text:
User talk:TomWoodhams

Welcome to Wikipedia
Welcome!

Hello, and welcome to Wikipedia. Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! By the way, please be sure to sign your name on Talk and vote pages using four tildes (~~~~) to produce your name and the current date, or three tildes (~~~) for just your name. If you have any questions, see the help pages, add a question to the village pump or ask me on my Talk page. Again, welcome! Gblaz 12:02, July 24, 2005 (UTC)
 * The Five Pillars of Wikipedia
 * How to edit a page
 * Editing, policy, conduct, and structure tutorial
 * Picture tutorial
 * How to write a great article
 * Naming conventions
 * Manual of Style
 * Merging, redirecting, and renaming pages
 * If you're ready for the complete list of Wikipedia documentation, there's also Topical index.

Contesting speedy deletion
When you want to contest the speedy deletion of a page, you don't just remove the tag, you put the tag  on the same page, but this must not replace the  tag. This is explained clearly on the tag. I accept now that I was wrong about your article being nonsense. However, please be aare of WIkipedia's copyright policies - merely copying out the text from a book as the basis of an article is a sure-fire way of seeing it deleted speedily. Best wishes and happy editing! --Vox Humana 8' 12:58, 9 July 2007 (UTC)

Fair use rationale for Image:Lamkorwan.png
Thanks for uploading or contributing to Image:Lamkorwan.png. I notice the image page specifies that the image is being used under fair use but there is not a suitable explanation or rationale as to why each specific use in Wikipedia constitutes fair use. Please go to the image description page and edit it to include a fair use rationale.

If you have uploaded other fair use media, consider checking that you have specified the fair use rationale on those pages too. You can find a list of 'image' pages you have edited by clicking on the "my contributions" link (it is located at the very top of any Wikipedia page when you are logged in), and then selecting "Image" from the dropdown box. Note that any non-free media lacking such an explanation will be deleted one week after they have been uploaded, as described on criteria for speedy deletion. If you have any questions please ask them at the Media copyright questions page. Thank you. NOTE: once you correct this, please remove the tag from the image's page. STBotI 23:02, 22 October 2007 (UTC)

Proposed deletion of Wu Yandong
A proposed deletion template has been added to the article Wu Yandong, suggesting that it be deleted according to the proposed deletion process. All contributions are appreciated, but this article may not satisfy Wikipedia's criteria for inclusion, and the deletion notice should explain why (see also "What Wikipedia is not" and Wikipedia's deletion policy). You may prevent the proposed deletion by removing the  notice, but please explain why you disagree with the proposed deletion in your edit summary or on its talk page.

Please consider improving the article to address the issues raised because even though removing the deletion notice will prevent deletion through the proposed deletion process, the article may still be deleted if it matches any of the speedy deletion criteria or it can be sent to Articles for Deletion, where it may be deleted if consensus to delete is reached. Phlegm Rooster (talk) 18:07, 23 August 2008 (UTC)

File copyright problem with File:Lamkorwanmug.jpg
Thank you for uploading File:Lamkorwanmug.jpg. However, it currently is missing information on its copyright status. Wikipedia takes copyright very seriously. It may be deleted soon, unless we can determine the license and the source of the file. If you know this information, then you can add a copyright tag to the image description page.

If you have uploaded other files, consider checking that you have specified their license and tagged them, too. You can find a list of files you have created in [ your upload log].

If you have any questions, please feel free to ask them at the media copyright questions page. Thanks again for your cooperation. PhilKnight (talk) 21:12, 29 September 2010 (UTC)

Nomination of Hu Wanlin for deletion
A discussion is taking place as to whether the article Hu Wanlin is suitable for inclusion in Wikipedia according to Wikipedia's policies and guidelines or whether it should be deleted.

The article will be discussed at Articles for deletion/Hu Wanlin until a consensus is reached, and anyone, including you, is welcome to contribute to the discussion. The nomination will explain the policies and guidelines which are of concern. The discussion focuses on high-quality evidence and our policies and guidelines.

Users may edit the article during the discussion, including to improve the article to address concerns raised in the discussion. However, do not remove the article-for-deletion notice from the top of the article until the discussion has finished. Polyamorph (talk) 15:02, 1 October 2022 (UTC)

title: User talk:TomWoodhams


text:
User talk:Phantomtiger

Welcome!

Hello, and welcome to Wikipedia. Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! By the way, please be sure to sign your name on Talk and vote pages using four tildes (~~~~) to produce your name and the current date, or three tildes (~~~) for just your name. If you have any questions, see the help pages, add a question to the village pump or ask me on my Talk page. Again, welcome! Gblaz 12:03, July 24, 2005 (UTC)
 * The Five Pillars of Wikipedia
 * How to edit a page
 * Editing, policy, conduct, and structure tutorial
 * Picture tutorial
 * How to write a great article
 * Naming conventions
 * Manual of Style
 * Merging, redirecting, and renaming pages
 * If you're ready for the complete list of Wikipedia documentation, there's also Topical index.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: User talk:Phantomtiger


text:
Air Rum

Air Rum was an airline registered in Sierra Leone, though based in Amman owned by Jordanian business man Mohammad Ibrahim Abu Sheikh, Jordan, which operated leasing and charter flights out Queen Alia International Airport, Amman.

History
The airline was established in 2002 as a subsidiary of RUM Group by Mohammad Abu Sheikh, who served as President and General Manager. Services were somewhat limited as Air Rum was on the List of air carriers banned in the European Union due to safety concerns. Air Rum became inoperational in 2008 and was subsequently dismantled, in favor of Petra Airlines, another subsidiary of RUM Group.

Fleet
The Air Rum fleet consisted of a number of Lockheed L-1011 TriStar aircraft, the last of which went into storage in August 2008, marking the end of the airline's business.

Incidents and accidents
On 20 September 2005, an Air Rum aircraft full of Gambian football fans heading for Lima, Peru faked a fuel starvation emergency so that the flight had to divert to Piura. The fans were going to support their national team playing in the city for the 2005 FIFA U-17 World Championship.

title: Air Rum


text:
User talk:Eylul

Welcome!

Hello, and welcome to Wikipedia. Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! By the way, please be sure to sign your name on Talk and vote pages using four tildes (~~~~) to produce your name and the current date, or three tildes (~~~) for just your name. If you have any questions, see the help pages, add a question to the village pump or ask me on my Talk page. Again, welcome! Gblaz 12:04, July 24, 2005 (UTC)
 * The Five Pillars of Wikipedia
 * How to edit a page
 * Editing, policy, conduct, and structure tutorial
 * Picture tutorial
 * How to write a great article
 * Naming conventions
 * Manual of Style
 * Merging, redirecting, and renaming pages
 * If you're ready for the complete list of Wikipedia documentation, there's also Topical index.

Image copyright problem with Image:Goldcronos.jpg
Thanks for uploading Image:Goldcronos.jpg. However, the image may soon be deleted unless we can determine the copyright holder and copyright status. The Wikimedia Foundation is very careful about the images included in Wikipedia because of copyright law (see Wikipedia's Copyright policy).

The copyright holder is usually the creator, the creator's employer, or the last person who was transferred ownership rights. Copyright information on images is signified using copyright templates. The three basic license types on Wikipedia are open content, public domain, and fair use. Find the appropriate template in Image copyright tags and place it on the image page like this:.

Please signify the copyright information on any other images you have uploaded or will upload. Remember that images without this important information can be deleted by an administrator. If you have any questions, feel free to contact me. Thank you. Stifle 17:35, 9 February 2006 (UTC)

Image copyright problem with Image:Gecce-gül.jpg
Thanks for uploading Image:Gecce-gül.jpg. However, the image may soon be deleted unless we can determine the copyright holder and copyright status. The Wikimedia Foundation is very careful about the images included in Wikipedia because of copyright law (see Wikipedia's Copyright policy).

The copyright holder is usually the creator, the creator's employer, or the last person who was transferred ownership rights. Copyright information on images is signified using copyright templates. The three basic license types on Wikipedia are open content, public domain, and fair use. Find the appropriate template in Image copyright tags and place it on the image page like this:.

Please signify the copyright information on any other images you have uploaded or will upload. Remember that images without this important information can be deleted by an administrator. If you have any questions, feel free to contact me. Thank you. Stifle 17:46, 9 February 2006 (UTC)

Image copyright problem with Image:Canlicanli_01.jpg
Thanks for uploading Image:Canlicanli_01.jpg. However, the image may soon be deleted unless we can determine the copyright holder and copyright status. The Wikimedia Foundation is very careful about the images included in Wikipedia because of copyright law (see Wikipedia's Copyright policy).

The copyright holder is usually the creator, the creator's employer, or the last person who was transferred ownership rights. Copyright information on images is signified using copyright templates. The three basic license types on Wikipedia are open content, public domain, and fair use. Find the appropriate template in Image copyright tags and place it on the image page like this:.

Please signify the copyright information on any other images you have uploaded or will upload. Remember that images without this important information can be deleted by an administrator. If you have any questions, feel free to contact me or ask for help at Wikipedia talk:Image copyright tags. Thank you. -- Carnildo 11:58, 14 February 2006 (UTC)

Image copyright problem with Image:Evy.jpg
Thanks for uploading Image:Evy.jpg. However, the image may soon be deleted unless we can determine the copyright holder and copyright status. The Wikimedia Foundation is very careful about the images included in Wikipedia because of copyright law (see Wikipedia's Copyright policy).

The copyright holder is usually the creator, the creator's employer, or the last person who was transferred ownership rights. Copyright information on images is signified using copyright templates. The three basic license types on Wikipedia are open content, public domain, and fair use. Find the appropriate template in Image copyright tags and place it on the image page like this:.

Please signify the copyright information on any other images you have uploaded or will upload. Remember that images without this important information can be deleted by an administrator.

This is an automated notice by OrphanBot. If you have any concerns, contact the bot's owner: Carnildo.

Orphaned fair use image (Image:Cindy-garden.jpg)
Thanks for uploading Image:Cindy-garden.jpg. I notice the 'image' page currently specifies that your image can be used under a fair use license. However, the image is currently orphaned, meaning that is not used in any articles on Wikipedia. If your image was previously in an article, please go to the article and see why your image was deleted. You may add it back if you think that that will be useful.

If you have uploaded other fair use media, please check whether they're used in any articles or not. You can find a list of 'image' pages you have edited by clicking on the "my contributions" link (it is located at the very top of any Wikipedia page when you are logged in), and then selecting "Image" from the dropdown box. Note that any fair use images not used in any articles will be deleted after seven days, as described on criteria for speedy deletion. Thank you. Shyam ( T / C ) 09:07, 8 March 2006 (UTC)

Image copyright problem with Image:Biryudumsu10.jpg
Thanks for uploading Image:Biryudumsu10.jpg. The image has been identified as not specifying the copyright status of the image, which is required by Wikipedia's policy on images. If you don't indicate the copyright status of the image on the image's description page, using an appropriate copyright tag, it may be deleted some time in the next seven days. If you have uploaded other images, please verify that you have provided copyright information for them as well.

