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LIVERWORTS IN THE WESTERN HIMALAYAS. 157 Madotheca ovalis Gottsch. Near Kilar bridge, Pangi.

M. sp. Along with the above.

Badula sp. Along with the above.

Arachniopsis sp. Below Gurdhar pass, about 13,000 ft.

Lophozia sp. Along with the above.

The number of individuals is very small and specimens are met with only at long intervals. Going down the Chandrabhaga to Padar and Kashtwar the Liverwort flora becomes decidedly poorer and hardly any specimens are seen for miles. Going up the Chenab no Liver- worts are met with above Jispa, about 11,000 ft.

As stated before no Liverworts occur boyond the Baralacha pass in the country visited. It is probable that none occur in the whole of Ladak.

No. of species in the different localities — Mussoorio Kulu Simla Dalhousie Ravi Valley Chenab Valley Lingti Plain 42 24 28 11 28 20

Southern slopes of the Outer

Between

Between

Beyond

Himalayas.

Outer and

Middle and

Inner Hima-

Middle Hima-

Inner Hima-

layas,

layas

layas.

For many geographical and climatic data the writer is indebced to the Gazetteers of Chamba, Kulu and Mandi, and the Gazetteer of India. Some of the figures about temperature and rainfall were obtained from the Meteorological Observatory, Lihore. The area of which the writer has first-hand knowledge has been indicated in the paper. All the species mentioned have been collected by the wiiter himself. Descriptions of these will be found in Stephani's Species hepaticarWn and the following papers by the writer : —

1. Morphological and biological notes on new and little-known went Himalayan Liverworts I, II and III. New Phytologist, 1913 and 1914.

2. Liverworts of the Western Himalayas and the Punjab. I and II. Journal of the Bombay Natural History Society, 191G and 1917.

1743—21


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158

Introduction. It is a very common fact that in India, specially in the rainy season, the culture media in laboratories are covered by a large number of moulds belonging to the most varying genera. In bacteriological investigations, these growths do not matter much, but the difficulties arise when one is dealing with cultures made for the study of human or animal mycoses, a field of research which in India has not yet been fully explored.

The subject of my investigations is the genus "" and its ally "". A systematic study of Indian Aspergilli has not yet been made and it is hoped that this short contribution may not be without value towards this mycologic investigation.

The species I am now describing is quite a new species and it can be easily recognized both by its macroscopic and microscopic characters. In Nova Goa I have, up to the present, identified the following species:—

A. (St.) niger Cramer 1859.

A. (sensu stricto) herbariorum Wiggers 1780.

A. (St.) sulphurous Fresenius 18G3.

A. (sensu stricto) orizoac Ahlburg 1876.

Four other species, one white, two yellow and one green, are now under investigation and I will be very thankful if scientists working in India will be kind enough to send me cultures of Aspergilli found in different parts of India.

This study would remain incomplete but for the excellent monograph on Aspergilli by Whemer. This work was, very kindly, placed at my disposal by Dr. B. J. Butler, Imperial Mycologist, to whom my best thanks are due.

Origin of the Culture. This species was found in August, 1919, contaminating two Erlenmeyer flasks containing Endo's medium and plain agar. One of the cultures was grey, slightly brownish, the other had a light chocolate colour. On cultivating the fungus from these two sources, I was able to identify both these cultures as

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text: The Journal of Indian Botany/Volume 1/January 1920/Distribution of Liverworts in the Western Himalayas


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Author:Froilano de Mello

Works

 * The Journal of Indian Botany/Volume 1/January 1920/Contribution to the Study of the Indian Aspergilli.

title: Author:Froilano de Mello


text: The Journal of Indian Botany/Volume 1/January 1920/Contribution to the Study of the Indian Aspergilli.


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For many years I was the personal attorney and constant companion of Mr. Philo Vance; and this period covered the four years during which Mr. John F.-X. Markham, Vance's closest friend, was District Attorney of New York. As a result it was my privilege to be a spectator of what I believe was the most amazing series of criminal cases that ever passed before the eyes of a young lawyer. Indeed, the grim dramas I witnessed during that period constitute one of the most astonishing secret documents in American police history.

Of these dramas Vance was the central character. By an analytical and interpretative process which, as far as I know, has never before been applied to criminal activities, he succeeded in solving many of the important crimes on which both the police and the District Attorney's office had hopelessly fallen down.

Due to my peculiar relations with Vance it happened that not only did I participate in all the cases with which he was connected, but I was also present at most of the informal discussions concerning them which took place between him and the District Attorney; and, being of methodical temperament, I kept a complete record of them. It is fortunate that I performed this gratuitous labor of accumulation and transcription, for now that circumstances have rendered possible my making the cases public, I am able


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 to present them in full detail and with all their various sidelights and succeeding steps.

In another volume—"The Benson Murder Case"—I have related how Vance happened to become involved in criminal investigation, and have also set forth the unique analytic methods of crime detection by which he solved the problem of Alvin Benson's mysterious murder.

The present chronicle has to do with Vance's solution of the brutal murder of Margaret Odell—a cause célèbre which came to be known as the "Canary" murder. The strangeness, the daring, the seeming impenetrability of the crime marked it as one of the most singular and astonishing cases in New York's police annals; and had it not been for Philo Vance's participation in its solution, I firmly believe it would have remained one of the great unsolved mysteries of this country.


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 * District Attorney of New York County.

 * Famous Broadway beauty and ex-Follies girl, who was mysteriously murdered in her apartment.

 * Margaret Odell's maid.

 * A man-about-town.

 * A manufacturer.

 * An importer.

 * A fashionable neurologist.

 * A professional burglar.

 * Telephone operator.

 * Telephone operator.

 * A musical-comedy actress.

 * A gambler.

 * A street-cleaner.


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 * Assistant District Attorney.

 * Commanding Officer of the Detective Bureau.

 * Sergeant of the Homicide Bureau.

 * Detective of the Homicide Bureau.

 * Detective of the Homicide Bureau.

 * Detective of the Homicide Bureau.

 * Detective assigned to District Attorney's office.

 * Burglar-tools expert.

 * Finger-print expert.

 * Finger-print expert.

 * Official photographer.

 * Medical Examiner.

 * Secretary to the District Attorney.

 * Vance's valet.


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In the offices of the Homicide Bureau of the Detective Division of the New York Police Department, on the third floor of the Police Headquarters building in Center Street, there is a large steel filing cabinet; and within it, among thousands of others of its kind, there reposes a small green index-card on which is typed: "ODELL, MARGARET. 184 West 71st Street. Sept. 10. Murder: Strangled about 11 p. m. Apartment ransacked. Jewelry stolen. Body found by Amy Gibson, maid."

Here, in a few commonplace words, is the bleak, unadorned statement of one of the most astonishing crimes in the police annals of this country—a crime so contradictory, so baffling, so ingenious, so unique, that for many days the best minds of the Police Department and the District Attorney's office were completely at a loss as to even a method of approach. Each line of investigation only tended to prove that Margaret Odell could not possibly have been murdered. And yet, huddled on the great silken davenport in her living-room lay the girl's strangled body, giving the lie to so grotesque a conclusion.

The true story of this crime, as it eventually came to light after a disheartening period of utter darkness and confusion, revealed many strange and bizarre ramifications, many dark recesses of man's


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 unexplored nature, and the uncanny subtlety of a human mind sharpened by desperate and tragic despair. And it also revealed a hidden page of passional melodrama which, in its essence and organisms, was no less romantic and fascinating than that vivid, theatrical section of the Comédie Humaine which deals with the fabulous love of Baron Nucingen for Esther van Gobseck, and with the unhappy Torpille's tragic death.

Margaret Odell was a product of the bohemian demi-monde of Broadway—a scintillant figure who seemed somehow to typify the gaudy and spurious romance of transient gaiety. For nearly two years before her death she had been the most conspicuous and, in a sense, popular figure of the city's night life. In our grandparents' day she might have had conferred upon her that somewhat questionable designation, "the toast of the town"; but to-day there are too many aspirants for this classification, too many cliques and violent schisms in the Lepidoptera of our café life, to permit of any one competitor being thus singled out. But, for all the darlings of both professional and lay press-agents, Margaret Odell was a character of unquestioned fame in her little world.

Her notoriety was due in part to certain legendary tales of her affairs with one or two obscure potentates in the backwashes of Europe. She had spent two years abroad after her first success in "The Bretonne Maid"—a popular musical comedy in which she had been mysteriously raised from obscurity to the rank of "star"—and, one may cynically imagine, her press-agent took full advantage


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 of her absence to circulate vermilion tales of her conquests.

Her appearance went far toward sustaining her somewhat equivocal fame. There was no question that she was beautiful in a hard, slightly flamboyant way. I remember seeing her dancing one night at the Antlers Club—a famous rendezvous for post-midnight pleasure-seekers, run by the notorious Red Raegan. She impressed me then as a girl of uncommon loveliness, despite the calculating, predatory cast of her features. She was of medium height, slender, graceful in a leonine way, and, I thought, a trifle aloof and even haughty in manner—a result, perhaps, of her reputed association with European royalty. She had the traditional courtesan's full, red lips, and the wide, mongoose eyes of Rossetti's "Blessed Damozel." There was in her face that strange combination of sensual promise and spiritual renunciation with which the painters of all ages have sought to endow their conceptions of the Eternal Magdalene. Hers was the type of face, voluptuous and with a hint of mystery, which rules man's emotions and, by subjugating his mind, drives him to desperate deeds.

