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Anserine

Anserine (β-alanyl-3-methylhistidine) is a dipeptide containing β-alanine and 3-methylhistidine. Anserine is a derivative of carnosine, which has been methylated.

Both anserine and carnosine chelate copper. Due to its methylation, anserine is more stable in serum and resistant to degradation than carnosine. Anserine can be found in the skeletal muscle and brain of mammals and birds.

The pKa of the imidazole ring of histidine, when contained in anserine, is 7.04.

Neuroprotective effects
An animal model study of Alzheimer's disease using mice found that treatment with anserine reduced memory loss. Anserine reduced glial inflammatory activity (particularly of astrocyte). The study also found that anserine-treated mice had greater pericyte surface area. The greater area of pericytes was commensurate with improved memory (pericytes wrap around brain capillary to control blood flow and gate cells from neurotoxin, blocking inflammation). The anserine-treated mice overall performed better on a spatial memory test (Morris Water Maze).

A human study on 84 elderly subjects showed that subjects who took anserine and carnosine supplements for one year showed increased blood flow in the prefrontal cortex on MRI.

A study demonstrated that the free N-terminal of histidine on anserine and carnosine protect against zinc-caused neurotoxicity and regulate the Arc pathway in which Arc protein is used to produce dendrite protein for connecting nerve cells.

Both Anserine and Carnosine are chelating agents for copper and other transition metals. Chelation of transition metals is one method used by antioxidants to protect their targets from oxidative stress as it prevents them from undergoing Fenton reactions with peroxides. In the olfactory bulbs, the concentration of both of these molecules was found to be in the millimolar range, whereas the concentration of copper was approximately 50μM. these found concentrations indicate the chelation of copper by Anserine and Carnosine.

title: Anserine


text:
Victor McGuire

Victor McGuire (born 17 March 1964) is an English actor perhaps best known for playing Jack Boswell in series 1–3, 5-7 of Carla Lane's Bread, Ron Wheatcroft in every series of Goodnight Sweetheart and its 2016 one-off episode, and Coronation Street as Big Garth and Sean Hughes' neighbour Tony in Sean's Show ("the kind of guy you can ask to build you a shed").

Life and career
McGuire appeared as Gary, one of the pair of thieves in Guy Ritchie's Lock, Stock and Two Smoking Barrels, and as Deputy Chief Constable Nadin in Mike Leigh's Peterloo.

He has also appeared in a number of TV programmes, including Dalziel and Pascoe, Casualty and 2point4 Children. He played the character of Amos Hart in the West End musical Chicago and was Lazar Wolf in the West End production of Fiddler on the Roof at the Savoy Theatre. He later reprised the role of Amos Hart in the theatrical production of Chicago, in the Cambridge Theatre, London. In 2012 he appeared in two episodes of historical drama World Without End as peasant Mark Webber. In 2005 he appeared in "A Fresh Start" and "Miller's Tale" - the first and the third episodes of the fifteenth series of Heartbeat as Brian Parker.

From 2012 to 2017 he appeared as security guard Ian in the Sky1 sitcom Trollied. His last appearance was in the Christmas special episode in December 2017.

In February 2019 McGuire appeared in Coronation Street as a character called Big Garth. In May 2019 McGuire played Garanin in the Sky / HBO Mini-Series Chernobyl.

In 2020 he appeared as a policeman in an advertisement for Haribo Starmix. McGuire is a supporter of Everton F.C. In 2020 he starred in ITV sitcom Kate & Koji as a customer named Mr. Mulholland, a pessimistic hypochondriac. In March 2021 he appeared in a safety advertisement for Highways England having the song "Go Left" a parody version of Go West by The Pet Shop Boys sung to him by two flies on his windscreen.

In 2022, he reprised his role as Mr. Mulholland in series two of Kate & Koji.

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Victor McGuire


text: User talk:81.138.49.97

title: User talk:81.138.49.97


text:
User talk:Depakote

Howdy, welcome to my talk page'

Feel free to view my archives:
 * Archive 01

Hi. :) Peter 00:38, 25 April 2006 (UTC)

title: User talk:Depakote


text:
Fatal Racing

Fatal Racing, known as Whiplash in North America, is a 3D stunt car racing video game developed and published by Gremlin Interactive in Europe in 1995 for MS-DOS, and published in 1996 by Interplay Productions in North America.

In Fatal Racing the player picks among a broad selection of cars and drives through tracks with loops, corkscrews, and jumps while trying to smash into other cars to destroy them and at the same time cross the finish line first. There is a variety of different camera views available in the game, "in-car", chase-cam, etc. Multiplayer is supported by IPX/SPX network and modem, in addition, a split screen option is also available. Fatal Racing supports graphics resolutions of 320×200 and 640×480, the latter being very demanding on the hardware available at the time of the game's release. The game also runs in a 16:10 aspect ratio and not the more common 4:3 aspect ratio at the time.

Release
Later, there was an enhanced 3dfx Glide version of the game made. This was bundled with some Voodoo Cards as Fatal Racing 3D. This enhanced version is hardware specific, and it requires a Voodoo I graphics card to function correctly. There were also patches available for the original versions of the game to add support for 3D graphics cards such as the Rendition Verite and the S3 ViRGE.

Music
Fatal Racing has audio CD tracks for a realistic music performance. It can be chosen as a music option in the Sound and Music setup program. This was used to replace low-quality MIDI choices. While the title, race victory, and championship victory tracks are high-quality versions of their respective MIDI equivalents, the menu track and in-game tracks are completely different on the CD. The audio and the sound effects (featuring the 9 songs) were produced by Neil Biggin.

Driver names
The names displayed for drivers of cars in the race not controlled by human players all come from famous robot or computer characters from science fiction movies and television. These names, however, are changeable and can be renamed within the configuration menu in the game. In the original state of the game, the given names for the drivers of the respective teams are:

 * Reise Wagon: Robby (from Forbidden Planet), Gort (from The Day the Earth Stood Still)
 * Zizin: Kryten, Holly (both from Red Dwarf)
 * Mission: Eddie, Marvin (both from The Hitchhiker's Guide to the Galaxy)
 * Million Plus: Bob, Vincent (both from The Black Hole)
 * Global: Voyager (from Star Trek: The Motion Picture), Nomad (from the Star Trek episode The Changeling)
 * Pulse: Ash (from Alien), Bishop (from Aliens)
 * DeSilva: Slave, Zen (both from Blake's 7)
 * Auto Ariel: Sal (from 2010: Odyssey Two), Hal (from 2001: A Space Odyssey)

Reception
A reviewer for Next Generation applauded the game's inventive and challenging tracks, numerous cars to choose from, and network options. He noted that the game's high resolution mode runs poorly even on a Pentium 133, but said the game overall compares favorably to games like The Need for Speed and Screamer, and gave it 4 out of 5 stars.

Cancelled sequel
A sequel, tentatively titled Whiplash 2, was included on Hyper magazine's list of "Confirmed Dreamcast Titles in Development" in 1999, though no such title was ever released.

title: Fatal Racing


text:
Carmike Cinemas

Carmike Cinemas was a motion picture exhibitor headquartered in Columbus, Georgia. As of March 2016, the company had 276 theaters with 2,954 screens in 41 states, and was the fourth largest movie theater chain in the United States. The company billed itself as "America's Hometown Theatre" and Carmike theaters were largely positioned in rural or suburban areas with populations under 200,000. The company's theaters operated under various names and generally had a name followed by the number of auditoriums at that location; for example, "Carmike 15".

On March 4, 2016, AMC Theatres announced its intent to acquire Carmike Cinemas. The deal was closed on December 21, 2016; Carmike locations were converted to the AMC brand in 2017, with the Carmike logo and slogan being repurposed for the new AMC Classic banner (which was adopted by smaller AMC locations with fewer premium amenities).

History
Carmike was founded when Carl L. Patrick, Sr. acquired Martin Theatres from Fuqua Industries in 1982. The company's name was derived from a combination of the first names of Carl L. Patrick, Sr.'s two sons, Carl Jr. and Michael, hence "Carmike".

In 1996, Carmike purchased Fox Theatres Corp. (which had 61 screens in their chain), and Maxi Saver Cinemas (which had 18 screens in their chain), both primarily in Pennsylvania. In 1997, Carmike partnered with Walmart to start the Hollywood Connection, starting with a location in Columbus, Georgia. Amenities include a modern multiplex or megaplex movie theater with 5–15 screens, indoor miniature golf, a roller skating rink, a laser tag arena, and a video game arcade. At the time, Carmike was wanting this field to be extremely profitable. While the Columbus, Georgia location is still open, other locations in West Valley City, Utah (a suburb of Salt Lake City), DeKalb, Illinois, Valparaiso, Indiana (a suburb of Chicago), and Goshen, Indiana have closed.

Carmike filed for Chapter 11 bankruptcy protection in August 2000 after failing to make US$9 million in interest payments to bondholders—the company owed approximately US$650 million in debt. Since declaring bankruptcy, many theaters (mostly smaller single, twin and triple theatres) in inactive markets were closed down, and some were renovated or relocated in areas with desirable market potential—most of these newer theaters are 10 screens or larger. The number of theaters owned or operated by the company dropped from 448 to just over 300.

During bankruptcy, the company was forced to sell or close several historic theaters, including the Villa Theatre in Salt Lake City, Utah and the Indian Hills Theater in Omaha, Nebraska, the latter of which contained a 70 ft wide Cinerama screen, believed to be the largest in the US at the time. The Indian Hills was eventually demolished in August 2001 by its new owners, Methodist Health System, and replaced with a parking lot for the system's nearby hospital and nursing college. Actress Patricia Neal called the destruction of the theater "a crime" in a letter of support, and letters were also written by Kirk Douglas, Janet Leigh, Robert Wise and film critic Leonard Maltin.

Carmike exited bankruptcy in January 2002, having successfully restructured its debts and operations. A judge approved the Chapter 11 plan, filed in October 2001, which involved payment of US$263 million of Carmike's bank loans.

In 2005, Carmike purchased 30 GKC Theaters (263 screens) from Beth Kerasotes (the heir of George Kerasotes) for $66 million. The George Kerasotes Corporation was the result of a split with other family members who jointly owned Kerasotes Theatres. In December 2008, Mark Cuban acquired a 9.4 percent stake in Carmike Cinemas and, following a Securities and Exchange Commission (SEC) filing, Cuban explained that his interest was for investment purposes.

