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International School of Theatre Anthropology

The International School of Theatre Anthropology (ISTA) is an international and multi-cultural network of performers, directors, scholars and academics of the theatre. Based in the Odin Teatret, Denmark, the organization has the nature of an itinerant university whose central field of study and research is theatre anthropology, the multi-cultural study of acting techniques.

History
Founded in 1979 by Eugenio Barba, the ISTA has functioned as a laboratory of theatre in the spirit of Grotowski theatre, though broader and more inclusive. ISTA researches the technical aspect of the performer's art by empirical methods to further the understanding of the fundamental principles which engender the performers' particular being and energy. This way of being, referred to as "presence" or "scenic life", is paradoxical. The 'daily' organic being is transmuted through often rigorous execution of techniques—which share a number of common features across a multitude of traditions—to come alive and new in the moment of performance once again, but at a higher level of energy.

The study of the common features of theatrical tradition in different cultures can facilitate the performance of the actor or actress.

Principles
Considering acting techniques around the world, Barba observed that the 'extra-daily' life of the performers is the result of alterations in the performers' balance, producing the appearance of a separate, unconscious autonomy.

Administration
Eugenio Barba serves as the director of ISTA. Each session of the school focuses on a different aspect or theme, which is investigated by means of workshops and classes. Lectures and demonstrations are also used, as are theatrical performances.

Before these sessions begin, the attendees are selected from applicants who have shown an interest to attend, participate, or simply observe. These applicants represent various fields and include choreographers, performers, directors, scholars and critics. The ISTA is essentially a network of contacts between interested parties with a permanent core of professors and performers from many universities in Europe, Africa, Asia and the Americas.

The work of the ISTA continues outside of the sessions in the form of research and continued contact, exchanges and initiatives among and between its members. The results of the work and study are collected, interpreted and disseminated by and within the framework of the University of Eurasian Theatre.


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Vicky Moscholiou

Vicky Moscholiou (Greek: Βίκυ Μοσχολιού, ; 23 May 1943 – 16 August 2005), born in Metaxourgeio in Athens, was a Greek singer. On 14 March 2010, Alpha TV ranked her the 13th top-certified female artist in the nation's phonographic era (since 1960).

Early years
Vicky Moscholiou was born during the German Occupation of Greece, a time of hardship and privation. Her family lived in one room. Her father worked in the vegetable market, and her mother suffered from consumption and received a small allowance. They managed to scrape together the money for a plot of land in Upper Agia Varvara and build a home there. Two more children followed, a brother and sister.

"Agia Varvara then, and especially where we lived, was empty. A few houses, endless fields, and quite a few gypsies with their bears and their songs. There was great poverty but I liked it there. I’d wander around barefoot all day, run, play with the other children, fall, hurt myself, get up and do the same all over again. There was however civility and compassion, a feeling for others which I think has slowly vanished with the years."

Her grandfather and grandmother worked at the National Theatre of Greece. He did the lighting, she the costumes. Moscholiou would go with her grandfather and watch the shows. She dreamed of being an actress, but ended up a singer.

Her first break came in 1962 through the intervention of her cousin Effie Linda. Grigoris Bithikotsis remembers how she came to him and asked him to audition Moscholiou when he was rehearsing for a season at Vasilis Cheilas’ club Triana. They arranged a time but Bithikotsis arrived late and nearly missed her.

"You know, if I’d been stopped by traffic lights that afternoon, Vicky Moscholiou might not have become a singer. Listen then: I go through a red light, arrive outside Triana, park my car and see a girl and a woman leaving. Afterwards I learnt it was her mother. The young girl recognised me." Mr Bithikotsis, I’m Vasiliki, Vicky Moscholiou, about whom my cousin told you. Mr Kostas Papadopoulos and the musicians in the band listened to me and they told me I wouldn’t do.

Come inside, I said to her, so that I can listen to you as well.