Margaret Odell had received the sobriquet of Canary as a result of a part she had played in an elaborate ornithological ballet of the "Follies," in which each girl had been gowned to represent a variety of bird. To her had fallen the rôle of canary; and her costume of white-and-yellow satin, together with her mass of shining golden hair and pink-and


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 white complexion, had distinguished her in the eyes of the spectators as a creature of outstanding charm. Before a fortnight had passed—so eulogistic were her press notices, and so unerringly did the audience single her out for applause—the "Bird Ballet" was changed to the "Canary Ballet," and Miss Odell was promoted to the rank of what might charitably be called première danseuse, at the same time having a solo waltz and a song interpolated for the special display of her charms and talents.

She had quitted the "Follies" at the close of the season, and during her subsequent spectacular career in the haunts of Broadway's night life she had been popularly and familiarly called the Canary. Thus it happened that when her dead body was found, brutally strangled, in her apartment, the crime immediately became known, and was always thereafter referred to, as the Canary murder.

My own participation in the investigation of the Canary murder case—or rather my rôle of Boswellian spectator—constituted one of the most memorable experiences of my life. At the time of Margaret Odell's murder John F.-X. Markham was District Attorney of New York, having taken office the preceding January. I need hardly remind you that during the four years of his incumbency he distinguished himself by his almost uncanny success as a criminal investigator. The praise which was constantly accorded him, however, was highly distasteful to him; for, being a man with a keen sense of honor, he instinctively shrank from accepting credit for achievements not wholly his own. The truth is


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 that Markham played only a subsidiary part in the majority of his most famous criminal cases. The credit for their actual solution belonged to one of Markham's very close friends, who refused, at the time, to permit the facts to be made public.

This man was a young social aristocrat, whom, for purposes of anonymity, I have chosen to call Philo Vance.

Vance had many amazing gifts and capabilities. He was an art collector in a small way, a fine amateur pianist, and a profound student of æsthetics and psychology. Although an American, he had largely been educated in Europe, and still retained a slight English accent and intonation. He had a liberal independent income, and spent considerable time fulfilling the social obligations which devolved on him as a result of family connections; but he was neither an idler nor a dilettante. His manner was cynical and aloof; and those who met him only casually, set him down as a snob. But knowing Vance, as I did, intimately, I was able to glimpse the real man beneath the surface indications; and I knew that his cynicism and aloofness, far from being a pose, sprang instinctively from a nature which was at once sensitive and solitary.

Vance was not yet thirty-five, and, in a cold, sculptural fashion, was impressively good-looking. His face was slender and mobile; but there was a stern, sardonic expression to his features, which acted as a barrier between him and his fellows. He was not emotionless, but his emotions were, in the main, intellectual. He was often criticised for his asceticism, yet I have seen him exhibit rare bursts of en-


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 thusiasm over an æsthetic or psychological problem. However, he gave the impression of remaining remote from all mundane matters; and, in truth, he looked upon life like a dispassionate and impersonal spectator at a play, secretly amused and debonairly cynical at the meaningless futility of it all. Withal, he had a mind avid for knowledge, and few details of the human comedy that came within his sphere of vision escaped him.

It was as a direct result of this intellectual inquisitiveness that he became actively, though unofficially, interested in Markham's criminal investigations.

I kept a fairly complete record of the cases in which Vance participated as a kind of amicus curiæ, little thinking that I would ever be privileged to make them public; but Markham, after being defeated, as you remember, on a hopelessly split ticket at the next election, withdrew from politics; and last year Vance went abroad to live, declaring he would never return to America. As a result, I obtained permission from both of them to publish my notes in full. Vance stipulated only that I should not reveal his name; but otherwise no restrictions were placed upon me.

I have related elsewhere the peculiar circumstances which led to Vance's participation in criminal research, and how, in the face of almost insuperable contradictory evidence, he solved the mysterious shooting of Alvin Benson. The present chronicle deals with his solution of Margaret Odell's murder, which took place in the early fall of the


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 same year, and which, you will recall, created an even greater sensation than its predecessor.

A curious set of circumstances was accountable for the way in which Vance was shouldered with this new investigation. Markham for weeks had been badgered by the anti-administration newspapers for the signal failures of his office in obtaining convictions against certain underworld offenders whom the police had turned over to him for prosecution. As a result of prohibition a new and dangerous, and wholly undesirable, kind of night life had sprung up in New York. A large number of well-financed cabarets, calling themselves night clubs, had made their appearance along Broadway and in its side streets; and already there had been an appalling number of serious crimes, both passional and monetary, which, it was said, had had their inception in these unsavory resorts.

At last, when a case of murder accompanying a hold-up and jewel robbery in one of the family hotels up-town was traced directly to plans and preparations made in one of the night clubs, and when two detectives of the Homicide Bureau investigating the case were found dead one morning in the neighborhood of the club, with bullet wounds in their backs, Markham decided to pigeonhole the other affairs of


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 his office and take a hand personally in the intolerable criminal conditions that had arisen.


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On the day following his decision, Markham and Vance and I were sitting in a secluded corner of the lounge-room of the Stuyvesant Club. We often came together there, for we were all members of the club, and Markham frequently used it as a kind of unofficial up-town headquarters.

"It's bad enough to have half the people in this city under the impression that the District Attorney's office is a kind of high-class collection agency," he remarked that night, "without being necessitated to turn detective because I'm not given sufficient evidence, or the right kind of evidence, with which to secure convictions."

Vance looked up with a slow smile, and regarded him quizzically.

"The difficulty would seem to be," he returned, with an indolent drawl, "that the police, being unversed in the exquisite abracadabra of legal procedure, labor under the notion that evidence which would convince a man of ordin'ry intelligence, would also convince a court of law. A silly notion, don't y' know. Lawyers don't really want evidence: they


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 want erudite technicalities. And the average policeman's brain is too forthright to cope with the pedantic demands of jurisprudence."

"It's not as bad as that," Markham retorted, with an attempt at good nature, although the strain of the past few weeks had tended to upset his habitual equanimity. "If there weren't rules of evidence, grave injustice would too often be done innocent persons. And even a criminal is entitled to protection in our courts."

Vance yawned mildly.

"Markham, you should have been a pedagogue. It's positively amazin' how you've mastered all the standard oratorical replies to criticism. And yet, I'm unconvinced. You remember the Wisconsin case of the kidnapped man whom the courts declared presumably dead. Even when he reappeared, hale and hearty, among his former neighbors, his status of being presumably dead was not legally altered. The visible and demonstrable fact that he was actually alive was regarded by the court as an immaterial and impertinent side-issue. . . . Then there's the touchin' situation—so prevalent in this fair country—of a man being insane in one State and sane in another. . . . Really, y' know, you can't expect a mere lay intelligence, unskilled in the benign processes of legal logic, to perceive such subtle nuances. Your layman, swaddled in the darkness of ordin'ry common sense, would say that a person who is a lunatic on one bank of a river would still be a lunatic if he was on the opposite bank. And he'd also


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 hold—erroneously, no doubt—that if a man was living, he would presumably be alive."

"Why this academic dissertation?" asked Markham, this time a bit irritably.

"It seems to touch rather vitally on the source of your present predicament," Vance explained equably. "The police, not being lawyers, have apparently got you into hot water, what? . . . Why not start an agitation to send all detectives to law school?"

"You're a great help," retorted Markham.

Vance raised his eyebrows slightly.

"Why disparage my suggestion? Surely you must perceive that it has merit. A man without legal training, when he knows a thing to be true, ignores all incompetent testimony to the contr'ry, and clings to the facts. A court of law listens solemnly to a mass of worthless testimony, and renders a decision not on the facts but according to a complicated set of rules. The result, d' ye see, is that a court often acquits a prisoner, realizing full well that he is guilty. Many a judge has said, in effect, to a culprit: 'I know, and the jury knows, that you committed the crime, but in view of the legally admissible evidence, I declare you innocent. Go and sin again.

Markham grunted. "I'd hardly endear myself to the people of this county if I answered the current strictures against me by recommending law courses for the Police Department."

"Permit me, then, to suggest the alternative of Shakespeare's butcher: 'Let's kill all the lawyers.

"Unfortunately, it's a situation, not a utopian theory, that has to be met."


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 "And just how," asked Vance lazily, "do you propose to reconcile the sensible conclusions of the police with what you touchingly call correctness of legal procedure?"

"To begin with," Markham informed him, "I've decided henceforth to do my own investigating of all important night-club criminal cases. I called a conference of the heads of my departments yesterday, and from now on there's going to be some real activity radiating direct from my office. I intend to produce the kind of evidence I need for convictions."

Vance slowly took a cigarette from his case and tapped it on the arm of his chair.

"Ah! So you are going to substitute the conviction of the innocent for the acquittal of the guilty?"

Markham was nettled; turning in his chair he frowned at Vance.

"I won't pretend not to understand your remark," he said acidulously. "You're back again on your favorite theme of the inadequacy of circumstantial evidence as compared with your psychological theories and æsthetic hypotheses."

"Quite so," agreed Vance carelessly. "Y' know, Markham, your sweet and charmin' faith in circumstantial evidence is positively disarming. Before it, the ordin'ry powers of ratiocination are benumbed. I tremble for the innocent victims you are about to gather into your legal net. You'll eventually make the mere attendance at any cabaret a frightful hazard."

Markham smoked a while in silence. Despite the seeming bitterness at times in the discussions of these two men, there was at bottom no animosity


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 in their attitude toward each other. Their friendship was of long standing, and, despite the dissimilarity of their temperaments and the marked difference in their points of view, a profound mutual respect formed the basis of their intimate relationship.

At length Markham spoke.

"Why this sweeping deprecation of circumstantial evidence? I admit that at times it may be misleading; but it often forms powerful presumptive proof of guilt. Indeed, Vance, one of our greatest legal authorities has demonstrated that it is the most powerful actual evidence in existence. Direct evidence, in the very nature of crime, is almost always unavailable. If the courts had to depend on it, the great majority of criminals would still be at large."