Carmike Cinemas' board of directors removed Michael Patrick as its chief executive on January 20, 2009. S. David Passman III was selected as the non-executive chairman of the board. The board established an Office of the Chairman as a body that oversaw the company's strategic direction and the transitional period until a new chief executive was employed—in addition to Passman, the Office of the Chairman consisted of chief operating officer Fred Van Noy and chief financial officer Richard Hare. On June 4, 2009, the company announced that S. David Passman III was appointed president and chief executive officer, while board member, Roland C. Smith, succeeded Passman as Carmike's chairman of the board. Van Noy and Hare remained in their respective positions.

In 2011, Carmike Cinemas acquired MNM Theatres, adding three locations (40 screens) in the Atlanta area. In October 2012, Rave Cinemas, a division of Cinemark Theatres, signed an agreement to sell 16 theaters with 251 screens to Carmike Cinemas for $19 million in cash and $100.4 million of assumed lease obligations. Of the 16 theaters being acquired, six are in Alabama, four in Florida, two in Indiana, and one each in Illinois, Pennsylvania, Tennessee and Texas. This was Carmike's first foray into IMAX. The sale also included 7 IMAX screens. Before the sale Rave owned or managed 62 theaters and 939 screens located in 21 states across the country.

On July 18, 2013, Carmike Cinemas announced that they would buy three more theatres from Rave Cinemas located in Louisville, Kentucky; Voorhees, New Jersey; and Hickory Creek, Texas. With this change, the Voorhees and Louisville locations switched from Screenvision to National CineMedia, while Hickory Creek remains with Screenvision. The sale also included an eighth IMAX screen. The sale was closed on August 16, 2013.

On November 4, 2013, Carmike Cinemas purchased Muvico Theaters for just under $31.8 million in an acquisition that included Muvico's nine locations in Florida, California and Illinois. Two Bogart's restaurants were also included in the sale and, after the sale closed at the end of 2013, the MuviXL screens was rebranded as "Carmike's BigD". Carmike's first-ever California location, the Thousand Oaks 14 theater, was obtained in the acquisition.

On May 15, 2014, Carmike Cinemas announced their purchase of Digital Cinema Destinations Corp., operating as Digiplex Destinations, in an all-stock transaction. Included in the deal were Digiplex's 21 open locations containing 206 screens, as well as 5 theaters in development with an additional 53 screens. The acquisition introduced Carmike to 4 new states: Arizona, Connecticut, Maryland, and New Hampshire.

On October 6, 2015, Carmike Cinemas announced it agreed to acquire the Sundance Group's cinema chain, Sundance Cinemas, for $36 million.

On March 3, 2016, AMC Theatres announced its intent to acquire Carmike Cinemas in a $1.1 billion deal, subject to regulatory and shareholder approval. The deal was completed on December 21, 2016. With the deal, AMC overtook Regal Entertainment Group as the United States' largest movie theater chain.

In February 2017, AMC announced it would discontinue the Carmike name and re-brand all of its locations under either the AMC, AMC Classic, or AMC Dine-in banner. Most of Carmike's former locations were converted to the AMC Classic banner, which denotes smaller locations with fewer premium amenities than the AMC and AMC Dine-In banners. Upon the change in banner, some locations also switched formats from second-run to first-run films, whilst maintaining lower ticket prices than competitors. The AMC Classic banner uses Carmike's trademarks, including the folded film logo and "America's Hometown Theatres" slogan.

title: Carmike Cinemas


text:
User talk:Hazey Jane

I am a staunch advocate of neutral tone and info, but I am willing to let my standard lapse for entertainment related articles especially if it adds a humorous quality.

Anyways hi and welcome to Wikipedia. St. Andrews? Edinburgh?

lots of issues | leave me a message 07:42, 19 August 2005 (UTC)

 * St Andrews, at the moment; though if being in a small town drives me insane, I might switch to Edinburgh.

 * Well you have six choices so of course apply to both. Have you considered Oxford?  BTW, I never understood why St. Andrews was by far the most popular destination for Americans studying full time in the UK (especially amongst the Northeast elite boarding school crowd).  Can you shed any light? lots of issues  | leave me a message 18:36, 26 August 2005 (UTC)

 * I didn't realize it was "by far the most popular destination for Americans studying full time in the UK". It's probably has to do with the fact that in Scotland, one starts university at age 18 (which is the case in the US) and in England, one starts at 19. Also, I imagine it doesn't hurt that Prince William goes/went there (which, personally, doesn't do anything for me, but many people here are fascinated by the royal family). Also, it seems like the university really tries to reach out to American students.

 * Speaking for myself, I like it because it's a good school, but it also strikes me as being very laid-back. Given that my high school experience has been three (will be four) years of constant stress, the idea of going to a university that will take good care of me and allow me to relax a little is very appealing. My high school experience wasn't bad, but it's made me realize that while I can do well in a high-stress learning environment, it's not something that I particularly enjoy.

 * I've never seriously thought about Oxford or Cambridge because I know nothing about any of the colleges in those schools (and haven't been interested in researching it) and also because they strike me as being very much like the Ivy League schools here - where you go because you'll get a good education (though I sometimes wonder because I've heard that many professors at these schools are more concerned about their research projects than actually teaching), but also so that you can say you went to an Ivy League school. Furthermore, the competition to get into these schools (Ivies and Oxbridge) is amazing and I imagine it's pretty competitive in the school, too; so, I feel like if I went to Oxford or Cambridge, I'd be going right back into the sort of place from which I'm so eager to escape. --Hazey Jane 00:01, 27 August 2005 (UTC)
 * Indeed the Oxford competition is "amazing". I can fairly attest as a reject now relegated to a mediocre UC.  The unchecked curriculum of Oxford appealed to me.  There are no  classes or even grades.  Study is structured around visiting the professor one on one or two to one to discuss the previous week's reading and assigned writing.  Your grade is determined through a series of examinations in the last two weeks.  Wow!  All that time to go to Dublin to get drunk!  FYI: Oxford never considers or even requests high school grades.  You AP or IB scores, SAT I, on-site interview (Vancouver or New York), writing samples, and personal statement determine your admission.  If you have kick ass scores I encourage you to go for it.  lots of issues  | leave me a message 22:15, 2 September 2005 (UTC)

St. Andrews
Well I must say, and hope you do, come to St. Andrews University. Scotland is a wonderful country and very unique; in my case, there is no other country like it. Though you must remember: haggis is not an animal! So if you do come to Scotland, when do you plan to come and what are you going to study; if you dont mind me asking! Even if St. Andrews is not your thing; there is the University of Glasgow. --Kilo-Lima 15:39, 18 November 2005 (UTC)

 * I actually don't know what I'll be studying. It'll probably be linguistics and modern languages, but knowing me, I'll find about 30 other things I want to study instead. --Hazey Jane 00:15, 12 March 2006 (UTC)

Double images
Thanks for fixing the double image at The Wizard of Oz. Could you take a look at The Pink Panther (2006 film) as well? For some reason the infobox image got doubled there but I can't seem to get it un-doubled. Thanks! 23skidoo 01:16, 7 December 2005 (UTC)

title: User talk:Hazey Jane


text:
Infamy

Infamy (or infamous) describes a person or organization considered to have said or done something that provokes public outrage, or is considered blameworthy and so deserving of punishment even if no sanction is actually applied.

Etymology
The word stems from the Latin infamia, It derives from the Negation in + fame which implies public acclaim for doing something that pleases the public. The Proto-Indo-European root of that word is *bhā- meaning to tell (as in blab or megaphone)

Roman law
In Roman law, it took the form of a censure on individuals pronounced by a competent authority in the state, which censure was the result either of certain actions which they had committed or of certain modes of life which they had pursued. Such a censure involved disqualification for certain rights both in public and in private law.

In canon law
Infamy is a term of art in Roman Catholic canon law. According to the Catholic Encyclopedia of 1913, infamy in the canonical sense is defined as the privation or lessening of one's good name as the result of the bad rating he has, even among prudent men. It constitutes an irregularity, a canonical impediment that prevents one being ordained or exercising such orders as he may have already received.

There are two types of infamy: infamy of law (infamia juris) and infamy of fact (infamia facti).

Infamy of law
Infamy of law is contracted in one of three ways. Either the law itself attaches this juridical ineligibility and incapacity to the commission of certain crimes, or makes it contingent upon the decision of a judge, or finally connects it with the penalty imposed by the judge. This kind of infamy is incurred chiefly by those guilty of duelling (whether as principals or seconds), rape (as likewise those who co-operate in it), attempt to marry during the lifetime of the actual consort, heresy, real simony, etc. Infamy of law may be removed either by canonical purging or by application to the Holy See.

Infamy of fact
Infamy of fact is the result of a widespread opinion, by which the community attributes some unusually serious delinquency, such as adultery or the like, to a person. This is more of an unfitness than an irregularity properly so called, unless sentence in court has been pronounced. It ceases therefore when one has shown by a change of life extending over a period of two or probably three years that his repentance is sincere.

A crime consisting in acts which society not only forbids but also considers as highly immoral and particularly dishonoring, as defined (variously) in certain legal systems, as in Poland; in its origin, in Ancient Rome, infamia was the mark of disapproval of the censors on moral grounds - often such 'legal immorality' is largely defined according to the state - or de facto dominant religion.

In the Polish–Lithuanian Commonwealth infamy (infamia) was a more severe form of exile sentence. A noble who has been sentenced to infamy, known as infamis, lost the protection of the law and there was a reward for his death (this was similar to the common law concept of outlawry). In addition, a banished noble (banita) who killed an infamed one could expect his exile sentence to be revoked.

title: Infamy


text: User:Jeanot

title: User:Jeanot


text:
China Academy of Launch Vehicle Technology

The China Academy of Launch Vehicle Technology (CALT) is a major state-owned civilian and military space launch vehicle manufacturer in China and one of the major launch service providers in the world. CALT is a subsidiary of the larger China Aerospace Science and Technology Corporation (CASC). It was established in 1957 by Dr. Xue-Sen Qian and is headquartered in Fengtai District, Beijing.

Its major contribution to China's civilian and military launch capability has been the manufacture of the Long March family of rockets. CALT has over 33,000 employees. The current Chief Designer is Long Lehao (龙乐豪).

