text:
We Are Motörhead

We Are Motörhead is the fifteenth studio album by British rock band Motörhead. It was released on 15 May 2000 via Steamhammer, their fifth with the label, equalling their Bronze Records total of full length original album releases.

Recording
The album contains a cover of the punk band The Sex Pistols' song "God Save the Queen", for which the band recorded a promo video atop an open-top London AEC Routemaster bus. In the Motörhead documentary The Guts and the Glory, vocalist and bassist Lemmy Kilmister declares: "'I think We Are Motörhead was a much better album than it got credit for.'"

Release
At the time of We Are Motörhead ' s release, the band was in competition with itself as the compilations Deaf Forever: The Best of Motörhead and The Best of Motörhead also came out, something the band had no control over.

Artwork
Joe Petagno, the sleeve artist, commented on the influences behind the cover concept: "'It's one of my favourite pieces. At that time, there was a lot of death metal and black metal going on. I was working with a lot of those people anyway. They were all totally Motörhead dedicated, and grew up with Motörhead. I said, 'Listen, instead of letting these guys sort of get to you, why don't we just pay homage to the death thing? That's cool enough. You guys were the first to do it anyway'. In the original sketch, the head was turned three-quarter view, but Lemmy said we'd never used the head since 'Deaf Forever' from the side. So why don't we just give it a full profile?.'"

Critical reception
AllMusic review states: "We Are Motörhead' maintains the generally high standard of the band's second decade, and while there aren't many speed-freak theatrics...the grimy attitude that's always driven their best work is fully intact. Pared back down to a trio, Kilmister and company deliver a tight, blistering set that's both well-executed and typical of Motörhead's long since established sound.'"

Personnel
Adapted from the album's liner notes.
 * Lemmy – lead vocals, bass
 * Phil Campbell – lead guitar
 * Mikkey Dee – drums

Production

 * Bob Kulick – producer
 * Bruce Bouillet – producer
 * Duane Baron – producer
 * Bill Cooper – engineer
 * Motörhead – executive producers
 * Mark Ambramson – design
 * Zen Jam – design
 * Stefan Chirazi – concept
 * Glen La Ferman – design
 * Stephanie Cabral – design
 * Annamaria DiSanto – design
 * G$ – photography
 * Joe Petagno – album cover, Snaggletooth
 * Lemmy – album cover, Snaggletooth

title: We Are Motörhead


text:
User:HeinzJ~enwiki

see GISWiki and german Wikipedia

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: User:HeinzJ~enwiki


text:
Communist Party of Mozambique

The Communist Party of Mozambique (in Portuguese: Partido Comunista de Moçambique or Pacomo) was founded in 1995 and is inactive, possibly dissolved.

The formation of PACOMO was announced on April 12, 1995. The manifesto of the party was published on May 20, 1995. Almeida Tesoura was the general secretary of the party. The party drew inspiration from the 1977 Third Congress of FRELIMO.

title: Communist Party of Mozambique


text:
Ricciotto Canudo

Ricciotto Canudo (2 January 1877, Gioia del Colle – 10 November 1923, Paris) was an early Italian film theoretician who lived primarily in France. In 1913 he published a bimonthly avant-garde magazine entitled Montjoie!, promoting Cubism in particular. Involved in numerous movements yet confined to none, Canudo exuded seemingly boundless energy. He ventured into poetry, penned novels (pioneering a style emphasizing interpersonal psychology, which he dubbed sinestismo), and established open-air theatre in southern France. As an art critic, he unearthed talents like Chagall, curating a Chagall exhibition in 1914. In that same year, alongside Blaise Cendrars, he issued a call for foreigners residing in France to enlist in the French army. Among the 80,000 who responded was Canudo himself.

He saw cinema as "plastic art in motion", and gave cinema the label "the Sixth Art", later changed to "the Seventh Art", still current in French, Italian, and Spanish conceptions of art, among others. Canudo subsequently added dance as a precursor to the sixth—a third rhythmic art with music and poetry—making cinema the seventh art.

Canudo is often regarded as the inaugural aesthetician of cinema, thus making his "Manifesto" pertinent for an English-speaking readership. Several of Canudo's concepts found resonance with two prominent early French film experimenters—Jean Epstein and Abel Gance.