"I was under the impression that this precious majority had always enjoyed its untrammelled freedom."

Markham ignored the interruption.

"Take this example: A dozen adults see an animal running across the snow, and testify that it was a chicken; whereas a child sees the same animal, and declares it was a duck. They thereupon examine the animal's footprints and find them to be the web-footed tracks made by a duck. Is it not conclusive, then, that the animal was a duck and not a chicken, despite the preponderance of direct evidence?"

"I'll grant you your duck," acceded Vance indifferently.

"And having gratefully accepted the gift," pursued Markham, "I propound a corollary: A dozen adults see a human figure crossing the snow, and


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 take oath it was a woman; whereas a child asserts that the figure was a man. Now, will you not also grant that the circumstantial evidence of a man's footprints in the snow would supply incontrovertible proof that it was, in fact, a man, and not a woman?"

"Not at all, my dear Justinian," replied Vance, stretching his legs languidly in front of him; "unless, of course, you could show that a human being possesses no higher order of brains than a duck."

"What have brains to do with it?" Markham asked impatiently. "Brains don't affect one's footprints."

"Not those of a duck, certainly. But brains might very well—and, no doubt, often do—affect the footprints of a human being."

"Am I having a lesson in anthropology, Darwinian adaptability, or merely metaphysical speculation?"

"In none of those abstruse subjects," Vance assured him. "I'm merely stating a simple fact culled from observation."

"Well, according to your highly and peculiarly developed processes of reasoning, would the circumstantial evidence of those masculine footprints indicate a man or a woman?"

"Not necessarily either," Vance answered; "or, rather, a possibility of each. Such evidence, when applied to a human being—to a creature, that is, with a reasoning mind—would merely mean to me that the figure crossing the snow was either a man in his own shoes, or a woman in man's shoes; or perhaps, even, a long-legged child. In short, it would


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 convey to my purely unlegal intelligence only that the tracks were made by some descendant of the Pithecanthropus erectus wearing men's shoes on his nether limbs—sex and age unknown. A duck's spoors, on the other hand, I might be tempted to take at their face value."

"I'm delighted to observe," said Markham, "that, at least, you repudiate the possibility of a duck dressing itself up in the gardener's boots."

Vance was silent for a moment; then he said:

"The trouble with you modern Solons, d' ye see, is that you attempt to reduce human nature to a formula; whereas the truth is that man, like life, is infinitely complex. He's shrewd and tricky—skilled for centuries in all the most diabolical chicaneries. He is a creature of low cunning, who, even in the normal course of his vain and idiotic struggle for existence, instinctively and deliberately tells ninety-nine lies to one truth. A duck, not having had the heaven-kissing advantages of human civilization, is a straightforward and eminently honest bird."

"How," asked Markham, "since you jettison all the ordinary means of arriving at a conclusion, would you decide the sex or species of this person who left the masculine footprints in the snow?"

Vance blew a spiral of smoke toward the ceiling.

"First, I'd repudiate all the evidence of the twelve astigmatic adults and the one bright-eyed child. Next, I'd ignore the footprints in the snow. Then, with a mind unprejudiced by dubious testimony and uncluttered with material clues, I'd determine the exact nature of the crime which this fleeing person had committed. After having analyzed its vari-


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 ous factors, I could infallibly tell you not only whether the culprit was a man or a woman, but I could describe his habits, character, and personality. And I could do all this whether the fleeing figure left male or female or kangaroo tracks, or used stilts, or rode off on a velocipede, or levitated without leaving tracks at all."

Markham smiled broadly. "You'd be worse than the police in the matter of supplying me legal evidence, I fear."

"I, at least, wouldn't procure evidence against some unsuspecting person whose boots had been appropriated by the real culprit," retorted Vance. "And, y' know, Markham, as long as you pin your faith to footprints you'll inevitably arrest just those persons whom the actual criminals want you to—namely, persons who have had nothing to do with the criminal conditions you're about to investigate."

He became suddenly serious.

"See here, old man; there are some shrewd intelligences at present allied with what the theologians call the powers of darkness. The surface appearances of many of these crimes that are worrying you are palpably deceptive. Personally, I don't put much stock in the theory that a malevolent gang of cut-throats have organized an American camorra, and made the silly night clubs their headquarters. The idea is too melodramatic. It smacks too much of the gaudy journalistic imagination: it's too Eugène Sue-ish. Crime isn't a mass instinct except during war-time, and then it's merely an obscene sport. Crime, d' ye see, is a personal and individual business. One doesn't make up a partie carrée for a mur-


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 der as one does for a bridge game. . . . Markham, old dear, don't let this romantic criminological idea lead you astray. And don't scrutinize the figurative footprints in the snow too closely. They'll confuse you most horribly—you're far too trustin' and literal for this wicked world. I warn you that no clever criminal is going to leave his own footprints for your tape-measure and calipers."

He sighed deeply, and gave Markham a look of bantering commiseration.

"And have you paused to consider that your first case may even be devoid of footprints? . . . Alas! What, then, will you do?"

"I could overcome that difficulty by taking you along with me," suggested Markham, with a touch of irony. "How would you like to accompany me on the next important case that breaks?"

"I am ravished by the idea," said Vance.

Two days later the front pages of our metropolitan press carried glaring headlines telling of the murder of Margaret Odell.


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It was barely half past eight on that momentous morning of September the 11th when Markham brought word to us of the event.

I was living temporarily with Vance at his home in East 38th Street—a large remodelled apartment occupying the two top floors of a beautiful mansion. For several years I had been Vance's personal legal representative and adviser, having resigned from my father's law firm of Van Dine, Davis and Van Dine to devote myself to his needs and interests. His affairs were by no means voluminous, but his personal finances, together with his numerous purchases of paintings and objets d'art, occupied my full time without burdening me. This monetary and legal stewardship was eminently congenial to my tastes; and my friendship with Vance, which had dated from our undergraduate days at Harvard, supplied the social and human element in an arrangement which otherwise might easily have degenerated into one of mere drab routine.

On this particular morning I had risen early and was working in the library when Currie, Vance's valet and majordomo, announced Markham's presence in the living-room. I was considerably astonished at this early-morning visit, for Markham well knew that Vance, who rarely rose before noon, re-


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 sented any intrusion upon his matutinal slumbers. And in that moment I received the curious impression that something unusual and portentous was toward.

I found Markham pacing restlessly up and down, his hat and gloves thrown carelessly on the centre-table. As I entered he halted and looked at me with harassed eyes. He was a moderately tall man, clean-shaven, gray-haired, and firmly set up. His appearance was distinguished, and his manner courteous and kindly. But beneath his gracious exterior there was an aggressive sternness, an indomitable, grim strength, that gave one the sense of dogged efficiency and untiring capability.

"Good morning, Van," he greeted me, with impatient perfunctoriness. "There's been another half-world murder—the worst and ugliest thus far. . . ." He hesitated, and regarded me searchingly. "You recall my chat with Vance at the club the other night? There was something damned prophetic in his remarks. And you remember I half promised to take him along on the next important case. Well, the case has broken—with a vengeance. Margaret Odell, whom they called the Canary, has been strangled in her apartment; and from what I just got over the phone, it looks like another night-club affair. I'm headed for the Odell apartment now. . . . What about rousing out the sybarite?"

"By all means," I agreed, with an alacrity which, I fear, was in large measure prompted by purely selfish motives. The Canary! If one had sought the city over for a victim whose murder would stir up excitement, there could have been but few selections better calculated to produce this result.


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 Hastening to the door, I summoned Currie, and told him to call Vance at once.

"I'm afraid, sir" began Currie, politely hesitant.

"Calm your fears," cut in Markham. "I'll take all responsibility for waking him at this indecent hour."

Currie sensed an emergency and departed.

A minute or two later Vance, in an elaborately embroidered silk kimono and sandals, appeared at the living-room door.

"My word!" he greeted us, in mild astonishment, glancing at the clock. "Haven't you chaps gone to bed yet?"

He strolled to the mantel, and selected a gold-tipped Régie cigarette from a small Florentine humidor.

Markham's eyes narrowed: he was in no mood for levity.

"The Canary has been murdered," I blurted out.

Vance held his wax vesta poised, and gave me a look of indolent inquisitiveness. "Whose canary?"

"Margaret Odell was found strangled this morning," amended Markham brusquely. "Even you, wrapped in your scented cotton-wool, have heard of her. And you can realize the significance of the crime. I'm personally going to look for those footprints in the snow; and if you want to come along, as you intimated the other night, you'll have to get a move on."

Vance crushed out his cigarette.

"Margaret Odell, eh?—Broadway's blonde Aspasia—or was it Phryne who had the coiffure d'or?


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. . . Most distressin'!" Despite his offhand manner, I could see he was deeply interested. "The base enemies of law and order are determined to chivvy you most horribly, aren't they, old dear? Deuced inconsiderate of 'em! . . . Excuse me while I seek habiliments suitable to the occasion."

He disappeared into his bedroom, while Markham took out a large cigar and resolutely prepared it for smoking, and I returned to the library to put away the papers on which I had been working.

In less than ten minutes Vance reappeared, dressed for the street.

"Bien, mon vieux," he announced gaily, as Currie handed him his hat and gloves and a malacca cane. "Allons-y!"

We rode up-town along Madison Avenue, turned into Central Park, and came out by the West 72d Street entrance. Margaret Odell's apartment was at 184 West 71st Street, near Broadway; and as we drew up to the curb, it was necessary for the patrolman on duty to make a passage for us through the crowd that had already gathered as a result of the arrival of the police.

Feathergill, an assistant District Attorney, was waiting in the main hall for his Chief's arrival.

