text:
Battle of Koljonvirta

The Battle of Koljonvirta (Koljonvirran taistelu, Slaget vid Virta bro) i.e. the Battle of the Virta Bridge, also known as the battle of Idensalmi, was fought between Swedish and Russian troops on October 27, 1808. The Swedish force consisted of troops from Savolax and Östergötland. After the main Swedish army had been defeated at the Battle of Oravais the army under Johan August Sandels in Savonia had to retreat in order not to be outflanked by the Russians. Sandels found a good defensive position north of Idensalmi (now Iisalmi) and decided to resist the Russian advance there.

Between September 29 and October 27 a cease-fire was in effect. Sandels was heavily outnumbered but had a good defensive position between two lakes connected by the Koljonvirta river and he had prepared his position well during the cease-fire. On October 27 the cease-fire was to end at 1 PM, but Russians started their attack a little earlier, perhaps because of the time difference between Sweden and Russia. Sandels pulled back the forces on the south side of the river and the Russians attacked over the partially demolished bridge. The Swedes counter-attacked and literally pushed the Russian troops into the river. The Russians pulled up fresh troops on the south side of the river, but they didn't try to attack again. The battle was the last Swedish victory on Finnish soil.

The Swedes had between 1,200 and 1,800 men present with 12 guns; or 4,000 men according to Russian accounts. The Russians attacked with between 5,000 and 6,000 men; taking in consideration the Russian muster roll of 1 November, above 5,800 men were present at the battle if its losses are applied. According to Swedish sources, the Russians had between 7,000 and 8,000 men with 17 guns. The Swedes suffered 34 killed and 282 wounded, against 221 killed, 479 wounded and 73 captured Russians, or 764 killed and missing. Swedish sources estimate their losses to over 1,000 NCOs and privates, and 32 officers killed or wounded, as well as 72 NCOs and privates and two officers captured.

title: Battle of Koljonvirta


text:
Carolyn Gage

Carolyn Gage (born 1952) is an American playwright, actor, theatrical director and author. She has written nine books on lesbian theater and sixty-five plays, musicals, and one-woman shows. A lesbian feminist, her work emphasizes non-traditional roles for women and lesbian characters.

Early life
Gage earned a master's degree in theater arts from Portland State University.

Career
Gage's best known work is The Second Coming of Joan of Arc, a one-woman play about the historical figure Joan of Arc. It has been translated into Portuguese, French, Italian, Bulgarian, and Mandarin and achieved first-class production in Brazil, starring Christiane Torloni. The script was published in The Second Coming of Joan of Arc and Selected Plays, an anthology of Gage's historical plays. The anthology was named the national winner of the 2008 Lambda Literary Award in Drama.

Other notable work includes Ugly Ducklings, which was nominated by the American Theatre Critics Association for the prestigious ATCA/ Steinberg New Play Award, an award with given annually for the best new play produced outside New York. It won a 2004 Lesbian Theatre Award from Curve magazine, and a $150,000 documentary on the play premiered in 2005 at the Frameline International Film Festival in San Francisco. In 2004, The Anastasia Trials in the Court of Women was named national finalist for the Jane Chambers Award given by the Association for Theatre in Higher Education. Harriet Tubman Visits a Therapist was presented at Actors Theatre of Louisville in the Juneteenth Festival of African American plays. It was a national winner of the Samuel French Off-Off Broadway Festival, and is included in Random House's anthology Under 30: Plays for a New Generation.

In addition to creative works, Gage has published a manual on lesbian theater production, ''Take Stage! How to Direct and Produce a Lesbian Play'', which was published by Scarecrow Press. Gage also wrote Monologues and Scenes for Lesbian Actors.

The author of numerous feminist essays, Gage was named contributing editor to the national feminist quarterly On The Issues and has published in the journals Trivia, Sinister Wisdom, Lesbian Ethics, and off our backs, as well as The Lesbian Review of Books, The Gay and Lesbian Review, and Lambda Book Report. Other publications include The Michigan Quarterly Review and Dramatists Guild Quarterly.

Gage served as a guest lecturer at Bates College from 1998 to 1999.

The University of Oregon archive acquired her personal papers in 2004.

In December 2014, Gage was awarded the first Lifetime Achievement Award given by Venus Theatre, founded by Deborah Randall in Laurel, Maryland. During the ceremony also celebrating the theatre's 50th production, she revived the memories of actresses, playwrights and directors Eva Le Gallienne, Henrietta Vinton Davis and Minnie Maddern Fiske who faced tremendous opposition to their work from the cultural establishment of their time. The American activist and playwright John Stoltenberg, lifelong companion of radical feminist Andrea Dworkin, said about Gage's acceptance speech:"Her acceptance speech, which she spoke off-the-cuff from notes, had a profound effect on the audience, because in it she described real and raw truths about what it means to work in theater as a woman."In 2018, Gage was interviewed for an investigation about how invisible disabilities tend to be hidden by creative professionals in the American show business in order not to experience discrimination, having herself concealed for years her myalgic encephalomyelitis, or chronic fatigue syndrome, she had had since 1988.

