text:
User:Hargrimm/Monobook.js

// - // God-like Monobook skin // (c) 2005 Sam Hocevar  // $Id: godmode-light.js 911 2005-08-09 10:06:39Z sam $ // -

// - // Language support, taken from phase3/languages/* // - var rollbacklink = 'rollback'; var cantrollback = 'Cannot revert edit; last contributor is only author of this page.'; var alreadyrolled = 'Cannot rollback last edit of $1 by $2 (Talk); someone else has edited or rolled back the page already. Last edit was by $3 (Talk). '; var revertpage = 'Reverted edits by $2 to last version by $1'; switch (document.getElementsByTagName('html')[0].lang) { case 'fr': rollbacklink = 'rÃ©voquer'; cantrollback = 'Impossible de rÃ©voquer: dernier auteur est le seul Ã avoir modifiÃ© cet article'; alreadyrolled = 'Impossible de rÃ©voquer la derniÃ¨re modification de $1 par $2 (Talk); quelqu\'un d\'autre Ã  dÃ©jÃ  modifer ou rÃ©voquer l\'article. La derniÃ¨re modificaion Ã©tait de $3 (Talk). '; // lol @ pathetic grammar revertpage = "RÃ©vocation des modifications de $2 et restauration d'une prÃ©cÃ©dente version de $1"; break; case 'de': rollbacklink = 'ZurÃ¼cksetzen'; cantrollback = 'Die Ã„nderung kann nicht zurÃ¼ckgenommen werden; der letzte Autor ist der einzige.'; alreadyrolled = 'Die ZurÃ¼cknahme des Artikels $1 von $2 (Diskussion) ist nicht mÃ¶glich, da eine andere Ã„nderung oder RÃ¼cknahme erfolgt ist. Die letzte Ã„nderung ist von $3 (Diskussion)'; revertpage = 'Ã„nderungen von Benutzer:$2 rÃ¼ckgÃ¤ngig gemacht und letzte Version von Benutzer:$1 wiederhergestellt'; break; case 'es': rollbacklink = 'Revertir'; cantrollback = 'No se pueden revertir las ediciones; el Ãºltimo colaborador es el Ãºnico autor de este artÃculo.'; alreadyrolled = 'No se puede revertir la Ãºltima ediciÃ³n de $1 por $2 (DiscusiÃ³n); alguien mÃ¡s ya ha editado o revertido esa pÃ¡gina. La Ãºltima ediciÃ³n fue hecha por $3 (DiscusiÃ³n). ';   revertpage = 'Revertida a la Ãºltima ediciÃ³n de $1'; break; case 'it': rollbacklink = 'rollback'; cantrollback = 'Impossibile tornare ad una versione precedente: l\'ultima modifica Ã¨ stata apportata dall\'unico utente che abbia lavorato a questo articolo.'; //alreadyrolled = ''; revertpage = 'Riportata alla revisione precedente da $1'; break; case 'pt': rollbacklink = 'voltar'; cantrollback = 'NÃ£o foi possÃvel reverter a ediÃ§Ã£o; o Ãºltimo contribuidor Ã© o Ãºnico autor deste artigo.'; alreadyrolled = 'NÃ£o foi possÃvel reverter as ediÃ§Ãµes de $1 por $2 (Talk); alguÃ©m o editou ou jÃ¡ o reverteu. A Ãºltima ediÃ§Ã£o foi de $3 (Conversar com ele). ';   revertpage = 'Revertidas ediÃ§Ãµes por $2, para a Ãºltima versÃ£o por $1'; break; }

// - // XMLHttpRequest support // - if (document.implementation.createDocument) { var xmlparser = new DOMParser; }

function XMLParse(string) { if (document.implementation.createDocument) { return xmlparser.parseFromString(string, "text/xml"); } else if (window.ActiveXObject) { var xmldoc = new ActiveXObject("Microsoft.XMLDOM"); xmldoc.async = "false"; ret = xmldoc.loadXML(string); if (!ret) return null; return xmldoc.documentElement; } return null; }

var xmlhttp;

function HTTPClient { var http; if(window.XMLHttpRequest) { http = new XMLHttpRequest; } else if (window.ActiveXObject) { try { http = new ActiveXObject("Msxml2.XMLHTTP"); } catch (e) { try { http = new ActiveXObject("Microsoft.XMLHTTP"); } catch (E) { http = false; }   }  }  return http; }

// - // MD5 hash calculator // - // Version 2.1 Copyright (C) Paul Johnston 1999 - 2002. // Other contributors: Greg Holt, Andrew Kepert, Ydnar, Lostinet // Distributed under the BSD License // See http://pajhome.org.uk/crypt/md5 for more info. // - var hexcase = 0; var b64pad = ""; var chrsz  = 8;

function hex_md5(s){ return binl2hex(core_md5(str2binl(s), s.length * chrsz));}

function core_md5(x, len) { x[len >> 5] |= 0x80 << ((len) % 32); x[(((len + 64) >>> 9) << 4) + 14] = len;

var a = 1732584193; var b = -271733879; var c = -1732584194; var d = 271733878;

for(var i = 0; i < x.length; i += 16) {   var olda = a;    var oldb = b;    var oldc = c;    var oldd = d;

a = md5_ff(a, b, c, d, x[i+ 0], 7, -680876936); d = md5_ff(d, a, b, c, x[i+ 1], 12, -389564586); c = md5_ff(c, d, a, b, x[i+ 2], 17, 606105819); b = md5_ff(b, c, d, a, x[i+ 3], 22, -1044525330); a = md5_ff(a, b, c, d, x[i+ 4], 7 , -176418897); d = md5_ff(d, a, b, c, x[i+ 5], 12,  1200080426); c = md5_ff(c, d, a, b, x[i+ 6], 17, -1473231341); b = md5_ff(b, c, d, a, x[i+ 7], 22, -45705983); a = md5_ff(a, b, c, d, x[i+ 8], 7 ,  1770035416); d = md5_ff(d, a, b, c, x[i+ 9], 12, -1958414417); c = md5_ff(c, d, a, b, x[i+10], 17, -42063); b = md5_ff(b, c, d, a, x[i+11], 22, -1990404162); a = md5_ff(a, b, c, d, x[i+12], 7 ,  1804603682); d = md5_ff(d, a, b, c, x[i+13], 12, -40341101); c = md5_ff(c, d, a, b, x[i+14], 17, -1502002290); b = md5_ff(b, c, d, a, x[i+15], 22,  1236535329);

a = md5_gg(a, b, c, d, x[i+ 1], 5, -165796510); d = md5_gg(d, a, b, c, x[i+ 6], 9 , -1069501632); c = md5_gg(c, d, a, b, x[i+11], 14, 643717713); b = md5_gg(b, c, d, a, x[i+ 0], 20, -373897302); a = md5_gg(a, b, c, d, x[i+ 5], 5 , -701558691); d = md5_gg(d, a, b, c, x[i+10], 9 ,  38016083); c = md5_gg(c, d, a, b, x[i+15], 14, -660478335); b = md5_gg(b, c, d, a, x[i+ 4], 20, -405537848); a = md5_gg(a, b, c, d, x[i+ 9], 5 ,  568446438); d = md5_gg(d, a, b, c, x[i+14], 9 , -1019803690); c = md5_gg(c, d, a, b, x[i+ 3], 14, -187363961); b = md5_gg(b, c, d, a, x[i+ 8], 20,  1163531501); a = md5_gg(a, b, c, d, x[i+13], 5 , -1444681467); d = md5_gg(d, a, b, c, x[i+ 2], 9 , -51403784); c = md5_gg(c, d, a, b, x[i+ 7], 14,  1735328473); b = md5_gg(b, c, d, a, x[i+12], 20, -1926607734);

a = md5_hh(a, b, c, d, x[i+ 5], 4, -378558); d = md5_hh(d, a, b, c, x[i+ 8], 11, -2022574463); c = md5_hh(c, d, a, b, x[i+11], 16, 1839030562); b = md5_hh(b, c, d, a, x[i+14], 23, -35309556); a = md5_hh(a, b, c, d, x[i+ 1], 4 , -1530992060); d = md5_hh(d, a, b, c, x[i+ 4], 11,  1272893353); c = md5_hh(c, d, a, b, x[i+ 7], 16, -155497632); b = md5_hh(b, c, d, a, x[i+10], 23, -1094730640); a = md5_hh(a, b, c, d, x[i+13], 4 ,  681279174); d = md5_hh(d, a, b, c, x[i+ 0], 11, -358537222); c = md5_hh(c, d, a, b, x[i+ 3], 16, -722521979); b = md5_hh(b, c, d, a, x[i+ 6], 23,  76029189); a = md5_hh(a, b, c, d, x[i+ 9], 4 , -640364487); d = md5_hh(d, a, b, c, x[i+12], 11, -421815835); c = md5_hh(c, d, a, b, x[i+15], 16,  530742520); b = md5_hh(b, c, d, a, x[i+ 2], 23, -995338651);

