text:
Lovers in Paris

Lovers in Paris is a 2004 South Korean television series starring Park Shin-yang, Kim Jung-eun and Lee Dong-gun. It aired on SBS from 12 June to 15 August 2004 on Saturdays and Sundays at 21:55 for 20 episodes. The series is the first in the Lovers trilogy by writer Kim Eun-sook and director Shin Woo-chul. This was followed by Lovers in Prague (2005), and the third, simply titled Lovers (2006), was not set in Europe like the first two.

The series was very popular during its run. Kim Jung-eun and Park Shin-yang shared Grand Prize ("Daesang") honors at the 2004 SBS Drama Awards, and later at the 2005 Baeksang Arts Awards, Kim won Best TV Actress, Kim Eun-sook and Kang Eun-jung won Best TV Screenplay, and the drama won the Grand Prize for Television.

Plot
Kang Tae-young (Kim Jung-eun) is the daughter of a film director and carrying on her father's wishes, she studies film in Paris. To make ends meet, she works as a housekeeper for Han Ki-joo (Park Shin-yang), which she loves because she can watch his movies and drink his wine.

Unhappy with her services, he fires her. However, when he realizes that she is from the same hometown as the wife of a potential business partner, he hires her to act as his fiancée to warm up to his business partner. She agrees in exchange for getting her housekeeping job back. During the two dates that he takes her out, she is smitten by the fairy tale quality of the event. In turn he finds himself unexpectedly captivated by her. However, the fake girlfriend plan backfires, and they part ways on bad terms in Paris. Through a series of events she also meets Yoon Soo-hyuk (Lee Dong-gun), who is Ki-joo's nephew.

Recalled by his father, Ki-joo returns to Korea, and Tae-young also returns to attend her father's death anniversary. Both are reunited coincidentally in Seoul and have their misunderstandings resolved. She prepares to return to Paris, but discovers her uncle has squandered away her family house and run away, leaving her with her young cousin and the debts he has incurred.

While trying to sort out her family problems and retrieve her father's camera that was confiscated by the creditors, she meets Ki-joo again. Through multiple coincidental encounters, he finds himself attracted to her. Soo-hyuk also returns to Korea to track Tae-young down. He stays at her place and tries to win her heart. But he is devastated when he realizes that his uncle is also vying for her affections.

The situation is further complicated with the introduction of Moon Yoon-ah, the daughter of an influential politician whom Ki-joo's father has selected to become Ki-joo's wife. She also happens to be Tae-young's classmate in high school and is determined to win Ki-joo as her husband.

As Ki-joo and Tae-young open their hearts to each other, a scheming Yoon-ah and an emotionally wounded Soo-hyuk plot to split them up. Matters are further complicated when a long-held family secret is revealed: Soo-hyuk's mother Ki-hye is in fact Ki-joo's mother and not his older sister. Ki-hye had been in love with Ki-joo's father, but due to the difference in their wealth and status, the young couple was forced to separate by her father. She gave birth to Ki-joo out of wedlock, and to save face, the Han family raised Ki-joo as Ki-hye's younger brother. Then Ki-hye was married off to a rich man she didn't love, Soo-hyuk's father. Ki-joo reels from the revelation, and must deal with the lie at the center of his identity. Soo-hyuk also realizes that the closeness between his emotionally distant mother and Ki-joo was not that of siblings', but because Ki-joo was Ki-hye's more favored son. His bitterness grows that the two most important women in his life, his mother and Tae-young, have always chosen Ki-joo over him.

Meanwhile, Park Young-ji, an executive at GD Motors who wants to bring down Ki-joo, takes advantage of Soo-hyuk's feelings of envy and rivalry. He schemes with Soo-hyuk to leak the latest car design to the rival of GD Motors. The new car is announced and GD Motors is petrified because their latest design had been stolen. Later, Ki-joo figures out that Soo-hyuk was the culprit, but forgives him. The fact that Ki-joo forgave him so easily drives Soo-hyuk crazy. After getting into a car accident while blazing through the streets, he gets amnesia and loses his recent memories. (However, he was only pretending he had amnesia, as a final selfless act so that Tae-young and Ki-joo can be together guilt-free.) Yoon-ah also decides to let go of Ki-joo and throws her engagement ring into the Han River.

Ki-joo and Tae-young can finally be together. Unfortunately because of his family's disapproval of her, they decide to separate temporarily. She goes back to Paris and he stays in Korea. After two years, the new car is announced and is a success. Ki-joo immediately catches a flight to Paris. For some time, they do not know where the other is and keep missing each other.

Then one day, just like in the beginning of the story, Ki-joo throws a coin into a fountain and makes a wish to see Tae-young again. As he turns, he sees her standing there. The next scene shows them sitting by a river. Tae-young breaks the silence and asks, "If we had not met in Paris, do you think we would still have ended up together?" Ki-joo answers, "Most likely we would have."

Main

 * Park Shin-yang as Han Ki-joo
 * Kim Jung-eun as Kang Tae-young
 * Lee Dong-gun as Yoon Soo-hyuk

Supporting

 * Oh Joo-eun as Moon Yoon-ah
 * Kim Seo-hyung as Baek Seung-kyung
 * Jung Ae-ri as Han Ki-hye
 * Kim Sung-won as Han Sung-hoon
 * Park Young-ji as Choi Won-jae
 * Jo Eun-ji as Choi Yang-mi
 * Yoon Young-joon as Kim Seung-joon
 * Sung Dong-il as Kang Pil-bo
 * Kim Young-chan as Kang Gun
 * Lee Se-chang as Park Jung-hak
 * Kim Sang-soon as Moon Ji-hwan
 * Seo Kwon-sook as Mrs. Moon

Special appearance

 * Kim Chung as Madame Vaudier (eps 1 & 3)
 * Kim Kwang-kyu as man at bus stop (ep 13)
 * Yoon Jin-seo as girl on the beach (ep 20)

Production
Many of the scenes were filmed on location in Paris, France, and Seoul, South Korea. The Korean filming locations are as follows:

 * Namsan Fountain and Namsan Park, Namsan, Seoul.
 * The interior of the penthouse of the Oakwood Premier COEX Center, of the COEX complex in Samseong-dong, Gangnam District, was used as the Paris home of Han Ki-joo in the first three episodes.
 * Several scenes were shot at the Grand Hyatt Seoul, in Yongsan District, on the historic Mount Namsan: the swimming pool which Tae-young falls into; the lobby where Ki-joo and Tae-young first kiss; The Paris Bar, where Ki-joo sings to Tae-young; J.J. Mahoney's, where the college hockey party was held; and the grand ballroom, where the engagement ceremony was held.
 * Sangam CGV Multiplex Cinema at the World Cup Mall, Seoul World Cup Stadium was used as the location of Baek Seuk-kyung's CSV cinema, where Tae-young also worked and had the pajama party.
 * Mokdong Ice Rink at Mokdong Stadium, Mok-dong, Yangcheon District was where Ki-joo and Soo-hyuk played ice hockey.
 * Seoul Broadcasting System building was used as the headquarters of GD Motors.

