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User talk:Ron Stoppable

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By the way, I left you a gift. Welcome! -- Essjay ·  Talk 20:27, July 17, 2005 (UTC)

 * You're so very welcome! If you have any questions, I'd be happy to answer them. There wasn't anything wrong with your message. The only thing we ask is that you sign posts on talk pages and votes (not in articles) with ~ ; when you do that, the software automatically converts it into your username and the date (for you, it would look like this: Ron Stoppable 09:01, July 18, 2005 (UTC)) and we can easily see who left what message and when they left it. (Plus, it leaves a link to your page so we can get back to you quickly.) You can also use three to just sign your username, or five to just sign the date, but four is the usual method. I hope you love the site as much as I do, and if you have any problems, let me know! -- Essjay ·  Talk 09:01, July 18, 2005 (UTC)

 * (Also, I removed some comments from your user page; if you have any questions about it, leave me a note and I'll explain. -- Essjay ·  Talk)

Yep, that was exactly what to do! We do track all edits (look at the link at the top of the page that says "history") but its much easier on talk pages & votes to use a signature. (For example, I had seven or eight notes on my page this morning; if I had to check the history to see who said what, it would take a lot longer. That's why the developers created the signature shortcut.) As for the deal with your page, there was a very troubled young man who was pretending he had a disabled brother and using that persona to vandalize pages. The situation has been remedied now. Anyhow, if you have any further questions, just let me know. (And, I won my RfA, so if you need any administrator help, I can do that too.) -- Essjay ·  Talk 14:32, July 21, 2005 (UTC)

Paper Mario
I removed your additions to the story section. While it all was very good writing, we have had more comprehensive rundowns of the story there before, but they were pared down to what you currently see in the interest of keeping things readable and making sure we only have what we need. For the most part, COMPLETE story summaries are far too long for the wiki's purposes, and a plot synopsis will do. --InShaneee 18:06, 30 January 2006 (UTC)

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HxH names
Hey,

sorry to bother you.

Just wondering if you could come by the hxh talk page and drop a comment here regarding the ViZ vs. Scanlation names deal.

The big long discussion i had with Mr.Toto about this is sort grinding to a standstill, so we'd really appreciate some third opinions. -- `/aksha 10:42, 17 November 2006 (UTC)

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HxH...again
"I remember...VERY early on in the series, immediately after the Hunter Exam, Gon was looking in an online directory for his dad. I'm certain I saw 'Freecss' written out as Gon's last name in it, and I'm also pretty sure it was written by Togashi himself, since it was clearly handwritten (all text in a Viz translation is digital). When I get the chance, should I flip through my books and search for it? (It's not with me right now, so I can't check.) (quoted from Talk:Hunter × Hunter)"

Hey. I don't mean to be a pain, but if you do have a copy of the volume, can you just check and make sure? I do have the earlier volumes, but in only in scanlation. Since it's not unusual for scanlators to edit the drawing as well as the text (for jap stuff that are 'drawn in'), there's really not much point. -- `/aksha 05:53, 19 March 2007 (UTC)

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AfD nomination of Energy card
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ArbCom elections are now open!
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title: User talk:Ron Stoppable


text:
You've Really Got a Hold on Me

"You've Really Got a Hold on Me" is a song written by Smokey Robinson, which became a 1962 Top 10 hit single for the Miracles. One of the Miracles' most covered tunes, this million-selling song received a 1998 Grammy Hall of Fame Award. It has also been selected as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. It was recorded by the Beatles for their second album, With the Beatles (1963). Many other musicians also recorded versions.

Composition and recording
"You've Really Got a Hold On Me" was written by Smokey Robinson while in New York in 1962 on business for Motown; he heard Sam Cooke's "Bring It On Home to Me", which was in the charts at the time, and—influenced by it—wrote the song in his hotel room.

The song was recorded in Motown's Studio A on October 16, 1962, with Robinson on lead vocals, and Miracles' second tenor Bobby Rogers on harmony co-lead. Robinson was the producer, and he had Eddie Willis and Miracle Marv Tarplin share the guitar parts.

Originally a B-side
The song was released on the Tamla label on November 9, 1962, as the B-side of "Happy Landing". "Happy Landing" reached some regional charts; however, "Hold On Me" ultimately performed better. With "You've Really Got a Hold on Me" as the A side, the single reached the Top 10 on the Billboard Hot 100 Pop chart, peaking at number eight, and was a number one smash on the Billboard R&B singles chart during the winter of 1962–63. Cash Box described it as "a pulsating beat-ballad romancer that the artists carve out in emotion-packed fashion" and said "could be a real big dual-mart, pop-r&b sales item." Cash Box also praised the "captivating instrumental assist."

The Miracles' original version was inducted into the Grammy Hall of Fame in 1998. It was also the group's second single to sell over a million copies, after "Shop Around". The song was included on the album The Fabulous Miracles over three months after its release.

Personnel
The Miracles
 * Smokey Robinson – lead vocal
 * Claudette Rogers Robinson – backing vocal
 * Pete Moore – backing vocal
 * Ronnie White – backing vocal
 * Bobby Rogers – co-lead vocal and backing vocal
 * Marv Tarplin – guitar
 * Other instruments by the Funk Brothers

The Beatles version
"You Really Got a Hold on Me" was the first song recorded for the Beatles' second British album, With the Beatles, and was included on their third US album, The Beatles' Second Album. It features John Lennon and George Harrison on lead vocals with Paul McCartney on harmony vocals.

The Beatles recorded the song on July 18, 1963. This session took place while Please Please Me was still at number one in the album charts four months after its release, and in the midst of a rigorous touring schedule that also had to include BBC sessions for radio and television. It was completed in seven takes, four of which were complete. The group then recorded four edit pieces. The final version was an edit of takes 7, 10 and 11.