a = md5_ii(a, b, c, d, x[i+ 0], 6, -198630844); d = md5_ii(d, a, b, c, x[i+ 7], 10, 1126891415); c = md5_ii(c, d, a, b, x[i+14], 15, -1416354905); b = md5_ii(b, c, d, a, x[i+ 5], 21, -57434055); a = md5_ii(a, b, c, d, x[i+12], 6 ,  1700485571); d = md5_ii(d, a, b, c, x[i+ 3], 10, -1894986606); c = md5_ii(c, d, a, b, x[i+10], 15, -1051523); b = md5_ii(b, c, d, a, x[i+ 1], 21, -2054922799); a = md5_ii(a, b, c, d, x[i+ 8], 6 ,  1873313359); d = md5_ii(d, a, b, c, x[i+15], 10, -30611744); c = md5_ii(c, d, a, b, x[i+ 6], 15, -1560198380); b = md5_ii(b, c, d, a, x[i+13], 21,  1309151649); a = md5_ii(a, b, c, d, x[i+ 4], 6 , -145523070); d = md5_ii(d, a, b, c, x[i+11], 10, -1120210379); c = md5_ii(c, d, a, b, x[i+ 2], 15,  718787259); b = md5_ii(b, c, d, a, x[i+ 9], 21, -343485551);

a = safe_add(a, olda); b = safe_add(b, oldb); c = safe_add(c, oldc); d = safe_add(d, oldd); } return Array(a, b, c, d);

}

function md5_cmn(q, a, b, x, s, t) { return safe_add(bit_rol(safe_add(safe_add(a, q), safe_add(x, t)), s),b); } function md5_ff(a, b, c, d, x, s, t) { return md5_cmn((b & c) | ((~b) & d), a, b, x, s, t); } function md5_gg(a, b, c, d, x, s, t) { return md5_cmn((b & d) | (c & (~d)), a, b, x, s, t); } function md5_hh(a, b, c, d, x, s, t) { return md5_cmn(b ^ c ^ d, a, b, x, s, t); } function md5_ii(a, b, c, d, x, s, t) { return md5_cmn(c ^ (b | (~d)), a, b, x, s, t); }

function safe_add(x, y) { var lsw = (x & 0xFFFF) + (y & 0xFFFF); var msw = (x >> 16) + (y >> 16) + (lsw >> 16); return (msw << 16) | (lsw & 0xFFFF); }

function bit_rol(num, cnt) { return (num << cnt) | (num >>> (32 - cnt)); }

function str2binl(str) { var bin = Array; var mask = (1 << chrsz) - 1; for(var i = 0; i < str.length * chrsz; i += chrsz) bin[i>>5] |= (str.charCodeAt(i / chrsz) & mask) << (i%32); return bin; }

function binl2hex(binarray) { var hex_tab = hexcase ? "0123456789ABCDEF" : "0123456789abcdef"; var str = ""; for(var i = 0; i < binarray.length * 4; i++) {   str += hex_tab.charAt((binarray[i>>2] >> ((i%4)*8+4)) & 0xF) + hex_tab.charAt((binarray[i>>2] >> ((i%4)*8 )) & 0xF); } return str; }

// - // Our nice Revert functions // - var gml_vandal, gml_editor, gml_url;

function PerformRevert { var l, token = '', revert = false; // Look for '&fakeaction=rollback' in URL gml_url = location.pathname; l = location.search.substring(1).split('&'); for (i = 0; i < l.length; i++) { var n = l[i].indexOf('='); var name = l[i].substring(0, n); if (name == 'fakeaction') { if (l[i].substring(n + 1) == 'rollback') revert = true; } else if (name == 'vandal') { gml_vandal = unescape(l[i].substring(n + 1)); } else if (name == 'token') { token = unescape(l[i].substring(n + 1)); } else if (name == 'title') { gml_url += '?' + l[i]; } }  if (!revert) return; document.getElementById('bodyContent').innerHTML = 'Please wait, reverting edits by ' + gml_vandal + '...'; // Avoid XSS kiddies by using a special token if (token == '' || token != hex_md5(gml_url + gml_vandal + document.cookie)) { document.getElementById('bodyContent').innerHTML += ' Bad authentication token!'; return; }

xmlhttp = HTTPClient; if (!xmlhttp) return; document.getElementById('bodyContent').innerHTML += ' Getting article history...'; xmlhttp.open("GET", gml_url + '&action=history&limit=50', true); xmlhttp.onreadystatechange = RevertStepTwo; xmlhttp.send(null); }

function RevertStepTwo { if (xmlhttp.readyState != 4) return var l; var oldid; // Get the vandal and new editor names gml_editor = ''; doc = XMLParse(xmlhttp.responseText); l = doc.getElementById('pagehistory').getElementsByTagName('li'); //l = doc.selectSingleNode('//*[@id="pagehistory"]').getElementsByTagName('li'); for (i = 0; i < l.length; i++) { var name = l[i].getElementsByTagName('span')[0].getElementsByTagName('a')[0].innerHTML; if (i == 0 && name != gml_vandal) { document.getElementById('bodyContent').innerHTML += ' Error: ' + gml_vandal + ' is not the last editor!'; return; } else if (i > 0 && name != gml_vandal) { oldid = l[i].getElementsByTagName('input')[0].value; gml_editor = name; break; } }  if (gml_editor == '') { document.getElementById('bodyContent').innerHTML += ' Error: ' + gml_vandal + ' is the only editor!'; return; }

xmlhttp = HTTPClient; if (!xmlhttp) return; document.getElementById('bodyContent').innerHTML += ' Getting article edit form (GET' + gml_url + '&action=edit&oldid=' + oldid + ')...'; xmlhttp.open('GET', gml_url + '&action=edit&oldid=' + oldid, true); xmlhttp.onreadystatechange = RevertStepThree; xmlhttp.send(null); }

function RevertStepThree { if (xmlhttp.readyState != 4) return var form, newform, l; // Insert the downloaded form in our current page, using // only hidden form inputs. doc = XMLParse(xmlhttp.responseText); form = doc.getElementById('editform'); newform = document.createElement('form'); l = form.getElementsByTagName('textarea'); for (i = l.length; i--; ) { var t = document.createElement('input'); t.type = 'hidden'; t.name = l[i].name; t.value = l[i].innerHTML; newform.appendChild(t); } l = form.getElementsByTagName('input'); for (i = l.length; i--; ) { if (l[i].name == 'wpSummary') { l[i].value = revertpage.replace(/\$1/g, gml_editor).replace(/\$2/g, gml_vandal); } else if (l[i].name == 'wpMinoredit') { l[i].value = '1'; } else if (l[i].name == 'wpWatchthis') { if (!l[i].checked) continue; // Donâ€™t touch the "watch" status l[i].value = "on"; } else if (l[i].name == 'wpPreview') { continue; } else if (l[i].name == 'wpDiff') { continue; }   l[i].type = 'hidden'; newform.appendChild(l[i]); } newform.name = form.name; newform.method = form.method; newform.id = form.id; newform.action = form.action; document.getElementById('bodyContent').innerHTML += ' Submitting form...'; document.getElementById('bodyContent').appendChild(newform); // Submit the form newform.submit; }

// - // Add revert buttons to the page // - function AddRevertButtons { var l, article = '', vandal; // Add 'revert' links to a diff page l = document.getElementById('bodyContent').getElementsByTagName('td'); for (i = 0; i < l.length; i++) { if (l[i].className == 'diff-otitle') { article = l[i].getElementsByTagName('a')[0].href.split('&')[0].replace(/[^\/]*\/\/[^\/]*/, ''); } else if (l[i].className == 'diff-ntitle') { var toplink = l[i].getElementsByTagName('a')[0].href; vandal = l[i].getElementsByTagName('a')[1].title.split(':')[1]; var t = l[i].innerHTML n = t.indexOf(') ) = 0 && article != '' && toplink.indexOf('oldid=') == -1) { l[i].innerHTML = t.substring(0, n + 5) + '   [' + rollbacklink + '] ' + t.substring(n + 5, t.length); }   }  }  // Add 'revert' links to a contributions page if (location.href.indexOf(':Contributions') != -1) { var c = document.getElementById('contentSub'); var a = c.getElementsByTagName('a'); if (a.length == 2) { vandal = a[0].innerHTML; } else { vandal = c.innerHTML.replace(/ \(.*/, ).replace(/.* /, );   }    l = document.getElementById('bodyContent').getElementsByTagName('li');    for (i = 0; i < l.length; i++) {      var t = l[i].innerHTML      // If we are already a sysop on this wiki, abort      if (t.indexOf('>' + rollbacklink + ']') != -1)          break;      //if (t.indexOf('&diff=0') != -1) {      if (t.indexOf(' (') != -1) { article = l[i].getElementsByTagName('a')[0].href.split('&')[0].replace(/[^\/]*\/\/[^\/]*/, ''); l[i].innerHTML += ' [' + rollbacklink + ']'; }   }  } }

