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Talk:Norway Debate

Lead section
The lead section doesn't even state what the debate was specifically about and its relations to the war. It only comments on "how important it was" and the result of the party transitions. Shouldn't it be changed? Lectrician1 (talk) 17:09, 6 June 2021 (UTC)
 * The second paragraph of the lead explains that the official title of the debate, as held in the Hansard parliamentary archive, is Conduct of the War. Also that, scheduled in advance, it was initiated by an adjournment motion enabling the Commons to freely discuss the progress of the Norwegian Campaign. That, in a nutshell, is what the debate was originally about but it soon developed into an overall examination of Chamberlain's government since the war began. Does that help? No Great Shaker (talk) 18:01, 6 June 2021 (UTC)
 * My answer would be that the lead says it was a "momentous" "far-reaching" debate and then explains it led to Chamberlain's replacement with Churchill. You are correct in so far that it takes the "momentousness" of this for given. In other words, if you go "oh, that's why Churchill came into power - he saved Britain" then I would say, yes, it adequately explains itself. If, however, you go "Churchill? So?" then I can agree it does not. However, the question then becomes what level of competence this rather-specialized article should assume of its readership? (So far, clearly more the former than the latter). Regards CapnZapp (talk) 20:06, 6 June 2021 (UTC)
 * I know nothing about this topic. Am I right that the debate was about helping stop the German invasion of Norway? I was expecting for that basic fact about the purpose of the debate to be mentioned in the lead section, but it's not. Lectrician1 (talk) 16:42, 7 June 2021 (UTC)
 * The debate wasn't about trying to stop the invasion which had already happened and had well nigh succeeded. It was about Allied progress during the campaign and it quickly escalated into a full-scale review of government performance not just during the Norwegian Campaign but since the war began. The lead is not incorrect, although it could be expanded, or reworded in places, as is the case with any article. You need to bear in mind that the article is about the debate and the aftermath, albeit briefly discussed, is actually out of scope. Also, the purpose of any lead section is to summarise the article's narrative and, in that, this one succeeds without going into excessive detail about who said what, etc. Hope this helps. No Great Shaker (talk) 20:21, 7 June 2021 (UTC)

Place in parliamentary culture
Removed this as probably trivia. The source only confirms the quote was made, without establishing any reason why we should report it.

If Boris Johnson actually IS removed, and we can source that this quote was influential in removing him, then yes, it definitely merits inclusion.

But as long as it is only a random MP making quotes, let's not. CapnZapp (talk) 19:46, 19 January 2022 (UTC)

 * My first thought was to just amend it, though I wasn't entirely convinced of its merit in being here. I agree it should be removed because, as you say, it's trivia and we don't want to detract from the greatest debate in parliamentary history by mentioning the worst prime minister in parliamentary history. Chamberlain certainly had to go, but there can be no doubt about his honour and integrity. No Great Shaker (talk) 20:38, 19 January 2022 (UTC)

I would just make a further point about this because it's looking increasingly likely that Johnson will be facing a no confidence vote in the near future. As Davis is an influential member of the Tory Party, his comment will probably be revived in the media. I strongly recommend that anyone reintroducing it to this article is immediately reverted.  NGS  Shakin' All Over 11:17, 4 June 2022 (UTC)

January 2022
I do not believe the recent employment of Amery's quotation of Cromwell's words to the Long Parliament in a political dispute contributes anything at all to our understanding of the Norway Debate. We addressed a similar matter above on this page in Talk:Norway_Debate toward the end. While that use of Cromwell's words may have relevance to the current dispute regarding the PM, it is not relevant to this article as it sheds no light on the events of 1940. And as we did above, it should be deleted. Kablammo (talk) 17:59, 19 January 2022 (UTC)
 * I do not have a strong view either way and if anything I agree with you which is why I removed the implication that BoJo no longer is PM and the language which apart from being contrary to WP:NPOV seemed to exalt the quote as critical in worsening Johnson's position. I agree with the previous discussion that the section should not be a simple list of every time an MP has repeated the quote. Perhaps if it transpires that he resigns and the use of the quote becomes critically linked with that then we might want to reconsider, but right now we can do without it. Jtrrs0 (talk) 18:36, 19 January 2022 (UTC)
 * Davis is hardly the first MP in the last 82 years to either use those words or allude to them. It's just WP:RECENTISM to include this one particular incident. You might as well dig out comparisons to Amery of Sir Geoffrey Howe's speech against Thatcher - like Amery this was someone who had once been a strong ally of the PM and also defied his reputation as an absolutely boring speaker. Timrollpickering (talk) 18:48, 19 January 2022 (UTC)

The inapt employment of parliamentary quotes has increased, is increasing, and ought to be diminished. Kablammo (talk) 23:35, 19 January 2022 (UTC)

Hello. Upon returning here I realize this section might be discussing the same thing I am just below. If so, apologies for starting a duplicate section, but really, why name it 2019? CapnZapp (talk) 07:07, 20 January 2022 (UTC)
 * I missed it too. I saw "January 2019" yesterday and thought, without reading further, it's an old discussion. Anyway, the item has been removed and the issue is resolved. No Great Shaker (talk) 07:14, 20 January 2022 (UTC)

 * My error, and my apologies to all. Now corrected. Clearly I'm living in the past. Kablammo (talk) 14:07, 20 January 2022 (UTC)

Recent revert
Hello and thanks for taking this to talk. First off, please realize you simply must not go around making unfounded "suggestions" (exact quote: are you suggesting that the Nazi party alone or just card carrying members invaded their neighbouring countries and not the German state?) This simply won't do and you need to stop, now. I will not respond further to such drivel, and will act as if you never said it. Please don't make me regret this act of assuming good faith; hopefully we can discuss without such unpleasantries. Second, you don't get to decide what revert reasons are "valid". When you are reverted, please assume good faith; that is, that the reverting editor saw their actions as valid and necessary. Discussing on talk is where you attempt to find out what those reasons are. In this case, if you agree "Nazi aggression" means the same thing as "German aggression" why make the change? One is more specific than the other: "German aggression" with no context could mean any historic period; "Nazi aggression" only one. Different articles are written differently; we certainly do not have to make all articles conform to the same standard. (Put simply: do not point to other talk discussions not involving this page as if they get to set site-wide precedents; they don't.) The current wording has stood for years without being seen as inappropriate, it it is certainly not wrong; it can stand for many years to come in my opinion. CapnZapp (talk) 22:29, 30 July 2023 (UTC)
 * "when you are reverted, you take it to talk. And cut it out with your unfounded accusations or I'll report you."
 * You have to provide a valid reason for reverting an edit. Stating "please don't hide the "Nazi" of the name" is not valid revert. What accusation exactly? The wording in the article, "Nazi aggression" for example, it's just short-hand for German aggression; so why not be accurate instead? For those who may not be use to seeing such, it implies just card-carrying members of the Nazi party launched attacks across Europe rather than it being the German state that did.
 * As for standing consensus, see (just to name a few): 2007, 2010, 2016, 2017, 2023.EnigmaMcmxc (talk) 14:19, 30 July 2023 (UTC)
 * When exactly did you assume good faith when you immediately reverted an edit (without taking it to the talkpage) with the claim that piping a link is hiding something? Or, with your inability to address a rhetorical question about the choice of wording, or your immediate jump to report without engaging? It looks like a lot of bad faith editing and arguing on your part (or "drivel" as you put it).
 * Your argument that well established wide reaching community consensus can be ignored, is not good enough. Why should it be ignored? You admit you are retaining the wording as shorthand, rather than being precise. Your additional argument that it can only mean one period, as opposed to a reader being confused as to what time period of Germany attacked Norway just lends to the notion that you have done a poor job of providing context to the reader if that is what you have to relay on. — Preceding unsigned comment added by EnigmaMcmxc (talk • contribs) 14:41, 31 July 2023 (UTC)
 * I have posted a message on your personal talk. You're clearly in no shape to have a AGF discussion right now. CapnZapp (talk) 08:06, 1 August 2023 (UTC)

title: Talk:Norway Debate


text:
Azure Dreams

Azure Dreams is a roguelike role-playing video game developed by Konami Computer Entertainment Tokyo and published by Konami for the PlayStation. A Game Boy Color game with the same name was developed by Konami Computer Entertainment Nagoya and released two years later. A spiritual sequel, Tao's Adventure: Curse of the Demon Seal, was released on the Nintendo DS in 2005.

Gameplay
The main focus of the game is entering the Tower of Monsters and destroying its denizens, gaining experience, and collecting treasure. The player can also catch monster eggs to hatch into familiars. Each monster has hidden spells, unique traits, and abilities. The game revolves around the Tower of Monsters and the town of Monsbaiya, which the player helps develop. With his acquired riches, Koh can finance the building of a theatre, hospital, racing track, casino, bowling alley, and gym. Some buildings allow the appearance of specific love interests (such as the Hospital making way for Cherrl to appear and the library making Mia available), while others offer minigames and the ability to acquire currency at a faster rate. Koh can also improve the furnishings and decorate his home.

The player is also given the option of pursuing romantic ambitions in Koh's life. There are seven characters that he may develop a relationship with. This relationship-building aspect of the game is absent from the Game Boy Color version.

There are a few differences between the Japanese and American versions of the game; the Japanese version has voiced dialogue for every character, a different title screen, narration for the intro movie, and an angel/cherub which is larger and more animated. The monster book graphics were also redone. The Japanese version has a seahorse-like selector with more colorful elemental bars. The layout of the picture and text is different, with the Japanese version having the monster text off to the right and the stats under the picture. The buttons were also completely changed from the Japanese version.

Every time Koh enters the Tower, he returns to level one; however, any familiars hatched outside the Tower retain their current level. As such, progression through the higher levels of the Tower relies on strengthening the familiars or equipment. Strengthening weapons and shields can be an uphill battle, because the items that add a +1 to their attack or defense are often far outnumbered by Rust Traps, one of the many varieties of randomly generated traps that only become visible once activated. One remedy to this is to use types of equipment that do not rust. Once in the Tower, there are only three ways of exiting it: If Koh "dies" within the Tower, he returns to town but loses all equipment he carried; a familiar can be sacrificed using a specific item found within the Tower, called an Oleem, allowing Koh to escape and keep all of his other equipment; and a Wind Crystal can be found in the Tower that allows escape at any time.

Azure Dreams uses a random map generator: every time Koh enters the Tower of Monsters, the levels are randomly generated so as to make every monster-hunting experience different.

