text:
User talk:Pkeilty

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Hello, and welcome to Wikipedia! We welcome and appreciate your contributions, such as Corcoran Gallery, but we regretfully cannot accept copyrighted text or images borrowed from either web sites or printed material. This article appears to be a direct copy from http://www.corcoran.org/about/history.htm. As a copyright violation, Corcoran Gallery appears to qualify for speedy deletion under the speedy deletion criteria. Corcoran Gallery has been tagged for deletion, and may have been deleted by the time you see this message. If the source is a credible one, please consider rewriting the content and citing the source. If you believe that the article is not a copyright violation, or if you have permission from the copyright holder to release the content freely under the GFDL, you can comment to that effect on Talk:Corcoran Gallery. If the article has already been deleted, but you have a proper release, you can reenter the content at Corcoran Gallery, after describing the release on the talk page. However, you may want to consider rewriting the content in your own words. Thank you, and please feel free to continue contributing to Wikipedia. Gamaliel 05:37, 12 October 2005 (UTC)

Please do not post copyrighted material to Wikipedia without permission from the copyright holder. See Copyrights. Copyright violations are unacceptable and persistent violators will be blocked. Your original contributions are welcome. Gamaliel 20:10, 12 October 2005 (UTC)

Preview
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Don't post copyrighted stuff
Dude! Don't post copyrighted pictures to Wikipedia! As insurance against the possibility of lawsuits, we have an automated program called OrphanBot that goes around deleting pictures that are potential copyright violations. --Coolcaesar 23:58, 28 January 2006 (UTC)

 * PLEASE PAY ATTENTION. The UCLA pictures are NOT public domain because the University of California is a public corporation, not an agency of the government (yes, there is a difference).  If you look at any UC Web site (including the one you got that photo from), they all say "Copyright 2006 The Regents of the University of California."  There's even a famous legal case (Moore v. UC Regents) saying that the UC Regents can have property rights in discoveries derived from body parts of patients at UC hospitals.  If you would like to put pictures of UCLA or Los Angeles on Wikipedia, you need to get out there with a camera and take some!  --Coolcaesar 21:54, 22 March 2006 (UTC)

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title: User talk:Pkeilty


text:
Jim Gillette

James "Jim" Gillette (born November 10, 1967) is an American singer, known for being the frontman of glam metal band Nitro. Originally a member of the band Tuff, Gillette released a solo album in 1987 and then formed Nitro with guitarist Michael Angelo Batio.

Biography
Gillette began singing as a teen, having been exposed to heavy metal through a local skating rink. His goal was to have a higher range than Rob Halford. He went through extensive opera training and developed his own method. He started his career in Phoenix, Arizona with a band called Slut, singing on their demo tape titled "Perversion for a Price". Gillette heard about a band called Tuff that needed a singer, so he immediately auditioned and then joined the band. Tuff released two demos, "Knock Yourself Out", and "J'lamour Demo". It was during this time that Gillette also dabbled at guitar and harmonica, though he never pursued them seriously, rather working on improving his singing.

Gillette left Tuff to go to Hollywood. At a beach party, he met guitar virtuoso Michael Angelo Batio and they soon formed the band Nitro. They recorded Proud To Be Loud in 1987. Nitro's first live show led to their record deal with Rhino Records.

In 2001, Gillette formed Organ Donor with Chris Campise, James Johnson, and Jesse Mendez. Their first album, The Ultra-Violent, featured Gillette on vocals with guest appearances by Lita Ford, who was his wife at the time, guitarist Michael Angelo Batio, and David Ezrin. Following the release of The Ultra-Violent in 2001, Gillette left the band. Chris Campise took over on vocals and the band recorded Better Off Dead in 2003.

In 2009, Gillette appeared as a back-up vocalist and producer on Lita Ford's new album, Wicked Wonderland.

with Slut

 * 1986: Demo (EP)
 * 1) "Car Sex" – 1:57
 * 2) "Back to the City" – 2:17
 * 3) "Dolls of Lust" – 2:22
 * 4) "Don't Touch My Hat" – 4:13
 * 5) "Dr. Monster" – 2:23
 * 6) "He's a Whore" – 2:40
 * 7) "Lipstick Lover" – 2:29
 * 8) "Perversion for a Price" – 2:14

Jimmy Jill – Lead Singer Rich Kid – Guitarist Ttam Silver – Bassist Guy Dolly – Drummer

with Tuff

 * 1986: Knock Yourself Out (EP)
 * 1) "Candy Coated" – 2:45
 * 2) "Dressed for Dancing" – 2:41
 * 3) "Forever Yours" – 2:28
 * 4) "Glamour Girls" – 3:38

 * 1986: J'lamour Demo (EP)
 * 1) "Bang Bang" – 2:52
 * 2) "Candy Coated" – 2:45
 * 3) "Dressed for Dancing" – 2:41
 * 4) "Forever Yours" – 2:28
 * 5) "Glamour Girls" – 3:38
 * 6) "Ooh Aah" – 2:51

Solo

 * 1987: Proud to Be Loud
 * 1) "When the Clock Strikes 12" – 4:31
 * 2) "Head On" – 4:10
 * 3) "Angel in White" – 4:29
 * 4) "Flash of Lightning" – 5:00
 * 5) "Proud to Be Loud" – 4:40
 * 6) "Never Say Never" – 3:13
 * 7) "Nitro (Guitar Solo)" – 1:31
 * 8) "Red Hot Rocket Ride" – 3:55
 * 9) "Make Me Crazy" – 2:41
 * 10) "Show Down" – 4:02
 * 11) "Mirror Mirror" – 5:33