For more information on using images, see the following pages:
 * Image use policy
 * Image copyright tags

This is an automated notice by OrphanBot. For assistance on the image use policy, see Image legality questions. 12:51, 9 April 2006 (UTC)

Image copyright problem with Image:10813.jpg
Thanks for uploading Image:10813.jpg. The image has been identified as not specifying the copyright status of the image, which is required by Wikipedia's policy on images. If you don't indicate the copyright status of the image on the image's description page, using an appropriate copyright tag, it may be deleted some time in the next seven days. If you have uploaded other images, please verify that you have provided copyright information for them as well.

For more information on using images, see the following pages:
 * Image use policy
 * Image copyright tags

This is an automated notice by OrphanBot. For assistance on the image use policy, see Media copyright questions. 11:11, 15 April 2006 (UTC)

Image copyright problem with Image:10814.jpg
Thanks for uploading Image:10814.jpg. The image has been identified as not specifying the copyright status of the image, which is required by Wikipedia's policy on images. If you don't indicate the copyright status of the image on the image's description page, using an appropriate copyright tag, it may be deleted some time in the next seven days. If you have uploaded other images, please verify that you have provided copyright information for them as well.

For more information on using images, see the following pages:
 * Image use policy
 * Image copyright tags

This is an automated notice by OrphanBot. For assistance on the image use policy, see Media copyright questions. 11:23, 17 April 2006 (UTC)

Image copyright problem with Image:70915gm.jpg
Thanks for uploading Image:70915gm.jpg. The image has been identified as not specifying the copyright status of the image, which is required by Wikipedia's policy on images. If you don't indicate the copyright status of the image on the image's description page, using an appropriate copyright tag, it may be deleted some time in the next seven days. If you have uploaded other images, please verify that you have provided copyright information for them as well.

For more information on using images, see the following pages:
 * Image use policy
 * Image copyright tags

This is an automated notice by OrphanBot. For assistance on the image use policy, see Media copyright questions. 09:46, 19 April 2006 (UTC)
 * Similar to above, Image:Gul-g.jpg and Image:Beyza-k.jpg are missing information on their copyright status and may be deleted after seven days if this can not be discovered. If you have any questions, you can ask on my talk page or ask at Media copyright questions. Thanks. ×Meegs 07:15, 22 April 2006 (UTC)

Image copyright problem with Image:1779.jpg
Thanks for uploading Image:1779.jpg. The image has been identified as not specifying the copyright status of the image, which is required by Wikipedia's policy on images. If you don't indicate the copyright status of the image on the image's description page, using an appropriate copyright tag, it may be deleted some time in the next seven days. If you have uploaded other images, please verify that you have provided copyright information for them as well.

For more information on using images, see the following pages:
 * Image use policy
 * Image copyright tags

This is an automated notice by OrphanBot. For assistance on the image use policy, see Media copyright questions. 12:00, 6 June 2006 (UTC)

-
eylul merhaba beyza durmazın önce türkçe bölümünde biyografisini ekleseydin daha iyi olurdu.

Image copyright problem with Image:Sarita1.jpg
Thanks for uploading Image:Sarita1.jpg. The image has been identified as not specifying the copyright status of the image, which is required by Wikipedia's policy on images. If you don't indicate the copyright status of the image on the image's description page, using an appropriate copyright tag, it may be deleted some time in the next seven days. If you have uploaded other images, please verify that you have provided copyright information for them as well.

For more information on using images, see the following pages:
 * Image use policy
 * Image copyright tags

This is an automated notice by OrphanBot. For assistance on the image use policy, see Media copyright questions. 06:16, 29 September 2006 (UTC)

Julia Restoin-Roitfeld
PLease stop recreating this article - it has been deleted several times - see WP:BIO -- Armadillo From Hell 22:25, 3 October 2006 (UTC)

Uploading images
You have updated a rather large number of images with copyright problems - this means that all the articles to which you have attached the images now have link problems. Please stop. -- Armadillo From Hell 22:27, 3 October 2006 (UTC)

Removing speedy tags
Please do not remove speedy deletion tags from articles that you have created yourself. If you do not believe the article deserves to be deleted, then please place on the page and make your case on the article's talk page. Administrators will look at your reasoning before deciding what to do with the article. Thank you. -- Armadillo From Hell 22:46, 3 October 2006 (UTC)

Warning
Start following the rules or you may be blocked from editing. -- Armadillo From Hell 22:48, 3 October 2006 (UTC)

Threats
Reagarding your post in Talk:Julia Restoin-Roitfeld. Please do not make personal attacks on other people. Wikipedia has a policy against personal attacks. In some cases, users who engage in personal attacks may be blocked from editing by administrators or banned by the arbitration committee. Comment on content, not on other contributors or people. Please resolve disputes appropriately. Thank you. -- Armadillo From Hell 22:55, 3 October 2006 (UTC)

Blocked.
You have been blocked from editing for a period of one week for vandalizing Wikipedia. If you wish to make useful contributions, you are welcome to come back after the block expires.

KC Concepcion
A tag has been placed on KC Concepcion, requesting that it be speedily deleted from Wikipedia. This has been done because the article seems to be about a person, group of people, band, club, company, or web content, but it does not indicate how or why the subject is notable (see the guidelines for notability here). If you can indicate why the subject of this article is notable, you may contest the tagging. To do this, please add  on the top of the page and leave a note on the article's talk page explaining your position. Please do not remove the speedy deletion tag yourself.

Please read the criteria for speedy deletion (specifically, articles #7) and our general biography criteria. Feel free to leave a note on my talk page if you have any questions about this. Gray  Porpo  ise  16:50, 25 November 2006 (UTC)

Beyza Durmaz
I've added the "prod" template to the article Beyza Durmaz, suggesting that it be deleted according to the proposed deletion process. All contributions are appreciated, but I don't believe it satisfies Wikipedia's criteria for inclusion, and I've explained why in the deletion notice (see also "What Wikipedia is not" and Wikipedia's deletion policy). Please either work to improve the article if the topic is worthy of inclusion in Wikipedia, or, if you disagree with the notice, discuss the issues at Talk:Beyza Durmaz. You may remove the deletion notice, and the article will not be deleted, but note that it may still be sent to Articles for Deletion, where it may be deleted if consensus to delete is reached, or if it matches any of the speedy deletion criteria. Oo7565 23:46, 28 December 2006 (UTC)

i am not the one who added the prod to the artical but because the person who did not tell you i desided to okOo7565 23:46, 28 December 2006 (UTC)

Unreferenced BLPs
Hello Eylul! Thank you for your contributions. I am a bot alerting you that 1 of the articles that you created  is tagged as an Unreferenced Biography of a Living Person. The biographies of living persons policy requires that all personal or potentially controversial information be sourced. In addition, to ensure verifiability, all biographies should be based on reliable sources. If you were to bring this article up to standards, it would greatly help us with the current Category:All_unreferenced_BLPs article backlog. Once the article is adequately referenced, please remove the unreferencedBLP tag. Here is the article:

Thanks!--DASHBot (talk) 07:17, 17 January 2010 (UTC)
 * 1) Mariana Renata -

title: User talk:Eylul


text:
User talk:Nevillenah

Welcome!

Hello, and welcome to Wikipedia. Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! By the way, please be sure to sign your name on Talk and vote pages using four tildes (~~~~) to produce your name and the current date, or three tildes (~~~) for just your name. If you have any questions, see the help pages, add a question to the village pump or ask me on my Talk page. Again, welcome! Gblaz 12:04, July 24, 2005 (UTC)
 * The Five Pillars of Wikipedia
 * How to edit a page
 * Editing, policy, conduct, and structure tutorial
 * Picture tutorial
 * How to write a great article
 * Naming conventions
 * Manual of Style
 * Merging, redirecting, and renaming pages
 * If you're ready for the complete list of Wikipedia documentation, there's also Topical index.

title: User talk:Nevillenah


text:
José Bénazéraf

José Bénazéraf (8 January 1922 – 1 December 2012) was a French filmmaker and producer who specialised in erotic films.

Life and career
Bénazéraf was born in Casablanca, French Morocco on 8 January 1922. After completing his studies in political sciences, he started his film career in 1958 producing Les lavandières du Portugal, a film by Pierre Gaspard-Huit, and went on to direct and write numerous erotic films in the 1960s. He started to direct erotic feature films in 1961 with L'éternité pour nous.

At the end of the 1970s, he moved his attention to the direct-to-video market.

He died in Chiclana de la Frontera.

Views on filmmaking
In 1973, Bénazéraf stated he did not make message films, and that one of the reasons he made films was to "disturb the French" (French: "déranger les Français"), who were, he felt, not disturbed by anything, neither politically nor sexually.

Bénazéraf also said that he attempted "to poeticise eroticism" (French: poétiser l'érotisme), whereas many at that time tended to accentuate pornography. He found pornographic films "horribly sad" (French: "horriblement triste") and called them "anti-eroticism" (French: "anti-érotisme"). According to Bénazéraf, eroticism was something "which creates a climate, which creates, which awakes, which sublimates desire" (French: "qui crée un climat, qui crée, qui suscite, qui sublimise le désir"), and the effect of pornography was the opposite.