So we went inside again, and she and her mother sat down. As soon as I approached the stage Kostas Papadopoulos said to me, "The girl sings out of tune..."

Let me hear her as well, I said.

She sang two songs—I forget which—and I realised that her voice was different..."

Thanks to Bithikotsis, Moscholiou was hired to perform at the Triana. However this was only a small start. She was given a song to sing occasionally, and acknowledged that she learned much from Bithikotsis and Doukissa, with whom she worked.

Career and commercial success
She rose to fame in 1964 with Stavros Xarhakos' song "Hathike to feggari" (The Moon is Lost), which was composed for the movie Lola. According to Bithikotsis, the composer Xarhakos told Bithikotsis he needed a singer with a different kind of voice for a particular song. Bithikotsis suggested he try Moscholiou, and took her along to be auditioned. However, Giorgos Zampetas remembers things differently.

"One day Stavros Xarhakos came to the shop. Lambropoulos had instructed him to get Moscholiou to sing a song in a film. He fancied her a lot. We regarded her as just a 200 drachma singer. I took 850 drachmas and Bithikotsis—I don’t know. And he takes Moscholiou to record and me to play bouzouki."

Moscholiou continued with collaborations with Giorgos Zambetas, Manos Eleutheriou, Giorgos Katsaros, Akis Panou, and Loukianos Kilaidonis, among other well-known composers and songwriters. Songs she was famous for include "Paei, paei", "Aliti", "Pou pas choris agapi", "Nautis bgike sti steria", "Ta deilina", "Oi metanastes", and "Anthropoi monachoi".

Two of her hits gave their names to night clubs in Athens, "Deilina" (Dusks) and "Ximeromata" (Daybreaks). She was one of the first in Greece to sing both in night clubs and concerts, and she also sang in the royal courts of Greece, Persia and Jordan. She was one of the first entertainers to sing in aid of Cyprus.

Personal life
In 1967, Moscholiou married the soccer legend Mimis Domazos, although later they divorced. They had two daughters, Evangelia and Rania.

She died in Athens in 2005 following a two-year battle with cancer, leaving a legacy of significant cultural achievements.

In 2008, following a public dispute between Moscholiou's two daughters, the villa she lived in Thrakomakedones was sold fully furnished to the wealthy goldsmith Panagiotis Stylianoudis and his spouse Villy Kamarinopoulou.