Activity within the main dungeon is turn-based, with one move or attack corresponding to a turn (e.g. when the player takes a step, so do opposing monsters).

Plot
Azure Dreams is set in the desert town of Monsbaiya. The town prospers because of a Monster Tower located over it. A skilled monster tamer named Guy disappears in the tower and is never seen again. His son, Koh, enters the tower when he turns 15 and meets a familiar named Kewne - a monster that can speak to humans. Kewne and Koh embark on a quest to reach the top of the Monster Tower and find the truth about Guy's fate.

Game Boy Color version
The portable edition more than doubled the number of monsters of the PlayStation version and added a bonus underground dungeon that spanned an extra 100 floors of gameplay, but the town building and dating elements were removed. The battle system was also changed to more resemble Pokémon, with each battle taking place on its own screen instead of on the field.

Reception
The game received "average" reviews on both platforms according to the review aggregation website GameRankings. Next Generation, however, said of the PlayStation version, "A randomly generated dungeon map might conceivably add to the replay value, but as it is, Azure Dreams will not exactly have many gamers coming back for long." In Japan, Famitsu gave it a score of 29 out of 40 for the same console version, and 24 out of 40 for the Game Boy Color version. Boba Fatt of GamePro said that the PlayStation version "offers unique twists on the RPG formula, but its repetitiveness, poor translation, and frustrating luck-based evolution result in a game that fails to deliver on its potential. Nevertheless, the game is addictive, and the interesting villains and monster training are compelling. It's certainly a rent-first title, but fans of turn-based adventures like Suikoden or Vandal Hearts may find themselves having Azure Dreams (whatever that means)."

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Azure Dreams


text:
Orges, Haute-Marne

Orges is a commune in the Haute-Marne department in north-eastern France.

Geography
The Aujon forms part of the commune's north-western border.

title: Orges, Haute-Marne


text:
NTE

NTE may refer to:
 * National Teacher Examination, a past standardized test replaced by the Praxis test
 * Near-term extinction, the prospect of an imminent end of the human species
 * Network termination equipment
 * Negative thermal expansion, a physicochemical process
 * Neverness to Everness, an upcoming video game
 * Night-time economy, the economy made up of venues and industries such as bars and nightclubs
 * Not-To-Exceed, a pollution emission standard
 * IATA code of Nantes Atlantique Airport
 * Nord-Trøndelag Elektrisitetsverk, a power company in Norway
 * Northern Tier Energy, an energy company in USA
 * NTE Electronics, an electronic component supplier in the USA

title: NTE


text:
User:Dr. Ebola

My name is Dr. Ebola, M.D.. I am a 21 year old physics student at the University of North Carolina at Chapel Hill. My interests include ebola, physics, "finding myself" and blood. Most (though not all) of my contributions to Wikipedia have been related to The Beatles' songs. It is likely, however, that you will not find them credited to this username, because my edits are virtually all anonymous. Happy editing!

title: User:Dr. Ebola


text: Template:Theta

title: Template:Theta


text: Template talk:Theta

title: Template talk:Theta


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Russell Hunter

Adam Russell Hunter (18 February 1925 – 26 February 2004) was a Scottish television, stage and film actor. He played Lonely in the TV thriller series Callan, starring Edward Woodward, and shop steward Harry in the Yorkshire Television sitcom The Gaffer (1981–1983) with Bill Maynard. He made guest appearances in television series such as The Sweeney, Doctor Who, Taggart, A Touch of Frost, The Bill and The Return of Sherlock Holmes in The Adventure of Silver Blaze.

Life
Born Russell Ellis in Glasgow, Hunter's childhood was spent with his maternal grandparents in Lanarkshire, until returning to his unemployed father and cleaner mother when he was 12. He went from school to an apprenticeship in a Clydebank shipyard. During this time, he did some amateur acting for the Young Communist League before turning professional in 1946.

Early work
Under the stage name Russell Hunter, he acted at Perth Rep and at the Glasgow Unity Theatre also performing in the very first Edinburgh Festival Fringe in 1947 in The Plough and the Stars by Seán O'Casey, was a comedian in summer variety shows and toured with a one-man show.

Hunter worked in repertory theatre and Scottish variety before making his film debut in Lilli Marlene (1950). In the same year, he appeared in the film The Gorbals Story, which featured members of the Glasgow Unity Theatre including Archie Duncan and Roddy McMillan. The film also featured Hunter's first wife, Marjorie Thomson. He followed these by playing a pilot in the Battle of Britain drama Angels One Five in 1951.

His theatre work included joining Peter Hall's Royal Shakespeare Company, working with Peggy Ashcroft and Dame Edith Evans. and appearing in Charlie’s Aunt at the Bristol Old Vic in 1964-5.

Callan
His most memorable role was the timid, smelly petty criminal Lonely, unlikely accomplice to a clinical spy-cum-assassin, in the downbeat 1967 television spy series Callan. Reportedly, he said of his identification with Lonely that "I take more baths than I might have playing other parts. When Lonely was in the public eye I used only the very best toilet water and a hell of a lot of aftershave."

After playing Costard in a BBC television production of Love's Labour's Lost (1965), Hunter was cast as Lonely in ITV's "Armchair Theatre" production A Magnum for Schneider in 1967, which introduced the secret agent Callan to the screen. Four series followed (1967, 1969–72). Hunter and Edward Woodward reprised their roles in both a 1974 feature film of the same name and, seven years later, in the television film Wet Job, by which time Lonely had gone straight, got married and was running a plumbing company called Fresh and Fragrant. The title plays on "wet job", the euphemism for murder or assassination.

Other roles
During his years with Callan, Hunter acted in the Hammer horror film Taste the Blood of Dracula (1970) and took the roles of Crumbles, Dr Fogg and Dr Makepeace in an ITV production of Sweeney Todd (1970), He also appeared in the British comedy film Up Pompeii (1971) as the Jailer.

He had two notable appearances in one-man plays performed on BBC Scotland in the early 1970s: Cocky, where he played Henry Cockburn, Lord Cockburn, which ended with his speech to the jury defending Helen McDougal, Burke's wife, in the Burke and Hare case, and Jock, where he played an archetypal Scottish soldier guarding a military museum. In 1974 he played Ted, a simple-minded but kind-hearted man in a two-part story in Rooms, two-part dramas concerning the various drifters who rent rooms in a lodging house. He played 'Old Fred' in a 1974 episode of Thriller. In 1975 he played a Scottish painter in the BBC's adaptation of the Lord Peter Wimsey story The Five Red Herrings. In 1979, at the artist's request, he opened the Edinburgh Festival Exhibition of the Glasgow artist Stewart Bowman Johnson held at the Netherbow Gallery.

Hunter's other TV credits include The Sweeney (as a gay petty criminal and informant, Popeye, very similar to his Callan character Lonely), Ace of Wands (as the evil magician Mr Stabs, a role he reprised in an episode of the anthology series Shadows), Doctor Who serial The Robots of Death (1977), Farrington of the F.O., The Bill, A Touch of Frost(Se4ep4), Taggart, sitcoms Rule Britannia (1975) as the Scotsman Jock McGregor and shop steward in The Gaffer (1981–83), and his last ever TV appearance, in the BBC drama Born and Bred. In his last years he reprised his Doctor Who role for a series of audio plays released on CD, Kaldor City. He also appeared in an episode of Mind Your Language as a minor character in the episode "I Belong To Glasgow"; he played an opinionated chauffeur who kept clashing with the students. He also appeared in the TV sitcom Lovejoy as a Scottish submariner in the episode "Angel Trousers".

He also appeared as different characters in the pilot and series of the BBC sitcom Rab C. Nesbitt.

Personal life
In 1949, Hunter married Marjorie Thomson and had two daughters. In 1970, he married actress Caroline Blakiston after they both appeared in A Midsummer Night's Dream at the Open Air Theatre, Regent's Park. They had a son and a daughter. His third marriage, in 1991, was to fellow performer Una McLean. They lived in a converted building at Taylor Gardens in Leith.

Illness
Although in the advanced stages of cancer, Hunter's last theatrical stint was in the Reginald Rose play 12 Angry Men at the same, if inconceivably expanded, Edinburgh Festival Fringe, with which he had remained inextricably linked.

Despite being ill, Hunter received positive reviews for his appearances in the feature film American Cousins late in 2003 and as a priest in the film Skagerrak. In November, American Cousins, Hunter's last movie role, received the Special Jury Prize at the Savannah Film Festival in the United States, ending a career spanning six decades.

Death
Russell Hunter died aged 79 at Edinburgh's Western General Hospital of lung cancer.

title: Russell Hunter


text: User talk:72.255.20.86

title: User talk:72.255.20.86


text:
Huadong Medicine

HD Medicine, or Huadong Medicine Co., Ltd., is a Hangzhou-based pharmaceutical company registered on the Shenzhen Stock Exchange since January 27, 2000. It has a listed share capital of 380,000,000 renminbi and a market capitalization of 126,323,040 renminbi. It is the largest pharmaceutical company in Zhejiang and the leading immunosuppressant manufacturer in China.

title: Huadong Medicine


text:
Talk:Battle of Veii

Moved this quote from the article and will grab the good bits An enormous crowd went and filled the camp. After the Dictator had taken the auspices and issued orders for the soldiers to arm for battle, he uttered this prayer: `Pythian Apollo, guided and inspired by thy will I go forth to destroy the city of Veii, and a tenth part of its spoils I devote to thee. Thee too, Queen Juno, who now dwellest in Veii, I beseech, that thou wouldst follow us, after our victory, to the City which is ours and which will soon be thine, where a temple worthy of thy majesty will receive thee.' After this prayer, finding himself superior in numbers, he attacked the city on all sides, to distract the enemies' attention from the impending danger of the mine. The Veientines, all unconscious that their doom had already been sealed by their own prophets and by oracles in foreign lands, that some of the gods had already been invited to their share in the spoils, whilst others, called upon in prayer to leave their city, were looking to new abodes in the temples of their foes; all unconscious that they were spending their last day, without the slightest suspicion that their walls had been undermined and their citadel already filled with the enemy, hurried with their weapons to the walls, each as best he could, wondering what had happened to make the Romans, after never stirring from their lines for so many days, now run recklessly up to the walls as though struck with sudden frenzy.

...

