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The Ghost and Mrs. Muir

The Ghost and Mrs. Muir is a 1947 American supernatural romantic fantasy film starring Gene Tierney and Rex Harrison. It was directed by Joseph L. Mankiewicz, and is based on a 1945 novel written by Josephine Leslie under the pseudonym of R.A. Dick. In 1945, 20th Century Fox bought the film rights to the novel, published only in the United Kingdom at that time. It was shot entirely in California.

Plot
In Britain in the early 1900s, recently widowed Mrs. Lucy Muir moves to the seaside village of Whitecliff despite the disapproval of her in-laws. She rents a house there named Gull Cottage, although it has a reputation for being haunted by the former owner, who committed suicide.

On the first night after moving in with her young daughter, Anna, and her loyal maid, Martha, Lucy is disturbed by apparitions, but she stands resolute and demands the ghost show himself. The ghost, a roguish sea captain named Daniel Gregg, manifests. He tells Lucy that his death four years ago was not a suicide, but the result of accidentally kicking the valve on a gas-fired room heater in his sleep. Daniel explains that he wants to turn Gull Cottage into a home for retired seamen, thus why he has been frightening away tenants. However, due to Lucy's headstrong attitude, as well as her appreciation of the house, Daniel reluctantly agrees to allow her to live in Gull Cottage and promises to make himself visible only to her.

Lucy's investment — her only source of income — has dried up, and her in-laws say she has no choice but to move back to London. However, Daniel has warmed up to her and asks her to stay. They decide to write a book, a dictation of his memoirs from his time at sea, from which she will profit. During the course of writing the book, they fall in love. Both realize it is a hopeless situation, and Daniel tells Lucy that she should find a living man to be with. In London, Lucy goes to meet a publisher and encounters Miles Fairley, a suave author who writes children's books under the pen name Uncle Neddy. The publisher agrees to publish Daniel's lurid and sensational recollections, titled Blood and Swash, providing Lucy with an advance which she uses to buy Gull Cottage.

Fairley follows her back to Whitecliff and they begin a whirlwind courtship. Though initially jealous of their relationship, Daniel decides to leave, as he considers himself an obstacle to Lucy's chance at happiness. While she is asleep, he places in her mind the suggestion that she alone wrote the book and his presence was merely a dream. He fades away after declaring his regret that he never had a life with her.

Fairley cancels a planned visit to Gull Cottage, saying he will be in London for a few days. Lucy visits London to sign a contract, and obtains Fairley's address in the city from the office clerk to pay a surprise visit. She discovers that Fairley is already married with two children, and Mrs. Fairley tells her she has caught him in extramarital affairs before. Heartbroken, Lucy returns to Whitecliff to spend the rest of her life as a recluse, with Martha looking after her.

Anna goes to university and returns with a Royal Navy lieutenant she plans to marry. Mrs. Fairley grows fed up with her husband's philandering, divorces him, and takes full custody of their children. Anna reveals to her mother that she too saw Daniel, whom she regarded as a childhood crush, meaning Daniel broke his promise to Lucy not to show himself. Anna argues that Daniel must be real since they both saw him, but Lucy reasons it is more logical to conclude that she transmitted her delusion to Anna through her stories than to believe in ghosts.

Many years later, Lucy is now ailing and under a doctor's care, and Anna's daughter (also named Lucy) is engaged to a plane captain. Anna believes that affection for captains runs in their family. Lucy rejects the glass of hot milk Martha has brought for her with a complaint that she is tired. After Martha leaves the room, Lucy dies. Daniel returns and approaches her, whispering that she will never be tired again. Taking his hands, her young spirit leaves her aged body and greets him with a loving smile. Unnoticed by Martha, the couple leave the house and walk arm-in-arm into an ethereal mist.

Cast

 * Gene Tierney as Lucy Muir
 * Rex Harrison as Captain Daniel Gregg
 * George Sanders as Miles Fairley
 * Edna Best as Martha Huggins
 * Vanessa Brown as Anna Muir (as an adult)
 * Anna Lee as Mrs. Fairley
 * Natalie Wood as Anna Muir (as a child)
 * Robert Coote as Mr. Coombe
 * Isobel Elsom as Angelica Muir, Lucy's mother-in-law
 * Victoria Horne as Eva Muir, Lucy's sister-in-law
 * Whitford Kane as Mr. Sproule, the publisher (uncredited)
 * Stuart Holmes as Man ordered out of train compartment by the Captain (uncredited)

Production
Although Joseph Mankiewicz had an excellent reputation as a screenwriter, Philip Dunne says Mankiewicz's only contribution to this script was writing a couple of "excellent lines" for George Sanders' character. Sanders' casting came about when Richard Ney, the original actor playing the role, was fired for being inadequate in the part. Bernard Herrmann, the composer of the film's music, regarded it as his finest score.

Reception
The New York Times called The Ghost and Mrs. Muir "a pleasurable film, despite its failings," singling out Edna Best for "by far the best performannce [sic]". In the writer's opinion, Harrison "has such an ingratiating personality that this compensates in large measure for the lack of characterization in his role," but Tierney "is a pretty girl, but has no depth of feeling as an actress."

Variety, on the other hand, praised the actors and the film unreservedly: "Gene Tierney gives, what undoubtedly is her best performance to date. It’s warmly human and the out-of-this-world romance pulls audience sympathy with an infectious tug that never slackens. In his role as the lusty, seafaring shade, Rex Harrison commands the strongest attention. Philip Dunne’s script lards the R. A. Dick novel with gusty humor and situations that belie the ghostly theme. Dialog makes full use of salty expressions to point up chuckles."

The film holds a 100% rating on Rotten Tomatoes based on 20 reviews, with an average critic rating of 8.23/10.

Awards
Charles Lang received a 1947 Academy Award nomination for his black-and-white cinematography on the movie.

The film is recognized by American Film Institute in these lists:
 * 2002: AFI's 100 Years...100 Passions – #73

Adaptations to other media
The Ghost and Mrs. Muir was adapted as an hour-long radio play on the December 1, 1947 broadcast of Lux Radio Theater with Charles Boyer and Madeleine Carroll and was adapted on the August 16, 1951 Screen Directors Playhouse with Boyer and Jane Wyatt. A 90-minute adaptation by Barry Campbell of the novel was broadcast on BBC Radio 4 on 21 December 1974 with Bryan Pringle as Captain Gregg, Gemma Jones as Lucy Muir, and Philip Bond as Miles.

From 1968 to 1970, a TV series titled The Ghost & Mrs. Muir, starring Hope Lange and Edward Mulhare, aired on NBC and then ABC. It had the same premise and main characters as the book and film, but it was a situation comedy, downplaying the romantic fantasy elements and focusing on broad humor. The time and setting were changed, with the action taking place in a contemporary American coastal town (although the ghost was portrayed as being from the Victorian era). For the series, Mrs. Muir's first name was changed from Lucy to Carolyn, and the children's names were changed from Cyril and Anna (in the original novel) to Jonathan and Candace.

In April 1994, Variety continued its reporting on Sean Connery's being slated to play the Captain in a version of the story for 20th Century Fox. The project was reportedly still “in the pipeline” in 1997, but the remake never came about.

On June 3, 2005, a musical based on the film and the book, written and directed by James J. Mellon, had its world premiere at the NoHo Arts Center in Los Angeles. Variety gave it a mixed review.

Home media
The Ghost and Mrs. Muir was released on both VHS and Laserdisc by CBS/Fox Video in 1990. Fox Video released it on VHS in 1994 and DVD in 2003, in both cases as part of the 20th Century Fox Studio Classics collection. The DVD version includes new audio commentaries, the original theatrical trailer, and the A&E documentary Rex Harrison: The Man Who Would Be King as bonus content. The film was released on Blu-ray in 2013 by 20th Century Fox after being selected in Fox's Voice Your Choice promotion.

title: The Ghost and Mrs. Muir


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Tied Test

A tied Test is a Test cricket match in which the side batting second is bowled out in the fourth innings, with scores level. This is a very rare result; only two ties have occurred in the 2,494 Tests played since 1877. The first was in 1960 and the second in 1986. On both occasions, the aggregate scores of both sides (teams) were equal at the conclusion of play and the side batting last had completed its final innings: 10 batsmen had been dismissed or, from the perspective of the side bowling, 10 wickets had been taken. In other words, after four completed innings, with each innings ending either by a declaration or 10 wickets having fallen, the runs for both teams were exactly the same.

In cricket, a tie is distinct from a draw, a much more common result in Tests, which occurs when play concludes without victory by either team (except where a Test has been formally abandoned).

Both tied Tests involved Australia. Both ended in the last possible over of play on the last day with a ball to spare, meaning that within the space of several minutes all four normal Test match results were possible: a win for the batting side, a win for the fielding side, a draw or a tie. Bob Simpson is the only person to be involved in both tied tests – as a player for Australia in the first, and as the Australian team coach in the second.

First tied Test, 1960
The first tied Test was played between the West Indies and Australia. The match was played at The Gabba, in Brisbane, Queensland, Australia, between 9 and 14 December 1960.

West Indies 1st innings
After a disastrous start of 65/3, Garfield Sobers made a rapid 132 in 174 minutes. Alan Davidson took 5/135. West Indies were all out for 453 runs.

Australia 1st innings
Norm O'Neill made 181 in 401 minutes. Australia were all out for 505, a lead of 52.

West Indies 2nd innings
Alan Davidson took 6/87 and West Indies made 284, setting Australia a target of 233 runs to win.

Australia 2nd innings
Davidson and Australia captain Richie Benaud set an Australian 7th-wicket partnership record of 134 in matches against the West Indies.

Last over
Wes Hall was bowling, with the clock showing 5:56 p.m. Australia stood at 227/7, needing six runs to win from the 8-ball over (the standard for tests in Australia at the time) with three wickets in hand.

 * 1st ball: Wally Grout, facing, was hit on the thigh. Benaud called him through for a single to take strike. Five runs were needed to win from seven balls.
 * 2nd ball: Benaud attempted a hook shot but was caught behind by wicket-keeper Gerry Alexander. The score was 228/8.
 * 3rd ball: The new batsman, Ian Meckiff, cut to mid-off. No run. Still five runs to win from five balls.
 * 4th ball: The ball flew down leg-side without making contact with Meckiff's bat. Grout called him through for a bye. Alexander threw the ball to the bowler's end to try to run out Meckiff, but his throw missed and Meckiff made his ground. Four runs to win from four balls.
 * 5th ball: Grout fended a bouncer to square leg, where Rohan Kanhai was ready to take the catch. Hall also attempted to take the catch in his follow-through, resulting in a fielding mix-up which allowed Meckiff and Grout take a single and the catch was not taken. Three runs to win from three balls.
 * 6th ball: Meckiff swung desperately and sent the ball towards the mid-wicket boundary. The batsmen ran two runs as Conrad Hunte scooped the ball up just inside the fence. The batsmen attempted a third run for victory but Hunte's return was flat and true, straight into the gloves of Alexander, who whipped off the bails before Grout could get home. The teams were tied. Australia were on 232/9, requiring one run to win with one wicket in hand and two balls remaining.
 * 7th ball: The new batsman, Lindsay Kline, pushed the ball to square leg and set off for a single. Joe Solomon scooped up the ball and, with one stump to aim for from 12 metres out, threw the ball in and hit the stumps, running Meckiff out by a few inches.

