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 'em to Dubois. I thought I might get a line on him that way, because crooks don't generally begin with a job as big as the Canary prowl."

Heath permitted himself a grin of satisfaction.

"Well, sir, Dubois nailed him up! His name ain't Jessup at all. The William part is all right, but his real moniker is Benton. He was convicted of assault and battery in Oakland in 1909, and served a year in San Quentin when Skeel was a prisoner there. He was also grabbed as a lookout in a bank robbery in Brooklyn in 1914, but didn't come to trial—that's how we happen to have his finger-prints at Headquarters. When we put him on the grill last night, he said he changed his name after the Brooklyn racket, and enlisted in the army. That's all we could get outa him; but we didn't need any more.—Now, here are the facts: Jessup has served time for assault and battery. He was mixed up in a bank robbery. Skeel was a fellow prisoner of his. He's got no alibi for Saturday night when Skeel was killed, and he lives round the corner. He quit his job suddenly Saturday afternoon. He's husky and strong and could easily have done the business. He was planning his getaway when we nabbed him. And—he's the only person who could've unbolted and rebolted that side door Monday night. . . . Is that a case, or ain't it, Mr. Markham?"

Markham sat several minutes in thought.

"It's a good case as far as it goes," he said slowly. "But what was his motive in strangling the girl?"

"That's easy. Mr. Vance here suggested it the first day. You remember he asked Jessup about his feelings for Odell; and Jessup turned red and got nervous."


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 "Oh, Lord!" exclaimed Vance. "Am I to be made responsible for any part of this priceless lunacy? . . . True, I pried into the chap's emotions toward the lady; but that was before anything had come to light. I was bein' careful—tryin' to test each possibility as it arose."

"Well, that was a lucky question of yours, just the same." Heath turned back to Markham. "As I see it: Jessup was stuck on Odell, and she told him to trot along and sell his papers. He got all worked up over it, sitting there night after night, seeing these other guys calling on her. Then Skeel comes along, and, recognizing him, suggests burglarizing Odell's apartment. Skeel can't do the job without help, for he has to pass the phone operator coming and going; and as he's been there before, he'd be recognized. Jessup sees a chance of getting even with Odell and putting the blame on some one else; so the two of 'em cook up the job for Monday night. When Odell goes out Jessup unlocks the side door, and the Dude lets himself into the apartment with his own key. Then Odell and Spotswoode arrive unexpectedly. Skeel hides in the closet, and after Spotswoode has gone, he accidentally makes a noise, and Odell screams. He steps out, and when she sees who he is, she tells Spotswoode it's a mistake. Jessup now knows Skeel has been discovered, and decides to make use of the fact. Soon after Spotswoode has gone, he enters the apartment with a pass-key. Skeel, thinking it's somebody else, hides again in the closet; and then Jessup grabs the girl and strangles her, intending to let Skeel get the credit for it. But Skeel comes out of hiding and they talk it over. Finally they come to

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 an agreement, and proceed with their original plan to loot the place. Jessup tries to open the jewel-case with the poker, and Skeel finishes the job with his chisel. They then go out. Skeel leaves by the side door, and Jessup rebolts it. The next day Skeel hands the swag to Jessup to keep till things blow over; and Jessup gets scared and throws it away. Then they have a row. Skeel decides to tell everything, so he can get out from under; and Jessup, suspecting he's going to do it, goes round to his house Saturday night and strangles him like he did Odell."

Heath made a gesture of finality and sank back in his chair.

"Clever—deuced clever," murmured Vance. "Sergeant, I apologize for my little outburst a moment ago. Your logic is irreproachable. You've reconstructed the crime beautifully. You've solved the case. . . . It's wonderful—simply wonderful. But it's wrong."

"It's right enough to send Mr. Jessup to the chair."

"That's the terrible thing about logic," said Vance. "It so often leads one irresistibly to a false conclusion."

He stood up and walked across the room and back, his hands in his coat-pockets. When he came abreast of Heath he halted.

"I say, Sergeant; if somebody else could have unlocked that side door, and then rebolted it again after the crime, you'd be willing to admit that it would weaken your case against Jessup—eh, what?"

Heath was in a generous mood.

"Sure. Show me some one else who coulda done that, and I'll admit that maybe I'm wrong."


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 "Skeel could have done it, Sergeant. And he did do it—without any one knowing it."

"Skeel!—This ain't the age of miracles, Mr. Vance."

Vance swung about and faced Markham.

"Listen! I'm telling you Jessup's innocent." He spoke with a fervor that amazed me. "And I'm going to prove it to you—some way. My theory is pretty complete; it's deficient only in one or two small points; and, I'll confess, I haven't yet been able to put a name to the culprit. But it's the right theory, Markham, and it's diametrically opposed to the Sergeant's. Therefore, you've got to give me an opportunity to demonstrate it before you proceed against Jessup. Now, I can't demonstrate it here; so you and Heath must come with me to the Odell house. It won't take over an hour. But if it took a week, you'd have to come just the same."

He stepped nearer to the desk.

"I know that it was Skeel, and not Jessup, who unbolted that door before the crime, and rebolted it afterward."

Markham was impressed.

"You know this—you know it for a fact?"

"Yes! And I know how he did it!"


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Half an hour later we entered the little apartment-house in 71st Street. Despite the plausibility of Heath's case against Jessup, Markham was not entirely satisfied with the arrest; and Vance's attitude had sown further seeds of doubt in his mind. The strongest point against Jessup was that relating to the bolting and unbolting of the side door; and when Vance had asserted that he was able to demonstrate how Skeel could have manipulated his own entrance and exit, Markham, though only partly convinced, had agreed to accompany him. Heath, too, was interested, and, though supercilious, had expressed a willingness to go along.

Spively, scintillant in his chocolate-colored suit, was at the switchboard, and stared at us apprehensively. But when Vance suggested pleasantly that he take a ten-minute walk round the block, he appeared greatly relieved, and lost no time in complying.

The officer on guard outside of the Odell apartment came forward and saluted.

"How goes it?" asked Heath. "Any visitors?"

"Only one—a toff who said he'd known the Canary and wanted to see the apartment. I told him to get an order from you or the District Attorney."


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 "That was correct, officer," said Markham; then, turning to Vance: "Probably Spotswoode—poor devil."

"Quite," murmured Vance. "So persistent! Rosemary and all that. . . . Touchin'."

Heath told the officer to go for a half-hour's stroll; and we were left alone.

"And now, Sergeant," said Vance cheerfully, "I'm sure you know how to operate a switchboard. Be so kind as to act as Spively's understudy for a few minutes—there's a good fellow. . . . But, first, please bolt the side door—and be sure that you bolt it securely, just as it was on the fatal night."

Heath grinned good-naturedly.

"Sure thing." He put his forefinger to his lips mysteriously, and, crouching, tiptoed down the hall like a burlesque detective in a farce. After a few moments he came tiptoeing back to the switchboard, his finger still on his lips. Then, glancing surreptitiously about him with globular eyes, he put his mouth to Vance's ear.

"His-s-s-t!" he whispered. "The door's bolted. G-r-r-r. . . ." He sat down at the switchboard. "When does the curtain go up, Mr. Vance?"

"It's up, Sergeant." Vance fell in with Heath's jocular mood. "Behold! The hour is half past nine on Monday night. You are Spively—not nearly so elegant; and you forgot the moustache—but still Spively. And I am the bedizened Skeel. For the sake of realism, please try to imagine me in chamois gloves and a pleated silk shirt. Mr. Markham and Mr. Van Dine here represent 'the many-headed monster of the pit.'—And, by the bye, Sergeant, let


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 me have the key to the Odell apartment: Skeel had one, don't y' know."

Heath produced the key and handed it over, still grinning.

"A word of stage-direction," Vance continued. "When I have departed by the front door, you are to wait exactly three minutes, and then knock at the late Canary's apartment."

He sauntered to the front door and, turning, walked back toward the switchboard. Markham and I stood behind Heath in the little alcove, facing the front of the building.

"Enter Mr. Skeel!" announced Vance. "Remember, it's half past nine." Then, as he came abreast of the switchboard: "Dash it all! You forgot your lines, Sergeant. You should have told me that Miss Odell was out. But it doesn't matter. . . . Mr. Skeel continues to the lady's door . . . thus."

He walked past us, and we heard him ring the apartment bell. After a brief pause, he knocked on the door. Then he came back down the hall.

"I guess you were right," he said, quoting the words of Skeel as reported by Spively; and went on to the front door. Stepping out into the street, he turned toward Broadway.

For exactly three minutes we waited. None of us spoke. Heath had become serious, and his accelerated puffing on his cigar bore evidence of his state of expectancy. Markham was frowning stoically. At the end of the three minutes Heath rose and hurried up the hall, with Markham and me at his heels. In answer to his knock, the apartment door was opened from the inside. Vance was standing in the little foyer.


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Rh She had twelve cats and wore a great black wig! I remember her well!"

"I knew her only by reputation," Don Clemente continued, smiling, while the Abbot, with a sort of guttural purr, took a generous pinch of snuff, to rid himself of the bad taste this unpleasant memory had left.

"Well, the grandmother would not hear of this ill-assorted marriage. The young couple therefore were guests in the house of the bride's uncle, she being also an orphan. He, Don Franco, enlisted in 1859, and died of the wounds he received. His wife died soon after. The little boy was cared for by the grandmother, Marchesa Maironi, and, after her death, by certain Venetian relations of hers, of the name of Scremin. The grandmother left him very wealthy. He married a daughter of these Scremins,' who, unfortunately, went mad soon after her marriage, I believe. Piero felt this affliction keenly, and led a life of retirement until he had the misfortune to come in contact with a woman separated from her husband. Then a period of transgression set in; he transgressed morally and in matters of faith. At last (it seems like a miracle performed by the Lord Himself) the wife in her dying moments recovered her reason, summoned her husband, spoke with him, and then died the death of a saint. This death turned Piero's heart towards God; he left the woman, renounced his rights, left everything, and fled from his home in the night, telling no one


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 "The end of the first act," he greeted us airily. "Thus did Mr. Skeel enter the lady's boudoir Monday night after the side door had been bolted, without the operator's seeing him."

