states of major Axis powers. There is no reason why Japanese war crimes and Nazi war crimes should be considered different. Mureungdowon (talk) 20:35, 16 May 2023 (UTC)

 * I concur with Wetglass & Jayjg in this regard. Relevant articles might want "see also", but the discussion at Talk:Antisemitism is pretty much exactly the same issue. --jpgordon𝄢𝄆𝄐𝄇 20:46, 16 May 2023 (UTC)
 * No, it's not appropriate to compare with that talk. Because the current discussion is not just a comparison between anti-Korean racism and anti-Semitism, but a denial of war crimes in World War II. See Asian Holocaust. Mureungdowon (talk) 20:52, 16 May 2023 (UTC)
 * Wetglass is likely a conservative Japanese editor. The editor is a person who claims that Nippon Kaigi and Shinzo Abe are not fascists, and that Abe is even a center-right nationalist politician. In modern Germany, German nationalism itself is considered far-right. Since the Japanese grow up with revisionist education on war crimes against the Asian Holocaust, the possibility of having a very biased view on this issue is worrisome. Almost all Koreans compare Japanese war crimes to Nazi war crimes, the former more brutal than the latter. Mureungdowon (talk) 20:57, 16 May 2023 (UTC)
 * Honestly Mureungdowon if you are going to directly start the conversation by poisoning the well with personal attacks and misinterpretations by taking out of context things I have written in the past I'm not even going to bother engaging with you much since that's extremely off-putting behavior. The thing about doing something like that is that you look like a fool when that person reveals some basic information about themselves. I'm neither Japanese nor conservative (quite the opposite). In the US I have been supporting people like Bernie Sanders, AOC, and the progressive caucus ever since 2015/2016 and in Japan the major party that mostly aligns with me is the Democratic one although since they don't have much of a chance of winning, the more realistic option is Taro Kono from the LDP. I will concur with @Jayjg, @Jpgordon on this issue and the points that have already been made in Talk:Antisemitism. This page focus is Holocaust denial and things directly related to it. This category is NOT about "Denial of war crimes in World War II". I repeat, this category is specifically made for Holocaust denial, anything outside of that doesn't belong here. I don't know why you insist on adding unrelated things to pages which were clearly not made for those topics. Please understand.
 * Other than that I won't engage much more since I don't have much time for editing (inactive on Wikipedia for nearly a year) but will say one last thing, you've recently both been put on the notice board by others because they thought you lacked neutrality and blocked for a week last month for edit warring. Wikipedia is not a battlefield nor a place where you go to win arguments against others when they don't agree with you, either by going on long tirades about why you are right or personally attacking them (there's Reddit, Twitter and many such places on the Internet where you can do that to your heart's content). Just stick to good quality sourcing (academic if possible) and calmly edit things based on that while also using common sense. Guaranteed you won't have to fight with anyone and will easily solve any disagreements if they arise. If you are getting riled up on a place like this you are definitely doing something wrong. And for the love of god don't attack people personally or put false labels on them, that's just gross. WetGlass (talk) 23:27, 16 May 2023 (UTC)
 * Grossly unacceptable. @Mureungdowon, consider this a warning; your comments about WetGlass breach WP:CIVIL and are barely a millimeter from violating WP:NPA; they quite certainly cross WP:AGF. A wise editor would apologize, and strike the offending comments. --jpgordon𝄢𝄆𝄐𝄇 15:32, 17 May 2023 (UTC)
 * I apologize for unfairly criticizing WetGlass. Sorry. Mureungdowon (talk) 20:20, 17 May 2023 (UTC)

I don't think Japanese war crimes need to be distinguished from the Holocaust. Just as the Holocaust denial itself is far-right, the denial of Japanese war crimes is also far-right. The majority of Japanese are neofascists by German political standards, and this is not a racist slur against the Japanese, but an obvious FACT. The Japanese were clearly allies with the Nazis during World War II. Mureungdowon (talk) 03:21, 18 May 2023 (UTC)

title: Category talk:Holocaust denial


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Amazing Grace (Spiritualized album)

Amazing Grace is the fifth album by the British rock band Spiritualized, so named to indicate its considerable gospel influence. Although the title hymn does not appear on the album (Spiritualized have covered it previously, and released a free-jazz version as a b-side in 2001, and also on The Complete Works Vol. 2), the ballad "Hold On" is based upon the same melody, and the opening track "This Little Life of Mine" is clearly indebted to the spiritual "This Little Light of Mine".

After working with free-jazz collective Spring Heel Jack on one of their albums and tour, frontman Jason Pierce was inspired to make a record with the same principles. His approach meant that the rest of Spiritualized was given the songs on the same day as they were recorded, meaning the record (including orchestral overdubs) was completed in 3 weeks. This is a huge difference compared to its predecessor, Let It Come Down, which took four years to record.

The album is generally harder-edged than its predecessors, featuring a number of variations on the familiar Spiritualized "Electricity" garage-rock riff. Conversely, "The Ballad of Richie Lee" is a tender, organ-driven tribute to Richie Lee, the lead singer of the American group Acetone, a friend of Pierce, who committed suicide in 2001. The song was used in the final scene of the film The Unloved, whose director, actress Samantha Morton, is a close friend of Pierce's.

Two singles were released, "She Kissed Me (It Felt Like a Hit)" and "Cheapster". The former song's title is a reference to the song "He Hit Me (It Felt Like a Kiss)" by the 1960s girl group The Crystals, and the latter's is a likely reference to T. Rex's "Jeepster".

The world tour following the album's release culminated in a headline slot on The Other Stage at Glastonbury 2004 and a support slot for Primal Scream at Brixton Academy, for the Hoping Foundation charity concert, later released on DVD.

The closing track on the album, "Lay It Down Slow", was used in the Series Finale of the American TV show Prison Break.

Track listing
All songs written by J Spaceman.

Personnel
Spiritualized
 * Spaceman – Epiphone Casino, Fender Jaguar, Fender Thinline, Martin 003 acoustic, Fender Telecaster, hammer dulcimer, Farfisa Compact, banjo, Fender Precision Bass, piano, bell, Radioshack
 * Tom Edwards – sleigh bells, piano, maracas, tambourine, marimba, tubular bells, timpani, Radioshack, Vox Continental, Farfisa Compact, foot stamps, vibraphone, Optigan
 * Kevin Bales – Gretsch drums
 * Doggen – Precision Bass, Fender Jaguar, Gibson Gold Top 57, Fender Jazzmaster, Rickenbacker 39 lapsteel, Fender Bass VI, harmonica, Gibson Les Paul Custom
 * Thighpaulsandra – Vox Continental, Kurtzweil, Rhodes, Hammond C3, piano
 * John Coxon – Gibson Firebird V, Fender Telecaster, Gibson Firebird III, harmonica, autoharp, Fender Bass VI, Martin D21, Hammond B3, piano, Fender Rhodes

Additional musicians
 * Jonny Aitken - drums
 * Evan Parker - saxophone
 * Kenny Wheeler - trumpet
 * Jonathon Morcambe - French horn
 * Ray Dickaty - saxophone
 * Dave Temple - saxophone
 * Ben Edwards - trumpet
 * Nick Smart - trumpet
 * James Adams - trombone
 * Nick Sweeney - violin
 * Fay Sweet - violin
 * Tony Woollard - cello
 * Angie Brown - vocals
 * Lauraine McIntosh - vocals
 * Mary Pearce - vocals

title: Amazing Grace (Spiritualized album)


text:
Talk:Transit of Earth from Mars

Simultanous transits
Simultanous transits of Mercury and Earth from Mars are possible: when was the last, when will be the next?

Duration?
How long will the 2084-Nov-10 transit last? Does anyone know at what time (UTC) it will happen? Jacob1207 01:09, 15 December 2006 (UTC)

 * It will start at 2:06 UT and run to 10:31 UT, so it will last 8 hr 26 min. -- Kheider (talk) 14:25, 6 June 2008 (UTC)

External links modified (January 2018)
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title: Talk:Transit of Earth from Mars


text:
Mike Mazurki

Mike Mazurki (December 25, 1907 – December 9, 1990) was a Ukrainian-American actor and professional wrestler who appeared in more than 142 films. Although educated as an attorney, his hulking 6 ft 5 in (196 cm) presence, craggy face, and croaking voice had him often typecast as brainless athletes, tough guys, thugs, and gangsters. Memorable roles included Moose Malloy in Murder, My Sweet (1944), Splitface in Dick Tracy (1945), Yusuf in Sinbad the Sailor (1947), and "The Strangler" in Night and the City (1950). He was the founder and first president of the Cauliflower Alley Club.

Early years
Mazurki was born Markiyan Yulianovich Mazurkevich (Маркіян (Михайло) Мазуркевич) (Markijan (Mychajlo) Mazurkiewicz) in the village of Kupchyntsi (in present-day Ternopil Raion), near what was then Tarnopol, Galicia, Austria-Hungary (now Ternopil, Ukraine).

Mazurki attended high school at the LaSalle Institute in Troy, New York. Upon graduation, he changed his name to "Mike". He played football and basketball at Manhattan College, where he graduated with a Bachelor of Arts degree in 1930.

After earning his bachelor's degree, Mazurki graduated from Fordham Law School and became an attorney. He later said he took up professional wrestling because he could earn around ten times what he could as a lawyer. Mazurki was also a professional football and basketball player.