Discography

 * 1966: Ένα Μεσημέρι
 * 1967: Θαλασσινά φεγγάρια (Συμμετοχή)
 * 1969: Κόσμε αγάπη μου
 * 1969: Μια Κυριακή
 * 1970: Βίκυ Μοσχολιού
 * 1970: Το Σαββατόβραδο
 * 1972: Περιπέτειες
 * 1972: Συνοικισμός Α
 * 1973: Στροφές.
 * 1973: Τραγουδά Ξαρχάκο Σπανό
 * 1974: Νυν και αεί
 * 1975: Λαϊκή Παράδοση (Συμμετοχή)
 * 1975: Σκοπευτήριο (Συμμετοχή)
 * 1976: Ανεξάρτητα (Συμμετοχή)
 * 1976: Λεύκωμα
 * 1976: Τα Σήμαντρα (Συμμετοχή) Νομικός
 * 1977: 14 Χρυσές Επιτυχίες
 * 1977: Τραγουδά Σπανό
 * 1978: 14 Χρυσές Επιτυχίες 2
 * 1978: Λαϊκά τραγούδια απ' όλο τον κόσμο
 * 1979: Όταν σε περιμένω
 * 1980: Βίκυ Μοσχολιού
 * 1980: Το Τραμ Το Τελευταίο
 * 1981: Σκουριασμένα χείλια
 * 1982: Αξέχαστες Επιτυχίες
 * 1982: Σ΄ένα Κόσμο σαν κι αυτό
 * 1982: Τραγούδια της Ευτυχίας
 * 1983: Αξέχαστες Επιτυχίες 2
 * 1984: Του σίδερου και του νερού
 * 1986: Στους ανήσυχους δρόμους
 * 1987: Γυμνό
 * 1987: Κόκοτας - Μοσχολιού
 * 1990: Εφημερία
 * 1990: Gro plan
 * 1990: Η Αθήνα τη νύχτα
 * 1990: Μεγάλες Επιτυχίες
 * 1991: Γειά σας που πέφτουν τα σύνορα (Συμμετοχή)
 * 1992: Το καινούριο πράμα
 * 1993: Τα Μπιζουδάκια
 * 1994: Από τους θησαυρούς των 45 στροφών
 * 1995: Ο Τζακ Ο΄ Χάρα
 * 1995: Οι Μεγάλες Επιτυχίες
 * 1995: Τραγουδά Ζαμπέτα
 * 1996: Μια γυναίκα δύο άντρες
 * 1996: Τραγουδάει Αρχοντορεμπέτικα
 * 1996: Τραγούδια από τις 45 στροφές
 * 1997: Αξέχαστες επιτυχίες 3
 * 1998: Οι Μεγάλες φωνές του Ελληνικού τραγουδιού
 * 2000: Τραγούδια από τις 45 στροφές 2
 * 2001: Οι Μεγάλες Επιτυχίες 1
 * 2002: Μεγάλοι Έλληνες Ερμηνευτές 2
 * 2002: Ανοιχτό Βιβλίο
 * 2003: Πήρα απ΄τη Νιότη Χρώματα
 * 2004: Οι Μεγάλες Επιτυχίες 2
 * 2004: Βραδυνό σινιάλο
 * 2005: Εγώ εσένα αγαπώ
 * 2005: Μοσχολιού Βίκυ 40 Χρόνια
 * 2005: 21 Μεγάλα τραγούδια
 * 2006: Τα Κινηματογραφικά
 * 2006: Στα εννέα όγδοα
 * 2008: Βίκυ Μοσχολιού: Δεν ξέρω πόσο σ' αγαπώ (a "best-of" compilation in a box set of six CDs)

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Vicky Moscholiou


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Wikipedia:WikiProject Wikipedians against censorship

 * See also: WikiProject Freedom of speech.

WikiProject Wikipedians against censorship was started on August 20, 2005, to coordinate efforts to oppose censorship on Wikipedia. It was started as a response to WikiProject Wikipedians for Decency (now WikiProject Wikipedians for encyclopedic merit and apparently inactive), which aimed to remove images and text on Wikipedia which its members considered "indecent". This WikiProject addresses censorship of materials which some may deem indecent or offensive, but which are nonetheless encyclopedic and appropriate in the context of Wikipedia. It also addresses political and religious censorship.

Anyone who is interested in contributing, please sign up on the members page and post any ideas or suggestions on the Talk page. Also, feel free to edit this page and add any articles that need attention to the sections below.

Important note about scope: This project is primarily focused on applying our policy of no censorship in the realm of article space, and occasionally in the project space. Any content, such as userboxes, in user space is considered outside the scope of this project and should not be included on the notice board.

Members
The membership list has been moved to its own page. Please sign up there if you are interested in contributing to this project. Feel free to add the freespeech template, Template:User against censorship, to your user page once you have become a member:

Notice board
This notice board is intended to inform project members of current Wikipedia events related to censorship. Please list articles in need of attention, votes for deletion, votes for policy change, or other current and ongoing events which warrant the attention of the member base of this WikiProject. Once votes are closed or the event is no longer current, please move notices to the notice board archive.

Note: Personal attacks are not allowed on this notice board. Any notices not conforming to Wikipedia policies may be edited or removed. Discussions should be held on the relevant talk pages, not on the notice board.