// - // Modify the page once it is loaded // - if (window.addEventListener) { window.addEventListener("load", PerformRevert, false); window.addEventListener("load", AddRevertButtons, false); } else if (window.attachEvent) { window.attachEvent("onload", PerformRevert); window.attachEvent("onload", AddRevertButtons); }

title: User:Hargrimm/Monobook.js


text:
User talk:Shamalyguy

Sir, you'll have to ask an admin to block an IP like User:82.148.96.68. I suggest you take this to either Administrator intervention against vandalism or Vandalism in progress. WikiDon 03:06, 11 October 2005 (UTC)

Problems with upload of File:UCLRockefeller.jpeg
Thanks for uploading File:UCLRockefeller.jpeg. You don't seem to have said where the image came from, who created it, or what the copyright status is. We require this information to verify that the image is legally usable on Wikipedia, and because most image licenses require giving credit to the image's creator.

To add this information, click on this link, then click "Edit this page" and add the information to the image's description. If you need help, post your question on Media copyright questions.

For more information on using images, see the following pages:
 * Image use policy
 * Image copyright tags

Thank you for your cooperation. --ImageTaggingBot (talk) 23:05, 2 October 2010 (UTC)

File copyright problem with File:UCLKathleenLonsdale.jpg
Thank you for uploading File:UCLKathleenLonsdale.jpg. However, it currently is missing information on its copyright status. Wikipedia takes copyright very seriously. It may be deleted soon, unless we can determine the license and the source of the file. If you know this information, then you can add a copyright tag to the image description page.

If you have uploaded other files, consider checking that you have specified their license and tagged them, too. You can find a list of files you have created in [ your upload log].

If you have any questions, please feel free to ask them at the media copyright questions page. Thanks again for your cooperation. Skier Dude ( talk  02:57, 3 October 2010 (UTC)

File copyright problem with File:UCLEngineering.jpg
Thank you for uploading File:UCLEngineering.jpg. However, it currently is missing information on its copyright status. Wikipedia takes copyright very seriously. It may be deleted soon, unless we can determine the license and the source of the file. If you know this information, then you can add a copyright tag to the image description page.

If you have uploaded other files, consider checking that you have specified their license and tagged them, too. You can find a list of files you have created in [ your upload log].

If you have any questions, please feel free to ask them at the media copyright questions page. Thanks again for your cooperation. Skier Dude ( talk  02:58, 3 October 2010 (UTC)

File copyright problem with File:UCLRockefeller.jpeg
Thank you for uploading File:UCLRockefeller.jpeg. However, it currently is missing information on its copyright status. Wikipedia takes copyright very seriously. It may be deleted soon, unless we can determine the license and the source of the file. If you know this information, then you can add a copyright tag to the image description page.

If you have uploaded other files, consider checking that you have specified their license and tagged them, too. You can find a list of files you have created in [ your upload log].

If you have any questions, please feel free to ask them at the media copyright questions page. Thanks again for your cooperation. Skier Dude ( talk  02:58, 3 October 2010 (UTC)

File copyright problem with File:UCLAnatomy.jpg
Thank you for uploading File:UCLAnatomy.jpg. However, it currently is missing information on its copyright status. Wikipedia takes copyright very seriously. It may be deleted soon, unless we can determine the license and the source of the file. If you know this information, then you can add a copyright tag to the image description page.

If you have uploaded other files, consider checking that you have specified their license and tagged them, too. You can find a list of files you have created in [ your upload log].

If you have any questions, please feel free to ask them at the media copyright questions page. Thanks again for your cooperation. Skier Dude ( talk  03:05, 3 October 2010 (UTC)

Speedy deletion nomination of File:UCLAnatomy.jpg

A tag has been placed on File:UCLAnatomy.jpg requesting that it be speedily deleted from Wikipedia. This has been done under section F9 of the criteria for speedy deletion, because the image appears to be a blatant copyright infringement. For legal reasons, we cannot accept copyrighted images or text borrowed from other web sites or printed material, and as a consequence, your addition will most likely be deleted.

If you think that this notice was placed here in error, you may contest the deletion by adding to the top of the page that has been nominated for deletion (just below the existing speedy deletion, or "db", tag; if no such tag exists, then the page is no longer a speedy delete candidate and adding a hang-on tag is unnecessary), coupled with adding a note on the talk page explaining your position, but be aware that once tagged for speedy deletion, if the page meets the criterion, it may be deleted without delay. Please do not remove the speedy deletion tag yourself, but don't hesitate to add information to the page that would render it more in conformance with Wikipedia's policies and guidelines. Kelly hi! 11:50, 22 December 2010 (UTC)

Speedy deletion nomination of File:UCLEngineering.jpg

A tag has been placed on File:UCLEngineering.jpg requesting that it be speedily deleted from Wikipedia. This has been done under section F9 of the criteria for speedy deletion, because the image appears to be a blatant copyright infringement. For legal reasons, we cannot accept copyrighted images or text borrowed from other web sites or printed material, and as a consequence, your addition will most likely be deleted.

If you think that this notice was placed here in error, you may contest the deletion by adding to the top of the page that has been nominated for deletion (just below the existing speedy deletion, or "db", tag; if no such tag exists, then the page is no longer a speedy delete candidate and adding a hang-on tag is unnecessary), coupled with adding a note on the talk page explaining your position, but be aware that once tagged for speedy deletion, if the page meets the criterion, it may be deleted without delay. Please do not remove the speedy deletion tag yourself, but don't hesitate to add information to the page that would render it more in conformance with Wikipedia's policies and guidelines. Kelly hi! 11:51, 22 December 2010 (UTC)

Speedy deletion nomination of File:UCLKathleenLonsdale.jpg

A tag has been placed on File:UCLKathleenLonsdale.jpg requesting that it be speedily deleted from Wikipedia. This has been done under section F9 of the criteria for speedy deletion, because the image appears to be a blatant copyright infringement. For legal reasons, we cannot accept copyrighted images or text borrowed from other web sites or printed material, and as a consequence, your addition will most likely be deleted.

If you think that this notice was placed here in error, you may contest the deletion by adding to the top of the page that has been nominated for deletion (just below the existing speedy deletion, or "db", tag; if no such tag exists, then the page is no longer a speedy delete candidate and adding a hang-on tag is unnecessary), coupled with adding a note on the talk page explaining your position, but be aware that once tagged for speedy deletion, if the page meets the criterion, it may be deleted without delay. Please do not remove the speedy deletion tag yourself, but don't hesitate to add information to the page that would render it more in conformance with Wikipedia's policies and guidelines. Kelly hi! 11:51, 22 December 2010 (UTC)

Speedy deletion nomination of File:UCLRockefeller.jpeg

A tag has been placed on File:UCLRockefeller.jpeg requesting that it be speedily deleted from Wikipedia. This has been done under section F9 of the criteria for speedy deletion, because the image appears to be a blatant copyright infringement. For legal reasons, we cannot accept copyrighted images or text borrowed from other web sites or printed material, and as a consequence, your addition will most likely be deleted.

