text:
Rigor Mortis (band)

Rigor Mortis was an American thrash metal band that formed in 1983 in the Dallas–Fort Worth, Texas metroplex.

History
Two schoolmates, Harden Harrison (drums) and Casey Orr (bass), formed the band when they met Mike Scaccia (guitar). The three young men shared an interest in horror/gore films and very heavy music. With Bruce Corbitt on vocals, they created some of the heaviest thrash metal at the time often flirting with death metal. They were also one of the only major thrash bands from Texas and virtually created the underground metal scene there. The band was signed by Capitol Records in 1987.

In 2005, the original lineup reunited and performed at Ozzfest 2008 in Texas. In 2009, Rigor Mortis played in Germany at the Keep It True Festival.

Mike Scaccia also played guitar with industrial metal band Ministry, Revolting Cocks, Lard, and others. Casey Orr plays bass in the shock rock band Gwar as the character Beefcake the Mighty. Harden Harrison also plays drums with the metal bands Speedealer and Mitra. Bruce Corbitt also sang for the thrash metal band Warbeast (formerly Texas Metal Alliance). Former Rigor Mortis vocalist/guitarist Doyle Bright also played guitar in the metal band Hallows Eve. He currently performs vocals and guitars in the band SOG.

On December 23, 2012, the band's guitarist Mike Scaccia died from a heart attack while performing onstage.

On October 6, 2014, Rigor Mortis released their final album Slaves to the Grave, which had been recorded in February 2012 at Ministry's 13th Planet Studios in El Paso. With no label interested in the album, Rigor Mortis successfully crowdfunded the new album by raising $22,838 from fan pre-orders to self-release the final album.

After years of battling with cancer, Corbitt died on January 25, 2019, at the age of 56. The remaining members perform Rigor Mortis music under the moniker Wizards of Gore in tribute to Mike Scaccia.

Musical style
The band made the development from speed metal to thrash metal to death metal. The music on the self-titled debut album is described as technically demanding and "furiously fast". The lyrics mostly describe horror stories, inspired by films such as The Texas Chain Saw Massacre or A Nightmare on Elm Street. The band sees their songs as "little tales of death and doom, with the purpose of entertaining people". The EP Freaks featured Doyle Bright as the new singer, who "sounds exactly like his predecessor".

Select discography

 * 1986: Demo 1986
 * 1988: The Decline of the Western Civilization Part 2 (The Metal Years) Soundtrack (Capitol)
 * 1988: Demons Demo
 * 1988: Rigor Mortis (Capitol) - Released on July 19, 1988
 * 1989: Freaks EP (Metal Blade)
 * 1991: Rigor Mortis Vs. The Earth (Triple X)
 * 1991: "Psycho Therapy" on Gabba Gabba Hey ‒ Ramones tribute album (Triple X)
 * 2014: Slaves to the Grave
 * 2018: Freaks Demo '89

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Rigor Mortis (band)


text:
Villaviciosa, Asturias

Villaviciosa is a town and municipality in the autonomous community of Asturias, Spain. José Ángel Hevia Velasco was born in the town. Villaviciosa is important for the production of cider. The town also produces milk and relies on tourism, with natural landscapes and beaches.

Geography
Villaviciosa is situated on the central eastern coastline, and borders the Asturian municipalities of Gijón and Siero to the west, Sariego, Nava, Cabranes and Piloña to the south and Colunga to the east. The total area is 276.23 km2

Demographics
It had a population of 14,962 in 2011.

History
In prehistory, several Hill forts surrounded Villaviciosa, most located in the axis of the ria, near Rodiles. During the time of the Kingdom of Asturias in the 8th century, the population migrated to areas such as Amandi, Camoca, and Bedriñana, appearing frequently in the Maliayo territory.

By the time of Alfonso IX of León, in the 13th century, the municipality had begun to repopulate, as witnessed in 17 October 1270, when King Alfonso X The Wise created the document evidencing the establishment of a population in Buetes. At the same time, a Cistercian Order emerged in the valley of Boides creating the Monasterio de Santa María de Valdediós.

In the 16th century, Holy Roman Emperor Charles V landed and was hosted in the town (the most important event in village history). The King arrived at the port of Tazones due to a storm that altered his course on the way to Santander.

In the 19th century, the town was repeatedly attacked. It was occupied several times by French troops during the Peninsular War. In 1835, the community was officially established and municipal business grew significantly due to its location on the river, which at the time was navigable.

Parroquias
The capital is the town of the same name. It is 2 km2 in size.

Villaviciosa includes 41 parroquias (parishes):

Notable buildings

 * Church of San Salvador de Valdediós
 * Church of Santa Eulalia de la Lloraza
 * Iglesia de Santo Tomás
 * Monasterio de San Martín

title: Villaviciosa, Asturias


text: User talk:Thommy@wearegifted.com.au

title: User talk:Thommy@wearegifted.com.au


text: User talk:80.56.246.186

title: User talk:80.56.246.186


text:
Talk:St. Paul sandwich

I was going to write this page. But someone else did it for me. Damn. --Blue387 19:52, 27 August 2005 (UTC)

Someone left the anecdote "I've lived half my life in St. Louis and never had a St. Paul with lettuce and tomato." on the article, so I moved it here. Whitebox 06:58, 27 October 2006 (UTC)

Picture of a St Paul Sandwich
Can some one snap a picture of a St. Paul on their camera phone or something like that the next time they eat one, and post it here... That would greatly improve the article. Whitebox 12:35, 18 November 2006 (UTC)

 * We do have a picture now, but it is still a lot less good-looking compared to what you get on Google images. Part of that is a lack of colors (lettuce and tomato), but most importantly the lighting is not good. Oh actually the better-lighted version File:STP Sandwich 005.jpg still looks bad... maybe it really is the ingredients. Artoria2e5 🌉 02:10, 17 November 2023 (UTC)

Chinese name
Can someone who has access to a Chinese restaurant that serves this check the menu to find the Chinese characters for this dish? Badagnani 00:27, 11 June 2007 (UTC)

Sighting
On the menu at Chinese Wok Express in Columbia, MO. Grateful to find it on Wikipedia. Would have been futile to ask the Vietnamese owners what it was. Might just have to try it.--Thistledowne 18:32, 22 June 2007 (UTC)

Chinese or Vietnamese
While egg foo young is a staple of American Chinese restaurants throughout the USA, it seems that the St. Paul sandwich is primarily served in Vietnamese-owned 'Chinese' restaurants in St. Louis. Can anyone confirm whether this sandwich was created by Chinese-Americans or Vietnamese-Americans? I've asked the owners of several local Vietnamese restaurants in the St. Paul, MN area and thus far none of them have even heard of the sandwich. Plenty of delicious Banh Mi to be had, though! Drlegendre (talk) —Preceding comment was added at 13:45, 20 June 2008 (UTC)

WikiProject Food and drink Tagging
This article talk page was automatically added with WikiProject Food and drink banner as it falls under Category:Food or one of its subcategories. If you find this addition an error, Kindly undo the changes and update the inappropriate categories if needed. The bot was instructed to tagg these articles upon consenus from WikiProject Food and drink. You can find the related request for tagging here. Maximum and carefull attention was done to avoid any wrongly tagging any categories, but mistakes may happen... If you have concerns, please inform on the project talk page -- TinucherianBot (talk) 17:15, 3 July 2008 (UTC)

1940s
The sentence
 * One source has the origin of the St. Paul sandwich dating as far back as the early 1940s, when Chinese restaurants, desperate to attract the American public to try their cuisine, invented the sandwich to appeal to their palates.

makes for some amusing mental imagery ... I'm picturing an impoverished Chinese family standing on the sidewalk outside their crumbling, empty restaurant holding egg foo young sandwiches saying "Please!! Just try it! It's almost a hamburger!!" as hundreds of people rush on by them headed to the nearest steakhouse. But as much as I want to trust the person who originally wrote it (Ryanmartinez), it's been in the article for six years now without a real explanation of where it came from. Presumably someone named Mercuri wrote a book and on page 71 there is an anecdote from which the above sentence was taken, but this was never clarified even in the original edit from 2008. Does anyone have any information beyond what he wrote? — Soap — 03:50, 31 July 2014 (UTC)
 * Thank you, 107.216.165.224. — Soap — 01:30, 18 August 2015 (UTC)

title: Talk:St. Paul sandwich


text:
User talk:Mdelja

Welcome!