Books

 * The Second Coming of Joan of Arc and Selected Plays (2008)
 * Nine Short Plays (2008)
 * Starting from Zero: One-Act Plays About Lesbians in Love
 * The Spindle and Other Lesbian Fairy Tales (2010)
 * Take Stage! How to Direct and Produce a Lesbian Play
 * Sermons for a Lesbian Tent Revival (2012)
 * Supplemental Sermons for a Lesbian Tent Revival (2012)
 * Hotter Than Hell: More Sermons for a Lesbian Tent Revival (2012)
 * Monologues and Scenes for Lesbian Actors: Revised and Expanded (2009)
 * Like There's No Tomorrow: Meditations for Women Leaving Patriarchy (1997)
 * Black Eye and Other Short Plays (2014)
 * Three Comedies
 * The Triple Goddess: Three Plays
 * The Second Coming of Joan of Arc and Other Plays (1994)
 * The Gaia Papers: In Search of a Science of Gaia

Plays

 * Second Coming of Joan of Arc, a one-woman show in which Joan of Arc speaks to contemporary audiences
 * Ugly Ducklings, about blossoming lesbian love and homophobia at a girls' summer camp
 * The Anastasia Trials in the Court of Women, an audience participation courtroom drama presenting the trial of five women who betrayed the Anastasia Romanov of Russia
 * Thanatron, a dysfunctional family comedy
 * The Amazon All-Stars is a musical, the first lesbian full-book musical published by a mainstream publisher
 * ''The A-Mazing Yamashita and the Gold-diggers of 2008 (one-act play)
 * The Amazon All-stars (musical)
 * Amy Lowell: in Her Own Words (one-woman show)
 * The Anastasia Trials in the Court of Women (full-length play)
 * Artemisia and Hildegarde (one-act play)
 * Babe: An Olympian Musical (musical)
 * Battered on Broadway (one-act play)
 * Bite My Thumb (one-act play)
 * Blackeye (10-minute play)
 * The Boundary Trial of John Proctor (one-act play)
 * Calamity Jane Sends a Message to Her Daughter (one-act play)
 * Coming About (full-length play)
 * Cookin' with Typhoid Mary (one-act play)
 * ''The Countess and the Lesbians (one-act play)
 * The Clarity of Pizza (5-Minute Play)
 * The Drum Lesson (one-act play)
 * Entr'acte (one-act play)
 * Esther and Vashti (full-length play)
 * The Evil That Men Do: The Story of Thalidomide (one-act play)
 * Extravagant Love: the Life of Violette LeDuc (one-woman show)
 * The Goddess Tour (full-length play)
 * Harriet Tubman Visits a Therapist (one-act play)
 * Heterosexuals Anonymous (one-act play)
 * Jane Addams and the Devil Baby (one-act play)
 * A Labor Play (one-act play)
 * ''The Ladies' Room (5-minute play)
 * The Last Reading of Charlotte Cushman (one-woman show)
 * Leading Ladies (Musical)
 * Louisa May Incest (one-act play)
 * Mason-dixon (one-act play)
 * The Obligatory Scene (one-act play)
 * The Parmachene Belle (one-act play)
 * Patricide (one-act play)
 * The P.E. Teacher (one-act play)
 * The Pele Chant (one-act play)
 * The Poorly-Written Play Festival (one-act play)
 * Radicals (one-act play)
 * The Rules of the Playground (one-act play)
 * Sappho in Love (full-length play)
 * The Second Coming of Joan of Arc (one-woman show)
 * Souvenirs of Eden (one-act play)
 * The Spindle (full-length play)
 * Stigmata (full-length play)
 * Thanatron (full-length play)
 * Ugly Ducklings (full-length play)
 * Valerie Solanas at Matteawan (one-act play)
 * Women on the Land (musical)

Awards

 * 2014 Featured Playwright, 53rd World Theater Day sponsored by UNESCO, Rome, Italy.
 * 2014 Hewnoaks Residency, Maine.
 * 2009 Residency, Wurlitzer Foundation, Taos, New Mexico
 * 2009 National Winner, Lambda Literary Award in Drama, The Second Coming of Joan of Arc and Selected Plays
 * Janine C. Rae Cultural Award for the Advancement of Women's Culture (2002)
 * National Finalist, Lambda Literary Award in Drama, for The Second Coming of Joan of Arc and Other Plays
 * Winner, Maine Playwrights Award, Maine Writers and Publishers Alliance, for The Poorly-Written Play Festival (2007)
 * Nominee, Michael MacLiammor Award (Best Female Performer), Dublin International Gay Theatre Festival (2007)
 * Nominee, American Theatre Critics Association's annual ATCA/Steinberg New Play Award, for Ugly Ducklings
 * Winner, Curve Magazine's National Lesbian Theatre Award, for Ugly Ducklings
 * National Finalist, Association for Theatre in Higher Education Jane Chambers Award, for The Anastasia Trials in the Court of Women
 * National winner, Samuel French Off-Off Broadway Festival, for Harriet Tubman Visits a Therapist
 * Lynda Hart Memorial Grant, Astraea Lesbian Foundation for Justice (2005)
 * Thanatron named among "Best Productions of 2003" by the Portland Phoenix in Portland, Maine
 * Finalist, Maine Playwrights Award for Parmachene Belle (2003)
 * National winner, $3000 Arch and Bruce Brown Foundation Grant for best play, The Last Reading of Charlotte Cushman
 * Acquisition of personal papers for University of Oregon Special Collections Archive
 * Angus L. Bowmer Award for Drama from the Oregon Institute of Literary Arts for The Second Coming of Joan of Arc
 * Walden Writer's Fellowship from Lewis & Clark College
 * Oregon Literary Fellowship writer's grant from Oregon Institute of Literary Arts
 * Oregon Arts Commission Individual Artist Grant
 * National Winner, Nancy Dean Distinguished Playwriting Award
 * Eleanor Humes Haney Fund Grant
 * New York Open Meadows Foundation Grant
 * Maine Arts Commission, Good Idea Grant
 * Winner Best Stageplay, Moondance International Film Festival, Boulder, Colorado, for Sappho in Love
 * National semi-finalist for the Eileen Heckart Senior Drama Competition, Ohio State University, for The Pele Chant
 * National finalist, George P. Kernodle One-Act Play Competition, University of Arkansas, Poorly-Written Play Festival
 * National finalist, John Gassner New Play Festival, Stony Brook University (NY) for The Spindle
 * National semi-finalist, Association for Theatre in Higher Education One-Act Play Competition for The Pele Chant

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Carolyn Gage


text:
Talk:Male Bulldogs

Untitled
You might want to mention which high school this team is connected with, and maybe write an article for that school. Small detail...Harro5 09:39, July 14, 2005 (UTC)

title: Talk:Male Bulldogs


text:
Syriac literature

Syriac literature is literature in the Syriac language. It is a tradition going back to the Late Antiquity. It is strongly associated with Syriac Christianity.

