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Anton Weidinger

Anton Weidinger (June 9, 1766 in Vienna – September 20, 1852 in Vienna) was an Austrian trumpet virtuoso in the classical era, and a "k. k. Hof-Trompeter" (Imperial and Royal Court trumpeter). He was friends with Haydn, Mozart, Beethoven and Hummel.

Basing his ideas on earlier designs, in 1792, Weidinger experimented with a 7-keyed trumpet, a version of the instrument on which a full chromatic scale became possible, albeit with alleged loss of the instrument's usual power. It remained fashionable until well into the 19th century, when it was superseded by the valve trumpet.

In 1799 Weidinger became a member of the Imperial and Royal Court Trumpeter Corps.

In 1796 Joseph Haydn composed his Concerto in E Flat Major for Trumpet and Orchestra for Weidinger, the first piece by Haydn developed for a trumpet solo. The first performance took place in Vienna at the Old Burgtheater (now demolished) on 28 March 1800. Johann Nepomuk Hummel, who was Haydn's successor as Kapellmeister to the Esterházy family, also composed a Trumpet Concerto for Weidinger; this was originally written in the key of E major, but it is often played in the key of E flat major. Hummel also wrote a Trio for trumpet, piano and violin for Weidinger; this is now lost. Other composers known to have written for Weidinger include Leopold Kozeluh and Joseph Weigl (1766–1846).

title: Anton Weidinger


text: Hide the salami

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Hide the salami


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Talk:Christopher Finzi

Note
Added by 69.231.236.118 (talk · contributions), commented out & annotated by User:Phils, and moved here by Jerzy·t 06:53, 3 Jun 2005 (UTC):

Untitled

 * He was a crack addict for 2 years. (someone please find a source on this - I suspect vandalism)

More Removed Text

 * Kiffer himself admitted that it was not against his will that he slept with Jackie.

I removed this sentence about Jacqueline du Pre. It seems quite clear that Kiffer was not raped, so I believe this sentence is supposed to mean something other than what it says. —mako (talk•contribs) 15:00, 8 April 2007 (UTC)

Character assassination?
This piece reads more like the kind of character assassination that one would find splattered on the front pages of a supermarket scandal sheet than an entry in an encyclopedia. It really should be changed to reflect the standards of Wikipedia and to discuss Christopher Finzi's background and accomplishments not resort to pandering to the gutter press mentality.OwenBrooke (talk) 12:22, 11 December 2010 (UTC)

title: Talk:Christopher Finzi


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MacGregor, Queensland

MacGregor is a southern suburb in the City of Brisbane, Queensland, Australia. In the, MacGregor had a population of 5,980 people.

Geography
The suburb is in three main parts, divided by the six-lane Kessels Road, and separately, Mimosa Creek. Most residential buildings are single and two-storey beige brick houses with a tiled roof.

There appears to be no specific naming convention for the roads. Streets on the eastern part of the suburb include a mixture of plant (Freesia, Gaillardia) and Scottish (Blairgowrie, Carnoustie) names. On the south-west portion, Angelina and Damson are plum cultivars, Elberta a type of peach, and Jonathan may refer to a type of apple, being some of the agricultural produce that may have been grown in the area before urbanisation.

History
Previously part of Sunnybank, the suburb was named by the Queensland Place Names Board on 1 August 1967. The suburb of MacGregor was named after Scottish-born Sir William MacGregor who was the Governor of Queensland from 1909 until 1914. It is spelt MacGregor, but Macgregor is often seen.

MacGregor State High School opened on 28 January 1969 with nine teachers and 203 students. On 4 November 1973, a tornado struck the school, causing hundred of thousands of dollars' worth of damage and requiring the rebuilding of much of the school.

MacGregor State School opened on 24 January 1972. Students wears the red MacGregor tartan as part of their school uniform.

Demographics
In the, the population of MacGregor was 5,576, 51.6% female and 48.4% male. The median age of the MacGregor population was 32 years of age, 5 years below the Australian median. Of all people living in MacGregor, 41.9% were born in Australia, compared to the national average of 69.8%; the next most common countries of birth were China 15%, Taiwan 6.3%, India 4.6%, New Zealand 3.3% and Vietnam at 2.3%. 44.4% of people spoke only English at home; the next most popular languages were 20.2% Mandarin, 7.2% Cantonese, 2.7% Vietnamese, 2.3% Korean and 2.2% Greek. The most common religious affiliation was 'No religion' (25.7%); the next most common responses were Catholic 16.2%, Buddhism 10.0%, Anglican 8.4% and Uniting Church 5.7%.

In the, MacGregor had a population of 5,844 people.

In the, MacGregor had a population of 5,980 people.

Education
MacGregor State School is a government primary (Prep-6) school for boys and girls at McCullough Street (-27.5722°N, 153.0672°W). In 2018, the school had an enrolment of 1,347 students with 94 teachers (83 full-time equivalent) and 59 non-teaching staff (37 full-time equivalent).

MacGregor State High School is a government secondary (7-12) school for boys and girls at Blackwattle Street (-27.566°N, 153.0766°W). In 2018, the school had an enrolment of 1,221 students with 115 teachers (107 full-time equivalent) and 55 non-teaching staff (37 full-time equivalent).

Griffith University and the Queensland Sport and Athletics Centre are in the adjoining suburb of Nathan.

Facilities

Additional to the schools, there is a Robertson Scout Group, a large recreational area of the D. M. Henderson Park, and the MacGregor Netball Association playing fields. The park was named after local resident Daniel Murray Henderson (c. 1871 – 3 July 1954), who was a strawberry and small crops farmer. Henderson lived on Mains Road, near the intersection with Fleetwood Street, MacGregor.

Local residents use either the Westfield Garden City Shopping Centre at Upper Mount Gravatt or the Sunnybank shopping centres (Sunnybank, Sunny Park, Market Square). Sunny Park Shopping Centre is on the MacGregor suburb corner boundary.

Public transport in the area to Brisbane City is by bus at the MacGregor park-and-ride, or the nearby Garden City Interchange or Eight Mile Plains busway station. The nearest Queensland Rail suburban railway stations are Altandi, Sunnybank, Banoon or Coopers Plains.

Either side of Kessels Road are large business retail outlet premises as well as a driver licence testing centre.

Mimosa Creek, a tributary to the Bulimba Creek is part of a nature reserve network including the nearby Toohey Forest Conservation Park.

title: MacGregor, Queensland


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Talk:List of 1980s one-hit wonders in the United States

Definition of a "one hit wonder"
Since I just removed Rush and Grateful Dead from this list again, I think I will explain my reasoning.

My definition of a "one hit wonder" is something like this:

 * A "one hit wonder" is an artist who had only one notable song, and was then forgotten, and who is only remembered for that one hit, and only remembered by people familiar with music from the one-hit-wonder's era. A one hit wonder is inevitably assosciated with their hit.

This is a somewhat fuzzy meaning, and a stricter meaning is needed to minimize edit wars. However, this proposed meaning does not convey the essence of the above meaing:

 * A "one hit wonder" is someone who only had one top 40 Billboard hit

This is not a reasonable translation of the above definition of "one hit wonder". For example, what comes to mind when you think of "Jimi Hendrix"? You proably start thinking about his masterful guitar playing, his contributions to rock and roll, his untimely death...you're probably not thinking about his one song that happened to become a Billboard hit, "All along the Watchtower". What comes to mind when you hear "That singer Tiffany" or "That band Men Without Hats"; in both cases, the one hit those two bands had ("I Think We're Alone Now" and "Safety Dance") comes to mind. It's a somewhat insulting term; it implies that the artist in question has made no contributions to music beyond their one hit. This is why I have remapped the term to something which more reflect's an average person's internal definition of "one hit wonder":

A "one hit wonder" is someone who only had one top 40 Billboard hit, and who has had less than three top 40 albums in their musical career.

This is a better heuristic (Plain English: "This works a lot better") for determining what is and is not a "one hit wonder", since it better reflects the reality that a lot of very notable artists, who are more album-oriented than single oriented, and hence have few (sometimes only one) hit singles, are not one hit wonders.

To support my argument, from the article One-hit wonder:

 * The term one-hit wonder does not, however, usually refer to performers who have had only limited chart success but whose importance spans beyond sales charts. Jimi Hendrix, Lou Reed, The Grateful Dead, Iggy Pop and Radiohead have each had only one song in the top 40 positions of Billboard Magazine’s list of most-played pop songs, yet none is considered a one-hit wonder because each has created other work that, while not as initially commercially successful, has had significance to popular music.

