text:
Talk:Culture of North Macedonia

Untitled
I wonder how the user who wrote that Cyrillic(Glagolithic) alphabet is a product of Macedonian culture doesn't feel ... at least uncomfortable. I would have removed this part but I do not feel the need the guys from Macedonia feel to prove that the culture of the whole Balkans is their culture. NaibStilgar

The article is definitely NOT about culture of that republic. Therefore it should not be labeled as such. 217.140.193.123 13:06, 30 August 2005 (UTC)

Distinctions
Anyone feeling uncomfortable with the contents of this article re eras (or ethnicities), are, imo, entitled to write portions that distinguish what has been ancient Macedonian culture and/or adjacent Greek Macedonian culture, what has been Slavonic Macedonian culture, etc. I recommend to keep it distinguished by era after era, and not going to fight what is which ethnic group's contribution. (Though I know that almost everyrthing can be battled here on basis of ethnicity). Arrigo 16:00, 30 August 2005 (UTC)
 * Sorry, but this article refers to the culture of the country FYROM only. I trust you do not disagree with this.  Therefore the  article's proper title should be "Culture of (the) Republic of Macedonia".  Until such time as someone writes either a comprehensive article spanning the entire geographical region of Macedonia culturewise, and/or  "portions that distinguish what has been ancient Macedonian culture and/or adjacent Greek Macedonian culture, what has been Slavonic Macedonian culture, etc" or "distinguished by era after era" (all of which are reasonable proposals), the article called "Culture of Macedonia" should be left blank.
 * I, for one, do not claim any bit of this article as a contribution of this or another ethnic group. Indeed I do not wish to alter the content of this article in any way.  I merely want it attributed to the country it refers to, and its cultural heritage; not to the whole geographical region, of which this country is but a part. Chronographos 17:14, 30 August 2005 (UTC)

This article is definitely not about any geographical regions, it's only about FYROM and medieval Bulgaria. The title needs to be moved back to 'culture of republic of Macedonia' and all the references to 'Macedonians' need to be replaced by Macedonian Slavs. Also the article mainly talks about the culture of medieval Bulgaria or whatever Slavic population inhabited the region which did not recognise themselves as Macedonian (despite what current FYROM nationalists want to believe). Miskin 11:41, 1 September 2005 (UTC)

Oh yeah, one more detail. Despite what you people are told in school, there's no historical reference of a Slavic ethnic group calling itself "Macedonian" prior to the 20th century (and I challenge anyone to prove me the opposite). Also, prior to the Balkan Wars, the region of Macedonia was very different from the one described in the introduction of the article. For those reasons I think that the title "culture of RoM" is still misleading, as 80% of the article refers to medieval Slavic culture, in a region which at the time was not considered by anybody as "Macedonia" and its Slavic inhabitants recognised themselves as Bulgarian or Serbian. This circus of an article will be cleaned up for being so disgustingly POV and unscientific, so unless any of its editors have any counter arguments to what I've said, I don't see a reason to wait any longer. The question that remains is whether move back to "culture of RoM" and remove all references to Macedonian Slavs prior to the Balkan Wars or just edit the currect article and add neutral information. In my opinion it's retarded to have an article about the culture of a multiethnic region of varying borders, so I vote to either ditch the currect article for good, or move it to "Culture of (FY)RoM" and remove the POV rubbish. One thing is certain, that in its currect state this piece of trash is an embarrassment to wikipedia and the NPOV policy. Miskin 12:34, 1 September 2005 (UTC)
 * Interesting...

1."there's no historical reference of a Slavic ethnic group calling itself "Macedonian" prior to the 20th century" Which is why I reverted your vandalism to this page. You just admitted to adding info you knew to be incorrect. 2. "disgustingly POV and unscientific" All of this info came from official government websites. 3. "move back to "culture of RoM"" This has already been discussed. This is incorrect. You already previously stated in your argument that this does not apply to the RoM. 4. "POV rubbish" How is this article pov? freestylefrappe 17:53, September 1, 2005 (UTC)
 * 1. Something needs to be in the article distinguishing the culture of modern Slavic "Macedonians" from those non-Slavic Macedonians of ancient times; it also needs to be noted that the use of "Macedonian" as a descriptor of Slavic inhabitants of the area is anachronistic when used to refer to those living pre-20th century.
 * 2. There's nothing preventing official government websites from being POV.
 * 3. There is today existing a Republic of Macedonia, and the area encompassed by that country does have a long history; therefore, this article needs to make clear it's only referring to the history of the area of the modern RoM, not that of all the ancient Macedonians, or the medieval Bulgarians.
 * 4. Because it follows the official modern RoMacedonian line of anachronistically referring to all previous inhabits and culture of that area as "Macedonian", in essence appropriating a history from other nations and giving it to an ethnic group that only became distinct within the past century. YBeayf 03:59, 2 September 2005 (UTC)
 * Culture is not based on nation states. Religion, ethnicity, music, etc. are factors that form a culture. The idea that Slavic Macedonians just "popped" out of nowhere in the 20th century is ridiculous. If the name of the page is changed from Culture of Macedonia - which currently incorrectly redirects to Macedonia thanks to Theathenae - then it should be Slavic Macedonian Culture. freestylefrappe 22:23, September 5, 2005 (UTC)

 * Two things:

Freestylefrappe said: The idea that Slavic Macedonians just "popped" out of nowhere in the 20th century is ridiculous. Fair enough to have a POV, the problem is when you try to pass it as common knowledge. So I'm not going to spend my time to disprove what you just said by explaining how and why the Slavomacedonian ethnic group did popup in the 20th century, instead I'm just going to ask you to provide some reliable sources which back up your claims by verifying the existence of the Slavomacedonian group prior to the 20th century. As you have probably noticed yourself there are no sources in the bottom of the article, and something tells me that did not just forgot to put them there... If you fail to provide any valid sources, then you realize that I'll have no choice but to edit the article in order to make it reflect historical reality. Miskin 13:38, 27 September 2005 (UTC)
 * 1) Why the hell does this article claim that "Slavic Macedonian Culture" is ancient while the existence of the Slavs did't even exist in antiquity? In case the author missed some history chapters, the Slavs migrated to the region during the Middle Ages. And besides that, why on earth does this article still pretend that there has been a distinct "Slav Macedonian" ethnic group since the middle-ages, since everybody knows that this nationality is a product of the 20th century?
 * 1) Oh and secondly, why did you just edit my Discussion page in order to hide the pathetic complaints of a sad Slav Macedonian nationalist? Is this another coincidence, or were you protecting me from being insulted..? Miskin 13:38, 27 September 2005 (UTC)
 * You're actually gonna try and pick a fight because I reverted vandalism to your page? Do you realize how empty that argument is? Once again I warn you not to vandalize this page or I will report your actions to administration. freestylefrappe 21:11, 10 October 2005 (UTC)
 * I beg you do so. In the meantime I'm reverting since you have yet failed to provide any valid evidence of your claims. Miskin 18:09, 11 October 2005 (UTC)

Discision
It was requested that this article be renamed but there was no consensus for it to be moved. Ryan Norton T 02:17, 15 October 2005 (UTC)

I think that, according to "Macedonians (ethnic group)" article, this one should be renamed as "Macedonian culture". The culture of the other parts of the region of Macedonia is described in the country's culture the certain part is in anyway. Just to remind, "Slavic" is NOT according the NPOV policy. Bomac 19:31, 27 October 2005 (UTC)

Moving the page
I'll move this page to "Macedonian culture (Slavic)". It is more "representative". Bomac 10:46, 6 November 2005 (UTC)

 * What I was trying to say when moved the page back was that there was a decision not to move it. Back then it was "Slavic Macedonian culture" and/or similar and it changed to its current location when User:Bomac used brackets, as seen above. --157.228.x.x (talk) 07:38, 31 March 2008 (UTC)

Distinction
In my humble opinion this article should refer to the "Culture of (FY)RoM" or the "Slavic Macedonian Culture" or the "Northern Macedonian Culture". In any case I believe there should be a clear distinction from a general "Macedonian Culture". Thank you.