2003 bonus tracks

 * 1) "Bitch on My Back" – 2:54
 * 2) "Organ Donor" – 3:35
 * 3) "Out of Time" – 3:30
 * 4) "Six Feet Deep" – 2:51
 * 5) "Dr. Monster" – 2:22

with Nitro

 * 1988: 1988 Demo Tape
 * 1) "Freight Train" – 4:45
 * 2) "Prisoner of Paradise" – 4:21
 * 3) "Heaven's Just a Heartbeat Away" – 3:59
 * 4) "Nasty Reputation" – 4:36

 * 1989: Long Way from Home Single Promo
 * 1) "Long Way from Home LP" – 5:20
 * 2) "Long Way from Home Single" – 3:52

 * 1989: Freight Train Single Promo
 * 1) "Freight Train Single" – 3:55

 * 1989: O.F.R.
 * 1) "Freight Train" – 3:56
 * 2) "Double Trouble" – 3:59
 * 3) "Machine Gunn Eddie" – 6:44
 * 4) "Long Way from Home" – 5:27
 * 5) "Bring It Down" – 3:10
 * 6) "Nasty Reputation" – 4:44
 * 7) "Fighting Mad" – 3:45
 * 8) "Shot Heard 'Round the World" – 4:07
 * 9) "O.F.R." – 5:06

 * 1991: Nitro II: H.W.D.W.S.
 * 1) "I Want U" – 4:11
 * 2) "Cat Scratch Fever" (Ted Nugent) – 3:36
 * 3) "Crazy Love" – 3:42
 * 4) "Hot, Wet, Drippin' with Sweat" – 3:28
 * 5) "Boyz Will B Boyz" – 3:28
 * 6) "Turnin' Me On" – 3:47
 * 7) "Don't Go" – 4:05
 * 8) "Makin' Love" – 4:33
 * 9) "Take Me" – 4:00
 * 10) "Johnny Died on Christmas" – 3:47
 * 11) "Hey Mike" – 0:53

 * 1999: Gunnin' for Glory

 * 2001: Carnivore Soundtrack
 * 1) "Freight Train Demo" – 4:27

 * 2003: Hollywood Hairspray Volume 2
 * 1) "B.O.M.B. Also Called (Do You Wanna)" – 3:20

with Organ Donor

 * 2001: The Ultra Violent
 * 1) "Organ Donor" – 3:36
 * 2) "Ultra Violent" – 5:55
 * 3) "Bone Saw" – 3:36
 * 4) "Six Feet Deep" – 2:57
 * 5) "Breathless" – 4:02
 * 6) "Hypnotized" – 4:30
 * 7) "Guilty" – 4:24
 * 8) "Bed Of Nails" – 4:08
 * 9) "Last Rites" – 3:04
 * 10) "My Fist" – 4:12

Released Music Videos

 * 1) "Freight Train (1989)" – 3:55
 * 2) "Long Way From Home (1989)" – 5:20
 * 3) "Cat Scratch Fever (1992)" – 3:36

Unreleased Music Videos

 * 1) "Boyz Will B Boyz (1993)" – 3:30

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Jim Gillette


text:
Talk:Paul Arcelin

Comment
Out of curiosity did he obtain a master's degree from these three Universities in Canada? The answer is no. He obtained a master from University of Ottawa. I am skeptical.

Could you please correct the spelling of the words and ensure which Quebec University he attended. Done Thanks,

Not a hoax
I misread the speedy tag. HOT L Baltimore says the article is not a hoax. I don't know if he was really an ambassador (and thus notable), though. --Fang Aili talk 17:44, 2 October 2006 (UTC)

WikiProject class rating
This article was automatically assessed because at least one article was rated and this bot brought all the other ratings up to at least that level. BetacommandBot 00:21, 28 August 2007 (UTC)

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title: Talk:Paul Arcelin


text:
Yagyū Munetoshi

Yagyū Sekishūsai Taira-no-Munetoshi (柳生石舟斎平宗厳 1529 – May 25, 1606) was a samurai in Japan's Sengoku period famous for mastering the Shinkage-ryū school of combat, and introducing it to the Tokugawa clan. He was also known as Shinsuke, or Shinzaemon.

Early life
Munetoshi was born Yagyū Shinsuke in 1529 in Yagyū Village (present day Yagyū, Nara) in Yamato Province. His father, Ietoshi, was a minor landed lord. When Munetoshi was 12, Ietoshi joined a general named Kisawa Nagamasa in contesting the growing power of the warlord Miyoshi Chōkei. However, Kisawa was killed in battle, and the Yagyū found themselves on the defensive. With over half of Yamato Province under his control, Miyoshi left the rest of the conquest to his lieutenant, Tsutsui Junshō.

The Tsutsui and the Yagyū had feuded previously, and Junshō wasted no time. In 1544 he attacked the Yagyū at Yagyū Castle with some 10,000 men. According to the Tamon-in Nikki, a chronicle of the Kōfuku-ji temple, at first the Yagyū were caught by surprise, but Ietoshi rallied his troops for a defensive battle. Munetoshi, a young man of 15, ably led a small troop of his own. The Tsutsui troops surrounded the castle, burned the surrounding houses and villages, took control of the outer castle and cut off the water supply, but the main castle still held out. The Yagyū held out for three days, but they were greatly outnumbered, and had no choice but to capitulate, and submit to the Tsutsui.

The Yagyū served the Tsutsui for eight years. Munetoshi studied the martial and liberal arts, becoming proficient with the spear and sword, as well as studying Confucianism, Zen Buddhism, and Shingon Buddhism. Munetoshi soon gained notice as an able warrior and commander, and as many of orders were sent by Tsutsui to him, a young man in his 20s, as were sent to his father, still an active lord in his 50s. One message sent by Junshō's son Fujikatsu to Ietoshi singles out Munetoshi in particular for praise.