Eskimo
The article titled eskimo is being repeatedly censored by a small group of users. The word means "one who nets snoeshoes" [see Goddard, 1984], but there is a folk etymology that it means "eaters of raw meat", hence it was thought to be a pejorative term by a lot of people for quite awhile. Some people, whether through this ignorance or for some other reason, nonetheles still consider it offensive, but it there is no actual replacement term which encompasses all Inuit and Yupik peoples (nor, arguably, the Aleut). The aforesaid small group of users is concerned about political correctness, and repeatedly deletes or papers over references to the correct etymology, and removes any information connecting the false etymology to the perceived offensiveness of the word, and possible unintentional deception, i.e. appeal to ignorance (argumentum ad ignorantium). — Preceding unsigned comment added by 103.6.150.214 (talk) 16:45, 2 May 2022 (UTC)

Defend policies against modifications that encourage censorship
Current policies:
 * Wikipedia is not censored
 * Wikipedia's image use policy
 * Profanity

Educate those who want to censor Wikipedia
Many new Wikipedia users are unaware of the policies and guidelines concerning what types of content are appropriate for Wikipedia. Before engaging in lengthy debate with users who are attempting to censor content, it is always a good idea to first point them in the direction of the appropriate policies. Some users, however, may object to these policies. Here are some common objections, and appropriate responses:

Statement: Wikipedia must be censored to conform to laws against obscenity; in particular, laws of the United States, or of the state of Florida where Wikipedia's servers reside.

Responses:
 * In the United States, obscenity is defined under the Miller test, which states that a work cannot be considered obscene if, taken as a whole, it has serious literary, artistic, political, or scientific value. Since Wikipedia has literary, artistic, political, and scientific value it would be very difficult to charge it with obscenity, no matter how graphic a particular piece of it was. According to Jimbo Wales, Wikipedia could display full-blown pornography on the main page 24/7 and still not be in violation of U.S. obscenity laws. As far as state and local laws in the U.S. are concerned, if they do not conform to the Miller test, they are unconstitutional. The oft-quoted Florida Obscenity Law has the Miller test explicitly written into it in order to avoid being overturned as unconstitutional.

Statement: If Wikipedia is not censored, then schoolchildren will be forbidden from using it in research, for instance by school policies, or by content-control software programs blocking the site because of "pornographic" or "adult" (e.g., sexual) content.

Responses:
 * There have been no documented cases of school policies forbidding the use of Wikipedia because of sexual content.
 * There have been no documented cases of censorware programs used by schools blocking the entire site, as opposed to merely blocking specific articles or images.
 * Censorware programs do not target only sexual content, but also (e.g.) "cult", "extremist", and "violence" content. They also target not only images, but also words and textual content. A desire to avoid being blocked by censorware would exclude Wikipedia from covering new religious movements; terrorist organizations and extremist political movements; wars, weapons, and incidents of violent crime such as mass murders; and other topics of encyclopedic importance.
 * Schools are free to configure Wikipedia to hide the most controversial images.

Statement: Your article about X is sick and disgusting. Wikipedia should not promote X.

Responses:
 * Wikipedia does not promote X, it simply reports the existence of X.
 * Wikpedia's manual of style encourages a dispassionate treatment of any subject. We do not write in a moralising tone. Wikipedia should not state whether something is moral or immoral – this judgement is left to the reader. Wikipedia should only care whether something is verifiable.

Related WikiProjects

 * Freedom of speech
 * Inclusion
 * Human rights
 * Internet
 * Journalism
 * Law
 * Mass surveillance
 * Media
 * Politics


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Thorleif Schjelderup

Thorleif Schjelderup (20 January 1920 – 28 May 2006) was a Norwegian ski jumper, author and environmentalist.

He was born to Ferdinand Schjelderup and Marie Leigh Vogt. His father was a Supreme Court judge, a mountaineering pioneer, and a leader of the Norwegian resistance movement during World War II. His son grew up in Oslo, where he took up ski jumping. He placed fourth at the Holmenkollen ski festival in 1940 and second in 1946 and 1948. In 1948 he also won bronze medals at the national championships and Winter Olympics and graduated in law from the Oslo University. On 15 March 1950 he became the first Norwegian athlete to break the 100 m barrier when he jumped over 106 m in Planica, Yugoslavia. He retired in 1953 to become a ski jumping coach with Italian (1953–56) and Norwegian national teams (1956–1962).

