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It's All Too Much

"It's All Too Much" is a song by the English rock band the Beatles from their 1969 album Yellow Submarine. Written by George Harrison in 1967, it conveys the ideological themes of that year's Summer of Love. The Beatles recorded the track in May 1967, a month after completing their album Sgt. Pepper's Lonely Hearts Club Band. It was one of four new songs they then supplied for the 1968 animated film Yellow Submarine, to meet their contractual obligations to United Artists.

Harrison wrote "It's All Too Much" as a celebration of his experiences with the hallucinogenic drug LSD, but following a visit to Haight-Ashbury in August 1967 he distanced himself from its usage. He later drew parallels between drug-induced "realisations" and his experiences with Transcendental Meditation. The song features a Hammond organ, which gives the track a drone-like quality typical of Indian music, electric guitar feedback, and an overdubbed brass section. Largely self-produced by the band, the recording displays an informal approach that contrasts with the discipline of the Beatles' previous work, particularly Sgt. Pepper. The song's sequence in the Yellow Submarine film has been recognised for its adventurousness in conveying a hallucinogenic experience.

Although several Beatles biographers dismiss the track as aimless, "It's All Too Much" has received praise from many other commentators. Peter Doggett considers it "one of the pinnacles of British acid-rock", while Rob Sheffield of Rolling Stone rates it among "the top five all-time psychedelic freakouts in rock history". Former Gong guitarist Steve Hillage adopted the song during his early years as a solo artist in the late 1970s. Journey, the House of Love, the Grateful Dead and the Church are among the other artists who have recorded or performed the track.

Background and inspiration
"It's All Too Much" reflects George Harrison's experimentation with the hallucinogenic drug lysergic acid diethylamide, commonly known as LSD or "acid". Author Robert Rodriguez describes the track as "gloriously celebratory", with a lyric that conveys "his acid revelations in a childlike way". Rather than the song being purely drug-related, Harrison states in his 1980 autobiography, I, Me, Mine, that the "realisations" brought about by his LSD experiences were also applicable to meditation.

Together with his Beatles bandmate John Lennon and their wives, Harrison first took acid in March 1965. He likened the heightened awareness induced by the drug to "a light-bulb [going] on in my head" and "gaining hundreds of years of experience within twelve hours". In addition, he credited LSD as being the catalyst for his interest in Indian classical music, particularly the work of Ravi Shankar, and Eastern spirituality. By the time Harrison wrote "It's All Too Much", in 1967, the Indian sitar had temporarily replaced the guitar as his main musical instrument, as he received tuition from Shankar and one of the latter's protégés, Shambhu Das. As with his other songs from this period, however, such as "Within You Without You" and "Blue Jay Way", Harrison composed the melody on a keyboard instrument. In the case of "It's All Too Much", his use of Hammond organ allowed him to replicate the drone-like sound of the harmonium commonly heard in Indian vocal pieces.

Coinciding with the counterculture's preoccupation with enlightenment, 1967 marked the period when LSD use had become widespread among rock musicians and their audience. In a 1999 interview with Billboard magazine, Harrison said his aim had been "to write a rock'n'roll song about the whole psychedelic thing of the time".

Composition and musical structure
The song is in the key of G major and the time signature throughout is. The melody is restricted within a G pedal point, with a simple melodic emphasis on scale notes 2 (A) and 7 (F♯). As a defining characteristic of Indian classical music, such minimal harmonic movement features in many of Harrison's other Indian-style compositions, including "Within You Without You" and "Blue Jay Way".

Aside from the song's intro and extended ending (or coda), the composition is structured into three patterns of verse and chorus, with the second and third patterns separated by an instrumental section. The song originally contained a fourth verse–chorus combination, but this would be omitted from the officially released recording. Among musicologists discussing "It's All Too Much", Walter Everett describes it as a two-chord composition, whereas Alan Pollack contends that the song's sole chord is G major, although he concedes that transcribers may well list fleeting changes to C major over the choruses. In Pollack's opinion, these sections appear to employ IV (C major) and ii (A minor) chords yet, rather than formal changes, "it all boils down to neighbor tone motion in the inner voices superimposed on to the pedal tone of G in the bass."

AllMusic contributor Tom Maginnis writes that the lyrics "reflect the idealist optimism of the soon-to-be-labeled 'summer of love' and the kind of chemically enhanced mind-expanding euphoria that pervaded the new 'hippie' youth culture". Author Ian Inglis views Harrison's mention of "the love that's shining all around here" and "Floating down the stream of time" as especially reflective of the philosophy behind the Summer of Love, while theologian Dale Allison identifies the singer's "emerging religious worldview" in the first of those phrases. Citing Harrison's comments that his awareness of God accompanied his first LSD experiences, music journalist Rob Chapman describes "It's All Too Much" as the composer's "most unrepentant acid song", yet also an example of his music "oscillating between the earthly and the elevated" and "as much an exercise in levity as levitation".

The song quotes a line from the Merseys' 1966 hit "Sorrow" – "With your long blonde hair and your eyes of blue" – a reference that has led some commentators to interpret "It's All Too Much" as a love song to Harrison's wife, Pattie Boyd, a blonde-haired former fashion model. At another point on the recording, the trumpets play part of Jeremiah Clarke's "Prince of Denmark's March". The Beatles' use of musical and lyrical quotations here pre-dates "All You Need Is Love", which was written by Lennon and recorded in June 1967 for the group's appearance on the Our World television broadcast. While noting the similar ideological theme behind the two compositions, Inglis writes of Harrison and Lennon "presenting alternative accounts of the same subject" in the manner of French Impressionists such as Monet, Renoir and Manet, each of whom painted their own interpretations of sites in Paris and Argenteuil.

Recording
The Beatles began recording "It's All Too Much" on 25 May 1967 at De Lane Lea Studios, located on Kingsway in central London. With producer George Martin not in attendance that day, nor for the subsequent session, on the 26th, the band produced the recording themselves. The song had the working title of "Too Much", a phrase that journalist Robert Fontenot terms "beatnik vernacular for an experience that was exceptionally mindblowing". The group taped four takes of the basic track, the final version of which extended to over eight minutes, with Harrison playing Hammond organ, Lennon on lead guitar, Paul McCartney on bass, and Ringo Starr on drums. The following day, they added overdubs, comprising vocals, percussion and handclaps. In addition, according to authors Ian MacDonald and Kenneth Womack, Harrison also played lead guitar on the track.

MacDonald characterises the 25–26 May sessions as "chaotic" and typical of the group's drug-inspired efforts after completing their album Sgt. Pepper's Lonely Hearts Club Band late the previous month. On the Sunday following the sessions for "It's All Too Much", the four Beatles attended a party at their manager Brian Epstein's house in Sussex, where Lennon and Harrison introduced music-industry publicist Derek Taylor to LSD. The band returned to De Lane Lea on 2 June, with Martin now participating. That day, the trumpets and bass clarinet parts, played by four session musicians and conducted by Martin, were added to the track.

Maginnis describes the opening of the song as "a burst of howling guitar feedback and jubilant, church-like organ", adding: "The atmosphere hints at Harrison's fascination with Indian music and Hindu philosophy at the time, having a distinct, Eastern-flavored, droning undercurrent." Following the intro to "I Feel Fine" in 1964, "It's All Too Much" is a rare example of the Beatles' use of feedback on a recording and suggests the influence of Jimi Hendrix. Womack credits this guitar part to Harrison, who played his Epiphone Casino using "the instrument's Bigsby [tremolo] bar in searing, full vibrato force". Harrison later rued the prominence of the brass accompaniment, saying: "To this day I am still annoyed that I let them mess it up with those damn trumpets. Basically, the song's quite good but, you know, messed up with those trumpets."

In the months following the recording sessions, Harrison swore off LSD usage after visiting the Haight-Ashbury district of San Francisco in August, with Boyd, Taylor and others. He said he found himself disillusioned at how, rather than an enlightened micro-society, Haight-Ashbury seemed to be a haven for dropouts and drug addicts. Harrison and Lennon subsequently became avid supporters of Maharishi Mahesh Yogi's Transcendental Meditation technique, after the Beatles had attended a seminar by the Maharishi in Bangor, Wales, in late August. MacDonald writes that, through Harrison's embrace of meditation, "It's All Too Much" served as his "farewell to acid".

Mixing
The Beatles carried out final mixing on "It's All Too Much", again at De Lane Lea, on 12 October 1967, while completing work on their Magical Mystery Tour EP. They considered the song for inclusion in their 1967 TV film Magical Mystery Tour. Instead, they selected it later that year for the soundtrack to the Yellow Submarine animated film, to meet their contractual obligations to supply United Artists with four new songs for the project. The version used in that 1968 film was a heavily edited version of the track, shortened to 2:22 through the inclusion of two of the original song's four verses and only the start of the long coda.

"It's All Too Much" was remixed for inclusion on the Yellow Submarine album on 16 October 1968. The vocals and handclaps were processed using automatic double tracking, so allowing these parts to be split across the stereo image. For this version, the song was edited down from the original eight minutes to a running time of 6:28, making it the longest officially released Beatles track written by Harrison. The edit was achieved by cutting a 35-second portion from around the three-minute mark, thereby removing the third chorus and the fourth verse (the last of which, beginning with the line "Time for me to look at you and you to look at me", had appeared in the film), and by fading out before the final minute of the coda.