In 1559, the warlord Matsunaga Hisahide decided to attack the Tsutsui and take control of Yamato Province. He sent a message to Munetoshi promising to restore their old lands and position to the Yagyū in exchange for their service. The Tsutsui were overthrown, and the Yagyū grew prominent under Matsunaga. In particular, Matsunaga gave Munetoshi a citation for valor for his performance in a battle at To'unomine. Matsunaga's attempt to take the mountain was repulsed, and Munetoshi fought in the rearguard as the army retreated. He was wounded, but fighting with a spear he killed several of the enemy. Munetoshi almost did not survive the battle, but a retainer named Matsuda Muneshige sacrificed his life to save Munetoshi's. Munetoshi would later make mention of his extreme gratitude when he gave a Shinkage-ryū license to Muneshige's son Genjirō.

It is not entirely clear what school of combat Munetoshi studied, or who his teachers were. An Owari Yagyū family record suggests that he studied Shintō-ryū under a man named Kantori Shinjūrō. But "Kantori" may simply be a misreading of kanji meant to read “Katori”, thus signifying "Katori Shintō-ryū". An Edo Yagyū family record suggests that he studied Toda-ryū, a branch of Chūjō-ryū. All family records and Munetoshi's own surviving writings suggest that he was an enthusiastic student of the military arts from a young age, before he met Kamiizumi Hidetsuna.

Encounter with Kamiizumi Hidetsuna
In 1564, Kamiizumi Ise-no-kami Hidetsuna was travelling to Kyoto with his student and nephew Hikita Bungorō and his long-time student Suzuki Ihaku. While stopping in Ise Province, the group asked the governor, Kitabatake Tomonori, if he knew of any capable samurai nearby interested in a friendly match. Kitabatake recommended Munetoshi and Munetoshi's friend Kakuzenbō In’ei, a monk and spearsman of the Hōzōin temple. Hidetsuna agreed, and a messenger was sent on ahead to Hōzōin temple to contact the two men.

Munetoshi agreed, and met Hidetsuna at Hōzōin. Accounts differ on the specifics of the match: according to the Edo Yagyū family record Kyū Yagyū-hanki, Munetoshi faced Hikita Bungoro and was roundly beaten with a fukuro-shinai. An account by Munetoshi's great-great-grandson Toshinobu says that Munetoshi faced Suzuki Ihaku three times. Based on family documents and oral history, Yagyū Toshinaga suggested that Munetoshi's opponent was Hidetsuna himself in three matches over three days. In any event, the common point of all the accounts is that Munetoshi lost, and became Hidetsuna's disciple.

Munetoshi invited Hidetsuna to his land in Yagyū Village, where they trained for the better part of a year. Hidetsuna then went on to Kyoto, giving Munetoshi an assignment. He asked him to research the concept of Mutō-dori; facing an armed opponent while unarmed. While Hidetsuna was away Munetoshi devoted himself to this study, and upon Hidetsuna's return he successfully demonstrated it on Suzuki Ihaku. Hidetsuna, pleased by this innovation, gave Munetoshi an inka-jō, signifying the highest attainment in Shinkage-ryū and permission to teach it. A year later, Hidetsuna gave Munetoshi the Kage-mokuroku, a selection of four scrolls detailing the kata of Shinkage-ryū with commentary and drawings by Hidetsuna himself.

In the Yagyū Kaken, the Yagyū family constitution, Munetoshi wrote that he’d loved the military arts since he was a youth, and studied many ryū, but did not know victory until he met Kamiizumi Hidetsuna. Munetoshi's service to Matsunaga, and later to Oda Nobunaga would keep him busy following Hidetsuna's visit in 1567, Munetoshi and Hidetsuna both found themselves living and working in Kyoto in the waning years of the Ashikaga Shogunate, from 1570 to 1572. In 1572 Hidetsuna traveled to Yagyū Village for the last time, staying there an indefinite length of time before heading east to Kōzuke Province, where he was last seen in 1577.

Career as a general
Munetoshi served Matsunaga with distinction. The battle at To'unomine, for which Munetoshi received a citation of valor, was either just before his encounter with Hidetsuna or shortly after. In 1568, Oda Nobunaga entered Yamato Province with overwhelming force and subjugated the Matsunaga and Tsutsui, ending their skirmishing. It is likely that around this time Ietoshi retired, and passed on the leadership of the Yagyū to Munetoshi. Nobunaga ordered Munetoshi to go to Kyoto and attend to the new Shōgun Ashikaga Yoshiaki.

With the passing of a few years, however, Yoshiaki began forming alliances to overthrow Nobunaga, among them the Yagyū's old lord and present commander Matsunaga Hisahide and the warlord Takeda Shingen. In 1571, attempting to secure control once more over Yamato Province, Matsunaga sent the Yagyū in an attack against Tsutsui Junkei at Tatsuichi, a town in Nara. The attack was a total failure, and in the course of the battle Munetoshi's oldest son, Toshikatsu, was shot in the hip. This compounded an earlier injury he had received in his first battle, and made him an invalid for life.

Yoshiaki's coalition made its move against Nobunaga in 1573, but despite early success the death of Takeda Shingen weakened it. Nobunaga drove Yoshiaki out of Kyoto in August, and Matsunaga rejoined Nobunaga to fight the other members of the coalition. It is likely that Munetoshi took part in these battles. However, by 1577 Matsunaga again turned on Nobunaga, who then finally defeated his wayward vassal. It is not clear when, but around this time Munetoshi withdrew from the world of battle, and secluded himself in Yagyū Village.

Seclusion and focus on Shinkage-ryū
Sometime in the late 1570s, Munetoshi gave up all aspirations of being a general or warlord, and retired to Yagyū Village, where he devoted himself to teaching and training in Shinkage-ryū. It is not exactly clear why, as he was only in his late-40s. The death of Hidetsuna, his teacher, around this time may have been a factor, as well as the fall of the Ashikaga and Matsunaga. Poetry that Munetoshi wrote during this time express doubt and a lack of confidence in anything beyond Shinkage-ryū, and even this skill is compared in utility to a "stone boat".