Hello,, and welcome to Wikipedia. Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! By the way, please be sure to sign your name on talk pages using four tildes (~~~~) to produce your name and the current date, or three tildes (~~~) for just your name. If you have any questions, you can post to the help desk or ask me on my talk page. Again, welcome! Fernando Rizo T/C 19:52, 27 August 2005 (UTC)
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Crimson Circle
Hey there, Mdelja. Don't mean to pick on you, but your Crimson Circle article (although very nicely laid out) doesn't adhere to Wikipedia's neutral point of view (NPOV) policy. It reads more like a pamphlet than an encyclopedic article. I'm going to go through it and edit if for NPOV, please don't be offended. Welcome aboard. Fernando Rizo T/C 19:52, 27 August 2005 (UTC)

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title: User talk:Mdelja


text:
Talk:Switch hitter

Article quality
This entire page is poorly organized and written. The "three reasons" given for switch hitting are simply derivatives of the same idea--the platoon advantage--and could be explained much more effectively. —The preceding unsigned comment was added by 148.85.226.162 (talk • contribs).

Misleading
'' For instance, New York Yankees great Mickey Mantle always considered himself a better right-handed hitter, but actually has more home runs batting left-handed. But it could be argued that this claim is misleading as many of Mantle's left-handed home runs were struck at Yankee Stadium, a park notorious for being very friendly to left-handed hitters due to the short right field porch.''

This could also be misleading because a switch hitter typically bats far more often against Right handed pitchers resulting in higher cumulative totals as a left handed hitter. --Cglied 19:53, 27 August 2005 (UTC)

 * Indeed, that is the case, as the Mick has more than double the number of at bats lefty he does right-handed. And his slugging percentage right-handed is higher than left-handed, as is his batting average and OBP. It's pretty hard to argue he was in anyway way, shape, or form a better left-handed hitter than right-handed hitter. —The preceding unsigned comment was added by 148.85.226.162 (talk • contribs).

 * He did have more power as a left - about once every 14 at bats, vs once ever 16.3 as a righty. His right AVG/OBP/SLG is better across the board, but it's thanks to singles, doubles, and triples. —Preceding unsigned comment added by 208.82.12.166 (talk) 00:03, 2 July 2010 (UTC)

Chipper Jones
Isn't Chipper Jones of the Atlanta Braves a switch-hitter, and one of the more accomplished ones? Zeus982 21:02, 14 May 2006 (UTC)

 * Chipper is indeed a switch hitter. His stats are very similar from either side of the plate, though he has a bit more power right-handed. —The preceding unsigned comment was added by 148.85.226.162 (talk • contribs).

Hall of Fame Switch Hitters

 * The article mentions "Hall of Fame-caliber switch hitters" -- how many are there, just out of curiosity? I can think of Mickey Mantle and Eddie Murray -- are they the only two?The Invisible Man (talk) 00:48, 28 January 2008 (UTC)
 * Chipper Jones should make it to the hall. Ozzie Smith is already in it, but not for his hitting. Pete Rose is HoF-caliber, just won't get it for obvious reasons. Alomar and Raines are probably short of the mark, but it's not ridiculous.

Anyway, I'd go with there being four: Mantle, Murray, Rose, Jones.

 * Early Wynn was a switch-hitting pitcher, a Hall-of-Fame pitcher and a relatively good hitter. He coul be added to the list of bats-both pitchers. WHPratt (talk) 05:24, 3 October 2010 (UTC)
 * "Mr. Wynn could win not only with his pitching and his exceptional fielding, but also with his bat. In the league's pre-designated-hitter days, the switch-hitting hurler hit over .270 four times, including 1946, when he hit .319 for the Senators. He also made 90 appearances as a pinch-hitter, and he once hit a pinch-hit, grand slam home run." -- http://www.washingtonpost.com/archive/local/1999/04/07/baseball-hall-of-famer-early-wynn-dies-at-79/275d587f-e290-436f-b1ec-e903bc1a92eb/

WHPratt (talk) 01:54, 4 July 2015 (UTC)

Re: "Management also had a say in the switch-hitting careers of Bob Gibson and Dwight Gooden. Both Gibson and Gooden—each right-handed, and a fine hitting pitcher—had reached the major leagues as a switch-hitter, and both their teams required them to bat only right-handed, to reduce the possibility of their pitching arms being hit by a pitch." I used to wonder why Sandy Koufax, the great southpaw hurler, was permitted to bat right handed: that was one valuable left arm directly exposed to the enemy's firepower for no purpose whatever: Koufax was a terrible hitter! WHPratt (talk) 01:40, 12 June 2017 (UTC)

Cricket
This whole section is factually very dubious.

Firstly, the 'switch-hit' in cricket is simply an extension of the 'reverse sweep', the main difference being that the hands are swapped over before the shot is played.

Kevin Pietersen may well have claimed to have invented the shot, but it has been done before, notably by Jonty Rhodes against the bowling of Shane Warne. In addition, the ODI against NZ was not the first time Pietersen had played the shot, having done so, also against Warne, in 2005. —Preceding unsigned comment added by 62.140.209.154 (talk) 11:30, 18 June 2008 (UTC)

 * Agreed. "Switch-hitting" is a meaningless concept in cricket, because there is no plate that batsmen have to decide which side to stand on.  I'm removing the whole section. Lfh (talk) 11:20, 26 June 2008 (UTC)

 * An anonymous editor clearly has strong feelings about keeping this section, so let's give it a go, but I'm editing it to make clear that "switch hitting" in cricket is not the same thing as in baseball. Lfh (talk) 16:36, 23 August 2008 (UTC)

It belongs in the article Switch hit. The only connection here was an unreferenced throw-away line "this has been compared to switch-hitting." This is clearly and article about the baseball term/tactic, and since there is an article about the cricket term/tactic, there is no need for the material here. StAnselm (talk) 11:23, 9 November 2011 (UTC)

Aha! This section explains my bafflement. The "Switch hit" link under "See Also" was a mega-non-sequitur. I see that it was a residue of this dispute (and adequately addressed in the "about" template at top). I delete it. --Danaxtell (talk) 05:37, 19 May 2013 (UTC)

Interesting fact
It's an interesting fact (well, at least to me, which is why it's here and not in the article) that professional baseballs only current switch pitcher (Pat Venditte) bats exclusively right handed. There is an interview with him somewhere where he says it, but I can't find it right now. Since he's an AL player it's pretty useless info, but his one pro AB so far was right handed. Cryomaniac (talk) 19:08, 2 March 2010 (UTC)

 * Pat Venditte's page on the Creighton University website says he was a switch hitter in college (Bats: B; Throws: B). His official Minor League Baseball page (on milb.com) says he bats right and throws left, so that's plainly inaccurate. I agree with Cryomaniac that Venditte's batting is an interesting fact--and worthy of inclusion in the main article. He's not playing at all just now because of the right arm surgery, so the answer is currently indeterminate. The question remains: How does Pat bat? --Danaxtell (talk) 04:37, 19 May 2013 (UTC)

