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User:Tony619

Work in Progress
'''This is a work in progress. I will clean this up and add details as time permits, and the spirit moves me.'''

Early Life (1961-1980)
Born June 17, 1961, in New York City, New York, as George Anthony Hecht, Jr., the son of George A. Hecht (July 27, 1900- November 24, 2000) of New York City, and Elaine (June 10, 1927 - February 28, 1983) of Jersey City, New Jersey. His Mother had been a social worker for Monmouth County while residing in Sea Bright, New Jersey until her death at Riverview Medical Center in Red Bank. His Father was a bookseller, retiring in 1975 as President of Doubleday & Company where he had worked since graduating Columbia University.

Both parents were members of the Roman Catholic Church, and he was first baptized Catholic, but within a month re-baptized in the Episcopal Church in the United States of America and was raised as "High" Episcopalan.

Until his parents divorced in 1964, the family lived in the Greenwich Village/Washington Square Park area, afterwards he lived in several areas, but primarily Rumson, Sea Bright, and the Upper East Side of Manhattan until September 1972 when he began to attend boarding school.

Known as "Tony" since childhood, he attended Rumson Country Day School (http://www.rcds.org/) for Kindergarten through Fourth grade, and then St. Paul's School, a college preparatory boarding school in Garden City, New York, graduating summa cum laude June 1980. St. Paul's School was part of the Episcopal Diocese of Long Island, and used the "First Form" to "Sixth Form" nomenclature, as has been used in the private school education in England.

College and beyond (1980-1987)
He attended The American University in Northwest Washington, DC as an undergraduate student from September 1980 - June 1983, in the School of International Service. His academic major was International relations, with duel minors in Political science and American History.

During this time in Washington, he was a Congressional intern for Representative James J. Howard, (D-NJ), as well as the College Democrats, and the Democratic National Committee.

After battling alcoholism, then a job as Night Manager at the Holiday Inn of West Long Branch, New Jersey, he went to work for T & D Software, Inc. (d.b.a. The Program Store) in Eatontown, New Jersey. After several years, and being the product of the Peter Principle, he gave two weeks notice and enlisted in the United States Navy in September 1987.

Early Military Life (1987-1991)
After recruit training in Orlando, Florida and advanced training, called A School, in Dam Neck, Virginia, he began his service in Naval intelligence with his first tour was on USS Independence (CV-62) from 1988-1991.

He joined the Independence during the Service Life Extension Program (SLEP) at Philadelphia Naval Shipyard in April 1988. Later, set sail 15 August from Norfolk, the ship transited the tip of South America and arrived at her new homeport of NAS North Island, part of Naval Station San Diego, California, 8 October, 1988.

In June 1990, Independence began her first WESTPAC since 1965. While near Diego Garcia "Indy" was sent to deter Iraqi aggression and what would later be called Operation Desert Shield. Arriving on station in the Gulf of Oman on August 5, 1990, Independence was later the first carrier to enter the Persian Gulf since 1974. The ship remained on station for more than 90 days and permanently reestablished a U.S. naval presence in the region. She returned to San Diego on December 20, 1990.

Independence changed homeports again on September 11, 1991—this time to Yokosuka, Japan, becoming the Navy's only permanently forward-deployed aircraft carrier. While in Japan, he re-enlisted for four more years in the Navy on the Japanese battleship Mikasa. In October 1991, he finished his tour and PCS'ed off Independence as an Intelligence Specialist Second Class, a Non-commissioned officer.

First Shore Duty (1991-1994)
In November 1991, Tony checks into the USAF's 548th Reconnaissance Technical Group (548th RTG) at Hickam Air Force Base; which in 1992 became part of the Joint Intelligence Center Pacific (JICPAC). JICPAC provided direct intelligence support for all military forces assigned to the Commander, United States Pacific Command (CDRUSPACOM). After three years of duty in Hawaii, he left to go back to sea in November 1994 as an Intelligence Specialist First Class.

For more information, see also:
 * JICPAC

While there, he lived in Ewa Beach for the first year then moved to Aiea where he lived until November 1994.

Back to Sea (1994-1997)
In 1994, Tony reported as the first Assistant Intelligence Officer (N2A) to the staff of COMPHIBRON SEVEN (CPR-7), with deployments on the USS New Orleans (LPH-11) and the USS Boxer (LHD-4).

June of 1995 saw New Orleans underway for WESTPAC operations. She was present to support the Marine raid on the Al Hamra Facility on October 24, 1995. She returned to San Diego on December 22, 1995.

Boxer deployed to the Western Pacific 24 March 1997 to 24 September 1997, along with Ogden (LPD-5) and Fort Fisher (LSD-40), and visited many foreign ports of call.

Tony finished his second sea tour and departed for shore duty in November 1997.

Shore duty in Alameda (1997-2000)
In November 1997 Tony reported to the Joint Interagency Task Force West (JIATF West), working maritime drug interdiction at Coast Guard Island in Alameda, California. While living in San Leandro, he took night classes at University of California, Berkeley.

For more information, see also:
 * JIATF West

Once more to Sea (2000-2004)
After shore duty in Alameda, in November 2000 he reported to the staff of Commander, Cruiser-Destroyer Group One (COMCRUDESGRU ONE), and completed two deployments on the USS Constellation (CV-64).

Constellation's 20th deployment began on 16 March 2001. She entered the Persian Gulf on 30 April and immediately commenced operations in support of Operation Southern Watch (OSW). She ceased OSW operations on 4 August, having conducted multiple air strikes in response to Iraqi violations of the no-fly zone. On 11 September Connie had just departed Pearl Harbor, Hawaii, with dependents on board for the traditional Tiger Cruise on the final leg to San Diego, when word was received of the terrorist attacks on New York and the Pentagon. Despite discussions about turning the battle group around, the carrier was allowed to complete her regularly scheduled deployment. Connie arrived in San Diego on 15 September 2001.

Following an abbreviated turnaround cycle, Constellation prepared for her final deployment and the opportunity to fight in the global war on terrorism. She departed in October 2002 and was soon supporting Operation Enduring Freedom; on 17 December she entered the Persian Gulf to begin OSW missions. On 19 March 2003, with two carriers in the eastern Mediterranean and three in the gulf, Operation Iraqi Freedom commenced. Connie was designated a night carrier and remained on station throughout the major ground combat phase. She launched more than 1,500 sorties and CVW-2 aircraft delivered over 1.7 million pounds (770,000 kg) of ordnance.

During this tour, he maintained an apartment in Hillcrest, a neighborhood in San Diego.

Shore duty in Washington (2004-2008)
After completing over 36 months assigned to CCDG-1, he departed for the Office of Naval Intelligence (ONI) in the Washington, DC suburb of Suitland, and his final tour of service in the US Navy, checking in to ONI in July 2004. He is presently the Fleet Support Advocate on the staff of Commander, Office of Naval Intelligence.

For more information, see also:
 * Office of Naval Intelligence

He is living in an apartment adjacent to The Catholic University of America in the neighborhood of Brookland in the Northeast quadrant of Washington, D.C..

For more information, see also:
 * The Heights

Personal Awards
During his service in the Navy, personal awards include: Two awards of the Joint Service Commendation Medal; the Joint Service Achievement Medal; three awards of the Navy and Marine Corps Achievement Medal; five awards of the Navy Good Conduct Medal; two awards of the National Defense Service Medal; three awards of the Armed Forces Expeditionary Medal; the Southwest Asia Service Medal with three service stars; the Kuwait Liberation Medal (Saudi Arabia); the Kuwait Liberation Medal (Emirate of Kuwait). the Iraq Campaign Medal; the Global War on Terrorism Service Medal; the Global War on Terrorism Expeditionary Medal; plus two awards of the Joint Meritorious Unit Award; the Navy Unit Commendation Award; the Navy Meritorious Unit Commendation; seven awards of the Navy Sea Service Deployment Ribbon; and the Cold War Victory Medal.

For more information, see also:
 * Military awards of the United States Department of the Navy

Foreign Travel
It has been through his time in the Navy that he discovered his love of travel and seeing other cultures. Some these places he got to visit include:

Tijuana, Rosarito, and Mazatlán, Mexico; Tegucigalpa, Honduras; Vancouver, Nanaimo, and Victoria, British Columbia, Canada; Olongapo City, Zambales, Philippines; Hong Kong; Macau; Singapore; Johor Bahru, Malaysia; Kuwait City, Kuwait; Manama, Bahrain; Mina Jabal Ali and Dubai, United Arab Emirates; Nairobi and Mombasa, Kenya; Yokosuka and Tokyo, Japan; Sanaá, Yemen; Aqaba, Petra, and the Dead Sea, Jordan; Port Said, Egypt; Massawa, Eritrea; Phuket, Thailand; Denpasar, Bali, Indonesia; Guangzhou, China; Perth, Darwin, Brisbane, and Sydney, Australia. In November and December 2000, he made a three week trip to the Netherlands, while staying primarily in Amsterdam, he was able to visit and tour The Hague and many areas of Holland in the Netherlands.

Domestic Travel
Lived in: Manhattan, Rumson, New Jersey, Sea Bright, New Jersey, Delray Beach, Florida, Garden City, New York, Southampton (town), New York, Durham, North Carolina, Oak Island, North Carolina, Eatontown, New Jersey, Belford, New Jersey, Orlando, Florida, Virginia Beach, Virginia, Coronado, California, Imperial Beach, California, National City, California, Ewa Beach, Hawaii, Aiea, Hawaii, San Diego, California, San Leandro, California, Washington, D.C..

Notable visits or extensive stays: The Hamptons Monmouth County, New Jersey Dallas, Texas Wilmington, North Carolina Amarillo, Texas Las Vegas Seattle, Washington Honolulu, Hawaii, Oahu San Francisco, California Berkeley, California Castro Valley, California Pleasanton, California Napa County, California and Sonoma County, California Russian River, Guerneville, California, and Santa Rosa, California

Marriage
In October 1991, he married the former of Miss Imelda Canlas Manulid of Guagua, Pampanga, Philippines. They had met in July 1990 in Olongapo City after corresponding by mail since 1988. The wedding took place in National City, California, and they moved to Ewa Beach, Hawaii, the next month. The marriage ended in divorce without children in 1999.

In October 2002, he married the former Ms. Yolanda Nicole Watkins of Nashville in Las Vegas. They had met in Atlanta in June 2002 after meeting online in February 2002. The honeymoon was ended by a recall and an earlier then expected deployment on the USS Contellation, and were not reunited until July 2003. They separated in November 2003.

Multi-licensing
I agree to multi-license all my contributions, with the exception of my user pages, as described below: April 2008 Nicole moved to Washington DC for a reconciliation.

Userboxes

title: User:Tony619


text:
List of kings of Malwa

The Kingdom of Malwa was ruled by kings discontinuously from 350 to 1462.

House of Aulikara (350–545)
Rulers of First Aulikara dynasty-
 * Jayavarman
 * Simhavarma
 * Naravarma
 * Vishvavarma
 * Bandhuvarma

Rulers of Second Aulikara dynasty-
 * Drumavardhana
 * Jayavardhana
 * Ajitavardhana
 * Vibhishanavardhana
 * Rajyavardhana
 * Prakashadharma
 * Yashodharman (515–545)

House of Kalachuri (545–625)

 * Krishnaraja (545–575)
 * Shankaragana (575–600)
 * Buddharaja (600–625)

House of Paramara (800–1305)

 * Paramara (early ruler)
 * Upendra Krishnraja
 * Vairisimha (I)
 * Siyaka (I)
 * Vakpati (I)
 * Vairisimha (II)
 * Siyaka (II) (940–972)
 * Vakpati (II) alias Munja (972–990)
 * Sindhuraja (990–1010)
 * Bhoja (1010–1055), greatest ruler of dynasty
 * Jayasimha I (1055–1070)
 * Udayaditya (1070–1086)
 * Lakshmadeva (1086–1094)
 * Naravarman (1094–1130)
 * Yashovarman (1133–1142)
 * Jayavarman I (1142–1143)
 * Interregnum from (1143 to 1175) under an usurper named 'Ballala' and later the Solanki king Kumarapala
 * Vindhyavarman (1175–1194)
 * Subhatavarman (1194–1209)
 * Arjunavarman I (1210–1215)
 * Devapala (1218–1239)
 * Jaitugideva (1239–1255)
 * Jayavarman II (1255–1274)
 * Arjunavarman II (1274–1285)
 * Bhoja II (1285–1303)
 * Mahalakadeva (1303–1305), (after his death dynasty was ended in Malwa region)

Ghurid/Ghorid dynasty (1401–1436)

 * 1) Dilawar Khan Ghuri (1401–1406)
 * 2) Husam-ud-Din Hoshang Shah (1406–1435)
 * 3) Taj-ud-Din Muhammad Shah I (1435–1436)

Khalji dynasty (1436–1531)

 * 1) Ala-ud-Din Mahmud Shah I (1436–1469)
 * 2) Ghiyas-ud-Din Shah (1469–1500)
 * 3) Nasir-ud-Din Shah (1500–1510)
 * 4) Shihab-ud-Din Mahmud Shah II (1510–1531)
 * 5) Qadir Shah (1540–1542)
 * 6) Shuja'at Khan (the governor of Sher Shah Suri) (1542–1555)
 * 7) Baz Bahadur (1555–1562)

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: List of kings of Malwa


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Rowland Frazee

Rowland Cardwell Frazee (12 May 1921 – 29 July 2007 ) was a Canadian banker, and chairman and chief executive officer of the Royal Bank of Canada from 1979 to 1986.