CALT is also planning two spaceplanes. They would both be single-stage to space sub-orbital rocketplanes. One would be a 10-ton 4-passenger plane that would fly to 100 km at Mach 6. The other would be a 100-ton 20-passenger plane that would fly to 130 km at Mach 8. They would be equipped with liquid methane/liquid oxygen rocket engines. The larger spaceplane would also be able to carry a strap-on space rocket, making it function as the first stage of a two-stage to orbit space launch platform. That rocket would launch above the Karman line, and lift 1–2 tons to LEO.

In 2021, following tests by CALT, United States Secretary of the Air Force Frank Kendall III stated that China was developing and testing a fractional orbital bombardment system.

U.S. sanctions
In August 2020, the United States Department of Defense released the names of “Communist Chinese military companies” operating directly or indirectly in the United States. CALT was included on the list.

In November 2020, U.S. President Donald Trump issued an executive order prohibiting U.S. companies and individuals owning shares in companies, including CALT, that the U.S. Department of Defense has listed as having links to the People's Liberation Army.

Subsidiaries

 * China Energine
 * China Rocket, which developed Jielong 1


text:
Cerberus (disambiguation)

Cerberus is a mythic multi-headed dog.

Cerberus may also refer to:

Astronomy

 * Cerberus (constellation), a group of stars
 * Cerberus (Martian albedo feature), a dark spot on Mars
 * Kerberos (moon), a moon of Pluto (sometimes mistakenly spelled Cerberus)
 * 1865 Cerberus, an asteroid

Biology

 * Cerberus (protein), involved in embryological development
 * Cerberus (snake), a genus of snakes
 * Cerberus (virus) (BQ.1.1), a variant of the SARS-CoV-2 Omicron virus variant

Fictional entities

 * Cerberus (Cardcaptor Sakura), a character in the manga and anime series Cardcaptor Sakura
 * Cerberus (Eyeshield 21), a fictional dog in the manga and anime series Eyeshield 21
 * Cerberus (Mass Effect), a fictional anthropocentric organization in the video game franchise Mass Effect
 * Cerberus, a character and boss opponent in the video game Blood
 * Cerberus, a boss in the video game Devil May Cry 3: Dante's Awakening
 * Cerberus, a fictional zombie in the manga and anime series One Piece
 * Cerberus, a paradigm consisting of three Commandos (Attackers) in the video game Final Fantasy XIII and Final Fantasy XIII-2
 * Cerberus, a boss in the video game  Old School RuneScape
 * Cerberus, a fictional military system of the United States in the film Olympus Has Fallen
 * Cerberus, a fictional scientific project in the television series The 100
 * Cerberus, a fictional dog in British soap opera Coronation Street
 * Cerberus, a character in the video game Helltaker
 * Cerberus, an enemy in the video game Ultrakill

Works

 * Cerberus (film), a science fiction movie
 * Cerberus (board game), a 1979 science fiction board game
 * Cerebus the Aardvark, a comic book series
 * "Cerberus", an Amon Duul II song from the album Yeti
 * "Cerberus", a 2021 single by Pentagon

Military

 * HMAS Cerberus, Victoria, an Australian naval base
 * HMS Cerberus, Royal Navy ships
 * HMVS Cerberus, an 1871 warship under various British Commonwealth aegises
 * Operation Cerberus, German codename for a World War II naval engagement in the English Channel
 * Project Cerberus, an airborne early warning capability on Royal Navy Westland Sea King helicopters
 * Cerberus-class diving support vessel, a class in the Dutch Navy
 * HNLMS Cerberus, Dutch Navy vessels

Technology

 * Cerberus (sonar), a diver detection device
 * Cerberus FTP Server, file transfer software
 * Cerberus ticketing system, an issue tracking system

Other uses

 * Cerberus Capital Management, a private equity investment firm

title: Cerberus (disambiguation)


text:
User talk:Pcw~enwiki/2005exercise

Hi! I read the discussions. I'm Swedish and have little idea what degree of maturity your students have or how far they have come in their education, but as Dartmouth is supposed to be a good university, I am sure you have some bright ones among them, and that they have interests covering a variety of scientific, cultural or historical topics.

Why don't you ask your students to take a look at WikiProject Missing encyclopedic articles, where there are links to lists of topics notable enough to have already been in other encyclopedias. Some of these projects are all about using somewhat dated public-domain material from old publications such as the Catholic Encyclopedia or the 1911 Encyclopædia Britannica as a starting point for a new article, formatting and updating it as needed, which might be a good preliminary exercise before writing one's own article. (Wikipedia sometimes already has an article on the topic under a different title. Some searching and checking of links from related topics may be needed to ascertain whether that is the case.)

Other of these projects are about covering topics included in contemporary encyclopedias, such as the 2004 Encyclopedia topics, which lists topics covered by the Encyclopædia Britannica 2004. (The same caveat applies here about topics possibly already in WP under a different title.) This forces the student to do his own work researching the topic. It is important that the article itself does not even get close to plagiarizing the EB. The point is to try to cover the same topics by using standard handbooks, journal articles etc.

There are many other lists which show clearly notable topics missing. I just noticed this morning that we lack articles on several of the kings of the Twenty-second dynasty of Egypt. Or take a look at Linnean Medal, where several of the recipients of the medal are red, or the subpages of Fellows of the Royal Society. (And again, make sure the article doesn't exist under a different title...) Uppland 07:48, 19 August 2005 (UTC)

Monkees
Hi. On your project page, you mentioned "the Monkeys," but quoted the Monkees. Sacrilege!!! Kidding, but thought you might want to know. Cheers! -- BD2412 talk 01:15, 9 September 2005 (UTC)

title: User talk:Pcw~enwiki/2005exercise


text:
CALT

CALT may refer to:
 * California Achievement Levels Test
 * China Academy of Launch Vehicle Technology
 * City Air Logistics & Transportation
 * Conjunctival-associated lymphoid tissue, a subtype of MALT

title: CALT


text: User talk:70.33.197.240

title: User talk:70.33.197.240


text:
National-Social Association

The National-Social Association (Nationalsozialer Verein, NSV) was a political party in the German Empire, founded in 1896 by Friedrich Naumann. It sought to synthesise liberalism, nationalism and non-Marxist socialism with Protestant Christian values in order to cross the ideological front lines and draw workers away from Marxist class struggle. However, it never grew beyond a minor party of intellectuals which failed to gain mass support in elections.

History
In the second half of the 19th century, Germany underwent a rapid industrialization, which was connected with rising social problems. As a result of this, the Social Democratic Party of Germany (SPD) was founded and soon outlawed under the first Chancellor of the German Empire Otto von Bismarck. After the party was legalized again in 1890 (the year Bismarck resigned), it enjoyed considerable success at elections. Since the SPD was Marxist, using Karl Marx's Das Kapital for their theoretical underpinnings, the ruling classes considered it a threat.

In 1896, Friedrich Naumann, a Protestant parish priest, founded the National-Social Association. The establishment is seen as a reaction to the rise of socialism and an attempt to offer a moderate social liberal alternative guided by Protestant Christian principles as opposed to the secularism of the SPD, to the new masses of the working class. It was influenced by the political theories of Max Weber, who helped founding the party. In accordance with Weber's teachings, the party believed that working class and bourgeoisie should join hands for a strong German Empire, economic growth and social progress, therefore the party strove to dismantle the ideological divisions between socialists, left and national liberal and Christian parties.

The ideology of the association was labeled by its thought leader first as "national socialism on a Christian basis" (nationaler Sozialismus auf christlicher Grundlage) and "social imperialism" (soziales Kaisertum), later as "proletarian-bourgeois integral liberalism" (proletarisch-bürgerlicher Gesamtliberalismus), meaning a mix of nationalism, Christian socialism and social liberalism. Naumann's party advocated a stronger role for the parliament, but did not question the leading position of the monarch.

Publications of the party included the weekly newspaper Die Hilfe (The Help) and the short-lived daily newspaper Die Zeit (The Time). Furthermore, there were a number of regional and local papers who had close ties with the association.

In the elections of 1898 and 1903, the candidates of the association failed to gain seats and Naumann dissolved the party, merging into the centrist liberal Free-minded Union. However, the newspaper Die Hilfe outlived the party and continued to advocate Naumann's ideology.

Despite its name, the National-Social Association is considered a liberal party and had no relation to the 20th century Nazi Party, except their shared rejection of Marxism and claim to great power status for the German Empire.

title: National-Social Association


text:
George Montegu Black Sr.

George Montague Wilmot Black (14 December 1875 – 5 July 1959) was a Canadian businessman who became prominent in Winnipeg, Manitoba. He was the father of George Montegu Black II and grandfather of Conrad Black.

Life and career
Black was born in Halifax, Nova Scotia, the son of Alice Lucy (Ferris) and George Anderson Black. His father was an employee of the Hudson's Bay Company and immigrant from New England. The Black family spent time in Halifax before moving to Winnipeg in 1882.

He worked in real estate and insurance, eventually becoming:
 * Partner and President, Robinson & Black (later known as Black & Armstrong)
 * President of the Western Dominion Investment Company of Vancouver, British Columbia
 * Vice-president of the Manitoba Cold Storage Company of Winnipeg
 * Canadian director of the Phoenix Assurance Company of London
 * Director of the Canadian Pratt and Whitney Aircraft Company
 * Director of Combustion Engineering Corporation

In 1901, he married Gertrude Maxwell Moffat, and they had two children: a daughter and a son, George.

In 1924, Black acquired a brewery business that was founded in 1887 by Edward L. Drewry (1851–1940). Black served as president of Western Breweries Limited and its subsidiary companies until he retired in 1950. He died in 1959 and was buried at St. John's Cemetery in Winnipeg.

title: George Montegu Black Sr.


text:
User talk:Gohan12

Welcome!

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title: User talk:Gohan12


text:
Red-faced warbler

The red-faced warbler (Cardellina rubrifrons) is a species of New World warbler.

Mature red-faced warblers are small birds, 14 cm long. They are light gray on top with a white rump and a white underside. The face, neck, and upper breast are all bright red, while the crown and sides of the head are black. The spot on the back of the head where the black crown and gray back meet is sometimes speckled gray, or sometimes plain white. They have a quirky habit of flicking their tail sideways while feeding.