Work
In his manifesto The Birth of the Sixth Art, published in 1911, Canudo argued that cinema was a new art, "a superb conciliation of the Rhythms of Space (the Plastic Arts) and the Rhythms of Time (Music and Poetry)", a synthesis of the five ancient arts: architecture, sculpture, painting, music, and poetry (cf. Hegel's Lectures on Aesthetics).

Canudo later added dance as a sixth precursor, a third rhythmic art with music and poetry, making cinema the seventh art.

Paragraph 1
The theory of seven arts has rapidly gained ground in all minds and is spreading throughout the entire world. To the total confusion of genres and ideas it has brought the preciseness of a rediscovered source. I don't glory in this discovery - all theory carries with it the discovery of the principle which governs it - I declare its radiance just as in affirming it, I was declaring its necessity. If the numberless and nefarious shopkeepers believed that they could raise the value of their industry and their commerce by appropriating the term "Seventh Art," they didn't accept the responsibility imposed by the word "Art." [...]

Paragraph 2
[...] We see that in reality two arts have sprung from the human brain to permit man to stop all the fleeting experiences of life, struggling thereby against the death of aspects and forms and enriching future generations with the aesthetic experience. At the dawn of humanity, it was a question of perfecting life by elevating it above ephemeral realities, by affirming the eternity of things which stir men. Men wanted to create hearths of emotion capable of spreading over all generations what an Italian philosopher called "aesthetic oblivion" - that is to say, an enjoyment of life superior to life - of a multiple personality by which each person could transcend himself. [...]

Montjoie!
Between 1913 and 1914, he published a bimonthly avant-garde magazine entitled Montjoie!, organe de l'impérialisme artistique Francais. Participating artists included Guillaume Apollinaire, Maurice Raynal, Albert Gleizes and Joseph Csaky. The magazine paid special attention to poetry, prose, articles on art, literature, music and history. The contributors included André Salmon, Abel Gance, Igor Stravinsky, Erik Satie, Fernand Léger, Guillaume Apollinaire, Blaise Cendrars, Alfredo Casella, Raoul Dufy, Stefan Zweig, Robert Delaunay, Max Jacob, and Emile Verhaeren.

The first issue was published on 10 February 1913. The second included an essay signed by Igor Stravinsky presenting his new ballet The Rite of Spring as a religious work of faith grounded in a pagan, pantheistic conception. A special issue in the second volume of Montjoie!, published on 18 March 1914, was devoted entirely to the 30th Salon des Indépendants. The article written by André Salmon included photographs of works by Joseph Csaky, Robert Delaunay, Marc Chagall, Alice Bailly, Jacques Villon, Sonia Delaunay, André Lhote, Roger de La Fresnaye, Moise Kisling, Ossip Zadkine, Lucien Laforge and Valentine de Saint-Point. Publication of the magazine stopped in June 1914, on the eve of the First World War.

In 1920, he established an avant-garde magazine Le Gazette de sept arts, and a film club, CASA (Club des amis du septième art), in 1921. His best-known essay "Reflections on the Seventh Art" ("Réflexions sur le septième art") was published in 1923 after a number of earlier drafts, all published in Italy or France.

Other writings

 * La ville sans chef, Paris 1910
 * Music as a religion of the future, London 1913
 * L'usine aux images, Paris 1926. (A collection of his essays)

title: Ricciotto Canudo


text:
CherryPy

CherryPy is an object-oriented web application framework using the Python programming language. It is designed for rapid development of web applications by wrapping the HTTP protocol but stays at a low level and does not offer much more than what is defined in RFC 7231.

CherryPy can be a web server itself or one can launch it via any WSGI compatible environment. It does not deal with tasks such as templating for output rendering or backend access. The framework is extensible with filters, which are called at defined points in the request/response processing.

Pythonic interface
One of the goals of the project founder, Remi Delon, was to make CherryPy as pythonic as possible. This allows the developer to use the framework as any regular Python module and to forget (from a technical point of view) that the application is for the web.