Reception
With an average viewership rating of 40+% and a peak of 56.3%, Lovers in Paris became one of the most highly rated Korean dramas of all time. It also received several high-profile awards, making it one of the most successful series aired on SBS. The drama's quotes, fashion and music made their way to mainstream pop culture (sparking trends and parodies),    notably when Soo-hyuk put Tae-young's hand over his heart and said, "You are in here"; and Ki-joo's two lines "Let's go, baby"; and "Why can't you say it? Why can't you say that this is my man, that this is the man I love?"

Ratings
In the table below, the blue numbers represent the lowest ratings and the red numbers represent the highest ratings.

Source: TNS Media Korea

Musical theatre adaptation
It was adapted into a stage musical that ran at the D-Cube Arts Center in 2012, starring Lee Ji-hoon and Jung Sang-yeon as Han Ki-joo, Bang Jin-wi and Oh So-yeon as Kang Tae-young, and Lee Hyun, Jung Woo-soo and Run as Yoon Soo-hyuk.

Adaptation
In 2009, ABS-CBN produced a Philippine remake based on Lovers in Paris. The adaptation was short-lived due to negative feedbacks.

title: Lovers in Paris


text:
Talk:Jelq

Rewrite
I just rewrote the article drastically. Mostly, the how-to section doesn't seem to belong here (Wikibooks might be interested). I hope that the article is now npov, cleaned up, and no longer in need of expert attention, but I won't be hurt by the readdition of any of those tags (with at least a short explanation). LizardWizard 04:26, August 22, 2005 (UTC)

Absurd
This is absurd, what next-articles about how rhinoceros tusks give your the erection of ten seas? Tripe. It seems like it was just ripped off some spam email/website. I refer people to No original research. --ben dummett 10:42, 25 August 2005 (UTC)

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Talk:Jelq


text:
Thoughts on Various Subjects, Moral and Diverting

Thoughts on Various Subjects, Moral and Diverting (1706) is the title of a satirical essay by Jonathan Swift (1667–1745). It also has appeared under the title Thoughts on Various Subjects. It consists of a series of short epigrams or apothegms with no particular connections between them.

It contains the quotation "When a true genius appears in the world, you may know him by this sign, that the dunces are all in confederacy against him," the source for the title of the 1980 book A Confederacy of Dunces by John Kennedy Toole.

Other well-known quotes include:
 * "The latter part of a wise man's life is taken up in curing the follies, prejudices, and false opinions he had contracted in the former."
 * "Whatever the poets pretend, it is plain they give immortality to none but themselves; it is Homer and Virgil we reverence and admire, not Achilles or Aeneas. With historians it is quite the contrary; our thoughts are taken up with the actions, persons, and events we read, and we little regard the authors."
 * "When a man is made a spiritual peer he loses his surname; when a temporal, his Christian name."
 * "If a man would register all his opinions upon love, politics, religion, learning, etc., beginning from his youth and so go on to old age, what a bundle of inconsistencies and contradictions would appear at last!"
 * "What they do in heaven we are ignorant of; what they do not we are told expressly: that they neither marry, nor are given in marriage."


text:
Talk:America Town

Fair use rationale for Image:American Town.jpg
Image:American Town.jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in Wikipedia articles constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.

Please go to the image description page and edit it to include a fair use rationale.

If there is other other fair use media, consider checking that you have specified the fair use rationale on the other images used on this page. Note that any fair use images uploaded after 4 May, 2006, and lacking such an explanation will be deleted one week after they have been uploaded, as described on criteria for speedy deletion. If you have any questions please ask them at the Media copyright questions page. Thank you.BetacommandBot 17:32, 31 May 2007 (UTC)

Dead external links to Allmusic website – January 2011
Since Allmusic have changed the syntax of their URLs, 1 link(s) used in the article do not work anymore and can't be migrated automatically. Please use the search option on http://www.allmusic.com to find the new location of the linked Allmusic article(s) and fix the link(s) accordingly, prefereably by using the Allmusic template. If a new location cannot be found, the link(s) should be removed. This applies to the following external links: --CactusBot (talk) 10:57, 2 January 2011 (UTC)
 * http://www.allmusic.com/cg/amg.dll?p=amg&sql=Bdudayl1oxpbb/

title: Talk:America Town


text: Talk:American Arrogance

title: Talk:American Arrogance


text:
Talk:American Lesion

Fair use rationale for Image:Ggamericanlesion.jpg
Image:Ggamericanlesion.jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.

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If there is other fair use media, consider checking that you have specified the fair use rationale on the other images used on this page. Note that any fair use images lacking such an explanation can be deleted one week after being tagged, as described on criteria for speedy deletion. If you have any questions please ask them at the Media copyright questions page. Thank you.

BetacommandBot (talk) 23:29, 2 January 2008 (UTC)

title: Talk:American Lesion


text:
Talk:American Pie (Don McLean album)

CD album versions
Did anyone else feel robbed when they bought the CD of American Pie, and found out the title track was only the short version? Any one know why that was?—Copey--203.109.252.196 14:30, 29 January 2006 (UTC)

 * That's interesting, my version of the CD has the 8 minute version - I didn't know there were others. Bastie 17:49, 13 May 2006 (UTC)

 * My CD album also has the full 1971 LP album version of 'American Pie'. It supposedly dates to 1980 according to the enclosed CD booklet, but does not conform to the re-release 1980 version as described in the article because it does faithfully replicate the ten-song format of the original 1971 LP. Furthermore, my version is not listed as a Liberty Records release but as a EMI-Manhattan label issue with the catalog number 'CDP 7 46555 2'. Monoblocks (talk) 08:09, 16 April 2009 (UTC)

 * Yep, mine is also dated 1980 but faithful to the LP. Interestingly the liner notes misspell Sister Fatima as 'Sister Faima' as does the jewel case reverse cover. Thankfully the CD silkscreen is spelled correctly! Blitterbug (talk) 17:14, 8 November 2009 (UTC)

Fair use rationale for Image:B00009P1MP.01. SCLZZZZZZZ .jpg
Image:B00009P1MP.01. SCLZZZZZZZ .jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.

Please go to the image description page and edit it to include a fair use rationale. Using one of the templates at Fair use rationale guideline is an easy way to insure that your image is in compliance with Wikipedia policy, but remember that you must complete the template. Do not simply insert a blank template on an image page.

If there is other fair use media, consider checking that you have specified the fair use rationale on the other images used on this page. Note that any fair use images lacking such an explanation can be deleted one week after being tagged, as described on criteria for speedy deletion. If you have any questions please ask them at the Media copyright questions page. Thank you.

BetacommandBot (talk) 05:42, 2 January 2008 (UTC)

Sister Faima
The Sister Fatima track is misspelled on the original LP, and on all the CD re-releases also. Is it just laziness?

Overall improvements
Deleted "notes" section. Information moved from there to newly created "noteworthy" section.(Bethjj (talk) 15:29, 12 April 2013 (UTC))

Added Reissue section. (Bethjj (talk) 15:25, 12 April 2013 (UTC))

Added Release and Reception section.(Bethjj (talk) 15:17, 12 April 2013 (UTC)).