The mine, which was now full of picked soldiers, suddenly discharged its armed force in the temple of Juno, which was inside the citadel of Veii. Some attacked the enemy on the walls from behind, others forced back the bars of the gates, others again set fire to the houses from which stones and tiles were being hurled by women and slaves. Everything resounded with the confused noise of terrifying threats and shrieks of despairing anguish blended with the wailing of women and children. In a very short time the defenders were driven from the walls and the city gates flung open. Some rushed in in close order, others scaled the deserted walls; the city was filled with Romans; fighting went on everywhere. At length, after great carnage, the fighting slackened, and the Dictator ordered the heralds to proclaim that the unarmed were to be spared. That put a stop to the bloodshed, those who were unarmed began to surrender, and the soldiers dispersed with the Dictator's permission in quest of booty. This far surpassed all expectation both in its amount and its value, and when the Dictator saw it before him he is reported to have raised his hands to heaven and prayed that if any of the gods deemed the good fortune which had befallen him and the Romans to be too great, the jealousy which it caused might be allayed by such a calamity as would be least injurious to him and to Rome. The tradition runs that whilst he was turning round during this devotion he stumbled and fell. To those who judged after the event it appeared as if that omen pointed to Camillus' own condemnation and the subsequent capture of Rome which occurred a few years later.

That day was spent in the massacre of the enemy and the sack of the city with its enormous wealth. (Livy) Jolomo

Numbers involved
Can anyone take some educated guesses about the number of troops involved in the siege / battle on both sides? Also, what would the respective population sizes of Veii and Rome have been at the time, and how many people would have been under Roman and Veientine control respectively (meaning not just the populations of the cities themselves but of any territory controlled by them)?

In 396 BC I suppose Rome can't have been anything like the major military power it would become in later centuries, and I'd expect even fielding a single full legion of 3,000 to 6,000 men would have been a stretch for Rome at that time. --194.138.39.59 (talk) 14:11, 20 October 2014 (UTC)

title: Talk:Battle of Veii


text: Wikipedia:POTD/July 29, 2005

title: Wikipedia:POTD/July 29, 2005


text: Wikipedia:Picture of the day/July 29, 2005


text:
William Bernard Ullathorne

William Bernard Ullathorne (7 May 1806 – 21 March 1889) was an English prelate who held high offices in the Roman Catholic Church during the nineteenth century.

Early life
Ullathorne was born in Pocklington, East Riding of Yorkshire, the eldest of ten children of William Ullathorne, a prosperous businessman with interests in groceries, draperies and spirits, and Hannah (née Longstaff), who converted to Roman Catholicism when she married. When he was nine years of age, Ullathorne's family relocated to Scarborough, where he began his schooling. He was a descendant of Saint Thomas More through his great-grandmother, Mary More.

At 12 he was taken from school and placed in his father's office to learn the management of accounts. The intention was to send him to school again, but Ullathorne wished to go to sea, and at the age of 15, with his parents' permission, he made the first of several voyages to the Baltic Sea and Mediterranean. While attending Mass in Memel he experienced something in the nature of a conversion, and on his return asked the mate if he had any religious books. Ullathorne was given a translation of Marsollier's Life of St Jane Frances de Chantal, which deepened his religious devotion. At the end of this voyage he returned home. In February 1823, aged 16, he was sent to Downside School, near Bath, where he was mentored by John Bede Polding, afterwards the first Archbishop of Sydney, who influenced him greatly.

Priesthood
In 1823 Ullathorne entered the monastery of Downside Abbey, taking the vows in 1825, taking the additional name "Bernard", after Bernard of Clairvaux. He was ordained priest in 1831, and in 1832 went to New South Wales as vicar-general to Bishop William Placid Morris (1794–1872), whose jurisdiction extended over the Australian missions. It was mainly Ullathorne who caused Pope Gregory XVI to establish the hierarchy in Australia. In 1836, Bede Polding sent Ullathorne back to Britain, to recruit more Benedictines. While in England, he visited Ireland, where he met Mary Aikenhead. He returned to Australia in 1838 with five Sisters of Charity. Ullathorne returned to England in 1841, suffering what Judith F Champ says would in modern terminology be described as "burnout". He then took charge of the Roman Catholic mission at Coventry, where he recovered his health and spirits.

Ullathorne had turned down bishoprics in Hobart, Adelaide, and Perth as he did not wish to return to Australia. In 1847 he was consecrated bishop as Vicar Apostolic of the Western District, in succession to Bishop C.M. Baggs (1806–1845), but was transferred to the Central District in the following year. Ullathorne helped found St Osburg's Church in Coventry.

Bishop of Birmingham
On the re-establishment of the hierarchy in England and Wales, he became the first Roman Catholic Bishop of the Diocese of Birmingham. During his nearly four decades of tenure at the see 67 new churches, 32 convents and nearly 200 mission schools were built. In 1888 he retired and received from Pope Leo XIII the honorary title of Archbishop of Cabasa. He died at Oscott College and his monument is in the crypt of St. Chad's Cathedral, Birmingham, although he was buried in the sanctuary of the Church of St Dominic and the Immaculate Conception at Stone, Staffordshire. There is Bishop Ullathorne RC School in Coventry which is named after him.

Of Ullathorne's theological and philosophical works the best known are The Endowments of Man (1882); The Groundwork of the Christian Virtues (1883); Christian Patience (1886). For an account of his life see his Autobiography, edited by A. T. Drane (London).

title: William Bernard Ullathorne


text:
Philadelphia Mills

Philadelphia Mills (formerly and still referred to as Franklin Mills) is an enclosed shopping mall in Northeast Philadelphia, bordering Bensalem in Bucks County and 15 mi from Center City. Formerly named for Benjamin Franklin, the mall is home to 125 stores, a movie theatre, a food court, and seven theme restaurants and was visited by an estimated 18 million people in 2006. The anchor stores are Dave & Buster's, Forever 21, Urban Planet, Saks Fifth Avenue, Marshalls, HomeGoods, American Freight, Walmart, AMC Theatres, Burlington, and Turn 7 Liquidators. Two currently vacant anchor stores once housed Phar-Mor and Modell's Sporting Goods.

Opened in 1989, Franklin Mills was the second built and formerly owned by the Mills Corporation and is now managed by the Simon Property Group. Along with the King of Prussia mall, Simon has control of Pennsylvania's two largest malls.

On September 16, 2014, Simon Property Group renamed the mall from Franklin Mills to Philadelphia Mills.

With 200 stores, Philadelphia Mills is currently the second largest shopping mall in Pennsylvania.

Location
The Philadelphia Mills site was formerly home to Liberty Bell Park Racetrack. It is located about a mile west of Interstate 95, at the intersection of Woodhaven Road (Pennsylvania Route 63) and Knights Road.

Branding and design
Philadelphia Mills mall is designed in the shape of a thunderbolt in commemoration of Benjamin Franklin's kite-and-key experiment. The mall's former logo, when it was called Franklin Mills, included a red kite with a lightning bolt on the right side and the string ending on the letter "A" of "FRANKLIN". The mall is separated by its four Neighborhoods: Red, Blue, Yellow, and Green, and has six main entries including its neighborhood color entries, plus Aqua at the Grand Court and the Orange entry in its Green Neighborhood near the former Steve & Barry's. There are also entries at either side of the AMC 14 theater for moviegoers after mall hours. So far, the mall's Red, Green, and Orange entrances have been renovated to look modern. However, the Blue and Yellow entrances have been constructed, but are still unfinished.

The mall is the first Mills mall to have two food courts. "Cafe Court", at Red Neighborhood 1, is anchored by GAP. "Cafe Freedom", a larger food court at Green Neighborhood 4, was, as of early 2016, renamed "Dining Pavilion" and has undergone renovations. The mall once had graphics, usually hanging from the ceiling, but in the later years, they were removed. The mall also previously had two video courts; one was removed in the 2000s, and another one which was removed in August 2014. From the mall's opening until 2012, an animatronic likeness of Benjamin Franklin's face hung from the ceiling at the Grand Court between Neighborhoods Blue & Yellow, which would announce the time hourly. Almost all main mall entries have a graphic at its entry. Throughout the mall, there were several sets of projection TVs hanging from the ceiling known as "Mills TV", showing video loops of music videos and advertisements. As of the early 2010s however, they were replaced by double-faced Daktronics LED boards.

The 1600000 sqft mall consists primarily of factory outlet stores. As of Early 2021, the surviving major anchor tenants included Marshalls and Burlington. When the mall first opened in 1989 the original anchors were JCPenney; Sears; Ports of the World, Reading China and Glass, and Phar-Mor. Over time, the Ports was re-branded as Boscov's, and was later replaced by Steve & Barry's. Reading China & Glass closed and its building was split between Marshalls and OfficeMax. Sears Outlet left the mall for the first time and was replaced by General Cinema, itself acquired by AMC Theatres. OfficeMax later left the mall, and Sears Outlet returned taking the OfficeMax space. Original stores remaining in the mall include Modell's, which have been joined by Forever 21, Last Call, H&M, & Off 5th and Walmart. On December 15, 2011, it was announced that JCPenney would be returning to the mall as a department store, in its original location; the outlet store had been closed as part of a nationwide realignment by the retailer of all its outlet stores. On March 17, 2017, JCPenney announced that its store would be closing as part of a plan to close 138 stores nationwide; the store closed on July 31, 2017. As of September 2020, Sears Outlet has rebranded as American Freight. The former JCPenney store is now occupied by Turn 7 Liquidators as of October 2021.

Notable incidents
On Black Friday 2013 at around 2:30 AM, a fight broke out in the mall involving a taser gun and two women. Nobody was injured however the two were kicked out of the mall shortly after security broke up the fight.

In late 2016 in the wake of violent flash mobs happening around the country, one of them occurred in the mall on December 27, 2016 when a group of around 30 teens flash mobbed and started fights in the food court, reportedly attacking a police officer. Four teens ended up getting arrested.

In May 2020, in the wake of the George Floyd protests, police surrounded the areas of the mall and barricading it to prevent any looting or raids after it was learned that a group of people were planning to raid the mall.

During early 2021, two shootings occurred in the mall. One of them occurred on February 7, 2021 when a 21 year old man was shot in the neck at around noon. The cause of the shooting was unknown and the victim was reported to be in "stable condition" after being taken to a local hospital. Another one occurred on March 29, 2021 when a fight broke out in the mall's "Dining Pavilion" food court which resulted in a shooting, killing one person. The mall was placed on lockdown following the shooting. The stepson of a local detective was killed.

title: Philadelphia Mills


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K. D. Aubert

K. D. Aubert, also known as K.D. Rose, is an American actress and fashion model. She owns her own record label, Roseland.