Filmography

 * As director
 * 1960 : Mourir d'amour (Ma mort a les yeux bleus)
 * 1961 : Le Quatrième Sexe (not credited)
 * 1961 : L'Éternité pour nous (Le Cri de la chair)
 * 1962 : Le Concerto de la peur (La Drogue du vice) (U.S. title Night of Lust)
 * 1963 : Paris erotika (24 heures d'un Américain à Paris)
 * 1964 : Cover Girls
 * 1964 : L'Enfer dans la peau (La Nuit la plus longue)
 * 1965 : L'Enfer sur la plage
 * 1967 : Un épais manteau de sang
 * 1967 : St. Pauli Between Night and Morning (Plaisirs pervers)
 * 1968 :  (Joe Caligula)
 * 1969 : Le Désirable et le Sublime
 * 1971 : Frustration (Les Dérèglements d'une jeune provinciale)
 * 1973 : Bacchanales 73
 * 1973 : The French Love
 * 1973 : Le Sexe nu (Un homme se penche sur son destin)
 * 1974 : Le Bordel, 1ère époque : 1900
 * 1974 : L'Homme qui voulait violer le monde (Black Love)
 * 1974 : Adolescence pervertie
 * 1975 : La Soubrette perverse (La Soubrette)
 * 1975 : La Veuve lubrique (La Veuve)
 * 1975 : Les Deux gouines (Les Gouines) (Victoire et Isabelle)
 * 1975 : Séquences interdites
 * 1975 : Les Incestueuses
 * 1976 : La Planque 1 (Sex Porno)
 * 1976 : La Planque 2
 * 1976 : Une garce en chaleur
 * 1977 : Un dîner très spécial
 * 1977 : La Bonne auberge (Ici, on baise)
 * 1977 : Miss Aubépine (Vices cachés de Miss Aubépine)
 * 1978 : Bordel SS
 * 1978 : Ouvre-toi
 * 1978 : Grimpe-moi dessus et fais-moi mal
 * 1978 : Baisez-moi partout (Attention, je vais jouir)
 * 1979 : Nicole par dessus, par dessous
 * 1979 : Anna cuisses entrouvertes
 * 1979 : Je te suce, tu me suces, il nous...
 * 1980 : Hurlements d'extase
 * 1980 : Amours d'adolescentes pubères
 * 1981 : Brantôme 81 : Vie de dames galantes
 * 1982 : Patricia, Valéria, Anna et les autres
 * 1983 : Eva la grande suceuse
 * 1983 : Chattes chaudes sur queues brûlantes
 * 1983 : La Madone des pipes
 * 1983 : La star sodomisée (The Movie Star)
 * 1983 : Le Majordome est bien monté
 * 1983 : Rita la vicieuse
 * 1983 : L'Espionne s'envoie en l'air
 * 1983 : Le Viol à bicyclette
 * 1983 : Je mouille aussi par derrière
 * 1983 : Je te suce, tu me suces ou la vie d'un bordel de province
 * 1984 : Du foutre plein le cul
 * 1984 : Petits culs à enfiler
 * 1984 : Les Sexologues en chaleur
 * 1984 : Le Port aux putes
 * 1984 : L'Antiquaire a la chatte mouillée
 * 1984 : Ingrid, Whore of Hamburg
 * 1985 : Perverse Isabelle (La Fête à Isabelle)
 * 1985 : Le Yacht des partouzes
 * 1985 : L'Éveil porno d'une star
 * 1985 : Le Cul des mille plaisirs
 * 1985 : Lady Winter, perversités à l'anglaise
 * 1985 : Olynka, grande prêtresse de l'amour
 * 1985 : Bourgeoises à soldats, soumises et défoncées
 * 1985 : Les Confidences pornographiques de lady Winter
 * 1985 : Voyage au bout du vice
 * 1985 : Spanish Fly
 * 1986 : Les Obsessions sexuelles de lady Winter
 * 1986 : Triple pénétration
 * 1986 : Sex Resort
 * 1986 : Passionate Pupils
 * 1986 : Naughty French Fantasies
 * 1986 : Hot Patutti
 * 1986 : Fantasies of a Married Woman
 * 1986 : Bedside Manor
 * 1990 : Backdoor to Paris
 * 1997 : Contes de la Folie Ordinaire
 * 1999 : Portrait Regards de Zarah Whites

 * As actor
 * 1960 : À bout de souffle (not credited)
 * 1971 : Frustration ou les Dérèglements d'une jeune provinciale

title: José Bénazéraf


text:
Tom Novy

Tom Novy (born Thomas Reichold ; March 10, 1970) is a DJ and producer from Munich, Germany.

Biography
Tom Novy lived in Munich in his youth and attended the Luitpold Gymnasium in Munich. In the mid-1980s he started to DJ and got his first residency at the Babalu Club.

Novy started producing music in 1994 when he signed for the Munich-based record label Kosmo Records with his first record "I House U", a cover of the Jungle Brothers' "I'll House You", with lyrics by Novy. His original tracks ran more along the subgenre of European-flavoured progressive house. Since then, Novy has moved to a Chicago-style garage house sound, usually vocalized.

Tom Novy hosted various music-related TV shows on MTV Germany (including the shows Dance Floor Charts, Streetlife, Battle of DJ's and Nightlife) and VIVA.

Other aliases

 * 2002 "The First The Last Eternity" (2002 Mixes), as Snap! vs. Tom Novy
 * 2003 "@ Work", as Supermodel DJs (with Phil Fuldner)
 * 2005 "I Need Your Lovin'", as Casanovy (with Adrian Misiewicz)
 * 2006 "New Dimension", as Yvonn (with Adrian Bahil and Bill Brown)
 * 2006 "The Power", as Tom Novy vs. TV Rock (with TV Rock)
 * 2007 "Slap That Bitch", as Tom Novy vs. JCA (with Jean-Claude Ades, Patty the Downtownprincess and Simone Anés)
 * 2008 "Rhythm Is a Dancer (2008)", as Novy vs. Snap!
 * 2010 "Deep in My Soul", as Tom & Jerry feat. Loredana (with Jerry Ropero)
 * 2011 "Take Me to the Top", as Tom & Jerry (with Jerry Ropero)

Remixes

 * 2006 Roger Sanchez - Lost (Tom Novy's Lost In Space Remix / Tom Novy's Lost In Space Dub)
 * 2006 Martijn ten Velden - I Wish U Would (Tom Novy Remix)
 * 2008 FilterFunk - S.O.S. (Message In A Bottle) (Tom Novy Remix)
 * 2009 Snap! - Exterminate
 * 2011 Fragma - Toca's Miracle (Tom Novy & Jashari Deepdown Mix)

title: Tom Novy


text: Category:Peruvian boxers

title: Category:Peruvian boxers


text:
1958–59 in Scottish football

The 1958–59 season was the 86th season of competitive football in Scotland and the 62nd season of the Scottish Football League.

Scottish League Division One
The last day of the season saw Rangers holding a two-point lead over Hearts, with the clubs having an identical goal average. Rangers lost 1–2 at home to Aberdeen, only for Hearts also to lose, 2–1 away to Celtic. Had Hearts won by any score they would have won the title.

Champions: Rangers

Relegated: Falkirk, Queen of the South

Scottish League Division Two
Promoted: Ayr United, Arbroath

County
$$ – aggregate over two legs † – replay – trophy shared

Scotland national team
Key:
 * (H) = Home match
 * (A) = Away match
 * BHC = British Home Championship

title: 1958–59 in Scottish football


text:
Talk:End of Days (Buffy the Vampire Slayer)

Untitled
Please help complete the Angel/Buffy episode articles. See what needs to be done on this sub-page of WikiProject Buffy:

WikiProject Buffy/Episodes

Also please help update any major changes made to episode articles on that page so that progress can be mapped.

________________________________________________________

POV
Tagged as such, because... The article, as it stands, goes on about the silliness of deus ex machina devices in action and actually actively questions the storyline. Which is plausible, but this place isn't really about opinion/analysis, is it? Examples: And so on. I'd rewrite it myself, but I'm on the drowzy side, so I'll handle it later. Is this okay with everyone? Zeppocity 19:54, 3 October 2005 (UTC)
 * This begs the question of how Caleb got in before she did, and why the mystical woman didn't notice him. Also, why can't Angel, Caleb or Buffy sense Spike anymore?
 * Given the fact that the mystical woman waited thousands of years in a closed pyramid, her English is spectacular.
 * Unfortunately, the information she gives Buffy is terrible; the knight in "Indiana Jones and the Last Crusade" did far better in a comparable situation.
 * In the next episode, Chosen, Angel will show up with an amulet that Lilah just happened to give him back home in Los Angeles in the episode Home -- a deus ex machina in the true sense of the word this time.
 * "I don't understand. How is it possible that we didn't know any of this." -- Buffy joining our disbelief.

 * Have you seen the other Buffy episode articles? This isn't the only one to slip off the NPOV rules. There's a rather needless Writing and acting section that's featured in most of them that seem to serve as a means to give an essay over the particular episode. POV very much. I think someone with enough free time should go in and remove these from the articles because they are not encylopedic - at least not in the way they're currently written --Bacteria 09:11, 21 October 2005 (UTC)
 * I know, I know, and I agree. I think the section might be salvaged if we convert it into a space for pointing out some of the ongoing plot points or continuity details (which it does not, on occasion), but then, wouldn't this be covered just fine with a Continuity section, and as it is, it's just... wrong. Very much so. I'll try and get to them when I have the chance, and well, it'd be nice if you did too. :) Zeppocity 14:30, 21 October 2005 (UTC)

 * I think you are absolutely right about this episode, but I am slightly confused about Bacteria's comments - are you suggesting we do away with "Writing and acting"? And should we avoid using colloquialisms like those evident in this page? NP Chilla 18:19, 28 December 2005

I have attempted to convert the problematic parts to a more balanced or neutral form while keeping what I feel to be a legit comment on the story's plot -- let's face it, in the last few episodes of Buffy, the plot really is ramrodded down the viewer's throat via those "deus" devices instead of ticking along like a clockwork (see season six). I also left the fact that the mystical woman can speak English, as the series usually comments on obvious language problems (see Buffy's visit to the three wise men in this season). I don't see the Writing and Acting section called into question at all, by the way. There should be a section to remark on those things in a balanced (!) way.

As this makes most of the comments here redundant, somebody should probably erase the after a while

--194.97.167.250 17:58, 29 December 2005 (UTC)

Fair use rationale for Image:Buffy721.jpg
Image:Buffy721.jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.

Please go to the image description page and edit it to include a fair use rationale. Using one of the templates at Fair use rationale guideline is an easy way to insure that your image is in compliance with Wikipedia policy, but remember that you must complete the template. Do not simply insert a blank template on an image page.

If there is other fair use media, consider checking that you have specified the fair use rationale on the other images used on this page. Note that any fair use images lacking such an explanation can be deleted one week after being tagged, as described on criteria for speedy deletion. If you have any questions please ask them at the Media copyright questions page. Thank you.

BetacommandBot (talk) 19:26, 13 February 2008 (UTC)


text:
Robert Peel (disambiguation)

Robert Peel (1788–1850) was twice Prime Minister of the United Kingdom.

Robert Peel may also refer to:

 * Robert Francis Peel (1874–1924), Governor of Saint Helena
 * Robert Peel (historian) (1909–1992), American author of first scholarly biography of Mary Baker Eddy
 * Robert Peel (doctor) (c. 1830–1894), medical practitioner in South Australia
 * Robert Peel Dawson (1818–1877), Irish Member of Parliament
 * Parsley Peel (Robert Peel, 1723–1795), English industrialist
 * Sir Robert Peel, 1st Baronet (1750–1830), English politician and industrialist
 * Sir Robert Peel, 3rd Baronet (1822–1895), British politician
 * Robert Peel (hotelier), founder of Peel Hotels
 * Bobby Peel (1857–1941), 19th century Yorkshire and England cricketer

Places

 * Robert Peel Inlet, Nunavut, Canada

Other

 * Sir Robert Peel, racehorse that won the first Irish Grand National in 1870
 * Robert Peele (engineer) (1858–1942), American mining engineer

title: Robert Peel (disambiguation)


text:
Batting order (cricket)

In cricket, the batting order is the sequence in which batters play through their team's innings, there always being two batters taking part at any one time. All eleven players in a team are required to bat if the innings is completed (i.e., if the innings does not close early due to a declaration or other factor).

The batting order is colloquially subdivided into:
 * Openers (batters one and two)
 * Top order (batters three and four)
 * Middle order (batters five to seven)
 * Tail enders or Lower order (batters eight to eleven)

The order in which the eleven players will bat is usually established before the start of a cricket match, but may be altered during play. The decision is based on factors such as each player's specialities; the position each batter is most comfortable with; each player's skills and attributes as a batter; possible combinations with other batters; and the match situation whereby, for example, the team may require a more defensive or attacking player at that point in the innings. Also, a middle order batter in Tests may open for ODIs and Twenty20 due to their aggressive approach to the game.