Corrected reference as noted below.(Bethjj (talk) 15:17, 12 April 2013 (UTC)).

Added sections on Controversies and production. That is the bulk of the article upgrade. need a new reference to replace a url that was spam blacklisted and probably some minor edits but the bulk of it is there.Bigthud (talk) 03:04, 12 April 2013 (UTC)

Added section "noteworthy" as a place to put all the interesting facts that were removed from the lead and the backgroundBigthud (talk) 02:29, 12 April 2013 (UTC)

New background section in place. most of what was there will go into a new section.Bigthud (talk) 01:59, 12 April 2013 (UTC)

I just re-did the lead section. Shortened it a bit and will be putting the material that was removed back into the body of the article Bigthud (talk) 22:30, 11 April 2013 (UTC)

I just added recording studio dates and locations. I intend to do some research and try to improve the article. It's my first Wikipedia effort Bigthud (talk) 00:32, 15 February 2013 (UTC)

Research and improvement planning is in the works. It will be a fairly major edit. Most everything that's here will stay, but may get moved around a bit and some material on album/artist background, album content, recording sessions, etc. added. Feedback is appreciated (Bigthud (talk) 23:53, 19 March 2013 (UTC))

 * Just want to thank both Bethjj and Bigthud for their work on this article. Jdcrutch (talk) 20:17, 22 August 2013 (UTC)

Who Coined the Phrase, "The Day the Music Died"?
It's not clear, either from this article, or from "The Day the Music Died", whether or not McLean coined the phrase, "The Day the Music Died". That's certainly the implication, and it seems most likely, considering McLean's gift for the poignant phrase; but neither article cites any direct authority for it. Given the number of highly-popular musicians lost on that day, it would be no surprise to learn that somebody had come up with that sobriquet long before "American Pie", perhaps shortly after the event. Probably the phrase is McLean's, but as the article now stands it's a loose end that should be tied up.

Jdcrutch (talk) 20:15, 22 August 2013 (UTC)

I never addressed the origin of the phrase for two reasons. 1) I wasn't sure if it more properly belonged in the article dealing with the song "American pie" rather than the album, and 2) I couldn't really pin down a solid source for either argument. I found sources saying both, but nothing authoritative. Thanks for your kind words above. There was a third member of our edit team, whose work was mostly behind the scenes who deserves equal credit Bigthud (talk) 00:27, 16 September 2013 (UTC)

Shah of Iran - Everybody Loves Me
Was the Shah of Iran the intended object of satire for 'Everybody Loves Me, Baby" ?  Release of the album coincided with the Shah's great event at Persepolis in October 1971.  — Preceding unsigned comment added by 131.111.185.40 (talk) 13:48, 10 April 2017 (UTC)

title: Talk:American Pie (Don McLean album)


text:
British Transport Films

British Transport Films was an organisation set up in 1949 to make documentary films on the general subject of British transport. Its work included internal training films, travelogues (extolling the virtues of places that could be visited via the British transport system – mostly by rail), and "industrial films" (as they were called) promoting the progress of Britain's railway network.

It was headed by Edgar Anstey until 1974, and from then until its demise by John W. Shepherd. Initially, it made films mostly for the British Transport Commission, but after that organisation was broken up in 1963 the majority of its films were for the British Railways Board. However it also made films for London Transport, the British Waterways Board, the travel company Thomas Cook & Son and the coach company Thomas Tilling.

Output
Their first film was Berth 24 concerning the operation of Hull Docks.

Many of the unit's films celebrated the running of Britain's nationalised railway network; early titles such as Train Time, Elizabethan Express and Snowdrift at Bleath Gill aimed to document and celebrate the achievements and hard work of railway staff and their machinery. Others documented a particular aspect of running a railway, for example running a station as seen in This is York and later Terminus.

Somewhat paradoxically, many of the unit's films celebrated a quiet, unchanging image of rural Britain – with travelogues such as The Heart of England (1954), The Lake District (also 1954), Three Is Company (1959), Down to Sussex (1964) and Midland Country (as late as 1974) – while simultaneously invoking the "white heat of technology" in its other work, such as its Report on Modernisation series instigated in 1959 (renamed Rail Report in 1965).

The unit won many awards over the years, including in 1965 an Academy Award nomination for Snow and in 1966 its first and only win for the film Wild Wings (the latter which had little to do with transport and concentrated on WWT Slimbridge in Gloucestershire, founded by Peter Scott (who also narrated). BTF also gave John Schlesinger an early breakthrough with the 1961 film Terminus, chronicling a day in the life of Waterloo station in a style highly uncharacteristic of the unit. Oscar-winning cinematographer David Watkin also got his start lighting BTF films from 1950 to 1960.

BTF also produced the controversial The Finishing Line (1976) and Robbie (1979), which warned children against trespassing on railway lines and are often thought of as Public Information Films.

Some 700 films were made by it over its period of operation.

Demise
BTF continued to make films through the 1970s and early 1980s, notably chronicling the progress of the InterCity 125 (Overture: One-Two-Five) and, poignantly, that of the ill-fated Advanced Passenger Train, but the tide was turning against such "nationalised" industrial film units. In September 1981 BTF's film library closed, with the material being offered back to its retrospective owners. BTF ceased to exist as a full unit in 1982, although the BTF name was still used for various British Rail internal works, many of them by then made on video, until around 1986. For a time the BTF films made for British Rail and London Transport were marketed by the Central Office of Information, but from March 1988 the now-defunct organisation FAME (Film Archive Management and Entertainment) handled the BR films on behalf of the British Railways Board, while the London Transport films went to the London Transport Museum in Covent Garden. In 1996 the British Railways Board was broken up and the BR films – the bulk of the BTF archive – were acquired by the British Film Institute.

Archives and legacy
In the 1980s, 1990s and early 2000s many of the films were released on video, latterly mainly by the British Film Institute (BFI) and by Beulah, which evolved out of FAME and owns the release rights to the BTF films made for London Transport. The British Waterways Board has also released its own library of BTF films on video, and these have latterly appeared on DVD.

In recent years several have been released on DVD, with a number of films made for London Transport appearing on Beulah DVDs before the first BFI DVD compilation of BTF films appeared, after many delays, in June 2005. Ten two-disc compilations of BTF films have now been released by the BFI (as of October 2012). The latest in the series, London on the Move, focuses on the capital's transport systems, including buses.

