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Julian Stanley

Julian Cecil Stanley (July 9, 1918 – August 12, 2005) was an American psychologist. He was an advocate of accelerated education for academically gifted children. He founded the Johns Hopkins University Center for Talented Youth (CTY), as well as a related research project, the Study of Mathematically Precocious Youth (SMPY), whose work has, since 1980, been supplemented by the Julian C. Stanley Study of Exceptional Talent (SET), which provides academic assistance to gifted children. Stanley was also widely known for his classic book, coauthored with Donald Campbell, on the design of educational and psychological research - Experimental and Quasi-experimental Designs for Research.

Early life and education
Julian Cecil Stanley Jr. was born in Macon, Georgia, on July 9, 1918. After finishing high school he attended West Georgia Junior College (1936)— now the State University of West Georgia—and at age 19 years, after attending the Georgia Teacher's College (1937)—now the Georgia Southern University—he became a high school math and chemistry teacher. During the Second World War he served in the Army Air Corps' chemical warfare service (1942–1945). Upon his return, he entered Harvard University where he completed his doctorate in education (Ed.D.) in 1950.

Academic career
Stanley's first academic teaching position was as an associate professor in educational psychology at the George Peabody College for Teachers (1949) - now Peabody College of Vanderbilt University. In 1951 he became President of the Tennessee Psychological Association before moving onto the University of Wisconsin in 1953. It was here that he became famous for his work in experimental designs and psychometrics; his most cited work, Experimental and Quasi-experimental Designs for Research, was produced with co-author Donald T. Campbell (1963). In 1965, he moved to Stanford University, becoming a fellow of Stanford's Center for Advanced Study in the Behavioral Sciences, and then onto the final chapter of his career, at Johns Hopkins University. It was here that he began his work with intellectually gifted youth, creating in 1971 the Study of Mathematically Precocious Youth (SMPY), which would eventually lead to a revolution in how gifted children were to be identified and treated within the education system. He retired as Professor Emeritus in the Department of Psychological and Brain Sciences (1992), although reportedly worked up until one week before his death in 2005 at age 87 years.

Study of Mathematically Precocious Youth
When Stanley was a young math and science teacher he became fascinated with intellectual talent while taking a "tests and measurements" course at the University of Georgia. But, it was in 1969 that Stanley's interest with intellectually gifted youth was reignited when he was introduced to Joseph Bates, a 13-year-old boy from Baltimore, Maryland. Joseph was outperforming all of his classmates in mathematics. Stanley decided to test him using the SAT and found that it was a much more effective and reliable way to test for both advanced math and verbal skills and reasoned that such a method could be used to identify more of these high ability students, especially if a systematic approach was taken. Seeing a need for more research and development in mathematical reasoning ability, Stanley submitted a proposal to the Spencer Foundation of Chicago, which also had an interest in intellectual talent, to help fund his study.

On September 1, 1971, the Study of Mathematically Precocious Youth (SMPY) was formed at Johns Hopkins University. It began as a project designed to model the longitudinal study by Lewis M. Terman in the "Genetic Studies of Genius" series. The project primarily included holding talent searches with the intent of identifying gifted youth, particularly in the area of mathematics. The study then proceeded to examine both short- and long-term results of the students identified through this method. Stanley was also invested in helping them to further their education by devising and offering many different acceleration programs and classes. At the time, there was very little research to support acceleration, with educators often pushing gifted youths and their parents towards enrichment instead, as it seemed best to avoid attracting too much attention to the unusual abilities of these students and thereby make it easier for educators within the current system at the time to deal with their intellectual capabilities. Up until the time of Stanley's study, there was the prevalent idea that cultural assimilation, stemming from the melting pot ideology featured prominently within the United States’ immigration policies, was also a factor in educators veering away from providing acceleration opportunities for gifted students.

The very first talent search was held in March 1972; 450 Baltimore grade 7 and 8 students took the SAT-M (School Aptitude Test-Math), which had previously only been taken by students in grades 11 and 12. This out of level testing method proved to be so successful in identifying intellectual talent and furthering the education of youths in ways that were deemed not to detract from social and emotional development, that the program continued with great achievement. Eventually verbal capabilities were added to the searches (SAT-V) and the program expanded to other universities (Duke, Northwestern, Iowa, and Denver). The program was also deemed to have predictive validity, reasons for which this type of testing has now become a standardized method of identifying early intellectually precocious youth, both within the United States and internationally. To date, the program has identified and provided acceleration for millions of gifted youth. At Johns Hopkins University, the program is now called the Julian C. Stanley Study of Exceptional Talent (SET). The Study of Mathematically Precocious Youth (SMPY) continues at Vanderbilt University today, with former colleagues of Stanley working to complete a fifty-year longitudinal study of gifted individuals. Currently there are 5000 previous students involved who are now nearing mid-life.

In 1994, Stanley was one of 52 signatories on "Mainstream Science on Intelligence, " an editorial written by Linda Gottfredson and published in the Wall Street Journal, which declared the consensus of the signing scholars on intelligence research.

Other achievements
Julian Stanley wrote or edited 13 books, produced over 500 professional articles, received two honorary doctorates and numerous awards, including:
 * Fellow of the American Statistical Association (1967)
 * APA's E.L. Thorndike Award (1978)
 * James McKeen Cattell Award from the Association for Psychological Science (1994)
 * AERA's Award for Distinguished Contributions to Research in Education (1980)
 * NAGC's Distinguished Scholar Award (1982)
 * Mensa Lifetime Achievement Award (2000)

Books/edited books

 * Educating the Gifted: Acceleration and Enrichment. (1979). Baltimore, MD: Johns Hopkins University Press. (with W.C. George, and Sanford J. Cohn)
 * Experimental and Quasi-Experimental Designs for Research. (1966). Chicago, IL: Rand McNally. (with Donald T. Campbell)
 * Statistical Methods in Education and Psychology. (1970). Prentice-Hall. (with Gene V Glass)
 * Mathematical Talent: Discovery, Description, and Development: Proceedings from the Hyman Blumberg Symposium on Research in Early Childhood. (1974). Baltimore, MD: Johns Hopkins University Press.
 * Compensatory Education For Children, Ages Two To Eight: Recent Studies Of Educational Intervention; Proceedings. (1973). Baltimore, MD: Johns Hopkins University Press.
 * Preschool Programs. (1972). Baltimore, MD: Johns Hopkins University Press.
 * Preschool Programs for the Disadvantaged: Five Experimental Approaches to Early Childhood Education. (1972). Baltimore, MD: Johns Hopkins University Press.
 * The Gifted and the Creative: A Fifty-Year Perspective. (1977). Baltimore, MD: Johns Hopkins University Press.
 * Academic Precocity: Aspects of Its Development. (1983). Baltimore, MD: Johns Hopkins University Press. (with Camilla P. Benbow)
 * Educational and Psychological Measurement and Evaluation (8th ed.). (1997). Prentice-Hall. (with Kenneth D. Hopkins)

Selected chapters

 * Reliability. In R. L. Thorndike (Ed.), (1971). Educational measurement (2nd ed., pp. 356–442). Washington, DC: American Council on Education.
 * Mathematics taught at a fast pace: A longitudinal evaluation of SMPY's first class. In C. P. Benbow & J. C. Stanley (1983). (Eds.), Academic Precocity: Aspects of its Development (pp. 51–78). Baltimore, MD: Johns Hopkins University Press. (with C.P. Benbow, & S. Perkins)
 * An eight-year evaluation of SMPY: What was learned? In C. P. Benbow & J. C. Stanley (1983). (Eds.), Academic Precocity: Aspects of its Development (pp. 205–214). Baltimore, MD: Johns Hopkins University Press. (with C.P. Benbow)
 * Intellectually talented students: The key is curricular flexibility. In S. Paris et al.((1983). Eds.), Learning and Motivation in the Classroom (pp. 259-281). Hillsdale, NJ: Erlbaum. (with C.P. Benbow)
 * Gender differences on eighty-six nationally standardized aptitude and achievement tests. In N. Colangelo et al.(1992).(Eds.), Talent Development: Proceedings of the Henry B. and Jocelyn Wallace National Research Symposium on Talent Development (pp. 42-65). Unionville, NY: Trillium Press. (with C.P. Benbow, L.E. Brody, & S.L. Dauber)

Selected articles

 * Varieties of intellectual talent. Journal of Creative Behavior, 1977, 31(2), 93-119. doi:10.1002/j.2162-6057.1997.tb00783.x
 * Sex differences in mathematical ability: Fact or artifact? Science, 1980, 210, 1262-1264.(with C.P. Benbow).
 * Using the SAT to find intellectually talented seventh graders. College Board Review, 1981–82, 122, 2-7, 26. (with C.P. Benbow)
 * Consequences in high school and college of sex differences in mathematical reasoning ability: A longitudinal perspective. American Educational Research Journal, 1982, 19, 598-622. (with C.P. Benbow)
 * Educating mathematically precocious youths: Twelve policy recommendations. Educational Researcher, 1982, 11, 4-9. (with C.P. Benbow)
 * Extremely young college graduates: Evidence of their success. College and University, 1983, 58, 361-371. (with C.P. Benbow)
 * SMPY’s first decade: Ten years of posing problems and solving them. Journal of Special Education, 1983, 17, 11- 25. (with C.P. Benbow)
 * Opening doors for the gifted. American Education, 1983, 19, 44-46. (with C.P. Benbow)
 * Sex differences in mathematical reasoning ability: More facts. Science, 1983, 222, 1029-1031. (with C.P. Benbow)
 * Structure of intelligence of intellectually precocious children and in their parents. Intelligence, 1983, 7, 129-152. (with C.P. Benbow, M.K. Kirk, & A.B. Zonderman)
 * Applying: A Mentor Model: For Young Mathematically Talented Students. Gifted Child Today, 1990, 13, 15–19. doi:10.1177/107621759001300205 (with A.E. Lupkowski, & S.G. Assouline)

title: Julian Stanley


text: Category talk:Union County, Indiana

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title: Category talk:Union County, Indiana


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Technology evangelist

A technology evangelist is a person who builds a critical mass of support for a given technology, and then establishes it as a technical standard in a market that is subject to network effects. The word evangelism is borrowed from the context of religious evangelism due to the similarity of sharing information about a particular concept with the intention of having others adopt that concept. This is typically accomplished by showcasing the potential uses and benefits of a technology to help others understand how they can use it for themselves.

Target areas
Platform evangelism is one target of technology evangelism, in which the vendor of a two-sided platform attempts to accelerate the production of complementary goods by independent developers (e.g., during its early years, Facebook worked on creating an ecosystem of 3rd party developers, encouraging them to create games or develop mobile apps that could enhance users' experiences with Facebook).

Professional technology evangelists are often employed by firms seeking to establish their technologies as de facto standards. Their work could also entail the training of personnel, including top managers so that they acquire skills and competencies necessary to adopt new technology or new technological initiative. There are even instances when technology evangelism becomes an aspect of a managerial position.