Changing the batting order
The captain of the team can change the batting order during the game at his or her discretion. They can even change the batting line-up from one game to another in a tournament or series. There are no rules about the nature or number of changes made and, if more than one innings is played, the order used in each need not be the same. It has even been known for a captain to completely reverse his batting order for the second innings after following on. This has made it possible for a bowler to take a hat-trick across three consecutive overs of a match, including the same batter twice.

There are various reasons why the captain might make a change from the established order. Usually, however, captains and coaches prefer not to adjust the batting order unless necessary, as for example when South Africa moved Imran Tahir up the order against India because the South African top seven batters were poor against spin bowlers. In 2017, Faf du Plessis, who returned to the side as Test Captain after paternity leave, decided to make many changes to the batting lineup before the second test against England after being handed a heavy defeat. Du Plessis replaced JP Duminy at no. 5, and moved Quinton de Kock from 5 to 4 (de Kock already moved from no. 7 to 5 between the 1st and 2nd innings of the first Test), and due to the suspension of Kagiso Rabada due to demerit points, so Duanne Olivier replaced him, Philander moved up a spot to no. 7, while Theunis de Bruyn was replaced by Chris Morris at no. 8.

The Indian cricket team also shuffled their batting order in the first ODI of the India tour of West Indies and United States, 2023.

In the days before covered pitches, a particularly bad sticky wicket might see each team reverse the batting order to trade the wickets of their inferior batters for the time it could take for the unpredictability of the pitch to die down. Don Bradman has the highest test score as a #7 batsman after such an reversal of the order.

Pinch hitter
If the state of the game requires runs to be scored quickly, a captain will often promote a batter who is known to score quickly up the order. This is usually a lower-order batter, as their wicket is not regarded as being so valuable. A batter who is promoted up the order with the intention of scoring quick runs is called a pinch hitter or slogger. Some examples of pinch hitters include David Miller, Mitchell Starc, Shahid Afridi and Thisara Perera. In the West Indies' 2020 tour of England, during the second Test, England captain Joe Root sent Jos Buttler and Ben Stokes, two middle order batters known for quick scoring, up to open; the reason being England needed to score quickly in order to force a result despite rain. Stokes finished on 78* as England declared, while Buttler fell in the first over, having failed to score.

Nightwatchman
When a wicket falls near the end of the day, a lower order (less capable) batter might be sent in to bat with the intention that the more capable players will be held in reserve until the next morning. The more capable players are then not exposed to the risk of dismissal while tired or in low-light conditions. The batter who is sent in is known as the nightwatchman. This tactic is also used because players are typically nervous and unsettled at the start of the innings before settling into their rhythm and becoming "set". Sending a specialist batter in late in the day means that the batter will have to survive one such period in the afternoon, before doing the same again after the resumption of play the next day, increasing the chance of a dismissal, so a less valuable batter is sent in instead.

However, some nightwatchmen do go on to make big scores, most notably Jason Gillespie's 201* at number three (he usually batted at nine or ten) against Bangladesh in 2006.

Opening batters
The opening batters or openers are the batters who bat first in the innings (no. 1 and 2). This position is very important as the openers need to get the innings off to a good start. The early fall of wickets can have a serious psychological impact on the rest of the team, affecting their performance with the bat. The opening batters also get the first experience of the pitch and conditions and must be able to adjust to them quickly. Due to this, they are able to inform other batters of the state of the pitch as well.

Most importantly, the opening batters must face a new ball, which is hard and has a pronounced seam. This makes it more liable to travel fast, bounce high, seam around (i.e., bounce unpredictably off the seam) and swing (i.e., deviate sideways when travelling through the air). These early conditions favour the bowling team, so the opening batters must have considerable patience, a sound technique and be good defensively. As the ball gets older, its condition starts to favour the batting team. Therefore, the openers will ideally stay at the crease long enough to protect the batters further down the order.

In first-class cricket, the rate at which the openers score runs is not as important as "taking the shine off" the new ball. This is the process of softening and roughening the cricket ball, whose condition tends to degrade the longer it is in play. By occupying the crease for a long time and taking the shine off the ball, the openers themselves are able to score more freely later on. This also makes batting easier for the rest of the order. Because of the defensive technique required early on, openers are sometimes less fluent stroke-players than the specialist batters who follow.

In limited overs cricket, the role of opening batter is slightly different. In this type of cricket a high run rate is a necessity. Also, in the early 1990s, fielding restrictions were introduced in the early overs of the game, limiting the fielding side to only two players on the boundary. To start the innings effectively and take advantage of the fielding restrictions, it became beneficial to have an aggressive batter opening the innings. Due to these differences, there are examples of batsmen who would ordinarily play down in the lower order, such as a wicket-keeper batsman in First Class and Test Match cricket or heavy hitting all-rounders, being elevated to open in limited overs cricket. Adam Gilchrist batted in a 6, 7 or 8 position batter for all but a handful of his Test innings but in One Day Internationals he opened over 260 times.

If an opening batter remains not out at the end of the team's innings, after all 10 other batters have been dismissed, he or she is said to have carried the bat.

Top order
The top order is defined as the batters batting at positions 3 and 4. The batters who bat at positions 3, 4 and 5 in the order are sometimes the most technically proficient batters with the best stroke play. As they are likely to face an older ball that is easier to score runs against, they must aim to make a large number of runs. They may be exposed to the new ball if an opener loses his wicket early on and so must be equipped to deal with this scenario as well. Top and middle order batters must also be adaptable as they may be required to attack, consolidate or defend according to the needs of the team as the match situation develops.

Middle order
The middle order is typically defined as the batters batting at positions 4, 5, 6 and 7. It usually consists of versatile batters who must continue to build an innings. The middle order batter is likely to be facing a much older ball bowled by a spin bowler and defensive technique is necessary to overcome this type of attack, but they are often also fleet-footed players who attack slow bowling by charging down the pitch. The middle order players must also be adept at making runs when playing with the poor quality batters in the lower order. This requires the ability to manipulate the strike so that the tail-enders are shielded from the more potent bowlers.

Players who are designated as an all-rounder often bat in the middle order (e.g. Garfield Sobers usually batted at number 6; by contrast, W. G. Grace always opened the innings ). wicket-keepers generally bat in the middle order as well, often at number 6 or 7 (e.g. Adam Gilchrist throughout his Test career usually batted at number 7; however he predominantly opened the batting in limited-overs cricket ). One reason for placing all-rounders and wicket-keepers in the middle-order even though they may be more skilled than those who batted above them was because such players would be tired after bowling or keeping wicket during the preceding innings. Another reason, with the trend of wicket-keepers opening the innings in limited-over cricket, batters at positions 6, 7 and 8 tend to be at the crease when the second new ball is due, so they can function just like an opener and know how to wear out the new ball, or play aggressively to score quick runs to chase victory or to build the innings quickly towards a declaration. It is also plausible to see substitute wicket-keepers batting at number 5 or 6.

In One Day International cricket, middle order batters are generally able to change their game depending on the conditions. If their team loses wickets early, they must be able to play a long careful innings. Conversely, if they are not required to bat until later in the game, they must be able to attempt to score quickly, often attempting to hit many fours or sixes, and if they only have a short period to bat, they are expected to be innovative and able to settle after a short period. In run-chases they are required to be good at calculating and minimising the risks needed to reach the target, by scoring at close to the rate required. If they score more quickly than is required, they run the risk of getting out and exposing the weaker, lower-order batters to the pressure situation, but if they score too slowly, then they fall behind schedule and the pressure again increases.

Lower order or tail
The lower order is defined as the batters batting at positions 8, 9, 10 and 11. It is usually made up of players who have poorer batting skills compared to others in the team or new team members who are often placed there before they prove themselves a worthy batter; they are commonly known as tailenders (tail ender or tail-ender). These players are the team's specialist bowlers and sometimes the wicketkeeper, or even players on debut if their batting abilities are unproven. Bowlers with better batting abilities, aspiring all-rounders, or wicketkeepers do have a chance to move up the order over the course of their careers (notably Steve Smith moved from 7 to 3 or 4, and Ashton Agar moved from 11 to 7 in first-class cricket). However, some bowlers establish themselves as competent lower order batters, especially at no. 8 where many bowlers become bowling all-rounders, as in the case of fast bowlers Wasim Akram and Jason Holder, both of whom have a Test double century each to their names. By the same token, opening batters could move down the order due to poor form, having a top-heavy line-up or being better suited to play against spin bowling (notably Moeen Ali moving down from an opener to no. 7, or even 8, since the 2015 Ashes series, but has since also played at 3 in 2018). Therefore, the start of the lower order may vary in position depending on the balance of the side in terms of overall batting capability. Also, given that batters in ODIs and Twenty20 need to score quickly and aggressively, an opener in limited-overs forms of the game may bat down the order in Tests. A batting lineup containing more bowlers than usual may be described as having a "long tail".

It is likely that these batters will be dismissed for low scores. However, as expectations of these players are low when they are batting, they often play aggressive, carefree shots in the hope of scoring as many runs as possible. On occasion, the scores posted by the lower order have made a difference to the outcome of a match. If a significant contribution has come from the tail-enders, it is often said that "the tail wagged".

On occasions in which the batting team is a long way behind its opponents, the lower-order batters may attempt to salvage a draw by playing defensively until the end of the match. An example of this would be the first test in the 2009 Ashes series, in which England bowlers James Anderson and Monty Panesar were able to remain at the crease for 11.3 overs, denying Australia the chance to win the match.

The last batter in the order (at position 11) is sometimes referred to as Last Man Jack, a term that has passed into everyday parlance. This is because if the batting order were arranged as a pack of cards numbers 9 and 10 would be followed by Jack. Those batters who bat at positions 8 and 9 are also known as middle–lower order batters.