In May 2019 BFI released a Blu-ray high-definition 2-disc collection of some of the most popular BTF films. All films have been newly digitally remastered from the film source for this release.

title: British Transport Films


text: Talk:Amusing the Amazing

title: Talk:Amusing the Amazing


text:
Talk:Ancient Melodies of the Future

<^>v!!This album is connected!!v<^>

 * All song titles serve as redirects to this album, have their own pages, or have been placed at the appropriate disambiguation pages.--Hraefen Talk 22:27, 11 September 2006 (UTC)

title: Talk:Ancient Melodies of the Future


text: Talk:And the Big Red Nebula Band

title: Talk:And the Big Red Nebula Band


text:
Talk:Andiamo (album)

Andiamo
This is the wrong title, it should be Andiamo_(album) as there are many other (and better things) to receive the main Andiamo title... — Preceding unsigned comment added by 109.131.52.21 (talk) 14:01, 8 January 2012 (UTC)
 * It was In ictu oculi (talk) 19:25, 13 November 2015 (UTC)

Album Covers
OK, other than the Tipper Gore sticker (parental advisory) being on one and not the other, and a different overall hue, is there any significant difference between the "clean version" album cover and the original? If no significant difference, then why is it included? Thanks. FiggazWithAttitude (talk) 16:06, 25 March 2020 (UTC)

title: Talk:Andiamo (album)


text: File:Npc.jpg

title: File:Npc.jpg


text:
Confucian Temple of Shanghai

The Confucian Temple or Temple of Confucius of Shanghai, is a folk Confucian temple in the old city of Shanghai. It is similar to the original temple of Confucius in his hometown Qufu and to the Beijing temple, but on a smaller scale. The temple is located on Wenmiao Road in Huangpu District.

The Wenmiao Market lies around it. The market opens every Sunday morning and hosts a temple fair.

History
The Confucian Temple was first founded during the Yuan Dynasty, when Shanghai, once a small fishing village, was elevated to the status of a county seat. It was also the most prestigious learning institution of the county, as in ancient times a Confucian Temple was typically a combination of temple and school. In the following centuries, it was rebuilt several times. From 1851 to 1855, the temple was occupied by the Small Swords Society and became their headquarters. The temple was almost completely destroyed during the battle when government troops retook control of it. The government eventually decided to rebuild the temple at the present site.

The temple was badly damaged during the Cultural Revolution, but in 1995 it was designated for renovation by the local government. Now it is the site of one of the biggest book markets in Shanghai.

title: Confucian Temple of Shanghai


text:
Category talk:Jazz pianists

Untitled
Disappointing that there is not even mention of Eddie Higgins.

I started the article, but put him in Category: American jazz pianists.--T. Anthony 10:00, 2 February 2006 (UTC)

Appearance of Jack DeJohnette
I'm tempted to remove Jack DeJohnette from this listing of jazz pianists. JD will always be known for his drum work. ..could be he plays piano too, but then, so do most musicians. Including JD under piano performers would be similar to including Keith Jarrett under saxophone or Ornette Coleman under violin..

Opinions?

--Philopedia 22:43, 17 January 2006 (UTC)

 * I'm not familiar with his work, but I cut him.--T. Anthony 09:54, 2 February 2006 (UTC)

where is nat king cole?

 * He's in Category:American jazz pianists. There are many many jazz pianists, it's one of the most popular instruments in jazz, so there's some breakdown by nationality.--T. Anthony 17:50, 2 December 2006 (UTC)

Cleared out the category
I just cleared out this entire category and recategorized musicians. Let us keep it that way please. (Mind meal 09:09, 2 July 2007 (UTC))

title: Category talk:Jazz pianists


text: Talk:Andiwork

title: Talk:Andiwork


text:
Talk:AAW

External links to assist in starting articles
Items 1, 2, 3 and 4 Courtland 04:32, 22 August 2005 (UTC)
 * 1) Advertising Association Winnipeg — http://www.aaw.org/
 * 2) American Agri-Women — http://www.americanagriwomen.org/
 * 3) American Association of Woodturners — http://www.woodturner.org/
 * 4) Association of Adventist Women — http://www.aaw.cc/

Questionable entries
Item 1 Courtland 04:32, 22 August 2005 (UTC)
 * 1) American Academy of Wine — is this what is meant? => http://adw-academy.com/home.html

title: Talk:AAW


text:
Talk:Andiwork II

Fair use rationale for Image:Andiwork II.jpg
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title: Talk:Andiwork II


text:
Talk:Angels Cry (album)

Fair use rationale for Image:Angra angels cry.jpg
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External links modified
Hello fellow Wikipedians,

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 * Added archive https://web.archive.org/20100814211935/http://glory.metalkings.ru:80/bands/a/angra.htm to http://glory.metalkings.ru/bands/a/angra.htm

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title: Talk:Angels Cry (album)


text: Talk:Animal Cannabus

title: Talk:Animal Cannabus


text:
Castle Peak (Hong Kong)

Castle Peak (, sometimes transcribed Tsing Shan) or Pui To Shan is a 583-metre (1,913-feet)-high peak in western New Territories, Hong Kong. It is also the highest granitic hill in Hong Kong.

In contrast to its Chinese name, which means green hill, Castle Peak is notorious for its severe loss of vegetation and weathering of its granite surface.

Geography
The hill looks to be triangular, with two other peaks surrounding the hill in its north and south (with heights of 539 metres (1768 ft) and 517 metres (1696 ft) respectively).

The area to the west of the hill is an industrial area with two power plants owned by CLP (Castle Peak Power Station and Black Point Power Station). It is also the old name of Tuen Mun during early British rule before starting development of Tuen Mun New Town. In early proposal of the development, the new town was named Castle Peak New Town. Castle Peak is unique in that it is among the few prominent mountains in Hong Kong which are not inside a country park.

Formation
The shape of the hill is formed by wearing and erosion on the granite forming the hill. This weathering erodes granite blocks, causing disintegration of the blocks. The granite are broken into smaller pieces, where they fall and accumulate on the less steep slopes in the west of the mountain. As there are more steeper slopes on the eastern side, some of the debris would fall down there to the Tuen Mun Valley.

Firing
Most areas north of the mountain and west of the mountain are commonly known as the Castle Peak Hinterland. Much of this large rocky hinterland is a designated firing range used by the People's Liberation Army and police forces in Hong Kong, and is named the "Tsing Shan Firing Range". Warnings are issued to the public before live military exercises are carried out. Sometimes the Firing Range is open to the public, but before venturing into the restricted areas, it is best to confirm the days on which the hinterland firing range is open to the public by searching for "firing range" in the Hong Kong Government press release website. The press releases concerning the firing range for any given month is typically released one week prior to the start of that month. Generally speaking, Saturdays, Sundays and Public Holidays are open days.

There are many hills that are considered sub-peaks of Castle Peak within this hinterland. Mountains Kon Shan and Por Lo Shan are frequently visited by hikers because the area's terrain has been compared to that of the Grand Canyon in the US, but on a smaller scale. The summit of Castle Peak is not part of the Hinterland and is accessible daily, some of the routes leading up to the summit, namely from the north and west, may be closed because of military exercises on select days.

History
The name Pui To Shan was associated with a Buddhist monk Pui To Sim Shi. In Cantonese, Pui means "cup", To means "water-crossing", Sim Shi means "Monk of Zen". Legend has it that the monk had travelled over water in a cup and finally reached the Castle Peak. He established a monastery on the hill, which became the present-day Tsing Shan Monastery.