Open-source evangelists, on the other hand, operate independently. Evangelists also participate in defining open standards. Non-professional technology evangelists may act out of altruism or self-interest (e.g., to gain the benefits of early adoption or network effect).

History of term
In Christianity, the word evangelist comes from the Koine Greek word εὐαγγέλιον (transliterated as euangelion) via Latinised evangelium as used in the canonical titles of the Four Gospels, authored by (or attributed to) Matthew, Mark, Luke, and John (also known as the Four Evangelists). The concept that sharing particular established standards to help others to adopt them is similar in the technology-related field.

The term "software evangelist" was coined by Mike Murray of Apple Computer's Macintosh computer division in the early 1980s. It was part of Apple's drive to compete with IBM and it specifically described the initiative to win over third-party developers rhetorically to persuade them to develop software and applications for the Macintosh platform. In Guy Kawasaki's own words, it meant "using fervor and zeal (but never money) to convince software developers to create products for a computer with no installed base, 128K of RAM, no hard disk, no documentation, and no technical support, made by a flaky company that IBM was about to snuff out." The first so-identified technology evangelist was Mike Boich — who promoted the Macintosh computer. The job is often closely related to both sales and training but requires specific technology marketing skills. For example, convincing a potential buyer or user to change from older methods to new ones. There is also the case of adopting new products such as green IT. The marketing aspect involved in technology evangelism was strongly influenced by Geoffrey Moore and his books concerning the technology adoption lifecycle. One of his positions maintain that the role of the evangelist becomes critical when addressing what he identified as the "chasm" that exists between early and mainstream adoption.

Technology evangelism is sometimes associated with an internal employee assigned to encourage new practices within an organization. Methods of evangelism available include a modified STREET process (Scope, Track, Rank, Evaluate, Evangelize, Transfer) and the process that takes advantage of the hype cycle. Evangelism can also assume the form of a learning process and employ tools such as the Learning Management Systems (LMS).

Role
Technology evangelists usually take a leadership role in organizations. They are the respective leader ensuring the success of others. Their action needs to be taken in a legitimate manner.

The purpose of objective that technology evangelists attached to usually generate positive effects to help people feel better or impressed. To promote the technology product or idea, technology evangelists usually requires a commitment to the management of the corporation. Different fields of skills can be used by technology evangelists, includes but not limited to technology, marketing, psychology. A specialized understanding of technology is required, being a generalist will reduce evangelist's credibility.

A study by Frederic Lucas-Conwell considers the principal characteristics of the technology evangelist role to include:

 * 1) Generosity with one's time while proactively initiating and leveraging relationships to accomplish goals.
 * 2) Clear and persuasive communication of large amounts of information, adapting content delivery to audience's specific needs.
 * 3) Strong understanding of interpersonal and team dynamics, willing to collaborate with others.
 * 4) Casual and outgoing persona with an animated communication style that attracts others into conversation.
 * 5) Interested in relationship-building and forging a team for technical work.
 * 6) Focused on achieving end-goals, delegating details to other individuals.

Notable examples
Notable technology evangelists in the commercial arena include Steve Jobs (Apple Inc.), Vint Cerf (Internet), Don Box, Guy Kawasaki, Chris Crawford, Alex St. John, Robert Scoble, Myriam Joire (Pebble), Christian Allen (Epic Games), Mudasser Zaheer (Hewlett Packard Enterprise), and Dan Martin (MasterCard).

Court records indicate that James Plamondon was a leading theorist, strategist, and practitioner of technology evangelism at Microsoft during its establishment of Microsoft Windows as the de facto standard PC operating system. Kawasaki, on the other hand, was credited for the remarkable growth of the software developed for the Macintosh, jumping from a few dozen products to more than 600 in less than a year of spreading the so-called Macintosh gospel. He claims, "Evangelism isn't a job title, it's a way of life."

title: Technology evangelist


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Supper's Ready

"Supper's Ready" is a song by English progressive rock band Genesis, recorded for their 1972 studio album Foxtrot. At 23 minutes in length, it is the band's longest recorded song and almost takes up the entire second side of the vinyl. Frontman Peter Gabriel wrote the lyrics, which mainly describe a personal journey of scenes from the Book of Revelation and good versus evil, with several real life experiences providing further inspiration.

The song took form in the summer of 1972, when Genesis dedicated time to write new songs after touring Nursery Cryme. After the opening acoustic sections were arranged, it was considered a companion piece to "The Musical Box" until Gabriel pitched the tune "Willow Farm", which took the song into a different direction. Genesis extended the piece further, culminating in the final two sections, "Apocalypse in 9/8" and "As Sure as Eggs is Eggs", which the band felt was some of their strongest recorded material.

"Supper's Ready" became a centrepiece of Genesis live shows from 1972 to 1974, and a showcase for Gabriel's on-stage storytelling and costumes to act out the various parts. Following Gabriel's departure from the band, Genesis performed the song live in 1976, 1977, and 1982 with Phil Collins on lead vocals. In recent years guitarist Steve Hackett has performed it regularly on his solo tours.

Structure and programme notes
Gabriel wrote additional explanations for each of the song's sections in a program sold to concertgoers in 1972 and 1973.

Writing
In the summer of 1972, the Genesis line-up of Peter Gabriel, Tony Banks, Mike Rutherford, Phil Collins, and Steve Hackett began to write new material for their fourth studio album, Foxtrot. They retreated to a rehearsal space beneath the Una Billings School of Dance in Shepherds Bush, London, where the bulk of the song's instrumentation was worked out. During rehearsals the group decided to write a track that took up one side of a record. Gabriel noted the group had gained confidence in their songwriting and had a strong enough following to attempt a longform piece.

Early on the band considered "Supper's Ready" to be a follow-up piece to "Stagnation" from Trespass (1970) and "The Musical Box" on Nursery Cryme, as those songs developed in the same way. To avoid repetition, the group incorporated a tune that Gabriel had written on the piano called "Willow Farm", which took the song into a different direction as it contained what Banks described as an "ugly, descending-chords sequence" and jarring sound. The track concludes with "Apocalypse in 9/8" and "As Sure as Eggs Is Eggs", the former being a building instrumental in a 9/8 time signature written by Banks, Rutherford, and Collins. Banks plays a keyboard solo throughout which he wanted to be purely instrumental, but Gabriel started singing on it which he disagreed with until he realised how strong it sounded upon playback. Producer Dave Hitchcock said the moment Gabriel comes in with "666 is no longer alone" was "so powerful" and "spine tingling."

The lyrics originated from two incidents; one involved Gabriel, his first wife Jill, and producer John Anthony at Jill's parents' flat in London. According to Gabriel, during a late-night conversation, Jill began speaking with a completely different voice. Gabriel held up a makeshift cross out of a candlestick and another household item, and Jill reacted violently. She eventually calmed down and taken to bed, but neither Gabriel nor Anthony slept that night. The second incident also happened late at night, whereby Gabriel looked out of the window of Jill's parents' house to see what he perceived to be an entirely different lawn, across which seven shrouded men were walking. Hackett gave further details, claiming there had been "some drug taking" and that Jill experienced a bad trip, to which Gabriel managed to "to talk her around and get her out of the horrors" ... "So that's a part of what the song was about, but in a way there's a kind of redemption implication that goes with that."

These experiences led Gabriel to contemplate notions of good against evil and the supernatural, and eventually inspired the lyrics to not only "Lover's Leap", the opening section, but the entire song. Later he summaried that "Supper's Ready" describes a personal journey through various scenes from the Book of Revelation. He gave a more detailed summary in Tony Palmer's book All You Need Is Love–"The ultimate cosmic battle for Armageddon between good and evil in which man is destroyed, but the deaths of countless thousands atone for mankind, reborn no longer as Homo sapiens". Gabriel also cited the Christian allegory The Pilgrim's Progress as a source of inspiration, as with the story to The Lamb Lies Down on Broadway (1974), his final album with the group.

Recording
After some difficulty finding the right producer and engineer to work with in the studio, the band kicked off recording with producer Dave Hitchcock and engineer Tony Platt. However, halfway through recording "Supper's Ready", the group felt they were not working well with Platt and brought in John Burns. His involvement was successful, and Burns went on to work with Genesis on their following two albums. Hackett recalled Burns taking a liking to the 12-string guitar parts for the track, and encouraged the band to continue with it. After an Italian tour in August 1972, Hackett flew back to England several days before the rest of the band to record his guitar parts to the end of "Supper's Ready". The band only found out what the final song was like until they finished splicing the different sections together. Banks and Rutherford had to resort splicing the final two sections together in a different London studio, as their allotted time at Island had come to an end. The pair found the two parts were recorded and mixed in slightly different tuning, which was rectified by slowing down a track. This anomaly was fully corrected on the 2008 remix. When "Supper's Ready" was finished, Hackett initially felt that fans or management at Charisma Records would not understand it. "I thought maybe they're gonna say, 'You've gone too far this time, guys. It's all over.'" Genesis associate and road manager Richard Macphail recalled when he first heard the song: "No matter what we were doing, we'd have to listen to 'Supper's Ready' all the way through; it became a daily ritual."

Sections
"Lover's Leap" and "As Sure as Eggs Is Eggs" were based on an acoustic guitar piece that Banks had written while he was at university. Hackett, Rutherford, and Banks each play a 12-string guitar fed through two Leslie speakers on "Lover's Leap"; Hackett noted its chord sequence is the same as one used on A Salty Dog (1969) by Procol Harum. Gabriel originally sang the piece an octave higher which strained his voice, to which Hackett suggested he sing one lower. Collins sings vocal harmonies, and Hackett and Rutherford go on to play 12-string guitars in harmony. "The Guaranteed Eternal Sanctuary Man" was also a piece from Banks, which Hackett described as "deliberately naïve" and features him playing "economical" guitar parts. The section ends with a group of children singing, who were brought in from the street outside the studio. Hackett said it was meant to be a parody of an English carol, "The Rocking Carol". "Ikhnaton and Itsacon and Their Band of Merry Men" is a more dynamic and lively piece, the title of which references the Egyptian pharaoh Akhenaten. It features Rutherford strumming a 12-string and Hackett on electric and employing guitar tapping, a technique where the guitar fretboard is played like a keyboard. The title of "How Dare I Be So Beautiful?" refers to a catchphrase used by the band's early music business contact, Jonathan King. The lyrics mention the Greek myth of Narcissus who is turned into a flower.

"Willow Farm" contains vaudeville-style passages and features noises of trains and explosions. The lyrics have a Python-esque quality, dealing with the absurd, "Winston Churchill dressed in drag, he used to be a British flag, plastic bag, what a drag!" and elements of word play, boarding schools, and social conformity. The lyrics also reference the album's cover art ("fox on the rocks"). Gabble Ratchet is a reference to the Hounds of Hell who are usually portrayed as geese, which explains the sound effect heard during this section. They are also known as Gabriel's Hounds. The tour programme refers to this section as "Co-starring the Delicious Talents of Wild Geese". Gabriel said the lyrics are in part about being between two extremes: "There's always a left and right, an up and down, a good and bad and if everyone's good there must automatically be some bad." Collins and Rutherford compared the humorous nature of "Willow Farm" to "Harold the Barrel" from Nursery Cryme.