Heath narrowed his eyes, but said nothing. Then he suddenly swung round and looked down the rear passageway to the oak door at the end. The handle of the bolt was in a vertical position, showing that the catch had been turned and that the door was unbolted. Heath regarded it for several moments; then he turned his eyes toward the switchboard. Presently he let out a gleeful whoop.

"Very good, Mr. Vance—very good!" he proclaimed, nodding his head knowingly. "That was easy, though. And it don't take psychology to explain it.—After you rang the apartment bell, you ran down this rear hallway and unbolted the door. Then you ran back and knocked. After that you went out the front entrance, turned toward Broadway, swung round across the street, came in the alley, walked in the side door, and quietly let yourself into the apartment behind our backs."

"Simple, wasn't it?" agreed Vance.

"Sure." The Sergeant was almost contemptuous. "But that don't get you nowhere. Anybody coulda figured it out if that had been the only problem connected with Monday night's operations. But it's the rebolting of that side door, after Skeel had gone, that's been occupying my mind. Skeel might've—might've, mind you—got in the way you did. But he couldn't have got out that way, because the door was bolted the next morning. And if there was some one here to bolt the door after him, then that same


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 person could've unbolted the door for him earlier, without his doing the ten-foot dash down the rear hall to unbolt the door himself at half past nine. So I don't see that your interesting little drama helps Jessup out any."

"Oh, but the drama isn't over," Vance replied. "The curtain is about to go up on the next act."

Heath lifted his eyes sharply.

"Yeah?" His tone was one of almost jeering incredulity, but his expression was searching and dubious. "And you're going to show us how Skeel got out and bolted the door on the inside without Jessup's help?"

"That is precisely what I intend to do, my Sergeant."

Heath opened his mouth to speak, but thought better of it. Instead, he merely shrugged his shoulders and gave Markham a sly look.

"Let us repair to the public atrium," proceeded Vance; and he led us into the little reception-room diagonally opposite to the switchboard. This room, as I have explained, was just beyond the staircase, and along its rear wall ran the little passageway to the side door. (A glance at the accompanying diagram will clarify the arrangement.)

Vance shepherded us ceremoniously to chairs, and cocked his eye at the Sergeant.

"You will be so good as to rest here until you hear me knock at the side door. Then come and open it for me." He went toward the archway. "Once more I personate the departed Mr. Skeel; so picture me again en grande tenue—sartorially radiant. . . . The curtain ascends."


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 He bowed and, stepping from the reception-room into the main hall, disappeared round the corner into the rear passageway.

Heath shifted his position restlessly and gave Markham a questioning, troubled look.

"Will he pull it off, sir, do you think?" All jocularity had gone out of his tone.

"I can't see how." Markham was scowling. "If he does, though, it will knock the chief underpinning from your theory of Jessup's guilt."

"I'm not worrying," declared Heath. "Mr. Vance knows a lot; he's got ideas. But how in hell?"

He was interrupted by a loud knocking on the side door. The three of us sprang up simultaneously and hurried round the corner of the main hall. The rear passageway was empty. There was no door or aperture of any kind on either side of it. It consisted of two blank walls; and at the end, occupying almost its entire width, was the oak door which led to the court. Vance could have disappeared only through that oak door. And the thing we all noticed at once—for our eyes had immediately sought it—was the horizontal position of the bolt-handle. This meant that the door was bolted.

Heath was not merely astonished—he was dumbfounded. Markham had halted abruptly, and stood staring down the empty passageway as if he saw a ghost. After a momentary hesitation Heath walked rapidly to the door. But he did not open it at once. He went down on his knees before the lock and scrutinized the bolt carefully. Then he took out his pocket-knife and inserted the blade into the crack


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 between the door and the casing. The point halted against the inner moulding, and the edge of the blade scraped upon the circular bolt. There was no question that the heavy oak casings and mouldings of the door were solid and well fitted, and that the bolt had been securely thrown from the inside. Heath, however, was still suspicious, and, grasping the door-knob, he tugged at it violently. But the door held firmly. At length he threw the bolt-handle to a vertical position and opened the door. Vance was standing in the court, placidly smoking and inspecting the brickwork of the alley wall.

"I say, Markham," he remarked, "here's a curious thing. This wall, d' ye know, must be very old. It wasn't built in these latter days of breathless efficiency. The beauty-loving mason who erected it laid the bricks in Flemish bond instead of the Running—or Stretcher—bond of our own restless age. And up there a bit"—he pointed toward the rear yard—"is a Rowlock and Checkerboard pattern. Very neat and very pretty—more pleasing even than the popular English Cross bond. And the mortar joints are all V-tooled. . . . Fancy!"

Markham was fuming.

"Damn it, Vance! I'm not building brick walls. What I want to know is how you got out here and left the door bolted on the inside."

"Oh, that!" Vance crushed out his cigarette and re-entered the building. "I merely made use of a bit of clever criminal mechanism. It's very simple, like all truly effective appliances—oh, simple beyond words. I blush at its simplicity. . . . Observe!"

He took from his pocket a tiny pair of tweezers


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 to the end of which was tied a piece of purple twine about four feet long. Placing the tweezers over the vertical bolt-handle, he turned them at a very slight angle to the left and then ran the twine under the door so that about a foot of it projected over the sill. Stepping into the court, he closed the door.

The tweezers still held the bolt-handle as in a vise, and the string extended straight to the floor and disappeared under the door into the court. The three of us stood watching the bolt with fascinated attention. Slowly the string became taut, as Vance gently pulled upon the loose end outside, and then the downward tug began slowly but surely to turn the bolt-handle. When the bolt had been thrown


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 and the handle was in a horizontal position, there came a slight jerk on the string. The tweezers were disengaged from the bolt-handle, and fell noiselessly to the carpeted floor. Then as the string was pulled from without, the tweezers disappeared under the crack between the bottom of the door and the sill.

"Childish, what?" commented Vance, when Heath had let him in. "Silly, too, isn't it? And yet, Sergeant dear, that's how the deceased Tony left these premises last Monday night. . . . But let's go into the lady's apartment, and I'll tell you a story. I see that Mr. Spively has returned from his promenade; so he can resume his telephonic duties and leave us free for a causerie."

"When did you think up that hocus-pocus with the tweezers and string?" demanded Markham irritably, when we were seated in the Odell living-room.

"I didn't think it up at all, don't y' know," Vance told him carelessly, selecting a cigarette with annoying deliberation. "It was Mr. Skeel's idea. Ingenious lad—eh, what?"

"Come, come!" Markham's equanimity was at last shaken. "How can you possibly know that Skeel used this means of locking himself out?"

"I found the little apparatus in his evening clothes yesterday morning."

"What!" cried Heath belligerently. "You took that outa Skeel's room yesterday during the search, without saying anything about it?"

"Oh, only after your ferrets had passed it by. In fact, I didn't even look at the gentleman's clothes until your experienced searchers had inspected them and relocked the wardrobe door. Y' see, Sergeant,


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 this little thingumbob was stuffed away in one of the pockets of Skeel's dress waistcoat, under the silver cigarette-case. I'll admit I went over his evening suit rather lovin'ly. He wore it, y' know, on the night the lady departed this life, and I hoped to find some slight indication of his collaboration in the event. When I found this little eyebrow-plucker, I hadn't the slightest inkling of its significance. And the purple twine attached to it bothered me frightfully, don't y' know. I could see that Mr. Skeel didn't pluck his eyebrows; and even if he had been addicted to the practice, why the twine? The tweezers are a delicate little gold affair—just what the ravishin' Margaret might have used; and last Tuesday morning I noticed a small lacquer tray containing similar toilet accessories on her dressing-table near the jewel-case.—But that wasn't all."

He pointed to the little vellum waste-basket beside the escritoire, in which lay a large crumpled mass of heavy paper.

"I also noticed that piece of discarded wrapping-paper stamped with the name of a well-known Fifth Avenue novelty shop; and this morning, on my way down-town, I dropped in at the shop and learned that they make a practice of tying up their bundles with purple twine. Therefore, I concluded that Skeel had taken the tweezers and the twine from this apartment during his visit here that eventful night. . . . Now, the question was: Why should he have spent his time tying strings to eyebrow-pluckers? I confess, with maidenly modesty, that I couldn't find an answer. But this morning when you told of arresting Jessup, and emphasized the rebolt-


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 ing of the side door after Skeel's departure, the fog lifted, the sun shone, the birds began to sing. I became suddenly mediumistic: I had a psychic seizure. The whole modus operandi came to me—as they say—in a flash. . . . I told you, Markham old thing, it would take spiritualism to solve this case."


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When Vance finished speaking, there was several minutes' silence. Markham sat deep in his chair glaring into space. Heath, however, was watching Vance with a kind of grudging admiration. The corner-stone in the foundation of his case against Jessup had been knocked out, and the structure he had built was tottering precariously. Markham realized this, and the fact played havoc with his hopes.

"I wish your inspirations were more helpful," he grumbled, turning his gaze upon Vance. "This latest revelation of yours puts us back almost to where we started from."

"Oh, don't be pessimistic. Let us face the future with a bright eye. . . . Want to hear my theory?—it's fairly bulging with possibilities." He arranged himself comfortably in his chair. "Skeel needed money—no doubt his silk shirts were running low—and after his unsuccessful attempt to extort it from the lady a week before her demise, he came here last Monday night. He had learned she would be out, and he intended to wait for her; for she had probably refused to receive him in the custom'ry social way. He knew the side door was bolted at night, and, as he


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 didn't want to be seen entering the apartment, he devised the little scheme of unbolting the door for himself under cover of a futile call at half past nine. The unbolting accomplished, he returned via the alleyway, and let himself into the apartment at some time before eleven. When the lady returned with an escort, he quickly hid in the clothes-closet, and remained there until the escort had departed. Then he came forth, and the lady, startled by his sudden appearance, screamed. But, on recognizing him, she told Spotswoode, who was now hammering at the door, that it was all a mistake. So Spotswoode ran along and played poker. A financial discussion between Skeel and the lady—probably a highly acrimonious tiff—ensued. In the midst of it the telephone rang, and Skeel snatched off the receiver and said the Canary was out. The tiff was resumed; but presently another suitor appeared on the scene. Whether he rang the bell or let himself in with a key I can't say—probably the latter, for the phone operator was unaware of his visit. Skeel hid himself a second time in the closet, and luckily took the precaution of locking himself in. Also, he quite naturally put his eye to the keyhole to see who the second intruder was."