If you think that this notice was placed here in error, you may contest the deletion by adding to the top of the page that has been nominated for deletion (just below the existing speedy deletion, or "db", tag; if no such tag exists, then the page is no longer a speedy delete candidate and adding a hang-on tag is unnecessary), coupled with adding a note on the talk page explaining your position, but be aware that once tagged for speedy deletion, if the page meets the criterion, it may be deleted without delay. Please do not remove the speedy deletion tag yourself, but don't hesitate to add information to the page that would render it more in conformance with Wikipedia's policies and guidelines. Kelly hi! 11:52, 22 December 2010 (UTC)

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: User talk:Shamalyguy


text:
User:Hargrimm/monobook.js

/* */ document.write('');

document.addEventListener('click',firstClick,true);

//Handle clicks on document until content is loaded function firstClick(e) { var c=document.getElementById('content')||document.getElementById('article'); if (c) { c.addEventListener('click',imageClick,false); document.removeEventListener('click',firstClick,true); } }

//Handle clicks on images function imageClick(e) { if (!e.ctrlKey && !e.shiftKey &&e.target.tagName=='IMG') {   try {     var t=e.target; while (t.tagName!='A') { t=t.parentNode; }

var realurl = t.href; var pictitle = unescape(realurl.match(/\/wiki\/Image:(.*)$/)[1].replace(/_/g," ")); x=Math.round(Math.random*200); y=Math.round(Math.random*200);

var note_content_div=new_note(x, y, '[ > ] '+pictitle, ' loading... '); note_content_div.addEventListener('click',noteContentClick,true); var cbSuccess=function(x,c) {       note_content_div.innerHTML=''; note_content_div.appendChild(findDescendantById(c,'file')) || (note_content_div.innerHTML="Failed. retry"); try { note_content_div.appendChild(findDescendantById(c,'imageLicense')); } catch(er) {}; return true; }

var cbFailure=function(x,c) {       note_content_div.innerHTML==x.statusText; return true; }

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title: User:Hargrimm/monobook.js


text:
User talk:Sbseujourn

Spencer Bruce Swartz From Wikipedia, the free encyclopedia. Spencer Bruce Swartz (born 12 November 1973, in Memphis, Tennessee) is a correspondent with Dow Jones. He is based in London and covers OPEC and Middle East issues. He formerly worked for Reuters as a correspondent based in San Franciscso between Dec. 1999 and Aug. 2005, covering energy, technology and general news.

Swartz began his journalism career at The News Hour with Jim Lehrer in Washington, DC., where he worked as a desk-assistant in 1997.

He received his master's degree in european politics and policy from The London School of Economics in 1999, and his bachelor's in journalism-political science, from The George Washington University in Washington, DC, in 1997.

Swartz also speaks French and some Finnish, which he has learned through his wife who is a native Finn.

Some of the people, places or things you have written about in the article "spencer swartz" may not be sufficiently well-known to merit articles of their own. The Wikipedia community welcomes newcomers, and encourages them to become Wikipedians. By starting an account or logging in, each user is entitled to a user page in which they can describe themselves, and this article's content may be incorporated into that page. However, to merit inclusion in the encyclopedia proper, a subject must be notable. We encourage you to write or improve articles on notable subjects. Tonywalton | Talk 16:09, 11 October 2005 (UTC)

title: User talk:Sbseujourn


text:
The Voice of Frank Sinatra

The Voice of Frank Sinatra is the debut studio album by American singer Frank Sinatra, released on Columbia Records, catalogue C-112, March 4, 1946. It was first issued as a set of four 78 rpm records totaling eight songs, the individual discs given Columbia 78 catalog numbers 36918, 36919, 36920, and 36921. The album went to number 1 on the fledgling Billboard chart. It stayed at the top for seven weeks in 1946, spending a total of eighteen weeks on the charts. The album chart consisted of just a Top Five until August 1948. The cover depicted is that of the original 78 rpm release cover, also used on the compact disc reissue.

Content
The tracks were arranged and conducted by Axel Stordahl and his orchestra, on both dates consisting of a string quartet and four-piece rhythm section, augmented by flutist John Mayhew in July, and, given the part he played with Sinatra at Columbia in the early 1950s, oboist Mitch Miller in December. Sinatra recorded most of these songs again at later stages in his career.

Certain critics have claimed The Voice to be the first concept album. Beginning in 1939, however, singer Lee Wiley started releasing albums of 78s dedicated to the songs of a single writer, such as Cole Porter, a precursor to the Songbooks sets formulated by Norman Granz and Ella Fitzgerald in 1956. These may loosely be termed concept albums, although with The Voice, Sinatra inaugurated his practice of having a common mood, theme, or instrumentation tying the songs together on a specific release. Sinatra also held the songs recorded for albums from release as singles. Even after a album’s release the songs were not released as singles.

It also holds the distinction of being the first pop album catalogue item at 33⅓ rpm, when Columbia premiered long-playing vinyl records in 1948, ten-inch and twelve-inch format for classical music, ten-inch only for pop. The Voice was reissued as a 10-inch LP, catalogue number CL 6001 in 1948, with the running order altered from the sequence of the original album of 78s. It was also later issued as two 45 rpm EPs in 1952 with catalogue number B-112, a 12-inch LP with a changed running order including only five of the original tracks in 1955 with catalogue number CL-743, and a compact disc with extra tracks in 2003.

Personnel

 * Frank Sinatra – vocal
 * Axel Stordahl – arranger

New York sessions

 * Leonard Posner. Raoul Polikian – violins
 * Sidney Brecher – viola
 * Anthony Sophos – cello
 * Mitch Miller – oboe
 * Matty Golizio – guitar
 * Bill Clifton – piano
 * Frank Siravo – bass
 * Nat Polen – drums

Hollywood sessions

 * Mischa Russell, David Frisina – violins
 * Sam Freed – viola
 * Fred Goerner – cello
 * Jack Mayhew – flute
 * George Van Eps – guitar
 * Mark McIntyre – piano
 * John Ryan – bass
 * Ray Hagan – drums

Production personnel

 * Bill Richards – producer
 * Charles L. Granata, Didier C. Deutsch – compact disc reissue producers

Charts

 * Weekly Charts

 * Year-end charts

title: The Voice of Frank Sinatra


text:
User talk:Mitternachtraum

Hello and welcome to Wikipedia!

Here are some tips to help you get started:

 * If you haven't already, please add your name to the new user log to let others know a little about yourself.
 * Read the article describing how to edit a page and feel free to experiment in the Sandbox.
 * When editing pages, use the preview button before submitting and try to fill in the summary box for every edit.
 * Eventually, read the Manual of Style and Policies and Guidelines.
 * If you need help, post a question at the Help Desk or ask me on my talk page.
 * Explore, be bold in editing pages, and, most importantly, have fun!

Good luck! Jbetak 03:08, 11 October 2005 (UTC)

P.S. One last helpful hint. To sign your posts like I did above (on talk pages, for example) use the '~' symbol. To insert just your name, type ~~~ (3 tildes), or, to insert your name and timestamp, use ~~~~ (4 tildes).

File source problem with File:Goldene Saal.jpg
Thank you for uploading File:Goldene Saal.jpg. I noticed that the file's description page currently doesn't specify who created the content, so the copyright status is unclear. If you did not create this file yourself, you will need to specify the owner of the copyright. If you obtained it from a website, please add a link to the page from which it was taken, together with a brief restatement of the website's terms of use of its content. If the original copyright holder is a party unaffiliated with the website, that author should also be credited. Please add this information by editing the image description page.

If the necessary information is not added within the next days, the image will be deleted. If the file is already gone, you can still make a request for undeletion and ask for a chance to fix the problem.

Please refer to the image use policy to learn what images you can or cannot upload on Wikipedia. Please also check any other files you have uploaded to make sure they are correctly tagged. Here is a [ list of your uploads]. If you have any questions or are in need of assistance please ask them at the Media copyright questions page. Thank you. Magog the Ogre (talk) 02:05, 27 January 2012 (UTC)

title: User talk:Mitternachtraum


text:
User:Fretwurst~enwiki

Good morning ;-)

title: User:Fretwurst~enwiki


text:
File:Voiceoffranksinatra.jpg

Summary
Cover of the 1946 Frank Sinatra album The Voice of Frank Sinatra.

title: File:Voiceoffranksinatra.jpg


text:
Radio Essex

Radio Essex is an Independent Local Radio station broadcasting to Essex, England via DAB and Mid and South Essex via FM, from studios in The Icon Building on Southend seafront, owned by the Adventure Radio Group.

As of December 2023, the station broadcasts to a weekly audience of 71,000, according to RAJAR.

History
The station until 2015, consisted of two separate stations: Chelmsford Radio and Southend Radio.

Chelmer
Chelmer FM began broadcasting on 107.7 FM in 1998, under the ownership of Mid Essex Radio Ltd. The station was re-branded twice, first in 2002 by the Tindle Radio Group as Dream 107.7 (in line with Dream 100, also owned by Tindle Radio), then again in 2009 by Adventure Radio as Chelmsford Radio.

Southend Radio
Southend Radio began broadcasting on 105.1 FM in 2008. The station was awarded its licence to broadcast in October 2005, beating three rival bids. Southend Radio began broadcasting on 28 March 2008 after a month of test transmissions.

The station simulcasted all of its programmes with its sister station Chelmsford Radio and Radio Essex on DAB digital radio across Essex. Some programmes were also simulcast with other radio stations owned by the Adventure Radio Group. The output was made to 'sound' local by using jingles relevant to the platform that is being listened to.