"Apocalypse in 9/8" originated from Banks and Rutherford; the former had devised a keyboard solo without knowing its time signature, to which a rhythm was worked out to suit. Collins, having been temporarily absent from the studio for part of the day, returned and played along to the passage, "still not really knowing what it was."

"As Sure as Eggs is Eggs" is a folklore variation of the logical tautology that "x=x", and in this context is a reference to certainty and faith—being absolutely convinced of the ultimate victory of good over evil and that God and heaven do indeed exist. The lyrics refer to a New Jerusalem, a city of God established after the death of the anti-Christ, and the Second Coming. The track "Los Endos" on A Trick of the Tail, the first Genesis album following Gabriel's departure, has Collins singing "There's an angel standing in the sun" twice in succession, followed by "Free to get back home" as the track fades out. Hackett said the lyric is a reference to The Angel Standing in the Sun, a painting by J. M. W. Turner.

Reception
The song became a strong favourite with Genesis fans. Banks said the latter parts are "probably our peak". In Dailyvault 's ranking of Gabriel-era Genesis songs, "Supper Ready" was ranked 3rd. Gabriel said the band were invited by a man who was formerly Edith Piaf's promoter to perform the song at his church in Normandy.

Live performance
"Supper's Ready" was performed live in its entirety for the first time at Brunel University in Uxbridge, on 10 November 1972, several months into the Foxtrot Tour. The tour lasted until mid-1973, by which time it became a centrepiece of the live show and a showcase for Gabriel's on-stage storytelling and costumes to act out the various parts. Genesis performed the song during their subsequent tour promoting the next album, Selling England by the Pound (1973), until April 1974. Following Gabriel's departure in the following year, Genesis performed "Supper's Ready" live in 1976, 1977, and in 1982. The final two sections were performed twice in 1978 and in 1986 as part of a medley of the group's old material. A shortened version of the song was rehearsed for The Last Domino? Tour, but ultimately not performed.

Gabriel's costumes debuted at the band's headlining concert at London's Rainbow Theatre in February 1973. For "The Guaranteed Eternal Sanctuary Man", Gabriel would don a crown of thorns headpiece. For "Willow Farm", he wore a flower mask designed by Guy Chapman, inspired by the character Little Weed from the children's television programme Flower Pot Men. Banks said Gabriel would adopt his "music hall persona" for this section, "and he became even more the centre of attention." For "Apocalypse in 9/8", Gabriel wore a Magog outfit consisting of a black cloak with a triangular box headgear with lights for a pair of eyes. An image of Gabriel in this costume was printed on the front cover of the live album, Genesis Live (1973). His performance would climax for "As Sure as Eggs is Eggs" with the firing of a flash charge of magnesium powder and Gabriel would discard his Magog costume to reveal himself in shining white apparel and luminous makeup, holding a fluorescent light tube as the rest of the stage was in darkness. On some shows during the Selling England tour, Gabriel was lifted above the stage on a wire during this section. During one of these shows, the wires started twisting and he was nearly strangled.

Gabriel would introduce the song with a story. A recording from October 1973 with his story was released on the 1998 box set Genesis Archive 1967–75. He said: "Old Michael went past the pet shop, which was never open, into the park, which was never closed. And the park was full of a very smooth, clean, green grass. So he took off all his clothes and began rubbing his flesh into the wet, clean, green grass. He accompanied himself with a little tune – it went like this." Gabriel would briefly perform scat singing to Collins's drum accompaniment. Gabriel continues: "Beneath the ground, the dirty brown writhing things called 'worms' interpreted the pitter-patter from above as rainfall. Rainfall in worm world means two things: mating and bath time. Both of these experiences were thoroughly enjoyable to the worm colony. Within seconds, the entire surface of the park was a mass of dirty, brown, soggy, writhing forms. He was still pleased, Old Michael, and he began whistling a tune this time to accompany himself." Gabriel then briefly whistles the beginning of the hymn Jerusalem. He concludes: "Jerusalem Boogie to us, perhaps. But to the birds it meant that supper was ready."

Analysis
In a musicological analysis by Nors Josephson, the structure of "Supper's Ready" is comparable to a variation of sonata form and described "As Sure as Eggs is Eggs" as a "Lisztian, symphonic apotheosis" of the "cyclical fanfares that originated in "The Guaranteed Eternal Sanctuary Man". The song undergoes multiple changes in time signature, key signature, Leitmotif, instrumentation, and mood. It has been described as a song cycle.

Personnel
Credits are adapted from the album's 1972 liner notes.

Genesis
 * Peter Gabriel – lead vocals, flute, bass drum, tambourine, oboe
 * Phil Collins – drums, backing vocals, triangle, tubular bells, percussion, whistles
 * Tony Banks – Hammond organ, Mellotron, Hohner Pianet, piano, treated piano, 12-string acoustic guitar
 * Steve Hackett – electric guitar, 12-string acoustic guitar, classical guitar, guitar effects
 * Mike Rutherford – bass, 12-string acoustic guitar, cello, backing vocals, Dewtron "Mister Bassman" bass pedals

Production
 * David Hitchcock – production
 * John Burns – engineer
 * Richard Macphail – technician, stage sound (sound friend)

title: Supper's Ready


text:
Abuna Theophilos

Abune Theophilos (24 April 1910 – 14 August 1979), also known as Abune Tewophilos, was the second Patriarch of the Ethiopian Orthodox Tewahedo Church. He officially succeeded Abuna Basilios in 1971 after he had assumed the role of acting patriarch upon Abuna Basilios's death in 1970.

Early life
Abune Theophilos was born as Meliktu Jenbere on 24 April 1910 in the Parish of Debre Elias, district of Debre Marqos, in Gojjam. His parents were Ato Jenbere Wube and Woizero Zeritu Adelahu. After serving and studying at the Monastery of Debre Elias and at the Addis Alem St. Mary of Zion Monastery, Meliktu Jenbere received monastic orders at the Monastery of Debre Libanos in 1937 and received ordination as a priest from Abuna Abraham, Archbishop of Gojjam.

Career
In 1942, not long after Emperor Haile Selassie returned from exile, Abba Meliktu was made administrating priest with the title of Memher of the Mekane Selassie ("House of the Trinity") Monastery in Addis Ababa. Later, with the completion of the Cathedral at this monastery, he was made Dean of this new Holy Trinity Cathedral with the title of Lique Siltanat ("Arch-hierarch").

Then in 1947, Lique Siltanat Abba Meliktu traveled to Cairo with other high clerics to be made bishops by the Coptic Pope Yusab, the Patriarch of Alexandria. At the same time that Abuna Basilios became Ethiopia's first native-born Metropolitan Archbishop, Abba Meliktu was anointed as bishop of Harar with the name Abune Theophilos. He was also appointed as the personal representative of Pope Yusab to the Synod of the Ethiopian Orthodox Tewahedo Church. After Abune Basilios was made Patriarch of Ethiopia by the Coptic Pope Kyrillos, Abune Theophilos was elevated by the first Patriarch of Ethiopia to Archbishop of Harrar. Between 1951 and 1970, Theophilos served as regent and deputy for the ailing Patriarch Abune Basilios, and towards the end of this period was performing the role of acting Patriarch. Theophilos attended the Congress of the World Council of Churches which was held at Uppsala in July 1968. Upon the death of Abune Basilios in 1970, Abune Theophilos was elected on 7 April 1971, confirmed by the Emperor on 13 April 1971 and enthroned in Addis Ababa on 9 May 1971 as the second Patriarch of Ethiopia.

Second Patriarch of Ethiopia
Theophilos presided over a period of administrative reform in the Ethiopian Orthodox Church. Attempts were made to bring the church into the 20th century by introducing modern educational methods both in the theological schools and in the churches themselves. Theophilos encouraged ecumenical ties with other Oriental and Eastern Orthodox Churches, and began the process of rapprochement with the Roman Catholic Church. In October 1971 Tewophilos, at the invitation of the Patriarchs of Constantinople and Alexandria, paid a two-week-long visit to Egypt, Greece, and Turkey. In early 1973 he visited the United States. Also in 1973, he was visited by Pope Shenouda III of the Coptic Orthodox Church, Archbishop Makarios, President and Greek Orthodox Primate of Cyprus, and Patriarch Pimen of All Russia. Theophilos at various times visited the Holy Land, several Orthodox sees in Eastern Europe, and also toured the new Ethiopian Orthodox parishes in the Caribbean basin. In February 1972 Theophilos consecrated six new bishops at Holy Trinity Cathedral, the first of two consecrations he carried out during his brief incumbency.

In 1974, the Ethiopian Revolution toppled the monarchy in Ethiopia, and the Marxist-Leninist Derg regime replaced Emperor Haile Selassie in government. The government was officially atheist, but equality of religions was proclaimed, and the Ethiopian Church ceased to be the state church. While at first staying out of politics, Theophilos became disillusioned with the Derg's ideology, and was horrified by the massacre of 60 ex-officials of the Emperor's government in November 1974. He was refused permission to receive the remains of Emperor Haile Selassie after his death in unclear circumstances in August 1975 and was warned not to conduct public memorial services in his name.

With the disestablishment of the church and the severing of ties between church and state, Theophilos believed that he was entitled to make all decisions concerning the church independent of the authorities, and appointed and consecrated three new bishops without consulting the Derg. These bishops were Abuna Paulos, (who would eventually become the fifth Patriarch of the Ethiopian Orthodox Tewahido Church), Bishop Abune Basilios, and Bishop Abune Petros (not to be confused with Abune Petros). The Derg then arrested Theophilos in May 1976, along with the three newly consecrated bishops. The Synod of the Ethiopian Orthodox Church was ordered by the Derg to elect a new leader, and Patriarch Abuna Tekle Haymanot was elected to lead the church. The Coptic Patriarchate in Egypt, however, denounced the imprisonment of Theophilos, and refused to recognize the election and enthronement of the new Abuna. The Coptic Church argued that the removal of Theophilos was not canonical as it was done by the government and not by the Synod of the Orthodox Church, nor had Theophilos abdicated. As a result, ties between the Coptic and Ethiopian Orthodox Churches were severed.

Imprisonment
Theophilos was seized at the Patriarchal Palace in the precincts of the Saint of Saint's St. Mary's Patriarchal Monastery, and taken to the Emperor's former residence, the Jubilee Palace (renamed the National Palace by the Derg regime) on 17 February 1976. He was placed under solitary confinement in rooms formerly reserved for the use of Rear Admiral Prince Eskinder Desta, the Emperor's grandson who had been executed with the 60 Imperial ex-officials in November 1974.

