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Harem

Harem (حَرِيمٌ) refers to domestic spaces that are reserved for the women of the house in a Muslim family. A harem may house a man's wife or wives, their pre-pubescent male children, unmarried daughters, female domestic servants, and other unmarried female relatives. In the past, harems also housed enslaved concubines. In former times some harems were guarded by eunuchs who were allowed inside. The structure of the harem and the extent of monogamy or polygyny has varied depending on the family's personalities, socio-economic status, and local customs. Similar institutions have been common in other Mediterranean and Middle Eastern civilizations, especially among royal and upper-class families, and the term is sometimes used in other contexts. In traditional Persian residential architecture the women's quarters were known as andaruni (Persian: اندرونی; meaning inside), and in the Indian subcontinent as zenana.

Although the institution has experienced a sharp decline in the modern era due to a rise in education and economic opportunities for women, as well as the influence of Western culture, the seclusion of women is still practiced in some parts of the world, such as rural Afghanistan and conservative states of the Persian Gulf.

In the West, the harem, often depicted as a hidden world of sexual subjugation where numerous women lounged in suggestive poses, has influenced many paintings, stage productions, films and literary works. Some earlier European Renaissance paintings dating to the 16th century portray the women of the Ottoman harem as individuals of status and political significance. In many periods of Islamic history, individual women in the harem exercised various degrees of political influence, such as the Sultanate of Women in the Ottoman Empire.

Terminology
The word has been recorded in the English language since the early 17th century. It comes from the ḥarīm, which can mean "a sacred inviolable place", "harem" or "female members of the family". In English the term harem can mean also "the wives (or concubines) of a polygamous man." The triliteral Ḥ-R-M appears in other terms related to the notion of interdiction such as haram (forbidden), mahram (unmarriageable relative), ihram (a pilgrim's state of ritual consecration during the Hajj) and al-Ḥaram al-Šarīf ("the noble sanctuary", which can refer to the Temple Mount or the sanctuary of Mecca).

In the Ottoman Turkish language, the harem, i.e., the part of the house reserved for women was called haremlik, while the space open for men was known as selamlık.

The practice of female seclusion is not exclusive to Islam, but the English word harem usually denotes the domestic space reserved for women in Muslim households. Some scholars have used the term to refer to polygynous royal households throughout history.

The ideal of seclusion

Leila Ahmed describes the ideal of seclusion as "a man's right to keep his women concealed—invisible to other men." Ahmed identifies the practice of seclusion as a social ideal and one of the major factors that shaped the lives of women in the Mediterranean Middle East. For example, contemporaneous sources from the Byzantine Empire describe the social norms that governed women's lives. Women were not supposed to be seen in public. They were guarded by eunuchs and could only leave the home "veiled and suitably chaperoned." Some of these customs were borrowed from the Persians, but Greek society also influenced the development of patriarchal tradition.

The ideal of seclusion was not fully realized as social reality. This was in part because working-class women often held jobs that required interaction with men. In the Byzantine Empire, the very ideal of gender segregation created economic opportunities for women as midwives, doctors, bath attendants and artisans since it was considered inappropriate for men to attend to women's needs. At times women lent and invested money, and engaged in other commercial activities. Historical records shows that the women of 14th-century Mamluk Cairo freely visited public events alongside men, despite objections of religious scholars.

Female seclusion has historically signaled social and economic prestige. Eventually, the norms of female seclusion spread beyond the elites, but the practice remained characteristic of upper and middle classes, for whom the financial ability to allow one's wife to remain at home was a mark of high status. In some regions, such as the Arabian peninsula, seclusion of women was practiced by poorer families at the cost of great hardship, but it was generally economically unrealistic for the lower classes.

Where historical evidence is available, it indicates that the harem was much more likely to be monogamous. For example, in late Ottoman Istanbul, only 2.29 percent of married men were polygynous, with the average number of wives being 2.08. In some regions, like Sub-Saharan Africa and Southeast Asia, prevalence of women in agricultural work leads to wider practice of polygamy but makes seclusion impractical. In contrast, in Eurasian and North African rural communities that rely on male-dominated plough farming, seclusion is economically possible but polygyny is undesirable. This indicates that the fundamental characteristic of the harem is seclusion of women rather than polygyny.

Pre-Islamic background
The idea of the harem or seclusion of women did not originate with Muhammad or Islam. The practice of secluding women was common to many Ancient Near East communities, especially where polygamy was permitted. In pre-Islamic Assyria and Persia, most royal courts had a harem, where the ruler's wives and concubines lived with female attendants, and eunuchs. Encyclopædia Iranica uses the term harem to describe the practices of the ancient Near East.

Ancient Egypt
There has been a modern trend to refer to the women's quarters of the Pharaoh's palace in Ancient Egypt as a harem.

The popular assumption that Pharaonic Egypt had a harem is however an anachronism; while the women and children of the pharaoh, including his mother, wives, and children, had their own living quarters with its own administration in the Palace of the Pharaoh, the royal women did not live isolated from contact with men or in seclusion from the rest of the court in the way associated with the term "harem". The custom of referring to the women's quarters of the pharaoh's palace as a "harem" is therefore apocryphal, and has been used because of incorrect assumptions that Ancient Egypt was similar to later Islamic harem culture.

Assyria
The kings of Ancient Assyria are known to have had a harem regulated by royal edicts, in which the women lived in seclusion guarded by slave eunuchs.

A number of regulations were designed to prevent disputes among the women from developing into political intrigues. The women were guarded by the eunuchs who also prevented their disputes from developing into political plots; they were banned from giving gifts to their servants (as such gifts could be used as bribes) and were not allowed any visitors who had not been examined and approved by officials. When the king traveled, his harem traveled with him, strictly supervised so as not to break regulations even under transport.

In the 7th century BC, Assyria was conquered by the Median Empire, which appears to have adopted the harem custom. Reportedly, the Median nobility each had five wives, and employed eunuchs (though these eunuchs may have been non-castrated officials).

Greece and Byzantium
Female seclusion and a special part of the house reserved for women were common among the elites of ancient Greece, where it was known as the gynaeceum. However, while gender segregation was the official ideal in Classical Athens, it is debated how much of this ideal was actually enforced, and it is known that even upper-class women appeared in public and were able to come in contact with men, at least on religious occasions.

These traditional Greek ideals were revived as an ideal for women in the Byzantine Empire (in which Greek culture eventually became dominant), though the rigid idealistic norms of seclusion expressed in Byzantine literature did not necessarily reflect actual practice. The Byzantine Emperors were Greek Orthodox and did not have several wives, or official concubines, secluded in a harem. When Greek culture started to replace the Roman in the Byzantine Empire in the 6th century, it came to be seen as modest, especially for upper-class women, to keep to a special women's quarters (gynaikonitis), and until the 12th century, men and women are known to have participated in gender-segregated banquets at the Imperial Court; however Imperial women still appeared in public and did not live in seclusion, and the idealized gender segregation was never fully enforced.

The Median and Achaemenid Empires
There is no evidence among early Iranians of harem practices, that is, taking large numbers of wives or concubines and keeping them in seclusion. However, Iranian dynasties are said to have adopted harem practices after their conquests in the Middle East, where such practices were used in some cultures such as Assyria (the Median Empire conquered Assyria in the 7th-century BC, and Media transformed into the Achaemenid Empire). According to Greek sources, the nobility of the Medes kept no less than five wives, who were watched over by eunuchs.

Greek historians have reported of harems of the Achaemenid Empire. Herodotus reported that each Persian royal or aristocratic man had several wives and concubines who came to the husband on a well-regulated, turn by turn basis. and had sole control over their children until they were five years old.

The Old Persian word for the harem is not attested, but it can be reconstructed as xšapā.stāna (lit. night station or place where one spends the night).

The royal household was controlled by the chief wife and queen, who as a rule was the daughter of a Persian prince and mother of the heir to the throne, and who was subject only to the king. She had her own living quarters, revenue, estates and staff, which included eunuchs and concubines. The second rank under the queen consisted of the legal secondary wives, with the title bānūka ("Lady"). The third rank consisted of unmarried princesses as well as married princesses who lived with their own family, with the title duxçī (daughter). The fourth group of women in the harem were the royal slave concubines who were bought in slave markets, received as a gifts as tribute, or taken as prisoners of war. The concubines were trained to entertain the king and his guests as musicians, dancers and singers. The harem of Darius III reportedly consisted of his mother, his queen-wife, her children, over 300 concubines and nearly 500 household servants.

However, it is a matter of debate if the Achaemenid court had a full harem culture, as women do not appear to have been fully secluded in the harem. The fact that women lived in separate quarters at the Royal Palace does not necessarily mean that they were secluded from contact with men, and despite the (possibly biased) Greek reports, there is no archeological evidence supporting the existence of a harem, or the seclusion of women from contact with men, at the Achaemenid court.

Royal and aristocratic Achaemenid women were given an education in subjects that did not appear compatible with seclusion, such as horsemanship and archery. It does not appear that royal and aristocratic women lived in seclusion from men since it is known that they appeared in public and traveled with their husbands, participated in hunting and in feasts; at least the chief wife of a royal or aristocratic man did not live in seclusion, as it is clearly stated that wives customarily accompanied their husbands to dinner banquets, although they left the banquet when the "women entertainers" of the harem came in and the men began "merrymaking".

Little is known about the alleged harems of the Parthians. Parthian royal men reportedly had several wives and kept them fairly secluded from all men except for relatives and eunuchs. According to Roman sources, Parthian kings had harems full of female slaves and hetairas secluded from contact with men, and royal women were not allowed to participate in the royal banquets. Also aristocratic Parthian men appear to have had harems, as Roman sources report of rich men travelling with hundreds of guarded concubines. However, the Roman reports about Parthian harems seem to mirror the traditional Greek reports about the Achaemenid harems, and they similarly are biased, and cannot be verified by archeological evidence.

Sasanian Empire
The information about the Sasanian harem reveals a picture that closely mirrors the alleged Achaemenid customs.

In the Sassanian Empire, Roman reports say that it was common for men to have multiple wives. The hierarchy of the Sassanian harem is not clear. The Sassanian kings had one chief consort, who was the mother of the heir to the throne, as well as having several wives of lower rank, and concubines, all of whom accompanied him on travels, and even on campaigns. Five titles are attested to for royal women: “royal princess” (duxšy, duxt); “Lady” (bānūg); “Queen” (bānbišn); “Queen of the Empire” ([Ērān]šahr bānbišn) and "Queen of Queens" (bānbišnān bānbišn). The rank of these titles has been a matter of debate and it appears that their status varied depending on circumstances and that the highest female rank was not necessarily borne by the chief wife, but could be held by a daughter or a sister. The Sasanian harem was supervised by eunuchs, and also had female singers and musicians.