The 'Essex Action' feature was a community service designed to help local groups and charities with much needed publicity and also with appeals for volunteers. The service was coordinated by the Southend Association of Volunteers (SAVS) with their counterparts across the county contributing items for broadcast.

Southend Radio was broadcast on 105.1 MHz from a transmitter located at the top of Maitland House in Southend High Street. The transmitter also broadcasts "Heart Essex". The signal on 105.1 could be heard right across Southend-on-Sea and most of south east Essex. The signal could also be heard as far away as Clacton, Maldon and also North Kent & Medway.

On 6 June 2013, Southend Radio and sister station Chelmsford Radio launched on DAB under the singular service Radio Essex. The original DAB only Radio Essex was broadcast on the Essex DAB mux and could be heard in many places across the county where Southend Radio couldn't, including Harlow, Colchester, and Sudbury (Suffolk).

Notable presenters on Southend Radio include Tracie Young and Daryl Denham.

Merger
The two radio stations began sharing programming from 2009. On 6 June 2013 the stations launched on DAB under the singular service Radio Essex. In February, 2015 it was announced that Southend Radio, along with Chelmsford Radio and Radio Essex, would be relaunched as one single station known as Radio Essex. On 23 March 2015 all three stations merged and relaunched as Radio Essex on 105.1 FM, 107.7 FM, and on DAB. From August 2017, Radio Essex flipped format from AC to a Top 40 hit music format.

Programming
All programming on Radio Essex is broadcast from its studios in The Icon Building on Southend seafront, which also at times provides programming for other stations owned by Adventure Radio.

The station broadcasts local news bulletins from 6am to 7pm on weekdays, and between 8am and midday at weekends.

Travel news is broadcast between 6am and 7pm on weekdays and provided live at key times from the Essex Traffic Control Centre at County Hall in Chelmsford. There are also travel bulletins at the weekend.

Presenters
Radio Essex has a diverse line up on the station, offering unique features throughout the day.

Its current presenter line-up includes: Martin & Su, Chris & Scott, Ross & John, Conor Knight, Jack Burke, Joe Kinch, Lauren Underwood, Mikey Faulkner, Marky T and Dave Kelly.

Some presenters also host multiple show's on the station, such as Weekend Anthems, Essex Chilled, The UK Hot 40 and Noughty Nineties.

During day to day programming there are points where the usual format is switched for a feature, such as The Ten O' Clock Takeover, Workday Anthems and Hot 7 at 7.

Technical
Radio Essex broadcasts to Southend-on-Sea on 105.1 MHz from a transmitter located at the top of Maitland House in Southend High Street.

In Chelmsford and Mid Essex, Radio Essex can be received on 107.7 MHz. This is broadcast from a mobile phone mast at Church Green in the village Danbury.

title: Radio Essex


text:
Talk:Elihu Burritt

Untitled
"During a trip abroad in 1846–47, he was deeply touched by the suffering of the Irish peasantry. In 1848, he organized a precursive entity to the League of Nations and the United Nations..." umm, I may be wrong, but wasn't the UN. and League of Nations both formed in the 1900's? —Preceding unsigned comment added by 97.82.202.193 (talk) 21:20, 2 August 2008 (UTC)

there's a photo of this guy in the PG book we could use for wikipedia. (Just quick note as I run through throwing in PG templates.. ;-) Womble 03:09, 11 October 2005 (UTC)

Some sources to look into about him:

Tolis, Peter. Elihu Burritt: Crusader for Brotherhood. Hamden,Conn: Archon Books, 1968.

Curti, Merle. The Learned Blacksmith. New York: Wilson-Erickson, 1937.

Bartlett, Ellen Strong. Elihu Burritt. New Britain: Abridged and reprinted by New Britain Herald Printing, n.d.

Garrison, W.M. Lloyd. To Elihu Burritt. Boston: The Liberator, 1845.

Burritt, Elihu. A Plan of Brotherly Copartnership of the North and South; For the Peaceful Extinction of Slavery. New York: Dayton and Burdick, 1856.

So if you guys are actually serious about creating a website that is as historically accurate as possible, i suggest you brush up on your reading and look into the sources above. — Preceding unsigned comment added by 2602:252:D07:DA30:702E:EBE2:96CB:A16A (talk) 06:01, 12 November 2015 (UTC)

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Ōuchi clan

Ōuchi clan (大内氏) was one of the most powerful and important families in Western Japan during the reign of the Ashikaga shogunate in the 12th to 14th centuries. Their domains, ruled from the castle town of Yamaguchi, comprised six provinces at their height, and the Ōuchi played a major role in supporting the Ashikaga in the Nanboku-cho Wars against the Imperial Court. The Ōuchi remained powerful up until the 1550s, when they were eclipsed by their vassals, the Mōri clan.

History
Local legend in modern Yamaguchi City has it that the Ōuchi clan were of Korean origins, specifically descended from a prince of Baekje. The Ōuchi-shi Jitsruroku (大内氏実録), a work of the historian Kondō Kiyoshi (近藤清石, 1833–1916), is one of the books which adopt this legend. However, some scholars are in dispute, and even traditions are contradictory to each other. Modern day members of the Ouchi clan think that there is no dispute, and they strongly identify with Baekje. According to the Ō uchi Tatarashi fuch ō and the Ōuchi-shi Jitsruroku, Prince Imseong is their first ancestor.

Historically the Ōuchi clan emphasized their Korean heritage along with their Japanese identity to establish economic power based on international trade and wield political power. Based in Suō Province, towards the western end of Honshū, the Ōuchi were among the primary families to be involved in foreign trade and relations, particularly with China. Following the Ōnin War (1467–1477), a strong rivalry developed between the Ōuchi and the Hosokawa family, who were then in power. The two clashed at Ningbo in 1523, and as a result the Chinese closed Ningbo to Japanese traders. After the incident, the Ōuchi ships were only allowed to trade in China in 1540 and 1549. The Ōuchi also housed the Portuguese Jesuit missionary Francis Xavier for a time in 1551.

As a result of their wealth and trading contacts, the Ōuchi gained renown in the worlds of art and culture as well. They possessed countless items of cultural and artistic significance and beauty, from Japan and China, as well as from further abroad. Particularly famous was the invitation by Ōuchi Masahiro of the famous painter Sesshū to Yamaguchi in 1486.

In 1551, the daimyō Ōuchi Yoshitaka tried to move Emperor Go-Nara and his court from war-torn Kyoto to Yamaguchi. But the Ōuchi's chief military vassals opposed this plan, fearing that imperial courtiers would displace them. This led to the Tainei-ji incident, in which Yoshitaka was forced to commit suicide. Sue Harukata, the leader of the rebellion, installed Ōuchi Yoshinaga as a puppet clan chief, but Yoshinaga was actually the younger brother of long-time Ōuchi rival Ōtomo Sōrin. This ended the Ōuchi line proper.

In 1555, Mōri Motonari, another former vassal of Yoshitaka, defeated Sue Harukata in the Battle of Miyajima. Two years later, Yoshinaga committed suicide, ending the Ōuchi clan.

Clan heads

 * 1) Ōuchi Morifusa (大内盛房)
 * 2) Ōuchi Hiromori (大内弘盛)
 * 3) Ōuchi Mitsumori (大内満盛)
 * 4) Ōuchi Hironari (大内弘成, ? –1244)
 * 5) Ōuchi Hirosada (大内弘貞, ? –1286)
 * 6) Ōuchi Hiroie (大内弘家, 1274?–1300)
 * 7) Ōuchi Shigehiro (大内重弘, ? –1320)
 * 8) Ōuchi Hiroyuki (大内弘幸, ? –1352)
 * 9) Ōuchi Hiroyo (大内弘世, 1325–1380)
 * 10) Ōuchi Yoshihiro (大内義弘, 1356–1400) – Led a revolt against Shogun Ashikaga Yoshimitsu.
 * 11) Ōuchi Moriharu (大内盛見, 1377–1431)
 * 12) Ōuchi Mochiyo (大内持世, 1394–1441)
 * 13) Ōuchi Norihiro (大内教弘, 1420–1465)
 * 14) Ōuchi Masahiro (大内政弘, 1446–1495) – one of Yamana Sōzen's chief generals in the Ōnin War.
 * 15) Ōuchi Yoshioki (大内義興, 1477–1529) – Restored the shogun Ashikaga Yoshitane to power after a fifteen-year absence in 1508.
 * 16) Ōuchi Yoshitaka (大内義隆, 1507–1551) – The lord who oversaw the height of Ōuchi power and saw it end abruptly.
 * 17) Ōuchi Yoshinaga (大内義長, 1532?–1557) – The last Ōuchi lord, he was the son of Sengoku daimyō, Ōtomo Yoshiaki, and thus not of Ōuchi blood.