"Criticism" section
"Sometimes coaches will teach a right-handed hitter to bat left-handed simply to have the extra step to first base, thereby allowing faster players to get on base more often. However this method may sacrifice contact or power until fully mastered." Maury Wills is an example of this. A great base stealer, had no power at the plate anyway. Fe'd been a righthanded hitter until 1962. WHPratt (talk) 17:46, 13 February 2012 (UTC)
 * If you have a source, I think this would be a great addition to the article. Geeky Randy (talk) 05:00, 14 February 2012 (UTC)
 * A Google search for "Maury Wills" and "switch hitter" reveals that Bobby Bragan, manager of the Dodgers' AAA team at Spokane, turned Wills into a switch-hitter in 1958. You can find some speculation that it was to take advantage of his speed, but I can't find a reliable source saying so flat-out. (I'd swear that I'd seen a 1961 baseball card that said Wills "Bats Right," but that may have been in error.)  Someone may want to search further, using Wills and Bragan as keywords. WHPratt (talk) 01:18, 15 February 2012 (UTC)

I've removed this section for now. Leaving unconfirmed stuff around for even one minute isn't a good idea. This was tagged well over a year ago and still hasn't been sourced. Perhaps this will motivate someone to produce a properly sourced and balanced section on this subtopic, if that is possible. --TS 13:58, 22 April 2012 (UTC)

 * It would be difficult to confirm. There can be no doubt that a lefty swing gives one a better start towards first base, but reversing one's natural swing to gain so small an advantage would necessarily be a risky thing to do, unless one is a weak hitter anyway.
 * Jack Brickhouse, the voice of the Cubs, once put it into perspective. A right-handed batter hit a grounder to deep shortstop, and was thrown out by a hair.  "Close play!" said Brickhouse.  "If he'd have been a lefthanded batter, he'd have been safe."  After a moment's contemplation, he went on -- with a chuckle -- "Of course, if he'd been a lefthanded batter, he'd have probably hit that grounder to the secondbaseman, and he'd have been an easy out."  There's the rub. (That's strictly from memory, and probably isn't subject to confirmation.) WHPratt (talk) 15:55, 29 June 2012 (UTC)

title: Talk:Switch hitter


text:
Porcelain (song)

"Porcelain" is a song by American electronic musician Moby. It was released on April 25, 2000, as the sixth single from his fifth studio album Play (1999). Written by Moby, who also performs vocals on the recording, "Porcelain" is a melancholic song with lyrics reflecting on the breakup of a relationship. It features a lush musical backing that incorporates reversed strings and various synthesized elements. While Moby initially expressed disdain over the song and its production, he was eventually talked into including it on Play.

One of the most successful singles from Play, "Porcelain" became a top five hit in the United Kingdom and entered various other national record charts. Contributing to the song's commercial exposure was its use in several forms of media, including a notable placement in the 2000 film The Beach. Music critics have highlighted "Porcelain" as a standout track on Play, and it has also been included on several year-end and all-time lists of the best songs. Two different music videos were produced for "Porcelain", directed by Jonas Åkerlund and Nick Brandt respectively.

Background and composition
"Porcelain" was written and produced by Moby for his fifth studio album Play (1999). Moby recorded the song, and the rest of Play, in his apartment in Manhattan's Little Italy neighborhood. According to him, the song's lyrics were inspired by a personal experience: "I was involved with this really, really wonderful woman, and I loved her very much. But I knew deep in my heart of hearts that we had no business being romantically involved. So, it's sort of about being in love with someone but knowing you shouldn't be with them." Moby initially disliked "Porcelain", finding his production "mushy" and his vocals "really weak". He recalled that he "couldn't imagine anyone else wanting to listen to it" and had to be talked into including the song on Play.

Andy Gensler of The Hollywood Reporter described "Porcelain" as a "lush" downtempo track. The song features vocals performed by Moby, and introspective, wistful lyrics that describe "loving someone, but having to break up with them anyway." Composed in the key of E♭ major and running at a tempo of 96 beats per minute, "Porcelain" follows a constant four-chord progression (Gm−B♭−Fm−A♭) in the B♭ mixolydian mode, with the exception of a bridge midway through the song. The music incorporates several layered elements, including a reversed sample of strings from the Ernest Gold composition "Fight for Survival" (from his soundtrack for the 1960 film Exodus), synthesizer chords, piano and cello lines, vocal samples, and a drum machine rhythm. Pilar Basso performs additional vocals on the song.

Release
The sixth single from Play, "Porcelain" was first released to radio on April 25, 2000, then issued as a physical single on June 12, 2000. Like other tracks from the album, "Porcelain" was licensed for use in numerous commercials and films. English director Danny Boyle featured "Porcelain" in his 2000 film The Beach, with Moby later crediting the film with significantly raising exposure of the song. "Porcelain" was also notably featured in commercials for the Volkswagen Polo, Bosch, and France Télécom. Spanish television channel TVE 1 also used Porcelain as its background music for idents from 2001 to 2004.

"Porcelain" became one of the most successful singles from Play, and Moby has since referred to it as "probably the most signature song" on the album. It debuted at its peak position of number five on the UK Singles Chart. The single also charted in numerous other European countries, including France, Germany, Ireland, the Netherlands, and Switzerland. In Canada, "Porcelain" peaked at number 50 on the RPM national singles chart, while in the United States, it placed on several genre-specific Billboard charts tracking popular records in dance and rock  markets.

Surprisingly, the song could be heard in Playing by Heart film released in 1998.

Critical reception and legacy
Entertainment Weekly's David Browne deemed "Porcelain" a standout track on Play, praising it as a "gorgeous" song anchored by Moby's "plaintive" vocal performance. Chicago Sun-Times critic Jim DeRogatis found the song "emotional and gripping" and remarked that if it "didn't move you (in every sense of the word), then you probably had no pulse." Alexandra Marshall of MTV described "Porcelain" as "a lush little snippet which sounds like a basement tape from a Magnetic Fields EP." The Birmingham Evening Mail said that the song's "sweeping melody and atmospheric vocals" create a "distinctive soundscape".

Naming it the 26th best single of 2000, Playlouder referred to "Porcelain" as Play's "most crushingly heavenly track" and stated that "familiarity made it no less of a glorious single." It was voted by critics as the 56th best single of 2000 in The Village Voice's year-end Pazz & Jop poll. In 2003, Q listed "Porcelain" as one of the 1,001 best songs of all time. The Rock and Roll Hall of Fame featured the track in its exhibit "The Songs That Shaped Rock and Roll". Liana Jonas of AllMusic referred to "Porcelain" as "a groundbreaking recording", noting that the song's commercial success "helped bring electronica music into the limelight." Moby named his 2016 memoir after the song. Later, "Porcelain" was prominently sampled on rapper ASAP Rocky's 2018 song "ASAP Forever", with Moby being credited as a featured artist on the track. For his 19th studio album Reprise (2021), Moby recorded a new version of "Porcelain" featuring Jim James of My Morning Jacket on vocals, which was released as the first single from the album on March 26, 2021.

Music videos
Two separate music videos were produced for "Porcelain". The first version, directed by Jonas Åkerlund, is primarily a simple closeup of a human eye; various images are reflected onto the eye throughout the entire video, including Moby performing the song, people smiling, and a piano being played. This version only aired in European markets and was not released in the US until its inclusion on the 2001 video album Play: The DVD.

The second video, directed by Nick Brandt, follows a driverless 1972 Cadillac DeVille, in which Moby is a passenger, as it travels through a city and a countryside, passing various people in slow motion. The car drives through a field, a forest, past cattle, and finally down a hillside going into the distance.

