text:
Division No. 11, Alberta

Division No. 11 is a census division in Alberta, Canada. Surrounding the City of Edmonton, the majority of the division comprises Alberta's Capital Region, while the western and southern portions of the division are located within central Alberta. The division also forms the northern segment of the Calgary–Edmonton Corridor.

Census subdivisions
The following census subdivisions (municipalities or municipal equivalents) are located within Alberta's Division No. 11.

 * Cities
 * Edmonton
 * Beaumont
 * Fort Saskatchewan
 * Leduc
 * Spruce Grove
 * St. Albert
 * Wetaskiwin
 * Towns
 * Bon Accord
 * Calmar
 * Devon
 * Drayton Valley
 * Gibbons
 * Legal
 * Millet
 * Morinville
 * Redwater
 * Stony Plain
 * Thorsby
 * Villages
 * Breton
 * Spring Lake
 * Wabamun
 * Warburg
 * Summer villages
 * Argentia Beach
 * Betula Beach
 * Crystal Springs
 * Golden Days
 * Grandview
 * Itaska Beach
 * Kapasiwin
 * Lakeview
 * Ma-Me-O Beach
 * Norris Beach
 * Point Alison
 * Poplar Bay
 * Seba Beach
 * Silver Beach
 * Sundance Beach
 * Hamlets
 * Alcomdale
 * Buck Creek
 * Calahoo
 * Carbondale
 * Cynthia
 * Duffield
 * Falun
 * Lodgepole
 * North Cooking Lake
 * Rocky Rapids
 * Rolly View
 * South Cooking Lake
 * Sunnybrook
 * Telfordville
 * Westerose
 * Village at Pigeon Lake

 * Specialized municipalities
 * Strathcona County
 * Urban service areas
 * Sherwood Park
 * Municipal districts
 * Brazeau County
 * Leduc County
 * Parkland County
 * Sturgeon County
 * Wetaskiwin No. 10, County of
 * Indian reserves
 * Alexander 134
 * Enoch Cree Nation 135
 * Ermineskin 138
 * Louis Bull 138B
 * Pigeon Lake 138A
 * Wabamun 133A
 * Wabamun 133B

Demographics
In the 2021 Census of Population conducted by Statistics Canada, Division No. 11 had a population of $1,462,041$ living in $565,756$ of its $609,810$ total private dwellings, a change of NaN% from its 2016 population of $1,366,050$. With a land area of 15746.42 km2, it had a population density of in 2021.

title: Division No. 11, Alberta


text:
User talk:Ckf~enwiki

Welcome
Welcome to Wikipedia. Here are some useful links if you need any help:

 * How to edit a page
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The content of Chris foley was not sufficently noteworthy to merit an article on Wikipedia, and was removed. You have a personal user page into which that article's content could be incorporated. However, a subject must be notable to merit inclusion in the actual encyclopedia.

Again, welcome. Stewart Adcock 08:11, 15 July 2005 (UTC)

Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Ckf. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Ckf~enwiki that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name. If you think you might own all of the accounts with this name and this message is in error, please visit Special:MergeAccount to check and attach all of your accounts to prevent them from being renamed.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 23:08, 19 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 11:37, 22 April 2015 (UTC)

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: User talk:Ckf~enwiki


text:
Daniel Goldstein

Daniel G. Goldstein (born 1969) is an American cognitive psychologist known for the specification and testing of heuristics and models of bounded rationality in the field of judgment and decision making. He is an honorary research fellow at London Business School and works with Microsoft Research as a principal researcher.

Education
Goldstein received his Bachelor of Science degree in computer science from the University of Wisconsin–Madison in 1993 and a Ph.D. in Cognitive Psychology from the University of Chicago in 1997.

Career
Goldstein and his doctoral advisor Gerd Gigerenzer started the Center for Adaptive Behavior and Cognition at the Max Planck Institute in Germany, where Goldstein worked as a research scientist for several years.

In 2002, Goldstein became associate director of the Center for the Decision Sciences at Columbia University before becoming an assistant professor of marketing at London Business School in 2005. In 2009, Goldstein accepted an offer as a principal research scientist at Yahoo! Research. In 2012, Goldstein was part of a group of Yahoo scientists who left en masse to found the New York City lab of Microsoft Research, where he is senior principal research manager.

Goldstein's doctoral thesis used computer simulation to study the accuracy and frugality of satisficing heuristics for making inferences. Investigations of the take-the-best heuristic and the recognition heuristic were later published as journal articles in Psychological Review and in the book Simple Heuristics That Make Us Smart. These fast and frugal heuristics have since had an impact in medicine, law and politics, and other areas outside psychology. With Eric J. Johnson, Goldstein authored an article on organ donation in the journal Science   Along with Nobel Laureate William F. Sharpe, he created the Distribution Builder method for eliciting probability distributions. Hal Hershfield and Goldstein ran virtual reality experiments in which people saw renderings of themselves as senior citizens and increased their intentions to save for retirement, as discussed in Goldstein's TED talk The Battle Between Your Present and Future Self.

In 2014, Goldstein was elected president of the Society for Judgment and Decision Making.

Notable contributions

 * Recognition heuristic
 * Take-the-best heuristic

title: Daniel Goldstein


text:
NUTS statistical regions of Italy

In the NUTS (Nomenclature of Territorial Units for Statistics) codes of Italy (IT), the three levels are:

NUTS codes
The following codes have been discontinued:
 * ITC45 (Milano) was split into ITC4C and ITC4D.
 * ITD (Northeast Italy) became ITH.
 * ITE (Central Italy) became ITI.
 * ITF41 (Foggia) and ITF42 (Bari) were split into ITF46, ITF47, and ITF48.
 * ITG21 (Sassari), ITG22 (Nuoro), ITG23 (Oristano), and ITG24 (Cagliari) were split into the current divisions of ITG2.

Local administrative units
Below the NUTS levels, the two LAU (Local Administrative Units) levels are:

The LAU codes of Italy can be downloaded here: ''

title: NUTS statistical regions of Italy


text: Category:Forts in Ohio

title: Category:Forts in Ohio


text:
Hathras

Hathras is a historical city in Uttar Pradesh, India. It is the headquarters of Hathras district, formed on 3 May 1997 by merging parts of Aligarh, Mathura and Agra. It is part of the Aligarh Division.

The primary spoken language is a dialect of Hindi, Braj Bhasha, which is closely related to Khariboli, one of several dialects spoken in the Delhi region. It is known for production of asafoetida.

Administration
Hathras is a district headquarter with four subdivisions — Hathras, Sasni, Sikandra Rao, and Sadabad. It is a Lok Sabha constituency under the reserved category of Schedule Caste. The district has three assembly constituencies, following three subdivisions. The Hathras district, formerly known as Mahamaya Nagar, was created in 1997 with the incorporation of parts of the Aligarh, Mathura and Agra districts.

Local bodies
Hathras (Assembly constituency) has nine local bodies:

 * Hathras
 * Sikandra Rao
 * Sasni
 * Sadabad
 * Mursan
 * Hasayan
 * Sahpau
 * Mendu
 * Purdil Nagar

Geography
Hathras is located at 27.6°N, 78.05°W. It has an average elevation of 185 metres (606 feet) and is situated on the Agra, Aligarh and Mathura, and Bareilly highway crossings. It is known for its extreme temperature variations. As of the 2001 Indian census, Hathras had a population of 123,243, of which 53% were male and 47% female. Hathras has an average literacy rate of 60%, higher than the national average of 59.5%, of which 66% being male and 53% being female. 14% of the population is under six years of age.

Climate
Hathras has a monsoon-influenced humid subtropical climate, typical of north-central India. Summers start in April ending around May. The monsoon season starts in late June, continuing until early October, bringing high humidity.

Transport
Four railway stations serve Hathras: Hathras Junction railway station, Hathras Road railway station, Hathras City railway station, and Hathras Kila railway station. A new station on the dedicated Freight Corridor Line was named New Hathras.

Hathras is the only city in the area to have five railway stations named after it.

History
At the end of the 18th century, the town of Hathras was held by a Jat chieftain, whose fort stood at the east end of the town, and was annexed by the British in 1803, who besieged the fort in 1817. Under British rule, Hathras rapidly rose to commercial importance, and for a while ranked second to Cawnpore (now Kanpur) among the trading centres of the Doab.

Hathras became a district on 6 May 1997 with the merging of some Tehsils of Aligarh and Mathura. Hathras falls under the Braj region of Northern India and is famous for its industrial, literary, and cultural activities as a part of Aligarh. It has been an industrial centre since the British Raj era.

Notable people

 * Kaka Hathrasi (Poet)
 * Raja Mahendra Pratap (King of Mursan Riyasat)
 * Thakur Malkhan Singh (Freedom Fighter)
 * Ramveer Upadhyay (Former Cabinet Minister of Uttar Pradesh)

title: Hathras


text:
User talk:PaddyBriggs

Orphaned non-free image File:Hancock.jpg
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title: User talk:PaddyBriggs


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User talk:Drguff

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User talk:Vw12

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User talk:Lipothymia

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Artery system
Hi. You put up the image ; I was wondering if you had access to the book? My friend and I wonder names go with the numbers. Thanks for any info you can offer. Seans Potato Business 12:05, 11 May 2008 (UTC)

Notability of Chicago City Centre Hotel & Sports Club
A tag has been placed on Chicago City Centre Hotel & Sports Club requesting that it be speedily deleted from Wikipedia. This has been done because the article appears to be about a real person, organization (band, club, company, etc.), or web content, but it does not indicate how or why the subject is notable: that is, why an article about that subject should be included in an encyclopedia. Under the criteria for speedy deletion, articles that do not indicate the subject's importance or significance may be deleted at any time. Please see the guidelines for what is generally accepted as notable. If this is the first page that you have created, then you should read the guide to writing your first article.