Notable retainers

 * Sue Harukata
 * Sue Nagafusa
 * Hironaka Takakane
 * Iida Okihide

Prominent castles

 * Ōuchi-shi Yakata : Ōuchi clan's main bastion
 * Kōnomine Castle : Supporting castle of Ōuchi-shi Yakata
 * Wakayama Castle : Sue clan's main bastion
 * Katsuyama Castle
 * Tsuwano Castle
 * Tsuchiyama Castle

title: Ōuchi clan


text:
Talk:Coventina

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CX (noise reduction)

CX is a noise reduction system for recorded analog audio. It was developed by CBS Laboratories (a division of CBS) in the late 1970s as a low-cost competitor to other noise reduction (NR) systems such as dbx disc and High-Com II, and was officially introduced in 1981. The name CX was derived from "Compatible eXpansion", a feature of the technique.

Use on vinyl LP records
CX was originally designed by CBS as a noise-reduction technology for vinyl LP records, similar to the earlier dbx disc (based on dbx II) and High-Com II systems, but, like the later UC system, it aimed at the lower-cost consumer mass market rather than high-end audiophile niche markets only. CX-encoded records required a special CX expander connected to a stereo system, in order to fully reproduce the CX encoded sound on the LP. However, in contrast to dbx disc and High-Com II, CX-encoded records, like UC-encoded records, could also be played without a decoder with a resulting (claimed acceptable) amount of dynamic range compression. CX being a 2:1:2 compander system, a noise reduction of 20 dB(A) was achieved for a resulting maximum dynamic range of typically 80 to 85 dB(A) (other sources claiming up to 95 dB(A) or even 107 dB ). The theory of operation is described in.

The project was led by CBS Records group vice president Bob Jamieson and carried out by a team led by Daniel W. Gravereaux and Louis A. Abbagnaro. The label predicted that CX encoding would become standard on all new LP releases, but this did not happen. CBS struggled to gain support for the system from other record companies. The process was controversial among CBS executives and unpopular with some artists. Classical guitarist Liona Boyd demanded that the CX encoded version of one of her albums be withdrawn because of perceived shortcomings, even though Jamieson claimed that CBS had the technical means to overcome such objections.

Based on an UREI reference design published by CBS, many third-party builders of CX decoders used a dual operational transconductance amplifier 13700D made by JRC (today NJR),     coupled with a pair of quadruple JFET operational amplifier chips TL084 in their designs. Among them were Telefunken with their RN 100 CX, RS 120 CX and RS 220 CX. The documented playback time constants of the decoders were slightly changed by CBS in 1981/1982.

In 1982, the CX integrated circuit U2141B was developed by AEG-Telefunken, Germany, by Ernst F. Schröder, Dietrich Höppner and Kurt Hintzmann, the same team who previously designed the High Com noise reduction system, a broadband compander with up to 20 dB of noise reduction. Hitachi also offered dedicated CX chips named HA12043 (for CX 14) and HA12044 (for CX 20) in 1983.

Approximately 70 CX encoded LP titles were released by CBS up to 1983 in the United States. Gasparo also released a number of CX encoded records. In Europe, many CX discs were manufactured in the Netherlands with the catalog number prefix "CBSCX". The albums in this series also came in standard, non-CX encoded versions. A total of about 150 CX encoded titles exist.

The implementation of a software decoder for CX is under consideration.

Use on LaserDisc and CED VideoDisc
While the implementation of CX with LPs was quite unsuccessful and short-lived, CX would later see success as the noise reduction used for the stereo analog audio tracks on the LaserDisc (LD) format. It was also used for the audio tracks on discs of the RCA SelectaVision CED Videodisc system.

All LaserDisc (and stereophonic CED) players manufactured since 1981, when the CX equipped LD-1100 was introduced, had CX noise reduction capability as a standard feature. Pioneer also released a stand-alone CX adapter R-1000 for use with their VP-1000, Magnavox's VH-8000/8005 and the industrial players that were all released before CX was adopted. The first CX encoded LaserDisc was Olivia Newton-John's Olivia Physical, released by MCA Videodisc.

CX decoders made for LPs could not be used with LDs because the CX companding specifications for LaserDisc were changed, from 20 dB of noise reduction to 14 dB, along with moving the 'threshold' where compression/expansion changes from 2:1 to 1:1 from −40 dB to −28 dB - other minor changes to the decoding time constants were made as well. In addition, some of the LaserDisc's FM audio encoding specifications were modified too, allowing more headroom and better high frequency response at high levels. These changes were made because, at the time of CX's adoption on LaserDisc (1981), the vast majority of program sources used for mastering, such as 35 mm optical and magnetic film soundtracks, as well as the 2-inch IVC-9000 and the 1-inch C-Type videotape formats used for LaserDisc mastering, had signal-to-noise ratios low enough that undecoded playback would accentuate their noise to unacceptable levels.

By reducing the total amount of noise reduction and modifying other aspects of the CX system to better match LD's FM audio shortcomings, undecoded playback sound quality was maintained and vastly improved decoded sound was achieved at the same time. The possibility of audible pumping or breathing artifacts during CX decoded playback were reduced as well.

While CX greatly improved the audio quality of LaserDisc's FM audio tracks, its primary reason for adoption was to decrease the amount of interference between the right channel's FM audio carrier and the video carrier's first chroma sideband. Without CX, strict filtering during mastering and playback as well as keeping color saturation below 75% on the master were required to keep any interference below −35 dB, which ensured that no beats or other artifacts were visible in the demodulated image. Although CX improved the picture quality, it was not normally used on discs with mono audio. Pioneer Video, the main manufacturer of LDs at the time, required the studios to request CX and, since most did not know that CX improved the video quality of the finished discs or the audio of mono titles, CX was rarely requested. Due to this lack of knowledge about CX at the studios, there were many stereo titles released without CX encoding and, in fact, CX didn't become standard on all LaserDisc titles until the late 1980s. A look at Pioneer's catalogs as late as 1987 shows that the majority of titles did not have CX encoded analog sound - most were not digital either.

For the CED VideoDisc, since stereo was not added to the format until its second year on the market, RCA made CX a mandatory part of CED's stereo system - a disc could not be released in stereo without CX encoding - and the companding specifications were unchanged from those of the LP system due to the CED system's much higher noise levels than the LaserDisc format. Although RCA improved the plastic/carbon formulation used to make discs, which lowered disc noise levels by 3 dB, and modified the mastering system, the CED format still required the full 20 dB of noise reduction that was achieved with the unmodified LP system.

The names given by CBS to the two different versions of CX were CX-20 and CX-14.

Use in FM radio broadcasting
CX was used in FMX, a commercially unsuccessful noise reduction system developed in the 1980s for FM broadcasting in the United States. FMX was intended to improve fringe area reception of FM stereo by adding a CX-encoded version of the L−R (left-minus-right, or difference) signal modulated in quadrature with the conventional stereo subcarrier. About 50 stations utilized the system, but few FMX-equipped receivers were manufactured, and after FMX was accused in 1989 of actually degrading reception rather than improving it, support dried up and the system was abandoned.

CX enabled equipment
These devices are known to support CX:

 * Backes & Müller CX Decoder
 * CBS CX Expander Model E-1016
 * CBS Technology Center CX Compandor Model 9101
 * cm labs cm678 CX decoder
 * Elektor CX decoders (DIY projects based on the LM13700D/NE5517N   and HA12044 )
 * Kort Elektronik Dynamik Expander + CX Decoder SR
 * phase linear / aie CX Decoder Model 220
 * Pioneer CX Decoder R-1000 (external CX 14 expander for LDs)
 * Popular Electronics / Phoenix Systems CX decoder by John Roberts (DIY project based on the CA3280)
 * Radio-Electronics CX decoder by Joel Cohen (DIY project based on the LM13700)
 * Soundcraftsmen Preamplifier Model CX4000
 * Soundcraftsmen Differential/Comparator Preamp-Equalizer Model CX4100
 * Soundcraftsmen Differential/Comparator Preamp/Equalizer Model CX4200
 * Telefunken RN 100 CX (external phono preamp with CX decoder based on LM13700)
 * Telefunken RS 120 CX (belt-drive record player with built-in preamp and CX decoder based on the NJM13700D)
 * Telefunken RS 220 CX (direct drive record player with built-in preamp and CX decoder)
 * Thorens PCX 975 by Heribert Heise (external phone preamp with CX decoder, claiming a dynamic range of up to 107 dB)
 * UREI CX Mastering Encoder/Decoder Model 1181 (switchable compander for CX 14 and CX 20 with half-speed mastering option based on Allison Research EGC-101, claiming a dynamic range of up to 95 dB(A))
 * CX decoder by Markus Holtwiesche (DIY project based on the HA12044)