For instance, the common Hello World program with CherryPy 3 would look like:

Features
CherryPy implements:
 * A HTTP/1.1-compliant, WSGI thread-pooled webserver. Typically, CherryPy itself takes only 1–2 ms per page.
 * Support for any other WSGI-enabled web server or adapter, including Apache, IIS, lighttpd, mod_python, FastCGI, SCGI, and mod_wsgi.
 * A native mod_python adapter.
 * Multiple HTTP servers (e.g. ability to listen on multiple ports).
 * A plugin system CherryPy plugins hook into events within the server process — into server startup, server shutdown, server exiting, etc. — to run code that needs to be run when the server starts up or shuts down.
 * Built-in tools for caching, encoding, sessions, authorization, static content, and others. CherryPy tools hook into events within the request process. Whenever the CherryPy server receives a request, there is a specific set of steps it goes through to handle that request. Page handlers are only one step in the process. Tools also provide a syntax and configuration API for turning them on and off for a specific set of handlers.
 * A configuration system for developers and deployers .  CherryPy deployments are configurable on site, on application and on controller level, through Python dictionaries, configuration files, and open file objects.
 * A complete test suite for core functionality and associated framework which can be used to test CherryPy applications.
 * Built-in profiling since v2.1, coverage and testing support.

CherryPy doesn't force you to use a specific object-relational mapper (ORM), template language or JavaScript library.

Can be used with CherryPy

 * Routes — a Python re-implementation of the Ruby on Rails's routes system for mapping URLs to controllers/actions and generating URLs.

Object-relational mappers

 * SQLAlchemy — a database backend and ORM for Python applications. TurboGears 2.x uses CherryPy as server and SQLAlchemy as its default ORM.
 * SQLObject — a popular ORM for providing an object interface to a database. Supports a number of common database backends: included in the distribution are MySQL, PostgreSQL, SQLite, Sybase SQL Server, MaxDB, Microsoft SQL Server and Firebird. TurboGears 1.x uses CherryPy as server and SQLObject as ORM.
 * Storm — the ORM from Canonical Ltd. (makers of Ubuntu)
 * Dejavu — a public domain software, thread-safe ORM for Python applications
 * MongoEngine — An ODM for connecting to MongoDB.

Templating languages

 * Mako — a template library written in Python, usable with a simple CherryPy tool.
 * Cheetah — an open source template engine and code generation tool, written in Python.
 * CherryTemplate — a templating language for CherryPy.
 * Genshi — a powerful XML templating language.
 * Jinja — a general purpose templating language. CherryPy has a tool for using Jinja templates.
 * Kid — a simple template language for XML based vocabularies written in Python. TurboGears 1.x uses CherryPy as server and Kid as frontend.

CherryPy wiki helps choosing a templating language.

Products using CherryPy

 * TurboGears — CherryPy 2.x is a main component of TurboGears 1.x.
 * Splunk Enterprise - CherryPy 3.1.2

title: CherryPy


text:
Thomas Roscoe Rede Stebbing

The Reverend Thomas Roscoe Rede Stebbing (6 February 1835, London – 8 July 1926, Royal Tunbridge Wells) was a British zoologist, who described himself as "a serf to natural history, principally employed about Crustacea". Educated in London and Oxford, he only took to natural history in his thirties, having worked as a teacher until then. Although an ordained Anglican priest, Stebbing promoted Darwinism in a number of popular works, and was banned from preaching as a result. His scientific works mostly concerned crustaceans, especially the Amphipoda and Isopoda, the most notable being his work on the amphipods of the Challenger expedition.

His zoological author abbreviation is Stebbing.

Biography
Thomas Roscoe Rede Stebbing was born on 6 February 1835 in Euston Square, London, the seventh of thirteen or fourteen children, to a clergyman and the editor of the Athenaeum, Henry Stebbing, and his wife, Mary Griffin. Thomas was educated at the King's College School, and afterwards entered King's College, London to study classics, graduating with a BA in 1855. He then matriculated at Lincoln College, Oxford, before studied at Worcester College, Oxford, gaining a BA in law and modern history there in 1857 and an MA in 1859. Around this time, he was a master at Radley College and Wellington College. He took on various roles at Worcester College, including that of fellow (1860–1868), tutor (1865–1867), vice-provost (1865) and eventually dean (1866), as well as a lecturer in divinity. He resigned his fellowship in 1868. He was ordained into the Church of England by Samuel Wilberforce, Bishop of Oxford in 1859.

