text:
Peng Shuai

Peng Shuai (Mandarin pronunciation: ; born 8 January 1986) is a Chinese former professional tennis player. In February 2014, she was ranked as the world No. 1 doubles player by the Women's Tennis Association (WTA), becoming the first Chinese tennis player to achieve that ranking in any discipline. She peaked at world No. 14 of the singles rankings in August 2011, and won two singles and 23 doubles titles on the WTA Tour.

Peng won a gold medal at the 2010 Asian Games, defeating Akgul Amanmuradova in the singles final. At the 2013 Wimbledon Championships, Peng won her first major title, in women's doubles with Hsieh Su-wei. She also won the women's doubles title at the 2014 French Open with Hsieh. Her best performance at a major in singles came at the 2014 US Open where she reached the semifinals, becoming the third Chinese tennis player in history to reach a major semifinal after Zheng Jie and Li Na.

Peng was known for playing with two hands on both sides and hitting very flat. She defeated many top-10 and top-5 players, including Kim Clijsters, Martina Hingis, Amélie Mauresmo, Anastasia Myskina, Elena Dementieva, Francesca Schiavone, Jelena Janković, Agnieszka Radwańska, Marion Bartoli, and Vera Zvonareva.

In November 2021, in what was suspected to be a forced disappearance, Peng disappeared from public after making a post on Weibo. It detailed an affair involving Zhang Gaoli, a retired Chinese Vice Premier, who reportedly forced her to have sex with him. The news became widely censored in China. International concerns for Peng grew, and the WTA suspended all its events in the country. Peng has made some limited public appearances since the incident and announced her retirement from professional tennis. Although unsatisfied with the case, the WTA announced that it would return to China in 2023.

Early life
Peng Shuai was born in Xiangtan. She began playing at age eight when an uncle, a famous tennis coach in China and the only other family member who plays tennis, introduced her to the game. She favors hardcourts and two-handed forehand (though her backhand is the better side). At age 13, Peng was admitted to a hospital for heart surgery to repair a defect, a situation which she explained in the 2008 "Impossible is Nothing" campaign from Adidas. Following surgery, in 1999 she joined the state training program in Tianjin aimed at producing internationally competitive athletes, especially Olympians.

2001–2004: Debut on the ITF Circuit
In June 2001, the 15-year-old Peng won her first singles title at Baotou, a $10k tournament, defeating countrywoman Sun Tiantian in the semifinal. In October, she debuted on the WTA Tour at Shanghai as a wildcard.

In February 2002, Peng won her third $10k singles title. The following week, she extended her winning streak to twelve and reached the final of a $25k tournament at New Delhi before losing the championship match to Eva Birnerová. Further success proved elusive, and she took nearly seven months off from competition at singles events, ending the year with a world ranking of 358.

In 2003, she won her first $25k title at Jackson, Mississippi and her first $50k event at Changsha, improving her year-end ranking to 226.

In 2004, she won her first $75k tournament at Dothan, Alabama. She rose up to No. 107 in the rankings and gained her direct entry into her first Grand Slam main draw at Wimbledon. She was defeated there by 14th seed Silvia Farina Elia. Peng reached her first WTA Tour quarterfinal at Cincinnati in August, where she lost to second seed Vera Zvonareva. By the end of 2004, Peng had won her eighth ITF singles title at Shenzhen-2. She ended the year ranking 73 in the world and was able to focus solely on WTA events thereafter.

2005–2007: Solo
In the mid-2000s, Peng decided to "fly solo" and no longer give over half of her earnings to the state training program. She and three other Chinese players broke out of the state's control by effectively threatening to stop playing.

At the Australian Open, Peng won her first major singles match, defeating Maria Elena Camerin before being overcome by Venus Williams in the second round. In September 2005, she reached two further WTA quarterfinals at Beijing and Guangzhou, ultimately finishing the year ranking 37th.

In 2006, Peng lost her first-round ties at the Australian Open, withdrew from subsequent tournaments, and dropped out of the top 60 after losing at Indian Wells and Miami. At Wimbledon, however, she reached the third round of a Grand Slam for the first time, defeating 20th seed Shahar Pe'er before losing to 16th seed Flavia Pennetta. She reached the semifinals of the China Open and represented her country for the first time in her Fed Cup career, winning both her ties against Indonesia.

In 2007, Peng failed to get past the second round of the Australian Open and the first round of the US Open but reached the semifinals of the Tier-III Pattaya Open, losing to Sybille Bammer. At the China Open, Peng beat former world No. 1 and five-time Grand Slam champion Martina Hingis in the final match of Hingis's professional career. She finished the year with a 26–21 record in singles, a doubles title in Guangzhou with Yan Zi, and one top-ten win against Amélie Mauresmo.

2008–2010: New coach, doubles with Hsieh, injuries
After a string of losses in 2008, Peng recorded her first win of the year at the Tier-II Bangalore Open against Anne Kremer before losing to Venus Williams; she also won the doubles title with Sun Tiantian. At Strasbourg, she recorded a top-ten win when top seed Marion Bartoli was forced to retire in round one while trailing. Peng reached the second round of the US Open for the first time in her career, defeating Eleni Daniilidou before losing to Flavia Pennetta.

At the Summer Olympics, Peng competed in the women's singles, and the women's doubles with Sun Tiantian. The doubles pair were knocked out in the first round, and Peng lost to Alizé Cornet in the second round of the singles.

In early 2009, Peng announced that she will be coached full-time for the 2009 season by Tarik Benhabiles. She won the Sydney International doubles title with Hsieh Su-wei, defeating Nathalie Dechy and Casey Dellacqua in the final. At the Italian Open in May, Peng partnered with Hsieh again and won the doubles title by defeating Daniela Hantuchová and Ai Sugiyama. At the French Open, Peng was knocked out of the singles event but partnered with Hsieh to reach the semifinals in doubles, defeating Hantuchová & Sugiyama in the third round and the Radwańska sisters in the quarterfinals before losing to Victoria Azarenka and Elena Vesnina.

At the 2009 Wimbledon Championships, Peng fell to No. 11 Agnieszka Radwańska in the second round, after a mammoth battle of three and a half hours. Despite saving five match points, she eventually lost in three sets. Her 'never say die' attitude won her the admiration of many English fans. During the China Open, Peng defeated the 2008 champion and former world No. 1 Jelena Janković, who picked up a wrist injury in the latter stages of the match. In the third round, Peng won against former world No. 1 Maria Sharapova. In the quarterfinals, she lost to Nadia Petrova. In doubles, Peng partnered with Hsieh and won the title, bringing her ranking to a career high of 13.

At both the 2010 Moorilla Hobart International and the Australian Open, Peng was stopped by Zheng Jie. Peng reached the second round of the Indian Wells Open and the semifinals at the Estoril Open. Afterwards, she suffered a series of injuries. In the first round of the Premier Mandatory Madrid Open, she had to retire due to a right adductor muscle strain. In the second round, she was defeated by Arantxa Parra Santonja. Peng then withdrew from the French Open and missed the whole of the grass-court season due to illness. In the US Open, Peng advanced to the third round before withdrawing from the tournament with injury. She then suffered two first-round exits at the Pan Pacific Open and the China Open, lowering her world ranking to No. 95.

In the ITF Circuit, Peng won a trophy at the $100k event in Taipei and ended the season representing China in the 2010 Asian Games in Guangzhou. She won gold in the team event alongside Li Na, Yan Zi and Zhang Shuai. In the doubles event, she gained a bronze with partner Yan Zi, and in the singles event, she won another gold, defeating Akgul Amanmuradova of Uzbekistan.

2011–2012: Singles career-high No. 14

At the 2011 Auckland Open, Peng caused a big upset by defeating No. 3 seed Kuznetsova in the second round. At the Australian Open, she defeated Kateryna Bondarenko, Jelena Janković, and Ayumi Morita to reach the fourth round of a Grand Slam for the first time in her career, before losing to Agnieszka Radwańska. Her ranking rose to No. 40. In the third round of the Indian Wells Open, she defeated No. 7 seed Li Na for the first time in her career. Peng reached the semifinals at the Family Circle Cup in Charleston, rising to a new career high of 29 in the world rankings. Peng also won the doubles title alongside Zheng Jie at the Italian Open.

Peng reached the finals at the Brussels Open but fell to world No. 1, Caroline Wozniacki. At the French Open, Peng retired due to illness in the third round. At Wimbledon, she reached the round of 16 before losing to the fifth seed and eventual runner-up Maria Sharapova. Posting good results at Cincinnati, Peng reached her career-high ranking of world No. 14. After withdrawing due to an injury from the US Open Series, she reached the round of 16 at the US Open before losing to Flavia Pennetta.

At both the 2012 Australian Open and the Dubai Tennis Championships, Peng fell in the second round. She took a month's break after her Malaysian Open and returned to play in the Madrid Open. However, she lost in early rounds in Madrid, Rome, and Brussels. At the Wimbledon Championships, she defeated Sandra Zaniewska, Ayumi Morita and Arantxa Rus to reach her second consecutive round of 16 before losing to Maria Kirilenko. At the 2012 Summer Olympics, Peng reached the second round in the women's singles and the quarterfinals in the women's doubles, partnering with Zheng Jie.

2013–2014: Doubles champions and world No. 1
Peng started her 2013 season by reaching the semifinals in the new Shenzhen Open. She was not able to progress beyond the first or the second round, however, at Hobart International, the Australian Open, Madrid Open, Italian Open, and reached only the third round at Indian Wells. She reached the final in the Brussels Open, defeating Sofia Arvidsson, Olga Govortsova, Sloane Stephens, and Romina Oprandi before losing to Kaia Kanepi. Peng again lost in either the first or the second round at Roland Garros, Wimbledon, the US Open, and China Open. She ended the year with a ranking of No. 45 in the world.