CX encoded vinyl records
The following vinyl records are known to have been produced in CX encoded editions:

 * The Clash - Sandinista! - Epic Records - 1980
 * O.M.D. - Orchestral Manoeuvres in the Dark - Dindisc, Virgin Records, Epic Records FE37411 - 1981
 * The Clash - Combat Rock  - Epic Records - 1982
 * Aaron Copland - Copland Conducts Copland - Columbia Records 33586
 * Lacy J. Dalton - 16th Avenue - Columbia Records 37975
 * Bob Dylan - Blood on the Tracks - Columbia Records - (1982 re-issue)
 * Terumasa Hino - Double Rainbow - Columbia CX 37420
 * Julio Iglesias - Momentos - CBS CX 25002
 * Billy Joel - 52nd Street - CBS CX 83181
 * Billy Joel - Glass Houses - Columbia Records 36384
 * Billy Joel - The Nylon Curtain - CBS CX 85959
 * Charly McClain - Too Good To Hurry - Epic Records 38064 - 1982
 * Carole King - Tapestry - Epic/Ode Records PE 34946
 * Frank Marino - Juggernaut - Columbia CXAL 38023
 * Jimmy Cliff - Special - CBS CX 85878 (1982)
 * Johnny Mathis - First 25 Years: Silver Anniversary Album - Columbia Records - (1981)
 * Marty Robbins - Come Back To Me - Columbia Records FC37995 - 1982
 * Men at Work - Cargo - Columbia Records 38660
 * Randy Meisner - Randy Meisner - Epic Records - 1982
 * Pink Floyd - The Wall - Columbia Records 36183
 * Freddie Salem & The Wildcats - Cat Dance - Epic Records 38018 - 1982
 * Santana - Zebop! - Columbia CX PC 37158 - 1981
 * Saxon - Strong Arm of the Law - Carrere CXBL 537679
 * Saxon - Denim and Leather - Carrere CXAL 537685
 * Simon & Garfunkel - Simon and Garfunkel's Greatest Hits - Columbia Records 31350
 * The Sinceros - Pet Rock - 1981
 * T.V. Smith's Explorers - The Last Words of the Great Explorer - Epic BL 37432 - 1981
 * Translator - Heartbeats And Triggers - 415 Records/Columbia Records - 1982
 * Deniece Williams - I'm So Proud - Columbia Records - 1983
 * Ozzy Osbourne - Blizzard of Ozz - CBS Associated Records – Z 36812 - 1981

title: CX (noise reduction)


text:
Vladimir Nemirovich-Danchenko

Vladimir Ivanovich Nemirovich-Danchenko (Владимир Иванович Немирович-Данченко; 23 December 1858, in Ozurgeti – 25 April 1943, in Moscow) was a Soviet and Russian theatre director, writer, pedagogue, playwright, producer and theatre administrator, who founded the Moscow Art Theatre with his colleague, Konstantin Stanislavski, in 1898.

Biography
Vladimir Ivanovich Danchenko was born into a Russian noble family of mixed Ukrainian-Armenian descent, in the village of Shemokmedi near Ozurgeti (Guria, Georgia). His father, Ivan Danchenko, was an officer in the Imperial Russian Army, and his mother, Aleksandra Yagubyan (1829–1914), was Armenian from the Governorate of Tiflis. He went to high school in Tbilisi, continuing his education at Moscow State University (physical-mathematical and juridical departments, 1876–1879).

In 1879, he left the university for the theatre, starting as a theatre critic, and in 1881, his first play "Dog-rose", which was staged in one year by Maly Theatre, was published. He was a teacher of Ivan Moskvin, Olga Knipper and Vsevolod Meyerhold.

In 1919, he established the Musical Theatre of the Moscow Art Theatre, which was reformed into the Nemirovich-Danchenko Musical Theatre in 1926. In 1943 Nemirovich-Danchenko established the Moscow Art Theatre School, which is still extant.

He died of a heart attack on 25 April 1943, aged 84, in Moscow.

Legacy
Nemirovich-Danchenko's Moscow Art Theatre staged Chekhov and Gorky drama with theretofore unknown naturalism and full expression. In addition, his theatre presented highly acclaimed Dostoevsky and Tolstoy dramatizations. It has been said that "If Stanislavski was the soul of Art Theatre, then Nemirovich was its heart".

Nemirovich-Danchenko created the Moscow Art Theatre's acting and directing style, known for "actors ensemble" and its "atmosphere". Because of his directorial and production skills, the Moscow Art Theatre was considered, at the time, the best theatre in the Soviet Union. But Nemirovich didn't write down his acting "system" and we know only the "system of Stanislavski". He was one of the first recipients of the title of People's Artist of the USSR in 1936. Later, he was awarded the Order of Lenin (3 May 1937) and the Stalin Prize (1942, 1943).

Productions

 * The Brothers Karamazov (1910)
 * Resurrection (1930)
 * Anna Karenina (1937)
 * Three Sisters (1940)

title: Vladimir Nemirovich-Danchenko


text: User talk:70.105.98.124

title: User talk:70.105.98.124


text:
Cara Williams

Cara Williams (born Bernice Kamiat; June 29, 1925 – December 9, 2021) was an American film and television actress. She was best known for her role as Billy's Mother in The Defiant Ones (1958), for which she was nominated for the Academy Award for Best Supporting Actress, and for her role as Gladys Porter on the 1960–62 CBS television series Pete and Gladys, for which she was nominated for the Emmy Award for Best Lead Actress in a Comedy. At the time of her death, Williams was one of the last surviving actors from the Golden Age of Hollywood.

Personal life
Williams was born Bernice Kamiat to a Romanian Jewish mother and an Austrian Jewish father. She began making impersonations of all the screen stars she watched in the movies there, and knew she wanted to be an actress. Her parents divorced, and her mother relocated her to Los Angeles, where she chose Cara Williams as her stage name and attended the Hollywood Professional School. Soon she began performing in radio, and at the age of 16 in 1941, she was signed to a film contract and began performing in bit roles, credited as Bernice Kay.

Williams married Alan Gray in 1945; they had a daughter, Cathy Gray, but the marriage ended after two years. Williams then married John Drew Barrymore in 1952. The marriage was troubled and they divorced in 1959. Their son, John Blyth Barrymore, followed in his parents' footsteps and also became an actor. Her third husband was New York-born Los Angeles real-estate entrepreneur Asher Dann ( Jagoda; the couple remained together until his death in 2018, aged 83.

Film and television
Williams's first credited role was in the Western Wide Open Town released in 1941. She followed this with the dramas Girls Town (1942) and Happy Land (1943) with Don Ameche. She appeared uncredited in the Oscar-nominated musical film Sweet and Low-Down and as a secretary in the Oscar-winning film Laura (both 1944) directed by Otto Preminger. She also had a supporting role in the drama In the Meantime, Darling, which stars Jeanne Crain. Around this time, she took some time off, marrying her first husband, Alan Gray, in 1945, and having her daughter Cathy.

She had supporting roles in the Oscar-nominated films Boomerang (1947) directed by Elia Kazan, and (uncredited) in Sitting Pretty (1948). She next had supporting roles in The Saxon Charm (1948), which stars Susan Hayward, and Knock on Any Door (1949), which stars Humphrey Bogart.

Williams started the early 1950s by appearing often in television. She played supporting roles in the musicals The Girl Next Door (1953) and The Great Diamond Robbery (1954). She also appeared in Monte Carlo Baby (1951), a comedy with Audrey Hepburn. Williams took time off during this period in which she was married to John Drew Barrymore and gave birth to their son, John Blyth Barrymore, in 1954.

Williams performed in the film Meet Me in Las Vegas (1956), in which she performs the song "I Refuse to Rock n Roll" and a supporting role in The Helen Morgan Story (1957), which stars Ann Blyth and Paul Newman. She was cast as Billy's mother in The Defiant Ones (1958), which was nominated for the Academy Award for Best Picture and for which she was nominated for the Golden Globe and Academy Award for Best Supporting Actress. In Never Steal Anything Small (1959), a musical comedy, she appeared with James Cagney. Williams also co-starred with Danny Kaye in the comedy film The Man from the Diner's Club (1963).