Samboy 06:44, 3 Jun 2005 (UTC)

I agree completely with Samboy and I think many of the entries in this article are ridiculous. Artists like the Grateful Dead and Frank Zappa had huge and enduring critical success/cult followings throughout their careers, and treating them as "one-hit wonders" completely misrepresents them. This also goes for artists like Roger Daltrey and Donald Fagen, who had numerous hits with the Who and Steely Dan, respectively. The fact that they only actually had one top 40 hit is a technicality. Westknife (talk) 09:22, 5 August 2008 (UTC)

The problem with this page is that it redefines the term ‘hit’. A song does not need to be in the Billboard Top 40 Pop chart to be a hit. It's a ridiculous stretch which would suggest that countless artists who topped other charts regularly never had hits. The issue here is that the page title needs to be changed to reflect its actual content, which is a list of artists with a single entry on the Billboard Top 40 Pop chart, not a list of one-hit wonders.Skyhawk0 (talk) 09:23, 26 February 2010 (UTC)

I must chime in to agree with those who call this list or at least some of the entries ridiculous. Emmylou Harris for instance. 12 Grammys is not indicative of a "one hit wonder". not to mention the Country Music Hall of Fame,the American Academy of Arts and Sciences, and an honorary doctorate of music from Berklee College of Music. Why not end the debate and eliminate the italicized artists? — Preceding unsigned comment added by 108.72.244.157 (talk) 03:12, 15 December 2012 (UTC)

RUSH is no "one-hit wonder".
Perment Waves made it to number 4, before Moving Pictures made it to number 3. Exit...Stage Left, Signals, Grace Under Pressure, Power Windows, all made it to number 10. Roll The Bones hit number 3, and Counterparts made it to number 2. The band has had 15 top 40 Billboard albums, albums, not singles mind you.

Here are their 16 RIAA platinum certifications:
 * Fly by Night
 * 2112 - 3x
 * All the World's A Stage
 * A Farewell to Kings
 * Hemishperes
 * Perment Waves
 * Moving Pictures - 4x
 * Signals
 * Power Windows
 * Exit...Stage Left
 * A Show of Hands
 * Chronicles - 2x
 * Roll the Bones
 * Chronicles - (video)
 * Rush in Rio - (video) 4x
 * Archives

Plus they had 8 more additional GOLD album cetifications.

"Take Off" ''was done as a weekend joke, like Major League Baseball players doing a commercial, or a off-season softball charity event. It, like the movie, wasn't meant to be too serious.''

RUSH, and for that matter the Greatful Dead don't belong on any one-hit wonder list. WikiDon 20:49, 4 Jun 2005 (UTC)

 * PS One-hit wonders don't: sell 30,000,000 albums, have 10 major-venue world-wide concert tours over 30-years.

Technically they can. Lists of one-hit wonders of the 1960s in the USA often include acts who were huge worldwide but who only had one hit in the US. For example, the Easybeats were the most popular Australian rock band of the 1960s and were huge in the rest of the English speaking world but only had one hit in the USA. Likewise, the Small Faces were an extremely important band in rock history and a huge selling band in the UK and Australia but a one-hit wonder in America. The opposite applies as well - acts like Paul Revere and the Raiders, Crosby, Stills, and Nash, and Bob Seger were one hit wonders in the UK.

As for the Dead, I could see them being included, as they only had one top 40 nationwide hit ("Truckin'" in 1970 was top 40 in California but nowhere else in the US). Even though the appearance of a veteran well-established act like the Dead (or Frank Zappa) on a one hit wonder list seems incongrouous, technically it could be defended. (This was written by User:4.231.178.142)

 * While I don't have charting information available, Grateful dead has had a number of gold and platinum records in the US (Name, time of certification):

 * The Grateful Dead (1971/11)
 * Europe '72 (1972/12) 2x (1981/08)
 * American Beauty (1974/07) P (1986/10) 2x (2001/08)
 * Workingman's Dead (1974/07) P (1986/10)
 * Terrapin Station (1987/09)
 * Shakedown (1987/09)
 * Built To Last (1990/01)
 * Without A Net (1990/11)
 * Hundred Year Hall (1997/01)
 * Aoxomoxoa (1997/05)
 * Dozin' At The Knick (2000/03)
 * Live/Dead (2001/08)
 * The Golden Road (2001/11)
 * Ladies & Gentlemen... The Grateful Dead (2002/01)
 * Skeletons From The Closet (The Best Of The Grateful Dead) P (1986/12) 2x (1994/06) 3x (1995/01)
 * In The Dark (1987/09) 2x (1995/08)
 * What A Long Strange Trip It's Been - The Best Of The Grateful Dead (2001/08)

 * Source:

 * One hit wonders do not have 17 gold and platinum records and have records become certified gold long after the band breaks up. Samboy 05:06, 8 Jun 2005 (UTC)

Here's another one-hit wonder item worth noting with regard to the Dead: Can a band that's enshrined in the Rock and Roll Hall of Fame really qualify as a one-hit wonder??? I think not.

-Sam

Yes. The both band's only have 'one' Top-40 singles: Rush's "New World Man" and Grateful Dead's "Touch of Grey". Sadly these were the only songs by either to hit the Top 40. Hey, the Jimi Hendrix Experience and Frank Zappa are in the Hall of Fame and both only have one Top 40 hit (Zappa's is more interesting, as he had a hit with a satirical novelty song that appealed to the exact people that he was spoofing ("Valley Girl")) Doc Strange 18:57, 13 September 2007 (UTC)

Zappa had TWO hits. "Valley Girl" and "Don't Eat the Yellow Snow". — Preceding unsigned comment added by 108.176.204.146 (talk) 04:52, 20 August 2013 (UTC)

Dennis DeYoung
I wouldn't call Dennis DeYoung a one-hit wonder either. He was the main man, along with Tommy Shaw, behind STYX. Tommy wrote the blue-collar songs like Renegade, Miss America, Too Much Time On My Hands, and Blue Collar Man

 * Singles Dennis wrote:
 * Lady, number 6
 * Come Sail Away, number 8
 * Babe, number 1
 * The Best of Times, number 3
 * Mr. Roboto, number 3

The group had 12 gold albums, including 5 go plantinum.

 * I think the issue here is that we really shouldn't call people who were members of a famous band who have had one hit in their (oftentimes brief) solo careers "One Hit Wonders". I think it is a matter of changing Wiki's heuristic to take this in to account.  Another 1980s example is Frida from Abba, who only had one solo hit (See the "I Know there's Something Going on" entry on this list) Samboy 22:17, 4 Jun 2005 (UTC)

Bryan Ferry? Roger Daltrey?
As solo artists, yes (although this is questionable in terms of Ferry). In terms of their overall output, neither one could be considered a "one-hit wonder". The same would go for Robin Zander.

 * The reason these people on this is because we haven't updated our heuristic to account for solo artists who have had only one hit in bands with more than one hit. Bryan Ferry, IMHO, is much more well-known in the UK than he is in the US; I don't think Roxy Music ever had a hit in the US.  Roger Daltry definitely falls under the category of "Member of a famous band who only had one top-40 hit as a solo artist", however.  The way I have been handling these artists is by adding a note of their non-Solo status besides their entry. Samboy 23:20, 6 Jun 2005 (UTC)
 * Jane Wiedlin needs to come off this list, too. She had tons of hits, it's just that all of the others were as a member of The Go-Gos.

Roxy Music had their only hit in the US with "Love Is The Drug" in 1976. TheFountainhead 23:52, 7 Jun 2005 (UTC)

Modern English
Modern English never had a hit; "I Melt With You" flopped everytime it was released.Carolaman 23:08, 22 January 2006 (UTC)

 * Yes, Modern English never made it to Top 40, but only two singles appeared on Hot 100. Their singles are "I Melt With You" (#78, 1983/#76, 1990) and "Hands Across The Sea" (#91, 1984). TheSkinsAdded (talk) 05:09, 20 February 2015 (UTC)

Foreign countries statistics in U.S. list
Revert war between Romeo Void and Mel. Let's start the discussion and iron this thing out. The List is titled "List of 1980s one-hit wonders in the United States". Therefore this list does not concern any country other than the United States. I believe a paragraph could be added to the top mentioning that artist contained on the list may have other hits and more success in foreign countries. The list should not be cluttered with tons of foreign country info, as that is not it's intent. BabuBhatt 08:29, 11 April 2006 (UTC)

 * I think that this is incorrect; we should be thinking of readers. It's true that, by following the links in each case, one could usually discover (sometimes with some difficulty) which of the artists had had other successes elsewhere — but why should we make the reader do that when a few short comments here will make it easy to see at a glance?  The claim that the list is "cluttered with tons of foreign country info" doesn't stand up; there are relatively few entries with extra info, and in each case it's a short sentence. --Mel Etitis  ( Μελ Ετητης ) 12:52, 11 April 2006 (UTC)

Thoughts general and specific
The notion of a "one-hit wonder" as used in this and other articles is, as pointed out by User:Samboy above, very misleading and non-standard. Given that we seem to be stuck with it, though, the article should at least make its use (and deviation from normal usage) clear, and give relevant information. For example, when a person or band has in fact had other hits, but in different charts, that should be mentioned; when a person or act has had other hits under different names, or in different bands, that should be mentioned. This is all relevant to the "on-hit wonder" tag.