On the other hand, Peng began her huge success as a doubles player in 2013. Paired with long-time childhood friend Hsieh Su-wei, Peng clinched five double's titles in 2013, including two Premier-5 events (Rome and Cincinnati), Wimbledon, and WTA Championships. Peng became the first Chinese player to win the WTA Tour Championships, and the fifth to win a Grand Slam title, after Zheng Jie, Yan Zi, Sun Tiantian and Li Na.

In 2014 Peng reached the final in the Shenzhen Open and lost to Li Na. At the Australian Open, she lost to Kurumi Nara in the opening round. She also lost in the second round in the doubles event with Hsieh against Shahar Pe'er and Sílvia Soler Espinosa. Peng then won two consecutive doubles titles, winning the Pattaya Open with Zhang Shuai defeating Alla Kudryavtseva and Anastasia Rodionova in the final, and winning the Qatar Open with Hsieh Su-wei defeating Květa Peschke and Katarina Srebotnik in the final. On 17 February, Peng became the world No. 1 in doubles, making her the first Chinese tennis player (man or woman, in singles or doubles) to reach world No. 1. Peng and Hsieh continued their success by winning three more titles in the season, including two Premiere Mandatory events (Indian Wells and Beijing) and French Open. In the Wimbledon Championships, they failed in defending their title and also lost their No. 1 ranking.

However, since Wimbledon, Peng found her pace in the singles events. She reached the last 16 at the Wimbledon Championships. She also clinched title in the 125k event in Nanchang. At the US Open, Peng made her first Grand Slam singles quarterfinal and semifinal appearances, defeating compatriot Zheng Jie, fourth-seeded Agnieszka Radwańska, 28th-seeded Roberta Vinci, 14th-seeded Lucie Šafářová, and rising star Belinda Bencic en route, all in straight sets. In the semifinal, she had to retire against 10th-seeded Caroline Wozniacki in the semifinal at 6–7, 3–4 down, when she suffered severe cramps due to heat illness and had to be taken off court in a wheelchair. She skipped playing the following Hong Kong Open to recover, but made promotional appearances there. She came back to the game in the Wuhan Open, China Open, and Tianjin Open.

Peng and Hsieh entered the WTA Finals as the second seed. They beat Garbiñe Muguruza/Carla Suárez Navarro and Alla Kudryavtseva/Anastasia Rodionova in straight sets to reach the final. However, they lost disastrously to Cara Black/Sania Mirza. They pairing then came to conclusion as Peng had previously announced during the US Open.

2015: Injury
Peng had a difficult 2015 season. Due to injuries, she had a lot of first round or second round losses. Her best performance of the season was fourth round of the Australian Open, which tied her best performance, although she lost it to second seed and the eventual runner-up Maria Sharapova.

Peng failed to win even one doubles match in 2015. She started the season with her Tianjin teammate Xu Yifan in preparation for the 2016 Olympics, but ended up losing in the first round matches in the Shenzhen Open and Australian Open. In their first-round match in the Australian Open against Kimiko Date-Krumm and Casey Dellacqua, they wasted a 6–4, 5–0 lead, two match points in the second set and three more in the twelfth game of the final set and eventually lost to their opponents. Peng was particularly frustrated by Xu, who was constantly attacked by their opponents and making a lot of unforced errors, and decided to split the partnership. She played two more tournaments, with Květa Peschke at Dubai and Zarina Diyas at Madrid, but was not able to win a set.

After the first round retirement to Polona Hercog in the first round of French Open, Peng announced the end of her 2015 season due to injuries in her back and waist.

2016–2017: Comeback with WTA singles titles, Australian doubles final
Peng returned to the tour in 2016 in Indian Wells. She suffered from a number of early exits in several events, including a first-round loss in the Rio Olympics. In the China Open, Peng defeated Venus Williams in the first round but lost to Caroline Garcia in the second round. In the Tianjin Open, she clinched her first ever WTA singles title. As a resident in Tianjin, she received a withdraw from seventh seed and compatriot Zhang Shuai in the beginning round. In the second round, she defeated qualifier Chang Kai-chen. She benefited from the withdraw from Agnieszka Radwańska in the quarterfinal and beat Danka Kovinić in the semifinal, which lasted for two days due to rain delays. Peng had to play the final several hours after the semifinal against the 2014 champion Alison Riske and won in two sets. She also won the doubles final match with Christina McHale.

Peng started the season in the Shenzhen Open, where she lost to the eventual champion, Kateřina Siniaková, in the opening round. In the doubles event, she clinched her 21st title with Andrea Hlaváčková without losing a set. In the singles event of the Australian Open, she lost to Eugenie Bouchard in the second round. In the doubles event, Peng and Hlaváčková reached the final without dropping a set, defeating third seed and Olympic champion Ekaterina Makarova/Elena Vesnina and top-seed Caroline Garcia/Kristina Mladenovic. In the final, they lost a tight match against the 2015 champion Mattek-Sands/Šafářová in three sets.

Peng then competed in the Taiwan Open, where she reached her eighth WTA final without losing a set. In the final, she lost to the top seed and world No. 13 Elina Svitolina. She also reached the final in the doubles event with Hlaváčková and lost to Vesnina/Makarova with a match tie-break. She reached the fourth round in Indian Wells but fell in the first round in the Madrid Open against Carla Suárez Navarro.

She won her second WTA singles title at the Jiangxi International Open in Nanchan, China defeating Nao Hibino in the final.

2018: TIU sanction
In August 2018, Peng was banned for six months and fined $10,000 by the Tennis Integrity Unit (TIU) for coercion and offering possible financial reward so that her main partner would agree to withdraw from the ladies doubles, even after the sign-in deadline at the 2017 Wimbledon Championships. Her partner, Alison Van Uytvanck, refused and Peng withdrew from the tournament instead. Three months of her ban and $5,000 of the fine were suspended. Her former coach Bertrand Perret of France was also banned for three months.

2019–2022: Retirement
Peng began her 2019 season at the Shenzhen Open. She retired during the third set of her first-round match against Kristýna Plíšková due to a thigh injury. In doubles, she and compatriot, Yang Zhaoxuan, won the title beating Duan Yingying/Renata Voráčová in the final. Peng was defeated in the first rounds at the Australian Open, Roland Garros, and Wimbledon, and in the second round at the US Open.

At the Jiangxi International Open, Peng made it to the semifinals where she was defeated by Elena Rybakina. In doubles, she and Zhang Shuai reached the final but lost to compatriots Wang Xinyu/Zhu Lin. Peng lost in the second round at Guangzhou in singles but won the doubles title with Laura Siegemund, defeating Alexa Guarachi/Giuliana Olmos in the final. She was defeated in the first or second rounds in Wuhan, Beijing, and Tianjin but won against Zhu Lin in the final of the Suzhou Ladies Open.

Peng started into 2020 season at the Shenzhen Open, where she lost in the second round to fifth seed and eventual champion Ekaterina Alexandrova. In Hobart, she and Zhang Shuai reached the doubles final but were defeated by Nadiia Kichenok/Sania Mirza. At the Australian Open, Thailand Open, and Qatar Open, she was defeated in either the first or the second.

In February 2022, Peng announced her retirement during an interview with the French magazine L'Équipe, where she also mentioned her 2021 social media post and subsequent events.

Sexual assault allegation and disappearance
In November 2021, Peng accused Zhang Gaoli, a retired Chinese vice-premier and high-ranking CCP member, reportedly of sexual assault in 2018. The revelation came from her Weibo post, which disclosed that the two had gotten together before Zhang rose through the ranks in the Politburo. Zhang retired in 2018, however, and after inviting Peng and receiving her with his wife, he wanted to have sex with the tennis star again. Peng refused at first, but Zhang continued to try to persuade her. Scared and panicking, she finally agreed due to previous feelings for him. They renewed their semi-private relationship until a dispute on 30 October. Peng's post drew attention to the MeToo movement in China, where activist Zhou Xiaoxuan expressed her sympathies, but it was removed within 20 minutes of being uploaded, and related discussions became widely censored in China.

Peng did not communicate on social media afterwards and was not reachable by the WTA. Chinese officials gave vague responses to inquiries, while the Chinese Tennis Association said she was safe. WTA chief executive Steve Simon called on Chinese authorities to investigate her allegations and stop censoring the subject, and multiple tennis personalities expressed their concerns. Depictions of Peng emerged via Chinese state media, but various China watchers and human rights advocates worried that they might be government propaganda and she might not be free. The International Tennis Federation, Amnesty International, the EU, and the UNHCHR called for proof of her safety, while the WTA decided to suspend all tournaments in China. The IOC said it held two video calls with her. In a later video from Lianhe Zaobao and an interview with the French magazine L'Équipe, Peng said she had not accused anyone of sexual assault, but some skepticism persists, as well as debates over the meaning and legal implications of her original post.

Peng attended a meeting with IOC officials and several events at the 2022 Winter Olympics. Her revelations and subsequent events remain censored within China. She was included in Time magazine's 100 Most Influential People of 2022, where feminist activist Lü Pin highlighted Peng's Weibo post, disappearance, and impact on the defense of women's rights against authoritarianism.