Vance pointed to the closet door.

"The keyhole, you will observe, is on a line with the davenport; and as Skeel peered out into the room he saw a sight that froze his blood. The new arrival—in the midst, perhaps, of some endearing sentence—seized the lady by the throat and proceeded to throttle her. . . . Imagine Skeel's emotions, my dear Markham. There he was, crouching in a dark


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 closet, and a few feet from him stood a murderer in the act of strangling a lady! Pauvre Antoine! I don't wonder he was petrified and speechless. He saw what he imagined to be maniacal fury in the strangler's eyes; and the strangler must have been a fairly powerful creature, whereas Skeel was slender and almost undersized. . . . No, merci. Skeel wasn't having any. He lay doggo. And I can't say that I blame the beggar, what?"

He made a gesture of interrogation.

"What did the strangler do next? Well, well; we'll probably never know, now that Skeel, the horrified witness, has gone to his Maker. But I rather imagine he got out that black document-box, opened it with a key he had taken from the lady's hand-bag, and extracted a goodly number of incriminating documents. Then, I fancy, the fireworks began. The gentleman proceeded to wreck the apartment in order to give the effect of a professional burglary. He tore the lace on the lady's gown and severed the shoulder-strap; snatched her orchid corsage and threw it in her lap; stripped off her rings and bracelets; and tore the pendant from its chain. After that he upset the lamp, rifled the escritoire, ransacked the Boule cabinet, broke the mirror, overturned the chairs, tore the draperies. . . . And all the time Skeel kept his eye glued to the keyhole with fascinated horror, afraid to move, terrified lest he be discovered and sent to join his erstwhile inamorata, for by now he was no doubt thoroughly convinced that the man outside was a raving lunatic.—I can't say that I envy Skeel his predicament: it was ticklish, y' know. Rather!—And the devastation went


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 on. He could hear it even when the operations had passed from out his radius of vision. And he himself was caught like a rat in a trap, with no means of escape. A harrowin' situation—my word!"

Vance smoked a moment, and then shifted his position slightly.

"Y' know, Markham, I imagine that the worst moment in the whole of Skeel's checkered career came when that mysterious wrecker tried to open the closet door behind which he was crouching. Fancy! There he was cornered, and not two inches from him stood, apparently, a homicidal maniac trying to get to him, rattling that thin barricade of white pine. . . . Can you picture the blighter's relief when the murderer finally released the knob and turned away? It's a wonder he didn't collapse from the reaction. But he didn't. He listened and watched in a sort of hypnotic panic, until he heard the invader leave the apartment. Then, weak-kneed and in a cold sweat, he came forth and surveyed the battlefield."

Vance glanced about him.

"Not a pretty sight—eh, what? And there on the davenport reclined the lady's strangled body. That corpse was Skeel's dominant horror. He staggered to the table to look at it, and steadied himself with his right hand—that's how you got your finger-prints, Sergeant. Then the realization of his own position suddenly smote him. Here he was alone with a murdered person. He was known to have been intimate with the lady; and he was a burglar with a record. Who would believe that he was innocent? And though he had probably recognized the


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 man who had negotiated the business, he was in no position to tell his story. Everything was against him—his sneaking in, his presence in the house at half past nine, his relations with the girl, his profession, his reputation. He hadn't a chance in the world. . . . I say, Markham, would you have credited his tale?"

"Never mind that," retorted Markham. "Go on with your theory." He and Heath had been listening with rapt interest.

"My theory from this point on," resumed Vance, "is what you might term self-developing. It proceeds on its own inertia, so to speak.—Skeel was confronted by the urgent problem of getting away and covering up his tracks. His mind in this emergency became keen and highly active: his life was forfeit if he didn't succeed. He began to think furiously. He could have left by the side door at once without being seen; but then, the door would have been found unbolted. And this fact, taken in connection with his earlier visit that night, would have suggested his manner of unbolting the door. . . . No, that method of escape wouldn't do—decidedly it wouldn't do. He knew he was likely, in any event, to be suspected of the murder, in view of his shady association with the lady and his general character. Motive, place, opportunity, time, means, conduct, and his own record—all were against him. Either he must cover up his tracks, don't y' know, or else his career as a Lothario was at an end. A sweet dilemma! He realized, of course, that if he could get out and leave that side door bolted on the inside, he'd be comparatively safe. No one could then explain how he


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 had come in or gone out. It would establish his only possible alibi—a negative one, to be sure; but, with a good lawyer, he could probably make it hold. Doubtless he searched for other means of escape, but found himself confronted with obstacles on every hand. The side door was his only hope. How could it be worked?"

Vance rose and yawned.

"That's my caressin' theory. Skeel was caught in a trap, and with his shrewd, tricky brain he figured his way out. He may have roamed up and down these two rooms for hours before he hit on his plan; and it's not unlikely that he appealed to the Deity with an occasional 'Oh, my God!' As for his using the tweezers, I'm inclined to think the mechanism of the idea came to him almost immediately.—Y' know, Sergeant, this locking of a door on the inside is an old trick. There are any number of recorded cases of it in the criminal literature of Europe. Indeed, in Professor Hans Gross's handbook of criminology there's a whole chapter on the devices used by burglars for illegal entries and exits. But all such devices have had to do with the locking—not the bolting—of doors. The principle, of course, is the same, but the technic is different. To lock a door on the inside, a needle, or strong slender pin, is inserted through the bow of the key, and pulled downward with a string. But on the side door of this house there is no lock and key; nor is there a bow in the bolt-handle.—Now, the resourceful Skeel, while pacing nervously about, looking for something that


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 might offer a suggestion, probably espied the tweezers on the lady's dressing-table—no lady nowadays is without these little eyebrow-pluckers, don't y' know—and immediately his problem was solved. It remained only to test the device. Before departing, however, he chiselled open the jewel-case which the other chap had merely dinted, and found the solitaire diamond ring that he later attempted to pawn. Then he erased, as he thought, all his finger-prints, forgetting to wipe off the inside door-knob of the closet, and overlooking the hand-mark on the table. After that, he let himself out quietly, and rebolted the side door the same as I did, stuffing the tweezers in his waistcoat pocket and forgetting them."

Heath nodded his head oracularly.

"A crook, no matter how clever he is, always overlooks something."

"Why single out crooks for your criticism, Sergeant?" asked Vance lazily. "Do you know of anybody in this imperfect world who doesn't always overlook something?" He gave Heath a benignant smile. "Even the police, don't y' know, overlooked the tweezers."

Heath grunted. His cigar had gone out, and he relighted it slowly and thoroughly.

"What do you think, Mr. Markham?"

"The situation doesn't become much clearer," was Markham's gloomy comment.

"My theory isn't exactly a blindin' illumination," said Vance. "Yet I wouldn't say that it left things in pristine darkness. There are certain inferences to be drawn from my vagaries. To wit: Skeel either knew or recognized the murderer; and once he had


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 made good his escape from the apartment and had regained a modicum of self-confidence, he undoubtedly blackmailed his homicidal confrère. His death was merely another manifestation of our inconnu's bent for ridding himself of persons who annoyed him. Furthermore, my theory accounts for the chiselled jewel-case, the finger-prints, the unmolested closet, the finding of the gems in the refuse-tin—the person who took them really didn't want them, y' know—and Skeel's silence. It also explains the unbolting and bolting of the side door."

"Yes," sighed Markham. "It seems to clarify everything but the one all-important point—the identity of the murderer."

"Exactly," said Vance. "Let's go to lunch."

Heath, morose and confused, departed for Police Headquarters; and Markham, Vance, and I rode to Delmonico's, where we chose the main dining-room in preference to the grill.

"The case now would seem to centre in Cleaver and Mannix," said Markham, when we had finished our luncheon. "If your theory that the same man killed both Skeel and the Canary is correct, then Lindquist is out of it, for he certainly was in the Episcopal Hospital Saturday night."

"Quite," agreed Vance. "The doctor is unquestionably eliminated. . . . Yes; Cleaver and Mannix—they're the allurin' twins. Don't see any way to go beyond them." He frowned and sipped his coffee. "My original quartet is dwindling, and I don't like it. It narrows the thing down too much—there's no scope for the mind, as it were, in only two choices. What if we should succeed in eliminating Cleaver


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 and Mannix? Where would we be—eh, what? Nowhere—simply nowhere. And yet, one of the quartet is guilty; let's cling to that consolin' fact. It can't be Spotswoode and it can't be Lindquist. Cleaver and Mannix remain: two from four leaves two. Simple arithmetic, what? The only trouble is, this case isn't simple. Lord, no!—I say, how would the equation work out if we used algebra, or spherical trigonometry, or differential calculus? Let's cast it in the fourth dimension—or the fifth, or the sixth. . . ." He held his temples in both hands. "Oh, promise, Markham—promise me that you'll hire a kind, gentle keeper for me."

"I know how you feel. I've been in the same mental state for a week."

"It's the quartet idea that's driving me mad," moaned Vance. "It wrings me to have my tetrad lopped off in such brutal fashion. I'd set my young trustin' heart on that quartet, and now it's only a pair. My sense of order and proportion has been outraged. . . . I want my quartet."

"I'm afraid you'll have to be satisfied with two of them," Markham returned wearily. "One of them can't qualify, and one is in bed. You might send some flowers to the hospital, if it would cheer you any."

"One is in bed—one is in bed," repeated Vance. "Well, well—to be sure! And one from four leaves three. More arithmetic. Three! . . . On the other hand, there is no such thing as a straight line. All lines are curved; they transcribe circles in space. They look straight, but they're not. Appearances, y' know—so deceptive! . . . Let's enter the silence, and substitute mentation for sight."


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 He gazed up out of the great windows into Fifth Avenue. For several moments he sat smoking thoughtfully. When he spoke again, it was in an even, deliberate voice.