Other details of single or musicians aren't relevant, and can be found in the specific articles; that someone is well-known in another field, for example, is irrelevant to their being a one-hit wonder. --Mel Etitis ( Μελ Ετητης ) 10:32, 24 April 2006 (UTC)

Men Without Hats
What about Men Without Hats with their one major hit "Safety Dance"? They did have a minor hit with "Pop Goes the World", but it may have not made it to the Top 40.
 * Yup, "Pop Goes the World" hit #20. Doc StrangeMailbox Logbook 15:43, 30 May 2008 (UTC)

Objections and Definiitons
First of all, I'd like to object to two of the bands/artists form this list. Midnight Oil, which is was very well known both in australia and in progressive rock circles worldwide, produced over 10 albums and made a clear contribution to punk and mainstream rock. Also, David Foster has worked to produce and help write hit songs for so many famous artists (click his link for more info) and contributed so much to pop music. Neither of them are true one hit wonders.

Obviously this whole discussion leads to the talk about definitions. Not that I completly disagree with Samboy's definition, but it leaves out that they may have been famous in certain genres or made important contribution to music, or gained popularity after the band has broken up. Also, on one of the other pages relating to one hit wonders, possibly the main article I have seen other definitions. I believe that Samboy had the right idea talking about associating bands with songs and vice versa. However, there must be a consistent policy throughout Wikipedia even if it allows for exceptions or is not based on hard facts. Random89 00:51, 30 August 2006 (UTC)

Utopia, Set Me Free
I removed this song from the list. Utopia was a band founded by Todd Rundgren who had a number of top albums and even classic songs before starting this band. His classic songs, including "Hello, Its Me" and "Can We Still Be Friends", have been covered by a number of artists including Robert Palmer and Rod Stewart. As for the actual band Utopia - at that time, top 40 was not considered a good barameter of a band's or song's worth since AOR was much more en vogue. Utopia got a lot of airplay on Album oriented rock stations with their songs "Caravan" and "Love is the Answer". Now it could be that Utopia didn't get a lot of airplay in all AOR stations because that market was so stratified. It just so happened that I grew up in one of the five largest AOR markets. "Love is the Answer" was covered later by England Dan & John Ford Coley and was a top 40 hit.--10stone5 22:04, 1 August 2007 (UTC)

Well, "Set Me Free" is Utopia's only Top 40 hit on the Billboard Hot 100 to date. So they stay. A sidenote has been added to discuss that it was formed and fronted by Todd Rundgren; hence Utopia is itacilized. Holiday56 (talk) 13:40, 24 July 2009 (UTC)

Felix Cavaliere, Only a Lonely Heart Sees
Same general concept as above. Caveliere was previously a member of The Young Rascals who, of course, had one of the top, top 40 hits of all time, Good Lovin', in 1966. Cavaliere also wrote the hit People Got to Be Free.--10stone5 00:06, 2 August 2007 (UTC)

Donald Fagen, I.G.Y. (What a Beautiful World)
Gone. Same as above. Steely Dan, co-writer on "Do It Again" - 6, "My Old School" - 63, "Reelin' in the Years" - 11, "Rikki Don't Lose that Number" - 4 and many more hits.--10stone5 00:28, 2 August 2007 (UTC)

Chrissie Hynde, "I Got You Babe"
Same thing. Pretenders, short list - "Stop Your Sobbing" #65, "Brass in Pocket" #14, "Back on the Chain Gang" #5, "2000 Miles" - - - #15, "Don't Get Me Wrong" #10 --10stone5 00:28, 2 August 2007 (UTC)
 * Yes, those are for The Pretenders. Not for Chrissie Hynde. Solo tracks by members of charting bands count as songs by them and not by the band. Doc StrangeMailbox Logbook 15:43, 30 May 2008 (UTC)

Ric Ocasek, "Emotion in Motion"
Solo songs - "Something to Grab For" #47, "Jimmy Jimmy" # 25, "Emotion in Motion" #15 - and of course he wrote all those songs for The Cars.--10stone5 00:33, 2 August 2007 (UTC)

 * "Jimmy Jimmy" never made it to Top 40, as well never made it on Billboard Hot 100. TheSkinsAdded (talk) 04:50, 20 February 2015 (UTC)

Lots of wrong entries
This list is downright bad. Someone keeps re-adding obviously flawed entries, including: Sheila E, Steve Perry, and Arcadia, all of whom had multiple top 40 hits.
 * Yeah, someone is trying to keep to the letter of the law. Obviously, none of those you mentioned should be on this list - other than because of lack of research.--10stone5 18:04, 6 August 2007 (UTC)

It's DepressedPer who keeps adding the erroneuous additions. And on Ocasek, Felix and the others: "Those in italics are artists with only one Top 40 hit, but either had other songs chart on genre-specific charts or have had success and influence within their genre or the annals of popular music." They are technically one-hit wonders as solo artists. Don't let your opinions of them motivate you to remove. ۝ ۞ ░ 00:22, 18 August 2007 (UTC)

 * I agree with the original premise, that this list is inaccurate. Regarding just one of the artists in question, Donald Fagen of Steely Dan, here is an AllMusic.com entry on the group -- "Becker and Fagen began composing songs together, hoping to become professional songwriters in the tradition of the Brill Building ... Gary Katz ... suggested that Becker and Fagen form a band as a way to record their songs, and Steely Dan ... was formed shortly afterward." Here's how Steely Dan songs are credited in AllMusic.com -- "Rikki Don't Lose That Number Composed By Walter Becker/Donald Fagen." There are numerous hits cited by this site including 'Any Major Dude Will Tell You', 'Black Cow', 'Dirty Work', 'Do It Again', 'Doctor Wu', 'Don't Take Me Alive', 'Everyone's Gone to the Movies', 'Glamour Profession', 'Hey Nineteen', 'Janie Runaway', 'Josie', 'Kid Charlemagne', 'Midnight Cruiser', 'My Old School', 'Night by Night', 'Only a Fool Would Say That', 'Parker's Band', 'Pearl of the Quarter', 'Peg', 'Razor Boy', 'Reelin' in the Years', 'Rikki Don't Lose That Number', 'Rose Darling', 'Show Biz Kids', 'Sign in Stranger', 'Time Out of Mind'. All of these were top hits. All these songs list ---> Composed by: Walter Becker, Donald Fagen.--10stone5 21:36, 5 October 2007 (UTC)

 * Here's an entry directly from Wikipedia on Donald Fagen -- ""Reelin' in the Years" is a song performed by the band Steely Dan. It was written by Donald Fagen and Walter Becker. It was also the #11 Pop single for 1973." --10stone5 18:42, 11 October 2007 (UTC)
 * So? "IGY" is still his only hit UNDER HIS OWN NAME. Hits with Steely Dan count as hits with Steely Dan, and not towards Fagen's solo career. Doc StrangeMailbox Logbook 15:42, 30 May 2008 (UTC)
 * And I completely agree with you. I mean, should we really exclude artists just because they were part of famous bands? Come on, Frida, Ric Ocasek, Donald Fagen and Dennis DeYoung all only had ONE SOLO HIT. Was Frida credited alone to performing "Dancing Queen"? No. ABBA did that, and they are the ones who are not one-hit wonders. Was Donald Fagen alone credited to performing "Reelin' in the Years"? NO. Steely Dan did that, and they are not one-hit wonders. Was Dennis DeYoung alone credited to performing "Renegade"? NO. Styx did that, and they are not one-hit wonders. So they all stay until they get another solo hit. Holiday56 (talk) 15:22, 12 September 2009 (UTC)

Note
Every artist on this list should now have an entry, unless I missed any that weren't properly disambiguated. Chubbles 03:12, 13 September 2007 (UTC)

Referrences?
With such a massive list, are there any referrences that say they were a "one hit wonder"? I mean for example, one hit wonders usually fade away quickly, hence the "one" part of it but there are some on this list who have an established and still strong fanbase (and I mean an actual one, not a fanbase of like 50, I mean millions). Now of course I know that its based on chart positions as we all know for example that The Grateful Dead became massive and still are to this day but what I'm basically asking is are there referrences that call them "one hit wonders"? Stabby Joe (talk) 23:23, 26 July 2008 (UTC)

Weren't "Truckin'", "Casey Jones", "Mexicali Blues", "Sugar Magnolia", "Uncle John's Band", and "Friend of the Devil" hits for the Dead years before "Touch of Grey"? — Preceding unsigned comment added by 108.176.204.146 (talk) 04:55, 20 August 2013 (UTC)

Adding notes
Jim Capaldi needs a "C8" note in his entry, since his singles "It's All Up to You" and "Love Hurts" were both Top 40 hits in the UK. Unfortunately, I can't figure out how to add the coding for the "C8" without messing up something else on the page. Help?--Martin IIIa (talk) 16:43, 8 December 2013 (UTC)

Ridiculous list
So this is what qualifies as a one hit wonder? So somebody who's had a No.40 hit is a one hit wonder as long as they've had no other top 40 entries? What happens if thay also had a No.41? The latter may even outsell the former, thus actually being their biggest hit. Who decided this as being the criteria anyway- do we have a source for this whole thing?--Tuzapicabit (talk) 23:22, 10 March 2014 (UTC)

 * No. Only artists who had only Top 40 hit. TheSkinsAdded (talk) 04:55, 20 February 2015 (UTC)