However, while the Sasanian kings had harems, women in the Sassanid Empire in general did not live in seclusion; elaborate harems were detested and appear to have been exceptions to the rule, which is illustrated by the fact that big harems – when they occurred – were abhorred by the public.

According to Sasanian legend, of all the Persian kings, Khosrow II was the most extravagant in his hedonism. He searched his realm to find the most beautiful girls, and it was rumored that about 3,000 of them were kept in his harem. This practice was widely condemned by the public, who abhorred the fact that he kept the women in seclusion, denying them the benefit of marriage and progeny; this was counted as the fourth of the eight crimes for which he was later tried and executed. Khosrow himself claimed that he sent his favorite wife Shirin every year with an offer of the possibility of leaving his harem with a dowry for marriage, but that their luxurious lifestyle always prompted the women and girls to refuse his offer.

South Asia
South Asian traditions of female seclusion, called purdah, may have been influenced by Islamic customs.

Ashoka, the emperor of the Maurya Empire in India, kept a harem of around 500 women, all of whom were under strict rules of seclusion and etiquette.

Umayyad and Abbasid Caliphates
In contrast to the earlier era of the Islamic prophet Muhammad and the Rashidun Caliphate, women in Umayyad and Abbasid society were absent from all arenas of the community's central affairs. It was very common for early Muslim women to play an active role in community life and even to lead men into battle and start rebellions, as demonstrated in the Hadith literature. But by the time of the Abbasid Caliphate, women were ideally kept in seclusion.

The practice of gender segregation in Islam was influenced by an interplay of religion, customs and politics.The harem system first became fully institutionalized in the Islamic world under the Abbasid caliphate. Seclusion of women was established in various communities of the Mediterranean, Mesopotamia, and Persia before the advent of Islam, and some scholars believe that Muslims adopted the custom from the Byzantine Empire and Persia, retrospectively interpreting the Quran to justify it. Although the term harem does not denote women's quarters in the Quran, a number of Quranic verses discussing modesty and seclusion were held up by Quranic commentators as religious rationale for the separation of women from men, including the so-called hijab verse (33:53). In modern usage hijab colloquially refers to the religious attire worn by Muslim women, but in this verse, it meant "veil" or "curtain" that physically separates female from male space. Although classical commentators agreed that the verse spoke about a curtain separating the living quarters of Muhammad's wives from visitors to his house, they usually viewed this practice as providing a model for all Muslim women.

The growing seclusion of women was illustrated by the power struggle between the Caliph Al-Hadi and his mother Al-Khayzuran, who refused to live in seclusion but instead challenged the power of the Caliph by giving her own audiences to male supplicants and officials and thus mixing with men. Her son considered this improper, and he publicly addressed the issue of his mother's public life by assembling his generals and asked them:
 * 'Who is the better among us, you or me?' asked Caliph al-Hadi of his audience.
 * 'Obviously you are the better, Commander of the Faithful,' the assembly replied.
 * 'And whose mother is the better, mine or yours?' continued the caliph.
 * 'Your mother is the better, Commander of the Faithful.'
 * 'Who among you', continued al-Hadi, 'would like to have men spreading news about your mother?'
 * 'No one likes to have his mother talked about,' responded those present.
 * 'Then why do men go to my mother to speak to her?'

Conquests had brought enormous wealth and large numbers of slaves to the Muslim elite. The majority of the slaves were women and children, many of whom had been dependents or harem-members of the defeated Sassanian upper classes. In the wake of the conquests an elite man could potentially own a thousand slaves, and ordinary soldiers could have ten people serving them.

Nabia Abbott, preeminent historian of elite women of the Abbasid Caliphate, describes the lives of harem women as follows. "The choicest women were imprisoned behind heavy curtains and locked doors, the strings and keys of which were entrusted into the hands of that pitiable creature – the eunuch. As the size of the harem grew, men indulged to satiety. Satiety within the individual harem meant boredom for the one man and neglect for the many women. Under these conditions ... satisfaction by perverse and unnatural means crept into society, particularly in its upper classes."

The marketing of human beings, particularly women, as objects for sexual use meant that elite men owned the vast majority of women they interacted with, and related to them as would masters to slaves. Being a slave meant relative lack of autonomy, and belonging to a harem caused a wife and her children to have little insurance of stability and continued support due to the volatile politics of harem life.

Elite men expressed in literature the horror they felt for the humiliation and degradation of their daughters and female relatives. For example, the verses addressed to Hasan ibn al-Firat on the death of his daughter read:
 * To Abu Hassan I offer condolences.
 * At times of disaster and catastrophe
 * God multiplies rewards for the patient.
 * To be patient in misery
 * Is equivalent to giving thanks for a gift.
 * Among the blessings of God undoubtedly
 * Is the preservation of sons
 * And the death of daughters.

Courtesans and princesses produced prestigious and important poetry. Enough survives to give us access to women's historical experiences, and reveals some vivacious and powerful figures such as: the Sufi mystic Raabi'a al-Adwiyya (714–801 CE), the princess and poet 'Ulayya bint al-Mahdi (777–825 CE), the singing-girls Shāriyah (c. 815–70 CE), Fadl Ashsha'ira (d. 871 CE) and Arib al-Ma'muniyya (797–890 CE).

Al-Andalus
The harem system that developed in the Umayyad and Abbasid Caliphates was reproduced by the Islamic realms developing from them, such as in the Emirates and Caliphates in Muslim Spain, Al-Andalus, which attracted a lot of attention in Europe during the Middle Ages until the Emirate of Granada was conquered in 1492.

The most famous of the Andalusian harems was perhaps the harem of the Caliph of Cordoba. Except for the female relatives of the Caliph, the harem women consisted of his slave concubines. The slaves of the Caliph were often European saqaliba slaves trafficked from Northern or Eastern Europe. While male saqaliba could be given work in a number offices such as: in the kitchen, falconry, mint, textile workshops, the administration or the royal guard (in the case of harem guards, they were castrated), but female saqaliba were placed in the harem.

The harem could contain thousands of slave concubines; the harem of Abd al-Rahman I consisted of 6,300 women. The saqaliba concubines were appreciated for their light skin. The concubines (jawaris) were educated in accomplishments to make them attractive and useful for their master, and many became known and respected for their knowledge in a variety of subjects from music to medicine. A jawaris concubine who gave birth to a child attained the status of an umm walad, and a favorite concubine was given great luxury and honorary titles such as in the case of Marjan, who gave birth to al-Hakam II, the heir of Abd al-Rahman III; he called her al-sayyida al-kubra (great lady). Several concubines were known to have had great influence through their masters or their sons, notably Subh during the Caliphate of Cordoba, and Isabel de Solís during the Emirate of Granada.

However, concubines were always slaves subjected the will of their master. Caliph Abd al-Rahman III is known to have executed two concubines for reciting what he saw as inappropriate verses, and tortured another concubine with a burning candle in her face while she was held by two eunuchs after she refused sexual intercourse. The concubines of Abu Marwan al-Tubni (d. 1065) were reportedly so badly treated that they conspired to murder him; women of the harem were also known to have been subjected to rape when rivaling factions conquered different palaces.

Afghanistan
The rulers of Afghanistan customarily had a harem of four official wives as well as a large number of unofficial wives for the sake of tribal marriage diplomacy.

In addition, they also had enslaved harem women known as kaniz (“slave girl” ) and surati or surriyat ("mistress" ), guarded by the ghulam bacha (eunuchs). Habibullah Khan (r. 1901–1919) famously had at least 44 wives and hundreds of slave women (mostly Hazara) in his harem in the Harem Sara Palace. The women of the royal harem dressed in Western fashion as far back as the reign Habibullah Khan, but did not show themselves other than completely covered outside of the enclosed area of the royal palace.

The royal harem was first abolished by king Amanullah Khan, who in 1923 freed all slaves of the royal harem as well as encouraging his wife, queen Soraya Tarzi, and the other women of the royal family to unveil and live public lives. While the royal women returned to the purdah of the royal complex after the deposition of Amanullah in 1929, it was dissolved with the final unveiling of the royal women in 1959.

Brunei
Historically, the Royal harem of the sultan of Brunei included both wives as well as female enslaved concubines and servants. Slaves in Brunei were often non-Muslim Javanese, brought to Brunei by merchants.

The royal harem were described by a British resident in the 1850s as an institution where the women were isolated from the outside world to such a degree that the sultan preferred to attend to the repairs of the building himself, assisted by female slaves:
 * "The harem of the Brunei sultan is no splendind abode It reminds one rather of a barn than of Haroun Alrashid's palace. In a building some seventy feet by forty, fourscore women live - wives, concubines, and slaves. I do not know that any white person has beheld the insde of it, for his majesty carries jealous care to the verge of hypochondria. [...] Putting aside the prosaic question of securing a good meal every day, inmakes of a royal harem who recieve [sic] but one setof clothes a year - and those of cotton or cheapest silk - will always be plotting to get finery and cash. The house is old, constantly needing repari, and the sultan will not allow even a carpenter to go inside it.[...] The old monarch handled tools himself, assisted by the female slaves".

Slavery was abolished in Brunei in 1928.

Crimean Khanate
In the Muslim dynasties of Central Asia, the harem culture did not initially exist, since the customary nomadic culture made it impractical. The wives of the rulers of the Golden Horde did not live secluded in a harem but were allowed to show themselves and meet men who were not their relatives. The system of harem gender segregation was not fully implemented in the Islamic dynasties of Central Asia until they stopped living a nomadic lifestyle, such as in the Crimea.

The household organization of the khans of the Giray dynasty in the Crimean Khanate was described first during the reign of Sahib I Giray; most court offices were initiated by Sahib I Giray. It is clear that there were separate women's quarters in the court of Sahib I Giray, however complete gender segregation in the form of a harem does not appear to have been introduced until the 1560s.

The Giray court appears to have been organized in the slave-household manner that was normal in other Muslim dynasties. Many of the officials and courtiers (such as the viziers and equerries) as well as the servants were enslaved, while some were free Muslim noble clients and ulema family members. However, the servants of the royal harem were definitely slaves, including the eunuchs of Black African origin, taken from Africa via the Ottoman slave trade and the Middle East, who guarded the harem and who were often trained in the Ottoman Imperial harem.