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For guidelines on specific types of articles, you may want to check out our criteria for biographies, for web sites, for bands, or for companies. Feel free to leave a note on my talk page if you have any questions about this. Phlegm Rooster (talk) 17:21, 26 July 2008 (UTC)

Wikimania 2010 could be coming to Stockholm!
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People from all six Nordic Wiki-communities (sv, no, nn, fi, da and is) are coordinating a bid for Wikimania 2010 in Stockholm. I'm sending you a message to let you know that this is occurring, and over the next few months we're looking for community support to make sure this happens! See the bid page on meta and if you like such an idea, please sign the "supporters" list at the bottom. Tack (or takk), and have a wonderful day! Mike H. Fierce! 07:55, 6 August 2008 (UTC)

ArbCom elections are now open!
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Wikiversity Journal of Medicine, an open access peer reviewed journal with no charges, invites you to participate
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Nomination of Anthony Ornato for deletion
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title: User talk:Lipothymia


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User talk:Ronocdh

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File permission problem with File:G.F. Handel, Air and Variations.ogg
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text:
Olena Vitrychenko

Olena Ihorivna Vitrychenko (Олена Ігорівна Вітриченко, Елена Игоревна Витриченко; born 25 November 1976), also known as Elena Vitrichenko, is an Individual Ukrainian Rhythmic Gymnast. She is the 1996 Olympics bronze medalist, the 1997 World All-around champion and 1997 European All-around champion.

Career
Olena Vitrychenko was introduced to the sport in 1980 when she was four years old by her mother, Nina, herself a former rhythmic gymnast. Her mother coached her at the Deryuguina School in Kiev.

Vitrychenko made her international debut in 1986. At the 1992 European Championships in Stuttgart, Germany, she won a bronze medal as a member of the Ukrainian group. At the 1994 World Championships in Paris, she placed third in the hoop event final behind teammate, Ekaterina Serebrianskaya, and the Belarusian Larissa Lukyanenko who were both tied for the gold (9.875); but an upgraded score (9.825 to 9.875) for then Bulgarian World champion Maria Petrova knocked Vitrichenko out of the bronze medal position into fourth.

At the 1996 Atlanta Olympics, Vitrychenko seemed to be a contender for the gold medal, having placed first after preliminaries and second after the semi-finals. Despite a clean all-around performance in the final, she was given scores in the 9.8 range (the highest score received in the rope event was 9.866). She placed second behind teammate Ekaterina Serebrianskaya after the first rotation on the rope, but her ball routine score of 9.800 threw her out of the gold medal hunt, and she had to fight for the bronze with Russian rival Amina Zaripova. She was able to take the bronze medal due to Zaripova's mishandling of the ribbon, stepping on it before her final toss. Vitrichenko would later say that she felt that she was robbed of the gold. In the following year she became both the World and the European All-Around champion.

At the peak of a long and well-publicized feud with the head of the Ukrainian Rhythmic Gymnastics Federation, Vitrychenko was placed 19th at the 2000 European Championships in Zaragoza, Spain, and withdrew in protest. After an official evaluation of videotapes determined that certain judges had clearly discriminated against Vitrichenko, the FIG sanctioned the following judges: Natalia Stepanova (Belarus), Gabriele Stummer (Austria), Galina Marjina (Latvia), Ursula Sohlenkamp (Germany), Natalia Lashtsinkaya (Russia), and Ukrainian Irina Diriugina. Although Madame Abruzzini, the then-president of the Rhythmic Gymnastics Technical Committee, wanted more severe punishment, such as life suspension, the judges were suspended for one year and excluded from a judging course in Rome. Their federations were forced to select other judges for the Sydney Olympics who met the requirements of FIG. The other 26 judges that were at Zaragoza received warnings and were not allowed to judge in Sydney. It was the first time in the sport's history that severe inappropriate behavior was proven and penalized.

After the Europeans, Vitrychenko's own federation tried to deny her a spot on the Ukrainian Olympic team in 2000. She appealed to the International Olympic Committee who overturned the decision, and awarded her a spot on the team. She performed well at the Olympics, finishing in fourth place behind Alina Kabaeva.

Vitrychenko retired from the sport after the 2000 Sydney Olympics, saying that the omnipresent judging politics would prevent her from achieving further success. She stated that she is not embittered by her controversial placings: "The most important thing that I have learned in elite sports is to experience other people's victories and to forgive people.". Over the course of her career, she won a total of nine World titles and ten European titles.

Vitrychenko coached rhythmic gymnastics in Spain for ten years. In March 2013, she began coaching at the Illinois Rhythmic Gymnastic Center.

Olena Vitrychenko opened up her own club Vitrychenko Academy on the Chicago Northshore in November 2014. More information about her club can be found at www.vitrychenkoacademy.com

Honours

 * Longines Prize for Elegance: 1999

Orders

 * UKR Orden Za Zasluhy BAR.svg Honorary Award of the President of Ukraine: 1996
 * Order of Merit 2nd Class of Ukraine.png Order of Merit 2nd Class: 1997

title: Olena Vitrychenko


text:
User talk:Ouijum

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A tag has been placed on Eric harvey requesting that it be speedily deleted from Wikipedia. This has been done because the article appears to be about a person, group of people, band, club, company, or web content, but it does not indicate how or why the subject is notable: that is, why an article about that subject should be included in an encyclopedia. Under the criteria for speedy deletion, articles that do not assert the subject's importance or significance may be deleted at any time. Please see the guidelines for what is generally accepted as notable.

If you think that you can assert the notability of the subject, you may contest the deletion by adding  to the top of the page (just below the existing speedy deletion or "db" tag), coupled with adding a note on the article's talk page explaining your position, but be aware that once tagged for speedy deletion, if the article meets the criterion it may be deleted without delay. Please do not remove the speedy deletion tag yourself, but don't hesitate to add information to the article that would confirm the subject's notability under Wikipedia guidelines.

For guidelines on specific types of articles, you may want to check out our criteria for biographies, for web sites, for bands, or for companies. Feel free to leave a note on my talk page if you have any questions about this. Accounting4Taste 05:35, 4 September 2007 (UTC)

title: User talk:Ouijum


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User talk:SkylinkX

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Middleborough Rd

Middleborough Rd is the sixth album by Australian comedy trio, Tripod, which was released on 11 October 2004. The album peaked at number 88 on the ARIA Charts.

It consists of many songs previously heard on the Australian television show, Skithouse, on which Tripod feature.

At the ARIA Music Awards of 2005 it won Best Comedy Release, beating other releases which included 'SkitHOUSE LIVE', a compilation of sketches by various artists of material from the same show.

Track listing

 * 1) "Always Get Into Stuff"
 * 2) "Boobs"
 * 3) "Trying To Impress The Bargirl"
 * 4) "If I Had a Tattoo"
 * 5) "Snapshots"
 * 6) "Hot Girl in the Comic Shop"
 * 7) "In The Countryside"
 * 8) "Stuntman"
 * 9) "On Behalf Of All The Geeks"
 * 10) "Fly So High"
 * 11) "That's Why I'm Sending You..."
 * 12) "Old Money"
 * 13) "Gonna Make You Happy Tonight"
 * 14) "Let's Take A Walk"
 * 15) "Sante Fe [sic]"
 * 16) "Trees"
 * 17) "Astronaut"
 * 18) "Strange French Outro" (secret track - not listed on album)

title: Middleborough Rd


text:
Irish Rebellion

Irish Rebellion may refer to:
 * The Irish Bruce Wars 1315–1318, an attempt by members of the O'Neill clan backed by a Scottish and Irish army to make Edward Bruce the High King of Ireland. They were supported by Edward's older brother, Robert the Bruce, King of Scotland.
 * The Geraldine Rebellion (1534) and the FitzGerald Rebellion against Henry VIII of England 1535 to 1537, having to do with who was supreme head of the church
 * The Desmond Rebellions, which occurred in the 1560s, 1570s and 1580s in Munster
 * Tyrone's Rebellion (also known as the Nine Years' War (Ireland) from 1594 to 1603, predominantly in Ulster
 * O'Doherty's Rebellion, 1607
 * The Irish Rebellion of 1641, a conflict between the Roman Catholic native Gaelic-Irish and Hiberno-Normans, and Protestant settlers
 * The Irish Rebellion of 1798, a republican uprising against British rule of Ireland
 * The United Irish Uprising of 1800, an uprising against British rule of Newfoundland
 * The 1803 Irish rebellion, for independence, led by Robert Emmet
 * The Young Irelander Rebellion of 1848, also called The Famine Rebellion of 1848
 * The Fenian Rising of 1867
 * The Easter Rising of 1916, a nationalist uprising against British rule of Ireland

title: Irish Rebellion


text:
John Peabody Harrington

John Peabody Harrington (April 29, 1884 – October 21, 1961) was an American linguist and ethnologist and a specialist in the indigenous peoples of California. Harrington is noted for the massive volume of his documentary output, most of which remains unpublished: the shelf space in the National Anthropological Archives dedicated to his work spans nearly 700 feet.