Track listing

 * CD single (CDMute252)
 * 1) "Porcelain" (single version) – 3:32
 * 2) "Flying Over the Dateline" – 4:48
 * 3) "Summer" – 5:55

 * Cassette single (CMute252)
 * 1) "Porcelain" (single version) – 3:32
 * 2) "Porcelain" (Torsten Stenzel's Vocaldubmix) – 8:22
 * 3) "Summer" – 5:55

 * CD single – remixes (LCDMute252)
 * 1) "Porcelain" (Clubbed to Death version by Rob Dougan) – 6:36
 * 2) "Porcelain" (Futureshock instrumental) – 8:21
 * 3) "Porcelain" (Torsten Stenzel's edited remix) – 4:49

 * 12-inch single – remixes (12Mute252)
 * 1) "Porcelain" (Torsten Stenzel's remix) – 9:05
 * 2) "Porcelain" (Force Mass Motion remix) – 8:32

 * 12-inch single – remixes (L12Mute252)
 * 1) "Porcelain" (Futureshock instrumental) – 8:21
 * 2) "Porcelain" (Futureshock beats) – 3:59
 * 3) "Porcelain" (Clubbed to Death variation by Rob Dougan) – 6:36

 * 12-inch single (63881-27650-1)
 * 1) "Porcelain" (Clubbed to Death variation by Rob Dougan) – 6:36
 * 2) "Porcelain" (album version) – 4:01
 * 3) "Porcelain" (Futureshock remix) – 8:35
 * 4) "Porcelain" (Futureshock beats) – 3:59

 * "Honey" / "Porcelain" CD single (MUSH019852)
 * 1) "Honey" (remix edit; featuring Kelis) – 3:13
 * 2) "Porcelain" (album mix) – 4:01
 * 3) "Honey" (Fafu's 12" mix; featuring Kelis) – 6:19
 * 4) "Porcelain" (Clubbed to Death variation by Rob Dougan) – 6:36
 * 5) "Honey" (Moby's 118 mix) – 4:48

 * Digital single – remixes (ANJ396D)
 * 1) "Porcelain" (Above & Beyond remix) – 6:41
 * 2) "Porcelain" (Arty remix) – 3:31

 * Digital single – remix (SHA120S1)
 * 1) "Porcelain" (Pola & Bryson remix) – 5:27

 * Digital EP – remixes (ROCKD025)
 * 1) "Porcelain" (Timo Maas & James Teej's Broken China dub) – 9:16
 * 2) "Porcelain" (Sebastian Mullaert's Transformation mix) – 13:27

title: Porcelain (song)


text:
Cavite State University

Cavite State University (CvSU; Pamantasang Pampamahalaan ng Cavite ) is a public university in the province of Cavite in the Philippines. Its 70 ha main campus, known as the Don Severino delas Alas Campus, is located in the Municipality of Indang, Cavite about 60 km southwest of Manila. The educational institution has twelve other campuses spread all over the province.

The school was established initially as an intermediate school by the Thomasites, a group of American teachers brought by the United States during the early part of the American colonial period to revamp the system of education in the country. By 1964, the school has grown into a college known as the Don Severino Agricultural College (DSAC). It became a university on January 22, 1998, and was renamed as the Cavite State University.

The Accrediting Agency of Chartered Colleges and Universities in the Philippines (AACCUP) recently conferred the award to Cavite State University (CvSU) as top performing state university during the annual national conference held at the Waterfront Cebu City Hotel, Cebu City, 7 – 9 March. In 2016, CvSU was also recognized as one of the top ten performing State Universities and Colleges in accreditation, capturing the rank 7 spot. The university is also one of the top three performing schools in the criminology program in the country.

Since then, the university has grown offering 141 programs in the undergraduate and graduate levels. It has more than 44,000 students and almost 1,700 faculty and staff from eleven campuses at the end of academic year 2020-2021.

History

The state university was first established by the Thomasites as an intermediate school, named Indang Intermediate School in 1906 with C.E. Workman its first principal. Subsequently, Americans Henry Wise and Joseph Coconower succeeded Workman as the school's principal. In 1915, the school had its first Filipino principal, Mariano Mondoñedo. The school's focused on vocational agriculture for boys and domestic science for girls. In 1918, the name of the school was changed to Indang Farming School.

As enrollment increased, the school site was expanded through the land donations of the citizens of Indang, including Francisco Ocampo and Don Severino de las Alas, Secretary of Interior during the Aguinaldo cabinet. In 1927, the school was renamed Indang Rural High School, during the incumbency of principal Simeon Madlangsakay. It first offered a secondary courses in vocational agriculture in 1923 and Home Economics in 1927.

In recognition of the generosity of Don Severino de las Alas to the community, the province of Cavite and the nation, the name of the institution was changed to Don Severino National Agricultural School in 1958 by a congressional action.

Don Severino Agricultural College
The agricultural school was converted into a state college in 1964 by virtue of Republic Act No. 3917. Under this Act, the school was given its own charter and became known as Don Severino Agricultural College (DSAC).

In 1967, Santiago M. Rolle was appointed as the first college president. In 1971, Certificate in Technical Agriculture was offered. Dr. Sotero L. Lasap designed a new logo for DSAC in 1978. Its shape is like a spaceship supposed to symbolize carrying DSAC to its desired destination.

During the preparatory stage from 1983–1987, Dr. Ruperto S Sangalang became the officer-in-charge of the college.

The transition stage from 1988–1992 strengthened the instructional, research and extension programs through the implementation of the Institutional Development Assistance and Cooperation Project.

Elevation to University and Expansion
Following a campaign period from 1993 to 1998, the school became a university on January 22, 1998, by virtue of the Republic Act No. 8468 and was renamed the Cavite State University (CvSU), elevating its four schools into colleges. Dr. Sangalang served as the first university president, a position he will hold until 2008.

In 2002, Cavite College of Fisheries (CACOF) in Naic and Cavite College of Arts and Trade (CCAT) in Rosario were integrated into the Cavite State University system to become the CvSU College of Fisheries and the CvSU College of Arts and Trade, respectively. The Cavite City campus was launched in 2001, and Carmona campus followed in 2002. Subsequently, new campuses were established in other parts of the province, namely, Imus (2003), Trece Martires (2005), Silang (2006), and Tanza (2007).

In 2008, Dr. Divinia Chavez from the College of Education succeeded Dr. Sangalang as the President of the university. She is also the first woman to hold the position. Under her leadership, campuses were established in Bacoor (2008), General Trias (2012) and Maragondon (2015).

Dr. Hernando Robles, former Campus Administrator of CvSU Naic, assumed the role of the University President in 2016. The newest campus, CvSU Dasmariñas Learning Center was established in 2023.

Don Severino delas Alas Campus, Indang
Indang is the main campus of the university. Known as the Don Severino delas Alas Campus, it sits on 72 hectares of rural land and is the oldest campus of the university. This campus houses academic, administrative, and research and extension facilities. There are also a few residential and commercial buildings in the campus. The main offices for the entire university is also situated here.

The university's main library is called the Ladislao Diwa Memorial Library and Museum. Established in 1980, it has now grown to house around 92,000 volumes of books and more than 5,000 series titles such as magazines and newsletters.

Laya at Diwa Monument
The Laya at Diwa brass artwork displayed at the main entrance to the Indang campus is meant to represent the university's vision of "truth, excellence and service". The monument is a creation of Jonnel P. Castrillo of Imus, Cavite. It was inaugurated on December 15, 2006, by Senator Edgardo J. Angara during the university's centenary celebration.

The artwork has five major elements. The first is the unchained female figure, holding a book, her arms interlocked with the male figure. The male figure holds a pen and a torch. The flame of the torch carries the letters CvSU for Cavite State University. Finally, the child figure, in a dynamic pose atop the pillar behind the male & female figure, reaches out a dove, the universal symbol peace and freedom.