Munetoshi spent most of his time teaching Shinkage-ryū to his sons and other men. Licenses given out by him that date back to 1580 survive today. In 1589 he wrote the Yagyū Kaken 柳生家憲, a memoir and treatise on proper conduct meant for his descendants. In 1593 he became a Buddhist lay priest, taking the name "Sekishūsai Songon". This same year, he wrote the Heihō Hyakka (兵法百歌, "One-hundred Songs of Strategy"), a collection of mostly original poetry on such subjects as the usefulness, training, and goals of the martial arts.

1594 would prove to be an eventful year. Despite his seclusion in Yagyū Village, Munetoshi's prowess in Shinkage-ryū and Mutō-dori was known by Tokugawa Ieyasu, at that time still Toyotomi Hideyoshi’s loyal general. Ieyasu was highly interested in the martial arts, and he arranged for a meeting with Munetoshi at Takagamine, north of Kyoto. Munetoshi brought his fifth son, Munenori, with him to demonstrate. After explaining the philosophy of Shinkage-ryū, they demonstrated some of the kata of the ryū, as well as Mutō-dori. However, Ieyasu wished to see for himself, so he took up a bokutō, a wooden sword, and requested that Munetoshi demonstrate Mutō-dori on him. Munetoshi successfully did so, sending Ieyasu's bokutō flying away and knocking Ieyasu onto his back. Impressed, Ieyasu asked Munetoshi to teach him Shinkage-ryū. Munetoshi refused, citing his advanced age, and recommended his son Munenori. Ieyasu agreed, and signed an oath to learn Shinkage-ryū, and to treat the Yagyū with favor. Munenori went with Ieyasu, and was given the post of hatamoto, or standard bearer.

That same year, a census of the Yamato Province revealed hidden, non-taxed rice fields in Yagyū Village. As punishment, Munetoshi's lands were taken away by Toyotomi Hideyoshi. Munetoshi continued to teach Shinkage-ryū, in particular to his grandson Hyōgonosuke Toshitoshi, and Takeda Ujikatsu, the head of the Konparu-ryū school of Noh theater.

Final years and death
The Yagyū family suffered a major loss in 1597, when Munetoshi's oldest grandson and ostensible heir, Sumitoshi, was killed in battle in Korea. In 1599, Munetoshi wrote out a will. Demonstrating the dire situation his family was in, he ordered that his tea ceremony equipment be sold to pay for his funeral. But Munetoshi would live to see a final reversal of fortune, and his long dedication to Shinkage-ryū finally secure the success of his family for generations. In 1600, the armies of Ishida Mitsunari and Tokugawa Ieyasu began moving against each other to determine who would rule after the death of Toyotomi Hideyoshi. Ieyasu was attempting to put down an uprising by the Uesugi clan in Shimotsuke Province (present-day Tochigi Prefecture) when he learned that Mitsunari was moving against him. He dispatched Munenori back to Yagyū Village, to ask his father to raise forces in the Yamato region. At the age of 71, Munetoshi was too old to lead the forces himself, so Munenori led them to Ieyasu's position, arriving a day before the battle. Ieyasu's army carried the day, and among the rewards given to the Yagyū was the return of their ancestral lands to their control.

Munetoshi's fourth son, Gorōemon Muneaki, had served under Kobayakawa Hideaki until Hideaki's death in 1602. Muneaki became a rōnin, and was taken in by Yokota Muraaki, the chamberlain of Nakamura Kazutada, lord of Yonago. In 1603, Nakamura killed Yokota, believing that the chamberlain was plotting against him. Yokota's family, including Yagyū Muneaki, started an uprising, which was ruthlessly put down. Muneaki fought bravely, reportedly cutting down 18 men before he was shot and killed. He was 35 years old.

In 1604, Munetoshi's grandson, Toshitoshi, left Yagyū Village to serve the great general Kato Kiyomasa. Toshitoshi was in Kiyomasa's service only a year before trouble with older retainers forced him to leave. Toshitoshi used the opportunity to do musha shugyō, testing himself against and learning from different teachers. In 1606, Munetoshi urgently summoned Toshitoshi back to Yagyū Village. When Toshitoshi returned, Munetoshi, now in ill health, bequeathed to his grandson all of his Shinkage-ryū materials, including the license of transmission and illustrated scrolls he received from Hidetsuna. In 1606, Yagyū Sekishūsai Taira-no-Munetoshi died at age 78 in Yagyū Village.

Legacy
After his death, his son Munenori took possession of the family lands in Yagyū Village, and ordered that Hōtokuji Temple be built in Munetoshi's honor. Munenori's son Retsudō was made the chief priest. The temple remains today, on the grounds where Munetoshi's manor once stood.

With the patronage of the Tokugawa family, the Yagyū family was finally secure, enjoying peace and prosperity until the end of the Tokugawa era. Munenori, initially only a hatamoto and sword instructor, became a trusted aide to the third Tokugawa Shōgun, Iemitsu. Yagyū Village and the surrounding area became Yagyū-han, with Munenori as its first lord. Munenori and his son Jūbei were known for their skill with the sword, and they had a number of students, some of whom would go on to found their own styles. Munenori's line is known as the Edo Yagyū.

Munetoshi's oldest son, Toshikatsu, remained in Yagyū Village until his death, his disability preventing him from being employed by a lord. But his sons would go on to become renowned sword instructors in their own right. His youngest, Kenzaemon, became the sword instructor to Date Masumune, the lord of Sendai-han. Toshikatsu's second son, Toshitoshi, eventually became the sword instructor to the Owari Tokugawa, in Nagoya. Toshitoshi's line, the Owari Yagyū, continued to teach and pass down Shinkage-ryū throughout the Edo period, to the present day. The current sōke, Yagyū Kōichi, is a direct 13th generation descendant of Munetoshi via Toshitoshi's line.