Early life and education
Born in Waltham, Massachusetts, Harrington moved to California as a child. From 1902 to 1905, Harrington studied anthropology and classical languages at Stanford University. While attending specialized classes at the University of California, Berkeley, he met anthropologist Alfred L. Kroeber. Harrington became intensely interested in Native American languages and ethnography.

Linguistic legacy
Rather than completing his doctorate at the Universities of Leipzig and Berlin, Harrington became a high-school language teacher. For three years, he devoted his spare time to an intense examination of the few surviving Chumash people. His exhaustive work came to the attention of the Smithsonian Museum's Bureau of American Ethnology. Harrington became a permanent field ethnologist for the bureau in 1915. He was to hold this position for 40 years, collecting and compiling several massive caches of raw data on native peoples, including the Chumash, Mutsun, Rumsen, Chochenyo, Kiowa, Chimariko, Yokuts, Gabrielino, Salinan, Yuma, and Mojave, among many others. Harrington also extended his work into traditional culture, particularly mythology and geography. His field collections include information on placenames and thousands of photographs. The massive collections were disorganized in the extreme, and contained not only linguistic manuscripts and recordings, but also objects and realia of every stripe; a later cataloger described how opening each box of his legacy was "an adventure in itself." He published very little of his work; many of his notes appear to have been deliberately hidden from his colleagues. After his death, Smithsonian curators discovered over six tons of boxes stored in warehouses, garages and even chicken coops throughout the West.

Harrington is virtually the only recorder of some languages, such as Obispeño (Northern) Chumash, Kitanemuk, and Serrano. He gathered more than 1 million pages of phonetic notations on languages spoken by tribes from Alaska to South America. When the technology became available, he supplemented his written record with audio recordings - many recently digitized - first using wax cylinders, then aluminum discs. He is credited with gathering some of the first recordings of native languages, rituals, and songs, and perfecting the phonetics of several different languages. Harrington's attention to detail, both linguistic and cultural, is well-illustrated in "Tobacco among the Karuk Indians of California," one of his relatively few formally published works.

In 1933, at age 87, Isabel Meadows was invited to Washington D.C., to assist Harrington with his research on the Rumsen life, language, and culture in the Carmel Valley, California and Big Sur regions. Isabel was last known speaker of their language. They worked together until the end of her life, on May 20, 1939, at age 94, in Washington D.C.

A more complete listing of the languages he documented includes:

 * Abenaki language
 * Achumawi language
 * Applegate Athabaskan language
 * Atsugewi language
 * Cahuilla language
 * Central Pomo language
 * Central Sierra Miwok
 * Chemehuevi language
 * Chimariko language
 * Chumash languages
 * Coast Miwok language
 * Coast Yuki language
 * Mutsun language
 * Cupeño language
 * Diegueño language
 * Esselen language
 * Fernandeño language
 * Gabrielino language
 * Galice Athabaskan language
 * Hupa language
 * Juaneño language
 * Karuk language
 * Kato language
 * Kiliwa Ute language
 * Kitanemuk language
 * Klamath language

 * Konomihu language
 * Lake Miwok language
 * Luiseño language
 * Mattole language
 * Mojave language
 * Northern Pomo language
 * Northern Sierra Miwok language
 * Paipai language
 * Paiute language
 * Rogue River Athabaskan language
 * Salinan language
 * Serrano language
 * Shasta language
 * Shoshoni language
 * Southeastern Pomo language
 * Southern Pomo language
 * Takelma language
 * Tübatulabal language
 * Upper Umpqua language
 * Wappo language
 * Nisenan language
 * Wintu language
 * Yana language
 * Yokuts language
 * Yurok language

Personal life
Harrington was married to Carobeth Laird (née Tucker) from 1916 to 1923, a relationship that Laird later chronicled in her 1975 memoir Encounter with an Angry God. They had one daughter, Awona Harrington.

title: John Peabody Harrington


text:
Skelton, East Riding of Yorkshire

Skelton is a hamlet and former civil parish, now in the parish of Kilpin, in the East Riding of Yorkshire, England, and a linear settlement on the east bank of the River Ouse. It is situated about 2 mi south-east of Howden and 19 mi south-east from the county town of York. Skelton lies within the constituency of Haltemprice and Howden, an area placed as the 10th most affluent in the country in a Barclays Private Clients survey. In 1931 the parish had a population of 258.

Civil parish
Skelton was formerly a township in the parish of Howden, from 1866 Skelton was a civil parish in its own right, on 1 April 1935 the parish was abolished and merged with Kilpin, Eastrington and Howden.

title: Skelton, East Riding of Yorkshire


text:
User:Ciaron Broeck

My Sandbox | My Talk Page

About Me
I'm a mad raving member of the Greens, a noob wikipedian, and an arts student at the Australian National University. I also choose to insult people over the internet

Contributions
I have contributed, with varying degrees of signifigance, to these pages: Australian Greens Fenner Hall David Risstrom Youth Allowance

This Page
Kindly don't screw with this page too much. I do check the talk page.

My Links
For my own convience more than anything. The Australia Wikiportal Australian Wikipedians' Notice Board Australian Collaboration of the Fortnight New Australian Articles Australian stub articles Australian Wikipedians My Sandbox

A Quote
"Yeah I only put the quote thing in so I could get a table of contents" - Ciaron

"Isn't that expensive?" - Elo "We'll do it JCR style" - Matt "Oh no..." - Rest of the committee

title: User:Ciaron Broeck


text:
User talk:Osian II

Welcome
Hi Osian, welcome to Wikipedia :) --Joy [shallot]   08:20, 15 July 2005 (UTC)

Thanks. Been reading it for some time, and I have decided to edit it a bit :)

Survey Invitation
Hi there, I am a research student from the National University of Singapore and I wish to invite you to do an online survey about Wikipedia. To compensate you for your time, I am offering a reward of USD$10, either to you or as a donation to the Wikimedia Foundation. For more information, please go to the research home page. Thank you. --WikiInquirer 17:07, 4 March 2007 (UTC)talk to me

Orphaned non-free image (Image:4007.jpg)
Thanks for uploading Image:4007.jpg. The image description page currently specifies that the image is non-free and may only be used on Wikipedia under a claim of fair use. However, the image is currently orphaned, meaning that it is not used in any articles on Wikipedia. If the image was previously in an article, please go to the article and see why it was removed. You may add it back if you think that that will be useful. However, please note that images for which a replacement could be created are not acceptable for use on Wikipedia (see our policy for non-free media).

If you have uploaded other unlicensed media, please check whether they're used in any articles or not. You can find a list of 'image' pages you have edited by clicking on the "my contributions" link (it is located at the very top of any Wikipedia page when you are logged in), and then selecting "Image" from the dropdown box. Note that any non-free images not used in any articles will be deleted after seven days, as described on criteria for speedy deletion. Thank you. BetacommandBot 18:54, 18 July 2007 (UTC)

title: User talk:Osian II


text: Category:Forts in Michigan

title: Category:Forts in Michigan


text:
Take-the-best heuristic

In psychology, the take-the-best heuristic is a heuristic (a simple strategy for decision-making) which decides between two alternatives by choosing based on the first cue that discriminates them, where cues are ordered by cue validity (highest to lowest). In the original formulation, the cues were assumed to have binary values (yes or no) or have an unknown value. The logic of the heuristic is that it bases its choice on the best cue (reason) only and ignores the rest.

Psychologists Gerd Gigerenzer and Daniel Goldstein discovered that the heuristic did surprisingly well at making accurate inferences in real-world environments, such as inferring which of two cities is larger. The heuristic has since been modified and applied to domains from medicine, artificial intelligence, and political forecasting. It has also been shown that the heuristic can accurately model how experts, such as airport customs officers and professional burglars, make decisions. The heuristic can also predict details of the cognitive process, such as number of cues used and response times, often better than complex models that integrate all available cues; as such, it is an example of the less-is-more effect.

One-reason decision-making
Theories of decision making typically assume that all relevant reasons (features or cues) are searched and integrated into a final decision. Yet under uncertainty (as opposed to risk), the relevant cues are typically not all known, nor are their precise weights and the correlations between cues. In these situations, relying only on the best cue available may be a reasonable alternative that allows for fast, frugal, and accurate decisions. This is the logic of a class of heuristics known as "one-reason decision making," which includes take-the-best. Consider cues with binary values (0, 1), where 1 indicates the cue value that is associated with a higher criterion value. The task is to infer which of two alternatives has the higher criterion value. An example is which of two NBA teams will win the game, based on cues such as home match and who won the last match. The take-the-best heuristic entails three steps to make such an inference:

Search rule: Look through cues in the order of their validity.

Stopping rule: Stop search when the first cue is found where the values of the two alternatives differ.

Decision rule: Predict that the alternative with the higher cue value has the higher value on the outcome variable.

The validity v of a cue is given by v = C/(C+W), where C is the number of correct inferences when a cue discriminates, and W is the number of wrong inferences, all estimated from samples.

Take-the-best for the comparison task
Consider the task to infer which object, A or B, has a higher value on a numerical criterion. As an example imagine someone having to judge whether the German city of Cologne has a larger population than the other German city of Stuttgart. This judgment or inference has to be based on information provided by binary cues, like "Is the city a state capital?". From a formal point of view, the task is a categorization: A pair (A, B) is to be categorized as XA > XB or  XB > XA (where X denotes the criterion), based on cue information.