Imus campus

Formerly known as the College of Business and Entrepreneurship, CVSU Imus was established in 2003. It is located along Aguinaldo Highway in Palico IV. It occupies the plot of land that was set to become the Cavite Convention and Trade Center, but was transferred to the university for use as a satellite campus. As of 2023, it has nine academic departments offering 11 degree programs.

Silang campus

The Silang campus was built in 2006 when the municipal government of the town donated land to the university. Several buildings, including three academic buildings and a gymnasium, were built on a 5,000 square meter plot of land. As of 2023, the campus has four academic departments offering eight degree programs.

Academics
The university has eleven colleges in its main campus in Indang. Originally an agricultural school, CvSU has grown to become a comprehensive university offering 43 undergraduate degrees, a degree in veterinary medicine, a Doctor of Medicine degree, 13 masters degrees and 3 degrees leading to a Ph.D.

When the Don Severino National Agricultural School was elevated to a state college in 1964, it started to offer its first undergraduate degrees in two fields: agriculture and agricultural education. This department would later be the origin of the three other colleges in the Indang campus. In 2005, it was renamed the College of Agriculture, Food, Environment and Natural Resources. Today, it offers degrees in agriculture, food technology, and environmental sciences. In 2016, it was recognized as a Center of Excellence in Agriculture by the Commission on Higher Education, one of only eight in the country.

The Graduate School was established in 1985 with the first postgraduate degrees of the college: master of science in agricultural education; animal husbandry and agronomy.

In 1992, the college reorganized its departments in preparation for its elevation as a university. Four departments emerged and were elevated into schools: Agriculture, Arts and Sciences, Education and Engineering. After DSAC's successful elevation into a state university in 1998, all schools were renamed colleges. In addition, two more colleges were created: the College of Sports, Physical Education and Recreation; and the College of Economics, Management and Development Studies.

In the 2000s, new academic divisions were created. The College of Veterinary Medicine and Biomedical Sciences was separated from the College of Agriculture in 2000. The College of Nursing was established in 2005 as a result of rapid growth from its initial status of a program in the College of Arts and Sciences in 2003. And then finally, in 2010, the College of Criminal Justice was established.

Most recently, in 2022, the College of Medicine started to admit students. It is the newest college of the main campus. It is also the second public medical school in the Southern Tagalog region, after the medical school of the Batangas State University.

The university also manages basic education units in its Indang campus, namely the Child Development Center offering pre-school and elementary programs; and the Laboratory Science High School, offering both junior and senior high school programs. The Naic, Rosario and Silang campuses hosts junior and senior high school programs.

In 2023, the main campus accepted only 6,507 out of 34,667 applicants. This represents an 18% acceptance rate.

Research and Extension
In 2008, the university started to host the Southern Tagalog Agriculture, Aquatic and Resources Research, Development and Extension Consortium (STAARDEC). It is a regional consortium that facilitates collaboration amongst its members to boost sustainable agro-industrial development in the Region IV-A. Today, it has 21 member institutions, including state universities and colleges, research and development institutions and government agencies.

The university also publishes its official peer-reviewed journal, the CvSU Research Journal, bi-annually.

Research Centers
Cavite State University hosts several research centers.

The Affiliated Renewable Energy Center (AREC) for Region IV-A was established in 1987, one of the first in the country. It is tasked to "encourag[e], and accelerat[e] the exploration, development and utilization of renewable energy resources" in the country. AREC is now known for its expertise in biogas technology. It has produced faculty with specialization in renewable energy and has produced patents for biogas technology.

The National Coffee Research, Development and Extension Center (NCRDEC) was established in 2005. It leads the nation for coffee research and development with the goal of putting back Filipino coffee back into the international market.

On the other hand, the Sugar Palm Research, Information, and Trade Center (SPRINT Center) was established in 2010, aiming to develop research on sugar palm (kaong).

In 2014, the CvSU Bee Program commenced operations. It aims to promote the practice of beekeeping in the province of Cavite and surrounding areas. It also conducts research to improve beekeeping practices and post-harvest technologies. In 2023, the program was renamed Bee Research, Innovation, Trade, and Extension Center (BRITE Center).

The Simulation, Modelling and Measurement Laboratory (SiMM Lab) was inaugurated in 2021. It assists researchers to simulate machines and devices for prototyping. It was established in cooperation with the Philippine Department of Science and Technology.

Student Life
In the main campus as of 2022, there are 84 student organisations ranging from academic, performing, and religious to non-academic organisations and student councils. The official student publication of the Indang campus is The Gazette.

In the fields of athletics, CvSU Green Hornets participate in the Southern Tagalog Regional Association of State Universities and Colleges.

title: Cavite State University


text:
Kaleidoscope (American band)

Kaleidoscope (originally the Kaleidoscope) was an American psychedelic folk group who recorded four albums and several singles for Epic Records between 1966 and 1970. The band membership included David Lindley, who later released numerous solo albums and won additional renown as a multi-instrumentalist session musician, and Chris Darrow who later performed and recorded with a number of groups including the Nitty Gritty Dirt Band.

Formation
The group was formed in 1966. The original members were:
 * David Lindley
 * Solomon Feldthouse
 * Chris Darrow
 * Chester Crill (a.k.a. Max Budda, Max Buda, Fenrus Epp, Templeton Parcely)
 * John Vidican

Lindley was an experienced performer on a variety of stringed instruments, notably the banjo, winning the Topanga Canyon Banjo Contest several years in a row in the early 1960s. While studying at La Salle High School in Pasadena, California, he formed his first group, the Mad Mountain Ramblers, who performed around the Los Angeles folk clubs. There, he met Darrow, who was a member of a rival group, the Re-Organized Dry City Players.

Around 1964, the pair formed a new group, the Dry City Scat Band, which also included fiddle player Richard Greene (later of Seatrain), but Darrow soon left to set up a new rock group, the Floggs. Lindley also began forming his own electric group. In the course of this he met Feldthouse, who had been raised in Turkey and, on returning to the US, had performed flamenco music and as an accompanist to belly dancing groups. Lindley and Feldthouse then began performing as a duo, David and Solomon, when they met Chester Crill. They invited him to join their band, and by the end of 1966 added Darrow and drummer John Vidican, so forming the Kaleidoscope.

Recording and performance career
The group was founded on democratic principles – there was no "leader". They soon began performing live in clubs, winning a recording contract with Epic Records. The first single, "Please", was released in December 1966. It was produced by Barry Friedman (later known as Frazier Mohawk), as was their first album Side Trips, released in May 1967. The album showcased the group's musical diversity and studio experimentation. It included Feldthouse's "Egyptian Gardens", Darrow's "Keep Your Mind Open", and versions of Cab Calloway's "Minnie the Moocher" and Dock Boggs' "Oh Death". Crill, for reasons he never made clear (but ex-bandmates speculated had to do with concerns about overreactions from his "straitlaced" parents), was credited as "Fenrus Epp" on the first album and adopted various other pseudonyms on later recordings.

Between them, the group played a huge collection of stringed instruments in such psychedelic songs as "Egyptian Gardens" and "Pulsating Dream." They played fusions of Middle-Eastern music with rock in longer pieces such as "Taxim," which they performed at numerous venues including the Berkeley Folk Festival on July 4, 1967, and the Newport Folk Festival and the Family Dog at The Avalon Ballroom (San Francisco) in 1968. Live, band numbers were sometimes interspersed by solo instrumental turns from Feldthouse or Lindley, and occasionally Feldthouse brought belly dancers or flamenco dancers on stage. The band performed many different styles, including rock, blues, folk, jazz, Middle-Eastern and also featured music by Calloway and Duke Ellington in their repertoire.