Terminology
In modern Syriac studies, and also within the wider field of Aramaic studies, the term Syriac literature is most commonly used as a shortened designation for Classical Syriac literature, that is written in Classical Syriac language, an old literary and liturgical language of Syriac Christianity. It is sometimes also used as a designation for Modern Syriac literature or Neo-Syriac literature, written in Modern Syriac (Eastern Neo-Aramaic) languages. In the wider sense, the term is often used as designation for both Classical Syriac and Modern Syriac literature, but its historical scope is even wider, since Syrian/Syriac labels were originally used by ancient Greeks as designations for Aramaic language in general, including literature written in all variants of that language. Such plurality of meanings, both in ancient literary texts and in modern scholarly works, is further enhanced by the conventional scholarly exclusion of Western Aramaic heritage from the Syriac corpus, a practice that stands in contradiction not only with historical scope of the term, but also with well attested self-designations of native Syriac-speaking communities. Since the term Syriac literature continues to be used differently among scholars, its meanings are remaining dependent on the context of every particular use.

Classical
Early Syriac texts date to the 2nd century, notably the old versions Syriac Bible and the Diatessaron Gospel harmony. The bulk of Syriac literary production dates to between the 4th and 8th centuries. Syriac literacy survived into the 9th century, but Syriac Christian authors in this period increasingly write in Arabic.

"Classical Syriac language" is the term for the literary language as was developed by the 3rd century. The language of the first three centuries of the Christian era is also known as "Old Syriac" (but sometimes subsumed under "Classical Syriac").

The earliest Christian literature in Syriac was biblical translation, the Peshitta and the Diatessaron. Bardaisan was an important non-Christian (Gnostic) author of the 2nd century, but most of his works are lost and only known from later references. An important testimony of early Syriac is the letter of Mara bar Serapion, possibly written in the late 1st century (but extant in a 6th- or 7th-century copy).

The 4th century is considered to be the golden age of Syriac literature. The two giants of this period are Aphrahat, writing homilies for the church in the Persian Empire, and Ephrem the Syrian, writing hymns, poetry and prose for the church just within the Roman Empire. The next two centuries, which are in many ways a continuation of the golden age, sees important Syriac poets and theologians: Jacob of Serugh, Narsai, Philoxenus of Mabbog, Babai the Great, Isaac of Nineveh and Jacob of Edessa.

There were substantial efforts to translate Greek texts into Syriac. A number of works originally written in Greek survive only in Syriac translation. Among these are several works by Severus of Antioch (d. 538), translated by Paul of Edessa (fl. 624). A Life of Severus was written by Athanasius I Gammolo (d. 635). National Library of Russia, Codex Syriac 1 is a manuscript of a Syriac version of the Eusebian Ecclesiastical History dated to AD 462.

After the Islamic conquests of the mid-7th century, the process of hellenization of Syriac, which was prominent in the sixth and seventh centuries, slowed and ceased. Syriac entered a silver age from around the ninth century. The works of this period were more encyclopedic and scholastic, and include the biblical commentators Ishodad of Merv and Dionysius bar Salibi. Crowning the silver age of Syriac literature is the thirteenth-century polymath Bar-Hebraeus.

The conversion of the Mongols to Islam began a period of retreat and hardship for Syriac Christianity and its adherents. However, there has been a continuous stream of Syriac literature in Upper Mesopotamia and the Levant from the fourteenth century through to the present day.

Modern
The emergence of vernacular Neo-Aramaic (Modern Syriac) is conventionally dated to the late medieval period, but there are a number of authors that continued to produce literary works in Classical Syriac up to the early modern period, and literary Syriac (ܟܬܒܢܝܐ ) continues to be in use among members of the Syriac Orthodox Church.

Modern Syriac literature includes works in various colloquial Eastern Aramaic Neo-Aramaic languages still spoken by Assyrian Christians. This Neo-Syriac literature bears a dual tradition: it continues the traditions of the Syriac literature of the past, and it incorporates a converging stream of the less homogeneous spoken language. The first such flourishing of Neo-Syriac was the seventeenth century literature of the School of Alqosh, in northern Iraq. This literature led to the establishment of Assyrian Neo-Aramaic and so called Chaldean Neo-Aramaic as written literary languages. In the nineteenth century, printing presses were established in Urmia, in northern Iran. This led to the establishment of the 'General Urmian' dialect of Assyrian Neo-Aramaic as the standard in much Neo-Syriac Assyrian literature. The comparative ease of modern publishing methods has encouraged other colloquial Neo-Aramaic languages, like Turoyo and Senaya, to begin to produce literature.

List of writers
• Mara bar Serapion (author of an early (1st century?) Syriac letter preserved in a 6th or 7th-century ms.)

• Bardaisan (2nd century)

• Aphrahat 270-345

• Ephrem the Syrian (d. 373)

• Cyrillona (4th century)

• Isaac of Antioch (5th century)

• Narsai (5th century)

• Stephen Bar Sudhaile (late 5th c.)

• Jacob of Serugh (d. 521)

• Philoxenus of Mabbug (d. 523)

• Paul of Edessa (fl. 624), translator of the (Greek) works of Severus of Antioch (d. 538)

• Sergius of Reshaina (d. 536)

• John of Ephesus (d. 588)

• Peter III of Raqqa (d. 591)

• Babai the Great (d. 628)

• Athanasius I Gammolo (d. 635)

• Marutha of Tikrit (d. 649)

• Sahdona (d. c. 650)

• John bar Penkaye (late 7th c.)