Inside the harem, the highest positions were that of ana biyim and ulug biyim (ulug hani), which were given to the khan's mother and to the khan's first wife or the eldest Giray princess, respectively. The royal women had their own property and administered it from the harem through their legal agents, known as vekils, who also acted as their intermediaries with supplicants and petitioners.

The princes and the khans normally married free Muslim daughters of the Circassian vassal begs and trusted high officials; the khans also customarily practiced levirate marriage. Similar to what was normal in the royal harem of other Islamic dynasties, the khans had four official wives (all with their own separate quarters within the harem), and an unknown number of enslaved concubines. In 1669, the khan reportedly received fifteen Circassian slave virgins as an annual tribute from his subjects in the Caucasus; in the 1720s khan Saadet Giray reportedly owned twenty-seven slave concubines, and in the 1760s khan Qirim Giray owned about forty. But not all slave concubines were Circassians. Some royal children are recorded to have been born by slave mothers from Central and Eastern Europe; the occurrence of European women in the royal harem diminished in the 18th century when the Crimean slave raids to Eastern Europe (and thus the Crimean slave trade) were suppressed. Some of these women, though all formally concubines, would not have been the khan's concubines in practice, instead acting as the servants of his wives. This was the case in the Royal Ottoman harem as well, which served as the role model of the Giray harem. The Giray princesses were normally married off to poor noblemen and vassals who would be provided with great dowries, putting the princesses in an advantageous position over their husbands, thus causing the husbands to be loyal to the Girays.

Initially, the royal women did not live in seclusion in the harem. Notably, they gave their own audiences to men, such as during the ceremonial visit of the Russian ambassador, who would present them with diplomatic gifts. But in 1564, the Russian ambassador was given the message that such audiences were no longer allowed. The Giray women did continue to play a role in diplomacy, however, since they were allowed to exchange formal diplomatic correspondence with female rulers and consorts. Ğazı II Giray assigned his wife Han Tokai to act as a mediator and write to Tsaritsa Irina Godunova, while he himself wrote to Tsar Feodor I, negotiating the return of their son Murad Giray from Moscow in 1593.

There are a few examples of politically active and influential women of the Giray harem: Nur Sultan, wife of Mengli I Giray, Ayse Sultan, wife of Devlet I Giray (r. 1551–1577) and Emine Sultan Biyim, wife of Mehmed IV Giray (1642–44 and 1654–66), have been historically acknowledged as politically influential.

Fatimid Caliphate
The Fatimid Caliphate (909–1171) built upon the established model of the Abbasid harem.

The highest ranked woman in the Fatimid harem were normally the mother of the Caliph, or alternatively the mother of the heir or a female relative, who was given the title sayyida or al-sayyida al-malika ("queen").

The consorts of the Caliph were originally slave-girls whom the Caliph either married or used as concubines (sex slaves); in either case, a consort of the Caliph were referred to as jiha or al-jiha al-aliya ("Her Highness"). The concubines of the Fatimid Caliphs were in most cases of Christian origin, described as beautiful singers, dancers and musicians; they were often the subject of love poems, but also frequently accused of manipulating the Caliph. The third rank harem women were slave-girls trained in singing, dancing and playing music to perform as entertainers; this category were sometimes given as diplomatic gifts between male power holders.

The lowest rank of harem women were the slave-girls selected to become servants and performed a number of different tasks in the harem and royal household; these women were called shadadat and had some contact with the outside world, as they trafficked goods from the outside world to the harem via the underground tunnels known as saradib.

The enslaved eunuchs managed the women of the harem, guarded them, informed them and reported on them to the Caliph, and acted as their link to the outside world.

Mamluk Sultanate
The harem of the Mamluk sultans was housed in the Citadel al-Hawsh in the capital of Cairo (1250–1517).

The Mamluk sultanate built upon the established model of the Abbasid harem, as did its predecessor the Fatimid harem. The mother of the sultan was the highest ranked woman of the harem. The consorts of the Sultan were originally slave girls. The female slaves were supplied to the harem by the slave trade as children; they could be trained to perform as singers and dancers in the harem, and some were selected to serve as concubines (sex slaves) of the Sultan, who in some cases chose to marry them. Other slave girls served the consorts of the Sultan in a number of domestic tasks as harem servants, known as qahramana or qahramaniyya. The harem was guarded by enslaved eunuchs, until the 15th-century supplied by the Balkan slave trade and then from the Black Sea slave trade, served as the officials of the harem.

The harem of the Mamluk sultans were initially small and moderate, but Sultan Al-Nasir Muhammad (r. 1293–1341) expanded the harem to a major institution, which came to consummate as much luxury and slaves as the infamously luxurious harem of the preceding Fatimid dynasty. The harem of Sultan Al-Nasir Muhammad expanded ot a larger size than any preceding Mamluk sultan, and he left a harem of 1,200 female slaves at his death, 505 of which were singing girls. He married the slave Tughay (d. 1348), who left 1,000 slave girls and 80 eunuchs at her own death.

Morocco
Moulay Ismail, Alaouite sultan of Morocco from 1672 to 1727, had over 500 enslaved concubines. He is said to have fathered a total of 525 sons and 342 daughters by 1703 and achieved a 700th son in 1721.

Many of his concubines are only fragmentarily documented. As concubines, they were slave captives, sometimes acquired via the Barbary slave trade from Europe. One of them, an Irishwoman by the name Mrs. Shaw, was brought to his harem after having been enslaved. She was forced to convert to Islam when the Sultan wished to have intercourse with her, but was manumitted and married off to a Spanish convert when the Sultan grew tired of her. The Spanish convert being very poor, witnesses described her as being reduced to beggary. Other slave concubines would become favorites and thus allowed some influence, such as an Englishwoman called Lalla Balqis. Another favorite was a Spanish captive renamed Al-Darah, mother to Moulay Ismail's once favorite sons Moulay Mohammed al-Alim; and Moulay Sharif, whom he, himself educated. Around 1702, Al-Darah was strangled by Moulay Ismail; Lalla Aisha Mubaraka, a later favorite, convinced him that Al-Darah had betrayed him; she wanted to secure the succession of her own son.

According to the writings of the French diplomat Dominique Busnot, Moulay Ismail had at least 500 concubines and even more children. A total of 868 children (525 sons and 343 daughters) is recorded in 1703, with his seven-hundredth son being born shortly after his death in 1727, by which time he had well over a thousand children. The final total is uncertain; the Guinness Book of Records claims 1042, while Elisabeth Oberzaucher and Karl Grammer of the University of Vienna put the total at 1171. This is widely considered to be the largest number of children of any human in history.

Mughal Empire

The king's wives, concubines, dancing girls and slaves were not the only women of the Mughal harem. Many others, including the king's mother, lived in the harem. Aunts, grandmothers, sisters, daughters and other female relatives of the king all lived in the harem; male children also lived in the harem until they grew up. Within the precincts of the harem were markets, bazaars, laundries, kitchens, playgrounds, schools and baths. The harem had a hierarchy, its chief authorities being the wives and female relatives of the emperor and below them, the concubines.

Urdubegis were the class of women assigned to protect the emperor and inhabitants of the zenana. Because the women of the Mughal court lived sequestered under purdah, the administration of their living quarters was run entirely by women. The division of the administrative tasks was dictated largely by the vision of Akbar, who organized his zenana of over 5,000 noble women and servants. The women tasked with the protection of the zenana were commonly of Habshi, Tatar, Turk and Kashmiri origin. Kashmiri women were selected because they did not observe purdah. Many of the women were purchased as slaves and trained for their positions.

Individual women of the Mughal harem are known to have attained political influence. Nur Jahan, chief consort of Jahangir, was the most powerful and influential woman at court during a period when the Mughal Empire was at the peak of its power and glory. More decisive and proactive than her husband, she is considered by historians to have been the real power behind the throne for more than fifteen years. Nur Jahan was granted certain honours and privileges that were never enjoyed by any Mughal empress before or after. Nur Jahan was the only Mughal empress to have coinage struck in her name. She was often present when the Emperor held court, and even held court independently when the Emperor was unwell. She was given charge of his imperial seal, implying that her perusal and consent were necessary before any document or order received legal validity. The Emperor sought her views on most matters before issuing orders. The only other Mughal empress to command such devotion from her husband was Nur Jahan's niece Mumtaz Mahal, for whom Shah Jahan built the Taj Mahal as a mausoleum. However, Mumtaz took no interest in affairs of state and Nur Jahan is therefore unique in the annals of the Mughal Empire for the political influence she wielded.

Muhammad Ali dynasty of Egypt
The royal harem during the Muhammad Ali dynasty of the Khedivate of Egypt (1805–1914) was modelled after Ottoman example, the khedives being the Egyptian viceroys of the Ottoman sultans.

Muhammad Ali was appointed vice roy of Egypt in 1805, and by Imperial Ottoman example assembled a harem of slave concubines in the Palace Citadel of Cairo which, according to a traditional account, made his legal wife Amina Hanim declare herself to henceforth be his wife in name only, when she joined him in Egypt in 1808 and discovered his sex slaves.

Similar to the Ottoman Imperial harem, the harem of the khedive was modelled on a system of polygyny based on slave concubinage, in which each wife or concubine was limited to having one son. The women harem slaves mostly came from Caucasus via the Circassian slave trade and were referred to as "white".

The khedive's harem was composed of between several hundreds to over a thousand enslaved women, supervised by his mother, the walida pasha, and his four official wives (hanim) and recognized concubines (qadin). However, the majority of the slave women served as domestics to his mother and wives, and could have servant offices such as the bash qalfa, chief servant slave woman of the walida pasha.

The enslaved female servants of the khedivate harem were manumitted and married off with a trosseau in strategic marriages to the male freedmen or slaves (kul or mamluk) who were trained to become officers and civil servants as freedmen, in order to ensure the fidelity of their husband's to the khedive when they began their military or state official career.

A minority of the slave women were selected to become the personal servants (concubines) of the khedive, often selected by his mother: they could become his wives, and would become free as an umm walad (or mustawlada) if they had children with their enslaver.

Muhammad Ali of Egypt reportedly had at least 25 consorts (wives and concubines), and Khedive Ismail fourteen consorts of slave origin, four of whom where his wives.