Keeping the same line-up (but with Crill now billing himself as "Max Buda") the band's second album A Beacon from Mars was released in November 1967, to generally good reviews but poor sales. The album was a mix of Middle-Eastern, country, folk and rock musical styles. The title track, inspired by a Howlin' Wolf musical riff originally in his song "Smokestack Lightning", was recorded live in the studio, and featured a long psychedelic electric guitar solo by Lindley, which later caused Led Zeppelin's Jimmy Page to refer to Kaleidoscope as his "favourite band of all time." In live performances of the tune, Lindley used a violin bow on his electric guitar, probably influencing Page to use the same effect later. Another live "no overdubs" track on the album was "Taxim," with solos from Lindley on a "harp guitar" and Felthouse, who played oud and saz on the lengthy cut.

Liner notes to the much-later CD reissue claim the album's original title was "Bacon From Mars," but that the title was misprinted. This is a complete myth, initiated by a joke printed in the magazine ZigZag during their three-part feature on Kaleidoscope.

Darrow left the group after recording the album and was replaced by bassist Stuart Brotman, previously a member of an early version of Canned Heat. However, Darrow returned briefly for studio work when the group backed first Johnny "Guitar" Watson and Larry Williams on their 1967 single "Nobody", and later Leonard Cohen on "So Long, Marianne" and "Teachers" on his first album. Vidican was also replaced by drummer Paul Lagos, who had a jazz and R&B background, having played with Little Richard, Johnny Otis, and Ike and Tina Turner. And Crill now billed himself as "Templeton Parcely" when playing with the band... but also billed himself as guest player "Max Buda", for his harmonica playing.

The band recorded their third album, Incredible! Kaleidoscope, in 1968. It featured "Seven-Ate Sweet", a long progressive instrumental piece in 7/8 time signature which they had been playing live since the early days of the group. The album reached No. 139 on Billboard in 1969, the only Kaleidoscope album to chart. Around this time they also did soundtrack work on educational and other films, and also made an appearance at the 1968 Newport Folk Festival.

Kaleidoscope's fourth and final album from their Epic Records era, Bernice, featured more electric guitar work than the earlier albums, and more country influence. There were further personnel changes, adding singer-guitarist Jeff Kaplan, and bassist Ron Johnston who replaced Brotman during the making of the album. Feldthouse also left the group. Crill was now billed as "Connie Crill", and as guest harmonica player "Max Buda".

At the end of 1969, Kaleidoscope contributed two new songs ("Brother Mary" and "Mickey's Tune") to Michelangelo Antonioni's Zabriskie Point. The band split up soon afterwards.

Later careers
After the end of Kaleidoscope, Lindley became a highly respected session and live musician with Linda Ronstadt, Jackson Browne and others, before forming his own band, El Rayo-X, in the early 1980s. Feldthouse performed at Renaissance Pleasure Faires, and with various flamenco and Middle Eastern groups. Darrow joined the Nitty Gritty Dirt Band after Kaleidoscope and later formed the Corvettes with Bernie Leadon before becoming a leading session musician and solo performer. Crill became an underground comic writer for a time, co-writing the Mickey Rat series, and also produced the first 78rpm record by R. Crumb's group, Armstrong's Pasadenans. Brotman became involved with the LA folk dance scene and has done considerable work as a movie extra. In the 1980s he became active in Klezmer revival, playing bass and tsimbl for Brave Old World and most recently is a member of the San Francisco-based trio, Veretski Pass whose most recent CD, The Magid Chronicles, was released in 2019. He is also a regular instructor at KlezCalifornia and KlezKanada, and other ethnic music gatherings.

Paul Lagos died on October 19, 2009. Chris Darrow died on January 15, 2020. Solomon Feldthouse died on December 12, 2021. Lindley died on March 3, 2023.

Kaleidoscope reunions
In 1976, ex-members Brotman, Crill, Darrow, Feldthouse and Lagos reconvened for the reunion album, When Scopes Collide, which was released on Michael Nesmith's Pacific Arts label. Lindley also contributed, but distanced himself from the project by appearing as a guest, billed as "De Paris Letante." Crill was billed as two band members ("Templeton Parcely" and "Max Buda"), and was credited as a producer under his real name.

Fourteen years later, Crill and Darrow organized and produced a second reunion session, this time for Gifthorse Records. Greetings from Kartoonistan (We Ain't Dead Yet), again brought together the same line-up (although this time Crill only billed himself as "Max Buda" in the band member credits), with Brotman contributing the instrumental, "Klezmer Suite". Though invited, Lindley declined to participate.

Other information

 * Solomon Feldthouse was the father of film actress Fairuza Balk.
 * Chris Darrow performed on the James Taylor album Sweet Baby James.
 * According to Camper Van Beethoven frontman David Lowery, that band's recording of "O Death" on their album Our Beloved Revolutionary Sweetheart was intended as a tribute to Kaleidoscope.

Discography
Studio albums:
 * Side Trips (1967)
 * A Beacon from Mars (1968)
 * Incredible! Kaleidoscope (1969)
 * Bernice (1970)
 * When Scopes Collide (1976)
 * Greetings from Kartoonistan... (We Ain't Dead Yet) (1991)

Compilation albums:
 * Bacon from Mars (1983) (compilation)
 * Rampe, Rampe (1983) (compilation)
 * Egyptian Candy (A Collection) (1990) (compilation)
 * Beacon from Mars & Other Psychedelic Side Trips (2004) (compilation)
 * Pulsating Dreams (2004) (compilation of the four Epic albums and other recordings of that period)

title: Kaleidoscope (American band)


text:
Category:Knights of Malta

 * The Knights of Malta — former/current members of the Sovereign Military Order of Malta.
 * Members of the allied Category:Protestant orders of chivalry are usually referred to as a Knight of St. John (British) or as a Johanniter (German).

title: Category:Knights of Malta


text:
American Zen Teachers Association

The American Zen Teachers Association (AZTA) was founded in the late 1980s as the Second Generation Zen Teachers Group. It is a peer-group organization of ordained and lay Zen Buddhist teachers, all of whom have received either teaching authorization or dharma transmission from the mostly Asian Zen teachers who brought their practices to America in the second half of the twentieth century, or their heirs. The first meetings of the AZTA were attended by a dozen or so people, reflecting what would be a Western Zen phenomenon of roughly equal numbers of men and women.

Today the AZTA has grown to over two hundred members. AZTA members serve Buddhist groups ranging from a dozen or so people who meet and practice in members’ homes or area churches to those serving three or four hundred members and who meet and practice in large temples and monasteries.

title: American Zen Teachers Association


text:
Mad Lion

Oswald Priest, better known as Mad Lion, is a dancehall, ragga musician and rapper. He frequently collaborates with fellow hip hop artist KRS-One. His awards include the 1994 Source Award as Reggae Artist of the Year, and the 1995 Source Award as Reggae Hip-Hop Artist of the Year.

Biography
Priest is Jamaican and was born in London. Shortly after moving to Brooklyn, New York, he met reggae performer Super Cat at Super Power Records. At Super Cat's suggestion, he adopted his professional name, an acronym for Musical Assassin Delivering Lyrical Intelligence Over Nations. He blended reggae and hip-hop, and went on to work with KRS-One throughout the 1990s. His addition of hip hop rhythms to Shabba Ranks' "Jam" gave him some early success. His début single "Shoot to Kill" was successful in New York and he reached a wider audience with "Take It Easy", which was one of 18 tracks on his début album in 1994, titled Real Ting. He contributed to Salt-N-Pepa's 1997 album Brand New. In 1997 he topped the US reggae chart with "Carpenter".

He also appeared in the music video for the Flava in Ya Ear remix by Craig Mack feat. Notorious B.I.G., Rampage, LL Cool J and Busta Rhymes.