By 1863, Stebbing had begun to work as a tutor in Reigate, Surrey, where he met the entomologist William Wilson Saunders, whose daughter Mary Anne was a capable botanist and illustrator. Stebbing took up the study of natural history around this time, and married Mary Anne in 1867. The couple moved to Torquay, Devon after their marriage, where Stebbing continued to work as a tutor and schoolmaster, and began to write about theology, Darwinism and natural history, partly under the influence of the naturalist William Pengelly.

In 1873, Stebbing produced his first paper on crustaceans, and began to study the Amphipoda the following year. In 1877, Stebbing moved to Royal Tunbridge Wells, where he lived in Ephraim Lodge, on the edge of Tunbridge Wells Common, to benefit from the greater number of students in London, and to be closer to the libraries, museums and scientific circles in the capital. As his finances improved, he was able to give up teaching altogether and concentrate on writing. He died in Ephraim Lodge on 8 July 1926. His funeral was held at St. Paul's Church, Rusthall, where Stebbing had officiated when requested; since its churchyard was inadequate, Stebbing's body was buried in the town's public cemetery. His wife survived him by only a few months.

Evolution and religion
Having trained as an evangelical Anglican, Stebbing expected to be a staunch opponent of Charles Darwin's recently published theory of evolution by natural selection. Stebbing reported that "on reading The Origin of Species, as a preliminary, it has to be confessed that, instead of confuting, I became his ardent disciple", and so he adopted the position of a religious rationalist. Following a critical review of The Descent of Man in The Times in 1871, Stebbing gained prominence by responding in Nature.

Stebbing wrote a number of essays on the topic of Darwinism, in which he dissected the argument posited against it, and questioned various aspects of Christianity, including the literal truth of the Book of Genesis, the doctrine of the Trinity, the divinity of Jesus, many of the Thirty-Nine Articles, miracles and prophecy. They included Essays on Darwinism (1871), Faith in Fetters (1919) and Plain Speaking (1926). His outspoken stance resulted in his being banned from preaching, and he was never offered a parish by the church.

Crustacea
Most of Stebbing's scientific works, comprising more than 110 papers, covered amphipod crustaceans. Rev. A. M. Norman, a member of the Challenger Committee, recommended that Stebbing produce a monograph on the amphipods collected on the 1872–1876 expedition by HMS Challenger, which he did, reproducing the original description for every genus, and providing an extensive bibliography of the group.

He also produced a monograph of the Cumacea, a natural history of the Crustacea, and a biography of the Scottish naturalist and founder of the University Marine Biological Station, Millport, David Robertson. In 1906, Stebbing published the volume on Gammaridea for the series Das Tierreich.

Legacy
Stebbing was made a Fellow of the Linnean Society on 5 December 1895, a Fellow of the Royal Society on 4 June 1896, and was awarded the Gold Medal of the Linnean Society in 1908. He had strenuously advocated the admittance of women to the Linnean Society, and obtained a supplementary charter to allow it; his wife was among the first women to be admitted.

A number of animal species have been named in honour of Stebbing:
 * Hyale stebbingi Chevreux, 1888 (Amphipoda: Hyalidae)
 * Parapodascon stebbingi (Giard & Bonnier, 1895) (Isopoda: Podasconidae)
 * Argissa stebbingi Bonnier, 1896, a synonym of Argissa hamatipes (Norman, 1869) (Amphipoda: Argissidae)
 * Phronima stebbingii Vosseler, 1901 (Amphipoda: Phronimidae)
 * Metapenaeus stebbingi (Nobili, 1904) (Decapoda: Penaeidae)
 * Protellopsis stebbingii Pearse, 1908 (Amphipoda: Caprellidae)
 * Sphyrapus stebbingi Richardson, 1911 (Tanaidacea: Sphyrapidae)
 * Macropisthopus stebbingi K. A. Barnard, 1916 (Amphipoda: Ampithoidae)
 * Carpias stebbingi (Monod, 1933) (Isopoda: Janiridae)
 * Pardaliscoides stebbingi Ledoyer, 1970 (Amphipoda: Pardaliscidae)