Biography
Born in Halifax, Nova Scotia, at age five, the family moved to St. Stephen, New Brunswick where his father had been appointed bank manager. At age eighteen, Rowland Frazee went to work as a clerk at his father's branch but following the outbreak of World War II he enlisted in the Canadian Army in 1941 serving overseas with The Carleton and York Regiment, First Canadian Infantry Division, with whom he participated in the July 1943 allied landings in Sicily. Wounded on three occasions, Frazee distinguished himself in the Italian campaign and in northwest Europe. At the time of his decommissioning in 1945 he held the rank of Major.

After the war, Frazee studied at Dalhousie University in Halifax, where he graduated with a Bachelor of Commerce degree in 1948. Resuming his banking career, he rose to become the Royal Bank's president in 1977 and assumed the role of chairman and chief executive officer in 1980. He retired from the bank on May 31, 1986, but remained a member of the board of directors until 1992.

In 1985, he was made an Officer of the Order of Canada and was promoted to Companion in 1991. In 2001, he was inducted into the New Brunswick Business Hall of Fame.

His son, Stephen Frazee, is a successful Toronto real estate broker and his daughter, Catherine Frazee, a former chair of the Ontario Human Rights Commission, is a retired Professor of Distinction at the Toronto Metropolitan University School of Disability Studies.

title: Rowland Frazee


text:
User:Cds.henry

Cds.henry is a human that likes to write interesting HTML. A new user to Wikipedia, Cds.Henry has written only one article, about Crissy Field. This page will be updated irregularly.--Henry 19:49, 5 Jun 2005 (UTC)

Hi. It's me. I hope to write another article soon.--Henry 03:44, 26 January 2006 (UTC)

title: User:Cds.henry


text: User talk:67.83.219.138

title: User talk:67.83.219.138


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Profintern

The Red International of Labor Unions (Красный интернационал профсоюзов, RILU), commonly known as the Profintern (Профинтерн), was an international body established by the Communist International (Comintern) with the aim of coordinating communist activities within trade unions. Formally established in 1921, the Profintern aimed to act as a counterweight to the influence of the so-called "Amsterdam International", the social-democratic International Federation of Trade Unions (founded in 1919), an organization which the Comintern branded as "class-collaborationist" and as an impediment to revolution. After entering a period of decline in the middle 1930s, the Profintern was finally dissolved in 1937 with the advent of Comintern's "Popular Front" policy.

Preliminary organization

In July 1920, at the behest of Comintern head Grigory Zinoviev, the 2nd World Congress of the Communist International established a temporary International Trade Union Council, commonly known by its Russian acronym, Mezhsovprof. This organizing committee — including members of the Russian, Italian, British, Bulgarian, and French delegations to the Comintern Congress — was presented with the task of organizing "an international congress of Red trade unions.

Soviet trade union leader Solomon Lozovsky was named president of this new council, assisted by British unionist Tom Mann and Alfred Rosmer of France. The Executive Committee of the Communist International (ECCI) directed the new council to issue a manifesto to "all trade unions of the world", condemning the social democratic International Federation of Trade Unions based in Amsterdam as a "yellow" organization and inviting them to join a new revolutionary international union association.

This decision was to mark a split of the international trade union movement that followed the recently achieved split of the international socialist political movement into revolutionary Communist and electorally-oriented Socialist camps. This desire for a new exclusive international of explicitly "Red" union represented a fundamental contradiction with the Comintern's firm insistence that Communists should work within the structure of existing trade unions — an important detail noted at the time by delegate Jack Tanner of the British Shop Stewards Movement. Tanner's objection was brushed aside as Grigory Zinoviev denied him the floor, referring his complaints to committee.

Historian E. H. Carr argues that the decision to launch a Red International of Labor Unions at all was a byproduct of the era of heady revolutionary fervor that world revolution was around the corner, declaring:

"It was a step taken in a moment of hot-headed enthusiasm and the firm conviction of the imminence of the European revolution; and a device designed to bridge a short transition and prepare the way for the great consummation had unexpected and fatal consequences when the interim period dragged on into months and years."

As the plan for a new labor international moved forward, Mezhsovprof established propaganda bureaus in different countries in an attempt to win the existing unions affiliated to the rival "Amsterdam International," as the International Federation of Trade Unions was commonly known, over to the forthcoming "Red International." These bureaus attracted the most rebellious and dissident trade unionists to their banner while at the same time alienating sometimes conservative union leaderships, already raising charges that what was actually being proffered was dual unionism and a destructive split of the existing unions.

On January 9, 1921, ECCI decided that the launch of a new Red International of Trade Unions would take place at a conference to be convened on May Day of that year. An appeal was issued to the trade unions of the world who were "opposed to the Amsterdam International" and called for their affiliation to the new organization. This conclave was ultimately postponed until July, however, so that it could be synchronized with the scheduled 3rd World Congress of the Comintern — travel to and from Soviet Russia being a difficult and dangerous process in these years.

Grandiose claims were made about the new organization, with Lozovsky declaring in a speech in May 1921 that already unions representing 14 million workers had proclaimed their allegiance to the forthcoming Red International. Zinoviev ferociously declared the Amsterdam International to be "the last barricade of the international bourgeoisie" — fighting words to social democratic trade unionists.

For their own part, the Social Democratic trade union movement emerged from World War I relatively united, on the offensive, and unbowed. Even before the Profintern was launched, the line in the sand was clearly drawn, with the Amsterdam International declaring at a May 1921 executive session that it was "not permissible for trade union organizations to be affiliated to two trade union International at the same time" and adding that "every organization which affiliates to the political trade union International of Moscow places itself outside the International Federation of Trade Unions." The great civil war within the world trade union movement had begun.

The foundation congress of 1921

The Founding Congress of the Red International of Trade Unions was convened in Moscow on July 3, 1921. The gathering was attended by 380 delegates from around the world, including 336 with voting rights, claiming to represent 17 million of the 40 million trade union members worldwide. The gathering was neither homogeneous nor harmonious, as it quickly became clear that a number of delegates held a syndicalist perspective that sought to avoid politics and participation in the existing trade unions altogether, in favor of direct action leading to workers' control of industry. These delegates sought the new Red International of Labor Unions to be fully independent of the Communist International, seen as a political organization.

Among those expressing such a desire for the organizational independence of RILU from the Comintern was "Big Bill" Haywood of the Industrial Workers of the World (IWW) — an individual already living in Moscow after skipping bail to avoid a lengthy prison sentence under the Espionage Act. The IWW's perspective was joined by syndicalist trade unionists that were part of the French and Spanish delegations. Ultimately, however, the syndicalist elements proved a small minority and the Congress approved a resolution sponsored by Mann and Rosmer which called for "the closest possible link" between the Profintern and Comintern, including joint sessions of the organizations, as well as "real and intimate revolutionary unity" between the Red unions and the Communist parties at the national level.

Despite the initiative of starting a new trade union international in direct competition with the previously existing Amsterdam international, the Profintern in its initial phase continued to insist that its strategy was not to "snatch out of the unions the best and most conscious workers," but rather to remain in the existing unions in order to "revolutionize" them. The founding Congress's official resolution on organization declared that the withdrawal from the existing mass unions and abandonment of their memberships to their often conservative leaderships "plays into the hands of the counter-revolutionary trade union bureaucracy and therefore should be sharply and categorically rejected."

Still, the Profintern insisted upon a real split of the labor movement, establishing conditions for admission which included "a break with the yellow Amsterdam International." The organization effectively advocated that radicalized workers engage in "boring from within" the existing unions in order to disassociate the full organizations from Amsterdam and for Moscow. Such tactics insured bitter internal division as non-Communist members of the rank-and-file and their elected union leaderships sought to maintain existing affiliations.

As part of its strategy for winning over the existing unions, the Profintern decided to establish a network of what it called "International Propaganda Committees" (IPCs), international associations of radical unions and organized fractional minorities in unions that were established on the basis of their specific industry. These groups were intended to conduct conferences and publish and distribute pamphlets and periodicals in order to propagandize for the idea of revolution and for the establishment the dictatorship of the proletariat. The IPCs were to attempt to raise funds to help sustain their efforts, with the governing Executive Bureau of Profintern subsidizing their publications. By August 1921 a total of 14 IPCs had been established.

The Profintern's International Propaganda Committees proved ineffectual in changing the opinions of union memberships. Unions began to expel their radical dissidents and international unions began to expel those national sections which participated in the activities of the Profintern, exemplified by the October 1921 expulsion of the Dutch Transport Workers' Federation from its international trade organization.

The 2nd World Congress of 1922

The 2nd World Congress of RILU was held in Moscow in November 1922, in conjunction with the 4th World Congress of the Comintern.

As might be expected, the 1922 RILU Congress spent much of its time shaping the application of the Comintern's recently adopted united front policy to the trade union movement. With the prospects for imminent world revolution on the wane, RILU head Solomon Lozovsky proposed an international conference bringing together leaderships of RILU, the Amsterdam International, and various unaffiliated unions — a gathering which was to echo the April 1922 meeting between the Second International, the Two-and-a-Half International, and the Comintern in Berlin "to work out parallel forms and methods of struggle against the offensive of capitalism."

In retrospect, 1922 marked the high-water mark for the Profintern's size and influence in Europe, with a sizable new contingent joining the organization's ranks in France when the Confédération Genérale du Travail (CGT) attempted to discipline and expel its syndicalist members but ended up causing a full scale organizational split in which the majority of French trade unionists affiliated with a new "Red" union.

Additional headway was made in Czechoslovakia, where a majority of trade union members similarly affiliated with RILU, following a campaign of expulsions of Communist individuals and unions by the Social Democratic leadership. In October 1922 the Czech Red unions held a congress of their own, formalizing the split with the Social Democratic unions. It is worthy of mention that the Communist Party of Czechoslovakia was an extremely large organization in this period, claiming 170,000 members in 1922, dwarfing all but a few Communist parties around the world.

In Bulgaria the All-Bulgarian Federation of unions chose to affiliate with the Profintern outright, but even that movement was split when opponents established a rival organization called the Free Federation of Trade Unions. Spain, too, saw its national labor movement formally divided. The climate was acrimonious as bitter charges and counter-charges levying responsibility for the shattering the trade union movement flew in all directions.

The professed desire of the Profintern for a united front came to fruition of sorts in December 1922, when the organization met at a peace conference in The Hague with representatives of the rival Amsterdam International, presided over by British union leader J.H. Thomas. As was the case with the meeting of the three political Internationals earlier in the year, the session ended in failure, with accusations flying in both directions and Lozovsky's plea for a united front arbitrarily dismissed as a transparent tactical ploy.

This failure was followed up in January 1923 by a joint appeal of the Comintern and Profintern for the creation of an "action committee against fascism," followed in March with the establishment of a formal Action Committee Against Fascism in Berlin, headed by Clara Zetkin. An international conference of this group was called to be held later that same month in Frankfurt, Germany with invitations extended to the parties of the Second International and the unions of the Amsterdam International, but only a few Social Democrats attended, the overwhelming majority of the gathering being Communists. Delegates from Germany, Soviet Russia, France, and Britain united to denounce the Versailles Peace Treaty and the related Occupation of the Ruhr by France to enforce the onerous reparations levied against Germany. The die had been cast, however, and no joint activities between the political or union leaders of the Social Democratic and Communist Internationals would be result from the initiative.

Lozovsky reported on RILU's progress to the 12th Congress of the Russian Communist Party (b) in April 1923, at which he claimed that the Profintern represented 13 million unionists against 14 or 15 million for the rival Amsterdam International. This figure is regarded by at least one serious historian of the matter as "probably exaggerated."

The 3rd World Congress of 1924

The 3rd World Congress of the Profintern opened on July 8, 1924, having been scheduled to begin in Moscow immediately following the 5th World Congress of the Comintern (June 17 to July 8, 1924). Seventy delegates from the Profintern were made "consultative" (non-voting) delegates to the Comintern gathering, assuring a very close connection between the two gatherings.

The 1924 Congress formally marked a hardening of the Communist attitude towards the Social Democratic labor movement, declaring that "fascism and democracy are two forms of the bourgeois dictatorship."

The most contentious issue debated by the Congress related to the strategy and tactics of seeking unity with the Amsterdam International, thereby bringing an end to the disruption suffered by the labor movement as a result of the split into two internationals. With forcing the IFTU to capitulate untenable and independent entry of the Russian trade unions into their industrial federations affiliated with the IFTU, the sole option remaining, in Solomon Lozovsky's view, was to attempt to achieve some sort of fusion of the two Internationals through an international conference. Lozovsky contended that unity was not to be achieved through the sacrifice of the Profintern's program or tactics and the blind acceptance of reformism, but rather was to be accompanied by the penetration of communist ideas into the minds of the rank-and-file trade unionists of the European unions.

