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Ring (Suzuki novel)

Ring (リング) is a Japanese mystery horror novel by Koji Suzuki first published in 1991, and set in modern-day Japan. The novel was the first in the Ring novel series, and the first of a trilogy, along with two sequels: Spiral (1995) and Loop (1998). The original Ring novel sold 500,000 copies by January 1998, and 1.5million copies by July 2000. Ring was the basis for the Ring franchise, including a 1995 television film (Ring: Kanzenban), a 1998 theatrical film of the same name (Ring), a television series (Ring: The Final Chapter), and two international film remakes of the 1998 film: a South Korean version (The Ring Virus) and an English-language version (The Ring).

Plot
After finding out three teenagers died at the same time and in the same bizarre manner as his niece, reporter Kazuyuki Asakawa of Daily News starts a personal investigation. His search leads him to South Hakone Pacific Land Lodge, a resort where the youths were together one week before their deaths. There, he finds a mysterious unmarked videotape which shows a 20-minute sequence of abstract and real scenes and ends with a text warning that the viewer has one week to live. The next part, which supposedly explains the "charm" - a means of avoiding death - is overwritten by an advertisement.

The tape terrifies Asakawa. Desperate to avert his fate, he takes the tape and enlists the help of his old high-school friend Ryūji Takayama, now a university Philosophy Professor. Intrigued, Ryūji watches the tape and asks for a copy to study at home, to which Asakawa obliges.

While Ryūji dissects the footage to figure out where it was shot and broadcast, Asakawa chases other leads. He goes home only to learn his wife watched the tape, with their infant daughter on her lap, out of curiosity.

The next day, Ryūji figures that the moments of near blackness appearing during real scenes are likely caused by the recording device blinking. The two travel to Kamakura and access a personal archive of paranormal cases found in Japan. Searching for individuals with psychic photography ability, they find the record of Sadako Yamamura, a young woman who was born on Izu Oshima Island.

Ryūji theorizes Sadako is already dead, and the last part of the tape contains what she wanted viewers to accomplish. To figure it out, they travel to Izu Oshima to learn about her past. Stuck on the island because of a heavy storm, the pair aren't able to unearth anything that helps solve the mystery. Even with the help of Oshima and Yoshino, colleagues of Asakawa, they only managed to piece together Sadako's timeline up to 30 years ago.

With their deadline approaching, Ryūji has the idea to retrace the existence of the resort lodge. Yoshino finds out that the resort used to be a tuberculosis sanatorium, where Sadako's father lived in his last days, and the only surviving staff working there in the period near Sadako's disappearance is GP Nagao Jotaro.

When the storm clears, the two travel to Dr. Jotaro's office, and recognize him as the aggressive man in the tape. Ryūji presses Dr. Jotaro for answers. The doctor admitted to being infatuated with Sadako and, as if guided by something beyond himself, raped her in an abandoned cabin deep in the woods, in the process infecting her with smallpox and learning she was intersex. Driven by the same unexplainable compulsion (which the duo later deduces as Sadako's mind control) he chokes her and throws her into a nearby well, which is beneath the lodge at South Hakone Pacific Land. Believing Sadako's rage and psychic powers projected images onto the tape, two race back to the lodge. Guessing her will is to be freed, they locate the well beneath the cabin, and Asakawa finds her remains. Asakawa's 7-day deadline passes with him alive, convincing them that the curse is broken.

The next day, they part ways and Asakawa returns Sadako's remains to her extended family. That night, Ryūji senses his death is approaching. In his final moments, he deduces the actual charm. He calls his assistant and confidante Mai Takano, but only manages to scream before dying. Asakawa learns from Mai that Ryūji is dead.

Panicked as his wife and child's deadline approaches, Asakawa tries to figure out why he was spared. Ryūji appears in a vision and guides him to the answer. Sadako's psychic powers combined with the smallpox virus and created a paranormal virus, and it wanted to propagate through tape copies. The charm is to copy the tape and show it to someone else. With five hours left, Asakawa races to his wife's parents' home with the tape and the VCR, choosing to unleash "an apocalyptic evil" for the sake of his small family.

Characters

 * Kazuyuki Asakawa: The book's protagonist, he is a Tokyo newspaper reporter whose reputation was somewhat tarnished in the past in connection with a fad for UFOs and ghosts. He has a wife, Shizuka (the Vertical, Inc. English translation of the novel incorrectly renders her name as Shizu), and daughter, Yoko.
 * Ryuji Takayama: Asakawa's friend whom he enlists to help him solve the riddle of the tape. He was a doctor but later became a philosophy professor of a famous university due to the time the story occurred. Being of an odd mental disposition, and is also something of a genius, Ryūji usually stated that the purpose of his life is to gaze at the end of humanity. Ryūji also claims to be a rapist, although whether these claims are true or not is unclear, as it may be a hoax used to befriend the quiet Asakawa. He was actually a lonely person who struggled to live peacefully within society. Ryūji has even more significant roles in the sequels Spiral and Loop.
 * Shizuka and Yoko Asakawa: Asakawa's wife and daughter respectively. When Shizuka unknowingly watches the cursed video with Yoko on her lap, they become Asakawa's primary motivation for solving the riddle of the tape.
 * Sadako Yamamura: The book's unseen antagonist who vanished thirty years ago and is also the person behind the incident of the cursed tape. She was, in fact, intersex with special powers similar to ESP. She was said to be extremely beautiful.
 * Shizuko Yamamura: Sadako's mother, who possessed powers similar to her daughter's. She threw herself into the crater of Mt. Mihara after a demonstration of telepathy, which she failed due to the present reporters' ill wishes, and was branded a fraud.

Adaptations
After the publication of the book several adaptations were made, including a manga adaptation of the novel which was released in 1996 by Kouhirou Nagai. In 1999, a second manga was made by Misao Inagaki which took elements from the novel, film and television versions of the Ring.

 * Films
 * Ring: Kanzenban (1995)
 * Ring (1998)
 * The Ring Virus (1999)
 * The Ring (2002)

 * TV series
 * Ring: The Final Chapter (1999)

 * Manga
 * Ring (1996)
 * Ring (2 volumes) (1999)

 * Audio dramas
 * Ring (1996)
 * Ring (2015)

title: Ring (Suzuki novel)


text:
Wikipedia:Articles for deletion/ETAG

 This page is an archive of the proposed deletion of the article below. Further comments should be made on the appropriate discussion page (such as the article's talk page or on a Votes for Undeletion nomination). No further edits should be made to this page.

The result of the debate was delete. CDC  (talk)  22:34, 29 July 2005 (UTC)

ETAG
What is this? Google turns up nothing related to extraterrestrials called "ETAG". Nightwatch 21:51, 22 July 2005 (UTC)
 * Delete as a hoax/unverifiable. Sasquatch′↔T↔C 02:33, July 23, 2005 (UTC)
 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in an undeletion request). No further edits should be made to this page.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Wikipedia:Articles for deletion/ETAG


text: User talk:69.143.40.219

title: User talk:69.143.40.219


text:
Cerro La Cruz del Marqués

Cerro de la Cruz del Marqués is a peak of the Ajusco Mountain Range, and their highest point.

The mountain is located in Cumbres del Ajusco National Park, at the outskirts of Mexico City.

title: Cerro La Cruz del Marqués


text:
User talk:DanRice

Welcome!

Hello, and welcome to Wikipedia. Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! By the way, please be sure to sign your name on Talk and vote pages using four tildes (~~~~) to produce your name and the current date, or three tildes (~~~) for just your name. If you have any questions, see the help pages, add a question to the village pump or ask me on my Talk page. Again, welcome! --Ragib 21:51, 22 July 2005 (UTC)
 * The Five Pillars of Wikipedia
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title: User talk:DanRice


text:
Anti-pharming

Anti-pharming techniques and technology are used to combat pharming.