Australia were all out for 232 and the match ended in the first tie in 84 years of Test cricket.

Second tied Test, 1986
The second tied test was the first Test of a three Test series, played between Australia and India, at the M. A. Chidambaram Stadium, Chepauk, Madras, in India between 18 and 22 September 1986. The conditions were said to be extremely hot and humid.

Australia 1st innings
Australia declared at 574/7 early on the third day. Dean Jones made 210, which was then the highest score by an Australian side in a Test in India, having faced 330 balls and hit 27 fours and 2 sixes. He had to be treated in hospital after the completion of the innings for heat exhaustion. Australian coach Bob Simpson described it as "the greatest innings ever played for Australia". David Boon scored 122, and Australian captain, Allan Border, 106.

India 1st innings
India lost 7 wickets for 270 runs by the end of the third day, and were all out for 397, avoiding the follow on by only 23 runs and trailing by 177. India captain Kapil Dev made 119 and Greg Matthews took 5/103 wearing a sweater to prove his toughness. Sunil Gavaskar became the first Test cricketer to make 100 consecutive Test appearances.

Australia 2nd innings
Australia declared at 170 for 5, their overnight score at the end of the fourth day, setting India a target of 348 to win.

India 2nd innings
Starting positively, India reached 204 for 2, when Gavaskar was third out for 90. India reached 291 for 5 when Chandrakant Pandit was out. A flurry of tail-end wickets fell to leave India on 344 for 9 by the last over.

Last over
Greg Matthews was bowling to Ravi Shastri, with India's last man Maninder Singh at the bowler's end. India needed four runs to win from the 6-ball over with only one wicket remaining.

 * 1st ball: To Shastri: no run. Four runs required off five balls.
 * 2nd ball: Shastri took two runs, retaining the strike. Two runs required off four balls.
 * 3rd ball: Shastri pushed the ball to square leg for a single. The scores were tied, with one run required for victory, but the Indian 11th man was now on strike.
 * 4th ball: To Singh: no run. One run required off two balls.
 * 5th ball: The ball hit Singh on his back leg and umpire Vikramraju called him out leg before wicket after a loud appeal.

India were all out for 347, Matthews having taken 5/146 (10/249 in the match) and Ray Bright 5/94, and the match was the second tie in Test cricket. Matthews' two 5W/Is and 10W/M would be the only test match in his career in which he achieved either feat. Dean Jones and Kapil Dev were joint Men of the Match.

Draws with scores tied
In addition to the two tied Tests, there have been two Tests which ended when time expired with the scores level in the fourth innings, but with the batting side still having wickets in hand. This results in a drawn match and not a tie.

1st Test, Bulawayo, 18-22 December 1996, England tour of Zimbabwe
In the first such Test, England when chasing 205 to win, finished on 204/6. With three runs required for victory off the final ball, Nick Knight ran two but was run out attempting the third.

3rd Test, Mumbai, 22-26 November 2011, West Indies tour of India
In the second drawn Test scores tied, India, chasing 243 to win, finished on 242/9. With two runs required off the final ball, Ravichandran Ashwin completed the first run and was run out attempting the second.

2nd Test, Melbourne, 1-7 January 1908, England [Marylebone Cricket Club] tour of Australia
This Test was very close to becoming the first ever tied Test. All four innings were marked by most of the batsman getting past double figures, but only Kenneth Hutchings went on to score a century. Australia posted 266 and 397 while England scored 382 and were left with a fourth innings chase of 282.

With Sydney Barnes and Arthur Fielder at the crease for the final wicket and the scores level, Barnes knocked the ball toward 19 year old Gerry Hazlitt at cover point. Barnes took off for a winning single only to realise Fielder had stayed at the non-strikers, with Fielder slow to leave his end, Hazlitt picked up the ball and perhaps in a panic at the chance being gifted to him Hazlitt threw the ball wildly past the wicketkeeper Sammy Carter, leaving the English batsmen to safely complete a 1 wicket victory instead of a dismissal for a tie.

Hazlitt had performed poorly with bat and ball in both games of the series and was dropped. He didn't play for Australia again until 1912, the last Tests Australia played until 1920. Hazlitt died aged 27 in 1915 from a heart condition.

2nd Test, Wellington, 24-28 February 2023, English tour of New Zealand
This Test match also could have ended in a tie.

With England on 9/256 and chasing 258 to win with their final pair of batsmen at the crease, New Zealand's Neil Wagner bowled a bouncer that flew high above James Anderson's head. The obvious call of a wide was missed by the umpires, and instead of the next delivery being made with the scores tied with the addition of 1 run for the wide, England were instead 1 run behind the tie score of 257. Wagner fired a ball down the leg side that Anderson glanced and was caught by keeper Tom Blundell.

England lost the match by 1 run and became the fourth side to lose a test match after enforcing the follow-on.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Tied Test


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J. Ralph

Josh Ralph (born 1975), known professionally as J. Ralph, is an American composer, producer, singer/songwriter and social activist who focuses on creating awareness and change through music and film.

A three-time Academy Award-nominated composer, Ralph's professional career began when he was signed to Atlantic Records at age 22 as a recording artist. He is the founder of a music production company The Rumor Mill,  and has written and produced the music for Grammy Award-winning artists, symphony orchestras, the United Nations, and former United States President Barack Obama. His music has sold more than 10 million records worldwide reaching the number one position on the Billboard charts in over 22 countries.

Music career
Honored by the Smithsonian National Museum of American History for innovative and unique contributions to American music, Ralph is completely self-taught and does not read or write a single note of music. He is the founder of production company The Rumor Mill. His songs have been featured in commercial advertisements for Porsche, Nike, Volkswagen, Volvo, and Chrysler.

Ralph has recorded two CDs, The Illusionary Movements of Geraldine and Nazu (2005) and Music to Mauzner By (1999), the latter under the moniker "Spy". He has also written for live performance, with 2008's "Fanfare for the Uncommon Ellie and Mr. Greene" performed by the ProMusica Chamber Orchestra of Columbus.

Described by The Hollywood Reporter as the "go-to producer of documentary film scores", and by Indiewire as “Perhaps the best documentary composer working today”, Mr. Ralph has helped create some of the most influential documentaries of all time, revealing critically important social issues and culturally defining artists that “along with his partnering filmmakers and musicians, have spurned governments to act and introduced or amplified for millions of people, concerns that have might otherwise fallen under the radar” said the Smithsonian’s Dr. John Troutman, curator of Culture and Arts for the Smithsonian National Museum Of American History. Over the last decade, Ralph has written and produced the music for eight Oscar-winning/nominated documentary feature films including Man on Wire (2009), The Cove (2010), Hell and Back Again (2012), Chasing Ice (2013), Finding Vivian Maier (2015), Virunga (2015), Racing Extinction (2016) and "Jim: The James Foley Story (2017)". “Like no other American composer before him, J. Ralph has created in very short order, a stunningly unique body of philanthropically minded musical works” continued Dr. Troutman of the Smithsonian.

For his contribution to Chasing Ice, Ralph received an Oscar nomination for his song "Before My Time", performed by Scarlett Johansson and Joshua Bell. He received his second Oscar nomination for his song "Manta Ray" co-written and performed by Anohni. For his contribution to Jim: The James Foley Story, Ralph received his third Oscar nomination for "The Empty Chair", which he co-wrote and performed with Sting. Ralph is the first composer in the history of the Oscars to have received multiple nominations for Best Original song that originated from documentaries. Additionally, Ralph is the first composer in Academy Award's history to write and produce the original music for multiple Oscar-nominated documentary films in the same year and the first composer to have back to back nominations for best song in a documentary.

On February 22, 2014, Ralph and the Boulder Philharmonic Orchestra in Colorado performed several of his works. including "Before My Time", which Ralph sang.

On August 1, 2015, Ralph created the music for the Projecting Change art installation event on the Empire State Building in New York City to raise awareness for species extinction. The songs included "One Candle", written and performed by Ralph and Sia, and "Manta Ray" performed by Ralph and Anohni.

For Virunga, Ralph wrote and produced the song "We Will Not Go", performed by Youssou Ndour, Salif Keita, and Fally Ipupa. Ralph recorded this song in Bambara, Lingala, Wolof, French and English.

Ralph was commissioned by Discovery Channel to write an original symphonic piece for Shark Week 2015 called "Theodora". The object was to raise awareness and money for species extinction, oceanic preservation, and sharks. Featuring violinist Joshua Bell, the London Symphony Orchestra and London Voices, the piece was recorded at Abbey Road studios in London.

On January 5, 2016 it was announced that Ralph and Sting had written "The Empty Chair".

Collaborations
Ralph has written and produced songs in collaboration with a wide variety of artists, including Sting, Sia, Wynton Marsalis, Method Man, Wu-Tang Clan, Liza Minnelli, Willie Nelson, Anohni (of Antony and the Johnsons), Joshua Bell, Karen O (of the Yeah Yeah Yeah's), Ezra Koneig (of Vampire Weekend), The London Symphony Orchestra, The London Voices, The PS22 Chorus, Youssou Ndour, Salif Keita, Fally Ipupa, Sean Lennon, Philippe Petit, Dr. John, Devendra Banhart, Stephen Stills, Carly Simon, Vincent Gallo, David Garza, Ben Harper, Scarlett Johansson, Bob Weir (of the Grateful Dead), Aston "Family Man" Barrett (of Bob Marley & The Wailers), Matisyahu, KRS-One, Paul Brady, Bonnie Bramlett, Vashti Bunyan, Martin Carthy, Judy Collins, Lila Downs, Nic Jones, Norah Jones, Leah Siegel and Ben Taylor.

Filmography as composer

 * 2006 - Lucky Number Slevin
 * 2007 - Black White + Gray: A Portrait of Sam Wagstaff and Robert Mapplethorpe
 * 2008 - Man on Wire (Academy Award winner: Best Documentary)
 * 2009 - The Cove (Academy Award winner: Best Documentary)
 * 2010 - Jean-Michel Basquiat: The Radiant Child
 * 2011 - Hell and Back Again (Academy Award nominated:Best Documentary)
 * 2011 - Wretches & Jabberers
 * 2011 - Deepest Dive: the Story of the Trieste
 * 2012 - Maladies (Berlin Film Festival)
 * 2012 - Chasing Ice (Academy Award nominated: Best Original Song. "Before My Time")
 * 2012 - Turned Towards The Sun (London Film Festival)
 * 2013 - Finding Vivian Maier (Academy Award nominated: Best Documentary)
 * 2014 - Garnet's Gold
 * 2014 - Virunga (Academy Award Nominated: Best Documentary)
 * 2014 - Meru (Sundance Film Festival World Premiere: Winner of Sundance Audience Award)
 * 2015 - Racing Extinction (Sundance Film Festival World Premiere) (Academy Award nominated: Best Original Song, "Manta Ray")
 * 2015 - Jim: The James Foley Story  (Academy Award Nominated: Best Original Song. "The Empty Chair")
 * 2018 - Weightless
 * 2019 - Wu-Tang Clan: Of Mics and Men (Emmy nomination For Best Writing)
 * 2019 - Fine Lines
 * 2022 - The Voice Of Dust And Ash (Academy Award Short List: Best Original Song "Dust & Ash")

title: J. Ralph


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Dodge City Regional Airport

Dodge City Regional Airport is three miles east of Dodge City, in Ford County, Kansas. It is used for general aviation and is subsidized by the Essential Air Service program.