A proposal was made by Gaston Monmousseau of France calling for a World Unity Congress of the Red and Amsterdam Internationals, and a committee of 35 delegates was selected to debate the proposal and to flesh out the practical details. Following two days of debate, the commission reported back to the assembled Congress, bringing with it a unity proposal that had been accepted in the preliminary hearings with one sole dissenting vote. The final proposal for a unity congress proved little more than a platitude, however, with the resolution declaring that such a gathering "might, after suitable preparation of the masses" prove appropriate. There was no firm directive instructing the Profintern Executive Board to action.

With relations between the Profintern and the IFTU at the point of insoluble stalemate, Soviet trade union authorities began to concentrate on bilateral relationships with social democratic union movements. Particular attention was placed on the unions of Great Britain, with Russian union chief Mikhail Tomsky traveling to the UK in 1924, followed by a reciprocal visit in November of that year of a high-level delegation headed by A.A. Purcell of the Trades Union Congress. From the Soviet standpoint the British unionists were positively affected by their visit, publishing an extensive and generally favorable report of the Soviet situation upon their return to the UK. This month-long visit of the British trade union delegation would be the prototype for a series of similar visits of the Soviet Union by western union leaders.

While the groundwork for ties between the Soviet and western trade union movement began to be successfully laid, the situation between the international organizations based in Amsterdam and Moscow festered. The Second International and the IFTC held a joint meeting in Brussels during the first week of January 1925 and emerged with a scathing denunciation of the Soviet Union and its sympathizers in the British trade union movement that were organized in a RILU-subsidized organization known as the National Minority Movement. A similar presence in the American Federation of Labor in the form of the Trade Union Educational League went without comment owing to the AFL's ongoing refusal to affiliate with the Amsterdam International. These objections by the IFTU failed to stymie continued development of bilateral Soviet-British ties, however, as in April 1925 Tomsky returned to London as part of an effort to establish a joint committee for trade union unity between the two countries.

If Tomsky had the ulterior motive of seeking to win British unionists to the ranks of the Profintern, he was met with a surprising reversal, as E.H. Carr noted in 1964:

"The British leaders had little interest in Profintern, which they secretly regarded, from the experience of the British movement, either as a nuisance or as a sham, and wished, by reconciling the Soviet trade unions with the existing [Amsterdam] International. to strengthen it and give it a turn to the Left. The British delegates probably shocked their Soviet colleagues by coming out openly in favour of the affiliation of the Russian unions to IFTU."

Tomsky, although diplomatic in his reply, rejected the British suggestion out of hand as an abject surrender to the Amsterdam International akin to the 1918 forced surrender of Soviet Russia to Imperial Germany at Brest-Litovsk. Still, with the New Economic Policy in full swing in Soviet Russia, with its associated liberalization of culture and trade, the position of the Soviet trade union movement with relationship to social democratic unions in the West was secure and orderly, despite the failure of efforts to parlay with top leaders of the Amsterdam International.

RILU in the East
As was the case with the Communist International, formal World Congresses of RILU happened with decreasing frequency over the life of the organization. This stands to reason, since RILU World Congresses were scheduled in conjunction with the World Congresses of the Comintern itself, generally launching upon conclusion of the Comintern event. And just as the Comintern began making use of shorter, smaller, and less formal international conventions called "Enlarged Plenums of the Executive Committee" to handle international policy-making, similar gatherings were adopted for RILU, called "Sessions of the Central Council."

The 4th Session of the Central Council, held in Moscow from March 9–15, 1926, began just as the 6th Enlarged Plenum of ECCI came to a close. At both of these gatherings Solomon Lozovsky had delivered reports which identified Great Britain — where a miners' strike was in the air — and in particular the countries of Asia and the Pacific as areas presenting the greatest opportunities for the Profintern in its attempt to construct a world revolutionary movement. Amsterdam had paid scant attention to Asia, leaving the field open to the Profintern's efforts, Lozovsky noted in his report to the Comintern Executive. RILU did make an effort to break new organizational ground outside of Europe as early as February 1922 when it established a Moscow office comparable to the Comintern's Eastern Bureau, headed by Buffalo, New York druggist Boris Reinstein, Bulgarian-American IWW member George Andreytchine, and H. Eiduss. But now, even as European prospects dimmed, the situation looked brighter in Asia and the Pacific.

Best of all, from the perspective of the Profintern, was the situation in China, with a young and radical worker's movement beginning to spring to life. Soviet prestige and influence had grown in China throughout the early 1920s, particularly from 1924, when diplomatic recognition by the Peking government and an agreement on the Chinese Eastern Railroad was achieved. A Chinese labor movement began to take shape, driven by the efforts of railway workers and seamen to organize, backed with Moscow's support. In the South, a breakaway government based in Canton led by Sun Yat-sen pursued anti-imperialist objectives in conjunction with the Communist Party of China — an estimated 40 of the 200 delegates at the January 20, 1924 founding convention of the Kuomintang (KMT) were said to be communists and the disciplined and centralized party established at that time clearly drew upon the Soviet Communist model. In June 1924 Sun's KMT government in Canton established its own military academy at Whampoa, aided by 3 million rubles in Soviet aid for the purpose as well as Soviet instructors, headed by Vasily Blyukher.

The working alliance forged between KMT leader Sun and Mikhail Borodin, chief representative of the Comintern in China was lost following Sun's death in Beijing on March 12, 1925. After the leader's death, jockeying began between left and right factions in the KMT; tension between the KMT and the Chinese Communist Party began to build without Sun's calming influence.

On May 30, 1925, a strike in Shanghai of radical students protesting the arrest of some of their fellows who had been supporting a strike at a cotton mill was fired on by police, killing 12 protestors. A general strike was declared in the city in response and a "May 30 Movement" erupted throughout the region. On June 19 a general strike was called in Canton, followed four days later by another incident in which troops fired upon demonstrators in the streets, resulting in a new spate of casualties.

The rapid growth of the May 30 Movement fueled the Comintern's interest in the revolutionary ferment in China. This new perspective was emphasized by Joseph Stalin, beginning to emerge over the Comintern's Grigory Zinoviev as top leader of the USSR, who in early July 1925 agreed with a reporter for the Tokyo newspaper Nichi Nichi Shimbun that the revolutionary movement in China, India, Persia, Egypt and "other Eastern countries" were growing and that "the time is drawing near when the Western powers will have to bury themselves in the grave they have dug for themselves in the East."

Personnel and branches
The full-time secretariat of RILU consisted of the Spaniard, Andrés Nin, the Russian trade unionist Mikhail Tomsky and General Secretary Solomon Lozovsky.

In addition to its Moscow headquarters, RILU soon established four overseas offices — Berlin ("Central European Bureau"), Paris ("Latin Bureau"), Bulgaria ("Balkan Bureau") and London ("British Bureau").

In May 1927, the Pan-Pacific Trade Union Secretariat was established in Shanghai as RILU's coordinating center for Asia and the Pacific.

In 1928, RILU launched the Confederación Sindical Latino-Americana (CSLA) as the Latin American branch of RILU — the first general labor movement in Latin America. This group was the forerunner of the Confederación de los Trabajadores de América Latina (CTAL), established in 1936.

The International Trade Union Committee of Negro Workers (ITUCNW) was also founded in 1928 as a section of the Profintern that acted as a radical transnational platform for black workers in Africa and the Atlantic World.

RILU established national sections around the world. In Britain, the Bureau worked closely with the National Minority Movement. The Communist Party of Canada established a national section called the Workers' Unity League. The American section began in 1922 as the Trade Union Educational League, succeeded in 1929 by a more radical variant which attempted to establish dual unions, the Trade Union Unity League.

Dissolution
The Profintern was dissolved in 1937 as Stalin's foreign policy shifted towards the Popular Front.

Publications

 * G. Zinoviev, The Communist Internationale to the IWW: An Appeal of the Executive Committee of the Third Internationale at Moscow. Foreword by Tom Glynn. Melbourne: Proletarian Publishing Association, October 1920.
 * Constitution of the Red International of Labour Unions: Adopted at the First World Congress Held in Moscow, July 1921. London: British Bureau, Red International of Labour Unions, 1921.
 * J.T. Murphy, The 'Reds' in Congress: Preliminary Report of the First World Congress of the Red International of Trade and Industrial Unions. London: British Bureau, Red International of Labour Unions, 1921.
 * Tom Mann, Russia in 1921. British Bureau, Red International of Labour Unions, 1921.
 * Resolutions and Decisions of the First International Congress of Revolutionary Trade and Industrial Unions. n.c. [Chicago]: Voice of Labor, 1921.
 * "Constitution of the Red International of Labor Unions, as of 2nd World Congress — Nov. 1922." Labor Herald Library no. 6. Chicago: Trade Union Educational League, 1923.
 * Resolutions and Decisions of the Second World Congress of the Red International of Labor Unions: Moscow — November 1922. Chicago: Trade Union Educational League, 1923.
 * Resolutions and Decisions, RILU, 1923: Resolution on the Report of the Executive Bureau. n.c.: Red International of Labor Unions. Executive Bureau, n.d. [1923?].
 * M. Tomsky, The Trade Unions, the Party and the State: Extracts of Speeches by Comrade Tomsky at the III Session of the Profintern on June 29, 1923, and... Moscow: Commission for Foreign Relations of the Central Council of Trade Unions of the USSR, 1927.
 * A. Lozovsky, What is the Red International of Labor Unions? Red International of Labor Unions, 1927.
 * Problems of Strike Strategy: Decisions of the International Conference on Strike Strategy, held in Strassburg, Germany, January 1929 New York: Workers Library Publishers, 1929.

title: Profintern


text:
Fort Independence

Fort Independence is the name of several forts in the United States:

 * Fort Independence (California), U.S. Cavalry fort during the 1860s, now site of the Fort Independence Indian Reservation near Independence, California
 * Fort Independence (Colorado), frontier trading post near present-day Pueblo, Colorado
 * Fort Independence (Massachusetts), fort located at the mouth of Boston harbor on Castle Island
 * Fort Independence (Missouri), in Independence, Missouri; the starting point of the Oregon Trail
 * Fort Independence (Nebraska) military installation in Nebraska in the 1900s
 * Fort Independence (Vermont), is an infrequently used and incorrect alternative name for Mount Independence in Orwell, Vermont
 * Fort Independence, Revolutionary War fort in the Bronx, NY
 * Fort Independence (New York), Revolutionary War fort at Peekskill, NY

People

 * Fort Independence Indian Community of Paiute Indians, a federally recognized tribe in California

title: Fort Independence


text:
Achterdam

The Achterdam is a red light district in the Dutch city of Alkmaar, 30 km North of Amsterdam. It is the only place in Alkmaar where window prostitution is permitted. It is situated about 10 minutes walk from the Alkmaar train station. It is a 150-metre-long street with window prostitution on both sides. The area has about 69 windows with rooms.

Windows
There are about 69 windows with rooms in the district, rented individually by the prostitutes.

The windows are all privately owned and the street is administered under the guidance of the Municipal government and police. There is a private security service and security cameras for safety.

In order to prevent exploitation and trafficking a number of measures are in place:
 * Owners of the windows can have no financial involvement with the tenants
 * Prostitutes must be over 21 years of age and have identity papers, be registered with the municipality of Alkmaar (GBA) and the Chamber of Commerce (KvK), as well as health insurance.
 * Prostitutes have to be interviewed and there is an in-depth check on their identity papers before they are allowed to rent a window
 * Third parties may not rent windows on behalf of the prostitutes

The rent for the room includes cleaning, maintenance, towels, bed linen and wi-fi.

Opening hours are from 09:00 to 01:00.

The prostitutes are all members of the Association of Achterdam and are visited weekly by support workers from Aanloophuis De Steiger. Medical check-ups are available on alternate Tuesdays

History and municipal policy
Prostitution has been practiced in Alkmaar for at least two centuries. In 1811, the French government (Alkmaar was part of the French Empire at this time) set regulations for "huizen van ontucht" in Alkmaar. This was one of the first cities with rules for prostitution.

In 1991, the city council adopted a policy paper Prostitutie en overige sexinrichtingen vast ("Prostitution and other sex institutions"). It was intended to be model European prototype. The Achterdam window prostitution it proposed was first operational in 1973.

Following the October 2000 abolition of the law banning brothels, sex establishments in Alkmaar, such as the houses on the Achterdam, have been allowed provided they have a license from the municipal council. In the 2000s there were between 120 and 125 prostitution windows operating in Achterdam.

From May 2001, prostitutes needed full EU passports or EU residence permits to work in Achterdam. As a result, Bulgarian and Romanian women could no longer work in Achterdam. This left a number of empty windows which were filled by other East Europeans, Latin American women and (older) Dutch sex workers.

During the 2000s there were complaints about the alleged nuisance resulting from prostitution in Achterdam. This led to the windows having to close by 1am.

In 2004 and again in 2015, the window operators held an "open day" during which members of the public could tour the premises and speak to the prostitutes.

In 2007 licenses were revoked for brothels alleged to be involved in money laundering.

Following changes in licensing rules in 2011 the number of prostitution windows was limited to a maximum of 69.

In 2012 the Central Alkmaar Residents' Association campaigned for the end of all window prostitution in Achterdam, while the window operators proposed an end to the 69-window limit.

There have been anti-trafficking raids at various times. The biggest was in March 2013 when more than 500 employees of the Municipality of Alkmaar, Public Prosecutor's Office and the police were involved in the raid. All prostitutes, window owners and anybody in the street at the time were arrested and questioned.