Traditional methods for combating pharming include: Server-side software, DNS protection, and web browser add-ins such as toolbars. Server-side software is typically used by enterprises to protect their customers and employees who use internal or private web-based systems from being pharmed and phished, while browser add-ins allow individual users to protect themselves from phishing. DNS protection mechanisms help ensure that a specific DNS server cannot be hacked and thereby become a facilitator of pharming attacks. Spam filters typically do not provide users with protection against pharming.

Currently the most efficient way to prevent pharming is for end users to make sure they are using secure web connections (HTTPS) to access privacy sensitive sites such as those for banking or taxing, and only accept the valid public key certificates issued by trusted sources. A certificate from an unknown organisation or an expired certificate should not be accepted all the time for crucial business. So-called active cookies provide for a server-side detection tool.

Legislation also plays an essential role in anti-pharming. In March 2005, U.S. Senator Patrick Leahy (D-VT) introduced the Anti-Phishing Act of 2005, a bill that proposes a five-year prison sentence and/or fine for individuals who execute phishing attacks and use information garnered through online fraud such as phishing and pharming to commit crimes such as identity theft.

For home users of consumer-grade routers and wireless access points, perhaps the single most effective defense is to change the password on the router to something other than the default, replacing it with a password that is not susceptible to a dictionary attack.

title: Anti-pharming


text:
User:Nelson Minar

I'm Nelson Minar, software engineer. I have a weblog.

title: User:Nelson Minar


text:
User talk:Darien Shields

Welcome!

Hello, and welcome to Wikipedia. Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! By the way, please be sure to sign your name on Talk and vote pages using four tildes (~~~~) to produce your name and the current date, or three tildes (~~~) for just your name. If you have any questions, see the help pages, add a question to the village pump or ask me on my Talk page. Again, welcome! --Ragib 21:52, 22 July 2005 (UTC)
 * The Five Pillars of Wikipedia
 * How to edit a page
 * Editing, policy, conduct, and structure tutorial
 * Picture tutorial
 * How to write a great article
 * Naming conventions
 * Manual of Style
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 * If you're ready for the complete list of Wikipedia documentation, there's also Topical index.

I'd like to speak with you.
I do not come to argue, I just wish to have a discussion with you. Jack Cain 10:59, 13 August 2005 (UTC)

 * What do you want? Why don't you just e-mail me or note me on dA? (Darien Shields 12:19, 14 August 2005 (UTC))

Well, I kinda forgot about you untill I saw your Wiki account, I really only wanted to apologize for last time. You caught me on a bad day, but that was no excuse for how I acted. Jack Cain 00:06, 15 August 2005 (UTC)

Do you know about Fullmetal Alchemist
I was wanting to start a Fullmetal Episode summary page but, people are thinking i'm trying to start another Episode guide would you be able to help me? User: Crimson alchemist
 * Yeah, I could give it a shot, but only using Subs- I haven't seen any of the dubbed series, but I have access to the entire thing on subs. (Darien Shields 08:18, 17 January 2006 (UTC))

Davy Jones
I suppose you've never seen the trailer, or the posters, or the TV spots? Or do you just live in a cave? There is a spolier warning, you should have noticed that and flown off. Ah well, at least you didn't learn the plot of the film. It could have been worse. ViceroyInterus 01:09, 10 July 2006 (UTC)

ArbCom elections are now open!
MediaWiki message delivery (talk) 13:07, 23 November 2015 (UTC)

ArbCom elections are now open!
MediaWiki message delivery (talk) 13:32, 23 November 2015 (UTC)

Proposed deletion of Sleeping Bride

The article Sleeping Bride has been proposed for deletion because of the following concern: "Non notable film"

While all constructive contributions to Wikipedia are appreciated, pages may be deleted for any of several reasons.

You may prevent the proposed deletion by removing the notice, but please explain why in your edit summary or on the article's talk page.

Please consider improving the page to address the issues raised. Removing will stop the proposed deletion process, but other deletion processes exist. In particular, the speedy deletion process can result in deletion without discussion, and articles for deletion allows discussion to reach consensus for deletion. Donald D23  talk to me  16:29, 5 January 2022 (UTC)

title: User talk:Darien Shields


text:
Frederic Friedel

Frederic Alois Friedel (born 1945) studied Philosophy and Linguistics at the University of Hamburg without graduating. He joined the American sceptical society CSICOP (now the Committee for Skeptical Inquiry). In 1985, he met Garry Kasparov and soon after that co-founded the chess database company ChessBase.

From 1983 to 2004, he edited the biggest computer chess magazine in the world, Computer-Schach & Spiele, which recently became an online publication. Friedel served as an advisor to Kasparov during his matches with Deep Blue in 1996 and 1997.

title: Frederic Friedel


text:
Big Generator

Big Generator is the twelfth studio album by English progressive rock band Yes, released on 28 September 1987 by Atco Records, their last album of new music for the label. After touring in support of their previous album, 90125 (1983), which saw the band move from progressive rock towards a pop-oriented and commercially accessible direction, Yes started work on a follow-up in 1985 with producer Trevor Horn. It was a laborious album to make; recording began at Carimate, Italy, but internal and creative differences resulted in production to resume in London, where Horn ended his time with the band due to continuing problems. The album was completed in Los Angeles in 1987 by Trevor Rabin and producer Paul DeVilliers.

Big Generator received mixed reviews from music critics, and the album reached number 15 on the Billboard 200 and number 17 on the UK Albums Chart. In April 1988, the album was certified platinum by the Recording Industry Association of America (RIAA) for selling one million copies in the US. Like 90125, it was nominated for a Grammy Award for Best Rock Performance by a Duo or Group with Vocal. The album spawned two singles, "Love Will Find a Way" and "Rhythm of Love". Yes supported Big Generator with a tour of North America and Japan from November 1987 to April 1988, after which Anderson again left the group. The album was reissued in 2009 with bonus tracks.

Background
In February 1985, the Yes line-up of Jon Anderson, bassist Chris Squire, keyboardist Tony Kaye, drummer Alan White, and guitarist and vocalist Trevor Rabin, ended a twelve-month world tour in support of their eleventh studio album, 90125 (1983). That album marked a considerable change in direction for the group, moving from their pioneering progressive rock sound of the 1970s towards more accessible and pop-oriented music, helped by the production of Trevor Horn and Rabin's demos, which formed most of the album. 90125 became the band's highest selling album, helped by their first and only US number one single "Owner of a Lonely Heart". The album also earned Yes's only Grammy Award, winning Best Rock Instrumental Performance for "Cinema".

Rehearsals began in Hollywood, California in August 1985 with Horn resuming his role as producer. Rabin felt nervous and pressured when their label, Atco Records, informed him that they wished for another hit like "Owner of a Lonely Heart", but he wanted to move from the band's past and do something different regardless of its success. Anderson, wishing to "extend the musicianship" of the band and its new music, wanted to capitalise on its now larger fanbase and attempt "more adventurous" songs for the album. Horn was not interested, however, and isolated Anderson from the writing process until songs were near complete. Anderson looked back on this decision as a "big mistake" as he wanted to encourage Rabin to "jump on a Stravinsky-ism" and "go crazy wild" with musical ideas. Kaye recalled that the band had no preconceived ideas, that Rabin had amassed lots of songs, many of which were already arranged and had lyrics, but did not force them upon the group because he wanted the writing to be a group effort. Kaye had little interest in songs based on improvisation.

The album's title derived from a quote from the band's concert film, 9012Live (1985). During one of the colourised segments at the end of the film, one of the actors says "It's the rhythm of big generators", which stuck with the group.