Career
Mazurki had trained as a professional wrestler, but turned to acting after serving as Mae West's bodyguard. Mazurki was discovered by Josef von Sternberg and given a bit part in his film The Shanghai Gesture (1941). This led to a long film and television career. Possibly his best-known role was as the slow-witted but dangerously obsessed thug Moose Malloy in the lurid film noir Murder, My Sweet (1944). He portrayed the psychotic, knife-wielding murderer Splitface in the original Dick Tracy (1945). (Mazurki would play a cameo role, 45 years later, in the 1990 Warren Beatty film version of the same name.) He played a frightening, knuckle-cracking henchman in the noir Abandoned (1949), bone-crushing wrestler "The Strangler" in Night and the City (1950) (performing a grueling and highly realistic match against a professional Greco-Roman grappler), and had a role imitating the manner of a George Raft henchman in the Billy Wilder comedy, Some Like It Hot (1959). He continued to wrestle during his acting career. His slurred speech was reportedly due to a wrestling injury to his Adam's apple. Following the death of Victor McLaglen, Mazurki appeared in several films for John Ford.

In addition to his film work, Mazurki made guest appearances on many popular television shows, among them My Friend Flicka (as a wrestler facing Gene Evans's character "Rob McLaughlin"), The Untouchables, Bachelor Father, Daniel Boone, Gilligan's Island, The Munsters, I Dream of Jeannie, Bonanza, and Gunsmoke, to name just a few. In 1964, he played Cully Barstow, a yacht hand, in "The Case of the Missing Button", an episode of Perry Mason in which he threatened Mason and Paul Drake with a set of brass knuckles. He also played Arthur Jacks in the episode "The Case of the Deadly Verdict" (1963). He was a regular as well on the short-lived sitcom The Chicago Teddy Bears. In 1966–67, he performed as the caveman "Clon" in It's About Time.

In 1972, he landed his only starring role in a film as Trapper in Challenge to Be Free. As he aged, acting opportunities for Mazurki began to slow in the 1970s and 1980s; nevertheless, he continued working until his death on December 9, 1990. His final film role, that of "Don Taglianeti", is in the low-budget comedy Mob Boss, which was released just two months before he died. Along with his film and television appearances, Mazurki was seen in the hit Rod Stewart music video "Infatuation" (1984), playing the bodyguard protecting a woman (played by Kay Lenz) from a stalker (played by Stewart, whom he punches out). Mazurki later said that he got more fame in the making of this video than in any of the feature films or TV shows in which he'd starred.

Filmography

 * Belle of the Nineties (1934) as New Orleans Audience Admirer (uncredited)
 * Black Fury (1935) as Security Force Applicant (uncredited)
 * Each Dawn I Die (1939) as fellow prisoner (uncredited)
 * The Last Alarm (1940) as Onlooker (uncredited)
 * The Shanghai Gesture (1941) as The Coolie
 * Dr. Renault's Secret (1942) as Rogell (uncredited)
 * The Moon and Sixpence (1942) as Tough Bill (uncredited)
 * That Other Woman (1942) as Thug (uncredited)
 * Gentleman Jim (1942) as Jake Kilrain (uncredited)
 * It Ain't Hay (1943) as Bouncer (uncredited)
 * Prairie Chickens (1943) as Henchman Charlie (uncredited)
 * Taxi, Mister (1943) as Henchman Joe
 * Mission to Moscow (1943) as Russian Machinist Workman (uncredited)
 * Bomber's Moon (1943) as Kurt (scenes deleted)
 * Behind the Rising Sun (1943) as Japanese Wrestler (uncredited)
 * Thank Your Lucky Stars (1943) as Olaf (uncredited)
 * Swing Fever (1943) as Wrestler (uncredited)
 * Henry Aldrich Haunts a House (1943) as The Goon (uncredited)
 * Whistling in Brooklyn (1943) as Henchman on Ship (uncredited)
 * Lost Angel (1943) as Fighter (uncredited)
 * Shine On, Harvest Moon (1944) as Bouncer (uncredited)
 * Summer Storm (1944) as Tall Policeman Bending Over Petroff (uncredited)
 * The Canterville Ghost (1944) as Metropolus
 * The Missing Juror (1944) as Cullie — Masseur (uncredited)
 * The Princess and the Pirate (1944) as Pirate (uncredited)
 * Murder, My Sweet (1944) as Moose Malloy
 * The Horn Blows at Midnight (1945) as Bass Player / Humphrey Rafferty
 * The Spanish Main (1945) as Erik Swaine
 * Abbott and Costello in Hollywood (1945) as Klondike Pete
 * Dick Tracy (1945) as 'Splitface'
 * Dakota (1945) as "Bigtree' Collins
 * The Thin Man Goes Home (1945) as First Man outside barber shop (uncredited)
 * Live Wires (1946) as Patsy 'Pat' Clark
 * Mysterious Intruder (1946) as Harry Pontos
 * The French Key (1946) as Sam Cragg
 * Sinbad the Sailor (1947) as Yusuf
 * Killer Dill (1947) as Little Joe
 * Unconquered (1947) as Bone
 * Nightmare Alley (1947) as Bruno
 * I Walk Alone (1948) as Dan
 * Relentless (1948) as Jake
 * The Noose Hangs High (1948) as Chuck
 * Neptune's Daughter (1949) as Mac Mozolla
 * Come to the Stable (1949) as Sam
 * Rope of Sand (1949) as Pierson
 * The Devil's Henchman (1949) as Rhino
 * Abandoned (1949) as Hoppe
 * Samson and Delilah (1949) as Leader of Philistine soldiers
 * Night and the City (1950) as The Strangler
 * Dark City (1950) as Sidney Winant
 * He's a Cockeyed Wonder (1950) as 'Lunk' Boxwell
 * Pier 23 (1951) as Ape Danowski
 * Criminal Lawyer (1951) as 'Moose' Hendricks
 * Ten Tall Men (1951) as Roshko
 * The Light Touch (1951) as Charles
 * My Favorite Spy (1951) as Monkara
 * The Egyptian (1954) as Foreman, House of Death (uncredited)
 * New York Confidential (1955) as Arnie Wendler
 * New Orleans Uncensored (1955) as Big Mike
 * Blood Alley (1955) as Big Han
 * Davy Crockett: King of the Wild Frontier (1955) as Bigfoot Mason
 * Davy Crockett and the River Pirates (1956) as Bigfoot Mason
 * Kismet (1955) as Chief Policeman
 * Comanche (1956) as Flat Mouth
 * Around the World in 80 Days (1956) as Hong Kong Drunk
 * Man in the Vault (1956) as Louie
 * Hell Ship Mutiny (1957) as Ross
 * The Man Who Died Twice (1958) as Rak
 * The Buccaneer (1958) as Tarsus
 * Some Like It Hot (1959) as Spats's henchman #1
 * Alias Jesse James (1959) as Dirty Dog Tough (uncredited)
 * The Facts of Life (1960) as First Husband in Motel Room
 * Swingin' Along (1961) as Bookie
 * The Errand Boy (1961) as Blonde 'Movie Siren'
 * Pocketful of Miracles (1961) as Big Mike
 * Zotz! (1962) as Igor
 * Five Weeks in a Balloon (1962) as Slave Captain
 * Donovan's Reef (1963) as Sgt. Monk Menkowicz
 * It's a Mad, Mad, Mad, Mad World (1963) as Miner bringing medicine to his wife
 * 4 for Texas (1963) as Chad
 * Cheyenne Autumn (1964) as Senior First Sergeant Wichowski
 * The Disorderly Orderly (1964) as Moving Van Passenger (uncredited)
 * 7 Women (1966) as Tunga Khan — Bandit Leader
 * The Adventures of Bullwhip Griffin (1967) as Mountain Ox
 * Which Way to the Front? (1970) as Rocky (uncredited)
 * The Centerfold Girls (1974) as The Caretaker
 * Challenge to Be Free (1975) as Trapper
 * Won Ton Ton, the Dog Who Saved Hollywood (1976) as Studio Guard
 * Paesano: A Voice in the Night (1977) as Bodyguard
 * The Magic of Lassie (1978) as Apollo
 * The One Man Jury (1978) as Kayo's Handler
 * Gas Pump Girls (1979) as Moiv
 * Alligator (1980) as Gatekeeper
 * The Man with Bogart's Face (1980) as Himself
 * ...All the Marbles (1981) as Referee in Chicago (uncredited)
 * Doin' Time (1985) as Bruno
 * Amazon Women on the Moon (1987) as Dutch (segment "Reckless Youth")
 * Dick Tracy (1990) as Old Man at hotel
 * Mob Boss (1990) as Don Taglianeti (final film role)