In August 2022, ITF president David Haggerty said he had spoken to Peng and she appeared to be safe. The WTA demanded that the Chinese government investigate Peng's report, although some tennis officials considered that request to be excessive. In April 2023, the WTA ended its suspension of events in China. It stated that although unsatisfied with the status of Peng's case, it has received reassurances from Chinese athletics bodies of Peng's and other athletes' safety, and continuing the suspension would be unfair to everyone else. New York Times and Guardian writers criticized the decision, which they believe was motivated by money. They also considered WTA's suspension to be more symbolic than substantial, because China was already experiencing lock-downs due to the COVID-19 pandemic.

title: Peng Shuai


text:
Talk:Vernon, Indiana

External links modified
Hello fellow Wikipedians,

I have just modified 5 one external links on Vernon, Indiana. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
 * Added archive http://www.webcitation.org/6HQu4Spqa to http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html
 * Added archive https://web.archive.org/web/20130911234518/http://factfinder2.census.gov to http://factfinder2.census.gov
 * Added archive https://web.archive.org/20110531210815/http://www.naco.org/Counties/Pages/FindACounty.aspx to http://www.naco.org/Counties/Pages/FindACounty.aspx
 * Added archive http://www.webcitation.org/6YSasqtfX to http://www.census.gov/prod/www/decennial.html
 * Added archive http://web.archive.org/web/20090708091046/http://www.vernonindiana.org:80/php/index.php to http://www.vernonindiana.org/php/index.php

When you have finished reviewing my changes, please set the checked parameter below to true or failed to let others know (documentation at ).

Cheers.— InternetArchiveBot  (Report bug) 20:04, 20 July 2016 (UTC)

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Talk:Vernon, Indiana


text:
Tacoma Art Museum

The Tacoma Art Museum (TAM) is an art museum in Tacoma, Washington, United States. It focuses primarily on the art and artists from the Pacific Northwest and broader western region of the U.S. Founded in 1935, the museum has strong roots in the community and anchors the university and museum district in downtown Tacoma.

History
The Tacoma Art Museum developed out of the Tacoma Art League, an informal gathering that began around 1891. In the 1930s, it was renamed the Tacoma Art Society, before finally becoming the Tacoma Art Museum in 1964. The museum is dedicated to collecting and exhibiting the visual arts of the American Northwest, with the mission of bringing people together through art. The museum's permanent collection includes the premier collection of Tacoma native Dale Chihuly’s glass artwork, on permanent public display.

In 1971, the L. T. Murray family (owners of the Murray Pacific Northwest timber company) gave the Tacoma Art Museum a three-story building at 12th Street and Pacific Avenue. Built in 1922, the building at 1123 Pacific Avenue previously housed the National Bank of Tacoma.

In May 2003, the Tacoma Art Museum moved into a 50,000 square foot (4,650 m2) building located at 1701 Pacific Avenue, which was designed by Antoine Predock. The $22 million steel and glass structure nearly doubled the available space, allowing the museum to exhibit more of its permanent collection. In designing the building, Predock drew inspiration from the region's light and its relationship to the water, Mount Rainier, the Thea Foss Waterway, and the neighborhood's industrial history and character in what is now known as the Tacoma Museum District.

A $15.5 million building project expansion designed by Olson Kundig Architects was completed in November 2014. The expansion, which houses the Haub Family Collection of Western American Art, added approximately 16,000 square feet (1500 m2) to the museum.

From 2005 to 2017, Stephanie Stebich served as Executive Director. She was preceded by Janeanne Upp and succeeded by David F. Setford.

Curatorial information
The museum exhibits more than 3,000 pieces in its collection, two-thirds of which are classified as Northwest art. Since 1934, Tacoma Art Museum has built a permanent collection that includes work from artists such as Mary Cassatt, Jean-Baptiste-Camille Corot, Edgar Degas, Robert Henri, Edward Hopper, Robert Rauschenberg, Pierre-Auguste Renoir, Jacob Lawrence, John Singer Sargent, and Andrew Wyeth. Nearly seventy percent of the collection consists of works from Northwest artists such as Guy Anderson, Morris Graves, Jacob Lawrence, Jared Pappas-Kelley, Akio Takamori, Mark Tobey, and Patti Warashina. Untitled - Stone Wave, a major work by Seattle-based sculptor Richard Rhodes, occupies the central court of the museum.

The museum is known as being more open to overtly gay or queer art than most American museums. In 2012, it presented the Hide/Seek show that was censored at the National Portrait Gallery; TAM intended to present the show uncensored. The museum also planned to follow with another show curated by Jonathan Katz: Art, AIDS, America.

Permanent Collections

 * The Christopher and Alida Latham Display
 * Dale Chihuly at Tacoma Art Museum
 * Metaphor into Form: Art in the Era of the Pilchuck Glass School
 * Martin Blank's Current
 * Richard Rhodes' Untitled
 * Outdoor Sculptures at TAM

Current exhibitions

 * Animals: Wild and Captured in Bronze
 * On Native Land: Landscapes from the Haub Family Collection
 * Native Portraiture: Power and Perception
 * Places to Call Home: Settlements in the West
 * Winter in the West
 * Painting Deconstructed: Selections from the Northwest Collection
 * Benaroya Project Space: Glass as Canvas

title: Tacoma Art Museum


text:
Elaine Zayak

Elaine Kathryn Zayak (born April 4, 1965) is an American former figure skater. She is the 1982 World champion and 1981 U.S. national champion. She competed at the 1984 Winter Olympics, placing 6th.

Personal life
Zayak was born and raised in Paramus, New Jersey. At age two, she lost three toes on her left foot as a result of a lawn mower accident. On the advice of her doctors, she began figure skating as physical therapy. Her left boot was stabilized with a wood mold to compensate for the irregularity in the shape of her left foot. Zayak attended Paramus High School and was awarded the Dial Award for the national high-school scholar-athlete of the year in 1982.

Career
Zayak was coached jointly by Peter Burrows and Marylynn Gelderman throughout her amateur and professional career. She won gold at the 1979 World Junior Championships. The next season, she began competing on the senior international level. Zayak stood atop the podium at the 1979 Skate Canada and Prague Skate and then appeared at her first senior World Championships. She was included in the first trip to China by American skaters, in 1980.

Zayak was the first woman to consistently land many triple jumps in her programs. At the 1982 World Championships, she landed six triple jumps to win the title, although four of them were triple toe loops. While she also had triple salchows and loops in her repertoire, they were less consistent. Zayak's skating contributed to the creation of what became informally known as the Zayak rule, enacted at the 1982 ISU Congress, which states that a skater may not perform the same kind of triple jump more than twice, and for it to be given full credit on both occasions, one of the two triples must be incorporated into a combination or sequence. The rule encouraged skaters to display a greater variety of skills.

After her World title in 1982, Zayak's placements suffered from generally poor performances in the then-prevalent compulsory figures (attributed after the fact to her damaged foot). She took the bronze medal at the 1983 U.S. Championships and was sent to the 1983 World Championships. Ranked 11th in the middle of the school figures portion, Zayak abruptly withdrew from the competition with just one more tracing to go and flew back to the United States. She attributed her poor figures to a sore, injured ankle and equipment problems.

Zayak won the bronze medal at the 1984 U.S. Championships. She placed 6th at the 1984 Winter Olympics in Sarajevo and won bronze at the 1984 World Championships. Zayak turned professional later that year and performed with the Ice Capades from 1984 to 1986.

In 1993, Zayak was the only U.S. female singles skater to reinstate to eligible status in an attempt to make the 1994 Olympic team. Including triple jumps she had not performed in a decade, she finished 4th at the 1994 U.S. Championships and was named an alternate for the Olympic Games.

Zayak was inducted into the U.S. Figure Skating Hall of Fame in 2003 and the New Jersey Sports Hall of Fame in 2004. In 2013, she was elected into the National Polish-American Sports Hall of Fame.

Zayak teaches figure skating at the Ice House in Hackensack, New Jersey, and is a spokeswoman for U.S. Figure Skating. Among her current and former students are Joelle Forte and Amelia Xu.

title: Elaine Zayak


text: Category:Javelin throwers

title: Category:Javelin throwers


text:
Talk:Vibroplex

This sentence might not be true anymore: "The Vibroplex Original Bug key has been in continuous production for over 100 years with only minor cosmetic changes." Discussions amongst people who have purchased new keys complain of the lack of the old metal stamped logo tag. Apparently using a cheaper screen printed tag for the first time ever. See: http://groups.yahoo.com/group/cw_bugs/message/1424 and http://groups.yahoo.com/group/cw_bugs/message/1430 —Preceding unsigned comment added by 216.248.55.132 (talk) 14:59, 24 June 2010 (UTC)

Meet the new owner: http://vibroplex.com/meet_the_new_owner.html —Preceding unsigned comment added by 74.138.211.252 (talk) 15:34, 17 January 2010 (UTC)

Good external link example by AE4RV

KE6BOU---Scotty....

Why is the AE4RV example not in the external links? ( http://www.ae4rv.com/tn/education/bug.htm ) —Preceding unsigned comment added by 216.248.55.132 (talk) 17:53, 22 April 2008 (UTC)

Minor grammar gripe: The sentence:

Undoubtedly the most popular side-to-side mechanical Morse keys is the semi-automatic key or "bug", Most popular brand was Vibroplex key, after the company that first manufactured them in 1905.

should appear as follows:

Undoubtedly the most popular of the side-to-side mechanical Morse keys is the semi-automatic key or "bug". The most popular brand was the Vibroplex key, after the company that first manufactured them in 1905.

or some other means of fixing the subject/verb number disagreement and the awkward comma splice. Useful article otherwise. Would like to see it fleshed out with more info ..

External links modified
Hello fellow Wikipedians,

I have just modified 1 one external link on Vibroplex. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
 * Added archive http://web.archive.org/web/20091212094447/http://www.arrl.org:80/news/stories/2009/12/07/11233/?nc=1 to http://www.arrl.org/news/stories/2009/12/07/11233/?nc=1

When you have finished reviewing my changes, please set the checked parameter below to true or failed to let others know (documentation at ).