Recording
At the beginning of the songwriting process, Rabin recalled the group used Abbey Road (1969) by The Beatles as a model and influence for the music on Big Generator. He explained: "If we come up with an idea, why pressure ourselves into making it a song? Just have it there. If you can't come up with a chorus, don't throw it out because it's not a complete song and don't put a bad chorus around it". Such an approach led to the album having tracks longer than common pop songs of the time, peaking at seven minutes in length. Rabin said Kaye had a greater role on Big Generator than he had on 90125, but continual clashes between Kaye and Horn resulted in his keyboard parts recorded in a studio away from Horn. Despite this, Rabin still played "a lot" of keyboards on the album.

Kaye's main instrument on the album was the Korg DW-8000, which was able to faithfully recreate a Hammond organ and piano. He also used a Roland D-50, and a custom built Oberheim DPX-1 with hard disk capability. The group used what Kaye described as "the most sophisticated, most expensive" Synclavier system which was placed in a room of its own above the main studio. The basic keyboard parts and overdubs were recorded by feeding tracks from the main studio to the Synclavier, where Kaye would play his part, and the tracks fed back down to tape in the main studio. White was experimenting with sound designer and technologist Reek Havoc on the Dynacord ADD-One drum machine and pads.

At Rabin's suggestion, the band agreed to record at Lark Recording Studios, a facility situated by Castello di Carimate, a castle in Carimate, Italy. He thought that such a location would help the band bond together and bring some new ideas to the music which would create a better album as a result. Rabin first spoke of the friction between Anderson and Squire during this time three years after the album's release, which suited him as it "created a great vacuum for me to work in". Squire maintained that Rabin made the choice to record there as a step to save money and for tax purposes, and called it the wrong move, a view that Rabin denied years later and clarified that "It was never the intention to save money, although I don't want to waste money." Squire recalled more time being spent on what recording equipment to use than the music itself during the entire project, which also affected the tense situation.

After three months in Carimate, most of the backing tracks had been put down but progress on the album was affected by internal problems. Rabin recalled a lot of partying going on and not enough substantial work getting done, calling it "a real drug time" which affected unnamed members to focus on work. This led to Horn suggesting they halt production and resume in London. For the next several months, recording took place at SARM East, SARM West, and AIR Studios in London. However, when the move was not enough to improve internal relations and differences in the album's direction, Rabin felt it was time to relocate the recording once more, this time to Los Angeles where he had settled, when he once entered the studio by himself on a Sunday to work, and later found it the happiest time of the entire experience. While in London, Horn found himself unable to finish producing the tracks as the band could not agree and ended his association with the project, adding: "It wasn't a case of being a committee. It was just warring factions trying to kill each other". Rabin later revealed that Horn's departure was also partly due to his differences with Anderson and Kaye.

Having failed to finish the album in London, Rabin returned home to Los Angeles and completed it at Southcombe, Westlake, and Sunset Sound Studios with producer and engineer Paul DeVilliers, who was their sound engineer on the 90125 tour. Rabin also worked at his 24-track facility at his home in the Hollywood Hills, which inspired him to work on all future musical projects in the studio, which he later named The Jacaranda Room. Rabin estimated the album cost $2 million to make. The final production credit on the album as released read "Produced by Yes, Trevor Rabin, Paul DeVilliers, Trevor Horn".

In 2023, Rabin admitted that completing Big Generator had "almost killed me. I had to salvage the whole thing and mix it on my own with no-one in the studio. It was traumatic. My stomach lining went, but I did finish the record." Due to the trauma involved, Rabin initially decided to quit Yes and to use the album release press conference to announce his departure, but was talked into staying in the band by his wife and by management.

Side one
The idea behind "Rhythm of Love" is, according to Rabin, "just sex". By the time of the recording, he felt Yes had pushed away from the cosmic-inspired lyrics that the group were known for in the 1970s with "Owner of a Lonely Heart", and thought a sex lyric would be a "nice little tease". Anderson claimed the group were strong for its chorus, but he felt unsure and needed the lyrics "fashioned" and changed some words.

"Big Generator" is one of the album's three tracks credited to the whole group. It developed from a riff by Squire and Rabin, originating from a specific tuning Squire had on his 5-string bass which helped to create the song, which involved contributions from White on the drums. In its early development, White felt the song needed some "Yes stamps" incorporated into the arrangement, and instructed the group to play a section and not listen to his playing. "I just stopped and started ... like the drummer fell off his stool and then got back on trying to catch up the beat. Playing very slowly and then faster ... and then I was back in time". Once he was, "I reversed the beat around backwards so I came in with the bass drum on two and four instead of one and three".

"Shoot High Aim Low", the second group track, was one of the songs recorded in Carimate, and features reverb that was captured naturally around the castle's acoustics, rather than reverb added electronically in the studio. White came up with the chords while he was playing in the studio with the drum box. When Rabin arrived at the studio, he told White to continue playing the beat while he started singing a melody that was used in the song. It features Anderson as "the guy in the helicopter going in at ninety miles an hour and I'm going to blow everybody up", yet has Rabin's backing vocals sing a love lyric that involves a couple enjoying their company in a car. He summarised the song's message as "To live beyond war". Rabin later called the song his favourite on Big Generator.

Rabin called "Almost Like Love" a track that did not quite work in the end and wished it was not included on the album. He disagreed with the addition of a horn section, comparing it to soul music and "Sussudio" by Phil Collins. Squire was particularly into the song's riff, yet Rabin felt the song around it was substandard, like "polishing a vase while the building was falling down".

Side two
"Love Will Find a Way" is solely credited to Rabin. He had originally worked on the music and lyrics with singer-songwriter Stevie Nicks and was close to recording it with her, but White heard the song and suggested Yes record it for Big Generator. Rabin was a fan of the song's title lyric, and particularly enjoyed conducting the orchestral arrangement at the beginning. However, he found that some fans thought the song was too far from what Yes music stood for.

Rabin enjoyed working on the production and arrangement for "Final Eyes", but deemed it a particularly difficult song to make, owing to its many changes in mood and style, yet he liked the acoustic guitar with Anderson's vocals. He said parts of the song make him cringe, because it sounds too much like Journey which he felt did not suit Yes.

"I'm Running" is the last of three group-written tracks, and was recorded at SARM Studios in London. When a take had been put down, Rabin recalled, White's drum tracks were deemed unusable, leaving him to re-record his parts "note for note". Rabin took a riff that Squire had come up with, which made Squire uncomfortable, but developed a guitar part that had a Latin flavour. He was not completely happy with the song, but thought its strange quality made him like it.

"Holy Lamb (Song for Harmonic Convergence)" is an Anderson song and deals with Harmonic Convergence, one of the world's first synchronised meditation events that occurred in August 1987 that raised awareness of a specific alignment of the planets at that time. Anderson had met some spiritual people during a visit to Las Vegas several years prior to writing it, who told him that he would be singing about it. Rabin later wished to have improved the song by adding an opening and closing section to the track, similar to what Yes had done with "Soon", the final section of "The Gates of Delirium".

Artwork
"Jon Anderson had an idea for that sleeve, which was basically a drawing of a scroll," designer Garry Mouat (who had worked on 90125) told Classic Rock. "It was like something you may have done at school. I remember saying, 'I like where you're coming from, but how about another idea?' The band were all looking out of the windows, avoiding eye contact and leaving me to pay lip service to Jon."

Release and reception
Released on 28 September 1987, Big Generator peaked at number 15 on the Billboard 200 during its 30 weeks on the chart, and at number 17 on the UK Albums Chart.

On 8 December 1987, it was certified gold by the Recording Industry Association of America (RIAA) for selling 500,000 copies in the US. On 29 April 1988, it was certified platinum for selling one million copies. Like 90125, the album earned Yes a Grammy Award nomination for Best Rock Performance by a Duo or Group with Vocal.

Musician reviewer J. D. Considine wrote simply: "Just say no."

Two singles were released from the album. "Love Will Find a Way", the first, reached number one on the Billboard Mainstream Rock chart and number 30 on the Billboard Hot 100. The second, "Rhythm of Love", peaked at number 40 on the latter chart.