Appearance in Yellow Submarine
Discussing the various underground influences in Yellow Submarine, author Stephen Glynn identifies the segment featuring "It's All Too Much" as being among the film's "most daring sequences". Led by art director Heinz Edelmann, the animation for the song reflects the influence of psychedelic artists such as Hapshash and the Coloured Coat, who in turn were inspired by the work of the nineteenth-century illustrator Aubrey Beardsley. Referring to London's UFO Club, for which the Hapshash team designed promotional posters, Glynn considers the scene to be a cinematic version of Unlimited Freak Out – "a 'happening' that sought to create a totalising mind-expanding environment involving music, light and people".

Michael Frontani, an associate professor of communications, writes that, although the counterculture's Summer of Love ideology had largely given way to New Left-inspired activism by mid 1968, the "countercultural ideal" represented by the Beatles "remained popular with the general audience", and he describes Yellow Submarine as "the purest, most arresting and most popular statement of that ideal". "It's All Too Much" appears during the climax of the film, following Lennon's defeat of the Chief Blue Meanie's enforcer, the Flying Glove, through the power of the word "Love". In Womack's description, in the sequence for the song, the Beatles "vanquish the evil Blue Meanies and celebrate as the colorful beauty of friendship and music have been restored to Pepperland". Author George Case describes the same victory scene as "a psychotropic cartoon dreamscape" and an example of the Beatles' more overt allusions to the hallucinogenic experience. Speaking in 1999, Starr said of "It's All Too Much": "that's the [track] that really sets the mood of the movie ... that's where the music and the movie really gel."

The film represented the final episode in the Beatles' psychedelic period, although the band had already returned to making more roots-based music at the start of 1968. Referring to the drug-inspired imagery that led Rank to pull Yellow Submarine from its UK cinema run, Glynn writes: "Indeed, the imagery accompanying [Harrison's] 'Only a Northern Song' and 'It's All Too Much' only 'makes sense' when read as attempting an audio-visual recreation of the hallucinogenic state ..."

Release and reception
An EP containing "It's All Too Much" and the three other new soundtrack songs had been scheduled for September 1968, but a full album was created instead. With the addition of the previously issued "Yellow Submarine" and "All You Need Is Love" to fill out side one of the LP, George Martin's orchestral pieces from the film made up the second side. Viewed as a secondary release beside the band's recently issued double LP, The Beatles, the Yellow Submarine album appeared in January 1969, six months after the film's London premiere. In January 1996, "It's All Too Much" (backed by "Only a Northern Song") was issued on a jukebox-only single, pressed on blue vinyl. That release was part of a series of Beatles jukebox singles issued by Capitol Records' CEMA Special Markets division.

Recalling the release of Yellow Submarine in his 1977 book The Beatles Forever, Nicholas Schaffner described "It's All Too Much" as the only one of the new songs that appeared "to have taken more than a few hours to write". He added: "[its] highlights include some searing Velvet Underground feedback and an unusually witty epigram that just about sums up the Spirit of '67: Show me that I'm everywhere, and get me home for tea." Rodriguez recognises the timing of the song's release on its public perception. He comments that the recording was "positively anarchic" in mid-1967 but, by 1969, when it received widespread release, the song was "slightly less groundbreaking and a little more reactionary to the psychedelic movement that the band itself had helped popularize".

Among the contemporary reviews of the album, Beat Instrumental described "It's All Too Much" and "Only a Northern Song" as "superb pieces" that "redeem" side one. Record Mirror's reviewer said that it was the best-sounding track on Yellow Submarine, adding: "Beside the beauty of the organ, the absolute volume of it – even when the [record] player is turned down – is amazing. The song is basically of rock construction, but built around one endless note which trails behind." In his lengthy assessment of the track, Barry Miles of International Times wrote: "Endless, mantric, a round, interwoven, trellised, tessellated, filigreed, gidouiled, spiralling is It's All Too Much [–] George's Indian-timed, with drums fading-in-and-out, spurts of life to a decaying note, multi-level, handclapping number ... High treble notes flicker like moths around the top register. Happy singalong music." In his 1998 book The Beatles Diary, Miles praised it further as "the most striking piece of psychedelia The Beatles ever recorded" and concluded: "Discordant, off-beat and effortlessly brilliant, the song was (alongside 'Taxman') Harrison's finest piece of Western rock music to date."

Retrospective assessments and legacy
Although Yellow Submarine has attained the status of a classic children's animated film, many Beatles biographers consider the band's post-Sgt. Pepper 1967 recordings to be substandard work. Among these authors, Mark Hertsgaard cites Martin's view that the soundtrack album was made up of "bottom of the barrel" material and dismisses "It's All Too Much" as "little more than formless shrieking". Ian MacDonald also holds the track in low regard, describing it as a "protracted exercise in drug-mesmerised G-pedal monotony". Discussing the lyrics, particularly the line "Show me that I'm everywhere, and get me home for tea", MacDonald considers the song to be "the locus classicus of English psychedelia" and he comments that in Britain, unlike in America, "tradition, nature, and the child's-eye-view were the things which sprang most readily to the LSD-heightened Anglo-Saxon mind." Author and journalist Graham Reid highlights the same line as being the British equivalent of "Tune in, turn on, drop out", the phrase coined by Timothy Leary that came to define the American psychedelic experience.

Writing for Rolling Stone in 2002, Greg Kot admired the song, saying: "once again, a raga-flavored groove brings out Harrison's best in the walloping 'It's All Too Much.'" That same year, Nigel Williamson of Uncut described it as "a psychedelic classic" that, had it been recorded earlier in 1967, "would have made Sgt Pepper an even better album". In the 2004 edition of The Rolling Stone Album Guide, Rob Sheffield wrote: "Yellow Submarine was a flat soundtrack rather than a real album, but here's a question: Why is George's 'It's All Too Much' not heralded as one of the top five all-time psychedelic freakouts in rock history?" Sheffield features the track in his 2017 book Dreaming the Beatles, where he refers to it as "the great lost Beatle song – the one that deserves to be infinitely more famous than it is", adding: "It's where they really nailed the Sgt. Pepper sound – that combination of acid-rock momentum and brass-band frippery. 'It's All Too Much' would have been the second or third best song on Sgt. Pepper ..." Richie Unterberger of AllMusic similarly considers Yellow Submarine to be "inessential" and describes the track as "the jewel of the new songs ... resplendent in swirling [organ], larger-than-life percussion, and tidal waves of feedback guitar" and "a virtuoso excursion into otherwise hazy psychedelia".

In Mojo's The Beatles' Final Years Special Edition (2003), Peter Doggett acknowledged the comparative rarity of "It's All Too Much" within the Beatles canon and added: "Yet it's one of the pinnacles of British acid-rock, its sleepwalking rhythm retaining a bizarrely contemporary feel today." Having included the track in his 2011 list of Harrison's "10 Greatest Beatles Songs", Joe Bosso of MusicRadar commented: "At times the song seems to drift away with Harrison's dreamy verses, but just as quickly it's chopping down trees with explosive percussion and thunderous handclaps. Wild guitar breaks by both Harrison and John Lennon help to make It's All Too Much a dizzying treat." In his book Psychedelia and Other Colours, Rob Chapman writes that further to the devotional and exotic "Within You Without You", "It's All Too Much" blends "physical love, ego loss and spiritual oneness as well as any song the Beatles recorded during their psychedelic phase".

The song featured in Mojo's 1997 list "Psychedelia: The 100 Greatest Classics", where Jon Savage described it as an "aural pleasure" that included "mad brass and handclaps so luscious that they sound like the chewing of a thousand cows". In July 2001, Uncut placed the song at number 43 on its list of "The 50 Greatest Beatles Tracks". Five years later, Mojo ranked it 85th on the magazine's list of "The 101 Greatest Beatles Songs". The editors credited "It's All Too Much" with inspiring the Krautrock genre, while Primal Scream singer Bobby Gillespie described it as "a great piece of music" that, in departing from the Beatles' more regimented approach, evokes "the same feeling you get in 'Be-Bop-A-Lula' or a Muddy Waters or John Lee Hooker tune". Writing for the website Ultimate Classic Rock, Dave Swanson considers "It's All Too Much" to be "one of the band's most captivating works from the psychedelic era, and one of the Beatles' great lost songs". In 2012, it was included on the iTunes compilation album Tomorrow Never Knows, which the band's website described as a collection of "the Beatles' most influential rock songs". In 2018, the music staff of Time Out London ranked it at number 31 on their list of the best Beatles songs.

Steve Hillage
Former Gong guitarist Steve Hillage recorded "It's All Too Much" for his 1976 solo album, L – a version that Unterberger highlights as "a dazzling cover" and Williamson terms "stunning". Hillage's version has been critically condemned however for rewriting the song's lyrics, changing the important line, "All the world is birthday cake", to the diminished, "All the world is just a cake". Produced by Todd Rundgren, the recording was also issued as a single.