Red-faced warblers are locally common in mountain forests of conifers and oak at 2,000 to 3,000 m above sea level. In summer they frequent northern Mexico and range up into the states of Arizona and New Mexico – the Madrean sky islands. In winter they migrate south into southern Mexico and the Central American nations of El Salvador, Guatemala, and Honduras. They are permanent residents of the central and southern mountains of western Mexico, the range called Sierra Madre Occidental.

The nest is a small cup constructed from leaves, grass, and pine needles. It is hidden amongst the debris on the forest floor, buried in the ground, sheltered under a shrub, log, or rock. The female lays 3 to 5 eggs, which are white spotted with brown. Incubation and nestling periods average 12 days each.

Book

 * Martin, T. E., and P. M. Barber. 1995. Red-faced Warbler (Cardellina rubrifrons). In The Birds of North America, No. 152 (A. Poole and F. Gill, eds.). The Academy of Natural Sciences, Philadelphia, and The American Ornithologists’ Union, Washington, D.C.

Articles

 * Barber PM, Martin TE & Smith KG. (1998). Pair interactions in Red-faced Warblers. Condor. vol 100, no 3. p. 512-518.
 * Dobbs RC & Martin TR. (1998). Variation of foraging behavior among nesting stages of female Red-faced Warblers. Condor. vol 100, no 4. p. 741-745.
 * Hellebuyck V. (1983). 3 New Specimen Records of Birds for El-Salvador. Wilson Bulletin. vol 95, no 4. p. 662-664.
 * Lovette IJ & Hochachka WM. (2006). Simultaneous effects of phylogenetic niche conservatism and competition on avian community structure. Ecology. p. S) S14-S28, JUL 2006.
 * Martin TE. (1996). Fitness costs of resource overlap among coexisting bird species. Nature. vol 380, no 6572. p. 338-340.
 * Martin TE. (1998). Are microhabitat preferences of coexisting species under selection and adaptive?. Ecology. vol 79, no 2. p. 656-670.
 * Martin TE & Barber PM. (1995). Red-faced Warbler Cardellina rubrifrons. Birds of North America. vol 0, no 152. p. 1-16.
 * Martin TE, Scott J & Menge C. (2000). Nest predation increases with parental activity: Separating nest site and parental activity effects. Proceedings of the Royal Society Biological Sciences Series B. vol 267, no 1459. p. 2287-2293.
 * McCaskie G. (1970). A Red-Faced Warbler Reaches California. California Birds. vol 1, no 4. p. 145-146.
 * Palacios MG & Martin TE. (2006). Incubation period and immune function: a comparative field study among coexisting birds. Oecologia. vol 146, no 4. p. 505-512.
 * Patricia MB, Thomas EM & Kimberly GS. (1998). Pair interactions in Red-faced Warblers. The Condor. vol 100, no 3. p. 512.
 * Robert CD & Thomas EM. (1998). Variation in foraging behavior among nesting stages of female Red-faced Warblers. The Condor. vol 100, no 4. p. 741.
 * Rusterholz KA. (1981). Competition and the Structure of an Avian Foraging Guild. American Naturalist. vol 118, no 2. p. 173-190.

title: Red-faced warbler


text:
Camará Dam

The Camará Dam was a dam located on the Mamanguape River in Paraíba, northeastern Brazil. It burst on June 17, 2004, flooding towns of Alagoa Grande and Mulungu. At least three people died by drowning.

title: Camará Dam


text: User talk:61.246.232.126

title: User talk:61.246.232.126


text:
Talk:CITALOPHAN

Is this possible?
So little is known about Citalophan that it's frankly impossible to write about it. Only two links on Google even have its name. SamJ 07:54, 19 August 2005 (UTC)

The article already exits. It is spelled citalopram. I think this article should be deleted, as a redirect could cause confusion (people may think it is an alternative name). Kjkolb 12:04, August 19, 2005 (UTC)

title: Talk:CITALOPHAN


text:
Talk:Charles Atangana

older entries
A nice and informative article! But I wonder, if he spent so much time with the Germans in his youth, did he still speak his native language in his later life? If he still did, he must have had quite some contact with his own people through the years, something the article isn't clear about. — mark ✎ 07:54, 19 August 2005 (UTC)

Also, you might want to suggest a DYK item over at Template talk:Did you know. — mark ✎ 07:56, 19 August 2005 (UTC)
 * My sources didn't give any specific information about much time he spent with other Ewondo, but I would infer that he interacted more with his own people during the French administration than the German one. And his wife and children would have spoken Ewondo, as would the chiefs whom he mobilized, so I doubt he ever forgot the language. I plan to add something to DYK later today! BrianSmithson 11:46, 19 August 2005 (UTC)

The Dictionary of African Christian Biography might be an interesting additonal source on Atangana's career from the perspective of the Catholic colonial priests, and adds a few new details such as his arrest by the French who sentenced him to hard labor at Dtschang upon their return to power in Douala after the war. I'm wondering if his supervision of road-construction gangs in Dtschang might have been while a prisoner there or following his release. - Mark Dixon 15:25, 15 February 2007 (UTC)
 * I believe that dictionary was used as a source. The work gang thing should be mentioned, for example, unless the article's been vandalized since then. — Brian ( talk ) 23:47, 15 February 2007 (UTC)

Image
This is a better photo of him, but I can't establish when it was taken. He lived into the 1940s, so it's uncertain whether this photo is PD yet or not. There's also a nice statue of him in downtown Yaoundé, if anyone with a camera is headed that way. — BrianSmithson 19:31, 8 May 2006 (UTC)
 * Well, Cameroon-plus.com uses the image to illustrate its section on the history of German Colonial Cameroon, which dates it back far enough for it to be public domain. — BrianSmithson 18:55, 24 May 2006 (UTC)

Some dick has vandalised this article, and I can't see how to remove it. Could somebody have a look please?

That photo doesn't even look real. That head doesn't look like it fits on the body. johnpseudo 16:51, 15 February 2007 (UTC)

vandalism
vandalism is rampant —Preceding unsigned comment added by 64.162.43.63 (talk • contribs)
 * That should be the wiki's new motto. - BanyanTree 20:51, 15 February 2007 (UTC)

FA status?
Sorry to do this to a featured article, but in reading the summary on the front page, I was appalled at how this guy is treated as some sort of great person with no commentary whatsoever about how he may be regarded by his own countrymen/women. From what I gleaned from the text (on the cover page), he was little more than a lapdog, an obedient lacky of successive colonial authorities -- first German and then French. Where is the objectivity here? If there's another viewpoint in the article, it certainly isn't reflected in the article summary. This reads like a "great knee-grows in the service of white folks" in some European colonial-era textbook. Where is the non-European-skewed treatment of this piece? Where's the balance? WTH? deeceevoice 21:05, 15 February 2007 (UTC)
 * Are you seriously throwing a balance tag on this article based on its lead, without actually reading the article? The article makes it quite clear that his major role was "obedient lackey" to the colonial powers, so it seems a bit odd to criticize it for detailing his lackey-dom.  Considering that this was considerably before anthropologists wandered around asking regular folks their opinions, the article seems be do well walking the fine line of having little but official sources with which to work, while avoiding their value judgments.  - BanyanTree 21:19, 15 February 2007 (UTC)

Then I would have to question the quality/structure of the article with regard to the content of its opening paragraphs, because they give no indication whatsoever that there is any controversy regarding this fellow. I skimmed several paragraphs of the article beyond that and found nothing. One shouldn't have to read much further for such important information. Read, by comparison, the opening paragraphs for the article on Jonas Savimbi. The piece needs some important work in that regard. And you will note that the "balance" tag may apply to the entire article or a section. And, clearly, the opening summary treatment of the article is bland/unbalanced in the manner I've so stated.

Finally, that was then, and this is now. Clearly, a man who kowtowed to colonial authorities is fair game for critical analysis and review today -- and it certainly reads to me like he was a sellout. deeceevoice 21:26, 15 February 2007 (UTC)
 * Talking like someone who knows nothing of the era and the worldview of people living in another time, in another world. Look at Africa since colonialism. Improvement?Scott Adler 22:27, 15 February 2007 (UTC)
 * Don't ASS-sume what I know. Your ridiculous comments barely warrant a response.  deeceevoice 00:07, 16 February 2007 (UTC)

 * So you think that he should be the target of critical analysis for his collaboration with colonial authorities, but make no statement that such analysis exists. This wiki article may be the single most comprehensive account of his life, so a comparison to the contemporary Savimbi simply does not hold up.  If you can tell that you disagree with the subject's politics, and are not being told that your politics are wrong, then I fail to see the problem.  You seem to be looking for an article that is stating "Charles Atangana was bad"; I am happy that the article concerns itself with "Charles Atangana was".  That is the definition of a neutrally written article, unlike those articles where editors seem to think that readers are so feeble minded that they cannot make their own moral judgments on the basis of the information provided. - BanyanTree 22:30, 15 February 2007 (UTC)

 * "Target" is hardly the correct word here. "Critical analysis" speaks to analytical examination rather than bland reportage (which is what this article does) and is not about criticizing something, per se.  It's what a learned article should do -- and this doesn't even come close.  deeceevoice 16:57, 16 February 2007 (UTC)
 * ... But it would be likely that such analysis exists, and should be included. Brutannica 22:33, 15 February 2007 (UTC)
 * The problem that Deeceevoice is bringing up, if it is one, is a problem of the sources. The article leans heavily on Quinn, whom I assume is not a Cameroonian. His treatment of the subject is that Atangana's lackeydom was due to the fact that he knew he had to work within the colonial structure to affect change. Reading the article, this should be clear: He witnessed other leaders of his ethnic group revolt and be brutally crushed. He saw the Germans despoiling the land and people. So, he decided to accept what he saw as inevitable and "kowtow" to the outside invaders to work within the system to effect positive change. This is also mentioned in the article, how he prevented further German massacres and how he intervened on his subjects' behalf.
 * The other problem of sources is that this guy is an Ewondo. Paul Biya, the president of Cameroon for the past 20-some-odd years, is a Bulu, a closely related ethnic group. This means that Cameroonian scholarship and nationalism under Biya has lionized Atangana. They erected a statue of the guy and named a street after him in the capital.
 * So, in short, I contest that the article is not neutral; it draws from both European and Cameroonian sources, and it represents the only view of this guy that there is out there. He made the best of the situation life dealt him, using colonial powers both to enrich himself and to try to get the best treatment for his people under what he saw as a situation beyond his control. It might be worthwhile to compare Atangana's life to that of Rudolf Duala Manga Bell, his contemporary, who took a different approach to Cameroon-German relations. — Brian ( talk ) 23:43, 15 February 2007 (UTC)
 * Sorry; my statements above make it sound like I'm supporting Quinn's and Assiga-Ahanda's interpretations uncritically, and I'm not. I find this guy's lackeydom repugnant, too. Rudolf Duala Manga Bell and Martin-Paul Samba are much more interesting people in my opinion. But I think the article is a neutral as it can be considering the sources available. If there's an anti-Atangana source out there, I'd love to see it and incorporate the author's criticisms. Unfortunately, that does not appear to be the case. So, in making the article "bland" and sticking to what Atangana did (that is, keeping this a straight biography), I've tried to remain as neutral as possible. The fact that Deeceevoice is getting the impression that he was a lackey (which is not an argument any of the sources makes) perhaps indicates that the neutrality is there. Deeceevoice is an editor I respect and admire, and if she has any suggestions for further improvements, I'm certainly open to them. — Brian ( talk ) 00:11, 16 February 2007 (UTC)