The Beatles also recorded "You Really Got a Hold on Me" on four occasions for BBC radio in 1963. One of these, from July 30, 1963 was included on the Live at the BBC collection. A live version recorded in Stockholm, Sweden, in October 1963 was released in 1995 on Anthology 1. The song was performed once again in 1969, during the Let It Be recording sessions, and featured in the 1970 documentary film, Let It Be.

Personnel
 * John Lennon – rhythm guitar, lead vocals
 * George Harrison – lead guitar, lead vocals
 * Paul McCartney – bass guitar, harmony vocals
 * Ringo Starr – drums
 * George Martin – piano

Other versions
"You've Really Got a Hold on Me" has been recorded several times since its release. A rendition by Eddie Money, recorded for his self-titled debut album, reached number 72 on the U.S. Billboard Hot 100 in December 1978, and number 68 in Canada in January 1979.

A version by American country music artist Mickey Gilley peaked at number two on the U.S. Billboard Hot Country Songs chart and number one on the Canadian RPM Country Tracks chart.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: You've Really Got a Hold on Me


text:
I Wanna Be Your Man

"I Wanna Be Your Man" is a Lennon–McCartney-penned song first recorded and released as a single by the Rolling Stones, and then recorded by the Beatles for their second studio album With the Beatles. The song was primarily written by Paul McCartney, and finished by McCartney with John Lennon in the corner of a Richmond, London, club while Mick Jagger and Keith Richards were talking.

The Rolling Stones version
Released as their second single on 1 November 1963, the Stones's version was the group's first UK top-20 hit, peaking at number 12 on the British chart. Their rendition features Brian Jones's distinctive slide guitar and Bill Wyman's driving bass playing. It is one of the few Rolling Stones songs to feature only Brian Jones on backing vocals. In the US, the song was initially released as London 45-LON 9641 (with "Stoned" on the B-side) without any success and was soon after re-released on 6 March 1964 as the B-side to "Not Fade Away".

According to various accounts, either Andrew Loog Oldham, the Rolling Stones' manager/producer, or the Rolling Stones themselves ran into Lennon and McCartney on the street as the two were returning from an awards luncheon. Hearing that the group were in need of material for a single, Lennon and McCartney went to their session at De Lane Lea Studio and finished off the song – whose verse they had already been working on – in the corner of the room while the impressed Rolling Stones watched.

Mick Jagger recalled the song in 1968:

"We knew [the Beatles] by then, and we were rehearsing, and Andrew brought Paul and John down to the rehearsal. They said they had this tune; they were really hustlers then. I mean, the way they used to hustle tunes was great: 'Hey Mick, we've got this great song.' So they played it, and we thought it sounded pretty commercial, which is what we were looking for, so we did it like Elmore James or something. I haven't heard it for ages, but it must be pretty freaky 'cause nobody really produced it. It was completely crackers, but it was a hit and sounded great onstage."

McCartney stated in 2016:

"We were friends with them, and I just thought 'I Wanna Be Your Man' would be good for them. I knew they did Bo Diddley stuff. And they made a good job of it." Bill Wyman noted how the Rolling Stones adapted the song to their style: "We kind of learned it pretty quickly 'cause there wasn't that much to learn. Then Brian got his slide out, his steel (guitar) out and dadaw... dadaw... and we said, 'Yeah, that's better, dirty it up a bit and bash it out', and we kind of completely turned the song around and made it much more tough, Stones- and Elmore James-like."

Released only as a single, the Rolling Stones' rendition did not appear on a studio album. The song was reissued in the UK on the Decca compilation albums Milestones (1972) and Rolled Gold: The Very Best of the Rolling Stones (1975). In 1989, it was issued on the US compilation album Singles Collection: The London Years. It is included on the four-CD version of the 2012 GRRR! compilation.

The B-side of the second single was "Stoned", a "Green Onions"–influenced instrumental composed by Nanker/Phelge, the early collective pseudonym for the group. Additionally, it included the 'Sixth Stone' pianist Ian Stewart, making it the first released self-penned composition, with added spoken asides by Mick Jagger. Some original 1963 copies were issued with the misprinted title as "Stones", making it doubly collectable as a rarity.

On 1 January 1964, the Stones' "I Wanna Be Your Man" was performed on the first episode of the BBC's Top of the Pops, making them the first band to appear on the show. A performance of the song on The Arthur Haynes Show recorded on 7 February 1964 appears in the 1995 docu-series The Beatles Anthology and as part of the bonus material on the 2012 documentary film Crossfire Hurricane.

The Beatles version
The Beatles' version was sung by Ringo Starr and appeared on the group's second UK album, With the Beatles, released 22 November 1963 and on the US release Meet the Beatles!, released on 20 January 1964. It was driven by a heavily tremoloed, open E-chord on a guitar played through a Vox AC30 amplifier. John Lennon was dismissive of the song in 1980, saying: "It was a throwaway. The only two versions of the song were Ringo and the Rolling Stones. That shows how much importance we put on it: We weren't going to give them anything great, right?" The Beatles also recorded two versions of the song for the BBC. One version was for the Saturday Club, recorded on 7 January 1964 and first broadcast on 15 February. The second version was for the From Us to You show, recorded on 28 February and broadcast on 30 March; this was released decades later on the Live at the BBC collection. The Beatles also recorded a version for the Around The Beatles TV show, recorded on 19 April 1964; this version was released on the Anthology 1 collection in 1995.

Ringo Starr and the All-Starr Band version
Ringo Starr & His All-Starr Band have performed the song as a concert staple during their 1989 through 2012–13 All-Starr Band concerts. The song was on the setlist for the first line-up in 1989. The 1992 line-up did not perform the song. Every All-Starr Band line-up from 1995 to 2012–13 has included the song on their setlist. The song has appeared on the following compilation albums: Ringo Starr and His Third All-Starr Band Volume 1, King Biscuit Flower Hour Presents Ringo & His New All-Starr Band, The Anthology... So Far, Ringo Starr and Friends, Ringo Starr: Live at Soundstage, Ringo Starr & His All Starr Band Live 2006, and Live at the Greek Theatre 2008.