Publications

 * (published in three parts, 1900, 1914, 1920)

 * (in English)

title: Thomas Roscoe Rede Stebbing


text: Category:Politics of Kenya

title: Category:Politics of Kenya


text:
Talk:Biomedical informatics

Comment: This topic should be redirected to "Health Informatics" in Wikipedia

=
================

This article needs some confirmation; in particular, there needs to be a cross-check with this article and other articles referenced by it for consistency (e.g., computer science classifies bioinformatics as a subdomain -- which is correct? If both are, in what sense?). Also, we should avoid sticking lists of " informatics" within the main article itself; a subcategory titled 'Major fields' might be more appropriate. —Preceding unsigned comment added by Nervexmachina (talk • contribs) 23:18, 15 April 2008 (UTC)

I don't think this article needs a list of all departments named "biomedical informatics". It may be better to mention centres of excellence, but examples of the use of the term don't add much. As for the Elsevier journal, there must be other publications in the field as well. JFW | T@lk  11:26, 14 July 2005 (UTC)

 * agree, per WP:NOT. As with other 'discipline' pages, list quickly become unmanageable and fall victim to vandalism and linkspam. my opinion: At the very least, there should be more sentences in the article than external links supporting those statements.

 * agree -- Organized external links by alpha, but in concordance with others that departmental links should be removed. —Preceding unsigned comment added by 128.95.11.164 (talk) 20:48, 29 October 2007 (UTC)

 * How are "centres of excellence" determined? I thought the list of University biomedical departments useful when doing my graduate program search, since most magazines/etc tend not to mention anything about biomedical informatics. I'm not sure if this information belongs on this page, however. At minimum, perhaps the external links list can be organzed better? --SamatJain 05:11, 5 August 2006 (UTC)

 * I am putting them as External Links. The term "biomedical informatics" is there only in this journal. Supten 06:22, 11 August 2005 (UTC)

When was the phase Biomedical Informatics first coined/published? By whom? That might give some insight into the 'relationship' to bioinformatics. --Jethero 06:49, 22 February 2007 (UTC)

title: Talk:Biomedical informatics


text:
Enlight Software

Enlight Software is a Hong Kong developer and publisher of video games. The company was founded by Trevor Chan in 1993, and their first project was the economic strategy game Capitalism, which was published by Interactive Magic in 1995. In 1997, they released Capitalism Plus (an updated version of Capitalism) and the real-time strategy game Seven Kingdoms. Later games include Virtual U, Capitalism II, Wars and Warriors: Joan of Arc, Seven Kingdoms II, Hotel Giant, Restaurant Empire, Zoo Empire, Marine Park Empire, Restaurant Empire II and Hotel Giant II.

In addition to developing their own games, Enlight have released several games from third-party developers in the United States, including: MercurySteam's American McGee Presents: Scrapland, Nadeo's TrackMania, and Egosoft's X2: The Threat.

Enlight's latest game is Capitalism Lab, a new expanded version of Capitalism II. It has an improved look and feel of existing interfaces, supporting multiple screen resolutions. Its new features include enhanced simulation of the real estate market, purchases of land plots, enhanced macroeconomic simulation, the ability to build community and sport facilities, product class expertise, technology disruption, new products and a new natural resources system.

title: Enlight Software


text: User talk:24.15.231.240

title: User talk:24.15.231.240


text:
Talk:Frappe

dab?
I don't think a dab page is necessary. "Frappe" (pron. [frap]) is the New England name for an ice cream milkshake, and frappé (with accent and pronounced [fra'pe] or [fra'pei]) is a name for Greek frappé coffee. (Not sure how much it's used in English, but...) --Macrakis 22:17, 20 March 2007 (UTC)

 * I find it very difficult for readers to type the accent. NikoSilver 23:54, 20 March 2007 (UTC)

frappe - the new american french drink???
what a wonderful concoction...it makes me tingle inside. YUM!!!! although american people stink, especially their breath, and rude. what do you think america?