In October 1976, Phil Sutcliffe of Sounds magazine described Hillage's adoption of both "It's All Too Much" and Donovan's "Hurdy Gurdy Man" as the "policy statements" for his solo career. Speaking to Trouser Press that same month, Hillage said he was drawn to the Beatles song because of its positive message, but especially its success in conveying joy without resorting to escapism.

Hillage included "It's All Too Much" in his concert performances; live versions from the late 1970s appear on his albums Live Herald (1979), BBC Radio 1 Live (1992) and Rainbow 1977 (2014). Reviewing BBC Radio 1 Live for AllMusic, Chris Nickson writes that Hillage's reading "not only heightens the Eastern-flavored psychedelia, but lets [the guitarist] unleash some of his most scorching axe work yet, tearing into the song like a starving man given a five-course meal".

Other artists
Journey also issued a recording of the song in 1976, on their album Look into the Future. Besides the late 1970s renditions, according to Miles, the Beatles' "It's All Too Much" "won fresh acclaim from a later wave of acid-rock adventurers" during the early 1990s. The House of Love released a cover of the song as the B-side to "Feel", the first single from their 1992 album Babe Rainbow. The previous year, Loves Young Nightmare recorded it (as "All Too Much") for Revolution No. 9: A Tribute to The Beatles in Aid of Cambodia, a multi-artist compilation supplied with Revolver magazine; the album was reissued in the United States in 1997, following the popularity there of Britpop bands such as Oasis. The Church included the track on their 1999 covers album A Box of Birds.

"It's All Too Much" has been performed live by the Grateful Dead, by the latter's associated acts Ratdog and Phil Lesh and Friends, and by Yonder Mountain String Band. Other artists who have recorded the song include All About Eve, Paul Gilbert, the Violet Burning, Yukihiro Takahashi, and Rich Robinson. A version by former MC5 guitarist Wayne Kramer appeared on the 2003 Harrison tribute album Songs from the Material World. My Darling Clementine recorded "It's All Too Much" for Yellow Submarine Resurfaces, a multi-artist CD accompanying the July 2012 issue of Mojo.

Experimental musician Greg Davis and jazz singer-songwriter Chris Weisman recorded the track for their 2010 album Northern Songs, a project that The Village Voice described as blending "Beatlefolk" with "gongs, field recordings, and generally orchestrated nirvana". The Flaming Lips performed "It's All Too Much" at the George Fest tribute concert in September 2014, with special guest Gingger Shankar playing violin. Consequence of Sound's reviewer described it as "the most sonically pleasing song of the night".

Personnel
According to Ian MacDonald and Kenneth Womack:

The Beatles
 * George Harrison – lead vocal, Hammond organ, lead guitar, backing vocal, handclaps
 * John Lennon – harmony vocal, lead guitar, handclaps
 * Paul McCartney – harmony vocal, bass guitar, cowbell, handclaps
 * Ringo Starr – drums, tambourine

Additional musicians
 * David Mason and three uncredited session players – trumpets
 * Paul Harvey – bass clarinet

title: It's All Too Much


text: User talk:69.248.93.236

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: User talk:69.248.93.236


text:
FromSoftware

FromSoftware, Inc. is a Japanese video game development and publishing company. It was founded by Naotoshi Zin in Tokyo on November 1, 1986. Initially a developer of business software, the company released their first video game, King's Field, for the PlayStation in 1994. Its success shifted FromSoftware to focus fully on games, with them producing two more King's Field games before creating the mecha combat series Armored Core (1997), one of their flagship franchises.

By the 2000s, FromSoftware's releases included the Echo Night, Shadow Tower, Lost Kingdoms, Otogi, and Another Century's Episode series. The company achieved breakout success in the 2010s with Demon's Souls (2009) and Dark Souls (2011), the latter being the first entry in a trilogy whose success led to the creation of a subgenre of action role-playing games known as Soulslikes. These include FromSoftware's Bloodborne (2015), Sekiro: Shadows Die Twice (2019), and Elden Ring (2022), which are often cited as among the greatest video games of all time.

Hidetaka Miyazaki, creator of the Dark Souls series, has served as FromSoftware's representative director and president since 2014, with Zin remaining as an advisor. Miyazaki directs and designs the majority of the company's games in addition to his executive duties. FromSoftware is owned primarily by Kadokawa Corporation, with minority stakes by Tencent subsidiary Sixjoy Hong Kong and Sony Interactive Entertainment. FromSoftware usually self-publishes in Japan and partners with companies such as Agetec, Sony, and Bandai Namco Entertainment to publish internationally.

History
FromSoftware was founded in Tokyo by Naotoshi Zin on November 1, 1986, as a developer of business applications. The company released its first game, King's Field, for the PlayStation in 1994. Despite its commercial success in Japan, the game was not released in other regions, although 1995's King's Field II was released in both North America and Europe in 1996. After releasing King's Field III in 1996, FromSoftware went on to release the horror game Echo Night and the 1998 role-playing game Shadow Tower. In 1997, FromSoftware released Armored Core, the first release in their flagship Armored Core series of mecha combat games.

With the launch of the PlayStation 2 in 2000, FromSoftware released the role-playing games Eternal Ring and Evergrace. In 2003, FromSoftware published Tenchu: Wrath of Heaven, a stealth game that combines action and adventure elements. In 2004, FromSoftware bought the rights to the series from Activision. The company also released King's Field IV and Shadow Tower Abyss, in addition to the Lost Kingdoms series for the GameCube. The company also made a few games exclusive to the Xbox around this time, such as Murakumo: Renegade Mech Pursuit, Otogi: Myth of Demons, Otogi 2: Immortal Warriors, Metal Wolf Chaos, and Chromehounds In 2005, FromSoftware would start to produce a series of licensed games based on the various anime properties under the banner Another Century's Episode. The same year, the company hosted the video game industry's first internship that let students experience game development through a game creation kit, Adventure Player, for the PlayStation Portable.

FromSoftware underwent a stock split in 2008 before achieving breakout success in the 2010s, spurred by the release of Demon's Souls (2009) and Dark Souls (2011), the latter being the first entry in a trilogy whose success led to the creation of a subgenre of action role-playing games known as Soulslikes. These include Dark Souls II (2014), Bloodborne (2015), Dark Souls III (2016), Sekiro: Shadows Die Twice (2019),  and Elden Ring (2022),   which have all received several awards and are often listed among the greatest video games of all time.

In April 2014, Kadokawa Corporation announced its intention to purchase the company from former shareholder Transcosmos. Following other restructuring, Souls creator Hidetaka Miyazaki would be promoted to company president the following month and later given the title of representative director. In January 2016, FromSoftware established a studio in Fukuoka that focuses on creating computer-generated imagery (CGI) assets for their games. In August 2022, Sixjoy Hong Kong (a subsidiary of Tencent) and Sony Interactive Entertainment respectively acquired 16.25% and 14.09% of FromSoftware, leaving 69.66% to Kadokawa. A report published by GamesIndustry.biz in November 2022 said that FromSoftware paid their employees at sub-standard rates. The company had 397 employees.

title: FromSoftware


text: Talk:From the Gutter to the Stage

title: Talk:From the Gutter to the Stage


text:
Philip Dunne

Philip Dunne or Dunn may refer to:
 * Philip Dunne (Stalybridge and Hyde MP) (1904–1965), Unionist MP 1935–1937
 * Philip Dunne (writer) (1908–1992), Hollywood screenwriter and director
 * Philip Dunne (Ludlow MP) (born 1958), British Conservative Party politician, Member of Parliament since 2005
 * Philip Dunn (racewalker) (born 1971), American race walker
 * Sir Philip Dunn, 2nd Baronet (1905–1976), of the Dunn baronets

title: Philip Dunne


text:
User talk:Sharan

Welcome!

Hello,, Welcome  to Wikipedia! '''I hope you like working here and want to continue. If you need help on how to name new articles, look at Naming Conventions, and for help on formatting the pages visit the Manual of Style. If you need general help, look at Help and the FAQ, and if you can't find your answer there, check the Village pump (for Wikipedia related questions) or the Reference Desk (for general questions). There's still more help at the Tutorial and the Policy Library. Also, don't forget to visit the Community Portal — and if you have any more questions after that, feel free to post them on my talk page.'''

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Happy editing! ‡  Jarlaxle   23:50, July 17, 2005 (UTC)

Disputed fair use rationale for Image:Franks cover.jpg
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COI issue
Hi! The real problem was the utter lack of content, not to mention the original username of the person who posted the article. An article has to have some substantive text and not just a taxobox. You're free to recreate it, but please read WP:YFA, WP:NOTABILITY and WP:COI before you do. Have fun and please don't hesitate to ask for assistance.--PMDrive1061 (talk) 23:56, 3 February 2009 (UTC)

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title: User talk:Sharan


text: Talk:The Wake of Magellan

title: Talk:The Wake of Magellan


text:
Talk:Artemidoros Aniketos

Untitled
An image of coin with the title "Son of Maues" is unavailable AFAIK, but it was published by the Oriental Numismatic Society by R C Senior in 1999.