"Markham, would it be difficult for you to invite Mannix and Cleaver and Spotswoode to spend an evening—this evening, let us say—in your apartment?"

Markham set down his cup with a clatter, and regarded Vance narrowly.

"What new harlequinade is this?"

"Fie on you! Answer my question."

"Well—of course—I might arrange it," replied Markham hesitantly. "They're all more or less under my jurisdiction at present."

"So that such an invitation would be rather in line with the situation—eh, what? And they wouldn't be likely to refuse you, old dear—would they?"

"No; I hardly think so. . . ."

"And if, when they had assembled in your quarters, you should propose a few hands of poker, they'd probably accept, without thinking the suggestion strange?"

"Probably," said Markham, nonplussed at Vance's amazing request. "Cleaver and Spotswoode both play, I know; and Mannix doubtless knows the game. But why poker? Are you serious, or has your threatened dementia already overtaken you?"

"Oh, I'm deuced serious." Vance's tone left no doubt as to the fact. "The game of poker, d' ye see, is the crux of the matter. I knew Cleaver was an old hand at the game; and Spotswoode, of course, played


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 with Judge Redfern last Monday night. So that gave me a basis for my plan. Mannix, we'll assume, also plays."

He leaned forward, speaking earnestly.

"Nine-tenths of poker, Markham, is psychology; and if one understands the game, one can learn more of a man's inner nature at a poker table in an hour than during a year's casual association with him. You rallied me once when I said I could lead you to the perpetrator of any crime by examining the factors of the crime itself. But naturally I must know the man to whom I am to lead you; otherwise I cannot relate the psychological indications of the crime to the culprit's nature. In the present case, I know the kind of man who committed the crime; but I am not sufficiently acquainted with the suspects to point out the guilty one. However, after our game of poker, I hope to be able to tell you who planned and carried out the Canary's murder."

Markham gazed at him in blank astonishment. He knew that Vance played poker with amazing skill, and that he possessed an uncanny knowledge of the psychological elements involved in the game; but


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 he was unprepared for the latter's statement that he might be able to solve the Odell murder by means of it. Yet Vance had spoken with such undoubted earnestness that Markham was impressed. I knew what was passing in his mind almost as well as if he had voiced his thoughts. He was recalling the way in which Vance had, in a former murder case, put his finger unerringly on the guilty man by a similar process of psychological deduction. And he was also telling himself that, however incomprehensible and seemingly extravagant Vance's requests were, there was always a fundamentally sound reason behind them.

"Damn it!" he muttered at last. "The whole scheme seems idiotic. . . . And yet, if you really want a game of poker with these men, I've no special objection. It'll get you nowhere—I'll tell you that beforehand. It's stark nonsense to suppose that you can find the guilty man by such fantastic means."

"Ah, well," sighed Vance, "a little futile recreation will do us no harm."

"But why do you include Spotswoode?"

"Really, y' know, I haven't the slightest notion—except, of course, that he's one of my quartet. And we'll need an extra hand."

"Well, don't tell me afterwards that I'm to lock him up for murder. I'd have to draw the line. Strange as it may seem to your layman's mind, I wouldn't care to prosecute a man, knowing that it was physically impossible for him to have committed the crime."

"As to that," drawled Vance, "the only obstacles that stand in the way of physical impossibilities are


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 material facts. And material facts are notoriously deceivin'. Really, y' know, you lawyers would do better if you ignored them entirely."

Markham did not deign to answer such heresy, but the look he gave Vance was most expressive.


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Vance and I went home after lunch, and at about four o'clock Markham telephoned to say that he had made the necessary arrangements for the evening with Spotswoode, Mannix, and Cleaver. Immediately following this confirmation Vance left the house, and did not return until nearly eight o'clock. Though I was filled with curiosity at so unusual a proceeding, he refused to enlighten me. But when, at a quarter to nine, we went down-stairs to the waiting car, there was a man I did not know in the tonneau; and I at once connected him with Vance's mysterious absence.

"I've asked Mr. Allen to join us to-night," Vance vouchsafed, when he had introduced us. "You don't play poker, and we really need another hand to make the game interestin', y' know. Mr. Allen, by the bye, is an old antagonist of mine."

The fact that Vance would, apparently without permission, bring an uninvited guest to Markham's apartment amazed me but little more than the appearance of the man himself. He was rather short, with sharp, shrewd features; and what I saw of his hair beneath his jauntily tipped hat was black and sleek, like the painted hair on Japanese dolls. I noted, too, that his evening tie was enlivened by a


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 design of tiny white forget-me-nots, and that his shirt-front was adorned with diamond studs.

The contrast between him and the immaculately stylish and meticulously correct Vance was aggressively evident. I wondered what could be the relationship between them. Obviously it was neither social nor intellectual.

Cleaver and Mannix were already on hand when we were ushered into Markham's drawing-room, and a few minutes later Spotswoode arrived. The amenities of introduction over, we were soon seated comfortably about the open log fire, smoking, and sipping very excellent Scotch high-balls. Markham had, of course, accepted the unexpected Mr. Allen cordially, but his occasional glances in the latter's direction told me he was having some difficulty in reconciling the man's appearance with Vance's sponsorship.

A tense atmosphere lay beneath the spurious and affected affability of the little gathering. Indeed, the situation was scarcely conducive to spontaneity. Here were three men each of whom was known to the others to have been interested in the same woman; and the reason for their having been brought together was the fact that this woman had been murdered. Markham, however, handled the situation with such tact that he largely succeeded in giving each one the feeling of being a disinterested spectator summoned to discuss an abstract problem. He explained at the outset that the "conference" had been actuated by his failure to find any approach to the problem of the murder. He hoped, he said, by a purely informal discussion, divested


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 of all officialism and coercion, to turn up some suggestion that might lead to a fruitful line of inquiry. His manner was one of friendly appeal, and when he finished speaking the general tension had been noticeably relaxed.

During the discussion that followed I was interested in the various attitudes of the men concerned. Cleaver spoke bitterly of his part in the affair, and was more self-condemnatory than suggestive. Mannix was voluble and pretentiously candid, but beneath his comments ran a strain of apologetic wariness. Spotswoode, unlike Mannix, seemed loath to discuss the matter, and maintained a consistently reticent attitude. He responded politely to Markham's questions, but he did not succeed entirely in hiding his resentment at thus being dragged into a general discussion. Vance had little to say, limiting himself to occasional remarks directed always to Markham. Allen did not once speak, but sat contemplating the others with a sort of canny amusement.

The entire conversation struck me as utterly futile. Had Markham really hoped to garner information from it, he would have been woefully disappointed. I realized, though, that he was merely endeavoring to justify himself for having taken so unusual a step, and to pave the way for the game of poker which Vance had requested. When the time came to broach the subject, however, there was no difficulty about it.

It was exactly eleven o'clock when he made the suggestion. His tone was gracious and unassuming; but by couching his invitation in terms of a


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102 whither he was going. Having met me once at Brescia, where I had gone to visit my sick father, and knowing I was at Subiaco, he came here. He was, moreover, fond of our Order, and cherished certain memories connected with our poor Praglia. He told me his story, entreating me to help him lead a life of expiation. I supposed he aspired to enter the Order. But he told me that, on the contrary, he did not feel himself worthy; that he had not as yet been able to ascertain the Divine Will on this point; that he wished, in the meantime, to do penance, to labour with his hands, to earn his bread—only a crust of bread. He told me other things; he spoke of certain incidents of a supernatural character which had happened to him. I at once told the late Father Abbot about him, and we decided to lodge him in the Ospizio, to let him work within the inclosure, helping the kitchen-gardener, and to provide him with the frugal fare he craved. In three years he has never once tasted coffee, wine, milk, or eggs. He has touched nothing save bread, polenta, fruit, herbs, oil, and pure water. He has led the life of a saint, all can assure you of that. Still he believes himself the greatest sinner on earth!"

"Hm!" the Abott ejaculated thoughtfully. "Hm! I see! But why does he not join the Order? Then, another thing: I know he has passed several nights outside the inclosure."

Don Clemente felt his face once more aflame.


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 personal request, he practically precluded declination. But his verbal strategy, I felt, was unnecessary. Both Cleaver and Spotswoode seemed genuinely to welcome the opportunity of dropping a distasteful discussion in favor of playing cards; and Vance and Allen, of course, concurred instantly. Mannix alone declined. He explained that he knew the game only slightly, and disliked it; though he expressed an enthusiastic desire to watch the others. Vance urged him to reconsider, but without success; and Markham finally ordered his man to arrange the table for five.

I noticed that Vance waited until Allen had taken his place, and then dropped into the chair at his right. Cleaver took the seat at Allen's left. Spotswoode sat at Vance's right; and then came Markham. Mannix drew up his chair midway behind Markham and Cleaver. Thus:

Cleaver first named a rather moderate limit, but Spotswoode at once suggested much larger stakes.


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 Then Vance went still higher, and as both Markham and Allen signified their agreement, his figure was accepted. The prices placed on the chips somewhat took my breath away, and even Mannix whistled softly.

That all five men at the table were excellent players became obvious before the game had progressed ten minutes. For the first time that night Vance's friend Allen seemed to have found his milieu and to be wholly at ease.

Allen won the first two hands, and Vance the third and fourth. Spotswoode then had a short run of good luck, and a little later Markham took a large jack-pot which put him slightly in the lead. Cleaver was the only loser thus far; but in another half-hour he had succeeded in recovering a large portion of his losses. After that Vance forged steadily ahead, only to relinquish his winning streak to Allen. Then for a while the fortunes of the game were rather evenly distributed. But later on both Cleaver and Spotswoode began to lose heavily. By half past twelve a grim atmosphere had settled over the party; for so high were the stakes, and so rapidly did the betting pyramid, that even for men of means—such as all these players undoubtedly were—the amounts which continually changed hands represented very considerable items.

Just before one o'clock, when the fever of the game had reached a high point, I saw Vance glance quickly at Allen and pass his handkerchief across his forehead. To a stranger the gesture would have appeared perfectly natural; but, so familiar was I with Vance's mannerisms, I immediately recognized


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 its artificiality. And simultaneously I noticed that it was Allen who was shuffling the cards preparatory to dealing. Some smoke from his cigar evidently went into his eye at this moment, for he blinked, and one of the cards fell to the floor. Quickly retrieving it, he reshuffled the deck and placed it before Vance to cut.