Cheers.— InternetArchiveBot  (Report bug) 00:20, 21 July 2016 (UTC)

title: Talk:Vibroplex


text:
Talk:Bargersville, Indiana

Untitled
the infobox needs to be fixed --Melaen 14:45, 2 September 2005 (UTC)

External links modified
Hello fellow Wikipedians,

I have just added archive links to 1 one external link on Bargersville, Indiana. Please take a moment to review my edit. You may add after the link to keep me from modifying it, if I keep adding bad data, but formatting bugs should be reported instead. Alternatively, you can add to keep me off the page altogether, but should be used as a last resort. I made the following changes:
 * Attempted to fix sourcing for http://geonames.usgs.gov/fips55/INfips55_delim.txt

When you have finished reviewing my changes, please set the checked parameter below to true or failed to let others know (documentation at ).

Cheers.—cyberbot II  Talk to my owner :Online 14:09, 28 March 2016 (UTC)

External links modified
Hello fellow Wikipedians,

I have just modified 3 one external links on Bargersville, Indiana. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
 * Added archive http://www.webcitation.org/6HQu4Spqa to http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html
 * Added archive http://www.webcitation.org/6YSasqtfX to http://www.census.gov/prod/www/decennial.html
 * Added archive https://web.archive.org/web/20130911234518/http://factfinder2.census.gov to http://factfinder2.census.gov

When you have finished reviewing my changes, please set the checked parameter below to true or failed to let others know (documentation at ).

Cheers.— InternetArchiveBot  (Report bug) 16:38, 21 July 2016 (UTC)

title: Talk:Bargersville, Indiana


text:
Obi (sash)

An obi (帯) is a belt of varying size and shape worn with both traditional Japanese clothing and uniforms for Japanese martial arts styles. Originating as a simple thin belt in Heian period Japan, the developed over time into a belt with a number of different varieties, with a number of different sizes and proportions, lengths, and methods of tying. The, which once did not differ significantly in appearance between men and women, also developed into a greater variety of styles for women than for men.

Despite the kimono having been at one point and continuing to appear to be held shut by the, many modern are too wide and stiff to function in this way, with a series of ties known as , worn underneath the , used to keep the kimono closed instead.

are categorised by their design, formality, material, and use, and can be made of a number of types of fabric, with heavy brocade weaves worn for formal occasions, and some lightweight silk worn for informal occasions. are also made from materials other than silk, such as cotton, hemp and polyester, though silk are considered a necessity for formal occasions. In the modern day, pre-tied, known as or , are also worn, and do not appear any different to a regular  when worn.

Though can be inexpensive when bought second-hand, they typically cost more than a kimono, particularly when purchased brand-new. A number of specialist fabrics used particularly to make are highly prized for their craftsmanship and reputation of quality, such as, produced in the Nishijin district of Kyoto, and  produced in Fukuoka prefecture.

Heian period to Edo period

In its early days, the was a cord or ribbon-like sash, approximately 8 cm in width. Men's and women's were similar. At the beginning of the 17th century, both women and men wore a thin, ribbon-like. By the 1680s, the width of women's had already doubled from its original size. In the 1730s women's were about 25 cm wide, and at the turn of the 19th century were as wide as 30 cm. At that time, separate ties and cords were necessary to hold the  in place. Men's were widest in the 1730s, at about 16 cm.

Before the Edo period, robes were fastened with a narrow sash at the hips. The mode of attaching the sleeve widely to the torso part of the garment would have prevented the use of wider. When the sleeves of the began to grow in both horizontal width and vertical length at the beginning of the Edo period, the  widened as well. There were two reasons for this: firstly, to maintain the aesthetic balance of the outfit, the longer sleeves needed a wider sash to accompany them; secondly, unlike today (where they are customary only for unmarried women) married women also wore long-sleeved kimono in the 1770s. The use of long sleeves without leaving the underarm open would have hindered movements greatly. These underarm openings in turn made room for even wider.

Originally, all were tied in the front. Later, fashion began to affect the position of the knot, and could be tied to the side or to the back. As grew wider the knots grew bigger, and it became cumbersome to tie the  in the front. By the end of the 17th century were mostly tied in the back. However, the custom did not become firmly established before the beginning of the 20th century.

At the end of the 18th century, it was fashionable for a woman's to have overly long hems that were allowed to trail behind when in house. For moving outside, the excess cloth was tied up beneath the with a wide cloth ribbon called. Contemporary women's kimono are made similarly over-long, but the hems are not allowed to trail; the excess cloth is tied up to hips, forming a fold called the. are still used, but only as a decorative accessory.

Modern day
The most formal women's, the , is technically obsolete, worn only by some brides, with a modified, longer version - the (lit., "dangling ") - worn by , in the present day. The lighter has taken the place of. The originally-everyday is the most common  used today, and fancy  may even be accepted as a part of a semi-ceremonial outfit.

The use of fancy, decorative knots has also narrowed, though mainly through the drop in the numbers of women wearing kimono on a regular basis, with most women tying their  in the  (lit., "drum knot") style. , also known as, have gained popularity as pre-tied belts accessible to those with mobility issues or a lack of knowledge on how to wear.

Tatsumura Textile located in Nishijin in Kyoto is a centre of manufacture today. Founded by Heizo Tatsumura I in the 19th century, it is renowned for making some of the most luxurious available. Amongst Tatsumura's students studying design was the later-painter Inshō Dōmoto.

The technique, traditionally produced in the Nishijin area of Kyoto, is intricately woven and can have a three dimensional effect, costing up to 1 million yen.

The Kimono Institute was founded by Kazuko Hattori in the 20th century and teaches how to tie an and wear it properly.

Women's
[[File:Obi dimensions.png|thumb|right|upright|Women's in scale:

1.

2.

3.

4.

5.]]

There are many types of for women, with certain types of  worn only with certain types of kimono to certain occasions. Often, the can adjust the formality of the entire kimono outfit, with the same kimono being worn to occasions of differing formality depending on the  worn with it. Most women's no longer keep the kimono closed, owing to their stiffness and width, and a number of ties worn under the  keep the kimono in place.

A woman's formal can be 30 cm wide and more than 4 m long, with the longest variety – the, nearing 6 m in length – worn only by  in some regions of Japan. Some women's are folded in two width-wise when worn, to a width of about 15 cm to 20 cm; the full width of the  is present only in the knot at the back of the kimono, with the band around the middle appearing to be half-width when worn.

There are a number of different ways to tie an, and different knots are suited to different occasions and different kimono. The itself often requires the use of stiffeners and cords for definition of shape and decoration, and some knots, such as the, require additional accessories in order to keep their shape.