The Germans were brutal. Forced labor was brutal. The Germans massacred, wholesale, Bakweri tribespeople, after they managed to hand the Germans their asses, serving them their first military defeat in Africa -- in Cameroon. And this guy was translating for Africans "pressed into labor" (it sounds like a freakin' tea party, with no reference to the brutality of the whole thing) eating sauerkraut and sausage, aspiring to be like massuh. The French were no better, but this Steppinfetchit seved them both dutifully.

The article lacks balance -- which is precisely what the tag says. It should never have been a featured article in the first place. The lead paragraphs (indeed, seemingly the entire article) are written wholly from the perspective of a European (read white folks), and that's what people saw on the front page. Lead paragraphs should be an introductory overview of the subject to be presented. And the lead makes this guy sound like the guy the lawn jockeys immortalize -- freezing to death, but still a-holdin' that lamp for ole massuh, talking about how "loyal" he was -- with no countervailing perspective whatsoever -- like that's a good thing. And for a project that purports to be global in scope, that sux/is unforgivable.

Unless and until there is information provided from another perspective -- and you can bet that information exists -- then, while it is an interesting enough piece on an, IMO, thoroughly tragic and despicable character, who was by all accounts a (likely self-loathing) collaborator with colonial authorities who enslaved his countrymen, stole their land and slaughtered many of them, the article has a huge, honking gaping hole that needs filling.

Am I to understand that people are arguing that because appropriate, countervailing information/sources aren't available (or known) to be used in filling that hole, then somehow the article suddenly becomes a quality one, worthy of featured article status by default? WTF? I don't think so!

In fact, the article should be stripped of its featured article status for the reasons I've cited. The article clearly doesn't merit FA status -- and, personally, I find such bland, uncritical, Eurocentric treatment of topics dealing with Africa (like the Scramble for Africa piece before I discovered it and complained) incalculably offensive. deeceevoice 00:37, 16 February 2007 (UTC)

 * As an outside editor, I will say it is pretty difficult to ascribe motives to a person when you have no relevent sources. I well understand Deeceevoice's concerns though. The article certainly give no indication as to the brutality of the regimes concerned. The nature of the colonial regimes could be spelt out, and Atangana could also be contrasted to Manga Bell and others. We would then have a clearer understanding of the effects of his actions and the choices open to him. As for the articles featured status, I have no comment as I really have no involvement in either the article or the featured article status. I was actually watching the article because I was interested in the level of vandalism main page featured articles attract. However there are mechanisms to have featured status reviewed, and Deeceevoice certainly puts up a good case. --Michael Johnson 01:16, 16 February 2007 (UTC)
 * If your argument is that more context needs to be given to showcase the brutality of the German regime (and I'm certainly not disputing that it was inhumane and brutal), then such details can easily be added, and probably should. (Incidentally, "pressed into labour" hardly sounds like a tea party to me . . . ) I'm not sure where you're going with the Bakweri stuff; most of the ethnic groups the Germans encountered in Cameroon resisted the invaders, at least at first. In fact, this very article mentions that Atangana's own Ewondo were among those who did resist.
 * The article describes the life of Charles Atangana with no judgments on it one way or the other. You seem to be arguing that because the article doesn't flat out say that Atangana was a lackey that it is somehow unbalanced. But it doesn't say he was a great man, either. It gives a biography of what he did in his life and leaves the judgments up to the reader. You have judged him a Steppinfetchit; others may judge him as someone who worked within a system against which he did not think he could prevail. Why should the article take one view over the other?
 * Like I said, I have no problem adding more context regarding German brutality and contrasting Atangana's life with people in similar positions, such as Manga Bell and Samba. Would that at least partially address the problems you see, Deecee? — Brian ( talk ) 04:36, 16 February 2007 (UTC)

Don't forget the brutality of the French, as well, since it didn't seem to matter to this guy whose butt he kissed as long as it was European. Hell, it's one thing to make a deal with the Devil because you're in Hell. It's another thing entirely to say: "To dare to approach the Germans it is necessary to abandon the traits which displease them, to become their friend and then be valued by them." If that's not being a "lacky running dog," as Maoists were fond of saying, then nothing is. Another thing entirely to abandon one's culture, turn into a suck-up, whiteman wannabe, object to and suppress syncretic religious practices and expressions of indigenous culture, build a freaking castle and form a 20-piece orchestra. There is fine line that must be walked in such situations for collaborators seeking to mitigate the harshness of colonial rule, and also when that line is crossed into the simpering self-loathing and obsequiousness of a sellout seeking to line his own pockets. It would appear to me that this guy was a combination of the two.

And I cited the Bakweri not because they were the only tribe/nation to oppose the colonial authorities. The Germans all but obliterated the Bakweri, who humiliated them in battle, going after them with a particular zealous brutality and venom.

Did I say the article should call him a Steppinfetchit? Did I say the article should "take one view over the other"? Brian, please don't insult the editors' intelligence here by putting words in my mouth. It seems I must repeat myself: The article is lacking on some very important points.  I've stated my objections, and Michael Johnson's comments would seem to be a good place to start. It would seem to be that a more critical analysis of this fellow would be readily available in the works of a historian/scholar from Francophone Africa -- unfortunately, and obviously, not a strong area for contributors to this project. I'm also thinking the works of C.L.R. James, a former professor of mine, may have treated this guy (though I don't recall). I recall James had some very vivid and insightful comments about Houphuet Boigny (Côte d'Ivoire), so I wouldn't be surprised. I don't have the time to investigate, though.... (I just did a quick search online for a CLRJ bibliography, but didn't come up with anything immediately -- though I'm sure one is there.) Perhaps someone else does. I've got deadlines and a Sudan divestment campaign to deal with. Peace. deeceevoice 12:52, 16 February 2007 (UTC)

 * Deeceevoice, your argument boils down to you think the guy was scum and want to the article say so. To do so you want someone to find critical analysis that reflect your thinking, ignoring the fact that the chief writer of the article has already stated that he knows of no such source.  Adding such opinion without a credible source would, of course, be in violation of multiple core policies.  Stating that a source should exist and that the article fails the FA criteria because it does not detail this hypothetical source, which nobody has identified, is simply unsupportable.  Brian has offered above to add more context based on sources that he has on hand and you have failed to respond to his offer, choosing instead to express your feelings about colonialism as a whole and added nothing specific about the subject of this biography.  I have removed the balance tag. Good luck with the campaign. - BanyanTree 18:40, 16 February 2007 (UTC)

Misrepresenting my position doesn't enhance yours one whit, BT. And I have responded. Read my comments again. I've reinserted the tag. The article lacks balance. deeceevoice 19:15, 16 February 2007 (UTC)
 * Yes, I understand. You feel that the guy was part-scum and want the part-scum story.
 * Now which of these is misrepresented: the part where you want the article to state a value judgment not supported by references, or the part where you have not actually responded to the proposed edits to address your concerns? - BanyanTree 19:52, 16 February 2007 (UTC)

 * Well, it's all about basic reading comprehension -- isn't it, BT?

 * From the talk page:
 * "It seems I must repeat myself: The article is lacking on some very important points.  I've stated my objections, and Michael Johnson's comments would seem to be a good place to start."  Guess you didn't you see that, huh?  All Brian did was essentiallly reiterate Johnson's suggestions.  Did you even bother to read Johnson's remarks?  Or, would you simply prefer to single me out and continue to misrepresent my position?
 * In response to your comment about making Atangana a "target of critical analysis": "'Target' is hardly the correct word here.  'Critical analysis' speaks to analytical examination rather than bland reportage (which is what this article does) and is not about criticizing something, per se.  It's what a learned article should do -- and this doesn't even come close."
 * "It would seem to be that a more critical analysis of this fellow would be readily available in the works of a historian/scholar from Francophone Africa -- unfortunately, and obviously, not a strong area for contributors to this project." Nowhere have I suggested the unreferenced insertion of material of any sort about anything in this piece.  Try again. deeceevoice 20:16, 16 February 2007 (UTC)

 * (A lengthy pause, and nothing but silence from BT.) deeceevoice 11:39, 20 February 2007 (UTC)
 * Just a note to say that I'm working on it. I've found a few additional tidbits of info, some of which goes at least partially toward addressing Deeceevoice's concerns. I'm busy in real life at the moment, but I promise to focus my efforts here until some revisions have been made. — Brian ( talk ) 09:51, 19 February 2007 (UTC)

Cool. :) deeceevoice 11:39, 20 February 2007 (UTC)

Further sources
I've just expanded the article with information from some additional sources I was able to find. The following sources also deal with Atangana, but I don't have access to them here in Japan. Any help tracking these down would be most appreciated! — Brian ( talk ) 01:44, 6 April 2007 (UTC)

 * Bayart, Jean-François (1979). L'Etat au Cameroun.
 * Essam, J-P Biyiti Bi (1984). Cameroun: complots et bruits de bottes: quelques données pour débrouiller l'écheveau.
 * Essono, Jean-Marie, and Philippe Laburthe-Tolra, translators (2006). L'ancien pays de Yaoundé. Paris: Maisonneuve & Larose-Afredit.
 * Guyer, Jane I. Feeding African Cities: Studies in Regional Social History.
 * Laburthe-Tolra, Philippe (1981). Les seigneurs de la Forêt. La Sorbonne.
 * Laburthe-Tolra, (1977). "Charles Atangana", Les Africains, vol. 5, C. A. Julien, ed. (Paris), 111–41.
 * LeVine, Victor T. (1964). The Cameroons, from Mandate to Independence.
 * Mélanges, réflexions d'hommes de culture: réflexions d'hommes de culture. 1969. Présence Africaine P.
 * Mveng, Engelbert. Histoire du Cameroun.
 * Ngongo, Louis (1982). Histoire des Forces Religieuses au Cameroun.
 * Quinn, Frederick (1969). "Charles Atangana of the Ewondo Chiefs, a Document". Abbia 23: 83–85.