Name
Munetoshi is often referred to in popular works as “Muneyoshi”, and likewise his grandsons Jūbei and Hyōgonosuke are referred to as Mitsuyoshi and Toshiyoshi, respectively. However, in the Yagyū family, they are known as Munetoshi, Mitsutoshi, and Toshitoshi. The character 厳 has been passed down in the family since Ietoshi's time, always with the reading “toshi”. In the Edo Yagyū line of Munenori, only Jūbei Mitsutoshi was given the 厳 character, but from the 5th head of the family on, the character 俊 was used, also read “toshi”.

When historians first came across the name 宗厳 they had no way to be sure how the name was read. The only suggestion for pronunciation in Yagyū family records was Songon, the Chinese-reading of the characters, which Munetoshi took upon taking the name “Sekishūsai”. One late 18th century record of family lineages, the Kansei Choshu Shokafu, noted “Muneyoshi” as the pronunciation. In the Daikanwa Jiten, the largest Chinese character dictionary for the Japanese language, 厳 is given kane, tsuyo, and yoshi as possible readings used in names. So in early modern histories, this reading was used. Some books still use it today. However, historian Imamura Yoshio posits that even the kana characters indicating the "Muneyoshi" pronunciation in the Kansei Choshu Shokafu may actually be indicating "Munetoshi". The kana よ (yo) was derived from 与, which also can be read as "to". Starting with the release of Shōden Shinkage-ryū, by Yagyū Toshinaga, in 1955, the Yagyū family pronunciation has become more common than before.

Fiction and Legend
Like many other great figures in Japanese history, Munetoshi has become a popular figure in literature, movies, video games and other media, and has accumulated a number of exaggerated tales and legends about him. In Yagyū Village, near the Yagyū family burial ground, is a large rock called Itto-seki, which has been split in half. Though it was most probably split by lightning or earthquake, legend says that Munetoshi cleaved it himself with his sword.

Munetoshi is a prominent character in Eiji Yoshikawa's Musashi, a fictionalized telling of the life of Miyamoto Musashi. In that story a young and still wild Musashi seeks out Munetoshi, seeking to make a name for himself by defeating the famous swordsman. By that time however, Munetoshi is already old and ailing, and instead of dueling, the encounter turns into a learning experience for Musashi, who is awed by the spiritual power of Munetoshi, and makes him aware of his shortcomings as a person. These encounters are also portrayed in the manga series Vagabond, based on Yoshikawa's novel.

In the Onimusha video game series, Munetoshi, by taking the title of Jubei, was the main character in Onimusha 2: Samurai's Destiny. After Nobunaga destroys the Yagyū Village, Jubei goes off on a journey to avenge them. He also appears in Onimusha Blade Warriors and is in hiding in Onimusha 3: Demon Siege. In Onimusha: Dawn of Dreams, he retires and gives the Jubei name to his granddaughter, Akane. He is referred to Sekishusai as a result. His son, Yagyū Munenori became a servant of the evil Toyotomi Hideyoshi, and for this, he sent Akane to kill him.

In the Fatal Fury video game series, the character Jubei Yamada is based on him.

He appeared as Yagyu Shinzaemon in the movie, The Ninja Wars (1982).

In the video game, Nioh, he appears there as a side quest boss for unlocking the Sword Mystic Art skills.

In the 2003 Taiga drama series Musashi (based from Eiji Yoshikawa's ''Musashi), Sekishusai was played by Makoto Fujita.

He appears as a Saber-class Servant in the mobile game Fate/Grand Order, where he is known as Yagyū Tajima-no-Kami.

title: Yagyū Munetoshi


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The Martyrdom of Saint Matthew (Caravaggio)

The Martyrdom of Saint Matthew (Martirio di San Matteo; 1599–1600) is a painting by the Italian master Michelangelo Merisi da Caravaggio. It is located in the Contarelli Chapel of the church of the French congregation San Luigi dei Francesi in Rome, where it hangs opposite The Calling of Saint Matthew and beside the altarpiece The Inspiration of Saint Matthew, both by Caravaggio. It was the first of the three to be installed in the chapel, in July 1600.

The painting shows the martyrdom of Saint Matthew the Evangelist, author of the Gospel of Matthew. According to tradition, the saint was killed on the orders of the king of Ethiopia while celebrating Mass at the altar. The king lusted after his own niece, and had been rebuked by Matthew, for the girl was a nun, and therefore the bride of Christ. Cardinal Contarelli, who had died several decades earlier, had laid down very explicitly what was to be shown: the saint being murdered by a soldier sent by the wicked king, some suitable architecture, and crowds of onlookers showing appropriate emotion. (See the article on the Contarelli Chapel).

The commission (which, strictly speaking, was from his patron, Cardinal Francesco Maria Del Monte, rather than from the church itself), caused Caravaggio considerable difficulty, as he had never painted so large a canvas, nor one with so many figures. X-rays reveal two separate attempts at the composition before the one we see today, with a general movement towards simplification through reduction in the number of figures, and reduction – ultimately elimination – of the architectural element.

The figure in the background, about left-centre and behind the assassin, is a self-portrait by Caravaggio.

Stages of painting
The first version revealed by the x-rays is in the Mannerist style of the most admired artist in Rome at the time, Giuseppe Cesari, with a crowd of small figures amidst massive architecture. It must have seemed static and distanced. The second version turned to Raphael for a model, adding a crowd of onlookers displaying fear and pity, including a woman who presumably represented the nun. This was in line with the crowded scene requested by Cardinal Contarelli and with the tenets of Mannerism, which demanded bodies and buildings defined by perspective and drawing, but Caravaggio had already developed a personal style in which bodies were defined by light and darkness and in which backgrounds were eliminated.