The National Plan of Integrated Airport Systems for 2011–2015 categorized it as a non-primary commercial service facility. The Federal Aviation Administration says this airport had 4,701 passenger boardings (enplanements) in calendar year 2008, 3,373 in 2009 and 3,853 in 2010.

Facilities
The airport covers 451 acres (183 ha) at an elevation of 2,594 feet (791 m). It has two asphalt runways: 14/32 is 6,899 by 100 feet (2,103 x 30 m) and 2/20 is 4,649 by 100 feet (1,417 x 30 m).

In the year ending January 31, 2008 the airport had 23,501 aircraft operations, average 64 per day: 77% general aviation, 16% airline, 6% air taxi, and 1% military. 33 aircraft were then based at this airport: 82% single-engine and 18% multi-engine.

Other sources

 * Essential Air Service documents (Docket DOT-OST-1998-3502) from the U.S. Department of Transportation:
 * Order 2009-9-5 (September 11, 2009): re-selecting Great Lakes Aviation, Ltd., to provide essential air service (EAS) at Dodge City, Garden City, Great Bend, Hays, and Liberal for the two-year period from October 1, 2009, through September 30, 2011, at combined annual subsidy rates of $8,897,565. Dodge City, Kansas: Docket OST-1998-3497; Effective Period: Start of Denver-Only service through September 30, 2011; Scheduled Service: 12 nonstop and 12 one-stop round trips per week to Denver; Aircraft: Beech 1900, 19-seats.
 * Order 2011-10-24 (October 31, 2011): re-selecting Great Lakes Aviation, Ltd., to provide essential air service (EAS) at Dodge City for $1,688,598 annual subsidy. Effective Period: Two-year period beginning when American Eagle begins full EAS (at Garden City) through the 24th month thereafter. Dodge City: 17 nonstop round trips per week to Denver. Aircraft: Beech 1900.
 * Order 2014-3-9 (March 14, 2014): re-selects Great Lakes Airlines at Dodge City and Liberal, Kansas. Dodge City, Kansas: Docket 1998–3502; Effective Period: May 1, 2014, through July 31, 2016; Service: Eighteen (18) nonstop round trips per week to Denver (DEN); Aircraft Type: Beech 1900; Annual Subsidy: $2,339,131.

title: Dodge City Regional Airport


text:
Wikipedia:Articles for deletion/Pull a jim/Archive

 This page is an archive of the proposed deletion of the article below. Further comments should be made on the appropriate discussion page (such as the article's talk page or on a Votes for Undeletion nomination). No further edits should be made to this page.

The result of the debate was delete. Dmcdevit·t 23:20, July 30, 2005 (UTC)

Pull a jim
Vanity/Personal joke, not an encyclopedic article see What Wikipedia is not Gblaz 03:13, July 24, 2005 (UTC)
 * Delete joke. Ken 03:15, July 24, 2005 (UTC)
 * Delete silly hoax. Joyous  (talk) 03:21, July 24, 2005 (UTC)
 * comment Seems to have some google hits. --Eliezer | £€åV€ m€ å m€§§åg€  04:06, 24 July 2005 (UTC)
 * yes, there are some hits, but they encompass a great variety of last names attached to the "jim." They aren't all referring to the same thing. Joyous  (talk) 04:17, July 24, 2005 (UTC)

 * Delete as per above. Hamster Sandwich 05:50, 24 July 2005 (UTC)
 * Delete as above. --ThomasK 06:17, July 24, 2005 (UTC)
 * Delete pointless, nn, joke, whatever. -- Etacar11   23:36, 24 July 2005 (UTC)
 * Speedy Delete These jokes should not even be on VfD. MicahMN | Talk 23:50, July 24, 2005 (UTC)
 * Funny This is very funny, and a good saying. Don't delete! (Unsigned vote by )
 * Don't Delete Hilarious! I use this saying all the time! (Unsigned vote by )
 * Catchy Don't Delete. I love this saying (Unsigned vote by )
 * Funny Jim Mackin may not like it, but i do. (Unsigned vote by )   Cancelation of extra votes from same user. EdwinHJ | Talk 03:10, 26 July 2005 (UTC)
 * Delete EdwinHJ | Talk 03:06, 26 July 2005 (UTC)
 * Delete about as funny as finding a turd in a punchbowl. JamesBurns 06:23, 26 July 2005 (UTC)

 * Speedy - nonsense attack page, vandalism --Doc (?) 00:34, 28 July 2005 (UTC)
 * Delete -- Longhair | Talk 14:04, 28 July 2005 (UTC)
 * Delete -- nn joke, possible hoax. Jtkiefer  T - 18:42, July 28, 2005 (UTC)
 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in an undeletion request). No further edits should be made to this page.


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Talk:Merritt Butrick

Sexuality
I can't find any sources for his sexuality. He died of AIDS in 1989, which is persuasive but certainly doesn't determine anything. I'm trying to further categorize this article (gay/bisexual actor). Cleduc 03:14, 24 July 2005 (UTC)

I think until a source can be found verify or dispute that he's bisexual, that reference should be removed. The phrase "with some sources stating that he was bisexual" seems to be "weasel word" language. --Ap539 02:04, 9 August 2006 (UTC)

The IMDC message board has a few entries from people who claim to have known Butrick. They seem credible to me, but they aren't WP:V, so I'm not posting the info. See. He went to the same high school as me, although ten years later. I'm going to see if there are any paper sources there, someday, and I may be able to find out if he was in drama while there.--Hjal 17:39, 11 June 2007 (UTC)

==

When speaking honestly about AIDs it confuses the issue to make a distinction between gay (Homosexual) and bi-sexual. For many years CDC published an HIV Surveillance Report every quarter. Now, it's once a year. Those reports don't use the words "homosexual", "gay" or bi-sexual. They refer to Male-to-male sexual contact and heterosexual contact, and the male heterosexual contact statistic has a footnote that says, "Heterosexual contact with a person known to have, or to be at high risk for, HIV infection". If men are in the male-to-male category they are removed from the "heterosexual contact" statistic. Statistically, men cannot be in two categories. So, to say he died of AIDS and say he was bi-sexual is highly misleading. He, like 90% of all men, contracted aids almost certainly because he had sex with other men. (yes, I know there is an IV drug use category too) That he also had sex with women is completely irrelevant to why he died. "Gay" is colloquial for men who have sex with men. "bi-sexual is just another colloquialism that leads back to how he became infected, he had sex with men. To be bi-sexual he, by definition, was gay. Adding that he was bi-sexual then becomes redundant and, in terms of how and why he died and becomes mere gossip. For the record, I believe everyone has the right to have sex with whoever they find arousing regardless of gender. This is not an anti-gay rant and I don't shame anyone over sex. It is merely talking seriously about the issue so everyone clearly understands the risks associated with their choices. After AIDS hit just to have sex at all you had to find the amount of risk you found acceptable and the risk was your life not just a shot in the hip if you got the clap. Following the quarterly reports helped keep reasonable people from exaggerating the risk as well. I don't think the line belongs there at all and especially when the only source is a book by Kirstie Alley who shouldn't be considered a reliable source. Tragically, he came of age in a time when it was most dangerous to be young, gay and beautiful. Most people my age (68), straight or gay, including me, know someone who died because they got infected in those early years. That is why I took the time to write this about that line. Yes, it's too long I suppose. Every time I read it over to shorten it, I add some instead. So I'll stop now. Jackhammer111 (talk) 01:35, 11 December 2018 (UTC)

Many online claim first or secondhand information that he was gay. Some say he was very “out” for that time, but obviously these references would not be enough for Wikipedia. — Preceding unsigned comment added by 69.181.192.29 (talk) 06:12, 25 June 2023 (UTC)

The cause of death
The way the cause of death is phrased right now reads like "He was homosexual -> therefore he had HIV -> therefore he died of a 'related' decease". Toxoplasmosis, as I understand it from the dedicated article, does not 'relate' to HIV and is a parasitic infection. I propose to move the info about his sexuality to some other place (the section "Early life and career" maybe, but it's not very suitable for it either) and rephrase the cause of death as Butrick died of AIDS-complicated toxoplasmosis on March 17, 1989, at the age of 29. or Butrick died of toxoplasmosis, complicated by him being HIV-positive, on March 17, 1989, at the age of 29. If no one has any objections, I'll edit the article. DxhaFFer (talk) 06:28, 27 July 2014 (UTC)

"apparent gay student"
The article quotes a writer who described Butrick's Johnny Slash character as an "apparent (but never declared) gay student." I seem to recall that Johnny had a crush on Lauren (Amy Linker). This is NOT a criticism of the 'apparently gay' assessment. In fact, I think it's a compliment to Butrick, the show's creators, or some combination thereof, that they actually put some depth into what on the surface might be mistaken to be simply a goofy early 80s teen sitcom. (Although it's not... always loved it.)PurpleChez (talk) 15:08, 1 June 2020 (UTC)

title: Talk:Merritt Butrick


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Mega Man: Dr. Wily's Revenge

Mega Man: Dr. Wily's Revenge, also known as Mega Man in Dr. Wily's Revenge or in Japan as Rockman World is an action-platform video game by Capcom for the Nintendo Game Boy. It is the first game in the handheld series of the Mega Man franchise. It was released in Japan on July 26, 1991, and was localized in North America that December and in Europe the following year. The game continues the adventures of the android hero Mega Man as he once again confronts the evil Dr. Wily, who has dispatched his revived "Robot Masters" and a new "Mega Man Killer" named Enker.

Dr. Wily's Revenge is an action and platform game in the same vein as the Nintendo Entertainment System (NES) Mega Man games. The player is tasked with completing a series of four stages in any order desired. Beating a stage's boss will earn the player a special weapon that can be selected at will and used throughout the rest of the game. Dr. Wily's Revenge specifically takes components of the original Mega Man and Mega Man 2, including their enemies, stage aesthetics, and Robot Masters.

According to series artist Keiji Inafune, Dr. Wily's Revenge was the first Mega Man game to be outsourced to a developer separate from Capcom. Critical reception for the game has been favorable, and most sources have denoted it as a competent, if excessively difficult, portable version of the popular NES series. Dr. Wily's Revenge was a best-seller and spawned four sequels of its own on the Game Boy, many of which follow its trend of reusing elements from their home console counterparts. In 2011, Dr. Wily's Revenge was made available as a Virtual Console launch title on Japan's Nintendo eShop for the Nintendo 3DS. It also appeared on PAL region and North American eShops later that year.