The Egyptian elite of bureaucrat families, who emulated the khedive, had similar harem customs, and it was noted that it was common for Egyptian upper-class families to have slave women in their harem, which they manumitted to marry off to male protegees.

This system gradually started to change after 1873, when Tewfik Pasha married Emina Ilhamy as his sole consort, making monogamy the fashionable ideal among the elite, after the throne succession had been changed to primogeniture, which favored monogamy. The wedding of Tewfik Pasha and Emina Ilhamy was the first wedding of a prince that were celebrated, since the princes had previously merely taken slave concubines, who they sometimes married afterward.

The end of the Circassian slave trade and the elimination of slave concubinage after the Anglo-Egyptian Slave Trade Convention also contributed to the end of the practice of polygyny in the Egyptian and Ottoman upper classes from the 1870s onward. In the mid 19th-century, the Ottoman Tanzimat reforms abolished the custom of training male slaves to become military men and civil servants, and replaced them with free students.

All of this gradually diminished the royal harem, though it, as well as the harem of the elite families, still maintained a smaller number of male eunuchs and slave women until at least World War I. Khedive Abbas II of Egypt bought six "white female slaves" for his harem in 1894, and his mother still maintained sixty slaves as late as 1931. The royal harem was finally dissolved when they escaped seclusion and took on a public role in the 1930s.

Ottoman Empire

The Imperial Harem of the Ottoman sultan, also called seraglio in the West, was part of Topkapı Palace. It also housed the valide sultan, as well as the sultan's daughters and other female relatives. Eunuchs and enslaved servant girls were also part of the harem. During the later periods, the sons of the sultan lived in the Harem until they were 12 years old. It is becoming more commonly acknowledged today that the purpose of harems during the Ottoman Empire was for the upbringing of the future wives of upper-class and royal men. These women would be educated so that they would able to appear in public as wives. In general, however, the separation of men's and women's quarters was never practiced among the urban poor in large cities such as Constantinople, and by the 1920s and 1930s, it had become a thing of the past in middle and upper-class homes.

The Ottoman sultans normally did not marry in the period circa 1500–1850, but instead procreated with enslaved concubines provided via the Crimean slave trade. Some women of an Ottoman harem, especially wives, mothers and sisters of sultans, played very important political roles in Ottoman history, and during the period of the Sultanate of Women, it was common for foreign visitors and ambassadors to claim that the Empire was, de facto ruled by the women in the Imperial Harem. Hürrem Sultan (wife of Suleiman the Magnificent, mother of Selim II), was one of the most powerful women in Ottoman history and wielded vast political power. The title of Haseki Sultan, was created for her and was used by her successors.

Kösem Sultan was also one of the most powerful women in Ottoman history. Kösem Sultan achieved power and influenced the politics of the Ottoman Empire when she became Haseki Sultan as the favourite consort and later legal wife of Ottoman Sultan Ahmed I (r. 1603–1617) and valide sultan as mother of Murad IV (r. 1623–1640) and Ibrahim (r. 1640–1648), and grandmother of Mehmed IV (r. 1648–1687).

Kösem's son, Sultan Ibrahim the Mad, Ottoman ruler from 1640 to 1648, is said to have drowned 280 concubines of his harem in the Bosphorus. At least one of his concubines, Turhan Sultan, a Russian girl (from the area around modern Ukraine) who came into the Ottoman Empire as a slave sold by Nogai slavers, survived his reign.

Safavid Empire
The royal harem played an important role in the history of Safavid Persia. The Safavid harem consisted of: mothers, wives, slave concubines, female relatives; it was staffed with female slaves, and eunuchs who acted as their guards and channels to the rest of the world. Shah Sultan Hossain's (r. 1694–1722) court has been estimated include five thousand slaves: male and female, black and white, of which one hundred were black eunuchs.

The monarchs of the Safavid dynasty preferred to procreate through slave concubines, which would neutralize potential ambitions from relatives and other inlaws and protect patrimony. The slave concubines (and later mothers) of the Shah mainly consisted of enslaved Circassian, Georgian and Armenian women, captured as war booty, bought at the slave market or received as gifts from local potentates. The slave concubines were sometimes forced to convert to shia Islam upon entering the harem, and referred to as kaniz. In contrast to the common custom in Islamic courts allowing only non-Muslim women to become harem concubines, the Safavid harem also contained Muslim concubines, as some free Persian Muslim daughters were given by their families or taken by the royal household to the harem as concubines.

The enslaved harem women could achieve great influence, but there are also examples of the opposite. Shah Abbas II (r. 1642–1666) burned three of his slave-wives alive because they refused to drink with him, and another wife for lying about her menstruation period. Shah Safi (r. 1629–1642) stabbed his wife to death for disobedience.

Slave eunuchs performed various tasks in many levels of the harem as well as in the general court, where they had offices such as in the royal treasury, as the tutors and adoptive fathers of non-castrated slaves selected to be slave soldiers (ghilman). Inside the harem they served as a channel between the secluded harem women and the outside court and world, which gave them a potentially powerful role at court.

In the early Safavid period, young princes were placed in the care of a lala (high-ranking Qizilbash chief who acted as a guardian) and were eventually given charge of important governorates. Although this system had the danger of encouraging regional rebellions against the shah, it gave the princes education and training, which prepared them for dynastic succession. This policy was changed by Shah Abbas I (1571–1629), who largely banished the princes to the harem, where their social interactions were limited to the ladies of the harem and eunuchs. This deprived them of administrative and military training as well as experience in dealing with the aristocracy of the realm. This, together with the princes' indulgent upbringing, made them unprepared to carry out royal responsibilities, and often they were uninterested in doing so. The confinement of royal princes to the harem was an important factor contributing to the decline of the Safavid dynasty.

The administration of the royal harem constituted an independent branch of the court, staffed mainly by eunuchs. These were initially black eunuchs, but white eunuchs from Georgia also began to be employed from the time of Abbas I.

The mothers of rival princes in league with eunuchs, engaged in palace intrigues in an attempt to place their candidate on the throne. From the middle of the sixteenth century, rivalries between Georgian and Circassian women in the royal harem gave rise to dynastic struggles of an ethnic nature previously unknown at the court. When Shah Abbas II died in 1666, palace eunuchs engineered the succession of Suleiman I and effectively seized control of the state. Suleiman set up a privy council, which included the most important eunuchs in the harem, thereby depriving traditional state institutions of their functions. The eunuchs' influence over military and civil affairs was checked only by their internal rivalries and by the religious movement led by Muhammad Baqir Majlisi. The royal harem reached such proportions under Sultan Husayn (1668–1726) that it consumed a large part of state revenues. After the fall of the Safavid dynasty, which occurred soon afterwards, eunuchs were never again able to achieve significant political influence as a class in Persia.

Qajar Empire
The harem of the monarchs of the Qajar dynasty (1785–1925) consisted of several thousand people. The harem had a precise internal administration, based on the women's rank.

As was customary in Muslim harems, the highest rank of the harem hierarchy was that of the monarchs' mother, who in Qajar Iran had the title Mahd-e ʿOlyā (Sublime Cradle). She had many duties and prerogatives, such as safeguarding the harem valuables, particularly the jewels, which she administered with the help of female secretaries.

In contrast to what was common in the Ottoman Empire, where the sultans normally only had slave consorts, the Qajar shahs also had a custom of diplomatic marriages with free Muslim women, daughters of Qajar dignitaries and princes. Another phenomenon of the Qajar harem was that the Shah entered into two different kinds of marriages with his harem women: ṣīḡa (temporary wife), which was often done with concubines, and ʿaqdī (permanent wives); this was a promotion. The wives and slave concubines of Fath-Ali Shah Qajar came from the harems of the vanquished houses of Zand and Afšār; from the Georgian and Armenian campaigns, as well as from slave markets, and were presented as gifts to the shah from the provinces.

Every consort had white and black slave servants (women or eunuchs), whose number varied according to her status. Some wives had their own residence and stables. There were different types of female officials within the harem: some managed the royal coffeehouse inside the harem, a body of female sentinels commanded by women officials "protected the king's nightly rest", and women called ostāds (masters) supervised the group of female dancers and musicians who entertained the harem; they were housed with their servants in a separate compound. Young slave boys below puberty (ḡolām-bačča) were used as servants and playmates in the harem. Eunuchs were mainly African slaves.

The women of the harem were responsible for everything inside the harem quarters, but the harem was guarded from the other parts of the palace (biruni) by the eunuchs, who together with visits from relatives, physicians and tailors served as links to the outside world for the women; the women were not allowed to leave the harem themselves.

The harem women had daily entertainments such as music, dance, theatrical performances and games. They studied the arts, calligraphy and poetry, and entertained themselves and the shah with music, dance and singing, and by reciting verses and telling stories, which the shah enjoyed at bedtime. The harem had its own theatre where passion plays (taʿzia) were performed, and one of the shah's wives was the custodian of all the paraphernalia and props. Toward the end of the Qajar dynasty, foreign tutors were allowed into the harem.

Inside the harem, women performed religious functions such as rawża-ḵᵛāni (the commemoration of the martyrdom of Imam Ḥosayn at Karbalā); they preached from the pulpit on the day of ʿĀšurā (q.v., the 10th of Moḥarram) and directed the ritual of sina-zadan (beating of the chest).

The Qajar harem also had the political influence and intrigues common in royal harems. Until a regulated succession to the throne was established by Nāṣer-al-Din Shah (r. 1848–1896), the harem was a place of intense struggle by mothers of potential heirs to have their own sons elected to the throne, as well as having material benefits for themselves, higher ranks for members of their own families, or precedence for their own children. Nāṣer-al-Din Shah's mother, Jahān Ḵānom Mahd-e ʿOlyā, wielded a major influence that secured his own succession and the dismissal and subsequent assassination in of Prime Minister Mirzā Taqi Khan Amir Kabir,. Nāṣer-al-Din Shah's favorite wife Anis-al-Dawla brought about the dismissal of the Premier Mirza Hosein Khan Moshir od-Dowleh in 1873. Both Persian policymakers as well as foreign diplomats, therefore, sought support within the royal harem.

Uzbekistan
In the Islamic Khanates of Central Asia, harems existed until the introduction of Communism by the Soviets after the Russian Revolution.