Paul McCartney version
McCartney performed the song occasionally, notably on the soundcheck of his 1993 live album Paul Is Live.

McCartney performed the song in his 2022 Glastonbury Festival set with special guest Bruce Springsteen.

X-Pensive Winos version
Keith Richards performed the song live with his group, the X-Pensive Winos, during their 1988 Talk is Cheap tour of the US. They performed the song at the Orpheum Theatre in Boston, at the Universal Amphitheater in Los Angeles, the Brendan Byrne Arena in East Rutherford, New Jersey, and at the Hollywood Palladium.

Other recordings
The song was parodied in 1964 by the Barron Knights on their hit single "Call Up the Groups (Medley)" (Columbia DB.7317), in which they imitated the Rolling Stones' version. It was also recorded by Adam Faith in 1965, Count Basie and his Orchestra in 1966, the Day Brothers, Terry Manning in 1970, Suzi Quatro in 1973, The Rezillos in 1977, Roger Webb and his Trio, the Sparrows, the Merseyboys, Bob Leaper, the Flamin' Groovies in 1993, Sam Phillips in 2003, Audience (band) in 2005, Les Baronets in French as "Oh! Je Veux Être À Toi", the Rockin' Ramrods, the Smithereens in 2007, and the Stooges on their 2007 album The Weirdness featuring Iggy Pop.

Homages
Bob Dylan recorded a song for Blonde on Blonde (1966) called "I Wanna Be Your Lover" as a "tip of the hat" to the Lennon/McCartney song. It was left off the final album but was eventually released on the compilation boxed set Biograph (1985). I Wanna Be Your Lover shares the lyric:

"I wanna be your lover, baby, I wanna be your man."

This refrain is also used in the 1977 The Saints song Erotic Neurotic.

The song contains a heavy Bo Diddley beat. This was acknowledged by Bo Diddley himself in the song "London Stomp" from the album Hey! Good Lookin'. He sings "Hey, Liverpool, we got the London Stomp" over an "I Wanna Be Your Man" background.

Rolling Stones version
According to authors Andy Babiuk and Greg Prevost:

 * Mick Jagger – lead vocal
 * Brian Jones – backing vocals, lead slide guitar
 * Keith Richards – rhythm guitar
 * Bill Wyman – bass
 * Charlie Watts – drums

Beatles version
According to author Ian MacDonald:

The Beatles
 * Ringo Starr – double-tracked vocal, drums, maracas
 * John Lennon – backing vocal, rhythm guitar
 * Paul McCartney – backing vocal, bass
 * George Harrison – lead guitar
 * Uncredited (played by the Beatles) – tambourine

Additional musician
 * George Martin – Hammond organ

title: I Wanna Be Your Man


text:
Talk:Lars Monrad-Krohn

Untitled
As far as I can tell, Lars Monrad-Krohn is his name. I agree with the proposed move. -Kvaks 23:16, 11 November 2005 (UTC)

title: Talk:Lars Monrad-Krohn


text:
Wikipedia:Articles for deletion/Sendandsee

 This page is an archive of the proposed deletion of the article below. Further comments should be made on the appropriate discussion page (such as the article's talk page or on a Votes for Undeletion nomination). No further edits should be made to this page.

The result of the debate was delete. Joyous (talk) 23:34, July 25, 2005 (UTC)

Sendandsee
Alexa: not in 100k. Also some promotion. Feydey 20:29, 17 July 2005 (UTC)
 * Delete advertising CDC   (talk)  05:45, 18 July 2005 (UTC)
 * Delete, ad for non-notable company. Dcarrano 17:35, July 20, 2005 (UTC)

 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in an undeletion request). No further edits should be made to this page.


text:
No. 332 Squadron RAF

Number 332 Squadron of the Royal Air Force was formed at RAF Catterick in the North Riding of Yorkshire on 16 January 1942, as a Supermarine Spitfire-equipped fighter squadron manned by Norwegians.

In World War II (1942–1945)
The squadron became operational on 21 March 1942, and moved on to RAF North Weald to operate alongside another Norwegian crewed squadron, No. 331 Squadron.

With squadron code "AH", No. 332 squadron became part of No. 132 Wing alongside Norwegian No. 331 Squadron. It operated as air cover for the Dieppe Raid, and later flew fighter sweeps and escort operations over occupied France and the Low Countries. In late 1943/early 1944 both squadrons were transferred to the 2nd Tactical Air Force and participated in the Normandy Landings as fighter-bombers and tactical air superiority fighters. From September onwards No. 132 Wing participated in the liberation of the Netherlands.

In April 1945, the squadron was transferred to Scotland, and the following month transferred to Norway after the German surrender. On 21 September 1945, the squadron was disbanded at Værnes as an RAF unit and passed to the control of the Royal Norwegian Air Force (RNoAF). During the war between them, No. 331 and No. 332 Squadrons scored many air victories: 180 confirmed destroyed, 35 probables and more than 100 damaged. Combined losses were heavy as well: 131 aircraft lost with 71 pilots killed.

In the Royal Norwegian Air Force (1945–present)
In honour of its achievements during World War II, the Royal Norwegian Air Force has maintained its RAF squadron names. Thus, the RNoAF still has the fighter units 331 Squadron and 332 Squadron. Today, the Norwegian 332 Squadron is based at Ørland Air Station where it operates the Lockheed Martin F-35A Lightning II.