At this point Caravaggio left off the Martydom and turned his attention to the companion piece, the Calling. This drew on his own earlier genre-pieces, Cardsharps and The Fortune Teller, but writ large. Apparently re-inspired, or perhaps with renewed self-confidence, Caravaggio turned back to the Martydom, but this time working in his own idiom. The third version dropped the architecture, reduced the number of actors, and moved the action closer to the viewer; more than this, it introduced the dramatic chiaroscuro which picks out the most important elements of the subject, in much the same way a spotlight picks out the action on a stage, but centuries before spotlights were imagined, and chose to represent the moment of greatest drama, as the murderer has plunged his sword into the fallen saint. This is the version we see today, the action caught at the moment of highest drama, the bystanders reduced to supporting roles by the sharply selective light, the whole giving the impression of a moment seen as if in a lightning flash.

Analysis
This painting marks the moment when the Mannerist orthodoxy of the late 16th century – rational, intellectual, perhaps a little artificial – gives way to the Baroque. It caused a sensation. Federico Zuccari, one of the most eminent painters in Rome and a champion of Mannerism, came to see, and sniffed that it was nothing. But the younger artists were totally won over, and Caravaggio became suddenly the most famous artist in Rome.

It takes concentration to understand that the confused melee is a victory of sainthood. Saint Matthew appears to recoil as he falls before the naked fury of his executioner, burning in the glare of light, who withdraws his sword from the saint's chest. Around the saint are persons showing varied emotions, as required by Contarelli: terror, awe, and consternation, while an angel holds out the palm of martyrdom. Confusion about the image can be alleviated by understanding that Matthew is not quailing in fear at the executioner's strike, instead he reaches for the angel's gift. The executioner's grasp and the angel's reach are two parallel paths. Only Matthew is privy to the angelic visitation. Viewed as such, this is a painting not about a moment of general terror, but the death of a saint as the personal handshake of the divine. Italian Baroque painting and sculpture of the time commonly depicted martyrdoms not as moments of fear, but as moments of joy or ecstasy, as in for example, Bernini's Santa Bibiana.

One factor worth noting is that Caravaggio, unlike his Mannerist predecessors, has actually made a simple fact of early modern church architecture work in his favour: large cathedrals like Saint Peter's might be well lit, but small chapels like the Contarelli were not. They were, and are, dark and narrow. As Caravaggio's biographer Peter Robb puts it: "Anyone coming down the nave of San Luigi (the church which contains the chapel) would've seen the pale killer nudes looming out of the dark from a distance, in a space that seemed to open out of the wall into the church's real transept."

That said, the painting contains many references from Michelangelo, Raphael and others, which critic John Gash ascribes not so much to a need to find appropriate poses as to a desire for "a quality of monumental grandeur akin to that of the High Renaissance." The figures of the saint and the horror-struck boy on the left, for example, are borrowed "to the extent of almost 'quoting' directly" from Titian's altarpiece of The Assassination of Saint Peter Martyr in Venice.


text:
User talk:Rauch77

Please do not add commercial links — or links to your own private websites — to Wikipedia. Wikipedia is not a vehicle for advertising or a mere collection of external links. See the welcome page if you would like to learn more about contributing to our encyclopedia. Thanks. --Fire Star 05:43, 12 October 2005 (UTC)

Do we HAVE Infantilism Pride Flags? No, I don't think so. --DLGrif

title: User talk:Rauch77


text:
Mount Louisa, Queensland

Mount Louisa is a residential suburb in the City of Townsville, Queensland, Australia. The suburb contains the mountain Mount Louisa (-19.2789°N, 146.7428°W). In the, Mount Louisa had a population of 9,227 people.

Geography
The suburb Mount Louisa is located to the west of Townsville CBD. The mountain Mount Louisa itself rises from 10 m above sea level to the mountain's peak of 193 m above sea level. The residential areas of the suburb are on the low flat land to the north and south of the mountain. There is a small industrial area along the suburb's northern boundary.

North Townsville Road runs through from west to east, and Garbutt–Upper Ross Road runs along part of the southern boundary.

History
The suburb takes its name from the mountain, which in turn was named by Andrew Ball in April 1864 while exploring Cleveland Bay.

During World War II as many as 4,000 American personnel worked and lived at Depot #2 at the base of Mount Louisa. This Air Depot has often been incorrectly referred to as the 4th Air Depot by many people. There were three main units based at Depot #2. They were the 4th Air Depot Group, the 12th Air Depot Group and the 15th Air Depot Group. Entertainment in the camp was held at Helton Hall, which was an open aired building named after Master Sergeant Helton who was killed in the B-25 crash at Rattlesnake Island. Some famous Hollywood stars appeared at Helton Hall including John Wayne, Joe E. Brown, Gary Cooper, Una Merkel and Phyllis Brook. Woody Herman's orchestra also appeared at Helton Hall.

In 1986 the growth of the congregation at Garbutt Uniting Church necessitated a move a new church called House of Praise at 485 Bayswater Road in Mount Louisa (-19.2707°N, 146.7471°W). Due to disagreements over the Uniting Church's position on "sexuality", the congregation chose to leave the Uniting Church and now operate as an independent church called Mt Louisa Community Church.

Calvary Christian College opened on 1 February 1978.

Demographics
In the, Mount Louisa had a population of 8,825 people.

In the, Mount Louisa had a population of 9,227 people.

Education
Calvary Christian College is a private primary and secondary (Prep-12) school for boys and girls at 569 Bayswater Road (-19.2703°N, 146.7382°W). In 2017, the school had an enrolment of 797 students with 55 teachers (53 full-time equivalent) and 60 non-teaching staff (47 full-time equivalent).