The hand was a jack-pot, and there was a small fortune in chips already on the table. Cleaver, Markham, and Spotswoode passed. The decision thus reached Vance, and he opened for an unusually large amount. Allen at once laid down his hand, but Cleaver stayed. Then Markham and Spotswoode both dropped out, leaving the entire play between Vance and Cleaver. Cleaver drew one card, and Vance, who had opened, drew two. Vance made a nominal wager, and Cleaver raised it substantially. Vance in turn raised Cleaver, but only for a small amount; and Cleaver again raised Vance—this time for an even larger sum than before. Vance hesitated, and called him. Cleaver exposed his hand triumphantly.

"Straight flush—jack high," he announced. "Can you beat that?"

"Not on a two-card draw," said Vance ruefully. He put his cards down to show his openers. He had four kings.

About half an hour later Vance again took out his handkerchief and passed it across his forehead. As before, I noted that it was Allen's deal, and also that the hand was a jack-pot which had been twice sweetened. Allen paused to take a drink of his high-ball and to light his cigar. Then, after Vance had cut the cards, he dealt them.


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 Cleaver, Markham, and Spotswoode passed, and again Vance opened, for the full amount of the pot. No one stayed except Spotswoode; and this time it was a struggle solely between him and Vance. Spotswoode asked for one card; and Vance stood pat. Then there followed a moment of almost breathless silence. The atmosphere seemed to me to be electrically charged, and I think the others sensed it too, for they were watching the play with a curiously strained intentness. Vance and Spotswoode, however, appeared frozen in attitudes of superlative calm. I watched them closely, but neither revealed the slightest indication of any emotion.

It was Vance's first bet. Without speaking he moved a stack of yellow chips to the centre of the table—it was by far the largest wager that had been made during the game. But immediately Spotswoode measured another stack alongside of it. Then he coolly and deftly counted the remainder of his chips, and pushed them all forward with the palm of his hand, saying quietly:

"The limit."

Vance shrugged almost imperceptibly.

"The pot, sir, is yours." He smiled pleasantly at Spotswoode, and put down his hand face up, to establish his openers. He had held four aces!

"Gad! That's poker!" exclaimed Allen, chuckling.

"Poker?" echoed Markham. "To lay down four aces with all that money at stake?"

Cleaver also grunted his astonishment, and Mannix pursed his lips disgustedly.

"I don't mean any offense, y' understand, Mr. Vance," he said. "But looking at that play from a


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 strictly business standpoint, I'd say you quit too soon."

Spotswoode glanced up.

"You gentlemen wrong Mr. Vance," he said. "He played his hand perfectly. His withdrawal, even with four aces, was scientifically correct."

"Sure it was," agreed Allen. "Oh, boy! What a battle that was!"

Spotswoode nodded and, turning to Vance, said:

"Since the exact situation is never likely to occur again, the least I can do, by way of showing my appreciation of your remarkable perception, is to gratify your curiosity.—I held nothing."

Spotswoode put down his hand and extended his fingers gracefully toward the upturned cards. There were revealed a five, six, seven, and eight of clubs, and a knave of hearts.

"I can't say that I follow your reasoning, Mr. Spotswoode," Markham confessed. "Mr. Vance had you beaten—and he quit."

"Consider the situation," Spotswoode replied, in a suave, even voice. "I most certainly would have opened so rich a pot, had I been able to, after Mr. Cleaver and you had passed. But since I nevertheless stayed after Mr. Vance had opened for so large an amount, it goes without saying that I must have had either a four-straight, a four-flush, or a four-straight-flush. I believe I may state without immodesty that I am too good a player to have stayed otherwise. . . ."

"And I assure you, Markham," interrupted Vance, "that Mr. Spotswoode is too good a player to have stayed unless he had actually had a four


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 straight-flush. That is the only hand he would have been justified in backing at the betting odds of two to one.—You see, I had opened for the amount in the pot, and Mr. Spotswoode had to put up half the amount of the money on the table in order to stay—making it a two-to-one bet.—Now, these odds are not high, and any non-opening hand smaller than a four-straight-flush would not have warranted the risk. As it was, he had, with a one-card draw, two chances in forty-seven of making a straight-flush, nine chances in forty-seven of making a flush, and eight chances in forty-seven of making a straight; so that he had nineteen chances in forty-seven—or more than one chance in three—of strengthening his hand into either a straight-flush, a flush, or a straight."

"Exactly," assented Spotswoode. "However, after I had drawn my one card, the only possible question in Mr. Vance's mind was whether or not I had made my straight-flush. If I had not made it—or had merely drawn a straight or a flush—Mr. Vance figured, and figured rightly, that I would not have seen his large bet and also have raised it the limit. To have done so, in those circumstances, would have been irrational poker. Not one player in a thousand would have taken such a risk on a mere bluff. Therefore, had Mr. Vance not laid down his four aces when I raised him, he would have been fool-hardy in the extreme. It turned out, of course, that I was actually bluffing; but that does not alter the fact that the correct and logical thing was for Mr. Vance to quit."

"Quite true," Vance agreed. "As Mr. Spotswoode says, not one player in a thousand would have


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 wagered the limit without having filled his straight-flush, knowing I had a pat hand. Indeed, one might almost say that Mr. Spotswoode, by doing so, has added another decimal point to the psychological subtleties of the game; for, as you see, he analyzed my reasoning, and carried his own reasoning a step further."

Spotswoode acknowledged the compliment with a slight bow; and Cleaver reached for the cards and began to shuffle them. But the tension had been broken, and the game was not resumed.

Something, however, seemed to have gone wrong with Vance. For a long while he sat frowning at his cigarette and sipping his high-ball in troubled abstraction. At last he rose and walked to the mantel, where he stood studying a Cézanne water-color he had given Markham years before. His action was a typical indication of his inner puzzlement.

Presently, when there came a lull in the conversation, he turned sharply and looked at Mannix.

"I say, Mr. Mannix"—he spoke with only casual curiosity—"how does it happen you've never acquired a taste for poker? All good business men are gamblers at heart."

"Sure they are," Mannix replied, with pensive deliberation. "But poker, now, isn't my idea of gambling—positively not. It's got too much science. And it ain't quick enough for me—it hasn't got the kick in it, if you know what I mean. Roulette's my speed. When I was in Monte Carlo last summer I dropped more money in ten minutes than you gentlemen lost here this whole evening. But I got action for my money."


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 "I take it, then, you don't care for cards at all."

"Not to play games with." Mannix had become expansive. "I don't mind betting money on the draw of a card, for instance. But no two out of three, y' understand. I want my pleasures to come rapid." And he snapped his thick fingers several times in quick succession to demonstrate the rapidity with which he desired to have his pleasures come.

Vance sauntered to the table and carelessly picked up a deck of cards.

"What do you say to cutting once for a thousand dollars?"

Mannix rose instantly.

"You're on!"

Vance handed the cards over, and Mannix shuffled them. Then he put them down and cut. He turned up a ten. Vance cut, and showed a king.

"A thousand I owe you," said Mannix, with no more concern than if it had been ten cents.

Vance waited without speaking, and Mannix eyed him craftily.

"I'll cut with you again—two thousand this time. Yes?"

Vance raised his eyebrows. "Double? . . . By all means." He shuffled the cards, and cut a seven.

Mannix's hand swooped down and turned a five.

"Well, that's three thousand I owe you," he said. His little eyes had now narrowed into slits, and he held his cigar clamped tightly between his teeth.

"Like to double it again—eh, what?" Vance asked. "Four thousand this time?"

Markham looked at Vance in amazement, and over Allen's face there came an expression of almost


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 ludicrous consternation. Every one present, I believe, was astonished at the offer, for obviously Vance knew that he was giving Mannix tremendous odds by permitting successive doubling. In the end he was sure to lose. I believe Markham would have protested if at that moment Mannix had not snatched the cards from the table and begun to shuffle them.

"Four thousand it is!" he announced, putting down the deck and cutting. He turned up the queen of diamonds. "You can't beat that lady—positively not!" He was suddenly jovial.

"I fancy you're right," murmured Vance; and he cut a trey.

"Want some more?" asked Mannix, with good-natured aggressiveness.

"That's enough." Vance seemed bored. "Far too excitin'. I haven't your rugged constitution, don't y' know."

He went to the desk and made out a check to Mannix for a thousand dollars. Then he turned to Markham and held out his hand.

"Had a jolly evening and all that sort of thing. . . . And, don't forget: we lunch together to-morrow. One o'clock at the club, what?"

Markham hesitated. "If nothing interferes."

"But really, y' know, it mustn't," insisted Vance. "You've no idea how eager you are to see me."

He was unusually silent and thoughtful during the ride home. Not one explanatory word could I get out of him. But when he bade me good night he said:

"There's a vital part of the puzzle still missing, and until it's found none of it has any meaning."


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Vance slept late the following morning, and spent the hour or so before lunch checking a catalogue of ceramics which were to be auctioned next day at the Anderson Galleries. At one o'clock we entered the Stuyvesant Club and joined Markham in the grill.

"The lunch is on you, old thing," said Vance. "But I'll make it easy. All I want is a rasher of English bacon, a cup of coffee, and a croissant."

Markham gave him a mocking smile.

"I don't wonder you're economizing after your bad luck of last night."

Vance's eyebrows went up.

"I rather fancied my luck was most extr'ordin'ry."

"You held four of a kind twice, and lost both hands."

"But, y' see," blandly confessed Vance, "I happened to know both times exactly what cards my opponents held."

Markham stared at him in amazement.