Cues are binary; this means they assume two values and can be modeled, for instance, as having the values 0 and 1 (for "yes" and "no"). They are ranked according to their cue validity, defined as the proportion of correct comparisons among the pairs A and B, for which it has different values, i.e., for which it discriminates between A and B. Take-the-best analyses each cue, one after the other, according to the ranking by validity and stopping the first time a cue discriminates between the items and concluding that the item with the larger value has also a larger value on the criterion.

The matrix of all objects of the reference class, from which A and B have been taken, and of the cue values which describe these objects constitutes a so-called environment. Gigerenzer and Goldstein, who introduced take-the-best (see Gerd Gigerenzer and Daniel Goldstein, D. G. (1996) ) considered, as a walk-through example, precisely pairs of German cities. yet only those with more than 100,000 inhabitants. The comparison task for a given pair (A,B) of German cities in the reference class, consisted in establishing which one has a larger population, based on nine cues. Cues were binary-valued, such as whether the city is a state capital or whether it has a soccer team in the national league.

The cue values could be modeled by 1s (for "yes") and 0s (for "no") so that each city could be identified with its "cue profile", i.e., a vector of 1s and 0s, ordered according to the ranking of cues. The question was: How can one infer which of two objects, for example, city A with cue  profile  (100101010)  and city B with cue  profile  (100010101) , scores higher  on  the  established  criterion, i.e., population size? The take-the-best heuristic simply compares the profiles lexicographically, just as numbers written in base two are compared: the first cue value is 1 for both, which means that the first cue does not discriminate between A and B. The second cue value is 0 for both, again with no discrimination. The same happens for the third cue value, while the fourth cue value is 1 for A and 0 for B, implying that A is judged as having a higher value on the criterion. In other words, XA > XB  if and only if  (100101010)  > (100010101). Mathematically this means that the cues found for the comparison allow a quasi-order isomorphism between the objects compared on the criterion, in this case cities with their populations, and their corresponding binary vectors. Here "quasi" means that the isomorphism is, in general, not perfect, because the set of cues is not perfect.

What is surprising is that this simple heuristic has a great performance compared with other strategies. One obvious measure for establishing the performance of an inference mechanism is determined by the percentage of correct judgements. Furthermore, what matters most is not just the performance of the heuristic when fitting known data, but when generalizing from a known training set to new items.

Czerlinski, Goldstein and Gigerenzer compared several strategies with take-the-best: a simple tallying, or unit weight model (also called "Dawes' rule" in that literature), a weighted linear model on the cues weighted by their validities (also called "Franklin's rule" in that literature), linear regression, and Minimalist. Their results show the robustness of take-the-best in generalization.

For example, consider the task of selecting the bigger city of two cities when
 * Models are fit to a data set of 83 German cities
 * Models select the bigger of a pair of cities for all 83*82/2 pairs of cities.

The percent correct was roughly 74% for regression, take-the-best, unit weight linear. More specifically, the scores were 74.3%, 74.2%, and 74.1%, so regression won by a small margin.

However, the paper also considered generalization (also known as out-of-sample prediction).
 * Models are fit to a data set of a randomly-selected half of 83 German cities
 * Models select the bigger of a pair of cities drawn from the other half of cities.

In this case, when 10,000 different random splits were used, regression had on average 71.9% correct, Take-the-best had 72.2% correct, and unit with linear had 71.4% correct. The take-the-best heuristic was more accurate than regression in this case.

title: Take-the-best heuristic


text:
Thomas Faed

Thomas Faed RSA (1826–1900) was a Scottish painter who is said to have done for Scottish art what Robert Burns did for Scottish song.

Life
Faed was born on 8 June 1826, at Barlay Mill in Gatehouse of Fleet, Kirkcudbrightshire, and was the brother of the artists James Faed, John Faed and Susan Faed.

He received his art education in the school of design, Edinburgh and was elected an associate of the Royal Scottish Academy in 1849. He went to London three years later, was elected an associate of the Royal Academy in 1861, and academician in 1864, and retired in 1893. He had much success as a painter of domestic genre, and had considerable executive capacity.

In 1850 he was living at 16 Comely Bank in north Edinburgh with his brother James Faed, an engraver. During his time in Edinburgh he was a member of the Edinburgh Smashers Club alongside William Fettes Douglas.

Three of his pictures, The Silken Gown, Faults on Both Sides, and The Highland Mother are in the Tate Gallery and a further two, Highland Mary and The Reaper hang in the Aberdeen Art Gallery. The Last of the Clan, completed in 1865 and arguably his best known work, is in the Kelvingrove Gallery in Glasgow. He produced several versions of this work, including a smaller version now in The Fleming Collection. Two other celebrated pictures are The Motherless Bairn and Scott and His Literary Friends at Abbotsford.

He died in London on 17 August 1900.

title: Thomas Faed


text:
Rob Gretton

Robert Leo Gretton (15 January 1953 – 15 May 1999) was the manager of Joy Division and New Order. He was partner in and co-director of Factory Records and a founding partner of The Haçienda. For ten years until his death in 1999, Gretton ran his own label, Rob's Records.

Life and career
In 1977, Gretton became a leading figure in the Manchester punk scene with his involvement with Slaughter & The Dogs. He was a DJ in Rafters club and manager of The Panik.

Gretton's involvement with the Manchester scene began when he contributed £200 to co-finance Slaughter & the Dogs' first single, the punk classic "Cranked Up Really High".

In 1978, Gretton saw Joy Division perform at the Stiff Test/Chiswick Challenge battle of the bands in Manchester City centre. The next day, he accosted Bernard Sumner in a phone box and insisted he be the band's manager. Tony Wilson of newly formed Factory Records also saw Joy Division, and perhaps Gretton, for the first time that night. He then went on to write to Wilson twice, once asking to appear on Wilson's regional music show, and again to thank him for mentioning Joy Division on the show. Wilson replied, telling Gretton that "Joy Division (were) the best thing I've heard in Manchester for about six months".

After joining Factory Records in 1979, Gretton brought many new bands to the label, including Section 25, X-O-Dus, Crispy Ambulance, Stockholm Monsters, Minny Pops, The Names, Quando Quango, The Wake, 52nd Street and Happy Mondays.

Gretton was proprietor of the Rob's Records label and a co-founder of The Haçienda nightclub in Manchester. In 1995, he founded Manchester Records.

He was a supporter of Manchester City F.C.

Peter Hook recalls in his memoirs, Unknown Pleasures: Inside Joy Division and Substance: Inside New Order how Gretton would sometimes record backing vocals on New Order tracks and often helped with deliberations over song and album titles with both Joy Division and New Order.

He died in May 1999 at the age of 46 as the result of a heart attack.

Portrayal in the media
Gretton was portrayed by Paddy Considine in the 2002 film 24 Hour Party People, which dramatized the rise and fall of Factory Records, and by Toby Kebbell in the 2007 film Control, a biopic of Joy Division singer Ian Curtis.

title: Rob Gretton


text:
Kasumi Takahashi

Kasumi Takahashi is a Japanese-Australian rhythmic gymnast who lives in Los Angeles, California, United States. She was born to an Australian mother and a Japanese father on 6 May 1980 in Tokyo, Japan.

She was an overnight success at the 1994 Commonwealth Games in Victoria, British Columbia, Canada, when she took out all five gold medals - ball, rope, clubs, ribbon and the all-around title - setting an Australian record. However, her ribbon victory attracted some protest from the Canadian crowd, many of whom would have liked to see home gymnast Camille Martens rewarded with gold.

Kasumi retired from the sport in 1998 after suffering stress fractures in her back. Although she competed for Australia, she trained at the California Academy of Rhythmic Gymnastics.

title: Kasumi Takahashi


text:
Manasa, vacha, karmana

Manasa, vacha, karmana are three Sanskrit words. The word manasa refers to the mind, vacha refers to speech, and karmana refers to actions.

In several Indian languages, these three words are together used to describe a state of consistency expected of an individual. The motto manasa, vacha, karmana is usually invoked to imply that one should strive to achieve the state where one's thoughts, speech, and the actions coincide.

Sanskrit words
The definitions below are from Macdonnell's Sanskrit Dictionary:
 * मनस or manasa: "mind (in its widest sense as the seat of intellectual operations and of emotions)"
 * वाचा or vācā: "speech, word"
 * कर्मणा or karmaṇā: "relating to or proceeding from action"

These three words appear at Mahabharata 13.8.16:":कर्मणा मनसा वापि वाचा वापि परंतप / यन मे कृतं बराह्मणेषु तेनाद्य न तपाम्य अहम
 * "In consequence of what I have done to the Brahmanas in thought, word, and deed, I do not feel any pain now (even though I am lying on a bed of arrows).""

These three words also appear in at least one version of the Guru Gita: ":कर्मणा मनसा वाचा सर्वदाऽऽराधयेद्गुरुम् । दीर्घदण्डं नमस्कृत्य निर्लज्जौ गुरुसन्निधौ ॥ ५१ ॥"

Trikaranasuddhi
Trikaranaśuddhi indicates the purity and unity of (1) manasa (thought), (2) vacha (word/speech), and (3) karmana (deed/action), and a harmony and congruence between them. A spiritual saying of India speaks about the existence of this congruence in great people ("Mahatma"): "Manassekam, Vachassekam, Karmanyekam Mahaatmanam". It may also indicate that a "Mahatma" is one whose thoughts (Manas), words (Vachas) and Deeds (Karma) are centered on 'Unity'. It may also indicate that a "Mahatma" is one, whose thoughts (Manas), words (Vachas) and deeds (Karm) are centered on 'Unity'. The idea of Trikaranasuddhi has some connection to the commonly expressed adage of 'Talk your Thought, Walk your Talk'.