Early life
Aubert was born in Shreveport, Louisiana on December 6, 1978. The K.D. initials stand for Karen Denise. She describes herself as "African-American with a dash of Creole". She grew up in Riverside and Los Angeles. She attended San Diego State University, where she played on the Aztec softball team.

Career
She was discovered working behind the make-up counter at Macy's. She has modeled for Victoria's Secret, Noxzema, Frederick's of Hollywood, Escada and many more. She co-hosted MTV's Kidnapped and has gone on to star in several films and music videos.

Aubert is also one of the four original Fantanas, a female group of spokesmodels appearing in TV commercials for the soft drink Fanta. She was the Strawberry Fanta. She is featured as the Strawberry Fantana with her fellow Fantanas in the Maxim magazine online girl gallery and was ranked #91 and #97 on the Maxim Hot 100 Women of 2003, and 2004. Aubert was in an Old Spice commercial with Greg Jennings of the Green Bay Packers. She has also been in commercials for Bacardi, Miller Lite, Go Daddy, Beats By Dr. Dre, and Cola. Karen has just finished a commercial with George Clooney and Nespresso.

Aubert's big break came when she was cast as Donna in Friday After Next which was directed by Marcus Raboy and produced by Ice Cube. She also had two roles in Hollywood Homicide. She also starred in DysEnchanted as Little Red Riding Hood with Jim Belushi. She played Giselle in Soul Plane. She also played Eliza in Frankenfish. In 2005, Aubert played Cherise in In the Mix. In 2007, Aubert was cast as Julie the Waitress in The Grand. In 2008, Aubert played April May in Surfer, Dude. In 2013, Aubert was nominated and won an Africa Movie Academy Award for her role in Turning Point, as well as the Turning Point cast, who also won several awards at the 9th Africa Movie Academy Awards AMAA. In 2018, Aubert was cast in a film called She Ball, directed by Nick Cannon.

title: K. D. Aubert


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User:Potter luvver

Hey, I'm 18 and will be heading off to university in September, I am currently reading HBP about 4 times over. ^_^

title: User:Potter luvver


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Preacher Harry Powell

Harry Powell is a fictional character in Davis Grubb's 1953 novel The Night of the Hunter, known as "Preacher". He was portrayed by Robert Mitchum in Charles Laughton's 1955 film adaptation, and by Richard Chamberlain in the 1991 TV movie. Preacher was voted 29th on the American Film Institute's top 50 villains of all time list.

In the 1953 novel and 1955 film
Powell is a self-declared itinerant preacher, who is also a con artist, and serial killer. He has the words "LOVE" tattooed on the knuckles of one hand and "HATE" tattooed on the other, a fact that he explains to his victims by using his hands in a sermon about the eternal struggle between good and evil. He preaches up and down the Ohio River in the late 1920s and early 1930s, gaining the trust of wealthy widows, marrying them and then killing them for their money. Driven by a fanatical hatred of women, he roams the West Virginia and Ohio countryside along the river, leaving a trail of murdered women in his wake, until he is arrested for grand theft auto in Parkersburg and sent to the state prison in Moundsville.

There he meets Ben Harper, who is sentenced to hang for killing two men while robbing a bank of $10,000. However, despite Powell's wheedling questions as to the money's location, Harper takes the secret to the grave. After Harper's execution, Powell leaves prison and heads downriver to Harper's home in Cresap Landing to find the money. He meets Harper's widow, Willa, and her children, John and Pearl, and ingratiates himself into the family by pretending to have been the prison chaplain and a good friend of Ben's; Willa and Pearl are smitten, but John doesn't trust him. Powell learns that the children know where the money is, and marries Willa to have access to them.

After Willa learns the truth about her marriage, Powell kills her and drops her body in the Ohio River. After he threatens to kill John, Pearl reveals the secret: the money is hidden in her doll. The children escape, doll in tow, and ride down the river on their father's old skiff. John and Pearl drift for days until they find a farmhouse near Williamstown run by Rachel Cooper, who takes care of homeless, orphaned, and abandoned children.

However, Powell has followed their trail and comes to the house one day claiming to be the children's father. Rachel is not fooled and pulls a gun on him; he leaves, but vows to return later. After nightfall, the desperate preacher charges into the farmhouse only to be shot by Rachel. Yelping in pain, Powell runs into the barn and is arrested the next morning after Rachel calls the state police in Parkersburg. Harry Powell is tried and convicted for multiple murders, including Willa's, and sentenced to death.

Real-life inspiration
Author Grubb based Harry Powell on Harry Powers, who lived in Quiet Dell, West Virginia (near Clarksburg), and lured several widows and their children there by way of "lonely heart" ads in newspapers. He murdered several of them and was subsequently hanged in 1932 at the state prison in Moundsville.

In popular culture
The Preacher Powell character has become one of cinema's most popular, influential villains. Mitchum's performance has reaped widespread acclaim; he later said Powell was his favorite role. Stephen King has called Powell one of the greatest villains in fiction.

The tattoos on Powell's knuckles of the words "LOVE" and "HATE" have become one of the most iconic images in film history; it has been referenced and parodied in films ranging from Do the Right Thing and Blazing Saddles to The Rocky Horror Picture Show, as well as television shows such as The Simpsons and Seinfeld and songs by groups such as The Clash and Nick Cave and the Bad Seeds.

The Ren & Stimpy character Reverend Jack Cheese, who goes around preaching "the gospel of meat," is based on Powell. His knuckle tattoos say "PITY" and "SELF PITY". In the episode "It's a Dog's Life", meanwhile, Stimpy is shown to have the words "Love" and "Hate" tattooed on his upper and lower lip. Ren & Stimpy creator John Kricfalusi has called The Night of the Hunter his favorite film.

In the Supernatural episode "Form and Void", protagonist Sam Winchester plays part of Powell's speech on love and hate from The Night of the Hunter as part of a trap he sets.

title: Preacher Harry Powell


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Selma Diamond

Selma Diamond (August 5, 1920 – May 13, 1985) was a Canadian-born American comedian, actress, and radio and television writer, known for her high-range, raspy voice and her portrayal of Selma Hacker on the first two seasons of the NBC television comedy series Night Court. Diamond was also the main inspiration for the character of Sally Rogers on the series The Dick Van Dyke Show.

Early life
Diamond was born on August 5, 1920, in London, Ontario, Canada, to a tailor and his wife. Diamond's grandmother was a suffragette. When Diamond was a young girl, they moved to Brooklyn, New York.

Diamond attended high school in Brooklyn and graduated from New York University.

Career
Diamond published cartoons and humor essays in The New Yorker. Later, she moved to the West Coast and hired an agent. She worked in radio and, eventually, television. Her first radio writing credit was in 1943 on Blue Ribbon Town with Groucho Marx. That initial credit turned into a 65-week tenure with Marx's show and a longer friendship with him. She also wrote for the Camel Caravan with Jimmy Durante and Garry Moore, The Drene Show with Rudy Vallee, Duffy's Tavern, and The Kenny Baker Show.

Diamond wrote for the radio version of The Adventures of Ozzie and Harriet for 20 weeks. She left that show in 1950 and became one of the staff hired by comedy writer Goodman Ace (who had previously hired her for some work on Danny Kaye's 1940s radio show) for The Big Show (1950–1952), the 90-minute weekly program hosted by actress Tallulah Bankhead. In 1951-1952, Diamond collaborated with cartoonist Gill Fox, writing for his "Jeanie" comic strip that ran daily in the New York Herald Tribune.

Diamond moved to television as one of the writers for Sid Caesar and Imogene Coca's Your Show of Shows. While writing for another Caesar vehicle, Caesar's Hour, Diamond earned an Emmy nomination. She also worked for Ace once again, writing for Perry Como's Kraft Music Hall television series. In 1953, she wrote for Milton Berle's TV show.

Carl Reiner said that he had Diamond in mind when he created Sally Rogers as a character in The Dick Van Dyke Show. In 1961, Diamond said about being the only female in a group of five writers for the Como show: "They feel handicapped, not me." At another time, she said, "It's like being Red China. I'm there. They just don't recognize me."

In 1960, she released a comedy album based on her humorous conversational style, Selma Diamond Talks...and Talks and Talks and Talks... (Carleton LPX 5001). In 1970, she wrote the book Nose Jobs for Peace, published by Prentice-Hall (ISBN 9780136238270).

By the 1960s and 1970s, Diamond was familiar as a frequent guest on The Jack Paar Show and The Tonight Show Starring Johnny Carson, and she made numerous film appearances, including Stanley Kramer's comedy It's a Mad, Mad, Mad, Mad World (as the unseen telephone voice of Spencer Tracy's wife, Ginger Culpepper), Bang the Drum Slowly (as hotel switchboard operator Tootsie), and All of Me (as Margo). In 1982, she appeared in My Favorite Year with a memorable small role as wardrobe mistress for King Kaiser's Comedy Calvalcade, a fictional show which clearly echoed the time and venue of her work for Sid Caesar. She was also a semi-regular for four seasons of the Ted Knight comedy series Too Close For Comfort.

In addition to her writing, Diamond performed as an actress, making her debut in a summer touring version of Bye, Bye Birdie. Her other work in summer stock productions included Come Blow Your Horn and Barefoot in the Park. On television, she portrayed Selma Hacker on Night Court in 1984 and 1985 for which she received her second Emmy nomination.

Death
Diamond died of lung cancer on May 13, 1985, at Cedars-Sinai Medical Center in Los Angeles, aged 64, with no known survivors.

She was buried in Hillside Memorial Park in Culver City, Los Angeles County, California.

title: Selma Diamond


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Frank Overton

Frank Emmons Overton (March 12, 1918 – April 24, 1967) was an American actor. He was best known for the roles of Major Harvey Stovall in Twelve O'Clock High (1964-1967), Sheriff Heck Tate in To Kill a Mockingbird (1962) and General Bogan in Fail Safe (1964).

Early life
Overton was born in Babylon, New York on March 12, 1918.

Career
Overton's acting career began on the stage in New York City. His Broadway credits include The Desperate Hours (1954), The Trip to Bountiful (1953), Truckline Cafe (1945) and Jacobowsky and the Colonel (1943). Peter Gunn TV series 5/30/1960, season 2 episode 35 " Letter of the Law". Played district attorney Henry Lockwood.