"Quite so," Vance assured him. "I had arranged before the game, d' ye see, to have those particular hands dealt." He smiled benignly. "I can't tell you, old chap, how I admire your delicacy in not referring to my rather unique guest, Mr. Allen, whom I had


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 the bad taste to introduce so unceremoniously into your party. I owe you an explanation and an apology. Mr. Allen is not what one would call a charming companion. He is deficient in the patrician elegancies, and his display of jewellery was a bit vulgar—though I infinitely preferred his diamond studs to his piebald tie. But Mr. Allen has his points—decidedly he has his points. He ranks with Andy Blakely, Canfield, and Honest John Kelly as an indoor soldier of fortune. In fact, our Mr. Allen is none other than Doc Wiley Allen, of fragrant memory."

"Doc Allen! Not the notorious old crook who ran the Eldorado Club?"

"The same. And, incidentally, one of the cleverest card manipulators in a once lucrative but shady profession."

"You mean this fellow Allen stacked the cards last night?" Markham was indignant.

"Only for the two hands you mentioned. Allen, if you happen to remember, was the dealer both times. I, who purposely sat on his right, was careful to cut the cards in accordance with his instructions. And you really must admit that no stricture can possibly attach to my deception, inasmuch as the only beneficiaries of Allen's manipulations were Cleaver and Spotswoode. Although Allen did deal me four of a kind on each occasion, I lost heavily both times."

Markham regarded Vance for a moment in puzzled silence, and then laughed good-naturedly.

"You appear to have been in a philanthropic mood last night. You practically gave Mannix a thousand


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 dollars by permitting him to double the stakes on each draw. A rather quixotic procedure, I should say."

"It all depends on one's point of view, don't y' know. Despite my financial losses—which, by the bye, I have every intention of charging up to your office budget—the game was most successful. . . . Y' see, I attained the main object of my evening's entertainment."

"Oh, I remember!" said Markham vaguely, as if the matter, being of slight importance, had for the moment eluded his memory. "I believe you were going to ascertain who murdered the Odell girl."

"Amazin' memory! . . . Yes, I let fall the hint that I might be able to clarify the situation to-day."

"And whom am I to arrest?"

Vance took a drink of coffee and slowly lit a cigarette.

"I'm quite convinced, y' know, that you won't believe me," he returned, in an even, matter-of-fact voice. "But it was Spotswoode who killed the girl."

"You don't tell me!" Markham spoke with undisguised irony. "So it was Spotswoode! My dear Vance, you positively bowl me over. I would telephone Heath at once to polish up his handcuffs, but, unfortunately, miracles—such as strangling persons from across town—are not recognized possibilities in this day and age. . . . Do let me order you another croissant."

Vance extended his hands in a theatrical gesture of exasperated despair.

"For an educated, civilized man, Markham, there's something downright primitive about the way you


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 cling to optical illusions. I say, y' know, you're exactly like an infant who really believes that the magician generates a rabbit in a silk hat, simply because he sees it done."

"Now you're becoming insulting."

"Rather!" Vance pleasantly agreed. "But something drastic must be done to disentangle you from the Lorelei of legal facts. You're so deficient in imagination, old thing."

"I take it that you would have me close my eyes and picture Spotswoode sitting up-stairs here in the Stuyvesant Club and extending his arms to 71st Street. But I simply couldn't do it. I'm a commonplace chap. Such a vision would strike me as ludicrous; it would smack of a hasheesh dream. . . . You yourself don't use Cannabis indica, do you?"

"Put that way, the idea does sound a bit supernatural. And yet: Certum est quia impossibile est. I rather like that maxim, don't y' know; for, in the present case, the impossible is true. Oh, Spotswoode's guilty—no doubt about it. And I'm going to cling tenaciously to that apparent hallucination. Moreover, I'm going to try to lure you into its toils; for your own—as we absurdly say—good name is at stake. As it happens, Markham, you are at this moment shielding the real murderer from publicity."

Vance had spoken with the easy assurance that precludes argument; and from the altered expression on Markham's face I could see he was moved.

"Tell me," he said, "how you arrived at your fantastic belief in Spotswoode's guilt."

Vance crushed out his cigarette and folded his arms on the table.


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 "We begin with my quartet of possibilities—Mannix, Cleaver, Lindquist, and Spotswoode. Realizing, as I did, that the crime was carefully planned with the sole object of murder, I knew that only some one hopelessly ensnared in the lady's net could have done it. And no suitor outside of my quartet could have been thus enmeshed, or we would have learned of him. Therefore, one of the four was guilty. Now, Lindquist was eliminated when we found out that he was bedridden in a hospital at the time of Skeel's murder; for obviously the same person committed both crimes"

"But," interrupted Markham, "Spotswoode had an equally good alibi for the night of the Canary's murder. Why eliminate one and not the other?"

"Sorry, but I can't agree with you. Being prostrated at a known place surrounded by incorruptible and disinterested witnesses, both preceding and during an event, is one thing; but being actually on the ground, as Spotswoode was that fatal evening, within a few minutes of the time the lady was murdered, and then being alone in a taxicab for fifteen minutes or so following the event—that is another thing. No one, as far as we know, actually saw the lady alive after Spotswoode took his departure."

"But the proof of her having been alive and spoken to him is incontestable."

"Granted. I admit that a dead woman doesn't scream and call for help, and then converse with her murderer."

"I see." Markham spoke with sarcasm. "You think it was Skeel, disguising his voice."

"Lord no! What a priceless notion! Skeel didn't


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 want any one to know he was there. Why should he have staged such a masterpiece of idiocy? That certainly isn't the explanation. When we find the answer it will be reasonable and simple."

"That's encouraging," smiled Markham. "But proceed with your reasons for Spotswoode's guilt."

"Three of my quartet, then, were potential murderers," Vance resumed. "Accordingly, I requested an evening of social relaxation, that I might put them under the psychological microscope, as it were. Although Spotswoode's ancestry was wholly consistent with his having been the guilty one, nevertheless I confess I thought that Cleaver or Mannix had committed the crime; for, by their own statements, either of them could have done it without contradicting any of the known circumstances of the situation. Therefore, when Mannix declined your invitation to play poker last night, I put Cleaver to the first test. I wig-wagged to Mr. Allen, and he straightway proceeded to perform his first feat of prestidigitation."

Vance paused and looked up.

"You perhaps recall the circumstances? It was a jack-pot. Allen dealt Cleaver a four-straight-flush and gave me three kings. The other hands were so poor that every one else was compelled to drop out. I opened; and Cleaver stayed. On the draw, Allen gave me another king, and gave Cleaver the card he needed to complete his straight-flush. Twice I bet a small amount, and each time Cleaver raised me. Finally I called him, and, of course, he won. He couldn't help but win, d' ye see. He was betting on a sure-thing. Since I opened the pot and drew two


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 cards, the highest hand I could possibly have held would have been four of a kind. Cleaver knew this, and having a straight-flush, he also knew, before he raised my bet, that he had me beaten. At once I realized that he was not the man I was after."

"By what reasoning?"

"A poker-player, Markham, who would bet on a sure-thing is one who lacks the egotistical self-confidence of the highly subtle and supremely capable gambler. He is not a man who will take hazardous chances and tremendous risks, for he possesses, to some degree, what the psychoanalysts call an inferiority complex, and instinctively he grasps at every possible opportunity of protecting and bettering himself. In short, he is not the ultimate, unadulterated gambler. And the man who killed the Odell girl was a supreme gambler who would stake everything on a single turn of the wheel, for, in killing her, that is exactly what he did. And only a gambler whose paramount self-confidence would make him scorn, through sheer egotism, to bet on a sure-thing, could have committed such a crime.—Therefore, Cleaver was eliminated as a suspect."

Markham was now listening intently.

"The test to which I put Spotswoode a little later," Vance went on, "had originally been intended for Mannix, but he was out of the game. That didn't matter, however, for, had I been able to eliminate both Cleaver and Spotswoode, then Mannix would undoubtedly have been the guilty man. Of course I would have planned something else to substantiate the fact; but, as it was, that wasn't necess'ry. . . . The test I applied to Spots-


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 woode was pretty well explained by the gentleman himself. As he said, not one player in a thousand would have wagered the limit against a pat hand, when he himself held nothing. It was tremendous—superb! It was probably the most remarkable bluff ever made in a game of poker. I couldn't help admiring him when he calmly shoved forward all his chips, knowing, as I did, that he held nothing. He staked everything, d' ye see, wholly on his conviction that he could follow my reasoning step by step and, in the last analysis, outwit me. It took courage and daring to do that. And it also took a degree of self-confidence which would never have permitted him to bet on a sure-thing. The psychological principles involved in that hand were identical with those of the Odell crime. I threatened Spotswoode with a powerful hand—a pat hand—just as the girl, no doubt, threatened him; and instead of compromising—instead of calling me or laying down—he outreached me; he resorted to one supreme coup, though it meant risking everything. . . . My word, Markham! Can't you see how the man's character, as revealed in that amazing gesture, dovetails with the psychology of the crime?"

Markham was silent for a while; he appeared to be pondering the matter.

"But you yourself, Vance, were not satisfied at the time," he submitted at length. "In fact, you looked doubtful and worried."

"True, old dear. I was no end worried. The psychological proof of Spotswoode's guilt came so dashed unexpectedly—I wasn't looking for it, don't y' know. After eliminating Cleaver I had a parti pris,


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 so to speak, in regard to Mannix; for all the material evidence in favor of Spotswoode's innocence—that is, the seeming physical impossibility of his having strangled the lady—had, I admit, impressed me. I'm not perfect, don't y' know. Being unfortunately human, I'm still susceptible to the malicious animal magnetism about facts and appearances, which you lawyer chaps are continuously exuding over the earth like some vast asphyxiating effluvium. And even when I found that Spotswoode's psychological nature fitted perfectly with all the factors of the crime, I still harbored a doubt in regard to Mannix. It was barely possible that he would have played the hand just as Spotswoode played it. That is why, after the game was over, I tackled him on the subject of gambling. I wanted to check his psychological reactions."

"Still, he staked everything on one turn of the wheel, as you put it."