Television

 * My Friend Flicka — episode — The Old Champ (1956) as Hercules
 * Have Gun – Will Travel — episode — Ella West (1958) as Breed
 * Official Detective "The Policeman's Gun" (1958) as Banning
 * Have Gun – Will Travel — episode — Love's Young Dream (1960) as Power
 * The Texan - episode - Captive Crew (1960) as Kale
 * Perry Mason — episode — The Case of the Counterfeit Crank (1961) as Cully Baxter
 * Have Gun – Will Travel — episode — Don't Shoot the Piano Player (1962) as Jo Jo
 * Perry Mason — episode — The Case of the Missing Button (1964) as Cully Barstow
 * Daniel Boone — episode — Lac Duquesne (1964) as Akasheta (uncredited)
 * The Munsters — episode — Knock Wood, Here Comes Charlie (1964) as Leo 'Knuckles' Kraus
 * Wagon Train — episode — The Duncan McIvor Story (1964) as Lance Corp. Otto Moller
 * Laredo — episode — Pride of the Rangers (1965) as Pvt. Percy Flower
 * Gilligan's Island — episode — Friendly Physician (1966) as Igor/Ginger Grant
 * It's About Time — TV series 1966 — 1967 — 26 episodes
 * Daniel Boone — episode — Gabriel (1966) as El Toro
 * F Troop — episode — Our Hero,What's His Name (1966) as Geronimo
 * Rango — episode — Diamonds Look Better Around Your Neck Than a Rope (1967) as Jake Downey
 * Batman — episode — The Wail of the Siren (1967) as Allegro
 * I Dream of Jeannie — episode — Jeannie and the Great Bank Robbery (1967) as Girard
 * The Beverly Hillbillies -The Great Tag-Team Match (1968) as Wrestler
 * Bonanza — episode — Stage Door Johnnies (1968) as Big Man
 * Bonanza — episode — Dead Wrong (1969) as Big Jack
 * Land of the Giants - episode - Giants, and All That Jazz (1969) as Loach (Season 2, Episode 6)
 * My Three Sons - episode - What Did You Do Today, Grandpa? (1969) as Hugo (Season 9, Episode 17)
 * Adam-12 — episode — Bank Robbery (1970) as Claude Terry (Season 2, Episode 24)
 * Gunsmoke — episode — Trafton (1971) as Whale
 * Mannix — episode — Days Beyond Recall (1971) as Kony
 * Kung Fu — episode — Superstition (1973) as Hannibal
 * The Rockford Files — episode — A Fast Count (1978) as Choo-Choo (uncredited)
 * Charlie's Angels — episode — Mother Angel (1978) as Robbins
 * Fantasy Island — episode — Naughty Marietta/The Winning Ticket (1983) as Swamp Rat
 * Fantasy Island — episode — Love Island/The Sisters (1983) as Ugh

authors: Максим Огородник

title: Mike Mazurki


text:
Club Sportivo Sergipe

Club Sportivo Sergipe, or Sergipe as they are usually called, is a Brazilian football team from Aracaju, the second oldest club in the state of Sergipe, founded on 17 October 1909. Club Sportivo Sergipe is the only team from Sergipe to have played against foreign opposition, having faced the Argentina youth team, Sparta Prague, Alianza Lima and the Ghana national team. Sergipe is the only team to have won six state championships in a row. Sergipe's main rival is Confiança. Sergipe's home field is the Estádio João Hora de Oliveira, capacity 8,000.

Sergipe is the third-best ranked team from the state in CBF's national club ranking, at 90th overall.

History
The club was founded on 17 October 1909, in Aracaju, by dissidents of Cotingüiba Esporte Clube. The latter club, named after the Cotinguiba River, had been founded on 10 October 1909, the first in Aracaju. The dissidents, including Adalberto Monteiro, Euclides Porto, Adalgiso Rosal, José Couto de Farias, Tancredo Campos, Américo Silva, Francisco Bessa and others, met at noon on October 11 in Commercial Association and decided the next Sunday to found Club Sportivo Sergipe. Sergipe was initially founded as a rowing club, and in January 1910 the first boat was baptized as Nereida. The first head office was in a garage on Ivo do Prado Avenue. Sergipe football club officially started in 1916. In 1972, Sergipe became the first club from Sergipe state to compete in the Campeonato Brasileiro Série A, finishing in 26th and last place.

Memorable victories

 * 1-0 over Ceará state team in 1926;
 * 4-2 over Botafogo–BA (Bahia state champions) in 1936;
 * 3-1 over Alagoas state team in 1940;
 * 8-2 over Vitória–BA in 1942;
 * 2-0 over Bangu (Rio de Janeiro state champion) in 1967;
 * 3-1 over Argentina youth team in 1968 (first match between local club and foreign team).

State

 * Campeonato Sergipano: 37
 * 1922, 1924, 1927, 1928, 1929, 1932, 1933, 1937, 1940, 1943, 1955, 1961, 1964, 1967, 1970, 1971, 1972, 1974, 1975, 1982, 1984, 1985, 1989, 1991, 1992, 1993, 1994, 1995, 1996, 1999, 2000, 2003, 2013, 2016, 2018, 2021, 2022

 * Copa Governo do Estado de Sergipe: 1
 * 2013

Others

 * Start tournament: 1921, 1942, 1946, 1963, 1967, 1970;
 * Centenary of Maceió tournament: 1939;
 * Capital Champion: 1939, 1945, 1960;
 * City of Aracaju Tournament: 1968. Participating clubs: Vitória, Confiança and Bonsucesso;

Sport Rowing

 * Campeonato Sergipano: 1911, 1913, 1916, 1919, 1922, 1929, 1939,1940, 1941, 1942, 1943, 1944, 1946.

Logo
The team logo, composed of an anchor and two paddles is because the club, initially, was dedicated to the practice of nautical sports.

Ultras

 * Torcida Esquadrão Colorado
 * Torcida Gigante Rubro

title: Club Sportivo Sergipe


text:
File:Clear Spot.jpg

Summary
Sleeve of Captain Beefheart's Clear Spot

Source: Allmusic

title: File:Clear Spot.jpg


text:
He Is My Master

He Is My Master (これが私の御主人様) is a Japanese manga series written by Mattsuu and illustrated by Asu Tsubaki, a formerly married couple. It originally ran in Monthly Shōnen Gangan from February 2002 to February 2007. It was adapted into an anime television series by Gainax and Shaft in 2005.

Seven Seas Entertainment announced on November 27, 2006, they now have licensed the right to the English translation of He Is My Master and has begun to release the series July 2007.

Sentai Filmworks has licensed the anime and released the complete collection on October 10, 2009; with distribution handled by Section23 Films.

Synopsis
A 14-year-old millionaire Yoshitaka received an enormous inheritance as a result of his parents' death in an accident. Later after firing the original maids, he needed to be looked after so he decided to hire new live-in maids. While originally expecting an elderly woman to take the job, two runaway girls, Izumi, 14, and Mitsuki, 13, end up accepting the job as means for a home and income. Another girl, Anna, later becomes a maid as well, and all three live in the mansion with Yoshitaka. The boy pulls some clichéd pranks throughout the story.

Main characters

 * Izumi Sawatari (沢渡いずみ)
 * Izumi is one of the three girls who get hired by Yoshitaka. While reluctant about working there she has to work for Yoshitaka as she has a huge debt to pay off. Because Yoshitaka is the way he is, Izumi repeatedly stamps on him and hands out pay to him. She is impossibly strong (shown in various episodes) and has rather large breasts for a 14 year old.
 * Izumi never uses an honorific suffix (-san, -sama, -kun etc.) after Yoshitaka's name. While this usually means the speaker is very close to the person, this could also mean a grave insult. Izumi uses it to show her contempt and complete lack of respect for him. As a result, Yoshitaka often places the more difficult (and often pointless) tasks on Izumi. Izumi was originally going to be the "normal" character of the series but she turned out to show violent tendencies towards Yoshitaka and became the "doll" of the household: Everyone, including Mitsuki, messes with her in some sort of sexual tendency much to Izumi's dread and irritation. Be it flipping her skirt or attempting to remove her bra, Izumi is constantly being harassed.
 * Out of all characters, Izumi, is the one who drives the plot the most, being the subject of nearly every episode. She was even addressed by the sixth episode's title, saying that 'He is my master' is "The story about Izumi Sawatari".
 * In episode 9, during Izumi's tropical photoshoot, Yoshitaka appears and mentions that "the ones who want [her] photobook are the extreme maniacs anyway." Izumi is 14 years old, the same age as Yoshitaka. While frowned upon in the West, in Japan, girls under 15 years of age (sometimes as young as 11 or 12) who pose for photobooks are quite popular. Referred to as a gravure idol, or a Japanese idol and model who poses for photographs and videos, more well-known idols include Mao Kobayashi (born in 1992) and Saaya Irie (born in 1993).
 * In episode 9, during Izumi's tropical photoshoot, Yoshitaka appears and mentions that "the ones who want [her] photobook are the extreme maniacs anyway." Izumi is 14 years old, the same age as Yoshitaka. While frowned upon in the West, in Japan, girls under 15 years of age (sometimes as young as 11 or 12) who pose for photobooks are quite popular. Referred to as a gravure idol, or a Japanese idol and model who poses for photographs and videos, more well-known idols include Mao Kobayashi (born in 1992) and Saaya Irie (born in 1993).

 * Yoshitaka Nakabayashi (中林義貴)
 * Yoshitaka is the 14-year-old boy who inherits his parents' fortune. He is described by others (and an episode title) as "the boy in the midst of puberty who inherited his parents' fortune and was living all by himself with no supervision and has surrounded himself with tender young girls in a huge mansion, thus living out his fantasies and creating his own world of desire as he makes them serve him". He installed scores of hidden video cameras throughout his mansion, and can efficiently record or snapshot instances and events he finds pleasing. His media archive is routinely browsed by Mitsuki each night from the comfort of the sisters' bedroom computer. Yoshitaka is never addressed by his family name except by some of his classmates; he is addressed either as "Yoshitaka" (with and without honorifics) or as "master" throughout the story. Yoshitaka is hated by nearly everyone in the story, as a boy who flaunts his money. Izumi hates him and often refers to him as an "inhumane pervert with a lolicon fetish" but, deep down they both seem to have feelings for each other shown in episodes 10-12 where it is clearly stated he loves her. He even has a closet full of extra (suggestive) clothes for the girls (i.e.: sailor suits and bunny costumes), Yoshitaka made them all by himself, as he is said to be a natural genius, when it comes to sewing outfits, such as a making a wedding dress for Izumi, however Izumi states he would waste his unique talent on his fetishes. He would never waste a single millimeter, making an outfit's skirt longer than it needs to cover the most important parts.
 * Yoshitaka is the 14-year-old boy who inherits his parents' fortune. He is described by others (and an episode title) as "the boy in the midst of puberty who inherited his parents' fortune and was living all by himself with no supervision and has surrounded himself with tender young girls in a huge mansion, thus living out his fantasies and creating his own world of desire as he makes them serve him". He installed scores of hidden video cameras throughout his mansion, and can efficiently record or snapshot instances and events he finds pleasing. His media archive is routinely browsed by Mitsuki each night from the comfort of the sisters' bedroom computer. Yoshitaka is never addressed by his family name except by some of his classmates; he is addressed either as "Yoshitaka" (with and without honorifics) or as "master" throughout the story. Yoshitaka is hated by nearly everyone in the story, as a boy who flaunts his money. Izumi hates him and often refers to him as an "inhumane pervert with a lolicon fetish" but, deep down they both seem to have feelings for each other shown in episodes 10-12 where it is clearly stated he loves her. He even has a closet full of extra (suggestive) clothes for the girls (i.e.: sailor suits and bunny costumes), Yoshitaka made them all by himself, as he is said to be a natural genius, when it comes to sewing outfits, such as a making a wedding dress for Izumi, however Izumi states he would waste his unique talent on his fetishes. He would never waste a single millimeter, making an outfit's skirt longer than it needs to cover the most important parts.