Irrelevant link
In the "See also" section I noiced a link to the article Cultural bias. Not only is it inappropriate and in no way related to anything, but it's also a bit insulting. Therefore I removed it. --B. Jankuloski 01:00, 6 August 2006 (UTC)

Hm
"Prior to the Renaissance, while the rest of Europe was still in the middle ages, Byzantine builders and artists were embodying iconography and creating frescoes as early as the 11th century."

This is retarded. First, it is dubious whether Byzantine culture in the region and the Slavic population should be regarded as one and the same. Second, if the criterion for having left the Middle Ages is painting icons and frescoes, I'll eat my freaking hat. Third, it's not important enough for the lead. And BTW, "Middle Ages" is written in capitals. I'm removing the sentence. --91.148.159.4 22:56, 5 April 2007 (UTC)

Merged and redirected: Art of the Republic of Macedonia
The above's content was just a duplication of the relevant section within this article. Therefore I've merged (i.e. deleted the content) and redirected it here. We can always separate them in two entities when sufficient material surfaces and expand accordingly. Please, share your thoughts or objections. --157.228.118.212 (talk) 02:29, 23 March 2008 (UTC)

Merge: Cinema of the Republic of Macedonia
Since the above page is "very short and is unlikely to be expanded within a reasonable amount of time" I think it" makes sense to merge it" here in a seperate section. We can always seperate them and expand when (or if) sufficient extra matterial emerges. --157.228.118.212 (talk) 03:22, 23 March 2008 (UTC)
 * Any input, thoughts? --157.228.x.x (talk) 00:48, 3 April 2008 (UTC)
 * It would be better if the current section is copied over, but the cinema of macedonia part be significantly expanded, are you willing to work on that? P m kocovski (talk) 10:28, 10 April 2008 (UTC)
 * If you mean a serious treatise, no, at least not for the foreseeable future as I dont have the sources for that. Merged and redirect it for the time being; if expanded then we can always split back. --157.228.x.x (talk) 20:43, 11 April 2008 (UTC)

Architecture
The article defines Macedonian culture as "the culture of the South Slavic ethnic Macedonian population...", yet the Architecture section, for example, expands on 14th century Islamic mosques, archaeological remains from classical antiquity etc. Perhaps those items should/could be moved to Republic of Macedonia? 3rdAlcove (talk) 12:17, 3 April 2008 (UTC)
 * I see what you mean and I agree; that would be a sensible option for now. The article needs a revamp anyway. --157.228.x.x (talk) 20:47, 11 April 2008 (UTC)

Macedonian names of Biblical origin
Half of those names are of Slavic origin. Who in the Bible is called Vladimir or Zlatan? I removed the "...of Biblical origin" due to this.

Macedonian culture (ethnic group)
I moved Macedonian culture (Slavic) to Macedonian culture (ethnic group) because of the following reasons:
 * 1) It follows the same consistency with other Macedonian related pages, such as Macedonians (ethnic group)
 * 2) Macedonian culture is not purely Slavic, as it is a mix of Byzantine, Slavic and Ottoman
 * 3) Macedonians don't identify as being an "ethnic Slavic", and I don't believe such an ethnic group exists in our present day. Mactruth (talk) 04:45, 20 April 2009 (UTC)

But you're saying the culture is an ethnic group, which doesn't make any sense. It's like calling the Macedonian script "Macedonian alphabet (ethnic group)". kwami (talk) 07:13, 29 April 2009 (UTC)

 * How about "Ethnic Macedonian Culture"? Or even just plain "Macedonian Culture"? I don't see the point of "Macedonian Culture" redirecting hereBruka (talk) 09:13, 5 May 2009 (UTC)

 * Per an injunction at Requests for arbitration/Macedonia 2, "No Macedonia-related article, broadly defined, shall be moved/renamed until after the "Macedonia 2" case closes. If it does occur, any uninvolved administrator can expeditiously revert it. After the case closes, Macedonia-related moves/renames can occur as prescribed in the final decision." As such, no further page moves should be made until after the case is closed or without direct approval of the committee. As such, I have undone the move. Any further page moves will result in a block.
 * For the Committee, Tiptoety  talk 19:49, 5 May 2009 (UTC)

I have moved it back to ...(Slavic). The disambiguator "(ethnic group)" just doesn't work linguistically. As Kwami rightly said above, having a noun in dismambiguation brackets implies that "Macedonian culture" actually is an ethnic group, which is just nonsensical. Fut.Perf. ☼ 08:52, 9 December 2010 (UTC)

 * What is "Slavic culture"? --WavesSaid (talk) 02:05, 22 November 2012 (UTC)

Surnames
It is often for non-Macedonians dealing with Macedonian subjects to see an issue regarding the surnames. For instance, why Ilija Najdoski surname is often written as Najdovski? (his son even had an article here as Dino Najdovski). A word about surname customs in the "Names" section would be great. FkpCascais (talk) 03:50, 20 January 2014 (UTC)

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Macedonian Culture vs. Culture of North Macedonia
Right now, the article purports to refer to the culture of ethnic Macedonians ("Macedonian culture is the culture of the ethnic Macedonian population") and is thus appropriately titled 'Macedonian culture'. However, all the subsections refer to the culture of the country of North Macedonia (Music of North Macedonia, Cinema of North Macedonia etc.) and include many references to things like Islamic architecture and the Manaki brothers (who were Aromanians), which pertain to the country but nor the ethnic group.

On the other hand, there is no reference to anything related to ethnic Macedonians outside of North Macedonia, nor in my view should there be, since this would be covered by articles like Macedonian diaspora and Slavic speakers of Greek Macedonia.