"It's too bad, sir," he lamented. "A rotten show all round. And just at this time! . . ." He shrugged his shoulders discouragingly.

"It may collapse quickly," said Markham, shaking the other's hand. "How are things going? Sergeant Heath phoned me right after you called, and said that, at first glance, the case looked a bit stubborn."


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 "Stubborn?" repeated Feathergill lugubriously. "It's downright impervious. Heath is spinning round like a turbine. He was called off the Boyle case, by the way, to devote his talents to this new shocker. Inspector Moran arrived ten minutes ago, and gave him the official imprimatur."

"Well, Heath's a good man," declared Markham. "We'll work it out. . . . Which is the apartment?"

Feathergill led the way to a door at the rear of the main hall.

"Here you are, sir," he announced. "I'll be running along now. I need sleep. Good luck!" And he was gone.

It will be necessary to give a brief description of the house and its interior arrangement, for the somewhat peculiar structure of the building played a vital part in the seemingly insoluble problem posed by the murder.

The house, which was a four-story stone structure originally built as a residence, had been remodelled, both inside and outside, to meet the requirements of an exclusive individual apartment dwelling. There were, I believe, three or four separate suites on each floor; but the quarters up-stairs need not concern us. The main floor was the scene of the crime, and here there were three apartments and a dentist's office.

The main entrance to the building was directly on the street, and extending straight back from the front door was a wide hallway. Directly at the rear of this hallway, and facing the entrance, was the door to the Odell apartment, which bore the numeral "3." About half-way down the front hall,


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 on the right-hand side, was the stairway leading to the floors above; and directly beyond the stairway, also on the right, was a small reception-room with a wide archway instead of a door. Directly opposite to the stairway, in a small recess, stood the telephone switchboard. There was no elevator in the house.

Another important feature of this ground-floor plan was a small passageway at the rear of the main hall and at right angles to it, which led past the front walls of the Odell apartment to a door opening on a court at the west side of the building. This court was connected with the street by an alley four feet wide.

In the accompanying diagram this arrangement of the ground floor can be easily visualized, and I suggest that the reader fix it in his mind; for I doubt if ever before so simple and obvious an architectural design played such an important part in a criminal mystery. By its very simplicity and almost conventional familiarity—indeed, by its total lack of any puzzling complications—it proved so baffling to the investigators that the case threatened, for many days, to remain forever insoluble.

As Markham entered the Odell apartment that morning Sergeant Ernest Heath came forward at once and extended his hand. A look of relief passed over his broad, pugnacious features; and it was obvious that the animosity and rivalry which always exist between the Detective Division and the District Attorney's office during the investigation of any criminal case had no place in his attitude on this occasion.

"I'm glad you've come, sir," he said; and meant it.


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 He then turned to Vance with a cordial smile, and held out his hand.

"So the amachoor sleuth is with us again!" His tone held a friendly banter.

"Oh, quite," murmured Vance. "How's your induction coil working this beautiful September morning, Sergeant?"

"I'd hate to tell you!" Then Heath's face grew suddenly grave, and he turned to Markham. "It's a raw deal, sir. Why in hell couldn't they have picked some one besides the Canary for their dirty work? There's plenty of Janes on Broadway who coulda faded from the picture without causing a second alarm; but they gotta go and bump off the Queen of Sheba!"

As he spoke, William M. Moran, the commanding officer of the Detective Bureau, came into the little foyer and performed the usual hand-shaking ceremony. Though he had met Vance and me but once before, and then casually, he remembered us both and addressed us courteously by name.

"Your arrival," he said to Markham, in a well-bred, modulated voice, "is very welcome. Sergeant Heath will give you what preliminary information you want. I'm still pretty much in the dark myself—only just arrived."

"A lot of information I've got to give," grumbled Heath, as he led the way into the living-room.

Margaret Odell's apartment was a suite of two fairly large rooms connected by a wide archway draped with heavy damask portières. The entrance


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 door from the main hall of the building led into a small rectangular foyer about eight feet long and four feet deep, with double Venetian-glass doors opening into the main room beyond. There was no other entrance to the apartment, and the bedroom could be reached only through the archway from the living-room.

There was a large davenport, covered with brocaded silk, in front of the fireplace in the left-hand wall of the living-room, with a long narrow library-table of inlaid rosewood extending along its back. On the opposite wall, between the foyer and the archway into the bedroom, hung a triplicate Marie Antoinette mirror, beneath which stood a mahogany gate-legged table. On the far side of the archway, near the large oriel window, was a baby grand Steinway piano with a beautifully designed and decorated case of Louis-Seize ornamentation. In the corner to the right of the fireplace was a spindle-legged escritoire and a square hand-painted waste-paper basket of vellum. To the left of the fireplace stood one of the loveliest Boule cabinets I have ever seen. Several excellent reproductions of Boucher, Fragonard, and Watteau hung about the walls. The bedroom contained a chest of drawers, a dressing-table, and several gold-leaf chairs. The whole apartment seemed eminently in keeping with the Canary's fragile and evanescent personality.

As we stepped from the little foyer into the living-room and stood for a moment looking about, a scene bordering on wreckage met our eyes. The rooms had apparently been ransacked by some one in a frenzy of haste, and the disorder of the place was appalling.


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 "They didn't exactly do the job in dainty fashion," remarked Inspector Moran.

"I suppose we oughta be grateful they didn't blow the joint up with dynamite," returned Heath acridly.

But it was not the general disorder that most attracted us. Our gaze was almost immediately drawn and held by the body of the dead girl, which rested in an unnatural, semi-recumbent attitude in the corner of the davenport nearest to where we stood. Her head was turned backward, as if by force, over the silken tufted upholstery; and her hair had come unfastened and lay beneath her head and over her bare shoulder like a frozen cataract of liquid gold. Her face, in violent death, was distorted and unlovely. Her skin was discolored; her eyes were staring; her mouth was open, and her lips were drawn back. Her neck, on either side of the thyroid cartilage, showed ugly dark bruises. She was dressed in a flimsy evening gown of black Chantilly lace over cream-colored chiffon, and across the arm of the davenport had been thrown an evening cape of cloth-of-gold trimmed with ermine.

There were evidences of her ineffectual struggle with the person who had strangled her. Besides the dishevelled condition of her hair, one of the shoulder-straps of her gown had been severed, and there was a long rent in the fine lace across her breast. A small corsage of artificial orchids had been torn from her bodice, and lay crumpled in her lap. One satin slipper had fallen off, and her right knee was twisted inward on the seat of the davenport, as if she had sought to lift herself out of the suffocating clutches of her antagonist. Her fingers were still flexed, no


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 doubt as they had been at the moment of her capitulation to death, when she had relinquished her grip upon the murderer's wrists.

The spell of horror cast over us by the sight of the tortured body was broken by the matter-of-fact tones of Heath.

"You see, Mr. Markham, she was evidently sitting in the corner of this settee when she was grabbed suddenly from behind."

Markham nodded. "It must have taken a pretty strong man to strangle her so easily."

"I'll say!" agreed Heath. He bent over and pointed to the girl's fingers, on which showed several abrasions. "They stripped her rings off, too; and they didn't go about it gentle, either." Then he indicated a segment of fine platinum chain, set with tiny pearls, which hung over one of her shoulders. "And they grabbed whatever it was hanging round her neck, and broke the chain doing it. They weren't overlooking anything, or losing any time. . . . A swell, gentlemanly job. Nice and refined."

"Where's the Medical Examiner?" asked Markham.

"He's coming," Heath told him. "You can't get Doc Doremus to go anywheres without his breakfast."

"He may find something else—something that doesn't show."

"There's plenty showing for me," declared Heath. "Look at this apartment. It wouldn't be much worse if a Kansas cyclone had struck it."

We turned from the depressing spectacle of the dead girl and moved toward the centre of the room.


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 "Be careful not to touch anything, Mr. Markham," warned Heath. "I've sent for the finger-print experts—they'll be here any minute now."

Vance looked up in mock astonishment.

"Finger-prints? You don't say—really! How delightful!—Imagine a johnnie in this enlightened day leaving his finger-prints for you to find."

"All crooks aren't clever, Mr. Vance," declared Heath combatively.

"Oh, dear, no! They'd never be apprehended if they were. But, after all, Sergeant, even an authentic finger-print merely means that the person who made it was dallying around at some time or other. It doesn't indicate guilt."

"Maybe so," conceded Heath doggedly. "But I'm here to tell you that if I get any good honest-to-God finger-prints outa this devastated area, it's not going so easy with the bird that made 'em."

Vance appeared to be shocked. "You positively terrify me, Sergeant. Henceforth I shall adopt mittens as a permanent addition to my attire. I'm always handling the furniture and the teacups and the various knickknacks in the houses where I call, don't y' know."

Markham interposed himself at this point, and suggested they make a tour of inspection while waiting for the Medical Examiner.

"They didn't add anything much to the usual methods," Heath pointed out. "Killed the girl, and then ripped things wide open."

The two rooms had apparently been thoroughly ransacked. Clothes and various articles were strewn about the floor. The doors of both clothes-closets


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 (there was one in each room) were open, and to judge from the chaos in the bedroom closet, it had been hurriedly searched; although the closet off of the living-room, which was given over to the storage of infrequently used items, appeared to have been ignored. The drawers of the dressing-table and chest had been partly emptied on to the floor, and the bedclothes had been snatched away and the mattress turned back. Two chairs and a small occasional table were upset; several vases were broken, as if they had been searched and then thrown down in the wrath of disappointment; and the Marie Antoinette mirror had been broken. The escritoire was open, and its pigeonholes had been emptied in a jumbled pile upon the blotter. The doors of the Boule cabinet swung wide, and inside there was the same confusion of contents that marked the interior of the escritoire. The bronze-and-porcelain lamp on the end of the library-table was lying on its side, its satin shade torn where it had struck the sharp corner of a silver bonbonnière.