Plot
Set in the 21st century ("200X"), Mega Man: Dr. Wily's Revenge follows the storyline of the original Mega Man series. The titular protagonist Mega Man, a super robot created by the benevolent Dr. Light, has restored peace to the world by halting the plans of the evil Dr. Wily and his powerful "Robot Masters". In Dr. Wily's Revenge, the mad scientist returns to send eight of his old Robot Masters to contend with the hero once again. After vanquishing four of the Robot Masters, Mega Man heads to Wily's fortress and deals with the remaining half of them. The protagonist then battles a new robot designed solely for destroying him, the "Mega Man Killer" Enker. As Mega Man defeats Enker and obtains his Mirror Buster ability, Wily retreats to a space station. Mega Man gives chase and, using the Mirror Buster, destroys Wily's newly built, final weapon. After putting a stop to his nemesis once again, Mega Man travels back home via space shuttle.

Gameplay
Mega Man: Dr. Wily's Revenge is an action-platformer that shares many similarities with its NES counterparts. The player, as Mega Man, is able to choose among four stages to complete in whatever order desired. Each stage contains various enemies to blast through and obstacles to overcome, such as leaping between disappearing blocks over deadly spikes and bottomless pits. Mega Man's primary weapon is an arm cannon that has unlimited ammunition. Destroyed enemies typically leave items that replenish Mega Man's health or extra lives. At the end of every stage is a boss battle with a robot master, and defeating it earns the player its special weapon. Each boss is weak to another's weapon, allowing the player to strategize the order in which they are beaten.

Dr. Wily's Revenge reuses and mixes stage components, enemies, and robot masters from the first two NES games in the Mega Man series. The initial four stages and bosses (Cut Man, Ice Man, Fire Man, and Elec Man) come from the original Mega Man. A password system allows the player to return to the game after any or all of these first four stages are cleared or when the player suffers a game over. Once the player completes these stages and travels through Wily's fortress, four more robot masters must be fought in order to progress. These bosses (Quick Man, Bubble Man, Flash Man, and Heat Man) are taken from Mega Man 2 for NES. Although they do not have their own stages, the player earns the special weapons of these bosses. Once all four are defeated, the player faces a new robot master created for the game, Enker.

Development
According to series artist and producer Keiji Inafune, Mega Man: Dr. Wily's Revenge was the first Mega Man game to be outsourced by Capcom for its development. He felt the game turned out well because the project's leader was a "huge Mega Man fan" who appeared to understand the games better than some of Capcom's own people. Because he thought much of his artwork from the original Mega Man was not aging well, Inafune redrew many of his old illustrations to be used for the game's enemy character sprites. Beginning with Mega Man 2 for the NES, Capcom began accepting boss ideas from fans. It was not until Dr. Wily's Revenge that Inafune was able to design a boss character from scratch. To keep with the musical motif of naming characters, the new character Enker was named after the Japanese genre enka.

The decision to release a Game Boy incarnation of the Mega Man series came after the release of Mega Man 3 on the NES. Early reports of Dr. Wily's Revenge were made in February 1991 in both the magazine GamePro and Steven A. Schwartz's book The Official Guide to Mega Man. The North American version of this game and the first DOS Mega Man game share a similar cover art. Instead of being an all new illustration, the Dr. Wily's Revenge North American artwork is a simple touch-up of Mega Man 3 ' s regional cover, with the surrounding landscape and robot masters cropped out of the picture.

Reception and legacy
General critical reception for Mega Man: Dr. Wily's Revenge has been above average, a popular opinion being that the game retains the respectable run-and-gun gameplay of the earliest NES entries in the series. "What makes this game especially attractive to adults," proclaimed Entertainment Weekly's Bob Strauss, "is that you can begin your quest on any one of four stages, thus avoiding that linear, start-over-again-from-scratch quality that only 12-year-olds find hypnotic." The use of old stages and bosses has not been universally positive. GamePro was disappointed by the game's lack of originality but preferred its use of recycled content to poorly made new content. In a 2007, retrospective of the Mega Man franchise, 1UP.com writer Jeremy Parish found the use of rehashed details acceptable for its original release, but believed that Dr. Wily's Revenge "hasn't really held up".

Reviewers have also commented on the game's high difficulty level. Craig Skistimas of ScrewAttack stated that certain parts of the game simply require one to have played before in order to succeed. Allgame contributor Colin Williamson noted the game as extremely hard due to its "pixel-perfect jumps", the "sheer number of attackers and flying bullets", and a lack of checkpoints within each stage. IGN editor Lucas M. Thomas pointed out that the large size of the player character within the small Game Boy screen makes dodging enemy attacks overly challenging and sometimes impossible. He furthermore observed the difficulty to be compounded by a lack of helpful Energy Tanks introduced in the NES Mega Man sequels.

The readers of GamePro voted Dr. Wily's Revenge the best handheld game of 1991. Nintendo Power readers voted it the fifth-best Game Boy game of that year. In North America, Dr. Wily's Revenge was released under Nintendo's Player's Choice best-seller label in 1996. The game was followed by four sequels on the Game Boy, of which the first three similarly recycle content from the NES games. In Japan, the game was made available on the Nintendo Power cartridge service on March 13, 2001. Capcom had planned to release a full-color compilation of all five Game Boy games on the Game Boy Advance in 2004, but the project was cancelled. In 2011, Dr. Wily's Revenge was released as a Virtual Console launch title on Japan's Nintendo eShop for the Nintendo 3DS. The game made its way to PAL region and North American eShops later that year.

The character Enker, who debuted in Dr. Wily's Revenge, appeared as a boss in the Game Boy game Mega Man V and as a playable character in the Super Nintendo Entertainment System game Mega Man Soccer. A downloadable stage in Mega Man 10 features Enker as its boss and his Mirror Buster weapon as the reward for beating him.

title: Mega Man: Dr. Wily's Revenge


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Belpaire firebox

The Belpaire firebox is a type of firebox used on steam locomotives. It was invented by Alfred Belpaire of Belgium in 1864. Today it generally refers to the shape of the outer shell of the firebox which is approximately flat at the top and square in cross-section, indicated by the longitudinal ridges on the top sides. However, it is the similar square cross-section inner firebox which provides the main advantages of this design i.e. it has a greater surface area at the top of the firebox where the heat is greatest, improving heat transfer and steam production, compared with a round-top shape.

The flat firebox top would make supporting it against pressure more difficult (e.g. by means of girders, or stays) compared to a round-top. However, the use of a similarly shaped square outer boiler shell allows simpler perpendicular stays to be used between the shells. The Belpaire outer firebox is, nevertheless, more complicated and expensive to manufacture than a round-top version.

Due to the increased expense involved in manufacturing this boiler shell, just two major US railroads adopted the Belpaire firebox, the Pennsylvania and the Great Northern. In Britain most locomotives employed the design after the 1920s, except notably those of the LNER.

Description
In steam boilers, the firebox is encased in a water jacket on five sides, (front, back, left, right and top) to ensure maximum heat transfer to the water. Stays are used to support the surfaces against the high pressure between the outside wall and the interior firebox wall, and partially to conduct heat into the boiler interior.

In many boiler designs, the top of the boiler is cylindrical above the firebox, matching the contour of the rest of the boiler and naturally resisting boiler pressure more easily. In the Belpaire design, the outer upper boiler wall sheets are roughly parallel with the flat upper firebox sheets giving it a squarer shape. The advantage was a greater surface area for evaporation, and less susceptibility to priming (foaming), involving water getting into the cylinders, compared with the narrowing upper space of a classic cylindrical boiler. This allowed G.J. Churchward, the chief mechanical engineer of the Great Western Railway, to dispense with a steam dome to collect steam. Churchward also improved the Belpaire design, maximising the flow of water in a given size of boiler by tapering the firebox and boiler barrel outwards to the area of highest steam production at the front of the firebox.

The shape of the Belpaire firebox also allows easier placement of the boiler stays, because they are at right angles to the sheets.

Despite these claimed advantages, other locomotive boilers such as the LNER Engine Pacifics had flat-topped inner fireboxes with round-topped outer shells and with as good a thermal performance as the Belpaire type, without suffering major problems with staying between shells.

In the USA, the Belpaire firebox was introduced in about 1882 or 83 by R. P. C. Sanderson, who at the time was working for the Shenandoah Valley Railroad (essentially a subsidiary of the Pennsylvania Railroad, since they shared the same financial backing from E. W. Clark & Co.). Sanderson was an Englishman (later naturalized as an American citizen) who had attained his engineering degree from Cassel in Germany in 1875.

Having obtained knowledge of a special form of locomotive boiler (the Belpaire), Sanderson wrote to an old acquaintance from his college days who was working at the Henschel locomotive factory at Cassel. He sent Sanderson a tracing of Henschel's latest Belpaire boiler. When shown the design, Charles Blackwell, Superintendent of Motive Power for the Shenandoah Valley Railroad, was very pleased with the design and placed an order with the Baldwin and Grant Locomotive Works for two passenger engines, afterwards numbered 94 and 95, and five freight engines, afterwards numbered, 56, 57, 58, 59, and 60. That marked the beginning of the use of the Belpaire-type locomotive boiler in the United States. The Pennsylvania Railroad used Belpaire fireboxes on nearly all of its steam locomotives. The distinctive square shape of the boiler cladding at the firebox end of locomotives practically became a "Pennsy" trademark, as otherwise only the Great Northern used Belpaire fireboxes in significant numbers in the USA.

title: Belpaire firebox


text:
KQKS

KQKS (107.5 FM,  KS107.5) is a Rhythmic Top 40 radio station, licensed to Lakewood, Colorado. It is owned by Audacy, Inc. and serves the Denver-Boulder metropolitan area. KQKS features a musical mix of R&B, hip hop and rhythmic pop hits.

Its studios and offices are located in the Denver Tech Center district, and the transmitter is on Green Mountain in Lakewood. KQKS broadcasts in the HD Radio format.

KLMO-FM
What is now KQKS originally signed on at 104.3 FM in September 1964 as KLMO-FM, the FM counterpart of KLMO (now KRCN).

In December 1986, Western Cities Broadcasting purchased KLMO-FM. The company would move the transmitter site closer to Denver, increase power from 28,000 watts to 58,000 watts, and raise antenna height from 88 feet to 980 feet. The call sign would be switched to KQKS, and the format flipped to Adult Contemporary. At the time, the station was known as "104.3 Kiss FM."

Top 40 KS104
In mid-1987, the branding was shortened to "KS104". On August 1, 1987, amidst heavy competition against three other FM adult contemporary stations in Denver, and with only one Top 40 station in the market, KQKS segued to a Mainstream Top 40 format, again as "KS104." By 1989, KQKS evolved into a Dance-leaning Rhythmic Top 40 outlet. By 1993, the station shifted back to mainstream contemporary hits when it was left as the market's sole surviving Top 40 radio station. The air staff at the time included Mark Speers and Laurie Michaels in mornings, PJ Cruise in middays, Michael Hayes in afternoons, Sweet G in evenings, Ed Atkins in late evenings, JJ Cruze on overnights, and Brandon Scott on swing.

By 1995, KS104 was competing heavily against KWMX and KALC, particularly for the young female audience. As a direct result, KQKS returned to a rhythmic contemporary direction that year. But by 1996, KQKS was struck by a major blow when the entire on-air staff defected across the street to newly minted Rhythmic Contemporary rival KJMN, and began attacking "KS104" on-air and on the streets. The station ran automated without live air staff for the remainder of its time at 104.3.