 * Mitsuki Sawatari (沢渡みつき)
 * Mitsuki is Izumi's younger sister, by one year, and is hired by Yoshitaka along with Izumi. By using photographs from Yoshitaka's media archive, she signs Izumi up for a "Net Idol" website, which later, with revenue from Izumi's performances, helps Izumi pay off her debt. Mitsuki herself actually becomes very rich because of Izumi's popularity. Mitsuki always (when under Yoshitaka's contract) refers to Yoshitaka as Goshujin-sama or "Master". She even has her own fan club from her own school and other schools as well. She frequently comes up with (weird) competitions whenever two characters have divided opinions, most of the competitions ends up with Pochi playing some kind of key role that results in a bizarre conclusion, she seems to favor Yoshitaka during these competitions and usually requires Izumi (albeit unwillingly) to compete. She loves the maid uniforms while as Izumi thinks they are way too revealing. Mitsuki even sang a song at a festival titled "I'm a cute maid at a pervert's house!" Although usually portrayed as a cute character, she has interests one would not normally suspect of a cute character, such as heavy metal music. At one point in the manga, it is even suggested that Mitsuki has torture equipment. Mitsuki is a smart character, planning everything to the smallest detail. Her biggest plan in the anime adaptation, even went one month into the future, and finally made sure that Izumi, beside having paid off the debt ends up accepting to live in Yoshitaka's mansion and being happy.
 * Mitsuki is Izumi's younger sister, by one year, and is hired by Yoshitaka along with Izumi. By using photographs from Yoshitaka's media archive, she signs Izumi up for a "Net Idol" website, which later, with revenue from Izumi's performances, helps Izumi pay off her debt. Mitsuki herself actually becomes very rich because of Izumi's popularity. Mitsuki always (when under Yoshitaka's contract) refers to Yoshitaka as Goshujin-sama or "Master". She even has her own fan club from her own school and other schools as well. She frequently comes up with (weird) competitions whenever two characters have divided opinions, most of the competitions ends up with Pochi playing some kind of key role that results in a bizarre conclusion, she seems to favor Yoshitaka during these competitions and usually requires Izumi (albeit unwillingly) to compete. She loves the maid uniforms while as Izumi thinks they are way too revealing. Mitsuki even sang a song at a festival titled "I'm a cute maid at a pervert's house!" Although usually portrayed as a cute character, she has interests one would not normally suspect of a cute character, such as heavy metal music. At one point in the manga, it is even suggested that Mitsuki has torture equipment. Mitsuki is a smart character, planning everything to the smallest detail. Her biggest plan in the anime adaptation, even went one month into the future, and finally made sure that Izumi, beside having paid off the debt ends up accepting to live in Yoshitaka's mansion and being happy.

 * Anna Kurauchi (倉内安奈)
 * Anna is the third girl hired by Yoshitaka.She's bisexual and constantly tries to do perverted acts with Izumi, who is mostly disgusted by her lesbianism. She was originally attracted to Yoshitaka, but because of Izumi's relentless effort convincing her to stay away from Yoshitaka, she mistook it as sign of interest, thus she fell in love with Izumi and became Yoshitaka's maid in order to follow Izumi. She even dreams of traveling to the Netherlands to arrange a same-sex marriage, going far as to study the language. She is discouraged later in the episode, finding out that being under 16, they cannot be married (yet). Her inability to cook is the subject of many jokes in the story. She was originally going to be the "innocent" member of the group, but her personality reverted to that of Yoshitaka's. The authors describe her as the "yuri supplier of the group".
 * Anna is the third girl hired by Yoshitaka.She's bisexual and constantly tries to do perverted acts with Izumi, who is mostly disgusted by her lesbianism. She was originally attracted to Yoshitaka, but because of Izumi's relentless effort convincing her to stay away from Yoshitaka, she mistook it as sign of interest, thus she fell in love with Izumi and became Yoshitaka's maid in order to follow Izumi. She even dreams of traveling to the Netherlands to arrange a same-sex marriage, going far as to study the language. She is discouraged later in the episode, finding out that being under 16, they cannot be married (yet). Her inability to cook is the subject of many jokes in the story. She was originally going to be the "innocent" member of the group, but her personality reverted to that of Yoshitaka's. The authors describe her as the "yuri supplier of the group".

 * Pochi (ポチ)
 * Pochi is an alligator which belongs to Mitsuki and the reason Izumi and Mitsuki ran away from home. Originally, Pochi's parents lived at Mitsuki and Izumi's home. However, one of the alligators attacked Mitsuki, causing Mitsuki's father to have the alligators taken away and put down. Mitsuki finds an egg belonging to Pochi's parents, and discovers that she was partly responsible for what happened to Pochi's parents. Pochi is one of the reasons why Izumi and Mitsuki stay at Yoshitaka's mansion because Mitsuki will not go anywhere without a spot for Pochi. Pochi likes cute girls and often tries to rape Izumi in the anime (In the manga, he is actually more respectful of her, though still perverted.) He strongly dislikes males.
 * Note: Pochi is often used to name reptiles as if they were domesticated pets such as pet dogs, similar to the name Spot in western society. Similarly, Pochi is the name of the pet dragon in Keio Flying Squadron.
 * Note: Pochi is often used to name reptiles as if they were domesticated pets such as pet dogs, similar to the name Spot in western society. Similarly, Pochi is the name of the pet dragon in Keio Flying Squadron.

Minor characters

 * Father Sawatari (沢渡父)
 * Mr. Sawatari is Izumi, Mitsuki, and Karin's father. His given name is unknown. Upon hearing the rumors of Yoshitaka, he immediately approached the mansion to demand the return of Izumi and Mitsuki. All his attempts at retrieving Izumi and Mitsuki fail, usually when his wife, Mizuho, abruptly stops him. Like Yoshitaka, Mr. Sawatari is a lolicon pervert, although he wishes to "not be put in the same category." Mr. Sawatari is highly attracted to his two daughters in a perverted way (seemingly stronger when the girls dress up). Izumi has even once said "I've seen how you look at us!" referring to herself and Mitsuki. This is played up more in the anime, where it is revealed that the reason the girls ran away from home in the first place was because they grew tired of resisting his constant sexual advances towards them, with him always declaring "I love both you just as much as your mother! Just as much!" as he regularly tried to seduce them.
 * Mr. Sawatari is Izumi, Mitsuki, and Karin's father. His given name is unknown. Upon hearing the rumors of Yoshitaka, he immediately approached the mansion to demand the return of Izumi and Mitsuki. All his attempts at retrieving Izumi and Mitsuki fail, usually when his wife, Mizuho, abruptly stops him. Like Yoshitaka, Mr. Sawatari is a lolicon pervert, although he wishes to "not be put in the same category." Mr. Sawatari is highly attracted to his two daughters in a perverted way (seemingly stronger when the girls dress up). Izumi has even once said "I've seen how you look at us!" referring to herself and Mitsuki. This is played up more in the anime, where it is revealed that the reason the girls ran away from home in the first place was because they grew tired of resisting his constant sexual advances towards them, with him always declaring "I love both you just as much as your mother! Just as much!" as he regularly tried to seduce them.

 * Mizuho Sawatari (沢渡瑞穂)
 * Mizuho is the mother of Izumi, Mitsuki, and Karin. Compared to her husband, Mizuho is very young, having Izumi at the age of 16 and being age 30 during the story. Also in contrast to her husband, she is not concerned at all with two of her daughters in the hands of a perverted teenager, and will allow a love relationship between Izumi and either Anna (stating that "love has nothing to do with gender") or Yoshitaka (stating that he should "feel free to go crazy"). She and Mitsuki are very similar, as Mitsuki has learned almost everything from her mother.
 * Mizuho is the mother of Izumi, Mitsuki, and Karin. Compared to her husband, Mizuho is very young, having Izumi at the age of 16 and being age 30 during the story. Also in contrast to her husband, she is not concerned at all with two of her daughters in the hands of a perverted teenager, and will allow a love relationship between Izumi and either Anna (stating that "love has nothing to do with gender") or Yoshitaka (stating that he should "feel free to go crazy"). She and Mitsuki are very similar, as Mitsuki has learned almost everything from her mother.