• Isaac of Nineveh (d. 700)

• Jacob of Edessa (d. 708)

• Theodore Bar Konai (8th century)

• John of Dalyatha (d. c. 780)

• Theodore Abu Qurrah (d. 823)

• Anthony of Tagrit (9th century)

• Theodosius Romanus (9th century)

• Thomas of Marga (9th century)

• Jacob Bar-Salibi (12th century)

• Bar Hebraeus (13th century)

• Giwargis Warda (13th century)

• Abdisho bar Berika (d. 1318)

title: Syriac literature


text:
User talk:Reggaedelgado

Blue Ribbon campaign (Fiji)
Hi there! I suppose that it was laziness on my part that led me to just hit the "revert" button rather than tweak your edit. You had the word "coup" in twice, and I apologize that I was too lazy to fix it properly. But if you look at my "coding," you'll notice that it's what we call a "piped link": one that leads to the correct article, even though the words used are different. Such piped links are very common on Wikipedia, and very useful. David Cannon 09:40, 14 July 2005 (UTC)

P.S.
By the way, you're obviously interested in Fiji. That's very good news to me, and to Wikipedia, as I've had hardly anybody working with me over the last 18 months. If you have material to contribute pertaining to Fiji, that would be wonderful! David Cannon 09:42, 14 July 2005 (UTC)

Wong Jack Man article
(From Talk:Bruce_Lee) I've wanted to read that Chinese Pacific Weekly article for a long time, and you're the first person I know of who has seen it. Could you possibly get a digital copy of it? I could probably do a translation of it for interested readers. Shawnc 14:49, 2 January 2006 (UTC)
 * Thank you for the efforts. Hopefully the article will turn up somehow. Shawnc 01:23, 3 January 2006 (UTC)

Dear Shawnc: Any luck finding Wong Jack Man article in Pacific Weekly? There are so many people that even doubt it's existence. How can it be proven that the article is real? Isn't there any place I could view the actual front page? 9/21/06

Nump
Its actually just one guy. I dont know much about him bessides seeing him around Alameda once in a while. He's just a goofy ass guy that loves grapes. He does contribute to the hyphy movement, if you watch MTV my block bay area, which is at my site http://samirk87.blogspot.com he has a little bit with him in it. Skhatri2005 05:14, 9 March 2006 (UTC)

Dennis Brown
I had no idea about his alleged coke use until it came up at work yesterday when Dennis Brown came across our desktops and my colleague (whom I find reliable and who lived for years in California) suddenly mentioned that Brown had been a crack addict, that he was definitely a smoker rather than a user of powder, and that my colleague had met him when Brown was in California, which is how he had himself found all this out. Obviously this kind of original research has no place in wikipedia but it got me searching, and when I discovered sourceable material confirming this I had no hesitation in using it. My colleague confirmed that rumours abound that Gregory Isaacs and other Jamaican reggae artists were also using coke but that Dennis Brown was the person he had seen in the flesh. I aded some stuff at Culture (band) and Joseph Hill as well, and Hill, one of the very few to confront this issue, echoed my own feelings that cocaine/crack is ruining our peace of mind as individuals and societies. Wikipedia's insistence on citations is indeed an inherent systemic bias in favoutr of literate societies which biases against third world societies amongst others, and as I am very much rooted here in the Third World right now this type of systemic bias is an issue of concern in my work here. Que le vaya bien amigo, SqueakBox 16:36, 1 April 2006 (UTC)

Wikiproject: countering systemic bias
Hi Reggaedelgado, I wonder if you might be able to help - I'm writing an article for openDemocracy about the Wikiproject:countering systemic bias. I'd like to get some quotes from Wikipedians about why they're involved, what they're working on and some other general issues. I wonder if you'd be willing to talk to me over email? Mine is

Thanks,

David

86.133.23.227 18:38, 12 April 2006 (UTC)

The E-40 site
Who is this person writing so much garbage about the man? There's so much to be said, and so little of it has to do with the so-called "controvesy"? I guess with the good (Bay gettin out there), comes the bad (Hating on 40 for rapping abour muscle cars???). I'm somewhat new to wikipedia, how do disagreements like this normally get settled? -- Carlos 15:50, 16 May 2006 (UTC)
 * Well, as far as I have noticed, wikipedia has disagreements like this all the time. Usually they involve someone determined to put their point of view in an article, not realizing that it is a point of view and not clear cut fact. They usually rely on "sources" that are of very little reliability or can be interpretted many ways. Occasionally, like this time, they also involve people who see some sort of conspiracy (GMC/Yahoo pushing e-40). The good news is that usually the person with the POV is not especially committed to wikipedia and loses interest and goes away, especially when there are multiple people opposing their changes. There are other official wikipedia methods as well (see WP:DR, but I have never been involved in any of them—I usually just try to be calm and detatched... it usually bores the other person into leaving or gets them to understand a bit better what is going on in the wikipedia. I'm sorta surprised that 40 has attracted this attention, but I'm glad people give a crap about the bay. It's also nice to have you here on the site helping describe our baysiness.... yadadadadadingdong? Reggaedelgado 16:10, 16 May 2006 (UTC)
 * Haha, good look man. That's funny. -- Carlos 01:32, 17 May 2006 (UTC)

Thanks
Thanks for your thoughtful and diligent editing of articles that attract unhelpful contributions, like those on street gangs and Pomona College. Your help is appreciated. Cheers, -Will Beback 18:54, 16 May 2006 (UTC)

Disputed fair use rationale for Image:Culture-twosevens.jpg
Thanks for uploading Image:Culture-twosevens.jpg. However, there is a concern that the rationale you have provided for using this image under "fair use" may be invalid. Please read the instructions at Non-free content carefully, then go to the image description page and clarify why you think the image qualifies for fair use. Using one of the templates at Fair use rationale guideline is an easy way to ensure that your image is in compliance with Wikipedia policy, but remember that you must complete the template. Do not simply insert a blank template on an image page.