Move to 107.5 FM
In November 1996, Western Cities sold "KS104" to Jefferson-Pilot Communications (now known as Lincoln National Corporation) for $15 million. Jefferson-Pilot continued to run the station jockless for two more months. On January 8, 1997, Jefferson-Pilot moved KQKS to 107.5 FM and relaunched it as "KS1075", replacing KHHT's low-rated mainstream Top 40 format. KQKS's former home at 104.3 FM switched to Classic Country on January 18. (104.3 is now sports radio KKFN.)

The move boosted KQKS's ratings, resulting in KJMN throwing in the towel on March 30, 1997. Since then, KQKS has faced several competitors. In 2009, Clear Channel Communications flipped KPTT (which had once competed against KQKS as Top 40/CHR KFMD from 2000 to 2005) to Rhythmic Top 40, resulting in KQKS adding more rap to its playlist. While Rap and Hip-hop accounts for over 50% of KS1075's playlist, the station, like most of the other Rhythmic outlets in the United States, has added some Rhythmic Pop/Dance tracks due to changing tastes among its listeners.

Ownership changes
In late 2005, Lincoln Financial Group acquired Jefferson-Pilot, which in turn resulted in Lincoln Financial becoming KQKS' parent company. The firm decided to keep Jefferson-Pilot's broadcasting properties in its portfolio despite offers by other broadcasting groups to buy the stations. On April 3, 2006, KQKS and the other stations began replacing the ownership on-air liners "A Jefferson-Pilot Station" with "A Lincoln Financial Station." In June 2007, Lincoln Financial announced that would put its television and radio stations up for sale. KQKS and its sister stations in Denver were among the properties being shopped around by Lincoln Financial, until the company suspended those plans in 2008.

On December 8, 2014, Entercom announced it would purchase Lincoln Financial Group's entire 15-station lineup in a $106.5 million deal, and would operate the outlets under a local marketing agreement (LMA). On December 22, 2014, Entercom announced that it would retain KQKS and its current format. The FCC approved the deal on June 26, 2015.

Country KLAK-FM
On July 9, 1966, KLAK-FM signed on, originally broadcasting at 107.7 FM. It was owned by Lakewood Broadcasting Service and it simulcast the Country format of its sister station on 1600 AM. In 1970, it relocated to 107.5 FM and became KJAE, switching its format to Top 40. However, this first attempt at contemporary hits would be short lived; the station returned to Country in 1973, and restored the KLAK-FM call sign. In 1978, it changed call letters to KPPL ("K-People"), airing a Beautiful Music/MOR format, followed by a brief stint with a Modern Rock format in 1983, only to shift to adult contemporary.

Top 40 KPPL/CHR Y108
In February 1983, KPPL and AM sister station KLAK were acquired by Malrite Communications, and would become a sister station to Top 40/CHR powerhouse WHTZ (Z100) in New York, which went on the air the same year. In July 1984, 107.5 switched to Top 40/CHR, took the call sign KRXY-FM, and adopted the moniker "Y108 FM". It was the top-rated CHR station in Denver during the mid and late 1980s, competing against KOAQ (Q103) until that station transitioned to an adult contemporary format in 1986, and against KPKE until that station flipped in 1987. KRXY also simulcast at night on 1600 AM as "KRXY-AM" during this time. Program directors were Robin Mitchell, Scott Fischer (interim), John Driscoll, Mark Bolke, and Dom Testa, who took over programming duties in 1991. The music directors were Geina Horton, Todd Cavanah, and Dom Testa. The Y108 morning show was hosted by, in sequence, Chuck Buell and the Denver Morning Zoo (also featuring Geina Horton, Jon Dwayne and Con Schafer), and later in 1986 by Dave Otto (featuring Lee Ann Nye as Iva B. Presley). Afternoon personalities included Beau Matthews, Scott "Scruff" Thrower, and Dom Testa. Evenings featured Bwana Johnny and Michael "Moondoggie" Moon. Don MacLeod was heard on late nights and weekends.

In October 1987, Malrite Communications sold KRXY to Capital Cities/ABC Radio for a reported $10.7 million.

In October 1988 (variously reported as 1987), an 18 year-old armed with a rifle, six cassette tapes of The Smiths and one Morrissey album, drove to the station with the intent of forcing them to play music by the English alternative rock bands. The station's production manager, Greg Fadick, encountered the troubled young man in the parking lot, and later recalled having the barrel of a Remington pointed in his face for a minute or two. The would-be assailant then suddenly turned the rifle around and handed it to him butt-first, and asked him to call the police. "Tell them I need help," he said. "I was gonna hijack it, but I lost my nerve," he told one of the officers. "I was going to make 'em play some tapes, but I couldn't go through with it." Telling police, he picked Y108 "because they're number one." The 2021 film Shoplifters of the World is loosely based on this incident, although in the movie a radio station is actually held at gunpoint and forced to play songs by The Smiths.

KWMX/KHHT
KRXY was overtaken in the ratings by KQKS (then at 104.3 FM) in 1991; by this time, KRXY began to lean toward Adult Top 40, and eventually dropped the "Y108" moniker, becoming "Mix 107.5" with a Hot AC format in June 1991. After Jefferson-Pilot bought the station from ABC in January 1993, its call letters were changed to KWMX-FM on January 20 (concurrently, KRXY (AM) became KWMX; in 1994, the AM station would drop the simulcast with the FM and flip to classic country as KYGO). During the mid-1990s, KWMX would compete against KOSI and KALC. In response, KWMX adjusted its playlist to a Modern Pop/Rock direction that KALC was also embracing at the time by late 1995. In early 1996, the station rebranded slightly to "107.5 The Mix"; however, the move proved unsuccessful for KWMX. In July 1996, KWMX's morning show was let go.

At midnight on August 2, the station began stunting with audio from movies as "America's Radio Movie Channel." At 5 p.m. that day, KWMX officially flipped back to Top 40, and changed its moniker to "K-Hits 107.5." On August 30, 1996, the call letters switched to KHHT to match the "K-Hits 107.5" moniker. However, the new format failed to catch on. On January 8, 1997, after Jefferson-Pilot bought KQKS, the "K-Hits" format was discontinued with KQKS moving its call letters and rhythmic format to 107.5. The call letter change to KQKS officially took place February 21, 1997.

Airstaff
Larry Ulibarri, Kendall B, and Kathie J held down the morning time slot, the longest in the station's history, from 2001 until March 2017 when a contract dispute resulted in their departure from KQKS. Kendall B had already left the station in January 2017 to pursue other opportunities.

Music history
KQKS played a pivotal role in breaking the record "That's What Love Can Do" by the American female group Boy Krazy. The song, produced by Stock Aitken Waterman, was a commercial failure upon its original release in Europe in 1991, but by late 1992, it began receiving airplay on KQKS after one of the staffers heard a remix done by Hot Tracks, breathing new life into it. The record climbed up the charts, becoming a Top 20 hit on the Billboard Hot 100, Top 40 Mainstream and Rhythmic Contemporary charts in 1993. Boy Krazy mentions KQKS in their thank you credits on the single which can be found on their first (and only) 1993 self-titled album.

HD Radio
KQKS's HD2 subchannel airs a country music format, feeding translator station 103.1 K276FK in Denver, known as "Front Range Country 103.1".

On March 12, 2021, KQKS launched a sports format on its HD3 subchannel, branded as "Mile High Sports" (the format was previously heard on KDCO). KQKS-HD3 is simulcast on FM translator K251CV (98.1 FM).

On March 3, 2023, KQKS-HD2/K276FK dropped the comedy format (the station becoming notable at that time for being one of the only remaining radio stations in the United States to carry such a format; the format moved to KQMT-HD2) and flipped to a 1990s-focused classic country format, branded as "Front Range Country 103.1".

title: KQKS


text:
File:PryorAnthology.jpg

Summary
Front cover of The Anthology (1968-1992) by Richard Pryor. Cover photo by Henry Diltz. Art Direction by Maria Villar. Design by Maria DeGrassi-Colosimo. (c)2002 Warner Bros. Records and Rhino Entertainment Company.

title: File:PryorAnthology.jpg


text:
Nurzai

Noorzai also spelled as Noorzai (نورزی) is the name of a Pashtun tribe, part of the Panjpai section of Durrani Tareen Pashtuns. Their name means "son of light" whereas Nur is an Arabic word that means "light", and "zai" means "son of" in the Pashto language. Tribally speaking, they are disputed by many Zirak Pashtuns to neither be Durrani nor Ghilji. Historically the Noorzai tribe can be found in Kandahar province, as well as Helmand province, Herat and Farah. Furthermore, the tribe is even spread out as far as Pakistan. They are specifically centered in Panjwai district, Maywand district, Nawzad, Garmsir and Washir district. These places were infamous for being one of the main battlegrounds during the war in Afghanistan.

Notable individuals

 * Hibatullah Akhundzada, Supreme Commander of the Taliban and Islamic Emirate of Afghanistan
 * Bashir Noorzai, Former Afghan drug lord known for being the "Pablo Escobar of the Middle East". He was one of the earliest members of the Afghan militant group Taliban.
 * Maulavi Ubaidurrahman Nurzai, Was a Taliban commander who fought against a NATO-led coalition in Helmand province. He took part in the battle of Garmsir.
 * Mohammad Arif Noorzai, Former minister of border and tribe affairs for Afghanistan.
 * Wali Muhammad Noorzai, prominent MPA and Noorzai tribal leader in Balochistan. He represents Quetta District and advocates for his constituents' rights and development. As a respected tribal leader, he resolves disputes and promotes peace, bridging the gap between government and tribal communities.
 * Emir Yunus an-Noorzai, an official of the Mamluk Sultanate was responsible for the construction and founding of the city of Khan Yunis. The city which is located in the southern Gaza Strip is named after him.
 * Haji Niamatullah Shardally, Was member of the Provincial Council since the start of the office in Hamid Karzai’s government later became advisor and Co-worker with Ahmad Wali Khan Karzai in Provincial Council of Kandahar.
 * Abdul Jabar Qahraman, Afghan army general who was an influential leader and politician.
 * Zalmay Khalilzad, American diplomat and foreign policy expert. He was the highest muslim-american in government during his time in office. Furthermore, he was the former ambassador to Afghanistan during the bush administration. He took part in the Doha-agreement which caused the American armed forces to withdraw from Afghanistan.

title: Nurzai


text:
Fashionista

Fashionista or fashionistas may also refer to:

 * Fashionista, an avid leader and follower of fashion
 * Fashionista (website), a website about fashion

Entertainment

 * Fashionista (TV series), an Australian TV series
 * "Fashionista", a song by Namie Amuro from Genic
 * "Fashionista", a song by Monice
 * "Fashionista", a song by Chai from Punk
 * Fashionistas (film), a 2002 American pornographic film
 * Fashionistas, a modern line of Barbie-brand dolls with more body-shape options (curvy, petite, and tall) than the originals
 * The Fashionistas, minor villains in the Kim Possible animated TV series

title: Fashionista


text:
CNK International

CNK International (CNK 인터내셔널) company located in South Korea that is primarily involved in the metals and mining industry. The company engages in the development of mineral resources projects with a focus on gold and diamond in Cameroon, Africa. The company also imports, processes, and sells gold and diamond in South Korea. CNK International was established as Koko Entertainment (코코 엔터테인먼트), an animation studio founded by Myong Ok Jeon on March 2, 1990. The company's most recognized branding as a former animation studio was Koko Enterprises Ltd. (기업 코코). The company originated in the Seocho District in Seoul, South Korea. The company is currently headquartered in the North Gyeongsang Province in South Korea.