There has been exploration about the linkage between trikaranasuddhi and effectiveness in leadership.

title: Manasa, vacha, karmana


text:
Radek

Radek is a masculine Christian name of Slavic origin. It is often nickname of Radovan, Ctirad and Radoslav. It is used as a surname and given name. Notable people with the name include:

Given name

 * Radek Baborák, Czech conductor and French horn player
 * Radek Bejbl, Czech footballer
 * Radek Bělohlav, Czech ice hockey player
 * Radek Bonk, Czech ice hockey player
 * Radek Dosoudil, Czech footballer
 * Radek Duda, Czech ice hockey player
 * Radek Dvořák, Czech ice hockey player
 * Radek Faksa, Czech ice hockey player
 * Radek Jaroš, Czech mountaineer and author
 * Radek John, Czech publicist, author and writer
 * Radek Martínek, Czech ice hockey player
 * Radek Pilař, Czech painter
 * Radek Sikorski, Polish politician
 * Radek Smoleňák, Czech ice hockey player
 * Radek Štěpánek, Czech tennis player

Fictional characters

 * Radek Zelenka, character in Stargate:Atlantis

Surname

 * Karl Radek (1885–1939), Bolshevik and international Communist leader
 * General Ivan Radek, fictional communist terrorist leader of Kazakhstan in the movie Air Force One
 * Viktor Radek, fictional character from the computer games Sin Episodes

Articles

 * Articles beginning with "Radek"

title: Radek


text:
Bonaventura

Bonaventura may refer to:

 * Bonaventura (given name), given name
 * Bonaventura (surname), surname
 * Bonaventura (VTA), light-rail station in San Jose, United States of America
 * Signor Bonaventura, an Italian comic strip
 * Bonaventura Heinz House (first), in the West End of Davenport, Iowa, United States, listed on the NRHP from 1984 to 2005
 * Bonaventura Heinz House (second), historic building located in the West End of Davenport, Iowa, United States, listed on HRHP from 1983
 * CVV 8 Bonaventura, Italian two-seat competition glider designed during the 1950s and produced in 50 unities

title: Bonaventura


text: User talk:68.4.80.45

title: User talk:68.4.80.45


text:
Eastern Bulgaria

Eastern Bulgaria may refer to:

 * Eastern Bulgaria
 * Volga Bulgaria
 * Old Great Bulgaria

title: Eastern Bulgaria


text:
Juggernaut (disambiguation)

A juggernaut is an unstoppable force.

Juggernaut may also refer to:

Music

 * Juggernaut (band), an American technical/progressive thrash metal band
 * Juggernaut (Hunters & Collectors album), 1997
 * Juggernaut (Frank Marino album), 1982
 * Juggernaut (Sun City Girls album), 1994
 * Juggernaut: Alpha and Juggernaut: Omega, a double album by Periphery
 * Juggernaut, an album (and band led) by Frankie Capp & Nat Pierce
 * Juggernaut, an album by Knights of the Abyss
 * Juggernaut, an album by Lustmord
 * "Juggernaut" (song), by Tyler, the Creator
 * "Juggernaut", a single by Autoheart (2023)
 * "Juggernaut", a song by Cave In from Until Your Heart Stops (1998)
 * "Juggernaut", a song by Clutch from Pitchfork & Lost Needles (2005)
 * "Juggernaut", a song by Five Iron Frenzy from Five Iron Frenzy 2: Electric Boogaloo (2001)
 * "Juggernaut", a song by Gothminister from Anima Inferna (2011)
 * "Juggernaut", a song by Raven from Life's a Bitch (1987)
 * "Juggernaut", a single by Sadie (band) (2010)
 * "Juggernaut", a song by Swollen Members from Beautiful Death Machine (2013)
 * "Juggernauts" (song), a song by Enter Shikari from Common Dreads (2009)

Film

 * The Juggernaut, a silent train disaster drama
 * Juggernaut (1936 film), a film starring Boris Karloff
 * Juggernaut (1974 film), a suspense film about a bomb threat on the fictional liner SS Britannic
 * Juggernaut (2003 film), a Dutch documentary film directed by Rob Das
 * The Juggernaut, character in Thirteen Ghosts
 * A5 Juggernaut, a fictional vehicle, see list of Star Wars air, aquatic, and ground vehicles

Television

 * "Juggernaut" (Star Trek: Voyager), an episode of Star Trek: Voyager
 * The Juggernauts, a Doctor Who audio adventure by Scott Alan Woodard
 * Juggernaut, fictional computer program in Digimon Tamers

Games

 * Juggernaut (video game), a 1999 Playstation game
 * Juggernaut, a game mode in video games, see glossary of video game terms
 * The Juggernaut, a unit in Blood & Magic
 * Juggernaut, a vehicle in Expanded MultiPlayer
 * Juggernaut, a ship type in FreeSpace 2, a 1999 space combat simulation game for the PC
 * Juggernaut, a unit type in the Command & Conquer series, including Command & Conquer 3: Kane's Wrath

Other uses

 * Juggernaut (wrestler) (born 1976), Canadian professional wrestler
 * Juggernaut (character), a Marvel comics character
 * Juggernaut (novel), a 1985 novel by Desmond Bagley
 * New York/New Jersey Juggernaut, a former team in the National Pro Fastpitch softball league
 * Juggernaut, a British word for a large articulated lorry

title: Juggernaut (disambiguation)


text: Category:Forts in Tennessee

title: Category:Forts in Tennessee


text:
Wikipedia:Articles for deletion/Juggernaut group

 This page is an archive of the proposed deletion of the article below. Further comments should be made on the appropriate discussion page (such as the article's talk page or on a Votes for Undeletion nomination). No further edits should be made to this page.

The result of the debate was delete. - Mgm|(talk) 12:48, July 22, 2005 (UTC)

Juggernaut group
I came across this using Wikiwax when I made a disambiguation page as a result of another VFD. Delete as blatant advertising please. - Mgm|(talk) 08:41, July 15, 2005 (UTC)
 * Delete, not notable. Relevant Googles  are almost all from listings and directories, probably stuff they put in themselves... no one discussing them.  Just a typical small business.  Dcarrano 08:48, July 15, 2005 (UTC)
 * Speedy. Feel free to use the Template:Advert on these kinds of articles. --Malathion 09:42, 15 July 2005 (UTC)
 * Comment advertising is not a current criteria for speedy deletion. Also take a look at Templates_for_deletion. Nabla 17:27, 16 July 2005 (UTC)
 * Delete advertising. JamesBurns 04:41, 16 July 2005 (UTC)
 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in an undeletion request). No further edits should be made to this page.


text:
Thomas Duncan (painter)

Thomas Duncan (4 May 1807 – 25 April 1845) was a Scottish portrait and historical painter.

Life
Duncan was born in Kinclaven, Perthshire on 4 May 1807.

Educated at the Perth Academy, he began studying law, but abandoned it for art. Beginning under the instruction of Sir William Allan, he attained early distinction as a delineator of the human figure; and his first pictures established his fame so completely, that at a very early age he was appointed professor of coloring and afterwards of drawing, in the Trustees' Academy of Edinburgh.

In the 1830s, his address is given as 1 Darnaway Street, a large Georgian flat on the edge of the Moray Estate in the west end of Edinburgh's New Town.

He died of a brain tumour in Edinburgh on 25 April 1845.

He is buried in Warriston Cemetery in north Edinburgh. The grave lies on a slope next to the steps at the east end of the vaults next to the grave of James Young Simpson.

Works
In 1840, Duncan painted one of his finest pictures, Charles Edward Stuart and the Highlanders entering Edinburgh after the Battle of Prestonpans, which secured his election as an associate of the Royal Academy in 1843. In the same year, he produced his picture of Charles Edward asleep after Culloden, protected by Flora MacDonald, which, like many other of his works, has been often engraved. In 1844, appeared his Cupid, and his Martyrdom of John Brown of Priesthill.

His last known work (late 1844) was a self-portrait, now in the National Gallery in Edinburgh. He particularly excelled in his portraits of ladies and children, yet his own portrait was painted by Robert Scott Lauder.

title: Thomas Duncan (painter)


text: User talk:68.122.193.55

title: User talk:68.122.193.55


text:
Rhinestone (film)

Rhinestone is a 1984 American musical comedy film directed by Bob Clark from a screenplay by Sylvester Stallone and Phil Alden Robinson and starring Stallone, Dolly Parton, Richard Farnsworth and Ron Leibman. It is based on the 1975 hit song "Rhinestone Cowboy" written by Larry Weiss. Although a critical and financial failure, the film spawned two top 10 country hits for Parton.

Plot
Jake Farris, a down home country singer stuck in a long-term contract performing at "The Rhinestone", a sleazy urban cowboy nightclub in New York City, boasts to the club's manager, Freddie, that she can make anybody into a country sensation, insisting that she can turn any normal guy into a country singer in just two weeks. Freddie accepts Jake's bet, putting up the remainder of Jake's contract (if she wins the bet, the contract becomes void; if she loses, another five years will be added). He then ups the ante: if Jake loses, she must also sleep with him.