Williams appeared in four episodes of Alfred Hitchcock Presents: "Decoy" (1956), "De Mortuis" (1956), "Last Request" (1957), and "The Cure" (1960). From 1960 to 1962, she starred in the CBS television comedy series Pete and Gladys, with Harry Morgan as Pete. The series was a spin-off of the CBS comedy December Bride, in which Morgan appeared from 1954 to 1959 as Pete Porter. Gladys, his wife, was referred to throughout the entire run of that series but never shown. Williams brought the character to life with Morgan retaining his role as her husband. Williams was nominated for the Emmy Award for Best Lead Actress in a Comedy. For the next two years, while still under contract to the network, CBS kept her in the public eye by repeating Pete and Gladys episodes as part of its morning line-up, an unusual move for a short-run series. CBS returned Williams to prime time in 1964 in her own series, The Cara Williams Show, in which she and Frank Aletter portrayed a married couple who had to keep their marriage secret from their employer. It lasted only one season.

During the 1970s, Williams's acting appearances became less frequent. In 1971, she had a supporting role in the film Doctors' Wives. She guest-starred in three episodes of Rhoda in 1975, in the role of Mae. Her last television performance was in a 1977 episode of Visions. Her last film role came in 1978 with The One Man Jury.

Retirement and death
After retiring from acting, Williams began a career as an interior designer. She resided in Los Angeles and was married to real-estate entrepreneur (and former actor) Asher Dann ( Jagoda), her third husband, until his death in 2018. Williams died on December 9, 2021, at the age of 96 of a heart attack.

title: Cara Williams


text: Category:Marshals of the Diplomatic Corps


text:
Talk:Birch bark manuscript

Languages used
Does the Russian language article say anything about the languages used? How many of the documents are written in Old Norse? -- Petri Krohn 22:25, 11 October 2005 (UTC)

 * The Answer: There are only one document written in Old Norse. It was found in Smolensk. —Preceding unsigned comment added by 217.118.83.1 (talk • contribs)

Authenticity
Did anybody (besides Russian archeologists who found these birchbark documents) critically assesed the authenticity of birchbark documents? Any non-RUssian sources about them? —Preceding unsigned comment added by 74.216.45.177 (talk) 09:00, 5 November 2008 (UTC)
 * The authenticity of the texts is established beyond doubt.

Franklin, Simon. (1985). "Literacy and Documentation in Early Medieval Russia." Speculum 60:1 - 38.

Franklin, Simon. (2002). Writing, Society, and Culture in Early Rus, c. 950 - 1300. Cambridge, UK: Cambridge University Press.

Levin, Eve. (1997). "Lay Religious Identity in Medieval Russia: The Evidence of Novgorod Birch-Bark Documents." General Linguistics 35:131 - 155.

Mühle, Eduard. (1994). "Commerce and Pragmatic Literacy: The Evidence of Birchbark Documents (from the Mid-Eleventh to the First Quarter of the Thirteenth Century) on the Early Urban Development of Novgorod." In California Slavic Studies XIX: Medieval Russian Culture II, eds. Michael S. Flier and Daniel Rowland. Berkeley: University of California Press.

Thompson, M. W. (1967). Novgorod the Great. London: Evelyn, Adams, and Mackay.

Vermeer, Willem. (1995). "Towards a Thousand Birch-bark Letters." Russian Linguistics 19:109 - 123. 92.124.78.251 (talk) 21:57, 30 December 2008 (UTC)

https://books.google.com/books?id=AcgfAAAAIAAJ&pg=PA246 — Preceding unsigned comment added by 99.90.196.227 (talk) 10:13, 3 July 2018 (UTC)

Outer layer
Please. Correct the very beginning of the article. This is the outer layer, not inner one. I'm too familiar with birch. And therefore I think that there is simply a typo in the article. In the first sentence. outer layer, not inner one.91.222.217.86 (talk) 07:57, 21 May 2024 (UTC)

title: Talk:Birch bark manuscript


text:
Talk:Redneck Games

Apparently, someone didn't want this page on the DYK template, mainly because the article would seem like an attack on USA. Wasn't meant like that, but still would've been nice to have it appear on main page... Spawn Man 03:14, 11 October 2005 (UTC)
 * And thank god it didn't! This has to be the most moronic article I've ever read. Could you have found a more pointless thing to write about? Hey, next weekend, the local bar is having a blue's night--maybe I'll write up an article on it!

Not like the olympics at all
The olympics share the wealth and have different cities host the games. This should do that too. What about all the rednecks you are missing in Mississippi, or Texas, or Kentucky? Googlemeister (talk) 14:48, 14 July 2009 (UTC)

title: Talk:Redneck Games


text:
Shah Jahan Begum of Bhopal

Shahjahan Begum (29 July 1838 – 16 June 1901) was the Nawab Begum of Bhopal (the ruler of the Islamic principality of Bhopal in central India) for two periods: 1844–60 (her mother acting as regent), and secondly during 1868–1901.

Biography
Born in Islamnagar, near Bhopal, Shahjahan was the only surviving child of Sikandar Begum of Bhopal, sometime Nawab of Bhopal by correct title, and her husband Jahangir Mohammed Khan. She was recognised as ruler of Bhopal in 1844 at the age of six; her mother wielded power as regent during her minority. However, in 1860, her mother Sikandar Begum was recognised by the British as ruler of Bhopal in her own right, and Shahjahan was set aside. Shahjahan succeeded her mother as Begum of Bhopal upon the death of the latter in 1868.

Having been groomed for leadership of the state, Shahjahan improved the tax revenue system and increased state intake, raised the salaries of her soldiers, modernised the military's arms, built a dam and an artificial lake, improved the efficiency of the police force and undertook the first census after the state suffered two plagues (the population had dropped to 744,000). To balance her budget deficit, she commissioned the farming of opium.

She has been credited with the authorship of several books in Urdu. Among them are the Gauhar-i-Iqbaal, which describes the major events between the 1st and 7th years of her regime and the socio-political conditions of Bhopal at that time. An Account of My Life is the English translation of Sultan Jahan Begum's autobiography, Gauhar-e-Iqbal. It was written by C. H. Payne, who was the education advisor to the Begum. She wrote the Akhtar-i-Iqbaal which is the second part of Gauhar-i-Iqbaal. In 1918 she wrote the Iffat-ul-Muslimaat, where she describes the notions of purdah ad hijab in customs in Europe, Asia, and Egypt.

She was instrumental in initiating the construction of one of the largest mosques in India, the Taj-ul-Masajid, at Bhopal. The construction however remained incomplete at her death and was later abandoned; work was resumed only in 1971. She also built the Taj Mahal palace at Bhopal. While Shahjahan had desired to perform the Muslim pilgrimage to Mecca, frail health and her phobia of shipwrecks prevented her from ever doing so.

Shahjahan Begum made sizeable donations towards the building of a mosque at Woking, Surrey in the UK. She also contributed generously towards the founding of the Muhammadan Anglo-Oriental College at Aligarh, which developed into the Aligarh Muslim University. She also subsidised the cost of a railway to be constructed between Hoshangabad and Bhopal.

In 1855, Shahjahan Begum married Baqi Muhammad Khan, a nobleman of middle rank of Bhopal, as his third wife. He died in 1867. Four years later, Shahjahan married Siddiq Hasan Khan of Kannauj in the then United Provinces. The second marriage was childless. In addition to the deaths of two husbands, Shahjahan also experienced the deaths of two granddaughters.

Shahjahan Begum's final years were spent in leadership of a reasonably well-run state. In 1901 she was afflicted with cancer of the mouth; shortly thereafter, a message was published for the people of Bhopal asking forgiveness if Shahjahan had wronged any of her subjects, causing public grief over the illness of a popular ruler. Shahjahan was visited for one last time by her daughter Sultan Jehan, with whom Shahjahan had not spoken for thirteen years as Shahjahan had blamed her daughter for the death of her first granddaughter; even at this final meeting, Shahjahan refused to forgive her daughter. Shahjahan died shortly thereafter on 6 June 1901, and Sultan Jehan assumed the throne.

Postal services
During her reign the first postage stamps of the Bhopal state were issued. In 1876 and 1878 there were issues of half and quarter anna stamps. Those of 1876 have text "HH Nawab Shahjahan Begam" in an octagonal frame; the 1878 stamps the same text in a round frame and the Urdu form of the Begum's title. The last stamps bearing her name were issued in 1902 with inscription: "H.H. Nawab Sultan Jahan Begam". (The state postal service of Bhopal issued its own postage stamps until 1949; from the second issue of stamps in 1908 official stamps were issued until 1945 and these had the inscriptions "Bhopal State" or "Bhopal Govt." In 1949 two surcharged stamps were issued, the last of Bhopal's own stamps.)

Publications (selected)

 * The Taj-ul Ikbal Tarikh Bhopal, Or, The History of Bhopal, by Shah Jahan Begum, translated from the Urdu by H. D. Barstow. Calcutta: Thacker, Spink, 1876.

title: Shah Jahan Begum of Bhopal