"Ah! But not in the same sense that Spotswoode did. Mannix is a cautious and timid gambler as compared with Spotswoode. To begin with, he had an equal chance and an even bet, whereas Spotswoode had no chance at all—his hand was worthless. And yet Spotswoode wagered the limit on a pure bit of mental calculation. That was gambling in the higher ether. On the other hand, Mannix was merely tossing a coin, with an even chance of winning. Furthermore, no calculation of any kind entered into it; there was no planning, no figuring, no daring. And, as I have told you from the start, the Odell murder was premeditated and carefully worked out with shrewd calculation and supreme


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 daring. . . . And what true gambler would ask an adversary to double a bet on the second flip of the coin, and then accept an offer to redouble on the third flip? I purposely tested Mannix in that way, so as to preclude any possibility of error. Thus I not only eliminated him—I expunged him, eradicated him, wiped him out utterly. It cost me a thousand dollars, but it purged my mind of any lingering doubt. I then knew, despite all the contr'ry material indications, that Spotswoode had done away with the lady."

"You make your case theoretically plausible. But, practically, I'm afraid I can't accept it." Markham was more impressed, I felt, than he cared to admit. "Damn it, man!" he exploded after a moment. "Your conclusion demolishes all the established landmarks of rationality and sane credibility.—Just consider the facts." He had now reached the argumentative stage of his doubt. "You say Spotswoode is guilty. Yet we know, on irrefutable evidence, that five minutes after he came out of the apartment the girl screamed and called for help. He was standing by the switchboard, and, accompanied by Jessup, he went to the door and carried on a brief conversation with her. She was certainly alive then. Then he went out the front door, entered a taxicab, and drove away. Fifteen minutes later he was joined by Judge Redfern as he alighted from the taxicab in front of the club here—nearly forty blocks away from the apartment-house! It would have been impossible for him to have made the trip in less time; and, moreover, we have the chauffeur's record. Spotswoode simply did not have either the


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 opportunity or the time to commit the murder between half past eleven and ten minutes of twelve when Judge Redfern met him. And, remember, he played poker in the club here until three in the morning—hours after the murder took place."

Markham shook his head with emphasis.

"Vance, there's no human way to get round those facts. They're firmly established; and they preclude Spotswoode's guilt as effectively and finally as though he had been at the North Pole that night."

Vance was unmoved.

"I admit everything you say," he rejoined. "But as I have stated before, when material facts and psychological facts conflict, the material facts are wrong. In this case, they may not actually be wrong, but they're deceptive."

"Very well, magnus Apollo!" The situation was too much for Markham's exacerbated nerves. "Show me how Spotswoode could have strangled the girl and ransacked the apartment, and I'll order Heath to arrest him."

Pon my word, I can't do it," expostulated Vance. "Omniscience was denied me. But—deuce take it!—I think I've done rather well in pointing out the culprit. I never agreed to expound his technic, don't y' know."

"So! Your vaunted penetration amounts only to that, does it? Well, well! Here and now I become a professor of the higher mental sciences, and I pronounce solemnly that Doctor Crippen murdered the Odell girl. To be sure, Crippen's dead; but that fact doesn't interfere with my newly adopted psychological means of deduction. Crippen's nature, you


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 see, fits perfectly with all the esoteric and recondite indications of the crime. To-morrow I'll apply for an order of exhumation."

Vance looked at him with waggish reproachfulness, and sighed.

"Recognition of my transcendent genius, I see, is destined to be posthumous. Omnia post obitum fingit majora vetustas. In the meantime I bear the taunts and jeers of the multitude with a stout heart. My head is bloody, but unbowed."

He looked at his watch, and then seemed to become absorbed with some line of thought.

"Markham," he said, after several minutes, "I've a concert at three o'clock, but there's an hour to spare. I want to take another look at that apartment and its various approaches. Spotswoode's trick—and I'm convinced it was nothing more than a trick—was enacted there; and if we are ever to find the explanation, we shall have to look for it on the scene."

I had got the impression that Markham, despite his emphatic denial of the possibility of Spotswoode's guilt, was not entirely unconvinced. Therefore, I was not surprised when, with only a half-hearted protest, he assented to Vance's proposal to revisit the Odell apartment.


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Less than half an hour later we again entered the main hall of the little apartment building in 71st Street. Spively, as usual, was on duty at the switchboard. Just inside the public reception-room the officer on guard reclined in an easy chair, a cigar in his mouth. On seeing the District Attorney, he rose with forced alacrity.

"When you going to open things up, Mr. Markham?" he asked. "This rest-cure is ruinin' my health."

"Very soon, I hope, officer," Markham told him. "Any more visitors?"

"Nobody, sir." The man stifled a yawn.

"Let's have your key to the apartment.—Have you been inside?"

"No, sir. Orders were to stay out here."

We passed into the dead girl's living-room. The shades were still up, and the sunlight of midday was pouring in. Nothing apparently had been touched: not even the overturned chairs had been righted. Markham went to the window and stood, his hands behind him, surveying the scene despondently. He was laboring under a growing uncertainty, and he watched Vance with a cynical amusement which was far from spontaneous.


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 Vance, after lighting a cigarette, proceeded to inspect the two rooms, letting his eyes rest searchingly on the various disordered objects. Presently he went into the bathroom and remained several minutes. When he came out he carried a towel with several dark smudges on it.

"This is what Skeel used to erase his finger-prints," he said, tossing the towel on the bed.

"Marvellous!" Markham rallied him. "That, of course, convicts Spotswoode."

"Tut, tut! But it helps substantiate my theory of the crime." He walked to the dressing-table and sniffed at a tiny silver atomizer. "The lady used Coty's Chypre," he murmured. "Why will they all do it?"

"And just what does that help substantiate?"

"Markham dear, I'm absorbing atmosphere. I'm attuning my soul to the apartment's vibrations. Do let me attune in peace. I may have a visitation at any moment—a revelation from Sinai, as it were."

He continued his round of investigation, and at last passed out into the main hall, where he stood, one foot holding open the door, looking about him with curious intentness. When he returned to the living-room, he sat down on the edge of the rosewood table, and surrendered himself to gloomy contemplation. After several minutes he gave Markham a sardonic grin.

"I say! This is a problem. Dash it all, it's uncanny!"

"I had an idea," scoffed Markham, "that sooner or later you'd revise your deductions in regard to Spotswoode."


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 Vance stared idly at the ceiling.

"You're devilish stubborn, don't y' know. Here I am trying to extricate you from a deuced unpleasant predicament, and all you do is to indulge in caustic observations calculated to damp my youthful ardor."

Markham left the window and seated himself on the arm of the davenport facing Vance. His eyes held a worried look.

"Vance, don't get me wrong. Spotswoode means nothing in my life. If he did this thing, I'd like to know it. Unless this case is cleared up, I'm in for an ungodly walloping by the newspapers. It's not to my interests to discourage any possibility of a solution. But your conclusion about Spotswoode is impossible. There are too many contradictory facts."

"That's just it, don't y' know. The contradict'ry indications are far too perfect. They fit together too beautifully; they're almost as fine as the forms in a Michelangelo statue. They're too carefully co-ordinated, d' ye see, to have been merely a haphazard concatenation of circumstances. They signify conscious design."

Markham rose and, slowly returning to the window, stood looking out into the little rear yard.

"If I could grant your premise that Spotswoode killed the girl," he said, "I could follow your syllogism. But I can't very well convict a man on the grounds that his defense is too perfect."

"What we need, Markham, is inspiration. The mere contortions of the sibyl are not enough." Vance took a turn up and down the room. "What really infuriates me is that I've been outwitted.


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 And by a manufacturer of automobile access'ries! . . . It's most humiliatin'."

He sat down at the piano and played the opening bars of Brahms's Capriccio No. 1.

"Needs tuning," he muttered; and, sauntering to the Boule cabinet, he ran his finger over the marquetry. "Pretty and all that," he said, "but a bit fussy. Good example, though. The deceased's aunt from Seattle should get a very fair price for it." He regarded a pendent girandole at the side of the cabinet. "Rather nice, that, if the original candles hadn't been supplanted with modern frosted bulbs." He paused before the little china clock on the mantel. "Gingerbread. I'm sure it kept atrocious time." Passing on to the escritoire, he examined it critically. "Imitation French Renaissance. But rather dainty, what?" Then his eye fell on the waste-paper basket, and he picked it up. "Silly idea," he commented, "—making a basket out of vellum. The artistic triumph of some lady interior decorator, I'll wager. Enough vellum here to bind a set of Epictetus. But why ruin the effect with hand-painted garlands? The æsthetic instinct has not as yet invaded these fair States—decidedly not."

Setting the basket down, he studied it meditatively for a moment. Then he leaned over and took from it the piece of crumpled wrapping-paper to which he had referred the previous day.

"This doubtless contained the lady's last purchase on earth," he mused. "Very touchin'. Are you sentimental about such trifles, Markham? Anyway, the purple string round it was a godsend to Skeel. . . . What knickknack, do you suppose, paved the way for the frantic Tony's escape?"


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 He opened the paper, revealing a broken piece of corrugated cardboard and a large square dark-brown envelope.

"Ah, to be sure! Phonograph records." He glanced about the apartment. "But, I say, where did the lady keep the bally machine?"

"You'll find it in the foyer," said Markham wearily, without turning. He knew that Vance's chatter was only the outward manifestation of serious and perplexed thinking; and he was waiting with what patience he could muster.

Vance sauntered idly through the glass doors into the little reception-hall, and stood gazing abstractedly at a console phonograph of Chinese Chippendale design which stood against the wall at one end. The squat cabinet was partly covered with a prayer-rug, and upon it sat a polished bronze flower-bowl.

"At any rate, it doesn't look phonographic," he remarked. "But why the prayer-rug?" He examined it casually. "Anatolian—probably called a Cæsarian for sale purposes. Not very valuable—too much on the Oushak type. . . . Wonder what the lady's taste in music was. Victor Herbert, doubtless." He turned back the rug and lifted the lid of the cabinet. There was a record already on the machine, and he leaned over and looked at it.

"My word! The Andante from Beethoven's C-Minor Symphony!" he exclaimed cheerfully. "You know the movement, of course, Markham. The most perfect Andante ever written." He wound up the machine. "I think a little good music might clear the atmosphere and volatilize our perturbation, what?"


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 Markham paid no attention to his banter; he was still gazing dejectedly out of the window.