Asterisk information
Conforming to List of 1970s one-hit wonders in the United States, I added a bunch of asterisk information. With this one edit all of that content was wiped out. There is a lot of controversy as to what constitutes a "one hit wonder" and these asterisks can help serve key borderline situations; people who had made appearances in the top 40 in other guises, people who were successful in other arenas but had the one technical appearance on the top 40 and personal relationships with others with the same achievement. So rather than getting into an edit war, lets hear some discussion. Does this belong, or should we be deleting this content? Trackinfo (talk) 09:21, 1 February 2015 (UTC)

Request on Clean-up the Articles on 1950s one-hit wonders, 1960s one-hit wonders and 1970s one-hit wonders
I saw the bunch of 1950s one-hit wonders, 1960s one-hit wonders and 1970s one-hit wonders lists that it looks like irrelevant and trivial as well as info on each artist's career. For example, 1970s one-hit wonder Dave Loggins is being Kenny Loggins's cousin have any relation to him having only one Top 40 hit. Both three articles are not yet ready to clean-up. Can articles on 1950s one-hit wonders, 1960s one-hit wonders and 1970s one-hit wonders remove completely unreferenced and trivial section, change to 'sortable' and clean-up? TheSkinsAdded (talk) 04:40, 20 February 2015 (UTC)

Dancing in the Street?
Can David Bowie and Mick Jagger's cover of "Dancing in the Street" count? Like I know David Bowie had at least 2 other hits with different people, but the problem is that they weren't duets, they were groups Bowie was working with. David Bowie did a duet with Tina Turner but it failed to reach the top 40. Mick Jagger had another hit with a group (like Bowie) which was The Jacksons, but not a duet of course. In 1976, Elton John and Kiki Dee (despite Elton John being a worldwide sensation and still is, and Kiki Dee being a two-hit wonder) were a one-hit wonder with their only hit that had them together as duet, that hit was "Don't Go Breaking My Heart". "Dancing in the Street" was both David Bowie's and Mick Jagger's only hit together as a duet (and duets entirely, despite working with groups that have gained hits together, but as duets, "Dancing In the Street" was their only hit duet). I don't know if this should count, is there anything that contradicts this? --73.240.105.185 (talk) 11:46, 10 April 2016 (UTC)

Inclusion criteria -- see 2010s discussion
Please take part in the discussion about inclusion criteria which is underway at Talk:List of 2010s one-hit wonders in the United States. Thank you. Binksternet (talk) 04:14, 6 September 2017 (UTC)

One-hit wonder inclusion criteria
If you're interested in the topic, your comments would be appreciated at Talk:List of 2010s one-hit wonders in the United States where there is a discussion with sweeping ramifications about whether the "one-hit wonder" articles will be based on charting songs or on artists described in sources. Binksternet (talk) 15:27, 18 October 2017 (UTC)


text:
User talk:24.90.243.188

Nomination of The 60's Generation for deletion
A discussion is taking place as to whether the article The 60's Generation is suitable for inclusion in Wikipedia according to Wikipedia's policies and guidelines or whether it should be deleted.

The article will be discussed at Articles for deletion/The 60's Generation& until a consensus is reached, and anyone, including you, is welcome to contribute to the discussion. The nomination will explain the policies and guidelines which are of concern. The discussion focuses on high-quality evidence and our policies and guidelines.

Users may edit the article during the discussion, including to improve the article to address concerns raised in the discussion. However, do not remove the article-for-deletion notice from the top of the article. SL93 (talk) 18:46, 26 September 2020 (UTC)

title: User talk:24.90.243.188


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Natural trumpet

A natural trumpet is a valveless brass instrument that is able to play the notes of the harmonic series.

History

 * See: Clarion

The natural trumpet was used as a military instrument to facilitate communication (e.g. break camp, retreat, etc.).

Even before the late Baroque period the natural trumpet had been accepted into Western art music. There is evidence, for example, of extensive use of trumpet ensembles in Venetian ceremonial music of the 16th century. Although neither Andrea nor Giovanni Gabrieli wrote music specifically for the trumpet, they would have been very familiar with its technical possibilities.

Later, talented players such as the early baroque composer Girolamo Fantini demonstrated that by playing in the extreme upper register and "lipping" the notes of the 11th and 13th harmonics (that is, flattening or sharpening those impure harmonics into tune with the embouchure), it was possible to play diatonic major and minor scales (and, hence, actual melodies rather than arpeggios) on a natural trumpet. The most talented players were even able to produce certain chromatic notes outside the harmonic series by this process (such as lipping a natural C down to B), although these notes were mostly used as brief passing tones. (In Germany, this technique was called Heruntertreiben, literally "driving down".) Other "impure" harmonics (such as the 7th and 14th – B♭ on an instrument pitched in C – which are very flat) were avoided by most composers, but were sometimes deliberately used, for example, where their unusual sonic qualities would complement the accompanying text in a sacred work.

Baroque composers – such as Antonio Vivaldi, Georg Philipp Telemann, George Frideric Handel and Johann Sebastian Bach – made frequent use of trumpets in sacred, orchestral, and even solo works. Many of these trumpet parts are technically quite difficult to play on a natural instrument, and were often written with a specific virtuoso performer in mind, such as Gottfried Reiche (Bach's chief trumpeter and the subject of a famous painting of the era) or Valentine Snow, for whom Handel composed some of his more noted trumpet parts. Indeed, highly skilled trumpeters were a prized commodity in the era, held in high esteem and avidly sought after by musical patrons.

The vast majority of baroque trumpet parts were written for a natural instrument pitched in C or D, although there were occasional exceptions. J. S. Bach, for example, calls for a trumpet in B♭ in his Cantatas Nos. 5 and 90, trumpets in E♭ in the first version of his Magnificat and, most famously, the solo trumpet in high F in his Brandenburg Concerto No. 2. In the 18th century various attempts were made to overcome the limitations in the notes available to natural trumpets. As early as the time of Bach, crooks (additional lengths of tubing) were introduced between the mouthpiece and the body which lowered the pitch of the instrument and allowed it to be used in a variety of keys. In the latter part of the 18th century side holes covered with keys and a sliding mechanism were tried. Later Anton Weidinger, court trumpeter in Vienna, invented a 5-key trumpet. These experiments were not completely successful, however, since side holes, which work well on instruments with a conical bore, such as cornets and bugles, cause a muffled sound in those with a cylindrical bore.

Natural trumpets continued to be used through the Classical era and even into the early Romantic period. But changing musical styles along with a growing lack of sufficiently capable players spelled an end to the high, florid, complicated parts typical of Baroque music. A few transitional composers, such as Michael Haydn, Leopold Mozart and Johann Molter, wrote concerti for natural trumpets in the early Classical era. In fact, it could be argued that the concertos of Haydn and Molter represent the zenith of the natural trumpet in terms of technical demands, containing as they do some of the highest notes ever penned for the trumpet in symphonic works (in the case of Haydn, a G above high C – the 24th harmonic on a natural instrument). However, for many decades following, most orchestral trumpet writing consisted of basic harmonic support (what many trumpeters derisively refer to as "thumps and bumps") and fanfare-like passages, with very little in the way of melody. There were a few notable exceptions, such as Mozart's Symphony No. 39 in E♭ major, where the trumpets intone the main theme of the opening movement; Haydn's Symphony No. 103 in E-flat major ("Drum Roll"), where the trumpets often outline the melody in all four movements; or Beethoven's Symphony No. 9 in which the trumpets double the melody of the famous "Ode to Joy" in the finale of the work.

After the brief attempt at developing a keyed trumpet, the instrument for which Joseph Haydn and Johann Nepomuk Hummel wrote their famous concerti, the development of the more versatile valve trumpet (c. 1815) spelled the eventual demise of the natural trumpet in Western music, until its resurrection in the 20th century. Throughout the first half of the 19th century, the valveless, natural trumpet and the valved trumpet (also the cornet) vied for position in the orchestra, with the valved trumpet establishing a permanent position only in the second half. Even as late as 1843, for example, Wagner was writing for valveless trumpets in his opera The Flying Dutchman. In modern-day performances of Baroque and Classical works by period orchestras, the trumpets used are usually altered copies of natural instruments of the period, with the addition of anachronistic nodal "tone holes" (also called "venting holes") used to more easily and accurately correct the intonation of the instrument and the use of altered copies of mouthpieces or baroque inspired modern ones. (There is a growing consensus to refer to these instruments as "baroque trumpets" to distinguish them from pure "natural trumpets".) The use of finger holes on reconstructions of natural trumpets is traceable to Otto Steinkopf, who early in the 20th century discovered holes on a few museum originals. However, it appears that these holes were usually placed at antinodes, and thus designed to prevent the note from sounding, rather than allowing it to be played in tune.

While modern reconstructions with nodal finger holes may not be completely authentic in comparison with the originals, they nevertheless allow a close approximation of the sound of the natural trumpet (and its ability to more easily blend with other instruments in an ensemble) without the "quirks" of intonation to which modern ears are unaccustomed. Though such vented instruments have been the norm in period orchestras for decades, in recent years ensembles such as La Petite Bande and soloists such as Jean-François Madeuf have been performing and recording using pure natural trumpets.