Early records have indicated that the peak was an island once named Tuen Mun Island. Its former channel with Kau Keng Shan of an important sea route in South China. Defence structures were built on both hills.

title: Castle Peak (Hong Kong)


text:
Bottom dealing

Bottom dealing or base dealing is a sleight of hand technique in which the bottom card from a deck of playing cards is dealt instead of the top card. It is used by magicians as a type of card illusion, and by card sharps and mechanics, and as a method of cheating in poker or other card games.

The deck is typically held in a modified mechanic's grip in the dealer's non-dominant hand. The dealer slides the top card partially off the deck as if to deal it, while the dominant hand instead takes hold of the bottom card. The card is snapped away from the deck while the top card is reset.

Unless the dealer is particularly skilled at bottom dealing, the technique produces a slightly different sound from standard dealing, and the second-to-bottom card may be drawn slightly out of place. This is called a "hanger".

Bottom dealing and second dealing both have application in performance magic.

Bottom dealing experts include Persi Diaconis, Darwin Ortiz, Steve Forte, Daniel Madison, Jason England and Richard Turner.

title: Bottom dealing


text:
Talk:Animal Lover

Fair use rationale for Image:ResidentsAnimalLover.jpg
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Talk:Annihilation of the Wicked

Nominate song?
Should the song, "Chapter of Obeisance Before Giving Breath to the Inert One in the Presence of the Crescent Shaped Horns" be nominated for longest Nile song title and maybe one of the longest song titles in history? it is a very, very long track name CircafuciX 05:20, 18 June 2007 (UTC)

 * That's 86 characters, not counting spaces. The longest track name I know of is "The Dark Liege of Chaos is Unleashed at the Ensorcelled Shrine of A'Zura Kai (The Splendour of a Thousand Swords Gleaming Beneath the Blazon of the Hyperborean Empire Part II)" by Bal-Sagoth which is something like 140-146 depending on what you count. If you think the "double title" is cheating, they've also got "And Lo, When the Imperium Marches Against Gul-Kothoth, Then Dark Sorceries Shall Enshroud the Citadel of the Obsidian Crown" at 102 chars :) --Asherett 08:52, 12 September 2007 (UTC)

 * Wow. I obviously don't know whats out there then, and what kind of crazy inspiration do you need to make a song 100 characters+ long? Just wondering... It should be in the longest songs list from 50+ chars. Oh by the way, is there any album with an insanely long name? --CircafuciX 17:48, 12 September 2007 (UTC)

 * The longest album name I can think of off the top of my head is Good Apollo, I'm Burning Star IV, Volume One: From Fear Through the Eyes of Madness, by Coheed and Cambria. ≈  The Haunted Angel  19:20, 13 September 2007 (UTC)

Correct song?
The hyperlink to Sacrifice Unto Sebek states that the double-bass drum hits 265BPM. However, I listened to it in its entirety, and I didn't hear much prominent double-bass drum, and certainly nothing that fast. I did, however, notice that User-Maat-Re had an extremely fast double-bass drum section near the middle, but I'm unsure of it being as fast as 265BPM. If someone could verify this and change it to the correct song, please do so. Or I might just be deaf and unable to hear it in Sebek. Whichever. Mister Deranged 02:19, 11 July 2007 (UTC)

 * I am not sure which text you are talking about - there is currently no link to the single Sacrifice Unto Sebek on the page. At any rate, this was probably a mistake. Annihilation of the Wicked contains some fairly extensive liner notes by Sanders. The only reference to BPM there is: "The Burning Pits of the Duat" features further collaboration with Dallas. [...] So Dallas went to work, and the infernal riffing he conjured was so overwhelming [...] that for the rest of us to play the material correctly required weeks of intense rehearsal; [...] for the drums to maintain the overwhelming 256 BPM blasting, constant quick beat changing and crazy fills. So my guess it's that someone pulled that number out of the air, vaguely remembering the "Duat" reference. These notes can be read online here --Asherett 08:52, 12 September 2007 (UTC)

I know that I'm replying to a response that is 5 years old, but no song on this album isn't in metronome. Kollias did 256 bpm in the studio, but Neil touched it up to 260 bpm. The album peaks at 270 bpm, but almost all of the double bass is either 250 or 260. Der unaussprechliche (talk) 09:08, 26 November 2012 (UTC)

Song references
I would like to see if this can be worked into the article. There seems to be many references to the book series of H.P. Lovecraft. I don't know about the books but some songs refer to them. Maybe this can be found out because some searches of parts of the songs seem to come from some ancient mythological relation. I think there should be a section concerning this in more detail. --CircafuciX (talk) 21:00, 21 November 2007 (UTC)

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User talk:Jfurlong

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title: User talk:Jfurlong


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Wikipedia:Articles for deletion/Martin Smith (songwriter)

 This page is an archive of the proposed deletion of the article below. Further comments should be made on the appropriate discussion page (such as the article's talk page or on a Votes for Undeletion nomination). No further edits should be made to this page.

The result of the debate was No Consensus. R e  dwolf24  (talk) 23:23, 28 August 2005 (UTC)

Martin Smith (songwriter)
nonnotable songwriter. IF his group is even notable, merge; else, delete (and somebody take out his group, too). JDoorjam 04:34, 22 August 2005 (UTC)
 * He's not just the songwriter, as the article itself says. Both him and the band seem notable, but this is a pretty small stub.  Merge.  CanadianCaesar 07:55, 22 August 2005 (UTC)
 * Keep and add stub, this needs lots of help but "martin smith delirious" in google turned up 89,600. Notable band, and Martin Smith has been interviewed by quite a few fairly notable media sources. He writes, plays guitar, piano, composes, does vocals - this is all from scanning the google hit page, not even following any links or going to page 2. --KillerChihuahua 14:03, 22 August 2005 (UTC)
 * Comment Isn't Christian rock an oxymoron? Anyway, band at least a probably worth keeping, so redirect at most. --zippedmartin 21:31, 22 August 2005 (UTC)
 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in an undeletion request). No further edits should be made to this page.


text: Talk:Another Late Night: Rae & Christian


text:
Talk:Another Passenger

Fair use rationale for Image:Carly Simon - Another Passenger.jpg
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title: Talk:Another Passenger


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Talk:Anthems for the Could've Bin Pills

Untitled
I'm deleting the first 6 blank tracks in the tracklisting, and leaving it as allmusic.com has it. —Preceding unsigned comment added by Furste (talk • contribs) 04:43, 5 October 2007 (UTC)

title: Talk:Anthems for the Could've Bin Pills


text:
Talk:Aoxomoxoa

Burning Man event
I have been asked, as an uninvolved admin, to look at this addition:"Since 2004, Aoxomoxoa has been the chosen name for a theme camp in Black Rock City, Nevada, during the Burning Man event." In my view this should stay out since it is not directly about the album too trivial. In addition it is unsourced though this can be fixed. No doubt, 'Aoxomoxoa' will have been attached to a number of things but such miscellaneous/trivia facts are generally not appropriate in articles. I notice that there has been an edit war over this wording. Concerns about this clause should be discussed here, in order to reach consensus. TerriersFan (talk) 19:01, 21 June 2010 (UTC)

 * I'm in agreement, at least somewhat, that the Burning Man camp should be left out. In general it's okay to have notable, major, or significant pop cultural references included in articles -- see "In popular culture" content. But to me, this one seems a bit on the minor side, although I'm guessing the camp itself is very fun and worthwhile.  If other editors disagree I'd be open to further discussion. — Mudwater (Talk) 19:29, 21 June 2010 (UTC)

 * Thankyou for your comments. I agree. Rothorpe (talk) 22:31, 21 June 2010 (UTC)

 * Fair point; I have fixed my comment. TerriersFan (talk) 22:39, 21 June 2010 (UTC)

We ate [the] Acid
This has been my favorite album cover for about 20 years.