Two objects in the general disarray particularly attracted my attention—a black metal document-box of the kind purchasable at any stationery store, and a large jewel-case of sheet steel with a circular inset lock. The latter of these objects was destined to play a curious and sinister part in the investigation to follow.

The document-box, which was now empty, had been placed on the library-table, next to the overturned lamp. Its lid was thrown back, and the key was still in the lock. In all the litter and disorganization of the room, this box seemed to be the one out-


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 standing indication of calm and orderly activity on the part of the wrecker.

The jewel-case, on the other hand, had been violently wrenched open. It sat on the dressing-table in the bedroom, dinted and twisted out of shape by the terrific leverage that had been necessary to force it, and beside it lay a brass-handled, cast-iron poker which had evidently been brought from the living-room and used as a makeshift chisel with which to prize open the lock.

Vance had glanced but casually at the different objects in the rooms as we made our rounds, but when he came to the dressing-table, he paused abruptly. Taking out his monocle, he adjusted it carefully, and leaned over the broken jewel-case.

"Most extr'ordin'ry!" he murmured, tapping the edge of the lid with his gold pencil. "What do you make of that, Sergeant?"

Heath had been eyeing Vance with narrowed lids as the latter bent over the dressing-table.

"What's in your mind, Mr. Vance?" he, in turn, asked.

"Oh, more than you could ever guess," Vance answered lightly. "But just at the moment I was toying with the idea that this steel case was never torn open by that wholly inadequate iron poker, what?"

Heath nodded his head approvingly. "So you, too, noticed that, did you? . . . And you're dead right. That poker might've twisted the box a little, but it never snapped that lock."

He turned to Inspector Moran.

"That's the puzzler I've sent for 'Prof' Brenner to clean up—if he can. The jimmying of that jewel


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 case looks to me like a high-class professional job. No Sunday-school superintendent did it."

Vance continued for a while to study the box, but at length he turned away with a perplexed frown.

"I say!" he commented. "Something devilish queer took place here last night."

"Oh, not so queer," Heath amended. "It was a thorough job, all right, but there's nothing mysterious about it."

Vance polished his monocle and put it away.

"If you go to work on that basis, Sergeant," he returned carelessly, "I greatly fear you'll run aground on a reef. And may kind Heaven bring you safe to shore!"


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A few minutes after we had returned to the living-room Doctor Doremus, the Chief Medical Examiner, arrived, jaunty and energetic. Immediately in his train came three other men, one of whom carried a bulky camera and a folded tripod. These were Captain Dubois and Detective Bellamy, finger-print experts, and Peter Quackenbush, the official photographer.

"Well, well, well!" exclaimed Doctor Doremus. "Quite a gathering of the clans. More trouble, eh? . . . I wish your friends, Inspector, would choose a more respectable hour for their little differences. This early rising upsets my liver."

He shook hands with everybody in a brisk, businesslike manner.

"Where's the body?" he demanded breezily, looking about the room. He caught sight of the girl on the davenport. "Ah! A lady."

Stepping quickly forward, he made a rapid examination of the dead girl, scrutinizing her neck and fingers, moving her arms and head to determine the condition of rigor mortis and finally unflexing her stiffened limbs and laying her out straight on the long cushions, preparatory to a more detailed necropsy.


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 The rest of us moved toward the bedroom, and Heath motioned to the finger-print men to follow.

"Go over everything," he told them. "But take a special look at this jewel-case and the handle of this poker, and give that document-box in the other room a close up-and-down."

"Right," assented Captain Dubois. "We'll begin in here while the doc's busy in the other room." And he and Bellamy set to work.

Our interest naturally centred on the Captain's labors. For fully five minutes we watched him inspecting the twisted steel sides of the jewel-case and the smooth, polished handle of the poker. He held the objects gingerly by their edges, and, placing a jeweller's glass in his eye, flashed his pocket-light on every square inch of them. At length he put them down, scowling.

"No finger-prints here," he announced. "Wiped clean."

"I mighta known it," grumbled Heath. "It was a professional job, all right." He turned to the other expert. "Found anything, Bellamy?"

"Nothing to help," was the grumpy reply. "A few old smears with dust over 'em."

"Looks like a washout," Heath commented irritably; "though I'm hoping for something in the other room."

At this moment Doctor Doremus came into the bedroom and, taking a sheet from the bed, returned to the davenport and covered the body of the murdered girl. Then he snapped shut his case, and putting on his hat at a rakish angle, stepped forward with the air of a man in great haste to be on his way.


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 "Simple case of strangulation from behind," he said, his words running together. "Digital bruises about the front of the throat; thumb bruises in the sub-occipital region. Attack must have been unexpected. A quick, competent job though deceased evidently battled a little."

"How do you suppose her dress became torn, doctor?" asked Vance.

"Oh, that? Can't tell. She may have done it herself—instinctive motions of clutching for air."

"Not likely though, what?"

"Why not? The dress was torn and the bouquet was ripped off, and the fellow who was choking her had both hands on her throat. Who else could've done it?"

Vance shrugged his shoulders, and began lighting a cigarette.

Heath, annoyed by his apparently inconsequential interruption, put the next question.

"Don't those marks on the fingers mean that her rings were stripped off?"

"Possibly. They're fresh abrasions. Also, there's a couple of lacerations on the left wrist and slight contusions on the thenar eminence, indicating that a bracelet may have been forcibly pulled over her hand."

"That fits O. K.," pronounced Heath, with satisfaction. "And it looks like they snatched a pendant of some kind off her neck."

"Probably," indifferently agreed Doctor Doremus. "The piece of chain had cut into her flesh a little behind the right shoulder."

"And the time?"


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 "Nine or ten hours ago. Say, about eleven-thirty—maybe a little before. Not after midnight, anyway." He had been teetering restlessly on his toes. "Anything else?"

Heath pondered.

"I guess that's all, doc," he decided. "I'll get the body to the mortuary right away. Let's have the post-mortem as soon as you can."

"You'll get a report in the morning." And despite his apparent eagerness to be off, Doctor Doremus stepped into the bedroom, and shook hands with Heath and Markham and Inspector Moran before he hurried out.

Heath followed him to the door, and I heard him direct the officer outside to telephone the Department of Public Welfare to send an ambulance at once for the girl's body.

"I positively adore that official archiater of yours," Vance said to Markham. "Such detachment! Here are you stewing most distressingly over the passing of one damsel fair and frail, and that blithe medicus is worrying only over a sluggish liver brought on by early rising."

"What has he to be upset over?" complained Markham. "The newspapers are not riding him with spurs. . . . And by the way, what was the point of your questions about the torn dress?"

Vance lazily inspected the tip of his cigarette.

"Consider," he said. "The lady was evidently taken by surprise; for, had there been a struggle beforehand, she would not have been strangled from behind while sitting down. Therefore, her gown and corsage were undoubtedly intact at the time she


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 was seized. But—despite the conclusion of your dashing Paracelsus—the damage to her toilet was not of a nature that could have been self-inflicted in her struggle for air. If she had felt the constriction of the gown across her breast, she would have snatched the bodice itself by putting her fingers inside the band. But, if you noticed, her bodice was intact; the only thing that had been torn was the deep lace flounce on the outside; and it had been torn, or rather ripped, by a strong lateral pull; whereas, in the circumstances, any wrench on her part would have been downward or outward."

Inspector Moran was listening intently, but Heath seemed restless and impatient; apparently he regarded the torn gown as irrelevant to the simple main issue.

"Moreover," Vance went on, "there is the corsage. If she herself had torn it off while being strangled, it would doubtless have fallen to the floor; for, remember, she offered considerable resistance. Her body was twisted sidewise; her knee was drawn up, and one slipper had been kicked off. Now, no bunch of silken posies is going to remain in a lady's lap during such a commotion. Even when ladies sit still, their gloves and hand-bags and handkerchiefs and programmes and serviettes are forever sliding off of their laps on to the floor, don't y' know."

"But if your argument's correct," protested Markham, "then the tearing of the lace and the snatching off of the corsage could have been done only after she was dead. And I can't see any object in such senseless vandalism."

"Neither can I," sighed Vance. "It's all devilish queer."


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 Heath looked up at him sharply. "That's the second time you've said that. But there's nothing what you'd call queer about this mess. It is a straight-away case." He spoke with an overtone of insistence, like a man arguing against his own insecurity of opinion. "The dress might've been torn almost any time," he went on stubbornly. "And the flower might've got caught in the lace of her skirt so it couldn't roll off."

"And how would you explain the jewel-case, Sergeant?" asked Vance.

"Well, the fellow might've tried the poker, and then, finding it wouldn't work, used his jimmy."

"If he had the efficient jimmy," countered Vance, "why did he go to the trouble of bringing the silly poker from the living-room?"

The Sergeant shook his head perplexedly.

"You never can tell why some of these crooks act the way they do."

"Tut, tut!" Vance chided him. "There should be no such word as 'never' in the bright lexicon of detecting."

Heath regarded him sharply. "Was there anything else that struck you as queer?" His subtle doubts were welling up again.

"Well, there's the lamp on the table in the other room."

We were standing near the archway between the two rooms, and Heath turned quickly and looked blankly at the fallen lamp.

"I don't see anything queer about that."

"It has been upset—eh, what?" suggested Vance.

"What if it has?" Heath was frankly puzzled.


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 "Damn near everything in this apartment has been knocked crooked."

"Ah! But there's a reason for most of the other things having been disturbed—like the drawers and pigeonholes and closets and vases. They all indicate a search; they're consistent with a raid for loot. But that lamp, now, d' ye see, doesn't fit into the picture. It's a false note. It was standing on the opposite end of the table to where the murder was committed, at least five feet away; and it couldn't possibly have been knocked over in the struggle. . . . No, it won't do. It's got no business being upset, any more than that pretty mirror over the gate-legged table has any business being broken. That's why it's queer."