This is consistent with the practice in other similar articles (Culture of Greece, Culture of Montenegro, Culture of Bosnia Herzegovina etc.) which all refer to countries and not ethnic groups. — Preceding unsigned comment added by 81.174.129.52 (talk) 23:22, 13 February 2019 (UTC)

I, therefore, suggest changing the title to 'Culture of North Macedonia' and adjusting the first sentence accordingly. — Preceding unsigned comment added by 81.174.129.52 (talk) 23:17, 13 February 2019 (UTC)

 * Please start an RfC here if you want to change the long-standing scope of the article. We are having too many hasty, rushed-through changes of too many articles at once in this topic area today. It's been impossible to keep track of things. Fut.Perf. ☼ 23:22, 13 February 2019 (UTC)

 * I'm actually only suggesting changing one sentence and the title. The rest of the article is already appropriate to the scope of 'Culture of North Macedonia' and completely inappropriate to the scope of 'Macedonian Culture'. — Preceding unsigned comment added by 81.174.129.52 (talk) 23:24, 13 February 2019 (UTC)

title: Talk:Culture of North Macedonia


text:
Warringah

Warringah  is a name taken from the local Aboriginal word for Middle Harbour, in Sydney, New South Wales, Australia. It may refer to:

 * Division of Warringah, an electoral division of the Australian House of Representatives created in 1922
 * Electoral district of Warringah, a former electoral district of the New South Wales Legislative Assembly
 * Warringah Council, a former local government area covering Sydney's Northern Beaches
 * Warringah Shire Hall, the former meeting place of Warringah Shire
 * Warringah Civic Centre, a civic building in Dee Why, a suburb of Sydney
 * Warringah Freeway, Sydney, New South Wales
 * Westfield Warringah Mall, Brookvale, on Sydney's Northern Beaches
 * Warringa Ward, a former ward of North Sydney Council, New South Wales

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Warringah


text:
User talk:Kalaha

 * Archive1
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Skagen
Hi Kalaha, Thanks for your interest in Skagen and for the editing you did yesterday. Many of your changes represent real improvements to the article while others have caused problems, especially as we are in the middle of a GA review. In particular, the reviewer questioned the addition of the new Today section. I now intend to check the changes you made and sort out any problems. May I politely suggest that you leave further changes and additions until the review is completed. It's good to have you around. There are not too many Danes interested in the English Wikipedia. --Ipigott (talk) 09:58, 10 November 2013 (UTC)

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Global account
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Edit on Ludwig Augustinsson
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ArbCom elections are now open!
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ArbCom elections are now open!
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Happy Birthday!
'''Wishing Kalaha a very happy birthday on behalf of the Birthday Committee! Chris Troutman ( talk ) 23:47, 26 September 2017 (UTC)

Women in Red World Contest
Hi. We're into the last five days of the Women in Red World Contest. There's a new bonus prize of $200 worth of books of your choice to win for creating the most new women biographies between 0:00 on the 26th and 23:59 on 30th November. If you've been contributing to the contest, thank you for your support, we've produced over 2000 articles. If you haven't contributed yet, we would appreciate you taking the time to add entries to our articles achievements list by the end of the month. Thank you, and if participating, good luck with the finale!

Speedy deletion nomination of Category:Fb team templates Argentina

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Nomination of 2006 FIFA World Cup disciplinary record for deletion
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Contributions listed at Redirects for discussion
An editor has asked for a discussion to address the redirect Contributions. Since you had some involvement with the Contributions redirect, you might want to participate in the redirect discussion if you wish to do so. Hildeoc (talk) 19:53, 3 June 2019 (UTC)

Proposed deletion of Rasmus Christiansen (footballer, born 1989)

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Happy Birthday!
 Happy Birthday! Have a very happy birthday on your special day!

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TFL notification
Hi, Kalaha. I'm just posting to let you know that List of Danish football champions – a list that you have been heavily involved with – has been chosen to appear on the Main Page as Today's featured list for January 22. The TFL blurb can be seen here. If you have any thoughts on the selection, please post them on my talk page or at TFL talk. Regards, Giants2008  ( Talk ) 03:24, 5 January 2021 (UTC)

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Happy Birthday!
 Wishing Kalaha a very happy birthday on behalf of the Birthday Committee! CAPTAIN RAJU (T) 21:34, 26 September 2021 (UTC)

Nomination of Chris Sørensen (footballer, born 1989) for deletion
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Nomination for deletion of Template:Nordjyske Jernbaner color
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since you're gone
 Removal from member list You have been inactive for more than 6 months and have been removed from the Wikipedia Birthday Committee birthday list. If you become active again please feel free to re-add yourself.

Best wishes, Chris Troutman  ( talk ) 12:31, 26 September 2022 (UTC)

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Proposed deletion of Rang Shawkat

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Proposed deletion of 2005–06 Danish 2nd Divisions

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title: User talk:Kalaha


text:
Rute (music)

The rute (also spelled ruthe, from the German for 'rod' or 'switch'), also known as a multi-rod, is a beater for drums. Commercially made rutes are usually made of a bundle of thin birch dowels or thin canes attached to a drum stick handle. These often have a movable band to adjust how tightly the dowels are bound toward the tip. A rute may also be made of a bundle of twigs attached to a drum stick handle. These types of rutes are used for a variety of effects with various musical ensembles. A rute may also be a cylindrical bunch of pieces of cane or twigs, bound at one end, like a small besom without a handle. The rute is used to play on the head of the bass drum. Rute are also constructed from a solid rod thinly split partway down.

Etymology
The name of the instruments derives from German Rute (rod). The final e is pronounced, making the pronunciation 'ROOT-eh'.

Orchestral usage
In orchestral music, rute (or ruthe) first appeared in the music of Mozart, in his opera Die Entführung aus dem Serail, K. 384 (1782). The setting of the opera is Turkey, and rute were imported from Turkish Janissary music, the martial music of the Sultan's royal guard, very much in vogue at the time. (James Blades, "Percussion Instruments and their History" 1992) The rute were played by the bass drum player, with a mallet striking on downbeats and rute being struck on offbeats. A typical pattern in this style would generally go, in 4/4 time, boom-tap-tap-tap boom-tap-tap-tap, the taps representing strikes of the rute. Mozart's contemporaries and immediate successors used the rute in a similar fashion for military effect. Gustav Mahler's use of the rute in the third movement of his Symphony No. 2 completely broke away from the traditional military writing of the implementation, instead focusing more on its coloristic possibilities than on the rhythmic role. It is also present in the fifth and final movement of his Symphony No. 7 where it coincides with an English horn solo. This application was continued by Edgard Varese in his coloristic use of percussion. Michael Giacchino uses rute in his 2009 score to Star Trek.

Drum kit usage
Widespread usage of the rute in kit drumming dates from US patent 4535671, 20 August 1985, where Pro-Mark described their new Hot Rod rute-type drumstick intended for drum kit use. Variations such as Lightning Rods (seven canes, as opposed to nineteen for the Hot Rod), Thunder Rods (seven thicker canes giving the same weight as the Hot Rod) and Cool Rods (nineteen thin canes giving a similar weight to the Lightning Rod) soon followed from Pro-Mark.

The rute stick for drum kit is now produced by most major drum stick manufacturers including also Vic Firth and Vater.

Grip techniques
The rute stick is held in the same way as a drum stick, and therefore is usually held either with a matched grip or a traditional grip. The "handle" of the rute is the plastic area, as the drum or cymbal is struck with the wooden "rutes" or bundles of wooden stick.

title: Rute (music)


text:
File:Guano Apes Proud Like A God.jpg

Summary
Cover of Guano Apes' album Proud Like A God © 1997 GUN Records.

title: File:Guano Apes Proud Like A God.jpg


text:
Office of the Scottish Charity Regulator

The Scottish Charity Regulator (OSCR; Oifis Riaghladair Carthannais na h-Alba) is a non-ministerial department of the Scottish Government with responsibility for the regulation of charities in Scotland.

OSCR is the independent regulator and registrar for more than 25,000 Scottish charities. OSCR is charged with developing a regulatory framework for Scottish charities, where each charity is clear about its rights and responsibilities. This framework should also foster public confidence in charities. OSCR is directly answerable to the Scottish Parliament. OSCR is based in Dundee.