The only I record I keep with me at all times is a copy of "Aoxomoxoa" from a Haight and Ashbury used record store I purchased in 2002 for $10.

This is the first time I have heard of the ambigram, and I have to admit, I don't see it. I see "ate" because it is written that way. I don't see how the GR could be read as WE.

I think Griffin would have done a better job if he wanted that message to be conveyed.

Just an opinion I suppose, but I have studied this album and found many more interesting things which are not mentioned here. Not sure that qualifies me as an expert? —Preceding unsigned comment added by 99.242.38.138 (talk) 02:05, 26 April 2011 (UTC)

"Debbie" back-up singer
The back-up singer credited as "Debbie" is "Debbie Hutchins" (now "Debbie Sipes") still performing as one-half of the Folkadelic Duo 'Good Medicine.' I know that she performed on 'Mountains of the Moon'; I don't know if she performed on any of the other songs.

Seki1949 (talk) 11:06, 7 April 2013 (UTC)

Assessment comment
Substituted at 08:05, 29 April 2016 (UTC)

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Pigpen
There is some debate over whether Pigpen actually played on the album or not - some sources say he didn't (e.g. the FAQ book, which says that Bob Weir hardly played on the album, but in truth he is evidently on most of the songs where there are two guitar parts) while other sources suggest that he did play on "Aoxomoxoa", since an organ part in an album review is attributed to him, not TC. Which is correct?

Found the source that suggests Pigpen did indeed play on the album.

61.69.217.3 (talk) 03:13, 21 December 2017 (UTC)

release date
I wanted to note that the stated release date of June 20, 1969 is too late. It was reviewed in the June 7 issue of Billboard, which went on-sale May 31. Billboard did NOT review unreleased product. It made their bestselling album chart in the June 21 issue, which was published June 14. PatConolly (talk) 05:31, 14 March 2021 (UTC)

aoxomoxoa is a development of oxomoxo
x is a kiss

o is a hug

and the m in the middle is the closed breath, the hum of happiness

This I knew as a teenager in the 1960s e.v.

a is the open breath, inspiration and aspiration

o is the open mouth

swalk is sealed with a loving kiss, of course. But it is not a palindrome.

Regards,

Bill William Barden (talk) 07:02, 27 August 2023 (UTC)

title: Talk:Aoxomoxoa


text:
User:Wilfredo Martinez

Personal Data
Occupation: Translator

Location: Puerto Rico

Birth date: May 17, 1966

Gender: Male

Interests: Comics, Anime, RPGs

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title: User:Wilfredo Martinez


text:
Talk:Apocalypse Dudes

Entire Article
The article is well put together, however; it's written from a complete fan POV, and it's completely unsourced... 1337wesm 00:46, 16 May 2007 (UTC)
 * I agree, the entire "The Sound" section is full of it. I tried to figure out a way of editing away the bias, but I think there would be very little useful information left. I suggest removing the entire section. WizendraW (talk) 09:35, 2 May 2008 (UTC)

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title: Talk:Apocalypse Dudes


text: Talk:Are a Drag

title: Talk:Are a Drag


text:
Dinocaridida

Dinocaridida is a proposed fossil taxon of basal arthropods, which flourished during the Cambrian period and survived up to Early Devonian. Characterized by a pair of frontal appendages and series of body flaps, the name of Dinocaridids (Greek for deinos "terrible" and Latin for caris "crab") refers to the suggested role of some of these members as the largest marine predators of their time. Dinocaridids are occasionally referred to as the 'AOPK group' by some literatures, as the group compose of Radiodonta (Anomalocaris and relatives), Opabiniidae (Opabinia and relatives), and the "gilled lobopodians" Pambdelurion and Kerygmachelidae. It is most likely paraphyletic, with Kerygmachelidae and Pambdelurion more basal than the clade compose of Opabiniidae, Radiodonta and other arthropods.

Anatomy
Dinocaridids were bilaterally symmetrical, with a mostly non-mineralized cuticle and a body divided into two major groupings of tagmata (body-sections): head and trunk. The head apparently unsegmented and had a pair of specialized frontal appendages just in front of the mouth and eyes. The frontal appendages are either lobopodous (soft as in gilled lobopodians) or arthropodized (hardened and segmented as in Radiodonta) and usually paired, but highly fused into a nozzle-like structure in Opabiniidae. Based on their preocular position and putative protocerebral origin, the frontal appendages are generally thought to be homologous to the labrum of euarthropods and primary antennae of onychophoran, while subsequent evidence also suggest a deutocerebral origin (homologous to the jaws of onychophora and great appendages/antennae/chelicerae of euarthropods). The trunk possessed multiple segments, each with its own gill branch and swimming flaps (lobes). It is thought that these flaps moved in an up-and-down motion, in order to propel the animal forward in a fashion similar to the cuttlefish. In gilled lobopodian genera, the trunk may have borne a lobopodous limb (lobopod) underneath each of the flaps. The midgut of dinocaridids had paired digestive glands similar to those of siberiid lobopodians and Cambrian euarthropods. The dinocaridid brain is relatively simple than those of a euarthropod (3-segmented), it is thought to be comprised either 1 (only protocerebrum ) or 2 cerebral ganglions (protocerebrum and deutocerebrum).

Classification
Although some authors may rather suggest different taxonomic affinities (e.g. as cycloneuralia n relatives ), most of the phylogenetic studies suggest that dinocaridids are stem group arthropods. Under this scenario, Dinocaridida is a paraphyletic grade in correspond to the arthropod crown group (Euarthropoda or Deuteropoda) and also suggest a lobopodian origin of the arthropod lineage. In general, the gilled lobopodian genera Pambdelurion and Kerygmachela which have lobopodian traits (e.g. lobopodous appendage, annulation) occupied the basal position; while Opabiniidae and Radiodonta are more derived and closely related to the arthropod crown group, with the latter even having significant arthropod affinities such as arthropodization and head sclerites.

In the original description, Dinocaridida was composed of only Opabiniidae and Radiodonta. With the exclusion of questionable taxa (e.g. the putative opabiniid Myoscolex ), the former were known only by Opabinia, while all radiodont species were grouped under a single family: Anomalocarididae (hence the previous common name 'Anomalocaridids' ). In later studies, the gilled lobopodians Pambdelurion and Kerygmachela were also regarded to be dinocaridids, two new opabiniid genera, Utaurora and Mieridduryn were described, other strange dinocaridids like Parvibellus (which might actually be a juvenile siberiid lobopodian), many radiodonts were reassigned to other new families (Amplectobeluidae, Tamisiocarididae and Hurdiidae), and a new family, Kerygmachelidae, was named.