One afternoon of uncertain date Theophilos managed to escape from the palace disguised as a layman while soldiers guarding the palace were distracted by a broadcast soccer match. Theophilos later told fellow prisoners that he had thought to head to the Greek Embassy, but then decided to make his way to the Asebot monastery in his former diocese of Harrar in the east of the country. He made his way to the Gofa St. Gabriel's Church to hide and prepare for his journey to Asebot, counting on the loyalty of the clergy at this church, but his location was reported to the Derg by someone at the church, and he was taken back into custody.

Theophilos was escorted barefoot to the old Menelik (Grand) Palace and again placed in solitary confinement, chained to his bed, his hands and feet cuffed. Four days later, he was taken to join Ward 1 of the Menelik Palace prison where the highest ranking surviving officials of the Imperial government were being held. Theophilos is believed to have entered into a severe fast (essentially a hunger strike) for 40 days and only broke it on Easter Monday after two imprisoned elder noblemen, Bitwoded Zewde Gebre-Hiwot (former mayor of Addis Ababa and President of the Imperial Senate of Ethiopia) and Dejazmach Haregot Abay (former Crown Councilor and noble and parliamentarian of Eritrea) pleaded with him on their knees.

Theophilos was subjected to numerous indignities while imprisoned. The gold handcross he had been given by the Emperor upon his enthronement was taken from him, along with an icon of the crucifixion that he kept by his bed. He was also ordered to sign papers as "Abba Meliktu" his pre-episcopal name, which he steadfastly refused to do, signing his name always as "Abune Tewophilos". He asked repeatedly that he be imprisoned in a monastery such as Asebot or elsewhere, but was refused. Theophilos conducted prayer services for his fellow prisoners twice daily and said the Holy Liturgy of the Mass every Sunday, assisted by the imprisoned Nebre-Id Ermias of Axum.

In July 1979, the Derg ordered the immediate execution of several more high officials of the Emperor's government. On 10 July 1979, nobleman and the Emperor's close aide, Tsehafi Taezaz Teferrawork, and former minister Seifu Mahteme Selassie were summoned and removed from the Palace prison and did not return. On 12 July 1979, former ministers Yohannes Kidane Mariam, Abebe Kebede, and Assefa Defaye were similarly taken away. It became obvious to the other prisoners that the men had been executed, and in preparation, many of them approached imprisoned clergy for absolution of their sins.

Finally, on Saturday, 14 August 1979 on the feast day of the Holy Trinity, Dejazmatch Kassa Wolde Mariam and General Samuel were summoned. Dejazmatch Kassa Wolde Mariam, heir to the old Oromo Kingdom of Leqa Qellam, former President of Haile Selassie University, and grandson-in-law to Emperor Haile Selassie, was on his knees before Theophilos receiving his final absolution before going to his death when Theophilos himself was called. He turned and asked Nebre-Id Ermias to absolve him, and he left the prison together with Dejazmatch Kassa.

Death
Theophilos and his fellow prisoners were taken to the former palace of Prince Asrate Kassa and were executed and buried there.

On 14 August 1979, Theophilos was strangled by an electrical wire and killed. He was buried face-down in a deep trench grave. His remains would later be identified by long black clerical robes and a monk's cap.

Following the fall of the Derg regime, Theophilos' remains were disinterred from the grounds of the former palace of Prince Asrate Kassa, and reburied in full ceremonial state at the Gofa St. Gabriel Church which he himself had built in southern Addis Ababa and was canonized.

The state funeral took place on 11 July 1992 and was attended by several thousand people.

title: Abuna Theophilos


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text: Category talk:Vigo County, Indiana

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User:Mongoose mc cloud

Welcome!

Hello,, and welcome to Wikipedia! Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! Please sign your name on talk pages using four tildes (~~); this will automatically produce your name and the date. If you need help, check out Questions, ask me on my talk page, or place  on your talk page and someone will show up shortly to answer your questions. Again, welcome! feydey 21:05, 26 August 2005 (UTC)
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Wikipedia:Articles for deletion/6,000,000

 This page is an archive of the proposed deletion of the article below. Further comments should be made on the appropriate discussion page (such as the article's talk page or on a Votes for Undeletion nomination). No further edits should be made to this page.

The result of the debate was keep. Eugene van der Pijll 16:59, 2 September 2005 (UTC)

6,000,000
Delete This would be better suited to being under Holocaust, World War II or similar Grcampbell 21:06, 26 August 2005 (UTC)
 * Change of vote Speedy Keep if kept as a redirect --Grcampbell 23:55, 29 August 2005 (UTC)

 * Comment: In the meantime, I redirected it towards 6000000 (number). If you agree we could speedy keep it. Given the already existing content of 6000000 (number), this will probably not be contentious. --Edcolins 21:25, August 26, 2005 (UTC)
 * (Speedy) keep, useful redirect. Flowerparty  talk 00:46, 27 August 2005 (UTC)
 * Speedy keep the useful redirect. Holocaust material needs to be moved out. - Mgm|(talk) 07:27, August 27, 2005 (UTC)
 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in an undeletion request). No further edits should be made to this page.


text: Category talk:Warrick County, Indiana

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Talk:James Anthony Froude

Untitled
Pronunciation: Frewed or Frowed? Charles Matthews 21:06, 26 August 2005 (UTC)

"All mention of Froude is henceforth disallowed for I swear by the rood that my name's pronounced Froude".

Quote attributed to James Anthony Froude.

See JAMES ANTHONY FROUDE. A Biography, 1818-1856 Dunn, Waldo Hilary

Oceana
"Oceana (1886), the record of a tour in Australia and New Zealand, notes the prosperity of the working-classes in Adelaide at the date of his visit, when, in fact, owing to a failure in the wheatcrop, hundreds were then living on charity"

I'm cutting this out pending citation or reference of some kind. The relevant "failure in the wheatcrop" is probably referring to the catastrophic early 1880s drought in the mid north affecting marginal farmers - nothing to do with the state of the "working-classes" in Adelaide, and I'm not sure what the reference to "living on charity" is. Let's see a reference to some actual "ridicule" from the press or someone at the time, not an encyclopedia referring ambiguously to someone else ridiculing Froude.

Elizabeth Gaskell
Is there a source on the claim of Froude's inspiration for Gaskell's "North and South"? I'd like to add it to the page on "The Nemesis of Faith". Thanks. Dozenthey (talk) 23:57, 23 April 2008 (UTC)
 * I've removed this reference pending citation. The only source I've found so far that mentions Froude in the context of North and South explicitly denies the connection ("Mr Hale's Doubts in North and South" By: Easson, Angus; Review of English Studies: A Quarterly Journal of English Literature and the English Language, 1980 Feb; 31 (121): 30-40.) and the connection between Charlotte and Margaret Hale doesn't make much sense anyway, since Froude and Charlotte didn't meet until after he left the church. However, if anyone has a reference that makes the connection, please add it. Dozenthey (talk) 01:30, 27 May 2008 (UTC)

Revision Plans
I'm going to start making some major revisions for this page. I'm more familiar with his early life and the religious controversy (and reading up on the Carlyle business) than with his later historical work, so anyone who knows more about that, your help would be appreciated. I've broken the article up into biographical sections; I'll start by expanding Early Life, Religious Controversy, and Carlyle Controversy. The rest of the article is lumped together as "Historian", that maybe could use some further division. That section currently contains way too much unsourced analysis; I think biography should be separated from a distinct section for Analysis or Criticism, which will need plenty of citations. I'm loathe to delete any of it, not knowing how much of it I'll be able to redo myself, but its terribly WP:OR and WP:Opinion right now. Dozenthey (talk) 23:12, 24 May 2008 (UTC)
 * Ultimately, I ended up rewriting the entire article, using some of the info from the old, but there was just too much opinion to work with. So far I've only been using the Herbert Paul biography and the journal articles listed under references. At some point I (or anyone else who might be interested) might go to the Dunn and Markus biographies for more information. However, once I find the citation for the one quote from History of England and a text copy of Paul to give more specific citations I think the article is complete enough for a GA nomination, so look for that soon. Dozenthey (talk) 18:46, 29 May 2008 (UTC)
 * Also, since the new article no longer uses the old text I've removed the Brittanica label. Dozenthey (talk) 18:47, 29 May 2008 (UTC)

Private Judgement
Despite a lack of sympathy with Froude and all concerned in the paragraph, isn't

Looking abroad (1870–1880) Rather than issue an objective and honest historical work, his book was in essence a bigoted and dishonest personal smear against Catholicism and the native Irish people that characterised the Irish in the ugliest stereotypes such as being naturally violent, lazy, rapacious, savage, ungrateful, corrupt, primitive, etc., along with false inflammatory misstatements of fact whilst spinning to the opposite what he extolled were British Protestant and British Protestant settler virtuous and superior character traits and their alleged victimisation at the hands of the Irish.

merely an personal opinion of Froude's book held by the writer ? Claverhouse (talk) 00:34, 20 July 2011 (UTC)
 * Yes. I've taken it out. JonChapple Talk 06:28, 20 July 2011 (UTC)

The Irish: "more like a tribe of squalid apes than human beings"
According to this book on Tomás Ó Criomhthain, James Anthony Froude said this about the Irish. Does anybody know the context? Should this anti-Irish racism be mentioned? 79.97.154.238 (talk) 15:50, 9 December 2012 (UTC)

title: Talk:James Anthony Froude


text: Category talk:Warren County, Indiana

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Dustin Gee

Gerald Harrison (24 June 1942 – 3 January 1986), who performed under the name Dustin Gee, was a British impressionist and comedian, best known for his double act with Les Dennis.

Early life and career
Born Gerald Harrison in York, on Wednesday, 24 June 1942, Gee left school at 15 and studied at art college. He took a job as an artist, working with stained glass, including at York Minster. He played in a rock band in the evenings called the Dare Devils, later 'Gerry B and the Hornets' and then 'Gerry B and the Rockafellas'. When the group disbanded, Gee became a compère, then a comedian. Gee was openly gay.

After 20 years in showbusiness, Gee got his television break on Who Do You Do?, an ITV showcase that gave opportunities for up-and-coming entertainers and impressionists. From April 1980 to July 1985, Gee was a guest on Russ Abbot's Madhouse. Les Dennis became one of the cast in 1982 and Gee and Dennis formed a double act with their impressions of Coronation Street's Vera Duckworth and Mavis Riley (played by Les Dennis).

On 15 April 1984, after Tommy Cooper suffered a massive heart attack whilst appearing on ITV's Live From Her Majesty's, Gee and Dennis were the act that was billed to follow him. They performed onstage whilst attempts were being made, backstage, to revive Cooper.

On 7 April 1984 Gee and Dennis began their own TV comedy show, The Laughter Show (retitled, Les & Dustin's Laughter Show for the third series). The first episode of a third series aired on Saturday 28 December 1985, the second episode was postponed two weeks after Gee died. The BBC cancelled the rest of the series, but it was resumed on request of Gee's family, on Saturday 18 January 1986.