Women's types

 * "dangling " (だらり帯) are very long worn by  in some regions of Japan. A 's  features the crest of the geisha house she is affiliated with at the end of the, below the  (end lines).  are roughly 600 cm long, but in some cases can be as long as 700 cm long.
 * "pouch " (袋帯) are slightly less formal than, despite being functionally the most formal variety of worn today.  are made from either a single double-width length of fabric with a seam down one edge, or from two lengths of fabric sewn together down each edge; for  made from two lengths of fabric, the fabric used for the backside may be cheaper and appear to be more plain.  are made in roughly three subtypes. The most formal and expensive of these is patterned brocade on both sides. The second type is two-thirds patterned, the so-called "60% ", and is somewhat cheaper and lighter than the first type. The third type has patterns only in the parts that will be prominent when the  is worn in the common  style.  are roughly 30 cm wide and 360 cm to 450 cm long.When worn, a  is nearly impossible to tell from a.
 * Fukuro nagoya obi (袋名古屋帯) or "eight-inch " (八寸名古屋帯) is an that has been sewn in two only where the  knot would begin. The part wound around the body is folded when put on. The  is intended for making the more formal, two-layer variation of the, known as the . It is about 350 cm long.
 * "thin sash" (細帯) is a collective name for informal half-width . are 15 cm to 20 cm wide and roughly 330 cm long.
 * "half-width " (半幅帯/半巾帯) are a type of thin and informal worn with a  or a lower-formality .  are very popular, as they are easy to wear, relatively cheap, and often come in a variety of colourful designs. For use with, reversible  are popular: they can be folded and twisted in several ways to create colour effects. A  is 15 cm wide and 300 cm to 400 cm long. Tying it is relatively easy, and does not require pads or strings. The knots used for  are often simplified versions of . As it is easy to tie and less formal, the  is sometimes worn in self-invented styles, often with decorative ribbons and accessories.
 * Kobukuro obi (小袋帯) is an unlined roughly 15 cm to 20 cm wide and roughly 300 cm long.
 * Hara-awase obi (典雅帯) or "day-and-night " (昼夜帯) is an informal that has sides of different colours. Having been historically popular, the  is frequently seen in woodblock prints and photographs from the Edo and Meiji periods, and most  are vintage or antique pieces; they are not as frequently made or worn today.  typically have a dark, sparingly decorated underside and a more colourful, decorated topside; the underside is commonly plain black satin silk ( silk) with no decoration, though  with decoration on both sides do exist.  are frequently not lined, making them relatively floppy, soft and easy to tie. They are about 30 cm wide and 350 cm to 400 cm long.
 * "soft " (兵児帯) are very informal made of soft, thin cloth, often dyed with . Their traditional use was as an informal  for children and men, and though historically would have been inappropriate for women to wear, the  is now also worn by young girls and women with modern, informal kimono and . An adult's  is roughly the same size of any other adult, about 20 cm to 30 cm wide and about 300 cm long.
 * "one-layer " (単帯) are made from cloth stiff enough that the does not need a lining or a sewn-in stiffener. One well-known type of  is the hakata-ori obi (博多織帯), which consists of thick weft thread interwoven with thin warp thread with a stiff, tight weave;  made from this material are also called hakata obi (博多帯). A  can be worn with everyday kimono or .  A  is 15 cm to 20 cm wide (the so-called ) or 30 cm wide and about 400 cm long.
 * "capital " (京袋帯) was invented in the 1970s in Nishijin, Kyoto. It lies between the and the  in terms of formality and use, and can be used to smarten up an everyday outfit. A  is structured like a  but is as short as a . It thus can also be turned inside out for wear like reversible . A  is about 30 cm wide and 350 cm long.
 * "one-piece " (丸帯) is the most formal type of women's, though all but obsolete today. It is made from cloth about 68 cm wide and is folded around a double lining and sewn together. were at their most popular during the Taishō and Meiji periods. Their bulk and weight make  difficult to tie by oneself, and are worn only by  and brides in the present day. A  is about 30 cm to 35 cm wide and 360 cm to 450 cm long, fully patterned and is often embroidered with metal-coated yarn and foilwork.
 * "chopping board " (俎板帯) is the style of front-tied, flat worn historically by some  (courtesans), and now worn by courtesan-reenactors and kabuki actors on stage.  are thickly padded and commonly feature large-scale, heavily decorated and sometimes three-dimensional motifs such as butterflies, clouds and Chinese dragons, typically on a background of satin silk.
 * Nagoya obi (名古屋帯) – also called "nine-inch " (九寸名古屋帯) – is the most-used type today. A  is distinguished by its structure: one end is folded and sewn in half, the other end is of full width. This is to make putting the  on easier. A  can be partly- or fully-patterned. It is normally worn only in the  style, and many  are designed so that they have patterns only in the part that will be most prominent in the knot.  are shorter than other  types, about 315 cm to 345 cm long, but of the same width, about 30 cm. The  is relatively new, developed by a seamstress living in Nagoya at the end of the 1920s. The new, easy-to-use  gained popularity among Tokyo's geisha, from whom it then was adopted by fashionable city women for their everyday wear. The formality of a  depends on its material, just as with other  types. Since the  was originally used as everyday wear, it cannot be worn to very formal occasions, but a  made from heavy brocade is considered acceptable as semi-ceremonial wear. The term  can also refer to another  with the same name, used centuries ago. This  was cord-like.
 * "dance (踊帯) is a name for used in dance acts. An  is typically simply-patterned with large, obvious motifs, commonly woven in gold or silver metallic threads, so as to be easily-visible from the audience.  can be 10 cm to 30 cm wide and 350 cm to 450 cm long. As the term  is not established, it can refer to any  meant for dance acts, though is generally understood to refer to  with large and simplistic metallic designs.
 * "rag weave (裂織帯) are a style of made by using strips of old cloth, woven into a narrow, striped fabric. The warp yarn is typically an actual yarn, whereas the strips of recycled cloth as used as the weft; though narrow,  may require cloth the equivalent of three kimonos' worth to create. Historically woven at home out of necessity,  are informal, and are generally not worn outside the house. A  is similar to a  in size, and though informal, is prized as an example of rural craftsmanship.
 * "fancy " (典雅帯) resemble, but are considered to be more formal. They are usually wider and made from fancier cloth more suitable for celebration. The patterns usually include auspicious, celebratory motifs. A is about 20 cm wide and 350 cm to 400 cm long.
 * Tsuke obi (付け帯) or tsukuri obi (作り帯) or "easy " (簡単帯) refers to any ready-tied, regardless of the knot the has been sewn into. It often has a separate, internally-stiffened knot piece, and a piece that is wrapped around the waist. The  is fastened in place by ribbons attached to each piece.  are most commonly informal styles of , though more formal pre-tied  do exist, as they are indistinguishable from a regular  when worn.

Accessories for women's

 * " bustle" (帯揚げ) is a scarf-like length of cloth worn above the . Though it functions as decoration, it may also function to cover the and keep the upper part of the  knot in place.  The  can be worn by women at any age, with it being custom to show more of the  the younger one is. It can be tied in a variety of different ways, and is commonly dyed using the  – typically the  – dye technique.
 * "sash clip" (帯留) is a small, decorative brooch fastened onto the at the front, commonly made from precious metals and gemstones. Though most  are relatively small, the  worn by  are comparably much larger, and may be the most expensive item of the 's finished outfit. Certain types of  are woven specifically for  to be fastened to them.
 * are long stiffeners inserted between folds of the at the front, giving it a smooth, flat appearance. Some types of  are attached around the waist with cords before the  is put on;  are available in a number of different sizes, weights and materials to suit both the season and the  itself.
 * Obijime (帯締め) are decorative cords roughly 150 cm long tied around the  and knotted at either the front or the back. The  can be both functional and decorative, serving to keep certain  in place and add extra decoration to an outfit. Most  are woven silk, with a number of varieties - such as rounded  worn with, open-weave  worn for summer and  with gold and silver threads worn to formal occasions - available. One less commonly-worn variety of , the , is not a woven cord, and is instead a sewn, stuffed tube of fabric; this variety is generally only worn with  worn to highly formal events and on stage by kabuki actors. Woven or otherwise, most  feature tassels at each end.
 * " pillow" (帯枕) is a small pillow that supports and shapes the knot. The most common knot worn by women today, the, is shaped and held in place with the use of an ; elsewhere, one or two large  are used in the tying of the  worn by some.

Men's
The worn by men are much narrower than those of women, with the width of most men's  being about 10 cm at the most. Men's are worn in a much simpler fashion than women's, worn below the stomach and tied in a number of relatively simple knots at the back - requiring no  or  to achieve.

Men's types

 * "waistband" (兵児帯) are soft, informal made from drapey and often -dyed fabrics such as crêpe, silk, cotton and others. It is generally tied in a loose, casual knot; though  for children are short,  for adults are roughly as long as any other adult-sized  – 350 cm to 400 cm long – but can be comparably wider, at up to 74 cm. Adult men generally wear  only at home or in the summer months with a , whereas young boys can wear it in public at mostly any time of year.
 * "stiff " (角帯) is the second type of men's, roughly 10 cm wide and 400 cm long. Depending on its material, colours and patterns, are suitable for any and all occasions, from the most informal to the most formal of situations.  are most commonly made of  ), but can also be made from silk pongee (known as ), silk gauze and heavier, brocade-type weaves of silk. A variety of  knots exist for the , and it is most commonly worn in the  knot.
 * "dance (踊帯) are also worn by men, but are much narrower. Male versions are roughly 11.5 cm wide and have a length of around 350 cm long. They, like women's versions, are also simply-patterned with large, obvious motifs, commonly woven in gold or silver metallic threads, so as to be easily-visible from the audience.

Accessories

Men's are not generally worn with accessories, being for the most part too thin to accommodate any of the accessories worn with women's.

However, in the Edo period, practical box-shaped accessories called inro (印籠), which hung from with a fastener called, became popular. is a general term for bags and boxes for cigarettes, pipes, ink, brushes, etc. Among them, a small stackable box for seals and medicines is. , which originated in the Sengoku period, were first used as practical goods, but after the middle of the Edo period, when were gorgeously decorated with various lacquer techniques such as  and, samurai and wealthy merchants competed to collect them and wore them as accessories with kimono. And from the end of the Edo period to the Meiji period, became a complete art collection. Nowadays, are rarely worn as kimono accessories, but there are collectors all over the world.

Children's

Children's are generally soft, simple sashes, designed to be easy and comfortable to wear, though older children may wear simple, stiffer  made short, such as  and ; as they age, children begin to wear kimono outfits that are essentially miniaturised versions of adult kimono and. The youngest children wear soft, scarf-like.

Children's types

 * "three-foot-long " (三尺帯, さんじゃくおび) is a type of men's . It is named for its length, three old Japanese feet (鯨尺). The is sometimes known simply as sanjaku (三尺). During the Edo period, it gained popularity as a simple and easy-to-wear  paired with casual, everyday kimono. According to some theories, the  originates from a scarf of the same length, which was folded and used as a sash. A  typically is shaped like a, narrow and with short stitches. It is usually made from soft cotton-like cloth. Because of its shortness, the  is tied in the  style, which is much like a square knot.
 * Shigoki obi (しごき帯) were previously worn to prevent kimono from trailing along the floor when walking outside, used to tie up the excess length when going out; over time, this style of wear became the standard for wearing kimono both inside and outside, evolving into the hip fold worn today. Nowadays the 's only function is decorative. It is part of a 7-year-old girl's outfit for celebration of Shichi-Go-San.
 * (pre-tied ) are popular as children's because of their ease of use. There are even formal  available for children. These  correspond to  on the formality scale.

In martial arts

Many Japanese martial arts feature an as part of their uniform. These are often made of thick cotton and are about 5 cm wide. The martial arts are most often worn in the  style; in practice where the  is worn, the  is tied in other ways.

In many martial arts the colour of the signifies the wearer's skill level. Usually the colours start from the beginner's white and end in the advanced black, or masters' red and white. When the exercise outfit includes a, the colour of the has no significance.

Knots ()
The knot tied with the is known as the "knot" (結び/むすび). Though functioned to hold the kimono closed for many centuries, beginning in the Edo period, the  became too wide and/or too stiff to function effectively in this manner. In the modern day, a number of ties and accessories are used to keep the kimono in place, with the functioning in a more decorative capacity.

Though most styles of can be tied by oneself, some varieties of formal women's  can be difficult to tie successfully without the assistance of others.