Background
In 1981 the Law Society of Scotland announced support for a register through which all charities in Scotland could record their purposes, financial details, and accounts. Under section 6 of the Law Reform (Miscellaneous Provisions) (Scotland) Act 1990, the Lord Advocate was given the power to make inquiries either for general or specific purposes and to obtain various types of information from charities. Following the Scotland Act and the establishment of both the Scottish Parliament and the Scottish Government, this power was exercised by the Scottish Ministers.

Initially, charity regulation was carried out by the Scottish Charities Office, a department in the Crown Office, but they were only able to investigate a charity on receipt of a complaint or when they had reasonable grounds to suspect problems. The regulatory function was transferred to OSCR in December 2003.

History
It was formerly an executive agency but following the passing of the Charities and Trustee Investment (Scotland) Act 2005 it was made independent of ministerial control, and answers directly to the Scottish Parliament. It is the equivalent of the Charity Commission for England and Wales and the Charity Commission for Northern Ireland.

In 2005, OSCR published the first definitive list of 18,000 charities operating in Scotland – this information was searchable.

OSCR's full regulatory powers came into force on 24 April 2006.

In July 2008, OSCR published results of a survey showing some positive attitudes towards the organization from the charity sector and the public.

Functions
OSCR performs a range of functions which includes:

 * Determining whether bodies are charities
 * Keeping a public Register of charities
 * Facilitating compliance by charities with the legislation
 * Investigating any apparent misconduct in the administration of charities
 * Giving information or advice to Scottish Ministers

OSCR also has a role to protect whistleblowers from detrimental treatment. Under the Public Interest Disclosure Act 1998, OSCR is a "prescribed person" and therefore allowed to accept disclosures from people who carry out paid work for a charity.

Charities Act 2023
The Charities (Regulation and Administration) (Scotland) Bill was passed by the Scottish Parliament on 28 June 2023, and became an Act on 9 August 2023. This Act makes changes to the Charities and Trustee Investment (Scotland) Act 2005. It will:

 * give OSCR wider powers to investigate charities and charity trustees
 * amend the rules on who can be a charity trustee or a senior office-holder in a charity
 * increase the information that OSCR holds about charity trustees
 * update the information which needs to be included on the Scottish Charity Register
 * create a record of charities that have merged.

The measures in this Act are planned to be introduced on a phased basis, with the first changes taking effect on 1 April 2024. Further changes will be introduced on 1 October 2024, and the final measures will are planned to come into force in summer 2025.


text:
User talk:Utk

Welcome!

Hello,, and welcome to Wikipedia! Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! Please sign your name on talk pages using four tildes (~~); this will automatically produce your name and the date. If you need help, check out Where to ask a question, ask me on my talk page, or place  on your talk page and someone will show up shortly to answer your questions. Again, welcome! --Merovingian (t) (c) 13:09, August 30, 2005 (UTC)
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. utcursch | talk 04:30, 25 January 2006 (UTC)

title: User talk:Utk


text:
User talk:DaBoulder

Welcome!

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title: User talk:DaBoulder


text:
No Maps for These Territories

No Maps for These Territories is an independent documentary film made by Mark Neale focusing on the speculative fiction author William Gibson. It features appearances by Jack Womack, Bruce Sterling, Bono, and The Edge and was released by Docurama. The film had its world premiere at the Vancouver International Film Festival in October 2000.

Background and premise
At the time of the project's conception, Gibson – an American exile in Vancouver, Canada – was seen as a reclusive figure, who thought the didactic inclination in novelists anathema and was not prone to divulging much in the way of personal information in interviews and retrospectives. The documentary was intended to assuage the dearth of knowledge of Gibson's perspectives on self, career and culture and to uncover the hitherto obscured depths of the writer.

The film was shot on location in the United States, Canada, Ireland, and the United Kingdom.

Content
During the documentary Gibson muses both on his past and the circumstances that led him to write what he wrote, as well as our present which, accordingly, is starting to resemble in many particulars the futures he has variously penned. He speculates on topics as wide-ranging as post-human society and mechanics, nanotechnology, drugs and drug culture, the effect of Neuromancer on his fans and his later writing career, and the normalisation of technology. The documentary is extremely free-flowing and also highly personal, in that it allows one to gain a close understanding of both the thought processes and internal psychological triggers of William Gibson. He is occasionally prompted by an unseen driver figure, female in voice, and sometimes communicates with outside figures (specifically, Jack Womack and Bono, who was also being filmed at the time, the final product being superimposed on an electronic billboard).

In the film, while recounting his childhood near Conway, South Carolina, Gibson reflects on his early works, saying: "I'm not a didactic writer, I hope. There's nothing I want less to be than someone couching a conscious message in prose fiction. But, I think one of the things that I see when I look back at my earlier work is a struggle to recognize and accept that the heart is the master and the head is the servant. And that that is always the case... except when it isn't the case we're in deep, deep trouble. And we're often in deep, deep trouble.'"

Cinematography
The entire documentary revolves around footage taken from the car, either from front-facing cameras (presumably mounted near the dashboard or on the actual chassis) or from internally mounted ones, fitted to center on Gibson, who sits in the back seat of the limousine. Only on one occasion does he leave the car, to wander up and down a favourite beach, and here he is also filmed, providing one of the documentary's iconic images, that of a weathered monochromatic Gibson in a long black coat being buffeted by the strong coastal breeze. Neale consistently plays with the recorded footage, reversing sections of the film while keeping others playing or stopping them entirely, fading between similar but fundamentally different pieces of footage, and even at one point combining footage of Gibson with the screen of an antique television as he describes the advent of television in the Southern United States.

In The End of Celluloid (2004), historian of digital art Matt Hanson argues that No Maps was a film that could not have been made before the advent of digital technology.

Release and reception
No Maps was released by Docurama and had its world premiere at the Vancouver International Film Festival in October 2000 with the United States premiere at the Slamdance Film Festival in January 2001. The documentary subsequently hit the independent film festival circuit, with screenings at South by Southwest in Austin, Texas (March 2001), Grauman's Egyptian Theatre in Los Angeles (March 2001); onedotzero at the Institute of Contemporary Arts, London (May 2001), the Carlton Arts Festival in São Paulo (June 2001), the Oldenburg International Film Festival in Germany (September 2001), and at onedotzero Japan (November 2001).

The film critics of the New Times LA and the Riverfront Times of St. Louis, Missouri recognised the film as the best documentary of 2001, with the latter commenting "Gibson's writing is often tedious, but the man proves articulate and compelling, especially when seated in the back of a car that appears to be driving across different dimensions." Postcyberpunk novelist Cory Doctorow, reviewing the film for Wired magazine, concluded "Nostalgic without being maudlin, No Maps for These Territories is a one-man show with revelations every minute". Reviewer Merle Bertrand of Film Threat was unenthused by the premise of the film, but found that "its rapid-fire editing, mystically brooding yet ironic atmosphere, and eerie soundtrack keeps it from ever becoming dull" despite its repetitive treatment of the subject matter, and ultimately hailed the documentary as "a brilliant and intelligent viewing experience".