Illness and death
On 24 May 1985, Gee felt ill whilst on stage at the opening night of a summer season at the North Pier in Blackpool. He carried on, but after the show he was taken to Blackpool Victoria Hospital where a minor heart attack was diagnosed. Gee was told that he had dilated cardiomyopathy. He was discharged from hospital on 30 May and returned to the stage on 24 June, his birthday, to complete the run until the end of September, ignoring the doctors at the hospital who told him to rest for six months. That autumn, Gee and Dennis recorded the third series of their Laughter Show.

From 20 December 1985, Gee and Dennis appeared in pantomime at the Southport Theatre, Merseyside. At 8.15pm on 1 January 1986, Gee suffered a massive heart attack, while playing one of the ugly sisters in Cinderella, a role they had played two years before in Bradford. At the end of a scene, Gee clutched his left arm and when they reached their dressing room he said to Dennis "I think I am dying", collapsed and lost consciousness. Basil Soper, the show's company manager, was successful in reviving him. Gee was accompanied to Southport General Hospital, but on arrival, collapsed and fell unconscious.

The following day Dennis and Roger Edwards (Gee's PA) were by his bedside, Gee was unconscious and they both urged him to keep fighting and he raised a finger. Gee woke up at 7.50am the following day, asked for a cup of tea and some ice cream. According to his family members who were with him, he was "quite chatty", thanked them for coming, said they must see him in pantomime and asked where his watch was. He was sitting up for a while and it appeared as if he was going to recover. However, later that morning Gee lost consciousness again and his condition deteroriated. He died at 12.45 p.m.

Jim Bowen replaced Gee in the pantomime.

Gee's funeral was held on 9 January 1986, at St Oswald's Church, at Fulford, York. Three hundred people attended, amongst them Liz Dawn, Bill Tarmey, Thelma Barlow, Sherrie Hewson, Dana, Johnnie Hamp, The Krankies, John Birt and Les Dennis. Floral tributes were sent from Bob Monkhouse, Danny La Rue, Stan Boardman, Cannon and Ball, Jimmy Tarbuck, Little and Large, Mike Smith, Des O'Connor, Tom O'Connor, Jeffrey Holland, Susie Blake, Jim Bowen, Les Dawson, Larry Grayson, Ernie Wise and Russ Abbot.

title: Dustin Gee


text:
Wiseblood (band)

Wiseblood was an American electronic/noise-rock band formed by Clint Ruin (a.k.a. J. G. Thirlwell) and Roli Mosimann, existing intermittently from 1985 through the early 1990s. In Ruin's words, Wiseblood was "violent macho American [music] made by non-Americans". The duo's material tended toward the realm of the darkest and most sexual Foetus songs, with Mosimann's Swans lineage showing in the slow, crushing pacing of many tracks. Thematically, Wiseblood's lyrics centered on the misanthropic exertion of power, typically via murder, sex or assault.

Studio albums

 * Dirtdish (1987, K.422/Relativity Records)

Singles and EPs

 * "Motorslug" (1985, K.422/Wax Trax! Records)
 * "Stumbo" (1986, K.422/Relativity Records)
 * PTTM (1991, Big Cat Records)

Compilation appearances

 * "Cough'N'Kill" on Plow! (1985, Organik)

title: Wiseblood (band)


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Diana Ross & the Supremes Join the Temptations

Diana Ross & the Supremes Join the Temptations is a collaborative album combining Motown's two best selling groups, Diana Ross & the Supremes and the Temptations. Issued by Motown in late 1968 to coincide with the broadcast of the Supremes/Temptations TCB television special, the album was a success, reaching #2 on the Billboard 200. Diana Ross & the Supremes Join the Temptations spent four weeks at number one on the UK Albums Chart.

Track listing
Diana Ross shares lead vocals on each track with one or more of the Temptations, identified by superscripts: (a) Eddie Kendricks, (b) Dennis Edwards, (c) Paul Williams, (d) Melvin Franklin, and/or (e) Otis Williams.

Side one

 * 1) "Try It Baby" (Berry Gordy) d, c – 3:42
 * 2) "I Second That Emotion" (Smokey Robinson, Al Cleveland) a – 2:19
 * 3) "Ain't No Mountain High Enough" (Nickolas Ashford, Valerie Simpson) b – 2:16
 * 4) "I'm Gonna Make You Love Me" (Kenneth Gamble, Leon Huff, Jerry Ross) a, e – 3:06
 * 5) "This Guy's in Love With You" (Burt Bacharach, Hal David) e – 3:48
 * 6) "Funky Broadway" (Arlester Christian) b – 2:32

Side two

 * 1) "I'll Try Something New" (Robinson) a – 2:20
 * 2) "A Place in the Sun" (Ron Miller, Bryan Wells) c – 3:29
 * 3) "Sweet Inspiration" (Dan Penn, Spooner Oldham) a – 2:55
 * 4) "Then" (Robinson, Bobby Rogers, Pete Moore) c – 2:12
 * 5) "The Impossible Dream" (Joe Darion, Mitch Leigh) c – 4:47

Known outtakes
All of the following songs were recorded for this album, but not included for the final track listing. These tracks can be found on Joined Together: The Complete Studio Duets, a 2004 Motown CD set combining this LP and its follow-up, Together.
 * 1) Opening Medley (Holland–Dozier–Holland) (on the intro: a, b, c, d, e)
 * 2) "When the Lovelight Starts Shining Through His Eyes"
 * 3) "Come See About Me"
 * 4) "Stop! In the Name of Love"
 * 5) "Love Is Like an Itching in My Heart"
 * 6) "You Keep Me Hangin' On"
 * 7) "Got to Get You into My Life" (John Lennon, Paul McCartney) *
 * 8) "You Can't Hurry Love"/"You Keep Me Hangin' On" (Holland–Dozier–Holland)
 * 9) "You Gave Me Something (and Everything's Alright)" (William Garrett, Albert Hamilton, Ronnie Savoy, Norma Toney) c
 * 10) "A House Is Not a Home" (Bacharach, David) a, c*
 * 11) "If You Should Walk Away" (Frank Wilson, Gordy)
 * 12) "Amen" (Jester Hairston) a, b, c**

(*) Supremes member Mary Wilson shares a lead on this track. (**) Mary Wilson and Cindy Birdsong also have leads on this track.

Personnel

 * Frank Wilson, producer (H. B. Barnum, arranger) - "Try It Baby" and "The Impossible Dream"
 * Frank Wilson and Nickolas Ashford, producers (Paul Riser, arranger) - "I'm Gonna Make You Love Me", "A Place in the Sun" and "Sweet Inspirations"
 * Frank Wilson and Deke Richards, producers (Gene Page, arranger) - "This Guy's in Love with You", "Funky Broadway" and "I'll Try Something New"
 * Smokey Robinson, Al Cleveland and Terry Johnson, producers (Paul Riser, arranger) - "I Second That Emotion" and "Then"
 * Henry Cosby, producer (Paul Riser, arranger) - "Ain't No Mountain High Enough"
 * Mary Wilson, Cindy Birdsong, Dennis Edwards, Eddie Kendricks, Paul Williams, Melvin Franklin, Otis Williams and The Andantes - background vocals

Instrumentation on "Try It Baby", "This Guy's in Love With You", "Funky Broadway", "I'll Try Something New" and "The Impossible Dream" is performed by Los Angeles area session musicians. On all other tracks, the instrumentation is provided by Motown's studio band, The Funk Brothers, with strings and horns by the Detroit Symphony Orchestra.

Singles history

 * "I'm Gonna Make You Love Me" b/w "A Place in the Sun" (Motown 1137, November 21, 1968)
 * "I'll Try Something New" b/w "The Way You Do the Things You Do" (b-side taken from TCB) (Motown 1142, February 20, 1969)
 * "I Second That Emotion" b/w "The Way You Do the Things You Do" (b-side taken from TCB) (Tamla-Motown 709, United Kingdom only, September 1969)


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Category:Wikipedians in Yorkshire

Classification: Wikipedians | By Location | United Kingdom | England | Yorkshire

Wikipedians who live in Yorkshire, which includes the cities of Bradford, Kingston upon Hull, Leeds, Ripon, Sheffield, Wakefield and York.

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User Yorkshire

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Category:Wikipedians in Cape Town

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See Meetup/Cape Town for organizing meetings.

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text: Category talk:White County, Indiana

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text: Category talk:Whitley County, Indiana

title: Category talk:Whitley County, Indiana


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Clough

Clough is a village and townland in County Down, Northern Ireland. It sits about 3 miles from Dundrum on the A2 between Newcastle and Belfast. The A2 continues via Downpatrick and the coast via Strangford and the Portaferry – Strangford Ferry to Portaferry to Belfast, whilst most road traffic heads along from Clough along the A24 via Carryduff to Belfast. It had a population of 255 people in the 2001 census. Clough is situated within the Newry, Mourne and Down area.

Places of interest

 * Clough Castle, an excellent example of an Anglo-Norman motte-and-bailey castle with stone tower.

Etymology
A map of 1634 marked the village as Machaeracate and the castle is Cloch Mhachaire Cat "Stone castle of the plain of the cat". This comes from a local legend of the chase of magic cat.

title: Clough


text: Category talk:Indiana counties

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User:Yonir

My name is Yoni.

title: User:Yonir


text: User talk:82.151.237.185

title: User talk:82.151.237.185


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Jonathan Dollimore

Jonathan G Dollimore (born 1948) is a British philosopher and critic in the fields of Renaissance literature (especially drama), gender studies, queer theory (queer studies), history of ideas, death studies, decadence, and cultural theory. He is the author of four academic books, a memoir, and numerous academic articles. With Alan Sinfield he was the co-editor of and key contributor to Political Shakespeare, and the co-originator of the critical practice known as cultural materialism. Dollimore is credited with making major interventions in debates on sexuality and desire, Renaissance literary culture, art and censorship, and cultural theory.

Early life
Dollimore was born in 1948 in Leighton Buzzard, England. After leaving school at fifteen he took a job operating a lathe in a car factory, and spent much of his spare time riding motorbikes at high speeds. At sixteen he suffered a serious road accident that necessitated a lengthy stay in hospital; it was during this period of convalescence that Dollimore decided to become a writer. He spent four years as a reporter for a local newspaper before taking an A-level in English at Luton College of Technology, followed by a BA in English and Philosophy at Keele University. Dollimore achieved first class honours, but found the teaching, particularly of philosophy, uninspiring. He later wrote: "I was discovering back then that philosophy was not only more important than the academic study of it allowed, but that as a subject it needed to be turned against the academy which diminished it. That became the basis of everything I subsequently wrote".

Career
In 1974 Dollimore began a PhD at Bedford College, University of London (now part of Royal Holloway, University of London), but abandoned his projected thesis after little more than a year when he took up a lectureship at the University of Sussex. However, he was awarded his PhD in 1984 when the University of London allowed him to submit his first book, Radical Tragedy: Religion, Ideology, and Power in the Drama of Shakespeare and his Contemporaries in lieu of a thesis. To meet university regulations, the book was required to be housed inside a cardboard box identical in colour and size to a conventional thesis. In 1991, now a Reader at the University of Sussex, Dollimore co-founded with his then-partner Alan Sinfield the Centre for the Study of Sexual Dissidence, which, as he later recalled, was met with horror by some commentators: "One Tory MP said that the University should be shut down, disinfected AND subjected to the financial equivalent of carpet bombing. An opinion writer in The Sun newspaper agreed, but added that the carpet bombs should be real". Dollimore later became Professor of English and Related Literature at the University of York.