Big Generator was remastered in 2009 by Japanese engineer Isao Kikuchi and released in Japan by Warner Music Japan as part of a series of Yes reissues on Super High Material CD. This mastering reappeared in the 2013 box set The Studio Albums 1969–1987.

Tour and aftermath
Yes supported Big Generator with a tour of North America and Japan from November 1987 to April 1988. The band adopted a low-key approach for the 1987 dates as they had spent so much time in studio and wanted to start touring and try out their new material. In early 1988, six shows were cancelled after Rabin collapsed backstage following a concert in Tampa, Florida due to exhaustion from performing with the flu and a fever.

Following their appearance at the Atlantic Records 40th Anniversary concert in May 1988, Anderson left the group and formed Anderson Bruford Wakeman Howe, which reduced Yes to a four-piece.

Personnel
Credits are adapted from the album's liner notes.

Yes
 * Jon Anderson – vocals
 * Trevor Rabin – vocals, acoustic and electric guitars, keyboards, string arrangements
 * Tony Kaye – keyboards
 * Chris Squire – bass guitar, backing vocals
 * Alan White – drums, percussion, backing vocals

Additional musicians
 * Lee R. Thornburg – horns on "Almost Like Love"
 * Nick Lane – horns on "Almost Like Love"
 * Greg Smith – horns on "Almost Like Love"
 * Jimmy Zavala – horns on "Almost Like Love", harmonica on "Love Will Find a Way"

Production

 * Yes – production
 * Trevor Horn – production
 * Trevor Rabin – production, mixing
 * Paul De Villiers – production, engineering
 * Alan Goldberg – engineering at Lark Recording Studios
 * Dave Meegan – engineering
 * John Jacobs – engineering
 * Paul Massey – engineering
 * David Glover – engineering
 * Mike "Spike" Drake – assistant engineer
 * Stuart Breed – assistant engineer

 * Brian Soucy – assistant engineer
 * Lois Oki – assistant engineer
 * Julie Last – assistant engineer
 * Jimmy Preziosi – assistant engineer
 * Mike Kloster – assistant engineer
 * Kim Bullard – keyboard programming
 * Stephen Marcussen – mastering

title: Big Generator


text:
User talk:Bbaumer

Hey, Ben. Ran across you completely by accident, but wanted to say hello. VectorPosse 09:45, 12 July 2006 (UTC) (Sean Raleigh) Amo. Su. Série 😍😍😍😍😍

Trying to track you down
Hi, Ben. Sean Raleigh here. I don't know if you check this page often, but I'm trying to find you and I don't have a current e-mail for you. Send me an e-mail when you get a chance: sraleigh@westminstercollege.edu. VectorPosse (talk) 19:32, 23 August 2011 (UTC)

Wikipedia Meetup NYC this Sunday April 14
Hi Bbaumer! You're invited to our next meeting for Wikipedia Meetup NYC on Sunday April 14 -this weekend- at Symposium Greek Restaurant @ 544 W 113th St (in the back room), on the Upper West Side in the Columbia University area.

Please sign up, and add your ideas to the agenda for Sunday. Thanks!

Delivered on behalf of User:Pharos, 18:04, 10 April 2013 (UTC)

2nd Annual Wikimedia New England General Meeting
You are invited to the 2nd Annual Wikimedia New England General Meeting, on 20 July 2013 in Boston! We will be talking about the future of the chapter, including GLAM, Wiki Loves Monuments, and where we want to take our chapter in the future! EdwardsBot (talk) 09:53, 16 July 2013 (UTC)

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September 16: WikiWednesday Salon and Skill-Share NYC
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Saturday October 3: WikiArte Latin America Edit-a-thon @ MoMA
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Thursday October 15: Women in Architecture Edit-a-thon @ Guggenheim (drop-in any time, noon-8pm!)
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Thursday October 15: Women in Architecture Edit-a-thon @ Guggenheim (drop-in any time, noon-8pm!)
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This Friday: Women in Architecture edit-a-thon @ Cambridge, MA
You are invited to join the Women in Architecture edit-a-thon @ Cambridge, MA on October 16! (drop-in any time, 6-9pm)--Pharos (talk) 18:27, 14 October 2015 (UTC)

Oct 28: WikiWednesday Salon and Skill-Share NYC
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Sunday Nov 22: Soviet Jewry Edit-a-thon & Women In Science Edit-a-thon
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== Dec 9: WikiWednesday Salon and Skill-Share NYC; Dec 12: Art & Law editathon + Dec 13: Black Film editathon ==

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Saturday February 6 in NYC: Black Life Matters Editathon
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Feb 16: Art+Feminism Training / Photo-Poetics @ Guggenheim Feb 17: WikiWednesday Salon and Skill-Share NYC
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Saturday, March 5: Art+Feminism Edit-a-thon @ MoMA
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March 16: WikiWednesday Salon and Skill-Share NYC
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April 13: WikiWednesday Salon NYC and Mini-Video Opportunity
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Saturday April 30: Contemporary Art of the Middle East and North Africa @ Guggenheim
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May 25: WikiWednesday Salon NYC / Enterprise MediaWiki Conference
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Sunday June 5: Women in Jewish History Edit-a-thon
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June 15: WikiWednesday Salon and Skill-Share NYC
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Wednesday June 29: Wiki Loves Pride Edit-a-thon @ MoMA
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Sunday July 10: WikNYC Picnic @ Central Park
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August 17: WikiWednesday Salon and Skill-Share NYC
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September 14: WikiWednesday Salon / Wikimedia NYC Annual Meeting
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Sun October 16: CommonsLab / Open House NY Photo Contest + Hackathon
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Saturday October 22: WikiArte Latin American Edit-a-thon @ MoMA
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Saturday November 12: Women in Science Edit-a-thon @ NY Academy of Sciences (plus Sunday Indigenous People's Justice event)
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Saturday December 3: Contemporary Chinese Art Edit-a-thon @ Guggenheim
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December 21: WikiWednesday Salon and Skill-Share NYC (plus Wikipedia Day on Jan 15!)
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February 15: WikiWednesday Salon and Skill-Share NYC
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March 11: Art+Feminism Edit-a-thon @ MoMA (and beyond!)
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Sunday March 26: Action=History Wiki-Hackathon @ Ace Hotel
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April 19: WikiWednesday Salon and Skill-Share NYC
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Sunday May 21: Metropolitan Museum of Art Edit-a-thon + global online challenge
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May 24: WikiWednesday Salon and Skill-Share NYC
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Thursday June 22: Wiki Loves Pride Edit-a-thon @ MoMA
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Sunday July 9: WikNYC Picnic @ Governors Island
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Sunday July 16: New England Wiknic @ Cambridge, MA
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July 19: WikiWednesday Salon and Skill-Share NYC
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Sunday July 30: Action=History Wiki-Hackathon @ Ace Hotel
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August 30: WikiWednesday Salon and Skill-Share NYC
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September 27: WikiWednesday Salon / Wikimedia NYC Annual Meeting
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 * P.S. On the weekend before the annual meeting, you can join: Action=History @ Ace Hotel (Sunday, September 24, 2017)

Sunday October 15: Wikipedia @ Open House New York / Weekend Photo Competition
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October 18: WikiWednesday Salon and Skill-Share NYC
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Metropolitan Museum of Art Edit-a-thon (Nov 19) and global online Wikipedia Asian Art Month (Nov 1-30)
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November 15: WikiWednesday Salon and Skill-Share NYC @ NYU ITP
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December 13: WikiWednesday Salon and Skill-Share NYC
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February 21: WikiWednesday Salon and Skill-Share NYC
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March 21: WikiWednesday Salon and Skill-Share NYC
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CANCELLED: WikiWednesday Salon and Skill-Share NYC
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WikiWednesday Salon and Skill-Share NYC
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May 23: WikiWednesday Salon and Skill-Share NYC
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== June 20: WikiWednesday Salon and Skill-Share NYC (and Pratt Women Wikipedia Design this Saturday June 16) ==