Besides ski jumping Schjelderup was known as an author, photographer and environmentalist who traveled around the country to promote outdoor activities. He published 10 books, mostly about ski jumping and nature, including the first Norwegian textbook on environmentalism for the elementary school in 1973.

Schjelderup was married to the Norwegian actress and playwright Sossen Krohg from 1942 to 1947. In 1948 he met the African-American singer Anne Brown. She moved with him to Oslo where the couple eventually married. After their separation in 1969 he lived with the musical actress and singer Ranveig Eckhoff until 1985, and for several years they stayed in Stockholm.

title: Thorleif Schjelderup


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Whalen

Whalen is a surname. In Ireland, Whalen, Whelan, Phelan and O'Phelan, are anglicized variants of the same Gaelic surname, Faoláin, which itself is a variant of Ó Faoileáin and Ó Haoláin.

It may refer to:

People

 * Marc Whalen,Distinguished British Gentleman
 * Bob Whalen, American college baseball coach
 * Bruce Whalen, American politician
 * Charles W. Whalen, Jr., American politician
 * Diana Whalen, Canadian politician
 * Dianne Whalen, Canadian politician
 * Douglas Whalen, American linguist
 * Ed Whalen (broadcaster), Canadian television personality
 * Grover Whalen, American politician and businessman
 * Jack Whalen, American hitman
 * James Henry Whalen, Canadian pilot
 * James J. Whalen, American psychologist
 * Jennifer Whalen, American mountain bike racer
 * Jennifer R Whalen, Canadian actor and comedian
 * Jill Whalen, American search engine optimization consultant
 * Jim Whalen, American football player
 * Joe Whalen, American tennis player
 * John S. Whalen, American politician
 * Laurence Whalen, American judge
 * Lindsay Whalen, American professional basketball player
 * Megan Whalen Turner, American author
 * Michael James Whalen, American composer
 * Philip Whalen, American poet
 * Rob Whalen, American baseball player
 * Sara Whalen (born 1976), American Olympic soccer player
 * Sean Whalen (born 1964), American actor and writer
 * Stephen Thomas Whalen (born 1968 new brunswick) known as Canadian Country music Artist Steve Waylon
 * Thomas Michael Whalen III, American politician
 * Vermel Whalen, American politician

Fictional characters

 * Patrick Whalen, A character in The Sopranos
 * William Whalen, also known as Billy Quizboy, a character on The Venture Bros.

Places
In Britain, Whalen is an old English-language spelling for the village Uelen.

Songs

 * Jimmy Whalen, a song by Peter, Paul and Mary from A Song Will Rise

title: Whalen


text: User talk:80.41.243.107

title: User talk:80.41.243.107


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Wikipedia:Provenance

On Wikipedia, provenance is the origin of material that appears in articles. Provenance has been a controversial issue on Wikipedia from its inception. As Wikipedia has grown larger, published concerns about provenance have also grown. (See the external links below.) One of the more prominent critics has been Robert McHenry, former editor-in-chief of Encyclopædia Britannica, who suggested that Wikipedia is like a public restroom where what you find in a Wikipedia article is whatever the last user deposited.

Intellectual provenance has been a traditional concern of academia. Academics study the intellectual heritage of ideas, concepts, methods, theories, etc.  Specifically, they are concerned with properly attributing work in their own field of study. So they question how this can be done for Wikipedia. For example, should academic credit be given for contributions to Wikipedia?

Provenance has at least two aspects: source and time. (See below.)

