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Third Battle of the Aisne

The Third Battle of the Aisne (3e Bataille de l'Aisne) was part of the German spring offensive during World War I that focused on capturing the Chemin des Dames Ridge before the American Expeditionary Forces arrived completely in France. It was one of a series of offensives, known as the Kaiserschlacht, launched by the Germans in the spring and summer of 1918.

Background
The massive surprise attack (named Blücher-Yorck after two Prussian generals of the Napoleonic Wars) lasted from 27 May until 4 June 1918 and was the first full-scale German offensive following the Lys Offensive in Flanders in April.

The Germans held the Chemin des Dames Ridge from the First Battle of the Aisne in September 1914 to 1917, when General Mangin captured it during the Second Battle of the Aisne (in the Nivelle Offensive).

Operation Blücher-Yorck was planned primarily by General Erich Ludendorff, the First Quartermaster-General of the German Army, who was certain that success at the Aisne would lead the German armies to within striking distance of Paris. Ludendorff, who saw the British Expeditionary Force as the main threat, believed that this, in turn, would cause the Allies to move forces from Flanders to help defend the French capital, allowing the Germans to continue their planned Flanders offensive (Hagen) with greater ease. Thus, the Aisne drive was essentially a large diversionary attack.

The defense of the Aisne area was in the hands of General Denis Auguste Duchêne, commander of the French Sixth Army. In addition, four divisions of the British IX Corps, led by Lieutenant-General Sir Alexander Hamilton-Gordon, held the Chemin des Dames Ridge; they had been posted there to rest and refit after surviving the "Michael" battle.

Battle
On the morning of 27 May 1918, the Germans began a bombardment (Feuerwalze) of the Allied front lines with over 4,000 artillery pieces. The British suffered heavy losses, because Duchene was reluctant to abandon the Chemin des Dames ridge, after it had been captured at such cost the previous year, and had ordered them to mass together in the front trenches, in defiance of instructions from the French Commander-in-Chief Henri-Philippe Petain. Huddled together, they made easy artillery targets.

The bombardment was followed by a poison gas drop. Once the gas had lifted, the main infantry assault by 17 German Sturmtruppen divisions commenced, part of an Army Group nominally commanded by Crown Prince Wilhelm, the eldest son of Kaiser Wilhelm II. The Kaiser came to inspect the progress of the battle. He interviewed captured British Brigadier-General Hubert Rees (GOC 150th Brigade, part of 50th Division). The Kaiser was amused to learn that he was Welsh, the same nationality as Lloyd George.

Taken completely by surprise and with their defences spread thin, the Allies could not stop the attack and the German army advanced through a 40 km gap in the Allied lines. Reaching the Aisne in under six hours, the Germans smashed through eight Allied divisions on a line between Reims and Soissons, pushing the Allies back to the river Vesle and gaining an extra 15 km of territory by nightfall.

The rapid advance resulted in the capture of just over 50,000 Allied soldiers and over 800 guns by 30 May 1918, prompting Ludendorff to change the operational objective from merely drawing away the enemy forces from the right wing of the German Army to advancing the attack of the Seventh Army. This had never been the intention of the operation, and having come within 56 km of Paris on 3 June, the German armies were beset by numerous problems, including heavy casualties, a lack of reserves, fatigue and supply shortages.

Ultimately, following many Allied counter-attacks, the German advance came to a halt three days later.

Aftermath
Despite penetrating Allied lines by approximately 34 mi and coming closer to Paris than any time since 1914, the Germans were successfully halted by the Allies at the Marne on 6 June 1918. By the battle's end, the Germans had suffered 130,000 casualties while the combined total of Allies casualties reached up to 127,000.

For his poor handling of the British and French troops, Duchene was sacked by French Commander-in-Chief Philippe Petain and replaced as commander of the Sixth Army by Jean Degoutte. The battle also marked one of the first instances where an appreciable numbers of American troops participated and had proven themselves in combat.

Ludendorff, encouraged by the gains of Blücher-Yorck, launched further offensives culminating in the Second Battle of the Marne.

title: Third Battle of the Aisne


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Talk:Utopian socialism

Wiki Education Foundation-supported course assignment
This article was the subject of a Wiki Education Foundation-supported course assignment, between 1 September 2020 and 22 December 2020. Further details are available on the course page. Student editor(s): Caribbean Star.

Above undated message substituted from Template:Dashboard.wikiedu.org assignment by PrimeBOT (talk) 12:12, 17 January 2022 (UTC)

Old talk
Saint-Simon Fourier Are terrible to talk to please remove them.

Edit Fix
Someone I know has purposely corrupted this page. Please examine and edit immediately — Preceding unsigned comment added by 209.175.47.160 (talk • contribs) 14:48, 20 December 2005 (UTC)

Possible Spelling Mistakes
There are a lot of spelling mistakes in the article.English is not my first language so i am not sure whether i can edit it or not.pls somebody clarify the errors

Ok. I've resolved the mistakes now Dared111 (talk) 14:50, 12 August 2009 (UTC)

History
Despite what this article says, utopian socialism is all socialist thought going back to the very first socialist text, Utopia by Thomas More. I'd like to ask if anyone has any challenges to this before I spend the time heavily editing this article. --MQDuck 11:24, 22 August 2007 (UTC)

 * As an Anarcho-Capitalist, my knowledge in this area is probably lacking in comparison, but it seems that most articles about Socialism as well as Socioeconomics etc are all to a large extent written in a way that is rather subjective (though I acknowledge that I consider all socialist political ideologies to be subjective) and very much in a specifically Marxist fashion and view. They don't seem representative at all of how, I would think, most socialist actually view these topics. 78.69.217.113 (talk) 21:58, 8 June 2015 (UTC)

Possible revision of the entire article
After a brief read-through of the article, I noticed that it seems to be in need of serious revision. Not only does it appear to be poorly formatted, it also lacks a cohesive definition of what utopian socialism actually is. Most of what is provided in the article is merely a brief history of it and how it was reacted to by different socialist branches. --15 March 2008
 * Indeed. Zazaban (talk) 18:23, 16 September 2009 (UTC)
 * Indeed. And the text only develops around Robert Owen and Charles Fourier while Saint-Simon is as important, while some other names mentioned as "Thinkers", don't seem to belong: Thomas More and Tommaso Campanella — while Christianity have inherent "socialist" traits, [Apg 4:32-37], [Luk 14:33], Anabaptism etc., it is a largely independent movement and doesn't share the antireligious sentiment that true socialism inherited from the Enlightenment. More and Campanella can at most be considered "inspirational sources", but so should then Shakers, Quakers and why not Hutterites? Rursus dixit. ( m bork3 !) 20:43, 9 May 2010 (UTC)
 * I took a whack at it. I tried to include more influential thinkers, but I left the religiously-inspired ones, because they seem to be crossovers between religious and secular socialism, and influenced secular socialists with their ideas. I also mentioned the religious socialists in the lead-in and added a wikilink to that article. We're still weak on refernces, but I used lots of wikilinks to other articles. Ghostofnemo (talk) 02:36, 12 May 2010 (UTC)

This article seems to me needs some serious revision and during a quick look at it I found some strange affirmations. For example how marxism and "scientific socialism" allegedly went "beyond" the affirmations of Utopian socialism and almost made it obsolete while the case is that marxism had to debate with other currents of socialism all the time (anarchism, fabian socialism, "third world" socialisms, etc) during its existence and in many cases these debates happened on issues already raised in utopian socialism. Marxism on itself is a diverse tradition and there are some marxists who dont adhere to the Engels conception of "scientific socialism".