In conventional (non-period) orchestras, the highest baroque trumpet parts are usually played on the modern piccolo trumpet, an instrument that provides firm support of range, attack and intonation, while producing a brighter sound – very different from the natural trumpet the composers had in mind. The natural trumpet is differentiated from another valveless brass instrument, the bugle, in that it is nearly twice the length. This places the higher harmonics (from the 8th harmonic up, which are closer together in pitch) in a playable range, enabling the performance of diatonic melodies. The bugle, by contrast, is only useful for performing simple fanfares and military calls (such as "Taps") in a lower range (normally only utilizing the 2nd through 6th harmonics), based on the notes of a major triad (for example, the notes B♭, D, and F on a bugle pitched in B♭).

Period instruments
Some of the finest surviving examples of pre-Baroque and Baroque era trumpets date back as far as the 1580s, and were made by Anton Schnitzer of Nuremberg. Other notable trumpet makers include the Hainlein family of Nuremberg, the Haas family of Nuremberg, the Ehe family of Nuremberg, and William Bull of London. All of these instrument makers built what are now called natural trumpets. During the period, however, these instruments were simply called trumpets, not "natural trumpets", as a valved instrument had yet to be developed.

Modern replicas
In the second half of the 20th century as historically-informed performance came into fashion, modern instrument makers began building instruments based on historical instruments. Among the pioneers were Meinl & Lauber, Adolf Egger, Robert Barclay, Frank Tomes. Makers active as of 2021 include Matthew Parker, Graham Nicholson, Markus Raquet, Geert Jan van der Heide, Cristian Bosc, Rainer Egger, Bernhard (Ewald) Meinl, Tony Esparis, Nikolai Mänttäri, Nathaniel Wood, and Gunther Cogen.

Construction
The natural trumpet has a mouthpiece, which is inserted into the receiver. The receiver is attached to the long tubing, called the first yard, with a short connector, called a ferrule. The first yard is connected with a ferrule to the first bow, followed by another ferrule and the second yard. The second yard is attached with a ferrule to the second bow. On the baroque trumpet, the vent holes are located at the top of the second yard, and possibly on the second bow. After the second bow are the bellpipe, the ball, the bell, garland, and bezel. The bellpipe and first yard are separated by a wood block, and over that there is a cord for binding.

Players
Notable living players of the natural trumpet include Don Smithers and Jean-François Madeuf. Living players of the Baroque trumpet include Robert Farley, Anna Freeman, Alison Balsom, Crispian Steele-Perkins,, Niklas Eklund, David Blackadder, Will Wroth and John Thiessen.

title: Natural trumpet


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Talk:Tarutius

Untitled
On May 26, this article was nominated for deletion. The discussion can be found at Votes for deletion/Tarutius. The result was keep. — Xezbeth 07:05, Jun 3, 2005 (UTC)

title: Talk:Tarutius


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Talk:Millibar

This article isn't a stub anymore, is it? Conscious 07:06, 3 Jun 2005 (UTC)

title: Talk:Millibar


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Talk:Wayside School

Revert
Text copied from Amazon.com... deleted it. ...Tough luck. 67.38.252.226 16:05, 1 August 2007 (UTC) GameMania

13th/30th
I've read every Wayside book at least five times, including the Arithmatic ones, and - quite oddly - they always refer to the class on the 30th story as the 13th story, without changing the fact that \ Neither lizards nor dragons are amphibians. -- Takwish 21:28, 13 March 2006 (UTC) That's stupid. I'm deleting it. and even if they are, what difference does it make? Thank you. Did you know that when Miss Franklin's name is reversed, it spells "Nilknarf"? -- Takwish 19:52, 14 March 2006 (UTC) So? 61.230.78.158 06:55, 29 June 2006 (UTC) Wow. 67.38.252.226 15:59, 1 August 2007 (UTC) GameMania

Book vs. Series
This article is about the series, whereas I thought it was supposed to be about the book? OneWeirdDude 15:28, 21 September 2006 (UTC) Isn't that the same? Dora Nichov 13:32, 30 October 2006 (UTC) What? 67.38.252.226 15:58, 1 August 2007 (UTC) GameMania

Well we have a Mrs. Jewls article
Why not one for all the students-there is a lot of info in the books.Mitchazenia (8300+edits) 01:06, 14 December 2006 (UTC) But we have lots of info for some but not so much for others -- Sue for example. Dora Nichov 10:17, 3 January 2007 (UTC) ?! 67.38.252.226 16:10, 1 August 2007 (UTC) GameMania

goozack
The article says: "When the principal ran into the door of Mrs. Jewls classroom he said that the word "door" was a bad word" Didn't the principal run into the door of his office?Uncle uncle uncle 23:50, 14 January 2007 (UTC)
 * I have checked my copy of "Wayside School Gets a Little Stranger", and the principal does run into his office door, not Mrs. Jewls classroom door.Uncle uncle uncle 04:15, 15 January 2007 (UTC)

HA HA HA! 67.38.252.226 15:56, 1 August 2007 (UTC) GameMania Yeah, it's his own door. Dora Nichov 09:02, 16 January 2007 (UTC)

Sideways Stories From Wayside School
I have not read a single Wayside School book, but I have saw some episodes of the cartoon. 67.38.252.226 15:54, 1 August 2007 (UTC) GameMania

10 years later

Novels or collections?
In what sense are these books novels?

The introduction to the first one states, "This book contains thirty stories about the children and teachers at Wayside School. ... ... So there are thirty stories from the thirtieth story of Wayside School." (viewed at Amazon as "Look inside" the 1998 hardcover)

Kirkus Reviews covered the second one thus, "Thirty rib-tickling tales of Wayside School, where the classrooms are stacked one atop the other ..." (1898-02-15 posted 2010)

--P64 (talk) 20:00, 10 February 2018 (UTC)

List of characters
The Wayside School series has a lot of characters, and I mean a lot. We're talking about almost thirty students all with equal roles, as well as all the staff, and characters like Hobo Bob and Jane Payne that aren't associated with the school at all. Trying to describe all of them briefly with one sentence is kind of messy, and I feel like this could warrant a page of its own. I'd like more opinions, but I feel that for a better understanding of this series, this may be the optimal movement. CompliensCreator (talk) 14:06, 30 March 2018 (UTC)

title: Talk:Wayside School


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Sunnybank, Queensland

Sunnybank is a suburb in the City of Brisbane, Queensland, Australia. It is known for its many Asian shops and restaurants.

In the, Sunnybank had a population of 8,892 people.

History
The Jagera Indigenous people were the first to inhabit the area well over 20,000 years ago.

Early settlers noticed that the Sunnybank district had good rainfall and a beautiful loamy soil, somewhat sandy in character, that produced beautiful displays of natural wild flowers. From the mid-19th century it developed into a farming area with prosperous fruit and poultry farms and gardens of every kind.

The Town of Sunnybank was surveyed in 1886. The name came from a property called Sunny Brae Estate owned by the Gillespie family. In the 19th century it was part of a much larger area known as the Parish of Yeerongpilly, but a distinct town outside of the area known as Brisbane. In 1885, the railway line was extended from Yeerongpilly, and names had to be given to the railway stations along the line. Sunnybank got its name from a local farm, Sunnybrae, owned by the Gillespies, when 2 acre of land were taken over for the railway. Brae is Scottish for the English word bank, so the area was given boundaries and named Sunnybank.

The present suburb much reduced in size from the previous suburb of Sunnybank. The separate town of Sunnybank was absorbed into the City of Brisbane in 1925. This older Sunnybank area is still known locally as Sunnybank. Rolling hills and the headwaters for both Stable Swamp Creek and Bulimba Creek have drawn people and wildlife to the Sunnybank area.

Development
By the first part of the 20th century, farmland increasingly gave way to suburbia. General Motors Holden established a car manufacturing plant on Bradman Street at Acacia Ridge, creating a major source of employment for the entire city of Brisbane.

On 21 June 1914 a group of adherents of the Church of Christ began holding services in private homes. The group purchased a block of land and cleared it. The congregation was formally established in April 1915 with 18 foundation members. The first church was erected in 1918 and moved to a more central location in 1922. By 1975 the church relocated to its present chapel and hall at 105 Station Road (-27.5756°N, 153.0552°W).

Opening in 1938, The Oasis, with lush gardens, swimming pools and a mini zoo became Brisbane's most popular tourist attraction. The tropical gardens themselves attracted national and international attention. The Oasis's popularity really took off in 1942 when, during the Second World War, thousands of American military personnel stationed in Brisbane used the Oasis as a rest and recreation venue. The Oasis was located at 141 Station Road (-27.5736°N, 153.0563°W).

With the 1982 Commonwealth Games being held at the Queen Elizabeth II sporting complex (QE II), now known as the Queensland Sport and Athletics Centre (QSAC), and Expo 88 years later, Brisbane and its suburbs like Sunnybank were shown to the world. With new land releases rare in the region, developers have turned to building higher density residential and commercial projects.

Asian influence on culture
In the late 1980s, an increasing number of Asian immigrants began to settle in Sunnybank and neighbouring suburbs. The influx of Asian immigrants caused the look of the area to change, especially in the primary business district of Sunnybank at the intersection of Mains Road and McCullough Street, where Asian restaurants and businesses are numerous.