If it is determined that the image does not qualify under fair use, it will be deleted within a couple of days according to our criteria for speedy deletion. If you have any questions please ask them at the media copyright questions page. Thank you.BetacommandBot (talk) 21:28, 13 February 2008 (UTC)

UOJComm (talk) 23:08, 19 June 2011 (UTC)

ArbCom elections are now open!
MediaWiki message delivery (talk) 13:01, 23 November 2015 (UTC)

title: User talk:Reggaedelgado


text:
Kryst the Conqueror

Kryst the Conqueror (pronounced "Christ") was an American Christian metal project formed in August 1987 by two former members of the horror punk band, The Misfits. The project was led by bassist Jerry Only, who adopted a new stage name, "Mo the Great" (or alternately, "Mocavious Kryst"), and his younger brother, guitarist Doyle Wolfgang von Frankenstein. The band fused fantastical and sci-fi imagery with religious themes and messages. The band has also been referred to as a "guitar shop project", as Only and Doyle constantly tweaked and refined their instruments throughout the band's existence, in an attempt to create what they felt would be the ultimate bass and guitar.

History
In 1988, they formed The Doyle Fan Club in order to promote the new project and stay in touch with fans of The Misfits. According to various interviews conducted at the time, and a series of fan club letters written by Jerry Only (as "Mo The Great") from 1988 to 1990, Kryst the Conqueror was meant to be Only's vision of the "perfect" band. He hoped the "righteous" message of the band would reach out to fans, especially those who had followed former Misfits frontman, Glenn Danzig's post-Misfits career with the bands Samhain and Danzig – bands which Jerry felt were satanic, evil and possibly damaging to impressionable youths.

A full album, Deliver Us From Evil, was recorded, although it has never been officially released in its entirety. Instead, five of the album's tracks were released in 1990 as an EP for a special Christmas package. The band never had an official lead singer, although noted Yngwie Malmsteen vocalist, Jeff Scott Soto, was hired to record vocals for the album. Although it has been rumoured for many years that Soto was under contract with Malmsteen this is in fact untrue. Soto set the record straight in an interview about his time recording the vocals for their debut in March 2015, he was billed on the EP as "Kryst the Conqueror"). Also, Dave "The Snake" Sabo did a guest guitar solo on the song "Spellbound."

Though the band never played live, Kryst the Conqueror survived as a non-active band until 1995, at which time Jerry and Doyle reached an out of court settlement with Glenn Danzig, granting them the rights to perform as The Misfits. Kryst the Conqueror was then quickly revamped into what would become the second incarnation of The Misfits. Some Kryst the Conqueror songs were eventually re-written into songs for the "resurrected" Misfits.

Members

 * Jeff Scott "Kryst the Conqueror" Soto – lead vocals
 * Doyle Wolfgang von Frankenstein – guitars
 * Jerry "Mo the Great" Only – bass
 * The Murp – drums (1987–1992)
 * Dr. Chud – drums (1992–1995)

Guest musicians

 * Dave "The Snake" Sabo – Guitar Solo

Discography

 * Deliver Us From Evil EP (1989)
 * Deliver Us From Evil (unreleased)

title: Kryst the Conqueror


text:
Thomas Belsham

Thomas Belsham (26 April 1750 – 11 November 1829) was an English Unitarian minister.

Life
Belsham was born in Bedford, England, and was the elder brother of William Belsham, the English political writer and historian. He was educated at the dissenting academy at Daventry, where for seven years he acted as assistant tutor. After three years spent in a charge at Worcester, he returned as head of Daventry Academy, a post which he continued to hold till 1789, when, having adopted Unitarian principles, he resigned. With Joseph Priestley for colleague, he superintended during its brief existence the New College at Hackney, and was, on Priestley's departure in 1794, also called to the charge of the Gravel Pit congregation. In 1805, he accepted a call to the Essex Street Chapel, which was also headquarters and offices of the Unitarian Church under John Disney, there succeeding as minister Theophilus Lindsey who had retired and died three years later in 1808.

Belsham remained at Essex Street, in gradually failing health, until his death in Hampstead, on 11 November 1829. He was buried in Bunhill Fields burial ground, in the same tomb as Theophilus Lindsey. His joint executors were Thomas Field Gibson and his father.

Beliefs
Belsham's beliefs reflect that transition that the Unitarian movement was going through during his lifetime, particularly from the early Bible-fundamentalist views of earlier English Unitarians like Henry Hedworth (who introduced the word "Unitarian" into print in English from Dutch sources in 1673) and John Biddle, to the more Bible-critical positions of Priestley's generation. Belsham adopted critical ideas on the Pentateuch by 1807, the Gospels by 1819, and Genesis by 1821. Later, following Priestley, Belsham was to dismiss the virgin birth as "no more entitled to credit, than the fables of the Koran, or the reveries of Swedenborg." (1806)

Works
Belsham's first work of importance, Review of Mr Wilberforces Treatise entitled Practical View (1798), was written after his conversion to Unitarianism. His most popular work was the Evidences of Christianity; the most important was his translation and exposition of the Epistles of St Paul (1822). He was also the author of a work on philosophy, Elements of the Philosophy of the Human Mind (1801), which is entirely based on Hartley's psychology.

In 1812 Belsham published the Memoirs of the Late Reverend Theophilus Lindsey, M.A., his predecessor at Essex Street. This included a chapter titled "American Unitarianism" arguing that many American clergy entertained Unitarian views. The Calvinist minister Jedidiah Morse published the chapter separately, as part of his campaign against New England's liberal ministers—contributing to "the Unitarian Controversy" (1815) that eventually produced permanent schism among New England's Congregationalist churches.