There is IMHO little reason to believe that the two were related. No Greek king has to my knowledge struck a similar coin - Artemidoros merely expresses reverence, in a style similar to the Confucian hegemony which was certainly known to the nomads. ("I am your grandfather!" was quite an insult in classic China). The regnal date has to be adjusted accordingly, though only with 5 years which of course is a minor change given the general insecurity for all datings. --Sponsianus 23:50, 17 July 2005 (UTC)

title: Talk:Artemidoros Aniketos


text:
User talk:Boisseau

Welcome!

Hello,, Welcome  to Wikipedia! '''I hope you like working here and want to continue. If you need help on how to name new articles, look at Naming Conventions, and for help on formatting the pages visit the Manual of Style. If you need general help, look at Help and the FAQ, and if you can't find your answer there, check the Village pump (for Wikipedia related questions) or the Reference Desk (for general questions). There's still more help at the Tutorial and the Policy Library. Also, don't forget to visit the Community Portal — and if you have any more questions after that, feel free to post them on my talk page.'''

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Happy editing! ‡  Jarlaxle   23:51, July 17, 2005 (UTC)

title: User talk:Boisseau


text:
Hypervariable

Hypervariable may refer to:

 * Hypervariable sequence, a segment of a chromosome characterised by considerable variation in the number of tandem repeats at one or more loci
 * Hypervariable locus, a locus with many alleles; especially those whose variation is due to variable numbers of tandem repeats
 * Hypervariable region (HVR), a chromosomal segment characterized by multiple alleles within a population for a single genetic locus

title: Hypervariable


text:
User talk:Laps87

Welcome!

Hello,, Welcome  to Wikipedia! '''I hope you like working here and want to continue. If you need help on how to name new articles, look at Naming Conventions, and for help on formatting the pages visit the Manual of Style. If you need general help, look at Help and the FAQ, and if you can't find your answer there, check the Village pump (for Wikipedia related questions) or the Reference Desk (for general questions). There's still more help at the Tutorial and the Policy Library. Also, don't forget to visit the Community Portal — and if you have any more questions after that, feel free to post them on my talk page.'''

Additional tips:
 * Here are some extra tips to help you get around Wikipedia:
 * If you made any edits before you got an account, you might be interested in assigning those to your username.
 * If you want to play around with your new Wiki skills, try the Sandbox.
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 * You can sign your name using three tildes, like this: . If you use four, you can add a datestamp too.  Always sign comments on Talk pages, never sign Articles.
 * You might want to add yourself to the New User Log.
 * If your first language isn't English, try Contributing to articles outside your native language.

Happy editing! ‡  Jarlaxle   23:52, July 17, 2005 (UTC)

Please cite sources
Thank you for all the time you have been spending improving Wikipedia articles. So that your edits are not reverted due to lack of verifiability, will you please WP:CITE source(s) for your future changes? Best regards, Hall Monitor 19:34, 18 October 2005 (UTC)

No, really, please cite your changes. --Yamla 01:17, 29 October 2005 (UTC)

You are ignoring our requests to cite changes. As a result, I believe you are deliberately vandalising articles such as Black Eyed Peas. Please stop or we will have to place a temporary ban on your account. --Yamla 03:44, 14 November 2005 (UTC)

This is your last warning. The next time you vandalize a page, you will be blocked from editing Wikipedia. --Yamla 15:12, 30 October 2006 (UTC)

Image copyright problem with Image:B000005TR0.01. AA300 SCLZZZZZZZ .jpg
Thank you for uploading Image:B000005TR0.01. AA300 SCLZZZZZZZ .jpg. However, it currently is missing information on its copyright status. Wikipedia takes copyright very seriously. It may be deleted soon, unless we can determine the license and the source of the image. If you know this information, then you can add a copyright tag to the image description page.

If you have any questions, please feel free to ask them at the media copyright questions page. Thanks again for your cooperation. NOTE: once you correct this, please remove the tag from the image's page. STBotI (talk) 19:57, 12 February 2008 (UTC)

ArbCom elections are now open!
MediaWiki message delivery (talk) 13:07, 23 November 2015 (UTC)

title: User talk:Laps87


text:
Grey-headed chachalaca

The grey-headed chachalaca (Ortalis cinereiceps) is a member of an ancient group of birds of the family Cracidae, which includes chachalacas, guans, and curassows. It is found from Honduras to Colombia.

Taxonomy and systematics
The family Cracidae is closely related to the guineafowl (Numididae), the pheasants, grouse and allies (Phasianidae), and the New World quail (Odontophoridae). The grey-headed chachalaca was at one time treated as conspecific with the chestnut-winged chachalaca (Ortalis garrula). It is monotypic; several subspecies have been proposed and not accepted.

Description
The grey-headed chachalaca is a medium-sized bird, similar in general appearance to turkeys, with a small head, long strong legs, and a long broad tail. They are 48 to 58 cm long and weigh 490 to 540 g. They have fairly dull plumage, grayish brown above and paler below. The head is dark grey with a red dewlap and the blackish tail is tipped with buff. Their primary flight feathers are bright chestnut. Juveniles are browner overall, especially on the head.

Distribution and habitat
The grey-headed chachalaca is found from Mosquitia in eastern Honduras through eastern Nicaragua and most of Costa Rica and Panama into Colombia's Chocó Department. In addition to mainland Panama it occurs on Isla del Rey, where it might have been introduced by native Americans. It inhabits a variety of humid landscapes characterized by dense vegetation such as thickets, secondary forest, brushy abandoned fields, and thinned forests. It shuns the interior of dense forest though it can occur in their edges. In elevation it ranges from sea level to 1700 m.

Feeding
The grey-headed chachalaca forages typically in groups of six to 12 but sometimes up to 20, usually in the vegetation but sometimes on the ground. Its diet is about 75% fruit, 17% leaves, and 8% invertebrates. In the dry season it visits rivers to drink in the morning and evening.

Breeding
The grey-headed chachalaca's egg-laying season spans at least January to May, which overlaps the dry season. Its broad shallow nest is built of twigs, vines, and other vegetation and placed 1 to 2.4 m above ground in a tree or bush and often screened by vines. The female lays three dull white eggs and incubates them alone.

Vocalization
The grey-headed chachalaca is less noisy than plain (O. vetula) or rufous-vented chachalacas (O. ruficauda). Its song is a soft "cha-cha-lac-ah". Flocks give raucous calls described as "kloik, kleeuk kraahk". It also makes a variety of screams, sharp alarm calls, and a quiet purr.

Status
The IUCN has assessed the grey-headed chachalaca as being of Least Concern. It varies from fairly common to common throughout its range though in some areas the population has been significantly reduced by hunting. It adapts well to some habitat disturbance.

title: Grey-headed chachalaca


text:
Helen of Troy (film)

Helen of Troy is a 1956 epic historical drama film, based on Homer's Iliad and Odyssey. It was directed by Robert Wise, from a screenplay by Hugh Gray and John Twist, adapted by Hugh Gray and N. Richard Nash. The music score was composed by Max Steiner and the cinematography by Harry Stradling Sr, who shot the film in CinemaScope.

The film stars Rossana Podestà, Stanley Baker, Sir Cedric Hardwicke and Jacques Sernas, with Niall MacGinnis, Maxwell Reed, Nora Swinburne, Robert Douglas, Torin Thatcher, Harry Andrews, Janette Scott, Ronald Lewis, Eduardo Ciannelli, Esmond Knight and Brigitte Bardot as Andraste, Helen's handmaiden, her first film production shot outside France.

Plot
The film retells the story of the Trojan War in 1100 B.C., albeit with some major changes from the Iliad's storyline; Paris of Troy sails to Sparta to secure a peace treaty between the two powerful city-states. His ship is forced to return to Troy in a storm after he has been swept overboard on the shore of Sparta. Paris is found by Helen, queen of Sparta with whom he falls in love. He goes to the palace where he finds Helen's husband, king Menelaus, Agamemnon, Odysseus, Achilles and many other Greek kings debating whether to go to war with Troy. Menelaus, who is denied by Helen, sees that his wife and Paris are in love and, pretending friendship, plots Paris' death.

Warned by Helen, Paris flees and, after they are both nearly caught by the Spartans, takes Helen with him to Troy. Under the pretense of helping Menelaus regain his honor, the Greeks unite, and the siege of Troy begins. Much blood is shed in the long ordeal, with the Trojans blaming their plight on Paris and Helen until it turns out that the Greeks are solely after Troy's riches, not Helen. The siege culminates in Greek victory through the ruse of the legendary Trojan Horse. While trying to flee, Helen and Paris are cornered by Menelaus. Paris faces the Spartan king in single combat, but just as he wins the upper hand he is stabbed from behind, denying him a fair trial by arms. Helen is forced to return with Menelaus, but she is serene in the knowledge that in death she will be reunited with Paris in Elysium.