Men
Source: Kumar Sangakkara and Mahela Jayawardene’s 624-run stand for the third wicket against South Africa in July 2006 is the highest partnership in men's test cricket.
 * 1) Sir Len Hutton (ENG): 364 vs. Australia at The Oval, 1938
 * 2) Matthew Hayden (AUS): 380 vs. Zimbabwe at Perth, 2003–04
 * 3) Brian Lara (WI): 400* vs. England at St. John's, 2003–04
 * 4) Mahela Jayawardene (SL): 374 vs. South Africa at Colombo, 2006–07
 * 5) Michael Clarke (AUS): 329* vs. India at Sydney, 2012
 * 6) Ben Stokes (ENG): 258 vs. South Africa at Newlands, 2016
 * 7) Sir Donald Bradman (AUS): 270 vs. England at Melbourne, 1936–37 (Note: Bradman usually batted much higher in the batting order, but he reversed his team's batting order to protect the top order from an unpredictable pitch, resulting in him batting at number 7)
 * 8) Wasim Akram (PAK): 257* vs. Zimbabwe at Sheikhupura, 1996–97
 * 9) Ian Smith (NZ): 173 vs. India at Auckland, 1989–90
 * 10) Walter Read (ENG): 117 vs. Australia at The Oval, 1884 (Note: Read normally batted in the middle order, between number 4 and 6)
 * 11) Ashton Agar (AUS): 98 vs. England at Trent Bridge, 2013 (Note: This was Agar's debut Test match)

Women

 * 1) Kiran Baluch (PAK): 242 vs. West Indies women's cricket team at Karachi, 2004
 * 2) Thirush Kamini (IND): 192 vs. South Africa women's national cricket team at Mysore, 2014
 * 3) Karen Rolton (AUS): 209* vs. England at Headingley, 2001
 * 4) Mithali Raj (IND): 214 vs. England at Taunton, 2002
 * 5) Emily Drumm (NZ): 161* vs. Australia at Christchurch, 1995
 * 6) Annabel Sutherland (AUS): 210 vs. South Africa at WACA Ground, 2024
 * 7) Kathryn Leng (ENG): 144 vs. Australia at Scarborough, 1996
 * 8) Annabel Sutherland (AUS): 137* vs. England at Trent Bridge, 2023
 * 9) Debbie Wilson (AUS): 92* vs. New Zealand, at Cornwall Park, Auckland, 1990
 * 10) Shelley Nitschke (AUS): 81* vs. England, at Hove, 2005
 * 11) Clea Smith (AUS): 42 vs. England, at Hove, 2005

Source: Nitschke's score of 81 and Smith's 42 in the 2005 Women's Ashes in a partnership of 139 is the highest last wicket partnership in women's test cricket.

title: Batting order (cricket)


text: Category:Spanish boxers

title: Category:Spanish boxers


text:
Talk:Metastability in molecules

Will all diamonds eventually turn to graphite even at room temperature, as the article says? --Abdull 12:10, 24 July 2005 (UTC)

 * Mm, kind of, but not really. It's the difference between a thermodynamically-feasible reaction (which diamond-to-graphite is) and a kinetically-feasible reaction (which diamond-to-graphite is not). Exammple - oxygen and hydrogen, mixed together, will not spontaneously form water… unless you give them a spark to get started - then all of a sudden, BLAM, they fall together into water molecules. Or, for a more concrete example, consider a Jenga game. A highly-convoluted form may be less stable than the pieces-all-scattered form, but will a stable HC form spontaneously collapse into the PAS form? Or can it stay standing as long as no one touches it? Do you see the similarity here? The three-dimensional diamond lattice won't spontaneously collapse into the two-dimensional graphite grid; it has to be nudged, hard. In fact, it's been calculated that this nudge would have to be so hard that, for it to happen spontaneously at room temperature is so unlikely, it would take longer than the age of the universe. That, basically, is what metastable means. I'll try to sketch up some images later on, to make it a bit clearer. DS 12:40, 24 July 2005 (UTC)
 * That's a nice description but, I just want to point out, hydrogren will in fact spontaneously combust in oxygen. Robbiemuffin (talk) 02:33, 29 March 2008 (UTC)

title: Talk:Metastability in molecules


text:
Batting order

Batting order may refer to:

 * Batting order (baseball), the sequence in which the members of the offense bat against the pitcher
 * Batting order (cricket), the sequence in which batters play through their team's innings

title: Batting order


text: Category:Swiss boxers

title: Category:Swiss boxers


text: User talk:203.53.132.225

title: User talk:203.53.132.225


text: Category:Thai boxers

title: Category:Thai boxers


text:
Talk:Fool for Love (Buffy the Vampire Slayer)

Untitled
Please help complete the Angel/Buffy episode articles. See what needs to be done on this sub-page of WikiProject Buffy:

WikiProject Buffy/Episodes

Also please help update any major changes made to episode articles on that page so that progress can be mapped.

Was Fool for Love or Darla aired first?
The article said "'Darla', first aired earlier the same night" (emphasis mine). I don't remember directly (I'm not sure I was even watching back then), but wasn't Buffy airing before Angel at this point (season 5 of Buffy at 8:00, season 2 of Angel at 9:00)? That suggests Fool for Love aired before Darla. A few online sources (though none too reliable) confirm that order. So I'm changing a few pages to reflect that. If I'm wrong, please correct me, and at least we'll have this "conversation" to refer to later in case someone else gets the same idea. :) Pages affected: Fool for Love (Buffy episode), Darla (Angel episode), List of Angel episodes --Renophaston 18:51, 14 June 2007 (UTC)
 * Yep, you're right, "Fool for Love" was first. --Nalvage 20:49, 14 June 2007 (UTC)

Section
In this episode, Angelus, while already re-ensouled hadn't chose yet to call himself Angel. --Gonzalo84 20:43, 6 January 2006 (UTC)

Fair use rationale for Image:Buffy507.jpg
Image:Buffy507.jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.

Please go to the image description page and edit it to include a fair use rationale. Using one of the templates at Fair use rationale guideline is an easy way to insure that your image is in compliance with Wikipedia policy, but remember that you must complete the template. Do not simply insert a blank template on an image page.

If there is other fair use media, consider checking that you have specified the fair use rationale on the other images used on this page. Note that any fair use images lacking such an explanation can be deleted one week after being tagged, as described on criteria for speedy deletion. If you have any questions please ask them at the Media copyright questions page. Thank you.

BetacommandBot (talk) 19:17, 13 February 2008 (UTC)

Image copyright problem with Image:Spike 70s.gif
The image Image:Spike 70s.gif is used in this article under a claim of fair use, but it does not have an adequate explanation for why it meets the requirements for such images when used here. In particular, for each page the image is used on, it must have an explanation linking to that page which explains why it needs to be used on that page. Please check

 * That there is a non-free use rationale on the image's description page for the use in this article.
 * That this article is linked to from the image description page.

This is an automated notice by FairuseBot. For assistance on the image use policy, see Media copyright questions. --06:28, 31 October 2008 (UTC)

For the record
Blow by blow recounting of the episodes violates copyright...so I deleted the expanded overview. Lots42 (talk) 11:42, 14 February 2009 (UTC)

Currently...
The current article is crammed full with speculation and original research. Lots42 (talk) 23:39, 3 February 2011 (UTC)

I've been watching these again in order (along with Angel, as aired) and find that the discrepancy between the previously spoken origins of Spike's names in contrast to what is shown here is not necessarily a "continuity violation" and it's inclusion reflects the personal opinion of one who wrote it. Many times in history there is an accepted story behind something that has been often repeated to the point of being accepted as fact only to find out later through advances in science, research, or unveiled documentation that the accepted fact was wrong or misinformed. A continuity violation would be something that directly contradicts already established continuity but a person recanting hearsay does not fall under this as it had never been shown to be accurate. Should someone disagree, feel free to discuss. Chance X74 (talk) 11:45, 21 January 2012 (UTC)

Whirlwind?
Along with "Becoming, Part One", "Darla" and "The Girl in Question", this is one of only four Buffyverse episodes in which all four members of the Whirlwind (Angel, Spike, Darla and Drusilla) appear. When were they given the name "Whirlwind"? —Tamfang (talk) 04:50, 10 October 2012 (UTC)

 * In the Angel episode "Darla", originally aired directly after this Buffy episode. 82.139.86.180 (talk) 18:28, 11 February 2015 (UTC)


text:
David Bradley (English actor)

David John Bradley (born 17 April 1942) is an English actor. He is best known for his screen roles including Argus Filch in the Harry Potter film series, Walder Frey in the HBO fantasy series Game of Thrones, and Abraham Setrakian in the FX horror series The Strain.

A character actor, Bradley has notably acted in Our Friends in the North, the Three Flavours Cornetto trilogy and After Life. He has made several appearances as the First Doctor in Doctor Who, having portrayed the role's originator, William Hartnell, in the TV biopic An Adventure in Space and Time. In 2021, he received an Annie Award for Best Voice Actor in a Television Series for his work as Merlin in Guillermo del Toro’s animated Netflix series Tales of Arcadia.

An alumnus of the Royal Shakespeare Company, Bradley is also an established stage actor, with a career that includes a Laurence Olivier Award for his role in a production of King Lear and appearing in the Harold Pinter play No Man's Land at the Duke of York's Theatre in the West End.

Early life
Bradley was born in York, where he attended the Catholic St George's Secondary Modern School, where he was a member of the choir. He first performed on stage in musical productions, as a member of a youth club and with the Rowntree Youth Theatre. Upon leaving school, he completed a five-year apprenticeship with the optical instruments maker Cooke, Troughton & Simms and remained with the firm until 1966, when he moved to London to train as an actor at the Royal Academy of Dramatic Art.

Career
Bradley joined the Royal Shakespeare Company and performed at Laurence Olivier's National Theatre Company in the early 1970s. He first appeared on television in 1971, as a police officer in the comedy Nearest and Dearest. He was awarded a Laurence Olivier Award in 1991 for his supporting role as the Fool in King Lear at the Royal National Theatre. He appeared in the Royal National Theatre's 1997 production of The Homecoming, as well as productions of The Caretaker at Sheffield Theatres and the Tricycle Theatre from 2006 to 2007. In 2005 he played the title role in Nicholas Hytner's production of Henry IV Parts One and Two at the Olivier Theatre, London.

Bradley played fictional Labour Member of Parliament Eddie Wells in the 1996 BBC Two serial Our Friends in the North. Also in 1996, he appeared as gangster Alf Black in Band of Gold. In 1998, he appeared in the BBC adaptation of Vanity Fair as the miserly Sir Pitt Crawley, and Our Mutual Friend as the villainous Rogue Riderhood. Other television appearances include the 2001 series The Way We Live Now, directed by David Yates, who would work with Bradley five years later on the Harry Potter films.

From 2002 to 2004, Bradley starred as Jake in the BBC comedy series Wild West. Bradley acted in the 2004 musical drama serial Blackpool on BBC One. He appeared in the 2005 BBC drama Mr. Harvey Lights a Candle, playing a morose coach driver who takes an unruly party of pupils on a trip to Salisbury Cathedral, and the 2006 BBC drama Sweeney Todd. He had a small role in a 2006 episode of the series Taggart. In 2003, he played Tom in the Midsomer Murders episode "The Green Man". He appeared as the electrolarynx-using gangster Stemroach in the BBC comedy series Ideal and as Electric in the BBC's Thieves Like Us, as well as the BBC One series True Dare Kiss in 2007–08.

Bradley appeared in the 2002 film Nicholas Nickleby which was based on The Life and Adventures of Nicholas Nickleby by Charles Dickens, and had a small role in the 2007 comedy film Hot Fuzz as a farmer who illegally hoards weapons. He played Cohen the Barbarian in a Sky One adaptation of The Colour of Magic in 2008. That same year he appeared as Spooner in a production of Harold Pinter’s No Man's Land at the Gate Theatre, Dublin, which later transferred to London's West End.

In 2009, Bradley appeared in Ashes to Ashes, playing an animal rights activist, and in The Street, both on BBC. Bradley portrayed Will Somers, Henry VIII's court fool, in an episode of the Showtime series The Tudors in 2009. In 2010, he appeared in the film Another Year, which earned him a nomination for Best Supporting Actor from the London Film Critics Circle Awards. From 2011 to 2017, Bradley appeared as the villainous Lord Walder Frey in the HBO series Game of Thrones.