Overton appeared in numerous television programs during the early 1950s and through the late 1960s. In 1959, he appeared in an episode of The Twilight Zone with Gig Young, called "Walking Distance". Overton also appeared in the episode titled "Mute" as Sheriff Harry Wheeler with Ann Jillian. He played the father of Joe's terminally ill fiancee (Brooke Hayward) in Bonanza Season 3 Episode 19 "The Storm" which aired on 1/27/1962. Other TV work included The Fugitive in 1963.

He played Sheriff Heck Tate in the 1962 film To Kill a Mockingbird. In 1964, he played General Bogan in the film Fail Safe.

Overton appeared in an episode of the 1961 ABC series The Asphalt Jungle. He made two guest appearances on the CBS courtroom drama series Perry Mason in diverse roles. In 1961 he played a priest, Father Paul, in "The Case of the Renegade Refugee", and in 1963 he played Deputy D.A. Nelson Taylor in "The Case of the Bluffing Blast". Overton played Major Harvey Stovall in the TV series Twelve O'Clock High.

Overton also played a significant role in the movie Wild River, where he appeared as the jilted fiancé of Lee Remick.

One of his last TV roles was that of Elias Sandoval in Star Trek's "This Side of Paradise", which originally aired in March 1967, just one month before his death at age 49.

Personal life and death
In 1962, Overton married actress Phyllis Hill in Los Angeles.

Overton died after a heart attack in 1967 in Pacific Palisades, California. He was survived by his wife, Phyllis Hill, and a daughter.

title: Frank Overton


text:
Target Australia

Target Australia Pty Ltd (formerly Lindsay's and Lindsay's Target, formerly stylised as Target. and doing business as Target and Target Australia) is a department store chain owned by Australian retail conglomerate Wesfarmers. Target stocks clothing, cosmetics, homewares, electronics, books, and toys selling both in-store and online. The company's head office is located in the Melbourne suburb of Williams Landing which the company moved to in 2018. Despite the identical logo, name and similar type of outlets, Target Australia carries no direct relation or affiliation to the American big box retailer Target Corporation.

Beginnings as Lindsay's
In 1926, George Lindsay and Alex McKenzie opened their first store in Geelong selling dress fabrics, bedding and furnishings. Lindsay began his retail empire five years earlier, running a store in Ouyen, Victoria, but moved to Geelong to increase the opportunity for growth. The company progressively established stores throughout Victoria, running with a policy of selling quality goods at half the normal rate of profit.

In 1968, Myer Emporium purchased the chain of 16 stores and renamed the company Lindsay's Target. They moved into the South Australian market with the first "Target" store opening in Newton, South Australia in October 1970 with an aim to expand the business. The new discount department store quickly established itself throughout Australia, and within three years had stores in Victoria, South Australia, Queensland and New South Wales. In March 1973, "Lindsay's" was dropped from the company name and the business was renamed Target Australia. The mainly Victorian-based "Lindsay's" stores, with the positioning of "Sell it for Less", were rolled into the "Target" discount department store group, now carrying over its leading position of quality soft goods to the larger Target discount department store format, while maintaining its base in Geelong.

By 1982, Myer was operating 27 stores under the Target brand, but sold 22 of them, with 14 going to GJ Coles & Coy Ltd.

Coles-Myer era
In August 1985, Myer Emporium Ltd and GJ Coles & Coy Ltd merged to become Coles Myer Limited. In 1996, Coles Myer merged the Target and Fosseys brands, and their first speciality store Baby Target was established. Then in 1998, their second speciality store, Target Home opened. Fosseys stores were later renamed Target Country, becoming the third speciality store under the Target name. In 2001, Target announced its first ever loss, to the sum of $43m. A new senior management team replaced the former, with Target repositioning itself from a store directly competing with Kmart and Big W, to a more stylish, up-market, but still value-for-money, alternative to speciality stores. Store fittings and layouts were altered to reflect this change and whole departments such as self-service confectionery and home decorator (paint) were removed from all stores. In 2006, Target appointed Launa Inman as managing director. She was named Telstra Businesswomen of the Year in 2003, as a result of her achievements as an apparel retail buyer for the company. Her work saw Target's $32 million loss at the end of 2000 turn into a $68 million profit 18 months later.

Wesfarmers era
Prior to its November 2007 takeover of Coles Group, Wesfarmers stated in August 2007 that it would consider converting some Kmart stores to the Target brand.

In May 2009, Target stopped providing free plastic bags for its customers, but in 2013 reversed this decision. In November 2011, Dene Rogers, the former chief executive of North American retailer Sears Canada, replaced Inman as Target's managing director. However, by April 2013 Rogers had been replaced by former chief operations director at Coles, Stuart Machin.

In February 2016, Wesfarmers restructured Target and Kmart under a single department stores division known as the Kmart Group, headed by Kmart managing director Guy Russo. An accounting scandal that created $21 million in fraudulent profits was reported on 11 April 2016. Although it is not believed CEO Stuart Machin orchestrated or ordered the accounting irregularities, he took the blame for the scandal and departed Target.

In June 2016, at a Wesfarmers annual strategy briefing Guy Russo announced that Target would be exiting toy sales, pet care, and luggage. In the same year Target saw a loss of $195 million. According to Mr Russo, 20% of Target's 305 stores would be closed over a five year period. Target planned to market shift, becoming a "mid-tier" new boutique retailer, competing with the likes of foreign fast fashion giants H&M, Uniqlo and Zara.

Target announced in April 2016 it would relocate its Geelong head office to Melbourne, resulting in an unspecified number of redundancies. Following the April 2016 announcement, Wesfarmers confirmed in December that Target would relocate to Williams Landing in late 2018.

In June 2017, Wesfarmers announced that Target and Kmart would be merging some of their back-office operations including procurement. Some Target stores would be converted to Kmart stores while other Target and Target Country stores would be closed. , Target had 284 stores throughout Australia: 191 Target stores, and 93 Target Country stores. In May 2020, further store closures and consolidations were announced with up to 1,300 employees moving to other Wesfarmers businesses. The large restructuring of Target Australia, is a result of its parent company Wesfarmers, claiming that a changing retail landscape in which consumers are opting for "cheap and cheerful" products, mixed with some high-end purchases. The store closures and conversions were expected to last from early 2020 to early-mid 2021. The proposed changes were as follows: Despite its great brand recognition, Target as a large-format retail offering was potentially cannibalising sales from sister group Kmart and didn't offer a great enough point of difference compared to Myer and David Jones. On Target Australia's website, they attributed the cause of the closures as "improving the commercial viability of the business and to support the thousands of people we employ... we need to adapt our business — to make it smaller, more focused, less complex and more digitally enabled so we can better serve our customers both in store and online."
 * 10–40 Target stores were converted to Kmart.
 * 10–25 other Target stores were closed.
 * 52 Target Country stores converted to small-format Kmart stores, called K Hubs. The remaining 50 Target Country stores were closed.
 * In total up to 92 Target stores were converted into Kmart stores with a whole total of 167 stores closed or converted.

In early 2022 Target had launched their new rebrand which they called "That's Target". Over the month of February they launched new ads that told a story of daily struggles of life and ended with the catch phrase such as "That's quality. That's Target".

In July 2023, Wesfarmers announced it would reorganise Target and Kmart internally and run them as one combined business.

Target
There are currently 124 Target department stores located throughout Australia that stock the full range of Target's products. Target is also pushing their online presence since the major closures. Each state and territory have at least two Target stores:

 * Australian Capital Territory - 2 stores
 * New South Wales - 32 stores
 * Northern Territory - 2 stores
 * Queensland - 30 stores
 * South Australia - 12 stores
 * Tasmania - 4 stores
 * Victoria - 30 stores
 * Western Australia - 12 stores

Target Country

Fosseys was established in 1926 at George Street, Sydney by Alfred Bristow Fossey and grew to 148 stores throughout Australia, with an annual turnover of $300 million. As part of the acquisition of Grace Bros, which had purchased JB Young's of Queanbeyan who owned Fosseys, Coles Myer came to own Fosseys. Coles Myer used the Fossey’s brand to unify a range of smaller variety stores trading under a range of other names, including Coles Variety stores, which had been the foundation of GJ Coles & Coy Ltd.

Coles Myer merged the operations of Fosseys with Target in 1996, redesigning Fosseys stores to focus on family apparel retailing in rural Australia. It also introduced Fosseys branded merchandise with attributes of value, convenience and confidence.

Fosseys stores began converting to Target Country in 1999, along with Fosseys stores being closed when they were in close proximity to a larger Target store. By 2001, all Fosseys stores located close to Target stores were closed; the remaining Fosseys stores, rebranded as Target Country, continue to focus on apparel sales in smaller towns without full-merchandise Target stores. The first Fosseys store to be rebranded as Target Country, was Target Country Wonthaggi (Relocated to a larger space, now Kmart) As of 1 July 2007, employees of Fosseys (Australia) Pty Ltd were transferred to Target Australia Pty Ltd, and Fosseys as a legal entity was dissolved. A store count at June 2008, there were 118 Target Country stores throughout Australia.

From the mid 1990s onwards, there was a rebranding of some Grace Bros stores in regional NSW to Target. This included a large number of stores which had previously been part of the Dubbo based Western Stores. Locations which converted from Grace Bros to Target and then Target Country include Bathurst, Cowra, West Wyalong, Forbes, and Young (all closed as of 2021).

Target Country store numbers were growing, and gained popularity in regional and remote communities, as Australians loved having access to the fashions and homewares of Target, which were increasingly popular and on price. Stores were refitted and mimicked the appearance of a larger Target store, along with the replacement of the Fosseys POS to Target “touchscreen” POS. As part of Target's 2020 restructuring Target Country stores have been closed or converted. The last Target Country store, Target Country Salamander Bay (NSW), closed its doors for the last time on 8 May 2021.

Urban by Target
Urban by Target was a format tried by Target initially at South Yarra, Victoria at The Jam Factory, after taking over a closed Virgin Megastore. The format was introduced in 2010, with a second location opening in 2011, at Flemington, Victoria at Flemington Village. A third location was also opened in 2011, at Pasadena, South Australia, at Pasadena Shopping Centre. The format was smaller than a traditional Target department store and was focused on clothing and home wares. The location at Flemington was closed down, followed by Pasadena, which remained but converted into a traditional Target department store and was eventually converted to South Australia's first TK Maxx store. South Yarra was renovated with the new logo, in black instead of red for the iconic Target symbol, although this location was closed down permanently.

Target Outlet
Target Outlet was a format tried by Target in 2013 at the Target in Dandenong, Victoria at Dandenong Plaza. The format was discontinued around 2014.