Notable pilots

 * Sgt Per Bergsland (Captured August 1942)
 * Sgt Carl Sejersted Bødtker (April 1943)
 * Sgt Jan Staubo
 * Cpt Finn Thorsager
 * Lt Soren Kjell Liby
 * Lt Marius Eriksen
 * Gunnar Piltingsrud
 * Fnr Ola Gert Aanjesen
 * Maj Reidar Emil From
 * Otto Grieg Tidemand - later Norwegian Minister of Defence 1965-70

Aircraft operated
Aircraft operated include:

 * Supermarine Spitfire Mk.Va (January 1942 – April 1942)
 * Supermarine Spitfire Mk.Vb (April 1942 – November 1942; May 1943 – June 1943)
 * Supermarine Spitfire Mk.IXb (November 1942 – April 1945)
 * Supermarine Spitfire Mk.IXe (April 1945 – 1952)
 * Republic F-84G Thunderjet (1953 – 1957)
 * North American F-86F Sabre (1957 – 1962)
 * North American F-86K Sabre (1962 – 1964)
 * Northrop F-5A Freedom Fighter (1966 – 1973)
 * Fokker (GD) F-16A Fighting Falcon (1980 – 2001)
 * Fokker (GD) F-16AM Fighting Falcon (2001 – July 2016)
 * Lockheed Martin F-35A Lightning II (November 2017 – present)

title: No. 332 Squadron RAF


text:
Inside the Walls of Folsom Prison

Inside the Walls of Folsom Prison is a 1951 American film noir crime film directed by Crane Wilbur and starring Steve Cochran and David Brian. Set in Folsom State Prison in California, the film was seen both in the United States and Europe.

Country singer Johnny Cash saw this movie while serving in the United States Air Force in West Germany in October 1951, and used it as an inspiration for his hit song "Folsom Prison Blues," which he recorded numerous times between 1955 and his death in 2003.

The film was featured in the 2005 biographical film Walk the Line, in which Cash (played by Joaquin Phoenix) and other Air Force personnel are depicted seeing the film.

Plot
During the 1920s, before the 1944 California prison reform, Warden Ben Rickey rules Folsom Prison with a ruthless hand. He believes that prisons should be used for punishment, rather than rehabilitation to reduce the incidence of repeated returns to jail (recidivism). His methods are violent, torturous, and intended to beat the prisoners into submission.

Chuck Daniels, one of the toughest inmates, and his group of followers are intent on escaping. However, after an attempt which is thwarted by Rickey, a riot ensues resulting in the deaths of two officers and a few prisoners. Rickey, with his iron fist, doles out severe and cruel punishments to all prisoners connected to the incident.

In response to increasing violence, and the warden's inhumane treatment, the prison's board of directors hire an assistant, Mark Benson, as captain of the guards. He believes that the inmates, despite their serious crimes, deserve to be treated better and given an opportunity to change by being educated on how to live on the outside, prior to release, in order to increase their chances of becoming productive members of society. Benson makes many changes to the regimen including serving meat, allowing inmates to talk during meal times, and promoting rehabilitation programs such as employment help. He also changes the way the guards do their jobs as well, by expecting them to come to work clean, behave in a professional way, and discontinue the senseless beatings that cause trouble.

These changes go against the wishes of the warden and Benson eventually leaves his post as captain of the guards. With Benson gone, Warden Rickey reverts all of the reforms and the inmates retaliate with yet another escape attempt. A riot erupts in which many are fatally wounded.

Cast

 * Steve Cochran as Chuck Daniels
 * David Brian as Mark Benson
 * Philip Carey as Red Pardue
 * Ted de Corsia as Warden Ben Rickey (as Ted De Corsia)
 * Scott Forbes as Jim Frazier
 * Michael Tolan as Leo Daly (as Lawrence Tolan)
 * Dick Wesson as Tinker
 * Paul Picerni as Jeff Riordan
 * William Campbell as Nick Ferretti
 * Edward Norris as Sgt. Cliff Hart (as Eddie Norris)

title: Inside the Walls of Folsom Prison


text:
Devil in His Heart

"Devil in His Heart" is a song written by Richard B. Drapkin, who recorded under the name Ricky Dee.

Recordings
The song was originally recorded as "Devil in His Heart" in Detroit by the Donays for Correc-tone Records. It was later picked up by the New York City label Brent and re-released in August 1962 as "(There's a) Devil in His Heart", the B-side of "Bad Boy". This pairing also appeared in the United Kingdom on the Oriole label in 1962. The record was not a hit on either side of the Atlantic. The Donays only made one recording but their lead singer, Yvonne Vernee (real name Yvonne Symington) also recorded solo, and later joined the Elgins at Motown.

The Beatles' version
As "Devil in Her Heart", the song was performed by English rock band the Beatles with George Harrison on lead vocals. It was issued on their second UK album, With the Beatles, in November 1963. The recording was completed in three takes, plus overdubs.

Personnel

 * George Harrison – double-tracked vocal, lead guitar
 * John Lennon – backing vocal, rhythm guitar
 * Paul McCartney – backing vocal, bass
 * Ringo Starr – drums, maracas
 * George Martin – producer
 * Norman Smith – engineer

 * Personnel per Ian MacDonald

A BBC recording of the song was issued in 1995 as a B-side to "Baby It's You".

When Mojo released a reworking of With the Beatles in 2013, the track was covered by Trevor Moss and Hannah-Lou of bluegrass band Indigo Moss.

title: Devil in His Heart


text:
Robert N. Bellah

Robert Neelly Bellah (February 23, 1927 – July 30, 2013) was an American sociologist and the Elliott Professor of Sociology at the University of California, Berkeley. He was internationally known for his work related to the sociology of religion.

Education
Bellah graduated summa cum laude from Harvard College in 1950, receiving a Bachelor of Arts degree in social relations with a concentration in social anthropology. His undergraduate honors thesis won the Phi Beta Kappa Prize and was later published in 1952 with the title Apache Kinship Systems.

Bellah graduated from Harvard in a joint sociology and Far East languages program. Bellah first encountered the work of Talcott Parsons as an undergraduate when his senior honors thesis advisor was David Aberle, a former student of Parsons. Parsons was specially interested in Bellah's concept of religious evolution and the concept of "civil religion". He received his Doctor of Philosophy degree in 1955. His doctoral dissertation was titled Religion and Society in Tokugawa Japan and was an extension of Max Weber's Protestant ethic thesis to Japan. It was published as Tokugawa Religion in 1957.