The problem is that Freddie can select the man, and he selects an obnoxious New York City cabbie named Nick Martinelli. Nick not only has no musical talent whatsoever, he claims to hate country music "worse than liver". Realizing she is stuck with Nick, she takes him back to her home in Tennessee to teach him how to walk, talk and behave like a real country star. While there, he has to put up with Jake's constant nagging and berating him about his behavior, the culture-shock of not knowing anything about the South, and Jake's ex-fiancée Barnett Kale who befriends Nick, then turns on him when he realizes that he and Jake have developed feelings for one another.

It all leads to Nick performing a song at The Rhinestone where the crowd is a crazed group of hecklers and are "out for blood." After Nick's first attempt to sing bombs, he turns to the band and says, "Okay guys, let's pick up the beat" and the band begins playing the song in a more Rock n' Roll version and he wins the crowd over. In the end, Jake gets her contract back and she and Nick begin to sing another song with the implication that they will continue their budding relationship together.

Cast

 * Sylvester Stallone as Nick Martinelli
 * Dolly Parton as Jake Farris
 * Richard Farnsworth as Noah Farris
 * Ron Leibman as Freddie Ugo
 * Tim Thomerson as Barnett Kale
 * Steve Peck (credited as Stephen Apostle Pec) as Nick's father
 * Penny Santon as Nick's mother
 * Russell Buchanan as Elgart
 * Ritch Brinkley as Luke
 * Jerry Potter as Walt
 * Jesse Welles as Billie Joe
 * Phil Rubenstein as Maurie
 * Tony Munafo as Tony
 * Don Hanmer as Sid
 * Speck Rhodes as Mr. Polk
 * Guy Fitch as Wino
 * Cindy Perlman as Esther Jean

Development and writing
Stallone reportedly turned down Romancing the Stone (1984) to make Rhinestone. He was paid $5 million and a percentage of the gross.

Executives at both Fox and Paramount expressed interest. Paramount's interest evaporated after president Michael Eisner reviewed the project and liked it but not enough to get into a bidding war with another studio. Fox production chief, Sherry Lansing, was enthusiastic enough to buy it out of turnaround from Embassy for about $60,000, telling screenwriter Phil Alden Robinson that it was the best love story and the best comedy they had read in years. They loved the dialogue and talked of offering Robinson an overall deal in which he would write, direct and produce future projects.

However, when Sherry Lansing departed Fox, her successor, Joe Wizan, reviewed all projects in development. Wizan felt the Rhinestone script could not move forward unless they could get major stars for it. He and several Fox executives reviewed the list of actors who could co-star with Dolly Parton. They were concerned that they find someone who could be believable as a New York cab driver and have enough charisma that he would not be blown off the screen by the presence of Parton—who, some Fox executives thought, had done just that to Burt Reynolds in The Best Little Whorehouse in Texas (1982). Mike Ovitz, whose talent firm, Creative Artists Agency, represented Parton (and Stallone) intervened, and insisted Fox take one of its male stars if they wanted Parton; CAA advocated for Stallone. According to one insider, CAA said, “‘If you want her, you better take him,’” and “that was the end of discussions of whether anyone else could be obtained for the part.” Stallone’s agents at CAA had been positioning him to direct Rhinestone himself. When Stallone declined to pursue the position, it was decided to let him direct the picture in fact, even though Don Zimmerman would be the director of record. But Zimmerman was never let in on the secret. He thought he was the one and only director.

Sylvester Stallone was tentatively set to do a film for Paramount before beginning production on Rhinestone for Fox. The Paramount producers, Don Simpson and Jerry Bruckheimer, were encountering the same problems as their Fox counterparts, after offering Stallone the lead in Beverly Hills Cop, Stallone told the Paramount executives he wanted to make a few changes and then proceeded to rewrite the script. Simpson and Bruckheimer, with more experience producing big-budget, high concept projects, than the executives at Fox, responded by saying that they didn’t want to film the script as rewritten and promptly exited talks with Stallone and his representatives.

When the Paramount film fell through, the start date for Rhinestone was moved up. The original four or five months of preparatory planning were reduced to two and a half. To complicate matters further, Stallone decided that the script needed to be rewritten.

When Fox bought his script they initially told Phil Alden Robinson it was their intent that he do any rewrites, if needed; but they were sincere from the outset, making Robinson aware they couldn't promise this. A meeting was scheduled by the studio for Stallone and Robinson to discuss script changes. The studio wanted Stallone to supervise Robinson in the rewrite. But the morning of the meeting Robinson was disinvited. Stallone wanted to rewrite the script himself.

According to Phil Alden Robinson, Stallone did two drafts, one worse than the other. Stallone had, in a few short weeks, thrown out what had taken Robinson a year to write. Stallone changed the attitude of his character, making him more streetwise and less vulnerable."'Stallone’s script read very much like a first draft,' according to one observer. “You didn’t sense a lot of work went into the choices. There had been a lot of texture in the screenplay, a lot of charm, and the characters were very well defined and they went through carefully plotted-out progressions of character change. All that was gone.” The original script worked hard to keep out clichés. Stallone added them."Fox executives agreed that Stallone's changes by and large hurt the script. With seven weeks to go before the start of principal photography, the studio said they would not make the movie on the basis of the revised script. Phil Alden Robinson was brought back in and asked to “restore the charm” of the original, and “put those great characters back,” without changing any of the dialogue Sylvester Stallone had written for himself. Robinson objected, telling Fox executive Joe Wizan that what was wrong with the script was the awful dialogue. Wizan replied: “Welcome to Hollywood.” Robinson reluctantly agreed to the studio’s restrictions on the rewrite. He says he was able to solve some structural problems and tried to make sense of Stallone’s changes. When he turned it in, the studio said the new script was great, and one executive vowed that Stallone was either going to do it as written or walk. When they showed the changes to Stallone he said, “''Fine, fine. I just have a few changes to make''.” Stallone then proceeded to restore most of his changes.

The studio was not happy with Stallone’s new revisions. Robinson’s original Rhinestone script was a small movie about a strong-willed Southern woman determined to own a restaurant in Manhattan. By the time Stallone’s revisions were completed, it had become the story of a New York cab driver’s miraculous victory in a country-Western singing contest (a contest that parlayed Parton’s character into going to bed with her sleazy boss should they lose the contest)."“CAA pretty much took over [the film],” says one insider. “And one of the reasons that they were able to take over was that Twentieth Century Fox at that time was run by people who weren’t strong filmmakers. They had people who were not experienced in making movies. They had marketing directors, story editors and ex-agents, but they didn’t have filmmakers running the place.” By turning the project over to Stallone they were giving the movie to someone who had written and directed. And they knew that if things didn’t turn out well, they could always lay the blame on Stallone."When the film started shooting, production problems immediately arose. Don Zimmerman thought he was the director. But Stallone told him what to do, ad-libbed scenes and made changes as he saw fit. By everyone’s reckoning, including Stallone’s, the first few weeks were a disaster.

Tensions were exacerbated when Stallone and Don Zimmerman got into a dispute over the cameraman. Stallone was unhappy with the look of the movie. Zimmerman thought the cameraman was doing a wonderful job and loyally stuck by him. Stallone forced the cameraman out, and after that, says Don Zimmerman, their relationship quickly deteriorated.

Three weeks into production, Don Zimmerman was fired. His contract was settled and the production shut down while the studio sought a new director. CAA proposed that Fox hire Bob Clark, who had directed the hit film Porky’s, which Fox had distributed -- contrary to Stallone's later statement's, director Mike Nichols was never considered for, much less affiliated with Rhinestone. Nichols was still very loyal to his agent Sam Cohn, with ICM, throughout the 1980s; and CAA oversaw principle talent (package) acquisitions on Rhinestone, during this time. Since the new director had to be acceptable to Sylvester Stallone, it didn’t hurt that both were represented by CAA. Clark reportedly received $1 million to direct, plus a guaranteed fee for his next project at Fox, whether or not it was ever produced. That project is reputed to have been previously rejected by the studio. The first three weeks of filming were thrown out (all footage directed by Zimmerman, including location work in New York City and Nashville). Knowing his reputation for problem sets, Sylvester Stallone was anxious not to be cast as the villain in this production switch so he told a reporter that the change had been made because studio executives were panicked when the film fell behind schedule.

After a shutdown of one week, and now under Bob Clark’s direction, the production continued filming in Tennessee before relocating to Los Angeles, CA, “to start from scratch;” After Stallone insisted the weather in TN was too cold, which would later result in continuity problems. The production planned to use the San Fernando Valley for reshoots. Stallone continued to rewrite the script as production proceeded. Robinson says that when Clark was hired, it was with the strong understanding that no one could touch the script except Stallone. If Clark wanted any changes he had to go to Stallone.

Among other revisions, Stallone made his role larger than Dolly Parton’s, a reversal of the original script, in which her character dominated. If Parton objected to the change, she never raised a fuss. By all accounts she was a joy to work with.

Clark’s performance as director was admirable, considering he had so little time to prepare himself and was directing the strong-willed Stallone in a script he was locked into. Don Zimmerman says Stallone continued to do whatever he wanted, despite Fox’s hopes that the new director would be able to control him.

Original screenwriter Phil Alden Robinson was so offended by Stallone's reworking of his original screenplay that he briefly considered having his name removed from the film's credits. He was later convinced that having his name on a film of this "caliber" would look good on his resume.