Baby Target
In 1996, Target introduced Baby Target as a standalone store format specifically for baby products. The concept had limited success and was ultimately closed down soon after 2007/2008 when Baby Target stores have since been phased out to become larger Target stores, and still stock a larger range of baby products. Baby Target stores originally located in a number of locations in Australia including Werribee, Narre Warren, Northland, Victoria, Newcastle, Campbelltown and Golden Grove.

Target Home

Another format tried by Target was the homewares-themed store Target Home was introduced in 1998 but was later discontinued in 2000s. Target Home stores have since been phased out to become larger Target stores, and still stock a larger range of homewares in a number of locations in Australia including Joondalup and Westfield Carousel in WA, Edwardstown in SA, Highpoint (now Kmart) and Greensborough Plaza in VIC, and Westfield Warringah Mall (now Kmart) in NSW.

Designers for Target
In March 2007, Target launched a 42-piece winter collection designed by Stella McCartney and Britney Spears. A number of metropolitan stores sold out of the range as soon as 10 minutes after opening, and items from the collection soon began appearing for sale on eBay at inflated prices. Another Stella McCartney collection was released in October 2010, to lesser fanfare.

In May 2007, Target announced its next designer range from Goot to a mixed reaction, and subsequently produced a collaboration with American designer Zac Posen in April 2008. In the same month, Australian fashion designer Collette Dinnigan released a range of lingerie labelled the 'Wild Hearts' collection.

In February 2012, Target launched a line of lingerie designed by American burlesque dancer and model Dita Von Teese. Throughout 2012, Target also announced designer collaborations for children with Collette Dinnigan and Ksubi and Roberto Cavalli for women. Target Australia and Dannii Minogue partnered on a clothing venture in 2014, called Dannii Minogue Petites. https://www.ragtrader.com.au/people/dannii-minogue-the-top-selling-item-that-has-made-her-a-success#:~:text=Following%20the%20correspondence%20five%20years,a%20clothing%20venture%20in%202014.

In March 2016, Target launched a collection of women's, men's, children's and homewares by French fashion designer Jean-Paul Gaultier.

title: Target Australia


text:
User:MrBland

Articles I have translated from German

 * Kellinghusen
 * Sociology of architecture

title: User:MrBland


text:
Talk:Karla (film)

Movie renamed
This movie has been renamed Karla but I don't know how to do a redirect. Can someone do this for me? Citation --Yamla 21:00, July 25, 2005 (UTC)

Fair use rationale for Image:DEADLYposter.jpg
Image:DEADLYposter.jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in Wikipedia articles constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.

Please go to the image description page and edit it to include a fair use rationale. Using one of the templates at Fair use rationale guideline is an easy way to insure that your image is in compliance with Wikipedia policy, but remember that you must complete the template. Do not simply insert a blank template on an image page.

If there is other other fair use media, consider checking that you have specified the fair use rationale on the other images used on this page. Note that any fair use images uploaded after 4 May, 2006, and lacking such an explanation will be deleted one week after they have been uploaded, as described on criteria for speedy deletion. If you have any questions please ask them at the Media copyright questions page. Thank you.BetacommandBot 23:04, 2 June 2007 (UTC)

Fair use rationale for Image:DEADLYposter.jpg
Image:DEADLYposter.jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.

Please go to the image description page and edit it to include a fair use rationale. Using one of the templates at Fair use rationale guideline is an easy way to insure that your image is in compliance with Wikipedia policy, but remember that you must complete the template. Do not simply insert a blank template on an image page.

If there is other fair use media, consider checking that you have specified the fair use rationale on the other images used on this page. Note that any fair use images lacking such an explanation can be deleted one week after being tagged, as described on criteria for speedy deletion. If you have any questions please ask them at the Media copyright questions page. Thank you.

BetacommandBot (talk) 05:08, 2 January 2008 (UTC)

This page seems to have conflicting information.
This page clearly says "the families (of the victims) would not oppose the film's Canadian release" but at the same time states that " the families of the victims, Kristen French and Leslie Mahaffy, have alleged that the film is exploiting the memory of their daughters". These two items in the page seem to be in conflict. I was researching Laura Prepon's films but I have not seen this film. I do not know about the real life events it depicts or the real life reactions of the Canadian media or people. However the above items of the article seem to be in conflict. —Preceding unsigned comment added by Thebeastofnanking (talk • contribs) 07:06, 28 August 2008 (UTC)

 * I don't see a real contradiction here. The statement that "the families (of the victims) would not oppose the film's Canadian release" was issued by their lawyer, and only means they -- he -- will not legally oppose its release. It's only natural, though, they'd consider it "exploiting the memory of their daughters." There is no real contradiction here, IMHO. I recommend leaving the article as it is while removing the template. If anyone thinks this point needs clarification in the body of the article, feel free to add such clarification inside. -- Nahum (talk) 07:35, 26 December 2008 (UTC)

Plot is missing
The plot/summary/synopsis of this movie is missing. Could that be because it is too objectionable to appear in WP, or is it missing because it cannot be found online? The movie is about "a woman who loves her boyfriend so much that she helps him rape and murder young girls, starting with her own sister." David spector (talk) 01:04, 11 December 2009 (UTC)

IT NEEDS TO BE ADDED THAT THEY GOT THE MURDERS REVERSED WITH RESPECT TO LESLIE MAHAFFY AND KRISTEN FRENCH.

A CONTROVERSY SECTION NEEDS TO BE ESTABLISHED. — Preceding unsigned comment added by 174.118.208.184 (talk) 04:34, 2 November 2013 (UTC)

title: Talk:Karla (film)


text:
Streatham High Road

Streatham High Road, some 1.8 miles (2.9 km) in length, is part of the main A23 road from London to Brighton, and is in the London Borough of Lambeth. It begins in the north at Streatham Hill railway station, being an end-on junction with Streatham Hill and continues south to Norbury where the A23 becomes London Road. Because Streatham existed in Saxon times, it is likely the road existed as early as 1068, when it is mentioned in literature.

"Britain's Worst Street"
In 2002 it was voted, in a contentious BBC/Commission for Architecture and the Built Environment poll, to be Britain's Worst Street – largely thanks to its traffic problems, and a generally poor ambience (run-down shopfronts, damaged pavements). However, it is a busy shopping area in the day, and a busy nightlife area in the evening.

Even before this report had appeared, a plan was being formulated by Transport for London Street Management (who are legally responsible for the road and pavement maintenance, signage and street furniture) and the London Borough of Lambeth's Highways and Streatham Town Centre Management teams to improve Streatham High Road.

This sets out to "promote the needs of pedestrians, shoppers, cyclists and public transport before the needs of traffic on the A23".

The first phase was implemented in 2004–05, with new lighting and street furniture. Lambeth is also funding a shop front improvement scheme.

The road
After 0.6 mile (0.96 km) there is a large junction complex, where Tooting Bec Gardens (A214) and Mitcham Lane (A216) join the A23. This is the point where most of the traffic chaos ensues. Following that point the road is relatively straight: it follows the line of the London to Brighton Way Roman road. On the east is Streatham Common; and at the end of the High Road is Norbury Park. Here the final small section is within the London Borough of Croydon.

title: Streatham High Road


text:
Delta Crucis

Delta Crucis or δ Crucis, also identified as Imai, is a star in the southern constellation of Crux, and is the faintest of the four bright stars that form the prominent asterism known as the Southern Cross. This star has an apparent magnitude of 2.8, and its proper name was adopted by the International Astronomical Union on 10 August 2018. Imai is a massive, hot and rapidly rotating star that is in the process of evolving into a giant, and is located at a distance of about 345 ly from the Sun.

Nomenclature
δ Crucis (Latinised to Delta Crucis) is the star's Bayer designation.

The International Astronomical Union Working Group on Star Names (WGSN) approved the name Imai for this star on 10 August 2018 and it is in the list of IAU-approved star names. Imai is the name selected for the star designated Delta Crucis by the Mursi people of modern-day Ethiopia. The star Imai has some significance as when it "ceases to appear in the evening sky at dusk (around the end of August), it is said that the Omo River rises high enough to flatten the imai grass that grows along its banks, and then subsides." The Mursi use a series of southern stars to mark their calendar to track seasonal flooding of the Omo River.

It is sometimes called Pálida (Pale [one]) in Portuguese.

Properties
This star has a stellar classification of B2 IV, making it a subgiant star that is in the process of evolving away from the main sequence and becoming a red giant. Presently it is radiating around 10,000 times the luminosity of the Sun from its outer atmosphere at an effective temperature of 22,570 K, causing it to glow with a blue-white hue. Delta Crucis is a strong candidate Beta Cephei variable. Its rotation is very fast, with a projected rotational velocity of 210 km s−1.

Delta Crucis is a member of the Lower Centaurus Crux (LCC) component of the Scorpius–Centaurus association, which is an OB association of massive stars that share a common origin and motion through space. This is the nearest OB association to the Sun, with the LCC component having an age in the range of 16–20 million years.

In culture
In Chinese, 十字架 (Shí Zì Jià), meaning Cross, refers to an asterism consisting of δ Crucis, γ Crucis, α Crucis and β Crucis. Consequently, δ Crucis itself is known as 十字架四 (Shí Zì Jià sì, the Fourth Star of Cross).

The Aranda and Luritja people around Hermannsburg, Central Australia named Iritjinga, "The Eagle-hawk", a quadrangular arrangement comprising this star, γ Cru (Gacrux), γ Cen (Muhilfain) and δ Cen (Ma Wei).

δ Cru is represented in the flags of Australia, New Zealand, Samoa and Papua New Guinea as one of the stars comprising the Southern Cross. It is also featured in the flag of Brazil, along with 26 other stars, each of which represents a state. δ Cru represents the state of Minas Gerais.

title: Delta Crucis


text:
Posadas, Spain

Posadas is a municipality in Córdoba Province, Spain.

title: Posadas, Spain


text:
Autobianchi A112

The Autobianchi A112 is a supermini produced by the Italian automaker Autobianchi. It was developed using a shrunken version of the contemporary Fiat 128's platform. The mechanicals of the A112 subsequently underpinned the Fiat 127. It was introduced in November 1969, as a replacement for the Bianchina and Primula, and was built until 1986, when it made way for the more modern Autobianchi Y10 (branded in most export markets as the Lancia Y10). Over 1.2 million A112s were produced in Autobianchi's Milan factory.