His main Christological work was A Calm Inquiry into the Scripture Doctrine concerning the Person of Christ (1817).

Belsham was one of the most vigorous and able writers of his church, and the Quarterly Review and Gentlemans Magazine of the early years of the 19th century abound in evidences that his abilities were recognized by his opponents.

[Thomas Belsham et al.,] The New Testament, An improved version upon the basis of Archbishop Newcome's new translation with a corrected text and notes critical and explanatory. London: Richard Taylor & Co., 1808. Boston 1809.

title: Thomas Belsham


text:
User:Charles Matthews/Novelists

Harry Mulisch – Stefan Heym – Cees Nooteboom – Marcel Benabou – Haldor Laxness – Juan Goytisolo – Jaan Kross –Marie Darrieussecq – Shen Congwen – Dubravka Ugresic

title: User:Charles Matthews/Novelists


text:
User:Nuwanmanava

Nuwan manava liyanage Kotikawattha,Colombo,Sri Lanka. nuwan.liyanage@ifs.lk

title: User:Nuwanmanava


text:
User talk:Nuwanmanava

Welcome from Redwolf24
Welcome!

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title: User talk:Nuwanmanava


text:
User:Rollosb

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title: User:Rollosb


text:
User talk:Rollosb

Welcome from Redwolf24
Welcome!

Hello, and welcome to Wikipedia. Thank you for your contributions. I hope you like the place and decide to stay. We as a community are glad to have you and thank you for creating a user account! Here are a few good links for newcomers:
 * The Five Pillars of Wikipedia
 * How to edit a page
 * Editing, policy, conduct, and structure tutorial
 * Picture tutorial
 * How to write a great article
 * Naming conventions
 * Manual of Style
 * Merging, redirecting, and renaming pages
 * If you're ready for the complete list of Wikipedia documentation, there's also Topical index.

Yes some of the links appear a bit boring at first, but they are VERY helpful if you ever take the time to read them.

Remember to place any articles you create into a category so we don't get orphans.

I hope you enjoy editing here and being a Wikipedian! By the way, please be sure to sign your name on Talk and vote pages using four tildes (~) to produce your name and the current date, or three tildes for just your name. If you have any questions, see the help pages, add a question to the village pump or ask me on my Talk page. Again, welcome.

Redwolf24

P.S. I like messages :-P

title: User talk:Rollosb


text:
Marilyn Maxwell

Marvel Marilyn Maxwell (August 3, 1921 – March 20, 1972) was an American actress and entertainer. In a career that spanned the 1940s and 1950s, she appeared in several films and radio programs, and entertained the troops during World War II and the Korean War on USO tours with Bob Hope.

Early years
Maxwell was a native of Clarinda, Iowa. During the 1930s, she worked as an usher in Fort Wayne, Indiana at the Rialto Theater located at 2616 South Calhoun Street. In Fort Wayne, she attended Central High School. She dropped out of school in her sophomore year to join an Indianapolis band as a singer.

Career
She started her professional entertaining career as a radio singer and a singer on stage with Ted Weems' big band while still a teenager. She moved to Hollywood after being with the Pasadena Playhouse and signed with Metro-Goldwyn-Mayer in 1942 as a contract player. Among the radio programs in which she appeared were Beat the Band and The Abbott and Costello Show. Louis B. Mayer, the head of MGM, insisted she change the Marvel part of her real name. She dropped her first name and kept the middle one. She appeared in several Dr. Kildare films with Van Johnson - Dr. Gillespie's Criminal Case (1943); Three Men in White (1944); and Between Two Women (1945). Some of her other film roles included Lost in a Harem (1944) with Abbott and Costello; Champion (1949) with Kirk Douglas; The Lemon Drop Kid (1951) with Bob Hope; New York Confidential (1955) with Broderick Crawford; and Rock-A-Bye Baby (1958) with Jerry Lewis. She received critical praise for her performance in the musical Summer Holiday (1948). The popular Christmas song "Silver Bells" made its debut in The Lemon Drop Kid, sung by Maxwell and Hope.

Maxwell appeared twice as a singer in the second season (1955–1956) of The Jimmy Durante Show. She sang at the Latin Quarter in New York and other top nightclubs of the time.

She appeared as the mystery guest of 'What's My Line ' 10th of May 1953. At one point, a blind-folded panelist asked whether or not she was Marilyn Monroe.

In 1961 she starred in the TV series Bus Stop but withdrew midway through the season.

Personal life
Maxwell married three times; each ended in divorce. In September 1944, she married actor John Conte; the relationship was dissolved in June 1946. Her second marriage to restaurateur Anders McIntyre lasted just over a year from January 1, 1950 until March 23, 1951. Maxwell's six-year marriage to writer/producer Jerry Davis ended in 1960. Her only child, Matthew, was born to Maxwell and Davis in 1956.

Maxwell met and became friends with Frank Sinatra when they crossed paths, both of them in separate nationally renowned big bands in the late 1930s. Their friendship continued after Maxwell gave up singing for acting and moved to Hollywood and Sinatra had moved from New Jersey to Beverly Hills in the early 1940s. By 1945, the friendship had progressed into an extra-marital affair. Sinatra’s wife Nancy saw Maxwell wearing a diamond bracelet she had earlier seen in Sinatra’s car which she assumed was for her. Taking this as evidence of Sinatra’s infidelity, Nancy ordered Maxwell and the husband John Conte to immediately leave the Sinatra family Christmas gala of 1945. Confronted after the party, Sinatra admitted the affair to his wife, but claimed it was only casual. Soon after, Maxwell and Sinatra ended their sexual liaison.