A serious issue is the inclusion of anarchism as some sort of later form of "utopian socialism". Anarchism in no way can be said to be more utopian than marxism. Kropotkin was a theorist very close to scientficist positions and other anarchists actually criticized "utopianism". Anarchist affirmations in many cases were as rigorous as marxist ones and there are some issues in which anarchism might have actually an older and more profound discussion than marxism such as women and LGBT issues and environmentalism.--Eduen (talk) 09:54, 11 November 2010 (UTC)
 * I think the reason some Marxists and some anarchists call it "utopian" socialism is that they feel it is an unrealistic method to achieve radical social change, which they feel requires class struggle and revolution. However, both Marxism and anarchism are utopian in the sense that they envision societies that are far superior to the current system - such societies would be almost perfect (i.e. with little conflict, crime, poverty, disease, etc.), and thus they are utopias. Anarchism is even more utopian than Marxism in the sense that Marxists advocate leaving government in place as a temporary measure during a transition period to a stateless society, while anarchists propose abolishing the state immediately. Ghostofnemo (talk) 06:50, 6 August 2011 (UTC)
 * It seems as if editors feel these issues have been resolved, since they are no longer being discussed, so I'm going to remove the banners at the top of the article about fundamental issues that need to be resolved on the talk page. Ghostofnemo (talk) 23:37, 9 August 2014 (UTC)

Proudhon and Utopian Socialism
"the term "Utopian socialism" was introduced by Karl Marx and Friedrich Engels in The Communist Manifesto in 1848, although Marx shortly before the publication of this pamphlet already attacked the ideas of Pierre-Joseph Proudhon in Das Elend der Philosophie (originally written in French, 1847)"

Except that Proudhon, in 1846, was attacking dick socialists of his time (Saint Simon, Fourier, etc.) for being utopians. Fair enough, he never used the term "utopian socialism" but Marx did AFTER reading "System of Economic Contradictions" in which Proudhon critiqued the socialists as utopians and argued that socialism needed to base itself on developments within capitalism rather than visions of perfect communities...

'Marx and Engels used the term "scientific socialism" to describe the type of socialism they saw themselves developing.'

And Proudhon proclaimed the need for in "What is Property?" (1840).

I would suggest the article gets re-written to better reflect the actual development of the notion of utopian socialism, particularly the contribution of Proudhon's critique which pre-dated Marx's — Preceding unsigned comment added by 2.27.109.238 (talk) 21:15, 3 August 2011 (UTC)
 * I did a quick read through Proudhon's "System of Economic Contradictions" here: http://etext.virginia.edu/toc/modeng/public/ProMise.html but didn't see a concerted attack on utopian socialism (other than to mention that socialism is itself a utopian idea). He does seem to favor a "scientific" approach though. Can you cite the section that you are referring to? Ghostofnemo (talk) 00:16, 15 December 2011 (UTC)

PLUS

in 'For a Ruthless Criticism of Everything Existing", where Marx *actually* mentions utopian socialism for the first, he is talking about Cabet, Dezamy and Weitling, not Proudhon! Actually he mentions how Proudhon has criticized this idea as well! — Preceding unsigned comment added by Platypuss38 (talk • contribs) 02:30, 12 September 2017 (UTC)

Syndicalism banner at bottom of article
Why is there a Syndicalism banner at the bottom of this article? What is the connection? Ghostofnemo (talk) 21:06, 2 June 2014 (UTC)
 * Since utopian socialism and syndicalism are different variants of socialism, I'm going to remove the Syndicalism banner at the bottom of the article, unless someone can give a convincing reason there is a special relationship between utopian socialism and syndicalism. Ghostofnemo (talk) 23:27, 9 August 2014 (UTC) I've added Syndicalism to the "See Also" section. Ghostofnemo (talk) 23:32, 9 August 2014 (UTC)

Development section dominated by Marxism
The "Development" section of the article, which is supposed to be about the development of utopian socialism, is actually about utopian socialism as viewed or defined by Marxists. Maybe this could be improved? Ghostofnemo (talk) 01:20, 13 February 2019 (UTC)

Proudhon and Utopian Socialism
"The term was used by later socialist thinkers to describe early socialist or quasi-socialist intellectuals who created hypothetical visions of egalitarian, communalist, meritocratic, or other notions of "perfect" societies without considering how these societies could be created or sustained."

Actually, this was Proudhon's criticism of those socialists he himself called "utopians" in System of Economic Contradictions. As its stands, the discussion of "utopian socialism" is basically repeating Marxist notions and failing to mention that he is often just repeating Proudhon -- while distorting Proudhon's actual ideas. — Preceding unsigned comment added by 2001:630:301:4621:7040:BE01:294B:825C (talk) 10:56, 1 April 2019 (UTC)
 * Marx was critiquing those he later labeled utopian years before Proudhon's book was published, not to mention bourgeois authors were using "utopian" even earlier to describe Owen, the Fourierists, and Saint-Simonians. At the end of the day the concept of "utopian socialism" as understood by Marx and Engels ended up becoming influential. Proudhon's understanding didn't, and in fact Marx and Engels accused Proudhon of utopianism. --Ismail (talk) 11:37, 8 June 2022 (UTC)
 * Where is the reference for this affirmation? 38.25.27.14 (talk) 17:55, 29 March 2024 (UTC)

"Communitarian socialism" listed at Redirects for discussion
A discussion is taking place to address the redirect Communitarian socialism. The discussion will occur at Redirects for discussion/Log/2020 August 3 until a consensus is reached, and readers of this page are welcome to contribute to the discussion. – Arms & Hearts (talk) 18:48, 3 August 2020 (UTC)

Anonymous edit permission
Use this talksection as a permission to do an edit as non-user and anonymous, IP user. Signed up users can edit with permission Shalomie ☮ (she/her/hers)   •~Talk~•   •Contribs•  06:02, 3 February 2024 (UTC)