While an undergraduate at Harvard, Bellah was a member of the Communist Party USA from 1947 to 1949 and a chairman of the John Reed Club, "a recognized student organization concerned with the study of Marxism". During the summer of 1954, Dean of the Faculty of Arts and Sciences at Harvard McGeorge Bundy, who later served as a national security adviser to John F. Kennedy and Lyndon B. Johnson, threatened to withdraw Bellah's graduate student fellowship if he did not provide the names of his former club associates. Bellah was also interrogated by the Boston office of the Federal Bureau of Investigation with the same purpose. As a result, Bellah and his family spent two years in Canada, where he was awarded a post-doctoral fellowship at the Islamic Institute in McGill University in Montreal. He returned to Harvard after McCarthyism declined due to the death of its main instigator senator Joseph McCarthy. Bellah afterwards wrote, "…I know from personal experience that Harvard did some terribly wrong things during the McCarthy period and that those things have never been publicly acknowledged. At its worst it came close to psychological terror against almost defenseless individuals. …The university and the secret police were in collusion to suppress political dissent and even to persecute dissenters who had changed their minds if they were not willing to become part of the persecution."

Career
Bellah's magnum opus, Religion in Human Evolution (2011), traces the biological and cultural origins of religion and the interplay between the two. The sociologist and philosopher Jürgen Habermas wrote of the work: "This great book is the intellectual harvest of the rich academic life of a leading social theorist who has assimilated a vast range of biological, anthropological, and historical literature in the pursuit of a breathtaking project… In this field I do not know of an equally ambitious and comprehensive study." The book won the Distinguished Book Award of the American Sociological Association's Section on Sociology of Religion.

Bellah's most famous book, 'Habits of the Heart,' was published in 1985 and explored the role of religion in American society. He argued that Americans are torn between individualism and a desire for community, and that this tension is reflected in their religious beliefs.

Bellah is best known for his 1985 book Habits of the Heart, which discusses how religion contributes to and detracts from America's common good, and for his studies of religious and moral issues and their connection to society. Bellah was perhaps best known for his work related to American civil religion, a term which he coined in a 1967 article that has since gained widespread attention among scholars.

He served in various positions at Harvard from 1955 to 1967 when he took the position of Ford Professor of Sociology at the University of California at Berkeley. He spent the remainder of his career at Berkeley. His views are often classified as communitarian. A full biography of Robert Bellah, "the world's most widely read sociologist of religion", written by sociologist Matteo Bortolini, titled ''A Joyfully Serious Man. The Life of Robert Bellah,'' has been published by Princeton University Press in the fall of 2021.

Nomination at Princeton
In 1972 Carl Kaysen and Clifford Geertz nominated Robert Bellah as a candidate for a permanent faculty position at the Institute for Advanced Study (IAS). (Bellah was at the IAS as a temporary member for the academic year 1972–1973.) On January 15, 1973, at an IAS faculty meeting, the IAS faculty voted against Bellah by thirteen to eight with three abstentions. All of the mathematicians and half of the historians voted against the nomination. All of the physicists voted in favor of the nomination. After the vote, Kaysen said that he intended to recommend Bellah's nomination to the IAS's trustees despite the vote. The faculty members who voted against Bellah were outraged. The dispute became extremely acrimonious, but in April 1973, Bellah's eldest daughter committed suicide and he, in grief, withdrew from consideration.

Personal life
Bellah was born in Altus, Oklahoma, on February 23, 1927. His father was a newspaper editor and publisher who committed suicide when Bellah was three years old. His mother Lillian moved the family to Los Angeles, where she had relatives. Bellah grew up in Los Angeles and attended Los Angeles High School, where he and his future wife, Melanie Hyman, were editors of the student newspaper. They got married in 1948 after she graduated from Stanford University, and he began studying at Harvard University after serving in the US Army. Bellah's wife died in 2010.

Bellah died July 30, 2013, at an Oakland, California, hospital from complications after heart surgery. He was 86 and is survived by his daughters Jennifer Bellah Maguire and Hally Bellah-Guther; a sister, Hallie Reynolds; and five grandchildren. Robert and Melanie Bellah's eldest daughter committed suicide in 1973. Their third daughter died at age 17 in 1976 in an automobile accident. Raised as a Presbyterian, he converted to Episcopalianism in the Anglo-Catholic tradition.

Works
Robert Bellah is the author, editor, co-author, or co-editor of the following books:
 * Tokugawa Religion: The Values of Pre-Industrial Japan (1957)
 * Religion and Progress in Modern Asia (1965)
 * Beyond Belief: Essays on Religion in a Post-Traditional World (1970)
 * Emile Durkheim on Morality and Society (1973)
 * The Broken Covenant: American Civil Religion in Time of Trial (1975)
 * The New Religious Consciousness (1976)
 * Varieties of Civil Religion (1980)
 * Habits of the Heart: Individualism and Commitment in American Life (1985)
 * Uncivil Religion: Interreligious Hostility in America (1987)
 * The Good Society (1991)
 * Imagining Japan: The Japanese Tradition and Its Modern Interpretation (2003)
 * The Robert Bellah Reader (2006)
 * Religion in Human Evolution: From the Paleolithic to the Axial Age (2011)
 * The Axial Age and Its Consequences (2012)

Awards and honors
Bellah was elected a Fellow of the American Academy of Arts and Sciences in 1967. In 1996, he was elected to the American Philosophical Society. He received the National Humanities Medal in 2000 from President Bill Clinton, in part for "his efforts to illuminate the importance of community in American society." In 2007, he received the American Academy of Religion Martin E. Marty Award for the Public Understanding of Religion. In 2008, he received the honorary doctorate of the Max Weber Centre of the University of Erfurt.

title: Robert N. Bellah


text:
Not a Second Time

"Not a Second Time" is a song by English rock band the Beatles. It was written by John Lennon, though credited to the Lennon–McCartney partnership. It was first released on the Beatles second British album, With the Beatles, and their second American album Meet the Beatles!. Lennon said he was "trying to write a Smokey Robinson or something at the time." The song was recorded in nine takes on 11 September 1963 at EMI Studios.