In the run-up to the release of Gibson's ninth novel Spook Country in summer 2007, publisher Penguin Books announced their intent to screen the "fine and strange" documentary in the virtual world Second Life.

title: No Maps for These Territories


text:
User talk:Lenkyliciousness

Hopefully the following pages will help you to understand wikipedia and what we're after. A Wiki-editor or Wikipedian is someone who registered as a user to Wikipedia to make edits and create new articles according to policy or improve existing ones. Generally speaking, articles should be about famous people or people who've done something significant in history. Pages about yourself are seen as vanity (note the distinct meaning it has here) and is discouraged.

Welcome!

Hello,, and welcome to Wikipedia. Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! By the way, please be sure to sign your name on talk pages using four tildes (~~~~) to produce your name and the current date, or three tildes (~~~) for just your name. If you have any questions, you can post to the help desk or ask me on my talk page. Again, welcome! - Mgm|(talk) 13:10, August 30, 2005 (UTC)
 * The five pillars of Wikipedia
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Wellity
Well, that's nice to know. Not really. You're evil! You deleted my page. Grr.

December 3
You have been blocked from editing for vandalising multiple pages. Please only contribute positively to Wikipedia in future, or you will face longer blocks in future. Harro5 22:24, 3 December 2005 (UTC)

 * SCREW YOU. Lenkyliciousness 22:34, 3 December 2005 (UTC)

Featured article candidate review: Buffy article
Hi

Just letting WikiProject Buffyverse members know that the article 'Buffy the Vampire Slayer' has recently been nominated as a candidate to become a featured article. Should it become a featured article, it will be possible for the article to appear on the Wikipedia main page on March 10th 2007, the 10th anniversary of Buffy (the premiere, "Welcome to the Hellmouth" aired March 10th 1997).

Any feedback you can offer to improve the article and/or to either object or support the nomination would be wonderful:

Featured article candidates/Buffy the Vampire Slayer

-- Paxomen 17:31, 21 September 2006 (UTC)

title: User talk:Lenkyliciousness


text:
Aquitanian (stage)

The Aquitanian is, in the International Commission on Stratigraphy's (ICS) geologic timescale, the oldest age or lowest stage in the Miocene. It spans the time between 23.03 ± 0.05 Ma and 20.43 ± 0.05 Ma (million years ago) during the Early Miocene. It was a dry, cooling period. The Aquitanian succeeds the Chattian (the youngest age of the Oligocene) and precedes the Burdigalian.

The Aquitanian Age overlaps with the Harrisonian, Agenian, Pareora, Landon, Otaian, and Waitakian Ages from various regional timescales.

Stratigraphic definition
The Aquitanian Stage was named after the Aquitaine region in France and was introduced in scientific literature by Swiss stratigrapher Karl Mayer-Eymar in 1858.

The base of the Aquitanian (also the base of the Miocene Series and the Neogene System) is defined as the place in the stratigraphic column at the first appearance of foram species Paragloborotalia kugleri, the extinction of calcareous nanoplankton species Reticulofenestra bisecta (which forms the base of nanoplankton biozone NN1), and the base of magnetic chronozone C6Cn.2n. The official GSSP for the Aquitanian Stage lies in the Lemme-Carrosio section near the small village of Carrosio (north of Genoa) in northern Italy.

The top of the Aquitanian Stage (the base of the Burdigalian) is at the first appearance of foram species Globigerinoides altiaperturus and the top of magnetic chronozone C6An.

Literature

 * 🇦🇹; 2004: A Geologic Time Scale 2004, Cambridge University Press.
 * 🇦🇹; 1858: Versuch einer neuen Klassifikation der Tertiär-Gebilde Europa’s, Verhandlungen der Schweizerischen Naturforschenden Gesellschaft 17–19 (August 1857), p. 70–71 & 165–199.
 * 🇦🇹; 1997: The Global Stratotype Section and Point (GSSP) for the base of the Neogene, Episodes 20(1), p. 23-28.

title: Aquitanian (stage)


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User talk:Geoffo

Welcome!

Hello,, and welcome to Wikipedia! Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! Please sign your name on talk pages using four tildes (~~); this will automatically produce your name and the date. If you need help, check out Where to ask a question, ask me on my talk page, or place  on your talk page and someone will show up shortly to answer your questions. Again, welcome! --Merovingian (t) (c) 13:10, August 30, 2005 (UTC)
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Hello, and welcome to Wikipedia! We welcome and appreciate your contributions, such as Archetypal worlds, but we regretfully cannot accept copyrighted text or images borrowed from either web sites or printed material. This article appears to be a direct copy from http://www.clairvision.org/ckb/ckbe/ckbl/fol_0000_0001/cat_0000_0001/tid_2003_0000_0102.html. As a copyright violation, Archetypal worlds appears to qualify for speedy deletion under the speedy deletion criteria. Archetypal worlds has been tagged for deletion, and may have been deleted by the time you see this message. If the source is a credible one, please consider rewriting the content and citing the source. If you believe that the article is not a copyright violation, or if you have permission from the copyright holder to release the content freely under the GFDL, you can comment to that effect on Talk:Archetypal worlds. If the article has already been deleted, but you have a proper release, you can reenter the content at Archetypal worlds, after describing the release on the talk page. However, you may want to consider rewriting the content in your own words. Thank you, and please feel free to continue contributing to Wikipedia. -- Kjkolb 01:21, 18 October 2005 (UTC)

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title: User talk:Geoffo


text: Talk:FZ:OZ

title: Talk:FZ:OZ


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Nawaf Al-Temyat

Nawaf Bander Nawaf Al-Temyat (نواف بندر نواف التمياط; born 28 June 1976) is a Saudi Arabian former footballer who played as a midfielder.

Club career
Al-Temyat played his entire club career with Al-Hilal, starting in 1994 and retiring in 2008. In 2000, he was nominated Asian Player of the Year. A series of injuries prevented him from playing between 2001 and 2004. His last game with Al-Hilal was in 2008. He had a retirement match, which was played between Al Hilal club against Italian side Inter Milan in Riyadh, King Fahd International Stadium on 2 January 2010.

International career
On 17 May 1998, he debuted for the national team in a friendly match against Namibia. Several days later Al-Temyat was called for the FIFA World Cup in France. He featured just in a single match at the tournament, in a draw against South Africa and showed promising level. One year later, he played also at the FIFA Confederations Cup. His team achieved a fourth place. Al-Temyat scored a goal against Mexico and gained two assists versus Egypt and Brazil respectively.

The best moment of his international career came during the 2000 AFC Asian Cup. Saudi Arabia achieved a second place, losing to Japan in the final. He was awarded to the best XI of the tournament. Two years later, Al Temyat went to the FIFA World Cup as a central figure and the biggest star of his team. Saudi Arabia failed to gain any point neverthless.

Style of play
A creative and naturally gifted central midfielder, Al-Temyat has been considered as one of the biggest talent in Saudi Arabia. Very decent stamina, good vision and technical qualities, as dribbling enabled him to dominate in centre of the midfield. During his career he was often compared to his predecessor Fahad Al-Bishi due to similar playing style, however possessed significantly better strength and pace. Despite high potential, he was plagued by injuries.

Personal life
Al-Temyat studied sports management with CIES and graduated in 2018; he was president of the Saudi Arabian Football Federation between 2018 and 2019.