Engine
The A112 was available only with a 3-door body. It was offered with the OHV engine of 903 cc from the Fiat 850 capable of attaining 42 PS (31 kW). The Autobianchi represented the first appearance of this engine in a front-engine, front-wheel drive configuration which would later become familiar to a wider range of drivers in the top selling Fiat 127 and its derivatives. Claimed power increased to 47 PS in 1971, but without any mechanical changes having taken place. Performance remained unchanged as well, this was most likely simply a correction to the claimed output.

The A112 reached a very particular market; by 1984 female buyers represented 35% of A112 owners and about a third were in the 18-24 age range.

Developments
In September 1971, the A112 E ("E" for Elegant, which also became its name after the 1973 facelift) was introduced. This featured a roof painted in a contrasting colour, improved seats, higher grade trimming and equipment, as well as a five-speed gearbox later in life. The mechanics were originally identical to the regular version, now referred to as the Normale, but from 1975 until 1977 the Normale' received a less powerful engine. A performance edition "Abarth" was introduced too.

Second series
In March 1973, the A112 received a makeover. The grille was new, with a larger mesh, and the bumpers were now of rubber with chrome insert (although the Normale retained the old metal bumpers with rubber strips). A new style of alloys were also available, and the seats and dashboard underwent some changes. The A112E was renamed Elegant, and was no longer only available in two-tone paintjobs. The Abarth was also available in single paints, and on two-tone models the contrasting shade was restricted to a black bonnet. The Scorpion logos on the flanks were removed, and it received a new chess pattern upholstery. Engines remained 903 cc and 982 cc for the Abarth.

Third series
In 1975, the third series arrived. The insides in the rear were recontoured, so that the car now became a five-seater (instead of four). The easiest way to spot a third series is that it received new, much larger vents on the C-pillars, as well as redesigned taillights - with integrated reversing lights on the Elegant and Abarth. The Abarth also received a new larger 1050 cc engine ("70HP"), while the Normale's output dropped to 42 PS in July 1975. All engines were still pushrod units, derived from the old tipo 100 engine first introduced in the Fiat 600. In 1976, due to new emissions standards, the Elegant lost two horsepower, now down to 45 PS. Third series Normales still received metal bumpers, but from now on they were painted black (instead of being chromed) and no longer had a rubber strip. This was the last model to have the diamond shaped turn signals on the front fenders, with later models receiving more orthodox rectangular ones. The A112 Elegant had metal bumpers with a black rubber cover over it and a strip of metal trim running horizontally across their width.

Rayton Fissore showed (and then sold) a special-bodied version of the A112 called "Otas" in 1976, with aerodynamically styled bodywork reminiscent of that of the Porsche 928.

Fourth series
In November 1977, the "Nuova A112" (new A112) was introduced: The most obvious difference is a slightly taller roof, with a marked edge around the sides. This improved interior habitability considerably. Autobianchi also at this time modified the upmarket version branded as the "A112 Elegant" with an engine enlarged to 965 cc, now promising 48 PS and improved torque. The taillights of the fourth series were different (and short-lived, as they were altered again in 1979) with a stepped appearance, taller towards the outside of the car and narrower towards the center.

Later, there were also "A112 Elite" and "A112 LX" versions which received even more comfortable equipment. The 903 cc engine of the lesser A112 Normale remained unchanged. Beginning in March 1979, French and Swiss market A112 Abarths came equipped with a standard five-speed transmission, helping lower noise and fuel consumption, especially at higher speeds.

Fifth series
In July 1979, the car underwent another styling modification, receiving large black plastic cladding on the rear, surrounding new taillights, and new side trim and bumpers. The grille was also new, and there was black plastic wheelarches to link all of the plastic parts together. The extractor vents behind the rear side windows were also larger, of black plastic, and wrapped around the pillar. In terms of transmissions, the five-speed transmission already seen in Abarths in some markets now became available on additional models. The fifth gear was an overgear, while the ratios of the four lower speeds and the final gearing remained unchanged. The front turn signals were moved from the front of the fenders to a spot just in front of the leading edge of the doors, while a small badge denoting the trim level appeared in the turn signal's old place.

In terms of trim levels, the Normale now became the Junior, and the Elite version was added, a notch above the Elegant in the lineup. There were some very light modifications to the interior. A large, rollback canvas sunroof became available on the Junior, and a rear window wiper became optional across the range. Aside from the new transmission there were no notable mechanical changes. Power outputs remained at 42, 48, and 70 PS (31, 35.5, and 51.5 kW respectively). The Abarth also received the new five-speed gearbox, as well as new alloy wheels and foglights as standard.

Sixth series
A lot of the plastic excesses of the fifth series were reversed for the sixth series, which was introduced in the Autumn of 1982. New smoother bumpers, removal of the wheelarch trim, and a less heavy grille treatment brought back some of the original elegance of the A112, while the interior was also completely renovated. Another new version arrived, the top-of-the-line LX, which featured tinted windows, velvet seat trimming, power windows, metallic paintwork, and a digital clock amongst other creature comforts. Mechanically, the LX was identical to the Elite, with the five-speed transmission and 965 cc engine. The Elegant version was discontinued, with the Elite taking its position in the lineup. The sixth series also received new body-colored vents on the C-pillar, and the front corner lights were incorporated into the top of the bumper.

This was the first A112 to be marketed with Lancia badging, originally only in Sweden and in Switzerland. In Sweden, this car had already been sold by Lancia dealers with "Autobianchi" badging. In the Swiss and Swedish markets, the 903 cc engine no longer passed their stricter emissions standards, so the Junior received the same 965 cc engine as did the Elite and LX.

Seventh series
The seventh series, presented in 1984, only saw minor changes, largely remaining the same as the sixth. The taillights were again redesigned and were now joined by a reflective strip. The rear license plate was relocated to the bumper and the dashboard received modifications, more noticeable in the better equipped Elite and LX versions. The Abarth received standard front foglights, which were optional on the other versions. The Abarth also has red seatbelts. While the Junior retained small hubcaps, and the Abarth received alloys, the rest of the range now received full-face hubcaps. The front corner lights were now white, instead of orange as before. The engines remained as before, all models except the lowest-priced Junior now used five-speed transmissions.

By this time, only France, Italy and Israel still used the "Autobianchi" badge; all others had switched to calling the car a Lancia. At the time of the seventh series introduction, a total of 1,115,000 A112s had been built.

Eighth series
As the new Autobianchi Y10 was introduced in 1985, the A112 range was cut down considerably, with only the Junior remaining on sale as a low-priced alternative. It was no longer called Junior, however, now being marketed simply as the "Autobianchi A112". Other than the name change, there were no design changes to the car. Production continued into 1986, at which point 1,254,178 Autobianchi A112s had been built.

A112 Abarth
The sportiest version was the A112 Abarth, introduced in September 1971 at the same time as the Elegant. It was prepared by the motorsports division of the Fiat Group, at first with a 982 cc engine, obtained by increasing the stroke, coupled to a sporting exhaust, a twin-choke carburetor, and a different camshaft. In 1975, displacement was increased to 1,050 cc, while power climbed from 58 HP to 70 HP at 6600 rpm, for a weight of only 700 kg. The two engines were offered in parallel until production of the smaller unit ended in late 1976. The 1975 model was also the first A112 to use a (optional) five-speed manual gearbox. These changes turned the A112 into a nervous machine, much admired by young performance enthusiasts.

The car was entered in various rallying events throughout Europe and even spawned a one-make trophy: the  Campionato A112 Abarth spanned eight editions, from 1977 to 1984, and adopted contemporary Group 1 rules, which meant nearly-stock cars. Some famous Italian rally drivers, including Attilio Bettega, Fabrizio Tabaton and Gianfranco Cunico, were among the winners of the championship. The increasing popularity of the A112 in historic rallies and hillclimbs led to the reintroduction of a one-make trophy, called Trofeo A112 Abarth, in 2010. Abarths have often led hard lives, having been preferred by young owners with aggressive driving styles. Formula One driver Olivier Panis is one of many to have crashed an A112 Abarth.

Starting from the end of 1977 this car was also badged as Lancia A112 in some markets outside of Italy.

A112 Giovani
The A112 Giovani is a one-off concept car based on the A112 and designed by Pininfarina. It debuted in 1973 at the Geneva Motor Show and was received well by both the press and public. It is based on mostly standard A112 mechanicals but is powered by the 982 cc Abarth engine from the A112 Abarth producing 58 bhp and 54 lbft of torque. The car was named "Giovani", the Italian word for youth, as it was designed as an entry level, sporty car for younger buyers. Unlike the standard A112, the Giovani features a convertible roof design with a removable hardtop roof. The body is made mainly from composite plastics and features integrated bumpers, as well as a radiator grille in the shape of the Autobianchi logo. It also does not have a latch on the trunk lid, with the trunk latch only being accessible via the passenger compartment. The interior features a plastic dashboard and metal seat frames with seats made from the same semi-soft plastics often used in boats. The A112 Giovani is currently owned by Italian collector Corrado Lopresto, who also owns the Lancia Sibilo and Lancia Stola concepts.

Generations

 * First series: October 1969 - March 1973
 * Second series: March 1973 - early 1975
 * Third series: early 1975 - November 1977
 * Fourth series: November 1977 - 1979 (Nuova A112)
 * Fifth series: 1979 - 1982
 * Sixth series: 1982 - 1984 (now sold also as Lancia A112 in most markets)
 * Seventh series: 1984 - 1985
 * Eighth series: 1985 - 1986 (only basic model available)

Competition
The A112 was the first modern three-door supermini hatchback to be produced in Europe, arriving 18 months before the more successful Fiat 127. At the time of its launch, its main competitors were booted smaller cars including the Mini, Citroën 2CV, Renault 4 and Hillman Imp. However, the 1970s saw the arrival of a host of small cars (mostly hatchbacks) which met the growing demand for "supermini" type cars in the mould of the A112. A year after the launch of the Fiat 127 came the Renault 5. Within a few years, the A112 had gained a host of other competitors including the Ford Fiesta, Peugeot 104, Vauxhall Chevette and Volkswagen Polo, as well as Japanese offerings, the most popular of which in Europe was the Datsun Cherry. This type of car proved hugely popular all over Europe. Despite its popularity on continental markets, it was never offered in Britain, although Fiat did enjoy considerable success there with its 127 and even more so with its Uno successor from 1983. However, its successor the Y10 (sold in Britain as a Lancia), was available in right-hand drive for the British market from 1985. The Y10 was not a strong seller there.

title: Autobianchi A112


text:
Wikipedia:Peer review/United Kingdom general election, 2005/archive1

United Kingdom general election, 2005
A noteworthy event in the United Kingdom (of course). What do you think this article is missing? Talrias (t | e | c) 21:02, 25 July 2005 (UTC)