Major works
Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries (1984, 2nd edition 1989, 3rd edition 2004, reissued 3rd edition 2010)

In his first book, Dollimore argues that the humanist critical tradition has distorted for modern readers the actual radical function of Early Modern English drama, which had to do with 'a critique of ideology, the demystification of political and power relations and the decentring of "man"'.

Political Shakespeare: Essays in Cultural Materialism, edited with Alan Sinfield (1985, 2nd edition 1994)

Treading the same path as Radical Tragedy, this collection of essays by leading writers on Shakespeare has as its goal to replace our idea of a timeless, humane and civilising Shakespeare with a Shakespeare anchored in the social, political and ideological conflicts of his historical moment. Dollimore contributes three essays to the expanded second edition, including an introduction that explains and defends his approach. Also included are essays by Stephen Greenblatt, Alan Sinfield and Kathleen McLuskie.

Sexual Dissidence (1991, 2nd edition 2018)

In Sexual Dissidence, Dollimore sets out "to retrieve lost histories of perversion", in part by tracing the term "perverse" back to its etymological origins in Latin and its epistemological origins in Augustine. Oscar Wilde takes centre stage, but the book also discusses writers including André Gide, Freud, and Foucault, and topics such as desire, transgression, homophobia, and cross-dressing. The second edition includes a new introduction that locates the book in its original contexts, and also offers a reading of Wilde’s novel Dorian Gray and an outline of a critical practice, derived from cultural materialism, whereby literature is used to “read” philosophy rather than vice verse.

Death, Desire, and Loss (1998)

In a wide-ranging survey from Anaximander to AIDS, Dollimore presses his case that the drive to relinquish the self has always lurked within Western notions of identity and can be found above all, "perversely, lethally, ecstatically" in sexuality.

Sex, Literature, and Censorship (2001)

Dollimore explores the relationship between criticism, ethics and aesthetics, centring his discussion on literature’s "dangerous knowledge". He calls for a shift in critical values from theoretical learning to experiential knowledge, endorsing a criticism capable of "being historically and imaginatively inside a perspective which one is also critically resisting; struggling to escape its failures while seeing that one has already been changed by it". The book contains a lengthy discussion of what Dollimore calls "wishful theory," and the development of his idea of the daemonic: the inhumane values found at the heart of literature and civilization that traditional critics have ignored.

Desire: A Memoir (2017, 2nd expanded edition 2021)

In this autobiographical work, Dollimore pays particular attention to sex and identity, depression and loss, and the relationship between academic work and gay subcultures in the United Kingdom, Australia, and New York. In a review, Andrew Gibson writes "Desire may tell us more about what was at stake in our culture, especially British culture, from the late sixties to the early nineties (the period the memoir covers) than many another book that may address the theme in a more deliberate and learned fashion".

Ideas
Cultural materialism

As defined and originated by Dollimore and Alan Sinfield, cultural materialism is a way of reading that, at its simplest, can be defined as "a combination of historical context, theoretical method, political commitment and textual analysis". As Christopher Marlow puts it, "Above all else, cultural materialists consider texts from a materialist rather than an idealist perspective. This means rejecting critical clichés such as the idea that Shakespeare’s works demonstrate a revelation of something called ‘human nature’, and instead paying attention to the actual circumstances in which texts are written and read. Thus where traditional criticism sees Shakespeare’s era as one that comfortably maintained a conservative political status quo, cultural materialism finds evidence of dissent and subversion. Being a materialist also means abandoning the idea that literary criticism exists in a privileged scholarly realm ‘above’ politics and thus offers unbiased readings of Shakespeare and other literary texts. For cultural materialists, all readings are political readings, not least, of course, their own".

The perverse dynamic

"The perverse dynamic", is one of Dollimore’s most crucial theoretical concepts, first described in Sexual Dissidence, and later applied in Sex, Literature, and Censorship. The "perverse dynamic" is the production of perversion from within the very social structures that are offended by it and often enforce against it. The perverse "other" turns out not to be the remote alien thing it is supposed to be, enabling a "tracking-back of the ‘other’ into the ‘same’". This return of the suppressed via the proximate Dollimore calls "transgressive reinscription."

Wishful theory

This phrase is used by Dollimore in his later work to refer to versions of cultural criticism that have abandoned "the effort to understand the historical real as we inherit and live it". Playing on Marx’s famous tenet that as human beings "we can make history, but not in conditions of our own choosing", Dollimore remarks that "wishful theory is akin to trying to make history in conditions of our own choosing". In making this point, he reaffirms his commitment to praxis as well as theory.

Recent writings
In "Civilization and its Darkness" (2012) Dollimore examines Joseph Conrad's novel Heart of Darkness, and explores the relationship between civilisation and the forces that subvert and destroy it. Civilization, Dollimore writes, "is, at some level, profoundly and necessarily limited, focused and exclusionary, built on repressions which remain constitutive." The repressed forces, however, re-emerge intensified, which means that "only the most highly civilised can become truly daemonic." Dollimore also reiterates, from Sex, Literature and Censorship, his belief that "to take art seriously is to recognise that it has the power to compromise both our morality and our humanity."

Dollimore, in his extended "Foreword" to Ewan Fernie's book The Demonic (2012), discusses the modern state of literary criticism. He dislikes the "obscurantist" tendencies of some critical and cultural theory, but he also deplores the fact that "historicism in one newish form or another, has become a new orthodoxy." The most committed historicism, Dollimore claims, "tends towards a policing of the play [or whatever else] against interpretation. It doesn't just avoid questions of value, but represses them; in other words it's a contextualising which is also, and more fundamentally, a containment."

A call for a new sort of spiritually intense living runs through Dollimore's recent writings. For example, in his "Foreword", he counsels that "authenticity is more often than not outside the doxa," and states: "almost everything that is done, including what we ourselves do, be it at the macro or the micro level, could and should be done more authentically, more honestly, more meaningfully, more truthfully."

In an interview with David Jonathan Y. Bayot published as Jonathan Dollimore in Conversation (2013), Dollimore discusses theory, aesthetics, ethics, and politics, and considers how to mobilize them alongside desire and spirituality for a radical materialist practice. He explains the continuing relevance of cultural materialism, and defends it against what he calls "dogged misunderstanding" of some of its theoretical positions.

In "Then and Now" (2014), Dollimore reflects upon cultural materialism and the publication of Political Shakespeare, and goes on to examine the question of human nature through the lens of evolutionary biology. He advises that literary scholars take science seriously, and considers the possibility that culture itself may be counter-evolutionary.

Personal life
In the 1970s and 1980s, Dollimore shared a cottage in Shropshire with his partner, Alan Sinfield.

Selected publications

 * Dollimore, Jonathan (1983) (with Alan Sinfield). The Selected Plays of John Webster: The White Devil, The Duchess of Malfi, The Devil's Law Case. Cambridge University Press. ISBN 978-0-521-27103-5.
 * Dollimore, Jonathan (1994) (with Alan Sinfield). Political Shakespeare: Essays in Cultural Materialism. Cornell University Press (North America); Manchester University Press (UK). ISBN 978-0-8014-8243-4 (N. Am.); 978-0719043529 (UK).
 * Dollimore, Jonathan (1998). Death, Desire and Loss in Western Culture. Routledge. ISBN 978-0-415-92174-9.
 * Dollimore, Jonathan (2001). Sex, Literature, and Censorship. Polity Press. ISBN 978-0-7456-2763-2.
 * Dollimore, Jonathan (2010). Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries. Rev. 3d ed. Basingstoke, UK: Palgrave Macmillan. ISBN 978-0-230-24313-2.
 * Dollimore, Jonathan (2011). "On Leaving" in Crrritic! (eds. John Schad and Oliver Tearle, Sussex Academic Press). ISBN 978-1845193829.
 * Dollimore, Jonathan (2012). "Civilization and its Darkness" in Conrad's Heart of Darkness and Contemporary Thought: Revisiting the Horror with Lacoue-Labarthe (ed. Nidesh Lawtoo, Bloomsbury Academic). ISBN 978-1441101006.
 * Dollimore, Jonathan (2012). "Foreword" to Ewan Fernie, The Demonic (Routledge). ISBN 978-0415690256.
 * Dollimore, Jonathan (2013). Jonathan Dollimore in Conversation (with David Jonathan Y. Bayot). Manila: De La Salle University Publishing House (Philippines). ISBN 978-971-555-586-9.
 * Dollimore, Jonathan (2014). "Then and Now." Critical Survey 26.3: 61–82..
 * Dollimore, Jonathan (2018). Sexual Dissidence. 2nd ed. Oxford: Oxford University Press. ISBN 978-0-19-882705-4.
 * Dollimore, Jonathan (2021). Desire: A Memoir. 2nd ed. Lanham, MD: Rowman & Littlefield. ISBN 978-1-78661-500-8.

title: Jonathan Dollimore


text: Category talk:Indiana culture

title: Category talk:Indiana culture


text: Category talk:Museums in Indiana

title: Category talk:Museums in Indiana


text: User talk:68.167.205.2

title: User talk:68.167.205.2


text:
Pierre Janet

Pierre Marie Félix Janet (30 May 1859 – 24 February 1947) was a pioneering French psychologist, physician, philosopher, and psychotherapist in the field of dissociation and traumatic memory.

He is ranked alongside William James and Wilhelm Wundt as one of the founding fathers of psychology. He was the first to introduce the link between past experiences and present-day disturbances and was noted for his studies involving induced somnambulism.

Biography
Janet studied under Jean-Martin Charcot at the Psychological Laboratory in the Pitié-Salpêtrière Hospital in Paris. He first published the results of his research in his philosophy thesis in 1889 and in his medical thesis, L'état mental des hystériques, in 1892. He earned a medical doctorate the following year after completing a study on the mental state of hysterics.

In 1898, Janet was appointed lecturer in psychology at the Sorbonne. In 1901, he founded the French Psychological Society and a year later he attained the chair of experimental and comparative psychology at the Collège de France, a position he held until 1936. He was a member of the Institut de France from 1913, and was a central figure in French psychology in the first half of the 20th century. He was elected an international honorary member of the American Academy of Arts and Sciences in 1932, a member of the United States National Academy of Sciences in 1938, and an international member of the American Philosophical Society in 1940.

Theories
Janet was one of the first people to allege a connection between events in a subject's past life and their present-day trauma, and coined the words "dissociation" and "subconscious". His study of the "magnetic passion" or "rapport" between the patient and the hypnotist anticipated later accounts of the transference phenomenon.