Criminality
Two prostitutes were murdered in Achterdam in 1996. One of the murderers was identified from CCTV but fled the country. The second murderer was never identified.

In 2007, 92 of the windows were run by Koos Nool, who also owned some of the windows. Others were owned by Cor van Hout, who was involved in the kidnapping of Freddy Heineken. When Nool applied to renew his licenses, Alkmaar Mayor Piet Bruinooge refused the license renewal on the advice of the Bureau BIBOB, on suspicion of money laundering and that the windows had been brought with money from crime. Nool challenged the decision in the Alkmaar Court, which decided there was "insufficient information on the serious risk that the permit would be misused for illegal purposes". On appeal in the Administrative Law Division of the Council of State (ABrVS), based on further information from the Bureau BIBOB, the Court ruled the Mayor had been justified in refusing the permit application.

A number of females of Turkish-German descent were convicted of human trafficking in 2008 (the so-called SNEEP Case). They had been forcing women, mostly from East Europe, to work as prostitutes. The victims were lured to the Netherlands and forced to work in the windows. Some women were forced to undergo breast enlargement surgery and have the traffickers' initials tattooed on their neck.

A Moroccan man was jailed for one year for trafficking a girl to Achterdam in November 2010.

In March 2013 two men, one Hungarian, the other Romanian, were arrested for human trafficking during a raid on Achterdam. In November that year another man was arrested, again for trafficking.

title: Achterdam


text:
Talk:Jacob Zuma

Another splitting proposal
I think the President of South Africa (2009–2018) section should be split into a new page, Presidency of Jacob Zuma, in the vein of U.S. presidencies, for example. The section is large enough to stand alone and it would be nice to expand it with things that are more relevant to Zuma’s administration than to Zuma the man – in particular, various bits and pieces about alleged state capture under Zuma are sort of spread across different articles, and this would be a logical place to consolidate them. Also foreign relations and so on. Pinging, who I know are active on SA politics wiki, for views. Happy to do the split and write out a generous summary to keep on this page. Jlalbion (talk) 16:53, 29 September 2022 (UTC)
 * Hi, there. I support this proposal 100%. Best,   Lefcentreright     Discuss    18:27, 30 September 2022 (UTC)
 * Went ahead with the split. I don't want to mess with the pretty Zuma template but anyone technically competent should please feel free to add the presidency page to it! Jlalbion (talk) 16:14, 4 October 2022 (UTC)

Semi-protected edit request on 10 October 2022
"He managed to retained the support of a left-wing coalition inside the ANC" should read either "he managed to retain," or "he retained." It is currently grammatically incorrect. 2A02:C7F:506D:3C00:8844:DC27:D64A:C7A8 (talk) 21:02, 10 October 2022 (UTC)
 * ✅ Thank you, - FlightTime  ( open channel ) 21:06, 10 October 2022 (UTC)

Semi-protected edit request on 3 November 2022
I would say add convicted criminal and thief.maybe rapist too. 102.248.10.88 (talk) 16:55, 3 November 2022 (UTC)
 * Red information icon with gradient background.svg Not done for now: please establish a consensus for this alteration before using the template. Aoidh (talk) 03:14, 4 November 2022 (UTC)

Semi-protected edit request on 15 July 2023
Hi i would edit the page to say Convicted criminal as his current role and not a politician, as he is a thief not a politician at current. 192.143.29.51 (talk) 10:50, 15 July 2023 (UTC)
 * Red information icon with gradient background.svg Not done for now: please establish a consensus for this alteration before using the template.  —  Paper9oll  (🔔 • 📝)  10:57, 15 July 2023 (UTC)

4th
He was in fact the 4th president of the Anc, not the 4th president of South Africa. 41.13.0.54 (talk) 17:00, 12 August 2023 (UTC)
 * No, that's incorrect. About 12 people before Zuma served as president of the ANC, which makes him the 13th president of the party.   Lefcentreright     Discuss    17:30, 12 August 2023 (UTC)
 * Nevertheless, the section is misleading. It seems to imply that he was the 4th head of state of South Africa, which is not the case. He was the 4th President of South Africa (i.e. the article is technically correct) but there were many other heads of state prior to 1994 - referred to as "State President of South Africa". This may be rectified by the article reading as something along the lines of "He was the fourth President of South Africa following the end of Apartheid in 1994". 2C0F:F4C0:230C:8910:8D6A:EB14:49F:21A (talk) 12:50, 20 May 2024 (UTC)
 * It might even be a good idea to add the exact number of heads of state that preceded him, e.g. "He was the 23rd head of state of the Republic of South Africa and the fourth President of South Africa following the end of Apartheid in 1994" - This would be much more clear and avoid the misconception that the Republic of South Africa was formed in 1994. It was not. The country was established in '61 and has existed continuously since then. The presidency as an office was created with the new constitution - the state was not. 2C0F:F4C0:230C:8910:8D6A:EB14:49F:21A (talk) 12:56, 20 May 2024 (UTC)

title: Talk:Jacob Zuma


text:
List of compositions for cello and piano

This is a list of compositions for cello and piano. It includes sonatas as well as other short pieces for cello and piano.

A

 * Carl Friedrich Abel
 * Several sonatas
 * Thomas Adès
 * Lieux retrouvés (2009)
 * Vasif Adigozalov
 * Sonatina for Cello and Piano (1957)
 * Sonata for Cello (1987)
 * Miguel del Águila
 * Silence
 * Kalevi Aho
 * Sonata for Cello and Piano (2019)
 * Franco Alfano
 * Sonata for Cello and Piano (1925)
 * Charles-Valentin Alkan
 * Cello sonata "Sonate de concert", Op. 47 in E (1857)
 * Anatoly Alexandrov
 * Andante Pathetico for cello and piano opus 17 (1915–1921)
 * Cello Sonata in G major, Op. 112 (1981–1982)
 * Franghiz Ali-Zadeh
 * Habil-Sayagy In Habil's Style for cello and piano
 * Fikret Amirov
 * Elegy for cello and piano (1948)
 * Poem-Monologue for cello and piano (1948)
 * Gilbert Amy
 * Mémoire (1989)
 * Louis Andriessen
 * Welk interval vind je het mooist (2012)
 * Elegy (1957)
 * Tanya Anisimova
 * Icelandic Ballad (2007)
 * Mexico-Mexico (2005)
 * Boris Arapov
 * Sonata for cello and piano (1985)
 * Anton Arensky
 * Two Pieces, Op. 12, for cello and piano (Little Ballade, Capriccioso Dance)
 * Four Pieces, Op. 56, for cello and piano (Oriental Melody, Romance, Chant Triste, Humoresque)
 * Alexander Arutiunian
 * Impromptu (1941)
 * Poem
 * Valery Arzoumanov
 * Six Waltzes for cello and piano opus 170A
 * Benjamin Attahir
 * Apres l'ineffable (2018)
 * Kurt Atterberg
 * Cello sonata, Op. 27 in B minor (1925; written to be played by any of several instruments)
 * Lera Auerbach
 * Twenty-Four Preludes for cello and piano opus 47 (1999)
 * Suite for cello and piano opus 47A (1999)
 * Sonata No. 1 for cello and piano opus 69 (2002) (Dedicated to David Finckel and Wu Han)
 * Georges Auric
 * Imaginées 2 (1970)
 * Vaja Azarashvili
 * Cello Sonata No. 1 (1961–99)
 * Cello Sonata No. 2 (1976)
 * Five Preludes (2006)

B

 * Milton Babbitt
 * Dual for cello and piano (1980)
 * Grazyna Bacewicz
 * Mazovian Dance (1951)
 * Henk Badings
 * Cello Sonata No. 1(1929)
 * Cello Sonata No. 2 (1934)
 * David N. Baker
 * Sonata for Violoncello and Piano (1973) (Commissioned by Janos Starker)
 * Granville Bantock
 * Cello Sonata No. 1 in B minor (1940s)
 * Cello Sonata No. 2 in F-sharp minor (1940s)
 * Samuel Barber
 * Cello sonata, Op. 6 in C minor (1932)
 * Béla Bartók
 * Rhapsody 1
 * Sonatina for cello and piano originally for piano (1915) (arr. Varga)
 * Rami Bar-Niv
 * Improvisation for cello solo (5 min) (1997)
 * Improvisation for cello and piano (11 min) (2001)
 * Longing for my Father – 7 songs without words for cello and piano (26 min) (2002)
 * Blue-Rag for cello and piano (5 min) (1998)
 * Blue-Rag for 2 cellos (or cello and violin/viola/flute/clarinet/trumpet/oboe/saxophone) and piano (5 min) (1998)
 * Shmateh-Rag for cello and piano (5 min) (2004)
 * Vocalise on Prelude #1 by Bach, for cello and piano (5 min) (1998)
 * Arnold Bax
 * Folk-Tale (1918)
 * Cello Sonata in E-flat (1923)
 * Cello Sonatina in D (1933)
 * Legend-Sonata in F-sharp minor (1943)
 * Amy Beach
 * Five Pieces
 * Sally Beamish
 * Iasg (1993)
 * Gala Water (1994)
 * Bridging the Day (1998)
 * Sonata (2000)
 * Ludwig van Beethoven
 * Cello sonata No. 1, Op. 5, No. 1 in F major (1796)
 * Cello sonata No. 2, Op. 5, No. 2 in G minor (1796)
 * Cello sonata No. 3, Op. 69 in A (1808)
 * Cello sonata No. 4, Op. 102, No. 1 in C (1815)
 * Cello sonata No. 5, Op. 102, No. 2 in D (1815)
 * Sonata Op. 17 in F (transcription of the Sonata for Horn and piano) (1800)
 * Sonata Op. 64 in E flat (transcription of String Trio Op.3) (1807)
 * Twelve Variations for cello & piano in F major on Mozart's "Ein Mädchen oder Weibchen," Op. 66 (1796)
 * Twelve Variations for cello & piano in G major on Handel's "See, the Conqu'ring Hero comes," WoO 45 (1796)
 * Seven Variations for cello & piano in E flat major on Mozart's "Bei Männern," WoO 46 (1801)
 * Karol Beffa
 * "Marmor" for cello and piano
 * Richard Rodney Bennett
 * Sonata for Cello and Piano (1991)
 * William Sterndale Bennett
 * Cello Sonata Op. 32 (1852)
 * Erik Bergman
 * Quo Vadis Op.102
 * Michael Berkeley
 * Etude des fleurs (1979)
 * At A Solemn Wake (2015)
 * Oscar Bianchi
 * Soffio (2013)
 * Adolphe Biarent
 * Cello sonata in F-sharp minor (1915)
 * Harrison Birtwistle
 * Lied (7 min) (2006)
 * Bogenstrich (2006–2009)
 * Felix Blumenfeld
 * Two Morceaux for cello and piano, opus 19 (1894)
 * Luigi Boccherini
 * 19 sonatas for cello and bass, two sonatas for two cellos
 * Léon Boëllmann
 * Suite, Op. 6 (1890)
 * Variations Symphoniques, Op. 23 (1893)
 * Suite Gothiques, Op. 25 (1895)
 * Deux morceaux, Op. 31 (1896)
 * Cello Sonata, Op. 40 (1897)
 * Pièce ILB 19
 * Corentin Boissier
 * Cello Sonata, Op. 21 (2017)
 * William Bolcom
 * Decalage (1969)
 * Capriccio (1985)
 * Sonata for Violoncello and Piano (1989)
 * Mélanie Hélène Bonis
 * Cello Sonata, Op. 67 (1905)
 * Sérénade pour violoncelle et piano
 * Méditation pour violoncelle et piano
 * Antonio Maria Bononcini
 * 12 sonatas, a sonata da camera and a sinfonia for cello and figured bass
 * Lili Boulanger
 * D’un soir triste
 * Nadia Boulanger
 * 3 Pièces pour violoncelle et piano
 * Nimrod Borenstein
 * The Magic Mountain opus 30 (2003)
 * Heroic Elegy opus 67 (2014)
 * Odysseus opus 87 (2019)
 * Alexander Borodin
 * Cello sonata in B minor (1860)
 * Sergei Bortkiewicz
 * Three Pieces for Cello and Piano, Op. 25 (1922)
 * Cello Sonata, Op. 36 (1924)
 * Henriëtte Bosmans
 * Cello Sonata (1919)
 * Three Impressions (Cortège, Nuit calme, En Espagne) (1926)
 * Johannes Brahms
 * Cello sonata No. 1, Op. 38 in E minor (1862–65)
 * Cello sonata No. 2, Op. 99 in F major (1886)
 * Violin sonata No. 1, Op. 78 in G major Rain (1878–79), transcribed for cello by Paul Klengel
 * Violin Sonata No. 2, Op. 100 in A major (1886), transcribed for cello by Laszlo Varga
 * Violin Sonata No. 3, Op. 108 in D minor (1886–88), transcribed for cello by Laszlo Varga
 * Charlotte Bray
 * Perseus (2015)
 * Frank Bridge
 * Two Short Pieces(1912)
 * Cello Sonata in D minor (1913–17)
 * Jean-Baptiste Bréval
 * Cello Sonata in C Major
 * Benjamin Britten
 * Cello sonata, Op. 65 in C (1960–61)
 * Earle Brown
 * Music for Cello and Piano (1955)
 * Special Events (1998–99)
 * James Francis Brown
 * Prospero's Isle (2006). Also symphonic poem version
 * Max Bruch
 * Kol Nidrei, Op. 47 (1881)
 * Canzone, Op. 55 (1891)
 * Adagio nach Keltischen melodien, Op. 56 (1891)
 * Ave Maria, Op. 61 (1892)
 * Vier Stücke, Op. 70 (1897) Vier Stücke, Op. 70 (Bruch)
 * Gavin Bryars
 * The South Downs (1995)
 * The North Shore (1995)
 * Lauda (con sordino) (2002)
 * Ferruccio Busoni
 * Märchen BV 123 (1879)
 * Serenata Op. 34 BV 196 (1883)
 * Kleine Suite Op. 23, for cello and piano, BV 215 (1886)
 * Kultaselle, ten variations for cello and piano BV 237 (1889)
 * Sylvano Bussotti
 * Gran Duo (1977–1978)