Honours
Al-Hilal
 * Saudi Premier League : 1996, 1998, 2002, 2005, 2008
 * Crown Prince Cup : 2000, 2003, 2006
 * Saudi Federation Cup : 1996, 2000, 2006
 * Saudi Founder's Cup : 2000
 * AFC Champions League : 2000
 * Asian Cup Winners Cup : 1997, 2002
 * Asian Super Cup : 1997, 2000
 * Arab Cup Winners' Cup : 2000
 * Arab Super Cup : 2001
 * Gulf Club Champions Cup : 1998

Saudi Arabia
 * AFC Asian Cup
 * Runners-up (1) : 2000
 * Arab Nations Cup
 * Winners (1) : 1998

Individual
 * Asian Footballer of the Year: 2000
 * Arab Footballer of the Year: 2000

title: Nawaf Al-Temyat


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Community: A NewOrderOnline Tribute

Community is a tribute album dedicated to the work of Ian Curtis, Gillian Gilbert, Peter Hook, Stephen Morris and Bernard Sumner of the bands New Order and Joy Division that was released in 2004.

The Project
The Community project started when Alejo Parella submitted his own covers of New Order and Electronic and it caught the eyes of producer Michael Nguyen. It ended up in a big contest opened to artists from all over the world. More than 60 covers were submitted, and people from all over the world were allowed to vote to pick their favorite 15 tracks.

The final track listing is the songs that got the most votes, an unusual approach.

All artists were limited to 3 covers, a first round of voting was to determine which one of their cover would make it to the final round. In case the song was submitted by two or more artists, there were elimination rounds to pick the winner of those songs, but then the eliminated artist's second most popular song moved to the final round.

The final round saw about 40 songs, done by pure fans of New Order because it was done via New Order's semi-official website.

Track listing

 * 1) kREMLIN - "Sooner Than You Think"  – 3:47 - UK
 * 2) Captain Black - "Procession"  – 4:28 - UK
 * 3) Evaluna - Thieves Like Us  – 3:51 - USA
 * 4) Labster - "Face Up"  – 4:58 - Greece
 * 5) Project Wintermute - "Transmission"  – 3:55 - Australia
 * 6) Unfaith - "True Faith"  – 4:10 - Canada
 * 7) Cloudless - "Some Distant Memory"  – 4:59 - USA
 * 8) Slightly Narrow Sound System - "Heart and Soul"  – 3:10 - UK
 * 9) C Bentley - "In a Lonely Place"  – 4:21 - USA
 * 10) Dance Upon Nothing - "Bizarre Love Triangle"  – 4:28 - USA
 * 11) International - "The Perfect Kiss"  – 4:20 - Brazil
 * 12) Flight - "Dreams Never End"  – 3:40 - UK
 * 13) Spiral of Silence - "Dead Souls"  – 3:44 - Belgium
 * 14) La Fin De Tout - "586"  – 4:52 - France
 * 15) The Minus One - "We All Stand"  – 4:44 - Greece
 * 16) almanso - "Angel Dust"  – 4:11 - Argentina
 * 17) Digital (aka Known Pleasures) - "Love Vigilantes" (Hidden Track)  – 4:31 - UK

CommunityEP
Due to the high quality of the songs submitted, the producers of the album decided to release CommunityEP, a selection of their favorite songs that were not included on the album. The reason you might see similar artists is because they did submit more than one cover in the competition, but they were so good that the producers decided to release them anyway.

One track is part is also the winner of a remix competition that was held where the members had to vote between 10+ remixes done by several artists.

Track listing

 * 1) almanso - Ceremony  – 4:07 - Argentina
 * 2) The Minus One - Dreams Never End  – 3:17 - Greece
 * 3) Manumatic - Love Less  – 3:09 - USA
 * 4) C Bentley - Temptation  – 5:19 - USA
 * 5) almanso - Angel Dust (Project Wintermute Evil Dust Machine Remix)  – 5:18 - Argentina
 * 6) Digital - Leave Me Alone  – 5:00 - UK
 * 7) Nemesis - Crystal  – 4:37 - Argentina/Greece

Follow Up
In 2005, NewOrderOnline.com announced the project of Community 2, One year later, on October 31, 2006, Community 2: A NewOrderOnline Tribute has been released.

title: Community: A NewOrderOnline Tribute


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Le Gavroche

Le Gavroche (The Urchin) was a restaurant at 43 Upper Brook Street in Mayfair, London. It was opened in 1967 by Michel and Albert Roux at 61 Lower Sloane Street, its premises until 1981. Albert's son Michel Roux Jr was the chef patron from 1991 until its closure in 2024. It was the first restaurant in the UK to be awarded three Michelin stars, which it held from 1982 to 1993.

The restaurant offered classical French food, although some dishes were more modern. Notable dishes included the Soufflé Suissesse (cheese soufflé baked on double cream); Le Caneton Gavroche (whole poached duck in a light consommé served with three sauces for two); and Omelette Rothschild. Its name came from the character Gavroche in Victor Hugo's Les Misérables.

In August 2023, Michel Roux Jr. announced that the restaurant would close at the end of its current lease in January 2024, after over 56 years of business. The restaurant's final day of trading was on 13 January 2024.

Overview
Chefs who worked in the kitchen of Le Gavroche included Marco Pierre White, Gordon Ramsay, Marcus Wareing, Pierre Koffmann, Bryn Williams, Michael Smith, Konstantin Filippou and Monica Galetti.

Albert's son Michel Roux Jr was the chef patron having taken over the running of the kitchen in 1991. Under his stewardship, Le Gavroche was consistently placed in Restaurant's Top 50. The Executive Chef was Rachel Humphrey and the Head Chef was Gaetano Farucci.

Le Gavroche was listed in the Guinness Book of World Records as having served the most expensive meal per head when three diners spent $20,945 on one meal (including cigars, spirits, and six bottles of wine costing $19,248) in September 1997.

In 2008, Silvano Giraldin, Le Gavroche's General Manager, retired after 37 years working there. He remained as one of Le Gavroche's directors.

David Coulson, runner-up in the 2010 BBC series MasterChef: The Professionals, accepted an offer of employment from Michel Roux Jr during the final stages of the show and was to start work with Le Gavroche as chef de partie in January 2011.

In November 2016, it emerged that some employees were being paid as little as £5.50 per hour. This was considerably less than the 2016 legal UK minimum wage of £7.20 per hour. Since then, the restaurant became committed to review and increase wages and the time for which the restaurant was closed to reduce staff working hours. The restaurant was also further disadvantaging staff by treating the service charge as restaurant revenue, and not a tip, as it is commonly believed to be.

In August 2023, Michel Roux Jr announced that the restaurant would close at the end of its current lease in January 2024. The restaurant closed on 13 January 2024.

Ratings
In 1974, Le Gavroche was the first restaurant in the UK to receive a Michelin star and was the first British restaurant to receive two Michelin stars, this in 1977 while still at Lower Sloane Street. In 1982, after a move to the larger Upper Brook Street premises, it became the first restaurant in the UK to be awarded three stars. It retained this rating until 1993 when it lost a star as the Chef Patron formally changed from Albert Roux to his son. Regarding the loss of the third star Michel Roux Jr said "Certainly I would love three stars. I believe in the system and the recognition would be wonderful. But I am not cooking that style of food. There are dishes that are worthy of it but my style really doesn't suit that status."

title: Le Gavroche


text:
Kate Ashfield

Kate Ashfield (born 28 May 1972) is an English actress and screenwriter, who has appeared in stage, TV and film roles, most famously in her role as Liz in the 2004 zombie comedy Shaun of the Dead. She is the co-writer of the 2017 TV series Born to Kill.