The 20th century saw Janet developing a grand model of the mind in terms of levels of energy, efficiency and social competence, which he set out in publications including Obsessions and Psychasthenia (1903) and From Anguish to Ecstasy (1926), among others. In its concern for the construction of the personality in social terms, this model has been compared to the social behaviorism of George Herbert Mead something which explains Lacan's early praise of "Janet, who demonstrated so admirably the signification of feelings of persecution as phenomenological moments in social behaviour".

Developmental hierarchy
Janet established a developmental model of the mind in terms of a hierarchy of nine "tendencies" of increasingly complex organisational levels.

He detailed four "lower tendencies", rising from the "reflexive" to the "elementary intellectual"; two "middle tendencies", involving language and the social world; and three "higher tendencies", the "rational-ergotic" world of work, and the "experimental and progressive tendencies".

According to Janet, neurosis could be seen as a failure to integrate, or a regression to earlier tendencies, and he defined subconsciousness as "an act which has kept an inferior form amidst acts of a higher level". Janet also introduced the concept of idee fixe during his research and dialogues with patients. Here, the subconscious, is considered the root of all hysterical manifestations. It constitutes the nucleus of the second state of personality, which he called as etat second.

William James
In his 1890 essay The Hidden Self, William James wrote of P. Janet's observations of "hysterical somnambulist" patients at Havre Hospital, detailed in Janet's 1889 doctorate of letters thesis, De l'Automatisme Psychologique. James made note of various aspects of automatism and the apparent multiple personalities ("two selves") of patients variously exhibiting "trances, subconscious states" or alcoholic delirium tremens. James was apparently fascinated by these manifestations and said, "How far the splitting of the mind into separate conciousnesses may obtain in each one of us is a problem. P. Janet holds that it is only possible where there is an abnormal weakness, and consequently a defect of unifying or coordinating power."

Freud
Controversy over whose ideas came first, Janet's or Sigmund Freud's, emerged at the 1913 Congress of Medicine in London. Prior to that date, Freud had freely acknowledged his debt to Janet, particularly in his work with Josef Breuer, writing for example of "the theory of hysterical phenomena first put forward by P. Janet and elaborated by Breuer and myself". He stated further that "we followed his example when we took the splitting of the mind and dissociation of the personality as the centre of our position", but he was also careful to point out where "the difference lies between our view and Janet's".

Writing in 1911 of the neurotic's withdrawal from reality, Freud stated: "Nor could a fact like this escape the observation of Pierre Janet; he spoke of a loss of 'the function of reality'", and as late as 1930, Freud drew on Janet's expression "psychological poverty" in his work on civilisation.

However, in his report on psychoanalysis in 1913, Janet argued that many of the novel terms of psychoanalysis were only old concepts renamed, even down to the way in which his own "psychological analysis" preceded Freud's "psychoanalysis". This provoked angry attacks from Freud's followers, and thereafter Freud's own attitude towards Janet cooled. In his lectures of 1915-16, Freud said that "for a long time I was prepared to give Janet very great credit for throwing light on neurotic symptoms, because he regarded them as expressions of idées inconscientes which dominated the patients". However, after what Freud saw as his backpedalling in 1913, he said, "I think he has unnecessarily forfeited much credit".

The charge of plagiarism stung Freud especially. In his autobiographical sketch of 1925, he denied firmly that he had plagiarized Janet, and as late as 1937, he refused to meet Janet on the grounds that "when the libel was spread by French writers that I had listened to his lectures and stolen his ideas he could with a word have put an end to such talk" but did not.

A balanced judgement might be that Janet's ideas, as published, did indeed form part of Freud's starting point, but that Freud subsequently developed them substantively in his own fashion.

Jung
Carl Jung studied with Janet in Paris in 1902 and was much influenced by him, for example equating what he called a complex with Janet's idée fixe subconsciente.

Jung's view of the mind as "consisting of an indefinite, because unknown, number of complexes or fragmentary personalities" built upon what Janet in Psychological Automatism called "simultaneous psychological existences".

Jung wrote of the debt owed to "Janet for a deeper and more exact knowledge of hysterical symptoms", and talked of "the achievements of Janet, Flournoy, Freud and others" in exploring the unconscious.

Adler
Alfred Adler openly derived his inferiority complex concept from Janet's Sentiment d'incomplétude, and the two men cited each other's work on the issue in their writings.

Publications
In 1923, Janet wrote a definitive text on suggestion, La médecine psychologique, and in 1928-32 published several definitive papers on memory. His two-volume Obsessions et la psychastenie also proposed more than 60 different kinds of obsessions.

While Janet did not publish much in English, the 15 lectures that he gave at Harvard Medical School between 15 October and the end of November 1906 were published in 1907 as The Major Symptoms of Hysteria. He received an honorary doctorate from Harvard University in 1936.

Of his great synthesis of human psychology, Henri Ellenberger wrote that "this requires about twenty books and several dozen of articles".

About Pierre Janet

 * Short biography
 * Bibliographic site
 * Reading guide
 * "Autobiography" of his early years
 * Pierre Janet & the 'Reality Function'
 * JANETIAN STUDIES electronic journal of the Institut Pierre Janet

Works of Pierre Janet

 * Psychological Automatism: Essay of Experimental Psychology on the Lower Forms of Human Activity Doctorate of Science thesis of Pierre Janet.
 * La Médecine Psychologique Important book by Pierre Janet. It clarifies what he thought about Suggestion. (PDF download)
 * Books by Pierre Janet on line

title: Pierre Janet


text:
Derek Cecil

Derek Cecil (born January 5, 1973) is an American actor. He played the role of Seth Grayson on the Netflix series House of Cards, starred in the short-lived series Push, Nevada and The Beat, and made several appearances in the series Pasadena and Banshee.

He is also in the Showtime series Black Monday as Detective Lester.

Early life
Cecil was born in Amarillo, Texas. He graduated from the University of Houston and the American Conservatory Theater. He graduated from William H. Taft High School in San Antonio, Texas.

title: Derek Cecil


text:
User:PiccoloNamek/Gallery

Hello, welcome! This is a gallery of all of the photographs that I have contributed to Wikipedia.

To see my Featured Pictures, visit my Featured Pictures Gallery!

title: User:PiccoloNamek/Gallery


text:
Kill Reality

Kill Reality is a 2005 series which ran on E! Entertainment television about the all-stars of reality television making a horror movie called The Scorned. During the filming of the movie the cast lived together in a house that quickly turned into the real house of horrors. The series ended when, on the final episode, Jonny Fairplay was removed from the house for defecating on Trish Schneider's bed while she was sleeping in it.

E! was supposed to have aired The Scorned on September 24, 2005, however, the film was delayed and had its premiere on Halloween later that year.

Cast
The show's stars consist of "actors" and "producers" all of whom took part in reality television:

 * Steven Hill of The Real World: Las Vegas
 * Tonya Cooley of The Real World: Chicago
 * Jon Dalton of Survivor: Pearl Islands
 * Reichen Lehmkuhl of The Amazing Race 4
 * Trishelle Cannatella of The Real World: Las Vegas
 * Trish Schneider of The Bachelor
 * Stacie Jones Upchurch of The Apprentice
 * Bob Guiney of The Bachelor
 * Ethan Zohn of Survivor: Africa and Survivor: All-Stars
 * Jenna Morasca of Survivor: The Amazon and Survivor: All-Stars
 * Toni Ferrari of Love Cruise and Paradise Hotel
 * Erika Landin of Big Brother 4
 * Katie Doyle of Road Rules: The Quest
 * Rob Cesternino of Survivor: The Amazon and Survivor: All-Stars

title: Kill Reality


text:
File:EveryPictureTellsaStory.jpg

Licensing
Rod Stewart's Every Picture Tells a Story

title: File:EveryPictureTellsaStory.jpg


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Kodee Kennings

Kodee Kennings is the name given to a fictitious 8-year-old girl, supposedly the daughter of a U.S. Army soldier named Dan Kennings in post-invasion Iraq. Kodee's plight was detailed in letters published in the Daily Egyptian, a student newspaper for Southern Illinois University in Carbondale, Illinois, beginning in 2003.

Hoax
The story was concocted by Jaimie Reynolds, a woman who claimed to be Colleen Hastings, caregiver of the fictional Kodee. Reynolds allegedly passed a letter supposedly written by "Kodee," to Michael Brenner, who was then a sports editor at the Egyptian which prompted a feature story published May 6, 2003. In the article, "Kodee" told how upset she was by an anti-war protest at the university campus, and of her worries about her father "Dan" who was shipping off to Iraq with the 101st Airborne. Kodee's mother was said to be dead.

Over the next year, the Egyptian would publish, unedited, notes and letters from "Kodee", liberally strewn with misspellings and phonetic English, to update their readers about Dan's Iraq service or Kodee's daily life. A young friend of Reynolds, Caitlin Hadley, the daughter of a Nazarene minister, was recruited to play the part of Kodee for photographs, and a nurse, Patrick Trovillion, played Dan. Both believed that they were playing parts in a movie. "Kodee" was taken to the Egyptian newsroom and other Carbondale locations. "Dan" was photographed wearing camouflage, sitting on a tank, and meeting with school children in Michigan. "Dan" also called the newsroom and maintained an e-mail address at Yahoo! "Dan" was even portrayed as having been injured in a December 2004 explosion in a mess hall at a base near Mosul, Iraq. He reportedly returned to duty in a matter of weeks but was later injured again, this time by a roadside bomb while traveling via Humvee.

Reynolds also apparently penned a guest editorial published in the name of a real war widow, wherein the author claimed that her late husband had been a war buddy of Kennings'.

To further attempt to turn her hoax into reality, Jaimie Reynolds would dial the Daily Egyptian newsroom and – unbeknown to DE staff – allegedly disguise her voice to pretend to be the fictional girl "Kodee Kennings" wanting to talk to staff.

Throughout the hoax, Jaimie Reynolds also passed herself off as the twin sister of the fictional "Colleen Hastings" and visited the Daily Egyptian newsroom alternating as either Jaimie or "Colleen." Reynolds was a broadcast-journalism student at Southern Illinois University and graduated in 2004, putting her in classes alongside Daily Egyptian staff.

Exposure
The hoax unraveled when Reynolds claimed in August 2005 that Kennings had died in Iraq. This news was published in the Egyptian, leading reporters from the Tribune to seek an interview with "Hastings." These reporters became suspicious when Reynolds routed interview requests through Brenner, who had become a close friend of hers.

Reynolds and Hadley (as "Hastings" and "Kodee"), along with members of the Egyptian staff, attended a memorial service arranged at the local American Legion outpost. After openly weeping at the service, Reynolds and Hadley met with Tribune reporters briefly at a restaurant, where they were told that media liaisons at The Pentagon were unable to confirm the existence of Kennings. Reynolds refused to provide any proof of Kennings' existence. Days later, reporters located her at her mother's home in Marion, Illinois, where she admitted to participating in the hoax.

Brenner was duped by Reynolds. After numerous articles in the Chicago Tribune, the Associated Press, the St. Louis Post-Dispatch and the Daily Egyptian itself, it appeared no crime was committed. The parents of Hadley were particularly upset, however and considered a restraining order against Reynolds.