 * Hi Brian. Have you tried using http://www.abebooks.com/? I personally found it of immense help for obtaining Chad-related books, that I would have had without great difficulties to find. Giving a fast look, Bayart's book can be bought for 23 dollars, Levine's one for 14 dollars, Mveng's Histoire for 23 dollars, Ngongo for 27. The books in question are all used. Hope this can be of some help.--Aldux 14:24, 9 May 2007 (UTC)
 * Thanks for the link. I was going to order some of those books, but then as soon as I input that I'm in Japan, the shipping almost doubled the price. Oh well; perhaps I'll order them care of a relative in the States and then pick them up the next time I visit home. Thanks again! — Brian ( talk ) 05:52, 10 May 2007 (UTC)

His actions speak for themselves, don't they?
It seems clear from the entry as it exists today (23 May 10 local time) that Charles Atangana decided as a young man that the best way for a black African to survive and prosper in German-occupied Cameroun was to learn German, act as German/European as possible, and make himself useful to the Germans in ways that did not involve personal manual labor.

When the Germans were replaced by the French and were of no further use to him he evidently decided that the best way for a black African to survive and prosper in French-occupied Camerous was to learn French, act as French as possible and make himself useful to the French in ways that also did not involve personal manual labor.

His actions speak for themselves, don't they?

That said, it is easy for free men and women in the 21st century to condemn the choices made in another time and place by those who were not free and who had little hope of gaining their freedom. (71.22.47.232 (talk) 07:21, 24 May 2010 (UTC))

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WP:URFA/2020
I am reviewing this very old FA as part of WP:URFA/2020, an effort to determine whether old featured articles still meet the featured article criteria. This 2006 promotion has not been maintained to standards. Google scholar reveals scores of new sources that should be reviewed. There is some uncited text, and some sources that don't appear to be of the high quality required for featured articles. As the article does not seem to be watched, I am listing it at WP:FARGIVEN. Sandy Georgia (Talk)  03:24, 19 July 2022 (UTC)

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title: Talk:Charles Atangana


text:
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title: EveryDNS


text:
User:Andrei89

Welcome!

Hello,, and welcome to Wikipedia! Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! Please sign your name on talk pages using four tildes (~~); this will automatically produce your name and the date. If you need help, check out Questions, ask me on my talk page, or place  on your talk page and someone will show up shortly to answer your questions. Again, welcome!
 * The five pillars of Wikipedia
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 * Help pages
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title: User:Andrei89


text: User talk:219.101.150.231

title: User talk:219.101.150.231


text:
Hunter School of the Performing Arts

The Hunter School of the Performing Arts (abbreviated as HSPA, merely known as Broadmeadow High School) is a government-funded co-educational selective and specialist primary and secondary day school which offers a comprehensive curriculum with a performing arts specialty, located in Broadmeadow, New South Wales, Australia.

Established in 1923, the school enrolled 1,150 students in 2018, from Year 3 to Year 12, of whom four percent identified as Indigenous Australians and eight percent were from a language background other than English. The school is operated by the NSW Department of Education; the principal is now Darren Ponman as of Term 1 2023. The school is unique in terms of public selective schools to cater to both primary and secondary school students. Enrolment is by audition online and/or on-site.

History
The school has undergone many name changes since its establishment in July 1923.

As a technical school
 * 1923–1926: Newcastle Junior Technical and Domestic Science School
 * 1927–1931: Broadmeadow Junior Technical School
 * 1932–1960: Newcastle Central Technical School

As a general high school
 * 1961–1965: Broadmeadow Boys High School
 * 1966–1975: Broadmeadow Boys School
 * 1976–1992: Broadmeadow High School (co-educational)

As a performing arts school
 * 1993–1997: The Broadmeadow School of Performing Arts
 * 1998–present: Hunter School of the Performing Arts

A notable moment in this school's recent history was the 2007 New South Wales storms. The Hunter School of the Performing Arts was one of the most severely affected schools in the area. The school suffered a large amount of damage; the entire bottom level was washed away and the school's library was severely affected. The March 2021 eastern Australia floods in New South Wales also affected HSPA by the closure of the school's Hunter Theatre. Due to the downstairs floor featuring an orchestra pit, storage room and boys and girls dressing rooms being flooded and waterlogged which caused a costly amount of collateral electrical damage. The theatre is now partially functional, open to the school and external clients.

Motto and colours
The original motto was "Advance", which changed after the school became a boys' school in 1932 to Faber est suae quisque fortunae. The motto was changed in 1999 to its English form, "Each of us is responsible for our own destiny". "Performing at Our Best" is the motto most commonly used today, taken from the school's vision statement.

The original colours of the school were those of the 35th Battalion ("Newcastle's Own Regiment") of World War I, green and brown. In later years it changed to green and white. In 1999, students were given a survey in a bid for them to choose their own school colours; they chose jade, purple and black. To keep a link with the Newcastle colours, the new logo (of the mask, dancer and bass clef) has been incorporated into a shield which also has a ribbon of brown and a ribbon of green.

Following the change in the school colours, a new school uniform was introduced in 2000, with options ranging from formal to casual, including performance and sporting wear. In 2001, the school's marching band uniform changed to reflect this as well, formerly being green and gold, and now has a uniform consisting of black, purple and jade.

Dance
There are many dance opportunities within the school. Groups participate in a wide range of activities, including Star Struck, Schools Spectacular, Hunter Schools Dance Festival and State Dance Festival. There is also a range of dance ensembles, such as hip hop and ballet, and these are audition only.

The dance production class gives students an opportunity to do project based learning (PBL) along with designing projects that the students want.

Notable alumni

 * Genevieve Clay-Smithfilm director and writer
 * Isabelle Cornishactress and model
 * Charli Robinsonsinger, actress and radio presenter, Hi-5
 * Michelle Lim Davidsonactress
 * Mathew HelmOlympic diver
 * Ivy Latimeractress
 * Short Stackpop punk/indie band (Shaun Diviney, lead vocalist and guitarist; Andy Clemmensen, bassist and back-up vocalist; Bradie Webb, drummer)
 * Geraldine Viswanathanactress
 * Danielle Marshmember of South Korean girl group NewJeans
 * Jasey Fox Singer

title: Hunter School of the Performing Arts


text:
French ship Forbin

Six ships of the French Navy have been named Forbin in honour of the 17th century admiral Claude Forbin-Gardanne:

 * A first-class propeller aviso (1859–1884)
 * FRENCH CRUISER Forbin, a second-class cruiser (1885–1921)
 * An auxiliary patrol boat of the Free French Forces (1944). Originally a cargo ship, she was captured by the British in Gibraltar and requisitioned. She was eventually scuttled in Arromanches to be used as an artificial harbour on the 9 June 1944, in the context of the Invasion of Normandy.
 * FRENCH DESTROYER Forbin, a L'Adroit-class destroyer (1928–1952)
 * FRENCH DESTROYER Forbin, a T 53-class destroyer, (1955–1992)
 * FRENCH FRIGATE Forbin, a Horizon-class frigate commissioned in 2008

title: French ship Forbin


text:
Gudivada

Gudivada is a city in Krishna district of the Indian state of Andhra Pradesh. It is a municipality and the headquarters of Gudivada mandal in Gudivada revenue division. It is one of the cities in the state to be a part of Andhra Pradesh Capital Region. It is the twenty-seventh most populous city in Andhra Pradesh and the three-hundredth most populous city in India with a population of 118,167 according to the 2011 Census of India.

History
The name Gudivada was derived from Gudi meaning Temple and Vada means Settlement or town in Telugu language. The presence of Habitation at this city may be dated back to 3rd Century BCE or 2nd Century BCE since the time of Sathavahanas as per some inscriptions. Archaeological excavations conducted at Gudivada yielded an ancient Buddhist stupa mound and Jain relics. Gudivada is religiously diversified city with many Hindu Temples and important Jain Tirth of Bhagawan Parshvanath located at market road. Vidarbhapuri was one of its earlier names.

Geography
It is located in the Coastal Andhra region of the state. Gudivada is located 41 kilometres (25.5 mi) east of the district headquarters, Machilipatnam, and 45 kilometres (27.9 mi) south of by road to Amaravati (state capital) It lies on the Eastern coastal plains. The city is located in zone 3 as per Earthquake zones of India.

Climate
Gudivada falls in the hot, humid region of the country, and it is less than 35 miles from Bay of Bengal. The climate of the town is very hot in summer and is pleasant during the winter. The hottest day falls in the month of May with shift to June during some years.

Demographics
census of India, Gudivada had a population of 118,167 with 30,834 households. The total population constitute 59,062 males, 59,105 females and 10,509 in the age group of 0–6 years. It had an average literacy rate of 81.64% with 87,887 literates, significantly higher than the district average of 73.7% and the state average of 67.41%.

Civic administration
Gudivada municipality was constituted in the year 1937 as a "third grade municipality". It was upgraded to "special grade municipality" and is spread over an area of 12.67 km2 with 36 election wards. YSR Congress Party won the Gudivada municipal elections in 2014 and the present MLA is Venigandla Ramu whereas the present chairman of the municipality is TBA. The present municipal commissioner is TBA.

Economy
Agri based economy is the traditional base, consisting of Rice Mills, Tractor Trailer building and other supporting industries. Gudivada is a centre for service industries for the many villages around. The service industries range from Medical, Entertainment and General stores. For the last several decades, Gudivada has transformed into a good educational hub for primary, secondary and higher schools.

Public transport
The primary modes of intra-city public transport are auto rickshaws and taxis. Apart from these, other means of transport are cars, motorcycles, cycle rickshaws, and bicycles. The Gudivada bus station and Gudivada Junction railway station are the major transport infrastructure for road and rail transport.