There are hundreds of decorative knots, particularly for women, often named for their resemblance to flowers, animals and birds. knots follow the same rough conventions of style and suitability as kimono do, with the more complex and fanciful knots reserved for younger women on festive occasions, and knots with a plainer appearance being mostly worn by older women; however, some knots, such as the, have become the standard knot for women of all ages, excluding young girls.

In earlier days, the knots were believed to banish malicious spirits. Many knots have a name with an auspicious double meaning.

Types of knots

 * "morning glory knot" (朝顔結び/あさがおむすび) is a knot resembling the Japanese morning glory, suitable to be worn with . The knot requires a very long, so it can be usually only be made for little girls.
 * "iris knot" (菖蒲結び/あやめむすび) is a very complex and decorative knot resembling an iris blossom. It is considered suitable for young women in informal situations and parties. Because of the complexity and conspicuousness of the knot, it should be worn with more subdued, preferably monochrome kimono and.
 * "rose knot" (薔薇結び/バラむすび) is a contemporary knot suitable for young women, often worn to formal occasions at the lowest end of "formal". Because of the complexity of the knot, a multi-coloured or strongly patterned should not be used, and the patterns of the kimono should generally match the knot.
 * "butterfly knot" (蝶蝶結び/ちょうちょうむすび) is a version of the, tied using the . Most pre-tied are tied with this knot.
 * "dangling knot" (だらりむすび) is a knot worn only by, dancers and kabuki actors. It is easily distinguishable by its long "tails" hanging in the back, which require an of up to 6 m in length to achieve. In the past, courtesans and daughters of rich merchants would also have their  tied in this manner. A half-length version of this knot, known as the  (lit., "half-dangling knot"), also exists, with apprentice geisha in some regions of Japan wearing this at various stages throughout their apprenticeship. The  is worn specifically by  in Gion to perform the , a well-known short song performed at geisha parties whose lyrics - "dear lovely Gion, the dangling " - explicitly mention it, referring to the classical image of Gion's.
 * "puffed sparrow knot" (ふくら雀結び) is a decorative knot that resembles a sparrow with its wings spread, and is generally worn only by young women. It is suitable for formal occasions and is typically only worn with a . Traditionally, the worn with a  indicated a woman was available for marriage.
 * "clam's mouth knot" (貝の口むすび) is a subdued which is commonly worn by men, and sometimes worn by older women for convenience, or by women in general as a style choice.
 * "foal knot" (駒結び) is a square knot often used for tying and . The short  worn by children is also tied in this way.
 * "drum knot" (太鼓結び) is the most commonly-worn knot worn by women in the present day. It is a knot with a simple, subdued appearance, and resembles a box with a short tail underneath. The is suitable for women of almost every age, mostly every kind of kimono, and is suitable for mostly all occasions; only  and mostly all  are considered unsuitable to be worn with the . Though the knot is associated with the  drum, the knot was actually created to celebrate the opening of the Taikobashi bridge in Tokyo in 1823 by some geisha, a style which soon widely caught on.
 * "two-layer drum knot" (二重太鼓結び) is a version of the, tied with the formal are longer than the , so the  must be folded in two when tying the knot. The knot has an auspicious double meaning of "double joy".
 * "standing arrow knot" (立て矢むすび) is a knot resembling a large bow, and is one of the most simple knots worn with the . According to (kimono dressing) teacher Norio Yamanaka, it is the most suitable knot to be used with the  - a  with full-length sleeves.
 * "eagle plant knot" (鷲草結び) is a bow resembling a certain plant thought to look like an eagle taking flight.

title: Obi (sash)


text:
Talk:New Whiteland, Indiana

External links modified (February 2018)
Hello fellow Wikipedians,

I have just modified one external link on New Whiteland, Indiana. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
 * Added archive https://web.archive.org/web/20141014121848/http://www.townofnewwhiteland.com/history.html to http://www.townofnewwhiteland.com/history.html

When you have finished reviewing my changes, you may follow the instructions on the template below to fix any issues with the URLs.

Cheers.— InternetArchiveBot  (Report bug) 10:42, 17 February 2018 (UTC)

title: Talk:New Whiteland, Indiana


text: Talk:Prince's Lakes, Indiana

title: Talk:Prince's Lakes, Indiana


text: Talk:Trafalgar, Indiana

title: Talk:Trafalgar, Indiana


text: Talk:Whiteland, Indiana

title: Talk:Whiteland, Indiana


text:
Christina Scherwin

Christina Scherwin (born 11 July 1976) is a Danish javelin thrower.

Scherwin threw the javelin at the Athens 2004 Summer Olympics and the Beijing 2008 Summer Olympics. Her biggest success was at the 2005 World Championships in Helsinki, where she threw the javelin 63.43 meters, placing fourth overall in the event. She finished second at the 2003 World University games in Daegu, sixth at the 2005 World Athletics Final in Monaco, fifth at the 2006 European Championships in Gothenburg, and third at the 2006 World Athletics Final in Stuttgart. In her junior years she placed 6th at the 1993 European Junior Championships and 5th at the 1994 World Junior Championships.

She holds the current Danish record with 64.83 meters, achieved at the 2006 World Athletics Final in September 2006. She also holds the current NCAA DIV III record set back in 2003.

Scherwin was the Danish national champion in the event in 2000, 2002, 2003, 2004, 2005, 2006 and 2008 and the NCAA DIV III national champion in 2002 and 2003. She represents Sparta.

title: Christina Scherwin


text:
Talk:Bruceville, Indiana

External links modified
Hello fellow Wikipedians,

I have just modified 3 one external links on Bruceville, Indiana. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
 * Added archive http://www.webcitation.org/6HQu4Spqa?url=http%3A%2F%2Fwww.census.gov%2Fpopest%2Fdata%2Fcities%2Ftotals%2F2012%2FSUB-EST2012.html to http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html
 * Added archive https://web.archive.org/web/20130911234518/http://factfinder2.census.gov to http://factfinder2.census.gov
 * Added archive http://www.webcitation.org/6YSasqtfX?url=http%3A%2F%2Fwww.census.gov%2Fprod%2Fwww%2Fdecennial.html to http://www.census.gov/prod/www/decennial.html

When you have finished reviewing my changes, please set the checked parameter below to true or failed to let others know (documentation at ).

Cheers.— InternetArchiveBot  (Report bug) 17:50, 9 November 2016 (UTC)

title: Talk:Bruceville, Indiana


text:
Talk:Decker, Indiana

External links modified
Hello fellow Wikipedians,

I have just modified 3 one external links on Decker, Indiana. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
 * Added archive http://www.webcitation.org/6HQu4Spqa?url=http%3A%2F%2Fwww.census.gov%2Fpopest%2Fdata%2Fcities%2Ftotals%2F2012%2FSUB-EST2012.html to http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html
 * Added archive https://web.archive.org/web/20130911234518/http://factfinder2.census.gov to http://factfinder2.census.gov
 * Added archive http://www.webcitation.org/6YSasqtfX?url=http%3A%2F%2Fwww.census.gov%2Fprod%2Fwww%2Fdecennial.html to http://www.census.gov/prod/www/decennial.html

When you have finished reviewing my changes, please set the checked parameter below to true or failed to let others know (documentation at ).

Cheers.— InternetArchiveBot  (Report bug) 23:21, 9 December 2016 (UTC)

title: Talk:Decker, Indiana


text:
Talk:Edwardsport, Indiana

External links modified
Hello fellow Wikipedians,

I have just modified 3 one external links on Edwardsport, Indiana. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
 * Added archive http://www.webcitation.org/6HQu4Spqa?url=http%3A%2F%2Fwww.census.gov%2Fpopest%2Fdata%2Fcities%2Ftotals%2F2012%2FSUB-EST2012.html to http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html
 * Added archive https://web.archive.org/web/20130911234518/http://factfinder2.census.gov to http://factfinder2.census.gov
 * Added archive http://www.webcitation.org/6YSasqtfX?url=http%3A%2F%2Fwww.census.gov%2Fprod%2Fwww%2Fdecennial.html to http://www.census.gov/prod/www/decennial.html

When you have finished reviewing my changes, please set the checked parameter below to true or failed to let others know (documentation at ).

Cheers.— InternetArchiveBot  (Report bug) 01:30, 21 December 2016 (UTC)

title: Talk:Edwardsport, Indiana


text: Talk:Monroe City, Indiana

title: Talk:Monroe City, Indiana


text:
Talk:Oaktown, Indiana

External links modified
Hello fellow Wikipedians,

I have just modified 3 one external links on Oaktown, Indiana. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
 * Added archive http://www.webcitation.org/6HQu4Spqa to http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html
 * Added archive https://web.archive.org/web/20130911234518/http://factfinder2.census.gov to http://factfinder2.census.gov
 * Added archive http://www.webcitation.org/6YSasqtfX to http://www.census.gov/prod/www/decennial.html

When you have finished reviewing my changes, please set the checked parameter below to true or failed to let others know (documentation at ).

Cheers.— InternetArchiveBot  (Report bug) 21:46, 20 July 2016 (UTC)

title: Talk:Oaktown, Indiana


text: Talk:Sandborn, Indiana

title: Talk:Sandborn, Indiana


text: Talk:Wheatland, Indiana

title: Talk:Wheatland, Indiana


text:
Ocellaris clownfish

The ocellaris clownfish (Amphiprion ocellaris), also known as the false percula clownfish or common clownfish, is a marine fish belonging to the family Pomacentridae, which includes clownfishes and damselfishes. Amphiprion ocellaris are found in different colors, depending on where they are located. For example, black Amphiprion ocellaris with white bands can be found near northern Australia, Southeast Asia, and Japan. Orange or red-brown Amphiprion ocellaris also exist with three similar white bands on the body and head. Amphiprion ocellaris can be distinguished from other Amphiprion species based on the number of pectoral rays and dorsal spines. Amphiprion ocellaris are known to grow about 11 cm (4.3 inches) long. Like many other fish species, females are, however, larger than males. The life cycle of Amphiprion ocellaris varies in whether they reside at the surface or bottom of the ocean. When they initially hatch, they reside near the surface. However, when Amphiprion ocellaris enter into the juvenile stage of life, they travel down to the bottom to find shelter in a host anemone. Once they find their anemone, they form a symbiotic relationship with them.