Bradley played Solomon, a ruthless buccaneer, in the 2012 Doctor Who episode "Dinosaurs on a Spaceship". He previously provided voice work for The Sarah Jane Adventures serial Death of the Doctor. It was announced in January 2013, that Bradley had been cast as actor William Hartnell in An Adventure in Space and Time, a BBC docudrama about the creation of Doctor Who in 1963. The special aired in November 2013, adding to the buildup to the 50th anniversary episode of Doctor Who later that month. He also appeared in the first series of Broadchurch, for which he won the BAFTA for “Best Supporting Actor”. In 2013, he also appeared in The World's End, a follow-up to Hot Fuzz in the Three Flavours Cornetto trilogy, this time portraying "Mad" Basil, an eccentric local man from the fictional English town Newton Haven.

From 2014, Bradley played a leading role as Professor Abraham Setrakian, a Holocaust survivor turned vampire hunter in Guillermo del Toro's TV series The Strain. In 2015, Bradley became a public supporter of Chapel Lane Theatre Company based in Stratford-Upon-Avon. In 2017, Bradley joined the cast of Guillermo del Toro’s animated Netflix series Trollhunters: Tales of Arcadia playing the role of Merlin. In 2021, he received an Annie Award for Best Voice Actor in a Television Role for his role in the final chapter of the trilogy, Wizards: Tales of Arcadia as the wizard Merlin.

In 2017, in the final episode of the tenth series of Doctor Who, "The Doctor Falls", Bradley returned to portray the First Doctor, having previously portrayed Hartnell, who originally played the character. He reprised the role in the 2017 Christmas special, "Twice Upon a Time", in an audio series for Big Finish Productions titled Doctor Who: The First Doctor Adventures alongside his An Adventure in Space and Time cast, and in the immersive theatre show Doctor Who: Time Fracture. This makes him the third actor to play the role in the television programme, after William Hartnell and Richard Hurndall since the premiere of Doctor Who in 1963, and at the age of 75, he is the also the oldest actor to play the role of the Doctor on television. He again played the First Doctor in the final episode of the 2022 specials, "The Power of the Doctor".

From 2019 to 2022, Bradley played Ray Johnson, the demented father of Tony (Ricky Gervais) in the Netflix series After Life. In 2021, it was announced that Bradley would be joining the cast of Allelujah, a film adaptation of Alan Bennett's play of the same name directed by Richard Eyre, which will star Jennifer Saunders, Bally Gill, Russell Tovey, Derek Jacobi, and Judi Dench. In 2022, it was announced that Bradley would voice Fowler in Chicken Run: Dawn of the Nugget.

Personal life
Bradley married his wife Rosanna in 1978. They have three children. His eldest son, George, is an architect, who has featured on the ITV series Love Your Home and Garden alongside Alan Titchmarsh. His daughter, Francesca, works in casting, having worked on Michael Bay's 6 Underground. He has said that it was his children who turned his attention to the Harry Potter film franchise and coached him for the role of Argus Filch.

Bradley is the president of Second Thoughts Drama Group, which performs in and around Stratford-upon-Avon. He has received honorary doctorates from the University of Warwick (17 July 2012) and York St John University (19 November 2015).

He is an avid fan of football clubs Aston Villa and York City. On 22 November 2014, he took part in a video paying tribute to Aston Villa on their 140th birthday.

title: David Bradley (English actor)


text:
Hakusensha

Hakusensha, Inc. (株式会社白泉社) is a Japanese publishing company. It is headquartered in Chiyoda, Tokyo.

The company mainly publishes manga magazines and is involved in series' productions in their games, original video animation, music, and their animated TV series.

The company is a wholly owned subsidiary of the Hitotsubashi Group.

History
Hakusensha was founded on December 1, 1973, by Shueisha. It is now a separate company although still a part of the Hitotsubashi Group with Shueisha and Shogakukan as one of the major members of the keiretsu.

After setting up the company for five months, the firm published their first magazine, a shōjo manga magazine titled Hana to Yume (花とゆめ). In November that year, they moved from Tōkyō-to, Chiyoda-ku, Kanda-Jinbōchō Ichi-chōme (東京都千代田区神田神保町1丁目) to Kanda-Jinbōchō San-chōme (神田神保町3丁目).

In 1975, the firm changed the frequency of their magazine from monthly to semi-monthly; in March, they created their first imprint, Hana to Yume Comics (花とゆめコミックス). In July 1976, they published their second manga magazine, a shōjo manga magazine named Hana to Yume LaLa (花とゆめ LaLa) as a sister magazine to Hana to Yume that is published bi-monthly. In April 1977, they set up a publication editing department and in July, they began publishing a seasonal magazine titled Bessatsu Hana to Yume (別冊花とゆめ).

In March 1981, they moved to Nishi-Kanda San-chōme (西神田3丁目). In September, they branched out from their usual shōjo manga magazines to a shōnen genre by publishing Shōnen Jets (少年ジェッツ). With that, the company released their series in Shōnen Jets under a new imprint, Jets Comics (ジェッツコミックス) in July 1982. As of January 2009, the magazine was defunct but the imprint is used to publish their seinen manga series serializing in Young Animal and Young Animal Arashi as well as certain series serializing in Melody.

Three years later on August, they published a new magazine, specialising under the josei genre, Silky that is published on even-numbered months. With that, they created an imprint for Silky's series to be published under Ladies' Comics (レディースコミックス). In March 1989, they started publishing a seinen manga magazine called Animal House. Three years after Animal House, they published Moe, a monthly magazine for picture books targeted toward shōjo readers. In May that year, Animal House was renamed to Young Animal and was then published semi-monthly since.

In March 1994, they created another imprint, Hakusensha Bunko (白泉社文庫). This imprint is for publishing manga in the bunkoban format. Moreover, in December 1995, they started publishing another magazine that was published seasonally, Shōsetsu HanaMaru (小説花丸) which is targeted toward josei readers.

In January 1996, they created an imprint for Shōsetsu HanaMaru (小説花丸), HanaMaru Comics (花丸コミックス). In July that year, they created HanaMaru Bunko (花丸文庫). In September, they published Melody which publishes on odd-numbered months. On the same month, they moved to Kanda-Awajichō Ni-chōme・Hakusensha Biru (神田淡路町2丁目・白泉社ビル), their present location.

In April 1996, they published LaLa DX on odd-numbered months. The company also began selling their drama CDs under Hakusensha CD Collection (白泉社CDコレクション), abbreviated as HCD.

In June 2001, they published Candy; as of January 2009, the magazine has been discontinued. In May 2005, they changed their special publication of Young Animal Arashi into a monthly publication. In July 2006, Bessatsu Hana to Yume was made a monthly publication. HanaMaru Black (花丸BLACK), a magazine targeted at readers of yaoi genre started its publication in May 2008.

Le Paradis, a manga anthology published triannually published its first issue on October 29, 2008.

Source:

Media mix
Besides publishing, the company releases drama CDs of series under their magazines: Hana to Yume Series (花とゆめシリーズ), Bessatsu Hana to Yume Series (別冊花とゆめシリーズ), LaLa Series (LaLaシリーズ), Young Animal Series (ヤングアニマルシリーズ) and HanaMaru Series (花丸シリーズ).

Moreover, they are involved in the productions of games, TV drama, theatrical movies, musicals, radio shows, TV animation and original video animation.

Series under the company can be read through mobile phones in Japan using the following service portals: Hakusensha e-Comics (白泉社e-コミックス) and Hakusensha HanaMaru Bunko (白泉社花丸文庫). Hakusensha e-Comics was started in September 2005 and is operated by Hakusensha and CharaWeb. This service is available in two variations and customers will have to pay 315 yen and 512 yen respectively to access this service every month.

Source:

Sony PlayStation Portable manga distribution service
It was announced at the 2009 Tokyo Game Show press conference that Hakusensha and 11 other publishing companies in Japan (such as Kodansha, Shueisha, Shogakukan, Square Enix, publishers associated with Kadokawa Shoten, Bandai Visual and Futabasha) would provide nearly 100 titles of manga to supply the service in PlayStation Store. Hakusensha has yet to provide details of the supplied titles for the service.

This service is only available for Japanese PlayStation Portable consoles and will start in December 2009.

Manga magazines
Source:
 * Hana to Yume
 * Bessatsu Hana to Yume (defunct)
 * The Hana to Yume
 * LaLa
 * LaLa DX
 * Shōnen Jets (defunct)
 * Melody
 * Silky
 * Young Animal
 * Young Animal Zero
 * Young Animal Arashi (defunct)
 * Young Animal Island
 * HanaMaru Black
 * Le Paradis

Other publications

 * Shōsetsu HanaMaru
 * Moe
 * Kodomo Moe

Source:

Imprints
Hakusensha publishes their books and manga under these imprints.

 * Hana to Yume Comics
 * Young Animal Comics (formerly known as Jets Comics until June 2016)
 * Hakusensha Ladies Comics
 * HanaMaru Comics
 * Hakusensha Bunko
 * HanaMaru Bunko
 * HanaMaru Novels
 * HanaMaru Black

Awards
Hakusensha organizes contests to offer aspiring manga artist a professional debut as well to be affiliated with their magazines.

These contests or awards are Hakusensha Athena Shinjin Taishō (白泉社アテナ新人大賞), Hana to Yume Mangaka Course (HMC), LaLa Mangaka Scout Course (LMS), LaLa Manga Grand Prix (LMG), and Big Challenge Awards (BC).

Radio show
There was a radio show hosted by voice actor Takehito Koyasu and Atsushi Kisaichi called Koyasu☆Kisaichi no HanaYume Check ni LaLa Shimasho (子安☆私市の花ゆめチックにLaLaしましょ) that was broadcast by Nippon Cultural Broadcasting. The show ended in March 2002. It was compiled into two CDs and is sold under Hakusensha's drama CD imprint, Hakusensha CD Collection (HCD).

title: Hakusensha


text: Category:Venezuelan boxers

title: Category:Venezuelan boxers


text:
Predrag Bjelac

Predrag Bjelac (Предраг Бјелац; born 30 June 1962) is a Serbian actor. He portrayed Igor Karkaroff in Harry Potter and the Goblet of Fire and Lord Donnon in The Chronicles of Narnia: Prince Caspian. He is a graduate of the Belgrade University's Faculty of Dramatic Art, class of 1986, and studied at The Lee Strasberg Theatre Institute (1988) in New York City.