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Thursday July 12: Wiki Loves Pride Edit-a-thon @ Jefferson Market Library
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Sunday July 29: Annual Wiki-Picnic @ Prospect Park
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August 29: WikiWednesday Salon and Skill-Share NYC
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September 26: WikiWednesday Salon / Wikimedia NYC Annual Meeting
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== Sun October 14: Open House New York Weekend Upload Party @ NYU ITP and Indigenous People's Justice Edit-a-thon @ Interference Archive ==

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October 24: WikiWednesday Salon and Skill-Share NYC
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Sunday Oct 28: Wikidata Birthday Party
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December 19: WikiWednesday Salon and Skill-Share NYC
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January 13: Wikimedia NYC invites you to Wikipedia Day 2019
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Feb 27 WikiWednesday Salon + Mar 2 MoMA Art+Feminism and beyond
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== March 20: WikiWednesday Salon and Skill-Share NYC + March 23: Asian Art Archive/New York Public Library ==

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April 17: WikiWednesday Salon and Skill-Share NYC + April 4 and 5: LaGuardia Community College Translatathon 2019
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May 22: WikiWednesday Salon and Skill-Share NYC
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June 19: WikiWednesday Salon and Skill-Share NYC (stay tuned for Pride on weekend!)
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Sunday June 23: Wiki Loves Pride @ Metropolitan Museum of Art
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Sunday July 14: Annual NYC Wiki-Picnic @ Roosevelt Island
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August 28: WikiWednesday Salon and Skill-Share NYC (+editathons before and after)
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Saturday Sept 7: Met Fashion Edit-a-thon @ Metropolitan Museum of Art
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Sept 25: WikiWednesday Salon NYC
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Oct 23: WikiWednesday Salon NYC
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Saturday Nov 16: Wikipedia Asian Month Edit-a-thon @ Metropolitan Museum of Art
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Nov 20: WikiWednesday Salon NYC
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Dec 18: WikiWednesday Salon NYC
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Jan 22: WikiWednesday Salon NYC
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Saturday Jan 25: Met 'Understanding America' Edit-a-thon @ Metropolitan Museum of Art
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Feb 19: WikiWednesday Salon NYC
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March 18: First ever ONLINE WikiWednesday Salon NYC
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April 22: ONLINE WikiWednesday Salon NYC
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Sat May 9: Symposium on Wikipedia and COVID-19
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--Wikimedia New York City Team 14:46, 5 May 2020 (UTC)

May 20: ONLINE WikiWednesday Salon NYC
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--Wikimedia New York City Team 15:58, 18 May 2020 (UTC)

June 17: ONLINE WikiWednesday Salon NYC
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--Wikimedia New York City Team 01:53, 16 June 2020 (UTC)

Sun Aug 16: Great American Wiknic NYC & Beyond
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--Wikimedia New York City Team 22:28, 13 August 2020 (UTC)

Sat Sep 26: Met Fashion Virtual Edit Meet-up
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--Wikimedia New York City Team 17:50, 24 September 2020 (UTC)

October 21: ONLINE WikiWednesday Salon NYC
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--Wikimedia New York City Team 04:11, 21 October 2020 (UTC)

October 18: ONLINE WikiWednesday Salon NYC (plus weekend editathons)
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--Wikimedia New York City Team 17:55, 18 November 2020 (UTC)

December 16: ONLINE WikiWednesday Salon NYC
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--Wikimedia New York City Team 01:54, 15 December 2020 (UTC)

Friday Jan 15: ONLINE Wikipedia Day NYC
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--Wikimedia New York City Team 14:49, 14 January 2021 (UTC)

February 17: ONLINE WikiWednesday Salon NYC
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--Wikimedia New York City Team 01:20, 16 February 2021 (UTC)

Thursday Feb 25: ONLINE Black Wiki History Month at the Schomburg Center
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--Wikimedia New York City Team 07:20, 23 February 2021 (UTC)

Sat Mar 6: Met Women's History Month Virtual Edit Meet-up
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--Wikimedia New York City Team 01:53, 5 March 2021 (UTC)

== Sat Mar 13: Asia Art Archive in America: Art and Feminism Edit-a-thon ==

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--Wikimedia New York City Team 00:20, 12 March 2021 (UTC)

March 17: ONLINE WikiWednesday Salon NYC with Wikimedia Community Ireland for St Patrick's Day
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--Wikimedia New York City Team 14:43, 15 March 2021 (UTC)

April 21: ONLINE WikiWednesday Salon NYC with with Environmental focus
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--Wikimedia New York City Team 00:29, 18 April 2021 (UTC)

May 19: ONLINE WikiWednesday Salon NYC
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--Wikimedia New York City Team 03:13, 18 May 2021 (UTC)

June 16: ONLINE WikiWednesday Salon NYC
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--Wikimedia New York City Team 16:17, 14 June 2021 (UTC)

July 14: Virtual Coney Island Meetup + NYC monthly collaboration
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--Wikimedia New York City Team 14:35, 12 July 2021 (UTC)

Sat Aug 14: Wikimania Wiknic NYC
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--Wikimedia New York City Team 18:45, 11 August 2021 (UTC)

August 25: ONLINE WikiWednesday Salon NYC
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--Wikimedia New York City Team 14:16, 24 August 2021 (UTC)

September 29: ONLINE WikiWednesday Salon + Annual Members' Meeting NYC
Upcoming events:
 * Prospect Park photo contest, ongoing
 * Latinx Art Wikipedia Edit-a-thon, October 6
 * Wiki-Pavilion Picnic NYC in Prospect Park (with WikiProject Craft + WikiConference North America), October 10

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--Wikimedia New York City Team 04:40, 28 September 2021 (UTC)

Sunday: Wiki-Pavilion Picnic NYC (part of WikiConference NA, Oct 8-10)
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--Wikimedia New York City Team 17:20, 5 October 2021 (UTC)

Dec 15: ONLINE WikiWednesday Salon NYC
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--Wikimedia New York City Team 18:50, 13 December 2021 (UTC)

Saturday Feb 5: ONLINE Met Afrofuturist edit-a-thon (and monthlong campaign)
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--Wikimedia New York City Team 05:27, 3 February 2022 (UTC)

Wikimedia NYC: Strategic Planning Survey for our community
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--Wikimedia New York City Team 18:35, 10 February 2022 (UTC)

Feb 23: ONLINE WikiWednesday Salon NYC
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--Wikimedia New York City Team 19:38, 22 February 2022 (UTC)

Mar 27: Wiki-Tent Brunch in Brooklyn
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--Wikimedia New York City Team 04:11, 18 March 2022 (UTC)

WikiWednesday tonight + Sunday Wiki-Tent Brunch
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--Wikimedia New York City Team 13:22, 23 March 2022 (UTC)

Apr 24: Wiki-Picnic and WikiSeder in Brooklyn
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--Wikimedia New York City Team MediaWiki message delivery (talk) 15:45, 14 April 2022 (UTC)

Apr 27: ONLINE WikiWednesday Salon NYC
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--Wikimedia New York City Team 02:30, 27 April 2022 (UTC)

May 22: Wiki-Picnic and Hackathon in Brooklyn
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--Wikimedia New York City Team 02:16, 19 May 2022 (UTC)

May 25: ONLINE WikiWednesday Salon NYC
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--Wikimedia New York City Team 00:44, 25 May 2022 (UTC)

NYC Wiknic, June 26
Hold the date. Meetup/NYC Wiknic in Crotona Park, Sunday June 26.

Watch Meetup/NYC/Wiknic June 2022 for further details as they become available.