Cast

 * Rossana Podestà as Helen of Troy
 * Jacques Sernas as Paris
 * Sir Cedric Hardwicke as Priam
 * Stanley Baker as Achilles
 * Niall MacGinnis as Menelaus
 * Robert Douglas as Agamemnon
 * Nora Swinburne as Hecuba
 * Torin Thatcher as Odysseus
 * Harry Andrews as Hector
 * Ronald Lewis as Aeneas
 * Brigitte Bardot as Andraste
 * Marc Lawrence as Diomedes, ruler of Aetolia
 * Maxwell Reed as Ajax, Prince of Salamis
 * Robert Brown as Polydorus, the youngest son of Priam
 * Barbara Cavan as Cora
 * Patricia Marmont as Andromache
 * Guido Notari as Nestor
 * Tonio Selwart as Alephous
 * George Zoritch as Singer
 * Esmond Knight as High Priest
 * Terence Longdon as Patroclus
 * Janette Scott as Cassandra
 * Eduardo Ciannelli as Andros

Production
The film was originally planned to be made in 3-D but Warner Brothers later announced that it was to be made in WarnerSuperScope instead using Warner's new All-Media camera with no mention of 3-D. It was eventually released in CinemaScope.

The film was made in Rome's Cinecittà Studios and in Punta Ala, Grosseto.

The scene of the Greeks' initial assault on the walls of Troy features a series of shots that are directly copied from a sequence in the Persian attack on Babylon in D. W. Griffiths' silent film classic Intolerance. Some shots from this sequence would in turn be reused in the introductionary scenes of the 1963 film Jason and the Argonauts.

This project makes several departures from the original story, including showing Paris as a hero and great leader, and most of the Greek lords as treacherous and opportunistic pirates who are using Helen's flight as an excuse to win the treasures of Troy. The 2003 miniseries sharing its name with this film would later partially re-employ this plot device.

Reception
Bosley Crowther of The New York Times wrote that some parts were "well done", including the Greek descent from the Trojan horse which "has the air of great adventure that one expects from this tale", but "the human drama in the legend ... is completely lost or never realized in the utter banalities of the script, in the clumsiness of the English dialogue and in the inexcusable acting cliches." Hy Hollinger of Variety wrote: "The word 'spectacular' achieves its true meaning when applied to Warner Bros.' 'Helen of Troy.' The retelling of the Homeric legend, filmed in its entirety in Italy, makes lavish use of the Cinemascope screen ... Action sequences alone should stir word-of-mouth." Edwin Schallert of the Los Angeles Times wrote, "'Helen of Troy' qualifies as a mighty film impression of history and legend ... The Warner film satisfies the demands for beauty, and also attains triumphant effects, which give real life to ancient battles with spear, bow and arrow, fire, sword and javelin. In their magnitude attacks on the walled city of Troy are awe-inspiring."

Richard L. Coe of The Washington Post reported, "The popcorn set and I had a glorious time at this epic ... I don't suppose the genteel set will go much for this one, but, boy, those crowd scenes, warriors falling to destruction, flames flaming, javelins nipping into a chest here and there." Harrison's Reports declared, "The massiveness and opulence of the settings, the size of the huge cast, and the magnitude of the battle between the Greeks and the Trojans are indeed eye-filling ... Unfortunately, the breathtaking quality of the production values is not matched by the stilted story, which takes considerable dramatic license with the Homer version of the events leading up to the Trojan war, and which are at best only moderately interesting." The Monthly Film Bulletin found the film "uninterestingly dialogued and characterised ... The battle scenes, however, are vigorously and sometimes excitingly staged." John McCarten of The New Yorker wrote that the film "hasn't enough life to hold your interest consistently. That's too bad, for toward the end there are those battle scenes and a fine impersonation of that wooden horse."

Comic book adaptation

 * Dell Four Color #684 (March 1956).

title: Helen of Troy (film)


text:
FTP-MOI

The Francs-tireurs et partisans – main-d'œuvre immigrée (FTP-MOI) were a sub-group of the Francs-tireurs et partisans (FTP) organization, a component of the French Resistance. A wing composed mostly of foreigners, the MOI maintained an armed force to oppose the German occupation of France during World War II. The Main-d'œuvre immigrée was the "Immigrant Movement" of the FTP.

The last surviving member of the FTP-MOI's Manouchian Group, resistance fighter Arsène Tchakarian, died in August 2018.

History
The FTP-MOI groups were organized in the Paris region in 1941, at the same time as the Francs-tireurs et partisans. Their ranks were filled with foreign communists living in France who were not part of the French Communist Party. Although integrated with the FTP, these groups depended directly on Jacques Duclos, who passed on orders from the Communist International (Comintern). The national manager of the MOI was Adam Rayski, who recommended members for the FTP-MOI.

Members also included other immigrants, especially many young Hungarian writers, artists and intellectuals. Among them were the painter Sándor Józsa; sculptor István Hajdú (Étienne Hajdu); journalists László Kőrösi and Imre Gyomra; photographers André (Andras) Steiner, Lucien Hervé, and Ervin Marton; and printer Ladislas Mandel.

The FTP-MOI were among the most active and determined of the resistance groups; particularly because they were foreigners and mostly Jews, they were under the direct watch of the Vichy regime and the Germans. Without maintaining strict secrecy, they risked internment, deportation and death. Because they depended directly on the Comintern, with Duclos as their intermediary, they were often on the front line when the order to fight came from Moscow. The various French groups were more attentive to the French national political climate.

The Parisian groups were initially led by Boris Holban, then the poet turned activist Missak Manouchian. After Manouchian was arrested in 1943 and executed in February 1944, Holban took over again.

The FTP-MOI are particularly well known because of the highly publicized trial of numerous members of the Manouchian Group. Tracked, arrested and interrogated by the French police, the show trial of the 23 members was held in front of a German military tribunal at the Hôtel Continental. It began on 17 February 1944, lasted between two and four days, and after a 30-minute deliberation, the court reached the following verdict: All of the accused were condemned to death, with no possibility of appeal.

All but two were shot immediately on 21 February at Mont-Valérien. The execution of Olga Bancic was suspended for further enquiry and because French law prohibited executing women by firing squad. In a new sentence passed on her birthday of 10 May 1944 at Stuttgart, she was condemned to death. She was beheaded shortly after the sentencing. One accused, Migratulski, was transferred to French jurisdiction.

Affiche rouge
Following the trial and executions, the Germans created a poster with a red background, featuring ten men of the Manouchian group with their names, photos and alleged crimes; it became known as l'Affiche Rouge. The Germans distributed thousands of copies of the poster around the city to encourage Parisians to think of the partisans as criminal foreigners and "not French", and discourage resistance; instead, the red posters inspired citizens to more actions. Some marked the posters with phrases such as Morts pour la France! (They died for France.)

Paris region, Groupe Manouchian
The group in Paris was commanded by Boris Holban from April 1942 to July 1943. From July 1943 to November 1943, the group was led by Joseph Epstein and Missak Manouchian. Holban commanded the group again from December 1943 to August 1944. The armed group had the following members:

 * Celestino Alfonso – Spaniard
 * Olga Bancic – Jewish Romanian
 * Joseph Boczov – Jewish Hungarian
 * Georges Cloarec – French Breton
 * Rino Della Negra— French Italian
 * Thomas Elek – Jewish Hungarian
 * Maurice Fingercwajg – Polish Jew
 * Spartaco Fontanot – Italian
 * Imre Glasz – Jewish Hungarian
 * Jonas Geduldig – Polish Jew
 * Elise Gerchinovitz – French Jew
 * Léon Goldberg – Polish Jew
 * Szlama Grzywacz – Polish Jew
 * Stanislas Kubacki – Polish
 * Arpen Tavitian – Armenian
 * Cesare Luccarini – Italian
 * Missak Manouchian – Armenian
 * Marcel Rayman – Polish Jew
 * Roger Rouxel – French
 * Antonio Salvadori – Italian
 * Willy Schapiro – Polish Jew
 * Arsène Tchakarian – Armenian. Tchakarian, the last surviving member of the Manouchian Group, died on 4 August 2018, at the age of 101.
 * Amadeo Usseglio— Italian
 * Wolf Wajsbrot – Polish Jew
 * Robert Witchitz – French

Lyon region, Compagnie Carmagnole-Liberté
The armed group Carmagnole in Lyon and the armed group Liberté in Grenoble had the following members:

 * Herbert Herz
 * Léon Centner
 * Jacques Viktorovitch
 * Léon Landini
 * Simon Fryd
 * Elie Amselem
 * Max Tzwangue
 * Léon Rabinovitch
 * Léopold Rabinovitch
 * Paul Mossovic
 * Francis Chapochnik

Herbert Herz was a member of both groups.

Toulouse region, 35th Brigade
The 35th Brigade took its name from the thirty-five divisions of gunners of the International Brigades, to which Marcel (Mendel) Langer, head of the regional FTP-MOI, had claimed to belong. In February 1943, Langer was arrested carrying explosives. He was tried by the section spéciale of the Toulouse appeals court. The avocat général, Lespinasse, demanded his execution and, on 21 March 1943, Langer was sentenced to death. He was executed on 23 July 1943.

The 35th Brigade then called themselves the Brigade Marcel Langer in his honor. Eighteen members were arrested by the Vichy police and handed over to the Germans. Two died of unknown causes on the train transporting them to be deported. Four were shot.

In popular culture

 * The Spanish writer Jorge Semprún wrote a postwar novel referring to the FTP-MOI in Paris. He had also served in the Resistance, first with the FTP-MOI, and then with the FTP after he joined the Communist Party.  He was captured and deported, but survived internment at Buchenwald.
 * There have been numerous portrayals of the Resistance in novels.