Distribution
The group was geographically widespread, and has been reported from Cambrian strata in Canada, United States, Greenland, China, Australia and Russia, as well as the Early to Middle Ordovician of Morocco and Wales and the Early Devonian of Germany.

title: Dinocaridida


text:
Persuader (band)

Persuader is a Swedish power metal band from Umeå in the Swedish province of Västerbotten Norrland. The band was formed in 1997, and they have since released five full-length albums. They have a sound similar to bands including early Blind Guardian, Iron Savior, and Nocturnal Rites, although Persuader includes influences of thrash metal also. Members Jens and Emil joined the band Savage Circus in 2005, started by Thomen Stauch after he left Blind Guardian.

The band's most recent studio album, Necromancy, was released in 2020.

Formation and The Hunter (1997–2000)
Persuader was formed in August 1997 by friends Pekka Kiviaho and David (full name unknown). Jens Carlsson and Efraim Juntunen joined shortly thereafter. Fredrik Hedström was eventually recruited on bass, who had played with Pekka in a band named Shallow. In January 1998, David left the band due to musical differences. In November 1998, the band released a demo titled Visions and Dreams, which was recorded at Garageland Studios. The band was signed to Loud 'n' Proud (LNP) records, a Swedish metal label.

The band's debut studio album, The Hunter, was released on 16 July 2000.

Evolution Purgatory and When Eden Burns (2001–2006)
The band's label, Loud 'n' Proud, went out of business leaving them without proper label support. In early 2001, guitarist Pekka Kiviaho left the band and they broke up for brief period of time. According to Jens, the band "needed a pause to find a new guitarist and a new label" and "would never cancel Persuader." The band reformed in the spring/summer of 2001 with the addition of new guitarist Emil Norberg, who attended the same school as Jens.

The band started working on their next studio album, and submitted a demo of their unsigned music to Noise Record's Young Metal Gods contest. They won, and released Evolution Purgatory through Noise Records on 2 February 2004. After the release of the album, Jens and Emil became involved with Savage Circus, releasing their debut album Dreamland Manor in 2005. Jens also became involved with New Jersey based Dark Empire, after being asked by Matt Moliti to contribute vocals to their 2006 debut Distant Tides.

The band released their third studio album, When Eden Burns, on 15 May 2006.

The Fiction Maze (2007–2014)
Persuader had been at work on their next studio album for several years since the release of When Eden Burns. The album experienced multiple delays due to various reasons. In addition, band members have contributed to their side projects during this time including, in 2008, Dark Empire's Humanity Dethroned and, in 2009, Savage Circus's Of Doom and Death.

In updates, the band humorously refers to their recording location as Studio Värdelös. The Swedish word värdelös translates to "useless" in English. On 12 December 2010, the band revealed the tentative title of the album as The Fiction Maze. Throughout 2011–2013, the band issued intermittent updates on the progress of the album. On 11 September 2013, the band announced they had signed with Inner Wound Recordings.

The Fiction Maze was released late December in Japan and early January in North America and Europe.

Departures of two members and Necromancy (2016–present)
On 26 October 2016, rhythm guitarist Daniel Sundbom left the band and Fredrik Mannberg took his place; on 2 February 2019 bassist Fredrik Hedström left the band.

In October 2020, the band released a new single, their first in six years, from the upcoming album Necromancy, which was released on 4 December 2020. Guitarist Emil Norberg also commented, "This release will mark the beginning of a new chapter for us and we look forward to working together for many more albums in the future,"

On 17 January 2021, rhythm guitarist Fredrik Mannberg left the band and they welcome new bassist Alex Friberg.

In March 2022, the band released a statement indicating a temporary hiatus citing a lack of passion to record a follow-up to 2020's Necromancy, stating "We will surely all remain in the metal scene in one way or another".

Band members

 * Current members
 * Jens Carlsson – vocals (1997–present), rhythm guitar (1997–2006)
 * Emil Norberg – lead guitar (2001–present), rhythm guitar (2021-present) , bass (2019–2021)
 * Alex Friberg – bass (2021-present)
 * Efraim Juntunen – drums (1997–present)

 * Former members
 * Pekka Kiviaho – lead guitar (1997–2001)
 * Daniel Sundbom – rhythm guitar (2006–2016)
 * Fredrik Mannberg – rhythm guitar (2016–2021)
 * Fredrik Hedström – bass (1997–2019)

Discography

 * The Hunter (2000)
 * Evolution Purgatory (2004)
 * When Eden Burns (2006)
 * The Fiction Maze (2014)
 * Necromancy (2020)

title: Persuader (band)


text: Talk:Armed Audio Warfare

title: Talk:Armed Audio Warfare


text:
Talk:Arrival (Journey album)

Fair use rationale for Image:Journey - Arrival.jpg
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BetacommandBot 02:03, 7 November 2007 (UTC)

U.S. and SACD Editions
There's no explanation of what SACD stands for, that I can see. —Preceding unsigned comment added by 59.101.29.34 (talk) 21:48, 2 April 2011 (UTC)

External links modified
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title: Talk:Arrival (Journey album)


text:
Talk:As the Roots Undo

Untitled
The 4th song is called only "In The Nervous Light" without "Of Sunday"

Here's the proof:

http://img235.imageshack.us/img235/4457/1609061619mf2.jpg

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Fair use rationale for Image:Astherootsundo.jpg
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External links modified
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title: Talk:As the Roots Undo


text:
Talk:Ass Cobra

Fair use rationale for Image:Turbonegro-AssCobra.jpg
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title: Talk:Ass Cobra


text: Talk:At Basin Street

title: Talk:At Basin Street


text: Talk:Atlantic Jaxx Recordings: A Compilation


text: Talk:Attack of the Weirdos

title: Talk:Attack of the Weirdos


text: Talk:Automatic (The Stitches album)

title: Talk:Automatic (The Stitches album)


text:
Charles H. Belzile

Lieutenant General Charles Henri Belzile CM, CMM, CD (March 12, 1933 – December 5, 2016) was a Canadian army officer who served as head of the Canadian Army. He is an honorary member of the Royal Military College of Canada student #H22547.

Education
Born in Trois-Pistoles, Quebec, Belzile graduated from the Université de Montréal in 1953.

Military career
Belzile was commissioned in The Queen's Own Rifles of Canada in 1951. He was then assigned as a platoon commander in Korea. Upon his return from the Korean theatre, he assumed a number of staff and command positions including that of adjutant with 2nd Battalion, Queen's Own Rifles of Canada and staff officer at Quebec Command Headquarters in Montreal.