MediaWiki message delivery (talk) 21:27, 3 June 2022 (UTC)

June 22: ONLINE WikiWednesday Salon NYC
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--Wikimedia New York City Team 14:49, 21 June 2022 (UTC)

Sun June 26: Bronx Wiki-Picnic
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 19:43, 23 June 2022 (UTC)

Thu July 14: Astoria Beer Garden Wiki-Picnic
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 14:40, 11 July 2022 (UTC)

July 27: WikiWednesday Salon NYC (+Aug in-person for Wikimania)
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 21:41, 26 July 2022 (UTC)

Fri/Sat/Sun Aug 12-14 with Saturday flagship Wiki World's Fair at Queens Museum
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 04:00, 6 August 2022 (UTC)

Aug 24: WikiWednesday Salon NYC (+Sep annual meeting)
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 03:40, 23 August 2022 (UTC)

Sep 28: Wikimedia NYC Annual Election/Members Meeting (+October 2 picnic)
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 01:36, 20 September 2022 (UTC)

Sun Oct 2: WikiNYC Post-Election Wiki-Picnic
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 17:32, 28 September 2022 (UTC)

Sat Oct 29: Wikidata Day in NYC
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 18:00, 17 October 2022 (UTC)

Sat Nov 12: WikiConference North America in NYC
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 16:18, 3 November 2022 (UTC)

Nov 30: WikiWednesday Salon in Brooklyn + online
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 21:36, 25 November 2022 (UTC)

Dec 28: WikiWed Salon (+ Wikipedia Day on Jan 15)
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 19:26, 23 December 2022 (UTC)

Sun Jan 15: Wikipedia Day returns to NYC!
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 18:47, 7 January 2023 (UTC)

Feb 15: WikiWednesday Salon in Brooklyn
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 23:50, 7 February 2023 (UTC)

Mar 8: WikiWednesday Salon by Grand Central
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 03:39, 28 February 2023 (UTC)

Apr 12 WikiWednesday + Earth Week (Apr 15-23)
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 14:08, 4 April 2023 (UTC)

Sat: Earth Day Edit-a-thon + Sun: Wiki-Picnic
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 16:35, 21 April 2023 (UTC)

May 17: WikiWednesday Salon + Queering Wikipedia
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 17:39, 15 May 2023 (UTC)

June 21: WikiWednesday Salon back in Manhattan!
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 01:02, 14 June 2023 (UTC)

July 19 WikiWednesday + New York Botanical Garden Edit-a-thon (July 29)
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 03:21, 12 July 2023 (UTC)

WikiWednesday (Aug 23) and Governors Island Wiki-Picnic (Sun Aug 27)
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 00:50, 15 August 2023 (UTC)

Sunday: NYC Wiki-Picnic @ Gov Island
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 03:31, 26 August 2023 (UTC)

Sep 20: Wikimedia NYC Annual Election Meeting
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 02:06, 10 September 2023 (UTC)

Sun Oct 1: NYC Hispanic/Latinx Heritage Month 2023
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 19:04, 23 September 2023 (UTC)

Wiki.NYC Pavilion for Open House New York (Oct 21–22) and Wikidata Day (Oct 29)
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 21:59, 14 October 2023 (UTC)

Nov 15: WikiWednesday Salon + Wikimedia NYC Executive Director job
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 05:19, 10 November 2023 (UTC)

Wed Dec 6: Hacking Night + job listing
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 19:46, 24 November 2023 (UTC)

Thu Jan 4: Hacking Night + Wikipedia Day soon
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 03:06, 19 December 2023 (UTC)

Thu Feb 8 NYC Hacking Night + Feb 21 WikiWednesday
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 14:11, 5 February 2024 (UTC)

Tue March 5: Wiki Gala NYC
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 06:29, 1 March 2024 (UTC)

WikiNYC: 3/14 Hacking Night + 3/16 Queens Name Explorer
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 22:58, 8 March 2024 (UTC)

WikiWednesday (April 10) and City Tech Library LGBTQIA edit-a-thon (April 11)
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 06:12, 5 April 2024 (UTC)

Thu April 25: WikiNYC Hacking Night
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 18:47, 19 April 2024 (UTC)

May 8: WikiWednesday Salon with new Executive Director
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--Wikimedia New York City Team via MediaWiki message delivery (talk) 04:06, 6 May 2024 (UTC)

June 2: Hacking Sunday (+preview of June 8 Wiknic)
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title: User talk:Bbaumer


text:
Talk:Big Generator

Untitled
I think the Chronology in the infobox should include the Anderson Bruford Wakeman Howe album, since it was and is regarded by fans as a Yes album in all but name. Lee M 02:40, 10 May 2006 (UTC)

ABWH is NOT Yes. Period. If it was Yes, then it would be called Yes. But, it's not. And there is a good reason. — Preceding unsigned comment added by 98.64.214.175 (talk) 15:37, 19 October 2015 (UTC)

Fair use rationale for Image:YesBigGenerator.png
Image:YesBigGenerator.png is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.

Please go to the image description page and edit it to include a fair use rationale. Using one of the templates at Fair use rationale guideline is an easy way to insure that your image is in compliance with Wikipedia policy, but remember that you must complete the template. Do not simply insert a blank template on an image page.

If there is other fair use media, consider checking that you have specified the fair use rationale on the other images used on this page. Note that any fair use images lacking such an explanation can be deleted one week after being tagged, as described on criteria for speedy deletion. If you have any questions please ask them at the Media copyright questions page. Thank you.

BetacommandBot (talk) 03:18, 12 February 2008 (UTC)

title: Talk:Big Generator


text:
Pico del Águila

Pico del Águila is a peak of the mountain range called Ajusco Volcano 3,937 mt, located in Cumbres del Ajusco National Park (other Volcanoes that form part of the same area are: Malinali, Mezontepec, Pelado, Oyameyo, Malacatepec, Couepil, Cictontle, Xitli (or Xitle, this last erupted at the southern outskirts of Mexico City), in the borough of Tlalpan. It is a popular Sunday hike, and can be climbed in about two hours.

title: Pico del Águila


text:
User talk:Nelson Minar

Welcome!

Hello, and welcome to Wikipedia. Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! By the way, please be sure to sign your name on Talk and vote pages using four tildes (~~~~) to produce your name and the current date, or three tildes (~~~) for just your name. If you have any questions, see the help pages, add a question to the village pump or ask me on my Talk page. Again, welcome! -- Francs2000 | Talk 21:54, 22 July 2005 (UTC)
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Disputed fair use rationale for Image:Noah's Ark 3D SNES gameplay.png
Thank you for uploading Image:Noah's Ark 3D SNES gameplay.png. However, there is a concern that the rationale provided for using this image under "fair use" may not meet the criteria required by Non-free content. This can be corrected by going to the image description page and add or clarify the reason why the image qualifies for fair use. Adding and completing one of the templates available from Fair use rationale guideline is an easy way to ensure that your image is in compliance with Wikipedia policy. Please be aware that a fair use rationale is not the same as an image copyright tag; descriptions for images used under the fair use policy require both a copyright tag and a fair use rationale.

If it is determined that the image does not qualify under fair use, it might be deleted by adminstrator within a few days in accordance with our criteria for speedy deletion. If you have any questions, please ask them at the media copyright questions page. Thank you.BetacommandBot (talk) 15:52, 8 March 2008 (UTC)

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Nelson. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Nelson~enwiki that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name. If you think you might own all of the accounts with this name and this message is in error, please visit Special:MergeAccount to check and attach all of your accounts to prevent them from being renamed.

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Sorry for the inconvenience.

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title: User talk:Nelson Minar


text:
The King of Marvin Gardens

The King of Marvin Gardens is a 1972 American drama film. It stars Jack Nicholson, Bruce Dern, Ellen Burstyn and Scatman Crothers. It is one of several collaborations between Nicholson and director Bob Rafelson. The majority of the film is set in a wintry Atlantic City, New Jersey, with cinematography by László Kovács.