In 2006 Stallone said: "The most fun I ever had on a movie was with Dolly Parton on RHINESTONE. I must tell everyone right now that originally the director was supposed to be Mike Nichols, that was the intention and it was supposed to be shot in New York, down and dirty with Dolly and I with gutsy mannerisms performed like two antagonists brought together by fate. I wanted the music at that time to be written by people who would give it sort of a bizarre edge. Believe it or not, I contacted Whitesnake's management and they were ready to write some very interesting songs alongside Dolly's. But, I was asked to come down to Fox and out steps the director, Bob Clark. Bob is a nice guy, but the film went in a direction that literally shattered my internal corn meter into smithereens. I would have done many things differently. I certainly would've steered clear of comedy unless it was dark, Belgian chocolate dark. Silly comedy didn't work for me. I mean, would anybody pay to see John Wayne in a whimsical farce? Not likely. I would stay more true to who I am and what the audience would prefer rather than trying to stretch out and waste a lot of time and people's patience." Stallone said he regrets making the film.

Critical response
The film was panned upon its release, and is generally regarded as a commercial and critical flop. On Rotten Tomatoes, the film has an approval rating of 19% based on reviews from 16 critics. On Metacritic the film has a weighted average score of 36 out of 100, based on 9 critics, indicating "generally unfavorable reviews". Nonetheless, the soundtrack album gave Dolly Parton two top ten country singles: "Tennessee Homesick Blues" and "God Won't Get You".

Variety magazine wrote: "Effortlessly living up to its title, Rhinestone is as artificial and synthetic a concoction as has ever made its way to the screen."

Phil Alden Robinson publicly distanced himself from the film during its release. Robinson took the highly unusual step of mounting his own publicity campaign, criticizing the movie, saying that the humor and intelligence of the original script had been replaced with vulgarity, caricature and farce. Disassociating himself from the picture, he sent letters to film critics explaining what had happened to his script. It was, he said, a textbook example of a studio willingly sacrificing the quality of a script for what was perceived as the marketability of star casting. "'I thought a long time before speaking out,' Robinson says. 'Of course the conventional wisdom is that you don't open your mouth. But I was having a hard time living with that. I wrote letters and I gave interviews and I did a lot of press. I couldn’t do nothing. I mean, I was doing nothing and I couldn’t keep doing that. I would rather take the heat for saying what I believe and for telling the truth than to just let the industry know you can do this to me. And so I did a lot of press and got no heat. Stallone called my agent and was furious but that was it. People at studios, even at Fox, called to say we’re glad you did that and it’s about time somebody said these things. Writers, of course, were thrilled. I actually got calls from people who worked on the movie, from agents, and who were allied with Stallone, saying, we’re glad you did that, we can’t say this to Sly, but you’re right.'"In her 1994 autobiography, Parton said of the film “I guess the public didn’t want to see Sylvester Stallone do comedy – or see me do Sylvester Stallone."

title: Rhinestone (film)


text:
Moritz Szeps

Moritz Szeps (5 November 1835, Busk – 9 August 1902, Vienna) was an Austrian newspaper tycoon who founded and published the Neues Wiener Tagblatt (1867-1886), Wiener Tagblatt (1886-1894), and Das Wissen für Alle (1900).

Early life
Szeps was born into a Jewish family in Busk, Ukraine in 1835. His father was a doctor, and he initially studied medicine in Lemberg. After going to Vienna to continue his studies, he decided to change careers and became a journalist instead.

Journalism and publishing
From 1855 to 1867, he was editor-in-chief of the Morgen-Post. In 1867, following the resignation of most of its employees, he took over the Neues Wiener Tagblatt, which became the leading a liberal newspaper in Austria. As a friend of Crown Prince Rudolf, Szeps published his political writings anonymously. Szeps, however, was not shy about making direct attacks on his opponents and critics. By 1876, he was sufficiently successful to build his own home, the "Palais Szeps", which is now the residence of the Swedish Ambassador.

Eventually, his financial backers wanted him to be more cautious and, in 1886, eased him out of the company. With the help of a Hungarian financier, he purchased the Morgen-Post and changed its name to the Wiener Tagblatt (after 1901, Wiener Morgenzeitung). The paper eventually failed to meet expectations, and was discontinued in 1905.

Like the Crown Prince, he felt that Austria should emulate France, rather than reactionary Prussia. Therefore, he had numerous contacts in Paris, including Georges Clemenceau, who was also a newspaper editor at that time. This was met with fierce opposition by the Pro-German nationalists, who were increasingly Anti-Semitic. When the Crown Prince died in 1889, the liberal cause suffered a serious setback and Szeps's finances dwindled accordingly.

Legacy
Szeps' daughter, Berta Zuckerkandl, became a well known writer, journalist and art critic. Berta and her husband Emil Zuckerhandl created a brilliant salon for artists and writers that was at the center of cultural life. His other daughter, Sophie, married Paul Clemenceau, the brother of the prime minister of France.

title: Moritz Szeps


text:
Talaiot

A talaiot, or talayot, is a Bronze Age megalith found on the islands of Menorca and Majorca forming part of the Talaiotic Culture or Talaiotic Period. Talaiots date back to the late second millennium and early first millennium BC. There are at least 274 of them, in, near, or related to Talaiotic settlements and the Talaiotic chamber tombs known as navetas. Talaiots pre-date the megalithic structures known as taulas, which are usually found nearby. While some Talaiots are thought to have had a defensive purpose, the use of others is not clearly understood. Some believe them to have served the purpose of lookout or signalling towers, as on Menorca, where they form a network. Talaiots generally take the form of circular or square buildings, and they may have been used as dwellings or meeting places. The talayots on Menorca have been much less prone to weathering than the ones found on Majorca. Despite this, very few grave goods have been found in Menorcan talayots, leading historians to believe that the island had a poorer economy than its larger neighbor.

The first author to write about these structures was Juan Ramis in his book Celtic antiquities on the island of Menorca, which was published in 1818, and was the first book in the Spanish language entirely devoted to prehistory.

There are similar megalithic buildings found in other areas of the Western Mediterranean, though these are not necessarily related to talaiots. Examples include the "nuraghes" of Sardinia, the "torri" of Corsica, and the "sesi" of Pantelleria.

Sites
Talaiotic sites include:
 * Capocorb Vell, 12 km south of Llucmajor, Majorca: five talaiots and ancient village
 * Ses Païsses, near Artà, Majorca
 * Son Oleza dolmen, Majorca, discovered in 1999
 * Bocchoris, Majorca
 * Settlement at S'illot, Majorca
 * Talatí de Dalt, Menorca
 * Trebalúger, Menorca, dating from around 1500–100 BC: one of the oldest Talaiots on Menorca
 * Trepucó, Menorca
 * Torre d'en Galmés, Menorca

Archaeology
In 2019 a well-preserved 3,200-year-old Bronze Age sword was discovered by archaeologists under the leadership of Jaume Deya and Pablo Galera at the Talaiot del Serral de ses Abelles in the Puigpunyent municipality of western Majorca. The archaeologists believe that the weapon was made when the Talaiotic culture was in decline. The sword will be on display at the Majorca Museum.

title: Talaiot


text:
User talk:Jfleong

Image:Cellobiose.JPG
NOTE: this is because I have made a cleaner PNG version, you can see this at Image:Cellobiose2.png. GarrettTalk 08:46, 15 July 2005 (UTC)

title: User talk:Jfleong


text: Category:Forts in Oregon

title: Category:Forts in Oregon


text:
Talk:Moritz Szeps

Untitled

 * Article: de:Moritz Szeps
 * Corresponding English-language article: Moritz Szeps
 * Worth doing because: important person
 * Originally Requested by: --Sheynhertz-Unbayg 3 July 2005 06:40 (UTC)
 * Status: done Lectonar 08:46, 15 July 2005 (UTC)
 * Other notes:
 * Supported:

The link to "crownprince Rudolf" in the article points to wrong person. Obviously Szeps could not be a friend to somebody who lived in 13 century.

title: Talk:Moritz Szeps


text:
Calcutta National Medical College

Calcutta National Medical College and Hospital (CNMCH), colloquially known as Chittaranjan Hospital, is a public medical college and hospital located in Kolkata, West Bengal, India. It was established by the amalgamation of the National Medical Institute and Calcutta Medical Institute.

Establishment
The Calcutta National Medical College has its origin in the "National Medical Institute" or "Jatiya Ayurbigyan Vidyalaya" on 14 April 1921, founded as a product of the Non-cooperation movement. It was inaugurated by Netaji Subhas Chandra Bose. The College is locally known as Chittaranjan Hospital. Established in 1948, the institute was nationalized and taken under the Ministry of Health & Family Welfare (West Bengal) in 1967. The college is accredited by the National Medical Commission (NMC). It was affiliated with the University of Calcutta till 2003. It is currently affiliated to the West Bengal University of Health Sciences (WBUHS). The founder principal of the college was Dr Sundari Mohan Das.