Road
The city has a total road length of 164.00 km. The national and state highways that pass through the city include, NH 165–connecting Kathipudi and Pamarru;.

Rail
Gudivada Junction railway station is the major railway junction in Krishna district and one of the fourteen B–category stations in the Vijayawada railway division of South Coast Railway zone.

Air
Gudivada which falls under Andhra Pradesh Capital Region is served by NTR Amaravati International airport at Gannavaram, which is just 37 km away.

Education
The primary and secondary school education is imparted by government, aided and private schools, under the School Education Department of the state. The medium of instruction followed by different schools are English, Telugu.

The private aided colleges are, ANR college and KT Reddy women's college. There are eleven other unaided private colleges for undergraduate and postgraduate education. One-fourth of the passed out school children will enroll for college education. There are colleges for vocational courses such as, Gudivada Vocational Junior College and St.Johns Vocational Junior College; industrial training centres include, Gudivada Industrial Training Centre, Government Industrial Training Institute for Girls. It is home for Regional Research Institute for Homeopathy.

Sports
N.T.R Stadium in the city was built in partnership with Sports Authority of Andhra Pradesh, the Sports Authority of India and the Gudivada Municipality. It is the multi-purpose stadium for several sports like, athletics, volleyball, cricket, kho kho, kabaddi, badminton, tennikoit and basketball. In January 2016, the stadium hosted the National Rural Sports and Games competition, under the Rajiv Gandhi Khel Abhiyan.

Temples
There are six temples under the management of Endowments Department.

 * 1) Sri Bhimeswara Swamy Temple
 * 2) Sri Gowri Sankara Swamy Temple
 * 3) Sri Veeranjaneya Swamy Temple
 * 4) Sri Venkateswara Swamy Temple
 * 5) Sri Venugopala Swamy Temple
 * 6) Sri Vigneswara Swamy Temple
 * 7) Shiridi Sai Baba Temple, Pedayerukapadu
 * 8) Sri Kanaka Durga Temple
 * 9) Sri Kanchi Kamakshi Temple
 * 10) Sri Sri Sri Bhagavan Venkayya Swamy Aashram

title: Gudivada


text:
Caroline Milmoe

Caroline Milmoe (born 11 January 1963) is an English stage, film and television actress best known for playing Julie in the first two series of Carla Lane's Liverpool-based BBC sit-com Bread and Lisa Duckworth in ITV's long-running soap opera Coronation Street.

Career
Milmoe attended Manchester's Contact Youth Theatre in her teens, before going on to make frequent stage and screen appearances in the mid-1980s and early '90s. She played reporter Maggie Troon in the second series of LWT's situation comedy Hot Metal. Written by David Renwick and Andrew Marshall, it satirised the 1980s tabloid press in Britain. Additionally, Milmoe appeared in The Magic Toyshop, The Bill and Agatha Christie's Poirot, On 18 December 2005, she appeared in Coronation Street: The Duckworth Family Album.

title: Caroline Milmoe


text:
Ib Schønberg

Ib Christian Albert von Cotta Schønberg (23 October 1902 – 24 September 1955) was a Danish film actor, and is considered one of the leading actors of Danish film in the 20th century.

Early life
The son of a chemist, Ib Schønberg was interested in acting from an early age. He made his debut in 1920 and worked for more than ten years as a stage actor.

Career
Schønberg made his screen debut in Benjamin Christensen's 1922 horror/documentary Häxan. By the 1930s he was an established comic actor, often in main roles as leaders of buffoon duos, well-meaning policemen, or more substantial "uncle types". During World War II he suddenly appeared as a dramatic actor, and from then until his death he maintained his position as one of the greatest actors of Danish art films, playing serious roles alongside comic roles.

He was well known for his ability to perform "the colossus with feet of clay", apparently solid and superior characters – both sympathetic and unsympathetic – who fall apart by the end of the film. Among his best-known serious performances are his mean-cultivated informer type in Afsporet (1942 – Derailed); his leader af a children's home, a sadist with shattered nerves in the social film Kampen mod uretten (1949 – The Struggle Against Injustice) and his two portraits of alcoholics in Ta’ hvad du vil ha’ (1947 – Take What You Want) and Café Paradis (1951). In his later years he was a regular participant in the so-called "Morten Korch films" (based upon the regional novels of a very popular Danish light literate) often placed as the fatherly friend of the hero and his serial role as a widower with children in the popular Far til fire (The Father of Four) films.

Apart from a few Swedish movies, Schønberg made only Danish films. In 1940, he was offered the role of Martin Luther in a Hollywood production, but he turned it down.

In 1949, Schønberg took part in every Danish film of that year, and during the last six years of his life (1949–1955) he appeared in almost 60 films. It was a saying about him, that if 10 Danish films were made, he would be in the 11 of them. He was an active public figure, appearing at the opening of exhibitions, and freely providing the press with interviews about his ideas and projects. Schønberg, with his volatile temper and often transient commitment to projects, felt best suited to working in films rather than theatre. However, he occasionally performed on stage and during his last years he was director of the "Circus Revue".

Death
He contracted pneumonia in May 1955 and remained bed-ridden until he died on 24 September 1955.

Awards
In 1948, Schønberg won the Bodil Award for Best Supporting Actor for his role as Oscar Bergholtz in the film  (English title: Take What You Want). He again received the Bodil for Best Supporting Actor in 1951 for the film Café Paradis (Paradise Cafe).

Filmography

 * Häxan (1922)
 * Hr. Tell og søn (1930)
 * De blaa drenge (1933)
 * Københavnere (1933)
 * Ud i den kolde sne (1934)
 * Barken Margrethe af Danmark (1934)
 * København, Kalundborg og - ? (1934)
 * Weekend (1935)
 * Provinsen kalder (1935)
 * Kidnapped (1935)
 * Bag Københavns kulisser (1935)
 * Snushanerne (1936)
 * Panserbasse (1936)
 * Giftes-nej tak (1936)
 * Flådens blå matroser (1937)
 * Inkognito (1937)
 * Plat eller krone (1937)
 * En lille tilfældighed (1939)
 * I dag begynder livet (1939)
 * Pas på svinget i Solby (1940)
 * En ganske almindelig pige (1940)
 * Familien Olsen (1940)
 * Frøken Kirkemus (1941)
 * Tag til Rønneby kro (1941)
 * Far skal giftes (1941)
 * Niels Pind og hans dreng (1941)
 * Søren Søndervold (1942)
 * Afsporet (1942)
 * En herre i kjole og hvidt (1942)
 * Lykken kommer (1942)
 * Tyrannens fald (1942)
 * Frk. Vildkat (1942)
 * Op med humøret (1943)
 * En pige uden lige (1943)
 * Det ender med bryllup (1943)
 * Hans onsdagsveninde (1943)
 * Biskoppen (1944)
 * Otte akkorder (1944)
 * Elly Petersen (1944)
 * Teatertosset (1944)
 * Frihed – lighed og Louise (1944)
 * Mordets melodi (1944)
 * De kloge og vi gale (1945)
 * Man elsker kun een gang (1945)
 * Panik i familien (1945)
 * Affæren Birte (1945)
 * Jeg elsker en anden (1946)
 * Brita in the Merchant's House (1946)
 * Hans store aften (1946)
 * Diskret ophold (1946)
 * Ta' hvad du vil há (1947)
 * Calle og Palle (1947)
 * Røverne fra Rold (1947)
 * The Swedenhielm Family (1947)
 * Lise kommer til byen (1947)
 * Mani (1947)
 * Tre år efter (1948)
 * Mens porten var lukket (1948)
 * Hvor er far ? (1948)
 * Vi vil ha' et barn (1949)
 * Lejlighed til leje (1949)
 * John og Irene (1949)
 * Kampen mod uretten (1949)
 * Den stjålne minister (1949)
 * Det hændte i København (1949)
 * Det gælder os alle (1949)
 * For frihed og ret (1949)
 * De røde heste – 1950 (1950)
 * I gabestokken (1950)
 * Mosekongen (1950)
 * Din fortid er glemt (1950)
 * Den opvakte jomfru (1950)
 * Lynfotografen (1950)
 * Susanne (1950)
 * Café Paradis (1950)
 * Historien om Hjortholm (1950)
 * Fodboldpræsten (1951)
 * Fireogtyve timer (1951)
 * Vores fjerde far (1951)
 * Det sande ansigt (1951)
 * Fra den gamle købmandsgård (1951)
 * Bag de røde porte (1951)
 * Det gamle guld (1951)
 * Lyntoget (1951)
 * Hold fingrene fra mor (1951)
 * Ta' Pelle med (1952)
 * Mød mig på Cassiopeia (1951)
 * Unge piger forsvinder i København (1951)
 * Dorte (1951)
 * Det store løb (1952)
 * Vi arme syndere (1952)
 * Kærlighedsdoktoren (1952)
 * Avismanden (1952)
 * Rekrut 67 Petersen (1952)
 * Husmandstøsen (1952)
 * Min søn Peter (1953)
 * Sønnen (1953)
 * Hejrenæs (1953)
 * Far til Fire (1953)
 * Ved Kongelunden (1953)
 * We Who Go the Kitchen Route (1953)
 * The Old Mill on Mols (1953)
 * Fløjtespilleren (1953)
 * The Crime of Tove Andersen (1953)
 * Far til fire i sneen (1954)
 * Hendes store aften (1954)
 * Kongeligt besøg (1954)
 * I kongens klær (1954)
 * Jan går til filmen (1954)
 * Arvingen (1954)
 * En sømand går i land (1954)
 * Troll i ord (1954)
 * Far och flyg (1955)
 * Blændværk (1955)
 * Gengæld (1955)
 * Bruden fra Dragstrup (1955)

title: Ib Schønberg


text: Talk:Samurai Jack

title: Talk:Samurai Jack


text:
Wikipedia:Articles for deletion/The Subservient Chicken

 This page is an archive of the proposed deletion of the article below. Further comments should be made on the appropriate discussion page (such as the article's talk page or on a Votes for Undeletion nomination). No further edits should be made to this page.