Provenance controversies
Providing provenance has proven to be controversial. Objections have included the following, e.g., from Village pump (proposals):

 * It is technically impossible. (But see proposals below.)
 * No one wants it. (But see the articles in the external links below.)
 * An article is a joint effort by the community that should stand as a whole without its parts being viewable as to their provenance. It seems to go against the spirit of the way articles have been developed in the past, where we're all in it together and no one lays claim to the work.  Editing is really an interactive joint enterprise and should not be viewed as minuscule intervals that do not reflect each real contribution.
 * If an article is viewed as intervals with individual ownership, it will affect the process of cooperation on the article, maybe adversely. It allows some users to take prominence over others, which again goes against the spirit in which Wikipedia operates now.
 * You don't really know who contributed each interval because people can choose any user login they want.

Proposals for provenance
Proposals for providing provenance have been made and discussed on Village pump (proposals).

Source provenance
On Village pump (proposals) (see Wikipedia talk:Provenance), Pseudo Socrates made a proposal to provide source provenance by placing a  button on the history page of each article that would produce a dynamic page that is a version of the current article modified as follows:  Each interval of text would be preceded by a source link that would link to an article in the history where the text following the link first appeared in the editing history of the article. The name of the source link would be source for that version (log in name or IP address). At the bottom of the dynamic page the following notice would appear:

The name of each provenance link above was derived from the second column, i.e., source (login name or IP address), of the history page of the article for which this page was produced. Clicking on a provenance link will produce a dynamic page that shows a (previous) version of the article in which the text following the link first appears in the editing history. Of course the source may not be the real author of any of the text in an article that results from their edit.

Alternatively, source provenance could use a color-coding scheme: each of the top ten contributors to an article would be assigned a different color. Users could point the mouse at text of any color to see which contributor that color represented. Or, they could look at a legend at the bottom specifying which color represented which contributor. Users who have set up forced custom text colors in their web browser and blind users using screen readers would not be able to take advantage of this feature, though. This would also require that a standard be established to determine how contribution to an article is measured, e.g. the number of edits made, the number of characters added/changed, etc.

Temporal provenance
On Village pump (proposals) (see Wikipedia talk:Provenance), Pseudo Socrates made a proposal to provide temporal provenance by placing a  button on each article that would produce a dynamic page that was a version of the current article modified as follows:  Each interval of text would be colored according to the following algorithm:  Text of vintage less than 24 hours would be colored red,  vintage more than 24 hours but less than one week would be colored green,  remaining text would remain black.

Tom Cross' article "Puppy smoothies: Improving the reliability of open, collaborative Wikis" (First Monday) proposes a temporal provenance by coloring based on the number of edits a piece of text has survived. E.G., new edits would be colored red, text surviving 50 edits would be yellow, text surviving 100 edits would be green, and text surviving 150 edits would be black. The exact values here could be tempered by various factors (e.g., perhaps surviving many reads, or many days, would could for something too). By itself, this probably isn't enough; an attacker could automate "editing" to "promote" some other text. But counting only named edits, by multiple people, and adding a minimum time value (say, 7 days to get a new level) would be simple to do, and might make it workable.

Of course, temporal provenance can be combined with source provenance.

Examples

 * Skrapion created an example of how provenance could be displayed with example text taken from the history of this page. You can see his example here: Provenance/Example

title: Wikipedia:Provenance


text:
No Man's Heath, Cheshire

No Man's Heath is a village in the unitary authority of Cheshire West and Chester and the ceremonial county of Cheshire, England. Its name has historically also been spelt Nomansheath and Noman's Heath, the latter being the version formerly favoured by the General Post Office.

It lies 2 miles east of the village of Malpas and 5 miles north-west of Whitchurch, Shropshire. Originally on the A41 road, there is now a bypass, which opened in July 2001. Bickleywood is a very small settlement about 1000 yards (1 km) to the east. The settlement of No Man's Heath was, historically, largely within the boundaries of Macefen civil parish until 2015 boundary changes which created the civil parish of No Man's Heath and District.