I've done these changes myself. Deus Ex 14:25, 28 July 2005 (UTC)
 * 1) Sort out the position of the Lib Dems in the first paragraph of the "Overview" section. Officially, they did have ambitions to become the govt, not just make gains from Lab/Con (even though some Lib Dem politicians admitted they had little chance of becoming the govt).
 * 2) "Many seats were contested by other parties". This sentence and the rest of the paragraph are too vague. Explain the situation in Northern Ireland, and then the situation of the parties like the UKIP and Green, and then parties like Health Concern, which only have one candidate.
 * 1) "During the period between the announcement of the election and the actual election itself, all of the parties embarked on intensive campaigns to win voters over". This paragraph requires expansion. It is too vague and imprecise at the moment-e.g. "all of the parties".
 * 2) Nothing yet on the issues of the campaign.
 * 3) "Formation of the new government" and "New party leaders" could be merged and expanded in a new section, perhaps called "Aftermath of the election". Deus Ex 23:47, 25 July 2005 (UTC)
 * I've added the results of most of the minor parties, but there are still a few (which I have noted in a comment at the top of the results section) for which results need to be sourced. Warofdreams 11:49, 26 July 2005 (UTC)
 * To me it seems like there are too many statistics and not enough prose. As mentioned above the article very much needs a section on issues. It also needs a fairly substantial section outlining the course of the campaign, its major events and turning points. For instance the leaders debate is not even mentioned. Something about the various campaign strategies and techniques should also be added. - SimonP 14:21, July 26, 2005 (UTC)
 * Agree with SimonP :ChrisG 17:07, 3 August 2005 (UTC)
 * Yes, I agree with your point, but there should be some logic in the statistics presented. For instance, at the moment it gives the results of nearly all (but not quite all) parties with over 1,000 votes - it should be all of them.  I'm not suggesting adding any new statistical sections. Warofdreams 10:03, 28 July 2005 (UTC)

 * This has excellent, brief statements of fact. It covers the election fairly, with detail, and it does not stray from the election itself. However, I would like to see more descriptive language used (ie. prose per SimonP above). Descritive transitions, in particular, would be useful and help the flow. The first 'Seats in Scotland' paragraph did this well but lost me in the predicted and actual results. I, also, believe the article could use some context in the form of the political campaigns. It could use a section, or an entire article, on the campaign issues, themes, and events. The expenses of each party (when they become available) can shed light on who was yelling really loudly and who was just silently protesting. -maclean25 03:16, 28 July 2005 (UTC)

 * There needs to be a section on the impact of the election on the parties. The election has changed the electoral landscape in that the Liberal Democrats are within reach of an equal number of Labour as Conservative seats at the next election. Also implications on the party leaders and Brown/Blair manoeuverings. :ChrisG 17:07, 3 August 2005 (UTC)


text:
Santana Row

Santana Row (abbreviated as SR or The Row) is an upscale residential and commercial district of West San Jose in San Jose, California. Santana Row is intersected by Stevens Creek Boulevard, a major thoroughfare, and close to local landmarks like Westfield Valley Fair and the Winchester Mystery House.

History
Santana Row derives its name from Frank M. Santana, who served on San Jose's planning commission in the 1950s, who is also the namesake for the area's Frank M. Santana Park. The site was previously a Town and Country Village shopping center, which was the site of the first Chuck E. Cheese's Pizza Time Theatre from May 1977 to February 1985.

On August 19, 2002, during construction, the largest building at Santana Row (Building 7, "Santana Heights") caught fire. Embers caused at least 15 smaller fires nearby, and a nearby apartment complex had 39 units destroyed, resulting in 132 people losing their homes. It was the largest structure fire in San Jose's history, with damage estimated at $129 million.

The 42-acre "village within a city" was developed as a luxury, mixed residential and shopping district between 2001–2002, for a cost of $450 million and was at the time regarded as "the most ambitious project of its kind in the United States". In 2010, it was called "an arguably successful mixed-use development".

Santana Row continued to expand in 2016. A population of 24,196 live within a one-mile radius of Santana Row.

Shopping
Santana Row offers a mix of brand name shops, local boutiques, restaurants, 36 establishments serving food, nine spas and salons, a theater, and a hotel.

Several large-scale anchor retailers line the property's frontage on Stevens Creek Boulevard.

Awards
The collaborative design effort earned Santana Row two major awards, the CELSOC Engineering Excellence Award in 2004, and Builder Magazine's Project of the Year in 2003.

The design team, including SB Architects, BAR Architects, Steinberg Architects and landscape architects The SWA Group and April Philips Design Works, worked on behalf of the project developers, Federal Realty Investment Trust.

Economy
Santana Row is home to a small tech hub of companies, including Splunk, NetApp, BlueJeans, Experian, Federal Realty Investment Trust, and AvalonBay Communities, among others.

Parks

 * Valencia Park
 * Santana Row Park
 * Frank M. Santana Park

title: Santana Row


text:
Talk:Liopleurodon

About the Walking with Dinosaurs Liopleurodon
I think that tidbit needs just a little more elaboration, due to the common misconception that the great size was based on "The Monster of Aramberri". It's stated in the tie-in book Walking with Dinosaurs The Evidence on page 80 that the gigantic Liopleurodon was based on a large pliosaur vertebra from Oxford Clay described by David Martill and Collin McHenry in 1996 (https://archive.org/details/walkingwithdinos00mart/page/104/mode/2up) which was initially thought to have come from a pliosaur 17-20 meters in length (https://reptilis.net/DML/1996Oct/msg00231.html), and for WWD, they speculated based on those estimates that even larger specimens could have existed, leading to the 25-meter Liopleurodon in "Cruel Sea".

In 2009, Colin McHenry reexamined the ‘Peterborough vertebra’ (PETMG R272) in his lengthy paper "Devourer of Gods" and gave it a smaller estimate of 11.6–14.2 meters (mean estimate, 12.6 m) on page 437 and cautioned how unreliable size estimates based on fragmentary material can be. — Preceding unsigned comment added by 109.228.107.227 (talk) 12:43, 26 April 2024 (UTC)

"Extinct"
How is it that the word "extinct" doesn't appear anywhere in the article except as part of the title of a footnote? I realize it's WP policy to use the present tense "is" in describing what an item is (not sure where "was" comes in), but from what I gather, no Liopeurodons are living in the present day. Manys (talk) 00:21, 11 January 2021 (UTC)
 * It is pretty heavily implied by saying it lived during the Middle Jurassic, which means not now. If there were any theories about this particular genus's extinction, that could be covered, of course. FunkMonk (talk) 00:47, 11 January 2021 (UTC)

Wiki Education Foundation-supported course assignment
This article was the subject of a Wiki Education Foundation-supported course assignment, between 6 September 2020 and 7 December 2020. Further details are available on the course page. Student editor(s): ShawnBoom. Above undated message substituted from Template:Dashboard.wikiedu.org assignment by PrimeBOT (talk) 02:38, 17 January 2022 (UTC)

More Popular Culture
One is featured in PRIMAL S1E10. Drsruli (talk) 04:49, 25 July 2022 (UTC)

I had thought that there was a popular culture section for this article. I'll leave this suggestion for such time as one may be added. Drsruli (talk) 05:48, 9 August 2022 (UTC)
 * See WP:trivia. FunkMonk (talk) 12:32, 9 August 2022 (UTC)
 * As was repeatedly previously explained to you, "In Popular Culture" sections should be discussions about media depictions impacting the way the public perceives the topic in question, and should not be trivia laundry lists of "spot the monster of the week," especially if the featured subject is not important to either the franchises mentioned or the episode they star in.--Mr Fink (talk) 20:08, 9 August 2022 (UTC)

More than any other single item currently listed in the category on this article, absolutely, without a doubt. (And in an absolute sense, yes, of course it was important in that episode.) Drsruli (talk) 01:33, 13 August 2022 (UTC)
 * If you can't discuss or explain its relevance to the plot, let alone discuss or explain how its role in that episode is impacting how popular culture views Liopleurodon, then it is probably not notable enough to mention.--Mr Fink (talk) 23:48, 14 August 2022 (UTC)

"While fishing, Spear and Fang encounter a bound and bald-headed tall woman with a scorpion tattoo on the back of her head fleeing from a Liopleurodon which Spear kills." The animal is directly involved in the plot. Not a main character, but the focus of attention for about a minute. It also fights with the tyrannosaur. The animal is easily recognizable as a Liopleurodon. Drsruli (talk) 01:18, 15 August 2022 (UTC)
 * So, less than 5% of the episodes 22 minute runtime? That is hardly significant. Focusing on the ngram results Liopleurodon was clearly thrust into the public consciousness by it's massively oversized appearance in Walking With Dinosaurs, which is probably the only "in popular culture" thing maybe worth mentioning. Hemiauchenia (talk) 01:23, 15 August 2022 (UTC)

It seems to me that fiction and nonfiction representations shouldn't be compared. Is there a fiction film or TV where a Liopleurodon plays a larger part? (There probably is, though, right?) Drsruli (talk) 04:53, 15 August 2022 (UTC)
 * Okay, for one, I don't believe the Primal pliosaur is ever stated to be Liopleurodon within the show (admittedly because the show doesn't have dialogue). Two, I think one of the problems with "In Popular Culture" section is that that phrasing implies that the section should be a compendium of appearances in popular media. A better heading title would be "Cultural impact", which is specifically meant to tackle the media or other pop culture forces which have brought an animal into public perception. If we can find a good source on the topic, I wouldn't be opposed to bringing up how the idea of pliosaurs as big blue-and-white superpredators is directly a result of the WWD Liopleurodon. The Primal depiction seems to be a follower of that public perception, not a trailblazer. Fanboyphilosopher (talk) 20:42, 15 August 2022 (UTC)

As far as the first point, it is identified as Liopleurodon in the secondary sources. (And within the show, it's depicted clearly enough, that it could not be confused with another genus.) Drsruli (talk) 16:54, 7 September 2022 (UTC)
 * Like Pliosaurus or Kronosaurus?--Mr Fink (talk) 02:17, 8 September 2022 (UTC)

Sorry, it could be confused for those (or by the right observer, for anything). (A hyperbolic statement of original research on my part.) Nevertheless, it has been identified as Liopleurodon. Drsruli (talk) 05:18, 10 September 2022 (UTC)

title: Talk:Liopleurodon