Annual intake

 * Paramedical – 73
 * Undergraduate
 * MBBS : 250
 * Nursing : 50
 * Post Graduate
 * Degree : 122
 * Diploma : 4
 * Post Doctoral (Super-specialization) : 7

Departments
CNMC consists of following departments:

Pre-clinical

 * Department of Anatomy
 * Department of Physiology
 * Department of Biochemistry

Para-clinical

 * Department of Pathology
 * Department of Microbiology
 * Department of Pharmacology
 * Department of Forensic and State Medicine
 * Department of Community Medicine/PSM

Clinical

 * Department of Ophthalmology
 * Department of ENT/Otorhinolaryngology
 * Department of General Surgery
 * Department of Orthopaedics
 * Department of Gynaecology and Obstetrics
 * Department of General Medicine
 * Department of Paediatrics
 * Department of Dermatology
 * Department of Pulmonary/Chest Medicine
 * Department of Physical Medicine & Rehabilitation
 * Department of Dentistry
 * Department of Radiology
 * Department of Radiotherapy
 * Department of Psychiatry
 * Department of Anaesthesiology
 * Department of Cardiothoracic and Vascular Surgery
 * Department of Paediatric Surgery
 * Department of Plastic and Reconstructive Surgery
 * Department of Neurosurgery
 * Department of Urology
 * Department of Neuro Medicine
 * Department of Cardiology

Hospital
Calcutta National Medical College (CNMC) is popularly known as Chittaranjan Hospital. The second campus of CNMC previously Calcutta Pavlov Hospital houses the psychiatry department. CNMC&H is one of the biggest government hospitals in West Bengal having extensive OPD, day care and indoor patient care services with more than 8,000 patients attending OPD every day. Total available bed strength is 1470. Calcutta National Medical College and Hospital ranked country’s best in maternity care and received the LaQshya Certificate from the Union health ministry, becoming the first medical institute in West Bengal to get it.

AGON – The annual cultural festival
AGON is the annual cultural festival of Calcutta National Medical College, organised by the CNMC Students' Union. AGON is reportedly the biggest medical college festival of Eastern India. Since its inception in 1980 Agon has been one of the most sought after college festivals among the medical student fraternity in West Bengal. Among the major attractions of Agon are the 4 concert nights, which has regional artists, Bollywood celebrities, EDM concerts and DJ night. Agon has witnessed stellar performances from Amit Trivedi, Arijit Singh, Neha Kakkar, Sunidhi Chauhan, KK (singer), Mohit Chauhan, Mohammed Irfan (singer), Shalmali Kholgade, Shraddha Pandit, Fossils (band), Euphoria (Indian band), Javed Ali, Neeraj Shridhar, Rupankar, Anupam Roy, Sidhhu, Pota etc.
 * Prefest – Agon Prefest is held for 4–7 days prior to the main fest. Prefest events include: Intercollege Sports Tournament (cricket, football, volleyball, badminton, table tennis, carrom and chess), Cinefest, Short-Film Festival, Solo and group creative events, CME (Continued medical education), Seminars, Dance workshop, Medical workshops, Blood donation camps,  awareness campaigns etc.
 * Fest – Following the traditions of the past four decades the main fest Agon is held for 4 days. It begins just after the prefest. Events include: Dance & Music contests, Battle of Band, Crime Scene Investigation, Treasure Hunt, Medi Quiz, General Quiz, Fandom Quizzes (Harry Potter, Game of Thrones, Friends, DC-Marvel), Stand-Up comedy, Drama competition, Street Play, X-Factor (Colors of Bengal), Paradox – The Fashion Show etc.

The cultural festival embraces the likes of many famous celebrities of the country, drawing about 5000 footfalls a day. With more than 40 inter college events and competitions spanning for more than a week, the fest is graced by more than 3000 college students, post graduate trainees, resident doctors, alumni of the college and faculty members. Students from more than 60 schools and colleges from Kolkata as well as from other parts of Eastern India take part in the competitions and attend the concerts. A number of social initiatives are undertaken by the Students' Union as part of the annual cultural festival AGON, which includes Blood donation camps, Thalassaemia screening camps, awareness campaigns etc.

Calcutta National Medical College Students’ Union presents AGON has their android based mobile app named CNMCH AGON, which is the first time in India, a college event have their own app for event management and registration purposes. This app is made by the students of this medical institute.

title: Calcutta National Medical College


text:
Talk:LDT

Removed this text from main article

"To write how they act in memory addresing on Intel CPUs"

This is not my subject area - so perhaps it means something to you?

title: Talk:LDT


text: User talk:81.226.52.59

title: User talk:81.226.52.59


text: Category:Concrete

title: Category:Concrete


text:
MIL-STD-6011

TADIL-A/Link 11 is a secure half-duplex tactical data link used by NATO to exchange digital data. It was originally developed by a joint committee including members from the Royal Canadian Navy, US Navy and Royal Navy to pass accurate targeting information between ships. The final standard was signed in Ottawa in November 1957, where the British proposed the name "TIDE" for "Tactical International Data Exchange". It was later made part of the NATO STANAG standardization process.

The system operates on two frequencies, one in the high frequency (HF) range for over-the-horizon (OTH) communications, and another in the ultra high frequency (UHF) range that uses much smaller antennas and is suitable for smaller ships but lacks the OTH performance. The system broadcasts packets of 30 bits length, with 6 bits of error correction and 24 bits of payload data. The payload is encrypted.

Link 14 was adopted at the same time as a low-end counterpart to Link 11. Link 14 is essentially a digital teleprinter system lacking encryption and automation, intended for ships lacking the ability to use Link 11 data in an automated fashion.

The designation "Link 11" is derived from "Link II", the British designation using Roman numerals before NATO standardized on Arabic numerals. "Link I" was the data link used by the Comprehensive Display System.

Overview
MIL-STD-6011 exchanges digital information among airborne, land-based, and shipboard tactical data systems. It is the primary means to exchange data such as radar tracking information beyond line of sight. TADIL-A can be used on either high frequency (HF) or ultrahigh frequency (UHF). However, the U.S. Army uses only HF. Link 11 relies on a single platform to report positional information on sensor detections. This positional information can be amplified with additional data to qualify the identity of the detected track. Link 11 was developed by Ralph Benjamin while with the Admiralty Surface Weapons Establishment (ASWE), Portsmouth.

Link 11 will be replaced by Link 22.

Link 11 is defined by the United States Department of Defense as MIL-STD-6011.

The NAUTIS (Naval Autonomous Tactical Information System) originally included the Link 11 system as installed in the Royal New Zealand Navy's Leander-class frigates as part of the mid-life upgrades in the 1980s HMNZS Canterbury; NAUTIS versions were also found on the Royal Navy Hunt-class minesweepers.

Technical characteristics
Link 11 is a half-duplex, netted link that normally operates by roll call from a data net control station (DNCS). Link 11 can also operate in the broadcast mode. The roll call mode of operation used in the Link 11 interface requires that each participating unit (PU) respond in turn while all other stations are receiving. A DNCS initiates the roll call by addressing and transmitting an interrogation message to a specific PU that then responds by transmitting its data. The DNCS then interrogates the next PU in the prescribed roll call. Link 11 can be transmitted on high frequency (HF) and/or Ultra High Frequency (UHF) bands. Data speed can be selected from bit rates of 2250 or 1364 bits per second. Dual sideband diversity operation and Doppler shift correction features improve reliability and accuracy of data exchange. Link 11 operates on HF (2-30 MHz) and/or UHF (line of sight (LOS)) (225-400 MHz). Some data terminal sets (DTS) provide the option to select either the conventional Link 11 waveform (CLEW) or the single tone Link 11 Waveform (SLEW). SLEW and CLEW are not compatible waveforms. SLEW, among other enhancements, provides increased propagation and a more powerful error detection and correction (EDAC) algorithm. While the option exists to operate in either CLEW or SLEW, all participants in a given Link 11 net must select the same waveform to achieve connectivity between units. Link 11 is defined in military standard (MIL STD) 6011, Tactical Data Link (TDL) A/B Message Standard.

Change of terminology
The term Tactical Digital Information Link (TADIL) was obsolete (per DISA guidance) and is now more commonly seen as Tactical Data Link (TDL)

title: MIL-STD-6011


text:
Fegh Maha

Fegh Maha or Live – Fegh Maha is the fifth album released by Australian comedy trio, Tripod, and their second live album. It spans two discs, with the first subtitled, Fegh and the second as, Maha. At the ARIA Music Awards of 2004 it was nominated for Best Comedy Release.

Studio-recorded full-band versions of four of the tracks, "Let's Take a Walk", "On Behalf of all the Geeks", "Trees" and "I Always Get Into Stuff" also feature on their CD, Middleborough Rd.

Track listing
Disc 1: Fegh
 * 1) "Hello"
 * 2) "Rock Eisteddfod"
 * 3) "Krap Karate"
 * 4) "It's Okay"
 * 5) "Ugly Men with Beautiful Women"
 * 6) "The Hot Dog Man"
 * 7) "Kempt"
 * 8) "Keep Your Receipts"
 * 9) "Fabian"
 * 10) "The Lonesome/Gregarious Cowboy"

Disc 2: Maha
 * 1) "Jamming - Originating from Skithouse"
 * 2) "Let's Take A Walk - Continues from Jamming"
 * 3) "Stuntman"
 * 4) "Target"
 * 5) "On Behalf of all the Geeks"
 * 6) "Trees"
 * 7) "Ghost Ship"
 * 8) "Someday the Lord"
 * 9) "I Always Get Into Stuff"
 * 10) "My Best Friends Comin'"
 * 11) "Maryanne"
 * 12) "Outtakes from Urinetown" (secret track)

title: Fegh Maha