Vance started the motor, and placing the needle on the record, returned to the living-room. He stood staring at the davenport, concentrating on the problem in hand. I sat in the wicker chair by the door waiting for the music. The situation was getting on my nerves, and I began to feel fidgety. A minute or two passed, but the only sound which came from the phonograph was a faint scratching. Vance looked up with mild curiosity, and walked back to the machine. Inspecting it cursorily, he once more set it in operation. But though he waited several minutes, no music came forth.

"I say! That's deuced queer, y' know," he grumbled, as he changed the needle and rewound the motor.

Markham had now left the window, and stood watching him with good-natured tolerance. The turn-table of the phonograph was spinning, and the needle was tracing its concentric revolutions; but still the instrument refused to play. Vance, with both hands on the cabinet, was leaning forward, his eyes fixed on the silently revolving record with an expression of amused bewilderment.

"The sound-box is probably broken," he said. "Silly machines, anyway."

"The difficulty, I imagine," Markham chided him, "lies in your patrician ignorance of so vulgar and democratic a mechanism.—Permit me to assist you."

He moved to Vance's side, and I stood looking curiously over his shoulder. Everything appeared to


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 be in order, and the needle had now almost reached the end of the record. But only a faint scratching was audible.

Markham stretched forth his hand to lift the sound-box. But his movement was never completed.

At that moment the little apartment was filled with several terrifying treble screams, followed by two shrill calls for help. A cold chill swept my body, and there was a tingling at the roots of my hair.

After a short silence, during which the three of us remained speechless, the same feminine voice said in a loud, distinct tone: "No; nothing is the matter. I'm sorry. . . . Everything is all right. . . . Please go home, and don't worry."

The needle had come to the end of the record. There was a slight click, and the automatic device shut off the motor. The almost terrifying silence that followed was broken by a sardonic chuckle from Vance.

"Well, old dear," he remarked languidly, as he strolled back into the living-room, "so much for your irrefutable facts!"

There came a loud knocking on the door, and the officer on duty outside looked in with a startled face.

"It's all right," Markham informed him in a husky voice. "I'll call you when I want you."

Vance lay down on the davenport and took out another cigarette. Having lighted it, he stretched his arms far over his head and extended his legs, like a man in whom a powerful physical tension had suddenly relaxed.

Pon my soul, Markham, we've all been babes in the woods," he drawled. "An incontrovertible alibi


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 my word! If the law supposes that, as Mr. Bumble said, the law is a ass, a idiot.—Oh, Sammy, Sammy, vy worn't there a alleybi! . . . Markham, I blush to admit it, but it's you and I who've been the unutterable asses."

Markham had been standing by the instrument like a man dazed, his eyes riveted hypnotically on the telltale record. Slowly he came into the room and threw himself wearily into a chair.

"Those precious facts of yours!" continued Vance. "Stripped of their carefully disguised appearance, what are they?—Spotswoode prepared a phonograph record—a simple enough task. Every one makes 'em nowadays"

"Yes. He told me he had a workshop at his home on Long Island where he tinkered a bit."

"He really didn't need it, y' know. But it facilitated things, no doubt. The voice on the record is merely his own in falsetto—better for the purpose than a woman's, for it's stronger and more penetrating. As for the label, he simply soaked it off of an ordin'ry record, and pasted it on his own. He brought the lady several new records that night, and concealed this one among them. After the theatre he enacted his gruesome little drama and then carefully set the stage so that the police would think it was a typical burglar's performance. When this had been done, he placed the record on the machine, set it going, and calmly walked out. He had placed the prayer-rug and bronze bowl on the cabinet of the machine to give the impression that the phonograph was rarely used. And the precaution worked, for no one thought of looking into it. Why should they?


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. . . Then he asked Jessup to call a taxicab—everything quite natural, y' see. While he was waiting for the car the needle reached the recorded screams. They were heard plainly: it was night, and the sounds carried distinctly. Moreover, being filtered through a wooden door, their phonographic timbre was well disguised. And, if you'll note, the enclosed horn is directed toward the door, not three feet away."

"But the synchronization of his questions and the answers on the record. . . ?"

"The simplest part of it. You remember Jessup told us that Spotswoode was standing with one arm on the switchboard when the screams were heard. He merely had his eye on his wrist-watch. The moment he heard the cry, he calculated the intermission on the record, and put his question to the imagin'ry lady at just the right moment to receive the record's response. It was all carefully figured out beforehand; he no doubt rehearsed it in his laborat'ry. It was deuced simple, and practically proof against failure. The record is a large one—twelve-inch diameter, I should say—and it requires about five minutes for the needle to traverse it. By putting the screams at the end, he allowed himself ample time to get out and order a taxicab. When the car at last came, he rode direct to the Stuyvesant Club, where he met Judge Redfern and played poker till three. If he hadn't met the Judge, rest assured he would have impressed his presence on some one else so as to have established an alibi."

Markham shook his head gravely.

"Good God! No wonder he importuned me on


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 every possible occasion to let him visit this apartment again. Such a damning piece of evidence as that record must have kept him awake at night."

"Still, I rather fancy that if I hadn't discovered it, he would have succeeded in getting possession of it as soon as your sergent-de-ville was removed. It was annoyin' to be unexpectedly barred from the apartment, but I doubt if it worried him much. He would have been on hand when the Canary's aunt took possession, and the retrieving of the record would have been comparatively easy. Of course the record constituted a hazard, but Spotswoode isn't the type who'd shy at a low bunker of that kind. No; the thing was planned scientifically enough. He was defeated by sheer accident."

"And Skeel?"

"He was another unfortunate circumstance. He was hiding in the closet there when Spotswoode and the lady came in at eleven. It was Spotswoode whom he saw strangle his erstwhile amoureuse and rifle the apartment. Then, when Spotswoode went out, he came forth from hiding. He was probably looking down at the girl when the phonograph emitted its blood-chilling wails. . . . My word! Fancy being in a cold funk, gazing at a murdered woman, and then hearing piercing screams behind you! It was a bit too much even for the hardened Tony. I don't wonder he forgot all caution and put his hand on the table to steady himself. . . . And then came Spotswoode's voice through the door, and the record's answer. This must have puzzled Skeel. I imagine he thought for a moment he'd lost his reason. But pretty soon the significance of it dawned on him;


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 and I can see him grinning to himself. Obviously he knew who the murderer was—it would not have been in keeping with his character had he failed to learn the identities of the Canary's admirers. And now there had fallen into his lap, like manna from heaven, the most perfect opportunity for blackmail that any such charmin' young gentleman could desire. He doubtless indulged himself with roseate visions of a life of opulence and ease at Spotswoode's expense. When Cleaver phoned a few minutes later, he merely said the lady was out, and then set to work planning his own departure."

"But I don't see why he didn't take the record with him."

"And remove from the scene of the crime the one piece of unanswerable evidence? . . . Bad strategy, Markham. If he himself had produced the record later, Spotswoode would simply have denied all knowledge of it, and accused the blackmailer of a plot. Oh, no; Skeel's only course was to leave it, and apply for an enormous settlement from Spotswoode at once. And I imagine that's what he did. Spotswoode no doubt gave him something on account and promised him the rest anon, hoping in the meantime to retrieve the record. When he failed to pay, Skeel phoned you and threatened to tell everything, thinking to spur Spotswoode to action. . . . Well, he spurred him—but not to the action desired. Spotswoode probably met him by appointment last Saturday night, ostensibly to hand over the money, but, instead, throttled the chap. Quite in keeping with his nature, don't y' know. . . . Stout fella, Spotswoode."


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 "The whole thing . . . it's amazing."

"I shouldn't say that, now. Spotswoode had an unpleasant task to perform, and he set about it in a cool, logical, forthright, businesslike manner. He had decided that his little Canary must die for his peace of mind: she'd probably made herself most annoyin'. So he arranged the date—like any judge passing sentence on a prisoner at the bar—and then proceeded to fabricate an alibi. Being something of a mechanic, he arranged a mechanical alibi. The device he chose was simple and obvious enough—no tortuosities or complications. And it would have succeeded but for what the insurance companies piously call an act of God. No one can foresee accidents, Markham: they wouldn't be accidental if one could. But Spotswoode certainly took every precaution that was humanly possible. It never occurred to him that you would thwart his every effort to return here and confiscate the record; and he couldn't anticipate my taste in music, nor know that I would seek solace in the tonal art. Furthermore, when one calls on a lady, one doesn't expect that another suitor is going to hide himself in the clothes-press. It isn't done, don't y' know. . . . All in all, the poor johnny was beaten by a run of abominable luck."

"You overlook the fiendishness of the crime," Markham reproached him tartly.

"Don't be so confoundedly moral, old thing. Every one's a murderer at heart. The person who has never felt a passionate hankering to kill some one is without emotions. And do you think it's ethics or theology that stays the average person from homicide? Dear no! It's lack of courage—the fear of


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 being found out, or haunted, or cursed with remorse. Observe with what delight the people en masse—to wit, the state—put men to death, and then gloat over it in the newspapers. Nations declare war against one another on the slightest provocation, so they can, with immunity, vent their lust for slaughter. Spotswoode, I'd say, is merely a rational animal with the courage of his convictions."

"Society unfortunately isn't ready for your nihilistic philosophy just yet," said Markham. "And during the intervening transition human life must be protected."

He rose resolutely, and going to the telephone, called up Heath.

"Sergeant," he ordered, "get a John-Doe warrant and meet me immediately at the Stuyvesant Club. Bring a man with you—there's an arrest to be made."

"At last the law has evidence after its own heart," chirped Vance, as he lazily donned his top-coat and picked up his hat and stick. "What a grotesque affair your legal procedure is, Markham! Scientific knowledge—the facts of psychology—mean nothing to you learned Solons. But a phonograph record—ah! There, now, is something convincing, irrefragable, final, what?"

On our way out Markham beckoned to the officer on guard.

"Under no conditions," he said, "is any one to enter this apartment until I return—not even with a signed permit."

When we had entered the taxicab, he directed the chauffeur to the club.

"So the newspapers want action, do they? Well,


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 they're going to get it. . . . You've helped me out of a nasty hole, old man."

As he spoke, his eyes turned to Vance. And that look conveyed a profounder gratitude than any words could have expressed.