 * Why's that? As far as I can see, this article is not semi-protected or extended confirmed protected. They have as much right to be WP:BOLD and edit as you or I. Apparition11 Complaints/ Mistakes 13:15, 3 February 2024 (UTC)
 * Yeah, you're right. It must be protected from vandalism and this page needs 1 year or 6 month semi protection. Thanks @Apparition11 for this correction. Shalomie ☮ (she/her/hers)   •~Talk~•   •Contribs•  13:47, 3 February 2024 (UTC)
 * We must wait before anonymous users edit and vandalise it. I did do reverted edits from @2604:3D09:AE7D:93D0:7918:EEC8:52AA:D8B9 from the article "She (pronoun)" and I copy his edit. Shalomie ☮ (she/her/hers)   •~Talk~•   •Contribs•  13:51, 3 February 2024 (UTC)
 * Yeah, I only see 1 instance of vandalism in the past 2 years. We don't want articles to be protected unless there is a need to. Apparition11 Complaints/ Mistakes 13:55, 3 February 2024 (UTC)
 * And I do not revert the latest edit. If the vandalism continues or many, then the page will be protected or semi-protected Shalomie ☮ (she/her/hers)   •~Talk~•   •Contribs•  14:04, 3 February 2024 (UTC)
 * I will keep the latest revison of this page. Shalomie ☮ (she/her/hers)   •~Talk~•   •Contribs•  14:05, 3 February 2024 (UTC)
 * Thanks @Apparition11 Shalomie ☮ (she/her/hers)   •~Talk~•   •Contribs•  14:26, 3 February 2024 (UTC)

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: Talk:Utopian socialism


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Starglider 2

Starglider 2 is a 3D space combat simulator published in 1988 by Rainbird as the sequel to 1986's Starglider. It was released for the Amiga, Atari ST, MS-DOS, Macintosh, and ZX Spectrum. Instead of the wireframe graphics of the original, Starglider 2 uses flat shaded polygons.

Plot and gameplay
The game features open, continuous gameplay without levels or loading screens after the game had started, despite taking place across an entire planetary system. The player can fly through space, enter a planet's atmosphere, explore the surface, and penetrate tunnels in one seamless movement.

The goal of Starglider 2 is to destroy an enemy space station with a neutron bomb, and the majority of the gameplay consists of collecting parts for the bomb, or fulfilling other prerequisites (e.g. finding the nuclear professor capable of constructing the bomb, or trade goods for the bombs necessary to destroy the shield generators protecting the space station), while fighting off enemy spacecraft, and delivering collected items to depots inside planetary tunnel systems. The various objects needed to complete the game are distributed across the many planets of the solar system, as well as in the intervening space (e.g. asteroids and space pirates), or even in the atmosphere of the gas giant planet.

The flight model is arcade-style as opposed to realistic, as the game features no inertia; the spacecraft banks like an aircraft to turn, in air, outer space, and underground; and it is possible to hover. In addition, the game features many graphic display options, including the ability to eliminate roll, or view the game from outside the cockpit from a non-chase-camera, making it difficult to fly but allowing the player to view the polygonal model of the spacecraft.

The construction of the shield generators and the space station itself progresses continuously over the course of the game, and failure to destroy the space station before construction was complete will result in loss of the game (the space station would be used to destroy the player's home planet). Successfully destroying the space station will not end the game, despite treating the player to a spectacular explosion and congratulatory text; instead, it will simply reset the construction of the space station, and the player can again begin attempting to gain possession of another neutron bomb with which to destroy the station.

Atari ST and Amiga versions
The Atari ST version is one of the few action games that could run on that machine's monochrome display.

The Atari ST and Amiga versions use Argonaut's "Argonaut Dual Loading System", a system whereby the disks are supposed to be interchangeable meaning the Atari ST disk can be used to load the game on an Amiga and vice versa. This was supposed to save money, by allowing publishers to produce a single boxed version of the game for both formats. In practice, the system was unreliable, and after Starglider 2 it was abandoned.

According to The One magazine the Atari ST version "is slightly slower and rather less smooth" and digital sounds effects were not used in the ST version since it would have made the game 20% slower. They consider a lack of "atmosphere" created by sampled sound effects as a major problem in the ST version.

Reception
A review in Computer Gaming World praised the game for being a vast improvement over the original, saying the game had "no real weak points". Minor criticisms were levelled at the game's joystick controls (preferring to control the game with a mouse) and at the game's philosophy of leaving players no clue as to how to succeed. Compute! cited the game's dual-booting feature as "just one of the achievements" of the developers, praising the addition of solid graphics without losing its predecessor's speed.

Zzap!64 called the game a perfect demonstration of Amiga and the best Amiga game, and gave an overall score of 98%.

title: Starglider 2


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Agenor Gołuchowski

Agenor Gołuchowski is the name of:

 * Agenor Romuald Gołuchowski (1812–1875), Polish-Austrian politician
 * Agenor Maria Gołuchowski (1849–1921), Polish-Austrian politician and diplomat, son of Agenor Romuald

title: Agenor Gołuchowski


text:
Talk:Softcore Jukebox

Dead external links to Allmusic website – January 2011
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Mustafa Qureshi

Mustafa Qureshi (born 11 May 1938) is a Pakistani film and television actor.

He has acted in more than 600 movies, in Urdu, Punjabi and Sindhi languages.

He is best remembered for playing the antagonist Noori Natt in Maula Jatt (1979).

He was born into a Sindhi family despite his later work mainly in Punjabi cinema.

Qureshi won Nigar Award for Best Supporting Actor for his performance in Lal Aandhi (1979). He then won his first Nigar Award for Best Actor for 1981 film Sher Khan. He won his third Nigar Award and second in best actor category for his role in Rustam Te Khan (1983).

He was awarded Pride of Performance in 1988.

He has voiced Germander in the Commander Safeguard animated series.

Early life and career
Qureshi was born in Hyderabad, Sindh, on 11 May 1938, and received primary education in Hyderabad, combining both modern and religious studies, later on gaining a Master of Arts degree in Islamic history from Sindh University, being particularly influenced by the scholars Imdad Ali Imam Ali Kazi and Ali Muhammad Rashidi, while after his graduation he began his professional career as a host on Radio Pakistan's Sindhi programme Assan Jo Pakistan ("Our Pakistan"), in 1957.

One day he went to see the shooting of the film Aag Ka Darya (1966) and was spotted by cameraman and future film director Raza Mir, who asked him to act as a villain in his upcoming film, Laakhon Mein Ek (1967). Qureshi initially could not see himself becoming an actor, so he had to be convinced by Mir. Eventually Qureshi agreed to do the film, which became a box-office hit. As of 2016, his film career has spanned 45 years.

Family
He met his wife Rubina Qureshi (d. 2022), a Sindhi folk singer, while both were working for Radio Pakistan, as she was a prominent singer who "sang about 10,000 songs and the total recording time of her songs was more than 50 hours."