Khiva
The royal harem of the ruler of the Khanate of Khiva (1511–1920) in Central Asia (Uzbekistan) was composed of both legal wives and slave concubines. The khan had four legal wives, who were obliged to be free Muslim women. Aside from his legal wives, enslaved women were acquired from slave markets and were obliged to be non-Muslims since free Muslim women could not be slaves. The enslaved girls were initially given as servants to the khan's mother. She provided them with an education to make them suitable for concubinage, after which some of them were selected to be the concubines to the khan.

Only the khan's legal wives were allowed to give birth to his children, and the slave concubines who conceived were given forced abortions. The women could be sold off if they did not please the khan, or given in marriage to his favored subjects. The son of the khan was not allowed to inherit his father's concubine, so when a khan died, his concubines were sold at the slave market. Men were normally not allowed to visit the harem, but Jewish tradeswomen were allowed in to sell their wares, such as clothes, to the harem inhabitants.

Bukhara
The royal harem of the ruler of the Emirate of Bukhara (1785–1920) in Central Asia (Uzbekistan) was similar to that of the Khanate of Khiva. The last Emir of Bukhara was reported to have a harem with 100 women (provided via the Bukhara slave trade), but also a separate "harem" of ‘nectarine-complexioned dancing boys’. The harem was abolished when the Soviets conquered the area and the khan Sayyid Mir Muhammad Alim Khan was forced to flee; he reportedly left the harem women behind, but did take some of his dancing boys with him.

Zanzibar
The model of the royal harem of Zanzibar were similar to most royal harems at the time. Enslaved eunuchs were employed to guard and manage the affairs of the harem, while female slave maids were employed to see to the needs of the slave concubines, the wives and the female relatives.

The memoirs of Princess Emily Ruete provides valuable insight and description of the royal harem. Sultan Seyyid Said had three legal wives, but despite all his marriages being childless, he nevertheless had 36 children, who must thus have been born to slave concubines. The concubines were referred to as sarari or suria, and could be of several different ethncities, often Ethiopian or Circassian. Ethiopian, Indian or Circassian (white) women were much more expensive than the majority of African women sold in the slave market in Zanzibar, and white women in particular were so expensive that they were in practice almost reserved for the royal harem. White slave women were called jariyeh bayza and imported to Oman and Zanzibar via Persia (Iran) and had the reputation of "soon renders the house of a moderately rich man unendurable". The white slave women were generally referred to as "Circassian", but this was a general term and did not specifically refer to Circassian ethnicity as such but could refer to any white women, such as Georgian or Bulgarian. Emily Ruete referred to all white women in the royal harem as "Circassian" as a general term, one of whom was her own mother Jilfidan, who had arrived via the Circassian slave trade to become a concubine at the royal harem as a child. When the sultan Said bin Sultan died in 1856, he had 75 enslaved sararai-concubines in his harem.

Emily Ruete described the multi ethnic Royal harem in her memoirs:
 * Arabic was the only lauguage really sanctioned in my father's presence. But as soon as he turned his back, a truly Babylonian confusion of tongues commenced, and Arabian, Persian, Turkish, Circassian, Swahely, Nubian, and Abyssinian were spoken and mixed up together, not to mention the various dialects of these tongues. [...] Both at Bet il Mtoni and at Bet il Sahel the meals were cooked in the Arab as well as in the Persian and Turkish manner. People of all races lived in these two houses — the races of various beauty. The slaves were dressed in Swaihily style, but we were permitted to appear in Arab fashion alone. Any newly-arrived Circassian or Abyssinian woman had to exchange her ample robes and fantastic attire within three days for -the Arab costume provided for her. [...] On the seventh day after the birth of a child my father used to' pay a visit to the infant and its mother to present some article of jewellery to the baby. In the same way a new Surie received at onco the necessary jewels, and had her servants assigned to her by the chief eunuch."

Modern Era
The practice of female seclusion witnessed a sharp decline in the early 20th century as a result of education and increased economic opportunity for women, as well as Western influences, but it is still practiced in some parts of the world, such as rural Afghanistan and conservative states of the Persian Gulf region. Since the early 1980s, a rise in conservative Islamic currents has led to a greater emphasis on traditional notions of modesty and gender segregation, with some radical preachers in Saudi Arabia calling for a return to the seclusion of women and an end of female employment. Many working women in conservative societies have adopted hijab as a way of coping with a social environment where men are uncomfortable interacting with women in the public space. Some religious women have tried to emulate seclusion practices abandoned by their grandmothers' generation in an effort to affirm traditional religious values in the face of pervasive Westernization.

Eunuchs and slavery
Eunuchs were probably introduced into Islamic civilizations (despite castration being Islamically forbidden) through the influence of Persian and Byzantine imperial courts. The Ottomans employed eunuchs as guardians of the harem. Istanbul's Topkapı Palace housed several hundred eunuchs in the late-sixteenth century. The head eunuch who guarded the entrance of the harem was known as kızlar ağası. Eunuchs were either Nilotic slaves captured in the Nile vicinity and transported through ports in Upper Egypt, the Sudan and Abyssinia, or European slaves such as Slavs and Franks.

According to Encyclopedia of Islam, castration was prohibited in Islamic law "by a sort of tacit consensus" and eunuchs were acquired from Christian and Jewish traders. Al-Muqaddasi identifies a town in Spain where the operation was performed by Jews and the survivors were then sent overseas. Encyclopedia Judaica states that Talmudic law counts castration among mutilations that entitle a slave to immediate release; thus the ability of Jewish slave traders to supply eunuchs to harems depended on whether they could acquire castrated males.

The dark eunuch was held as the embodiment of the sensual tyranny that held sway in the fantasized Ottoman palace, for he had been "clipped" or "completely sheared" to make of him the "ultimate slave" for the supreme ruler. In the Ottoman court, white eunuchs, who were mostly brought from castration centers in Christian Europe and Circassia, were responsible for much of the palace administration, while black eunuchs, who had undergone a double-castration, were the only male slaves employed in the royal harem.

The chief black eunuch, or the Kizlar Agha, came to acquire a great deal of power within the Ottoman Empire. He not only managed every aspect of the harem women's lives but was also responsible for the education and social etiquette of the young women and young princes in the harem. He arranged all the ceremonial events within the harem, including weddings and circumcision parties, and even notified women of death sentences when "accused of crimes or implicated in intrigues of jealousy and corruption."

Nineteenth-century travelers' accounts tell of being served by black eunuch slaves. The trade was suppressed in the Ottoman Empire beginning in the mid-19th century, and slavery was legally abolished in 1887 or 1888. Late 19th-century slaves in Palestine included enslaved Africans and the sold daughters of poor Palestinian peasants. Circassians and Abazins from North of the Black Sea may also have been involved in the Ottoman slave trade.

African royal polygamy
In Africa south of the Sahara, many non-Muslim chieftains have traditionally had harems.

The Zulu King Goodwill Zwelithini had six wives, for example, and members of the Nigerian chieftaincy system have historically had as many as three hundred of them. Usually, African royal polygamy does not expect wives to be secluded from men or to be prevented from moving outside the harem. Where this is not the case, and the royal wives do live in the harems in isolation, they tend to have a ritual significance in their kingdoms' traditions.

The wives of the Oba of Benin City, a Nigerian kingdom, lived alone in the women's quarters of the Royal Palace. They were allowed to receive only female visitors in the harem, and they themselves normally did not leave it and thus were rarely seen in public. Their seclusion was tied to the religion of Benin City, which held them to be sacred as wives of the Oba.

Aztec Empire
In Mesoamerica, Aztec ruler Montezuma II, who met Hernán Cortés, kept 4,000 concubines; every member of the Aztec nobility was supposed to have had as many consorts as he could afford.

Cambodia
There is no support for a harem in Buddhist writings. Nevertheless, harems have been common for Buddhist royal rulers. Normally, the royal Buddhist harems of South East Asia were not as strict as Muslim harems, allowing women some limited freedom outside the harem, but the royal harem of Cambodia was particularly severe, and secluded women for fear they would be unfaithful.

The king of Cambodia had a royal harem consisting of hundreds of women. In a custom common for royal rulers in South East Asia, girls were sent to the king's harem by powerful local families all over the country, as tributes and living acknowledgements of their submission, and the king's right to rule. Those sent became court ladies and were given a number of different tasks. After every coronation, the new king and his main wife-queen would assign different ranks and tasks to the palace women: after the queen came the four wives called preah moneang or preah snang rank, then the preah neang-wives, the neak moneang-wives, and the neak neang-wives. Other palace women became servants, singers or dancers. The harem women could only be seen in public on a few ceremonial occasions; otherwise they were not allowed contact with the outside world and communicated with it through go-betweens in the form of old female palace women servants called ak yeay chastum.

When Cambodia became a French colony, the French colonial officials viewed the abolition of the royal harem and an emancipation of harem women as a part of modernization, as well as a way of cutting the costs of the royal court. After the death of king Norodom in April 1904, the French officials took control of the royal finances, reviewed the allowances of each person in the royal palace, and reduced the number of women that the king could support, in effect, dissolving the harem. King Sisowath (r. 1904–1927) did keep some of the No kang chao (concubines) he had prior to his accession, but no more were added, and the custom of giving daughters as tribute to the royal harem had waned by 1913; after this, the palace women, at least officially, were servants; they also staffed the royal ballet corps.

India
The harem likely existed in Hindu India before the Islamic conquest; it is mentioned in the ancient stories of the Buddha. However, it appears to have become more common and strict after the Islamic conquests.

After the Islamic conquest of India and the loss of Hindu rulership, gender segregation and seclusion of women practiced by the Muslim conquerors was adopted by Hindus in India, where it became known as purdah. The whole society became more gender segregated after the Muslim conquests. In Bengal, for example, where men and women had previously worked together reaping, men started to do the reaping alone and women were relegated to the more domestic task of husking. Male Hindu rulers commonly had harems as well as Muslim rulers in India from the Middle Ages until the 20th-century. One of the reasons why upper-class Hindu men started to seclude women in harems after the Muslim conquest was due to the practice of the Muslim conquerors putting the wives of defeated Hindus into their harems. Disruption of the Hindu social system followed from the mixing of Hindus and Muslims. The seclusion of Hindu women was thus a way to preserve the caste system.

Imperial China
Harem is also the usual English translation of the Chinese language term hougong (hou-kung; ), in reference to the Imperial Chinese Harem. Hougong refers to the large palaces for the Chinese emperor's consorts, concubines, female attendants and eunuchs.

The women who lived in an emperor's hougong sometimes numbered in the thousands.