Musical structure
This song inspired a musical analysis from William Mann of The Times, citing the "Aeolian cadence" (Aeolian harmony) of Lennon's vocals as the song draws to a close, and noting (although incorrectly) that the same chord progression appears at the end of the final movement of Gustav Mahler's Das Lied von der Erde. Lennon, years later, remarked: "To this day, I have no idea what [Aeolian cadences] are. They sound like exotic birds." The actual meaning of the term "Aeolian cadence" is that a major key song resolves on the vi chord, which is the tonic chord of the relative minor key (the Mahler ends on the major tonic with an "added 6th," not on a VI chord.) The term derives from the fact that the Aeolian mode is rooted on the sixth step of the major scale.

Dominic Pedler considers the "Aeolian cadence" moment to occur at the end of this line: (Am) "You hurt me then. You're back again. No/(Bm) no no/(D7) not a second time"/(Em). Pedler writes: "We are expecting the D7 chord, the dominant in the key of G, to return to the G major tonic". However, in replacing it with an Em chord supporting an isolated E note on "time", we have an interrupted cadence or dominant-to-relative sub-minor (V7 to vi) shift. The major key of the song is G, but it appears to resolve on the Em (vi) chord. As Allan Moore puts it, "Mann would argue that it is not the same thing as a 'V-vi' Interrupted or Deceptive cadence because—at that precise point in the song—the role of the E minor as a 'vi' is being questioned and is veering towards tonic status."

Pedler also claims that another interesting moment in the song is that George Martin's piano part alternates not between G and E minor, but G and E major, the presence of the piano's extra G# (the major 3rd of the E chord) creating a "grating, tense colouring" in comparison to a G natural of the guitar's Em chord. Examination of a digitally extracted paino part reveals, however, that Martin plays open 5ths (chords with no 3rds, either minor or major). Pedler's discussion with musical experts about the comparison between this Beatles song and Mahler's "Song of the Earth" revealed that none found anything relevant, except perhaps that Mahler's Farewell movement involves various shades of a C major chord and ends after a flute B-A drop (the A chord being a 6th in the chord of C) with the "final sonority" of a C6 (where the C, E and G notes are from the trombones and lower strings and the A from oboe and flute, this final C6 chord seeming to be "printed on the atmosphere", as Benjamin Britten terms it ).

Personnel

 * John Lennon – double-tracked vocal, acoustic guitar
 * Paul McCartney – bass
 * George Harrison – acoustic guitar
 * Ringo Starr – drums
 * George Martin – producer, piano
 * Norman Smith – engineer
 * Personnel per Ian MacDonald

Cover versions

 * R. Stevie Moore covered the song in 1978 on his album The North.
 * Robert Palmer covered the song on his 1980 album Clues, adding a second verse featuring new lyrics not in the Beatles version. It was released as a single in 1981 and, although it did not enter the UK Singles Chart, reached number 79 on the Record Business Singles Top 100 chart.
 * The Pretenders covered the song in 1990 as a bonus track on the Sense of Purpose single.
 * The Smithereens on their 2007 album Meet The Smithereens!.
 * Rosanne Cash included the song on some international versions of her 1979 Columbia debut Right or Wrong.

title: Not a Second Time


text:
Romanche Trench

The Romanche Trench, also called the Romanche Furrow or Romanche Gap, is the third-deepest of the major trenches of the Atlantic Ocean, after the Puerto Rico Trench and the South Sandwich Trench. It bisects the Mid-Atlantic Ridge (MAR) just north of the equator at the narrowest part of the Atlantic between Brazil and West Africa, extending from 2°N to 2°S and from 16°W to 20°W. The trench has been formed by the actions of the Romanche Fracture Zone, a portion of which is an active transform boundary offsetting sections of the Mid-Atlantic Ridge.

It was named after the French navy ship La Romanche, commanded by captain Louis-Ferdinand Martial which on 11 October  1883 made  soundings  that  revealed  the trench. The boat was returning to France after spending a few months on a scientific mission near Cape Horn as part of the first International Polar Year.

Oceanography
The trench has a depth of 7761 m, is 300 km long, has an average width of 19 km, and allows for a major circulation of deep-ocean-basin water from the west Atlantic to the east Atlantic basins. Deep water flow through the trench is from west to east with a rate of 3.6 Sverdrups (million m³/s) of 1.57 °C water.

Lower North Atlantic Deep Water (LNADW) is found around 3600 - 4000 m below sea level and flows from the Greenland and Norwegian seas; it brings high salinity, oxygen, and freon concentrations towards the equator. Antarctic Bottom Water (AABW) flows below the LNADW and reaches down to the seafloor. Formed around Antarctica, the AABW is cold, has low salinity, and high silicate concentration. As it flows north, it is constrained by numerous obstacles on the seafloor. In the basin on the eastern side of the MAR the Walvis Ridge blocks the northward passage. For LNADW and AABW, the Romanche and Chain Fracture Zones (just south of the equator) are the only deep passages in the MAR where interbasin exchange is possible. As AABW flows through the Romanche Fracture Zone, salinity and temperature increase significantly.

Geology
The Romanche Fracture Zone offsets the Mid-Atlantic ridge by 900 km, making it the largest equatorial fracture zone in the Atlantic. According to the normal scenario for the opening of the South Atlantic, it is spreading at a rate of 1.75 cm/y and began forming about. North of and parallel to the fracture zone is a transverse ridge which is particularly prominent over hundreds of kilometers east and west of the MAB of the South Atlantic. The western part of the transverse ridge consists of fragments of uplifted oceanic crust and upper mantle. The summit of the transverse ridge is capped by Miocene shallow-water limestones that reached above sea level 20 Ma before subsiding abnormally fast. The eastern part of the transverse ridge, however, consists of a thick sequence of stratified material called the Romanche Sedimentary Sequence (RSS). The RSS includes pelagic material from the early Cretaceous (140 Ma) which, coupled with the thickness of the sequence, does not fit with the normal scenario for the opening of the South Atlantic around the Aptian-Albian (125–100 Ma). The transverse ridge separates the present trench from an 800 km-long aseismic valley where the Romanche transform was located until about 10–8 Ma. This transform migration was preceded by a process 25–17 Ma during which the Miocene shallow-water platform mentioned above reached sea level as the transverse ridge was first uplifted, then deformed, and finally buried under the sea.