Early life
Ashfield was born on 28 May 1972 in Oldham, England. Her interest in acting started at an early age, and she later pursued her passion by studying drama at the Bristol Old Vic Theatre School.

Career
Ashfield's acting profession began in the nineties when she landed a role in the popular British TV series, The Bill. She appeared in numerous TV series and movies, including EastEnders, Shaun of the Dead, and Secrets & Lies. Her breakout role came in 1998 when she starred in the acclaimed film, This Year's Love.

In 2004, Ashfield won the Best Actress award at the British Independent Film Awards for her role in the movie Late Night Shopping. She has also received rewards for her performances in Beyond the Gates, The Baker, and Line of Duty. In addition to her acting on screen, Ashfield has appeared in several stage productions, including Macbeth and The Glass Menagerie.

Filmography
• Princess Caraboo (1994, film) – Ella

• Blasted (1995, stage) – Cate

• Shopping and Fucking (1996, stage) – Lulu

• Soldier Soldier (1996, TV) – Cate Hobbs

• Woyzeck (1997, stage) – Marie

• Closer (1998, stage) – Alice

• Guest House Paradiso (1999, film) – Ms Hardy

• The War Zone (1999, film)

• Watership Down (1999, TV series) – Primrose (Series 1/2 only)

• Storm Damage (2000, TV) – Kay

• The Low Down (2000) – Ruby

• Christie Malry's Own Double-Entry (2000) – Carol

• Late Night Shopping (2001, film) – Jody

• Do or Die (2001, miniseries) - Samantha

• Pure (2002, film) – Helen

• Crime and Punishment (2002, miniseries) – Dounia

• Beyond Borders (2003, film) – Kat

• Pollyanna (2003, film) – Nancy

• Killing Hitler (2003, TV) – Rachel

• This Little Life (2003, TV) – Sadie MacGregor

• The Trouble with Men and Women (2003, TV) – Susie

• Fakers (2004, film) – Eve Evans

• Spivs (2004, film) – Jenny

• Shaun of the Dead (2004, film) – Liz

• The Best Man (2005, TV – released as Unhitched on US DVD) – Becka

• Secret Smile (2005, TV) – Miranda

• Random Quest (2006, TV) – Ottilie/Kate

• Leave Before the Lights Come On Video – Arctic Monkeys (2006) – Suicidal Lady

• Tsunami: The Aftermath (2006, TV) – Ellen

• The Baker (2007, film) – Rhiannon

• Talk to Me (2007, TV series) – Kelly

• The Children (2008 three-part TV drama) – Natasha

• Never Better (2008, TV series) – Anita Merchant

• Collision (2009, five part TV drama) – Ann Stallwood

• The Diary of Anne Frank (2009, five-part TV drama) – Miep Gies

• Agatha Christie's Poirot (2010, TV adaptation of Agatha Christie novel Three Act Tragedy) – Muriel Wills

• 7 Lives (2011, film) – Cynthia

• New Tricks (2011, TV series) – Hilary Newell

• Silent Witness (2011, TV drama) – Chief Inspector Rebecca Woods

• United (2011, TV drama) – Alma George

• Late Bloomers (2011, film) – Giulia

• Byzantium (2012, film) – Gabi

• When the Lights Went Out (2012, film) – Jenny Maynard

• Line of Duty (series 1) (2012, TV series) – Jools Gates

• Midsomer Murders (2013, TV series) – Helen Caxton

• Believe (2013, film) – Helen

• Nymphomaniac (2013, film) – Therapist

• Still (2014, film) – Margaret

• Hangman (2015, film) – Beth Miller

• Secrets and Lies (2015, TV series) – Vanessa Richardson

• Sick of It, (2018, TV series) – Zoe

• Sanditon, (2019, TV drama) – Mary Parker

• A Confession (2019, TV drama) – Yvonne Fulcher

• Life (2020, TV drama) – Rachel

• There’s Always Hope (2020, Feature Drama) – Samantha

• His Dark Materials (2022, TV series) – Atal (voice)

• Bodies (2023, limited series) - Elaine Morley

Awards and nominations
She has won three awards out of eight nominations:

 * 2000 British Independent Film Awards, Best Actress, The Low Down - nominee
 * 2001 British Independent Film Awards, Best Actress, Late Night Shopping - Winner
 * 2001 Berlin International Film Festival Shooting Stars Award, Actress - Winner
 * 2003 British Independent Film Awards, Best Actress, This Little Life - nominee
 * 2004 Royal Television Society, Best Female Actor, This Little Life - Winner
 * 2005 Empire Awards, Best British Actress, Shaun of the Dead - nominee
 * 2017 British Screenwriters’ Awards, Best Crime Writing on Television (Series/Single Drama), Born to Kill - nominee
 * 2018 BAFTA Cymru Awards, Best Television Drama, Born to Kill - nominee

title: Kate Ashfield


text:
Richard Overton (Leveller)

Richard Overton (fl. 1640–1664) was an English pamphleteer and Leveller during the Civil War and Interregnum (England).

Early life
Richard Overton may have spent part of his early life in Holland, although some of his writings show an interest in agricultural issues such as the enclosure of common land and may indicate that instead of living in the Netherlands he spent his early years in rural England, possibly Lincolnshire, a county in which the surname Overton was common. A Richard Overton matriculated as a sizar from Queens' College, Cambridge, at Easter 1631, and may be the very same subject of this biography.

First pamphlets and satires
He is known to have begun publishing anonymous attacks on the bishops about the time of the opening of the Long Parliament, together with some pungent verse satires, like Lambeth Fayre and Articles of High Treason against Cheapside Cross, 1642.

Man's Mortality
Overton turned next to theology, and wrote an anonymous tract during the civil war on Man's Mortality. This he described as "a treatise wherein 'tis proved, both by theology and philosophy, that whole man (as a rational creature) is a compound wholly mortal, contrary to that common distinction of soul and body: and that the present going of the soul into heaven or hell is a mere fiction; and that at the resurrection is the beginning of our immortality, and then actual condemnation and salvation, and not before". Ecclesiastes. chapter iii., verse 19 is quoted as a motto, and the tract is signed "R. O.", and said to be "printed by John Canne" at Amsterdam. According to Thomason's note in the British Museum copy, it appeared on 19 January 1644, and was really printed in London.

The tract created a great stir, and a small sect arose known as "Soul Sleepers", who adopted Overton's doctrine in a slightly modified form. On 26 August 1644, the House of Commons, on the petition of the Stationers' Company, ordered that the authors, printers, and publishers of the pamphlets against the immortality of the soul and concerning divorce should be diligently inquired for, thus coupling Overton with Milton as the most dangerous of heretics. Daniel Featley in the Dippers Dipt and Thomas Edwards (1599–1647) in Gangræn both denounced the unknown author, the latter asserting that Clement Wrighter "had a great hand in the book".