Mad Lion's other collaborative projects consist of working with Puerto Rican producers DJ Playero, DJ Tony Touch, DJ Nico Canada, and other reggaeton artists who were flourishing around 1996. Mad Lion was featured on a track in which he did a duet with the Puerto Rican Hip Hop artist Mexicano 777 on the track titled "Guerreros" which was a Dancehall fused Hip-Hop track that was featured on the "Boricua Guerrero: First Combat" album produced by DJ Playero & DJ Nico Canada. Mad Lion also collaborated with Puerto Rican Reggaeton artist Rey Pirin on the track titled "Guerrillero Borincano" which was a gritty Hip-Hop. Mad Lion was joined by Jahdan & the Black Hearted Skavengerz who did a solo on a Reggaeton riddim titled "Many Many More", & the duo Curly Valentino & Demos Demarco made an appearance on the Hip-Hop track titled "Razor Sharp" with Mexicano 777. Mad Lion soon lent his rapping skills to that of the DJ Tony Touch & DJ Nico Canada produced mixtape titled "Guatauba", where he laid down a freestyle on a Reggaeton riddim. Again, Mad Lion was joined by other Jamaican Dancehall artists such as Mad Cobra, who did a freestyle on a Hip-Hop riddim, & The Black Hearted Skavengerz appeared doing a freestyle on a Reggaeton riddim.

Discography

 * Real Ting (1994), Nervous
 * Real Lover (1995), VP
 * Ghetto Gold and Platinum Respect (1997), Nervous
 * Predatah or Prey (2001), Reprise/Warner Bros. Records

title: Mad Lion


text:
Cave Creek Complex Wildfire

The Cave Creek Complex Wildfire was the third largest forest fire in the state of Arizona to date, after the Rodeo–Chediski Fire and Wallow Fire.

History
The fire started on June 21, 2005, by a lightning strike and scorched 243950 acre.

Within an hour, the fire had already burned from 2000 to 10000 acre.

When news agencies were covering the story, a FOX news affiliate captured video of the historic Cave Creek Mistress mine destroyed by the fire as soon as the fire touched it. The mine was a total loss.

The largest recorded saguaro cactus — standing at 46 feet tall and having a base circumference of 7 feet, 10 inches — was also injured in this fire, and later collapsed.

title: Cave Creek Complex Wildfire


text:
Martin Foley

Martin "The Viper" Foley (born 24 November 1952) is an Irish criminal. He rose from petty crime to become an associate of Martin Cahill. Foley has 40 convictions, and is considered a key figure in the McCormack-Foley crime family from Crumlin, Dublin. He has had several attempts on his life including being shot on five occasions, most recently on 26 January 2008. Foley was shot a number of times outside the Carlisle gym on Kimmage Road West, South Dublin. The men behind the attack were involved in a separate gun feud, which has since run its course because the main players are all either dead or in prison. Foley has kept a lower profile since then.

A well known Dublin gangland criminal, Foley's first conviction was in 1968. Since then he has been a member of Martin Cahill's criminal gang, and jailed for numerous offences including breaking a police officer's jaw.

An attack on 26 January 2008 was the fourth time Foley has been shot; in 1995 outside Fatima Mansions, in 1996 by the convicted murderer Brian Meehan, and in 2000 as he left a swimming pool in Terenure. This shooting is believed to be linked to the Crumlin-Drimnagh feud, with Foley aligned to one of the feuding gangs. He was also abducted by the Provisional IRA in 1984, but escaped following a shoot-out in Phoenix Park between the kidnappers and Gardaí.

title: Martin Foley


text:
Wikipedia:Articles for deletion/Bongywoofs

 This page is an archive of the proposed deletion of the article below. Further comments should be made on the appropriate discussion page (such as the article's talk page or on a Votes for Undeletion nomination). No further edits should be made to this page.

The result of the debate was Speedily deleted. HappyCamper 05:22, 28 August 2005 (UTC)

Bongywoofs
I think this is a hoax and a candidate for speedy, but I am not entirely sure. No google hits. Groeck 19:58, 27 August 2005 (UTC)
 * Speedy delete. Pure horse puckey.   Paul Klenk 20:03, 27 August 2005 (UTC)
 * Speedy Meets Speedy for nonsense--Aranda56 22:21, 27 August 2005 (UTC)
 * Speedy Denni ☯ 22:57, 2005 August 27 (UTC)
 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in an undeletion request). No further edits should be made to this page.


text:
User talk:-Tsugaru-

http://fireteam-sw.com/whitney/cavecreek/ has information on the Cave Creek fire.

title: User talk:-Tsugaru-


text:
Carabobo State Anthem

The Anthem of the Carabobo State, Venezuela is one of a number of anthems for Venezuelan states composed in the early 20th century. It has lyrics composed in rhyme by Santiago González Guiñán; the music was added by Sebastián Díaz Peña. The anthem was first played on July 5, 1908 (being the anniversary of the Venezuelan Declaration of Independence) at the Bolìvar Square of Valencia.

History of the state of Carabobo
The territories that are now part of Carabobo State were part of the former Venezuela Province during Spanish dominion. Since 1819 the Venezuela Province became a Department of the newly and only partially independent Colombian Republic and in 1824 the Department was divided into two provinces, one of them called Carabobo for the first time in honor of the battle that almost definitively defeated Spanish troops in Venezuela. In 1831 Venezuela separated from Colombia and in 1881 the provinces became Federal States.

History of the anthem
On April 4, 1908, a contest for writing and composing the lyrics and music for the Carabobo State Anthem was called by a decree of the President of the State Samuel Niño. For the lyrics jury were designate Francisco de Sales Pérez, Pedro Castillo, Luis Pérez Carreño, Félix Delfín Ortega y Joaquín Reverón. For the music jury were designated Martín Requena, Jacinto Piana, Aquiles Antich, Luis Socorro y Miguel Denti. The winners of the contest were Santiago González Guinán and Sebastián Díaz Peña. González Guinán (1854-1925) was born in Valencia and was a politician, writer and poet. In his political career, he was Minister of Public Instruction in 1888, congressman for his natal state in 1896 and President of the State in 1911.

Díaz Peña (1844-1926) was born in Puerto Cabello and was an important Venezuelan composer, pianist and music teacher. His best known piece of music is the joropo Maricela, composed in 1877, and arguably the inspiration for another joropo, Alma Llanera from Pedro Elías Gutiérrez's eponymous zarzuela, one of the most recognizable Venezuelan compositions. Elías Gutiérrez also composed the music for the Barinas State Anthem.

Lyrics
In the lyrics González Guiñán intends to glorify the State as the place where the decisive battle against Spanish rule was fought. However, Spanish troops were not spelt out for the country until 2 years after the Battle of Carabobo, when a capitulation made possible a peaceful withdrawal of the remaining Spanish troops and Spanish loyalists. Also the campaign that end in the Battle of Carabobo was intended to annex the territory of the Venezuela Province, a lot shorter than the modern day Venezuela, to the Gran Colombia republic rather than created a new independent Venezuelan state. But since the movement that finally separated several provinces from Gran Colombia to form the Venezuelan republic actually took place in Valencia, the State capital, the State remains its fame as the birthplace of the country. In fact, Proyecto Venezuela (Venezuela Project) the most important regional party (today a national party) uses the slogan: "Carabobo were Venezuela was born" in various propaganda. The lyrics begin with "By the Sun that comes to enlighten", because the sun became a symbol of the state: the arc of triumph of Carabobo with a rising sun as background can be seen in the state banner, in the top of the state coat of arms (without the arc) and in the logo of Proyecto Venezuela. Finally, the author makes reference in the last two verses to the end of the numerous civil wars that occurs in most of the county's 19th century history and which definitive ends with the upcoming of the governments of Cipriano Castro (1900-1908) and Juan Vicente Gómez (1908-1935).

title: Carabobo State Anthem


text:
Talk:Liss, Hampshire

Untitled
PLEASE EXPLAIN YOUR BIAS AND UNFOUNDED BELIEF THAT EAST LISS IS A BADLY DESIGNED AREA. ESPECIALLY THE GREENFIELDS ESTATE THAT I FEEL HAS MATURED WELL OVER TIME.