Filmography

 * Stéphane Courtois and Mosco Boucault, Des terroristes à la retraite, broadcast by Antenne 2 in 1983, included interviews of surviving FTP-MOI members and families of the victims. It accused the Communist Party in France (PCF) of betraying the Manouchian Group.
 * Mosco Boucault (director), Ni travail, ni famille, ni patrie – Journal d’une brigade FTP-MOÏ (1993), documentary about the Toulouse 35th Brigade
 * Étrangers et nos frères pourtant (Foreigners and yet our brothers) – 2x26mn (1994), First part: Liberté, guérilla urbaine à Lyon et Grenoble Francs-Tireurs et Partisans de la Main-d’œuvre Immigrée (FTP-MOI), Second part: Carmagnole : l’insurrection de Villeurbanne. About actions of the FTP-MOI in Lyon and Grenoble. A video documentary by Claude and Denis Collins Cugnot, the title was taken from the poem/song "L'affiche rouge" (Words: Louis Aragon . Music: Jean Ferrat, Maurice Vandair).
 * La traque de l’Affiche rouge, a documentary produced by Denis Peschanski and Jorge Amat, broadcast by France 2 on 15 March 2007, refuted Courtois and Boucault's allegations.
 * The dramatic film L'Armée du crime (2009) features the story of the Manouchian Group. Directed by Robert Guédiguian, a Marseille-based filmmaker of German and Armenian parentage, it was adapted from a story by Serge Le Péron. It reflects some of the divisions among the Résistance.

title: FTP-MOI


text:
Altiris

Altiris Inc. is a subsidiary of Symantec specializing in service-oriented management software which allows organizations to manage IT assets. They also provide software for web services, security, and systems management products. Established in 1998, Altiris is headquartered in Lindon, Utah, United States. Altiris has over 20,000 customers managing more than 3 million servers and 60 million desktops and laptops.

Corporate history
Altiris was started in 1998 when Jan Newman and Kevin Turpin spun off the software arm of KeyLabs. KeyLabs was, and remains, a third party testing facility. The Altiris Software had been created at KeyLabs to manage the computers at KeyLabs and that software became the start of what is now Altiris. Altiris continues to develop software designed to help IT departments manage their networks and computers more efficiently.

In early 2000, Jan Newman who was then President and CEO brought in Greg Butterfield to take over the role of President and CEO. Under Mr. Butterfield's leadership, Altiris acquired Computing Edge in September 2000. Computing Edge's founder, Dwain Kinghorn, had come from Microsoft and helped to develop Microsoft's original Systems Management Server product (SMS). Computing Edge specialized in extending and enhancing with functionality that SMS lacked.

Altiris continued its market expansion by acquiring several other companies:

Acquisitions

 * July 2002 - Altiris acquired system backup and recovery technology from Previo (see Stac Electronics).
 * December 2003 - Altiris acquired application deployment specialist Wise Solutions, Inc.
 * February 2004 - Altiris acquired FSLogic. See Software Virtualization Solution
 * September 2004 - Altiris acquired Bridgewater Technologies.
 * January 2005 - Altiris acquired Tonic Software Inc.
 * March 2005 - Altiris acquired Pedestal Software, a software company that specializes in vulnerability assessment tools (SecurityExpressions and AuditExpress).
 * February 2007 - Altiris to be acquired by Symantec Corp. (Nasdaq: SYMC)
 * April 2007 - Altiris acquisition by Symantec Corp. (Nasdaq: SYMC) completed.

title: Altiris


text: User talk:69.152.243.62

title: User talk:69.152.243.62


text:
Wikipedia:Articles for deletion/Hetemeel.com

 This page is an archive of the proposed deletion of the article below. Further comments should be made on the appropriate discussion page (such as the article's talk page or on a Votes for Undeletion nomination). No further edits should be made to this page.

The result of the debate was delete. Joyous (talk) 16:39, July 26, 2005 (UTC)

Hetemeel.com
A website that has four pictures on it that people can edit. Yippee. Francs2000 | Talk 23:53, 17 July 2005 (UTC)
 * Delete. Non-notable webcruft. Gwk 23:56, 17 July 2005 (UTC)
 * Delete, Alexa #602,017. Dcarrano 00:15, July 18, 2005 (UTC)
 * Keep    . Especially #4. Many thousands of images have been made there. Of course I'm probably biased because I created the article. --pile0nadestalk 00:12, 18 July 2005 (UTC) Comment - Alexa Rank is irrelevant here. The website is to Fark.com as Slashdot trolling phenomena is to Slashdot. Except it is not trolling. And there has been no effort made to ban people who post the images on Fark like there is for trolls on Slashdot. --pile0nadestalk 00:37, 18 July 2005 (UTC) Besides, the GNAA site site has an Alexa Rank of 422,150, and it wasn't deleted. --pile0nadestalk 00:58, 18 July 2005 (UTC)
 * Delete or Redirect - I am changing my vote to delete as there is a much better article at HA! HA! guy. --pile0nadestalk 11:16, 18 July 2005 (UTC)
 * Delete. NN advertisement.  Postdlf 00:15, 18 July 2005 (UTC)
 * Fark.com has an article, is that just an advertisment? (Unsigned comment by )
 * Fark at least appears to have some notability, and no-one has nominated it for deletion yet. -- Francs2000 | Talk [[Image:Flag of the United Kingdom.svg|25px| ]] 00:30, 18 July 2005 (UTC)
 * Because fark.com doesn't have an Alexa rating as poor as 602,017. But if we did delete the Fark article, would that be enough to discourage you people from wasting our time here?  It's worth a shot...  Postdlf 01:06, 18 July 2005 (UTC)
 * Delete Farkcruft, at least until it gets more than four edit pictures... -- Grev -- Talk 00:55, July 18, 2005 (UTC)
 * Keep It's a noteworthy website. Francs2000's stated reason for deletion commits the straw man fallacy. His sardonic followup indicates his personal scorn toward Hetemeel (and Ha Ha Guy). ArcTheLad 03:06, 18 July 2005 (UTC)
 * Delete I see no evidence of notability in the article.  CDC   (talk)  05:37, 18 July 2005 (UTC)
 * Delete Give a small explanation of the site on the Ha Ha Guy page and leave it at that.--Daveswagon 09:23, 18 July 2005 (UTC)
 * Delete advertising for a non notable website. JamesBurns 09:45, 18 July 2005 (UTC)
 * Delete non-notable.--Ben Houston 03:42, July 20, 2005 (UTC)
 * Redirect to HA! HA! guy, until hetemeel.com becomes notable for something more than the laughing one. Darobsta 11:40, 20 July 2005 (UTC)
 * Delete lacks notability. Flawiki 12:33, July 20, 2005 (UTC)

 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in an undeletion request). No further edits should be made to this page.


text:
User:Shoffman11/Archive 1

Welcome!

 '''Hello,, Welcome  to Wikipedia! '''I hope you like working here and want to continue. If you need help on how to name new articles, look at Naming Conventions, and for help on formatting the pages visit the Manual of Style. If you need general help, look at Help and the FAQ, and if you can't find your answer there, check the Village pump (for Wikipedia related questions) or the Reference Desk (for general questions). There's still more help at the Tutorial and the Policy Library. Also, don't forget to visit the Community Portal — and if you have any more questions after that, feel free to post them on my talk page.

Additional tips:
 * Here are some extra tips to help you get around Wikipedia:
 * If you made any edits before you got an account, you might be interested in assigning those to your username.
 * If you want to play around with your new Wiki skills, try the Sandbox.
 * Click on the Edit button on a page, and look at how other editors did what they did.
 * You can sign your name using three tildes, like this: . If you use four, you can add a datestamp too.  Always sign comments on Talk pages, never sign Articles.
 * You might want to add yourself to the New User Log.
 * If your first language isn't English, try Contributing to articles outside your native language.