There is no church in the village, due to the proximity of the church in Tushingham. However, there are The Wheatsheaf Inn, a disused non-conformist chapel and a small telephone exchange (which was called "Noman's Heath" in the days when exchanges had names) in close proximity to one another.

The southern section of the 30-mile Sandstone Trail footpath passes just east of the village, while the 200-mile Marches Way footpath passes just south. The Sustrans Regional Route 70 cycleway passes through the village, running out from Malpas.

Just over two miles east of the village is the 19th-century Cholmondeley Castle and gardens. Just to the north is the well-preserved Iron Age hillfort of Maiden Castle, spectacularly sited above the Dee valley.

The Whitchurch and Tattenhall Railway used to pass within a 1000 yards (a kilometre) of the village but the nearest station was Malpas railway station which was nearly three kilometres away and actually in Hampton Heath.

Name origin and documented listings
The placename was first recorded as early as 1483 in the form "Nomonheth" and as "No Mans Heath" in 1671. In either case, the name refers to commonland outside specific ownership. The old parish of Malpas formerly had hundreds of acres of commonland, including some at No Man's Heath.

Kelly's Directory of Cheshire for 1896 does not list No Man's Heath and makes no mention under Hampton, which is listed under Malpas. Kelly's Directory for 1902 shows No Mans Heath merely as a sub-post office under Hampton. In their directory for 1914 the entry is very similar except for the addition of a telephone and an apostrophe on Man's.

title: No Man's Heath, Cheshire


text:
Eddie Kelly (footballer)

Edward Patrick Kelly (born 7 February 1951) is a Scottish former footballer, who played as a midfielder. Kelly featured for clubs Arsenal, Queens Park Rangers, Leicester City, Notts County, AFC Bournemouth, Kettering Town and Torquay United.

Club career
Kelly was born in Glasgow and played for local side Possil YM, an Arsenal nursery side, before moving south to join English club Arsenal as an apprentice in July 1966; he turned professional 18 months later. A regular in the reserves and for Scotland U-23 side, he made his debut for Arsenal on 6 September 1969 against Sheffield Wednesday and quickly made a name for himself. He made 16 appearances in the 1969–70 season, including scoring a goal in the Gunners' 4–3 aggregate win over Anderlecht in the Inter-Cities Fairs Cup final.

Better was to come the next season for the young central midfielder. Kelly made 34 appearances as Arsenal won the Double; he came on as a substitute in the FA Cup final against Liverpool, and scored the Gunners' equaliser in extra time in a goalmouth scramble. George Graham made a claim for the goal, but the replays show Kelly was the last Arsenal player to touch the ball. Kelly was thus the first substitute to score in an FA Cup final. Charlie George scored soon after to win the match 2–1.

Injury hampered Kelly's next two seasons at Arsenal, but he became a near-ever present in 1974–75. He was made club captain at the age of 23; only Tony Adams has captained Arsenal at a younger age. However, Kelly lost his place the following season and became quite unsettled. After making a transfer request, he joined Queens Park Rangers in September 1976, having played 222 times and scoring nine goals altogether for Arsenal.

Kelly spent only a single season at QPR before being signed for Leicester City by former Arsenal and QPR teammate Frank McLintock in the summer of 1977. He spent three seasons at Filbert Street, playing 119 times and scoring 3 goals. Leicester were relegated to the Second Division in 1978 but then returned to the top flight as champions the following year. He went on to have short spells at Notts County, AFC Bournemouth and Torquay United, before retiring.

International career
Kelly featured for Scotland's Under 19 and Under 23 teams.

Personal life
He now lives in Torquay, and works for Arsenal on their legends tours of the Emirates Stadium.

Honours
Arsenal
 * Football League First Division: 1970–71
 * FA Cup: 1970–71
 * Inter-Cities Fairs Cup: 1969–70

Leicester City
 * Football League Second Division: 1980–81

title: Eddie Kelly (footballer)