C

 * Joseph Callaerts
 * Andante Sostenuto Op.16
 * Regis Campo
 * Deux mouvements (2004)
 * Matilde Capuis
 * Sonata No. 1 in C Minor for cello and piano
 * Sonata No. 2 in D Minor for cello and piano
 * David Carlson
 * Sonata for Cello and Piano (1991) (Carl Fischer Music)
 * Elliott Carter
 * Elegy
 * Cello Sonata (1948)
 * John Casken
 * Stolen Airs (2015)
 * Alfredo Casella
 * Cello Sonata No. 1 (1906)
 * Cello Sonata No. 2 (1926)
 * Notturno (1934)
 * Tarantella (1934)
 * Gaspar Cassadó
 * Toccata "After Frescobaldi" 1925
 * Minuetto "After Paderewski"
 * Allegretto Grazioso "After Schubert"
 * Rapsodia del Sur
 * Pastorale "After Couperin"
 * La Pendule, la Fileuse et le Galant 1925
 * Serenade 1925
 * Sonata in A minor 1925
 * Sonata nello stile antico spagnuolo (Sonata in an "Old Spanish Style") 1925
 * Danse du diable vert (Dance of the Green Devil) for violin or cello 1926
 * Lamento de Boabdil 1931
 * Requiebros 1934
 * Partita 1935
 * Archares 1954
 * Morgenlied 1957
 * Mario Castelnuovo-Tedesco
 * I Nottambuli. Variazioni Fantastiche for cello and piano, Op. 47
 * Sonata per violoncello e pianoforte, Op. 50 (1928)
 * Chant Hébraique: Vocalise, Op. 53 (1928), arranged for cello and piano (1930)
 * Toccata op. 83, per violoncello e pianoforte (1935)
 * Meditation 'Kol Nidre' for cello and piano (1941)
 * "Figaro," from The Barber of Seville by Rossini (1943) for violoncello and piano
 * "Don Giovanni" (Serenade), from Don Giovanni by Mozart (1943) for violoncello and piano
 * "La Vallée des Cloches" from "Miroirs" by Ravel, a concert transcription for cello and piano (1944)
 * "Alborada del Gracioso," from "Miroirs" by Ravel, a concert transcription for cello and piano (1944)
 * Raphaël Cendo
 * Furia (2009–2010)
 * Friedrich Cerha
 * Fünf Sätze (2013)
 * Jordi Cervelló (1935–?)
 * Sonata In Memorian Pau Casals for cello and piano (10 min) (1976)
 * Un Cant a Pau Casals for cello and piano (1991)
 * George Chadwick
 * Romanza (1883)
 * Easter Morn (1914)
 * Cécile Chaminade
 * Romanza for cello and piano Op. 31a (unpublished)
 * La Chaise à Porteurs for cello and piano Op. 55b (Enoch) 1896
 * Sommeil d'Enfant for cello and piano )p. 125 (Enoch) 1907
 * Daniel Chazanoff
 * Leaves of a Hebrew Calendar for Cello and Piano (Allentoff Music)
 * Frédéric Chopin
 * Introduction et polonaise brillante, Op.3
 * Cello sonata, Op. 65 in G minor (1845)
 * Grand Duo concertant, E major, B. 70 (1832) (together with Auguste Franchomme)
 * Francesco Cilea
 * Cello sonata, Op. 38 in D (1888)
 * Rebecca Clarke
 * Sonata (1919)
 * Epilogue (1921)
 * Rhapsody for Cello and Piano (1923)
 * Samuel Coleridge-Taylor
 * Variations for Cello and Piano
 * Jérôme Combier
 * Freezing Fields (2017) for Cello and Piano
 * David Conte
 * Sonata for Violoncello and Piano (2015) (written for cellist Emil Miland)
 * Aaron Copland
 * Waltz and Celebration
 * John Corigliano
 * Phantasmagoria (1993)
 * Henry Cowell
 * Cello sonata
 * Hymn and Fuguing Tune No. 9 for cello & piano, HC 758
 * Four declamations with return (1949)
 * Jean Cras
 * "La Chair", Cello Sonata (1901)
 * Largo (1903)
 * Légende (1930)
 * César Cui
 * Scherzando, Op. 36 No. 1 (1886)
 * Cantabile, Op. 36 No. 2 (1886)
 * Barcarolle, Op. 81 (1910)

D

 * Peter Maxwell Davies
 * Sonata for ‘Cello & Piano (2007) "Sequentia Serpentigena"
 * Gualtiero Dazzi
 * Petite suite de voyage (1997)
 * Claude Debussy
 * Intermezzo
 * Scherzo
 * Cello Sonata (1915)
 * Frederick Delius
 * Cello sonata (1916)
 * Norman Dello Joio
 * Duo Concertato (1949)
 * Edison Denisov
 * Suite for cello and piano (1961)
 * Three Pieces for cello and piano, Op. 26 (1967)
 * Sonata for cello and piano, Op. 40 (1971)
 * Variations on a Theme of Schubert for cello and piano (1986)
 * Ernő Dohnányi
 * Cello Sonata in B-flat minor, Op. 8 (1899)
 * Franco Donatoni
 * Sincronie
 * Felix Draeseke
 * Cello sonata, Op. 51 in D (1890)
 * Marcel Dupré
 * Sonata for Cello and Organ A minor (1964)
 * Pascal Dusapin
 * Slackline for Cello and Piano (2015)
 * Antonín Dvořák
 * Polonaise in A major, B.94 (1879)
 * Rondo in G minor, Op. 94, B.171 (1891)
 * Slavonic Dances, Op. 46, B.172 (1891)
 * No.3 in A major, Polka : Allegretto
 * No.8 in G minor, Furiant : Vivace
 * Silent Woods, Op. 68.5, B.173 (1891)

E

 * Moritz Eggert
 * Fast Forward (for Cello and Piano, 1999)
 * Continuum (for Cello and Piano, 2000)
 * La Risposta (2002)
 * Brian Elias
 * L’innominata (2018)
 * Jose Elizondo
 * Danzas Latinoamericanas (Latin American Dances) (1997)
 * Otoño en Buenos Aires (Autumn in Buenos Aires) (1997)
 * Pan de Azúcar (Sugar Loaf mountain) (1997)
 * Atardecer Tapatío (Sunset in Guadalajara) (1997)
 * La alborada de la esperanza (The Dawn of Hope) (2018)
 * Limoncello (2018)
 * Crepúsculos (Twilights) (2018)
 * Princesa de hadas (Fairy Tale Princess) (1995)
 * George Enescu
 * Nocturne et Saltarello
 * Cello sonata, Op. 26, No. 1 in F minor (1898)
 * Cello sonata, Op. 26, No. 2 in C major (1935)
 * Einar Englund
 * Cello sonata (1982)
 * Iván Erőd
 * "Köszönet Bartóknak" (Thanks to Bartók) Op.81 (2006) (3 min)
 * Thierry Escaich
 * Nocturne (1997)
 * Andrei Yakovlevich Eshpai
 * Sonata for cello and piano (1990) (25 min)

F

 * Sebastian Fagerlund
 * Silent Words, (2013)
 * Ferenc Farkas
 * Alla danza ungherese No. 2 (1934)
 * Sonata (1932)
 * Folksong Sonatina (1955)
 * All’antica (1962)
 * Ballada (1963)
 * Quattro pezzi (1965)
 * Louise Farrenc
 * Cello sonata, Op. 46 in B-flat (published 1861)
 * Gabriel Fauré
 * Petite Pièce in G major op. 49 (LOST) (1888)
 * Élégie, Op. 24 (1883)
 * Romance in A major, Op. 69 (1894)
 * Papillon, Op. 77 (1894)
 * Sicilienne, Op. 78 (1898)
 * Sérénade, Op. 98 (1908)
 * Cello Sonata No. 1 Op. 109 in D minor (1917)
 * Cello Sonata No. 2 Op. 117 in G minor (1921)
 * Jindřich Feld
 * Three pieces for cello and piano (1954–55)
 * Sonata for cello and piano (1972)
 * Richard Festinger
 * Sonata for Cello and Piano (1990)
 * Vivian Fine
 * Fantasy for cello and piano (1962)
 * Sonata for cello and piano (1982)
 * Michael Finnissy
 * Chi Mei Ricercari (2015)
 * Graciane Finzi
 * Game dans la nuit (!988)
 * Impression Tango (2003)
 * Alissa Firsova
 * Fantasy Op.29
 * Elena Firsova
 * Sonata Op.5
 * You and I Op.55
 * The Enchanted Island Op.66
 * Homage to Canisy, Op.129
 * Lukas Foss
 * Intermezzo for cello and piano (1940)
 * Duo (Fantasia) for cello and piano (1941)
 * Capriccio for cello and piano (1948)
 * John Foulds
 * Cello Sonata, Op. 6 (around 1905, revised 1927)
 * Jean Françaix
 * Sérénade (1934)
 * Mouvement perpétuel (1944)
 * Nocturne (1951)
 * Berceuse (1953)
 * Rondino staccato (1953)
 * Fantaisie (1962)
 * César Franck
 * Violin Sonata in A major, arranged for cello and piano by Jules Delsart and approved by the composer
 * Eduard Franck
 * Cello Sonate, No.1 in D major, Op. 6 (1846)
 * Cello Sonata, No.2 in F major, Op. 42 (1882)
 * Richard Franck
 * Cello Sonata, No.1 in D major, Op. 22 (1894)
 * Cello Sonata, No.2 in E flat major, Op. 36 (1903)
 * Serenade for cello in C major, Op. 24 (1896)
 * Gabriela Lena Frank
 * Rios Profundos
 * Adagio para Amantaní
 * Peter Fribbins
 * Sonata for 'Cello and Piano (2004 - 2005)
 * "...that which echoes in eternity" (2002 - 2003). Also version for violin and piano
 * Joel Phillip Friedman
 * Pas de Deux (1994, Rev. 2001)
 * Robert Fuchs
 * Cello sonata, Op. 29 in D minor
 * Cello sonata, Op. 83 in E-flat minor
 * 7 fantasieën Op. 78
 * Dai Fujikura
 * Distorting rage (2000)
 * Flicker (2011)

G

 * Domenico Gabrielli
 * Two sonatas for cello and basso continuo
 * Magí Garcías
 * Crui II: Santa Catalina
 * Zoltán Gárdonyi
 * Sonata for cello and piano (1944)
 * Valeri Gavrilin
 * Kholeovliya for cello and piano (2003)
 * Jiří Gemrot
 * Sonata for cello and piano (published 2003 by Český rozhlas
 * Roberto Gerhard
 * Cello Sonata (1956 originally for viola and piano (1948), transcription by the composer for cello and piano)
 * Friedrich Gernsheim
 * Cello Sonata No. 1 Op. 12 in D minor
 * Cello Sonata No. 2 Op. 79 in E minor
 * Cello Sonata No. 3 Op. 87 in E minor
 * Alberto Ginastera
 * Cello Sonata Op. 49 (1979)
 * Pampeana No. 2 for cello and piano, op. 21
 * Detlev Glanert
 * Serenade Op.13 (1986)
 * Alexander Glazunov
 * Arabic Melody for cello and piano, Op. 4 No. 5; from Five Romances (songs) (1882–85)
 * Elegy in D flat major for cello and piano (Une Pensee a F. Liszt), Op. 17 (1888)
 * Two Pieces for cello and piano, Op. 20A (1888) (Melodie; Spanish Serenade)
 * Chant du Ménestrel for cello and piano, Op. 71 (1900)
 * Reinhold Glière
 * Ballade
 * 12 Album Leaves for cello and piano, Op. 51 (1910)
 * Vladimír Godár
 * Sonata in memory of Viktor Shklovsky for cello and piano (1985)
 * Emmeleia for cello and piano (1994)
 * Alexander Goehr
 * Sonata (1984)
 * Fantasie (2005)
 * Karl Goldmark
 * Cello sonata, Op. 39 in F (1890)
 * Paul Graener
 * Suite, Op. 66 (1924)
 * Percy Grainger
 * The Maiden and the Frog
 * The Sussex Mummers’ Christmas Carol
 * Enrique Granados
 * Madrigal for Cello and Piano
 * Olivier Greif
 * Deux Pièces pour violoncelle et piano - 1
 * Deux Pièces pour violoncelle et piano - 2
 * En rêve pour violoncelle et piano
 * Oi Akashe pour violoncelle et piano
 * Shylock funèbre pour piano et violoncelle
 * Sonate de Requiem pour violoncelle et piano
 * Sonate de Requiem pour violoncelle et piano
 * Veni Creator pour violoncelle et piano
 * Mark Gresham
 * Sonata for Violoncello and Piano (1993)
 * Edvard Grieg
 * Cello sonata, Op. 36 in A minor (1883)
 * Jorge Grundman
 * Sonata for Cello and Piano. Those Who Couldn't Wave Goodbye (2020)
 * Friedrich Grützmacher (1832–1903)
 * Hungarian Fantasy for Violoncello and Piano, Op. 7