Happy editing!  ‡  Jarlaxle   23:53, July 17, 2005 (UTC)

Chicago Vote
A month for a vote (the chicago main picture) is pretty long. However, I understand your concern, that most people who visit/edit the chicago article do not check the talk page every day. As such, I've submitted a request for comment on the picture. Hopefully that will help us come to a consensus sooner. The reason that we made the date much sooner was because we wanted to get Chicago peer reviewed again so we could submit this again to be a Featured Article candidate. Thanks, -- BMIComp (talk, HOWS MY DRIVING) 17:25, 23 July 2005 (UTC)
 * So you think a month is too long, and I think a week is too short. Let's try to compromise.  I think we should consider the start of the vote to be July 17, the day the vote started in its current form (the 13th was when it was first proposed but was only planned to be open for 24hrs, which was deemed to short).  The July 17 revision is when the current ending date was set (20:52, 17 July 2005 Dralwik).  I would be happy with 15 days (half a month) from that date.  That would put the ending date at Monday, August 1, 2005 (12 days sooner than was originally posted).  Also, couldn't the article still be peer edited while we vote on the image.  If it appears on WP:PR more people will likely see the vote and can express their opinion and vote on the best image.  The more people that vote for the best image now, we will have less people disliking the image when we go to have Chicago on WP:FAC.  What do you think?  Regards,  Shoffman11 18:29, 23 July 2005 (UTC)
 * With all due respect, a vote is only official if it is noted in the proper voting section. Although I agree that HollyAm voiced support for your picture and said she would vote for it, an official vote was never made. If we take comments as votes, then many more votes would have to be taken from the general comments section. I feel it is much easier to only count a vote if someone actually votes. I have sent HollyAm a message regarding this change and I hope she will return and officially vote for a picture. I have nothing against your image, I actually think it is tied as the best one of the selection, however, this is not about personal opinion, I am trying to keep this vote fair and as simple as possible. In responce to your comments regarding the votes that I (I did it, not BMIComp, although I discussed it with him) moved down to the new voting section, that was different because those were signed votes that were made in the old voting section. We felt that those people should not be disenfranchised because we reorganized the vote. We specifically decided not to move unsigned votes, even if they were in the correct section, or "vote like comments" from the General Comments section, as the name General Comments would suggest that the area is for comments and not votes.
 * As for the time change, that was also discussed when the vote was first started. It was origionally only supposed to go on for 24 hours, but we compromised and extended it. The current date, July 28th is an additional compromise. Please understand that we are trying to expedite this process because we do intend to nominate this article as a featuredarticle candidate ASAP, and this picture is the last hurdle. Please discuss any further change before implenting it.
 * Thanks,
 * --Gpyoung talk 22:48, 23 July 2005 (UTC)
 * I see your points, and that's why I only copied her vote because it was signed (there was another unsigned that I didn't). I agree that it is easier to count votes if they are all displayed in one section.  I also sent HollyAM a message when I added my picture as Picture #4.  If the vote is everyone against me at this point for changing the deadline, then just leave it as July 28 (but update the other section of the vote above the one you changed so they're all the same).
 * Regards -- Shoffman11 23:08, 23 July 2005 (UTC)
 * I by no means intended to be agressive either, and greatly apologize if I came off as such. This enitre voting process, in my opinion, ahs been much more complicated then I had hoped. As I said, I very much liked your image and may even vote for it if #2 does not get any more support. I also think that even if itdoesnt win, both yours and #s 3 and 2 should be worked into the article. The reason I didnt want her vote copied is becuase I felt it might set a precedent and other votes that might have even less validity might be moved down, and since it was such an animated discussion, this would not have been a good thing. I have noticed that you have been quite active in the Chicago WikiProject and very much appreciate your contributions, and look forward to working with you even more. Thanks, --Gpyoung talk 23:19, 23 July 2005 (UTC)

title: User:Shoffman11/Archive 1


text:
User talk:Inistad

Welcome!

Hello,, Welcome  to Wikipedia! '''I hope you like working here and want to continue. If you need help on how to name new articles, look at Naming Conventions, and for help on formatting the pages visit the Manual of Style. If you need general help, look at Help and the FAQ, and if you can't find your answer there, check the Village pump (for Wikipedia related questions) or the Reference Desk (for general questions). There's still more help at the Tutorial and the Policy Library. Also, don't forget to visit the Community Portal — and if you have any more questions after that, feel free to post them on my talk page.'''

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Happy editing! ‡  Jarlaxle   23:54, July 17, 2005 (UTC)

Image Tagging Image:Forde Airport in the winter.jpg
Thanks for uploading Image:Forde Airport in the winter.jpg. I notice the image page currently doesn't specify who created the image, so the copyright status is therefore unclear. If you have not created the image yourself then you need to argue that we have the right to use the image on Wikipedia (see copyright tagging below). If you have not created the image yourself then you should also specify where you found it, ie in most cases link to the website where you got it, and the terms of use for content from that page.

If the image also doesn't have a copyright tag then you must also add one. If you created/took the picture then you can use to release it under the GFDL. If you can claim fair use use .)  See Image copyright tags for the full list of copyright tags that you can use.

If you have uploaded other images, please check that you have specified their source and copyright tagged them, too. Note that any unsourced and untagged images will be deleted one week after they have been uploaded, as described on criteria for speedy deletion. Thanks so much. --cohesion | talk 07:45, 9 October 2005 (UTC)

Speedy deletion of Samir Šarić
A tag has been placed on Samir Šarić requesting that it be speedily deleted from Wikipedia. This has been done under section A7 of the criteria for speedy deletion, because the article appears to be about a person or group of people, but it does not indicate how or why the subject is notable: that is, why an article about that subject should be included in an encyclopedia. Under the criteria for speedy deletion, articles that do not indicate the subject's importance or significance may be deleted at any time. Please see the guidelines for what is generally accepted as notable, as well as our subject-specific notability guideline for biographies.

If you think that this notice was placed here in error, you may contest the deletion by adding  to the top of the page that has been nominated for deletion (just below the existing speedy deletion or "db" tag), coupled with adding a note on the talk page explaining your position, but be aware that once tagged for speedy deletion, if the article meets the criterion it may be deleted without delay. Please do not remove the speedy deletion tag yourself, but don't hesitate to add information to the article that would would render it more in conformance with Wikipedia's policies and guidelines. Lastly, please note that if the article does get deleted, you can contact one of these admins to request that a copy be emailed to you. Deadly∀ssassin 21:21, 20 July 2008 (UTC)

Unreferenced BLPs
Hello Inistad! Thank you for your contributions. I am a bot alerting you that 1 of the articles that you created  is tagged as an Unreferenced Biography of a Living Person. The biographies of living persons policy requires that all personal or potentially controversial information be sourced. In addition, to insure verifiability, all biographies should be based on reliable sources. if you were to bring this article up to standards, it would greatly help us with the current Category:All_unreferenced_BLPs article backlog. Once the article is adequately referenced, please remove the unreferencedBLP tag. Here is the article:

Thanks!--DASHBot (talk) 19:26, 8 January 2010 (UTC)
 * 1) Gregory Schulte -

Proposed deletion of Anjunabeats

The article Anjunabeats has been proposed for deletion  because of the following concern:
 * No indication of notability, no reliable sources, tagged for years without improvement.

While all constructive contributions to Wikipedia are appreciated, content or articles may be deleted for any of several reasons.

You may prevent the proposed deletion by removing the notice, but please explain why in your edit summary or on the article's talk page.

Please consider improving the article to address the issues raised. Removing will stop the proposed deletion process, but other deletion processes exist. In particular, the speedy deletion process can result in deletion without discussion, and articles for deletion allows discussion to reach consensus for deletion. Huon (talk) 13:14, 15 February 2015 (UTC)

Proposed deletion of Anjunabeats

The article Anjunabeats has been proposed for deletion  because of the following concern:
 * What on earth makes this notable? This is almost an advert. I can't find anything pertinent in the first few pages of Google results.

While all constructive contributions to Wikipedia are appreciated, content or articles may be deleted for any of several reasons.

You may prevent the proposed deletion by removing the notice, but please explain why in your edit summary or on |the article's talk page.

Please consider improving the article to address the issues raised. Removing will stop the proposed deletion process, but other deletion processes exist. In particular, the speedy deletion process can result in deletion without discussion, and articles for deletion allows discussion to reach consensus for deletion. Laun chba  ller  20:42, 15 June 2015 (UTC)

Nomination of Anjunabeats for deletion
A discussion is taking place as to whether the article Anjunabeats is suitable for inclusion in Wikipedia according to Wikipedia's policies and guidelines or whether it should be deleted.

The article will be discussed at Articles for deletion/Anjunabeats until a consensus is reached, and anyone is welcome to contribute to the discussion. The nomination will explain the policies and guidelines which are of concern. The discussion focuses on high-quality evidence and our policies and guidelines.

Users may edit the article during the discussion, including to improve the article to address concerns raised in the discussion. However, do not remove the article-for-deletion notice from the top of the article. Laun chba  ller  20:46, 15 June 2015 (UTC)

Nomination of Flutlicht for deletion
A discussion is taking place as to whether the article Flutlicht is suitable for inclusion in Wikipedia according to Wikipedia's policies and guidelines or whether it should be deleted.

The article will be discussed at Articles for deletion/Flutlicht until a consensus is reached, and anyone, including you, is welcome to contribute to the discussion. The nomination will explain the policies and guidelines which are of concern. The discussion focuses on high-quality evidence and our policies and guidelines.

Users may edit the article during the discussion, including to improve the article to address concerns raised in the discussion. However, do not remove the article-for-deletion notice from the top of the article until the discussion has finished. Binksternet (talk) 16:53, 2 August 2023 (UTC)

title: User talk:Inistad


text:
User talk:Krazy psyoper

Welcome!

Hello,, Welcome  to Wikipedia! '''I hope you like working here and want to continue. If you need help on how to name new articles, look at Naming Conventions, and for help on formatting the pages visit the Manual of Style. If you need general help, look at Help and the FAQ, and if you can't find your answer there, check the Village pump (for Wikipedia related questions) or the Reference Desk (for general questions). There's still more help at the Tutorial and the Policy Library. Also, don't forget to visit the Community Portal — and if you have any more questions after that, feel free to post them on my talk page.'''