Phylogeny

The species Amphiprion ocellaris belongs to the class Actinopterygii which contains bony Teleost fish and other ray-finned fish. A. ocellaris is the most basal species in the genus Amphiprion which is closely related to the genus Premnas. The species' most closely related ancestor is Amphiprion percula, the orange clownfish. It is thought that A. ocellaris specialized after diverging from the genus Premnas, and scientific evidence confirms that all clownfish belonging to the genus Amphiprion initially could withstand the stings of only one type of anemone; after further speciation the 28 different species of clownfish including A. ocellaris have specialized to be able to resist the poisonous stings of many different anemone species.

Description
The common clownfish is a small fish which grows up to 11 cm (4.3 inches). Its body has a stocky appearance and oval shape. It is compressed laterally, with a round profile. The coloration of its body is orange to reddish-brown, but it can also be black in some particular areas such as the Northern Territory in Australia. It has three vertical white stripes outlined with a fine black line. The first passes just behind the eye, the second in the middle of the body widens forward to the head centrally and the third one circles the caudal peduncle. All the fins are also outlined with a fine black line. A. ocellaris is often confused with Amphiprion percula, which possesses exactly the same colours and patterns at first sight but distinguishes itself by the thickness of the black outlines. Additionally, A. ocellaris has a taller dorsal fin, and typically possesses 11 dorsal-fin spines vs. 10 spines in Amphiprion percula.

Distribution and habitat
This species is found in the Eastern Indian Ocean and in the western Pacific Ocean. As mentioned earlier, they can also be found in Northern Australia, Southeast Asia and Japan.

Amphiprion ocellaris typically lives in small groups on outer reef slopes or in sheltered lagoons at a maximal depth of 15 meters. It inhabits three different species of sea anemones: Heteractis magnifica, Stichodactyla gigantea and Stichodactyla mertensii and have symbiotic relationships with the anemone.

Behavior
Amphiprion ocellaris is a diurnal fish. It is a protandrous hermaphrodite, which means the male can change its sex to female during its life, and lives in a harem in which an established dominance hierarchy manages the group and keeps individuals at a specific social rank. It is aggressively territorial and is completely dependent on its sea anemone.

Shelter
Amphiprion ocellaris are reliant on sea anemone for shelter (they have a symbiotic relationship with the sea anemone). Sea anemone are protection for the fish and their nests. This is because when A. ocellaris are in the open waters, they have a higher risk of predation. It is postulated that the fanning behavior of the fish and removal of parasites promotes the health of sea anemones which contain A. ocellaris fish. In addition, the anemone provides protection for the fish with its tentacles, however, the fish's mucus protection prevents it from being stung by the tentacles. The presence of the clownfish can be interpreted as a lure to attract potential anemone's preys close to the tentacles. And the clownfish can also defend the anemone against some reef fishes which could eat the tentacles.

Social system

Social systems can be defined as society considered as a system organized by a characteristic pattern of relationships. A. ocellaris form specific social hierarchies within their societies. These social hierarchies result in competition to travel between the different levels of society, which is seen between various ages as well.

Queue selection
Queues is the term for social groups of A. ocellaris. This is because these fish form social hierarchies, or social rank, by outliving the more dominant members of the group. The dominant pair of each queue reproduces more compared to the subordinate fishes. This is the reason for why these individuals should adopt various tactics in which they increase their probability of attaining social dominance. There are two types of A. ocellaris, settlers and switchers. Settlers prefer shorter queues, while switchers will usually move after settlement. However, studies show that there is no difference in the characteristics between switchers and non-switchers, and there is no data demonstrating that A. ocellaris utilize the switching tactic for dominance. Although settlement preferences increase the likelihood of gaining social dominance, switching could have the function of increasing social dominance benefits after social dominance has been acquired.

Juvenile Amphiprion ocellaris
Juvenile A. ocellaris have difficulty finding a sea anemone to live in (since they need anemone for survival and shelter). The difficulty also arises in the fact that there exists a hierarchy in each anemone. Thus, when a new juvenile enters an anemone, it begins at the bottom of the social ladder where it is often the victim of aggression by other clownfish. This aggression from other A. ocellaris in the anemone can cause the juvenile to be chased out of the anemone, and left to search for another anemone.

Group size and patch size
Studies have shown that there is a correlation between the size of the group and the size of the patch; however this correlation provides no implication that subordinate group members have less resources. More likely, it is the effects of the patch size on the group member that dominates interactions. An experiment was performed to study the mechanism responsible for the positive correlation between the group size and patch size. The scientists argued that the correlation between the group size and patch size is because of the indirect consequence of the positive relationship between the dominant group member's length and the anemone size. The length of the dominant group member limits the group size because the length of the dominant group member prevents the group of the subordinate group members. This data shows that the patch size and group size correlation does not necessarily imply the decrease in resources of group members subordinate to the dominant group member.

Food habits
Amphiprion ocellaris feed on plankton and algae, thus they are considered omnivores. Feeding is also affected by the hierarchy in A. ocellaris groups. Since the smaller, less dominant fish face aggression from the more aggressive fish, they have less energy to forage for food. Thus, they usually do not eat as much as the dominant fish do, because of reduced energy, but also because of the increased danger they face when they leave their anemone since they are smaller. In other words, the larger fish will usually travel farther than the smaller fish. Generally, the A. ocellaris feed on algae, copepods, and zooplankton.

Reproduction and life history
Amphiprion ocellaris have reproductive behaviors very similar to that of all anemonefish. They have monogamous mating systems, and in their spawning processes, they also have the same levels of aggressiveness between males and females. In addition, there is a reproductive hierarchy that exists between age and sex.

Spawning
There is not much data on the reproduction of A. ocellaris. However, similar behaviors throughout all anemone fishes have been recorded. These fish have monogamous mating systems, and are territorial of their anemone. Males become more aggressive during spawning. Male behavior also changes to attract females: biting, chasing, fin extension. Before spawning, the male prepares the nest near the anemone (so that the tentacles of the anemone can protect the nest). After the male chases the female to the nest, the female begins the spawning process. She lays eggs for about one to two hours, and then leave the nest for the male to fertilize the eggs. The eggs take approximately six to eight days to hatch (this time period can be affected by the temperature of water). Because of the external fertilization, males usually care for the eggs. They also have responsibilities for eating fungi-infected or infertile eggs, and fanning the eggs.

Reproductive hierarchy

All anemonefish are protandrous hermaphrodites, meaning they first develop into males and may become females later in life. Anemonefish exhibit phenotypic plasticity when males, females, and juveniles inhabit the same anemone. In an anemonefish social group, the female is the dominant and largest member, followed by the dominant male, while other anemonefish remain non-reproductive.

One experiment placed three juvenile anemonefish in a tank and observed their behaviors over the course of a month. The researchers drew conclusions about the fish's social hierarchy based on signs of dominance such as aggressive or appeasing behaviors, occupation of territory in the tank, and body mass increase. The dominant fish grew larger compared to lower-ranked fish, suggesting the lower-ranked fish experienced growth suppression. In addition, a difference in the fish's levels of certain steroids suggested that lower-ranked individuals also experienced reproductive suppression.

Another experiment demonstrated that when a female anemonefish is removed from the anemone, then the dominant male becomes the female and the next-highest-ranked male moves up the dominance hierarchy to become the dominant male. Females use aggressive dominance behavior to control the males, preventing the formation of other females, and dominant males prevent juvenile males from mating.

In aquaria
In nature, the false percula clownfish is hosted by Heteractis magnifica and Stichodactyla gigantea. However, in captivity in a reef aquarium, the false percula is hosted by other species of anemone, including Entacmaea quadricolor. In addition, clownfish may adopt a surrogate host as opposed to an anemone, such as Euphyllia divisa, xenia coral, etc.

Human interaction
Amphiprion ocellaris are utilized as part of the tropical fish aquarium trade. However, only certain colors are in demand. In addition, A. ocellaris are used in research since they can be bred easily. This high demand in trade has been dangerous for A. ocellaris' population due to overexploitation.

Popular culture
The main characters Marlin and his son Nemo from the animated film Finding Nemo, and its sequel Finding Dory (as well as his late wife Coral), are ocellaris clownfish.

title: Ocellaris clownfish


text:
McGeorge School of Law

University of the Pacific, McGeorge School of Law is a private, American Bar Association (ABA)-approved law school in the Oak Park neighborhood of the city of Sacramento, California. It is part of the University of the Pacific and is located on the University's Sacramento campus.

History
The school that eventually became McGeorge began in 1921 when University of Chicago Law School graduate and Standard Oil executive Verne Adrian McGeorge began teaching law students at night in downtown Sacramento, California. After its formal establishment as a school in 1924, this Sacramento Law School, subsequently renamed in Professor McGeorge's honor as the "McGeorge School of Law", merged with the University of the Pacific in 1966 and came to be known as "Pacific McGeorge". McGeorge became an integral part of the University of the Pacific in 1991. The current dean of McGeorge School of Law is Michael Hunter Schwartz, formerly the dean of the William H. Bowen School of Law at University of Arkansas at Little Rock from 2013 to 2017.