"What about those chairs and the little table?" asked Heath, pointing to two small gilded chairs which had been overturned, and a fragile tip-table that lay on its side near the piano.

"Oh, they fit into the ensemble," returned Vance. "They're all light pieces of furniture which could easily have been knocked over, or thrown aside, by the hasty gentleman who rifled these rooms."

"The lamp might've been knocked over in the same way," argued Heath.

Vance shook his head. "Not tenable, Sergeant. It has a solid bronze base, and isn't at all top-heavy; and being set well back on the table, it wasn't in any one's way. . . . That lamp was upset deliberately."

The Sergeant was silent for a while. Experience had taught him not to underestimate Vance's observations; and, I must confess, as I looked at the lamp lying on its side on the end of the library-table,


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 well removed from any of the other disordered objects in the room, Vance's argument seemed to possess considerable force. I tried hard to fit it into a hasty reconstruction of the crime, but was utterly unable to do so.

"Anything else that don't seem to fit into the picture?" Heath at length asked.

Vance pointed with his cigarette toward the clothes-closet in the living-room. This closet was alongside of the foyer, in the corner near the Boule cabinet, directly opposite to the end of the davenport.

"You might let your mind dally a moment with the condition of that clothes-press," suggested Vance carelessly. "You will note that, though the door's ajar, the contents have not been touched. And it's about the only area in the apartment that hasn't been disturbed."

Heath walked over and looked into the closet.

"Well, anyway, I'll admit that's queer," he finally conceded.

Vance had followed him indolently, and stood gazing over his shoulder.

"And my word!" he exclaimed suddenly. "The key's on the inside of the lock. Fancy that, now! One can't lock a closet door with the key on the inside—can one, Sergeant?"

"The key may not mean anything," Heath observed hopefully. "Maybe the door was never locked. Anyhow, we'll find out about that pretty soon. I'm holding the maid outside, and I'm going to have her on the carpet as soon as the Captain finishes his job here."

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 search for finger-prints in the bedroom, was now inspecting the piano.

"Any luck yet?"

The Captain shook his head.

"Gloves," he answered succinctly.

"Same here," supplemented Bellamy gruffly, on his knees before the escritoire.

Vance, with a sardonic smile, turned and walked to the window, where he stood looking out and smoking placidly, as if his entire interest in the case had evaporated.

At this moment the door from the main hall opened, and a short thin little man, with gray hair and a scraggly gray beard, stepped inside and stood blinking against the vivid sunlight.

"Good morning, Professor," Heath greeted the newcomer. "Glad to see you. I've got something nifty, right in your line."

Deputy-Inspector Conrad Brenner was one of that small army of obscure, but highly capable, experts who are connected with the New York Police Department, and who are constantly being consulted on abstruse technical problems, but whose names and achievements rarely get into the public prints. His specialty was locks and burglars' tools; and I doubt if, even among those exhaustively painstaking criminologists of the University of Lausanne, there was a more accurate reader of the evidential signs left by the implements of house-breakers. In appearance and bearing he was like a withered little college professor. His black, unpressed suit was


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 old-fashioned in cut; and he wore a very high stiff collar, like a fin-de-siècle clergyman, with a narrow black string tie. His gold-rimmed spectacles were so thick-lensed that the pupils of his eyes gave the impression of acute belladonna poisoning.

When Heath had spoken to him, he merely stood staring with a sort of detached expectancy; he seemed utterly unaware that there was any one else in the room. The Sergeant, evidently familiar with the little man's idiosyncrasies of manner, did not wait for a response, but started at once for the bedroom.

"This way, please, Professor," he directed cajolingly, going to the dressing-table and picking up the jewel-case. "Take a squint at this, and tell me what you see."

Inspector Brenner followed Heath, without looking to right or left, and, taking the jewel-case, went silently to the window and began to examine it. Vance, whose interest seemed suddenly to be reawakened, came forward and stood watching him.

For fully five minutes the little expert inspected the case, holding it within a few inches of his myopic eyes. Then he lifted his glance to Heath and winked several times rapidly.

"Two instruments were used in opening this case." His voice was small and high-pitched, but there was in it an undeniable quality of authority. "One bent the lid and made several fractures on the baked enamel. The other was, I should say, a steel chisel of some kind, and was used to break the lock. The first instrument, which was blunt, was employed amateurishly, at the wrong angle of leverage; and the effort resulted only in twisting the over-


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 hang of the lid. But the steel chisel was inserted with a knowledge of the correct point of oscillation, where a minimum of leverage would produce the counteracting stress necessary to displace the lock-bolts."

"A professional job?" suggested Heath.

"Highly so," answered the Inspector, again blinking. "That is to say, the forcing of the lock was professional. And I would even go so far as to advance the opinion that the instrument used was one especially constructed for such illegal purposes."

"Could this have done the job?" Heath held out the poker.

The other looked at it closely, and turned it over several times.

"It might have been the instrument that bent the cover, but it was not the one used for prying open the lock. This poker is cast iron and would have snapped under any great pressure; whereas this box is of cold rolled eighteen-gauge steel plate, with an inset cylinder pin-tumbler lock taking a paracentric key. The leverage force necessary to distort the flange sufficiently to lift the lid could have been made only by a steel chisel."

"Well, that's that." Heath seemed well satisfied with Inspector Brenner's conclusion. "I'll send the box down to you, Professor, and you can let me know what else you find out."

"I'll take it along, if you have no objection." And the little man tucked it under his arm and shuffled out without another word.

Heath grinned at Markham. "Queer bird. He ain't happy unless he's measuring jimmy marks on


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 doors and windows and things. He couldn't wait till I sent him the box. He'll hold it lovingly on his lap all the way down in the subway, like a mother with a baby."

Vance was still standing near the dressing-table, gazing perplexedly into space.

"Markham," he said, "the condition of that jewel-case is positively astounding. It's unreasonable, illogical—insane. It complicates the situation most damnably. That steel box simply couldn't have been chiselled open by a professional burglar . . . and yet, don't y' know, it actually was."

Before Markham could reply, a satisfied grunt from Captain Dubois attracted our attention.

"I've got something for you, Sergeant," he announced.

We moved expectantly into the living-room. Dubois was bending over the end of the library-table almost directly behind the place where Margaret Odell's body had been found. He took out an insufflator, which was like a very small hand-bellows, and blew a fine light-yellow powder evenly over about a square foot of the polished rosewood surface of the table-top. Then he gently blew away the surplus powder, and there appeared the impression of a human hand distinctly registered in saffron. The bulb of the thumb and each fleshy hummock between the joints of the fingers and around the palm stood out like tiny circular islands. All the papillary ridges were clearly discernible. The photographer then hooked his camera to a peculiar adjustable tripod and, carefully focusing his lens, took two flash-light pictures of the hand-mark.


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 "This ought to do." Dubois was pleased with his find. "It's the right hand—a clear print—and the guy who made it was standing right behind the dame. . . . And it's the newest print in the place."

"What about this box?" Heath pointed to the black document-box on the table near the overturned lamp.

"Not a mark—wiped clean."

Dubois began putting away his paraphernalia.

"I say, Captain Dubois," interposed Vance, "did you take a good look at the inside door-knob of that clothes-press?"

The man swung about abruptly, and gave Vance a glowering look.

"People ain't in the habit of handling the inside knobs of closet doors. They open and shut closets from the outside."

Vance raised his eyebrows in simulated astonishment.

"Do they, now, really?—Fancy that! . . . Still, don't y' know, if one were inside the closet, one couldn't reach the outside knob."

"The people I know don't shut themselves in clothes-closets." Dubois's tone was ponderously sarcastic.

"You positively amaze me!" declared Vance. "All the people I know are addicted to the habit—a sort of daily pastime, don't y' know."

Markham, always diplomatic, intervened.

"What idea have you about that closet, Vance?"

"Alas! I wish I had one," was the dolorous answer. "It's because I can't, for the life of me, make sense of its neat and orderly appearance that I'm so


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 interested in it. Really, y' know, it should have been artistically looted."

Heath was not entirely free from the same vague misgivings that were disturbing Vance, for he turned to Dubois and said:

"You might go over the knob, Captain. As this gentleman says, there's something funny about the condition of that closet."

Dubois, silent and surly, went to the closet door and sprayed his yellow powder over the inside knob. When he had blown the loose particles away, he bent over it with his magnifying-glass. At length he straightened up, and gave Vance a look of ill-natured appraisal.

"There's fresh prints on it, all right," he grudgingly admitted; "and unless I'm mistaken they were made by the same hand as those on the table. Both thumb-marks are ulnar loops, and the index-fingers are both whorl patterns. . . . Here, Pete," he ordered the photographer, "make some shots of that knob."

When this had been done, Dubois, Bellamy, and the photographer left us.

A few moments later, after an interchange of pleasantries, Inspector Moran also departed. At the door he passed two men in the white uniform of internes, who had come to take away the girl's body.


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Markham and Heath and Vance and I were now alone in the apartment. Dark, low-hanging clouds had drifted across the sun, and the gray spectral light intensified the tragic atmosphere of the rooms. Markham had lighted a cigar, and stood leaning against the piano, looking about him with a disconsolate but determined air. Vance had moved over to one of the pictures on the side wall of the living-room—Boucher's "La Bergère Endormie" I think it was—and stood looking at it with cynical contempt.

"Dimpled nudities, gambolling Cupids and woolly clouds for royal cocottes," he commented. His distaste for all the painting of the French decadence under Louis XV was profound. "One wonders what pictures courtesans hung in their boudoirs before the invention of these amorous eclogues, with their blue verdure and beribboned sheep."