Biological role
The hydrothermal vents of the MAR support many life forms. The Romanche and Chain Fracture Zones create a huge gap in the MAR and can act as a "Subsea Berlin Wall" segregating the North Atlantic communities from those in other oceans. Swarms of hydrothermal shrimps reminiscent of those found from northern MAR vent-sites have been found on the northern part of the southern MAR. Bivalve communities have been reported around vents further south. These species await a formal description, and it is not known whether they represent communities distinct from those on the northern MAR. The flow of NADW through the Romanche and Chain Fracture Zones may serve as a conduit for larval transport from the western North Atlantic to the eastern South Atlantic. For example, the caridean shrimp Alvinocaris muricola inhabits cold seeps in both the Gulf of Mexico and the Gulf of Guinea, which clearly suggests a gene flow across the Atlantic, but the amount of data is very limited and dispersal pathways are not fully understood.

title: Romanche Trench


text:
East Baltic languages

The East Baltic languages are a group of languages that along with the extinct West Baltic languages belong to the Baltic branch of the Indo-European language family. The East Baltic branch has only four living languages—Latvian, Latgalian, Lithuanian, and  Samogitian. It also includes now-extinct Selonian, Semigallian, and possibly Old Curonian.

Lithuanian is the most-spoken East Baltic language, with more than 3 million speakers worldwide, followed by Latvian, with 1.75 million native speakers, then Samogitan with 500,000 native speaker, and lastly Latgalian with 150,000 native speakers.

History
Originally, East Baltic was presumably native to the north of Eastern Europe, which included modern Latvia, Lithuania, northern parts of current European Russia and Belarus. Dnieper Balts lived in the current territory of Moscow, which was the furthest undisputed eastern territory inhabited by the Baltic people.

Traditionally, it is believed that Western and Eastern Baltic people had already possessed certain unique traits that separated them in the middle of the last millennium BC and began to permanently split between 5th and 3rd century BC. During this time, Western and Eastern Balts adopted different traditions and customs. They had separate ceramics and housebuilding traditions. In addition, both groups had their own burial customs: unlike their Western counterparts, it is believed that Eastern Balts would burn the remains of the dead and scatter the ashes on the ground or nearby rivers and lakes. It is also known that Eastern Balts were much more susceptible to the cultural influences coming from their Baltic Finnic neighbours in the northeast.

Linguistic features
The East Baltic languages are less archaic than their Western counterparts with Latvian being the most innovative Baltic language. In part due to the influence of Baltic Finnic languages on Latvian development, such as in the case of stress retraction. The extinct languages of the Eastern family group are poorly understood as they are practically unattested. However, from the analysis of hydronyms and retained loanwords, it is known that Selonian and Old Curonian languages possessed the retention of nasal vowels *an, *en, *in, *un. It is noted that Selonian, Semigallian and Old Latgalian palatalised soft velars *k, *g into *c, *dz while also depalatalising the sounds *š, *ž into *s, *z respectively. This is observed in hydronyms and oeconyms (e.g. Zirnajai, Zalvas, Zarasai) as well as loanwords preserved in Lithuanian and Latvian dialects. It is believed that Semigallian possessed an uninflected pronoun, which was the equivalent to the Lithuanian savo (e.g. Sem. Savazirgi, Lith. savo žirgai, meaning 'one's horses'). East Baltic would in many cases turn the diphthong *ei into a monophthong, pronounced like the contemporary Latvian jē and Lithuanian ė. This would further develop in Lithuanian and Latvian to become the present diphthong *ie (e.g. Lat. dievs, Lith. dievas 'god'). This innovation becomes obvious when comparing ablauted words of the same root, where o-grade words do not reflect this change (e.g. Lat. ciems, Lith. kaimas 'village'). Unlike their Western counterparts, East Baltic languages usually tend to keep their short vowels *o and *a separately (e.g. Lat. duot, Lith. duoti 'give' as opposed to Lat. māte, Lith. motina 'mother').

title: East Baltic languages


text:
Joker's Wild (quartet)

Joker's Wild is a world champion barbershop quartet formed in 1990 by Dave Kindinger and Mark Green from Columbus, Ohio, and Steve Legters and Stephen Iannacchione from Pittsburgh, Pennsylvania. Coached by Lance Heilmann, after winning the Johnny Appleseed District of the SPEBSQSA competition that fall, they went on to the SPEBSQSA's International contests, earning 10th place, 5th, 2nd, and finally the International Championship in Pittsburgh in 1994.

Jon Clunies replaced Mark Green as the lead singer in 1996.

They have toured widely, performing all over the world before they went on hiatus in June 2001.

Discography
Also appear on
 * Right From The Start (Cassette, CD; 1993)
 * Chasing a Dream (Cassette, CD; 1996)
 * More of the Different (CD; 2000)
 * The Pittsburghers (Cassette, CD; 1998)
 * Seems Like Old Times (CD; 1994)

title: Joker's Wild (quartet)


text:
Federal agency (Germany)