Martin Marpriest
Meanwhile, Overton had commenced a violent onslaught against the Westminster assembly, under the pseudonym of "Martin Marpriest", who was represented as the son of Martin Marprelate, the antagonist of the Elizabethan bishops. The series of tracts he issued under this name, of which the chief are The Arraignment of Mr. Persecution, Martin's Echo, and A Sacred Synodical Decretal, were published clandestinely in 1646, with fantastic printers' names appended to them. The Decretal is a supposed order of the Westminster assembly for the author's arrest, purporting to be "printed by Martin Claw-Clergy, printer to the reverend Assembly of Divines, for Bartholomew Bang-priest, and are to be sold at his shop in Toleration Street, at the sign of the Subjects' Liberty, right opposite to Persecuting Court". Prynne denounced these tracts to parliament as the quintessence of scurrility and blasphemy demanding the punishment of the writer, whom he supposed to be Henry Robinson. Overton's authorship was suspected, but could not be proven. He did not own his responsibility till 1649, when the assembly of divines had come to an end.

Against the Lords
In 1646, Overton, who had been concerned in printing some of Lilburne's pamphlets, took up his case against the Lords, and published An Alarum to the House of Lords against their Insolent Usurpation of the common Liberties and Rights of this Nation, manifested in their Attempts against Lieutenant-colonel John Lilburne, An Alarum... 4to, 1646. For this he was arrested by order of the house on 11 August 1646 and, refusing to acknowledge their jurisdiction, was committed to Newgate. Yet in spite of his confinement, he contrived to publish a narrative of his arrest, entitled A Defiance against all Arbitrary Usurpations, and a still more violent attack on the peers, called An Arrow shot from the Prison of Newgate into the Prerogative Bowels of the Arbitrary House of Lords. His wife Mary and his brother Thomas were also imprisoned for similar offences.

The New Model Army took up the cause of Overton and his fellow prisoners, and required that they should be either legally tried or released. He was unconditionally released on 16 September 1647. This imprisonment did not diminish Overton's democratic zeal. He had a great share in promoting the petition of the London levellers on 11 September 1648. He was also one of those who presented to Fairfax on 28 December 1648 the Plea for Common Right and Freedom, a protest against the alterations made by the council of the army in Lilburne's draft of the Agreement of the People.

Second imprisonment
On 28 March 1649, he was arrested, with Lilburne and two other leaders of the Levellers, as one of the authors of England's new Chains Discovered. A refusal to acknowledge the authority of the Council of State or to answer their questions, caused his committal to the Tower. In conjunction with three fellow-prisoners he issued, on 1 May 1649, the Agreement of the Free People of England, followed on 14 April by a pamphlet denying the charge that they sought to overthrow property and social order.

Release
On his own account he published on 2 July 1649 a Defiance to the government, in the form of a letter addressed to the citizens usually meeting at the Whalebone in Lothbury, behind the Royal Exchange, a place which was the headquarters of the London Levellers. The failure of the government to obtain a verdict against Lilburne involved the release of his associates, and on 8 November Overton's liberation was arranged. The only condition was that he should take the engagement to be faithful to the Commonwealth, which he probably had no hesitation in doing. In September 1654 Overton proposed to turn spy, and so offered his services to Thurloe for the discovery of plots against the Lord Protector's government. In the following spring he was implicated in the projected rising of the Levellers, and fled to Flanders in company with Lieutenant-colonel Sexby. There, through the agency of Sir Marmaduke Langdale (afterwards Lord Langdale), he applied to Charles II, and received a royal commission. Some months later he returned to England, supplied with Spanish money by Sexby, and charged to bring about an insurrection.

Later life
Overton's later history is obscure. He was again in prison during December 1659, and his arrest was ordered on 22 October 1663, for apparently printing something against the government of Charles II.

Works
It is difficult to give a complete list of Overton's works, as many are anonymous. The chief are the following:
 * Monopolists as Frogs and Vermin, 1641.
 * New Lambeth Fair newly Consecrated, wherein all Rome's Relics are set at sale (a satire in verse), 1642.
 * Articles of High Treason exhibited against Cheapside Cross, with the last Will and Testament of the said Cross (a satire in verse), 1642.
 * Man's Mortality, Amsterdam, 1643; a second and enlarged edition was published in 1655, in 8vo, entitled Man wholly Mortal.
 * The Arraignment of Mr. Persecution … by Reverend young Martin Marpriest, 1645.
 * A Sacred Synodical Decretal for the Apprehension of Martin Marpriest, 1645.
 * Martin's Echo; or a Remonstrance from his Holiness, Master Marpriest [about 1645].
 * An Alarum to the House of Lords, 1646.
 * A Defence against all arbitrary Usurpations, either of the House of Lords or any other, 1646.
 * An Arrow against all Tyrants or Tyranny, 1646.
 * The Commoners' Complaint, 1646.
 * The Outcries of oppressed Commons (by Lilburne and Overton jointly), 1647.
 * An Appeal from the Degenerate Representative Body, the Commons of England, assembled at Westminster, to the … Free People in general, and especially to his Excellency, Sir Thomas Fairfax, 1647.
 * The Copy of a Letter written to the General from Lieutenant-colonel Lilburne and Mr. Overton on behalf of Mr. Lockyer, 1649.
 * A Picture of the Council of State (by Overton and three others), 1649.
 * A Manifestation of Lieutenant-colonel Lilburne and Mr. Overton, &c., 1649.
 * An Agreement of the Free People of England tendered as a Peace-offering to this distressed Nation, by Lieutenant-colonel Lilburne, Mr. Overton, &c., 1649.
 * Overton's Defiance of Act of Pardon, 1649.
 * The Baiting of the Great Bull of Bashan, 1649. There are also a number of petitions addressed by Overton to the two houses of parliament.

title: Richard Overton (Leveller)


text: User talk:216.250.221.235

title: User talk:216.250.221.235


text:
Waskowmium

The Waskowmium is a collection of artworks in northern Vermont, USA, and "housed at two residences and four other spaces that are exclusively devoted to storing and displaying the collection".

It was founded by Mark S. Waskow. As of 2007, it was reportedly "one of the largest private collections of artworks in [Vermont], [with] a total of 8,000 pieces, much of it produced by Vermonters". It notably includes paintings by Marc Awodey and drawings by Ed Koren.

Media heavily represented in this collection are works on paper, artists' books and other printed materials, collage, assemblage, constructions and works by Vermont-based artists. An archive of materials relating to the contemporary art scene in Vermont and its chronology is also maintained.

title: Waskowmium


text:
Talk:Language Made Plain

I have removed the book excerpts from this article per my interpretation of fair use and the context of the citation. Relevant, I believe, is
 * [A] reviewer may fairly cite largely from the original work, if his design be really and truly to use the passages for the purposes of fair and reasonable criticism. On the other hand, it is as clear, that if he thus cites the most important parts of the work, with a view, not to criticise, but to supersede the use of the original work, and substitute the review for it, such a use will be deemed in law a piracy....

As the article cited the work with no additional content inserted, and with the citation being around 80% of the article, I feel this clearly falls into the latter category. — Lomn | Talk / RfC 13:14:39, 2005-08-30 (UTC)

Cite What?
The entire article comprises three sentences plus a reference to the book. Yet it carries a "This article does not cite any sources" banner. How would one cite a source for this (other than the book reference)? rowley (talk) 06:25, 19 January 2016 (UTC)

title: Talk:Language Made Plain