Actor and musician Aamir Qureshi is his son.

Politics
Having been associated with the Pakistan Peoples' Party since he met Zulfiqar Ali Bhutto, describing himself as an "ideological worker" and at one point even becoming head of PPP’s culture wing, over the decades, like many Bhutto loyalists, he eventually became disillusioned with how the party evolved, and has since 2018 been associated with Imran Khan's Pakistan Tehreek-e-Insaf.

Selected filmography
Notable films
 * Lakhon Mein Aik (1967). Mustafa Qureshi's debut film. He was introduced in this film by film director Raza Mir.
 * Andleeb (1969)
 * Khatarnak (1974). The movie which launched him as a major villain.
 * Toofan (1976)
 * Zindagi (1978)
 * Maula Jatt (1979)
 * Lal Aandhi (1979)
 * Ghulami (1985)
 * Jeeva (1995)
 * Sargam (1995)
 * Chief Sahib (1996)
 * Zill-e-Shah (2008)
 * Shareeka (2012)
 * Sultanat (2014)
 * Shor Sharaba (2018)
 * Tere Bajre Di Rakhi (2022)

Awards and recognition

 * Pride of Performance Award in 1988 by the President of Pakistan

Nigar Awards

 * Won – Nigar Award for Best Supporting Actor – Lal Aandhi (1979)
 * Won – Nigar Award for Best Supporting Actor – Sher Khan (1981)
 * Won – Nigar Award for Best Supporting Actor – Rustam Te Khan (1983)

title: Mustafa Qureshi


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User talk:Lovely madly deeply 2005

Welcome!

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Disputed fair use rationale for Image:Blitzkrieg album sinsandgreed.jpg
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Orphaned non-free image (Image:Blitzkrieg album ATimeofChanges.jpg)
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title: User talk:Knightmare


text:
User talk:Kerstanj

Welcome!

Hello,, and welcome to Wikipedia! Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! Please sign your name on talk pages using four tildes (~~); this will automatically produce your name and the date. If you need help, check out Where to ask a question, ask me on my talk page, or place  on your talk page and someone will show up shortly to answer your questions. Again, welcome! CambridgeBayWeather 06:44, 3 October 2005 (UTC)
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March 2010
Welcome to Wikipedia. Although everyone is welcome to contribute to Wikipedia, at least one of your recent edits, such as the one you made to Fibonacci, did not appear to be constructive and has been reverted. Please use the sandbox for any test edits you would like to make, and read the welcome page to learn more about contributing constructively to this encyclopedia. Thank you.  SCΛRECROW CrossCom 08:42, 18 March 2010 (UTC)

Welcome to Wikipedia. Everyone is welcome to contribute to the encyclopedia, but when you add or change content please cite a reliable source for the content of your edit. This helps maintain our policy of verifiability. Take a look at Citing sources for information about how to cite sources and the welcome page to learn more about contributing to this encyclopedia. Thank you. —  Jeff G. ツ  22:30, 1 November 2010 (UTC)

Speedy deletion of "James Kerstan"
A page you created, James Kerstan, has been tagged for deletion, as it meets one or more of the criteria for speedy deletion; specifically, it is a test page. Use the sandbox for testing.

You are welcome to contribute content which complies with our content policies and any applicable inclusion guidelines. However, please do not simply re-create the page with the same content. You may also wish to read our introduction to editing and guide to writing your first article.

Thank you.  Wayne Olajuwon  chat   22:34, 1 November 2010 (UTC)

November 2010
The recent edit you made to March 30 constitutes vandalism, and has been reverted. Please do not continue to vandalize pages; use the sandbox for testing. Thank you. Alansohn (talk) 22:44, 1 November 2010 (UTC)

Please do not vandalize pages, as you did with this edit to 1995. If you continue to do so, you will be blocked from editing. Alansohn (talk) 22:44, 1 November 2010 (UTC)

This is your last warning. You will be blocked from editing the next time you vandalize a page, as you did with this edit to March 30. —  Jeff G. ツ  22:44, 1 November 2010 (UTC) You have been blocked from editing for a period of 31 hours for Vandalism. If you wish to make useful contributions, you may do so when the block expires. If you feel this block is unjustified, you may contest it by adding the text below. Tom N (tcncv) talk/contrib 22:49, 1 November 2010 (UTC)

This is the final warning that you will receive regarding your disruptive edits. The next time you vandalize a page, you may be blocked from editing without further notice. Wizardman Operation Big Bear 22:15, 8 November 2010 (UTC)

You have been blocked indefinitely from editing because your account is being used only for vandalism. If you would like to be unblocked, you may appeal this block by adding below this notice the text, but you should read the guide to appealing blocks first. Materialscientist (talk) 22:21, 8 November 2010 (UTC)

title: User talk:Kerstanj


text:
User talk:Jjarnesen

Welcome!

Hello,, and welcome to Wikipedia! Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! Please sign your name on talk pages using four tildes (~~); this will automatically produce your name and the date. If you need help, check out Where to ask a question, ask me on my talk page, or place  on your talk page and someone will show up shortly to answer your questions. Again, welcome! CambridgeBayWeather 06:44, 3 October 2005 (UTC)
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title: User talk:Jjarnesen


text:
User talk:Lwestrope

Welcome!

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title: User talk:Lwestrope


text:
User talk:Mifune~enwiki

Welcome!

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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Mifune. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Mifune~enwiki that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name. If you think you might own all of the accounts with this name and this message is in error, please visit Special:MergeAccount to check and attach all of your accounts to prevent them from being renamed.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 01:48, 20 March 2015 (UTC)

Renamed
 This account has been renamed as part of single-user login finalisation. If you own this account you can |log in using your previous username and password for more information. If you do not like this account's new name, you can choose your own using this form after logging in: . -- Keegan (WMF) (talk) 16:21, 22 April 2015 (UTC)

title: User talk:Mifune~enwiki


text:
User talk:Zdover

Welcome!

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title: User talk:Zdover


text:
User talk:Sniperjam

Welcome!

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title: User talk:Sniperjam


text:
User talk:Smgross

Welcome!