There are no government schools in Mount Louisa. The nearest government primary schools are Heatley State School to the south-east in neighbouring Heatley, Kirwan State School and The Willows State School both to the south in neighbouring Kirwan, and Vincent State School in Vincent. The nearest government secondary schools are Heatley Secondary College in Heatley and Kirwan State High School in Kirwan.

title: Mount Louisa, Queensland


text:
Talk:Shi Xin Hui

Untitled
Chew Sin Huey (石欣卉; pinyin: Shí Xīnhuì) is one of finalist of Project Superstar singing contest.

She is recognised as the "dark horse" of the competition, delivered sterling performances, scoring over 40 for all three songs in the women's final and better than Kelvin Tan Weilian's. But like Wei Lian's, Kelly's fans also made it up with their votes, sending her to victory.

I think a newbie is having trouble understanding wikipedia's practice and creating this article. There is already some content of this person in Project Superstar which I transfer to the above. If the page can be unprotected, the above content can be added to this new article for a reasonable stub. Thanks. --Vsion 05:44, 12 October 2005 (UTC) Second that.. with her latest updates. Thanks. 23 October 2005

Is there a particular reason why the pinyin are in simplified instead of traditional? I thought Singapore used traditional as well.

Well,its true in the past, but with the education system in Singapore teaching chinese using chinese simplified nowadays,there has been almost common to be using chinese simplified. jiande10 20:40, 19 February 2007 (UTC)

i had edit some of the information and most information are added while most of the contribution of the previous editor is still there.jiande10 20:43, 19 February 2007 (UTC)

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Fair use rationale for Image:Wuchucaihong cover.jpg
Image:Wuchucaihong cover.jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.

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If there is other fair use media, consider checking that you have specified the fair use rationale on the other images used on this page. Note that any fair use images uploaded after 4 May, 2006, and lacking such an explanation will be deleted one week after they have been uploaded, as described on criteria for speedy deletion. If you have any questions please ask them at the Media copyright questions page. Thank you.

BetacommandBot 18:52, 30 November 2007 (UTC)

Fair use rationale for Image:SinHuey album.jpg
Image:SinHuey album.jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.

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If there is other fair use media, consider checking that you have specified the fair use rationale on the other images used on this page. Note that any fair use images lacking such an explanation can be deleted one week after being tagged, as described on criteria for speedy deletion. If you have any questions please ask them at the Media copyright questions page. Thank you.

BetacommandBot (talk) 05:30, 24 January 2008 (UTC)
 * Rationale added to image article. Johnmc (talk) 09:12, 18 February 2008 (UTC)

Assessment comment
Substituted at 05:59, 30 April 2016 (UTC)

External links modified
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 * Added archive https://web.archive.org/web/20070304230524/http://www.warnermusic.com.sg/w/prodView.asp?idproduct=37 to http://www.warnermusic.com.sg/w/prodView.asp?idproduct=37
 * Added archive https://web.archive.org/web/20070304230524/http://www.warnermusic.com.sg/w/prodView.asp?idproduct=37 to http://www.warnermusic.com.sg/w/prodView.asp?idproduct=37
 * Added archive https://web.archive.org/web/20070403054314/http://ch8c.mediacorptv.com/shows/starnews/view/1492/.html to http://ch8c.mediacorptv.com/shows/starnews/view/1492/.html
 * Added archive https://web.archive.org/web/20070304230524/http://www.warnermusic.com.sg/w/prodView.asp?idproduct=37 to http://www.warnermusic.com.sg/w/prodView.asp?idproduct=37
 * Added archive https://web.archive.org/web/20070304230524/http://www.warnermusic.com.sg/w/prodView.asp?idproduct=37 to http://www.warnermusic.com.sg/w/prodView.asp?idproduct=37

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title: Talk:Shi Xin Hui


text:
Doug Berger

Douglas E. Berger is an American attorney, former prosecutor and politician who served as a member of the North Carolina General Assembly representing the state's 7th Senate district for four terms, starting in 2005. A member of the Democratic Party, his district included Franklin County, Granville County, Vance County and Warren County.

Biography
Berger is the former senator for District 18. He was born in Miami, Florida and raised in Smithfield, North Carolina where his father Jack Berger owned and operated a metal fabrication shop "Ace Welding" from 1966 to 1996. In 1978, he graduated from Smithfield Selma High School where he served as the president of his high school political science club and editorial editor of his high school newspaper. From 1978 to 1982, he attended and graduated from the University of North Carolina at Chapel Hill, where he earned Bachelor of Arts Degrees in Political Science and Speech Communications. During his college years, he became involved in a wide range of political activities. He worked as a volunteer in the John B. Anderson campaign for president in 1980. Following the 1980 campaign, he initiated the first college chapter of "Americans for Common Sense", a political group led nationally by former presidential candidate George McGovern. Upon graduation, he was employed by Ralph Nader's organization, PIRG. In October 1982, he initiated the South Africa divestment movement at UNC when he produced a report showing how UNC was investing in companies operating in South Africa. Also in 1982, he organized students to support and participate in the effort to stop the dumping of PCBs in Warren County. From 1983 to 1985, he attended the UNC School of Law. In 1983, he organized a campus political party that won 13 out of 27 seats on the student government legislative council. He was elected as a campus representative to serve the UNC School of Law. In 1985, he ran for student body president coming in first out of a field of 9 candidates only to lose in a runoff. From 1985 to 1988, he served as a public school teacher in Kinston, North Carolina, where he taught North Carolina History, United States History and World History. In 1989, he returned to law school and graduated from the University of North Carolina at Chapel Hill School of Law. In 1990, he started his legal career as an Assistant District Attorney for the 11th Judicial District, successfully prosecuting cases ranging from DWI, burglary and sexual assault to murder cases. He then moved to the 9th Judicial District where he served as an Assistant District Attorney from 1991 to 1994. From 1994 through 2004, he served in a judicial capacity as a Deputy Commissioner at the North Carolina Industrial Commission, where he rendered over 500 decisions.