The title alludes to the Marven Gardens in Margate, New Jersey, and one of the properties in the Monopoly board game, which was based on the streets of Atlantic City.

Plot
David and Jason are brothers. David is a depressive living with his grandfather in Philadelphia, where he runs a late-night radio talk show and the latter an extrovert con man working for gang boss Lewis in Atlantic City, where he lives with the manic depressive Sally, a former beauty queen and prostitute, and her stepdaughter Jessica, who entertains men alongside her mother. After no contact for 18 months, Jason asks David to come to Atlantic City for an opportunity to "make our fortune". David arrives and, after he is bailed out of jail, Jason persuades him to stay on in his hotel suite with the two women. He explains his scheme for a casino in Hawaii, and tells him that they will share the girls when they go there.

Tensions grow among the four as Jason seeks unsuccessfully to involve a Japanese syndicate of investors in his plans. The skeptical David has no faith in Jason's plan, while Jason chides David for wallowing in his dark, lonely depressed life. Jessica is being groomed for a beauty queen career by Sally in another improbable scheme but develops a mutual attraction with Jason. Sally, increasingly neurotic over losing her looks, burns her glamorous clothes, cuts off her hair and throws away her cosmetics. Jason starts packing to leave for Hawaii and tells Sally that he is going with Jessica and that she cannot come. Sally threatens to shoot David or Jason and, when Jason mocks her, shoots him dead in rage and despair. David escorts his brother's corpse home to Philadelphia by train.

Notable imagery
The film has several surreal scenes, including a conversation on horseback between David and Jason and a simulated Miss America pageant. The latter scene was filmed in the empty Atlantic City Convention Hall (now called Boardwalk Hall), which was at the time of its 1929 construction the largest clear-span covered space in the world. During the scene, Ellen Burstyn is shown playing the hall's historic pipe organ, which is the world's largest organ and reputedly the largest and loudest musical instrument ever built.

Production
The King of Marvin Gardens was shot almost entirely on location in Atlantic City in the winter months of 1972. It is therefore of considerable historical significance as a visual record of the very last days of the city's "classic era" resort architecture. Many of the grand hotels shown in the film's exterior scenes were demolished during the next few years to make way for the new generation of casino-hotels that were built after the legalization of gambling. Filming took place only months before the vast Traymore Hotel was explosively demolished in April 1972, and the movie's main location, the once-opulent Marlborough-Blenheim Hotel was demolished in 1978 to make way for Bally's Atlantic City.

The portion of the film depicting Philadelphia was shot in Toronto. The apartment the Scatman Crothers character, Lewis, occupied is located at Jarvis and Isabella Streets in Toronto. It was in an old mansion that had been converted to apartments.

The title of the film (which originally was to be called The Philosopher King) is an ironic reference to the original version of the board game Monopoly, in which the main properties were named after locations in Atlantic City. This reference was also reflected in the film's original poster art.

According to actress Ellen Burstyn, who portrays Sally in the film, Jack Nicholson was originally cast as Jason and Bruce Dern as David. During rehearsal, director Bob Rafelson asked them to switch parts and liked the result. The actors agreed with the choice "because they were both parts that they weren't usually cast in", Burstyn said. "Especially Jack, to be cast as such an introvert ... that's not the usual Jack Nicholson role. ... And, of course, Bruce got to be the dominant brother, and that was fun for him."

The film was one of several collaborations between Nicholson and Rafelson, which included the Monkees film Head (1968) and Five Easy Pieces (1970), which established both men as major figures in Hollywood. Dern and Nicholson had previously worked together in Psych-Out (1968) and The Rebel Rousers (1970). Scatman Crothers co-starred, with Nicholson in the lead role, in Miloš Forman's One Flew Over the Cuckoo's Nest (1975) and Stanley Kubrick's The Shining (1980). Co-star Ellen Burstyn had worked in the TV series Gunsmoke, in which Dern had also appeared, and soon achieved fame with her starring role in William Friedkin's The Exorcist (1973).

The film was one of the few screen appearances made by Julia Anne Robinson (Jessica), who died in an apartment fire in Eugene, Oregon, in 1975, aged 24.

Reception
Roger Ebert of the Chicago Sun-Times gave the film three stars out of four, calling it "an original, individual, and often frustrating movie that takes a lot of chances and wins on about sixty percent of them." Gene Siskel of the Chicago Tribune also awarded three stars out of four, writing that "much of the film doesn't work" but it "contains three of the best performances of the year."

Roger Greenspun of The New York Times panned the film, writing that "Rafelson's kind of poetic realism, an accuracy in the treatment of unexpected settings, looked like quality to some in Five Easy Pieces two years back. Now it looks like the most pretentious of clichés, a low-keyed but very empty bombast exploiting rather than exploring its themes of failed dreams and tawdry realities." Charles Champlin of the Los Angeles Times called it "a curious, stunningly cinematic, intricately structured, intensely atmospheric new film", adding, "There seems no end to the season's really extraordinary acting jobs and Marvin Gardens gives us five—count 'em five." Richard Combs of The Monthly Film Bulletin wrote "Brilliantly constructed by Rafelson and screenwriter Jacob Brackman as a fable of imperfect lives in which nothing ever comes to fruition, The King of Marvin Gardens creates a fragmented, incomplete puzzle (with visual and verbal puns slyly hinting that there might be a key), a game in which no one finally sweeps the board."

The King of Marvin Gardens holds a rating of 69% on Rotten Tomatoes, based on 32 reviews.

title: The King of Marvin Gardens


text:
Wikipedia:Articles for deletion/Eeeep

 This page is an archive of the proposed deletion of the article below. Further comments should be made on the appropriate discussion page (such as the article's talk page or on a Votes for Undeletion nomination). No further edits should be made to this page.

The result of the debate was delete. CDC  (talk)  22:33, 29 July 2005 (UTC)

Eeeep
Eeeep is unsourced and non-encyclopecic, and I don't see how it can ever be an encyclopecic article. Delete
 * Delete, original research. Tempshill 22:08, 22 July 2005 (UTC)
 * Delete, nonsense seglea 23:07, 22 July 2005 (UTC)
 * Eeeep!, what is this doing here? Could never be more than a dicdef. Oh and that's a Delete, just so you know. :) GarrettTalk 23:53, 22 July 2005 (UTC)
 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in an undeletion request). No further edits should be made to this page.

title: Wikipedia:Articles for deletion/Eeeep


text:
ALCO RS-11

The ALCO RS-11 is a class of diesel-electric locomotive rated at 1800 hp, that rode on two-axle trucks, having a B-B wheel arrangement. This model was built by both Alco (327 units) and Montreal Locomotive Works (99 units). Total production was 426 units.

Development
The first three RS-11s were produced by ALCO in February 1956 as a demonstrator set. This locomotive, classified by ALCO as model DL-701, was their first high-horsepower road switcher, intended to be a replacement for the very popular RS-3 road switcher. Featuring a V-12, 1800 hp 251B diesel engine, the RS-11 was ALCO's answer to EMD's very successful GP9. The turbocharged RS-11 accelerated faster, had a higher tractive effort rating and typically used less fuel than the competition. It was also quite versatile and could be found in heavy haul freight as well as passenger service. It was produced in high-nose and low-nose versions. Montreal Locomotive Works also built 351 nearly identical units, known as the RS-18, for the Canadian market.

While the RS-11 benefited from the increased power and reliability offered with ALCO's new 251B engine, and was arguably a more advanced product than the GP9, its market acceptance was disappointing against the reputation EMD's locomotives had made for superior reliability.