In 1968 he was promoted lieutenant-colonel and appointed commanding officer, Royal 22e Régiment in Valcartier. In 1972, he was appointed Commander, Combat Arms School, at CFB Gagetown, New Brunswick, as a colonel. He was later appointed to several high-profile positions in Canada and abroad. He commanded 4 Canadian Mechanized Brigade Group in the former Federal Republic of Germany as a brigadier-general. As brigadier general he was senior Canadian officer at Headquarters, Central Army Group (CENTAG) in Hammonds Barracks, Seckenheim, Germany. As major-general in 1977 he took command of Canadian Forces Europe. In 1981 he was promoted lieutenant-general and appointed Commander, Mobile Command, the title under which the army was known at that time. He retired from active duty in 1986.

Later career
Following his retirement from the military, he held a position of vice-president with SNC Industrial Technologies of Le Gardeur, Quebec, from 1987 to 1992. Since 1992 he has been President of CH Belzile Consultants. In 1994 he became part of a team on a study to improve the efficiency of the Irish Defence Forces. He served on the Special Commission on the Restructuring of the Canadian Forces Reserves. He was a member of the Special Advisory Group on Military Justice and Military Police Investigation Services. He was appointed colonel commandant of the Royal Canadian Army Cadets from 1993 to 1998. In 1998, he was appointed head of the Military Police Services Review Group. He has served as president of the Canadian Battle of Normandy Foundation (now the Canadian Battlefields Foundation), President of the Conference of Defence Associations and as a member of the Canadian War Museum Advisory Council. Belzile died on December 5, 2016, at the age of 83.

Honours
In 2000, he was made a Member of the Order of Canada. He was a recipient of the Vimy Award, which recognizes a Canadian who has made a significant and outstanding contribution to the defence and security of the nation and the preservation of our democratic values.

On 24 November 2001, he was appointed Honorary Grand President of The Royal Canadian Legion. He is a recipient of the French Légion d'Honneur.

title: Charles H. Belzile


text:
Talk:Ave End

Fair use rationale for Image:Ave End.jpg
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title: Talk:Ave End


text: Talk:Awake Is the New Sleep

title: Talk:Awake Is the New Sleep


text:
User:Bytor

I am a computer geek and I am ethnically Modern or Progressive Amish though I am not a religious person and I self-describe as a Carl Sagan-style Scientific skeptic.

Like many geeks I like Star Trek, my favourite author is William Gibson, and I love electronic gadgets such as my Android (operating system) devices. I can't wait for the Internet to be completely IPv6. I am also intermittently active in the Alternate History and DIY Electronics communities, putting out the odd map or circuit board.

You can see my other social media places at https://about.me/bytor

title: User:Bytor


text:
Template talk:FFVII

The Bootleg?
Really? The bootleg? I don't know, it's neat and all, but I really don't think a bootleg should be included in this template, listed along with official games in the series, no matter how impressive it is. There are thousands of unlicensed products based on the Final Fantasy series, ranging from dinky rom hacks and doujinshi to action figures and posters, and I really don't think that this deserves to be included, anymore than say, the episode of Robot Chicken with the spoof that has the cast working in a fast food joint.

At most, I'd think the small note in the Final Fantasy VII section should be enough. WtW-Suzaku (talk) 12:38, 20 March 2008 (UTC)
 * There may be "thousands of unlicensed products" based on FF, but this one is the only notable one, along with Voice of the Lifestream. It was recently nominated for deletion and Delete was not the result of the discussion. The article exists, so it's included in the template. Nowhere in the template is it implied or claimed that it's an official product. FightingStreet (talk) 13:08, 20 March 2008 (UTC)
 * I'm going to side with WtW on this one. The scope of this template is "FFVII", not "FFVII and unlicensed media". If it were, the latter, then VotL would be included as well, making it needlessly cluttered. Axem Titanium (talk) 15:37, 21 March 2008 (UTC)
 * The scope of this template is FFVII, not "official FFVII products". VotL is not included because it's a subarticle of Music of Final Fantasy VII. FFVII Famicom is a subarticle of the main article only, so it's included. The template is definitely not cluttered; you just seem to have some sort of irrational dislike of this article. FightingStreet (talk) 15:42, 21 March 2008 (UTC)

I agree with Axem. There's no point in adding unlicensed products to this template. Only the official and important items should be included. The Prince (talk) 17:02, 21 March 2008 (UTC)
 * The "point" of adding this in the template is the same point there is to add Before Crisis or whatever else. And there is no guideline saying that unofficial products should not be linked in templates. FightingStreet (talk) 17:07, 21 March 2008 (UTC)
 * But you're the only one who thinks it should be there. The Prince (talk) 17:14, 21 March 2008 (UTC)
 * But my argumentation is solid and yours is so shaky that you have to pull a "we're right because we're many" argument to try to force your view. FightingStreet (talk) 17:16, 21 March 2008 (UTC)

Do I have to repeat myself: It's unofficial, therefore it should not be included. The Prince (talk) 17:17, 21 March 2008 (UTC)
 * There is no guideline saying that unofficial products should not be linked in templates. FightingStreet (talk) 17:18, 21 March 2008 (UTC)
 * You can't refer to guideline for everything. Some things need consensus, and in this case it is to not include this article. The Prince (talk) 17:23, 21 March 2008 (UTC)
 * Consensus means nothing when the arguments consist in WP:IDONTLIKEIT. Besides, the article survived its nomination for deletion and you seem to be the ones to try to go against the (no-)consensus of that nomination. FightingStreet (talk) 17:30, 21 March 2008 (UTC)

I don't want the article in the template because it's unofficial, not because I voted Delete in the AfD. The Prince (talk) 17:35, 21 March 2008 (UTC)

A bit late to the party here, but the whole factor against listing unofficial content is being argued as if there are several articles on the subject. There aren't, that I know of. However unofficial content should be viable in here in some form even as just "list of unofficial related items" or some similar hubub...which would still be a very short list given the articles on wikipedia.--Kung Fu Man (talk) 13:08, 28 March 2008 (UTC)

 * the article doesn't necessarily have to be about official products of FFVII. it was nowhere implied that it has to be, plus there is also the unofficial famicon version. So if voices of the lifestream were to be removed, so would unofficial famicon. Or we can leave them as they are and if more unofficial products of ffVIII appear then we can make a separate section in the template listed as "legacy". a good example of a template that has unofficial media is Template:Tron (though it was originally called "fan-made games, i changed it to "unofficial" due to them having publishers).Bread Ninja (talk) 19:44, 13 September 2010 (UTC)

3RR for March 21st 2008
Editors User:FightingStreet and User:The Prince of Darkness, you are both in danger of breaking Wikipedia's WP:3RR rule on this template. Please stop reverting each other. Edit warring to get your way is not looked upon as constructive or civil. Please work out your differences here. I recommend also getting a third opinion regarding the inclusion of "unofficial" things in the template, as it is clear that some want it, some don't.  Keeper   |   76   |   Disclaimer  17:31, 21 March 2008 (UTC)

Theatrhythm Final Fantasy
Does Theatrhythm Final Fantasy belong here? It features some characters from FFVII. — Preceding unsigned comment added by 165.225.38.148 (talk) 18:33, 7 February 2020 (UTC)
 * No, since it represents the entire series and not FF7 specifically. ~ Dissident93 (talk) 22:58, 8 February 2020 (UTC)

title: Template talk:FFVII