 * Karin Sawatari (沢渡かりん)
 * Karin is the younger sister of Izumi and Mitsuki. Unlike her two sisters, she stayed behind rather than run away. After learning of her sisters' whereabouts, she visits them occasionally, although Izumi discourages her in order to keep her away from Yoshitaka's grasp after Yoshitaka becomes attracted to her when Karin is in the child's maid costume. Karin is a typical 5 year old; sweet and innocent. She is oblivious to Yoshitaka's perverted nature as well as the harassment that Izumi receives on a daily basis. Like Mitsuki, she loves alligators, especially Pochi. She believes that "anyone who likes alligators can't be bad." Yoshitaka tricks her into thinking he likes Pochi (when in fact they are often rivals) to make Karin like him.
 * Karin is the younger sister of Izumi and Mitsuki. Unlike her two sisters, she stayed behind rather than run away. After learning of her sisters' whereabouts, she visits them occasionally, although Izumi discourages her in order to keep her away from Yoshitaka's grasp after Yoshitaka becomes attracted to her when Karin is in the child's maid costume. Karin is a typical 5 year old; sweet and innocent. She is oblivious to Yoshitaka's perverted nature as well as the harassment that Izumi receives on a daily basis. Like Mitsuki, she loves alligators, especially Pochi. She believes that "anyone who likes alligators can't be bad." Yoshitaka tricks her into thinking he likes Pochi (when in fact they are often rivals) to make Karin like him.

 * Shinji Kume (久米伸治)
 * Kume Shinji, along with other upperclassmen, formed a bodyguard squad after being impressed with Mitsuki's appearance, and aid Mitsuki with difficult tasks on various episodes. He is addressed by his friends as "Kume Shin".
 * Kume Shinji, along with other upperclassmen, formed a bodyguard squad after being impressed with Mitsuki's appearance, and aid Mitsuki with difficult tasks on various episodes. He is addressed by his friends as "Kume Shin".

 * Alicia (アリシア)
 * Alicia appears in one episode, and is a sadistic French blonde. She whips Yoshitaka effortlessly with her beautiful, crimson whip.
 * Alicia appears in one episode, and is a sadistic French blonde. She whips Yoshitaka effortlessly with her beautiful, crimson whip.

 * Seiichirou Nakabayashi (中林誠一郎)
 * Seichirou is Yoshitaka's cousin. Seichirou was raised in a similar lifestyle as Yoshitaka, but was plummeted into poverty upon the death of Yoshitaka's parents. Upon finding Mitsuki's website, Seichirou made a financial comeback by forming a production company. Through a series of contests, he was able to take possession of Izumi momentarily. In terms of personality, Seiichirou is also a lolicon uniform fetishist who loves peeping pictures and playing girl simulation games like Yoshitaka, but also is a crossdresser.
 * Seichirou is Yoshitaka's cousin. Seichirou was raised in a similar lifestyle as Yoshitaka, but was plummeted into poverty upon the death of Yoshitaka's parents. Upon finding Mitsuki's website, Seichirou made a financial comeback by forming a production company. Through a series of contests, he was able to take possession of Izumi momentarily. In terms of personality, Seiichirou is also a lolicon uniform fetishist who loves peeping pictures and playing girl simulation games like Yoshitaka, but also is a crossdresser.

 * Takami Sugita (杉田多可美)
 * Takami is the only daughter of the Sugita family, a family that has rivaled the Nakabayashi family for generations. As Yoshitaka hit bankruptcy, Takami seized the opportunity to claim the Nakabayashi estate. Her disposition is nothing short of arrogant and haughty. She also has an interest in Mitsuki's production ability, since Takami was runner-up in the Net Idol competition.
 * Takami is the only daughter of the Sugita family, a family that has rivaled the Nakabayashi family for generations. As Yoshitaka hit bankruptcy, Takami seized the opportunity to claim the Nakabayashi estate. Her disposition is nothing short of arrogant and haughty. She also has an interest in Mitsuki's production ability, since Takami was runner-up in the Net Idol competition.

 * Mattsū (まっつー) and Asu Tsubaki (椿あす)
 * Mattsū and Asu Tsubaki are the authors of the He Is My Master manga. Within the story, Mattsū and Asu are represented as an alligator and hamster, respectively. An image of them on a cloud in heaven appears each time Izumi (and once Yoshitaka) mentions kami-sama (神様); "the gods watching over me". This happens once per episode.

Anime
The anime was directed by Shouji Saeki at Gainax and Shaft, and Saeki also served as the series composition writer. Seikou Nagaoka composed the music, and Gainax's Kazuhiro Takamura served as the character designer and chief animation director. Four episodes were outsourced outside of Gainax and Shaft: episodes 3 and 8 to Studio Pastoral; and episodes 6 and 11 to Studio Tama.

Recurring gags
In every episode God is mentioned and it shows avatars of the show's creators doing actions. Occasionally the avatars do something relevant to the plot (such as draw a picture of clothing and stick a fountain pen in Yoshitakas head to make him think he drew it).

At the end of each episode, with the exception of episode 9 and 10, 4 recurring gags are shown; the first gag shows an exhausted Izumi either in bed or bathing. The second gag shows Mitsuki working on her photobook of Izumi's revealing pictures taken from hidden cameras earlier on in the episode. The third gag shows a frustrated Yoshitaka in a small, messy room working on draft designs for new outfits for his maids. The fourth gag shows an aerial shot of the mansion with Yoshitaka ranting or manically laughing, and two numbers show up. The first number is the amount of damages Izumi must pay off for that particular day, and the second number is the amount of money she has left to pay, listed in yen. And, in some of the episodes it shows Mitsuki's earnings for that day.

Anime soundtrack

 * Opening theme song
 * Masami Okui - TRUST

 * Ending theme song
 * Izumi, Mitsuki, and Anna - 愛情のカタマリ (Aijō no Katamari)

Reception
The anime series received mixed to negative reviews.

On Anime News Network (ANN), Theron Martin reviewed the series, giving it an overall cautiously positive rating, saying it is "definitely better than it could have been," pointing to the evil personality of the male lead, Yoshitaka as "very refreshing" after other series had "indecisive and weak male leads" while praising the "plentiful fanservice" and comedy. He criticized the series for stereotypical elements and cliches.

title: He Is My Master


text:
Category:Ultra Series

The Ultra Series refers to the shows featuring Ultraman and his brethren.

title: Category:Ultra Series


text:
User:Person unknown

Person unknown is Physchim62's official, authorised, house-trained sock-puppet. He helps out his master by keeping an eye on chemistry-related articles. As a well-trained sock puppet, Person unknown does not do Naughty Things such as vote, get involved in revert wars or pee on the carpet (although it has to be said that Physchim62 rarely gets involved in revert wars).

title: User:Person unknown


text:
Night Goblin

Night Goblin is a South Korean television program starring Lee Soo-geun, Jeong Hyeong-don,  Park Sung-kwang, Lee Hong-gi and Kim Jong-hyeon. It is a reality show where in each episode, the cast will attempt to be the first in line to enter various popular places for food or recreation throughout South Korea.

JTBC runs the show in prominent Sunday evenings time slot, at 18:30 (KST), starting with the first airdate on July 30, 2017.

On 26 February 2018 JTBC announced that the program will have its final episode in mid-March. The last episode was aired on March 18.

Program
The special rule mentioned is that if the group did not manage to get in first place, they will have to reattempt to get first place again for the same main mission.

Current
From episode 27, the Night Goblins will take on a team of guests for broadcast airtime. The concept of No Nights 2 Days will still go on. Both teams will have their own hot places to recommend and go by themselves, and depending on the editors of the show, airtime is allocated to each team as they favour.

Former
In each episode, the cast and guest(s) gather together at around 12 a.m. (KST), then proceed to their base camp, which was set up nearby the popular place. The base camp was set up such that the group are able to monitor the popular place for any movements. At the base camp, they will be camping overnight and, in the next morning, attempt to be the first in line as a team to enter the popular place. Before the start of the overnight camping, the group's handphones are confiscated. The reason being, if not, the group can just set alarms on their phones and wake up in the morning just in time to start to get for first place, which is not allowed at all.

During the overnight camping, a time fairy will appear to help the cast by telling the time and get the cast to play the time fairy's game to get over the overnight camping and elevate the chances of entering in first place.

From episode 6, the show's production concept was altered (to No Nights 2 Days) so that filming on each location is now split into 2 episodes, with first half filmed during the day. The first of every 2 episodes will not involve overnight camping, as the targeted hot place(s) opens either at noon, evening or night. The second will involve the original concept of the program. Team and individual battles will also be introduced. Guest(s) are invited to spend the day and/or night together with the cast.

2017

 * The reference mark (※) is used to denote the "time fairy" among other guests in any particular episode.

Unaired episode
Episode 21 (which was supposed to be on broadcast on 24 December 2017), originally the 2nd half of the Incheon trip and Christmas Special, was supposed to feature SHINee's Jonghyun & Minho as guests. However, on December 18, 2017 Jonghyun suddenly passed away in a suspected suicide. Following the initial news, JTBC Entertainment's YouTube channel has made the video of the episode teaser (uploaded a day prior) "unavailable". It was later announced that the episode will be (initially) put on hold until further notice, with the episode on 24 December 2017 (the original broadcast date) to be a special broadcast of the show.

Ratings
In the ratings below, the highest rating for the show will be in red, and the lowest rating for the show will be in blue each year.