H

 * Kimmo Hakola
 * ...La nuit n'est pas
 * Consolation (2004)
 * Appassionato Op. 76 (2009)
 * Ernesto Halffter
 * Fantasie Espagnole (1952)
 * Lou Harrison
 * Suite pour violoncelle et piano (1995)
 * Jonathan Harvey
 * Dialogue and Song (1977)
 * Paavo Heininen
 * Deux Chansons
 * Sonata for Violoncello and Piano — Bassosonaatti/Sonata Basso
 * Fanny Hensel
 * Fantasia G minor
 * Capriccio A Major (H247)
 * Swan Hennessy
 * Rapsodie gaélique, Op. 63 (1925), Paris: Max Eschig & Cie.
 * Pièce celtique, Op. 74 (1928), Paris: Éditions Max Eschig
 * Sonatine, Op. 81 (1929), Paris: Propriété de l'auteur
 * Heinrich von Herzogenberg
 * Cello Sonata, No.1 in a minor, Op. 52 (1886)
 * Cello Sonata, No.2, Op. 64 (1889)
 * Cello Sonata, No.3, Op. 94 (1895)
 * Kenneth Hesketh
 * Cantilena
 * Kurt Hessenberg
 * Sonata, Op. 23 (1941)
 * Jennifer Higdon
 * Nocturne
 * John S. Hilliard
 * Cello sonata
 * Paul Hindemith
 * 3 pieces Op.8 (1917)
 * Sonata Op. 11, No. 3 (1919)
 * Drei leichte Stücke for Cello and Piano (1938)
 * Variations on "A Frog He Went a Courting" for Cello and Piano (1941)
 * Kleine Sonata (1942)
 * Sonata (1948)
 * Alistair Hinton
 * Cello sonata, Op. 39 (1999)
 * Heinz Holliger
 * Romancendres (2003)
 * York Höller
 * Pas de deux (1993)
 * Arthur Honegger
 * Cello sonata, H32 (à René Gosselin) (1920)
 * Sonatina (1921)
 * Luc Van Hove
 * Sonata for cello and piano Op.27
 * Toshio Hosokawa
 * Lied III
 * Hans Huber
 * Cello Sonata, No.1 in D major, Op. 33 (1878)
 * Cello Sonata, No.2 "Pastoral Sonate" in A major, Op. 84
 * Suite in d minor, Op. 89 (1886)
 * Cello Sonata, No.3 in C-sharp minor, Op. 114 (1900)
 * Cello Sonata, No.4
 * Romance for Cello and Piano
 * Klaus Huber
 * Lazarus I/II (1978)
 * Bertold Hummel
 * Sonata in F, Op. 2 (1950)
 * Sonata brevis, Op. 11a (1955)
 * Little Suite, Op. 19a (1956)
 * Sonatina N°1, Op. 35c (1969)
 * Sonatina N°2, Op. 52a (1973)
 * Johann Nepomuk Hummel
 * Cello sonata, Op. 104 in A (1824)
 * Potpourri for Cello and Piano Op.86
 * Jean Huré
 * Sonata No. 1 in F♯ minor for cello and piano (1903; Paris: A. Z. Mathot, 1914)
 * Sonata No. 2 in F major for cello and piano (1906)
 * Sonata No. 3 in F♯ major for cello and piano (1909)
 * William Hurlstone
 * Cello sonata in D
 * Eero Hämeenniemi
 * Cello Concerto (2011)

I

 * Vincent d'Indy
 * Cello sonata, Op. 84 in D (1924–25)
 * John Ireland
 * Cello sonata in G minor (1923)
 * Yoshirō Irino
 * Sonata for Cello and Piano (1945)
 * Yuri Ishchenko
 * Adagietto and Scherzino for cello and piano

J

 * Emile Jaques-Dalcroze
 * Suite for Cello & Piano, Op. 9
 * 3 Morceaux, Op. 48
 * Rythmes délaissés
 * 3 Esquisses for Cello & Piano
 * Marie Jaëll
 * Cello Sonata in A minor (1881, rev. 1886)
 * Leoš Janáček
 * Pohádka or Fairy Tale (1910, rev. 1923)
 * Presto
 * Daan Janssens
 * Wie aus der Ferne, for cello & piano (2022)
 * Betsy Jolas
 * Mon Ami (1974)
 * Petites musiques de chevet (1989)
 * Quatre pièces en marge (1983)
 * Femme le soir (2018) for Cello and Piano
 * André Jolivet
 * Nocturne (1943)
 * Joseph Jongen
 * Cello sonata, Op. 39 (1912)
 * Paul Juon
 * Cello sonata, Op. 54 in A minor (1913)

K

 * Dmitri Kabalevsky
 * Cello sonata, Op. 71 in B-flat (1962)
 * Robert Kahn
 * Cello Sonata, Op. 37 in F
 * Jouni Kaipainen
 * Trois morceaux de l'aube (1980)
 * Elegia (1983)
 * Vitezslava Kapralova
 * Deux ritournelles pour violoncelle et piano, Op. 25 (1940)
 * Nikolai Kapustin
 * Sonata No. 1, Op. 63
 * Sonata No. 2, Op. 84
 * Elegy, Op. 96
 * Burlesque, Op. 97
 * Nearly Waltz, Op. 98
 * Louis Karchin
 * Sonata for Violoncello and Piano (1990)
 * Leokadiya Kashperova
 * 2 Sonatas Op.1
 * Minna Keal
 * Ballade in F minor (1929)
 * Karen Khachaturian
 * Sonata for cello and piano
 * Tikhon Khrennikov
 * Cello sonata, Op. 34 (1989)
 * Friedrich Kiel
 * Cello sonata in A minor, Op. 52 (1868)
 * Zoltán Kodály
 * Cello sonata, Op. 4 (1909–10)
 * Dances of Galanta for cello and piano (arr. Varga)
 * Three chorale preludes on
 * "Ach was ist doch unser Leben"
 * "Vater unser im Himmelreich"
 * "Christus der uns selig macht"
 * Prelude and fugue for cello and piano (Bach, tr. Kodály)
 * Sonatina for cello and piano
 * Adagio for cello and piano
 * Hungarian rondo for cello and piano
 * Charles Koechlin
 * Cello sonata, Op. 66 (1917)
 * Chansons bretonnes Op.115
 * Ernst Krenek
 * Phantasiestück Op. 135 (1953)
 * Hans Kronold
 * Five Pieces for Cello and Piano, Op. 57
 * Five Pieces for Cello and Piano, Op. 58
 * Pablo Kunik
 * "Bruma" Opus 9 for Cello and Piano (2022)
 * Larysa Kuzmenko
 * Sonata for Cello and Piano, “A Dream Within A Dream” (1992)

L

 * László Lajtha
 * Cello sonata
 * Simon Laks
 * Cello Sonata (1932)
 * Passacaille (Vocalise) (1946)
 * Trois pièces de concert (1933/1935)
 * Édouard Lalo
 * Cello sonata in A minor (to Anton Rubinstein), 1856
 * Allegro in E-flat, Op. 16 (to Léon Jacquard)
 * David Lang
 * undanceable (2010)
 * Salvatore Lanzetti
 * More than 24 cello sonatas with basso continuo
 * Thomas Larcher
 * Mumien (2002)
 * ”Splinters” Sonata (2012)
 * Vadim Larchikov
 * Sonata for cello and piano (1992)
 * Mario Lavista
 * Quotations
 * Tres danzas seculares
 * Ramon Lazkano
 * Wintersonnenwende-2 (2007)
 * René Leibowitz
 * Duo for cello and piano op.23 (1951)
 * Kenneth Leighton
 * Elegy for 'cello and piano, Op. 5 (1950)
 * Partita for 'cello and piano, Op. 35 (1959)
 * Alleluia Pascha Nostrum for 'cello and piano, Op. 85 (1981)
 * Helvi Leiviskä
 * Cantabile (1937)
 * Guillaume Lekeu
 * Cello sonata in F (finished by Vincent d'Indy)
 * Ruggero Leoncavallo
 * Serenade
 * Fred Lerdahl
 * Duo (2017)
 * Peter Lieberson
 * Three Variations
 * Remembering Schumann
 * Hélène Liebmann
 * Grande Sonate Op.11 (1813)
 * Magnus Lindberg
 * Moto (1990)
 * Dos Coyotes (2002)
 * Santa Fe Project (2006)
 * Franz Liszt
 * Élégie No. 1 [first/second/third version] S.130 (1874)
 * Élégie No. 2 S.131 (1877)
 * Romance oubliée S.132 (1880)
 * La lugubre gondola S.134, [first/second version] (1883?, 1885?)
 * Vasily Lobanov
 * Sonata No.1 for cello and piano Op. 14 (1971)
 * 7 pieces for cello and piano Op. 25 (1978)
 * Sonata No.2 for cello and piano Op. 54 (1989)
 * Pietro Antonio Locatelli
 * Cello sonata in D major
 * Alvin Lucier
 * Twonings (2006)
 * Witold Lutoslawski
 * Grave
 * Elisabeth Lutyens
 * Nine Bagatelles
 * Mykola Lysenko
 * La Tristesse (Sorrow)
 * Ilya Lyzohub
 * Sonata

M

 * Bruno Mantovani
 * Cinq pièces pour Paul Klee (2007)
 * James MacMillan
 * Cello Sonata No. 1
 * Cello Sonata No. 2 (15 min) (2000)
 * Elizabeth Maconchy
 * Divertimento
 * Leevi Madetoja
 * Suite Lyrique
 * Michio Mamiya
 * Cello Sonata
 * 5 Finnish Folk Songs (1977)
 * 6 Japanese Folk Songs (1972)
 * Juan Manén
 * Sonata di concerto for cello and piano Op. A-42 (1947)
 * Albéric Magnard
 * Cello sonata, Op. 20 in A (1911)
 * Benedetto Marcello
 * 12 sonatas (1730s)
 * Andrew March
 * Ephemeral Nymphs, for Cello and Piano (2015)
 * Frank Martin
 * Chaconne for Cello and Piano (1931)
 * Ballade for Cello and Piano (1949)
 * Bohuslav Martinů
 * Cello sonata, No. 1 (1939)
 * Cello sonata, No. 2 (1941)
 * Cello sonata, No. 3 (1952)
 * Variations sur un thème Slovaque, H.378
 * Variations on a Theme of Rossini, H.290
 * Ariette, H 188B (1930 Paris)
 * Nocturnes, H 189 (1931 Paris)
 * Pastorals, H 190 (1931 Paris)
 * Miniature Suite, H 192 (1931 Paris)
 * 7 Arabesques, H. 201
 * Zoe Martlew
 * Berceuse
 * Giuseppe Martucci
 * Cello Sonata Op. 52 in F sharp minor (1880)
 * 3 Pieces for Cello and Piano, Op. 69 (1888)
 * 2 Romances for Cello and Piano, Op. 72 (1890)
 * Joseph Marx
 * Pastorale (1914)
 * Suite (1914)
 * Colin Matthews
 * Three Enigmas
 * Five Duos
 * Usko Meriläinen
 * Meditation
 * Paripeli
 * Felix Mendelssohn
 * Cello sonata No. 1, Op. 45 in B flat major (1838)
 * Cello sonata No. 2, Op. 58 in D major (1842–43)
 * Variations concertantes, Op. 17
 * Song Without Words in D major, Op. 109
 * Andante Cantabile from "Sonata No. 3" for Organ (Calamosca)
 * Krzysztof Meyer
 * Canzona per violoncello e pianoforte, Op. 56 (1981)
 * Sonata per violoncello e pianoforte No.1, Op. 62 (1983)
 * Sonata per violoncello e pianoforte No.2, Op. 99 (2004)
 * Marcel Mihalovici
 * Sonata in the character of a lyrical scene, Op. 108
 * András Mihály
 * Mouvement for Cello and Piano (1962)
 * Darius Milhaud
 * Élégie for cello and piano, Op. 251 (1945)
 * Sonata for cello and piano, Op. 377 (1959)
 * Eric Moe (1954–?)
 * Variations (1985) for cello and piano
 * Mud Wrestling at the O.K. Corral (2007) for cello and piano
 * Ernest John Moeran
 * Cello sonata in A minor (1947)
 * Ignaz Moscheles
 * Grande sonate concertante, Op.34 (1814)
 * Cello Sonata, Op.121 (1850)
 * Melodic-Contrapuntal Studies, Op. 137 (After Bach's The Well Tempered Clavier)
 * Alexander Mosolov
 * Elegy for cello and piano, Op.2
 * Legend for cello and piano, Op.5 (1924)
 * Sonata for cello and piano (1927)
 * Wolfgang Amadeus Mozart
 * Sonata in G major, K379 for Cello and Piano, transcribed by Alexander Kniazev
 * Sonata in G major, K301 for Cello and Piano, transcribed by Alexander Kniazev
 * Sonata in F major, K376 for Cello and Piano, transcribed by Alexander Kniazev
 * Sonata-Rondo from Mozarts Fragment KV Anh. 46 (374g) for cello and piano 1782 (completed by John Hilliard)
 * Franz Xaver Wolfgang Mozart
 * Sonata for violoncello and piano in E major, Op. 19 (published in 1820)
 * Nikolai Myaskovsky
 * Cello sonata, Op. 12 in D (1911)
 * Cello sonata, Op. 81 in A minor (1948–49)