In January 1994, the company went public, and in November 1994, Koko Entertainment merged with Pacific Rim Technologies with Koko Entertainment as the surviving company. In July 1995, the company's name was changed to Koko Enterprises Co, Ltd., and in February 2000, the company registered in the KOSDAQ securities market. In July 2001, Koko Enterprises acquired all the shares of Ani Content as a transfer of goodwill, and in July 2005, Koko Enterprises acquired Dongham Biotech Co., Ltd. In December 2007, they relocated their head offices to the Gangnam District in Seoul, and in December 2009, their offices were relocated to the Jongno District in Seoul.

In February 2011, the company re-branded itself as CNK International Co, Ltd., and in April 2011, the company abandoned the animation industry and entered into the mining industry, specifically non-ferrous metal mining. In November 2011, the company sold off all of its shares of its subsidiary Koko-best as part of a corporate re-structuring. In September 2014, the company ventured into further businesses including tests and research projects on agricultural land improvements, services for testing, research, surveying, design supervision, and extension for farming and fishing village maintenance projects and entering the food industry with restaurants. In November 2014, the company merged with Land Improvement Co., Ltd. with CNK International Co., Ltd. being the surviving company.

CNK International Co. was involved in the 2012 MOFAT Diamond Scandal, in which Kim Eun-seok, the then-energy-and-resources ambassador of Ministry of Foreign Affairs and Trade, was accused of insider trading and stock manipulation. Kim Eun-seok had shared nonpublic information with family members prior to a press release from the Ministry of Foreign Affairs that deliberately overstated the size of a Cameroon diamond mine. Kim's family members proceeded to buy shares of CNK International Co. Oh Deok-gyun, then-Chairman of CNK International Co., gained 80 billion Korean won by selling his own shares amid the scandal. CNK International Co. was delisted from Kosdaq in 2015 by a court ruling, which was appealed up to the South Korean Supreme Court. In January 2020, the Supreme Court upheld the lower court's ruling in favor of delisting CNK International Co., which is final. Former Chairman Oh was convicted of violating the Financial Investment Services and Capital Markets Act and sentenced to three years in prison and five years probation.

Filmography
Koko has animated and provided ink and paint for the following series and movies:
 * Batman: The Animated Series (1992–1995)
 * Animaniacs (1993–1998)
 * Gargoyles (1994–1997)
 * Freakazoid! (1995–1997)
 * The Sylvester & Tweety Mysteries (1995-2002)
 * Lupin the 3rd: Farewell to Nostradamus (1995)
 * Mighty Ducks: The Animated Series (1996–1997)
 * Superman: The Animated Series (1996–2000)
 * Lupin the 3rd: Dead or Alive (1996)
 * Soul Frame Lazenca (1997–1998, co-produced with Seoul Movie)
 * The New Batman Adventures (1997–1999)
 * Men In Black: The Series (1997–2001)
 * Hercules and Xena – The Animated Movie: The Battle for Mount Olympus (1998)
 * Batman & Mr. Freeze: SubZero (1998, co-produced with Dong Yang Animation)
 * Batman Beyond (1999–2001)
 * Spider-Man Unlimited (1999–2001)
 * Johnny Bravo (1999–2001)
 * Justice League (2001–2004)
 * Tom and Jerry: The Magic Ring (2001, co-produced with Seoul Movie; uncredited)
 * Totally Spies (2002)
 * Secret of Cerulean Sand (2002)
 * Chae Chapong Kimchi Pong (2002, co-produced with Dong Woo Animation)
 * Crayon Shin-chan (2003–2007)
 * The Marshmallow Times (2004–2005, co-produced with Seoul Movie)

title: CNK International


text:
User talk:Gary84

Welcome!

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title: User talk:Gary84


text:
Abdominal examination

An abdominal examination is a portion of the physical examination which a physician or nurse uses to clinically observe the abdomen of a patient for signs of disease. The abdominal examination is conventionally split into four different stages: first, inspection of the patient and the visible characteristics of their abdomen. Auscultation (listening) of the abdomen with a stethoscope. Palpation of the patient's abdomen. Finally, percussion (tapping) of the patient's abdomen and abdominal organs. Depending on the need to test for specific diseases such as ascites, special tests may be performed as a part of the physical examination. An abdominal examination may be performed because the physician suspects a disease of the organs inside the abdominal cavity (including the liver, spleen, large or small intestines), or simply as a part of a complete physical examination for other conditions. In a complete physical examination, the abdominal exam classically follows the respiratory examination and cardiovascular examination.

Positioning and environment
A suggested position is for the patient to be supine (on their back), with their arms to their sides. The patient should be placed in an environment with good lighting, and should be draped with towels or sheets to preserve privacy and warmth. The patient's hips and knees should be flexed (in a bent position) so that their abdominal muscles remain relaxed during the examination. Asking the patient to indicate areas that may be tender or painful is recommended to avoid exacerbating the pain during inspection and to increase the patient's comfort.

Although physicians have had concern that giving patients pain medications during acute abdominal pain may hinder diagnosis and treatment, separate systematic reviews by the Cochrane Collaboration and the Rational Clinical Examination refute this.

Inspection
Although it may not seem very important, the doctor is actually gaining a lot of information when looking at the abdomen during an exam and can pick up important indications that something may be going on below the surface.

First, the doctor looks at the surface, outline, and movements of the abdomen, checking to see if there is anything odd or out of the ordinary. Looking at the skin, the doctor is looking for anything abnormal like scars, stretch marks, lesions, dilated veins, or rashes.

The doctor then determines the shape of your abdomen, looking for any bumps, abdominal distension, or depressions. The doctor will also check your belly button for abnormalities like a hernia.

Finally, the doctor will look at the movement of the abdomen checking specifically for waves or odd flexing.

Auscultation
Auscultation refers to the use of a stethoscope by the examiner to listen to sounds from the abdomen.

Unlike other physical exams, auscultation is performed prior to percussion or palpation, as both of these could alter the regularity of bowel sounds.

Some controversy exists as to the length of time required to confirm or exclude bowel sounds, with suggested durations up to seven minutes. Bowel obstruction may present with grumbling bowel sounds or high-pitched noises. Healthy persons can have no bowel sounds for several minutes and intestinal contractions can be silent. Hyperactive bowel sounds may be caused by partial or complete bowel obstruction as the intestines initially try to clear the obstruction. Absence of sounds may be caused by peritonitis, paralytic ileus, late-stage bowel obstruction, intestinal ischemia or other causes. Some authors suggest that listening at a single location is enough as sounds can be transmitted throughout the abdomen.

A prospective study published in 2014 where 41 physicians listened to the bowel sounds of 177 volunteers (19 of which had bowel obstructions and 15 with an ileus) found that "Auscultation of bowel sounds is not a useful clinical practice when differentiating patients with normal versus pathologic bowel sounds. The listener frequently arrives at an incorrect diagnosis. Agreement between raters was also low (54%).". This article suggests focusing on other indicators (flatus, pain, nausea) instead. There is no research evidence that reliably corroborates the assumed association between bowel sounds and gastro-intestinal motility status.

The examiner also typically listens to the two renal arteries for abnormal blood flow sounds (bruits) by listening in each upper quadrant, adjacent to and above the umbilicus. Bruits heard in the epigastrium that are confined to systole are considered normal.

Palpation
The examiner should first talk to the patient and explain what this part of the examination will involve. He or she will typically palpate all nine areas of the patient's abdomen, and being mindful of areas of discomfort, begin by palpating areas of no pain. This is typically performed twice, first with light pressure and then with deeper pressure to better exam the abdominal organs.

On light palpation, the examiner tests for any palpable mass, rigidity, or pain on the surface.

On deep palpation, the examiner is testing for any organomegaly (enlarged organs.) Typically, the clinician is looking for enlargement of the liver and spleen or abnormal masses in the intestines. Sometimes the physician looks for the kidney and uterus as well.

Reactions that may indicate pathology include:
 * Guarding: muscle contraction as pressure is applied.
 * Rigidity: indicating peritoneal inflammation.
 * Rebound: pain on release.
 * Referred pain: pain produced away from the area being palpated.

Percussion
Percussion can be performed in all four quadrants of the abdomen and may reveal a painful response by the patient. During the abdominal examination, percussion may allow the estimation of location and quantity of gas, hard or soft masses, and sizes of certain organs, such as the liver and the spleen. Abnormal findings may include splenomegaly, hepatomegaly and urinary retention.

Organomegaly of the liver and the spleen can be appreciated by percussing in a particular manner:
 * Hepatomegaly by percussing from the right iliac region to the right hypochondrium
 * Splenomegaly by percussing from the right iliac region to the right hypochondrium and the left iliac to the left hypochondrium

Examination of the spleen may reveal Castell's sign or alternatively Traube's space.

Dull sounds on the abdomen could suggest pregnancy, an ovarian tumor, a distended bladder, hepatomegaly or splenomegaly. Dullness on either side of the abdomen could suggest ascites. Some other areas of the abdomen may sound dull suggesting that there may be some fluid or feces. The dullness of the liver can be appreciated by percussing at the edge of the lower chest right above the costal margins. The resonant sounds of gastric air bubbles can be appreciated at the left side. In rare cases, when organs are reversed as is the case in situs inversus, resonant (hollow) sounds would be expected on the right side and liver dullness on the left.

Other tests and special maneuvers

 * Examination of pelvic lymph nodes
 * Digital rectal exam only if clinically indicated.
 * Pelvic examination only if clinically indicated.

Special maneuvers may also be performed, to elicit signs of specific diseases. These include
 * Inflamed gallbladder: Murphy's sign
 * During palpation beneath the bottom edge of the right rib cage, the patient experiences pain upon inspiration.
 * Appendicitis or peritonitis:
 * Psoas sign – pain with extension of the hip and tensing of the psoas muscle
 * Obturator sign – pain when tensing the obturator muscle
 * Rovsing's sign – pain in the right lower abdominal quadrant on palpation of the left side of the abdomen
 * McBurney's sign – deep tenderness at McBurney's point
 * Carnett's sign – pain when tensing the abdominal wall muscles
 * Patafio's sign – pain when the patient is asked to cough whilst tensing the psoas muscle
 * Cough test – pain when the patient is asked to cough
 * Valsalva maneuver – pain when the patient tries to forcefully exhale while closing their mouth and pinching their nose
 * Suspected pyelonephritis: Murphy's punch sign
 * Hepatomegaly: liver scratch test
 * Rosenbach's sign – absence of abdominal reflex on one side of the abdomen in cerebral hemiplegia
 * Courvoisier's sign – palpable distended gallbladder in jaundiced patients due to malignancy or obstruction
 * Boas's sign – increased cutaneous sensitivity to the left of the 12th thoracic vertebrae in cholelithiasis
 * Krymov's sign
 * Berthomier–Michelson's sign
 * Blumberg's sign
 * Aaron's sign
 * Kocher–Volkovich's sign
 * Ten Horn's sign
 * Baldwin's sign
 * Rosenstein's sign
 * Fothergill's sign
 * Ascites: bulging flanks, fluid wave test, shifting dullness

title: Abdominal examination


text:
Murphy's sign

In medicine, Murphy's sign (also known as Sweeney’s sign) is a maneuver during a physical examination as part of the abdominal examination. It is useful for differentiating pain in the right upper quadrant. Typically, it is positive in cholecystitis, but negative in choledocholithiasis, pyelonephritis, and ascending cholangitis.