Sunnybank is today a thriving multicultural suburb, with strong Asian influences in design, food and culture. Many of the suburb's shops and businesses are owned and run by people of Asian descent who call Australia home, with many bilingual business signs written in Chinese and English.

Demographics
In the, Sunnybank had a population of 8,091 people, 50.3% female and 49.7% male. The median age of the Sunnybank population was 34 years, 3 years below the Australian median. 44.1% of people living in Sunnybank were born in Australia, compared to the national average of 69.8%; the next most common countries of birth were China 15.1%, Taiwan 7.1%, India 3.5%, New Zealand 2.8%, Vietnam 2.3%. 48% of people spoke only English at home; the next most common languages were 20.4% Mandarin, 7.4% Cantonese, 2% Vietnamese, 1.7% Korean, 1.6% Punjabi.

In the, Sunnybank had a population of 8,697 people, with 31.0% (the largest group) describing their ancestry as Chinese, with 19.0% of Sunnybank's people being born in China, 9.3% in Taiwan, and 2.6% in Hong Kong.

In the, Sunnybank had a population of 8,892 people.

Education
Sunnybank State School is a government primary (Prep-6) school for boys and girls at 50 Eddington Street (-27.5756°N, 153.0514°W). It includes a Special Education Program. In 2017, the school had an enrolment of 340 students with 27 teachers (22 full-time equivalent) and 19 non-teaching staff (11 full-time equivalent).

Despite its name, Runcorn State School is a government primary (Prep-6) school for boys and girls at 646 Beenleigh Road in Sunnybank (-27.5881°N, 153.0621°W). It includes a Special Education Program and a Special Education Unit. In 2017, the school had an enrolment of 437 students with 33 teachers (27 full-time equivalent) and 19 non-teaching staff (12 full-time equivalent). Sunnybank State High School is a government secondary (7-12) school for boys and girls at Boorman Street (-27.5762°N, 153.0597°W). It includes the Sunnybank Special Education Unit. In 2017, the school had an enrolment of 664 students with 67 teachers (63 full-time equivalent) and 42 non-teaching staff (32 full-time equivalent).

Sunnybank Special School is a special primary and secondary (Early Childhood-12) school for boys and girls at 79 Troughton Road (-27.5721°N, 153.0483°W). It includes an Early Childhood Development Program. In 2017, the school had an enrolment of 38 students with 14 teachers (11 full-time equivalent) and 17 non-teaching staff (10 full-time equivalent).

Our Lady of Lourdes Primary School is a Catholic primary (Prep-6) school for boys and girls at Shearwin Street (-27.5816°N, 153.0619°W). In 2017, the school had an enrolment of 509 students with 37 teachers (31 full-time equivalent) and 15 non-teaching staff (10 full-time equivalent).

St Thomas More College is a Catholic secondary (7-12) school for boys and girls at the corner of Troughton Road & Turton Street (-27.5737°N, 153.0489°W). In 2017, the school had an enrolment of 1012 students with 75 teachers (74 full-time equivalent) and 34 non-teaching staff (27 full-time equivalent).

Carinity Education is a private secondary (7-12) school for girls at 153 Lister Street (-27.5778°N, 153.0547°W). The school provides a supportive individual learning environment for girls who have difficulties with mainstream schooling. In 2017, the school had an enrolment of 114 students with 10 teachers (8 full-time equivalent) and 18 non-teaching staff (14 full-time equivalent).

Amenities
The Sunnybank Coopers Plains branch of the Queensland Country Women's Association meets at the St. Barnabas Anglican Church Hall at 189 Lister Street.

Medical
Near the main shopping precincts, the Sunnybank Private Hospital is a modern for-profit hospital, and accompanying annexes with specialist consultants.

Shopping
Sunnybank includes shopping centres along Mains Road, such as Sunnybank Plaza, which features a Kmart, Coles and a Hoyts Cinemas. Sunny Park shopping centre is located across the road from Sunnybank Plaza and features a Woolworths supermarket. The centre was previously anchored by a Big W discount department store, which is the second Big W store in Brisbane that has closed, and a Sam's Warehouse store, which has also since closed. Market Square, located across from these two centres, is a community-based centre that is Asian-focused, featuring numerous Asian shops and restaurants. Other shopping centres that are nearby to Sunnybank include Centro Pinelands, Oasis Shopping Village, Westfield Garden City, Sunnybank Hills Shoppingtown and Calamvale Central.

Places of worship
Sunnybank neighbourhood has many spiritual sites, including Anglican, Assemblies of God, Baptist, Catholic, Chinese Methodists, Christian and Missionary Alliance, Churches of Christ, Lutheran, Mormon/The Church of Jesus Christ of Latter-Day Saints, Presbyterian, Runcorn Christian, Southside International Church, The Great Commission and Uniting churches, Chung Tian Temple, Masjid Al Farooq (Kuraby Mosque), and The Brisbane Synagogue.

Sunnybank Church of Christ is at 105 Station Road (-27.5756°N, 153.0552°W).

Sunnybank Wesleyan Methodist Church meets at the Church of Christ. It is part of the Wesleyan Methodist Church of Australia.

Sport
Sunnybank is home of the Souths Sunnybank Rugby League Football Club, the second oldest rugby league club in Brisbane, and the Sunnybank Dragons Rugby Union Club.

Transport
Sunnybank is a busy area, and there have been ever-growing traffic problems in the area. Mains Road can become gridlocked around peak-hour, packed with cars and buses, as commuters make the slow ride home, although construction has widened and improved the Mains Road bridge which crosses the train line at Altandi. Sunnybank plaza has a small bus stop, which serves as one of the major stops on most bus routes in the area.

Banoon railway station, Sunnybank railway station and Altandi railway station provides access to regular Queensland Rail City network services to Brisbane and Beenleigh.

Notable residents

 * Len Ardill, politician
 * Mark Coyne, Queensland Maroons, Australia, St George Dragons player.
 * Ben Cutting, Australian cricketer, born in Sunnybank
 * Luke Feldman, Australian cricketer, born in Sunnybank
 * Ken Ham, President of Answers in Genesis
 * Katrina Gorry, soccer player for Australia
 * Samantha Reid, member of Australian Olympic team, synchronized swimmer.
 * Johnathan Thurston, Queensland Maroons, Australia,Canterbury Bulldogs, and North Queensland Cowboys player.
 * Lote Tuqiri, dual code rugby international
 * Daniel Vidot, Samoan professional wrestler, and former rugby league player

title: Sunnybank, Queensland


text:
Afonso Dhlakama

Afonso Marceta Macacho Dhlakama (1 January 1953 – 3 May 2018) was a Mozambican politician and the leader of RENAMO, an anti-communist guerrilla movement that fought the FRELIMO government in the Mozambican Civil War before signing a peace agreement and becoming an opposition political party in the early 1990s. Dhlakama was born in Mangunde, Sofala Province.

Mozambican Civil War
After RENAMO's first leader, André Matsangaissa, was killed by Mozambican government forces in 1979, Dhlakama became leader. By 1984, Dhalakama was both commander in chief of RENAMO's forces and head of the governing body, the 12-member executive council. As leader of RENAMO Dhlakama sought to destabilise the FRELIMO government through guerilla strategies. Under his command RENAMO reached the peak of its power, controlling large parts of the country, especially in the north and being able to carry out raids virtually anywhere outside the major cities. In its fight RENAMO was supported by conservative circles in some western countries, including the United States, Portugal, the Brazilian right-wing military regime, and most importantly by the white led governments of Rhodesia and South Africa to whom FRELIMO-ruled Mozambique was a target due to its support of rebel movements within their countries. However, the end of the cold war, the collapse of Rhodesia's Smith government and, most importantly, the transition taking place in South Africa eventually deprived RENAMO of its financial supporters and arms suppliers. Thus, RENAMO and FRELIMO, which had also lost its supporters from the eastern power block, finally signed a peace treaty in October 1992. RENAMO subsequently transformed itself into a legal political party under the continued leadership of Afonso Dhlakama.

Allegation of war crimes and crimes against humanity
According to the US State Department and some other sources, under Dhlakama's leadership RENAMO systematically committed crimes against humanity as part of its war effort. These include mass killing and mutilation of non-combatants during raids on villages and towns as well as systematically forcing civilians into RENAMO's employment, though FRELIMO had used similar methods during its fight against the Portuguese. What differed was the abduction of children to use them as child soldiers. It is estimated that one third of RENAMO forces were under 18. Abducted people also had to serve RENAMO in administrative or public service functions in the areas it controlled. Refusing to work for RENAMO would be punished by heavy beating or even on-the-spot execution as were flight attempts, though this was also used by FRELIMO. One particularly gruesome practice was the mutilation and killing of children left behind by escaped parents.

Political activity
Dhlakama has competed as the RENAMO candidate in all three multiparty presidential elections held in Mozambique. In 1994, he was defeated by incumbent president and FRELIMO candidate Joaquim Chissano by a margin of 53.3% to 33.7%. He received 47.7% of the vote in the 1999 presidential election with Chissano capturing 52.3%. In the December 2004 presidential election, he was defeated by FRELIMO candidate Armando Guebuza, who received 63.7% of the vote to his 31.7%.