Muscovite Terem
In Muscovite Russia the area of aristocratic houses where women were secluded was known as terem. However, aristocratic Muscovite women were not entirely secluded from mixing with men; it was a common custom for the lady of the house to greet a male guest with a welcoming drink ritual when he arrived. She was also waited upon by male as well as female staff upon retiring to her chamber.

Western representations
A distinct, imaginary vision of the harem emerged in the West starting from the 17th century when Europeans became aware of Muslim harems housing numerous women. In contrast to the medieval European views that conceived Muslim women as victimized but powerful through their charms and deceit, during the era of European colonialism, the "imaginary harem" came to represent what Orientalist scholars saw as an abased and subjugated status of women in the Islamic civilization. These notions served to cast the West as culturally superior and justify colonial enterprises. Under the influence of One Thousand and One Nights, the harem was often conceived as a personal brothel, where numerous women lounged in suggestive poses, directing their strong but oppressed sexuality toward a single man in a form of "competitive lust".

A centuries-old theme in Western culture is the depiction of European women being forcibly taken into Oriental harems. Some examples are the Mozart opera Die Entführung aus dem Serail (The Abduction from the Seraglio) where the hero Belmonte attempts to rescue his beloved Konstanze from the harem of the Pasha Selim.

In Voltaire's Candide, an old woman relates her experiences of being sold into harems across the Ottoman Empire.

Much of Verdi's opera Il corsaro takes place in the harem of the Pasha Seid, where Gulnara, the Pasha's favorite, chafes in captivity, longing for freedom and true love. She eventually falls in love with the dashing corsair Corrado and kills the Pasha to escape with the him—only to discover that he loves another woman.

The Lustful Turk is a Victorian novel, published in 1828, about a Western woman who is forced into sexual slavery in the harem of the Dey of Algiers. Similar themes were expressed in A Night in a Moorish Harem, an erotic novel of 1896, where a shipwrecked Western sailor is invited into a harem and engages in "illicit sex" with nine concubines.

The 1919 novel The Sheik, by E. M. Hull, and the 1921 film of the same name are probably the most famous novels from the "desert romance" genre that flourished after the conclusion of the First World War, involving relationships between Western women and Arab sheiks. They have received strong criticisms for the central plot element, the notion that rape leads to love by forced seduction, or that for women, sexual submission is a necessary and natural condition and that rape is excused by marriage. Historians have also criticized the orientalist portrayal of the Arabs in the novel and the film.

Angelique and the Sultan, part of the Angélique historical novel series by Anne and Serge Golon, later made into a film, has the theme of a 17th-century French noblewoman captured by pirates and taken into the harem of the King of Morocco, where she stabs the King with his own dagger when he tries to have sex with her and stages a daring escape.

The Russian writer Leonid Solovyov an adapted the Middle Eastern and Central Asian folktales of Nasreddin into his book Возмутитель спокойствия (translated as "The Beggar in the Harem: Impudent Adventures in Old Bukhara", or6as, and "The Tale of Hodja Nasreddin: Disturber of the Peace", 2009 about hero Nasreddin's beloved being taken into the harem of the Emir of Bukhara and his efforts to extract her from there, (a theme completely absent from the original folktales.)

A Study in Scarlet, the first of Conan Doyle's Sherlock Holmes mysteries, applies many of the above conventions to the Western phenomenon of Mormon polygamous marriage. In the wild days of the early Mormon settlement of Utah, the protagonist's beloved is kidnapped and placed against her will in the harem of a Mormon elder, where she dies. Having failed to rescue her, the protagonist vows deadly revenge on the kidnappers – the background of the mystery solved by Holmes.

In H.G. Wells' The War in the Air, civilization breaks down due to global war. With the world reverting to barbarism, a strongman takes over a town and starts forcing young women into a harem that he is building up. The protagonist must fight and kill him to save his girlfriend from being included.

Science Fiction writer Poul Anderson in the tales of his Galactic Secret Agent Dominic Flandry, an episode where one of his love interests is forced into the harem of corrupt planetary governor, Harald. The futuristic harem follows the well-established literary depictions, except that traditional eunuchs are replaced by extraterrestrials.

Image gallery
Many Western artists have depicted their imaginary conceptions of the harem.

Modern day harems
Mswati III, current king of Eswatini, has his choice of new brides at the yearly Reed Dance (Umhlanga (ceremony). Once the brides become pregnant, they are considered his wives. He currently has 15 wives.

Prince Jefri Bolkiah of Brunei is alleged to have kept a harem of up to 25 women for several years, which included the writer Jillian Lauren, who published Some Girls: My Life in a Harem about her experiences.

Saudi arms dealer Adnan Khashoggi maintained a harem with at least twelve women who were described as his "pleasure wives". One of them was Jill Dodd, a former model and fashion designer, whom he met in 1980. Dodd wrote a memoir named The Currency of Love about their relationship.

People

 * Concubine
 * Eunuch
 * Odalisque
 * Pilegesh

Places

 * Arcadia (utopia)
 * Gynaeceum
 * Turkish bath (hammam)
 * Ōoku
 * Seraglio
 * Zenana

Other

 * Culture of the Ottoman Empire
 * Harem (genre)
 * Hypergamy
 * Imperial Chinese harem system
 * Ottoman Imperial Harem
 * Islamic views on concubinage
 * Kippumjo
 * Mughal Harem
 * History of concubinage in the Muslim world
 * Women-only space

title: Harem


text:
Talk:Heinz Kohut

Oh come on
His influence has been compared to that of Sigmund Freud. And found lacking. Removing until someone can demonstrate that their influence is in the same league, which I cannot imagine. -- Cleduc 22:20, 4 Jun 2005 (UTC)

Austrian or German?
I am a bit shocked to see that the English Wikipedia lists Kohut as German, while German Wikipedia lists Kohut as Austrian. Who is right? Andries 03:01, 18 December 2005 (UTC)

Expansion is needed!
This seems like an excellent place to start if anyone wants to tackle a major improvement on this article. Ziggurat 22:11, 8 January 2006 (UTC)

Rationale behind some changes
I have a doctorate in psychology and I use a lot of dynamic theory in practice, so I figured I qualified as an expert. :-)

I rewrote almost everything and removed most of the text that focused on self psychology as a theory, since there is a separate entry in Wiki for that, and this one is supposed to be on the theorist, not the theory. I looked over the entry on the theory, and that needs work, too, but that's for another evening.

I referenced my sources.

Austrian or German? He was from Vienna, which is the capital of Austria. He was Jewish, and he had to get out before the Nazis put him in a camp, just like Freud!

He was important to dynamic theory, and some would probably argue that he is as important as Freud to the modern incarnations of said theory, particularly since most people use either self psych or object relations today. Carl Rogers was a pioneer for caring about his clients and treating them with empathy, which is core to all psychological practice today, so Kohut introducing that concept into the stodgy old, already developed analytic/dynamic world was pretty groundbreaking. I get the impression from what I've read that he had great charisma and that helped him. (So did Freud, I believe.)

Katsesama 08:43, 15 June 2006 (UTC)

== Inconsistency in text: == "Kohut expanded on his theory during the 1970s and 1980s" "He fell into a coma on the evening of October 7, 1981, and died of cancer on the morning of October 8."

Also: no transition to "In the final week of his life, knowing that his time was at an end..."

and no DOB / DOD at the top.

The preceding entry is unsigned
How can the reader give it any credence? Katsesama, I respect your entry as the best contribution to the article. I earned a Bachelor of Arts in Psychology in 1976, with emphasis in Developmental, Social, and Abnormal areas. I worked on locked wards with adolescents and children from 1977-1981. I have been licensed as a registered nurse since 1981, practicing in Emergency until my retirement in 2001. Although I worked with Clinical Social Workers and Emergency Psychiatrists, it was less than 5% of my practice. I have several friends who are Retired or working Clinical Social Workers, as is my current therapist. I see her every two weeks, and my internist four times a year.

My friend Bruce obtained a Master's Degree in Humanistic Psychology about ten years ago, obtained a state license for childhood counselling, but never had a client before he went to Guatemala to "save the world." This evening I had coffee with a friend who attended a three-day conference in "Constellation Healing", which he described as personal psychology, applied to the trauma that is ubiquitous in human development.

I find parallels, and some potential for scientific evolution from Breuer, Freud and Kohut. All three were Vienna Jews whose lives were shaped by Nazi persecution. Although Wikipaedia gives no cause of death for Breuer, Freud and Kohut both died of cancer.--W8IMP 04:57, 18 October 2007 (UTC)

WikiProject class rating
This article was automatically assessed because at least one WikiProject had rated the article as start, and the rating on other projects was brought up to start class. BetacommandBot 16:27, 10 November 2007 (UTC)

Kohut and NPD
He both treated and wrote about those with NPD. See this - Kohut's book The Analysis of the Self: A Systematic Analysis of the Treatment of the Narcissistic Personality Disorders [4] "had a significant impact on the field.." Spotted Owl (talk) 18:31, 5 February 2008 (UTC)

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Talk:Heinz Kohut


text:
Too Close for Comfort

Too Close for Comfort is an American sitcom television series that aired on ABC from November 11, 1980, to May 5, 1983, and in first-run syndication from April 7, 1984, to February 7, 1987. Its name was changed to The Ted Knight Show when the show was retooled in 1986 for what would turn out to be its final season, due to Ted Knight's death. The original concept of the series was based on the 1980s British sitcom Keep It in the Family. Knight plays work-at-home cartoonist Henry Rush, who is married to Muriel, and their two adult daughters, Jackie and Sara, live in the downstairs apartment of their San Francisco two-flat. An episode involving the daughters moving across the bay to Oakland and the family complaining about crime, undrinkable water, and constant sound of police sirens saw the episode being briefly protested by Oakland politicians. The family moves to Marin County for the show's final season, where Henry Rush becomes a co-owner of the local weekly newspaper.

Synopsis
Henry and Muriel Rush are owners of a two-unit house at 171–173 Buena Vista Avenue East San Francisco, California. Henry is a conservative cartoonist who authors a comic strip called Cosmic Cow with a hand-puppet version of "Cosmic Cow." Muriel is a freelance photographer. They have two adult daughters, Jackie and Sara.

Additional characters include Sara's friend, Monroe Ficus, and Henry's boss, Arthur Wainwright, who was head of Wainwright Publishing. The character of Monroe was originally intended to be used for only a single episode but producers added the character to the series.