During physical examination
Classically, Murphy's sign is tested for during an abdominal examination in supine position; it is performed by asking the patient to breathe out and then gently placing the hand below the costal margin on the right side at the mid-clavicular line (the approximate location of the gallbladder). The patient is then instructed to breathe in. Normally, during inspiration, the abdominal contents are pushed downward as the diaphragm moves down (and lungs expand). If the patient stops breathing in (as the gallbladder is tender and, in moving downward, comes in contact with the examiner's fingers) and winces with a "catch" in breath, the test is considered positive. In order for the test to be considered positive, the same maneuver must not elicit pain when performed on the left side.

Predictive value
Murphy's sign has a high sensitivity and negative predictive value, although the specificity is not high. However, in the elderly the sensitivity is markedly lower; a negative Murphy's sign in an elderly person is not useful for ruling out cholecystitis if other tests and the clinical history suggest the diagnosis.

History
The sign is named after American physician John Benjamin Murphy (1857–1916), a Chicago surgeon from the 1880s to the early 1900s, who first described the hypersensitivity to deep palpation in the subcostal area when a patient with gallbladder disease takes a deep breath.

title: Murphy's sign


text:
Get Yer Ya-Ya's Out!

Get Yer Ya-Ya's Out!: The Rolling Stones in Concert is the second live album by the Rolling Stones, released on 4 September 1970 on Decca Records in the UK and on London Records in the United States. It was recorded in New York City and Baltimore in November 1969 prior to the release of Let It Bleed. It is the first live album to reach number 1 in the UK. It was reported to have been issued in response to the well-known bootleg Live'r Than You'll Ever Be. This was also the band's final release under the Decca record label and not under its own label Rolling Stones Records.

History
The Rolling Stones 1969 American Tour's trek during November into December, with Terry Reid, B.B. King (replaced on some dates by Chuck Berry) and Ike and Tina Turner as supporting acts, played to packed houses. The tour was the first for guitarist Mick Taylor with the Stones, having replaced Brian Jones shortly before Jones's death in July; this was also the first album where Taylor appeared fully and prominently, having only played on two songs on Let It Bleed. It was also the last tour to feature just the Stones – the band proper, along with co-founder, road manager and session/touring pianist Ian Stewart – without additional backing musicians.

The performances captured for this release were recorded on 27 November 1969 (one show) and 28 November 1969 (two shows) at New York City's Madison Square Garden, except for "Love in Vain," recorded in Baltimore on 26 November 1969. Overdub sessions took place in January 1970 in London's Olympic Studios. The finished product featured overdubbed lead vocals on all tracks except "Love In Vain" and "Midnight Rambler," added back-up vocals on three tracks, and overdubbed guitar on two songs ("Little Queenie" and "Stray Cat Blues"). However, this album is widely recognized as one of few actual 'live' albums during this era.

The title Get Yer Ya-Ya's Out! is taken from Blind Boy Fuller song "Get Your Yas Yas Out". The lyric in Fuller's song was "Now you got to leave my house this morning, don't I'll throw your yas yas out o' door". In the context of Fuller's original song and its use in other blues music, "yas yas" appears as a folksy euphemism for "ass". However, Charlie Watts' T-shirt worn on the album's front cover shows a picture of a woman's breasts, suggesting an alternative explanation. Watts said that his wardrobe on the album cover was his usual stage clothing, along with Jagger's striped hat.

Some of the performances, as well as one of the two photography sessions for the album cover featuring Charlie Watts and a donkey, are depicted in the documentary film Gimme Shelter, and shows Watts and Mick Jagger on a section of the M6 motorway adjacent to Bescot Rail Depot in Walsall, England, posing with a donkey. This is adjacent to where the RAC building now stands. The cover photo, however, was taken in early February 1970 in London, and does not originate from the 1969 session. The photo by David Bailey, featuring Watts with guitars and bass drums hanging from the neck of a donkey, was inspired by a line in Bob Dylan's song "Visions of Johanna": "Jewels and binoculars hang from the head of the mule" (though, as mentioned, the animal in the photo is a donkey, not a mule). The band would later say "we originally wanted an elephant but settled for a donkey".

Jagger commissioned the back cover, featuring song titles and credits with photographs of the group in performance, from British artist Steve Thomas, who said he produced the design in 48 hours and that Jagger's response was "I really dig your artwork, man."

Release and reception
In the Rolling Stone review of the album, critic Lester Bangs said, "I have no doubt that it's the best rock concert ever put on record."

Get Yer Ya-Ya's Out! was released in September 1970, well into sessions for the band's next studio album, Sticky Fingers, and was well-received critically and commercially, reaching number 1 in the UK and number 6 in the United States, where it went platinum. Except for compilations, it was the last Rolling Stones album released through Decca Records in the UK and London Records in the United States before the band launched its own Rolling Stones Records label.

In August 2002, Get Yer Ya-Ya's Out! was reissued in a new remastered album and SACD digipak by ABKCO Records.

In November 2009, the album was reissued with unreleased songs by the Rolling Stones and also by opening acts B.B King and Ike & Tina Turner. It includes a DVD and a 56-page booklet.

The album has received consistent praise from critics as one of the greatest live albums ever made. In 2000 it was voted number 816 in Colin Larkin's All Time Top 1000 Albums. In 2007, NME ranked the album as the seventh greatest live album of all time. Q ranked the album as the 14th greatest live album of all time.

Original release

 * † Originally credited as traditional with arrangement by Jagger, Richards. On Let It Bleed, "Love in Vain" was credited to Woody Payne, presumably a music publisher's creation.

Disc one – original release

 * 1) "Jumpin' Jack Flash" – 4:03
 * 2) "Carol" – 3:46
 * 3) "Stray Cat Blues" – 3:47
 * 4) "Love in Vain" – 4:56
 * 5) "Midnight Rambler" – 9:04
 * 6) "Sympathy for the Devil" – 6:51
 * 7) "Live With Me" – 3:02
 * 8) "Little Queenie" – 4:33
 * 9) "Honky Tonk Women" – 3:34
 * 10) "Street Fighting Man" – 4:04

Disc two – unreleased tracks

 * 1) "Prodigal Son" (Robert Wilkins) – 4:04
 * 2) "You Gotta Move" (Fred McDowell, Rev. Gary Davis) – 2:18
 * 3) "Under My Thumb" – 3:38
 * 4) "I'm Free" – 2:47
 * 5) "(I Can't Get No) Satisfaction" – 5:38
 * Released in 2009

Disc three – opening sets

 * 1) "Everyday I Have the Blues" – 2:27
 * 2) "How Blue Can You Get" – 5:30
 * 3) "That's Wrong Little Mama" – 4:11
 * 4) "Why I Sing The Blues" – 5:16
 * 5) "Please Accept My Love" – 4:52
 * 6) "Gimme Some Loving" – 0:49
 * 7) "Sweet Soul Music" – 1:16
 * 8) "Son of a Preacher Man" – 2:49
 * 9) "Proud Mary" – 3:07
 * 10) "I've Been Loving You Too Long" – 5:40
 * 11) "Come Together" – 3:36
 * 12) "Land of a Thousand Dances" – 2:40
 * B.B. King Tracks 1–5; Ike & Tina Turner Tracks 6–12

Disc four – bonus DVD (2.0 and 5.1)

 * 1) Introduction (Madison Square Garden)
 * 2) "Prodigal Son" – 2:40
 * 3) "You Gotta Move" – 1:58
 * 4) Photo shoot (of album cover) – 3:30
 * 5) Keith in studio – 1:40
 * 6) "Under My Thumb" / "I'm Free" / Backstage with Jimi Hendrix – 6:09
 * 7) "(I Can't Get No) Satisfaction" / Outside waiting for transport – 10:45
 * 8) Credits
 * Backstage footage shot by Albert and David Maysles with in-studio footage from album cover shoot

Bonus track recording dates
Audio
 * 1) "Prodigal Son" – 4:04 (28 November 1969: Madison Square Garden, New York City (second show)
 * 2) "You Gotta Move" – 2:18 (28 November 1969: MSG – second show)
 * 3) "Under My Thumb" – 3:38 (27 November 1969: MSG)
 * 4) "I'm Free" – 2:47 (27 November 1969: MSG)
 * 5) "(I Can't Get No) Satisfaction" – 5:38 (28 November 1969: MSG – first show)

Video
 * 1) "Prodigal Son" – 2:40 (27 November 1969: MSG)
 * 2) "You Gotta Move" – 1:50 (27 November 1969: MSG)
 * 3) "Under My Thumb" – 3:30 (28 November 1969: MSG – first show)
 * 4) "I'm Free" – 1:30 (28 November 1969: MSG – first show)
 * 5) "(I Can't Get No) Satisfaction" – 6:00 (27 November 1969: MSG)

Personnel

 * Mick Jagger – vocals; harmonica on "Midnight Rambler"
 * Keith Richards – guitar, backing vocals
 * Mick Taylor – guitar
 * Bill Wyman – bass guitar
 * Charlie Watts – drums

Additional musicians
 * Ian Stewart – piano on "Carol", "Little Queenie" and "Honky Tonk Women"

Production

 * Recording and mixing engineer – Glyn Johns
 * Mixing and editing – Andy Johns and Roy Thomas Baker
 * Tape operator – Chris Kimsey
 * Photography – David Bailey
 * Art director – John Kosh
 * Recording by Wally Heider Mobile

title: Get Yer Ya-Ya's Out!


text: User talk:69.201.210.89

title: User talk:69.201.210.89


text:
Margaret H. Marshall

Margaret Hilary Marshall (born September 1, 1944) is an American jurist who served as the 24th chief justice of the Massachusetts Supreme Judicial Court, the first woman to hold the position. She was chief justice from 1999 to 2010. On July 21, 2010, she announced her retirement. She was Senior Fellow of the Yale Corporation until she retired from the board in 2016, Senior Counsel at Choate Hall & Stewart, and a member of the Council of the American Law Institute. Marshall was elected in 2017 to the American Philosophical Society.