International observers to the elections criticised the fact that the National Electoral Commission (CNE) did not conduct entirely fair and transparent elections. They listed a whole range of serious shortcomings by the electoral authorities that benefited the ruling party FRELIMO.

Upon the creation of the Council of State, a body tasked with advising the President, Dklahama was included on the Council due to his role as leader of the opposition; he and the other members of the council were sworn in on 23 December 2005. He said that he accepted his seat on the council for the sake of national stability.

Dhlakama was injured in a car crash in Maputo on 10 June 2007. A RENAMO spokesman described the injuries as minor.

Although RENAMO was apparently weakened by the defection of Daviz Simango, who formed a new party, Dhlakama was re-elected for another five-year term as RENAMO leader on 22 July 2009 at a party congress in Nampula Province, defeating another candidate, Rogerio Francisco Joao. He was RENAMO's candidate in the October 2009 presidential election.

War threats
Dhlakama repeatedly threatened to reestablish RENAMO's armed forces and to let the country "burn". In 2011 he stated that RENAMO was preparing a "revolution" to rid the government from power and establishing new barracks for this purpose.

In October 2012 Dhlakama relocated to RENAMO's former headquarters near Casa Banana in Gorongosa and set up a training camp for several hundred partially armed followers. He threatened to destroy the country if his political demands were not met. However, the local press considered this threat to be another bluff, doubting that Dhlakama had the means to start any serious insurrection.

In April 2013, Renamo militants attacked the riot police's headquarters in the central Mozambican town of Muxungue. Four policemen and a civilian were confirmed dead, while ten servicemen were hospitalised. According to the police, the leader of the attackers was also killed. The attackers were trying to free fifteen of their comrades who had been arrested in a police raid on a Renamo camp the day before. Police claimed that Renamo was conducting illegal military training at the camp. A Renamo spokesman pronounced that "Our demobilised soldiers will retaliate against any attack and not only in the location where it occurs, but across the entire country, including [...] Maputo." Dhlakama later confirmed that he had personally ordered the attack on the police post.

On 17 October 2013, suspected RENAMO guerrillas ambushed a military patrol near Gorongosa, RENAMO's stronghold, killing seven soldiers, according to local media. Further clashes followed and, in response, on 21 October, FADM forces captured Sathunjira base after days of combat. RENAMO spokesman Fernando Mazanga claimed that the government forces had shelled the base with heavy weapons (artillery), and that Dhlakama had fled the base. A RENAMO statement said that the capture of the base put an end to the 1992 peace deal.

2014 peace process
On 5 September 2014 Dhlakama and president Guebuza signed a peace deal in an effort to end the two-year period of instability. The deal included integration of RENAMO forces into the army and a reform of the election oversight commission. However, after RENAMO's refusal to accept the 2014 presidential elections, problems in the implementation of the peace deal and after continued efforts by government forces to disarm RENAMO met resistance, Dhlakama broke off the peace process in August 2015. Since then there have been renewed clashes between government and RENAMO forces. Dhlakama claimed there were two attempts by the government to assassinate him.

Death and impact
On 3 May 2018, Dhlakma died in Gorongosa after suffering a heart attack. An unnamed official in RENAMO acknowledged this and also stated that Dhlakma had been ill prior to his death. Regarding the future of RENAMO following Dhlakma's death, Ed Hobey Hamsher, an analyst with Maplecroft, stated that "no potential successor has Dhlakama's stature" and that anybody who succeeds him "will struggle to unify Renamo's factions." At the time of Dhlakma's death, the RENAMO Congress was unable to fix a date to vote on a successor. The next month on 14 June 2018, Ossufo Momade, who was picked to serve as the interim leader of RENAMO until the organization's Congress could vote on a permanent successor to Dhlakma, went into hiding.

title: Afonso Dhlakama


text:
User:Tirin/Sandbox

Mock up of Cities Power Partnership to demonstrate climate Awards wikitable

The Cities Power Partnership (CPP) is a network of local councils in Australia established by the Climate Council in mid 2017 to co-ordinate reducing emissions and to provide councils and communities with the technical expertise and advice to transition to a clean, renewable energy future.

The CPP is Australia’s largest local government climate network, now comprising 165 organisational members as of November 2021.

Background
Initially the Partnership had 35 Councils participating at its launch at the Mt Majura Solar Farm in the ACT.

Climate Councillor Dr Tim Flannery highlighted that NSW South Coast Councils, including Bega Council, were the first to sign up. “Bega was one of the very first councils to sign up. We put a bit of a call out to Australia, and you guys were really in there.”

The City of Newcastle was also a founding member of the CPP, and in April 2020 Deputy Mayor Cr Declan Clausen highlighted in a CPP video the transition of the industrial steel and coal based city being the first Council in NSW to source 100% of its energy needs from renewable energy. “The city of Newcastle is really proud to be the first council in NSW to have 100 per cent of its energy needs delivered by renewable energy. Newcastle has always been an industrial town. First it was coal, then it was steel and now, it’s renewables."

The Partnership has since grown to encompass 165 municipal and shire councils around Australia at the end of 2021.

Council Pledges
Participating local councils pledge five actions to tackle climate change when they join in either renewable energy, efficiency, transport or working in partnership to tackle climate change. As of 2020, over 650 pledges have been made by local councils to take decisive climate and energy action.

title: User:Tirin/Sandbox


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Wikipedia:Articles for deletion/Books For Crooks

 This page is an archive of the discussion about the proposed deletion of the article below. This page is no longer live. Further comments should be made on the article's talk page rather than here so that this page is preserved as an historic record. The result of the debate was delete. — Xezbeth 19:36, Jun 16, 2005 (UTC)

Books For Crooks
First, John Duncer gets zero google hits. Second, there is no such thing as the "American Achievers Award", (there is an African-American Achievers Award, not the same thing). This anon has been going around creating stubs like John Duncer and American Achievers Award all in support of this hoax article. func (talk) 07:17, 3 Jun 2005 (UTC)
 * Unless there is actual proof of the existence of these things, delete. Harro5 08:12, Jun 3, 2005 (UTC)
 * Speedy delete. Patent nonsense. Wikibofh 14:30, 3 Jun 2005 (UTC)
 * Just to note, this article does not qualify for speedy deletion. While it may turn out to be nonsense, it is not patent nonsense. Denni ☯ 23:53, 2005 Jun 3 (UTC)
 * Comment, this same anon, under several different IPs, has also been vandalising VH1 Classic, and has been creating joke articles like Hide the salami, (which has now been redirected). func (talk) 16:32, 3 Jun 2005 (UTC)
 * For those who were curious but afraid to click at work, Hide the salami redirects to Sexual slang. --TenOfAllTrades (talk/contrib) 01:27, 4 Jun 2005 (UTC)
 * Delete. "Books for Crooks" gets no legit Google hits. Interestingly enough, there is such an organization though, calling itself Books Through Bars. Denni ☯ 23:51, 2005 Jun 3 (UTC)

 * This page is now preserved as an archive of the debate and, like some other VfD subpages, is no longer 'live'. Subsequent comments on the issue, the deletion, or the decision-making process should be placed on the relevant 'live' pages.  Please do not edit this page .


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Popliteal vein

The popliteal vein is a vein of the lower limb. It is formed from the anterior tibial vein and the posterior tibial vein. It travels medial to the popliteal artery, and becomes the femoral vein. It drains blood from the leg. It can be assessed using medical ultrasound. It can be affected by popliteal vein entrapment.

Structure
The popliteal vein is formed by the junction of the venae comitantes of the anterior tibial vein and the posterior tibial vein at the lower border of the popliteus muscle. It travels on the medial side of the popliteal artery. It is superficial to the popliteal artery. As it ascends through the fossa, it crosses behind the popliteal artery so that it comes to lie on its lateral side. It passes through the adductor hiatus (the opening in the adductor magnus muscle) to become the femoral vein.

Tributaries
The tributaries of the popliteal vein include:
 * Veins that correspond to branches given off by the popliteal artery (see popliteal artery).
 * the small saphenous vein, which perforates the deep fascia and passes between the two heads of the gastrocnemius muscle to end in the popliteal vein.
 * the fibular veins.

Variation
The popliteal vein may be doubled in up to 35% of people.

Function
The popliteal vein drains blood from the leg.

Clinical significance
The popliteal vein is readily palpated in the popliteal fossa adjacent to the adductor magnus muscle.

The popliteal vein can be visualised using medical ultrasound, including Doppler ultrasonography. It may be affected by a thrombus.