"I'm more interested at present in what took place in this particular boudoir last night," retorted Markham impatiently.

"There's not much doubt about that, sir," said Heath encouragingly. "And I've an idea that when


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 Dubois checks up those finger-prints with our files, we'll about know who did it."

Vance turned toward him with a rueful smile.

"You're so trusting, Sergeant. I, in turn, have an idea that, long before this touchin' case is clarified, you'll wish the irascible Captain with the insect-powder had never found those finger-prints." He made a playful gesture of emphasis. "Permit me to whisper into your ear that the person who left his sign-manuals on yonder rosewood table and cut-glass door-knob had nothing whatever to do with the precipitate demise of the fair Mademoiselle Odell."

"What is it you suspect?" demanded Markham sharply.

"Not a thing, old dear," blandly declared Vance. "I'm wandering about in a mental murk as empty of sign-posts as interplanetary space. The jaws of darkness do devour me up; I'm in the dead vast and middle of the night. My mental darkness is Egyptian, Stygian, Cimmerian—I'm in a perfect Erebus of tenebrosity."

Markham's jaw tightened in exasperation; he was familiar with this evasive loquacity of Vance's. Dismissing the subject, he addressed himself to Heath.

"Have you done any questioning of the people in the house here?"

"I talked to Odell's maid and to the janitor and the switchboard operators, but I didn't go much into details—I was waiting for you. I'll say this, though: what they did tell me made my head swim. If they don't back down on some of their statements, we're up against it."


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 "Let's have them in now, then," suggested Markham; "the maid first." He sat down on the piano-bench with his back to the keyboard.

Heath rose, but instead of going to the door, walked to the oriel window.

"There's one thing I want to call your attention to, sir, before you interview these people, and that's the matter of entrances and exits in this apartment." He drew aside the gold-gauze curtain. "Look at that iron grating. All the windows in this place, including the ones in the bathroom, are equipped with iron bars just like these. It's only eight or ten feet to the ground here, and whoever built this house wasn't taking any chances of burglars getting in through the windows."

He released the curtain, and strode into the foyer.

"Now, there's only one entrance to this apartment, and that's this door here opening off the main hall. There isn't a transom or an air-shaft or a dumb-waiter in the place, and that means that the only way—the only way—that anybody can get in or out of this apartment is through this door. Just keep that fact in your mind, sir, while you're listening to the stories of these people. . . . Now, I'll have the maid brought in."

In response to Heath's order a detective led in a mulatto woman about thirty years old. She was neatly dressed, and gave one the impression of capability. When she spoke it was with a quiet, clear enunciation which attested to a greater degree of education than is ordinarily found in members of her class.

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 information elicited by Markham's preliminary questioning consisted of the following facts:

Her testimony had been simple and direct and intelligently stated. If she was nervous or excited, she managed to keep her feelings well under control.

"Now," continued Markham, after a short pause, "let us go back to last night.—At what time did you leave Miss Odell?"

"A few minutes before seven, sir," the woman answered, in a colorless, even tone which seemed to be characteristic of her speech.

"Is that your usual hour for leaving?"

"No; I generally go about six. But last night Miss Odell wanted me to help her dress for dinner."

"Don't you always help her dress for dinner?"

"No, sir. But last night she was going with some gentleman to dinner and the theatre, and wanted to look specially nice."

"Ah!" Markham leaned forward. "And who was this gentleman?"


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 "I don't know, sir—Miss Odell didn't say."

"And you couldn't suggest who it might have been?"

"I couldn't say, sir."

"And when did Miss Odell tell you that she wanted you to come early this morning?"

"When I was leaving last night."

"So she evidently didn't anticipate any danger, or have any fear of her companion."

"It doesn't look that way." The woman paused, as if considering. "No, I know she didn't. She was in good spirits."

Markham turned to Heath.

"Any other questions you want to ask, Sergeant?"

Heath removed an unlighted cigar from his mouth, and bent forward, resting his hands on his knees.

"What jewellery did this Odell woman have on last night?" he demanded gruffly.

The maid's manner became cool and a bit haughty.

"Miss Odell"—she emphasized the "Miss," by way of reproaching him for the disrespect implied in his omission—"wore all her rings, five or six of them, and three bracelets—one of square diamonds, one of rubies, and one of diamonds and emeralds. She also had on a sunburst of pear-shaped diamonds on a chain round her neck, and she carried a platinum lorgnette set with diamonds and pearls."

"Did she own any other jewellery?"

"A few small pieces, maybe, but I'm not sure."

"And did she keep 'em in a steel jewel-case in the bedroom?"

"Yes—when she wasn't wearing them." There was more than a suggestion of sarcasm in the reply.


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 "Oh, I thought maybe she kept 'em locked up when she had 'em on." Heath's antagonism had been aroused by the maid's attitude; he could not have failed to note that she had consistently omitted the punctilious "sir" when answering him. He now stood up and pointed loweringly to the black document-box on the rosewood table.

"Ever see that before?"

The woman nodded indifferently. "Many times."

"Where was it generally kept?"

"In that thing." She indicated the Boule cabinet with a motion of the head.

"What was in the box?"

"How should I know?"

"You don't know—huh?" Heath thrust out his jaw, but his bullying attitude had no effect upon the impassive maid.

"I've got no idea," she replied calmly. "It was always kept locked, and I never saw Miss Odell open it."

The Sergeant walked over to the door of the living-room closet.

"See that key?" he asked angrily.

Again the woman nodded; but this time I detected a look of mild astonishment in her eyes.

"Was that key always kept on the inside of the door?"

"No; it was always on the outside."

Heath shot Vance a curious look. Then, after a moment's frowning contemplation of the knob, he waved his hand to the detective who had brought the maid in.

"Take her back to the reception-room, Snitkin,


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 and get a detailed description from her of all the Odell jewellery. . . . And keep her outside; I'll want her again."

When Snitkin and the maid had gone out, Vance lay back lazily on the davenport, where he had sat during the interview, and sent a spiral of cigarette smoke toward the ceiling.

"Rather illuminatin', what?" he remarked. "The dusky demoiselle got us considerably forrader. Now we know that the closet key is on the wrong side of the door, and that our fille de joie went to the theatre with one of her favorite inamorati, who presumably brought her home shortly before she took her departure from this wicked world."

"You think that's helpful, do you?" Heath's tone was contemptuously triumphant. "Wait till you hear the crazy story the telephone operator's got to tell."

"All right, Sergeant," put in Markham impatiently. "Suppose we get on with the ordeal."

"I'm going to suggest, Mr. Markham, that we question the janitor first. And I'll show you why." Heath went to the entrance door of the apartment, and opened it. "Look here for just a minute, sir."

He stepped out into the main hall, and pointed down the little passageway on the left. It was about ten feet in length, and ran between the Odell apartment and the blank rear wall of the reception-room. At the end of it was a solid oak door which gave on the court at the side of the house.

"That door," explained Heath, "is the only side or rear entrance to this building; and when that door is bolted nobody can get into the house except by the front entrance. You can't even get into the build-


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 ing through the other apartments, for every window on this floor is barred. I checked up on that point as soon as I got here."

He led the way back into the living-room.

"Now, after I'd looked over the situation this morning," he went on, "I figured that our man had entered through that side door at the end of the passageway, and had slipped into this apartment without the night operator seeing him. So I tried the side door to see if it was open. But it was bolted on the inside—not locked, mind you, but bolted. And it wasn't a slip-bolt, either, that could have been jimmied or worked open from the outside, but a tough old-fashioned turn-bolt of solid brass. . . . And now I want you to hear what the janitor's got to say about it."

Markham nodded acquiescence, and Heath called an order to one of the officers in the hall. A moment later a stolid, middle-aged German, with sullen features and high cheek-bones, stood before us. His jaw was clamped tight, and he shifted his eyes from one to the other of us suspiciously.

Heath straightway assumed the rôle of inquisitor.

"What time do you leave here at night?" He had, for some reason, assumed a belligerent manner.

"Six o'clock—sometimes earlier, sometimes later." The man spoke in a surly monotone. He was obviously resentful at this unexpected intrusion upon his orderly routine.

"And what time do you get here in the morning?"

"Eight o'clock, regular."

"What time did you go home last night?"

"About six—maybe quarter past."


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 Heath paused and finally lighted the cigar on which he had been chewing at intervals during the past hour.

"Now, tell me about that side door," he went on, with undiminished aggressiveness. "You told me you lock it every night before you leave—is that right?"

"Ja—that's right." The man nodded his head affirmatively several times. "Only I don't lock it—I bolt it."

"All right, you bolt it, then." As Heath talked his cigar bobbed up and down between his lips: smoke and words came simultaneously from his mouth. "And last night you bolted it as usual about six o'clock?"

"Maybe a quarter past," the janitor amended, with Germanic precision.

"You're sure you bolted it last night?" The question was almost ferocious.

"Ja, ja. Sure, I am. I do it every night. I never miss."

The man's earnestness left no doubt that the door in question had indeed been bolted on the inside at about six o'clock of the previous evening. Heath, however, belabored the point for several minutes, only to be reassured doggedly that the door had been bolted. At last the janitor was dismissed.

"Really, y' know, Sergeant," remarked Vance with an amused smile, "that honest Rheinlander bolted the door."

"Sure, he did," spluttered Heath; "and I found it still bolted this morning at quarter of eight. That's just what messes things up so nice and pretty.


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 If that door was bolted from six o'clock last evening until eight o'clock this morning, I'd appreciate having some one drive up in a hearse and tell me how the Canary's little playmate got in here last night. And I'd also like to know how he got out."