2018

 * Note that the show airs on a cable channel (pay TV), which plays part in its slower uptake and relatively small audience share when compared to programs broadcast (FTA) on public networks such as KBS, SBS, MBC or EBS.
 * NR rating means "not reported".

title: Night Goblin


text:
New Hampshire Route 31

New Hampshire Route 31 (abbreviated NH 31) is a 56.148 mi north–south state highway in southern New Hampshire. It runs from Mason on the Massachusetts border, where, as Greenville Road, the road becomes Massachusetts Route 31. It passes through Greenville, Wilton, Lyndeborough, Greenfield, Bennington, Antrim, Hillsborough, Windsor, and Washington, reaching its northern terminus of Goshen at New Hampshire Route 10.

Route description
New Hampshire Route 31 begins at the Massachusetts border as a continuation of Massachusetts Route 31. Entering the rural southwestern panhandle of the town of Mason, it intersects New Hampshire Route 124 within 500 yd of the Massachusetts border. After a similar distance, it enters the town of Greenville, where it forms the primary north–south road through town.

Entering the town of Wilton, it crosses the Souhegan to the west bank and heads towards the main village of Wilton at the town's northeastern corner. Known locally as Greenville Road over this stretch, it merges with NH 101 to follow Gibbons Highway, crosses the Souhegan again as it enters Wilton Village, leaves NH 101 and turns north on Island Street to cross both the Souhegan and Stony Brook, then turns northwest along Forest Road at an intersection with Main Street. Now following Stony Brook, it crosses over it several times before crossing the town's northern border and entering the rural town of Lyndeborough. Passing through the modern village near the southwestern corner of town (the historic village is located at Lyndeborough Center Historic District some distance away), it continues along Forest Road until it leaves to the northwest into the town of Greenfield, New Hampshire.

In Greenfield, it is still known as Forest Road, and passes the northern slopes of North Pack Monadnock Mountain and the southern slopes of Crotched Mountain. In the central village of Greenfield, it has a brief concurrency with NH 136, then leaves Forest Road along Sawmill Road to the northwest, entering Bennington, where the name changes to Greenfield Road. Winding through several streets of the main village of Bennington, including Main Street, Francestown Road, and Old Hancock Road, it meets the western terminus of NH 47 and passes by dam at the north end of Powder Mill Pond reservoir near the Great Falls of the Contoocook River, and then merges with US 202.

Heading north along with US 202, the two routes enter the town of Antrim, New Hampshire, following Main Street into the main village of Antrim at the town's southeastern corner, where US 202 leaves towards the northeast, while NH 31 follows Main Street to the northwest. Changing names to Clinton Road, NH 31 follows the Great Brook northwest, and then turns due north to the village of Antrim Center. Turning again northwest, it meets NH 9 at a T-intersection, and turns right to follow eastbound NH 9 in a northeasterly direction along Keene Road. Curving around the shores of Franklin Pierce Lake, the two routes enter the town of Hillsborough, where NH 31 leaves to the northwest along Second New Hampshire Turnpike at the lake's northern tip. Heading first northwest, then west, along Second New Hampshire Turnpike, the route leaves Hillsborough, crosses the northern tip of the town of Windsor, it next enters Washington.

In Washington, the route turns in a generally northwesterly direction, it passes through the central village of Washington, along Main Street, before heading towards Pillsbury State Park at the town's northern end. Entering the town of Goshen, New Hampshire as Washington Road, it reaches its northern terminus at NH 10 in a rural area south of Goshen's main village.

Local road names
Route 31 uses the following names as it passes through different towns:

 * Mason
 * Greenville Road
 * Greenville
 * Fitchburg Road
 * Wilton
 * Greenville Road
 * Gibbons Highway (concurrency with NH 101)
 * Island Street
 * Burns Hill Road
 * Forest Road
 * Lyndeborough
 * Forest Road
 * Greenfield
 * Forest Road
 * Sawmill Road
 * Bennington
 * Greenfield Road
 * School Street
 * Pierce Road
 * Hancock Road
 * concurrency with U.S. Route 202
 * Antrim
 * Main Street (concurrency with US-202)
 * Clinton Road
 * Old North Branch Road
 * Franklin Pierce Highway (concurrency with NH 9)
 * Hillsborough
 * Franklin Pierce Highway (concurrency with NH 9)
 * Second New Hampshire Turnpike
 * Windsor
 * Second New Hampshire Turnpike
 * Washington
 * Main Street
 * Goshen
 * Washington Road
 * Mill Village Road

title: New Hampshire Route 31


text:
Frame & Canvas

Frame & Canvas is the third studio album by American rock band Braid. It was released on April 7, 1998, through Polyvinyl Record Co. After the release of the band's second studio album, The Age of Octeen (1996), drummer Damon Atkinson replaced Roy Ewing due to him being unable to commit to touring. Recording sessions took place at Inner Ear Studios in December 1997, with J. Robbins helping with production during the sessions. The album is an emo and post-hardcore release, for which the lyrics were co-written by vocalist/guitarists Chris Broach and Bob Nanna, or solely wrote by Nanna.

Preceded by a European tour with the Get Up Kids, Frame & Canvas was promoted by Braid with tours across the United States, Canada, Europe and Japan with Compound Red, Discount, and Burning Airlines. It had sold over 16,000 copies by July 2004. The album has appeared on best-of lists for the emo genre by multiple publications, such as Kerrang!, NME, and Rolling Stone. Braid performed the album in its entirety during a 2012 US tour.

Background and production
Following the release of their second studio album The Age of Octeen in 1996, Braid played shows in Illinois, Wisconsin, and Missouri in September and October. Between November 1996 and January 1997, the band toured the south and west coasts of the United States. Following a handful of shows in February 1997, drummer Roy Ewing left Braid the following month. He was replaced by Damon Atkinson of Figurehead; Atkinson had previously filled in for Ewing when he was unable to book time off work for a tour. Atkinson had been a fan of the band and Ewing's drumming; when he came to practice, they felt he was the perfect replacement. Vocalist/guitarist Bob Nanna said Atkinson hit his kit harder than Ewing, who had a lighter, jazzy approach. Braid continued to tour throughout 1997; playing with the Get Up Kids, Tomorrow, and Compound Red, among others.

During this time, the band wrote material for their next album while attending college; vocalist/guitarist Chris Broach dropped out as they were becoming more active. The members were spread across different towns and states: Atkinson in Milwaukee, Wisconsin; Nanna in Chicago, Illinois; and Broach and bassist Todd Bell in Champaign, Illinois. Nanna and Bell ran their own label Grand Theft Autumn Records, who had released a split single with independent label Polyvinyl Record Co. The members used to skateboard with Polyvinyl's co-founder Matt Lunsford before they became a band; he and fellow co-founder Darcie Knight organized the band's first-ever show in 1993. Braid were not contractually signed to Mud Records, who released The Age of Octeen, as the label typically worked with local bands from a college town. The band wanted to work with another company, and sent out items to the likes of Touch and Go Records and Merge Records; they attempted to contact Jade Tree, who would not respond to them.

The tracks "First Day Back" and "Hugs from Boys" were recorded in August 1997. Following on from this, Braid traveled across the US with Rainer Maria in October of that year. To coincide with the tour, they released the two songs on a 7" vinyl, through Polyvinyl Record Co. The day Nanna graduated from college, Braid traveled to Washington, D.C., to record their next album. Frame & Canvas was recorded in December 1997 at Inner Ear Studios in Arlington County, Virginia, with J. Robbins and the band acting as producers. Braid had met Robbins twice before working on the album with him. They approached him because of his work on albums by the Promise Ring and Kerosene 454. Robbins served as the engineer for Frame & Canvas and also mixed the recordings. The recording and mixing process lasted six days, and each recording day lasted 13 hours.

Composition and lyrics
Musically, the sound of Frame & Canvas has been described as emo and post-hardcore, landing between the late 1990s Midwest emo and D.C. post-hardcore acts, such as Fugazi and Jawbox, the latter of which Robbins was a member of. All of the music was written by Braid; Nanna wrote lyrics for seven of the tracks, and co-wrote the other five with Broach. Broach came up with the title of Frame & Canvas, which is taken from "Killing a Camera". Nanna said the title referred to "some kind of art school thing". Broach has a bigger vocal role on the album than the band's previous releases; he explained this was because he was "sick of being pushed down in the mix". The opening track, "The New Nathan Detroits", begins with a math rock drum introduction by Atkinson. The song features Broach and Nanna discussing job prospects with their parents. "Never Will Come for Us" includes references to Braid being an underground act that did not get airplay, and playing shows at friends' house parties. "First Day Back" was written after arriving home from their late 1996/early 1997 tour, and is about settling in after being gone for a while. "Collect from Clark Kent" is an atypical Midwest emo track, which talks about breakdowns in communication and long-distance issues, with Nanna singing to a woman similar to the Superman character Lois Lane.

"Milwaukee Sky Rocket" was initially titled "Sky Rocket", until Atkinson—who was from Milwaukee—joined the band. They were working on the dance-indebted "A Dozen Roses" in Nanna's parents' basement when Atkinson began playing what he called "this cool beat". Nanna stated that "immediately once he started playing", he thought: "This is different." Robbins added tambourine to the track. Discussing "Urbana's Too Dark", Borach said Urbana, Illinois, was where the members lived alongside "the art kids and music kids. The frats were in Champaign and the old guard", such as Hum and Poster Children. The track's title referred to a movement that called for more street lights in Urbana because of concern over sexual assaults. With "Consolation Prize Fighter", the members felt there was competition from other bands, especially from their friends' bands, to make great albums and songs. It was written along with "Urbana's Too Dark" in 1995. "Ariel" is about living under one roof with people in bands while wishing the music Braid were making in the basement was being made upstairs. Robbins played an extra drum kit on "Breathe In", which Broach was highly impressed by. According to Broach, the song is about "trying to be the best person". Nanna said to occupy himself on tour, he would write lyrics; the lyrics of "I Keep a Diary" were used verbatim from a journal entry.