I WOULD ALSO LIKE TO POINT OUT THAT WIKIPEDIA IS AN ENCYCLOPEDIA AND THEREFORE A PLACE OF FACT NOT FOR BIZARRE PERSONAL BIAS OPINION WHOEVER YOU ARE Mr.80.229.218.245

PLEASE GRIND YOUR PERSONAL AXE ELSEWHERE —Preceding unsigned comment added by Bearboy28 (talk • contribs)
 * CAPS LOCK. Hmmm angry heh?81.132.7.122 (talk) 20:26, 12 March 2018 (UTC)

POV
(User:Bearboy28 please sign your posts...)

The above is nearly as POV as the text complained about. I have removed the blatant POV of the original. The article needs a lot more work as to its sources. Djnjwd 00:42, 15 January 2006 (UTC)

oops, didn't sign. Apologies, new to this! User name is Monophysite.

The above POVS

I agree with Djwhatsit - a little too personal!

The large and ever extended estates concerned, built first by mass builder Harcos (who were bankrupted) and then by other uniform estate developers increased the village size at the time by more than 40 per cent. They contain no local style or materials and failed to respect the gradualistic style of development of the traditional Wealden village since the Saxon period. In fact these estates replaced beautiful landscaped gardens, and later important marshland habitats.

However, it may have matured, it is difficult to say that any appropriate design process was enacted in the dash to build in 1964-5 or later, which was very much a central government initiative now vehemently criticised by planners, the CPRE etc.

This argument reflects a classic contemporary argument in British architecture between the camps who favour individually designed houses of local style, characterised by Prince Charles well publicised views, and the other camp, favouring housing of a safe and sound semi traditional nature derived from 30's housing estates, often derided as "Barrett Houses" or "Noddy Houses", where style is characteristically uniform and critic say that any estate can be found in any part of the Country irrespective of tradition or local materials. The debate is largely being won by the former. —Preceding unsigned comment added by Monophysite (talk • contribs)

 * I used bad form to add a reference to this article then Monophysite came along and followed my bad form lead. Thank you Monophysite for your work on the article, I am about to use one of my (personal choice, there are others) preferred citation styles from User:Jeepday/Cite to correctly cite my reference. Jeepday (talk) 13:18, 19 May 2007 (UTC)

Monophysite 01:52, 20 May 2007 (UTC)

Will try to use good reference form Jeepday when I find out how to do it! One step at a time!

 * No problem, if you have questions drop a note on my talk page. P.S. Put the ~ directly following your entry on a talk page  Jeepday (talk) 01:59, 20 May 2007 (UTC)

Jeepday! Should all links/referenced be made using the formula? Just external?

Monophysite 16:38, 20 May 2007 (UTC) 16:37, 20 May 2007 (UTC)

Modern Era
--Alanmort (talk) 15:20, 11 June 2010 (UTC)"Newer, and smaller developments on brownfield sites have been necessitated by increasing population pressure, and government policy which continues."

The government policy continues to do what? The grammar here needs a bit of work and if you are going to mention government policy you need to explain what government policy you are referring to, please? Alanmort (talk) 15:20, 11 June 2010 (UTC)

External links modified
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Alex Outhred

Alex Outhred (born 1977) is a former Australian actor.

He starred as a young pubescent boy going through a sexual awakening in the 1992 Australian film, Hammers Over the Anvil, opposite Russell Crowe. His character has polio, and following a long line of actors who won awards for playing people with disabilities, he won awards for his performance. Outhred won the Australian Film Institute Young Actors Award. His co-star, Crowe, one-upped him several years later for playing someone with schizophrenia. Ann Turner, the director, praised Outhred's ability to feign admiration with regular smiles and distant dreamy looks.

Outhred now works as a research scientist.

title: Alex Outhred


text:
Talk:Healthy in Paranoid Times

Fair use rationale for Image:HealthyInParanoidTimes.jpg
Image:HealthyInParanoidTimes.jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.

Please go to the image description page and edit it to include a fair use rationale. Using one of the templates at Fair use rationale guideline is an easy way to insure that your image is in compliance with Wikipedia policy, but remember that you must complete the template. Do not simply insert a blank template on an image page.

If there is other other fair use media, consider checking that you have specified the fair use rationale on the other images used on this page. Note that any fair use images uploaded after 4 May, 2006, and lacking such an explanation will be deleted one week after they have been uploaded, as described on criteria for speedy deletion. If you have any questions please ask them at the Media copyright questions page. Thank you.BetacommandBot 23:21, 5 June 2007 (UTC)

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Pdfimages

pdfimages is an open-source command-line utility for lossless extraction of images from PDF files, including JPEG2000 and JBIG2 format when used with option -all. It is freely available as part of poppler-utils and xpdf-utils, and included in many Linux distributions.

pdfimages originates from the xpdf package (but now part of poppler-utils). The Poppler software package, which is derived from xpdf, also includes an implementation of pdfimages.

title: Pdfimages


text:
Talk:Cable & Deadpool

CDP 31
I think any further descriptions of the events of issue 31 should wait until Civil War 4 is released. I mean, any sufficiently motivated fan can find out (and probably already knows), but for those who are just getting into it, I don't think they should be penalized for Marvel's delays. Substatic 18:53, 6 September 2006 (UTC)

Another Image
Can someone put the image of the cover of C&DP 39 near the latest storyline? I don't know how to put images into pages on Wikipedia. Here's a copy of the image: http://bp3.blogger.com/_B0Npgpriy3E/Rc6xTG9bUXI/AAAAAAAAADM/7rW8eDAU9iQ/s1600-h/blog_CABDPL039c_COV.jpg --D'Argent 22:33, 23 March 2007 (UTC)

Story Arcs
This section needs some major decrufting. If no one summarizes properly it I'll replace it with a list of arcs and one-liner descriptions meanwhile. Saziel t c 20:42, 23 April 2007 (UTC)

end of dear deadpool
some on needs to tell what issue dear deadpool stoped at because i just read my C&D comics and no dear deapool

 * It'd help if you dated your comment and mentioned just which issues don't have Dear Deadpool. I assure you, they haven't cancelled the letters page. As of at least ish 40, Dear Deadpool is still going strong. Occasionally, they may skip a few issues, but it's not gone. Wilhelm Screamer 11:42, 11 July 2007 (UTC)

Updating
The story arcs description only goes to about issue 39. Can anyone update it? Andraxx 14:17, 6 August 2007 (UTC)

The updating was detailed, but kind of sloppy. Could someone clean it up and also add the info from the last issue? 72.160.99.254 (talk) 19:59, 23 February 2008 (UTC)

Merge info from Fictional history of Deadpool
In light of the above comment, I've suggested merging information from Fictional history of Deadpool since it is up to date and the two articles are currently overlapping. It's not a simple cut and paste merge since the info in both articles is too long and detailed and needs to be condensed. ~ Dusk Knight 05:12, 16 November 2007 (UTC)

Canceled
Was the series canceled, or did it simply conclude it's run. It seems unlikely that it was canceled seeing as both characters have gotten their own ongoing series. Cable began in March with Deadpool beginning this fall. Rau's Speak Page 02:10, 2 June 2008 (UTC)

Cleanup Tag
I have removed the cleanup which requested trimming of story arc section, and instead generated sub sections to fit wiki style and to aid in article organization. Information offered was pertinent and consistent with other similar articles. There are however a few subsections that could use trimming because they themselves are individually a bit too long.NietzscheSpeaks (talk) 19:54, 11 December 2011 (UTC)

title: Talk:Cable & Deadpool