N

 * Nicolas Nabokov
 * Prelude, Four Variations and Finale
 * Luis Naon
 * Tango del desamparo (1987)
 * Lior Navok
 * Fluctuations (2017)
 * Marc Neikrug
 * Petrus (2001)
 * Fabio Nieder
 * Zwei frühe Stücke (1975)
 * Ichiro Nodaïra
 * Deux images (1997)
 * Texture du délire IV (2004)
 * Per Nørgård
 * Cantica (1977)
 * Andrew Norman
 * Sonnets
 * Ludvig Norman
 * Cello Sonata in D major, Op. 28
 * Jan Novák
 * Rotundelli for cello and piano, 1981
 * Vítězslav Novák
 * Cello sonata, Op. 66 in G minor

O

 * Maurice Ohana
 * Noctuaire
 * Syrtes
 * Samir Odeh-Tamimi
 * Jabsurr (2009)
 * Georg Onslow
 * Cello Sonata, Op.16 No.1
 * Cello Sonata, Op.16 No.2
 * Cello Sonata, Op.16 No.3
 * Peter van Onna
 * Geographies: Kyoto Anmintaku, for Cello and Piano
 * Leo Ornstein
 * Six Preludes
 * Two pieces Op. 33
 * Cello Sonata No.1, Op. 52 (1918)
 * Cello Sonata No.2 (1920)
 * Composition I
 * Charles Wilfred Orr
 * Carmen Fantasy for cello and piano
 * Pablo Ortiz
 * Mid-century (2019)

P

 * Paul Paray
 * Cello Sonata (1921)
 * Hubert Parry
 * Cello sonata in A (1879)
 * Thierry Pécou
 * Traversée du rêve (1988)
 * Suite aquatique (1994)
 * Soleil-Tigre
 * Dora Pejačević
 * Sonata for Cello and Piano in E minor Op. 35 (1913)
 * George Perle
 * Lyric Piece (1946)
 * Sonata (1985)
 * Vincent Persichetti
 * Vocalise, op.27 (1945)
 * Wayne Peterson
 * Rhapsody for Cello and Piano (1976)
 * Hans Pfitzner
 * Cello sonata, Op. 1 in F-sharp minor
 * Carlo Alfredo Piatti
 * Air Baskyrs, Op. 8
 * Am Meer, Serenade, Ave Maria (Franz Schubert / Alfredo Piatti)
 * Canto di primavera for cello and piano
 * Canzonetta for cello and piano
 * Danza moresca for cello and piano
 * Elegia per la morte di Cavour for cello and piano
 * Entreaty / Supplication / Bitte for cello and piano
 * Follia su un’aria di Geminiani for cello and piano
 * Gagliarda for cello and piano
 * Impromptu sopra un’aria di Purcell nella “Regina Indiana for cello and piano
 * Introduction and Variations on a theme from Donizetti's Lucia di Lammermoor, Op. 2 for cello and piano
 * Introduzione e Allegro alla Spagnuola for cello and piano
 * La Bergamasca, Op. 14 for cello and piano
 * Gita in gondola / La Danza for cello and piano
 * Les Fiancés, Op. 7 for cello and piano
 * Mazurka Sentimentale, Op. 6 for cello and piano
 * Notturno, Op. 20 for cello and piano
 * Ossian's song, Ballad for cello and piano
 * Passetemps Sentimental, Op. 4
 * Pioggia d’Aprile for cello and piano
 * Sérénade Italienne, Op. 17 for cello and piano
 * Siciliana, Op. 19 for cello and piano
 * Souvenir de la Sonnambula, Op. 5 for cello and piano
 * Tarantella, Op. 23 for cello and piano
 * Tema e Variazioni for cello and piano
 * The race – La corsa for cello and piano
 * Twenty-One Hungarian Dances (1881, Brahms-Piatti)
 * Ástor Piazzolla
 * Tres piezas Breves
 * Le Grand Tango for cello and piano
 * Gabriel Pierné
 * Cello sonata, Op. 46 in F-sharp minor (1919)
 * Willem Pijper
 * Cello sonata, No. 1 (1919)
 * Cello sonata, No. 2 (1924)
 * Matthias Pintscher
 * Uriel (2011–2012)
 * Walter Piston
 * Duo for Cello and Piano (1972)
 * Ildebrando Pizzetti
 * Cello sonata in F (1921)
 * Manuel Ponce
 * Sonata for cello and piano (1922)
 * Miroslav Ponc
 * Five short pieces Op. 9 (1927)
 * Enno Poppe
 * Schweiss (2010)
 * David Popper
 * Op. 3, Scenes From a Masked Ball, cello and piano
 * Op. 5, Romance, cello and piano
 * Op. 10, Pieces for cello and piano
 * Op. 11, Pieces for cello and piano
 * Op. 12, Mazurka in D minor, cello and piano
 * Op. 14, Polonaise de concert, cello and piano
 * Op. 18, Sérénade orientale, cello and piano
 * Op. 22, Nocturne in G major, cello and piano
 * Op. 23, Pieces for cello and piano
 * Op. 28, Concert-Polonaise No. 2 in F major, cello and piano
 * Op. 32, Pieces for cello and piano
 * Op. 33, Tarantella, cello and piano
 * Op. 35, Four Mazurkas, cello and piano
 * Op. 38, Barcarolle in G major, cello and piano
 * Op. 39, Dance of the Elves, cello and piano
 * Op. 41, Nocturne, cello and piano
 * Op. 42, Three Nocturnes, cello and piano
 * Op. 43, Fantasy on Little Russian Songs, cello and piano
 * Op. 46, 2 Transcriptions for Cello and Piano
 * Op. 47, Nocturne No.4 in B Minor for cello and piano
 * Op. 48, Menuetto in D major, cello and piano
 * Op. 51, Six Mazurkas, cello and piano
 * Op. 54, Spanish Dances, cello and piano
 * Op. 55, Pieces for cello and piano
 * Op. 60, Walzer Suite, cello and piano
 * Op. 62, Pieces for cello and piano
 * Op. 64, Pieces for cello and piano
 * Op. 65, Pieces for cello and piano
 * Op. 67, Pieces for cello and piano
 * Op. 68, Hungarian Rhapsody, cello and piano
 * Op. 69, Suite for cello and piano
 * Op. 71, Scottish Fantasy, cello and piano
 * Op. 75, Serenade, cello and piano
 * Op. 81, Gavotte in A Major for Cello and Piano
 * Alberto Posadas
 * Proemio (2011)
 * Francis Poulenc
 * Cello sonata (1948)
 * Henri Pousseur
 * Petit Mausolee ambulant (2005)
 * Nikolai Potolovsky
 * Cello Sonata Op.2 (1905)
 * Gerhard Präsent
 * Sonata al dente for cello and piano op.23 (1988–90)
 * Sergei Prokofiev
 * Ballade for Cello and Piano Op 15 (1912)
 * Cello sonata, Op. 119 (1949)

R

 * Sergei Rachmaninoff
 * Cello Sonata in G minor, Op. 19 (1901)
 * Horatiu Radulescu
 * L'exil Intérieur 1997
 * Joachim Raff
 * Cello Sonata in D, Op. 183 (1873)
 * Einojuhani Rautavaara
 * 2 Preludes & Fugues (1955)
 * Music for Upright Piano and Amplified Cello (1977)
 * Sonata for Cello and Piano (1974/1991)
 * Cello Sonata No. 2
 * Polska (Polka)
 * Sydämeni laulu / Song of My Heart (2000)
 * Matti Rautio
 * Divertimento 1
 * Divertimento 2
 * Max Reger
 * Cello sonata, Op. 5 in F minor (1892)
 * Cello sonata, Op. 28 in G minor (1898?)
 * Cello sonata, Op. 78 in F (1904)
 * Cello sonata, Op. 116 in A minor (1910?)
 * Two pieces for cello and piano, Op. 79e (1904)
 * Aribert Reimann
 * Cello Sonata (1965)
 * Carl Reinecke
 * Cello sonata, Op. 42 in A minor (1847/8)
 * Cello sonata, Op. 89 in D (1866)
 * Drei stücke, Op. 146 (1878)
 * Cello sonata, Op. 238 in G
 * Henriette Renié
 * Sonate pour piano et violoncelle
 * Roger Reynolds
 * A Crimson Path (2000)
 * Josef Rheinberger
 * Cello sonata, Op. 92 in C
 * Ferdinand Ries
 * Cello sonata, WoO. 2 in C minor
 * Cello sonata, Op. 20 in C
 * Cello sonata, Op. 21 in A
 * Cello sonata, Op. 125 in G minor
 * Wolfgang Rihm
 * Von weit (1993)
 * Yann Robin
 * Con Fuoco (2011)
 * Julius Röntgen
 * Cello Sonata No. 1 in B-flat, Op. 3 (1872–73)
 * Cello Sonata No. 2 in A minor, Op. 41 (1900)
 * Cello Sonata No. 3 in G minor (1905)
 * Cello Sonata No. 4 in C minor (1906)
 * Cello Sonata No. 5 in B minor, Op. 56 (1907–10)
 * Cello Sonata No. 6 in D (1914–15)
 * Cello Sonata No. 7 in F-sharp minor (1917)
 * Cello Sonata No. 8 in D minor (1926)
 * Cello Sonata No. 9 in E minor (1927)
 * Cello Sonata No. 10 in C minor (1927)
 * Cello Sonata No. 11 in D minor (1930)
 * Cello Sonata No. 12 in A minor (1930)
 * Cello Sonata No. 13 in C-sharp minor (1931)
 * Cello Sonata No. 14 in C major (1931)
 * and many variation sets and other works (source )
 * Joseph Guy Ropartz
 * Cello sonata, Op. 119 in G minor
 * Cello sonata in A minor
 * Nikolai Roslavets
 * Dance of the White Girls (1912)
 * Meditation (1921)
 * Sonata No. 1 (1921) — published 1924
 * Sonata No. 2 (1921–1922)
 * Miklós Rózsa
 * Duo, Op. 8 (about 1931)
 * Ludomir Różycki
 * Cello Sonata op. 10
 * Nocturne op 30/2
 * Edmund Rubbra
 * Cello sonata, Op. 60 in G minor (1946)
 * Anton Rubinstein
 * Cello sonata, Op. 18 in D (1852)
 * Cello sonata, Op. 39 in G (1857)
 * Joseph Ryelandt
 * Cello Sonata No. 1, Op. 22 (1898)
 * Cello Sonata No. 2, Op. 66 (1917)
 * Cello Sonata No. 3, Op. 132 (1944)