Release and promotion
Between January and March 1998, Braid went on a tour of Europe with the Get Up Kids, with the latter initially planning to take Hot Water Music on the trek. The members of Braid and the Get Up Kids shared a van; the Get Up Kids' label Doghouse Records covered the expenses for the vehicle and both bands' equipment, while both acts paid for their own flight tickets. Frame & Canvas was released on April 7 of that year, through Polyvinyl. It was promoted by performing across the US with Compound Red until early May 1998. Braid immediately went back on tour with the Get Up Kids throughout that month, while they accompanied various acts in June 1998. In August of that year, the band played one show in their home state, before embarking on a Canadian tour with Discount. Following on from this, they embarked on an East Coast tour in October and early November 1998. Throughout the rest of November and the following month, Braid toured across Europe with Robbins' band Burning Airlines.

After a number of northeastern US shows, the band embarked on a west coast tour with Seaweed and 365 Days of Pure Movie Magic in March 1999. They went on a cross-country tour throughout the following month with Kind of Like Spitting, before embarking on a Japanese tour with Eversor in May 1999. In June of that year, Braid announced they would be breaking up due to "internal stress". It was later revealed that Broach wanted to return to school and had little interest in the band by this point. Aside from performing at a friend's wedding, the band played their last few shows in August 1999, including a hometown performance, which was later released as their live album Lucky to Be Alive (2000). Ewing performed on a few songs at the band's last show. Footage from Braid's last five days as a band was included in their documentary film Killing a Camera (2001). Polyvinyl reissued the album in 2003; they explained that they had signed a pressing and distribution deal with Southern in 1998, which had expired in 2003.

Reception and legacy
AllMusic reviewer Blake Butler noted that Braid came up with "very technical pop melodies" on Frame & Canvas, accompanied by frequent time signature changes. He liked the "beautiful interlocking" guitar lines, which he wrote were "fused together with yelled/sung boyish vocals" from Broach and Nanna. In the opinion of Blake, the album cemented itself as one of Braid's best works. Blake even went as far as to say that by the end of the first track "you know you will be humming these melodies in your head for at least the next few days". LAS Magazine founder Eric J. Herboth said the album was "the record that is going to blow things wide open for Braid". He added that the band found an "equally amazing drummer" in Atkinson, alongside a "candy coated plush sound" and a "new best friend" with Robbins.

Western Homes of Nude as the News described the album as "sort of like an emo London Calling [by the Clash], stretching out and connecting with rock history as a whole". The staff at Impact Press called Frame & Canvas "incredible", adding that the song arrangements are "untraditional and right on, their vocals are well-sung". Punk Planet Mike Barron said it was full of "genuine, heartfelt, and complex songs", highlighting "The New Nathan Detroits", "Milwaukee Sky Rocket", and "Urbana's Took Dark" as examples of Braid performing melodic music "really goddamn well". Andrew Chadwick of Ink 19 considered the songs "more straightforward than on Age of Octeen," while the band's "penchant for constantly changing structures remains intact, and their knack for amazing melodies and memorable songwriting seems to have grown".

As of July 2004, Frame & Canvas has sold over 16,000 copies worldwide. It has appeared on various best-of emo album lists, being named to lists by Consequence of Sound, Kerrang!, LA Weekly, NME, and Rolling Stone. Similarly, "A Dozen Roses" appeared on a best-of emo songs list by Vulture. OC Weekly said the album established Polyvinyl and pushed the band as an important figure in the emo scene. Frame & Canvas was an important snapshot of second-wave emo and the indie rock scene, the latter of which was based in Champagin, Illinois, during the mid-1990s. Kyle Ryan of The A.V. Club considered it, alongside Nothing Feels Good (1997) by the Promise Ring and Do You Know Who You Are? (1996) by Texas Is the Reason, as one of the defining releases of the second wave. Nanna ranked it as his second favorite Braid album, saying: "You can hear the fact that we really needed to nail it and you can tell we’re nervous but excited and really pressed for time. But I’m still happy with the way it sounds." In 2012, the band embarked on a two-week US tour, during which they performed Frame & Canvas in its entirety.

Track listing
All music by Braid. All songs produced by J. Robbins and Braid.

Personnel
Personnel per booklet.

Braid
 * Damon Atkinson – drums
 * Todd Bell – bass
 * Chris Broach – vocals, guitar
 * Bob Nanna – vocals, guitar

Additional musicians
 * J. Robbins – extra percussion (tracks 5 and 11)

Production
 * J. Robbins – engineer, mixing, producer
 * Braid – producer
 * Andy Mueller – design, photography

title: Frame & Canvas


text:
New Hampshire Route 32

New Hampshire Route 32 (NH 32) is a state highway in the U.S. state of New Hampshire. The highway runs 14.139 mi from the Massachusetts state line in Richmond, where the highway continues as Massachusetts Route 32, north to NH 12 in Keene. NH 32 connects the southern Cheshire County towns of Richmond and Swanzey with Keene and Athol, Massachusetts.

Route description
NH 32 begins at the Massachusetts state line in the town of Richmond. The highway continues south as Massachusetts Route 32 (Richmond-Athol Road), which heads through Royalston toward Athol. NH 32 heads north as two-lane Athol Road to the center of Richmond, where the highway intersects NH 119 (Winchester Road/Fitzwilliam Road). The highway continues north as Old Homestead Highway, which enters the valley of the South Branch of the Ashuelot River as the route enters the town of Swanzey. NH 32 passes near the village of East Swanzey, through Swanzey proper, and then North Swanzey after entering the valley of the main stem of the river. In North Swanzey, the highway passes Dillant–Hopkins Airport. NH 32 enters the city of Keene immediately before it reaches its northern terminus at NH 12 (Main Street).

title: New Hampshire Route 32


text:
Camp Yavneh

Camp Yavneh (מחנה יבנה) is a residential Jewish summer camp in Northwood, New Hampshire. It was established in 1944 by the Boston Hebrew Teacher College under the leadership of Louis and Leah Hurwich, initially as a Hebrew study camp.

Yavneh is accredited by the American Camp Association. It offers children aged 8–17 a camp environment where Jewish values and activities are emphasized. The camp is not affiliated with one religious movement, considering itself K'lal Yisrael (lit. 'all Jews are one'), and both egalitarian and Orthodox prayer services are offered daily.

title: Camp Yavneh


text:
Rising (Yoko Ono album)

Rising is a 1995 album by avant-garde artist Yoko Ono. Released on 7 November by Capitol Records, it features the backing band IMA (Japanese for "Now"), which included Ono's son Sean Ono Lennon, Timo Ellis, and Sam Koppelman. It was her first album of new material since 1985's Starpeace. The album has sold 11,000 copies in the U.S. to date.

Reception
The British newspaper The Guardian named the album "Pop CD of the week" in January 1996. In their review, the album was described as an "unexpected minor triumph". The reviewer, Dan Glaister, further noted that "underlying all the hurt and anger" was also "an overwhelming honesty and humanity" and that the album "succeeds in imparting enormous positivity". Glaister singled out the track "Kurushi" as a "haunting, gentle call to a loved one" and described "Goodbye, My Love" as a "mournful, jolly little ballad a la McCartney".

Bruce Hainley of art magazine Artforum International wrote that the album "affirms her amazing talents as a musician" and described it as "an uncompromising blend of Conceptual art and rock 'n' roll" with Yoko using a "wide range of vocals [...] from the aggressive to the sultry to fusion". He also felt that it was "hard to imagine a better place to start for those unfamiliar with her work". Hainley also praised the remix album Rising Mixes, which "[showed] the continuing reach of Ono's influence on rock since the '70s". He described the bonus song "Franklin Summer" as "hypnotic".

Track listing
All songs written by Yoko Ono.
 * 1) "Warzone" – 1:55
 * 2) "Wouldnit" – 3:02
 * 3) "Ask the Dragon" – 4:12
 * 4) "New York Woman" – 2:07
 * 5) "Talking to the Universe" – 3:31
 * 6) "Turned the Corner" – 2:58
 * 7) "I'm Dying" – 6:18
 * 8) "Where Do We Go from Here?" – 3:02
 * 9) "Kurushi" – 7:59
 * 10) "Will I" – 2:27
 * 11) "Rising" – 14:28
 * 12) "Goodbye My Love" – 2:22
 * 13) "Revelations" – 5:35
 * 14) "Ask the Dragon" (Ween Remix) – 4:49 (Japanese Edition Bonus Track)
 * 15) "Talking to the Universe" (Cibo Matto Remix) – 4:21 (Japanese Edition Bonus Track)

Rising Mixes (released 3 June 1996)

 * 1) "Talking to the Universe" (Cibo Matto Remix) (4.21)
 * 2) "The Source" (ABA All Stars) (4.58)
 * 3) "Ask the Dragon" (Ween Remix) (4.49)
 * 4) "Where Do We Go from Here?" (Tricky Remix) (5.07)
 * 5) "Rising" (Thurston Moore Remix) (8.48)
 * 6) "Franklin Summer" (Yoko Ono/IMA)* (30.02)

The ABA All Stars remix is credited to Miho Hatori, Yuka Honda and Sean Lennon (the members of Cibo Matto), as well as Adam Yauch of the Beastie Boys. Keiji Haino, Masonna, Monde Bruits, Incapacitants, C.C.C.C., Hanatarash, MSBR, and The Gerogerigegege are also credited as performers in Thurston Moore's remix of "Rising".