Film

 * Šest dana juna (1985) - Petar
 * Destroying Angel (1987) - Otto
 * Poslednja priča (1987, TV Movie) - Vlada
 * The Fall of Rock and Roll (1989)
 * Čudna noć (1990)
 * Stand by (1991) - Veliki
 * Harrison's Flowers (2000) - Doctor in Vukovar
 * The Final Victim (2003) - Simons
 * Eurotrip (2004) - Italian Guy at Vatican
 * Kad porastem biću kengur (2004) - Baron
 * Harry Potter and the Goblet of Fire (2005) - Igor Karkaroff
 * Amor Fati (2005, Short) - Branko
 * The Omen (2006) - Vatican Observatory Priest
 * Ro(c)k podvraťáků (2006) - Chřestýš
 * The Chronicles of Narnia: Prince Caspian (2007) - Lord Donnon
 * Ať žijí rytíři! (2009) - Ahmed (Movie cut)
 * Harry Potter and the Half-Blood Prince (2009) - Igor Karkaroff (uncredited; appears in flashback)
 * Kao rani mraz (2010) - Stari Nikola
 * Sasha (2010 film) (2010) - Vlado Petrovic
 * Czech-Made Man (2011) - Noha
 * AS PIK (2012)
 * Artiljero (2012) - Gane
 * Ironclad: Battle for Blood (2014) - Maddog
 * Horseplay (2014) - Gypsy King
 * Child 44 (2015) - Basurov
 * Gangster Ka (2015) - Dardan
 * DxM (2015) - Mosca
 * Winnetou & Old Shatterhand (2016) - Tangua
 * Winnetou - Der letzte Kampf (2016) - Tangua
 * Intrigo: Dear Agnes (2019) - Caretaker
 * Atatürk 1881-1919 (2023) - Otto Liman von Sanders

Television

 * Warriors (1999) - Naser Zec
 * The Immortal: Deja vu (2001) - Petr
 * Children of Dune (2003) - Namri
 * Spooks (a.k.a. MI-5) (2007) - Edik Kuznetzov
 * The Fixer (2008) - Tarek Sokoli
 * Dobrá čtvrť (2008) - Dragan
 * The Courier 2.0 (2008) - Valentine
 * Ať žijí rytíři! (2010) - Ahmed
 * 4-teens (2011) - Uncle Dragan
 * Borgia (2011-2014) - Francesco Piccolomini
 * Cirkus Bukowsky (2013-2014) - Luka Coltello
 * Případy 1. oddělení (2014) - Abikal
 * Genius (2017) - Milos Maric
 * Killing Eve (2020) - Grigoriy

title: Predrag Bjelac


text:
Shirley Henderson

Shirley Henderson (born 24 November 1965) is a Scottish actress. Her accolades include two Scottish BAFTAs, a VFCC Award and an Olivier Award, as well as BAFTA, BIFA, London Critics' Circle, Chlotrudis, Gotham, and Canadian Screen Award nominations.

Henderson's film roles include Gail in Trainspotting (1996) and its 2017 sequel, Jude in the Bridget Jones films (2001–2016), and Moaning Myrtle in Harry Potter and the Chamber of Secrets (2002) and Harry Potter and the Goblet of Fire (2005). Her other notable credits include Rob Roy (1995), Wonderland (1999), Topsy-Turvy (1999), 24 Hour Party People (2002), Wilbur Wants to Kill Himself (2002), Intermission (2003), American Cousins (2003), Frozen (2005), Marie Antoinette (2006), Miss Pettigrew Lives for a Day (2008), Life During Wartime (2009), Meek's Cutoff (2010), Anna Karenina (2012), Filth (2013), Okja (2017), Never Steady, Never Still (2017), and Stan & Ollie (2018).

Henderson starred as Isobel Sutherland in the BBC series Hamish Macbeth (1995–97) and played Frances Drummond in the BBC drama Happy Valley (2016). She was nominated for RTS Awards for the BBC miniseries The Way We Live Now (2001) and the ITV television film Dirty Filthy Love (2004), and received a BAFTA nomination for her portrayal of Claire Salter in the Channel 4 miniseries Southcliffe (2013). She won the 2018 Olivier Award for Best Actress in a Musical for her role as Elizabeth in the original Old Vic production of Girl from the North Country.

Early life
Henderson was born on 24 November 1965 in Forres, Moray, and grew up in Kincardine-on-Forth, on the north shore of the Firth of Forth, in Fife. She attended Dunfermline High School. As a child, she began singing in local clubs, at charity events, holiday camps and even a boxing contest. At age 16, Henderson completed a one-year course at Adam Smith College, resulting in a National Certificate in Theatre Arts. At 17, she moved to London, where she spent three years at the Guildhall School of Music and Drama, graduating in 1986.

Career
Henderson's first television performance was in the leading role of Elizabeth Findlay in the 1987 ITV children's television drama Shadow of the Stone, for which she was cast by Leonard White. Having appeared in theatrical productions in Scotland in 1986 and 1987,  she was directed by Peter Hall at the Royal National Theatre as Fanny Lock in Entertaining Strangers from October 1987 to March 1988, and as Perdita in The Winter's Tale from April to November 1988.

In 1990, she played the title role in Eurydice at the Chichester Festival, and also appeared on television in Wish Me Luck and Casualty. She landed the key role of Isobel in the popular BBC series Hamish Macbeth in 1995.

Henderson then moved into films, playing Morag in Rob Roy (1995) and Spud's girlfriend Gail in Danny Boyle's Trainspotting (1996). She continued her work in the theatre, including many productions at the National Theatre in London. The next year, she appeared in Mike Leigh's Topsy-Turvy, in which she demonstrated her singing skills, and Michael Winterbottom's Wonderland.

Henderson played Jude in all three Bridget Jones films and Moaning Myrtle in Harry Potter and the Chamber of Secrets (2002) and Harry Potter and the Goblet of Fire (2005). She co-starred in the British film Close Your Eyes (2002) along with Goran Višnjić and Miranda Otto and played French princess Sophie-Philippine in Sofia Coppola's Marie Antoinette (2006).

She played the school matron in Nick Moore's 2008 film Wild Child.

Small-screen appearances have included playing Marie Melmotte in The Way We Live Now (2001); Catherine of Braganza in Charles II: The Power and The Passion (2003); Charlotte in Dirty Filthy Love (2004); Ursula Blake in the Doctor Who episode "Love & Monsters" (2006); Emmeline Fox in The Crimson Petal and the White (2011); DS Angela Young in Death in Paradise (2011); and Meg Hawkins in Treasure Island (2012). She played Karen, the lead role, opposite John Simm in Channel 4's Everyday and Meme Kartosov in Anna Karenina.

In 2022, HBO Max announced that Henderson would star in Dune: Prophecy as Tula Harkonnen. However, in early 2023, director Johan Renck and Henderson were reported to have exited the production due to a "creative shift" and production delays.

In 2023 Henderson was awarded an Outstanding Contribution by BAFTA Scotland for her contribution to Scottish Film and TV.

title: Shirley Henderson


text:
Ebony Bones

Ebony Bones (née Thomas; born 9 October 1982) is an English singer. Her musical style is eclectic and often blends elements of afrobeat, art rock, post-punk, classical, new-wave and electronic. Her debut album Bone of My Bones was released to positive reviews in 2009. Recorded in India, her second album, Behold, a Pale Horse was released in September 2013, to critical acclaim. Her third album Nephilim went out in 2018.

Music career
Ebony Bones was named by her original drummer Rat Scabies, of band The Damned. Known for her on-stage antics and theatrical costumes, she opened for Cee Lo Green's 2011 Tour across the UK and Europe. Beginning as a self-taught musician performing under the stage name 'Ebony Bones!', she anonymously uploaded music onto a blank Myspace page. Scabies encouraged her to also produce her own records : "I was very determined to carve out my own sound and not kind of have the pressure of someone else dictating to me what that should be".

Writing and producing her own material, "We Know All About U", depicting an Orwellian society, made its radio début as "The Hottest Record in the World Today" as well as "Single of the Week" on BBC Radio 1 by DJ Zane Lowe, also receiving daytime play from Jo Whiley, becoming Radio 1's most played single by an unsigned artist. Her début album Bone of My Bones was released in 2009 and hailed by critics. It included the tracks W.A.R.R.I.O.R and Guess We'll Always Have NY, later used for campaigns by Yves Saint Laurent, EA Sports FIFA 11 soundtrack, and a controversial Citroën car commercial featuring John Lennon, which was later banned in parts of Europe.

In 2010 she was requested to perform live at the Shanghai World Trade Show Expo 2010, Central Park SummerStage in New York, and The Grand Palais in Paris for SFR live concerts. In the summer of 2011 Ebony Bones also debuted new material from her second album at The Cannes Film Festival and T-Mobile International Film Festival.

In 2013, Bones released her second album Behold, A Pale Horse: it was partly conceived while travelling in India. The record featured the Symphony Orchestra of India and a cover of The Smiths. Behold, A Pale Horse was critically acclaimed and received good reviews by the likes of The Independent, and Spin. Bones decided to create and run her own label, titled "1984 Records". She has released a majority of her works on this album, such as her EP titled "Bread & Circus Pt. 1". She later released another EP titled, Milk & Honey, Pt. 1 in October 2015.

In 2015, Bones collaborated with Yoko Ono on Ono's remix album Yes, I'm A Witch Too: the track "No Bed For Beatle John" was a remix of an older song.

In July 2018, she released Nephilim; PopMatters hailed it in an 8 out of ten review saying: "It is a case of progression and evolution, and Ebony Bones has achieved a big leap forward with Nephilim. Looking back at her albums it's clear that her work in Bones of My Bones and Behold, A Pale Horse, have been a preparation for this moment. Nephilim finds Bones at her best, with a vision that spreads wider, but also with a more focused demeanor."

Musical influences and artistry
On her MySpace, Bones cited in her influences singers of all genres such as Fela Kuti, Grace Jones, The Slits, Siouxsie Sioux and Public Enemy. Bones also said: "Lauryn Hill is phenomenal. I also like very much Siouxsie and the Banshees, Annie Lennox and Missy Elliott".

Her music has been described as "a modern-minded mash-up of early punk slammed against the sounds of old-school afro-beat icons". Her style was described as "idiosyncratic" and as boasting "an especially unique and commanding kind of groove". The Guardian said that Bones created a "unique brand of post-punk mantra-disco".

Acting career
Attending London's Sylvia Young Theatre School alongside classmate Amy Winehouse, it is known that Ebony Thomas began her career at the age of 12, when she was spotted by BAFTA award winning actor and artistic director of Shakespeare's Globe Theatre Mark Rylance, for his production of Macbeth also starring actress Jane Horrocks. Nominated for The British Soap Awards in 2004 and 2005 for playing the role of Yasmin Green on the Channel 5 TV drama Family Affairs, she was one of the programme's youngest and longest-serving cast members. She appeared in Don Kent's 2012 film Ballade pour une reine [sic].

Discography

 * Bone of My Bones (2009)
 * Behold, a Pale Horse (2013)
 * Nephilim (2018)

title: Ebony Bones


text:
Talk:Joan Clos

Untitled
I think this article should be expandend and cleaned up. I don't deny the importance of the Carmel affair and the Forum...but I think is highly unappropriate and unbalanced to show only these items.

"Subjectivity" as an excuse for censorship.
I think the previous editor's deletion was far too drastic. Labelling something "subjective" should not be used to censor information concerning social issues. City mayors are often controversial figures - New York's Guiliani and London's Ken Livingstone being just two cases that spring to mind.