Early life and education
Marshall was born in Newcastle, South Africa, and raised Anglican. Margaret was educated at the University of the Witwatersrand where she was active in student and anti apartheid politics. In 1967 she was president of the National Union of South African Students (NUSAS), which was dedicated to ending oppressive minority rule and achieving equality for all South Africans. According to Marshall, "There was no access to justice in South Africa...There were a few courageous barristers who agreed to represent people charged with political crimes, but, by and large, if you were a black South African, you had no justice. The death penalty was imposed in vastly disproportionate numbers. Many of the offenses were applicable to black South Africans only." In June 1966, as a NUSAS vice president, she welcomed U.S. Senator Robert F. Kennedy to South Africa, in place of union's president Ian Robertson, who had been banned from political appearances. Marshall emigrated to the United States to escape political persecution. In Johannesburg, she attended Kingsmead College, and in Delaware she graduated from the Tatnall School. She earned a master's degree in education from Harvard University in 1969, and a J.D. degree from Yale Law School in 1976. She acquired United States citizenship in 1978.

In 1984, she married then-New York Times columnist Anthony Lewis, to whom she remained married until his death in 2013.

Legal career
From 1976 to 1989, she was an associate and a partner in private practice at the Boston law firm of Csaplar & Bok. From 1989 to 1992, she was a partner in the Boston law firm of Choate, Hall & Stewart. Also from 1991 to 1992, she was president of the Boston Bar Association, the oldest bar association in the United States. From 1992 to 1996, she was general counsel to Harvard University.

Marshall was appointed to be an associate justice of the Massachusetts Supreme Judicial Court in 1996 by Republican Governor William F. Weld. She was named as chief justice in September 1999 by Republican Governor Paul Cellucci, to begin her term on October 14, 1999. She is the second woman to serve on the Supreme Judicial Court, the oldest appellate court in the Western Hemisphere, and the first to serve as chief justice in its more than 300-year history.

In the course of her term, she wrote more than 200 opinions. Marshall wrote the ground-breaking decision in Goodridge v. Department of Public Health that declared that the Massachusetts constitution does not permit the state to deny citizens the right to same-sex marriage.

On July 21, 2010, Marshall announced her decision to retire from the court, effective at the end of October. Marshall said her decision was prompted by a desire to spend more time with her husband Anthony Lewis, who was suffering from Parkinson's disease. After stepping down from the bench, she rejoined Choate, Hall & Stewart.

Marshall served as the senior fellow of the Yale Corporation, the governing body of Yale University. until 2016. She is the first woman to hold the position, and previously served a term as a Corporation fellow from 2004 to 2010.

Marshall is the 2021 recipient of the Bolch Prize for the Rule of Law awarded by the Bolch Judicial Institute at Duke Law School. On May 27, 2021, she was awarded an honorary Doctorate of Laws from Harvard University. In May 2022 she was awarded an honorary Doctor of Laws degree from the University of Pennsylvania.

title: Margaret H. Marshall


text:
Garden City Regional Airport

Garden City Regional Airport is nine miles southeast of Garden City, in Finney County, Kansas, United States. It sees one scheduled airline, subsidized by the federal government's Essential Air Service program at a cost of $2,919,026 (per year).

The National Plan of Integrated Airport Systems for 2021–2025 categorized it as a primary commercial service airport.

History
During World War II the United States Army Air Forces used Garden City Airport as a training airfield by the Army Air Forces Flying Training Command, Gulf Coast Training Center. The facility was called Garden City Army Airfield. The main Garden City Army Airfield and its auxiliaries closed in November 1945 and were declared excess by the military on 18 May 1947. Civil authorities developed the main airfield into Garden City Regional Airport.

Continental DC-3s landed at GCK from about 1946 until replaced by Central in 1961; successor Frontier's Convairs left in 1977. Earlier, Continental had landed at the old municipal airport three miles east of town.

Garden City Regional Airport's status as former Garden City AAF made it important during the terrorist attacks of September 11, 2001. When orders were dispatched to ground all domestic flights, three large jets were told to land at GCRA, the closest airport large enough for them. The airport had no stairs for large airliners and the passengers had to be evacuated by Garden City Fire Department ladder trucks.

In December 2011 the EAS program awarded American Eagle Airlines two daily non-stop flights to Dallas-Fort Worth. Flights began on April 3, 2012 with 44-seat and 50-seat Embraer ERJ family regional jets. American Eagle service was upgraded on November 30, 2022 with 65-seat Bombardier CRJ700 series regional jets operated by SkyWest Airlines.

Facilities
The airport covers 1,848 acres (748 ha) at an elevation of 2,891 feet (881 m). It has two concrete runways: 17/35 is 7,299 by 100 feet (2,225 x 30 m) and 12/30 is 5,700 by 100 feet (1,737 x 30 m).

In the year ending June 30, 2020 the airport had 15,003 aircraft operations, an average of 41 per day: 79% general aviation, 20% air taxi and 1% military. In December 2021, 62 aircraft were based at this airport: 53 single-engine, 5 multi-engine and 4 jet.

Other sources

 * Essential Air Service documents (Docket DOT-OST-1998-3503) from the U.S. Department of Transportation:
 * Order 2009-9-5 (September 11, 2009): re-selecting Great Lakes Aviation, Ltd., to provide essential air service (EAS) at Dodge City, Garden City, Great Bend, Hays, and Liberal for the two-year period from October 1, 2009, through September 30, 2011, at combined annual subsidy rates of $8,897,565. Garden City, Kansas: Docket OST-1998-3503; Effective Period: Start of Denver-Only service through September 30, 2011; Scheduled Service: 30 nonstop round trips per week to Denver; Aircraft: Beech 1900, 19 seats.
 * Order 2011-10-24 (October 31, 2011): selecting American Eagle Airlines to provide essential air service (EAS) at Garden City for $2,919,026 annual subsidy. Effective Period: Two year period beginning when American Eagle begins full EAS through the 24th month thereafter. Service: 14 nonstop round trips per week to Dallas. Aircraft: Embraer Regional Jet.
 * Order 2014-3-9 (March 14, 2014): selecting American Airlines to provide Essential Air Service (EAS) at Garden City, Kansas. Garden City, Kansas: Docket 1998-3503; Effective Period: May 1, 2014, through July 31, 2016; Service: Fourteen (14) nonstop round trips per week to Dallas (DFW); Aircraft Type: 44-seat or larger Regional Jet; Annual Subsidy: $1,445,172.

title: Garden City Regional Airport


text:
Wikipedia:Articles for deletion/Wangus

 This page is an archive of the proposed deletion of the article below. Further comments should be made on the appropriate discussion page (such as the article's talk page or on a Votes for Undeletion nomination). No further edits should be made to this page.

The result of the debate was No consensus, kept. Hedley 01:15, 31 July 2005 (UTC)

Wangus
Delete, none of the Google hits have any more meaning than this article does. And I googled for "Wangus Meat" in case it was supposed to be a band or a brand, but got zero hits. -Splash 03:23, 24 July 2005 (UTC)

 * Oh, no-no, I think it's something much simpler than that. Delete --DNicholls 03:25, 24 July 2005 (UTC)
 * Weak Keep. I'd feel a lot better about it if a Google search for wangus beef contained less comical results...--DNicholls 18:58, 28 July 2005 (UTC)

 * Delete. BJAODN? Aerion//talk 03:40, 24 July 2005 (UTC)
 * Delete. nn --Eliezer | £€åV€ m€ å m€§§åg€  04:08, 24 July 2005 (UTC)
 * Delete Wangus meat is probably much like spam. Denni ☯ 04:33, 2005 July 24 (UTC)
 * Maybe, but having a name that contains wang can't be good. Not that a bowlful of minced cow phalluses would be any more repulsive than spam... GarrettTalk 13:30, 24 July 2005 (UTC)
 * See Rocky Mountain Oyster and judge for yourself. Meelar (talk) 14:51, July 25, 2005 (UTC)
 * Hm, I have heard of similar (I do live in New Sheepland y'see) but I'd say that's slightly less gross... just a smidge... :) GarrettTalk 09:11, 27 July 2005 (UTC)
 * Delete. Although I have heard that once you eat a wangus, you'll always be a wangus eater. Hamster Sandwich 05:52, 24 July 2005 (UTC)
 * Delete, not notable, but not BJAODN-worthy either. Unless the ingredients are as I described above... Weak keep, now we know what it is. GarrettTalk 04:14, 25 July 2005 (UTC)
 * UPDATE: This from Google: beef cows ... Wagyu is a Japanese breed, and Wangus is a Wagyu and Angus cross. So Wangus is an obscure hybrid like a Liger or Tigron. And not as dirty as I thought. :) I doubt this breed is noteworthy enough thouhgGarrettTalk 13:35, 24 July 2005 (UTC)
 * Weak keep. I've rewritten the article in line with Garrett's findings. It's only a stub, but it's better than it was. It's probably not that notable, but I think it just about scrapes in. KeithD 18:43, 24 July 2005 (UTC)
 * Keep or merge into some other cow article. Wikipedia should definitely contain informative obscure (sourced) facts such as these. Lupin 11:40, 25 July 2005 (UTC)
 * Weak Keep with rewrite. JamesBurns 06:47, 27 July 2005 (UTC)
 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in an undeletion request). No further edits should be made to this page.

title: Wikipedia:Articles for deletion/Wangus


text:
Talk:Mabon ap Modron

Etymology
I deleted the largely content free:
 * This theonym appears to be derived from Proto-Celtic *Makwo-n-os meaning "young son's [spirit]" (q.v.  ). Following accepted sound laws elucidating systematic diachronic phonological sound change in Celtic proto-linguistics (q.v.    ), the Romano-British form of this Proto-Celtic theonym is likely to have been *Maponos.

because I replaced this with a link to the etymology of Maponos, and a note about the relevant evolutions from Brythonic to Middle Welsh: --Nantonos 03:24, 24 July 2005 (UTC)
 * *Makwo-n-os should be *Makw-on-os
 * *maponos is not a theoretical construct but an attested name, Maponos
 * the proto-Celtic lexicon does not yet include any Gaulish material, so is not a good source here
 * the etymology at the Maponos gives more details and references, which can just be referred to here.
 * dropping of masculine singular -os and feminine singular -a endings
 * p > b

Mystery cult
There is no mystery cult of Mabon on Hadrians Wall. I suspect this refers to dedications to Apollo Maponos, which are already described in the main article. However, if there is some reference that I missed to Mabon on Hadrians Wall I would be interested to hear about it. --Nantonos 03:24, 24 July 2005 (UTC)

Who saved Mabon?
In the Mabon ap Modron article, it says he was rescued by Culhwch, though in this article, it says by King Arthur. Should we decide on using one who rescued him, or put both names in both articles, as to keep with uniformity? (I've also put this in the Modron talk page). Xxglennxx (talk) 16:36, 14 May 2009 (UTC).

 * Over at the Welsh version of this article, it says that "...in order for Culhwch to have Olwen's hand in marriage, he must complete 40 tasks, one of which was to find Mabon, who was stolen three days after his birth, and nobody knew where he was," and that "Culhwch had help from Arthur and his grandson to complete the task (i.e., find Mabon)." Though later on, it only mentions Cai and Bedwyr ("Cai and Bedwyr traveled on the back of Eog Llyn Llyw to the cellar where they found Mabon and freed him"). So should we say something like "With the help of Arthur, Cai, and Bedwyr, Culhwch rescued Mabon." (Translated directly from Welsh), or something along those lines? Xxglennxx (talk) 16:53, 14 May 2009 (UTC).

title: Talk:Mabon ap Modron