The result of the debate was keep. - Mailer Diablo 17:20, 26 August 2005 (UTC)

The Subservient Chicken
Non-notable, viral marketing. Coq Roq is also listed on VfD. --WikiFan04Talk 3:02, 19 Aug 2005 (CDT)

 * Keep; far more notable than "Coq Roq". --Golbez 08:07, August 19, 2005 (UTC)
 * Comment. Coq Roq was advertised, Subservient Chicken wasn't. --WikiFan04
 * Keep Subservient Chicken WAS advertised and is more well-known that Coq Roq (although also think Coq Roq should stay). -Wiffle0rz 09:38, 19 August 2005 (UTC)
 * Wiffle0rz's 31st edit. --WikiFan04Talk 2:52, 21 Aug 2005 (CDT)
 * Keep per Golbez Tonywalton [[Image:Pentacle_1.svg|15px]] | Talk 10:38, 19 August 2005 (UTC)
 * Keep Memorable little website, liked the article. CanadianCaesar 12:17, 19 August 2005 (UTC)
 * Keep. Memorable, multiple news articles covered the initial release. -HX
 * Strong Keep this was the first really successful viral advertising campaign, and brought nationwide attention to the marketing technique. Plus, the chicken looks sexy in those garters. --Outlander 14:12, 19 August 2005 (UTC)
 * Keep. Trollderella 15:38, 19 August 2005 (UTC)
 * Strong keep. -- JamesTeterenko 17:47, 19 August 2005 (UTC)
 * Keep. --Klander Brigade 15:28 19 August 2005 (EST)
 * Definate keep Unlike Coq Roq, is amusing and makes for quite an interesting read. D-Katana
 * Keep 05:36, 20 August 2005 (UTC)
 * Keep. Widely noted and reported on. MCB 06:53, 20 August 2005 (UTC)

 * Keep --Wulf 23:38, August 20, 2005 (UTC)
 * Keep, reported in media all the way to Finland. --Agamemnon2 14:21, 21 August 2005 (UTC)
 * Keep have a heart you people. --Boycottthecaf 23:47, 22 August 2005 (UTC)
 * Weak Keep I just feel that it'd be probably a better idea to keep it and merge it with all the other examples of viral marketing. But that's me. --T-Boy 11:54, 23 August 2005 (UTC)
 * KEEP another example of someone trying to get an article deleted just because they don't like it....--The_stuart 14:48, 23 August 2005 (UTC)
 * Strong Keep this site is changing the entire advertising industry. http://www.wired.com/news/culture/0,1284,63053,00.html — Preceding unsigned comment added by 65.169.154.2 (talk • contribs) 18:49, 24 August 2005
 * Keep This is valuable data as long as entered in NPOV, which seems to be the case. Lpm 19:46, 24 August 2005 (UTC)

 * Keep I know this isn't the Wayback machine, but the advertiser isn't going to keep the website there forever, and Wikipedia is one of those able to keep a record of something that is both relevant and entertaining. rastro

 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in an undeletion request). No further edits should be made to this page.


text:
Daisen-in

The Daisen-in (大仙院) is a sub-temple of Daitoku-ji, a temple of the Rinzai school of Zen in Buddhism, one of the five most important Zen temples of Kyoto. The name means "The Academy of the Great Immortals." Daisen-in was founded by the Zen priest Kogaku Sōkō (古岳宗亘), and was built between 1509 and 1513. The Daisen-in is noted for its screen paintings and for its, or dry landscape garden.

The screen paintings inside the temple and the garden are attributed to Sōami (d. 1525), a Zen monk, ink painter and follower of the sect of the Amida Buddha. He was particularly known for his use of diluted ink to create delicate and nuanced, misty and ethereal landscapes. His work was influenced by the ink landscape paintings of the Song Dynasty in China. According to art historian Miyeko Murase, the work of Soami represents "the very essence of the serenity of nature, the sacred ideal of all the zen monks and ink painters of the Muromachi period".

Rock garden
Despite later interpretations on the creation of the Daisen-in's rock garden, its creation was not primarily related to religious Zen: it is a good example of a Chinese style landscape, done as painting in three dimensions. Although the garden is attributed to monk-painter Soami, there is no written evidence that he was also a gardener. Wybe Kuitert suggests that the name "Soami" may have been used as a euphemism for garden makers who were of the untouchable class and not versed in Buddhism.

The main garden, in an "L" shape, is to the northeast of and facing the, the study of the , the residence of the head of the monastery. This part of the garden is a narrow strip just 3.7 m wide. It contains a miniature landscape similar to a Song Dynasty landscape painting, composed of rocks suggesting mountains and a waterfall, clipped shrubs and trees representing a forest, and raked white gravel representing a river. The "river" splits into branches, one of which flows into a "Middle Sea" of raked white gravel and a few rocks; the other flows through a gate to a larger "Ocean" of white gravel. In the river are several symbolic stones; one resembles a boat moving with the current, and the other resembles the back of a turtle trying to swim upstream. The "Ocean" has two cone-shaped hills of gravel, suggesting mountains. The "Middle Sea" and The "Ocean" are connected by another passage of white gravel west of the building. The "Ocean" and the "Middle Sea" are both believed to be later additions to the original garden.

American garden historians David and Michigo Young suggest that the garden may represent a metaphorical journey through life: the waterfall/river/sea may represent youth, maturity, and old age, or the search for wisdom. The rocks in the "rivers" may suggest obstacles. The "Ocean" at the end of the voyage may be the return to the eternal at the end of life.

French author Danielle Elisseeff sees the garden as divided into four spaces representing four themes; the first is the waterfall, or the impetuous beginning life; the second is the gate, symbolizing the passages of life. This theme features the stone "turtle" struggling upstream against the current, and the "treasure boat" moving downstream with the current: the third is the "Middle Sea"; and the fourth is the "Ocean", the final destination of calm and serenity.

German author Gunter Nitschke gives a similar explanation. He writes that the garden is "the life of man in symbolic form." The mountain at the beginning of the garden is Mount Horai, the traditional meeting place of the Eight Immortals in Daoist legends, symbolized by a camellia. He observes that, in the corner of the "Ocean" at the end of the voyage is a single "tree of bodhi," the traditional Buddhist symbol of the fig tree under which the Buddha sat when he attained enlightenment. Nitschke writes that the "treasure boat" stone represents the accumulation of experience during an adult life, and the "turtle" stone represents futile efforts to return to youth.

title: Daisen-in


text:
Talk:Elizabeth Loftus

Result of investigation
(Copied over from my comment on the user's talk page)

In your most recent edits, you selectively used only part of the cited source. Namely, you wrote:
 * Two of the three IRB committee members at the University of Washington recommended that Loftus be reprimanded, but a dean overturned that recommendation.

The source, however, says:
 * In the spring of 2001, the three-member investigating committee, consisting of two clinicians and one sociologist, concluded that Loftus was not guilty of the charge of "scholarly misconduct". But the two clinicians recommended to the dean, David Hodge, that she nonetheless be reprimanded and subjected to a program of remedial education on professional ethics. They instructed Loftus not to publish data obtained by methods they regarded as inconsistent with the "ethical principals" [sic] of psychologists-that is, the methods of a journalistic investigation.
 * On July 3, 2001, ... Dean Hodge wrote Loftus a letter of exoneration. Her work, he said, "does not constitute research involving human subjects." She did not commit ethical violations or deviate from accepted research practices. She was not guilty of misconduct. She would not have to undergo education on how to conduct research.

I contend that what you added to the article does not represent a neutral summary of what the source says. Donald Albury 15:11, 7 December 2022 (UTC)

Deleting my edits?
I added that in December 2022, on video, Loftus admitted to recovering her own repressed memories of child sexual abuse. It's been deleted twice. Why is wiki creating a false narrative? 2600:6C52:6E00:2B1:20FE:C5E2:9965:8DAB (talk) 21:49, 4 January 2023 (UTC)

 * You need to provide sources for this, preferably secondary sources to demonstrate that it is notable. ScottishFinnishRadish (talk) 21:53, 4 January 2023 (UTC)
 * Yeah, if person A and person B disagree, it necessarily follows that person B "creates a false narrative". --Hob Gadling (talk) 22:40, 4 January 2023 (UTC)

RS
Why is rememberingdangerously.com a WP:RS? tgeorgescu (talk) 22:48, 28 April 2023 (UTC)

Critiques need more depth
I agree this reads like a fluff piece, especially as there are some very disturbing issues around the over-application of her research.

https://www.thecut.com/article/false-memory-syndrome-controversy.html 75.164.136.4 (talk) 16:56, 3 June 2024 (UTC)

 * Well, false memories does not mean that people who remember being sexually abused are lying. It only applies to memories "recovered" through hypnotherapy or similar therapeutic approaches. So, yes, it has a very narrow meaning, and it does not apply to sex abuse in general.
 * The gist: if you have learned from therapy that you have been sexually abused, that therapist is a quack. Or, if you recover on your own "long forgotten memories", such memories are probably bogus. And, yup, there is a way to tell: people with recovered memories often tell fantastic accounts of how they have been sexually exploited by a Satanic cult which killed their babies and some of their members, stories which are completely out of touch with reality, e.g. expressing torture acts which are physically impossible. E.g. one Romanian woman claimed that her husband performed fellatio on her 5-years old child, and she made a penal complaint about her husband. I told her to ask a dentist if such thing is physically possible, since policemen will be merciless with her if they find out it is physically impossible. That was because the child told her her husband did that. So, yeah, read the stories of those with repressed memories of sexual abuse, and if they give five details which are absolutely impossible, you know it's all a fantasy. E.g. they claim they remember clearly one man raped them on New Year's Eve 1969. Problem? Then that man was already dead and buried. Or: that man spent all that day in prison for drunk driving.
 * Being sexually abused, except in early childhood when one does not form memories, is not something that one forgets (even if it does not lead to trauma). It's not like "where have I put my keys?" tgeorgescu (talk) 03:45, 4 June 2024 (UTC)

Deliberately selective examples of legal cases
In the section where a selection of the legal cases she has served on, all are cases in which the person was probably guilty. She has also served on just as many where the person was wrongly accused (e.g. George Franklin, Gary Ramona). My suggested fix is give three probably-guilty examples, and three probably-innocent examples. I worry that this was deliberately done by Loftus critics. — Preceding unsigned comment added by Newacademic90291 (talk • contribs) 15:53, 15 June 2024 (UTC)
 * this was deliberately done by Loftus critics Obviously. But "critics" is a euphemism for those people. --Hob Gadling (talk) 15:11, 15 June 2024 (UTC)

title: Talk:Elizabeth Loftus