From 1950 to 1954, Maxwell had an affair with actor/comedian Bob Hope who was married to singer Dolores (Reade) Hope. Hope and Maxwell’s relationship was so open that many in Hollywood referred to her as Mrs. Bob Hope.

During the 1950s, Maxwell became good friends with fellow actor Rock Hudson. After her marriage to Jerry Davis ended in 1960, Hudson's agent Henry Willson arranged for Maxwell to become one of several women Hudson publicly "dated" to counter rumors of the actor's homosexuality.

On March 20, 1972, at age 50, Maxwell was found dead in her home by her 15-year-old son, who had arrived home from school. The cause was an apparent heart attack; she had been treated for hypertension and pulmonary disease. Bob Hope, Bing Crosby, Frank Sinatra, and Jack Benny were honorary pallbearers at her funeral.

Features

 * Stand by for Action (1942) – Audrey Carr
 * Dr. Gillespie's Criminal Case (1943) – Ruth Edly
 * Salute to the Marines (1943) – Helen Bailey
 * Thousands Cheer (1943) – Drug Store Clerk in Red Skelton Skit
 * Swing Fever (1943) – Ginger Gray
 * Three Men in White (1944) – Ruth Edley
 * Lost in a Harem (1944) – Hazel Moon
 * Between Two Women (1945) – Ruth Edley
 * The Show-Off (1946) – Amy Fisher Piper
 * High Barbaree (1947) – Diana Case
 * Summer Holiday (1948) – Belle
 * Race Street (1948) – Robbie Lawrence
 * Champion (1949) – Grace
 * Key to the City (1950) – Sheila
 * Outside the Wall (1950) – Charlotte Maynard
 * The Lemon Drop Kid (1951) – 'Brainey' Baxter
 * New Mexico (1951) – Cherry
 * Off Limits (1952) – Connie Curtis
 * East of Sumatra (1953) – Lory Hale
 * Paris Model (1953) – Marion Parmalee
 * New York Confidential (1955) – Iris Palmer
 * Rock-A-Bye Baby (1958) – Carla Naples
 * Critic's Choice (1963) – Ivy London
 * Stage to Thunder Rock (1964) – Leah Parker
 * The Lively Set (1964) – Marge Owens
 * Arizona Bushwhackers (1968) – Molly
 * From Nashville with Music (1969) – Mabel
 * The Phynx (1970) – Herself

Short subjects

 * Screen Snapshots: Hollywood Goes to Bat (1950) – Herself
 * Brooklyn Goes to Las Vegas (1956) – Herself

title: Marilyn Maxwell


text:
Kjetil Aleksander Lie

Kjetil Aleksander Lie (born 18 November 1980 in Porsgrunn) is a Norwegian chess player, and Norway's eighth International Grandmaster (GM). Lie was the Norwegian chess champion in 2009 and 2010. Representing the chess club in Porsgrunn, Lie is the first Norwegian GM not from the Oslo vicinity.

Lie started playing scholastic chess at the age of eight. In 1994 he won the Norwegian championship for the cadet age group (14- and 15-year-olds). He won the Open Norwegian Championship in 2000, and finished first in the top age group in the Norwegian Youth Championships every year from 2000 to 2003.

In 2002, Lie was awarded the title of International Master. The required three Grandmaster norms came in the Norwegian team chess championship of 2003 to 2004, Politiken Cup in Copenhagen in 2004, and Smartfish Chess Masters in Drammen in December 2004 and January 2005. Even after these norms, Lie had still not achieved the required Elo rating of 2500 until he won the first two rounds in a local tournament in Porsgrunn at the end of February 2005. These wins gave Lie a rating of 2500.5, and it did not matter that Lie immediately proceeded to lose the third game.

During the 2007 candidates matches in Elista, Lie served as Magnus Carlsen's second, helping with analysis and preparations. He was praised by Magnus's father for his efforts and humor.

Lie has played on the Norwegian team at the Chess Olympiads between 2000 and 2010. In the 2008 Olympiad in Dresden, Lie's third round win over Bu Xiangzhi secured Norway an upset win over China.

Lie secured his first Norwegian chess championship in Bergen 2009 with 6.5/9 points, despite an upset loss to Lasse Løvik in the first round. In the 2010 championship, Lie was one of four players to share first place with 6.0/9, the three others being his brother Espen Lie, Joachim Thomassen, and Frode O. O. Urkedal. Later that year, he won the double round-robin play-offs 14–17 October in Stavanger with 4/6.

Lie's playing style is aggressive and sacrificial, and he is known as a dangerous tactician. With White, Lie has varied between 1.c4 and 1.e4, with Black he prefers sharp defenses such as the Sicilian Defence and Benoni Defense.

title: Kjetil Aleksander Lie


text:
Fan Ye (gymnast)

Fan Ye (born October 23, 1986, in Baoding, Hebei, China. She is a former Chinese gymnast who is coached by Liu Guicheng and He Hua in Beijing. She admires fellow Chinese gymnast Liu Xuan and Russian gymnast Svetlana Khorkina for the longevity of their involvement in the sport.

Fan Ye is best known for her work on the balance beam. Her biggest accomplishment in gymnastics is winning the 2003 world balance beam title. Fan Ye earned a 9.812 for that gold medal performance and has the distinction of having the highest scoring routine at an international elite competition in the 2001-2004 quad.

Fan Ye qualified for the Chinese Olympic team in 2004. These games were a disappointment for her since she didn't qualify for the individual all around or event finals. In the team final, she competed in uneven bars and balance beam. She had a disastrous bars routine when her feet hit the bar on her dismount causing her to fall face first. She scored an 8.537 but redeemed herself slightly on balance beam. By then, and after two falls from teammate Li Ya on beam, it was too late and China ranked 7th that evening.

Fan also had disappointing results at the 2005 World Artistic Gymnastics Championships, but that same year, she won the most prestigious competition in China, the Chinese National Games. There she delivered a solid and beautiful beam routine with even more difficulty than the one she used to become World Champion in 2003.