S

 * Kaija Saariaho
 * Im Traume (1980)
 * Camille Saint-Saëns
 * Suite for Cello and Piano, Op. 16 (1866)
 * Cello sonata, Op. 32 in C minor (1872–73)
 * Allegro Appassionato Op.43
 * Romance Op.67
 * Chant Saphique Op.91
 * Cello sonata, Op. 123 in F (1905)
 * Priére Op.158
 * Gavotte Op. posth.
 * Aulis Sallinen
 * Metamorfora (1974)
 * Cello Sonata Op.86 (2004)
 * Baumgesang mit Epilog
 * Timothy Salter
 * Cantus for cello and piano (1975)
 * Georgina Sánchez Torres
 * Elegía Rapsódica
 * En la Holgura de la abstrusa noche
 * Hirundo Rustica
 * La Ciudad del Cielo
 * El Sollozar del Guerrero
 * Cuando los rescoldos se volvieron llamas
 * El Eslabón del afecto eterno
 * Ahmet Adnan Saygun
 * Sonata Op.12 (1935)
 * Giacinto Scelsi
 * Dialogo for cello and piano (1932)
 * Ballata for cello and piano (1943)
 * To the master "Two improvisations" for cello and piano (1974)
 * Philipp Scharwenka
 * Cello Sonata in G minor (op. 116)
 * Xaver Scharwenka
 * Cello Sonata in E minor (op. 46) (1877) (score available at IMSLP)
 * Rodion Shchedrin
 * Quadrille (from opera Not Love Alone)
 * Sonata (1996)
 * Ancient Melodies of Russian Folk Songs (2007)
 * Alexander Shchetynsky
 * Antiphons for Cello and Piano (1983)
 * Message from A.W. for Cello and Piano (1996)
 * Sonata for Cello and Piano (2006)
 * Franz Schmidt
 * Drei Kleine Fantasiestücke (1892)
 * Alfred Schnittke
 * Cello sonata, No. 1 (1978)
 * Cello sonata, No. 2 (1993–94)
 * Ruth Schonthal
 * Sonata concertante: for cello, viola or clarinet and piano (1973)
 * Franz Schubert
 * Sonata for the Arpeggione D.821 in A minor
 * Fantasy in F minor, D.940, orig. piano four-hands (Varga)
 * Robert Schumann
 * Adagio und Allegro, Op. 70 (originally for horn and piano)
 * Fantasiestücke, Op.73 (originally for clarinet and piano)
 * Fünf Stücke im Volkston (Five Pieces in Folk Style), Op.102
 * Camillo Schumann
 * Cellosonate Nr. 1 op. 59
 * Cellosonate Nr. 2 op. 99
 * Cellosonate Nr. 3 op. 118a
 * Erwin Schulhoff
 * Cello sonata
 * Vissarion Shebalin
 * Cello sonata in C
 * Salvatore Sciarrino
 * Melencolia I
 * Matyas Seiber
 * Phantasy (1944)
 * Bright Sheng
 * Northern Lights (2009)
 * Dmitri Shostakovich
 * Cello sonata, Op. 40 in D minor (1934)
 * Alan Shulman
 * Lament for cello and piano (1939)
 * Serenade for cello and piano (1941)
 * 3 – 4 – J ("Three for Jay") for cello and piano (1960)
 * Suite for the Young 'Cellist for cello and piano (1961)
 * Kol Nidre for cello and piano (1970)
 * Lament II for cello and piano (1983)
 * Andriy Shtoharenko
 * Sonata for cello and piano
 * Jean Sibelius
 * Malinconia Op.20 (1900)
 * Cantique & Devotion op.77 (1915)
 * Four Pieces Op. 78 (1915–17)
 * Valentin Silvestrov
 * Sonata
 * Hans Sitt
 * Romanze Op. 17
 * Scherzo Op.35
 * Fredrik Sixten
 * Sonata for cello and piano (1986)
 * Epilogue for cello and piano (2002)
 * Emil Sjögren
 * Cello sonata in A major, Op. 58 (1912)
 * Nikos Skalkottas
 * Largo for cello and piano (c. 1940)
 * Sonatina for cello and piano (1949)
 * Bolero for cello and piano (1948–9)
 * Tender Melody for cello and piano (1948–9)
 * Serenata for cello and piano (1948–9)
 * Tender Melody for cello and piano (1948–9)
 * Dave Smith
 * Kaivopuisto (1996)
 * David Stanley Smith
 * Cello sonata, Op. 59
 * Ethel Smyth
 * Cello Sonata No. 1 in C minor (1880)
 * Cello Sonata No. 2 in A minor, Op. 5 (1887)
 * Charles Villiers Stanford
 * Cello Sonata, No. 1, Op. 9 in A major (1877)
 * Cello Sonata, No. 2, Op. 39 in D minor (1889) ( (Hyperion Records gives 1893 for their recording of the same work however.))
 * Ernstalbrecht Stiebler
 * Duo '90
 * Richard Stöhr
 * 4 Phantasiestücke Op.17 (1907)
 * Cello sOnata Op.49 (1915)
 * Zygmunt Stojowski
 * Cello Sonata, Op. 18 in A (1894)
 * Richard Strauss
 * Cello Sonata, Op. 6 in F (1883)
 * Romance
 * Rita Strohl
 * Great Dramatic Sonata, "Titus et Bérénice" (published 1898)
 * Josef Suk
 * Ballade and Serenade Op. 3
 * Stjepan Šulek
 * Cello Sonata (1974)
 * Piet Swerts
 * Promenade (2021)
 * Witold Szalonek
 * Sonata for cello and piano (1958)

T

 * Alexander Taneyev
 * Bagatelle and Serenade for cello and piano, Op.10
 * Alexander Tansman
 * Partita
 * Deux Pièces
 * Fantaisie
 * Sonata for cello and piano
 * Quatre Pièces Faciles
 * Toru Takemitsu
 * Orion (1984)
 * Otar Taktakishvili
 * Poem and Allegro for cello and piano (1969)
 * Jan Tausinger
 * Suite-sonata for cello and piano (1974–75)
 * Boris Tchaikovsky
 * Cello sonata in E minor (1957)
 * Alexander Tcherepnin
 * Ode für Violoncello und Klavier
 * Sonata No. 1 for cello and piano Op.29 (1924).
 * Sonata No. 2 for cello and piano Op.30 No.1 (1924)
 * Sonata No. 3 for cello and piano Op.30 No.2 (1919–26)
 * Mystère op. 37 Nr.2
 * 12 Preludes (Violoncelle bien tempéré)Op.38 (1925–26)
 * Songs and dances op. 84 (1953)
 * Mikis Theodorakis
 * East of the Aegean, Suite for cello and piano
 * Augusta Read Thomas
 * Chant, for cello and piano (1991; revised 2002)
 * Cantos for Slava (2007)
 * Bebop Riddle II (2022)
 * Virgil Thomson
 * Four Portraits, for cello and piano (arranged in 1942 by Luigi Silva)
 * Ludwig Thuille
 * Cello Sonata in D minor, Op. 22 (1902)
 * Ernst Toch
 * Cello sonata, Op. 50 (1929)
 * Variations for cello and piano (2004)
 * Donald Tovey
 * Cello sonata, Op. 4 in F (before 1911)
 * Elegiac Variations for cello and piano, Op. 25 (1909)
 * Mark-Anthony Turnage
 * Sleep on... for cello and piano (1992)
 * Two Vocalises
 * Joan Tower
 * Très lent (Hommage à Messiaen) (1994)
 * Jovanka Trbojevic
 * La Dolce Vita (2012)
 * This is my second life (2013)
 * Arnold Trowell
 * Cello Sonata No.2, Op. 30 (1915)
 * Sulkhan Tsintsadze
 * Five Pieces on Folk Themes for cello and piano
 * Georgian Melodies for cello and piano (1967) (26 min)
 * Twenty-Four Preludes for cello and piano (1980)

U

 * Galina Ustvolskaya
 * Grand Duet (1959)

V

 * Moisei Vainberg see Mieczysław Weinberg
 * Antonio Vandini
 * Two Sonatas in F major and G major
 * Giuseppe Valentini
 * Sonata in E major
 * Ralph Vaughan Williams
 * Six Studies in English Folksong (1926)
 * Sándor Veress
 * Sonatina per violoncello e pianoforte(1933)
 * Matthijs Vermeulen
 * Two cello sonatas (1918, 1938)
 * Gabriel Vicéns
 * La Esfera (2021)
 * Louis Vierne
 * Cello sonata, Op. 27 in B minor (1910)
 * Heitor Villa-Lobos
 * Pequena Suite (1913)
 * Capriccio Op. 49 (1914)
 * Elegia (1916)
 * Cello sonata, No. 1 (score missing)
 * Cello sonata, No. 2, Op. 66, 1916
 * Song of the Black Swan (1917)
 * Divagacao (1946)
 * Pequena Sonata
 * Antonio Vivaldi
 * at least nine sonatas
 * Claude Vivier
 * Pièce pour violoncelle et piano

W
Duet Op. 31 (1805)
 * Errollyn Wallen
 * Dervish
 * Huw Watkins
 * Sonata (2000)
 * Blue Shadows Fall (2013)
 * Franz Waxman
 * Carmen Fantasy based on themes from the Bizet Opera (arr. David Grigorian )
 * Anton Webern
 * Two Pieces (1899)
 * Cello sonata (1913)
 * Three Little Pieces for cello and piano, Op. 11 (1914)
 * Karl Weigl
 * Cello Sonata (1923)
 * Two Pieces for cello and piano (1940)
 * Menuetto for cello and piano (1948)
 * Kurt Weill
 * Cello sonata
 * Mieczysław Weinberg
 * Cello sonata, Op. 21 in C (1945)
 * Cello sonata, Op. 63 in G minor (1958–59)
 * Leo Weiner
 * Romance for Cello and Piano Op.14 (1949)
 * Felix Weingartner
 * Cello Sonata (1892)
 * Judith Weir
 * Three Chorals
 * Lotta Wennäkoski
 * Sydänkuu (2000)
 * Foliage for cello and piano (2017)
 * Charles-Marie Widor
 * Cello sonata, Op. 80 in A (1907)
 * Adrian Williams
 * Spring Requiem for cello and piano (15 min) (1993)
 * 4 Cantilenes for cello and piano
 * Images of a Mind (16 min) (1986)
 * Richard Wilson
 * Motivations for cello and piano (2000)
 * Ermanno Wolf-Ferrari
 * Cello Sonata, Op.30 (1945)
 * Charles Wuorinen
 * Duuiensela (1962)
 * Adapting to the Times (1969)
 * Fast Fantasy (1977)
 * An Orbicle of Jasp (1999)
 * Andante Espressivo (2001)
 * Ivan Wyschnegradsky
 * Méditation sur deux thèmes de la Journée de l'existence Op. 7 (1918–1919)
 * Josef Wölfl

X

 * Iannis Xenakis
 * Paille in the wind

Y

 * Victoria Yagling
 * 4 Sonatas
 * Larghetto and Siciliana
 * Vocalise (1985)
 * Chen Yi
 * Romance of Hsiao and Ch’in
 * Joji Yuasa
 * Projection
 * Cosmos Haptic IV
 * Du Yun
 * Hong dou-dou
 * Isang Yun
 * Nore (1964)
 * Intermezzo (1988)
 * Espace I (1992)

Z

 * Alexander von Zemlinsky
 * 3 pieces (1891)
 * Cello sonata in A minor (1894)
 * Edson Zampronha
 * Between the Thunder and the Echo (premiered 2011)
 * Bernd Alois Zimmermann
 * Intercommunicazione (1967)
 * Ellen Taaffe Zwilich
 * Lament for cello and piano (2000)


text:
Ashley Scott

Ashley McCall Scott (born July 13, 1977) is an American actress and model, best known for providing the voice and motion capture for Maria Miller in the video games The Last of Us (2013) and The Last of Us Part II (2020). She has also appeared in films such as A.I. Artificial Intelligence (2001), Walking Tall (2004), Into the Blue (2005), The Kingdom (2007), 12 Rounds (2009), and Secret Obsession (2019), as well as a number of television movies on the Lifetime network since 2010. Her television roles include the genre series Jericho, Birds of Prey, and Dark Angel.

Early life
Was born outside New Orleans in Metairie, Louisiana, on July 13, 1977, growing up in Charleston, South Carolina. She began her modeling career as a young girl and was a 1993 Elite Model Look finalist. As a teenager, she became a model for Elite Miami. She modeled internationally in fashion shows in Miami, Paris, and London, and has modeled for photos on the cover of numerous publications.

Career
Scott's first screen credit was as Gigolo Jane in the 2001 feature film A.I. Artificial Intelligence. While Scott has had supporting roles and bit parts in a number of feature films – including Walking Tall (2004), Into the Blue (2005), The Kingdom (2007), and 12 Rounds (2009) – she has had a number of lead and recurring roles on television.

In 2001, she was cast as series regular Asha Barlow on the Fox science fiction series Dark Angel. In 2002, Scott was cast as Helena Kyle / Huntress on the WB television drama series Birds of Prey.

In 2004, she played the role of Allison on Joey in the unbroadcast pilot, and was replaced by Andrea Anders for the series.

She starred as Emily Sullivan for both seasons of the CBS series Jericho (2006—2009). She was also cast as series regular Mary in the first season (2015) of the Lifetime network's comedy-drama series UnREAL.

In 2013, she voiced the character Maria in the video game The Last of Us. She reprised her role in the 2020 sequel The Last of Us Part II. It was revealed during her appearance in Retro Replay that she had originally auditioned for the role of Tess before it went to Annie Wersching.

In 2019, Scott starred in the Netflix psychological thriller Secret Obsession, which was digitally released worldwide on July 18, 2019. In the same year, it was reported that Scott would reprise her role as Helena Kyle/Huntress in the Arrowverse crossover "Crisis on Infinite Earths".

Personal life
Scott was married to producer Anthony Rhulen from 2004 to 2008. In 2010, she married Steve Hart, lead singer of the band Worlds Apart, and they have two daughters. They divorced in 2019. , she resided in Los Angeles with her two daughters.

title: Ashley Scott


text: User talk:70.26.177.217

title: User talk:70.26.177.217


text:
Wikipedia:Articles for deletion/Karla Maritza LaVey

 This page is an archive of the discussion about the proposed deletion of the article below. This page is no longer live. Further comments should be made on the article's talk page rather than here so that this page is preserved as an historic record. The result of the debate was delete. — Trilobite (Talk) 15:30, 15 Jun 2005 (UTC)

Karla Maritza LaVey
Non-notable offspring. Denni ☯ 19:54, 2005 Jun 5 (UTC)
 * Delete. The website Important Satanists and people significant to Satanism has her listed, but she only gets a one-sentence blurb. I suspect that if they don't think her significant, we probably shouldn't either. At least not as a substub. JRP
 * Delete Revolución 22:22, 5 Jun 2005 (UTC)
 * Delete, no demonstrated notability. Alai 00:10, 6 Jun 2005 (UTC)

 * This page is now preserved as an archive of the debate and, like some other VfD subpages, is no longer 'live'. Subsequent comments on the issue, the deletion, or the decision-making process should be placed on the relevant 'live' pages. Please do not edit this page.