Additional tips:
 * Here are some extra tips to help you get around Wikipedia:
 * If you made any edits before you got an account, you might be interested in assigning those to your username.
 * If you want to play around with your new Wiki skills, try the Sandbox.
 * Click on the Edit button on a page, and look at how other editors did what they did.
 * You can sign your name using three tildes, like this: . If you use four, you can add a datestamp too.  Always sign comments on Talk pages, never sign Articles.
 * You might want to add yourself to the New User Log.
 * If your first language isn't English, try Contributing to articles outside your native language.

Happy editing! ‡  Jarlaxle   23:54, July 17, 2005 (UTC)

You have been warned on your IP's talk page, consider this your last warning. Keep your comments at Talk:Rob Liefeld constructive suggestions on how the article can be improved or you will be blocked from editing Wikipedia. -- Francs2000 | Talk 00:24, 18 July 2005 (UTC)

02:35, 28 September 2005 (UTC)
I am blocking you for 1 week for repeated disruption to Wikipedia, including repeatedly changing the comments of another user and general trolling on the Talk:Rob Liefeld page. You have been warned about this before and blocked for this before. Please stop. Func( t, c, @,) 02:35, 28 September 2005 (UTC)

title: User talk:Krazy psyoper


text:
Circaea

The Circaea, or enchanter's nightshades, are a genus of flowering plants in the evening primrose family Onagraceae. About two dozen taxa have been described, including eight species. Plants of the genus occur throughout the temperate and boreal forests of the Northern Hemisphere. Three taxa occur in North America: Circaea alpina, Circaea canadensis, and the hybrid Circaea × sterilis. The generic name Circaea refers to the enchantress Circe from Greek mythology who is said to have used the herb as a charm.

Description
Members of genus Circaea are perennial, herbaceous plants with erect stems, which may or may not be branched. The stem leaves are opposite and petiolate, with toothed edges (i.e., with dentate leaf margins). The inflorescence is a terminal, erect raceme, with additional racemes at the apices of stem branches (if any). Flowers are dimerous with 2 sepals, 2 petals, and 2 stamens. The sepals, petals, and stamens alternate such that the stamens ultimately align with the sepals. The petals are white or pink in color. The fruit is a capsule with one or two seeds. Plants disperse their seeds by producing burrs that adhere to clothing, fur, and feathers.

Taxonomy

In 1753, Swedish botanist Carl Linnaeus established the genus Circaea by describing two species, Circaea lutetiana and Circaea alpina. Linnaeus also described a variety of C. lutetiana, which later became known as Circaea canadensis.

The generic name Circaea refers to the enchantress Circe from Greek mythology. Botanists in the late 16th century believed Circe used the herb to charm Odysseus' companions, hence the common name enchanter's nightshade (not to be confused with the nightshade family of plants, which are unrelated). Molecular evidence indicates the closest relative to Circaea is the lineage that gave rise to the genus Fuchsia, which diverged from it around 41 million years ago.

Taxa
, Plants of the World Online (POWO) accepts eight species and eight subspecies:

 * Circaea alpina L.
 * Circaea alpina subsp. alpina
 * Circaea alpina subsp. angustifolia (Hand.-Mazz.) Boufford
 * Circaea alpina subsp. caulescens (Kom.) Tatew.
 * Circaea alpina subsp. imaicola (Asch. & Magnus) Kitam.
 * Circaea alpina subsp. micrantha (A.K.Skvortsov) Boufford
 * Circaea alpina subsp. pacifica (Asch. & Magnus) P.H.Raven
 * Circaea canadensis (L.) Hill
 * Circaea canadensis subsp. canadensis
 * Circaea canadensis subsp. quadrisulcata (Maxim.) Boufford
 * Circaea cordata Royle
 * Circaea erubescens Franch. & Sav.
 * Circaea glabrescens (Pamp.) Hand.-Mazz.
 * Circaea lutetiana L.
 * Circaea mollis Siebold & Zucc.
 * Circaea repens Wall. ex Asch. & Magnus

POWO also recognizes eight named hybrids:

 * Circaea × decipiens Boufford
 * Circaea × dubia H.Hara
 * Circaea × intermedia Ehrh.
 * Circaea × mentiens Boufford
 * Circaea × ovata (Honda) Boufford
 * Circaea × skvortsovii Boufford
 * Circaea × sterilis Boufford
 * Circaea × taronensis H.Li

For example, the parents of Circaea × sterilis are C. alpina and C. canadensis. The hybrid is sterile but spreads vigorously by vegetative means.

Distribution
Members of genus Circaea occur throughout the temperate and boreal forests of the Northern Hemisphere, from near sea level to 5000 m altitude, and from 10°–70° N latitude. Circaea alpina is the most widespread species, ranging across North America, Europe, and Asia. Likewise Circaea canadensis ranges across continents, in North America, European Russia, and Asia. Circaea lutetiana occurs throughout Europe, ranging eastward to Iran.

Three taxa are known to occur in North America: Circaea alpina, Circaea canadensis, and the hybrid Circaea × sterilis. C. alpina is wide ranging across the continent, from California to Alaska in the west, and from Newfoundland to North Carolina in the east, while C. canadensis is confined to the eastern half of North America. The hybrid, C. × sterilis, is found wherever the ranges of its parent species overlap.

title: Circaea


text:
Eastport Peninsula

The Eastport Peninsula is a small extension of land into the central part of Bonavista Bay in the Canadian province of Newfoundland and Labrador. The peninsula is adjacent to Terra Nova National Park and contains seven small communities: Eastport, Happy Adventure, Sandy Cove, Salvage, St. Chad's, Burnside and Sandringham.

Geography
The Eastport Peninsula is a small peninsula in the central part of Bonavista Bay. The peninsula extends from Terra Nova National Park and follows an irregular coastline along Newman Sound to the south, around the community of Salvage, around Salvage Bay to the east and then following Damnable Bay, Morris Channel, Fair and False Bay, Bloody Reach and Northeast Arm on the north.

Economy
Work in the region traditionally focused on the abundant natural resources. Inshore fishing, farming, and logging were still the chief source of employment for most of the inhabitants well into the 20th century. The lumber industry, however, faded away with the development of Terra Nova National Park in the 1950s. Happy Adventure is still a site of an operational fishplant (2017).

Being adjacent to Terra Nova National Park and having sandy beaches the Eastport Peninsula has become one of Newfoundland's most popular tourist destinations. The Eastport Peninsula is part of The Road to The Beaches tourism region.

The peninsula is home to the annual Winterset in Summer Literary Festival.

 * List of communities in Newfoundland and Labrador

 * Burnside
 * Eastport
 * Happy Adventure
 * Salvage
 * Sandringham
 * Sandy Cove
 * St. Chad's

authors: ಮಲ್ನಾಡಾಚ್ ಕೊಂಕ್ಣೊ

title: Eastport Peninsula


text:
User talk:Paul.h

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You are cordially invited to the SPIE Photonics West edit-a-thon on 02.02.2020
Join us for the SPIE Photonics West edit-a-thon this Sunday, 02.02.2020!

 * I am delighted to invite you to the SPIE Photonics West 2020 edit-a-thon, at Park Central Hotel (Franciscan I, 3rd Level / 50 Third Street / San Francisco, California), on Sunday, February 2, 2020, at 5:00-7:00pm.

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 * Details and sign-in here

See you soon! All the best, --Rosiestep (talk) 06:59, 31 January 2020 (UTC) via MassMessaging

FAR for San Francisco
I have nominated San Francisco for a featured article review here. Please join the discussion on whether this article meets featured article criteria. Articles are typically reviewed for two weeks. If substantial concerns are not addressed during the review period, the article will be moved to the Featured Article Removal Candidates list for a further period, where editors may declare "Keep" or "Delist" the article's featured status. The instructions for the review process are here. (t · c)  buidhe  03:59, 27 November 2021 (UTC)

Invitation to Local Wikimania Event in San Francisco this Friday
Hi!

Wikimania is happening and hopefully you're enjoying the sessions. While it's fairly last minute, you're warmly invited to participate in the local Wikimania-themed meetup in the Wikimedia Foundation office this Friday (tomorrow!). You will have to register in advance, but we would love to see more people from the WikiSalon community participate! For more information and registration, please check out Wikimania 2022/San Francisco Meetup.

The event will involve hacking, teaching, learning, and celebrating and we'll have snacks. We will have the opportunity to watch live sessions at Wikimania together in the afternoon. The rest of the day we'll have opportunity to participate in the hackathon, and we may have some on-demand workshops/learning sessions.

In case we run out of space, it's first-come-first-serve so let us know soon! Hope to see you there.

(Subscribe/Unsubscribe to this talk page notice here)

On behalf of the Bay Area Wiki Salon team and Bittakea, Effeietsanders

FAR for Emperor Norton
I have nominated Emperor Norton for a featured article review here. Please join the discussion on whether this article meets the featured article criteria. Articles are typically reviewed for two weeks. If substantial concerns are not addressed during the review period, the article will be moved to the Featured Article Removal Candidates list for a further period, where editors may declare "Keep" or "Delist" in regards to the article's featured status. The instructions for the review process are here. Hog Farm Talk 01:31, 25 September 2022 (UTC)

title: User talk:Paul.h


text: File:Canyon de Chelly, Navajo.jpg

title: File:Canyon de Chelly, Navajo.jpg