"Why not through the main entrance?" asked Markham. "It seems the only logical way left, according to your own findings."

"That's how I had it figured out, sir," returned Heath. "But wait till you hear what the phone operator has to say."

"And the phone operator's post," mused Vance, "is in the main hall half-way between the front door and this apartment. Therefore, the gentleman who caused all the disturbance hereabouts last night would have had to pass within a few feet of the operator both on arriving and departing—eh, what?"

"That's it!" snapped Heath. "And, according to the operator, no such person came or went."

Markham seemed to have absorbed some of Heath's irritability.

"Get the fellow in here, and let me question him," he ordered.

Heath obeyed with a kind of malicious alacrity.


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Jessup made a good impression from the moment he entered the room. He was a serious, determined-looking man in his early thirties, rugged and well built; and there was a squareness to his shoulders that carried a suggestion of military training. He walked with a decided limp—his right foot dragged perceptibly—and I noted that his left arm had been stiffened into a permanent arc, as if by an unreduced fracture of the elbow. He was quiet and reserved, and his eyes were steady and intelligent. Markham at once motioned him to a wicker chair beside the closet door, but he declined it, and stood before the District Attorney in a soldierly attitude of respectful attention. Markham opened the interrogation with several personal questions. It transpired that Jessup had been a sergeant in the World War, had twice been seriously wounded, and had been invalided home shortly before the Armistice. He had held his present post of telephone operator for over a year.

"Now, Jessup," continued Markham, "there are things connected with last night's tragedy that you can tell us."

"Yes, sir." There was no doubt that this ex


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 soldier would tell us accurately anything he knew, and also that, if he had any doubt as to the correctness of his information, he would frankly say so. He possessed all the qualities of a careful and well-trained witness.

"First of all, what time did you come on duty last night?"

"At ten o'clock, sir." There was no qualification to this blunt statement; one felt that Jessup would arrive punctually at whatever hour he was due. "It was my short shift. The day man and myself alternate in long and short shifts."

"And did you see Miss Odell come in last night after the theatre?"

"Yes, sir. Every one who comes in has to pass the switchboard."

"What time did she arrive?"

"It couldn't have been more than a few minutes after eleven."

"Was she alone?"

"No, sir. There was a gentleman with her."

"Do you know who he was?"

"I don't know his name, sir. But I have seen him several times before when he has called on Miss Odell."

"You could describe him, I suppose."

"Yes, sir. He's tall and clean-shaven except for a very short gray moustache, and is about forty-five, I should say. He looks—if you understand me, sir—like a man of wealth and position."

Markham nodded. "And now, tell me: did he accompany Miss Odell into her apartment, or did he go immediately away?"


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 "He went in with Miss Odell, and stayed about half an hour."

Markham's eyes brightened, and there was a suppressed eagerness in his next words.

"Then he arrived about eleven, and was alone with Miss Odell in her apartment until about half past eleven. You're sure of these facts?"

"Yes, sir, that's correct," the man affirmed.

Markham paused and leaned forward.

"Now, Jessup, think carefully before answering: did any one else call on Miss Odell at any time last night?"

"No one, sir," was the unhesitating reply.

"How can you be so sure?"

"I would have seen them, sir. They would have had to pass the switchboard in order to reach this apartment."

"And don't you ever leave the switchboard?" asked Markham.

"No, sir," the man assured him vigorously, as if protesting against the implication that he would desert a post of duty. "When I want a drink of water, or go to the toilet, I use the little lavatory in the reception-room; but I always hold the door open and keep my eye on the switchboard in case the pilot-light should show up for a telephone call. Nobody could walk down the hall, even if I was in the lavatory, without my seeing them."

One could well believe that the conscientious Jessup kept his eye at all times on the switchboard lest a call should flash and go unanswered. The man's earnestness and reliability were obvious; and there was no doubt in any of our minds, I think, that if


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 Miss Odell had had another visitor that night, Jessup would have known of it.

But Heath, with the thoroughness of his nature, rose quickly and stepped out into the main hall. In a moment he returned, looking troubled but satisfied.

"Right!" he nodded to Markham. "The lavatory door's on a direct unobstructed line with the switchboard."

Jessup took no notice of this verification of his statement, and stood, his eyes attentively on the District Attorney, awaiting any further questions that might be asked him. There was something both admirable and confidence-inspiring in his unruffled demeanor.

"What about last night?" resumed Markham. "Did you leave the switchboard often, or for long?"

"Just once, sir; and then only to go to the lavatory for a minute or two. But I watched the board the whole time."

"And you'd be willing to state on oath that no one else called on Miss Odell from ten o'clock on, and that no one, except her escort, left her apartment after that hour?"

"Yes, sir, I would."

He was plainly telling the truth, and Markham pondered several moments before proceeding.

"What about the side door?"

"That's kept locked all night, sir. The janitor bolts it when he leaves, and unbolts it in the morning. I never touch it."

Markham leaned back and turned to Heath.

"The testimony of the janitor and Jessup here," he said, "seems to limit the situation pretty nar-


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 rowly to Miss Odell's escort. If, as seems reasonable to assume, the side door was bolted all night, and if no other caller came or went through the front door, it looks as if the man we wanted to find was the one who brought her home."

Heath gave a short mirthless laugh.

"That would be fine, sir, if something else hadn't happened around here last night." Then, to Jessup: "Tell the District Attorney the rest of the story about this man."

Markham looked toward the operator with expectant interest; and Vance, lifting himself on one elbow, listened attentively.

Jessup spoke in a level voice, with the alert and careful manner of a soldier reporting to his superior officer.

"It was just this, sir. When the gentleman came out of Miss Odell's apartment at about half past eleven, he stopped at the switchboard and asked me to get him a Yellow Taxicab. I put the call through, and while he was waiting for the car, Miss Odell screamed and called for help. The gentleman turned and rushed to the apartment door, and I followed quickly behind him. He knocked; but at first there was no answer. Then he knocked again, and at the same time called out to Miss Odell and asked her what was the matter. This time she answered. She said everything was all right, and told him to go home and not to worry. Then he walked back with me to the switchboard, remarking that he guessed Miss Odell must have fallen asleep and had a nightmare. We talked for a few minutes about the war, and then the taxicab came. He said good


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 night, and went out, and I heard the car drive away."

It was plain to see that this epilogue of the departure of Miss Odell's anonymous escort completely upset Markham's theory of the case. He looked down at the floor with a baffled expression, and smoked vigorously for several moments. At last he asked:

"How long was it after this man came out of the apartment that you heard Miss Odell scream?"

"About five minutes. I had put my connection through to the taxicab company, and it was a minute or so later that she screamed."

"Was the man near the switchboard?"

"Yes, sir. In fact, he had one arm resting on it."

"How many times did Miss Odell scream? And just what did she say when she called for help?"

"She screamed twice, and then cried 'Help! Help!

"And when the man knocked on the door the second time, what did he say?"

"As near as I can recollect, sir, he said: 'Open the door, Margaret! What's the trouble?

"And can you remember her exact words when she answered him?"

Jessup hesitated, and frowned reflectively.

"As I recall, she said: 'There's nothing the matter. I'm sorry I screamed. Everything's all right, so please go home, and don't worry.' . . . Of course, that may not be exactly what she said, but it was something very close to it."

"You could hear her plainly through the door, then?"

"Oh, yes. These doors are not very thick."


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 Markham rose, and began pacing meditatively. At length, halting in front of the operator, he asked another question:

"Did you hear any other suspicious sounds in this apartment after the man left?"

"Not a sound of any kind, sir," Jessup declared. "Some one from outside the building, however, telephoned Miss Odell about ten minutes later, and a man's voice answered from her apartment."

"What's this!" Markham spun round, and Heath sat up at attention, his eyes wide. "Tell me every detail of that call."

Jessup complied unemotionally.

"About twenty minutes to twelve a trunk-light flashed on the board, and when I answered it, a man asked for Miss Odell. I plugged the connection through, and after a short wait the receiver was lifted from her phone—you can tell when a receiver's taken off the hook, because the guide-light on the board goes out—and a man's voice answered 'Hello.' I pulled the listening-in key over, and, of course, didn't hear any more."

There was silence in the apartment for several minutes. Then Vance, who had been watching Jessup closely during the interview, spoke.

"By the bye, Mr. Jessup," he asked carelessly, "were you yourself, by any chance, a bit fascinated—let us say—by the charming Miss Odell?"

For the first time since entering the room the man appeared ill at ease. A dull flush overspread his cheeks.

"I thought she was a very beautiful lady," he answered resolutely.


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 Markham gave Vance a look of disapproval, and then addressed himself abruptly to the operator.

"That will be all for the moment, Jessup."

The man bowed stiffly and limped out.

"This case is becoming positively fascinatin'," murmured Vance, relaxing once more upon the davenport.

"It's comforting to know that some one's enjoying it." Markham's tone was irritable. "And what, may I ask, was the object of your question concerning Jessup's sentiments toward the dead woman?"

"Oh, just a vagrant notion struggling in my brain," returned Vance. "And then, y' know, a bit of boudoir racontage always enlivens a situation, what?"

Heath, rousing himself from gloomy abstraction, spoke up.

"We've still got the finger-prints, Mr. Markham. And I'm thinking that they're going to locate our man for us."

"But even if Dubois does identify those prints," said Markham, "we'll have to show how the owner of them got into this place last night. He'll claim, of course, they were made prior to the crime."

"Well, it's a sure thing," declared Heath stubbornly, "that there was some man in here last night when Odell got back from the theatre, and that he was still here until after the other man left at half past eleven. The woman's screams and the answering of that phone call at twenty minutes to twelve prove it. And since Doc Doremus said that the murder took place before midnight, there's no getting away from the fact that the guy who was hiding in here did the job."