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License tagging for Image:Uss oakland.jpg
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NowCommons: File:Uss oakland.jpg
File:Uss oakland.jpg is now available on Wikimedia Commons as Commons:File:Mast of USS Oakland CL-95 at Oakland.jpg. This is a repository of free media that can be used on all Wikimedia wikis. The image will be deleted from Wikipedia, but this doesn't mean it can't be used anymore. You can embed an image uploaded to Commons like you would an image uploaded to Wikipedia, in this case:. Note that this is an automated message to inform you about the move. This bot did not copy the image itself. --Erwin85Bot (talk) 10:56, 8 August 2009 (UTC)

title: User talk:Smgross


text:
Richard Taruskin

Richard Filler Taruskin (April 2, 1945 – July 1, 2022) was an American musicologist and music critic who was among the leading and most prominent music historians of his generation. The breadth of his scrutiny into source material as well as musical analysis that combines sociological, cultural, and political perspectives has incited much discussion, debate and controversy. He regularly wrote music criticism for newspapers including The New York Times. He researched a wide variety of areas, but a central topic was Russian music from the 18th century to the present day. Other subjects he engaged with include the theory of performance, 15th-century music, 20th-century classical music, nationalism in music, the theory of modernism, and analysis. He is best known for his monumental survey of Western classical music, the six-volume Oxford History of Western Music. His awards include the first Noah Greenberg Award from the American Musicological Society in 1978 and the Kyoto Prize in Arts and Philosophy in 2017.

Early life and education
Richard Filler Taruskin was born on April 2, 1945, in New York. Taruskin was raised in a family described as liberal, intellectual, Jewish and musical; his mother, Beatrice (Filler), was a piano teacher and father, Benjamin Taruskin, an amateur violinist. He attended the High School of Music & Art, now part of Fiorello H. LaGuardia High School, where he studied cello. Taruskin went on to receive his B.A. magna cum laude (1965), M.A. (1968), and Ph.D. in historical musicology (1976) from Columbia University. As a choral conductor he directed the Columbia University Collegium Musicum. He played the viola da gamba with the Aulos Ensemble from the late 1970s to the late 1980s.

During his PhD studies, he worked with Paul Henry Lang, who had pioneered placing music within its socio-cultural context, as in Music in Western Civilization. Through a family member who had stayed in Russia after the Revolution, Taruskin had access to recordings of Russian operas besides the most familiar ones, which sparked his interest in Russian music. He went to Moscow for a year on a Fulbright Scholarship, where he was interested not only in the language and music, but also in the way music connects to social and political history. In the 1980s he explored the archives of Igor Stravinsky when they were held by the New York Public Library.

Career
Taruskin was on the faculty of Columbia University from 1975 until 1986. He then moved to California as a professor of musicology at the University of California, Berkeley, where he held the Class of 1955 Chair. He retired from Berkeley at the end of 2014.

Taruskin published his first book in 1981, Opera and Drama in Russia as Preached and Practiced in the 1860s. He also wrote extensively for lay readers, including numerous articles in The New York Times beginning in the mid-1980s. They were often "lively, erudite, fiercely articulate" and controversial, with targets such as Elliott Carter, Carl Orff, and Sergei Prokofiev. Many of his articles were collected in books such as Text and Act, a volume that exhibits him as having been an influential critic of the premises of the "historically informed performance" movement in classical music,  The Danger of Music and Other Anti-Utopian Essays, and On Russian Music. His writings frequently took up social, cultural, and political issues in connection with music—for example, the question of censorship. A specific instance was the debate over John Adams’s opera The Death of Klinghoffer.

Taruskin's extensive 1996 study Stravinsky and the Russian Traditions: A Biography of the Works through Mavra showed that Igor Stravinsky drew more heavily on Russian folk material than had previously been recognized. The book analyzed the historical trends that caused Stravinsky not to be forthcoming about some of these borrowings.

His survey of Western classical music appeared as the six-volume Oxford History of Western Music. The first volume, devoted to Music from the Earliest Notations to the Sixteenth Century, "wove facts and impressions from histories, visual art and architecture", and was characterized at the time of his death as possibly "the best overall introduction to 'early music' available".

Personal life and death
Taruskin married Cathy Roebuck in 1984. They had two children. He died from esophageal cancer at a hospital in Oakland, California, on July 1, 2022, aged 77.

Awards and honors
Taruskin received numerous awards and honors for his scholarship. In 1978, he was the first recipient of the Noah Greenberg Award from the American Musicological Society (AMS) for his research and recording of Ockeghem's Missa prolationum. He received the Alfred Einstein Award (1980) from the AMS and the Dent Medal (1987) from the Royal Musical Association. He received the Otto Kinkeldey Award from the AMS twice, in 1997 and 2006. In 1998, he was elected to the American Philosophical Society. The American Society of Composers, Authors and Publishers awarded him the Deems Taylor Award in 1988 and again in 2006. In 2017 he was the recipient of the Kyoto Prize in Arts and Philosophy (Music). In 2012, a conference honoring him and his work, After the End of Music History, was held at Princeton University.

Publications
Sources:

Books

 * Republished in 1993, Rochester: University of Rochester Press

title: Richard Taruskin


text:
User talk:Oskari89

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title: User talk:Oskari89


text:
User talk:Zeco~enwiki

Welcome!

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Your account will be renamed
Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Zeco. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Zeco~enwiki that only you will have. If you like it, you don't have to do anything. If you do not like it, you can pick out a different name. If you think you might own all of the accounts with this name and this message is in error, please visit Special:MergeAccount to check and attach all of your accounts to prevent them from being renamed.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours, Keegan Peterzell Community Liaison, Wikimedia Foundation 04:15, 20 March 2015 (UTC)

Renamed
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title: User talk:Zeco~enwiki


text:
Agenor Maria Gołuchowski

Count Agenor Maria Adam Gołuchowski (25 March 1849 – 28 March 1921) was a Polish statesman who inherited much of his father's wealth. Between 1895 and 1906 he served as the Minister of Foreign Affairs of Austria-Hungary. He was responsible for a period of détente in Austrian relations with Imperial Russia, harmed due to the Austrian and Russian struggle for control of the Bosporus. From 1907 he headed the Polish Group in the Herrenhaus, the upper chamber of the Austrian parliament.

Early life
He was a son of Count Agenor Gołuchowski, who descended from an old and noble Polish family, was governor of Galicia. His brother, Adam Gołuchowski, was also an MP and Marshal of Galicia.

Entering the diplomatic service, the son was in 1872 appointed attaché to the Austrian embassy in Berlin, where he became secretary of legation, and thence he was transferred to Paris. After rising to the rank of counsellor of legation, he was in 1887 made minister at Bucharest, where he remained until 1893.

Career
In these positions he acquired a great reputation as a firm and skilful diplomatist, and on the retirement of Count Kálnoky in May 1895 was chosen to succeed him as Austro-Hungarian minister for foreign affairs. The appointment of a Pole caused some surprise in view of the importance of Austrian relations with Russia (then rather strained) and Germany, but the choice was justified by events. In his speech of that year to the delegations he declared the maintenance of the Triple Alliance, and in particular the closest intimacy with Germany, to be the keystone of Austrian policy; at the same time he dwelt on the traditional friendship between Austria and Great Britain and expressed his desire for a good understanding with all the powers. In pursuance of this policy he effected an understanding with Russia, by which neither power was to exert any separate influence in the Balkan peninsula, and thus removed a long-standing cause of friction.