Results

 * 2003 French International: 8th on balance beam (qualification)
 * 2003 Cottbus Cup: 6th on uneven bars, 7th on balance beam
 * 2003 World Championships: 1st on balance beam, 4th with team, 8th Uneven Bars, 5th All Around (prelims)
 * 2003 Asian Championships: 1st Team, 2nd all-around, 2nd on uneven bars, 2nd on balance beam
 * 2004 Pre-Olympic Tournament: 1st on balance beam, 5th on Uneven Bars, 8th on Floor
 * 2004 Olympic Games: 7th with team
 * 2004 World Cup Final: 6th on balance beam
 * 2005 Cottbus Cup: 1st on uneven bars, 3rd on balance beam
 * 2005 Chinese National Championships #1 (AA, TM, EFS): 2nd All-Around, 3rd Uneven Bars, 1st Balance Beam, 7th Floor Exercise
 * 2005 Britain Vs China Dual Meet: 2nd Team, 2nd All Around, 3rd Uneven Bars, 1st Balance Beam, 1st Floor Exercise
 * 2005 University Games: 1st with Team, 1st All Around, 2nd Balance Beam, 2nd on Floor, 3rd on Uneven Bars
 * 2005 Chinese National Championships #2 (AA/EFS):1st Beam, 1st Floor
 * 2005 10th National Games: (China) 1st All Around, 2nd on floor, 4th on uneven bars
 * 2005 East Asian Games: 1st Team, 2nd All Around,, 1st Balance Beam
 * 2005 World Championships: 5th Uneven Bars, 8th Balance Beam
 * 2006 Ghent World Cup: 8th on Balance Beam, 8th on Floor
 * 2007 University Games: 1st with Team, 3rd All Around, 1st Balance Beam, 2nd on Floor, 3rd on Uneven Bars

Start Values
(As of the 2001-2005 Code of Points)
 * Vault: 9.4 SV full-twisting laid-out Yurchenko
 * Uneven Bars: 10.0 SV
 * Balance Beam: 10.0 SV
 * Floor Exercise: 10.0 SV

Floor Music

 * 2004 Lily Was Here by Candy Dulfer
 * 2005-2006 Guitarra del Fuego (Guitar of Fire) by Johannes Linstead
 * 2007 Simarik by Tarkan

title: Fan Ye (gymnast)


text: File:Black Bastard (KMD album - cover art).jpg


text:
User talk:Marc Zimmermann

Welcome from Redwolf24
Welcome!

Hello, and welcome to Wikipedia. Thank you for your contributions. I hope you like the place and decide to stay. We as a community are glad to have you and thank you for creating a user account! Here are a few good links for newcomers:
 * The Five Pillars of Wikipedia
 * How to edit a page
 * Editing, policy, conduct, and structure tutorial
 * Picture tutorial
 * How to write a great article
 * Naming conventions
 * Manual of Style
 * Merging, redirecting, and renaming pages
 * If you're ready for the complete list of Wikipedia documentation, there's also Topical index.

Yes some of the links appear a bit boring at first, but they are VERY helpful if you ever take the time to read them.

Remember to place any articles you create into a category so we don't get orphans.

I hope you enjoy editing here and being a Wikipedian! By the way, please be sure to sign your name on Talk and vote pages using four tildes (~) to produce your name and the current date, or three tildes for just your name. If you have any questions, see the help pages, add a question to the village pump or ask me on my Talk page. Again, welcome.

Redwolf24

P.S. I like messages :-P

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May 2015
Welcome to Wikipedia. We welcome and appreciate your contributions, including your edits to Freemium Isn't Free, but we cannot accept original research. Original research refers to material—such as facts, allegations, and ideas—for which no reliable, published sources exist; it also encompasses combining published sources in a way to imply something that none of them explicitly say. Please be prepared to cite a reliable source for all of your contributions. Thank you. SanAnMan (talk) 12:37, 7 May 2015 (UTC)
 * Thank you for re-adding the detail with proper citing. I have cleaned it for you and edited it for better flow with the article.  Again, your contributions are appreciated and welcomed. SanAnMan (talk) 12:39, 8 May 2015 (UTC)

Proposed deletion of Quest for Fame

The article Quest for Fame has been proposed for deletion because of the following concern: "The article has zero sources, and I could not find any sources whatsoever."

While all constructive contributions to Wikipedia are appreciated, pages may be deleted for any of several reasons.

You may prevent the proposed deletion by removing the notice, but please explain why in your edit summary or on the article's talk page.

Please consider improving the page to address the issues raised. Removing will stop the proposed deletion process, but other deletion processes exist. In particular, the speedy deletion process can result in deletion without discussion, and articles for deletion allows discussion to reach consensus for deletion. QuicoleJR (talk) 19:38, 28 July 2023 (UTC)

title: User talk:Marc Zimmermann


text:
Felix Laband

Felix Johny Paul Laband is an electronic music artist born in 1977 in Pietermaritzburg, South Africa.

He creates light, emotional, minimalist soundscapes by combining several styles, and samples from classical, jazz and old television recordings overlaid with instrumental performances by himself and other guest artists. His music has been described by his record label as 'indietronica' and is similar in some mysterious ways to Boards of Canada and Iceland's múm.

Discography

 * Thin Shoes in June (on CD) (2001)
 * 4/4 Down the Stairs (on CD) (2002)
 * Dark Days Exit (on CD and LP) (2005)
 * Whistling In Tongues (12") (2006)
 * Deaf Safari (on CD) (2015)
 * The Soft White Hand (2022)

Record labels
Felix's first two albums were released by African Dope Records. In 2005 he switched to Open Record, and Compost Records internationally with the release of Dark Days Exit.

title: Felix Laband