Electoral experience
Berger was first elected in North Carolina's seventh Senate District in 2004. He ran for the Senate after a losing bid for the state's Commissioner of Labor in 2000.

Commissioner of Labor race
During his race for North Carolina Commissioner of Labor, North Carolina Democratic Party leaders questioned Berger's past involvement with the Democratic Socialists of America. A private internal memo between two party leaders became public during the N.C. Board of Elections investigation of former N.C. Governor Mike Easley. The memo's author states, "We need to decide whether it's worth attempting to find a replacement for Berger now. If not, then we need to work on a damn good response to the attack."

Berger's involvement with the socialist group became an issue in the general election campaign being cited in several news reports. The Associated Press and Triangle Business Journal wrote about his socialist past during the 2000 election. The Carolina Journal brought it up again during Berger's first race for state senate.

N.C. Senate races
Berger defeated Republican Harold Frazier in 2004 with 57% percent of the vote. The election box below shows the results of his subsequent elections.

Professional experience
Berger joined the Law Offices of James Scott Farrin in 2005 where he handles Workers’ Compensation litigation and dispute resolution.

Berger is a member of the North Carolina State Bar, the North Carolina Bar Association, the State Employees Association of North Carolina and the North Carolina Advocates for Justice.

title: Doug Berger


text:
Talk:Mission: Impossible 2

References to use

 * Please add to the list references that can be used for the film article.

External links modified
Hello fellow Wikipedians,

I have just added archive links to 2 one external links on Mission: Impossible II. Please take a moment to review my edit. If necessary, add after the link to keep me from modifying it. Alternatively, you can add to keep me off the page altogether. I made the following changes:
 * Added archive https://web.archive.org/20080115195615/http://www.laweekly.com:80/film/film_results.php3?showid=1169 to http://www.laweekly.com/film/film_results.php3?showid=1169
 * Added archive https://web.archive.org/20010613060620/http://nypost.com:80/movies/4523.htm to http://www.nypost.com/movies/4523.htm

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Requested move 1 February 2020

 * The following is a closed discussion of a requested move. Please do not modify it. Subsequent comments should be made in a new section on the talk page. Editors desiring to contest the closing decision should consider a move review after discussing it on the closer's talk page. No further edits should be made to this discussion.

The result of the move request was: no consensus. (closed by non-admin page mover) — Nnadigoodluck 🇳🇬 08:38, 23 February 2020 (UTC)

Mission: Impossible 2 → Mission: Impossible II –– The opening to the movie and Paramount themselves claim the title is with Roman numerals. — Preceding unsigned comment added by ScottSullivan1 (talk • contribs) 05:25, 1 February 2020 (UTC) —Relisting. BegbertBiggs (talk) 17:16, 15 February 2020 (UTC)
 * Support. The movie was distributed under this title per the BFI and BBFC.  You've gone incognito  (talk ⋅ contribs) 09:31, 1 February 2020 (UTC)
 * Oppose the poster billing block, which is the officially registered title with the MPAA, uses the Arabic numeral. As have every subsequent home video release, meaning it's been consistently published with the "2" by Paramount for two decades. I'd like to see some evidence that Paramount claim the title is with a Roman numeral outside of the on-screen use. The BFCC is not the official title in many cases (look at the hash they made of the title of The Avengers (2012 film) in their records, and I don't mean the "Assemble" part.) oknazevad (talk) 11:02, 1 February 2020 (UTC)

 * The above discussion is preserved as an archive of a requested move. Please do not modify it. Subsequent comments should be made in a new section on this talk page or in a move review. No further edits should be made to this section.

Poster
Is there any reason why this article is using the French poster? The poster currently being used https://en.wikipedia.org/wiki/File:Mission_Impossible_II.jpg comes from https://fontsinuse.com/uses/12023/mission-impossible-2-2000-movie-posters and when I went to larger version to check the credits it is clearly the French poster.

IMP Awards lists only one poster for MI2, and it does not include a billing block.

IMDB has a copy of the poster, There do not appear to be any substantial differences between the french poster and the US poster, it's just a little weird that the English language poster wasn't used. -- 109.76.136.35 (talk) 22:47, 24 February 2021 (UTC)

title: Talk:Mission: Impossible 2


text:
User talk:Urbster1

This is horribly late, but...

Welcome
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title: User talk:Urbster1


text:
File:Cover of Modern Drunkard Magazine.jpg

Summary
Cover from the May 2002 issue of Modern Drunkard Magazine


text: User talk:70.225.136.144

title: User talk:70.225.136.144


text:
User talk:GyroGearLoose

Don't edit others' user pages
Please don't edit others' user pages. This is considered vandalism. — Knowledge Seeker দ 05:48, 12 October 2005 (UTC)

Personal attacks
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Edit summaries
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title: User talk:GyroGearLoose


text:
Wikipedia:Articles for deletion/Herrera Tower

 * The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or on a Votes for Undeletion nomination).  No further edits should be made to this page.

The result of the debate was Speedy Delete. --Doc (?) 08:18, 12 October 2005 (UTC)

Herrera_Tower

 * Delete unauthorized posting of information --unsigned comment by User:203.167.82.165
 * Delete no content --unsigned comment by User:203.167.82.165
 * Why owuld you create an entry and then nominate it for AFD? Speedy delete -- (drini's page| ☎ ) 06:07, 12 October 2005 (UTC)

 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in an undeletion request). No further edits should be made to this page.


text: User:GyroGearLoose

title: User:GyroGearLoose