Popliteal vein entrapment
The popliteal vein may become trapped. This reduces the flow of blood out of the leg, causing oedema, pain, and venous ulcers. Entrapment is usually caused by gastrocnemius muscle. Venography (using an x-ray) or magnetic resonance imaging can investigate it. Surgery can be used to remove tissue creating pressure.

title: Popliteal vein


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Talk:Analytical psychology

Perspective from mainstream psychology?
The Criticism section of the article only cites criticism from within the psychoanalytical movement and some ad hominem attacks. In my opinion, the article desperately needs a section that would juxtapose Jungian psychology with mainstream psychology, especially in the areas where they interact (extraversion-introversion, psychological testing, efficacy of therapy etc.) 91.238.85.132 (talk) 13:44, 2 June 2022 (UTC)

Move ref 144 original text to footnote
"("Le concept jungien d'inconscient collectif "témoigne également de la facilité avec laquelle on peut glisser du concept d'inconscient psychologique vers des perspectives relevant d'un univers de pensée étranger à la tradition philosophique et scientifique dans laquelle ce concept est né'")" This part of the article should probably be a footnote to the attached reference, and not appear as full in-text information. I tend to break references when I try to mess with them, so could someone else do this? Thank you. --IronMaidenRocks (talk) 00:32, 31 May 2023 (UTC)

title: Talk:Analytical psychology


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Talk:Agent Orange

Recent use in Brazil - an incredible claim and plain lie
Currently the article says Agent Orange was recently used by criminal deforesters in Brazil (recent meaning ~2010). The citation makes it look like it's from The Guardian but it really comes from Earth Island Journal, simply reblogged by The Guardian. That article also claims 4 tons of Agent Orange (!!) was just left by some rural criminals in the rainforest. I just want to point out we can use our common sense here: how incredible it would be for these rural criminals to get their hands on such a huge supply of Agent Orange or even a modern 1:1 mixture of 2,4,5-T with 2,4-D or even just 2,4,5-T, which has been a banned chemical for ages now. They would have found it far more easy to simply divert supplies of readily available herbicides.

Yes, only a bit of digging and behold we have a real news source which properly quotes the officials : https://www1.folha.uol.com.br/ambiente/935857-ibama-flagra-desmatamento-com-agrotoxico-no-amazonas.shtml. The sprayed pesticides were Tordon and 2,4-D. The 4 tons discovered were two versions of 2,4-D and Garlon 480. Yes, 2,4-D was part of Agent Orange, but it was not the concerning dioxin part. 2,4-D is so easy to get, I can even get it at the hardware store for killing dandelions on a residential lawn. I get that rainforest deforestation is terrible, but that is no excuse for lies and exaggerations. --Nanite (talk) 23:25, 8 December 2022 (UTC)

Agent Orange RED/Yellow/Blue Outside Vietnam
Agent Orange & "Other" Rainbow Herbicide's were used extensively in Panama & the Panama Canal Zone.. Please refer to the research work of, Donna Tornoe & Her book, *Travels of Orange*.

In addition too the VA Approving, VA Benefit's to what's referred to as the *Blue water Navy*, (USA) transporting/Shipping delivering "Rainbow Herbicides" too Panama to be used/Applied to Panama's Under story,(Jumgle growth), in controlling Jungle Growth on Military Bases & Training areas.. Especially in/around Ft. Sherman, Ft. Davis & Ft. Gulick on the Atlantic Side of the Canal Zone..

There's also considerable evidence & document's, that Agent Orange et al, was also used & tested for use in controlling Aquatic Growth, in Gatune Lake..

Application(s) of these herbicides were confirmed by a Special Force's Jungle instructor & SOUTHCOM Intel, located in Ft. Gulick, 7th Special Forces Group, MSG (E-8), W. O. Brandenburg providing confirmation of Herbicides Application & Use. In Panama in the Mid-Late 1970's. 71.80.49.58 (talk) 11:40, 19 March 2023 (UTC)

title: Talk:Agent Orange


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User:Undream

Rebecca Kasner is a mysteriously archetypal enchanted storybook witch-princess. She was born in Vilna, Lithuania in 1803, but she may not remember that because shortly thereafter, she was whisked away in a butter-churn by an old lady with iron teeth whose bones and skin and hair were all made of candy.

She was taken to a remote village in The Harz Mountains below The Brocken, where she learned the archaic arts of crithomancy (divination using cakes), belomancy (divination by arrows), lampadomancy (divination by a lamp), phyllorhodomancy (divination with rose leaves), and knife-throwing. She excelled at all of the above, and also became incredibly proficient at weaving offal into gold, transforming glass into water and remembering unspoken agreements.

Armed with this arcane knowledge, she struck out on her own and travelled the world in a rusty sieve, working as a part-time celestial spy and full-time in abecedarian espionage. She was enormously successful in these endeavors. She is also married to reknowned artist Stephen Kasner and makes lovely dolls.

Currently, all other details regarding this wondrous personage are classified- due to pending investigations regarding the unexplainable events surrounding the disappearance of the leaning tower of Pisa, and various accounts of uneasy moments of déjà vu occurring in her vicinity. Rest assured, however, that wherever she is — Rebecca has got her eye on you, and knows what time your future is.

Most recently, Rebecca has been credited with editing her husbands new book, Stephen Kasner WORKS: 1993 - 2006.

title: User:Undream


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Talk:List of industrial music genres

Aggrotech redirect
"Aggrotech" should redirect to the section of the Electro-industrial page, where it's more relevant, rather than here. However, the earth is salted at Aggrotech, so I can't change the redirect. There must have been too many spurious resurrections. Can someone with the capacity help me with this alteration? I'd be most grateful. Aryder779 (talk) 21:39, 24 October 2008 (UTC)

Martial industrial
We need sources for the term "martial industrial". Groups like Laibach and Test Dept. existed from the early period of industrial music, and I've not found evidence that they went by the name "martial industrial." Where did this term come from? Do we have sources for the usage of "military pop" by Gerhard Petak? Aryder779 (talk) 22:15, 15 March 2009 (UTC)
 * I've deleted this section from the page after failing to find any reliable sources mentioning the term. Aryder779 (talk) 02:39, 16 March 2009 (UTC)

Neofolk
We also need sources for the term neofolk. Right now, we have a really good source for "apocalyptic folk" as a designator for Current 93 and related, but nothing further than that. Aryder779 (talk) 22:18, 15 March 2009 (UTC)

Page organization
Right now, the page is divided into a "post-industrial developments" section and a "related genres" section, but I don't understand the logic. The first half seems to be more noise oriented, whereas the second is more dance-music/rock oriented, but that's not made explicit. I suggest the page be reorganized to place all of the post-industrial genres in alphabetical order (chronological order doesn't really make sense, because all of them emerged in about the early '80s). Aryder779 (talk) 03:27, 16 March 2009 (UTC)

Requested move
Why "... and related fusion genres"? It's all post-industrial music. Everything discussed on this page emerged in the early '80s just after the development of industrial music. I don't see any reason for such a long title. Aryder779 (talk) 01:46, 17 March 2009 (UTC)

This article is not an article.
Each end every type of music discussed here has it's own page, and therefore this article should not exist. This article should not exist, therefore this article should be deleted. The entire article can easily be covered, if it is not already, by adding an "Influences" section to the "Industrial_music" page and listing-with-links each type of music mentioned here. ~Rayvn 14:52, 21 February 2010 (UTC)  —Preceding unsigned comment added by RayvnEQ (talk • contribs)

 * That's probably why this article is considered a list. Seems like a useful navigational article to me -- Foetusized (talk) 17:20, 21 February 2010 (UTC)

 * Agreed. This article is actually the result of a previous merge of another list. It functions as a list and as Foetusized said, it's a useful navigational article. Xe7al (talk) 17:04, 17 April 2010 (UTC)

 * This article never actually defines what "Post-industrial music" is. It just gives a list of related topics. What is the definition of "Post-industrial music"?  Xtzou ( Talk ) 17:14, 17 April 2010 (UTC)

Witch house
Im being kinda picky, but "Witch House is also influenced by hazy 1980s goth bands, including Cocteau Twins, The Cure and Dead Can Dance" "hazy?!" ok cocteaus sometimes at a stretch, but cure and dkd? cure have done everything from pop to goth and dkd are kinda world/folk/goth, neither are "hazy", that word implies bands like ride/ my bloody valentine/ curve etc which would be more apt for what witchouse is doing. I think that sentence should be scrapped. witchouse may be influenced by "hazy" music, it may be influenced by 80's goth but cure dkd and cocteaus ARENT both of those things, its misleading. 125.239.110.251 (talk) 00:24, 10 July 2011 (UTC)
 * Well, those statements are sourced, so they should probably stay. If you can find some different well-sourced definitions, or information about origins of the genre, add them too. —Torchiest talkedits 00:29, 10 July 2011 (UTC)

 * This is a little old but, as I've checked, there's nothing in the sources to back up the statements. --Joyfulpotato (talk) 18:41, 16 October 2013 (UTC)

 * Is there any reliable source that says "Witch house is a Post-industrial music genre"? Otherwise the section should be removed. — Preceding unsigned comment added by 94.134.3.31 (talk) 11:01, 29 July 2014 (UTC)

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Here's a question
Where did this term come from at first? Was it coined after the SPK's Post-Industrial Strategy manifesto? Gleb95 (talk) 20:50, 7 May 2017 (UTC)
 * BUMP. Gleb95 (talk) 16:54, 15 May 2017 (UTC)
 * BUMP. Gleb95 (talk) 14:23, 30 May 2017 (UTC)

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title: Talk:List of industrial music genres