Seasons 2 and 3
During its second season, the series' principal stories were focused around Muriel's pregnancy. Henry's niece April comes from Delaware to live with the Rush family. The season concludes with Muriel giving birth to a son, Andrew (later played regularly by twins William and Michael Cannon from 1983 to 1984).

Knight's character became famous for wearing sweatshirts from various American colleges and universities that were sent to him by fans.

In the fall of 1982, ABC moved the series to Thursday nights, which proved to be disastrous and the show saw its ratings fall drastically. The network canceled the series at the conclusion of the season after falling from #6 for the 1981–82 season to #38 for the 1982–83 season.

First-run syndication
During the early 1980s, TV station owner Metromedia was expanding its portfolio of original syndicated programming through its production subsidiary, Metromedia Producers Corporation. When Too Close for Comfort was canceled by ABC, Metromedia Producers Corporation elected to pick up the series and began producing all-new episodes to run on various stations throughout the country. Starting in April 1984, a total of 23 new episodes were broadcast for the show's fourth season, featuring the same cast as seen on the ABC episodes. The show's ratings improved in syndication and Metromedia ordered an additional 30 episodes, airing through November 1985. When the fifth season began, a single child actor, Joshua Goodwin, played the role of Andrew Rush.

The Ted Knight Show
In late 1985, several changes were made before production started for Season 6. The show's title was changed to The Ted Knight Show (not to be confused with the short-lived 1978 CBS show of the same name), and the premise and setting were altered. Henry retires from drawing Cosmic Cow and, along with Muriel and Andrew, moves to Marin County where he buys a share of a local newspaper and becomes its editor. Monroe joins the Rushes and takes a job with Henry's paper as a reporter. Actress Pat Carroll played the role of Hope Stinson, who owns the majority share of the newspaper and serves as a foil for Henry. In addition, the Rushes hire a live-in nanny, played by Lisa Antille. The characters of Jackie, Sara and Muriel's mother Iris were not included in the retooled show.

First-run episodes of The Ted Knight Show were broadcast starting in April 1986. Twenty-two episodes were produced prior to the summer of 1986 and 12 had aired by mid-July. The revamped show was scheduled to resume production when Knight, who had been battling colon cancer since 1985, died on August 26, 1986. The 10 remaining first-run episodes were broadcast from September 1986 to February 1987, and those episodes were added to the Too Close for Comfort syndicated rerun package with the original show's title.

Cast

 * Ted Knight as Henry Rush
 * Nancy Dussault as Muriel Rush
 * Deborah Van Valkenburgh as Jackie Rush (1980–1985)
 * Lydia Cornell as Sara Rush (1980–1985)
 * Jim J. Bullock as Monroe Ficus
 * Hamilton Camp as Arthur Wainwright (1981)
 * Deena Freeman as April Rush (1981–1982)
 * Audrey Meadows as Iris Martin (1982–1983, guest appearances thereafter)
 * William and Michael Cannon as Andrew Rush (1983–1984)
 * Joshua Goodwin as Andrew Rush (1985–1986)
 * Pat Carroll as Hope Stinson (1986)
 * Lisa Antille as Lisa Flores (1986)

Notable guest stars

 * Peter Haskell
 * Georgann Johnson
 * Hillary B. Smith
 * Selma Diamond as Mildred Rafkin
 * Jordan Suffin as Officer Brad Turner
 * Elyse Knight (daughter of Ted Knight) as Samantha Bishop ("The Runaway," 1984)
 * Graham Jarvis as Arthur Wainwright (1985)
 * Ernie Wise as Ernie Dockery (1985)
 * Jim Davis (creator of the comic strip Garfield) as himself (1986)
 * Walter Lantz (creator of Woody Woodpecker) as himself
 * Ray Middleton as Henry's father, Huey Rush

Syndication
ABC aired reruns of the show during its daytime schedule from June to September 1983. The show entered daily broadcast syndication in the fall of 1986, which continued until 2003. The syndication rights for Too Close for Comfort are held by DLT Entertainment, a production and distribution company owned by show producer Donald L. Taffner.

In the U.S., reruns currently air on streaming services Pluto TV and Tubi.

Home media
Rhino Entertainment Company (under its Rhino Retrovision classic TV entertainment brand) released the first two seasons of Too Close for Comfort on DVD in Region 1 in 2004/2005. However, Rhino's release used the versions of episodes that were edited for syndication, missing several minutes of footage in each, including the tag sequences. The episodes are also dubbed to replace references to Oakland with "Oldtown", as Oakland city officials had decried the show's denigration of the city during the show's original run.

In January 2024, Visual Entertainment Inc. revealed on Facebook that they were working on a complete series box set. That box set was released on April 3, 2024.

title: Too Close for Comfort


text:
Andorra in the Eurovision Song Contest

Andorra has participated in the Eurovision Song Contest six times, debuting in the and participating every year thereafter until the 2009 contest. To date, Andorra remains the only nation to have never competed in a final, with its best result being a 12th-place finish in the 's semi-final. Andorra withdrew from the contest following its 2009 appearance, with the national broadcaster Ràdio i Televisió d'Andorra (RTVA) citing financial difficulties as the reason for its withdrawal. The country has not entered the contest again since. Interest in the contest has, however, remained high in the country, while statements from the Andorran government and broadcaster indicated that a future return was possible, depending on financial backing.

RTVA used a mixture of methods to select its entrants in the years it competed, employing a national final for, , and and selecting internally between  and. A televote was principally used to determine the nation's points, however, due to the country's small population, on occasion a jury was required as the number of votes received from the Andorran public was deemed too low to be considered valid.

Contest history
Participation in the Eurovision Song Contest is open to members of the European Broadcasting Union (EBU), of which Ràdio i Televisió d'Andorra (RTVA) is a member since 2002. Interest in Andorran participation in the contest was first raised in 2003, when the country's then-head of government Marc Forné Molné indicated his agreement for the country to enter the contest, seeing it as a way to raise their profile at a reasonable cost. Andorra Televisió subsequently broadcast as a passive participant, a prerequisite step for participation in the following year's event under the rules of the contest in place at the time. RTVA later confirmed its intention to submit an entry for the, with backing from the Andorran government and an assurance that the Catalan language would be represented in the Eurovision Song Contest for the first time.

For its first Eurovision appearance, an agreement was announced between RTVA and Televisió de Catalunya (TVC) to jointly organise Andorra's first national final, with viewers in Catalonia being given a say in who should represent the country in the. Viewers and an assembled jury subsequently chose Marta Roure with "Jugarem a estimar-nos" as Andorra's first entry; ultimately the nation did not fare well, placing 18th of the 22 participating countries in the semi-final, receiving 12 points in total, all from, and failing to qualify for the grand final. After debating employing an internal selection to determine Andorra's second entry, a second national final was organised ahead of the. Marian van de Wal was chosen to perform "La mirada interior" at the contest, however Andorra once again failed to qualify for the final, placing 23rd of 25 countries in the 2005 semi-final with 27 points.

RTVA initiated an internal selection to determine its entry for the, selecting "Sense tu" performed by Jenny; the nation's third appearance would bring its worst result to date, placing last in the semi-final and receiving just eight points. Further internal selections followed in and, however neither Anonymous nor Gisela could bring Andorra to the final in either of the contests. RTVA reverted to a national final for the, with Susanne Georgi selected by the Andorran public and jury to represent the country with "La teva decisió (Get a Life)"; on its sixth appearance, Andorra continued to fail to pass through the semi-final, placing 15th in the first semi-final with eight points and failing to qualify for the final. After initially applying to take part in the Eurovision Song Contest 2010 in Oslo, Norway, RTVA subsequently announced its withdrawal from the contest, citing financial difficulties.

Budget restrictions have continued to prevent Andorra from returning to the contest, with RTVA having previously considered leaving the EBU in order to recoup costs, which would have prevented any further Andorran participation in the event. In recent years, renewed interest in the contest has been reported among some members of the Andorran government, with past Andorran Eurovision artists having also been vocal in their support for a return of the nation to the contest. Georgi, Andorra's last participant, also started a campaign to secure a potential sponsorship which would enable Andorra to return to the contest and lobbied with Andorran politicians on this idea. Andorra is the only country to have never participated in a final to date; 2007 remains the country's best result to date, when Anonymous placed 12th in that year's semi-final with 80 points, 11 points away from qualifying.

Selection process
Andorra has used a mix of methods to select its entries for the contest, having employed both national finals and internal selections. For its debut entry, RTVA launched a casting show, Eurocàsting, to determine two acts to take part in the national final. The selected acts performed 12 potential Eurovision songs over nine weeks on 12 punts, with songs being eliminated weekly until the winning song and artist was determined in the final show. Eurocàsting returned in 2005, but with one winning artist selected to perform three songs in the single final show Desitja'm sort. Following internal selections between 2006 and 2008, RTVA employed a televised competition again in 2009, with three acts competing in Passaport a Moscou.

Voting
In the years where Andorra participated, voting at the Eurovision Song Contest typically consisted of 100 percent public televoting, with countries obligated to use televoting as the method for determining their points from the 2004 contest. However, each country was obligated to assemble a back-up jury, whose votes would be used instead of the televote in cases of technical failure, or from 2005 when the number of televotes registered failed to pass a certain threshold. RTVA utilised SMS voting to determine the country's points during the shows in which Andorra participated, however on occasion the back-up jury results were required to be implemented as the number of votes received was considered too low to provide a valid result. This occurred in 2005 and 2007, when the votes of Andorra's back-up jury were used instead to provide the Andorran votes in both the semi-final and final.

Heads of delegation
Each participating broadcaster in the Eurovision Song Contest assigns a head of delegation as the EBU's contact person and the leader of their delegation at the event. The delegation, whose size can greatly vary, includes a head of press, the contestants, songwriters, composers, and backing vocalists, among others.

Commentators and spokespersons
For the show's broadcast on Andorra Televisió (ATV), various commentators have provided commentary for the contest in the local language. At the Eurovision Song Contest after all points are calculated, the presenters of the show call upon each voting country to invite each respective spokesperson to announce the results of their vote on-screen.

title: Andorra in the Eurovision Song Contest


text:
Talk:Houseplant

Wiki Education Foundation-supported course assignment
This article was the subject of a Wiki Education Foundation-supported course assignment, between 18 March 2019 and 10 May 2019. Further details are available on the course page. Student editor(s): Adam Kimble.