Federal agencies in Germany are established to assist the country's executive branch on the federal level according to Article 86 of the Basic Law for the Federal Republic of Germany (Grundgesetz). They are hierarchically organized on four levels: According to Article 83 of the Grundgesetz, federal laws are generally enforced by the executive branch of the German states, except for laws referring to those explicit items that are enumerated in the constitution itself. Therefore, the establishment of middle-level and low-level federal agencies is limited to the authority explicitly granted by constitutional law, such as foreign policy, public finance, waterways and shipping, border control, intelligence assessment, national security and criminal investigation as well as items concerning the Bundeswehr or aviation and railway issues.
 * Top-level federal agencies (Oberste Bundesbehörden), which are distinguished from all other levels as they are specifically mentioned in the Grundgesetz. They include:
 * the office of the President of Germany (Bundespräsidialamt)
 * the office of the President of the Bundestag
 * the German Chancellery (Bundeskanzleramt)
 * the administrative office of the Bundesrat
 * the President of the Federal Constitutional Court (Bundesverfassungsgericht)
 * the Bundesrechnungshof
 * the Representative of the Federal Government for Culture and Media (Kulturstaatsminister)
 * the Press and Information Agency of the Federal Government (Bundespresseamt)
 * the Federal Ministries led by the members of the German Cabinet
 * the executive board of the Deutsche Bundesbank
 * As far as the authority of the federal legislature is concerned, further Upper-level federal agencies (Bundesoberbehörden) can be established. These agencies are directly attached subordinate to a federal ministry and mostly do not have any agencies subordinate to them, such as
 * the Bundesnachrichtendienst (subordinate to the German Chancellery)
 * the Federal Criminal Police Office, the Federal Office for the Protection of the Constitution, the Federal Office for Information Security, and the Technisches Hilfswerk (Federal Agency for Technical Relief)
 * the Federal Network Agency (Federal Ministry of Economics and Technology)
 * the Deutsches Patent- und Markenamt (Patent Office)
 * the Federal Agency for Nature Conservation and the Federal Agency for Radiation Protection (Federal Ministry for Environment, Nature Conservation and Nuclear Safety)
 * the Federal Agency for Materials Research and Testing (Federal Ministry of Economics and Technology)
 * the Federal Railway Authority and the Federal Agency for Aviation (Federal Ministry of Transport, Building and Urban Affairs)
 * the Zollkriminalamt (Customs enforcement agency)
 * Middle-level federal agencies are situated between a federal ministry and the lowest administrative level. Their responsibilities are limited to specific regions, for example, the five Bundesfinanzdirektionen (subordinate to the Federal Ministry of Finance) or the four Military District Administrative Offices of the Bundeswehr (under the command of the Federal Minister of Defence).
 * Low-level federal agencies are subordinate to middle-level agencies and are responsible for relatively small areas such as District Recruiting Offices, Waterways and Shipping Offices or Chief Customs Offices.

title: Federal agency (Germany)


text:
California Certified Organic Farmers

California Certified Organic Farmers (CCOF) is a United States Department of Agriculture (USDA)-accredited organic certifying agency and trade association, located in Santa Cruz, California. Formed in 1973, CCOF was the first organic certification entity in the United States.

CCOF includes three legally distinct entities. CCOF, Inc. is governed by a board of directors, and provides infrastructure for the certification, advocacy, and Foundation programs, and also supports a regional chapter system for its members. CCOF Certification Services, LLC, governed by the LLC management committee, is a USDA National Organic Program (NOP)-accredited organic certification agency. The CCOF Foundation is a nonprofit foundation that includes educational programs, grants for students and teachers, consumer education campaigns, and hardship assistance for organic farmers.

CCOF Certification Services, LLC offers organic certification to the USDA NOP standards to farms, livestock operations, processors, private labelers, brokers and retailers throughout the United States, Canada, and Mexico.

The sunflower in the logo for CCOF was hand drawn, in pen and ink, by Molly Greenham when she was a student at UC Berkeley in the late 80s.

title: California Certified Organic Farmers


text:
Mornington House

Mornington House was the Dublin social season Georgian residence of the Earls of Mornington at 24 Merrion Street, close to Leinster House.

Arthur Wellesley, the fourth son of the Earl of Mornington, later a Field Marshal (1813), then 1st Duke of Wellington (1814) and British prime minister, is said to have been born there, though other sources suggest he was born in the family's country seat, Dangan Castle, near Summerhill, County Meath. His mother gave 1 May as his birthday, and he himself so kept it, but the nurse affirmed that he was born on 6 March at Dangan Castle, Co. Meath. The registry of St. Peter's Church, Aungier Street, Dublin, shows that he was christened there on 30 April 1769, and the May number of Exshaw's Gentleman's Magazine has "April 29. The Countess of Mornington of a son." The Dublin Gazette of 2–4 May dates the event "a few days ago, in Merrion Street".

The house was later sold and for most of the twentieth century was the headquarters of the Irish Land Commission. For some years it was considered as a possible residence for the Taoiseach (Prime Minister) of Ireland. It was, however, sold in the 1990s and is now a popular international hotel. The Merrion Hotel comprises a block of four houses in a terrace on Upper Merrion Street, of which Mornington House is the leftmost when viewed from the front. The houses were built in the 1760s by Charles Monck, 1st Viscount Monck for wealthy Irish merchants and nobility. He lived in No. 22, which became known as Monck House. The hotel also incorporates, as a separate business, Dublin's only 2-star Michelin restaurant, Restaurant Patrick Guilbaud.

The four houses forming the Main House of the hotel are typical of domestic Georgian architecture in Ireland. The plain exteriors rely for effect on the carefully worked out classical proportions of the timber sash windows and their relation to the whole façade. The doorcases, with their varied treatment and intricate fanlights, were where the builder could impose some individuality on the building. In most other areas, the normal lease laid down strict requirements.

Internally, there were no such restrictions. This explains the wealth of varied plasterwork and woodwork contained in the houses. The architectural detail of the houses clearly indicates the progression of their construction. No. 21 has intricate rococo plasterwork and a particularly heavy staircase. The detail lightens as one progresses along the terrace, although No. 22, the first to be built, is an exception. Here the main stair hall and the principal reception rooms have much lighter detailing, in the neo-classical, Adam style. In the midst of this lighter decoration, there are examples of heavier detail, such as the intricate Corinthian cornice in the stairwell and the third floor room with coved ceilings and dramatic rococo plasterwork. Monck House was "modernised" in the late 18th century or the beginning of the 19th century.

title: Mornington House