Preservation

 * Duluth, Winnipeg and Pacific 3612 is preserved as York-Durham Heritage Railway 3612 at the York–Durham Heritage Railway in Ontario
 * Ferrocarriles Nacionales de México 7282 is preserved at the Yucatán RR Museum in Mérida, Yucatán.
 * New York, New Haven and Hartford 1402 is preserved at the Danbury Railway Museum in Danbury, Connecticut
 * Toledo, Peoria and Western 400 is preserved at the Illinois Railway Museum in Union, Illinois

title: ALCO RS-11


text:
Maudsley Hospital

The Maudsley Hospital is a British psychiatric hospital in south London. The Maudsley is the largest mental health training institution in the UK. It is part of South London and Maudsley NHS Foundation Trust, and works in partnership with the Institute of Psychiatry, King's College London. The hospital was one of the originating institutions in producing the Maudsley Prescribing Guidelines. It is part of the King's Health Partners academic health science centre and the National Institute for Health and Care Research (NIHR) Biomedical Research Centre for Mental Health.

Early history
The Maudsley story dates from 1907, when once leading Victorian psychiatrist Henry Maudsley offered London County Council £30,000 (apparently earned from lucrative private practice in the West End) to help found a new mental hospital that would be exclusively for early and acute cases rather than chronic cases, have an out-patients' clinic and provide for teaching and research. Maudsley's associate Frederick Walker Mott had proposed the original idea and he conducted the negotiations, with Maudsley remaining anonymous until the offer was accepted. Mott, a neuropathologist, had been influenced by a visit to Emil Kraepelin's psychiatric clinic with attached postgraduate teaching facilities in Munich, Germany. The Council agreed to contribute half the building costs - eventually rising to £70,000 - and then covered the running costs which were almost twice as high per bed as the large asylums. The hospital also incorporated the Central Pathological Laboratory, transferred from Claybury Hospital, run by Mott. Construction of the hospital was completed in 1915. An Act of Parliament had to be obtained, that year, to allow the institution to accept voluntary patients without needing to certify them as insane. However, before it could open, the building was requisitioned to treat war veterans. After the war it was returned to the control of London County Council and it finally opened as the Maudsley Hospital in February 1923. The first superintendent was psychiatrist Edward Mapother, while Frederick Golla took over the running of the pathology lab from Mott. Both were more sceptical of the Kraepelinian categories of diagnosis, and took a more pragmatic and eclectic view on causation and treatment. Psychiatrist Mary Barkas worked here between 1923 and 1927 in the children's department established by William Dawson. In the interwar period the Maudsley Hospital engaged in widespread experimentation with animal hormones, both in small doses to rectify supposed deficits and in overdoses as a shock therapy. Numerous psychoactive drugs and procedures were tried out, in what has been described as 'unconstrained experimentation'. One of those involved, as a trainee and then junior doctor, was the controversial William Sargant. The hospital's nursing staff comprised a matron, assistant matron, six sisters and 19 staff nurses with at least three years general hospital training, supported by 23 probationers and 12 male nurses. It had a good reputation for training nurses and some applicants even travelled overseas to train there. A report (held at Bethlem's Archives & Museum) from a nurse who trained at the Maudsley shows some of the work of a new trainee: "Apart from observation and simple treatment, nurses are trained in special investigations and therapy. They carry out many of the routine psychometric tests, help as technicians in the ward laboratories, and are instructors in occupational therapy". The Maudsley Hospital Medical School was established in 1924 and eventually became a well-respected teaching centre. In 1932, Mapother described it as "the main postgraduate school of mental medicine in England." The Maudsley Hospital had initially struggled to secure funding from the Medical Research Council, and, to undertake further research and develop the Medical School, but a substantial grant was obtained in 1938 from American charity the Rockefeller Foundation. Originally, there was no provision for the treatment of children and the rapid growth in this patient population was unforeseen. A child guidance clinic was set up under the directorship of Dr William Moodie, the deputy medical superintendent, in 1928. The late 1920s and 1930s saw a rapid growth in the number of patients treated: this growth led to an ongoing building programme including a secure unit, completed in 1931, and an out-patients department, completed in 1933.

Links with eugenic research
Both Mapother and then deputy Aubrey Lewis supported involuntary eugenic sterilisation, unequivocally recommending it to the Brock Committee in 1932. Lewis was a member of the Eugenics Society and a 1934 chapter he authored is "remarkable for its total admiration for the German work and workers". With the spread of National Socialist (Nazi) laws in Germany from 1933, however, they decried the Nazi conflation of therapy and punishment, a move partly attributed to political and funding expediency. The Maudsley maintained its links with Germany, taking on both pro-Nazis and Jewish emigres through fellowships provided by the Commonwealth Fund and, after 1935, large scale funds from the American Rockefeller Foundation. Eliot Slater continued to visit Munich through the 1930s and contributed to academic festivities honouring Nazi eugenicist Ernst Rudin. During this time, Maudsley psychiatry developed a distinctive combination of practical experimentation and intellectual scepticism. Influential psychiatrist Aubrey Lewis became clinical director of the Maudsley in 1936. At the outbreak of the Second World War, and with the threat of air-raids, the Maudsley Hospital closed and staff dispersed to two locations: a temporary hospital at Mill Hill School in north London and Belmont Hospital in Sutton, Surrey. Staff returned to the Maudsley site in 1945 and three years later the Maudsley joined up with the Bethlem Royal Hospital to become partners in the newly established National Health Service (NHS).

Post-war
In the 1960s a group from the Maudsley Hospital attacked the use of lithium for mood disorders. The head, Aubrey Lewis, called it "dangerous nonsense", and colleagues published that it was therapeutically ineffective. Their objections have recently been described as 'poorly grounded' and having steered practitioners away from a beneficial agent. In 1999, the Maudsley Hospital became part of the South London and Maudsley NHS Foundation Trust ("SLaM"), along with the Bethlem Royal Hospital.

Services
The trust manages one of the UK's few biomedical research centres specialising in mental health. The centre, managed in partnership with the Institute of Psychiatry, King's College London, is based on the Maudsley Hospital campus and funded by the National Institute for Health and Care Research (NIHR).

Media
In 2013 South London and Maudsley NHS Foundation Trust (‘SLaM’) took part in a Channel 4 observational documentary entitled Bedlam. The final programme, "Breakdown", focused on older adults, including those admitted to the Older Adults Ward at Maudsley Hospital.

Notable staff

 * Annie Altschul CBE pioneer of mental health nursing in the UK.
 * Trevor Clay CBE General Secretary of the Royal College of Nursing

title: Maudsley Hospital


text: Category:Grandaddy albums

title: Category:Grandaddy albums


text:
User talk:Nancysreddove85

Welcome!

Hello, and welcome to Wikipedia. Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! By the way, please be sure to sign your name on Talk and vote pages using four tildes (~~~~) to produce your name and the current date, or three tildes (~~~) for just your name. If you have any questions, see the help pages, add a question to the village pump or ask me on my Talk page. Again, welcome! --Ragib 21:56, 22 July 2005 (UTC)
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title: User talk:Nancysreddove85


text:
User talk:Xgu

Welcome!

Hello, and welcome to Wikipedia. Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! By the way, please be sure to sign your name on Talk and vote pages using four tildes (~~~~) to produce your name and the current date, or three tildes (~~~) for just your name. If you have any questions, see the help pages, add a question to the village pump or ask me on my Talk page. Again, welcome! --Ragib 21:56, 22 July 2005 (UTC)
 * The Five Pillars of Wikipedia
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November 2008
Welcome to Wikipedia. The recent edit you made to Sarah Palin has been reverted, as it appears to have removed content from the page without explanation. Use the sandbox for testing; if you believe the edit was constructive, ensure that you provide an informative edit summary. You may also wish to read the introduction to editing. Thank you. Ollie  Fury   Contribs  00:04, 8 November 2008 (UTC)

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title: User talk:Xgu