Philippine use
Filipinos use frappe or frap to mean a frappucino-like drink. How can we add that into this? Should a separate page be created just for this use or do we add this as a subsection on another page?--Bruce Hall (talk) 05:46, 8 August 2009 (UTC)
 * Since this is now a disambiguation page, mention it here with a link to whatever other article is appropriate, and if there's enough information to justify a section there, do that. --Pi zero (talk) 11:55, 9 August 2009 (UTC)

title: Talk:Frappe


text:
Science High School

Schools named Science High School include:

Located in South Korea

 * Ulsan Science High School, Ulsan
 * Changwon Science High School, Changwon
 * Busan Il Science High School, Busan
 * Busan Science High School, Busan
 * Chungbuk Science High School, Cheongwon
 * Changwon Science High School, Changwon
 * Chungnam Science High School, Gongju
 * Daegu Science High School, Daegu
 * Daejeon Science High School, Daejeon
 * Kangwon Science High School, Wonju
 * Kyeongbuk Science High School, Pohang
 * Gwangju Science High School, Gwangju
 * Gyeonggi Science High School, Suwon
 * Gyeonggibuk Science High School, Uijeongbu
 * Gyeongnam Science High School, Jinju
 * Gyeongsan Science High School, Gyeongsan
 * Hansung Science High School, Seoul
 * Incheon Science High School, Incheon
 * Jeju Science High School, Jeju City
 * Jeonnam Science High School, naju
 * Jeonbuk Science High School, Iksan
 * Jeonnam Science High School, Naju
 * Korea Science Academy of KAIST, Busan
 * Sejong Science High School, Seoul
 * Seoul Science High School, Jongno-gu, Seoul

Located in the Philippines

 * Philippine Science High School (various campuses)
 * Regional Science High School (various campuses)
 * ESEP High Schools (various public or private science high schools)

Located in Turkey

 * Adana Science High School, Adana
 * Aksaray Science High School, Aksaray
 * Kültür Private Science High School, Bakırköy
 * Akşehir Science High School, Akşehir
 * Ankara Science High School, Ankara
 * Ankara Private Bilfen Çayyolu Science High School, Ankara
 * Ankara Mustafa Hakan Güvençer Science High School, Ankara
 * Ankara Polatlı TOBB Science High School, Ankara
 * Ankara Pursaklar Science High School, Ankara
 * Aydın Science High School, Aydın
 * Nazilli Science High School, Aydın
 * Nilüfer İMKB Science High School, Bursa
 * Çanakkale Science High School, Çanakkale
 * Erbakır Science High School, Denizli
 * Elazığ Science High School, Elazığ
 * Gaziantep Science High School, Gaziantep
 * Halil Kale Science High School, Turgutlu
 * İzmir Science High School, İzmir
 * Kirikkale Science High School, Kırıkkale
 * Konya Meram Science High School, Konya
 * Giresun Science High School, Giresun
 * Malatya Science High School, Malatya
 * Adana Eczacı Bahattin-Sevinç ERDİNÇ Science High School, Ceyhan
 * Bucak Adem Tolunay Science High School, Bucak, Burdur
 * Gundoğdu Private Science High School, Adana
 * Manisa Science High School, Manisa
 * Atatürk High School of Science, Istanbul
 * İzmir Özel Türk Science High School, İzmir
 * İzmir Özel Fatih Science High School, İzmir
 * Mersin 75th Year Science High School, Mersin
 * Edirne Science High School, Edirne
 * Aziz Atik Science High School, Samsun
 * Trabzon Yomra High School of Science, Trabzon
 * Seval-Ahmet Çetin Science High School, Tekirdağ
 * İbrahim Süheyla İzmirli Science High School, Zonguldak
 * Tofaş Science High School, Bursa
 * Eyüp Aygar Science High School, Mersin
 * TÜBİTAK Science High School, Gebze
 * Cumhuriyet Science High School, Diyarbakır

Located in the United States

 * Bronx High School of Science, New York City
 * Science Park High School (New Jersey), Newark, New Jersey

title: Science High School