Accreditation, memberships, rankings
McGeorge has been approved by the American Bar Association (ABA) since 1969. As an ABA approved law school, McGeorge graduates are eligible to sit for the bar examination in any American jurisdiction.

Memberships
McGeorge joined the Association of American Law Schools (AALS) in 1974. It has a chapter of the Order of the Coif, a national law school honorary society founded for the purposes of encouraging legal scholarship and advancing the ethical standards of the legal profession.

Rankings and bar exam passage rate
In the 2023 U.S. News & World Report law school rankings, McGeorge School of Law was ranked 133.

Of the McGeorge alumni who took the California bar for the first time in July, 2022, 57% passed. It ranked fifteenth among the eighteen ABA-accredited California law schools.

Tuition costs
McGeorge's tuition and fees for full-time students during the 2019–2020 academic year cost $56,776 per year, while tuition and fees for part-time students was $42,418-47,824 per year.

Academic programs
McGeorge offers degree programs leading to the award of the J.D. (Juris Doctor), the LL.M. (Master of Laws), the M.P.A. (Master of Public Administration), the M.P.P. (Master of Public Policy) and the J.S.D. (Doctor of Juridical Science) degrees.

McGeorge offers both a three-year day division program and four-year evening division program.

The first year curriculum at McGeorge consists of 27 units. McGeorge law students must also complete 29 units of upper-level required curriculum. Therefore, 56 units out of the 88 units to graduate are required courses. All students take the same required courses.

Location
The McGeorge School of Law is located on University of the Pacific's Sacramento campus at 3200 Fifth Avenue in the Oak Park area of Sacramento, the capital of California.

Journals and publications

 * The University of the Pacific Law Review (formerly titled "McGeorge Law Review" and "The Pacific Law Journal"). A student-run, scholarly journal publishing four issues annually. Two issues are published each year containing professional articles and student-authored comments or casenotes; one issue contains the Review of Selected California Legislation, or "Greensheets"; and one issue contains a symposium, focusing on a specific, significant legal topic.
 * California Initiative Review. An online analysis of California ballot initiatives and related issues.
 * California Water Law Journal. A forum for water law research.

Notable alumni

 * Greg Aghazarian – California State Assemblyman, 26th District
 * Mark Amodei – U.S. Congressman from Nevada
 * Ronald J. Bath – USAF, Director of U.S. Air Force Strategic Planning
 * Scott Baugh – former California State Assembly Republican Leader, 67th District
 * Scott Boras – sports agent
 * Consuelo María Callahan – Judge, United States Court of Appeals for the Ninth Circuit
 * L. Whitney Clayton – Presidency of the Seventy of the Church of Jesus Christ of Latter-day Saints
 * Lloyd Connelly – Judge, Sacramento County Superior Court
 * Ellen Corbett – California State Senator, 10th District
 * Christine Craft – attorney, radio talk show host, and former television news anchor
 * John Doolittle – US Congressman 1991–2009
 * Morrison C. England Jr. – Judge, United States District Court for the Eastern District of California
 * Noreen Evans – California State Assemblywoman, 7th District
 * Dayvid Figler – Former Las Vegas Municipal Court Judge, NPR commentator
 * Edward J. Garcia – Judge, United States District Court for the Eastern District of California
 * John M. Gerrard – Justice of the Nebraska Supreme Court
 * James Hardesty - Justice of the Nevada Supreme Court
 * Mikayil Jabbarov – Minister of Economy of the Azerbaijan Republic
 * Michael A. Lilly – Attorney General of Hawaii (1984–1985)
 * Bill Lockyer – California State Treasurer and former California Attorney General
 * Steve Martini – attorney and best-selling author of legal thriller novels
 * Deborah Ortiz – former California State Senator, 6th District
 * Victor Plata – Olympic athlete in triathlon
 * Johnnie B. Rawlinson – Judge, United States Court of Appeals for the Ninth Circuit
 * Dana Makoto Sabraw – Judge, United States District Court for the Southern District of California
 * Robert J. Sandoval – Openly Gay Judge Appointed to the California Superior Court.
 * Christian Wellisch – Former professional mixed martial arts combat athlete

Notable faculty

 * J. Clark Kelso, Federal Receiver overseeing healthcare reform in California's prison system, former Insurance Commissioner, former chief information officer of California.
 * Anthony Kennedy, retired Associate Justice of the United States Supreme Court (served from 1988 to 2018), Pacific McGeorge faculty member since 1965.

Present Dean and Dean Emeriti

 * Michael Hunter Schwartz, 2017 – present
 * Francis J. –"Jay" Mootz, 2012–2017
 * Elizabeth Rindskopf Parker, 2002–2012, Executive Director and CEO of the State Bar of California Former CIA General Counsel
 * Gerald Caplan, 1991–2002
 * Gordon D. Schaber, 1957–1991
 * John Swann, 1946–1957
 * Lawrence Dowrety, 1937 – WWII closure
 * Gilford Rowland, 1933–1937
 * Russell Harris, 1930–1933
 * Vern Adrian McGeorge, Founder, 1924–1930

title: McGeorge School of Law


text:
User talk:Nickjost

Welcome!

Hello,, and welcome to Wikipedia. Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! By the way, please be sure to sign your name on talk pages using four tildes (~~~~) to produce your name and the current date, or three tildes (~~~) for just your name. If you have any questions, you can post to the help desk or ask me on my talk page. Again, welcome! EdwinHJ | Talk 00:07, 23 August 2005 (UTC)
 * The five pillars of Wikipedia
 * How to edit a page
 * Help pages
 * Tutorial
 * How to write a great article
 * Manual of Style

Seeking feedback on Communication Theory page overhaul
Hi! In the past, you commented on the Communication theory talk page, and now I've written a replacement article (discussion at Talk:communication_theory). I'm eager for feedback on the overhaul -- I put the new article in my sandbox.Kaylea Champion (talk) 22:23, 7 June 2021 (UTC)

title: User talk:Nickjost


text: Template:Stages of death

title: Template:Stages of death


text:
User:Alex Ruddick

Hello Alex, i have been working on the disambiguation a bit. i haven't since tuesday or wednesday though. flipjargendy 00:08, 23 August 2005 (UTC)

title: User:Alex Ruddick


text:
Talk:Burket, Indiana

External links modified
Hello fellow Wikipedians,

I have just modified 3 one external links on Burket, Indiana. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
 * Added archive http://www.webcitation.org/6HQu4Spqa?url=http%3A%2F%2Fwww.census.gov%2Fpopest%2Fdata%2Fcities%2Ftotals%2F2012%2FSUB-EST2012.html to http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html
 * Added archive https://web.archive.org/web/20130911234518/http://factfinder2.census.gov to http://factfinder2.census.gov
 * Added archive http://www.webcitation.org/6YSasqtfX?url=http%3A%2F%2Fwww.census.gov%2Fprod%2Fwww%2Fdecennial.html to http://www.census.gov/prod/www/decennial.html

When you have finished reviewing my changes, please set the checked parameter below to true or failed to let others know (documentation at ).

Cheers.— InternetArchiveBot  (Report bug) 23:20, 10 November 2016 (UTC)

title: Talk:Burket, Indiana


text:
Talk:Claypool, Indiana

External links modified
Hello fellow Wikipedians,

I have just modified 3 one external links on Claypool, Indiana. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
 * Added archive http://www.webcitation.org/6HQu4Spqa?url=http%3A%2F%2Fwww.census.gov%2Fpopest%2Fdata%2Fcities%2Ftotals%2F2012%2FSUB-EST2012.html to http://www.census.gov/popest/data/cities/totals/2012/SUB-EST2012.html
 * Added archive https://web.archive.org/web/20130911234518/http://factfinder2.census.gov to http://factfinder2.census.gov
 * Added archive http://www.webcitation.org/6YSasqtfX?url=http%3A%2F%2Fwww.census.gov%2Fprod%2Fwww%2Fdecennial.html to http://www.census.gov/prod/www/decennial.html

When you have finished reviewing my changes, please set the checked parameter below to true or failed to let others know (documentation at ).

Cheers.— InternetArchiveBot  (Report bug) 04:46, 26 November 2016 (UTC)

External links modified
Hello fellow Wikipedians,

I have just modified 6 external links on Claypool, Indiana. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
 * Corrected formatting/usage for http://factfinder2.census.gov/
 * Corrected formatting/usage for http://www.census.gov/prod/www/decennial.html
 * Added archive https://web.archive.org/web/20060508083936/http://www.hoopshall.com/inductees/women/2002/warren.html to http://www.hoopshall.com/inductees/women/2002/warren.html
 * Added archive https://web.archive.org/web/20070419021749/http://www.renewableenergyaccess.com/rea/news/story?id=44348 to http://www.renewableenergyaccess.com/rea/news/story?id=44348
 * Added archive https://web.archive.org/web/20060508074158/http://www.hoopshall.com/inductees/missbasketball.html to http://www.hoopshall.com/inductees/missbasketball.html
 * Added archive https://web.archive.org/web/20070207220800/http://www.hoopshall.com/inductees/mrbasketball.html to http://www.hoopshall.com/inductees/mrbasketball.html

When you have finished reviewing my changes, you may follow the instructions on the template below to fix any issues with the URLs.

Cheers.— InternetArchiveBot  (Report bug) 05:10, 9 August 2017 (UTC)

title: Talk:Claypool, Indiana


text:
Pseudibis

The bird genus Pseudibis consists of three South-East Asian species in the ibis subfamily, Threskiornithinae.

Genus Pseudibis

The white-shouldered ibis is critically endangered.

title: Pseudibis