A vinyl promo version was released with the track listing:-
 * 1) "Ask the Dragon" (Ween Remix) (4.49)
 * 2) "Talking to the Universe" (Cibo Matto Remix) (4.23)
 * 3) "The Source" (ABA All Stars) (4.58)
 * 4) "Where Do We Go from Here?" (Tricky Remix) (5.04)
 * 5) "Rising" (Thurston Moore Remix) (8.48)
 * 6) "Kurushi (Perry Farrell Mix)" (7.26)

Personnel

 * Yoko Ono – vocals
 * Sean Ono Lennon – guitars, bass guitar, backing vocals, keyboards
 * Timo Ellis – guitars, bass guitar, drums
 * Sam Koppelman – bass, drums, percussions

Production

 * Yoko Ono, Rob Stevens – producers
 * Alfred Brand, Chris Habeck, Mike Anzelowitz, Wes Naprstek – engineers
 * David Ayers – A&R
 * George Marino – mastering
 * Rob Stevens, Yoko Ono – mixing
 * Recorded at Broome Street – Timo Ellis (track : 4)
 * Recorded at Quad Recording – Rob Stevens (tracks: 1–3,5–13)

Release history
Rising

Rising Mixes

title: Rising (Yoko Ono album)


text:
New Hampshire Route 33

New Hampshire Route 33 is an 9.090 mi east–west highway in the Seacoast Region of southeastern New Hampshire, connecting Stratham with Portsmouth. The western terminus is at New Hampshire Route 108 in Stratham. The eastern terminus is at U.S. Route 1 (Lafayette Road/Middle Street) in downtown Portsmouth. It is a former routing of New Hampshire Route 101.

The road skirts the south side of Portsmouth International Airport at Pease.

Route description

NH 33 begins at the Stratham Traffic Circle where it meets NH 108. The route travels northeast, passing by Stratham Hill Park and curving to the east before crossing into the town of Greenland. NH 33 meets the northern terminus of NH 151 near the town center, then the highway bends to the northeast and enters the Portsmouth city limits.

NH 33, which is initially Greenland Road upon entering Portsmouth, passes the southern entrance to Pease International Tradeport then interchanges with Interstate 95 at a partial cloverleaf interchange (exit 3) and continues to the east, becoming Middle Road. NH 33 crosses over US 1 Bypass without an intersection before terminating at the intersection of Middle Road and Lafayette Road/Middle Street (US 1). US 1 provides local access to US 1 Bypass to the south.

NH 33 is poorly signed in downtown Portsmouth. The last eastbound and first westbound markers for NH 33 are at its intersection with Islington Street approximately 1 mi west of US 1. NH 33 is unsigned from both Middle Street and Lafayette Road, and no other guide signs are present in the downtown area.

History
The entirety of NH 33 was once the easternmost section of NH 101. In October 1994, NH 101 was re-routed along the former NH 51 from NH 108 in Stratham to Hampton Beach. At that time, what had been NH 101 from the Stratham Traffic Circle to its eastern terminus was designated as NH 33.

title: New Hampshire Route 33


text:
Sergei Baltacha

Sergei Baltacha may refer to:

 * Sergei Baltacha (footballer, born 1958), former USSR, Dynamo Kyiv, Ipswich Town and St Johnstone football player
 * Sergei Baltacha (footballer, born 1979), Ukrainian born Scottish football player, formerly with St. Mirren

title: Sergei Baltacha


text:
Talk:László Sólyom

Untitled
he's going to be president just from august officially...
 * yepp, corrected everywhere I've seen the wrong info --Sicboy 23:11, 2005 Jun 7 (UTC)

His name
The article begins with László Sólyom (pronounced [ʃoːjom laːsloː]). I don't read Hungarian, but I'd be quite impressed if László really was pronounced [ʃoːjom] (Shaw-yom). IIRC, Hungarian is one of the languages that go surname-givenname, rather than givenname-surname as English usually does. So which is which? Also, when Anglicising Hungarian names, is there a standard order? If so, both listings should be in that order. (They should always be in the same order anyway...) Felix the Cassowary 00:11, 8 Jun 2005 (UTC)

 * Okay, so it is really pronounced that way. See Hungarian language for information about Hungarian ortography and much more. The standard Anglicising method of Hungarian names is to change the order, so he is calles Sólyom László in Hungarian, but we use English order when using these names in other languages. So Sólyom is surname, and László is christian name. --Sicboy 00:23, 2005 Jun 8 (UTC)
 * Oww I see what you mean, the order in pronunciation is wrong, I'll change it immediately, sorry --Sicboy 00:23, 2005 Jun 8 (UTC)

POV?
Is "stuttering letters of the constititution" a quote? If it is, it needs to be so designated. If not, it is a hopelessly POV expression unworthy of inclusion in an encyclopedia. Not everyone sees the written letters of a consititution as necessarily being hopelessly "stuttering", many think that it should be attempted to take them fairly literaly and to go with them to the maximum extent possible and practicable rather than to grasp for a hopelessly subjective "spirit" which may be alledged to permeate them. Rlquall 01:16, 8 Jun 2005 (UTC)
 * Agree, edited. --Sicboy 01:49, 2005 Jun 8 (UTC)

In fact, "even over the stuttering letters of the constitution" is a quote from a Hungarian article by Gábor Halmai (a doctor of political and legal science, professor of ELTE, editor-in-chief of the legal periodical Fundamentum, director of Human Rights Information and Documentation Center, and chairman of Soros Foundation Committee), which article I found and used (among other sources):
 * "(...) Ennek az útnak – amelynek neve talán nem a legszerencsésebb elnevezéssel „láthatatlan alkotmány” lett – legfontosabb építőköve az a jó értelemben vett alapjogi aktivizmus, ami akár az alkotmány dadogó betűivel szemben is az egyenlő emberi méltóság elvének elsődlegességét hirdeti. Ezt jelezte elsőként a halálbüntetés eltörlése, majd az információs jogok, a vélemény- és a lelkiismereti szabadság, majd az elmúlt évben a homoszexuálisok élettársi kapcsolatának világszerte úttörőnek mondható alkotmányos védelme. Ezek a döntések bel- és külföldön komoly elismerést szereztek a magyar Alkotmánybíróságnak. (...)" His article in the periodical Világosság

Adam78 09:56, 8 Jun 2005 (UTC)

 * Well I think we can omit that word here in Wikipedia, maybe an encyclopedia doesn't need the (either good or bad) style of Mr. Halmai :) --Sicboy 15:05, 2005 Jun 8 (UTC)

Circumstances of his election still relevant in article head?
I think the article head suffers from recentism. Something about Sólyom's current political stance could fill the place in better than the part about Szili, esp. regarding that the story of his election (albeit quite interesting) does already have a fairly long passage. 84.1.190.103 21:36, 1 August 2007 (UTC)

Article
I think that this article should be revised and then protected for a while. Because the Hungary-Slovakia conflict could bee this article used for the propaganda of both sides. —Preceding unsigned comment added by 78.99.5.160 (talk) 10:55, 26 August 2009 (UTC)

External links modified
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Honours - lack of references
@: I can see we are in a dispute about failure to reference honours. Please WP:PROVEIT. I'd also say a list of honours without giving reasons and is pretty pointless and prose should be used in which case the content would be more meaningful and less distracting on a prose biography page. It is inappropriate to continue at edit war and per WP:EDITWARE I am bringing this to discussion. The appropriate section has been tagged for citations. Thankyou. Djm-leighpark (talk) 06:16, 25 June 2019 (UTC)

Sólyom obtained two honours for his really personal merits: Grand Cross with Star and Sash of the Order of Merit of the Federal Republic of Germany (1998) and Grand Cross of the Order of Merit of the Republic of Hungary (1999). The honors listed on the page were given to him as president on the occasion of state visits. — Preceding unsigned comment added by Moldovanyiandras (talk • contribs) 20:11, 14 February 2022 (UTC)

title: Talk:László Sólyom


text:
New Hampshire Route 38

New Hampshire Route 38 (abbreviated NH 38) is an 8.7 mi north–south state highway in extreme southern New Hampshire. It is the main road connecting Pelham with Salem.

The southern terminus is in Pelham at the Massachusetts state line, where the road continues south as Massachusetts Route 38, which runs 27 mi from Dracut to Somerville. The northern terminus of NH 38 is in Salem at Rockingham Park Boulevard near the Mall at Rockingham Park, Interstate 93 (I-93) and NH 28.

Route description
The state route begins at the Massachusetts state line within the town of Pelham, Hillsborough County. After passing through the reaches of a quarry, most of which is in Massachusetts, it travels north along Bridge Street passing numerous businesses, but otherwise traveling to the east of the center of town. At Main Street, it begins to bend to the northeast, passing under a power line corridor, and then heads through a residential neighborhood. It crosses into Salem, Rockingham County where the highway name changes to Lowell Road. Through Salem, NH 38 crosses another residential neighborhood before it heads past more commercial properties. The road passes under I-93 before it curves to the north to head along the west side of the Mall at Rockingham Park and its name changes to Pleasant Street.

There is some inconsistency regarding the northern terminus of the route. According to signage, NH 38 turns onto Mall Road where it loops around the mall's parking lot and to the east of the former Rockingham Park race track. Now traveling south, NH 38 passes numerous entrances to the mall and track before ending at Rockingham Park Boulevard, a connector road between I-93's exit 1 and NH 28. According to the New Hampshire Department of Transportation, the route of NH 38 continues along Pleasant Street before turning east onto Main Street where the route ends at NH 28 and NH 97. This routing is the former route of NH 38 prior to the construction of the mall.

title: New Hampshire Route 38