This understanding was formally ratified during a visit to Saint Petersburg, on which he accompanied the emperor in April 1897. He took the lead in establishing the European concert during the Armenian massacres of 1896, and again resisted isolated action on the part of any of the great powers during the Cretan troubles and the Greco-Turkish War. In November 1897, when the Austro-Hungarian flag was insulted at Mersina, he threatened to bombard the town if instant reparation were not made, and by his firm attitude greatly enhanced Austrian prestige in the East. In his speech to the delegations in 1898 he dwelt on the necessity of expanding Austria's mercantile marine, and of raising the fleet to a strength which, while not vying with the fleets of the great naval powers, would ensure respect for the Austrian flag wherever her interests needed protection. He also hinted at the necessity for European combination to resist American competition.

The understanding with Russia in the matter of the Balkan states temporarily endangered friendly relations with Italy, who thought her interests threatened, until Gołuchowski guaranteed in 1898 the existing order. He further encouraged a good understanding with Italy by personal conferences with the Italian foreign minister, Tommaso Tittoni, in 1904 and 1905.

Count Lamsdorff visited Vienna in December 1902, when arrangements were made for concerted action in imposing on the sultan reforms in the government of Macedonia. Further steps were taken (the Mürzsteg reforms) after Gołuchowski's interview with the tsar at Mürzsteg in 1903, and two civil agents representing the countries were appointed for two years to ensure the execution of the promised reforms. This period was extended in 1905, when Gołuchowski was the chief mover in forcing the Porte, by an international naval demonstration at Mitylene, to accept financial control by the powers in Macedonia. At the Algeciras Conference assembled to settle the First Moroccan Crisis, Austria supported the German position, and after the close of the conferences the emperor Wilhelm II of Germany telegraphed to Gołuchowski: "You have proved yourself a brilliant second on the duelling ground and you may feel certain of like services from me in similar circumstances". This pledge was redeemed in 1908, when Germany's support of Austria in the Balkan crisis proved conclusive.

By the Hungarians, however, Gołuchowski was hated; he was suspected of having inspired the emperor's opposition to the use of Magyar in the Hungarian army, and was made responsible for the slight offered to the Magyar deputation by Franz Joseph I of Austria in September 1905. So long as he remained in office there was no hope of arriving at a settlement of a matter which threatened the disruption of the Dual Monarchy, and on the 11 October 1906 he was forced to resign.

From 1895, he was also a conservative member of the Herrenhaus (House of Lords) of the Imperial Parliament in Vienna, and from 1907 was chairman of the influential “Poland Block,” the group of Polish members.

Once Congress Poland had been conquered in the First World War, he supported the ‘Austrian solution', that is joining Congress Poland to Austria, thus marinating the ‘dual’ (Austria and Hungary) monarchy, as opposed to the ‘tripartite’ solution of uniting Congress Poland with Austrian Galicia as a third constituent part of a Triple Monarchy (Austria, Hungary, and Poland).

Personal life
Gołuchowski was married to Princess Anna Napoléona Karolina Alexandrine Murat (1863–1940), a daughter of Joachim, 4th Prince Murat and the former Malcy Louise Caroline Berthier de Wagram and younger sister of Joachim, 5th Prince Murat. Princess Anna was a granddaughter of Lucien, 3rd Prince Murat, himself the second son of Gen. Joachim Murat, who married Napoleon's sister, Caroline Bonaparte, and was made King of Naples. They were the parents of:

 * Agenor Maria Gołuchowski (1886–1956), who married Countess Matylda Baworów-Bawarowska, a daughter of Count Rudolf Bawarów-Bawarowski.
 * Wojciech Maria Agenor Gołuchowski (1888–1960), who married Countess Sophie Marie Czesława Baworów-Baworowska, a daughter of Count Michael Viktor Anton Baworów-Baworowska.
 * Karol Gołuchowski

He died in Lwów on 29 March 1921.

Honours
He received the following orders and decorations: •  Austria-Hungary:

• * Knight of the Iron Crown, 3rd Class, 1878; 1st Class, 1893

• * Commander of the Order of Franz Joseph, with Star, 1883

• * Knight of the Golden Fleece, 1896

• * Grand Cross of the Royal Hungarian Order of St. Stephen, 1897; in Diamonds, 1906

•  Tuscan Grand Ducal Family: Grand Cross of St. Joseph

•  Sovereign Military Order of Malta: Knight of Honour and Devotion, 1871; Bailiff Grand Cross, 1896

•  Russian Empire:

• * Knight of St. Alexander Nevsky, in Diamonds, 1896

• * Knight of St. Andrew, in Diamonds, 1897

•  Kingdom of Prussia:

• * Knight of the Royal Crown Order, 4th Class, 10 September 1872

• * Knight of the Red Eagle, 1st Class, 1896

• * Knight of the Black Eagle, 30 April 1896; in Diamonds, 1900

•  undefined: Honorary Grand Cross of the Royal Victorian Order, 9 October 1903

•  Kingdom of Italy: Knight of the Annunciation, with Collar, 7 November 1897

•  undefined: Grand Cross of the Order of Charles III, with Collar, 19 October 1906

•  Kingdom of Bavaria: Knight of St. Hubert, 1897

•  Kingdom of Saxony: Knight of the Rue Crown, 1897

•  Württemberg: Grand Cross of the Württemberg Crown, 1900

•  Holy See: Grand Cross of St. Gregory the Great, 1894

•  Ottoman Empire: Order of Osmanieh, 1st Class in Diamonds, 1902

•  Persian Empire: Order of the August Portrait, in Diamonds

• 🇸🇪 🇳🇴 Sweden-Norway: Knight of the Seraphim, 25 February 1904

•  Qing dynasty: Order of the Double Dragon, Class I Grade III, 1902; with Pearls, 1905

•  Kingdom of Portugal: Grand Cross of the Tower and Sword, 1897

• 🇧🇪 Belgium: Grand Cordon of the Order of Leopold, 1903

• 🇬🇷 Kingdom of Greece: Grand Cross of the Redeemer, 1902

•  Kingdom of Romania:

• * Grand Cross of the Star of Romania, 1894; in Diamonds, 1896

• * Grand Cross of the Crown of Romania, 1894

•  Kingdom of Serbia: Grand Cross of the White Eagle

•  Empire of Japan: Grand Cordon of the Rising Sun, 1896; with Paulownia Flowers, 1898

•  Siam: Grand Band of the White Elephant, 1897

•  Saxe-Weimar-Eisenach: Grand Cross of the White Falcon, 1901

•  Mecklenburg: Grand Cross of the Wendish Crown

•  Ethiopian Empire: Grand Cross of the Star of Ethiopia

•  Parmese Ducal Family: Grand Cross of the Constantinian Order of St. George

•  Principality of Montenegro: Grand Cross of the Order of Prince Danilo I

•  Principality of Bulgaria: Grand Cross of St. Alexander, 1897

•  undefined:

• * Commander of the Legion of Honour, 1872

• * Officer of the Ordre des Palmes académiques, 1872

title: Agenor Maria Gołuchowski


text:
Bugia

Bugia may refer to:

 * Béjaïa, a port city in Eastern Algeria near the mountains of Little Kabylia
 * Béjaïa Province
 * a candle, especially used as the name for an additional candle carried by a server standing beside a bishop at some Christian (particularly Roman Catholic) liturgical celebrations
 * La Bugia ("the Candle"), a book of verses, by Massimiliano Palombara (1656)

title: Bugia


text: User talk:210.23.126.98

title: User talk:210.23.126.98


text:
Magomed Tolboyev

Magomed Omarovich Tolboyev (Магомед Омарович Толбоев; born 20 January 1951) is a former high-profile Soviet-era test pilot who initially came to public attention as a test pilot for the Buran space shuttle. He is from Dagestan. He continued his career after the collapse of the Soviet Union, working on both civilian and military aircraft in Russia, and held several governmental appointments including in the Aviation Ministry. He was decorated with the title Hero of Russia and other honors before retiring from active service. He continues to be a part-time consultant and commentator on aviation issues.

Tolboyev was the focus of media attention due to an attack on him by police officers in Moscow. They brutally beat him because of his name that sounded like he was a Chechen, although he in fact was a member of Avar people.

Tolboyev's younger brother, Taygib, was also a test pilot, and a Hero of the Russian Federation.

title: Magomed Tolboyev


text:
Wikipedia talk:Articles for deletion/Highbreed

Please merge it or move my article The username is [censored]
 * Do delete please it is hard valuable information.


text:
User talk:Trdonovan

Welcome!

Hello,, and welcome to Wikipedia! Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers: I hope you enjoy editing here and being a Wikipedian! Please sign your name on talk pages using four tildes (~~); this will automatically produce your name and the date. If you need help, check out Where to ask a question, ask me on my talk page, or place  on your talk page and someone will show up shortly to answer your questions. Again, welcome! --Merovingian (t) (c) 06:48, 3 October 2005 (UTC)
 * The five pillars of Wikipedia
 * How to edit a page
 * Help pages
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 * How to write a great article
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Disputed fair use rationale for Image:LisaLoeb-medium.jpg
Thanks for uploading Image:LisaLoeb-medium.jpg. However, there is a concern that the rationale you have provided for using this image under "fair use" may be invalid. Please read the instructions at Non-free content carefully, then go to the image description page and clarify why you think the image qualifies for fair use. Using one of the templates at Fair use rationale guideline is an easy way to ensure that your image is in compliance with Wikipedia policy, but remember that you must complete the template. Do not simply insert a blank template on an image page.

If it is determined that the image does not qualify under fair use, it will be deleted within a couple of days according to our criteria for speedy deletion. If you have any questions please ask them at the media copyright questions page. Thank you.BetacommandBot 22:58, 6 November 2007 (UTC)

Lisa Loeb
Hey Gimmetrow; I see you changed out my Lisa Loeb picture insertion back to the previous Flickr photograph taken by a fan. I was actually asked to make that change on behalf of Lisa's management, and that is the picture they asked me to put up. So if I'm not marking it correctly, please let me know. But the picture is indeed and authorized image to be placed up there. Thanks, User:Trdonovan(Talk)
 * Hello. Strange as it may sound, but Wikipedia rarely uses images identified as "for Wikipedia use only" unless they are historically important. The reason is that Wikipedia is committed to free content, free as in speech, so that anyone can reuse whatever is here. The way to handle this is to release one image under a Wikipedia-compatible license. It doesn't have to be public domain; you can require attributed and can restrict other users from changing the licensing. That's a creative-commons-share-alike-attribution-2.0 license. But you can't say "for Wikipedia use only" or "for non-commercial use only". If you have any other questions, let me know. Gimmetrow 02:30, 22 May 2008 (UTC)

Possibly unfree Image:Ll-2008-promo.png
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Orphaned non-free media (File:Bestof ll.jpg)
Thanks for uploading File:Bestof ll.jpg. The media description page currently specifies that it is non-free and may only be used on Wikipedia under a claim of fair use. However, it is currently orphaned, meaning that it is not used in any articles on Wikipedia. If the media was previously in an article, please go to the article and see why it was removed. You may add it back if you think that that will be useful. However, please note that media for which a replacement could be created are not acceptable for use on Wikipedia (see our policy for non-free media).

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title: User talk:Trdonovan


text:
User:Wwfanz

Hello. My name is Jenn. I'm 22 and from Baltimore County, Maryland. I am a fan of professional wrestling and love all types of music. I suffer from selective mutism and tend to procrastinate alot. I have a habit of just browsing around random Wikipedia pages and correcting stuff. I'm not one to stay in one fandom as I did in the past.

More About Me

 * My LJ
 * My Listening Stats
 * My DVD Collection
 * My Diggs

Professional Wrestling
I started watching around the age of 12 and have been addicted ever since. My first favorite, who will always be my favorite, was The Rock. He has moved on to become my favorite actor as well. My favorite Diva changed a couple times. First it was Stephanie McMahon, then Lita on-and-off with Stephanie, followed by Stacy Keibler after her debut and finally Mickie James after Stacy left for Dancing with the Stars (and Lita retired). I'm still bitter over the end of Super Stacy, which was my favorite gimmick ever. I just hope I'm still not bitter ten years from now.

I mostly just watch WWE and TNA's programming (excluding the Pay Per Views, not counting WrestleMania), but I try to watch other things. However, since ECW replaced Velocity, it seems like I get burnt out on wrestling easier.

Star Wars
I first saw Episode IV back in elementary school, for reasons I don't remember. I decided to check out Episode V and Episode VI and could not stop watching all three for the whole summer. A few years later I read a couple (two) Expanded Universe books in middle school, but can't remember either for the life of me. Episodes I & II came and went without too much excitement, but I watched Episode III a good dozen times after it's release because of one thing. Darth Vader.

I've never been a big fan of the games, but I loved TIE Fighter. I have also played Episode I Racer and Star Wars: The Clone Wars, but never outside of multi-player mode in the latter.