Mayor Clos' town planning policies in Barcelona are also controversial and the issues they raise have been extensively covered in the Spanish and Catalan press. Given that the "Barcelona Model" is often mentioned in European planning and architectural circles, it seems entirely reasonable to reflect these currents of opinion in an article on the city's mayor. The original article spelled out why Mayor Clos' policies had attracted criticism without taking sides. Is that not infinitely preferable to censoring the current debate concerning his mayoralty?

new comment
This article is absolutely incomplete and by no means should be taken in consideration for an aproach to Joan Clos' policies.

THIS ARTICLE IS HIGHLY PARTISAN ....ANTI-CLOS PROPAGANDA!!!!
Barcelona es ya una ZONA NEGRA

This article is very subjective
I also think that it is not neutral. I went to the Forum and I liked it very much. I also think that Joan Clos' popularity is not as bad as the article says. Maybe someone should translate the catalan or spanish article about him because those articles are very good, objective and long. Of course Joan Clos carreer is not only the one that apears in the article. It is also very badly written, because it say things like "Caramel" in stead of "Carmel" or "debâcle".

Biased
I agree with the comments, the article is biased to two negative issues. It even doesn't explain his life!!! I propose to clean the official biography: http://w3.bcn.es/V00/Home/V00HomeLinkPl/0,2587,2244713_2284317_3,00.html

Well, I propose something. What about if we edit the article, eliminate the unecessary negative references, and actually add information that has to do with his political life before being mayor of Barcelona. I have been reading his article on the Spanish wikipedia, and to be honest its much better than the actual Wikipedia English article. Also, we can use some few facts from the Mayor's website which was posted by the previous user. -Lrd1rocha 04:26, 29 December 2005 (UTC)

The Spanish entry not one to emulate
Actually, the Spanish entry reads like something out of "Who's Who" (which in Spain works on the "vanity publishing" principle). Indeed, apart from the single word "controvertido" [controversial] (conveniently skimmed over), the Spanish article reads like an exercise in political hagiography. The English contribution may have its flaws but at least it gives a real flavor of Clos' mayorship and an insight into the heated debate concerning Barcelona's development model.

.
Actually, there is nothing wrong with "débâcle" even if the American preference is to omit accents. The following entry is from the Merriam-Webster Collegiate Dictionary:

Main Entry: debacle Pronunciation: dE-'bä-k&l, -'ba-; ÷'de-b&-k&l Variant(s): also débâcle /also dA-'bäk(l&)/ Function: noun Etymology: French débâcle, from débâcler to clear, from Middle French desbacler, from des- de- + bacler to block, perhaps from (assumed) Vulgar Latin bacculare, from Latin baculum staff Date: 1802 1 : a tumultuous breakup of ice in a river 2 : a violent disruption (as of an army) : ROUT 3 a : a great disaster b : a complete failure : FIASCO

A previous contributor to the discussion may be unaware of the fact but "Spanish" and "Catalan" are both spelled with an initial capital letter.

I agree to the accusation of subjectivity
The article in fact doesn't give any information about Clos apart from his mistakes. It reads like "Joan Clos' mistakes in Barcelona" instead of being a thread about him. — Preceding unsigned comment added by 134.96.57.97 (talk • contribs)  12 June 2006

Litany of errors?
The problem is that Clos has made so many blunders that it is well-nigh impossible to refer to his mayoralty without mentioning them. To do so would be like trying to appraise the mayoralty of New York's "Boss" Tweed without mentioning Tammany Hall, or leaving out bootlegging from Joseph Kennedy's political career. Inclusion of biographical details from Clos' ertwhile job as an anaesthesist seems of little value (although they may help explain Mayor Clos' apparent gift for giving soporific political speeches). — Preceding unsigned comment added by VLIEGFELD (talk • contribs) 14 June 2006

 * Soporific speeches? On the contrary, Joan Clos' speeches are always hilarious! — Preceding unsigned comment added by 195.57.146.173 (talk • contribs)  6 September 2006

A case of the worst plagiarism
The current version is simply a COPY and PASTE of the information used on the webiste:

http://www.bcn.es/alcalde/english/biografia.htm

I find this utterly unacceptable for Wikipedia standards. If you don't have anything to say, just make a short bio with some basic (verifiable, please) facts and then link down at the reference section to the above page. Apart from the propaganda claims found in this talk, there should be a concern about this kind of sad plagiarism. — Preceding unsigned comment added by Redonell~enwiki (talk • contribs) 31 August 2006

External links modified
Hello fellow Wikipedians,

I have just modified one external link on Joan Clos. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
 * Added tag to http://www.noticias.com/joan-clos-actual-alcalde-de-barcelona-sera-el-nuevo-ministro-de-industria-en-sustitucion-d.28004
 * Added archive https://web.archive.org/web/20120512082540/http://www.abhaber.com/haber.php?id=24604 to http://www.abhaber.com/haber.php?id=24604

When you have finished reviewing my changes, you may follow the instructions on the template below to fix any issues with the URLs.

Cheers.— InternetArchiveBot  (Report bug) 04:27, 23 April 2017 (UTC)

External links modified
Hello fellow Wikipedians,

I have just modified 2 external links on Joan Clos. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
 * Added archive https://web.archive.org/web/20120225121504/http://www.architecture.com/Awards/RoyalGoldMedal/175Exhibition/WinnersBiogs/1990s/1999.aspx to http://www.architecture.com/Awards/RoyalGoldMedal/175Exhibition/WinnersBiogs/1990s/1999.aspx
 * Added archive https://web.archive.org/web/20120225121504/http://www.architecture.com/Awards/RoyalGoldMedal/175Exhibition/WinnersBiogs/1990s/1999.aspx to http://www.architecture.com/Awards/RoyalGoldMedal/175Exhibition/WinnersBiogs/1990s/1999.aspx

When you have finished reviewing my changes, you may follow the instructions on the template below to fix any issues with the URLs.

Cheers.— InternetArchiveBot  (Report bug) 02:31, 26 November 2017 (UTC)

title: Talk:Joan Clos


text: Category:Colombian boxers

title: Category:Colombian boxers


text:
Terence Bayler

Terence Bayler (24 January 1930 – 2 August 2016) was a New Zealand film, television, and stage actor. His most memorable roles were in Monty Python's Life of Brian (1979) and Harry Potter and the Philosopher's Stone (2001).

Biography
Bayler was born in Whanganui, the son of Amy (née Allomes) and Harold Bayler, a stagehand. His first film appearance was a starring role in New Zealand film Broken Barrier (1952). Bayler then spent the majority of his six-decade-long acting career in England, although he also appeared in 1981 New Zealand feature Pictures and BBC mini-series The Other Side of Paradise (1992), filmed partly in Rarotonga.

Broken Barrier was the only locally made feature shot in New Zealand during the 1950s. Bayler starred as a young journalist who falls in love with a Māori woman. The film won healthy audiences in his home territory. It was directed by Roger Mirams and John O'Shea – O'Shea went on to direct the only New Zealand feature films made in the 60s, drama Runaway and musical Don't Let it Get You.

Bayler was given stitches above an eye after he was injured in a sword fight with actor Jon Finch (playing Macbeth) during the shooting of Roman Polanski's 1971 adaptation of Shakespeare's Macbeth.

Bayler's associations with Monty Python date from 1975, when he appeared in Eric Idle's BBC TV series Rutland Weekend Television. This led to his appearance as Leggy Mountbatten, manager of fictional Beatles-parody band The Rutles, in American-made TV movie All You Need Is Cash (1978). Idle also cast him in his play Pass the Butler.

He had a small role as Mr. Gregory in Monty Python's Life of Brian (1979), and he appeared in two more of Python member Terry Gilliam's films, Time Bandits (1981) and Brazil (1985).

title: Terence Bayler


text:
User talk:Accantia

Accantia is the name chosen by Mick Anderson for the mythical place of a tooth fairy land. Mick has been working on this children's book for a year and a half and hopes to complete it in the next year.

title: User talk:Accantia


text:
Simon Fisher-Becker

Simon Fisher-Becker is a British stage, television and film actor, specialising in comedy and character parts. His more notable roles include Tony Fazackerley in Puppy Love for the BBC, The Fat Friar in the Harry Potter film Harry Potter and the Philosopher's Stone, and Dorium Maldovar in series 5 and 6 of Doctor Who.

Television

 * An Ungentlemanly Act (1992) as Prisoner
 * One Foot in the Grave (1 episode, 1993) as Magician
 * Doctors (1 episode, 2001) as Cyril Wilson
 * Love Soup (1 episode, 2005) as Horatio
 * Afterlife (1 episode, 2006) as Mini-cab driver
 * Doctor Who (3 episodes & a prequel, 2010–2011) as Dorium Maldovar
 * Doctor Who Confidential (1 episode, 2011) as himself
 * Getting On (ep 3, 2012) as Stephen Ferris
 * Waterside (2012) as Dante Harper
 * Gay Boys (2012) as Mr Fitz-Hubbard, The Pope & Malcolm
 * 3some Webseries (2013) as Roger
 * Puppy Love (2014) as Tony Fazackerley

Film

 * Arrivederci Millwall (1990) as Shop Manager
 * Beg! (1994) as Dr. Farth
 * Sweet Thing (1999) as Klaus
 * Harry Potter and the Philosopher's Stone (2001) as The Fat Friar
 * Chakan, the Forever Man (2012) as Ethan Scott
 * Rise of the Euphonious Angel (2012) as Dante
 * Coveted Desires (2016) as Keith's Dad

Audio

 * Doctor Who: The Curse of Sleepy Hollow (2013) as Father Hardwood (fan adventure)
 * Big Finish - Gallifrey V - (2013)
 * Big Finish - Irish Wildthyme 'Going Down' - (2013)
 * Cog Work Pro. Doctor Who - Out Of Time 'The Voice' (2013)
 * Illusionist Productions' Doctor Who: Tales of Mystery & Imagination (2 episodes, 2014) as Mr. Dike
 * The Hawk Chronicles (2018–present) as Agent Tony Simon

title: Simon Fisher-Becker


text:
User talk:Mortenoesterlundjoergensen

Welcome!

Hello, and welcome to Wikipedia. Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! By the way, please be sure to sign your name on Talk and vote pages using four tildes (~~~~) to produce your name and the current date, or three tildes (~~~) for just your name. If you have any questions, see the help pages, add a question to the village pump or ask me on my Talk page. Again, welcome! Gblaz 12:18, July 24, 2005 (UTC)
 * The Five Pillars of Wikipedia
 * How to edit a page
 * Editing, policy, conduct, and structure tutorial
 * Picture tutorial
 * How to write a great article
 * Naming conventions
 * Manual of Style
 * Merging, redirecting, and renaming pages
 * If you're ready for the complete list of Wikipedia documentation, there's also Topical index.

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Mortenoesterlundjoergensen. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Mortenoesterlundjoergensen~enwiki that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name. If you think you might own all of the accounts with this name and this message is in error, please visit Special:MergeAccount to check and attach all of your accounts to prevent them from being renamed.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 01:58, 20 March 2015 (UTC)

ArbCom elections are now open!
MediaWiki message delivery (talk) 13:02, 23 November 2015 (UTC)

title: User talk:Mortenoesterlundjoergensen