Subsequent attempts to contact Reynolds after news of her hoax broke were unsuccessful. Reynolds went so far as to change the identity of her cell-phone voicemail from the fictional "Colleen Hastings" to "Blank Blank."

Investigation
The Daily Egyptian subsequently investigated the hoax that had been perpetrated on its own paper. In part due to that investigation, the Egyptian won the Illinois College Press Association's General Excellence Award in 2006, as well as first place in the Investigative Reporting category.

title: Kodee Kennings


text:
Category talk:Education in Indiana

Naming convention
I've proposed a standard form for naming articles on Ohio school districts: Naming conventions (Ohio school districts), which could easily be extended to apply to districts in other states. I'd welcome some feedback on this. PedanticallySpeaking 16:48, 1 February 2006 (UTC)

title: Category talk:Education in Indiana


text:
Talk:Dustin Gee

Untitled
There is no citation re the use of poppers. 15:18, 16 January 2009 (UTC) —Preceding unsigned comment added by 213.208.114.13 (talk)

Skirting board incident!? Is this really worthy of comment?

no. It is the worst anecdote I've ever read.86.152.174.176 (talk)
 * I agree, it's utterly trivial, could have happened to anybody, and was only reported since it was Gee. Unencyclopedic toss, and I will remove it as such. Rodhull  andemu  23:17, 15 August 2010 (UTC)

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title: Talk:Dustin Gee


text: Category talk:High schools in Indiana

title: Category talk:High schools in Indiana


text:
Andrei Tchmil

Andrei Tchmil (born 22 January 1963) is a retired Soviet (until 1991), Moldovan (1992–1994), Ukrainian (1994 –1998) and Belgian (since 1998) professional road bicycle racer. He competed in the men's individual road race at the 1996 Summer Olympics.

Cycling career
Tchmil was born in Khabarovsk, Russia. His family moved to Ukraine during the days of the Soviet Union. He started cycling and showed enough talent to be moved to a cycling school in Moldova. The glasnost in the Soviet Union allowed him to try a professional career with the Italian Alfa Lum team in 1989.

After the collapse of the Soviet Union he became a Ukrainian citizen, although he eventually moved to Belgium early in his professional career. "People are cynical when I talk about Belgium. They think I'm only Belgian on paper. That is not true. Yes, I was a Russian, even a proud one.... Now I am proud to be Belgian. The first thing I did was learn French. Now there are some books in my suitcase to learn Flemish. It's not easy," Tchmil said in an interview with Cycle Sport.

Tchmil rode the Tour de France five times, but only finished twice and never won a stage.

Tchmil was most famous as a classic cobbled race specialist, thriving in races such as Tour of Flanders, Gent–Wevelgem, Omloop "Het Volk", and Paris–Roubaix. His first UCI Road World Cup win was in Paris–Roubaix in 1994. He also won the Paris–Tours in 1997 (earning the Ruban Jaune in so doing) and Milan–San Remo in 1999. His last celebrated victory was in the Tour of Flanders in 2000 when he overpowered rival Johan Museeuw in the finale. He was easily recognizable in the races, with his signature grimace, old-style helmet, and his powerful riding style. He won the UCI Road World Cup in 1999.

Tchmil retired in 2002, after having been forced to end his spring classics campaign due to a bad fall during the Three Days of De Panne in which his thigh was crushed.

Post-cycling career
After his professional cycling career, Tchmil joined Chocolade Jacques as a consultant, but he left because according to Tchmil the riders would not listen to him. In 2004, he was approached by the UCI to set up a cycling centre, which he did.

In August 2006, Tchmil was appointed Minister of Sport in Moldova. In 2009, he became the team manager of the newly formed Team Katusha. Tchmil left the squad at the end of 2011.

Major results
Source:

 * 1987
 * 1st Stage 3 Vuelta a Colombia

 * 1989
 * 2nd GP Industria & Commercio di Prato
 * 3rd Giro del Veneto
 * 6th Coppa Placci

 * 1990
 * 2nd Grand Prix Pino Cerami

 * 1991
 * 1st MaillotURSS.png Road race, National Road Championships
 * 1st Grand Prix Pino Cerami
 * 1st Overall Paris–Bourges
 * 3rd Coppa Bernocchi
 * 3rd Tour du Nord-Ouest
 * 6th Züri-Metzgete
 * 8th Brabantse Pijl

 * 1992
 * 3rd Overall Tour of Ireland
 * 4th Paris–Tours
 * 6th Overall 4 Jours de Dunkerque
 * 10th Overall KBC Driedaagse van De Panne-Koksijde

 * 1993
 * 2nd Overall Tirreno–Adriatico
 * 2nd Kampioenschap van Vlaanderen
 * 2nd Druivenkoers Overijse
 * 3rd Brabantse Pijl
 * 3rd Giro di Campania
 * 4th Overall 4 Jours de Dunkerque
 * 5th GP Ouest–France
 * 6th Road race, World Road Championships
 * 9th Le Samyn

 * 1994
 * 1st Paris–Roubaix
 * 1st E3 Prijs Vlaanderen
 * 1st GP Ouest–France
 * 1st Stage 2 KBC Driedaagse van De Panne-Koksijde
 * 1st Stage 4 Vuelta a Burgos
 * 1st Stage 3b Tour of Britain
 * 3rd Tour of Flanders
 * 3rd Overall 4 Jours de Dunkerque
 * 4th Gent–Wevelgem
 * 4th Brabantse Pijl
 * 4th Grand Prix d'Ouverture La Marseillaise
 * 4th Rund um den Henninger Turm
 * 5th Omloop Het Volk
 * 6th Paris–Brussels
 * 9th Milan–San Remo

 * 1995
 * 1st Overall Tour du Limousin
 * 1st Stage 1
 * 1st Paris–Camembert
 * 1st Stage 1 Critérium du Dauphiné Libéré
 * 1st Stage 1 Vuelta a Burgos
 * 2nd Paris–Roubaix
 * 2nd Paris–Tours
 * 2nd Overall Étoile de Bessèges
 * 2nd Bordeaux-Caudéran
 * 3rd Tour of Flanders
 * 3rd Omloop Het Volk
 * 4th Overall KBC Driedaagse van De Panne-Koksijde
 * 5th Brabantse Pijl
 * 6th Overall Vuelta a Andalucía
 * 7th Overall Paris–Nice
 * 7th Wincanton Classic
 * 9th Kuurne–Brussels–Kuurne

 * 1996
 * 1st Veenendaal–Veenendaal
 * 1st Stage 2 KBC Driedaagse van De Panne-Koksijde
 * 2nd Overall Tour of Galicia
 * 1st Stages 1 & 2
 * 3rd GP Ouest–France
 * 3rd Grand Prix d'Ouverture La Marseillaise
 * 4th Paris–Brussels
 * 5th Brabantse Pijl
 * 5th Paris–Bourges
 * 5th Overall Étoile de Bessèges
 * 6th Paris–Roubaix
 * 6th Tour of Flanders
 * 6th Amstel Gold Race
 * 7th Trofeo Laigueglia
 * 7th Druivenkoers Overijse
 * 8th Overall Paris–Nice
 * 1st Stage 6
 * 8th Tour du Haut Var
 * 8th Kuurne–Brussels–Kuurne
 * 9th Gent–Wevelgem
 * 9th E3 Prijs Vlaanderen
 * 9th Dwars door België
 * 9th Overall Tour de Luxembourg
 * 1st Stage 4
 * 10th Milan–San Remo

 * 1997
 * 1st Paris–Tours
 * 1st Dwars door België
 * 1st GP Rik Van Steenbergen
 * 1st Druivenkoers Overijse
 * 2nd Gent–Wevelgem
 * 2nd Grand Prix of Aargau Canton
 * 2nd Paris–Brussels
 * 3rd Scheldeprijs
 * 4th Paris–Roubaix
 * 4th Tour of Flanders
 * 4th Overall 4 Jours de Dunkerque
 * 5th Omloop Het Volk
 * 8th Amstel Gold Race
 * 8th Kuurne–Brussels–Kuurne
 * 8th Classic Haribo
 * 8th Overall KBC Driedaagse van De Panne-Koksijde
 * 9th E3 Prijs Vlaanderen
 * 9th Overall Giro di Puglia

 * 1998
 * Paris–Nice
 * 1st Stages 5 & 6
 * 1st Stage 5 Vuelta a Burgos
 * 1st Kuurne–Brussels–Kuurne
 * 1st Trofeo Luis Puig
 * 2nd GP Rik Van Steenbergen
 * 3rd Tour of Flanders
 * 3rd Omloop Het Volk
 * 3rd Dwars door België
 * 4th Gent–Wevelgem
 * 5th Milan–San Remo
 * 6th Overall Étoile de Bessèges
 * 8th Amstel Gold Race
 * 8th Paris–Bourges
 * 8th Overall Vuelta a Andalucía
 * 9th E3 Prijs Vlaanderen

 * 1999
 * 1st Mens World Cup leaders jersey.png UCI Road World Cup
 * 1st Milan–San Remo
 * 1st Stage 1 Paris–Nice
 * 2nd E3 Prijs Vlaanderen
 * 2nd GP Villafranca de Ordizia
 * 2nd Paris–Bourges
 * 3rd Overall Tour de la Région Wallonne
 * 1st Stage 4
 * 3rd Overall Étoile de Bessèges
 * 3rd Kuurne–Brussels–Kuurne
 * 3rd Züri-Metzgete
 * 4th Clásica de San Sebastián
 * 4th Omloop Het Volk
 * 6th GP Ouest–France
 * 7th Tour of Flanders
 * 7th Gent–Wevelgem
 * 8th Paris–Roubaix
 * 9th Paris–Tours

 * 2000
 * 1st Tour of Flanders
 * 1st Kuurne–Brussels–Kuurne
 * 1st Coppa Sabatini
 * 1st Stage 2 Vuelta a Burgos
 * 2nd Clásica de San Sebastián
 * 2nd Paris–Tours
 * 2nd Druivenkoers Overijse
 * 4th Overall KBC Driedaagse van De Panne-Koksijde
 * 5th Paris–Bourges
 * 6th Grand Prix d'Isbergues
 * 8th Omloop Het Volk
 * 8th Overall 4 Jours de Dunkerque
 * 9th Grand Prix of Aargau Canton

 * 2001
 * 1st E3 Prijs Vlaanderen
 * 1st Gran Premio Bruno Beghelli
 * 4th Overall Vuelta a Andalucía
 * 8th Paris–Roubaix
 * 9th Tour of Flanders

 * 2002
 * 1st Stage 3 Tour of Belgium
 * 7th Milan–San Remo
 * 7th Omloop Het Volk

title: Andrei Tchmil


text: Category talk:Middle schools in Indiana

title: Category talk:Middle schools in Indiana


text: Category talk:Universities and colleges in Indiana


text: Category talk:University of Notre Dame

title: Category talk:University of Notre Dame


text: Category talk:Purdue University

title: Category talk:Purdue University