Power Rangers
I watched Mighty Morphin Power Rangers since it's creation until it's demise. I continued on with Power Rangers: Zeo followed by Power Rangers: Turbo. I would have stopped watching halfway through the season if it wasn't for my younger sister, who was a fan of the Justin Stewart character. Although, if it wasn't for that, I would have never seen the Power Rangers in Space season. After six seasons, I decided to stop watching. Not to mention Power Rangers: Lost Galaxy just seemed like crap after watching the first episode. Years later, September 2005 to be exact, ABC Family was airing Mighty Morphin Power Rangers: The Movie and I got nostalgic watching it. I decided to look up additional air times when I found out they aired old episodes weekday mornings. From January to August 2006, I watched the first five seasons every morning. I also looked up a couple episodes of Power Rangers: Dino Thunder, since Jason David Frank (aka Tommy Oliver) returned for that season. However, I couldn't really bare to watch anything that he was not in at the time. After ABC Family stopped the Jetix programming, I got desperate for Power Rangers on my TV. I found out that ABC aired Power Rangers: Mystic Force, but was hesitant to watch with my biased opinion on the originals and it being on at 5am. Then, during one of my nocturnal stints, I decided "what the hell" and turned it on. I didn't really catch on until a couple more episodes, but it turned out to be not that bad. I continued with Power Rangers: Operation Overdrive and have now caught up with every season that has been released, with Power Rangers: Time Force and Power Rangers: Ninja Storm being my favorites. However, Power Rangers: Zeo is still my favorite overall.

Dark Angel
I was a fan of the short-lived show during it's original run on Fox. I watched it weekly for the most part, when they weren't screwing with the time slots. But I caught those during the re-run weeks. Awhile after it was canceled, I just forgot about it. Not completely, but it was pushed back in my mind. After finding out that Sci-Fi was airing the series, but at a time inconvenient for me, I decided to pick up both seasons on DVD. It's now regularly a fixture in my DVD player.

Bionic Woman
My Dark Angel obsession led me to another show, Bionic Woman. I watched the premiere, since I had nothing to watch on Wednesday nights, and I liked it. It had that hint of similarity to hook me, but was still completely different. After buying it on DVD, I began to like even more. Which, in turn, made me sad that it most likely will not come back with more episodes.

My Additions
Here are just a few of the pages I have created.

 * Ladies in Pink
 * WWE Originals
 * WWE Anthology
 * Template:WWE-photo
 * Live Trucker
 * Fantastic 4: The Album
 * Celebrity Duets

title: User:Wwfanz


text:
Wikipedia:Articles for deletion/Farassoo

 * The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or on a Votes for Undeletion nomination).  No further edits should be made to this page.

The result of the debate was DELETE. -Splash talk 17:50, 16 October 2005 (UTC)

Farassoo
Not notable. brenneman (t) (c) 06:49, 3 October 2005 (UTC)
 * Delete nn/advert. MCB 06:59, 3 October 2005 (UTC)
 * Delete, advertising. — J I P | Talk 07:15, 3 October 2005 (UTC)
 * Delete Advertising.--RicardoC 12:44, 5 October 2005 (UTC)
 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in an undeletion request). No further edits should be made to this page.


text:
Stay with Me Tonight (The Human League song)

"Stay with Me Tonight" is a song by English synth-pop band the Human League, released in January 1996 by East West Records as a single from their second compilation album, Greatest Hits (1995). It was jointly written by Philip Oakey and producer Ian Stanley, features lead vocals by Oakey; with backing by co-vocalists Susan Ann Sulley and Joanne Catherall. Post production by re-mixers 'Space Kittens'. No music video was prodoced for the single.

Background
"Stay with Me Tonight" was recorded at Human League Studios in Sheffield during 1995. It was released as a single in the UK on 8 January 1996 by East West Records, where it reached number 40 in the UK singles chart (the band's final UK Top 40 hit to date) remaining the chart for two weeks. The track is the only exclusive track on the 1995 version of the Greatest Hits compilation album.

Lyrically the song is (another) story by Oakey about being left by a girlfriend, and is written about their last night together.

Critical reception
It was critically well received, but was not heavily promoted and did not sell in large enough quantities to make any impact on the charts.

In her review of the song, Jennifer Nine from Melody Maker remarked "those backing vocals! Oooh, that unabashed Oakey glide! Ahhh, those ludicrously Sputniktastic synths!" Mark Beaumont from NME described it as "a sparkling Hi-NRG pop sucker-punch swathed in synthesized sitars and containing approximately six-eights of a tune." Music Week gave "Stay with Me Tonight" three out of five, adding, "The League are on a roll, but this frenetic new offering written for their Greatest Hits package works best in its pounding club mixes." James Hamilton from the Record Mirror Dance Update described it as "bin shaking dynamite for megawatt speaker".

Music video
No official music video was ever recorded or released for "Stay with Me Tonight". However, in 1997 producer John von Ahlen of Subterrane Records created an unofficial video that was distributed on the internet. The von Ahlen video utilized animated stills using 3dfx and version 4.2 of Adobe Premiere. It has now become the de facto music video for the track.

Track listings

 * 12" vinyl
 * A1 "Stay with Me Tonight" (Biff & Memphis Remix) – 6:45
 * A2 "Stay with Me Tonight" (Space Kittens Vocal Mix) – 8:35
 * B1 "Stay with Me Tonight" (Biff & Memphis Dub Mix) – 6:46
 * B2 "Stay with Me Tonight" (Space Kittens Future Dub) – 9:01

 * CD single
 * 1) "Stay with Me Tonight" – 4:00
 * 2) "Stay with Me Tonight" (Space Kittens Vocal Mix) – 8:35

 * CD maxi
 * 1) "Stay with Me Tonight" (Space Kittens Vocal Mix) – 8:35
 * 2) "Stay with Me Tonight" (Space Kittens Future Dub) – 9:01
 * 3) "Stay with Me Tonight" (Biff & Memphis Remix) – 6:45
 * 4) "Stay with Me Tonight" (Biff & Memphis Dub) – 6:46


text: File:Ladytronsoftcorejukebox.jpg

title: File:Ladytronsoftcorejukebox.jpg


text:
The Fifth Missile

The Fifth Missile is a 1986 television movie starring Robert Conrad, Sam Waterston and David Soul about an American ballistic missile submarine, based on the novel The Gold Crew by Frank M. Robinson and Thomas N. Scortia. With the exception of Cmdr. Van Meer, the ship's crew goes slowly insane due to exposure to paint chemicals onboard and believes a missile test exercise is, in fact, nuclear war. It explores the inability of U.S. command structures to control and prevent rogue submarine officers from launching ballistic missiles.

Cast

 * Robert Conrad – Cmdr. Mark Van Meer
 * Sam Waterston – Capt. Allard Renslow
 * Richard Roundtree – Cmdr. Frederick Bryce
 * Jonathan Banks – Ray Olson
 * Art LaFleur – "Animal" Meslinsky
 * Dennis Holahan – Warden
 * Sergio Fantoni – Pietro
 * Yvette Mimieux – Cheryl Leary
 * David Soul – Capt. Kevin Harris
 * Ed Bishop – Admiral Stewart Cullinane
 * William Berger – Dr. Strickland

title: The Fifth Missile


text: Talk:Fats

title: Talk:Fats