Above undated message substituted from Template:Dashboard.wikiedu.org assignment by PrimeBOT (talk) 22:37, 17 January 2022 (UTC)

Wiki Education Foundation-supported course assignment
This article was the subject of a Wiki Education Foundation-supported course assignment, between 1 September 2020 and 18 December 2020. Further details are available on the course page. Student editor(s): Thidalis.

Above undated message substituted from Template:Dashboard.wikiedu.org assignment by PrimeBOT (talk) 22:37, 17 January 2022 (UTC)

Wiki Education Foundation-supported course assignment
This article was the subject of a Wiki Education Foundation-supported course assignment, between 5 September 2018 and 10 December 2018. Further details are available on the course page. Student editor(s): Fullerha.

Above undated message substituted from Template:Dashboard.wikiedu.org assignment by PrimeBOT (talk) 23:55, 16 January 2022 (UTC)

Writing style
The article needs converting from colloquial and prescriptive talk to good prose (I've done some, but it needs more) - MPF 22:21, 4 Jun 2005 (UTC)

I'm going to work on it...but be warned, I'm going to be ruthless. I'll try not to go to far. Do you have the ability to revert it back somewhat if you find my edits objectionable? Balletgirl313 13:49, Jun 5, 2005 (UTC)
 * Go ahead! I also reckon it needs ruthless editing. Don't blame you for giving up half way through (I did too). If need be, over-removals can be rescued from the page history - MPF 20:10, 5 Jun 2005 (UTC)

I tried to make the fertilizer section read a bit better... don't know if it worked though. Hopefully I didn't make it worse.--zenobia 20:19, 5 Jun 2005 (UTC)

About half to 3/4 of this text could just be deleted. It's impossible to give general guidelines for "houseplants" when that covers such a huge range of species, genera, and families. Detailed cultural information should go under the individual plants. MrDarwin 13:39, 11 February 2006 (UTC)

Usage of the word 'energy'
Please do forgive me if I foul this up, as I'm a bit new at this. If someone finds the time, I'm fairly sure the sentence 'Through the process of photosynthesis, plants use light to make energy.' (which can be found under lighting), should read something like, '..., plants use light to store energy.' Or perhaps, '..., plants convert radiation to chemical energy for later use.'  I hope this helps.

Better images?
This article needs a few better pictures. I don't have a handy digital camera. Any takers?

dino 20:41, 10 March 2006 (UTC)

 * Do you think it just needs better images of houseplants or do you also want some sort of detailed photos that show things like common damage, wilting plants (underwatering), and specialized containers? Nautile 20:05, 13 March 2006 (UTC)

 * Ugh, I wasn't thinking so detailed. Just better images.  Agree?  Disagree?  Other opinions?  I'm open.

 * dino 02:23, 14 March 2006 (UTC)

WayneRay 21:58, 4 April 2006 (UTC)WayneRay I am scanning my horticultural photography collection and will try to put up a few photos asap. Wiki Media link
 * I've added a picture of golden pothos, probably the most common houseplant ever. I'll be on the lookout for more. Sam 01:32, 30 April 2006 (UTC)

Polystyrene
Why are pieces of polystyrene sometimes added to houseplant soil? Drutt 07:58, 25 March 2007 (UTC)
 * I found some information here. — Sam 15:10, 25 March 2007 (UTC)
 * Interesting, so it's used in place of Perlite -- In horticulture it makes composts more open to air, while still having good water-retention properties; it makes a good medium for hydroponics. Drutt (talk) 06:39, 30 January 2008 (UTC)

Quick Suggestions
This article has definitely improved, but I'm not sure we need a bullet point summary. Also, I think that the article should be turned in a more factual direction, away from guidelines and recommendations. See Wikipedia is not a manual, guidebook, or textbook. I've done some editing, but it's certainly not an overhaul. --Vlmastra 03:17, 15 July 2007 (UTC)

Deleted paragraph
The paragraph on growing plants in a vase and "crystals" (what are they, exactly?) needs to be clarified if it is to be a lasting addition to the article. It seems to describe a particular manufacturer's method of hydroculture, which is discussed already in the Houseplant section. Additionally, it carries too much a tone of a how-to, which is not the encyclopedic style Wikipedia is striving for. – Sam 15:04, 23 July 2007 (UTC)
 * It is simply an advertisement for this site. English version. --Vlmastra 17:01, 23 July 2007 (UTC)
 * That paragraph, at least as written, makes no sense whatsoever. It is not censorship to take it out (and it cannot be rewritten because it's not at all clear what the editor who keeps adding it is trying to say). MrDarwin 15:23, 23 August 2007 (UTC)

"Pot plant"
"Pot plant" redirects here. The phrase is most commonly used to describe any houseplant, but it's also a slang term for a marijuana plant. Making Pot plant a dismabig seems a bit unnecessary, but I'm not sure how to incorporate it into this article. 131.111.245.195 (talk) 12:57, 31 March 2008 (UTC)
 * I took care of that. See Template:Redirect to learn how. --Damian Yerrick (talk | stalk) 16:53, 3 July 2008 (UTC)

I am not a potted plant
http://www.google.com/hostednews/afp/article/ALeqM5jf-NgrvME1dTk-wLOFvQygJGmbbA?docId=CNG.e623321b6a9f7efb561fd470f40817bf.2f1

Perhaps some mention of the political usage of the term should be added here? Hcobb (talk) 17:43, 21 March 2011 (UTC)

Article should not be a how-to guide
Wikipedia is not a how-to guide. Much of the instructions for growing house plants in this article needs to pared away. Joja lozzo  01:14, 1 September 2011 (UTC)

Are Houseplants Cultivars?
Hello, I am asking, are houseplants cultivars? are they bred for for desired traits, so they could adapt indoors? or are they plants that was not a cutivar? i am intrigued to know this! BloxyColaSweet (talk) 21:32, 12 November 2021 (UTC)

Wiki Education assignment: Information Literacy and Scholarly Discourse-2002
— Assignment last updated by VetNurseJess (talk) 00:14, 11 May 2023 (UTC)

title: Talk:Houseplant


text:
Guilherme Posser da Costa

Guilherme Posser da Costa (born 18 May 1953) is a São Toméan who served as the ninth prime minister of São Tomé and Príncipe from 1999 to 2001.

Posser da Costa served as Minister of Foreign Affairs: 1987–1988, 1990–1991, and 1994–1996. He later served as Prime Minister from 5 January 1999 to 26 September 2001.

Biography
Guilherme Posser da Costa was born on 18 May 1953 in São Tomé, the main city of then-Portuguese São Tomé and Príncipe. He studied law at the University of Coimbra in Portugal, specializing in legal science; he graduated in June 1978. He is married and has three children.

Posser da Costa pursued a political career in the Movement for the Liberation of Sao Tome and Principe/Social Democratic Party (MLSTP/PSD), which was the sole legal party until the introduction of a multiparty system in 1991. He has held the parliamentary functions of deputy and vice-president of the National Assembly. Within the Ministry of Foreign Affairs, Posser da Costa served as Director of Political Affairs, Secretary of State and then Minister on three occasions: from 1987 to 1988, 1990 to 1991, and 1994 to 1996. He has also been Ambassador Extraordinary and Plenipotentiary to Belgium, France, Germany, the Netherlands, Sweden, the European Community, and the Food and Agriculture Organization. He was Prime Minister from 5 January 1999 to 26 September 2001.

In early November 2004, Posser da Costa allegedly damaged the office of Attorney General Adelino Pereira in an attack. Pereira said this was due to an investigation regarding embezzlement of aid funds and ordered Posser da Costa's arrest. Due to the alleged attack, Posser da Costa resigned from parliament on 15 February 2005, just before his parliamentary immunity was to be removed. On 18 March 2005, he received a two-year suspended sentence for damaging Pereira's office and "insulting public authority"; he was also required to pay compensation. For his part, Posser da Costa said that Pereira had falsely accused him of being involved in the embezzlement of aid funds, and that he had only been a witness in that case, not a suspect.

Posser da Costa was a member of the National Commission and the Political Commission of the MLSTP/PSD, and Vice President under the leadership of founder and former President Manuel Pinto da Costa. At the Fourth Congress of the MLSTP/PSD, Posser da Costa was elected party President on 27 February 2005, succeeding Pinto da Costa. There were 708 votes in favor of Posser da Costa, who was the only candidate, and three votes against him. He held this position until 2010, when he was replaced by Aurelio Martins.

Posser da Costa was nominated as the MLSTP/PSD candidate in the 2021 presidential election. Although he won the support of the MLSTP/PSD National Council with 83% of the vote, his competitors for the nomination chose to register as independent candidates in the election.

Honours

 * PRT Order of Prince Henry - Grand Cross BAR.svg Grand Cross, Order of Prince Henry (1996)

title: Guilherme Posser da Costa


text:
Pane

Pane or Panes may refer to:

 * Paned window (architecture), a window that is divided into sections known as "panes"
 * Paned window (computing), elements of a graphical display
 * Pane (mythology), a type of satyr-like creature from Greek mythology
 * Pane di Altamura, type of bread made from flour from the Altamura area of the Provincia di Bari, in the South East of Italy
 * Panes, Asturias, one of eight parishes in Peñamellera Baja, a municipality within the province and autonomous community of Asturias, in northern Spain.

People

 * Pane
 * Armijn Pane (1908–1970), an Indonesian author. Also known as Adinata, A. Soul, Empe, A. Mada, A. Banner and Kartono
 * Gina Pane (1939–1990), French artist of Italian origins
 * Irma Pane, Indonesian American pop singer
 * Karen W. Pane, American administrator, former Assistant Secretary for Policy and Planning at the Department of Veterans Affairs
 * Lafran Pane (1922–1991), Indonesian academic
 * Luigi Pane, Italian director and video artist
 * Mauro Pane (1963–2014), Italian driver, kart driver champion
 * Michele Pane (1876–1953), Italian American symbolist poet and journalist
 * Mikill Pane (born 1985), English rapper
 * Roberto Pane (1897–1987) Italian art historian
 * Sanusi Pane (1905–1968), Indonesian writer, journalist, and historian
 * Panes
 * Michael Panes (born 1963), American actor, writer, musician and composer
 * Roger Panes (1933–1974), British member of the Exclusive branch of the Plymouth Brethren. In 1974 he killed his wife and three children with an axe before hanging himself
 * Roo Panes (born 1988), British singer-songwriter

title: Pane